1 00:00:00,680 --> 00:00:01,440 Speaker 1: Cut booms. 2 00:00:02,279 --> 00:00:05,360 Speaker 2: If you thought four hours a day, twelve hundred minutes 3 00:00:05,400 --> 00:00:09,200 Speaker 2: a week was enough, think again. He's the last remnants 4 00:00:09,200 --> 00:00:12,480 Speaker 2: of the old Republic, a sol fastion of fairness. He 5 00:00:12,560 --> 00:00:15,480 Speaker 2: treats crackheads in the ghetto gutter the same as the 6 00:00:15,600 --> 00:00:19,600 Speaker 2: rich pill poppers in the penthouse. Wow to Clearinghouse of 7 00:00:19,640 --> 00:00:23,480 Speaker 2: hot takes, break free for something special. The Fifth Hour 8 00:00:23,600 --> 00:00:29,360 Speaker 2: with Ben Mallard starts right now. 9 00:00:29,520 --> 00:00:36,600 Speaker 1: In the air eywhere the Fifth Hour with me Ben 10 00:00:36,720 --> 00:00:40,960 Speaker 1: Mallor A very happy Friday to you the calm before 11 00:00:41,040 --> 00:00:46,200 Speaker 1: the final four weekend just finished. The Overnight Show took 12 00:00:46,200 --> 00:00:51,600 Speaker 1: a little pause back in the audio. Dojoe the Sweatshop 13 00:00:51,800 --> 00:00:57,160 Speaker 1: does not stop on this third day of April, as 14 00:00:57,200 --> 00:00:59,920 Speaker 1: we have made it through another week on the over 15 00:01:00,120 --> 00:01:04,760 Speaker 1: Night Show, and on this edition of the Fifth Hour 16 00:01:04,840 --> 00:01:10,679 Speaker 1: podcast we have Casper say Hello to Casper, and if 17 00:01:10,680 --> 00:01:17,000 Speaker 1: that was not enough, we also have the wild tale 18 00:01:17,680 --> 00:01:20,360 Speaker 1: of a surprise visit that happened this week. But we 19 00:01:20,480 --> 00:01:25,600 Speaker 1: begin with this and I wanted to address what has 20 00:01:25,640 --> 00:01:29,080 Speaker 1: been going on in these parts on the podcast. So 21 00:01:29,200 --> 00:01:33,600 Speaker 1: there is a moment in every long running show, whether 22 00:01:33,640 --> 00:01:40,639 Speaker 1: it's radio, TV, some guy on YouTube that reviews gas 23 00:01:40,680 --> 00:01:46,640 Speaker 1: station tuna fish sandwiches. There's a moment when a very 24 00:01:46,640 --> 00:01:53,040 Speaker 1: familiar voice fades out and the consumer of the content 25 00:01:53,280 --> 00:01:58,960 Speaker 1: reacts like someone just pulled the Jenga block from the foundation. 26 00:01:59,320 --> 00:02:01,880 Speaker 1: Oh my god, what are you doing? So here we 27 00:02:01,920 --> 00:02:06,400 Speaker 1: are for those who missed the Sunday mail bag, I 28 00:02:06,440 --> 00:02:10,040 Speaker 1: will address the snuffle up figus in the room. Danny 29 00:02:10,080 --> 00:02:15,040 Speaker 1: g the longtime co pilot of the Fifth Hour podcast, 30 00:02:15,120 --> 00:02:19,919 Speaker 1: has been let's call it less visible than trying to 31 00:02:19,960 --> 00:02:24,040 Speaker 1: find a parking spot in Santa Monica at about five 32 00:02:24,080 --> 00:02:28,600 Speaker 1: o'clock or four o'clock and the after good luck. So 33 00:02:28,720 --> 00:02:32,800 Speaker 1: this led to a bunch of email and when I 34 00:02:32,880 --> 00:02:35,480 Speaker 1: say a bunch, at least half a dozen. At least 35 00:02:35,480 --> 00:02:39,640 Speaker 1: half a dozen. There were people sending random social media 36 00:02:39,720 --> 00:02:44,120 Speaker 1: messages in the carrier pigeons from the Malard Militia Deep 37 00:02:44,160 --> 00:02:47,360 Speaker 1: State Division. And I'm not going to go through all 38 00:02:47,360 --> 00:02:49,600 Speaker 1: the messages. I'm not going to read names here. The 39 00:02:50,000 --> 00:02:55,240 Speaker 1: general I'm gonna sum this up in a brief recap. 40 00:02:55,639 --> 00:02:59,960 Speaker 1: The messages were, was Danny fired, No, he was definitely fire. 41 00:03:00,720 --> 00:03:06,520 Speaker 1: Was Danny demoted? Absolutely? Did Coveno and Rich force Danny 42 00:03:07,040 --> 00:03:12,000 Speaker 1: to make some kind of loyalty, vow and leave the podcast. Yes, 43 00:03:12,040 --> 00:03:16,120 Speaker 1: they must have done that. Danny was reassigned to a 44 00:03:16,240 --> 00:03:22,600 Speaker 1: secret audio gulog somewhere in Maldova where bad takes go 45 00:03:22,720 --> 00:03:25,880 Speaker 1: to die. Those are the kind of messages I may 46 00:03:25,919 --> 00:03:28,120 Speaker 1: have embellished some of those. I may have embellished some 47 00:03:28,200 --> 00:03:30,520 Speaker 1: of those. And to that, I would like to quote 48 00:03:31,040 --> 00:03:38,440 Speaker 1: Aaron Rodgers. Relax, take a sip of whatever you sip, 49 00:03:38,560 --> 00:03:42,440 Speaker 1: and based on the listener feedback, I've gotten you guys 50 00:03:42,640 --> 00:03:47,680 Speaker 1: like you like some serious alcohol content. So Danny G 51 00:03:48,520 --> 00:03:53,120 Speaker 1: was not pushed. Danny G jumped, and not in a 52 00:03:53,200 --> 00:03:57,600 Speaker 1: dramatic reality show elimination way, more like a guy who 53 00:03:57,680 --> 00:04:02,360 Speaker 1: calmly hops off the treadmill after realizing even though I've 54 00:04:02,360 --> 00:04:05,400 Speaker 1: been on here for an hour, no one is going 55 00:04:05,440 --> 00:04:08,160 Speaker 1: to hand me a medal for being on the treadmill. 56 00:04:09,000 --> 00:04:12,160 Speaker 1: And it's burnout with a capital B. That's the headline. 57 00:04:12,240 --> 00:04:17,400 Speaker 1: Not sexy, not scandalous, doesn't end up on TMZ. However, 58 00:04:18,200 --> 00:04:20,760 Speaker 1: it's about as real as it gets, and to be fair, 59 00:04:20,839 --> 00:04:22,919 Speaker 1: to give you a little bit behind the story, Danny 60 00:04:22,960 --> 00:04:26,120 Speaker 1: G had told me months ago that he was planning 61 00:04:26,160 --> 00:04:30,120 Speaker 1: on quitting the podcast, that the Grind of doing this 62 00:04:30,240 --> 00:04:35,719 Speaker 1: every weekend was becoming a problem. And it makes sense. 