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Speaker 1: Give me something, give me some gap down, give me

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Speaker 1: some of that names Ville box shiping two fifteens some

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Speaker 1: sixes on their beach, but they just stuck on them.

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Speaker 1: They're rubbing like a motherfucker, coming down the coming kitchen, pulling,

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Speaker 1: squeaking like a motherfucker. But they beat all motor Yeah,

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Speaker 1: play me something like that. That's all I need. Oh

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Speaker 1: this this feels like when you gotta warm your breakfast up,

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Speaker 1: like like somebody in the cooking and you woke up there,

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Speaker 1: you won't be able to get well, you gotta be

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Speaker 1: warmed up. Yeah, yeah, that's what they feel like. This

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Speaker 1: feels like when you finished what do you at school? Grad? Yeah? Yeah,

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Speaker 1: were just then finally give me hit the road. Yeah,

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Speaker 1: you get your time to get you out of school

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Speaker 1: and started your ship up and talking about just got

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Speaker 1: your license back. Yeah, I'm talking about your baby. Mom

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Speaker 1: called and she said, never mind, I ain't don't matter

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Speaker 1: what they never mattered, go to that just good. What

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Speaker 1: don't you love one of motherucking Caciloria? Hell yeah, the

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Speaker 1: same thing. They I love one of mother Were like,

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Speaker 1: no worries about the way he's going on anyway. They

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Speaker 1: don't even care about what I don't even matter. Yeah,

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Speaker 1: I funk with that. Weren't here, We're in't here. We

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Speaker 1: got a special tape. What you're talking about? This special

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Speaker 1: where you never know who's gonna be in the trap

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Speaker 1: with us? Did you tell them when you look outside

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Speaker 1: and just be niggas outside rolling up and see you.

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Speaker 1: But oh what, because I'm glad you're saying something right. No,

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Speaker 1: but we got some real niggas in hell was by man.

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Speaker 1: First of all, we've got one of the coldest motherfucking

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Speaker 1: producers in the motherfucking game right here, just sitting here, chilling,

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Speaker 1: and they we here, well name I believe hill Boy.

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Speaker 1: I show this nigga how to hit the beat machines.

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Speaker 1: Come on, man, hey, I in same way, man in

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Speaker 1: same wing. Here for one for me. Bro we start

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Speaker 1: talking about I don't let Then we got mother fucking

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Speaker 1: cash videos on this nigga got so much rap game history.

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Speaker 1: You can mention g Unit, you can mentioned cash money man,

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Speaker 1: you can mention Dr Dre, you can mention niggas like

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Speaker 1: you can mention all of them niggas. And he was

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Speaker 1: really right there with him, ready to knock some out

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Speaker 1: about and it's Dutio ready to wrap circle around the

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Speaker 1: nigger too. My mother, man, this nigga hand of motherfucking

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Speaker 1: anthem with two hip hop legends. This is each other. Man.

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Speaker 1: I don't know what talking about. Talk about nigga ever

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Speaker 1: come out cars or nigga either want will let you

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Speaker 1: know that they would tend him. No other young buck

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Speaker 1: falling about my knife from the Bible wards with me today.

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Speaker 1: I brought the cut the music since you brought it

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Speaker 1: up first. Check this out. When when the streets heard,

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Speaker 1: we don't know what happened, and we ain't gonna ask

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Speaker 1: you what happened when we heard what allegedly happened. Every

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Speaker 1: nigga who was in who even thought that it would

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Speaker 1: have been in your position like that. Nigga was not wrong.

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Speaker 1: You're supposed to do ship like that. That's the bill yas,

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Speaker 1: that's we will figure out the rest of this ship.

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Speaker 1: Come get me, And they did. They. I'm still right.

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Speaker 1: You got out the doctor Durke. You didn't even you

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Speaker 1: see what I'm saying, because he was at the time.

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Speaker 1: He was like, man, you know I got you too,

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Speaker 1: So that situation I was able to just you know,

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Speaker 1: walk through. He was one of those situations where you

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Speaker 1: know ship happened. Honestly, I did not know what the

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Speaker 1: commotion was about at that time, me and Banks backstage

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Speaker 1: about to bring out a war for snoop, and just

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Speaker 1: the commotion popped off. You know, I don't know, man,

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Speaker 1: somehow just back to I don't know. You see me,

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Speaker 1: and you know I made it through that situation, man,

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Speaker 1: blessed like a real nigger. Well you gotta do that

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Speaker 1: because at some point your real nigger instincts gonna kick

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Speaker 1: in and be like, get to the mother. Want to

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Speaker 1: hold up one second, check the mic send the lady.

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Speaker 1: Check your bigg ass chance as up the microphone. Up

73
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Speaker 1: your big ass change. He got that big. You got

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Speaker 1: a big ass change. The biggest change he had, he

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Speaker 1: got off. He got a big he got a big

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Speaker 1: he got it from. He got a big ass change.

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Speaker 1: And on the camera you see he got a big

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Speaker 1: gass change. You heard me, bitch in right. He got

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Speaker 1: a big ass change and hit the funk up to mike.

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Speaker 1: I had a chain on some big they beat with

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Speaker 1: biggs a crib. I had some damnonds beach. He moved

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Speaker 1: it like where your grandma live. Yeah, save en up

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Speaker 1: your money for a bigger chain, everything on my nick

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Speaker 1: gonna stay in a change, trying to stay in my lane.

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Speaker 1: And I should have wore a look changed, but you did.

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Speaker 1: I brought the biggest, he caught a big change, the

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Speaker 1: big tame like no other as I remember change from

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Speaker 1: all this album. You ain't lying, my nigga. I just

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Speaker 1: see that. I'm eighty fly my niggle kind of and

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Speaker 1: I pulled up in this motherfucking man. I said, I'm

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Speaker 1: doing well my big game. Change that ain't changed, man, Listen,

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Speaker 1: you know what I mean. We'd ran it to each

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Speaker 1: other so many different places, man, literally in the mall hotels, nigga,

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Speaker 1: and I always whenever I see hear me by myself

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Speaker 1: and by myself, and it's always what's up, nigga. But

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Speaker 1: I got a question, man, I just wanted to ask

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Speaker 1: you this. But every time I ran to you, he

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Speaker 1: was moving. And I've been wondering this for a long time.

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Speaker 1: When you said, welcome to cash bild mother when you're

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Speaker 1: smoking a blunt or taking a ship, nigger, because that

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Speaker 1: was the strongest welcome to cash Field, motherfucker's, I was like,

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Speaker 1: nigg I'm never going there. Listen, cash Field be drop

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Speaker 1: think dude. Then them that's one of the coldest songs

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Speaker 1: like and that was the first song on the CD.

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Speaker 1: You know what I mean. I come from a small

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Speaker 1: town with organized crime. Is the rule. You kill niggas

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Speaker 1: without permission. Niggas gonna kill you were banged and rags

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Speaker 1: too blue. That ain't on me out there on the

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Speaker 1: web food sitting man, that nigga, that man nigga the

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Speaker 1: South facet safe no more. So get a gun and

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Speaker 1: pray to God that you make it to C twenty one.

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Speaker 1: I was like, Okay, I'm not that ain't what Dolly

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Speaker 1: Potter And then we're talking about nigga whatever is the

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Speaker 1: first nigga to make a pre ass whooping athlet. This

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Speaker 1: nigga had a song that came on before nigga started fighting.

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Speaker 1: He talking. The funk happened before that he was talking.

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Speaker 1: That's a class. That's all it take. When you heard

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Speaker 1: these niggas sitting there versus back, did you even put

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Speaker 1: together that they was talking about each other time? And

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Speaker 1: you know, I'm shout out to both of them even

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Speaker 1: to this day, tipping loutle. But when I created that

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Speaker 1: record at the time, you know, my first mind of

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Speaker 1: getting the feature. What's the stretch out to tip Bro?

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Speaker 1: Do you know that about thirty niggers jumped on that remix? Yeah? Man,

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Speaker 1: that's how you know you got one of the ones

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Speaker 1: when everybody won't be on that beat was so hard? Man,

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Speaker 1: who was that? Because that was actually DJ Paul Man

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Speaker 1: stump Man and uh Memphis. We actually got a whole

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Speaker 1: tape just dropping in the right after back in my

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Speaker 1: books with Volume three that I got out now me

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Speaker 1: and DJ Paul uh wrapped up our tight tape is

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Speaker 1: title Unexpected. So it's one of the ones that got

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Speaker 1: the same stump type of flavor, you know. Even creating

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Speaker 1: that record, Man, I had restopped the tip to to

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Speaker 1: to put a verse on there, and when he when

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Speaker 1: he sent the verse back, it was it was really

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Speaker 1: that are that he had on that. You know what

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Speaker 1: I'm saying. Uh, That made me be like, uh to

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Speaker 1: me getting beat down, that's ludicrous. So I was letting

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Speaker 1: different motherfucker's head and ship and me and two chains,

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Speaker 1: it's one hunting with each other and it was real

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Speaker 1: close at that time too. I had let him hit

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Speaker 1: the record and he was like, yo, bro, you gotta

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Speaker 1: let Luda here. This ship and uh, you know, honestly,

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Speaker 1: I didn't even really have no idea that they was,

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Speaker 1: you know, having what little issues or whatever at the time.

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Speaker 1: But when when I let Lud ahead, you know what

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Speaker 1: I'm saying, he was just like buck man ship, bro,

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Speaker 1: I gotta jump on this ship right here. I'm like, hell, yeah,

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Speaker 1: you know what I'm saying. And you know, it was

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Speaker 1: more or less when Luda heard it, he was, uh,

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Speaker 1: I think he heard more than just that bar what

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Speaker 1: Tip was kind of speaking and saying whatever he felt.

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Speaker 1: But I respect I jumped back at till first and

155
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Speaker 1: was like, yo, and listen, Luta heard the record, he

156
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Speaker 1: want to jump on it. You ain't got no problem too.

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Speaker 1: It was like, nah, shot him, man, let them, you know,

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Speaker 1: go ahead and let him do his things. So, you know,

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Speaker 1: the record came out, and I really respect that record

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Speaker 1: to this very day because to me, it's one of

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Speaker 1: those records where you know, you got to legendary artists,

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Speaker 1: you know, going back and forth on on on on

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Speaker 1: one record, but it stayed stayed hip hump and dude,

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Speaker 1: this is nothing that they got out of hand and

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Speaker 1: you know, turned into any kind of real beef. I think, honestly,

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Speaker 1: by time I went to put the project put that

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Speaker 1: album out, Louda and Tip had I think, reconciled whatever

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Speaker 1: situations that they had, so the label wasn't it wasn't

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Speaker 1: really there for for Tips versus still being on on

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Speaker 1: the records. So last minute I had to, you know,

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Speaker 1: throw game on that at was like the newest edition

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Speaker 1: the Gun and he needed that look for I felt

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Speaker 1: like she came, I'm putting you on this motherfucker, you know,

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Speaker 1: in regards of replacing Tip with it. But the record

175
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Speaker 1: had already blowed up, and so, like you said, there's

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Speaker 1: so many different versions of it, you know you I

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Speaker 1: heard another fucking version of it the other day, Like damn, Nigga,

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Speaker 1: ain't know you was here, Nigga, it's everybody else. When

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Speaker 1: I said the interview with Tip, we're talking about this

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Speaker 1: still with his hats like this, and he was like, well,

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Speaker 1: I laid my verse down first, and if I would

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Speaker 1: have heard diverse that he laid it, heard a different record,

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Speaker 1: I'm like, Nigga either came with something and then just

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Speaker 1: the nigger and me was like, I wonder what he

185
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Speaker 1: would have said if he had heard that Ship and

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Speaker 1: a trip to the fullness because you know, even when he,

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Speaker 1: like I said, I stepped, I had a stretched back

188
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Speaker 1: out tunes like Yoluta want to jump on it. And

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Speaker 1: I'm sure somewhere in the line he had to feel

190
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Speaker 1: like Ludu is gonna throw some type of shot or

191
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Speaker 1: say something, and he could have easily, you know, been

192
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Speaker 1: a bit your head nigga and said no, man, take

193
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Speaker 1: me off of it. But he theyed to flow there

194
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Speaker 1: for Louda to come and Louda done what he's done.

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Speaker 1: And like I said, man, that's one of my favorite

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Speaker 1: records that I've created just for that backstory that like

197
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Speaker 1: that ship gonna live forever. You never like you probably

198
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Speaker 1: never seen two rappers like that. You know, that's like

199
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Speaker 1: you said, that's in the middle of a lyrical disagreement,

200
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Speaker 1: that lyrical list, a lyrical job. I think you need.

201
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Speaker 1: The only thing we didn't seen sense, Let's see. The

202
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Speaker 1: thing is like they're never gonna let that ship go.

203
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Speaker 1: And that's the worst part of that. They ain't cool

204
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Speaker 1: trust being cool. Niggas ain't cool. Ain't cool. Niggas ain't cool.

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Speaker 1: Was cool before they fell out, just because man, yea,

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Speaker 1: we were just gonna be buy but they type ship

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Speaker 1: is just for the I guess, for the check for

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Speaker 1: the business and not even a check. I guess. I

209
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Speaker 1: don't know about the Niger situation, to be honest with you,

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Speaker 1: but you know, I just think hip hop need more

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Speaker 1: for those type of competiose that competitives. You know a

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Speaker 1: lot of people we have in different situations and having

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Speaker 1: you know, different problems with each other as as rappers

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Speaker 1: and ship and you know a lot of it resorts too.

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Speaker 1: You know how many diamonds and motherfucker can buy more

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Speaker 1: than you or whatever accolades come along with how many

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Speaker 1: records are now? How many streams of motherfucker guy versus anything?

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Speaker 1: Didn't hit the billion if you if you nigga, you

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Speaker 1: lost that one it. I think from what you just said,

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Speaker 1: my question to you is is the game bred for

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Speaker 1: that anymore? Because I think a lot of that probably

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Speaker 1: was lost in the in the wake of people saying

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Speaker 1: what happened when guys that was really active and gonna

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Speaker 1: get active when it got to the point where you

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Speaker 1: ran into each other and a lot of people probably

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Speaker 1: ain't built for that. No more so, do you think

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Speaker 1: that the game is bred for competitive energy? You know, honestly, man,

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Speaker 1: I would just I would say this generation right now

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Speaker 1: has kind of steered itself into having to feel like

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Speaker 1: they have to match some of the ship that they

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Speaker 1: say in the records, and you know, even repped in.

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Speaker 1: It's in itself is just a competitive game in the service.

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Speaker 1: Like it's remind me of a boxing match really, because

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Speaker 1: everybody fighting to be number one, no matter what, everybody

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Speaker 1: chasing to be, you know, the biggest, the biggest that

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Speaker 1: they can be with it. I just feel like this

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Speaker 1: generation right here that we're dealing with farce and youngsters

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Speaker 1: that you see winning and some of the issues that

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Speaker 1: they have, it's it's resorted into hands own violence. But

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Speaker 1: it was no different in the same way when we

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Speaker 1: was there. I think it's room for. I think it's

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Speaker 1: room for, but it would have to be the conflict

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Speaker 1: of two artists both looking to go down that route

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Speaker 1: versus than the route that we used to be. What

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Speaker 1: we're seeing playing out right now, and that's my fucker's

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Speaker 1: getting killed. Man. You know, motherfuckers have differences, and you

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Speaker 1: see a motherfucker, you know, it's just about you know,

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Speaker 1: who gonna catch your body type of thing. Now. So

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Speaker 1: if we take the body's to the to the to

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Speaker 1: the bars. You understand what I'm saying. Even with g

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Speaker 1: Unit and I in the beginning of at least my

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Speaker 1: time amongst being with the Unit, it was based on

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Speaker 1: real life the issues that was going on with real

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Speaker 1: life issues, and far would say A fifty or whatever.

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Speaker 1: So you know, when we had those vessels and ship

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Speaker 1: like that on, it was for real. It wasn't It

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Speaker 1: wasn't you know, for the camera was really I think

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Speaker 1: it's trying to protect their life. At any moments she

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Speaker 1: can go down and you put that on record post

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Speaker 1: Bulldog small enough to fit in the nigga boots, so

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Speaker 1: it's whatever, whenever, whatever you want to do. I'm like, okay,

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Speaker 1: these niggas, but really that But I saw a clip

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Speaker 1: on the Internet of y'all two talking to Big You

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Speaker 1: and salute to him, and uh, he was telling the story,

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Speaker 1: you know what I mean. I don't know if you

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Speaker 1: want to get into the actual story of what happened,

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Speaker 1: but just saying that you were willing to be as

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Speaker 1: active as you were. My question to you is, as

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Speaker 1: an artist, do you feel like that's something that's necessary

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Speaker 1: in the game now as it was back then? To

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Speaker 1: be somebody that was really willing to go and show

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Speaker 1: that these words and I'm speaking are legit. You know

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Speaker 1: it to know the situation in the in the individuals

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Speaker 1: that you didn't with. In my situation, I would say,

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Speaker 1: you know, yeah, because I've always been involved in real

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Speaker 1: life issues around the music. So it wasn't like I

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Speaker 1: felt like I could resort to just allowing certain ships

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Speaker 1: to go down. And you get put in certain situations

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Speaker 1: where it's not just about your life, but it's about

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Speaker 1: everybody's life that you will you understand and if if

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Speaker 1: if it's any man or anybody in mine, if you

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Speaker 1: feel like your life is being threatened, You're gonna do

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Speaker 1: whatever it takes to make sure you know you maintain

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Speaker 1: that life you know of yours. I love living, you know,

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Speaker 1: so I just I've been put in situations where, you know,

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Speaker 1: I feel like my life is threatened. I'm gonna do

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Speaker 1: whatever I gotta do to survive or I gotta I

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Speaker 1: gotta make it home to my kids on the period.

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Speaker 1: And uh, like I say, a lot of this ship

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Speaker 1: is just based on the energy of the individuals that

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Speaker 1: you have issues with. Speaking of issues, bro tell me

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Speaker 1: when you start teaching drama boy how to make them

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Speaker 1: beats and ship make no thing straight up make the

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Speaker 1: morning to teach me how to make the cook that

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00:18:24,080 --> 00:18:27,040
Speaker 1: ship right up in front of you, goddamn you. You

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Speaker 1: can see the recipe right We'll ship. Let's from start

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Speaker 1: to finish book. How do you get in the game, bro?

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Speaker 1: You got a lot of You got a long history, bro,

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Speaker 1: And people think it just a lot of the younger generation.

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Speaker 1: Don't think it just started with the unit. But like you,

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Speaker 1: was putting ship down before that, even facts I was.

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Speaker 1: I won the ones where you know I came in

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Speaker 1: the game. The first individuals that I was basically around

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Speaker 1: was cash Money. How old were you when you got it?

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Speaker 1: I was around fourteen years old, fifty the way didn't

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Speaker 1: even have a dread. The Niggers, they had the baby

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Speaker 1: throw like you like man, one like mine that I'm

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Speaker 1: the only young nigga with this. I ain't nobody else

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Speaker 1: got it this with more white. That's real facts though.

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Speaker 1: But you know, uh, they had came to my city.

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Speaker 1: We was always big fans of their music. Force Me

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Speaker 1: and my circle and Niggers, and that I came up with.

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Speaker 1: One of my partners had picked up a CD. I

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Speaker 1: think it was chop. The city and the ghetto was

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Speaker 1: like class big as bullets greening out the sky and

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Speaker 1: shoot and holman. Now you know they had that way

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Speaker 1: throughout the South, you feel me. And we were just saying,

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Speaker 1: picked up the CD one day and partner had caught

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Speaker 1: I was youngster, you know, in the back seat my

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Speaker 1: other partners and Ship. You know that was kind of

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Speaker 1: the ones who rotated my city and ship like that.

