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Speaker 1: This is a headgun podcast, Slimy book club. M, Hey,

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Speaker 1: best friend, who's hot coping at door? It's all your friends,

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Speaker 1: you filthy home. Cousin's gone and we've got books and

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Speaker 1: a bottle of wine. You killed the wood books. It's gossips,

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Speaker 1: it's my sens Studio fifty four. I mean it's basically

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Speaker 1: a Fallinium book limited book clubs, secretly on book club,

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Speaker 1: little boys, every book club brown, Hey, best friend, how's

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Speaker 1: my little cow girl? How is my Spanish Underlucian horse

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Speaker 1: over there? M I'm a stallion, I'm raging, I'm wild,

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Speaker 1: I'm muscular, I'm the object of it. Eyteen girls to see.

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Speaker 1: I am prilled to see you. I am so excited

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Speaker 1: to see who you are. Your haircut looks great. Um,

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Speaker 1: it's growing out in a way that is totally normal,

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Speaker 1: which wow, thank you so much for saying that, sure,

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Speaker 1: because that's always a fairy. We're like the three weeks after,

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Speaker 1: but you're like, what's gonna happen there? Yeah, no, it's

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Speaker 1: looking it's it's looking even more you but even it

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Speaker 1: still looks fresh. Also like I'm growing into it, and yeah,

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Speaker 1: my face is growing into it. Absolutely, your face as

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Speaker 1: so beautiful and you don't need to lose a pound,

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Speaker 1: despite what the Nashville Record executive say. Even if a

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Speaker 1: National Record executive said, Okay, I actually need you to

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Speaker 1: lose twenty and I want you know, you to get

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Speaker 1: a nose job, I would never say that to you.

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Speaker 1: The book, the book, the book. You're probably wondering, what

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Speaker 1: book is it this week? Could they read another book

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Speaker 1: this week? It? Is it possible? Is it possible that

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Speaker 1: these two culture hounds would be able to devour yet

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Speaker 1: more pages? After all the pages, after all the page

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Speaker 1: between their high powered jobs and high powered relation. Exactly

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Speaker 1: how are they cramming all of this book? And yeah,

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Speaker 1: we did. We crammed this four hundred page Shania Twaine memoir. Yes, boots,

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Speaker 1: it's called from this moment on um So. Shan Twain,

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Speaker 1: of course, is an iconic, iconic, I would say, the

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Speaker 1: queen of nineties crossoverty country pop pop. She is, of

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Speaker 1: course Canadian, which many of you may not know, and

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Speaker 1: not only just kind of like, oh she's from Toronto,

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Speaker 1: Like she is a Canadian, she is from Bush Country

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Speaker 1: and she says bush a lot in this book to like,

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Speaker 1: I guess I would use the term boonies maybe. I know,

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Speaker 1: I wouldn't even say I would say, like she even

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Speaker 1: says the word yeah boots, is I think so America. Yeah,

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Speaker 1: I would say just like country or like super rural maybe,

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Speaker 1: but I don't say the bush. I mean, that's like

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Speaker 1: only in Australia, but I guess that's in the Commonwealth

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Speaker 1: of Northern Northern. She was she's from negative forty degree

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Speaker 1: Celsius Land. Yeah, which also kind of now it makes

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Speaker 1: her first album cover make a little bit more sense

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Speaker 1: because she's been like full Aska and she's in this

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Speaker 1: like full like Julie of the Wolves, like sharpa jacket

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Speaker 1: and then there's like a literally full husky and there's

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Speaker 1: like ice fishing happening, and you're just like, oh, okay,

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Speaker 1: they're just doing this look for the shoot. But I

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Speaker 1: love the look, and you're like, oh no, You're like,

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Speaker 1: so she's actually from Timmins Ever been ever been to Timmans. No?

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Speaker 1: But I have a little the most mild gossip, which

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Speaker 1: oh about Timmins. Well, I slept with this guy who

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Speaker 1: was who was actually he still is kid, He was

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Speaker 1: um and he was like talking about Shania Twain and

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Speaker 1: he was like oh, you know, she's a Timmins girl.

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Speaker 1: And she just like whenever she comes back to town,

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Speaker 1: like she buys everyone like a state dinner. Yeah, and

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Speaker 1: she's so like she kind of references in his book,

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Speaker 1: but like she's very in that way. Like I feel

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Speaker 1: like Jennifer Lewis is like so Kenosha and it's so

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Speaker 1: like she's tim She's a Timmins girl, Kinlock girl. She's

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Speaker 1: a Timmins girl. Yeah, And she's just like she's a

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Speaker 1: girl who done good and then comes home and like

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Speaker 1: does well for the people, which I do love. She

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Speaker 1: really is not I think I did not really was

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Speaker 1: not prepared for actually the completely insane childhood. Yeah she had.

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Speaker 1: So here's the thing. So she has this incredibly traumatic childhood.

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Speaker 1: She's also deeply Canadian, so she's really really forgiving and

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Speaker 1: polite and like understanding and like constantly being incredibly compassionate

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Speaker 1: towards everyone and like knock getting so mad even though

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Speaker 1: like she literally watched her father like beat almost killed

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Speaker 1: her mother probably every single night, and there's this very

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Speaker 1: very intensity where she literally thinks her mom's dead and

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Speaker 1: he's like bashing his mom into a toilet, and she's

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Speaker 1: lifeless on the floor and like her sisters and her

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Speaker 1: are like on the cream, screaming and like, and it's

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Speaker 1: in the middle of the Canadian wilderness. And she's like,

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Speaker 1: and I thought my mother was dad, but then she'll

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Speaker 1: just be like in so much the book, she's like,

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Speaker 1: but I totally understand. And my dad like had his

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Speaker 1: reasons and he is from like the Native Indian community,

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Speaker 1: and like he had struggles with alcoholism and he rose

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Speaker 1: out of that and he like didn't make a lot

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Speaker 1: of money and like, well, and she really starts off

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Speaker 1: so the first like this book is like mad long

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Speaker 1: and like the first two hundred pages are of the

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Speaker 1: book are like all about like her horrible childhood and

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Speaker 1: like the beatings and just like them eating like bread

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Speaker 1: with sugar and that's the only thing that gosh, what

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Speaker 1: nobody in the poor man Sandwich where he's just like

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Speaker 1: mayonnaise and white bread and there's your sandwich. And she

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Speaker 1: was like, and I loved his resourcefulness and he always

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Speaker 1: looked in the bright side of life. And then it's

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Speaker 1: like and like he had an amazing sense of humor.

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Speaker 1: And from the beginning, she's also like, you will read

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Speaker 1: this book and I just want to kind of get

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Speaker 1: it out there that I do of my parents so much,

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Speaker 1: and I do love Sherry and Sharon. She's Wayne and

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Speaker 1: and I do forgive him and even in the parts

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Speaker 1: when you know she's like sixteen and like he never

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Speaker 1: like sexually abused her, and then all of a sudden,

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Speaker 1: like when she like gets stacked and like starts becoming

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Speaker 1: a teen, then he gets starts creep super creepy, and

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Speaker 1: he hovers over her bad and just whispers, You're a

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Speaker 1: filthy slut, You're stupid horror. And she's like just lying

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Speaker 1: in bed asleep, just being like I'm just gonna kind

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Speaker 1: of pretend this doesn't happened. And meanwhile they're always sleeping,

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Speaker 1: like eight kids to a room, so all the other

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Speaker 1: kids are in bed. Bung says the dad is just

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Speaker 1: like you stupid, spread your legs, filthy horror. And then

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Speaker 1: she's like her later and she's like, wait, so, like

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Speaker 1: did you ever hear that? Like dad could of randomly

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Speaker 1: be like saying like you're a disgusting slut. You are,

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Speaker 1: like while we were kind of asleep and he was

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Speaker 1: saying it to me, and she was like, no, yeah,

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Speaker 1: I heard, Yeah, Oh my God. I told her heard that,

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Speaker 1: and she was like, yea, she never checked him. My

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Speaker 1: brothers if they heard that, And I'm like, and then

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Speaker 1: right after that, she's like, and yes, I was absolutely

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Speaker 1: scared of him after that, But more I actually felt

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Speaker 1: bad for him because clearly there was something wrong with

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Speaker 1: him that he was saying that. And I was like, damn,

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Speaker 1: that's yeah, and just ask like it's so Canadian. I mean,

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Speaker 1: I think it's also Canadian, but I get this sense

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Speaker 1: towards the end that she has gone through seventeen years

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Speaker 1: of meditation and just like it is obsessed with deep Joe. Yeah,

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Speaker 1: and like so some people that she is not really

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Speaker 1: forgiving well try funny how basically the whole book, well,

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Speaker 1: let's talk about yes, the insane fairy, but babe, she's

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Speaker 1: a little like not blaming men towards the end. Okay,

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Speaker 1: let's start. Okay, so okay, but like back to just like,

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Speaker 1: here's one thing about the length of this book. It

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Speaker 1: is four hundred pages. I feel like there's like a

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Speaker 1: full fifty pages at the beginning where she's like and

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Speaker 1: I know you're wondering why write a book, but here

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Speaker 1: it was very soleb it's important to write a book

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Speaker 1: to tell your story and to get rid of those demons.

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Speaker 1: And some people say no, barry the demons. And it's

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Speaker 1: like most people do say like get them out. Well,

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Speaker 1: I think I'm sure it was more like, well maybe

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Speaker 1: just like Grandma cousin from Timmins is like, you know,

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Speaker 1: that's just a family, and like you don't talk about

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Speaker 1: your family like that, you don't discuss the family, um.

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Speaker 1: And then I'm sure also some random Nashville people were

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Speaker 1: just like you don't want to be talking about your

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Speaker 1: marriage like that, take the high road, and she was like, no,

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Speaker 1: I am going to write this. Honestly, it makes sense.

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Speaker 1: It's like she kind of like wrapped on her career,

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Speaker 1: at least the like Haitia of her career, like in

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Speaker 1: two thousand and eight, So so why not why not

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Speaker 1: get this out? And this book came out and I

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Speaker 1: want to say, like twenty twelve or something. I thin, yeah,

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Speaker 1: because I think she starts writing in twenty ten as

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Speaker 1: like right to get up a marriage, a marriage and

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Speaker 1: like her whole life is really shifting. Um. So another

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Speaker 1: insane thing about Shania Twain is that she does currently

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Speaker 1: live in Switzerland. So she has lived in an insane

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Speaker 1: like Hopsburg, like Neu Schwansenstein, like chateau mansion that evil

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Speaker 1: past Geneva for like the past twenty years. Insane part

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Speaker 1: about this book is like how the first two hundred

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Speaker 1: page just is just like and dad kicked me down

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Speaker 1: to her basement and kicked me into the chickens and

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Speaker 1: then I cut the chickens heads off, and then I

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Speaker 1: like worked on a tree planting thing, and then like

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Speaker 1: cut to page three seventy she's like, when I'm not

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Speaker 1: standing over my auger range picking out, I mean, it's

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Speaker 1: the most I would says the interior of the chateau

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Speaker 1: when she talks about like the ceramic codd like stuff,

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Speaker 1: and it's like, Okay, you're really you really got into

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Speaker 1: interior design, and I guess what else you're gonna do

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Speaker 1: when you are trapped in this like apps it is.

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Speaker 1: It's so that movie with fran Drescher, Oh, Beautician of

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Speaker 1: the Beast isn't no where? Doesn't she like go to

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Speaker 1: live in a spist castle on that movie? Well she does,

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Speaker 1: but that's because she's the nanny for the like president.

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Speaker 1: It was very pretty good, but like Shania is so

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Speaker 1: nineties with her like teasing, yes, Pops and like left

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Speaker 1: and she's going to live in this But then she

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Speaker 1: marries the man, so she's actually mary Anne, the housekeeper.

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Speaker 1: So we keep on referencing this thing. And I do

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Speaker 1: want to talk about her childhood more, but just so

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Speaker 1: you have to get it out. I mean, this is

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Speaker 1: famous gossip. Her husband Lang, famous producer of a CDC

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Speaker 1: def Leppard, who she made her first iconic album with

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Speaker 1: coming Over, and her second and her third. Yeah, you

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Speaker 1: know they were collaborators. We're talking hits any man of mine?

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Speaker 1: Don't that don't impress me much, you know, And I

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Speaker 1: feel like a one man um you know, from this moment,

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Speaker 1: from this moment on, what's the one? You know, you're

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Speaker 1: still the one that's about that. And before that, he

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Speaker 1: had a long story career working for rock and roller

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Speaker 1: Ferner Springstea, I mean, anyway, a lot of them. So

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Speaker 1: they're in the Swiss Alps whatever. Cut to two thousand

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Speaker 1: and eight. She and I becomes very good friends with

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Speaker 1: his secretary mary Anne. I mean, it's this is why

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Speaker 1: it's so horror film, because she is this like evil,

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Speaker 1: haunted French witch who is the housekeeper of this like

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Speaker 1: crazy chateau that's just like looking out over like Geneva

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Speaker 1: and everything is like crazy versaw furniture and then like, oh,

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Speaker 1: you know, it's like so many bearskin rugs and candlesticks

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Speaker 1: and it's just like you can see your breath and

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Speaker 1: it's like and there's just one other person in the

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Speaker 1: house and like this's just like clinking, clangling, and I

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Speaker 1: had no friends there. And then she so she's always

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Speaker 1: been like, so Marianne was a little cold to me

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Speaker 1: at first, but we did, over the course of nine

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Speaker 1: years become friends because there was no one else to

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Speaker 1: speak in my haunted Geneva castle. So they finally become close.

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Speaker 1: And then they both have kids. They like they they're

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Speaker 1: pregnant together, and they're so like talking all the time

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Speaker 1: and like doing marriage and life and semiotics and they're

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Speaker 1: they're opening up to each other and she's finally being

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Speaker 1: like and Marianne, this like random evil French witch, like

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Speaker 1: is my best friend now and that's fine, and like

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Speaker 1: her sisters aren't canna and like her. But she also

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Speaker 1: definitely you can tell reading this book, it's kind of

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Speaker 1: like when you become that rich and successful and she

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Speaker 1: just does not have many things. She's also someone though,

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Speaker 1: like let's just she's not really like such a social butterfly. Yeah,

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Speaker 1: like she's she does not party, she does not drink,

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Speaker 1: she does not she don't even have a Coca Cola.

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Speaker 1: She's like openly like, yes we're croptops and be flirty.

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Speaker 1: But she's also like, and I do only have sex

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Speaker 1: with someone who I care about. I did love when

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Speaker 1: she was basically like honestly like, yes I wore kroptops,

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Speaker 1: it was still like pretty tame. Yeah, she's saying. Over

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Speaker 1: the nineties, she's been like I don't know what y'all

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Speaker 1: are figuring out about, Like yeah, like I'm not really

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Speaker 1: this like like I'm not a crazy slut. I'm not

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Speaker 1: like such a sex symbol. Like yes, I was like

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Speaker 1: very hot, but yes I'm extremely hot. So but anyway,

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Speaker 1: this one Maryanne ends up cheats on her husband with

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Speaker 1: Shania's husband when Shania is like in New Zealand. After

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Speaker 1: that like her husband with her like the woman who

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Speaker 1: had become her best friend and it wasn't Eva. Oh,

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Speaker 1: I'm so sorry this woman. She paints this woman to

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Speaker 1: be the biggest snake in the universe, and what the

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Speaker 1: woman would just hiss at her in the Geneva cobblestone street.

