1 00:00:00,160 --> 00:00:02,680 Speaker 1: How has it been with your brother, the ups and 2 00:00:02,759 --> 00:00:03,320 Speaker 1: downs of that. 3 00:00:03,440 --> 00:00:05,560 Speaker 2: When we come together, it's like it's like the Backstreet Boys, 4 00:00:05,600 --> 00:00:09,520 Speaker 2: like twenty years We're gonna come together again, reunited. You 5 00:00:09,520 --> 00:00:11,560 Speaker 2: know what I'm saying. Do a Toy Boom new album. 6 00:00:12,600 --> 00:00:13,800 Speaker 2: We're gonna keep linking back up. 7 00:00:18,840 --> 00:00:21,479 Speaker 1: Hey, thanks for watching, guys. This episode is brought to 8 00:00:21,520 --> 00:00:26,000 Speaker 1: you by Blosmobile, young man from Mississippi who came up 9 00:00:26,040 --> 00:00:29,360 Speaker 1: with his brother and quietly became the voice behind four 10 00:00:29,400 --> 00:00:34,879 Speaker 1: Diamond records, including Sunflower, Unforgettable and Black Beatles from Beyonce 11 00:00:35,040 --> 00:00:39,040 Speaker 1: to Post Malone, Madonna and Travis Scott. He has been 12 00:00:39,080 --> 00:00:42,760 Speaker 1: the secret sauce for many artists for years, and now 13 00:00:42,800 --> 00:00:44,839 Speaker 1: for the first time. I can't even believe it's the 14 00:00:44,880 --> 00:00:45,480 Speaker 1: first time. 15 00:00:45,840 --> 00:00:46,360 Speaker 3: It's crazy. 16 00:00:46,600 --> 00:00:49,839 Speaker 1: Technically he is stepping out on his own with his 17 00:00:49,920 --> 00:00:52,800 Speaker 1: debut album, Same Difference Sway Lee's. 18 00:00:52,520 --> 00:00:55,360 Speaker 3: On IRL today, Yang Dang Yang, what's good? 19 00:00:55,440 --> 00:00:57,640 Speaker 1: What's good? What's good? What's happening? 20 00:00:58,240 --> 00:00:59,600 Speaker 3: Chilling man, glad to be here. 21 00:01:00,040 --> 00:01:02,480 Speaker 1: It's crazy that this is technically your debut album. 22 00:01:02,800 --> 00:01:05,040 Speaker 3: It's crazy like you're a new artist out here. Yeah. 23 00:01:05,040 --> 00:01:06,720 Speaker 3: I really had a unique career. 24 00:01:07,240 --> 00:01:11,480 Speaker 2: No debut and Diamond records, all these diamond records not bad. 25 00:01:12,200 --> 00:01:12,720 Speaker 3: It's crazy. 26 00:01:12,760 --> 00:01:13,880 Speaker 1: Did you plan it this way? 27 00:01:14,040 --> 00:01:15,840 Speaker 3: No? Nah, I definitely didn't. 28 00:01:16,200 --> 00:01:17,320 Speaker 1: Did you plan it at all? 29 00:01:17,720 --> 00:01:20,720 Speaker 2: I imagined it and just imagine what you know, success 30 00:01:20,720 --> 00:01:22,760 Speaker 2: would be with music. But I never expected to be 31 00:01:22,800 --> 00:01:23,640 Speaker 2: like this for Surey. 32 00:01:24,560 --> 00:01:25,920 Speaker 1: It wasn't set up for you. 33 00:01:26,000 --> 00:01:26,319 Speaker 4: Na, Na. 34 00:01:27,400 --> 00:01:28,720 Speaker 3: I had to jump a lot of hurdles. You know. 35 00:01:28,800 --> 00:01:30,440 Speaker 1: Yeah, I'm going to I'm going to talk to some 36 00:01:30,480 --> 00:01:34,600 Speaker 1: people that maybe don't know your whole story. But the 37 00:01:34,640 --> 00:01:35,520 Speaker 1: beginning was not. 38 00:01:36,200 --> 00:01:37,720 Speaker 3: It wasn't laid out. 39 00:01:37,840 --> 00:01:40,880 Speaker 1: What was the childhood like, maybe just paint the picture 40 00:01:40,880 --> 00:01:41,120 Speaker 1: of that. 41 00:01:41,240 --> 00:01:44,520 Speaker 2: I was born in la I had one brother, Slim Jimmy, 42 00:01:44,520 --> 00:01:48,200 Speaker 2: and my big brother was born in Englewood. We ended 43 00:01:48,240 --> 00:01:51,000 Speaker 2: up moving around a lot in La I slipping past 44 00:01:51,000 --> 00:01:53,400 Speaker 2: the deen at one point in time, sleeping on the floor, 45 00:01:53,400 --> 00:01:54,880 Speaker 2: you know, saying my mom trying to figure it out. 46 00:01:57,080 --> 00:01:59,160 Speaker 2: Long story short, my mom and my stepdad. We ended 47 00:01:59,200 --> 00:02:02,360 Speaker 2: up moving to Mississippi just growing up there, you know 48 00:02:02,400 --> 00:02:04,640 Speaker 2: what I'm saying. In the country, Yeah, country is hell. 49 00:02:05,720 --> 00:02:08,120 Speaker 2: I stayed in apartments. I stayed in type of stuff. 50 00:02:08,880 --> 00:02:09,240 Speaker 3: I remember. 51 00:02:09,240 --> 00:02:11,839 Speaker 2: I stayed in apartment in f fifty eight in these 52 00:02:13,080 --> 00:02:16,639 Speaker 2: It was an apartment complex called Evergreen Square, so I 53 00:02:16,720 --> 00:02:17,280 Speaker 2: used to live there. 54 00:02:17,360 --> 00:02:19,160 Speaker 3: Boom came up, started messing with music. 55 00:02:19,639 --> 00:02:21,720 Speaker 1: When do you find the music? When does that happen? 56 00:02:22,320 --> 00:02:24,520 Speaker 2: My mom got in the military, so we was moving 57 00:02:24,560 --> 00:02:26,840 Speaker 2: around and I ended up moving to Texas, so I moved. 58 00:02:26,880 --> 00:02:32,400 Speaker 2: I moved to Clean, Texas. How old I think I 59 00:02:32,480 --> 00:02:34,639 Speaker 2: might have been like eight or nine or something like that. 60 00:02:35,480 --> 00:02:38,160 Speaker 2: And then my dad's my stepdad's hold me. His name 61 00:02:38,240 --> 00:02:40,880 Speaker 2: was King James, and he ended up bringing this software. 62 00:02:40,880 --> 00:02:42,560 Speaker 2: It's called fruity Loops, so that's what you make the 63 00:02:42,560 --> 00:02:46,320 Speaker 2: beats on. And this is like fruity Loops two freey 64 00:02:46,320 --> 00:02:48,920 Speaker 2: loops one and two, like the early versions. So I 65 00:02:48,960 --> 00:02:51,520 Speaker 2: just started making beats and stuff, started experimenting with it. 66 00:02:51,560 --> 00:02:54,079 Speaker 2: Boom sound like shit, but. 67 00:02:54,200 --> 00:02:57,760 Speaker 5: Just out the blue, like no introduction, no manual, no 68 00:02:57,919 --> 00:03:06,160 Speaker 5: like you just yeah no mans like. 69 00:03:03,280 --> 00:03:05,480 Speaker 3: It ain't made no sense like. But then I just 70 00:03:05,480 --> 00:03:07,399 Speaker 3: started learning it and just got better and better. 71 00:03:07,560 --> 00:03:09,200 Speaker 1: What made him get you that in the first place, 72 00:03:10,000 --> 00:03:11,080 Speaker 1: I don't know. 73 00:03:11,160 --> 00:03:11,520 Speaker 3: I don't know. 74 00:03:11,560 --> 00:03:14,600 Speaker 2: Maybe because it was turned like we were just running 75 00:03:14,600 --> 00:03:16,360 Speaker 2: around heaving like a lot of it was you like 76 00:03:16,360 --> 00:03:19,880 Speaker 2: an artistic kid, or like I might have been. I'm 77 00:03:19,880 --> 00:03:22,080 Speaker 2: just thinking I'm normal, you know, IM saying, running around probably 78 00:03:22,160 --> 00:03:25,040 Speaker 2: singing and just doing whatever like he was like King 79 00:03:25,120 --> 00:03:28,360 Speaker 2: James dis messed with that right there, gil Son like boom, 80 00:03:28,480 --> 00:03:30,600 Speaker 2: and I ended up started like using it for real. 81 00:03:31,440 --> 00:03:36,160 Speaker 5: And then you when did you know you were good? 82 00:03:36,920 --> 00:03:38,840 Speaker 3: I always just thought it was cool music I was making. 83 00:03:39,200 --> 00:03:43,800 Speaker 2: But then probably like high school, my whole school, they 84 00:03:43,880 --> 00:03:45,560 Speaker 2: voted me like most likely to get famous. 85 00:03:45,640 --> 00:03:47,680 Speaker 1: Oh so something was going on with you? Yeah, it 86 00:03:47,840 --> 00:03:49,200 Speaker 1: was something that people were singing. 87 00:03:49,400 --> 00:03:50,800 Speaker 3: I was rapping at lunch, you know what I'm saying. 88 00:03:50,800 --> 00:03:53,440 Speaker 2: I was that kid like rapping at lunch, performing at 89 00:03:53,440 --> 00:03:54,320 Speaker 2: the talent shows. 90 00:03:54,360 --> 00:03:55,960 Speaker 1: But are you confident? Are you? Like? 91 00:03:56,280 --> 00:03:58,240 Speaker 3: Yeah, that's just what I think I'm supposed to be doing. 92 00:03:58,240 --> 00:04:00,480 Speaker 2: I'm doing that just like every day, like second in nature, 93 00:04:00,760 --> 00:04:05,480 Speaker 2: just confident music. Yeah, Walmart clothes on popping it, you 94 00:04:05,480 --> 00:04:09,080 Speaker 2: know what I'm saying, through store clothes, whatever it was, 95 00:04:09,080 --> 00:04:09,720 Speaker 2: I'm popping it. 96 00:04:09,760 --> 00:04:11,280 Speaker 1: Like, but what is that? So how do you get that? 97 00:04:11,360 --> 00:04:12,720 Speaker 1: Where does that confidence come from? 98 00:04:12,800 --> 00:04:15,000 Speaker 2: It's just having fun, you know what I'm saying, Having friends, 99 00:04:15,040 --> 00:04:17,600 Speaker 2: like because it was me my bro and then my 100 00:04:17,640 --> 00:04:19,680 Speaker 2: other homie and we used to always just ye be 101 00:04:19,720 --> 00:04:22,120 Speaker 2: on the music stuff, like even in school we make 102 00:04:22,200 --> 00:04:22,720 Speaker 2: songs together. 103 00:04:23,000 --> 00:04:23,400 Speaker 1: Popular. 104 00:04:24,760 --> 00:04:26,880 Speaker 2: I was popular, but not like the regular popular, Like 105 00:04:26,920 --> 00:04:30,560 Speaker 2: everybody knew me, Like the geeks knew me, athletes knew me, 106 00:04:30,600 --> 00:04:35,720 Speaker 2: the hood kids knew me, white kids knew everybody. Yeah, 107 00:04:35,800 --> 00:04:39,120 Speaker 2: but I'm not necessarily like I don't know if I 108 00:04:39,160 --> 00:04:40,680 Speaker 2: was considered like the cool kid. You know, I'm saying, 109 00:04:40,680 --> 00:04:42,840 Speaker 2: I'm just like the kid right now that I'm in 110 00:04:42,920 --> 00:04:44,280 Speaker 2: the project. You know, I'm at the parties on the 111 00:04:44,279 --> 00:04:44,760 Speaker 2: skateing rink. 112 00:04:45,720 --> 00:04:46,240 Speaker 3: I'm cool. 113 00:04:46,240 --> 00:04:48,719 Speaker 2: I'm I'm just cool with everybody. Yeah, I'm just a 114 00:04:48,800 --> 00:04:51,680 Speaker 2: nice cool look here. Like for the projects. You know 115 00:04:51,680 --> 00:04:53,719 Speaker 2: what I'm saying, that's rapping, be loud all the time. 116 00:04:53,839 --> 00:04:59,320 Speaker 5: You know they got the crazy crazy they used to 117 00:04:59,360 --> 00:05:01,360 Speaker 5: do all the record songs on that on that. 118 00:05:02,360 --> 00:05:04,800 Speaker 3: If they made reggaetone songs on that's that's a different bounce. 