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Speaker 1: So they was jokingly, you know, man number on the

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Speaker 1: back of this watherfucker, you know what I'm saying, and

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00:20:05,920 --> 00:20:08,159
Speaker 1: called the numbers like man with your niggas wanted to

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Speaker 1: come down here to the view and uh whatever it was.

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00:20:12,160 --> 00:20:14,040
Speaker 1: It was pennies and ship and he was like, well,

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Speaker 1: y'all need to come here tomorrow, and uh they didn't come,

328
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Speaker 1: But it ended up being like a week or two later.

329
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Speaker 1: Niggas called herself trying to put a show together and

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00:20:25,240 --> 00:20:27,720
Speaker 1: ship a bunch of doughboy and niggas don't know nothing

331
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Speaker 1: about the game, but you know, get a venue, got

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00:20:31,000 --> 00:20:32,919
Speaker 1: them niggas to come to the city, and when they

333
00:20:33,040 --> 00:20:36,400
Speaker 1: touched down, baby was really fucked up or how young

334
00:20:36,520 --> 00:20:41,480
Speaker 1: we was and really really active like that, So I can't.

335
00:20:41,720 --> 00:20:45,600
Speaker 1: I think they really really was the motivation for him. Two,

336
00:20:46,600 --> 00:20:50,600
Speaker 1: you know, build the pond at the time with my

337
00:20:50,800 --> 00:20:53,880
Speaker 1: with my surroundings, and uh, they end up booking the studio.

338
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Speaker 1: Um my brother from another mother let, Jimmie, had had

339
00:20:58,200 --> 00:21:00,960
Speaker 1: got in touch with me some nigga didn't had no

340
00:21:01,080 --> 00:21:03,960
Speaker 1: cell phone, but he got in touch with somebody to

341
00:21:04,040 --> 00:21:06,240
Speaker 1: pick me up and bring me over to the studio.

342
00:21:06,760 --> 00:21:10,040
Speaker 1: Walked in the studio. First, Ni, I s my scene

343
00:21:10,160 --> 00:21:13,520
Speaker 1: was was juvenile. I'm like, damn, that ain't thegn go

344
00:21:13,680 --> 00:21:16,960
Speaker 1: right there? You hear what I'm saying, and uh went

345
00:21:17,040 --> 00:21:19,440
Speaker 1: on the end and it was d G juvenile Turk

346
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Speaker 1: Wayne and then the nigga baby walked up to me

347
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Speaker 1: as a youngster. First words to this very day, I

348
00:21:25,359 --> 00:21:28,680
Speaker 1: never forget it. He said, spitch something live one and

349
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Speaker 1: um like I said, man, I was always I was

350
00:21:31,480 --> 00:21:34,480
Speaker 1: already in the streets for fledgs, just trying to find

351
00:21:35,200 --> 00:21:39,640
Speaker 1: a fucking way. But music was always my thing from

352
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Speaker 1: day one. So when the nigga told me the spitch

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Speaker 1: of my head fucking up, do you remember what you s?

354
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Speaker 1: I don't. I couldn't even I couldn't even tell you

355
00:21:47,520 --> 00:21:49,560
Speaker 1: that ship to this day, that's the dope ship. It

356
00:21:49,720 --> 00:21:52,320
Speaker 1: wasn't one thing because what happened was when I spit,

357
00:21:52,880 --> 00:21:56,240
Speaker 1: he immediately told Little Wayne he come in. They spit something.

358
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Speaker 1: So me and Little Wayne battled it out, and uh,

359
00:22:00,480 --> 00:22:03,399
Speaker 1: I tell niggas, I didn't win what I wanted, nigga,

360
00:22:03,760 --> 00:22:07,760
Speaker 1: you did, because you know, walking from that situation, the

361
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Speaker 1: next day I was I was getting a call from

362
00:22:09,760 --> 00:22:12,280
Speaker 1: my partner saying, Yo, baby, want us to come to

363
00:22:12,359 --> 00:22:14,360
Speaker 1: New Orleans with him? You won't give you a situation.

364
00:22:15,240 --> 00:22:21,040
Speaker 1: So my life started basically from cash Field of New Orleans.

365
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Speaker 1: At that moment I left, I was supposed to be

366
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Speaker 1: in school, you know what I'm saying. Around that time

367
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Speaker 1: with school never was my thing. Uh man, it never

368
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Speaker 1: will not even in my first grade, first first grade,

369
00:22:41,080 --> 00:22:44,240
Speaker 1: Oh my mom, the first grade. I ain't really fun

370
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Speaker 1: with school, man. I mean, you know, it just was

371
00:22:48,920 --> 00:22:51,560
Speaker 1: one of them things, like Mike, My childhood was for

372
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Speaker 1: real coming up on some you know, I come from

373
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Speaker 1: a single parent background, and it was about really, uh

374
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Speaker 1: really trying to keep the fucking lights and water on

375
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Speaker 1: in real life. You know, you know, these rappers come

376
00:23:04,080 --> 00:23:07,639
Speaker 1: through and behaving them everybody got a struggle story. But

377
00:23:07,800 --> 00:23:11,560
Speaker 1: my struggle in my life it kind of is there

378
00:23:11,640 --> 00:23:16,760
Speaker 1: for like, niggas know where I come from throughout my city.

379
00:23:16,840 --> 00:23:20,320
Speaker 1: I come from nothing you did, so I really that's

380
00:23:20,359 --> 00:23:22,720
Speaker 1: what forced me in the streets at a young age,

381
00:23:23,480 --> 00:23:25,840
Speaker 1: just trying to kind of help my mom's get out

382
00:23:25,880 --> 00:23:28,680
Speaker 1: of the situation that I was brought up. You it

383
00:23:28,800 --> 00:23:30,639
Speaker 1: was about hus and I was one of the niggas

384
00:23:30,680 --> 00:23:33,520
Speaker 1: that user cut every nig in the neighborhood. Grads take

385
00:23:33,560 --> 00:23:37,480
Speaker 1: out the trash and ship pumping gas until it before

386
00:23:37,640 --> 00:23:40,120
Speaker 1: nigga ever picked up a peck trying to do anything

387
00:23:40,280 --> 00:23:42,600
Speaker 1: with it. I just was one of the ones just

388
00:23:42,680 --> 00:23:44,680
Speaker 1: trying to make a dollar to be able to provide.

389
00:23:45,480 --> 00:23:48,800
Speaker 1: But again, man, it was my journey started with cash

390
00:23:48,920 --> 00:23:51,879
Speaker 1: money times where Baby would drop Wayne and Turk off

391
00:23:52,040 --> 00:23:54,720
Speaker 1: at school and I'll ride around with him, you know,

392
00:23:54,880 --> 00:23:58,640
Speaker 1: doing doing our thing, just just trying to make sure

393
00:23:58,640 --> 00:24:02,400
Speaker 1: it happen. I come from real solid circle or individuals

394
00:24:02,440 --> 00:24:05,600
Speaker 1: and ship. So you know, even in juveniles hum video,

395
00:24:05,760 --> 00:24:08,440
Speaker 1: the yellow Ferrari and things like that, that was where

396
00:24:08,440 --> 00:24:15,879
Speaker 1: our vehicles we we pulled them vehicles dead too. It

397
00:24:16,040 --> 00:24:19,879
Speaker 1: was in the circle though you did no one. You

398
00:24:19,880 --> 00:24:29,119
Speaker 1: ain't school, yes, but yeah it was in the circus,

399
00:24:29,200 --> 00:24:32,879
Speaker 1: so you know, ship like that. Like I said, man,

400
00:24:32,960 --> 00:24:35,119
Speaker 1: we really really come from the streets and all that

401
00:24:35,240 --> 00:24:40,520
Speaker 1: good ship and from there. The differences is I can

402
00:24:40,600 --> 00:24:43,480
Speaker 1: give you all other different stories in regards are coming

403
00:24:43,560 --> 00:24:47,399
Speaker 1: up with cash money, but I can't play you music

404
00:24:47,880 --> 00:24:50,000
Speaker 1: that where I was actually what I was there for.

405
00:24:50,440 --> 00:24:54,560
Speaker 1: You know, my my situation was based on me coming

406
00:24:54,600 --> 00:24:57,280
Speaker 1: to cash Money to do a deal and it turned

407
00:24:57,320 --> 00:25:00,480
Speaker 1: out to being were in my mind where I was

408
00:25:00,600 --> 00:25:03,119
Speaker 1: kind of like pushed to the back, Not because baby

409
00:25:03,119 --> 00:25:05,159
Speaker 1: didn't want to get to me or whatever. It's just

410
00:25:05,320 --> 00:25:07,760
Speaker 1: that they ship blew up. They blew up so fast,

411
00:25:07,880 --> 00:25:11,560
Speaker 1: so um, you know, he had to focus on what

412
00:25:11,760 --> 00:25:14,160
Speaker 1: was working versus trying to break a brand new artist.

413
00:25:15,040 --> 00:25:17,720
Speaker 1: But I never was a tag along nigger, So you

414
00:25:17,920 --> 00:25:20,480
Speaker 1: forced me to have to go back and make a

415
00:25:20,560 --> 00:25:25,200
Speaker 1: decision with himself. Am I gonna? You know, I'm eighteen

416
00:25:25,359 --> 00:25:28,840
Speaker 1: nineteen years old, now you know these niggas is all

417
00:25:28,880 --> 00:25:31,879
Speaker 1: I wanted was an opportunity to be heard. Let the world,

418
00:25:32,000 --> 00:25:35,000
Speaker 1: let the streets be the judgi of me. And uh

419
00:25:35,520 --> 00:25:37,920
Speaker 1: it was just I was had records, but none of

420
00:25:38,000 --> 00:25:41,040
Speaker 1: them was actually getting pushed to the world and none

421
00:25:41,080 --> 00:25:43,600
Speaker 1: of that ship. So I made a decision to come

422
00:25:43,640 --> 00:25:48,320
Speaker 1: back home the cash reel and start my own independent push.

423
00:25:48,480 --> 00:25:50,480
Speaker 1: You did what I'm saying. I felt like I had

424
00:25:50,560 --> 00:25:53,840
Speaker 1: built the name from my from from my city by

425
00:25:53,960 --> 00:25:56,399
Speaker 1: just being amongst them, you know what I'm saying. So

426
00:25:57,280 --> 00:25:59,960
Speaker 1: ship man, I went put me a little CD together

427
00:26:00,160 --> 00:26:02,080
Speaker 1: back then, I think it costs three hundred dollars the

428
00:26:02,080 --> 00:26:07,040
Speaker 1: press of the bat there. Yeah, I'm selling tending dollars

429
00:26:07,080 --> 00:26:09,920
Speaker 1: to peace. You do the man. I slowed down from

430
00:26:10,000 --> 00:26:13,560
Speaker 1: doing whatever I was doing. Uh, just because I've read

431
00:26:13,680 --> 00:26:17,919
Speaker 1: my the music started really paying me. I love a hustle.

432
00:26:18,440 --> 00:26:22,359
Speaker 1: The hands on money was really being more started making

433
00:26:22,400 --> 00:26:24,960
Speaker 1: more sense to me because I put my life on

434
00:26:25,040 --> 00:26:28,720
Speaker 1: the line for less lesson. So that's where the hustle

435
00:26:28,840 --> 00:26:32,040
Speaker 1: came in. And just starting to understand the whole independent

436
00:26:32,160 --> 00:26:37,000
Speaker 1: game and and you know, really pushing myself to get

437
00:26:37,080 --> 00:26:41,120
Speaker 1: to where I'm at. And like I said, that led

438
00:26:41,280 --> 00:26:47,399
Speaker 1: back to me coming with cash money, but it didn't

439
00:26:47,400 --> 00:26:50,679
Speaker 1: work out, and I actually was with juven now when

440
00:26:50,760 --> 00:26:55,159
Speaker 1: I ran into fifty and started my situation with you

441
00:26:55,280 --> 00:26:57,159
Speaker 1: did when I'm doing crazy? Was that to be the

442
00:26:57,240 --> 00:27:00,119
Speaker 1: only dude from the South, and the group were some

443
00:27:00,320 --> 00:27:04,880
Speaker 1: dudes from New York. That ship was It's crazy experience.

444
00:27:04,960 --> 00:27:06,560
Speaker 1: Just to be honest with you. It was one of

445
00:27:06,640 --> 00:27:09,800
Speaker 1: those things where I felt like, uh never felt like

446
00:27:09,880 --> 00:27:12,280
Speaker 1: I had nothing to prove, but I always felt like

447
00:27:12,359 --> 00:27:14,560
Speaker 1: I got to hold my own and I'm not just

448
00:27:14,720 --> 00:27:16,639
Speaker 1: doing it for me, but I'm doing it for the South.

449
00:27:16,920 --> 00:27:19,959
Speaker 1: You get what I'm saying where I come from. And uh,

450
00:27:21,160 --> 00:27:25,560
Speaker 1: you know, it was almost like this this competitive that

451
00:27:25,720 --> 00:27:30,879
Speaker 1: we had created amongst each other, you understand, and everybody

452
00:27:31,840 --> 00:27:35,680
Speaker 1: wanted to kind of outdo each other, but in a

453
00:27:35,800 --> 00:27:40,160
Speaker 1: good way on the records. So you know, in that era,

454
00:27:40,320 --> 00:27:44,359
Speaker 1: in that time, the energy was in a different place

455
00:27:44,680 --> 00:27:47,800
Speaker 1: of music in itself. Let me ask you this, like

456
00:27:47,960 --> 00:27:51,240
Speaker 1: you were coming up in a time where the perception

457
00:27:51,440 --> 00:27:54,320
Speaker 1: was dude news from the South weren't lyrical or killing

458
00:27:54,359 --> 00:27:57,040
Speaker 1: the graph, and you have really had the face that

459
00:27:57,240 --> 00:27:59,520
Speaker 1: as like an uphill, like I'm still in the game

460
00:27:59,560 --> 00:28:01,560
Speaker 1: as a but from the South. That was the number

461
00:28:01,600 --> 00:28:04,480
Speaker 1: one criticism that they tried to throw and like You've

462
00:28:04,520 --> 00:28:07,160
Speaker 1: always been a lyrical dude. We went out the way

463
00:28:07,240 --> 00:28:10,000
Speaker 1: to say some ship like do you still feel like

464
00:28:10,040 --> 00:28:12,879
Speaker 1: they're sleeping on the on the South lyricism at that

465
00:28:13,119 --> 00:28:16,520
Speaker 1: time up until now or what I think a lot

466
00:28:16,600 --> 00:28:18,600
Speaker 1: of the I think a lot of the youngsters now

467
00:28:19,080 --> 00:28:25,000
Speaker 1: has adapted uh a lot of other things than just

468
00:28:25,200 --> 00:28:31,399
Speaker 1: the lyricism fars for from the South. You know, we dressed,

469
00:28:31,560 --> 00:28:33,840
Speaker 1: We dressed the way we dressed. You know what I'm saying.

470
00:28:33,880 --> 00:28:37,680
Speaker 1: We shined the way we shine uh. For me in

471
00:28:37,800 --> 00:28:42,360
Speaker 1: that time, it wasn't about other things. Did now put

472
00:28:42,400 --> 00:28:45,240
Speaker 1: you in front of this caminant and you can kind

473
00:28:45,280 --> 00:28:49,800
Speaker 1: of blow up other than actually being able to have bars,

474
00:28:50,120 --> 00:28:53,400
Speaker 1: you did what I'm saying, And I felt like it

475
00:28:53,520 --> 00:28:57,080
Speaker 1: was a point of time where we didn't get that

476
00:28:57,520 --> 00:29:00,760
Speaker 1: that burn that played from the East Coast we really

477
00:29:00,880 --> 00:29:06,000
Speaker 1: deserved as artists. Pimpsy used to be very very outspoken

478
00:29:06,120 --> 00:29:10,680
Speaker 1: on that situation. Country Yeah, big facts. Rest in piece

479
00:29:10,760 --> 00:29:12,640
Speaker 1: to Pimp. He's one of the first ones that I

480
00:29:13,160 --> 00:29:16,000
Speaker 1: that I met as well as a youngster trying to

481
00:29:16,080 --> 00:29:25,000
Speaker 1: get my ass on and you childhood was jump off

482
00:29:25,040 --> 00:29:28,920
Speaker 1: the bus with cash money, Pimcy pumping gas. Think what

483
00:29:29,080 --> 00:29:34,240
Speaker 1: the you doing on that fucking with the ramp game mate?

484
00:29:34,840 --> 00:29:38,840
Speaker 1: It's crazy? Because rest in peace to my partner bids man,

485
00:29:38,960 --> 00:29:43,160
Speaker 1: he's no longer living. Um. He took me to pimpcy

486
00:29:43,320 --> 00:29:47,080
Speaker 1: house and I was, honestly, it's crazy you say that

487
00:29:47,160 --> 00:29:49,960
Speaker 1: because I was one of fifteen and sixteen years old

488
00:29:50,520 --> 00:29:53,800
Speaker 1: and he brought me the pimp, you know, even while

489
00:29:53,800 --> 00:29:56,680
Speaker 1: I was still amongst cash money, but we were still

490
00:29:56,880 --> 00:29:59,880
Speaker 1: kind of moving around and just you know, filling this

491
00:30:00,000 --> 00:30:02,920
Speaker 1: swrap shit out period. And when he brought me the pimp,

492
00:30:05,000 --> 00:30:07,600
Speaker 1: Pimp said something to me that stuck with me and

493
00:30:07,640 --> 00:30:09,840
Speaker 1: still stick with me through my whole life and career.

494
00:30:11,040 --> 00:30:14,400
Speaker 1: And then uh, pimp said, I can't ask them to

495
00:30:14,440 --> 00:30:18,400
Speaker 1: starve because and that right there was one of the

496
00:30:18,480 --> 00:30:20,480
Speaker 1: realest things at the time. I was kind of like,

497
00:30:20,680 --> 00:30:22,280
Speaker 1: what what do you mean? You can't ask me to

498
00:30:22,360 --> 00:30:25,080
Speaker 1: star And then he told me, you know what I mean,

499
00:30:25,240 --> 00:30:28,200
Speaker 1: He was like, you dope, you're gonna You're gonna get

500
00:30:28,200 --> 00:30:30,560
Speaker 1: the way you gotta go. I just would be asking

501
00:30:30,600 --> 00:30:33,280
Speaker 1: you to start because we're getting with our own situation

502
00:30:33,480 --> 00:30:36,040
Speaker 1: right now. At the time, that was just ship with

503
00:30:36,200 --> 00:30:38,720
Speaker 1: Jib and ship, you know what I'm saying. So that

504
00:30:38,880 --> 00:30:41,600
Speaker 1: led me to, you know what I'm saying, respecting him

505
00:30:41,760 --> 00:30:45,520
Speaker 1: enough to to to to to know that he didn't.

506
00:30:46,160 --> 00:30:48,440
Speaker 1: He didn't take advantage of being me, being young and

507
00:30:48,600 --> 00:30:52,000
Speaker 1: naive to the game and just run me down the loop.

508
00:30:52,240 --> 00:30:54,600
Speaker 1: He gave me real game. That ship right there made

509
00:30:54,640 --> 00:30:59,000
Speaker 1: me you know, know the difference because I ran into

510
00:30:59,040 --> 00:31:01,680
Speaker 1: a lot of bullsh it at the same time. I'm

511
00:31:02,160 --> 00:31:04,920
Speaker 1: selling you dreams and I was, I was nigging them,

512
00:31:05,000 --> 00:31:07,480
Speaker 1: bought some of them soul dreams too. That's when I

513
00:31:07,560 --> 00:31:12,200
Speaker 1: was about to put me out of been a bathroom

514
00:31:12,200 --> 00:31:14,680
Speaker 1: with that nigga Furrow. Man, let me come to my house.

