1 00:00:00,040 --> 00:00:04,000 Speaker 1: For Mervous Diamond Importers. I'm Ronnie Mervous. Along the edge 2 00:00:04,000 --> 00:00:07,200 Speaker 1: of the African continent lies an isolated coast where millions 3 00:00:07,200 --> 00:00:11,879 Speaker 1: of diamonds have been hurled by a volcano into the sea. 4 00:00:12,400 --> 00:00:14,880 Speaker 1: For centuries have been scattered by the waves. The empty 5 00:00:14,880 --> 00:00:17,160 Speaker 1: to the area is forbidden. Two hundred miles of coast 6 00:00:17,200 --> 00:00:20,480 Speaker 1: are guarded by dogs and electric fences. The constant battle 7 00:00:20,520 --> 00:00:23,319 Speaker 1: is fought against the fierce Atlantic Ocean. To harvest the 8 00:00:23,360 --> 00:00:26,280 Speaker 1: sea bed, Giant earth movers shift the beach sand searching 9 00:00:26,320 --> 00:00:29,520 Speaker 1: for diamonds. The diamonds that are recovered are excellent. Mervous 10 00:00:29,520 --> 00:00:33,239 Speaker 1: imports them to d C and for three generations has 11 00:00:33,240 --> 00:00:36,519 Speaker 1: offered them to you. When you're thinking world class diamonds, 12 00:00:36,640 --> 00:00:39,599 Speaker 1: visit Mrvos Diamond Importers. You'll be impressed at the amazing 13 00:00:39,640 --> 00:00:44,120 Speaker 1: beauty of our incredible collection. Mrvous Diamond Importers. Mervous means 14 00:00:44,240 --> 00:00:48,240 Speaker 1: more diamonds, much better quality and the most value. Mervous' 15 00:00:48,280 --> 00:00:50,600 Speaker 1: is the ring leader for the latest engagement rings and 16 00:00:50,640 --> 00:00:54,240 Speaker 1: wedding bands. Easy for Dancing is available. For an appointment, 17 00:00:54,440 --> 00:00:57,000 Speaker 1: go to Mervous diamond dot com or call eight hundred 18 00:00:57,080 --> 00:01:00,160 Speaker 1: per love. That's Mervous Diamond dot com or eight hundred 19 00:01:00,280 --> 00:01:06,400 Speaker 1: her Love. Thank you for watching another episode of It's 20 00:01:06,480 --> 00:01:10,319 Speaker 1: Up their podcast. I am your active and attractive host 21 00:01:10,440 --> 00:01:14,160 Speaker 1: for another episode of the fastest growing podcasts on the market. 22 00:01:14,280 --> 00:01:17,960 Speaker 1: Right now, we'll ring number thirty six in the music category. 23 00:01:19,200 --> 00:01:22,080 Speaker 1: My name is Big Loan. I want to welcome everybody 24 00:01:22,160 --> 00:01:24,440 Speaker 1: to the real space. This is a space where we 25 00:01:25,280 --> 00:01:28,119 Speaker 1: get a game, get the game, and accept a new 26 00:01:28,160 --> 00:01:30,920 Speaker 1: information on the day list, or if we're wrong. We 27 00:01:31,040 --> 00:01:33,080 Speaker 1: fall off when we're wrong, but we get up and 28 00:01:33,120 --> 00:01:36,319 Speaker 1: we get right. So we want to come from that 29 00:01:36,480 --> 00:01:38,800 Speaker 1: standpoint when we talk to the people, and we want 30 00:01:38,800 --> 00:01:42,840 Speaker 1: the people to always interpret things with the right perspective. 31 00:01:42,880 --> 00:01:48,600 Speaker 1: I think the number one failure amongst men, it's their 32 00:01:48,680 --> 00:01:52,840 Speaker 1: perspective is off. They don't know what a win is. 33 00:01:52,880 --> 00:01:56,280 Speaker 1: They don't know what a lose is. I was talking 34 00:01:56,280 --> 00:02:01,160 Speaker 1: to somebody the other day, and we'll get to the podcast, 35 00:02:01,240 --> 00:02:04,600 Speaker 1: but I was talking to somebody the other day and 36 00:02:04,680 --> 00:02:08,120 Speaker 1: I said to him, I said, um, They said, man, 37 00:02:08,160 --> 00:02:11,200 Speaker 1: you gotta know. You gotta know how to win. You 38 00:02:11,240 --> 00:02:14,040 Speaker 1: gotta know how to win and be graceful when you win, 39 00:02:14,200 --> 00:02:18,000 Speaker 1: and this and that, and the whole room went crazy. 40 00:02:19,240 --> 00:02:22,800 Speaker 1: And then I said, well, I think that it's important 41 00:02:22,840 --> 00:02:26,679 Speaker 1: to know how to lose. I think maybe it may 42 00:02:26,720 --> 00:02:30,679 Speaker 1: be more important to know how to lose. Oftentimes we 43 00:02:30,720 --> 00:02:35,239 Speaker 1: find ourselves with more losses than we have wins. Now 44 00:02:35,400 --> 00:02:38,960 Speaker 1: I need to understand how to do both. But my, my, 45 00:02:38,600 --> 00:02:43,120 Speaker 1: my information comes in so fast, and I have to 46 00:02:43,240 --> 00:02:46,079 Speaker 1: understand it from a certain perspective. So I say that 47 00:02:46,520 --> 00:02:49,280 Speaker 1: knowing how to lose is important. It's almost like knowing 48 00:02:49,320 --> 00:02:53,000 Speaker 1: how to fall as a football player. Really don't matter 49 00:02:53,320 --> 00:02:57,200 Speaker 1: how good you are standing up, it's inevitable that you 50 00:02:57,280 --> 00:02:59,560 Speaker 1: hit the ground. So if you don't have any control 51 00:02:59,600 --> 00:03:02,120 Speaker 1: over how you're falling, your legs are wild, or you 52 00:03:02,720 --> 00:03:05,040 Speaker 1: can't plant it for you don't know when to loosen 53 00:03:05,120 --> 00:03:07,960 Speaker 1: your body up. You're looking at an injury, dead in 54 00:03:08,000 --> 00:03:10,880 Speaker 1: the face, so you will be out the game soon. 55 00:03:12,120 --> 00:03:15,079 Speaker 1: So I always think that it's important to know how 56 00:03:15,120 --> 00:03:19,280 Speaker 1: to lose, to know when you're lost, to know when 57 00:03:19,280 --> 00:03:21,480 Speaker 1: to say, all right, move on, let's get to something else, 58 00:03:22,360 --> 00:03:25,280 Speaker 1: because what happens is we hang on the things. I 59 00:03:25,320 --> 00:03:28,240 Speaker 1: hate to see a Rappertus fifty six years old, and 60 00:03:28,320 --> 00:03:30,160 Speaker 1: when he come out, he got to steer a dressed 61 00:03:30,240 --> 00:03:35,360 Speaker 1: like he was in the eighties, you still gott appeal 62 00:03:35,440 --> 00:03:37,760 Speaker 1: to him from that aspect. I know you're selling the 63 00:03:37,920 --> 00:03:43,200 Speaker 1: character in this entertainment, but I need people to understand 64 00:03:43,240 --> 00:03:48,320 Speaker 1: that everything that's not evolving is dead. So it's important 65 00:03:48,320 --> 00:03:51,680 Speaker 1: that you evolved with me, and we evolved with each other. Now, 66 00:03:51,720 --> 00:03:53,720 Speaker 1: if I do come out like that, I'm kicking some 67 00:03:53,840 --> 00:03:57,400 Speaker 1: type of different game, or halfway through, I'm coming out 68 00:03:57,400 --> 00:04:00,240 Speaker 1: of that and I'm talking to you as the man 69 00:04:00,360 --> 00:04:02,960 Speaker 1: that I am at this point, at this age, with 70 00:04:03,040 --> 00:04:06,280 Speaker 1: this much knowledge, game and wisdom. I think that's the 71 00:04:06,360 --> 00:04:08,560 Speaker 1: kind of black men we need to be seeing. That's 72 00:04:08,560 --> 00:04:10,560 Speaker 1: the kind of rap dudes we need to have at 73 00:04:10,560 --> 00:04:13,480 Speaker 1: the forefront of the game. They kind of understand that 74 00:04:13,480 --> 00:04:18,279 Speaker 1: the message is way more important than the messenger, Right, 75 00:04:18,560 --> 00:04:20,880 Speaker 1: So when you see somebody come out in the costume 76 00:04:21,000 --> 00:04:24,159 Speaker 1: from the eighties in two thousand and twenty one or two, 77 00:04:26,240 --> 00:04:31,040 Speaker 1: they're still worried about the messenger. You understand, they ain't 78 00:04:31,080 --> 00:04:33,599 Speaker 1: taking advantage of the message that they can place right 79 00:04:33,640 --> 00:04:35,960 Speaker 1: there in front of however many people that's tuned in, 80 00:04:36,200 --> 00:04:39,239 Speaker 1: or the following that they do have, or the people 81 00:04:39,279 --> 00:04:42,080 Speaker 1: that is tuned in and tapped in. That's what I'm saying, Man, 82 00:04:42,360 --> 00:04:47,600 Speaker 1: a lot of this game is prostitution. This entertainment business, 83 00:04:47,640 --> 00:04:50,400 Speaker 1: A lot of this game here is prostitution. This ain't 84 00:04:50,400 --> 00:04:52,640 Speaker 1: just the kind of game you get in and everybody 85 00:04:52,760 --> 00:04:55,360 Speaker 1: is all good and it's all everything this here, man, 86 00:04:55,440 --> 00:04:59,040 Speaker 1: it's some band and some selling going on. You see 87 00:04:59,040 --> 00:05:02,719 Speaker 1: what I'm saying. And that's important that I mentioned. Now, 88 00:05:02,760 --> 00:05:05,480 Speaker 1: If you're listening to the audio version of this podcast 89 00:05:05,520 --> 00:05:08,240 Speaker 1: and you want to find the video version, you head 90 00:05:08,279 --> 00:05:10,640 Speaker 1: over to YouTube and you type in fo jail fo 91 00:05:10,800 --> 00:05:13,839 Speaker 1: TV and there's a playlist with all the podcasts on 92 00:05:13,880 --> 00:05:17,120 Speaker 1: it right there. If you are looking at the video 93 00:05:17,240 --> 00:05:21,240 Speaker 1: version of this podcasting you want to take and tune 94 00:05:21,240 --> 00:05:23,760 Speaker 1: in to the audio version, you go to any way 95 00:05:23,800 --> 00:05:25,960 Speaker 1: you get podcasts, and you tap in this up there 96 00:05:26,040 --> 00:05:30,479 Speaker 1: podcasts and we'll pop up and we'll hopefully get you 97 00:05:30,520 --> 00:05:33,119 Speaker 1: what you're looking for in regards to what you're trying 98 00:05:33,120 --> 00:05:34,800 Speaker 1: to hear when you're doing what you need to do 99 00:05:34,839 --> 00:05:36,919 Speaker 1: to get done what has to be done, man. And 100 00:05:37,000 --> 00:05:39,520 Speaker 1: that's just part of the game. Now. It's a lot 101 00:05:39,600 --> 00:05:43,400 Speaker 1: to talk about, you know. Um, y'all know I operate 102 00:05:43,480 --> 00:05:47,039 Speaker 1: around things, man, and our numbers is growing. Man. We 103 00:05:47,080 --> 00:05:50,760 Speaker 1: appreciate everybody that's tapped in on these internets. Man, it's 104 00:05:50,800 --> 00:05:54,479 Speaker 1: internet thing, and everybody that's tuned in. We're looking for 105 00:05:54,560 --> 00:05:57,400 Speaker 1: a way to capitalize on things and do things at 106 00:05:57,440 --> 00:06:00,599 Speaker 1: a way where y'all can appreciate the game and hopefully 107 00:06:00,600 --> 00:06:02,960 Speaker 1: we can get a game back out to the youngsters 108 00:06:03,000 --> 00:06:05,320 Speaker 1: and somebody younger than us, you know, can put the 109 00:06:05,360 --> 00:06:09,640 Speaker 1: game down. Even my little boys now they starting to 110 00:06:09,680 --> 00:06:12,840 Speaker 1: try to figure out something with the YouTube and this 111 00:06:13,000 --> 00:06:15,360 Speaker 1: and that, and I embraced that any way I can. 112 00:06:15,520 --> 00:06:20,680 Speaker 1: So um, it's important to lead with that man with 113 00:06:20,720 --> 00:06:24,240 Speaker 1: these numbers, and in this game, man, I heard Charlemagne 114 00:06:24,360 --> 00:06:27,640 Speaker 1: say something, and I see a few things happening in 115 00:06:27,680 --> 00:06:32,280 Speaker 1: the game right now. This separation is going on in 116 00:06:32,360 --> 00:06:36,720 Speaker 1: the game on a very high level, and it's because 117 00:06:37,240 --> 00:06:43,520 Speaker 1: chicks are being cut, Opportunity is being had, and some 118 00:06:43,640 --> 00:06:46,599 Speaker 1: of our falls and flaws are that we don't provide 119 00:06:46,640 --> 00:06:49,760 Speaker 1: any opportunity, not me, but some of the people in 120 00:06:49,800 --> 00:06:54,320 Speaker 1: the position of power. And it's not held against you, 121 00:06:54,360 --> 00:06:58,240 Speaker 1: into his head against you until the people start to 122 00:06:58,240 --> 00:07:00,799 Speaker 1: take a look at you because somebody's create to the narrative, 123 00:07:00,800 --> 00:07:02,719 Speaker 1: and then they get to say, well, you really haven't 124 00:07:02,760 --> 00:07:06,560 Speaker 1: done much for other people who you haven't putting anybody 125 00:07:06,560 --> 00:07:09,840 Speaker 1: in a position to do anything right, and that hurts. 126 00:07:09,960 --> 00:07:12,200 Speaker 1: That hurts you, and then other people saying things. So 127 00:07:12,320 --> 00:07:14,560 Speaker 1: there's walk going on right in front of your eyes. 128 00:07:15,040 --> 00:07:17,280 Speaker 1: And then certain people are at a very high level 129 00:07:17,280 --> 00:07:20,240 Speaker 1: that don't want to participate in it, but their soldiers 130 00:07:20,280 --> 00:07:22,760 Speaker 1: are trying to prove themselves, so they're going at the 131 00:07:22,800 --> 00:07:27,080 Speaker 1: people and the things going on, you know, And I'll 132 00:07:27,120 --> 00:07:29,080 Speaker 1: break some more of it down. I think I may 133 00:07:29,120 --> 00:07:31,480 Speaker 1: have to go behind the paywall with it, just because 134 00:07:32,200 --> 00:07:34,520 Speaker 1: if I don't tell you exactly who and how it 135 00:07:34,640 --> 00:07:37,800 Speaker 1: ties in, then it won't really make sense, you know 136 00:07:37,840 --> 00:07:39,960 Speaker 1: what I'm saying. So I'm contemplating that. And then we 137 00:07:40,000 --> 00:07:43,120 Speaker 1: do have a Patreon up and running if y'all want 138 00:07:43,120 --> 00:07:44,720 Speaker 1: to tap me in with that. And once I see 139 00:07:44,760 --> 00:07:47,160 Speaker 1: some numbers go up on there, I start providing some 140 00:07:47,240 --> 00:07:53,800 Speaker 1: sort of exclusive content and put something on now. But 141 00:07:53,920 --> 00:07:55,920 Speaker 1: when I see my numbers growing and I see us 142 00:07:55,960 --> 00:07:58,720 Speaker 1: climbing the chart, so I see us get a spike 143 00:07:58,840 --> 00:08:02,040 Speaker 1: because I dropped this in view or you know, I 144 00:08:02,200 --> 00:08:04,840 Speaker 1: put this up on Instagram, like I looked at the 145 00:08:04,840 --> 00:08:08,880 Speaker 1: analytics for me and band play stuff. It didn't had 146 00:08:08,960 --> 00:08:11,960 Speaker 1: dropped yet, but they It was so much searching for 147 00:08:12,280 --> 00:08:15,360 Speaker 1: going on a lot of people found my my channel. 148 00:08:15,600 --> 00:08:17,560 Speaker 1: You know what I'm saying, and um, it's just all 149 00:08:17,600 --> 00:08:21,000 Speaker 1: about hustling. I was telling, dude, you gotta get your 150 00:08:21,080 --> 00:08:25,400 Speaker 1: hustle on with this thing. Man. You know, my homeboy 151 00:08:25,480 --> 00:08:28,440 Speaker 1: were asking me, you know, but I told him, I said, listen, 152 00:08:28,520 --> 00:08:34,200 Speaker 1: don it's important to It's important order to to wait 153 00:08:34,280 --> 00:08:39,760 Speaker 1: to celebrate. The timing for celebration is almost more important 154 00:08:39,800 --> 00:08:46,080 Speaker 1: than the celebration itself. We've saw, you know, people liked 155 00:08:46,240 --> 00:08:50,360 Speaker 1: Sewan Jackson, shout out to him. We saw him running clear, 156 00:08:50,800 --> 00:08:54,280 Speaker 1: no one can stop him, celebration just a little too 157 00:08:54,280 --> 00:08:56,600 Speaker 1: early and through the ball before he crossed the line 158 00:08:56,600 --> 00:09:00,920 Speaker 1: and ended up being a fumble. We saw people celebrate 159 00:09:01,080 --> 00:09:05,120 Speaker 1: with their first round of money. We see celebrations that happen. 160 00:09:05,559 --> 00:09:10,800 Speaker 1: If my kid go pro, we're gonna celebrate because it's 161 00:09:10,840 --> 00:09:15,880 Speaker 1: hard work, but we gotta keep it to a minimum. Ryan, 162 00:09:15,920 --> 00:09:19,920 Speaker 1: You gotta be realistic about where your your position in 163 00:09:20,040 --> 00:09:26,120 Speaker 1: the goal right. Sometimes you get movement mistaken for progress. 164 00:09:26,240 --> 00:09:29,079 Speaker 1: That's why I always tell people just because somebody posted you, 165 00:09:29,280 --> 00:09:34,959 Speaker 1: they'd be old. Dude posted me you gotta know what 166 00:09:35,080 --> 00:09:38,719 Speaker 1: the co sign look like. It's unnecessary to even engaging 167 00:09:38,800 --> 00:09:41,079 Speaker 1: that shout out to the homie though, because he's sending 168 00:09:41,120 --> 00:09:43,280 Speaker 1: people my way, right, and we know how that work. 169 00:09:43,400 --> 00:09:47,120 Speaker 1: That helps out. But it's a different thing when I 170 00:09:47,200 --> 00:09:49,839 Speaker 1: can have a podcast going on and I need to 171 00:09:49,880 --> 00:09:52,360 Speaker 1: be introduced to somebody that's gonna write some chicks and 172 00:09:52,440 --> 00:09:55,400 Speaker 1: get the numbers so I can show them the game. 173 00:09:56,080 --> 00:09:58,400 Speaker 1: So your Instagram post is great. Now I know what 174 00:09:58,520 --> 00:10:00,439 Speaker 1: to do with the people. I just so the event. 175 00:10:00,520 --> 00:10:04,960 Speaker 1: Now I see a shirt, sweaters, hoods, hats, socks, draws. 176 00:10:06,960 --> 00:10:15,160 Speaker 1: I said, we legally out in La. You know, I 177 00:10:15,320 --> 00:10:19,480 Speaker 1: see a housing, I see whatever. I see things. I'm 178 00:10:19,480 --> 00:10:23,640 Speaker 1: anna hustler, right, I'm gonna figure it out. But um, 179 00:10:24,160 --> 00:10:27,520 Speaker 1: this game is important that you just recognize and understand 180 00:10:27,600 --> 00:10:31,960 Speaker 1: when they're celebrated. Just don't celebrate too early. Don't celebrate 181 00:10:32,040 --> 00:10:36,559 Speaker 1: too early. Man. The analogy I use sometimes when I 182 00:10:36,640 --> 00:10:42,319 Speaker 1: think about it, I like, think about it like a pregnancy, right, 183 00:10:43,679 --> 00:10:47,160 Speaker 1: and that whole experience is a hell of experience. So 184 00:10:47,280 --> 00:10:51,280 Speaker 1: it's celebrations as you're going through it. But I think 185 00:10:51,440 --> 00:10:53,559 Speaker 1: once you get to a certain point, right, you you 186 00:10:54,720 --> 00:10:58,400 Speaker 1: can you can prematurely. It's a reason the doctor tells 187 00:10:58,440 --> 00:11:01,240 Speaker 1: you to take it easy. You don't just get pregnant 188 00:11:01,280 --> 00:11:04,600 Speaker 1: and you're good to go. Now, guarantee baby in nine 189 00:11:04,720 --> 00:11:11,839 Speaker 1: months healthy, everything good to go. There's things happening right 190 00:11:12,000 --> 00:11:14,360 Speaker 1: that you gotta stay in line to make sure at 191 00:11:14,440 --> 00:11:17,719 Speaker 1: the end of this everything to the best of your 192 00:11:17,760 --> 00:11:20,439 Speaker 1: ability puts the baby in a position to come out 193 00:11:20,559 --> 00:11:25,480 Speaker 1: healthy and normal and in a position to live a 194 00:11:25,600 --> 00:11:30,199 Speaker 1: healthy life. Now, we have unfortunate circumstances surrounding pregnancies that 195 00:11:31,640 --> 00:11:34,680 Speaker 1: the numbers say or suggested, one out of every such 196 00:11:34,720 --> 00:11:38,000 Speaker 1: and such amount is going to have some sort of 197 00:11:38,600 --> 00:11:42,160 Speaker 1: disability of some kind. But I'm speaking more so to 198 00:11:42,320 --> 00:11:46,160 Speaker 1: the small amount of percentage of people that do things 199 00:11:46,280 --> 00:11:50,400 Speaker 1: that can affect the pregnancy. Right. So what I'm saying 200 00:11:50,679 --> 00:11:53,079 Speaker 1: is the same way with your goals or your move. 201 00:11:53,640 --> 00:11:57,240 Speaker 1: You can do things that can affect the outcome of 202 00:11:57,520 --> 00:12:02,480 Speaker 1: the move. So me celebrating prior to the goal has 203 00:12:02,559 --> 00:12:08,559 Speaker 1: been reached is a premature birth, You see what I'm saying. 