119 00:05:04,800 --> 00:05:05,159 Speaker 3: I can see. 120 00:05:05,160 --> 00:05:07,320 Speaker 2: I can never figure out the reggaetne bounce on Fury Loops. 121 00:05:07,480 --> 00:05:09,880 Speaker 2: Definitely can make like trap songs and like R and 122 00:05:09,920 --> 00:05:11,880 Speaker 2: B songs with Frey Loops for sure. 123 00:05:11,920 --> 00:05:14,479 Speaker 5: And then what about the writing. That's been a big 124 00:05:14,480 --> 00:05:16,240 Speaker 5: thing for you too, Like when did you know, like 125 00:05:16,960 --> 00:05:17,719 Speaker 5: I'm a good writer. 126 00:05:19,720 --> 00:05:20,040 Speaker 3: Mmm. 127 00:05:21,360 --> 00:05:22,840 Speaker 2: I had made this one song when I first started 128 00:05:22,839 --> 00:05:26,640 Speaker 2: messing with it with auto tune, Like, I went on 129 00:05:26,680 --> 00:05:28,160 Speaker 2: YouTube and I just learned how to like do the 130 00:05:28,200 --> 00:05:32,960 Speaker 2: autotune settings. I remember I had search auto tune settings 131 00:05:33,000 --> 00:05:36,560 Speaker 2: like t pain bom and YouTube like it showed you 132 00:05:36,600 --> 00:05:38,200 Speaker 2: how to do it, so boom. I just like tweaked 133 00:05:38,200 --> 00:05:40,719 Speaker 2: my ship from there and I made this song like 134 00:05:40,800 --> 00:05:43,840 Speaker 2: it's called all Along, and it was just it was 135 00:05:43,880 --> 00:05:45,640 Speaker 2: just different, you know what I'm saying. If people was 136 00:05:45,680 --> 00:05:48,200 Speaker 2: got damn crying to it and too like vib into it, 137 00:05:48,440 --> 00:05:49,920 Speaker 2: like telling me it was like one of the ones 138 00:05:50,000 --> 00:05:50,600 Speaker 2: and you would. 139 00:05:50,400 --> 00:05:52,400 Speaker 1: Let people hear and you put it, you put everything out. 140 00:05:52,480 --> 00:05:54,320 Speaker 3: Yeah, I put it on YouTube. Actually I put on 141 00:05:54,320 --> 00:05:57,240 Speaker 3: my Space. I put on YouTube everything for sure. 142 00:05:57,320 --> 00:05:59,560 Speaker 1: So but mostly it's a small audience at that point. 143 00:05:59,400 --> 00:06:00,840 Speaker 3: Right, it's just like seven thousand. 144 00:06:00,880 --> 00:06:02,719 Speaker 1: Yeah, that's a lot of people. 145 00:06:02,760 --> 00:06:05,880 Speaker 5: For not being famous, that's a lot of people, right, 146 00:06:06,040 --> 00:06:08,200 Speaker 5: Like for somebody who's local to hear put people here 147 00:06:08,240 --> 00:06:08,920 Speaker 5: that you have music. 148 00:06:09,080 --> 00:06:10,120 Speaker 3: Yeah, I thought I thought it was a lot of 149 00:06:10,160 --> 00:06:10,719 Speaker 3: the time too. 150 00:06:10,800 --> 00:06:11,760 Speaker 1: You thought you was popping. 151 00:06:12,320 --> 00:06:15,039 Speaker 3: I'm like they listening like we gotta draw something again. 152 00:06:16,600 --> 00:06:18,600 Speaker 5: But did you have big dreams or did you think, 153 00:06:18,680 --> 00:06:20,440 Speaker 5: like I'm gonna really do this. 154 00:06:20,480 --> 00:06:21,560 Speaker 3: Like, yeah, I want. 155 00:06:21,640 --> 00:06:23,160 Speaker 2: I definitely wanted to get out of the city because 156 00:06:23,160 --> 00:06:25,800 Speaker 2: my city was like it really was nothing there, but 157 00:06:25,880 --> 00:06:28,719 Speaker 2: I was it was like close to Memphis, It's close 158 00:06:28,760 --> 00:06:30,880 Speaker 2: to Atlanta and just bigger cities, you. 159 00:06:30,880 --> 00:06:32,240 Speaker 3: Know what I'm saying. 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When 184 00:07:45,560 --> 00:07:47,240 Speaker 1: did you and your brother decided he was going to 185 00:07:47,320 --> 00:07:48,120 Speaker 1: go at this together? 186 00:07:49,680 --> 00:07:50,240 Speaker 3: Probably like. 187 00:07:53,400 --> 00:07:56,000 Speaker 2: All through high school he was doing it, but fresh 188 00:07:56,040 --> 00:07:58,680 Speaker 2: out of high school, like all like we end up 189 00:07:58,680 --> 00:08:00,240 Speaker 2: get kicked out of the house basically, you know what 190 00:08:00,240 --> 00:08:01,600 Speaker 2: I'm saying, because we was loud, Like we was on 191 00:08:01,640 --> 00:08:04,400 Speaker 2: the computer, going to talent shows and then coming home 192 00:08:04,480 --> 00:08:08,760 Speaker 2: late past twelve, so it's like the door just be 193 00:08:08,800 --> 00:08:10,080 Speaker 2: locked sometimes, you know what I'm saying, Like we tried 194 00:08:10,080 --> 00:08:11,240 Speaker 2: to come back home, the door be locked. 195 00:08:11,240 --> 00:08:13,600 Speaker 3: So we'll be like one day we just came home, 196 00:08:13,640 --> 00:08:14,320 Speaker 3: the door was locked. 197 00:08:14,320 --> 00:08:16,520 Speaker 2: We're working McDonald's wood at this time, so we just 198 00:08:16,800 --> 00:08:20,360 Speaker 2: stacking our bread like boom So. I came home one 199 00:08:20,440 --> 00:08:23,320 Speaker 2: day the door was locked. I'm just like, Damn, bro, 200 00:08:23,960 --> 00:08:25,960 Speaker 2: I ain't doing that. I'm going to get my own house, 201 00:08:25,960 --> 00:08:28,320 Speaker 2: you know what I'm saying. Boom, I'm trying to you 202 00:08:28,360 --> 00:08:30,240 Speaker 2: know what I'm saying, build some of myself a boom. 203 00:08:30,640 --> 00:08:31,200 Speaker 3: Door locked. 204 00:08:31,720 --> 00:08:33,760 Speaker 2: I'm like, damn, let me do this. Ship locked for real, 205 00:08:33,840 --> 00:08:35,560 Speaker 2: like damn little nigga. Me and my bro like we 206 00:08:35,559 --> 00:08:37,760 Speaker 2: can't get at the crib. Boom So we got there. 207 00:08:37,960 --> 00:08:40,160 Speaker 2: We go sleep in the car for the last night. Boom, 208 00:08:40,480 --> 00:08:43,160 Speaker 2: stack our money, boom and just get this like raggedy 209 00:08:43,200 --> 00:08:46,440 Speaker 2: ass crib whatever, water running, you know what I'm saying, 210 00:08:46,520 --> 00:08:46,959 Speaker 2: lights on. 211 00:08:47,040 --> 00:08:49,920 Speaker 3: Boom wow. Basically boom So. 212 00:08:49,960 --> 00:08:52,280 Speaker 2: We posted up there for like a couple of years, 213 00:08:53,120 --> 00:08:55,560 Speaker 2: and one of our homies his name was DJ Shrimp, 214 00:08:56,200 --> 00:08:59,720 Speaker 2: So his name was JaMarcus, and his cousins they made 215 00:08:59,720 --> 00:09:04,800 Speaker 2: beat for Mike Will basically, so it's just like crazy alignment. 216 00:09:04,800 --> 00:09:05,440 Speaker 3: I don't even know how this. 217 00:09:06,000 --> 00:09:08,440 Speaker 2: It's like random, his cousin making beasts for Mike Will 218 00:09:08,440 --> 00:09:10,199 Speaker 2: and the ear drummers, and they making beats for like 219 00:09:10,480 --> 00:09:13,160 Speaker 2: Rick Ross, all the superstars at the time. 220 00:09:13,160 --> 00:09:14,760 Speaker 3: You know, they got the hardest beats. Mike Will. 221 00:09:15,280 --> 00:09:18,040 Speaker 2: Mike Will made it shout out, Mike Will made it Boom. 222 00:09:18,320 --> 00:09:19,760 Speaker 2: So they telling us keep making songs. 223 00:09:19,800 --> 00:09:20,800 Speaker 1: That's not a small plug. 224 00:09:20,840 --> 00:09:23,160 Speaker 3: That's no, it ain't small. It ain't small plug. 225 00:09:23,520 --> 00:09:25,040 Speaker 2: It's just like like, what are the eyes it is 226 00:09:25,120 --> 00:09:27,240 Speaker 2: your cousin, Like, yeah, you know what I'm saying. So 227 00:09:27,800 --> 00:09:29,920 Speaker 2: they telling us come to Atlanta. They start hearing our music, 228 00:09:30,520 --> 00:09:32,280 Speaker 2: like y'all come to Atlanta, come fuck with us, Like 229 00:09:32,440 --> 00:09:33,679 Speaker 2: you know what I'm saying. We're gonna were gonna help 230 00:09:33,720 --> 00:09:35,760 Speaker 2: y'all get to where you're trying to go, so we're 231 00:09:35,760 --> 00:09:36,480 Speaker 2: gonna turn you all up. 232 00:09:36,679 --> 00:09:39,320 Speaker 3: So Boom. We saved all our money. We had a little. 233 00:09:39,080 --> 00:09:41,400 Speaker 2: Apartment too at this time. We moved up to an apartment, 234 00:09:41,440 --> 00:09:44,920 Speaker 2: like a better apartment. Niggas, you just taking no friends 235 00:09:44,320 --> 00:09:47,040 Speaker 2: and you and your brother, me and my brother, and 236 00:09:47,080 --> 00:09:49,199 Speaker 2: we had a third member at the time. His name 237 00:09:49,240 --> 00:09:53,000 Speaker 2: was Bobo Sway, so Boom. He had a truck and 238 00:09:53,000 --> 00:09:55,520 Speaker 2: ship too, so Boom. We had out the bands. 239 00:09:55,520 --> 00:09:58,360 Speaker 3: We stacked our money up, maybe like seven hundred dollars. 240 00:09:58,480 --> 00:10:00,560 Speaker 2: Jimmy had I don't know, like five hundred dollar or something, 241 00:10:00,640 --> 00:10:02,200 Speaker 2: and Bubbo had a couple of dollars suit in the 242 00:10:02,240 --> 00:10:06,440 Speaker 2: truck boom. So we finally told be nasty. That was 243 00:10:06,440 --> 00:10:09,520 Speaker 2: air drummer homie like JaMarcus cousin. So when we told 244 00:10:09,559 --> 00:10:11,079 Speaker 2: them were finish, come to Atlanta, you know what I'm saying, 245 00:10:11,080 --> 00:10:12,400 Speaker 2: were gonna see how we want to see what we 246 00:10:12,400 --> 00:10:16,199 Speaker 2: can do. And you're how old, like seventeen eighteen? 247 00:10:16,480 --> 00:10:18,360 Speaker 1: Shit, that's the ambitious. 248 00:10:18,640 --> 00:10:20,079 Speaker 3: Yeah, yeah, you. 249 00:10:20,080 --> 00:10:22,720 Speaker 1: Think about it now, like a seventeen year old thinking 250 00:10:22,720 --> 00:10:26,400 Speaker 1: about going to another state and chasing a dream that 251 00:10:26,640 --> 00:10:29,000 Speaker 1: a lot of people would think it's not even a 252 00:10:29,120 --> 00:10:31,840 Speaker 1: real possibly. 253 00:10:31,840 --> 00:10:32,560 Speaker 3: I think it's impossible. 254 00:10:32,679 --> 00:10:36,080 Speaker 2: I think it's impossible, and everybody like they telling us 255 00:10:36,120 --> 00:10:38,600 Speaker 2: is far fetched, you know what I'm saying. But niggas 256 00:10:38,600 --> 00:10:41,840 Speaker 2: just believing, like what everything we got we just believe in, 257 00:10:41,880 --> 00:10:43,600 Speaker 2: like we know it's gonna happen, like we just feel it. 258 00:10:43,640 --> 00:10:45,800 Speaker 3: We believed that right right, and we're gonna make it happen. 