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Speaker 1: Ingredients and being medios.

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Speaker 2: Fellow seekers of the dark, I'm your host, Dally Israel.

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Speaker 1: Welcome to Nocturno. Tales from the Shadow.

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Speaker 2: Join me as we dare to enter the flames of fright,

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Speaker 2: where the veil between worlds. Rodin and the Haunting Legends

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Speaker 2: and Lord of Latin America stir to life retold with

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Speaker 2: a twist, and Tonight's tale inspired by the legend of

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Speaker 2: Venezuela's infamous whistler Elsilbond. We meet Batrillo, a young man

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Speaker 2: fighting for.

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Speaker 1: A better world dream no beer, who will.

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Speaker 2: Soon discover the shadow side of justice. Join me for

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Speaker 2: Sins of her Father, A tale of ediocitable.

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Speaker 1: And the wuss are welcome here.

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Speaker 3: The funder High Student Union demands immedia accountability from the

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Speaker 3: administration for the discriminatory treatment of immigrant student community.

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Speaker 1: You're talking about.

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Speaker 4: We demand accountability, We demand transparency, demand action.

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Speaker 1: Don't big a treat not there, come here, not manatreat,

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Speaker 1: not here, man grands put them here.

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Speaker 2: Transparency.

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Speaker 5: Damn boy, you're going viral.

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Speaker 3: Yeah I have, but you know it doesn't matter. I

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Speaker 3: wish I could be out there every weekend making a difference.

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Speaker 3: Do you know how my parents are they'd ground me

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Speaker 3: for life if they knew I wasn't even thinking about protesting.

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Speaker 6: Or maybe you just need to lighten up on yourself,

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Speaker 6: you know what they say? All work into a play

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Speaker 6: makes Jack a dull boy. Speaking of which, check out

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Speaker 6: what I got.

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Speaker 7: Wee gee board? Aren't those like evil?

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Speaker 5: Come on live a little?

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Speaker 3: You know, I don't believe in that stuff.

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Speaker 6: To be continued, my chariot arriving. Are you sure you

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Speaker 6: don't want to come with me and hang out until

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Speaker 6: your parents can get you. I'm not so sure it's

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Speaker 6: a good idea. I'll walk through the graveyard at night.

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Speaker 3: Oh, don't worry, I'll be fine.

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Speaker 5: Okay, my friends.

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Speaker 8: Call me later, I'll see.

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Speaker 9: Hello.

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Speaker 7: Hey dad, I'm just getting out of Spanish club.

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Speaker 9: Listen, I got stuck on this stupid project at work.

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Speaker 9: Can you tell your mom that I won't be home

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Speaker 9: for dinner?

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Speaker 3: Why can't you just tell her?

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Speaker 9: She's not answering my calls whenever?

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Speaker 3: All right, I'll let her know.

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Speaker 9: Thanks to you. I owe you want to yep, and

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Speaker 9: we need to talk. I'm on the phone with my son.

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Speaker 1: Who's that dad?

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Speaker 9: By just a co worker. She's eager to get back

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Speaker 9: to our project says.

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Speaker 8: Yeah, okay, well I'll let you go.

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Speaker 9: Then here, buy me home. You can't keep avoiding this

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Speaker 9: forever and this let me handle this. So you really

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Speaker 9: think your dad is having an affair?

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Speaker 3: Oh, the signs are there and he's always working light.

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Speaker 3: The way he was talking to this supposed coworker sounded

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Speaker 3: really intimate.

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Speaker 6: I don't know.

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Speaker 7: She was all, we need to talk.

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Speaker 1: That's weird.

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Speaker 9: That's suspicious for sure. Looks like we need to do

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Speaker 9: some detective work.

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Speaker 7: Oh uh, sorry, I dropped the phone.

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Speaker 1: Did you hear that?

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Speaker 7: That creepy whistling sound.

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Speaker 9: I told you it wasn't a good idea to walk

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Speaker 9: to the graveyard at night.

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Speaker 3: Shh, listen, it's getting further away.

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Speaker 7: Where's it coming from?

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Speaker 9: I still don't hear anything.

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Speaker 3: Shit, it's this freaky looking old lady under the oak tree.

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Speaker 1: I think she's the one whistling.

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Speaker 5: It sounds so closely, like it's.

