WEBVTT - Long Jump, Tall Tale

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<v Speaker 1>Pushkin. Hey, last dark, I've listeners. Here's part two of

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<v Speaker 1>my look at Jesse Owens's famous long jump in the

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<v Speaker 1>nineteen thirty six Nazi Olympic Games. If you missed part one,

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<v Speaker 1>maybe give that a listen first. It should be in

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<v Speaker 1>your feed. To hear the rest of our nine part

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<v Speaker 1>Revision's history series on the nineteen thirty six Olympics, head

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<v Speaker 1>over to Revisionist Histories show page and look for the

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<v Speaker 1>episodes titled Hitler's Olympics. Here's the episode. On a warm

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<v Speaker 1>day in August nineteen fifty one, a helicopter appeared in

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<v Speaker 1>the sky above the Berlin Olympics stadium. Seventy five thousand

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<v Speaker 1>people had gathered there to watch a Harlem globetrotter's basketball game.

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<v Speaker 1>The crowd looked up. The chopper circled three times and

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<v Speaker 1>landed on the field.

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<v Speaker 2>The loudspeaker announcer called out attention, attention.

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<v Speaker 1>A black man in a white suit stepped out onto

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<v Speaker 1>the red cinder track.

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<v Speaker 2>Ladies and gentlemen, the greatest run on the world, it

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<v Speaker 2>turned mister Burland.

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<v Speaker 1>Jesse Owens was back in Germany to take a victory lap.

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<v Speaker 2>I had many thoughts as I made the symbolic run

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<v Speaker 2>of victory around the same Red Center track that had

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<v Speaker 2>run so many years before. As I passed each section,

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<v Speaker 2>there was a bridge to the pass.

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<v Speaker 1>The Second World War had ended only six years earlier,

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<v Speaker 1>and Germany, along with the rest of the world, was

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<v Speaker 1>still reckoning with it all. Whatever was left of the

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<v Speaker 1>Nazi leadership had been grilled at the Nuremberg Trials. Berlin

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<v Speaker 1>was rebuilding after Allied bombing campaigns. About eighty percent of

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<v Speaker 1>the city center had been flattened, Yet the stadium the

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<v Speaker 1>Nazis had built for the Olympics was still standing, and

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<v Speaker 1>that day at the Globetrotter's game, Jesse Owens was back

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<v Speaker 1>to take his victory lab and to give a speech.

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<v Speaker 1>Words often fail on occasions like this, he told the

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<v Speaker 1>German crowd, But I remember the good that happened here.

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<v Speaker 1>I remember the fighting spirit and sportsmanship shown by German

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<v Speaker 1>athletes on this field, and here we reached the important part,

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<v Speaker 1>he says, especially by Lutslang of Germany, the man I

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<v Speaker 1>managed to be in the broad jump.

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<v Speaker 2>The crowd came forth with a tremendous role, and the

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<v Speaker 2>cheers are with me today.

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<v Speaker 1>Owens stood for an ovation that one of the globetrotters said,

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<v Speaker 1>lasted a full fifteen minutes. And I think maybe it

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<v Speaker 1>was then standing there watching how hungry that crowd was

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<v Speaker 1>for even this mention of a good German that he

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<v Speaker 1>decided to tell an even bigger story about what happened

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<v Speaker 1>between him and Luteslog at the nineteen thirty six Olympics.

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<v Speaker 1>It was the start of the great long jump tall Tale.

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<v Speaker 3>Hi'm Malcolm Gladwell. Welcome to Revisionist History, my show about

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<v Speaker 3>things overlooked and misunderstood. Throughout this series, we've been looking

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<v Speaker 3>at how people tried to rationalize their participation in Hitno's Olympics,

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<v Speaker 3>and in this episode we've reached the most enduring and

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<v Speaker 3>I think heartbreaking rationalization of all. Jesse Owens his story

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<v Speaker 3>about befriending a Nazi, the story that it seems Owen's

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<v Speaker 3>made up. But why why did Owens need to tell

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<v Speaker 3>a lie?

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<v Speaker 2>Our home was in Alabama and my parents were sharecroppers

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<v Speaker 2>on this particular place.

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<v Speaker 1>In nineteen sixty one, Jesse Owens sat down with an

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<v Speaker 1>interviewer to record in oral History. She a white woman

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<v Speaker 1>in cat's eye glasses and pearls Owens or a suit

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<v Speaker 1>The two sat in midcentury modern armchairs so close their

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<v Speaker 1>knees were almost touching. The curtains were drawn, the room

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<v Speaker 1>was filled with smoke. They spoke for six hours, starting

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<v Speaker 1>at the very beginning.

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<v Speaker 4>What about the people that owned the big house where

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<v Speaker 4>your father was a shared dropper?

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<v Speaker 5>Was this a Negro individual?

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<v Speaker 6>Light?

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<v Speaker 1>The first tape is mostly about Owens's early life, growing

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<v Speaker 1>up one of the youngest of ten brothers and sisters

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<v Speaker 1>in Alabama. He was a sickly kid with a sunny disposition.

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<v Speaker 1>His parents had him late, him their gift child. It

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<v Speaker 1>can be hard to know things for certain about Jesse Owens' life.

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<v Speaker 1>His biographer William J. Baker once wrote of him, Jesse

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<v Speaker 1>Owens was always strong on imagination, weak on literal truth.

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<v Speaker 1>But whatever the facts, I believe his tone of voice

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<v Speaker 1>in this tape, its warmth and its weariness. You hear

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<v Speaker 1>about the setbacks, the time he saw his mother crying

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<v Speaker 1>while folding the laundry because she couldn't afford clothes for him,

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<v Speaker 1>And then you hear about the.

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<v Speaker 4>Triumphs Now, that's where it all began.

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<v Speaker 7>Junior Heins rebala I spoke chapter with the basketball team.

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<v Speaker 7>Chapter in of the track team, captain of the baseball team,

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<v Speaker 7>I was president of the student council, captain about cards.

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<v Speaker 1>I was impressed the first time I heard him list

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<v Speaker 1>all those accomplishments. He was obviously great from the start.

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<v Speaker 1>But the second time I listened, I noticed just how

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<v Speaker 1>worn out he sounds going through that list. That tone

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<v Speaker 1>has a lot to do with how I came to

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<v Speaker 1>understand Jesse Owens. He's telling the story of his life

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<v Speaker 1>in this oral history, but really he just keeps talking

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<v Speaker 1>about one idea.

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<v Speaker 4>She get tired of this sometimes, Oh yes, you get

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<v Speaker 4>tired of living in a glass bowl.

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<v Speaker 1>Living in a glass bowl. But it's a.

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<v Speaker 7>It's a wonderful thing to help people to recognize you,

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<v Speaker 7>people to admire you for your ability, but sometimes people

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<v Speaker 7>forget your human being. People were looking, everybody's eyes were

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<v Speaker 7>upon you, and it would scrutinize everything that you did,

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<v Speaker 7>and so therefore you had to be very, very careful

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<v Speaker 7>of what of the things that you did, and it's.

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<v Speaker 4>A tough thing.

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<v Speaker 1>Sometimes. By the time he taped this interview, people had

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<v Speaker 1>been telling stories about Jesse Owens, mythologizing him for decades.

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<v Speaker 1>You can even hear of the interview we're doing it.

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<v Speaker 4>How did all this make you feel?

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<v Speaker 5>Now, Remember, you're a you're you're a youngster from the

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<v Speaker 5>cotton fields of Alabama, and this is all relatively new

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<v Speaker 5>to you. And suddenly you're you're you're the captain of

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<v Speaker 5>so many things, and you're a well, a good suit

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<v Speaker 5>and people like you.

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<v Speaker 4>And when you felt like you were somebody, you know?

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<v Speaker 1>And that, I think is that the heart of why

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<v Speaker 1>Jesse Owens made up that story about Lutslog helping him

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<v Speaker 1>during the broad jump qualifying rounds and about their friendship

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<v Speaker 1>all those years afterwards. First being an athlete made him somebody,

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<v Speaker 1>then when that was done, telling stories about it kept

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<v Speaker 1>him with somebody. But he was black in early twentieth

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<v Speaker 1>century America, which meant that as soon as he started

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<v Speaker 1>to be somebody, he had to play the two crowds,

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<v Speaker 1>the white people giving him opportunities and the black people

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<v Speaker 1>who wanted him to use his status to change things.

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<v Speaker 3>If you're the first to come along, you're a pioneer.

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<v Speaker 3>You represent not just yourself, which you represent your category.

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<v Speaker 3>And he's being asked to represent his category in a

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<v Speaker 3>way that no obviously, no white athlete is being asked

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<v Speaker 3>to represent a category.

