WEBVTT - The Hug Heard Round the World

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<v Speaker 1>Pushkin.

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<v Speaker 2>The following podcast contains explicit language.

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<v Speaker 3>I knew him, man O Jang goes in, He danced

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<v Speaker 3>for you.

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<v Speaker 4>And worn not shoes.

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<v Speaker 2>Sammy Davis Junior was one of the world's greatest entertainers.

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<v Speaker 2>He was Sammy the way Cher was Cher or Elvis

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<v Speaker 2>was Elvis, five foot five, barely skinny as a pencil,

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<v Speaker 2>oversized sunglasses, jewelry hanging off him like Christmas ornaments. He

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<v Speaker 2>lived off nicotine and Vermuth, never wore the same suit twice,

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<v Speaker 2>made a fortune, died, broke that kind of life.

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<v Speaker 5>Then he would likely judge now.

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<v Speaker 2>A singer, a dancer, a master impressionist, with a famous

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<v Speaker 2>exaggerated laugh that unfolded in three acts, the eyes closed

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<v Speaker 2>in delight, the full body convulsion, the three step stagger.

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<v Speaker 2>In nineteen seventy two, at the height of his fame,

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<v Speaker 2>Sammy went to the Republican National Convention in Miami Beach.

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<v Speaker 2>Flew there on a private jet owned by an oil company,

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<v Speaker 2>took a suite at the Playboy Hotel. On the opening

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<v Speaker 2>night of the convention, he sat in the private box

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<v Speaker 2>of the Republican presidential nominee, Richard Nixon. On a second

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<v Speaker 2>night of the Convention, Davis pled a concert for the

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<v Speaker 2>Republican Youth in a shirt opened to his navel and

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<v Speaker 2>skin tight pants. He was halfway through his set when

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<v Speaker 2>suddenly people started chanting four more years. The cheers were

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<v Speaker 2>for Nixon, fresh from accepting the Republican nomination. He was

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<v Speaker 2>crashing the party. Davis held up his hand acquiet the crowd,

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<v Speaker 2>Ladies and gentlemen. The President and the future President of

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<v Speaker 2>the United States of America p pneumonia.

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<v Speaker 6>I am opposed to bussing for the purpose of achieving

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<v Speaker 6>racial balance in our schools. I have spoken out against

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<v Speaker 6>bussing scores of times over many years.

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<v Speaker 2>Richard Nixon was, in nineteen seventy two, the leading practitioner

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<v Speaker 2>of what was known as the Southern Strategy, the attempt

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<v Speaker 2>to use racist appeals to win over Southern white voters

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<v Speaker 2>to the Republican Party. He nominated two Southerners to the

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<v Speaker 2>Supreme Court, men who were such committed segregationists and so

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<v Speaker 2>deeply unqualified that the Senate wouldn't confirm them. In the

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<v Speaker 2>privacy of the Oval office, Nixon referred to black people

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<v Speaker 2>as niggers and jigaboos. He did his best to delay

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<v Speaker 2>the integration of American public schools. He once complained to

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<v Speaker 2>one of his aides that the anti poverty programs established

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<v Speaker 2>by his predecessors were a waste of money because African

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<v Speaker 2>Americans were genetically inferior. It was just four years since

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<v Speaker 2>Martin Luther King Junior was shot in Memphis, and the

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<v Speaker 2>president seemed bent on reversing everything the civil rights movement

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<v Speaker 2>had fought for black people in nineteen seventy two. Did

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<v Speaker 2>not like Richard Nixon, that is, except for one of

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<v Speaker 2>the most famous black men in the country, Sammy Davis Junior,

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<v Speaker 2>who sat in the Nixon family box, performed at the

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<v Speaker 2>Nixon coronation, and who crossed the stage and rapped one

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<v Speaker 2>of the most famously chilly and awkward of all presidents

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<v Speaker 2>in a joyful, excited, loving hug. Let me read to

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<v Speaker 2>you Will Haygood's description of that moment in his biography

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<v Speaker 2>of Sammy Davis Junior. The public had rarely seen Nixon

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<v Speaker 2>in such an embrace, even with his own wife and

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<v Speaker 2>Nixon letting loose with a slow, widening grin towering over Davis,

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<v Speaker 2>wrapping his arms across his own chest, so awkwardly and

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<v Speaker 2>yet tenderly like some flushed teenage kid and all those

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<v Speaker 2>white delegates and all those Nixon placards, and Davis leaning

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<v Speaker 2>on the president's shoulder as if Nixon were kid. Nixon

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<v Speaker 2>and Sammy in full embrace. When people remember Sammy Davis Junior,

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<v Speaker 2>that's what they think of the photograph of that moment.

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<v Speaker 2>Sammy never got over it. My name is Malcolm Gladwell.

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<v Speaker 2>You're listening to Revisionist History, my podcast about Things Forgotten

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<v Speaker 2>and Misunderstood. This episode is about Sammy David and what

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<v Speaker 2>happened on that stage in Miami Beach, because that moment

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<v Speaker 2>raises questions about obligation and loyalty that still haven't been resolved,

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<v Speaker 2>or maybe have been resolved in the wrong way.

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<v Speaker 7>To understand this, you have to go back to what

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<v Speaker 7>young brother here referred to as the House Negro and

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<v Speaker 7>the Field Negro. Back during slavery.

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<v Speaker 2>In nineteen sixty three in Detroit, Malcolm X gave one

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<v Speaker 2>of his most famous speeches.

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<v Speaker 7>There was two kind of slaves. There was the House

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<v Speaker 7>Negro in the field Negro. The house Negro. They lived

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<v Speaker 7>in the house with Master. They dressed pretty good. They

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<v Speaker 7>ate good because they eat his food. They would give

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<v Speaker 7>their life to save them Master's house quicker than the

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<v Speaker 7>master would the house Negro. If the master said we

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<v Speaker 7>got a good house here, the house negroes say, yeah.

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<v Speaker 6>We got a good house here.

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<v Speaker 7>Whenever the master said we, he said we. That's how

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<v Speaker 7>you can tell a house Negro.

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<v Speaker 2>Malcolm X was trying to win his audience over to

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<v Speaker 2>the cause of black nationalism. He was a separatist.