63 00:04:36,320 --> 00:04:41,120 Speaker 1: Podcasting sounds easy, and for many it is pretty much. 64 00:04:41,160 --> 00:04:43,960 Speaker 1: Everyone's got a podcast, you just have to talk. But 65 00:04:44,040 --> 00:04:48,240 Speaker 1: to do a professional podcast and do it properly, there's 66 00:04:48,240 --> 00:04:50,560 Speaker 1: a lot that goes into it. You realize it's kind 67 00:04:50,560 --> 00:04:53,680 Speaker 1: of like hosting a dinner party every week where you 68 00:04:53,760 --> 00:04:59,640 Speaker 1: also have to cook clean, pretend you're interested for an hour. Eventually, 69 00:05:00,120 --> 00:05:04,560 Speaker 1: been the most talented of people start checking for the 70 00:05:04,560 --> 00:05:08,120 Speaker 1: off ramp, and Danny decided he wanted to exit. And 71 00:05:08,560 --> 00:05:10,680 Speaker 1: I'm not upset with Danny at all. I'm happy that 72 00:05:10,720 --> 00:05:12,800 Speaker 1: he did the podcast for as long as he did. 73 00:05:13,400 --> 00:05:16,440 Speaker 1: And Danny was trying to get more more shekels, and 74 00:05:16,880 --> 00:05:20,000 Speaker 1: something happened in our business years ago where they just 75 00:05:20,120 --> 00:05:25,880 Speaker 1: these media companies just don't give out more shekels. Doesn't 76 00:05:25,880 --> 00:05:28,480 Speaker 1: seem fair, but that's the way it works, and if 77 00:05:28,520 --> 00:05:33,279 Speaker 1: you've been listening closely, you could feel it. I did 78 00:05:33,320 --> 00:05:36,640 Speaker 1: get messages from some of the regulars who email me 79 00:05:36,800 --> 00:05:39,960 Speaker 1: on the mail bag and they're like, where's Danny been? 80 00:05:39,960 --> 00:05:42,880 Speaker 1: Why is Danny not here? What happened to Danny? And 81 00:05:42,920 --> 00:05:46,760 Speaker 1: this was several months ago, and I've noticed. I knew 82 00:05:46,760 --> 00:05:50,280 Speaker 1: this happened with the bus driver as well. You know, 83 00:05:50,400 --> 00:05:52,960 Speaker 1: you can kind of feel when the end is near. 84 00:05:53,080 --> 00:05:56,320 Speaker 1: Danny became a ghost. Not the scary kind of ghost. 85 00:05:56,360 --> 00:05:59,760 Speaker 1: There's nothing scary about it. More like Casper. If Casper 86 00:05:59,880 --> 00:06:04,680 Speaker 1: was scheduling conflicts almost every week, almost every week, the 87 00:06:04,800 --> 00:06:08,680 Speaker 1: timing just didn't line up, just didn't line up. The 88 00:06:08,800 --> 00:06:11,799 Speaker 1: energy didn't match, the vibe got sporadic, and it's unfortunate 89 00:06:11,920 --> 00:06:15,039 Speaker 1: this happens, you know. So we we on this, and 90 00:06:15,080 --> 00:06:17,680 Speaker 1: on my end, we did what radio lifers do. We adjusted, 91 00:06:17,680 --> 00:06:21,200 Speaker 1: we pivoted, and if somebody didn't want to do the 92 00:06:21,200 --> 00:06:24,000 Speaker 1: show with you, you grabbed the podcast Mike like a 93 00:06:24,040 --> 00:06:27,840 Speaker 1: Times Square Street performer who just lost his juggling partner 94 00:06:27,839 --> 00:06:30,520 Speaker 1: and decide, all right, fine, I'll just do some more 95 00:06:30,560 --> 00:06:34,400 Speaker 1: mallord monologues. And that's it. And here's the thing the 96 00:06:34,440 --> 00:06:36,400 Speaker 1: solo show. We'll get more into it, but the solo 97 00:06:36,480 --> 00:06:40,200 Speaker 1: show is its own experience. It's like watching a guy 98 00:06:40,440 --> 00:06:45,120 Speaker 1: play basketball one on one against himself. You gotta be 99 00:06:45,120 --> 00:06:48,320 Speaker 1: a little creative. There's gonna be some chaos and occasionally 100 00:06:48,360 --> 00:06:52,640 Speaker 1: you wonder who's winning the argument. And yeah, so yet 101 00:06:53,000 --> 00:06:57,599 Speaker 1: in the radio business og radio people I like to think, 102 00:06:57,720 --> 00:07:01,680 Speaker 1: especially of the overnight variety, then teach of overnight are 103 00:07:01,720 --> 00:07:06,640 Speaker 1: wired differently. Silence is the enemy. Dead air is the 104 00:07:06,800 --> 00:07:10,720 Speaker 1: boogie man, not the boogie woogie, the boogeyman. You fill 105 00:07:10,800 --> 00:07:14,760 Speaker 1: the space, even if it means debating yourself like a 106 00:07:14,800 --> 00:07:19,080 Speaker 1: caffeinated philosopher at some kind of weird Venice Beach drum 107 00:07:19,160 --> 00:07:21,440 Speaker 1: circle where for some reason they have torches. I don't 108 00:07:21,440 --> 00:07:24,240 Speaker 1: know why. Why do they have torches? I don't know now, 109 00:07:24,320 --> 00:07:28,920 Speaker 1: So even the greatest solo act eventually wants to become 110 00:07:29,840 --> 00:07:33,200 Speaker 1: someone that has a second voice, not necessarily a co 111 00:07:33,280 --> 00:07:38,920 Speaker 1: host carved in stone, however, someone to lob the conversational 112 00:07:39,000 --> 00:07:43,240 Speaker 1: tennis pall you know, back across the net, which brings 113 00:07:43,360 --> 00:07:46,360 Speaker 1: us to the new plan, which is the temporary plan, 114 00:07:46,760 --> 00:07:51,560 Speaker 1: which is Lucy Goosey flexible, mix in a little jazz improv, 115 00:07:51,680 --> 00:07:57,000 Speaker 1: keeping your jazz commercial free Friday and Saturday. For now, 116 00:07:57,040 --> 00:07:59,960 Speaker 1: this is obviously the Friday show and the Saturday show 117 00:08:00,120 --> 00:08:04,120 Speaker 1: as well. For now, I will ride solo. That'll be 118 00:08:04,160 --> 00:08:10,640 Speaker 1: a solo ride, not recommended. I will captain the audio ship, 119 00:08:11,000 --> 00:08:14,560 Speaker 1: hoping it does not hit an iceberg. Now Sunday. That 120 00:08:14,800 --> 00:08:17,679 Speaker 1: is where things will start getting interesting. In my head, 121 00:08:17,720 --> 00:08:20,440 Speaker 1: I have this idea. We'll see how this goes. We'll 122 00:08:20,440 --> 00:08:23,280 Speaker 1: have a rotating cast of and I say this in 123 00:08:23,280 --> 00:08:28,640 Speaker 1: air quotes, celebrity members of the Mallard Militia, big stars 124 00:08:28,680 --> 00:08:32,960 Speaker 1: of the Mallard Militia, someone from the extended universe stepping 125 00:08:33,200 --> 00:08:36,200 Speaker 1: into the big chair. As Mark Patrick used to say, 126 00:08:36,440 --> 00:08:40,520 Speaker 1: kind of like a guest drummer at a backyard jam session. 