1 00:00:00,440 --> 00:00:03,760 Speaker 1: Music Saved Me. Welcome to Music Save Me. I'm your host, 2 00:00:03,880 --> 00:00:08,920 Speaker 1: Lynn Hoffman. Music has the power to heal us, transform us, 3 00:00:08,960 --> 00:00:12,480 Speaker 1: and carry us through our darkest moments. For some artists, 4 00:00:12,520 --> 00:00:16,520 Speaker 1: it's not just what they do, it's also what saved them. 5 00:00:16,800 --> 00:00:19,079 Speaker 1: And today I am so honored to sit down with 6 00:00:19,160 --> 00:00:24,040 Speaker 1: the award winning multi platinum country music singer songwriter whose 7 00:00:24,120 --> 00:00:27,639 Speaker 1: voice will melt you like Butta on a hot sunny day. 8 00:00:27,960 --> 00:00:32,360 Speaker 1: Chris Young is here with his tenth studio album, I 9 00:00:32,400 --> 00:00:35,880 Speaker 1: Didn't come here to leave on Black River Entertainment. Chris 10 00:00:35,960 --> 00:00:39,360 Speaker 1: is entering a bold new chapter in his career. But 11 00:00:39,520 --> 00:00:42,200 Speaker 1: before the chart topping hits and the sold out shows, 12 00:00:42,760 --> 00:00:45,400 Speaker 1: there was a young man from Tennessee who found his voice, 13 00:00:45,440 --> 00:00:50,360 Speaker 1: his purpose, and his salvation in music. And our conversation today, 14 00:00:50,440 --> 00:00:53,519 Speaker 1: Chris opens up about the moments when music became more 15 00:00:53,560 --> 00:00:57,000 Speaker 1: than a career choice, it became a lifeline. This is 16 00:00:57,080 --> 00:01:00,560 Speaker 1: Music Saved Me, and this is Chris Young. Chris, Welcome 17 00:01:00,560 --> 00:01:02,880 Speaker 1: to the show. It is so great to have you here. 18 00:01:03,440 --> 00:01:07,319 Speaker 2: Happy to be on with you. And I just loved 19 00:01:07,319 --> 00:01:10,480 Speaker 2: the idea of what this entire show is. 20 00:01:11,440 --> 00:01:14,680 Speaker 1: Thank you, thank you. And speaking of which, and I 21 00:01:14,720 --> 00:01:17,720 Speaker 1: know you're in very high demand and you have very 22 00:01:17,720 --> 00:01:20,160 Speaker 1: limited time, so I want to jump right in and 23 00:01:20,360 --> 00:01:23,319 Speaker 1: ask you to take us all back to that first 24 00:01:23,319 --> 00:01:26,600 Speaker 1: moment when you realized music was more than just something 25 00:01:26,640 --> 00:01:29,520 Speaker 1: you enjoyed, that it was something that you needed in 26 00:01:29,560 --> 00:01:30,080 Speaker 1: your life. 27 00:01:31,280 --> 00:01:34,120 Speaker 2: I don't know that my mom realized this, and I 28 00:01:34,240 --> 00:01:38,200 Speaker 2: know you're asking me when I realized it, but I 29 00:01:38,280 --> 00:01:45,319 Speaker 2: will say I probably learned the weirdest song as a kid, 30 00:01:45,720 --> 00:01:48,480 Speaker 2: like to be a kid in the backseat of the 31 00:01:48,520 --> 00:01:51,200 Speaker 2: car singing, and my mom was like, oh, he likes 32 00:01:51,240 --> 00:01:57,720 Speaker 2: country music, which is digging up bones. I was like, free, 33 00:01:58,560 --> 00:02:01,280 Speaker 2: I think I don't know if that's the song that 34 00:02:01,320 --> 00:02:03,320 Speaker 2: I should have started with. What it was Randy Travis, 35 00:02:03,360 --> 00:02:06,040 Speaker 2: and I do love Randy, so of course I would 36 00:02:06,120 --> 00:02:12,760 Speaker 2: say for me personally, I remember driving home after having 37 00:02:12,800 --> 00:02:17,919 Speaker 2: my first song out on an actual label, and I 38 00:02:17,960 --> 00:02:21,480 Speaker 2: pulled over in somewhere on an old phone that's probably 39 00:02:21,520 --> 00:02:24,760 Speaker 2: bricked or thrown away. At this point, I had to 40 00:02:24,800 --> 00:02:26,959 Speaker 2: pull over because my car had the thing that would 41 00:02:27,000 --> 00:02:30,240 Speaker 2: actually scroll across for the first time, I finally had that, 42 00:02:30,919 --> 00:02:34,280 Speaker 2: and I was pulling back into Murphis, where I'm from Nashville, 43 00:02:34,360 --> 00:02:37,280 Speaker 2: and I saw my name, scroll across and pulled over, 44 00:02:37,360 --> 00:02:39,880 Speaker 2: and it was just like, this is a moment, Like 45 00:02:39,960 --> 00:02:44,280 Speaker 2: this is so cool. I was so excited. You know, 46 00:02:44,400 --> 00:02:46,760 Speaker 2: it was one play on a radio station, but it 47 00:02:46,840 --> 00:02:50,280 Speaker 2: was the fact that it happened and I got to 48 00:02:50,560 --> 00:02:53,800 Speaker 2: just randomly hear my song, not because I asked somebody 49 00:02:53,840 --> 00:02:58,520 Speaker 2: to play it, not because it you know, I played it. 50 00:02:58,520 --> 00:03:00,959 Speaker 2: It just happened, and it was like in the moment, 51 00:03:00,960 --> 00:03:03,840 Speaker 2: it was so exciting, and I was like, I haven't 52 00:03:03,919 --> 00:03:06,200 Speaker 2: made it, but this is a start. 53 00:03:07,560 --> 00:03:09,560 Speaker 1: It's so exciting. I mean, were you waving to the 54 00:03:09,560 --> 00:03:12,000 Speaker 1: cars going by, like that's me, this is me. 55 00:03:13,400 --> 00:03:15,520 Speaker 2: Did I roll my windows down and turn it up? 56 00:03:15,639 --> 00:03:15,839 Speaker 1: Yes? 57 00:03:15,919 --> 00:03:16,200 Speaker 2: I did? 58 00:03:16,560 --> 00:03:20,040 Speaker 1: Yes, of course you have to. When you were growing 59 00:03:20,120 --> 00:03:23,040 Speaker 1: up in Tennessee, before you became a big country music star, 60 00:03:23,200 --> 00:03:26,800 Speaker 1: what was your relationship with music? Was there random instruments 61 00:03:26,840 --> 00:03:29,320 Speaker 1: around the house. Was it something you saw on television? 62 00:03:29,840 --> 00:03:35,800 Speaker 2: Radio? Oh? I mean obviously not the random instruments around 63 00:03:35,840 --> 00:03:39,240 Speaker 2: the house, unless you count where I really got my 64 00:03:39,760 --> 00:03:42,760 Speaker 2: old school country music knowledge from, which would be my grandfather. 65 00:03:43,160 --> 00:03:46,360 Speaker 2: He had a music room, he played piano, played guitar. 66 00:03:47,680 --> 00:03:49,960 Speaker 2: Still does he's ninety three, You're still here with us? 67 00:03:50,000 --> 00:03:54,120 Speaker 2: So he was the guy that like set me down 68 00:03:54,160 --> 00:03:56,800 Speaker 2: and played me forty five's, seventy eight's of like Marty 69 00:03:56,920 --> 00:04:00,880 Speaker 2: Robbins and Lefty Frizelle and people like that. As much 70 00:04:00,920 --> 00:04:06,680 Speaker 2: as I draw from a knowledge base of country music, uh, 71 00:04:06,960 --> 00:04:11,800 Speaker 2: he was definitely like highly influential into that and instilling 72 00:04:12,120 --> 00:04:14,840 Speaker 2: just the love of country music into me. But I 73 00:04:14,880 --> 00:04:17,679 Speaker 2: would also say, you know, everybody always goes to church, 74 00:04:17,960 --> 00:04:23,000 Speaker 2: but like he was actually a church christ elder at 75 00:04:23,040 --> 00:04:26,679 Speaker 2: that church, I thought it was normal that there weren't 76 00:04:26,680 --> 00:04:31,520 Speaker 2: any instruments because they didn't do instruments in backwards church 77 00:04:31,600 --> 00:04:35,640 Speaker 2: christ churches. And somebody would just stand up and be like, hey, 78 00:04:35,640 --> 00:04:40,640 Speaker 2: we're singing this one, and they'd be like and then 79 00:04:40,640 --> 00:04:44,880 Speaker 2: everybody would like break into harmony singing the song. And 80 00:04:44,960 --> 00:04:46,800 Speaker 2: I thought that was completely. 81 00:04:46,279 --> 00:04:49,120 Speaker 1: Normal, no normal. 