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<v Speaker 7>He identified himself with his master more than his master

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<v Speaker 7>identified with himself. And if you came to the house

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<v Speaker 7>Negro and said let's run away, let's escape, let's separate

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<v Speaker 7>that house, Negro would look at you and say, man,

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<v Speaker 7>you christ, what you mean separate? Where is there a

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<v Speaker 7>better house than this? Where can I wear better clothes

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<v Speaker 7>than this? Where can I eat better food than this?

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<v Speaker 7>That was that house Negro.

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<v Speaker 2>Malcolm X was talking about African Americans who he felt

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<v Speaker 2>had betrayed their community, who had ACHIEVEDSS by turning their

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<v Speaker 2>backs on where they'd come from. He was talking about

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<v Speaker 2>people like Sammy Davis Junior.

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<v Speaker 4>I gotta be me, gotta be me.

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<v Speaker 2>Davis was an epic talent. He was Michael Jackson. Before

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<v Speaker 2>Michael Jackson. He was the first black person in history

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<v Speaker 2>who could sell out performances around the world. A charter

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<v Speaker 2>member of Frank Sinatra's rat Pack, a staple in the

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<v Speaker 2>tabloids for forty years.

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<v Speaker 3>The Dream of Life flat fears.

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<v Speaker 2>There's a sequence I Love from a gala in Sammy's

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<v Speaker 2>honor in nineteen eighty nine, marking his sixtieth anniversary in

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<v Speaker 2>show business, Gregory Hines, a legendary tap dancer, does a

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<v Speaker 2>number for Sammy, who's sitting in the front row.

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<v Speaker 8>Last Stop Time, Stop Time.

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<v Speaker 2>Then Heines invites Sammy up to join him. Sammy's just

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<v Speaker 2>had his hip replaced. He'll be dead from cancer within

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<v Speaker 2>the year. He puts on his tap shoes, hobbles on stage,

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<v Speaker 2>and the two of them do a dance off. I

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<v Speaker 2>swear to God, if you don't believe me, look it

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<v Speaker 2>up for yourself. Sammy blows him away. At the end,

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<v Speaker 2>Hines gets down on his knees and kisses Sammy's shoes.

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<v Speaker 2>Davis was born in Harlem. He started playing the vaudeville

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<v Speaker 2>circuit as a three year old with his uncle Will

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<v Speaker 2>Maston and his dad, Sammy Davis Senior. He never had

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<v Speaker 2>any formal schooling or any childhood to speak of the

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<v Speaker 2>three of them travel Jim Crow America, performing for white

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<v Speaker 2>audiences in one hotel, then sleeping on the other side

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<v Speaker 2>of the tracks in a colored hotel. During the Second

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<v Speaker 2>World War, when he was drafted into the army, his

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<v Speaker 2>nose was broken so many times in fights that it's

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<v Speaker 2>flat for the rest of his life. Sammy was taunted, harassed.

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<v Speaker 2>At one point, a couple of white soldiers pinned Sammy

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<v Speaker 2>down right coon in white paint across his forehead. There's

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<v Speaker 2>an almost unbearable moment in Sammy's autobiography Why Me. He

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<v Speaker 2>described standing under the shower in the latrine for hours

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<v Speaker 2>trying to get the white paint off his body. I

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<v Speaker 2>stood under the hot water, rubbing until rashes of blood

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<v Speaker 2>trickled to the surface, brushing until I'd scraped the last

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<v Speaker 2>speck of white out of my skin. I got into bed. Nobody,

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<v Speaker 2>nobody in this world is ever going to do this

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<v Speaker 2>to me again. I'll die first. But Sammy's answer to

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<v Speaker 2>never letting anyone do this to him again wasn't to

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<v Speaker 2>fight like Malcolm X wanted black people to do. Sammy's

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<v Speaker 2>solution was to join. He moved very publicly into the

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<v Speaker 2>Master's house. He dated white women blondes. He married the

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<v Speaker 2>stunning Swedish actress May Britt at a time when interracial

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<v Speaker 2>marriages were almost unheard of. When he moved to Los Angeles,

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<v Speaker 2>he didn't move to Baldwin Hills, where middle class blacks lived.

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<v Speaker 2>He moved into a lily white section of the Hollywood Hills.

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<v Speaker 7>This modern house. Negro loves his master. He wants to

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<v Speaker 7>live near him. He'll pay three times as much as

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<v Speaker 7>the house is worth just to live Negro's master, and

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<v Speaker 7>then brag about I'm the only Negro out here.

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<v Speaker 6>I'm the only one on my job.

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<v Speaker 7>I'm the only one in this school.

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<v Speaker 9>You nothing but a house Negro.

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<v Speaker 2>If I play a Dave Chappelle routine for you without

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<v Speaker 2>telling you that it's him or Richard pryor bit from

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<v Speaker 2>the nineteen eighties, you'd know right away the Chappelle and

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<v Speaker 2>Prior are black. They code black. But listen to this

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<v Speaker 2>Sammy Davis on The Dick Cabot Show, talking about what

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<v Speaker 2>he learned from the old Bush Belt comedians who used

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<v Speaker 2>to hang out at Hanson's drug Store just up Broadway

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<v Speaker 2>in the nineteen forties.

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<v Speaker 10>All the impressionist will hang out on the corner and

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<v Speaker 10>I'd say, hey, I get one. I think I got one.

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<v Speaker 3>I think I finally got Jimmy Stewart man, you know,

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<v Speaker 3>and will Or Larry Storch would say, no, you haven't

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<v Speaker 3>got it man, That is, I.

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<v Speaker 4>Gotta be up here.

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<v Speaker 10>You got a tool, law, I want your door.

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<v Speaker 6>You gotta have a sort of a draw behind that.

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<v Speaker 10>Disappear.

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<v Speaker 2>Cavitt then asked me if he also does Laurence Olivier,

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<v Speaker 2>which you think is just Cavot being mischievous, because Olivier

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<v Speaker 2>was the greatest Shakespearean stage actor of his day, the

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<v Speaker 2>son of a high Church Anglican clergyman, about as far

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<v Speaker 2>from Sammy as you can get in theory.

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<v Speaker 11>Of course you do Olivier.

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<v Speaker 5>Yes, really, what would you like to hear me do

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<v Speaker 5>from a.

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<v Speaker 2>Couple acts from King Lear would be nice?

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<v Speaker 10>Well, he only did Leir once? How about Richard the Third?

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<v Speaker 9>I'll settle for Dick the Third?

