WEBVTT - INTERVIEW: 50 Cent Talks Vegas Residency, Advice To Lil Durk, G-Unit, Big Meech's Next Move, Diddy + More

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<v Speaker 3>Wake that ass up in the morning.

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<v Speaker 1>Breakfast Club Morning, everybody's DEJNV just allowed charlamage. The guy

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<v Speaker 1>we are the Breakfast Club Ess is still on maternity

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<v Speaker 1>leave on the roads is feeling in it.

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<v Speaker 2>And we got a special guest in the building.

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<v Speaker 3>The ladies and gentlemen here, I'm here, baby, I'm here

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<v Speaker 3>frightening early.

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<v Speaker 1>But first and foremost just said she wants that bottle signed.

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<v Speaker 1>First and foremost she said, make sure fifth signs to

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<v Speaker 1>bout what I told.

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<v Speaker 4>If you just want to roll in something.

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<v Speaker 5>You know what slowed her down this She would have

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<v Speaker 5>already been in power if she was, because I've been.

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<v Speaker 4>I don't tell me that she won't come back.

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<v Speaker 3>Just what happened was like we had talked about doing something.

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<v Speaker 4>It was a role.

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<v Speaker 5>Actually, me and Mary had a project that was like

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<v Speaker 5>the it was like the Brady Bugs. It's like a

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<v Speaker 5>new urban version of it, and it had uh. I

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<v Speaker 5>was just with her son and I saw that and

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<v Speaker 5>I was like, yo, if she should play that, like

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<v Speaker 5>we should put it in this thing, And then we

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<v Speaker 5>had it. It was in development for a while. A

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<v Speaker 5>lot of projects don't actually make it the television. A

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<v Speaker 5>lot that one, specifically if fell apart, had a husband

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<v Speaker 5>and wife write a team that we just couldn't get

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<v Speaker 5>it over the water with the scripts.

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<v Speaker 3>So that one, you know, we just went back to

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<v Speaker 3>the joint.

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<v Speaker 5>But but I had some things that I was looking

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<v Speaker 5>to just for already, because like I watched people online

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<v Speaker 5>and I see like they working and there's no real

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<v Speaker 5>they're receiving, like they're trying to monetize the material that

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<v Speaker 5>they putting out. But it's not a big Bay Day,

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<v Speaker 5>like as big as it could be when they're on on.

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<v Speaker 6>The show like Network TV.

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<v Speaker 5>So I look and see it was really working because

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<v Speaker 5>some of them stand out. They just just it just

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<v Speaker 5>works out the gate like she was.

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<v Speaker 3>One of them.

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<v Speaker 7>Look at this ninety nine. I didn't even see this

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<v Speaker 7>till just now. Good morning. Tell fifty. I love him

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<v Speaker 7>and I'm still waiting for him.

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<v Speaker 2>She SAIDs last night.

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<v Speaker 1>Now, we got a lot of people coming this week, right,

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<v Speaker 1>one of them, Kamala Harris, is checking in all these

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<v Speaker 1>people on the list. The first thing she says, Man,

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<v Speaker 1>fifty gonna be there tomorrow. YO, tell them, I said,

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<v Speaker 1>was up, And I wish I could have seen them,

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<v Speaker 1>have them record a video saying something to me or something.

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<v Speaker 2>I don't give a fuck, man, I'm mad as a bitch.

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<v Speaker 2>I'm not going to be there.

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<v Speaker 6>So she need her job, she needs her drops. She

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<v Speaker 6>went to signed.

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<v Speaker 3>We got something to do some stuff for her.

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<v Speaker 7>I think you get a lot of that because you

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<v Speaker 7>you so accessible.

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<v Speaker 4>Still, Yeah, I.

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<v Speaker 5>Talked to her like I saw I saw working and

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<v Speaker 5>I started DMO and was talking to her about it

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<v Speaker 5>already like long before, because I was like, yo, no,

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<v Speaker 5>this is it will fit perfect here. Just trying to

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<v Speaker 5>place it in a big part instead of like a

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<v Speaker 5>cameo or something was what held it out.

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<v Speaker 4>You still got time, you got a lot of show.

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<v Speaker 7>One of the things I always wanted to ask you, man,

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<v Speaker 7>whyld Shreveport the destination spot for your studio.

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<v Speaker 5>It was because they already had the infrastructure, like they

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<v Speaker 5>had already had the taxing center of everything there to

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<v Speaker 5>have a business be functional.

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<v Speaker 3>Like if you think about like New York, LA, the students.

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<v Speaker 5>Out here, they're paying fifty eight percent the taxes now,

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<v Speaker 5>so if you was on the thirty nine percent, you're

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<v Speaker 5>already going out of business. If you don't scale back,

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<v Speaker 5>you're already going out of business. So a lot of

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<v Speaker 5>them didn't make adjustments. In California, I'm buying equipment from

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<v Speaker 5>their companies after the fire, bankruptcy Turk for cheap prices.

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<v Speaker 3>Hey pennies on the dollar.

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<v Speaker 1>Now break down Streetport because a lot of people have

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<v Speaker 1>never been to Streetport. But you know, people say it's

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<v Speaker 1>a very violent place. You know what look, but that weekend,

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<v Speaker 1>that's a part of a.

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<v Speaker 5>Reputation that we don't know because when we did, like

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<v Speaker 5>the time that I did go that we had zero violence,

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<v Speaker 5>you know what I mean for four days straight and

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<v Speaker 5>I don't know, nobody is said that they didn't have

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<v Speaker 5>a good time. And for me, look, I look, when

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<v Speaker 5>I get into these podcasts, of course I'm gonna you know,

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<v Speaker 5>I type in, I'm gonna get into the neighborhoods and

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<v Speaker 5>make them understand what it means to the town, to

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<v Speaker 5>the city itself if it goes.

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<v Speaker 3>The right way, and then you don't have no violence. Now,

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<v Speaker 3>a lot of times if people.

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<v Speaker 5>Go there and they don't know where you're from, or

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<v Speaker 5>what you're doing, or how in every neighborhood it's a

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<v Speaker 5>little bit of it's an element there something going on there.

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<v Speaker 3>And then when for there be nothing them.

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<v Speaker 5>Was looked at it like I had to go to

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<v Speaker 5>Louisiana to meet with the governor Jeff to talk about

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<v Speaker 5>the taxes because they was talking about changing it and

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<v Speaker 5>kind of carve out what I would need to be

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<v Speaker 5>comfortable stand in that place because there's look at that point,

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<v Speaker 5>so I mean I didn't have time. I spent We

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<v Speaker 5>had ninety days, bro Like even though look at the

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<v Speaker 5>car shows scenario, it was like.

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<v Speaker 3>Let's do it.

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<v Speaker 5>We hear a roadblock, I go, no, let's just do

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<v Speaker 5>it anyway, Like, let's just do it, you know what

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<v Speaker 5>I mean?

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<v Speaker 3>Because I wanted to make sure we had something for everybody.

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<v Speaker 1>How much did you spend that that weekend? Because out

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<v Speaker 1>of your own money? Yeah, because there was no you

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<v Speaker 1>didn't have no, no huge sponsor, syst nothing like that.

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<v Speaker 2>All out your pocket.

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<v Speaker 1>You built the people don't understand what you did, and

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<v Speaker 1>it's hard to describe it. Like you built your own club,

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<v Speaker 1>you built your own car show, fit, gym, you brought

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<v Speaker 1>your own restaurants, like you built a city in Treeport

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<v Speaker 1>for that weekend, but.

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<v Speaker 5>Just to show them what would happen, because then you

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<v Speaker 5>get thirty five thousand people to come to the town.

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<v Speaker 5>The tax, the hotel taxes where people staying in not

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<v Speaker 5>only on this reports side, but the busures side. They

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<v Speaker 5>raised the hotel prices when they see so many the

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<v Speaker 5>demand for it. The flights went from two hundred and

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<v Speaker 5>thirty nine dollars to twelve hundred dollars.

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<v Speaker 3>Coach, Yes, you know what I mean.

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<v Speaker 5>And you're going, man, why I just can't leave it

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<v Speaker 5>two hundred dollars leave it there because we need everybody

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<v Speaker 5>to come, you know.

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<v Speaker 3>But it almost was.

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<v Speaker 5>It builds excitement when you when you do it the

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<v Speaker 5>first time and it's successful like that. They showed out,

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<v Speaker 5>like the people's report, not having any altercations or not

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<v Speaker 5>doing anything. I think it also attributes to the morale

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<v Speaker 5>of law enforcement because when they're being paid, like I

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<v Speaker 5>was paying them THEMN in sixty five dollars an hour,

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<v Speaker 5>so I had to put spend additional six hundred thousand.

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<v Speaker 5>But they were in a good space, so they're not

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<v Speaker 5>looking to arrest you.

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<v Speaker 3>They're looking to keep everything cool.

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<v Speaker 5>And I think that temper when when they when you

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<v Speaker 5>for law enforcement, when they come out there like that,

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<v Speaker 5>everybody chills out because it's like they're not even tripping

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<v Speaker 5>while we tripping all or I don't.

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<v Speaker 3>You don't want to prove nothing when everything's going smooth.

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<v Speaker 4>So everybody got taken care of except a Hurricane Chris.

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<v Speaker 6>All of that, and Hurricane Christill has something to say.

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<v Speaker 6>I know you posted they need to.

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<v Speaker 3>Try and sell a record, man.

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<v Speaker 5>That's a part of our coach also, right, and and

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<v Speaker 5>that publicity tried to build some noise to drop a record,

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<v Speaker 5>and it didn't work because it's just like when the whole.

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<v Speaker 3>Event and everything is positive and you come with.

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<v Speaker 5>I'm gonna kill somebody energy and they go for what

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<v Speaker 5>exactly for.

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<v Speaker 3>For building the economy and the city that needs it.

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<v Speaker 5>When you got that many people there understanding, the smartest

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<v Speaker 5>people that's there looking go this food, just want clicks

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<v Speaker 5>on the thing, like on on the machine, because you

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<v Speaker 5>can't there's nothing the negative about it.

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<v Speaker 3>You can't find a negative point.

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<v Speaker 5>And that specifically, even I took away from hip hop

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<v Speaker 5>and made a human harmony, made it the comedians, the

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<v Speaker 5>comedy side, the things, let's laugh, let's love music, bro,

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<v Speaker 5>you know what I'm saying. Instead of it being because

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<v Speaker 5>that energy, if we bring that and then something happens,

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<v Speaker 5>they go it was this that did it, you know,

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<v Speaker 5>And and people assumed that we couldn't have a good

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<v Speaker 5>time there, but you know obviously we did.

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<v Speaker 4>And you had Louisiana artists there. Yeah, yeah, he was there.

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<v Speaker 5>Look Fredo gets playing my rock like that kid, I don't.

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<v Speaker 5>I don't play it like that was a thousand years ago.

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<v Speaker 5>I was like, that was not that's not in my playlist,

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<v Speaker 5>like you know, like these kids like Freddo looked.

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<v Speaker 3>He was like, yo, I don't even know he I

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<v Speaker 3>know the word for word.

