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Speaker 1: Willie, and yeah, I think I have to be more

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Speaker 1: cognizant of the shirts I wear.

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Speaker 2: If that's a word. If I said that correctly, it's

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Speaker 2: this word. Now I got a lot of liberal looks.

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Speaker 1: Let me a lot of liberal looks walking down the

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Speaker 1: street in Manhattan with his shirt on FDN was shirt.

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Speaker 1: I think they saw the American flag and granted, when

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Speaker 1: I see American flag in America, but you know, you

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Speaker 1: get that low like aye, but relaxed patriotism. You're doing

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Speaker 1: a lot like granted if it's not Willie Nelson draped.

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Speaker 1: I'm a little nervous. Even with Willy, I'm a little nervous, like,

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Speaker 1: come on, you're about to say the N word. So

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Speaker 1: I think me walking down a street in Manhattan with

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Speaker 1: the American flag makes scare little folks. Also, like my

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Speaker 1: head is almost bald, like I look, I look a

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Speaker 1: little weird, low remy from higher learning. Yeah, yeah, yeah,

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Speaker 1: yeah for sure. So I started to realize the looks

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Speaker 1: I was getting, and then like the double takes to

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Speaker 1: because this is like a nine to eleven shirt. When

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Speaker 1: they saw the front of the American flag, they were like,

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Speaker 1: look at this.

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Speaker 2: Piece of ship. Big, yeah, yeah, yeah, yeah, and then

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Speaker 2: the back they're like, oh, he's just honoring nine eleven,

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Speaker 2: which is what we all should be doing.

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Speaker 3: Right.

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Speaker 2: No, never forget that's funny. If you getting looks like that,

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Speaker 2: imagine what I would get if you had the American

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Speaker 2: flag on God Jesus and you would just go back

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Speaker 2: to your country. I was born here, just look like

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Speaker 2: a dipset member.

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Speaker 1: That is true, but I was really wondering why people

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Speaker 1: were looking at me because I mean, American flag now

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Speaker 1: is you know?

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Speaker 2: You just you can't wear an American flag. That's crazy.

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Speaker 2: It changed because you.

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Speaker 1: Were well, I don't know, in Harlem with the Bronx,

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Speaker 1: but when nine eleven happened, you couldn't walk down my

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Speaker 1: block without an American flag. If you didn't have an

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Speaker 1: American flag in New York City, get the fuck out. Yeah,

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Speaker 1: it definitely just you're with the terrorist. Yeah, it changed

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Speaker 1: over time. Like now you see people wearing an American flag,

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Speaker 1: you're like, oh God, which I'm one of those people

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Speaker 1: too though, so I'm hit somebody wearing American flo Oh yeah,

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Speaker 1: I'm like that's one hundred.

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Speaker 2: But that's that's what do you think about that? That's

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Speaker 2: like really weird it's insane, Like we wear Americans, we

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Speaker 2: should be wearing our flag if we choose to, Like,

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Speaker 2: why is that a thing where people look at like,

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Speaker 2: oh God, here comes one of these crazies that's about

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Speaker 2: to do something outlandish, and he's about to do something

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Speaker 2: just to get attention and wants to cause a scene.

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Speaker 1: It's just because I feel like outside of like maybe

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Speaker 1: Hitler and Putin, no one really outside of those two yet,

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Speaker 1: no one like really uses their country as a way

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Speaker 1: to do hateful things. On the top of like, it's

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Speaker 1: for my flag, right, and it's like, well, let me

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Speaker 1: not say just them too. It's a lot of other places,

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Speaker 1: but sure, that's definitely become the picture of Hey, I'm

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Speaker 1: just a patriot, even though I want black people out

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Speaker 1: of my country.

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Speaker 2: It's just because I'm a patriot. It's like, fam just

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Speaker 2: ain't really your shit neither. Yeah, I'm just happy that

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Speaker 2: you're getting funny looks wearing the American flag. That makes

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Speaker 2: me feel like it was liberal looks. Yeah, that's all

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Speaker 2: it was. It's just funny stairs. I know what you mean.

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Speaker 1: Your whites are funny man. You ever like thought about

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Speaker 1: the term Indian giver? No, you realize the whites we took.

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Speaker 2: We took the ship.

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Speaker 1: Right, and then we coined the term Indian giver as like,

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Speaker 1: you know, why are you taking some ship back?

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Speaker 2: It's crazy when you start doing to cover a lot

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Speaker 2: of ship that will Indian take. No, we took it

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Speaker 2: from y'all. Yeah, like you took it. That's no giving

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Speaker 2: it back. You took it. You can't give back what

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Speaker 2: you took, Like, that's just stupid. Well, you think about

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Speaker 2: a lot of shit we used to say, like growing up,

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Speaker 2: it's nuts some we used to say, some sick kids, man,

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Speaker 2: like really really offensive ship. But that's good to know that,

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Speaker 2: you know, people in the streets of Manhattan are giving

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Speaker 2: white people funny looks now.

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Speaker 1: I mean it's a hundred degrees, so yeah, I chalked

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Speaker 1: it up to that. And then here I am thinking

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Speaker 1: it's a hundred degrees, you're gonna need the fire Department. Yeah,

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Speaker 1: some shit is gonna catch. I'm trying to represent what's

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Speaker 1: going on with the FD and WYR and I get

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Speaker 1: it was the Tribeca right, Like I felt like I

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Speaker 1: was doing your part.

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Speaker 2: Yeah, he was doing your part, honoring the lives that

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Speaker 2: were lost. Yeah, it's such a tragic event.

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Speaker 1: You're dressed very, very New Yorker in Miami for the

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Speaker 1: first or second time.

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Speaker 2: Hell yeah, I wanted to kind of give him a

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Speaker 2: little some of vibe. Man, it's hot. It is hot today, different,

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Speaker 2: Today is fucking hot. I almost called you, like, yo,

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Speaker 2: do we have to record? Yeah? Yo, fam, I'm like

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Speaker 2: your fair. We like go to a beach and record.

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Speaker 2: That'll be cool. Word you know what I mean, like

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Speaker 2: by a pool or something.

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Speaker 1: And we have to turn the ac off a lot

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Speaker 1: in here because it gets too loud. Yeah, I was nervous.

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Speaker 1: I was nervous.

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Speaker 2: But anyways, the weekend was pretty hot as well. How

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Speaker 2: was your weekend? It was pretty chill. It was pretty chill.

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Speaker 2: I got some stuff done around the crib. Uh, you know,

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Speaker 2: packed up preparing to move.

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Speaker 1: You found a spie it, yeah, I did I mean

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Speaker 1: to say the location? No, no, no, Yeah, it's been

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Speaker 1: a journey for you.

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Speaker 2: Yeah, you know what it is. I'm very picky, bro,

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Speaker 2: like extremely I've learned that about myself. I'm extremely picky.

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Speaker 1: All right, Well, actually this we just fell into this conversation.

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Speaker 1: What's the type of shit when you look at apartments?

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Speaker 1: That's kind of the no way am I going in

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Speaker 1: this place, even if I love it, there's always like

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Speaker 1: with me, it's closet space.

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Speaker 2: About to say that's number one, Especially in New York.

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Speaker 2: Closet space is a thing, especially when you have so

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Speaker 2: much shit. But I've given away so much, Like I've

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Speaker 2: gotten rid of a lot of sneakers, a lot of clothes.

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Speaker 2: It was so much shit. I'm a hoarder. I didn't

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Speaker 2: realize that about myself, Like, but not like the nasty hoarder. Yeah,

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Speaker 2: I mean like I have clothes and sneakers that I

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Speaker 2: keep telling myself I'm gonna wear and I never wear.

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Speaker 2: And I just started going through my stuff and I

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Speaker 2: was like, I said I was gonna wear this two

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Speaker 2: years ago, have never worn it. Let me get it,

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Speaker 2: get rid of it. And then when you look up

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Speaker 2: and realize how much you got rid of, you're like, oh,

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Speaker 2: I'm a holder. Yeah, I'm a holder. So closet space

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Speaker 2: is a big thing.

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Speaker 1: You also don't dress like the guy that gets free closed,

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Speaker 1: and I know you get free closed, so I know

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Speaker 1: there's just packages.

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Speaker 2: Of boxes that I've never opened. That's why I bought

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Speaker 2: a story space. Yeah, it's just it's crazy it's like,

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Speaker 2: let me just give this stuff away to people, let

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Speaker 2: me get rid of it, because I'm never gonna wear it.

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Speaker 2: But yeah, closet space is number one. Uh, I washing

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Speaker 2: dry as I must. I have money talk. Yeah, that's

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Speaker 2: not we're not you know what it is when you

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Speaker 2: would get exposed just having certain things, you never go back.

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Speaker 2: That's why I'm not mad with women day ball players.

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Speaker 2: It's like they're never gonna date. Like, I get it now,

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Speaker 2: I understand it. It's like when you just when you

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Speaker 2: experience certain levels and certain things, you're like, I don't

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Speaker 2: even know what life was like before.

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Speaker 1: This, and even like I can't dunk. I could get money,

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Speaker 1: don't twisted, but I'll never be able to dunk. So

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Speaker 1: it's like I just won't turn you on that type

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Speaker 1: of way, Like this is exactly the same way a

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Speaker 1: dryer and washer come on.

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Speaker 2: That turns me on, Yeah, exactly, Like I can do

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Speaker 2: my laundry at two in the morning if I want, Like,

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Speaker 2: it's just like I'm never getting getting rid of this,

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Speaker 2: So that's another thing.

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Speaker 1: You have to be good at folding though when you

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Speaker 1: do that. Though I love doing laundry, it was therapeutic

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Speaker 1: to me. Oh my god, I'm not to pick me.

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Speaker 2: But I like to clean. Yeah, I love clean. I

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Speaker 2: love folding. I love that's like a whole you know,

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Speaker 2: it's just it's therapeutic. Like you said, the whole process

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Speaker 2: of that is just I love it. So you're washing,

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Speaker 2: dryer and parking. Okay, I get that parking.

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Speaker 1: It's weird because I've been on a quest for a

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Speaker 1: new spot as well, and I've gotten so good on

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Speaker 1: these Zillows and the Trulias. This isn't an ad all

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Speaker 1: those sites that we love that I treat as porn hub.

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Speaker 1: At four o'clock in the morning, I can tell exactly

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Speaker 1: what the spot is like by the first picture of

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Speaker 1: the kid before the moment I hit the kitchen. I

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Speaker 1: don't need to see anything further or I need to

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Speaker 1: keep looking right that kitchen will tell you everything, everything

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Speaker 1: you need to know about it.

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Speaker 2: Crept One thing. I don't know why they're still putting

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Speaker 2: in these newer building because it's like a newer building.

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Speaker 2: Why they still giving us microwaves, Like why do microwaves

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Speaker 2: still come with I don't use a microwave, and no

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Speaker 2: I do. I use the airfry. See like the air

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Speaker 2: fright to me, beats everything. That's the greatest invention in

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Speaker 2: the last.

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Speaker 1: I agree with you twenty years, still repeating myself, but

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Speaker 1: I'm a big advocate of it because I want to

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Speaker 1: be documented that the air friers are too good. That

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Speaker 1: in thirty years we're all going to have something, some

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Speaker 1: type of cancer because air frier cancer. It'll be af cancer,

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Speaker 1: be somewhere. And I don't like how they reheat. I

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Speaker 1: love how they cook, I hate how they reheat. Like,

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Speaker 1: give me the horrible parts of a microwave. Whatever that

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Speaker 1: shitty radioactive shit that microwaves do makes my food heat

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Speaker 1: up better.

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Speaker 3: You know what it is.

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Speaker 2: It's certain things like the air fryer. Obviously, if you

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Speaker 2: have leftover pasta and shit like that is kind of hard.

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Speaker 2: But I found out ways to to heat it up

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Speaker 2: in the air fry You gotta kind of just wrap

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Speaker 2: it and foil because.

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Speaker 1: You're a drug dealer. Yeah, I mean jokes, he's a podcast.

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Speaker 1: Come on, and you gotta drop where it would never

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Speaker 1: wear these colors.

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Speaker 3: You gotta.

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Speaker 2: You gotta find ways, you gotta find ways around it.

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Speaker 2: Like so you gotta, you gotta, you gotta, You're gonna

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Speaker 2: burn some shit you're gonna suck up some food along

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Speaker 2: the way, but you learn, you learn which settings to

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Speaker 2: put it on with the air fry.

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Speaker 1: So yeah, like you're a three ninety guy or three

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Speaker 1: seventy five guy, I'm three seventy five because that gives

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Speaker 1: you time to be like, oh shit, like I forgot

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Speaker 1: I left it on. It always goes back to mall

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Speaker 1: still using condoms. You just like you're scared to take risks.

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Speaker 1: I'm a three ninety guy, Like, I want the food.

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Speaker 1: Let's cook the food.

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Speaker 2: You're sitting there checking it like, ooh, let me see

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Speaker 2: cooking around now, put that you on three ninety and

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Speaker 2: cook it. I think three seventy five. It buys you

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Speaker 2: an extra two minutes. If you get a call like

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Speaker 2: it's like and you forgot the ship was in there,

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Speaker 2: It's like, okay, it's safe because it's three seventy five.

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Speaker 2: Three ninety food as fucked. You can't eat it now.

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Speaker 2: I'm a three ninety. I'm a risk ticker. Now I

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Speaker 2: understand it. I'm three times. You get a s CD.

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Speaker 2: Sometimes your food is burned, sometimes you burn it. Sometimes

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Speaker 2: I was with Dona this see that you or the

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Speaker 2: food that's burning.

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Speaker 3: I get it. I see.

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Speaker 2: I like, I like what you did right there. So yeah,

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Speaker 2: I don't know why these newer, these newer condos are

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Speaker 2: coming with microwaves inside the kitchen. Still I don't I

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Speaker 2: don't need it, and I hate looking at it when

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Speaker 2: it's like installed in between the cabinets above the store.

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Speaker 2: It's like, why is this? I never used this, So

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Speaker 2: that's one thing that I that I don't like. But

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Speaker 2: but yeah, like the new spot is, it's gonna be.

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Speaker 2: It's gonna be a vi yeaes spot. I'm looking at

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Speaker 2: it now.

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Speaker 1: It's like a condo house duplex thing, and I'm terrified

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Speaker 1: in my packages because I have a ring camera and

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Speaker 1: those have a ring camera. It's like a it's like

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Speaker 1: a Twitter timeline almost of everyone within a five mile

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Speaker 1: radius that has a ring camera, and you can report crimes.

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Speaker 1: It's just like as just a snitching database. It's an

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Speaker 1: I like to call a concerned citizen. Yeah, it's the

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Speaker 1: new neighborhood Watch.

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Speaker 2: That's all it is.

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Speaker 1: Yeah, just minus George Zimmern's fucking disgusting ass exactly. So

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Speaker 1: they just upload ship all day and mind New Jersey

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Speaker 1: City has its problems, but it's just people standing behind

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Speaker 1: an Amazon trucks stealing packages all fucking day. The doorman

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Speaker 1: is just the only way I think to live if

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Speaker 1: you want to keep your Amazon package.

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Speaker 2: Just But the Ring app, what I do like about

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Speaker 2: it is I think it does deter a lot of

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Speaker 2: people from trying to steal ship from your porch. Not

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Speaker 2: in Jersey City. They be smiling and that ship they

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Speaker 2: posing like, hey, this is yours ship. Yeah, yeah, I

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Speaker 2: like the Ring app.

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Speaker 3: Though.

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Speaker 2: I like the Ring app. My homeboy has it and

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Speaker 2: he was showing me how like you can literally not

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Speaker 2: be at home and you talk to people from I

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Speaker 2: talked to Baisley all the time. Yeah, you don't have

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Speaker 2: the camera inside your crib that that spits out the

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Speaker 2: treats that you can press the button and I don't

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Speaker 2: even know about that. Yeah they have, they have a thing.

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Speaker 2: It's a camera and then you could also throw treats

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Speaker 2: out of it.

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Speaker 1: No, but that's how I win my love over from Basically,

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Speaker 1: I don't want her to start fucking with the machine.

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Speaker 2: Are you rather way for you to come in like

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Speaker 2: I want to be one?

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Speaker 1: Yeah, I want to spoil her with gifts, feeling that

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Speaker 1: a dog like when you first walk in and the

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Speaker 1: dog going crazy when it sees.

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Speaker 2: Yeah, she rolls overb tell me like, yeah, it's the

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Speaker 2: greatest film. You just need that when you walk in.

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Speaker 2: What stayed in Atlanta way too long?

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Speaker 1: I was saying, like I got to get back to baslely, Yeah,

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Speaker 1: I don't care about That's the real.

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Speaker 2: Thing though, when you're out of town, Like, I know

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Speaker 2: a lot of people that have pets, and it's crazy

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Speaker 2: how much people really like think about their pets when

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Speaker 2: they're away from home, Like they don't think about their

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Speaker 2: family and their relatives and their mom.

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Speaker 1: No, that's like that's stress, that's problems, that's needs. Yeah,

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Speaker 1: your dog just needs to run around, laugh, bark, and

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Speaker 1: ship and a lot like us.

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Speaker 2: I think I think we're the same way. We've over complicated. Yeah,

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Speaker 2: I think I think I understand why women call those dogs.

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Speaker 3: I get it now.

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Speaker 2: But how was How was Atlanta?

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Speaker 1: Atlanta was interesting? I was supposed to go down to Atlanta.

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Speaker 1: We recorded last Wednesday. That's why it felt so long

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Speaker 1: since I've seen you. Since we record him recorded on Wednesday.

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Speaker 1: I went down to Atlanta on Thursday for a set

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Speaker 1: with my guy Shelley shout out to Shelley. I was

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Speaker 1: on the flight, saw a gentleman that I knew, and

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Speaker 1: he said to me, Yore, you flying down for the

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Speaker 1: Kanye shit. And I said, what Kanye shit? He said,

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Speaker 1: he's doing a concert. I said, I thought he already

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Speaker 1: did one doing another one. So then I got really

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Speaker 1: insecure while I was sitting in my seat thinking, everyone

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Speaker 1: thinks I'm going to fly down to Atlanta for the

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Speaker 1: Kanye concert. So now anyway, I land in Atlanta airport.

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Speaker 1: We have a lot of listeners in Atlanta. We've done

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Speaker 1: a lot of shows down there. It's a big market

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Speaker 1: for us. I'm in the air blow where people say, Yo, Paul, Yo,

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Speaker 1: you're out for the Kanye shit. Now everyone thinks I

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Speaker 1: flew from New York City to Atlanta for a Kanye westconcert.

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Speaker 1: And I love Kanye, but I was very insecure about that.

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Speaker 1: I go to my session with Draw.

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Speaker 3: Whatever.

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Speaker 2: Look I forgot you had a session with Draw that

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Speaker 2: fast I went.

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Speaker 1: We were late, so I went right with my bags

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Speaker 1: to the to the session. We finish up, and here

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Speaker 1: I am trying to avoid it, like.

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Speaker 2: I'm not going to that Kanye. Yeah, I'm yeah.

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Speaker 1: Everyone see you in town, like you want to roll with,

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Speaker 1: Like you want to want to grab a drink before

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Speaker 1: let's let's do dinner.

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Speaker 2: I'm like, yeah, nah, are y'all going that ship?

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Speaker 3: Yeah?

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Speaker 1: Yeah, should get closer and closer, and I want to

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Speaker 1: go check this shit out.

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Speaker 2: We go see what he's doing.

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Speaker 1: Yeah, I want to see what type of time he

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Speaker 1: on just for the pod, right. I really I forgot

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Speaker 1: he was doing something too though. I really didn't know.

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Speaker 1: This was on Thursday that I found out. So I

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Speaker 1: go over to the arena, shout out to the l

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Speaker 1: v R and guys. They'd hold the sweet and all that.

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Speaker 1: So it made the experience very easy, but it was

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Speaker 1: quite It was quite the spectacle.

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Speaker 3: To say.

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Speaker 2: It looks like I heard a lot of people saying

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Speaker 2: that were both saying this. The second one was better

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Speaker 2: than the first one.

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Speaker 1: I didn't watch or go to the first one, but

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Speaker 1: this second one, it was really good.

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Speaker 2: As far as how quickly I guess.

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Speaker 1: They had to throw that together with him trying to

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Speaker 1: make the album and put this entire performance together. Music wise,

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Speaker 1: a lot of records were hard to hear because you

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Speaker 1: could clearly hear they were still working on them and

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Speaker 1: they weren't mixed quite there yet. So it was a

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00:14:01,880 --> 00:14:05,000
Speaker 1: lot of bass, but the visuals were really good. They

347
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Speaker 1: had everyone dressing all black, running in fucking circles for

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Speaker 1: seven hours.

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Speaker 2: Definitely look a little uh odds wise shutish.

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Speaker 1: Oh yeah, which I mean, you know what Kanye is

351
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Speaker 1: gonna be that but that should be the new workout,

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Speaker 1: the p ninety x ya workout. They was just running

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Speaker 1: in circles and shit looked amazing, But it was more

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00:14:22,200 --> 00:14:24,200
Speaker 1: I've noticed it was more of a spectacle for the

355
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Speaker 1: people like you were just watching to be a part

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Speaker 1: of it, which I'm not saying is a bad thing

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Speaker 1: at all, but it was I think a way for

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Speaker 1: people to try to connect to being part of the album.

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Speaker 1: And as much as I've killed this rollout, and I'm

360
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Speaker 1: not saying I'm not going to continue to kill it,

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Speaker 1: I think that's what they were trying to get across,

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Speaker 1: and I do understand it more. I feel like everyone

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Speaker 1: in there felt like, Okay, I'm part of making this

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Speaker 1: album because it's so incomplete, because it's so random from

365
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Speaker 1: the first one. Because these visuals kind of look not

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Speaker 1: just put together right away, but you know, they weren't

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Speaker 1: over complicating them that type of way. Yeah, and a

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Speaker 1: lot of the time it was. It was a concert

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Speaker 1: I've been to where everyone was talking to each other

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Speaker 1: the entire time. And I don't mean that they weren't listening.

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Speaker 2: Yeah, but it was. It was the most critical concert

372
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Speaker 2: I've ever been. That shit was whack. No. I like

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Speaker 2: this part.

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Speaker 1: At this part, everyone became the Internet exec while they

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Speaker 1: were sitting in the seat, which I think was kind

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Speaker 1: of cool.

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Speaker 2: I wasn't even mad at it.

378
00:15:16,960 --> 00:15:20,000
Speaker 1: Yeah, but yeah, it was. It was an interesting night,

379
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Speaker 1: interesting night.

380
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Speaker 2: It sounded. I watched it.

381
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Speaker 3: I had it.

382
00:15:23,440 --> 00:15:25,480
Speaker 2: I had it on the TV, and I was watching

383
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Speaker 2: it and listening to it. It sounded. Music sounds good.

384
00:15:29,880 --> 00:15:33,320
Speaker 2: Music stream probably got a better. Yeah, the music sounded good.

385
00:15:34,160 --> 00:15:35,880
Speaker 2: I was happy to hear that he had flew to

386
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Speaker 2: locks Down and I had them on one of the

387
00:15:39,040 --> 00:15:44,040
Speaker 2: one of the tracks that was really dope visually. Visually

388
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Speaker 2: it was like, you know, it was a little like

389
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Speaker 2: I said, little eyes wide shut ish. It was like,

390
00:15:47,840 --> 00:15:50,600
Speaker 2: felt a little cult ish type of thing. But I guess,

391
00:15:50,640 --> 00:15:52,720
Speaker 2: you know, that's Kanye, and that's you know, he has

392
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Speaker 2: a cult, a cult following.

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Speaker 1: I definitely text my mom during during it. I thought

394
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Speaker 1: I was at the concert I was like, man, you've

395
00:16:00,960 --> 00:16:03,120
Speaker 1: raised me in the Catholic church. I know when God

396
00:16:03,200 --> 00:16:05,720
Speaker 1: is in the building, it definitely feels like it was

397
00:16:05,800 --> 00:16:08,600
Speaker 1: in this place. Yeah, it felt a little it was

398
00:16:08,600 --> 00:16:09,160
Speaker 1: a little dark.

399
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Speaker 2: It was all like, yeah, everybody's an all black and listen, man,

400
00:16:13,600 --> 00:16:15,600
Speaker 2: I love Kanye. He's a you know, he's a super

401
00:16:15,720 --> 00:16:18,000
Speaker 2: visual artist. And I get it, you know. I mean

402
00:16:18,160 --> 00:16:20,240
Speaker 2: you got to kind of go into his world to

403
00:16:20,360 --> 00:16:22,800
Speaker 2: understand him sometimes and understand the art that he's presenting.

404
00:16:23,280 --> 00:16:25,320
Speaker 2: But I think just to you know, it was again,

405
00:16:25,400 --> 00:16:28,280
Speaker 2: I'm not you can save all of that. Just give

406
00:16:28,320 --> 00:16:29,800
Speaker 2: me the music. I'm still on that side of it.

407
00:16:30,200 --> 00:16:31,960
Speaker 2: But I understand it, you know, I mean, I get it.

408
00:16:32,080 --> 00:16:33,920
Speaker 2: This is the way he wants to, you know, present

409
00:16:34,000 --> 00:16:37,320
Speaker 2: itself and separate himself from everything else. He doesn't want

410
00:16:37,320 --> 00:16:39,040
Speaker 2: to look like anybody else. He doesn't want to sound

411
00:16:39,080 --> 00:16:42,840
Speaker 2: like anybody else, which I can respect. But yeah, the

412
00:16:42,920 --> 00:16:45,880
Speaker 2: music sounded good. I'm just waiting for it. I'm here

413
00:16:46,000 --> 00:16:49,040
Speaker 2: reports that he uh he made seven million dollars from

414
00:16:49,080 --> 00:16:51,880
Speaker 2: that event? Did he really? That's what I'm hearing. I know,

415
00:16:51,960 --> 00:16:56,520
Speaker 2: the Gap Jacket release made some crazy amount of money.

416
00:16:56,560 --> 00:16:57,920
Speaker 1: Oh, he had he had one of those jackets on

417
00:16:58,040 --> 00:16:59,840
Speaker 1: you had, the black jacket was on when he was

418
00:17:00,400 --> 00:17:03,160
Speaker 1: being raised into heaven. Well, I mean, if people really

419
00:17:03,200 --> 00:17:05,000
Speaker 1: want to believe that that was Kanye being raised to

420
00:17:05,040 --> 00:17:06,960
Speaker 1: the start, I can assure you that people from the

421
00:17:07,040 --> 00:17:08,679
Speaker 1: Gap and Adidas were standing there, like.

422
00:17:08,720 --> 00:17:12,879
Speaker 2: You are not getting wired up and yet pulled to

423
00:17:12,920 --> 00:17:14,760
Speaker 2: the top of this Serena. He was sitting in the

424
00:17:14,800 --> 00:17:17,880
Speaker 2: locker room watching like, yeah, I hope they don't drop, dude. Yeah,

425
00:17:18,960 --> 00:17:20,959
Speaker 2: but even that, you know, visually, like I said, it's

426
00:17:21,040 --> 00:17:24,920
Speaker 2: it's a little we can get into the whole religious

427
00:17:25,000 --> 00:17:27,680
Speaker 2: thing of it and the whole you know, that whole aesthetic.

428
00:17:27,880 --> 00:17:30,840
Speaker 2: But you know, again, I understand, Kanye is just Kanye,

429
00:17:30,960 --> 00:17:34,160
Speaker 2: and he wants to always give people something that they've

430
00:17:34,240 --> 00:17:37,480
Speaker 2: never seen from an artists perspective and visually, So I

431
00:17:37,600 --> 00:17:38,080
Speaker 2: understand it.

432
00:17:38,119 --> 00:17:38,440
Speaker 3: I get it.

433
00:17:38,520 --> 00:17:40,280
Speaker 2: But just give me the music, man. I'm ready for

434
00:17:40,359 --> 00:17:42,840
Speaker 2: the music. Sound like I said, it sounded good. Uh,

435
00:17:42,920 --> 00:17:46,600
Speaker 2: the production was great Jay Electronic because verse was crazy

436
00:17:46,720 --> 00:17:50,520
Speaker 2: on the Lox record. Yeah, like his verse was crazy. Yeah,

437
00:17:50,520 --> 00:17:51,400
Speaker 2: I just want to hear the music.

438
00:17:51,520 --> 00:17:51,639
Speaker 3: Man.

439
00:17:51,680 --> 00:17:54,040
Speaker 2: I don't know when he's dropping. You know, people are

440
00:17:54,040 --> 00:17:55,359
Speaker 2: still having rumblins about him.

441
00:17:55,400 --> 00:17:57,960
Speaker 1: And Drake kind of you know, I still having to

442
00:17:58,040 --> 00:18:01,760
Speaker 1: stare off, still stand by that thing old heartedly. According

443
00:18:01,800 --> 00:18:04,879
Speaker 1: to I think it's on Apple that that Kanye uploaded it.

444
00:18:05,040 --> 00:18:07,000
Speaker 1: I think it was fourteen or fifteen songs. It says

445
00:18:07,040 --> 00:18:09,399
Speaker 1: August fifteenth. Yeah, but again we don't know that to

446
00:18:09,480 --> 00:18:12,479
Speaker 1: be true. I know he's going over to oh now

447
00:18:12,520 --> 00:18:16,760
Speaker 1: it's twenty twentieth. Okay, I know he was going over

448
00:18:17,160 --> 00:18:20,480
Speaker 1: to the State Farm Arena. Now yeah, was that that

449
00:18:20,520 --> 00:18:23,600
Speaker 1: was announced right that he was Again, so he's moving

450
00:18:23,640 --> 00:18:25,359
Speaker 1: arenas because I'm sure that Falcon Stadium.

451
00:18:25,640 --> 00:18:27,520
Speaker 2: Yeah, kind of sick of his shit. They wrap up

452
00:18:27,520 --> 00:18:29,800
Speaker 2: your little mixtape, bro, go make another seven million, you

453
00:18:29,840 --> 00:18:32,080
Speaker 2: know what I mean? Like people again, I listen if

454
00:18:32,080 --> 00:18:35,520
Speaker 2: I'm Kanye, like now, I will say this. I kind

455
00:18:35,560 --> 00:18:41,080
Speaker 2: of think I do like the idea of previewing your

456
00:18:41,119 --> 00:18:43,359
Speaker 2: album like this something to me.

457
00:18:43,840 --> 00:18:44,240
Speaker 3: I like this.

458
00:18:44,440 --> 00:18:47,399
Speaker 2: I like the idea of an artist. But again, you

459
00:18:47,480 --> 00:18:49,320
Speaker 2: have to be an artist of this magnitude of course,

460
00:18:49,320 --> 00:18:51,920
Speaker 2: which not many of the artists are. But if you

461
00:18:52,400 --> 00:18:54,440
Speaker 2: present your album before it actually comes out with a

462
00:18:54,480 --> 00:18:58,159
Speaker 2: full show like a concert or like you know, something

463
00:18:58,280 --> 00:19:00,920
Speaker 2: like this and the music is I think it does

464
00:19:01,240 --> 00:19:04,600
Speaker 2: build a crazy anticipation for the album. This is only

465
00:19:05,000 --> 00:19:05,560
Speaker 2: built for.

466
00:19:07,200 --> 00:19:09,400
Speaker 1: And I'm taking away my original theory of like only

467
00:19:09,480 --> 00:19:11,280
Speaker 1: rich people could do this, because that's just a given.

468
00:19:12,000 --> 00:19:14,480
Speaker 1: But even if you did a smaller show, this is

469
00:19:14,560 --> 00:19:18,360
Speaker 1: only built for artists that I don't want to say,

470
00:19:18,400 --> 00:19:20,840
Speaker 1: don't give a fuck about fans opinions, but are making

471
00:19:20,920 --> 00:19:22,200
Speaker 1: the music that they want to make. I think a

472
00:19:22,200 --> 00:19:24,879
Speaker 1: lot of artists are way too insecure to make an album,

473
00:19:25,560 --> 00:19:29,320
Speaker 1: go present it for public and then get reactions and

474
00:19:29,440 --> 00:19:32,800
Speaker 1: then have the ability to change it before it goes out.

475
00:19:33,760 --> 00:19:37,320
Speaker 1: I think we would never get albums from ninety five percent.

476
00:19:37,080 --> 00:19:38,840
Speaker 2: Of well that's why I said it's a select few

477
00:19:38,880 --> 00:19:40,080
Speaker 2: that can get But I do like this.