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<v Speaker 1>Okay, now is the winter of our discontent made Gloria

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<v Speaker 1>summer in this sun of York. Since I cannot buy

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<v Speaker 1>the rightful claim my way to the throne, I shall

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<v Speaker 1>lack and heal my way instead.

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<v Speaker 9>Oh that's great.

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<v Speaker 2>If I didn't tell you that Sammy was black. Would

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<v Speaker 2>you know he could as easily be white, he could

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<v Speaker 2>be Jewish. In fact, he was. He's Jewish. He converted

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<v Speaker 2>the lone black person at Temple Israel in Hollywood.

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<v Speaker 9>Sammy's mind worked like this, whatever it takes to survive,

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<v Speaker 9>I have to do it.

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<v Speaker 2>That's Will Haygood, Sammy's biographer.

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<v Speaker 9>Now, many of my friends are Jewish and they love

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<v Speaker 9>me and they support me. Huh, So that's interesting. I

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<v Speaker 9>think I'm going to go to Israel. I think I'm

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<v Speaker 9>going to become Jewish, and then I'm going to make

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<v Speaker 9>some jokes about it, and I know people will laugh.

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<v Speaker 9>But right now, in this moment, this is where my

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<v Speaker 9>heart is.

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<v Speaker 2>Sammy meets Nixon in nineteen fifty four. Nixon was the

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<v Speaker 2>vice president at that point, and Sammy was playing the

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<v Speaker 2>Kopa when the copa was the hottest ticket Manhattan.

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<v Speaker 9>So he got Nixon in his wife seats up front

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<v Speaker 9>and they never forgot it. Shortly thereafter, Sammy gets invited

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<v Speaker 9>to the White House to visit Vice President Nixon. Now

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<v Speaker 9>just think of that, a kid born poor, who had

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<v Speaker 9>been scuffling out on the road, who had been playing

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<v Speaker 9>nasty looking nightclubs, who never had a teacher, who never

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<v Speaker 9>had classmates, all of a sudden, sliding around the White.

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<v Speaker 2>House, they stay in touch. When Nixon becomes president in

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<v Speaker 2>nineteen sixty eight, he asks Sammy to join a White

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<v Speaker 2>House advisory Council. When the gospel singer Mahelia Jackson died,

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<v Speaker 2>Nixon asks Sammy to represent him at the funeral and

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<v Speaker 2>sent a government jet. Nixon asked Smmy to go to

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<v Speaker 2>Vietnam and entertain the troops. Sammy puts together a massive

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<v Speaker 2>traveling entourage and plays his heart out. If you look

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<v Speaker 2>at the back cover of Sammy's autobiography, Why Me, there's

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<v Speaker 2>a blurb from Alex Haley, who wrote Roots, another from

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<v Speaker 2>Aaron Spelling, the creator of nine O two one zero

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<v Speaker 2>among a million other things. Another from Frank Sinatra and

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<v Speaker 2>Michael Jackson and Liza Minelli. It's maybe the greatest blurb

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<v Speaker 2>lineup in the history of publishing. And then there's Richard Nixon,

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<v Speaker 2>who writes, Sammy is one of the great living Americans.

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<v Speaker 2>It wouldn't matter what color he was. With his intelligence,

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<v Speaker 2>he could make it at anything anywhere. It wouldn't matter

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<v Speaker 2>what color he was. That sounds like something you would

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<v Speaker 2>say about someone who comes from privilege to flatter them

0:16:08.956 --> 0:16:12.796
<v Speaker 2>into thinking they would have succeeded even without their privilege.

0:16:12.956 --> 0:16:15.516
<v Speaker 2>It wouldn't matter if Mark Zuckerberg were an orphan from

0:16:15.516 --> 0:16:18.476
<v Speaker 2>a remote village in the Himalayas. He's so smart he

0:16:18.476 --> 0:16:22.556
<v Speaker 2>would still be a billionaire. It's totally nuts to say

0:16:22.916 --> 0:16:26.396
<v Speaker 2>it wouldn't matter if he hadn't had those privileges about

0:16:26.396 --> 0:16:29.036
<v Speaker 2>a black man born in Harlem in nineteen twenty five

0:16:29.436 --> 0:16:34.556
<v Speaker 2>who never had any privileges. Sammy comes to Nixon pretending

0:16:34.596 --> 0:16:38.596
<v Speaker 2>he isn't black, and Nixon comes to Sammy forgetting he's black.

0:16:39.356 --> 0:16:47.676
<v Speaker 2>Their relationship is a kind of delusional post racial fantasy.

0:16:49.076 --> 0:16:52.876
<v Speaker 2>So Nixon says, come to Miami for the convention. We'll

0:16:52.916 --> 0:16:55.716
<v Speaker 2>put you up at the Playboy Hotel. Why not play

0:16:55.756 --> 0:16:58.516
<v Speaker 2>for the kids at the youth rally. Of course, Sammy

0:16:58.556 --> 0:17:01.916
<v Speaker 2>says yes, and Nixon stands in front of the crowd

0:17:02.356 --> 0:17:06.036
<v Speaker 2>on National TV and starts talking about how Sammy's critics

0:17:06.076 --> 0:17:08.836
<v Speaker 2>accuse him of selling out by being a Nixon supporter.

0:17:09.756 --> 0:17:11.516
<v Speaker 2>That Nixon says, you're.

0:17:11.396 --> 0:17:17.276
<v Speaker 12>Gonna you're gonna buyd by enjoying something.

0:17:22.636 --> 0:17:25.796
<v Speaker 2>Nixon waits for the applause to die down, he's looking

0:17:25.876 --> 0:17:30.036
<v Speaker 2>the other way. Sammy sneaks up from behind, wraps his

0:17:30.196 --> 0:17:37.636
<v Speaker 2>arms around him. The hate mail Sammy gets over the

0:17:37.676 --> 0:17:41.236
<v Speaker 2>next few months is so vicious that he hands over

0:17:41.316 --> 0:17:44.956
<v Speaker 2>some of the letters to the FBI. Eartha Kit comes

0:17:45.036 --> 0:17:48.796
<v Speaker 2>up to him and hisses, did you have to kiss him?

0:17:49.076 --> 0:17:53.396
<v Speaker 2>Sammy is blindsided. He's desperate to salvage his reputation. He

0:17:53.476 --> 0:17:56.156
<v Speaker 2>calls up Jesse Jackson, who every year has a big

0:17:56.196 --> 0:17:59.516
<v Speaker 2>conference in Chicago for his civil rights group, Operation.