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Speaker 7: Inside my head. No, no, no, I swear, I swear

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Speaker 7: your eyes they're all dark and empty.

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Speaker 9: That the connection is bad.

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Speaker 1: What ship ship?

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Speaker 4: She saw me?

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Speaker 7: She's coming towards me.

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Speaker 1: Stick can hear me?

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Speaker 7: Jesus Christ, Marla, be careful with the dishes.

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Speaker 8: Speak of it.

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Speaker 1: I'm gonna stick of it, Marla.

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Speaker 2: Please, it's not my fault.

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Speaker 1: I have to work late.

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Speaker 8: Yes, sure, it's work.

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Speaker 1: Uh huh?

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Speaker 8: Is that all it is? Work?

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Speaker 6: Then?

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Speaker 9: What is this little note about?

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Speaker 8: We need to talk about Veronica? Who's Veronica? Tell me?

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Speaker 1: Did you go through my things?

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Speaker 7: It's just a work north Jesus.

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Speaker 8: So then why did I hear you whispering that name

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Speaker 8: on the phone the other night?

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Speaker 4: Huh?

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Speaker 9: Who?

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Speaker 8: It's de Andres? Who is Veronica?

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Speaker 7: She's nobody?

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Speaker 8: Yeah right, yeah right, nobody?

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Speaker 1: Sorry about that? Can you hear me?

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Speaker 7: Now?

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Speaker 9: Damn? That was like an audio telenovela. Sorry that joke.

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Speaker 9: I guess you're right about the affair, and we have

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Speaker 9: a name now, ver Right?

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Speaker 10: What a mess?

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Speaker 7: Let's just talk about something else, Okay.

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Speaker 9: Can we talk about what happened in the graveyard? Do

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Speaker 9: I need to bring over my Wiji board? No?

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Speaker 3: No, I'm sure there's some logical explanation. When you were right,

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Speaker 3: I shouldn't have been walking there alone at night. I

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Speaker 3: think I just psyched myself out. That poor woman was

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Speaker 3: probably just homeless and looking for a place to rest.

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Speaker 9: Yeah, that are looking for a place to rest her

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Speaker 9: lost soul.

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Speaker 3: Ha ha ha ha, very funny.

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Speaker 9: Seriously, though, you're okay.

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Speaker 1: I'm fine, it's exhausted.

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Speaker 9: Okay, Well call me at the graveyard. Lady shows up

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Speaker 9: in the middle of the night breathing over your bed.

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Speaker 1: You're the worst.

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Speaker 4: I love you?

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Speaker 9: Good night?

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Speaker 6: Right?

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Speaker 1: Who's there? It's me, memoir. I need to talk to you.

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Speaker 7: I'm trying to sleep.

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Speaker 5: Explain this to me.

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Speaker 7: Don't lie? And what's left to say? Are you gonna

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Speaker 7: tell dad?

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Speaker 4: This is exactly why we left Venezuela.

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Speaker 10: The police, the military.

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Speaker 1: They won't see you as a kid when you're out there.

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Speaker 8: They'll see you as the enemy. It's dangers me.

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Speaker 1: I'm more.

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Speaker 8: Do you understand? I get it, Mom, I get it.

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Speaker 1: I hope you do. No more protests and we'll keep

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Speaker 1: it between us, promise. Okay? Okay?

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Speaker 7: I did your dad mentioned where he was tonight? Wasn't

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Speaker 7: he at work?

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Speaker 6: Right?

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Speaker 4: Right?

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Speaker 7: Never mind?

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Speaker 1: Good night, honey, night mom? Mm hmmm?

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Speaker 9: What is your.

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Speaker 1: What is it all?

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Speaker 8: This is your she's your feet, You're all covered in mud.

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Speaker 8: Where did you go last night?

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Speaker 7: Nowhere? Nowhere?

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Speaker 8: Swear I told you no more sneaking around.

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Speaker 1: No, No, I wasn't.

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Speaker 8: What I'm sick a thing like doing this family mm

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Speaker 8: hmmm mm hmmm.

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Speaker 1: Mmm mm hmm.

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Speaker 3: Hello, hey see, that's sorry to wake you. I think

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Speaker 3: I sleep walked to the graveyard last night.

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Speaker 9: Are you serious?

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Speaker 1: Yeah?

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Speaker 3: I think we're gonna need that Ouiji board.