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<v Speaker 5>The songs because I'm listening to the music. You know

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<v Speaker 5>what I'm saying, and it's it's I had a good time.

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<v Speaker 5>Even if some of the other artists, real local artists,

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<v Speaker 5>they got a.

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<v Speaker 3>Chance to rock, you know what I mean. It's just

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<v Speaker 3>he just was upset because he wasn't a part of that.

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<v Speaker 1>Now when you look at some of these younger artists

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<v Speaker 1>and you see how they idolize you and idolize your music,

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<v Speaker 1>and then you see them get caught up. Yeah, do

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<v Speaker 1>you have conversations with them? Like I remember Castanova and

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<v Speaker 1>you was trying to talk to Castanova with Troy av

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<v Speaker 1>and now little Dirk, do you have conversations with them

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<v Speaker 1>and be like I've seen this play before.

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<v Speaker 3>And even with Dirk, I was telling him, like when

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<v Speaker 3>I had him, he was saying in New York, we

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<v Speaker 3>did uh the power.

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<v Speaker 6>That's first and last acting roll at this point.

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<v Speaker 5>But we did the the uh not that the acting

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<v Speaker 5>ro when were doing the theme song for Force, the

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<v Speaker 5>Chicago version.

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<v Speaker 3>Then like I was like, yo, this is this is

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<v Speaker 3>done right, then it's real ship.

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<v Speaker 5>Right. He's like yeah, And I said, yo, just watch

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<v Speaker 5>him his crew because he said that, you know what

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<v Speaker 5>I'm saying. And it's like, like I've always had that

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<v Speaker 5>energy myself in the middle of everything that was going on.

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<v Speaker 3>I'm not just watching. We know.

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<v Speaker 5>Where was you at Thursday?

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<v Speaker 3>If you got pulled up and you got in jail,

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<v Speaker 3>why are.

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<v Speaker 4>You not Damn did you ever have that though? I'm

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<v Speaker 4>sure you did.

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<v Speaker 3>Yeah, I've had guys.

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<v Speaker 5>Look, I had a driver he got he was supposed

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<v Speaker 5>to go from Vegas to meet me in Miami, and

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<v Speaker 5>he got. He went into the airport with a.

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<v Speaker 3>Ham on them.

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<v Speaker 5>So I'm like, lawyer called me like two o'clock in

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<v Speaker 5>the morning, says, you got rested this and I go oh,

0:10:36.920 --> 0:10:39.520
<v Speaker 5>I said, he said, all right, to send the lawyer

0:10:39.520 --> 0:10:39.839
<v Speaker 5>for him.

0:10:39.840 --> 0:10:40.760
<v Speaker 3>I said, he a't.

0:10:40.600 --> 0:10:43.640
<v Speaker 5>Gonna need a lawyer, gonna need bond the lawyer after

0:10:43.679 --> 0:10:46.480
<v Speaker 5>that when you got priored, right, And then he called

0:10:46.559 --> 0:10:48.319
<v Speaker 5>back and he says, no, no, he said this that

0:10:48.440 --> 0:10:49.120
<v Speaker 5>he made the flight.

0:10:51.280 --> 0:10:56.120
<v Speaker 3>He made the flight already got fired, felady. He made

0:10:56.120 --> 0:10:57.920
<v Speaker 3>the flight. By the time we get in the car,

0:10:58.360 --> 0:10:59.079
<v Speaker 3>I sat in the car.

0:10:59.200 --> 0:11:08.920
<v Speaker 5>Man, I'm like, I said, motherfucker all the way to

0:11:09.040 --> 0:11:11.640
<v Speaker 5>the hotel. We get there waiting on the sticker and

0:11:11.640 --> 0:11:13.440
<v Speaker 5>tell me how the fuck you got on that plane?

0:11:14.600 --> 0:11:17.120
<v Speaker 5>Then he go, yo, this this is, this is but

0:11:17.200 --> 0:11:19.439
<v Speaker 5>he's so weirded out, like it's so it's energy. He

0:11:19.440 --> 0:11:22.240
<v Speaker 5>didn't even know how to hey, like, what's up? Like

0:11:22.280 --> 0:11:23.840
<v Speaker 5>as soon as get getting to the car, he didn't

0:11:23.880 --> 0:11:27.640
<v Speaker 5>know how to do it. And don't let him drive

0:11:27.679 --> 0:11:31.679
<v Speaker 5>you man, you know you got some funny bunness going on.

0:11:31.720 --> 0:11:32.760
<v Speaker 3>You know what I say. You can't get.

0:11:32.679 --> 0:11:35.040
<v Speaker 5>Picked up after you have rise and then they just

0:11:35.120 --> 0:11:38.880
<v Speaker 5>let you go even with it permits. If you would

0:11:39.000 --> 0:11:41.439
<v Speaker 5>not make the flight, there's no way he got He

0:11:41.640 --> 0:11:43.040
<v Speaker 5>ended up on a flight. Me, he already had a

0:11:43.040 --> 0:11:45.920
<v Speaker 5>handler for him to make the flight. You got to

0:11:45.960 --> 0:11:47.080
<v Speaker 5>already have somebody can.

0:11:46.960 --> 0:11:49.480
<v Speaker 2>Call being able to get him out.

0:11:51.080 --> 0:11:53.720
<v Speaker 6>When you said that that, Dirk, what was his response to,

0:11:53.760 --> 0:11:56.800
<v Speaker 6>you see you know what you see?

0:11:56.880 --> 0:11:58.520
<v Speaker 5>Somebody just came to my house. How do you know

0:11:58.559 --> 0:12:02.880
<v Speaker 5>exactly who? Address nobody like this? It's not because something happened.

0:12:03.040 --> 0:12:06.040
<v Speaker 6>Robbery and Georgia. When his when India had went straight

0:12:06.120 --> 0:12:06.920
<v Speaker 6>to talking about.

0:12:06.679 --> 0:12:11.480
<v Speaker 7>That, what do you think it is about many men

0:12:11.520 --> 0:12:13.200
<v Speaker 7>that resonate so much with this generation.

0:12:13.559 --> 0:12:16.560
<v Speaker 5>I think that they know that the opposition mm hmm.

0:12:17.000 --> 0:12:19.960
<v Speaker 5>They know who the other side is. Why, so they

0:12:20.000 --> 0:12:22.679
<v Speaker 5>know when his cruise, there's a bunch of them over there.

0:12:22.679 --> 0:12:25.320
<v Speaker 5>They all rock with each other. So if you a

0:12:25.400 --> 0:12:30.800
<v Speaker 5>recognizable person on the other side, then they're already that

0:12:30.920 --> 0:12:34.600
<v Speaker 5>top vibe. Start feeling like they all want me or

0:12:34.640 --> 0:12:37.079
<v Speaker 5>they know that I'm a valuable piece over here, so

0:12:37.120 --> 0:12:39.880
<v Speaker 5>if they hit me, then it'll create confusion over here.

0:12:40.880 --> 0:12:45.400
<v Speaker 3>So they It resonates even in the drill culture.

0:12:46.280 --> 0:12:48.679
<v Speaker 1>But you was able to see it early, right because

0:12:48.679 --> 0:12:50.719
<v Speaker 1>you've always made early residency.

0:12:50.920 --> 0:12:52.080
<v Speaker 2>I am not gang gang.

0:12:52.120 --> 0:12:56.880
<v Speaker 3>I don't know. I do not like I do not

0:12:56.920 --> 0:12:57.800
<v Speaker 3>like conspiracy.

0:12:58.360 --> 0:13:00.839
<v Speaker 5>Keep both of those brothers away from me. I don't

0:13:00.920 --> 0:13:03.800
<v Speaker 5>like neither one of those things. And these laws are

0:13:03.880 --> 0:13:06.560
<v Speaker 5>designed to bring down the mafia bro Italian. Look when

0:13:06.600 --> 0:13:14.679
<v Speaker 5>they say they reserve, they reserved the ability to to offer.

0:13:14.760 --> 0:13:17.080
<v Speaker 5>Like when you think criminal crime in general, right when

0:13:17.400 --> 0:13:20.640
<v Speaker 5>when I said the word organized, it means intelligence. That's

0:13:20.679 --> 0:13:22.640
<v Speaker 5>why when I say organized crime, you only think of

0:13:22.640 --> 0:13:23.720
<v Speaker 5>white Italian Americans.

0:13:23.720 --> 0:13:26.000
<v Speaker 3>You don't think of triads, you don't think of Russians.

0:13:26.200 --> 0:13:30.680
<v Speaker 5>You don't think of any other ethnicity, right, Serbians, none

0:13:30.720 --> 0:13:32.319
<v Speaker 5>of that. And we put all of that in power

0:13:32.360 --> 0:13:35.520
<v Speaker 5>because there's different versions of it of it that and

0:13:35.559 --> 0:13:38.400
<v Speaker 5>we wanted to have it feel like the city feels

0:13:38.400 --> 0:13:40.920
<v Speaker 5>like it's thirteen million people. It's a mountain pot of

0:13:40.960 --> 0:13:43.040
<v Speaker 5>people here. Culturally, you want it to be as diverse

0:13:43.040 --> 0:13:46.680
<v Speaker 5>as possible. So but when you do think about it,

0:13:46.720 --> 0:13:50.360
<v Speaker 5>when they do say organize, it's saying smart criminal. If

0:13:50.360 --> 0:13:52.280
<v Speaker 5>they have to point to a criminal, say smart, it's

0:13:52.280 --> 0:13:54.480
<v Speaker 5>going to be a white Italian American. We are still

0:13:54.480 --> 0:13:57.160
<v Speaker 5>in America. You see what I'm saying. They're not gonna

0:13:57.160 --> 0:13:59.160
<v Speaker 5>call anybody all smart. They'll call you kingpin, they'll call

0:13:59.200 --> 0:14:02.439
<v Speaker 5>you a gay leader, and they'll say massive amounts of

0:14:02.480 --> 0:14:05.280
<v Speaker 5>money or message that they were brought in at those points.

0:14:05.280 --> 0:14:07.920
<v Speaker 3>But they're not gonna call you smart. What did you say?

0:14:07.920 --> 0:14:09.840
<v Speaker 4>They have even did that with meet When you think about.

0:14:09.640 --> 0:14:13.200
<v Speaker 3>It, it was k yeah, yeah, yeah, You're not gonna say.

0:14:13.520 --> 0:14:14.640
<v Speaker 2>What did you see early enough?

0:14:14.679 --> 0:14:17.920
<v Speaker 5>That was like, nah, I just never seen anyone successful

0:14:17.920 --> 0:14:21.440
<v Speaker 5>in a game ever in the history of gangs. I

0:14:21.480 --> 0:14:25.960
<v Speaker 5>haven't seen success. So I join the sorority. That's the

0:14:26.040 --> 0:14:26.400
<v Speaker 5>gag that.

0:14:27.880 --> 0:14:31.720
<v Speaker 3>People who actually make it, you know, like join.

0:14:31.680 --> 0:14:36.680
<v Speaker 5>Those kind of games. I'll do something that kind of gag.

0:14:36.720 --> 0:14:37.240
<v Speaker 3>I'm with it.

