1 00:00:01,720 --> 00:00:04,440 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,440 --> 00:00:07,080 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,160 --> 00:00:16,160 Speaker 3: Welcome to and That's what you Really miss podcast. Kevin 4 00:00:16,960 --> 00:00:24,800 Speaker 3: is now, Oh my goodness, we're breaking the fourth wall. 5 00:00:25,000 --> 00:00:28,160 Speaker 3: We are we're doing these Kevin is still doing his 6 00:00:28,200 --> 00:00:31,720 Speaker 3: show in London, so we are on opposite sides of 7 00:00:31,760 --> 00:00:35,760 Speaker 3: the world, but here we are brought together by season six, 8 00:00:35,800 --> 00:00:39,680 Speaker 3: episode ten, or I can follow Sue Sylvester, airing on 9 00:00:39,760 --> 00:00:41,080 Speaker 3: March six, twenty fifteen. 10 00:00:42,240 --> 00:00:46,159 Speaker 2: Oh, Jenna, it's it's nice to be here with you. 11 00:00:50,040 --> 00:00:55,680 Speaker 2: I almost canceled today because I lost my voice. I know, 12 00:00:56,080 --> 00:01:00,800 Speaker 2: crazy laryngitis. I did go to an I'm on so 13 00:01:00,880 --> 00:01:03,080 Speaker 2: many steroids right now, so you know me on steroids 14 00:01:03,160 --> 00:01:07,319 Speaker 2: who he's on top of the world. Jenna has previously 15 00:01:07,880 --> 00:01:10,280 Speaker 2: had an intervention with me on a plane over the 16 00:01:10,280 --> 00:01:13,880 Speaker 2: Atlantic when I was on steroids during Glee. You, Cory 17 00:01:13,920 --> 00:01:15,960 Speaker 2: and I were like, you need to stop taking. 18 00:01:15,680 --> 00:01:18,000 Speaker 1: Them down, Calm down, boo woo. 19 00:01:18,160 --> 00:01:23,280 Speaker 2: Yeahoid not for muscles, for sickness, but because I have 20 00:01:23,760 --> 00:01:26,039 Speaker 2: laryngitis at the moment and I have to do eight 21 00:01:26,080 --> 00:01:30,240 Speaker 2: shows a week still, that is the way. Yeah, but 22 00:01:30,319 --> 00:01:31,920 Speaker 2: this is the most back it has been. 23 00:01:32,840 --> 00:01:36,280 Speaker 3: You never would have known told us, But don't strain it. 24 00:01:36,800 --> 00:01:39,840 Speaker 3: You just listen to the musical stylings of John Ashchwitz 25 00:01:39,880 --> 00:01:41,200 Speaker 3: in this episode, and. 26 00:01:41,920 --> 00:01:43,880 Speaker 1: Is what I want to do. Enjoy this ride, Kevin. 27 00:01:44,400 --> 00:01:46,520 Speaker 2: Yeah, but you know I can't shut myself up, so 28 00:01:46,520 --> 00:01:48,640 Speaker 2: I'm going to be talking up here like Michael Jackson 29 00:01:49,560 --> 00:01:52,680 Speaker 2: because I tend to speak in vocal fry, So if 30 00:01:52,720 --> 00:01:54,240 Speaker 2: I stay up here, it will be fine. 31 00:01:55,200 --> 00:01:56,800 Speaker 1: Vocal fry is like one of the worst things you 32 00:01:56,800 --> 00:01:58,800 Speaker 1: could possibly do to your voice, next to whispering. 33 00:01:58,920 --> 00:02:02,320 Speaker 2: So yeah, that and that's how I normally speak, like 34 00:02:02,360 --> 00:02:05,680 Speaker 2: when I warm up. It's more for my speaking voice 35 00:02:05,840 --> 00:02:10,040 Speaker 2: than for the singing voice. But I went to an 36 00:02:10,080 --> 00:02:12,720 Speaker 2: ant and everything's fine. Great, you're clear. You're just a 37 00:02:12,720 --> 00:02:15,080 Speaker 2: little ill, that's all. That's what happens when you're in 38 00:02:15,080 --> 00:02:18,400 Speaker 2: a show. Anytimes, got the good old flux acting up? 39 00:02:19,120 --> 00:02:19,919 Speaker 2: You know all of it. 40 00:02:20,120 --> 00:02:25,120 Speaker 1: Pepsid. Pepsid should sponsor. I really should have called you 41 00:02:25,160 --> 00:02:28,280 Speaker 1: this week. Actually sorry, I'm digressing. Why to ask you 42 00:02:28,280 --> 00:02:30,960 Speaker 1: for tips about what I should do with losing doing all. 43 00:02:30,840 --> 00:02:33,360 Speaker 3: The right things, There's really nothing to do but rest 44 00:02:33,600 --> 00:02:36,600 Speaker 3: and like drink applesider, vinegar and hot water. 45 00:02:36,880 --> 00:02:39,640 Speaker 1: Oh, I didn't do that. I had tea a lot of. 46 00:02:39,680 --> 00:02:44,680 Speaker 3: Not too much applesider though. No, it's a diuretic, but 47 00:02:44,760 --> 00:02:46,840 Speaker 3: it's really good for your voice anyway. The other thing 48 00:02:46,880 --> 00:02:50,320 Speaker 3: is to rest. So good thing that you're here doing 49 00:02:50,360 --> 00:02:51,760 Speaker 3: these recaps with us today. 50 00:02:53,320 --> 00:02:57,320 Speaker 1: Priorities. Well, we're here for you. 51 00:02:57,440 --> 00:02:59,840 Speaker 3: We're here for all of you who are still hanging 52 00:02:59,880 --> 00:03:02,880 Speaker 3: on here with us. We are at the end of 53 00:03:03,000 --> 00:03:08,040 Speaker 3: season six. I cannot believe it. So in the news 54 00:03:08,160 --> 00:03:12,600 Speaker 3: we had number one song was Uptown Funk Still, Still, Once, 55 00:03:12,800 --> 00:03:13,680 Speaker 3: Always and Forever. 56 00:03:15,200 --> 00:03:16,040 Speaker 1: The number one. 57 00:03:15,919 --> 00:03:20,680 Speaker 3: Movie is Chappy, a dystopian sci fi action film, and 58 00:03:20,720 --> 00:03:27,040 Speaker 3: it stars dev Pattell, Hugh Jackman, Sagourney Weaver. I did 59 00:03:27,040 --> 00:03:29,399 Speaker 3: not see this. I have never heard of it. I'm 60 00:03:29,400 --> 00:03:30,560 Speaker 3: not sure that I will ever see it. 61 00:03:31,040 --> 00:03:32,760 Speaker 1: Oh, it's a good one. It's a good one, is 62 00:03:32,800 --> 00:03:35,240 Speaker 1: it okay? Glee News. 63 00:03:35,240 --> 00:03:39,080 Speaker 2: This week another week of releasing digital downloads. Five tracks 64 00:03:39,120 --> 00:03:42,600 Speaker 2: from Rise and fallsho was Vester EP on March third 65 00:03:42,760 --> 00:03:43,440 Speaker 2: was released. 66 00:03:45,000 --> 00:03:52,840 Speaker 1: It was uh, what what what did you finish your sentence? Yeah? 67 00:03:52,920 --> 00:03:53,880 Speaker 2: I just reordered it. 68 00:03:55,440 --> 00:03:57,480 Speaker 3: No, you just like you 've spoke at the end 69 00:03:57,480 --> 00:03:59,480 Speaker 3: of the sentence, And I was like, does hear something 70 00:03:59,520 --> 00:04:00,960 Speaker 3: else to say, because. 71 00:04:00,720 --> 00:04:02,040 Speaker 1: I was not listening. 72 00:04:02,120 --> 00:04:04,400 Speaker 3: Let me spoiler alert, I wasn't listening to what you 73 00:04:04,440 --> 00:04:09,040 Speaker 3: were saying because I was listening ahead. Directed by Anthony Hemingway. 74 00:04:09,480 --> 00:04:13,680 Speaker 3: Who was Anthony Hemingway. Well, neither of us worked with him. So, 75 00:04:13,880 --> 00:04:16,839 Speaker 3: oh yeah, you were in that. You were in a 76 00:04:16,880 --> 00:04:17,680 Speaker 3: scene in the episode. 77 00:04:17,720 --> 00:04:19,719 Speaker 2: You were so, I don't recollect. 