515
00:31:14,720 --> 00:31:17,120
Speaker 1: Here the bathroom I got damn furrow in the Maryland.

516
00:31:18,040 --> 00:31:21,280
Speaker 1: What was the mount Tree was a youngster that made

517
00:31:21,360 --> 00:31:24,880
Speaker 1: these old hustling and as gangster as niggas take you

518
00:31:25,040 --> 00:31:28,880
Speaker 1: everywhere and let you be a grown as nigga. All

519
00:31:28,960 --> 00:31:32,880
Speaker 1: these got damn hustles, big facts. I mean, Ship, I

520
00:31:33,000 --> 00:31:35,160
Speaker 1: was one of them too. You did what I'm saying,

521
00:31:35,240 --> 00:31:38,160
Speaker 1: and Ship, I ain't looked like I was young. And

522
00:31:38,640 --> 00:31:47,120
Speaker 1: I used to put it this way, man, man, But

523
00:31:48,440 --> 00:31:58,680
Speaker 1: because everything you don't smoking, trust me, but anything coming

524
00:31:58,720 --> 00:32:00,840
Speaker 1: front of these streets and ship like that, it's just

525
00:32:01,800 --> 00:32:05,680
Speaker 1: they have seen something in me. And that's what got me.

526
00:32:05,840 --> 00:32:08,520
Speaker 1: The really where I met now is it's the it's

527
00:32:08,560 --> 00:32:11,200
Speaker 1: the hustlers, it's the it's the older guys that seemed

528
00:32:11,280 --> 00:32:14,080
Speaker 1: more than just me being in the streets. You know

529
00:32:14,160 --> 00:32:16,840
Speaker 1: what I'm saying. Even though I was in the streets,

530
00:32:16,920 --> 00:32:19,920
Speaker 1: I still had these older guys that was in the

531
00:32:20,000 --> 00:32:22,600
Speaker 1: streets a little bit harder than me. They didn't want

532
00:32:22,680 --> 00:32:25,360
Speaker 1: me to be down. They didn't want me to go

533
00:32:25,560 --> 00:32:28,280
Speaker 1: down their route. And they knew and felt that I

534
00:32:28,400 --> 00:32:31,440
Speaker 1: knew how to wrap. So you know, whatever connections or

535
00:32:31,480 --> 00:32:34,120
Speaker 1: whoever they know, they were just trying to give me

536
00:32:34,280 --> 00:32:36,520
Speaker 1: some different and it should end up paying off to

537
00:32:36,640 --> 00:32:39,160
Speaker 1: what it is now. You know. So at what moment,

538
00:32:39,240 --> 00:32:41,000
Speaker 1: going through all of that that you just went through,

539
00:32:41,080 --> 00:32:43,120
Speaker 1: At what moment did you feel like, I'm here, I

540
00:32:43,200 --> 00:32:48,320
Speaker 1: finally got here. I did it? Oh man? When I

541
00:32:48,560 --> 00:32:51,280
Speaker 1: when I was when when Fitty gave me my opportunity

542
00:32:52,280 --> 00:32:58,920
Speaker 1: of being amongst the union. You know, Um, the first

543
00:32:59,120 --> 00:33:04,040
Speaker 1: time I honored, truly felt it was when I had

544
00:33:04,120 --> 00:33:06,960
Speaker 1: got that call from shot Money at that time and

545
00:33:07,080 --> 00:33:11,600
Speaker 1: he was like, yo, uh, if you want to put

546
00:33:11,680 --> 00:33:17,320
Speaker 1: the the Bloodhound record on this, on this get Richard

547
00:33:17,640 --> 00:33:20,400
Speaker 1: trying now, that was the record I already had. You

548
00:33:20,520 --> 00:33:24,120
Speaker 1: understand what I'm saying, fifty basically got that record. Um

549
00:33:25,040 --> 00:33:27,160
Speaker 1: kept my verse on it, you know what I mean,

550
00:33:28,080 --> 00:33:30,440
Speaker 1: and UH put him a couple of verses and shipped

551
00:33:30,480 --> 00:33:33,360
Speaker 1: on the record son of the Hook that was already there,

552
00:33:33,400 --> 00:33:37,360
Speaker 1: and put me on the album. But when shot Money

553
00:33:37,600 --> 00:33:41,960
Speaker 1: was like yo, Jim loves the record and he mixing it,

554
00:33:42,240 --> 00:33:47,400
Speaker 1: I said, who I think it was like him loves

555
00:33:47,440 --> 00:33:51,040
Speaker 1: the record. M M actually mixed blood hund And now

556
00:33:51,520 --> 00:33:53,720
Speaker 1: that moment right there, like I say, M was the

557
00:33:54,240 --> 00:33:57,520
Speaker 1: fucking like years now, you know, one of the gickanics

558
00:33:57,600 --> 00:34:02,880
Speaker 1: into this ship, and Uh I knew the end that Yeah,

559
00:34:02,960 --> 00:34:05,400
Speaker 1: I'm gonna go I'm Fronna, I'm gonna make the best

560
00:34:05,440 --> 00:34:09,000
Speaker 1: out of it. I think the ice and on the

561
00:34:09,120 --> 00:34:11,960
Speaker 1: cake out of all of that ship was when we

562
00:34:12,800 --> 00:34:17,399
Speaker 1: when I when I got that plane ticket to come

563
00:34:17,440 --> 00:34:22,600
Speaker 1: to l A and record, you know, and Uh I

564
00:34:22,680 --> 00:34:24,920
Speaker 1: happened to be in a studio recording in l A.

565
00:34:25,719 --> 00:34:28,240
Speaker 1: The first time that me and fifty now had basically

566
00:34:28,400 --> 00:34:32,719
Speaker 1: got in the studio to record. Uh. We started immediately

567
00:34:32,960 --> 00:34:35,879
Speaker 1: on the g Unit project and one of the first

568
00:34:35,920 --> 00:34:39,879
Speaker 1: songs we created was g Ed Up and that track

569
00:34:40,000 --> 00:34:42,759
Speaker 1: was produced by by Dr Dre so it was like

570
00:34:42,880 --> 00:34:46,640
Speaker 1: I was in the booth doing my ship and I was,

571
00:34:46,960 --> 00:34:49,799
Speaker 1: you know, thinking that some ship to say, and then

572
00:34:49,840 --> 00:34:55,520
Speaker 1: I heard my fucker was like you see it like this?

573
00:34:56,719 --> 00:34:58,520
Speaker 1: And I was one of the niggas like, Nigga, don't

574
00:34:58,560 --> 00:35:11,000
Speaker 1: tell me how to say that. I'm seeing who When

575
00:35:11,040 --> 00:35:13,480
Speaker 1: I looked up at nigga Dr Dre was leaned over

576
00:35:13,560 --> 00:35:17,239
Speaker 1: the big gass board looking at the nigga director. I'm

577
00:35:17,440 --> 00:35:24,400
Speaker 1: ship man. How you want me to say it? You

578
00:35:26,280 --> 00:35:28,680
Speaker 1: want me to say it? Bro? Like, but yeah, bro

579
00:35:29,160 --> 00:35:32,440
Speaker 1: to actually be in that circle with Dre and m

580
00:35:32,840 --> 00:35:35,400
Speaker 1: you know, it's it's just ship that I cherished to

581
00:35:35,480 --> 00:35:40,960
Speaker 1: this very day, like, um, you know that was that

582
00:35:41,760 --> 00:35:47,120
Speaker 1: I've arrived feeling. Yeah, you know what I'm saying. So

583
00:35:47,239 --> 00:35:49,759
Speaker 1: when you when you started recording, you know what I mean,

584
00:35:49,840 --> 00:35:52,480
Speaker 1: welcome to cash Bill like and that you know, I'm

585
00:35:52,520 --> 00:35:54,720
Speaker 1: not just saying it's you here. That's personally my favorite

586
00:35:55,160 --> 00:35:57,400
Speaker 1: solo record of all of the gun It's like it

587
00:35:57,520 --> 00:35:59,520
Speaker 1: was you and Lloyd Banks. But then you know what

588
00:35:59,560 --> 00:36:02,520
Speaker 1: I mean, as I listened to it, now identify more

589
00:36:02,760 --> 00:36:04,879
Speaker 1: with that record, you know what I mean? So when

590
00:36:04,960 --> 00:36:07,600
Speaker 1: you started to record that, was that your first time ever,

591
00:36:07,719 --> 00:36:12,640
Speaker 1: going in and saying, I'm recording up a record that's mine. Facts. Um,

592
00:36:14,600 --> 00:36:22,200
Speaker 1: it's crazy because my process of making that record was

593
00:36:22,560 --> 00:36:26,440
Speaker 1: different than what was going on through g UNIT at

594
00:36:26,480 --> 00:36:29,080
Speaker 1: that time. You know, going off into my solo, I

595
00:36:29,160 --> 00:36:32,960
Speaker 1: had already seen the processes of how fifty created that,

596
00:36:33,200 --> 00:36:37,400
Speaker 1: the get rich of that, trying to beg for mercy,

597
00:36:37,480 --> 00:36:42,120
Speaker 1: and then here comes the solo pause and I just said,

598
00:36:42,120 --> 00:36:48,360
Speaker 1: I'm gonna do something that everybody else wasn't doing. So

599
00:36:48,480 --> 00:36:53,360
Speaker 1: I told Shot to start giving me my music on

600
00:36:53,520 --> 00:36:57,279
Speaker 1: a CD without me knowing who the producers was. I

601
00:36:57,360 --> 00:37:00,080
Speaker 1: want to pick the music for the music. It's that

602
00:37:00,200 --> 00:37:04,560
Speaker 1: actually picking the producers from the name, you know what

603
00:37:04,640 --> 00:37:08,600
Speaker 1: I'm saying, Like, and uh, that right there was one

604
00:37:08,640 --> 00:37:11,279
Speaker 1: of the methods that you know what I'm saying, I

605
00:37:11,400 --> 00:37:13,680
Speaker 1: still kind of followed today, of course when you got

606
00:37:13,800 --> 00:37:19,399
Speaker 1: cd s. But what I what I got from that though,

607
00:37:19,640 --> 00:37:24,000
Speaker 1: was the fact of when I created straight out of

608
00:37:24,080 --> 00:37:28,120
Speaker 1: Cash feel, I had no idea who the actual producers

609
00:37:28,360 --> 00:37:31,920
Speaker 1: was of the wrecking. So once I made you know,

610
00:37:32,120 --> 00:37:34,640
Speaker 1: when I'm getting to the end of this tape, I

611
00:37:34,719 --> 00:37:38,560
Speaker 1: started going and seeing who produced this, who produced that,

612
00:37:38,760 --> 00:37:41,600
Speaker 1: and things like that. And realized I just created a

613
00:37:41,680 --> 00:37:45,040
Speaker 1: whole project with pretty much guys that didn't have a

614
00:37:45,120 --> 00:37:48,120
Speaker 1: big name, you understand. So I put a lot of

615
00:37:48,239 --> 00:37:50,640
Speaker 1: and gave a lot of producers that was trying to

616
00:37:50,719 --> 00:37:54,399
Speaker 1: be heard a shot by just having that method as

617
00:37:54,440 --> 00:37:56,880
Speaker 1: well as Kilman got damn budget low. You feel what

618
00:37:57,000 --> 00:38:00,200
Speaker 1: I'm saying, and UH created one of the more so

619
00:38:02,480 --> 00:38:05,840
Speaker 1: low low budgeted records that was that was done in

620
00:38:05,920 --> 00:38:09,600
Speaker 1: the unit period in the sense uh I was able

621
00:38:09,640 --> 00:38:12,880
Speaker 1: to recoup all of that whole album in the first

622
00:38:12,960 --> 00:38:27,480
Speaker 1: two weeks. You did what I'm saying, drama by produce producer,

623
00:38:27,640 --> 00:38:31,000
Speaker 1: they got one of the coldest producers negatives you know,

624
00:38:31,080 --> 00:38:33,520
Speaker 1: I mean, I mean some of the best beats that

625
00:38:33,640 --> 00:38:39,239
Speaker 1: you ever gonna here like And for me, just for

626
00:38:39,280 --> 00:38:43,279
Speaker 1: those who don't don't give a cut. Everything be knowing,

627
00:38:43,440 --> 00:38:45,840
Speaker 1: but they don't be knowing until you tell them was

628
00:38:45,960 --> 00:38:52,120
Speaker 1: in my pocket of big face, but stopped playing with

629
00:38:52,280 --> 00:38:56,240
Speaker 1: me right around. Don't get it, I'm run around around.

630
00:39:00,239 --> 00:39:01,840
Speaker 1: You know what I'm saying. You gotta know that you

631
00:39:01,880 --> 00:39:03,200
Speaker 1: know what I'm saying. You can look at my dad

632
00:39:03,239 --> 00:39:05,279
Speaker 1: I put on you like to it. You can look

633
00:39:05,320 --> 00:39:09,000
Speaker 1: at my dad winning whenever you know what I'm saying. No,

634
00:39:09,239 --> 00:39:13,040
Speaker 1: little August, I've seen a Nike manage. I mean shot

635
00:39:13,840 --> 00:39:16,200
Speaker 1: keep ying thet pain. You know what I'm saying. We're

636
00:39:16,239 --> 00:39:19,960
Speaker 1: come in the game. You know what I'm saying. Oh, no,

637
00:39:20,239 --> 00:39:24,160
Speaker 1: hands wall, you don't the way you're doing what you

638
00:39:24,280 --> 00:39:28,920
Speaker 1: do you got you know what I'm saying. Bird Man,

639
00:39:29,160 --> 00:39:32,080
Speaker 1: they jump went up platinum. You know what I'm saying. Burman,

640
00:39:32,120 --> 00:39:35,120
Speaker 1: were popping NBA, young boy? Yeah, are you get from

641
00:39:35,160 --> 00:39:41,040
Speaker 1: you fine? The rest of every minute? The first worker

642
00:39:41,160 --> 00:39:43,680
Speaker 1: ever coming up with got it? You know what I'm saying.

643
00:39:44,040 --> 00:39:46,680
Speaker 1: I did a folk Workers on the Life album. Then

644
00:39:46,719 --> 00:39:49,439
Speaker 1: we follok back to the basis with when you see

645
00:39:49,480 --> 00:39:54,720
Speaker 1: me shot at the popping College, Daniel been alone time

646
00:39:54,880 --> 00:39:58,520
Speaker 1: coming a lot of dolt running and trying to dodge

647
00:39:58,560 --> 00:40:04,080
Speaker 1: you ca y'all guys in Tennessee and come on, my mom,

648
00:40:04,200 --> 00:40:08,800
Speaker 1: go back to the base and drew my life and

649
00:40:09,080 --> 00:40:13,439
Speaker 1: through them my world which the post in the white girl,

650
00:40:13,480 --> 00:40:17,000
Speaker 1: hold on, give me a bottle and get the goddamn

651
00:40:20,880 --> 00:40:26,279
Speaker 1: glockstin cock rocks and imagine that nigga w and you

652
00:40:26,480 --> 00:40:29,080
Speaker 1: was in your bag too, Oh my, your nigga. I

653
00:40:29,080 --> 00:40:30,560
Speaker 1: would I would like you know what I'm saying. When

654
00:40:30,560 --> 00:40:32,480
Speaker 1: I bumped in the guy for the first time, probably

655
00:40:32,520 --> 00:40:36,600
Speaker 1: like seventeen, what y'all nick niggas, it's just nigga. You

656
00:40:36,680 --> 00:40:44,319
Speaker 1: ain't doing bout the time ship your I hit wait minute,

657
00:40:44,960 --> 00:40:51,160
Speaker 1: head on second round, little something. Then seventeen I jumped

658
00:40:51,160 --> 00:40:57,759
Speaker 1: off man. We was lementary school land for ghinis and

659
00:40:57,800 --> 00:41:03,919
Speaker 1: ship I had. I had to work on my little

660
00:41:04,000 --> 00:41:05,759
Speaker 1: when when I'm telling you, I came up on the

661
00:41:07,040 --> 00:41:10,279
Speaker 1: insane whine. You gotta understand my brother fourteen year older

662
00:41:10,320 --> 00:41:12,400
Speaker 1: than me. So a nigger who cut her, chopped her.

663
00:41:12,880 --> 00:41:14,719
Speaker 1: You know what I'm saying, got all the chicks. You

664
00:41:14,760 --> 00:41:16,560
Speaker 1: know what I'm saying, You got the wheels, got the clothes.

665
00:41:16,600 --> 00:41:18,080
Speaker 1: I'm warring a big brother. It's the first thing I

666
00:41:18,160 --> 00:41:21,120
Speaker 1: want to be like walking like talk like outlet you

667
00:41:21,160 --> 00:41:22,960
Speaker 1: know what I'm saying. And it's a cheek cold because

668
00:41:22,960 --> 00:41:25,319
Speaker 1: he doing beats for TV. You know what I'm saying.

669
00:41:25,840 --> 00:41:28,759
Speaker 1: So I'm I don't say, bro, I got some ship too.

670
00:41:29,200 --> 00:41:30,920
Speaker 1: You know what I'm saying, Shout out the z a

671
00:41:31,000 --> 00:41:33,719
Speaker 1: rear boy. You know what I'm saying, managed bomb. You

672
00:41:33,760 --> 00:41:34,880
Speaker 1: know what, I'm gonna do a lot of things with

673
00:41:35,000 --> 00:41:38,400
Speaker 1: t MT Man. He was the manager for TV. So

674
00:41:38,520 --> 00:41:40,800
Speaker 1: he're like, man, come on, man play So you know

675
00:41:40,840 --> 00:41:42,560
Speaker 1: what I mean, I end up playing five beats and

676
00:41:42,719 --> 00:41:45,759
Speaker 1: up with three beats on teeth. App So because my

677
00:41:45,880 --> 00:41:49,960
Speaker 1: brother getting twenty five beat, I get twenty beat. That's

678
00:41:50,000 --> 00:41:53,160
Speaker 1: sitting the five hundred three beats A did Tennessee were waning?

679
00:41:53,680 --> 00:41:59,240
Speaker 1: And uh and it was. It was Tennessee, Tennessee twenty

680
00:41:59,360 --> 00:42:02,840
Speaker 1: three years. He'd be clean. Ain't Tennessee in the land

681
00:42:02,960 --> 00:42:06,200
Speaker 1: a good and good Tennessee. It's me on the hoop.

682
00:42:06,320 --> 00:42:10,120
Speaker 1: I'm sucking seventeen eighteen. Man, it's my first song on

683
00:42:10,160 --> 00:42:12,120
Speaker 1: the radio. So that ship took off. We had the

684
00:42:12,120 --> 00:42:14,399
Speaker 1: Tennessee Titans blood they block, you know what I mean?

685
00:42:14,520 --> 00:42:21,160
Speaker 1: And my Pugotti gangster boot criminal man t Lou want

686
00:42:21,200 --> 00:42:27,680
Speaker 1: your haste, that criminal, you know what I'm saying, the

687
00:42:27,760 --> 00:42:38,200
Speaker 1: most left on rappers in the holes next that Tennessee

688
00:42:38,280 --> 00:42:40,359
Speaker 1: connection to you know what I mean, Like you come

689
00:42:40,400 --> 00:42:44,000
Speaker 1: from you coming from Memphis, Like y'all, Tennessee got a

690
00:42:44,040 --> 00:42:46,160
Speaker 1: strong culture. Man, even to this day. Some of the

691
00:42:46,239 --> 00:42:49,200
Speaker 1: hottest y'all niggers boshy ste You know, I may not off,

692
00:42:49,480 --> 00:42:52,080
Speaker 1: you know, man, he set me my ARGs. My seven

693
00:42:52,360 --> 00:42:55,880
Speaker 1: won't up with seven in my ear. You know, he's daddy,

694
00:42:56,000 --> 00:42:58,879
Speaker 1: Like you know what I'm saying. You know what I'm saying.