0:14:37.920 --> 0:14:40.280
<v Speaker 5>I joined if they let me those games, because they

0:14:40.320 --> 0:14:43.360
<v Speaker 5>go into success and stay connected to each other and

0:14:43.400 --> 0:14:47.120
<v Speaker 5>they feel like brotherly energy or they will do whatever

0:14:47.200 --> 0:14:49.520
<v Speaker 5>for you because like that's my brother already, you know

0:14:49.520 --> 0:14:52.360
<v Speaker 5>what I mean. Like but that I never seen anyone

0:14:52.480 --> 0:14:55.280
<v Speaker 5>have successive games. And I look like it's so easy.

0:14:55.320 --> 0:14:57.880
<v Speaker 5>You don't even have to be involved. All you gotta

0:14:57.920 --> 0:14:59.160
<v Speaker 5>do is be aware.

0:14:59.600 --> 0:14:59.880
<v Speaker 3>What you do.

0:15:00.200 --> 0:15:01.800
<v Speaker 4>Say, g unit, I started my own game back in

0:15:01.840 --> 0:15:02.080
<v Speaker 4>the day.

0:15:02.160 --> 0:15:05.160
<v Speaker 5>Yeah, yeah, because the energy was there, Like I look

0:15:05.280 --> 0:15:09.160
<v Speaker 5>the youth, the younger So, I mean, the younger dudes

0:15:09.200 --> 0:15:11.200
<v Speaker 5>do not want to follow the older guy's path.

0:15:12.440 --> 0:15:14.640
<v Speaker 3>They don't you recognize what you did then?

0:15:14.960 --> 0:15:18.280
<v Speaker 5>Yeah, but every money in Black History Month, that's February,

0:15:18.400 --> 0:15:18.800
<v Speaker 5>my brother.

0:15:19.720 --> 0:15:20.520
<v Speaker 3>You know you did that.

0:15:20.520 --> 0:15:23.360
<v Speaker 5>That was a long time ago and they're out active now,

0:15:23.520 --> 0:15:26.360
<v Speaker 5>so they don't want to follow that step. And when

0:15:26.400 --> 0:15:29.000
<v Speaker 5>I start doing that, it brought the ability to do

0:15:29.040 --> 0:15:32.760
<v Speaker 5>different things did around it. The older dudes already had

0:15:32.800 --> 0:15:35.720
<v Speaker 5>that where they could send ahead or do different things,

0:15:36.040 --> 0:15:38.120
<v Speaker 5>and that, you know, brought that to me.

0:15:39.120 --> 0:15:40.800
<v Speaker 2>You mentioned you mentioned me. Have you spoken to me

0:15:41.000 --> 0:15:41.280
<v Speaker 2>at all?

0:15:41.720 --> 0:15:44.480
<v Speaker 5>I had a text message, conversations back and forth.

0:15:44.680 --> 0:15:47.000
<v Speaker 3>Because he's in the halfway house.

0:15:47.640 --> 0:15:50.760
<v Speaker 4>You think should be got a lot of things.

0:15:50.560 --> 0:15:50.960
<v Speaker 3>He can do.

0:15:51.000 --> 0:15:52.840
<v Speaker 5>Man, you might want to make a movie, he might

0:15:52.880 --> 0:15:54.760
<v Speaker 5>want to do some different things where you know, because

0:15:55.360 --> 0:16:00.640
<v Speaker 5>a lot of I understand how important real it's to

0:16:00.680 --> 0:16:03.800
<v Speaker 5>our culture, right, But when you developing television, it's to

0:16:03.840 --> 0:16:06.280
<v Speaker 5>find the best possible story you can.

0:16:06.200 --> 0:16:07.800
<v Speaker 3>Find and then make up somethings.

0:16:08.320 --> 0:16:11.840
<v Speaker 5>You got to make up things because your life in

0:16:11.880 --> 0:16:14.400
<v Speaker 5>the second Charlomagne's life, So I immediately get a little

0:16:14.400 --> 0:16:17.280
<v Speaker 5>lossuit when we get over there. This is what you understand, i'maying.

0:16:17.280 --> 0:16:18.960
<v Speaker 5>So you got to change things around a little bit.

0:16:19.040 --> 0:16:23.240
<v Speaker 5>And then that's the uh the series when when you

0:16:23.320 --> 0:16:25.880
<v Speaker 5>see we see high notes, we see low notes, and

0:16:26.080 --> 0:16:29.080
<v Speaker 5>at points it's when they do something that's like when

0:16:29.160 --> 0:16:32.800
<v Speaker 5>we have a TV moment when it feels like completely real.

0:16:32.840 --> 0:16:34.040
<v Speaker 5>And this is why it was important for me to

0:16:34.040 --> 0:16:36.400
<v Speaker 5>get a little meets ready so he can go there

0:16:36.400 --> 0:16:37.960
<v Speaker 5>because when you're watch it and it's good and then

0:16:38.000 --> 0:16:40.640
<v Speaker 5>you go you know, that's the sun right And as

0:16:40.640 --> 0:16:42.000
<v Speaker 5>a fun fact to the person.

0:16:41.800 --> 0:16:43.080
<v Speaker 3>Who's watching with you.

0:16:43.080 --> 0:16:45.560
<v Speaker 5>You feel like this it's got to be true because

0:16:45.680 --> 0:16:50.040
<v Speaker 5>the sun is there, and this is and and that's

0:16:50.040 --> 0:16:51.920
<v Speaker 5>a rarity. You probably won't ever see that again.

0:16:52.800 --> 0:16:54.560
<v Speaker 7>You seem like the type of person too that don't

0:16:54.600 --> 0:16:56.680
<v Speaker 7>like to stay in one place too long. So that's

0:16:56.680 --> 0:16:59.360
<v Speaker 7>why I was shocked when I started residency announcement, because

0:16:59.400 --> 0:17:01.200
<v Speaker 7>I feel like, you know, you a hustler, like you

0:17:01.280 --> 0:17:03.119
<v Speaker 7>like to be moved, you like to be stationary.

0:17:03.240 --> 0:17:07.800
<v Speaker 1>Well, congratulations Week twenty seventh December twenty seventh, twenty eight

0:17:07.840 --> 0:17:11.000
<v Speaker 1>to thirty if the thirty first January third January fourth

0:17:11.040 --> 0:17:13.760
<v Speaker 1>at Planet Hollywood Resort and Casino fifteen million.

0:17:14.119 --> 0:17:15.720
<v Speaker 5>But just look at it, I may able to do

0:17:15.800 --> 0:17:18.240
<v Speaker 5>things production wise because we don't got to take it

0:17:18.240 --> 0:17:19.200
<v Speaker 5>apart and put it back together.

0:17:19.280 --> 0:17:20.840
<v Speaker 3>Take it apart and put it back together.

0:17:20.880 --> 0:17:23.439
<v Speaker 5>So I can build a set where I can do

0:17:23.520 --> 0:17:25.560
<v Speaker 5>some tricks and different things that I could make the

0:17:25.600 --> 0:17:26.600
<v Speaker 5>sell more entertaining.

0:17:26.640 --> 0:17:28.880
<v Speaker 3>And I want to do that and then change.

0:17:28.640 --> 0:17:32.560
<v Speaker 5>The set around because I kept, look, it's easy stuff

0:17:32.600 --> 0:17:35.880
<v Speaker 5>that you I can play. It's gonna give a spot immediately, right,

0:17:35.920 --> 0:17:38.840
<v Speaker 5>and then there's things that it hits that or records

0:17:38.880 --> 0:17:42.320
<v Speaker 5>that I could have played in place of those songs that.

0:17:44.640 --> 0:17:45.440
<v Speaker 3>Equally it's good.

0:17:45.480 --> 0:17:48.920
<v Speaker 5>I just think that they are because I made the choice.

0:17:49.119 --> 0:17:51.080
<v Speaker 5>I placed the other ones more often than the others.

0:17:51.080 --> 0:17:53.800
<v Speaker 1>So what made you want to do the residency in Vegas?

0:17:53.800 --> 0:17:56.000
<v Speaker 1>Because I mean, you just left the Final Lap Tour

0:17:56.480 --> 0:17:58.600
<v Speaker 1>and before you told me that, were you surprised at

0:17:58.600 --> 0:18:00.600
<v Speaker 1>the success of the Final Lap Tour because you haven't

0:18:00.600 --> 0:18:03.040
<v Speaker 1>done a tour in a long time and that Recity

0:18:03.600 --> 0:18:04.560
<v Speaker 1>country sold out?

0:18:04.600 --> 0:18:05.480
<v Speaker 2>Were you surprised a by that?

0:18:05.640 --> 0:18:08.359
<v Speaker 5>It was unique because that that tour, I didn't release

0:18:08.400 --> 0:18:11.600
<v Speaker 5>the album before, and every other tour went on, I

0:18:11.600 --> 0:18:12.160
<v Speaker 5>put out a.

0:18:12.080 --> 0:18:14.320
<v Speaker 3>New record and it.

0:18:13.880 --> 0:18:15.520
<v Speaker 5>Changed the show because I had to play some of

0:18:15.560 --> 0:18:18.199
<v Speaker 5>those songs from the new record and then get to

0:18:18.240 --> 0:18:21.119
<v Speaker 5>the hits that I already had gone. So that like

0:18:21.200 --> 0:18:23.399
<v Speaker 5>this time, it was like they said, we don't strike

0:18:23.520 --> 0:18:26.320
<v Speaker 5>as far as television is concerned. So I said, okay,

0:18:26.359 --> 0:18:29.520
<v Speaker 5>I'm on tour having the ability to do things that

0:18:29.560 --> 0:18:32.159
<v Speaker 5>the other guys that are producing stuff don't have, you

0:18:32.160 --> 0:18:35.280
<v Speaker 5>know what I mean? And like for like when I

0:18:35.320 --> 0:18:39.080
<v Speaker 5>communicate with Tyler, I tell him it's format, it's for us,

0:18:39.080 --> 0:18:41.760
<v Speaker 5>by us, you know, And I'm able to create things

0:18:41.760 --> 0:18:46.919
<v Speaker 5>without necessarily trying to service the Bible Belt at the

0:18:46.920 --> 0:18:51.439
<v Speaker 5>same time that Tyler's original audience is that, so he

0:18:51.560 --> 0:18:55.520
<v Speaker 5>keeps consistent themes going through his projects. And if you

0:18:55.600 --> 0:18:57.760
<v Speaker 5>had as much success as he's had, why would you

0:18:57.800 --> 0:18:58.320
<v Speaker 5>adjust it?

0:18:59.160 --> 0:18:59.359
<v Speaker 3>You know?

0:18:59.440 --> 0:19:03.239
<v Speaker 5>Like mine's I use family drama in format. So if

0:19:03.280 --> 0:19:06.760
<v Speaker 5>it's two brothers like Miech and Terry, the experiences is

0:19:07.200 --> 0:19:09.959
<v Speaker 5>one way. I'll give another example of the Floorest Twins

0:19:10.000 --> 0:19:15.199
<v Speaker 5>completely different, but the Mexican American version of Narcos, the

0:19:15.320 --> 0:19:17.680
<v Speaker 5>English speaking version of Arkles.

0:19:19.000 --> 0:19:21.320
<v Speaker 3>Get a chest off from that.