478
00:19:40,280 --> 00:19:42,600
Speaker 1: This is built people that truly believe in their vision

479
00:19:42,640 --> 00:19:46,560
Speaker 1: and know that the public will like it because I'm

480
00:19:46,640 --> 00:19:48,159
Speaker 1: this is my ship. Yeah, I'm going to do it

481
00:19:48,280 --> 00:19:49,840
Speaker 1: my way and if I like it, great, if you

482
00:19:49,920 --> 00:19:53,000
Speaker 1: don't whatever. I can see so many artists trying to

483
00:19:53,040 --> 00:19:56,119
Speaker 1: do they shit and that SOB's crowd being like yo,

484
00:19:56,359 --> 00:19:58,359
Speaker 1: that ain't it, but like right to your face like yo,

485
00:19:58,560 --> 00:20:02,520
Speaker 1: nas ain't yeah, which may help a lot of artists

486
00:20:02,560 --> 00:20:05,160
Speaker 1: yah are too insecure as they should be Yeah.

487
00:20:05,160 --> 00:20:07,199
Speaker 2: I mean people are, especially like you said, artists are.

488
00:20:07,280 --> 00:20:10,320
Speaker 2: They're they're sensitive about their craft and and and their work.

489
00:20:10,359 --> 00:20:12,639
Speaker 2: I understand that, but I do like that. I do

490
00:20:12,840 --> 00:20:14,359
Speaker 2: like this though. I think it's a cool way to

491
00:20:14,440 --> 00:20:15,960
Speaker 2: kind of, you know, put your music out there and

492
00:20:16,119 --> 00:20:18,040
Speaker 2: let's let people know what's coming and what to expect

493
00:20:18,080 --> 00:20:20,560
Speaker 2: from you. Like I said, only a few artists are

494
00:20:20,840 --> 00:20:23,119
Speaker 2: you know, in a position where they can do this

495
00:20:23,240 --> 00:20:25,760
Speaker 2: type of thing. But again, man, you know, just give

496
00:20:25,800 --> 00:20:27,760
Speaker 2: me the music. Like I do like the fact if

497
00:20:27,840 --> 00:20:29,920
Speaker 2: him and Drake are actually having a stair off and

498
00:20:30,440 --> 00:20:32,560
Speaker 2: you know, playing chicken with each other, who's gonna drop?

499
00:20:32,680 --> 00:20:34,600
Speaker 2: And I like it, Like I like the fact that

500
00:20:34,800 --> 00:20:37,080
Speaker 2: Drake and Kanye may release the same day, Like why not?

501
00:20:37,840 --> 00:20:39,680
Speaker 2: It's a streaming that it doesn't matter anyway. It's not

502
00:20:39,680 --> 00:20:41,760
Speaker 2: like people have to physically go out and buy albums anymore.

503
00:20:42,160 --> 00:20:44,439
Speaker 2: The same place I'm going to be at buying Kanye

504
00:20:44,560 --> 00:20:46,360
Speaker 2: or streaming Kanye's album is more than likely the same

505
00:20:46,440 --> 00:20:48,840
Speaker 2: position I'm going to be in buying Drakes or streaming

506
00:20:48,880 --> 00:20:51,920
Speaker 2: Drake's album and be home on the couch, watch the TV,

507
00:20:52,080 --> 00:20:54,440
Speaker 2: pick up my phone, press download, like you know what,

508
00:20:54,440 --> 00:20:56,240
Speaker 2: I mean like it's not I don't have to run

509
00:20:56,320 --> 00:20:58,680
Speaker 2: out to the store and physically grab an album anymore. Yeah,

510
00:20:58,720 --> 00:21:01,879
Speaker 2: but it's different with the how streaming is. It's just

511
00:21:01,920 --> 00:21:03,679
Speaker 2: an ego I want the number one stream, but.

512
00:21:03,920 --> 00:21:06,119
Speaker 1: Also you're also gonna listen to it no matter what, right,

513
00:21:06,160 --> 00:21:09,919
Speaker 1: because it's right there. Yeah, how streaming works. You got

514
00:21:10,280 --> 00:21:12,760
Speaker 1: you gotta damn near play something ten times for your

515
00:21:12,760 --> 00:21:15,240
Speaker 1: stream to even count. You personally have to put some

516
00:21:15,280 --> 00:21:16,760
Speaker 1: ship damn near had ten times for that ship to

517
00:21:16,800 --> 00:21:19,040
Speaker 1: even count. So it's like, yeah, if I went to

518
00:21:19,119 --> 00:21:22,560
Speaker 1: the CD store and it was Drake's and Ya Donda

519
00:21:22,760 --> 00:21:24,880
Speaker 1: Certified lover Boy, I was like, I'm gonna buy both.

520
00:21:25,640 --> 00:21:29,840
Speaker 1: If I don't like Certified lover Boys still sounds, that's

521
00:21:29,920 --> 00:21:33,040
Speaker 1: that's that's scanned, still sound scan. If I listen to

522
00:21:33,080 --> 00:21:35,760
Speaker 1: Certified lover Boy once and you know like it, yeah,

523
00:21:36,119 --> 00:21:38,840
Speaker 1: probably not really gonna count like that. So there is

524
00:21:38,960 --> 00:21:41,879
Speaker 1: some competition later in rather than we're dropping on the

525
00:21:41,920 --> 00:21:44,040
Speaker 1: same day. Listen, who could run it up the same.

526
00:21:44,200 --> 00:21:45,960
Speaker 1: It's gonna matter on the music at the end of

527
00:21:45,960 --> 00:21:48,960
Speaker 1: the day, still gonna be the streaming farms soda.

528
00:21:49,160 --> 00:21:52,120
Speaker 2: Yeah, but these are two of the most established artists

529
00:21:52,119 --> 00:21:54,320
Speaker 2: in the world ever, Like the numbers that they're gonna

530
00:21:54,359 --> 00:21:58,000
Speaker 2: do on a solo release date, Like if Drake doesn't

531
00:21:58,040 --> 00:22:00,000
Speaker 2: drop the same to me, it's gonna be they're gonna

532
00:22:00,040 --> 00:22:00,720
Speaker 2: to do the same number.

533
00:22:00,800 --> 00:22:03,080
Speaker 1: And what a beautiful way to end that rift that

534
00:22:03,119 --> 00:22:04,680
Speaker 1: they had. Yeah, let's just put an album out on

535
00:22:04,680 --> 00:22:07,600
Speaker 1: the same day. But you know, the the Kanye fans

536
00:22:07,760 --> 00:22:09,280
Speaker 1: were definitely killing me because I saw there was that

537
00:22:09,400 --> 00:22:15,040
Speaker 1: report that Kanye's back catalog streamed like seven billion times

538
00:22:15,200 --> 00:22:16,439
Speaker 1: in anticipation for Donda.

539
00:22:16,720 --> 00:22:18,480
Speaker 2: Like I just showed you Kanye has fans. Was like,

540
00:22:18,520 --> 00:22:19,880
Speaker 2: I never said Kanye in that fans.

541
00:22:20,200 --> 00:22:22,639
Speaker 1: I just said, I think fucking when Drake is a

542
00:22:22,960 --> 00:22:25,920
Speaker 1: problem in the streaming era, which is a scientific fact

543
00:22:26,560 --> 00:22:27,480
Speaker 1: in my opinion.

544
00:22:27,359 --> 00:22:29,880
Speaker 2: Right, Drake is the most streamed artist of all time. Yeah,

545
00:22:29,880 --> 00:22:32,680
Speaker 2: it's a little tough, bad for saying that. We can't

546
00:22:32,800 --> 00:22:34,959
Speaker 2: argue that that's a fact. That's the numbers are there.

547
00:22:35,000 --> 00:22:35,760
Speaker 2: We understand that.

548
00:22:35,840 --> 00:22:37,399
Speaker 1: I just want to make sure people saying I'm not

549
00:22:37,480 --> 00:22:40,520
Speaker 1: backtracking because that rollout is still only made for rich people.

550
00:22:41,880 --> 00:22:44,520
Speaker 2: And I saw creative geniuses, but rich people, And I

551
00:22:44,600 --> 00:22:48,879
Speaker 2: saw Drake posted a notebook with LB I guess for

552
00:22:49,160 --> 00:22:51,880
Speaker 2: certified level boy on he was doodling. He was he's

553
00:22:51,920 --> 00:22:54,479
Speaker 2: catching it, yeah he was. Yeah, he was giving us

554
00:22:54,480 --> 00:22:56,520
Speaker 2: a little, a little hint like it's done. I guess

555
00:22:56,600 --> 00:22:57,480
Speaker 2: the album is on the way.

556
00:22:57,960 --> 00:23:00,400
Speaker 1: Well, lebron lebron Let us know though, I mean that's

557
00:23:01,080 --> 00:23:03,000
Speaker 1: once Broun tell you that that means just on the way,

558
00:23:03,359 --> 00:23:05,439
Speaker 1: or we may need a few more records of Bronze involved.

559
00:23:06,680 --> 00:23:08,800
Speaker 2: Either way, man, I'm waiting for the music, you know.

560
00:23:09,160 --> 00:23:12,040
Speaker 2: I think that we're going to have a great just

561
00:23:12,080 --> 00:23:14,560
Speaker 2: still a fourth quarter. We considered August September fourth quarter.

562
00:23:15,320 --> 00:23:17,160
Speaker 2: Still September fourth.

563
00:23:17,040 --> 00:23:20,399
Speaker 1: Quarter, right, No, third for sure? Really August is and

564
00:23:20,520 --> 00:23:25,679
Speaker 1: the second okay yeah, third fourth is in October, November

565
00:23:25,720 --> 00:23:29,760
Speaker 1: and December. Okay, yeah, no, we're still second, third, third area.

566
00:23:30,720 --> 00:23:32,840
Speaker 1: But more importantly, the album that did actually come out,

567
00:23:33,400 --> 00:23:36,119
Speaker 1: nas King Disease Too, which has not come off repeat

568
00:23:36,160 --> 00:23:37,199
Speaker 1: since Thursday at midnight.

569
00:23:37,400 --> 00:23:38,080
Speaker 2: Listen, man, I.

570
00:23:39,640 --> 00:23:41,840
Speaker 1: We left, we left that show and just kept that

571
00:23:42,000 --> 00:23:47,680
Speaker 1: album on repeat that Atlanta. Yeah, it's really really good.

572
00:23:49,320 --> 00:23:52,600
Speaker 1: It's starting out. I mean, Death Row East is the

573
00:23:52,600 --> 00:23:54,960
Speaker 1: second record. The pressure is great as an intro Death

574
00:23:55,040 --> 00:23:58,760
Speaker 1: Row East. I do appreciate artists of NAS's age and

575
00:23:59,440 --> 00:24:02,240
Speaker 1: amount of time in the game to tell certain stories

576
00:24:02,240 --> 00:24:04,119
Speaker 1: because I feel like with the Internet and the amount

577
00:24:04,160 --> 00:24:08,280
Speaker 1: of people that we give a microphone to, so many

578
00:24:08,400 --> 00:24:11,000
Speaker 1: stories can be told by people that was just like

579
00:24:11,280 --> 00:24:14,040
Speaker 1: kind of around and they can kind of get some

580
00:24:14,160 --> 00:24:17,520
Speaker 1: notoriety off it. And also it's interviewers that we know

581
00:24:17,720 --> 00:24:21,040
Speaker 1: have alternative motives in the types of interviews that they're doing.

582
00:24:21,720 --> 00:24:23,800
Speaker 1: So when Nas does this Death Row East record, kind

583
00:24:23,840 --> 00:24:25,959
Speaker 1: of explaining the real situation with pot because that's been

584
00:24:26,040 --> 00:24:29,720
Speaker 1: a circle around the Internet forever, certain shit with stretch, Like,

585
00:24:30,520 --> 00:24:35,280
Speaker 1: I like that era of artists really telling these stories

586
00:24:35,400 --> 00:24:37,560
Speaker 1: to just put a nail on the coughing on certain shit,

587
00:24:37,960 --> 00:24:40,760
Speaker 1: because it's just become a career for so many people

588
00:24:40,880 --> 00:24:43,120
Speaker 1: that have platforms that interview people, and so many people

589
00:24:43,160 --> 00:24:46,200
Speaker 1: that was just kind of around, Yeah, to tell the

590
00:24:46,320 --> 00:24:48,280
Speaker 1: story and now all of a sudden, it's truth.

591
00:24:48,520 --> 00:24:48,720
Speaker 3: Yeah.

592
00:24:48,720 --> 00:24:50,840
Speaker 2: I have you know, I have a lot of people

593
00:24:51,680 --> 00:24:54,880
Speaker 2: close to me family that were around during that era,

594
00:24:56,240 --> 00:24:58,119
Speaker 2: and you know, some of my mentors and people that

595
00:24:58,200 --> 00:25:00,600
Speaker 2: I speak to that were actually there. So I've heard

596
00:25:00,640 --> 00:25:03,880
Speaker 2: the I've heard the stories and you know, the real

597
00:25:03,960 --> 00:25:07,400
Speaker 2: stories around that whole Quad Studio Night and the whole

598
00:25:07,520 --> 00:25:12,159
Speaker 2: Park era in New York era for many years, a

599
00:25:12,200 --> 00:25:14,080
Speaker 2: lot of shit I would never speak on, you know

600
00:25:14,080 --> 00:25:16,359
Speaker 2: what I mean. But it's you know, it's unfortunate that

601
00:25:17,560 --> 00:25:20,680
Speaker 2: a lot of things surrounding that are false. It's a

602
00:25:20,760 --> 00:25:22,840
Speaker 2: lot of things surrounding that that I think if the

603
00:25:22,960 --> 00:25:26,360
Speaker 2: public knew it would change a lot of perspectives.

604
00:25:27,000 --> 00:25:27,320
Speaker 3: It would have.

605
00:25:27,640 --> 00:25:30,760
Speaker 2: It would actually help a lot of people, you know,

606
00:25:31,400 --> 00:25:36,240
Speaker 2: understand exactly how delicate and how sensitive that situation was.

607
00:25:36,960 --> 00:25:39,119
Speaker 2: And it's unfortunate because you understand too, when you know

608
00:25:39,160 --> 00:25:42,760
Speaker 2: the real stories, how just simple conversations could have avoided

609
00:25:43,000 --> 00:25:44,840
Speaker 2: a lot of that shit. Yeah, you know what I mean.

610
00:25:44,880 --> 00:25:46,720
Speaker 2: It's like, it's a lot of situations where it's like,

611
00:25:46,800 --> 00:25:48,800
Speaker 2: if this person would have just reached out to this

612
00:25:48,920 --> 00:25:51,000
Speaker 2: person and had a conversation, that shit wouldn't even went

613
00:25:51,040 --> 00:25:53,960
Speaker 2: that far. And you know, so hearing Nas talk about

614
00:25:54,000 --> 00:25:56,040
Speaker 2: it in the way he talked about it on the album,

615
00:25:56,880 --> 00:25:59,480
Speaker 2: it was dope. I like the fact that you know,

616
00:25:59,520 --> 00:26:01,399
Speaker 2: he put that up there. I've heard him speak on that,

617
00:26:01,480 --> 00:26:02,399
Speaker 2: I think before.

618
00:26:02,680 --> 00:26:05,919
Speaker 1: He's brought it up briefly and things, but I think

619
00:26:05,960 --> 00:26:08,200
Speaker 1: he finally gave the full story. I never knew that

620
00:26:09,359 --> 00:26:11,280
Speaker 1: when he went out to Vegas to shoot the Street Dreams,

621
00:26:11,320 --> 00:26:13,800
Speaker 1: but it was one of my favorite videos off the

622
00:26:13,880 --> 00:26:16,399
Speaker 1: casino shit that he was also going out there to

623
00:26:16,880 --> 00:26:19,240
Speaker 1: talk with Pac about that. We've all heard the central

624
00:26:19,280 --> 00:26:24,080
Speaker 1: part some degree, but that I never knew that part,

625
00:26:24,200 --> 00:26:26,880
Speaker 1: and it's kind of just shows you, like, we think

626
00:26:26,960 --> 00:26:28,720
Speaker 1: we have enough time to squash it with people.

627
00:26:28,880 --> 00:26:32,560
Speaker 2: Yeah, you just never know that shit could happen right away.

628
00:26:32,720 --> 00:26:35,040
Speaker 1: Yeah, And I love that he said that stretch part,

629
00:26:35,320 --> 00:26:37,479
Speaker 1: like you got to think people run around doing these

630
00:26:37,520 --> 00:26:40,800
Speaker 1: interviews and shit, Like you got to know people still

631
00:26:40,840 --> 00:26:44,320
Speaker 1: have families like absolutely that probably still are close with

632
00:26:44,480 --> 00:26:46,639
Speaker 1: Pak's family. It's like you run around talking that like

633
00:26:47,119 --> 00:26:51,040
Speaker 1: my family members said someone up he loved come on, Yeah,

634
00:26:51,280 --> 00:26:53,960
Speaker 1: it's irresponsible in his corny So I think it's great

635
00:26:54,119 --> 00:26:57,720
Speaker 1: that this generation is starting to tell those real stories

636
00:26:57,760 --> 00:27:00,600
Speaker 1: that was actually there, Yeah, rather than have people run

637
00:27:00,640 --> 00:27:04,960
Speaker 1: around doing interviews from people that obviously have motives when

638
00:27:05,000 --> 00:27:06,119
Speaker 1: they a.

639
00:27:06,119 --> 00:27:08,040
Speaker 2: Lot of people like to keep bullshit going and all

640
00:27:08,040 --> 00:27:10,240
Speaker 2: of that. But exactly, I do like the fact that,

641
00:27:10,440 --> 00:27:12,480
Speaker 2: like you said, Nas put that out there, and you know,

642
00:27:13,480 --> 00:27:16,040
Speaker 2: I hope that more and more, you know, of the

643
00:27:16,160 --> 00:27:18,640
Speaker 2: truth and true stories around that time and that era

644
00:27:18,760 --> 00:27:21,359
Speaker 2: of hip hop start to come out surrounding some of

645
00:27:21,400 --> 00:27:24,640
Speaker 2: our artists that we lost and you know what really happened. Yeah,

646
00:27:24,760 --> 00:27:28,000
Speaker 2: in those situations. I love the fact that Na's addressed

647
00:27:28,040 --> 00:27:31,800
Speaker 2: reaching back to the younger generation of artists. How he

648
00:27:31,920 --> 00:27:33,560
Speaker 2: was against that at for a while and was like,

649
00:27:33,600 --> 00:27:35,040
Speaker 2: you know what, I got to accept my role in

650
00:27:35,080 --> 00:27:37,320
Speaker 2: my position now as new leaders.

651
00:27:37,400 --> 00:27:40,119
Speaker 1: Now I forgot the exact boy, but something I was

652
00:27:40,280 --> 00:27:41,720
Speaker 1: I was against doing this just now I got to

653
00:27:41,760 --> 00:27:42,199
Speaker 1: understand this.

654
00:27:42,240 --> 00:27:44,840
Speaker 2: New leader exactly exactly. So I love the fact that

655
00:27:44,920 --> 00:27:49,080
Speaker 2: he's doing that. Imagine Nas on a what beat did

656
00:27:49,119 --> 00:27:51,240
Speaker 2: he say on a drill beat or track something like that?

657
00:27:51,359 --> 00:27:53,560
Speaker 2: And then he said UZZI on a pre mobile period. Yeah,

658
00:27:53,640 --> 00:27:55,520
Speaker 2: it's like, you know, it's kind of it's just showing

659
00:27:55,600 --> 00:27:57,680
Speaker 2: that why can't we do that? Like why does it

660
00:27:57,800 --> 00:28:01,159
Speaker 2: have to be a separation in the era generation of artists,

661
00:28:01,280 --> 00:28:03,240
Speaker 2: Like you know what I mean? So I like, I

662
00:28:03,359 --> 00:28:06,280
Speaker 2: like what the message he presented on this album, especially

663
00:28:06,280 --> 00:28:10,320
Speaker 2: in New York City. Yeah, yeah, the production is a one.

664
00:28:12,240 --> 00:28:14,000
Speaker 2: You know, him and Hit Boys seem to have found

665
00:28:14,119 --> 00:28:17,320
Speaker 2: a really really amazing pocket and groove with each other.

666
00:28:17,760 --> 00:28:20,880
Speaker 1: Yeah, this this one felt again felt just as a fan,

667
00:28:21,320 --> 00:28:25,480
Speaker 1: felt easier for them to make, Like I'm sure with

668
00:28:25,640 --> 00:28:29,000
Speaker 1: every album they all overthink things, so I don't want

669
00:28:29,040 --> 00:28:31,000
Speaker 1: to insult them in that way. I know they overthought

670
00:28:31,040 --> 00:28:33,919
Speaker 1: this in that capacity, but it also feels like they

671
00:28:34,040 --> 00:28:36,119
Speaker 1: kind of just let ship fly, like all right, this

672
00:28:36,200 --> 00:28:39,120
Speaker 1: is a great beat you rap right right, no overthinking

673
00:28:39,200 --> 00:28:41,080
Speaker 1: on this one. We'll switch a beat here and there,

674
00:28:41,160 --> 00:28:44,080
Speaker 1: but if you find a pocket on this, let's just

675
00:28:44,200 --> 00:28:45,960
Speaker 1: keep it. Yeah, let's not overthink this.

676
00:28:46,240 --> 00:28:48,680
Speaker 2: And again, you know, it's coming off with the success

677
00:28:48,760 --> 00:28:50,840
Speaker 2: of King's Disease, When then, you know, Grammy for Rap

678
00:28:50,920 --> 00:28:53,480
Speaker 2: Album of a Year, it's kind of like now they

679
00:28:53,600 --> 00:28:56,280
Speaker 2: understand and they see like, okay, people are receiving this,

680
00:28:56,400 --> 00:28:59,160
Speaker 2: and then you know again. I attribute a lot of

681
00:29:00,080 --> 00:29:03,920
Speaker 2: you know, the new found love for lyricism to the

682
00:29:04,000 --> 00:29:06,440
Speaker 2: success of what people like Griselda were able to do

683
00:29:07,080 --> 00:29:09,520
Speaker 2: as far as your straight raw lyrics rapping like that

684
00:29:09,600 --> 00:29:12,080
Speaker 2: seems to be appreciate it more now instead of just

685
00:29:12,120 --> 00:29:16,719
Speaker 2: hooks and beats. So artists like nas like he alluded

686
00:29:16,760 --> 00:29:18,680
Speaker 2: to I'm a legacy act or they say I'm a

687
00:29:18,760 --> 00:29:21,400
Speaker 2: legacy act like this is what stay and do what

688
00:29:21,520 --> 00:29:23,480
Speaker 2: you do. You don't have to go too crazy. You

689
00:29:23,520 --> 00:29:27,040
Speaker 2: don't have to you know, experiment too much. Sometimes try it,

690
00:29:27,200 --> 00:29:28,840
Speaker 2: but you know, for the most part, just be who

691
00:29:28,840 --> 00:29:31,520
Speaker 2: you've always been. Just be one of the greatest lyricists.

692
00:29:31,920 --> 00:29:32,880
Speaker 2: Deliver a message.

693
00:29:33,280 --> 00:29:35,440
Speaker 1: Yeah, and give it to the people you still get,

694
00:29:35,560 --> 00:29:37,880
Speaker 1: like on Kings Disease one with five O and Ferg

695
00:29:37,960 --> 00:29:38,760
Speaker 1: the Spicy record.

696
00:29:38,880 --> 00:29:41,560
Speaker 2: Yeah, when I saw that on paper, I was like, yeah,

697
00:29:43,680 --> 00:29:46,400
Speaker 2: we love this. This makes sense absolutely absolutely, And like

698
00:29:46,480 --> 00:29:49,480
Speaker 2: I said, you have to what he said about working

699
00:29:49,560 --> 00:29:52,160
Speaker 2: with the younger artists and being a you know, a

700
00:29:52,320 --> 00:29:54,280
Speaker 2: role model and being a guy that reaches back to

701
00:29:54,360 --> 00:29:55,760
Speaker 2: them and helps them and all of that type of

702
00:29:56,120 --> 00:29:57,760
Speaker 2: that's what you need in hip hop, Like we gotta

703
00:29:57,800 --> 00:30:00,360
Speaker 2: be we got to stop being so divide and then

704
00:30:00,440 --> 00:30:02,320
Speaker 2: you know feel like, oh, you know these young dudes

705
00:30:02,520 --> 00:30:05,280
Speaker 2: that as an older dude, it's your job to reach back.

706
00:30:05,320 --> 00:30:08,040
Speaker 2: It's it's your job to god and help with their generation.

707
00:30:08,120 --> 00:30:10,040
Speaker 2: Because at one point, like I said, I remember when

708
00:30:10,960 --> 00:30:13,240
Speaker 2: quote unquote gangster rap, like my mother didn't want me

709
00:30:13,320 --> 00:30:15,080
Speaker 2: listening to snoop. Yeah, you know what I mean. I

710
00:30:15,160 --> 00:30:17,160
Speaker 2: had to sneak and listen to doggy style. You know

711
00:30:17,200 --> 00:30:19,000
Speaker 2: what I'm saying that now you look at who Snoop

712
00:30:19,120 --> 00:30:21,280
Speaker 2: is today, you look at who Doctor Dre is today,

713
00:30:21,400 --> 00:30:24,200
Speaker 2: like physically different. Yeah, it's like, you know, people, you're

714
00:30:24,200 --> 00:30:26,080
Speaker 2: gonna be young, you're gonna learn, you're gonna make mistakes,

715
00:30:26,120 --> 00:30:28,160
Speaker 2: but you're gonna grow. And so it's important to give

716
00:30:28,200 --> 00:30:30,640
Speaker 2: these younger artists and this younger generation to just be

717
00:30:30,760 --> 00:30:32,000
Speaker 2: there for them in God and but let them be

718
00:30:32,080 --> 00:30:34,000
Speaker 2: who they are, let them have their experiences, let them

719
00:30:34,120 --> 00:30:37,000
Speaker 2: have their ups and downs. But don't you know, separate

720
00:30:37,040 --> 00:30:39,040
Speaker 2: yourself and say, oh, these young dudes, they don't know

721
00:30:39,080 --> 00:30:41,040
Speaker 2: what they're doing. They're crazy. They don't listen to nobody. No,

722
00:30:41,120 --> 00:30:43,720
Speaker 2: it's just because there's a divisive energy and they feel

723
00:30:43,800 --> 00:30:45,800
Speaker 2: like they can't talk to a nod so they can't

724
00:30:45,840 --> 00:30:47,840
Speaker 2: talk to a jay or they can't talk. It's like

725
00:30:48,160 --> 00:30:49,440
Speaker 2: they don't fuck with me, you know what I'm saying.

726
00:30:49,520 --> 00:30:51,400
Speaker 2: It's like if we get rid of that. Yeah, like

727
00:30:51,440 --> 00:30:53,080
Speaker 2: if we get rid of that and say, nah, like

728
00:30:53,840 --> 00:30:55,200
Speaker 2: talk to me, hit me if you want some guy

729
00:30:55,280 --> 00:30:56,840
Speaker 2: that you want some help, you know, if any way

730
00:30:56,880 --> 00:30:59,160
Speaker 2: I can help, I'll do that. We gotta start being

731
00:30:59,200 --> 00:31:01,080
Speaker 2: more together in the culture because that's what hip hop

732
00:31:01,200 --> 00:31:02,120
Speaker 2: is in the first place.

733
00:31:02,000 --> 00:31:04,120
Speaker 1: And tell you exactly where I fucked up and where

734
00:31:04,760 --> 00:31:05,520
Speaker 1: specially in the business.

735
00:31:05,560 --> 00:31:06,160
Speaker 2: Don't want to do that.

736
00:31:06,400 --> 00:31:10,080
Speaker 1: Yeah, do this like Looking at nine through eleven features

737
00:31:10,240 --> 00:31:15,000
Speaker 1: Lauren Hill, Charlie Wilson, and then blast right. That's amazing. Yeah, Yeah,

738
00:31:15,040 --> 00:31:17,680
Speaker 1: that's fucking perfect to me. Yeah, great album, man, I

739
00:31:18,240 --> 00:31:20,680
Speaker 1: love it. A few of the homies are saying it's

740
00:31:20,720 --> 00:31:22,000
Speaker 1: better than King's Disease one.

741
00:31:23,160 --> 00:31:23,920
Speaker 2: I don't know yet.

742
00:31:24,000 --> 00:31:26,560
Speaker 1: I love King Disease. I think this one, yeah, and

743
00:31:26,600 --> 00:31:27,960
Speaker 1: I'm kind of running out the gate with it. But

744
00:31:28,040 --> 00:31:30,600
Speaker 1: that's just I've had this ship on repeat. What do

745
00:31:30,640 --> 00:31:33,920
Speaker 1: you think of Laurence versus she killed it? She addressed

746
00:31:33,960 --> 00:31:35,440
Speaker 1: being laid and all of this other you know what

747
00:31:35,440 --> 00:31:37,680
Speaker 1: I mean. It's like she it lets you know, like

748
00:31:37,920 --> 00:31:40,200
Speaker 1: I hear everything they say about me, you know what

749
00:31:40,240 --> 00:31:42,120
Speaker 1: I mean? I know, but this is what I'm this

750
00:31:42,240 --> 00:31:44,360
Speaker 1: is what I've been doing. Her excuse for being late

751
00:31:44,480 --> 00:31:46,560
Speaker 1: was great. By the way, I'm saving souls.

752
00:31:47,440 --> 00:31:53,160
Speaker 2: She's right, but still though, but she's saving souls. Fam

753
00:31:53,760 --> 00:31:56,120
Speaker 2: you're going to argue with somebody, you know, I'm saving

754
00:31:56,160 --> 00:32:00,800
Speaker 2: souls outside, But how you argue with that I saving souls.

755
00:32:00,920 --> 00:32:04,200
Speaker 2: That's how that's why I was late. You're right, listen good.

756
00:32:04,280 --> 00:32:06,640
Speaker 1: If I have a back end deposit and you're telling

757
00:32:06,680 --> 00:32:10,000
Speaker 1: me you saving souls, I might keep my you said

758
00:32:10,000 --> 00:32:11,200
Speaker 1: you're keeping that back in hell.

759
00:32:11,280 --> 00:32:11,480
Speaker 3: Yeah.

760
00:32:11,600 --> 00:32:15,600
Speaker 1: Yeah, but that man, this ship was This ship was unbelievable.

761
00:32:15,760 --> 00:32:15,960
Speaker 3: Yeah.

762
00:32:16,320 --> 00:32:18,959
Speaker 2: Like I'm gonna sound like a dick Riders because I'm

763
00:32:19,000 --> 00:32:19,640
Speaker 2: Lawrence stand But.

764
00:32:22,040 --> 00:32:23,960
Speaker 1: The fact that you could and I'm not saying she's

765
00:32:24,200 --> 00:32:26,840
Speaker 1: disappeared from music, because I'm sure she makes music all

766
00:32:26,880 --> 00:32:29,800
Speaker 1: the time and just doesn't put it out. But when

767
00:32:29,840 --> 00:32:33,840
Speaker 1: you in shape like this right, rapping real quick, that's

768
00:32:33,920 --> 00:32:34,560
Speaker 1: a little different.

769
00:32:35,560 --> 00:32:35,760
Speaker 3: Yeah.

770
00:32:35,800 --> 00:32:39,920
Speaker 1: But like every last bar said something like there was

771
00:32:40,000 --> 00:32:41,640
Speaker 1: no fillers to get to the next bar.

772
00:32:41,880 --> 00:32:42,080
Speaker 3: Yeh.

773
00:32:42,520 --> 00:32:45,520
Speaker 2: From the beginning to the end, every last bar connected

774
00:32:45,640 --> 00:32:49,040
Speaker 2: with the end of the song. Yeah, And I like

775
00:32:49,160 --> 00:32:51,800
Speaker 2: I like what Nah said. Uh you know, me and

776
00:32:51,880 --> 00:32:54,440
Speaker 2: Miss Hill we're not going nowhere, Like I like that.

777
00:32:54,520 --> 00:32:56,720
Speaker 2: It's like, yo, we're not We're still here, but we're

778
00:32:56,760 --> 00:32:58,800
Speaker 2: on our time. We're gonna do it when we want

779
00:32:58,840 --> 00:33:00,240
Speaker 2: to do it. We're gonna create when we want to create.