695
00:42:59,160 --> 00:43:01,640
Speaker 1: I'm gonna I'm gonna be all the way solid with y'all.

696
00:43:01,760 --> 00:43:04,640
Speaker 1: Like I give a lot of credit when it comes

697
00:43:04,680 --> 00:43:08,680
Speaker 1: to because I'm from Cashville, Nashville and he from Memphis

698
00:43:08,760 --> 00:43:13,480
Speaker 1: with three hours away and it's always and it used

699
00:43:13,520 --> 00:43:16,120
Speaker 1: to be in probably here and there where that was

700
00:43:16,239 --> 00:43:20,440
Speaker 1: the separation between the two cities. Okay, we didn't really

701
00:43:20,560 --> 00:43:23,720
Speaker 1: just get along like that. It was one of those things.

702
00:43:23,800 --> 00:43:27,280
Speaker 1: I think it was britted from the penitentiary everywhere. Every

703
00:43:28,840 --> 00:43:34,160
Speaker 1: everywhere you go, we call the Nigga's country type ship.

704
00:43:34,480 --> 00:43:40,440
Speaker 1: Didn't we all country, but Nigga who. One of the

705
00:43:40,520 --> 00:43:45,160
Speaker 1: records that really broke the mold in in in kind

706
00:43:45,160 --> 00:43:50,200
Speaker 1: of bringing us together was the state flight record that

707
00:43:50,560 --> 00:43:54,320
Speaker 1: me A ball to Nam J G, Juicy J, d

708
00:43:54,440 --> 00:43:57,680
Speaker 1: J Paul did. That's why and that's that record was

709
00:43:57,800 --> 00:44:00,440
Speaker 1: bigger than what people know because it was the first

710
00:44:00,520 --> 00:44:09,960
Speaker 1: time where we had, you know, somebody from my nigga

711
00:44:10,040 --> 00:44:17,000
Speaker 1: just like let me smoke for yeah now yeah all

712
00:44:17,040 --> 00:44:20,040
Speaker 1: then were they wait, no ball the g and three

713
00:44:20,080 --> 00:44:23,919
Speaker 1: SIPs Marv to get together. What I'm saying, the city

714
00:44:24,000 --> 00:44:26,359
Speaker 1: they love to hate quote unquote, you know what I'm saying.

715
00:44:26,440 --> 00:44:29,640
Speaker 1: So you know I always try to bring their unification in.

716
00:44:29,920 --> 00:44:31,719
Speaker 1: You know what I mean. Let me mix this ship up,

717
00:44:31,760 --> 00:44:33,520
Speaker 1: Let me bring like you see what Atlanta I'm doing.

718
00:44:33,640 --> 00:44:36,200
Speaker 1: Like you know, I just always look at the Lina like, damn,

719
00:44:36,239 --> 00:44:39,480
Speaker 1: they got this ship down pack how they blend, emerge

720
00:44:39,600 --> 00:44:43,000
Speaker 1: and make this ship everybody eat? You know what I mean?

721
00:44:43,160 --> 00:44:46,800
Speaker 1: So I just implemented that even when Welcome to My City,

722
00:44:46,880 --> 00:44:49,480
Speaker 1: coming out with Kan, came up with DOLF, I mean,

723
00:44:49,560 --> 00:44:52,319
Speaker 1: came up with got it, but still introducing DOLF, right,

724
00:44:52,520 --> 00:44:57,359
Speaker 1: you know what I'm saying, And just mine working with Jess,

725
00:44:57,480 --> 00:45:02,640
Speaker 1: working with good first you you were hello, bro. I

726
00:45:02,760 --> 00:45:06,759
Speaker 1: heard Buck online telling the crazy story about how DJ

727
00:45:06,920 --> 00:45:15,880
Speaker 1: Paul said project Path to pick you up. We got

728
00:45:15,960 --> 00:45:22,759
Speaker 1: a lot of ship We'm back to. I don't know

729
00:45:22,880 --> 00:45:24,719
Speaker 1: where you're hearing the way you're in life, but right

730
00:45:24,760 --> 00:45:28,399
Speaker 1: now we're talking to a real motherfucking pimp ship rap

731
00:45:28,480 --> 00:45:31,359
Speaker 1: ship Tennessee Titans over him. And as we got up

732
00:45:31,360 --> 00:45:33,399
Speaker 1: in the building with us today, we got young Buck

733
00:45:33,960 --> 00:45:37,880
Speaker 1: trying and we're really just running it down, but I

734
00:45:38,280 --> 00:45:41,120
Speaker 1: gotta hit this story in person. Man, you said, DJ

735
00:45:41,320 --> 00:45:44,279
Speaker 1: Paul said, project path to pick you up? Yeah, man,

736
00:45:44,400 --> 00:46:01,600
Speaker 1: from where project in the project one? But you know

737
00:46:02,800 --> 00:46:05,640
Speaker 1: he was riding with that nigga name was Liu Buck

738
00:46:06,520 --> 00:46:09,480
Speaker 1: and then he was a little nigga. His name was

739
00:46:09,480 --> 00:46:12,759
Speaker 1: a little Buck. And it's crazy about how that situation

740
00:46:12,840 --> 00:46:15,799
Speaker 1: happened because I was actually with Baby when I met

741
00:46:16,000 --> 00:46:19,759
Speaker 1: DJ Paul. I was on I think we was on

742
00:46:20,360 --> 00:46:23,200
Speaker 1: some type of tour at the time, and we was

743
00:46:23,320 --> 00:46:27,400
Speaker 1: coming through Memphis and Baby was like, Yo, nigga, this

744
00:46:27,520 --> 00:46:29,760
Speaker 1: is what I got coming. You did what I'm saying,

745
00:46:29,880 --> 00:46:33,239
Speaker 1: and Buck coming and spit something for the nigga and uh,

746
00:46:33,600 --> 00:46:36,600
Speaker 1: I end up spitting and Paul was like, Nick, you

747
00:46:36,719 --> 00:46:40,120
Speaker 1: from the from Tennessee n I'm like, yeah, there from

748
00:46:40,200 --> 00:46:44,239
Speaker 1: Kids Bill. But I was a youngster, so you know, Uh,

749
00:46:46,000 --> 00:46:48,359
Speaker 1: when my situation was, like I said, I was kind

750
00:46:48,360 --> 00:46:52,439
Speaker 1: of moving around. One day I had got a call

751
00:46:52,520 --> 00:46:55,440
Speaker 1: because I had kept in touch with Paul, and he

752
00:46:55,640 --> 00:47:00,560
Speaker 1: was like, uh, man, I'm I need you this record

753
00:47:01,560 --> 00:47:03,759
Speaker 1: and I'm like what he was like, Man, I'm a

754
00:47:03,920 --> 00:47:06,600
Speaker 1: pat for to come pick you up. And that's like

755
00:47:06,719 --> 00:47:10,279
Speaker 1: three and a half hours away. I'm like, He's like,

756
00:47:10,320 --> 00:47:11,480
Speaker 1: what do you want me to tell me to come?

757
00:47:11,560 --> 00:47:12,920
Speaker 1: I said, tell that Neig to meet me at the

758
00:47:12,960 --> 00:47:16,560
Speaker 1: Burger King parking lot across from Joe Johnson and the

759
00:47:16,760 --> 00:47:19,080
Speaker 1: hell yea. He poured up in a black Navigator. Man

760
00:47:19,160 --> 00:47:22,279
Speaker 1: Pat was of course the biggest funk at that time,

761
00:47:22,360 --> 00:47:24,360
Speaker 1: and it was like, man, I rolled back to the

762
00:47:24,480 --> 00:47:29,120
Speaker 1: fucking Memphis with this niggah. And then, like I said,

763
00:47:29,160 --> 00:47:31,360
Speaker 1: it was one of the dopest experiences as a youngster

764
00:47:36,280 --> 00:47:42,080
Speaker 1: because its license in the car. Don't know something. Who's

765
00:47:42,080 --> 00:47:46,320
Speaker 1: sunning in the back. But if you look in the console,

766
00:47:46,440 --> 00:47:59,600
Speaker 1: you know I gotshing out the little boy because the

767
00:47:59,680 --> 00:48:04,160
Speaker 1: shoot the window broken. I don't know. I didn't hit,

768
00:48:04,239 --> 00:48:07,759
Speaker 1: but I didn't know what killed the whole. At the

769
00:48:07,880 --> 00:48:10,560
Speaker 1: end is always then we made to see with the

770
00:48:10,640 --> 00:48:21,960
Speaker 1: project to the stands the loop. That's the best thing

771
00:48:22,080 --> 00:48:26,720
Speaker 1: you like about rappers, bro, when they tell stories favorite rappers.

772
00:48:26,760 --> 00:48:29,040
Speaker 1: When you listen to this ship, pay attention to this ship, bro,

773
00:48:29,080 --> 00:48:33,000
Speaker 1: I guarantee your favorite rapper he tell your story. But

774
00:48:33,400 --> 00:48:35,520
Speaker 1: I ended up I ended up dropping the record from

775
00:48:35,560 --> 00:48:37,480
Speaker 1: that though. He came and got me a lot of

776
00:48:37,520 --> 00:48:41,120
Speaker 1: people don't know I was on the hypnotized positive song.

777
00:48:41,239 --> 00:48:44,239
Speaker 1: It was like twenty Niggers on the goddamn song. But

778
00:48:45,040 --> 00:48:48,719
Speaker 1: he Paul heard something from when he had heard me

779
00:48:48,840 --> 00:48:51,879
Speaker 1: rap him end up giving the opportunity since to make

780
00:48:51,920 --> 00:48:54,759
Speaker 1: a pack to pick me up. And we've been locked

781
00:48:54,800 --> 00:48:57,120
Speaker 1: in every since, Bro, to be solid with you. You did.

782
00:48:57,360 --> 00:48:59,400
Speaker 1: He one of them ones. It's always to have my

783
00:48:59,480 --> 00:49:02,360
Speaker 1: back like Droma, you know, through my ups and downs

784
00:49:02,440 --> 00:49:04,840
Speaker 1: and ship like that. Bro, all these different things I

785
00:49:04,920 --> 00:49:07,680
Speaker 1: hadn't been through in the game, you know them two

786
00:49:07,760 --> 00:49:10,759
Speaker 1: of the ones that that's always gave me the motivation,

787
00:49:10,880 --> 00:49:12,640
Speaker 1: like you gotta keep going, you know what I mean

788
00:49:13,080 --> 00:49:16,840
Speaker 1: to keep doing this ship history right now? Brother, he

789
00:49:17,000 --> 00:49:20,080
Speaker 1: just he got breakers with Gucca and Jesus and that

790
00:49:20,480 --> 00:49:22,880
Speaker 1: out of all the versus battles that didn't happen, I

791
00:49:22,960 --> 00:49:26,239
Speaker 1: feel like that one was the most plific if you

792
00:49:26,320 --> 00:49:30,080
Speaker 1: feel what I'm saying. And so I to see it performed.

793
00:49:30,200 --> 00:49:33,279
Speaker 1: I never thought that would happen to real and that

794
00:49:33,440 --> 00:49:36,160
Speaker 1: bing as though you both of y'all for this for

795
00:49:36,239 --> 00:49:39,080
Speaker 1: that matter, you didn't got so much rich history with

796
00:49:39,160 --> 00:49:42,160
Speaker 1: so many artists, was at any point where you realize

797
00:49:42,400 --> 00:49:44,120
Speaker 1: you were one of the people that you grew up

798
00:49:44,200 --> 00:49:46,320
Speaker 1: being around. For artists like that, You ever had that

799
00:49:46,440 --> 00:49:48,920
Speaker 1: moment when somebody came and so you and was like,

800
00:49:49,040 --> 00:49:51,880
Speaker 1: oh ship, young buck, and you ended up helping them

801
00:49:51,920 --> 00:49:53,440
Speaker 1: and giving them the same game and a lot of

802
00:49:53,520 --> 00:49:56,560
Speaker 1: these guys and gave you big facts. I mean, I've

803
00:49:56,920 --> 00:49:59,680
Speaker 1: watched this ship happened though, you know, with me and

804
00:50:00,160 --> 00:50:03,839
Speaker 1: was the artist. Man. I love seeing little forty two

805
00:50:03,960 --> 00:50:08,160
Speaker 1: Doug doing thing. Me and his father, you know, come

806
00:50:08,280 --> 00:50:11,800
Speaker 1: up in the streets together and and uh, you know,

807
00:50:11,960 --> 00:50:15,280
Speaker 1: I remember forty two just being really in the streets

808
00:50:15,360 --> 00:50:18,360
Speaker 1: and really really trying to find a way, you know

809
00:50:18,440 --> 00:50:20,960
Speaker 1: what I'm saying. And I never could present no kind

810
00:50:20,960 --> 00:50:24,359
Speaker 1: of opportunity to him but for me being and going

811
00:50:24,480 --> 00:50:27,040
Speaker 1: through my own things. But I watched him and I

812
00:50:27,080 --> 00:50:29,000
Speaker 1: would tell him, you know, you got this ship. You're

813
00:50:29,040 --> 00:50:31,360
Speaker 1: gonna do your ship, you know what I mean, Just

814
00:50:31,520 --> 00:50:34,880
Speaker 1: stay down, just keep pushing. And to watch him, you know,

815
00:50:35,080 --> 00:50:41,839
Speaker 1: walking to get this situation with with guided uh, even

816
00:50:41,920 --> 00:50:46,080
Speaker 1: with Young Dolphins, his his producer band play, I gave him,

817
00:50:46,640 --> 00:50:48,600
Speaker 1: you know, his push to the game in a sense

818
00:50:48,680 --> 00:50:51,640
Speaker 1: by just giving him that opportunity to wrap on his tracks.

819
00:50:52,480 --> 00:50:55,000
Speaker 1: You know, I was going through so many different situations

820
00:50:55,080 --> 00:50:58,920
Speaker 1: where he was a youngster that was like almost understood

821
00:50:59,000 --> 00:51:01,320
Speaker 1: the fact of you know, I scratch your back and

822
00:51:01,400 --> 00:51:04,160
Speaker 1: scratch mind. So it was like I'm wrapping on your music.

823
00:51:05,040 --> 00:51:08,120
Speaker 1: And I used to always tell them, you know, if if,

824
00:51:08,280 --> 00:51:11,680
Speaker 1: if the opportunity to posisted, take advantage of it. I'm

825
00:51:11,719 --> 00:51:14,520
Speaker 1: trying to give myself through these contract issues and things

826
00:51:14,640 --> 00:51:19,200
Speaker 1: like that. And now he's producing, you know, multiple hits

827
00:51:19,239 --> 00:51:21,560
Speaker 1: for for for young duff, you know what I'm saying.

828
00:51:21,640 --> 00:51:23,960
Speaker 1: So I mean, I can go on for days. Bro.

829
00:51:24,120 --> 00:51:27,280
Speaker 1: It's just like I've always been one of them ones

830
00:51:27,440 --> 00:51:32,200
Speaker 1: that it's never been stingy with giving the knowledge. I

831
00:51:32,360 --> 00:51:36,040
Speaker 1: don't call it game because games is meant to be played.

832
00:51:36,200 --> 00:51:40,840
Speaker 1: I give him the true honest knowledge of of what

833
00:51:41,040 --> 00:51:44,760
Speaker 1: I've learned and try to give a personal, honest opinion

834
00:51:45,200 --> 00:51:50,279
Speaker 1: you understand whatever they looking to do, whether whether it's

835
00:51:50,280 --> 00:51:52,520
Speaker 1: something that I like it, don't you know what I'm saying,

836
00:51:52,640 --> 00:51:54,560
Speaker 1: or you know, I just try to keep it as

837
00:51:54,600 --> 00:51:57,560
Speaker 1: side of as possible, you know, with what they dudes,

838
00:51:57,680 --> 00:52:02,719
Speaker 1: because and keep it where you know, the same some

839
00:52:02,840 --> 00:52:04,840
Speaker 1: of the same people you see going up. Man, you

840
00:52:04,920 --> 00:52:07,080
Speaker 1: don't do this ship, right, you see the same people

841
00:52:07,719 --> 00:52:10,200
Speaker 1: on your way down. So I try to not burn

842
00:52:10,280 --> 00:52:12,920
Speaker 1: no bridges and ship with niggas and ship and keep

843
00:52:12,960 --> 00:52:17,640
Speaker 1: it solid. But the way this game is kind of built,

844
00:52:18,320 --> 00:52:20,440
Speaker 1: you know, you have a lot of times a lot

845
00:52:20,520 --> 00:52:24,800
Speaker 1: of people getting positions of power and they tend to

846
00:52:25,239 --> 00:52:28,440
Speaker 1: either forget or don't acknowledge what got him there. So

847
00:52:28,640 --> 00:52:30,960
Speaker 1: I just try to stay you know, as humble and

848
00:52:31,120 --> 00:52:33,920
Speaker 1: just stay as focused as possible. And that's what I

849
00:52:33,960 --> 00:52:36,960
Speaker 1: would encourage a lot of these dudes that that that's

850
00:52:37,200 --> 00:52:41,600
Speaker 1: come from nothing to something getting positions of power. You know,

851
00:52:42,480 --> 00:52:45,960
Speaker 1: just you know, take your blessing and for what it

852
00:52:46,080 --> 00:52:48,960
Speaker 1: really is. It's a blessing you know, to to to

853
00:52:50,239 --> 00:52:53,160
Speaker 1: go from point A to point b. H finally get

854
00:52:53,200 --> 00:52:55,680
Speaker 1: the way you're trying to go. But just don't take

855
00:52:55,719 --> 00:53:01,880
Speaker 1: it for granted, dude, take this ship for granted. And

856
00:53:02,719 --> 00:53:05,759
Speaker 1: you know, through all the downs that you went through

857
00:53:05,880 --> 00:53:07,799
Speaker 1: or you were just speaking on that, what what kept

858
00:53:07,840 --> 00:53:10,000
Speaker 1: the game from souring front for you? You know what

859
00:53:10,040 --> 00:53:12,040
Speaker 1: I mean? Like because through all that you didn't been

860
00:53:12,080 --> 00:53:14,280
Speaker 1: through that the public and saying you go let alone

861
00:53:14,360 --> 00:53:16,399
Speaker 1: what you didn't been through that you ain't I don't

862
00:53:16,400 --> 00:53:22,920
Speaker 1: nobody know about what kept you? My child? Man, my children?

863
00:53:23,080 --> 00:53:26,560
Speaker 1: You know what I'm saying. There's my motivation. I gotta

864
00:53:27,600 --> 00:53:30,279
Speaker 1: good solid brothers like drama, you know what I'm saying,

865
00:53:30,360 --> 00:53:34,120
Speaker 1: Individuals like you know, the they know who I really

866
00:53:34,200 --> 00:53:37,879
Speaker 1: am outside of some of the ship to get pushed

867
00:53:37,920 --> 00:53:40,080
Speaker 1: in the public or have been pushed in the public.

868
00:53:40,640 --> 00:53:43,239
Speaker 1: And I find myself at one point of time trying

869
00:53:43,280 --> 00:53:46,640
Speaker 1: to fight public opinion with a lot of bullshit and

870
00:53:46,800 --> 00:53:49,200
Speaker 1: had to just realize I'm never gonna win neck battle.

871
00:53:49,840 --> 00:53:52,120
Speaker 1: So I'm typing nig well with a lot of this ship.