127 00:08:40,880 --> 00:08:44,679 Speaker 1: It's going to be unpredictable. It will definitely be at 128 00:08:44,760 --> 00:08:47,240 Speaker 1: least a little messy, and it should be some fun. 129 00:08:47,320 --> 00:08:49,720 Speaker 1: It should be some fun, because the truth is, nothing 130 00:08:50,800 --> 00:08:56,000 Speaker 1: in this business stays the same, not co host, not 131 00:08:56,720 --> 00:09:02,199 Speaker 1: time slots, not even careers. Now, David Gascon once held 132 00:09:02,280 --> 00:09:05,720 Speaker 1: down that chair, the Danny g Chair, which is now 133 00:09:06,000 --> 00:09:09,280 Speaker 1: the blank chair. Danny had that job for several years, 134 00:09:09,280 --> 00:09:12,559 Speaker 1: but David gag On, as he was called by Mike North, 135 00:09:12,960 --> 00:09:18,480 Speaker 1: had that gig and he traded it for Sunshine Early 136 00:09:18,559 --> 00:09:22,000 Speaker 1: Bird Dinners in Florida. He retired and went to a 137 00:09:22,040 --> 00:09:25,240 Speaker 1: convalescent home. And young guy to go to a convalescent home. 138 00:09:25,280 --> 00:09:27,400 Speaker 1: I don't know why he did. And it's not West 139 00:09:27,400 --> 00:09:30,240 Speaker 1: of the Four h five. I digress. So Danny g 140 00:09:30,480 --> 00:09:33,480 Speaker 1: is now helping out. He's talked about this on previous 141 00:09:33,520 --> 00:09:36,400 Speaker 1: episodes of the show. He's helping out at an elementary school, 142 00:09:37,160 --> 00:09:40,760 Speaker 1: which is either a noble life pivot or proof that 143 00:09:40,920 --> 00:09:45,480 Speaker 1: children have better looking agents than sports talk radio podcasts. 144 00:09:46,040 --> 00:09:49,120 Speaker 1: And I mentioned Roberto he's driving a school bus. Literally, 145 00:09:49,120 --> 00:09:51,319 Speaker 1: I'm not making that up. He quit radio to be 146 00:09:51,520 --> 00:09:57,160 Speaker 1: a school bus driver, which is mind blowing. The old 147 00:09:57,200 --> 00:10:02,000 Speaker 1: school radio heads will tell you that never used to happen. 148 00:10:02,800 --> 00:10:06,720 Speaker 1: People staying in their lanes, stay in your lane, held 149 00:10:06,720 --> 00:10:10,640 Speaker 1: their roles, wrote it out. However, this isn't that world. 150 00:10:11,600 --> 00:10:15,200 Speaker 1: Times changed, generations come and go, and it's not that 151 00:10:15,280 --> 00:10:19,000 Speaker 1: world anymore. This is the remix era, the gig economy 152 00:10:19,559 --> 00:10:26,240 Speaker 1: with podcast microphones. People shift priorities, change life, taps you 153 00:10:26,320 --> 00:10:29,640 Speaker 1: on the shoulder and says, eh, you know, maybe, yeah, yeah, 154 00:10:29,720 --> 00:10:32,240 Speaker 1: do something else for a while. Okay, that's fine. What 155 00:10:32,360 --> 00:10:35,320 Speaker 1: else should I do? I don't know. Here's an idea. 156 00:10:35,600 --> 00:10:40,640 Speaker 1: Let's do that now. The Fifth Hour is obviously not ending. No, 157 00:10:40,840 --> 00:10:43,240 Speaker 1: it is not. Until my contract runs out. I will 158 00:10:43,280 --> 00:10:47,319 Speaker 1: continue to do the Fifth Hour. It's just evolving. 159 00:10:47,559 --> 00:10:50,439 Speaker 2: Fox Sports Radio has the best sports talk lineup in 160 00:10:50,480 --> 00:10:53,839 Speaker 2: the nation. Catch all of our shows at Foxsports Radio 161 00:10:53,960 --> 00:10:58,080 Speaker 2: dot com and within the iHeartRadio app search FSR to 162 00:10:58,200 --> 00:10:58,839 Speaker 2: listen live. 163 00:10:59,640 --> 00:11:04,120 Speaker 1: Like a band that lost a guitarist but kept playing, 164 00:11:04,640 --> 00:11:07,760 Speaker 1: figuring out the sound as it goes, you just fake 165 00:11:07,800 --> 00:11:11,440 Speaker 1: it till you make it. And somewhere out there in 166 00:11:11,559 --> 00:11:18,040 Speaker 1: this pile of email, it's it's still gonna be. I'm 167 00:11:18,080 --> 00:11:20,360 Speaker 1: gonna I know, I'm gonna get messages six months from now. 168 00:11:20,600 --> 00:11:23,240 Speaker 1: Where did Danny Jingo? Why is Danny up in on 169 00:11:23,280 --> 00:11:26,360 Speaker 1: the podcast? I don't understand you know that whole thing. 170 00:11:26,880 --> 00:11:28,920 Speaker 1: And I get some of you are concerned. You don't 171 00:11:28,920 --> 00:11:33,920 Speaker 1: listen every week, and you self incriminate yourself. You are 172 00:11:34,000 --> 00:11:37,000 Speaker 1: you just incriminate yourself when you announced that. So you're 173 00:11:37,000 --> 00:11:41,400 Speaker 1: a little concern, you're curious, you're you're slightly unhinged, and 174 00:11:41,440 --> 00:11:43,800 Speaker 1: you're loyal, And for that I am grateful. I'm so 175 00:11:43,880 --> 00:11:47,320 Speaker 1: grateful that you're loyal, which in its own way is 176 00:11:47,440 --> 00:11:51,920 Speaker 1: very comforting in times of change. Right, great, It's wonderful 177 00:11:52,440 --> 00:11:56,959 Speaker 1: because as long as people care enough to ask the show, 178 00:11:57,040 --> 00:12:01,720 Speaker 1: whatever version, it is still very much alive, still very 179 00:12:01,880 --> 00:12:05,000 Speaker 1: very much alive. Now I've had several emails about the 180 00:12:05,040 --> 00:12:07,800 Speaker 1: Cincinnati meet and greet. We got an RSVP from the 181 00:12:07,880 --> 00:12:11,560 Speaker 1: legendary Tommy in Atlanta, Big Atlanta Braves fan Tommy, who 182 00:12:11,600 --> 00:12:14,440 Speaker 1: was at Charleston Meet and greet, plans on attending the 183 00:12:14,480 --> 00:12:17,719 Speaker 1: event in Cincinnati, so that's exciting. We look forward to that. 184 00:12:18,160 --> 00:12:21,560 Speaker 1: April twenty fifth, it's a