780
00:33:00,280 --> 00:33:02,120
Speaker 2: We're gonna drop when we want to drop. And that's

781
00:33:02,120 --> 00:33:03,280
Speaker 2: the way it should be. You know what I mean,

782
00:33:03,320 --> 00:33:04,080
Speaker 2: that's the way it should be.

783
00:33:04,440 --> 00:33:07,480
Speaker 1: I just I love as simple as that line was,

784
00:33:08,880 --> 00:33:10,720
Speaker 1: I thought, I told you that I get out because

785
00:33:10,720 --> 00:33:12,200
Speaker 1: I get out. It's one of my favorite Laura Hill songs.

786
00:33:12,480 --> 00:33:17,440
Speaker 1: Right love that record unplugged, how we are not listening?

787
00:33:17,600 --> 00:33:20,240
Speaker 1: And it made me start to think of like artists

788
00:33:20,280 --> 00:33:22,280
Speaker 1: that I love to death, that I've expected too much

789
00:33:22,320 --> 00:33:25,080
Speaker 1: from and like I should be their priority because I'm

790
00:33:25,080 --> 00:33:28,760
Speaker 1: a fan and want music like you told me, right,

791
00:33:29,040 --> 00:33:30,480
Speaker 1: I get out, like I get out of your box.

792
00:33:30,560 --> 00:33:32,920
Speaker 2: I don't want to be here, right type of fan

793
00:33:33,000 --> 00:33:37,040
Speaker 2: of you. I tried to tell you it's right there

794
00:33:37,080 --> 00:33:39,800
Speaker 2: in the music. Yeah, I love I love this album. Man,

795
00:33:39,840 --> 00:33:41,120
Speaker 2: I love it. I don't know if I'm on I

796
00:33:41,160 --> 00:33:42,880
Speaker 2: don't know if I'm ready to say it's better than

797
00:33:42,960 --> 00:33:47,640
Speaker 2: king Disease, King's Disease, but yeah, it's This is a

798
00:33:47,920 --> 00:33:50,440
Speaker 2: very very good follow up for it.

799
00:33:50,560 --> 00:33:52,640
Speaker 1: Was nice to know that that NAS is still in

800
00:33:52,720 --> 00:33:58,200
Speaker 1: these bitiou dms. I mean, listen, man, I gotta stop

801
00:33:58,280 --> 00:34:00,160
Speaker 1: using that word. It's nice to know that now is

802
00:34:00,200 --> 00:34:02,320
Speaker 1: still in these women's dms and still going I shouldn't

803
00:34:02,360 --> 00:34:03,640
Speaker 1: be in here but still stays.

804
00:34:04,200 --> 00:34:05,840
Speaker 2: But you know what's really funny. The line that all

805
00:34:05,880 --> 00:34:08,560
Speaker 2: women seem to hang on the album is check your zel.

806
00:34:08,600 --> 00:34:11,560
Speaker 2: It's a blessing in it. They missed, they missed all

807
00:34:11,600 --> 00:34:16,160
Speaker 2: the science before it because I'm grooving. I'm like, yeah, Nas,

808
00:34:16,200 --> 00:34:18,480
Speaker 2: talk that talk, and then it got to you know,

809
00:34:18,640 --> 00:34:21,279
Speaker 2: check your zel, there's a blessing in it. I'm like, Nas,

810
00:34:21,280 --> 00:34:23,120
Speaker 2: you're about to put us behind the eight ball because

811
00:34:23,160 --> 00:34:24,839
Speaker 2: now every year, all these chicks gonna want a blessing.

812
00:34:24,840 --> 00:34:26,120
Speaker 2: They're gonna want to wake up to a blessing in

813
00:34:26,160 --> 00:34:26,880
Speaker 2: the exzel account.

814
00:34:26,920 --> 00:34:28,399
Speaker 1: And it's crazy because you need like a real bank

815
00:34:28,400 --> 00:34:30,000
Speaker 1: account for zelling all the chicks.

816
00:34:30,040 --> 00:34:34,920
Speaker 2: I thought they don't have one. That's a joke. It's

817
00:34:34,960 --> 00:34:38,239
Speaker 2: a joke. It's a joke. Oh man, that's great. But no,

818
00:34:38,360 --> 00:34:41,720
Speaker 2: it's a great, great album. Man, King's disease to streaming.

819
00:34:41,800 --> 00:34:43,880
Speaker 2: If you haven't heard it, I don't know what you've

820
00:34:43,920 --> 00:34:45,720
Speaker 2: been listening to. If you're not listening to this album.

821
00:34:45,760 --> 00:34:47,880
Speaker 2: But great album. Shout out the hit Boy, shout out

822
00:34:47,920 --> 00:34:50,320
Speaker 2: the Nas. He shout out to all the artists that album.

823
00:34:50,360 --> 00:34:51,920
Speaker 2: Tiga and Shorty said, Now I want to stay a

824
00:34:51,960 --> 00:34:55,440
Speaker 2: few more days. Can you blame it though? I got

825
00:34:55,480 --> 00:34:57,719
Speaker 2: ship to do. That's true.

826
00:34:58,200 --> 00:35:01,200
Speaker 1: That is true, Nas. Now he's got to mess with

827
00:35:01,280 --> 00:35:03,239
Speaker 1: women that have like a lot to lose. That's just

828
00:35:03,320 --> 00:35:07,719
Speaker 1: how I feel. I think we all should though. Yeah,

829
00:35:07,760 --> 00:35:11,439
Speaker 1: but him a little bit more than me. Well, yes,

830
00:35:11,560 --> 00:35:12,120
Speaker 1: he's Nas.

831
00:35:13,840 --> 00:35:16,960
Speaker 2: It's just slides, just a slight. He got a slight

832
00:35:17,040 --> 00:35:18,560
Speaker 2: add on you. Now I've got a slight add join you.

833
00:35:19,400 --> 00:35:22,480
Speaker 1: Yeah, but we're with it Off Noads. I'm sorry, I

834
00:35:22,560 --> 00:35:24,200
Speaker 1: just loved I love this album so much, and I'm

835
00:35:24,840 --> 00:35:28,680
Speaker 1: I'm obsessed with nads. People be too cool these days

836
00:35:29,120 --> 00:35:32,120
Speaker 1: and don't act like fans or act like you know,

837
00:35:32,160 --> 00:35:34,320
Speaker 1: you can't even say the word big bro anymore, or

838
00:35:34,480 --> 00:35:37,399
Speaker 1: like m hm, you know you're less of a man.

839
00:35:38,520 --> 00:35:40,080
Speaker 1: I can tell this story now that the album is out.

840
00:35:40,840 --> 00:35:43,400
Speaker 1: I was I was in La working on something and

841
00:35:43,640 --> 00:35:45,760
Speaker 1: it was in the same studio spaces where hip Boy.

842
00:35:45,840 --> 00:35:48,480
Speaker 2: Was and great studio about it. I love that beautiful studio.

843
00:35:49,400 --> 00:35:51,759
Speaker 1: And I texted him. I was just like, Yo, I'm

844
00:35:51,760 --> 00:35:53,400
Speaker 1: about to head out of the session. I'm in the

845
00:35:53,480 --> 00:35:56,600
Speaker 1: same little area you are. If you're in the studio,

846
00:35:56,719 --> 00:35:58,000
Speaker 1: say what up before I leave. He was like, Hey,

847
00:35:58,080 --> 00:36:02,799
Speaker 1: that come through so down and I was immediately met

848
00:36:02,880 --> 00:36:06,799
Speaker 1: with like a woman that looked like she could fight.

849
00:36:07,880 --> 00:36:09,799
Speaker 2: Okay, she was like, where the fucks you think you're going.

850
00:36:10,239 --> 00:36:13,280
Speaker 1: I was like, I'm going down to Hip Boy's studio,

851
00:36:13,600 --> 00:36:15,640
Speaker 1: like four doors down from where I was, and she

852
00:36:15,760 --> 00:36:16,480
Speaker 1: was like, he know you're coming.

853
00:36:16,560 --> 00:36:20,279
Speaker 2: I was like yeah. So she went away and came

854
00:36:20,320 --> 00:36:21,600
Speaker 2: back and was like, all you good. I was like,

855
00:36:21,680 --> 00:36:22,520
Speaker 2: that was fucking weird.

856
00:36:22,840 --> 00:36:26,439
Speaker 1: Studio space is usually a really cool, free run around

857
00:36:26,520 --> 00:36:30,160
Speaker 1: type of shit. I opened that fucking door. It's just

858
00:36:30,239 --> 00:36:34,440
Speaker 1: hit boy and NAS and I know people like I know,

859
00:36:35,000 --> 00:36:36,200
Speaker 1: I'm a fan at the end of the day. The

860
00:36:36,280 --> 00:36:39,000
Speaker 1: reason I got into the music business at nineteen or

861
00:36:39,040 --> 00:36:41,680
Speaker 1: even continue to really want to do podcasts and so

862
00:36:41,719 --> 00:36:45,200
Speaker 1: I could talk about music like I'm a fan. That

863
00:36:45,280 --> 00:36:46,880
Speaker 1: shit was crazy to me. I know people are too

864
00:36:46,920 --> 00:36:48,120
Speaker 1: cool to see if they see they hear.

865
00:36:48,080 --> 00:36:49,680
Speaker 2: Us walking in and she and Ias are not expressed

866
00:36:50,800 --> 00:36:52,640
Speaker 2: like that shit was nuts to me.

867
00:36:53,440 --> 00:36:55,200
Speaker 1: Granted I just shut the fuck up and sat in

868
00:36:55,239 --> 00:36:58,360
Speaker 1: the corner, but because I know how to move in

869
00:36:58,880 --> 00:37:01,439
Speaker 1: rooms like that was kind of coral. I just wish

870
00:37:01,520 --> 00:37:05,200
Speaker 1: people would feel more comfortable, like not fanbointing out like

871
00:37:06,200 --> 00:37:08,400
Speaker 1: in a setting, like know how to move in it,

872
00:37:09,040 --> 00:37:10,719
Speaker 1: but be okay to admit like, you know, that was

873
00:37:10,800 --> 00:37:13,319
Speaker 1: kind of that was nuts, Like that was nuts to me, right,

874
00:37:13,680 --> 00:37:17,000
Speaker 1: Like this seems on my wall as a child, And

875
00:37:17,040 --> 00:37:20,160
Speaker 1: then I just walk in a studio and it's just him.

876
00:37:20,400 --> 00:37:22,480
Speaker 2: And you know, and not especially when you're not expecting

877
00:37:22,560 --> 00:37:25,640
Speaker 2: to just walk. Yeah, that's that's you know again, we

878
00:37:26,320 --> 00:37:29,920
Speaker 2: now with social media and you know, us feeling like

879
00:37:30,000 --> 00:37:32,160
Speaker 2: we have to be a part of these people's daily

880
00:37:32,280 --> 00:37:34,120
Speaker 2: lives and know what they're doing and stuff like that.

881
00:37:34,800 --> 00:37:36,839
Speaker 2: You know, a lot of people see people that they

882
00:37:36,920 --> 00:37:38,879
Speaker 2: love what they follow and they grew up watching now

883
00:37:39,000 --> 00:37:42,399
Speaker 2: and it's hard not to have a fan out moment. Yes,

884
00:37:43,280 --> 00:37:44,640
Speaker 2: I just don't take this ship for granted.

885
00:37:44,719 --> 00:37:46,960
Speaker 1: I guess that's all I'm saying because I feel like

886
00:37:47,160 --> 00:37:49,840
Speaker 1: I feel like the mentality we have to have in

887
00:37:50,080 --> 00:37:53,200
Speaker 1: this put everything in your face ship is we have

888
00:37:53,320 --> 00:37:56,759
Speaker 1: to act cool like everything is normal, like na, fact,

889
00:37:57,040 --> 00:37:57,960
Speaker 1: that was amazing.

890
00:37:58,239 --> 00:37:59,480
Speaker 2: I don't take this ship for granted.

891
00:37:59,640 --> 00:38:01,759
Speaker 1: I don't think that's regular that I would understanding it

892
00:38:01,880 --> 00:38:05,080
Speaker 1: was that and granted, did anything happen, did nothing but

893
00:38:05,280 --> 00:38:06,919
Speaker 1: a few conversations happened in that ship.

894
00:38:07,160 --> 00:38:08,400
Speaker 2: Did it ain't work? Get done? No?

895
00:38:08,719 --> 00:38:10,680
Speaker 1: But was that I don't take that ship for granted

896
00:38:10,719 --> 00:38:13,680
Speaker 1: that I was able to be in that position, Like

897
00:38:13,840 --> 00:38:16,279
Speaker 1: that ship is amazing to me. Well, I'm happy, not

898
00:38:16,360 --> 00:38:18,959
Speaker 1: just I think people be acting too fucking cool sometimes.

899
00:38:18,719 --> 00:38:20,919
Speaker 2: You know, I'm happy. I'm happy that you had that. Yeah,

900
00:38:22,120 --> 00:38:23,719
Speaker 2: I mean it wasn't it wasn't much of a moment.

901
00:38:23,960 --> 00:38:27,719
Speaker 2: I was just fucking It wasn't much of a moment.

902
00:38:29,600 --> 00:38:30,960
Speaker 2: We spent some time in there, but.

903
00:38:32,440 --> 00:38:32,920
Speaker 3: But that was it.

904
00:38:33,080 --> 00:38:35,759
Speaker 2: Like it was like they was playing music, Like I

905
00:38:35,840 --> 00:38:37,960
Speaker 2: got to hear the Lauren verse that that was really

906
00:38:38,040 --> 00:38:40,040
Speaker 2: cool and threw me off because like you know, a

907
00:38:40,080 --> 00:38:42,239
Speaker 2: lot of people start, yo, I'm about to play this

908
00:38:42,400 --> 00:38:44,840
Speaker 2: and it's featuring this, like they give you the whole rundown,

909
00:38:45,400 --> 00:38:47,640
Speaker 2: just playing ship, and like when you just hear Lauren's verse,

910
00:38:48,120 --> 00:38:50,960
Speaker 2: her just her voice, it was what the like when

911
00:38:50,960 --> 00:38:51,719
Speaker 2: am I evering? Now?

912
00:38:51,760 --> 00:38:52,160
Speaker 3: Like? Wow?

913
00:38:52,200 --> 00:38:54,560
Speaker 2: How am I this position? Like people just not act

914
00:38:54,600 --> 00:38:55,640
Speaker 2: so fucking cool? Sometimes?

915
00:38:55,719 --> 00:38:55,799
Speaker 3: Man?

916
00:38:55,880 --> 00:38:58,120
Speaker 1: Sometimes it's locate to to to like really feel like

917
00:38:59,520 --> 00:39:01,440
Speaker 1: this is a less like this. I don't take this

918
00:39:01,520 --> 00:39:04,400
Speaker 1: ship for granted at all. I'm really happy to be

919
00:39:04,480 --> 00:39:05,719
Speaker 1: in this said I.

920
00:39:05,719 --> 00:39:08,200
Speaker 2: Could do this. I struggled. I struggled with that a lot,

921
00:39:08,760 --> 00:39:10,880
Speaker 2: Like you know what, people say, I'm too cool, I

922
00:39:10,960 --> 00:39:12,759
Speaker 2: act too cool, but I really am. This is just

923
00:39:12,960 --> 00:39:16,399
Speaker 2: the way I am. But I do understand that it's

924
00:39:16,440 --> 00:39:19,120
Speaker 2: a lot of positions that I'm in and places that

925
00:39:19,239 --> 00:39:20,560
Speaker 2: I'm privy.

926
00:39:20,280 --> 00:39:20,680
Speaker 3: To be in.

927
00:39:21,360 --> 00:39:24,680
Speaker 2: And I look back like maybe I took that for granted,

928
00:39:25,120 --> 00:39:28,040
Speaker 2: that's not normal, that that's not supposed to happen, you

929
00:39:28,080 --> 00:39:30,520
Speaker 2: know what I mean. But it's just again, man, you

930
00:39:30,760 --> 00:39:34,560
Speaker 2: just I look at everybody like, you know, we're all human.

931
00:39:35,560 --> 00:39:38,000
Speaker 2: He just has a talent that you know, most don't have.

932
00:39:38,080 --> 00:39:39,800
Speaker 2: But she has a talent that most don't have. And

933
00:39:40,520 --> 00:39:42,279
Speaker 2: that's the difference. But I don't you know, but you

934
00:39:42,360 --> 00:39:45,480
Speaker 2: can admire that though, Oh yeah, no, absolutely I admire it.

935
00:39:45,640 --> 00:39:48,840
Speaker 2: I give flowers. You know, I've always been that person

936
00:39:48,960 --> 00:39:51,479
Speaker 2: like you know, huge fan, love what you do. I don't.

937
00:39:51,760 --> 00:39:53,759
Speaker 2: But past that, you know, picture this.

938
00:39:53,840 --> 00:39:54,000
Speaker 3: That and.

939
00:39:55,840 --> 00:39:56,680
Speaker 2: Of course not any of that.

940
00:39:56,840 --> 00:39:58,480
Speaker 1: That's that's why I said I could finally because this

941
00:39:58,560 --> 00:40:01,319
Speaker 1: story this happened, like yeah, I remember, like larench Year

942
00:40:01,400 --> 00:40:04,480
Speaker 1: some shit. So no, it's not that because I do

943
00:40:04,560 --> 00:40:06,120
Speaker 1: feel that the same way outside of people that you

944
00:40:06,160 --> 00:40:08,879
Speaker 1: would deem celebrities or entertainers or people that make music.

945
00:40:08,960 --> 00:40:12,120
Speaker 1: I still feel that same feeling. It's just sometimes people

946
00:40:12,239 --> 00:40:16,480
Speaker 1: really just it's okay to feel that way. Yeah, because

947
00:40:16,480 --> 00:40:19,520
Speaker 1: I spent so much of my time in my career

948
00:40:21,640 --> 00:40:24,359
Speaker 1: focusing on the next moment and not living in the moment.

949
00:40:24,680 --> 00:40:27,319
Speaker 1: It sounds super corny, but like, there's rooms I've been

950
00:40:27,400 --> 00:40:29,680
Speaker 1: in where I was really doing work and getting and contributing,

951
00:40:29,719 --> 00:40:33,400
Speaker 1: getting shit done that I took for complete granted. All

952
00:40:33,480 --> 00:40:35,879
Speaker 1: I have now is a vainct memory of it because

953
00:40:35,920 --> 00:40:37,440
Speaker 1: I was not living in the moment at all when

954
00:40:37,480 --> 00:40:39,840
Speaker 1: it happened, and I felt like I didn't take I

955
00:40:39,920 --> 00:40:43,480
Speaker 1: took the opportunity and went with it in a really

956
00:40:43,520 --> 00:40:46,480
Speaker 1: good way, but I didn't take the moment. I took

957
00:40:46,520 --> 00:40:48,520
Speaker 1: the moment for granted. I took it as this is

958
00:40:48,520 --> 00:40:50,080
Speaker 1: going to push my career, This is going to push

959
00:40:50,160 --> 00:40:52,560
Speaker 1: my talent is going to push that shit, and that's

960
00:40:52,719 --> 00:40:54,960
Speaker 1: I don't know. I think artists, I'm trying to do

961
00:40:55,040 --> 00:40:57,360
Speaker 1: more of that. Yeah, I think artists and celebrities respect

962
00:40:57,400 --> 00:40:57,759
Speaker 1: that though.

963
00:40:58,440 --> 00:41:02,040
Speaker 2: Yeah, Like because obviously you as a celebrity, you know

964
00:41:02,200 --> 00:41:04,560
Speaker 2: when someone is a fan you can kind of walk

965
00:41:04,560 --> 00:41:06,920
Speaker 2: in the room. You try to tell, but you respect

966
00:41:06,960 --> 00:41:09,320
Speaker 2: the fact that they don't make it awkward. Yeah, you

967
00:41:09,400 --> 00:41:10,920
Speaker 2: know what I mean, like, just don't make it awkward.

968
00:41:11,080 --> 00:41:13,680
Speaker 2: Just be cool, say what's up? You know, like you,

969
00:41:14,280 --> 00:41:16,239
Speaker 2: but don't make it awkward. No, of course, because I've

970
00:41:16,239 --> 00:41:18,360
Speaker 2: been around people I was a huge fan of and

971
00:41:18,440 --> 00:41:20,160
Speaker 2: I'm like, I'm trying not to be awkward.

972
00:41:20,239 --> 00:41:22,480
Speaker 1: No, this is coming from somebody that walks in that

973
00:41:22,640 --> 00:41:26,359
Speaker 1: room and what's up, pleasure and chilled. This was all

974
00:41:26,440 --> 00:41:29,160
Speaker 1: internal Yeah, yeah, yeah, I tell you the time about

975
00:41:29,200 --> 00:41:30,480
Speaker 1: my my Serena Williams moment.

976
00:41:30,800 --> 00:41:33,080
Speaker 2: Corneis moment in my life. I completely fumbled the ball,

977
00:41:33,760 --> 00:41:35,360
Speaker 2: but it's okay, Like you know what I mean, it

978
00:41:35,480 --> 00:41:37,279
Speaker 2: is what it is like I didn't know. I didn't know,

979
00:41:37,640 --> 00:41:38,160
Speaker 2: but I learned.

980
00:41:38,280 --> 00:41:40,759
Speaker 1: Oh my god, now it just hit me. Now I

981
00:41:40,880 --> 00:41:42,880
Speaker 1: realized why you were so cool at that Drake concert.

982
00:41:44,080 --> 00:41:46,080
Speaker 2: Why was I so cool that Drake concert? Because Serena

983
00:41:46,200 --> 00:41:47,560
Speaker 2: was there and you didn't want to do it twice

984
00:41:47,600 --> 00:41:49,600
Speaker 2: what she did. I didn't see it was she there? Now,

985
00:41:50,560 --> 00:41:53,200
Speaker 2: I didn't realize she was. I don't do that because

986
00:41:53,200 --> 00:41:55,160
Speaker 2: I'm not even trying to do that. Like, honestly, I

987
00:41:55,239 --> 00:41:57,320
Speaker 2: had no idea that she was there. I didn't I

988
00:41:57,400 --> 00:41:59,279
Speaker 2: didn't see her. I didn't see But that was it.

989
00:42:00,000 --> 00:42:01,680
Speaker 2: What are you supposed to do to the concert? Give

990
00:42:01,760 --> 00:42:04,800
Speaker 2: me con man? That's what I was doing, Dad. But

991
00:42:04,920 --> 00:42:06,880
Speaker 2: you enjoyed it too, like you know you wanted me

992
00:42:06,960 --> 00:42:08,880
Speaker 2: to start dancing to Drake's lyrics? Like what did you

993
00:42:08,960 --> 00:42:10,120
Speaker 2: want me to do that?

994
00:42:11,560 --> 00:42:14,000
Speaker 1: He was putting on a performance and I was watching it,

995
00:42:14,080 --> 00:42:16,560
Speaker 1: and I was head at least I was botting my head.

996
00:42:16,600 --> 00:42:17,640
Speaker 2: I had nods.

997
00:42:18,000 --> 00:42:19,799
Speaker 1: I gave the little flip flip when he was doing

998
00:42:20,320 --> 00:42:22,359
Speaker 1: you know what I'm saying, switch switch. I gave him

999
00:42:22,360 --> 00:42:23,960
Speaker 1: a little I gave him a little ad lib. I

1000
00:42:24,040 --> 00:42:25,520
Speaker 1: was on the ads with him, you know what I'm saying.

1001
00:42:25,760 --> 00:42:28,440
Speaker 1: Like I wasn't on the mains. I was on the ads.

1002
00:42:28,480 --> 00:42:30,200
Speaker 1: You got You can't go to the concert and be

1003
00:42:30,280 --> 00:42:32,200
Speaker 1: on the mains with the artist. You gotta ad Nah,

1004
00:42:32,200 --> 00:42:33,120
Speaker 1: I gotta be on the mains.

1005
00:42:33,239 --> 00:42:35,320
Speaker 2: Nah do the ad lid. You can't be at the

1006
00:42:35,400 --> 00:42:38,120
Speaker 2: concert yelling the whole verse. You gotta hit the ads,

1007
00:42:38,120 --> 00:42:40,200
Speaker 2: you know what I'm saying. Not when he shouts out

1008
00:42:40,360 --> 00:42:44,120
Speaker 2: sobs and plays uh, say, what's real? In the garden. Nah,

1009
00:42:44,160 --> 00:42:44,880
Speaker 2: I'm on the mains.

1010
00:42:46,880 --> 00:42:47,040
Speaker 3: Yeah.

1011
00:42:47,120 --> 00:42:48,919
Speaker 2: Nah, that was a great show though. I think about

1012
00:42:48,920 --> 00:42:51,040
Speaker 2: that concert a lot. That was a really, really great show.

1013
00:42:51,239 --> 00:42:53,840
Speaker 1: But when you're on the mains though, with that concert etiquette,

1014
00:42:53,840 --> 00:42:57,000
Speaker 1: if you come to the show with a girl and

1015
00:42:57,120 --> 00:42:59,920
Speaker 1: you on the mains a little too much, yes, now

1016
00:43:00,320 --> 00:43:02,839
Speaker 1: you gotta pull back just a little bit. Yeah, that's

1017
00:43:02,840 --> 00:43:05,120
Speaker 1: gonna turn off, especially if you're not sure if she's fucked.

1018
00:43:06,440 --> 00:43:10,000
Speaker 1: Oh my god, age, you ran into her and y'all

1019
00:43:10,040 --> 00:43:12,120
Speaker 1: started vibing and you wanted how she got the tickets

1020
00:43:12,480 --> 00:43:14,759
Speaker 1: and now you just, mmm, you're wrapping.

1021
00:43:14,520 --> 00:43:16,480
Speaker 2: His back catalog a little too well like and you

1022
00:43:16,560 --> 00:43:20,480
Speaker 2: know the B side, sir, Yeah, like you gotta have it.

1023
00:43:20,640 --> 00:43:23,400
Speaker 2: You can't go too crazy at the concerts and man like,

1024
00:43:23,480 --> 00:43:25,960
Speaker 2: you can't be because we was at this show, like

1025
00:43:26,080 --> 00:43:27,920
Speaker 2: it was a dude that was in the section, you know,

1026
00:43:28,040 --> 00:43:31,799
Speaker 2: he was he was sweating from performing and I'm like, fam,

1027
00:43:32,600 --> 00:43:34,160
Speaker 2: I love the show to it's a great show. I

1028
00:43:34,239 --> 00:43:36,800
Speaker 2: love that record as well. But you're going a little crazy.

1029
00:43:37,200 --> 00:43:39,240
Speaker 2: You can't do that, especially if you're with a young lady.

1030
00:43:39,800 --> 00:43:41,880
Speaker 2: You gotta keep some of the cool man. You have

1031
00:43:42,000 --> 00:43:43,960
Speaker 2: to stay on the ad libs. I didn't even really,

1032
00:43:44,080 --> 00:43:48,800
Speaker 2: I ain't know this song, never heard this tune before. Yeah, like,

1033
00:43:48,880 --> 00:43:50,759
Speaker 2: stay on the ad libs, give a little you know,

1034
00:43:51,200 --> 00:43:56,680
Speaker 2: crowd participation. Wait, actually, no, what is like? Are you guessing? Yeah?

1035
00:43:56,719 --> 00:43:58,319
Speaker 2: That's another thing you can't do. No, no, no, let

1036
00:43:58,400 --> 00:44:00,800
Speaker 2: me take that back, fellas. You cannot be at a concert.

1037
00:44:01,680 --> 00:44:04,719
Speaker 2: And if the artist says, yo, if you got more

1038
00:44:04,719 --> 00:44:06,399
Speaker 2: than one hundred dollars in your pocket, makes some noise,

1039
00:44:06,440 --> 00:44:07,280
Speaker 2: you can't start screaming.

1040
00:44:07,320 --> 00:44:09,000
Speaker 1: Well, we've seen where that path has taken somebody.

1041
00:44:09,080 --> 00:44:12,520
Speaker 2: But neither hear nor that. Have you ever made noise though?

1042
00:44:12,600 --> 00:44:17,439
Speaker 1: When an artist has said make some noise, no, neither

1043
00:44:17,440 --> 00:44:20,759
Speaker 1: of Like I'm making a lot of pride in my life,

1044
00:44:20,840 --> 00:44:22,920
Speaker 1: I still have that man making noise.

1045
00:44:23,000 --> 00:44:25,480
Speaker 2: I'm not here yelling when the artists girl noise like,

1046
00:44:25,520 --> 00:44:26,120
Speaker 2: I'm not doing that.

1047
00:44:26,640 --> 00:44:28,320
Speaker 1: And I don't even know how to make noise. I

1048
00:44:28,360 --> 00:44:30,560
Speaker 1: don't know what my picture is gonna sound like you

1049
00:44:30,680 --> 00:44:34,000
Speaker 1: sound nasty like you. I have no idea how to

1050
00:44:34,040 --> 00:44:36,560
Speaker 1: make noise. I have zero clue how to make noise.

1051
00:44:36,680 --> 00:44:37,640
Speaker 3: What key?

1052
00:44:41,600 --> 00:44:43,560
Speaker 2: I have no idea how to make noise? How do

1053
00:44:43,719 --> 00:44:46,320
Speaker 2: you make noise? Like and making a random noise is

1054
00:44:46,400 --> 00:44:48,759
Speaker 2: just nasty, Like, what noise do you want me to make, sir?

1055
00:44:48,920 --> 00:44:51,359
Speaker 1: Like I've heard the annoying chick behind you scream high

1056
00:44:51,400 --> 00:44:54,080
Speaker 1: pitchion and that sounds better than I think what would

1057
00:44:54,080 --> 00:44:54,839
Speaker 1: come out of my mouth.

1058
00:44:55,640 --> 00:44:58,719
Speaker 2: I'm not doing it. If Drake say, yo, New York

1059
00:44:58,800 --> 00:45:05,840
Speaker 2: City makes some noise, yeah, let's get it on.

1060
00:45:08,320 --> 00:45:09,480
Speaker 3: This is w W.

1061
00:45:10,360 --> 00:45:12,400
Speaker 2: You can't fucking what noise? Man, Get out of here.

1062
00:45:12,440 --> 00:45:13,879
Speaker 2: I'm not making no noise. Get it to the next

1063
00:45:13,920 --> 00:45:17,000
Speaker 2: fucking record. Man, I'm not making noise at your show.

1064
00:45:17,000 --> 00:45:18,239
Speaker 2: I'm not doing that. I'm not doing that.

1065
00:45:18,480 --> 00:45:18,719
Speaker 3: Coff.

1066
00:45:18,840 --> 00:45:20,600
Speaker 2: You have to have you have to have etiquette at

1067
00:45:20,640 --> 00:45:22,839
Speaker 2: a show. You have to understand what you're doing. Don't

1068
00:45:22,880 --> 00:45:25,279
Speaker 2: lose your cool, fellas, especially if you would a young lady,

1069
00:45:25,280 --> 00:45:27,839
Speaker 2: you could ruin the night. You could ruin the night

1070
00:45:27,880 --> 00:45:30,239
Speaker 2: for yourself doing the wrong shit. Had a show yelling

1071
00:45:30,239 --> 00:45:32,640
Speaker 2: and wrong ship, rapping too much, you know, it's just

1072
00:45:32,760 --> 00:45:34,920
Speaker 2: like yo, be cool, relaxed, order something to drink and

1073
00:45:35,000 --> 00:45:35,319
Speaker 2: just chill.

1074
00:45:35,440 --> 00:45:37,399
Speaker 1: Let's pull the timeline. I do want to ask our

1075
00:45:38,160 --> 00:45:41,280
Speaker 1: uh women listeners, have they ever been at a concert

1076
00:45:41,440 --> 00:45:44,320
Speaker 1: and dude one was making noise? If not was just

1077
00:45:44,440 --> 00:45:47,520
Speaker 1: rapping a little too much. Three was just giving a

1078
00:45:47,520 --> 00:45:49,839
Speaker 1: little too much energy, and you get a little like push.

1079
00:45:49,880 --> 00:45:52,440
Speaker 1: You gotta dry immediately listen. I like Travis Scott too,

1080
00:45:52,719 --> 00:45:55,279
Speaker 1: but relax, calm down. I see you have a sneakers on.

1081
00:45:55,320 --> 00:45:58,240
Speaker 1: You didn't need to wear those, you could. That's nasty.

1082
00:45:58,840 --> 00:45:59,480
Speaker 1: That's nasty.

