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Speaker 1: The filmmaker. Oh movie, the film. No, so I'm so

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Speaker 1: sorry I called it a movie. It's not a movie.

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Speaker 1: It's a it's a film maker. My my fume, fucking professor,

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Speaker 1: fucking uh science expert something, it's a movie. A filmmaker.

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Speaker 1: Movie is a glorified cat sitter literally, words out of

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Speaker 1: my mouth. What is a filmmaker actually doing other than

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Speaker 1: just being like they're wrangling, right, they're wrangling, they're beating

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Speaker 1: and sort of yes, caring for you know, giving little

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Speaker 1: treats to these cats, these mercurial yes, these creatures who

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Speaker 1: are so curious and get themselves into trouble sometimes through

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Speaker 1: their curiosity. And all the filmmaker is doing is uh

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Speaker 1: basically uh well, filming them as they go filming this, yeah,

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Speaker 1: making them kiss, pushing their faces together. Now the cats

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Speaker 1: have to kiss. By the way, most cat sitters in

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Speaker 1: a more traditional you know structure, who were forcing the

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Speaker 1: cats to kiss one another would not be you know,

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Speaker 1: considered particularly good at their chops, even the ones.

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Speaker 2: You can tell sometimes you have a cat sitter over yep,

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Speaker 2: and they they take a picure, you know, they like

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Speaker 2: to take a picture to send you, so you know.

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Speaker 1: Cats are company and these are now he was just

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Speaker 1: a second micheal and that was the time that he

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Speaker 1: decided to come in.

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Speaker 3: Well, I didn't have too much cat content.

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Speaker 1: I think there was. I think there was a spot

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Speaker 1: where it had been. You were thinking, it's been too

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Speaker 1: long that I've gone without speaking.

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Speaker 3: I absolutely was. I now, I'm like spot, that's the

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Speaker 3: name of Data's cat and Star Trek is that anything?

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Speaker 3: And it's not.

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Speaker 1: And yet even knowing and I agree it was too long,

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Speaker 1: even knowing that when you came in for me, not

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Speaker 1: the moment, because Hayes was getting to something really good

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Speaker 1: about how the cat sitters take a picture.

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Speaker 2: They take a picture of the cat to show you like,

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Speaker 2: these are the same cats that were here before when you.

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Speaker 1: Were saying cats everything normal, yep.

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Speaker 2: But you can kind of tell sometimes that they were

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Speaker 2: just kissing, that they were their faces that just kind

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Speaker 2: of looked like they were just movesed together a second ago.

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Speaker 2: And we have a picture of that too, but it's

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Speaker 2: that's not the one they're sending.

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Speaker 1: Yeah, I'd love to see the full camera roll.

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Speaker 3: What was cut, what was left on the catting room floor.

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Speaker 1: What's so yumy and so Kevin they get that. That's

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Speaker 1: the first thing Michael says, because the time before and

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Speaker 1: I don't want to beat this to death, right, Like

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Speaker 1: what would happen in one of your movies, all this

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Speaker 1: scary stuff. The film man is feeling them beating each

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Speaker 1: other to death with Jay Also, it's basically something else

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Speaker 1: that you wouldn't want the cats that are to do,

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Speaker 1: but they'll do it, but they'll do it. I don't

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Speaker 1: want to beat to death. But the first time that

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Speaker 1: you came in, I wish it had been something like

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Speaker 1: this with the catting room floor.

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Speaker 3: Yeah. I was talking to math Banana from Auntie Donna

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Speaker 3: about doing this podcast because I.

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Speaker 2: Am no, no, come on, I can't. We can't keep

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Speaker 2: doing this.

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Speaker 1: Fucking Australian on the fucking show has to let us

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Speaker 1: know we know Anti Donah, Well we know Anti Dona too.

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Speaker 1: You actually don't have to be there to know them.

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Speaker 1: And it's not that great.

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Speaker 2: And anytime I'm like do you know those guys? Do

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Speaker 2: you know Anti Dona to an Australian person, they're like,

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Speaker 2: it's a fucking country. I don't like that we don't

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Speaker 2: all know each other. But then it's like, yeah, you do.

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Speaker 2: You actually dotely do.

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Speaker 1: So, so you're a pr I'm thinking I'm thinking of

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Speaker 1: becoming a Mark guy myself. Yeah. Yeah, we been Primarilyden Gang.

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Speaker 1: I'm Zach pa Oh I've been I've been Broden pilled

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Speaker 1: for a while. Now he's he's to me the one

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Speaker 1: who I've seen the most, which maybe why I'm not

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Speaker 1: that's so interesting. But my story right with why I'm

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Speaker 1: Zach pack because I've seen that so inaccessible Zach. So

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Speaker 1: he's so far removed. I can't I don't think I

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Speaker 1: can get hold of him, and and that actually does

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Speaker 1: make him really appealing. And this Broden because I've been

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Speaker 1: Broden bud for a while. I gotta get away. I

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Speaker 1: gotta get away from that grody Brody. That's not good.

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Speaker 1: But now I'm Mark Max.

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Speaker 3: You know Max Mark. I'm a Max guy.

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Speaker 1: Yeah, Mark Mark. I had never even considered that a

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Speaker 1: Mark man. I has forgotten there was a Mark.

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Speaker 3: And a series uh is seven? Sorry sorry Sean, uh

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Speaker 3: you know seven eight years ago. So that's that's what

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Speaker 3: was my way in was through Mark. That's how I

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Speaker 3: kind of meant those guys. Bit of context.

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Speaker 1: So, so you were talking to him about potentially doing

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Speaker 1: the show, and he had some words of wisdom. I'm sure.

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Speaker 3: Yeah, he said, no, man, you'll be good. You're funny,

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Speaker 3: and I think we're learning how polite mank but maybe is.

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Speaker 1: Well yeah, Shanks, well this is this is your classic

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Speaker 1: self deprecating you know, dry wit and from the guy

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Speaker 1: who came up with catting room floor a couple of

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Speaker 1: minutes ago, a couple of minutes too late, but a couple.

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Speaker 3: Of minutes.

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Speaker 1: Skimble Shanks, the rail say Skimble Shanks. Yeah, Shanks for

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Speaker 1: the memories, Shanks for the memories, and you know his movie.

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Speaker 1: He's great. Shank you very much. You say that after screening,

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Speaker 1: Shank you very much for coming.

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Speaker 3: Oh yeah, every single time to every person individually, I

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Speaker 3: shake the hands, we kiss, I say, Shank you very much.

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Speaker 1: You golfer. I hope, oh, I hope not. I don't

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Speaker 1: believe your ancestors were either at least not in any

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Speaker 1: in any notable positive ways shinking it. Michael Shanks is

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Speaker 1: the director of the film Together in theaters before. Are

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Speaker 1: we saying that right.

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Speaker 3: Together?

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Speaker 1: Yeah?

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Speaker 3: Yeah, yeah, that's it. Not to get her, as some

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Speaker 3: people might read.

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Speaker 1: It, togathor the noble Beast togathor Wicked Haunting the Mountains. Yes,

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Speaker 1: this is this is what we're talking about.

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Speaker 3: Yeah, yeah, yeah, you've seen it. You get it.

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Speaker 1: I saw it, Yeah, I was there. Can we roll

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Speaker 1: that clip, Kevin? Do you have that clip? Can we

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Speaker 1: roll that? Be seeing it? Michael? Clip up? Go ahead.

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Speaker 1: I mean it must be. You must be still be

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Speaker 1: riding so.

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Speaker 2: High from seeing your movie and having so much fun

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Speaker 2: seeing I mean it must be your favorite movie.

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Speaker 3: Yes, it's certainly the movie I've watched the most. Now

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Speaker 3: I sort of never want to see it again, but

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Speaker 3: every time that this There was a Q and a

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Speaker 3: screen last night here in Melbourne, and it's still kind

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Speaker 3: of like sneaking in at some of the moments where

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Speaker 3: you know, this it's gonna get a little off, that's gonna.

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Speaker 1: It's a filmmaker. Yeah, that's the filmmaker. That's you know

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Speaker 1: how you're at the rest of You're like, that's the chef.