0:17:59.196 --> 0:18:07.756
<v Speaker 6>Push Um Somebody, Alm Somebody.

0:18:08.436 --> 0:18:11.916
<v Speaker 2>In nineteen seventy two, Jackson had lined up virtually every

0:18:11.996 --> 0:18:16.396
<v Speaker 2>motown and gospel star, The Temptations, Marvin Gay, the Ojys,

0:18:16.676 --> 0:18:22.116
<v Speaker 2>Curtis Mayfield, ROBERTA. Flack. Sammy says, I want to perform.

0:18:22.996 --> 0:18:27.236
<v Speaker 2>Jackson says yes, brings him out on stage.

0:18:27.676 --> 0:18:31.676
<v Speaker 3>I am here because I have come home as a

0:18:31.716 --> 0:18:36.796
<v Speaker 3>black man. Disagree if you will, with my politics, but

0:18:37.636 --> 0:18:43.116
<v Speaker 3>I will not allow anyone to take away the fact

0:18:43.316 --> 0:18:45.996
<v Speaker 3>that I am black. Now, That's all I can say,

0:18:46.036 --> 0:18:47.556
<v Speaker 3>except that I would like to sing.

0:18:47.916 --> 0:18:51.436
<v Speaker 2>But who is he kidding? It's September twenty eighth, nineteen

0:18:51.556 --> 0:18:54.396
<v Speaker 2>seventy two, a little over a month since he was

0:18:54.516 --> 0:18:58.236
<v Speaker 2>hugging the enemy in Miami. For the rest of his life,

0:18:58.436 --> 0:19:00.356
<v Speaker 2>Sammy would be haunted by his reception.

0:19:00.916 --> 0:19:02.596
<v Speaker 11>He said, maybe one of the worst things that happened

0:19:02.596 --> 0:19:05.276
<v Speaker 11>to you, I read was being booed by people, and

0:19:05.316 --> 0:19:06.716
<v Speaker 11>she was. I think it was in Chicago.

0:19:07.476 --> 0:19:09.836
<v Speaker 2>This is Sammy in an inch of few years later

0:19:09.916 --> 0:19:12.916
<v Speaker 2>with Tom Caddle on the Boston ABC affiliate.

0:19:13.196 --> 0:19:14.756
<v Speaker 10>Hey, but the first time that I had ever been

0:19:14.796 --> 0:19:16.996
<v Speaker 10>rejected by my own by my own people, because it

0:19:17.116 --> 0:19:18.476
<v Speaker 10>was predominantly.

0:19:17.836 --> 0:19:21.156
<v Speaker 11>A black audience, because of your embracing her.

0:19:21.276 --> 0:19:26.956
<v Speaker 10>Yeah, they embracing her. Nixon and Jesse was there as

0:19:26.956 --> 0:19:30.356
<v Speaker 10>he always had been before prior tone as he's been since,

0:19:30.796 --> 0:19:34.596
<v Speaker 10>to be supportive as a friend. And I was about

0:19:34.636 --> 0:19:37.556
<v Speaker 10>ready to run or literally run off the stage, and

0:19:37.596 --> 0:19:40.236
<v Speaker 10>he said no, and he made me stay, and he

0:19:40.396 --> 0:19:46.076
<v Speaker 10>talked to the audience and made me perform.

0:19:46.196 --> 0:19:47.396
<v Speaker 2>And what did Sammy sing?

0:19:48.476 --> 0:19:50.636
<v Speaker 10>Whether I'm right.

0:19:52.316 --> 0:19:57.356
<v Speaker 2>Or whether I wrong, You can't make this up.

0:19:57.356 --> 0:20:02.076
<v Speaker 3>Whether I find a place in this world or never belong.

0:20:04.396 --> 0:20:09.476
<v Speaker 3>I gotta be me, got me?

0:20:12.716 --> 0:20:13.956
<v Speaker 6>What else skin?

0:20:14.436 --> 0:20:19.796
<v Speaker 10>But the hurt I'm being booeded. So I know I

0:20:19.916 --> 0:20:21.596
<v Speaker 10>want to experience that kind of hurt again.

0:20:22.196 --> 0:20:28.236
<v Speaker 4>I want to live not merely survived.

0:20:29.356 --> 0:20:32.636
<v Speaker 2>Afterwards, Sammy went home and got drunk.

0:20:36.276 --> 0:20:39.516
<v Speaker 13>Well, now you had a twentieth century tight coin.

0:20:39.596 --> 0:20:42.676
<v Speaker 7>He grow today a twentieth century Uncle Tom.

0:20:43.116 --> 0:20:45.076
<v Speaker 6>He's dead as much an Uncle.

0:20:44.876 --> 0:20:47.196
<v Speaker 7>Town today said, Uncle Tom was one.

0:20:47.156 --> 0:20:48.596
<v Speaker 10>Hundred and two hundred years ago.

0:20:48.876 --> 0:20:50.476
<v Speaker 9>Oh, he's a modern Uncle Tom.

0:20:50.676 --> 0:20:52.716
<v Speaker 6>Then Uncle Tom wore a handkerchief around his head.

0:20:52.716 --> 0:20:54.796
<v Speaker 10>This Uncle Tom were a tap had.

0:20:59.036 --> 0:21:02.316
<v Speaker 2>Sammy sold his own people out in the middle of

0:21:02.316 --> 0:21:04.716
<v Speaker 2>a life and death struggle. He put on a top

0:21:04.756 --> 0:21:09.556
<v Speaker 2>hat and tap danced for the master. And there's nothing

0:21:09.636 --> 0:21:15.716
<v Speaker 2>so unforgivable as that, is there, Except I'm not so sure.

0:21:28.236 --> 0:21:32.636
<v Speaker 12>I had been given at the opportunity through a company

0:21:32.676 --> 0:21:36.676
<v Speaker 12>that I was consulting to to interview the first women

0:21:37.036 --> 0:21:38.236
<v Speaker 12>entering their sales force.

0:21:38.636 --> 0:21:42.396
<v Speaker 2>That's Rosabeth Canter. She's a professor at the Harvard Business School,

0:21:42.796 --> 0:21:45.116
<v Speaker 2>talking about a research project she did back in the

0:21:45.196 --> 0:21:49.756
<v Speaker 2>nineteen seventies. It was for a big industrial firm headquartered

0:21:49.756 --> 0:21:52.116
<v Speaker 2>at the time in New York City. They had a

0:21:52.116 --> 0:21:55.836
<v Speaker 2>sales force of three hundred people, all men, and they

0:21:55.996 --> 0:21:57.476
<v Speaker 2>just hired twenty women.