259 00:10:46,000 --> 00:10:47,760 Speaker 3: We're gonna do the work basically. 260 00:10:47,800 --> 00:10:52,240 Speaker 5: So Yo, when your mother locks the door on you, yeah, 261 00:10:52,480 --> 00:10:55,440 Speaker 5: what what gets her to that point? 262 00:10:55,760 --> 00:10:57,920 Speaker 2: Probably because I ain't gonna she had three boys, like 263 00:10:58,559 --> 00:11:00,560 Speaker 2: it's three boys like we have and as much as 264 00:11:00,600 --> 00:11:02,320 Speaker 2: we can. But I get it, Like she had a 265 00:11:02,320 --> 00:11:05,840 Speaker 2: boyfriend and stuff. Yeah, definitely, definitely. I put viruses on 266 00:11:05,880 --> 00:11:08,040 Speaker 2: the computer and shit, you know I'm saying to crack 267 00:11:08,040 --> 00:11:09,720 Speaker 2: out of software loud. 268 00:11:09,840 --> 00:11:11,880 Speaker 1: Was she trying to regulate you? Like? Was she giving 269 00:11:11,920 --> 00:11:13,640 Speaker 1: you like curfews. 270 00:11:13,240 --> 00:11:15,040 Speaker 2: Or yeah, she gave us that like a twelve o'clock 271 00:11:15,040 --> 00:11:17,240 Speaker 2: curfey for show. But it's then you were like, we 272 00:11:17,320 --> 00:11:19,040 Speaker 2: got to go way up here to this other city 273 00:11:19,480 --> 00:11:21,959 Speaker 2: and perform and then drive all the way back. 274 00:11:21,960 --> 00:11:23,480 Speaker 3: So boom we come home. We're trying to make it 275 00:11:23,520 --> 00:11:26,440 Speaker 3: at twelve too. Damn boom. We can't make it at 276 00:11:26,440 --> 00:11:29,199 Speaker 3: twelve and do both. You know what I'm saying. So 277 00:11:29,200 --> 00:11:29,839 Speaker 3: so got them. 278 00:11:30,640 --> 00:11:31,880 Speaker 1: So did you take that well? 279 00:11:32,080 --> 00:11:34,120 Speaker 2: As a kid, I was mad as hell because I'm 280 00:11:34,120 --> 00:11:36,040 Speaker 2: paying a light bill too. I'm using my mcdonald'scheck, I'm 281 00:11:36,040 --> 00:11:37,559 Speaker 2: paying a light building, I'm helping out. 282 00:11:37,559 --> 00:11:38,200 Speaker 3: You know what I'm saying. 283 00:11:38,600 --> 00:11:42,080 Speaker 2: I'm I'm the cool kid. It's three of us though, 284 00:11:42,080 --> 00:11:43,719 Speaker 2: you know what I'm saying, So I get it. Even being 285 00:11:43,760 --> 00:11:47,120 Speaker 2: a parent now, like three boys is like crazy. You 286 00:11:47,120 --> 00:11:49,240 Speaker 2: feel me in an apartment like, so, I get it. 287 00:11:49,280 --> 00:11:50,839 Speaker 2: I get the stress that came with it. You know 288 00:11:50,880 --> 00:11:53,079 Speaker 2: what I'm saying, and she got a boyfriend, so she's 289 00:11:53,080 --> 00:11:55,760 Speaker 2: trying to you know what I'm saying, started life exactly, 290 00:11:55,800 --> 00:11:59,480 Speaker 2: you know, some order in her house exactly, So like boom, 291 00:12:00,040 --> 00:12:01,839 Speaker 2: probably do seem crazy, like you know what I'm saying, Like. 292 00:12:03,360 --> 00:12:07,040 Speaker 3: They loud, like, so I get it. I get both sides. 293 00:12:07,080 --> 00:12:07,960 Speaker 1: It's hard being a mother. 294 00:12:08,040 --> 00:12:11,240 Speaker 5: It's hard being a single Mushay get boys because it's 295 00:12:11,280 --> 00:12:13,559 Speaker 5: like you love them, but you also got to raise. 296 00:12:13,400 --> 00:12:15,520 Speaker 2: Them to be man right, and if you out here 297 00:12:15,520 --> 00:12:17,959 Speaker 2: being reckless, right, it seems so reckless what I'm doing. 298 00:12:18,040 --> 00:12:21,200 Speaker 2: It's like this ship is just strategic. You feel me, 299 00:12:21,679 --> 00:12:22,840 Speaker 2: Everything I'm doing strategic. 300 00:12:23,240 --> 00:12:25,080 Speaker 1: Has she ever apologized for that. 301 00:12:25,080 --> 00:12:25,480 Speaker 3: In a way? 302 00:12:25,559 --> 00:12:27,680 Speaker 2: Yeah, And it's cool because I don't even got no 303 00:12:27,720 --> 00:12:30,280 Speaker 2: bad blood about it. I'm glad it happened because that's 304 00:12:30,320 --> 00:12:31,760 Speaker 2: literally I want to blew up. If I would have 305 00:12:31,760 --> 00:12:33,959 Speaker 2: been if I would have gotten the crib, probably won't 306 00:12:33,960 --> 00:12:35,280 Speaker 2: even be here right now, you know what I'm saying. 307 00:12:35,320 --> 00:12:37,880 Speaker 3: So the door being locked, it's like that's how it's 308 00:12:37,880 --> 00:12:40,000 Speaker 3: supposed to be for me. That made me really get 309 00:12:40,080 --> 00:12:40,760 Speaker 3: up and go get it. 310 00:12:40,840 --> 00:12:41,960 Speaker 1: Like is she proud of you? 311 00:12:42,440 --> 00:12:44,800 Speaker 3: Definitely? Yeah, overly Yeah. And I'm happy. 312 00:12:44,920 --> 00:12:46,760 Speaker 2: I'm proud of her. I'm I'm thankful for her, you 313 00:12:46,800 --> 00:12:48,520 Speaker 2: know what I'm saying. Like she did her best. Yeah, 314 00:12:48,640 --> 00:12:50,360 Speaker 2: she was in the military for me and everything, so 315 00:12:50,960 --> 00:12:52,720 Speaker 2: she did her best. That's why that's all that mattered 316 00:12:52,720 --> 00:12:52,920 Speaker 2: to me. 317 00:12:53,000 --> 00:12:55,520 Speaker 5: Oh that's what it is too. She had that military background, 318 00:12:55,520 --> 00:12:57,600 Speaker 5: so yeah, she wasn't playing with you. 319 00:12:57,840 --> 00:13:00,000 Speaker 2: She didn't have sergeant energy. Though she didn't have like drill, 320 00:13:01,080 --> 00:13:03,760 Speaker 2: she was still sweet. She was very sweet, especially me. 321 00:13:04,080 --> 00:13:06,760 Speaker 2: I was like, that's my twin. Like you know what 322 00:13:06,760 --> 00:13:08,480 Speaker 2: I'm saying, is it, Yeah, my twin. 323 00:13:08,600 --> 00:13:09,320 Speaker 1: You guys are close. 324 00:13:09,480 --> 00:13:12,200 Speaker 3: Even I looked like her, like yeah, so I could 325 00:13:12,200 --> 00:13:14,120 Speaker 3: never have no bad blood for her. She must be 326 00:13:14,200 --> 00:13:16,920 Speaker 3: really proud of you overly. Yeah, overly proud for sure. 327 00:13:17,559 --> 00:13:18,080 Speaker 1: And she did. 328 00:13:18,160 --> 00:13:19,680 Speaker 2: She did believe in us too, in a way like 329 00:13:19,920 --> 00:13:22,880 Speaker 2: m hmm, but it just got too crazy, like but 330 00:13:22,960 --> 00:13:24,280 Speaker 2: she did. She did believe us. 331 00:13:24,320 --> 00:13:26,240 Speaker 3: She brought us software, brought us mics and stuff. 332 00:13:26,280 --> 00:13:26,640 Speaker 1: She did. 333 00:13:26,760 --> 00:13:29,480 Speaker 3: Yeah, so she she held it down for shore. 334 00:13:30,400 --> 00:13:32,440 Speaker 5: Wow, you must be so like when you think about 335 00:13:32,480 --> 00:13:34,800 Speaker 5: those times, is it amazing to you that you come 336 00:13:34,880 --> 00:13:35,320 Speaker 5: this far? 337 00:13:35,520 --> 00:13:39,960 Speaker 2: Like looking at everything, Yeah, it's crazy, that's how it's 338 00:13:39,960 --> 00:13:40,560 Speaker 2: supposed to be. 339 00:13:41,360 --> 00:13:43,040 Speaker 3: I think it was written for show. Like you know 340 00:13:43,080 --> 00:13:43,440 Speaker 3: what I'm saying. 341 00:13:43,559 --> 00:13:46,880 Speaker 2: I wasn't supposed to be in the hood, Like, yeah, 342 00:13:47,040 --> 00:13:47,920 Speaker 2: I was supposed to be doing some. 343 00:13:47,920 --> 00:13:48,880 Speaker 3: Of my life, you know what I'm saying. 344 00:13:48,880 --> 00:13:52,040 Speaker 2: Even my name, my name, my real name, it mean 345 00:13:52,120 --> 00:13:53,520 Speaker 2: leader to people, you know what I'm saying. 346 00:13:53,559 --> 00:13:55,840 Speaker 3: So my mom named me that. And my dad he 347 00:13:55,880 --> 00:13:57,880 Speaker 3: was a shaman, like my real dad. He was a shaman. 348 00:13:58,040 --> 00:14:01,880 Speaker 3: So I think it's like it's just yeah, it's written. 349 00:14:01,960 --> 00:14:05,000 Speaker 1: Where is he now? 350 00:14:05,960 --> 00:14:09,400 Speaker 3: Yeah? Yeah, really, you know what I'm saying. 351 00:14:09,400 --> 00:14:11,360 Speaker 1: But and he never popped up through all of this. 352 00:14:11,840 --> 00:14:15,480 Speaker 3: He did hit me when I was like like sixteen seventeen, but. 353 00:14:15,480 --> 00:14:17,480 Speaker 1: I mean through the fame. He never popped up through 354 00:14:17,480 --> 00:14:17,840 Speaker 1: the fame. 355 00:14:18,000 --> 00:14:21,160 Speaker 2: Oh no, no, no, I don'tly want to pop up, like yeah, 356 00:14:21,200 --> 00:14:22,560 Speaker 2: and I don't even know what happened between YOUM know 357 00:14:22,600 --> 00:14:26,200 Speaker 2: what I'm saying. It could have been they could have 358 00:14:26,240 --> 00:14:28,040 Speaker 2: been toxic, had a toxic relationship. It could have just 359 00:14:28,080 --> 00:14:29,280 Speaker 2: been overbearing for him to be there, you know what 360 00:14:29,280 --> 00:14:32,520 Speaker 2: I'm saying. So yeah, now fame brings him out though 361 00:14:32,680 --> 00:14:34,640 Speaker 2: all the thing. Hey man, I miss you signing. 362 00:14:35,600 --> 00:14:37,520 Speaker 1: Sometimes the fame and the money brings him out. 363 00:14:37,720 --> 00:14:39,880 Speaker 2: Yeah yeah, but now you hit me up, like right 364 00:14:39,920 --> 00:14:42,080 Speaker 2: before I blew up though, when he's seen probably like 365 00:14:42,160 --> 00:14:44,080 Speaker 2: no flecks on like right before I really blew up. 366 00:14:44,360 --> 00:14:47,560 Speaker 3: I'm saying when, But it's like you weren't open to it. 367 00:14:47,600 --> 00:14:48,920 Speaker 2: I don't know if it's a random time on earth 368 00:14:48,920 --> 00:14:50,120 Speaker 2: it was because he's seen that, but it was just 369 00:14:50,160 --> 00:14:52,040 Speaker 2: like mm hmm, damn gang. 370 00:14:52,040 --> 00:14:54,160 Speaker 3: You know what I'm saying. I'm good, I'm good without 371 00:14:54,160 --> 00:14:56,280 Speaker 3: you know what I'm saying. But how is love? 372 00:14:56,360 --> 00:14:58,760 Speaker 1: But how has it been with your brother? How the 373 00:14:58,840 --> 00:14:59,800 Speaker 1: ups and downs of that? 374 00:15:00,000 --> 00:15:01,640 Speaker 3: Every thing good? Like even my brother. 