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<v Speaker 1>Yeah, And I actually think what's striking looking at Jesse

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<v Speaker 1>Owens's life is how really that starts for him. I mean,

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<v Speaker 1>it's really he's sort of a superlative athlete from a

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<v Speaker 1>very young age, and then this just keeps happening to him.

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<v Speaker 1>It was the same when people started boycotting the nineteen

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<v Speaker 1>thirty six Olympics, wondering if he would too.

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<v Speaker 3>He's at the time, how old.

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<v Speaker 1>I think he's twenty two.

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<v Speaker 3>So we have this kid who is being asked to

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<v Speaker 3>parse one of the most complicated kind of moral and

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<v Speaker 3>political questions of the time, and he's being torn in

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<v Speaker 3>two directions.

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<v Speaker 1>At first, Jesse Owens seemed to see the situation in

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<v Speaker 1>Germany clearly, the violence and the discrimination, and he supported

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<v Speaker 1>the boycott. He knew what it was like living in

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<v Speaker 1>the United States under Jim Crow and segregation. He said

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<v Speaker 1>in a radio interview that quote, if there is discrimination

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<v Speaker 1>against minorities in Germany, then we must withdraw from the Olympics,

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<v Speaker 1>to which his white coach, Larry Snyder responded, basically, suit yourself,

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<v Speaker 1>but if you skip the Olympics, you're going to be

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<v Speaker 1>and this is his exact phrase, A forgotten man. The

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<v Speaker 1>opposite of a somebody. In the end, eighteen black athletes

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<v Speaker 1>went to Berlin with the US Olympic team that year.

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<v Speaker 1>Each of them had to wrestle privately with the question

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<v Speaker 1>of whether or not to participate, but because of the

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<v Speaker 1>Glass Bowl, Jesse Owens had to do it in public.

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<v Speaker 1>There were endless opinions about what he should do. Even

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<v Speaker 1>the secretary of the NAACP, Walter White, had an opinion

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<v Speaker 1>best represented in a letter to Owens that he drafted

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<v Speaker 1>but never sent, which now sits in the archives. I

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<v Speaker 1>fully realize how great a sacrifice it will be for

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<v Speaker 1>you to give up the trip to Europe and to

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<v Speaker 1>forego the acclaim which your athletic prowess will unquestionably bring you.

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<v Speaker 1>On the other hand, it is my firm conviction that

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<v Speaker 1>the issue of participation in the nineteen thirty six Olympics,

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<v Speaker 1>if held in Germany under the present regime, transcends all

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<v Speaker 1>other issues. Participation by American athletes, and especially by those

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<v Speaker 1>of our own race, which has suffered more than any

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<v Speaker 1>other from American race hatred, would I firmly believe, do

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<v Speaker 1>irreparable harm the very pre eminence of American negro athletes.

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<v Speaker 1>Gives them an unparalleled opportunity to strike a blow at

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<v Speaker 1>racial bigotry and to make other minority groups conscious of

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<v Speaker 1>the sameness of their problem with ours. If the Hitlers

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<v Speaker 1>and Mussolini's of the world are successful, it is inevitable

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<v Speaker 1>that dictatorships based upon prejudice will spread throughout the world.

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<v Speaker 1>White never sent that letter, but it captured how a

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<v Speaker 1>lot of people understood the stakes of the choice that

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<v Speaker 1>Jesse Owens had to make deny his Olympic dreams for

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<v Speaker 1>the good of Black America or go to the games

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<v Speaker 1>at their expense.

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<v Speaker 4>But you could have given up at this point. You

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<v Speaker 4>didn't have to go on with it. If the recognition

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<v Speaker 4>and the status hadn't been as important to you as

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<v Speaker 4>it was, you could have sat un through with this nonsense.

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<v Speaker 4>I'm going to finish my education and the one and

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<v Speaker 4>become a lawyer or something else.

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<v Speaker 7>Well, this you could have done. But yet and still

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<v Speaker 7>you feel that here you are, where people have made

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<v Speaker 7>it possible for you to start. Why at this point

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<v Speaker 7>become See you're not any greater, then the people will

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<v Speaker 7>make you. You can do a number of things. But

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<v Speaker 7>if the people are not with you, then who knows about.

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<v Speaker 1>Leave the gospel, become a forgotten man. So Jesse Owens

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<v Speaker 1>went to the Olympics with everyone watching, and he made

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<v Speaker 1>a miracle athleteca coming second up on it.

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<v Speaker 8>Makes the others look as if they're working.

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<v Speaker 1>He won gold medals in each of his events, the

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<v Speaker 1>one hundred and two hundred meters dashes, the one hundred

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<v Speaker 1>meter relay, in that legendary broad jump, and for a

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<v Speaker 1>lot of people, all those medals seemed to validate his

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<v Speaker 1>choice to go. He'd proven Hitler wrong with every step,

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<v Speaker 1>so much Farian supremacy. That's where the story of Jesse

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<v Speaker 1>Owens usually ends, but there's so much more to it.

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<v Speaker 1>After the track and field events, in nineteen thirty six,

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<v Speaker 1>the athletes toured Europe for a series of track meets.

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<v Speaker 1>Avery Brandage, Newly, a member of the International Olympic Committee,

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<v Speaker 1>had organized it with the Amateur Athletic Union. The organizations

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<v Speaker 1>would pocket their cut of the ticket sales, but the

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<v Speaker 1>athletes couldn't make money from the meets. Remember the games

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<v Speaker 1>were for amateurs, no money for sport. Jesse Owens, this

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<v Speaker 1>one said. All we athletes get out of this Olympic

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<v Speaker 1>business is a view out of a train or airplane window.

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<v Speaker 1>It gets tiresome, it really does, staring out those windows.

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<v Speaker 1>I think he had started to contemplate his future, and

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<v Speaker 1>I don't think he liked what he saw. They were

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<v Speaker 1>expected to keep training, compete for a few more years

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<v Speaker 1>until their bodies started to fall apart. Maybe there'd be

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<v Speaker 1>another Olympic Games. But then what Owens didn't come from

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<v Speaker 1>a rich family. He'd barely had the time to get

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<v Speaker 1>an education with all his training. What kind of job

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<v Speaker 1>could he do once his athletic career was over. After

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<v Speaker 1>the Berlin Games, he was really famous. Offers had started

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<v Speaker 1>to come in. Twenty five grand for two weeks with

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<v Speaker 1>an orchestra in California, forty grand for ten weeks of

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<v Speaker 1>shows with the entertainer Eddie Canter. Now that's serious money.

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<v Speaker 1>In nineteen thirty six, that was a fortune. He began

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<v Speaker 1>to think about leaving the tour and going home. Could

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<v Speaker 1>be rich, but going professional would be violating Olympic rules

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<v Speaker 1>and missing the rest of the tour would too. He

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<v Speaker 1>could never compete at the Olympics again. Those were the rules,

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<v Speaker 1>rules enforced by Avery Brandage, who took amateurism extremely seriously.

0:14:31.555 --> 0:14:35.035
<v Speaker 1>After the Berlin Games, a reporter asked him about rumors

0:14:35.115 --> 0:14:38.195
<v Speaker 1>that Owens was going to quit the post Olympics tour, and.

0:14:38.275 --> 0:14:42.155
<v Speaker 4>I'd understand the Bandage that the received information that Owen

0:14:42.275 --> 0:14:43.995
<v Speaker 4>will not go to the top.

0:14:44.275 --> 0:14:45.595
<v Speaker 1>Doc Colney will not appear.

0:14:45.755 --> 0:14:48.915
<v Speaker 9>I hope that Owen will be build engagement when one

0:14:48.915 --> 0:14:51.075
<v Speaker 9>of the Pinot boys we've had, and we hope that

0:14:51.155 --> 0:14:54.715
<v Speaker 9>there will be nothing to mar this record.

0:14:55.635 --> 0:14:59.035
<v Speaker 1>These were crocodile tears. By the time he gave that interview,

0:14:59.235 --> 0:15:02.075
<v Speaker 1>Avery Brandage already knew that Jesse Owens had a ticket

0:15:02.275 --> 0:15:05.995
<v Speaker 1>for a steamer back to the United States leaving before

0:15:06.035 --> 0:15:06.835
<v Speaker 1>the end of that tour.

0:15:07.555 --> 0:15:10.595
<v Speaker 10>Well, I just hope that all these up the room mud.