872
00:53:52,320 --> 00:53:54,719
Speaker 1: You know, I've never had nothing to prove. What you

873
00:53:54,800 --> 00:53:56,840
Speaker 1: see is what you get. Who I really am is

874
00:53:56,880 --> 00:53:59,600
Speaker 1: who I really am. But I've been in front of

875
00:53:59,640 --> 00:54:02,880
Speaker 1: a lot of ship that's been tangled and twisted, and uh,

876
00:54:04,200 --> 00:54:06,640
Speaker 1: I try to be the one to untwisted ship because

877
00:54:06,680 --> 00:54:09,920
Speaker 1: I stand for something, and I realized, man, I can't.

878
00:54:11,080 --> 00:54:13,840
Speaker 1: It's never gonna work that way. So honestly, letting go

879
00:54:13,960 --> 00:54:17,680
Speaker 1: and let God in my situation has got me. You

880
00:54:17,760 --> 00:54:21,680
Speaker 1: know where I met Outside of just having damn good music,

881
00:54:21,800 --> 00:54:27,400
Speaker 1: quality street music consistently, you know, it's always I've always

882
00:54:27,440 --> 00:54:30,799
Speaker 1: felt like I haven't got my jets due you know, um,

883
00:54:31,960 --> 00:54:36,840
Speaker 1: I haven't truly felt like I've got my jests do

884
00:54:37,200 --> 00:54:40,160
Speaker 1: as a as a solo artist. I've been blessed to

885
00:54:40,239 --> 00:54:45,239
Speaker 1: have a a platinum album, you understand what I'm saying,

886
00:54:45,320 --> 00:54:48,600
Speaker 1: and you know, platinum albums about being amongst the group.

887
00:54:49,600 --> 00:54:52,759
Speaker 1: But me as an artist, I still got so much

888
00:54:52,920 --> 00:54:57,200
Speaker 1: more to offer. Always looked at rapper is almost a

889
00:54:57,239 --> 00:54:59,239
Speaker 1: stepper stone to get off in the ship that I

890
00:54:59,400 --> 00:55:02,919
Speaker 1: like to do, want to do movies and different things

891
00:55:03,040 --> 00:55:05,520
Speaker 1: like that. So it's just so much more in the

892
00:55:05,640 --> 00:55:08,960
Speaker 1: game that I got to give. You need a cookbook, man,

893
00:55:09,239 --> 00:55:21,160
Speaker 1: straight up audio cook book, reading book, motherfucker is you

894
00:55:21,160 --> 00:55:25,480
Speaker 1: don't listen to ship, nobody, let me produce it. I

895
00:55:27,239 --> 00:55:29,839
Speaker 1: speaking on what you just said about public perception rest

896
00:55:29,880 --> 00:55:31,680
Speaker 1: in piece of NIP. I heard the NIP quote where

897
00:55:31,680 --> 00:55:33,919
Speaker 1: he said, would you you know he read something that said,

898
00:55:33,960 --> 00:55:35,960
Speaker 1: would you rather be at war with yourself and at

899
00:55:36,000 --> 00:55:37,920
Speaker 1: peace with the world? At peace with yourself and at

900
00:55:37,920 --> 00:55:40,279
Speaker 1: war with the world? So you know what I mean.

901
00:55:40,360 --> 00:55:42,520
Speaker 1: I think that's something that you know, people need to

902
00:55:42,600 --> 00:55:45,480
Speaker 1: listen to because from somebody like you who went through

903
00:55:45,560 --> 00:55:48,560
Speaker 1: so much bullshit publicly, you know, man, you pick each

904
00:55:48,600 --> 00:55:50,880
Speaker 1: other situation you want to say, you know what I mean?

905
00:55:51,280 --> 00:55:54,320
Speaker 1: You know who you are and being content and that

906
00:55:54,600 --> 00:55:56,880
Speaker 1: is something that you need to fight because now public

907
00:55:56,960 --> 00:55:59,719
Speaker 1: perception is different than it's ever bad. When you first

908
00:55:59,760 --> 00:56:02,120
Speaker 1: got the game said something about you, it might take

909
00:56:02,160 --> 00:56:03,880
Speaker 1: you a couple of days or weeks for you to

910
00:56:03,960 --> 00:56:06,960
Speaker 1: even hear what the motherer' said. Now every time you

911
00:56:07,040 --> 00:56:10,000
Speaker 1: pick up your phone and there in front of you

912
00:56:10,120 --> 00:56:12,680
Speaker 1: you know what I mean to read or somebody with

913
00:56:12,840 --> 00:56:15,640
Speaker 1: the same bullshit I mean, Like I say, man, I

914
00:56:16,000 --> 00:56:19,000
Speaker 1: I know who I am, and I also know I'm

915
00:56:19,040 --> 00:56:21,640
Speaker 1: not perfect, but I've learned that I put myself in

916
00:56:21,760 --> 00:56:24,680
Speaker 1: certain positions to have to deal with a lot of bullshit.

917
00:56:25,400 --> 00:56:29,040
Speaker 1: So I've just learned how to kind of China trying

918
00:56:29,040 --> 00:56:35,000
Speaker 1: to figure out on correcting my wrongs versus trying to

919
00:56:35,080 --> 00:56:37,680
Speaker 1: figure out how to correct y'all. So you did what

920
00:56:37,800 --> 00:56:41,000
Speaker 1: I'm saying, or whoever feel you know it's any kind

921
00:56:41,040 --> 00:56:43,400
Speaker 1: of wrongs. I'd rather focus on self and see what

922
00:56:43,520 --> 00:56:46,879
Speaker 1: the funk I did or what I'm doing wrong. People

923
00:56:46,920 --> 00:56:49,439
Speaker 1: are gonna say and do whatever the funk they want

924
00:56:49,480 --> 00:56:53,759
Speaker 1: to period. Everybody a mentor like you, So I don't

925
00:56:53,800 --> 00:56:58,480
Speaker 1: want to be like by all your motherfuckers anyway, Hey,

926
00:56:58,600 --> 00:57:00,400
Speaker 1: I need some of that hate that it is like

927
00:57:00,560 --> 00:57:04,279
Speaker 1: shoot to my fire anyway. So I just learned to uh,

928
00:57:04,800 --> 00:57:07,959
Speaker 1: like I say, uh, focused on doing what I gotta

929
00:57:08,040 --> 00:57:11,200
Speaker 1: fucking do and in turn a lot of the negative

930
00:57:11,920 --> 00:57:15,080
Speaker 1: Uh make it work for myself, you know what I'm saying,

931
00:57:15,160 --> 00:57:19,919
Speaker 1: because a lot of times I've realized, you know, it's

932
00:57:19,920 --> 00:57:22,680
Speaker 1: a problem when they're not talking about you. You know,

933
00:57:22,800 --> 00:57:25,880
Speaker 1: one of the things that I will say that, Uh,

934
00:57:26,560 --> 00:57:29,360
Speaker 1: this project that me and Drummer Boy got out right

935
00:57:29,440 --> 00:57:33,560
Speaker 1: now back on my Buckshift volume three, Um, it's a

936
00:57:33,640 --> 00:57:37,080
Speaker 1: little bit more than just a solid project. We we

937
00:57:37,320 --> 00:57:40,720
Speaker 1: we you know, charted at number six. You did what

938
00:57:40,880 --> 00:57:43,640
Speaker 1: I'm saying through our iTunes and the steady more rising

939
00:57:43,680 --> 00:57:46,880
Speaker 1: and going and all of that good stuff. But one

940
00:57:46,960 --> 00:57:51,000
Speaker 1: thing Drummer told me about this, just take in regards

941
00:57:51,080 --> 00:57:53,880
Speaker 1: to all of the bullshit that, like you said, I've

942
00:57:53,960 --> 00:57:57,880
Speaker 1: had that you know, endure and go through. He said,

943
00:57:57,920 --> 00:58:00,240
Speaker 1: Buck Man, you know this is kind of more just

944
00:58:00,920 --> 00:58:05,360
Speaker 1: just the fucking solid ass tape. We're showing Nigga's brotherhood.

945
00:58:06,040 --> 00:58:09,520
Speaker 1: You know, we're bringing that brotherhood back to things. You know,

946
00:58:09,600 --> 00:58:13,600
Speaker 1: what I'm saying, because you know, when it's really your brother,

947
00:58:13,760 --> 00:58:16,840
Speaker 1: you did what I'm saying, whether he's up or down. Bro,

948
00:58:17,040 --> 00:58:21,960
Speaker 1: you supposed to be your brother what I'm saying, And uh,

949
00:58:22,320 --> 00:58:24,560
Speaker 1: that's that's one of the things that stick to me

950
00:58:24,680 --> 00:58:28,680
Speaker 1: in regards to what you're getting when you get me

951
00:58:28,800 --> 00:58:31,520
Speaker 1: and druma boy, you know what I'm saying together, It's

952
00:58:31,560 --> 00:58:35,000
Speaker 1: not just about him being a dope ass producing me

953
00:58:35,160 --> 00:58:38,560
Speaker 1: being a dope ass rapper. It's just more to it

954
00:58:38,760 --> 00:58:42,640
Speaker 1: when you got real life ship that come along with

955
00:58:42,840 --> 00:58:46,760
Speaker 1: me and ship like that that that you're getting to

956
00:58:46,880 --> 00:58:50,800
Speaker 1: hear from this latest project that we just dropped. Drama boy,

957
00:58:50,920 --> 00:58:54,120
Speaker 1: what was your what was your process putting this putting

958
00:58:54,120 --> 00:58:56,960
Speaker 1: it together? I just got the phone call, like you

959
00:58:56,960 --> 00:59:00,439
Speaker 1: know what I mean, Like what you're doing and ship

960
00:59:00,600 --> 00:59:02,600
Speaker 1: nigga cooking heat? You know what I mean. I'm just

961
00:59:03,880 --> 00:59:09,120
Speaker 1: randomly called you. You'll just be yeah, like like even

962
00:59:09,240 --> 00:59:15,400
Speaker 1: even making some of the best like you know, if

963
00:59:15,720 --> 00:59:17,919
Speaker 1: you know, I ain't even any time six one five

964
00:59:18,040 --> 00:59:20,440
Speaker 1: comment ain't too many people calling from six one five,

965
00:59:20,520 --> 00:59:23,240
Speaker 1: to be honest with it was a new number and

966
00:59:23,560 --> 00:59:26,440
Speaker 1: I ain't I knew I knew at some point Bro's

967
00:59:26,480 --> 00:59:30,240
Speaker 1: gonna call him do everything that we're going on. You

968
00:59:30,280 --> 00:59:36,000
Speaker 1: know what I'm saying. So you know, ship, I've seen

969
00:59:36,080 --> 00:59:38,920
Speaker 1: six one fives and picked him off. Fuck up, I

970
00:59:39,040 --> 00:59:41,880
Speaker 1: knew it was that mean. You know what I'm saying,

971
00:59:42,840 --> 00:59:45,360
Speaker 1: pick out the phone, Ship, what you're doing, I mean

972
00:59:46,640 --> 00:59:49,160
Speaker 1: cooking up what's up? And they get you good? You

973
00:59:50,920 --> 00:59:53,400
Speaker 1: really shake that ship out, you know what I mean?

974
00:59:53,640 --> 00:59:56,200
Speaker 1: Like I'm an uplifted bro. I'm I'm a big brother.

975
00:59:56,240 --> 00:59:57,760
Speaker 1: I worked at the y m c A. I'm from

976
00:59:57,760 --> 01:00:06,280
Speaker 1: the Bottlinteers state. It was just topping you know. Yeah,

977
01:00:06,760 --> 01:00:16,880
Speaker 1: because he's started a good wheel check we have back community,

978
01:00:17,360 --> 01:00:19,520
Speaker 1: so you don't have a sense of self work to

979
01:00:19,640 --> 01:00:27,120
Speaker 1: know what that's like. My grandfather was a prison so

980
01:00:27,640 --> 01:00:29,439
Speaker 1: it was like a lot of ship that I learned

981
01:00:29,480 --> 01:00:32,960
Speaker 1: from him on like just how to be therapeutic and

982
01:00:33,280 --> 01:00:36,560
Speaker 1: and help people figure out what the funk they got

983
01:00:36,680 --> 01:00:39,680
Speaker 1: going on? What what what? Because you know what I'm saying,

984
01:00:39,760 --> 01:00:42,240
Speaker 1: sometimes it can be a lot of ship on on Yeah,

985
01:00:42,320 --> 01:00:44,880
Speaker 1: I just a producing music. You'll produce that life. It

986
01:00:44,960 --> 01:00:48,600
Speaker 1: takes something to produce that to be able to like

987
01:00:49,040 --> 01:00:50,919
Speaker 1: was like like first thing I'm gonna do is listen

988
01:00:51,000 --> 01:00:52,800
Speaker 1: to your music. I bet what you got what you've

989
01:00:52,800 --> 01:00:55,320
Speaker 1: been recalled? He played me some ruggars you got damn

990
01:00:55,560 --> 01:00:58,200
Speaker 1: been doing in Nashville. Who Just so I can see

991
01:00:58,480 --> 01:01:01,280
Speaker 1: we'ren'n minded, you know what I'm saying. We see what

992
01:01:01,440 --> 01:01:03,480
Speaker 1: the story is. So what how are we gonna how

993
01:01:03,560 --> 01:01:06,320
Speaker 1: we're gonna how we're gonna tell the mother? Yeah? And

994
01:01:06,840 --> 01:01:09,080
Speaker 1: him he picky as a motherfucker on beat, So you

995
01:01:09,160 --> 01:01:13,120
Speaker 1: gotta come with He wants straight trapp hard. Did you

996
01:01:13,240 --> 01:01:23,160
Speaker 1: know that he thought you were picky? I didn't my life?

997
01:01:27,280 --> 01:01:35,680
Speaker 1: You know the nfe No, that's what you want, bro,

998
01:01:35,840 --> 01:01:40,920
Speaker 1: Like like jeez two ship. You know, Drake s a

999
01:01:40,960 --> 01:01:42,600
Speaker 1: lot of niggas that I don't work with. They were

1000
01:01:42,960 --> 01:01:46,000
Speaker 1: very specific on what they want. They feel a certain

1001
01:01:46,040 --> 01:01:48,400
Speaker 1: type of way. That's what I'm saying. If you're angry,

1002
01:01:48,400 --> 01:01:51,080
Speaker 1: if you mad at the world you you did, Bro,

1003
01:01:51,200 --> 01:01:53,360
Speaker 1: you want some ship that matches how you feel. You

1004
01:01:53,400 --> 01:01:55,920
Speaker 1: ever have a gamester like bro, keep us some the

1005
01:01:56,080 --> 01:02:01,320
Speaker 1: horns in that. Like I started, I was made at

1006
01:02:01,320 --> 01:02:04,960
Speaker 1: the bitch, but I feel like now I don't have

1007
01:02:05,080 --> 01:02:07,840
Speaker 1: no problems, you know what I'm saying. Like like, at

1008
01:02:07,880 --> 01:02:10,080
Speaker 1: the end of the day, you gotta look at it

1009
01:02:10,120 --> 01:02:13,320
Speaker 1: like I'm gonna work for hire. Yeah, so I worked

1010
01:02:13,400 --> 01:02:15,880
Speaker 1: for you. I get I dive into your world. But

1011
01:02:15,960 --> 01:02:18,080
Speaker 1: you know they do ras be on pills and ship

1012
01:02:18,360 --> 01:02:20,880
Speaker 1: ain't b bro used to put some doves in me

1013
01:02:21,800 --> 01:02:23,880
Speaker 1: and I'm putting on the face everyone. I didn't want

1014
01:02:23,880 --> 01:02:29,520
Speaker 1: to hear the wings. This is gonna sound hard as crap.

1015
01:02:30,320 --> 01:02:41,000
Speaker 1: Put I've been going bank and said I want to

1016
01:02:41,000 --> 01:02:43,960
Speaker 1: get a bird. I don't wanted your We did that.

1017
01:02:44,440 --> 01:02:46,320
Speaker 1: We did it with I forget the name of the song,

1018
01:02:46,400 --> 01:02:49,560
Speaker 1: but we did it. I remember, uh. It was one

1019
01:02:49,600 --> 01:02:54,360
Speaker 1: of the Ferrar Boys songs. Put the chicken talking ships

1020
01:02:54,400 --> 01:03:08,080
Speaker 1: had yet to do it, had to loop it, you know. Man.

1021
01:03:08,280 --> 01:03:13,680
Speaker 1: Honestly though the process, especially with creating back on my Bookship,

1022
01:03:13,760 --> 01:03:15,840
Speaker 1: I give Drumming a lot of credit. I tell him, man,

1023
01:03:15,920 --> 01:03:18,680
Speaker 1: you should be drunk board a k a. The conductor

1024
01:03:19,160 --> 01:03:22,200
Speaker 1: because he's one of them negs. Where you know, I

1025
01:03:22,320 --> 01:03:24,320
Speaker 1: may have an idea of my head from when I'm

1026
01:03:24,400 --> 01:03:26,960
Speaker 1: listening to the beat he made that ship from the

1027
01:03:27,080 --> 01:03:29,720
Speaker 1: future facts likest to that ship that he was naming

1028
01:03:29,800 --> 01:03:33,840
Speaker 1: that he did like that. Don't never get old that

1029
01:03:34,720 --> 01:03:44,600
Speaker 1: even the music. So I tell this nigga. It just

1030
01:03:44,800 --> 01:03:52,240
Speaker 1: told me something missing notion. Yeah, they had to tell

1031
01:03:52,320 --> 01:03:56,160
Speaker 1: him that ship. Hey, put some claps in that motherfuckername

1032
01:03:56,440 --> 01:04:01,360
Speaker 1: not regular class someone graduation class real week. That's another joy.

1033
01:04:01,400 --> 01:04:04,880
Speaker 1: I we're talking about Piggy bro the night before Jesus

1034
01:04:05,000 --> 01:04:08,840
Speaker 1: turning in motivation one on one, trap motivation one on one.

1035
01:04:10,000 --> 01:04:12,720
Speaker 1: I'm turning in he eat eat calling and ship out

1036
01:04:12,760 --> 01:04:15,040
Speaker 1: of me? Bro. What we're gonna do with it? Beat?

1037
01:04:15,080 --> 01:04:16,640
Speaker 1: What we're gonna do? What that beat? I had sold

1038
01:04:16,680 --> 01:04:21,240
Speaker 1: the original beat, the standing ovation six months prior. You

1039
01:04:21,280 --> 01:04:23,680
Speaker 1: know what I'm saying. So I got damn took one verse.

1040
01:04:23,720 --> 01:04:27,040
Speaker 1: I stay in Stone Mounting. I'm driving the patchwork. You

1041
01:04:27,080 --> 01:04:28,600
Speaker 1: know what I mean. Look forward to through the minute

1042
01:04:28,680 --> 01:04:31,040
Speaker 1: dry pull up with the first version. I gotta redo

1043
01:04:31,120 --> 01:04:32,640
Speaker 1: the beat. He sent it. He said you gotta come

1044
01:04:32,720 --> 01:04:36,000
Speaker 1: get the opera program. So I redo the ship go back.