204 00:12:09,520 --> 00:12:12,360 Speaker 1: And so even though I'm getting some numbers, I got 205 00:12:12,480 --> 00:12:15,599 Speaker 1: other game. I gotta I got other infinitive stones. I 206 00:12:15,679 --> 00:12:19,760 Speaker 1: gotta ground. You know, we almost to a point. Now, Wheking, 207 00:12:20,120 --> 00:12:22,959 Speaker 1: it's almost funding itself, so then it's only a certain 208 00:12:22,960 --> 00:12:26,760 Speaker 1: amount of time. That's my realistic first goal. Anybody that's 209 00:12:26,840 --> 00:12:31,160 Speaker 1: partner doing business, I'm giving y'all the game. The first 210 00:12:31,240 --> 00:12:33,880 Speaker 1: goal is to make it what a situation is funding 211 00:12:33,920 --> 00:12:38,400 Speaker 1: it self. Once it's funding itself, now make it fund 212 00:12:38,480 --> 00:12:42,679 Speaker 1: your lifestyle. Once it funds your lifestyle. Now move in 213 00:12:42,760 --> 00:12:46,800 Speaker 1: position the way you're just freely creating. Now up the content. 214 00:12:46,960 --> 00:12:50,880 Speaker 1: Now it's time to get the work right. Hopefully this 215 00:12:51,040 --> 00:12:54,439 Speaker 1: happens quick, but nonetheless it gotta happen. This is the 216 00:12:54,559 --> 00:12:56,839 Speaker 1: game that gotta happen in this game that I'm me 217 00:12:57,000 --> 00:13:00,920 Speaker 1: in the podcast, audio and visual space. When people talk 218 00:13:01,000 --> 00:13:04,280 Speaker 1: to me about, hey man, what about dude that he'd 219 00:13:04,280 --> 00:13:07,040 Speaker 1: be live on Facebook? What about your boy man he 220 00:13:07,200 --> 00:13:10,520 Speaker 1: go live on YouTube? That's a different thing, bro. I'm 221 00:13:10,559 --> 00:13:16,120 Speaker 1: providing a certain quality with this thing. It's like getting 222 00:13:16,120 --> 00:13:20,920 Speaker 1: in the Rose Roars. I mean, we all gonna get there. 223 00:13:21,840 --> 00:13:23,839 Speaker 1: You know, you can come here and here about some 224 00:13:23,960 --> 00:13:25,679 Speaker 1: of the Toppies, or you can go there and here 225 00:13:25,720 --> 00:13:28,079 Speaker 1: about some of the Toby. But over here we got 226 00:13:28,160 --> 00:13:32,480 Speaker 1: the double law on the seats. Over here, we got 227 00:13:32,559 --> 00:13:35,560 Speaker 1: the double law on the stand will We're gonna get 228 00:13:35,600 --> 00:13:38,920 Speaker 1: there a certain kind of way. And that's what separate 229 00:13:39,040 --> 00:13:42,160 Speaker 1: the mice from the men, right, It's how we got 230 00:13:42,280 --> 00:13:46,199 Speaker 1: to the money. Everybody gonna get some money. But how 231 00:13:46,240 --> 00:13:48,480 Speaker 1: did y'all get y'all money? I heard you might have 232 00:13:48,559 --> 00:13:52,000 Speaker 1: got your money in a way that should be frowned upon, 233 00:13:52,760 --> 00:13:55,959 Speaker 1: and we're gonna leave that open. We ain't gonna go 234 00:13:56,280 --> 00:14:01,320 Speaker 1: really specific with that. But we all gonna get some money. 235 00:14:01,360 --> 00:14:05,880 Speaker 1: But how how did you get your money? What did 236 00:14:06,040 --> 00:14:10,040 Speaker 1: you do to get that little money you got that 237 00:14:10,200 --> 00:14:13,480 Speaker 1: you talking to me about when man's come out to concrete, 238 00:14:14,600 --> 00:14:17,280 Speaker 1: when I had to bust the concrete open to get man, 239 00:14:17,400 --> 00:14:21,080 Speaker 1: what you do to get your money? You understand me. 240 00:14:21,160 --> 00:14:23,800 Speaker 1: And that's why I got almost very little respect for 241 00:14:23,960 --> 00:14:28,640 Speaker 1: people that don't understand or indicate understanding when they speak 242 00:14:28,720 --> 00:14:32,480 Speaker 1: to me about hustle. Like even when the dude come 243 00:14:32,560 --> 00:14:34,840 Speaker 1: to me about game, and it's a dude out there, 244 00:14:35,080 --> 00:14:38,480 Speaker 1: A couple of guys come to me about game. Even 245 00:14:38,560 --> 00:14:40,440 Speaker 1: when they come at me about a game and they 246 00:14:40,480 --> 00:14:42,800 Speaker 1: don't offer nothing, and they're like, yo, loan, what do 247 00:14:42,840 --> 00:14:44,080 Speaker 1: you think I said? What do you think I mean? 248 00:14:44,160 --> 00:14:46,840 Speaker 1: You got to pay me, bam boy, don't you hear 249 00:14:46,880 --> 00:14:50,040 Speaker 1: the game I'm kicking. Don't you know I'm talking payment. 250 00:14:50,720 --> 00:14:53,400 Speaker 1: Then when I'm talking to you, I'm talking money. I'm 251 00:14:53,440 --> 00:14:58,160 Speaker 1: talking pay me for talking to you. My perspective, it's 252 00:14:58,320 --> 00:15:01,120 Speaker 1: my it's my asset. Maybe you got to pay me, man, 253 00:15:01,240 --> 00:15:04,000 Speaker 1: I'm not finna like. And then they get mad at you, 254 00:15:05,480 --> 00:15:07,160 Speaker 1: and then they get mad at you. But I get 255 00:15:07,200 --> 00:15:09,880 Speaker 1: paid for talking. I just sold out the event for talking, 256 00:15:10,000 --> 00:15:14,840 Speaker 1: independent for talking. You see what I'm saying. And so um, 257 00:15:15,000 --> 00:15:16,880 Speaker 1: it's important to tap in with that. And now let's 258 00:15:16,920 --> 00:15:22,360 Speaker 1: talk about little Dirt, little Dirkin and his girlfriend, um India. 259 00:15:24,680 --> 00:15:28,160 Speaker 1: I think there's a reporter that they had a home 260 00:15:28,280 --> 00:15:36,880 Speaker 1: invasion that happened at their house in Georgia in which exchange, 261 00:15:36,880 --> 00:15:43,200 Speaker 1: a gunfire ensued and these two, him and his girlfriend, 262 00:15:44,400 --> 00:15:48,080 Speaker 1: you know, shot their way out of a very dangerous situation. 263 00:15:48,360 --> 00:15:52,520 Speaker 1: And we want to say, you know, we sent our 264 00:15:52,600 --> 00:15:54,920 Speaker 1: prayers out to that man. I know, dude going through 265 00:15:54,960 --> 00:15:58,440 Speaker 1: a lot, and it's always unfortunate being a guy, specially 266 00:15:58,520 --> 00:16:03,000 Speaker 1: in the people's eye, right, being in the people's eye, 267 00:16:03,000 --> 00:16:06,000 Speaker 1: and things keep happening like I know it's and you know, 268 00:16:06,120 --> 00:16:09,040 Speaker 1: the money can do, but so much. You know, the 269 00:16:09,160 --> 00:16:11,600 Speaker 1: money can do, but so much. Sometimes I get in 270 00:16:11,680 --> 00:16:15,680 Speaker 1: a rut. The money can do, but so much. You 271 00:16:15,880 --> 00:16:19,640 Speaker 1: understand me. It's real things happening. It's real losses being took. 272 00:16:19,720 --> 00:16:23,680 Speaker 1: It's real losses being took. It's real people being hurt. 273 00:16:23,760 --> 00:16:28,400 Speaker 1: It's real people being it's expectations not being met, promises 274 00:16:28,480 --> 00:16:32,600 Speaker 1: not being killed, people being hurt, left out looked over, 275 00:16:33,120 --> 00:16:36,080 Speaker 1: people experiencing death and things of that, and these things 276 00:16:36,160 --> 00:16:38,920 Speaker 1: like that happening, and it's putting people in position to well, 277 00:16:39,800 --> 00:16:43,280 Speaker 1: I got a smile, but I hope y'all don't understand that. 278 00:16:43,360 --> 00:16:45,800 Speaker 1: I ain't even got the wheel power to play with you. 279 00:16:48,160 --> 00:16:53,280 Speaker 1: It's unfortunate though I can't embrace my fans. And then 280 00:16:53,320 --> 00:16:55,800 Speaker 1: they called me scary, like I don't supposed to. What 281 00:16:56,000 --> 00:16:58,840 Speaker 1: do the US do when there's a threat. Don't nobody 282 00:16:58,960 --> 00:17:02,560 Speaker 1: call the US scary? When there's a thread of something happening, 283 00:17:02,840 --> 00:17:05,520 Speaker 1: and they go on lockdown and bring the troops oute 284 00:17:05,560 --> 00:17:08,920 Speaker 1: and they got secured around every don't nobody called them scary. 285 00:17:09,000 --> 00:17:12,560 Speaker 1: They say, oh, wanna look at the military handling their 286 00:17:12,760 --> 00:17:17,680 Speaker 1: bidding the respect my people like the military, when you 287 00:17:17,800 --> 00:17:20,400 Speaker 1: see my people when you see things happen or now 288 00:17:20,520 --> 00:17:22,800 Speaker 1: people say, hey, don't get close to him and meet 289 00:17:22,880 --> 00:17:26,120 Speaker 1: people getting knocked out and things happening, because it's it's 290 00:17:26,200 --> 00:17:31,840 Speaker 1: boundaries just being crossed unfortunately by people that band may 291 00:17:31,920 --> 00:17:35,680 Speaker 1: not be on the other side of a fandom. But 292 00:17:35,840 --> 00:17:40,159 Speaker 1: the but the thing about it is I gotta be protected. 293 00:17:42,280 --> 00:17:45,680 Speaker 1: Whether I'm scared or not. It's up for debate what 294 00:17:45,960 --> 00:17:50,160 Speaker 1: has to happen though, just like the United States, because 295 00:17:51,240 --> 00:17:53,960 Speaker 1: I'm adopting the rules of that. So just like them, 296 00:17:54,280 --> 00:17:58,120 Speaker 1: when there's a threat, yeah, we're going. We're going dog 297 00:17:58,280 --> 00:18:03,000 Speaker 1: thirty every about it. Make a perimeter to get them 298 00:18:03,000 --> 00:18:05,800 Speaker 1: out the way, busty mouth whatever, to get them back, 299 00:18:06,040 --> 00:18:10,720 Speaker 1: get back. Everybody move right, don't give them a chance. 300 00:18:10,800 --> 00:18:14,280 Speaker 1: You see how far can move? Defo not playing. Don't 301 00:18:14,280 --> 00:18:16,760 Speaker 1: nobody to say far can you dig? So this is 302 00:18:16,840 --> 00:18:18,800 Speaker 1: what I'm trying to tell you to wrap game. They 303 00:18:18,920 --> 00:18:22,400 Speaker 1: and tricked us into making each other think that it's 304 00:18:22,440 --> 00:18:26,560 Speaker 1: sold when you when you when you protect yourself. And 305 00:18:26,680 --> 00:18:29,359 Speaker 1: then I hear people saying that that's goals him and 306 00:18:29,440 --> 00:18:32,520 Speaker 1: his old lady's goals because they was in a shootout. 307 00:18:36,240 --> 00:18:38,480 Speaker 1: I want to I want to reject the notion that 308 00:18:38,640 --> 00:18:45,200 Speaker 1: that's goals. That's unfortunate. That's an unfortunate situation. That ain't goals. 309 00:18:45,760 --> 00:18:49,920 Speaker 1: That's valuable, but that ain't gold. How how I want 310 00:18:50,000 --> 00:18:54,119 Speaker 1: my old lady to be in a shootout? I'm hey, listen, 311 00:18:54,320 --> 00:18:58,960 Speaker 1: you stood up. You notice for life? Right? Bigger than 312 00:18:59,080 --> 00:19:04,440 Speaker 1: relationships status? This hill is that there is, but it's valuable, 313 00:19:04,520 --> 00:19:07,840 Speaker 1: but that ain't goals. We gotta be careful what we're saying. 314 00:19:07,920 --> 00:19:11,760 Speaker 1: We got white people and the babies watching. We got 315 00:19:11,840 --> 00:19:15,080 Speaker 1: white folks in the babies watching what we're saying goals. Now, 316 00:19:15,240 --> 00:19:18,080 Speaker 1: it's very valuable that she stood up and fall for 317 00:19:18,200 --> 00:19:21,840 Speaker 1: her life. How does that goals? Putting folks in danger 318 00:19:22,000 --> 00:19:26,760 Speaker 1: like that? That's danger. I tell the women in my 319 00:19:27,040 --> 00:19:29,920 Speaker 1: in my life, listen, don't y'all even argle with nobody. 320 00:19:30,680 --> 00:19:38,359 Speaker 1: Call me and walk away and get somewhere and let 321 00:19:38,480 --> 00:19:41,040 Speaker 1: me show up and we'll see what. We'll see how 322 00:19:41,119 --> 00:19:46,680 Speaker 1: to proceed from there if that's necessary. But when you're 323 00:19:46,760 --> 00:19:53,520 Speaker 1: engaged with them, it's a different thing, you understand. But 324 00:19:53,680 --> 00:19:56,080 Speaker 1: I know I can't stop my people. They built like that, 325 00:19:57,200 --> 00:20:01,640 Speaker 1: so they're gonna they got they live. Don't my mama 326 00:20:01,800 --> 00:20:05,639 Speaker 1: not playing my people? Not playing. They're not playing, so 327 00:20:06,000 --> 00:20:08,920 Speaker 1: they're gonna always place their selves in situations to be 328 00:20:09,040 --> 00:20:14,840 Speaker 1: able to do what protect themselves and hors kicked in 329 00:20:15,000 --> 00:20:17,320 Speaker 1: next to her man like baby, we fight fire life. 330 00:20:17,359 --> 00:20:20,879 Speaker 1: They playing, let's get it, and they went and got it. 331 00:20:21,200 --> 00:20:24,080 Speaker 1: But we gotta be careful saying this goals. We already 332 00:20:24,119 --> 00:20:27,760 Speaker 1: and confused after have five babies, are already confused in 333 00:20:27,920 --> 00:20:35,560 Speaker 1: regards to thugging in prison versus college and certain things 334 00:20:35,720 --> 00:20:38,720 Speaker 1: is just already in question. Why would we add more 335 00:20:38,840 --> 00:20:41,000 Speaker 1: things to that? So it's important that somebody to be 336 00:20:41,080 --> 00:20:44,560 Speaker 1: the voice of that, just to clarify for the babies, right, 337 00:20:44,560 --> 00:20:47,320 Speaker 1: ain't clarify for the youngsters and let them understand. Hey, 338 00:20:47,480 --> 00:20:50,240 Speaker 1: hold up, let's make sure we use the right words. 339 00:20:50,320 --> 00:20:53,840 Speaker 1: That's not goals. That's a valuable situation from a very 340 00:20:54,040 --> 00:20:56,960 Speaker 1: unique woman because it ain't a lot of women that 341 00:20:57,040 --> 00:20:59,359 Speaker 1: could do that. And we don't really even expect that 342 00:20:59,520 --> 00:21:03,560 Speaker 1: from me, because we understand that that's an unfortunate situation 343 00:21:03,680 --> 00:21:07,280 Speaker 1: in which your your woman's side might kick in it. 344 00:21:07,400 --> 00:21:10,480 Speaker 1: And in regards to you know, I've told you I'll 345 00:21:10,560 --> 00:21:13,240 Speaker 1: protect this and you may allow me to try to 346 00:21:13,320 --> 00:21:15,960 Speaker 1: figure this out. You understand because I'm gonna do what 347 00:21:16,119 --> 00:21:19,520 Speaker 1: it takes to be done. Now. But but but but now, 348 00:21:19,640 --> 00:21:24,080 Speaker 1: if you decide to it's just some kicked in, you know. 349 00:21:24,280 --> 00:21:28,639 Speaker 1: But that is that, that's very that's very very unfortunate situation, 350 00:21:29,359 --> 00:21:33,720 Speaker 1: you know. And I always tell people, you can't know 351 00:21:33,880 --> 00:21:38,960 Speaker 1: why I live at. I love everybody, but you can't 352 00:21:39,040 --> 00:21:43,479 Speaker 1: know why I live at. You gotta be careful who 353 00:21:43,560 --> 00:21:46,240 Speaker 1: you letting know where you live at, because you never 354 00:21:46,359 --> 00:21:48,800 Speaker 1: know when they I remember one time I made a 355 00:21:48,880 --> 00:21:52,119 Speaker 1: mistake in one of my homeboard, you know, and I 356 00:21:52,320 --> 00:21:55,080 Speaker 1: wasn't thinking. I was young, and I think that they 357 00:21:55,320 --> 00:21:57,840 Speaker 1: you know, just the situation happened. I get away from that. 358 00:21:58,000 --> 00:22:00,359 Speaker 1: But you gotta be careful with who you let me 359 00:22:00,400 --> 00:22:02,480 Speaker 1: know where you live at. First of all, you can't 360 00:22:02,560 --> 00:22:04,680 Speaker 1: know where I live at. And then the thing and 361 00:22:04,800 --> 00:22:07,520 Speaker 1: people tend to do with You can't pull up up 362 00:22:07,680 --> 00:22:10,680 Speaker 1: at my house with a guess? How you pulling? How 363 00:22:10,880 --> 00:22:14,720 Speaker 1: guests gonna have a guess. You can't be coming to 364 00:22:14,800 --> 00:22:19,359 Speaker 1: somebody's house and bringing somebody with you and there's no 365 00:22:19,560 --> 00:22:23,040 Speaker 1: etiquette there. So I stay away from him. Y'all, just 366 00:22:23,160 --> 00:22:25,960 Speaker 1: stay away from wherever I live at, because if something happened. 367 00:22:26,000 --> 00:22:30,320 Speaker 1: I need to be to track down, you understand me. 368 00:22:30,359 --> 00:22:32,080 Speaker 1: I need to be a track name. But two people 369 00:22:32,080 --> 00:22:33,600 Speaker 1: out of them being out here, so he got to 370 00:22:33,640 --> 00:22:36,160 Speaker 1: be one of them, said and said, you know, because 371 00:22:36,200 --> 00:22:39,040 Speaker 1: everything you know, just those kind of things, man, because 372 00:22:39,080 --> 00:22:41,040 Speaker 1: how do they know where you live at they come 373 00:22:41,119 --> 00:22:46,239 Speaker 1: into sul division a spot like that. I even had 374 00:22:46,320 --> 00:22:48,320 Speaker 1: to tell my old lady and man, you gotta watch 375 00:22:48,440 --> 00:22:50,960 Speaker 1: following you people looking at stuff. I was around. I 376 00:22:51,200 --> 00:22:54,000 Speaker 1: was young and this was happening. Man, I was young 377 00:22:54,080 --> 00:22:57,920 Speaker 1: and dudes was following people gas and it was stuff 378 00:22:57,960 --> 00:22:59,959 Speaker 1: like that going on. So I'm knowing on a very 379 00:23:00,240 --> 00:23:04,560 Speaker 1: high level, like, man, we gotta be extra careful, you know. 380 00:23:04,760 --> 00:23:06,679 Speaker 1: But shout out to them, Man, they've done their thing. 381 00:23:06,800 --> 00:23:09,760 Speaker 1: I see six nine still trolling about that kind of stuff. 382 00:23:10,880 --> 00:23:14,639 Speaker 1: You know, I really don't even know, you know, I 383 00:23:14,720 --> 00:23:17,280 Speaker 1: really don't even know, you know, really what to say 384 00:23:17,320 --> 00:23:20,680 Speaker 1: about that. It's just I think dude is doing a lot, man, 385 00:23:21,680 --> 00:23:25,720 Speaker 1: and he may be ready to pay whenever that time 386 00:23:25,840 --> 00:23:27,879 Speaker 1: may come. If there's something, if there's a payment that 387 00:23:28,000 --> 00:23:30,480 Speaker 1: needs to be had, you know, he may be ready 388 00:23:30,560 --> 00:23:33,080 Speaker 1: to go head on with that. And we'll, I guess 389 00:23:33,119 --> 00:23:36,080 Speaker 1: we'll see we see people pulling up and see what's 390 00:23:36,119 --> 00:23:39,359 Speaker 1: going on. You know, hey, them dudes, it crazy, man, 391 00:23:39,359 --> 00:23:41,800 Speaker 1: it's a lot going on. Let's talk about n Veil 392 00:23:42,119 --> 00:23:45,600 Speaker 1: For those of you that don't know Navel. Navel is 393 00:23:45,760 --> 00:23:50,280 Speaker 1: American singer who's recordings reached the Billboard charts during the 394 00:23:50,359 --> 00:23:54,159 Speaker 1: early two thousands. She's known for a Grammy nominated hit 395 00:23:54,560 --> 00:23:58,520 Speaker 1: Don't Mess with My Man Okay, featuring Young Bloods and 396 00:23:58,640 --> 00:24:02,399 Speaker 1: Little John. She has released the studio albums The Veya 397 00:24:02,560 --> 00:24:06,720 Speaker 1: Complicated in two thousand and five, and she also has 398 00:24:06,760 --> 00:24:09,480 Speaker 1: a baby with Little Wayne. So she's a She's a 399 00:24:09,560 --> 00:24:11,560 Speaker 1: girl that in the early two thousands that was just 400 00:24:11,680 --> 00:24:16,760 Speaker 1: wave going on, like the Siras Um that was the 401 00:24:16,920 --> 00:24:19,879 Speaker 1: rappers too, like the Shaunas, the Remis, they was around, 402 00:24:19,960 --> 00:24:23,280 Speaker 1: but it was it was like the Siras. It was 403 00:24:23,400 --> 00:24:26,960 Speaker 1: that type of girl. And it was also the Monicas 404 00:24:27,119 --> 00:24:29,880 Speaker 1: and things like that. And she was one of those 405 00:24:30,000 --> 00:24:32,400 Speaker 1: type of girls. So she ended up having a baby 406 00:24:32,400 --> 00:24:36,640 Speaker 1: about Little Wayne. Now, she says right here that Little 407 00:24:36,640 --> 00:24:39,520 Speaker 1: Wayne convinced her to quit music and being a relationship 408 00:24:39,600 --> 00:24:41,880 Speaker 1: with him and then end up marrying that other girl. 409 00:24:42,400 --> 00:24:45,440 Speaker 1: So let's see, let's hear some of the things she said, 410 00:24:45,480 --> 00:24:48,560 Speaker 1: and see if we can't what point did you meet Wayne. 