1083
00:45:59,520 --> 00:46:01,640
Speaker 2: If you go to Travis show with Travis Scott's on

1084
00:46:01,680 --> 00:46:04,160
Speaker 2: your feet, that's disgusting. You cannot do that. That's what

1085
00:46:04,280 --> 00:46:07,880
Speaker 2: fans do. More, man, fuck that. You cannot go to

1086
00:46:07,960 --> 00:46:11,600
Speaker 2: a Travis this Travis Scott concert wearing Travis Scott sneaker.

1087
00:46:11,640 --> 00:46:13,640
Speaker 1: I want to know what Shorty would feel like if you,

1088
00:46:14,040 --> 00:46:15,920
Speaker 1: on the way out went to the merch table and

1089
00:46:16,000 --> 00:46:18,200
Speaker 1: didn't cop her nothing and just coppt yourself a T shirt.

1090
00:46:20,400 --> 00:46:23,520
Speaker 2: Again, it's over. Your night is ruined. It's over for you.

1091
00:46:24,520 --> 00:46:25,000
Speaker 3: It's over.

1092
00:46:25,080 --> 00:46:26,560
Speaker 2: You can't get you can't talk your way out of that,

1093
00:46:26,920 --> 00:46:28,320
Speaker 2: because now you're looking at you like, oh, he's a

1094
00:46:28,360 --> 00:46:31,319
Speaker 2: fan boy. Girls don't like women don't like fanboys. They

1095
00:46:31,360 --> 00:46:31,799
Speaker 2: don't like fans.

1096
00:46:31,840 --> 00:46:34,200
Speaker 1: So it wouldn't it works if I copped the Donda bulletproof.

1097
00:46:34,760 --> 00:46:37,600
Speaker 2: Nah, it took Shorty out and Nah, that would have

1098
00:46:37,600 --> 00:46:39,840
Speaker 2: been the aftiest. That would have been that to the aftiest.

1099
00:46:40,120 --> 00:46:43,560
Speaker 2: That would have been nasty. Bulletproof. That's nasty, nasty behavior.

1100
00:46:43,600 --> 00:46:45,680
Speaker 2: You can't do that. I'm a nasty person, yeah, but no,

1101
00:46:45,760 --> 00:46:48,480
Speaker 2: you nasty in another way, like you don't don't be

1102
00:46:48,640 --> 00:46:52,400
Speaker 2: nasty like in public, and don't do that. Don't move nasty.

1103
00:46:52,440 --> 00:46:54,440
Speaker 2: I'm a sick person, though, are you?

1104
00:46:54,640 --> 00:46:54,800
Speaker 3: I have?

1105
00:46:55,200 --> 00:46:58,239
Speaker 1: I don't feel well all the time. I have very

1106
00:46:58,440 --> 00:47:01,000
Speaker 1: dark thoughts a lot. I'm just a weird person. You

1107
00:47:01,080 --> 00:47:01,920
Speaker 1: don't really want to hear them.

1108
00:47:03,040 --> 00:47:04,200
Speaker 3: I don't mind. It takes the blood.

1109
00:47:07,000 --> 00:47:09,880
Speaker 2: Okay, a little weird, but okay.

1110
00:47:11,120 --> 00:47:15,400
Speaker 3: I've also thought that Ted Bundy might have done numbers

1111
00:47:15,440 --> 00:47:16,080
Speaker 3: on Tender.

1112
00:47:17,760 --> 00:47:20,480
Speaker 2: Oh well, women did seem to be a little attracted

1113
00:47:20,520 --> 00:47:22,160
Speaker 2: to him. I guess I don't. I don't know where

1114
00:47:22,160 --> 00:47:23,040
Speaker 2: you're taking this, but okay.

1115
00:47:23,239 --> 00:47:25,000
Speaker 3: When I was growing up, the way that my mom

1116
00:47:25,120 --> 00:47:27,239
Speaker 3: used to really trigger me was she would tell me

1117
00:47:27,480 --> 00:47:30,600
Speaker 3: you're just like your father. And then when I grew up,

1118
00:47:30,600 --> 00:47:32,920
Speaker 3: we were in a small house, so I know she

1119
00:47:32,960 --> 00:47:35,399
Speaker 3: could hear me having sex, and I always wondered if

1120
00:47:35,920 --> 00:47:36,799
Speaker 3: she thought the same thing.

1121
00:47:38,440 --> 00:47:41,520
Speaker 1: All right, well, I mean that's that's all the way weird.

1122
00:47:41,840 --> 00:47:52,120
Speaker 1: But sure, my bad, that got weird. So I have

1123
00:47:52,200 --> 00:47:53,160
Speaker 1: not expressed those things.

1124
00:47:53,960 --> 00:47:56,560
Speaker 2: That was a little Yeah, I mean listen, man, those

1125
00:47:56,560 --> 00:47:58,320
Speaker 2: are your thoughts. And you know, I'm not I'm not

1126
00:47:58,440 --> 00:47:58,840
Speaker 2: judging you.

1127
00:47:58,960 --> 00:48:02,560
Speaker 1: But for a second, yeah, we need to we concert etiquette.

1128
00:48:02,800 --> 00:48:04,360
Speaker 1: We need to we need to talk more often. We

1129
00:48:04,800 --> 00:48:06,920
Speaker 1: need to know more about what's what's on your mind

1130
00:48:06,960 --> 00:48:10,120
Speaker 1: a little more. I mean, you know, but yeah, listen,

1131
00:48:10,920 --> 00:48:14,120
Speaker 1: you know your thoughts, your thoughts. I'm sure you know

1132
00:48:14,320 --> 00:48:17,000
Speaker 1: I have some dark thoughts as well. But that's when

1133
00:48:17,120 --> 00:48:18,640
Speaker 1: you get back to those one day. Yeah, that's that's

1134
00:48:18,719 --> 00:48:21,120
Speaker 1: that's that's for a whole other day. Yeah, you know,

1135
00:48:21,560 --> 00:48:25,960
Speaker 1: nothing different. But uh, anyways, outside of that, m hm,

1136
00:48:27,520 --> 00:48:29,000
Speaker 1: because I feel like we were on music for a

1137
00:48:29,160 --> 00:48:34,680
Speaker 1: very very long time. Your man Cuomo, yes he's out

1138
00:48:34,719 --> 00:48:35,840
Speaker 1: of there, got a little handsy.

1139
00:48:37,120 --> 00:48:39,800
Speaker 2: Yeah, I mean, you know, he said he blamed it

1140
00:48:39,880 --> 00:48:42,800
Speaker 2: on his Italian upbringing. You just said, he know. He

1141
00:48:42,840 --> 00:48:45,800
Speaker 2: put out a video like that, and that's another that

1142
00:48:45,920 --> 00:48:47,640
Speaker 2: was just weird. They put out a compilation video of

1143
00:48:47,719 --> 00:48:49,040
Speaker 2: him just touching a lot of people.

1144
00:48:49,239 --> 00:48:49,399
Speaker 3: Why.

1145
00:48:49,400 --> 00:48:51,839
Speaker 1: I felt like the baby and the Governor of New

1146
00:48:51,920 --> 00:48:54,680
Speaker 1: York could have cleaned their ship up so much easier

1147
00:48:54,760 --> 00:49:00,200
Speaker 1: than they did. Well, yes, what they did was completely wrong,

1148
00:49:00,600 --> 00:49:03,400
Speaker 1: but doubling down, because that's what Cuomo did.

1149
00:49:03,719 --> 00:49:06,319
Speaker 2: Yeah, he doubled down. He doubled down. They put out

1150
00:49:06,320 --> 00:49:10,799
Speaker 2: the compilation video of him touching men children, rubbing their

1151
00:49:10,840 --> 00:49:13,560
Speaker 2: face and rubbing their head, and you know, he tried

1152
00:49:13,600 --> 00:49:15,040
Speaker 2: to make it seem like he's just a you know,

1153
00:49:16,360 --> 00:49:18,680
Speaker 2: the hands on type of god, not in a sexual way.

1154
00:49:19,800 --> 00:49:21,440
Speaker 2: And I do know some people like that. They you know,

1155
00:49:21,520 --> 00:49:24,960
Speaker 2: they your face and you know, stuff like that. I

1156
00:49:24,960 --> 00:49:29,120
Speaker 2: remember I went to Christmas dinner years ago with my

1157
00:49:29,200 --> 00:49:33,399
Speaker 2: girlfriend and these your dark thoughts. This is not my thoughts.

1158
00:49:33,440 --> 00:49:36,560
Speaker 2: And she's Italian and well she yeah, she's Italian and

1159
00:49:37,400 --> 00:49:40,840
Speaker 2: so her family, you know, Italian, and one of her

1160
00:49:41,000 --> 00:49:43,959
Speaker 2: uncles first time ever met him, sitting at the table

1161
00:49:44,000 --> 00:49:47,200
Speaker 2: eating and called you the M words, not the N words,

1162
00:49:47,600 --> 00:49:50,200
Speaker 2: the M word for those Italians out there, you know

1163
00:49:50,280 --> 00:49:50,880
Speaker 2: what that word is.

1164
00:49:51,719 --> 00:49:54,200
Speaker 1: He walked up to me and he said, oh, it's

1165
00:49:54,200 --> 00:49:55,920
Speaker 1: a pleasure to meet you, and then he shook my

1166
00:49:56,040 --> 00:49:58,320
Speaker 1: hand and he kissed me on my cheek and I

1167
00:49:58,480 --> 00:50:02,400
Speaker 1: was just like, okay, a little weird, but you know,

1168
00:50:02,440 --> 00:50:02,800
Speaker 1: I get it.

1169
00:50:02,880 --> 00:50:04,960
Speaker 2: That's what you do in your culture. You know what

1170
00:50:05,000 --> 00:50:06,960
Speaker 2: I mean, But just don't do it again, feel me.

1171
00:50:07,080 --> 00:50:10,000
Speaker 2: But so I understand what Cuomo was maybe sort of trying.

1172
00:50:10,040 --> 00:50:12,840
Speaker 2: But you got to understand the position that Cuomo was in,

1173
00:50:13,080 --> 00:50:17,720
Speaker 2: and you know, it's very very he said, I didn't

1174
00:50:17,760 --> 00:50:20,839
Speaker 2: know where they drew the line. That's what I'm saying.

1175
00:50:20,920 --> 00:50:23,080
Speaker 2: So it's he said, all the women told the truth.

1176
00:50:23,120 --> 00:50:24,479
Speaker 2: He said, yeah, no, I did that. Ship.

1177
00:50:24,640 --> 00:50:27,320
Speaker 1: He was accused of just grabbing chicks titties in the workplace.

1178
00:50:27,560 --> 00:50:31,000
Speaker 2: I didn't. He tried to say that he was trying

1179
00:50:31,000 --> 00:50:33,480
Speaker 2: to read something on her shirt. Still, you don't grab

1180
00:50:33,520 --> 00:50:35,200
Speaker 2: somebody's shirt when you're trying to read with some classes

1181
00:50:35,760 --> 00:50:38,359
Speaker 2: exactly like you don't grab somebody's shirt when you're trying

1182
00:50:38,360 --> 00:50:41,719
Speaker 2: to read something on their shirts, especially a woman. But yeah,

1183
00:50:41,800 --> 00:50:43,160
Speaker 2: so you know, he had to resign, he had to

1184
00:50:43,200 --> 00:50:47,359
Speaker 2: step down, and they're replacing him with having our first

1185
00:50:47,440 --> 00:50:50,000
Speaker 2: female governor in New York. What is her name?

1186
00:50:50,040 --> 00:50:52,759
Speaker 1: I'm sorry I pull it up. I had to ask, uh,

1187
00:50:53,960 --> 00:50:56,239
Speaker 1: I had asked my trainer. I said, who comes next?

1188
00:50:56,320 --> 00:50:58,520
Speaker 2: I don't know. I know there's the vice president. Yeah,

1189
00:50:58,560 --> 00:51:01,879
Speaker 2: I went to publishers. I don't really this is the governor. Yeah,

1190
00:51:01,880 --> 00:51:06,839
Speaker 2: this is new for the attorney general. Uh, Kathy, that's

1191
00:51:07,160 --> 00:51:10,920
Speaker 2: hotch we're ignorant, don't mind us. I don't know how

1192
00:51:10,920 --> 00:51:14,200
Speaker 2: to pronounce the last name. I'm sorry. As two residents

1193
00:51:14,200 --> 00:51:17,120
Speaker 2: of New York. Yeah, I'm sorry. I don't you know?

1194
00:51:17,880 --> 00:51:20,040
Speaker 1: Clearly our city is in good hands with us leading

1195
00:51:20,120 --> 00:51:22,319
Speaker 1: the charge here. We don't even know who comes from?

1196
00:51:24,120 --> 00:51:27,239
Speaker 2: Is the new governor of New York? The state of

1197
00:51:27,320 --> 00:51:30,080
Speaker 2: New York? How'd you feel about? This?

1198
00:51:30,280 --> 00:51:30,759
Speaker 3: Is what it is?

1199
00:51:30,920 --> 00:51:32,960
Speaker 1: I mean, Andrew Cuomo, that's just going to be what

1200
00:51:33,080 --> 00:51:36,560
Speaker 1: it is. He did some nasty ship and should leave

1201
00:51:38,520 --> 00:51:41,840
Speaker 1: since I guess we're in no way in uh journalism,

1202
00:51:42,000 --> 00:51:44,120
Speaker 1: And I really wouldn't consider us in media either. But

1203
00:51:44,520 --> 00:51:46,680
Speaker 1: we talked to people in front of a camera. So

1204
00:51:47,400 --> 00:51:50,480
Speaker 1: Chris Cuomo is kind of in our realm.

1205
00:51:51,400 --> 00:51:53,759
Speaker 2: He's in media. He could be a colleague at the

1206
00:51:53,840 --> 00:51:57,200
Speaker 2: right party, depending on where we're at. Music. Music that's playing?

1207
00:51:57,360 --> 00:52:00,440
Speaker 1: Yeah, how he handled this ship was the most responsible

1208
00:52:00,440 --> 00:52:01,600
Speaker 1: shit I've ever seen in my mind sirelife.

1209
00:52:01,760 --> 00:52:03,600
Speaker 2: Well, how is he supposed to hand this? Is his brother,

1210
00:52:04,200 --> 00:52:05,840
Speaker 2: of course it is. How is he supposed to handle it?

1211
00:52:05,960 --> 00:52:10,120
Speaker 1: Hey, I'm getting on camera. I've been covering every nasty

1212
00:52:10,200 --> 00:52:13,880
Speaker 1: experience ever for the past how many years, I've acted

1213
00:52:13,920 --> 00:52:17,040
Speaker 1: holier than thou for everyone that ever did anything wrong.

1214
00:52:17,680 --> 00:52:20,920
Speaker 1: This is my brother, that's my family. I'm gonna be biased,

1215
00:52:21,480 --> 00:52:25,920
Speaker 1: So someone else is gonna cover this. Okay, probably the

1216
00:52:25,920 --> 00:52:28,760
Speaker 1: first part he wouldn't do. But if I was at CNN,

1217
00:52:28,800 --> 00:52:29,960
Speaker 1: I would have said, Yo, you need to get on

1218
00:52:30,000 --> 00:52:34,840
Speaker 1: that camera and say holdheartedly, that's my family. There's no

1219
00:52:34,960 --> 00:52:37,360
Speaker 1: way I cannot be biased in the situation. Yeah, I

1220
00:52:37,440 --> 00:52:40,640
Speaker 1: should not be covering the news today tomorrow for quite

1221
00:52:40,719 --> 00:52:42,920
Speaker 1: some time. Don't get on there and just read the

1222
00:52:43,040 --> 00:52:45,400
Speaker 1: news like can you can you believe.

1223
00:52:45,160 --> 00:52:45,719
Speaker 2: The heat wave?

1224
00:52:46,320 --> 00:52:46,520
Speaker 3: Yeah?

1225
00:52:46,920 --> 00:52:49,520
Speaker 2: Can't act like it didn't happen. Yeah, Yeah, someone else

1226
00:52:49,600 --> 00:52:52,160
Speaker 2: need to do That's that's some real bias. It's shit, Yeah,

1227
00:52:52,200 --> 00:52:55,160
Speaker 2: it's it's it's it's an unfortunate position for him to

1228
00:52:55,200 --> 00:52:56,960
Speaker 2: be in. You know, everything that was happening with his

1229
00:52:57,040 --> 00:52:59,480
Speaker 2: older brother and him having to cover media, and he's

1230
00:52:59,480 --> 00:53:03,640
Speaker 2: been covering everything for however long, so you know, it

1231
00:53:03,680 --> 00:53:06,120
Speaker 2: would kind of I think that people would be mad

1232
00:53:06,200 --> 00:53:09,120
Speaker 2: at him for not wanting to cover that. They were like, oh,

1233
00:53:09,160 --> 00:53:10,560
Speaker 2: now you don't want to cover it? Because your brother

1234
00:53:10,640 --> 00:53:12,520
Speaker 2: you don't want to. Of course you're gonna be biased.

1235
00:53:12,760 --> 00:53:14,400
Speaker 2: I respect him if he would have said it, just

1236
00:53:14,760 --> 00:53:17,919
Speaker 2: said that ship. But again, you know it's my brother.

1237
00:53:18,040 --> 00:53:18,919
Speaker 2: But I wasn't there.

1238
00:53:19,719 --> 00:53:21,319
Speaker 1: I don't know what happened, you know what I mean.

1239
00:53:21,360 --> 00:53:22,840
Speaker 1: It's kind of like I don't know what happened. I

1240
00:53:22,840 --> 00:53:24,840
Speaker 1: don't know if he did or he didn't do it

1241
00:53:25,000 --> 00:53:28,800
Speaker 1: like which I no, that's that's totally fine. But you

1242
00:53:28,920 --> 00:53:30,840
Speaker 1: can't just come on the air of a place it

1243
00:53:30,880 --> 00:53:33,960
Speaker 1: didn't happen, like where you've covered everything for so long

1244
00:53:34,440 --> 00:53:36,719
Speaker 1: and then the moment some shit happens, they're like you

1245
00:53:36,840 --> 00:53:40,640
Speaker 1: got to say something. Yeah, And it's especially not especially

1246
00:53:40,680 --> 00:53:43,400
Speaker 1: when you've been number one of trying to kill people

1247
00:53:43,960 --> 00:53:46,240
Speaker 1: and listen, I just I hate CNN, I hate Fox,

1248
00:53:46,360 --> 00:53:48,880
Speaker 1: I hate I just hate the news. So pardon me

1249
00:53:49,000 --> 00:53:51,200
Speaker 1: sounding like I'm upset, because I'm really not. Put I

1250
00:53:51,320 --> 00:53:54,480
Speaker 1: just felt like this is really put at the end

1251
00:53:54,719 --> 00:53:57,279
Speaker 1: of all biased media to me, like this was the

1252
00:53:57,360 --> 00:53:58,960
Speaker 1: period at the end of the sentence. Do we even

1253
00:53:59,080 --> 00:54:02,040
Speaker 1: need to argue anymore of how much of an agenda

1254
00:54:02,200 --> 00:54:05,200
Speaker 1: every last person that gets on that microphone every night

1255
00:54:05,360 --> 00:54:09,240
Speaker 1: does from either side the Democrat, Republican, royal period.

1256
00:54:09,320 --> 00:54:10,839
Speaker 2: But people got to understand a lot of these media

1257
00:54:10,840 --> 00:54:14,799
Speaker 2: outlets are owned by people, and people have relationships, they

1258
00:54:14,840 --> 00:54:18,160
Speaker 2: have you know funding, yeah, funding money from coming from

1259
00:54:18,160 --> 00:54:21,440
Speaker 2: all different places, so you know certain things they're going

1260
00:54:21,520 --> 00:54:23,319
Speaker 2: to base that off of. You know that they're going

1261
00:54:23,360 --> 00:54:24,840
Speaker 2: to present their opinion based off the fact that I

1262
00:54:24,920 --> 00:54:27,480
Speaker 2: have relationships with these people in different places. So you know,

1263
00:54:27,520 --> 00:54:31,560
Speaker 2: I understand it. Again, unfortunate situation. You know, any woman

1264
00:54:31,640 --> 00:54:36,440
Speaker 2: that was was violated or disrespected, you know, prayers to

1265
00:54:36,520 --> 00:54:39,560
Speaker 2: her absolutely, And it was a couple and this was overdue.

1266
00:54:39,560 --> 00:54:41,560
Speaker 2: I think we saw this coming. I think that we

1267
00:54:41,880 --> 00:54:44,279
Speaker 2: kind of knew that Governor Cuomo was going to have

1268
00:54:44,320 --> 00:54:46,520
Speaker 2: to step down. Yeah, it was just way too much,

1269
00:54:46,800 --> 00:54:49,839
Speaker 2: too many allegations. I think it came a lot later

1270
00:54:49,920 --> 00:54:51,960
Speaker 2: than I expected. I didn't expect him to make it

1271
00:54:52,520 --> 00:54:56,040
Speaker 2: to August, honestly, but again, you know, he had to

1272
00:54:56,080 --> 00:54:58,160
Speaker 2: step down, he had to resign, and again you know,

1273
00:54:58,239 --> 00:55:00,080
Speaker 2: we have a new governor now in New York. Did

1274
00:55:00,120 --> 00:55:00,800
Speaker 2: you watch your speech?

1275
00:55:01,560 --> 00:55:02,960
Speaker 3: No, I didn't.

1276
00:55:02,960 --> 00:55:05,360
Speaker 2: I didn't watch it. I didn't watch it like that.

1277
00:55:06,000 --> 00:55:07,919
Speaker 1: Some more six shit too though, That's what I'm saying.

1278
00:55:08,000 --> 00:55:10,440
Speaker 1: She ran down, like just leave. Look what I did

1279
00:55:10,480 --> 00:55:12,600
Speaker 1: in this state, right, yeah, you.

1280
00:55:12,640 --> 00:55:14,680
Speaker 2: Start pointing to the good you did and all it's like,

1281
00:55:14,840 --> 00:55:17,319
Speaker 2: fam you know, you you're in hot water right now.

1282
00:55:17,400 --> 00:55:20,960
Speaker 2: You disrespected some women. You know, it's like, just just

1283
00:55:21,040 --> 00:55:21,480
Speaker 2: fade away.

1284
00:55:21,520 --> 00:55:22,880
Speaker 1: And I'm not saying he didn't do good in the

1285
00:55:22,920 --> 00:55:23,600
Speaker 1: state of New York.

1286
00:55:23,680 --> 00:55:24,759
Speaker 2: But it's good thing.

1287
00:55:24,760 --> 00:55:26,600
Speaker 1: It's funny, like where you got to pick and shoes

1288
00:55:26,640 --> 00:55:29,120
Speaker 1: to finally start talking your ship. Yeah, like, yo, all right,

1289
00:55:29,200 --> 00:55:31,840
Speaker 1: so I did grab the chick's tits, but if you

1290
00:55:31,920 --> 00:55:35,279
Speaker 1: look at what I did for the LGBTQ, it's like

1291
00:55:35,400 --> 00:55:38,160
Speaker 1: these two things don't that's amazing that you did that,

1292
00:55:38,600 --> 00:55:39,279
Speaker 1: But that does not.

1293
00:55:40,760 --> 00:55:42,360
Speaker 2: It's just too much. It's just too much. Like you

1294
00:55:42,400 --> 00:55:44,080
Speaker 2: don't need to I don't think I don't think giving

1295
00:55:44,120 --> 00:55:46,440
Speaker 2: a speech is the right That's not the right time

1296
00:55:46,520 --> 00:55:49,279
Speaker 2: to give a speech when you're leaving office because you

1297
00:55:49,600 --> 00:55:51,880
Speaker 2: violated some women, Like I don't, we don't need to

1298
00:55:51,920 --> 00:55:52,320
Speaker 2: hear from you.

1299
00:55:52,560 --> 00:55:55,920
Speaker 1: And I could see through the narcissism and the people

1300
00:55:55,960 --> 00:55:58,520
Speaker 1: that have speech writers or or just narcissists in general.

1301
00:55:58,840 --> 00:56:01,200
Speaker 1: He started naming off his whole staff. It's like, I

1302
00:56:01,320 --> 00:56:04,640
Speaker 1: just want to thank everyone and named off all the list,

1303
00:56:05,080 --> 00:56:06,520
Speaker 1: and then it was like, look what we did, and

1304
00:56:06,560 --> 00:56:08,279
Speaker 1: then just started naming all the shit that he did

1305
00:56:08,320 --> 00:56:10,440
Speaker 1: as governor, Like, look at you trying to ease the

1306
00:56:10,480 --> 00:56:12,879
Speaker 1: people to think you shouting your team out, just trying

1307
00:56:12,920 --> 00:56:13,879
Speaker 1: to tell us what you did as.

1308
00:56:13,840 --> 00:56:17,280
Speaker 2: You was governor. And again I'm not saying he's guilty.

1309
00:56:17,320 --> 00:56:18,280
Speaker 2: I'm not saying he's innocent.

1310
00:56:18,480 --> 00:56:19,120
Speaker 3: You know I didn't.

1311
00:56:19,160 --> 00:56:22,640
Speaker 2: I haven't even looked into enough edition. You've never parted

1312
00:56:22,640 --> 00:56:24,920
Speaker 2: with Como, No, I just never you know what I mean.

1313
00:56:24,960 --> 00:56:27,120
Speaker 2: It's just like I haven't read into this to even

1314
00:56:27,200 --> 00:56:30,160
Speaker 2: know the specifics on what's going on. I heard some

1315
00:56:30,239 --> 00:56:33,719
Speaker 2: of the allegations, but again, you know, it's it's unfortunate

1316
00:56:33,840 --> 00:56:37,359
Speaker 2: and he lasted a lot longer than I thought he would, honestly.

1317
00:56:38,120 --> 00:56:40,839
Speaker 1: True, it was interesting two weeks. How do you feel

1318
00:56:41,040 --> 00:56:44,239
Speaker 1: about people that use voice notes while they text you?

1319
00:56:46,040 --> 00:56:48,600
Speaker 2: While they're texting me? I don't mind a voice note

1320
00:56:48,760 --> 00:56:54,960
Speaker 2: if you know it's something like I I'm busy, or

1321
00:56:55,000 --> 00:56:57,040
Speaker 2: I'm doing something like if I'm you know, I can't

1322
00:56:57,080 --> 00:57:00,360
Speaker 2: really type, yeah, I can't really have my odds on

1323
00:57:00,400 --> 00:57:02,080
Speaker 2: my phone like that. I'd rather just listen. Let me

1324
00:57:02,160 --> 00:57:02,879
Speaker 2: rephrase my question.

1325
00:57:03,440 --> 00:57:07,600
Speaker 1: Someone that you're texting throughout the day decides while you're texting,

1326
00:57:07,800 --> 00:57:10,440
Speaker 1: they're only going to send voice notes. Is that person

1327
00:57:10,560 --> 00:57:12,600
Speaker 1: the most selfish human being on planet Earth that does

1328
00:57:12,680 --> 00:57:15,160
Speaker 1: not care about your day and does not realize I

1329
00:57:15,280 --> 00:57:18,240
Speaker 1: am texting you because we can't talk.

1330
00:57:18,680 --> 00:57:21,120
Speaker 2: Absolutely, I think voice notes should only be used when

1331
00:57:21,160 --> 00:57:23,040
Speaker 2: you see that I took something you text me out

1332
00:57:23,080 --> 00:57:27,440
Speaker 2: of context. It should be used you use it to

1333
00:57:27,560 --> 00:57:30,000
Speaker 2: clear up something that I may have taken the wrong

1334
00:57:30,080 --> 00:57:31,280
Speaker 2: way in the text conversation.

1335
00:57:31,440 --> 00:57:33,400
Speaker 1: Narcissism just reminded me of voice notes.

1336
00:57:33,520 --> 00:57:35,720
Speaker 2: People. Do you do not respect days? If you voice

1337
00:57:35,760 --> 00:57:37,920
Speaker 2: not all day, you do not respect that other person's day?

1338
00:57:38,000 --> 00:57:38,200
Speaker 3: Yeah?

1339
00:57:38,280 --> 00:57:41,200
Speaker 1: No, especially I'm a run in the middle of what

1340
00:57:41,320 --> 00:57:43,439
Speaker 1: I'm doing to go into an area where I could

1341
00:57:43,480 --> 00:57:46,520
Speaker 1: hear your fucking oh, you know, just gonna go grab

1342
00:57:46,600 --> 00:57:48,560
Speaker 1: some lunch text that shit.

1343
00:57:49,480 --> 00:57:52,360
Speaker 2: I'm texting you for a reason texting. Voice notes are

1344
00:57:52,440 --> 00:57:55,880
Speaker 2: only used when you see that the person took something

1345
00:57:55,960 --> 00:57:57,880
Speaker 2: you text out of context, and now you're trying to

1346
00:57:57,920 --> 00:57:59,960
Speaker 2: give them the tone and the proper content.

1347
00:58:00,200 --> 00:58:02,640
Speaker 1: I just want to know people that voice note what

1348
00:58:02,800 --> 00:58:05,840
Speaker 1: they're thinking when I'm just replying NonStop on text. I

1349
00:58:05,880 --> 00:58:07,880
Speaker 1: would call you or if you want to tell me

1350
00:58:07,960 --> 00:58:10,800
Speaker 1: something like you're extremely horny, I would like to hear

1351
00:58:10,880 --> 00:58:13,400
Speaker 1: that and getting a horn and then I'm really gonna

1352
00:58:13,440 --> 00:58:18,000
Speaker 1: go away to go hear that. Or you anytime you

1353
00:58:18,080 --> 00:58:20,720
Speaker 1: need to hit a horny man, Yeah, like, don't don't

1354
00:58:20,760 --> 00:58:22,560
Speaker 1: over use your voice notes too, because if I know

1355
00:58:22,600 --> 00:58:24,280
Speaker 1: you don't use them often. And then you send me

1356
00:58:24,360 --> 00:58:26,320
Speaker 1: that one, I'm gonna know you're saying I'm horny. Yeah,

1357
00:58:26,480 --> 00:58:28,920
Speaker 1: so I'm gonna run and then like maybe my workday

1358
00:58:29,000 --> 00:58:29,360
Speaker 1: might be over.

1359
00:58:29,480 --> 00:58:30,600
Speaker 2: Yeah, yeah, I need to hear.

1360
00:58:30,480 --> 00:58:30,960
Speaker 3: What she's saying.

1361
00:58:30,960 --> 00:58:35,920
Speaker 2: At that point, she's coming in hot. When was the

1362
00:58:36,000 --> 00:58:37,640
Speaker 2: last time a woman asked you why you like this?

1363
00:58:38,640 --> 00:58:40,680
Speaker 2: Why I like that this? Why are you like this?

1364
00:58:40,960 --> 00:58:41,880
Speaker 3: Oh? Why are you like this?

1365
00:58:44,720 --> 00:58:46,360
Speaker 2: I thought he's about to say, when's the last summer

1366
00:58:46,400 --> 00:58:49,160
Speaker 2: woman asks you why you like this? Like, well, I'm like,

1367
00:58:49,200 --> 00:58:51,880
Speaker 2: why do you like this? What you've been in conversation

1368
00:58:52,000 --> 00:58:56,120
Speaker 2: with you talking about? Imagine you have.

1369
00:58:56,160 --> 00:58:57,400
Speaker 1: A sex with a woman and she's like, why you

1370
00:58:57,600 --> 00:59:02,080
Speaker 1: like this? What are you fucking kidding me? Like that's

1371
00:59:02,160 --> 00:59:04,920
Speaker 1: what would you say? This is just my anatomy?

1372
00:59:05,080 --> 00:59:06,720
Speaker 2: Yeah, it's like yo, I think I'm just I was

1373
00:59:06,800 --> 00:59:07,400
Speaker 2: born to like this?

1374
00:59:07,480 --> 00:59:08,520
Speaker 3: What do you like?

1375
00:59:08,560 --> 00:59:11,680
Speaker 2: I don't know how to answer that. Why are you

1376
00:59:11,920 --> 00:59:15,600
Speaker 2: like this? What does She called you homophobic? For no,

1377
00:59:15,800 --> 00:59:17,840
Speaker 2: my god, that was such an easy joke.

1378
00:59:18,360 --> 00:59:18,520
Speaker 3: Leave.