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Speaker 1: It would just be like you stupid loser, He's mine

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Speaker 1: now to see where she where. Mary Anne's walking towards

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Speaker 1: her like literally on the frozen frozen on Geneva also gay,

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Speaker 1: like Geniva is insane, never bands, but it's a city

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Speaker 1: of like only Russian oligarch and like diplomats, diplomats and diamonds,

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Speaker 1: like it's like the most evil villain city like you

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Speaker 1: can possibly imagine. And this just like evil woman's like

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Speaker 1: walk I'm sure she has like a hand muff and

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Speaker 1: she's with like six of her witch friends and like

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Speaker 1: poor Schnaya is just like walking along the stone like

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Speaker 1: crying alone. And then just like mary Anne walks by

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Speaker 1: her and like cackles, wait and she says she's like

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Speaker 1: and she's in her big black Versace sunglasses and it's like,

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Speaker 1: you know, they're just so cheesy, like airports better just

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Speaker 1: like you get with the freelow, with the Laurel. It's

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Speaker 1: duty free vibe. So that is kind of the whole

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Speaker 1: second half of the book. So that's who we mentioned

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Speaker 1: when we will be talking about Marianne. And so the

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Speaker 1: first time I heard. I mean, I feel like I

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Speaker 1: say a lot of this and the pot and it

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Speaker 1: turns out, you know how I got into Shania. My

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Speaker 1: sister came home from her horse camp pony farm with

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Speaker 1: a burned Shania Twin CD, which is so funny because

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Speaker 1: Shania Twain is the biggest horse girl and like doesn't

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Speaker 1: have friends and only connects with her horses yea, and

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Speaker 1: her dog. Oh of course her her German shepherd who

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Speaker 1: died of heartbreak. The animal I was like absolutely cheered

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Speaker 1: up at points in this book, one because it's completely insane,

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Speaker 1: it doesn't really side parts, but then the emotion that

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Speaker 1: I poured into the animal relationships because those are the

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Speaker 1: biggest relationships. It is such a nineties movie kind of

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Speaker 1: homeward bound vibe sometimes because like she means, she really

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Speaker 1: an anthropomorphizes the animals and she's just like and the

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Speaker 1: dog or whatever she's like, and Billy like would get

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Speaker 1: so angry he would gnaw through his steel chain just

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Speaker 1: to come protect me on a video seth And that's

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Speaker 1: just like the only man in her life. And then

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Speaker 1: she has like another German shepherd who her like well,

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Speaker 1: I mean, she is like has been almost like raped

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Speaker 1: a thousand times, so no wonder she like gets tons

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Speaker 1: of German shepherds to she needs, Like, yeah, I'm absolute

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Speaker 1: like art. But your sister came home from from horse

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Speaker 1: camp with a burn CD of Garth Brooks and Shania

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Speaker 1: Twain and I feel like I hadn't. I was so

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Speaker 1: like R and B. Then it was like into country,

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Speaker 1: you know, because my part, you know, they'd turned me

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Speaker 1: into Johnny Cash and I was into that. But that

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Speaker 1: was like old school, and it was on the CD.

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Speaker 1: It was Garth Brooks songs, Rodeo and the thunder Rolls

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Speaker 1: and then the whole first the whole second Shania CD,

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Speaker 1: which is was how she got super famous. That's the

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Speaker 1: moment who's ben off your boots been under and any

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Speaker 1: man of mine? And I was like, fuck, this is

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Speaker 1: the same, Yeah, this is fucking rocky. Yes, socks off,

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Speaker 1: this is rocking my socks off. And we always used

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Speaker 1: to like a joke about this photo that she talks

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Speaker 1: about in the book, that Bo Derek's husband took of

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Speaker 1: her in the pink cowboy hat submerged in water, and

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Speaker 1: I just remember thinking, and it was bow Derek's that

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Speaker 1: um and I just remember thinking that was the funniest

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Speaker 1: photo in the entire world. And we would always like

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Speaker 1: joke about like how her husband's named mut Lang and

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Speaker 1: how that was random and wow. So you were really

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Speaker 1: sort of early on the Schnai training then, and then

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Speaker 1: of course, you know, I feel like that was probably

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Speaker 1: age you know, nine, whatever, and then two years later

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Speaker 1: that's when she goes full crossover. Yeah, you know, that

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Speaker 1: don't impress me much. You know, everyone's singing that in

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Speaker 1: the halls. Come on over with such a sound album.

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Speaker 1: And of course I knew the music are on the radio,

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Speaker 1: but I wasn't like really like I wasn't really I

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Speaker 1: I didn't really get into country music until I think

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Speaker 1: after high school, and you and I both love country

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Speaker 1: in college and really connected over there. I remember it

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Speaker 1: was kind of a honey I second honeymoon for us.

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Speaker 1: It really was. And I've actually kind of forget what

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Speaker 1: my first like favorite country stars were. Maybe it was

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Speaker 1: like Trayce Atkins and like because we went to go

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Speaker 1: see and Jody Messina Mohegan's son. Was that Mohegan or

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Speaker 1: the Wister Centrum? I'm pretty sure it was Mohican. It's

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Speaker 1: very just like most people finding out about bands through

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Speaker 1: like a VFW flyer, and it was like us finding

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Speaker 1: about a buck comedians Mohegans like yeah, website from two

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Speaker 1: thousand and three were like that. So we got turned

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Speaker 1: onto just like really famous touring comedians and just like

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Speaker 1: stadium to our country stars and we were just like, Wow,

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Speaker 1: let's go see this hot up and comer. Trays Atkins

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Speaker 1: was just like a fifty year old man who sings

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Speaker 1: about school rings. But probably also I'm wondering because it

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Speaker 1: was like I got into Shania and I love that,

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Speaker 1: but it wasn't like I didn't become a true I

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Speaker 1: think insane country fan till my mom's friend and Nat

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Speaker 1: who was kind of like her personal organizer accountant friend

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00:18:01,400 --> 00:18:04,239
Speaker 1: through the parent my parents divorced. She taught me how

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Speaker 1: to drive and she had a huge leather bound CD

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Speaker 1: booklet half hair Metal and she was might a half

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Speaker 1: country and so we would listen and she took me

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Speaker 1: to see Reba old school Tanya Tucker. But it was

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Speaker 1: also like getting the new new people was like Kenny Chelsney,

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Speaker 1: like Clint Black, you know, Garth Brooks, Reba McIntyre. I

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Speaker 1: feel like it was I want to say it, I

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00:18:28,320 --> 00:18:31,320
Speaker 1: was listening to country radio in college, and that's how

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00:18:31,400 --> 00:18:34,680
Speaker 1: I got into so much music. Or maybe it was

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00:18:34,760 --> 00:18:37,080
Speaker 1: like you or Daniel were like, oh, download this album

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Speaker 1: on lime wire and then we were rocking it. Do

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Speaker 1: you remember when Taylor Swift started, when she invented herself

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Speaker 1: and like, I had been listening to our songs separately,

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Speaker 1: like so much because it was like popular and you

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Speaker 1: had listening to separately and I was studying abroad. Oh

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Speaker 1: my god. I remember message of being like, oh my god,

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Speaker 1: there's this new song. You have to hear it. It's

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Speaker 1: so good. And you were like, oh my god, is

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Speaker 1: it our song? And I was like yeah, and we

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00:19:00,440 --> 00:19:03,639
Speaker 1: were both like it's incredible. Like she's such a genius.

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Speaker 1: I'm obsessed with this girl, Taylor Swift. Wow, that's so beautiful.

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00:19:07,520 --> 00:19:09,080
Speaker 1: I know, it's incredible. It's like two thousand and eight.

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Speaker 1: This is why I think it's gonna be really good

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Speaker 1: for us to spend some time apart actually and for

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00:19:12,920 --> 00:19:14,840
Speaker 1: you to go to abroad so we can actually find

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00:19:14,920 --> 00:19:17,159
Speaker 1: each other again. No, it's so important if you have

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00:19:17,240 --> 00:19:20,040
Speaker 1: a friendship in which some one person sometimes goes abroad,

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00:19:20,119 --> 00:19:23,080
Speaker 1: like make sure that that happening because absence takes the

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Speaker 1: heart grow under and you kind of and then you

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Speaker 1: find these connections that you're like, you're like, oh and

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00:19:28,160 --> 00:19:30,399
Speaker 1: like maybe you're in the rain nose the whole time, right,

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00:19:30,480 --> 00:19:32,760
Speaker 1: But I do think that, Yeah, that Trace Atkins concert

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Speaker 1: with Jody Massena that really turns onto that kind of

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Speaker 1: just mainstream current day. Well, the thing about Jody Messina

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00:19:40,080 --> 00:19:42,840
Speaker 1: and Trace is they're a little bit like the Bots

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Speaker 1: kind of be lists. They're b lists, and they're a

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00:19:44,680 --> 00:19:46,800
Speaker 1: little bit kind of like warmed over, Like they're kind

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00:19:46,840 --> 00:19:50,480
Speaker 1: of trying to do like the trends of country music now,

376
00:19:51,040 --> 00:19:53,639
Speaker 1: but like you know, like my give a Dam's busted,

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00:19:53,760 --> 00:19:56,000
Speaker 1: that Jody Messina song as I feel like my given

378
00:19:56,160 --> 00:20:01,159
Speaker 1: Arms busters. But I think Head's Tail, you know, Head's

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00:20:01,240 --> 00:20:05,680
Speaker 1: Carolina Tales, California. I think that maybe we felt that,

380
00:20:05,800 --> 00:20:08,640
Speaker 1: but that came out that was so many years ago. Yeah,

381
00:20:08,720 --> 00:20:11,159
Speaker 1: that was but I give it Him's best, sad. I

382
00:20:11,160 --> 00:20:12,320
Speaker 1: feel it was more two thousand and three and it

383
00:20:12,680 --> 00:20:16,040
Speaker 1: was trying to be this bluesy thing. Well, springs me

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00:20:16,200 --> 00:20:19,080
Speaker 1: to one of my first Shannaia memories, which was watching

385
00:20:19,160 --> 00:20:21,400
Speaker 1: the video for I'm Going to Get You Good, which

386
00:20:21,520 --> 00:20:28,200
Speaker 1: was off of Up On pop up video H one

387
00:20:28,640 --> 00:20:30,520
Speaker 1: because vh onone was always trying to be like, oh yeah,

388
00:20:30,520 --> 00:20:33,680
Speaker 1: we're not just like dumb like MTV and just showing videos. Yeah,

389
00:20:34,600 --> 00:20:37,680
Speaker 1: brain bad pop up Like I'm sorry boot Vibes, Like

390
00:20:37,920 --> 00:20:41,880
Speaker 1: there's probably such already and it's like pop up video

391
00:20:41,960 --> 00:20:44,679
Speaker 1: for Davos, like for Oreo, and like it's already happened.

392
00:20:45,359 --> 00:20:47,320
Speaker 1: But like I remember seeing this video and the video

393
00:20:47,480 --> 00:20:49,200
Speaker 1: is very and this is what I mean about like

394
00:20:49,320 --> 00:20:52,320
Speaker 1: trying to sort of like your producers and your team

395
00:20:52,400 --> 00:20:54,120
Speaker 1: just start kind of start to like fit you into

396
00:20:54,160 --> 00:20:56,560
Speaker 1: the trends at the time. Yeah, because that album Up

397
00:20:56,800 --> 00:20:59,720
Speaker 1: was well, the album mop has three different versions, which

398
00:20:59,760 --> 00:21:04,320
Speaker 1: is like one is this like Eastern international dance and

399
00:21:04,520 --> 00:21:08,800
Speaker 1: she's like we used Eastern Gentic satar because like everything

400
00:21:08,840 --> 00:21:10,600
Speaker 1: in the early two thousands was like had that like

401
00:21:10,680 --> 00:21:13,479
Speaker 1: Buddha bar sound to it. And then there's the country

402
00:21:13,640 --> 00:21:16,080
Speaker 1: version of the album, and then there's the crossover pop

403
00:21:16,160 --> 00:21:18,879
Speaker 1: version of the album. But the video is very like

404
00:21:19,920 --> 00:21:23,120
Speaker 1: space and like because you know which is like I'm

405
00:21:23,200 --> 00:21:27,600
Speaker 1: blood up, like yeah, I was slay and like everything

406
00:21:27,680 --> 00:21:30,720
Speaker 1: had that kind of like disc proto disc magazine like

407
00:21:30,840 --> 00:21:34,399
Speaker 1: futuristic look, and I remember thinking like she's fake. I

408
00:21:34,480 --> 00:21:36,440
Speaker 1: remember like seeing the difference of being like, oh, like

409
00:21:36,800 --> 00:21:39,439
Speaker 1: this is someone who's like trying to do this new

410
00:21:39,520 --> 00:21:41,800
Speaker 1: thing and it's like not totally working. And it was

411
00:21:41,840 --> 00:21:43,920
Speaker 1: like one of the first times as a cultural commentator

412
00:21:43,960 --> 00:21:45,959
Speaker 1: that I was just like, oh, I can see when

413
00:21:46,040 --> 00:21:48,879
Speaker 1: someone's being like maybe a little bit inauthentic. Okay, that's

414
00:21:48,960 --> 00:21:52,000
Speaker 1: kind of fabulous. That's a paper, which is also that

415
00:21:52,040 --> 00:21:55,080
Speaker 1: also kind of makes me sad about Shania's career, because

416
00:21:55,440 --> 00:21:57,679
Speaker 1: so when she talks about why don't you shoot her

417
00:21:57,720 --> 00:22:00,920
Speaker 1: first music video, she's very much like the only she

418
00:22:01,200 --> 00:22:03,840
Speaker 1: She was like everyone is a copycat, and she was

419
00:22:03,880 --> 00:22:08,520
Speaker 1: complaining that Nashville had like gotten to PG Yeah, well

420
00:22:08,560 --> 00:22:11,040
Speaker 1: because they were like so Christian, I'm afraid of Yeah,

421
00:22:11,119 --> 00:22:13,480
Speaker 1: she was like what happened to Lauretta Lynne Time out

422
00:22:13,520 --> 00:22:16,480
Speaker 1: the Pale and like Dolly Parton and like the Outlaws.

423
00:22:16,520 --> 00:22:18,120
Speaker 1: And it's also, I mean that is such a theme

424
00:22:18,160 --> 00:22:20,920
Speaker 1: in country music, where it's like what happened to Whalen

425
00:22:21,080 --> 00:22:23,560
Speaker 1: and what happened to real country and what happened when

426
00:22:23,680 --> 00:22:27,680
Speaker 1: Hank drove into town complaining about it and start being

427
00:22:27,760 --> 00:22:31,320
Speaker 1: about thank you a little less talk a little more conversation,

428
00:22:31,440 --> 00:22:34,359
Speaker 1: which is which I think is what Shania did, and

429
00:22:34,440 --> 00:22:36,600
Speaker 1: she was like, I'm not gonna make just every other

430
00:22:36,760 --> 00:22:39,200
Speaker 1: music video, like I want to make fun music videos,

431
00:22:39,400 --> 00:22:42,159
Speaker 1: which is then why she hired also Bo Derek's husband,

432
00:22:42,560 --> 00:22:45,359
Speaker 1: and then her like, I mean, so her first video

433
00:22:46,240 --> 00:22:49,359
Speaker 1: is just like her in a crop top that they

434
00:22:49,480 --> 00:22:52,280
Speaker 1: like crunch music Television. They would not play the video

435
00:22:52,320 --> 00:22:56,240
Speaker 1: at first because they were like, this is scandalous. Yeah. Meanwhile,

436
00:22:56,359 --> 00:22:59,800
Speaker 1: like Madonna's humping a burning gap that's on MTV. That's

437
00:23:00,160 --> 00:23:02,480
Speaker 1: that's how Christian gotten. Also, the top she's wearing is

438
00:23:02,760 --> 00:23:07,159
Speaker 1: so funny. It's crop top, full peasant bell sleeves and

439
00:23:07,400 --> 00:23:12,400
Speaker 1: just like flares and then this huge floppy hat. Yeah, alright,

440
00:23:12,480 --> 00:23:16,520
Speaker 1: emailed it too. And then her videos do get so

441
00:23:16,680 --> 00:23:18,760
Speaker 1: fun and she's like in any amount of mind, she's

442
00:23:18,760 --> 00:23:20,920
Speaker 1: like at this diner with like all these guys and

443
00:23:21,080 --> 00:23:24,159
Speaker 1: like she's like stealing their eggs and eating them and

444
00:23:24,280 --> 00:23:28,000
Speaker 1: being like flirty and saucy. The bell sleeves actually making

445
00:23:28,040 --> 00:23:31,440
Speaker 1: her body look like so curvy and so undulating. No,

446
00:23:31,560 --> 00:23:36,159
Speaker 1: and I see bell sleeves, I'm soaked. Yeah, I mean honestly,

447
00:23:36,240 --> 00:23:38,119
Speaker 1: she started to tread I mean, we didn't see Brittany

448
00:23:38,160 --> 00:23:41,640
Speaker 1: and bell Sleeves till Crossroads and that was what ninety nine,

449
00:23:41,760 --> 00:23:47,480
Speaker 1: This is ninety four. Yeah, sorry, Brittany massive peasant top,

450
00:23:47,560 --> 00:23:52,200
Speaker 1: bell sleeves, dropped bell sleeves um. But she talks about

451
00:23:52,240 --> 00:23:55,840
Speaker 1: how they were so afraid of her music, like for

452
00:23:55,960 --> 00:23:58,520
Speaker 1: the second album, I know, and it's like because you

453
00:23:58,600 --> 00:24:00,240
Speaker 1: think now and I'm just like this music sounds like

454
00:24:00,359 --> 00:24:03,640
Speaker 1: so perfectly of the era, and it also doesn't sound

455
00:24:03,680 --> 00:24:05,600
Speaker 1: like not country at all, Like it sounds like it

456
00:24:05,680 --> 00:24:07,760
Speaker 1: has the twang, it had all the elements of right.