0:19:21.480 --> 0:19:22.439
<v Speaker 6>They look like in Vegas.

0:19:22.680 --> 0:19:25.080
<v Speaker 8>It's certain songs you can't do that you would do

0:19:25.119 --> 0:19:28.040
<v Speaker 8>anywhere else because like the Vegas crowd is like mainstreaming

0:19:28.040 --> 0:19:30.560
<v Speaker 8>people just coming through and all these different people, like

0:19:30.560 --> 0:19:33.240
<v Speaker 8>you got to reserve a certain list because you got

0:19:33.520 --> 0:19:35.679
<v Speaker 8>some stuff for the streets too that everybody loves.

0:19:35.720 --> 0:19:37.120
<v Speaker 6>But Vegas is Vegas.

0:19:37.200 --> 0:19:38.720
<v Speaker 3>Yeah, I think there's some stuff that I can.

0:19:38.840 --> 0:19:40.840
<v Speaker 5>I can do anything I want because there what's the name,

0:19:41.480 --> 0:19:44.679
<v Speaker 5>look I use I give myself an overall format for

0:19:44.800 --> 0:19:51.080
<v Speaker 5>Shore and the theme is the dream a dream. So

0:19:51.160 --> 0:19:54.359
<v Speaker 5>the sequences don't necessarily have to all make sense, but

0:19:54.400 --> 0:19:58.479
<v Speaker 5>they have to tie together to make an experience, you know.

0:19:58.560 --> 0:20:01.480
<v Speaker 3>And that's what the way I kind of built.

0:20:01.280 --> 0:20:03.840
<v Speaker 5>The show out before I got everybody else involved in

0:20:04.040 --> 0:20:06.720
<v Speaker 5>my creative around it, you know. But I want to

0:20:06.520 --> 0:20:09.359
<v Speaker 5>take it up and not you'll see the set. Everything

0:20:09.440 --> 0:20:10.600
<v Speaker 5>is kind of it's gonna be crazy.

0:20:10.720 --> 0:20:12.720
<v Speaker 6>You come back down upside down again? Are you done

0:20:12.720 --> 0:20:12.840
<v Speaker 6>with you?

0:20:13.280 --> 0:20:16.399
<v Speaker 3>I'm not let the upset down. It is over. I

0:20:16.400 --> 0:20:17.960
<v Speaker 3>don't even know why I did that the first time.

0:20:19.760 --> 0:20:21.520
<v Speaker 5>I didn't realize we were gonna have to rehearse for

0:20:21.600 --> 0:20:24.000
<v Speaker 5>seven days, right, because I'm like, no, let's it look

0:20:24.080 --> 0:20:28.080
<v Speaker 5>seven day the wait? I know the worst, Yes, I

0:20:28.119 --> 0:20:31.880
<v Speaker 5>know the words. It's just not a new song. Why

0:20:31.880 --> 0:20:34.480
<v Speaker 5>am I rehearsing? Why we rehearsing seven days straight? And

0:20:34.480 --> 0:20:37.639
<v Speaker 5>it's really about getting everything onto the field and everything

0:20:37.680 --> 0:20:41.520
<v Speaker 5>off the field fast enough and have everybody prepared to

0:20:41.840 --> 0:20:44.480
<v Speaker 5>let's go, let's go, and then getting them into that.

0:20:44.520 --> 0:20:46.760
<v Speaker 3>But there's it's an experience, man.

0:20:46.760 --> 0:20:51.439
<v Speaker 5>I think when it's talking about whether Kendrick here's the

0:20:51.440 --> 0:20:57.160
<v Speaker 5>guy right that we're doing it, but the I don't

0:20:57.160 --> 0:20:58.680
<v Speaker 5>know if they know Drake turned it down a bunch

0:20:58.680 --> 0:20:59.000
<v Speaker 5>of times.

0:21:00.119 --> 0:21:02.560
<v Speaker 6>You really don't how many times like three times.

0:21:04.440 --> 0:21:06.360
<v Speaker 3>You gotta pay for the super Bowl, you gotta pay for.

0:21:06.280 --> 0:21:08.280
<v Speaker 6>The When was the last time he turned?

0:21:08.320 --> 0:21:09.119
<v Speaker 3>Why would he need it?

0:21:09.200 --> 0:21:11.760
<v Speaker 7>In the position I saw I saw Steve Stout say that,

0:21:12.320 --> 0:21:14.840
<v Speaker 7>But then that defeats the whole jay Z's a hater narrative.

0:21:14.880 --> 0:21:17.000
<v Speaker 5>Then I'm like, well, you gotta get that, give him

0:21:17.040 --> 0:21:20.680
<v Speaker 5>that because that's his You're in that position, You're gonna

0:21:20.680 --> 0:21:24.200
<v Speaker 5>have to feel like you want to be that guy.

0:21:24.200 --> 0:21:26.000
<v Speaker 5>You want to be in the direct club who picks

0:21:26.320 --> 0:21:29.800
<v Speaker 5>you get that hate? Okay, this is something.

0:21:29.600 --> 0:21:33.879
<v Speaker 7>That they said because Yeo said that fifty I mean

0:21:33.960 --> 0:21:36.439
<v Speaker 7>Jay hated on you too, like he didn't want Is.

0:21:36.440 --> 0:21:36.960
<v Speaker 4>That true though?

0:21:37.920 --> 0:21:40.320
<v Speaker 3>But it's not. It's not a big deal, you know what.

0:21:40.600 --> 0:21:42.360
<v Speaker 4>The reason though, like what would he tell Dren?

0:21:42.680 --> 0:21:46.240
<v Speaker 5>That's competing up being competitive and the music is getting

0:21:46.280 --> 0:21:50.280
<v Speaker 5>past music itself with that, because I'm like, what was

0:21:50.320 --> 0:21:53.520
<v Speaker 5>he What are you trying to do? You know, like,

0:21:53.560 --> 0:21:57.160
<v Speaker 5>when you're not frequently making the music as as frequently?

0:21:57.160 --> 0:22:00.919
<v Speaker 5>When's the last jay Z album? And when I'm not

0:22:00.920 --> 0:22:04.920
<v Speaker 5>putting out music as often? But you the business parts

0:22:05.359 --> 0:22:08.320
<v Speaker 5>haven't changed with our positions haven't changed the culture. So

0:22:08.480 --> 0:22:10.320
<v Speaker 5>if you're now saying, Yo, now I want to give

0:22:10.400 --> 0:22:14.040
<v Speaker 5>him this, because what do you mean if you look

0:22:14.040 --> 0:22:16.320
<v Speaker 5>at the order the person that you would say didn't

0:22:16.320 --> 0:22:18.840
<v Speaker 5>belong there, but you were probably like the game was upset? Right,

0:22:19.040 --> 0:22:21.359
<v Speaker 5>He was upset because he was supposed to be there

0:22:21.359 --> 0:22:24.800
<v Speaker 5>in his head, right, But who would you be upset?

0:22:25.200 --> 0:22:28.080
<v Speaker 3>Is there in place of you? Who came after you?

0:22:29.280 --> 0:22:31.280
<v Speaker 3>That was there? He never mentioned that.

0:22:31.240 --> 0:22:34.040
<v Speaker 5>He had an issue with Ken Chindrick, right, and then

0:22:34.119 --> 0:22:39.000
<v Speaker 5>later you see him in support of of.

0:22:40.880 --> 0:22:41.719
<v Speaker 3>The Drake stuff.

0:22:41.840 --> 0:22:43.640
<v Speaker 4>Well, why would you and Ja still have issues after

0:22:43.680 --> 0:22:44.240
<v Speaker 4>all these years.

0:22:44.320 --> 0:22:46.159
<v Speaker 3>I don't have issues, you know what my thing is?

0:22:46.200 --> 0:22:48.600
<v Speaker 5>Look, I think in that point, yeah, he was hating

0:22:48.640 --> 0:22:50.439
<v Speaker 5>because he was saying the NFL had an issue with

0:22:50.480 --> 0:22:53.320
<v Speaker 5>me when i got eleven professional sports teams. Now that

0:22:53.400 --> 0:22:56.680
<v Speaker 5>I'm an official champagne in kooniak of and where's the

0:22:56.720 --> 0:23:00.240
<v Speaker 5>hate there? Like, I don't understand it, you know what

0:23:00.240 --> 0:23:01.879
<v Speaker 5>I'm saying. Like, so you said that there was an issue.

0:23:01.960 --> 0:23:03.760
<v Speaker 5>It's an issue because he was doing the program. He

0:23:03.800 --> 0:23:06.720
<v Speaker 5>didn't want me to be in the show and wouldn't

0:23:06.720 --> 0:23:07.840
<v Speaker 5>do it without me in the show.

0:23:08.440 --> 0:23:10.480
<v Speaker 3>And then he made the adjustments.

0:23:10.080 --> 0:23:11.120
<v Speaker 2>Which the last time y'all spoke.

0:23:11.119 --> 0:23:14.959
<v Speaker 5>If you have spoke, it's been a while because our

0:23:14.960 --> 0:23:17.679
<v Speaker 5>business is really they don't cross path and after the

0:23:17.680 --> 0:23:20.679
<v Speaker 5>same thing, like when they're doing something else with the

0:23:20.720 --> 0:23:24.280
<v Speaker 5>you know, rock Nation and stuff like that. We picked

0:23:24.280 --> 0:23:27.919
<v Speaker 5>different things, right, prison reform and stuff like that, and

0:23:27.960 --> 0:23:29.760
<v Speaker 5>to the desk they think, you know what I mean.

0:23:29.800 --> 0:23:33.480
<v Speaker 5>I looked at the professional sports thing when I go

0:23:33.520 --> 0:23:35.280
<v Speaker 5>in and saying it would give me the organizations that

0:23:35.440 --> 0:23:38.919
<v Speaker 5>of the most influential organizations their childibord, so I can

0:23:39.160 --> 0:23:42.160
<v Speaker 5>tap into that without having to work to create those organizations.

0:23:42.320 --> 0:23:45.960
<v Speaker 5>Like I've always donated to other existing organizations, other non

0:23:45.960 --> 0:23:48.159
<v Speaker 5>for profits and stuff like that throughout the years. When

0:23:48.200 --> 0:23:51.359
<v Speaker 5>people think that it's about taxes, but it goes past

0:23:51.359 --> 0:23:54.040
<v Speaker 5>the tax point, you know what I mean, like for

0:23:54.119 --> 0:23:56.680
<v Speaker 5>youth programs and the entrepreneurship stuff that I did. And

0:23:57.040 --> 0:23:59.480
<v Speaker 5>in Houston it made it a little more clearer. When

0:23:59.480 --> 0:24:02.560
<v Speaker 5>I got there, they weren't registering me here because I'm

0:24:02.600 --> 0:24:05.359
<v Speaker 5>already here and they got me as the first version

0:24:05.440 --> 0:24:08.040
<v Speaker 5>of fifty cent and it was not adjustice, so they

0:24:08.160 --> 0:24:09.439
<v Speaker 5>look at it that way, and then when they get

0:24:09.440 --> 0:24:13.679
<v Speaker 5>to Houston, they're gonna wait, he's actively doing more than.