Saturday. It'll be in the 185 00:12:21,640 --> 00:12:26,760 Speaker 1: afternoon at a venue to be named later, a venue 186 00:12:26,880 --> 00:12:30,720 Speaker 1: to be named later. So that's exciting. We look forward 187 00:12:30,720 --> 00:12:34,080 Speaker 1: to that. And then we've got Boston and that'll be 188 00:12:34,240 --> 00:12:39,320 Speaker 1: on May eighth and May ninth. Saturday is the event 189 00:12:39,360 --> 00:12:43,679 Speaker 1: in Worcester, the Wusox game, and then on Friday will 190 00:12:43,720 --> 00:12:46,000 Speaker 1: be at a venue in Boston. I think we're going 191 00:12:46,000 --> 00:12:47,360 Speaker 1: to the Red Sox game. So this gonna be like 192 00:12:47,360 --> 00:12:51,520 Speaker 1: a late night get together. We're night people. We're night people, 193 00:12:51,679 --> 00:12:54,840 Speaker 1: so we'll have a good time and might just go 194 00:12:54,920 --> 00:12:57,559 Speaker 1: bar hopping. One of my first ever mallor meet and 195 00:12:57,559 --> 00:13:02,120 Speaker 1: greets was with in Boston was with Mikey Adams Planet, 196 00:13:02,160 --> 00:13:10,360 Speaker 1: Mikey Radio Legend in Boston and Mikey Adams and his crew. 197 00:13:10,400 --> 00:13:12,800 Speaker 1: We went on a tour of some of the great 198 00:13:12,920 --> 00:13:16,600 Speaker 1: night spots in Boston, and it was a bit of 199 00:13:16,600 --> 00:13:18,760 Speaker 1: a puzzle. We had a good time. We had a 200 00:13:18,760 --> 00:13:21,440 Speaker 1: great time. It was fun. Rick in Boston, if you remember, 201 00:13:21,480 --> 00:13:24,480 Speaker 1: he died in a car accident tragically. He was one 202 00:13:24,480 --> 00:13:26,880 Speaker 1: of my guys in the Malain Militia, but he was 203 00:13:26,920 --> 00:13:28,720 Speaker 1: there that night. We had a great time. It was 204 00:13:28,720 --> 00:13:33,080 Speaker 1: a lot of good conversation, which generally I try to 205 00:13:33,120 --> 00:13:37,680 Speaker 1: avoid social interaction. That was fun. Now turning the page 206 00:13:37,679 --> 00:13:41,680 Speaker 1: on that Once upon a time in a kingdom hidden 207 00:13:41,800 --> 00:13:45,560 Speaker 1: beyond the clouds, which is how I would describe the 208 00:13:45,640 --> 00:13:49,760 Speaker 1: corner of Ventura and Sepulvida, at about two in the morning, 209 00:13:50,240 --> 00:13:53,520 Speaker 1: about two in the morning, a voice from Radio Past 210 00:13:53,800 --> 00:13:58,360 Speaker 1: paid a visit who wasn't well. Take a guess if 211 00:13:58,360 --> 00:14:00,800 Speaker 1: you were listening, you know, by the way, that is 212 00:14:00,840 --> 00:14:04,520 Speaker 1: how all great stories begin, right, Once upon a time, 213 00:14:05,000 --> 00:14:08,520 Speaker 1: All great stories just like a Disney movie, except that 214 00:14:08,559 --> 00:14:11,440 Speaker 1: won't cost you an arm and a leg, and instead 215 00:14:11,480 --> 00:14:15,559 Speaker 1: of princesses, it's just a guy who works overnight at 216 00:14:15,600 --> 00:14:19,880 Speaker 1: Amazon and part time at Walmart, which frankly feels more 217 00:14:19,920 --> 00:14:25,520 Speaker 1: relatable and also comes with better health benefits. So the 218 00:14:25,560 --> 00:14:30,840 Speaker 1: other day I got a text from Edmund Dallas steamboat 219 00:14:30,880 --> 00:14:36,280 Speaker 1: Willie Garcia. A few days, a few days prior to 220 00:14:36,520 --> 00:14:42,360 Speaker 1: the event that took place, I got this message. And listen, 221 00:14:43,200 --> 00:14:45,880 Speaker 1: get a message randomly from someone you don't talk to 222 00:14:46,040 --> 00:14:51,920 Speaker 1: very much anymore, and it's the especially from Eddie. It's 223 00:14:52,000 --> 00:14:54,880 Speaker 1: the modern equivalent of receiving a telegram from the Civil War. 224 00:14:55,000 --> 00:14:59,600 Speaker 1: Eddie doesn't text that often unless something's going on. Unless 225 00:14:59,600 --> 00:15:02,360 Speaker 1: something's going going on. And so Eddie said, Hey, I 226 00:15:02,400 --> 00:15:06,200 Speaker 1: got this deal. I want to run Baya. And you know, 227 00:15:06,240 --> 00:15:08,280 Speaker 1: the same Eddie who I worked with for over twenty 228 00:15:08,360 --> 00:15:11,840 Speaker 1: years at Fox Sports Radio, which in radio years is 229 00:15:11,920 --> 00:15:15,600 Speaker 1: roughly one hundred and thirty seven. And he said, our guy, 230 00:15:15,680 --> 00:15:20,000 Speaker 1: Siria Sean wanted to stop by Eddie wood chaperone, which 231 00:15:20,040 --> 00:15:23,920 Speaker 1: is appropriate because any time someone agrees to spend time 232 00:15:24,000 --> 00:15:29,080 Speaker 1: with me voluntarily, clearly adult supervision is at least strongly recommended. 233 00:15:29,720 --> 00:15:32,280 Speaker 1: So Sean, it turns out, is one of those people 234 00:15:32,320 --> 00:15:37,600 Speaker 1: who makes you feel lazy just by existing. The backstory 235 00:15:37,600 --> 00:15:42,560 Speaker 1: if you don't know, Sirias Sean grew up in southern California, 236 00:15:42,600 --> 00:15:47,920 Speaker 1: was a Mega MEGAMEGAMEGA fan, super fan of the show 237 00:15:47,960 --> 00:15:54,240 Speaker 1: in high school. Now pushing thirty, not quite thirty, pushing thirty, 238 00:15:54,280 --> 00:15:56,880 Speaker 1: living in the Valley of the Sun there in Phoenix, 239 00:15:56,960 --> 00:16:01,400 Speaker 1: working multiple jobs, grinding through the overnight shift like it's 240 00:16:01,440 --> 00:16:05,760 Speaker 1: a competitive sport. Now. Meanwhile, I of course considered a 241 00:16:05,800 --> 00:16:10,680 Speaker 1: productive day if I am able to shower, brush my teeth, 242 00:16:11,160 --> 00:16:16,720 Speaker 1: and eat one meal and that that's it. So after 243 00:16:16,920 --> 00:16:19,400 Speaker 1: driving all night, remember I was in Vegas. We'll tell 244 00:16:20,120 --> 00:16:24,920 Speaker 1: some stories about that over the weekend, probably tomorrow. So 245 00:16:25,040 --> 00:16:31,200 Speaker 1: after driving all