78 00:04:20,279 --> 00:04:25,240 Speaker 3: Okay, Sadly we did not get to work with Anthony Hemingway. Oh, 79 00:04:25,240 --> 00:04:29,000 Speaker 3: he's done CSI, he's done shameless, He's done. 80 00:04:28,880 --> 00:04:32,080 Speaker 1: A bunch okay, a veteran. This was written by the 81 00:04:32,080 --> 00:04:35,200 Speaker 1: one and only just Smeyer, our friend, dear. 82 00:04:35,440 --> 00:04:39,120 Speaker 3: We have Carol Burnett back as well as Heroldo Rivera 83 00:04:39,560 --> 00:04:41,760 Speaker 3: and Michael Bolton and Carnie Willson. 84 00:04:42,680 --> 00:04:47,240 Speaker 1: Jesus, it's so weird. Yeah, well we'll talk about it. 85 00:04:47,400 --> 00:04:48,480 Speaker 1: Let's talk about some songs. 86 00:04:48,560 --> 00:04:51,280 Speaker 3: Yeah, let's talk about it. So rather be by Clean 87 00:04:51,320 --> 00:04:55,320 Speaker 3: Bandit was performed by the New Directions. The trolley song 88 00:04:55,720 --> 00:04:59,960 Speaker 3: was meet Me in Saint Louis by Doris and cecilvest 89 00:05:00,400 --> 00:05:03,160 Speaker 3: Far from Over performed by Vocal Adrenaline. 90 00:05:03,600 --> 00:05:07,400 Speaker 1: The final Countdown Me by Sue and. 91 00:05:07,400 --> 00:05:12,279 Speaker 3: Will and Rise written by Glee's a very own Darren 92 00:05:12,360 --> 00:05:15,640 Speaker 3: Chris and it's performed by the new directions. All right, 93 00:05:15,760 --> 00:05:17,640 Speaker 3: let's talk about some fun faction and we'll just like 94 00:05:17,800 --> 00:05:21,520 Speaker 3: chat about this episode since we're not really in it. Yeah, 95 00:05:21,560 --> 00:05:24,120 Speaker 3: what was it like coming in for one scene for 96 00:05:24,240 --> 00:05:26,800 Speaker 3: one episode? I don't know what that's like. I'd never 97 00:05:26,880 --> 00:05:29,559 Speaker 3: done that before. It must have been nice. 98 00:05:30,080 --> 00:05:33,200 Speaker 2: It was nice, and it was also just like it 99 00:05:33,240 --> 00:05:40,080 Speaker 2: was a weird thing with Heraldo. Wasn't super stoked to 100 00:05:40,120 --> 00:05:46,560 Speaker 2: have Heraldo there? Yeah, yeah, you know, I'm glad we 101 00:05:47,000 --> 00:05:51,280 Speaker 2: make fun of Fox News in this episode, but like, yes, yes, 102 00:05:51,320 --> 00:05:52,040 Speaker 2: we're naming it. 103 00:05:52,720 --> 00:05:52,920 Speaker 1: Yeah. 104 00:05:52,960 --> 00:05:55,400 Speaker 2: I was more like, let me clock in clock out 105 00:05:55,680 --> 00:05:59,000 Speaker 2: because yeah, I'm not really I don't want to trying 106 00:05:59,040 --> 00:06:00,960 Speaker 2: not to condone what's going going on here, but it's 107 00:06:01,000 --> 00:06:01,760 Speaker 2: out of my control. 108 00:06:02,040 --> 00:06:03,599 Speaker 3: Well, it's like when we were on tour when we 109 00:06:03,640 --> 00:06:05,760 Speaker 3: had people like Bill O'Reilly coming to the show. 110 00:06:06,400 --> 00:06:09,560 Speaker 2: Bill O'Reilly showed up so many times to things, We're like. 111 00:06:09,520 --> 00:06:12,680 Speaker 1: What are you doing here? You are the wrong audience. 112 00:06:13,640 --> 00:06:18,480 Speaker 3: Like you are everything stand against but here you are 113 00:06:18,760 --> 00:06:21,080 Speaker 3: because your kid likes it, but yet you're not learning 114 00:06:21,120 --> 00:06:23,760 Speaker 3: anything from it, Like get out of here, all right, 115 00:06:23,800 --> 00:06:27,560 Speaker 3: we're getting too far in We're not, but for this show, 116 00:06:27,600 --> 00:06:32,080 Speaker 3: we're getting too for it. Okay, this is the second time, 117 00:06:32,240 --> 00:06:34,719 Speaker 3: go on, I know you could. This is the second 118 00:06:34,760 --> 00:06:37,920 Speaker 3: time that Sue has sung two duets in an episode. 119 00:06:37,520 --> 00:06:39,440 Speaker 1: The other being Opening Night. 120 00:06:39,839 --> 00:06:43,200 Speaker 2: This episode marks a return of the following characters. Doris 121 00:06:43,240 --> 00:06:46,080 Speaker 2: Sylvester since her first appearance and firt in season two 122 00:06:46,520 --> 00:06:50,000 Speaker 2: and eighty seven episode gap, Joe Hart since his last 123 00:06:50,000 --> 00:06:51,840 Speaker 2: appearance and all or Nothing when he just disappears in 124 00:06:51,880 --> 00:06:56,120 Speaker 2: season four twenty nine episodes ago, Andrea Carmichael and Rod 125 00:06:56,120 --> 00:06:59,080 Speaker 2: Remington since their last appearance, isn't Opening Night season five 126 00:07:00,240 --> 00:07:04,200 Speaker 2: twelve episode gap, and this marks Andrew's last appearance on 127 00:07:04,240 --> 00:07:04,599 Speaker 2: the show. 128 00:07:05,320 --> 00:07:07,119 Speaker 1: Oh whoop. 129 00:07:07,120 --> 00:07:09,200 Speaker 3: He was set to reprise your role as Carbon Thibodeaux, 130 00:07:09,800 --> 00:07:11,560 Speaker 3: but her scene was likely. 131 00:07:11,480 --> 00:07:15,720 Speaker 2: Cuts in Latin America. You can hear Carmen's voice on 132 00:07:15,840 --> 00:07:17,680 Speaker 2: Rachel's phone in the dubbed version. 133 00:07:17,840 --> 00:07:20,080 Speaker 1: Oh interesting. 134 00:07:21,880 --> 00:07:26,440 Speaker 3: It's the second longest title with twenty characters. 135 00:07:26,960 --> 00:07:28,200 Speaker 1: That is a fun fact. 136 00:07:29,360 --> 00:07:33,040 Speaker 3: The longest one is untitled Rachel Barry Project, only one 137 00:07:33,960 --> 00:07:36,560 Speaker 3: character more than the name of this episode. 138 00:07:36,880 --> 00:07:40,120 Speaker 2: This is the important news. This is what I'm here for. 139 00:07:40,760 --> 00:07:43,120 Speaker 2: This marks the seventh and last time a character's name 140 00:07:43,160 --> 00:07:44,520 Speaker 2: is used in the title. 141 00:07:44,440 --> 00:07:46,360 Speaker 3: And this is the second time Sue's name is used 142 00:07:46,360 --> 00:07:49,880 Speaker 3: in the title. In both occurrences, her last name is included. 143 00:07:50,880 --> 00:07:53,560 Speaker 2: I feel like this title also could have been used 144 00:07:56,000 --> 00:07:59,080 Speaker 2: like the Rise and Fall of Glee, This episode is 145 00:07:59,080 --> 00:08:00,600 Speaker 2: a good yeah, yeah. 146 00:08:00,480 --> 00:08:01,200 Speaker 1: Yeah for sure. 147 00:08:02,040 --> 00:08:06,280 Speaker 2: Sue posing for Penthouse was first mentioned in a voiceover 148 00:08:06,320 --> 00:08:08,600 Speaker 2: by Will in the extended version of the pilot, and 149 00:08:08,680 --> 00:08:10,920 Speaker 2: later proven to be true by Finn and Naked. 150 00:08:11,160 --> 00:08:14,080 Speaker 3: That's right and the episode is a play on the 151 00:08:14,160 --> 00:08:16,760 Speaker 3: nineteen seventy two David Bowie album The Rise and Fallows 152 00:08:16,880 --> 00:08:19,280 Speaker 3: He start Us and the Spiders from Mars, and Sue 153 00:08:19,360 --> 00:08:22,160 Speaker 3: dressed up as Bowie in his Starredus alter ego. 154 00:08:22,520 --> 00:08:25,720 Speaker 1: In the season two episode Rumors. 