82 00:04:49,200 --> 00:04:52,479 Speaker 2: And then I went to another church with a friend 83 00:04:52,480 --> 00:04:55,080 Speaker 2: of mine, and I was like, why are there instruments? 84 00:04:55,400 --> 00:05:00,440 Speaker 2: What's happening? What's going on? But I think a lot 85 00:05:00,480 --> 00:05:03,240 Speaker 2: of that stuff, you know, you can stack all of 86 00:05:03,279 --> 00:05:06,159 Speaker 2: those up alongside each other. And then just me falling 87 00:05:06,240 --> 00:05:09,239 Speaker 2: in love with people that I heard on the radio, 88 00:05:09,400 --> 00:05:11,919 Speaker 2: going oh man, I really wish I could do that 89 00:05:11,960 --> 00:05:12,599 Speaker 2: one day. 90 00:05:13,560 --> 00:05:16,640 Speaker 1: And here you are all these hit songs, and is 91 00:05:16,680 --> 00:05:19,480 Speaker 1: this your ninth studio album that you're about to release 92 00:05:20,080 --> 00:05:22,679 Speaker 1: or tenth? That's right, But who's counting? 93 00:05:23,839 --> 00:05:27,800 Speaker 2: Was that all? Right? Who's counting? Counting one? With the 94 00:05:27,800 --> 00:05:29,200 Speaker 2: Black River? This is number one? 95 00:05:29,320 --> 00:05:33,040 Speaker 1: I'm sorry, I was just confusing your nine billion downloads 96 00:05:33,200 --> 00:05:36,760 Speaker 1: or streams globally with you know, it's just a little 97 00:05:36,760 --> 00:05:40,000 Speaker 1: something like that. Was there a specific time in your life, 98 00:05:40,480 --> 00:05:42,080 Speaker 1: Chris that you can think of when you when you 99 00:05:42,120 --> 00:05:46,520 Speaker 1: look back and say that music literally saved you a 100 00:05:46,600 --> 00:05:50,360 Speaker 1: moment in crisis, struggle, maybe a darkness where songwriting and 101 00:05:50,400 --> 00:05:52,240 Speaker 1: performing sort of pulled you through it. 102 00:05:53,240 --> 00:05:59,560 Speaker 2: Breakups, breakups, man. I remember sitting in my car listen 103 00:05:59,680 --> 00:06:02,160 Speaker 2: to It's Getting Better all the Time by Brooks and 104 00:06:02,200 --> 00:06:06,159 Speaker 2: Dunn and just being like defeated because I'd just broken 105 00:06:06,240 --> 00:06:10,359 Speaker 2: up with somebody and she was like not want to 106 00:06:10,360 --> 00:06:11,320 Speaker 2: have anything to do with me. 107 00:06:11,440 --> 00:06:11,560 Speaker 1: Is Like. 108 00:06:11,600 --> 00:06:14,320 Speaker 2: I'd see her around and she would just like sort 109 00:06:14,320 --> 00:06:17,800 Speaker 2: of look at me and be like which I don't 110 00:06:17,800 --> 00:06:19,600 Speaker 2: know if she regrets that now or not, but I 111 00:06:19,600 --> 00:06:26,680 Speaker 2: think she probably would. But I just think that breakup 112 00:06:26,760 --> 00:06:33,400 Speaker 2: songs are something that's truly intrinsic in country music. You know, 113 00:06:33,480 --> 00:06:36,520 Speaker 2: Keith Whitley had a whole album called Sad Songs and Waltzes, 114 00:06:37,200 --> 00:06:42,560 Speaker 2: and I think that those even though it seems like 115 00:06:42,600 --> 00:06:45,760 Speaker 2: it would be depressing to listen to a breakup song 116 00:06:45,920 --> 00:06:49,280 Speaker 2: if you're going through a breakup, I think that is 117 00:06:49,360 --> 00:06:51,800 Speaker 2: one of the things that helps you heal from one 118 00:06:51,839 --> 00:06:54,880 Speaker 2: of those and you just need to be like, I 119 00:06:55,040 --> 00:06:59,560 Speaker 2: just need to feel this moment for a second. And 120 00:06:59,600 --> 00:07:02,320 Speaker 2: when how many picks one of your songs for that, 121 00:07:03,160 --> 00:07:06,039 Speaker 2: I think it's really really cool because it's like, hey, 122 00:07:06,080 --> 00:07:09,080 Speaker 2: I shared a