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Speaker 1: Oh yeah, Everyone's like, oh he's really this, this is

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Speaker 1: the chef over there.

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Speaker 3: The worst thing is is like being in the lobby

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Speaker 3: and people are going to see other movies and me

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Speaker 3: just like standing around kind of feeling so thick.

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Speaker 2: That's fun like, oh, hey man, alright, that's fuck that

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Speaker 2: they go see another movie in front of you. Yeah,

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Speaker 2: it's no good. Well were they seeing those? Sounds like

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Speaker 2: it must be sounds like it must be pretty good though,

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Speaker 2: it must be.

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Speaker 3: Something they were doing, like a Jaw's fiftieth anniversary. There's

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Speaker 3: an acute something. I mean, like yeah, like just dogshow.

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Speaker 1: We begrudge them Jaws.

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Speaker 2: Michael, you've come on our show today. M hm uh ready,

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Speaker 2: maybe to look.

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Speaker 1: Back on the experience, which is done. It's over. Yeah,

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Speaker 1: you talked a little bit about never wanted it. Yeah, no,

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Speaker 1: you do. At some point we got to move on.

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Speaker 1: Something we say on the podcast a lot, it's unfortunate truism.

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Speaker 1: Uh in this town, you're only as good as your

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Speaker 1: next film, you know what I mean, your next your

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Speaker 1: next one. So uh so you do have to kind

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Speaker 1: of say, whatever I've done, that's done. Did that took

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Speaker 1: your little victory lap, you know, as you were talking

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Speaker 1: about NonStop? But now we're at this point where we

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Speaker 1: can kind of have an honest appraisal. I know you

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Speaker 1: didn't want to see the movie again, but of at

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Speaker 1: least the teaser and whether it even like was from

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Speaker 1: the movie like I don't even know, you know, like

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Speaker 1: we we we we do a lot a lot of

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Speaker 1: the going to once or twice, once or twice. We've

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Speaker 1: done this, Michael, what's or twice? We've looked at the teaser.

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Speaker 1: We have a little bit of experience here by Yeah,

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Speaker 1: just not my first teas not my first time cleaning

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Speaker 1: off the teaser tweezers to go into the teaser freezer.

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Speaker 2: In this movie. I'm excited to watch my teaser today.

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Speaker 2: This movie stars Dave Franco and Allison Brie. Who did

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Speaker 2: you agree on whether to be friends after this is

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Speaker 2: all over?

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Speaker 1: Did you? Guys? Yeah? Was that still in flux?

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Speaker 3: I thought we had agreed, but they may have opinion.

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Speaker 1: We can feel it sort of petering out.

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Speaker 3: Huh yeah, yeah, not as lively as friends.

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Speaker 1: We'll tell you what I saw. Let's see the very

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Speaker 1: the most.

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Speaker 3: Recent, most recent, uh scrolling it's four bad?

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Speaker 1: Why are you scrolling back?

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Speaker 3: Wednesday five, sixteen pm. Alison Brie, ha ha haha, cute.

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Speaker 1: Holy shit? Yeah, and it really it's it all is on,

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Speaker 1: miss Brie, isn't it.

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Speaker 3: I said, we're still friends, right, and she responded yeah.

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Speaker 1: And it always on her to to to carry that

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Speaker 1: is it her discretion? And also, you know her name

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Speaker 1: looks like all is on and it all is on

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Speaker 1: her shoulders, and it all is on her at the

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Speaker 1: premiere because she got that ship on. M I mean,

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Speaker 1: she really put that ship on for it. And the

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Speaker 1: two of them, they know, they're they're friends, they're friends.

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Speaker 1: Tell me what was going on?

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Speaker 3: Well, yeah, they're they're they're married, they've been married for

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Speaker 3: a long time, they've been together for It.

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Speaker 1: Doesn't always mean your friends, unfortunately, Mike, unfortunately, doesn't always

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Speaker 1: mean your friends.

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Speaker 3: Oh that's a grim insight.

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Speaker 1: My onset, bet, this is me on set. I'm going

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Speaker 1: up to guys. I think Dave and Allison are fucking.

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Speaker 1: That's my onset, bet. I'm the ad. Also, I should not.

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Speaker 1: I'm not maybe the last person who should be doing. Yeah,

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Speaker 1: I've gotta have like the most professional face for the

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Speaker 1: entirety of I'm like there to keep this thing on

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Speaker 1: rare trust, And I keep leading over during the take

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Speaker 1: to this sound guy who's trying to make sure I

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Speaker 1: clean good. My man, my man, I think Alison Dave

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Speaker 1: are fucking. I saw her go into his trailer earlier.

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Speaker 1: There's nothing they could have done, but fucked in there.

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Speaker 1: The two of that damn movie, the two of them.

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Speaker 1: I'll say this promo dogs.

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Speaker 2: Oh yeah, you got a couple promo dogs on your hand.

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Speaker 2: You don't deserve them, Michael, Well, you.

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Speaker 3: Know, hopefully I certainly don't, but hopefully the film does.

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Speaker 3: It was, you know, honestly inspiring because I had to

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Speaker 3: go through the whole press thing. I've never done that before,

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Speaker 3: and they helped me elevate my game watching these two pros.

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Speaker 1: Did you go through the whole press thing?

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Speaker 3: Yeah? I did, didn't get that. Oh yeah, they went

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Speaker 3: through the whole press thing.

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Speaker 1: You were there for.

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Speaker 2: You were there for some of it, but at some

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Speaker 2: point they just kind of left you behind and said

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Speaker 2: they'd come back for you if they could.

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Speaker 3: Yeah. Well, we did this thing. I think it was

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Speaker 3: called Watch what Happens Live with Andy Cohen. It's like

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Speaker 3: a Bravo show, and it's like they were the guests

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Speaker 3: that I was the bar keeper, and they're like, you've

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Speaker 3: got to be camera ready. You've got to be like

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Speaker 3: ready to go. We could cut you at any time.

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Speaker 3: Sat there the whole time, never got thrown to. It

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Speaker 3: was not on.

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Speaker 1: Camera, No, no conversation at.

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Speaker 3: All, no conversation. I had zingers. You've seen how good

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Speaker 3: I am interjecting and other people talking, and I was like,

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Speaker 3: oh maybe now, maybe now, if.

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Speaker 1: They gave you time.

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Speaker 3: Yeah, yeah, actually, And he did introduce me at one point,

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Speaker 3: and he read the wrong Teley Prompta and called me

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Speaker 3: a totally different name, Telly Prompt. Is that what it is?

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Speaker 3: Q cuts? I don't know.

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Speaker 1: I think I think we just say teleprit you say

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Speaker 1: we say it different, we say it different. We sure

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Speaker 1: do tell.

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Speaker 2: With those guys, they really put their whole ass into it.

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Speaker 1: Oh yeah. At one point was like and and by

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Speaker 1: the way, really enjoyed the movie. Congratulations. Everyone seems to

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Speaker 1: love this thing. But I started to be like, this

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Speaker 1: can't just be about the movie for them anymore. Something

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Speaker 1: else was going on there. I think they did hot

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Speaker 1: ones three times.

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Speaker 2: Yes, yeah, you said your movie deserves this. No movie deserves.

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Speaker 1: That. Like, it just wasn't about the movie. I know.

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Speaker 1: They was like some kind of press kink that they

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Speaker 1: were playing out with one another.

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Speaker 3: Yeah, humiliation ritual.

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Speaker 1: Yeah, and by.

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Speaker 3: The way, way, I'm here for it. Yeah, it was great.

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Speaker 3: Neon kind of suggested all of the stuff that they

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Speaker 3: should do. They had this thing where they like had

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Speaker 3: rats climb all over them. What answering questions? They got

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Speaker 3: covered in rappists and ship and you know they they

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Speaker 3: were down for the whole thing, like real, real pros love.

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Speaker 1: When the plague comes back, we'll know who to blame

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Speaker 1: your movie. It's it's it's like it's like, honestly, the

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Speaker 1: two stars of your movie that they actually were familiar

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Speaker 1: with another movie as well, the yes Man ah, because

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Speaker 1: they decided to say yes to everything. Well you said that,

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Speaker 1: m M. Say press to everything, say yes to the press.