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Speaker 7: Can you meet me at the graveyard?

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Speaker 1: Yeah? Did you hear that?

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Speaker 4: Hear?

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Speaker 1: What is that whistling?

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Speaker 9: Again?

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Speaker 5: Either you're losing it or you're being haunted.

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Speaker 7: Right, let's just get this over with.

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Speaker 1: How do we do this?

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Speaker 5: Put your fingers over the plantchet that yeah?

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Speaker 1: Yeah, like that? No, sh.

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Speaker 5: Hear a swistling Woman of the graveyard.

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Speaker 8: If you are a spirit, say yes.

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Speaker 5: Stop moving you stop moving it?

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Speaker 1: Shut up.

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Speaker 6: I know you are.

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Speaker 5: Seriously, I'm not whatever.

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Speaker 1: I ask something more specific.

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Speaker 5: Okay, hear us, Woman of the graveyard, what is your name?

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Speaker 7: Seriously?

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Speaker 9: Stop?

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Speaker 8: I swear to God, I'm.

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Speaker 5: Not moving it. I'll take my hands off of it.

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Speaker 7: This is happening.

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Speaker 8: Holy shit, holy shit, write it down, write it down.

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Speaker 1: Okay, what is it? We are?

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Speaker 8: And see.

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Speaker 7: See it's just nonsense. It doesn't doesn't spell anything.

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Speaker 6: Wait wait wait, I read somewhere that ghosts sometimes scramble

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Speaker 6: things or leaf things out.

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Speaker 5: Maybe the fowls are missing.

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Speaker 8: M hm the ornic.

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Speaker 4: Veronica.

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Speaker 10: Isn't that the name of my dad's mistress?

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Speaker 5: That would be a weird coincidence.

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Speaker 8: Hear us whistling, woman up the graveyard? Is your name, Veronica?

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Speaker 7: Oh my god, it's moving again.

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Speaker 6: It's it's it's going to yes over and over. So

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Speaker 6: that that's her name, Veronica. Hear us, Veronica, what is

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Speaker 6: your last name?

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Speaker 1: El f.

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Speaker 8: R see are you writing this down?

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Speaker 1: I'm trying.

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Speaker 5: I'm trying, l v R C m are others with

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Speaker 5: a seed, no.

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Speaker 8: Id body, that's it. That's it, that's it. It's spelling

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Speaker 8: something else, uh l g d l geez delgado maybe.

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Speaker 7: So maybe it's hyphenated.

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Speaker 6: Is your name Veronica Albarez Delvado.

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Speaker 8: I'll take that as a guest answer the question.

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Speaker 3: Go for it, okay, Nonica Alvarez?

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Speaker 8: What do you want from me?

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Speaker 7: Whistling sounds far away?

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Speaker 1: Now maybe she left?

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Speaker 8: What Why are you looking at me like that?

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Speaker 1: Behind you?

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Speaker 8: She's right behind you.

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Speaker 7: Okay, it's good, but I think the cooman is overpowering

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Speaker 7: the other flavors.

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Speaker 3: Well, maybe you should have cooked it yourself.

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Speaker 1: Then, No, it's good. I'm just saying.

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Speaker 3: Patricia, what's wrong?

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Speaker 1: You're bird eating?

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Speaker 7: I know this sounds crazy, but and I saw a

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Speaker 7: ghost in the graveyard.

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Speaker 1: A ghost?

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Speaker 8: When were you in the graveyard?

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Speaker 5: You are grounded?

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Speaker 7: Her name is?

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Speaker 1: What did you say? I said? Alva? Do you know

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Speaker 1: that name?

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Speaker 6: Dad?

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Speaker 1: Of course not.

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Speaker 7: Why would I.

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Speaker 8: I have to make a work on a Sunday, Yes,

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Speaker 8: Martha on a sunday.

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Speaker 1: I just can't anymore with either of you. I've had enough.

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Speaker 8: I've had enough.

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Speaker 9: Go to your room?

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Speaker 1: What Mom? What did I do? Mmmmm? I don't know. Jordy, Johny.

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Speaker 7: It makes no sense unless someone's playing something sick joke

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Speaker 7: on mysef.

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Speaker 4: How would anybody know?

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Speaker 1: Of course I do not.

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Speaker 9: It's in a box in the eye.

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Speaker 3: No, we need to get all that's behind us.