375 00:15:01,760 --> 00:15:06,200 Speaker 2: Like I was telling people, like I look at that 376 00:15:06,200 --> 00:15:09,360 Speaker 2: shit like a Jordan brand, like Ray Shimmer, that's that's 377 00:15:09,400 --> 00:15:13,120 Speaker 2: a Jordan brand swale. That's like another Jordan that's like 378 00:15:13,120 --> 00:15:15,840 Speaker 2: like Ray Shrimp, like the Jordan twelve's swally. I'm like 379 00:15:15,880 --> 00:15:19,040 Speaker 2: the Jordan ten's slim Jimmy, like the Jordan the thirteens 380 00:15:19,120 --> 00:15:21,040 Speaker 2: or something, you know what I'm saying. Like they always 381 00:15:21,040 --> 00:15:24,440 Speaker 2: gonna drop, like you know what I'm saying, Like they 382 00:15:24,560 --> 00:15:26,040 Speaker 2: are their own entities, you know what I'm saying. 383 00:15:26,080 --> 00:15:26,920 Speaker 3: Like people. 384 00:15:28,280 --> 00:15:30,280 Speaker 2: Even like when we come together, it's like it's like 385 00:15:30,320 --> 00:15:35,080 Speaker 2: the Backstreet Boys, like twenty years we're gonna come together again, reunited, 386 00:15:35,080 --> 00:15:36,600 Speaker 2: you know what I'm saying, do a tour, boom boom, 387 00:15:36,640 --> 00:15:37,120 Speaker 2: new album. 388 00:15:38,160 --> 00:15:39,400 Speaker 3: We're just gonna keep linking back up. 389 00:15:39,520 --> 00:15:42,120 Speaker 1: I know you've publicly had some ups and downs. How 390 00:15:42,160 --> 00:15:45,040 Speaker 1: have you? I don't know where where has that landed? 391 00:15:45,120 --> 00:15:47,080 Speaker 1: Or what have you learned from going through all of that? 392 00:15:47,760 --> 00:15:49,520 Speaker 1: Like what like just what have you learned now? Like 393 00:15:49,760 --> 00:15:52,440 Speaker 1: like I feel like you shared some stuff at one 394 00:15:52,480 --> 00:15:55,240 Speaker 1: point and you were like, you know, we're brothers. Should 395 00:15:55,280 --> 00:15:57,760 Speaker 1: happen slow, you know, But like I don't know if 396 00:15:57,760 --> 00:16:03,840 Speaker 1: you regret sharing some things sometimes or or I don't know. 397 00:16:04,640 --> 00:16:06,480 Speaker 2: Like definitely, I think when you when you like going 398 00:16:06,480 --> 00:16:07,840 Speaker 2: through something, it's best to just keep it off the 399 00:16:07,880 --> 00:16:10,160 Speaker 2: internet because it can blow end up. 400 00:16:10,240 --> 00:16:11,600 Speaker 3: Yeah, blown up in your face later. 401 00:16:11,880 --> 00:16:14,000 Speaker 1: But it is. 402 00:16:16,680 --> 00:16:17,080 Speaker 3: Whatever. 403 00:16:17,680 --> 00:16:19,000 Speaker 1: But you guys are in a good place now. 404 00:16:19,040 --> 00:16:21,800 Speaker 2: Yeah, Yeah, we're good. And it's like shrimlight. You know 405 00:16:21,800 --> 00:16:23,920 Speaker 2: what I'm saying, We shrimlight. It's like where were the 406 00:16:23,960 --> 00:16:26,680 Speaker 2: Black Beatles? You know what I'm saying, Like he got 407 00:16:26,680 --> 00:16:28,840 Speaker 2: a choice but to be good. And that's my real brother, 408 00:16:28,920 --> 00:16:30,600 Speaker 2: that's my big brother. Like we're a year and a 409 00:16:30,600 --> 00:16:31,120 Speaker 2: half apart. 410 00:16:31,240 --> 00:16:33,040 Speaker 1: Well, you guys are close. You've been through so much. 411 00:16:33,400 --> 00:16:35,320 Speaker 1: I mean, I know you've told stories about you guys 412 00:16:35,440 --> 00:16:35,760 Speaker 1: kind of. 413 00:16:35,760 --> 00:16:39,920 Speaker 2: Like yeah, sleeping the cars together, Yeah, broke homeless together 414 00:16:39,960 --> 00:16:41,440 Speaker 2: for show, Like we did everything together. 415 00:16:41,520 --> 00:16:44,720 Speaker 1: What was those what were those times like like with 416 00:16:44,880 --> 00:16:48,040 Speaker 1: the conversations of this life, like did you see it 417 00:16:48,080 --> 00:16:48,560 Speaker 1: for yourself? 418 00:16:48,720 --> 00:16:51,440 Speaker 2: It was like, yeah, we definitely gotta we gotta get 419 00:16:51,480 --> 00:16:53,480 Speaker 2: some money. Like we always just felt like we're almost there, 420 00:16:53,560 --> 00:16:56,560 Speaker 2: Like just keep going like you're almost there. You always 421 00:16:56,600 --> 00:16:59,040 Speaker 2: say you almost, like every no, you're almost there. Fuck 422 00:16:59,080 --> 00:17:01,520 Speaker 2: that you almost there almost, And just it kind of 423 00:17:01,520 --> 00:17:05,680 Speaker 2: seemed insane sometimes, but it's like ships. That's how we 424 00:17:05,680 --> 00:17:08,080 Speaker 2: was rocking. Like we believed, we believe in ourselves, like 425 00:17:08,080 --> 00:17:10,560 Speaker 2: we know we could do. We just felt like we 426 00:17:10,560 --> 00:17:11,600 Speaker 2: need to just be in the right place. 427 00:17:11,680 --> 00:17:13,240 Speaker 1: Do you think having each other helped that? 428 00:17:13,280 --> 00:17:14,320 Speaker 3: Oh? Yeah, for sure, for sure. 429 00:17:14,720 --> 00:17:18,480 Speaker 1: It's like because doing that on your own, right, you 430 00:17:18,560 --> 00:17:20,720 Speaker 1: being by yourself going through that, it's different. 431 00:17:20,760 --> 00:17:21,040 Speaker 3: Crazy. 432 00:17:21,080 --> 00:17:23,600 Speaker 2: That would have made a lot tough for Shure because 433 00:17:24,359 --> 00:17:26,720 Speaker 2: we put our money together, like and we just always 434 00:17:26,760 --> 00:17:27,920 Speaker 2: there for each other whatever he needed, Like if I 435 00:17:27,920 --> 00:17:29,280 Speaker 2: could do it. I'm helping him, you know what I'm saying, 436 00:17:29,320 --> 00:17:31,640 Speaker 2: Like we needed some food boom, where you gotta fight 437 00:17:31,640 --> 00:17:32,800 Speaker 2: out of that. I find out I got ten dollars 438 00:17:32,960 --> 00:17:33,880 Speaker 2: to get some good food today. 439 00:17:33,880 --> 00:17:35,399 Speaker 3: Boom. You know what I'm saying. We're working. 440 00:17:36,040 --> 00:17:39,040 Speaker 2: We're working jobs together, Like where I get a job, 441 00:17:39,040 --> 00:17:42,399 Speaker 2: he getting a job Boom. Like if I live somewhere, 442 00:17:42,520 --> 00:17:44,040 Speaker 2: I'll make sure he can he can get in there too. 443 00:17:44,080 --> 00:17:47,720 Speaker 3: Boom. It's just like that helps partners in crime. 444 00:17:47,920 --> 00:17:51,800 Speaker 1: Yeah. So yeah, how could anybody or anything, especially the 445 00:17:51,880 --> 00:17:54,080 Speaker 1: music business right come into that? 446 00:17:54,680 --> 00:17:55,480 Speaker 3: Yeah? 447 00:17:55,680 --> 00:17:57,159 Speaker 1: How did? How did that change you? 448 00:17:57,200 --> 00:17:57,360 Speaker 3: Though? 449 00:17:57,400 --> 00:17:59,520 Speaker 1: Like when you're getting can you start getting success and 450 00:17:59,520 --> 00:18:02,560 Speaker 1: you start gett some money, Yeah, people start treating you 451 00:18:02,600 --> 00:18:03,280 Speaker 1: a little different. 452 00:18:04,640 --> 00:18:07,359 Speaker 2: It was just like get access to different stuff, you 453 00:18:07,400 --> 00:18:11,359 Speaker 2: know what I'm saying, get access to different rooms. And 454 00:18:11,400 --> 00:18:14,760 Speaker 2: that always felt good for like definitely the recognition. 455 00:18:14,800 --> 00:18:15,240 Speaker 3: You know what I'm saying. 456 00:18:15,320 --> 00:18:17,200 Speaker 2: Month was ain't telling you no like you like usually 457 00:18:17,200 --> 00:18:18,119 Speaker 2: you know what I sing, you can't be here, you 458 00:18:18,119 --> 00:18:18,520 Speaker 2: can't do this? 459 00:18:18,600 --> 00:18:21,720 Speaker 3: You get it? Nah my fuck is my ship now? 460 00:18:23,080 --> 00:18:23,639 Speaker 3: Asked about here? 461 00:18:23,720 --> 00:18:23,800 Speaker 4: That? 462 00:18:23,960 --> 00:18:27,000 Speaker 1: Like you know saying when is the moment though? 463 00:18:27,119 --> 00:18:31,120 Speaker 5: Like when is the moment that you're like, yo, we 464 00:18:31,119 --> 00:18:31,800 Speaker 5: we're here. 465 00:18:31,840 --> 00:18:35,119 Speaker 3: Like we arrived definitely. When I signed with Innerscope. 466 00:18:36,080 --> 00:18:38,800 Speaker 2: Boom, I was in Jimmy ivean backyard, so they flow 467 00:18:38,840 --> 00:18:40,960 Speaker 2: us to LA and shit, we're gonna start. 468 00:18:40,760 --> 00:18:43,320 Speaker 1: Meeting probably a nice ass backyard. 469 00:18:43,080 --> 00:18:46,800 Speaker 2: Nice ass crazy crib about three folk guest house, boom, 470 00:18:47,040 --> 00:18:50,560 Speaker 2: big ass clean white paint and shit, every superstar in 471 00:18:50,680 --> 00:18:53,640 Speaker 2: nigga backyard. I'm like, the fuck is this like? Boom 472 00:18:54,119 --> 00:18:57,480 Speaker 2: Doctor Dre walk up to me, Boom, Sway, Lee, we 473 00:18:57,520 --> 00:19:00,200 Speaker 2: love your music. Man, Hey, welcome to the game, Boomom, 474 00:19:00,320 --> 00:19:02,800 Speaker 2: But this Doctor Dray nig I'm like, this ship should 475 00:19:02,800 --> 00:19:07,120 Speaker 2: get real, you know, like for real seeing God, damn 476 00:19:08,600 --> 00:19:09,360 Speaker 2: what shorty name? 477 00:19:13,119 --> 00:19:13,520 Speaker 1: Who is it? 478 00:19:14,040 --> 00:19:14,080 Speaker 4: You? 479 00:19:14,200 --> 00:19:18,320 Speaker 2: Old times have been around that Tracksha Boone sitting out 480 00:19:18,359 --> 00:19:20,040 Speaker 2: there smiling, bright white smile. 481 00:19:20,359 --> 00:19:21,040 Speaker 1: Was it a party? 482 00:19:21,200 --> 00:19:22,959 Speaker 3: It was like, I guess is what he's doing a Saturday? 483 00:19:23,000 --> 00:19:27,040 Speaker 2: I don't know, just in back yeah backyard looking like Coachella, 484 00:19:27,040 --> 00:19:29,600 Speaker 2: you know what I'm saying. I'm just like, all right, 485 00:19:29,680 --> 00:19:32,720 Speaker 2: we hear Jim Boom. Then we met Jimmy Ivean. He 486 00:19:32,800 --> 00:19:34,679 Speaker 2: just saw the beat. Shit mabe and it was millions 487 00:19:34,680 --> 00:19:36,320 Speaker 2: of dollars. You know what I'm like you and your brother, 488 00:19:36,359 --> 00:19:38,040 Speaker 2: me and my brother and Mike Will. Mike Will is 489 00:19:38,320 --> 00:19:41,560 Speaker 2: super locked in with Jimmy Ivian and the label and stuff. 490 00:19:41,600 --> 00:19:42,840 Speaker 1: So he walked you in there. 