411 00:24:48,840 --> 00:24:52,320 Speaker 1: I'm mad Wayne because from Dumb Miss my Man video 412 00:24:52,440 --> 00:24:57,280 Speaker 1: was out there and he said he saw He was like, oh, 413 00:24:57,359 --> 00:24:59,560 Speaker 1: it's a cute and called the light boy and say 414 00:24:59,560 --> 00:25:01,160 Speaker 1: I want to He was talking with her. I'm working 415 00:25:01,240 --> 00:25:03,560 Speaker 1: on my solo project, blah blah blah, and he was 416 00:25:03,600 --> 00:25:06,080 Speaker 1: like okay, he said, I don't want to. I don't 417 00:25:06,119 --> 00:25:07,879 Speaker 1: want to do and you just want your number. And 418 00:25:08,000 --> 00:25:14,040 Speaker 1: then he encouraged you to basically say deuces and so cool, 419 00:25:14,119 --> 00:25:16,080 Speaker 1: come be with me, and I got you, sent a 420 00:25:16,200 --> 00:25:18,920 Speaker 1: letter to the label. Didn't put all that money that girl, 421 00:25:18,960 --> 00:25:20,879 Speaker 1: and she's just up and quit. So he was like, well, 422 00:25:20,920 --> 00:25:22,840 Speaker 1: I can't be with your music if you want to 423 00:25:22,880 --> 00:25:25,159 Speaker 1: do it. I'm just sitting there, you know, being a 424 00:25:25,280 --> 00:25:30,200 Speaker 1: house like a housewife. And then um, the situation he was, 425 00:25:30,280 --> 00:25:32,840 Speaker 1: you know, Regina was very young. I love so much. 426 00:25:32,960 --> 00:25:36,280 Speaker 1: All of a sudden, this is kind of funny. He 427 00:25:36,440 --> 00:25:38,400 Speaker 1: was like, I never stayed in an apartment before. Let's 428 00:25:38,400 --> 00:25:39,920 Speaker 1: get an apartment. So we moved out to the house, 429 00:25:39,960 --> 00:25:42,160 Speaker 1: get apartment. I didn't realize he did that to move 430 00:25:42,320 --> 00:25:45,720 Speaker 1: Toya back in the house. That's crazy. But I remember 431 00:25:45,760 --> 00:25:49,480 Speaker 1: being on the phone screen Toya and Sea like I'm 432 00:25:49,520 --> 00:25:52,520 Speaker 1: gonna come crashed her wedding. So we had a birthday party. 433 00:25:52,560 --> 00:25:54,360 Speaker 1: He did the prom theme and me and Toy both 434 00:25:54,440 --> 00:25:56,760 Speaker 1: was there, and he like gave her this awesome speech 435 00:25:56,840 --> 00:25:59,920 Speaker 1: and everything. And she told me years later she thought 436 00:26:00,080 --> 00:26:02,640 Speaker 1: I knew that that was back together after that. That's 437 00:26:02,680 --> 00:26:05,960 Speaker 1: pretty much when um, I think he proposed, ain't got married. 438 00:26:06,200 --> 00:26:08,159 Speaker 1: That was so hard bro ken. I was screaming the 439 00:26:08,200 --> 00:26:09,359 Speaker 1: custin of my hound. So I was about to go 440 00:26:09,440 --> 00:26:14,000 Speaker 1: get a job at Babes as all strip club girls, 441 00:26:15,680 --> 00:26:19,760 Speaker 1: I know you gotta go after you already had been. 442 00:26:19,880 --> 00:26:21,800 Speaker 1: I was laugh. This was two thousand and three. What 443 00:26:21,920 --> 00:26:25,119 Speaker 1: people don't know is while I'm dreaming I was married, 444 00:26:26,200 --> 00:26:28,600 Speaker 1: Wayne reached out and said, hey, I want to do 445 00:26:28,680 --> 00:26:30,359 Speaker 1: a song. I want you to producing right out on 446 00:26:30,440 --> 00:26:33,640 Speaker 1: the other singing I'm a wrap. I I did my part. 447 00:26:33,720 --> 00:26:35,800 Speaker 1: I still have it and dreaming out and he sent 448 00:26:35,880 --> 00:26:38,760 Speaker 1: it to Wayne. And when Wayne, saying it back, dreams 449 00:26:38,920 --> 00:26:42,320 Speaker 1: and Dreams said it was so the stuff. He was 450 00:26:42,359 --> 00:26:45,240 Speaker 1: saying that he never played it for me. Wayne never 451 00:26:45,280 --> 00:26:46,880 Speaker 1: played for me either, He said it was He said 452 00:26:46,920 --> 00:26:48,880 Speaker 1: he was just trying to get me to reach he wanted. 453 00:26:48,960 --> 00:26:51,000 Speaker 1: He used that to try to connect with me again. 454 00:26:51,080 --> 00:26:54,040 Speaker 1: He was talking bad about me about you. Yeah, like 455 00:26:54,240 --> 00:26:56,280 Speaker 1: I don't know, he said, I don't even know, but 456 00:26:57,000 --> 00:27:00,719 Speaker 1: they both said it was up. Damn. Yeah, I never 457 00:27:00,800 --> 00:27:04,359 Speaker 1: heard it. I'm glad, but you know I've heard once. 458 00:27:04,640 --> 00:27:10,040 Speaker 1: We you know, got back. You know, my views may 459 00:27:10,119 --> 00:27:16,040 Speaker 1: be a little toxic, you know about relationships, because my 460 00:27:16,200 --> 00:27:26,959 Speaker 1: view on relationships are always unique because I look at 461 00:27:27,000 --> 00:27:33,280 Speaker 1: a relationship like a like a deal. I look at 462 00:27:33,320 --> 00:27:36,159 Speaker 1: a relationship like a deal that love is attached to, 463 00:27:38,640 --> 00:27:43,119 Speaker 1: you know, even with somebody like me. I'm gonna be 464 00:27:43,720 --> 00:27:46,680 Speaker 1: whatever you need to be. I'm gonna I'm gonna be 465 00:27:46,760 --> 00:27:50,000 Speaker 1: whatever you need me to be in regards to my relationship. Right. So, 466 00:27:50,080 --> 00:27:53,560 Speaker 1: I'm gonna give you the game. I'm gonna buy you gifts, 467 00:27:54,359 --> 00:27:56,280 Speaker 1: I'm gonna try, I'm gonna put I'm gonna put you 468 00:27:56,400 --> 00:27:58,119 Speaker 1: in a new will, I'm gonna put you in a 469 00:27:58,200 --> 00:28:03,000 Speaker 1: big crib, make sure you eat, define its s stakes. 470 00:28:03,720 --> 00:28:05,800 Speaker 1: I'm gonna make sure you keep a good dress on 471 00:28:05,960 --> 00:28:09,120 Speaker 1: with some heels that yeah, some of that. Yeah, I'm 472 00:28:09,119 --> 00:28:11,440 Speaker 1: gonna make sure that you wanted the baddest one. I'm 473 00:28:11,440 --> 00:28:13,960 Speaker 1: gonna make sure your hair together. I'm gonna make sure 474 00:28:14,040 --> 00:28:15,960 Speaker 1: that you know what it is to be a bad 475 00:28:16,440 --> 00:28:21,720 Speaker 1: You understand me. So in return, a lot of times 476 00:28:21,760 --> 00:28:27,240 Speaker 1: I don't need much A lot of times, now, you know, 477 00:28:27,840 --> 00:28:30,879 Speaker 1: or either I don't need much or I don't know 478 00:28:31,080 --> 00:28:35,720 Speaker 1: that I need much right because I'm so moving around 479 00:28:35,760 --> 00:28:38,600 Speaker 1: and busy right trying to figure this other thing out. 480 00:28:41,800 --> 00:28:44,360 Speaker 1: I can do, I can cook, I can do everything. 481 00:28:47,520 --> 00:28:50,600 Speaker 1: I can do everything. But what happens is what tend 482 00:28:50,640 --> 00:28:55,160 Speaker 1: to happen in relationships, is that somebody tends to fall 483 00:28:55,240 --> 00:29:01,680 Speaker 1: off the wagon. Somebody tends to stop appreciating what should 484 00:29:01,720 --> 00:29:06,440 Speaker 1: have been took to hard and serious to the end 485 00:29:06,520 --> 00:29:11,680 Speaker 1: of the role. Some people stop appreciating what should never 486 00:29:11,880 --> 00:29:16,360 Speaker 1: be ignored. They stop engaging with things you should never 487 00:29:16,480 --> 00:29:22,240 Speaker 1: leave alone. They stopped. They start tiptoeing around things you 488 00:29:22,280 --> 00:29:26,560 Speaker 1: should stump around. You see what I'm saying, and so 489 00:29:27,440 --> 00:29:30,920 Speaker 1: and then communication is always the problem. I told somebody 490 00:29:31,080 --> 00:29:33,320 Speaker 1: one time that I was dealing with like, Yo, every 491 00:29:33,360 --> 00:29:36,160 Speaker 1: time I'm around you, I feel like you be attacking me. 492 00:29:37,000 --> 00:29:39,640 Speaker 1: You want me to answer stuff all the time. What 493 00:29:39,880 --> 00:29:41,520 Speaker 1: was this? Who was this? What was that? What they do. 494 00:29:41,680 --> 00:29:43,680 Speaker 1: I don't want to. I don't want to be under 495 00:29:43,680 --> 00:29:47,120 Speaker 1: attacked by nobody when I'm chilling. Listen, I do enough. Man, 496 00:29:47,240 --> 00:29:50,640 Speaker 1: get away from me with the attack. Man, know what 497 00:29:50,720 --> 00:29:54,840 Speaker 1: I'm saying. If anything that I done is unacceptable in 498 00:29:54,960 --> 00:29:57,960 Speaker 1: your eyes, I apologize. If you feel as though you 499 00:29:58,080 --> 00:30:00,200 Speaker 1: don't need to be in the space with me, I 500 00:30:00,320 --> 00:30:03,840 Speaker 1: can appreciate that as well. But let's not do this sill. 501 00:30:04,440 --> 00:30:07,640 Speaker 1: I'm not interested in it, you know what I mean. 502 00:30:09,800 --> 00:30:12,000 Speaker 1: And I also know it's a difference when a man 503 00:30:12,160 --> 00:30:15,120 Speaker 1: take you serious and a man really really really engaged 504 00:30:15,160 --> 00:30:17,160 Speaker 1: with you and be like, yo, you're my woman. This 505 00:30:17,360 --> 00:30:26,000 Speaker 1: different in that other This ain't that other thing. So 506 00:30:26,200 --> 00:30:29,040 Speaker 1: they asked, what do I think about Wayne telling her, Hey, 507 00:30:30,320 --> 00:30:36,880 Speaker 1: stop doing music. I don't know. I mean, I wouldn't 508 00:30:36,880 --> 00:30:40,320 Speaker 1: tell my woman to stop doing music. Where I met 509 00:30:40,360 --> 00:30:44,360 Speaker 1: in my life, you know what I'm saying, Hey, this hustle. 510 00:30:45,680 --> 00:30:47,880 Speaker 1: But he was the top doll. He would probably hide 511 00:30:47,920 --> 00:30:51,120 Speaker 1: there so he didn't necessarily need the hustle. But I'll 512 00:30:51,160 --> 00:30:53,360 Speaker 1: tell my old lady to hustle. It's always about the 513 00:30:53,440 --> 00:30:56,920 Speaker 1: hustle for me, you know what I'm saying, a lot 514 00:30:57,000 --> 00:31:02,640 Speaker 1: of dudes sometimes want to cripple the woman. You know, 515 00:31:03,160 --> 00:31:09,120 Speaker 1: a cripple, A cripple woman financially or otherwise, you know, 516 00:31:09,320 --> 00:31:13,560 Speaker 1: not not physically, but financially cripple or mental mentally cripple 517 00:31:13,640 --> 00:31:16,600 Speaker 1: the woman in order to keep heart of the position 518 00:31:16,680 --> 00:31:23,720 Speaker 1: a well. Her only gasoline comes from his tank. You 519 00:31:23,840 --> 00:31:26,720 Speaker 1: see what I'm saying, And so it's very important to 520 00:31:26,840 --> 00:31:30,360 Speaker 1: teach your daughter. I don't want my old lady to 521 00:31:30,560 --> 00:31:33,120 Speaker 1: depend on me. Fully, If you do, that's your business, 522 00:31:33,160 --> 00:31:35,440 Speaker 1: because when I pull it from you, don't don't don't 523 00:31:36,240 --> 00:31:41,320 Speaker 1: you feel it? But I don't encourage nobody to depend 524 00:31:41,440 --> 00:31:44,800 Speaker 1: on me. That's don't accept my children, my mother and 525 00:31:44,960 --> 00:31:48,000 Speaker 1: my wife. You know what I'm saying. But if you 526 00:31:48,160 --> 00:31:53,240 Speaker 1: just my old lady, don't you don't you I wouldn't 527 00:31:53,280 --> 00:31:56,160 Speaker 1: do that, then you can. The option is always there. 528 00:31:58,840 --> 00:32:01,040 Speaker 1: But if you if you are old lady, he made 529 00:32:01,160 --> 00:32:04,200 Speaker 1: in a moment here to cross over. I'm out of here. 530 00:32:04,200 --> 00:32:06,000 Speaker 1: I'm on the something else, I something, but love it. 531 00:32:06,080 --> 00:32:09,520 Speaker 1: She was nice and I keep going through stuff with 532 00:32:09,600 --> 00:32:13,800 Speaker 1: you and cheating is I can't believe that people hold 533 00:32:13,880 --> 00:32:17,160 Speaker 1: lords over your head. Sometimes let's talk about Dame D's 534 00:32:17,280 --> 00:32:20,440 Speaker 1: Dame Dash from what I just read won the lawsuit 535 00:32:21,160 --> 00:32:26,440 Speaker 1: with the NFT of Rockefeller or Reasonable Doubt, in which 536 00:32:26,560 --> 00:32:29,400 Speaker 1: jay Z fouled a lawsuit against him to stop him 537 00:32:29,480 --> 00:32:32,440 Speaker 1: from selling the NFT. A couple of episodes ago, I 538 00:32:32,480 --> 00:32:36,000 Speaker 1: spoke about, Man, that's my cachet. You're taking from it. Um. 539 00:32:36,920 --> 00:32:39,960 Speaker 1: But what it looks like here is that Dame Old 540 00:32:40,480 --> 00:32:47,480 Speaker 1: owned a percentage of it. Um, So let's make sure 541 00:32:47,520 --> 00:32:52,680 Speaker 1: I'm not trigming and so um and so with Dame 542 00:32:52,800 --> 00:32:56,400 Speaker 1: owning a piece of it, he feels though, Um, I'm 543 00:32:56,440 --> 00:32:59,719 Speaker 1: a sale mind. Now, this is what jay Z's position 544 00:32:59,800 --> 00:33:04,360 Speaker 1: comes in that jay Z says, well, that company that 545 00:33:04,640 --> 00:33:08,200 Speaker 1: Dame Dash owns a piece of doesn't own a piece 546 00:33:08,280 --> 00:33:11,360 Speaker 1: of Rock of reason about Doubt anymore. We transferred that 547 00:33:11,480 --> 00:33:15,240 Speaker 1: to another company with the streaming rights, so you can't 548 00:33:15,280 --> 00:33:21,800 Speaker 1: do anything digitally digitally With that Dame Dash argument as well, 549 00:33:23,000 --> 00:33:27,320 Speaker 1: you transferred those rights illegally, and that's where we are. 550 00:33:28,040 --> 00:33:31,120 Speaker 1: So the streaming thing is a very unique place. That's 551 00:33:31,160 --> 00:33:34,040 Speaker 1: why you hear people hitting around. It's probably gonna be 552 00:33:34,040 --> 00:33:36,640 Speaker 1: a class action lawsuits somewhere on the labels at some 553 00:33:36,800 --> 00:33:39,560 Speaker 1: point because they dumped a whole lot of music on them. 554 00:33:39,600 --> 00:33:42,400 Speaker 1: Streaming sites that they probably didn't pay the people that 555 00:33:42,520 --> 00:33:49,640 Speaker 1: actually made the music for right. So when jay z 556 00:33:49,840 --> 00:33:52,080 Speaker 1: I Guess done some business and they sold it, they 557 00:33:52,200 --> 00:33:57,080 Speaker 1: sold the streaming rights, but the contract probably didn't speak 558 00:33:57,120 --> 00:33:59,360 Speaker 1: to the streaming rights in which is probably why they've 559 00:33:59,400 --> 00:34:02,200 Speaker 1: done that. And that's what I'm saying. Nobody saw streaming coming, 560 00:34:02,320 --> 00:34:05,280 Speaker 1: Nobody saw the Internet coming. That's why this is the 561 00:34:05,360 --> 00:34:09,400 Speaker 1: greatest transfer of wealth ever because nobody saw what we 562 00:34:09,480 --> 00:34:11,879 Speaker 1: are right now. That mean they didn't have a real 563 00:34:12,000 --> 00:34:14,560 Speaker 1: head start. Some people had a kind of a head 564 00:34:14,640 --> 00:34:17,359 Speaker 1: start because they heard about the Internet and they kind 565 00:34:17,360 --> 00:34:20,800 Speaker 1: of got in. But I'm talking about usually they have 566 00:34:21,040 --> 00:34:23,839 Speaker 1: a like, if we go to making cars right now, 567 00:34:23,960 --> 00:34:26,800 Speaker 1: Ford got a hundred year heads start on us, we 568 00:34:26,920 --> 00:34:28,920 Speaker 1: go to make it sneak because Nike got a fifty 569 00:34:29,000 --> 00:34:31,480 Speaker 1: year head start on Uh. If we try to like 570 00:34:31,920 --> 00:34:34,160 Speaker 1: that's what why what Yees is doing? He that's what 571 00:34:34,280 --> 00:34:36,160 Speaker 1: he was talking about. I gotta kind of go through 572 00:34:36,239 --> 00:34:39,359 Speaker 1: them because they have the foundation said they've been doing 573 00:34:39,400 --> 00:34:42,520 Speaker 1: it so long to get this kind of quality at 574 00:34:42,600 --> 00:34:45,000 Speaker 1: this kind of rate, you gotta go through these people, 575 00:34:46,200 --> 00:34:49,000 Speaker 1: you see, or you gotta pay this much, which then 576 00:34:49,120 --> 00:34:52,200 Speaker 1: brings your profit margin down and costs your business to 577 00:34:52,360 --> 00:34:58,600 Speaker 1: move in a different way, you see. So it's all 578 00:34:58,680 --> 00:35:01,040 Speaker 1: about knowing the position the game. But we're in the 579 00:35:01,120 --> 00:35:05,160 Speaker 1: greatest greatest transfer well right now, everybody better get them 580 00:35:05,200 --> 00:35:07,040 Speaker 1: some money. Figure out how to get some money. That's 581 00:35:07,080 --> 00:35:10,359 Speaker 1: what game we're playing. That's what position we're in. That's 582 00:35:10,400 --> 00:35:13,600 Speaker 1: the way we're maneuvering and moving around the city. But yeah, 583 00:35:13,680 --> 00:35:16,160 Speaker 1: so dy ain't been trying to sell an NFT for 584 00:35:16,280 --> 00:35:18,440 Speaker 1: people that don't know when the NFT is. It's a 585 00:35:18,560 --> 00:35:22,160 Speaker 1: non fungible token. It's a digital piece of work of 586 00:35:22,520 --> 00:35:28,080 Speaker 1: art that can be they can't be duplicated because it 587 00:35:28,160 --> 00:35:30,919 Speaker 1: comes with a certain tag and it's registered in things 588 00:35:31,000 --> 00:35:33,360 Speaker 1: like that. So you sell that almost like art, like 589 00:35:34,160 --> 00:35:36,360 Speaker 1: like some of the big painters in the world, some 590 00:35:36,480 --> 00:35:38,440 Speaker 1: of the big artists in the world, you know, they 591 00:35:39,640 --> 00:35:42,760 Speaker 1: they're able to capitalize on that same type of audience. 592 00:35:42,880 --> 00:35:45,319 Speaker 1: And it's been doing good that space. Some people think 593 00:35:45,400 --> 00:35:47,719 Speaker 1: that space won't last long. They think it's just kind 594 00:35:47,760 --> 00:35:50,560 Speaker 1: of a fad. You know, we see these fads every 595 00:35:50,640 --> 00:35:53,200 Speaker 1: ten years. Certain things pop up for a second, then 596 00:35:53,280 --> 00:35:56,120 Speaker 1: they you look ten years later, like, man, you remember 597 00:35:56,160 --> 00:35:59,200 Speaker 1: the such and such and they never come back again, 598 00:35:59,360 --> 00:36:03,200 Speaker 1: so so for them. Man the same day it seemed 599 00:36:03,200 --> 00:36:08,880 Speaker 1: like Dame Dash has swung back and a judge decided 600 00:36:08,960 --> 00:36:11,840 Speaker 1: with him in this case. So far, in regards to 601 00:36:12,040 --> 00:36:16,480 Speaker 1: the selling the NFT of the Reasonable Down album featuring 602 00:36:16,600 --> 00:36:19,080 Speaker 1: jay Z, we're putting a lot of work in with 603 00:36:19,200 --> 00:36:22,640 Speaker 1: this podcast in space. We take it very serious. Hopefully 604 00:36:22,680 --> 00:36:25,040 Speaker 1: we'll see some of y'all. Let the events coming up. 605 00:36:25,760 --> 00:36:27,840 Speaker 1: Hopefully we'll get people to tap in with us in 606 00:36:27,880 --> 00:36:33,319 Speaker 1: a good place now in this space, in this game, 607 00:36:33,719 --> 00:36:36,520 Speaker 1: it is very It's a lot this left to be heard, 608 00:36:36,640 --> 00:36:40,840 Speaker 1: in a lot this left to be seen. You know, 609 00:36:41,400 --> 00:36:44,800 Speaker 1: the information that's out there, it just ain't enough information 610 00:36:44,920 --> 00:36:47,359 Speaker 1: for people to understand the game. I think YouTube has 611 00:36:47,440 --> 00:36:50,400 Speaker 1: the ultimate platform in regards to how to get the money. 