WEBVTT - Danielle with… Selena Hamilton

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<v Speaker 1>THE END.

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<v Speaker 2>Welcome back to Danielle With, a podcast born from my

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<v Speaker 2>own desire to be the world's best celebrity ballroom dancer.

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<v Speaker 2>Worth noting, for at least one more week, I am

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<v Speaker 2>the world's eighth best celebrity ballroom dancer. But who's counting? Well,

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<v Speaker 2>I'll tell you who's counting. The new batch of celebrities

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<v Speaker 2>just announced for season 35, hungry for their chance to

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<v Speaker 2>win the show. What a lineup, right? We will be

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<v Speaker 2>getting more into that soon because the ballroom is about

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<v Speaker 2>to reopen. So I hope you are getting your pyramids

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<v Speaker 2>ready and your scorecards printed. But before we start thanking Alfonso,

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<v Speaker 2>we do have a little next pro business to close out.

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<v Speaker 2>As you know, along with my good pal Val Shmerkovsky,

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<v Speaker 2>I recapped every episode of the franchise's newest reality competition.

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<v Speaker 2>And as a result, we are going to be seeing

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<v Speaker 2>Adele join the pros to fight for the Mirrorball trophy

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<v Speaker 2>in 2026. It was an exciting season and brought us

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<v Speaker 2>a finale where any of the three final contestants could

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<v Speaker 2>have won. And so today, I am talking to one

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<v Speaker 2>of them. A fan favorite who defied the odds and

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<v Speaker 2>took it all the way to the end, despite lacking

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<v Speaker 2>extensive ballroom experience, yet flanked by two genuine experts in

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<v Speaker 2>the field. She's performed with Dochi, Lindsey Stirling, Somber, and

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<v Speaker 2>Derek Hough, and appeared on Lip Sync Battle. But you

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<v Speaker 2>may know her from the wildly viral Cat's Eye Gap

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<v Speaker 2>commercial that took the world by storm last year. And

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<v Speaker 2>now she may not have won Next Pro, but her

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<v Speaker 2>infectious smile, never give up attitude, and exceptional dance skills

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<v Speaker 2>are ready to take her to the next level. But first,

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<v Speaker 2>she's stopping by Danielle With. So welcome to the show,

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<v Speaker 2>third on the charts, but first in our hearts, it's

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<v Speaker 2>Selena Hamilton. Thank you so much for being here. I

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<v Speaker 2>have been very invested in the Selena Hamilton story for

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<v Speaker 2>the past eight weeks. I'm a huge fan, as I mentioned.

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<v Speaker 2>So thank you so much for coming on the show.

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<v Speaker 1>No, thank you. I'm a fan.

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<v Speaker 2>So first, I want to talk about your actual ballroom experience.

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<v Speaker 2>We know Adele is literally a top 10 dancer in

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<v Speaker 2>the category. AJ competed on the show already in the UK.

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<v Speaker 2>That is a daunting finals considering your expertise is in

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<v Speaker 2>contemporary tap, jazz. So let's set the record straight. What

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<v Speaker 2>is your actual experience in ballroom?

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<v Speaker 1>Yeah, it's definitely not where AJ and Adele's experience is.

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<v Speaker 1>I've been very transparent about it. It's not really a secret.

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<v Speaker 2>Yeah.

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<v Speaker 1>I kind of started doing ballroom actually with Derek Huff tour.

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<v Speaker 1>So I toured with him in 2022, three, I believe.

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<v Speaker 1>So like three years ago. And that's kind of what

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<v Speaker 1>sparked my love for ballroom in the first place. Yeah.

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<v Speaker 1>I've kind of done like every style here and there

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<v Speaker 1>growing up. That's just like what the convention commercial world

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<v Speaker 1>is kind of all about. So I've like dabbled in

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<v Speaker 1>like ballroom, but it wasn't something I really took seriously

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<v Speaker 1>until a few years ago. Yeah, so that's kind of

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<v Speaker 1>when I really kind of went into it. And Derek

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<v Speaker 1>was like, you should really do it. Like, I think

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<v Speaker 1>it would be a really great path for you. And

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<v Speaker 1>at first I didn't take it seriously because I kind

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<v Speaker 1>of just wanted to just stay in this commercial world

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<v Speaker 1>and do hip hop. And sometimes I regret it. But

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<v Speaker 1>then I also love what I experienced doing ballroom. I mean,

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<v Speaker 1>doing commercial work. So, yeah, so definitely started ballroom later

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<v Speaker 1>and then really kind of dove into it about two,

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<v Speaker 1>three years ago. And that's kind of when I took

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<v Speaker 1>it very, very seriously. And then I got the call

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<v Speaker 1>about the show and I was like, oh, my God,

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<v Speaker 1>I have to take it a hundred times more serious

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<v Speaker 1>than I've been taking it. So I flew to Utah

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<v Speaker 1>where all of the dancing stars pros are made.

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<v Speaker 2>When I think of Utah now, I picture just ballroom

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<v Speaker 2>dancing in the street, everywhere you go. Yeah.

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<v Speaker 1>Literally. Yeah. So I was like, where should I go? Utah.

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<v Speaker 1>I mean, all of the pros are produced there. Why

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<v Speaker 1>wouldn't I want to be in the heart of where

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<v Speaker 1>it all happens. So I went there for two months

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<v Speaker 1>and just trained every single day for like about five

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<v Speaker 1>hours a day and just cracked down on it because

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<v Speaker 1>I knew I was going to be behind.

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<v Speaker 2>So you basically had a Dancing with the Stars experience

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<v Speaker 2>from the other side where like you were the celeb

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<v Speaker 2>coming in every single day. All of a sudden, five

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<v Speaker 2>hours a day, you're like, teach me everything you know

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<v Speaker 2>about this style. Yeah.

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<v Speaker 1>And it was crazy because it wasn't just about dancing.

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<v Speaker 1>the style of the dance. I obviously, I also wanted

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<v Speaker 1>to learn how to teach somebody else because that's another

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<v Speaker 1>part of it. So I was like, so in two months,

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<v Speaker 1>I need you to teach me everything you know about ballroom,

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<v Speaker 1>but also teach me how I can teach it. And

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<v Speaker 1>because ballroom came a little bit more natural to me.

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<v Speaker 1>So sometimes it's hard to teach when you're, it's something

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<v Speaker 1>that comes natural to you. It's hard to explain things

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<v Speaker 1>to people and be like, so you're going to have

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<v Speaker 1>to push off your foot here. But like, yeah, It's

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<v Speaker 1>hard to explain to somebody who you never had to

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<v Speaker 1>experience going from the ground up. And it's just, it's

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<v Speaker 1>a whole different beast. So I was like, you need

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<v Speaker 1>to teach me how I can explain body action to

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<v Speaker 1>somebody and explain my foot action when I am. I

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<v Speaker 1>don't know. I just watched you and I got it,

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<v Speaker 1>but that's not the same experience for everybody.

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<v Speaker 2>Well, and what I always talk about when I think

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<v Speaker 2>about how difficult it is with what the pros do

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<v Speaker 2>is that you're teaching the opposite moves. Like you've never

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<v Speaker 2>done the male steps. You've only done your woman steps.

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<v Speaker 2>So now not only do you have to you know,

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<v Speaker 2>do what comes naturally to you. You have to explain

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<v Speaker 2>something you don't normally do to someone who doesn't know

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<v Speaker 2>what they're doing.

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<v Speaker 1>Yeah. That's a whole other added layer. It's so insane.

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<v Speaker 1>And I give all the pros like such props for

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<v Speaker 1>it because it's a really hard thing to learn. It's like,

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<v Speaker 1>you're doing the opposite leg. You're instead of going forward,

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<v Speaker 1>you're going back. So it's a whole, it's a whole

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<v Speaker 1>new beast.

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<v Speaker 2>Yeah, it really is.

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<v Speaker 1>It is.

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<v Speaker 2>I mean, there is, Nothing easy about anything you guys do.

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<v Speaker 2>Did you know any of the other contestants or pros

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<v Speaker 2>other than Derek prior to the show?

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<v Speaker 1>Yeah, I did. So I knew the contestants. I knew Briar. Okay.

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<v Speaker 1>She obviously came from the same world as me. And

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<v Speaker 1>I knew Stephanie a little bit. Okay. She kind of

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<v Speaker 1>does commercial work as well. Yeah. So I knew Stephanie.

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<v Speaker 1>And then I kind of just knew of Benji from

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<v Speaker 1>the convention commercial world.

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<v Speaker 2>Okay.

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<v Speaker 1>But that's kind of it. The rest of the contestants,

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<v Speaker 1>I was just going in blind. But as the pros...

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<v Speaker 1>I knew Jenna from convention and I knew Val from convention.

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<v Speaker 1>They were people that I always really looked up to

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<v Speaker 1>in the convention world. I really love that they come

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<v Speaker 1>into the convention world and teach us what's Their knowledge

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<v Speaker 1>is because ballroom's not very, I mean, it is now,

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<v Speaker 1>but at the time it wasn't very, like, nobody was

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<v Speaker 1>really seeking ballroom as much in the conventional world. Yeah.

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<v Speaker 1>So I really always appreciated them. I think that's it, though. Yeah, Derek, Val,

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<v Speaker 1>and obviously I competed against Riley. Right, okay. When I

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<v Speaker 1>was younger. Right. But I never really got to know her. Okay.

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<v Speaker 2>Were you nervous at all coming into this experience, just

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<v Speaker 2>feeling like you knew ballroom wasn't your lifelong expertise and

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<v Speaker 2>you've been having a real moment in the convention and

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<v Speaker 2>the commercial world? So were you nervous kind of trading

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<v Speaker 2>it all in for this experience?

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<v Speaker 1>I was nervous, but also I feel like my expectations

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<v Speaker 1>weren't as high. Okay. I didn't have all the experience

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<v Speaker 1>everybody else had. I think I was just kind of

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<v Speaker 1>ready to kind of show everybody what I had for

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<v Speaker 1>episode one and then call it a day. So I

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<v Speaker 1>didn't have the high expectations because of that. So I

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<v Speaker 1>think it kind of helped in the long run because

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<v Speaker 1>I wasn't expecting such like high things out of myself.

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<v Speaker 1>I was like, you're here to kind of just, I

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<v Speaker 1>wanted really to just get my, face in the ballroom world.

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<v Speaker 1>I did this so I can kind of step into it.

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<v Speaker 1>I was like, if I don't walk out of this

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<v Speaker 1>a winner, that's fine. Maybe they'll put me on Troop. Like,

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<v Speaker 1>I really kind of just walked out of it with, like,

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<v Speaker 1>maybe I can just get my foot in the door.

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<v Speaker 2>Connections. Good connections. Surrounding yourself, especially if it's something you

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<v Speaker 2>want to start doing more regularly. Surrounding yourself with people

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<v Speaker 2>who do it at the highest level.

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<v Speaker 1>Yeah, absolutely. Is exactly where you want to be. Eventually,

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<v Speaker 1>I want to be, like, I wanted to be a pro. So, like...

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<v Speaker 1>If I didn't win, I was like, I'm going to

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<v Speaker 1>get there. If I won, I mean, I'm there. So

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<v Speaker 1>it's like there wasn't a lose-lose for me in this situation. Right, right.

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<v Speaker 2>I also want to ask you about your Cat's Eye commercial.

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<v Speaker 2>It is an iconic dance moment of last year. And

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<v Speaker 2>it was not only everywhere on TikTok, but it was

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<v Speaker 2>also on the Dancing with the Stars floor, thanks to

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<v Speaker 2>Riley and Scott. What was filming that like? Did you

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<v Speaker 2>have any idea it would be that big?

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<v Speaker 1>I feel like in the moment, no, I didn't know

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<v Speaker 1>it would be that big. But I will say the

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<v Speaker 1>process was kind of, it went by fast, but it

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<v Speaker 1>was really hard because we were in, if you saw

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<v Speaker 1>the commercial, we were in like this just white box.

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<v Speaker 2>Yes.

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<v Speaker 1>And we were in there for hours. And so once

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<v Speaker 1>you're in that white box for a couple hours, you're

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<v Speaker 1>kind of like, can somebody go get me a water? Like,

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<v Speaker 1>I'm starting to feel dizzy. Like, I don't feel OK. Right.