491 00:19:42,880 --> 00:19:45,520 Speaker 2: Yeah, he walked us in there, boom, everything lit, you 492 00:19:45,560 --> 00:19:48,240 Speaker 2: know what I'm saying, And we just started doing crazy stuff. 493 00:19:48,320 --> 00:19:50,160 Speaker 1: What's going on with you in that moment? Like? What 494 00:19:50,280 --> 00:19:51,520 Speaker 1: is what does that feel like? 495 00:19:51,840 --> 00:19:53,920 Speaker 3: I'm just like, nigga, this shit a simulation or something. 496 00:19:55,720 --> 00:19:59,399 Speaker 2: Doctor Drake Yo, welcome to the game, your nigga, My 497 00:20:00,160 --> 00:20:04,040 Speaker 2: brother ship getting crazy? You know what I'm saying. I 498 00:20:04,200 --> 00:20:05,919 Speaker 2: just watched the NW a couple of years ago. Got 499 00:20:06,000 --> 00:20:07,960 Speaker 2: damn all that shit real. 500 00:20:08,040 --> 00:20:11,199 Speaker 3: So I'm like, this ship real? Is that? 501 00:20:11,520 --> 00:20:13,360 Speaker 1: Get no fear in that though? 502 00:20:13,480 --> 00:20:15,680 Speaker 2: Like I wouldn't feel like it's just one of the 503 00:20:15,760 --> 00:20:17,560 Speaker 2: things to put a better in your back, Like, oh ship, 504 00:20:17,760 --> 00:20:20,720 Speaker 2: you gotta yeah, turn off nigga, like you know, turning back. 505 00:20:20,760 --> 00:20:24,399 Speaker 1: Who do you feel like? Inspired pressure? I don't know. 506 00:20:24,520 --> 00:20:25,480 Speaker 1: Do you call your mom? 507 00:20:25,640 --> 00:20:26,640 Speaker 3: Like, like, what. 508 00:20:26,560 --> 00:20:28,200 Speaker 1: Do you do after a thing like that? 509 00:20:29,000 --> 00:20:31,160 Speaker 3: Go to the studio, get to the studio, get to work. 510 00:20:32,160 --> 00:20:34,080 Speaker 2: Yeah, but I had my album done and stuff, but 511 00:20:34,119 --> 00:20:36,080 Speaker 2: it's like, man, we're really in this. 512 00:20:36,320 --> 00:20:38,840 Speaker 1: You got a good work ethic too, probably huh. 513 00:20:38,440 --> 00:20:40,479 Speaker 2: Oh, yeah, for sure, I'll be missing holidays. I live 514 00:20:40,520 --> 00:20:44,080 Speaker 2: in the studio for sure, but no holidays. She got 515 00:20:44,160 --> 00:20:45,720 Speaker 2: to be disciplined, you know what I'm saying. Sometimes you 516 00:20:45,720 --> 00:20:48,480 Speaker 2: don't want to be there. Sometimes it's a lot of 517 00:20:48,520 --> 00:20:50,800 Speaker 2: other stuff you want to be doing. But it's really 518 00:20:50,800 --> 00:20:52,840 Speaker 2: your life now, you know what I'm saying. Shit, I 519 00:20:52,960 --> 00:20:56,119 Speaker 2: just be thinking about eighty years and this ship, you 520 00:20:56,160 --> 00:20:59,000 Speaker 2: know what I'm saying. So like Elton John and this 521 00:20:59,000 --> 00:21:04,640 Speaker 2: ship sixty years. So I just yeah, I don't doing 522 00:21:04,680 --> 00:21:06,480 Speaker 2: as long as long as I can. You know what 523 00:21:06,520 --> 00:21:09,840 Speaker 2: I'm saying, I'm doing it forever great dread locks. 524 00:21:09,960 --> 00:21:12,359 Speaker 3: Yeah, so I just know what it takes. 525 00:21:12,440 --> 00:21:13,240 Speaker 1: The beauty is too. 526 00:21:13,280 --> 00:21:16,399 Speaker 5: It's like it's you're you're a talent that's like beyond 527 00:21:16,400 --> 00:21:19,640 Speaker 5: the artists, like you could you could write and appreciate 528 00:21:19,680 --> 00:21:23,000 Speaker 5: that create for other artists. So those artists tend to 529 00:21:23,040 --> 00:21:25,119 Speaker 5: have a longer lifespan. 530 00:21:24,680 --> 00:21:27,800 Speaker 2: Because true, very true. Did you writing for other people 531 00:21:27,880 --> 00:21:30,480 Speaker 2: even think on the front line? Yeah, they still still 532 00:21:30,480 --> 00:21:31,240 Speaker 2: winning for sure. 533 00:21:31,320 --> 00:21:33,320 Speaker 1: When was the first time you did something for somebody 534 00:21:33,320 --> 00:21:39,160 Speaker 1: else and you're like, oh, shoul I could do that too. 535 00:21:40,080 --> 00:21:42,160 Speaker 2: I had a crazy experience like super early on, like 536 00:21:43,600 --> 00:21:45,119 Speaker 2: Michael had brought me to the studio and it was 537 00:21:45,160 --> 00:21:47,399 Speaker 2: like I had to write for like a female artist. 538 00:21:47,880 --> 00:21:49,280 Speaker 2: I ain't gonna say so many names and stuff, but 539 00:21:49,280 --> 00:21:51,200 Speaker 2: it was like he had me writing for a female artist. 540 00:21:51,200 --> 00:21:52,679 Speaker 2: And it's like when I first came into games, like 541 00:21:52,680 --> 00:21:55,280 Speaker 2: a rapper. Yeah, like she was like a pop star 542 00:21:55,400 --> 00:21:57,360 Speaker 2: like and rappers to do it all like so yeah 543 00:21:58,119 --> 00:21:59,960 Speaker 2: post so he ranging for this artist and it was 544 00:21:59,920 --> 00:22:02,560 Speaker 2: a girl artists. I'm like, I'm like, I'm like the 545 00:22:02,560 --> 00:22:04,200 Speaker 2: whole guy. I'm like, how do I write for a girl? 546 00:22:04,280 --> 00:22:06,000 Speaker 2: Like I'm just learning. So I'm like sitting in the 547 00:22:06,040 --> 00:22:08,080 Speaker 2: studio like four or five hours and I I couldn't 548 00:22:08,080 --> 00:22:09,399 Speaker 2: come up with nothing for the girl. So I'm like 549 00:22:10,400 --> 00:22:12,720 Speaker 2: but at the end of study, like my fuck was 550 00:22:12,720 --> 00:22:14,920 Speaker 2: telling me like you need to get your ship together, 551 00:22:15,000 --> 00:22:17,040 Speaker 2: like it's the it's the real industry. You need to 552 00:22:17,040 --> 00:22:17,640 Speaker 2: get your ship together. 553 00:22:17,680 --> 00:22:18,080 Speaker 3: And what was that. 554 00:22:18,160 --> 00:22:20,720 Speaker 2: I'm like, I'm like, man, I ain't really listen to it, 555 00:22:20,760 --> 00:22:23,600 Speaker 2: but it's like legend telling me. That's a legend telling 556 00:22:23,600 --> 00:22:26,679 Speaker 2: me you gott get your ship together. And then boom, 557 00:22:26,720 --> 00:22:28,480 Speaker 2: so I dropped no flex on a week later, No 558 00:22:28,560 --> 00:22:31,920 Speaker 2: flex don't go crazy, and it's just like it was 559 00:22:31,920 --> 00:22:32,360 Speaker 2: just my flex. 560 00:22:32,440 --> 00:22:35,040 Speaker 3: I ain't like it was crazy or like that was when. 561 00:22:35,000 --> 00:22:40,040 Speaker 1: My first that was you like, no flex on was 562 00:22:40,040 --> 00:22:41,440 Speaker 1: like your response. 563 00:22:41,119 --> 00:22:42,760 Speaker 3: Yeah, yeah, exactly exactly too. 564 00:22:43,040 --> 00:22:45,480 Speaker 2: So no flex on the drop was like my ship together, 565 00:22:45,480 --> 00:22:48,960 Speaker 2: you know what I'm saying, talk to me. 566 00:22:50,600 --> 00:22:52,160 Speaker 3: But it was like it was it was a learning 567 00:22:52,160 --> 00:22:52,680 Speaker 3: experience too. 568 00:22:52,680 --> 00:22:54,440 Speaker 2: I was like, okay, boom and writing and ship, like 569 00:22:55,359 --> 00:22:57,159 Speaker 2: you got to approach it a certain way. And then 570 00:22:57,160 --> 00:22:59,760 Speaker 2: that's when I started just playing like my records for 571 00:22:59,840 --> 00:23:02,320 Speaker 2: the artists, like I ain't even think it too deep 572 00:23:02,320 --> 00:23:05,240 Speaker 2: into it like gender or nothing, Like just here's a banger, 573 00:23:05,280 --> 00:23:07,080 Speaker 2: you know what I'm saying, just re sing it boom. 574 00:23:07,440 --> 00:23:09,960 Speaker 5: Why would you prefer to give that? Do that as 575 00:23:09,960 --> 00:23:12,159 Speaker 5: opposed to building yourself up as an artist? 576 00:23:13,440 --> 00:23:14,120 Speaker 3: Oh? You see. 577 00:23:14,720 --> 00:23:17,440 Speaker 2: Now it's like I don't really want to write for 578 00:23:17,480 --> 00:23:20,240 Speaker 2: people too much because like now I'm really keeping it 579 00:23:20,240 --> 00:23:23,160 Speaker 2: for myself for sure, like locked into your artists mostly, yeah, 580 00:23:23,160 --> 00:23:23,600 Speaker 2: I'm keeping it. 581 00:23:23,560 --> 00:23:25,720 Speaker 1: For that time. What were what was going on? 582 00:23:26,480 --> 00:23:28,120 Speaker 2: And that's how I'm just trying to catch whatever plays 583 00:23:28,119 --> 00:23:29,200 Speaker 2: I can catch, Like you know what I'm saying. So 584 00:23:29,240 --> 00:23:30,840 Speaker 2: I'm like, are they want to write for somebody? 585 00:23:30,840 --> 00:23:34,840 Speaker 3: All right? Boom, here go some bars boom, Ye hopefully 586 00:23:34,880 --> 00:23:35,320 Speaker 3: they use it. 587 00:23:35,320 --> 00:23:37,320 Speaker 2: Boom, get my credit, you know what I'm saying, Get 588 00:23:37,359 --> 00:23:38,119 Speaker 2: my writing credits. 589 00:23:38,119 --> 00:23:39,359 Speaker 1: Boom. 590 00:23:39,359 --> 00:23:41,960 Speaker 2: So back then it was just like, yeah, trying to 591 00:23:42,000 --> 00:23:43,520 Speaker 2: just kick that door in, you know what I'm saying, 592 00:23:44,359 --> 00:23:45,960 Speaker 2: solidify myself. Yeah. 593 00:23:46,640 --> 00:23:48,119 Speaker 1: And then what was the first one, that song that 594 00:23:48,119 --> 00:23:49,160 Speaker 1: you did for somebody else? 595 00:23:49,960 --> 00:23:51,800 Speaker 3: The first song? I think I think it was Formation. 596 00:23:52,080 --> 00:23:54,600 Speaker 1: It was Formation. That was the first time, you think, 597 00:23:54,640 --> 00:23:56,680 Speaker 1: so I Beyonce. 598 00:23:56,640 --> 00:24:03,040 Speaker 3: If I'm not mistaken, this Formation for sure? Crazy? No pressure, nah, 599 00:24:03,080 --> 00:24:06,320 Speaker 3: because I ain't have to write for her. I just 600 00:24:06,359 --> 00:24:07,640 Speaker 3: wrote the song and they liked it. 601 00:24:08,240 --> 00:24:09,800 Speaker 1: So it's like, so you didn't know when you were 602 00:24:09,800 --> 00:24:10,920 Speaker 1: making it that it was for her. 603 00:24:11,040 --> 00:24:14,560 Speaker 2: Hell no, I'm just Mike Will. Mike Will got the ear. Yeah, 604 00:24:15,040 --> 00:24:16,760 Speaker 2: Mike Will like played it for her and she was like, 605 00:24:17,000 --> 00:24:18,480 Speaker 2: she fucked with the ship. And I get why she 606 00:24:18,480 --> 00:24:20,920 Speaker 2: fuck with it because she getting a lady's information. You 607 00:24:21,119 --> 00:24:22,560 Speaker 2: know what I said, She get in the whole world information. 