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Speaker 1: Well, my name is Jason Concepcion and I'm rosday Night

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Speaker 1: and welcome back to X Revision, the podcast wed with

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Speaker 1: your favorite shows.

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Speaker 2: Movies, comics of pop culture company from.

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Speaker 1: My Ora podcast War, bringing out three episodes a week

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Speaker 1: every Tuesday, Wednesday, Thursday plus News Today plus.

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Speaker 3: News is News.

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Speaker 4: In today's previously on episode, we are catching you up

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Speaker 4: on the biggest geek news of the week, including new

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Speaker 4: trailers for Alien Enough and Frankenstein and a very fun,

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Speaker 4: lightly spoilery.

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Speaker 3: Chat with the Philippo Brothers.

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Speaker 4: Directors have talked to me whose newest film, Bring Her Back,

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Speaker 4: is on wide release right now and it is terrifying.

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Speaker 1: But first news, First up, the Alien Earth official trailer

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Speaker 1: has dropped and the show run by Noah Hawley, who

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Speaker 1: has done such great work spinning off the world of

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Speaker 1: Fargo into its own world. Oh love that will be

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Speaker 1: running this and it is a prequel set twenty years

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Speaker 1: before the events of the original Alien film. Looks like

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Speaker 1: we're going to see the origins of the synth technology

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Speaker 1: and listen, I love Alien I love the world I'm in.

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Speaker 2: It looks great, looks great.

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Speaker 3: I can't believe how in the world it looks it

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Speaker 3: definitely Disney at Hulu.

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Speaker 4: Fox has spared no expense like John Hammond at Jurassic Park.

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Speaker 3: This is looking good.

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Speaker 4: I guess it's going to be kind of a hybrid

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Speaker 4: synth story. A girl's consciousness is uploaded. I think it's

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Speaker 4: going to be really interesting. I want to see those aliens.

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Speaker 4: I want to know more about this period, specifically in

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Speaker 4: Whale and your Tawny Corporation.

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Speaker 3: I yeah, it looks great. I thought I looked great.

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Speaker 4: Also another iconic female lead for the franchise with a

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Speaker 4: very hilariosity, very now hack everyone's at that little little honey.

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Speaker 3: Ball going on. But yeah, it looks good.

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Speaker 1: Coffe maintenance, that haircut. Oh, don't get, don't don't get.

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Speaker 1: Don't get sucked into that. If you don't have the

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Speaker 1: ability to be at the in the barber's chair of.

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Speaker 3: A couple of years, don't begin the tiny bags. It's hot.

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Speaker 2: Don't do that. Careful, careful, You're gonna be ironing those.

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Speaker 1: Things to your head. You're gonna iron down.

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Speaker 2: They wing up.

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Speaker 1: Listen, I've seen it happen. Next up, new trailer for

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Speaker 1: Guillermo del Toro has much waited Frankenstein film, which is

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Speaker 1: coming to Netflix in November. No release state of yet,

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Speaker 1: but just in time for Halloween of twenty twenty five,

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Speaker 1: you will get to see Hot Frankenstein, Oscar Isaac, hot Monster,

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Speaker 1: Jacob Alurda.

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Speaker 3: Oh yeah, and he's doing another bad English accent. Guys,

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Speaker 3: what more could you want? Is that? Did you miss

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Speaker 3: it from the night? Will you wait? Hey? Where would you?

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Speaker 5: Where would you?

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Speaker 3: Where would you pinpoint that accent if you tried to?

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Speaker 6: You know?

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Speaker 4: I think people the argument online is like the Frankenstein

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Speaker 4: is like, he's a Germanic guy and he's traveled around,

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Speaker 4: so he's had lots of different accents.

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Speaker 7: I don't know.

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Speaker 3: I'm open to it.

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Speaker 4: I love to see Oscar Isaac with a luscious hair.

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Speaker 4: I think that the set design looks incredible. I think

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Speaker 4: this has sparked a very important conversation that I hope

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Speaker 4: Netflix takes heed of, which is everybody wants it in theaters.

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Speaker 3: They want to see this.

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Speaker 4: If you remember when the second NYE of the Doubt

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Speaker 4: movie came out Glass Onion, they allowed it to be

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Speaker 4: in cinemas for the weekend of Thanksgiving, I believe, and

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Speaker 4: it made like a hundred million dollars or something insane

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Speaker 4: because of how much people really wanted to go and

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Speaker 4: see that movie.

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Speaker 3: So I'm saying let's get this in theaters.

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Speaker 4: I think people love Giemo del Toro enough. I would

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Speaker 4: have loved to see his Pinocchio in theaters, and I

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Speaker 4: think that this looks like a movie that could be

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Speaker 4: good enough to get us to the theatrical release. So

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Speaker 4: please ted sarandus listen to us at least a mini

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Speaker 4: theatrical release.

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Speaker 3: I saw some great early.

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Speaker 4: Release pictures of me are Goth with this kind of

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Speaker 4: outrageous green green kind of bail.

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Speaker 3: On that looked really cool and styly.

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Speaker 4: We haven't had a full look at the monster yet,

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Speaker 4: but we do get to see kind of some of

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Speaker 4: the practical ways that del Toro is bringing to life

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Speaker 4: his creation.

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Speaker 3: I think it looks great.

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Speaker 2: Also starring the wonderful Christoph Wilson glad to himself l Innison.

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Speaker 1: Yeah, let's take a quick break. We'll be back with

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Speaker 1: more headlines, and we're back. The PlayStation state of play

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Speaker 1: occurred recently and there's lots of things to talk about,

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Speaker 1: including new Metal Gear, Solid Delta Snake Eater game with listened,

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Speaker 1: all the weird touches that you are accustomed to if

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Speaker 1: you are a metal gear person, one day we need

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Speaker 1: to explore the absolutely insane metal Gear.

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Speaker 2: I mean it's like literally the most insane.

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Speaker 1: And also I think out there influential Samson's Creed also

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Speaker 1: secretly crazy, but like metal gear crazy.

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Speaker 3: Yeah.

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Speaker 4: Well, I was really happy with how excited Super Produced

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Speaker 4: Joel was for the fact that there's going to be

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Speaker 4: some kind of like mini game or like with the frog,

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Speaker 4: like you can get you could catch a frog, which

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Speaker 4: you guys know is very me coded, but then the

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Speaker 4: frog is gonna like help change your camouflage. That's the

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Speaker 4: kind of weird shit that we need from metal game

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Speaker 4: and video.

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Speaker 3: Games in general.

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Speaker 4: It's gonna be released super soon too, August twenty eighth,

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Speaker 4: so I guess we will be checking in on that

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Speaker 4: sooner rather than later.

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Speaker 1: A new fighting game, a new Marvel ip fighting this

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Speaker 1: big fighting Souls so kind of like a Soul Caliber.

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Speaker 2: I mean, it's a cell shaded fighting game.

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Speaker 1: With all the characters that you would expect, including the

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Speaker 1: Guardians of the Galaxy, including Expier Man, including Thor, including Iron.

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Speaker 3: Man, oh the miss Marvel. I Marvel.

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Speaker 1: I am not a fighting game person, but this looks

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Speaker 1: super super fun.

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Speaker 3: I love fighting games.

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Speaker 4: I think that the big conversation that was had when

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Speaker 4: this was announced was in the community was basically like

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Speaker 4: good because Capcom and Marvel have not been working together well.

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Speaker 4: Marvel Bus Capcom Infinite was very controversial game, and this

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Speaker 4: looks a lot more like what the fans have been

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Speaker 4: looking for. I am very excited because this was made

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Speaker 4: by Arc Systems Works, who made Dragon Ball Fighters with

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Speaker 4: a Z, which I am surprisingly good at and is

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Speaker 4: one of the only modern fighting games that I can

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Speaker 4: really hold my own in after post Mortal Combat eleven,

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Speaker 4: which I just failed terribly even though that I've been

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Speaker 4: playing that franchise my whole life.

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Speaker 3: Looks great. I love the miss Marvel design.

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Speaker 4: I think that in a post Rivals world this could

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Speaker 4: be a really big hit.

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Speaker 2: I think so too.

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Speaker 1: There's a Smash Brothers seemingly all yeah as well.

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Speaker 4: Four before Tag Team Fighter, which I think is a

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Speaker 4: really popular game.

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Speaker 3: It's good.

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Speaker 4: I wouldn't be surprised if we end up seeing this

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Speaker 4: as a competitive fighting game going into the future.

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Speaker 3: I can't wait. I think that this is going to

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Speaker 3: be a big hit in the fighting game community, but

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Speaker 3: also just in.

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Speaker 4: Like the Marvel community because we love to play as

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Speaker 4: these characters as rivals has proven up next.

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Speaker 1: Double O seven first light official announcement trailer. This is

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Speaker 1: kind of like a almost a Hitman style three D

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Speaker 1: third person action game from Io Interactive, the creators of

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Speaker 1: the hit Man franchise, launching a twenty twenty six of

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Speaker 1: the PlayStation five. You know, I thought this was if

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Speaker 1: you like the hit Man and you love Bond, this

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Speaker 1: will be a game for you.

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Speaker 4: Yeah.

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Speaker 1: It's definitely a more action focus, less stealth focus like

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Speaker 1: the hit Man, but looks pretty fun and it seems

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Speaker 1: clearly built on.

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Speaker 2: The hit Man architect.

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Speaker 4: Yeah, and also it's gonna be Bond before he became

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Speaker 4: Double O seven very much that kind of opening scene

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Speaker 4: of Casino Royale with Daniel Craig, no suits, no Martiniz,

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Speaker 4: just like fucking people up. And I think in the

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Speaker 4: discord there was like a lot of excitement for people

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Speaker 4: to have another great James Bond game. Obviously Golden Eyes

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Speaker 4: that is the legendary one.

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Speaker 3: So yeah, it's gonna be interesting to see.

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Speaker 4: And I am excited and interested that they are still

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Speaker 4: just like banging out games for the PS five at

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Speaker 4: this higher.

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Speaker 1: Yes, and finally, in sad news. You may have seen

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Speaker 1: that King of the Hill Voice actor Jonathan Joss was

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Speaker 1: shot and killed in Texas this week. Details emerging from

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Speaker 1: that particular crime seemed to indicate that it was a

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Speaker 1: hate crime, pure and simple, and I think that there

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Speaker 1: are troubling signs that the local police are trying to

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Speaker 1: walk back the hate crime details of this. But Joss's

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Speaker 1: husband has claimed that Joss and himself were under constant

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Speaker 1: harassment from the perpetrator, who was uttering homophobic slurs at the.

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Speaker 2: Time of the murder and indeed for years.

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Speaker 1: Police are currently looking into, they say, whether his sexual

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Speaker 1: orientation played a role in the murder, but I think

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Speaker 1: there seems to be significant evidence out there that it did.

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Speaker 1: Very very sad and troubling news.

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Speaker 3: Yeah, it's really sad stuff.

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Speaker 4: And it is a total loss that one of the rare,

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Speaker 4: you know, comanche elder actors that we have was killed

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Speaker 4: in a hate crime. And yeah, just sending love to

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Speaker 4: his family and his partner and to all of the

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Speaker 4: incredible community that he had in Hollywood who have been,

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Speaker 4: you know, speaking out about this loss.

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Speaker 2: We're gonna go to a break and will be right.

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Speaker 5: Yeah, and we're back it's me.

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Speaker 4: Be careful if you have not seen the incredible movie

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Speaker 4: Bring Her Back, or if you're scared to see it

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Speaker 4: and you want to know how scary it's gonna be.

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Speaker 3: There's light spoilers.

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Speaker 4: In this next interview with the talk to Me direc

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Speaker 4: the Philippo Bros. About their newest a twenty four horror,

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Speaker 4: Bring Her Back, which is currently on wide release. And

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Speaker 4: if you guys want to check out the chat with

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Speaker 4: the Philipoop Bros. On YouTube, You've been asking for it,

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Speaker 4: so guess what. You can watch the whole chat on

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Speaker 4: YouTube and there's a link in the show notes to

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Speaker 4: click on and see our chat on the screen. This

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Speaker 4: is a very high energy interview. In case you couldn't tell,

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Speaker 4: the three of us are very similar, So enjoy this.

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Speaker 4: It's a really long chat, but it's a great chat,

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Speaker 4: and go and check out the movie because it's one

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Speaker 4: of my favorites of the year so far. How are

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Speaker 4: you guys feeling after watching seeing people watch the movie

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Speaker 4: last night and hearing it?

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Speaker 3: What was that like?

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Speaker 7: Oh my gosh, we still have not watched the movie

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Speaker 7: with an audience. Okay, yeah, it's still.

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Speaker 8: Because Jonah, who plays Oli, our he's not young. Yeah,

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Speaker 8: so he was having dinner, so we didn't want to

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Speaker 8: leave him by himself.

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Speaker 3: That is very cute of you guys.

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Speaker 7: It's very nice, and we will terrified of watching with

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Speaker 7: an audience, but yeah more so Jonah.

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Speaker 3: Yeah it was.

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Speaker 7: I was.

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Speaker 4: I was kind of hoping you guys were going to

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Speaker 4: be at least listening, just because the responses were crazy, Like.

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Speaker 7: I really I wish we did.

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Speaker 4: There were like multiple moments where people just like gave

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Speaker 4: a round of applause for the sight, for the kind

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Speaker 4: of absolute like horrific ship that you guys were putting

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Speaker 4: on the screens. Okay, so and we can talk about

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Speaker 4: this is going to be held till June, so we

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Speaker 4: can talk about spoilers. The the mouth, the biting the table,

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Speaker 4: people like lost their ship over that one, and while

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Speaker 4: the teeth were cracking.