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Speaker 1: Why start up any trouble.

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Speaker 7: Look, I can't talk here.

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Speaker 9: Can I come to your horse?

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Speaker 1: Okay?

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Speaker 9: I love you too? You know you're the one I

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00:15:00,960 --> 00:15:01,320
Speaker 9: look more?

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Speaker 6: What m.

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Speaker 9: Hey, I was just about to call it.

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Speaker 3: You you come over like now?

255
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Speaker 7: Back window?

256
00:15:17,640 --> 00:15:18,240
Speaker 9: What happened?

257
00:15:18,680 --> 00:15:21,440
Speaker 7: So it turns out my dad's mistress is named Jolie.

258
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Speaker 9: Wait what so then who's Veronica?

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Speaker 7: I don't know, but I think my dad knows something.

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Speaker 7: Just just gidd he as fast as you can.

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Speaker 1: M m hm, So what are you looking for? I

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Speaker 1: don't even know. All I know is in a box.

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Speaker 10: Hm.

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00:16:06,040 --> 00:16:09,080
Speaker 7: This is hopeless. I don't know how much longer I

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00:16:09,120 --> 00:16:19,480
Speaker 7: can stay away, Mom, hears us screwed?

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Speaker 8: Sorry sorry, sorry, sorry?

267
00:16:22,840 --> 00:16:24,840
Speaker 1: Wait look at this.

268
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Speaker 7: That's the stamp of the National Intelligence Service in.

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Speaker 1: Let me see it.

270
00:16:31,320 --> 00:16:34,240
Speaker 8: Hold on, Oh my god.

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Speaker 5: What there's a bunch of stuff you here about.

272
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Speaker 6: Someone named Aliberto Oliverarez Delgado. Yeah, yeah, there are all

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00:16:45,680 --> 00:16:52,040
Speaker 6: these lists recording his whereabouts three pm, sallydola.

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Speaker 5: That means leaving school, right, give me that.

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Speaker 1: Oh shit, he was only fourteen.

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Speaker 7: It's a year younger than I see. He attracted every

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Speaker 7: move and all these newspaper clippings too.

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00:17:06,960 --> 00:17:10,000
Speaker 3: M Lack of evidence exonerates a head of intelligence from

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Speaker 3: agcusations of war crimes, torture, and forced disappearances.

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Speaker 7: What damn he he wasn't active? Oh my god, I'll

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Speaker 7: listen to this.

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Speaker 3: One mother of missing student activist dies at forty five

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Speaker 3: by suicide, never.

284
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Speaker 7: Knowing what happened to her son.

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Speaker 1: Oh my god, I'll see about what what her name

286
00:17:31,760 --> 00:17:35,320
Speaker 1: must be? Only gud who has think out. Ho shit,

287
00:17:36,000 --> 00:17:36,720
Speaker 1: that's horrible.

288
00:17:37,240 --> 00:17:39,399
Speaker 5: So that's what her spirit is looking for?

289
00:17:39,880 --> 00:17:41,440
Speaker 7: How how is my dad involved in all this?

290
00:17:42,560 --> 00:17:43,880
Speaker 5: Maybe this will tell us.

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Speaker 7: Recorder.

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00:17:47,119 --> 00:17:48,560
Speaker 5: Look there's a tape in there.

293
00:17:49,040 --> 00:17:51,080
Speaker 7: Do you think it still works? Only one way to

294
00:17:51,119 --> 00:17:52,520
Speaker 7: find out? Let's plug it in.

295
00:17:52,880 --> 00:18:01,360
Speaker 9: Okay, I think we would have take another. I didn't

296
00:18:01,400 --> 00:18:05,159
Speaker 9: want to single outation of that game. I mean, just

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00:18:05,240 --> 00:18:05,720
Speaker 9: get it done.

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00:18:08,600 --> 00:18:12,359
Speaker 6: I didn't understand all of it. But I'm pretty sure

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00:18:12,480 --> 00:18:14,280
Speaker 6: that's an execution order.

300
00:18:14,960 --> 00:18:19,600
Speaker 7: I think they're talking about Veronica's son, Mos times today.

301
00:18:22,480 --> 00:18:23,600
Speaker 7: That's your dad's voice.

302
00:18:28,720 --> 00:18:33,240
Speaker 1: That's really him. I feel sick. This is so dark.