part of myself and then you related 123 00:07:09,160 --> 00:07:13,160 Speaker 2: with that. And that's what makes music so important, is 124 00:07:13,200 --> 00:07:17,080 Speaker 2: that whether it's going on having a good time, talking 125 00:07:17,120 --> 00:07:19,400 Speaker 2: about a breakup, talking about falling in love, talking about 126 00:07:19,440 --> 00:07:21,800 Speaker 2: being in love with someone and how much they mean 127 00:07:21,840 --> 00:07:26,080 Speaker 2: to you, I think all those things are really heavy, 128 00:07:26,120 --> 00:07:30,120 Speaker 2: heavy feelings in life, and there's only certain moments where 129 00:07:30,400 --> 00:07:34,320 Speaker 2: it's like I just want to hear that song that's 130 00:07:34,480 --> 00:07:39,200 Speaker 2: going to make this deeply rooted in me as the person, 131 00:07:39,800 --> 00:07:42,600 Speaker 2: and it's if it's something bad, it's going to get 132 00:07:42,640 --> 00:07:44,240 Speaker 2: you past that moment eventually. 133 00:07:45,320 --> 00:07:48,080 Speaker 1: What song of yours would you prescribe to someone going 134 00:07:48,120 --> 00:07:52,400 Speaker 1: through a moment like that. 135 00:07:50,920 --> 00:07:55,600 Speaker 2: You know, not to bring them something sad in relation 136 00:07:55,720 --> 00:07:57,760 Speaker 2: to this, but I think I would be remiss if 137 00:07:57,800 --> 00:08:01,040 Speaker 2: I didn't say, man, I want to be Uh, that 138 00:08:01,200 --> 00:08:03,440 Speaker 2: song I was not one that I wrote, but it 139 00:08:03,520 --> 00:08:06,760 Speaker 2: was one that that found me for whatever reason. And 140 00:08:07,600 --> 00:08:11,040 Speaker 2: you know, obviously we just lost Bred James, one of 141 00:08:11,080 --> 00:08:14,760 Speaker 2: the most amazing songwriters that's, in my opinion, ever lived. 142 00:08:15,200 --> 00:08:18,239 Speaker 2: You know, I think country music lost to a legend 143 00:08:18,440 --> 00:08:22,680 Speaker 2: there with him. And uh that that song has helped 144 00:08:22,720 --> 00:08:26,160 Speaker 2: not just me, but I know a lot of other 145 00:08:26,200 --> 00:08:31,160 Speaker 2: people will come up and be like, hey, like guys, 146 00:08:31,640 --> 00:08:34,280 Speaker 2: which guys don't like to talk about their feelings normally, 147 00:08:35,320 --> 00:08:39,240 Speaker 2: they'll come up and be like, yeah, that one, that 148 00:08:39,320 --> 00:08:39,959 Speaker 2: one got me. 149 00:08:40,200 --> 00:08:45,240 Speaker 1: That one resonated very A very small amount of words 150 00:08:45,600 --> 00:08:48,120 Speaker 1: mean so much, I'm sure with guys, because you know, 151 00:08:48,360 --> 00:08:52,120 Speaker 1: you don't get too goofy when you're talking about personal stuff, 152 00:08:52,160 --> 00:08:55,880 Speaker 1: but but you write about a lot of it. Do 153 00:08:55,920 --> 00:09:00,320 Speaker 1: you ever use your music or writing the prom sess 154 00:09:00,360 --> 00:09:03,920 Speaker 1: of writing a song and performing and or performing sort 155 00:09:03,920 --> 00:09:06,679 Speaker 1: of as therapeutic for yourself in certain instances? 156 00:09:08,320 --> 00:09:11,240 Speaker 2: I think if you wanted a specific instance, and I 157 00:09:11,240 --> 00:09:14,880 Speaker 2: don't want to take all of these to mean it 158 00:09:14,920 --> 00:09:18,360 Speaker 2: all has to be sad. I think sometimes you just 159 00:09:18,400 --> 00:09:20,400 Speaker 2: want to go listen to a party song as well. 160 00:09:20,679 --> 00:09:23,280 Speaker 2: I don't want to. I don't want to be the 161 00:09:23,320 --> 00:09:29,160 Speaker 2: guy that's like, yeah, sometimes you get your heartbroke and 162 00:09:29,200 --> 00:09:30,920 Speaker 2: you're like, I just want to hear a love song 163 00:09:30,960 --> 00:09:36,080 Speaker 2: to tequila like that happens. But I think for me, 164 00:09:36,920 --> 00:09:40,400 Speaker 2: Drowning is another song that I had a hand in 165 00:09:40,520 --> 00:09:43,840 Speaker 2: writing with my buddies Corey Crowder and Josh Hoague, And 166 00:09:44,520 --> 00:09:49,800 Speaker 2: that song means volumes to me of just losing a 167 00:09:49,800 --> 00:09:52,280 Speaker 2: friend way too soon when he was in his twenties, 168 00:09:53,320 --> 00:09:58,600 Speaker 2: you know, and I, you know, now being much older 169 00:09:58,640 --> 00:10:02,640 Speaker 2: and having had all the career that I've had even 170 00:10:02,720 --> 00:10:07,040 Speaker 2: thus far. It sort of gives you a weight and 171 00:10:07,160 --> 00:10:10,240 Speaker 2: a gravity. And I think that song, even when I 172 00:10:10,280 --> 00:10:15,000 Speaker 2: wrote it, had gravity, but it still continues to just 173 00:10:15,200 --> 00:10:19,800 Speaker 2: define a piece of life that I lived through and 174 00:10:19,840 --> 00:10:22,040 Speaker 2: that a lot of other people lived through with the 175 00:10:22,120 --> 00:10:26,559 Speaker 2: loss of a friend or a relative or son. And 176 00:10:27,080 --> 00:10:31,040 Speaker 2: I think everybody can relate to that at some point 177 00:10:31,080 --> 00:10:32,280 Speaker 2: in their life. 178 00:10:33,120 --> 00:10:35,640 Speaker 1: What does the phrase music save me mean to you? Personally? 179 00:10:35,760 --> 00:10:38,040 Speaker 1: Upfront before we started the show, you were telling me 180 00:10:38,080 --> 00:10:40,000 Speaker 1: that you really like the theme of this show. Can 181 00:10:40,040 --> 00:10:41,640 Speaker 1: you elaborate a little. 182 00:10:41,400 --> 00:10:45,640 Speaker 2: Bit, Yeah, I think sort of an encapsulation of what 183 00:10:45,720 --> 00:10:48,160 Speaker 2: I just said of you know, I think there's a 184 00:10:48,160 --> 00:10:53,520 Speaker 2: lot of people that like their favorite song, whether it's happy, sad, 185 00:10:54,080 --> 00:10:58,560 Speaker 2: something else, story, whatever it is. They can listen to 186 00:10:58,559 --> 00:11:01,840 Speaker 2: that and they can hear like if you're just sort 187 00:11:01,880 --> 00:11:03,920 Speaker 2: of having a broken moment as a human, which I 188 00:11:03,960 --> 00:11:05,800 Speaker 2: think we all do, whether we want to admit it 189 00:11:05,880 --> 00:11:13,000 Speaker 2: or not, especially guys, but sometimes girls too. It's you know, 190 00:11:14,000 --> 00:11:16,520 Speaker 2: sometimes you're having a broken moment, you just don't want 191 00:11:16,559 --> 00:11:19,120 Speaker 2: to look at it in the face, and you just 192 00:11:19,200 --> 00:11:23,240 Speaker 2: sort of busy yourself with other things. I think music 193 00:11:23,320 --> 00:11:26,000 Speaker 2: can kind of fill that void if you don't have 194 00:11:26,120 --> 00:11:28,480 Speaker 2: somebody that you want to talk to about it, or 195 00:11:28,520 --> 00:11:31,400 Speaker 2: you don't want to talk about whatever you're dealing with. 196 00:11:31,640 --> 00:11:35,760 Speaker 2: I think that that is an incredibly powerful, powerful thing, 197 00:11:36,000 --> 00:11:40,000 Speaker 2: and it's art. So it's just interesting to me, and 198 00:11:40,040 --> 00:11:44,240 Speaker 2: it's probably why I spent my entire life. And that's 199 00:11:44,559 --> 00:11:48,200 Speaker 2: then the direction I pointed myself in is music creating it? 200 00:11:48,400 --> 00:11:52,400 Speaker 1: Do you know, it's almost as if you found a 201 00:11:52,400 --> 00:11:57,160 Speaker 1: way to just give back by making art. The way 202 00:11:57,200 --> 00:12:01,640 Speaker 1: you're talking when you come up against fans when you're 203 00:12:01,679 --> 00:12:05,720 Speaker 1: out performing and touring. What is it like when someone 204 00:12:05,760 --> 00:12:07,720 Speaker 1: comes up to you and tells you that you saved 205 00:12:07,760 --> 00:12:08,760 Speaker 1: them with your music. 