155 00:08:25,440 --> 00:08:27,400 Speaker 2: It is mentioned that Sue has never coached a show 156 00:08:27,400 --> 00:08:31,200 Speaker 2: car before Vocal Adrenaline, however, and season one's throw Down, 157 00:08:32,160 --> 00:08:36,200 Speaker 2: and in season three she was a temporary co coach 158 00:08:36,440 --> 00:08:39,480 Speaker 2: for the New Directions. During season two, she temporarily coached 159 00:08:39,600 --> 00:08:45,199 Speaker 2: Oral Intensity. So wrong, Wrong, Wrong, Jenna, do you want 160 00:08:45,200 --> 00:08:47,040 Speaker 2: to give us the episode summary? I do want to 161 00:08:47,040 --> 00:08:49,600 Speaker 2: give you the episode summary. So Dalton Academy burns to 162 00:08:49,679 --> 00:08:52,679 Speaker 2: the ground and the Warblers must combine with the new 163 00:08:52,679 --> 00:08:56,559 Speaker 2: directions to form a super group. Meanwhile, Rachel begs Carmen 164 00:08:56,600 --> 00:08:59,600 Speaker 2: Tibodow to let her return to YadA. Okay, the whole 165 00:08:59,640 --> 00:09:03,760 Speaker 2: time that was going to come out that Sue burned. 166 00:09:04,440 --> 00:09:07,760 Speaker 1: I know, I know, I mean she's not she's evil, 167 00:09:07,800 --> 00:09:10,559 Speaker 1: but she's not that evil. I mean that is that is. 168 00:09:10,800 --> 00:09:16,400 Speaker 3: Dr fair enough, fair enough, fair enough, okay. 169 00:09:16,160 --> 00:09:18,400 Speaker 1: In a school parking lot. This is the rise and 170 00:09:18,440 --> 00:09:19,319 Speaker 1: fall of Ce Sylvester. 171 00:09:20,240 --> 00:09:25,360 Speaker 3: Yeah, and Dalton obviously, as we mentioned, is burned down 172 00:09:25,400 --> 00:09:28,880 Speaker 3: to the ground and a fire, and the Warblers are 173 00:09:29,280 --> 00:09:33,480 Speaker 3: welcomed in by Kurt obviously brought back in poor poor 174 00:09:34,720 --> 00:09:41,160 Speaker 3: Blaine and everybody. Obviously, this is a big This is 175 00:09:41,200 --> 00:09:43,600 Speaker 3: turmoil for a new direction because it also affects their 176 00:09:44,160 --> 00:09:50,920 Speaker 3: you know, their future competitors. So they're going to merge 177 00:09:51,360 --> 00:09:55,640 Speaker 3: approved by the superintendent. So Sue is upset that the 178 00:09:55,679 --> 00:10:00,800 Speaker 3: Warblers are here because Will has gone over her head 179 00:10:01,480 --> 00:10:05,760 Speaker 3: to the superintendent. We have to talk about this scene 180 00:10:05,760 --> 00:10:11,520 Speaker 3: with Superintendent Bob Harris. Christopher Cousins, who's very good and 181 00:10:12,000 --> 00:10:19,080 Speaker 3: Will and Sue and they when he finds her hurt locker. 182 00:10:19,520 --> 00:10:29,000 Speaker 1: Oh god, I. 183 00:10:25,320 --> 00:10:29,000 Speaker 3: Was screaming when he goes into the hurt Locker and 184 00:10:29,040 --> 00:10:30,000 Speaker 3: he sees. 185 00:10:31,240 --> 00:10:40,360 Speaker 1: My nephew with the woody doll. No, my nephew. It's 186 00:10:40,400 --> 00:10:43,720 Speaker 1: really funny. It's really really funny. Overall. 187 00:10:43,960 --> 00:10:46,640 Speaker 3: I'm sorry, I'm going all over the place, but the 188 00:10:46,640 --> 00:10:49,360 Speaker 3: show must go all over the place. I feel like 189 00:10:50,320 --> 00:10:54,679 Speaker 3: that's what we should have called this podcast. Well, welcome 190 00:10:54,720 --> 00:10:58,840 Speaker 3: to it if you haven't figured that out yet. This 191 00:10:58,840 --> 00:11:04,640 Speaker 3: this episode definitely felt like, look Sue needed. 192 00:11:06,120 --> 00:11:07,160 Speaker 1: Another episode. 193 00:11:07,600 --> 00:11:14,280 Speaker 3: We love Jane, we love I get it, I get it, 194 00:11:14,320 --> 00:11:14,800 Speaker 3: I get it. 195 00:11:15,160 --> 00:11:20,400 Speaker 1: What are you trying to say, Jenna? It wasn't my favorite, No, 196 00:11:20,840 --> 00:11:25,920 Speaker 1: absolutely not. It's like, just get to the end. We're 197 00:11:25,960 --> 00:11:27,400 Speaker 1: at the end, you know what I mean. We're at 198 00:11:27,400 --> 00:11:28,200 Speaker 1: the end of the show. 199 00:11:28,880 --> 00:11:30,840 Speaker 3: We're not going to be opening up a can of 200 00:11:30,880 --> 00:11:37,280 Speaker 3: worms of new storylines, new characters, well kind of. But 201 00:11:39,240 --> 00:11:41,480 Speaker 3: I will say Jane did a wonderful job with this. 202 00:11:42,080 --> 00:11:45,040 Speaker 3: She's a great job. She's very funny moments. 203 00:11:45,440 --> 00:11:47,560 Speaker 2: Yes, I think in like a lot of the season, 204 00:11:47,720 --> 00:11:50,160 Speaker 2: like with the hurt Locker Part one and part two, 205 00:11:50,200 --> 00:11:51,840 Speaker 2: it's like, let's give Jane more. 206 00:11:52,120 --> 00:11:54,480 Speaker 1: Yeah, And it definitely felt like that. 207 00:11:54,840 --> 00:12:00,520 Speaker 3: The tone of of you know, the hurt Locker, like 208 00:12:00,640 --> 00:12:03,240 Speaker 3: you definitely felt like those moments where Ian was like, 209 00:12:03,720 --> 00:12:07,800 Speaker 3: let's just go for it. There's nothing left, we have 210 00:12:07,880 --> 00:12:09,920 Speaker 3: nothing left. So here we're going to give it all. 211 00:12:18,280 --> 00:12:21,120 Speaker 2: Sue gets called in for the Scotcha interview with Herala 212 00:12:21,200 --> 00:12:25,360 Speaker 2: Rivera on Fox News and then has a slew like 213 00:12:25,520 --> 00:12:30,080 Speaker 2: you mentioned before of celebrities finally fact checking all of 214 00:12:30,120 --> 00:12:34,559 Speaker 2: the erroneous claim she has made over the six seasons. 215 00:12:34,880 --> 00:12:39,000 Speaker 1: Michael Bolton like, none of it is true. No, we 216 00:12:39,040 --> 00:12:41,120 Speaker 1: have Yeah, we've debunked. 217 00:12:40,640 --> 00:12:44,200 Speaker 2: All those nips and so like, that's fun that she's 218 00:12:44,240 --> 00:12:50,199 Speaker 2: being called out and then she calls out the Favors Station. Yeah, 219 00:12:50,280 --> 00:12:54,360 Speaker 2: I will. I would like to point out I think 220 00:12:54,440 --> 00:12:58,640 Speaker 2: everyone was reading off of Q cards. What what do 221 00:12:58,720 --> 00:13:03,480 Speaker 2: you mean in these scenes when Shoes being interviewed, when 222 00:13:03,480 --> 00:13:06,960 Speaker 2: all these people are being interviewed, people are reading, what 223 00:13:07,000 --> 00:13:14,760 Speaker 2: do you mean they're reading something like like, this is 224 00:13:14,800 --> 00:13:19,480 Speaker 2: not memorized. Heraldo is reading over Jane's shoulder. Jane is 225 00:13:19,520 --> 00:13:22,480 Speaker 2: reading over Heraldo's shoulder, Matt was reading. Their eyes are 226 00:13:22,480 --> 00:13:25,400 Speaker 2: moving like they're reading a teleprompter. I was like, oh, 227 00:13:25,600 --> 00:13:29,560 Speaker 2: this is distracting. This none of this is memorized. I 228 00:13:29,600 --> 00:13:32,079 Speaker 2: get it because it's it's a big bit and it's 229 00:13:32,120 --> 00:13:34,320 Speaker 2: a lot of dialogue to learn, so they probably like, yeah, 230 00:13:34,400 --> 00:13:37,360 Speaker 2: just read it like it's fine because it's you're you're 231 00:13:37,440 --> 00:13:40,959 Speaker 2: talking to off camera, so like I understand. But it 232 00:13:41,040 --> 00:13:44,240 Speaker 2: was distracting because that never happens on the show and. 233 00:13:44,240 --> 00:13:49,120 Speaker 1: So wow, I mean only on two sees it probably Yeah. 234 00:13:48,800 --> 00:13:51,680 Speaker 2: But that's but that's fine because that's set up, like 235 00:13:51,720 --> 00:13:54,240 Speaker 2: you're reading into a camcast, right, and it's set up 236 00:13:54,280 --> 00:13:57,080 Speaker 2: so you don't see eyes moving. Oh gosh, I didn't 237 00:13:57,120 --> 00:14:00,040 Speaker 2: even notice that. Oh it was I was like, what 238 00:13:59,880 --> 00:14:01,680 Speaker 2: is happening? Wow? 239 00:14:03,120 --> 00:14:07,600 Speaker 3: I mean I love that they they finally come out 240 00:14:07,720 --> 00:14:12,320 Speaker 3: and all of Sue's like rumors and lies and it's 241 00:14:12,360 --> 00:14:13,719 Speaker 3: are all kind. 242 00:14:13,480 --> 00:14:18,040 Speaker 2: Of it's some of these things up before the end. 243 00:14:18,080 --> 00:14:20,640 Speaker 3: Yeah, yeah, let's love it, like let's just do it. 244 00:14:20,720 --> 00:14:23,080 Speaker 3: Let's just talk about it, you know, and then of course, 245 00:14:23,280 --> 00:14:26,520 Speaker 3: like get Carol Burnett back in here and like their 246 00:14:26,640 --> 00:14:28,640 Speaker 3: like wrapped arm in arm is funny. 247 00:14:29,280 --> 00:14:33,440 Speaker 2: That was pretty brutal her interview saying she never loved her. Yeah, 248 00:14:33,480 --> 00:14:37,720 Speaker 2: that was crazy. I did enjoy Sue punching her alda rivera. 249 00:14:37,800 --> 00:14:39,160 Speaker 2: That was very amazing. 250 00:14:39,400 --> 00:14:45,400 Speaker 3: I will say also like the the the uh what 251 00:14:45,560 --> 00:14:47,960 Speaker 3: was it before the punching that we were talking about, Oh, 252 00:14:48,040 --> 00:14:51,360 Speaker 3: the Carol Burnett up the mom stuff like it does 253 00:14:52,120 --> 00:14:56,960 Speaker 3: lend for like a deeper moment for Sue, like wondering 254 00:14:57,000 --> 00:14:58,680 Speaker 3: why she is the why she is, you know what 255 00:14:58,760 --> 00:15:02,000 Speaker 3: I mean, or like it's the explanation for why she 256 00:15:02,120 --> 00:15:03,280 Speaker 3: is the way she is. 257 00:15:03,320 --> 00:15:08,320 Speaker 2: She her parents completely traumatized her, terrible. Yeah, so it 258 00:15:08,360 --> 00:15:11,760 Speaker 2: was nice to get to get that. But yes, yes, 259 00:15:11,840 --> 00:15:15,480 Speaker 2: and how getting Michael Bolton and all these people to 260 00:15:15,520 --> 00:15:18,080 Speaker 2: show up to say these things is crazy. It is 261 00:15:18,120 --> 00:15:20,440 Speaker 2: really crazy, really really crazy. 262 00:15:22,640 --> 00:15:22,920 Speaker 1: Yeah. 263 00:15:23,080 --> 00:15:26,480 Speaker 3: The the Heraldo punch was my favorite part of that. 264 00:15:27,760 --> 00:15:30,880 Speaker 1: Mm hmm. And uh, Susan. 265 00:15:30,720 --> 00:15:32,800 Speaker 2: Respect him for showing up and like doing it and 266 00:15:32,840 --> 00:15:36,720 Speaker 2: being committed to it and delivering that last with blood 267 00:15:36,720 --> 00:15:37,240 Speaker 2: on his face. 268 00:15:37,360 --> 00:15:38,040 Speaker 1: Good pras. 269 00:15:38,120 --> 00:15:43,520 Speaker 2: So, if you can sleep at night being a Fox 270 00:15:43,560 --> 00:15:45,640 Speaker 2: News host, then you're probably up for anything. 271 00:15:46,040 --> 00:15:49,160 Speaker 1: I'm going to stop you right there. I water parted myself. 272 00:15:53,240 --> 00:15:55,440 Speaker 3: Oh my gosh. Yeah, it was fun to have like 273 00:15:55,520 --> 00:15:59,440 Speaker 3: Andrea back and Rod back, and and of course like 274 00:16:00,080 --> 00:16:05,040 Speaker 3: even teleprompter or not the mister Shoe clip running after 275 00:16:05,280 --> 00:16:08,000 Speaker 3: the interview where he's like you know, he's going out 276 00:16:08,280 --> 00:16:11,800 Speaker 3: on a limb for her and really and nobody sees 277 00:16:11,840 --> 00:16:18,720 Speaker 3: it and so sweet. Yeah, so like the whole gag 278 00:16:18,840 --> 00:16:20,560 Speaker 3: was great. 279 00:16:22,040 --> 00:16:23,840 Speaker 1: DoD is literally the best. 280 00:16:23,720 --> 00:16:26,240 Speaker 2: That ends up with, like that nice thing with Carol Burnett. 281 00:16:26,840 --> 00:16:31,560 Speaker 2: And then yeah, the trolley somehow becomes the coach of 282 00:16:31,680 --> 00:16:39,800 Speaker 2: vocal adrenaline. Yeah, and it makes sense that those are 283 00:16:39,800 --> 00:16:43,840 Speaker 2: her people. It seems like a good fit vocal adrenaline. 284 00:16:44,120 --> 00:16:48,560 Speaker 3: Yeah, has she's done vocal adrenaline at some point. 285 00:16:48,680 --> 00:16:50,000 Speaker 1: She needs to be with them. 286 00:16:50,200 --> 00:16:52,920 Speaker 3: Yeah, yeah, yeah, she was gonna put them to the 287 00:16:52,960 --> 00:16:56,080 Speaker 3: barfinat or whatever it's called, the Barfa bar. 288 00:16:56,160 --> 00:17:01,320 Speaker 1: Meter Barfa eight thousand bar for in these episodes, in 289 00:17:01,320 --> 00:17:02,960 Speaker 1: these final episodes. 290 00:17:05,080 --> 00:17:10,480 Speaker 3: Okay, wait, so we've talked about Sue's kind of uncovering, 291 00:17:10,760 --> 00:17:12,240 Speaker 3: we also have to go back to the hurt Locker 292 00:17:12,280 --> 00:17:14,280 Speaker 3: for a second when they find out that she's in 293 00:17:15,160 --> 00:17:22,760 Speaker 3: Penhouse and she's literally on the cover and we learn 294 00:17:23,160 --> 00:17:25,200 Speaker 3: I mean, but we've learned in the in the fun 295 00:17:25,280 --> 00:17:30,000 Speaker 3: facts that she wants like Finn put the envelope about 296 00:17:30,119 --> 00:17:36,199 Speaker 3: and like blackmailed her over that as well, And I 297 00:17:36,400 --> 00:17:41,000 Speaker 3: just there's something about the hurt Locker to me, and 298 00:17:41,040 --> 00:17:43,040 Speaker 3: now I get what people were talking about it being 299 00:17:43,080 --> 00:17:46,199 Speaker 3: some of like the favorites, maybe a hot take, maybe not, 300 00:17:47,520 --> 00:17:51,400 Speaker 3: But like to continue bringing back the hurt Locker really 301 00:17:51,840 --> 00:17:54,399 Speaker 3: like tickles me to my soul. 302 00:17:54,920 --> 00:17:58,199 Speaker 2: That I like because I feel like we don't do 303 00:17:58,320 --> 00:17:59,120 Speaker 2: a lot of recall. 304 00:18:00,520 --> 00:18:04,439 Speaker 3: Right, so contuity, let's let's let's call back to it. 305 00:18:04,560 --> 00:18:06,600 Speaker 2: Yeah, yeah, well, I guess we do quite a bit 306 00:18:06,600 --> 00:18:08,320 Speaker 2: of recall. We don't do a lot of like story 307 00:18:08,400 --> 00:18:11,159 Speaker 2: follow through, right, Like each episode is sort of its 308 00:18:11,160 --> 00:18:13,560 Speaker 2: own thing. That I don't mean that's in a bad way. 309 00:18:13,720 --> 00:18:15,760 Speaker 2: I mean it's a structural thing, like that's how the show. 310 00:18:15,600 --> 00:18:16,080 Speaker 1: Is set up. 311 00:18:16,160 --> 00:18:18,280 Speaker 3: I mean I would say, like Devil's Advocate, we do 312 00:18:18,400 --> 00:18:21,120 Speaker 3: complain about like how the baby doesn't go away, and 313 00:18:21,160 --> 00:18:23,000 Speaker 3: like there it is like a fifteen episodes. 