612 00:36:51,160 --> 00:36:54,080 Speaker 1: I think YouTube may be at the forefront. Now there's 613 00:36:54,120 --> 00:36:56,239 Speaker 1: people out here this creating things. I have a lot 614 00:36:56,320 --> 00:36:58,400 Speaker 1: of things I need to create. I need a budget 615 00:36:58,480 --> 00:37:00,799 Speaker 1: from one of these companies. But I have a lot 616 00:37:00,840 --> 00:37:03,000 Speaker 1: of things I need to create. I need i Hard 617 00:37:03,080 --> 00:37:05,640 Speaker 1: to come and cut me a check. I need Revolte 618 00:37:05,680 --> 00:37:08,000 Speaker 1: to come and cut me a check. I need Black 619 00:37:08,040 --> 00:37:10,520 Speaker 1: Effect to come and cut me a check. I need 620 00:37:10,760 --> 00:37:12,600 Speaker 1: some of the I need y'all to come cume me 621 00:37:12,680 --> 00:37:16,560 Speaker 1: a check. I got ideas on the horizon. You're dealing 622 00:37:16,640 --> 00:37:19,360 Speaker 1: with creators, I mean creator Land. This is what I do. 623 00:37:19,719 --> 00:37:23,879 Speaker 1: This ain't by coincidence. This is happening. There's no outside 624 00:37:24,000 --> 00:37:26,600 Speaker 1: influencer input on what it is I do. I come 625 00:37:26,640 --> 00:37:28,719 Speaker 1: out the street. I do this for the wares. They 626 00:37:28,800 --> 00:37:31,400 Speaker 1: come out the street. We resonnate with the hood. Our 627 00:37:31,480 --> 00:37:34,560 Speaker 1: numbers tell us that we resonnate with the street, and 628 00:37:34,680 --> 00:37:38,680 Speaker 1: we get a game to the babies. How can we 629 00:37:38,840 --> 00:37:41,279 Speaker 1: not do some kind of business. How can we not 630 00:37:41,480 --> 00:37:44,960 Speaker 1: extend some sort of olive branch. When I see the creators, 631 00:37:46,000 --> 00:37:48,480 Speaker 1: some people are creating their own shot, and I'm creating 632 00:37:48,520 --> 00:37:51,400 Speaker 1: my own shot. I see I see some of the 633 00:37:51,480 --> 00:37:53,880 Speaker 1: big homies. They're putting the ball by the goal. For 634 00:37:54,000 --> 00:37:56,719 Speaker 1: some of these guys, they're giving them an at loup. 635 00:37:56,840 --> 00:37:59,480 Speaker 1: All they gotta do is tap it in. I'm out 636 00:37:59,520 --> 00:38:02,880 Speaker 1: here drill and trying to shake my opponent. I'm I'm 637 00:38:02,960 --> 00:38:06,560 Speaker 1: creating my shot. How can we not figure out a 638 00:38:06,600 --> 00:38:09,400 Speaker 1: way to make some money in between? You did what 639 00:38:09,520 --> 00:38:11,719 Speaker 1: I'm saying. I just think that it's important that y'all 640 00:38:11,920 --> 00:38:14,879 Speaker 1: understand It's a difference, man. It's a thing happening now here. 641 00:38:16,000 --> 00:38:18,240 Speaker 1: The people that get behind this mic and they're talking 642 00:38:18,320 --> 00:38:24,200 Speaker 1: away where it resonnates with people without the popularity attast tour. 643 00:38:25,200 --> 00:38:30,359 Speaker 1: It resonnates with people without the gimmicks t attast tour. 644 00:38:31,320 --> 00:38:33,960 Speaker 1: It's something that the people can feel because it speaks 645 00:38:34,000 --> 00:38:36,279 Speaker 1: to the It speaks to the heart, it speaks to 646 00:38:36,400 --> 00:38:42,080 Speaker 1: the hustle. It's very few people that can place themselves 647 00:38:42,200 --> 00:38:45,799 Speaker 1: outside of the hood and function at a high level, 648 00:38:46,960 --> 00:38:49,520 Speaker 1: and the reason being because of the lack of information. 649 00:38:51,400 --> 00:38:52,920 Speaker 1: And I think at some point we got to do 650 00:38:53,040 --> 00:38:55,800 Speaker 1: something about that. People been hitting my DM want me 651 00:38:55,840 --> 00:39:00,640 Speaker 1: to talk about Jiherbo coming to money Bag yo coming 652 00:39:00,680 --> 00:39:05,799 Speaker 1: to Ari's birthday party with money Bag Yoda. I don't 653 00:39:05,840 --> 00:39:09,680 Speaker 1: really want to talk about them people in specific, because, um, 654 00:39:11,000 --> 00:39:14,400 Speaker 1: you know, we don't never really talk about nobody in specific. 655 00:39:14,520 --> 00:39:17,600 Speaker 1: We always advanced the conversation and talk about things from 656 00:39:17,640 --> 00:39:21,920 Speaker 1: a general standpoint. How do you feel about your the 657 00:39:22,040 --> 00:39:24,759 Speaker 1: baby father showing up to the party. I think it 658 00:39:24,840 --> 00:39:27,520 Speaker 1: all depends if the baby father Richard and the dude. 659 00:39:29,000 --> 00:39:31,400 Speaker 1: If the baby father richer than the dude, it may 660 00:39:31,520 --> 00:39:34,839 Speaker 1: feel he may he may feel funny. But if I'm 661 00:39:34,920 --> 00:39:38,120 Speaker 1: richer than your baby dad, what are coming to do? 662 00:39:38,520 --> 00:39:43,160 Speaker 1: Get shit on? I mean what or it ain't no 663 00:39:43,280 --> 00:39:45,800 Speaker 1: disrespecting now, it ain't no disrespect. But I come to 664 00:39:46,320 --> 00:39:50,560 Speaker 1: I come to show out tonight. You know what I'm saying. 665 00:39:50,680 --> 00:39:54,480 Speaker 1: I come to show out tonight. So you're gonna have 666 00:39:54,560 --> 00:39:58,440 Speaker 1: to accept this with a open on. Unfortunately, you know 667 00:39:58,480 --> 00:40:01,879 Speaker 1: what I'm saying. And people say what I don't see 668 00:40:01,960 --> 00:40:04,239 Speaker 1: I don't see her boat coming on. No, you know 669 00:40:04,280 --> 00:40:07,120 Speaker 1: what I'm saying. If your baby dad don't come on, no, 670 00:40:07,320 --> 00:40:09,960 Speaker 1: Rod Roy, he can be in there throwing his little money, chilling, 671 00:40:10,120 --> 00:40:13,319 Speaker 1: throwing his little thing. Then can he be up at 672 00:40:13,440 --> 00:40:16,080 Speaker 1: looking it up at trying to yeah up here on 673 00:40:16,200 --> 00:40:18,759 Speaker 1: the stage with or why she getting down? Now? He's 674 00:40:18,800 --> 00:40:23,279 Speaker 1: doing too much? You know what I'm saying. They're gonna 675 00:40:23,280 --> 00:40:26,000 Speaker 1: turn it into some milk, but I don't think he will. 676 00:40:26,080 --> 00:40:29,160 Speaker 1: He came with that vibration, you know what I'm saying. 677 00:40:29,640 --> 00:40:34,759 Speaker 1: Chicago PD has put out the King Vaughan r P. 678 00:40:35,000 --> 00:40:41,560 Speaker 1: King Vaughn was the legit killer of someone in Chicago RP. 679 00:40:41,800 --> 00:40:44,960 Speaker 1: That person as well. That ain't my beef to have. 680 00:40:45,320 --> 00:40:49,759 Speaker 1: My situation is put the game down and get a 681 00:40:49,880 --> 00:40:54,839 Speaker 1: check forward. So with that being the case, I want 682 00:40:54,840 --> 00:40:58,760 Speaker 1: to speak about what usually happens or what happens sometimes 683 00:40:58,800 --> 00:41:04,400 Speaker 1: in regards to cases and street things that happened like that. 684 00:41:06,840 --> 00:41:09,280 Speaker 1: They tend to put things on the people that cannot 685 00:41:09,360 --> 00:41:13,200 Speaker 1: be here to defend themselves. And the reason they do 686 00:41:13,360 --> 00:41:16,000 Speaker 1: that is because it's an alpha. Everybody else attest to 687 00:41:16,120 --> 00:41:20,839 Speaker 1: the case. Right. I've also seen sometimes what people even 688 00:41:20,920 --> 00:41:24,600 Speaker 1: done it to their own people, you know what I'm saying. 689 00:41:24,640 --> 00:41:28,160 Speaker 1: I've seen times what people will be in the street 690 00:41:28,200 --> 00:41:33,440 Speaker 1: and summer happening. Let's say a shootout happening, God forbid, 691 00:41:33,520 --> 00:41:39,000 Speaker 1: they killed the home team and then shootout and then 692 00:41:39,280 --> 00:41:41,719 Speaker 1: some kind of way everything that happened to end up 693 00:41:41,760 --> 00:41:43,720 Speaker 1: on well, let's say it's one of their people. They're 694 00:41:43,800 --> 00:41:45,359 Speaker 1: put it on nap it. You know what I'm saying, 695 00:41:45,480 --> 00:41:49,600 Speaker 1: just under so I really think it's taken that they've 696 00:41:49,640 --> 00:41:52,320 Speaker 1: done that, but I think it could be. It could be, 697 00:41:53,400 --> 00:41:58,319 Speaker 1: you know, deeper than what mesd eye. You always got 698 00:41:58,400 --> 00:42:01,080 Speaker 1: to look under the surface, always got to look through 699 00:42:01,160 --> 00:42:06,799 Speaker 1: what people putting out the press release they representative, people 700 00:42:06,920 --> 00:42:10,280 Speaker 1: operating as they representative. I see straight through the fold 701 00:42:12,000 --> 00:42:14,799 Speaker 1: a lot of these podcasters and wrap dudes. They come 702 00:42:14,840 --> 00:42:18,120 Speaker 1: around with their accolades. They come around with their accolades, 703 00:42:18,160 --> 00:42:20,319 Speaker 1: and they try to impress me. They try to show 704 00:42:20,400 --> 00:42:23,520 Speaker 1: me that they're the big dog. I keep telling folk 705 00:42:23,640 --> 00:42:27,040 Speaker 1: that money don't impress me unless you're spending it with me. 706 00:42:29,239 --> 00:42:31,680 Speaker 1: Then if you're paying me fifty thousand for the interview, 707 00:42:31,800 --> 00:42:34,120 Speaker 1: then oh yeah, your money. Yeah, we can talk about that. 708 00:42:34,239 --> 00:42:37,759 Speaker 1: Boy getting money, boy getting money now, I can vouch 709 00:42:37,840 --> 00:42:42,680 Speaker 1: for that. Now home getting paper. But you if you're 710 00:42:42,719 --> 00:42:46,239 Speaker 1: getting money home, that don't impress me. Unless you you're 711 00:42:46,239 --> 00:42:49,920 Speaker 1: spending the bad with me, then I we that's my dog. 712 00:42:50,880 --> 00:42:53,239 Speaker 1: But outside of that, you can't. If that don't make 713 00:42:53,320 --> 00:42:56,720 Speaker 1: my wheels turn, I'm hustling. I don't care what nobody 714 00:42:56,760 --> 00:43:00,319 Speaker 1: else got. This game been good to me, and now 715 00:43:00,360 --> 00:43:03,440 Speaker 1: I'm transitioning into another lane. So I'm figuring it out 716 00:43:03,600 --> 00:43:06,120 Speaker 1: little by little, and they're gonna have to pay for 717 00:43:06,239 --> 00:43:09,840 Speaker 1: what they've done. They're gonna have to pay for the 718 00:43:09,960 --> 00:43:15,279 Speaker 1: long ride here, you understand me. They gotta pay for 719 00:43:15,400 --> 00:43:18,080 Speaker 1: the long ride here now because they didn't provide no 720 00:43:19,440 --> 00:43:23,759 Speaker 1: roll map. Gotta pay for the whole rade. Yeah, So um, 721 00:43:24,960 --> 00:43:28,360 Speaker 1: I'm all in I'm only in man, I'm only in 722 00:43:28,600 --> 00:43:31,480 Speaker 1: for After this break, we'll be back breaking a game 723 00:43:31,560 --> 00:43:37,040 Speaker 1: down with each of their podcast Stay tune. Let's talk 724 00:43:37,080 --> 00:43:44,120 Speaker 1: about Let's let's talk about the the Fight space to 725 00:43:44,280 --> 00:43:46,879 Speaker 1: entertainment game. I just I just want to talk kind 726 00:43:46,920 --> 00:43:51,480 Speaker 1: of about giving some game out about you know, when 727 00:43:51,560 --> 00:43:55,720 Speaker 1: when you speak to me about fans, about content, about 728 00:43:56,360 --> 00:43:59,480 Speaker 1: the entertainment industry, as few people that understand the game 729 00:43:59,680 --> 00:44:03,440 Speaker 1: enough to actually catapult themselves in a position to make 730 00:44:03,600 --> 00:44:08,200 Speaker 1: money without a co sign. It's a different skill set 731 00:44:08,320 --> 00:44:12,200 Speaker 1: required to understand the game in which looks like it's fun, 732 00:44:12,400 --> 00:44:18,080 Speaker 1: but it's a whole bunch of business going on. And 733 00:44:18,480 --> 00:44:20,879 Speaker 1: when I look at Logan Paul in the Fight Game, 734 00:44:20,960 --> 00:44:24,920 Speaker 1: when I look at what Trulla is doing, you know, 735 00:44:26,200 --> 00:44:29,040 Speaker 1: I see some of those things. And you may have 736 00:44:29,200 --> 00:44:31,760 Speaker 1: heard me say something like, hey, they're trying to compete 737 00:44:31,800 --> 00:44:37,279 Speaker 1: with the WWE. Now let me clarify there's no real 738 00:44:37,440 --> 00:44:41,600 Speaker 1: competition in regards to business acumen and just the business 739 00:44:41,680 --> 00:44:44,200 Speaker 1: side of things. What I was speaking more so into 740 00:44:46,080 --> 00:44:50,640 Speaker 1: what's those same fans, So they're competing for that fan 741 00:44:51,320 --> 00:44:53,600 Speaker 1: the same way you would see a Kevin Gates and 742 00:44:53,680 --> 00:44:58,440 Speaker 1: the NBA young boy compete for a certain fan. A 743 00:44:58,600 --> 00:45:01,279 Speaker 1: money bag yo and a Kevin Gates compete for a 744 00:45:01,400 --> 00:45:07,280 Speaker 1: certain fan. A little baby and NBA young boy compete 745 00:45:07,320 --> 00:45:09,560 Speaker 1: for a certain fan. You know, this is this is 746 00:45:09,640 --> 00:45:12,880 Speaker 1: more so what I was talking about. So because I 747 00:45:12,960 --> 00:45:15,440 Speaker 1: look at it like sports entertainment, I don't I know 748 00:45:15,560 --> 00:45:17,680 Speaker 1: they're fighting, but I don't take it as serious as 749 00:45:17,760 --> 00:45:19,360 Speaker 1: I do. When I see a floor and when I 750 00:45:19,440 --> 00:45:22,400 Speaker 1: see a see this, it's it's game involved when you 751 00:45:22,480 --> 00:45:25,239 Speaker 1: see people do certain things, when you see people navigate 752 00:45:25,760 --> 00:45:29,000 Speaker 1: at a high level. So, for those of you that 753 00:45:29,120 --> 00:45:32,439 Speaker 1: don't know, the TikTok and YouTube stars had a fight 754 00:45:32,640 --> 00:45:36,640 Speaker 1: someone somewhat like what you see with Logan Paul, Jake 755 00:45:36,680 --> 00:45:39,319 Speaker 1: Paul and the Triller. The floor made whether the Mike, 756 00:45:39,400 --> 00:45:42,480 Speaker 1: Tyson holy Field, the all of those type of fights. 757 00:45:42,680 --> 00:45:45,760 Speaker 1: So they threw one with all YouTube and TikTok stars. 758 00:45:45,800 --> 00:45:48,080 Speaker 1: I mean, these people have so many views and so 759 00:45:48,360 --> 00:45:53,160 Speaker 1: much acumen on social media that at glance of it, 760 00:45:53,360 --> 00:45:56,560 Speaker 1: you it's it's a no brainer. It's a sell out event. 761 00:45:57,719 --> 00:46:02,840 Speaker 1: You know. Um, after that it looked it looked like 762 00:46:03,000 --> 00:46:05,640 Speaker 1: it it sold a couple of tickets. Academics was their 763 00:46:05,719 --> 00:46:08,680 Speaker 1: little baby performed like it was a situation in regards 764 00:46:08,719 --> 00:46:13,080 Speaker 1: to the culture, a lot of money was spent. My 765 00:46:13,280 --> 00:46:15,600 Speaker 1: understanding of it is that a lot of people got 766 00:46:15,719 --> 00:46:18,440 Speaker 1: money up front. You know, they're guaranteed upfront, and they 767 00:46:18,480 --> 00:46:20,400 Speaker 1: were supposed to get money on the back end. Now 768 00:46:20,520 --> 00:46:23,320 Speaker 1: here's where the problem comes in. Man, the company and 769 00:46:23,400 --> 00:46:28,239 Speaker 1: that through the actual event has now filed bankruptcy, which 770 00:46:28,320 --> 00:46:30,759 Speaker 1: we know the game that the bankruptcy play. We see 771 00:46:30,800 --> 00:46:34,160 Speaker 1: Joe Budden allegedly saying that he's going to file bankruptcy. 772 00:46:34,280 --> 00:46:37,480 Speaker 1: This is the game that a business plays when they're 773 00:46:37,520 --> 00:46:39,719 Speaker 1: in a position of what people are saying, that old 774 00:46:39,840 --> 00:46:42,080 Speaker 1: money and they want to put the business in a 775 00:46:42,160 --> 00:46:44,719 Speaker 1: position to not be able to pay anything and not 776 00:46:44,920 --> 00:46:48,719 Speaker 1: making any money. A lot of times this is there 777 00:46:49,360 --> 00:46:54,040 Speaker 1: this particular rule or particular structure of how to navigate 778 00:46:54,080 --> 00:46:57,800 Speaker 1: around your financial difficulties. Is there to help the business 779 00:46:58,320 --> 00:47:01,680 Speaker 1: in a situation where it is losing so much finances 780 00:47:02,680 --> 00:47:05,080 Speaker 1: but still trying to operate this business and kind of 781 00:47:05,120 --> 00:47:08,160 Speaker 1: give them a chance to get themselves out of the mud. 782 00:47:09,560 --> 00:47:11,920 Speaker 1: Like I always told y'all, a lot of people think 783 00:47:12,000 --> 00:47:16,200 Speaker 1: Trump is a great business man. I think he's managing 784 00:47:16,280 --> 00:47:19,440 Speaker 1: money really good. But I'm not sure about business man, 785 00:47:19,560 --> 00:47:21,920 Speaker 1: because if this rule wasn't in place, Trump would have 786 00:47:22,000 --> 00:47:24,960 Speaker 1: win broke years ago. But this rule needs to be 787 00:47:25,160 --> 00:47:27,920 Speaker 1: utilized by us as well, and so that's why you 788 00:47:28,040 --> 00:47:30,880 Speaker 1: see some of these people doing that. But nonetheless, this 789 00:47:31,120 --> 00:47:34,200 Speaker 1: company went ahead and filed bankruptcy and now all the 790 00:47:34,320 --> 00:47:38,040 Speaker 1: fighters are coming out and we haven't been paid. Then 791 00:47:38,120 --> 00:47:41,759 Speaker 1: what the company. What I'm hearing that the company is 792 00:47:41,800 --> 00:47:46,960 Speaker 1: saying is the pay per view sold almost nothing. But 793 00:47:47,160 --> 00:47:50,680 Speaker 1: then this again, this is about understanding your fan. And 794 00:47:50,840 --> 00:47:53,520 Speaker 1: this is why people got to pay me to help 795 00:47:53,600 --> 00:47:57,120 Speaker 1: them understand their fans, you know, because what happens is 796 00:47:59,120 --> 00:48:01,719 Speaker 1: when you're dealing with it, you gotta know who you're 797 00:48:01,719 --> 00:48:04,040 Speaker 1: dealing with. When you're dealing with a social media when 798 00:48:04,040 --> 00:48:06,640 Speaker 1: you're dealing with somebody that's a fan of a tiktoucker, 799 00:48:07,360 --> 00:48:09,360 Speaker 1: or when you're dealing with somebody that's a fan of 800 00:48:09,440 --> 00:48:13,640 Speaker 1: a YouTube guy. Nine times out of teen you're either 801 00:48:13,719 --> 00:48:16,040 Speaker 1: dealing with one or two people. You're dealing with children. 802 00:48:16,280 --> 00:48:18,600 Speaker 1: Take them out of the boat because they came buy tickets. 803 00:48:18,800 --> 00:48:21,040 Speaker 1: Maybe their mother can buy them tickets. You got that's 804 00:48:21,080 --> 00:48:23,640 Speaker 1: a very small percentage of people that's actually gonna be 805 00:48:23,719 --> 00:48:27,160 Speaker 1: in the building the ticket buyers. The other people are 806 00:48:27,239 --> 00:48:31,000 Speaker 1: let's say you're twenty five year old people twenty one eighteen, 807 00:48:31,640 --> 00:48:34,840 Speaker 1: you know ages where they're able to go. Those people 808 00:48:34,880 --> 00:48:38,440 Speaker 1: are Internet savvy. So those people are in a position 809 00:48:38,480 --> 00:48:41,120 Speaker 1: to probably know how to bootleg and stream this anyway. 