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<v Speaker 1>So that was probably the hardest part of it. But

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<v Speaker 1>Robbie Blue, the choreographer, is somebody that I've always looked

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<v Speaker 1>up to. He's amazing. And that was like his like

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<v Speaker 1>time to shine. And he always is coming up with

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<v Speaker 1>brilliant work. And it's funny because like that one move

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<v Speaker 1>that like got really famous. Yes. You see a move

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<v Speaker 1>and you're like, oh, that's good. And you don't know, like,

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<v Speaker 1>to the extent of where it's going to go. It

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<v Speaker 1>obviously went it went viral. It got huge. And you

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<v Speaker 1>don't think that in the moment. But in that moment,

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<v Speaker 1>I was like, I kind of want to I kind

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<v Speaker 1>of want to do that. Right. So it kind of

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<v Speaker 1>starts like that.

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<v Speaker 2>That's so cool that like I because I've been there before, too,

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<v Speaker 2>where you see something and you go, oh, wow. I

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<v Speaker 2>like that. And then the next thing you know, you're like, oh, okay,

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<v Speaker 2>there was a reason I really connected with that. It

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<v Speaker 2>was going to literally take the world by storm.

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<v Speaker 1>Wow.

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<v Speaker 2>Well, on your very first performance of Next Pro, Shirley

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<v Speaker 2>called you a superstar. Mark said that you were in

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<v Speaker 2>his top four on day one. What was it like

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<v Speaker 2>to hear these types of comments from them so early on?

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<v Speaker 1>I definitely think I needed it. Yeah, I feel like

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<v Speaker 1>that was something I really needed. Going into that first challenge, I,

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<v Speaker 1>none of us knew what to expect. So I kind

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<v Speaker 1>of was just like, I'm gonna learn this choreo. I'm gonna,

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<v Speaker 1>I was like, in the back, if you watch the

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<v Speaker 1>first episode, I'm in the back learning the choreography from Derek.

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<v Speaker 2>Yeah.

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<v Speaker 1>And he's kind of like, just like, he, he, you

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<v Speaker 1>can tell he's kind of a little bit nervous about

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<v Speaker 1>me kind of being in the back and like, cause

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<v Speaker 1>he does already know me and he has expectations for me.

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<v Speaker 1>So that's kind of where I got nervous when I

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<v Speaker 1>found out Derek was going to be the first one

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<v Speaker 1>to come in. I was like, okay, he already has

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<v Speaker 1>high expectations for me. He knows what I can do

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<v Speaker 1>and I need to show what I can do. And

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<v Speaker 1>they didn't show it, but the first episode Derek walks

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<v Speaker 1>in and he just was like, I need more. Like

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<v Speaker 1>you're just walking in the beginning for my solo. And

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<v Speaker 1>he was like, you can do so much more. And

0:11:57.820 --> 0:12:00.860
<v Speaker 1>I just like, I broke down crying because I was like,

0:12:00.940 --> 0:12:02.730
<v Speaker 1>I know I can do so much more. And also

0:12:02.750 --> 0:12:04.850
<v Speaker 1>I want you to believe that, like, I want you

0:12:04.870 --> 0:12:06.370
<v Speaker 1>to believe that I can do this. So it was

0:12:06.410 --> 0:12:09.550
<v Speaker 1>kind of just a hard time for me. So after

0:12:09.570 --> 0:12:11.410
<v Speaker 1>Dara came in, I was like, you know what? I

0:12:11.470 --> 0:12:13.250
<v Speaker 1>always do a forward roll. That's who I am. Like

0:12:13.290 --> 0:12:15.110
<v Speaker 1>I'm always going in with a forward roll. So I

0:12:15.190 --> 0:12:17.610
<v Speaker 1>kind of started it like that. I was like, let

0:12:17.630 --> 0:12:21.000
<v Speaker 1>me just start with that. I was like, there's pros

0:12:21.020 --> 0:12:22.949
<v Speaker 1>and cons of doing that. Shirley could either hate it

0:12:23.010 --> 0:12:27.050
<v Speaker 1>because it's not Samba or she can love it because

0:12:27.130 --> 0:12:28.870
<v Speaker 1>I'm also being myself and I'm going to add Samba

0:12:28.910 --> 0:12:29.670
<v Speaker 1>obviously later.

0:12:29.690 --> 0:12:32.110
<v Speaker 2>Of course, of course. You're not going to have not

0:12:32.190 --> 0:12:33.030
<v Speaker 2>Samba content.

0:12:33.170 --> 0:12:36.300
<v Speaker 1>Yes. No, no, no. And it ended up working in

0:12:36.320 --> 0:12:38.920
<v Speaker 1>the long run. So when Shirley called me a star

0:12:39.000 --> 0:12:40.880
<v Speaker 1>and Mark said I was in the top four from

0:12:40.900 --> 0:12:43.420
<v Speaker 1>the beginning, it kind of just was like this validation

0:12:43.440 --> 0:12:46.500
<v Speaker 1>that I needed in that moment. I was like, oh

0:12:46.520 --> 0:12:49.530
<v Speaker 1>my God. Thank you so much. I honestly don't know

0:12:49.550 --> 0:12:52.150
<v Speaker 1>how to feel right now, but thank you. That means

0:12:52.190 --> 0:12:52.650
<v Speaker 1>a lot to me.

0:12:53.750 --> 0:12:56.200
<v Speaker 2>When you were talking about what the feedback Derek gave you,

0:12:56.260 --> 0:12:59.050
<v Speaker 2>it gave me that feeling of like when your parents say,

0:12:59.630 --> 0:13:01.390
<v Speaker 2>I'm not mad at you. I'm just disappointed.

0:13:01.410 --> 0:13:01.949
<v Speaker 1>Disappointed.

0:13:02.030 --> 0:13:07.450
<v Speaker 2>And you're like, please be angry. Please be furious. Do

0:13:07.490 --> 0:13:11.090
<v Speaker 2>not be disappointed. I don't want to let you down. Well,

0:13:11.410 --> 0:13:15.530
<v Speaker 2>we saw Tristan, who is another contemporary hip hop focused dancer,

0:13:15.770 --> 0:13:19.530
<v Speaker 2>run into issues at almost every stop trying to keep

0:13:19.650 --> 0:13:23.689
<v Speaker 2>up with ballroom. And yet you found your lane rather quickly.

0:13:24.130 --> 0:13:25.630
<v Speaker 2>How do you think you were able to do that?

0:13:25.670 --> 0:13:27.110
<v Speaker 2>Are you just the fastest learner?

0:13:28.130 --> 0:13:30.590
<v Speaker 1>I will pride myself. I do learn fast. Okay. Yeah.

0:13:30.630 --> 0:13:33.350
<v Speaker 1>That is something that I've always, and I think it's

0:13:33.390 --> 0:13:35.850
<v Speaker 1>because the conventional world helped me with that. Okay. And

0:13:35.870 --> 0:13:37.850
<v Speaker 1>I think that's kind of where me and Tristan's training

0:13:37.890 --> 0:13:40.890
<v Speaker 1>is a little bit different is he was a hip

0:13:40.910 --> 0:13:44.060
<v Speaker 1>hop street dancer from the beginning. Okay. And I kind of,

0:13:44.350 --> 0:13:48.070
<v Speaker 1>when I was young, I learned everything. So I kind

0:13:48.110 --> 0:13:50.949
<v Speaker 1>of already had ballroom under my belt. It was something

0:13:50.990 --> 0:13:53.200
<v Speaker 1>that I could just kind of use as like my

0:13:53.250 --> 0:13:56.300
<v Speaker 1>show off moment at like auditions because not a lot

0:13:56.320 --> 0:13:59.290
<v Speaker 1>of people can do it. Um, but I also try

0:13:59.860 --> 0:14:03.900
<v Speaker 1>to hone in on other people. I feel like even

0:14:04.220 --> 0:14:06.240
<v Speaker 1>just in a way we stand, and this sounds really weird,

0:14:06.360 --> 0:14:09.220
<v Speaker 1>but in the way we stand, I wasn't just, I,

0:14:09.640 --> 0:14:13.040
<v Speaker 1>and it's funny because Shirley actually critiqued Raya about this,

0:14:13.420 --> 0:14:15.420
<v Speaker 1>our first episode about how she was standing and they

0:14:15.440 --> 0:14:16.840
<v Speaker 1>kind of like zoomed in.

0:14:17.260 --> 0:14:17.439
<v Speaker 2>Yeah.

0:14:17.460 --> 0:14:20.600
<v Speaker 1>And they kind of zoomed in on her being like, yeah.

0:14:20.640 --> 0:14:22.720
<v Speaker 1>So I kind of like, I, that's how I would

0:14:22.740 --> 0:14:23.180
<v Speaker 1>stand too.

0:14:23.300 --> 0:14:26.000
<v Speaker 3>But I kind of was like, okay, what is Adele doing?

0:14:26.860 --> 0:14:28.350
<v Speaker 1>I was like, how is Adele going to stand here?

0:14:28.370 --> 0:14:31.590
<v Speaker 1>Because I know she's she's a ballroom. She's a ballroom queen.

0:14:31.650 --> 0:14:33.450
<v Speaker 1>So how is she standing? I'm going to copy her.

0:14:33.470 --> 0:14:36.740
<v Speaker 1>So kind of just like honing into like those little

0:14:36.780 --> 0:14:41.290
<v Speaker 1>things and just kind of. faking it till I make it. Yeah.

0:14:41.730 --> 0:14:44.490
<v Speaker 2>Your brain must go a thousand miles an hour because

0:14:44.890 --> 0:14:47.160
<v Speaker 2>hearing you say that reminds me of just early in

0:14:47.180 --> 0:14:49.700
<v Speaker 2>this conversation when you were talking about in two months

0:14:49.760 --> 0:14:52.480
<v Speaker 2>in Utah, trying to learn, you need to teach me

0:14:52.580 --> 0:14:55.100
<v Speaker 2>everything you can teach me about ballroom, but also I'm

0:14:55.140 --> 0:14:58.550
<v Speaker 2>going to learn everything from you about how you're teaching

0:14:58.650 --> 0:15:01.610
<v Speaker 2>me so that I can teach someone else. And I

0:15:01.630 --> 0:15:04.330
<v Speaker 2>was like, for five hours a day for your brain

0:15:04.350 --> 0:15:08.440
<v Speaker 2>to never once be able to just go like you

0:15:08.600 --> 0:15:13.560
<v Speaker 2>are just absorbing everything even when you're not learning choreo

0:15:13.600 --> 0:15:16.620
<v Speaker 2>just looking around and taking in okay that person who's

0:15:16.640 --> 0:15:19.730
<v Speaker 2>been doing ballroom their entire life is standing this way

0:15:19.770 --> 0:15:21.230
<v Speaker 2>there must be a reason for that i'm gonna do

0:15:21.270 --> 0:15:25.110
<v Speaker 2>it too so smart have you been a dancing with

0:15:25.150 --> 0:15:27.090
<v Speaker 2>the stars fan for a while.

0:15:28.590 --> 0:15:31.190
<v Speaker 1>Not like the, like, not probably as long as these

0:15:31.210 --> 0:15:33.230
<v Speaker 1>people that have been watching it since. I mean, I

0:15:33.370 --> 0:15:36.000
<v Speaker 1>think the first episode was when I was born, so.

0:15:36.320 --> 0:15:39.000
<v Speaker 2>Yeah, it's an older show. Yeah, it's been around.

0:15:39.060 --> 0:15:39.680
<v Speaker 1>It's really older.

0:15:40.340 --> 0:15:40.900
<v Speaker 2>But, um.

0:15:41.630 --> 0:15:44.290
<v Speaker 1>I it's funny because I started watching it and getting

0:15:44.350 --> 0:15:47.150
<v Speaker 1>really in love with it before it got famous on TikTok.

0:15:47.310 --> 0:15:47.930
<v Speaker 2>OK, yeah.

0:15:47.950 --> 0:15:50.830
<v Speaker 1>So it was like right before it got really famous.

0:15:51.110 --> 0:15:53.350
<v Speaker 1>And it was it was really nice to kind of

0:15:53.450 --> 0:15:56.930
<v Speaker 1>see it grow on TikTok because obviously I'm at that

0:15:57.030 --> 0:16:00.590
<v Speaker 1>age where I love TikTok. I'm always on TikTok. I'm

0:16:00.950 --> 0:16:03.390
<v Speaker 1>I'm using my thumbs all the time on TikTok. So

0:16:03.730 --> 0:16:05.910
<v Speaker 1>it was really nice to see it grow. And I

0:16:05.930 --> 0:16:08.100
<v Speaker 1>was also on tour with Derek during that time. So

0:16:08.720 --> 0:16:11.070
<v Speaker 1>it was nice to kind of see the behind the

0:16:11.110 --> 0:16:14.450
<v Speaker 1>scenes of it and also see it from the outside

0:16:14.530 --> 0:16:18.230
<v Speaker 1>perspective as well. So I kind of, yeah, I was

0:16:18.270 --> 0:16:20.170
<v Speaker 1>really grateful to fall in love with it before it

0:16:21.070 --> 0:16:24.770
<v Speaker 1>reached like where it is now, which is insane.