303
00:18:36,119 --> 00:18:38,639
Speaker 7: They just erase them from existence. How could my dad

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00:18:38,760 --> 00:18:39,240
Speaker 7: be a part.

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00:18:39,119 --> 00:18:39,359
Speaker 1: Of all this?

306
00:18:40,240 --> 00:18:40,400
Speaker 9: Oh?

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00:18:41,520 --> 00:18:43,080
Speaker 1: Hi, alright?

308
00:18:43,680 --> 00:18:45,760
Speaker 7: Always thought you didn't You didn't add them for a

309
00:18:45,840 --> 00:18:46,640
Speaker 7: tech company house?

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00:18:47,359 --> 00:18:51,960
Speaker 1: How could he lie like that? What are you gonna do? See?

311
00:18:53,320 --> 00:19:01,760
Speaker 1: I have no idea. Ai bourdios andres.

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00:19:02,400 --> 00:19:03,760
Speaker 7: We can't keep hiding this.

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00:19:04,840 --> 00:19:10,040
Speaker 5: There's new momentum for justice in Venezuela. Protests are erupting everywhere.

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00:19:10,480 --> 00:19:12,680
Speaker 1: This is our chance to come forward with the evidence.

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00:19:12,800 --> 00:19:14,520
Speaker 2: Protests don't change anything.

316
00:19:15,680 --> 00:19:17,359
Speaker 1: Look who could it did for Veronica's son?

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00:19:17,440 --> 00:19:20,760
Speaker 8: But it's different now kill people are demanding accountability.

318
00:19:21,000 --> 00:19:23,520
Speaker 1: If we come forward, we could actually make a difference.

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00:19:24,280 --> 00:19:25,880
Speaker 8: We were supposed to do this years ago.

320
00:19:26,160 --> 00:19:29,840
Speaker 5: You promised. We were so much smuggling the evidence out.

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00:19:30,359 --> 00:19:33,439
Speaker 1: If we go public with this, we'll be implicated too.

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00:19:33,920 --> 00:19:36,639
Speaker 1: They'll come after us, our families, everything we've worked for

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00:19:36,920 --> 00:19:39,959
Speaker 1: will be destroyed. Let's put the past behind us.

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00:19:40,440 --> 00:19:46,040
Speaker 6: No, Andres, I'm tired of all the hiding, hiding the evidence,

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00:19:46,280 --> 00:19:47,560
Speaker 6: hiding our relationship.

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00:19:48,440 --> 00:19:51,919
Speaker 1: Andres, I love you, but I don't want to live

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00:19:51,960 --> 00:19:52,720
Speaker 1: with this kill forever.

328
00:19:53,480 --> 00:19:57,000
Speaker 3: We were part of that regime and we owe it

329
00:19:57,359 --> 00:20:01,000
Speaker 3: to Roonica and her son to set things right.

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00:20:01,880 --> 00:20:06,160
Speaker 1: I know, I know, but it's too complicated.

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00:20:07,040 --> 00:20:10,080
Speaker 2: H We'll find a way through this.

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00:20:11,640 --> 00:20:12,080
Speaker 1: Clearly.

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00:20:15,400 --> 00:20:27,280
Speaker 9: M m.

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00:20:31,960 --> 00:20:38,480
Speaker 1: Mm hmm follow me, mm hmmm. Where am i? Am

335
00:20:38,520 --> 00:20:53,720
Speaker 1: I going to the graveyard? Mm hmmmmmm mm hmmm mm hmmmmm.

336
00:20:54,960 --> 00:20:56,560
Speaker 4: Mm hm hm.

337
00:20:58,000 --> 00:20:58,520
Speaker 10: Mm hmmm.

338
00:21:05,680 --> 00:21:06,320
Speaker 8: What are you doing?

339
00:21:06,840 --> 00:21:07,679
Speaker 9: Are you digging up a.

340
00:21:07,720 --> 00:21:09,840
Speaker 5: Grave looking.

341
00:21:11,080 --> 00:21:15,320
Speaker 7: For the bone but you're not here?

342
00:21:17,160 --> 00:21:18,960
Speaker 8: What are you talking about? You're just scaring me.

343
00:21:21,800 --> 00:21:27,040
Speaker 5: M Are you listening and stop digging?

344
00:21:29,960 --> 00:21:30,160
Speaker 2: Stop?