457
00:24:07,800 --> 00:24:09,560
Speaker 1: But I guess I looked at the charts and it

458
00:24:09,760 --> 00:24:11,639
Speaker 1: was like so many songs we love, like Tim McGraw

459
00:24:11,760 --> 00:24:13,840
Speaker 1: down on the Farm and then but I guess the

460
00:24:14,480 --> 00:24:16,879
Speaker 1: one classic country There was only like three women on

461
00:24:16,920 --> 00:24:19,119
Speaker 1: the charts at ninety four, and it was like the

462
00:24:19,200 --> 00:24:22,600
Speaker 1: song by Susie Bogus, who I do love, but I

463
00:24:22,720 --> 00:24:25,000
Speaker 1: think the songs are a little more kind of the

464
00:24:25,040 --> 00:24:26,920
Speaker 1: women in country. Then it was still like a little

465
00:24:26,960 --> 00:24:30,160
Speaker 1: maybe a little more like he left me and if

466
00:24:30,200 --> 00:24:33,440
Speaker 1: it was a jump in it like I'm in the

467
00:24:33,560 --> 00:24:36,200
Speaker 1: road again and looking at my back door, and it

468
00:24:36,280 --> 00:24:39,399
Speaker 1: was a little more Jetta down, I'm leaving, and she

469
00:24:39,680 --> 00:24:42,399
Speaker 1: was being more come on boots, yeah, and it was

470
00:24:42,440 --> 00:24:45,040
Speaker 1: like this stomp. I mean, what's funny. It's like there's

471
00:24:45,080 --> 00:24:48,159
Speaker 1: such a relentless positivity in her songs and it's just

472
00:24:48,320 --> 00:24:50,960
Speaker 1: like even the ones that are just like hey men,

473
00:24:51,359 --> 00:24:54,359
Speaker 1: like why don't you take a back seat for a second,

474
00:24:54,520 --> 00:24:57,200
Speaker 1: like they're still just like it's there's like a general

475
00:24:57,280 --> 00:25:00,640
Speaker 1: Canadian politeness that's sort of like reverber through them, where

476
00:25:00,640 --> 00:25:03,719
Speaker 1: it's like you have Miranda, like her telof songs are

477
00:25:03,800 --> 00:25:08,640
Speaker 1: like much more I'm burning a man to the ground, yeah,

478
00:25:08,680 --> 00:25:10,879
Speaker 1: gum powder and lay it. You know. It's just like

479
00:25:11,320 --> 00:25:13,640
Speaker 1: I'm going home. I'm gonna low mass shotgun and sit

480
00:25:13,760 --> 00:25:16,520
Speaker 1: on the porch and latta cigaretta. Which is funny because

481
00:25:16,560 --> 00:25:22,080
Speaker 1: it's like Shania has all the fuel to be lighting

482
00:25:22,160 --> 00:25:26,080
Speaker 1: men's trucks on fire, to be oh absolutely, you know,

483
00:25:26,240 --> 00:25:29,520
Speaker 1: to be like have all these revenge ons, Whereas Miranda's childhood,

484
00:25:29,600 --> 00:25:32,240
Speaker 1: most of those themes are because her parents were private

485
00:25:32,320 --> 00:25:36,439
Speaker 1: detectives and she took those storylines of like what her

486
00:25:36,480 --> 00:25:39,960
Speaker 1: parents told Taylor Swift of her that he was sort

487
00:25:40,000 --> 00:25:42,240
Speaker 1: of like telling these little novellas like about other people's

488
00:25:42,240 --> 00:25:44,600
Speaker 1: because she hasn't really experienced them as tragedy other than

489
00:25:44,720 --> 00:25:49,440
Speaker 1: being harassed by the media. Yes, thank you, gastlet buy

490
00:25:49,520 --> 00:25:52,320
Speaker 1: their media. Like I'm sure, yes Marianda has been cheated

491
00:25:52,359 --> 00:25:54,639
Speaker 1: loan and stuff, But like I do feel like she

492
00:25:55,880 --> 00:26:01,640
Speaker 1: has traumaya. Yeah, Like the trauma is insane. Like at

493
00:26:01,720 --> 00:26:05,600
Speaker 1: one point she packs up her entire family age fourteen,

494
00:26:05,680 --> 00:26:07,960
Speaker 1: her mother just stays in bed. Okay, this was so

495
00:26:08,240 --> 00:26:09,920
Speaker 1: so the mom was like depressed for four years and

496
00:26:09,920 --> 00:26:11,879
Speaker 1: can't get out of bed, and like their family is

497
00:26:11,960 --> 00:26:14,280
Speaker 1: like always on the verge of poverty and having to move.

498
00:26:14,400 --> 00:26:17,040
Speaker 1: So Demi Moore having to like pack up and leave

499
00:26:17,040 --> 00:26:20,000
Speaker 1: an apartment because they like can't be the bid and

500
00:26:20,080 --> 00:26:24,480
Speaker 1: bad checks. But like I do feel like to some extent,

501
00:26:24,640 --> 00:26:31,200
Speaker 1: like everyone's mom like is in bed. Yeah, like we

502
00:26:31,400 --> 00:26:35,760
Speaker 1: both experienced mom's mom's in bed. Shout out love you mom,

503
00:26:36,280 --> 00:26:38,040
Speaker 1: you mom. I know you don't listen to this podcast,

504
00:26:38,080 --> 00:26:39,960
Speaker 1: but I'm obsessed with you. But it's like I don't

505
00:26:40,000 --> 00:26:42,280
Speaker 1: know a mom who isn't like at least sometimes just

506
00:26:42,400 --> 00:26:47,680
Speaker 1: like I need to go lie down, sweetie. I'm I'm

507
00:26:47,720 --> 00:26:50,480
Speaker 1: gonna go to bed like that, I'm gonna go upstairs.

508
00:26:52,400 --> 00:26:54,560
Speaker 1: I'm like, no, my mom is not just like this

509
00:26:54,720 --> 00:26:58,680
Speaker 1: impoverished Canadian logger's wife, but just like crosses. But I'd like,

510
00:26:58,760 --> 00:27:02,879
Speaker 1: I think there is some of that, right, two all moms,

511
00:27:02,920 --> 00:27:05,800
Speaker 1: but obviously her mom sounds pretty debilitating. Yeah, and it

512
00:27:05,880 --> 00:27:08,120
Speaker 1: was very just like and I noticed my mom's skin

513
00:27:08,400 --> 00:27:11,840
Speaker 1: was permanently discolored because she was beaten so much so

514
00:27:12,200 --> 00:27:14,760
Speaker 1: the blood lines were being shown. But then she'd be like,

515
00:27:15,400 --> 00:27:20,240
Speaker 1: but think of it this way. My adopted father, Jerry Twain,

516
00:27:20,359 --> 00:27:23,879
Speaker 1: And she was like, it's like her step right, all right,

517
00:27:24,080 --> 00:27:27,040
Speaker 1: he is receptedby he adopts her, right, she's never met her.

518
00:27:27,640 --> 00:27:29,640
Speaker 1: And he's like, and we will not use the phrase

519
00:27:29,760 --> 00:27:31,920
Speaker 1: step or half in this house, like you are all

520
00:27:32,119 --> 00:27:35,920
Speaker 1: real children. And she's like, think of it this way,

521
00:27:36,000 --> 00:27:39,000
Speaker 1: like he adopted three children at age twenty and like

522
00:27:39,359 --> 00:27:42,399
Speaker 1: had no money. And You're like, no, I mean true,

523
00:27:42,560 --> 00:27:44,399
Speaker 1: You're like true, but like I don't know, do you

524
00:27:44,560 --> 00:27:46,840
Speaker 1: have to like put your wife's head in the toilet

525
00:27:46,920 --> 00:27:49,200
Speaker 1: and then slammed the head against it every night? Yeah?

526
00:27:50,160 --> 00:27:55,120
Speaker 1: That sounds a little terrifying. So she's done some forgiveness. Yeah,

527
00:27:55,160 --> 00:27:57,000
Speaker 1: and that's the working out you know, I don't know,

528
00:27:57,080 --> 00:28:01,520
Speaker 1: you know, it definitely made me check my yeah, absolutely

529
00:28:01,680 --> 00:28:07,200
Speaker 1: check your breath. The lack of physical violence, school violence, sleeping,

530
00:28:07,400 --> 00:28:10,760
Speaker 1: you know, all family to one room. Um. But yeah,

531
00:28:10,800 --> 00:28:12,480
Speaker 1: when she packs up the whole family is just like

532
00:28:12,920 --> 00:28:15,040
Speaker 1: because the dad is at work or whatever, and she's like,

533
00:28:15,200 --> 00:28:16,760
Speaker 1: we're just gonna do it. We're gonna go. She goes around,

534
00:28:16,800 --> 00:28:18,200
Speaker 1: packs up the whole house, gets all the kids in

535
00:28:18,200 --> 00:28:20,399
Speaker 1: the car, then goes and gets mom and like lures

536
00:28:20,440 --> 00:28:22,879
Speaker 1: her into the kitchen with a cigarette and a car.

537
00:28:23,960 --> 00:28:27,000
Speaker 1: It's just so like, here's that Maxwell house foldiers like

538
00:28:27,560 --> 00:28:29,680
Speaker 1: I'll light the cigarette when you're outside, and her mother

539
00:28:29,840 --> 00:28:33,920
Speaker 1: just like zombie like like moves to the car. Shani

540
00:28:34,080 --> 00:28:36,720
Speaker 1: is fourteen, and the mom drives them and she's just like,

541
00:28:36,800 --> 00:28:39,280
Speaker 1: let's go to Toronto. So they just drive to Toronto

542
00:28:39,320 --> 00:28:41,680
Speaker 1: and then stay, oh have no money. Okay. When she

543
00:28:41,760 --> 00:28:44,760
Speaker 1: says if you've if you've ever seen the movie The

544
00:28:44,840 --> 00:28:48,280
Speaker 1: Pursuit of Happiness with Will, oh my god, yeah, it

545
00:28:48,440 --> 00:28:50,840
Speaker 1: really reminded me of that. And I randomly have seen

546
00:28:50,880 --> 00:28:52,160
Speaker 1: them moving on a plane because it's like the most

547
00:28:52,200 --> 00:28:54,760
Speaker 1: Plaine movie. And then her mom finally goes back to

548
00:28:55,040 --> 00:28:57,360
Speaker 1: the husband after like being the whole family being in

549
00:28:57,400 --> 00:28:59,680
Speaker 1: a shelter, and Shani is like, I'm gonna stay because

550
00:28:59,680 --> 00:29:02,280
Speaker 1: I have a boyfriend. But the boyfriend's mom won't allow

551
00:29:02,360 --> 00:29:05,880
Speaker 1: Shanai to say, so she squats and a shelter. Yeah,

552
00:29:06,040 --> 00:29:10,800
Speaker 1: she's being like really badass. It's insane o badass. Yeah,

553
00:29:11,000 --> 00:29:13,360
Speaker 1: she's like, no, I'm in love, So I'm gonna squat

554
00:29:13,480 --> 00:29:15,760
Speaker 1: here with no running water so I can see my boyfriend.

555
00:29:15,960 --> 00:29:17,640
Speaker 1: And then I'm like, so she's going over to her

556
00:29:17,680 --> 00:29:19,840
Speaker 1: boyfriend's like, and you know what's smart about her? You know,

557
00:29:19,880 --> 00:29:21,760
Speaker 1: I will sit here. Did you ever run away? I

558
00:29:23,200 --> 00:29:27,560
Speaker 1: never run away, Sam, but I did have I remember

559
00:29:27,680 --> 00:29:31,120
Speaker 1: my mom told a story about how she once tried

560
00:29:31,160 --> 00:29:33,920
Speaker 1: to run away. Oh wow, And she packed this little

561
00:29:34,080 --> 00:29:36,440
Speaker 1: suitcase with like a doll in it. And it was

562
00:29:36,520 --> 00:29:40,640
Speaker 1: this little metal, like nineteen fifties suitcase that I had

563
00:29:41,200 --> 00:29:43,400
Speaker 1: in my room as like a little just like random

564
00:29:43,440 --> 00:29:45,719
Speaker 1: object in my bedroom growing up. And I always remembered

565
00:29:45,760 --> 00:29:48,720
Speaker 1: that this little suitcase was this like symbol of like

566
00:29:48,960 --> 00:29:54,120
Speaker 1: my mom's rebellion that was squashed by her like family. God. Yeah,

567
00:29:54,240 --> 00:29:56,200
Speaker 1: and it was she should go in a museum. No,

568
00:29:56,360 --> 00:30:00,120
Speaker 1: it was Maureen's runaway bag. Yeah, it was very like

569
00:30:00,240 --> 00:30:03,040
Speaker 1: this haunting little memory that kind of like so it's

570
00:30:03,040 --> 00:30:05,840
Speaker 1: being so tiny, tim like something about the kind of

571
00:30:05,960 --> 00:30:11,640
Speaker 1: like dnkinking like k with the metal and saying, your

572
00:30:11,720 --> 00:30:17,200
Speaker 1: boyfriend's huge suitcase over there. No, this horrifying suitcase that

573
00:30:17,400 --> 00:30:20,120
Speaker 1: is actually the size of like a Chevy Tahoe is

574
00:30:20,200 --> 00:30:23,400
Speaker 1: sitting in my office right now and I can't bear

575
00:30:23,480 --> 00:30:25,680
Speaker 1: to look at it. He's only sorry to bring that

576
00:30:25,800 --> 00:30:30,680
Speaker 1: up for two weeks, after which I will burn that. You.