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Speaker 3: There like also the.

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Speaker 5: Arm peel.

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Speaker 4: Arm was a big one, and the knife, but that

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Speaker 4: one really freaked people out. I didn't that already because

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Speaker 4: I did the trailer launch and it was like people

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Speaker 4: were really freaking out.

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Speaker 7: Oh my gosh, I really wanted record or something. Yeah, yeah, yeah, damn.

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Speaker 7: One day we'll watch all of an audience.

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Speaker 4: Yeah, you got You've got plenty of time. You've got

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Speaker 4: plenty of time. The movie's not even out yet, but

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Speaker 4: kind of like going all the way back. Could you

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Speaker 4: talk a little bit for people our listeners who like

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Speaker 4: don't know how you guys got started. Could you talk

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Speaker 4: a little bit about Rakaaka and kind of the origins

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Speaker 4: of your filmmaking stuff and how you started with wrestling

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Speaker 4: and just really your origin story that got you to

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Speaker 4: hear Like, we.

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Speaker 8: Started off very very young making stuff, Like we first

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Speaker 8: got our hands on our dad's video camera when we're

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Speaker 8: like nine years old, and we haven't stopped making stuff

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Speaker 8: ever since then.

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Speaker 7: And all the way through growing.

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Speaker 8: Up, we would like mock things that we loved, so

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Speaker 8: that it was like I loved Buffy, so we do

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Speaker 8: like our own spin on Buffy. Or it was like

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Speaker 8: I love Child's Place, so we would do the Evil

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Speaker 8: Flamingo based on my sister's doll.

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Speaker 7: It was all that sort of stuff.

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Speaker 8: And then we had this series that we were doing

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Speaker 8: as kids, like from the ages of thirteen or eighteen.

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Speaker 8: We had like ten seasons of this thing, and then

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Speaker 8: I was like the episodes and we were on the

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Speaker 8: sixth and final film of this series, and everyone was like, wen't.

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Speaker 7: Too old to be doing this. Everyone was like yeah,

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Speaker 7: they're like why are we still making They were like,

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Speaker 7: I got kids anymore.

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Speaker 8: But we still loved doing it, so that fell apart.

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Speaker 8: But I still needed a way to you know, make

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Speaker 8: things or express myself. So we started just making sort

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Speaker 8: of fake fails online, which is like pretending that I

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Speaker 8: stuck a knife in a toaster and it blew up.

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Speaker 8: Oh yeah, like mocking the Harlem shake and retaining this

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Speaker 8: explosion went off. So there was all these sort of

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Speaker 8: fake fails and they were going viral online and and

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Speaker 8: and so we needed a place to like put everything,

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Speaker 8: and so we made rack Racker and that became our

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Speaker 8: job for like the next But it was never intentional

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Speaker 8: like that, yeah, because we were trying.

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Speaker 7: We were like, we're making short films as well.

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Speaker 8: That were we're trying to because we wanted to get

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Speaker 8: into film and television. So we were working on film

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Speaker 8: sets and trying to get enough money to make our

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Speaker 8: own short films. And we did a couple, but the YouTube,

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Speaker 8: like the online stuff was just exploding.

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Speaker 7: And then so we put.

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Speaker 8: A channel, made a channel rack of record and put

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Speaker 8: everything on and it just you know, it was one

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Speaker 8: video just yeah, took off. And then we're like, oh,

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Speaker 8: what if we put actual energy into this, the energy

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Speaker 8: that we're putting into the short films and stuff, Let's

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Speaker 8: put that into the YouTube channel and see where it goes.

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Speaker 7: And then it was yeah, all for ten years or

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Speaker 7: something crazy.

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Speaker 8: Because my job before that, because I literally can't do

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Speaker 8: anything else, I was a lab rat. So I would

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Speaker 8: check at the hospitals and then try out drugs that

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Speaker 8: weren't on the market yet.

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Speaker 7: That was literally my job for like three years.

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Speaker 3: I'm glad you moved on from that. I feel like

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Speaker 3: this is a safer job.

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Speaker 4: I feel like I felt like three years is like

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Speaker 4: you put in your time as a medical test patient,

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Speaker 4: and you know what.

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Speaker 7: I sort of want to return. I want to make

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Speaker 7: my return trial.

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Speaker 3: One last trial, one last job.

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Speaker 7: They called the final trial.

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Speaker 4: Oh yeah, that's the next there we are after the

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Speaker 4: deathmatch wrestling. That's your next one.

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Speaker 1: Right.

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Speaker 3: What did it feel like?

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Speaker 4: Because I feel like a lot of times when we

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Speaker 4: make up and we make movies and I make comic

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Speaker 4: books and stuff, it really does just start with like

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Speaker 4: making shit with your friends. So how did it feel

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Speaker 4: to kind of make that stuff with your friends, keep

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Speaker 4: making it, and then suddenly you put it online and

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Speaker 4: it just like changes your life and kind of changes

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Speaker 4: the trajectory of where you're going.

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Speaker 8: It's so weird because nothing even though everything's changing, you know,

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Speaker 8: when you're in the middle of it, you don't really

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Speaker 8: reflect or realize that it's changing. It's like, oh, yeah,

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Speaker 8: this is this now, Oh this is happening now, Oh

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Speaker 8: yeah this and so like.

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Speaker 7: That, That's what I sort of felt like.

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Speaker 8: But I did feel like that we were getting stronger

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Speaker 8: maybe as filmmakers, all learning so much by doing so.

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Speaker 7: Much and meeting amazing people.

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Speaker 8: Yeah, so like through YouTube world to meet amazing other

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Speaker 8: artists that we'd work with, some that we still work

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Speaker 8: with now, Like we are makeup artists.

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Speaker 7: Spect Burato, she used to help.

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Speaker 8: Us way back in the day, you know, with YouTube stuff,

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Speaker 8: and now she's head as apartment for makeup. You know,

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Speaker 8: there's all those people that we met along the way

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Speaker 8: that's that we know are passionate and love what they do,

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Speaker 8: and bringing them on and set with us is the

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Speaker 8: most incredible thing.

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Speaker 7: And you don't lose that, you know.

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Speaker 8: It's already such a mammoth task making a movie.

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Speaker 7: It's so hard.

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Speaker 8: You want to at least have fun while you're doing

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Speaker 8: it and surround yourself with people that are passionate.

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Speaker 2: And I want to.

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Speaker 7: Be what comic books do you write?

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Speaker 4: What?

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Speaker 3: I want to?

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Speaker 4: Okay, okay, So recently my most I've been writing Godzilla

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Speaker 4: comic books like official.

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Speaker 3: Yeah, I love Godzilla.

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Speaker 4: That we recently did one called Monster Islands Summer Camp

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Speaker 4: that's about Godzilla some Manila going to summer camp. And

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Speaker 4: that was like a graphic novel for kids. So that

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Speaker 4: was like a blessing. I actually am really really stoked

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Speaker 4: they just announced because I love horror, but for some reason,

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Speaker 4: I just like ended up writing more like kids comics.

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Speaker 4: But I have a creep Show story in the next

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Speaker 4: Creep Show anthology. Yeah, I'm very stoked about that because

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Speaker 4: that was like definitely one of the things that scared

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Speaker 4: me as a kid. So now getting to be like

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Speaker 4: doing a version of it. And it's about like living

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Speaker 4: in like a shitty rental apartment.

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Speaker 3: So I feel like I'm getting to like Channel. I'm

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Speaker 3: like Channel I lived experience.

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Speaker 7: It's a very personal story, this one.

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Speaker 4: Yeah, exactly, I'm like, guys, it's emotional but you know,

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Speaker 4: you guys are sort of talking about like the makeup

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Speaker 4: and the people you've brought along, something I love about

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Speaker 4: all your movies, But I think like this in particular

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Speaker 4: really leans in to like the practical nature like horror

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Speaker 4: and SFX, and that's something that you guys were always doing.

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Speaker 4: So could you talk a little bit about like why

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Speaker 4: that was always so important to you guys?

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Speaker 8: It seems like I love when you can use horror

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Speaker 8: or body horror to reflect themes or to express something.

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Speaker 8: And there's stuff that you can't even put into words,

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Speaker 8: and the only way to express it is through these

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Speaker 8: sort of visuals.

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Speaker 7: That's so exciting.

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Speaker 8: And the idea of like trying to execute something practically

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Speaker 8: and the challenge of it, and like it always feels

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Speaker 8: like those practical.

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Speaker 7: Effects stand the test of time.

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Speaker 8: I don't know that that's always at the funnest part

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Speaker 8: where we're writing anything like it automatically, we're thinking about

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Speaker 8: that sort of stuff, like how we can execute it

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Speaker 8: and the most elaborate way possible, and it's such a

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Speaker 8: fun puzzle to try and solve.

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Speaker 4: Yeah, and you guys were working with like I got

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Speaker 4: I was lucky enough the first more or Combat movie.

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Speaker 4: I got to go to the set and like, I

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Speaker 4: fucking love morel Combat And you guys worked with Scarecrew

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Speaker 4: Studios right, like effects they're so amazing. I actually when

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Speaker 4: I did More when we did the Mortal Combat set,

399
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Speaker 4: they were like they knew I'm like the loser of

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Speaker 4: the set visit and they were like, who wants to

401
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Speaker 4: get some facial like like Scott and walk around with

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Speaker 4: it all day And they were like, Rosie, we know

403
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Speaker 4: it to you and Scarecrew got to do it for

404
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Speaker 4: me and everything.

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Speaker 3: So I was really stoked to see. Could you talk

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Speaker 3: a little.

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Speaker 4: Bit about how like having the having those kind of

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Speaker 4: physical aspects on set and it being all in camera, Like,

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Speaker 4: can you distinctly see how that helps the cast kind

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Speaker 4: of experience it in a more real way?

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Speaker 8: Yeah, because they're not they're not acting off something that's

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Speaker 8: not there. It's there in front of their face, you know.

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Speaker 8: And that's and even being in that makeup, in that

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Speaker 8: prosthetics helps you get to a place it's.

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Speaker 7: It's not of it.

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Speaker 8: Yeah, So there's like a realism to it. So that's

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Speaker 8: that's always the most incredible thing. Like even when we're

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Speaker 8: feeling some.

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Speaker 7: Of that stuff, and you're like behind the camera, the

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Speaker 7: whole crew is wincing as well, like, oh yeah, it

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Speaker 7: looks so good, but it's so fucking violent.

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Speaker 8: Yeah, and because all those yeah, when you had that

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Speaker 8: collaboration of amazing artist or in practical stuff, it's like

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Speaker 8: there's a buzz that comes from it. And there is

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Speaker 8: these things where like sometimes you've only got one shot

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Speaker 8: at something, like you've made something.

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Speaker 7: Yeah, you're like, oh my gosh, this has to work.

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Speaker 7: I don't know what the fuck is going to happen

429
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Speaker 7: when we roll.

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Speaker 8: The cameras, but like, yeah, like you just gotta hope,

431
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Speaker 8: you gotta pray, and it's always there's always something incredible

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Speaker 8: that you capture, and that's that.

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Speaker 7: It was like a part of the magic of film.

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Speaker 4: Okay, so talk a little bit about you said, like,

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Speaker 4: talk to me, it's definitely like your party horror. I

436
00:19:42,600 --> 00:19:45,200
Speaker 4: mean we I remember the trailer launch people were talking

437
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Speaker 4: to you about how they were using like the hand the.

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Speaker 3: A twenty four gave out as like a bong.

439
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Speaker 4: So it was like it was so inherently like a

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Speaker 4: party movie. And obviously there's like a fun to that

441
00:19:56,920 --> 00:19:59,520
Speaker 4: you're working with young people. You kind of establish yourself

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Speaker 4: as like good with working with young people. But then

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Speaker 4: for Bring Her Back, you're like, Okay, how do we

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Speaker 4: do a movie that's more violent, more scary and has

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Speaker 4: a younger cast? So could you talk a bit about that.

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Speaker 8: Yeah, it's so interesting, like the young characters, because they

447
00:20:14,320 --> 00:20:17,159
Speaker 8: were developed at the same time. There was this interchange

448
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Speaker 8: that was sort of happening between the projects, and like

449
00:20:19,600 --> 00:20:22,840
Speaker 8: both films have like in one lens of fun Montage

450
00:20:23,160 --> 00:20:26,280
Speaker 8: but in another lens are really fucked up Montage. So

451
00:20:26,520 --> 00:20:29,240
Speaker 8: like that felt like there was a parallel there, and yeah,

452
00:20:29,280 --> 00:20:31,159
Speaker 8: they felt they feel like brother sister films to me.

453
00:20:31,920 --> 00:20:34,720
Speaker 8: And yeah, like and the challenge of working with a

454
00:20:34,720 --> 00:20:37,600
Speaker 8: younger cast or a young cast, they just bring something

455
00:20:37,840 --> 00:20:41,560
Speaker 8: raw and authentic and they're not play pretending too much,

456
00:20:41,640 --> 00:20:44,440
Speaker 8: like they are putting themselves sort of in those positions

457
00:20:44,440 --> 00:20:46,880
Speaker 8: and playing those characters in a more real way.

458
00:20:47,280 --> 00:20:49,000
Speaker 7: So that's always super rewarding.