0:15:11.275 --> 0:15:15.195
<v Speaker 1>Jesse Owens was banned for life from amateur sport. The

0:15:15.315 --> 0:15:18.555
<v Speaker 1>nineteen thirty six Games would be the last act and

0:15:18.595 --> 0:15:21.915
<v Speaker 1>the pinnacle of his athletic career. He went to the

0:15:21.955 --> 0:15:24.995
<v Speaker 1>press with a rare complaint. I came over to Europe

0:15:24.995 --> 0:15:28.435
<v Speaker 1>with only ten dollars in my pocket. To make matters worse,

0:15:28.555 --> 0:15:32.115
<v Speaker 1>I've lost six pounds being pushed around and circused all

0:15:32.155 --> 0:15:34.915
<v Speaker 1>over Europe. They sent me to Prague from Cologne without

0:15:34.915 --> 0:15:36.595
<v Speaker 1>a cent and I had to run a race in

0:15:36.635 --> 0:15:39.395
<v Speaker 1>Prague without having had an ounce of food for ten hours.

0:15:40.235 --> 0:15:43.835
<v Speaker 1>I am turning professional because I'm busted and know the

0:15:43.875 --> 0:15:47.035
<v Speaker 1>difficulties encountered by any member of my race in getting

0:15:47.075 --> 0:15:51.195
<v Speaker 1>financial security. I want to get some money while I'm

0:15:51.195 --> 0:15:54.115
<v Speaker 1>in the spotlight. He tried to make the most of it.

0:15:54.435 --> 0:15:58.315
<v Speaker 1>He became an entertainer, even tried tap dancing, and along

0:15:58.355 --> 0:16:00.755
<v Speaker 1>the way he was working to keep up with sports too,

0:16:01.475 --> 0:16:03.635
<v Speaker 1>But it was like everything had gone a little sour.

0:16:04.035 --> 0:16:06.635
<v Speaker 1>He was supposed to race against another amateur in Cuba,

0:16:06.755 --> 0:16:11.195
<v Speaker 1>a sprinter, until Avery brundagecaw wind and said he'd banned

0:16:11.235 --> 0:16:14.035
<v Speaker 1>that sprinter from American amateur sport if he went through

0:16:14.075 --> 0:16:17.355
<v Speaker 1>with the race, so they replaced the guy with a

0:16:17.395 --> 0:16:18.995
<v Speaker 1>horse Cuba.

0:16:19.435 --> 0:16:23.075
<v Speaker 3>Jesse Owens, the Ebonistrick of Olympic Games, celebrates turning professional

0:16:23.075 --> 0:16:24.355
<v Speaker 3>by racing against a horse.

0:16:24.555 --> 0:16:26.195
<v Speaker 1>Jesse had a start at forty yards and one.

0:16:26.155 --> 0:16:29.435
<v Speaker 7>Hundred and he won by injes and oh a lot.

0:16:33.075 --> 0:16:36.955
<v Speaker 1>So when Jesse Owens went professional, that essentially was the

0:16:37.035 --> 0:16:40.395
<v Speaker 1>choice he made to spend the rest of his life

0:16:40.875 --> 0:16:45.235
<v Speaker 1>reliving those two weeks. In August nineteen thirty six, he

0:16:45.395 --> 0:16:48.555
<v Speaker 1>was trapped as if he jumped into that broad jump

0:16:48.635 --> 0:16:54.355
<v Speaker 1>pit and sunk to his knees in quicksand which is

0:16:54.355 --> 0:16:57.195
<v Speaker 1>not to say that it wasn't also a good life.

0:16:57.315 --> 0:17:00.835
<v Speaker 1>He had three daughters, He was involved in presidential campaigning.

0:17:01.115 --> 0:17:03.235
<v Speaker 1>He ran a fitness program during the war for the

0:17:03.315 --> 0:17:06.875
<v Speaker 1>US Office of Civilian Defense. He led a big life,

0:17:07.675 --> 0:17:10.235
<v Speaker 1>but in order to do all the other stuff, he

0:17:10.275 --> 0:17:12.435
<v Speaker 1>had to keep the dream of those two weeks alive.

0:17:12.995 --> 0:17:15.555
<v Speaker 1>You can even hear this in that oral history when

0:17:15.595 --> 0:17:17.835
<v Speaker 1>they start on that third tape, Jesse Owens is in

0:17:17.875 --> 0:17:20.435
<v Speaker 1>the middle of talking about his actual life now in

0:17:20.475 --> 0:17:23.835
<v Speaker 1>the nineteen sixties. He's complaining about some business deal that

0:17:23.915 --> 0:17:24.435
<v Speaker 1>went south.

0:17:24.555 --> 0:17:26.235
<v Speaker 11>Deal for me and I got to sing over to

0:17:26.275 --> 0:17:28.395
<v Speaker 11>the bank and I made a mistake by not having

0:17:28.435 --> 0:17:30.275
<v Speaker 11>two sources, you know.

0:17:30.435 --> 0:17:32.755
<v Speaker 1>So again this was a guy with a life. But

0:17:32.915 --> 0:17:36.435
<v Speaker 1>the interviewer is like, yeah, sure, sure, what about the Olympics?

0:17:36.475 --> 0:17:40.675
<v Speaker 6>Though, what else is new? Jesse, Let's go way back

0:17:40.795 --> 0:17:47.715
<v Speaker 6>now to nineteen thirty six and reminisce about the Olympics.

0:17:47.755 --> 0:17:49.955
<v Speaker 6>I'm sure that you have told this story how many

0:17:50.035 --> 0:17:53.075
<v Speaker 6>hundreds of times to how many papers and magners using

0:17:53.115 --> 0:17:58.475
<v Speaker 6>this person, and this has been broadcast certainly then many times,

0:17:58.515 --> 0:18:01.515
<v Speaker 6>but for the Historical Library would like to have a

0:18:01.555 --> 0:18:06.475
<v Speaker 6>record of the Olympics in your own words, the feeling.

0:18:06.195 --> 0:18:10.115
<v Speaker 1>That you had when you His job was telling the

0:18:10.155 --> 0:18:13.675
<v Speaker 1>story of the Olympics. And once she asks, he gets

0:18:13.755 --> 0:18:14.235
<v Speaker 1>right to it.

0:18:14.515 --> 0:18:19.075
<v Speaker 11>I remember it was in July July the fourth of

0:18:19.315 --> 0:18:23.035
<v Speaker 11>nineteen thirty six when we had the final tryouts for

0:18:23.235 --> 0:18:27.235
<v Speaker 11>the Olympics at Randos Island, and that was the fourth.

0:18:27.315 --> 0:18:30.235
<v Speaker 1>But the thing about telling one story for your entire

0:18:30.315 --> 0:18:33.155
<v Speaker 1>life is that the meaning of that story has to

0:18:33.235 --> 0:18:36.155
<v Speaker 1>keep changing with the times, to stay marketable, to keep

0:18:36.235 --> 0:18:39.795
<v Speaker 1>enough eyes on that glass bowl. And in nineteen fifty one,

0:18:40.435 --> 0:18:43.195
<v Speaker 1>at that halftime speech during the Harlem Globe Trotter's game,

0:18:43.835 --> 0:18:50.635
<v Speaker 1>he discovered its most powerful edition, Loots Long. We'll be

0:18:50.755 --> 0:19:02.995
<v Speaker 1>right back. I guess first, can you tell me about

0:19:03.475 --> 0:19:06.435
<v Speaker 1>that Globe Trotter's game in the Berlin Stadium in nineteen

0:19:06.515 --> 0:19:11.755
<v Speaker 1>fifty one. Sure, I'm talking to Damien L. Thomas, Curator

0:19:11.795 --> 0:19:15.355
<v Speaker 1>of Sports at the Smithsonian National Museum of African American

0:19:15.395 --> 0:19:19.035
<v Speaker 1>History and Culture. He's the author of the book Globe Trotting,

0:19:19.395 --> 0:19:22.275
<v Speaker 1>African American Athletes and Cold War Politics.

0:19:23.435 --> 0:19:29.075
<v Speaker 12>The Harlem Globetrotters were just starting to travel internationally, and

0:19:29.115 --> 0:19:32.315
<v Speaker 12>they had played a game in Frankfurt a couple of

0:19:32.395 --> 0:19:36.515
<v Speaker 12>days before, and one American official had asked them to

0:19:36.555 --> 0:19:41.395
<v Speaker 12>play this game in West Berlin because at the time,

0:19:42.075 --> 0:19:45.715
<v Speaker 12>the Soviets were doing a lot of festivals, a lot

0:19:45.715 --> 0:19:50.355
<v Speaker 12>of exchanges, and they wanted to ensure that the US

0:19:50.435 --> 0:19:53.155
<v Speaker 12>and the West was able to tell their own story.