577
00:30:31,200 --> 00:30:33,640
Speaker 1: You're like, I'm giving you. It's very You're like, I'm

578
00:30:33,720 --> 00:30:37,200
Speaker 1: giving you two weeks, Bud, two weeks until you got

579
00:30:37,320 --> 00:30:39,560
Speaker 1: to get a job. You get to find a place

580
00:30:39,640 --> 00:30:44,760
Speaker 1: in Timmins. They're hiring down at the logging. Uh that

581
00:30:44,920 --> 00:30:48,000
Speaker 1: so that part's also insane where she does, yeah, let's

582
00:30:48,000 --> 00:30:50,200
Speaker 1: talk about the logging for a sec for her father's

583
00:30:50,320 --> 00:30:54,240
Speaker 1: logging plants. Her parents finally like get a little more

584
00:30:54,280 --> 00:30:57,200
Speaker 1: on their toes after you know this already happens after

585
00:30:57,400 --> 00:30:59,600
Speaker 1: they leave to Toronto, come back, blah blah blah. And

586
00:31:00,040 --> 00:31:03,120
Speaker 1: she's always blaming the violence on financial insecurity, which obviously

587
00:31:03,240 --> 00:31:07,400
Speaker 1: is a stressor. But it's like, again, you can't blame

588
00:31:07,480 --> 00:31:12,200
Speaker 1: all the violence on the financial insecurity anyway. They start

589
00:31:12,240 --> 00:31:15,720
Speaker 1: a successful logging company, which is like extremely Canadian, and

590
00:31:15,880 --> 00:31:18,040
Speaker 1: she becomes like a pitt I don't know what's the word,

591
00:31:18,080 --> 00:31:23,640
Speaker 1: A pittmaster, a logging captain. Yeah, some sort of lumbergal

592
00:31:24,000 --> 00:31:29,320
Speaker 1: and she's just like umbergill. It's all these men, all

593
00:31:29,640 --> 00:31:33,640
Speaker 1: Native thank you because her father is her first Native

594
00:31:33,680 --> 00:31:40,200
Speaker 1: book Canadian First Nations, American American People's and he at

595
00:31:40,240 --> 00:31:42,160
Speaker 1: one point he worked for the Bureau of Indian Affairs.

596
00:31:42,800 --> 00:31:46,080
Speaker 1: And then he's always been like, oh, I feel so

597
00:31:46,240 --> 00:31:50,480
Speaker 1: bad because everyone is like like such an alcoholic and like,

598
00:31:50,960 --> 00:31:52,760
Speaker 1: you know, I go into these houses and they don't

599
00:31:52,760 --> 00:31:54,720
Speaker 1: even have a floor, they have a dirt floor, and

600
00:31:54,960 --> 00:31:57,080
Speaker 1: like and I can't like change that because I'm just

601
00:31:57,200 --> 00:32:00,320
Speaker 1: in this like bureaucracy section of like the Beer of

602
00:32:00,320 --> 00:32:03,440
Speaker 1: Any Affairs and I'm not in like whatever, the like

603
00:32:03,960 --> 00:32:06,120
Speaker 1: bureau that can actually do something about it. Yeah, his

604
00:32:06,280 --> 00:32:09,200
Speaker 1: job was to like note what things they needed more of,

605
00:32:09,440 --> 00:32:11,239
Speaker 1: but it's like he had no power. It was very

606
00:32:11,320 --> 00:32:13,040
Speaker 1: just like he had to be like, Okay, this place

607
00:32:13,120 --> 00:32:15,800
Speaker 1: needs a basketball hoop because like and I feel like

608
00:32:15,840 --> 00:32:17,520
Speaker 1: she kind of says it in the way where she's like, Okay,

609
00:32:17,640 --> 00:32:19,400
Speaker 1: like yes, I'm acknowledging that there are people who have

610
00:32:19,480 --> 00:32:22,120
Speaker 1: an even worse time than us, and like everyone is

611
00:32:22,160 --> 00:32:24,640
Speaker 1: like super aware and checking their privilege left and right,

612
00:32:24,760 --> 00:32:27,800
Speaker 1: and like so he's checking his brain, he's checking his privilege,

613
00:32:27,840 --> 00:32:31,680
Speaker 1: but he's also just like mercilessly beating his wife and

614
00:32:31,800 --> 00:32:34,920
Speaker 1: then like she's checking her privilege. Like but she's like

615
00:32:35,160 --> 00:32:38,600
Speaker 1: also we also really go into how he like his

616
00:32:38,840 --> 00:32:41,000
Speaker 1: feelings about like he really doesn't want to live on

617
00:32:41,080 --> 00:32:45,600
Speaker 1: a reservation because it's like then you're just like he

618
00:32:45,760 --> 00:32:47,880
Speaker 1: feels that he's then like taking the hand out from

619
00:32:47,880 --> 00:32:49,840
Speaker 1: the people that like stole their Like oh yeah, he

620
00:32:49,920 --> 00:32:52,320
Speaker 1: has like that very kind of classic immigrant I'm gonna

621
00:32:52,360 --> 00:32:54,120
Speaker 1: make someone resolve, but he's I think it was more

622
00:32:54,200 --> 00:32:57,920
Speaker 1: like they fully like did genocide and like killed us

623
00:32:57,960 --> 00:33:00,280
Speaker 1: and now are just like, well, here's a res right,

624
00:33:00,360 --> 00:33:03,320
Speaker 1: I want I want like this hand Stockholm syndrome. Yeah,

625
00:33:03,920 --> 00:33:06,280
Speaker 1: but it's also just like this is such like meager,

626
00:33:06,640 --> 00:33:09,760
Speaker 1: what's the word reparation? You know what I mean? It's like, right,

627
00:33:09,840 --> 00:33:12,480
Speaker 1: it's not like a true reparation, right, It's like it's

628
00:33:12,800 --> 00:33:15,680
Speaker 1: not that retributive and so I'm just gonna sucking take

629
00:33:15,720 --> 00:33:19,800
Speaker 1: these scraps that the Trudeau government is offering. The Trudeau

630
00:33:19,840 --> 00:33:22,880
Speaker 1: government of the sixties. I hope that Trudeau, you've gotten

631
00:33:22,880 --> 00:33:25,200
Speaker 1: your act together and I know how God was Prime minister.

632
00:33:25,400 --> 00:33:27,920
Speaker 1: Oh well, and there we go. Look how much I

633
00:33:28,000 --> 00:33:33,680
Speaker 1: know about the Canadian government. I mean, yeah, very my

634
00:33:34,040 --> 00:33:38,960
Speaker 1: song Mister Politician's Son that I referenced that I wrote,

635
00:33:39,000 --> 00:33:40,880
Speaker 1: my lyrics that I wrote in middle school of mister

636
00:33:40,960 --> 00:33:45,760
Speaker 1: Politician Son I referenced in the last episode. Anyway, okay, Hive, Yeah, yeah,

637
00:33:45,800 --> 00:33:49,440
Speaker 1: the Hi want to get into the sub credit. I'm like,

638
00:33:49,680 --> 00:33:51,400
Speaker 1: just write out all the lyrics of that song. I

639
00:33:51,440 --> 00:33:54,440
Speaker 1: think it could be really interesting. Lower for the Hive

640
00:33:55,080 --> 00:34:08,799
Speaker 1: five Lower. This episode is sponsored by Zok Doc. You're

641
00:34:08,880 --> 00:34:14,280
Speaker 1: trying to find a cause for your symptoms akeyback, headache, running, nose, itchy.

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Speaker 1: to chuckle? Then check out Comedy Week on Stitcher, where

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Speaker 1: or go to stitchap dot com slash comedy and learn more,

688
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Speaker 1: educate yourself this comedy Week, about comedy Week, Happy April

689
00:37:16,640 --> 00:37:20,959
Speaker 1: Fool's Day. Hell yeah, if I may write, she also

690
00:37:21,080 --> 00:37:23,440
Speaker 1: does this thing where it's like the amount of details

691
00:37:23,520 --> 00:37:26,560
Speaker 1: is going to want to log. Didn't make me want

692
00:37:26,600 --> 00:37:28,920
Speaker 1: to log, but it was reminiscent of just like it

693
00:37:29,080 --> 00:37:32,080
Speaker 1: made me think of. My comparison to my logging is

694
00:37:32,160 --> 00:37:34,080
Speaker 1: that one of my high school summer jobs is I

695
00:37:34,239 --> 00:37:37,440
Speaker 1: worked at a public golf course in Cambridge, and my

696
00:37:37,640 --> 00:37:41,080
Speaker 1: job was to drive around on a like a John

697
00:37:41,120 --> 00:37:44,960
Speaker 1: Dear golf court and fill in the holes that golf

698
00:37:45,920 --> 00:37:51,600
Speaker 1: clubs swung up the dirt. Well, it's so specific and random. Yeah,

699
00:37:51,719 --> 00:37:55,160
Speaker 1: it's very random, like when you know you know, I

700
00:37:55,280 --> 00:37:57,480
Speaker 1: guess and then anything tells me you didn't do an

701
00:37:57,520 --> 00:37:59,880
Speaker 1: amazing job, but I was. Then I also had to

702
00:38:00,040 --> 00:38:02,040
Speaker 1: clear a lot of brush, So I literally was a

703
00:38:02,120 --> 00:38:04,320
Speaker 1: logger because there was all this loose strife, which is

704
00:38:04,360 --> 00:38:06,080
Speaker 1: I feel like I would be able to tell which

705
00:38:06,160 --> 00:38:09,239
Speaker 1: holes you filled in versus your co workers. Okay, let's

706
00:38:09,320 --> 00:38:11,600
Speaker 1: go back to the fresh pond. Girls. We're kind of

707
00:38:11,640 --> 00:38:16,160
Speaker 1: probably lengthfully filled in jar. You did you have to

708
00:38:16,280 --> 00:38:18,040
Speaker 1: even them out with like a little rake or something

709
00:38:18,080 --> 00:38:20,239
Speaker 1: after you fill them? Yeah, And it was like you

710
00:38:20,680 --> 00:38:23,319
Speaker 1: have your back, your whole John Deer back golf card

711
00:38:23,360 --> 00:38:25,239
Speaker 1: of like dirt. You put it in and then you

712
00:38:25,360 --> 00:38:27,719
Speaker 1: kind of stamp it down. Huge. Thank you to John

713
00:38:27,760 --> 00:38:30,120
Speaker 1: Deer for sponsoring this podcast. Thank you to John Dear.

714
00:38:30,280 --> 00:38:35,480
Speaker 1: That's John Dear code John a checkout fifteen percent off

715
00:38:35,600 --> 00:38:40,400
Speaker 1: your next six thousand dollars. Tractor tractors are so reponsive

716
00:38:40,440 --> 00:38:43,919
Speaker 1: and av No, I'm talking about them. No, Like our

717
00:38:44,040 --> 00:38:46,279
Speaker 1: friend friend of the pod, Alex, was like, I want

718
00:38:46,320 --> 00:38:49,120
Speaker 1: to buy like an ATV for like my upstate and

719
00:38:49,520 --> 00:38:52,200
Speaker 1: ATVs are like as much as more than cars. Really

720
00:38:52,239 --> 00:38:56,319
Speaker 1: fifteen thousand Wow, Yes you can get a used one. Yeah,

721
00:38:56,480 --> 00:38:58,960
Speaker 1: they used market for ATVs. Yeah, I mean like you

722
00:38:59,000 --> 00:39:00,759
Speaker 1: and I were talking about. Yes, it doesn't make sense

723
00:39:00,800 --> 00:39:02,080
Speaker 1: to get a new cat. It doesn't make sense to

724
00:39:02,160 --> 00:39:04,719
Speaker 1: get a new ATV either, just gonna depreciate value. The

725
00:39:04,760 --> 00:39:07,759
Speaker 1: second you drive, you're also a lot. You lost a

726
00:39:07,840 --> 00:39:11,000
Speaker 1: thousand bucks literally right the second it like it leaves

727
00:39:11,000 --> 00:39:13,480
Speaker 1: a lot, you lost a k You want to list

728
00:39:13,520 --> 00:39:15,960
Speaker 1: another one. Drive a block, you want to get a

729
00:39:15,960 --> 00:39:18,480
Speaker 1: little mud on it? Yeah, three K done. I mean

730
00:39:18,560 --> 00:39:20,600
Speaker 1: it's it's a huge waste of time and money. Least

731
00:39:20,920 --> 00:39:24,400
Speaker 1: Lee Shania like learned how to drive outso at like

732
00:39:24,920 --> 00:39:29,480
Speaker 1: age seven. Yeah, because cool. The mom was like lying

733
00:39:29,560 --> 00:39:32,360
Speaker 1: down some right, she had to drive. When she talks

734
00:39:32,360 --> 00:39:34,880
Speaker 1: about like, it's not fairy like some others love remembers

735
00:39:34,960 --> 00:39:36,680
Speaker 1: where we've read where they go in some tangents, and

736
00:39:36,760 --> 00:39:39,520
Speaker 1: like her tangents are just about like she'll be like,

737
00:39:39,640 --> 00:39:41,600
Speaker 1: and the thing is like you actually do need to

738
00:39:41,719 --> 00:39:45,840
Speaker 1: responsibly like forest. Yeah, and like her tangents are like

739
00:39:46,080 --> 00:39:48,680
Speaker 1: not even There was similarities to the Jessica Simpson book

740
00:39:48,719 --> 00:39:50,479
Speaker 1: in this where it's just kind of like you're saying

741
00:39:50,480 --> 00:39:51,719
Speaker 1: a lot of stuff you don't need to say. But

742
00:39:52,040 --> 00:39:54,520
Speaker 1: the Jessica Simpsons stuff was more just like stuff from

743
00:39:54,520 --> 00:39:56,440
Speaker 1: her diary that no one needs to hear. This was

744
00:39:56,560 --> 00:39:58,560
Speaker 1: more just like okay, and now I'm just gonna like

745
00:39:58,840 --> 00:40:03,080
Speaker 1: insert three p page Wikipedia article about forestry. Can I

746
00:40:03,200 --> 00:40:06,600
Speaker 1: read this part about hunting partridges? She right, she goes.

747
00:40:08,239 --> 00:40:11,520
Speaker 1: We hunted our common Ontario forest fowl partridge often on

748
00:40:11,600 --> 00:40:13,480
Speaker 1: the tree plants, as we didn't always have a gun

749
00:40:13,520 --> 00:40:16,279
Speaker 1: with us. We did this by hand. Partridge liked to

750
00:40:16,320 --> 00:40:18,520
Speaker 1: stay cool and close to the ground in low bushes,

751
00:40:18,840 --> 00:40:21,200
Speaker 1: often several of them together, so if a couple of

752
00:40:21,280 --> 00:40:23,759
Speaker 1: people pounced on a cluster at the right moment, you

753
00:40:23,840 --> 00:40:26,640
Speaker 1: could often get grab two or three. A quick twist

754
00:40:26,719 --> 00:40:28,920
Speaker 1: of the neck did the job even more swiftly than

755
00:40:29,000 --> 00:40:32,160
Speaker 1: shooting them. I hated this hands on method, and it's

756
00:40:32,200 --> 00:40:34,840
Speaker 1: a skill I can't say I acquired with any pleasure

757
00:40:34,840 --> 00:40:37,239
Speaker 1: of pride, but it was quicker for the bird than

758
00:40:37,320 --> 00:40:40,680
Speaker 1: the bullets. I hunted partridge into my twenties. As they

759
00:40:40,719 --> 00:40:43,480
Speaker 1: were easy to get chest off the side of the road,

760
00:40:43,760 --> 00:40:46,200
Speaker 1: I'd cleaned them right there and then, as it's much

761
00:40:46,239 --> 00:40:48,720
Speaker 1: easier doing they're still warm, by stepping on their wings

762
00:40:48,760 --> 00:40:51,240
Speaker 1: with a foot of either side of the breast, pulling

763
00:40:51,320 --> 00:40:53,560
Speaker 1: on the feet and outsides. A clean bird ready for

764
00:40:53,640 --> 00:40:56,080
Speaker 1: the pan or the freezer. There's not much meat on

765
00:40:56,120 --> 00:40:58,640
Speaker 1: a partridge, so once I acim laid a handful, i'd

766
00:40:58,719 --> 00:41:02,520
Speaker 1: make a meal with them. And you're like, oh damn,

767
00:41:02,560 --> 00:41:07,239
Speaker 1: this bitch is country. Yeah, grabbing partridges, but still being

768
00:41:07,239 --> 00:41:09,560
Speaker 1: a little bit like and no, I don't love like

769
00:41:09,800 --> 00:41:12,720
Speaker 1: breaking the neck of the partridge. There is a violence

770
00:41:12,760 --> 00:41:14,800
Speaker 1: to that that I do want to acknowledge. However, it

771
00:41:14,960 --> 00:41:17,279
Speaker 1: is actually less violent than shooting, and so in many

772
00:41:17,320 --> 00:41:19,799
Speaker 1: ways it's better for everyone. And I am really good

773
00:41:19,800 --> 00:41:22,600
Speaker 1: at killing partridges. I also love the side of the road.