608 00:24:23,680 --> 00:24:25,880 Speaker 1: But it's crazy. You go from like not being able 609 00:24:25,880 --> 00:24:26,760 Speaker 1: to write a song for a. 610 00:24:26,760 --> 00:24:30,119 Speaker 2: Rapper, right right to like caring her crazy? 611 00:24:30,640 --> 00:24:31,680 Speaker 1: Get information? 612 00:24:32,040 --> 00:24:34,119 Speaker 3: What caring her crazy? For sure? 613 00:24:35,640 --> 00:24:37,680 Speaker 1: So did you ever get the experience in that experience? 614 00:24:37,760 --> 00:24:39,399 Speaker 3: I met her too. I met her too. It was crazy. 615 00:24:39,400 --> 00:24:40,560 Speaker 3: It was it was dope, were. 616 00:24:40,440 --> 00:24:41,399 Speaker 1: You saying when she recorded? 617 00:24:41,480 --> 00:24:43,480 Speaker 3: No, yeah, oh you are? Yeah I was. 618 00:24:43,480 --> 00:24:45,879 Speaker 2: It was it was in New York. I forgot what 619 00:24:45,960 --> 00:24:48,920 Speaker 2: studio it was. It was a vibe up on met her. 620 00:24:49,680 --> 00:24:51,720 Speaker 2: She was blowing and ship hair floats blowing in the 621 00:24:51,760 --> 00:24:54,360 Speaker 2: wind and ship you know, I'm still this nigga from Missippy, 622 00:24:54,440 --> 00:24:55,240 Speaker 2: Like damn it, look. 623 00:24:55,680 --> 00:24:59,400 Speaker 1: It's Beyonce like doing my song. 624 00:24:59,480 --> 00:25:02,600 Speaker 3: What like what's going on right now? For so she 625 00:25:02,680 --> 00:25:03,359 Speaker 3: did it. She loved me. 626 00:25:03,400 --> 00:25:07,000 Speaker 2: She she had like super like just pure like nice 627 00:25:07,119 --> 00:25:10,600 Speaker 2: energy like yeah, kind of like motherly energy. I'm just like, damn, 628 00:25:10,640 --> 00:25:13,960 Speaker 2: Like she's so beautiful, like beautiful person, like you know 629 00:25:13,960 --> 00:25:15,840 Speaker 2: what I'm saying, Like she's a good soul. You can 630 00:25:15,880 --> 00:25:22,040 Speaker 2: feel her energy and ship like like yeah that. 631 00:25:20,560 --> 00:25:22,200 Speaker 1: God won''t be on one of the. 632 00:25:22,200 --> 00:25:24,320 Speaker 2: Things like yeah, it reminds you like you're really here, 633 00:25:24,640 --> 00:25:27,440 Speaker 2: like keep going crazy. I love that for you real. 634 00:25:27,800 --> 00:25:30,760 Speaker 1: And then you gave French unforgettable. 635 00:25:31,320 --> 00:25:34,400 Speaker 3: Yeah, shout out French. Yeah, I got that forgettable billions 636 00:25:34,400 --> 00:25:35,160 Speaker 3: on billions? 637 00:25:35,840 --> 00:25:37,320 Speaker 1: Did you ever think I should have kept that? 638 00:25:38,320 --> 00:25:40,520 Speaker 3: I look at it like like it's my ship, you 639 00:25:40,520 --> 00:25:41,840 Speaker 3: know what I'm saying. I got it. I got a 640 00:25:41,840 --> 00:25:42,800 Speaker 3: good publishing on that ship. 641 00:25:42,920 --> 00:25:45,480 Speaker 2: Like yeah, I know what people mean, know, like I 642 00:25:45,480 --> 00:25:46,960 Speaker 2: should have put on my project or something. 643 00:25:47,760 --> 00:25:49,199 Speaker 3: If anything, I definitely should have. 644 00:25:50,640 --> 00:25:51,879 Speaker 2: And I don't know if it's too late to do this, 645 00:25:51,920 --> 00:25:55,520 Speaker 2: but put my put my face on the artwork, because 646 00:25:55,520 --> 00:25:58,480 Speaker 2: my face is not on the artwork, so some people 647 00:25:58,520 --> 00:26:00,760 Speaker 2: might be confused and not even like recognized me for 648 00:26:00,800 --> 00:26:01,160 Speaker 2: that song. 649 00:26:01,480 --> 00:26:04,639 Speaker 3: But yeah, that's like even in my shows when I 650 00:26:04,680 --> 00:26:05,520 Speaker 3: do that song, it's. 651 00:26:05,320 --> 00:26:06,439 Speaker 1: Like it was huge. 652 00:26:06,600 --> 00:26:08,920 Speaker 2: It's huge. I still I look at it like my ship, 653 00:26:08,960 --> 00:26:11,880 Speaker 2: you know what I'm saying. The video was beautiful, video crazy. 654 00:26:12,280 --> 00:26:13,720 Speaker 2: I would probably put my face in the video a 655 00:26:13,720 --> 00:26:14,480 Speaker 2: little more too, though. 656 00:26:15,320 --> 00:26:16,320 Speaker 1: What was that experience? 657 00:26:16,359 --> 00:26:19,879 Speaker 3: So like that was crazy? Like we really the videos. 658 00:26:19,880 --> 00:26:21,560 Speaker 2: It was twohun and fifty thousand dollars video we went 659 00:26:21,600 --> 00:26:25,800 Speaker 2: to We went to Uganda, like one of the really 660 00:26:25,920 --> 00:26:29,280 Speaker 2: really third world areas. Like these people like they're happy 661 00:26:29,320 --> 00:26:30,600 Speaker 2: with the bare minum, you know what I'm saying. They 662 00:26:30,680 --> 00:26:32,920 Speaker 2: smile and dance and natural rhythm. 663 00:26:33,000 --> 00:26:33,480 Speaker 3: You know what I'm saying. 664 00:26:33,480 --> 00:26:36,879 Speaker 2: It's crazy to see the different lifestyles and it made you, 665 00:26:36,920 --> 00:26:37,840 Speaker 2: It made you really appreciate. 666 00:26:37,880 --> 00:26:39,200 Speaker 3: It made us appreciate what we had at home. 667 00:26:39,280 --> 00:26:42,040 Speaker 2: Like like when the city, like when the sun went down, 668 00:26:42,880 --> 00:26:44,680 Speaker 2: I'm talking about you can't see nothing. It's pitch black, 669 00:26:45,000 --> 00:26:47,639 Speaker 2: no lights, no electricity flowing through the city. 670 00:26:48,400 --> 00:26:53,000 Speaker 3: Hearing anson crazy noise in the back. You're like, damn, 671 00:26:53,040 --> 00:26:54,080 Speaker 3: Like these folks lived through this. 672 00:26:55,160 --> 00:26:56,800 Speaker 2: I'm saying, we had to like use flash like you 673 00:26:56,880 --> 00:26:58,600 Speaker 2: just get back to the cars and shit like it's crazy, 674 00:26:58,640 --> 00:27:01,120 Speaker 2: Like but these people were happy, you know what I'm saying. 675 00:27:01,119 --> 00:27:05,119 Speaker 2: That's that's the main thing. They happy, well what they have. 676 00:27:05,320 --> 00:27:10,160 Speaker 2: And it's like whom that changes you, right, like changing experience? Yeah, 677 00:27:10,800 --> 00:27:12,600 Speaker 2: your eyes like you appreciate you. 678 00:27:12,720 --> 00:27:15,000 Speaker 1: I touched Cuba one time when I was in my twenties. 679 00:27:15,000 --> 00:27:16,520 Speaker 1: I went to Cuba for the first time and there 680 00:27:16,560 --> 00:27:21,159 Speaker 1: was a little bit. My mother's half Cuban, and so 681 00:27:21,200 --> 00:27:23,320 Speaker 1: she took me to Cuba and we went to this 682 00:27:23,400 --> 00:27:26,119 Speaker 1: thing and this like little party, and it was they 683 00:27:26,160 --> 00:27:28,400 Speaker 1: were talking about how this guy quit his job as 684 00:27:28,400 --> 00:27:32,200 Speaker 1: a doctor to drive a taxi because taxi drivers made 685 00:27:32,240 --> 00:27:35,000 Speaker 1: more money than doctors. And here and this is my 686 00:27:35,080 --> 00:27:36,480 Speaker 1: American ass sitting at the table. 687 00:27:36,520 --> 00:27:39,000 Speaker 5: I go, well, why would you go to medical school 688 00:27:39,000 --> 00:27:41,600 Speaker 5: then all that time to be a doctor? And they 689 00:27:41,640 --> 00:27:45,679 Speaker 5: looked at me. They were like to help people, and 690 00:27:45,800 --> 00:27:50,439 Speaker 5: I was like, yeah, shit, but it shifted, it changed me. 691 00:27:50,520 --> 00:27:52,359 Speaker 5: I was like, it just opened my eyes to like, 692 00:27:53,520 --> 00:27:55,679 Speaker 5: the whole world is not about money, Like not. 693 00:27:55,760 --> 00:27:57,600 Speaker 3: Everybody operates the same way. 694 00:27:57,760 --> 00:27:59,960 Speaker 5: Yeah, Like, and so I know that experience is like 695 00:28:00,080 --> 00:28:02,879 Speaker 5: that could really change how you see the world. 696 00:28:03,160 --> 00:28:05,520 Speaker 3: I really can't complain about too much, you know. Yeah. 697 00:28:06,040 --> 00:28:08,800 Speaker 2: Yeah, And it was crazy because like we took a 698 00:28:08,800 --> 00:28:11,040 Speaker 2: couple of those kids, like to America. 699 00:28:11,080 --> 00:28:13,600 Speaker 3: They live in America now, like a couple of the 700 00:28:13,680 --> 00:28:14,679 Speaker 3: kids to day they live here. 701 00:28:14,720 --> 00:28:17,439 Speaker 2: Yeah, it's like three of them live here in America 702 00:28:17,480 --> 00:28:22,120 Speaker 2: now they since the video. Yeah, and French did that too, 703 00:28:22,160 --> 00:28:24,400 Speaker 2: by the way, French looked out for them. 704 00:28:24,600 --> 00:28:25,359 Speaker 1: That's beautiful. 705 00:28:25,480 --> 00:28:25,760 Speaker 3: Sure. 706 00:28:26,000 --> 00:28:28,240 Speaker 1: Yeah. In real life, what are you most proud of 707 00:28:28,280 --> 00:28:29,480 Speaker 1: about your career so far? 708 00:28:31,040 --> 00:28:38,160 Speaker 2: Mm hmmm, Just like having classics, having songs that that 709 00:28:38,240 --> 00:28:40,600 Speaker 2: you can play anywhere, like a wedding, you can play them, 710 00:28:40,600 --> 00:28:43,320 Speaker 2: in the hood, you can play them, and overseas you 711 00:28:43,320 --> 00:28:47,800 Speaker 2: can play in Switzerland. Just having those like songs that 712 00:28:47,880 --> 00:28:49,920 Speaker 2: really stuck with people, you know what I'm saying, like 713 00:28:51,120 --> 00:28:54,480 Speaker 2: and songs that age well, and just being being known for. 714 00:28:56,240 --> 00:28:57,760 Speaker 3: Being like a hook guy or like you know what 715 00:28:57,760 --> 00:29:01,160 Speaker 3: I'm saying, like a melody god or some shit. It's like, dope, you. 716 00:29:01,240 --> 00:29:04,640 Speaker 1: Like that the feeling of like contribution or or is 717 00:29:04,680 --> 00:29:05,000 Speaker 1: it just. 718 00:29:04,960 --> 00:29:08,760 Speaker 3: Helping me like recognizing like mm hmm, your quality. 