206 00:12:09,840 --> 00:12:13,720 Speaker 2: I mean, it's worth a thousand times what they think 207 00:12:13,760 --> 00:12:18,280 Speaker 2: it is. Anybody saying that they love your music or 208 00:12:18,280 --> 00:12:21,840 Speaker 2: they love a specific song. My thing that I used 209 00:12:21,840 --> 00:12:23,960 Speaker 2: to say when I first got started, and it still 210 00:12:24,000 --> 00:12:27,320 Speaker 2: holds true, is if anybody tells me I made their 211 00:12:27,360 --> 00:12:31,440 Speaker 2: favorite song. If there's one person that hears something that 212 00:12:31,480 --> 00:12:35,160 Speaker 2: I wrote and they're like, that's my favorite song, you 213 00:12:35,200 --> 00:12:37,680 Speaker 2: have to think that means that song to them is 214 00:12:37,760 --> 00:12:42,560 Speaker 2: worth more in their mind than anything else that they've 215 00:12:42,600 --> 00:12:44,959 Speaker 2: ever heard. And so if there's one person I think 216 00:12:45,000 --> 00:12:50,320 Speaker 2: that does that, that's incredible. I think everybody has their 217 00:12:50,360 --> 00:12:55,319 Speaker 2: favorite song. I've had people, you know, at the most 218 00:12:55,320 --> 00:12:58,160 Speaker 2: recent show that I did, I didn't even see it 219 00:12:58,440 --> 00:13:00,920 Speaker 2: because there was so much going on. And they did 220 00:13:01,559 --> 00:13:06,240 Speaker 2: a Laryer release at this festival that I played in Texas, 221 00:13:06,480 --> 00:13:09,000 Speaker 2: and so you see all these lanterns and I'm just 222 00:13:09,040 --> 00:13:12,000 Speaker 2: watching them go on, like that was so beautiful. And 223 00:13:12,040 --> 00:13:14,400 Speaker 2: then I see a clip layer on in the day 224 00:13:15,280 --> 00:13:18,680 Speaker 2: where they were filming the crowd while I was singing 225 00:13:19,360 --> 00:13:23,040 Speaker 2: my current single to the Last One Dies, and a 226 00:13:23,120 --> 00:13:26,720 Speaker 2: guy gets down on one knee and ascer and got engaged. 227 00:13:27,360 --> 00:13:29,320 Speaker 2: And that song is not even Top twenty yet, So 228 00:13:30,440 --> 00:13:33,520 Speaker 2: it was just so cool to see that reaction and 229 00:13:33,559 --> 00:13:37,520 Speaker 2: somebody thought enough of a moment at my concert to 230 00:13:38,240 --> 00:13:41,720 Speaker 2: do that. And I've seen it happen before, but with 231 00:13:42,000 --> 00:13:47,160 Speaker 2: the new song, I was just like, man, that's awesome. 232 00:13:48,320 --> 00:13:49,320 Speaker 1: How does it make you feel? 233 00:13:50,240 --> 00:13:51,920 Speaker 2: It makes you feel good, It makes you feel like 234 00:13:51,960 --> 00:13:53,719 Speaker 2: you pick the right song, you. 235 00:13:53,679 --> 00:13:56,120 Speaker 1: Pick the right profession and the right song. Well, you 236 00:13:56,200 --> 00:13:59,000 Speaker 1: just said top twenty, so you don't you have like 237 00:13:59,040 --> 00:14:02,600 Speaker 1: this thing where every song sort of has to You're 238 00:14:02,640 --> 00:14:05,480 Speaker 1: an overachiever, let's face it. I mean it's not like 239 00:14:05,520 --> 00:14:08,880 Speaker 1: you're trying it. Just you make these incredible songs with 240 00:14:08,920 --> 00:14:12,040 Speaker 1: these incredible lyrics, like, for example, to the Last one, Guys, 241 00:14:12,080 --> 00:14:15,640 Speaker 1: did he get down on one knee with the fake rose. 242 00:14:16,480 --> 00:14:19,920 Speaker 2: Or I don't know, because again I'm seeing like a 243 00:14:19,960 --> 00:14:22,880 Speaker 2: clip of an edit of