774
00:41:22,760 --> 00:41:25,600
Speaker 1: I'm like, so you pulling over and then like grabbing

775
00:41:25,640 --> 00:41:28,640
Speaker 1: the partridge and your nasty ass road partridge and it's

776
00:41:28,680 --> 00:41:31,160
Speaker 1: just like so covered in gasoline and likely well not

777
00:41:31,360 --> 00:41:34,520
Speaker 1: in the beautiful Canadian. Oh that's true, in the bush. Yeah,

778
00:41:34,600 --> 00:41:36,520
Speaker 1: she's not like it's not like you're going out and

779
00:41:36,640 --> 00:41:42,000
Speaker 1: like getting Ridgewood partridge. You're like on my way to variety.

780
00:41:42,280 --> 00:41:45,799
Speaker 1: I grabbed just like just like weathered fifty five year

781
00:41:45,800 --> 00:41:49,880
Speaker 1: old polish partridge. That's just like such an alcoholic Okay,

782
00:41:49,920 --> 00:41:51,960
Speaker 1: I will say something about So I listen to this

783
00:41:52,080 --> 00:41:53,600
Speaker 1: on tape. Is the first one I've done of this

784
00:41:53,719 --> 00:41:58,719
Speaker 1: hour in a big box of eight eight tapes from

785
00:41:58,760 --> 00:42:02,239
Speaker 1: Salvation Army. Um, I feel like that's always I've always

786
00:42:02,280 --> 00:42:05,120
Speaker 1: seen the Bill Clinton book in like thirty tapes. Yeah,

787
00:42:05,120 --> 00:42:07,640
Speaker 1: I feel like that's like every style. Okay, But so

788
00:42:07,760 --> 00:42:09,839
Speaker 1: I listen to this on Audible and you can listen

789
00:42:09,840 --> 00:42:11,200
Speaker 1: to it on double speed so it like goes a

790
00:42:11,200 --> 00:42:15,919
Speaker 1: little bit faster. Um, here's the thing. She doesn't even

791
00:42:16,120 --> 00:42:20,920
Speaker 1: do the narration. She only reads that show and then

792
00:42:20,960 --> 00:42:22,480
Speaker 1: the end and then the rest has read the other

793
00:42:22,600 --> 00:42:25,040
Speaker 1: random home and you're just like, bitch, you won't even

794
00:42:25,080 --> 00:42:27,360
Speaker 1: read your own book book. You're like, so you're on

795
00:42:27,600 --> 00:42:30,440
Speaker 1: vocal Russ. I feel like, I bet now all celebs

796
00:42:31,200 --> 00:42:33,719
Speaker 1: mostly do need to do their own This is kind

797
00:42:33,719 --> 00:42:36,120
Speaker 1: of a pre audible era, I guess. So it's like

798
00:42:36,400 --> 00:42:38,000
Speaker 1: that's like not such a selling point. And they were like,

799
00:42:38,040 --> 00:42:39,600
Speaker 1: you have to do this audiobook and she was just

800
00:42:39,719 --> 00:42:45,160
Speaker 1: being like, no, sorry, I'm in Geneva Ride. Yeah, but

801
00:42:45,280 --> 00:42:47,799
Speaker 1: I do just wonder if it's a little bit just like, Okay,

802
00:42:47,840 --> 00:42:49,320
Speaker 1: are you kind of admitting that your book is a

803
00:42:49,320 --> 00:42:51,000
Speaker 1: little bit too long and like you don't even want

804
00:42:51,000 --> 00:42:53,920
Speaker 1: to read it. I'm sure, yeah, Like she because she

805
00:42:54,040 --> 00:42:56,680
Speaker 1: also talks about in the end about how this book

806
00:42:56,800 --> 00:43:00,840
Speaker 1: like she just started writing after her divorced right. It

807
00:43:00,920 --> 00:43:02,840
Speaker 1: was cathartic. It was cathartic. She was I was just

808
00:43:02,920 --> 00:43:05,160
Speaker 1: writing and writing and writing. And she's like, because you know,

809
00:43:05,239 --> 00:43:07,160
Speaker 1: as we know, she loved her alone time with the

810
00:43:07,239 --> 00:43:11,640
Speaker 1: lake cabin, and you know, kinnick quackall like Lake, and

811
00:43:11,760 --> 00:43:14,600
Speaker 1: she'd bring her guitar. So I feel like she was

812
00:43:14,680 --> 00:43:21,640
Speaker 1: just like slim lens craft glasses, huge ornate table, her

813
00:43:21,719 --> 00:43:27,040
Speaker 1: German shepherd, surrounding her candles burning, staying by her side,

814
00:43:28,719 --> 00:43:33,840
Speaker 1: guarding her from other just like Evil franchise, and she

815
00:43:34,160 --> 00:43:38,960
Speaker 1: was just typing and typing, typing, um. So I want

816
00:43:38,960 --> 00:43:42,680
Speaker 1: to talk about her career, which is, I want to say,

817
00:43:42,800 --> 00:43:45,839
Speaker 1: pretty normal in terms of her rise to fame. It's

818
00:43:45,880 --> 00:43:49,800
Speaker 1: like she's doing local shows, she's performing kind of normal.

819
00:43:49,880 --> 00:43:52,720
Speaker 1: But it's also then she just like goes to Nashville

820
00:43:52,719 --> 00:43:55,880
Speaker 1: and gets a record deal. It happens pretty fast, and

821
00:43:56,000 --> 00:43:58,160
Speaker 1: it's like it's fast but not fast because it's like

822
00:43:58,239 --> 00:44:00,320
Speaker 1: also with reading the book, you're you're like, when is

823
00:44:00,360 --> 00:44:02,839
Speaker 1: this girl gonna get a break? So her first big

824
00:44:02,960 --> 00:44:06,320
Speaker 1: break is she like signs this like deal. This is

825
00:44:06,400 --> 00:44:08,960
Speaker 1: pretty natural to do a Vegas style review at a

826
00:44:09,120 --> 00:44:13,439
Speaker 1: Canadian golf resort and she's like still brushing her teeth

827
00:44:13,520 --> 00:44:16,839
Speaker 1: in the resort. The resort sounds so Poconos, and it's

828
00:44:16,920 --> 00:44:20,040
Speaker 1: like it's also very The Bachelor, like the oh, it's

829
00:44:20,120 --> 00:44:24,560
Speaker 1: so Nema Cola Vary the shop at the Lodge at Nemacola.

830
00:44:24,880 --> 00:44:26,919
Speaker 1: What's insane is so she does this like Vegas Style

831
00:44:27,000 --> 00:44:29,520
Speaker 1: review and that's like her first professional, paying music gig.

832
00:44:30,000 --> 00:44:33,879
Speaker 1: And she also gets married to Mutt Lang at that resort. Yeah,

833
00:44:33,920 --> 00:44:36,640
Speaker 1: oh so she's already I get Okay, this is another

834
00:44:36,640 --> 00:44:38,959
Speaker 1: thing about her. She's like so loyal. It's like he's

835
00:44:39,080 --> 00:44:44,600
Speaker 1: random resort, like didn't pay you at all, a specially

836
00:44:44,600 --> 00:44:47,040
Speaker 1: assaulted you, just like groped you in a closet and

837
00:44:47,120 --> 00:44:49,239
Speaker 1: then just like punished you because you like didn't want

838
00:44:49,280 --> 00:44:51,520
Speaker 1: his advances. And then and you're still just being like

839
00:44:51,680 --> 00:44:53,480
Speaker 1: but like, they give me my job and that's my family.

840
00:44:54,360 --> 00:44:57,440
Speaker 1: I'm not. It's also but what's funny is like it's

841
00:44:57,480 --> 00:44:59,239
Speaker 1: like so many people, as were saying, it's like maybe

842
00:44:59,440 --> 00:45:01,320
Speaker 1: like a Toma Red or something like that, who like

843
00:45:01,640 --> 00:45:04,640
Speaker 1: is from like the son of a country singer and

844
00:45:04,640 --> 00:45:06,920
Speaker 1: they're also like beer whiskey, and it's like probably just

845
00:45:06,960 --> 00:45:09,360
Speaker 1: grew up in the suburbs of Nashville. And like Shnaya

846
00:45:09,440 --> 00:45:11,520
Speaker 1: is actually, as we said with the Partridge, like actually

847
00:45:11,640 --> 00:45:13,960
Speaker 1: she's most so much more fucking po dunk than like

848
00:45:14,440 --> 00:45:16,840
Speaker 1: anyone in contemporary Nashville. And she makes kind of like

849
00:45:16,920 --> 00:45:18,719
Speaker 1: one joke and she's like, now, this is the type

850
00:45:18,719 --> 00:45:21,320
Speaker 1: of down where your grandma is your cousin and it

851
00:45:21,480 --> 00:45:24,759
Speaker 1: is your sister and we are killing Partridge and just

852
00:45:24,880 --> 00:45:26,719
Speaker 1: like even the people who are it's like, you know,

853
00:45:27,239 --> 00:45:29,600
Speaker 1: I feel like Morgan Wallon like is a hick, but

854
00:45:29,719 --> 00:45:32,920
Speaker 1: it's just like he's not. He's not growing up like homeless.

855
00:45:33,040 --> 00:45:35,440
Speaker 1: It's just like she's had a harder life than like

856
00:45:35,640 --> 00:45:38,439
Speaker 1: I feel like anyone in contemporary Nashville. Now I'm trying

857
00:45:38,560 --> 00:45:42,560
Speaker 1: to think, like, who's actually been through it? Honey? Yeah,

858
00:45:42,560 --> 00:45:44,440
Speaker 1: I feel like, no, she is the type of childhood

859
00:45:44,440 --> 00:45:46,960
Speaker 1: that Loretta Lynn has. But even Loretta Lynn has a

860
00:45:47,000 --> 00:45:50,640
Speaker 1: better childhood because her dad isn't like like throwing her

861
00:45:50,680 --> 00:45:54,200
Speaker 1: mom down the Appalachian mountains. Right, So she does get

862
00:45:54,280 --> 00:45:57,520
Speaker 1: married at fifteen to her husbands, so it's like rape okay.

863
00:45:57,520 --> 00:46:00,520
Speaker 1: And then and then even more tragic, her parents died

864
00:46:00,600 --> 00:46:03,399
Speaker 1: oh yeah, in a car accident. But before she's really

865
00:46:03,440 --> 00:46:06,759
Speaker 1: famous and wait, okay, the barb of the psychic Oh well,

866
00:46:07,040 --> 00:46:09,360
Speaker 1: she can we talk about how I think she thinks

867
00:46:09,400 --> 00:46:14,200
Speaker 1: she's psychic. There's she has a dream that her father's

868
00:46:14,440 --> 00:46:18,080
Speaker 1: like abusing her because like, duh, and then he called

869
00:46:18,120 --> 00:46:19,520
Speaker 1: her and he's like, I had a dream you were

870
00:46:19,560 --> 00:46:22,400
Speaker 1: in trouble. And then she goes to a psychic and

871
00:46:22,480 --> 00:46:24,400
Speaker 1: then I'm gonna be about the connection you're making and

872
00:46:24,560 --> 00:46:27,160
Speaker 1: or the connection. She has a dream one night where

873
00:46:27,200 --> 00:46:32,280
Speaker 1: she's her father is like, okay, we're so dreaming a night, okay,

874
00:46:32,360 --> 00:46:34,320
Speaker 1: and then like she has a dream that her father's

875
00:46:34,320 --> 00:46:36,520
Speaker 1: abusing her. And then that same night, then she wakes

876
00:46:36,560 --> 00:46:38,360
Speaker 1: up and her mother's like, your father's on the phone.

877
00:46:38,760 --> 00:46:40,239
Speaker 1: He's worried about you, and he's like, I had a

878
00:46:40,280 --> 00:46:42,960
Speaker 1: crazy dream last night. You were screaming in pain. So

879
00:46:43,080 --> 00:46:46,239
Speaker 1: they both had this dream about I see. And so

880
00:46:46,520 --> 00:46:48,880
Speaker 1: she dreamed he was abusing her, and he dreamed that

881
00:46:48,960 --> 00:46:51,960
Speaker 1: she was in pain. And it's like, so you're both

882
00:46:52,200 --> 00:46:55,120
Speaker 1: kind of dreaming about the abuse. Yeah, But I don't know.

883
00:46:55,200 --> 00:46:57,040
Speaker 1: I don't know if it's being psychic. I think it's

884
00:46:57,040 --> 00:46:58,560
Speaker 1: just like, well, you guys are both just thinking about

885
00:46:58,560 --> 00:47:01,960
Speaker 1: It's sort of just like on topic, yes, being psychic.

886
00:47:02,120 --> 00:47:05,960
Speaker 1: But she sees the fortune teller, her mother, her mother,

887
00:47:07,440 --> 00:47:10,040
Speaker 1: and the fortune teller tells her mother. She's like, oh

888
00:47:10,400 --> 00:47:13,120
Speaker 1: my god, okay, um, this is really horrible, but your

889
00:47:13,239 --> 00:47:17,359
Speaker 1: husband is actually going to die in October. And then

890
00:47:17,520 --> 00:47:18,920
Speaker 1: she's in the middle of the reading and she's like,

891
00:47:19,040 --> 00:47:21,640
Speaker 1: and I just got something else about I actually can't

892
00:47:21,680 --> 00:47:24,279
Speaker 1: even tell you because it's it's you're just I can't

893
00:47:24,320 --> 00:47:25,600
Speaker 1: You won't even be able to hear it, so I

894
00:47:25,640 --> 00:47:27,880
Speaker 1: just have to end the reading now. And what she

895
00:47:28,000 --> 00:47:31,000
Speaker 1: had heard, obviously Shanaya thinks, is that she was like, oh,

896
00:47:31,080 --> 00:47:33,040
Speaker 1: you're gonna die too, bitch. Yeah. She was like, I've

897
00:47:33,040 --> 00:47:34,799
Speaker 1: just charged this woman twenty bucks. I can't tell her

898
00:47:34,840 --> 00:47:37,040
Speaker 1: that she's gonna die. Yeah. At the end of the book,

899
00:47:37,080 --> 00:47:39,720
Speaker 1: she's like, let's kind of add in ten pages about

900
00:47:39,840 --> 00:47:42,600
Speaker 1: like my body and magician. Oh wait, that was really funny,

901
00:47:42,640 --> 00:47:44,000
Speaker 1: and she was just me and then she's just like

902
00:47:44,160 --> 00:47:47,040
Speaker 1: dragging that random girl at the airport. Yeah. And then

903
00:47:47,120 --> 00:47:49,080
Speaker 1: sometimes I walk into the gate and I see other

904
00:47:49,120 --> 00:47:51,120
Speaker 1: men look at me a thing, you still got it?

905
00:47:51,280 --> 00:47:53,719
Speaker 1: And then this other bitch walks in and she's a

906
00:47:53,800 --> 00:47:56,960
Speaker 1: size fucking zero and she's got the beasting lips and

907
00:47:57,040 --> 00:47:58,839
Speaker 1: all the guys look at her and I think, Wow,

908
00:47:58,920 --> 00:48:01,399
Speaker 1: she's great, but then it's no, her lips are fake.