459
00:20:49,040 --> 00:20:52,119
Speaker 8: Also to the idea of like helping these people break

460
00:20:52,119 --> 00:20:54,359
Speaker 8: out as well is so cool, Like I feel like

461
00:20:54,440 --> 00:20:58,119
Speaker 8: Jonah playing Oliver is gonna explode and saa if she

462
00:20:58,160 --> 00:21:00,199
Speaker 8: wanted to be sure, it could definitely be sure, Like

463
00:21:00,240 --> 00:21:03,120
Speaker 8: oh yeah, yeah, that feels really rewarding as well.

464
00:21:03,480 --> 00:21:05,520
Speaker 3: Yeah, I thought Sara was like so brilliant.

465
00:21:05,560 --> 00:21:07,800
Speaker 4: I actually asked, you guys, like at the trailer launch

466
00:21:08,400 --> 00:21:10,160
Speaker 4: was I was the one who was like, so, tell

467
00:21:10,200 --> 00:21:13,400
Speaker 4: me about having someone who is like sit impaired as

468
00:21:13,400 --> 00:21:14,119
Speaker 4: your lead character.

469
00:21:14,160 --> 00:21:17,040
Speaker 3: I feel like we don't really get to have disabled

470
00:21:17,080 --> 00:21:19,600
Speaker 3: people in horror movies unless they're the villains and stuff.

471
00:21:19,640 --> 00:21:21,679
Speaker 4: And now I've seen the movie, I get you know,

472
00:21:21,840 --> 00:21:25,960
Speaker 4: Sara gets to be the final girl if there is one.

473
00:21:26,000 --> 00:21:28,760
Speaker 3: She's obviously very traumatized. Could you talk a little bit.

474
00:21:28,960 --> 00:21:31,000
Speaker 4: I would love to hear you guys tell the story

475
00:21:31,040 --> 00:21:34,560
Speaker 4: about what inspired that character, because I thought that was

476
00:21:34,560 --> 00:21:35,119
Speaker 4: really cool.

477
00:21:35,800 --> 00:21:36,359
Speaker 7: Yeah.

478
00:21:36,400 --> 00:21:39,520
Speaker 8: It was based on our friend's little sister who's non sighted,

479
00:21:40,080 --> 00:21:43,520
Speaker 8: and she was wanting to catch the bus by herself,

480
00:21:43,920 --> 00:21:46,040
Speaker 8: and her family were a little bit reluctant and a

481
00:21:46,080 --> 00:21:48,960
Speaker 8: bit worried about it because you know, it could be

482
00:21:49,000 --> 00:21:51,679
Speaker 8: really dangerous, and that she really wants to learn how

483
00:21:51,680 --> 00:21:54,000
Speaker 8: to navigate the world on her own and learn how.

484
00:21:53,880 --> 00:21:54,679
Speaker 7: To be independent.

485
00:21:55,000 --> 00:21:57,679
Speaker 8: And I could see both sides of that argument, and

486
00:21:57,680 --> 00:22:00,760
Speaker 8: it was a fascinating argument, and I so I continued

487
00:22:00,880 --> 00:22:04,000
Speaker 8: talking with her, and then she ended up saying I

488
00:22:04,080 --> 00:22:05,639
Speaker 8: was like, what do you feel like it would be

489
00:22:05,720 --> 00:22:07,800
Speaker 8: to see? Like, what do you think that would feel like?

490
00:22:07,880 --> 00:22:10,800
Speaker 8: What that experience be like? And she's like, I'm glad

491
00:22:10,840 --> 00:22:14,000
Speaker 8: I can't see because I don't have to see the

492
00:22:14,119 --> 00:22:16,679
Speaker 8: ugly things in the world. And it was such a

493
00:22:16,720 --> 00:22:19,720
Speaker 8: profound statement and it became like the thematic bass for

494
00:22:19,760 --> 00:22:25,080
Speaker 8: the entire film. And she's so strong and resilient and

495
00:22:25,480 --> 00:22:28,720
Speaker 8: she like you know, fights with her brother and and

496
00:22:28,760 --> 00:22:30,800
Speaker 8: the like rough house a little bit, and and like

497
00:22:31,000 --> 00:22:32,879
Speaker 8: same with Sore, Like she fights for her dad and

498
00:22:32,920 --> 00:22:33,680
Speaker 8: rests with her dad.

499
00:22:33,960 --> 00:22:35,760
Speaker 3: She was like, my favorite part of the movie was

500
00:22:35,760 --> 00:22:36,919
Speaker 3: geg to choke out Billy.

501
00:22:38,760 --> 00:22:41,800
Speaker 7: Yes, she's so down for everything.

502
00:22:41,880 --> 00:22:43,879
Speaker 8: She did, all her own studs, all these own studs,

503
00:22:43,880 --> 00:22:45,560
Speaker 8: and like was jumping in the pool, diving in there,

504
00:22:45,640 --> 00:22:47,000
Speaker 8: rolling down these hills.

505
00:22:46,840 --> 00:22:49,879
Speaker 7: Like gold bowl even, which is like a sport.

506
00:22:50,720 --> 00:22:51,800
Speaker 3: Really cool to see that.

507
00:22:51,800 --> 00:22:54,920
Speaker 7: That's a terrifying It hurts so much.

508
00:22:54,960 --> 00:22:58,879
Speaker 3: All it's so happy. I could going across the floor.

509
00:22:59,320 --> 00:23:01,600
Speaker 7: Yeh, lay there and you just hear it coming towards

510
00:23:01,640 --> 00:23:01,960
Speaker 7: your cough.

511
00:23:02,119 --> 00:23:06,639
Speaker 8: Fuck, it's a ball full of balls are bells, and

512
00:23:06,640 --> 00:23:09,080
Speaker 8: it's like you can't see your blindfolded and so you're

513
00:23:09,080 --> 00:23:10,280
Speaker 8: having to block it and you're hearing it.

514
00:23:10,320 --> 00:23:11,800
Speaker 7: So this thing is coming.

515
00:23:11,480 --> 00:23:14,880
Speaker 8: At you and it is terrifying and it's such a rough,

516
00:23:15,000 --> 00:23:17,359
Speaker 8: tough sport and it's just like there's a resilience. And

517
00:23:17,440 --> 00:23:19,320
Speaker 8: Sora would just like jump with the pool dive in

518
00:23:19,440 --> 00:23:22,360
Speaker 8: and was like, love being so physical and practical is amazing.

519
00:23:22,680 --> 00:23:24,399
Speaker 4: Yeah, I love that because I also think it like

520
00:23:24,680 --> 00:23:27,400
Speaker 4: contradicts a lot of ideas about what people think about

521
00:23:27,440 --> 00:23:30,120
Speaker 4: like frailty of people who can't see, or who are disabled,

522
00:23:30,200 --> 00:23:32,000
Speaker 4: or who are women, or who women of color, And

523
00:23:32,080 --> 00:23:35,520
Speaker 4: instead we get Sura who's just like absolutely fucking going

524
00:23:35,560 --> 00:23:37,320
Speaker 4: for it at like every point.

525
00:23:37,840 --> 00:23:38,840
Speaker 7: And will never fall down.

526
00:23:38,920 --> 00:23:41,760
Speaker 8: She never falls, Like I don't love it, Like love

527
00:23:41,840 --> 00:23:45,080
Speaker 8: that Piper as well, always getting back up and it's like, yeah,

528
00:23:45,440 --> 00:23:48,159
Speaker 8: she inspires me and like overcomes these things, Like yeah, I.

529
00:23:48,280 --> 00:23:51,560
Speaker 3: Like going down as a legendary final girl. I think like.

530
00:23:51,640 --> 00:23:55,719
Speaker 4: She fucking does that moment when she just fucking throws

531
00:23:56,040 --> 00:23:58,080
Speaker 4: the glass into Laura's head.

532
00:23:58,520 --> 00:23:59,280
Speaker 7: Everyone in the.

533
00:23:59,240 --> 00:24:04,240
Speaker 4: Cinema was just like like everyone.

534
00:24:03,960 --> 00:24:06,399
Speaker 3: Was like what a fucking throw, Like just like like

535
00:24:06,520 --> 00:24:11,080
Speaker 3: don dumb right in the fore Ye yes, I also

536
00:24:11,119 --> 00:24:13,560
Speaker 3: thought something was really cool about the bell ball kind

537
00:24:13,600 --> 00:24:14,440
Speaker 3: of sports scene.

538
00:24:14,480 --> 00:24:17,359
Speaker 4: It's like the ball is coming towards Sora as like

539
00:24:17,680 --> 00:24:21,320
Speaker 4: everything just like every something comes towards Viper as everything

540
00:24:21,359 --> 00:24:24,920
Speaker 4: fucking comes towards I thought that was really really cool,

541
00:24:24,960 --> 00:24:28,920
Speaker 4: and I would yeah, I mean the movie is definitely

542
00:24:29,000 --> 00:24:31,320
Speaker 4: I think part of the reason I love it is like, uh,

543
00:24:32,040 --> 00:24:34,760
Speaker 4: it spoke very deeply to like my experience of like

544
00:24:34,840 --> 00:24:37,560
Speaker 4: being a kid, and I think, like something I really

545
00:24:37,600 --> 00:24:39,160
Speaker 4: loved and feel free to be like funk off.

546
00:24:39,160 --> 00:24:40,439
Speaker 3: I don't want to talk about the themes.

547
00:24:40,520 --> 00:24:43,080
Speaker 4: The art should speak for itself, but like I really

548
00:24:43,119 --> 00:24:45,159
Speaker 4: love I think a lot of times about how, like

549
00:24:45,480 --> 00:24:47,240
Speaker 4: I don't have any kids, I will never have kids,

550
00:24:47,240 --> 00:24:50,000
Speaker 4: but like I think a lot about how like kids

551
00:24:50,000 --> 00:24:52,760
Speaker 4: are viewed kind of as adults property like if you,

552
00:24:52,920 --> 00:24:55,080
Speaker 4: if you're an adult, you can like beat your kid

553
00:24:55,119 --> 00:24:57,120
Speaker 4: and nobody cares, but if you beat your wife then

554
00:24:57,160 --> 00:24:58,920
Speaker 4: you shouldn't do that, you know, Like, and a kid

555
00:24:58,960 --> 00:25:00,960
Speaker 4: is seen as kind of this like the thing that

556
00:25:01,040 --> 00:25:03,480
Speaker 4: is an extension of yourself, And I thought the movie

557
00:25:03,600 --> 00:25:07,119
Speaker 4: was really interesting around that and kind of the agency

558
00:25:07,160 --> 00:25:09,119
Speaker 4: of these kids who go through this terrible thing and

559
00:25:09,119 --> 00:25:11,080
Speaker 4: then they just put them with this other adult and

560
00:25:11,080 --> 00:25:12,680
Speaker 4: they're like, they'll look after you now.

561
00:25:13,119 --> 00:25:15,159
Speaker 3: So could you kind of talk about the.

562
00:25:16,040 --> 00:25:19,720
Speaker 4: Real life inspirations that led you to make this movie,

563
00:25:19,720 --> 00:25:23,080
Speaker 4: because it's like it does feel like a companion piece

564
00:25:23,119 --> 00:25:23,600
Speaker 4: to talk to me.

565
00:25:23,640 --> 00:25:24,800
Speaker 3: But I think people who've.

566
00:25:24,560 --> 00:25:27,720
Speaker 4: Only really watched Rakaraka or who have seen talk to me,

567
00:25:28,000 --> 00:25:29,760
Speaker 4: I think they are going to be really shocked by

568
00:25:29,800 --> 00:25:32,000
Speaker 4: kind of how dark this movie goes.

569
00:25:32,600 --> 00:25:35,520
Speaker 8: Yeah, there were so many different things that were inspiring

570
00:25:35,880 --> 00:25:38,440
Speaker 8: different thematic parts of the film, and like it's always

571
00:25:38,480 --> 00:25:40,680
Speaker 8: tapping into things that like freak you out.

572
00:25:40,960 --> 00:25:44,280
Speaker 7: Or scare you and so like a never ending grief

573
00:25:44,320 --> 00:25:45,280
Speaker 7: cycle and not.

574
00:25:45,240 --> 00:25:46,840
Speaker 8: Being able to break out of that was a really

575
00:25:46,880 --> 00:25:49,439
Speaker 8: big thing that was a thematic part. And then the

576
00:25:49,520 --> 00:25:53,840
Speaker 8: idea of us psychologists that is trained to help nurture

577
00:25:54,280 --> 00:25:56,919
Speaker 8: and fix people, like using those skills to try and

578
00:25:56,960 --> 00:25:59,720
Speaker 8: break somebody that is so terrifying to me.

579
00:26:00,119 --> 00:26:01,320
Speaker 7: Oh yeah, an adult.

580
00:26:01,080 --> 00:26:06,439
Speaker 8: Guardian with uh, you know, different motives, motives that's you're

581
00:26:06,480 --> 00:26:08,560
Speaker 8: supposed to it's supposed to be trusting and I'm the.

582
00:26:08,640 --> 00:26:12,000
Speaker 3: Person who takes care of you and yeah.