0:19:54.115 --> 0:19:56.595
<v Speaker 1>In the Cold War, the US and the USSR were

0:19:56.595 --> 0:19:58.595
<v Speaker 1>fighting for the hearts and minds of the rest of

0:19:58.635 --> 0:20:03.275
<v Speaker 1>the world, which led them bizarrely straight to the Harlem Globetrotters.

0:20:03.955 --> 0:20:09.035
<v Speaker 13>The Harlem Globetrotters basketball Wizard's extraordinary their patents planned them

0:20:09.075 --> 0:20:11.595
<v Speaker 13>bring in play sandy capers that made them the most

0:20:11.635 --> 0:20:13.795
<v Speaker 13>popular team in the history of the sport.

0:20:14.395 --> 0:20:17.195
<v Speaker 1>Before the NBA was a big deal, before black people

0:20:17.275 --> 0:20:20.875
<v Speaker 1>played even college basketball and any great numbers, the Heartlem

0:20:20.875 --> 0:20:25.395
<v Speaker 1>Globetrotterers were kind of traveling basketball circus. True to the name,

0:20:25.835 --> 0:20:26.475
<v Speaker 1>they were all.

0:20:26.315 --> 0:20:31.035
<v Speaker 6>Over the place, Harlem Groctore.

0:20:31.355 --> 0:20:34.195
<v Speaker 1>It was a major operation run by one of the

0:20:34.195 --> 0:20:37.875
<v Speaker 1>most infamous and ruthless sports promoters of all time, a

0:20:37.875 --> 0:20:39.955
<v Speaker 1>white guy named Abe Sapperstein.

0:20:40.275 --> 0:20:43.515
<v Speaker 9>I'm gooi twelve, Come on, let's push again.

0:20:44.595 --> 0:20:46.755
<v Speaker 1>You've probably seen footage of them playing a lot of

0:20:46.795 --> 0:20:51.875
<v Speaker 1>fake passes, improbable shots, and goofing around, except they're totally

0:20:51.915 --> 0:20:57.555
<v Speaker 1>incredible at basketball, even in slow motion. They're magical hands

0:20:57.595 --> 0:21:02.875
<v Speaker 1>fool you. I was talking to Damian Thomas though, because

0:21:02.915 --> 0:21:06.715
<v Speaker 1>underneath the goofiness there was something more sinister going on.

0:21:07.275 --> 0:21:11.475
<v Speaker 12>The Harlem Lowe Trotters were also so deeply tied to

0:21:11.675 --> 0:21:15.515
<v Speaker 12>minstro se, which was the dominant form of entertainment in

0:21:15.555 --> 0:21:22.595
<v Speaker 12>America from the eighteen eighties through the nineteen early nineteen fifties.

0:21:23.075 --> 0:21:26.675
<v Speaker 1>The players, almost all black Americans, were often referred to

0:21:26.915 --> 0:21:28.715
<v Speaker 1>as clowns.

0:21:28.835 --> 0:21:31.195
<v Speaker 8>Meet the most colorful comedy acting in present day. Spot

0:21:31.515 --> 0:21:34.115
<v Speaker 8>Purists say they make a mockery of the game. They clown,

0:21:34.235 --> 0:21:35.275
<v Speaker 8>they juggle, they fool.

0:21:35.995 --> 0:21:38.635
<v Speaker 1>But where some people might see a kind of basketball circus,

0:21:39.155 --> 0:21:42.195
<v Speaker 1>the State Department saw the perfect propaganda weapon.

0:21:43.235 --> 0:21:47.435
<v Speaker 12>People often didn't think of sports as having ideological content,

0:21:48.155 --> 0:21:53.355
<v Speaker 12>and so whereas other forms of American culture would be

0:21:53.435 --> 0:21:58.595
<v Speaker 12>resisting sometimes Coca cola, sometimes blue jeans, rock and roll,

0:21:58.755 --> 0:22:03.915
<v Speaker 12>and American movies were shunt people often welcomed basketball because

0:22:03.915 --> 0:22:07.635
<v Speaker 12>they didn't think of it as as had been in

0:22:07.715 --> 0:22:12.115
<v Speaker 12>a propagandistic function. But it did, and it's one of

0:22:12.155 --> 0:22:15.515
<v Speaker 12>the things that made it very important is that people

0:22:15.595 --> 0:22:19.595
<v Speaker 12>didn't see it as containing hidden messages.

0:22:21.675 --> 0:22:24.435
<v Speaker 1>A lot of Soviet propaganda during the Cold War called

0:22:24.435 --> 0:22:27.915
<v Speaker 1>out the lie of American equality. The US might talk

0:22:27.955 --> 0:22:31.355
<v Speaker 1>about all people being equal, but the country was segregated

0:22:31.715 --> 0:22:34.355
<v Speaker 1>and really only white people had a shot at a

0:22:34.395 --> 0:22:38.355
<v Speaker 1>decent quality of life. It was true and a particularly

0:22:38.475 --> 0:22:41.795
<v Speaker 1>useful message for the USSR trying to get African and

0:22:41.875 --> 0:22:45.355
<v Speaker 1>Asian countries to align with them instead of the US.

0:22:46.395 --> 0:22:49.715
<v Speaker 1>So the United States responded with a big hidden message

0:22:49.795 --> 0:22:55.115
<v Speaker 1>about the globetrotters, a message with two parts. First part, hey,

0:22:55.155 --> 0:22:58.035
<v Speaker 1>look we have wealthy black people in this country, and

0:22:58.115 --> 0:23:02.315
<v Speaker 1>the second, much more sinister part, look at these clowns.

0:23:02.915 --> 0:23:05.475
<v Speaker 1>Don't you see why we're segregating them.

0:23:05.955 --> 0:23:09.195
<v Speaker 8>Number fifty is Goose Tato, clown with the longest arms

0:23:09.195 --> 0:23:11.915
<v Speaker 8>in the spot with his seven foot overall reachie rakes

0:23:11.995 --> 0:23:14.035
<v Speaker 8>in seven thousand a year from a team which grows

0:23:14.075 --> 0:23:15.075
<v Speaker 8>a million last season.

0:23:15.795 --> 0:23:21.595
<v Speaker 12>You would see these situations where maybe Goose Tatum, who

0:23:21.675 --> 0:23:25.555
<v Speaker 12>was the lead clown, which lay on the floor and

0:23:25.675 --> 0:23:29.675
<v Speaker 12>read read the newspaper while the game was going on

0:23:29.675 --> 0:23:33.435
<v Speaker 12>on the other end of the floor, designed to stress

0:23:33.475 --> 0:23:39.515
<v Speaker 12>that African Americans were lazy and then we were unresponsible

0:23:39.915 --> 0:23:43.515
<v Speaker 12>or weren't mentally engaged in the game. And so you

0:23:43.595 --> 0:23:47.275
<v Speaker 12>saw all of these various ways where the stereotypes played

0:23:47.315 --> 0:23:51.635
<v Speaker 12>out in some of the comedic routines of the low tribes.

0:23:52.635 --> 0:23:57.235
<v Speaker 12>It allows the State Department to make the argument that

0:23:57.355 --> 0:24:01.115
<v Speaker 12>African Americans don't have full quality, don't have all the

0:24:01.235 --> 0:24:08.915
<v Speaker 12>opportunities that are available to white Americans because they are lazy,

0:24:09.395 --> 0:24:15.555
<v Speaker 12>they're as intelligent, they are not ready to occupy a

0:24:15.635 --> 0:24:17.035
<v Speaker 12>space of full equality.

0:24:17.995 --> 0:24:21.835
<v Speaker 1>The State Department needed black success stories that also made

0:24:21.835 --> 0:24:29.515
<v Speaker 1>segregation look okay. Enter the Globetrotters and Jesse Owens And

0:24:29.875 --> 0:24:32.195
<v Speaker 1>how did Jesse Owens become involved in all this?

0:24:32.875 --> 0:24:37.955
<v Speaker 12>All throughout the nineteen forties, Jesse Owens had traveled sporadically

0:24:37.995 --> 0:24:40.515
<v Speaker 12>with the Harlem Globe Trotters and he would serve a

0:24:40.595 --> 0:24:43.795
<v Speaker 12>variety of functions. He would serve as the press secretary,

0:24:44.195 --> 0:24:48.555
<v Speaker 12>the announcer during the game, and also as halftime entertainment.

0:24:49.515 --> 0:24:53.835
<v Speaker 12>And typically when he performed during halftime, they would set

0:24:53.955 --> 0:24:58.675
<v Speaker 12>up hurdles around the court and Jesse Owens would jump

0:24:58.715 --> 0:25:04.715
<v Speaker 12>over the hurdles around the core as a halftime entertainment spectacle.