0:21:57.916 --> 0:22:00.676
<v Speaker 12>And so here was a batch of people who all

0:22:00.796 --> 0:22:04.836
<v Speaker 12>had advanced degrees and were very technically talented, and yet

0:22:04.836 --> 0:22:08.236
<v Speaker 12>they were walking into technical sales in a place that

0:22:08.316 --> 0:22:10.356
<v Speaker 12>had never seen people like them before.

0:22:13.116 --> 0:22:16.516
<v Speaker 2>The women were struggling. That's why the company brought in

0:22:16.596 --> 0:22:20.356
<v Speaker 2>Cantor to diagnose the problem. She showed up with her

0:22:20.396 --> 0:22:24.196
<v Speaker 2>notebook and began talking with the new hires, and after

0:22:24.236 --> 0:22:28.436
<v Speaker 2>many interviews, Canter tells the company, the reason the women

0:22:28.476 --> 0:22:31.756
<v Speaker 2>you hired aren't doing well is that you haven't hired

0:22:32.036 --> 0:22:36.196
<v Speaker 2>enough of them. This isn't about the women and their abilities,

0:22:36.836 --> 0:22:42.156
<v Speaker 2>this is about numbers. The company had its salesforce spread

0:22:42.196 --> 0:22:46.236
<v Speaker 2>across the country. A typical office was eight people, which

0:22:46.276 --> 0:22:50.076
<v Speaker 2>meant seven men and only one woman. And Canter's point

0:22:50.276 --> 0:22:52.996
<v Speaker 2>was that it's really really hard to be the lone

0:22:53.116 --> 0:22:54.996
<v Speaker 2>woman in an office of eight people.

0:22:56.036 --> 0:22:59.316
<v Speaker 12>And I thought, that's really the issue. Are you alone

0:23:00.116 --> 0:23:02.236
<v Speaker 12>or are there many of you like you?

0:23:03.716 --> 0:23:06.836
<v Speaker 2>Kant wrote up her findings in a classic essay called

0:23:07.276 --> 0:23:11.516
<v Speaker 2>Some Effects of Proportion on Group Life. Being the only

0:23:11.556 --> 0:23:15.036
<v Speaker 2>one of your kind, she said, being a token creates

0:23:15.116 --> 0:23:19.316
<v Speaker 2>a special set of problems for both sides, for the

0:23:19.316 --> 0:23:24.156
<v Speaker 2>majority and for the token. The women told Canter that

0:23:24.276 --> 0:23:26.316
<v Speaker 2>the minute they showed up in a room, the men

0:23:26.356 --> 0:23:30.156
<v Speaker 2>on the sales team would become almost exaggerated versions of themselves,

0:23:30.676 --> 0:23:34.156
<v Speaker 2>telling dirty jokes, war stories, being aggressive, as if the

0:23:34.156 --> 0:23:37.756
<v Speaker 2>presence of an outsider reinforced what they all had in common.

0:23:39.236 --> 0:23:42.636
<v Speaker 2>At the same time, the women felt their behavior changing.

0:23:43.356 --> 0:23:47.596
<v Speaker 2>They felt scrutinized not as individuals, but as members of

0:23:47.636 --> 0:23:53.636
<v Speaker 2>their category, which left them self conscious uneasy. In one

0:23:53.756 --> 0:23:56.956
<v Speaker 2>brilliant section of her paper, Canter talks about the four

0:23:57.076 --> 0:24:01.076
<v Speaker 2>roles that token women get pushed into, the mother, the pet,

0:24:01.436 --> 0:24:05.876
<v Speaker 2>the seductress, and the iron maiden. They couldn't be themselves,

0:24:06.516 --> 0:24:08.996
<v Speaker 2>not until the proportions of the group turned more of

0:24:09.196 --> 0:24:09.756
<v Speaker 2>their favor.

0:24:10.356 --> 0:24:14.596
<v Speaker 12>So you put that same lone woman in a group

0:24:14.676 --> 0:24:17.996
<v Speaker 12>that has more women in it, and she can relax.

0:24:18.076 --> 0:24:21.076
<v Speaker 12>She's not on the spot. She can be friends with some.

0:24:21.516 --> 0:24:23.916
<v Speaker 12>She doesn't have to be friends with all of them.

0:24:24.156 --> 0:24:26.516
<v Speaker 12>She can find things in common with the men.

0:24:27.516 --> 0:24:30.956
<v Speaker 2>To fit in. The token has to pass a loyalty test,

0:24:31.556 --> 0:24:37.156
<v Speaker 2>Kenta writes. If tokens collude, they make themselves psychological hostages

0:24:37.236 --> 0:24:40.796
<v Speaker 2>of the majority group. For token women, the price of

0:24:40.876 --> 0:24:43.756
<v Speaker 2>being one of the boys is a willingness to turn

0:24:43.756 --> 0:24:48.676
<v Speaker 2>occasionally against the girls. The token woman, in other words,

0:24:49.036 --> 0:24:53.556
<v Speaker 2>is required to sell out her own kind required. That

0:24:53.756 --> 0:24:56.996
<v Speaker 2>was the cost of admission to the Master's house. Being

0:24:57.236 --> 0:25:00.596
<v Speaker 2>one of the boys was not who they were, it

0:25:00.756 --> 0:25:03.996
<v Speaker 2>was what they were forced to be. So why is

0:25:04.036 --> 0:25:06.476
<v Speaker 2>Sammy Davis Junior's position any different?

0:25:08.316 --> 0:25:12.636
<v Speaker 9>In his mind, he was pushing aside white black for

0:25:12.756 --> 0:25:14.756
<v Speaker 9>green green bean money.

0:25:15.196 --> 0:25:17.716
<v Speaker 2>Will Haygood, Sammy's biographer.

0:25:17.836 --> 0:25:22.316
<v Speaker 9>He started his career with really literally having to put

0:25:22.436 --> 0:25:26.996
<v Speaker 9>food on the table to keep his daddy surviving and

0:25:27.036 --> 0:25:31.516
<v Speaker 9>to keep will Maston surviving. He did not want to

0:25:31.636 --> 0:25:36.996
<v Speaker 9>let them go. And so who would Sammy talk to

0:25:37.716 --> 0:25:42.516
<v Speaker 9>every day? Who signed his checks? White businessman?