314 00:18:23,200 --> 00:18:23,800 Speaker 1: That's what I mean. 315 00:18:23,840 --> 00:18:27,320 Speaker 2: The thing they stick to is the baby and then 316 00:18:27,359 --> 00:18:36,160 Speaker 2: the hurt Locker. But I guess the tracks it does trap. 317 00:18:36,760 --> 00:18:38,560 Speaker 2: Let's talk about the new directions for a second. 318 00:18:38,680 --> 00:18:44,240 Speaker 3: So the New Directions and the Warblers are off to 319 00:18:44,520 --> 00:18:48,960 Speaker 3: like a rough start in trying to get the groups together. 320 00:18:49,240 --> 00:18:51,320 Speaker 2: Of course, you thought all those hot hits can be 321 00:18:51,400 --> 00:18:53,920 Speaker 2: in the same room. They're arguing about their outfits, they're 322 00:18:54,040 --> 00:18:55,680 Speaker 2: arguing over who's singing what. 323 00:18:55,920 --> 00:18:57,720 Speaker 3: They're at the top of their games. They're going to 324 00:18:57,800 --> 00:18:59,440 Speaker 3: do things the way they want to do, and they 325 00:18:59,480 --> 00:19:03,800 Speaker 3: can't agree on these ms, you. 326 00:19:03,760 --> 00:19:09,199 Speaker 2: Know, like their arch nemesis nemesi of one another, and 327 00:19:09,240 --> 00:19:12,320 Speaker 2: so they're having to actually work together, which I get 328 00:19:12,480 --> 00:19:13,600 Speaker 2: is probably a nightmare. 329 00:19:14,240 --> 00:19:16,399 Speaker 1: Yeah, I would be like, oh my gosh, who are 330 00:19:16,440 --> 00:19:20,399 Speaker 1: these people? But they also so the the big thing. 331 00:19:20,320 --> 00:19:24,719 Speaker 3: Is the costumes, Like they can't agree on the blazers, 332 00:19:24,840 --> 00:19:27,800 Speaker 3: and they're still very much like a split group. Obviously, 333 00:19:27,880 --> 00:19:31,080 Speaker 3: this is a new format that they're trying to do 334 00:19:31,359 --> 00:19:34,800 Speaker 3: because of this, you know, tragic circumstance. 335 00:19:35,440 --> 00:19:38,359 Speaker 2: In the next episode, it's featured a bit more the 336 00:19:38,440 --> 00:19:41,400 Speaker 2: issues here. But I do feel like this highlights New 337 00:19:41,440 --> 00:19:46,920 Speaker 2: Direction shortcomings as good movers, you know, yes, because when 338 00:19:46,920 --> 00:19:51,840 Speaker 2: they're divided like this, you I mean, they're all basically 339 00:19:51,920 --> 00:19:59,320 Speaker 2: professional dancers on the Warblers Historically famously New Directions are not. 340 00:20:00,800 --> 00:20:02,480 Speaker 2: So that needs to be sorted. 341 00:20:05,400 --> 00:20:08,520 Speaker 1: Why did they do Final Countdown? What was the lead 342 00:20:08,560 --> 00:20:16,400 Speaker 1: into Final Countdown? Girl? I don't even think it. 343 00:20:15,440 --> 00:20:18,879 Speaker 3: Was it because of like the final, Like if they 344 00:20:18,880 --> 00:20:23,920 Speaker 3: don't win, like we it's revealed that in Sectionals if 345 00:20:23,960 --> 00:20:27,840 Speaker 3: they don't it's revealed to the new directions that if 346 00:20:27,880 --> 00:20:30,440 Speaker 3: they don't win Sectionals, not only will the Glee Club 347 00:20:30,480 --> 00:20:35,399 Speaker 3: be cut, but as will the arts be cut in 348 00:20:35,680 --> 00:20:37,760 Speaker 3: Emma Kinley. 349 00:20:37,640 --> 00:20:40,080 Speaker 2: Right, And I think all that's leading to, like this 350 00:20:40,160 --> 00:20:43,600 Speaker 2: is it like we have to do. 351 00:20:43,880 --> 00:20:47,520 Speaker 3: You can't get away with the final episodic Glee to 352 00:20:47,560 --> 00:20:50,120 Speaker 3: the final episode of Glee without doing the final countdown. 353 00:20:50,720 --> 00:20:55,199 Speaker 2: Well, it's also like this evil villain too thing right. 354 00:20:55,800 --> 00:20:58,560 Speaker 2: My favorite part of the episode is her on the 355 00:20:58,680 --> 00:21:04,320 Speaker 2: organ and like she's playing the opening bars to this. 356 00:21:05,880 --> 00:21:08,840 Speaker 2: It's very I do. I will say the final countdown 357 00:21:08,960 --> 00:21:15,439 Speaker 2: really pulled it all together for me. This episode. 358 00:21:13,080 --> 00:21:16,000 Speaker 1: It's music. 359 00:21:16,320 --> 00:21:20,600 Speaker 2: I like, it really really works in ways that it 360 00:21:20,760 --> 00:21:23,280 Speaker 2: probably shouldn't. But that's the whole history of this show. 361 00:21:24,240 --> 00:21:29,240 Speaker 1: My gosh, it was so weird. It was weird. But 362 00:21:29,320 --> 00:21:31,320 Speaker 1: I think it is really very weird. 363 00:21:31,800 --> 00:21:35,280 Speaker 2: I think this is a me problem, probably because I 364 00:21:35,320 --> 00:21:39,119 Speaker 2: think we also have to remember this show is coming 365 00:21:39,119 --> 00:21:44,320 Speaker 2: to an end, and the writers want to feature the 366 00:21:44,400 --> 00:21:47,240 Speaker 2: talented people they have on the show, and like, let's 367 00:21:47,280 --> 00:21:52,360 Speaker 2: give Will and Sue some things to do together, get 368 00:21:52,359 --> 00:21:53,200 Speaker 2: to perform together. 369 00:21:53,280 --> 00:21:53,560 Speaker 1: Again. 370 00:21:53,840 --> 00:21:56,600 Speaker 2: Yeah, yeah, which hasn't happened in a long time. So 371 00:21:56,680 --> 00:21:59,920 Speaker 2: like it it's I think that's also just part of box. 372 00:22:00,480 --> 00:22:02,560 Speaker 2: You have to take that into consideration because it is 373 00:22:02,640 --> 00:22:04,720 Speaker 2: fun to just watch them do their thing. 374 00:22:05,200 --> 00:22:08,280 Speaker 3: Literally, So if Sue gets fired and then she shows 375 00:22:08,359 --> 00:22:11,840 Speaker 3: up at the organ and we get that iconic final 376 00:22:11,880 --> 00:22:17,080 Speaker 3: countdown number, a lot of Jay Lynch numbers this episode. 377 00:22:17,160 --> 00:22:21,480 Speaker 1: We love Rachel. On the other hand, is in the 378 00:22:21,480 --> 00:22:22,200 Speaker 1: beginning of. 379 00:22:22,160 --> 00:22:25,919 Speaker 3: This episode, they're like, where's Rachel, and mister shehes like, 380 00:22:26,359 --> 00:22:28,840 Speaker 3: don't worry, she's on board with merging these groups, but 381 00:22:28,920 --> 00:22:31,119 Speaker 3: she's in New York taking care of some business. She 382 00:22:31,760 --> 00:22:35,520 Speaker 3: just wasn't going to be in the episode because just smart. 383 00:22:35,640 --> 00:22:42,000 Speaker 3: It's like when Tina got the bird Flow. So she's 384 00:22:42,040 --> 00:22:44,960 Speaker 3: meeting with carbon Thibodeaux, which I was like, oh, what 385 00:22:45,080 --> 00:22:50,440 Speaker 3: a smart way to incorporate Carmon Thibodeau but not have 386 00:22:50,480 --> 00:22:51,639 Speaker 3: to hire Whoopee again. 387 00:22:52,359 --> 00:22:54,400 Speaker 1: And apparently she was supposed. 