0:24:15.240 --> 0:24:16.000
<v Speaker 3>The people from.

0:24:15.880 --> 0:24:19.640
<v Speaker 5>Houston, and then it kind of gets them make it

0:24:19.680 --> 0:24:22.440
<v Speaker 5>motivates them to do more, and then you start to

0:24:22.480 --> 0:24:24.399
<v Speaker 5>see new things, you know, like I just raised the

0:24:24.440 --> 0:24:28.880
<v Speaker 5>half million dollars for the children of of Houston and uh.

0:24:30.680 --> 0:24:33.119
<v Speaker 3>Tillman the leader's organization out.

0:24:33.000 --> 0:24:34.680
<v Speaker 2>There, they said, you were mad that you didn't get

0:24:34.680 --> 0:24:35.520
<v Speaker 2>aybody to the white party.

0:24:35.880 --> 0:24:36.400
<v Speaker 3>Was white party?

0:24:36.400 --> 0:24:38.240
<v Speaker 2>That's why that you was beef Like.

0:24:42.480 --> 0:24:46.320
<v Speaker 5>White parties are puffy originals. Those are puffy originals. Why

0:24:46.359 --> 0:24:48.720
<v Speaker 5>why is the only white people? Why is only white good?

0:24:48.800 --> 0:24:51.040
<v Speaker 5>Why is black bad? Like like if I want a

0:24:51.040 --> 0:24:53.280
<v Speaker 5>black party, could I have a black party or all

0:24:53.280 --> 0:24:53.840
<v Speaker 5>black party?

0:24:54.640 --> 0:24:55.080
<v Speaker 2>You can do it.

0:24:55.160 --> 0:24:57.600
<v Speaker 3>That's just it. All black guys and not touch each

0:24:57.600 --> 0:24:58.120
<v Speaker 3>other's butt.

0:25:00.119 --> 0:25:02.840
<v Speaker 6>The locks come from not the front on the back.

0:25:03.840 --> 0:25:05.760
<v Speaker 5>Just just hug me regular from the front so I

0:25:05.760 --> 0:25:07.320
<v Speaker 5>can know where you're at.

0:25:07.560 --> 0:25:10.439
<v Speaker 3>All stuff has me like an unsure what you know?

0:25:10.480 --> 0:25:13.040
<v Speaker 7>Speaking of that, there was a there was They said

0:25:13.080 --> 0:25:17.159
<v Speaker 7>you wrote two verses for Diddy. One was the the

0:25:17.240 --> 0:25:19.520
<v Speaker 7>let's get it and the other one was on the

0:25:19.560 --> 0:25:23.119
<v Speaker 7>I get money. But they said you wrote it and

0:25:23.240 --> 0:25:24.480
<v Speaker 7>him confessing the crime.

0:25:25.000 --> 0:25:32.920
<v Speaker 3>Did you look at me? I ain't telling him to

0:25:32.960 --> 0:25:36.639
<v Speaker 3>say that.

0:25:35.240 --> 0:25:47.520
<v Speaker 9>And then this one, Jay help me with that.

0:25:47.840 --> 0:25:52.280
<v Speaker 5>James did that part right shootout Coach to B I

0:25:52.320 --> 0:25:52.960
<v Speaker 5>wasn't around, but.

0:25:53.000 --> 0:26:00.720
<v Speaker 3>That was like that was and then comes out you know,

0:26:00.800 --> 0:26:06.280
<v Speaker 3>I'm not involved in Yeah, we wrote.

0:26:06.440 --> 0:26:09.879
<v Speaker 5>We collaborated and j we collaborated because there was the

0:26:09.960 --> 0:26:12.520
<v Speaker 5>name that that part. There's certain things that he wanted

0:26:12.560 --> 0:26:14.960
<v Speaker 5>to say, and Jay knew he wanted to insert it

0:26:15.000 --> 0:26:17.320
<v Speaker 5>into the record, and then he would like, you put

0:26:17.320 --> 0:26:21.040
<v Speaker 5>this in it, and he just because because his form,

0:26:21.200 --> 0:26:23.040
<v Speaker 5>like his mind is formatted like that.

0:26:23.600 --> 0:26:26.640
<v Speaker 3>Like what I mean is he can now like artist

0:26:26.680 --> 0:26:28.680
<v Speaker 3>freestyle and freestyle and freestyles.

0:26:28.200 --> 0:26:31.199
<v Speaker 5>And Jay remembers the idea in his head so he

0:26:31.240 --> 0:26:34.240
<v Speaker 5>can just say it without writing it down. And then

0:26:34.240 --> 0:26:35.920
<v Speaker 5>he's like, yo, he wanted to do it like this,

0:26:36.520 --> 0:26:40.040
<v Speaker 5>and because it came out already ready, I'm like, put.

0:26:39.920 --> 0:26:40.240
<v Speaker 3>It in there.

0:26:40.280 --> 0:26:43.120
<v Speaker 5>That's what he said. Put that on and then said

0:26:43.320 --> 0:26:46.000
<v Speaker 5>and got it from and he went into this part.

0:26:46.200 --> 0:26:48.040
<v Speaker 7>I feel like you being who you are kept you

0:26:48.080 --> 0:26:49.560
<v Speaker 7>away from all of that type of stuff.

0:26:50.080 --> 0:26:51.720
<v Speaker 3>I really don't trust a lot of these people.

0:26:52.080 --> 0:26:54.760
<v Speaker 5>I mean, like and then I was so so hot,

0:26:54.880 --> 0:26:57.399
<v Speaker 5>Like it was clear I was under investigation.

0:26:57.520 --> 0:27:01.160
<v Speaker 3>From the beginning early because I came in with other people.

0:27:01.320 --> 0:27:04.600
<v Speaker 5>Jacket jacket came to Spring Teams jacket, and then it

0:27:04.720 --> 0:27:07.440
<v Speaker 5>turned into Jimmy Henchman's jacket, and then it was World Jack.

0:27:07.640 --> 0:27:09.879
<v Speaker 5>So I'm getting the law enforcement attention that they would

0:27:09.880 --> 0:27:13.480
<v Speaker 5>be getting. And then if you don't feel that, you

0:27:13.640 --> 0:27:16.480
<v Speaker 5>just retarded, you's something wrong. You're just not computing what's

0:27:16.520 --> 0:27:18.919
<v Speaker 5>going on. Like at that point, I was telling him,

0:27:18.920 --> 0:27:22.960
<v Speaker 5>I'm turning music out. Now, what did you say?

0:27:23.119 --> 0:27:26.040
<v Speaker 3>I'm bringing your lips? Damn there? Okay, I understand what happened.

0:27:28.440 --> 0:27:30.760
<v Speaker 7>Did you really offer twenty millions of dollars to not

0:27:30.800 --> 0:27:31.920
<v Speaker 7>do TV interviews?

0:27:32.320 --> 0:27:33.159
<v Speaker 3>I didn't want him do it.

0:27:33.160 --> 0:27:36.040
<v Speaker 5>He always says some stuff I wouldn't say, like he's

0:27:36.480 --> 0:27:38.680
<v Speaker 5>I don't know why he's doing it. It's not enough

0:27:38.760 --> 0:27:40.360
<v Speaker 5>involved in it for him to have to say that.

0:27:41.160 --> 0:27:43.120
<v Speaker 6>You know, you be calling him after like, yo, why

0:27:43.119 --> 0:27:43.520
<v Speaker 6>did you?

0:27:43.800 --> 0:27:47.080
<v Speaker 3>I don't know why you're talking about that? What's wrot you?

0:27:47.880 --> 0:27:51.960
<v Speaker 5>But anyway, you know, when you're not sexual assaulting nobody,

0:27:51.960 --> 0:27:53.399
<v Speaker 5>that's stat your limitations around.

0:27:54.240 --> 0:27:59.120
<v Speaker 3>Protect me, Charlotte at all costs. Protect me when you.

0:27:59.080 --> 0:28:00.720
<v Speaker 1>Heard I don't know if you when you heard Fat

0:28:00.840 --> 0:28:03.680
<v Speaker 1>Joe doing an interview the other day, and he said that,

0:28:04.160 --> 0:28:06.480
<v Speaker 1>you know, Yayo is so loyal when y'all were beefing,

0:28:06.560 --> 0:28:08.159
<v Speaker 1>he was he was trying to take Yao.

0:28:07.880 --> 0:28:10.040
<v Speaker 3>Out do y'all laugh about that later on? Oh yeah, yeah,

0:28:10.119 --> 0:28:12.080
<v Speaker 3>because look, you know that I wouldn't have been a bad move.

0:28:12.680 --> 0:28:14.560
<v Speaker 3>It would have confused me. It would have confused me.

0:28:19.720 --> 0:28:20.840
<v Speaker 3>It wouldn't have been a bad.

0:28:24.160 --> 0:28:29.719
<v Speaker 5>Figure out what I'm gonna do now because he's been

0:28:29.760 --> 0:28:32.639
<v Speaker 5>around forever, like, you know, he wouldn't you make a mistake,

0:28:32.680 --> 0:28:35.639
<v Speaker 5>like he'll do it. And I know his apology means

0:28:36.320 --> 0:28:38.160
<v Speaker 5>he'll go, Yo, my bad, I'm sorry.

0:28:38.360 --> 0:28:39.520
<v Speaker 3>He knows how to apologize.

0:28:39.960 --> 0:28:42.560
<v Speaker 5>But really what he means is, yo, chill out, let

0:28:42.600 --> 0:28:46.640
<v Speaker 5>me do that again. His apology means, chill out, let

0:28:46.680 --> 0:28:49.640
<v Speaker 5>me do that again. You know.

0:28:51.160 --> 0:28:53.520
<v Speaker 3>He's been doing that forever, Like is he is?

0:28:53.560 --> 0:28:55.920
<v Speaker 1>He the one friend that it is like I wish

0:28:55.960 --> 0:28:57.520
<v Speaker 1>he wasn't my friend, but he's my best type of

0:28:57.520 --> 0:28:59.440
<v Speaker 1>person because he does that all the time.

0:28:59.480 --> 0:29:01.479
<v Speaker 3>No, he is whatsh It wasn't my friends? Like it

0:29:01.520 --> 0:29:02.080
<v Speaker 3>was a lot easy.

0:29:02.080 --> 0:29:04.080
<v Speaker 5>I wouldn't even have to go through my Jimmy Henchman

0:29:04.840 --> 0:29:08.600
<v Speaker 5>period like that, Really was he is doing it.

0:29:09.480 --> 0:29:11.400
<v Speaker 3>His feelings is in the right place, and what he.

0:29:11.760 --> 0:29:16.239
<v Speaker 5>What he caused things, he escalated, he does and then

0:29:16.280 --> 0:29:20.040
<v Speaker 5>it's like, I'm not gonna let you do that like

0:29:20.080 --> 0:29:22.360
<v Speaker 5>that that forget about it.

0:29:22.400 --> 0:29:23.960
<v Speaker 3>If you think you're just gonna do that, I'm not

0:29:24.000 --> 0:29:24.800
<v Speaker 3>gonna respond to it.