810 00:48:41,200 --> 00:48:44,200 Speaker 1: Because the Internet savvy hints how they know who you are, 811 00:48:45,080 --> 00:48:49,840 Speaker 1: mister social media influencier guy. That's why you deal with 812 00:48:50,000 --> 00:48:53,120 Speaker 1: some people that sell hard tickets like I see krs 813 00:48:53,239 --> 00:48:58,080 Speaker 1: one shout out to a coppo. I see Karis one 814 00:48:58,200 --> 00:49:00,839 Speaker 1: come into Nashville. That's a hard tea could sell a guy, 815 00:49:01,520 --> 00:49:04,480 Speaker 1: because what happens is the people that's coming to him 816 00:49:04,640 --> 00:49:06,960 Speaker 1: nine times out of ten may not be that savvy 817 00:49:07,040 --> 00:49:10,040 Speaker 1: on that Internet to know how to get around it 818 00:49:10,160 --> 00:49:12,239 Speaker 1: and stream it for free. If there's a pay per 819 00:49:12,320 --> 00:49:14,560 Speaker 1: view now, they just buy it and sit at home 820 00:49:14,600 --> 00:49:16,640 Speaker 1: and watch it. They make a day of it. But 821 00:49:16,840 --> 00:49:19,600 Speaker 1: these fans here know how to get around it. They 822 00:49:19,680 --> 00:49:21,960 Speaker 1: make going ready and watch it. They make this affix 823 00:49:22,080 --> 00:49:24,880 Speaker 1: the bottom line. So when the pay per view numbers 824 00:49:24,880 --> 00:49:26,879 Speaker 1: come in and they've cut all these deals with all 825 00:49:26,920 --> 00:49:29,520 Speaker 1: these people, that says on him this percentage, that percentage 826 00:49:29,560 --> 00:49:33,200 Speaker 1: that we're starting to lose now because also we got 827 00:49:33,280 --> 00:49:35,600 Speaker 1: to think about what it took to make to put 828 00:49:35,640 --> 00:49:39,640 Speaker 1: the event on. So we're seeing our first scam in 829 00:49:40,080 --> 00:49:42,600 Speaker 1: this space. This space is a space that we know, 830 00:49:43,320 --> 00:49:47,480 Speaker 1: it's a thriving space, but you're gonna see scams in 831 00:49:47,640 --> 00:49:51,319 Speaker 1: every space. It's lack of information, it's lack of understanding, 832 00:49:51,680 --> 00:49:54,560 Speaker 1: it's lack of understanding of how to. Like I tell you, 833 00:49:56,320 --> 00:49:59,640 Speaker 1: there's there's something that happens right and I'm gonna get 834 00:49:59,680 --> 00:50:02,480 Speaker 1: into it and get y'all some real game. There's something 835 00:50:02,600 --> 00:50:06,600 Speaker 1: that happens in regards to turning a fan into a customer, 836 00:50:06,800 --> 00:50:09,520 Speaker 1: and that's These are things that I have to teach people. 837 00:50:09,520 --> 00:50:11,800 Speaker 1: It's a difference. There's two different type of things, and 838 00:50:11,880 --> 00:50:15,680 Speaker 1: that's what I say. A co sign from Charlomagne sends 839 00:50:15,719 --> 00:50:21,040 Speaker 1: you customers. A co sign from Joe Button sends you customers. 840 00:50:21,080 --> 00:50:24,360 Speaker 1: A co sign from the record label sends you customers. 841 00:50:24,640 --> 00:50:27,759 Speaker 1: But sometimes a co sign from some people only seeing 842 00:50:27,840 --> 00:50:33,560 Speaker 1: you fans, fandom lookers, watches, commentators, there's something that happens. 843 00:50:33,640 --> 00:50:36,759 Speaker 1: That's why you see somebody like Flora Mayweather is a 844 00:50:36,920 --> 00:50:41,640 Speaker 1: very special case because he translates to his following to 845 00:50:41,880 --> 00:50:46,719 Speaker 1: his customers. And that's a very very very rare situation 846 00:50:46,840 --> 00:50:48,719 Speaker 1: to be in. And that's something that I'm trying to 847 00:50:48,760 --> 00:50:52,080 Speaker 1: teach people that I'm teaching myself. It's a difference between 848 00:50:52,200 --> 00:50:56,879 Speaker 1: having fans and consumers. I'm looking for consumers. I'm looking 849 00:50:56,920 --> 00:50:59,640 Speaker 1: for people that support the brand and support the movement, 850 00:50:59,719 --> 00:51:03,880 Speaker 1: not come for their selfish reasons to steal the game, regurgitated, 851 00:51:04,239 --> 00:51:06,759 Speaker 1: you know, take the talking points, take the ideas, try 852 00:51:06,840 --> 00:51:09,560 Speaker 1: to take what cameras take. You know, I know y'all 853 00:51:09,640 --> 00:51:13,840 Speaker 1: out there too, But we're looking for the consumer. I 854 00:51:13,960 --> 00:51:16,640 Speaker 1: see people with three million fans that can't get two 855 00:51:16,760 --> 00:51:18,879 Speaker 1: hundred people in the building. I just sold a lot 856 00:51:18,880 --> 00:51:23,239 Speaker 1: of whole event myself for talking. I just sold a 857 00:51:23,239 --> 00:51:25,839 Speaker 1: lot of event for talking. So there's a transition. There's 858 00:51:25,880 --> 00:51:29,239 Speaker 1: a translation that happens when you start off as a fan. 859 00:51:29,360 --> 00:51:31,800 Speaker 1: When there's a fan there, that's something that happens that 860 00:51:31,960 --> 00:51:35,799 Speaker 1: turns them into a customer. And a lot of people 861 00:51:35,880 --> 00:51:37,520 Speaker 1: can't do that. So when you see him with this 862 00:51:37,640 --> 00:51:41,200 Speaker 1: TikTok following, when you see people a YouTube following is 863 00:51:41,239 --> 00:51:43,279 Speaker 1: a little different because it's a built in way to 864 00:51:43,360 --> 00:51:46,800 Speaker 1: make money as well. So These people are consumers without 865 00:51:46,960 --> 00:51:49,560 Speaker 1: knowing their consumers because they pay with their eyeballs. Now, 866 00:51:49,680 --> 00:51:52,200 Speaker 1: your trick and your game needs to be to turn 867 00:51:52,320 --> 00:51:59,000 Speaker 1: those people into real consumers outside of that platform. People 868 00:51:59,080 --> 00:52:02,160 Speaker 1: gotta feel comfortable why it it's up their podcasts had 869 00:52:02,560 --> 00:52:06,000 Speaker 1: people need to feel good when it's up their podcast shirt. 870 00:52:06,040 --> 00:52:08,640 Speaker 1: They need to know they're part of a select few, 871 00:52:09,120 --> 00:52:12,440 Speaker 1: They're part of the family, you understand. They need to 872 00:52:12,560 --> 00:52:15,440 Speaker 1: understand what that means for the brand and be proud 873 00:52:15,600 --> 00:52:20,439 Speaker 1: with that. And when that takes place, it's the same 874 00:52:20,520 --> 00:52:23,280 Speaker 1: effect of somebody having front row tickets to see Lebron 875 00:52:24,920 --> 00:52:28,279 Speaker 1: sitting on the floor. Yeah, you can sit on that 876 00:52:28,400 --> 00:52:30,879 Speaker 1: same floor of Lebron ain't there, don't hit the sign. 877 00:52:32,280 --> 00:52:34,319 Speaker 1: If certain people ain't on the court, they don't hit 878 00:52:34,400 --> 00:52:37,360 Speaker 1: the same You see what I'm saying. So it's all 879 00:52:37,400 --> 00:52:41,239 Speaker 1: about understanding the difference between fans and consumers. And that's 880 00:52:41,280 --> 00:52:44,480 Speaker 1: why not only is the co sign need to you 881 00:52:44,600 --> 00:52:47,040 Speaker 1: need to understand exactly what the co sign look like. 882 00:52:47,520 --> 00:52:50,880 Speaker 1: You need to understand who's sending the co sign because 883 00:52:50,960 --> 00:52:53,320 Speaker 1: some people are charge you a certain amount for a 884 00:52:53,440 --> 00:52:57,040 Speaker 1: co sign when they're only sending fans. But then some 885 00:52:57,200 --> 00:53:00,520 Speaker 1: people possess that skill set where they they for I'm reason, 886 00:53:00,640 --> 00:53:04,359 Speaker 1: they turn fans and the consumers without them. Even that's 887 00:53:04,400 --> 00:53:08,560 Speaker 1: what the trick is, turn following in the consumers. How 888 00:53:09,040 --> 00:53:11,520 Speaker 1: do they do that? And so going back to the 889 00:53:11,600 --> 00:53:14,680 Speaker 1: TikTok and the YouTube fight, a lot of those people 890 00:53:14,760 --> 00:53:19,279 Speaker 1: got fans, but they don't got consumers. You see what 891 00:53:19,360 --> 00:53:21,520 Speaker 1: I'm saying. So, yeah, people want to see it, but 892 00:53:21,600 --> 00:53:24,080 Speaker 1: they want to see it for free. They've been condition YouTube. 893 00:53:24,160 --> 00:53:26,360 Speaker 1: I keep telling you, I brought the game to the world. 894 00:53:26,640 --> 00:53:29,319 Speaker 1: You pay with your eyeballs. So of course you can 895 00:53:29,400 --> 00:53:31,840 Speaker 1: lose with a TikTok and YouTube fight because all the 896 00:53:31,920 --> 00:53:34,360 Speaker 1: people that's watching the fight, they know how to stream 897 00:53:34,440 --> 00:53:37,080 Speaker 1: and hack and get up on the going ready, going face. 898 00:53:37,280 --> 00:53:38,840 Speaker 1: They know how to put it up here, take it 899 00:53:38,920 --> 00:53:41,399 Speaker 1: back down, rename and name it this or it won't. 900 00:53:41,680 --> 00:53:44,520 Speaker 1: Like they savvy what the internet. That's why they know 901 00:53:44,600 --> 00:53:47,520 Speaker 1: about the YouTube people. So it's easy for them to 902 00:53:47,600 --> 00:53:50,719 Speaker 1: get around paying for the pay per view. So when 903 00:53:50,760 --> 00:53:53,120 Speaker 1: the pay per view numbers come back in, they lose 904 00:53:53,280 --> 00:53:56,920 Speaker 1: money and they don't pay the people. It's a difference 905 00:53:57,040 --> 00:53:59,080 Speaker 1: when you really are drawn. And that's why I'm watching 906 00:53:59,120 --> 00:54:02,160 Speaker 1: the logan Paul Thing Floyd can do this on a 907 00:54:02,360 --> 00:54:05,719 Speaker 1: very high level. Certain people. Javante is doing this on 908 00:54:05,800 --> 00:54:09,160 Speaker 1: a high level. Now Deonte is doing this on a 909 00:54:09,280 --> 00:54:13,080 Speaker 1: high level. Now you know what I'm saying. Even some rappers, 910 00:54:13,160 --> 00:54:17,480 Speaker 1: some rappers merch game is crazy. Some rappers can say 911 00:54:17,560 --> 00:54:22,640 Speaker 1: or whatever, it's crazy, but they forced buying it. Some 912 00:54:22,760 --> 00:54:25,440 Speaker 1: people can only stream good. They can't see a ticket. 913 00:54:26,360 --> 00:54:28,480 Speaker 1: Some people can't see a ticket, but they're selling a 914 00:54:28,520 --> 00:54:31,560 Speaker 1: little bit of merch. Some people merch booming, being in 915 00:54:31,640 --> 00:54:36,600 Speaker 1: them merch booming. You understand me. Some people stream really 916 00:54:36,680 --> 00:54:40,800 Speaker 1: really well, and that's that's their stronghold. But again, you 917 00:54:40,960 --> 00:54:46,000 Speaker 1: have to learn how to turn your fans in your customers. 918 00:54:47,719 --> 00:54:51,320 Speaker 1: I start you off as a fan. I start you 919 00:54:51,440 --> 00:54:55,359 Speaker 1: off as somebody that's just watching. I start you off. 920 00:54:55,480 --> 00:54:57,560 Speaker 1: Now you are part of this with me. Now you 921 00:54:57,640 --> 00:54:59,719 Speaker 1: want to represent this with me? You want to be 922 00:54:59,800 --> 00:55:03,080 Speaker 1: a part of the game. Yeah, when it's time to 923 00:55:03,160 --> 00:55:05,480 Speaker 1: go and say you're going to a million dollar worth 924 00:55:05,560 --> 00:55:09,080 Speaker 1: a game podcast or live events somewhere, you want to 925 00:55:09,120 --> 00:55:12,600 Speaker 1: throw the it's up there podcasts on and prance in there. 926 00:55:12,719 --> 00:55:16,880 Speaker 1: No disrespect, but I'm part of something y'all may not 927 00:55:17,040 --> 00:55:20,640 Speaker 1: know about. This dope. You see what I'm saying. That's 928 00:55:20,719 --> 00:55:26,520 Speaker 1: the and that's the trick. You know, ab Adrian Bruner's 929 00:55:26,560 --> 00:55:31,120 Speaker 1: situation is a little different. They've now kind of blackbawled him, 930 00:55:31,200 --> 00:55:33,160 Speaker 1: i think because of the way they felt like he 931 00:55:33,320 --> 00:55:37,959 Speaker 1: acted when they when he was undeniable. So you gotta 932 00:55:38,000 --> 00:55:41,879 Speaker 1: be careful how you act when you're undeniable because when 933 00:55:41,960 --> 00:55:44,560 Speaker 1: you come back and you may not be as desirable 934 00:55:45,200 --> 00:55:48,800 Speaker 1: them same people get the influence whether or not you 935 00:55:48,920 --> 00:55:52,720 Speaker 1: even get a shot at it. And and nine times 936 00:55:52,760 --> 00:55:55,080 Speaker 1: out of tea, that's what the deep state is. See, 937 00:55:55,120 --> 00:55:58,919 Speaker 1: it's a deep state of the industry. I'm putting y'all 938 00:55:58,960 --> 00:56:02,120 Speaker 1: down now. It's a deep state of the industry. It's 939 00:56:02,160 --> 00:56:04,120 Speaker 1: some of the people that work in them buildings, at 940 00:56:04,120 --> 00:56:07,080 Speaker 1: the record labels, behind the scenes, at the radio station, 941 00:56:07,480 --> 00:56:10,600 Speaker 1: behind the scenes that your favorite blogs, behind the scenes, 942 00:56:10,640 --> 00:56:15,520 Speaker 1: that your favorite publicist companies, behind the scenes, that you're spotifies, 943 00:56:15,600 --> 00:56:17,960 Speaker 1: and stuff like that that's been longer than the rappers 944 00:56:18,000 --> 00:56:22,160 Speaker 1: will be rapping. So when they place you in a 945 00:56:22,280 --> 00:56:25,239 Speaker 1: situation to where hey man, oh so we need you 946 00:56:25,400 --> 00:56:29,880 Speaker 1: right now because you're running good right now and you 947 00:56:30,080 --> 00:56:32,759 Speaker 1: was kind of hard on us. So trust me. It 948 00:56:32,800 --> 00:56:34,840 Speaker 1: won't stay that way. That's how this game me. So 949 00:56:34,920 --> 00:56:37,799 Speaker 1: when you double back and you come through, they're hard 950 00:56:37,880 --> 00:56:40,719 Speaker 1: on you know, they won't play. They won't do this 951 00:56:40,880 --> 00:56:44,080 Speaker 1: in this market. You understand what I'm saying. And so 952 00:56:44,400 --> 00:56:47,240 Speaker 1: um and this and this has moved over to the internet. 953 00:56:49,160 --> 00:56:51,759 Speaker 1: This has moved over to the internet. Now if you 954 00:56:51,880 --> 00:56:54,160 Speaker 1: report on this now, they get upset and then they'll 955 00:56:54,239 --> 00:56:57,920 Speaker 1: never post you. And they got access to some people 956 00:56:58,000 --> 00:57:01,279 Speaker 1: over there. That's that they could possibly change things for you, 957 00:57:02,200 --> 00:57:04,799 Speaker 1: you know. And that's why the people gotta be instrumental 958 00:57:04,880 --> 00:57:07,520 Speaker 1: in catapoling the people like me that's doing this at 959 00:57:07,560 --> 00:57:12,319 Speaker 1: a high level, unbiased. It's really putting the game down 960 00:57:12,440 --> 00:57:15,160 Speaker 1: because this is the kind of games being played all 961 00:57:15,200 --> 00:57:17,600 Speaker 1: across the industry. And then the game and also with 962 00:57:17,720 --> 00:57:22,480 Speaker 1: the co sign, you gotta be you gotta be very 963 00:57:22,600 --> 00:57:26,760 Speaker 1: careful with the coach saying too, you know, because the 964 00:57:26,920 --> 00:57:29,440 Speaker 1: co sign puts you in a position and not needing 965 00:57:29,520 --> 00:57:34,760 Speaker 1: the information because you basically are being brought into a 966 00:57:34,880 --> 00:57:41,320 Speaker 1: situation that's already Taylor made. And so it'll run as 967 00:57:41,400 --> 00:57:43,439 Speaker 1: long as that co sign is next to you. It'll 968 00:57:43,520 --> 00:57:45,360 Speaker 1: run as long as you in the car with somebody. 969 00:57:45,440 --> 00:57:48,400 Speaker 1: But when they kick you out the car, you don't 970 00:57:48,440 --> 00:57:50,680 Speaker 1: have a GP, you don't have nothing. So you didn't 971 00:57:50,720 --> 00:57:53,200 Speaker 1: know where I was going. You know, you was getting 972 00:57:53,280 --> 00:57:55,960 Speaker 1: money and you was eating and everything was cool. So 973 00:57:56,200 --> 00:57:59,320 Speaker 1: also with that co sign, I tell the youngsters, I 974 00:57:59,440 --> 00:58:04,640 Speaker 1: tell the babe is just watching, be careful with that 975 00:58:04,760 --> 00:58:06,760 Speaker 1: coach saying. Even if you get a coach saying, make 976 00:58:06,800 --> 00:58:08,480 Speaker 1: sure that they put you in a position or where 977 00:58:08,480 --> 00:58:11,320 Speaker 1: you get some information the way you really really get 978 00:58:11,360 --> 00:58:13,280 Speaker 1: to put yourself in a place to where you can 979 00:58:13,400 --> 00:58:17,840 Speaker 1: benefit from see its circumstances. You know, it's important that 980 00:58:17,920 --> 00:58:20,840 Speaker 1: we do that. Man, it's important us that we understand 981 00:58:20,960 --> 00:58:26,960 Speaker 1: that it's more than opportunity that I'm looking for. Yeah, 982 00:58:27,000 --> 00:58:30,480 Speaker 1: I'm looking for more than an opportunity. I'm looking for information. 983 00:58:32,680 --> 00:58:36,840 Speaker 1: You understand. I can create the shot. I'm a bawler, 984 00:58:37,000 --> 00:58:41,040 Speaker 1: I'm a ball player. I'm anna starting point guard all American, 985 00:58:41,440 --> 00:58:47,600 Speaker 1: world class. I can create the shot. You know, A 986 00:58:47,920 --> 00:58:52,720 Speaker 1: loop is cool, man, A loop is cool because long 987 00:58:52,800 --> 00:58:57,080 Speaker 1: as the team's go, we stay in the league. So 988 00:58:57,280 --> 00:58:59,600 Speaker 1: that's cool too. But I also need to learn how 989 00:58:59,640 --> 00:59:03,160 Speaker 1: to I also need to learn now. I also need 990 00:59:03,200 --> 00:59:06,600 Speaker 1: to learn how to one two, that time, crossing me 991 00:59:06,640 --> 00:59:09,280 Speaker 1: a dude up and oh I'm wide open now, just 992 00:59:09,560 --> 00:59:16,560 Speaker 1: in case, because everything unexpected needs to be accounted for. 993 00:59:18,440 --> 00:59:21,440 Speaker 1: You know, in my opinion, I prepare for those things 994 00:59:21,520 --> 00:59:25,720 Speaker 1: that people don't consider as part of my strengths. Being 995 00:59:25,800 --> 00:59:28,560 Speaker 1: well prepared. I win in my preparation. I tell people 996 00:59:28,640 --> 00:59:31,320 Speaker 1: all the time, you can't catch me because you don't 997 00:59:31,400 --> 00:59:34,600 Speaker 1: know where I'm gone. Whatever you see me doing now, 998 00:59:34,720 --> 00:59:38,720 Speaker 1: I'm ten steps ahead of that. In my process, I'm 999 00:59:38,840 --> 00:59:44,920 Speaker 1: executing ten steps behind, you understand. And that's unfortunate for 1000 00:59:45,040 --> 00:59:47,800 Speaker 1: me because I can be so much more innovative if 1001 00:59:47,880 --> 00:59:51,160 Speaker 1: being placed in the right situation. You know what I'm saying. 1002 00:59:51,240 --> 00:59:54,120 Speaker 1: So um, it's a lot of game being given out 1003 00:59:54,200 --> 00:59:55,920 Speaker 1: on this man. You know, it's a lot of game 1004 00:59:56,000 --> 00:59:59,400 Speaker 1: being given out. We're never gonna talk about whack one hundred. 1005 00:59:59,480 --> 01:00:01,560 Speaker 1: Let me let me he really get in the whack 1006 01:00:01,600 --> 01:00:04,560 Speaker 1: a little bit. Whack one. Hunter went over to Adam 1007 01:00:04,600 --> 01:00:10,680 Speaker 1: twenty two podcast, and I gotta you know, as I 1008 01:00:10,760 --> 01:00:14,400 Speaker 1: get deep and deep in this entertainment space, I have 1009 01:00:14,520 --> 01:00:18,880 Speaker 1: a different outlook on Adam and Vlad. You know what 1010 01:00:18,920 --> 01:00:21,400 Speaker 1: I'm saying that I haven't spoke to just yet because 1011 01:00:21,440 --> 01:00:23,520 Speaker 1: I'm not sure, just shit, And I like to speak. 1012 01:00:24,000 --> 01:00:27,280 Speaker 1: I like to speak from things with a certain certainty 1013 01:00:27,440 --> 01:00:30,280 Speaker 1: that I that's not a present at the time, So 1014 01:00:30,480 --> 01:00:34,480 Speaker 1: I'll I'll withhold my opinion on that until I get 1015 01:00:34,560 --> 01:00:37,920 Speaker 1: some more information. But I'm definitely looking into because this 1016 01:00:38,200 --> 01:00:42,120 Speaker 1: entertainment space is a is a it's a funny space. 