1045
01:04:36,960 --> 01:04:39,480
Speaker 1: He didn't sunk with the first version. You know what

1046
01:04:39,480 --> 01:04:41,240
Speaker 1: I'm saying, So I gotta drive back storm mount and

1047
01:04:41,320 --> 01:04:44,520
Speaker 1: redo another beat. Pull up with the second verse. If

1048
01:04:44,600 --> 01:04:47,640
Speaker 1: that ain't it, and it's it's close. So on the

1049
01:04:47,720 --> 01:04:49,720
Speaker 1: way back, and I listened to the whole trap about

1050
01:04:49,760 --> 01:04:52,919
Speaker 1: me and take ship and I noticed that every guy

1051
01:04:53,320 --> 01:04:56,360
Speaker 1: damn beat, he had horns in that matha. So I

1052
01:04:56,440 --> 01:04:58,080
Speaker 1: was like, ah, I bet that's the first sound that

1053
01:04:58,160 --> 01:05:01,320
Speaker 1: I got. Damn dead. I came to the horns, put

1054
01:05:01,400 --> 01:05:05,760
Speaker 1: the claps in their motherfucker that she sounded good. Jesus,

1055
01:05:05,800 --> 01:05:13,680
Speaker 1: I came back. I came back, the passwork by six

1056
01:05:13,760 --> 01:05:18,440
Speaker 1: and the more Leslie wrapping up the last meet coach

1057
01:05:18,560 --> 01:05:21,680
Speaker 1: k and there you know what I'm saying. And Bro,

1058
01:05:22,120 --> 01:05:24,440
Speaker 1: that was literally the first time I heard Jesus to

1059
01:05:24,520 --> 01:05:30,920
Speaker 1: say we came out swear to God, you know what

1060
01:05:31,000 --> 01:05:39,280
Speaker 1: I'm saying, and that that was my first plane plant story.

1061
01:05:39,400 --> 01:05:43,120
Speaker 1: Something I told you this I do man like, even

1062
01:05:43,200 --> 01:05:46,000
Speaker 1: like I was, I was saying, I processed, Bro, I

1063
01:05:47,040 --> 01:05:49,960
Speaker 1: have something going on in my head and I just

1064
01:05:50,120 --> 01:05:53,960
Speaker 1: don't learned that you know whatever it is that I'm

1065
01:05:54,040 --> 01:05:58,560
Speaker 1: hearing drumming what you heared this beat? And he'll give

1066
01:05:58,640 --> 01:06:01,680
Speaker 1: you the fund a melody or something that you just

1067
01:06:02,160 --> 01:06:06,880
Speaker 1: wasn't it just wasn't there. So I'll be like, damn,

1068
01:06:07,840 --> 01:06:10,840
Speaker 1: you know what if I put this with what I'm

1069
01:06:10,880 --> 01:06:13,680
Speaker 1: already thinking too, you see what I'm saying, And that's

1070
01:06:13,680 --> 01:06:15,520
Speaker 1: how a lot of it get created. I just like

1071
01:06:15,680 --> 01:06:19,280
Speaker 1: to hear his input outside of just making a beat,

1072
01:06:19,360 --> 01:06:22,760
Speaker 1: because you know, motherfucker be having these different melodies and ship.

1073
01:06:22,880 --> 01:06:26,040
Speaker 1: That's producers and ship going through their heads and and

1074
01:06:26,200 --> 01:06:29,960
Speaker 1: sometimes the melodies be totally different from where I'm going there,

1075
01:06:30,640 --> 01:06:32,600
Speaker 1: and I've been able to implement a lot of it

1076
01:06:32,720 --> 01:06:36,240
Speaker 1: into what I'm doing too. So that's what the collaboration

1077
01:06:36,440 --> 01:06:39,720
Speaker 1: part come in. That's like, that's like you said, you're

1078
01:06:39,720 --> 01:06:41,400
Speaker 1: good at what you're doing. He was great. You know,

1079
01:06:41,520 --> 01:06:43,520
Speaker 1: you're both great at your own meetings. But it's like

1080
01:06:43,920 --> 01:06:46,960
Speaker 1: when y'are coming together, that's where the creativity flows. It

1081
01:06:47,040 --> 01:06:49,080
Speaker 1: ain't just send me to be I wrap on the

1082
01:06:49,160 --> 01:06:50,920
Speaker 1: bench and then we got a song. It's like, you

1083
01:06:51,000 --> 01:06:53,720
Speaker 1: gotta collaborators, like n what you feel like I need

1084
01:06:53,720 --> 01:06:58,840
Speaker 1: them do so long. You know that we've been doing

1085
01:06:59,000 --> 01:07:01,360
Speaker 1: from the gate, like when we came in the game,

1086
01:07:01,480 --> 01:07:03,760
Speaker 1: like it was, you know a lot of people hadn't

1087
01:07:03,800 --> 01:07:07,560
Speaker 1: seen two people do the ship that we've done, you

1088
01:07:07,600 --> 01:07:10,440
Speaker 1: know what I'm saying, and then doing this with three

1089
01:07:10,560 --> 01:07:12,240
Speaker 1: of us, you know what I'm saying. And being on

1090
01:07:12,440 --> 01:07:15,400
Speaker 1: stage is never rehearsed. This just we get on stage

1091
01:07:15,440 --> 01:07:23,840
Speaker 1: and we just collaborate and collapses. It's just like like,

1092
01:07:24,040 --> 01:07:26,680
Speaker 1: like you said, melody is something my love love of melody. Man,

1093
01:07:26,720 --> 01:07:28,680
Speaker 1: that's one of my big thing. I'm a music connisour,

1094
01:07:28,880 --> 01:07:32,480
Speaker 1: but melody is something that's major like and that's that

1095
01:07:32,600 --> 01:07:34,160
Speaker 1: type of ship, you know what I mean? And that's

1096
01:07:34,200 --> 01:07:36,920
Speaker 1: why like like like for example, Young Thug is one

1097
01:07:36,920 --> 01:07:41,640
Speaker 1: of my favorite artists, just incredible just because of the

1098
01:07:41,800 --> 01:07:45,760
Speaker 1: sounds and that. It's like what you know, I mean.

1099
01:07:45,840 --> 01:07:48,000
Speaker 1: To be able to do that, it's like and then

1100
01:07:48,320 --> 01:07:49,840
Speaker 1: to do that on your own is wanted. To be

1101
01:07:49,920 --> 01:07:52,160
Speaker 1: able to collaborate with somebody else who has a whole

1102
01:07:52,160 --> 01:07:54,640
Speaker 1: another pocket of whatever they're thinking about, and you be

1103
01:07:54,680 --> 01:07:59,440
Speaker 1: able to bring it together. That's when you make them

1104
01:07:59,560 --> 01:08:09,640
Speaker 1: put them on that bitch. So so like you after

1105
01:08:09,760 --> 01:08:11,440
Speaker 1: this project, now that you haven't done that, do you

1106
01:08:11,560 --> 01:08:14,120
Speaker 1: still have the desire to Like you said, you feel

1107
01:08:14,120 --> 01:08:15,760
Speaker 1: like you ain't got your just due? Do you still

1108
01:08:15,880 --> 01:08:20,760
Speaker 1: want that that superstardom? Like? Man, this ship, you know,

1109
01:08:21,040 --> 01:08:24,240
Speaker 1: my fire has never burnt out. You know, it might

1110
01:08:24,280 --> 01:08:26,760
Speaker 1: have went low, but it's never burnt the funk out.

1111
01:08:27,560 --> 01:08:29,479
Speaker 1: This ship lifted me up to the point where I

1112
01:08:30,080 --> 01:08:33,439
Speaker 1: feel better. I feel like I'm grown even better. Than

1113
01:08:33,520 --> 01:08:36,120
Speaker 1: I was even in my in my g unit years.

1114
01:08:36,280 --> 01:08:38,479
Speaker 1: You did what I'm saying, which was my younger kids.

1115
01:08:39,120 --> 01:08:41,760
Speaker 1: I don't see no fucking return and all that ship

1116
01:08:42,320 --> 01:08:46,280
Speaker 1: for me no time soon. Don't worry none of that

1117
01:08:49,280 --> 01:09:00,880
Speaker 1: to retire nigger Nick Jack of ninety seven years. I'm

1118
01:09:00,920 --> 01:09:05,040
Speaker 1: doing it like that still. Yeah. I put it to

1119
01:09:05,160 --> 01:09:15,040
Speaker 1: this out and I hate that about it. I'm playing

1120
01:09:15,080 --> 01:09:17,439
Speaker 1: the soul, you know, man, I hate that hip hop

1121
01:09:18,520 --> 01:09:22,080
Speaker 1: as big as the smoke, and it's like as big

1122
01:09:22,120 --> 01:09:24,599
Speaker 1: as its genre is. It's like it's always like all

1123
01:09:24,640 --> 01:09:28,160
Speaker 1: that nigga older he watched that, But any other genre music,

1124
01:09:28,280 --> 01:09:32,640
Speaker 1: you see the country artists and mothers be performing for

1125
01:09:32,880 --> 01:09:35,599
Speaker 1: fifty years, you know what I mean, and selling out crowds,

1126
01:09:35,640 --> 01:09:38,439
Speaker 1: and it's still it's face for that for hip hop

1127
01:09:38,520 --> 01:09:42,360
Speaker 1: because we create the music that creates the climate of

1128
01:09:42,400 --> 01:09:44,640
Speaker 1: the world. So it's like we but I think we

1129
01:09:44,760 --> 01:09:48,800
Speaker 1: do it to ourselves as connoisseurs where we just automatically say, oh,

1130
01:09:48,960 --> 01:09:51,840
Speaker 1: young Buck, all that nigga with dash it ain't cool

1131
01:09:51,960 --> 01:09:54,760
Speaker 1: no more. Yes it is, motherfucker. Take a listen, you

1132
01:09:54,840 --> 01:09:56,560
Speaker 1: know what I mean. It's still something there that you

1133
01:09:56,640 --> 01:10:01,160
Speaker 1: can gain. Every job in the world got at least

1134
01:10:01,240 --> 01:10:06,479
Speaker 1: one nigga who still wear g unit genius, some nigga

1135
01:10:06,560 --> 01:10:10,320
Speaker 1: who got up this morning and wought some gig right now,

1136
01:10:10,479 --> 01:10:18,960
Speaker 1: one of them tank right Terry top with a motherfucker.

1137
01:10:20,400 --> 01:10:25,879
Speaker 1: I wouldn't putting that. I ain't never say I wouldn't

1138
01:10:25,880 --> 01:10:31,960
Speaker 1: wap freaking four fifty nobody else there. It's like he

1139
01:10:32,120 --> 01:10:35,320
Speaker 1: made the taketok just for him. But they're gonna be

1140
01:10:35,360 --> 01:10:39,320
Speaker 1: at that we became with the fifty top. You feel

1141
01:10:39,720 --> 01:10:45,400
Speaker 1: that you ship that. I can proudly say I never would.

1142
01:10:46,000 --> 01:10:48,080
Speaker 1: I should't look like a field gold post me when

1143
01:10:48,120 --> 01:10:51,479
Speaker 1: you look at the n honest man, right, I just

1144
01:10:51,600 --> 01:10:58,920
Speaker 1: didn't work with it. Didn't was just straight on the

1145
01:10:59,040 --> 01:11:23,599
Speaker 1: skin graph, you know, crazy man. But the sneakers don't. Nigger.

1146
01:11:24,000 --> 01:11:28,080
Speaker 1: I ain't for him, the sneakers. I funk with the sneakers,

1147
01:11:28,120 --> 01:11:30,479
Speaker 1: crazy bro. I remember one time and fifty took the

1148
01:11:30,560 --> 01:11:34,160
Speaker 1: deal from us man like it was like we had

1149
01:11:34,200 --> 01:11:37,680
Speaker 1: got like a quarter million fot out of rebox. In

1150
01:11:37,840 --> 01:11:42,479
Speaker 1: regards to me and other other members of the group. Uh,

1151
01:11:43,040 --> 01:11:45,519
Speaker 1: fifty basically put us in a mix. It was his

1152
01:11:45,600 --> 01:11:48,880
Speaker 1: sneaker deal, but he worked his hand to kind of

1153
01:11:49,360 --> 01:11:52,439
Speaker 1: get us a situation out of it. Well, but the

1154
01:11:52,520 --> 01:12:00,160
Speaker 1: problem was that fifty wanted us the way he's out

1155
01:12:00,200 --> 01:12:03,800
Speaker 1: on that one chicot were wearing. I wear him every guy,

1156
01:12:04,200 --> 01:12:09,320
Speaker 1: they got to go to the bathroom any with with

1157
01:12:09,479 --> 01:12:11,559
Speaker 1: He's not gonna wear the tank to nigga get better

1158
01:12:11,600 --> 01:12:16,759
Speaker 1: within the camera. Threebot for two hundred and fifty thousand dollars,

1159
01:12:16,840 --> 01:12:24,800
Speaker 1: I will throw away all my other shoes and ship

1160
01:12:26,000 --> 01:12:30,599
Speaker 1: bad till I heart bottoms on them bitches and wearing

1161
01:12:30,680 --> 01:12:34,160
Speaker 1: the church could do nigga. If you didn't see a

1162
01:12:34,240 --> 01:12:38,120
Speaker 1: nigga with another bad man, it just mad for no

1163
01:12:38,320 --> 01:12:42,280
Speaker 1: fucking reason, that's the reason. But you got on Jean

1164
01:12:42,360 --> 01:12:50,519
Speaker 1: to my nigga. You can't even do this. I'm thinking,

1165
01:12:51,840 --> 01:12:59,559
Speaker 1: we're not thinking about it took you this long dead,

1166
01:13:00,040 --> 01:13:05,120
Speaker 1: Why the funk was I wearing them? They didn't give

1167
01:13:05,200 --> 01:13:11,479
Speaker 1: you the fucking bin. But Wan, he got your brother

1168
01:13:12,920 --> 01:13:17,920
Speaker 1: nothing right in the mind. Still Win got a jet

1169
01:13:17,960 --> 01:13:20,840
Speaker 1: coming when he's six to six. Ain't no wearing hell.

1170
01:13:21,080 --> 01:13:25,479
Speaker 1: I gotta wear them fucking shoes. The church, you think

1171
01:13:25,560 --> 01:13:32,280
Speaker 1: it was going to a lot of times and he

1172
01:13:32,360 --> 01:13:35,080
Speaker 1: got to wear these motherfucking we got to wear these

1173
01:13:35,160 --> 01:13:42,439
Speaker 1: motherfucker's everywhere shouting, and I'm backs out the show without married.

1174
01:13:42,520 --> 01:13:46,479
Speaker 1: You want class sound, I don't take my ship off.

1175
01:13:46,680 --> 01:13:50,040
Speaker 1: We're working at a hotspital with the don't ain't nigger.

1176
01:13:50,080 --> 01:13:52,520
Speaker 1: If I work at WII, I'm putting the slip resistant

1177
01:13:52,560 --> 01:13:56,360
Speaker 1: bottoms on my motherfucker's joe. I'm not wearing nothing but

1178
01:13:56,479 --> 01:13:59,880
Speaker 1: the g I'm talking about. Good thing about it is

1179
01:14:00,240 --> 01:14:04,439
Speaker 1: a nigga might have. We ain't nobody around and it's nigga.

1180
01:14:04,520 --> 01:14:09,000
Speaker 1: Know what'll the morning? Yea you got in the house, bro,

1181
01:14:09,439 --> 01:14:12,840
Speaker 1: nigg in the house, bro, just trying on ship you

1182
01:14:12,880 --> 01:14:18,840
Speaker 1: ain't got goddamn the units on hump, no endorsement. Let

1183
01:14:18,880 --> 01:14:23,000
Speaker 1: me put these backwoods right here, you know. Fun that

1184
01:14:23,080 --> 01:14:26,240
Speaker 1: out ahead of closing, y'all seeing that clip with Dr

1185
01:14:26,360 --> 01:14:28,280
Speaker 1: Dre with all the man force ones that have been

1186
01:14:28,360 --> 01:14:33,000
Speaker 1: me with the nigga. That's it. Everywhere I go, nigga, everybody,

1187
01:14:33,160 --> 01:14:34,960
Speaker 1: you can't come around me if you ain't got a

1188
01:14:35,040 --> 01:14:39,920
Speaker 1: morning maybe at smoking backwoods, change the bay Woods, but

1189
01:14:40,320 --> 01:14:42,479
Speaker 1: you had y'all had your own shoe like that's a

1190
01:14:43,920 --> 01:14:48,080
Speaker 1: trem and your own shoe. That's too good, that's too

1191
01:14:48,080 --> 01:14:50,680
Speaker 1: good to get mine. Oh, nigga, that let's they give

1192
01:14:50,760 --> 01:14:53,880
Speaker 1: us all we boy, I don't get what company it is,

1193
01:14:54,000 --> 01:14:56,720
Speaker 1: Nigga su cony, come on with it. Whoever, I don't

1194
01:14:56,760 --> 01:15:00,720
Speaker 1: give a pony, nigga whoever, who else? Who got who

1195
01:15:00,800 --> 01:15:04,719
Speaker 1: was calling people? Niggas tell him to call me any

1196
01:15:04,800 --> 01:15:08,400
Speaker 1: company they then't got in trouble for they want to

1197
01:15:08,439 --> 01:15:14,240
Speaker 1: fix that hat to Papa John's. You get the pepper,

1198
01:15:14,280 --> 01:15:15,640
Speaker 1: RUNI on the time, you can take it on and

1199
01:15:15,720 --> 01:15:18,080
Speaker 1: put the sausage on that motherfucker. Boy, we would make

1200
01:15:18,160 --> 01:15:21,920
Speaker 1: them bitches go. Come on, man telling you, but you

1201
01:15:22,160 --> 01:15:24,720
Speaker 1: lived a lot of hood dreams already. Man, so I

1202
01:15:24,840 --> 01:15:26,439
Speaker 1: know you say you don't feel like you got your

1203
01:15:26,520 --> 01:15:29,040
Speaker 1: just due. But over here we like to let niggas

1204
01:15:29,120 --> 01:15:30,760
Speaker 1: know who the is, just in case they might have

1205
01:15:30,800 --> 01:15:33,920
Speaker 1: forgotten you, cold and legendary. If it was to stop

1206
01:15:33,960 --> 01:15:35,880
Speaker 1: the day they gotta put a statue up a you

1207
01:15:36,000 --> 01:15:40,840
Speaker 1: and cast well till brother, I didn't know where I

1208
01:15:40,880 --> 01:15:43,800
Speaker 1: would want them to put that motherfucker up there in

1209
01:15:43,880 --> 01:15:49,000
Speaker 1: the same popular project pick Mama, I gotta have a

1210
01:15:49,080 --> 01:15:52,800
Speaker 1: play right there. You put that motherfucker right in front

1211
01:15:52,840 --> 01:15:55,840
Speaker 1: of or the fucking uh well, we just got a

1212
01:15:55,960 --> 01:16:00,080
Speaker 1: big museum just honoring Uh, all the African music and

1213
01:16:00,120 --> 01:16:04,519
Speaker 1: shipped around throughout throughout my way African American Museum, this

1214
01:16:04,760 --> 01:16:07,760
Speaker 1: big shout out. Some of the hoods in Nashville. Oh man,

1215
01:16:07,840 --> 01:16:11,559
Speaker 1: we got a basically side east side, south side, west side,

1216
01:16:11,680 --> 01:16:14,960
Speaker 1: north side. That's all of them. You know what I'm saying.

1217
01:16:16,320 --> 01:16:21,080
Speaker 1: It's there you wanted to. It's pockets all in between

1218
01:16:21,160 --> 01:16:24,439
Speaker 1: that ship, street names and ship like that. But we

1219
01:16:24,640 --> 01:16:28,840
Speaker 1: funk with Nashville whenever. Whatever. They don't matter how many

1220
01:16:28,960 --> 01:16:35,280
Speaker 1: shows it is. They I don't know if it's the

1221
01:16:35,360 --> 01:16:40,520
Speaker 1: same people or what show before the pandemic was in Nashville.