719 00:29:08,880 --> 00:29:11,640 Speaker 1: Do you feel like you have other things that you 720 00:29:11,680 --> 00:29:12,280 Speaker 1: still want to do? 721 00:29:13,200 --> 00:29:13,600 Speaker 3: For sure? 722 00:29:13,760 --> 00:29:16,720 Speaker 2: For sure, I got a lot of like versions of 723 00:29:16,760 --> 00:29:20,479 Speaker 2: Suay that people ain't even seen, so like what just 724 00:29:20,520 --> 00:29:24,240 Speaker 2: like even the R and B stuff, like even more 725 00:29:24,280 --> 00:29:26,760 Speaker 2: Afro stuff, like versions like they ain't seen. 726 00:29:26,800 --> 00:29:28,520 Speaker 3: They seen glimpses of me. 727 00:29:28,600 --> 00:29:30,000 Speaker 2: You know what I'm saying, I ain't never It was 728 00:29:30,080 --> 00:29:32,479 Speaker 2: my first solo project, so they only seen glimpses at 729 00:29:32,480 --> 00:29:32,800 Speaker 2: a time. 730 00:29:33,760 --> 00:29:36,680 Speaker 1: So it's like, yeah, we're seeing some of that on 731 00:29:36,760 --> 00:29:37,160 Speaker 1: this too. 732 00:29:37,280 --> 00:29:40,680 Speaker 2: Yeah, on this you're gonna see some like new new styles, 733 00:29:40,720 --> 00:29:43,160 Speaker 2: new styles, new flows, new melodies. 734 00:29:43,360 --> 00:29:44,600 Speaker 1: You know what I wanted to ask you about. 735 00:29:44,640 --> 00:29:46,040 Speaker 5: I know we have to we don't have that much 736 00:29:46,080 --> 00:29:47,840 Speaker 5: more time, and I want to have a couple of 737 00:29:47,880 --> 00:29:49,080 Speaker 5: little segments I want to do with you. 738 00:29:49,120 --> 00:29:50,600 Speaker 3: But you know what I'm here. 739 00:29:52,880 --> 00:29:55,959 Speaker 5: I love that we were talking about those those songs 740 00:29:56,000 --> 00:29:58,560 Speaker 5: that you have, and you you did that song about. 741 00:29:58,360 --> 00:30:03,520 Speaker 2: ADHD the anthem yeah anthem yeah, And. 742 00:30:05,080 --> 00:30:06,600 Speaker 1: I don't know. We hear that term all. 743 00:30:06,440 --> 00:30:09,400 Speaker 5: The time, and I think people sometimes just throw it 744 00:30:09,400 --> 00:30:12,200 Speaker 5: out there because we also, all of us is our 745 00:30:12,240 --> 00:30:15,320 Speaker 5: attention span. It's like what the internet has done to 746 00:30:15,400 --> 00:30:18,160 Speaker 5: us on social media. You just hear that all the time. 747 00:30:18,720 --> 00:30:21,120 Speaker 5: What does that mean to you? Like is that something 748 00:30:21,120 --> 00:30:23,960 Speaker 5: you were diagnose with or is that just your experience of. 749 00:30:24,360 --> 00:30:26,760 Speaker 3: I don't even I don't even know, Like. 750 00:30:28,360 --> 00:30:32,080 Speaker 2: I just know sometimes like people people be thinking different, 751 00:30:32,120 --> 00:30:34,080 Speaker 2: you know what I'm saying, Like people mind work different. 752 00:30:35,800 --> 00:30:37,840 Speaker 2: I don't know, like even like social anxiety, Like I 753 00:30:37,840 --> 00:30:39,560 Speaker 2: don't even know if that's if that's a symptom of 754 00:30:39,600 --> 00:30:40,440 Speaker 2: ADHD or whatever. 755 00:30:40,480 --> 00:30:42,560 Speaker 3: But just for the people like. 756 00:30:44,000 --> 00:30:45,800 Speaker 2: Going through it in their head, like that's why I 757 00:30:45,840 --> 00:30:48,600 Speaker 2: mean that song, just for like them just letting it's normal. 758 00:30:48,680 --> 00:30:50,280 Speaker 2: Like you know what I'm saying, You do the best 759 00:30:50,320 --> 00:30:52,320 Speaker 2: you can type shit, yeah, you know what I'm saying. 760 00:30:52,400 --> 00:30:54,000 Speaker 1: Do you think you have social anxiety? 761 00:30:54,600 --> 00:30:54,640 Speaker 3: No? 762 00:30:54,720 --> 00:30:58,960 Speaker 2: I don't think I have social anxiety, but sometimes I 763 00:30:59,000 --> 00:31:00,560 Speaker 2: don't want to be talking it for sure. 764 00:31:00,960 --> 00:31:02,920 Speaker 3: Just be my own zone, you know what I'm saying. 765 00:31:03,720 --> 00:31:05,480 Speaker 1: Please, sometimes I don't feel like talking to me. 766 00:31:06,400 --> 00:31:08,400 Speaker 2: Yeah, so I don't know, couldn't it couldn't normal. I 767 00:31:08,440 --> 00:31:11,120 Speaker 2: don't know, but yeah, sometimes you know, you just you 768 00:31:11,120 --> 00:31:12,959 Speaker 2: don't even want to. You want to be in your 769 00:31:13,040 --> 00:31:18,200 Speaker 2: under your rock. Yeah, you know my job, I gotta 770 00:31:18,240 --> 00:31:18,440 Speaker 2: be on. 771 00:31:18,440 --> 00:31:22,760 Speaker 3: The front front line, so yeah, you gotta be on Yeah, 772 00:31:22,960 --> 00:31:24,360 Speaker 3: the A A D. I don't know. It can be 773 00:31:24,400 --> 00:31:26,160 Speaker 3: a superpower too though. That's that's what I noticed. 774 00:31:26,160 --> 00:31:28,280 Speaker 1: Like I was gonna say, some people have some of that. 775 00:31:28,440 --> 00:31:29,600 Speaker 3: Do you think I could have it? 776 00:31:29,640 --> 00:31:32,200 Speaker 2: I ain't sometime be like damn, like where was my 777 00:31:32,240 --> 00:31:35,040 Speaker 2: head at when I thought about this? Like sometimes you know, 778 00:31:35,040 --> 00:31:37,360 Speaker 2: you think about some crazy You're like, damn, like where's 779 00:31:37,400 --> 00:31:38,240 Speaker 2: my brain at right now? 780 00:31:38,840 --> 00:31:40,680 Speaker 3: But I ain't never sat down with a doctor he's 781 00:31:40,720 --> 00:31:46,520 Speaker 3: just like analyze that or whatever. Yeah, I ain't never Huh. 782 00:31:47,960 --> 00:31:50,000 Speaker 5: I thought it was like something you were claiming, like 783 00:31:50,080 --> 00:31:51,600 Speaker 5: you you. 784 00:31:51,520 --> 00:31:54,720 Speaker 2: Know, I mean, I feel like it's a possibility. I 785 00:31:54,760 --> 00:31:58,040 Speaker 2: don't know that might just be a creative brain, true, 786 00:31:58,080 --> 00:31:58,200 Speaker 2: you know. 787 00:31:58,200 --> 00:31:58,600 Speaker 3: What I'm saying. 788 00:31:58,640 --> 00:32:01,880 Speaker 2: Like, that's why I don't really call it a but yeah, 789 00:32:02,040 --> 00:32:04,680 Speaker 2: who knows shit? If it is shit might be a 790 00:32:04,720 --> 00:32:06,480 Speaker 2: less superpowers, so you can just be looking at shit 791 00:32:06,480 --> 00:32:08,440 Speaker 2: different sometimes yeah, same difference. 792 00:32:09,000 --> 00:32:10,880 Speaker 1: Hey guys, you ever signed up for a phone plan 793 00:32:11,000 --> 00:32:13,160 Speaker 1: thinking wow, what a great price, and then a few 794 00:32:13,160 --> 00:32:16,280 Speaker 1: months later it's like, surprise, your bill is higher? We 795 00:32:16,400 --> 00:32:19,680 Speaker 1: hate that. With Boost Mobile, you pay twenty five dollars 796 00:32:19,680 --> 00:32:23,040 Speaker 1: a month forever. That's unlimited talk, texts, and data starting 797 00:32:23,040 --> 00:32:25,440 Speaker 1: at just twenty five dollars a month. There's no price hikes, 798 00:32:25,480 --> 00:32:28,680 Speaker 1: there's no contract, and this is forever. Plus, Boost Mobile 799 00:32:28,760 --> 00:32:32,800 Speaker 1: is now a legit nationwide five G network. They invested 800 00:32:32,880 --> 00:32:36,800 Speaker 1: billions building five G towers across the country. So what 801 00:32:36,880 --> 00:32:39,360 Speaker 1: you need to do is visit boostmobile dot com or 802 00:32:39,400 --> 00:32:42,560 Speaker 1: head to your local Boost store today and get unlimited talk, text, 803 00:32:42,640 --> 00:32:45,840 Speaker 1: and data for twenty five dollars a month forever. Five 804 00:32:45,880 --> 00:32:48,560 Speaker 1: G speeds not available in all areas. After thirty gigabytes, 805 00:32:48,600 --> 00:32:51,960 Speaker 1: customers may experience lower speeds. Customers will pay twenty five 806 00:32:52,000 --> 00:32:54,360 Speaker 1: dollars a month as long as they remain active on 807 00:32:54,440 --> 00:32:57,200 Speaker 1: the Boost Unlimited plan. All right, we have a little 808 00:32:57,200 --> 00:32:59,280 Speaker 1: segment that we do this is a voice note. It 809 00:32:59,360 --> 00:33:02,840 Speaker 1: is usually like a fan or a listener of the 810 00:33:02,880 --> 00:33:06,000 Speaker 1: pod that knows you're on. We always like lists who's coming, 811 00:33:06,040 --> 00:33:09,320 Speaker 1: and so they send questions in Yeah, so this is 812 00:33:09,320 --> 00:33:12,520 Speaker 1: a voice note from Jericho. 813 00:33:13,520 --> 00:33:13,920 Speaker 3: Jericho. 814 00:33:14,040 --> 00:33:15,680 Speaker 1: It up Yo, sway Lee. 815 00:33:17,040 --> 00:33:21,440 Speaker 4: I have a business with my sibling and it's the 816 00:33:21,480 --> 00:33:23,960 Speaker 4: best thing in my life, but at the same time, 817 00:33:24,280 --> 00:33:26,640 Speaker 4: it's the hardest thing in my life. I love them 818 00:33:26,680 --> 00:33:29,840 Speaker 4: to death, but sometimes I don't know where the brother 819 00:33:30,080 --> 00:33:34,760 Speaker 4: ends and the business partner begins. So I'm kind of curious. 820 00:33:34,800 --> 00:33:38,360 Speaker 4: How do you navigate that with slim, Like, how do 821 00:33:38,440 --> 00:33:42,800 Speaker 4: y'all separate the relationship from the work and when it 822 00:33:42,800 --> 00:33:46,680 Speaker 4: gets real, what do you actually do to get through that? 823 00:33:48,600 --> 00:33:49,200 Speaker 4: Thank you man? 824 00:33:50,080 --> 00:33:52,320 Speaker 2: Thank I was first I thought I was about to 825 00:33:52,320 --> 00:33:54,400 Speaker 2: advertise the business, but that was that was a great question. 826 00:33:56,640 --> 00:33:57,560 Speaker 1: Come on down. 827 00:33:59,320 --> 00:34:01,120 Speaker 2: The cookie business, my cousin. We got some cookies and 828 00:34:01,200 --> 00:34:04,440 Speaker 2: tell you want chocolate chip cookies. But no, that's a 829 00:34:04,440 --> 00:34:09,600 Speaker 2: great question. I think once it gets to a certain point, 830 00:34:09,920 --> 00:34:12,800 Speaker 2: it has to be like understood, like it's just bigger 831 00:34:12,840 --> 00:34:16,560 Speaker 2: than brothers and sisters, Like this is like it's our livelihood. 832 00:34:16,600 --> 00:34:19,640 Speaker 2: It's a bigger picture now, Like HM, when y'all clock out. 833 00:34:19,640 --> 00:34:21,279 Speaker 2: Though you can be human, you know what I'm saying, 834 00:34:21,280 --> 00:34:25,719 Speaker 2: be human for sure, but yeah, so separating it, right, 835 00:34:25,840 --> 00:34:28,319 Speaker 2: you definitely got to separate it for sure. Yeah, And 836 00:34:28,360 --> 00:34:31,239 Speaker 2: the sibling wars is crazy, like because you feel so 837 00:34:31,400 --> 00:34:33,080 Speaker 2: entitled to the other person, like you know that person, 838 00:34:33,120 --> 00:34:35,719 Speaker 2: like you grew up with them, so you feel like 839 00:34:35,760 --> 00:34:37,160 Speaker 2: you can say whatever you want, you know what I'm saying. 