1017 01:00:42,920 --> 01:00:45,200 Speaker 1: But Whack one Hunter went on Adam twenty two and 1018 01:00:45,280 --> 01:00:47,080 Speaker 1: he spoke about a lot of things. We're about to 1019 01:00:47,120 --> 01:00:50,080 Speaker 1: get into a meek meal clip. One thing I say 1020 01:00:50,120 --> 01:00:52,360 Speaker 1: about Whack one Hunter, and this is probably one of 1021 01:00:52,440 --> 01:00:55,120 Speaker 1: the only interviews I actually watched, you know, from the 1022 01:00:55,200 --> 01:00:57,400 Speaker 1: beginning to the end of him. I would like to 1023 01:00:57,520 --> 01:01:02,040 Speaker 1: interview Whack one Hunter. I think like one hundred is 1024 01:01:02,200 --> 01:01:04,600 Speaker 1: one of the few people that can speak from that 1025 01:01:04,760 --> 01:01:08,240 Speaker 1: perspective and do it in a way. This candidate with 1026 01:01:08,360 --> 01:01:11,400 Speaker 1: a certain level of information. You know, you gotta respect 1027 01:01:11,440 --> 01:01:15,160 Speaker 1: its handle because he seems like he understands the business 1028 01:01:15,240 --> 01:01:19,040 Speaker 1: from a perspective that very few people understand it from. 1029 01:01:19,200 --> 01:01:23,720 Speaker 1: And then especially being able to be tied to the 1030 01:01:23,880 --> 01:01:26,920 Speaker 1: streets the way that you know, it appears that he 1031 01:01:27,240 --> 01:01:31,800 Speaker 1: is is a very unique it's a unique crosshold. You 1032 01:01:31,920 --> 01:01:34,280 Speaker 1: know what I'm saying, and I think when he's sitting 1033 01:01:34,320 --> 01:01:39,680 Speaker 1: next to or across from someone that can dig into 1034 01:01:39,760 --> 01:01:42,200 Speaker 1: that and kind of push back a little bit, right 1035 01:01:42,320 --> 01:01:45,360 Speaker 1: to get some information out, because he kind of gives 1036 01:01:45,400 --> 01:01:52,240 Speaker 1: you the mindset of of certain of a certain type 1037 01:01:52,280 --> 01:01:56,640 Speaker 1: of duel. Right that a give you a look into 1038 01:01:56,800 --> 01:02:01,920 Speaker 1: how someone on that side it's interpreting things and how 1039 01:02:01,960 --> 01:02:06,040 Speaker 1: they're navigating around issues and how they look at things. 1040 01:02:06,080 --> 01:02:08,280 Speaker 1: And we all share that, right. I heard them say 1041 01:02:08,360 --> 01:02:13,920 Speaker 1: something about, um, you know, you gotta have a certain 1042 01:02:14,000 --> 01:02:17,160 Speaker 1: kind of crew man, especially to hold some money in 1043 01:02:17,200 --> 01:02:20,320 Speaker 1: the streets at a high level, because if you cupcake, 1044 01:02:20,840 --> 01:02:24,960 Speaker 1: they come to get that money. You understand they come 1045 01:02:25,040 --> 01:02:27,000 Speaker 1: to get that money. It got to be certain things 1046 01:02:27,080 --> 01:02:33,720 Speaker 1: around and your name that that invokes a certain level 1047 01:02:33,760 --> 01:02:38,160 Speaker 1: of respect. Right, not saying that it still can't happen, 1048 01:02:40,240 --> 01:02:47,480 Speaker 1: but the reaction is inevitable and and it's unprecedented. Right. 1049 01:02:47,640 --> 01:02:51,280 Speaker 1: It needs to know thirty days, thirty nights, right, and 1050 01:02:51,400 --> 01:02:53,360 Speaker 1: that's just how it's gonna go. And people have to 1051 01:02:53,480 --> 01:02:56,840 Speaker 1: understand that. So when you hear whacked out, you hear 1052 01:02:56,880 --> 01:02:58,840 Speaker 1: a dude talk from the West coast. It's been in 1053 01:02:58,920 --> 01:03:02,400 Speaker 1: the land. And when I hear West Coast dudes talk, 1054 01:03:02,520 --> 01:03:04,920 Speaker 1: you know. I see, it's a lot of dudes all 1055 01:03:04,960 --> 01:03:08,720 Speaker 1: around the world, the gang bang, and I like, I like, 1056 01:03:09,160 --> 01:03:12,040 Speaker 1: you know, I like to uh listen to the dudes 1057 01:03:12,120 --> 01:03:15,240 Speaker 1: from La though. And when I listened to the Wax 1058 01:03:15,360 --> 01:03:18,640 Speaker 1: and the Big You, I pulled from them from a 1059 01:03:18,720 --> 01:03:22,280 Speaker 1: different perspective because they come from they come from what 1060 01:03:22,520 --> 01:03:24,480 Speaker 1: we know as me in the place where this thing 1061 01:03:24,640 --> 01:03:27,000 Speaker 1: was started. So the streets stay yelling, is the street 1062 01:03:27,040 --> 01:03:32,760 Speaker 1: stay home. So I respect that from a different perspective, right, 1063 01:03:32,800 --> 01:03:35,880 Speaker 1: because it's like man e folk really really you know, 1064 01:03:36,120 --> 01:03:38,720 Speaker 1: went through this hill and put it down for their hood, 1065 01:03:39,000 --> 01:03:41,560 Speaker 1: they real neighborhood. And then I know they branched out, 1066 01:03:42,120 --> 01:03:44,080 Speaker 1: you know, and a lot of people like some of 1067 01:03:44,200 --> 01:03:46,400 Speaker 1: my homeboys from here, they'd be going up on the 1068 01:03:46,560 --> 01:03:48,520 Speaker 1: on the West Coast and going to the land, going 1069 01:03:48,600 --> 01:03:51,520 Speaker 1: to the street that they yeah, and it's like that 1070 01:03:52,080 --> 01:03:55,760 Speaker 1: and they welcome that from um this new ways that 1071 01:03:55,880 --> 01:03:58,160 Speaker 1: I see. I'm not sure back in the day, if 1072 01:03:58,240 --> 01:04:00,400 Speaker 1: there was a real thing, if dudes is able to 1073 01:04:00,440 --> 01:04:03,200 Speaker 1: do that. I know, real official dudes they used to say, man, 1074 01:04:03,240 --> 01:04:04,760 Speaker 1: you better make sure they're getting in and they ain't 1075 01:04:04,760 --> 01:04:07,040 Speaker 1: got your name in the books in the land, isn't that? 1076 01:04:07,480 --> 01:04:10,520 Speaker 1: But now we actually see people go politic on that side, 1077 01:04:10,600 --> 01:04:13,880 Speaker 1: and it's like, okay, so they're embracing people cripping and 1078 01:04:14,000 --> 01:04:17,600 Speaker 1: they're embracing people. Yeah, I mean on that other side. 1079 01:04:17,680 --> 01:04:20,280 Speaker 1: But let's let's hear what Wax said about his encounters. 1080 01:04:20,320 --> 01:04:22,480 Speaker 1: He had a certain kind of outlook on takash A. 1081 01:04:22,600 --> 01:04:25,360 Speaker 1: Certainly I look on meek Mel and academics. So we're 1082 01:04:25,400 --> 01:04:27,800 Speaker 1: gonna listen to what he said about meek Mill and 1083 01:04:27,880 --> 01:04:30,640 Speaker 1: the circumstances surrounding that, and then I don't come back 1084 01:04:30,680 --> 01:04:33,320 Speaker 1: and give you a little commentary about how I feel 1085 01:04:37,400 --> 01:04:41,520 Speaker 1: meek Mill. What about Micky Meeky. Yeah, I've just seen 1086 01:04:41,560 --> 01:04:45,480 Speaker 1: you in the comments on academic shit again. Yeah, but see, 1087 01:04:45,640 --> 01:04:49,280 Speaker 1: but this is the thing, right, like with the kid 1088 01:04:49,680 --> 01:04:53,600 Speaker 1: the six nine kids, right for one, academic is he's 1089 01:04:53,640 --> 01:04:57,000 Speaker 1: a blogger. He's a villion He's a fucking blogger. He's 1090 01:04:57,040 --> 01:04:59,360 Speaker 1: going to report what people want to read, what people 1091 01:04:59,440 --> 01:05:02,720 Speaker 1: want to see. He can academics can put up the 1092 01:05:02,760 --> 01:05:04,720 Speaker 1: same shit you put up an hour before, they're gonna 1093 01:05:04,720 --> 01:05:07,800 Speaker 1: go out of him, not you, right, because he calls 1094 01:05:07,840 --> 01:05:10,840 Speaker 1: himself DJ Academics he's not really a DJ. He's also 1095 01:05:10,960 --> 01:05:15,480 Speaker 1: like the biggest hip hop page. Basically, I respect his 1096 01:05:15,640 --> 01:05:18,880 Speaker 1: hustle because once again, like you, you come way out 1097 01:05:18,960 --> 01:05:24,280 Speaker 1: here fucking in New Hampshirepshire and create a platform that 1098 01:05:25,200 --> 01:05:27,400 Speaker 1: we didn't have the mind or the wits to create. 1099 01:05:27,760 --> 01:05:33,920 Speaker 1: Right here, comes to academics, creates a platform that's very 1100 01:05:34,080 --> 01:05:37,080 Speaker 1: useful to our community. So now here it is Meek Mill. 1101 01:05:37,680 --> 01:05:41,040 Speaker 1: You get at this, dude, six nine, you're talking crazy, 1102 01:05:41,080 --> 01:05:43,240 Speaker 1: What are you gonna do this? Just that another see 1103 01:05:43,760 --> 01:05:48,600 Speaker 1: in this thing of the streets, it's irrational shit that 1104 01:05:48,760 --> 01:05:52,280 Speaker 1: we're part of. You can't pick and choose the element 1105 01:05:52,640 --> 01:05:54,840 Speaker 1: whether it's gonna happen in the summer or in the 1106 01:05:54,960 --> 01:05:58,080 Speaker 1: rain or in the stove. Right when you confronted with that, 1107 01:05:58,240 --> 01:06:00,280 Speaker 1: you got to deal with that and whatever couple with that. 1108 01:06:00,640 --> 01:06:05,240 Speaker 1: That's what it is. And see that I can appreciate that. 1109 01:06:06,120 --> 01:06:11,400 Speaker 1: I concur with that as much as as much as people. 1110 01:06:12,080 --> 01:06:16,360 Speaker 1: You know, I just concur with that. I concur with 1111 01:06:16,480 --> 01:06:20,800 Speaker 1: that wherever you play, wherever you lay like, and we 1112 01:06:21,000 --> 01:06:24,280 Speaker 1: got to be out here so you know, if you 1113 01:06:24,360 --> 01:06:26,400 Speaker 1: want to, you know, it's how it has to be. 1114 01:06:27,120 --> 01:06:29,480 Speaker 1: It gotta be that way. And I can't wait to 1115 01:06:29,560 --> 01:06:31,520 Speaker 1: show one of you people for playing, because I know 1116 01:06:31,680 --> 01:06:34,600 Speaker 1: once I show one of you people from playing, everybody 1117 01:06:34,640 --> 01:06:37,960 Speaker 1: else gonna they're gonna think before they play. But it's 1118 01:06:38,040 --> 01:06:41,680 Speaker 1: important that, hey, man, wherever you come with it, because 1119 01:06:41,720 --> 01:06:44,240 Speaker 1: we can't afford to play. It's too much involved with it, 1120 01:06:44,800 --> 01:06:47,680 Speaker 1: and we can't afford to not do nothing outside of 1121 01:06:47,720 --> 01:06:51,360 Speaker 1: approach it with a fullhead of steam. We're gonna come humble. 1122 01:06:51,640 --> 01:06:54,600 Speaker 1: But if we got to leave him a different way 1123 01:06:54,680 --> 01:06:57,680 Speaker 1: than we we're gonna approach that that way, man. And 1124 01:06:57,880 --> 01:07:02,280 Speaker 1: I that's a rough one from me because I understand 1125 01:07:02,320 --> 01:07:06,600 Speaker 1: it from a different perspective. So what happened was the 1126 01:07:06,800 --> 01:07:12,760 Speaker 1: goddamn prey came for the predator. H Nephew would tell you, 1127 01:07:13,320 --> 01:07:17,400 Speaker 1: you pull up with your team, what us, it's our team, 1128 01:07:17,720 --> 01:07:22,720 Speaker 1: with your team, whether you got green beret, whatever the 1129 01:07:22,800 --> 01:07:25,960 Speaker 1: fuck you got what you the minute you come aggressive, 1130 01:07:27,000 --> 01:07:29,760 Speaker 1: it's all so now when the man came, you want 1131 01:07:29,800 --> 01:07:32,640 Speaker 1: to play? Oh no, there's that another your crazy part 1132 01:07:32,680 --> 01:07:36,000 Speaker 1: about it. Meek Mill had two off duty police with him. 1133 01:07:36,360 --> 01:07:38,840 Speaker 1: I knew him. The other dude had a bunch of 1134 01:07:38,960 --> 01:07:42,320 Speaker 1: hats with him from the fucking office. That was just 1135 01:07:42,400 --> 01:07:45,760 Speaker 1: getting a bread. What nobody with him? Law enforcement. So 1136 01:07:45,920 --> 01:07:47,320 Speaker 1: at the end of the day, dressing out here, you 1137 01:07:47,360 --> 01:07:50,320 Speaker 1: gonna getting back at the academics, they looked me. You 1138 01:07:50,480 --> 01:07:53,400 Speaker 1: came home. I just watched the thing on him last 1139 01:07:53,480 --> 01:07:58,600 Speaker 1: night on Amazon Prime for they showed like a little 1140 01:08:00,080 --> 01:08:02,480 Speaker 1: a little interview of you know what he went through 1141 01:08:02,880 --> 01:08:08,000 Speaker 1: being on probation eleven years. Right, bro, stop concerning yourself. 1142 01:08:08,520 --> 01:08:11,600 Speaker 1: But anything that's conflicting in the street that you gotta 1143 01:08:11,640 --> 01:08:15,720 Speaker 1: address because it seems like that's not true your laying 1144 01:08:15,800 --> 01:08:19,360 Speaker 1: or your mission today. The minute you addressed it like 1145 01:08:19,479 --> 01:08:22,280 Speaker 1: he addressed me, like me when you see me, it's awful. 1146 01:08:23,120 --> 01:08:28,519 Speaker 1: Bred carpet, grab mes, emmies. Fuck what it is, whatever, 1147 01:08:28,640 --> 01:08:30,800 Speaker 1: come with it, gonna come with it. We gotta get out, 1148 01:08:31,760 --> 01:08:36,720 Speaker 1: you said, I said, that's where we at with So 1149 01:08:38,880 --> 01:08:47,960 Speaker 1: unfortunately I know what they're like. Certain circumstances require recollection 1150 01:08:48,040 --> 01:08:54,439 Speaker 1: the monks arrival. Certain circumstances require recollection the monk's arrival. 1151 01:08:55,200 --> 01:08:57,639 Speaker 1: Once I push up on you, I know I ain't 1152 01:08:57,640 --> 01:08:59,800 Speaker 1: gonna see you again because I feel like you had 1153 01:09:00,960 --> 01:09:02,960 Speaker 1: I don't care if you hadn't. I just feel like it. 1154 01:09:03,200 --> 01:09:06,160 Speaker 1: I don't see you right after you said that whatever 1155 01:09:06,200 --> 01:09:10,200 Speaker 1: it was you said, I stopped seeing you. So now 1156 01:09:10,280 --> 01:09:12,720 Speaker 1: when I bump into you outside of being with your 1157 01:09:12,960 --> 01:09:18,880 Speaker 1: children and your old lady. But if they if they 1158 01:09:19,000 --> 01:09:23,680 Speaker 1: go another way or someone you you man, because you 1159 01:09:23,800 --> 01:09:29,240 Speaker 1: know it's certain, it's certain disrespect certain things. But I 1160 01:09:29,320 --> 01:09:32,800 Speaker 1: always talk about this Internet. I always speak about how 1161 01:09:32,840 --> 01:09:35,479 Speaker 1: the Internet is a place where people get stuff off. Man. 1162 01:09:36,439 --> 01:09:39,639 Speaker 1: People get to say stuff. People get to say things 1163 01:09:39,680 --> 01:09:43,000 Speaker 1: about people that you love enough to do certain things about. 1164 01:09:43,720 --> 01:09:45,400 Speaker 1: And they think they get to get away with that 1165 01:09:45,560 --> 01:09:48,320 Speaker 1: because they're on some sort of app and they think 1166 01:09:48,400 --> 01:09:51,680 Speaker 1: they can't be found. They think that it's a thing 1167 01:09:51,800 --> 01:09:55,280 Speaker 1: called skip tracing. It's a thing where you can figure 1168 01:09:55,320 --> 01:09:58,320 Speaker 1: out what people let and hold them accountable for certain things. 1169 01:09:58,400 --> 01:10:01,760 Speaker 1: And my whole thing, gre I don't play the internet game. 1170 01:10:02,800 --> 01:10:05,040 Speaker 1: I got into it with a little dude on the Internet. 1171 01:10:05,920 --> 01:10:11,360 Speaker 1: I just sold out the event in my sitting. So 1172 01:10:13,000 --> 01:10:15,479 Speaker 1: dudes ain't push up on that event with none of that, 1173 01:10:16,320 --> 01:10:19,160 Speaker 1: you know, And I'm glad they didn't because that ain't 1174 01:10:19,200 --> 01:10:22,160 Speaker 1: what I'm looking for. But the problem be is that 1175 01:10:22,360 --> 01:10:27,360 Speaker 1: on the Internet they go to saying things, you know, 1176 01:10:27,439 --> 01:10:29,960 Speaker 1: and they're making it look like they want to do things. 1177 01:10:31,040 --> 01:10:33,840 Speaker 1: But I be knowing dope the dudes man they be, 1178 01:10:34,160 --> 01:10:36,799 Speaker 1: and I get the sense that whack thing' meet playing 1179 01:10:37,880 --> 01:10:40,320 Speaker 1: not playing like he won't have nothing done. But he 1180 01:10:40,400 --> 01:10:42,960 Speaker 1: don't think meek stand on that business like that. And 1181 01:10:43,000 --> 01:10:45,280 Speaker 1: I don't think he got no whole bunch of respect 1182 01:10:45,400 --> 01:10:49,120 Speaker 1: for me. And it's handle and it like his his his, 1183 01:10:49,520 --> 01:10:52,960 Speaker 1: you know, man on a man type level, like a 1184 01:10:53,120 --> 01:10:56,080 Speaker 1: street dude. I think he just don't. He don't give 1185 01:10:56,080 --> 01:10:57,920 Speaker 1: it up to meet like that. But when you look, 1186 01:10:58,000 --> 01:10:59,880 Speaker 1: you look at Bobbing and them there, people give it 1187 01:11:00,080 --> 01:11:02,960 Speaker 1: up to meet on that other side. So it's crazy 1188 01:11:03,080 --> 01:11:06,559 Speaker 1: to see, right, But I think Meet cut him when 1189 01:11:06,560 --> 01:11:08,720 Speaker 1: he put that some sort of I think he put 1190 01:11:08,760 --> 01:11:11,880 Speaker 1: a record out to something, So I think Meet really, 1191 01:11:12,560 --> 01:11:15,600 Speaker 1: I think he got hot about that, you know what 1192 01:11:15,640 --> 01:11:17,600 Speaker 1: I'm saying. I think he got hot hot about that. 1193 01:11:17,800 --> 01:11:21,400 Speaker 1: But you gotta know that, hey man, you go, you 1194 01:11:21,479 --> 01:11:23,439 Speaker 1: go to doing this and then doing this, and then 1195 01:11:23,560 --> 01:11:25,680 Speaker 1: sometime things gonna turn in, and when I see you, 1196 01:11:25,800 --> 01:11:30,679 Speaker 1: I'm getting at you. Oh that I'm going to award 1197 01:11:31,040 --> 01:11:33,599 Speaker 1: We're getting fuck about none of that. That ain't where 1198 01:11:33,680 --> 01:11:36,800 Speaker 1: we come from. If you don't want to bobe by 1199 01:11:36,880 --> 01:11:41,320 Speaker 1: that lit at Stop putting yourself in that. Stop getting 1200 01:11:41,320 --> 01:11:43,640 Speaker 1: that people about this what you want, this is what 1201 01:11:43,760 --> 01:11:46,920 Speaker 1: you want. But then when they confront you, now it's 1202 01:11:47,120 --> 01:11:50,760 Speaker 1: Sunday service. Oh nah man, I'm taking the higher road. 1203 01:11:50,960 --> 01:11:54,320 Speaker 1: Take the high road with your comments. Then stop getting 1204 01:11:54,320 --> 01:11:56,960 Speaker 1: aggressive and talking crazy to these people. Because I really 1205 01:11:57,000 --> 01:12:00,280 Speaker 1: don't like a bullet. I fights the bully. I don't 1206 01:12:00,320 --> 01:12:02,000 Speaker 1: like a buddy because he seeing me like you're trying 1207 01:12:02,000 --> 01:12:05,519 Speaker 1: to bully these kids. This kid academics and all he's 1208 01:12:05,600 --> 01:12:08,400 Speaker 1: doing is his job. You didn't complain about when he 1209 01:12:08,520 --> 01:12:10,760 Speaker 1: used to post your videos and post your ship. You 1210 01:12:10,760 --> 01:12:13,439 Speaker 1: didn't complain about when he posted. And also you gotta 1211 01:12:13,520 --> 01:12:18,200 Speaker 1: watch how small people navigate. You see here aligning himself 1212 01:12:18,240 --> 01:12:21,120 Speaker 1: with ac ACT is powerful for him having a record 1213 01:12:21,200 --> 01:12:24,599 Speaker 1: label trying to break artists. Because of a record label 1214 01:12:24,680 --> 01:12:27,599 Speaker 1: like WAG one hundred, they can stand to pro That's 1215 01:12:27,640 --> 01:12:29,640 Speaker 1: why I'm saying, that's why a conversation with me and 1216 01:12:29,760 --> 01:12:33,400 Speaker 1: him will be super dope. But a record label like 1217 01:12:33,600 --> 01:12:35,920 Speaker 1: his label, or standing to make the most money by 1218 01:12:36,040 --> 01:12:40,160 Speaker 1: breaking the artist, you can also house some people that's 1219 01:12:40,200 --> 01:12:43,640 Speaker 1: already got some names, but that's some different contracts. They 1220 01:12:43,760 --> 01:12:47,080 Speaker 1: eat from a different