909
00:48:01,480 --> 00:48:04,520
Speaker 1: And then I think, no, you're being mean. Actually you're

910
00:48:04,520 --> 00:48:07,480
Speaker 1: not better than her. It's like okay, and she's like, oh,

911
00:48:07,800 --> 00:48:09,320
Speaker 1: by the way, can I just sell you guys, I

912
00:48:09,440 --> 00:48:13,000
Speaker 1: did have a thirty two d which like and it's like, okay,

913
00:48:13,080 --> 00:48:14,600
Speaker 1: so you're saying you have like a small waist and

914
00:48:14,680 --> 00:48:17,080
Speaker 1: big boobs and you're like, she's like, let me just

915
00:48:17,360 --> 00:48:21,200
Speaker 1: remind you how big my boobs are. She was like,

916
00:48:21,440 --> 00:48:23,359
Speaker 1: and I guess I have to say, Okay, I had

917
00:48:23,400 --> 00:48:25,080
Speaker 1: the body of a twenty five year old until I

918
00:48:25,160 --> 00:48:27,640
Speaker 1: was forty two. She's and now I'm forty three, and boy,

919
00:48:27,719 --> 00:48:29,400
Speaker 1: can you tell? And it's like I doubt it, but

920
00:48:29,600 --> 00:48:33,440
Speaker 1: it's just like the humble Yeah, She's like, I really

921
00:48:33,480 --> 00:48:35,960
Speaker 1: have to change my habits when the metabolism kind of

922
00:48:36,120 --> 00:48:39,040
Speaker 1: ended a year before. I mean, it does make me NERVs.

923
00:48:39,400 --> 00:48:42,560
Speaker 1: I mean I already feel like I mean, I'm I mean, yes,

924
00:48:42,640 --> 00:48:45,000
Speaker 1: as someone who is of having gained fifteen pounds over

925
00:48:45,080 --> 00:48:47,560
Speaker 1: quarantine experience, Like I get it, but I think that's

926
00:48:47,600 --> 00:48:50,400
Speaker 1: different than metabolism slow and that's like the fucking Earth's

927
00:48:50,440 --> 00:48:53,200
Speaker 1: metabolism is loud batch. Oh wait, can we talk about

928
00:48:53,200 --> 00:48:55,719
Speaker 1: the name because I don't know? Yeah, so her name

929
00:48:55,800 --> 00:48:58,920
Speaker 1: is just fully Eileen because she's actually Irish. She's like

930
00:48:59,000 --> 00:49:03,600
Speaker 1: Irish Canadian. Yeah, um father native mother comes from when

931
00:49:03,600 --> 00:49:07,200
Speaker 1: Irish hearted right step stepfather she just always said because

932
00:49:07,280 --> 00:49:10,400
Speaker 1: right step was right eliminated in their household, and it's

933
00:49:10,400 --> 00:49:12,560
Speaker 1: eliminated in this one. And I think she does kind

934
00:49:12,600 --> 00:49:14,320
Speaker 1: of not she's not being dull as alved, but I

935
00:49:14,360 --> 00:49:18,720
Speaker 1: think she identifies with Yeah, she identifies with the Native community.

936
00:49:18,800 --> 00:49:21,920
Speaker 1: She understands their concerns. I mean again, she was it

937
00:49:22,080 --> 00:49:25,200
Speaker 1: was the only all male Native or all native male

938
00:49:25,360 --> 00:49:28,279
Speaker 1: logging outfit in the region. Oh. I thought she was

939
00:49:28,320 --> 00:49:32,040
Speaker 1: saying that all logging outfits were mostly Native. Oh, I

940
00:49:32,120 --> 00:49:34,360
Speaker 1: guess that makes more sense. And then and she was

941
00:49:34,400 --> 00:49:37,520
Speaker 1: the only woman, she usually woman in the outfit of

942
00:49:38,320 --> 00:49:42,080
Speaker 1: in this outfit. But so she just kind of randomly

943
00:49:42,160 --> 00:49:44,839
Speaker 1: meets someone named Shanaya at some point and basically straight

944
00:49:44,920 --> 00:49:47,520
Speaker 1: up Jack's her name, and I'm just kind of it

945
00:49:47,719 --> 00:49:49,960
Speaker 1: is like a Native American woman, and she's like that

946
00:49:50,239 --> 00:49:52,920
Speaker 1: name is that cool and exotic? And she's like cool,

947
00:49:53,080 --> 00:49:55,000
Speaker 1: So that's actually just going to go ahead and be

948
00:49:55,120 --> 00:49:57,560
Speaker 1: my name now. Because also, I mean all the scenes

949
00:49:57,600 --> 00:50:00,040
Speaker 1: of like her in this Nashville boardroom were like I

950
00:50:00,080 --> 00:50:02,040
Speaker 1: was imagining the most like movie set and there's like

951
00:50:02,400 --> 00:50:05,840
Speaker 1: some guy with slicked back hair, like a big nineties

952
00:50:05,920 --> 00:50:11,239
Speaker 1: blazer and yeah, Wrangler jeans, and he's like, Eilean's not

953
00:50:11,400 --> 00:50:16,320
Speaker 1: gonna work. And it wasn't what an Eileen Twain? No, no,

954
00:50:17,000 --> 00:50:20,120
Speaker 1: come on, I mean, I mean yeah, not a sax symbol.

955
00:50:20,280 --> 00:50:22,680
Speaker 1: Chania and that were and they were like, she was like,

956
00:50:22,719 --> 00:50:25,359
Speaker 1: what about Chennaia And they were kind of like sitting

957
00:50:25,400 --> 00:50:28,920
Speaker 1: back cowboy boots up on the big black lacquer desk.

958
00:50:29,320 --> 00:50:34,480
Speaker 1: I like it, like sound of it, so love the

959
00:50:34,520 --> 00:50:40,520
Speaker 1: way you say that Madian. She's at the at the

960
00:50:40,600 --> 00:50:43,560
Speaker 1: way she supposed Italian. Is she French, Well the name

961
00:50:43,680 --> 00:50:46,280
Speaker 1: is not. She's French. I guess they're in the Swiss Alps,

962
00:50:46,320 --> 00:50:50,239
Speaker 1: like near French Swiss, French Swiss stuff, because the whole

963
00:50:50,239 --> 00:50:53,360
Speaker 1: thing that Swizan is everyone there is other like Swiss, Swiss, Italian,

964
00:50:53,360 --> 00:50:56,520
Speaker 1: Swiss German are just like rich of another country nearby.

965
00:50:56,680 --> 00:51:02,839
Speaker 1: But okay, god exactly Mayan is like also not as

966
00:51:02,880 --> 00:51:06,200
Speaker 1: hot as yea, so by any means what you look up.

967
00:51:06,600 --> 00:51:09,320
Speaker 1: And I remember when this whole like scandal happened and

968
00:51:09,440 --> 00:51:12,160
Speaker 1: I was like, wow, this is one so twisted because

969
00:51:12,200 --> 00:51:15,000
Speaker 1: what happens is she ends up and the Shania is

970
00:51:15,080 --> 00:51:18,640
Speaker 1: married to Marianne Sex's husband now because they found solace

971
00:51:18,680 --> 00:51:21,279
Speaker 1: in each and each other. That part was my I

972
00:51:21,440 --> 00:51:23,399
Speaker 1: was I could start to hear kind was like, wait,

973
00:51:23,560 --> 00:51:25,600
Speaker 1: is she going to marry him? Because she's talking and

974
00:51:25,719 --> 00:51:28,960
Speaker 1: she's just like And I called Frederick and he was

975
00:51:29,000 --> 00:51:31,640
Speaker 1: the only other person that knew what I was going for.

976
00:51:32,200 --> 00:51:34,320
Speaker 1: And of course he was very busy at his senior

977
00:51:34,400 --> 00:51:39,239
Speaker 1: marketing position at Espresso. But right that it's slowly just

978
00:51:39,360 --> 00:51:43,080
Speaker 1: like and Frederick, he was such a good man of manners.

979
00:51:43,280 --> 00:51:45,080
Speaker 1: I mean, she made the right choice because it's like

980
00:51:45,760 --> 00:51:48,600
Speaker 1: else would know what you've gone through. Who else is

981
00:51:48,640 --> 00:51:50,640
Speaker 1: she going to meet? Like? She doesn't she like doesn't

982
00:51:50,680 --> 00:51:52,759
Speaker 1: like hanging out people like she doesn't like going out

983
00:51:52,800 --> 00:51:57,279
Speaker 1: and meet meeting new people need someone also, you're someone

984
00:51:57,320 --> 00:51:59,920
Speaker 1: who you're gonna trust, and you need someone with their

985
00:52:00,160 --> 00:52:03,440
Speaker 1: own career at espresso and their own child. Oh I

986
00:52:03,520 --> 00:52:07,760
Speaker 1: mean also cha ching. So I looked up Frederic Debau.

987
00:52:08,120 --> 00:52:11,080
Speaker 1: He's way hotter than mud Lang. Oh I agree, Yeah,

988
00:52:11,320 --> 00:52:14,000
Speaker 1: he does kind of have like these fully nineties and

989
00:52:14,120 --> 00:52:20,440
Speaker 1: the like weird ol like shoulder length click curls. But

990
00:52:20,600 --> 00:52:24,239
Speaker 1: mud Lang also has wavy shoulder length hair and is

991
00:52:24,280 --> 00:52:26,560
Speaker 1: just much older because again he literally did produce an

992
00:52:26,600 --> 00:52:29,520
Speaker 1: ac DC album, so he's like ancient. Yeah. No, Frederick

993
00:52:29,520 --> 00:52:30,799
Speaker 1: has a much hotter face. And then she even talks

994
00:52:30,840 --> 00:52:32,840
Speaker 1: about the book and she was like, and physical attraction

995
00:52:32,960 --> 00:52:35,400
Speaker 1: is an important part of any relationship, and we have

996
00:52:35,600 --> 00:52:39,359
Speaker 1: it inside. That was such an insanely Christian kind of way,

997
00:52:39,360 --> 00:52:41,040
Speaker 1: and like to talk about like how do you have

998
00:52:41,120 --> 00:52:43,959
Speaker 1: a very active sex life where you're like, and don't

999
00:52:44,000 --> 00:52:48,160
Speaker 1: get me wrong, sexuality is an important part of a marriage,

1000
00:52:48,640 --> 00:52:51,799
Speaker 1: and when two people are in love, it is very

1001
00:52:51,880 --> 00:52:55,719
Speaker 1: good for them to have a healthy schedule of making love.

1002
00:52:55,880 --> 00:52:58,160
Speaker 1: This was another sort of shade of Jessica in the book,

1003
00:52:58,200 --> 00:53:01,399
Speaker 1: where it's like, you won't say that you're having sex, boy,

1004
00:53:01,480 --> 00:53:04,440
Speaker 1: you will say that it is a beautiful union between

1005
00:53:04,520 --> 00:53:06,399
Speaker 1: two people. She did lose her for generity, it didn't

1006
00:53:06,400 --> 00:53:08,840
Speaker 1: sound like at like fifteen, oh, and she was just

1007
00:53:08,920 --> 00:53:11,400
Speaker 1: like and it was a wonderful experience and I'm very

1008
00:53:11,520 --> 00:53:15,160
Speaker 1: grateful that I had a positive virginity losses. Yeah, and

1009
00:53:15,280 --> 00:53:19,239
Speaker 1: she like one planned parenthood and randomly that part was

1010
00:53:19,360 --> 00:53:22,080
Speaker 1: shockingly not tragic. She just like goes to planned parenthood

1011
00:53:22,080 --> 00:53:24,319
Speaker 1: with her fifteen year old boyfriend and gets the pill.

1012
00:53:25,120 --> 00:53:27,400
Speaker 1: Though also Frederick is the one who tells her that

1013
00:53:27,480 --> 00:53:30,719
Speaker 1: this affair is going on. It's so crazy, and it

1014
00:53:30,920 --> 00:53:32,879
Speaker 1: gets the part where it's like, this is where all

1015
00:53:32,920 --> 00:53:36,600
Speaker 1: of her like niceness crumbles, saw the nice crumbles, because

1016
00:53:36,840 --> 00:53:39,160
Speaker 1: even when she's talking about like horrible abuse in her childhood,

1017
00:53:39,200 --> 00:53:41,040
Speaker 1: she's just she's kind of like talking about it and

1018
00:53:41,160 --> 00:53:43,799
Speaker 1: like with a somewhat like distance and remove. And then

1019
00:53:43,840 --> 00:53:46,759
Speaker 1: when she's talking about Marie Anne, she's just like, and

1020
00:53:47,000 --> 00:53:51,200
Speaker 1: she was a venomous snake. And you must must make

1021
00:53:51,280 --> 00:53:54,359
Speaker 1: sure that you are always communicating with your partner, because

1022
00:53:54,400 --> 00:53:57,400
Speaker 1: if you leave any space or distance in your relationship,

1023
00:53:57,640 --> 00:54:01,239
Speaker 1: you are leaving space for a traitor to enter your

1024
00:54:01,400 --> 00:54:04,640
Speaker 1: home and steal everything that you've built. And then she

1025
00:54:04,800 --> 00:54:06,920
Speaker 1: just keeps on using the word trader, and she's like,

1026
00:54:07,000 --> 00:54:09,120
Speaker 1: and the thing you do, you need to look out

1027
00:54:09,160 --> 00:54:11,440
Speaker 1: for signs when a trader is in your presence. It

1028
00:54:12,040 --> 00:54:14,360
Speaker 1: was like God full political thrillers. She's like, and the

1029
00:54:14,520 --> 00:54:17,440
Speaker 1: trader was in the home. But it's also very just

1030
00:54:17,560 --> 00:54:19,720
Speaker 1: like the way that like Chloe Kardashian sounds like anyone

1031
00:54:19,800 --> 00:54:22,920
Speaker 1: talks when they're just like, hey, just getting rid of

1032
00:54:23,000 --> 00:54:25,200
Speaker 1: some toxic people in my life today, No big deal,

1033
00:54:26,360 --> 00:54:28,360
Speaker 1: just sort of rooting out a little bit of treachery

1034
00:54:29,280 --> 00:54:34,040
Speaker 1: and villainousness that has been amongst me and amongst my business.

1035
00:54:34,760 --> 00:54:37,080
Speaker 1: And it's no longer here. It's really so Cloe. And

1036
00:54:37,120 --> 00:54:39,160
Speaker 1: it's also say because in the beginning she was like,

1037
00:54:39,239 --> 00:54:41,279
Speaker 1: and they sent like, when she's getting famous, she's like,

1038
00:54:41,440 --> 00:54:43,560
Speaker 1: and they sent me in for like media training because

1039
00:54:43,640 --> 00:54:46,880
Speaker 1: I had such a bad, naughty logger's mouth and I

1040
00:54:47,040 --> 00:54:49,480
Speaker 1: was always like swearing, and then it's like, she never swears.

1041
00:54:49,680 --> 00:54:51,000
Speaker 1: And then at the end she's like And when I

1042
00:54:51,080 --> 00:54:53,239
Speaker 1: did go to home to Canada, all my friends were like,

1043
00:54:53,560 --> 00:54:56,920
Speaker 1: say it, Shania, she's a filthy cunt. She's a filthy count.

1044
00:54:57,000 --> 00:54:59,000
Speaker 1: She's like, oh, you're right, Marianne is a count. And

1045
00:54:59,080 --> 00:55:04,680
Speaker 1: we're like, okay, you haven't heard anything. She's a filthy card.

1046
00:55:06,200 --> 00:55:11,439
Speaker 1: Be slow and painfalla and I'll watch her submerge into

1047
00:55:11,800 --> 00:55:16,600
Speaker 1: like Geneva, which stands at negative seventy four degrees celsius,

1048
00:55:18,480 --> 00:55:22,560
Speaker 1: and I will send Tim, my German shepherd, and Sadie

1049
00:55:23,000 --> 00:55:36,040
Speaker 1: my husky after her to eat her bones. Whose bad?

1050
00:55:36,480 --> 00:55:42,440
Speaker 1: Your segments and whose heart did you steal? Whose podcast

1051
00:55:42,560 --> 00:55:46,560
Speaker 1: did you seal? I wonder not us? Not us because

1052
00:55:46,600 --> 00:55:50,960
Speaker 1: we're the onliest lebrity book cup podcast. Um. Anyway, what

1053
00:55:51,320 --> 00:55:56,719
Speaker 1: she wear? Why does she leave? So? What does she wear?