1379
00:59:19,880 --> 00:59:21,720
Speaker 2: She was so progressive that she's like, why are you

1380
00:59:21,840 --> 00:59:25,600
Speaker 2: just fucking me? That's crazy? Like are you homophobic?

1381
00:59:25,680 --> 00:59:25,720
Speaker 3: No?

1382
00:59:26,560 --> 00:59:28,920
Speaker 2: It's others like like no, I love this pussy here,

1383
00:59:29,000 --> 00:59:30,600
Speaker 2: like I love this pussy right now? This is what

1384
00:59:30,680 --> 00:59:30,920
Speaker 2: I love?

1385
00:59:32,200 --> 00:59:34,040
Speaker 1: Why are you like you've never had a chick like

1386
00:59:34,480 --> 00:59:37,160
Speaker 1: I know you have. Of you're in conversation and she'll

1387
00:59:37,240 --> 00:59:37,760
Speaker 1: like like, why.

1388
00:59:37,680 --> 00:59:38,160
Speaker 3: Are you like this?

1389
00:59:39,640 --> 00:59:41,760
Speaker 2: Like because I'm saying something in common it's funny, or

1390
00:59:41,880 --> 00:59:44,400
Speaker 2: like oh you know, you'll say some wild sh yesterday.

1391
00:59:44,440 --> 00:59:46,560
Speaker 2: She might even hit you on the shoulder. Oh she

1392
00:59:46,680 --> 00:59:49,280
Speaker 2: hit you on the shoulder. That means she's hot and ready.

1393
00:59:49,520 --> 00:59:50,480
Speaker 2: But why are you like this?

1394
00:59:50,640 --> 00:59:54,000
Speaker 1: I used to always think, all right, that just means

1395
00:59:54,000 --> 00:59:56,880
Speaker 1: I could beat, of course, But then I started like

1396
00:59:57,080 --> 00:59:59,880
Speaker 1: really analyzing the why you like this? After you've be

1397
01:00:00,320 --> 01:00:02,560
Speaker 1: mm hmm, and I think I know what's I think

1398
01:00:02,600 --> 01:00:04,960
Speaker 1: I know why you like this? What that means after

1399
01:00:05,080 --> 01:00:05,640
Speaker 1: you've been fucking?

1400
01:00:05,680 --> 01:00:05,760
Speaker 3: Oh?

1401
01:00:05,840 --> 01:00:07,680
Speaker 2: Yeah, this tone she wants to say I love you?

1402
01:00:07,840 --> 01:00:08,080
Speaker 3: Yeah.

1403
01:00:08,440 --> 01:00:11,120
Speaker 2: Absolutely, You know when a woman is at that point,

1404
01:00:11,400 --> 01:00:13,840
Speaker 2: I think, why you like this? After you beat? Is

1405
01:00:14,000 --> 01:00:16,720
Speaker 2: I love you? I just can't say it. I'm probably

1406
01:00:16,800 --> 01:00:18,840
Speaker 2: gonna creep you out, exactly, I can't say it. Yeah,

1407
01:00:18,840 --> 01:00:20,960
Speaker 2: it's gonna it's gonna push you away, it's gonna weird

1408
01:00:21,040 --> 01:00:23,440
Speaker 2: you out. It's maybe too, is it too? Because you

1409
01:00:23,480 --> 01:00:25,880
Speaker 2: know I love you? Is like it's a game of

1410
01:00:26,040 --> 01:00:28,840
Speaker 2: like yeah, like like chicken, It's like who's gonna who's

1411
01:00:28,840 --> 01:00:30,280
Speaker 2: gonna blink first, who's gonna shay it first?

1412
01:00:30,360 --> 01:00:33,920
Speaker 1: Like because you know you condom people. Yeah, Like I've

1413
01:00:33,960 --> 01:00:35,760
Speaker 1: said I like the craziest things the rest of us

1414
01:00:35,840 --> 01:00:36,120
Speaker 1: just say.

1415
01:00:37,680 --> 01:00:39,920
Speaker 2: I told the girl I loved the during sex, and

1416
01:00:40,040 --> 01:00:42,040
Speaker 2: she didn't say it back, and I kind of just

1417
01:00:42,120 --> 01:00:43,840
Speaker 2: like swept that I love you under the rug. But

1418
01:00:44,000 --> 01:00:46,240
Speaker 2: she reminded me like a few weeks later, like but

1419
01:00:46,320 --> 01:00:47,680
Speaker 2: you know, like I need you to say that again.

1420
01:00:47,840 --> 01:00:49,680
Speaker 1: But that's I mean that I love you is when

1421
01:00:49,760 --> 01:00:53,560
Speaker 1: your mid fuck are such a gamble because I could

1422
01:00:53,600 --> 01:00:55,080
Speaker 1: rub it off like all right, whatever, she don't say

1423
01:00:55,080 --> 01:00:56,840
Speaker 1: it back, But then if you get one that like

1424
01:00:57,120 --> 01:00:59,400
Speaker 1: really starts saying she loves you and like she's been

1425
01:00:59,440 --> 01:01:01,160
Speaker 1: waiting to say it and you feel it.

1426
01:01:01,600 --> 01:01:03,840
Speaker 2: Now you put yourself in a whole. No pun intended,

1427
01:01:03,880 --> 01:01:05,720
Speaker 2: but you know, when have you? Have you ever been

1428
01:01:05,760 --> 01:01:07,920
Speaker 2: able to recognize when a woman says she loves you

1429
01:01:08,000 --> 01:01:10,960
Speaker 2: and you know she's lying. Of course, yeah, well that's

1430
01:01:11,000 --> 01:01:13,520
Speaker 2: some humbling shit. Like when a woman looks through your

1431
01:01:13,560 --> 01:01:15,400
Speaker 2: eyes and tells you I love you, you know she's lying.

1432
01:01:15,800 --> 01:01:17,840
Speaker 1: I see I'm the opposite at this point in my life.

1433
01:01:18,200 --> 01:01:22,600
Speaker 1: I say, thank god that she looks what yes, when

1434
01:01:22,640 --> 01:01:25,280
Speaker 1: she says I love you? Your responses, thank god? When

1435
01:01:25,320 --> 01:01:28,040
Speaker 1: I can tell she's lying, that's everything I need to

1436
01:01:28,120 --> 01:01:30,280
Speaker 1: Now I just figured out who you are. Like what

1437
01:01:30,400 --> 01:01:30,760
Speaker 1: it is?

1438
01:01:31,360 --> 01:01:31,720
Speaker 3: I thought you?

1439
01:01:32,000 --> 01:01:33,880
Speaker 2: That's your reply? Like no, no, no, no, no no no,

1440
01:01:34,120 --> 01:01:35,480
Speaker 2: I must say that's some sick shit.

1441
01:01:35,640 --> 01:01:37,760
Speaker 1: I'm so happy when she says I love you and

1442
01:01:37,800 --> 01:01:39,360
Speaker 1: I can tell she's lying, Like all right, thank god,

1443
01:01:39,400 --> 01:01:42,080
Speaker 1: all right, like we both I found my exit strategy.

1444
01:01:42,160 --> 01:01:42,560
Speaker 2: Number one.

1445
01:01:43,080 --> 01:01:45,200
Speaker 1: Number two, I just now I know who you are.

1446
01:01:45,760 --> 01:01:47,400
Speaker 1: Number three. Now I know you don't take I love

1447
01:01:47,480 --> 01:01:51,880
Speaker 1: seriously because it's me. I know you don't love me, Like,

1448
01:01:51,960 --> 01:01:53,720
Speaker 1: come on, look at me. I'm taking you to westfel

1449
01:01:53,800 --> 01:02:02,040
Speaker 1: once my jokes and Dick ain't hitting like that. Yeah, yeah,

1450
01:02:02,040 --> 01:02:05,200
Speaker 1: you don't have to laugh like that, right, you heard

1451
01:02:05,240 --> 01:02:06,880
Speaker 1: about have you been to Westville?

1452
01:02:08,360 --> 01:02:11,440
Speaker 2: He heard about you in the streets. Oh man.

1453
01:02:11,520 --> 01:02:11,720
Speaker 3: Yeah.

1454
01:02:11,720 --> 01:02:13,200
Speaker 2: But that's great though. When you when a woman lie

1455
01:02:13,240 --> 01:02:15,760
Speaker 2: to you and like I love you, you know she lying,

1456
01:02:15,840 --> 01:02:18,320
Speaker 2: that's just like, yes, you're you're you're you're a heathen,

1457
01:02:18,480 --> 01:02:19,040
Speaker 2: just like I am.

1458
01:02:19,680 --> 01:02:20,360
Speaker 3: You lie like me?

1459
01:02:20,920 --> 01:02:22,760
Speaker 2: Yeah, because I've definitely told a woman I love you

1460
01:02:22,800 --> 01:02:24,360
Speaker 2: and I was like, I know she doesn't believe that,

1461
01:02:25,120 --> 01:02:26,200
Speaker 2: but the tone was just wrong.

1462
01:02:26,320 --> 01:02:29,840
Speaker 1: You don't say, mom said the microphone. We all know

1463
01:02:29,920 --> 01:02:31,440
Speaker 1: you've told a woman that you love her and she

1464
01:02:31,560 --> 01:02:31,800
Speaker 1: did not.

1465
01:02:32,240 --> 01:02:34,720
Speaker 2: You did not mean it. Oh man. I'm working on

1466
01:02:34,800 --> 01:02:36,400
Speaker 2: me though, Roy, you know I'm a work in progress.

1467
01:02:37,720 --> 01:02:39,920
Speaker 2: He one of those people. Yeah, absolutely absolutely.

1468
01:02:42,080 --> 01:02:47,040
Speaker 1: Can I get a practice support remember practice reports? No,

1469
01:02:47,520 --> 01:02:50,280
Speaker 1: I'm so like, I'm kind of sick of people working

1470
01:02:50,320 --> 01:02:52,640
Speaker 1: on themselves. But no, that sounds crazy. So never like,

1471
01:02:52,680 --> 01:02:55,160
Speaker 1: I'm kind of sick. I'm sick of therapy, Like I'm

1472
01:02:55,240 --> 01:02:58,320
Speaker 1: kind of sick of excuses. Who gives the therapist therapy

1473
01:02:59,160 --> 01:03:01,720
Speaker 1: other therapists. So it's just like a cycle it's like

1474
01:03:01,760 --> 01:03:04,640
Speaker 1: a circle. I think therapists at this point are I

1475
01:03:04,800 --> 01:03:07,040
Speaker 1: see they're gonna kill me, because everyone in podcasting now

1476
01:03:07,160 --> 01:03:10,760
Speaker 1: is so fucking I went to therapy, wants mental health forever. Yeah,

1477
01:03:10,920 --> 01:03:13,920
Speaker 1: I've been going to therapy way before, y'all. I'm in

1478
01:03:14,080 --> 01:03:16,720
Speaker 1: my doctorate, I'm my master's. Y'all have just fucking got

1479
01:03:16,760 --> 01:03:17,320
Speaker 1: to high school.

1480
01:03:17,480 --> 01:03:17,560
Speaker 3: Right.

1481
01:03:19,320 --> 01:03:22,640
Speaker 1: Therapists be like manipulators. Oh of course, therapists teach you

1482
01:03:22,680 --> 01:03:25,600
Speaker 1: how to manipulate mm hmm. Like they'll make feelings like

1483
01:03:25,720 --> 01:03:29,640
Speaker 1: just straight up regular feelings, not valid, like you just

1484
01:03:29,680 --> 01:03:31,400
Speaker 1: be saying some straight up ship and oh no, it's

1485
01:03:31,480 --> 01:03:33,840
Speaker 1: deeper than that, know the fucking Sometimes it's not like

1486
01:03:33,960 --> 01:03:36,520
Speaker 1: sometimes people are just dickheads. Sometimes people are asking, ohs,

1487
01:03:36,520 --> 01:03:38,240
Speaker 1: you need to get the fuck away from them, Like, no,

1488
01:03:38,440 --> 01:03:40,880
Speaker 1: we don't need to find the deeper meaning of why

1489
01:03:40,960 --> 01:03:42,800
Speaker 1: this person did that. And if we do find it,

1490
01:03:42,880 --> 01:03:44,560
Speaker 1: that's great. But this is who they are now, and

1491
01:03:44,680 --> 01:03:45,720
Speaker 1: I want nothing to do with them.

1492
01:03:45,920 --> 01:03:47,080
Speaker 2: I want to go to I want to. I want to.

1493
01:03:47,120 --> 01:03:48,200
Speaker 2: I want to find a therapist.

1494
01:03:49,080 --> 01:03:49,440
Speaker 3: I want to.

1495
01:03:49,440 --> 01:03:51,120
Speaker 2: I want to, I want I want to find a therapist.

1496
01:03:51,160 --> 01:03:53,640
Speaker 2: I want to start going to therapy. I'm an advocate

1497
01:03:53,680 --> 01:03:55,080
Speaker 2: of it. I know it just sounded like I'm not. No,

1498
01:03:55,160 --> 01:03:56,880
Speaker 2: I think it is. It's it's mental health. Just like

1499
01:03:56,920 --> 01:03:58,400
Speaker 2: you go to the gym and workout, you should go

1500
01:03:58,400 --> 01:04:00,480
Speaker 2: to a therapists and work on you're mental It's the same.

1501
01:04:00,640 --> 01:04:02,960
Speaker 2: It all coincides with each other. But I do, I

1502
01:04:03,000 --> 01:04:05,040
Speaker 2: do want to start going to therapy. I think it'd

1503
01:04:05,080 --> 01:04:07,400
Speaker 2: be great. Just let me be there. I'm a fine one,

1504
01:04:07,400 --> 01:04:08,800
Speaker 2: I'm a finding I want I want to. I want

1505
01:04:08,840 --> 01:04:11,520
Speaker 2: to either a black woman or a black man. He's

1506
01:04:11,560 --> 01:04:15,360
Speaker 2: a therapist. You understand my culture where I come from,

1507
01:04:15,400 --> 01:04:17,120
Speaker 2: and to kind of have some some of the same

1508
01:04:17,680 --> 01:04:18,720
Speaker 2: upbringings and ship like that.

1509
01:04:18,960 --> 01:04:20,400
Speaker 1: You know, you can't fuck your therapist. Still, if you

1510
01:04:20,440 --> 01:04:21,600
Speaker 1: get a black woman, why not?

1511
01:04:22,320 --> 01:04:23,680
Speaker 2: Like what if we hit it off?

1512
01:04:23,760 --> 01:04:26,640
Speaker 1: I could see you in therapy shooting your shot. I mean,

1513
01:04:26,720 --> 01:04:29,200
Speaker 1: if she's a you know, we're attracted and she gets

1514
01:04:29,280 --> 01:04:31,800
Speaker 1: me and she understands me, she yeah, why not?

1515
01:04:31,960 --> 01:04:33,960
Speaker 2: That might turn me on? Like what are you doing

1516
01:04:34,000 --> 01:04:36,840
Speaker 2: after this? This is this is why you shouldn't I

1517
01:04:36,880 --> 01:04:38,560
Speaker 2: don't know. I don't know if this is why you

1518
01:04:38,640 --> 01:04:41,800
Speaker 2: need therapy or why you shouldn't go to therapy. No,

1519
01:04:42,000 --> 01:04:43,440
Speaker 2: but what if you what if you're sitting down with

1520
01:04:43,520 --> 01:04:47,120
Speaker 2: your therapist and she's attractive and then like she starts

1521
01:04:47,160 --> 01:04:48,640
Speaker 2: talking to you in a way and like really like

1522
01:04:48,680 --> 01:04:49,920
Speaker 2: getting you to understand certain things.

1523
01:04:50,000 --> 01:04:54,840
Speaker 1: He's like, damn, like mare cuomo, some spaces are I'm

1524
01:04:54,880 --> 01:04:58,960
Speaker 1: not there to learn about start putting getting handsy with

1525
01:04:59,080 --> 01:04:59,640
Speaker 1: the therapist.

1526
01:05:00,120 --> 01:05:01,800
Speaker 2: But you could be like, yo, like what do you am?

1527
01:05:01,840 --> 01:05:03,040
Speaker 2: I your last client today?

1528
01:05:03,040 --> 01:05:05,680
Speaker 1: Because then you're gonna take what should be your inner

1529
01:05:05,760 --> 01:05:08,680
Speaker 1: thoughts to heal to let me try to be funny

1530
01:05:08,880 --> 01:05:10,920
Speaker 1: with my inner thoughts and try to impress her.

1531
01:05:11,880 --> 01:05:12,960
Speaker 2: Isn't that what we all do anyway?

1532
01:05:13,640 --> 01:05:15,640
Speaker 1: You shouldn't do that in therapy. Okay, that's where people

1533
01:05:15,680 --> 01:05:17,680
Speaker 1: get sucked up in therapy. That's what they think therapy

1534
01:05:17,720 --> 01:05:20,439
Speaker 1: should be. This person's gonna tell me I'm right right, Okay,

1535
01:05:20,480 --> 01:05:22,280
Speaker 1: I'll go through all my shit and they gonna be like,

1536
01:05:22,320 --> 01:05:23,080
Speaker 1: I knew I was right.

1537
01:05:23,360 --> 01:05:25,440
Speaker 2: How come your ex's are more likable after you break up?

1538
01:05:27,080 --> 01:05:28,880
Speaker 2: Like I have great relationships with women.

1539
01:05:28,760 --> 01:05:32,000
Speaker 1: I've dated after we stop dating because finally I can

1540
01:05:32,080 --> 01:05:34,440
Speaker 1: only choose their good qualities and I could ignore their

1541
01:05:34,440 --> 01:05:35,120
Speaker 1: bad qualities.

1542
01:05:35,640 --> 01:05:38,360
Speaker 2: That's a great answer. Yeah, because when I'm in a relationship,

1543
01:05:38,400 --> 01:05:40,040
Speaker 2: I have to accept your bad qualities and work on

1544
01:05:40,080 --> 01:05:41,360
Speaker 2: them with you, and all that other shit.

1545
01:05:41,480 --> 01:05:44,280
Speaker 1: When we break up. Oh no, it's a buffet, baby. Yeah,

1546
01:05:44,400 --> 01:05:46,080
Speaker 1: I'm taking all the good ones. And when you get

1547
01:05:46,120 --> 01:05:46,840
Speaker 1: in your shit.

1548
01:05:46,720 --> 01:05:48,600
Speaker 2: And leave the sides, I am out of here.

1549
01:05:48,720 --> 01:05:49,040
Speaker 3: Got you?

1550
01:05:49,160 --> 01:05:52,360
Speaker 1: Matter of fact, I got a date now, I'm about

1551
01:05:52,360 --> 01:05:55,600
Speaker 1: to go meet a great woman right now. And you

1552
01:05:55,720 --> 01:05:57,280
Speaker 1: take the pressure off. I feel like with that.

1553
01:05:59,400 --> 01:06:02,000
Speaker 2: When you could just like relax and realize that no.

1554
01:06:04,320 --> 01:06:07,600
Speaker 1: Expectations in what you need from me, I could just

1555
01:06:07,720 --> 01:06:09,680
Speaker 1: kind of really appreciate who you are at that time,

1556
01:06:09,840 --> 01:06:13,440
Speaker 1: so I don't I don't overthink shit, expectations changes everything.

1557
01:06:13,600 --> 01:06:15,520
Speaker 1: Hell yeah, and you just start to realize maybe we

1558
01:06:15,840 --> 01:06:17,760
Speaker 1: just should have been friends. We would have been greatest friends.

1559
01:06:17,840 --> 01:06:19,240
Speaker 2: See that's what I say A lot of the times

1560
01:06:19,280 --> 01:06:20,880
Speaker 2: you can't have how you get out of women. That's

1561
01:06:20,880 --> 01:06:23,280
Speaker 2: how you get out of Come on, man, follow me.

1562
01:06:23,400 --> 01:06:23,960
Speaker 2: You need therapy.

1563
01:06:26,400 --> 01:06:31,160
Speaker 1: Who created dating apps tech people that were probably too

1564
01:06:31,320 --> 01:06:34,840
Speaker 1: lonely to talk to women in real life and use their.

1565
01:06:36,640 --> 01:06:39,280
Speaker 2: Amazing technical skills to figure out how to talk to them.

1566
01:06:39,640 --> 01:06:42,120
Speaker 2: I don't even know if that made sense, because dating

1567
01:06:42,200 --> 01:06:46,720
Speaker 2: apps are essentially just an app where you can kind

1568
01:06:46,760 --> 01:06:50,920
Speaker 2: of like skip the first date almost because you kind

1569
01:06:50,920 --> 01:06:52,640
Speaker 2: of put out the good qualities about yourself out there

1570
01:06:52,720 --> 01:06:53,080
Speaker 2: right away.

1571
01:06:53,680 --> 01:06:55,400
Speaker 1: Wish I do in first dates anyways, though, That's what

1572
01:06:55,400 --> 01:06:57,280
Speaker 1: I'm saying, Well, you can probably if you don't meet

1573
01:06:57,320 --> 01:06:59,880
Speaker 1: a woman on a dating app. I'm saying, like you,

1574
01:07:00,200 --> 01:07:03,040
Speaker 1: I'm just I've never done the dating app thing, never,

1575
01:07:03,280 --> 01:07:05,400
Speaker 1: just because when dating apps came out, I was in

1576
01:07:05,480 --> 01:07:08,280
Speaker 1: a relationship, so I just never was even on my

1577
01:07:08,480 --> 01:07:11,680
Speaker 1: radar when this shit happened. And I get why people doing.

1578
01:07:11,680 --> 01:07:13,040
Speaker 1: People are busy, they all have time to go out

1579
01:07:13,040 --> 01:07:15,000
Speaker 1: and meet people and all that shit. I'm joking about

1580
01:07:15,000 --> 01:07:16,680
Speaker 1: the nerd shit, even though I do think that's how

1581
01:07:16,680 --> 01:07:18,280
Speaker 1: they were started, where it was like I could just

1582
01:07:18,320 --> 01:07:19,680
Speaker 1: talk to a woman on the computer.

1583
01:07:19,840 --> 01:07:21,320
Speaker 2: I think it's just a way to get around all

1584
01:07:21,360 --> 01:07:26,520
Speaker 2: of the the awkward like first moment conversations and shit

1585
01:07:26,640 --> 01:07:28,520
Speaker 2: like that. I used to think it was creepy, like,

1586
01:07:28,560 --> 01:07:30,080
Speaker 2: all right, you don't even know this person, But then

1587
01:07:30,120 --> 01:07:33,960
Speaker 2: I thought about like where I met women at bars,

1588
01:07:34,080 --> 01:07:35,960
Speaker 2: and I'm like, I don't know this person neither. They

1589
01:07:36,080 --> 01:07:37,760
Speaker 2: just happen to be physically in front of me. Are

1590
01:07:37,800 --> 01:07:40,640
Speaker 2: you against dating apps though, No, I don't think I

1591
01:07:40,640 --> 01:07:42,840
Speaker 2: would ever do one. But yeah, I don't think the

1592
01:07:42,960 --> 01:07:45,240
Speaker 2: dating app Instagram might be a dating app. I was

1593
01:07:45,240 --> 01:07:47,240
Speaker 2: about to say, I feel like Instagram is almost a

1594
01:07:47,320 --> 01:07:47,800
Speaker 2: dating app.

1595
01:07:48,000 --> 01:07:49,680
Speaker 1: Yeah. At least I get some mutuals and I can

1596
01:07:49,720 --> 01:07:51,360
Speaker 1: ask people I know in real life. Yeah, you ever

1597
01:07:51,400 --> 01:07:51,880
Speaker 1: seen the shit?

1598
01:07:52,840 --> 01:07:56,600
Speaker 2: She really looked like this? Tender? Can you do mutuals?

1599
01:07:57,520 --> 01:07:59,640
Speaker 2: I guess all your friends have to be on Tender too.

1600
01:08:00,560 --> 01:08:02,840
Speaker 2: I don't know, honestly, that's a great question. Yeah, I

1601
01:08:02,880 --> 01:08:05,400
Speaker 2: don't know if you have mutuals on a dating app.

1602
01:08:05,680 --> 01:08:09,480
Speaker 2: I'm not sure. I'm not sure about that, but yeah,

1603
01:08:09,480 --> 01:08:13,520
Speaker 2: I know. I just I'm wary of dating apps, that's all. Yeah,

1604
01:08:13,560 --> 01:08:14,560
Speaker 2: I'm not against them.

1605
01:08:14,640 --> 01:08:17,559
Speaker 1: I've seen marriages work. I know people that use them often.

1606
01:08:18,600 --> 01:08:20,200
Speaker 2: I just I don't know. I feel like that whole

1607
01:08:20,240 --> 01:08:21,920
Speaker 2: first conversation is going to be like, Wow, we're on

1608
01:08:21,960 --> 01:08:23,360
Speaker 2: this dating app. This is so awkward.

1609
01:08:23,720 --> 01:08:27,040
Speaker 1: Yeah, oh my god, we're on this and then I'm

1610
01:08:27,080 --> 01:08:29,360
Speaker 1: a Capricorn and it's over.

1611
01:08:31,360 --> 01:08:34,400
Speaker 2: That's the end of it. Okay, what gives you more anxiety?

1612
01:08:35,160 --> 01:08:42,400
Speaker 2: Everything Charlottage gives me. Okay, we need to talk text

1613
01:08:43,439 --> 01:08:46,960
Speaker 2: or are where you at text? When you're not where

1614
01:08:46,960 --> 01:08:50,800
Speaker 2: you told her you were going to be? Where are

1615
01:08:50,800 --> 01:08:53,920
Speaker 2: you at? By far? We need to talk. I feel

1616
01:08:53,920 --> 01:08:54,439
Speaker 2: like she sees you.

1617
01:08:54,640 --> 01:08:58,120
Speaker 1: I'm a veteran and we need to talk. Yeah, because

1618
01:08:58,120 --> 01:09:01,800
Speaker 1: I'll always respond with yep, definitely do no. You got

1619
01:09:01,920 --> 01:09:04,400
Speaker 1: to no, no, no, you gotta respond with lol like

1620
01:09:04,760 --> 01:09:04,960
Speaker 1: we do.

1621
01:09:05,280 --> 01:09:05,360
Speaker 3: Na.

1622
01:09:05,439 --> 01:09:05,760
Speaker 2: You're right.

1623
01:09:06,000 --> 01:09:08,599
Speaker 1: Yeah, you beat me to it because I can't wait

1624
01:09:08,640 --> 01:09:10,920
Speaker 1: to talk. And then on the way home, I gotta think,

1625
01:09:10,960 --> 01:09:13,200
Speaker 1: a shit, we gotta talk. I have nothing to talk

1626
01:09:13,240 --> 01:09:17,519
Speaker 1: about because nothing you brought it up. I have nothing

1627
01:09:17,520 --> 01:09:18,080
Speaker 1: I want to talk to you.

1628
01:09:18,240 --> 01:09:21,880
Speaker 2: You're not even approachable, exactly exactly. I'm a veteran and

1629
01:09:22,160 --> 01:09:24,760
Speaker 2: we need to talk. Where you at? Where you at

1630
01:09:24,840 --> 01:09:26,439
Speaker 2: and you not where you told her you were going.

1631
01:09:26,560 --> 01:09:30,080
Speaker 2: She knows where I'm at. That's scary. That's scary because

1632
01:09:30,120 --> 01:09:32,519
Speaker 2: now you start looking around, but the person like the

1633
01:09:32,760 --> 01:09:34,280
Speaker 2: chicky wit you don't want her to see, like your

1634
01:09:34,479 --> 01:09:36,800
Speaker 2: energy has changed, so you got to like slick, start

1635
01:09:36,840 --> 01:09:38,840
Speaker 2: looking around the room, like see if you see any

1636
01:09:39,040 --> 01:09:43,479
Speaker 2: homegirls like shit, Like, that's scary. Where you at and

1637
01:09:43,560 --> 01:09:44,880
Speaker 2: you're not where you told her you was going.

1638
01:09:45,320 --> 01:09:48,519
Speaker 1: I'm running to the bathroom to regroup. Yeah, I might

1639
01:09:48,600 --> 01:09:51,200
Speaker 1: call my dad. You might have to get some advice.

1640
01:09:51,240 --> 01:09:53,760
Speaker 1: You might have to call her, nah, because at that

1641
01:09:53,800 --> 01:09:55,320
Speaker 1: point I'm probably gonna lie and be like, yo, his

1642
01:09:55,400 --> 01:09:56,720
Speaker 1: service was Jack.

1643
01:09:56,760 --> 01:09:58,680
Speaker 2: I was just about to tell you I was. I

1644
01:09:58,840 --> 01:10:03,680
Speaker 2: was at the spot I always it's so hard to

1645
01:10:03,680 --> 01:10:05,240
Speaker 2: get out to where you at because she knows where

1646
01:10:05,280 --> 01:10:07,800
Speaker 2: you at. She knows exactly where you are, exactly where

1647
01:10:07,800 --> 01:10:08,920
Speaker 2: you are. That one's really tough.

1648
01:10:08,920 --> 01:10:11,559
Speaker 1: If you ever had a chick send you her location

1649
01:10:12,800 --> 01:10:16,559
Speaker 1: and then expects you to send it back, because that's

1650
01:10:16,600 --> 01:10:18,479
Speaker 1: a new thing that I didn't know that was a thing.

1651
01:10:18,960 --> 01:10:21,840
Speaker 1: She could be like, oh, here's my location, and I'm like, cool,

1652
01:10:21,920 --> 01:10:24,040
Speaker 1: mind you I don't ask I've never asked a woman

1653
01:10:24,479 --> 01:10:27,840
Speaker 1: send me your location, because I'm not that psychotic. But

1654
01:10:28,880 --> 01:10:31,360
Speaker 1: they expect you to then like hit accept and it

1655
01:10:31,439 --> 01:10:34,240
Speaker 1: says like iPhone For the first time, I feel like

1656
01:10:34,400 --> 01:10:36,240
Speaker 1: was on the man's side. It says like ten times,

1657
01:10:36,479 --> 01:10:39,160
Speaker 1: are you sure you want to share your asking? You

1658
01:10:39,360 --> 01:10:43,120
Speaker 1: like positive you want to do this? Yeah, that's the

1659
01:10:43,160 --> 01:10:46,080
Speaker 1: weirdest conversation, Like, no, I'm not giving you my location.

1660
01:10:46,439 --> 01:10:49,040
Speaker 2: I've shared a location with a woman before because she

1661
01:10:49,280 --> 01:10:52,479
Speaker 2: was driving back home. She lived out of state, so

1662
01:10:52,600 --> 01:10:53,760
Speaker 2: it was just kind of sort of like just to

1663
01:10:53,800 --> 01:10:55,800
Speaker 2: make sure she was oh no, no, no, no, that

1664
01:10:55,920 --> 01:10:56,360
Speaker 2: I've done.

1665
01:10:56,520 --> 01:10:58,800
Speaker 1: I'm saying the share your location, like I just I

1666
01:10:58,800 --> 01:11:00,760
Speaker 1: don't know where you are now, and you'll know where

1667
01:11:00,800 --> 01:11:03,080
Speaker 1: I am. I'm told, not the certain time of you

1668
01:11:03,120 --> 01:11:04,680
Speaker 1: all my way home and I don't know. It could

1669
01:11:04,720 --> 01:11:07,439
Speaker 1: be a weird I'm in an uber and here's my location.

1670
01:11:07,920 --> 01:11:11,080
Speaker 1: They're expecting you to hit share as well. And now

1671
01:11:11,200 --> 01:11:12,400
Speaker 1: this is just my location.

1672
01:11:12,680 --> 01:11:14,439
Speaker 2: Now you gotta do what I do sometimes leave your

1673
01:11:14,479 --> 01:11:20,120
Speaker 2: phone in the crib and just yeah, these chicks is

1674
01:11:20,160 --> 01:11:23,080
Speaker 2: fucking chicks are scientists for real, for sure, and we

1675
01:11:23,120 --> 01:11:24,760
Speaker 2: already know this. I'm not saying nothing. Y'all don't know.

1676
01:11:25,400 --> 01:11:27,679
Speaker 1: They figured out because women have two phones. We didn't

1677
01:11:27,720 --> 01:11:29,920
Speaker 1: know that all women have two phones. Remember when it

1678
01:11:30,000 --> 01:11:32,719
Speaker 1: was the guy that had the side phone. That's changed.