0:29:25.680 --> 0:29:30.520
<v Speaker 8>So very ghost in Tommy, I said, very ghost in

0:29:30.600 --> 0:29:33.440
<v Speaker 8>Tommy is because.

0:29:33.400 --> 0:29:35.560
<v Speaker 6>Because ghosting, I'll let you do do nothing to Tommy.

0:29:35.560 --> 0:29:36.880
<v Speaker 6>But Tommy be causing things.

0:29:38.080 --> 0:29:40.600
<v Speaker 3>Yeah, but we're not even doing that.

0:29:40.680 --> 0:29:43.480
<v Speaker 5>There's no cocaine, there's no drugs, it's nothing. You have

0:29:43.520 --> 0:29:45.360
<v Speaker 5>to stop it, bro, you have to find other things

0:29:45.400 --> 0:29:47.400
<v Speaker 5>to do. And he's getting older, you see. The things

0:29:47.400 --> 0:29:50.600
<v Speaker 5>that he's saying is sometimes he's saying good stuff and

0:29:50.640 --> 0:29:50.920
<v Speaker 5>then he.

0:29:51.200 --> 0:29:53.480
<v Speaker 3>Goes back to to that zone.

0:29:53.480 --> 0:29:55.920
<v Speaker 5>I don't know why, but for me, I don't like,

0:29:56.680 --> 0:29:59.040
<v Speaker 5>there's so much other stuff to think to focus on.

0:29:59.680 --> 0:30:02.040
<v Speaker 5>You know, I got a lot of positive things going

0:30:02.080 --> 0:30:04.120
<v Speaker 5>on there. I'm like, yo, man, why you keep talking

0:30:04.160 --> 0:30:04.800
<v Speaker 5>about that stuff.

0:30:05.080 --> 0:30:06.560
<v Speaker 4>But he's a great storyteller though.

0:30:06.840 --> 0:30:08.959
<v Speaker 3>He does his way in there.

0:30:09.080 --> 0:30:11.280
<v Speaker 5>You you can't help it laugh at it when he's

0:30:11.320 --> 0:30:15.240
<v Speaker 5>doing what he's saying it. But I'm like, damn, maybe

0:30:15.240 --> 0:30:16.840
<v Speaker 5>I should upload him some new information.

0:30:20.680 --> 0:30:24.040
<v Speaker 1>Say these things, bro, what do you tell the back

0:30:24.040 --> 0:30:26.480
<v Speaker 1>to the reunion, Well, we get a reunion back to

0:30:26.480 --> 0:30:30.120
<v Speaker 1>the residency, and yes, will be a g UNIT reunion.

0:30:30.120 --> 0:30:35.200
<v Speaker 2>When that happened with Banks, Oh yeah, yo, No.

0:30:36.360 --> 0:30:38.840
<v Speaker 3>I just look, I think I've exhausted myself with working

0:30:38.840 --> 0:30:39.320
<v Speaker 3>for people.

0:30:40.640 --> 0:30:42.959
<v Speaker 5>You can't see that. I do better when I focus

0:30:43.040 --> 0:30:45.960
<v Speaker 5>on me and just work harder. Like when I I

0:30:46.040 --> 0:30:48.880
<v Speaker 5>spent in that period, look in the environment, let me

0:30:48.960 --> 0:30:50.520
<v Speaker 5>come out of it tells you the strongest the crue

0:30:50.560 --> 0:30:53.840
<v Speaker 5>that you So I spent a lot of time building

0:30:53.840 --> 0:30:56.120
<v Speaker 5>them up like pieces of sacrifice, even for game to

0:30:56.800 --> 0:30:59.400
<v Speaker 5>make G Unit what it is. It feels like something

0:30:59.440 --> 0:31:02.640
<v Speaker 5>that is stronger than one person or one artist. Right

0:31:02.680 --> 0:31:06.160
<v Speaker 5>and then when you do that, you look, you look

0:31:06.200 --> 0:31:08.479
<v Speaker 5>back and you go, wait, when they don't reciprocate the energy,

0:31:09.040 --> 0:31:12.640
<v Speaker 5>you go, oh, you gotta figure out how to do

0:31:12.680 --> 0:31:15.320
<v Speaker 5>it on your own now, Like Jay was Forster Rockefeller

0:31:15.400 --> 0:31:17.600
<v Speaker 5>to do that from the beginning, you.

0:31:17.560 --> 0:31:19.840
<v Speaker 3>Know, like like big his issues.

0:31:19.880 --> 0:31:21.760
<v Speaker 5>You see, he was writing for Jamie Mafia for the

0:31:21.800 --> 0:31:25.280
<v Speaker 5>other people, but he would leave it and not say

0:31:25.320 --> 0:31:29.440
<v Speaker 5>anything because Puff already had the publisher. So just leave

0:31:29.520 --> 0:31:33.120
<v Speaker 5>that over there. So it's you know, like that guy,

0:31:33.280 --> 0:31:36.040
<v Speaker 5>you believe it there and I own your publisher. You

0:31:36.080 --> 0:31:39.640
<v Speaker 5>wrote it perfect. Junior Mafia Publishing too. No, but that's

0:31:39.640 --> 0:31:43.360
<v Speaker 5>why Junior Mafia Publishing was away from it. See they

0:31:43.440 --> 0:31:46.240
<v Speaker 5>could write it and let it be under Jamie Mafia

0:31:46.280 --> 0:31:50.000
<v Speaker 5>and then it be another asset of his versus it

0:31:50.080 --> 0:31:51.560
<v Speaker 5>being something that's in the contract.

0:31:53.760 --> 0:31:54.120
<v Speaker 4>Damn.

0:31:54.640 --> 0:31:56.760
<v Speaker 7>You think there'll ever be another fifty cent g unit

0:31:57.040 --> 0:31:59.200
<v Speaker 7>like run out of New York City or anywhere for

0:31:59.200 --> 0:31:59.840
<v Speaker 7>that matter.

0:31:59.720 --> 0:32:04.360
<v Speaker 3>I hope. So, like I think it's Nikki mhm right now.

0:32:04.400 --> 0:32:05.520
<v Speaker 3>That's why I support Nikki.

0:32:06.160 --> 0:32:08.080
<v Speaker 4>But it was but you had a whole crew. That's

0:32:08.080 --> 0:32:09.080
<v Speaker 4>what made it so different.

0:32:09.360 --> 0:32:11.360
<v Speaker 7>I mean, first of all, nobody had success like you had,

0:32:11.800 --> 0:32:14.120
<v Speaker 7>but then having a whole crew that was successful as well.

0:32:14.240 --> 0:32:15.520
<v Speaker 6>You think get as simple a crew.

0:32:15.640 --> 0:32:20.640
<v Speaker 5>She can build it. Yeah, she can, definitely. They will

0:32:20.680 --> 0:32:23.840
<v Speaker 5>and they'll listen to her. She's definitely her character.

0:32:25.080 --> 0:32:27.560
<v Speaker 3>She's not vacant. That it is really that.

0:32:28.240 --> 0:32:32.840
<v Speaker 5>She's stronger than a lot of dudes, just so she's

0:32:32.840 --> 0:32:36.000
<v Speaker 5>been bumped around. So if there's when you get to agitated,

0:32:36.040 --> 0:32:38.680
<v Speaker 5>she's gonna think you try a player and you go off.

0:32:38.520 --> 0:32:40.840
<v Speaker 4>For useful designer at one time.

0:32:41.480 --> 0:32:42.880
<v Speaker 3>Yeah, I could have got I would have got it

0:32:42.920 --> 0:32:49.800
<v Speaker 3>if Findy wasn't around. I'm like that just whatever. He's

0:32:49.840 --> 0:32:52.200
<v Speaker 3>always been. He's a character in our coach.

0:32:52.960 --> 0:32:55.720
<v Speaker 5>He's always been around in it, like since he was

0:32:55.760 --> 0:33:00.440
<v Speaker 5>there with Big. Yeah, I remember that before, like beginning,

0:33:00.440 --> 0:33:02.600
<v Speaker 5>So when I said, I was like, I have to

0:33:02.600 --> 0:33:06.480
<v Speaker 5>deal with this, and I didn't go after the.

0:33:06.480 --> 0:33:07.520
<v Speaker 3>Right way because of.

0:33:11.360 --> 0:33:13.200
<v Speaker 5>But it still went with it was supposed to the way

0:33:13.200 --> 0:33:15.400
<v Speaker 5>it was supposed to do because when she got look

0:33:15.440 --> 0:33:19.520
<v Speaker 5>in the beginning, it was comparing Kim because of the

0:33:19.600 --> 0:33:23.400
<v Speaker 5>picture picture. But I think it was more like Foxy

0:33:23.400 --> 0:33:25.800
<v Speaker 5>because she was in between two crews. She was with

0:33:25.920 --> 0:33:29.600
<v Speaker 5>Gucci in them and then signed the Young Money Young Money.

0:33:29.960 --> 0:33:34.280
<v Speaker 3>Like the firm. Yeah, and Foxy's relationship with.

0:33:34.280 --> 0:33:37.160
<v Speaker 7>Jay Is there any other Everything happened the way it's

0:33:37.160 --> 0:33:37.800
<v Speaker 7>supposed to happen.

0:33:37.840 --> 0:33:40.400
<v Speaker 4>But that would have been ill with the original g

0:33:40.600 --> 0:33:40.800
<v Speaker 4>in it.

0:33:41.760 --> 0:33:43.320
<v Speaker 5>She would have she would have gobbled the rest of

0:33:43.360 --> 0:33:45.320
<v Speaker 5>them all. There would have been no room for them

0:33:46.360 --> 0:33:47.920
<v Speaker 5>be like this now Nikki is too big.

0:33:47.840 --> 0:33:52.760
<v Speaker 3>You gotta go. I have no time for you. Look,

0:33:52.800 --> 0:33:56.800
<v Speaker 3>we don't need anyone from the South why would we.

0:33:56.760 --> 0:33:59.720
<v Speaker 2>Do that right? You know, changed the whole thing, like

0:34:00.080 --> 0:34:01.320
<v Speaker 2>from south Side is you from there?

0:34:01.320 --> 0:34:04.240
<v Speaker 3>Big a monster? That would have been too much to look.

0:34:04.240 --> 0:34:07.440
<v Speaker 5>I would have been trying to facilitate things around her

0:34:08.600 --> 0:34:10.359
<v Speaker 5>more than anything else at that point.

0:34:10.440 --> 0:34:11.600
<v Speaker 3>Everybody else would have been.

0:34:13.640 --> 0:34:14.920
<v Speaker 2>Nikki scrollot.

0:34:15.080 --> 0:34:16.719
<v Speaker 8>But it seemed like when she tries to put it,

0:34:16.880 --> 0:34:19.200
<v Speaker 8>especially the young female artists under her arm, it always

0:34:19.200 --> 0:34:21.520
<v Speaker 8>goes back like her and Lotto her ice space, Like

0:34:21.880 --> 0:34:23.320
<v Speaker 8>you be talking to her about that because that's the

0:34:23.400 --> 0:34:25.560
<v Speaker 8>only thing about her sibling, the crew. I think she

0:34:25.600 --> 0:34:27.040
<v Speaker 8>has to know how, but it just go bad for

0:34:27.040 --> 0:34:27.799
<v Speaker 8>some reason all the time.