0:16:25.110 --> 0:16:28.430
<v Speaker 2>It really is. Who would be your dream partner?

0:16:29.570 --> 0:16:33.010
<v Speaker 1>Oh, I say this all the time, but Ilya Manilin.

0:16:33.030 --> 0:16:37.520
<v Speaker 1>He's a figure skater. Yeah. I'm like so obsessed with him.

0:16:37.980 --> 0:16:40.560
<v Speaker 1>He did this like piece when he did the Olympics

0:16:40.820 --> 0:16:43.280
<v Speaker 1>and I just fell in love with it. And he

0:16:43.300 --> 0:16:45.020
<v Speaker 1>like had a hoodie on and I was like, it

0:16:45.060 --> 0:16:47.500
<v Speaker 1>was so edgy. And ever since that moment, when I

0:16:47.540 --> 0:16:50.610
<v Speaker 1>watched that, I was like, oh my gosh, if I

0:16:50.670 --> 0:16:52.950
<v Speaker 1>became the next pro on Dancing with the Stars, this

0:16:52.990 --> 0:16:54.270
<v Speaker 1>is who I would want my partner to be. I

0:16:54.290 --> 0:16:55.750
<v Speaker 1>also just would love a figure skater.

0:16:55.770 --> 0:17:00.100
<v Speaker 2>Yeah. Yeah. Well, I mean, you know, you are such

0:17:00.140 --> 0:17:04.250
<v Speaker 2>a fan of Britt Stewart, right? And Johnny Weir, her

0:17:04.590 --> 0:17:08.690
<v Speaker 2>first partner, right? Yes. And so you are probably right

0:17:08.750 --> 0:17:14.390
<v Speaker 2>that a figure skater is probably the perfect first partner.

0:17:16.630 --> 0:17:20.730
<v Speaker 2>Who is your favorite male pro? We know Britt, who is,

0:17:20.970 --> 0:17:23.470
<v Speaker 2>by the way, you know this because you have now

0:17:23.650 --> 0:17:26.760
<v Speaker 2>met her, worked with her. I spent quite a bit

0:17:26.800 --> 0:17:28.060
<v Speaker 2>of time with Britt on tour.

0:17:28.080 --> 0:17:28.800
<v Speaker 1>She is.

0:17:30.140 --> 0:17:39.900
<v Speaker 2>the most lovely, graceful, smart, strong, confident. She's just the

0:17:40.000 --> 0:17:42.159
<v Speaker 2>brightest light to be around.

0:17:42.180 --> 0:17:43.180
<v Speaker 1>She really is.

0:17:43.560 --> 0:17:45.399
<v Speaker 2>Oh, I cannot say enough wonderful things about her.

0:17:46.160 --> 0:17:49.699
<v Speaker 1>Oh, she's so amazing. And yeah, bright is definitely the

0:17:49.720 --> 0:17:52.440
<v Speaker 1>word I would use. She is just a bright human.

0:17:52.460 --> 0:17:54.350
<v Speaker 1>She walks in, I'm like, I noticed her right away.

0:17:54.369 --> 0:17:58.230
<v Speaker 1>I'm like, oh, there's Brit. Yep. Like she's just, she's,

0:17:59.090 --> 0:18:01.590
<v Speaker 1>She's hard to find. Yes. Yes.

0:18:01.609 --> 0:18:03.629
<v Speaker 2>She's hard to lose. You can see her.

0:18:03.670 --> 0:18:06.880
<v Speaker 1>Hard to lose. Not a lot of people are like that. Rare.

0:18:07.380 --> 0:18:10.980
<v Speaker 2>Yes, absolutely. So who's your favorite male pro?

0:18:11.640 --> 0:18:14.760
<v Speaker 1>Oh, yeah. This one's kind of harder than picking my

0:18:14.780 --> 0:18:20.780
<v Speaker 1>favorite male pro. Because... The thing is, my heart has, like,

0:18:20.800 --> 0:18:22.040
<v Speaker 1>a special place for Val.

0:18:23.080 --> 0:18:24.980
<v Speaker 2>Yeah. Val loves you.

0:18:25.180 --> 0:18:28.310
<v Speaker 1>So I, like, will always have a special place for Val. Yeah.

0:18:28.330 --> 0:18:31.450
<v Speaker 1>Especially because I did watch, like, your guys' podcast together, like,

0:18:31.490 --> 0:18:34.050
<v Speaker 1>every single night. And my mom was really obsessed with it.

0:18:34.730 --> 0:18:37.230
<v Speaker 1>And just hearing what Val had to say about me, like,

0:18:37.490 --> 0:18:40.590
<v Speaker 1>I was like, oh, my God, he is the sweetest.

0:18:41.270 --> 0:18:45.050
<v Speaker 1>And he really did write for me a lot of times.

0:18:45.109 --> 0:18:49.190
<v Speaker 1>And I really appreciated that. So Val will have a

0:18:49.210 --> 0:18:51.969
<v Speaker 1>special place for me. Okay. And then it's our, I'm

0:18:52.010 --> 0:18:54.129
<v Speaker 1>taking Derek out of equation. Okay, yeah, Derek.

0:18:54.190 --> 0:18:55.090
<v Speaker 2>Derek, why?

0:18:55.130 --> 0:18:56.680
<v Speaker 1>Derek could leave. He's a judge now.

0:18:56.700 --> 0:18:57.300
<v Speaker 2>He's a judge.

0:18:58.119 --> 0:19:00.060
<v Speaker 1>He's not in the mix. Yeah, he's not in the mix.

0:19:00.220 --> 0:19:01.340
<v Speaker 1>I'm going to go Val and Mark.

0:19:01.840 --> 0:19:17.070
<v Speaker 2>Okay, Val and Mark. Great. So there are a few

0:19:17.150 --> 0:19:20.510
<v Speaker 2>moments from the show that really have stuck with me.

0:19:20.950 --> 0:19:23.030
<v Speaker 2>And I want to get into the finale and a

0:19:23.520 --> 0:19:26.880
<v Speaker 2>little of this extra, you know, postscript stuff that's going

0:19:26.900 --> 0:19:30.720
<v Speaker 2>around online. But first, the slap heard around the world.

0:19:31.520 --> 0:19:35.440
<v Speaker 2>Stephanie accidentally hits Natalie. And I think a lot of

0:19:35.480 --> 0:19:39.250
<v Speaker 2>people were shocked to hear that she had, well, they

0:19:39.270 --> 0:19:40.850
<v Speaker 2>don't know. I don't know that they ever even said

0:19:40.869 --> 0:19:42.510
<v Speaker 2>what she had. She had a small concussion.

0:19:42.530 --> 0:19:43.050
<v Speaker 1>Yeah.

0:19:43.310 --> 0:19:46.620
<v Speaker 2>And had to drop out. At the moment that it happened,

0:19:47.240 --> 0:19:49.770
<v Speaker 2>did it feel that did it seem that serious?

0:19:51.100 --> 0:19:53.760
<v Speaker 1>In the moment, no. Yeah. In the moment, no, because

0:19:54.400 --> 0:19:57.080
<v Speaker 1>things like this happen all the time. Right. So in

0:19:57.100 --> 0:19:59.940
<v Speaker 1>the moment, it was just like, okay, yeah, she's, let's

0:19:59.960 --> 0:20:01.359
<v Speaker 1>keep going and then she'll be okay.

0:20:01.600 --> 0:20:01.899
<v Speaker 2>Yeah.

0:20:02.340 --> 0:20:05.200
<v Speaker 1>Because we were all kind of under that pressure that

0:20:05.240 --> 0:20:06.720
<v Speaker 1>we knew we were going to have to show the

0:20:06.770 --> 0:20:10.429
<v Speaker 1>judges in a couple episodes. Not even in a couple hours,

0:20:10.450 --> 0:20:14.590
<v Speaker 1>in like two hours. Right. So we were all just like, okay,

0:20:15.070 --> 0:20:17.429
<v Speaker 1>she's going to get taken care of, refocus on us,

0:20:17.590 --> 0:20:20.790
<v Speaker 1>and she'll be okay. And they didn't show it, but

0:20:20.850 --> 0:20:21.689
<v Speaker 1>she came back.

0:20:22.190 --> 0:20:22.970
<v Speaker 2>Oh, she did, okay.

0:20:22.990 --> 0:20:26.479
<v Speaker 1>And tried to dance, but she had to sit down.

0:20:26.780 --> 0:20:30.500
<v Speaker 1>Her vision was getting blurry, and it was just like, okay,

0:20:30.920 --> 0:20:33.980
<v Speaker 1>you're not going to dance in the group dances. It's

0:20:34.220 --> 0:20:39.420
<v Speaker 1>too risky, but... They'll judge you on basically what they've

0:20:39.460 --> 0:20:42.830
<v Speaker 1>seen already. Right. And then she left and then we

0:20:43.150 --> 0:20:45.830
<v Speaker 1>didn't see her until me and Tristan were at the

0:20:45.869 --> 0:20:47.950
<v Speaker 1>bottom two and we found out none of us are

0:20:47.990 --> 0:20:49.250
<v Speaker 1>going home and we're confused.

0:20:49.670 --> 0:20:49.970
<v Speaker 3>Right.

0:20:49.990 --> 0:20:52.169
<v Speaker 1>You were like, what? Yeah, we're confused. And then they

0:20:52.190 --> 0:20:55.310
<v Speaker 1>say Natalie's going home and we're like, that's when I

0:20:55.350 --> 0:20:58.450
<v Speaker 1>realized it's that serious. Wow. Yeah.

0:20:58.609 --> 0:21:01.990
<v Speaker 2>It was, it was, um, it, cause I felt very

0:21:02.030 --> 0:21:04.389
<v Speaker 2>much the same way. It was like, okay, these things happen.

0:21:04.470 --> 0:21:07.270
<v Speaker 2>Even watching, I was getting a little nervous that there

0:21:07.310 --> 0:21:10.790
<v Speaker 2>was so much effort and energy going toward her. And

0:21:10.830 --> 0:21:13.580
<v Speaker 2>I was like, guys, you, you only have minutes. You

0:21:13.619 --> 0:21:15.980
<v Speaker 2>have minutes. You got to get back to the dance.

0:21:16.400 --> 0:21:18.940
<v Speaker 2>She's going to be okay. We all, we've all been whacked,

0:21:19.160 --> 0:21:22.540
<v Speaker 2>you know, doing something. We've all had that happen. So then, yeah,

0:21:22.580 --> 0:21:26.600
<v Speaker 2>to find out that, that she was going home. was

0:21:26.900 --> 0:21:29.580
<v Speaker 2>really shocking. I had no idea it was so serious.

0:21:30.240 --> 0:21:33.800
<v Speaker 2>What is the worst injury you've ever had while dancing?

0:21:34.920 --> 0:21:38.859
<v Speaker 1>I've had two serious injuries. And I feel like the

0:21:38.900 --> 0:21:42.070
<v Speaker 1>most serious probably I fractured my back. Oh, yeah, a

0:21:42.109 --> 0:21:45.190
<v Speaker 1>stress fracture, but I still danced. So I made it worse.

0:21:45.570 --> 0:21:48.050
<v Speaker 1>I know. I know I shouldn't have I was I

0:21:48.070 --> 0:21:50.010
<v Speaker 1>was on tour. And I only had like I was

0:21:50.030 --> 0:21:53.810
<v Speaker 1>in rehearsals. And I did like this jump and I

0:21:53.850 --> 0:21:56.070
<v Speaker 1>landed and it just didn't feel right. And not that

0:21:56.090 --> 0:21:58.030
<v Speaker 1>it was very painful, but I just started crying because

0:21:58.050 --> 0:22:01.230
<v Speaker 1>I was like, something's not okay. And we have to

0:22:01.550 --> 0:22:04.399
<v Speaker 1>go on stage in three days. So I was just

0:22:04.440 --> 0:22:06.199
<v Speaker 1>really stressed. I got the MRI back. They were like,

0:22:06.240 --> 0:22:08.600
<v Speaker 1>stress fracture. I was like, okay, I still have to

0:22:08.619 --> 0:22:10.980
<v Speaker 1>go on tour. Can you put shots in my back?

0:22:12.340 --> 0:22:14.240
<v Speaker 2>Is that what they did? Did they also give you steroids?