1679
01:11:32,800 --> 01:11:35,439
Speaker 1: We all have one phone. They have two phones, and

1680
01:11:35,520 --> 01:11:38,559
Speaker 1: they switched. Look, you know, I didn't know they switched

1681
01:11:38,560 --> 01:11:42,840
Speaker 1: the location from that phone they go out with to

1682
01:11:42,920 --> 01:11:45,680
Speaker 1: the one that they leave home. So their location is

1683
01:11:45,840 --> 01:11:47,080
Speaker 1: home all the time.

1684
01:11:47,520 --> 01:11:48,759
Speaker 2: You sly little devils.

1685
01:11:49,960 --> 01:11:54,439
Speaker 1: Mmmm wait till I just throw I throw an iPad

1686
01:11:54,520 --> 01:12:01,640
Speaker 1: in your trunk. Just wait, look what you're throwing in yea,

1687
01:12:02,040 --> 01:12:05,120
Speaker 1: like leave that in there? Like my my phone where

1688
01:12:05,200 --> 01:12:05,840
Speaker 1: my I pad at?

1689
01:12:07,400 --> 01:12:10,400
Speaker 2: Oh my god? If you see, if you if you

1690
01:12:10,439 --> 01:12:12,680
Speaker 2: were talking to a woman and you don't know she

1691
01:12:12,760 --> 01:12:15,560
Speaker 2: has two phones and like randomly y'all just in the

1692
01:12:15,600 --> 01:12:18,519
Speaker 2: crip chilling you see her pull out two phones. It's like, yo,

1693
01:12:18,600 --> 01:12:19,040
Speaker 2: who are you?

1694
01:12:19,800 --> 01:12:19,960
Speaker 3: You know?

1695
01:12:20,040 --> 01:12:22,280
Speaker 1: I found that out when we or no, you didn't

1696
01:12:22,280 --> 01:12:26,280
Speaker 1: come to that uh that dreamville uh bos release shit,

1697
01:12:26,360 --> 01:12:28,559
Speaker 1: that's why I found out. Shorty was like, oh wait,

1698
01:12:28,640 --> 01:12:31,680
Speaker 1: I can't ig story And I was like why and

1699
01:12:31,800 --> 01:12:33,320
Speaker 1: she was like, oh, I told my best friend that

1700
01:12:34,560 --> 01:12:37,200
Speaker 1: I wasn't out. And I was like, didn't you tell

1701
01:12:37,240 --> 01:12:39,120
Speaker 1: me before that she had like your location all the time,

1702
01:12:39,240 --> 01:12:40,599
Speaker 1: and she was like, oh no, I have two phones

1703
01:12:40,600 --> 01:12:43,320
Speaker 1: and I just switched my location over and I was like, yeah,

1704
01:12:44,280 --> 01:12:45,200
Speaker 1: I should get away from you.

1705
01:12:45,600 --> 01:12:48,760
Speaker 2: Yeah, it's scary women start doing shit like that, we

1706
01:12:48,840 --> 01:12:50,120
Speaker 2: don't have a chance. But then you say it so

1707
01:12:50,240 --> 01:12:53,160
Speaker 2: casually and you're doing it to your best friends, you

1708
01:12:53,240 --> 01:12:55,720
Speaker 2: know anything, Like I know if you're doing that to

1709
01:12:55,800 --> 01:12:58,880
Speaker 2: your best friends, I know you doing that fucked so

1710
01:12:59,000 --> 01:13:01,120
Speaker 2: funny thing happened to me over the week in Rory.

1711
01:13:01,200 --> 01:13:08,040
Speaker 2: I was walking around downtown and I walked past the

1712
01:13:08,120 --> 01:13:11,679
Speaker 2: McDonald's and I saw that they had the Sweety meal,

1713
01:13:13,280 --> 01:13:15,360
Speaker 2: And you know, you know, I want to support Sweete

1714
01:13:15,439 --> 01:13:19,280
Speaker 2: as much as I can whenever I can, and for women. Yeah,

1715
01:13:19,360 --> 01:13:23,120
Speaker 2: I almost broke my my my vegan diet of over

1716
01:13:23,160 --> 01:13:27,240
Speaker 2: a year. Person. Yeah, I was just like, because you

1717
01:13:27,320 --> 01:13:31,000
Speaker 2: see a sweety meal, it's like I have to have this.

1718
01:13:31,920 --> 01:13:33,479
Speaker 2: It feels like I would have a piece of her

1719
01:13:33,560 --> 01:13:36,800
Speaker 2: if I had the sweety Yet it's almost like I

1720
01:13:36,920 --> 01:13:40,080
Speaker 2: have a piece. This is something that she's endorsing, She's behind,

1721
01:13:40,120 --> 01:13:42,080
Speaker 2: this is her product. Look at marketing working on you.

1722
01:13:42,439 --> 01:13:44,479
Speaker 1: Yeah, it's like with sweety or you can market anything.

1723
01:13:44,600 --> 01:13:50,000
Speaker 1: How long vegetarian vegan I've been vegan June made a year,

1724
01:13:50,920 --> 01:13:53,600
Speaker 1: so that long and you would you would have just

1725
01:13:53,800 --> 01:13:55,439
Speaker 1: broke off for processed chicken nuggets.

1726
01:13:55,920 --> 01:13:58,439
Speaker 2: Yo, listen man, for sweety. It's it's hard not to.

1727
01:13:59,560 --> 01:14:02,400
Speaker 1: It's how you I mean, we saw that the icy

1728
01:14:02,560 --> 01:14:07,960
Speaker 1: DM worked for her previous relationship. What what type of

1729
01:14:08,080 --> 01:14:11,639
Speaker 1: McNugget response would you have to put in her DMS?

1730
01:14:12,080 --> 01:14:13,840
Speaker 1: I would probably would have sent her like a picture

1731
01:14:13,880 --> 01:14:18,560
Speaker 1: of you breaking your vegan. I probably would have to

1732
01:14:18,600 --> 01:14:20,920
Speaker 1: send her a picture of like some type of sauce

1733
01:14:21,000 --> 01:14:21,960
Speaker 1: dipping sauce or something.

1734
01:14:22,120 --> 01:14:26,280
Speaker 2: Yeah, oh you saucy. Yeah, and then let her try

1735
01:14:26,320 --> 01:14:28,280
Speaker 2: to trust me DM and her.

1736
01:14:28,600 --> 01:14:28,920
Speaker 3: You don't know.

1737
01:14:29,080 --> 01:14:31,479
Speaker 2: Listen, man, I've seen crazy if things work, man, listen,

1738
01:14:31,600 --> 01:14:33,920
Speaker 2: let's not just knock that like fun. I've seen some

1739
01:14:34,080 --> 01:14:36,960
Speaker 2: wold shit happened to me. Shorty, I'm M vegan. Yeah, Like,

1740
01:14:37,040 --> 01:14:39,240
Speaker 2: come on, man, because then now with me and Sweety

1741
01:14:39,280 --> 01:14:41,559
Speaker 2: could do as we could collab and we could make

1742
01:14:41,600 --> 01:14:45,360
Speaker 2: the first vegan McDonald's meal. You know what I'm saying.

1743
01:14:45,680 --> 01:14:47,519
Speaker 2: I didn't even see that. Come on, man, Like you

1744
01:14:47,560 --> 01:14:48,960
Speaker 2: know what I'm saying. You gotta gotta really look and

1745
01:14:48,960 --> 01:14:51,920
Speaker 2: see what I'm trying to impossible burger. Yeah, let's do

1746
01:14:52,840 --> 01:14:55,880
Speaker 2: need somewhere and Sweety need to collab and do the

1747
01:14:56,040 --> 01:14:58,480
Speaker 2: first all vegan McDonald's.

1748
01:14:58,680 --> 01:15:01,519
Speaker 1: Yeah, extra value the mc the mc mall gotta do

1749
01:15:01,560 --> 01:15:08,160
Speaker 1: the mcmare why not fuck you with the sweet and

1750
01:15:08,240 --> 01:15:08,800
Speaker 1: sour sauce.

1751
01:15:08,960 --> 01:15:10,280
Speaker 2: Absolutely, you gotta have that.

1752
01:15:10,840 --> 01:15:12,760
Speaker 1: Oh now I can see all right, DM, right now

1753
01:15:12,880 --> 01:15:15,760
Speaker 1: live on air, Sweety say are you sweet or are

1754
01:15:15,800 --> 01:15:16,200
Speaker 1: you sour?

1755
01:15:18,720 --> 01:15:21,280
Speaker 2: You want me to get blocked. Yes, you want me

1756
01:15:21,360 --> 01:15:23,640
Speaker 2: to get blocked. This is when your man got you down. Like,

1757
01:15:23,960 --> 01:15:27,360
Speaker 2: I'm not listening to that. Get the funk out of here. Man, Yo,

1758
01:15:27,520 --> 01:15:30,160
Speaker 2: is this summer better than last summer? We have a summer.

1759
01:15:32,560 --> 01:15:34,840
Speaker 2: It was better. This is what I'm had way more

1760
01:15:34,880 --> 01:15:36,320
Speaker 2: fun at home. Yeah, this is what I mean. I

1761
01:15:36,400 --> 01:15:38,439
Speaker 2: think last summer was better than this summer. Man, I

1762
01:15:38,479 --> 01:15:40,240
Speaker 2: had way more fun. I was sitting in the crib.

1763
01:15:40,280 --> 01:15:42,360
Speaker 2: I'm like, Yo, I think last summer was better than

1764
01:15:42,400 --> 01:15:42,840
Speaker 2: this summer.

1765
01:15:43,200 --> 01:15:45,240
Speaker 1: Yes, because I'm trying too much ship and I'm not

1766
01:15:45,360 --> 01:15:46,880
Speaker 1: liking it and it's costing too.

1767
01:15:46,880 --> 01:15:49,160
Speaker 2: Much stuff and it's weird. It's just it's just last

1768
01:15:49,160 --> 01:15:51,120
Speaker 2: summer was weird. Don't get me wrong. Last summer was

1769
01:15:51,240 --> 01:15:55,360
Speaker 2: very weird, but this summer is just like because.

1770
01:15:55,080 --> 01:15:57,840
Speaker 1: By that extra weird, by that time summertime last year,

1771
01:15:58,320 --> 01:16:00,200
Speaker 1: we kind of knew what it was. All right, put

1772
01:16:00,200 --> 01:16:02,320
Speaker 1: a fucking mask on, don't leave your house, get tested

1773
01:16:02,560 --> 01:16:06,960
Speaker 1: like new the protocol right now, COVID was running rampant.

1774
01:16:07,600 --> 01:16:09,120
Speaker 1: Let's figure out how to have fun in the house

1775
01:16:10,000 --> 01:16:12,360
Speaker 1: this summer. It's like, I don't know should I, but

1776
01:16:12,479 --> 01:16:15,320
Speaker 1: I'm also forcing it but everyone around me is forcing it.

1777
01:16:15,640 --> 01:16:18,439
Speaker 1: This is a weird time. Should I even be near

1778
01:16:18,520 --> 01:16:18,920
Speaker 1: this person?

1779
01:16:19,000 --> 01:16:21,360
Speaker 2: It's yeah, yeah, I think I think it was better.

1780
01:16:21,439 --> 01:16:23,280
Speaker 2: Last summer it was like shit was closed. It was

1781
01:16:23,320 --> 01:16:25,880
Speaker 2: only takeout, this, that, and the third. So you kind

1782
01:16:25,880 --> 01:16:29,640
Speaker 2: of knew. This summer is like are you vaxed? Are

1783
01:16:29,680 --> 01:16:33,439
Speaker 2: you not vaxed? Are you waxed? Are waxed and vexed? Yeah,

1784
01:16:33,439 --> 01:16:36,639
Speaker 2: it's like I don't know what to do. It's like, okay,

1785
01:16:36,800 --> 01:16:39,880
Speaker 2: am I allowed to go here? Last summer it.

1786
01:16:39,960 --> 01:16:42,080
Speaker 1: Was just more like of a clear cut like no,

1787
01:16:42,560 --> 01:16:45,000
Speaker 1: which waxed and vexed? I mean, I know that's a

1788
01:16:45,120 --> 01:16:48,320
Speaker 1: thing now, but I'd rather your pussy be Harry and

1789
01:16:48,320 --> 01:16:52,760
Speaker 1: you don't have corona. Like vaxed don't necessarily mean like

1790
01:16:52,880 --> 01:16:57,320
Speaker 1: we see people that are vaxed are getting corona, So

1791
01:16:57,520 --> 01:16:59,560
Speaker 1: like you should still get tested to make sure you

1792
01:16:59,600 --> 01:17:01,920
Speaker 1: don't have corona. Even if you like you don't like

1793
01:17:02,280 --> 01:17:06,000
Speaker 1: your priority. Your priority shouldn't be getting waxed. You should

1794
01:17:06,040 --> 01:17:07,719
Speaker 1: have Harry pussy and just get your ship.

1795
01:17:08,080 --> 01:17:10,799
Speaker 2: No, you should still get COVID.

1796
01:17:10,880 --> 01:17:12,759
Speaker 1: You still get waxed too, though, Like go to Walgreens,

1797
01:17:12,800 --> 01:17:14,320
Speaker 1: get a rapid and just buy a big razor.

1798
01:17:14,640 --> 01:17:17,320
Speaker 2: You don't need to be vex Yeah, yeah, just be

1799
01:17:17,479 --> 01:17:21,839
Speaker 2: waxed in, vaxed on, vaxed, but you should definitely baxed on, vaxed, unvexed.

1800
01:17:21,920 --> 01:17:24,439
Speaker 2: I would rather a woman be waxed. I don't care

1801
01:17:24,439 --> 01:17:27,720
Speaker 2: if she's vaxed, unvexed, be waxed though. Can you get

1802
01:17:27,800 --> 01:17:31,080
Speaker 2: corona by eating pussy? Probably? I'm sure the CDC will

1803
01:17:31,120 --> 01:17:33,840
Speaker 2: find some studies sooner or later that will tell us that, yes,

1804
01:17:34,080 --> 01:17:37,080
Speaker 2: that's the way it's been this entire around. Yeah, it's

1805
01:17:37,160 --> 01:17:39,080
Speaker 2: like we've been having way too much oral sex and

1806
01:17:39,160 --> 01:17:41,800
Speaker 2: had none to do with bats. And absolutely stop blaming

1807
01:17:41,840 --> 01:17:44,479
Speaker 2: them just the evil vagina. It's it's the badgers, not

1808
01:17:44,600 --> 01:17:48,120
Speaker 2: the bats. It's definitely the badge, not the bats. We

1809
01:17:48,200 --> 01:17:51,000
Speaker 2: should try to change topics before this goes waste. It's

1810
01:17:51,040 --> 01:17:52,519
Speaker 2: all good. Listen, man, this is what we here though.

1811
01:17:52,560 --> 01:17:54,800
Speaker 2: We're here to uncover all of the the ship that

1812
01:17:54,840 --> 01:17:59,320
Speaker 2: people won't uncover. Why do we keep bringing a street

1813
01:17:59,680 --> 01:18:03,680
Speaker 2: street rules and street etiquette if you will, into the

1814
01:18:03,880 --> 01:18:06,640
Speaker 2: music business and this is only in I feel like

1815
01:18:06,680 --> 01:18:08,599
Speaker 2: this is only in our culture, only in hip hop culture.

1816
01:18:09,080 --> 01:18:10,320
Speaker 2: I feel like that's a thing.

1817
01:18:11,640 --> 01:18:13,560
Speaker 1: I mean, I don't know much. I don't know what

1818
01:18:13,680 --> 01:18:14,559
Speaker 1: country culture does.

1819
01:18:14,600 --> 01:18:17,679
Speaker 2: I don't know. Well, we definitely don't hear Garth Brooks

1820
01:18:17,720 --> 01:18:21,080
Speaker 2: on the record, somebody, you've never rode a horse, You've

1821
01:18:21,160 --> 01:18:25,120
Speaker 2: never threw hay stacks, you never raised chickens, like you're

1822
01:18:25,160 --> 01:18:27,680
Speaker 2: a fraud. You just don't hear it.

1823
01:18:27,920 --> 01:18:30,479
Speaker 1: Let me see your crop game, Let me see how

1824
01:18:30,520 --> 01:18:34,080
Speaker 1: many acres you have. Again, I'm probably not the right

1825
01:18:34,120 --> 01:18:36,320
Speaker 1: person to talk about with street stuff, but I don't think.

1826
01:18:36,600 --> 01:18:39,160
Speaker 1: I really don't think people bring street rules into music

1827
01:18:39,240 --> 01:18:41,400
Speaker 1: business as a necessity. I think it's just the thing

1828
01:18:41,439 --> 01:18:44,200
Speaker 1: to debate about. I think it's I think it's the

1829
01:18:44,320 --> 01:18:48,040
Speaker 1: media social media game more than it is the actual

1830
01:18:48,120 --> 01:18:48,799
Speaker 1: music game.

1831
01:18:49,120 --> 01:18:51,920
Speaker 2: Because I think social media, though I think we did

1832
01:18:51,960 --> 01:18:52,320
Speaker 2: that a lot.

1833
01:18:53,960 --> 01:18:59,960
Speaker 1: Yeah, but it was handled drastically different, like it was separate,

1834
01:19:00,120 --> 01:19:05,479
Speaker 1: rated from the building and the media than it was

1835
01:19:06,240 --> 01:19:09,639
Speaker 1: what was actually happening. Of course, they mixed to some degree,

1836
01:19:10,000 --> 01:19:13,760
Speaker 1: but at least in my experience, and again when I

1837
01:19:13,840 --> 01:19:16,880
Speaker 1: was in the music business was like twenty ten, and

1838
01:19:17,000 --> 01:19:20,160
Speaker 1: that was when cameras like we're everywhere, But even then

1839
01:19:20,160 --> 01:19:23,760
Speaker 1: they separated things I felt drastically than what was really

1840
01:19:23,800 --> 01:19:26,960
Speaker 1: going on some stuff was for the show and the image,

1841
01:19:27,160 --> 01:19:30,720
Speaker 1: but I knew what time it was outside. Now, I

1842
01:19:30,800 --> 01:19:32,439
Speaker 1: think this is just some shit for people that are

1843
01:19:32,520 --> 01:19:38,200
Speaker 1: not of that that environment to debate about, which I

1844
01:19:38,240 --> 01:19:39,960
Speaker 1: think is the weirdest thing to me.

1845
01:19:40,600 --> 01:19:44,720
Speaker 2: I think that because now you know, more than ever

1846
01:19:44,800 --> 01:19:46,960
Speaker 2: you see a lot of these a lot of artists

1847
01:19:47,479 --> 01:19:50,240
Speaker 2: and I'm only speaking for our culture, hip hop culture,

1848
01:19:51,040 --> 01:19:54,960
Speaker 2: a lot of artists now they seem to be getting

1849
01:19:55,000 --> 01:19:58,639
Speaker 2: into more trouble and shit like that after the deal,

1850
01:20:00,160 --> 01:20:01,920
Speaker 2: you know what I'm saying, Like artists get record deals

1851
01:20:01,960 --> 01:20:04,000
Speaker 2: now and it's like they end up doing a bunch

1852
01:20:04,040 --> 01:20:06,160
Speaker 2: of prison time. They end up, you know, doing a

1853
01:20:06,200 --> 01:20:09,479
Speaker 2: bunch of dumb shit, and it's like I was, I

1854
01:20:09,680 --> 01:20:11,479
Speaker 2: was taught that once you get the deal, it's like

1855
01:20:11,840 --> 01:20:12,519
Speaker 2: I'm away from that.

1856
01:20:12,760 --> 01:20:14,560
Speaker 1: That could do with attention though, because I feel like

1857
01:20:15,080 --> 01:20:18,439
Speaker 1: I feel like Pak only got arrested after he got

1858
01:20:19,040 --> 01:20:23,200
Speaker 1: famous and signed his deal. But again that's another situation

1859
01:20:23,280 --> 01:20:26,360
Speaker 1: which I in no space to even talk about or

1860
01:20:26,360 --> 01:20:28,320
Speaker 1: comment on because that's not the life I come from.

1861
01:20:28,439 --> 01:20:30,880
Speaker 1: But I think a lot of that does have to

1862
01:20:30,920 --> 01:20:33,200
Speaker 1: do with attention though, because now you know, we do

1863
01:20:33,400 --> 01:20:36,439
Speaker 1: know that cops do target, specifically with rappers and that

1864
01:20:36,520 --> 01:20:36,960
Speaker 1: type of thing.

1865
01:20:37,320 --> 01:20:39,120
Speaker 2: But I think more of the why do.

1866
01:20:39,160 --> 01:20:42,680
Speaker 1: We bring the street rules into the music businesses more

1867
01:20:42,760 --> 01:20:45,479
Speaker 1: so of a debate now amongst people that aren't from

1868
01:20:45,600 --> 01:20:49,840
Speaker 1: that or should even be commenting on it, Like it

1869
01:20:49,920 --> 01:20:53,080
Speaker 1: ain't just space to even say shit or bring shit up.

1870
01:20:53,520 --> 01:20:56,759
Speaker 1: I mean, because you could play in both to some degree.

1871
01:20:56,880 --> 01:20:58,120
Speaker 1: You can't play in the streets and be in the

1872
01:20:58,200 --> 01:21:01,479
Speaker 1: music business. And that's what the problem is at Like,

1873
01:21:01,600 --> 01:21:03,880
Speaker 1: once you're into view, once you're in the music business,

1874
01:21:05,400 --> 01:21:07,639
Speaker 1: you're in the music that should be like I'm done

1875
01:21:07,680 --> 01:21:09,559
Speaker 1: with that. Well, the definition of playing in the streets,

1876
01:21:09,600 --> 01:21:11,960
Speaker 1: I guess would be what you would have to yeah,

1877
01:21:11,960 --> 01:21:13,720
Speaker 1: I mean a sentence to but it just wanna still

1878
01:21:13,720 --> 01:21:14,800
Speaker 1: be around your people.

1879
01:21:14,920 --> 01:21:16,920
Speaker 2: You can still you know, you can still hang out

1880
01:21:16,960 --> 01:21:18,679
Speaker 2: and go back to your neighborhood and shit, I'm talking

1881
01:21:18,680 --> 01:21:21,640
Speaker 2: about being active in the streets. If it's beef, you're

1882
01:21:21,680 --> 01:21:24,320
Speaker 2: running down on dudes and busting your hammer like fit

1883
01:21:25,160 --> 01:21:28,160
Speaker 2: Sony invested five million dollars into you, Like you know,

1884
01:21:28,320 --> 01:21:30,320
Speaker 2: you know everyone at TMZ by first name. Yeah, Like

1885
01:21:30,360 --> 01:21:32,800
Speaker 2: what do you you? It's just it has to be

1886
01:21:33,560 --> 01:21:37,280
Speaker 2: a distinct, clear cut now don't get me wrong. Certain

1887
01:21:37,320 --> 01:21:40,760
Speaker 2: rules that apply in the streets, absolutely you should apply

1888
01:21:41,120 --> 01:21:43,439
Speaker 2: to business. But as far as you're talking about code

1889
01:21:43,479 --> 01:21:46,800
Speaker 2: and ethics and just having morals and integrity, absolutely apply

1890
01:21:46,960 --> 01:21:49,880
Speaker 2: those things into business. But I'm talking about like a

1891
01:21:49,920 --> 01:21:51,519
Speaker 2: lot of it. You know, you see them now. It's

1892
01:21:51,600 --> 01:21:54,040
Speaker 2: like a lot of a lot of the streets shit

1893
01:21:54,120 --> 01:21:58,120
Speaker 2: has seeped into the music so much that you know,

1894
01:21:59,040 --> 01:22:01,519
Speaker 2: rappers or are I feel like that when they're in

1895
01:22:01,600 --> 01:22:03,720
Speaker 2: the music business and they're talking about certain things, they

1896
01:22:03,800 --> 01:22:05,720
Speaker 2: have to still be living that shit and you have

1897
01:22:05,840 --> 01:22:08,240
Speaker 2: to still be actively doing these things. And I was

1898
01:22:08,240 --> 01:22:10,560
Speaker 2: always taught that hip hop was the art of storytelling.

1899
01:22:10,960 --> 01:22:13,519
Speaker 2: It doesn't necessarily have to be your story. Yeah, just

1900
01:22:13,600 --> 01:22:15,160
Speaker 2: the way that you paint the picture and you can

1901
01:22:15,200 --> 01:22:16,880
Speaker 2: deliver it to the people and speak for the people

1902
01:22:17,360 --> 01:22:18,800
Speaker 2: and put it out to the world and to let

1903
01:22:18,880 --> 01:22:20,920
Speaker 2: people know what goes on in our communities and to

1904
01:22:21,000 --> 01:22:22,720
Speaker 2: let people know how much we need to, you know,

1905
01:22:23,000 --> 01:22:25,799
Speaker 2: fix in our communities. Things like that also bring entertainment

1906
01:22:26,080 --> 01:22:28,200
Speaker 2: from our community, like things that we go through and

1907
01:22:28,320 --> 01:22:31,240
Speaker 2: just putting it on a platform called hip hop, having fun,

1908
01:22:31,360 --> 01:22:34,719
Speaker 2: creative freedom and expression. But you don't have to still

1909
01:22:34,760 --> 01:22:39,160
Speaker 2: be actively doing that shit Like, that's the problem I'm

1910
01:22:39,200 --> 01:22:41,880
Speaker 2: having with it now. It seems like, and again, this

1911
01:22:42,000 --> 01:22:43,439
Speaker 2: is shit that could have been going on in the

1912
01:22:43,479 --> 01:22:46,040
Speaker 2: eighties and nineties as well, but it just wasn't so

1913
01:22:46,200 --> 01:22:49,240
Speaker 2: at the forefront because we didn't have so many cameras

1914
01:22:49,280 --> 01:22:51,920
Speaker 2: and social media to receive the information that we do now.

1915
01:22:52,640 --> 01:22:56,600
Speaker 1: I'll put it this way, you're either you're either a

1916
01:22:56,800 --> 01:23:00,120
Speaker 1: kid or you're stupid if you think that rap or

1917
01:23:00,200 --> 01:23:03,000
Speaker 1: should be living out their lyrics to that type of degree.

1918
01:23:03,560 --> 01:23:09,560
Speaker 1: But like that, but there are people within within the

1919
01:23:09,640 --> 01:23:13,880
Speaker 1: media that take advantage of knowing that the rappers cannot

1920
01:23:13,960 --> 01:23:17,720
Speaker 1: do that and antagonize rappers that do come from that

1921
01:23:17,840 --> 01:23:21,120
Speaker 1: and one time did and know certain triggers to get

1922
01:23:21,160 --> 01:23:24,040
Speaker 1: them out of that mind. And then when they react

1923
01:23:24,720 --> 01:23:26,640
Speaker 1: then say why you're not living like I thought you

1924
01:23:26,720 --> 01:23:28,280
Speaker 1: were supposed to be gangster? It's like, no, I'm in

1925
01:23:28,360 --> 01:23:32,120
Speaker 1: the music business now, And that's you're almost taking advantage

1926
01:23:32,160 --> 01:23:37,040
Speaker 1: of somebody that comes from a very traumatic environment that's

1927
01:23:37,080 --> 01:23:39,840
Speaker 1: trying to better themselves. That's where the shit like really

1928
01:23:39,880 --> 01:23:43,200
Speaker 1: bothers me, because you know where I come from and

1929
01:23:43,280 --> 01:23:45,880
Speaker 1: what I come from, and you know that I can't

1930
01:23:45,920 --> 01:23:48,200
Speaker 1: do that anymore, you know that. But I'm a rap

1931
01:23:48,240 --> 01:23:49,439
Speaker 1: about it because it's what I come from.

1932
01:23:49,520 --> 01:23:50,479
Speaker 2: It's what it seems.

1933
01:23:50,479 --> 01:23:52,920
Speaker 1: It's not my stories, it's my people stories whatever. So

1934
01:23:53,000 --> 01:23:56,519
Speaker 1: when you sit there and antagonize these street people that

1935
01:23:57,000 --> 01:24:00,840
Speaker 1: are now business people and in the music business, it's fun.

1936
01:24:00,920 --> 01:24:02,720
Speaker 1: Like to me, it's so corny because you know they

1937
01:24:02,800 --> 01:24:05,640
Speaker 1: can't do that, and you're antagonizing them because you know

1938
01:24:05,840 --> 01:24:08,680
Speaker 1: they can't. You know for a fact that person is

1939
01:24:08,800 --> 01:24:10,600
Speaker 1: too famous and too rich to be able to go

1940
01:24:10,680 --> 01:24:11,360
Speaker 1: do something to heah.

1941
01:24:11,240 --> 01:24:13,479
Speaker 2: And has too much to risk. Now, yeah, I have children,

1942
01:24:13,600 --> 01:24:14,240
Speaker 2: have a family.

1943
01:24:14,880 --> 01:24:15,080
Speaker 3: Yeah.

1944
01:24:15,120 --> 01:24:16,680
Speaker 2: I mean, like, it's just not we're not in the

1945
01:24:16,800 --> 01:24:19,559
Speaker 2: same space we were in when we were kids.

1946
01:24:19,720 --> 01:24:21,799
Speaker 1: But then you're also and you're doing that to somebody

1947
01:24:21,880 --> 01:24:25,840
Speaker 1: that is their mind is still developing outside of the

1948
01:24:25,960 --> 01:24:29,759
Speaker 1: environment they were once into this new venture and certain

1949
01:24:29,800 --> 01:24:31,400
Speaker 1: things is going to piss them off, and that old

1950
01:24:31,479 --> 01:24:33,400
Speaker 1: side is going to come out. Even if they know

1951
01:24:33,479 --> 01:24:36,000
Speaker 1: they can't do shit, they're going to react, at least

1952
01:24:36,080 --> 01:24:36,960
Speaker 1: verbally the same way.

1953
01:24:38,040 --> 01:24:43,160
Speaker 2: And to me, that's that's taking advantage of trauma. Yeah,

1954
01:24:43,200 --> 01:24:45,519
Speaker 2: I think at some point, you know, I don't again,

1955
01:24:46,439 --> 01:24:47,720
Speaker 2: I feel like This is something that needs to be

1956
01:24:47,760 --> 01:24:49,439
Speaker 2: done in our culture anywhere. I feel like we need

1957
01:24:50,240 --> 01:24:55,679
Speaker 2: yearly sit down together as a culture, representatives of the culture.

1958
01:24:55,720 --> 01:24:58,960
Speaker 2: We need some type of weekend or something where you know,

1959
01:24:59,080 --> 01:25:04,799
Speaker 2: we just the top figures in our culture come together,

1960
01:25:04,880 --> 01:25:07,479
Speaker 2: sit down and we talk about what's going on, and

1961
01:25:07,600 --> 01:25:10,360
Speaker 2: we talk about what's going on in the music business

1962
01:25:10,560 --> 01:25:12,760
Speaker 2: and you know, just in business general and what we're doing.

1963
01:25:12,840 --> 01:25:16,400
Speaker 2: And you know, it's kind of like a therapy session

1964
01:25:16,640 --> 01:25:18,840
Speaker 2: for our culture because a lot of us are still

1965
01:25:18,880 --> 01:25:20,400
Speaker 2: dealing with trauma. Like you had a lot of cats

1966
01:25:20,479 --> 01:25:23,760
Speaker 2: that come from the places that I come from, where

1967
01:25:23,800 --> 01:25:25,920
Speaker 2: you come from, and you know, they were living a

1968
01:25:26,000 --> 01:25:28,000
Speaker 2: certain life and then it's like, okay, now they were

1969
01:25:28,040 --> 01:25:30,840
Speaker 2: thrown into a position where a company wants to invest

1970
01:25:30,880 --> 01:25:32,680
Speaker 2: millions of dollars into this person. But it's like this

1971
01:25:32,800 --> 01:25:35,439
Speaker 2: person hasn't had time to really heal from the trauma

1972
01:25:35,560 --> 01:25:37,160
Speaker 2: that they grew up in and things that they were

1973
01:25:37,240 --> 01:25:39,559
Speaker 2: doing and things that they've seen and their friends losing

1974
01:25:39,600 --> 01:25:42,479
Speaker 2: their friends and family to violent crimes. And now you

1975
01:25:42,520 --> 01:25:44,160
Speaker 2: want me to get on stage and perform it from

1976
01:25:44,200 --> 01:25:45,400
Speaker 2: the ten thousand people.

1977
01:25:46,040 --> 01:25:48,680
Speaker 1: It's like even more now I have to deal with

1978
01:25:50,960 --> 01:25:52,760
Speaker 1: all of those people having an opinion about you.