0:25:05.395 --> 0:25:08.235
<v Speaker 1>At one of the Globetrotters promoters events, he ran a

0:25:08.315 --> 0:25:11.355
<v Speaker 1>race against another Black Castle fleet on his hands and

0:25:11.435 --> 0:25:14.635
<v Speaker 1>knees even worse than that horse race in Cuba.

0:25:14.795 --> 0:25:18.315
<v Speaker 12>He writes about that, and he writes about how he

0:25:18.515 --> 0:25:25.075
<v Speaker 12>felt humiliated and felt as if he was being treated

0:25:25.235 --> 0:25:28.235
<v Speaker 12>less than. But then he also writes, well, what else

0:25:28.435 --> 0:25:29.635
<v Speaker 12>was I supposed to do?

0:25:29.995 --> 0:25:30.235
<v Speaker 10>Yeah?

0:25:30.275 --> 0:25:32.395
<v Speaker 12>What would other options available?

0:25:33.995 --> 0:25:37.515
<v Speaker 1>And that is how in nineteen fifty one, Jesse Owens

0:25:37.675 --> 0:25:40.155
<v Speaker 1>returned to the Berlin Stadium at the behest of the

0:25:40.195 --> 0:25:43.835
<v Speaker 1>State Department as the Black Superstar, with a story to

0:25:43.875 --> 0:25:49.235
<v Speaker 1>tell about a kind Nazi. Jesse Owens had spent much

0:25:49.235 --> 0:25:52.315
<v Speaker 1>of his life in the Glass Bowl. He knew the rules,

0:25:52.835 --> 0:25:56.235
<v Speaker 1>and so during his second visit to Berlin, he focused

0:25:56.235 --> 0:25:58.515
<v Speaker 1>on the part of his story the Americans and the

0:25:58.555 --> 0:26:03.235
<v Speaker 1>Germans most needed, the part about Lutslang, a good white

0:26:03.275 --> 0:26:06.995
<v Speaker 1>German who'd embraced a black man just the day before

0:26:07.035 --> 0:26:10.995
<v Speaker 1>that Globetrotters game. Owens had finally met Lutslong's widow and

0:26:11.035 --> 0:26:14.235
<v Speaker 1>his son Kai. It seems he told them that untrue

0:26:14.275 --> 0:26:17.235
<v Speaker 1>story about the qualifying round and how Lutzlang had helped

0:26:17.275 --> 0:26:21.195
<v Speaker 1>him keep from fouling out, and maybe he'd seen how

0:26:21.275 --> 0:26:24.555
<v Speaker 1>much the story of Long's kindness had touched Kai too.

0:26:24.755 --> 0:26:28.155
<v Speaker 1>It was another story with two messages, Hey, look, the

0:26:28.315 --> 0:26:31.635
<v Speaker 1>US and Germany can be friends again too, And also

0:26:32.755 --> 0:26:36.355
<v Speaker 1>how bad could segregation be if this black superstar could

0:26:36.435 --> 0:26:40.275
<v Speaker 1>still see the humanity in a white Nazi And it

0:26:40.315 --> 0:26:43.995
<v Speaker 1>was a smash success. Owens stood outside that stadium for

0:26:44.115 --> 0:26:48.475
<v Speaker 1>hours after that game, signing autographs. The US State Department's

0:26:48.475 --> 0:26:53.035
<v Speaker 1>office in Berlin sent home a report. Appearance Harlem Globetrotters

0:26:53.075 --> 0:26:56.515
<v Speaker 1>with Jesse Owens in Olympic Stadium August twenty two even

0:26:56.555 --> 0:26:59.435
<v Speaker 1>more successful than anticipated.

0:26:59.395 --> 0:27:03.115
<v Speaker 12>And this became one of the most requested stories that

0:27:03.275 --> 0:27:05.235
<v Speaker 12>Jesse Wootaeil while the speaker started.

0:27:05.875 --> 0:27:09.515
<v Speaker 1>After that trip to Germany, Owens began to tell increasingly

0:27:09.555 --> 0:27:13.835
<v Speaker 1>a laborate stories about Lutslog. By the nineteen sixties, In public,

0:27:14.155 --> 0:27:17.435
<v Speaker 1>the story had grown to Lutslang helping Owens to qualify.

0:27:18.275 --> 0:27:21.955
<v Speaker 1>Later came the apocryphal letters, but with each version of

0:27:21.995 --> 0:27:26.595
<v Speaker 1>that story, Owens was masterfully navigating the complexities of Cold

0:27:26.635 --> 0:27:32.075
<v Speaker 1>War US racial politics. It's somehow an apology for his

0:27:32.115 --> 0:27:34.675
<v Speaker 1>own excellence, because the premise of the story is that he,

0:27:34.755 --> 0:27:37.755
<v Speaker 1>a person who holds the world record and broad jumping,

0:27:37.915 --> 0:27:41.195
<v Speaker 1>needs to be instructed on how to approach the pit

0:27:41.355 --> 0:27:42.715
<v Speaker 1>by a Nazi.

0:27:43.115 --> 0:27:46.795
<v Speaker 3>No, but actually been it's worse than that, because the

0:27:46.835 --> 0:27:53.195
<v Speaker 3>story itself has its own kind of implied racial bias,

0:27:53.635 --> 0:27:57.555
<v Speaker 3>which is, he's not just being instructed about how to

0:27:57.675 --> 0:27:58.595
<v Speaker 3>conduct the long jump.

0:27:58.675 --> 0:28:00.195
<v Speaker 1>He's lost control of his own emotions.

0:28:00.275 --> 0:28:02.835
<v Speaker 3>Yes, he's being instructed about how to control his emotions.

0:28:02.915 --> 0:28:06.635
<v Speaker 1>Yeah, Actually he's not being told how to control his emotions.

0:28:06.675 --> 0:28:09.515
<v Speaker 1>He's being told how to handle the fact that he

0:28:09.515 --> 0:28:14.515
<v Speaker 1>will continue to be unable to control his emotions. It's

0:28:14.515 --> 0:28:17.115
<v Speaker 1>not like it's not like lou lout Song comes up

0:28:17.115 --> 0:28:20.915
<v Speaker 1>and is like, here's a transcendental meditation that I think

0:28:20.955 --> 0:28:22.675
<v Speaker 1>you could do to really get this under control.

0:28:24.075 --> 0:28:27.315
<v Speaker 3>I mean, the meta story in that story is so

0:28:27.635 --> 0:28:31.235
<v Speaker 3>kind of like weird and distasteful, and Jesse Owens is

0:28:31.355 --> 0:28:38.475
<v Speaker 3>forced to play along with this kind of deeply offensive narrative.

0:28:38.595 --> 0:28:41.235
<v Speaker 1>But that's that's the really sad part though, is he's

0:28:41.275 --> 0:28:43.675
<v Speaker 1>not he's not forced to play along with it, like

0:28:43.755 --> 0:28:47.995
<v Speaker 1>he generates the narrative. Like there's many people that I'm

0:28:48.035 --> 0:28:52.075
<v Speaker 1>suspicious of who play several meaningful white co writers on

0:28:52.155 --> 0:28:55.435
<v Speaker 1>this story. But I really think that Jesse Owens is

0:28:55.475 --> 0:28:56.235
<v Speaker 1>the first mover.

0:28:56.275 --> 0:28:59.595
<v Speaker 3>So he's so internalized these Yeah, well, he knows enough,

0:28:59.875 --> 0:29:01.355
<v Speaker 3>he knows enough about what it means to be a

0:29:01.355 --> 0:29:03.595
<v Speaker 3>black man in nineteen thirty six that he knows that

0:29:03.595 --> 0:29:10.195
<v Speaker 3>that's the story. That's the plausible version of the story.

0:29:10.315 --> 0:29:13.475
<v Speaker 1>We almost always tell the story of Jesse Owens's Gold

0:29:13.515 --> 0:29:17.715
<v Speaker 1>medals as a story of triumph. Actually, Triumph is the

0:29:17.715 --> 0:29:20.035
<v Speaker 1>title of a best selling book about him. It's the

0:29:20.115 --> 0:29:23.515
<v Speaker 1>name of a Jesse Owens History Channel documentary that just

0:29:23.595 --> 0:29:27.115
<v Speaker 1>came out. And I'm not saying that Jesse Owens didn't triumph,

0:29:27.515 --> 0:29:30.875
<v Speaker 1>or that he didn't enjoy the fame or the money.