388 00:22:53,960 --> 00:22:56,120 Speaker 3: To be in this episode. So I don't know what happened, 389 00:22:56,600 --> 00:22:59,480 Speaker 3: but you didn't like, of course we want more WHOOPI 390 00:22:59,520 --> 00:23:01,320 Speaker 3: always more or Whoopee, but like you didn't need it. 391 00:23:01,359 --> 00:23:03,880 Speaker 3: I was like, okay, like we revealed, like she goes 392 00:23:03,880 --> 00:23:08,880 Speaker 3: in for the meeting, it's you know, tale as old 393 00:23:08,880 --> 00:23:11,719 Speaker 3: as time, and then she's gonna get Rachel's gonna spoiler 394 00:23:11,840 --> 00:23:14,080 Speaker 3: the get a call at the end of the episode 395 00:23:14,080 --> 00:23:16,800 Speaker 3: that she is back in Nyada if she wants to 396 00:23:16,800 --> 00:23:21,199 Speaker 3: be like the story has been told, I thought it 397 00:23:21,240 --> 00:23:23,600 Speaker 3: was like I was like, Okay, I believe this. 398 00:23:24,160 --> 00:23:29,239 Speaker 2: I find this whole storyline perplexing. Really, I find it 399 00:23:29,320 --> 00:23:36,479 Speaker 2: really confusing because I get that she wants to like 400 00:23:36,600 --> 00:23:40,520 Speaker 2: right some wrongs and like have a second chance. But 401 00:23:40,680 --> 00:23:44,159 Speaker 2: she finds she gets accepted Niyada again, she gets the 402 00:23:44,200 --> 00:23:49,560 Speaker 2: call that she got hired, she booked a musical, and 403 00:23:49,880 --> 00:23:54,000 Speaker 2: she's debating this thing again, and I'm just like, it 404 00:23:54,040 --> 00:23:57,560 Speaker 2: feels like eight steps back in a way. It feels 405 00:23:57,920 --> 00:23:59,480 Speaker 2: it doesn't feel like Rachel to me. 406 00:24:00,080 --> 00:24:05,960 Speaker 1: Hmmm, I I disagree. 407 00:24:06,720 --> 00:24:10,200 Speaker 3: I feel like it's the only thing that is moving 408 00:24:10,359 --> 00:24:15,520 Speaker 3: this storyline plot forward in this episode the next episode, 409 00:24:15,720 --> 00:24:17,000 Speaker 3: like I feel like. 410 00:24:19,600 --> 00:24:22,840 Speaker 1: It is it's it does. 411 00:24:23,440 --> 00:24:29,160 Speaker 3: It happens like and Rachel made some really big mistakes, right, 412 00:24:29,320 --> 00:24:31,600 Speaker 3: and like you have to make mistakes to learn right, 413 00:24:31,680 --> 00:24:33,439 Speaker 3: so that it's all fine, you know what I mean? 414 00:24:33,560 --> 00:24:36,640 Speaker 1: She she leaves New York. 415 00:24:37,960 --> 00:24:40,640 Speaker 3: I think, I mean, I think that this is a 416 00:24:40,680 --> 00:24:47,000 Speaker 3: real thing where, especially in musical theater, a lot of 417 00:24:47,000 --> 00:24:51,000 Speaker 3: people say, you don't need the degree to work in 418 00:24:51,000 --> 00:24:58,480 Speaker 3: this business, which is true, but there is something valuable about, 419 00:24:58,640 --> 00:25:04,760 Speaker 3: you know, getting that those years of training and really 420 00:25:04,800 --> 00:25:09,120 Speaker 3: buckling down on the craft. And I think there's part 421 00:25:09,200 --> 00:25:12,360 Speaker 3: of it that's also this like this feeling of like 422 00:25:14,359 --> 00:25:17,280 Speaker 3: righting the wrong right. So like I think for her 423 00:25:17,320 --> 00:25:20,800 Speaker 3: it's an emotional piece too, of like going in and. 424 00:25:21,240 --> 00:25:25,000 Speaker 1: Certain pressing reset. Yeah, going back to like basics in 425 00:25:25,040 --> 00:25:26,240 Speaker 1: a way where. 426 00:25:27,640 --> 00:25:32,480 Speaker 3: I think it's very I found myself like very interested 427 00:25:32,480 --> 00:25:35,439 Speaker 3: in this storyline because I feel like I was this 428 00:25:35,520 --> 00:25:38,760 Speaker 3: resonated for where I was in college, like I was 429 00:25:38,800 --> 00:25:42,119 Speaker 3: trying to work professionally and school wanting me to like 430 00:25:42,200 --> 00:25:46,320 Speaker 3: really just be where I was in school, just. 431 00:25:46,280 --> 00:25:50,240 Speaker 1: Commit to school. Yeah, And there's truth to both sides. 432 00:25:50,359 --> 00:25:53,600 Speaker 3: Like I think I found myself asking the question, like 433 00:25:54,359 --> 00:25:58,280 Speaker 3: if we said to Rachel, Okay, so if you go 434 00:25:58,359 --> 00:26:01,200 Speaker 3: to school, like you've already Broadway, you know you can 435 00:26:01,240 --> 00:26:03,119 Speaker 3: do it, why not just go back and like not 436 00:26:03,240 --> 00:26:05,480 Speaker 3: go to school and like continue to audition. You'll probably 437 00:26:05,520 --> 00:26:07,760 Speaker 3: book a job again. You could on the on the 438 00:26:07,800 --> 00:26:09,560 Speaker 3: other side of that, the devil's advocate side, it's like 439 00:26:09,760 --> 00:26:13,520 Speaker 3: you could, you could go to school because like it's 440 00:26:13,560 --> 00:26:16,080 Speaker 3: gonna happen again for you, But then the question is 441 00:26:16,119 --> 00:26:16,520 Speaker 3: will it. 442 00:26:16,480 --> 00:26:17,240 Speaker 1: Happen again for you? 443 00:26:17,440 --> 00:26:21,119 Speaker 3: So like there's all these It's a very nuanced thing 444 00:26:21,280 --> 00:26:24,760 Speaker 3: that I do think people do deal with, and I 445 00:26:24,920 --> 00:26:27,000 Speaker 3: maybe not at the level of which richel Berry was 446 00:26:27,000 --> 00:26:29,359 Speaker 3: like starring on Broadway and now going back. 447 00:26:29,240 --> 00:26:30,480 Speaker 1: To school, that's what I mean. 448 00:26:30,880 --> 00:26:35,480 Speaker 3: But I do think that there's like she did burn 449 00:26:35,560 --> 00:26:38,520 Speaker 3: some bridges along the way, probably by leaving Funny Girls 450 00:26:38,520 --> 00:26:40,840 Speaker 3: so soon going to do a pilot that failed, Like 451 00:26:41,400 --> 00:26:43,880 Speaker 3: there maybe is like a little bit of like a. 452 00:26:44,160 --> 00:26:45,720 Speaker 2: Like eating your humble pie a little. 453 00:26:45,560 --> 00:26:48,200 Speaker 3: Bit, yeah yeah, and like kind of going and flying 454 00:26:48,240 --> 00:26:51,399 Speaker 3: under the radar for a little bit, you know what 455 00:26:51,400 --> 00:26:54,520 Speaker 3: I mean. I could be wrong, but I don't think 456 00:26:54,520 --> 00:26:57,440 Speaker 3: that it was completely out of nowhere, and I don't 457 00:26:57,480 --> 00:27:00,879 Speaker 3: think that this people haven't actually. 458 00:27:03,119 --> 00:27:08,080 Speaker 1: Dealt with this conflict before I get it. I'm I 459 00:27:08,080 --> 00:27:08,920 Speaker 1: think I'm convinced. 