583
00:26:11,440 --> 00:26:14,440
Speaker 8: Yeah, and then that and there's there's things in life

584
00:26:14,480 --> 00:26:18,640
Speaker 8: that kind of inspire that that experiences that that's like, oh,

585
00:26:18,680 --> 00:26:21,920
Speaker 8: this person is supposed to be looking after us, and

586
00:26:22,000 --> 00:26:25,399
Speaker 8: there's just that there's other things that like that that

587
00:26:25,400 --> 00:26:28,240
Speaker 8: that's not their whole reason. Like you're you're full trusting

588
00:26:28,240 --> 00:26:30,920
Speaker 8: in them, but there's that's not their full thing, you know. Yeah,

589
00:26:30,960 --> 00:26:33,280
Speaker 8: and then also like like looking at Laura in a

590
00:26:33,280 --> 00:26:38,280
Speaker 8: way that it's like not always like an inherently bad person,

591
00:26:38,640 --> 00:26:41,359
Speaker 8: and like how how this has twisted her and like

592
00:26:41,359 --> 00:26:44,320
Speaker 8: this grief has turned her into a monster and in

593
00:26:44,359 --> 00:26:47,639
Speaker 8: turn she's turning this other kid into a monster. Yeah,

594
00:26:47,960 --> 00:26:49,600
Speaker 8: there's just so many things and it's so hard to

595
00:26:49,640 --> 00:26:51,520
Speaker 8: like put into words, but like usually putting it out

596
00:26:51,560 --> 00:26:52,199
Speaker 8: there as a way to.

597
00:26:52,800 --> 00:26:55,920
Speaker 4: Yeah, you know, I think like even for me, there

598
00:26:56,000 --> 00:26:58,800
Speaker 4: was something that felt very cathartic about watching the movie

599
00:26:58,880 --> 00:27:00,680
Speaker 4: and kind of so I'm sure that for you guys

600
00:27:00,760 --> 00:27:02,679
Speaker 4: it's the same. It's like you put it on the screen.

601
00:27:03,160 --> 00:27:07,080
Speaker 4: But yeah, I mean, I'm I'm really excited. I want

602
00:27:07,520 --> 00:27:09,600
Speaker 4: to my mum, I want my friends who are mums

603
00:27:09,640 --> 00:27:12,800
Speaker 4: to watch it because I even just as like an

604
00:27:12,840 --> 00:27:14,760
Speaker 4: I have a lot of nieces and nephews. I am

605
00:27:14,800 --> 00:27:18,199
Speaker 4: like a perennial auntie and I love that. But like

606
00:27:18,280 --> 00:27:21,240
Speaker 4: even for me, like the early parts of the movie,

607
00:27:21,440 --> 00:27:23,840
Speaker 4: I'm like thinking, I don't want to think those things,

608
00:27:23,840 --> 00:27:26,159
Speaker 4: but I have OCD, so I'm constantly ruminating. But like

609
00:27:26,240 --> 00:27:29,480
Speaker 4: I'm like watching it and I the brain is going like, well,

610
00:27:29,520 --> 00:27:31,439
Speaker 4: what if that was your niece or what if that

611
00:27:31,520 --> 00:27:34,080
Speaker 4: is your nephew, And even for that, it's like the

612
00:27:34,160 --> 00:27:36,760
Speaker 4: gut check is like so fucking huge of like, well,

613
00:27:36,800 --> 00:27:39,399
Speaker 4: I probably would do anything, but like where is the

614
00:27:39,400 --> 00:27:40,160
Speaker 4: line of anything?

615
00:27:40,480 --> 00:27:41,080
Speaker 3: I want to know?

616
00:27:41,640 --> 00:27:44,080
Speaker 4: Like I want to see the parents watching this movie

617
00:27:44,160 --> 00:27:46,520
Speaker 4: and hearing their response is because I think that's going

618
00:27:46,600 --> 00:27:51,080
Speaker 4: to be like a really interesting, unexpected kind of response

619
00:27:51,119 --> 00:27:53,480
Speaker 4: because we don't really get a lot of horror that

620
00:27:53,600 --> 00:27:56,720
Speaker 4: is about like the realities of being a parent, or

621
00:27:56,760 --> 00:28:00,639
Speaker 4: like the kind of the absolute inherent that you just

622
00:28:00,680 --> 00:28:03,159
Speaker 4: constantly have if you love a child, because you're like

623
00:28:03,200 --> 00:28:06,760
Speaker 4: something terrible could happen. Yeah, that's basically your life once

624
00:28:06,800 --> 00:28:07,440
Speaker 4: you have a kid.

625
00:28:08,040 --> 00:28:10,640
Speaker 8: And there was like there was so many different parents

626
00:28:10,640 --> 00:28:12,679
Speaker 8: that we spoke to, and that's like a part of

627
00:28:12,680 --> 00:28:14,720
Speaker 8: the process as well, when you're building out these characters

628
00:28:15,000 --> 00:28:19,359
Speaker 8: and listening to certain experiences and then even like a

629
00:28:19,480 --> 00:28:22,840
Speaker 8: mum talking about like her nightmare for years there were

630
00:28:22,920 --> 00:28:25,160
Speaker 8: stairs in their house that she would wake up, come

631
00:28:25,200 --> 00:28:27,760
Speaker 8: down and you know the kid had fallen down the

632
00:28:27,760 --> 00:28:28,920
Speaker 8: stairs or passed away, and.

633
00:28:28,840 --> 00:28:31,480
Speaker 7: Like that is so horrific. And then like talking about

634
00:28:31,520 --> 00:28:33,480
Speaker 7: like yeah, where would that line be? How far would

635
00:28:33,480 --> 00:28:35,040
Speaker 7: you go? Like what would you do?

636
00:28:35,760 --> 00:28:38,400
Speaker 8: And like that's always fascinating hearing the answers, And then

637
00:28:38,440 --> 00:28:41,360
Speaker 8: like one thing like between all of them is like

638
00:28:41,760 --> 00:28:44,440
Speaker 8: they would definitely take their life or lose.

639
00:28:44,320 --> 00:28:47,120
Speaker 4: Like yeah, yeah, there would be like they would swap

640
00:28:47,120 --> 00:28:48,000
Speaker 4: their life, no question.

641
00:28:48,720 --> 00:28:52,440
Speaker 3: So then you start like, well who else is life exactly?

642
00:28:52,640 --> 00:28:55,640
Speaker 7: Yeah, yeah, yeah, that's always the thing. Okay, what about

643
00:28:55,720 --> 00:28:56,440
Speaker 7: this And they're like.

644
00:28:58,320 --> 00:29:00,880
Speaker 3: Yeah, and then they're like, don't record me, Like this

645
00:29:01,040 --> 00:29:02,280
Speaker 3: is a trap, guys.

646
00:29:02,080 --> 00:29:05,400
Speaker 8: This is totally anonymous hypothetical question.

647
00:29:05,560 --> 00:29:06,640
Speaker 3: Would you kill a child?

648
00:29:08,280 --> 00:29:10,960
Speaker 8: Yeah, but there's there has been a lot of moms

649
00:29:10,960 --> 00:29:13,120
Speaker 8: that have watched it that there aren't even horror fans

650
00:29:13,280 --> 00:29:14,960
Speaker 8: that I've loved the movie.

651
00:29:15,080 --> 00:29:16,160
Speaker 3: That's what I was going to say.

652
00:29:16,200 --> 00:29:18,360
Speaker 4: I feel like it's gonna find an audience there, kind

653
00:29:18,400 --> 00:29:19,240
Speaker 4: of like The Babba Duke.

654
00:29:19,280 --> 00:29:21,480
Speaker 3: Did you guys worked.

655
00:29:21,200 --> 00:29:23,840
Speaker 7: On Yeah, it was awesome. We loved working on the Marble.

656
00:29:23,920 --> 00:29:27,520
Speaker 8: Yeah, it was amazing, And yeah, it's so so fascinating

657
00:29:27,560 --> 00:29:31,120
Speaker 8: because like in my head only because because my YouTube

658
00:29:31,120 --> 00:29:33,440
Speaker 8: audience is always fifty to twenty five year old guys,

659
00:29:34,120 --> 00:29:36,120
Speaker 8: that's always what I think the audience is always gonna be.

660
00:29:36,240 --> 00:29:38,840
Speaker 8: And and so like we sat we've sat next to

661
00:29:38,880 --> 00:29:41,440
Speaker 8: people and watched it in like well like trying out

662
00:29:41,440 --> 00:29:42,520
Speaker 8: cuts and stuff like that.

663
00:29:42,600 --> 00:29:45,440
Speaker 7: And watching of moms and stuff, and their reaction is

664
00:29:45,520 --> 00:29:46,560
Speaker 7: way more profound than.

665
00:29:46,520 --> 00:29:49,200
Speaker 8: Anyone else's, which is so beautiful and so magical, and

666
00:29:49,240 --> 00:29:51,480
Speaker 8: having like a deep conversation about it afterwards.

667
00:29:51,720 --> 00:29:53,120
Speaker 7: Yeah, it's super simp awarding.

668
00:29:53,600 --> 00:29:56,480
Speaker 4: Yeah, also as well, like your audience is growing up.

669
00:29:56,600 --> 00:29:58,120
Speaker 4: Like I hate to tell you guys, but you guys

670
00:29:58,160 --> 00:29:59,520
Speaker 4: have been doing this for quite a long time.

671
00:30:00,440 --> 00:30:05,800
Speaker 3: Like we're all getting old terrible news. I'm not cool.

672
00:30:06,240 --> 00:30:09,560
Speaker 3: I'm not cool. I do fight with that every day.

673
00:30:09,600 --> 00:30:11,880
Speaker 3: I'm like, guys, I have tattoos, you tell.

674
00:30:11,760 --> 00:30:14,560
Speaker 4: I'm like cool, Like I'm not, like I'm not like

675
00:30:14,680 --> 00:30:15,840
Speaker 4: other adults guys.

676
00:30:16,480 --> 00:30:18,000
Speaker 3: But like also.

677
00:30:17,880 --> 00:30:20,760
Speaker 7: Every adult thinks they look younger than they do exactly,

678
00:30:21,040 --> 00:30:22,800
Speaker 7: Like I don't even look like I'm in my thirties.

679
00:30:22,960 --> 00:30:27,680
Speaker 4: They're still like deeing me like you just live in

680
00:30:27,720 --> 00:30:33,320
Speaker 4: American They fucking id everyone. But like, also there is

681
00:30:33,360 --> 00:30:36,520
Speaker 4: like a version of this where kids have like grown

682
00:30:36,600 --> 00:30:39,440
Speaker 4: up with your storytelling. And for someone who is now

683
00:30:39,480 --> 00:30:42,440
Speaker 4: in that like twenty eight and above, there's a chance

684
00:30:42,480 --> 00:30:43,480
Speaker 4: that they have kids.

685
00:30:43,200 --> 00:30:45,480
Speaker 3: And they watch this and they're like, oh shit, like this.

686
00:30:45,560 --> 00:30:47,760
Speaker 3: Shit's like you guys are growing up with them, you know.

687
00:30:48,200 --> 00:30:52,280
Speaker 7: Yeah, they're more mature than we are. But what's amazing.

688
00:30:52,400 --> 00:30:54,840
Speaker 8: Yeah, it's so interesting like meeting people that have grown

689
00:30:54,920 --> 00:30:57,240
Speaker 8: up on the videos and like the support like from people,

690
00:30:57,320 --> 00:30:59,880
Speaker 8: it's been so incredible, Like like there were just people

691
00:31:00,240 --> 00:31:01,520
Speaker 8: like around the block.

692
00:31:01,480 --> 00:31:02,120
Speaker 7: At the screen.

693
00:31:02,440 --> 00:31:07,800
Speaker 8: That was crazy, right, it's the it's the warmest feeling,

694
00:31:07,840 --> 00:31:09,960
Speaker 8: like I feel, Yeah, I feel so.

695
00:31:09,920 --> 00:31:11,480
Speaker 7: Lucky to be able to do this and to have

696
00:31:11,560 --> 00:31:14,440
Speaker 7: people be that supportive. It's yeah, it's so incredible.

697
00:31:15,040 --> 00:31:18,440
Speaker 4: What was it like taking that step from because you

698
00:31:18,440 --> 00:31:20,760
Speaker 4: were like always wanting to make movies, right, and that's

699
00:31:20,760 --> 00:31:24,000
Speaker 4: why you started it. Then you diverge into this like

700
00:31:24,160 --> 00:31:28,239
Speaker 4: unexpected online career that's like a smash hit success, so

701
00:31:28,280 --> 00:31:30,840
Speaker 4: you've already achieved a lot of the stuff that people

702
00:31:30,880 --> 00:31:33,840
Speaker 4: want to achieve. How did it feel to then take

703
00:31:33,880 --> 00:31:38,520
Speaker 4: that step into filmmaking, like feature filmmaking with talk to

704
00:31:38,600 --> 00:31:40,960
Speaker 4: me like what how did it feel when you made it?

705
00:31:41,000 --> 00:31:43,680
Speaker 4: And not just that how did it feel when, like

706
00:31:43,720 --> 00:31:46,200
Speaker 4: you say, with this, like suddenly everybody loved it and

707
00:31:46,240 --> 00:31:48,920
Speaker 4: you're getting those screenings and you're getting that kind of

708
00:31:49,040 --> 00:31:51,360
Speaker 4: understanding of like, Okay, we're connecting with people.

709
00:31:52,160 --> 00:31:55,040
Speaker 8: You never know what the because we had a screening,

710
00:31:55,240 --> 00:31:59,560
Speaker 8: We've talked to me in Adelaide where we're from. Before

711
00:31:59,680 --> 00:32:01,760
Speaker 8: it got into Sundance or anything like that, it was

712
00:32:01,800 --> 00:32:04,480
Speaker 8: just with family and friends in the cast, and then

713
00:32:04,560 --> 00:32:06,520
Speaker 8: you know, we showed it and then.