1222
01:16:40,840 --> 01:16:44,080
Speaker 1: That last show I did my two shows on a

1223
01:16:44,160 --> 01:16:46,160
Speaker 1: Sunday night. They sold both of them. Bitches out, I

1224
01:16:46,200 --> 01:16:51,200
Speaker 1: didn't work again in the old So thank you, naieve

1225
01:16:52,479 --> 01:16:55,200
Speaker 1: you know it's it's it's It's a thing about where

1226
01:16:55,240 --> 01:16:59,439
Speaker 1: I come from Nashville, is that you know, predominantly we

1227
01:16:59,640 --> 01:17:04,479
Speaker 1: known for country music. You did what I'm saying. But

1228
01:17:04,720 --> 01:17:09,960
Speaker 1: but if you go, you know, a mile in any

1229
01:17:10,080 --> 01:17:14,320
Speaker 1: direction there you go, you go a mile from any

1230
01:17:14,439 --> 01:17:18,479
Speaker 1: direction northeast southways, you're gonna you're gonna land in in

1231
01:17:18,760 --> 01:17:21,640
Speaker 1: the hood. You did what I'm saying. And uh and

1232
01:17:21,680 --> 01:17:23,800
Speaker 1: I know. It's one thing that that shocked the white

1233
01:17:23,840 --> 01:17:26,320
Speaker 1: people too, is that niggas be going all that country

1234
01:17:26,400 --> 01:17:28,200
Speaker 1: music ship and still be nick I don't give a

1235
01:17:28,320 --> 01:17:34,720
Speaker 1: funk win here you're talking about turn their hand wings up.

1236
01:17:36,800 --> 01:17:40,360
Speaker 1: But you know, it's just things like that that me

1237
01:17:40,560 --> 01:17:46,760
Speaker 1: being uh basically one of the one of the the

1238
01:17:46,920 --> 01:17:51,160
Speaker 1: only artist to actually sell a million records coming from

1239
01:17:51,240 --> 01:17:55,519
Speaker 1: there at this point. Uh, it opened a lot of doors,

1240
01:17:55,640 --> 01:17:57,920
Speaker 1: but like I say, it's still a lot of a

1241
01:17:57,960 --> 01:17:59,880
Speaker 1: lot of doors has got to be broken down. Like

1242
01:18:00,160 --> 01:18:03,080
Speaker 1: I was speaking on, we got an African American museum,

1243
01:18:03,840 --> 01:18:07,240
Speaker 1: We got slots of every fucking different artists, and it

1244
01:18:07,320 --> 01:18:10,920
Speaker 1: ain't even a fucking slot of mind, Like how y'all

1245
01:18:10,960 --> 01:18:16,160
Speaker 1: gonna have a fucking African American Museum of music and

1246
01:18:16,320 --> 01:18:20,160
Speaker 1: don't even have the individual the only individual they come

1247
01:18:20,240 --> 01:18:24,840
Speaker 1: from the city. Somebody old probably googled you. That boy

1248
01:18:24,920 --> 01:18:32,519
Speaker 1: got to fight down everything, everything, everybody sitting them and

1249
01:18:32,600 --> 01:18:35,280
Speaker 1: then then something happening with Dr Dre and them, and

1250
01:18:35,360 --> 01:18:36,800
Speaker 1: we just don't want to get called up and all

1251
01:18:36,840 --> 01:18:40,800
Speaker 1: that mess. It's just a politics. It's about getting some

1252
01:18:40,840 --> 01:18:45,240
Speaker 1: of them. Oh, motherfucker's out of there, somebody. It's coming though,

1253
01:18:45,360 --> 01:18:48,680
Speaker 1: trust and Beliegueause you're still out here laying down groundwork

1254
01:18:48,760 --> 01:18:50,680
Speaker 1: and still laying down you know you ain't done yet,

1255
01:18:50,720 --> 01:18:54,040
Speaker 1: you know what I'm saying that you're still doing it.

1256
01:18:54,160 --> 01:18:57,080
Speaker 1: So you're still laying down the foundation that that you

1257
01:18:57,160 --> 01:18:59,320
Speaker 1: know they're gonna have to respect, because you know, Megan

1258
01:18:59,439 --> 01:19:02,400
Speaker 1: or anything is a lot. I don't get what you say.

1259
01:19:02,800 --> 01:19:05,559
Speaker 1: This sold a million records when they cast, and they

1260
01:19:05,640 --> 01:19:08,400
Speaker 1: really when you really had to go stand outside in

1261
01:19:08,600 --> 01:19:12,040
Speaker 1: line when they came with the book in them and

1262
01:19:12,520 --> 01:19:14,320
Speaker 1: you get to read and see the pictures and ship.

1263
01:19:14,479 --> 01:19:20,240
Speaker 1: That's that's why you wonder why the fucking tours them.

1264
01:19:20,320 --> 01:19:23,000
Speaker 1: They're about to be almost sold the fucking my back

1265
01:19:23,040 --> 01:19:25,920
Speaker 1: on my books Your Up, well back on my Bookship tour.

1266
01:19:26,600 --> 01:19:29,280
Speaker 1: It's been booked crazy, you know what I mean. So

1267
01:19:29,439 --> 01:19:31,720
Speaker 1: you needed the promoters this tapped and try to get

1268
01:19:31,760 --> 01:19:33,920
Speaker 1: your date. You did. What I'm saying, We've kind of

1269
01:19:34,000 --> 01:19:38,880
Speaker 1: really been uh really this this album, this tape is

1270
01:19:38,960 --> 01:19:41,920
Speaker 1: just the kind of lit that flame back up. I

1271
01:19:42,040 --> 01:19:45,640
Speaker 1: actually dropped a tape a week before back on my

1272
01:19:45,760 --> 01:19:48,360
Speaker 1: books Your Voice and three, so I had two tapes

1273
01:19:48,960 --> 01:19:50,680
Speaker 1: on the charts of the other one is tight of

1274
01:19:50,800 --> 01:20:00,880
Speaker 1: the vaccine. You understand what the vaccine, we just don't

1275
01:20:00,880 --> 01:20:05,400
Speaker 1: only be caught up in, but make sure y'all go

1276
01:20:05,560 --> 01:20:15,240
Speaker 1: get the vaccine. I'm talking about the music that Virgina,

1277
01:20:15,360 --> 01:20:20,280
Speaker 1: I mean the Virginia. But yeah, broh, we're actually about

1278
01:20:20,320 --> 01:20:22,600
Speaker 1: to run around the world on the back of my

1279
01:20:22,680 --> 01:20:32,040
Speaker 1: buckshit tour. I'm still excited. Yeah, man, back three. We

1280
01:20:32,120 --> 01:20:35,519
Speaker 1: got a few features on the one of the one

1281
01:20:35,560 --> 01:20:39,759
Speaker 1: of my favorite records is with Boosey. Uh, like you said, burning,

1282
01:20:40,160 --> 01:20:42,000
Speaker 1: shout out the burning and ship and all of the

1283
01:20:42,800 --> 01:20:45,920
Speaker 1: the smoking that motherfucking right now. Shout out to him

1284
01:20:45,960 --> 01:20:50,240
Speaker 1: and his brain. So you got to come through here.

1285
01:20:52,560 --> 01:20:56,439
Speaker 1: Put me up on side. Yeah in real life too,

1286
01:20:56,640 --> 01:20:59,439
Speaker 1: like I funk with Funk with t Grizzly inside of

1287
01:20:59,520 --> 01:21:02,400
Speaker 1: we actually got a record that we have recorded, uh

1288
01:21:02,640 --> 01:21:08,519
Speaker 1: and put them both on the record, and yeah, I

1289
01:21:08,600 --> 01:21:12,120
Speaker 1: mean well, at the time we recorded, they were walking together.

1290
01:21:12,280 --> 01:21:14,320
Speaker 1: There wasn't nothing that I put together, none of that.

1291
01:21:15,040 --> 01:21:18,040
Speaker 1: But yeah, man, that ship is that ship is dope

1292
01:21:18,120 --> 01:21:20,800
Speaker 1: and shut out the school Stag. Even with the record

1293
01:21:20,880 --> 01:21:24,720
Speaker 1: that burners on him and Scott Stories produced it, and

1294
01:21:25,120 --> 01:21:27,320
Speaker 1: that was something different for me. You know what I'm saying.

1295
01:21:27,400 --> 01:21:33,439
Speaker 1: Drummer Boy and Scott Stories collaborator l A like I'm

1296
01:21:33,439 --> 01:21:36,639
Speaker 1: out here. I've been working with Scott Stories people everybody

1297
01:21:36,640 --> 01:21:39,439
Speaker 1: haven't seen that were working ship like stores just rich

1298
01:21:39,520 --> 01:21:45,320
Speaker 1: as a fund. That's crazy and still got all the

1299
01:21:45,360 --> 01:21:50,120
Speaker 1: money back, get all the bread back. So salute the

1300
01:21:50,160 --> 01:21:55,000
Speaker 1: Scotch Still believe. Yeah, my single with the show, Yeah

1301
01:21:55,040 --> 01:21:58,880
Speaker 1: that's big Code three Days Straight and their Twilve beats.

1302
01:21:59,040 --> 01:22:02,080
Speaker 1: That mixtape he did it with with Slim Duncan still

1303
01:22:02,160 --> 01:22:04,519
Speaker 1: one of my favorite joints. Man that that what's the

1304
01:22:04,640 --> 01:22:08,519
Speaker 1: name of that song off that mixtape? Yeah, I know

1305
01:22:08,720 --> 01:22:13,000
Speaker 1: man that, Um, this ship crazy, My life is amazing

1306
01:22:13,520 --> 01:22:17,880
Speaker 1: and putting on Yeah, that's my ship is there is

1307
01:22:17,920 --> 01:22:22,040
Speaker 1: a solid dude, bro. I really appreciate their board and music.

1308
01:22:22,160 --> 01:22:24,280
Speaker 1: Is where I tell you one of the one of

1309
01:22:24,360 --> 01:22:27,639
Speaker 1: my favorites. Well, he is my favorite artist in rep

1310
01:22:28,320 --> 01:22:31,720
Speaker 1: next to two part and I plan on you know,

1311
01:22:31,880 --> 01:22:34,560
Speaker 1: working with him, and I always gotta give me this

1312
01:22:34,600 --> 01:22:36,840
Speaker 1: flyer with every chance I get in that scar face.

1313
01:22:37,680 --> 01:22:39,880
Speaker 1: Now the rule is over and all the tears a

1314
01:22:39,960 --> 01:22:42,320
Speaker 1: dried up Nicks in the coop in the back, getting

1315
01:22:42,360 --> 01:22:44,360
Speaker 1: fighter ready to pull a pistol on the nigger to

1316
01:22:44,400 --> 01:22:46,240
Speaker 1: smoke my homea and now boring an ass one that

1317
01:22:46,320 --> 01:22:50,200
Speaker 1: your life is what you owe me. I just feel

1318
01:22:50,240 --> 01:22:53,839
Speaker 1: like fatasy so that nigga, this is my favorite Scara.

1319
01:22:54,520 --> 01:22:57,360
Speaker 1: Nobody knews my name. They only knew my face on

1320
01:22:57,520 --> 01:23:00,280
Speaker 1: the perilla. My nigga, they coming scar face was like,

1321
01:23:00,360 --> 01:23:05,880
Speaker 1: that's your name. Then is one of the greatest of

1322
01:23:05,920 --> 01:23:10,160
Speaker 1: the greatest, especially from the start man ever period, but

1323
01:23:10,280 --> 01:23:12,960
Speaker 1: for us period. You know, I just feel like face

1324
01:23:13,080 --> 01:23:15,160
Speaker 1: is one of the ones, that it's one of our

1325
01:23:16,200 --> 01:23:21,519
Speaker 1: real deal prophets, that living prophets, a poet support this field. Man,

1326
01:23:21,600 --> 01:23:24,560
Speaker 1: I meant this bitch one time. I had to meant this.

1327
01:23:24,800 --> 01:23:27,160
Speaker 1: I had to this bitch one time. I think it

1328
01:23:27,280 --> 01:23:30,439
Speaker 1: said that I meant this being so fat I had

1329
01:23:31,320 --> 01:23:33,880
Speaker 1: one time. And then my homies, man, that my homies

1330
01:23:34,040 --> 01:23:36,400
Speaker 1: is one of my favorite joints. I started small time,

1331
01:23:36,479 --> 01:23:39,400
Speaker 1: dot game cocaine than the rocks on the block, I've

1332
01:23:39,400 --> 01:23:42,920
Speaker 1: never broke, man, I got a fucking full of stone.

1333
01:23:45,040 --> 01:23:48,920
Speaker 1: You g k now, it's just like always been uh like,

1334
01:23:49,360 --> 01:23:52,400
Speaker 1: like I said, these is my roomor what kind of

1335
01:23:52,560 --> 01:23:58,080
Speaker 1: create what we got going on? Always bring up eight ball.

1336
01:23:58,160 --> 01:24:02,560
Speaker 1: When they started talking about larricis Son a lot of

1337
01:24:02,720 --> 01:24:04,840
Speaker 1: youngsters made you bring up some of these ship they like,

1338
01:24:05,080 --> 01:24:07,400
Speaker 1: and it ain't they fault that they ain't never heard.

1339
01:24:07,560 --> 01:24:13,000
Speaker 1: All right, take the time and go listen. Listen, I'm

1340
01:24:13,000 --> 01:24:17,360
Speaker 1: talking about that. That's real life basement that really I'm

1341
01:24:17,360 --> 01:24:19,800
Speaker 1: talking about because I'm being from the city, I'm from

1342
01:24:20,000 --> 01:24:22,599
Speaker 1: d C. He was influence a lot by southernly because

1343
01:24:22,640 --> 01:24:24,920
Speaker 1: we had Gogol, we had our own music, so a

1344
01:24:25,000 --> 01:24:27,360
Speaker 1: lot of it was influencing, you know, just the streets

1345
01:24:27,439 --> 01:24:29,280
Speaker 1: that they was talking about, the ship that was going on.

1346
01:24:29,520 --> 01:24:32,600
Speaker 1: So we was little boys in the basement listening to

1347
01:24:32,680 --> 01:24:36,040
Speaker 1: get old dope and Scott facing U. G. K and

1348
01:24:36,160 --> 01:24:38,880
Speaker 1: all these different people. And you know what I mean

1349
01:24:38,960 --> 01:24:41,519
Speaker 1: when I hear people say that the South they got

1350
01:24:41,600 --> 01:24:44,439
Speaker 1: no lyricism, and they ain't got no you craziest you

1351
01:24:44,520 --> 01:24:47,719
Speaker 1: ever heard these niggas on these records and they're telling

1352
01:24:48,000 --> 01:24:51,000
Speaker 1: real stories. So much drumming in the nigga life. Have

1353
01:24:51,160 --> 01:24:53,479
Speaker 1: to take the scenic rout home and check my clothes,

1354
01:24:54,360 --> 01:24:57,280
Speaker 1: not afraid of the dog. Just what the dog has

1355
01:24:57,840 --> 01:25:00,120
Speaker 1: kill us? What they face mask trying to get my

1356
01:25:00,320 --> 01:25:03,559
Speaker 1: safe cash. If I catch them blast nigga, hell yeah,

1357
01:25:03,800 --> 01:25:06,479
Speaker 1: because if they kissed me up and their ship. I'm

1358
01:25:06,520 --> 01:25:09,880
Speaker 1: a dead man, this nigga, right and then like you

1359
01:25:09,960 --> 01:25:12,160
Speaker 1: were talking about, see the way he capt murder as

1360
01:25:12,200 --> 01:25:16,439
Speaker 1: one of my favorite probably versus ever negative way that

1361
01:25:19,520 --> 01:25:21,920
Speaker 1: that's one of the best songs ever. I mean, still

1362
01:25:22,040 --> 01:25:24,840
Speaker 1: pimc bitch. So what the fucker's up putting pot on

1363
01:25:24,960 --> 01:25:27,280
Speaker 1: the screeches. I got big fucking nut coming back and

1364
01:25:28,000 --> 01:25:30,400
Speaker 1: in the fleetwood that I just set the ship to

1365
01:25:30,439 --> 01:25:32,439
Speaker 1: put their feet on their back. Got the pinds going

1366
01:25:32,479 --> 01:25:34,439
Speaker 1: for folks, because you know what, just say two nigga

1367
01:25:34,479 --> 01:25:36,360
Speaker 1: ball thirting from me so up fronting for it to

1368
01:25:36,640 --> 01:25:38,639
Speaker 1: come on. He probly see them one of times. It's

1369
01:25:38,760 --> 01:25:41,120
Speaker 1: two eight is what I get. Some nickel fuck? Would

1370
01:25:41,120 --> 01:25:43,040
Speaker 1: you do if I told you cocaine numbers? You would

1371
01:25:43,080 --> 01:25:45,599
Speaker 1: think I was nine Nigga's twenty two was talking about

1372
01:25:45,600 --> 01:25:50,280
Speaker 1: their retire side. This nigga right now, I'm telling you that,

1373
01:25:50,479 --> 01:25:53,479
Speaker 1: but even talking about you, that's what they didn't talking

1374
01:25:53,479 --> 01:25:55,320
Speaker 1: about the retired. They should have put that in the verse.

1375
01:25:55,360 --> 01:26:01,760
Speaker 1: I know we team with a yellow Lamborghini still to

1376
01:26:01,880 --> 01:26:05,280
Speaker 1: this day. And heard a rapper be obliged. M j G.

1377
01:26:05,520 --> 01:26:09,400
Speaker 1: The first nigga to be obliged, be your obliged. You

1378
01:26:09,520 --> 01:26:18,960
Speaker 1: step outside, I'm not coming out whatever that outside? Let

1379
01:26:19,000 --> 01:26:22,800
Speaker 1: me show you. J was this nigga said, he from

1380
01:26:22,880 --> 01:26:25,840
Speaker 1: your feet keeps me warm? What woman you know got

1381
01:26:25,960 --> 01:26:33,200
Speaker 1: warm feet? Nicky nigga was playing so much now she

1382
01:26:33,320 --> 01:26:38,040
Speaker 1: might have took a stock. Be fresh fresh coming up

1383
01:26:38,080 --> 01:26:42,120
Speaker 1: off the sucks. Nigga said he would be obliged if

1384
01:26:42,160 --> 01:26:44,639
Speaker 1: you step outside, man, I'm talking about. That was real

1385
01:26:44,720 --> 01:26:50,439
Speaker 1: pimping Brooks and stuff, Ain't they what y'all do? Mind?

1386
01:26:50,520 --> 01:26:55,280
Speaker 1: We grew up on that. The first guy ever loved

1387
01:26:55,360 --> 01:26:59,120
Speaker 1: in my life was the original looking for the chilling. Yeah,

1388
01:26:59,280 --> 01:27:02,960
Speaker 1: looking for I'm still I'm over be looking for and

1389
01:27:03,120 --> 01:27:09,000
Speaker 1: that's what I'd be doing that skinny, nick it's in

1390
01:27:09,120 --> 01:27:18,960
Speaker 1: the hop. Yeah say this every year suck us very

1391
01:27:19,360 --> 01:27:26,040
Speaker 1: in certain nega like project pat like this, Jesus nigga,

1392
01:27:26,080 --> 01:27:28,160
Speaker 1: I met patting the airport man. This nigga talk for

1393
01:27:28,240 --> 01:27:30,880
Speaker 1: forty five minutes standing at the luggage joid. They got

1394
01:27:30,920 --> 01:27:33,920
Speaker 1: four five banks just spinning around. But you had for

1395
01:27:34,120 --> 01:27:37,320
Speaker 1: chay Man, Did that ship really happened? That hot summer's

1396
01:27:37,360 --> 01:27:39,200
Speaker 1: like when he was kicking it with punch, nick Like,

1397
01:27:39,280 --> 01:27:45,040
Speaker 1: it's just those ship impact though. Wait till you listen

1398
01:27:45,120 --> 01:27:48,160
Speaker 1: to Tom skip Mass. Come on, you think you didn't

1399
01:27:48,160 --> 01:27:51,240
Speaker 1: put me on the Tom skip Man dead Men call

1400
01:27:51,680 --> 01:28:00,400
Speaker 1: Indo cheat a little blood when I died that remember me? Mind?