460 00:27:09,480 --> 00:27:13,520 Speaker 2: Okay, she's been through a lot, right, right, right, and 461 00:27:13,560 --> 00:27:16,440 Speaker 2: so I feel like even considering to go to school 462 00:27:20,440 --> 00:27:23,440 Speaker 2: is a way to like sort of slow down. Yeah, 463 00:27:23,720 --> 00:27:26,240 Speaker 2: like school, school is very She made a lot of 464 00:27:26,320 --> 00:27:31,040 Speaker 2: rash decisions, yes, right, gone through a lot of extremes 465 00:27:31,320 --> 00:27:34,480 Speaker 2: in the past year. Yes, and so to be able 466 00:27:34,520 --> 00:27:38,040 Speaker 2: to like school is the same, same schedule, same people, 467 00:27:38,640 --> 00:27:39,960 Speaker 2: Like you know what you're getting. You don't have to 468 00:27:40,000 --> 00:27:42,359 Speaker 2: make big decisions. You just have to show up and 469 00:27:42,400 --> 00:27:45,840 Speaker 2: do what you're told to do, right, And so I 470 00:27:45,880 --> 00:27:49,960 Speaker 2: feel like in a way that's settling experience. Obviously, you 471 00:27:49,960 --> 00:27:51,520 Speaker 2: have to work hard, keep your head down and like 472 00:27:52,080 --> 00:27:54,440 Speaker 2: do what you're there to do. But I think maybe 473 00:27:54,520 --> 00:27:56,800 Speaker 2: the routine of it and everybody's there with the same 474 00:27:56,840 --> 00:28:01,120 Speaker 2: goal is maybe a nice settling time for her. 475 00:28:01,600 --> 00:28:02,320 Speaker 1: Yeah. 476 00:28:02,440 --> 00:28:05,359 Speaker 2: I do understand also why this storyline goes on for 477 00:28:05,440 --> 00:28:08,000 Speaker 2: two episodes, because she just doesn't know. Like Sam has 478 00:28:08,040 --> 00:28:10,200 Speaker 2: a pretty convincing argument with her. 479 00:28:10,240 --> 00:28:11,119 Speaker 1: Does he does. 480 00:28:11,480 --> 00:28:16,359 Speaker 3: I'm totally for it, and I appreciate him really going, 481 00:28:18,160 --> 00:28:22,159 Speaker 3: you know, the lengest of yeah, being really really honest 482 00:28:22,240 --> 00:28:24,960 Speaker 3: with her about it, because I think the easy road 483 00:28:24,960 --> 00:28:29,880 Speaker 3: would be, you know, take this job, and you know, 484 00:28:30,359 --> 00:28:31,840 Speaker 3: why do you go to school? You go so that 485 00:28:31,840 --> 00:28:33,920 Speaker 3: you could work in the professional fields, you know what 486 00:28:33,960 --> 00:28:35,840 Speaker 3: I mean. So they're like, you're already there you jump 487 00:28:35,880 --> 00:28:40,720 Speaker 3: ten steps, but I do appreciate like the friends who 488 00:28:40,800 --> 00:28:44,720 Speaker 3: really show up for you, and yeah, trying to convince 489 00:28:44,720 --> 00:28:46,200 Speaker 3: her to go to YadA. 490 00:28:46,080 --> 00:28:48,040 Speaker 2: But she, I mean, she shows back up McKinley though, 491 00:28:48,080 --> 00:28:50,440 Speaker 2: and she's with those new directions and she's talking to 492 00:28:50,480 --> 00:28:52,640 Speaker 2: her people and trying to make the right decision and 493 00:28:52,680 --> 00:28:55,960 Speaker 2: also get the new directions heads put on straight so 494 00:28:56,000 --> 00:28:59,960 Speaker 2: they can go out there and win. And so it's 495 00:29:00,000 --> 00:29:10,720 Speaker 2: there's a lot going on, that's right. I would be 496 00:29:10,760 --> 00:29:17,960 Speaker 2: remiss if I didn't mention this Becky Jackson, Becky Jackson 497 00:29:19,240 --> 00:29:25,240 Speaker 2: showing up to defend the Warblers and Gay Blaine throws 498 00:29:25,280 --> 00:29:31,120 Speaker 2: Sue completely under the bus, just completely has this beautiful 499 00:29:31,560 --> 00:29:32,520 Speaker 2: montage of. 500 00:29:32,520 --> 00:29:35,160 Speaker 1: Her and her man coming. 501 00:29:34,920 --> 00:29:41,600 Speaker 2: Back voiceover interview like it is. It is such a 502 00:29:41,680 --> 00:29:47,160 Speaker 2: highlight for me. I'm obsessed with Becky Jackson and she 503 00:29:47,360 --> 00:29:48,400 Speaker 2: just keeps getting better. 504 00:29:48,920 --> 00:29:53,080 Speaker 1: Oh always does always need more of Becky Jackson. 505 00:29:52,960 --> 00:29:55,840 Speaker 2: And like, I just love that she fully rats out 506 00:29:55,920 --> 00:30:00,200 Speaker 2: Sue to heraldover and also when her rings up, like 507 00:30:00,840 --> 00:30:03,840 Speaker 2: Sue rings up. You know, I had some like good 508 00:30:03,880 --> 00:30:08,000 Speaker 2: people too, like Quinn and Brittany and Santana, and he 509 00:30:08,120 --> 00:30:12,520 Speaker 2: said they declined the interviews, which I also enjoyed. 510 00:30:12,920 --> 00:30:24,920 Speaker 3: Yeah, yeah, Becky talking like who is Becky Jackson? America 511 00:30:25,040 --> 00:30:25,800 Speaker 3: is dying to know? 512 00:30:26,840 --> 00:30:28,280 Speaker 1: Yeah, America is dying to know. 513 00:30:29,480 --> 00:30:35,080 Speaker 3: Uh yeah, it's kudos to Lauren Potter, just like so 514 00:30:35,120 --> 00:30:36,120 Speaker 3: good to see her again. 515 00:30:36,760 --> 00:30:41,440 Speaker 1: Genius, genius. Okay, let's let's rate some performances this. 516 00:30:41,560 --> 00:30:43,800 Speaker 2: Talk about because you didn't really get into Yeah, so. 517 00:30:43,880 --> 00:30:47,320 Speaker 3: Let's so clean mandit would do rather be. That is 518 00:30:47,360 --> 00:30:50,440 Speaker 3: one of the fastest jumps to music, maybe other than 519 00:30:50,480 --> 00:30:54,000 Speaker 3: the Michael Jackson episode that we fly into a musical 520 00:30:54,080 --> 00:30:55,040 Speaker 3: number in the beginning. 521 00:30:55,120 --> 00:30:58,520 Speaker 1: I don't hate it. I love clean bandit love this song. 522 00:30:59,240 --> 00:31:03,880 Speaker 2: Yeah, I like the performance a lot and shout out 523 00:31:04,040 --> 00:31:09,760 Speaker 2: to Billy's backflip and like the choreography he's doing. 524 00:31:09,600 --> 00:31:14,800 Speaker 1: Throwing them in there through like Benson Boone before Benson Boone. 525 00:31:16,240 --> 00:31:19,160 Speaker 2: He flipped, so Benson Boone could also flip, could fly. 526 00:31:20,160 --> 00:31:23,320 Speaker 1: Yeah. I like this. 527 00:31:23,400 --> 00:31:25,760 Speaker 2: I would give it. I'll give it an A. 528 00:31:26,680 --> 00:31:28,840 Speaker 1: Yeah, I give it an A. I like it. I 529 00:31:28,880 --> 00:31:32,560 Speaker 1: also love that Will's like Will's completely back in as 530 00:31:32,640 --> 00:31:35,760 Speaker 1: the teacher, the leading the charge versus like being a 531 00:31:35,840 --> 00:31:40,720 Speaker 1: volunteer and also being like, hey, guess what show me 532 00:31:40,720 --> 00:31:43,240 Speaker 1: what you've been working on versus like, let's work on something, 533 00:31:44,200 --> 00:31:45,200 Speaker 1: just perform for me. 534 00:31:46,720 --> 00:31:52,840 Speaker 2: Also, it's always like two seconds of choreo. Nobody's sweating, Like, 535 00:31:52,920 --> 00:31:53,960 Speaker 2: let's take five. 536 00:31:55,680 --> 00:31:56,200 Speaker 1: Exactly. 537 00:31:57,200 --> 00:32:01,160 Speaker 4: Uh the trolley song, honestly put them on tour A 538 00:32:01,760 --> 00:32:06,520 Speaker 4: plus you get two women, give me that, give me 539 00:32:06,520 --> 00:32:07,320 Speaker 4: that variety show. 540 00:32:08,040 --> 00:32:12,360 Speaker 2: Yeah, yeah, those two No wrong A. 541 00:32:12,400 --> 00:32:16,640 Speaker 1: Plus far from over, far from over. 542 00:32:17,440 --> 00:32:19,440 Speaker 3: I mean we're reading just the performance, not the guard 543 00:32:19,480 --> 00:32:21,240 Speaker 3: judgment on it. 544 00:32:21,400 --> 00:32:25,440 Speaker 1: Gat I mean A plus. Yeah, it's insane, A. 545 00:32:25,480 --> 00:32:29,000 Speaker 3: Plus, absolutely insane. I also love all that like old 546 00:32:29,080 --> 00:32:37,840 Speaker 3: Jim equipment. The final count A plus A plus. 547 00:32:38,280 --> 00:32:43,160 Speaker 2: Yeah, stars, all of them rise, which is also where 548 00:32:43,680 --> 00:32:46,840 Speaker 2: the outfit issue, the dispute, if you will, is settled 549 00:32:47,640 --> 00:32:50,720 Speaker 2: there Now they're all wearing red blazers. 