840 00:34:37,160 --> 00:34:41,439 Speaker 2: So m that can get crazy, especially when when money's involved. Yes, 841 00:34:41,719 --> 00:34:45,080 Speaker 2: sibling wars like motherfucker want to be right, but you 842 00:34:45,120 --> 00:34:46,240 Speaker 2: gotta find that middle ground. 843 00:34:46,400 --> 00:34:49,800 Speaker 1: And do you have to humble yourself Sometimes. 844 00:34:52,080 --> 00:34:54,680 Speaker 2: You definitely do. But sometimes you got to compromise your decision. 845 00:34:54,760 --> 00:34:58,080 Speaker 2: So it's crazy, Like it's crazy, It could be crazy. 846 00:34:59,520 --> 00:35:01,960 Speaker 2: Sometimes you got to cut the ties something you can't 847 00:35:02,000 --> 00:35:04,359 Speaker 2: work with people don't your family your family, like you can't. 848 00:35:04,520 --> 00:35:07,960 Speaker 1: How did you manage the shift of like make it 849 00:35:07,960 --> 00:35:11,160 Speaker 1: getting money too, like money all of a sudden and 850 00:35:11,520 --> 00:35:13,640 Speaker 1: fame all of a sudden? Yeah did it? 851 00:35:13,680 --> 00:35:13,960 Speaker 3: Ship? 852 00:35:13,960 --> 00:35:15,040 Speaker 1: Did it change you at all? 853 00:35:15,960 --> 00:35:16,480 Speaker 3: For sure? 854 00:35:16,600 --> 00:35:21,600 Speaker 2: Like without even noticing, but like just always been in type, 855 00:35:21,719 --> 00:35:23,480 Speaker 2: like to save money, know what I'm saying, Like stack money, 856 00:35:23,520 --> 00:35:26,719 Speaker 2: Like I always been good with my money. Like, so 857 00:35:27,000 --> 00:35:28,680 Speaker 2: just having it come in by the boatload is just 858 00:35:28,719 --> 00:35:30,520 Speaker 2: like damn, did you say the boatload? 859 00:35:30,719 --> 00:35:32,160 Speaker 3: Yeah? You know what I'm saying. To put something up, 860 00:35:32,440 --> 00:35:35,759 Speaker 3: the put something up, spending something, you know what I'm saying. 861 00:35:35,800 --> 00:35:37,279 Speaker 1: But but you're being smart with it. 862 00:35:37,360 --> 00:35:39,279 Speaker 3: Yeah, being smart with it. Eighty years that she got 863 00:35:39,320 --> 00:35:42,040 Speaker 3: to stretch eighty years. Yeah, where do we see you 864 00:35:42,040 --> 00:35:46,120 Speaker 3: in ten years from now? What you think ten years 865 00:35:46,120 --> 00:35:52,279 Speaker 3: from now? Paint the picture. Goddamn thirty thousand. 866 00:35:53,480 --> 00:35:57,520 Speaker 2: Show is gonna be like thirty thousand people, stadiums, two 867 00:35:57,560 --> 00:36:02,839 Speaker 2: super Bowl performances under the belt, super Bowl dancing, choreography, 868 00:36:03,600 --> 00:36:09,279 Speaker 2: everything like we go crazy boom. I definitely want to 869 00:36:09,280 --> 00:36:12,080 Speaker 2: have a lot more albums out, Like I look at 870 00:36:12,080 --> 00:36:15,719 Speaker 2: it like like Prince Like he dropped thirty albums, you 871 00:36:15,760 --> 00:36:18,560 Speaker 2: know what I'm saying. So I don't want to drop 872 00:36:18,560 --> 00:36:23,680 Speaker 2: no posthumous albums. Definitely, Yeah, more music, a lot of 873 00:36:23,680 --> 00:36:27,040 Speaker 2: more albums out, a lot more albums, no posthumous albums, 874 00:36:27,040 --> 00:36:28,959 Speaker 2: no posthumous album I'm gonna get it all out for sure. 875 00:36:29,200 --> 00:36:31,239 Speaker 1: What does that look like if you have that opportunity 876 00:36:31,239 --> 00:36:34,400 Speaker 1: to do Super Bowl? Like, have you thought about that? 877 00:36:34,400 --> 00:36:36,719 Speaker 2: That's just you're gonna see final forms soly like I'm 878 00:36:36,719 --> 00:36:41,360 Speaker 2: going Michael Jackson mod like for sure, choreography, choreography, flying 879 00:36:41,400 --> 00:36:45,320 Speaker 2: through the stadium, backflips, ship all type of stuff. 880 00:36:45,920 --> 00:36:46,279 Speaker 3: For real? 881 00:36:47,080 --> 00:36:51,840 Speaker 1: What are you are? Your pet peeves or triggers? Mm hmm. 882 00:36:55,200 --> 00:36:55,759 Speaker 3: Liars? 883 00:36:56,520 --> 00:36:57,000 Speaker 1: Liars? 884 00:36:57,280 --> 00:36:58,920 Speaker 3: Yeah, liars? 885 00:37:00,760 --> 00:37:01,800 Speaker 1: Are you a trick teller? 886 00:37:04,960 --> 00:37:09,440 Speaker 3: For the most part? You go lie right now? I 887 00:37:09,440 --> 00:37:10,399 Speaker 3: tell the truth. I tell the true. 888 00:37:10,400 --> 00:37:12,680 Speaker 2: I keep it real for show shop. I don't even 889 00:37:12,800 --> 00:37:14,880 Speaker 2: like I don't even really like the sugarcoach it. Sometimes 890 00:37:14,880 --> 00:37:16,759 Speaker 2: it's like, damn, you gotta be real. I gotta keep 891 00:37:17,080 --> 00:37:20,920 Speaker 2: keep it your respect. 892 00:37:21,040 --> 00:37:22,799 Speaker 5: And then in real life, what do you think your 893 00:37:22,840 --> 00:37:25,160 Speaker 5: superpower is? Like what do you think the thing is 894 00:37:25,760 --> 00:37:28,200 Speaker 5: that has gotten you here? Like what makes you different 895 00:37:28,280 --> 00:37:30,120 Speaker 5: or makes you able to create the way you create? 896 00:37:30,400 --> 00:37:31,600 Speaker 5: What's your superpower? 897 00:37:32,400 --> 00:37:34,320 Speaker 3: Oh yeah? Partly of melodies for show melodies? 898 00:37:34,520 --> 00:37:37,640 Speaker 1: Melodies? Yeah, you know how to do a melody? What's 899 00:37:37,680 --> 00:37:38,279 Speaker 1: the key to that? 900 00:37:38,320 --> 00:37:38,520 Speaker 3: Though? 901 00:37:38,600 --> 00:37:41,279 Speaker 1: Like, what's the key to a good melody? Like how 902 00:37:41,320 --> 00:37:43,920 Speaker 1: do you even know if this is fire? Is it 903 00:37:44,000 --> 00:37:45,279 Speaker 1: just something you feel. 904 00:37:45,480 --> 00:37:47,279 Speaker 2: You gotta it's gotta be tucked in the beat, like 905 00:37:47,960 --> 00:37:51,000 Speaker 2: you gotta ride on the beat, Like gotta be writ 906 00:37:51,040 --> 00:37:51,480 Speaker 2: in pocket. 907 00:37:52,120 --> 00:37:53,000 Speaker 1: Can you teach that? 908 00:37:53,239 --> 00:37:57,759 Speaker 2: Or is that something you you gotta have like that 909 00:37:57,920 --> 00:38:00,000 Speaker 2: internal rhythm? 910 00:38:00,200 --> 00:38:02,520 Speaker 3: You know what I'm saying. Yeah, some peep gott it, 911 00:38:02,600 --> 00:38:05,719 Speaker 3: some people don't. I guess for real, Hey guys. 912 00:38:05,760 --> 00:38:08,520 Speaker 1: Support for this podcast is brought to you by Walden University. 913 00:38:08,960 --> 00:38:11,600 Speaker 1: Have you ever thought to yourself, what if I could 914 00:38:11,640 --> 00:38:14,640 Speaker 1: go after what I actually want and I could really 915 00:38:14,680 --> 00:38:17,319 Speaker 1: make a difference. Well, you are not alone, and this 916 00:38:17,440 --> 00:38:19,960 Speaker 1: is exactly why I want to tell you about Walden University. 917 00:38:20,200 --> 00:38:23,719 Speaker 1: For over fifty years, Walden has helped working adults like 918 00:38:23,800 --> 00:38:27,520 Speaker 1: you get the w with the knowledge, the skills and 919 00:38:27,600 --> 00:38:29,759 Speaker 1: everything you need to build the future that you want 920 00:38:30,000 --> 00:38:32,240 Speaker 1: and you can make a difference where it matters most. 921 00:38:32,440 --> 00:38:35,000 Speaker 1: If you've been waiting for the right moment, this is it. 922 00:38:35,200 --> 00:38:38,560 Speaker 1: Head to waldenu dot edu and take that first step. 923 00:38:38,760 --> 00:38:42,920 Speaker 1: Walden University set a course for change, certified to operate 924 00:38:43,000 --> 00:38:45,840 Speaker 1: by CHEV. This isn't in real life bowl. Pick a question. 925 00:38:46,320 --> 00:38:49,040 Speaker 2: How happy are you from a scale of one to tea? Oh, 926 00:38:49,920 --> 00:38:51,680 Speaker 2: that's a good one, super happy man? 927 00:38:52,160 --> 00:38:53,000 Speaker 3: Thirty five man? 928 00:38:54,280 --> 00:38:54,360 Speaker 4: Right? 929 00:38:54,640 --> 00:38:55,919 Speaker 1: Is that real? Yeah? 930 00:38:55,920 --> 00:39:00,480 Speaker 3: Because the album album out of everything good that makes 931 00:39:00,520 --> 00:39:03,719 Speaker 3: you happy? That makes me overjoyed, like overjoyed? 932 00:39:03,760 --> 00:39:06,279 Speaker 5: Are you genuinely a happy person most of the time 933 00:39:06,719 --> 00:39:08,239 Speaker 5: or physic go up and down? 934 00:39:08,880 --> 00:39:10,520 Speaker 2: Nah, I ain't gonna take a lot to like really 935 00:39:10,520 --> 00:39:12,120 Speaker 2: bother me. And shit, you know what I'm saying. You 936 00:39:12,160 --> 00:39:13,440 Speaker 2: put out, that's what you get back. Like I'm just 937 00:39:13,480 --> 00:39:15,319 Speaker 2: if you walk around like what a shitty added two 938 00:39:15,320 --> 00:39:17,960 Speaker 2: all times like a life gonna give you back, you 939 00:39:18,000 --> 00:39:20,400 Speaker 2: know what I'm saying. But yeah, you're happy, you believe, 940 00:39:21,280 --> 00:39:22,320 Speaker 2: you're staying optimistic. 941 00:39:22,520 --> 00:39:23,040 Speaker 3: You know what I'm saying. 942 00:39:23,080 --> 00:39:26,879 Speaker 2: You find the reasons to be happy, like, yeah, let's 943 00:39:26,920 --> 00:39:28,120 Speaker 2: get more from life for sure. 944 00:39:28,280 --> 00:39:29,919 Speaker 1: On the scale of once to you at. 945 00:39:29,840 --> 00:39:34,480 Speaker 3: Thirty five five in real life, same difference. All right, now, 946 00:39:35,880 --> 00:39:37,120 Speaker 3: you know what I'm saying. We've got the album at 947 00:39:37,120 --> 00:39:37,840 Speaker 3: We're good now. 948 00:39:38,239 --> 00:39:41,040 Speaker 1: Swayly everybody in real life. 949 00:39:41,520 --> 00:39:48,880 Speaker 3: Appreciate, Thank you love. This is Swaly in real life. 950 00:39:49,160 --> 00:39:52,759 Speaker 1: Hey guys, thanks for watching. Make sure you subscribe, like comments, 951 00:39:52,880 --> 00:39:54,880 Speaker 1: and check out all of the other episodes we have 952 00:39:55,000 --> 00:40:00,360 Speaker 1: on Edge. Martinez I RL Podcast No.