0:25:43.436 --> 0:25:46.556
<v Speaker 2>And who was in the audience in those Las Vegas nightclubs,

0:25:47.436 --> 0:25:52.316
<v Speaker 2>rich white people. Sammy does Laurence Olivia impressions because that's

0:25:52.396 --> 0:25:56.316
<v Speaker 2>what white audiences wanted to hear. He becomes friends with

0:25:56.436 --> 0:25:59.996
<v Speaker 2>Richard Nixon, and who is Richard Nixon? Richard Nixon is

0:26:00.036 --> 0:26:03.836
<v Speaker 2>the political embodiment of those people in his Las Vegas audience.

0:26:04.476 --> 0:26:07.036
<v Speaker 9>He didn't know the kind of judges who Nixon was

0:26:07.076 --> 0:26:10.676
<v Speaker 9>appointing to the federal courts or to the Supreme Court.

0:26:11.036 --> 0:26:15.876
<v Speaker 9>He didn't know Nixon's Southern strategy to divide and conquer

0:26:16.436 --> 0:26:22.956
<v Speaker 9>all Sammy knew was Nixon welcomed me wherever I was at.

0:26:23.436 --> 0:26:26.836
<v Speaker 2>By the way, Sammy campaigned for John Kennedy ten years

0:26:26.876 --> 0:26:30.596
<v Speaker 2>before he campaigned for Nixon. But did Kennedy ever invite

0:26:30.636 --> 0:26:33.316
<v Speaker 2>him to stay at the White House like Nixon did. No,

0:26:33.796 --> 0:26:38.196
<v Speaker 2>Kennedy disinvited him from his inauguration because he worried about

0:26:38.236 --> 0:26:40.676
<v Speaker 2>what it would look like if Sammy brought his white

0:26:40.796 --> 0:26:44.676
<v Speaker 2>wife to the White House. Sammy had to make strategic

0:26:44.796 --> 0:26:49.916
<v Speaker 2>decisions out of necessity. These are the steps the token

0:26:50.036 --> 0:26:58.436
<v Speaker 2>takes to survive, but they aren't who he is. Sammy

0:26:58.476 --> 0:27:02.116
<v Speaker 2>marched on Washington, he marched at Selma. He shut down

0:27:02.156 --> 0:27:05.316
<v Speaker 2>a Broadway show to make the trip. Will Haygood says

0:27:05.596 --> 0:27:09.516
<v Speaker 2>that when he interviewed Harry Belafonte, Bellefonte made up point

0:27:09.596 --> 0:27:12.956
<v Speaker 2>of stressing how generous Sammy was to the civil rights movement.

0:27:15.436 --> 0:27:22.356
<v Speaker 9>Whenever Keen was in trouble or was jailed, or whenever

0:27:22.596 --> 0:27:28.556
<v Speaker 9>Keen needed bail money, Martin would turn to me and

0:27:28.636 --> 0:27:34.436
<v Speaker 9>he would say, get Sammy, and the next day Sammy

0:27:34.516 --> 0:27:39.796
<v Speaker 9>Davis Junior would wire them ten thousand dollars or seven

0:27:39.836 --> 0:27:44.196
<v Speaker 9>thousand dollars or however much money Keen needed. You know,

0:27:44.276 --> 0:27:46.636
<v Speaker 9>and that was a lot of money. Back in the sixties.

0:27:49.116 --> 0:27:51.836
<v Speaker 2>When Sammy Davis comes on stage at the Push Expo,

0:27:52.436 --> 0:27:55.716
<v Speaker 2>what does Jesse Jackson say, in an attempt to quiet

0:27:55.756 --> 0:28:00.956
<v Speaker 2>the crowd, Brothers, if it wasn't for people like Sammy Davis,

0:28:01.476 --> 0:28:05.236
<v Speaker 2>you wouldn't be here. We wouldn't have Push today. Now,

0:28:05.436 --> 0:28:08.356
<v Speaker 2>I expected some foolish people who are going to react

0:28:08.396 --> 0:28:10.716
<v Speaker 2>like this because this man hugged the President of the

0:28:10.796 --> 0:28:14.916
<v Speaker 2>United States. So what Look at what this gigantic little

0:28:14.916 --> 0:28:20.356
<v Speaker 2>man has committed himself to over all these years, Sammy

0:28:20.436 --> 0:28:23.636
<v Speaker 2>saying I gotta be me. But the minute you listen

0:28:23.716 --> 0:28:26.596
<v Speaker 2>to any of his interviews from that tortured stretch of

0:28:26.636 --> 0:28:31.036
<v Speaker 2>his career, you realize that he couldn't be me. That

0:28:31.196 --> 0:28:32.236
<v Speaker 2>was the price he paid.

0:28:33.796 --> 0:28:36.036
<v Speaker 11>Was there a period, though, Sammy, where you felt I

0:28:36.156 --> 0:28:39.996
<v Speaker 11>must prove something to a certain group of people. They've

0:28:40.036 --> 0:28:41.516
<v Speaker 11>got to know something about me.

0:28:43.396 --> 0:28:46.796
<v Speaker 4>I guess the first forty five years of my life

0:28:47.396 --> 0:28:48.396
<v Speaker 4>you were doing just that.

0:28:48.396 --> 0:28:52.236
<v Speaker 10>That's all I was doing. Ladies and gentlemen.

0:28:52.596 --> 0:28:54.596
<v Speaker 7>From the Celebrity Room of the Grand.

0:28:54.316 --> 0:28:58.356
<v Speaker 14>Hotel, Dean Martin honors our Man of the Hour, Sammy

0:28:58.476 --> 0:29:02.876
<v Speaker 14>Davis Junior, with to night guest Ready brim.

0:29:02.916 --> 0:29:07.956
<v Speaker 2>First came the hug, then came the booing and Operation Push,

0:29:08.316 --> 0:29:10.236
<v Speaker 2>then came to roast.

0:29:10.956 --> 0:29:15.076
<v Speaker 14>And Tonight's very special Man of the Hour, Sammy Davis.

0:29:14.796 --> 0:29:21.476
<v Speaker 2>Junior, the singer and comedian Dean Martin, did a regular

0:29:21.516 --> 0:29:24.836
<v Speaker 2>series of celebrity roasts from Las Vegas during the nineteen seventies.