1054
00:55:56,800 --> 00:55:59,000
Speaker 1: What does she wear? I will discuss the peasant tops

1055
00:55:59,040 --> 00:56:02,080
Speaker 1: of the nineties, and I think now now I'm just

1056
00:56:02,239 --> 00:56:05,319
Speaker 1: picturing like full snow bunny and like evil Geneva clothes. Yes,

1057
00:56:05,760 --> 00:56:12,000
Speaker 1: it's like she's like she's that store by your Vermont condo.

1058
00:56:13,239 --> 00:56:16,520
Speaker 1: She's very sport teeth, like she's only in the most

1059
00:56:16,600 --> 00:56:22,120
Speaker 1: like gorgeous hyper tech snow skin tight snow pants, hair

1060
00:56:22,280 --> 00:56:25,400
Speaker 1: flowing on your high tech goggles. I'm just like always

1061
00:56:25,560 --> 00:56:28,759
Speaker 1: just like so many rabbit fur hoods. And then shearling.

1062
00:56:29,560 --> 00:56:34,320
Speaker 1: Probably she is like monogrammed silk pajamas. Yeah, it's like

1063
00:56:34,480 --> 00:56:39,520
Speaker 1: the most luxurious fret sweatsuit. Though probably actually she is

1064
00:56:39,680 --> 00:56:43,839
Speaker 1: not wearing a fur because like now she's so anti hunting. Well,

1065
00:56:43,920 --> 00:56:47,480
Speaker 1: unless she killed the rabbit herself exactly and pulled it

1066
00:56:47,719 --> 00:56:50,880
Speaker 1: off in one tape and then sewed it to a

1067
00:56:51,000 --> 00:56:54,400
Speaker 1: jacket like learn oh, because right, she's like growing up.

1068
00:56:54,440 --> 00:56:58,560
Speaker 1: I love my mucklaques that like my grandmother and she

1069
00:56:58,560 --> 00:57:00,319
Speaker 1: wore them to school for like two years. I ever

1070
00:57:00,520 --> 00:57:04,160
Speaker 1: made fun of her. I bet she's like ordering muck

1071
00:57:04,239 --> 00:57:08,520
Speaker 1: lacks from a local Canadian right maker. Yes, to stay

1072
00:57:08,600 --> 00:57:12,080
Speaker 1: true to her. No, because as I said, she's a Timmins,

1073
00:57:12,320 --> 00:57:16,240
Speaker 1: She's a Timmins girl, and she has a Timmins maker

1074
00:57:16,280 --> 00:57:18,560
Speaker 1: that she's supporting, and she's so like burning with the gloves,

1075
00:57:18,640 --> 00:57:23,800
Speaker 1: and it's just like, right, is she so? And then

1076
00:57:23,880 --> 00:57:26,640
Speaker 1: like yeah, occasionally I wonder if she's like now post

1077
00:57:26,720 --> 00:57:30,000
Speaker 1: made antiboo, if she's going to like then espresso balls,

1078
00:57:31,760 --> 00:57:34,640
Speaker 1: like then espresso holiday party. Yeah, And it's like and

1079
00:57:34,760 --> 00:57:37,800
Speaker 1: she's like, oh, non espresso for me, no caffee, and

1080
00:57:37,960 --> 00:57:40,720
Speaker 1: I'm I'm ill. Do you have a tea pod? There's

1081
00:57:40,800 --> 00:57:43,720
Speaker 1: maybe no, they have a decaf pod, right, She'll she'll

1082
00:57:43,760 --> 00:57:46,520
Speaker 1: do a decaf espresso. Wait did you ever find the

1083
00:57:46,520 --> 00:57:48,480
Speaker 1: part where she describes the interior of the house. Oh yes,

1084
00:57:48,560 --> 00:57:51,400
Speaker 1: hold on, so because she literally says, I haven't written

1085
00:57:51,440 --> 00:57:54,680
Speaker 1: down in my notes. Because she says French vanilla stove,

1086
00:57:54,880 --> 00:57:57,720
Speaker 1: which is so which is also very n espresso. So

1087
00:57:57,880 --> 00:57:59,959
Speaker 1: this is when she first gets her home with Mutt.

1088
00:58:00,160 --> 00:58:03,040
Speaker 1: In her first home in Geneva greater Geneva. Shall we

1089
00:58:03,080 --> 00:58:05,920
Speaker 1: say this is not downdown. Thankfully, much of the structure's

1090
00:58:05,960 --> 00:58:09,000
Speaker 1: original materials had been preserved, such as the detailed parquet

1091
00:58:09,080 --> 00:58:12,520
Speaker 1: floors throughout in the various stone and marble staircases, pillars

1092
00:58:12,560 --> 00:58:16,800
Speaker 1: in fireplaces, handsome French oak panels made from trees no

1093
00:58:16,960 --> 00:58:20,680
Speaker 1: longer in existence line the high ceiling living room. After

1094
00:58:20,880 --> 00:58:24,160
Speaker 1: visiting Versailles and learning to appreciate the different periods of

1095
00:58:24,280 --> 00:58:27,800
Speaker 1: architecture and design during my international travel, just out of

1096
00:58:27,840 --> 00:58:30,400
Speaker 1: interest sake, I started to take more detailed note of

1097
00:58:30,440 --> 00:58:34,400
Speaker 1: the materials, lighting, fixtures, fabrics, colors and shapes. I was

1098
00:58:34,600 --> 00:58:38,680
Speaker 1: especially drawn to the Renaissance period when Versailles was built,

1099
00:58:39,160 --> 00:58:42,479
Speaker 1: and then we chose mostly French fabrics in the style

1100
00:58:42,520 --> 00:58:45,920
Speaker 1: of seventeen hundreds and eighteen hundreds, which went back to

1101
00:58:46,000 --> 00:58:48,800
Speaker 1: the days when Marie and Antoinette still had her head.

1102
00:58:49,160 --> 00:58:52,120
Speaker 1: The carved wood frames of vote a palace tea room

1103
00:58:52,200 --> 00:58:55,720
Speaker 1: setting only with furniture larger scale and more comfortable and

1104
00:58:55,840 --> 00:59:02,000
Speaker 1: lofty than the originals. So she's like about the stove. Oh,

1105
00:59:02,440 --> 00:59:06,960
Speaker 1: the stove, a radiant heat auga made of cast iron,

1106
00:59:07,480 --> 00:59:10,360
Speaker 1: was a stunning piece of art in itself finished in

1107
00:59:10,560 --> 00:59:15,640
Speaker 1: French vanilla enamel with brass and black fittings without my

1108
00:59:15,840 --> 00:59:19,680
Speaker 1: having to go on tournytime soon it would receive quite

1109
00:59:19,840 --> 00:59:23,320
Speaker 1: a workout that the full paragraph about the stove burn

1110
00:59:24,360 --> 00:59:28,360
Speaker 1: burnch of vanilla stove, yeah, which leads us into how

1111
00:59:28,440 --> 00:59:31,360
Speaker 1: does she live? Does she heat? Oh? Okay, what is

1112
00:59:31,400 --> 00:59:34,400
Speaker 1: she making on the stove? Yeah? I mean she described

1113
00:59:34,440 --> 00:59:39,080
Speaker 1: how she lives, which is just massive full I mean,

1114
00:59:39,120 --> 00:59:41,960
Speaker 1: I love. Then she also discovered fabric at Versai like

1115
00:59:42,360 --> 00:59:44,680
Speaker 1: in my travels, I did happen to go to the

1116
00:59:44,760 --> 00:59:47,480
Speaker 1: palace and then I kind of actually gone into Tappa

1117
00:59:47,600 --> 00:59:50,800
Speaker 1: strays and they were really giving rugs and they were

1118
00:59:50,920 --> 00:59:53,960
Speaker 1: giving silks and curtains, and I was like, okay, this

1119
00:59:54,120 --> 00:59:56,600
Speaker 1: is actually a full mood, no, I know. And she's

1120
00:59:56,640 --> 00:59:59,920
Speaker 1: like walking around much like Shania, and she's like petting

1121
01:00:00,280 --> 01:00:04,160
Speaker 1: these like Versailles fabrics and it's like I love this,

1122
01:00:04,320 --> 01:00:08,080
Speaker 1: but can we make it a sexual? Yeah? And it

1123
01:00:08,160 --> 01:00:10,080
Speaker 1: looks like so you know, it's like there's so much

1124
01:00:10,240 --> 01:00:14,880
Speaker 1: just like ornate or nake silt, like chintz and chin

1125
01:00:15,160 --> 01:00:19,040
Speaker 1: did ruffle ruffle. I'm sure she has the full m

1126
01:00:19,720 --> 01:00:24,520
Speaker 1: The canopy bed, yeah, it's it's California King, or should

1127
01:00:24,520 --> 01:00:27,720
Speaker 1: I say it's a Swiss can size. Yeah, and Frederick

1128
01:00:27,880 --> 01:00:34,680
Speaker 1: is making sweet sweet slow love. Actually, well sometimes it's fast.

1129
01:00:34,880 --> 01:00:38,680
Speaker 1: It's a rhythm come on boots like they're actually very

1130
01:00:38,760 --> 01:00:41,360
Speaker 1: like twelve minutes because all her songs are all but

1131
01:00:41,480 --> 01:00:43,520
Speaker 1: I mean any man of mine, and that didn't impress

1132
01:00:43,560 --> 01:00:46,440
Speaker 1: me much. It's all about like how a man like

1133
01:00:46,560 --> 01:00:48,360
Speaker 1: he doesn't have to be hot or have the cards,

1134
01:00:48,360 --> 01:00:50,520
Speaker 1: about like how he holds you and what he does

1135
01:00:50,560 --> 01:00:53,400
Speaker 1: to your body. Yeah, so I just a man to

1136
01:00:53,440 --> 01:00:56,720
Speaker 1: keep me warm at night. Yeah, those big Swiss French

1137
01:00:56,880 --> 01:01:00,240
Speaker 1: arms are with that, those big luscious locks of weird

1138
01:01:00,280 --> 01:01:05,720
Speaker 1: al hair, keeping me warm at night. Nugget they drape

1139
01:01:05,800 --> 01:01:09,240
Speaker 1: over her. Um, what is she eating? I mean she

1140
01:01:09,320 --> 01:01:11,440
Speaker 1: talks about how much she's cooking on the big auto.

1141
01:01:11,480 --> 01:01:14,760
Speaker 1: So she mentions again and again that she's a vegetarian.

1142
01:01:15,000 --> 01:01:17,560
Speaker 1: So I think she's just like is making a big

1143
01:01:17,960 --> 01:01:21,040
Speaker 1: I mean she's also she's very nineties, so I feel

1144
01:01:21,080 --> 01:01:23,800
Speaker 1: like I'm just picturing like Iceberg. I mean also now

1145
01:01:23,920 --> 01:01:26,400
Speaker 1: having this memory too, when I was in Switzerland with

1146
01:01:26,520 --> 01:01:29,120
Speaker 1: my whole family, with my dad's side of the family,

1147
01:01:29,240 --> 01:01:32,560
Speaker 1: who are like so random and tacky, and one of

1148
01:01:32,680 --> 01:01:35,880
Speaker 1: my aunts brought her own like ranch dressing from America

1149
01:01:36,360 --> 01:01:40,040
Speaker 1: so that we could do like, well, that's your family's spies.

1150
01:01:40,280 --> 01:01:42,520
Speaker 1: That's because your family stole random in California and a

1151
01:01:42,600 --> 01:01:44,960
Speaker 1: ranch and just no, and I was just figs and

1152
01:01:45,080 --> 01:01:48,080
Speaker 1: ranch and like my obviously like my brother and like

1153
01:01:48,200 --> 01:01:50,720
Speaker 1: my mom, like we're just we were just like so horrified,

1154
01:01:50,840 --> 01:01:52,920
Speaker 1: silently like what was happening. We're just being like we're

1155
01:01:52,920 --> 01:01:54,800
Speaker 1: literally in like Switzerland, like we should be having like

1156
01:01:54,880 --> 01:01:57,960
Speaker 1: so many baggets and butter and like fabulous French alpine food.

1157
01:01:58,680 --> 01:02:02,880
Speaker 1: Really no, actually it's either way. I think Shania is.

1158
01:02:03,080 --> 01:02:05,000
Speaker 1: I mean she says she's cooking so much. I think

1159
01:02:05,040 --> 01:02:08,280
Speaker 1: she is making like much just chic er vegetarian meals

1160
01:02:08,320 --> 01:02:11,680
Speaker 1: that are healthy, Like I think she's OTOLENGI. I feel

1161
01:02:11,680 --> 01:02:13,080
Speaker 1: like it would be more ninety as if she was

1162
01:02:13,160 --> 01:02:19,920
Speaker 1: being so like tie yeah, like many likes doing lettuce

1163
01:02:19,960 --> 01:02:23,040
Speaker 1: cups and like doing wraps for the kid. I don't know,

1164
01:02:23,160 --> 01:02:25,000
Speaker 1: but it's like I could also see her being a

1165
01:02:25,040 --> 01:02:28,320
Speaker 1: little more alpine and I I, yeah, what is it's

1166
01:02:28,320 --> 01:02:32,000
Speaker 1: a little more asparagus. I think Swiss food. Yeah, yeah,

1167
01:02:32,040 --> 01:02:34,280
Speaker 1: I'm like, what is like I think she's doing like

1168
01:02:34,360 --> 01:02:37,480
Speaker 1: a roast asparagus with like army genre, like she does

1169
01:02:37,560 --> 01:02:39,800
Speaker 1: have to feed, like there's probably they're probably not doing

1170
01:02:39,880 --> 01:02:42,120
Speaker 1: so much fund because she's trying to lose weight, right,

1171
01:02:42,240 --> 01:02:44,840
Speaker 1: but like may she is making maybe like uh some

1172
01:02:45,120 --> 01:02:49,680
Speaker 1: sort of like lasagna for Frederick Tibau. Yes, oh wait

1173
01:02:49,800 --> 01:02:52,520
Speaker 1: that's what it is. Yeah, it's like a vegetarian white Yeah,

1174
01:02:52,600 --> 01:03:00,880
Speaker 1: vegetarian lasagna done done for her twist. Um. Okay, who

1175
01:03:00,920 --> 01:03:02,880
Speaker 1: are you in the book? Yeah? Read in the book.

1176
01:03:02,880 --> 01:03:04,480
Speaker 1: I was kind of like thank reading this, I was like,

1177
01:03:04,560 --> 01:03:06,360
Speaker 1: who am I in the book? I mean, am I

1178
01:03:06,480 --> 01:03:09,520
Speaker 1: the Trinidaddian gay friend? That would be the easy one?

1179
01:03:09,560 --> 01:03:12,200
Speaker 1: Then I guess you're the Trinidadian gay friend who's exposing

1180
01:03:12,280 --> 01:03:15,560
Speaker 1: her to Toronto's bustling gay scene. Yeah, I would like

1181
01:03:16,040 --> 01:03:18,640
Speaker 1: to think, I mean I Okay, the scene where she's

1182
01:03:18,640 --> 01:03:23,240
Speaker 1: describing her like Marianne like lies with just with such

1183
01:03:23,280 --> 01:03:25,560
Speaker 1: a straight face, and she's like she would call me

1184
01:03:25,720 --> 01:03:27,760
Speaker 1: and just be like, yes, Mud is doing great, and

1185
01:03:27,880 --> 01:03:30,040
Speaker 1: why would you even think there's something wrong with your marriage?

1186
01:03:30,080 --> 01:03:32,720
Speaker 1: Maybe look within Yeah, And then I kind of was like,

1187
01:03:32,800 --> 01:03:35,200
Speaker 1: oh am I that evil. For a second, I was like,

1188
01:03:36,040 --> 01:03:38,200
Speaker 1: should I I was like, Steven is Marianne, but like,

1189
01:03:38,400 --> 01:03:42,080
Speaker 1: you're not like evily walking. You wish you're evily walking

1190
01:03:42,160 --> 01:03:46,680
Speaker 1: by someone on a Geneva like you're a little you're

1191
01:03:46,680 --> 01:03:49,400
Speaker 1: a little muddy Anne, but not. I mean you would

1192
01:03:49,480 --> 01:03:50,920
Speaker 1: That's why you'd want to play in the movie of

1193
01:03:50,960 --> 01:03:53,600
Speaker 1: this book for sure. Yes, I would love the big

1194
01:03:53,720 --> 01:03:58,240
Speaker 1: in the Big Big Street adaptation from this moment in

1195
01:03:58,440 --> 01:04:01,160
Speaker 1: the Big First Duty. I mean the way that this

1196
01:04:01,280 --> 01:04:04,520
Speaker 1: movie would be so a busy family Oh well, I

1197
01:04:04,600 --> 01:04:07,800
Speaker 1: mean I wish they would do such that the version.