0:29:30.915 --> 0:29:34.875
<v Speaker 1>But look at what two weeks of triumph cost him

0:29:34.915 --> 0:29:38.515
<v Speaker 1>a life behind glass, playing a version of himself in

0:29:38.595 --> 0:29:42.195
<v Speaker 1>a story of racial reconciliation that he must have on

0:29:42.275 --> 0:29:45.715
<v Speaker 1>some level known was just not true. And it was

0:29:45.755 --> 0:29:49.795
<v Speaker 1>a story that worked like magic until all of a

0:29:49.795 --> 0:30:10.395
<v Speaker 1>sudden it didn't. We'll be right back. Jesse had been

0:30:10.435 --> 0:30:13.395
<v Speaker 1>telling one version or another of the Lutslog story for

0:30:13.475 --> 0:30:16.915
<v Speaker 1>nearly twenty years when it finally went mainstream in nineteen

0:30:17.035 --> 0:30:21.195
<v Speaker 1>sixty eight. That was the year Jesse Owens Returns to

0:30:21.235 --> 0:30:24.875
<v Speaker 1>Berlin came out. The film by the legendary Olympic documentary

0:30:24.955 --> 0:30:28.515
<v Speaker 1>and Bud Greenspan. It builds up to that globetrotter's trip

0:30:28.555 --> 0:30:31.555
<v Speaker 1>in nineteen fifty one, the jog around the track, the

0:30:31.595 --> 0:30:36.435
<v Speaker 1>standing ovation, but the heart of the piece is Lutslang's son, Kai,

0:30:37.155 --> 0:30:37.355
<v Speaker 1>I have.

0:30:37.435 --> 0:30:39.875
<v Speaker 14>Very often seen pictures from you and the photographs of

0:30:39.915 --> 0:30:42.675
<v Speaker 14>my father. Please tell me about this competition here in

0:30:42.715 --> 0:30:47.515
<v Speaker 14>the stadium, because I've my father only seen for three times.

0:30:47.675 --> 0:30:49.635
<v Speaker 14>I was born nineteen forty one and my father has

0:30:49.675 --> 0:30:50.715
<v Speaker 14>died in ninety forty three.

0:30:51.435 --> 0:30:53.755
<v Speaker 1>Remember, Kai was still a kid when his dad died.

0:30:54.155 --> 0:30:57.515
<v Speaker 1>He didn't know his father, and in the film, Jesse

0:30:57.555 --> 0:31:00.515
<v Speaker 1>Owens tells him a story about how his dad helped

0:31:00.515 --> 0:31:02.675
<v Speaker 1>Owens qualify for the broad jump.

0:31:03.275 --> 0:31:05.155
<v Speaker 9>Ki, you probably don't know it, but your father was

0:31:05.195 --> 0:31:08.035
<v Speaker 9>greatly responsible for my winning the broad jump in nineteen

0:31:08.115 --> 0:31:10.675
<v Speaker 9>thirty six. It all happened on the other side of

0:31:10.675 --> 0:31:12.715
<v Speaker 9>the field here, but we had the premonaries for the

0:31:12.795 --> 0:31:16.275
<v Speaker 9>running broad jump, and on the first two jumps, I

0:31:16.315 --> 0:31:18.315
<v Speaker 9>followed on one and didn't go far enough on the

0:31:18.355 --> 0:31:21.835
<v Speaker 9>other and your father came to my assistance and he

0:31:21.835 --> 0:31:24.355
<v Speaker 9>helped me measure a footback of the takeoff board, and

0:31:24.395 --> 0:31:26.835
<v Speaker 9>he helped the tape until I measured a foot back

0:31:26.915 --> 0:31:29.635
<v Speaker 9>as far as my takeoff was concerned. And then I

0:31:29.715 --> 0:31:32.315
<v Speaker 9>came down and I hit between these two marks, and

0:31:32.395 --> 0:31:35.155
<v Speaker 9>therefore I qualified, and that led to the victory in

0:31:35.195 --> 0:31:36.115
<v Speaker 9>the running broad jump.

0:31:36.955 --> 0:31:39.355
<v Speaker 1>He seemed to say, sure, your dad would go on

0:31:39.475 --> 0:31:42.635
<v Speaker 1>to fight with the Nazis, but he was a good man.

0:31:43.515 --> 0:31:46.355
<v Speaker 1>Kai asked Owens if he'd like to recreate the famous

0:31:46.435 --> 0:31:50.275
<v Speaker 1>photograph of his father. They laid down in the grass together.

0:31:53.475 --> 0:31:57.555
<v Speaker 1>The film was a huge, huge hit, the first time

0:31:57.715 --> 0:32:01.355
<v Speaker 1>Jesse Owens really got his Olympic glory back. The nineteen

0:32:01.435 --> 0:32:04.715
<v Speaker 1>thirty six games were before people had televisions in their homes,

0:32:05.075 --> 0:32:08.275
<v Speaker 1>so Americans hadn't really seen the footage of the games

0:32:08.315 --> 0:32:12.795
<v Speaker 1>before that movie hadn't seen just how incredible Jesse Owens's

0:32:12.835 --> 0:32:16.075
<v Speaker 1>Olympic achievement was. I haven't watched a lot of track

0:32:16.115 --> 0:32:18.915
<v Speaker 1>and field, but it still takes my breath away. The

0:32:18.955 --> 0:32:22.355
<v Speaker 1>long jump, especially, it just looks like he's running on air,

0:32:22.955 --> 0:32:25.355
<v Speaker 1>and as he leaps, he raises his hand above his

0:32:25.355 --> 0:32:27.595
<v Speaker 1>head and he just soars.

0:32:28.915 --> 0:32:32.315
<v Speaker 9>It was at Olympic record one to sixty five and

0:32:32.395 --> 0:32:35.195
<v Speaker 9>one third inches. The first one to greet name was

0:32:35.235 --> 0:32:38.995
<v Speaker 9>looks Long, an athlete of special carriage. He put his

0:32:39.155 --> 0:32:41.915
<v Speaker 9>arms around him and we walked down the broad jump

0:32:41.995 --> 0:32:44.355
<v Speaker 9>runway directly in front of Chapley Hitler's box.

0:32:46.835 --> 0:32:50.955
<v Speaker 1>The Bud Greenspan documentary meant that Jesse Owens finally had

0:32:50.995 --> 0:32:55.675
<v Speaker 1>it all again, his fame, his financial security, and his

0:32:55.715 --> 0:32:58.995
<v Speaker 1>Olympic glory back, and all that had come just in

0:32:59.075 --> 0:33:03.595
<v Speaker 1>time for another Olympic Games, Mexico City, nineteen sixty eight.

0:33:04.315 --> 0:33:07.715
<v Speaker 1>By that point, Avery Brendage had become the first American

0:33:07.755 --> 0:33:12.395
<v Speaker 1>President of the International Olympic Committee, and decades after suspending

0:33:12.475 --> 0:33:15.595
<v Speaker 1>Jesse Owens, Olympic leaders had seen the power of the

0:33:15.635 --> 0:33:18.515
<v Speaker 1>Owens story and welcomed him back to the Olympic movement

0:33:18.555 --> 0:33:21.915
<v Speaker 1>as a kind of figurehead. In Mexico, Jesse Owens was

0:33:21.955 --> 0:33:24.395
<v Speaker 1>a guest of the government, an adjunct of the US

0:33:24.435 --> 0:33:28.955
<v Speaker 1>Olympic Committee, and a radio commentator. But once again, the

0:33:29.035 --> 0:33:33.275
<v Speaker 1>Games were about something more than sports. That year, it

0:33:33.395 --> 0:33:36.155
<v Speaker 1>was the summer of nineteen sixty eight, the height of

0:33:36.195 --> 0:33:39.275
<v Speaker 1>the civil rights movement, and like in nineteen thirty six,

0:33:39.635 --> 0:33:42.795
<v Speaker 1>there was talk of black American athletes protesting the games,

0:33:43.355 --> 0:33:48.515
<v Speaker 1>specifically the track athletes Tommy Smith and John Carlos. Everyone

0:33:48.595 --> 0:33:52.355
<v Speaker 1>was on eggshells. One day during the Games, Jesse Owens

0:33:52.475 --> 0:33:55.635
<v Speaker 1>was walking through the Olympic village when he ran into Carlos.