0:22:14.270 --> 0:22:16.690
<v Speaker 1>Yeah. Yeah. I just did steroid shots in my back

0:22:16.730 --> 0:22:19.470
<v Speaker 1>and was like, I need to just It's only a month. Like,

0:22:19.730 --> 0:22:22.159
<v Speaker 1>I'll be okay. I just had to push through it.

0:22:22.240 --> 0:22:24.460
<v Speaker 1>I don't want to let my team down by kind

0:22:24.500 --> 0:22:29.760
<v Speaker 1>of just dropping out when we have three days left. Oof. Oof. Yeah.

0:22:29.859 --> 0:22:30.340
<v Speaker 2>I know.

0:22:30.760 --> 0:22:31.240
<v Speaker 1>Wow. Yeah.

0:22:31.380 --> 0:22:32.600
<v Speaker 2>And that one still affects me.

0:22:32.820 --> 0:22:36.420
<v Speaker 1>No. Yeah. That one still affects me a lot. There's

0:22:36.440 --> 0:22:38.660
<v Speaker 1>still some nerve damage from dancing on it. It's something

0:22:38.700 --> 0:22:40.760
<v Speaker 1>I'm still in the works figuring out. It's been like

0:22:40.800 --> 0:22:44.240
<v Speaker 1>two years now since it's healed. But it's something even

0:22:44.260 --> 0:22:48.630
<v Speaker 1>in ballroom that affects me. Hmm. when I'm in frame,

0:22:48.830 --> 0:22:50.590
<v Speaker 1>we have to go back. And yes, it's from, it's

0:22:50.630 --> 0:22:52.590
<v Speaker 1>not from your back. You shouldn't be arching from your back,

0:22:52.630 --> 0:22:54.909
<v Speaker 1>but it's something that still puts a strain on it

0:22:54.950 --> 0:22:58.470
<v Speaker 1>when I'm there for a long time. And also it's

0:22:58.890 --> 0:23:01.270
<v Speaker 1>something that now I really want to work on because ballroom,

0:23:01.290 --> 0:23:05.070
<v Speaker 1>you really have like, want that mobility. And I just

0:23:05.090 --> 0:23:08.560
<v Speaker 1>feel like I don't have it at a hundred percent yet.

0:23:08.660 --> 0:23:11.300
<v Speaker 1>And that's something that really bothers me. So something I'm

0:23:11.320 --> 0:23:12.419
<v Speaker 1>definitely still trying to work on.

0:23:13.230 --> 0:23:16.450
<v Speaker 2>I know for me, I loved being in frame. It

0:23:16.490 --> 0:23:18.910
<v Speaker 2>was so much fun. But I have a bad neck.

0:23:19.869 --> 0:23:20.449
<v Speaker 1>Oh, yeah.

0:23:20.840 --> 0:23:25.120
<v Speaker 2>And trying to get that banana shape where you're really far.

0:23:25.540 --> 0:23:28.200
<v Speaker 2>I can do it because I have really good back flexibility.

0:23:28.240 --> 0:23:28.460
<v Speaker 1>Yeah.

0:23:28.859 --> 0:23:30.980
<v Speaker 2>But the neck, it's like my head felt like it

0:23:31.020 --> 0:23:33.880
<v Speaker 2>weighed a thousand pounds. And if you're in that position

0:23:34.020 --> 0:23:36.240
<v Speaker 2>all day, every day, and then you get a stiff neck.

0:23:36.580 --> 0:23:38.480
<v Speaker 1>Yeah, it's something you're just like, yeah. And it's funny

0:23:38.500 --> 0:23:41.900
<v Speaker 1>because a lot of people that do ballroom professionally, there's

0:23:41.940 --> 0:23:44.140
<v Speaker 1>like one side. of their neck is like a little

0:23:44.160 --> 0:23:47.149
<v Speaker 1>bit bigger from the muscle oh gosh yes i'm like

0:23:47.230 --> 0:23:49.150
<v Speaker 1>i don't want that to happen but yeah it's just

0:23:49.170 --> 0:23:52.530
<v Speaker 1>like that position for so long it's like yes everything

0:23:52.550 --> 0:23:55.270
<v Speaker 1>kind of hurts.

0:23:54.430 --> 0:23:57.330
<v Speaker 2>When val talks about like um i've heard him talk

0:23:57.350 --> 0:23:58.970
<v Speaker 2>about it so many times when he talks about like

0:23:59.030 --> 0:24:01.889
<v Speaker 2>whether or not somebody has the threshold like a pain

0:24:01.950 --> 0:24:07.510
<v Speaker 2>threshold i don't think people realize truly How much pain

0:24:07.609 --> 0:24:11.530
<v Speaker 2>tolerance you have to have. You make it look so

0:24:11.970 --> 0:24:15.710
<v Speaker 2>easy that people just think, well, no idea.

0:24:15.730 --> 0:24:18.670
<v Speaker 1>And it's not even just your body. It's also like

0:24:18.850 --> 0:24:22.230
<v Speaker 1>your feet getting blisters and your brain is so like.

0:24:22.760 --> 0:24:25.380
<v Speaker 1>you're like, I have to go back and learn more.

0:24:26.619 --> 0:24:28.880
<v Speaker 1>It's like little things that people don't think about. Yeah.

0:24:28.900 --> 0:24:32.220
<v Speaker 1>Your body hurts, but also my, my feet have blisters

0:24:32.260 --> 0:24:35.270
<v Speaker 1>all over them. And the back of my heel hurts

0:24:35.290 --> 0:24:36.230
<v Speaker 1>from my ballroom shoot.

0:24:36.270 --> 0:24:38.409
<v Speaker 2>Like, and my neck has a huge kink in it

0:24:38.450 --> 0:24:40.350
<v Speaker 2>and I've got a stress fracture in my back and

0:24:40.390 --> 0:24:43.350
<v Speaker 2>now I've got to go shoulders down, smile on my face.

0:24:43.430 --> 0:24:44.590
<v Speaker 2>Lots of personality.

0:24:44.850 --> 0:24:45.669
<v Speaker 1>Yeah. It is.

0:24:45.690 --> 0:24:49.860
<v Speaker 2>I mean, it is, it's a lot. Okay. So we

0:24:49.920 --> 0:24:53.380
<v Speaker 2>had Stephanie also on our podcast. Val and I had

0:24:53.420 --> 0:24:56.090
<v Speaker 2>her on our podcast and we thought maybe she got

0:24:56.270 --> 0:24:58.930
<v Speaker 2>the short end of the stick being the only dancer

0:24:59.070 --> 0:25:04.770
<v Speaker 2>eliminated as a couple. Do you think had she not

0:25:04.890 --> 0:25:08.090
<v Speaker 2>been in a situation where two people had to go home,

0:25:09.030 --> 0:25:10.859
<v Speaker 2>do you think she might've ended up in the finals?

0:25:12.600 --> 0:25:15.610
<v Speaker 1>Ooh, that's really hard to say. Yeah, that's really hard

0:25:15.630 --> 0:25:18.360
<v Speaker 1>to say. But I will say what I do know

0:25:18.540 --> 0:25:21.580
<v Speaker 1>is I think if it wasn't a double elimination that night,

0:25:21.920 --> 0:25:23.780
<v Speaker 1>she wouldn't have been the one to go home. Right.

0:25:24.480 --> 0:25:27.760
<v Speaker 1>And I think if she if the circumstances were different,

0:25:27.940 --> 0:25:29.359
<v Speaker 1>I feel like it was also hard being with a

0:25:29.400 --> 0:25:32.960
<v Speaker 1>partner that you didn't choose right away. Because there's always

0:25:33.000 --> 0:25:35.650
<v Speaker 1>going to be that like little like, sorry, I didn't

0:25:35.750 --> 0:25:38.150
<v Speaker 1>make you right away. But let's try to do this.

0:25:38.530 --> 0:25:41.620
<v Speaker 1>And there's always there's going to be that grudge so

0:25:41.640 --> 0:25:45.690
<v Speaker 1>that was something that just wasn't working already yeah.

0:25:46.250 --> 0:25:48.369
<v Speaker 2>There were hurt feelings already yeah.

0:25:48.130 --> 0:25:51.630
<v Speaker 1>They're already hurt feelings so I think in that double

0:25:51.650 --> 0:25:55.080
<v Speaker 1>elimination I think everybody kind of already had a feeling

0:25:55.119 --> 0:25:56.679
<v Speaker 1>of who it was going to be because of.

0:25:56.700 --> 0:26:00.639
<v Speaker 3>The circumstances but I think if the circumstances.

0:25:59.619 --> 0:26:02.199
<v Speaker 1>Were different and maybe Alan just said yes to her

0:26:02.240 --> 0:26:05.200
<v Speaker 1>right away I think she would have still been in

0:26:05.220 --> 0:26:06.650
<v Speaker 1>the competition for sure Yeah.

0:26:06.930 --> 0:26:08.869
<v Speaker 2>I agree with you. And I told her that. I

0:26:08.890 --> 0:26:11.830
<v Speaker 2>was like, I really have an issue with that episode.

0:26:11.890 --> 0:26:13.850
<v Speaker 1>Yeah. And I don't know if that makes her feel

0:26:13.869 --> 0:26:14.510
<v Speaker 1>better or worse.

0:26:14.830 --> 0:26:16.570
<v Speaker 2>I know. I know.

0:26:16.590 --> 0:26:19.290
<v Speaker 1>It is. You would still be there, but also you're not.

0:26:19.330 --> 0:26:20.340
<v Speaker 1>So I know. I know.

0:26:20.540 --> 0:26:21.100
<v Speaker 2>I don't know why.

0:26:21.119 --> 0:26:21.199
<v Speaker 1>Yeah.

0:26:21.520 --> 0:26:24.240
<v Speaker 2>It's like, it's hard. It's a hard situation.

0:26:24.320 --> 0:26:24.560
<v Speaker 1>Okay.

0:26:25.480 --> 0:26:28.780
<v Speaker 2>Here's my prediction for season 35 of Dancing with the Stars.

0:26:28.940 --> 0:26:32.800
<v Speaker 2>The argument of who... Much dance experience is going to

0:26:32.940 --> 0:26:37.060
<v Speaker 2>rage on as always, but a new one will enter

0:26:37.119 --> 0:26:42.130
<v Speaker 2>the ballroom too. And it's going to be about wow moments.

0:26:43.390 --> 0:26:48.090
<v Speaker 2>I think the expectation for big viral moves is going

0:26:48.130 --> 0:26:52.710
<v Speaker 2>to be higher than ever. And you were the queen

0:26:53.160 --> 0:26:56.520
<v Speaker 2>of wow moments on the show. Where do you think

0:26:56.760 --> 0:26:59.450
<v Speaker 2>they fit in? on Dancing with the Stars, do you

0:26:59.490 --> 0:27:03.040
<v Speaker 2>think people should be attempting a wow moment every week?

0:27:05.560 --> 0:27:10.240
<v Speaker 1>If it comes naturally. Okay. I feel like wow moment

0:27:10.320 --> 0:27:13.640
<v Speaker 1>is so, it's so hard because it's so subjective and it's,

0:27:14.340 --> 0:27:17.620
<v Speaker 1>everybody has a different view of a wow moment. I,

0:27:17.840 --> 0:27:21.320
<v Speaker 1>like me and Eric, we tried to really make the

0:27:21.359 --> 0:27:27.060
<v Speaker 1>silence a wow moment and it obviously didn't bit Eric

0:27:27.080 --> 0:27:30.680
<v Speaker 1>in the mud yes um I mean it was so

0:27:30.800 --> 0:27:33.980
<v Speaker 1>it's like very subjective and everybody's gonna have different opinions

0:27:34.240 --> 0:27:37.160
<v Speaker 1>and like look at me and Eric's dance is probably

0:27:37.180 --> 0:27:41.340
<v Speaker 1>the most viral dance out of the wow moments episode

0:27:41.440 --> 0:27:45.460
<v Speaker 1>yeah and it's just funny because obviously the judges didn't

0:27:45.520 --> 0:27:48.379
<v Speaker 1>see that coming yeah or they probably would have judged

0:27:48.420 --> 0:27:52.180
<v Speaker 1>differently but obviously viral is always in the back of

0:27:52.200 --> 0:27:54.619
<v Speaker 1>your head with how big TikTok is it's always going

0:27:54.640 --> 0:27:58.470
<v Speaker 1>to be there um but I think it just comes naturally.