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Speaker 3: Yes to the press. Twenty seven presses.

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Speaker 2: Yeah, yeah, yes, dude, yes dude, yes, yep, yes, yes.

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Speaker 3: At least texting Mark Banana it's going well.

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Speaker 1: Just got twenties of it presses through Hayes.

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Speaker 3: Yeah go, thanks for sitting that throughly Hamly.

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Speaker 1: But yeah, it was interesting to us the idea that

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Speaker 1: we have done so many of unfreezing the teasers, you know,

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Speaker 1: asking these questions among ourselves, speculating on what could be

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Speaker 1: happening in the movie, but we've never really had someone

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Speaker 1: directly involved with the film, let alone the filmmaker here

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Speaker 1: to actually address like what's happening for us when we

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Speaker 1: watch these things and be able to say, like that

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Speaker 1: was intentional. Oh, you're picking up on something, you know. Oh,

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Speaker 1: I didn't even know this about my own film, what

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Speaker 1: you've discovered. But yes, of course subconsciously that must have

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Speaker 1: been in there, you know.

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Speaker 2: So it'd be nice to have one of the major

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Speaker 2: creative forces behind the film other than that, other than ourselves.

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Speaker 2: Since you seem committed to not saying it for some reason,

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Speaker 2: you did listen to this podcast the entire time you

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Speaker 2: edited the movie. The movie is actually made in the

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Speaker 2: editing bay.

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Speaker 3: Yeah, it's it's kind of like this that Metallica whiskey

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Speaker 3: that they brew with. They put the barrels next to

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Speaker 3: speaker's playing Metallica all day long. But whilst I was

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Speaker 3: ye Blackhead, of course. Yeah, whilst I was doing the

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Speaker 3: visual effects, I was listening to this podcast quite a lot,

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Speaker 3: so I feel like it's infused.

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Speaker 1: Yeah, o, Vin last than Kevin ever says, and uh

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Speaker 1: and can you taste can you taste the Metallica metal? Yeah?

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Speaker 1: Oh yeah, well I had black and cigars at the wedding.

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Speaker 3: Oh wow, have you seen that video of Htfield promoting

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Speaker 3: those cigars? He's like, yeah, you know, just like to

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Speaker 3: get through smoke these with my buds in a room

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Speaker 3: full of smoke and a room full of truth.

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Speaker 1: That does sound like very cool.

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Speaker 3: It's wearing a black cowboy hat rocks.

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Speaker 1: The and so we were you were channeling our inspiration

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Speaker 1: through your fingers. Well you really you find out what

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Speaker 1: the movie is in there because you're writing and you

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Speaker 1: don't know what you're actually gonna get. The day you shoot,

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Speaker 1: you shoot, and you don't know actually what you got.

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Speaker 1: But you see me watch it, and it's a load

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Speaker 1: of crap. It is it is. We didn't get it

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Speaker 1: be your film's it's it's it's it's never as good

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Speaker 1: as the dailies, and it's never as bad as the

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Speaker 1: first cut, right the truth and so and so the

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Speaker 1: the first cut obviously is unwatchable. You don't you know,

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Speaker 1: you can't use it. And you got to go, well,

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Speaker 1: what is the movie? Can I find it in in

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Speaker 1: the editing b A E bay? And uh? And so

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Speaker 1: you sit down in there and in your case, you go,

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Speaker 1: I don't really need to hear the movie or want to.

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Speaker 1: I need to hear something that's actually good. Yeah, and

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Speaker 1: then I'll just kind of be able to feel.

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Speaker 2: I'll accidentally do something good while while the other good

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Speaker 2: thing is happening.

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Speaker 1: Mm hmm, you know what I mean.

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Speaker 3: Of course. I mean it was more in the visual

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Speaker 3: effects kind of element of the film once the film

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Speaker 3: had been come.

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Speaker 1: Oh yeah, well that was a big part of It's

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Speaker 1: a big part of the important aspect of the movie

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Speaker 1: at all, was it?

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Speaker 3: Yeah?

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Speaker 1: No, the movie about two people hugging. That sounds interesting. Normally,

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Speaker 1: just throw out all the visual effects. Then it's all

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Speaker 1: normal hugs. Why not nothing strange about the hugs in

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Speaker 1: the movie.

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Speaker 3: No, that's that's something has been pretty in volt hu.

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Speaker 1: It's pretty unusual, right, and that's the visual effects telling

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Speaker 1: us that, you know, the characters say it. The characters

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Speaker 1: say it as well.

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Speaker 3: Yeah, look at me expanding on that.

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Speaker 1: It's a hug. I love to launch. I'd love to

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Speaker 1: launch in to the teaser if we could. Let's do

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Speaker 1: it with everyone's permission. No, that can't be right. Nine

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Speaker 1: percent on Rotten Tomatoes.

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Speaker 2: It says nine percent Rotten Tomatoes. This and so you

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Speaker 2: fucked this one. This, this thumbnail is fucked.

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Speaker 1: Now. What we're gonna what we're gonna see, right, is

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Speaker 1: that this number goes up.

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Speaker 3: I really hope, sir.

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Speaker 2: Okay, let's watch it. Let's watch and see if it

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Speaker 2: goes if it goes down.

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Speaker 4: From nine wow percent on Rotten Tomatoes.

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Speaker 1: Wow.

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Speaker 2: I guess when I'm creating something, I kind of want

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Speaker 2: to challenge people.

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Speaker 1: I do think well, and you know from the show

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Speaker 1: you listen to it that art is sort of meant

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Speaker 1: to provoke and oftentimes to alienate and infuriate.

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Speaker 2: I guess if some people aren't into my stuff, I

359
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Speaker 2: kind of wear that as a badge of honor.

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Speaker 1: I don't. Yeah, this means the bad people and the

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Speaker 1: good people liked it.

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Speaker 3: Well, I guess I'm sure you know what I mean

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Speaker 3: now when I'm down to ninety percent, so you know,

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Speaker 3: we've maybe equalized a.

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Speaker 1: Little bit with the right ninety percent, and then I

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Speaker 1: subtracting the nine from that. I don't know how we

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Speaker 1: started at nine. What was the nine we started with?

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Speaker 3: I believe it was the beginning of a count up

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Speaker 3: sort of graphic animation.

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Speaker 1: Right, did it start with zero?

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Speaker 3: I think it started with nine?

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Speaker 1: All right, So I guess I'm going, like, what about one?

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Speaker 1: Can I tuck you into one?

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Speaker 2: I mean, Sean is right that like the implication of

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Speaker 2: one hundred percent on Rotten Tomatoes is that Gleainne Maxwell

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Speaker 2: likes the movie is digging.

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Speaker 1: On the movie.

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Speaker 2: Everyone likes it, including it, possibly especially Gallaine Maxwell.

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Speaker 3: I thought, you said Glenn Maxwell, who's an Australian cricketing legend,

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Speaker 3: but hopefully he would like the film.

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Speaker 2: Glenn Maxwell might want to move off that territory somehow.

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Speaker 1: Mm hmm. He may want to start going by g

383
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Speaker 1: Max or something Glennard or something that does. Yeah, but

384
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Speaker 1: Glen Maxwell. Obviously this is according to this. She tells

385
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Speaker 1: everyone she meets, I have a new favorite movie, which

386
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Speaker 1: is like, you know, I guess that's if it's what

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Speaker 1: you set out to do.

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Speaker 3: Okay, she bought a ticket, that's money in my pocket.

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Speaker 1: Would she have bought a ticket? Maybe she was given

390
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Speaker 1: one in exchange for a favorable testimony, but that's nobody

391
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Speaker 1: in your pocket. I suppose the US government bought the tickets.

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Speaker 1: The letters were moving together, the letters and together were

393
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Speaker 1: becoming togethered themselves, the letters, So talk about this, How

394
00:23:36,720 --> 00:23:41,639
Speaker 1: about that was your idea? Well, you know, they're getting

395
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Speaker 1: all squished.