0:29:25.756 --> 0:29:30.236
<v Speaker 2>They were broadcast on NBC on Thursday nights National Television.

0:29:30.956 --> 0:29:33.836
<v Speaker 2>The featured guests were a who's who of that era,

0:29:34.436 --> 0:29:38.836
<v Speaker 2>Muhammad Ali, Ralph Nader, Frank Sinatra, Truman Capoti. It was

0:29:38.876 --> 0:29:43.076
<v Speaker 2>a ritual of comic humiliation. The guests took their medicine

0:29:43.476 --> 0:29:47.516
<v Speaker 2>the country watched in mock horror. In April of nineteen

0:29:47.596 --> 0:29:52.716
<v Speaker 2>seventy five, it was Sammy Davis Junior's turn at the microphone.

0:29:53.036 --> 0:29:56.876
<v Speaker 2>Is the host Dean Martin of rat Pack Fame, big tall,

0:29:56.956 --> 0:29:59.996
<v Speaker 2>handsome guy. His stick was that he always pretended he

0:30:00.036 --> 0:30:01.876
<v Speaker 2>was drunk even when he was.

0:30:02.676 --> 0:30:06.556
<v Speaker 6>And then recognition of one of the great black men

0:30:06.596 --> 0:30:11.276
<v Speaker 6>of our time. Even the NBC peacock is wearing an airfro.

0:30:15.036 --> 0:30:18.596
<v Speaker 2>Why does Sammy agree to this for the same reason

0:30:18.676 --> 0:30:22.636
<v Speaker 2>he hugged Richard Nixon. Because the world represented by the

0:30:22.716 --> 0:30:26.236
<v Speaker 2>roast was the world Sammy has been trying his whole

0:30:26.236 --> 0:30:29.876
<v Speaker 2>life to join. It's the club. And what is a

0:30:29.876 --> 0:30:34.276
<v Speaker 2>celebrity roast. It's a ritual of initiation. The target of

0:30:34.316 --> 0:30:37.916
<v Speaker 2>the roast agrees to be roasted because being roasted is

0:30:38.076 --> 0:30:42.756
<v Speaker 2>proof that you belong. Only what does this roast prove

0:30:44.236 --> 0:30:46.796
<v Speaker 2>that Sammy isn't one of them?

0:30:47.476 --> 0:30:50.796
<v Speaker 6>The first booking he got was in Atlanta. As Sami

0:30:50.876 --> 0:30:53.236
<v Speaker 6>stepped off the plane, he was met by the governor

0:30:53.716 --> 0:31:01.756
<v Speaker 6>and a rope. Even the kreuplus Klan took notice of Sammy.

0:31:02.076 --> 0:31:11.556
<v Speaker 6>They voted him most likely to be next. He proves

0:31:11.596 --> 0:31:15.116
<v Speaker 6>that a black man could heat in white restaurants, check

0:31:15.156 --> 0:31:19.196
<v Speaker 6>into white hotels, date white women, and be carried away

0:31:19.196 --> 0:31:20.396
<v Speaker 6>in a white ambulance.

0:31:25.756 --> 0:31:29.236
<v Speaker 2>Then Deeed Martin pretends to read telegrams from well wishers.

0:31:29.756 --> 0:31:32.276
<v Speaker 6>Here's one I think you're going to be very proud of.

0:31:32.356 --> 0:31:37.076
<v Speaker 6>There's Sammy Davis. We'd like you to pose for a

0:31:37.156 --> 0:31:41.596
<v Speaker 6>new centerfold in our magazine, signed the National Geographic.

0:31:45.076 --> 0:31:49.316
<v Speaker 2>It goes like this on National TV for an hour.

0:31:53.276 --> 0:31:55.916
<v Speaker 2>Sammy had done everything he could to join the club,

0:31:56.276 --> 0:31:58.836
<v Speaker 2>and yet what are the jokes about that day at

0:31:58.876 --> 0:32:03.676
<v Speaker 2>the mgm Grand that he doesn't belong, that he's black,

0:32:03.916 --> 0:32:08.676
<v Speaker 2>and he'll always be black. Sammy sold out, But you

0:32:08.676 --> 0:32:10.956
<v Speaker 2>can only sell out if someone's buying.

0:32:11.836 --> 0:32:12.556
<v Speaker 5>You took your glass.

0:32:12.596 --> 0:32:16.196
<v Speaker 8>You're getting tired, Sammy. I want to take a watermelon break.

0:32:17.796 --> 0:32:21.596
<v Speaker 2>That's Milton Burrel, supposedly one of Sammy's oldest friends.

0:32:21.916 --> 0:32:24.396
<v Speaker 8>The reason I say that is because Sammy hasn't been

0:32:24.396 --> 0:32:27.316
<v Speaker 8>feeling well lately. Last month he had an operation on

0:32:27.356 --> 0:32:29.596
<v Speaker 8>his throat and that had a problem that had a

0:32:29.676 --> 0:32:34.036
<v Speaker 8>roll over and flour to find his mouth. Sam the

0:32:34.076 --> 0:32:35.676
<v Speaker 8>last time you had cash in your hand, this is

0:32:35.716 --> 0:32:37.636
<v Speaker 8>when you bought your freedom from Scarlet O'Hara.

0:32:39.316 --> 0:32:41.276
<v Speaker 6>Sammy has always been for civil rights.

0:32:41.516 --> 0:32:44.236
<v Speaker 1>One time in Mississippi, he told the bus driver that

0:32:44.316 --> 0:32:46.196
<v Speaker 1>he wanted to be on the front of the bus,

0:32:46.396 --> 0:32:47.956
<v Speaker 1>so the driver tied him to the bumper.

0:32:53.476 --> 0:32:56.916
<v Speaker 2>Next up Foster Brooks, a man with a brief moment

0:32:56.916 --> 0:33:00.836
<v Speaker 2>of celebrity based entirely on his ability, born of experience,

0:33:01.156 --> 0:33:05.156
<v Speaker 2>to impersonate a drunk Sammy Davis had more talent in

0:33:05.196 --> 0:33:09.836
<v Speaker 2>his pinky finger than Foster Brooks. But sam isn't a

0:33:09.876 --> 0:33:14.716
<v Speaker 2>member of the club, and Brooks is messidius.