714
00:32:06,760 --> 00:32:10,320
Speaker 7: We're speaking to people. What do you guys think? And

715
00:32:10,320 --> 00:32:11,640
Speaker 7: everyone's like, who's good?

716
00:32:15,320 --> 00:32:15,560
Speaker 1: Yeah?

717
00:32:15,760 --> 00:32:18,400
Speaker 7: Where do we what? What now? Yeah?

718
00:32:18,440 --> 00:32:20,680
Speaker 8: And then so and I would never believe people when

719
00:32:20,680 --> 00:32:23,160
Speaker 8: they said that they liked it. And then when it

720
00:32:23,200 --> 00:32:25,920
Speaker 8: got into Sundance, it was suddenly like, oh my god,

721
00:32:25,960 --> 00:32:28,520
Speaker 8: this there might be something here. And then all those

722
00:32:28,560 --> 00:32:32,320
Speaker 8: studios came to the Sundance screening and they wanted the movie.

723
00:32:32,320 --> 00:32:33,760
Speaker 7: All these different people wanted the movie.

724
00:32:33,760 --> 00:32:36,520
Speaker 8: It was such a bringing back who was screening and

725
00:32:36,600 --> 00:32:37,680
Speaker 8: people were saying that they liked it.

726
00:32:37,760 --> 00:32:39,040
Speaker 7: I was like, I don't believe I.

727
00:32:41,800 --> 00:32:44,120
Speaker 3: Like, what do you like about it?

728
00:32:44,920 --> 00:32:45,840
Speaker 7: What do you hate about it?

729
00:32:48,440 --> 00:32:51,479
Speaker 4: That's the that's like the ultimate creative cast is like

730
00:32:51,520 --> 00:32:54,920
Speaker 4: whatever we make, even if somebody loves it, we're gonna

731
00:32:54,920 --> 00:33:06,600
Speaker 4: be like probably not good, you know, just okay, h.

732
00:33:14,120 --> 00:33:15,160
Speaker 7: Cold better Rosie?

733
00:33:15,160 --> 00:33:16,520
Speaker 3: Can I say something it could be better?

734
00:33:17,160 --> 00:33:21,040
Speaker 8: I love your laugh, Rosie, It's very.

735
00:33:20,720 --> 00:33:22,760
Speaker 4: My mom used to call it a Sid James laugh,

736
00:33:22,880 --> 00:33:24,640
Speaker 4: like from carrying those old carry on movies.

737
00:33:24,680 --> 00:33:28,320
Speaker 3: It's like I was in the Dude, I was feeling

738
00:33:28,360 --> 00:33:29,040
Speaker 3: bad yesterday.

739
00:33:29,080 --> 00:33:32,440
Speaker 4: I was in the arrow and like something terrifying would

740
00:33:32,440 --> 00:33:34,640
Speaker 4: happen on Scream and and I'd be like and then

741
00:33:34,640 --> 00:33:40,120
Speaker 4: I'd be like that that that gang. Like I'd be

742
00:33:40,160 --> 00:33:45,160
Speaker 4: in the cinema, I'm killing the bie saying they all

743
00:33:45,160 --> 00:33:50,840
Speaker 4: these influences, just like I didn't used to love it,

744
00:33:50,840 --> 00:33:55,840
Speaker 4: but now I love it. Like I'm like I'm cackling, like.

745
00:33:57,480 --> 00:33:58,360
Speaker 3: I love that. Yeah.

746
00:33:58,360 --> 00:34:01,480
Speaker 4: It's like I just think that there is something about

747
00:34:01,560 --> 00:34:03,880
Speaker 4: finding like community in horror, and that is why, like

748
00:34:03,960 --> 00:34:07,720
Speaker 4: I'm from London originally, but I love living in la

749
00:34:07,920 --> 00:34:11,160
Speaker 4: like the magic of like being able to just like

750
00:34:11,239 --> 00:34:13,880
Speaker 4: go to a movie screening like that last night and

751
00:34:14,000 --> 00:34:17,439
Speaker 4: I was really no joke, guys. I when I'm getting old,

752
00:34:17,480 --> 00:34:19,319
Speaker 4: as we talked about, but like I used to be.

753
00:34:19,239 --> 00:34:20,080
Speaker 3: Like a gorehound.

754
00:34:20,280 --> 00:34:22,640
Speaker 4: Like in my review that I did on Letterbox of

755
00:34:22,760 --> 00:34:24,839
Speaker 4: the movie, I gave it five stars. By the way, guys,

756
00:34:24,920 --> 00:34:29,560
Speaker 4: I actually I really fucking loved it.

757
00:34:29,760 --> 00:34:32,400
Speaker 3: I was like, I was very profoundly moved by the movie.

758
00:34:32,480 --> 00:34:34,480
Speaker 4: My true I'm going to be speaking to my therapist

759
00:34:34,480 --> 00:34:38,600
Speaker 4: about it, and like, but I I compared it to Martyrs,

760
00:34:38,800 --> 00:34:41,239
Speaker 4: which was like a movie that I saw a long

761
00:34:41,280 --> 00:34:43,719
Speaker 4: time ago and that really profoundly affected me and I

762
00:34:43,760 --> 00:34:44,680
Speaker 4: never watched it again.

763
00:34:44,719 --> 00:34:45,719
Speaker 3: But I said, your movie was.

764
00:34:45,719 --> 00:34:48,440
Speaker 4: Better, because I I love Martyrs, but like this is

765
00:34:48,520 --> 00:34:50,200
Speaker 4: like this is a different level of.

766
00:34:50,280 --> 00:34:55,160
Speaker 3: Sci was a tough one. I've only ever watched it once.

767
00:34:56,000 --> 00:34:58,600
Speaker 4: And the funniest thing is I wrote the letterboxed review

768
00:34:59,080 --> 00:35:01,840
Speaker 4: and as I was, I waiting to use the bathroom afterwards,

769
00:35:01,840 --> 00:35:04,319
Speaker 4: and there was a girl behind me, Alexandria, who we

770
00:35:04,360 --> 00:35:06,760
Speaker 4: immediately became friends, and she was wearing a fucking Martyrs

771
00:35:06,760 --> 00:35:07,280
Speaker 4: T shirt.

772
00:35:07,800 --> 00:35:10,440
Speaker 3: And I was like, this is like fucking blow in

773
00:35:10,520 --> 00:35:10,920
Speaker 3: my mind.

774
00:35:12,000 --> 00:35:15,440
Speaker 4: But it's like I had actually messaged my incredible friend James,

775
00:35:15,440 --> 00:35:19,160
Speaker 4: and I was like, hey, man, like, I'm really scared

776
00:35:19,200 --> 00:35:21,480
Speaker 4: to watch this movie. I was like, I used to

777
00:35:21,520 --> 00:35:25,319
Speaker 4: be like a French new extremity like sore Gorehound, but

778
00:35:25,400 --> 00:35:27,879
Speaker 4: as I've gotten older, that has like changed and I've

779
00:35:27,960 --> 00:35:30,239
Speaker 4: kind of had less of an appetite for it. And

780
00:35:30,280 --> 00:35:32,120
Speaker 4: i'd been to the trailer launch, so I'd seen the

781
00:35:32,160 --> 00:35:34,960
Speaker 4: knife scene and uh, I really got into my own

782
00:35:35,000 --> 00:35:36,880
Speaker 4: head about it by message shames, and I was like,

783
00:35:36,920 --> 00:35:38,359
Speaker 4: you know what, the one good thing is like, even

784
00:35:38,400 --> 00:35:40,360
Speaker 4: if I'm really scared and I don't know anyone, and

785
00:35:40,400 --> 00:35:43,279
Speaker 4: I didn't, it's gonna be in the era where there's

786
00:35:43,320 --> 00:35:45,360
Speaker 4: just gonna be tons of people who fucking love movies

787
00:35:45,520 --> 00:35:46,960
Speaker 4: and that's like a great place to be.

788
00:35:47,239 --> 00:35:48,640
Speaker 3: And that's and that was kind of how I went

789
00:35:48,680 --> 00:35:48,880
Speaker 3: into it.

790
00:35:48,880 --> 00:35:50,719
Speaker 4: And I ended up just thinking it was it was

791
00:35:50,760 --> 00:35:52,560
Speaker 4: so great and I was not that scared.

792
00:35:52,600 --> 00:35:54,719
Speaker 3: It was just like I was crying a lot.

793
00:35:56,080 --> 00:35:59,160
Speaker 7: It's one of those experiences. I loved the film culture,

794
00:35:59,239 --> 00:36:00,680
Speaker 7: the film culture in LA and.

795
00:36:00,680 --> 00:36:02,279
Speaker 8: When you go to New York, it's like, I can

796
00:36:02,600 --> 00:36:05,480
Speaker 8: I love how much people love film. Yeah, it's such

797
00:36:05,520 --> 00:36:07,600
Speaker 8: a like there is a bit of a film movement

798
00:36:07,640 --> 00:36:09,879
Speaker 8: inside Australia, but it's not like this where you can

799
00:36:09,880 --> 00:36:11,680
Speaker 8: go and watch all these obscure films.

800
00:36:11,760 --> 00:36:13,960
Speaker 4: Even in London, like they don't have They had like

801
00:36:14,120 --> 00:36:16,800
Speaker 4: one cinema that I love, Prince Charles Cinema where I

802
00:36:16,840 --> 00:36:19,120
Speaker 4: feel like, you guys will definitely be for this movie

803
00:36:19,239 --> 00:36:21,680
Speaker 4: because it's kind of our big rep cinema. But like

804
00:36:22,000 --> 00:36:24,279
Speaker 4: in la you can just be like, oh, I really

805
00:36:24,280 --> 00:36:26,799
Speaker 4: wish I could go and see like Possession, and they're like, well,

806
00:36:26,800 --> 00:36:32,240
Speaker 4: there's three screenings today and this is fucking great Heaven exactly,

807
00:36:32,320 --> 00:36:35,040
Speaker 4: it's it's and it's so it's very amazing to kind

808
00:36:35,080 --> 00:36:38,239
Speaker 4: of have that community and have that space of just

809
00:36:38,280 --> 00:36:41,640
Speaker 4: people who love movies and who are always excited to

810
00:36:41,680 --> 00:36:44,520
Speaker 4: see something like like this. Like most people went into

811
00:36:44,560 --> 00:36:47,480
Speaker 4: this like really knowing nothing about it apart from the trailer,

812
00:36:47,520 --> 00:36:50,560
Speaker 4: which I feel like you guys left stuff very open ended.

813
00:36:50,640 --> 00:36:53,200
Speaker 4: It doesn't really reveal a lot. So it was it

814
00:36:53,280 --> 00:36:57,120
Speaker 4: was very cool to see just how much people responded

815
00:36:57,160 --> 00:36:58,920
Speaker 4: to it. And like you said, I mean I texted

816
00:36:59,040 --> 00:37:01,520
Speaker 4: the producers of the pot I texted our group chat

817
00:37:01,520 --> 00:37:03,640
Speaker 4: and was like, there is like a two hundred people

818
00:37:03,719 --> 00:37:06,840
Speaker 4: lying here. I was like, this is like very crazy,

819
00:37:07,280 --> 00:37:09,840
Speaker 4: Like this is, and so it was very cool to

820
00:37:10,480 --> 00:37:12,720
Speaker 4: see just how excited.

821
00:37:12,320 --> 00:37:14,960
Speaker 3: People are for it. Is that heartwarming for you guys?

822
00:37:15,000 --> 00:37:16,040
Speaker 3: Or is it like scary?

823
00:37:16,760 --> 00:37:19,080
Speaker 8: It's all it's all yeah. I don't exactly know how

824
00:37:19,080 --> 00:37:20,640
Speaker 8: to feel about it. I know it warms my heart

825
00:37:20,680 --> 00:37:21,720
Speaker 8: and it is like a.

826
00:37:21,600 --> 00:37:24,279
Speaker 7: Fear for people watching it.

827
00:37:24,560 --> 00:37:26,960
Speaker 8: And you know what was funny is that the line

828
00:37:27,040 --> 00:37:28,840
Speaker 8: was big out there and a bunch of people couldn't

829
00:37:28,840 --> 00:37:30,120
Speaker 8: get in, and I was like, I'm going to go

830
00:37:30,360 --> 00:37:31,640
Speaker 8: like say hello to.

831
00:37:31,560 --> 00:37:32,840
Speaker 7: The people that went a loud in. So I quickly

832
00:37:32,840 --> 00:37:33,360
Speaker 7: went around.

833
00:37:33,200 --> 00:37:35,279
Speaker 8: The block and was shaking everyone's hands, but no one

834
00:37:35,360 --> 00:37:36,840
Speaker 8: knew that they weren't not getting in.

835
00:37:37,320 --> 00:37:38,960
Speaker 7: So I was.

836
00:37:38,920 --> 00:37:44,680
Speaker 4: There, Yeah, I'm really sorry, man, Yeah you make it in.

837
00:37:44,960 --> 00:37:46,799
Speaker 8: Yeah they're And they're like, I'm asking me, you can't

838
00:37:46,800 --> 00:37:47,680
Speaker 8: wait to see the film?

839
00:37:47,760 --> 00:37:49,400
Speaker 7: Can't wait to get in? And I was like, oh no,

840
00:37:49,600 --> 00:37:50,239
Speaker 7: you can't come in.