550 00:32:50,960 --> 00:32:54,600 Speaker 3: For new directions, which is like, yes, okay, I actually 551 00:32:54,640 --> 00:32:56,760 Speaker 3: think they're very cute. They look very cute in those 552 00:32:56,760 --> 00:33:03,920 Speaker 3: red blazers, but compromise Kitty's handing out the blazers. Darren 553 00:33:03,960 --> 00:33:10,400 Speaker 3: wrote this song. It's it's quintessential Glee, upbeat, feel good 554 00:33:10,880 --> 00:33:14,640 Speaker 3: end of episode. Let's bring us all together on the 555 00:33:14,720 --> 00:33:18,760 Speaker 3: road to sectionals and kudos to Darren. 556 00:33:19,280 --> 00:33:22,280 Speaker 1: I give it an A I think it is so. 557 00:33:22,320 --> 00:33:27,440 Speaker 3: Sweet, and let's bring everybody together. We have a huge 558 00:33:27,480 --> 00:33:28,840 Speaker 3: Glee club this episode. 559 00:33:28,920 --> 00:33:30,440 Speaker 2: You know, I don't have that much time left. 560 00:33:30,520 --> 00:33:31,640 Speaker 1: You all need to get together. 561 00:33:33,040 --> 00:33:36,320 Speaker 3: You need really good final songs for these last few 562 00:33:36,360 --> 00:33:41,640 Speaker 3: episodes of Glee. You know, Kurt, we had to fight 563 00:33:41,640 --> 00:33:43,360 Speaker 3: for everything we've ever earned in our lives, and this 564 00:33:43,400 --> 00:33:48,360 Speaker 3: is the beginning of a new fight. Okay, those are 565 00:33:48,760 --> 00:33:51,160 Speaker 3: solid average a average. 566 00:33:51,360 --> 00:33:54,160 Speaker 1: Yeah, that was pretty strong. Okay, let's do some tidy 567 00:33:54,240 --> 00:33:56,560 Speaker 1: takes cringe moments. 568 00:33:56,920 --> 00:34:00,080 Speaker 2: I thought Sue not being able to understand Becky he 569 00:34:00,240 --> 00:34:03,160 Speaker 2: was weird. That was strange. 570 00:34:03,720 --> 00:34:06,800 Speaker 1: Oh yeah, yeah, yeah, that line. 571 00:34:06,520 --> 00:34:11,120 Speaker 2: When Becky gets really excited, she starts screaming. So I 572 00:34:11,200 --> 00:34:13,759 Speaker 2: understand that, but it was like weird for Suit. I 573 00:34:13,760 --> 00:34:14,160 Speaker 2: don't know. 574 00:34:15,680 --> 00:34:18,200 Speaker 1: Yeah, yeah, I don't think it was meant the way 575 00:34:18,239 --> 00:34:18,520 Speaker 1: it was. 576 00:34:18,600 --> 00:34:21,440 Speaker 3: It came off to be honest, but it came I 577 00:34:21,480 --> 00:34:22,919 Speaker 3: had to think about it, so I was like, oh, 578 00:34:23,080 --> 00:34:23,719 Speaker 3: maybe that's not. 579 00:34:23,840 --> 00:34:24,920 Speaker 1: That's not it, you know. 580 00:34:25,080 --> 00:34:26,320 Speaker 2: Yeah, it created pause. 581 00:34:26,960 --> 00:34:29,600 Speaker 3: Yeah, definitely. And also the hert locker always is a 582 00:34:29,600 --> 00:34:30,360 Speaker 3: little bit cringey. 583 00:34:30,520 --> 00:34:34,000 Speaker 2: It's always wrong, but also a little great. 584 00:34:34,800 --> 00:34:40,520 Speaker 3: Yeah, yeah, for sure. And Myron, my nephew, the best 585 00:34:40,600 --> 00:34:45,840 Speaker 3: dance move. I think Billy's backflip. Also, Charlie sung for 586 00:34:45,880 --> 00:34:46,520 Speaker 3: the key Courier. 587 00:34:47,200 --> 00:35:02,279 Speaker 1: Yeah. Best song final countdown rather be whoa that is? 588 00:35:02,680 --> 00:35:06,640 Speaker 1: I didn't think that was coming. Okay. Best performance by 589 00:35:06,680 --> 00:35:13,840 Speaker 1: a prope the Myron's Voodoo Doll Sue's organ. Are you 590 00:35:13,920 --> 00:35:16,320 Speaker 1: kidding me? Oh? Yeah, that's good too, Okay. 591 00:35:17,440 --> 00:35:22,360 Speaker 2: Best line cord Yeah, I mean, anyone named Madam Thibodeau 592 00:35:22,440 --> 00:35:24,600 Speaker 2: doesn't really sound like a woman who changes her mind 593 00:35:24,640 --> 00:35:27,320 Speaker 2: or stays in human form for too long. I always 594 00:35:27,320 --> 00:35:29,200 Speaker 2: thought Niata was a school for wishes. 595 00:35:31,920 --> 00:35:37,680 Speaker 1: That was one of the best ones. Performance MVP Jane 596 00:35:37,880 --> 00:35:44,480 Speaker 1: Jane Jane always Jane ship we found on TikTok Jenna. 597 00:35:44,920 --> 00:35:45,240 Speaker 3: Yeah. 598 00:35:45,480 --> 00:35:48,040 Speaker 2: I don't know if you've watched the new show Adults. 599 00:35:48,440 --> 00:35:50,160 Speaker 1: No, not yet on Hulu. 600 00:35:51,080 --> 00:35:53,160 Speaker 2: It's not an ad it's just it's what it is. 601 00:35:53,760 --> 00:36:02,040 Speaker 2: So Brooke on TikTok posted the scene from Adults and 602 00:36:03,719 --> 00:36:09,560 Speaker 2: there's a Glee mentioned, and it's pretty great and there is. Yes, 603 00:36:09,680 --> 00:36:14,880 Speaker 2: one of the characters says the R word, and the 604 00:36:14,960 --> 00:36:17,520 Speaker 2: character you're speaking to is like, we don't use that 605 00:36:17,560 --> 00:36:22,120 Speaker 2: word anymore at all. The cast of Glee did that 606 00:36:22,440 --> 00:36:23,319 Speaker 2: to the power of Song. 607 00:36:25,960 --> 00:36:26,439 Speaker 1: It's great. 608 00:36:26,640 --> 00:36:33,200 Speaker 2: It's a great little absolutely true. Yes, that makes me happy, 609 00:36:33,800 --> 00:36:36,439 Speaker 2: loving that show. Yeah, and it's a great scene as well. 610 00:36:36,440 --> 00:36:37,640 Speaker 2: The whole scene is really great. 611 00:36:39,080 --> 00:36:41,000 Speaker 1: Yeah. So that is the ship we found on TikTok 612 00:36:41,040 --> 00:36:41,480 Speaker 1: this week. 613 00:36:42,200 --> 00:36:45,160 Speaker 3: Thanks for stumbling through that episode with us, you guys. 614 00:36:45,320 --> 00:36:50,200 Speaker 3: That was crazy, is a bit unhinged, definitely not my favorite, 615 00:36:50,320 --> 00:36:55,520 Speaker 3: definitely not my least favorite. Somewhere in the middle, I 616 00:36:55,800 --> 00:36:58,560 Speaker 3: just wishing. 617 00:36:59,600 --> 00:37:01,560 Speaker 1: You know, there's only three left after this. 618 00:37:01,640 --> 00:37:04,279 Speaker 3: Yeah, yeah, yeah, I get that, get you know it's 619 00:37:04,320 --> 00:37:09,640 Speaker 3: close to the end. Okay, Well, come back next episode 620 00:37:09,680 --> 00:37:12,000 Speaker 3: for we built the Squeak Cub. 621 00:37:12,400 --> 00:37:14,080 Speaker 1: That's what you're really missed. Bye. 622 00:37:14,400 --> 00:37:17,560 Speaker 2: Thanks for listening and follow us on Instagram at and 623 00:37:17,640 --> 00:37:19,839 Speaker 2: That's what you really miss pod. Make sure to write 624 00:37:19,920 --> 00:37:22,200 Speaker 2: us a review and leave us five stars. See you 625 00:37:22,200 --> 00:37:22,600 Speaker 2: next time.