0:34:27.840 --> 0:34:31.480
<v Speaker 3>It might not have to be girls like the girls,

0:34:31.600 --> 0:34:33.040
<v Speaker 3>you know, women, it's different.

0:34:34.320 --> 0:34:36.319
<v Speaker 5>I wouldn't even get in that, like I like ice

0:34:36.320 --> 0:34:38.360
<v Speaker 5>spicing them to I like the girls the other girls

0:34:38.360 --> 0:34:40.560
<v Speaker 5>that wrap don't thin because I love Nikki. I don't

0:34:40.600 --> 0:34:42.920
<v Speaker 5>like your music. I don't like your stuff. But what

0:34:43.000 --> 0:34:47.320
<v Speaker 5>it is is they go, look.

0:34:48.120 --> 0:34:50.080
<v Speaker 3>She got a really strong personality.

0:34:50.160 --> 0:34:52.360
<v Speaker 5>If you're hanging around or associating with people that she

0:34:52.440 --> 0:34:57.360
<v Speaker 5>don't kind of rock with okay, and she don't rock.

0:34:57.239 --> 0:34:58.719
<v Speaker 3>With you, they kind of get weird.

0:34:58.760 --> 0:35:01.759
<v Speaker 5>They get like that, and they socializing and just doing

0:35:02.600 --> 0:35:04.440
<v Speaker 5>they will be doing too much for her to feel

0:35:04.440 --> 0:35:07.359
<v Speaker 5>like comfortable with. So so I'm talking to you, am

0:35:07.360 --> 0:35:09.200
<v Speaker 5>I talking to this person because you be talking to

0:35:09.239 --> 0:35:12.440
<v Speaker 5>this person. Whenever a person's on the fence, we put

0:35:12.480 --> 0:35:15.360
<v Speaker 5>them on the other side. Like if they're on the

0:35:15.360 --> 0:35:18.040
<v Speaker 5>gate and they're uncertain with who side, they don't put

0:35:18.040 --> 0:35:20.040
<v Speaker 5>them over there because it's dangerous. It's like you could

0:35:20.080 --> 0:35:22.160
<v Speaker 5>go so you can say, oh, your girlfriend is here,

0:35:22.360 --> 0:35:23.960
<v Speaker 5>I'm gonna go go holler at her, and you go

0:35:24.040 --> 0:35:26.759
<v Speaker 5>there and you you're all out of pocket now because

0:35:26.760 --> 0:35:28.719
<v Speaker 5>she's hanging around people that you don't hang out with

0:35:29.120 --> 0:35:32.480
<v Speaker 5>and they got you all balanced, you know, So that

0:35:32.600 --> 0:35:36.480
<v Speaker 5>that would be why you just assume that put them

0:35:36.520 --> 0:35:38.000
<v Speaker 5>on all the side of things, like, I don't know

0:35:38.520 --> 0:35:41.680
<v Speaker 5>other than that they are women too. So the girl

0:35:41.760 --> 0:35:43.000
<v Speaker 5>shit going on caddy ship.

0:35:43.680 --> 0:35:44.480
<v Speaker 6>You think you can make.

0:35:46.920 --> 0:35:49.000
<v Speaker 4>You think you could have made some pop.

0:35:49.840 --> 0:35:52.160
<v Speaker 3>Some of them failed. Some of the artists failed.

0:35:52.160 --> 0:35:53.520
<v Speaker 5>That one that would have been one of the ones

0:35:53.560 --> 0:35:57.600
<v Speaker 5>that didn't.

0:35:53.920 --> 0:35:56.920
<v Speaker 3>Want idiot.

0:36:01.280 --> 0:36:03.080
<v Speaker 2>Said that, man, you have serious, too.

0:36:06.840 --> 0:36:07.479
<v Speaker 4>Serious question.

0:36:07.560 --> 0:36:09.120
<v Speaker 1>Is there as an artist that that you had a

0:36:09.200 --> 0:36:11.000
<v Speaker 1>chance to sign or you wish you could have signed

0:36:11.000 --> 0:36:12.920
<v Speaker 1>and you didn't and you've seen huge success.

0:36:13.320 --> 0:36:14.160
<v Speaker 2>Besides the Nick.

0:36:16.280 --> 0:36:21.880
<v Speaker 5>Nicholas, the biggest one that got by the other artists,

0:36:22.320 --> 0:36:24.279
<v Speaker 5>I've seen a lot of artists knew that they was

0:36:24.320 --> 0:36:27.640
<v Speaker 5>gonna go before even what like the Top Top I'll

0:36:27.640 --> 0:36:33.080
<v Speaker 5>tell you for TD, I was telling him that the

0:36:33.440 --> 0:36:37.600
<v Speaker 5>Kendrick record, the water record, that's it, that's the one

0:36:37.640 --> 0:36:37.920
<v Speaker 5>right there.

0:36:37.960 --> 0:36:40.760
<v Speaker 3>Just go with him. He'll send me his new artists.

0:36:40.800 --> 0:36:41.960
<v Speaker 3>Say you know, listen, just tell me.

0:36:41.880 --> 0:36:44.520
<v Speaker 5>What you think about the guy, and then I'll listen

0:36:44.600 --> 0:36:47.319
<v Speaker 5>to the records and give my feedback with I told

0:36:47.360 --> 0:36:52.160
<v Speaker 5>him that, and sister, like I wrapped on that first

0:36:52.200 --> 0:36:54.800
<v Speaker 5>record because I felt like that was going to go.

0:36:55.200 --> 0:36:57.239
<v Speaker 5>Didn't pay me to do that, just like, nah, she's

0:36:57.320 --> 0:37:02.160
<v Speaker 5>gonna go. And then later this is why I will

0:37:02.440 --> 0:37:03.720
<v Speaker 5>the record, like, yo.

0:37:04.160 --> 0:37:05.400
<v Speaker 2>Let me say, he's gonna get jump on it.

0:37:05.440 --> 0:37:07.680
<v Speaker 5>Right se what you think because now because I listened

0:37:07.680 --> 0:37:11.680
<v Speaker 5>to the record, and I'll go, yo, yeah, this is

0:37:11.719 --> 0:37:14.840
<v Speaker 5>it right now, like what they would want to happen.

0:37:14.920 --> 0:37:18.040
<v Speaker 7>Next, you said you haven't created music in a while

0:37:18.080 --> 0:37:20.160
<v Speaker 7>because you said you got to tap into being stupid.

0:37:20.520 --> 0:37:23.720
<v Speaker 5>Well, look at what's going on. It's easy to follow

0:37:23.760 --> 0:37:26.160
<v Speaker 5>the trend of what works, like right now what's happening.

0:37:26.400 --> 0:37:29.280
<v Speaker 5>But they're saying ship It's like, what are you supposed

0:37:29.280 --> 0:37:29.480
<v Speaker 5>to do?

0:37:29.560 --> 0:37:30.160
<v Speaker 3>As far as.

0:37:31.840 --> 0:37:35.120
<v Speaker 5>Sexuality and music, It's turned into a whole nother You

0:37:35.160 --> 0:37:38.000
<v Speaker 5>gotta just say it, just gotta say what you're thinking.

0:37:38.040 --> 0:37:41.160
<v Speaker 3>It's almost porn rap. Yeah, but I think you know

0:37:41.160 --> 0:37:41.960
<v Speaker 3>what I'm saying.

0:37:41.680 --> 0:37:44.080
<v Speaker 8>Like people wouldn't expect you to do that though, Like

0:37:44.120 --> 0:37:46.760
<v Speaker 8>you can still do what you got a magic stick?

0:37:47.200 --> 0:37:49.920
<v Speaker 3>Yeah, but banks was hard.

0:37:50.160 --> 0:37:52.480
<v Speaker 5>But look, magic stick, candy shot. All these things you

0:37:52.480 --> 0:37:54.080
<v Speaker 5>can say in front of the kids and them not

0:37:54.360 --> 0:37:55.160
<v Speaker 5>have a different meaning.

0:37:55.440 --> 0:37:57.200
<v Speaker 4>Oh got you got you got? You get what you're saying.

0:37:57.800 --> 0:37:59.440
<v Speaker 5>You see what I'm saying, how you approach it and

0:38:00.080 --> 0:38:04.279
<v Speaker 5>when you say in this wow, this is the new

0:38:04.320 --> 0:38:05.080
<v Speaker 5>things are.

0:38:06.120 --> 0:38:08.280
<v Speaker 3>Yeah, yeah, yeah, I got you.

0:38:08.320 --> 0:38:10.879
<v Speaker 1>When you listen when you hear Omari doing interviews hard,

0:38:11.360 --> 0:38:13.320
<v Speaker 1>do you feel like he's ungrateful for some of the

0:38:13.840 --> 0:38:14.239
<v Speaker 1>moves and.

0:38:14.400 --> 0:38:17.560
<v Speaker 3>Things that he leaves people feeling like he said it

0:38:17.600 --> 0:38:19.919
<v Speaker 3>to me? You know what I'm saying.

0:38:21.160 --> 0:38:25.080
<v Speaker 5>What I'm also point out the fact that when you

0:38:25.120 --> 0:38:28.640
<v Speaker 5>don't have money, that I'll give you the money, like

0:38:28.760 --> 0:38:31.200
<v Speaker 5>give him fifty sixty thousand dollars to say, yo, nah,

0:38:31.239 --> 0:38:34.160
<v Speaker 5>just get back to me when you're ready, until you're

0:38:34.200 --> 0:38:37.520
<v Speaker 5>comfortable and settle there. I don't believe, and we can't

0:38:38.040 --> 0:38:41.920
<v Speaker 5>win consecutive championships. If the players are hunger, the team

0:38:41.960 --> 0:38:42.400
<v Speaker 5>is hurting.

0:38:42.520 --> 0:38:45.920
<v Speaker 3>Like that's the case, then you're going to we don't.

0:38:46.080 --> 0:38:49.359
<v Speaker 5>They don't change financial thresholds of how people are being

0:38:49.360 --> 0:38:51.359
<v Speaker 5>paid on these projects until you get the season three.

0:38:52.680 --> 0:38:55.080
<v Speaker 5>We get the season three that it changed, so he

0:38:55.080 --> 0:38:57.840
<v Speaker 5>can handle it. After that, then he didn't need the

0:38:57.920 --> 0:38:59.200
<v Speaker 5>loans anymore at that point.

0:38:59.239 --> 0:39:01.120
<v Speaker 3>But I did get I was.

0:39:01.080 --> 0:39:02.880
<v Speaker 5>Talking about somebody else owe me money, and he just

0:39:03.680 --> 0:39:04.240
<v Speaker 5>jumped out.

0:39:04.080 --> 0:39:06.080
<v Speaker 8>There, Yeah, but so that but you said that was

0:39:06.120 --> 0:39:08.520
<v Speaker 8>strategic because it kept his music going and he was

0:39:08.520 --> 0:39:10.359
<v Speaker 8>able to pay you back. But though Mario Hardrick said,

0:39:10.360 --> 0:39:11.319
<v Speaker 8>this is not no but o.