0:33:56.515 --> 0:34:00.075
<v Speaker 1>I know this because Owens's radio co host Les Kider

0:34:00.155 --> 0:34:02.715
<v Speaker 1>was with him, and later he wrote about it in

0:34:02.755 --> 0:34:06.955
<v Speaker 1>his memoirs. Carlos apparently confided in Owens that he was

0:34:06.995 --> 0:34:10.155
<v Speaker 1>planning some kind of protest the next day. Owen got

0:34:10.195 --> 0:34:13.555
<v Speaker 1>anxious and told him not to do anything public, and

0:34:13.595 --> 0:34:17.235
<v Speaker 1>then apparently Carlos got frustrated and in the middle of

0:34:17.275 --> 0:34:20.275
<v Speaker 1>the Olympic village he pointed a finger at Jesse Owens

0:34:20.315 --> 0:34:26.435
<v Speaker 1>and yelled, you goddamn uncle. Tom Owens was stunned. The

0:34:26.475 --> 0:34:29.875
<v Speaker 1>next day, John Carlos won bronze in the two hundred

0:34:29.955 --> 0:34:33.755
<v Speaker 1>meter sprint and Tommy Smith won the gold. Owens was

0:34:33.795 --> 0:34:37.115
<v Speaker 1>in the radio booth high above the field watching. According

0:34:37.155 --> 0:34:40.835
<v Speaker 1>to that radio co host Les Kider, Owens said, boy,

0:34:41.035 --> 0:34:43.715
<v Speaker 1>I hope nothing happens when they play the national anthem.

0:34:44.275 --> 0:34:48.755
<v Speaker 1>They might refuse to accept the awards instead, something much

0:34:48.875 --> 0:34:53.035
<v Speaker 1>more dramatic happened. They accepted their medals, but then they

0:34:53.035 --> 0:34:57.755
<v Speaker 1>took the podium shoeless and raised glovefists in a black

0:34:57.835 --> 0:35:01.515
<v Speaker 1>power salute. The image was broadcast across the world.

0:35:02.795 --> 0:35:05.995
<v Speaker 13>Yesterday, they came in first and third in the two

0:35:06.115 --> 0:35:09.395
<v Speaker 13>hundred meter dash and then stood on the victory platform

0:35:09.475 --> 0:35:14.035
<v Speaker 13>with wildheads wearing black socks and gloves and a racial protest.

0:35:15.995 --> 0:35:18.955
<v Speaker 1>Kider said that when Jesse Owens learned what Smith and

0:35:18.995 --> 0:35:23.675
<v Speaker 1>Carlos had done, he sat there and repeated three words

0:35:23.675 --> 0:35:27.915
<v Speaker 1>to himself, Oh my god.

0:35:28.475 --> 0:35:34.835
<v Speaker 12>They were also breaking a very important unwritten rule in America,

0:35:35.475 --> 0:35:40.155
<v Speaker 12>which is you don't criticize the United States in foreign land.

0:35:40.755 --> 0:35:43.675
<v Speaker 12>And so Jesse Owens was aware of that rule in

0:35:43.715 --> 0:35:46.715
<v Speaker 12>the thirties and in the forties, and he was certainly

0:35:46.715 --> 0:35:49.075
<v Speaker 12>someone who abided by that.

0:35:49.075 --> 0:35:52.115
<v Speaker 1>That's Damian Thomas again, Smithsonian Sports Curator.

0:35:52.675 --> 0:35:58.875
<v Speaker 12>Jesse Owens is from an era where it was important

0:35:58.915 --> 0:36:02.115
<v Speaker 12>for you to be a credit to your race. And

0:36:02.195 --> 0:36:08.515
<v Speaker 12>so the way in which you advanced African American opportunity

0:36:08.835 --> 0:36:14.795
<v Speaker 12>access was through good behavior. It was through embodying these

0:36:14.955 --> 0:36:22.995
<v Speaker 12>middle class values chastity thrift tempoints. But by nineteen sixty eight.

0:36:23.635 --> 0:36:26.915
<v Speaker 12>African Americans are half of the players in the NBA,

0:36:27.515 --> 0:36:31.635
<v Speaker 12>a third in the NFL, and a quarter in Major

0:36:31.715 --> 0:36:36.555
<v Speaker 12>League Baseball, and so the mere presence of African American

0:36:36.675 --> 0:36:41.275
<v Speaker 12>athletes is no longer seen as progressive in and of itself.

0:36:42.235 --> 0:36:46.995
<v Speaker 12>It's seen as now the status quote thirty years after

0:36:47.755 --> 0:36:53.595
<v Speaker 12>Jesse Owens. Jesse Owens won gold and so athletes in

0:36:53.675 --> 0:36:59.195
<v Speaker 12>the nineteen sixties are now saying that the country needs

0:36:59.235 --> 0:37:02.795
<v Speaker 12>to do more, that you need to be more engaged

0:37:02.835 --> 0:37:09.075
<v Speaker 12>with solving racial problems and racial issues, and so athletes

0:37:09.115 --> 0:37:13.995
<v Speaker 12>by nineteen sixty eight are willing to confront America. And

0:37:14.035 --> 0:37:18.955
<v Speaker 12>they're willing to confront America before a worldwide audience.

0:37:22.275 --> 0:37:25.755
<v Speaker 1>Avery Brandage was apoplectic, and in one of the most

0:37:25.795 --> 0:37:30.555
<v Speaker 1>deeply cynical twists of fate, Brandage and the International Olympic

0:37:30.595 --> 0:37:34.595
<v Speaker 1>Committee asked Jesse Owens, whom they'd previously banned for life,

0:37:34.995 --> 0:37:38.315
<v Speaker 1>to go see Tommy Smith and John Carlos to ask

0:37:38.355 --> 0:37:42.595
<v Speaker 1>them to apologize and promise not to protest again. And

0:37:42.635 --> 0:37:46.355
<v Speaker 1>he did. He was received the way you might expect.

0:37:47.195 --> 0:37:51.755
<v Speaker 1>They would not be apologizing. Tommy Smith and John Carlos

0:37:52.035 --> 0:37:54.795
<v Speaker 1>were kicked out of the Olympic village and banned from

0:37:54.835 --> 0:37:58.755
<v Speaker 1>future games. They had faced a conundrum a lot like

0:37:58.875 --> 0:38:02.435
<v Speaker 1>Jesse Owens had thirty two years earlier, but they made

0:38:02.435 --> 0:38:06.795
<v Speaker 1>the opposite choice. Jesse Owens must have felt as if

0:38:06.795 --> 0:38:10.235
<v Speaker 1>his whole life was on trial. I mean, just listened

0:38:10.235 --> 0:38:11.075
<v Speaker 1>to Tommy Smith.

0:38:11.915 --> 0:38:15.075
<v Speaker 15>Had I been a good boy in Mexico, I could

0:38:15.115 --> 0:38:18.795
<v Speaker 15>have probably been a monetarily richer, and I would probably

0:38:18.795 --> 0:38:20.675
<v Speaker 15>have been a bigger figure that I am right now.

0:38:21.195 --> 0:38:23.315
<v Speaker 15>Well yet, and still I would have to fight myself

0:38:23.315 --> 0:38:24.115
<v Speaker 15>from the inside.

0:38:24.835 --> 0:38:28.355
<v Speaker 1>The day after their protests, on air, Owens's radio co

0:38:28.475 --> 0:38:31.635
<v Speaker 1>host asked him to compare the Black Power Salute with

0:38:31.715 --> 0:38:35.635
<v Speaker 1>being snubbed by Adolf Hitler in nineteen thirty six, another

0:38:35.715 --> 0:38:40.235
<v Speaker 1>story about something that had never happened. Owens was taken aback.

0:38:40.795 --> 0:38:42.675
<v Speaker 1>He just spent the whole night trying to get the

0:38:42.715 --> 0:38:47.195
<v Speaker 1>athletes to apologize. He paused for a second and said

0:38:47.355 --> 0:38:50.555
<v Speaker 1>the two are not similar, but I guess I was

0:38:50.595 --> 0:38:54.395
<v Speaker 1>the only one involved in both. And then he talked

0:38:54.395 --> 0:39:00.235
<v Speaker 1>about the night before, and he began to weep. It

0:39:00.315 --> 0:39:04.515
<v Speaker 1>all hit Owens extremely hard, so hard that he wrote

0:39:04.515 --> 0:39:07.915
<v Speaker 1>a book length response to the Black Power movement. He

0:39:08.035 --> 0:39:11.395
<v Speaker 1>titled it Black think one of a series of books

0:39:11.555 --> 0:39:13.235
<v Speaker 1>he wrote at the end of his life with a

0:39:13.235 --> 0:39:18.155
<v Speaker 1>white co author, and here we find ourselves again at

0:39:18.195 --> 0:39:21.675
<v Speaker 1>louts Long. That book came out just two years after

0:39:21.715 --> 0:39:24.715
<v Speaker 1>the Mexico City Games, but it's almost written like he's

0:39:24.755 --> 0:39:28.235
<v Speaker 1>still there. There's a kind of urgency to it. It's

0:39:28.275 --> 0:39:30.635
<v Speaker 1>like what he wishes he'd said in that conversation with

0:39:30.755 --> 0:39:33.715
<v Speaker 1>John Carlos and Tommy Smith, And what did he wish

0:39:33.795 --> 0:39:39.435
<v Speaker 1>he'd told them a story about a good German loots Long,

0:39:40.515 --> 0:39:44.275
<v Speaker 1>about how his friendship across racial lines was even bigger

0:39:44.315 --> 0:39:47.435
<v Speaker 1>and even more improbable than anyone ever could have imagined.