standpoint when they already established, but 1221 01:12:47,280 --> 01:12:49,960 Speaker 1: Whack stands to make the most money breaking the artists, 1222 01:12:50,920 --> 01:12:55,280 Speaker 1: and act usually helps in breaking the artists. You see 1223 01:12:55,320 --> 01:12:57,920 Speaker 1: what I'm saying, So align myself with act and then 1224 01:12:58,000 --> 01:13:00,320 Speaker 1: I already slick an an email. My enemy is my 1225 01:13:00,520 --> 01:13:05,240 Speaker 1: friend and there's no seeing. Also the thing about business, 1226 01:13:07,360 --> 01:13:12,320 Speaker 1: there's no permanent enemies or friends. So align myself with 1227 01:13:12,439 --> 01:13:15,639 Speaker 1: the dude to help break rappers. Because I'm a business owner, 1228 01:13:15,680 --> 01:13:22,280 Speaker 1: I'm trying to break rappers. You understand me, And and 1229 01:13:22,479 --> 01:13:24,519 Speaker 1: also get at this dude that I think kind of 1230 01:13:24,680 --> 01:13:27,360 Speaker 1: is faking. You understand me. And I don't know where 1231 01:13:27,400 --> 01:13:29,040 Speaker 1: he pull that from. I don't know if he got 1232 01:13:29,120 --> 01:13:31,560 Speaker 1: some resources telling him that or that's he thinking. But 1233 01:13:31,640 --> 01:13:35,040 Speaker 1: I'll be feeling like he think it's sweet when he's 1234 01:13:35,080 --> 01:13:39,160 Speaker 1: dealing with me. You know what I'm saying, Meet me 1235 01:13:39,400 --> 01:13:43,920 Speaker 1: Nick now, not to say not to say that he 1236 01:13:44,080 --> 01:13:46,960 Speaker 1: don't have the same energy for everybody, as far as 1237 01:13:47,040 --> 01:13:49,320 Speaker 1: I know, if I'm wrong, somebody can let me know. 1238 01:13:49,960 --> 01:13:51,960 Speaker 1: But I kind of see when he got to go 1239 01:13:52,080 --> 01:13:54,640 Speaker 1: at somebody's he tends to go at him. But it 1240 01:13:54,800 --> 01:13:57,080 Speaker 1: seemed like with Meek, it's a little something else there 1241 01:13:57,160 --> 01:13:59,880 Speaker 1: that that it might be. You know what I'm saying, 1242 01:14:00,320 --> 01:14:04,200 Speaker 1: that's how I feels a couple you to complain about that. 1243 01:14:06,000 --> 01:14:08,120 Speaker 1: You know, hey, you know if I walk out and 1244 01:14:09,000 --> 01:14:11,519 Speaker 1: get bit by goddamn dog, that's a new somebody gonna 1245 01:14:11,520 --> 01:14:14,160 Speaker 1: I ain't gonna get mad at you report. You know 1246 01:14:14,240 --> 01:14:16,960 Speaker 1: what I'm saying, Like, that's what it is, right, I 1247 01:14:17,040 --> 01:14:18,840 Speaker 1: don't know from my perspective when I think of the 1248 01:14:18,880 --> 01:14:22,200 Speaker 1: Meek situation, though, I felt like he handled it fairly 1249 01:14:22,320 --> 01:14:24,880 Speaker 1: responsibly and that he had the way you would handle 1250 01:14:24,920 --> 01:14:29,680 Speaker 1: it exactly. You're a civilian. Yeah, why you get there 1251 01:14:29,720 --> 01:14:31,960 Speaker 1: about my future? And I don't want to get into it. 1252 01:14:32,080 --> 01:14:36,600 Speaker 1: You are owner outside of You are a civilian, and 1253 01:14:36,960 --> 01:14:39,760 Speaker 1: how he handled it is exactly how I'll expect you 1254 01:14:39,840 --> 01:14:42,200 Speaker 1: and Helen and I wouldn't have had no opinion. I 1255 01:14:42,240 --> 01:14:45,640 Speaker 1: wouldn't even got up in his face if you if 1256 01:14:45,680 --> 01:14:48,160 Speaker 1: you would, hey, if you would have told six nine, hey, 1257 01:14:48,280 --> 01:14:50,400 Speaker 1: fuck you motherfucker. You watch when I see you, watch 1258 01:14:50,479 --> 01:14:53,639 Speaker 1: what happened then y'all seeing each other, then you walked away. 1259 01:14:54,120 --> 01:14:56,800 Speaker 1: You are a civilian, That's what That's what y'all do. 1260 01:14:58,400 --> 01:15:02,800 Speaker 1: Say Somebody when they're gonna walk all security listen, brother, 1261 01:15:03,400 --> 01:15:06,120 Speaker 1: his squad, my squad. When I moved, my team moving 1262 01:15:06,360 --> 01:15:08,960 Speaker 1: and we're moving on anything in front of us. I 1263 01:15:09,120 --> 01:15:12,960 Speaker 1: know where my target is. That's it. And if if 1264 01:15:13,040 --> 01:15:15,400 Speaker 1: your team ain't that type of team, then you need 1265 01:15:15,439 --> 01:15:20,919 Speaker 1: to stop playing. That's just real shit, like don't involve 1266 01:15:21,040 --> 01:15:23,519 Speaker 1: yourself and that if you're not ready to deal with that. 1267 01:15:23,960 --> 01:15:27,360 Speaker 1: And I really think Meek is on well maybe he 1268 01:15:27,520 --> 01:15:30,040 Speaker 1: fronted the way it look. He's you know, he's an 1269 01:15:30,040 --> 01:15:33,960 Speaker 1: advocate for you know, the sentencent of people and you know, 1270 01:15:34,600 --> 01:15:37,360 Speaker 1: prisoners and all this type of stuff. Look, bro, keep 1271 01:15:37,400 --> 01:15:39,760 Speaker 1: your shoes so man, and and and do like my 1272 01:15:39,880 --> 01:15:44,320 Speaker 1: little brother ray J and be positive and we're gonna 1273 01:15:44,360 --> 01:15:46,920 Speaker 1: respect that. But stop going at these people. Then when 1274 01:15:46,920 --> 01:15:51,280 Speaker 1: they see you, you know you want to play thug here. 1275 01:15:51,360 --> 01:15:54,080 Speaker 1: But now I'm pastored, Like what what? Which? I always 1276 01:15:54,080 --> 01:15:57,440 Speaker 1: took it up. He's referring to the two countries sixthtin situation. 1277 01:15:58,200 --> 01:16:01,240 Speaker 1: He alleged that meet Me had security to because she 1278 01:16:01,360 --> 01:16:05,560 Speaker 1: did not. Meek was basically just hating on snitching and 1279 01:16:05,720 --> 01:16:08,519 Speaker 1: glorifying the artist who's snitched, not that Meek was necessarily 1280 01:16:08,600 --> 01:16:10,280 Speaker 1: saying like when I see you, I'm gonna kill you. 1281 01:16:11,560 --> 01:16:14,640 Speaker 1: So that's the that's the thing, and that's why I 1282 01:16:14,800 --> 01:16:17,280 Speaker 1: think me and Whack could have a good conversation because 1283 01:16:17,360 --> 01:16:19,720 Speaker 1: I think Meek and Act situation and I may have 1284 01:16:19,880 --> 01:16:22,759 Speaker 1: to have Actor as well to have a round table 1285 01:16:22,840 --> 01:16:26,519 Speaker 1: see what happens, uh and get some information now. But 1286 01:16:27,360 --> 01:16:32,280 Speaker 1: I think meek situation with Acting more so is uh, 1287 01:16:33,120 --> 01:16:35,960 Speaker 1: you know, he's funneling the kind he's keeping him alive. 1288 01:16:36,240 --> 01:16:41,200 Speaker 1: Like I think Meek won't Act to help with putting 1289 01:16:41,240 --> 01:16:44,280 Speaker 1: that fire out that he started, but Act is like, 1290 01:16:44,439 --> 01:16:47,920 Speaker 1: that's my friend, I'm not doing that right. So I 1291 01:16:48,040 --> 01:16:51,680 Speaker 1: think the situation is in a place like that. I'm 1292 01:16:51,760 --> 01:16:54,400 Speaker 1: not sure, but see there was a weird encounter with 1293 01:16:54,600 --> 01:16:58,760 Speaker 1: Meek and Act on Clubhouse in which I think Meek 1294 01:16:59,000 --> 01:17:03,200 Speaker 1: was was was kind of doing a little threatening and 1295 01:17:03,400 --> 01:17:06,879 Speaker 1: not threatening but straightening, trying to give acco list straightened 1296 01:17:06,880 --> 01:17:09,960 Speaker 1: and telling him, you know, certain things can can end 1297 01:17:10,080 --> 01:17:12,800 Speaker 1: up in certain ways, and Act was pushing back on that, 1298 01:17:12,960 --> 01:17:15,880 Speaker 1: like yo, I wasn't really Act was being cool. But 1299 01:17:15,960 --> 01:17:18,400 Speaker 1: after that Acts mashed the gas. I think he felt 1300 01:17:18,479 --> 01:17:21,400 Speaker 1: bombarded and they trying they trying to bury his brand. 1301 01:17:22,920 --> 01:17:29,040 Speaker 1: But I think, um, I think Whack is now he's 1302 01:17:29,080 --> 01:17:31,960 Speaker 1: being encountered with that. He's kind of telling him. Well, 1303 01:17:32,120 --> 01:17:34,880 Speaker 1: Meek was like, Yo, you're funneling the snitch, not you know, 1304 01:17:35,040 --> 01:17:37,679 Speaker 1: not necessarily that I'm gonna hurt you. But he's forgetting 1305 01:17:37,680 --> 01:17:42,439 Speaker 1: about that club hout situation. We'll have to revisit. Obviously, 1306 01:17:42,479 --> 01:17:46,200 Speaker 1: it's not gonna gill six nine. Let me explain something 1307 01:17:46,240 --> 01:17:47,840 Speaker 1: to you, and I say this, and I may catch 1308 01:17:47,880 --> 01:18:00,400 Speaker 1: a lot of heat. Oh six nine didn't snitch. Sorry, 1309 01:18:00,880 --> 01:18:07,439 Speaker 1: Let me ask you a question. If we committed a 1310 01:18:07,640 --> 01:18:11,479 Speaker 1: series of crimes in front of this man and they 1311 01:18:11,560 --> 01:18:14,000 Speaker 1: got this man lycening place on the camera, we get 1312 01:18:14,080 --> 01:18:17,799 Speaker 1: in his car, I want to also say I disagree 1313 01:18:17,880 --> 01:18:21,040 Speaker 1: with that, but let's hear what Wax said. Let's see 1314 01:18:21,080 --> 01:18:25,360 Speaker 1: what we get from. Then he snitched and they go 1315 01:18:25,720 --> 01:18:30,920 Speaker 1: question this man, right, no, get himself into listen, and 1316 01:18:31,080 --> 01:18:34,000 Speaker 1: he tells the people, right, this civilian man right here, 1317 01:18:34,840 --> 01:18:37,760 Speaker 1: is he snitch or he telling the truth? Him? He 1318 01:18:37,960 --> 01:18:43,000 Speaker 1: telling the truth? Okay, Now for the record, if I 1319 01:18:43,120 --> 01:18:46,240 Speaker 1: put a wig on this man or a motherfucking clown 1320 01:18:46,360 --> 01:18:51,519 Speaker 1: suit the same man, listen, listen, listen. If I put 1321 01:18:51,560 --> 01:18:54,439 Speaker 1: a wig on this man clown suit and they go 1322 01:18:54,640 --> 01:18:57,960 Speaker 1: arrest him and take the wig getting the clown suit off. 1323 01:18:58,320 --> 01:19:00,840 Speaker 1: Who do we have under the wig in the cloud suit? 1324 01:19:01,040 --> 01:19:03,160 Speaker 1: I gue what you're saying. Okay, now you tell me 1325 01:19:03,280 --> 01:19:05,720 Speaker 1: a motherfucker that y'all didn't let on your block and 1326 01:19:05,760 --> 01:19:08,000 Speaker 1: I didn't been on your block, that you didn't let 1327 01:19:08,080 --> 01:19:11,000 Speaker 1: on your block then came on your block. That defies 1328 01:19:11,280 --> 01:19:15,519 Speaker 1: everything that represents your block. No disrespect. The rainbows a 1329 01:19:15,600 --> 01:19:19,800 Speaker 1: representation of what the gay community right. He's saying they 1330 01:19:19,880 --> 01:19:22,720 Speaker 1: took a civilian, placed them in the jungle and got 1331 01:19:22,840 --> 01:19:27,639 Speaker 1: mad because he turned back to a severean. I still 1332 01:19:27,760 --> 01:19:33,160 Speaker 1: disagree with that affecting the act the act of Now 1333 01:19:33,479 --> 01:19:36,200 Speaker 1: is he held to the same standards? I would say yes, 1334 01:19:36,240 --> 01:19:41,479 Speaker 1: because what you participating in, you involved, then you know 1335 01:19:41,600 --> 01:19:43,760 Speaker 1: what I'm saying. And ever then that the FIZ gave 1336 01:19:43,840 --> 01:19:47,000 Speaker 1: him a certain level of credibility that had been involved, 1337 01:19:47,640 --> 01:19:51,200 Speaker 1: because knowing is participating and you can only testify to 1338 01:19:51,280 --> 01:19:55,200 Speaker 1: what you know. Dig me, So if he's able to 1339 01:19:55,280 --> 01:19:58,040 Speaker 1: testify based on what he knows, then that must mean 1340 01:19:58,120 --> 01:20:02,840 Speaker 1: he participated participation. Its involvement. Involvement means it carries a 1341 01:20:02,920 --> 01:20:08,479 Speaker 1: certain level of m liability to yourself. You gotta be 1342 01:20:08,600 --> 01:20:14,760 Speaker 1: responsible a certain level of responsibility. You understand what I'm saying, 1343 01:20:14,800 --> 01:20:17,479 Speaker 1: So you can't just push that off and say, hey man, nah, 1344 01:20:17,520 --> 01:20:19,519 Speaker 1: I wasn't really with that. I was just trying to 1345 01:20:19,600 --> 01:20:25,360 Speaker 1: wrap Because then with that being the case, what do 1346 01:20:25,479 --> 01:20:29,920 Speaker 1: we say about the victims of the statements? Do we 1347 01:20:30,080 --> 01:20:32,439 Speaker 1: not care about the family members of the victims of 1348 01:20:32,560 --> 01:20:36,960 Speaker 1: the statements? I think it should be abolished if you 1349 01:20:37,080 --> 01:20:39,479 Speaker 1: participated in the crime with someone. I don't even think 1350 01:20:39,479 --> 01:20:42,800 Speaker 1: you should be able to snitch because I think that's 1351 01:20:42,840 --> 01:20:45,240 Speaker 1: some sort of way some should be illegal about that 1352 01:20:46,040 --> 01:20:48,280 Speaker 1: you're telling on me because to get you out of 1353 01:20:48,360 --> 01:20:51,160 Speaker 1: something that shouldn't even be a thing. But that's a 1354 01:20:51,240 --> 01:20:55,959 Speaker 1: conversation for a different time. My whole thing is, because 1355 01:20:57,760 --> 01:21:00,920 Speaker 1: my whole thing is if you if you was able 1356 01:21:00,920 --> 01:21:05,280 Speaker 1: to testify, you can only testify what you know knowing 1357 01:21:05,320 --> 01:21:09,439 Speaker 1: this participation. Dude had to participate to be able to testify. 1358 01:21:09,800 --> 01:21:14,760 Speaker 1: Participation is involvement. What you involve yourself in as a man. 1359 01:21:14,920 --> 01:21:18,080 Speaker 1: That's before a gang banger. Once you involved, what you 1360 01:21:18,200 --> 01:21:22,200 Speaker 1: involve yourself with as a man, you must be responsible for. 1361 01:21:22,360 --> 01:21:24,880 Speaker 1: Don't nobody care about you having a baby at sixteen? 1362 01:21:25,160 --> 01:21:29,599 Speaker 1: That showed baby figure it out? Rat this out. Why 1363 01:21:29,800 --> 01:21:32,240 Speaker 1: I didn't know. I wasn't. I wasn't no grud dode, 1364 01:21:32,280 --> 01:21:35,080 Speaker 1: I didn't. You gotta figure that out. You just had 1365 01:21:35,120 --> 01:21:38,000 Speaker 1: a child. You gotta figure that out. You was involved 1366 01:21:38,120 --> 01:21:40,400 Speaker 1: with that, You gotta figure that out. And so you 1367 01:21:40,520 --> 01:21:42,839 Speaker 1: gotta wrat that thing out. So I had to reject 1368 01:21:42,960 --> 01:21:46,880 Speaker 1: that respectfully. The red band DNA is a representation of 1369 01:21:46,960 --> 01:21:51,720 Speaker 1: what blood's right total obviously from each other. Right, we 1370 01:21:51,840 --> 01:21:55,240 Speaker 1: gotta do a rainbow head or a red band dawna right, 1371 01:21:55,640 --> 01:21:59,040 Speaker 1: he's prostitute. These people blocked. He used, these people block 1372 01:21:59,120 --> 01:22:02,160 Speaker 1: the cloud or they was supposed to. Dude was prostituted 1373 01:22:02,200 --> 01:22:05,120 Speaker 1: him back charging him and used the block, getting his 1374 01:22:05,240 --> 01:22:07,720 Speaker 1: pocket on the screen or wherever it is, get his 1375 01:22:07,800 --> 01:22:09,680 Speaker 1: ass off the block. Now watched this, here go the 1376 01:22:09,720 --> 01:22:13,240 Speaker 1: problem six nine was around we thirteen, fourteen, fifteen months 1377 01:22:13,320 --> 01:22:15,760 Speaker 1: or they should happened, crazy happen. How the fun could 1378 01:22:15,800 --> 01:22:19,840 Speaker 1: this man talk to the fads about shit that happened 1379 01:22:19,880 --> 01:22:22,960 Speaker 1: five ten years ago? You know why they had already 1380 01:22:23,000 --> 01:22:25,439 Speaker 1: been watching. No, no, no, no no. The people on 1381 01:22:25,560 --> 01:22:32,720 Speaker 1: the block violated the rules, told this civilian shit they 1382 01:22:32,760 --> 01:22:35,680 Speaker 1: weren't supposed to tell him, and gave him the ammunition 1383 01:22:35,960 --> 01:22:38,640 Speaker 1: to run his mouth. Now, let's talk about it. The 1384 01:22:38,760 --> 01:22:43,879 Speaker 1: fads Gold pushed play. You hear the goddamn manager plotting 1385 01:22:43,880 --> 01:22:47,000 Speaker 1: the motherfucker you getting kidnapped. They showed him miss Jerry. 1386 01:22:47,080 --> 01:22:49,320 Speaker 1: We found your Jerry when we raided this dude house. 1387 01:22:49,560 --> 01:22:51,720 Speaker 1: That's the dude that was with you. Then you hear 1388 01:22:51,800 --> 01:22:55,280 Speaker 1: this dude fucking your baby mama. Now remember he got 1389 01:22:55,360 --> 01:22:57,479 Speaker 1: a red bad daddy with rainbow head. But when he 1390 01:22:57,560 --> 01:23:00,840 Speaker 1: take that costume off, this is a fucking s Matthew. 1391 01:23:00,920 --> 01:23:04,920 Speaker 1: They were never supposed to put this man at all, 1392 01:23:05,040 --> 01:23:06,960 Speaker 1: but he was us. So what I when I say 1393 01:23:07,000 --> 01:23:09,479 Speaker 1: he did hold on? I think he just no no 1394 01:23:10,000 --> 01:23:12,360 Speaker 1: back to who he was. If you said, if you 1395 01:23:12,479 --> 01:23:15,320 Speaker 1: say it like that, that's all. If you say it 1396 01:23:15,439 --> 01:23:18,519 Speaker 1: like that, that's what that's the You can't you can't 1397 01:23:18,560 --> 01:23:22,960 Speaker 1: ignore that him supposedly calling heads and you know what 1398 01:23:23,000 --> 01:23:26,880 Speaker 1: I'm saying, trying to do games. Could that nigga come 1399 01:23:26,920 --> 01:23:33,160 Speaker 1: in your blocking calling came at Listen. I don't know 1400 01:23:33,320 --> 01:23:37,120 Speaker 1: how everything works everywhere, but if you come to the 1401 01:23:37,200 --> 01:23:40,400 Speaker 1: block with some millions of dollars, I'm gonna say you 1402 01:23:40,520 --> 01:23:44,000 Speaker 1: can get some things done. If you come to the 1403 01:23:44,160 --> 01:23:48,760 Speaker 1: pole niggas with millions of dollars, you can get some 1404 01:23:48,920 --> 01:23:52,360 Speaker 1: things done. I really don't care who. You know. The 1405 01:23:52,520 --> 01:23:58,160 Speaker 1: pole once my the hood with the millions. See, that's 1406 01:23:58,200 --> 01:24:01,360 Speaker 1: why I gotta push back on now. Out there may 1407 01:24:01,439 --> 01:24:04,120 Speaker 1: be different because you may can't even do certain things 1408 01:24:04,200 --> 01:24:07,519 Speaker 1: based on the structure. But down here in the South, 1409 01:24:09,080 --> 01:24:15,000 Speaker 1: if you got the paper, it's gonna happen. They're gonna 1410 01:24:15,080 --> 01:24:19,160 Speaker 1: do it. About that money, it's gonna get done. You 1411 01:24:19,280 --> 01:24:21,400 Speaker 1: can be the shrimp on the block. If you don't 1412 01:24:21,400 --> 01:24:27,120 Speaker 1: bumped into five million, they respecting your handle. You can 1413 01:24:27,240 --> 01:24:30,800 Speaker 1: pay for you can. They're gonna extort you to big 1414 01:24:30,920 --> 01:24:35,720 Speaker 1: home in status. You understand you didn't pay for the 1415 01:24:35,920 --> 01:24:39,760 Speaker 1: big homeown the hood. You see what I'm saying. Now, 1416 01:24:40,200 --> 01:24:43,160 Speaker 1: you may not be a real big homeowner hood. But 1417 01:24:43,280 --> 01:24:45,840 Speaker 1: if you need somebody to hurt and you got some money, 1418 01:24:47,800 --> 01:24:50,800 Speaker 1: it may not get done off the same principles, but 1419 01:24:50,960 --> 01:24:54,720 Speaker 1: the result is the same. And I think that's what 1420 01:24:54,880 --> 01:24:58,160 Speaker 1: they should have said. The principles are different when when 1421 01:24:58,479 --> 01:25:04,679 Speaker 1: when your st game, Dude that got that cash, that's 1422 01:25:04,800 --> 01:25:08,600 Speaker 1: that's one of the real originals. Once he if he 1423 01:25:08,760 --> 01:25:11,400 Speaker 1: called a hit, or if he say this or say that, 1424 01:25:11,560 --> 01:25:15,160 Speaker 1: on the hood. It's received different. But now home and 1425 01:25:15,240 --> 01:25:17,800 Speaker 1: with the five met and he can get something done too, 1426 01:25:17,960 --> 01:25:21,600 Speaker 1: now just from a different perspective. He got degrees, a 1427 01:25:21,640 --> 01:25:25,879 Speaker 1: few palms, you understand me, but the but the results 1428 01:25:26,040 --> 01:25:29,000 Speaker 1: is the same. And then that's that's where you get 1429 01:25:29,040 --> 01:25:31,240 Speaker 1: the false that's where you get the false sense of 1430 01:25:32,360 --> 01:25:36,560 Speaker 1: I'm a big home on the hood because the results 1431 01:25:36,960 --> 01:25:39,720 Speaker 1: that you're getting, you don't understand that they're doing that 1432 01:25:39,840 --> 01:25:42,879 Speaker 1: from a different perspective and you're dealing with the wolves. 