0:39:11.360 --> 0:39:13.920
<v Speaker 5>Mari said, yeah, fifth kave me money. I didn't even

0:39:13.920 --> 0:39:17.279
<v Speaker 5>say More's name. I was talking about Rotam.

0:39:17.320 --> 0:39:18.760
<v Speaker 6>He thought you was talking about him.

0:39:18.960 --> 0:39:21.360
<v Speaker 3>And he said that that I gave him the money.

0:39:21.800 --> 0:39:25.680
<v Speaker 5>Well, Timmy, he I had did a deal with him

0:39:25.800 --> 0:39:29.000
<v Speaker 5>and and I spent money on this project. Then he

0:39:29.080 --> 0:39:32.360
<v Speaker 5>wanted to do something that was independent, and Afrobeast was

0:39:32.360 --> 0:39:34.359
<v Speaker 5>in his popular as as now and he was going

0:39:34.360 --> 0:39:36.719
<v Speaker 5>in a different tone of the music. And I'm like,

0:39:36.800 --> 0:39:38.480
<v Speaker 5>I don't know about that right now, like the way,

0:39:39.120 --> 0:39:43.239
<v Speaker 5>and I'm like, you know what, you could do, what

0:39:43.280 --> 0:39:46.000
<v Speaker 5>you want to do, just have the You could pay

0:39:46.000 --> 0:39:49.440
<v Speaker 5>me back in the royalties off for the mechanicals off

0:39:49.440 --> 0:39:52.799
<v Speaker 5>of the music that you released moving forward, and you

0:39:52.800 --> 0:39:56.760
<v Speaker 5>won't even feel it because it doesn't cost your marketing

0:39:56.920 --> 0:39:59.480
<v Speaker 5>moving forward, everything that you do moving forward, it's not

0:39:59.520 --> 0:40:00.120
<v Speaker 5>going to be a part.

0:40:00.320 --> 0:40:03.040
<v Speaker 3>It's just later, I'll get the money back. And he

0:40:03.120 --> 0:40:06.080
<v Speaker 3>recouped it. He did it to get it, but at

0:40:06.080 --> 0:40:08.239
<v Speaker 3>that point.

0:40:08.080 --> 0:40:12.480
<v Speaker 5>I said, Yo, Yo, you got even my money back, boy,

0:40:12.640 --> 0:40:15.160
<v Speaker 5>And the people go, ohd shitty, oh fifth money, you

0:40:15.239 --> 0:40:17.759
<v Speaker 5>know what I mean. And it stopped immediately, and it

0:40:17.840 --> 0:40:20.360
<v Speaker 5>drew so much attention to it that the record stayed

0:40:20.440 --> 0:40:23.080
<v Speaker 5>number one more more days than it would have been

0:40:23.160 --> 0:40:25.880
<v Speaker 5>number one on the chart. And he knows that's so

0:40:25.960 --> 0:40:28.720
<v Speaker 5>he'll go, Yo, he's a market the genius bro. Because

0:40:29.239 --> 0:40:31.799
<v Speaker 5>I didn't know he said. He was calling me like, Yo,

0:40:31.840 --> 0:40:35.560
<v Speaker 5>what's up with you on fifth? And I'm just going

0:40:35.640 --> 0:40:38.520
<v Speaker 5>you need to make some noise around the record to

0:40:38.640 --> 0:40:41.560
<v Speaker 5>have people feel like there's something about who you are

0:40:41.719 --> 0:40:42.520
<v Speaker 5>that is interesting.

0:40:43.160 --> 0:40:43.560
<v Speaker 3>About it.

0:40:43.600 --> 0:40:45.279
<v Speaker 5>And then when he had more than when he heard

0:40:45.400 --> 0:40:46.839
<v Speaker 5>heard my side of it, they wanted to hear what

0:40:46.840 --> 0:40:48.920
<v Speaker 5>he had to say. Now when he said things back,

0:40:48.960 --> 0:40:51.560
<v Speaker 5>they was like, oh, okay, now I understand what was

0:40:51.600 --> 0:40:54.120
<v Speaker 5>what was happening. Now he finally is talking about it

0:40:54.160 --> 0:40:58.120
<v Speaker 5>to make them understand why it stayed. But it carried over.

0:40:58.160 --> 0:41:00.520
<v Speaker 5>It was it was something else happening. It there was

0:41:00.560 --> 0:41:03.080
<v Speaker 5>making them interesting away from the song playing in a

0:41:03.400 --> 0:41:06.759
<v Speaker 5>good position. But oh, when he says the stuff on

0:41:06.840 --> 0:41:10.120
<v Speaker 5>the I think he overvalues himself, to be honest with you,

0:41:10.200 --> 0:41:12.480
<v Speaker 5>because since then, it's been a long time since he

0:41:12.520 --> 0:41:13.960
<v Speaker 5>hasn't been in power.

0:41:14.360 --> 0:41:16.920
<v Speaker 3>Why are we not excited about the new projects?

0:41:17.760 --> 0:41:18.240
<v Speaker 4>New project?

0:41:18.360 --> 0:41:22.440
<v Speaker 5>It's new projects, That's what I'm talking about. That is

0:41:22.440 --> 0:41:25.600
<v Speaker 5>exactly what I'm talking about. If there was noise going on,

0:41:25.719 --> 0:41:27.799
<v Speaker 5>if it's that big of a drawer, then we will

0:41:27.880 --> 0:41:28.400
<v Speaker 5>see noises.

0:41:28.440 --> 0:41:29.680
<v Speaker 3>We see new things happening.

0:41:29.960 --> 0:41:32.600
<v Speaker 5>We see you out where you actively are in a

0:41:32.600 --> 0:41:34.279
<v Speaker 5>place where people are looking for you.

0:41:34.640 --> 0:41:35.640
<v Speaker 6>So y'all not cool.

0:41:35.719 --> 0:41:38.120
<v Speaker 5>It's no because you leave it like it's me not

0:41:38.239 --> 0:41:41.000
<v Speaker 5>giving you the money. If he's saying it and he

0:41:41.080 --> 0:41:45.160
<v Speaker 5>goingle Courtney in the fifty you're saying that they don't

0:41:45.200 --> 0:41:46.160
<v Speaker 5>know who the fuck Courtney is.

0:41:46.239 --> 0:41:47.759
<v Speaker 3>I introduced people to her.

0:41:48.640 --> 0:41:51.279
<v Speaker 5>They don't know who she is, so you're leaving it

0:41:51.320 --> 0:41:54.520
<v Speaker 5>for fifty didn't make sure I got paid when Mary,

0:41:54.520 --> 0:41:58.240
<v Speaker 5>I tell you she got paid a lot of money

0:41:58.280 --> 0:42:00.239
<v Speaker 5>on the show while she was there the whole I

0:42:00.320 --> 0:42:03.560
<v Speaker 5>make sure that it was right. And then now you

0:42:03.560 --> 0:42:06.680
<v Speaker 5>see my new book to accomplish I got to Raji,

0:42:07.120 --> 0:42:09.200
<v Speaker 5>so to Raji will be the lead in that one.

0:42:09.239 --> 0:42:11.080
<v Speaker 4>But that's already sold.

0:42:11.480 --> 0:42:15.239
<v Speaker 3>Yeah, you know, I'm not wasting time at all. I

0:42:15.320 --> 0:42:15.880
<v Speaker 3>was gonna ask you.

0:42:15.760 --> 0:42:18.200
<v Speaker 2>You know, politics is coming up election? Is it true

0:42:18.320 --> 0:42:20.120
<v Speaker 2>Donald Trump try to give you money to endorse some

0:42:20.239 --> 0:42:20.800
<v Speaker 2>One time.

0:42:21.480 --> 0:42:24.480
<v Speaker 3>I got a call over. They wanted me to Sunday.

0:42:25.480 --> 0:42:28.320
<v Speaker 2>They wanted you.

0:42:28.600 --> 0:42:30.279
<v Speaker 7>They wanted you to perform many men. They wanted you

0:42:30.320 --> 0:42:32.040
<v Speaker 7>to perform many men at the RNC too, right.

0:42:32.160 --> 0:42:35.200
<v Speaker 3>Yeah, And there's off me three million dollars.

0:42:35.080 --> 0:42:39.520
<v Speaker 7>To perform at the RNC or this past Sunday, this

0:42:39.600 --> 0:42:42.359
<v Speaker 7>past Sunday three million. And then they offered you money

0:42:42.400 --> 0:42:44.000
<v Speaker 7>for the Republican National Convention too, right.

0:42:44.360 --> 0:42:45.200
<v Speaker 4>He turned that.

0:42:45.760 --> 0:42:45.960
<v Speaker 3>Yeah.

0:42:45.960 --> 0:42:48.880
<v Speaker 5>I didn't even go far back. I wasn't talking to

0:42:48.920 --> 0:42:51.640
<v Speaker 5>them about that. Ducuse, I'm afraid of politics. So you

0:42:51.760 --> 0:42:53.839
<v Speaker 5>understand I do not like.

0:42:56.600 --> 0:42:58.680
<v Speaker 3>Bang of politics. No gang bang no politics.

0:42:58.760 --> 0:43:01.719
<v Speaker 5>You know it's because when you do get involved in it,

0:43:02.000 --> 0:43:04.640
<v Speaker 5>no matter how you feel, someone passionately disagrees with you.

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<v Speaker 6>That's everything is worse.

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<v Speaker 5>But look, if you say I stay away from religion,

0:43:11.000 --> 0:43:12.960
<v Speaker 5>I stayed with from politics religion.

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<v Speaker 3>That's the formula for the confusion that is sent Kanye

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<v Speaker 3>to Japan.

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<v Speaker 5>He said something about both of those things, and now

0:43:23.440 --> 0:43:24.600
<v Speaker 5>you can only go to Japan.

0:43:25.880 --> 0:43:28.120
<v Speaker 3>So you know, I'm like, I don't want to get

0:43:28.120 --> 0:43:28.399
<v Speaker 3>in that.

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<v Speaker 1>Man, like, we gotta let you go in the fifth

0:43:30.960 --> 0:43:33.239
<v Speaker 1>because when they wrapping up, well, not only that, we

0:43:33.280 --> 0:43:34.560
<v Speaker 1>got the vice president on the line.

0:43:34.560 --> 0:43:36.040
<v Speaker 4>She's on the vice president.

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<v Speaker 3>Left say Hi, why are you going to put me

0:43:39.239 --> 0:43:49.320
<v Speaker 3>into this? Was cool speak No noo.

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<v Speaker 8>And gentlemen, wait, wait, wait, do have another question before

0:43:56.520 --> 0:43:59.680
<v Speaker 8>you leave the Okay, go ahead, I want to get

0:43:59.760 --> 0:44:00.239
<v Speaker 8>in your says.

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<v Speaker 6>I wanted to know Webb Jurnal.

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<v Speaker 5>Lie, oh man, I'm glad, I'm ladies, and gentlemen's fifty cent.

0:44:05.760 --> 0:44:08.400
<v Speaker 1>It's the breakfast Club, the morning wake that ass up

0:44:08.920 --> 0:44:09.520
<v Speaker 1>in the morning.

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<v Speaker 3>The Breakfast Club