396
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Speaker 3: It seemed like an obvious but sort of unmissible piece

397
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Speaker 3: of kinetic typography to have the sort of premise of

398
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Speaker 3: the film with things coming together, merging, becoming one be

399
00:23:54,600 --> 00:23:57,520
Speaker 3: expressed within the title of the film itself just kind

400
00:23:57,520 --> 00:23:58,000
Speaker 3: of seemed like.

401
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Speaker 1: It like wishing and squashishing.

402
00:24:00,080 --> 00:24:02,280
Speaker 3: Yeah, it's a movie about squishing.

403
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Speaker 2: So they're in they're all married to each other. All

404
00:24:06,200 --> 00:24:12,760
Speaker 2: the letters, yeah, yeah, I think so. And they're all boys,

405
00:24:12,760 --> 00:24:13,440
Speaker 2: they're all girls.

406
00:24:13,480 --> 00:24:16,040
Speaker 3: Are they're all in alphabetical poly.

407
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Speaker 1: Letters are different or yeah? My bit uh in the

408
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Speaker 1: sort of graphics room as there is something like this,

409
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Speaker 1: I think the G and the O are fucking the

410
00:24:35,320 --> 00:24:48,960
Speaker 1: G and the O. Yeah, what happens next? Whose house

411
00:24:49,040 --> 00:24:49,919
Speaker 1: is this? Stop? It?

412
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Speaker 3: Well, within the world of the film, it is the

413
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Speaker 3: character's house, but in real life it is a house

414
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Speaker 3: in the suburb of Upwey and the Dandenong's in Victoria.

415
00:25:00,280 --> 00:25:02,679
Speaker 3: It was sort of the only location that would possibly

416
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Speaker 3: work for this, And I think the homeown is very

417
00:25:05,280 --> 00:25:08,200
Speaker 3: mad at us because we broke some tiles or something

418
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Speaker 3: like that.

419
00:25:11,359 --> 00:25:12,120
Speaker 1: Is this movie at.

420
00:25:12,080 --> 00:25:16,440
Speaker 3: Night sometimes, although I think we shout this during the

421
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Speaker 3: day and we've we've blacked out the windows with movie magic, and.

422
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Speaker 1: So that's why there's dan that's why they're Victorian families

423
00:25:25,000 --> 00:25:30,400
Speaker 1: so mad. The fucking dan De folks are gonna be

424
00:25:30,840 --> 00:25:36,760
Speaker 1: fucking livid. Dude doing magic on the house. It's like night.

425
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Speaker 2: You do not want to piss off the dand and nog.

426
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Speaker 2: But that does explain why they're their beds are next

427
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Speaker 2: to them, but they're standing up because it's daytime.

428
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Speaker 1: Michael, you know that's the talent. You know what a

429
00:25:54,320 --> 00:26:00,159
Speaker 1: traditional uh uh festive holiday time drink? Is here? Some

430
00:26:00,280 --> 00:26:05,200
Speaker 1: dandy nog, little dandy nogg, Care for some dandy dog.

431
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Speaker 2: Victoria, Just say Australia next time, please just say it's Australia.

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Speaker 1: Up way, up way, Oh up your way. Yeah, well no,

433
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Speaker 1: if she goes cares for some dandy nog, Victoria upwegh as.

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Speaker 2: She takes this, just Australia, he said, I love you,

435
00:26:31,400 --> 00:26:34,439
Speaker 2: she said, Okay. Neither of them said good night because,

436
00:26:35,080 --> 00:26:37,080
Speaker 2: as you said, they this was daytime.

437
00:26:37,400 --> 00:26:44,639
Speaker 1: Yeah. Another tell is it hard sometimes with actors to

438
00:26:44,880 --> 00:26:48,560
Speaker 1: get them to say good night during the daytime? I

439
00:26:48,600 --> 00:26:50,480
Speaker 1: mean obviously it was. You couldn't make them do it.

440
00:26:51,560 --> 00:26:54,400
Speaker 1: We just did not get there. Are there techniques because

441
00:26:54,400 --> 00:26:57,479
Speaker 1: this is your first you know, feature film, right, So

442
00:26:57,640 --> 00:27:00,320
Speaker 1: are there techniques at all that you picked up, Like say,

443
00:27:00,359 --> 00:27:04,199
Speaker 1: on the next movie, you want it, you want it

444
00:27:04,240 --> 00:27:06,280
Speaker 1: to feel like it's nighttime, Like is there is there

445
00:27:06,359 --> 00:27:09,119
Speaker 1: anything you've learned through the process. This is kind of

446
00:27:09,119 --> 00:27:10,840
Speaker 1: what we try to do on the show, is like,

447
00:27:11,480 --> 00:27:15,080
Speaker 1: you know, peek behind the curtain here and say like

448
00:27:15,200 --> 00:27:17,040
Speaker 1: this is this is you know, this is the stuff

449
00:27:17,080 --> 00:27:19,200
Speaker 1: that I wish I had known at the time. Right.

450
00:27:20,280 --> 00:27:23,440
Speaker 3: Yeah, it can be tough, particularly when the actors themselves,

451
00:27:23,480 --> 00:27:28,040
Speaker 3: as you say, fucking that, they can present sort of

452
00:27:28,080 --> 00:27:34,360
Speaker 3: a united front and you try and get.

453
00:27:33,240 --> 00:27:35,640
Speaker 1: Right, yeah, exactly kind of what the movie is about.

454
00:27:35,720 --> 00:27:40,719
Speaker 1: They they form a united front m m yeah and

455
00:27:40,880 --> 00:27:44,119
Speaker 1: side and back. But they but you but you know

456
00:27:44,560 --> 00:27:46,679
Speaker 1: it is interest because now I'm picturing it that you

457
00:27:46,720 --> 00:27:50,000
Speaker 1: would go, hey, would you mind trying one like that

458
00:27:50,080 --> 00:27:52,639
Speaker 1: was so good? Oh I love that. Oh that was

459
00:27:52,680 --> 00:27:56,960
Speaker 1: so good, chills perfect. We have it just for fun.

460
00:27:57,359 --> 00:28:00,240
Speaker 1: Let's see what Let's see how it feels. Could be

461
00:28:00,359 --> 00:28:06,000
Speaker 1: crazy if we do one where we say good night

462
00:28:06,240 --> 00:28:08,679
Speaker 1: so people know that we're going to bed, you know,

463
00:28:08,920 --> 00:28:11,479
Speaker 1: and then and then she'll go it's daytime, and then

464
00:28:11,520 --> 00:28:13,440
Speaker 1: he'll go, yeah, it's daytime.

465
00:28:19,480 --> 00:28:21,200
Speaker 2: But that was so good. Though that was so good

466
00:28:21,200 --> 00:28:23,480
Speaker 2: when you forgot to say that that you're supposed.

467
00:28:23,080 --> 00:28:26,159
Speaker 1: To say that a.

468
00:28:28,320 --> 00:28:31,919
Speaker 3: Good just for safety. It's one more time such a you.

469
00:28:34,040 --> 00:28:37,359
Speaker 1: In the moment to just the presence of mind to

470
00:28:37,480 --> 00:28:40,240
Speaker 1: excise good night, which let us know sort of where

471
00:28:40,280 --> 00:28:46,920
Speaker 1: and when we were. It was truly moving. This is it.

472
00:28:47,280 --> 00:28:49,400
Speaker 1: This is why you work with people you're a fan of.

473
00:28:51,160 --> 00:28:55,640
Speaker 1: I wonder if we get one scripted. This is what

474
00:28:55,680 --> 00:29:00,760
Speaker 1: we'll use, but I wonder if we do it just

475
00:29:00,880 --> 00:29:04,960
Speaker 1: in the edit so we can actually have a sort

476
00:29:04,960 --> 00:29:07,959
Speaker 1: of compare and contrast thing there where we see how

477
00:29:08,040 --> 00:29:11,600
Speaker 1: much better this is as a celebration of you and

478
00:29:11,680 --> 00:29:21,240
Speaker 1: your choice to do it wrong. What's going on there?

479
00:29:21,280 --> 00:29:25,959
Speaker 1: From the picture? We saw a picture there from the picture?