night and the malomobile from Vegas, which 246 00:16:31,800 --> 00:16:37,320 Speaker 1: may or may not sound glamorous. If it does, you think, well, 247 00:16:37,320 --> 00:16:41,440 Speaker 1: that's great, until you realize it's just driving from Vegas 248 00:16:41,440 --> 00:16:46,080 Speaker 1: to La mostly involves Okay, I gotta I gotta hit 249 00:16:46,120 --> 00:16:51,120 Speaker 1: the urinal, so let's go to Baker. We'll stop in Baker. Okay, good, 250 00:16:51,160 --> 00:16:53,520 Speaker 1: we'll stop in Baker, no problem. Moving on from that, 251 00:16:53,600 --> 00:16:57,080 Speaker 1: all right, another pit stop and Barstow. I'm convinced they 252 00:16:57,240 --> 00:17:03,440 Speaker 1: timed out all of the different towns to accommodate the 253 00:17:03,520 --> 00:17:08,000 Speaker 1: amount of time a middle aged adult male will need 254 00:17:08,040 --> 00:17:11,440 Speaker 1: to go to the bathroom. It's about every hour, hour 255 00:17:11,480 --> 00:17:14,000 Speaker 1: and a half. Sometimes there's a stop or two hours, 256 00:17:14,000 --> 00:17:16,560 Speaker 1: and it's about what you need. So just a lot 257 00:17:16,560 --> 00:17:19,879 Speaker 1: of pit stops on the way back and some reflection 258 00:17:20,200 --> 00:17:23,720 Speaker 1: under the cover of darkness and Death Valley. So I 259 00:17:23,760 --> 00:17:27,199 Speaker 1: hopped in the car after driving all night, slept her 260 00:17:27,200 --> 00:17:31,080 Speaker 1: a few hours, and headed down from the north Woods 261 00:17:31,400 --> 00:17:36,879 Speaker 1: up to Sherman Oaks to the Premiere Networks facility again 262 00:17:37,040 --> 00:17:41,879 Speaker 1: Ventura and Sapalvda right across from the Cheesecake Factory. For 263 00:17:41,960 --> 00:17:45,280 Speaker 1: those scoring at home, the intersection of dreams, keep your 264 00:17:45,359 --> 00:17:48,040 Speaker 1: feet on the ground and keep reaching with his styes 265 00:17:48,800 --> 00:17:53,440 Speaker 1: and traffic. A lot of protests from Wokesters across the 266 00:17:53,480 --> 00:17:56,800 Speaker 1: street there and there was Eddie. There was Eddie. I 267 00:17:56,840 --> 00:18:00,840 Speaker 1: had not seen him since the Charger season ended. The 268 00:18:00,880 --> 00:18:04,800 Speaker 1: way Chargers season seasons almost always in my entire life. 269 00:18:04,920 --> 00:18:07,679 Speaker 1: Just kind of a shrug and a sigh and some 270 00:18:07,720 --> 00:18:12,320 Speaker 1: people asking questions. Wait, that's it. That's like we spent 271 00:18:12,480 --> 00:18:16,680 Speaker 1: a lot of time and this is all that happened. Now, 272 00:18:17,840 --> 00:18:20,120 Speaker 1: myself and Eddie. We used to do these mini meet 273 00:18:20,119 --> 00:18:25,120 Speaker 1: and greets at Sofi Stadium, or as Helmet Man insists, 274 00:18:25,280 --> 00:18:27,560 Speaker 1: Sofa Stadium. Haven't heard from Helmet Man in a while. 275 00:18:28,560 --> 00:18:32,600 Speaker 1: What's going on with that? Which is honestly more comfortable sounding, 276 00:18:32,960 --> 00:18:38,560 Speaker 1: you know, Sofi Stadium it's been about seventeen months since 277 00:18:38,680 --> 00:18:42,320 Speaker 1: Eddie got whacked. He got the pink slip, one year 278 00:18:42,440 --> 00:18:46,720 Speaker 1: and five months. Not that anyone's counting, all right, Not 279 00:18:46,840 --> 00:18:54,400 Speaker 1: that anyone's counting, except of course I am. Because when 280 00:18:54,440 --> 00:18:57,000 Speaker 1: you work with someone for as long as we work together, 281 00:18:57,680 --> 00:18:59,600 Speaker 1: and then all of a sudden, they're gone. And I 282 00:18:59,640 --> 00:19:02,280 Speaker 1: was in Kansas City when all this went down. I 283 00:19:02,359 --> 00:19:04,840 Speaker 1: had a great alibi. I was at the malar meetings 284 00:19:04,880 --> 00:19:08,320 Speaker 1: of the Chiefs game when news started trickling out. I 285 00:19:08,359 --> 00:19:10,679 Speaker 1: was at the Chiefs Broncos game. That's the one that 286 00:19:10,840 --> 00:19:14,600 Speaker 1: ended on the Chiefs special teams blocking the Broncos field goal, 287 00:19:15,080 --> 00:19:19,199 Speaker 1: a chip shot field goal. So that's that. And so 288 00:19:19,640 --> 00:19:21,520 Speaker 1: I was out of town and then all of a sudden, 289 00:19:21,600 --> 00:19:25,920 Speaker 1: Eddie's gone, and I'm getting all these phone calls, and yeah, 290 00:19:25,920 --> 00:19:30,000 Speaker 1: it's a plot twist. So Eddie became a big part 291 00:19:30,080 --> 00:19:33,800 Speaker 1: of the rhythm of the show goes without saying and 292 00:19:34,160 --> 00:19:37,879 Speaker 1: the dynamic I think Abbott and Costello, which is a 293 00:19:37,960 --> 00:19:41,000 Speaker 1: dated reference. But Eddie was the straight man, and I 294 00:19:41,280 --> 00:19:47,840 Speaker 1: was the babbling balloon filled with hot air, and Eddie 295 00:19:47,960 --> 00:19:52,080 Speaker 1: was the string keeping me from floating into low Earth orbit, 296 00:19:53,080 --> 00:19:57,520 Speaker 1: which seemingly almost happens on a nightly basis, and he 297 00:19:57,560 --> 00:19:59,680 Speaker 1: would help set me up. I of course would knock 298 00:19:59,680 --> 00:20:05,080 Speaker 1: it down on body blow, body blow, body blow, arm bar, 299 00:20:05,640 --> 00:20:10,960 Speaker 1: arm bar, timing, pacing, the whole dance. Don't believe in chemistry. 300 00:20:11,119 --> 00:20:15,160 Speaker 1: Just work well together. Just work well together. Now, since 301 00:20:15,320 --> 00:20:21,920 Speaker 1: Eddie was kicked out, no live updates all recorded, no 302 00:20:21,920 --> 00:20:24,439 Speaker 1: one to play off of, no one to play off of, 303 00:20:25,400 --> 00:20:27,680 Speaker 1: no one there to say, actually, you know, you shouldn't 304 00:20:27,680 --> 00:20:30,840 Speaker 1: have said it that way or that's not true, which, 305 00:20:30,920 --> 00:20:35,320 Speaker 1: as it turns out, was a very active part of 306 00:20:35,359 --> 00:20:39,720 Speaker 1: the show. I did not realize as much. So you've 307 00:20:39,760 --> 00:20:42,879 Speaker 1: had to adjust as a consumer. I have had to 308 00:20:42,920 --> 00:20:45,280 Speaker 1: adjust on this side of the microphone, which is a 309 00:20:45,320 --> 00:20:48,440 Speaker 1: polite way, I believe, a very polite way of saying 310 00:20:49,960 --> 00:20:53,040 Speaker 1: that I now argue with myself for a living. I 311 00:20:53,080 --> 00:20:57,160 Speaker 1: get paid a decent amount of money to argue with myself. 