0:27:58.510 --> 0:28:01.310
<v Speaker 1>Like I had this one thing with yawn that now

0:28:01.369 --> 0:28:04.109
<v Speaker 1>people are falling in love with. And it's like, I

0:28:04.150 --> 0:28:07.389
<v Speaker 1>did like these little ticks on the beat and everyone's

0:28:07.410 --> 0:28:10.040
<v Speaker 1>like those ticks, those ticks. And it was just, it

0:28:10.080 --> 0:28:12.179
<v Speaker 1>wasn't something that in the moment I was like, I

0:28:12.220 --> 0:28:14.080
<v Speaker 1>have to do these ticks because I know they're going

0:28:14.100 --> 0:28:16.000
<v Speaker 1>to go viral. Right. I heard the music and I

0:28:16.040 --> 0:28:18.760
<v Speaker 1>was like, Ooh, this would be cool. I know what

0:28:18.800 --> 0:28:20.300
<v Speaker 1>to do here. I heard it. And I was like,

0:28:20.400 --> 0:28:23.700
<v Speaker 1>automatically I knew exactly what I wanted to do. And

0:28:23.980 --> 0:28:27.730
<v Speaker 1>it just happened to me. be something everybody else loved too.

0:28:28.150 --> 0:28:32.780
<v Speaker 2>Yeah. You know, I'm glad you mentioned that dance with Eric.

0:28:32.940 --> 0:28:34.939
<v Speaker 2>You said you had listened to the podcast Stepping on

0:28:34.980 --> 0:28:37.640
<v Speaker 2>Toes with myself and Val. And so you know how

0:28:37.740 --> 0:28:42.870
<v Speaker 2>Val feels about that dance. He loved it. When I

0:28:42.910 --> 0:28:46.610
<v Speaker 2>watched the episode, the only thing that I took away

0:28:46.630 --> 0:28:48.750
<v Speaker 2>from it that really bothered me, and I want to

0:28:48.770 --> 0:28:50.710
<v Speaker 2>know if it bothered you at all, and you can,

0:28:50.830 --> 0:28:52.350
<v Speaker 2>if not, absolutely no issue.

0:28:52.410 --> 0:28:53.840
<v Speaker 1>I think I already know what you're going to say.

0:28:55.050 --> 0:28:57.780
<v Speaker 2>When you, a couple of times, and you know, of course,

0:28:57.800 --> 0:29:01.020
<v Speaker 2>with the magic of editing, they could have not showed

0:29:01.120 --> 0:29:04.860
<v Speaker 2>you saying, I don't think our wow moment is there yet.

0:29:05.240 --> 0:29:09.530
<v Speaker 2>But they did. I, at least twice, heard you say,

0:29:10.600 --> 0:29:12.760
<v Speaker 2>oh God, I just, I don't feel like we have it.

0:29:12.860 --> 0:29:15.900
<v Speaker 2>I don't feel like we have it. And Eric was saying,

0:29:16.200 --> 0:29:19.600
<v Speaker 2>I really think the wow moment is the silence. And

0:29:19.840 --> 0:29:23.660
<v Speaker 2>Val completely agreed with him, completely agreed with him. But

0:29:23.740 --> 0:29:26.530
<v Speaker 2>you were very much agreeing kind of with what the

0:29:26.690 --> 0:29:30.390
<v Speaker 2>judges ended up saying. And yet then at the end,

0:29:30.470 --> 0:29:34.710
<v Speaker 2>when they put you guys on the spot, who did this?

0:29:36.410 --> 0:29:39.690
<v Speaker 2>Eric was like, it was both of us. And I

0:29:39.720 --> 0:29:43.980
<v Speaker 2>wanted to be like sir if you don't take responsibility

0:29:44.020 --> 0:29:47.720
<v Speaker 2>for this and saying you know honestly Selena said a

0:29:47.740 --> 0:29:49.590
<v Speaker 2>couple of times that she didn't think we had it

0:29:49.680 --> 0:29:52.630
<v Speaker 2>and I really pushed for the idea that the silence

0:29:52.690 --> 0:29:55.290
<v Speaker 2>was our wow moment how did you feel.

0:29:55.070 --> 0:29:59.370
<v Speaker 1>In that moment okay a lot of feelings okay but

0:30:00.010 --> 0:30:02.750
<v Speaker 1>I knew at the end of the day, he didn't

0:30:02.790 --> 0:30:06.850
<v Speaker 1>force me and I didn't force him. So yeah, there

0:30:06.890 --> 0:30:08.810
<v Speaker 1>was a couple of times where I was worried and

0:30:08.870 --> 0:30:11.650
<v Speaker 1>I was like, oh, like maybe we just like, even

0:30:11.690 --> 0:30:15.780
<v Speaker 1>though it felt artificial, maybe we just, I can quickly

0:30:15.820 --> 0:30:17.660
<v Speaker 1>just throw me in the air really fast and then

0:30:17.700 --> 0:30:19.960
<v Speaker 1>we can call that our wow moment. And then let's

0:30:20.000 --> 0:30:21.980
<v Speaker 1>go on to our dance and maybe you'll feel a

0:30:22.000 --> 0:30:25.720
<v Speaker 1>little clunky, but yeah. the brief will be there. So

0:30:26.960 --> 0:30:28.780
<v Speaker 1>I kind of just was like, yeah, I don't know

0:30:28.820 --> 0:30:30.120
<v Speaker 1>if we have it. I don't know if we have it. Um,

0:30:31.180 --> 0:30:34.400
<v Speaker 1>but actually Danielle came in and like Daniela, she came

0:30:34.480 --> 0:30:38.330
<v Speaker 1>in and she, she loved the silence of the dance.

0:30:38.910 --> 0:30:41.010
<v Speaker 1>And so it kind of reassured me a little bit

0:30:41.070 --> 0:30:44.230
<v Speaker 1>when Daniela came in and she was like, I love

0:30:44.830 --> 0:30:47.950
<v Speaker 1>how silent it is. I love that. And so that

0:30:47.990 --> 0:30:50.130
<v Speaker 1>kind of like eased my heart a little bit and

0:30:50.190 --> 0:30:52.930
<v Speaker 1>made me feel a little bit more like, okay, we're

0:30:52.970 --> 0:30:56.320
<v Speaker 1>not on the wrong track. Right. maybe this is something

0:30:56.340 --> 0:30:58.700
<v Speaker 1>we can bounce off of. She likes the silence. Maybe,

0:30:59.580 --> 0:31:01.540
<v Speaker 1>maybe you're right. Maybe this is the wow moment. Maybe

0:31:01.600 --> 0:31:05.670
<v Speaker 1>this is what it's all about because contemporary is that,

0:31:05.690 --> 0:31:07.810
<v Speaker 1>I mean, it can be so many things. And this

0:31:08.050 --> 0:31:11.950
<v Speaker 1>song that we're dancing to feels so like, there's a

0:31:11.950 --> 0:31:13.850
<v Speaker 1>piece of the dance that feels kind of like empty.

0:31:13.890 --> 0:31:16.370
<v Speaker 1>Like you can feel her heart is just, she's going

0:31:16.390 --> 0:31:18.900
<v Speaker 1>through something and it feels like, Oh, like she's so

0:31:18.940 --> 0:31:23.380
<v Speaker 1>her and like, she's empty. Like I just, that's the

0:31:23.460 --> 0:31:28.010
<v Speaker 1>only word to describe it. And I think after Daniela

0:31:28.030 --> 0:31:31.000
<v Speaker 1>came in, I was like, maybe you're right. Maybe it's just,

0:31:31.620 --> 0:31:34.560
<v Speaker 1>it's that feeling of emptiness that she's feeling. And that's

0:31:34.620 --> 0:31:36.120
<v Speaker 1>what we could use in this dance.

0:31:37.100 --> 0:31:39.960
<v Speaker 2>Well, that's a very mature answer because you're right. I

0:31:40.000 --> 0:31:43.500
<v Speaker 2>guess knowing all of that backstory, knowing that, you know,

0:31:43.580 --> 0:31:45.860
<v Speaker 2>there were more conversations where you were like, you know,

0:31:45.900 --> 0:31:48.160
<v Speaker 2>maybe you're right. Even if you didn't express, say that

0:31:48.200 --> 0:31:50.010
<v Speaker 2>out loud, but like that feeling of like, you know,

0:31:50.400 --> 0:31:52.670
<v Speaker 2>maybe this is a me thing, not a, maybe, and

0:31:52.690 --> 0:31:56.590
<v Speaker 2>maybe the, maybe the song choice doesn't lend itself to

0:31:56.670 --> 0:31:59.510
<v Speaker 2>a more specific wow moment. And, and the song choice

0:31:59.550 --> 0:32:02.990
<v Speaker 2>lends itself to this silence being the wow moment. Cause you,

0:32:03.730 --> 0:32:05.630
<v Speaker 2>I was thinking, man, she's a better person than I am.

0:32:05.670 --> 0:32:07.890
<v Speaker 2>I would have been like, ah, Absolutely not. It was

0:32:07.970 --> 0:32:11.540
<v Speaker 2>this guy. Because I do think had he taken more

0:32:11.620 --> 0:32:15.720
<v Speaker 2>credit for the decision to not put in a wow moment,

0:32:16.220 --> 0:32:17.640
<v Speaker 2>I don't think he would have been in the bottom

0:32:17.660 --> 0:32:18.200
<v Speaker 2>two that week.

0:32:19.020 --> 0:32:20.820
<v Speaker 1>I don't think and I don't think Eric would have

0:32:20.840 --> 0:32:22.140
<v Speaker 1>gone home. I know.

0:32:22.260 --> 0:32:24.720
<v Speaker 3>And I think about that now and I'm like, yeah,

0:32:24.800 --> 0:32:25.640
<v Speaker 3>I see it now.

0:32:26.000 --> 0:32:27.060
<v Speaker 1>Now that I watch it back.

0:32:27.300 --> 0:32:28.040
<v Speaker 2>Yeah.

0:32:28.340 --> 0:32:31.210
<v Speaker 1>But in the moment, obviously, we're all distraught. And like, yeah,

0:32:31.350 --> 0:32:34.920
<v Speaker 1>because elimination has never happened like that before. So we

0:32:34.940 --> 0:32:37.130
<v Speaker 1>were all kind of just taken aback and just like,

0:32:37.150 --> 0:32:40.610
<v Speaker 1>I don't, yeah, I take responsibility.

0:32:40.910 --> 0:32:41.110
<v Speaker 2>Yeah.

0:32:41.170 --> 0:32:42.469
<v Speaker 1>And then we both went to the bottom too. But

0:32:42.510 --> 0:32:44.989
<v Speaker 1>looking back, I'm like, ooh, I think if one of us,

0:32:45.170 --> 0:32:47.290
<v Speaker 1>even if it was me, took responsibility, I think one

0:32:47.310 --> 0:32:48.330
<v Speaker 1>of us would have been in the bottom.

0:32:48.610 --> 0:32:48.930
<v Speaker 3>Yeah.

0:32:49.310 --> 0:32:50.710
<v Speaker 2>And someone else would have been in the bottom.

0:32:50.730 --> 0:32:53.430
<v Speaker 1>Yes. And I don't know if one of, I don't

0:32:53.510 --> 0:32:54.350
<v Speaker 1>think we would have gone home.

0:32:54.510 --> 0:32:58.790
<v Speaker 2>Yeah. I, I agree with you. Would you have always

0:32:58.880 --> 0:33:02.730
<v Speaker 2>predicted that AJ and Adele would be in the finals?

0:33:03.210 --> 0:33:05.010
<v Speaker 2>Is there anyone else you would have thought was going

0:33:05.030 --> 0:33:05.930
<v Speaker 2>to be standing next to you?

0:33:07.390 --> 0:33:10.310
<v Speaker 1>Ooh, I definitely could have predicted AJ and Adele in

0:33:10.330 --> 0:33:14.050
<v Speaker 1>the finale. Okay. But I also could have seen Alan there. Yeah.

0:33:14.870 --> 0:33:17.530
<v Speaker 1>And also Eric. Eric is somebody from the beginning that

0:33:17.930 --> 0:33:20.930
<v Speaker 1>he had a lot of training under his belt. And

0:33:21.210 --> 0:33:25.700
<v Speaker 1>I truthfully believe he's a great teacher. So he's also somebody,

0:33:25.860 --> 0:33:31.650
<v Speaker 1>but personality-wise from... Just first episode, I thought Alan, Adele,

0:33:31.710 --> 0:33:35.100
<v Speaker 1>and I knew AJ already had been a pro on Trickly.

0:33:35.130 --> 0:33:38.140
<v Speaker 1>So I just thought that was a given.

0:33:39.240 --> 0:33:42.740
<v Speaker 2>Considering how close everyone got during the next pro season,

0:33:42.920 --> 0:33:45.480
<v Speaker 2>who did you have the hardest time saying goodbye to?