841
00:37:52,440 --> 00:37:53,160
Speaker 3: It was so bad.

842
00:37:54,400 --> 00:37:58,120
Speaker 7: Yeah they know, yeah, they know. Yeah, you talking.

843
00:37:57,920 --> 00:38:00,319
Speaker 4: About it like a twenty four is bringing you to

844
00:38:00,360 --> 00:38:01,239
Speaker 4: every screening there.

845
00:38:01,239 --> 00:38:03,480
Speaker 3: Now they're like, okay, guys, go tell them. We don't

846
00:38:03,480 --> 00:38:06,040
Speaker 3: want to tell them of Philip. Our brothers are here.

847
00:38:06,040 --> 00:38:08,240
Speaker 4: They're gonna tell you ain't getting in if you see

848
00:38:08,280 --> 00:38:09,919
Speaker 4: Michael or Danny, you're not going.

849
00:38:12,960 --> 00:38:17,080
Speaker 7: Yeah, that was that was tough. That was it was.

850
00:38:17,160 --> 00:38:19,719
Speaker 8: It was very heartwarming and the energy was incredible. It

851
00:38:19,840 --> 00:38:22,120
Speaker 8: was it was an amazing night. It was amazing. And

852
00:38:22,120 --> 00:38:24,960
Speaker 8: it's so called Saura, you know for Australia is like

853
00:38:25,040 --> 00:38:27,279
Speaker 8: in Hollywood, bell like at a film from here.

854
00:38:27,360 --> 00:38:28,919
Speaker 7: That that is incredible to me as well.

855
00:38:29,000 --> 00:38:31,280
Speaker 4: Well, I thought that was really amazing that you guys

856
00:38:31,400 --> 00:38:35,200
Speaker 4: like had Saura and Jonas and Billy out there, like

857
00:38:35,960 --> 00:38:36,440
Speaker 4: because the.

858
00:38:36,400 --> 00:38:37,520
Speaker 3: Movie is really theirs.

859
00:38:37,560 --> 00:38:39,799
Speaker 4: Like obviously you have Sally Hawkins, who we have to

860
00:38:39,800 --> 00:38:41,680
Speaker 4: talk about because she's Sally fucking.

861
00:38:41,520 --> 00:38:43,960
Speaker 3: Hawkins, But like, what was it?

862
00:38:44,120 --> 00:38:46,600
Speaker 4: How does it feel to have seen the kids go

863
00:38:46,640 --> 00:38:48,560
Speaker 4: through the experience of making it and then get to

864
00:38:48,560 --> 00:38:51,359
Speaker 4: see them kind of getting that acclaim because especially from

865
00:38:51,400 --> 00:38:53,120
Speaker 4: the reviews that I was reading and the friends I

866
00:38:53,160 --> 00:38:56,240
Speaker 4: spoke to, I'm a I'm definitely a Sora was my breakout.

867
00:38:56,280 --> 00:38:58,520
Speaker 4: But I think a lot of people were really blown

868
00:38:58,520 --> 00:39:01,960
Speaker 4: away by Billy. I think that performance is really going

869
00:39:02,040 --> 00:39:04,360
Speaker 4: to put him in those kind of conversations.

870
00:39:04,800 --> 00:39:08,040
Speaker 7: Yeah, so it's so that is like the most rewarding thing.

871
00:39:08,080 --> 00:39:10,640
Speaker 8: And then hearing them applaud them and then being proud

872
00:39:10,640 --> 00:39:12,600
Speaker 8: of the film as well, Like you hear about people

873
00:39:12,640 --> 00:39:15,040
Speaker 8: that make films that they're not proud of or they're

874
00:39:15,040 --> 00:39:17,920
Speaker 8: like embarrassed, like they're so proud of the movie.

875
00:39:18,120 --> 00:39:21,719
Speaker 7: Like Sarah loves the movie, Billy loved the movie. Isn't

876
00:39:21,719 --> 00:39:22,560
Speaker 7: allowed to watch the movie?

877
00:39:22,760 --> 00:39:27,920
Speaker 3: That's so funny. How old is he? Like twelve?

878
00:39:27,960 --> 00:39:31,759
Speaker 7: Now twelve? It was filmed eleven.

879
00:39:31,520 --> 00:39:34,359
Speaker 4: When he's got like he's got sensible parents because when

880
00:39:34,360 --> 00:39:36,880
Speaker 4: I was his age, I was watching like Texas Chainsaw Massive.

881
00:39:36,680 --> 00:39:39,040
Speaker 7: Oh my god. Yeah, mom would have let me, but

882
00:39:39,080 --> 00:39:40,440
Speaker 7: I just a fire and watched it anyway.

883
00:39:40,680 --> 00:39:43,160
Speaker 4: Yeah, it was actually banned in the UK till two

884
00:39:43,200 --> 00:39:45,840
Speaker 4: thousand and one, so was it really Yeah, because of

885
00:39:46,000 --> 00:39:48,200
Speaker 4: video nasty rules, it just never got unbanned.

886
00:39:48,200 --> 00:39:51,040
Speaker 3: So like my dad had like a shitty VHS tape

887
00:39:51,040 --> 00:39:52,719
Speaker 3: copy that was like what it's like.

888
00:39:55,280 --> 00:39:59,520
Speaker 4: Internet video nasties, Like, yeah, twelve, I like, I think

889
00:40:00,000 --> 00:40:01,719
Speaker 4: I think my twelve year old self probably would have

890
00:40:01,719 --> 00:40:03,360
Speaker 4: been better not watching some movies.

891
00:40:03,440 --> 00:40:05,440
Speaker 3: So good for good for Jonah's parents.

892
00:40:06,040 --> 00:40:09,960
Speaker 8: Yeah, but it was because everyone's worked so hard in

893
00:40:09,960 --> 00:40:13,080
Speaker 8: the movie, Like everybody did. Everyone gave so much of

894
00:40:13,120 --> 00:40:15,600
Speaker 8: themselves to make it the best thing possible, so to

895
00:40:15,600 --> 00:40:17,680
Speaker 8: be able to bring them there so they can experience

896
00:40:17,719 --> 00:40:20,919
Speaker 8: the rewards of it was so incredible that that last

897
00:40:20,960 --> 00:40:23,440
Speaker 8: night was so much fun and just having fun with

898
00:40:23,480 --> 00:40:26,640
Speaker 8: them and celebrating with everyone because it is such a

899
00:40:26,680 --> 00:40:29,279
Speaker 8: hard process to make a movie and like, so they

900
00:40:30,080 --> 00:40:31,799
Speaker 8: did all that hard work so to be able to

901
00:40:31,960 --> 00:40:32,560
Speaker 8: reward them.

902
00:40:32,719 --> 00:40:36,160
Speaker 7: They're down, like yeah, these like Australian kids in hills.

903
00:40:38,239 --> 00:40:40,759
Speaker 4: Also, like Jonah was like running around with like all

904
00:40:40,840 --> 00:40:43,120
Speaker 4: his little friends, Like yeah, it was.

905
00:40:43,200 --> 00:40:44,759
Speaker 3: It was like you were at a wedding, you know.

906
00:40:44,840 --> 00:40:49,440
Speaker 4: And they got to say, like they were like running

907
00:40:49,520 --> 00:40:51,839
Speaker 4: I guess they were like running up and down like

908
00:40:51,880 --> 00:40:53,640
Speaker 4: that on the balcony and I.

909
00:40:53,520 --> 00:40:55,960
Speaker 3: Was like, yes, I love this. This is exactly how

910
00:40:55,960 --> 00:40:56,560
Speaker 3: it should be.

911
00:40:56,840 --> 00:40:59,080
Speaker 8: And all the drunk the drunk uncles, this is our

912
00:40:59,440 --> 00:41:02,680
Speaker 8: whatever look at It's so funny. This is our Sora's

913
00:41:02,760 --> 00:41:05,239
Speaker 8: dad and Jonah's dad in the photo booth together.

914
00:41:06,200 --> 00:41:07,560
Speaker 3: God, that's so cute.

915
00:41:08,120 --> 00:41:10,160
Speaker 4: He is a picture of two dads and they are

916
00:41:10,160 --> 00:41:14,680
Speaker 4: looking very excited to be there. I made I made sure,

917
00:41:14,719 --> 00:41:17,160
Speaker 4: like I saw Sura with her dad, and I made

918
00:41:17,160 --> 00:41:19,279
Speaker 4: sure to go up and I was like, congratulations sor

919
00:41:19,440 --> 00:41:21,200
Speaker 4: you're really really good, and I was like, I was like,

920
00:41:21,200 --> 00:41:23,000
Speaker 4: I hope you feel in that dad in your heart

921
00:41:23,080 --> 00:41:25,359
Speaker 4: that like I'm like, she did it, Like this is if,

922
00:41:25,640 --> 00:41:28,000
Speaker 4: like you said, if she wants to pursue it, I

923
00:41:28,040 --> 00:41:29,719
Speaker 4: think all three of them are going to be in

924
00:41:29,719 --> 00:41:31,600
Speaker 4: a great position. I mean, Jonah, he could become like

925
00:41:31,640 --> 00:41:35,440
Speaker 4: a creature actor, like the youngest world's youngest monster actor,

926
00:41:35,520 --> 00:41:36,960
Speaker 4: like young Doug Jones, you.

927
00:41:36,920 --> 00:41:40,360
Speaker 7: Know, yeah, yeah, and so physical and so down for it.

928
00:41:40,400 --> 00:41:42,080
Speaker 8: And then it was on the table where it's like

929
00:41:42,320 --> 00:41:44,080
Speaker 8: you don't have to do the prosthetics side of it.

930
00:41:44,120 --> 00:41:45,719
Speaker 7: Once the demon starts breaking out of you.

931
00:41:46,000 --> 00:41:48,120
Speaker 8: We can get like an older actor and stuff like that,

932
00:41:48,120 --> 00:41:49,719
Speaker 8: because there is a lot of prosthetics, like it is

933
00:41:49,760 --> 00:41:51,759
Speaker 8: going to be like you know, it's full on.

934
00:41:52,160 --> 00:41:53,879
Speaker 7: But he was like no, no, no, like I want

935
00:41:53,880 --> 00:41:54,680
Speaker 7: to do it. I want to do it.

936
00:41:54,680 --> 00:41:56,239
Speaker 8: And he was so down for it and keen for

937
00:41:56,280 --> 00:41:58,960
Speaker 8: it and never complained and yeah that to do that

938
00:41:59,160 --> 00:42:02,319
Speaker 8: every day with prosthetics and with a smile on his

939
00:42:02,360 --> 00:42:04,200
Speaker 8: face and want to come back and do more.

940
00:42:04,320 --> 00:42:05,360
Speaker 7: Yeah, that's a way forever.

941
00:42:05,400 --> 00:42:08,320
Speaker 8: And deb too, we had that those conversations with production,

942
00:42:08,400 --> 00:42:09,680
Speaker 8: but like there's a chance he just doesn't want to

943
00:42:09,680 --> 00:42:09,759
Speaker 8: do it.

944
00:42:09,800 --> 00:42:11,920
Speaker 7: I doesn't want to come back back. And it's understandable.

945
00:42:11,960 --> 00:42:13,680
Speaker 8: It's like we have to have like a fallback planner

946
00:42:13,680 --> 00:42:15,879
Speaker 8: every and but yeah, he was just the best.

947
00:42:15,920 --> 00:42:16,120
Speaker 7: It was.

948
00:42:16,280 --> 00:42:18,480
Speaker 4: You were just so into it. I mean, it really

949
00:42:18,600 --> 00:42:20,960
Speaker 4: is in a way like his movie. You know, there's

950
00:42:21,000 --> 00:42:22,560
Speaker 4: like that's kind of one of the things I love

951
00:42:22,600 --> 00:42:24,799
Speaker 4: about the movie too, is you can really watch it

952
00:42:24,840 --> 00:42:27,880
Speaker 4: from like any perspective. It can be Laura's movie, it

953
00:42:27,880 --> 00:42:29,920
Speaker 4: can be Piper's movie, it can be Annie's movie, it

954
00:42:29,920 --> 00:42:33,520
Speaker 4: can be you know, Jonah's movie, and or shall we

955
00:42:33,560 --> 00:42:38,359
Speaker 4: say Ollie for now. But but yeah, I just I

956
00:42:38,400 --> 00:42:42,359
Speaker 4: thought it was just, yeah, astonishingly good and obviously at

957
00:42:42,360 --> 00:42:44,520
Speaker 4: the heart of that aside from these brilliant kids who

958
00:42:44,600 --> 00:42:46,560
Speaker 4: I love and everyone on the podcast who listen to

959
00:42:46,600 --> 00:42:49,440
Speaker 4: podcasts knows, I love to have like my little children,

960
00:42:49,719 --> 00:42:51,600
Speaker 4: and I will kill anyone if they do something to

961
00:42:51,640 --> 00:42:52,480
Speaker 4: them in the movie.

962
00:42:52,840 --> 00:42:55,319
Speaker 3: And I was really I was struggling.

963
00:42:57,239 --> 00:42:59,600
Speaker 4: I was like crying in the seat next we like

964
00:42:59,640 --> 00:43:02,200
Speaker 4: sorry to the lovely, very glamorous couple next to me,

965
00:43:02,400 --> 00:43:04,160
Speaker 4: and then the lady next to me who was so

966
00:43:04,360 --> 00:43:08,960
Speaker 4: fucking scared. She's streaming, but I was like crying away,

967
00:43:09,200 --> 00:43:11,640
Speaker 4: just like a little grandma watching, like how could.