a video after the fact. 244 00:14:23,160 --> 00:14:26,240 Speaker 1: Yeah no, but just based on your lyrics, you know 245 00:14:26,800 --> 00:14:31,120 Speaker 1: that it's such an incredible creative I don't know. 246 00:14:31,160 --> 00:14:33,000 Speaker 2: Visual you can see, I'll tell you it is. I 247 00:14:33,000 --> 00:14:35,520 Speaker 2: didn't write that song. Really, that's one of the very 248 00:14:35,520 --> 00:14:38,040 Speaker 2: few that's on this record that I didn't write, but 249 00:14:38,120 --> 00:14:40,040 Speaker 2: I felt in love with it. So I'm just glad 250 00:14:40,120 --> 00:14:42,800 Speaker 2: other people were falling in love with the song and 251 00:14:43,760 --> 00:14:45,720 Speaker 2: they dig through this album because there's a lot of 252 00:14:45,840 --> 00:14:47,800 Speaker 2: meaningful stuff there is. 253 00:14:48,440 --> 00:14:50,520 Speaker 1: I am so fortunate. I feel that I get to 254 00:14:50,560 --> 00:14:53,800 Speaker 1: hear your album before everyone else. And my husband came 255 00:14:53,880 --> 00:14:55,680 Speaker 1: in and he's like, what is going on? I had 256 00:14:55,680 --> 00:14:58,640 Speaker 1: it cranked so loud, and he's a producer, so he's 257 00:14:58,640 --> 00:15:01,880 Speaker 1: got good speakers. The house is shaking. I'm listening to like, 258 00:15:01,920 --> 00:15:04,160 Speaker 1: pour some whiskey on it, which I don't know if 259 00:15:04,160 --> 00:15:06,000 Speaker 1: we can say anything about that yet, but I just 260 00:15:06,040 --> 00:15:09,160 Speaker 1: did because it's a really great song. We're talking about 261 00:15:09,160 --> 00:15:12,120 Speaker 1: your tenth studio album, I Didn't Come Here to Leave, 262 00:15:12,640 --> 00:15:17,880 Speaker 1: which is another phenomenal song. The title sounds pretty significant. 263 00:15:18,600 --> 00:15:21,920 Speaker 1: What does this album represent to you at this stage 264 00:15:21,920 --> 00:15:22,600 Speaker 1: in your career. 265 00:15:24,200 --> 00:15:28,360 Speaker 2: It's funny because I obviously did the album title on purpose, 266 00:15:28,760 --> 00:15:32,840 Speaker 2: but it doesn't mean anything other than I've got more 267 00:15:32,880 --> 00:15:35,560 Speaker 2: to say, And I think that's the cool part. I 268 00:15:35,560 --> 00:15:37,600 Speaker 2: think there's stuff that I say on this record that 269 00:15:37,640 --> 00:15:41,120 Speaker 2: I haven't said in the past. There's things that I 270 00:15:41,120 --> 00:15:44,760 Speaker 2: haven't touched on. I haven't talked about, you know what. 271 00:15:44,840 --> 00:15:47,760 Speaker 2: My dad went through the cancer battle, which is one 272 00:15:47,800 --> 00:15:51,800 Speaker 2: of the songs Just Keep Living like that specifically is 273 00:15:51,880 --> 00:15:56,320 Speaker 2: his story being able to talk about that, Like I 274 00:15:56,360 --> 00:15:58,240 Speaker 2: had to call him and be like, hey, old man, 275 00:15:58,360 --> 00:16:00,680 Speaker 2: I don't want to put this out there if I'm 276 00:16:00,720 --> 00:16:03,920 Speaker 2: not allowed to. I want to make sure you're okay 277 00:16:04,000 --> 00:16:09,520 Speaker 2: with it. So it was a really meaningful song for 278 00:16:09,560 --> 00:16:12,440 Speaker 2: me to write. Also, of course some whiskey on it. 279 00:16:12,520 --> 00:16:14,880 Speaker 2: Sometimes that's what people have to do to get over things, 280 00:16:14,920 --> 00:16:17,760 Speaker 2: to let music ill. I said that earlier in a 281 00:16:17,800 --> 00:16:21,240 Speaker 2: different format, But I think there's a lot that people 282 00:16:21,240 --> 00:16:23,440 Speaker 2: will dig through on this record and find. 283 00:16:23,720 --> 00:16:25,560 Speaker 1: Yeah, I didn't come here to leave. When I listened 284 