0:33:45.580 --> 0:33:47.060
<v Speaker 2>Who did you feel most connected to?

0:33:48.900 --> 0:33:55.400
<v Speaker 1>That's a really hard one. Yeah. Because it's funny because me, Alan, Eric,

0:33:55.720 --> 0:33:58.850
<v Speaker 1>and Adele were really close in the house. We really

0:33:58.910 --> 0:34:04.510
<v Speaker 1>built a special bond with each other. I think I'm

0:34:04.550 --> 0:34:05.990
<v Speaker 1>going to go ahead and say Alan.

0:34:06.370 --> 0:34:06.670
<v Speaker 2>Alan.

0:34:06.800 --> 0:34:09.810
<v Speaker 1>Okay. Yeah, that one's really hard. I don't know. Yeah,

0:34:10.350 --> 0:34:13.010
<v Speaker 1>I think Alan. Luckily, I got to be with Adele

0:34:13.030 --> 0:34:14.330
<v Speaker 1>in the finale, so I didn't have to say bye

0:34:14.370 --> 0:34:16.969
<v Speaker 1>to her because she was really, she's still my best friend.

0:34:17.010 --> 0:34:19.919
<v Speaker 1>Like I talk to her every single day. So it's funny,

0:34:19.960 --> 0:34:22.360
<v Speaker 1>but it just like felt like, and this sounds really harsh,

0:34:22.380 --> 0:34:25.620
<v Speaker 1>it just felt like they were dying. Because you didn't

0:34:25.640 --> 0:34:27.230
<v Speaker 1>really get to say bye to them. You kind of,

0:34:27.580 --> 0:34:30.520
<v Speaker 1>what you guys saw on the TV is all it was.

0:34:30.580 --> 0:34:32.540
<v Speaker 1>And then they had to drive away and we never

0:34:32.580 --> 0:34:35.140
<v Speaker 1>got to see them. And it was like, it's like

0:34:35.200 --> 0:34:37.860
<v Speaker 1>a chapter of, Don't they have to pack?

0:34:38.200 --> 0:34:40.300
<v Speaker 2>Don't they have to pack from the house? We've packed before.

0:34:40.880 --> 0:34:43.479
<v Speaker 1>So yeah, every single time before an episode, we have

0:34:43.520 --> 0:34:45.500
<v Speaker 1>to pack already and be.

0:34:46.030 --> 0:34:47.029
<v Speaker 2>In case you're the one.

0:34:47.050 --> 0:34:52.950
<v Speaker 1>They're like, everybody pack your stuff. Yeah. And it's like, ooh, yeah.

0:34:53.150 --> 0:34:56.509
<v Speaker 1>There was some weeks where I packed bad and there

0:34:56.530 --> 0:34:59.469
<v Speaker 1>was some weeks that I was like, yeah, I got

0:34:59.489 --> 0:35:00.969
<v Speaker 1>to pack good this time. I need to make sure

0:35:01.010 --> 0:35:04.020
<v Speaker 1>I have everything packed. Really?

0:35:04.120 --> 0:35:04.420
<v Speaker 3>Yeah.

0:35:04.719 --> 0:35:07.660
<v Speaker 2>What do you think is the week where you were like,

0:35:08.100 --> 0:35:10.020
<v Speaker 2>this is it. This is probably the end for me.

0:35:11.380 --> 0:35:14.060
<v Speaker 1>Oh, I think it was group work.

0:35:14.340 --> 0:35:14.900
<v Speaker 2>Group work.

0:35:14.980 --> 0:35:17.360
<v Speaker 1>OK. Group work was where I was like, I really

0:35:17.390 --> 0:35:19.770
<v Speaker 1>let me check every drawer and make sure I have

0:35:19.830 --> 0:35:22.250
<v Speaker 1>everything because I might not see this house again.

0:35:22.530 --> 0:35:24.630
<v Speaker 2>Yes, that's you. But that was Brit's week, right?

0:35:24.650 --> 0:35:28.009
<v Speaker 1>Yeah. Which was it's sad because that was the week

0:35:28.030 --> 0:35:32.779
<v Speaker 1>that I thought would be my weekend. my week like

0:35:32.840 --> 0:35:35.360
<v Speaker 1>I thought that would be my week to kind of

0:35:35.410 --> 0:35:38.069
<v Speaker 1>showcase myself and it's funny because all the weeks that

0:35:38.330 --> 0:35:42.090
<v Speaker 1>I thought would be the weeks that I showcased myself

0:35:42.130 --> 0:35:43.690
<v Speaker 1>were the ones that I was at the bottom and

0:35:43.730 --> 0:35:47.930
<v Speaker 1>the ones that actually were my worst weeks it was

0:35:48.070 --> 0:35:51.110
<v Speaker 1>group work and then wow moments that I kind of

0:35:51.150 --> 0:35:53.600
<v Speaker 1>was like I feel the most confident in.

0:35:53.580 --> 0:35:59.700
<v Speaker 2>Yeah interesting interesting okay For the finals, you were paired

0:35:59.780 --> 0:36:04.160
<v Speaker 2>with Adam Rippon and only given three days to put

0:36:04.239 --> 0:36:10.529
<v Speaker 2>together two dances. A feat Val even said is basically impossible.

0:36:10.989 --> 0:36:15.510
<v Speaker 2>What was that pressure like? Oh my gosh, crazy.

0:36:15.670 --> 0:36:19.320
<v Speaker 1>Also because you have to think on Dancing with the Stars,

0:36:19.900 --> 0:36:23.020
<v Speaker 1>you're kind of building up with your partner and you

0:36:23.060 --> 0:36:26.820
<v Speaker 1>kind of get to teach them from scratch. ground zero

0:36:27.000 --> 0:36:30.279
<v Speaker 1>to the finale yeah and so you already have a

0:36:30.489 --> 0:36:34.070
<v Speaker 1>connection with them you already have kind of some content

0:36:34.110 --> 0:36:36.590
<v Speaker 1>that you can bounce off of like for freestyle I

0:36:36.610 --> 0:36:38.529
<v Speaker 1>can be like remember that what we did for week

0:36:38.690 --> 0:36:41.290
<v Speaker 1>one let's kind of add that in a different way

0:36:41.330 --> 0:36:43.990
<v Speaker 1>and you kind of already have that so to just

0:36:44.070 --> 0:36:49.820
<v Speaker 1>go from zero to 100 in three days is extremely

0:36:49.840 --> 0:36:53.500
<v Speaker 1>it's a big ask it's a big ask but I

0:36:53.540 --> 0:36:57.220
<v Speaker 1>also had Maybe I'm just saying this because I'm biased.

0:36:57.420 --> 0:36:59.649
<v Speaker 1>I think I had the best partner for this challenge.

0:37:00.370 --> 0:37:02.870
<v Speaker 1>I really do. And I got a figure skater.

0:37:03.070 --> 0:37:03.830
<v Speaker 2>Yes, I know.

0:37:03.850 --> 0:37:07.450
<v Speaker 1>Which I wanted from the beginning. So I, like, the

0:37:07.510 --> 0:37:10.630
<v Speaker 1>stars were just, they were all aligning in that moment.

0:37:10.930 --> 0:37:14.529
<v Speaker 1>And I just, I got to finale, so I wasn't

0:37:14.550 --> 0:37:15.910
<v Speaker 1>going to give up. I wasn't going to give up.

0:37:16.140 --> 0:37:19.520
<v Speaker 1>I already, I'm in the finale. I made it to

0:37:19.540 --> 0:37:23.140
<v Speaker 1>the last challenge. I did them all. why would I

0:37:23.450 --> 0:37:25.420
<v Speaker 1>give up now? So it was kind of just like,

0:37:25.580 --> 0:37:28.819
<v Speaker 1>let's fight. Let's keep fighting. Even though I had those,

0:37:30.420 --> 0:37:34.279
<v Speaker 1>I had those, I had those times in rehearsals where

0:37:34.440 --> 0:37:36.660
<v Speaker 1>I kind of just was like, oh my God, my

0:37:36.700 --> 0:37:39.839
<v Speaker 1>brain hurts. There was some things that I planned ahead

0:37:39.890 --> 0:37:42.029
<v Speaker 1>of time that didn't end up working out. So I

0:37:42.190 --> 0:37:44.049
<v Speaker 1>kind of have to rework the whole thing. And that's just,

0:37:44.410 --> 0:37:46.370
<v Speaker 1>that's just what it is. There's some things that like,

0:37:46.390 --> 0:37:49.310
<v Speaker 1>I thought the footwork would work here and it didn't

0:37:49.370 --> 0:37:52.120
<v Speaker 1>work here. So I have to, redo the whole thing

0:37:52.160 --> 0:37:54.660
<v Speaker 1>I thought this lift was gonna work because sometimes my

0:37:54.700 --> 0:37:56.750
<v Speaker 1>mind I think I can do insane things and then

0:37:56.930 --> 0:37:58.450
<v Speaker 1>in reality it just doesn't work.

0:37:58.410 --> 0:38:01.910
<v Speaker 2>Out right especially with only three days with three days.

0:38:01.710 --> 0:38:04.090
<v Speaker 1>Where if I don't have it right away and if

0:38:04.210 --> 0:38:06.930
<v Speaker 1>Adam doesn't have it right away it's cut exactly it

0:38:07.030 --> 0:38:09.950
<v Speaker 1>just has to be cut because the time crunch we

0:38:09.969 --> 0:38:12.549
<v Speaker 1>have if we had two weeks to work on it

0:38:12.840 --> 0:38:15.899
<v Speaker 1>of course I probably would have worked a little bit

0:38:16.480 --> 0:38:20.390
<v Speaker 1>harder on those moments yeah And there was one move

0:38:20.650 --> 0:38:23.150
<v Speaker 1>that I ended up doing that I did not scratch.

0:38:23.510 --> 0:38:26.730
<v Speaker 1>And I look back and I do regret not scratching

0:38:26.790 --> 0:38:29.930
<v Speaker 1>it kind of. Yeah, we kind of redid pivot turns

0:38:30.030 --> 0:38:32.739
<v Speaker 1>at the end of our drive. And it just was

0:38:32.780 --> 0:38:35.339
<v Speaker 1>a little clunky. But it got to the point where

0:38:35.440 --> 0:38:37.560
<v Speaker 1>I was like, I either take it out, I add

0:38:37.580 --> 0:38:39.960
<v Speaker 1>a new section and he forgets it and it's not

0:38:40.060 --> 0:38:42.850
<v Speaker 1>going to work. Or we kind of keep the clunky

0:38:42.870 --> 0:38:46.709
<v Speaker 1>in there and maybe it looks not the cleanest, but

0:38:46.910 --> 0:38:49.690
<v Speaker 1>we have the choreography at least. Right. So that was

0:38:49.710 --> 0:38:51.850
<v Speaker 1>like a moment where I'm like, should I have I

0:38:51.890 --> 0:38:53.610
<v Speaker 1>go back and forth? Should I have just changed it

0:38:53.650 --> 0:38:54.270
<v Speaker 1>last minute?

0:38:54.489 --> 0:38:56.640
<v Speaker 2>And did one of the judges comment on the pivot turns?

0:38:56.660 --> 0:38:59.580
<v Speaker 2>Because I remember them. There was a comment about the

0:38:59.600 --> 0:39:00.100
<v Speaker 2>pivot turns.

0:39:00.140 --> 0:39:03.930
<v Speaker 1>Yeah. Derek actually commented on the pivot turns. And in

0:39:03.950 --> 0:39:06.819
<v Speaker 1>my mind, I was like, Derek, stop. I know. This

0:39:06.880 --> 0:39:09.580
<v Speaker 1>is finale. Let me have fun. And I already know.

0:39:09.600 --> 0:39:12.080
<v Speaker 1>It's just I was going back and forth with it

0:39:12.219 --> 0:39:14.040
<v Speaker 1>in that moment, too. I was like, do I keep these?

0:39:14.239 --> 0:39:16.160
<v Speaker 1>Do I not keep these? It was kind of just

0:39:16.180 --> 0:39:18.819
<v Speaker 1>like this balance of, ooh, is Shirley going to not

0:39:18.860 --> 0:39:20.990
<v Speaker 1>like that we didn't have this connection towards the end

0:39:21.110 --> 0:39:24.710
<v Speaker 1>and redid a kick section? And she gets upset about that.

0:39:24.890 --> 0:39:27.170
<v Speaker 1>Or do I keep it in and somebody else? It's

0:39:27.250 --> 0:39:29.450
<v Speaker 1>like I just was going back and forth and I

0:39:29.450 --> 0:39:31.260
<v Speaker 1>didn't know exactly. to do and in the long run

0:39:31.280 --> 0:39:34.710
<v Speaker 1>it didn't work out in my favor but it was

0:39:34.750 --> 0:39:38.460
<v Speaker 1>just It was three days and two dances. It was

0:39:38.480 --> 0:39:40.000
<v Speaker 1>kind of my last worry.