312 00:20:57,800 --> 00:21:03,479 Speaker 1: That's it. That's the gig. So low radio is a 313 00:21:03,680 --> 00:21:10,040 Speaker 1: dying art form, mostly because consultants and program directors say, well, it's. 314 00:21:10,080 --> 00:21:14,720 Speaker 3: Boring, boring, and it's not right and nobody can do 315 00:21:14,760 --> 00:21:19,520 Speaker 3: it by themselves and all this stuff, and it requires 316 00:21:19,560 --> 00:21:24,480 Speaker 3: you to be slightly unwell, slightly unwell. 317 00:21:25,560 --> 00:21:30,560 Speaker 1: In a charming, marketable way. You feel me on that 318 00:21:31,480 --> 00:21:39,240 Speaker 1: it's controlled schizophrenia for entertainment purposes. I remember hearing stories 319 00:21:39,280 --> 00:21:44,560 Speaker 1: about a legend in radio who did some stuff at 320 00:21:44,720 --> 00:21:47,679 Speaker 1: KFI and LA back on the day. Phil Henry had 321 00:21:47,680 --> 00:21:52,600 Speaker 1: a syndicated show, and Phil was the maestro of creating characters, 322 00:21:52,640 --> 00:21:56,280 Speaker 1: having conversations with those characters and just going for it. 323 00:21:56,960 --> 00:21:58,919 Speaker 1: And just he did it because he went to a 324 00:21:58,960 --> 00:22:01,879 Speaker 1: small radio station and they had nobody calling, and so 325 00:22:01,920 --> 00:22:06,399 Speaker 1: he just had to create this magic and he was 326 00:22:06,440 --> 00:22:08,960 Speaker 1: able to pull it off. A Hall of famer, and 327 00:22:09,040 --> 00:22:13,240 Speaker 1: it really does become schizophrenia in a controlled environment for 328 00:22:13,359 --> 00:22:18,080 Speaker 1: entertainment purposes. Only you need multiple voices in your head 329 00:22:18,200 --> 00:22:21,400 Speaker 1: at the same time, each with its own agenda. You've 330 00:22:21,440 --> 00:22:24,439 Speaker 1: got the outraged voice, the skeptical I'm very good with 331 00:22:24,440 --> 00:22:29,320 Speaker 1: the skeptical, the tired one, the one wondering if we 332 00:22:29,520 --> 00:22:32,159 Speaker 1: left the stove on. I've done that. I've gone to 333 00:22:32,200 --> 00:22:36,000 Speaker 1: the gym with the stove on. You rotate them and 334 00:22:36,080 --> 00:22:39,520 Speaker 1: it's like a pitching staff, or maybe a bullpen is 335 00:22:39,560 --> 00:22:42,560 Speaker 1: the better way to describe it. You've got different arm angles. 336 00:22:42,760 --> 00:22:45,560 Speaker 1: In my case, you've got different tones, different pacing. It 337 00:22:45,600 --> 00:22:50,840 Speaker 1: creates the illusion, the illusion of dialogue without anyone else 338 00:22:50,880 --> 00:22:53,600 Speaker 1: in the room. Without anyone else in the room. Now 339 00:22:53,600 --> 00:22:59,280 Speaker 1: we all have an internal monologue, that documentary voice that 340 00:22:59,359 --> 00:23:02,000 Speaker 1: announces to everyone else what you're doing. Of course, nobody 341 00:23:02,040 --> 00:23:05,000 Speaker 1: else here's that other than you, So in many ways 342 00:23:05,040 --> 00:23:08,239 Speaker 1: we all have a bit of schizophrenia. The moment you 343 00:23:08,280 --> 00:23:11,960 Speaker 1: start talking to those other voices, will that becomes something 344 00:23:12,040 --> 00:23:17,639 Speaker 1: of a medical concern at that point, So you rotate 345 00:23:17,680 --> 00:23:22,320 Speaker 1: it again like a bullpen, different tone, pacing. You have 346 00:23:22,400 --> 00:23:25,120 Speaker 1: to be very creative. You have to create the illusion 347 00:23:25,200 --> 00:23:28,119 Speaker 1: of dialogue without anyone else in the room. Why is 348 00:23:28,160 --> 00:23:29,960 Speaker 1: there no one else in the room? I don't know why, 349 00:23:30,160 --> 00:23:33,840 Speaker 1: which is either very impressive to some or concerning, depending 350 00:23:33,880 --> 00:23:37,560 Speaker 1: on your perspective. Now, think of it like playing tennis. 351 00:23:38,000 --> 00:23:40,920 Speaker 1: I guess it's called racketball, where you throw the you 352 00:23:41,000 --> 00:23:42,640 Speaker 1: hit the ball against the wall and hit it back 353 00:23:42,680 --> 00:23:47,800 Speaker 1: and all that. The wall always returns the ball, however, 354 00:23:47,920 --> 00:23:54,160 Speaker 1: you control the angle. The problem is sometimes the wall 355 00:23:54,280 --> 00:23:58,639 Speaker 1: starts winning and there's no one to sub it, no 356 00:23:58,840 --> 00:24:05,720 Speaker 1: commercial break. The gremlins attack, they win, There's no one 357 00:24:05,840 --> 00:24:09,640 Speaker 1: there where you turn and say, hey, you take this one. 358 00:24:09,720 --> 00:24:12,200 Speaker 1: I gotta go. I gotta go down to the toilet. 359 00:24:12,280 --> 00:24:14,520 Speaker 1: I gotta go to the powder room. It's just you, 360 00:24:14,520 --> 00:24:18,960 Speaker 1: your thoughts, and whatever questionable analogy you can stretch into 361 00:24:19,560 --> 00:24:21,520 Speaker 1: ten minutes of a radio show. 362 00:24:21,760 --> 00:24:24,639 Speaker 2: Fox Sports Radio has the best sports talk lineup in 363 00:24:24,680 --> 00:24:28,040 Speaker 2: the nation. Catch all of our shows at foxsports Radio 364 00:24:28,160 --> 00:24:32,280 Speaker 2: dot com and within the iHeartRadio app search FSR to 365 00:24:32,359 --> 00:24:33,040 Speaker 2: listen live. 366 00:24:33,960 --> 00:24:37,560 Speaker 1: So it's the one man band, the one man man 367 00:24:37,720 --> 00:24:42,280 Speaker 1: of broadcasting. You become that, right, Not the charming kind 368 00:24:42,320 --> 00:24:46,160 Speaker 1: to see at the county fair, the slightly concerning kind 369 00:24:46,200 --> 00:24:49,720 Speaker 1: where the guy has the harmonica strapped to his neck, 370 00:24:50,240 --> 00:24:55,200 Speaker 1: there's a bass drum on his back, symbols between his knees, 371 00:24:55,600 --> 00:25:00,199 Speaker 1: the tambourines tied to his limbs, and for reasons no 372 00:25:00,359 --> 00:25:04,000 Speaker 1: one on God's Green Earth can explain, there's a banjo there. 