345
00:21:32,080 --> 00:21:39,520
Speaker 1: Stop? Stop? What are you doing here?

346
00:21:40,720 --> 00:21:45,800
Speaker 8: We're in the graveyard, asshole? You called me? What's happening?

347
00:21:45,840 --> 00:21:46,040
Speaker 9: To you.

348
00:21:47,040 --> 00:21:47,960
Speaker 8: You were choking me.

349
00:21:48,560 --> 00:21:49,240
Speaker 1: I'm so sorry.

350
00:21:49,720 --> 00:21:50,959
Speaker 10: It must be Veronica.

351
00:21:51,080 --> 00:21:52,520
Speaker 7: She's she's getting into my head.

352
00:21:52,600 --> 00:21:53,320
Speaker 8: What happens?

353
00:21:53,760 --> 00:21:55,679
Speaker 7: It's my dreams. It's hard to explain.

354
00:21:56,080 --> 00:21:59,000
Speaker 8: We need to stop her before she hurts somebody.

355
00:21:59,880 --> 00:22:02,720
Speaker 7: I have an idea. I have an idea, but it's risky.

356
00:22:06,960 --> 00:22:13,040
Speaker 1: M hm hm mm hmmm.

357
00:22:14,600 --> 00:22:15,159
Speaker 7: Embrace.

358
00:22:16,680 --> 00:22:22,919
Speaker 1: Who do you love most in this world? You are

359
00:22:22,920 --> 00:22:29,680
Speaker 1: a baby. You're the one I love most. He's my son.

360
00:22:32,280 --> 00:22:35,640
Speaker 10: But listen, I'm not coming.

361
00:22:35,440 --> 00:22:35,800
Speaker 9: Home to me.

362
00:22:36,920 --> 00:22:40,119
Speaker 7: It's an emergency. Are I'm okay? I need you to

363
00:22:40,160 --> 00:22:40,640
Speaker 7: come to the grave.

364
00:22:40,800 --> 00:22:40,960
Speaker 1: Are you?

365
00:22:41,359 --> 00:22:49,480
Speaker 9: But m hm.

366
00:22:51,040 --> 00:22:52,240
Speaker 2: Ship no reception?

367
00:22:53,920 --> 00:22:57,679
Speaker 10: But heyho, where are you.

368
00:23:03,160 --> 00:23:07,240
Speaker 1: Here? Over here? Dad?

369
00:23:10,760 --> 00:23:12,760
Speaker 4: But he see that?

370
00:23:14,680 --> 00:23:15,200
Speaker 6: What's going on?

371
00:23:15,760 --> 00:23:16,720
Speaker 10: What happens to Alberto?

372
00:23:19,440 --> 00:23:20,480
Speaker 6: What I thought?

373
00:23:20,520 --> 00:23:23,160
Speaker 8: There was an emergency? Don't change the subject, don't lie.

374
00:23:23,440 --> 00:23:26,080
Speaker 6: We found your box in the attic, Mister de Silva, How.

375
00:23:26,040 --> 00:23:28,480
Speaker 7: Could you work for people like that? People who would

376
00:23:28,560 --> 00:23:29,399
Speaker 7: kill someone like me?

377
00:23:29,680 --> 00:23:29,840
Speaker 8: Fur?

378
00:23:30,400 --> 00:23:31,600
Speaker 1: What do you mean someone like you?

379
00:23:32,080 --> 00:23:33,560
Speaker 8: You're so caught up in you're bullshit.

380
00:23:33,600 --> 00:23:34,359
Speaker 1: You don't even know me.

381
00:23:34,560 --> 00:23:37,760
Speaker 6: But Terco has been organizing protests at school for over

382
00:23:37,840 --> 00:23:40,720
Speaker 6: a year now. He's been fighting for justice while you've

383
00:23:40,720 --> 00:23:41,880
Speaker 6: been living a lie.

384
00:23:42,280 --> 00:23:44,800
Speaker 1: I plan to go to the present turn everything over.

385
00:23:45,320 --> 00:23:47,600
Speaker 1: Once we were in the States, That's.

386
00:23:47,480 --> 00:23:48,520
Speaker 2: Why I kept everything.

387
00:23:48,640 --> 00:23:49,399
Speaker 8: So why didn't you?