480
00:29:26,440 --> 00:29:28,120
Speaker 3: Yeah, this is on the Facebook post.

481
00:29:28,840 --> 00:29:34,480
Speaker 2: This is a common but always effective device at the

482
00:29:34,480 --> 00:29:38,200
Speaker 2: beginning of a movie to have a guy who comes

483
00:29:38,200 --> 00:29:45,720
Speaker 2: in the movie and says, so, what's up with everybody? So,

484
00:29:45,840 --> 00:29:48,480
Speaker 2: what's everybody's kind of a whole deal?

485
00:29:49,080 --> 00:29:52,360
Speaker 1: Well, I'll be honest, when I'm watching the movie, I

486
00:29:52,600 --> 00:29:56,400
Speaker 1: want to know that. Yeah, so that charter away is

487
00:29:56,520 --> 00:29:58,360
Speaker 1: me mm hm, that's me.

488
00:29:58,600 --> 00:30:00,880
Speaker 2: And and when you look at this green that becomes

489
00:30:01,120 --> 00:30:02,240
Speaker 2: very clear that it is me.

490
00:30:03,080 --> 00:30:04,280
Speaker 1: How do I know this guy?

491
00:30:04,360 --> 00:30:08,160
Speaker 3: Michael Damon Harriman, He's been in a lot of stuff,

492
00:30:08,640 --> 00:30:11,959
Speaker 3: Mister in Between, which is an Australian series, but he

493
00:30:12,000 --> 00:30:14,280
Speaker 3: was Charles Manson in Once Upon a Time in Hollywood

494
00:30:14,440 --> 00:30:18,360
Speaker 3: and he was Charles Manson in A mind Hunter in

495
00:30:18,400 --> 00:30:18,880
Speaker 3: the same year.

496
00:30:20,080 --> 00:30:26,200
Speaker 2: How Holbrook Mark Twain thing you need, uh, Charlie, this

497
00:30:26,240 --> 00:30:26,840
Speaker 2: is your guy?

498
00:30:28,000 --> 00:30:30,560
Speaker 3: Well, yeah, like when we when we cast him, he

499
00:30:30,640 --> 00:30:33,160
Speaker 3: was like so keen. He the scheduling didn't really work,

500
00:30:33,200 --> 00:30:35,800
Speaker 3: but he liked Heaven enough to make it work. He

501
00:30:35,960 --> 00:30:37,720
Speaker 3: was just like, mate, I just get to play like

502
00:30:37,760 --> 00:30:40,000
Speaker 3: a normal guy in this. I'm always playing a fucking

503
00:30:40,040 --> 00:30:45,560
Speaker 3: serious he was. He was so he was so keen.

504
00:30:45,680 --> 00:30:48,320
Speaker 3: He was so keen. He was keen as mustard.

505
00:30:48,680 --> 00:30:50,000
Speaker 1: Yeah that he was so good.

506
00:30:52,120 --> 00:30:52,840
Speaker 3: He was drenched.

507
00:30:53,320 --> 00:30:53,520
Speaker 1: Yeah.

508
00:30:53,560 --> 00:30:54,959
Speaker 3: Well we telled him off and he was like, oh,

509
00:30:54,960 --> 00:30:56,440
Speaker 3: I'm so excited to do this. I just get to

510
00:30:56,440 --> 00:30:58,720
Speaker 3: play a nice guy sitting down in a chair with

511
00:30:58,800 --> 00:31:03,840
Speaker 3: a shirt. Love it. Since the move, Tim and I

512
00:31:03,880 --> 00:31:05,320
Speaker 3: haven't been on the same page.

513
00:31:06,200 --> 00:31:07,720
Speaker 1: Well, we just saw them on the same page, the

514
00:31:07,760 --> 00:31:08,600
Speaker 1: same Facebook page.

515
00:31:08,680 --> 00:31:09,440
Speaker 3: You love each other.

516
00:31:11,360 --> 00:31:18,640
Speaker 1: We literally just saw them on the same imagine, I

517
00:31:18,760 --> 00:31:24,600
Speaker 1: stop this. Did you write this song? And did you

518
00:31:24,600 --> 00:31:27,680
Speaker 1: write that shirt? Did you write this shirt?

519
00:31:28,880 --> 00:31:34,840
Speaker 3: No, our costume department found this shirt. It's a sweatshirt,

520
00:31:34,880 --> 00:31:38,040
Speaker 3: and then who wrote on it? I don't know. I'll

521
00:31:38,040 --> 00:31:40,760
Speaker 3: be honest. I never really liked the stuff that much.

522
00:31:42,720 --> 00:31:48,760
Speaker 1: But here it is, guys, thank you so much. Great

523
00:31:48,880 --> 00:31:51,640
Speaker 1: choice to have a shirt, to have a shirt that

524
00:31:51,760 --> 00:32:01,760
Speaker 1: is a book in my movie. Hey Mike, it's so well.

525
00:32:01,600 --> 00:32:05,680
Speaker 3: You know, good placency community sometimes simply.

526
00:32:05,400 --> 00:32:09,720
Speaker 1: Be king like we said.

527
00:32:10,360 --> 00:32:16,480
Speaker 2: And it was sticky, sticky, so stop sticky.

528
00:32:17,040 --> 00:32:26,719
Speaker 1: Now I've seen the movie. Mhmm, what was that? And

529
00:32:26,880 --> 00:32:29,080
Speaker 1: I I haven't seen it yet. I wanted to go

530
00:32:29,160 --> 00:32:36,000
Speaker 1: in cold did this experience? But I gotta know what

531
00:32:36,080 --> 00:32:36,520
Speaker 1: was that?

532
00:32:37,760 --> 00:32:39,600
Speaker 3: Well, I mean, within the world of the film, it's

533
00:32:39,640 --> 00:32:44,840
Speaker 3: this kind of infection that that Dave's character Tim catches first,

534
00:32:44,840 --> 00:32:50,040
Speaker 3: that kind of what was changes makes him, you know,

535
00:32:50,160 --> 00:32:52,640
Speaker 3: kind of really imprint upon his ponder.

536
00:32:52,680 --> 00:32:55,760
Speaker 1: But in reality, answer Kevin's question, first.

537
00:32:56,120 --> 00:32:57,640
Speaker 3: What was that? That was a that was called a

538
00:32:57,720 --> 00:32:58,440
Speaker 3: human kiss?

539
00:32:59,840 --> 00:33:00,000
Speaker 1: Hm?

540
00:33:00,200 --> 00:33:02,720
Speaker 3: Hm And now.

541
00:33:02,680 --> 00:33:04,760
Speaker 1: And now Hayes and I were asking about the sort

542
00:33:04,760 --> 00:33:06,920
Speaker 1: of end of it.

543
00:33:07,040 --> 00:33:09,080
Speaker 3: Oh right, yeah, when it got stuck together that was

544
00:33:09,160 --> 00:33:11,480
Speaker 3: just some glue. The makeup team found this kind of

545
00:33:11,520 --> 00:33:14,240
Speaker 3: glue that would stick but not rip, and yeah, we

546
00:33:14,320 --> 00:33:15,560
Speaker 3: got some some good takes out of that.

547
00:33:15,760 --> 00:33:17,160
Speaker 1: So he's the one who's sticky.

548
00:33:18,400 --> 00:33:22,360
Speaker 3: He begins sticky, and then at a certain point she.

549
00:33:22,960 --> 00:33:25,000
Speaker 2: He possibly and is it is it a is it

550
00:33:25,040 --> 00:33:28,040
Speaker 2: a mystery of like the audience has to figure out

551
00:33:28,040 --> 00:33:29,560
Speaker 2: which one is so sticky?

552
00:33:30,000 --> 00:33:35,120
Speaker 1: Who's sticky? Oh? That? Oh, I know it's a little

553
00:33:35,200 --> 00:33:41,960
Speaker 1: late for this. The whole thing just billboards everywhere. Who's sticky?

554
00:33:43,680 --> 00:33:48,520
Speaker 1: Who's sticky? Www dot Michael Shanks dot com to find

555
00:33:48,560 --> 00:33:50,640
Speaker 1: out who is sticky?