968
00:43:11,480 --> 00:43:14,799
Speaker 3: You do this to my dolly children? What are you doing?

969
00:43:15,040 --> 00:43:17,920
Speaker 3: But otherwise obviously it's it's Sally Hawkins.

970
00:43:17,920 --> 00:43:20,440
Speaker 4: So could you talk a little bit about that casting

971
00:43:20,480 --> 00:43:23,120
Speaker 4: because I feel like this is so different for her,

972
00:43:23,120 --> 00:43:26,439
Speaker 4: but I also feel like, in a post Sinners world,

973
00:43:26,520 --> 00:43:27,520
Speaker 4: I feel like this.

974
00:43:27,440 --> 00:43:29,960
Speaker 3: Could be like an Oscars type.

975
00:43:30,320 --> 00:43:32,960
Speaker 4: Role for I just feel like she's so unbelievable and

976
00:43:33,000 --> 00:43:35,479
Speaker 4: so different in this role. So could you talk about

977
00:43:35,520 --> 00:43:38,160
Speaker 4: getting like these Sally Hawkins? And was that always your

978
00:43:38,239 --> 00:43:41,120
Speaker 4: dream casting for Laura? Like how did it happen?

979
00:43:41,719 --> 00:43:43,640
Speaker 8: It's literally like there was a list that was made

980
00:43:43,680 --> 00:43:45,839
Speaker 8: up and like Sally was at the top of the list,

981
00:43:46,280 --> 00:43:48,759
Speaker 8: And like watching her films and every single time she's

982
00:43:48,760 --> 00:43:51,480
Speaker 8: in a movie, she's completely different. Like I love her

983
00:43:51,520 --> 00:43:53,960
Speaker 8: in Internal Beauty and I love her with Jasmine, and

984
00:43:54,000 --> 00:43:55,719
Speaker 8: I love her and Paddington, and.

985
00:43:55,640 --> 00:43:58,960
Speaker 4: Like Paddington is like a transformative performance. The movie doesn't

986
00:43:59,000 --> 00:44:02,359
Speaker 4: exist without you believe that she's talking to Paddington every

987
00:44:02,400 --> 00:44:04,920
Speaker 4: single time. Like I was showing it to friends recently

988
00:44:04,920 --> 00:44:06,960
Speaker 4: and I was like, this is why it works like

989
00:44:07,040 --> 00:44:10,000
Speaker 4: Paddington is real to her in this movie, So to

990
00:44:10,080 --> 00:44:13,040
Speaker 4: go from that to this is like a juxtaposition.

991
00:44:14,239 --> 00:44:15,000
Speaker 7: It certainly is.

992
00:44:15,600 --> 00:44:17,440
Speaker 8: And I was like, I felt impossible that we're going

993
00:44:17,520 --> 00:44:20,000
Speaker 8: to get her because because that Filmophe was so strong,

994
00:44:20,040 --> 00:44:22,480
Speaker 8: and because she played roles like pantenting, and she'd never

995
00:44:22,520 --> 00:44:23,000
Speaker 8: taken on.

996
00:44:23,040 --> 00:44:25,319
Speaker 7: Like a horror or a full genre role. So I

997
00:44:25,360 --> 00:44:27,000
Speaker 7: was like, I don't think she'd even be interested and

998
00:44:27,080 --> 00:44:28,319
Speaker 7: I'm not gonna hear from her.

999
00:44:28,360 --> 00:44:30,680
Speaker 8: So we sent the script and we waited a couple

1000
00:44:30,719 --> 00:44:32,279
Speaker 8: of days, and then they got back to us to

1001
00:44:32,360 --> 00:44:34,439
Speaker 8: like Sally loved the script.

1002
00:44:34,640 --> 00:44:37,120
Speaker 7: And I was like what. I was like, are you

1003
00:44:37,200 --> 00:44:37,640
Speaker 7: kidding me?

1004
00:44:37,800 --> 00:44:40,080
Speaker 8: Like she loved the script and like she wants to

1005
00:44:40,120 --> 00:44:42,200
Speaker 8: talk to you guys. And then and then the next

1006
00:44:42,280 --> 00:44:45,200
Speaker 8: feel was she's gonna have an ego that like she's

1007
00:44:45,200 --> 00:44:45,600
Speaker 8: gonna have.

1008
00:44:45,560 --> 00:44:49,440
Speaker 3: A girlfriend ego because Hawkins.

1009
00:44:49,640 --> 00:44:51,759
Speaker 4: So you wouldn't even blame her, But you're also like,

1010
00:44:51,840 --> 00:44:53,000
Speaker 4: do I want to work with that?

1011
00:44:53,080 --> 00:44:55,520
Speaker 8: Like how Yeah, it's kind of like we want to

1012
00:44:55,520 --> 00:44:58,040
Speaker 8: be able to be open with people and try things

1013
00:44:58,080 --> 00:45:01,919
Speaker 8: and not be nervous about acting someone. So but after

1014
00:45:01,960 --> 00:45:03,960
Speaker 8: that first call with her, she was so down to

1015
00:45:04,040 --> 00:45:07,000
Speaker 8: earth and amazing and picked up all these little nuances

1016
00:45:07,000 --> 00:45:09,719
Speaker 8: in the script that no one else had that and

1017
00:45:09,800 --> 00:45:13,000
Speaker 8: she was saying like she wanted to go deep. She said,

1018
00:45:13,200 --> 00:45:16,160
Speaker 8: she likes going deep with the character. She walks around

1019
00:45:16,160 --> 00:45:18,680
Speaker 8: the shops as the character. She she buys stuff to

1020
00:45:18,800 --> 00:45:20,839
Speaker 8: dress to set as in character, like.

1021
00:45:21,000 --> 00:45:24,440
Speaker 3: All that stuff in character she does.

1022
00:45:26,160 --> 00:45:29,000
Speaker 7: That was the best light. That was good. It was

1023
00:45:29,040 --> 00:45:30,920
Speaker 7: funny because every house that we went to to ding

1024
00:45:30,920 --> 00:45:31,399
Speaker 7: Dong dam.

1025
00:45:31,360 --> 00:45:33,279
Speaker 8: Wait for context, there's a scene in the movie that

1026
00:45:33,320 --> 00:45:35,480
Speaker 8: got cut where Laura takes these kids.

1027
00:45:35,400 --> 00:45:36,080
Speaker 7: Ding Dong dashing.

1028
00:45:36,480 --> 00:45:38,640
Speaker 8: Uh and yeah, so that and then one night we'll

1029
00:45:38,719 --> 00:45:40,560
Speaker 8: like it was like midnight and we're going through the

1030
00:45:40,600 --> 00:45:42,960
Speaker 8: script through the beats, we're talking about ding Dong dashing

1031
00:45:43,640 --> 00:45:44,160
Speaker 8: and we said, do.

1032
00:45:44,120 --> 00:45:44,440
Speaker 2: You want it?

1033
00:45:44,440 --> 00:45:48,640
Speaker 7: Should we go? Haven't you ever d dash? Yeah? She's like, yeah,

1034
00:45:48,960 --> 00:45:50,160
Speaker 7: should we go? Yes?

1035
00:45:50,239 --> 00:45:54,160
Speaker 3: Yes, She's like, can we less than ding Dong dashing?

1036
00:45:55,920 --> 00:45:57,760
Speaker 7: The funniest thing, because Sally is so funny.

1037
00:45:57,880 --> 00:46:00,000
Speaker 8: Every house that we went to she had a different

1038
00:46:00,080 --> 00:46:03,600
Speaker 8: excuse that she was ready the drapes.

1039
00:46:04,680 --> 00:46:08,439
Speaker 7: There might be someone in there all.

1040
00:46:07,960 --> 00:46:12,880
Speaker 9: The tree, the tree, this could actually be a murderer

1041
00:46:12,960 --> 00:46:15,239
Speaker 9: in this house. Guys, I'm in the you know, I'm

1042
00:46:15,280 --> 00:46:18,160
Speaker 9: in the mindset and the spider website.

1043
00:46:18,280 --> 00:46:22,520
Speaker 7: That's not right, that's all right, not this one, every house. Yeah,

1044
00:46:22,560 --> 00:46:24,040
Speaker 7: and then she did it and then like the one

1045
00:46:24,080 --> 00:46:25,920
Speaker 7: that she did had cameras at the front of it,

1046
00:46:26,040 --> 00:46:33,640
Speaker 7: so I know, you know, the hair sprinting away, the funniest.

1047
00:46:33,960 --> 00:46:35,120
Speaker 7: He is so cute.

1048
00:46:35,160 --> 00:46:42,120
Speaker 4: She's like, yeah, she's just unbelievable. So once she's on

1049
00:46:42,400 --> 00:46:44,759
Speaker 4: set and you I love it. I love like a

1050
00:46:44,880 --> 00:46:48,320
Speaker 4: limited set setting movie. And the house is like so beautiful.

1051
00:46:48,920 --> 00:46:52,800
Speaker 4: Once she's on set and she's there with the kids, Like,

1052
00:46:53,480 --> 00:46:55,759
Speaker 4: how does it kind of feel to start putting that

1053
00:46:56,040 --> 00:46:59,080
Speaker 4: to screen? Because this is just so different tonally and

1054
00:47:00,160 --> 00:47:03,399
Speaker 4: is aesthetically like such a gorgeous movie. But there's also

1055
00:47:03,560 --> 00:47:06,080
Speaker 4: like law as the kids would say, l O I

1056
00:47:06,200 --> 00:47:08,680
Speaker 4: E not l A w as or my Discord members

1057
00:47:08,719 --> 00:47:12,040
Speaker 4: always drag me for like I know, I'm English, bro,

1058
00:47:12,280 --> 00:47:14,440
Speaker 4: That's why it sounds like that. But like, but like,

1059
00:47:14,800 --> 00:47:17,160
Speaker 4: there's there's so many different levels to it, but at

1060
00:47:17,200 --> 00:47:19,440
Speaker 4: the heart of it is this kind of familiar relationship.

1061
00:47:19,520 --> 00:47:20,960
Speaker 4: So what did it start to feel like once you

1062
00:47:21,000 --> 00:47:23,520
Speaker 4: were there with the family that you'd build and kind

1063
00:47:23,560 --> 00:47:26,240
Speaker 4: of start delving into that kind of darkness.

1064
00:47:26,600 --> 00:47:29,239
Speaker 8: Well, it was like as much as we could, we

1065
00:47:29,360 --> 00:47:31,680
Speaker 8: structured the film so that the more difficult stuff was

1066
00:47:31,719 --> 00:47:34,000
Speaker 8: at the end for sa so you could build up

1067
00:47:34,000 --> 00:47:36,759
Speaker 8: to like other heavier scenes, but like Sally as well,

1068
00:47:37,719 --> 00:47:40,560
Speaker 8: so we really track the performance and that naturally it

1069
00:47:40,800 --> 00:47:43,719
Speaker 8: was very sequential and it was very much like from

1070
00:47:43,800 --> 00:47:45,239
Speaker 8: them arriving from the house was the first thing that

1071
00:47:45,239 --> 00:47:47,480
Speaker 8: we show everyone in and like they were able to

1072
00:47:47,640 --> 00:47:51,080
Speaker 8: get comfortable and grow into their characters and and you

1073
00:47:51,280 --> 00:47:54,560
Speaker 8: know what's coming, and like Sally's so good in these scenes.

1074
00:47:54,719 --> 00:47:57,600
Speaker 3: So good early on, like you want to live there. Yeah,

1075
00:47:58,320 --> 00:48:00,960
Speaker 3: that's the thing I thought, you guys, Scott, that was

1076
00:48:01,000 --> 00:48:01,439
Speaker 3: so cool.

1077
00:48:01,560 --> 00:48:02,080
Speaker 7: Like I was.

1078
00:48:02,239 --> 00:48:04,480
Speaker 4: I was homeless when I was a teenager, and I

1079
00:48:04,680 --> 00:48:09,319
Speaker 4: interacted with so many different like cool adults who would

1080
00:48:09,400 --> 00:48:12,239
Speaker 4: let you drink, who would smoke with you, who, But

1081
00:48:12,440 --> 00:48:15,040
Speaker 4: so often there was something behind that and the reason

1082
00:48:15,120 --> 00:48:17,319
Speaker 4: that they're hanging around with a teenager or that they're

1083
00:48:17,360 --> 00:48:18,680
Speaker 4: happy with that kind of behavior.

1084
00:48:18,920 --> 00:48:22,240
Speaker 3: So there were just so many levels to those early moments.

1085
00:48:22,480 --> 00:48:25,440
Speaker 4: But at the same time, I absolutely still wanted to

1086
00:48:25,560 --> 00:48:28,080
Speaker 4: be in that house, like with her, Like she has

1087
00:48:28,160 --> 00:48:31,600
Speaker 4: this magnetism even when from early on, you know, like

1088
00:48:31,719 --> 00:48:34,359
Speaker 4: she's cutting out Andy, she's not interested in him being there.

1089
00:48:34,400 --> 00:48:37,640
Speaker 4: The photo got like such a huge laugh in the

1090
00:48:37,760 --> 00:48:41,120
Speaker 4: cinema because I think it just established very quickly when

1091
00:48:41,840 --> 00:48:45,000
Speaker 4: you and Sally does this, like there's this incredible moment.