0:39:40.320 --> 0:39:42.819
<v Speaker 2>Just to also let yourself let go of that. You

0:39:42.920 --> 0:39:45.620
<v Speaker 2>also don't know that had you done the alternative, it

0:39:45.719 --> 0:39:47.779
<v Speaker 2>would have been better. It could have been that he

0:39:47.840 --> 0:39:50.190
<v Speaker 2>forgot it altogether. And then you have a partner who's

0:39:50.230 --> 0:39:52.089
<v Speaker 2>not even remembering what his choreography is.

0:39:52.150 --> 0:39:53.070
<v Speaker 1>That's probably worse.

0:39:53.350 --> 0:39:53.910
<v Speaker 2>Exactly.

0:39:53.930 --> 0:39:56.109
<v Speaker 1>So, yeah. So I did end up keeping it because

0:39:56.150 --> 0:39:59.009
<v Speaker 1>at least it's something I can kind of lead with

0:39:59.030 --> 0:40:00.750
<v Speaker 1>the pivot. So I can kind of just drag his

0:40:00.790 --> 0:40:02.770
<v Speaker 1>body around as much as I can. Yeah.

0:40:04.830 --> 0:40:08.460
<v Speaker 2>OK, I want to get a little into the A.J.

0:40:08.520 --> 0:40:09.660
<v Speaker 1>Drama. Yeah.

0:40:10.560 --> 0:40:13.680
<v Speaker 2>From your point of view, what was A.J. like behind

0:40:13.719 --> 0:40:18.750
<v Speaker 2>the scenes? Because we saw some bravado, some ego on camera.

0:40:18.930 --> 0:40:22.529
<v Speaker 2>Is some of that a put on character or or

0:40:22.610 --> 0:40:24.170
<v Speaker 2>is he really like that behind the scenes?

0:40:25.010 --> 0:40:26.989
<v Speaker 1>I would say how he's on camera is how he

0:40:27.070 --> 0:40:32.140
<v Speaker 1>is off camera. OK, maybe more so. More so, yeah.

0:40:32.160 --> 0:40:33.620
<v Speaker 1>I feel like for the cameras, it kind of dies

0:40:33.660 --> 0:40:37.420
<v Speaker 1>down a little bit. And there's kind of like, it's funny.

0:40:37.440 --> 0:40:41.220
<v Speaker 1>I think everybody feels this way too. So it's no secret.

0:40:42.200 --> 0:40:45.259
<v Speaker 1>But it's kind of like when you start that, you

0:40:45.300 --> 0:40:47.239
<v Speaker 1>say that action and you're in a different character. I

0:40:47.239 --> 0:40:49.399
<v Speaker 1>would feel like that's kind of my best way to

0:40:49.620 --> 0:40:52.859
<v Speaker 1>describe AJ is once the cameras are on, he's very

0:40:52.920 --> 0:40:55.319
<v Speaker 1>aware of the cameras. I feel like since he's done

0:40:55.360 --> 0:40:58.290
<v Speaker 1>it before and he's been on reality TV before, he

0:40:58.330 --> 0:41:00.969
<v Speaker 1>knows when the cameras are on. And not a lot

0:41:00.989 --> 0:41:02.930
<v Speaker 1>of us had that experience. So when the cameras were on,

0:41:02.950 --> 0:41:06.569
<v Speaker 1>we're kind of just like, oh, shoot, I forgot. And

0:41:07.010 --> 0:41:09.169
<v Speaker 1>he didn't. He didn't forget they were there. He knew

0:41:09.210 --> 0:41:11.160
<v Speaker 1>when the cameras were on. He knew when they were off.

0:41:12.500 --> 0:41:14.900
<v Speaker 2>Did you have any run-ins with him that weren't aired

0:41:14.940 --> 0:41:15.339
<v Speaker 2>on the show?

0:41:18.120 --> 0:41:22.300
<v Speaker 1>Yes, actually. We only had one that kind of wasn't. Obviously,

0:41:22.320 --> 0:41:25.510
<v Speaker 1>they didn't air, like, the story whole bit that we

0:41:25.590 --> 0:41:29.219
<v Speaker 1>talked about our stories. But honestly, that wasn't really... I

0:41:29.260 --> 0:41:32.520
<v Speaker 1>had a lot of love for AJ in those moments.

0:41:32.600 --> 0:41:34.819
<v Speaker 1>And maybe in the long run, I was like, oh,

0:41:34.980 --> 0:41:37.489
<v Speaker 1>that probably wasn't the best way to handle everything. I

0:41:37.620 --> 0:41:39.790
<v Speaker 1>should have just fought for my story a little bit more.

0:41:40.350 --> 0:41:45.230
<v Speaker 1>But later on, I realized that when he kind of

0:41:45.330 --> 0:41:48.629
<v Speaker 1>told Adele like that, he's like, Selena can't teach. She's

0:41:48.670 --> 0:41:50.710
<v Speaker 1>not going to be here very long. And Adele's my

0:41:50.750 --> 0:41:53.129
<v Speaker 1>best friend. So I was kind of just like, Adele

0:41:53.170 --> 0:41:55.490
<v Speaker 1>was like, she told me in the sweetest way too.

0:41:55.880 --> 0:41:58.570
<v Speaker 1>She goes, I don't know if I should tell you this, Selena,

0:41:58.610 --> 0:42:01.430
<v Speaker 1>because I don't want this to make you feel bad.

0:42:01.550 --> 0:42:02.850
<v Speaker 1>And I don't know if this is going to make

0:42:02.910 --> 0:42:04.630
<v Speaker 1>it better for you in the competition or worse. But

0:42:04.710 --> 0:42:06.989
<v Speaker 1>I wanted you to know from me that AJ said

0:42:07.010 --> 0:42:10.080
<v Speaker 1>this to me. And I just wanted you to know.

0:42:10.160 --> 0:42:12.640
<v Speaker 1>And I go, Adele, thanks for telling me because now

0:42:12.680 --> 0:42:16.040
<v Speaker 1>I'm going to the finale. I go, thank you for

0:42:16.080 --> 0:42:19.700
<v Speaker 1>telling me because this was wow. It was super fans week. And.

0:42:20.620 --> 0:42:22.279
<v Speaker 1>I was like, thank you so much for telling me

0:42:22.300 --> 0:42:24.560
<v Speaker 1>that because now I'm making the finale. Me and Jeremy

0:42:24.600 --> 0:42:27.080
<v Speaker 1>are getting this. I was like, I am locked in

0:42:27.560 --> 0:42:30.839
<v Speaker 1>and that's the fuel that I needed. So I was

0:42:30.940 --> 0:42:34.239
<v Speaker 1>really grateful that honestly that that moment happened because I

0:42:34.620 --> 0:42:36.080
<v Speaker 1>don't know if I would have been in a finale.

0:42:36.100 --> 0:42:38.100
<v Speaker 1>So honestly, thanks AJ for that moment.

0:42:38.120 --> 0:42:42.540
<v Speaker 2>Yes, thank you AJ. Sometimes your haters are the people

0:42:42.560 --> 0:42:45.900
<v Speaker 2>who deserve the biggest thanks because they really propel you forward.

0:42:46.300 --> 0:42:48.020
<v Speaker 1>And yeah, if I didn't have that, I don't know

0:42:48.060 --> 0:42:49.460
<v Speaker 1>if I would have gone finale. I don't know if

0:42:49.480 --> 0:42:51.970
<v Speaker 1>I would have had as much fight as I did

0:42:51.989 --> 0:42:53.589
<v Speaker 1>after hearing that. Well, yeah.

0:42:53.610 --> 0:42:55.830
<v Speaker 2>Cause I mean, hearing about your schedule and the fact

0:42:55.850 --> 0:42:58.250
<v Speaker 2>that you guys don't have phones even while you're there

0:42:58.350 --> 0:42:59.950
<v Speaker 2>and there's very little sleep and you're not allowed to

0:43:00.010 --> 0:43:02.549
<v Speaker 2>rehearse in the times that like hearing all of that,

0:43:02.730 --> 0:43:06.830
<v Speaker 2>it would, it would be very hard to consistently maintain

0:43:07.090 --> 0:43:08.150
<v Speaker 2>the same drive.

0:43:08.170 --> 0:43:09.030
<v Speaker 1>Yeah.

0:43:09.210 --> 0:43:10.810
<v Speaker 2>So, you know, at some point you just start to

0:43:10.850 --> 0:43:13.010
<v Speaker 2>get tired and go, you know, if this is my week,

0:43:13.050 --> 0:43:15.480
<v Speaker 2>it's my week. But then something like that happens and

0:43:15.520 --> 0:43:17.700
<v Speaker 2>lights a whole new fire, gives you a whole new

0:43:17.739 --> 0:43:21.060
<v Speaker 2>drive and Were you surprised at all to see the

0:43:21.520 --> 0:43:26.070
<v Speaker 2>drama that has recently come out online between AJ and Riley?

0:43:26.110 --> 0:43:28.670
<v Speaker 2>Had you known of any issues during practice?

0:43:30.270 --> 0:43:36.140
<v Speaker 1>I did know that it wasn't going the smoothest. Okay.

0:43:36.900 --> 0:43:42.719
<v Speaker 1>Mainly because AJ talks. AJ talks a lot. So he

0:43:42.760 --> 0:43:45.080
<v Speaker 1>would come back to the house and say things in

0:43:45.120 --> 0:43:46.930
<v Speaker 1>a way that I was like, oh I don't know

0:43:46.969 --> 0:43:50.370
<v Speaker 1>if it's Riley's fault at all right so it was

0:43:50.410 --> 0:43:52.370
<v Speaker 1>kind of just like things like that and I think

0:43:52.410 --> 0:43:55.710
<v Speaker 1>we all knew AJ enough to know that what he

0:43:55.730 --> 0:43:59.590
<v Speaker 1>was saying was just in favor of him right so

0:43:59.610 --> 0:44:02.489
<v Speaker 1>it was kind of just we knew something was going

0:44:02.610 --> 0:44:04.069
<v Speaker 1>on he would just kind of come back and be

0:44:04.090 --> 0:44:06.430
<v Speaker 1>like Riley's not giving me anything like this and we

0:44:06.450 --> 0:44:09.530
<v Speaker 1>would be like they're not supposed to they're actually supposed

0:44:09.570 --> 0:44:11.600
<v Speaker 1>to be silent they're not supposed to give us any

0:44:11.620 --> 0:44:14.759
<v Speaker 1>that's their job yeah and We would kind of just

0:44:14.780 --> 0:44:16.779
<v Speaker 1>say that and he'd be like, yeah, but like this,

0:44:16.820 --> 0:44:18.580
<v Speaker 1>this and this. And so it was just like we

0:44:18.780 --> 0:44:21.320
<v Speaker 1>kind of knew. So I wasn't surprised. OK, right. I

0:44:21.380 --> 0:44:23.940
<v Speaker 1>was surprised that it was AJ's wife doing it instead

0:44:23.980 --> 0:44:27.080
<v Speaker 1>of AJ himself. But yeah, I wasn't surprised.

0:44:27.600 --> 0:44:32.709
<v Speaker 2>OK, got it. Also, I do think it's so funny

0:44:32.770 --> 0:44:34.689
<v Speaker 2>to hear that he was annoyed that Riley wasn't giving

0:44:34.730 --> 0:44:40.500
<v Speaker 2>him anything when on the show, Whitney... So you could

0:44:40.560 --> 0:44:41.580
<v Speaker 2>see her being like.

0:44:42.530 --> 0:44:45.430
<v Speaker 1>The boys were definitely the worst. The boys, they were

0:44:45.469 --> 0:44:48.730
<v Speaker 1>not listening as much. They were definitely, like me and

0:44:48.770 --> 0:44:51.589
<v Speaker 1>Adele would talk after and be like, oh yeah, Jan

0:44:51.630 --> 0:44:54.089
<v Speaker 1>got in trouble, Glove got in trouble because they were

0:44:54.130 --> 0:44:56.469
<v Speaker 1>trying to help and they couldn't. So the producers would

0:44:56.489 --> 0:44:58.930
<v Speaker 1>just be like, stop, you can't do that. And they

0:44:58.969 --> 0:45:00.850
<v Speaker 1>would be like, sorry, sorry. And then they would stop.