1198
01:04:08,120 --> 01:04:10,160
Speaker 1: I want the first half this movie to be this

1199
01:04:10,400 --> 01:04:15,320
Speaker 1: like lifetime and saying rural okay instead of hill billy elegy. Right,

1200
01:04:15,400 --> 01:04:20,800
Speaker 1: we should see from this moment on, I'm like, either

1201
01:04:20,880 --> 01:04:23,840
Speaker 1: one of them, there's your fucking oscar. Yeah, oh my god.

1202
01:04:24,000 --> 01:04:28,000
Speaker 1: If Amy Adams Twain that would be her. Allison Janny

1203
01:04:28,120 --> 01:04:31,200
Speaker 1: is the mom gets beaten done. I mean, it's an

1204
01:04:31,240 --> 01:04:33,200
Speaker 1: obvious choice, but yeah, well I'm just saying that's who

1205
01:04:33,200 --> 01:04:37,000
Speaker 1: always plays that role. Yeah, Okay, who am I in

1206
01:04:37,120 --> 01:04:41,680
Speaker 1: the book? Am I the Spanish and Lucian Horse, am

1207
01:04:42,040 --> 01:04:45,480
Speaker 1: I bote Jarek or am I Okay. I mean I

1208
01:04:45,720 --> 01:04:49,120
Speaker 1: like to figure myself on the Girl's Trip Daryl Hannah

1209
01:04:49,760 --> 01:04:54,919
Speaker 1: bo Derek. I could see girl on a girl's trip.

1210
01:04:55,080 --> 01:04:57,880
Speaker 1: I could definitely see that and like the other girls like, oh,

1211
01:04:57,880 --> 01:04:59,400
Speaker 1: we should we hang out with her? Like no whatever

1212
01:04:59,520 --> 01:05:02,240
Speaker 1: she said a horses, but it was a whole horse trip.

1213
01:05:02,400 --> 01:05:05,480
Speaker 1: They were all there to ride fancy horses, and I

1214
01:05:05,680 --> 01:05:08,240
Speaker 1: was just like, maybe just she was more into the horses,

1215
01:05:09,280 --> 01:05:11,560
Speaker 1: right because they probably saw housewives and then they were

1216
01:05:11,640 --> 01:05:17,680
Speaker 1: like trolloping up to like an insane champagne. And I

1217
01:05:17,720 --> 01:05:19,120
Speaker 1: do feel like I was kind of there was like

1218
01:05:19,160 --> 01:05:21,440
Speaker 1: another random princess on that trip, and I feel like

1219
01:05:21,480 --> 01:05:23,400
Speaker 1: maybe I'm the princess who's kind of like, do we

1220
01:05:23,520 --> 01:05:26,360
Speaker 1: have to ride again tomorrow? Like like some just like

1221
01:05:26,640 --> 01:05:29,680
Speaker 1: spare a Monica princess, just like the third tier Monico

1222
01:05:29,800 --> 01:05:32,360
Speaker 1: girl was there. Yeah. That or I wanted to just

1223
01:05:32,520 --> 01:05:36,400
Speaker 1: be like Buddy Cannon, who like, oh, like he discovered

1224
01:05:36,480 --> 01:05:38,880
Speaker 1: my albums. He got no credit and he was just

1225
01:05:39,000 --> 01:05:42,040
Speaker 1: like a player in Nashville and he likes not a

1226
01:05:42,120 --> 01:05:44,440
Speaker 1: character in the book, just like a name that's said once.

1227
01:05:46,200 --> 01:05:48,080
Speaker 1: I guess I just want to be like one of them.

1228
01:05:48,200 --> 01:05:50,520
Speaker 1: I mean someone who's like didn't get enough credit for

1229
01:05:50,520 --> 01:05:51,840
Speaker 1: an album. I just want to be one of the

1230
01:05:51,960 --> 01:05:54,120
Speaker 1: kind of Nashville big wigs that's like known in the

1231
01:05:54,240 --> 01:05:56,880
Speaker 1: industry and they're like, oh please, buddy. He brought in

1232
01:05:57,040 --> 01:06:01,440
Speaker 1: everyone from Glenn Campbell to Toby Keith to Rebe. He

1233
01:06:01,720 --> 01:06:04,680
Speaker 1: was there in those recordings. He chose Reabe his first

1234
01:06:04,720 --> 01:06:07,200
Speaker 1: synkle L. So I would say I want to be that,

1235
01:06:07,240 --> 01:06:09,280
Speaker 1: But I'm also just like a random unnamed hoe on

1236
01:06:09,360 --> 01:06:15,040
Speaker 1: this horsey, unnamed horsehoe who's kind of tired after like

1237
01:06:15,240 --> 01:06:17,800
Speaker 1: forty five minutes of horseback writing. That's gonna go ahead

1238
01:06:17,840 --> 01:06:22,479
Speaker 1: and be great, great, Okay, So y'all yeah, well y'all.

1239
01:06:22,880 --> 01:06:25,919
Speaker 1: I don't know if I'm if this book is a must.

1240
01:06:25,960 --> 01:06:27,280
Speaker 1: I mean, there are parts of the story that I

1241
01:06:27,440 --> 01:06:30,160
Speaker 1: was truly like, you know, yes, wrapped in, wrapped in,

1242
01:06:30,280 --> 01:06:32,760
Speaker 1: and was like so surprised I didn't know this about Shania,

1243
01:06:32,920 --> 01:06:35,880
Speaker 1: and it's like it definitely makes me like more interested

1244
01:06:35,920 --> 01:06:38,000
Speaker 1: in her and like you have a new found respect

1245
01:06:38,000 --> 01:06:41,520
Speaker 1: for her. But the book is so long. Can I

1246
01:06:41,600 --> 01:06:44,240
Speaker 1: make a recommendation? I think it's like right now that

1247
01:06:44,360 --> 01:06:46,680
Speaker 1: we're just these crazy at good dam exit or reading

1248
01:06:46,720 --> 01:06:48,440
Speaker 1: a book a week. Like I would say, if you're

1249
01:06:48,440 --> 01:06:51,240
Speaker 1: a big Shanaia fan, pick this book up. Read it

1250
01:06:51,280 --> 01:06:55,280
Speaker 1: over eight months. Yeah, I don't think anyone read it

1251
01:06:55,400 --> 01:06:58,480
Speaker 1: in a week. Definitely have this book like on your

1252
01:06:58,520 --> 01:07:00,480
Speaker 1: bedside table or like on the beds a table of

1253
01:07:00,520 --> 01:07:05,800
Speaker 1: your second or even third. You're you're like occasionally being like,

1254
01:07:05,840 --> 01:07:09,280
Speaker 1: oh yeah, let me pick this up again. Um, but yeah,

1255
01:07:09,320 --> 01:07:12,080
Speaker 1: I mean also, and just like, do please like get

1256
01:07:12,200 --> 01:07:18,080
Speaker 1: into Shania and rediscover her back catalog. Yeah, go through

1257
01:07:18,120 --> 01:07:20,360
Speaker 1: the albums. It's hard. I don't know. I guess I

1258
01:07:20,400 --> 01:07:22,960
Speaker 1: can't even get three boots out of five, but three

1259
01:07:23,040 --> 01:07:25,760
Speaker 1: pairs of boots, three pairs of boots, Yeah, sorry, so

1260
01:07:25,840 --> 01:07:33,600
Speaker 1: that would be. But then I'm also like, oh, well, god, Shania,

1261
01:07:33,760 --> 01:07:37,000
Speaker 1: like I'm gonna give you four logs out of I

1262
01:07:37,000 --> 01:07:40,800
Speaker 1: don't know. I give Shania a story of four, I

1263
01:07:40,880 --> 01:07:43,240
Speaker 1: get the book of two. Yeah, and so that may

1264
01:07:43,280 --> 01:07:45,439
Speaker 1: be averages out to of three. But there are other

1265
01:07:45,560 --> 01:07:47,600
Speaker 1: books where like I think the person is interesting, but

1266
01:07:47,600 --> 01:07:49,920
Speaker 1: I'm more into the book because I'm just like right

1267
01:07:49,960 --> 01:07:52,480
Speaker 1: where I'm just like, your story is amazing, Like, I

1268
01:07:52,680 --> 01:07:54,560
Speaker 1: guess I just want this turned into him. I want

1269
01:07:54,720 --> 01:07:58,440
Speaker 1: the coal miner's daughter treatment to this book. So I

1270
01:07:58,480 --> 01:08:01,880
Speaker 1: guess that's on me to start freaking adapting this tone. Yeah, hello,

1271
01:08:01,960 --> 01:08:04,920
Speaker 1: stop talking about it in certain I'm making the work right,

1272
01:08:05,160 --> 01:08:09,880
Speaker 1: do the work, Okay, okay, well be beast. He's the

1273
01:08:09,960 --> 01:08:13,080
Speaker 1: next book. I'm getting a signal Spirit is talking to me.

1274
01:08:13,320 --> 01:08:15,280
Speaker 1: Someone's talking to me about what next book is going

1275
01:08:15,360 --> 01:08:17,760
Speaker 1: to be it. I'm here. Are you getting anything? Yeah,

1276
01:08:17,800 --> 01:08:21,479
Speaker 1: I am getting something. I'm I'm hearing the I'm hearing

1277
01:08:21,520 --> 01:08:26,120
Speaker 1: the lasagna is ready. I'm hearing turn the TV off.

1278
01:08:27,439 --> 01:08:30,200
Speaker 1: I'm having visions of the Long Island Expressway. I'm I'm

1279
01:08:30,280 --> 01:08:33,800
Speaker 1: having visions of a huge glass of red wine. I'm

1280
01:08:33,880 --> 01:08:36,000
Speaker 1: having visions of a cemetery. I'm having visions of a

1281
01:08:36,040 --> 01:08:38,639
Speaker 1: tape recorder. I'm ever a village of a cruise ship.

1282
01:08:39,560 --> 01:08:43,360
Speaker 1: Sixty people on a cruise ship, everyone and has recently

1283
01:08:43,439 --> 01:08:46,960
Speaker 1: lost a loved one. We're talking about Our next book

1284
01:08:47,160 --> 01:08:51,520
Speaker 1: is by no other than the Long Island Medium herself, Theresa.

1285
01:08:54,080 --> 01:08:57,840
Speaker 1: I am so I'm so excited. I wonder if Spirit

1286
01:08:57,880 --> 01:09:00,800
Speaker 1: will visit us. I feel like spirits already here, like

1287
01:09:00,920 --> 01:09:02,720
Speaker 1: Spirit like just heard us say that in Spirits, just

1288
01:09:02,800 --> 01:09:05,679
Speaker 1: like booking it on the l Ie right now. It's like, Babe,

1289
01:09:05,840 --> 01:09:09,479
Speaker 1: I'll be here for the week. Do read along or not,

1290
01:09:10,000 --> 01:09:11,679
Speaker 1: or just watch an episode of Long on the medium

1291
01:09:11,720 --> 01:09:13,599
Speaker 1: to get you in the mood. Or have a loved

1292
01:09:13,640 --> 01:09:18,880
Speaker 1: one die. Um. Sorry, yeah, Lily, you're super dark and

1293
01:09:18,960 --> 01:09:20,920
Speaker 1: that's super fucked up. But do kill a closed loved one,

1294
01:09:21,160 --> 01:09:23,879
Speaker 1: um and try to connect with them before the next episode.

1295
01:09:24,360 --> 01:09:26,240
Speaker 1: And thank you, of course to all our fans. I

1296
01:09:26,320 --> 01:09:28,160
Speaker 1: just want to say, you know, we love you guys

1297
01:09:28,200 --> 01:09:31,080
Speaker 1: so much. We're obsessed you guys. We're reading your comments,

1298
01:09:31,160 --> 01:09:35,200
Speaker 1: we love your tweets, love your reviews. I'll tell you this.

1299
01:09:35,280 --> 01:09:37,320
Speaker 1: I'll be honest. I wake up in the morning and

1300
01:09:37,520 --> 01:09:40,160
Speaker 1: I chuck, um, we don't might get me going. My

1301
01:09:40,320 --> 01:09:44,120
Speaker 1: favorite thing is the text that we get on Wednesday

1302
01:09:44,400 --> 01:09:48,160
Speaker 1: from from our from the people who listen to it

1303
01:09:48,360 --> 01:09:50,519
Speaker 1: right when it comes out. What is it? Nine text

1304
01:09:50,600 --> 01:09:53,799
Speaker 1: in nine am? The nine Am Club, the nine club hashtag.

1305
01:09:53,880 --> 01:09:56,400
Speaker 1: Then okay, well, for some of our early folk who

1306
01:09:56,479 --> 01:10:00,280
Speaker 1: do have jobs in the service industry or the logging industry, yeah,

1307
01:10:00,280 --> 01:10:04,040
Speaker 1: they're bakers. They're loggers bakers, and they're getting funeral directors

1308
01:10:04,360 --> 01:10:06,760
Speaker 1: and they're the five am clum club. So we know

1309
01:10:06,840 --> 01:10:09,640
Speaker 1: you're out there and it cheers our law taste to you.

1310
01:10:10,200 --> 01:10:13,280
Speaker 1: And again, actually literally do leave a review on iTunes.

1311
01:10:13,560 --> 01:10:15,000
Speaker 1: So if you're like, oh, I'm part of the nine

1312
01:10:15,000 --> 01:10:17,080
Speaker 1: a m Club, and then you're like, wait, they're shouting

1313
01:10:17,120 --> 01:10:18,960
Speaker 1: out all these amazing reviews, Yeah, join the club. You're

1314
01:10:18,960 --> 01:10:21,040
Speaker 1: part of the club. You should be ready. I'm joining

1315
01:10:21,080 --> 01:10:24,920
Speaker 1: the review club. Okay, and that's like a higher tier. Yeah.

1316
01:10:26,160 --> 01:10:29,320
Speaker 1: Put your boots under your bed and have your man

1317
01:10:29,479 --> 01:10:32,200
Speaker 1: rub your feet tonight and have him wrap his big

1318
01:10:32,360 --> 01:10:36,160
Speaker 1: arms around you because you deserve it. Yeah, you deserve it.

1319
01:10:36,400 --> 01:10:39,720
Speaker 1: You've been listening to podcasts all day. Take a break. Seriously,

1320
01:10:39,800 --> 01:10:58,960
Speaker 1: it's hard work. Good Morning, Nashville. Celebrity Book Club is

1321
01:10:59,040 --> 01:11:02,679
Speaker 1: present about pro projects and headgum. The show was produced

1322
01:11:02,720 --> 01:11:06,479
Speaker 1: by Meg murnane, with editorial support from Andrew Parsons and

1323
01:11:06,720 --> 01:11:11,639
Speaker 1: Leon nayfok to My Good Buddies. Engineering by Ferris Monchey.

1324
01:11:11,760 --> 01:11:15,799
Speaker 1: Original theme song by the Great Stephen Phillips. Horse artwork

1325
01:11:15,880 --> 01:11:18,840
Speaker 1: by Teddy Blanks at chips ND. Why follow us on

1326
01:11:19,000 --> 01:11:23,200
Speaker 1: Twitter at CBC the pod subscribing your favorite podcast app,

1327
01:11:23,479 --> 01:11:25,680
Speaker 1: leave us a review, and hell, don't forget to tell

1328
01:11:25,760 --> 01:11:33,679
Speaker 1: your friends about us. That was a headgum podcast