0:39:48.555 --> 0:39:53.755
<v Speaker 1>At blacks climactic moment, Jesse Owens wrote, don't pass up

0:39:53.795 --> 0:39:57.795
<v Speaker 1>your Olympics and euroluts Long, don't let the Black thinkers

0:39:57.835 --> 0:40:03.035
<v Speaker 1>sell you out. The significance of that brief interaction just

0:40:03.155 --> 0:40:07.915
<v Speaker 1>kept growing in Jesse Owens's life story until two years

0:40:07.955 --> 0:40:12.315
<v Speaker 1>before he died in nineteen seventy eight. With that co author,

0:40:12.835 --> 0:40:17.755
<v Speaker 1>Jesse Owens published a book called Jesse a Spiritual Autobiography.

0:40:18.395 --> 0:40:21.155
<v Speaker 1>This is the one with the letter Lutslong supposedly sent

0:40:21.275 --> 0:40:23.675
<v Speaker 1>right before he died in the deserts of North Africa

0:40:24.475 --> 0:40:27.675
<v Speaker 1>a place in truth he never fought. It's kind of

0:40:27.675 --> 0:40:31.075
<v Speaker 1>a beautiful letter, though, even knowing it's not true. I

0:40:31.195 --> 0:40:34.315
<v Speaker 1>still get choked up when I read it. But it's

0:40:34.355 --> 0:40:39.435
<v Speaker 1>the dedication on spiritual autobiography that really gets me. Owens

0:40:39.435 --> 0:40:44.715
<v Speaker 1>dedicates the book to two unmatchable teammates, my wife of

0:40:44.755 --> 0:40:49.795
<v Speaker 1>almost fifty years, Ruth, and the Nazi who fought Hitler

0:40:49.835 --> 0:41:02.555
<v Speaker 1>with me Loots long, Tom, can you hear me?

0:41:02.595 --> 0:41:05.715
<v Speaker 10>Okay? I can, Yes, Okay, fantastic.

0:41:06.955 --> 0:41:11.195
<v Speaker 1>I had one last question, how did Jesse Owens feel

0:41:11.235 --> 0:41:14.555
<v Speaker 1>about making this story up? Did he ever talk about

0:41:14.555 --> 0:41:18.195
<v Speaker 1>it with anyone? So I called Tom Ecker, once a

0:41:18.195 --> 0:41:20.955
<v Speaker 1>great track and field coach. He trained Sweden for the

0:41:21.035 --> 0:41:24.635
<v Speaker 1>nineteen sixty eight Games. He's something of an Olympic historian.

0:41:25.115 --> 0:41:27.755
<v Speaker 1>He's eighty nine now. He was born the year before

0:41:27.795 --> 0:41:29.595
<v Speaker 1>the nineteen thirty six Games.

0:41:29.835 --> 0:41:33.155
<v Speaker 10>I met with Jesse Owens a few times, and then

0:41:33.195 --> 0:41:37.155
<v Speaker 10>I brought into Cedar Rapids where I live, and he

0:41:37.275 --> 0:41:39.235
<v Speaker 10>came here and spoke to a group.

0:41:39.435 --> 0:41:40.475
<v Speaker 6>And he slept in your.

0:41:40.395 --> 0:41:44.315
<v Speaker 10>Daughter's bed, Tom's wife, Carol, Yeah, he slept and he

0:41:44.435 --> 0:41:48.075
<v Speaker 10>slept at our house. Wow, So you guys actually had

0:41:48.075 --> 0:41:51.715
<v Speaker 10>a good relationship. Yeah, we got along, really do well.

0:41:51.915 --> 0:41:55.475
<v Speaker 10>He told a lot of the same stories that I

0:41:55.635 --> 0:41:56.275
<v Speaker 10>love to hear.

0:41:57.275 --> 0:42:00.235
<v Speaker 1>One of those stories, of course, was the Lutslong broad jump.

0:42:01.035 --> 0:42:04.115
<v Speaker 1>Tom had heard the story before, but it didn't quite

0:42:04.115 --> 0:42:07.115
<v Speaker 1>add up. He'd never seen any official account of an

0:42:07.155 --> 0:42:10.875
<v Speaker 1>interaction between Owens and Long during that qualifying round. He

0:42:10.955 --> 0:42:13.875
<v Speaker 1>knew the famous sports writer Grant land Rice had been

0:42:13.915 --> 0:42:17.035
<v Speaker 1>watching the event through his binoculars, and in a detailed

0:42:17.075 --> 0:42:21.275
<v Speaker 1>account of that day, Rice described how calm Jesse Owens

0:42:21.275 --> 0:42:24.795
<v Speaker 1>looked when he made that final jump. He didn't say

0:42:24.835 --> 0:42:30.555
<v Speaker 1>anything about Lutsloan. Decades later, in Cedar Rapids, Tom says

0:42:30.555 --> 0:42:33.235
<v Speaker 1>he asked Jesse Owens about the jump himself.

0:42:35.235 --> 0:42:39.115
<v Speaker 10>Oh, yes, yeah, I talked to We talked about Lutslan

0:42:39.355 --> 0:42:43.075
<v Speaker 10>and the fact that that most of that was made up,

0:42:44.075 --> 0:42:49.915
<v Speaker 10>he admitted through. Oh yeah, why did he make it up? Oh?

0:42:50.035 --> 0:42:56.195
<v Speaker 10>He well, he he He wanted he wanted to tell

0:42:56.275 --> 0:43:00.075
<v Speaker 10>good stories. He told me that that he wanted to

0:43:00.275 --> 0:43:03.395
<v Speaker 10>just be able to tell good stories, and that that

0:43:03.555 --> 0:43:08.355
<v Speaker 10>was a good story. We all know what's true.

0:43:09.835 --> 0:43:12.755
<v Speaker 1>I'm left with this image of Jesse Owens falling asleep

0:43:12.875 --> 0:43:15.715
<v Speaker 1>in a little girl's bed, in Cedar Rapids, Iowa, where

0:43:15.755 --> 0:43:18.355
<v Speaker 1>he's once again been called to tell his great story.

0:43:19.235 --> 0:43:22.795
<v Speaker 1>And what dream could visit him then that one day

0:43:23.195 --> 0:43:26.675
<v Speaker 1>he woke up alone in a strange land and stepped

0:43:26.675 --> 0:43:29.515
<v Speaker 1>out onto a great field in a big glass bowl

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<v Speaker 1>to fight for a country that didn't want him, against

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<v Speaker 1>the people who were most supposed to hate him, and

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<v Speaker 1>then all of a sudden one of them reached out

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<v Speaker 1>and touched him. Under the circumstances, who's telling the truth?

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<v Speaker 9>We posed as his father and I did on the

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<v Speaker 9>grass of the stadium, and though it may seem a

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<v Speaker 9>little childish, doing it brought back memories of a warm

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<v Speaker 9>interlude in my life when a fellow athletes showed a

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<v Speaker 9>special grace and a special courtesy when I needed help.

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<v Speaker 9>I've experienced many moments of the sun, but perhaps the

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<v Speaker 9>most rewarn was to have Let's long beside me On

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<v Speaker 9>the Winners Platform.

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<v Speaker 1>Revisionist History is produced by me Ben Mattaphaffrey, Kalli Emlyn,

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<v Speaker 1>and Nina Bird Lawrence. Our editor is Sarah Nix. Fact

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<v Speaker 1>checking on this episode by J. L. Goldfeind. Original scoring

0:44:33.835 --> 0:44:38.795
<v Speaker 1>by Luis Gara, mastering by Jake Gorsky, Engineering by Nina

0:44:38.835 --> 0:44:44.355
<v Speaker 1>Bird Lawrence. Our executive producer is Jacob Smith. Special thanks

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<v Speaker 1>to Karen Chakherji, Wendy Martin, J. D. Landis, and Lee

0:44:48.835 --> 0:45:05.275
<v Speaker 1>Haffrey for translation help. I'm Ben Mattaphaffrey. For more from

0:45:05.315 --> 0:45:08.235
<v Speaker 1>our nine part series on Hitler's Olympics, head over to

0:45:08.275 --> 0:45:10.635
<v Speaker 1>Revisionist History. Thanks for listening.