0:45:01.810 --> 0:45:04.070
<v Speaker 1>But the girls definitely took it a little bit more serious,

0:45:04.110 --> 0:45:05.700
<v Speaker 1>which makes so much sense.

0:45:06.390 --> 0:45:10.980
<v Speaker 2>That's just, yeah, that's the nature of being a woman, apparently. Yeah,

0:45:11.020 --> 0:45:14.680
<v Speaker 2>we listen and we follow rules. Yeah, that is so

0:45:14.719 --> 0:45:16.779
<v Speaker 2>funny because, I mean, we really called it out that

0:45:16.800 --> 0:45:18.960
<v Speaker 2>you could tell it was very hard for Whitney in

0:45:19.000 --> 0:45:24.259
<v Speaker 2>particular to not give feedback. And yet that was the brief. So,

0:45:24.940 --> 0:45:29.860
<v Speaker 2>you know. Do you think the next pro experiment worked?

0:45:30.080 --> 0:45:31.920
<v Speaker 2>Should they do it again next season?

0:45:31.940 --> 0:45:35.110
<v Speaker 1>I absolutely think they should do it. I just also

0:45:35.120 --> 0:45:38.350
<v Speaker 1>think it's cool because Adele, for instance, she won and

0:45:38.469 --> 0:45:42.190
<v Speaker 1>everybody got to see her growth from the beginning. And

0:45:42.210 --> 0:45:45.109
<v Speaker 1>I think that's so beautiful that we don't really get

0:45:45.150 --> 0:45:47.070
<v Speaker 1>to know the pros. We usually get to know the

0:45:47.190 --> 0:45:49.670
<v Speaker 1>stars and we never get to see that behind the

0:45:49.690 --> 0:45:51.890
<v Speaker 1>scenes of what it really takes to be a pro.

0:45:52.700 --> 0:45:56.759
<v Speaker 1>And now everybody knows and now everybody kind of can

0:45:57.180 --> 0:45:59.680
<v Speaker 1>stand behind Adele and be like, we got to see

0:45:59.719 --> 0:46:02.380
<v Speaker 1>her grow. We got to see her from the beginning.

0:46:02.400 --> 0:46:05.580
<v Speaker 1>And I feel like that's so beautiful. And I'm also

0:46:05.620 --> 0:46:07.460
<v Speaker 1>happy that I got to see Adele from the beginning.

0:46:07.480 --> 0:46:09.580
<v Speaker 1>And now I get to see her just thrive on

0:46:09.600 --> 0:46:12.859
<v Speaker 1>Dancing with the Stars and stand behind her. And now

0:46:12.900 --> 0:46:16.140
<v Speaker 1>she'll have that band base, I guess, and those people

0:46:16.160 --> 0:46:20.480
<v Speaker 1>standing behind her kind of just 10 times down, like.

0:46:20.850 --> 0:46:23.830
<v Speaker 2>That's such a good point, because the the people who

0:46:23.910 --> 0:46:27.290
<v Speaker 2>the pros whose stories, you know, are the pros who

0:46:27.330 --> 0:46:29.739
<v Speaker 2>have been on for a long time, like Val. People

0:46:29.820 --> 0:46:32.640
<v Speaker 2>know Val now and they've seen him go through an

0:46:32.680 --> 0:46:35.700
<v Speaker 2>entire journey, starting extremely young to where he is now.

0:46:35.800 --> 0:46:39.540
<v Speaker 2>And this was a bit of a shorthand. It was

0:46:39.560 --> 0:46:43.270
<v Speaker 2>it was a Cliff's Notes story. of investing you into

0:46:43.290 --> 0:46:45.489
<v Speaker 2>the pros, getting to know them a little bit so

0:46:45.530 --> 0:46:48.290
<v Speaker 2>that when they come onto the show, you already feel

0:46:48.330 --> 0:46:50.450
<v Speaker 2>like you have a vested interest and you know who

0:46:50.469 --> 0:47:06.150
<v Speaker 2>they are. For you, is the dream of being a

0:47:06.230 --> 0:47:09.730
<v Speaker 2>pro on Dancing with the Stars in your past or

0:47:09.810 --> 0:47:11.029
<v Speaker 2>is it staying on your vision board?

0:47:12.340 --> 0:47:15.320
<v Speaker 1>Oh, 100% staying on the vision board. That's not leaving.

0:47:16.380 --> 0:47:21.640
<v Speaker 1>I'm already in the studio, like training because that's, that's

0:47:21.680 --> 0:47:23.100
<v Speaker 1>not a dream that really goes away. And if it

0:47:23.380 --> 0:47:25.920
<v Speaker 1>does go away that fast after not winning, then.

0:47:27.030 --> 0:47:27.740
<v Speaker 2>Wasn't really a dream.

0:47:27.760 --> 0:47:29.410
<v Speaker 1>I don't know if that was really your dream. Yeah.

0:47:29.760 --> 0:47:34.130
<v Speaker 1>So it's 100% still the dream. It's something that I

0:47:34.250 --> 0:47:37.830
<v Speaker 1>really do still believe that I can do. I'm not

0:47:37.890 --> 0:47:39.830
<v Speaker 1>one to back down and I'm still so new to

0:47:39.850 --> 0:47:43.000
<v Speaker 1>the journey. So when I, when I didn't win, I

0:47:43.400 --> 0:47:46.600
<v Speaker 1>wasn't like, I'm, I'm done. Like I work. So I

0:47:46.640 --> 0:47:49.180
<v Speaker 1>worked too long for this to not be here. Like

0:47:49.630 --> 0:47:52.049
<v Speaker 1>it would be different for AJ who's already been on

0:47:52.090 --> 0:47:55.450
<v Speaker 1>strictly and he's been doing it for a long time.

0:47:55.510 --> 0:47:58.430
<v Speaker 1>Maybe he's like, yeah, I don't know if this is

0:47:58.469 --> 0:48:01.759
<v Speaker 1>something I want to do anymore, but I started three

0:48:01.800 --> 0:48:03.819
<v Speaker 1>years ago. I'm not going to give up now. I'm

0:48:03.860 --> 0:48:06.839
<v Speaker 1>going to keep fighting. I'm, I'm only, I mean, I'm

0:48:06.840 --> 0:48:09.080
<v Speaker 1>22 now. I just turned 22. Oh my gosh. Um,

0:48:09.610 --> 0:48:10.350
<v Speaker 1>Like two days ago.

0:48:10.370 --> 0:48:12.129
<v Speaker 2>You're a baby. Happy birthday.

0:48:12.150 --> 0:48:12.480
<v Speaker 1>Thank you.

0:48:12.710 --> 0:48:13.550
<v Speaker 2>Are you the 29th?

0:48:14.850 --> 0:48:17.469
<v Speaker 1>I'm 26. 26. Okay. I don't even know what day

0:48:17.510 --> 0:48:20.920
<v Speaker 1>it is today. But like this week, last week. Yes. Yeah.

0:48:20.960 --> 0:48:23.940
<v Speaker 1>So it's just, it's definitely something that I'm still going

0:48:23.960 --> 0:48:25.819
<v Speaker 1>to fight for. And I know that I can do,

0:48:26.020 --> 0:48:27.940
<v Speaker 1>especially at such a young age.

0:48:27.980 --> 0:48:28.500
<v Speaker 2>Yes.

0:48:28.860 --> 0:48:32.160
<v Speaker 1>As somebody who learns so fast, I think I can

0:48:32.180 --> 0:48:34.440
<v Speaker 1>be there in no time. I just need to, I

0:48:34.960 --> 0:48:37.560
<v Speaker 1>just really need to crack down on my, really my

0:48:37.600 --> 0:48:41.200
<v Speaker 1>fundamentals of ballroom. Yep. Absolutely. Yeah.

0:48:41.739 --> 0:48:45.060
<v Speaker 2>Looking back, what would you say you are most proud

0:48:45.180 --> 0:48:46.939
<v Speaker 2>of during your time on the show?

0:48:48.260 --> 0:48:54.529
<v Speaker 1>This is like a really sentimental, good question. Oh, I'm

0:48:54.610 --> 0:48:59.530
<v Speaker 1>really just proud of how I worked under pressure. It's

0:48:59.570 --> 0:49:02.050
<v Speaker 1>something that you don't really know you can do until

0:49:02.670 --> 0:49:07.360
<v Speaker 1>you're in it. And I walked into this being like, yeah,

0:49:07.420 --> 0:49:11.489
<v Speaker 1>maybe I'll leave first episode. But once I went past

0:49:11.510 --> 0:49:14.529
<v Speaker 1>that first episode, I was like, oh, shoot, I have

0:49:14.550 --> 0:49:17.370
<v Speaker 1>to do this. I'm really nervous. That's kind of when

0:49:17.410 --> 0:49:19.210
<v Speaker 1>my nerves started to kick in after I made it

0:49:19.250 --> 0:49:21.719
<v Speaker 1>past that first round. round and was like, okay, so

0:49:21.739 --> 0:49:24.620
<v Speaker 1>I have to dance with her. Like now it's when

0:49:24.660 --> 0:49:27.650
<v Speaker 1>it really started to click. And I was like, okay,

0:49:27.690 --> 0:49:30.330
<v Speaker 1>this is happening. I don't know if I can do this.

0:49:30.670 --> 0:49:33.860
<v Speaker 1>So knowing that I could work under that pressure was,

0:49:33.870 --> 0:49:38.490
<v Speaker 1>that was like just a joy. And, It's funny because

0:49:38.530 --> 0:49:40.390
<v Speaker 1>I feel like I worked better under pressure than I

0:49:40.950 --> 0:49:43.750
<v Speaker 1>work without the pressure. Yeah. Yeah.

0:49:43.930 --> 0:49:46.270
<v Speaker 2>Well, it's never going to get harder than what you

0:49:46.330 --> 0:49:49.480
<v Speaker 2>experienced on Next Pro. I mean, you know, dancing with

0:49:49.500 --> 0:49:53.339
<v Speaker 2>the stars is difficult, but Next Pro was amped up

0:49:53.460 --> 0:49:53.799
<v Speaker 2>even more.

0:49:53.860 --> 0:49:54.640
<v Speaker 1>They prepare you.

0:49:55.000 --> 0:49:56.160
<v Speaker 2>They really do.

0:49:56.180 --> 0:50:00.299
<v Speaker 1>Adele is going to be... probably going into it, one

0:50:00.320 --> 0:50:01.600
<v Speaker 1>of the most prepared pros.

0:50:02.020 --> 0:50:04.320
<v Speaker 2>A hundred percent. A hundred percent. She's also going to

0:50:04.360 --> 0:50:07.470
<v Speaker 2>be exhausted because she's basically had like two back-to-back seasons.

0:50:07.800 --> 0:50:08.169
<v Speaker 1>I know.

0:50:09.850 --> 0:50:12.489
<v Speaker 2>But I have to tell you, Selena, you are, I

0:50:12.730 --> 0:50:17.009
<v Speaker 2>cannot wait to see what you do moving forward in

0:50:17.050 --> 0:50:19.509
<v Speaker 2>your career. I know you are going to make it

0:50:19.550 --> 0:50:22.310
<v Speaker 2>to being a pro on Dancing with the Stars. You

0:50:22.850 --> 0:50:27.520
<v Speaker 2>are obviously extremely, your IQ is high, but what's even

0:50:27.660 --> 0:50:31.520
<v Speaker 2>more impressive to me is that your emotional intelligence is

0:50:32.100 --> 0:50:36.360
<v Speaker 2>so off the charts high. Your ability to talk to people,

0:50:36.540 --> 0:50:40.090
<v Speaker 2>to handle people, to see situations from so many different sides,

0:50:40.650 --> 0:50:44.569
<v Speaker 2>to be graceful, to have grace, to give grace. You

0:50:44.730 --> 0:50:49.410
<v Speaker 2>are such a special person and I just cannot wait

0:50:49.469 --> 0:50:53.080
<v Speaker 2>to watch you continue to thrive. And I'm just endlessly

0:50:53.120 --> 0:50:56.560
<v Speaker 2>excited for your future. So thank you for sharing your

0:50:56.680 --> 0:50:59.980
<v Speaker 2>vulnerability with us. Thank you for sharing your journey with us.

0:51:00.080 --> 0:51:01.359
<v Speaker 2>And we can't wait to see where you go.

0:51:01.280 --> 0:51:03.069
<v Speaker 1>In the future. Thank you so much. It was so

0:51:03.090 --> 0:51:04.270
<v Speaker 1>amazing talking to you.

0:51:04.489 --> 0:51:06.110
<v Speaker 2>Likewise. Thank you.

0:51:06.330 --> 0:51:08.390
<v Speaker 1>Thank you. Bye.