556
00:33:50,640 --> 00:33:51,200
Speaker 3: Stinicky?

557
00:33:51,520 --> 00:33:59,360
Speaker 1: Yeah, who's sticky? You take him the beach. You figured

558
00:33:59,400 --> 00:34:04,840
Speaker 1: out pretty quick, taking both of the beach. Oh yeah,

559
00:34:05,440 --> 00:34:10,360
Speaker 1: so ah, this is for anyone obviously, you know, elements

560
00:34:10,360 --> 00:34:14,720
Speaker 1: of this at least are are fictional or well it's

561
00:34:14,760 --> 00:34:18,920
Speaker 1: science fictional really, which is such an opportunity for Allegory,

562
00:34:19,400 --> 00:34:24,840
Speaker 1: which is running rampant. But there are real life scenarios

563
00:34:24,840 --> 00:34:28,920
Speaker 1: where you do sometimes need to diagnose who is sticky,

564
00:34:29,239 --> 00:34:32,720
Speaker 1: whether it's you or your partner. And as Hayes is saying,

565
00:34:33,160 --> 00:34:35,000
Speaker 1: a quick drive to the beach.

566
00:34:36,840 --> 00:34:37,400
Speaker 3: That'll get that.

567
00:34:37,560 --> 00:34:38,440
Speaker 1: I mean yea.

568
00:34:38,520 --> 00:34:40,120
Speaker 3: One thing that people were saying when we were kind

569
00:34:40,160 --> 00:34:42,600
Speaker 3: of shopping this film around is people kept saying, it's

570
00:34:42,600 --> 00:34:44,280
Speaker 3: like a Hollywood thing to say that, like a premise

571
00:34:44,320 --> 00:34:46,920
Speaker 3: is sticky. It's like what's selling right now is sticky premises,

572
00:34:47,120 --> 00:34:49,040
Speaker 3: and like this this is a sticky premise. That's what

573
00:34:49,040 --> 00:34:51,239
Speaker 3: people get saying. And little did they know.

574
00:34:52,920 --> 00:34:55,040
Speaker 1: No kidding, it's not just a sticky premise. It's a

575
00:34:55,040 --> 00:34:56,640
Speaker 1: sticky couple who's sticking together.

576
00:34:57,280 --> 00:35:01,200
Speaker 3: Yeah, it's like a stuck on you situation.

577
00:35:01,719 --> 00:35:16,279
Speaker 1: Wow, Hollywood, ha, whow Hollywood ham.

578
00:35:11,280 --> 00:35:13,760
Speaker 3: You know this could be the beginning that was all

579
00:35:13,800 --> 00:35:17,200
Speaker 3: over You're mayor of something wonderful too?

580
00:35:19,560 --> 00:35:26,560
Speaker 1: What was that we spend our stop? That was he Okay,

581
00:35:26,680 --> 00:35:29,200
Speaker 1: I think I know what happened. She rolls over. He's

582
00:35:29,280 --> 00:35:32,520
Speaker 1: lying in bed and she's like tien and she thought

583
00:35:32,520 --> 00:35:35,120
Speaker 1: he was sleeping and that freaked her rab because you

584
00:35:35,200 --> 00:35:38,120
Speaker 1: forgot it's actually supposed to be a nighttime in the movie.

585
00:35:38,560 --> 00:35:44,640
Speaker 3: Mm hmm, yeah, yeah, something like that. Yeah, it's a

586
00:35:44,680 --> 00:35:46,600
Speaker 3: it's a spooky scene set in the night again, shot

587
00:35:46,680 --> 00:35:49,239
Speaker 3: during the day. We got to use this cool prosthetic

588
00:35:49,320 --> 00:35:51,160
Speaker 3: of Dave though that we use for that scene. That

589
00:35:51,160 --> 00:35:53,759
Speaker 3: I have on my wall kind of over there, which is,

590
00:35:54,400 --> 00:35:56,000
Speaker 3: you know, a really cool thing to.

591
00:35:55,920 --> 00:35:59,040
Speaker 1: Have in a Wow, great property of the movie. Wow,

592
00:35:59,080 --> 00:36:01,440
Speaker 1: what a great direct or. I'm really yeah, yeah, look

593
00:36:01,440 --> 00:36:08,480
Speaker 1: at this shot over here. The composition m the influence

594
00:36:08,520 --> 00:36:16,560
Speaker 1: of the Barnes collection, no doubt, hopefully. Yeah, throw throw

595
00:36:16,600 --> 00:36:21,920
Speaker 1: on a throw on the latest episode with Michael Shanks,

596
00:36:22,400 --> 00:36:27,160
Speaker 1: Yeah that one. What what? Uh? So? Can I ask

597
00:36:27,280 --> 00:36:30,560
Speaker 1: something that I don't know if anyone has probably tackled yet?

598
00:36:31,239 --> 00:36:38,880
Speaker 1: Are you Tim? Mm HMM's and and that's why you

599
00:36:38,960 --> 00:36:45,799
Speaker 1: have the mask the mosque, Michael, are you Tim? Well?

600
00:36:45,840 --> 00:36:49,280
Speaker 2: Sorry, sorry, the prospetic whatever you call.

601
00:36:49,120 --> 00:36:54,319
Speaker 1: It, Yeah, the the artificial face. I'm so sorry. My

602
00:36:54,360 --> 00:36:55,480
Speaker 1: friend called it a mask.

603
00:36:58,120 --> 00:37:00,360
Speaker 3: Yeah. Like, well, the Tim character is very much like

604
00:37:00,360 --> 00:37:02,680
Speaker 3: a bit of a of a self insert, like it

605
00:37:02,760 --> 00:37:04,960
Speaker 3: was sort of a self deprecating self insert of like

606
00:37:05,000 --> 00:37:07,920
Speaker 3: a guy who's like an embarrassed kind of failed musician

607
00:37:07,960 --> 00:37:09,799
Speaker 3: who should kind of like give it up now that

608
00:37:09,840 --> 00:37:11,920
Speaker 3: he's entering his sort of mid thirties.

609
00:37:14,160 --> 00:37:15,760
Speaker 1: On your wall, Oh go ahead.

610
00:37:16,400 --> 00:37:20,000
Speaker 2: When I make movies, I cast a guy who is

611
00:37:20,120 --> 00:37:25,200
Speaker 2: like really good body, yeah, like and insanely good body,

612
00:37:25,239 --> 00:37:27,160
Speaker 2: and be like that's kind of me in the movie.

613
00:37:27,640 --> 00:37:30,759
Speaker 1: Yeah. Yeah, then Jesus Christ, you sniffed it out. That's me.

614
00:37:32,200 --> 00:37:36,680
Speaker 3: Yeah, literally writing in shower scenes for Dave to show

615
00:37:36,719 --> 00:37:39,320
Speaker 3: off his buddy, be like, yeah, that's what I shower.

616
00:37:39,160 --> 00:37:43,319
Speaker 1: Like, Yeah, that's must be all the three guitar playing that.

617
00:37:43,520 --> 00:37:48,400
Speaker 1: Uh got it got those muscles so rippling.

618
00:37:51,360 --> 00:37:54,000
Speaker 3: Vines in search of the other half.

619
00:37:55,040 --> 00:37:57,400
Speaker 2: If you think you found that he's in the shower,

620
00:37:57,600 --> 00:38:00,359
Speaker 2: he went to sleep because he forgot dat time power.

621
00:38:01,760 --> 00:38:07,640
Speaker 1: And then wow, so because he smashed into the shower wall,

622
00:38:07,719 --> 00:38:08,240
Speaker 1: go ahead.

623
00:38:08,000 --> 00:38:10,399
Speaker 2: He smashed in the shower. She turns right in her

624
00:38:10,480 --> 00:38:14,840
Speaker 2: car and then he smashes into the side of the

625
00:38:14,880 --> 00:38:19,399
Speaker 2: shower because the shower is in the car.