373 00:25:04,040 --> 00:25:07,120 Speaker 1: Why would there be a banjo? Why not a mandolin? 374 00:25:07,520 --> 00:25:11,800 Speaker 1: Dick from Dayton loves the mandolin. He's part of several bands. 375 00:25:11,840 --> 00:25:16,960 Speaker 1: Why the banjo? Now? Meanwhile, Eddie's out there doing what 376 00:25:17,040 --> 00:25:21,399 Speaker 1: he always wanted. Right now. Eddie's podcasting, carving out his 377 00:25:21,480 --> 00:25:26,080 Speaker 1: own lane. Stay in your lane. He's talking hockey without 378 00:25:26,280 --> 00:25:30,120 Speaker 1: me interrupting him every eleven seconds. So good for him, 379 00:25:31,119 --> 00:25:33,880 Speaker 1: and genuine I mean that mostly. I mean that mostly. 380 00:25:34,400 --> 00:25:37,640 Speaker 1: And as far as Sirius Shawn is concerned, he's standing 381 00:25:37,680 --> 00:25:41,680 Speaker 1: there taking it all in, probably wondering how the sausage 382 00:25:41,720 --> 00:25:45,679 Speaker 1: it gets made and realizing it's less gourmet kitchen and 383 00:25:45,760 --> 00:25:50,280 Speaker 1: more guy microwaving. Leftover is made in a lab in 384 00:25:50,359 --> 00:25:54,919 Speaker 1: Belarus at three in the morning. Just a lab in 385 00:25:55,000 --> 00:25:57,639 Speaker 1: Belarus at three in the morning. And yet that's the 386 00:25:57,640 --> 00:26:00,480 Speaker 1: beauty of it all. That's the beauty of it all. Radio, 387 00:26:01,040 --> 00:26:02,719 Speaker 1: which I fell in love with as a kid. Why 388 00:26:02,760 --> 00:26:04,359 Speaker 1: didn't I fall in love with TV? I fell in 389 00:26:04,359 --> 00:26:06,200 Speaker 1: love with radio. I was a fat kid. Fat kids 390 00:26:06,240 --> 00:26:10,280 Speaker 1: don't go on television. I love radio. So radio, especially 391 00:26:10,280 --> 00:26:14,240 Speaker 1: the overnights, is not supposed to be perfect. We are 392 00:26:14,359 --> 00:26:17,760 Speaker 1: definitely not perfect. It's supposed to feel like a conversation 393 00:26:18,080 --> 00:26:21,480 Speaker 1: you kind of stumbled into and you ease drop into 394 00:26:21,560 --> 00:26:24,800 Speaker 1: it and that's it. You spy on it. It was 395 00:26:24,840 --> 00:26:29,200 Speaker 1: a little messy, a little weird, occasionally insightful, often ridiculous 396 00:26:29,240 --> 00:26:33,840 Speaker 1: with a capital are like life. However, we have many 397 00:26:33,840 --> 00:26:36,719 Speaker 1: more hot takes on the radio show, and as I 398 00:26:36,760 --> 00:26:40,440 Speaker 1: sat there catching up with my long lost friend Eddie Garcia, 399 00:26:40,680 --> 00:26:44,359 Speaker 1: talking shop, swapping stories about great moments, meet and greets 400 00:26:44,359 --> 00:26:47,560 Speaker 1: with listeners, all that stuff. It hit me the show 401 00:26:48,160 --> 00:26:52,560 Speaker 1: has again changed. Of course it has. Everything changes, nothing 402 00:26:52,600 --> 00:26:55,359 Speaker 1: stays the same. However, the core of it, to me 403 00:26:55,520 --> 00:26:59,840 Speaker 1: is still the same, and it's a combination of you 404 00:27:00,640 --> 00:27:05,080 Speaker 1: being part of it, feeding the content kitty, and then 405 00:27:05,240 --> 00:27:09,480 Speaker 1: me with my nonsense. So that's all still the same. 406 00:27:09,600 --> 00:27:13,400 Speaker 1: You know. It's still just a guy, or in this case, 407 00:27:13,440 --> 00:27:17,040 Speaker 1: a slightly sleep deprived gas bag, talking into a microphone, 408 00:27:17,080 --> 00:27:20,879 Speaker 1: trying to make sense of the sporting world and occasionally, 409 00:27:22,040 --> 00:27:29,159 Speaker 1: certainly more on this podcast. You're my own thoughts. That's it. 410 00:27:29,240 --> 00:27:33,720 Speaker 1: And sometimes there's a co host, sometimes there isn't. Sometimes 411 00:27:33,720 --> 00:27:36,560 Speaker 1: you have a partner to set you up, and sometimes 412 00:27:37,119 --> 00:27:40,760 Speaker 1: you're just playing tennis against the wall again, hoping the 413 00:27:40,800 --> 00:27:44,800 Speaker 1: wall doesn't start talking back, although if it did at 414 00:27:44,800 --> 00:27:47,399 Speaker 1: this point I'd probably give it its own segment with 415 00:27:47,480 --> 00:27:51,800 Speaker 1: a creative name and sponsored by tire Rack or one 416 00:27:51,840 --> 00:27:55,120 Speaker 1: of our many other great sponsors like Wee Bowl. Meanwhile, 417 00:27:56,160 --> 00:27:59,000 Speaker 1: food he fun, We need some food, he fun. Oh 418 00:27:59,080 --> 00:28:00,880 Speaker 1: give me the rood? All right, good, I'm in the mood. 419 00:28:01,080 --> 00:28:03,640 Speaker 1: I'm in the mood, all right, footy fun. These are 420 00:28:03,680 --> 00:28:08,399 Speaker 1: food related stories, so this is exciting unless it's not. 421 00:28:09,680 --> 00:28:18,040 Speaker 1: The pickle flavored hydration very important, very important. And this 422 00:28:18,800 --> 00:28:24,200 Speaker 1: story on the food industry website says Grillo's Pickles, I'm 423 00:28:24,200 --> 00:28:27,240 Speaker 1: not a pickle guy. Grillo's Pickles and Liquid IV I 424 00:28:27,280 --> 00:28:34,720 Speaker 1: have used Liquid IV have formed a group. They're they're teasing. 425 00:28:35,080 --> 00:28:38,240 Speaker 1: They tease the idea online and now it's happening there. 