1979
01:25:52,960 --> 01:25:54,720
Speaker 2: Yeah, you know how to react to it?

1980
01:25:54,920 --> 01:25:57,400
Speaker 1: Yeah, I don't know how to do that. Somebody would

1981
01:25:57,439 --> 01:25:59,280
Speaker 1: have said one thing to me, I would have lost

1982
01:25:59,360 --> 01:26:02,519
Speaker 1: my mind. It's ten thousand people every time I refresh

1983
01:26:02,600 --> 01:26:03,600
Speaker 1: my fucking mentions.

1984
01:26:03,360 --> 01:26:05,760
Speaker 2: And that was a lot of things that I thought

1985
01:26:05,760 --> 01:26:09,479
Speaker 2: about when it came to the baby. You know, this

1986
01:26:09,640 --> 01:26:10,559
Speaker 2: was clearly somebody.

1987
01:26:11,080 --> 01:26:11,760
Speaker 3: We saw it.

1988
01:26:11,960 --> 01:26:15,080
Speaker 2: He went through a traumatic you know, experience, We spoke

1989
01:26:15,120 --> 01:26:19,000
Speaker 2: about it before. And then now you're on stage in

1990
01:26:19,080 --> 01:26:22,439
Speaker 2: front of so many thousands of people and millions of

1991
01:26:23,120 --> 01:26:27,280
Speaker 2: people watching, and you say something and you know, you

1992
01:26:27,840 --> 01:26:32,040
Speaker 2: don't realize what you're saying is hurtful, it's wrong. But

1993
01:26:32,160 --> 01:26:35,799
Speaker 2: then now you have to be judged and quote unquote

1994
01:26:35,840 --> 01:26:39,200
Speaker 2: canceled as a result of that, when in reality, it's

1995
01:26:40,120 --> 01:26:44,080
Speaker 2: here's somebody that came from, you know, a certain upbringing,

1996
01:26:44,960 --> 01:26:47,360
Speaker 2: experienced a lot of trauma, experienced a lot of things

1997
01:26:47,400 --> 01:26:50,360
Speaker 2: in their life, and they don't have the tools and

1998
01:26:50,400 --> 01:26:54,760
Speaker 2: are not socially equipped with certain information. But now you're

1999
01:26:54,760 --> 01:26:57,120
Speaker 2: throwing this person in front of the world and saying, hey,

2000
01:26:57,240 --> 01:26:59,600
Speaker 2: be a superstar. Here's a microphone. Yeah, and it's like,

2001
01:27:00,200 --> 01:27:02,080
Speaker 2: but he's gonna say some shit, he's gonna say something

2002
01:27:02,120 --> 01:27:05,720
Speaker 2: that's not right. Yeah, and that's not you know, socially acceptable.

2003
01:27:06,160 --> 01:27:06,400
Speaker 3: Yeah.

2004
01:27:06,479 --> 01:27:09,160
Speaker 2: So instead of saying, oh, we're going to cancel you,

2005
01:27:10,320 --> 01:27:12,400
Speaker 2: you should just look at that and say, oh, here's

2006
01:27:12,400 --> 01:27:14,560
Speaker 2: a young man that just doesn't have the tools and

2007
01:27:14,560 --> 01:27:18,720
Speaker 2: it's not equipped socially with certain information. So let's but

2008
01:27:18,920 --> 01:27:22,759
Speaker 2: obviously he's talented, obviously, you know, he's he's someone who's

2009
01:27:23,240 --> 01:27:25,800
Speaker 2: you know, a blessing and a gift to his family

2010
01:27:25,880 --> 01:27:27,640
Speaker 2: because he's able to take care of his family and

2011
01:27:27,680 --> 01:27:29,680
Speaker 2: he's able to provide. So we don't want to just

2012
01:27:29,720 --> 01:27:32,720
Speaker 2: strip him of that, because then then then what you

2013
01:27:32,760 --> 01:27:34,160
Speaker 2: strip him of that? What is he what does he

2014
01:27:34,200 --> 01:27:34,560
Speaker 2: go back to?

2015
01:27:35,080 --> 01:27:39,560
Speaker 1: And I believe the lbgt Q community, I don't know

2016
01:27:39,640 --> 01:27:42,120
Speaker 1: the exact organization, I think, reached out and said that

2017
01:27:42,160 --> 01:27:43,559
Speaker 1: they would sit with the baby and.

2018
01:27:43,920 --> 01:27:44,560
Speaker 2: Just inform it.

2019
01:27:44,760 --> 01:27:47,840
Speaker 1: And I thought the handle that beautiful, absolutely, And they said, hey,

2020
01:27:48,080 --> 01:27:50,600
Speaker 1: what you said was very hurtful to us. Yeah, let

2021
01:27:50,720 --> 01:27:55,160
Speaker 1: us teach you exactly what is going on within those

2022
01:27:55,200 --> 01:28:00,400
Speaker 1: stereotypes of HIV and why that's a very problem thing

2023
01:28:00,800 --> 01:28:03,000
Speaker 1: towards our community, which I thought was the most beautiful

2024
01:28:03,000 --> 01:28:05,200
Speaker 1: way to handle that. And I think there's a better

2025
01:28:05,240 --> 01:28:07,880
Speaker 1: way to even Italian. What you're saying with the street

2026
01:28:07,920 --> 01:28:11,800
Speaker 1: coach shit into the music business should be moved in

2027
01:28:12,200 --> 01:28:15,960
Speaker 1: the same way to some degree of Hey, we probably

2028
01:28:16,000 --> 01:28:20,439
Speaker 1: need to teach certain people that come from environments how

2029
01:28:20,520 --> 01:28:24,160
Speaker 1: to move once they get into Middle America society. And

2030
01:28:24,200 --> 01:28:27,200
Speaker 1: I'm not saying to adapt shit, what's what's the jlne

2031
01:28:27,360 --> 01:28:30,120
Speaker 1: in blueprint beings. I'm not trying to change you, just

2032
01:28:30,160 --> 01:28:31,680
Speaker 1: trying to get you some game, trying to show you

2033
01:28:31,720 --> 01:28:33,280
Speaker 1: how to go from the streets to fame. Like no

2034
01:28:33,280 --> 01:28:35,400
Speaker 1: one's trying to change. No one says you have to

2035
01:28:35,439 --> 01:28:38,400
Speaker 1: move this way off because this is what Middle America wants.

2036
01:28:38,439 --> 01:28:40,160
Speaker 1: So you shouldn't have your opinions of that view. But

2037
01:28:40,479 --> 01:28:42,879
Speaker 1: it's just certain things you probably wasn't given that you would.

2038
01:28:43,240 --> 01:28:46,040
Speaker 2: Need to know what you thought. We all have, especially

2039
01:28:46,080 --> 01:28:48,840
Speaker 2: in our twenties. But if you put a microphone, if

2040
01:28:48,880 --> 01:28:52,240
Speaker 2: we started this podcast when I was eighteen, we wouldn't

2041
01:28:52,240 --> 01:28:54,360
Speaker 2: be here at thirty one, I promise you, Yeah, exactly,

2042
01:28:54,439 --> 01:28:57,200
Speaker 2: it's you know, it's it's unfortunate would have said some

2043
01:28:57,280 --> 01:28:57,639
Speaker 2: dumb shit.

2044
01:28:57,680 --> 01:28:59,559
Speaker 1: I would have said some really ignorant shit. I would

2045
01:28:59,600 --> 01:29:02,559
Speaker 1: have said some views that probably weren't the most progressive.

2046
01:29:03,240 --> 01:29:06,040
Speaker 2: But again, you know, I just think that we're too uh.

2047
01:29:06,479 --> 01:29:08,400
Speaker 2: We have a lot to fix in our culture. You know,

2048
01:29:08,720 --> 01:29:10,760
Speaker 2: we have a lot to fix. And it disappoints me

2049
01:29:10,800 --> 01:29:14,400
Speaker 2: when I see the elder statesman and the older generation

2050
01:29:14,560 --> 01:29:18,400
Speaker 2: in our culture not being a good example or not

2051
01:29:18,560 --> 01:29:21,880
Speaker 2: setting the right tone in our culture. Like that bothers

2052
01:29:21,960 --> 01:29:25,120
Speaker 2: me because it's like, you've seen more than I've seen.

2053
01:29:25,240 --> 01:29:27,960
Speaker 2: You've been through more, and you you know, you you've

2054
01:29:28,040 --> 01:29:32,000
Speaker 2: lived through different errors, and so you know how to move.

2055
01:29:32,080 --> 01:29:33,439
Speaker 2: You know, well you should know how to move, you

2056
01:29:33,479 --> 01:29:36,240
Speaker 2: should know how to conduct yourself. And it's unfortunate when

2057
01:29:36,280 --> 01:29:39,200
Speaker 2: we have, you know, elder statesmen just not moving the

2058
01:29:39,280 --> 01:29:41,360
Speaker 2: right way and not doing the right things. Because what

2059
01:29:42,280 --> 01:29:45,800
Speaker 2: example is it setting for the younger generation, Because you

2060
01:29:45,840 --> 01:29:47,800
Speaker 2: know a lot of times people like, oh, these young kids,

2061
01:29:47,800 --> 01:29:50,320
Speaker 2: these young dudes be wiling it. No, older dudes be

2062
01:29:50,360 --> 01:29:53,040
Speaker 2: wiling to older dudes be doing dumb shit too. Old

2063
01:29:53,040 --> 01:29:54,880
Speaker 2: the dudes be saying dumb shit too. So it's kind

2064
01:29:54,920 --> 01:29:57,160
Speaker 2: of like, you know, it's we just have to get

2065
01:29:57,240 --> 01:30:00,120
Speaker 2: I think that we don't spend enough time on on

2066
01:30:00,320 --> 01:30:04,000
Speaker 2: one page, and we don't spend enough time communicating with

2067
01:30:04,080 --> 01:30:05,800
Speaker 2: each other. And maybe some of those doors are not

2068
01:30:05,960 --> 01:30:09,680
Speaker 2: open because of again our upbringing in the environment we

2069
01:30:09,760 --> 01:30:12,800
Speaker 2: come from. We're not quick to let people in to

2070
01:30:12,960 --> 01:30:16,000
Speaker 2: our space and give access to ourselves to people that

2071
01:30:16,080 --> 01:30:17,760
Speaker 2: we don't know like that. But I think in hip

2072
01:30:17,760 --> 01:30:20,400
Speaker 2: hop culture it's all one culture. We all represent one culture.

2073
01:30:20,840 --> 01:30:22,240
Speaker 2: I think that we need to do a lot more

2074
01:30:22,320 --> 01:30:26,560
Speaker 2: time communicating and having honest conversations with each other and

2075
01:30:26,840 --> 01:30:30,080
Speaker 2: stop being so quick to you know, bump heads and

2076
01:30:30,240 --> 01:30:32,479
Speaker 2: go to war and all of this. It's like we've learned.

2077
01:30:32,520 --> 01:30:35,200
Speaker 2: We've lost too many people, We've lost too many prominent figures,

2078
01:30:35,439 --> 01:30:38,799
Speaker 2: We've lost too many opportunities to push our culture forward.

2079
01:30:39,520 --> 01:30:40,840
Speaker 2: And I think that we know we need to do

2080
01:30:40,960 --> 01:30:42,840
Speaker 2: something now more than that. We have the tools, we have,

2081
01:30:42,920 --> 01:30:45,080
Speaker 2: the information, we have, the technology, we have, the capital,

2082
01:30:45,120 --> 01:30:47,640
Speaker 2: We have so many things now that you know it

2083
01:30:47,680 --> 01:30:49,760
Speaker 2: would be us. It will be almost dumb of us

2084
01:30:49,880 --> 01:30:52,519
Speaker 2: to continue to do things and put energy out there

2085
01:30:52,560 --> 01:30:54,760
Speaker 2: that's going to keep bringing our culture backwards instead of

2086
01:30:54,800 --> 01:30:55,439
Speaker 2: moving us forward.

2087
01:30:55,680 --> 01:30:58,280
Speaker 1: Yeah, and the fact you just said the technology part

2088
01:30:58,800 --> 01:31:00,960
Speaker 1: nobody got to even meet for again, get on the

2089
01:31:01,040 --> 01:31:03,160
Speaker 1: zoom that we.

2090
01:31:03,200 --> 01:31:04,479
Speaker 2: Don't even have to be in the same room, but

2091
01:31:04,560 --> 01:31:07,320
Speaker 2: we do need to have the same conversation with each other.

2092
01:31:07,360 --> 01:31:09,759
Speaker 2: I think, I think that more importantly needs to happen.

2093
01:31:10,200 --> 01:31:12,280
Speaker 2: You know, somebody needs to set something up to where

2094
01:31:12,320 --> 01:31:14,920
Speaker 2: we just all sit down and you know, we communicate

2095
01:31:14,960 --> 01:31:16,360
Speaker 2: with each other and we talk to each other, We

2096
01:31:16,439 --> 01:31:18,640
Speaker 2: talk about what's going on, We ask for help in

2097
01:31:18,720 --> 01:31:20,280
Speaker 2: certain areas, you know what I mean. That's another thing.

2098
01:31:20,280 --> 01:31:22,760
Speaker 2: A lot of us have information and can help each other,

2099
01:31:22,840 --> 01:31:25,040
Speaker 2: and we don't. You know what I mean. It's almost

2100
01:31:25,120 --> 01:31:27,800
Speaker 2: like you don't want to help somebody, you know, put

2101
01:31:27,840 --> 01:31:31,000
Speaker 2: somebody in a position because you feel like it will

2102
01:31:31,000 --> 01:31:33,479
Speaker 2: put them in a better position than yourself. I never

2103
01:31:33,600 --> 01:31:36,479
Speaker 2: understood that. Like, I'm all about if I can help you,

2104
01:31:37,360 --> 01:31:39,000
Speaker 2: and I think you're a good person and you're gonna

2105
01:31:39,000 --> 01:31:40,559
Speaker 2: do right and you're gonna, you know, do the right

2106
01:31:40,600 --> 01:31:43,439
Speaker 2: thing with the opportunity, even if it's nothing in it

2107
01:31:43,520 --> 01:31:45,200
Speaker 2: for me. Most of the times it's nothing in it

2108
01:31:45,280 --> 01:31:48,040
Speaker 2: for me. That doesn't mean that I don't recognize that, Yo,

2109
01:31:48,120 --> 01:31:50,519
Speaker 2: this is gonna be great for you. Like you go here,

2110
01:31:50,680 --> 01:31:52,960
Speaker 2: you do that, And it's like in our culture, we

2111
01:31:53,120 --> 01:31:55,439
Speaker 2: so you know, we want to hold hide our hand

2112
01:31:55,479 --> 01:31:58,040
Speaker 2: and not help each other and not push each other forward.

2113
01:31:58,080 --> 01:32:01,120
Speaker 2: And it's like, it's just it's just unfortunate. Man, it's

2114
01:32:01,160 --> 01:32:02,439
Speaker 2: a lot of things. I sit back and I look

2115
01:32:02,479 --> 01:32:03,920
Speaker 2: at and I I don't speak on a lot of

2116
01:32:04,000 --> 01:32:06,400
Speaker 2: things because you know, sometimes even now, that's another thing.

2117
01:32:07,360 --> 01:32:09,680
Speaker 2: Were scared to speak on things because we might be

2118
01:32:09,760 --> 01:32:12,360
Speaker 2: canceled or people might not fuck with us, or people

2119
01:32:12,439 --> 01:32:14,400
Speaker 2: might be mad at us. And it's like, no, if

2120
01:32:14,439 --> 01:32:15,640
Speaker 2: you feel the type of way and you feel like

2121
01:32:15,680 --> 01:32:17,920
Speaker 2: something is wrong and you feel like we need to

2122
01:32:17,960 --> 01:32:20,360
Speaker 2: fix something and we need to change some things, speak

2123
01:32:20,400 --> 01:32:22,519
Speaker 2: on it. Bring that shit to the forefront. Change some shit, like,

2124
01:32:22,560 --> 01:32:25,320
Speaker 2: don't be afraid to make positive change, Like it's nothing wrong.

2125
01:32:25,600 --> 01:32:28,880
Speaker 2: That's some cool shit. Making positive changes cool. Advancing the

2126
01:32:28,960 --> 01:32:31,280
Speaker 2: culture is cool. Helping each other out is cool. That's

2127
01:32:31,320 --> 01:32:33,760
Speaker 2: cool shit. Like I love to see if I put

2128
01:32:33,840 --> 01:32:36,000
Speaker 2: somebody on to something or put them in a position

2129
01:32:36,040 --> 01:32:38,599
Speaker 2: where you know, and they do good with that position

2130
01:32:38,680 --> 01:32:40,560
Speaker 2: and they take it a step further. That makes me

2131
01:32:40,600 --> 01:32:42,640
Speaker 2: feel good. I'm like, yo, that's dope, you know what

2132
01:32:42,640 --> 01:32:45,280
Speaker 2: I mean. Like you took your opportunity and you made

2133
01:32:45,320 --> 01:32:47,200
Speaker 2: good on it, you ran with it, like you made

2134
01:32:47,200 --> 01:32:49,679
Speaker 2: the best of it. Like that's to me, that's uplifting.

2135
01:32:49,720 --> 01:32:51,559
Speaker 2: That's like it's not about a money thing.

2136
01:32:52,360 --> 01:32:55,760
Speaker 1: Yeah, I just feel like outside he's saying with when

2137
01:32:55,800 --> 01:32:58,240
Speaker 1: people ask questions, it goes to the cancel shit or

2138
01:32:58,320 --> 01:33:00,280
Speaker 1: there's the other side of that coin, which turns into

2139
01:33:00,360 --> 01:33:02,760
Speaker 1: the ego bravado back and forth.

2140
01:33:02,800 --> 01:33:04,479
Speaker 2: Shit. It's like I'm asking a question.

2141
01:33:04,560 --> 01:33:06,519
Speaker 1: I disagree with what you're saying, doesn't have to be

2142
01:33:06,640 --> 01:33:09,880
Speaker 1: this now back and forth I respond, you respond, becomes

2143
01:33:09,920 --> 01:33:12,599
Speaker 1: an ego thing. That's what needs to be stripped from

2144
01:33:12,640 --> 01:33:15,479
Speaker 1: this entire thing. Because I could even see with what

2145
01:33:15,600 --> 01:33:19,280
Speaker 1: you're saying, that's that's so brilliant of somebody really putting

2146
01:33:19,320 --> 01:33:23,160
Speaker 1: together in an entire call or weekend or whatever, retreat,

2147
01:33:23,200 --> 01:33:25,439
Speaker 1: whatever the fuck you want to call it, it's gonna

2148
01:33:25,439 --> 01:33:27,400
Speaker 1: go into ego Like who the fuck say he's supposed

2149
01:33:27,400 --> 01:33:29,160
Speaker 1: to be the one that I don't think he's the

2150
01:33:29,200 --> 01:33:29,719
Speaker 1: big homie.

2151
01:33:30,840 --> 01:33:31,040
Speaker 3: Yeah.

2152
01:33:31,560 --> 01:33:33,320
Speaker 1: Because of that, Like it's it's you got to strip

2153
01:33:33,400 --> 01:33:35,639
Speaker 1: the ego from it. Got to strip, ego, got to strip.

2154
01:33:36,080 --> 01:33:39,160
Speaker 1: That's where I think it starts. A lot of our

2155
01:33:39,200 --> 01:33:41,160
Speaker 1: culture is built on ego to its okay to look

2156
01:33:41,280 --> 01:33:44,160
Speaker 1: vulnerable on camera. It's okay to certain things. It's okay

2157
01:33:44,200 --> 01:33:45,960
Speaker 1: to ask questions, Okay to say you I don't know.

2158
01:33:46,160 --> 01:33:50,439
Speaker 1: It's okay to do things that we have just deemed

2159
01:33:50,560 --> 01:33:51,720
Speaker 1: I guess taboo.

2160
01:33:51,320 --> 01:33:51,880
Speaker 2: To some degree.

2161
01:33:52,680 --> 01:33:56,000
Speaker 1: That's where I think it starts stripping all of that.

2162
01:33:56,439 --> 01:33:59,639
Speaker 2: Yeah, once you remove the ego, it's so much room

2163
01:33:59,680 --> 01:34:01,080
Speaker 2: for a healthy conversation.

2164
01:34:01,720 --> 01:34:04,120
Speaker 1: Yeah, I agree, and that that was That was a good,

2165
01:34:04,240 --> 01:34:06,679
Speaker 1: good tangent we went on. Yeah, needed to be set,

2166
01:34:07,840 --> 01:34:10,920
Speaker 1: especially with everything that's going on right now, right onto

2167
01:34:11,000 --> 01:34:15,799
Speaker 1: some some some more cool ship sports. Yeah, lot's been happening,

2168
01:34:16,160 --> 01:34:19,960
Speaker 1: my knixt looking all right. Welcome Kimber next looking well,

2169
01:34:20,040 --> 01:34:22,120
Speaker 1: Kimber back to New York. Welcome back, I mean, well

2170
01:34:22,280 --> 01:34:23,240
Speaker 1: next time we welcome home.

2171
01:34:23,400 --> 01:34:25,320
Speaker 2: Yeah, welcome home to New York, Kimber. I was very

2172
01:34:25,360 --> 01:34:29,559
Speaker 2: happy to hear that the Knicks uh signed Kimber Rice

2173
01:34:29,640 --> 01:34:30,920
Speaker 2: High School alumni.

2174
01:34:31,200 --> 01:34:34,200
Speaker 1: And put, you know, put a whole billboard for him

2175
01:34:34,360 --> 01:34:37,200
Speaker 1: up on thirty fourth Street. Yeah, they put welcome home

2176
01:34:37,240 --> 01:34:38,200
Speaker 1: Mellow and shout out to Mellow.

2177
01:34:38,240 --> 01:34:38,759
Speaker 2: I love Mellow.

2178
01:34:38,920 --> 01:34:42,880
Speaker 1: Mellow lived in Brooklyn for like five days. Yeah, that

2179
01:34:43,080 --> 01:34:46,120
Speaker 1: welcome Home campaign was the craziest ship. He's from Baltimore,

2180
01:34:46,160 --> 01:34:47,840
Speaker 1: like they had the whole. I ain't gonna lie to it,

2181
01:34:47,920 --> 01:34:50,360
Speaker 1: like the whole. I'm coming home. I'm coming.

2182
01:34:50,920 --> 01:34:54,040
Speaker 2: I'm like he left the bolt. I don't know if

2183
01:34:54,080 --> 01:34:56,160
Speaker 2: Mello ever lived in New York, but you know, we

2184
01:34:56,280 --> 01:34:58,400
Speaker 2: love Mellow. She's out of time here in New York.

2185
01:34:58,720 --> 01:35:02,280
Speaker 2: I love Mellow. But yeah, kimm happy for him me too, man. Uh,

2186
01:35:02,600 --> 01:35:05,040
Speaker 2: you know it's good to see uh one of New

2187
01:35:05,120 --> 01:35:08,760
Speaker 2: York real, like real real New York own back in

2188
01:35:08,840 --> 01:35:11,640
Speaker 2: the garden and it Nicks looked like they're making some

2189
01:35:11,720 --> 01:35:12,400
Speaker 2: really good moves.

2190
01:35:12,479 --> 01:35:12,599
Speaker 3: Man.

2191
01:35:13,080 --> 01:35:17,120
Speaker 2: Yeah, Drewius, he signed a major, major deal at well

2192
01:35:17,600 --> 01:35:19,960
Speaker 2: deserved Yeah, yeah, he deserved it. Shout out to Jews

2193
01:35:21,800 --> 01:35:22,200
Speaker 2: who else.

2194
01:35:22,240 --> 01:35:24,280
Speaker 1: I've been seeing his jerseys everywhere in the city too.

2195
01:35:24,880 --> 01:35:26,960
Speaker 1: It'd be like a little ship that makes me happy

2196
01:35:27,000 --> 01:35:28,400
Speaker 1: about New York City basketball.

2197
01:35:29,080 --> 01:35:31,240
Speaker 2: Well, he deserves it. Man. Julius had a great year.

2198
01:35:31,600 --> 01:35:34,120
Speaker 2: I know, I know he personally wasn't happy with his

2199
01:35:34,200 --> 01:35:38,040
Speaker 2: postseason performance and his playoff performance, but you know he

2200
01:35:38,200 --> 01:35:40,360
Speaker 2: he's a hard worker. He's a hard worker. I think

2201
01:35:40,439 --> 01:35:42,880
Speaker 2: that him and Kimball are going to be amazing for

2202
01:35:42,960 --> 01:35:45,080
Speaker 2: the city. Yeah, I think they're gonna do some amazing

2203
01:35:45,120 --> 01:35:47,000
Speaker 2: things this year. They got a nice team around him.

2204
01:35:47,000 --> 01:35:50,880
Speaker 2: I like the Evan Fournier pick up. Oh yeah, d Rose,

2205
01:35:50,920 --> 01:35:53,679
Speaker 2: I forgot that the Knicks gave him another That's that's amazing.

2206
01:35:53,760 --> 01:35:55,240
Speaker 2: That was I thought that that was great when they

2207
01:35:55,640 --> 01:35:57,400
Speaker 2: signed him last year, but to see that they really

2208
01:35:57,439 --> 01:35:59,120
Speaker 2: locked him in for a few more years, it's great.

2209
01:36:00,400 --> 01:36:03,200
Speaker 2: The Lakers made a lot of moves, a lot of

2210
01:36:03,280 --> 01:36:05,559
Speaker 2: moves for the Lakers. That's my team. I'm a Laker fan.

2211
01:36:06,040 --> 01:36:09,280
Speaker 2: Shout out to Russell Westbrook signing the deal with the Lakers.

2212
01:36:09,280 --> 01:36:11,880
Speaker 2: Shout out to my boy Trev Travis back in LA.

2213
01:36:13,040 --> 01:36:14,760
Speaker 2: They got a nice thing going over there, man. The

2214
01:36:14,840 --> 01:36:17,760
Speaker 2: Lakers is they're trying to they're trying to go after it,

2215
01:36:17,880 --> 01:36:19,360
Speaker 2: and they definitely have the pieces.

2216
01:36:19,439 --> 01:36:19,599
Speaker 3: Now.

2217
01:36:19,880 --> 01:36:22,040
Speaker 2: I think they a few couple more piece, couple of

2218
01:36:22,040 --> 01:36:25,240
Speaker 2: shooters they need to probably go get. But other than that,

2219
01:36:25,479 --> 01:36:29,280
Speaker 2: they're They're right there in the top of the championship conversation.

2220
01:36:29,560 --> 01:36:31,040
Speaker 2: I mean, how many more pieces do you need?

2221
01:36:32,479 --> 01:36:34,120
Speaker 1: I get what you're saying, Yeah, but when you're talking

2222
01:36:34,120 --> 01:36:38,160
Speaker 1: about championship, of course take superstars to take you. Yeah,

2223
01:36:38,240 --> 01:36:40,400
Speaker 1: you gotta have certain pieces a guy that can come

2224
01:36:40,479 --> 01:36:43,680
Speaker 1: in straight shooter. I just hate hearing when people get

2225
01:36:43,760 --> 01:36:46,760
Speaker 1: these fucking AAU super teams where it's like, well they're

2226
01:36:46,840 --> 01:36:47,519
Speaker 1: missing a piece.

2227
01:36:47,560 --> 01:36:50,720
Speaker 2: I'm like, what, Yeah, I'm listening. I'm on I'm on you.

2228
01:36:51,040 --> 01:36:53,479
Speaker 2: I'm on that too. I don't I hate the stacked

2229
01:36:53,560 --> 01:36:56,920
Speaker 2: team super team thing the era, but it's just it's

2230
01:36:57,040 --> 01:36:58,760
Speaker 2: what we're gonna do. Man, that's just what it is. Now.

2231
01:36:58,840 --> 01:37:01,360
Speaker 2: I can't I don't want to watching basketball, but it's

2232
01:37:01,400 --> 01:37:02,160
Speaker 2: just it is what it is.

2233
01:37:03,240 --> 01:37:05,040
Speaker 1: It'll be the first year I'm rooting for the Lakers

2234
01:37:05,120 --> 01:37:06,120
Speaker 1: just because of Mellow.

2235
01:37:06,800 --> 01:37:10,439
Speaker 2: Yeah, Melo, I forgot Mellow. Jesus, I forget Mellow. Mellow's

2236
01:37:10,439 --> 01:37:14,080
Speaker 2: a Laker now. Rust is still one of my favorite

2237
01:37:14,080 --> 01:37:15,479
Speaker 2: players in the league. I want to see him get

2238
01:37:15,479 --> 01:37:18,920
Speaker 2: a ring. Travis, his family I wanted. I would love

2239
01:37:18,920 --> 01:37:19,920
Speaker 2: to see him get another ring.

2240
01:37:21,520 --> 01:37:21,960
Speaker 3: Yeah. Man.

2241
01:37:22,000 --> 01:37:25,639
Speaker 2: Shout out to the Lakers and shout out to Dennis

2242
01:37:25,640 --> 01:37:29,000
Speaker 2: Schroeder Man. Well prayers. First of all to Dennis Schroeder Man.

2243
01:37:29,040 --> 01:37:31,800
Speaker 2: I let me just say, I don't know what he

2244
01:37:31,960 --> 01:37:35,200
Speaker 2: was thinking when he turned down eighty four million from

2245
01:37:35,200 --> 01:37:37,519
Speaker 2: the Lakers. I mean, making twenty million a year to

2246
01:37:38,240 --> 01:37:42,360
Speaker 2: live in California. Los Angeles is like a dream come true.

2247
01:37:43,200 --> 01:37:46,120
Speaker 2: I don't know why he would turn that down. So

2248
01:37:46,240 --> 01:37:48,280
Speaker 2: he turned down eighty four million to live in sunny

2249
01:37:48,320 --> 01:37:52,679
Speaker 2: California to then only except fourteen days later five point

2250
01:37:52,800 --> 01:37:56,840
Speaker 2: nine million to be in cold Boston. Now, listen, I

2251
01:37:57,000 --> 01:38:01,400
Speaker 2: understand betting on yourself. I understand you know, knowing you're worth.

2252
01:38:01,479 --> 01:38:02,320
Speaker 2: I understand all of that.

2253
01:38:02,400 --> 01:38:04,479
Speaker 1: I don't think anybody understands that more than you and

2254
01:38:04,560 --> 01:38:08,479
Speaker 1: I at this point. But what I will tell you

2255
01:38:08,720 --> 01:38:12,000
Speaker 1: is I am not turning down eighty four million dollars

2256
01:38:12,000 --> 01:38:15,120
Speaker 1: to live in California. I don't give a fuck what

2257
01:38:15,400 --> 01:38:17,599
Speaker 1: anybody or my homeboys say, Nah, you worth. He could

2258
01:38:17,600 --> 01:38:20,280
Speaker 1: have kept the accounting, Yeah, like you keep all the

2259
01:38:20,360 --> 01:38:27,000
Speaker 1: fucking accounting. You live in Los Angeles, California. Do you

2260
01:38:27,120 --> 01:38:29,840
Speaker 1: know what eighty four million dollars can do in California?

2261
01:38:30,120 --> 01:38:32,920
Speaker 2: Are you kidding me? And now you're taking five point

2262
01:38:33,040 --> 01:38:35,559
Speaker 2: no man to be in freezing cold Boston. I mean,

2263
01:38:36,840 --> 01:38:39,200
Speaker 2: Dennis Schroeder, I think you're a solid pro. I think

2264
01:38:39,280 --> 01:38:40,679
Speaker 2: you you know, you're a great player.

2265
01:38:40,760 --> 01:38:43,720
Speaker 1: It's a lot of Irish culture, yeah, like it's but

2266
01:38:44,640 --> 01:38:48,840
Speaker 1: you can't you cannot turn down eighty four million. We've

2267
01:38:48,840 --> 01:38:52,120
Speaker 1: had some fun in Boston, I've had and we've had

2268
01:38:52,200 --> 01:38:54,920
Speaker 1: some fun in LA. So I don't even know what

2269
01:38:54,960 --> 01:38:57,479
Speaker 1: I'm talking about. I like I love Boston, don't get

2270
01:38:57,479 --> 01:38:57,840
Speaker 1: it twisted.

2271
01:38:57,920 --> 01:38:58,880
Speaker 3: I like Boston too.