626
00:38:19,520 --> 00:38:22,600
Speaker 1: The shower's inside the car, so at that so this

627
00:38:22,800 --> 00:38:27,120
Speaker 1: was actually visually I could not really figure out how

628
00:38:27,200 --> 00:38:29,040
Speaker 1: you did this, and I guess it's the VFX you

629
00:38:29,080 --> 00:38:32,880
Speaker 1: were describing. But basically for people who can watch along

630
00:38:32,920 --> 00:38:35,920
Speaker 1: the trailer with us, I'm realizing too that usually Kevin

631
00:38:36,000 --> 00:38:38,439
Speaker 1: describing the trailer badly as a big part of these

632
00:38:38,719 --> 00:38:45,280
Speaker 1: teaser But the the car looks like a normal car,

633
00:38:45,960 --> 00:38:50,640
Speaker 1: but inside the trunk is a tall stand up shower

634
00:38:50,680 --> 00:38:54,800
Speaker 1: with tile and when it turns, you can be moving

635
00:38:55,080 --> 00:38:59,440
Speaker 1: all this way and that. And then Dave, I guess,

636
00:38:59,560 --> 00:39:03,640
Speaker 1: was so sticky that he had to take a shower,

637
00:39:04,600 --> 00:39:09,560
Speaker 1: had to take a shower in the trunk of the car.

638
00:39:10,239 --> 00:39:14,080
Speaker 1: Did you ever explain why the house shower was now working.

639
00:39:15,440 --> 00:39:18,000
Speaker 3: The house shower? Oh, because that's in the car, right

640
00:39:18,040 --> 00:39:20,319
Speaker 3: I follow. I felt, well, you know, that's that's that's

641
00:39:20,320 --> 00:39:21,480
Speaker 3: not really.

642
00:39:22,000 --> 00:39:24,680
Speaker 1: Thank you, thank you for doing the work. Thank you

643
00:39:24,760 --> 00:39:27,920
Speaker 1: so much for doing the work yourself.

644
00:39:29,800 --> 00:39:32,000
Speaker 3: What's what's really happening is it's kind of like he's

645
00:39:32,040 --> 00:39:34,120
Speaker 3: got this imprint on him of her, and so she's

646
00:39:34,160 --> 00:39:36,319
Speaker 3: driving outside of the house. It's like he's sort of

647
00:39:36,360 --> 00:39:39,839
Speaker 3: the the point of a compass pointing towards her north.

648
00:39:39,880 --> 00:39:42,400
Speaker 3: So the further she gets, he's kind of pointing in

649
00:39:42,480 --> 00:39:43,319
Speaker 3: her direction.

650
00:39:44,680 --> 00:39:54,920
Speaker 1: From the car. Yeah, go back, what was on the TV?

651
00:39:55,640 --> 00:39:58,640
Speaker 1: What was on the TV? Just be just in case

652
00:39:58,680 --> 00:40:00,479
Speaker 1: I want to watch something else during this.

653
00:40:04,960 --> 00:40:07,360
Speaker 3: It's like a it's a wedding video that was not

654
00:40:07,560 --> 00:40:09,319
Speaker 3: shot in the dan de Nungs, that was somewhere else

655
00:40:09,360 --> 00:40:10,000
Speaker 3: in real Victoria.

656
00:40:10,040 --> 00:40:10,920
Speaker 1: But I can't remember, way.

657
00:40:13,320 --> 00:40:18,840
Speaker 2: Can we see? So there's a lot of quotes about

658
00:40:18,840 --> 00:40:22,319
Speaker 2: how good the movie is. Yeah, we should do that

659
00:40:22,360 --> 00:40:29,000
Speaker 2: actually during our podcast, like Michael does, just unashamedly put

660
00:40:29,320 --> 00:40:32,879
Speaker 2: someone else liking the show during just.

661
00:40:33,000 --> 00:40:36,400
Speaker 1: Stop the show down, and just especially on the video,

662
00:40:36,440 --> 00:40:38,719
Speaker 1: that should just cut to black like every couple of

663
00:40:38,800 --> 00:40:44,800
Speaker 1: minutes and just have some of the frankly embarrassing praise

664
00:40:44,880 --> 00:40:48,160
Speaker 1: that we've received over the years, whether it be Best

665
00:40:48,239 --> 00:40:50,520
Speaker 1: Non Human Guest Award at the end of the year

666
00:40:50,760 --> 00:40:56,359
Speaker 1: from Vulture for my dog or that's the main one

667
00:40:56,360 --> 00:40:57,280
Speaker 1: that comes to mind.

668
00:40:58,320 --> 00:41:01,240
Speaker 2: But I guess to Michael, we should be embarrassed because

669
00:41:01,360 --> 00:41:03,880
Speaker 2: Glen Maxwell hates our show.

670
00:41:04,920 --> 00:41:08,319
Speaker 1: Right, she specifically has asked not to have it. She

671
00:41:08,360 --> 00:41:11,319
Speaker 1: has not a kind word to say about it. But

672
00:41:11,440 --> 00:41:14,440
Speaker 1: I am curious about this one. You advance a little bit, Kevin,

673
00:41:14,640 --> 00:41:17,919
Speaker 1: Have I have a note on this one quote? Here

674
00:41:18,239 --> 00:41:24,400
Speaker 1: to the quote, it says Alison Brien Dave Franco go

675
00:41:24,640 --> 00:41:28,400
Speaker 1: absolutely wild, and I think it should say.

676
00:41:29,840 --> 00:41:35,640
Speaker 2: Alison Brien Dave Franco go absolutely wild on each other's heinees.

677
00:41:40,160 --> 00:41:42,560
Speaker 2: Now you can close the quote and the just put

678
00:41:42,640 --> 00:41:44,319
Speaker 2: on each other's high knees at the end.

679
00:41:45,160 --> 00:41:49,160
Speaker 1: M M. That's actually cool that it's a new screen

680
00:41:49,480 --> 00:41:57,520
Speaker 1: and it just says on each other's Yes, it's kind

681
00:41:57,520 --> 00:42:01,759
Speaker 1: of implied. M Yeah. I mean that's what I do

682
00:42:02,040 --> 00:42:05,360
Speaker 1: like about it is that I'm sort of assuming that

683
00:42:05,400 --> 00:42:08,040
Speaker 1: it's unfinished, like there must be more, must say what

684
00:42:08,040 --> 00:42:10,279
Speaker 1: they're going absolutely wild on and if it's not each

685
00:42:10,320 --> 00:42:13,080
Speaker 1: other's highknies, we're talking about two different movies. Because that's

686
00:42:13,120 --> 00:42:17,879
Speaker 1: what I saw. We've got to get out of here,

687
00:42:19,920 --> 00:42:23,040
Speaker 1: stop it. They're not talking about the movie, right, they're

688
00:42:23,040 --> 00:42:30,759
Speaker 1: talking about the the set. By the way. I'm all

689
00:42:30,880 --> 00:42:34,400
Speaker 1: for like finding pieces, you know, and just like using it.

690
00:42:34,440 --> 00:42:36,400
Speaker 1: Like you said, basically you built it all in the

691
00:42:36,440 --> 00:42:38,520
Speaker 1: ad it and that you didn't know what the movie

692
00:42:38,560 --> 00:42:42,719
Speaker 1: was at all when you were filming it. But if

693
00:42:42,760 --> 00:42:46,560
Speaker 1: you sort of were recording them without their knowledge, saying

694
00:42:46,640 --> 00:42:51,400
Speaker 1: we've got to get out of here about their involvement

695
00:42:51,440 --> 00:42:58,000
Speaker 1: with the film, it feels a little disingenuous.

696
00:42:59,200 --> 00:43:03,400
Speaker 3: Yeah, they were happy to be there. Honestly, they produced

697
00:43:03,400 --> 00:43:06,960
Speaker 3: the film. They yeah, it was, it was.

698
00:43:06,920 --> 00:43:09,759
Speaker 1: Great, But what did that mean in practice?

699
00:43:10,000 --> 00:43:11,000
Speaker 3: We got to get out of here.

700
00:43:11,600 --> 00:43:15,080
Speaker 1: No, the like the producing producing.

701
00:43:14,960 --> 00:43:17,799
Speaker 3: Oh it was, sincerely, it was it was awesome. You know,

702
00:43:17,840 --> 00:43:21,680
Speaker 3: they've so experienced that made so many films, both indie

703
00:43:21,680 --> 00:43:23,719
Speaker 3: and studio before this was my first film. They kind

704
00:43:23,719 --> 00:43:26,879
Speaker 3: of felt like the shield protecting me from sorry.