1092
00:48:45,080 --> 00:48:46,480
Speaker 3: She takes a selfie of her and the kids and

1093
00:48:46,560 --> 00:48:48,840
Speaker 3: she does this huge grin, like just.

1094
00:48:48,920 --> 00:48:53,480
Speaker 4: The happiest those fucking Paddington grin and every and but

1095
00:48:53,600 --> 00:48:55,920
Speaker 4: she blocks out Andy and you understand very quickly that

1096
00:48:56,000 --> 00:48:58,720
Speaker 4: Piper is is the focus, you know, but you still

1097
00:48:59,280 --> 00:49:01,759
Speaker 4: she manages to make it so warm and so fun

1098
00:49:01,880 --> 00:49:03,880
Speaker 4: that even though you know what's coming, you want to

1099
00:49:03,920 --> 00:49:04,399
Speaker 4: be in there.

1100
00:49:05,160 --> 00:49:08,040
Speaker 8: Yeah, that's her, And that's not like the way that

1101
00:49:08,160 --> 00:49:10,600
Speaker 8: she's able to balance all these different things, and like

1102
00:49:10,760 --> 00:49:13,359
Speaker 8: it was like like like Laura's over compensating a little

1103
00:49:13,360 --> 00:49:16,880
Speaker 8: bit here, like yeah, and so like she's able to

1104
00:49:16,920 --> 00:49:19,680
Speaker 8: play all these little things so subtly and so beautifully,

1105
00:49:20,080 --> 00:49:22,040
Speaker 8: and then like the idea, like she's able to portray

1106
00:49:22,120 --> 00:49:24,840
Speaker 8: this stuff. This is so exciting to shoot the stuff

1107
00:49:24,880 --> 00:49:27,080
Speaker 8: that's coming, Like I can't even imagine.

1108
00:49:26,719 --> 00:49:27,560
Speaker 7: What this is going to be like.

1109
00:49:27,920 --> 00:49:30,960
Speaker 8: And like Sally gets in such an amazing zone and

1110
00:49:31,040 --> 00:49:33,279
Speaker 8: when she's there, she's there. And there were scenes where

1111
00:49:33,280 --> 00:49:37,040
Speaker 8: she was so scary to approach. She was so in

1112
00:49:37,200 --> 00:49:39,120
Speaker 8: the character and in the moment and stuff, and she's

1113
00:49:39,160 --> 00:49:41,200
Speaker 8: like like pacing and crying between takes.

1114
00:49:40,920 --> 00:49:42,600
Speaker 7: And stuff, and you're like going up and trying to talk.

1115
00:49:43,160 --> 00:49:44,600
Speaker 7: And then but then there's also.

1116
00:49:44,400 --> 00:49:48,560
Speaker 8: If she always gives one hundred percent, even in rehearsals.

1117
00:49:48,640 --> 00:49:51,799
Speaker 8: So we say we're doing rehearsals as there's a part

1118
00:49:51,800 --> 00:49:52,719
Speaker 8: where she falls.

1119
00:49:52,480 --> 00:49:55,160
Speaker 7: Down, and there's some people like, now, don't fall down, Sally.

1120
00:49:55,320 --> 00:49:56,399
Speaker 7: We can put them out here if.

1121
00:49:56,280 --> 00:49:59,040
Speaker 8: You want to say, no, I'm not going to fall down.

1122
00:49:59,200 --> 00:50:00,960
Speaker 8: As soon as we start by just going through the

1123
00:50:01,000 --> 00:50:05,600
Speaker 8: ass every take is like she's the is the goal,

1124
00:50:05,719 --> 00:50:07,880
Speaker 8: Like she's going for one hundred percent, even.

1125
00:50:07,719 --> 00:50:08,839
Speaker 7: When the cameras aren't rolling.

1126
00:50:09,160 --> 00:50:11,600
Speaker 8: Even when it was Andy by himself in his room

1127
00:50:11,800 --> 00:50:13,080
Speaker 8: and there's going to be a knock at the door

1128
00:50:13,160 --> 00:50:15,520
Speaker 8: from Laura. She wanted to do that even though she's

1129
00:50:15,560 --> 00:50:18,560
Speaker 8: not gonna be on camera. She wanted to just be everything.

1130
00:50:18,960 --> 00:50:23,400
Speaker 8: Everything is incredible, and even Oliver like pushing up against

1131
00:50:23,440 --> 00:50:25,439
Speaker 8: there's a part where he pushes up against the wall

1132
00:50:25,480 --> 00:50:26,120
Speaker 8: and stunt.

1133
00:50:26,160 --> 00:50:28,160
Speaker 7: He's like I'm gonna put some pads on. She's like,

1134
00:50:28,520 --> 00:50:29,439
Speaker 7: would Laura be wearing?

1135
00:50:34,960 --> 00:50:38,600
Speaker 6: Yeah, bruises and even if they like they're jumping into

1136
00:50:38,680 --> 00:50:41,160
Speaker 6: the pool when she gets Kathy was the first thing

1137
00:50:41,200 --> 00:50:43,560
Speaker 6: that we shot, was the very first thing, and everyone

1138
00:50:43,600 --> 00:50:45,880
Speaker 6: there's safety had like a wet suit for her to

1139
00:50:45,960 --> 00:50:47,560
Speaker 6: wear to jump in, and she's like.

1140
00:50:49,360 --> 00:50:54,080
Speaker 3: Wearing She's like, I don't think she'd have time to

1141
00:50:54,120 --> 00:50:58,520
Speaker 3: put that on the excuse me, no, I will.

1142
00:50:58,760 --> 00:50:58,960
Speaker 7: Yeah.

1143
00:50:59,000 --> 00:51:01,600
Speaker 4: I thought she was like so astonishing, And I just

1144
00:51:01,719 --> 00:51:03,640
Speaker 4: think that people are going to be really excited. I

1145
00:51:03,680 --> 00:51:05,040
Speaker 4: could talk to you all day about the movie, but

1146
00:51:05,080 --> 00:51:06,600
Speaker 4: I also don't want to take up all your time.

1147
00:51:06,880 --> 00:51:09,560
Speaker 4: So just I think something people are really gonna want

1148
00:51:09,600 --> 00:51:12,480
Speaker 4: to talk about is the knife scene. So last, just

1149
00:51:12,520 --> 00:51:15,160
Speaker 4: before I let you guys go, what are your memories

1150
00:51:15,200 --> 00:51:17,480
Speaker 4: of recording that scene on that day? Because I think,

1151
00:51:17,600 --> 00:51:19,839
Speaker 4: like it looks really scary, but I'm guessing on set

1152
00:51:20,000 --> 00:51:21,240
Speaker 4: was probably kind of fun.

1153
00:51:21,280 --> 00:51:23,880
Speaker 3: Because it's so out there. So could you talk a

1154
00:51:23,920 --> 00:51:24,600
Speaker 3: little bit about that.

1155
00:51:24,560 --> 00:51:27,200
Speaker 4: And kind of Jonah that performance in that moment, because

1156
00:51:27,200 --> 00:51:28,320
Speaker 4: I think it's going to be like one of the

1157
00:51:28,400 --> 00:51:29,800
Speaker 4: defining moments of the movie.

1158
00:51:30,120 --> 00:51:32,520
Speaker 8: It's so it's yeah, literally, when you're doing any of

1159
00:51:32,600 --> 00:51:35,719
Speaker 8: that practical stuff, it's so fun He's not this foam

1160
00:51:35,800 --> 00:51:38,600
Speaker 8: knife that he's like gnawing on and doing all this stuff.

1161
00:51:38,760 --> 00:51:40,719
Speaker 7: He's got these teeth that have magnets in it so

1162
00:51:40,800 --> 00:51:41,080
Speaker 7: we can.

1163
00:51:41,080 --> 00:51:42,839
Speaker 8: Control and they're sort of pushing it off and there's

1164
00:51:42,880 --> 00:51:44,959
Speaker 8: like a bit of metal that's hidden under the foam knife.

1165
00:51:45,160 --> 00:51:46,960
Speaker 7: So let's try and get this and push this here

1166
00:51:47,000 --> 00:51:49,359
Speaker 7: so it's not this fake magnet teeth in. And then

1167
00:51:49,400 --> 00:51:52,239
Speaker 7: we built his face as like a mannequin and it

1168
00:51:52,360 --> 00:51:54,560
Speaker 7: was like so photo real, and then we had a

1169
00:51:54,640 --> 00:51:57,520
Speaker 7: real knife on that like the lip could get cut.

1170
00:51:57,760 --> 00:51:59,440
Speaker 8: Yeah, so it was design that the lip could get

1171
00:51:59,480 --> 00:52:01,360
Speaker 8: cut in every thing. So like all of that stuff

1172
00:52:01,480 --> 00:52:03,560
Speaker 8: was like you're grabbing all these different it's so funny.

1173
00:52:03,600 --> 00:52:05,360
Speaker 8: Jonah said that because Danny was the one doing the

1174
00:52:05,560 --> 00:52:06,840
Speaker 8: like cutting the lip.

1175
00:52:06,760 --> 00:52:10,160
Speaker 7: To get the right like of course, and there's a

1176
00:52:10,200 --> 00:52:15,560
Speaker 7: lot of repressed aggressions. Face. You've been mucking around a

1177
00:52:15,600 --> 00:52:17,719
Speaker 7: lot of sas you've been danged on.

1178
00:52:17,760 --> 00:52:18,640
Speaker 3: Dashing people with us.

1179
00:52:19,880 --> 00:52:20,400
Speaker 7: How dare you?

1180
00:52:20,600 --> 00:52:21,920
Speaker 3: How dare you? How are you?

1181
00:52:22,560 --> 00:52:22,600
Speaker 1: That?

1182
00:52:22,719 --> 00:52:23,880
Speaker 7: I think it's one thing, so.

1183
00:52:24,040 --> 00:52:26,360
Speaker 8: Like really quickly just jumping back to Sally, Like the

1184
00:52:26,440 --> 00:52:29,520
Speaker 8: most magical part of the whole thing was movie nights

1185
00:52:29,520 --> 00:52:30,320
Speaker 8: of Sally Hawkins.

1186
00:52:30,440 --> 00:52:33,480
Speaker 7: Like I watched Whatever Happened to Baby Jane with shut

1187
00:52:33,719 --> 00:52:37,480
Speaker 7: Up that their was heaven. I loved it.

1188
00:52:37,600 --> 00:52:40,279
Speaker 8: And she was like doing the characters' voices, like she's

1189
00:52:40,400 --> 00:52:42,520
Speaker 8: mocking them and doing the thing, and I'm like, oh.

1190
00:52:42,440 --> 00:52:43,520
Speaker 7: God, she's so incredible.

1191
00:52:43,840 --> 00:52:44,680
Speaker 3: I love that so much.

1192
00:52:44,760 --> 00:52:48,400
Speaker 4: And guys, congratulations, thank you for coming on next revision

1193
00:52:48,760 --> 00:52:50,080
Speaker 4: and you can come back anytime.

1194
00:52:50,400 --> 00:52:52,560
Speaker 7: Oh you've been amazing. You've been amazing.

1195
00:52:52,719 --> 00:52:55,439
Speaker 4: Just come and talk about anything that you like, movies, TV,

1196
00:52:55,640 --> 00:52:56,840
Speaker 4: horror movies, comic books.

1197
00:52:56,920 --> 00:52:58,640
Speaker 3: Just come back. Because this was a joy and it

1198
00:52:58,760 --> 00:52:59,319
Speaker 3: was so great.

1199
00:52:59,560 --> 00:53:02,120
Speaker 4: And I hope you guys have a really lovely press

1200
00:53:02,160 --> 00:53:04,440
Speaker 4: tour for this, and I hope that you realize that

1201
00:53:04,480 --> 00:53:05,959
Speaker 4: you made something that's really really cool.

1202
00:53:06,560 --> 00:53:08,480
Speaker 7: Oh awesome. We love you.

1203
00:53:15,960 --> 00:53:18,239
Speaker 3: Thank you so much, Christine, appreciate you.

1204
00:53:18,840 --> 00:53:21,040
Speaker 1: Tuesday on X ray Vision, we're looking ahead at the

1205
00:53:21,080 --> 00:53:22,240
Speaker 1: summer TV schedule.

1206
00:53:22,360 --> 00:53:23,000
Speaker 2: That's it for news.

1207
00:53:23,040 --> 00:53:24,560
Speaker 3: Thanks for listening. Bye.

1208
00:53:26,280 --> 00:53:28,880
Speaker 1: X ray Vision is hosted by Jason Concepcion and Rosie

1209
00:53:28,960 --> 00:53:30,960
Speaker 1: Knight and is a production of iHeart Podcast.

1210
00:53:31,360 --> 00:53:34,960
Speaker 4: Our executive producers are Joel Monique and Aaron Kaufman.

1211
00:53:35,200 --> 00:53:37,879
Speaker 2: Our supervising producer is Abuza par Our.

1212
00:53:37,840 --> 00:53:41,560
Speaker 4: Producers are Common, Laurent Dean Jonathan and Bay Wack.

1213
00:53:41,680 --> 00:53:44,439
Speaker 1: A theme song is by Brian Vasquez, with alternate theme

1214
00:53:44,520 --> 00:53:45,760
Speaker 1: songs by Aaron Kauffman.

1215
00:53:45,960 --> 00:53:49,279
Speaker 4: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

1216
00:53:49,440 --> 00:53:51,160
Speaker 4: Heidi our discord moderator