426 00:28:38,280 --> 00:28:41,840 Speaker 1: You're gonna get I guess this is already available. The 427 00:28:41,920 --> 00:28:48,640 Speaker 1: Liquid IV plus Grillos Pickles drop Pickle Flavored Hydration is 428 00:28:48,680 --> 00:28:53,080 Speaker 1: the headline pickle flavored hydration mix available. I'll stick with 429 00:28:53,120 --> 00:28:56,280 Speaker 1: the strawberry. Thanks for asking. Now what else do we have? 430 00:28:57,040 --> 00:29:00,880 Speaker 1: Alf's gonna go buy seven cases at Costco and then 431 00:29:00,920 --> 00:29:03,600 Speaker 1: he's gonna go over to and say, well, I've had 432 00:29:03,720 --> 00:29:06,479 Speaker 1: enough at Costco. They've cut me off on that, so 433 00:29:06,560 --> 00:29:09,960 Speaker 1: I can't get any more of the pickle Liquid ivy, 434 00:29:10,680 --> 00:29:13,040 Speaker 1: So I'm going over Sam's Club and see what I get. Now, 435 00:29:13,600 --> 00:29:17,560 Speaker 1: moving on from that, Little Caesars has put four different 436 00:29:17,600 --> 00:29:22,680 Speaker 1: flavors in one pizza crust, so that seems like a 437 00:29:22,720 --> 00:29:27,040 Speaker 1: little much. I don't eat it Little Caesars, although there 438 00:29:27,120 --> 00:29:29,640 Speaker 1: is one near the market I go to to get 439 00:29:29,680 --> 00:29:34,120 Speaker 1: my tortillas and that place is always packed, always packed. Anyway, 440 00:29:34,160 --> 00:29:39,480 Speaker 1: The new pizza from Little Caesars takes a full pizza 441 00:29:39,480 --> 00:29:43,720 Speaker 1: crust and splits it into four sections. You've got cheese, pepperoni, jalapano, 442 00:29:43,840 --> 00:29:49,720 Speaker 1: and bacon before slicing everything into sixteen breadsticks. So that's 443 00:29:49,760 --> 00:29:51,480 Speaker 1: the way to go on that. Each order comes with 444 00:29:52,040 --> 00:29:55,760 Speaker 1: crazy sauce for dipping, turning it into a shareable situation. 445 00:29:56,680 --> 00:30:01,320 Speaker 1: So it sounds like it's perfect for parties, perfect for 446 00:30:01,400 --> 00:30:06,760 Speaker 1: parties and all that. And four and one stick at 447 00:30:07,000 --> 00:30:10,080 Speaker 1: eight dollars. They say prices may vary, which means in 448 00:30:10,120 --> 00:30:13,880 Speaker 1: California it's more expensive. What else do we have? KFC 449 00:30:13,960 --> 00:30:18,160 Speaker 1: in Spain has launched a fried chicken donor the kebab 450 00:30:19,240 --> 00:30:25,840 Speaker 1: with wild rotating sign stunt. Part of this well, I 451 00:30:25,880 --> 00:30:29,600 Speaker 1: love fried chicken. I've never seen fried chicken on a kebab. 452 00:30:30,160 --> 00:30:32,160 Speaker 1: I have to check that out now. We used to 453 00:30:32,160 --> 00:30:34,760 Speaker 1: have Danny g on this podcast. Danny loved Arby's. He 454 00:30:34,800 --> 00:30:37,920 Speaker 1: thought it was a Monday launtering operation. That was his take, 455 00:30:38,000 --> 00:30:41,720 Speaker 1: not mine. Arby's is offering a new dippable sandwich in 456 00:30:41,880 --> 00:30:45,520 Speaker 1: the in the Sandwich game in the it's the launch 457 00:30:45,560 --> 00:30:50,840 Speaker 1: of the French dip Royale at participating locations. This began 458 00:30:51,880 --> 00:30:56,080 Speaker 1: this week and another one of these stories are like, well, 459 00:30:56,120 --> 00:30:58,800 Speaker 1: that's that's not real. This must be April fools. But no, 460 00:30:58,920 --> 00:31:04,880 Speaker 1: it's it's supposedly legit. In French. Dip Royal features thinly 461 00:31:04,920 --> 00:31:10,680 Speaker 1: sliced roast beef topped with melted probolone, cheese, seasoned caramelized onions, garlic, 462 00:31:10,680 --> 00:31:15,040 Speaker 1: aolie and steak seasoning, all served on a toasted sub roll. 463 00:31:15,520 --> 00:31:18,560 Speaker 1: The new sub is available a la carte for a 464 00:31:18,600 --> 00:31:22,400 Speaker 1: suggested realtail price of about eight dollars. As part of 465 00:31:22,440 --> 00:31:25,680 Speaker 1: the combo meal, you get your choice of a medium 466 00:31:25,760 --> 00:31:29,320 Speaker 1: side and medium drink for twelve forty nine. This bad 467 00:31:29,400 --> 00:31:33,320 Speaker 1: boy has seven hundred and ten calories thirty one grams 468 00:31:33,320 --> 00:31:35,880 Speaker 1: of fat and give you the whole stat sheet. I 469 00:31:35,960 --> 00:31:40,000 Speaker 1: think we're good on that. Burger King has launched a 470 00:31:40,080 --> 00:31:48,200 Speaker 1: new peppercorn BLT Whopper, a new member to the Wopper family. Yes, 471 00:31:48,560 --> 00:31:53,760 Speaker 1: the launch of the again peppercorn BLT Whopper, which began 472 00:31:55,160 --> 00:31:59,880 Speaker 1: this week. Oh we had a hearty conversation, what's better? 473 00:32:00,960 --> 00:32:03,200 Speaker 1: Was it? Sene? No, no, no, it was not Shane. 474 00:32:03,240 --> 00:32:07,720 Speaker 1: It was our buddy Gunner from the Walmart, Minnesota, and 475 00:32:07,800 --> 00:32:11,080 Speaker 1: he died on the take that burger king better than McDonald's. 476 00:32:11,080 --> 00:32:14,080 Speaker 1: That was his original take, and he went with that 477 00:32:15,040 --> 00:32:20,720 Speaker 1: and a burger king in a long time in more 478 00:32:20,760 --> 00:32:23,160 Speaker 1: of a McDonald's guy. Not that I ate there either, 479 00:32:23,720 --> 00:32:26,680 Speaker 1: Not that I ate there either. All right, on that note, 480 00:32:26,680 --> 00:32:31,240 Speaker 1: we will get out of here. Have a wonderful, wonderful 481 00:32:32,040 --> 00:32:35,960 Speaker 1: rest of your Friday. Here. We'll have new podcasts on Saturday, 482 00:32:36,000 --> 00:32:43,000 Speaker 1: and again a Mystery mail Bag. Mystery mail Bag participant 483 00:32:43,000 --> 00:32:47,000 Speaker 1: will be in the Audio Hizzy on Sunday, barring some 484 00:32:47,240 --> 00:32:52,040 Speaker 1: kind of plot twist. So send your messages in Real 485 00:32:52,080 --> 00:32:55,560 Speaker 1: fifth Hour at gmail dot com, Real fifth Hour at 486 00:32:55,680 --> 00:33:00,760 Speaker 1: gmail dot com and we'll talk see you next time,