705
00:43:28,400 --> 00:43:35,280
Speaker 1: Sorry, the movie is going, Yeah, where's he going? Where's

706
00:43:35,320 --> 00:43:36,040
Speaker 1: that man.

707
00:43:35,800 --> 00:43:38,520
Speaker 3: Going along the driveway?

708
00:43:39,160 --> 00:43:43,439
Speaker 1: Someone? They don't say, but they don't say. I don't

709
00:43:43,440 --> 00:43:45,720
Speaker 1: think Michael knows. I certainly don't know. I saw the movie.

710
00:43:47,520 --> 00:43:50,680
Speaker 3: He's going towards her. It is sort of what's happening

711
00:43:50,719 --> 00:43:53,120
Speaker 3: in that scene. They're being literally like, magnic.

712
00:43:53,040 --> 00:43:55,839
Speaker 1: Why is he not in the shower? So he's going

713
00:43:55,880 --> 00:44:00,879
Speaker 1: to get her. I guess he's going to get her. Yeah,

714
00:44:01,080 --> 00:44:04,240
Speaker 1: but you said, that's not what the movies called.

715
00:44:05,280 --> 00:44:07,000
Speaker 3: A guy came up to me after a screening and

716
00:44:07,120 --> 00:44:09,480
Speaker 3: very confidently was like, I get what you're doing with

717
00:44:09,480 --> 00:44:11,560
Speaker 3: the title to get her, And I'm like, what the fuck.

718
00:44:12,320 --> 00:44:15,960
Speaker 3: I just was like, yeah, man, you're really smart.

719
00:44:17,040 --> 00:44:25,760
Speaker 1: He is smart. That's Toga Thorp. That's Toga Thorp. So

720
00:44:25,760 --> 00:44:27,240
Speaker 1: so the agent God took.

721
00:44:27,800 --> 00:44:30,279
Speaker 2: Just so you said that wasn't part of it either,

722
00:44:30,480 --> 00:44:34,200
Speaker 2: but it is. That's that's Toga Thorp right there.

723
00:44:34,400 --> 00:44:35,960
Speaker 3: I didn't really want to play my cards.

724
00:44:36,600 --> 00:44:39,120
Speaker 1: You notice, by the way. You notice, by the way, Hayes,

725
00:44:39,160 --> 00:44:41,319
Speaker 1: when you asked, like what you know what they were

726
00:44:41,320 --> 00:44:45,480
Speaker 1: doing as producers, and he was going, well, they're very experienced.

727
00:44:45,600 --> 00:44:49,480
Speaker 1: It's like, yeah, I think they were fucking virgins. Dog, Yes,

728
00:44:49,600 --> 00:44:54,719
Speaker 1: I believe said we think they're fucking believe me, believe me.

729
00:44:54,760 --> 00:45:00,400
Speaker 1: I saw you clock it. I was looking at you.

730
00:45:00,440 --> 00:45:04,680
Speaker 1: I discreed flos that away for a later like in

731
00:45:04,719 --> 00:45:16,759
Speaker 1: a minute, we'll double back to that ponytail. Ponytail, so

732
00:45:16,800 --> 00:45:21,520
Speaker 1: maybe he was togethered with a pony. What's that light?

733
00:45:22,880 --> 00:45:24,520
Speaker 1: Is the light purple.

734
00:45:26,360 --> 00:45:31,120
Speaker 3: In the in the whole way? Yeah, Yeah, there's sort

735
00:45:31,120 --> 00:45:32,960
Speaker 3: of a pinky light there. I was like imagining, like

736
00:45:33,000 --> 00:45:35,040
Speaker 3: looking at the movie on a timeline and was worried

737
00:45:35,080 --> 00:45:36,439
Speaker 3: that too much of it took place in the house.

738
00:45:36,440 --> 00:45:38,440
Speaker 3: So I wanted for this big set piece, like a

739
00:45:38,520 --> 00:45:40,320
Speaker 3: kind of different color to sort of bathe it so

740
00:45:40,400 --> 00:45:42,080
Speaker 3: it had a different field the rest of the film,

741
00:45:42,080 --> 00:45:44,160
Speaker 3: And so we arrived in this kind of pinky, sort

742
00:45:44,160 --> 00:45:46,600
Speaker 3: of fleshy light that kind of gave it more of

743
00:45:46,600 --> 00:45:47,520
Speaker 3: a horror sort.

744
00:45:47,400 --> 00:45:55,280
Speaker 1: Of splash light. Jesus Christ, dude, Yeah, it's a morning movie.

745
00:46:01,000 --> 00:46:08,200
Speaker 4: Whiskey for the pain, and the letters are.

746
00:46:09,200 --> 00:46:15,080
Speaker 1: Getting squished up again. Mm hmmm. Written and directed by Michael,

747
00:46:15,239 --> 00:46:19,040
Speaker 1: So you seem to love people being in trouble and

748
00:46:19,080 --> 00:46:19,760
Speaker 1: going crazy.

749
00:46:20,640 --> 00:46:24,360
Speaker 3: Yeah, yeah, you know, it's it's fun. It makes for

750
00:46:24,800 --> 00:46:27,960
Speaker 3: compelling drama. It's you know, it's it's it's a fun

751
00:46:27,960 --> 00:46:30,480
Speaker 3: little movie. It's scary, you'll laugh, you'll cry, it'll change

752
00:46:30,480 --> 00:46:30,759
Speaker 3: your life.

753
00:46:31,320 --> 00:46:34,759
Speaker 1: Are they doing a construction project of some kind? She

754
00:46:34,880 --> 00:46:37,600
Speaker 1: had like a sort of a handsaw at the end.

755
00:46:38,480 --> 00:46:40,520
Speaker 1: You know, why do they just have that in the house?

756
00:46:41,080 --> 00:46:42,359
Speaker 1: Is that established?

757
00:46:42,880 --> 00:46:45,120
Speaker 3: Well, there is a very subtle setup where, for some

758
00:46:45,200 --> 00:46:47,120
Speaker 3: reason Dave brings it up in like the first act

759
00:46:47,160 --> 00:46:49,920
Speaker 3: says like, what's this tool? Oh well, we'll use that later,

760
00:46:50,239 --> 00:46:53,560
Speaker 3: and then cleverly it comes back in the third act.

761
00:46:54,400 --> 00:46:59,759
Speaker 1: Mm hmmm mmm mm hmm. Chekhov's what kind.

762
00:46:59,680 --> 00:47:01,560
Speaker 3: Of saw it reciprocating soul?

763
00:47:01,760 --> 00:47:04,919
Speaker 1: Kind of Chekhov's reciprocating saber saw.

764
00:47:05,719 --> 00:47:09,239
Speaker 3: I believe that is the exact word for word letterbox

765
00:47:09,280 --> 00:47:12,880
Speaker 3: review that David Simms gave the film three stars.

766
00:47:14,000 --> 00:47:16,720
Speaker 1: Let me guess you're friends with him too, No, no,

767
00:47:16,800 --> 00:47:17,560
Speaker 1: not anymore.

768
00:47:17,680 --> 00:47:21,840
Speaker 3: Apparently there was a photo of me from south By

769
00:47:21,920 --> 00:47:24,680
Speaker 3: Southwest with David Allison and Damon that actor that you

770
00:47:24,760 --> 00:47:27,560
Speaker 3: recognized John, And somebody said oh, I thought this was

771
00:47:27,600 --> 00:47:30,040
Speaker 3: a photo of David Allison with the blank Chet guys, which,

772
00:47:30,200 --> 00:47:33,480
Speaker 3: by the fault I guess makes me Dave Vid.

773
00:47:34,440 --> 00:47:36,520
Speaker 1: Well, you know what it was really a photo of

774
00:47:37,480 --> 00:47:41,880
Speaker 1: three stars. Hm hmmm bye

775
00:47:46,320 --> 00:47:49,800
Speaker 3: Oh man, this was a fucking nightmare