388
00:23:49,560 --> 00:23:50,879
Speaker 1: It was just too dangerous.

389
00:23:51,600 --> 00:23:54,000
Speaker 7: Sometimes it's just messed on leaving things alone.

390
00:23:55,000 --> 00:24:08,320
Speaker 1: We'll tell that to her. She's here, I said, so you're.

391
00:24:08,680 --> 00:24:10,880
Speaker 8: I was nothing more than a glorified secretary.

392
00:24:11,240 --> 00:24:12,240
Speaker 1: Please please.

393
00:24:13,640 --> 00:24:15,440
Speaker 8: Take me to the bones of my son.

394
00:24:16,720 --> 00:24:21,560
Speaker 1: I can't the Sodus, they burned them and scattered them

395
00:24:21,560 --> 00:24:22,160
Speaker 1: into the wind.

396
00:24:25,960 --> 00:24:29,399
Speaker 9: Were you're captain?

397
00:24:34,840 --> 00:24:38,600
Speaker 1: You took them one. I loved the bot. Now take

398
00:24:38,640 --> 00:24:40,639
Speaker 1: the one. You walk the snow.

399
00:24:41,040 --> 00:24:44,159
Speaker 8: Now you're you're You're away from it.

400
00:24:44,520 --> 00:24:58,280
Speaker 1: Laver her out of this, Hi.

401
00:25:00,960 --> 00:25:07,600
Speaker 8: Has baby, we got help. Somebody please pang.

402
00:25:16,359 --> 00:25:16,800
Speaker 5: A list.

403
00:25:17,440 --> 00:25:18,320
Speaker 1: That was a red light.

404
00:25:18,440 --> 00:25:20,080
Speaker 2: Don't worry, baby, I know what I'm doing.

405
00:25:20,359 --> 00:25:21,239
Speaker 9: I love you so much. Man.

406
00:25:21,840 --> 00:25:23,119
Speaker 1: We're getting out of here like she was.

407
00:25:23,320 --> 00:25:25,840
Speaker 8: I've done a long time ago. I'm looking back.

408
00:25:26,240 --> 00:25:27,080
Speaker 1: It's now or never.

409
00:25:27,440 --> 00:25:28,040
Speaker 10: Are you okay?

410
00:25:28,960 --> 00:25:29,720
Speaker 5: Have you been drinking?

411
00:25:29,840 --> 00:25:29,879
Speaker 9: No?

412
00:25:30,040 --> 00:25:30,920
Speaker 6: No, no, no, of course not.

413
00:25:32,040 --> 00:25:34,760
Speaker 1: I just see things clearly for once. There's no time

414
00:25:34,800 --> 00:25:35,879
Speaker 1: to rest around left.

415
00:25:35,920 --> 00:25:36,680
Speaker 6: It's too precious.

416
00:25:36,960 --> 00:25:38,600
Speaker 1: I should have left mar a long time ago.

417
00:25:39,680 --> 00:25:41,280
Speaker 2: Keep the damn whistling.

418
00:25:42,320 --> 00:25:47,280
Speaker 8: Whistling what whistling down? We're scaring me.

419
00:25:47,520 --> 00:25:48,359
Speaker 1: You can outrun her.

420
00:25:48,560 --> 00:25:54,720
Speaker 2: She'll never find us, she said, who no, Veronica, when you're.

421
00:25:54,640 --> 00:25:59,200
Speaker 8: Talking about no, no there, please, you're going to get

422
00:25:59,280 --> 00:26:01,120
Speaker 8: us killed. I'm saving us, baby.

423
00:26:01,480 --> 00:26:02,399
Speaker 2: You have to trust me.

424
00:26:02,800 --> 00:26:06,639
Speaker 1: Let me out of the car. Shut up? What please?

425
00:26:07,840 --> 00:26:08,240
Speaker 1: Do you hear?

426
00:26:08,320 --> 00:26:08,359
Speaker 9: That?

427
00:26:09,600 --> 00:26:09,879
Speaker 1: Shere?

428
00:26:10,320 --> 00:26:13,440
Speaker 7: What exactly we've loved?

429
00:26:13,720 --> 00:26:15,560
Speaker 1: We're saying? Save for what?

430
00:26:33,400 --> 00:26:38,320
Speaker 6: M is that you?

431
00:26:40,760 --> 00:26:41,200
Speaker 10: Thank God?