1433 01:25:44,960 --> 01:25:47,639 Speaker 1: The reason why they're doing what you're saying ain't because 1434 01:25:48,280 --> 01:25:52,760 Speaker 1: you earn't your name on the hood. It's because you 1435 01:25:52,920 --> 01:25:56,439 Speaker 1: are tied the opportunity. And it's always important to understand 1436 01:25:56,520 --> 01:25:59,920 Speaker 1: when you tied the opportunity, people navigate around you different. 1437 01:26:00,479 --> 01:26:03,639 Speaker 1: When you tied the opportunity, it ain't the same old 1438 01:26:04,000 --> 01:26:07,679 Speaker 1: ha ha he. When you tied the opportunity, people navigate 1439 01:26:08,080 --> 01:26:14,479 Speaker 1: around you much differently, much differently. Sometimes they suppress what 1440 01:26:14,600 --> 01:26:18,320 Speaker 1: they really feel, they think about it before they said 1441 01:26:18,520 --> 01:26:22,840 Speaker 1: they because they understand that this individual may be tied 1442 01:26:22,920 --> 01:26:25,120 Speaker 1: to me taking care of people that I love more 1443 01:26:25,200 --> 01:26:30,120 Speaker 1: than how I feel about what he just said. Sometimes 1444 01:26:30,200 --> 01:26:33,080 Speaker 1: the risk assessment come in but the minute you lose 1445 01:26:33,160 --> 01:26:38,400 Speaker 1: that status, they'll show you that you wasn't never being Homan. Yeah, 1446 01:26:38,479 --> 01:26:40,800 Speaker 1: you will be shown quick that you wouldn't never being 1447 01:26:40,880 --> 01:26:45,000 Speaker 1: Homan when you lose that money. Lose that money, you 1448 01:26:45,080 --> 01:26:48,519 Speaker 1: see what I'm saying. So if it ain't earned, it 1449 01:26:48,600 --> 01:26:51,680 Speaker 1: ain't respected in certain people eyes, you can do with 1450 01:26:51,800 --> 01:26:54,400 Speaker 1: that what you may. You know what I'm saying. But 1451 01:26:56,880 --> 01:26:59,160 Speaker 1: I think the results can be the same. I think 1452 01:26:59,200 --> 01:27:02,120 Speaker 1: a dude from with some money can come. It's a 1453 01:27:02,200 --> 01:27:04,439 Speaker 1: lot of these jerk dudes got money, man, It's a 1454 01:27:04,479 --> 01:27:06,479 Speaker 1: lot of these. A lot of the rap dudes is 1455 01:27:06,600 --> 01:27:11,000 Speaker 1: Leon's man. A lot of the rap dudes is Leon's man. 1456 01:27:11,360 --> 01:27:14,240 Speaker 1: You know Leon, the pions, they Leon, a lot of them. 1457 01:27:15,040 --> 01:27:20,080 Speaker 1: These dudes is really like square pool tables twice as green. 1458 01:27:20,880 --> 01:27:24,080 Speaker 1: You know what I'm saying. So they not nobody. You're 1459 01:27:24,080 --> 01:27:26,280 Speaker 1: gonna get around and be like Noah, he hard like 1460 01:27:26,600 --> 01:27:29,080 Speaker 1: he Like I say, how you can feel when you 1461 01:27:29,200 --> 01:27:32,200 Speaker 1: hear even with Wagon one Hunter, when you hear him 1462 01:27:32,240 --> 01:27:35,280 Speaker 1: talk about the game and the entertainment and the bidding 1463 01:27:35,280 --> 01:27:39,479 Speaker 1: instructures and contrary, you'd be like, oh, yeah, he see. 1464 01:27:39,600 --> 01:27:44,040 Speaker 1: He seemed like he gotta understanding of what's going on me? 1465 01:27:44,240 --> 01:27:47,000 Speaker 1: I get d MS every single day, people like, yo, 1466 01:27:47,120 --> 01:27:51,240 Speaker 1: you you're on your weight. Don you know what I'm saying? 1467 01:27:51,479 --> 01:27:55,520 Speaker 1: So you get certain things from certain individuals people can appreciate. 1468 01:27:56,080 --> 01:27:57,800 Speaker 1: Let's see what else he said. But I had to 1469 01:27:57,880 --> 01:28:01,559 Speaker 1: tap in on that. I don't they a lot of build. 1470 01:28:02,960 --> 01:28:06,920 Speaker 1: This is not nobody who is sanctioned, who's authorized, who 1471 01:28:07,000 --> 01:28:11,240 Speaker 1: has the authority to even dictate or say anything on 1472 01:28:11,360 --> 01:28:15,280 Speaker 1: the block to do these This is but you know 1473 01:28:15,400 --> 01:28:17,599 Speaker 1: how to street some some some niggas now on the streets, 1474 01:28:17,880 --> 01:28:20,639 Speaker 1: maybe power that dollar right now, niggas are sell off 1475 01:28:20,680 --> 01:28:24,479 Speaker 1: the made hills us. That's what I just see us 1476 01:28:24,479 --> 01:28:27,040 Speaker 1: when when the kid go, what's the opposite of us? Now? 1477 01:28:27,200 --> 01:28:31,439 Speaker 1: They joined the gag? Right? Like you just named a 1478 01:28:31,560 --> 01:28:34,400 Speaker 1: couple of different superstars. All I'm saying are part of 1479 01:28:34,439 --> 01:28:37,040 Speaker 1: a gang? Right? Uh, you just named a couple of 1480 01:28:37,080 --> 01:28:39,720 Speaker 1: different rappers who are part of a goal. I don't 1481 01:28:39,800 --> 01:28:42,439 Speaker 1: want to go back to it. We just talked about 1482 01:28:42,439 --> 01:28:46,559 Speaker 1: Soldiery and Chris Brown, Right, are they game members? If 1483 01:28:46,600 --> 01:28:50,639 Speaker 1: they snitch and all of a sudden they're not game members, 1484 01:28:51,040 --> 01:28:54,760 Speaker 1: they are game representatives. Okay, But could you say the 1485 01:28:54,800 --> 01:28:59,200 Speaker 1: same thing about six nineties. Remember, Now, that's what we 1486 01:28:59,280 --> 01:29:02,799 Speaker 1: gotta live in for a second, because finally somebody outside 1487 01:29:02,840 --> 01:29:06,400 Speaker 1: of meat and a couple other people is speaking about 1488 01:29:07,240 --> 01:29:12,400 Speaker 1: the way that entertain us intertwined with the streets and 1489 01:29:12,520 --> 01:29:24,640 Speaker 1: the gang culture for protection and for cashe protection in 1490 01:29:24,800 --> 01:29:28,120 Speaker 1: cash se right. So you just heard him here on 1491 01:29:28,200 --> 01:29:32,440 Speaker 1: the West Coast with them board speak about who a representative? 1492 01:29:34,000 --> 01:29:37,400 Speaker 1: And that's when I'm gonna start calling the dude, You're 1493 01:29:37,439 --> 01:29:39,720 Speaker 1: not a gang bang and you are who are representative? 1494 01:29:40,680 --> 01:29:42,799 Speaker 1: Back in the day, I remember when there was problems 1495 01:29:42,840 --> 01:29:45,519 Speaker 1: with a little Wayne when he first grabbed the when 1496 01:29:45,720 --> 01:29:48,760 Speaker 1: when the blood thing happened, you know what I'm saying. 1497 01:29:48,800 --> 01:29:50,920 Speaker 1: And people on that side wasn't feeling that. They were 1498 01:29:51,000 --> 01:29:52,960 Speaker 1: trying to come up, so they were trying to track 1499 01:29:53,080 --> 01:29:55,840 Speaker 1: him down and hold up, how are you screaming this? 1500 01:29:55,920 --> 01:29:57,720 Speaker 1: And I can't call you? And I'm over here on 1501 01:29:57,840 --> 01:30:00,479 Speaker 1: this street right now, big home on this food in 1502 01:30:00,600 --> 01:30:02,760 Speaker 1: real life and you screaming it and we don't even 1503 01:30:05,240 --> 01:30:09,759 Speaker 1: as like somebody holiday I miss up there podcast fo jil, 1504 01:30:10,439 --> 01:30:13,920 Speaker 1: Who is that due? What are you talkin? And he 1505 01:30:14,080 --> 01:30:16,720 Speaker 1: really going somewhere with the people loving him for that, 1506 01:30:16,880 --> 01:30:19,000 Speaker 1: He going, he going in and out d city and 1507 01:30:19,120 --> 01:30:22,120 Speaker 1: big homes tapping in with him, they protecting him. That's 1508 01:30:22,160 --> 01:30:24,840 Speaker 1: the reason a lot of them doing it. Gives you 1509 01:30:24,880 --> 01:30:27,280 Speaker 1: a luxury to moving in and out these cities and 1510 01:30:27,360 --> 01:30:30,000 Speaker 1: grab these teens and fifteens and twenties. That's why they 1511 01:30:30,080 --> 01:30:31,800 Speaker 1: do it. When they be on that little level where 1512 01:30:31,800 --> 01:30:33,960 Speaker 1: you gotta go to the you gotta go to the 1513 01:30:34,040 --> 01:30:36,679 Speaker 1: hole in the wall and get the money. You gotta 1514 01:30:36,720 --> 01:30:39,040 Speaker 1: go to the crevices of the hood and pick your 1515 01:30:39,080 --> 01:30:41,719 Speaker 1: back in up and it might be ten or fifteen grand. 1516 01:30:42,520 --> 01:30:44,960 Speaker 1: You gotta go pick it up. But you gotta be 1517 01:30:45,080 --> 01:30:47,080 Speaker 1: down there with the crips and the bloods and the 1518 01:30:47,160 --> 01:30:51,280 Speaker 1: little homes that's willing to do something for nothing. So 1519 01:30:51,439 --> 01:30:53,439 Speaker 1: a lot of them people go with that flag on 1520 01:30:53,640 --> 01:30:56,680 Speaker 1: and it's always in every ghetto. It's some it's some 1521 01:30:56,840 --> 01:31:00,840 Speaker 1: gang bangers. I remember when Wayne first grabbed it and 1522 01:31:00,920 --> 01:31:03,280 Speaker 1: he was all time hog man. They shut the city 1523 01:31:03,360 --> 01:31:05,720 Speaker 1: down and Bloods did for dude when he came through. 1524 01:31:07,200 --> 01:31:09,600 Speaker 1: You know what I'm saying, Like they was really representing 1525 01:31:10,560 --> 01:31:12,080 Speaker 1: you know what I mean. So what I'm saying is 1526 01:31:12,120 --> 01:31:14,280 Speaker 1: they go in at these cities and the and it 1527 01:31:14,439 --> 01:31:19,120 Speaker 1: provided them protection with these hoods in and out these 1528 01:31:19,160 --> 01:31:21,960 Speaker 1: cities all around the country, picking up that bag bag 1529 01:31:22,160 --> 01:31:26,360 Speaker 1: bag bag bag bag, you know, because if I'm banging 1530 01:31:26,439 --> 01:31:29,439 Speaker 1: this hood and they see me next to the real 1531 01:31:29,520 --> 01:31:31,720 Speaker 1: big home is stamped it. And then I go to 1532 01:31:31,880 --> 01:31:34,800 Speaker 1: North Carolina, they may not know me, but they know 1533 01:31:35,040 --> 01:31:38,040 Speaker 1: the real They know dude from LA who said, hey, 1534 01:31:38,360 --> 01:31:40,400 Speaker 1: look out for home, and you know he when you 1535 01:31:40,479 --> 01:31:44,240 Speaker 1: see him, you see me, and it's a respect there. 1536 01:31:44,600 --> 01:31:47,880 Speaker 1: But they representing the hood. They not gang bangers. And 1537 01:31:48,000 --> 01:31:50,439 Speaker 1: I liked that. I liked that verbiage and I liked 1538 01:31:50,520 --> 01:31:53,120 Speaker 1: that game, and that's why I needed to elaborate on it. 1539 01:31:53,240 --> 01:31:56,639 Speaker 1: Just a little tad bit more disrespect the soldier boy, 1540 01:31:57,000 --> 01:31:58,560 Speaker 1: that's my nephew. I got a lot of love with 1541 01:31:58,640 --> 01:32:01,680 Speaker 1: Chris Brown. I thought he was Chris Brown all his life, 1542 01:32:01,680 --> 01:32:08,000 Speaker 1: broad up dressed like I would never ever put soldier 1543 01:32:08,080 --> 01:32:12,519 Speaker 1: boy Chris Brown in a situation that they have to 1544 01:32:12,600 --> 01:32:15,120 Speaker 1: become who it took me thirty some years to become. 1545 01:32:16,000 --> 01:32:18,000 Speaker 1: It's not gonna happen. I'm not gonna do it in 1546 01:32:18,080 --> 01:32:20,680 Speaker 1: front of them. That's not them. See when you hear 1547 01:32:20,720 --> 01:32:24,920 Speaker 1: the word our card, right, if you pop the hood 1548 01:32:24,920 --> 01:32:27,360 Speaker 1: of your car, right and we take the radio out. 1549 01:32:27,680 --> 01:32:30,479 Speaker 1: Motherfucker ain't gonna run. Heads out. It ain't gonna run. 1550 01:32:30,640 --> 01:32:33,800 Speaker 1: It takes all the parts for this to run right. 1551 01:32:34,160 --> 01:32:37,960 Speaker 1: Everybody serves the purpose. Some shit don't know about the 1552 01:32:38,080 --> 01:32:40,719 Speaker 1: other thing. You understand what I'm saying. I got people 1553 01:32:40,720 --> 01:32:43,559 Speaker 1: from our neighborhood as fighters, never shot a gun, people 1554 01:32:43,680 --> 01:32:46,639 Speaker 1: that shoot us, never had a fight. People that's pips 1555 01:32:46,720 --> 01:32:48,680 Speaker 1: that don't want to do nothing, but people that just 1556 01:32:48,840 --> 01:32:51,439 Speaker 1: make money people, And that, to me is what makes 1557 01:32:51,520 --> 01:32:56,919 Speaker 1: people og static. Understanding the power, Understanding how to navigate, 1558 01:32:57,000 --> 01:33:00,400 Speaker 1: or understanding how to delegate, understanding how to protest to paid, 1559 01:33:00,560 --> 01:33:03,680 Speaker 1: understanding how to all these things is what makes me 1560 01:33:04,240 --> 01:33:07,880 Speaker 1: or what makes me look at you or someone like 1561 01:33:08,040 --> 01:33:12,560 Speaker 1: a big Homan og. My new album is called I 1562 01:33:12,760 --> 01:33:15,519 Speaker 1: was Big Homan when you met me, because a lot 1563 01:33:15,600 --> 01:33:17,800 Speaker 1: of people that's meeting me, you meet me in this 1564 01:33:18,000 --> 01:33:21,439 Speaker 1: current form. You know, if you didn't grow up with 1565 01:33:21,560 --> 01:33:23,680 Speaker 1: me when you met me, I had some level of 1566 01:33:23,880 --> 01:33:28,160 Speaker 1: understanding of everything that I was involved in. That makes 1567 01:33:28,240 --> 01:33:31,920 Speaker 1: me what I consider. That makes you what I consider. 1568 01:33:33,240 --> 01:33:36,720 Speaker 1: You understand me when you know how to you know 1569 01:33:36,880 --> 01:33:38,680 Speaker 1: when to pick it up, you know when to put 1570 01:33:38,760 --> 01:33:42,639 Speaker 1: it down. You know when to engage, you know when 1571 01:33:42,680 --> 01:33:47,479 Speaker 1: to retreat, you handle, you understand it. You got a 1572 01:33:47,640 --> 01:33:50,200 Speaker 1: nice handle on the game. Your interpretation is in a 1573 01:33:50,320 --> 01:33:56,040 Speaker 1: great place, your perception, you know. And so I'm intrigued 1574 01:33:56,200 --> 01:33:59,160 Speaker 1: with a certain level of understanding. And that's why a 1575 01:33:59,200 --> 01:34:01,559 Speaker 1: lot of these parts our kids don't do it for men, 1576 01:34:02,240 --> 01:34:05,919 Speaker 1: because that I'm intrigued with an understanding. You know. Sometimes 1577 01:34:06,000 --> 01:34:08,240 Speaker 1: I get on here and I got other size to me. 1578 01:34:10,000 --> 01:34:12,320 Speaker 1: I got size to me why I can joke and 1579 01:34:12,439 --> 01:34:15,840 Speaker 1: be funny and things like that and be more more 1580 01:34:16,200 --> 01:34:19,720 Speaker 1: you know, hit, you know this and that. But it 1581 01:34:19,880 --> 01:34:22,320 Speaker 1: takes something to brain that out of me. My natural 1582 01:34:22,439 --> 01:34:27,400 Speaker 1: state is this involvement. My natural state is bluetooth mold. 1583 01:34:27,840 --> 01:34:29,280 Speaker 1: What do you say? Why do you say that? I 1584 01:34:29,320 --> 01:34:31,920 Speaker 1: don't think that's the case. I'm saying, what do you do? Okay, 1585 01:34:32,240 --> 01:34:35,840 Speaker 1: just keep listening, Just keep listening. I could have thought 1586 01:34:35,840 --> 01:34:37,880 Speaker 1: you was wrong ten minutes ago, but I'm gonna keep 1587 01:34:37,920 --> 01:34:41,679 Speaker 1: listening to I know you're wrong. Listening to that again. 1588 01:34:41,760 --> 01:34:44,360 Speaker 1: I could have thought you was wrong ten minutes ago, 1589 01:34:44,439 --> 01:34:46,400 Speaker 1: but I'm gonna keep listening to I know you're wrong 1590 01:34:48,240 --> 01:34:50,760 Speaker 1: because I don't want to go off what I think. 1591 01:34:52,400 --> 01:34:54,439 Speaker 1: But there was a good interview with Wagon one hunter. 1592 01:34:54,600 --> 01:34:56,800 Speaker 1: You know, let's see what else we're gonna get into 1593 01:34:56,920 --> 01:34:59,599 Speaker 1: and then we'll get out of here. But Jill Man, 1594 01:35:00,240 --> 01:35:02,160 Speaker 1: you know, the game has a lot to offer. We 1595 01:35:02,280 --> 01:35:05,240 Speaker 1: got a lot to offer the game. You know. Um, 1596 01:35:05,680 --> 01:35:09,000 Speaker 1: we engaged, man, We really really really is engaged man. 1597 01:35:09,160 --> 01:35:15,640 Speaker 1: And again, if you support us, if you're riding with us, 1598 01:35:16,040 --> 01:35:18,400 Speaker 1: if you engage with us, if you're in this fight 1599 01:35:18,520 --> 01:35:22,519 Speaker 1: with us, you got to buy merch. You can't just 1600 01:35:22,800 --> 01:35:26,120 Speaker 1: come view it. You got to buy merch. You gotta 1601 01:35:26,240 --> 01:35:32,320 Speaker 1: buy things. You gotta buy things. You gotta fund the wall, 1602 01:35:34,080 --> 01:35:36,920 Speaker 1: you gotta you gotta engage with this thing. You gotta 1603 01:35:37,000 --> 01:35:40,519 Speaker 1: be a certain level of understanding. It's a lot of 1604 01:35:40,600 --> 01:35:44,280 Speaker 1: people watch it. It's a lot of people listening. We 1605 01:35:44,439 --> 01:35:47,479 Speaker 1: need y'll to We need yow to engage. Put us 1606 01:35:47,560 --> 01:35:50,880 Speaker 1: next to the mother dude. Let us shine on him 1607 01:35:51,640 --> 01:35:55,360 Speaker 1: and you represent the game. You know, let us shine 1608 01:35:55,400 --> 01:35:57,320 Speaker 1: on him. You know we will put together on any 1609 01:35:57,400 --> 01:36:02,080 Speaker 1: worry about it, next to whoever, next to whoever, It 1610 01:36:02,240 --> 01:36:07,280 Speaker 1: matters none, you know, So um, make sure y'all do that. Man. 1611 01:36:07,320 --> 01:36:11,840 Speaker 1: We'll appreciate y'all for listening to another episode. Uh, It's 1612 01:36:11,920 --> 01:36:16,400 Speaker 1: always a blast. Go stream Lunie Luciano. Dead ball this 1613 01:36:16,520 --> 01:36:20,400 Speaker 1: out right now, Go stream Luni Luciano was a big 1614 01:36:20,479 --> 01:36:23,360 Speaker 1: home and when you met miss out right now and 1615 01:36:24,560 --> 01:36:28,519 Speaker 1: just stay in bold. Let somebody know, shad to let 1616 01:36:28,640 --> 01:36:33,560 Speaker 1: somebody know we're gone. Man, We appreciate y'all. This is 1617 01:36:33,760 --> 01:36:37,759 Speaker 1: not the Joe Burdon podcast. This is not million dollars 1618 01:36:37,840 --> 01:36:41,479 Speaker 1: worth of game. This is not the Brilliant Idiots. DC 1619 01:36:41,760 --> 01:36:53,800 Speaker 1: is each up there podcast up there for nervous diamondyporters. 1620 01:36:53,880 --> 01:36:57,519 Speaker 1: I'm Ronnie nervous. Along the edge of the African continent. 1621 01:36:57,800 --> 01:37:00,760 Speaker 1: Black's an isolated coast with millions of diamonds have been 1622 01:37:00,840 --> 01:37:05,680 Speaker 1: hurled by a volcano into the sea for centuries, have 1623 01:37:05,760 --> 01:37:08,400 Speaker 1: been scattered by the waves. 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