2272
01:38:59,160 --> 01:39:02,240
Speaker 2: I like Boston. I like Boston. But if we're saying

2273
01:39:02,400 --> 01:39:05,360
Speaker 2: Boston in LA, get Boston the fuck away from me.

2274
01:39:05,439 --> 01:39:08,040
Speaker 2: It doesn't even compare. It's not even close. You turn

2275
01:39:08,120 --> 01:39:10,040
Speaker 2: that eighty four million dollars to take five million dollars

2276
01:39:10,040 --> 01:39:11,760
Speaker 2: to go to the boss. Right, it's a one year deal.

2277
01:39:11,920 --> 01:39:13,800
Speaker 2: It's a one year deal. He's right, it could be

2278
01:39:13,840 --> 01:39:16,599
Speaker 2: the right. Listen, man, Dennis Schroedder. I don't know if

2279
01:39:16,640 --> 01:39:19,920
Speaker 2: you'll ever hear this. I hope you do. But I'm

2280
01:39:20,040 --> 01:39:23,320
Speaker 2: rooting for you only because there has to be a

2281
01:39:23,439 --> 01:39:25,799
Speaker 2: silver lining in this story. I don't want to believe

2282
01:39:25,880 --> 01:39:29,680
Speaker 2: that your career will come down to you turn it

2283
01:39:29,760 --> 01:39:32,559
Speaker 2: down eighty four million dollars in LA and only accepting

2284
01:39:32,600 --> 01:39:34,280
Speaker 2: five million dollars in Boston. I hope this is not

2285
01:39:34,400 --> 01:39:36,640
Speaker 2: the end. I hope that you're betting on yourself, and

2286
01:39:36,720 --> 01:39:38,880
Speaker 2: you know you know your game and your ability more

2287
01:39:38,920 --> 01:39:43,120
Speaker 2: than anybody else does. No analysts no fucking coach. You

2288
01:39:43,240 --> 01:39:46,720
Speaker 2: know your ability, you know your potential. I'm rooting for you,

2289
01:39:47,640 --> 01:39:49,880
Speaker 2: but god damn turn it down. Eighty four million dollars

2290
01:39:49,880 --> 01:39:54,200
Speaker 2: in California. I've never jesus eighty four million. See, you

2291
01:39:54,200 --> 01:39:55,960
Speaker 2: know what, they need to start doing the negotiations. They

2292
01:39:56,000 --> 01:39:59,080
Speaker 2: really need to start putting Magic Johnson's contract on the board.

2293
01:39:59,280 --> 01:40:01,840
Speaker 2: I think every agents shout out to my guy, Rich Paul,

2294
01:40:01,960 --> 01:40:04,799
Speaker 2: but I think every agent needs to sit their players

2295
01:40:04,880 --> 01:40:07,680
Speaker 2: down and show them what Magic Johnson took. He took

2296
01:40:07,800 --> 01:40:10,880
Speaker 2: twenty five million dollars for twenty five years and now

2297
01:40:11,080 --> 01:40:12,519
Speaker 2: own He made a million dollars a year. Now he

2298
01:40:12,600 --> 01:40:15,000
Speaker 2: owns Los Angeles. None of you niggas is better than Magic.

2299
01:40:15,600 --> 01:40:19,080
Speaker 2: He could maybe own Boston after this, But then again, Boston,

2300
01:40:19,280 --> 01:40:21,320
Speaker 2: but if Magic is willing to take a deal like that.

2301
01:40:21,479 --> 01:40:23,680
Speaker 2: And a large part of that deal was because well

2302
01:40:23,760 --> 01:40:26,120
Speaker 2: at that time, it was the largest deal in I

2303
01:40:26,200 --> 01:40:29,880
Speaker 2: think sports history. But more importantly, Magic wanted to stay

2304
01:40:29,920 --> 01:40:32,599
Speaker 2: in LA. Yeah, that was it was like, yeah, I'm

2305
01:40:32,600 --> 01:40:35,599
Speaker 2: staying here, I'm not leaving. Dennis Schroeder should have taken

2306
01:40:35,640 --> 01:40:37,720
Speaker 2: the same approach. I'm staying here, I'm not leaving here.

2307
01:40:37,920 --> 01:40:40,479
Speaker 2: I'm with Lebron. I'm with ad. Where are you going

2308
01:40:40,520 --> 01:40:42,160
Speaker 2: to go? You have two of the best players of

2309
01:40:42,280 --> 01:40:46,800
Speaker 2: their time, of their position, arguably ever. You have a ring.

2310
01:40:46,960 --> 01:40:49,120
Speaker 2: You want to ring in the bubble with these guys?

2311
01:40:49,560 --> 01:40:52,680
Speaker 2: Where are you going? But I could see what can

2312
01:40:52,760 --> 01:40:54,800
Speaker 2: you see? Rory eighty four million? I could see it.

2313
01:40:55,000 --> 01:40:57,320
Speaker 1: I'm just trying to somehow look at the other side.

2314
01:40:57,400 --> 01:40:59,680
Speaker 1: Now you with everybody, Let me go, Sean and be

2315
01:40:59,760 --> 01:41:03,320
Speaker 1: my own man over here. Listen, man, listen, you with

2316
01:41:03,439 --> 01:41:06,200
Speaker 1: the stacked team, like, let me go, I get this

2317
01:41:06,400 --> 01:41:08,080
Speaker 1: five million and then figured out from there.

2318
01:41:08,160 --> 01:41:09,640
Speaker 2: Yeah, but now you got it.

2319
01:41:09,760 --> 01:41:12,760
Speaker 1: This is somebody that eighty eighty four million. I'm not

2320
01:41:12,840 --> 01:41:16,080
Speaker 1: saying I would have signed that contract so fast. I

2321
01:41:16,240 --> 01:41:18,560
Speaker 1: might have signed a hole through the contract they have.

2322
01:41:18,760 --> 01:41:20,639
Speaker 1: They might have to bring a new contract in the room.

2323
01:41:21,000 --> 01:41:22,879
Speaker 1: Eighty four million dollars living in Los Angeles?

2324
01:41:22,920 --> 01:41:24,559
Speaker 2: Come on, man, what do we talk? And I'm with Lebron.

2325
01:41:25,200 --> 01:41:27,400
Speaker 2: It's like life is life is great? Right now? So

2326
01:41:27,520 --> 01:41:30,840
Speaker 2: now again, President the shoulder. I'm praying for you, I'm

2327
01:41:30,960 --> 01:41:32,920
Speaker 2: rooting for you. I want you to have an amazing year.

2328
01:41:33,400 --> 01:41:35,479
Speaker 2: I want you to get a max contract next year.

2329
01:41:36,240 --> 01:41:38,240
Speaker 2: But God, damn. Turning down eighty four million dollars to

2330
01:41:38,240 --> 01:41:41,240
Speaker 2: live in LA is fucking insane. I hope we're wrong.

2331
01:41:41,560 --> 01:41:43,719
Speaker 2: I'll we're wrong too. It could be the right choice.

2332
01:41:44,040 --> 01:41:47,600
Speaker 1: Yeah, maybe it's because of distractions until he goes to

2333
01:41:47,680 --> 01:41:50,120
Speaker 1: Boston and finds out what cave Verdie and women are.

2334
01:41:52,520 --> 01:41:55,800
Speaker 2: Listen, I mean he might be distracted. I listen, he

2335
01:41:55,880 --> 01:41:57,760
Speaker 2: might be. Like I said, I'm hoping something that comes

2336
01:41:57,800 --> 01:41:58,040
Speaker 2: out of this.

2337
01:41:58,120 --> 01:42:00,360
Speaker 1: We'll see if I'm going to see if I'm an

2338
01:42:00,400 --> 01:42:02,960
Speaker 1: chose between highlight room and kve Verdian women.

2339
01:42:03,600 --> 01:42:04,720
Speaker 2: Oh, going kve Verdie.

2340
01:42:05,720 --> 01:42:08,760
Speaker 1: But again that eighty four whispering in your ear, But

2341
01:42:08,920 --> 01:42:10,720
Speaker 1: five was stretched with some k Verdian women. Because you

2342
01:42:10,720 --> 01:42:16,240
Speaker 1: know what's gonna happen in Boston. I go to Dorchester

2343
01:42:16,360 --> 01:42:20,360
Speaker 1: with five mil. I'm going crazy. Eighty four doesn't even

2344
01:42:20,360 --> 01:42:21,080
Speaker 1: do shit in LA.

2345
01:42:22,640 --> 01:42:25,439
Speaker 2: You are sick, man. But you know what I was doing.

2346
01:42:25,479 --> 01:42:27,599
Speaker 2: It's crazy, and you know what I would do now

2347
01:42:27,640 --> 01:42:30,400
Speaker 2: as a player this year, all I'm doing, if I'm

2348
01:42:30,479 --> 01:42:33,360
Speaker 2: Garden Schroeder, I'm just walking up to whispering eighty four.

2349
01:42:35,960 --> 01:42:39,439
Speaker 2: You that's funny. Eighty four, I'm just screaming eighty four.

2350
01:42:39,600 --> 01:42:41,639
Speaker 2: You got eighty four for me to failure, right, eighty

2351
01:42:41,840 --> 01:42:46,400
Speaker 2: you turned down eighty four, Jesus Christ. But yeah, President

2352
01:42:46,520 --> 01:42:49,960
Speaker 2: the Schroder, I'm room for him. Luca Doncic, I knew

2353
01:42:50,240 --> 01:42:52,080
Speaker 2: Dallas was gonna max him out. I mean, yeah, that

2354
01:42:52,080 --> 01:42:53,639
Speaker 2: went with us. That was a no Brander. Shout out

2355
01:42:53,680 --> 01:42:58,000
Speaker 2: to him. Kawhi Leonard just got a a super contract

2356
01:42:58,040 --> 01:42:58,719
Speaker 2: from the Clippers.

2357
01:42:59,000 --> 01:43:00,639
Speaker 1: I saw that coming, so he he wanted, he wanted

2358
01:43:00,640 --> 01:43:02,200
Speaker 1: to be home. He's not going nowhere, see what, I'm

2359
01:43:02,720 --> 01:43:04,960
Speaker 1: just get it. He's from ls he's from he's from Cali.

2360
01:43:05,000 --> 01:43:05,320
Speaker 3: I get it.

2361
01:43:05,400 --> 01:43:07,320
Speaker 2: But you know, it's just still like, I'm not going nowhere.

2362
01:43:08,600 --> 01:43:12,320
Speaker 2: Shout out to Kawhi Leonard. Uh yeah, man, And shout

2363
01:43:12,360 --> 01:43:14,120
Speaker 2: out to everybody all the other free agents that are

2364
01:43:14,320 --> 01:43:17,080
Speaker 2: signing big deals and that are staying in their current

2365
01:43:17,080 --> 01:43:19,400
Speaker 2: cities so even if they're on the move. Shout out

2366
01:43:19,439 --> 01:43:21,360
Speaker 2: to all the rookies. I'm saying a lot of good

2367
01:43:21,400 --> 01:43:24,000
Speaker 2: games in the Summer League. A lot of rookies look good.

2368
01:43:24,000 --> 01:43:24,920
Speaker 2: Shout out to Jayalen Green.

2369
01:43:25,000 --> 01:43:26,680
Speaker 3: I like him a lot. I'm with you.

2370
01:43:28,280 --> 01:43:31,080
Speaker 2: I think of new music coming out today. I know

2371
01:43:31,240 --> 01:43:33,920
Speaker 2: Fat Joe and DJ Drama have something coming out and

2372
01:43:34,000 --> 01:43:38,679
Speaker 2: second produced by Cool and Dre. The album cover looks

2373
01:43:38,760 --> 01:43:41,840
Speaker 2: like the menu at Last Lap. I want to know

2374
01:43:41,880 --> 01:43:44,360
Speaker 2: who designed it because I think it's the same thing.

2375
01:43:44,880 --> 01:43:48,280
Speaker 2: But I'm excited. Fat Joe Summertime one.

2376
01:43:48,200 --> 01:43:50,200
Speaker 1: Of the best beat pickers ever with Cool and Dre,

2377
01:43:50,560 --> 01:43:53,760
Speaker 1: with Drama, I don't doubt this will be great.

2378
01:43:53,960 --> 01:43:57,720
Speaker 2: Yeah, so I'm excited for that. Uh. Rest in peace,

2379
01:43:57,800 --> 01:44:01,800
Speaker 2: Chuckie Thompson, rested peace, Chucky Thompson man. Wow, musical legend,

2380
01:44:01,920 --> 01:44:05,479
Speaker 2: us legend, legend. Yeah, remember of the hit Man.

2381
01:44:07,439 --> 01:44:10,120
Speaker 1: Just go through all the Bad Boys catalog if you

2382
01:44:10,200 --> 01:44:11,000
Speaker 1: want to know who CHUCKI.

2383
01:44:11,080 --> 01:44:11,560
Speaker 2: Thompson is.

2384
01:44:12,040 --> 01:44:15,640
Speaker 1: Yeah, suppressed to his family, press, my brother, Guru. I

2385
01:44:15,760 --> 01:44:18,280
Speaker 1: know how close you were with him, so so my

2386
01:44:18,360 --> 01:44:19,840
Speaker 1: prayers are with all of you.

2387
01:44:21,080 --> 01:44:21,400
Speaker 2: Chucky.

2388
01:44:21,960 --> 01:44:26,000
Speaker 1: There's nothing more to be said, but that's a fucking legend.

2389
01:44:26,120 --> 01:44:28,800
Speaker 2: Super leg super legend. And I was glad to see

2390
01:44:28,800 --> 01:44:32,280
Speaker 2: a lot of people on social media, you know, giving

2391
01:44:32,360 --> 01:44:35,280
Speaker 2: him praises and giving him flowers. You know, hopefully they

2392
01:44:35,680 --> 01:44:37,760
Speaker 2: were giving him these flowers while he was here. But

2393
01:44:37,840 --> 01:44:38,840
Speaker 2: it was just good because I know a lot of

2394
01:44:38,840 --> 01:44:40,640
Speaker 2: people they didn't know who CHUCKI. Thompson was. But they

2395
01:44:40,760 --> 01:44:43,240
Speaker 2: found out through social media when the news of his

2396
01:44:43,320 --> 01:44:47,680
Speaker 2: passion started to circulate. But yeah, super Icon Man, super Icon,

2397
01:44:48,479 --> 01:44:48,880
Speaker 2: Mary J.

2398
01:44:49,040 --> 01:44:52,439
Speaker 1: Blige, I mean even I'm glad they were posting a

2399
01:44:52,520 --> 01:44:54,799
Speaker 1: lot of those clips from Uh. I forgot what documentary

2400
01:44:54,840 --> 01:44:57,519
Speaker 1: that was where Mary was giving Chucky his flowers in

2401
01:44:57,520 --> 01:44:58,120
Speaker 1: front of him.

2402
01:44:59,320 --> 01:45:00,240
Speaker 2: Yeah, my life.

2403
01:45:00,320 --> 01:45:04,000
Speaker 1: You helped me tap into my life. Like outside of

2404
01:45:04,040 --> 01:45:06,160
Speaker 1: you just being a beat maker, you're a producer, like

2405
01:45:06,800 --> 01:45:09,720
Speaker 1: you really pulled out the greatest Merry album ever.

2406
01:45:11,520 --> 01:45:11,720
Speaker 2: Yeah.

2407
01:45:11,880 --> 01:45:16,240
Speaker 1: I can't say enough about Chuckie Thompson Icon. Yeah again,

2408
01:45:16,240 --> 01:45:21,840
Speaker 1: Preisjude's family. Love to Guru, Yeah, shout out to shout

2409
01:45:21,840 --> 01:45:25,080
Speaker 1: out to Dame Lillard too. He said, no fucking way,

2410
01:45:25,080 --> 01:45:25,680
Speaker 1: I'm going to La.

2411
01:45:26,560 --> 01:45:28,840
Speaker 2: Well, yeah, I don't think Dames leaving Portland always, No,

2412
01:45:28,920 --> 01:45:29,200
Speaker 2: he said.

2413
01:45:29,240 --> 01:45:29,519
Speaker 3: Somebody.

2414
01:45:29,680 --> 01:45:33,920
Speaker 1: Somebody tweeted, uh, I bet whatever money that before the

2415
01:45:34,320 --> 01:45:38,000
Speaker 1: off season's over, literally being La, and he retweeted it

2416
01:45:38,080 --> 01:45:39,840
Speaker 1: said better million, better million.

2417
01:45:39,960 --> 01:45:40,320
Speaker 3: I like it.

2418
01:45:40,400 --> 01:45:42,040
Speaker 1: But then again, if he gets a crazy contract, maybe

2419
01:45:42,040 --> 01:45:43,120
Speaker 1: you could afford betting a million.

2420
01:45:44,120 --> 01:45:46,920
Speaker 2: That's true. I never thought about it like that. Dame's

2421
01:45:47,160 --> 01:45:50,679
Speaker 2: fourth album Different on Levels The Lord allowed. I saw

2422
01:45:50,720 --> 01:45:54,960
Speaker 2: the video. Yeah, you listen, man, I still can't believe

2423
01:45:55,200 --> 01:45:58,040
Speaker 2: Dame raps as well as he does. Like every time

2424
01:45:58,120 --> 01:45:59,720
Speaker 2: I hear a new record or I hear it's just

2425
01:45:59,880 --> 01:46:02,840
Speaker 2: like he can really rap. I think he's the best

2426
01:46:03,040 --> 01:46:06,720
Speaker 2: rapper athlete ever. Oh for sure. It's not even it's

2427
01:46:06,760 --> 01:46:09,400
Speaker 2: not a debate anymore. Like he can, he can. He

2428
01:46:09,520 --> 01:46:11,840
Speaker 2: almost rapped, And I know, you know, Dame, you know

2429
01:46:12,000 --> 01:46:14,479
Speaker 2: it's all love, but it's he raps so good. It's

2430
01:46:14,479 --> 01:46:16,120
Speaker 2: almost like if I found out he had a ghostwriter,

2431
01:46:16,200 --> 01:46:18,840
Speaker 2: I wouldn't even be surprised, Like that's how he didn't rap.

2432
01:46:19,080 --> 01:46:20,920
Speaker 2: And I know he doesn't. Yeah, I know he doesn't.

2433
01:46:20,960 --> 01:46:23,000
Speaker 2: But if it was to ever come out there someone

2434
01:46:23,120 --> 01:46:26,040
Speaker 2: is writing these lyrics, it went, that's how good these

2435
01:46:26,080 --> 01:46:27,639
Speaker 2: lyrics are. To me. It's like, Yo, it's no way

2436
01:46:27,720 --> 01:46:30,760
Speaker 2: you're this good at basketball and it's good at rapping.

2437
01:46:30,880 --> 01:46:31,720
Speaker 2: That's insane to me.

2438
01:46:32,080 --> 01:46:34,160
Speaker 1: If if the world was this is gonna be weird.

2439
01:46:34,160 --> 01:46:36,720
Speaker 1: Analogy if the world was high school. Dame reminds me

2440
01:46:36,760 --> 01:46:38,479
Speaker 1: of like that annoying dude at your high.

2441
01:46:38,320 --> 01:46:42,479
Speaker 2: School, like you good at everything? Yeah, Like not only

2442
01:46:42,560 --> 01:46:45,799
Speaker 2: are you fucking captain of the basketball team, you fucking

2443
01:46:45,960 --> 01:46:49,599
Speaker 2: just annihilated the Talent Show. Come on, get the fuck

2444
01:46:49,640 --> 01:46:51,280
Speaker 2: out of here, man, Like, who are you? And you

2445
01:46:51,360 --> 01:46:54,320
Speaker 2: the quarterback right exactly like you just you're that annoying

2446
01:46:54,560 --> 01:46:56,360
Speaker 2: guy at high school is just good at everything. Shout

2447
01:46:56,360 --> 01:46:57,719
Speaker 2: out the Dame Little Man his album.

2448
01:46:57,960 --> 01:47:00,639
Speaker 1: I'm excited for thatum because I like the do they dropped.

2449
01:47:00,760 --> 01:47:04,040
Speaker 2: Yeah, shout out the Dame. Uh. Shout out to Team USA.

2450
01:47:03,960 --> 01:47:06,320
Speaker 1: And I still think shack kind of you know you

2451
01:47:06,439 --> 01:47:09,519
Speaker 1: a nice rapping with shock got you. I gotta keep

2452
01:47:09,520 --> 01:47:10,479
Speaker 1: it honest, I feel you.

2453
01:47:10,720 --> 01:47:13,679
Speaker 2: Shout out to Team USA men and women's basketball team

2454
01:47:13,720 --> 01:47:16,240
Speaker 2: won the goal. Yeah, he was killing KD for a

2455
01:47:16,280 --> 01:47:18,920
Speaker 2: minute when they lost the first two exhibition games. They

2456
01:47:18,920 --> 01:47:23,080
Speaker 2: were saying, yeah, yeah, yeah, he had to let it

2457
01:47:23,200 --> 01:47:25,120
Speaker 2: be known, like Fame Listen man, were coming off of

2458
01:47:25,160 --> 01:47:28,320
Speaker 2: our season. People will still kind of tired. Yeah, it's

2459
01:47:28,360 --> 01:47:31,200
Speaker 2: like our season just indy two weeks ago. So shout

2460
01:47:31,240 --> 01:47:33,559
Speaker 2: out to Team USA men and women's team. Shout out

2461
01:47:33,600 --> 01:47:35,640
Speaker 2: to Sue Bird and Diana TARROSSI. I think it's their

2462
01:47:35,800 --> 01:47:40,160
Speaker 2: fifth gold medal. That's fucking crazy. Yeah, they was calling

2463
01:47:40,240 --> 01:47:42,920
Speaker 2: Katie Captain America. I like that nickname. That was fire

2464
01:47:43,280 --> 01:47:43,479
Speaker 2: with that.

2465
01:47:43,680 --> 01:47:44,280
Speaker 3: Yeah, I like that.

2466
01:47:44,439 --> 01:47:47,280
Speaker 2: With that, you know, Katie was blowing up and shout

2467
01:47:47,320 --> 01:47:49,200
Speaker 2: out to Katie too. He signed the MAX with Brooklyn.

2468
01:47:49,280 --> 01:47:52,000
Speaker 2: He'll be in Brooklyn for at least the next four years,

2469
01:47:52,439 --> 01:47:56,120
Speaker 2: Brooklyn Lakers, and I'm thinking that they'll they'll they'll lock

2470
01:47:56,240 --> 01:47:59,519
Speaker 2: up James and Kyrie as well. Yeah, pretty soon, I

2471
01:47:59,600 --> 01:48:02,519
Speaker 2: see saying. It's gonna be interesting, man, New York. New

2472
01:48:02,600 --> 01:48:05,519
Speaker 2: York basketball is gonna be interesting in for a few

2473
01:48:05,600 --> 01:48:07,479
Speaker 2: years to come, at least at least the next four

2474
01:48:07,560 --> 01:48:08,160
Speaker 2: years for sure.

2475
01:48:08,640 --> 01:48:11,360
Speaker 1: I mean, I've told you, I've given it, finally given

2476
01:48:11,439 --> 01:48:13,519
Speaker 1: him my next card. I'm still a die hard Necks fan,

2477
01:48:13,600 --> 01:48:15,680
Speaker 1: but I can root for Brooklyn now.

2478
01:48:16,080 --> 01:48:18,840
Speaker 2: Yeah, I think it's a I've been treated, So I'm

2479
01:48:18,920 --> 01:48:20,559
Speaker 2: rooting for the next two man. I want to see

2480
01:48:20,920 --> 01:48:24,640
Speaker 2: Jewels and kember Uh play really well and make some

2481
01:48:24,720 --> 01:48:26,200
Speaker 2: noise in the playoffs and get out of the first

2482
01:48:26,240 --> 01:48:28,200
Speaker 2: round this year, which I think they have the pieces now.

2483
01:48:29,560 --> 01:48:30,880
Speaker 2: So yeah, it's gonna be fun. It's gonna be a

2484
01:48:30,920 --> 01:48:34,080
Speaker 2: fun year next year for New York basketball for sure. Yeah.

2485
01:48:35,280 --> 01:48:37,040
Speaker 1: Well, I think everything else I have we can say

2486
01:48:37,280 --> 01:48:43,200
Speaker 1: for the next episode. Yeah, I do want to get

2487
01:48:43,240 --> 01:48:47,120
Speaker 1: into a next week. Have you ever come up with

2488
01:48:47,240 --> 01:48:48,880
Speaker 1: a value Tament?

2489
01:48:49,000 --> 01:48:49,560
Speaker 2: Am I saying that?

2490
01:48:49,680 --> 01:48:49,800
Speaker 3: Right?

2491
01:48:50,320 --> 01:48:53,080
Speaker 2: The podcast network?

2492
01:48:53,120 --> 01:48:57,920
Speaker 1: My got Patrick. It's one of my favorite podcasts ever. Yes,

2493
01:48:58,920 --> 01:49:03,679
Speaker 1: Value Tament. Yeah, Value Tament, which is a phenomenal, phenomenal podcast.

2494
01:49:04,880 --> 01:49:07,240
Speaker 1: I don't know Patrick's last name, Patrick, I bet David,

2495
01:49:08,560 --> 01:49:12,160
Speaker 1: one of my favorite interviewers, is trying to get Trump

2496
01:49:12,320 --> 01:49:16,879
Speaker 1: and Obama to come on his podcast to have a conversation.

2497
01:49:18,200 --> 01:49:20,840
Speaker 2: I mean, I don't think that would ever happen, but okay, he's.

2498
01:49:20,680 --> 01:49:23,479
Speaker 1: Putting up I think five million dollars and I assume

2499
01:49:23,520 --> 01:49:25,759
Speaker 1: that they would put that to a charity of their choice.

2500
01:49:26,000 --> 01:49:28,160
Speaker 1: I doubt Well, I don't know about Trump, but I

2501
01:49:28,320 --> 01:49:30,240
Speaker 1: doubt that they would take that money and pocket it.

2502
01:49:30,520 --> 01:49:34,639
Speaker 2: But we'll get saved it for next week. Okay.

2503
01:49:34,680 --> 01:49:37,160
Speaker 1: I just think it's interesting, and I think Patrick is

2504
01:49:37,200 --> 01:49:40,840
Speaker 1: one of the better interviewers period. I'm not even just

2505
01:49:40,880 --> 01:49:44,160
Speaker 1: talking about podcasts. His podcast is phenomenal and he's just

2506
01:49:44,200 --> 01:49:45,080
Speaker 1: an amazing interviewer.

2507
01:49:45,200 --> 01:49:47,760
Speaker 2: So, okay, I.

2508
01:49:47,760 --> 01:49:51,080
Speaker 1: Would like to see it. Listen, he got Sammy the Bull. Yeah,

2509
01:49:51,160 --> 01:49:53,479
Speaker 1: I think that's harder than getting Trump in Obama.

2510
01:49:55,080 --> 01:49:56,639
Speaker 2: Yeah. I would like to see Trump and Obama shuit

2511
01:49:56,720 --> 01:49:58,720
Speaker 2: down and talk. I think now that you know both

2512
01:49:58,760 --> 01:50:00,439
Speaker 2: of them out of office, even though I do think

2513
01:50:00,479 --> 01:50:05,800
Speaker 2: Trump is planning to run for the next presidency, but

2514
01:50:05,840 --> 01:50:07,360
Speaker 2: I would love to see them. Shit, why not, like

2515
01:50:07,439 --> 01:50:09,240
Speaker 2: why why do we have to create these things where

2516
01:50:09,320 --> 01:50:10,679
Speaker 2: you know they're not going to talk?

2517
01:50:11,120 --> 01:50:13,719
Speaker 1: His biggest point of it more so, and again we'll

2518
01:50:13,720 --> 01:50:15,840
Speaker 1: get back into this next episode. He was more so

2519
01:50:16,120 --> 01:50:19,760
Speaker 1: saying that the debates are set up for politicians just

2520
01:50:19,840 --> 01:50:22,280
Speaker 1: to say bullshit. Podcasts give you the long form time

2521
01:50:22,280 --> 01:50:23,479
Speaker 1: where you really gotta you gotta talk.

2522
01:50:23,560 --> 01:50:24,920
Speaker 2: Yeah, you gotta say some shit, Like you can't have

2523
01:50:25,000 --> 01:50:25,559
Speaker 2: your rehearsed.

2524
01:50:25,760 --> 01:50:28,120
Speaker 1: You know a questions coming, So tell us what you

2525
01:50:28,280 --> 01:50:30,800
Speaker 1: think about pro choice and you have your shit ready

2526
01:50:30,800 --> 01:50:34,559
Speaker 1: to go. Nah, we're doing the first hour of my questions,

2527
01:50:34,920 --> 01:50:38,880
Speaker 1: second hour of audience questions, and then the third hour of.

2528
01:50:39,760 --> 01:50:41,120
Speaker 2: You can ask each other questions.

2529
01:50:42,120 --> 01:50:42,519
Speaker 3: I like it.

2530
01:50:42,920 --> 01:50:46,280
Speaker 1: I think that's how even if this doesn't happen, I

2531
01:50:46,479 --> 01:50:49,240
Speaker 1: confer him to run debates because he's a super intelligent dude.

2532
01:50:49,560 --> 01:50:52,920
Speaker 1: I'd rather him run debates on that style once we

2533
01:50:53,040 --> 01:50:55,160
Speaker 1: get down to the two. Of course, we can't do

2534
01:50:55,200 --> 01:50:58,639
Speaker 1: that with everything, but yeah, that how they do debates

2535
01:50:58,680 --> 01:51:02,080
Speaker 1: and how it's pointless's fucking point yeah, scripted answers and

2536
01:51:02,439 --> 01:51:05,280
Speaker 1: yelling over each other at this point. So right, we'll

2537
01:51:05,280 --> 01:51:05,920
Speaker 1: see where that's at.

2538
01:51:06,040 --> 01:51:06,679
Speaker 2: But we'll see.

2539
01:51:07,120 --> 01:51:09,679
Speaker 1: Yeah, we'll be back soon, and everyone has a safe weekend.

2540
01:51:10,280 --> 01:51:14,000
Speaker 2: Safe weekend, have fun, be safe. Stream your favorite artists.

2541
01:51:14,360 --> 01:51:15,240
Speaker 2: Listen to some music.

2542
01:51:15,360 --> 01:51:17,800
Speaker 1: If you're in the northeast, hide because it's hot as fuck.

2543
01:51:18,000 --> 01:51:20,920
Speaker 2: It's hot. It's gonna be hot this week. And I

2544
01:51:20,960 --> 01:51:23,920
Speaker 2: think we should take a trip soon, like a pod.

2545
01:51:24,000 --> 01:51:26,000
Speaker 2: We should do a pod like on a crazy ass

2546
01:51:26,080 --> 01:51:28,680
Speaker 2: location soon. I'm with a pot trip. Yeah, do a

2547
01:51:28,760 --> 01:51:31,639
Speaker 2: pot trip just to uh kind of change the energy

2548
01:51:31,680 --> 01:51:32,080
Speaker 2: a little bit.

2549
01:51:32,400 --> 01:51:35,120
Speaker 1: Yeah, I'm definitely with that. Do that ship on a cruise,

2550
01:51:37,000 --> 01:51:39,599
Speaker 1: some shit like that, just some different it's super funny.

2551
01:51:39,760 --> 01:51:43,120
Speaker 1: Some shit like that parted with carnival cruises. And people

2552
01:51:43,200 --> 01:51:45,759
Speaker 1: watch on Mike, just watch people go to the buffet

2553
01:51:45,800 --> 01:51:47,200
Speaker 1: all day. Look at this one, he's back.

2554
01:51:48,439 --> 01:51:51,720
Speaker 2: It's fourth meal, it's noon, Like I look at this guy.

2555
01:51:51,760 --> 01:51:52,599
Speaker 2: Look at this guy, he's back.

2556
01:51:53,960 --> 01:51:57,400
Speaker 1: He shouldn't go in the pool, Digest, wait an hour

2557
01:51:57,439 --> 01:51:58,280
Speaker 1: before you go to the pool.

2558
01:51:59,240 --> 01:52:01,880
Speaker 2: Oh man, all right, man, we'll be back next week.

2559
01:52:02,000 --> 01:52:02,240
Speaker 3: Y'all.

2560
01:52:02,280 --> 01:52:05,360
Speaker 2: Be safe have fun, stay blessed. That's the Ginger Beard man.

2561
01:52:05,680 --> 01:52:13,679
Speaker 2: I'm all peace, No Willan Mound