432
00:26:42,359 --> 00:26:46,360
Speaker 1: Please help us? She's coming for YOI you don't need.

433
00:26:46,359 --> 00:26:48,200
Speaker 7: To worry about Veronica anymore.

434
00:26:49,240 --> 00:26:57,879
Speaker 1: She took me, Dad, What's it's okay?

435
00:26:58,040 --> 00:26:58,280
Speaker 9: Dad?

436
00:26:59,119 --> 00:27:02,199
Speaker 4: I always wanted to make a difference, and you're right

437
00:27:02,240 --> 00:27:08,800
Speaker 4: about protesting. Sometimes it's just not enough. I love you, Dad,

438
00:27:09,520 --> 00:27:11,080
Speaker 4: But justice must be served.

439
00:27:12,280 --> 00:27:13,520
Speaker 1: An eye for an eye.

440
00:27:14,880 --> 00:27:53,320
Speaker 2: And the bone for a bone. I love Veronica can

441
00:27:53,440 --> 00:27:54,720
Speaker 2: finally rest in Beef.

442
00:27:55,320 --> 00:27:56,480
Speaker 1: What does for you?

443
00:27:57,440 --> 00:28:01,040
Speaker 2: It seems he's found. Call him is the most unexpected

444
00:28:01,280 --> 00:28:05,200
Speaker 2: of places. I have a feeling the list of the

445
00:28:05,320 --> 00:28:08,560
Speaker 2: guilty is a bit too long for him to rest

446
00:28:08,640 --> 00:28:17,720
Speaker 2: easy until next time, my friends, take care and remember

447
00:28:18,240 --> 00:28:24,280
Speaker 2: that the shadow of justice long, and the dead never forgets.

448
00:28:36,600 --> 00:28:40,760
Speaker 10: Nocturno Tales from the Shadows was produced by Sonoro in

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00:28:40,840 --> 00:28:46,680
Speaker 10: partnership with Our Heartsmichaeldura podcast Network, Produced and directed by

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00:28:46,800 --> 00:28:52,680
Speaker 10: Luis Eduardo Castillo, Developed and produced by Bettina Lopez. The

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00:28:52,760 --> 00:28:56,800
Speaker 10: executive produced by Conel Burr and Giselle Banzais for iHeart

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00:28:57,040 --> 00:29:03,080
Speaker 10: and Camilla Victoriano and Joshua Weinstein for SONOROI. This episode

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00:29:03,280 --> 00:29:11,000
Speaker 10: was written by Stephanie Adams. Santos. Performances in this episode

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00:29:11,080 --> 00:29:19,280
Speaker 10: by Dani Trejo, Gustavarossa, Kuei, ten Marco Pelas, Sophia santi

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00:29:19,920 --> 00:29:25,520
Speaker 10: By te Mbil, Annie Hank Pedro, Hollywood Rivera and Sebastian

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00:29:25,640 --> 00:29:34,720
Speaker 10: Villa Lobos. Our production manager is Kerenzachairees. Recording engineering and

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00:29:34,920 --> 00:29:39,920
Speaker 10: sound designed by Cassandra Tinajerro and andres By Enna Casting

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00:29:40,000 --> 00:29:46,080
Speaker 10: a coordination by Ainsley Martinez, Alex Gonzalez, Carenza Chaides and

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00:29:46,240 --> 00:29:51,480
Speaker 10: Petina Lopez. Voices recorded at the Invisible Studios and Out

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00:29:51,560 --> 00:29:55,480
Speaker 10: Loud Audio in Los Angeles, the Relic Room in New York,

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00:29:56,240 --> 00:30:00,760
Speaker 10: Panoramic Audio in Miami, Bill Carcery Productions in San Diego

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00:30:01,280 --> 00:30:04,680
Speaker 10: and Matt Block Sound in San Juan, Puerto Rico, and

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00:30:04,840 --> 00:30:11,920
Speaker 10: low Key Entertainment in Lima Perul with engineering by Charles Carroll,

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00:30:12,560 --> 00:30:19,720
Speaker 10: Stephen George, John Anderson, Lester Dangler, J. K. Hudato, Brett Tuban,

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00:30:20,360 --> 00:30:26,920
Speaker 10: Ethan Grafton, Manuel durran Reno, Joao Diito Cavallero, and Bill Corkery,