0:33:17.316 --> 0:33:21.596
<v Speaker 6>You are a great performer. The excitement you create and

0:33:21.716 --> 0:33:28.836
<v Speaker 6>an audience is increditable. There they sit spell bounds, wondering

0:33:28.876 --> 0:33:34.556
<v Speaker 6>if someone in your entourage is ransacking their room.

0:33:34.596 --> 0:33:38.716
<v Speaker 2>Cut to Sammy cracking up on the dais then giving

0:33:38.796 --> 0:33:43.476
<v Speaker 2>Brooks a big semi style hug, arms wrapped around him.

0:33:43.916 --> 0:33:48.716
<v Speaker 6>I'm dancing for pennies to that magnificent moment when Frank's

0:33:48.836 --> 0:33:51.876
<v Speaker 6>not reformed down to the lobby and said, send the

0:33:51.916 --> 0:33:53.756
<v Speaker 6>colored kid after dance while I shave you.

0:33:58.356 --> 0:34:02.236
<v Speaker 2>Remember what Rooseabeth Kanter wrote for token women. The price

0:34:02.316 --> 0:34:05.076
<v Speaker 2>of being one of the boys is a willingness to

0:34:05.116 --> 0:34:09.876
<v Speaker 2>turn occasionally against the girls. And then she writes a

0:34:09.916 --> 0:34:12.636
<v Speaker 2>line that I couldn't stop thinking about as I watched

0:34:12.676 --> 0:34:18.516
<v Speaker 2>that roast. Tokens thus find themselves colluding with dominance through

0:34:18.716 --> 0:34:29.196
<v Speaker 2>shared laughter. At the end of the evening, Sammy gets

0:34:29.236 --> 0:34:31.716
<v Speaker 2>up and there's a moment when you think he's going

0:34:31.796 --> 0:34:35.036
<v Speaker 2>to lash out, to stand up to the humiliations of

0:34:35.076 --> 0:34:39.396
<v Speaker 2>the previous hour. But we only think that because it's

0:34:39.556 --> 0:34:44.676
<v Speaker 2>now The doors are now open to black entertainers, So

0:34:44.716 --> 0:34:48.756
<v Speaker 2>that's what would happen today. Can you imagine how Chris

0:34:48.836 --> 0:34:51.836
<v Speaker 2>Rock or Dave Chappelle or Wanda Sykes or Tiffany Hattish

0:34:51.876 --> 0:34:55.276
<v Speaker 2>would respond to an evening like that, I mean a bloodbath.

0:34:56.196 --> 0:35:00.636
<v Speaker 2>But Rock has Chappelle, and Chappelle has Sikes, and Sikes

0:35:00.676 --> 0:35:04.476
<v Speaker 2>has Hattish and one hundred others. And when you have numbers,

0:35:04.596 --> 0:35:10.556
<v Speaker 2>you have power. But Sammy, Sammy was the first. He

0:35:10.596 --> 0:35:14.476
<v Speaker 2>didn't have numbers. It's the second generation that gets to

0:35:14.516 --> 0:35:16.596
<v Speaker 2>defend itself, not the first.

0:35:18.476 --> 0:35:23.476
<v Speaker 4>Thank you, I would first of all, I have to

0:35:23.596 --> 0:35:27.556
<v Speaker 4>thank man that I love very very much for giving

0:35:27.596 --> 0:35:32.036
<v Speaker 4>me this honor, mister Dean Martin.

0:35:39.116 --> 0:35:42.156
<v Speaker 2>He turns to Dean Martin, who's sitting next to him.

0:35:42.476 --> 0:35:46.316
<v Speaker 2>Dean Martin reaches up and places his hand on top

0:35:46.316 --> 0:35:48.436
<v Speaker 2>of Sammy's.

0:35:48.476 --> 0:35:51.156
<v Speaker 5>One of the great joys of being forty five years

0:35:51.156 --> 0:35:55.436
<v Speaker 5>in this business is to have people who love you

0:35:56.276 --> 0:36:00.116
<v Speaker 5>make fun of you. That is one of the great joys.

0:36:00.596 --> 0:36:04.596
<v Speaker 5>Because the day they don't make fun of you, that

0:36:04.716 --> 0:36:09.076
<v Speaker 5>means they don't give a damn about you.

0:36:10.956 --> 0:36:14.476
<v Speaker 2>The token succeeds at the cost of his own dignity.

0:36:14.996 --> 0:36:18.116
<v Speaker 4>Hi, thank you, that's it.

0:36:18.596 --> 0:36:51.876
<v Speaker 2>A Revisionist History is a Panoply production. The senior producer

0:36:51.956 --> 0:36:56.316
<v Speaker 2>is Mia Lobel, with Jacob Smith and Camille Baptista. Our

0:36:56.436 --> 0:37:00.276
<v Speaker 2>editor is Julia Barton. Flon Williams is our engineer. Fact

0:37:00.316 --> 0:37:04.236
<v Speaker 2>checking by Beth Johnson. Original music by Luis Skierra, Special

0:37:04.276 --> 0:37:06.956
<v Speaker 2>thanks to Andy Bauers and Jacob Weisberg.

0:37:07.756 --> 0:37:20.396
<v Speaker 14>I'm Malcolm Glavo, and on stage we can see a

0:37:20.436 --> 0:37:22.956
<v Speaker 14>manager who seems to be waiting for the president and

0:37:23.036 --> 0:37:25.636
<v Speaker 14>waiting to get signals when mister Nixon will ride here.

0:37:26.276 --> 0:37:28.516
<v Speaker 14>He keeps looking at Sammy Davis Junior.

0:37:28.276 --> 0:37:31.596
<v Speaker 13>With a very prolonged look, shaking his hand saying no,

0:37:31.716 --> 0:37:35.076
<v Speaker 13>he's not here yet. So we continue to stand by.

0:37:35.196 --> 0:37:38.036
<v Speaker 13>The young people here have not run out of enthusiasm,

0:37:38.636 --> 0:37:42.196
<v Speaker 13>and certainly once again we are seeing that young people

0:37:42.236 --> 0:37:44.716
<v Speaker 13>of this country may differ on politics. They may be

0:37:44.836 --> 0:37:48.476
<v Speaker 13>Democrats or Republicans, but when you put a fast, hardbeat

0:37:48.516 --> 0:37:51.516
<v Speaker 13>to music, that is the universal song of politics for

0:37:51.556 --> 0:37:55.676
<v Speaker 13>the young people of this country.