00:16:25,600 --> 00:16:27,360 Speaker 1: to the song, it sounded like you didn't want to 285 00:16:27,440 --> 00:16:29,560 Speaker 1: leave the bar till four am because you weren't done. 286 00:16:29,840 --> 00:16:32,560 Speaker 1: But then I realized, like you just said, it's a 287 00:16:32,600 --> 00:16:35,920 Speaker 1: metaphor for so much more in your career in life. 288 00:16:35,600 --> 00:16:37,960 Speaker 2: And that's all. It sounds like I wrote it at 289 00:16:38,040 --> 00:16:41,840 Speaker 2: nine pm and we wrote it at nine am. Oh really, Yeah, 290 00:16:43,200 --> 00:16:43,640 Speaker 2: that is. 291 00:16:43,960 --> 00:16:46,600 Speaker 1: Not easy to do when you're performing late at night. 292 00:16:46,760 --> 00:16:48,400 Speaker 1: So I don't want to let you go, but I 293 00:16:48,440 --> 00:16:51,160 Speaker 1: do have to. I want to quickly touch on your 294 00:16:51,200 --> 00:16:53,440 Speaker 1: philanthropy because you do a lot of it. You have 295 00:16:53,520 --> 00:16:57,360 Speaker 1: the Chris Young Cafe at MTSU, you do scholarships for 296 00:16:57,920 --> 00:17:01,000 Speaker 1: recording art students. Why is it so important for you 297 00:17:01,040 --> 00:17:04,080 Speaker 1: to give back with especially in music education? 298 00:17:06,760 --> 00:17:09,439 Speaker 2: Music education obviously is something that's near and dear to 299 00:17:09,480 --> 00:17:11,679 Speaker 2: my heart, just because of what I do for a living, 300 00:17:12,520 --> 00:17:18,080 Speaker 2: but even beyond that, like military things that I've done, 301 00:17:19,840 --> 00:17:24,399 Speaker 2: you know, being able to donate to cancer charities that 302 00:17:24,440 --> 00:17:28,560 Speaker 2: I've been able to donate to, you know, there's so 303 00:17:28,680 --> 00:17:31,959 Speaker 2: much opportunity to do that, and I think you should 304 00:17:32,000 --> 00:17:35,560 Speaker 2: give back if you had the ability to. And I'm 305 00:17:35,640 --> 00:17:37,600 Speaker 2: lucky to be in a position so the people that 306 00:17:37,800 --> 00:17:43,280 Speaker 2: put me here are facilitating that, and I feel like 307 00:17:43,359 --> 00:17:48,800 Speaker 2: it's something you should do as an artist and whatever 308 00:17:48,920 --> 00:17:52,640 Speaker 2: level that you can, I'm just grateful. But I'm able 309 00:17:52,680 --> 00:17:53,040 Speaker 2: to do. 310 00:17:52,960 --> 00:17:56,240 Speaker 1: That's it feels really good, doesn't it. In a way, 311 00:17:56,280 --> 00:17:58,760 Speaker 1: it's sort of selfish, But I talk about this a 312 00:17:58,800 --> 00:18:01,520 Speaker 1: lot with pretty much Aye who will listen to me talk. 313 00:18:02,359 --> 00:18:05,239 Speaker 1: But when you do have a platform, whatever it is, 314 00:18:05,320 --> 00:18:09,320 Speaker 1: if it's a platform of any kind. You should always 315 00:18:09,880 --> 00:18:12,280 Speaker 1: make time to give back because it's so important. 316 00:18:12,640 --> 00:18:14,800 Speaker 2: Yeah, for sure, Chris Young. 317 00:18:14,880 --> 00:18:16,359 Speaker 1: I could talk to you for another hour because I 318 00:18:16,400 --> 00:18:20,119 Speaker 1: have a bazillion other questions. Congratulations on the new music, 319 00:18:20,720 --> 00:18:23,080 Speaker 1: and thank you for coming on and sharing a bit 320 00:18:23,119 --> 00:18:26,280 Speaker 1: of your story with all of us. And I wish 321 00:18:26,359 --> 00:18:29,560 Speaker 1: you nothing but incredible success to continue for you in 322 00:18:29,640 --> 00:18:31,920 Speaker 1: your future and hopefully you'll come back again and see 323 00:18:32,000 --> 00:18:33,399 Speaker 1: us absolutely. 324 00:18:33,440 --> 00:18:34,200 Speaker 2: Thank you so much. 325 00:18:34,440 --> 00:18:35,119 Speaker 1: Thanks Chris