1401
01:28:02,000 --> 01:28:09,840
Speaker 1: Now what the W sevent three? He just put out

1402
01:28:09,880 --> 01:28:22,280
Speaker 1: a remix of Michael Jackson. Uh, I know us kicking home.

1403
01:28:22,680 --> 01:28:28,040
Speaker 1: I never needed a like it's crazy out. I see

1404
01:28:28,080 --> 01:28:34,000
Speaker 1: this is the funniest meg bl I gotta smoke. That's

1405
01:28:34,040 --> 01:28:37,160
Speaker 1: the old ship. But see, I think that that's one thing.

1406
01:28:37,200 --> 01:28:38,920
Speaker 1: I don't think the South get the credit for the

1407
01:28:39,080 --> 01:28:43,040
Speaker 1: influence that it's always had on the same always even

1408
01:28:43,120 --> 01:28:48,080
Speaker 1: back there, you hit even when I mean, yeah, Like

1409
01:28:48,960 --> 01:28:51,560
Speaker 1: that's why you know people like jay Z. You know,

1410
01:28:51,640 --> 01:28:53,800
Speaker 1: I respect jiggab because he was one of them dudes

1411
01:28:53,880 --> 01:28:55,600
Speaker 1: that was the New York dudes. They had it, you

1412
01:28:55,680 --> 01:28:58,320
Speaker 1: know him, Noriega, all them dudes that was working with

1413
01:28:58,520 --> 01:29:02,320
Speaker 1: something always been on Southern like. He always did features

1414
01:29:02,360 --> 01:29:04,679
Speaker 1: with Southern rappers. That's why I think that Niggy don't

1415
01:29:04,680 --> 01:29:11,000
Speaker 1: even realize how big his fan base is in the South. Yeah.

1416
01:29:11,400 --> 01:29:13,840
Speaker 1: I know Nori for a long time as well. I

1417
01:29:14,000 --> 01:29:16,439
Speaker 1: met Norid back when I was with Juve and I

1418
01:29:16,600 --> 01:29:18,360
Speaker 1: want to come up trying to make it. You know

1419
01:29:18,400 --> 01:29:23,920
Speaker 1: what I mean? Man? I know you. I started, I

1420
01:29:24,000 --> 01:29:27,200
Speaker 1: started writing. I started writing a book in the penitential.

1421
01:29:28,000 --> 01:29:30,880
Speaker 1: You know what I'm saying. I had I want to

1422
01:29:31,320 --> 01:29:35,880
Speaker 1: capture my experienced by being a celebrity behind the walls.

1423
01:29:35,960 --> 01:29:39,000
Speaker 1: That's the actual name of it. You know. I ended

1424
01:29:39,080 --> 01:29:43,519
Speaker 1: up going to the federal penitential. You do, you better

1425
01:29:43,640 --> 01:29:48,200
Speaker 1: know it no other way for me. Uh. Like I said,

1426
01:29:48,280 --> 01:29:51,439
Speaker 1: my experience of prison with was a little bit different

1427
01:29:51,520 --> 01:29:53,680
Speaker 1: because I did it backward, you know, when I was

1428
01:29:53,800 --> 01:29:56,720
Speaker 1: really in the streets doing it, doing a lot, you

1429
01:29:56,800 --> 01:29:58,559
Speaker 1: know what I mean. I was blessed to make it through.

1430
01:29:58,720 --> 01:30:01,799
Speaker 1: But then once I became fucking full flesh and liberty,

1431
01:30:01,840 --> 01:30:05,960
Speaker 1: I found myself waking up in the fucking you did

1432
01:30:06,080 --> 01:30:09,200
Speaker 1: what I'm saying. So the spears that I had from

1433
01:30:09,520 --> 01:30:13,000
Speaker 1: from prison was a little bit different because everybody knows

1434
01:30:13,240 --> 01:30:17,840
Speaker 1: who you are, you know, regardless of you know, some

1435
01:30:18,040 --> 01:30:22,120
Speaker 1: motherfucker's funk with you, and some motherfucker's don't. You did

1436
01:30:22,200 --> 01:30:24,280
Speaker 1: what I'm saying. They hate to see you making stoke

1437
01:30:24,479 --> 01:30:35,840
Speaker 1: everything right. They got stories everywhere, right, making big Stow

1438
01:30:36,080 --> 01:30:39,560
Speaker 1: every week, spreads every day, but with the impact that

1439
01:30:39,680 --> 01:30:42,679
Speaker 1: I did do. I'll share this with you' are real quick.

1440
01:30:43,160 --> 01:30:49,720
Speaker 1: Imprisoned that that I really cherished myself for, uh was

1441
01:30:50,600 --> 01:30:53,560
Speaker 1: being a person. Like I said, I had school and

1442
01:30:53,760 --> 01:30:55,760
Speaker 1: education with my thing I fell in there. I got

1443
01:30:55,840 --> 01:30:58,560
Speaker 1: my g D in prison and all of that, you

1444
01:30:58,640 --> 01:31:05,320
Speaker 1: know what I said. And I watched me motivate and

1445
01:31:05,760 --> 01:31:09,960
Speaker 1: do some things that I I realized from the the

1446
01:31:10,080 --> 01:31:12,720
Speaker 1: guys in prison, it's never been done. A lot of

1447
01:31:12,800 --> 01:31:17,160
Speaker 1: older guys my selling had, you know, forty some years.

1448
01:31:17,240 --> 01:31:20,720
Speaker 1: He's twenty something me and already ship like that. But

1449
01:31:21,760 --> 01:31:24,760
Speaker 1: I noticed started noticing the influence that I had on

1450
01:31:24,880 --> 01:31:29,599
Speaker 1: the prison period, and I got smart enough fast enough

1451
01:31:29,720 --> 01:31:34,840
Speaker 1: to to start, uh bringing my energy towards the wardens

1452
01:31:34,920 --> 01:31:37,479
Speaker 1: and ship like that to try to get them to

1453
01:31:37,600 --> 01:31:41,040
Speaker 1: do things that they had never done. And it worked.

1454
01:31:42,000 --> 01:31:45,040
Speaker 1: I was running into so many different artists in imprison

1455
01:31:45,920 --> 01:31:50,080
Speaker 1: have to wrap niggas. The coldest niggas I've ever heard

1456
01:31:50,080 --> 01:31:54,120
Speaker 1: in my life is imprisoned nold captain. I heard niggas

1457
01:31:54,680 --> 01:31:57,320
Speaker 1: imprisoned that was so cold, to the point where I

1458
01:31:57,400 --> 01:32:02,240
Speaker 1: had to figure out a way to at least you know,

1459
01:32:02,560 --> 01:32:04,320
Speaker 1: some of them had life sentence and some of them

1460
01:32:04,400 --> 01:32:07,519
Speaker 1: had so long that you know, you don't know what

1461
01:32:07,840 --> 01:32:10,800
Speaker 1: what's gonna how, how it's gonna play out for him.

1462
01:32:11,560 --> 01:32:14,040
Speaker 1: But I knew I had an influence in prison. So

1463
01:32:14,600 --> 01:32:17,960
Speaker 1: what I did was reached out to a couple of

1464
01:32:18,040 --> 01:32:20,840
Speaker 1: guards and ship that that they used to be solid

1465
01:32:21,080 --> 01:32:24,960
Speaker 1: enough for me to at least try to get something going.

1466
01:32:25,120 --> 01:32:28,639
Speaker 1: And they actually let me start having a music class

1467
01:32:28,720 --> 01:32:32,519
Speaker 1: in prison, and basically I was getting up. I was

1468
01:32:32,600 --> 01:32:35,320
Speaker 1: getting out all these guys together that were niggas that

1469
01:32:35,400 --> 01:32:37,400
Speaker 1: would come and want to wrap for me and ship

1470
01:32:37,920 --> 01:32:40,920
Speaker 1: like this nigga code, this nigga coke, and um, we

1471
01:32:41,000 --> 01:32:43,360
Speaker 1: were able to put together a talent show, a whole

1472
01:32:43,479 --> 01:32:50,120
Speaker 1: show in prison, and uh men, the warden had green

1473
01:32:50,240 --> 01:32:54,200
Speaker 1: lighted on allowing us to do this on the actual

1474
01:32:55,439 --> 01:32:58,080
Speaker 1: basketball court on the yard of the prison. They brought

1475
01:32:58,160 --> 01:33:03,120
Speaker 1: in fucking cordless mike and and beat fucking speakers like

1476
01:33:03,400 --> 01:33:08,000
Speaker 1: concert speakers and sitting up around hold a fun low

1477
01:33:09,200 --> 01:33:14,120
Speaker 1: about wild ship throws always clean and I ain't never

1478
01:33:14,240 --> 01:33:20,479
Speaker 1: had to watch my ship in the same ship was crazy, though, man,

1479
01:33:20,600 --> 01:33:23,600
Speaker 1: because you know, you got a lot of games, a

1480
01:33:23,680 --> 01:33:27,040
Speaker 1: lot of politics, a lot of you know, different nationalities

1481
01:33:27,080 --> 01:33:30,400
Speaker 1: and different races and individuals. But it was the first time,

1482
01:33:31,360 --> 01:33:33,360
Speaker 1: at least the prison that I was in y'alls with

1483
01:33:33,520 --> 01:33:39,800
Speaker 1: federal penitential, uh, where you you actually seen everybody on

1484
01:33:39,920 --> 01:33:43,000
Speaker 1: the yard. It was so bad that I actually come

1485
01:33:43,040 --> 01:33:45,760
Speaker 1: from a prison where it was a compound, and then

1486
01:33:45,800 --> 01:33:50,120
Speaker 1: the federal prison you have loads mediums and uh, the USP.

1487
01:33:51,560 --> 01:33:55,599
Speaker 1: You know, they basically had to shut down the medium

1488
01:33:56,040 --> 01:34:00,600
Speaker 1: and the the the USP to have enough guard to

1489
01:34:00,760 --> 01:34:04,599
Speaker 1: come through the talent show because everybody had came out

1490
01:34:04,840 --> 01:34:07,520
Speaker 1: on the yard and that's something that they never experienced

1491
01:34:08,000 --> 01:34:10,960
Speaker 1: at one time. And uh, it was a day where

1492
01:34:11,000 --> 01:34:14,840
Speaker 1: they are allowed loud, loud niggas to be kind of

1493
01:34:15,000 --> 01:34:18,960
Speaker 1: free in there. You know, you look around the prison

1494
01:34:19,080 --> 01:34:21,760
Speaker 1: yard and you see big clouds of smoke going up

1495
01:34:21,840 --> 01:34:26,080
Speaker 1: like in this motherfucker, And wasn't no guards pumping down,

1496
01:34:26,200 --> 01:34:30,320
Speaker 1: rushing on niggas. Niggas got you know who ching every

1497
01:34:31,320 --> 01:34:35,120
Speaker 1: all kind of ships with niggas. Got The experience feeling

1498
01:34:35,200 --> 01:34:39,400
Speaker 1: with a concert felt like you understand what I'm saying,

1499
01:34:39,439 --> 01:34:41,560
Speaker 1: and I put it in a place of you know,

1500
01:34:41,760 --> 01:34:44,840
Speaker 1: almost kind of hosting the situation. And this rapper, this

1501
01:34:45,040 --> 01:34:48,880
Speaker 1: rapper and your audience was was the other prisoners and

1502
01:34:49,120 --> 01:34:52,760
Speaker 1: and if they funck with it, you know, it was

1503
01:34:52,880 --> 01:34:57,759
Speaker 1: just like niggas became celebrities in prison. From that moment

1504
01:34:57,840 --> 01:35:01,000
Speaker 1: on the next day, you know, niggas is niggas is

1505
01:35:01,200 --> 01:35:04,759
Speaker 1: having all kinds of ship by just kind of creating

1506
01:35:04,800 --> 01:35:08,160
Speaker 1: that ambience of oh that nigga wrapped that nigga cold,

1507
01:35:08,360 --> 01:35:10,519
Speaker 1: you know what I'm saying, And a lot of dudes

1508
01:35:10,720 --> 01:35:12,920
Speaker 1: was on their way out, and I felt like, that's

1509
01:35:12,960 --> 01:35:14,960
Speaker 1: the least that I could have did, was you know,

1510
01:35:15,120 --> 01:35:18,240
Speaker 1: get them is heard as much as possible. So you know,

1511
01:35:18,520 --> 01:35:21,400
Speaker 1: ship like that man bringing ship like that to the table.

1512
01:35:21,520 --> 01:35:26,000
Speaker 1: You know, this ship that you know, you don't expect

1513
01:35:26,560 --> 01:35:29,760
Speaker 1: nothing like this going to to fucking prison, but you

1514
01:35:29,880 --> 01:35:33,160
Speaker 1: realize when you get there, at least I did. I

1515
01:35:33,280 --> 01:35:36,240
Speaker 1: gotta make the best out of this situation. Most of

1516
01:35:36,320 --> 01:35:38,840
Speaker 1: that nigga you say, you don't get your credit. You

1517
01:35:38,880 --> 01:35:42,160
Speaker 1: didn't went and made history and jail. You went and

1518
01:35:42,200 --> 01:35:46,080
Speaker 1: did the apollo in the Federal penitentiary name. I don't

1519
01:35:46,120 --> 01:35:48,760
Speaker 1: know how many niggas that wrap or otherwise can say

1520
01:35:48,800 --> 01:35:51,160
Speaker 1: that they did that, you know, I mean, like that's

1521
01:35:51,200 --> 01:35:53,360
Speaker 1: something that that needs to be But I'm glad you

1522
01:35:53,479 --> 01:35:57,880
Speaker 1: said that just doing acapella, doing the beat on his chick.

1523
01:36:00,000 --> 01:36:07,320
Speaker 1: What's the nigger name on six Soups? It's my rap name.

1524
01:36:07,479 --> 01:36:12,759
Speaker 1: Six suits, six suits, beach No. One, ripping seal block six.

1525
01:36:12,840 --> 01:36:15,599
Speaker 1: I came up beating this bitch from ninety four guy

1526
01:36:15,680 --> 01:36:20,320
Speaker 1: out the nineties, six Picky nickaching ninety seven. Then I

1527
01:36:20,479 --> 01:36:24,040
Speaker 1: took it, man, it ain't the ninety nine man. I

1528
01:36:24,240 --> 01:36:27,479
Speaker 1: had the hold, and I went to court in early

1529
01:36:27,600 --> 01:36:30,880
Speaker 1: two thousand, win no ever days. Then they came back

1530
01:36:31,000 --> 01:36:36,320
Speaker 1: in No. Two game, but the over six ain't like

1531
01:36:38,160 --> 01:36:40,800
Speaker 1: shot my knife up on my chicks right now. Hit

1532
01:36:40,880 --> 01:36:53,280
Speaker 1: single one was six six suits, alright, nigger sick RB

1533
01:36:53,320 --> 01:36:56,200
Speaker 1: and Raymond nigger rybing Raymond, and you're six soups not

1534
01:36:59,400 --> 01:37:01,479
Speaker 1: run on to stay. I just got out of the whole.

1535
01:37:01,600 --> 01:37:03,320
Speaker 1: But I wrote some ship while I was down there

1536
01:37:03,960 --> 01:37:06,800
Speaker 1: right robbing right next up your buck, next up we

1537
01:37:06,840 --> 01:37:10,200
Speaker 1: got up robbing ramon is six uns take coming up

1538
01:37:10,200 --> 01:37:15,160
Speaker 1: and do that? You heard? Hey, man, I just want

1539
01:37:15,200 --> 01:37:16,920
Speaker 1: to do a few jokes. Man ain't gonna be here long.

1540
01:37:17,080 --> 01:37:20,639
Speaker 1: And you heard about the due in the show. All

1541
01:37:20,760 --> 01:37:34,040
Speaker 1: he's telling me to cut the joke. Well, yeah, I'm

1542
01:37:34,040 --> 01:37:37,080
Speaker 1: gonna be on weekend up and be availing. I got

1543
01:37:39,800 --> 01:37:42,000
Speaker 1: in the yard tonight was that you're not killing me.

1544
01:37:45,520 --> 01:37:48,759
Speaker 1: I'm killing y'all. You know I'm telling what the jokes

1545
01:37:49,080 --> 01:37:57,360
Speaker 1: I'm killing. As I get right, put your second in

1546
01:37:59,880 --> 01:38:01,599
Speaker 1: the said after you want to take some jump tonight,

1547
01:38:01,680 --> 01:38:13,840
Speaker 1: I said, I take a step Cleveland. Y'all can see.

1548
01:38:14,240 --> 01:38:17,920
Speaker 1: I got it on the lock when they asked me

1549
01:38:18,000 --> 01:38:20,160
Speaker 1: had a show for tonight, I'm gonna tell I'm murdered

1550
01:38:24,640 --> 01:38:29,280
Speaker 1: ship like money could pay for that type of a

1551
01:38:30,320 --> 01:38:34,360
Speaker 1: big fact man. And it's just like to still be relevant,

1552
01:38:34,400 --> 01:38:38,600
Speaker 1: bro right now. It's a blessing as well. I know

1553
01:38:38,720 --> 01:38:42,679
Speaker 1: so many motherfucking artists right now that that was around

1554
01:38:42,760 --> 01:38:45,679
Speaker 1: in the peak of g UNIT or just was here

1555
01:38:46,800 --> 01:38:49,479
Speaker 1: no longer around, So I probably myself. I'm just trying

1556
01:38:49,520 --> 01:38:53,040
Speaker 1: to stay relevant, keep pushing, keep getting good music out there,

1557
01:38:53,080 --> 01:39:01,320
Speaker 1: and come fucking with y'all. Crazy n't even know my

1558
01:39:01,479 --> 01:39:04,240
Speaker 1: nigger that is the man. Well they can find that

1559
01:39:04,479 --> 01:39:09,200
Speaker 1: that new tape a playful. It's everything everything back on

1560
01:39:09,360 --> 01:39:14,720
Speaker 1: my bucks. Shit, Look they ain't it fats up soon?

1561
01:39:14,840 --> 01:39:20,759
Speaker 1: I track a fishing yo. Ship ain't And I happened

1562
01:39:20,760 --> 01:39:24,519
Speaker 1: to be and we have this bit hunting my niggas

1563
01:39:24,560 --> 01:39:36,639
Speaker 1: back like a spine. Yoke Shi, y'all niggers ship, y'all

1564
01:39:36,720 --> 01:39:57,160
Speaker 1: need you thinking? Everybody, y'all get in there right, Yeah,

1565
01:39:57,920 --> 01:40:01,960
Speaker 1: I'm a ja get any in her and not gonna

1566
01:40:02,000 --> 01:40:03,920
Speaker 1: get Let me get over here to rape my buck.

1567
01:40:03,920 --> 01:40:10,240
Speaker 1: They I let you see my other home, oh Jackie

1568
01:40:10,240 --> 01:40:33,560
Speaker 1: and spilled the bill. Let yeah right, can't because not one. Yes,

1569
01:40:33,760 --> 01:40:38,920
Speaker 1: I'm gonna you know, it's every kind of man ship. Yeah,

1570
01:40:39,000 --> 01:40:48,919
Speaker 1: I'm putting every man. Yeah yeah, yeah, yeah man, Okay,

1571
01:40:51,520 --> 01:40:59,760
Speaker 1: I can't refresh. Yeah, I say day, I called my

1572
01:41:00,080 --> 01:41:09,280
Speaker 1: play Yeah a cuscus areas. I know you then your

1573
01:41:09,479 --> 01:41:09,759
Speaker 1: phone