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Speaker 3: Wake that ass up in the morning.

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Speaker 1: Breakfast Club Morning, everybody's DEJNV just allowed charlamage. The guy

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Speaker 1: we are the Breakfast Club Ess is still on maternity

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Speaker 1: leave on the roads is feeling in it.

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Speaker 2: And we got a special guest in the building.

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Speaker 3: The ladies and gentlemen here, I'm here, baby, I'm here

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Speaker 3: frightening early.

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Speaker 1: But first and foremost just said she wants that bottle signed.

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Speaker 1: First and foremost she said, make sure fifth signs to

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Speaker 1: bout what I told.

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Speaker 4: If you just want to roll in something.

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Speaker 5: You know what slowed her down this She would have

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Speaker 5: already been in power if she was, because I've been.

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Speaker 4: I don't tell me that she won't come back.

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Speaker 3: Just what happened was like we had talked about doing something.

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Speaker 4: It was a role.

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Speaker 5: Actually, me and Mary had a project that was like

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Speaker 5: the it was like the Brady Bugs. It's like a

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Speaker 5: new urban version of it, and it had uh. I

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Speaker 5: was just with her son and I saw that and

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Speaker 5: I was like, yo, if she should play that, like

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Speaker 5: we should put it in this thing, And then we

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Speaker 5: had it. It was in development for a while. A

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Speaker 5: lot of projects don't actually make it the television. A

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Speaker 5: lot that one, specifically if fell apart, had a husband

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Speaker 5: and wife write a team that we just couldn't get

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Speaker 5: it over the water with the scripts.

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Speaker 3: So that one, you know, we just went back to

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Speaker 3: the joint.

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Speaker 5: But but I had some things that I was looking

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Speaker 5: to just for already, because like I watched people online

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Speaker 5: and I see like they working and there's no real

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Speaker 5: they're receiving, like they're trying to monetize the material that

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Speaker 5: they putting out. But it's not a big Bay Day,

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Speaker 5: like as big as it could be when they're on on.

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Speaker 6: The show like Network TV.

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Speaker 5: So I look and see it was really working because

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Speaker 5: some of them stand out. They just just it just

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Speaker 5: works out the gate like she was.

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Speaker 3: One of them.

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Speaker 7: Look at this ninety nine. I didn't even see this

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Speaker 7: till just now. Good morning. Tell fifty. I love him

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Speaker 7: and I'm still waiting for him.

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Speaker 2: She SAIDs last night.

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Speaker 1: Now, we got a lot of people coming this week, right,

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Speaker 1: one of them, Kamala Harris, is checking in all these

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Speaker 1: people on the list. The first thing she says, Man,

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Speaker 1: fifty gonna be there tomorrow. YO, tell them, I said,

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Speaker 1: was up, And I wish I could have seen them,

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Speaker 1: have them record a video saying something to me or something.

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Speaker 2: I don't give a fuck, man, I'm mad as a bitch.

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Speaker 2: I'm not going to be there.

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Speaker 6: So she need her job, she needs her drops. She

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Speaker 6: went to signed.

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Speaker 3: We got something to do some stuff for her.

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Speaker 7: I think you get a lot of that because you

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Speaker 7: you so accessible.

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Speaker 4: Still, Yeah, I.

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Speaker 5: Talked to her like I saw I saw working and

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Speaker 5: I started DMO and was talking to her about it

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Speaker 5: already like long before, because I was like, yo, no,

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Speaker 5: this is it will fit perfect here. Just trying to

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Speaker 5: place it in a big part instead of like a

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Speaker 5: cameo or something was what held it out.

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Speaker 4: You still got time, you got a lot of show.

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Speaker 7: One of the things I always wanted to ask you, man,

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Speaker 7: whyld Shreveport the destination spot for your studio.

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Speaker 5: It was because they already had the infrastructure, like they

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Speaker 5: had already had the taxing center of everything there to

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Speaker 5: have a business be functional.

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Speaker 3: Like if you think about like New York, LA, the students.

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Speaker 5: Out here, they're paying fifty eight percent the taxes now,

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Speaker 5: so if you was on the thirty nine percent, you're

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Speaker 5: already going out of business. If you don't scale back,

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Speaker 5: you're already going out of business. So a lot of

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Speaker 5: them didn't make adjustments. In California, I'm buying equipment from

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Speaker 5: their companies after the fire, bankruptcy Turk for cheap prices.

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Speaker 3: Hey pennies on the dollar.

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Speaker 1: Now break down Streetport because a lot of people have

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Speaker 1: never been to Streetport. But you know, people say it's

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Speaker 1: a very violent place. You know what look, but that weekend,

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Speaker 1: that's a part of a.

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Speaker 5: Reputation that we don't know because when we did, like

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Speaker 5: the time that I did go that we had zero violence,

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Speaker 5: you know what I mean for four days straight and

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Speaker 5: I don't know, nobody is said that they didn't have

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Speaker 5: a good time. And for me, look, I look, when

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Speaker 5: I get into these podcasts, of course I'm gonna you know,

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Speaker 5: I type in, I'm gonna get into the neighborhoods and

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Speaker 5: make them understand what it means to the town, to

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Speaker 5: the city itself if it goes.

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Speaker 3: The right way, and then you don't have no violence. Now,

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Speaker 3: a lot of times if people.

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Speaker 5: Go there and they don't know where you're from, or

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Speaker 5: what you're doing, or how in every neighborhood it's a

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Speaker 5: little bit of it's an element there something going on there.

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Speaker 3: And then when for there be nothing them.

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Speaker 5: Was looked at it like I had to go to

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Speaker 5: Louisiana to meet with the governor Jeff to talk about

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Speaker 5: the taxes because they was talking about changing it and

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Speaker 5: kind of carve out what I would need to be

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Speaker 5: comfortable stand in that place because there's look at that point,

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Speaker 5: so I mean I didn't have time. I spent We

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Speaker 5: had ninety days, bro Like even though look at the

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Speaker 5: car shows scenario, it was like.

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Speaker 3: Let's do it.

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Speaker 5: We hear a roadblock, I go, no, let's just do

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Speaker 5: it anyway, Like, let's just do it, you know what

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Speaker 5: I mean?

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Speaker 3: Because I wanted to make sure we had something for everybody.

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Speaker 1: How much did you spend that that weekend? Because out

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Speaker 1: of your own money? Yeah, because there was no you

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Speaker 1: didn't have no, no huge sponsor, syst nothing like that.

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Speaker 2: All out your pocket.

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Speaker 1: You built the people don't understand what you did, and

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Speaker 1: it's hard to describe it. Like you built your own club,

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Speaker 1: you built your own car show, fit, gym, you brought

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Speaker 1: your own restaurants, like you built a city in Treeport

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Speaker 1: for that weekend, but.

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Speaker 5: Just to show them what would happen, because then you

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Speaker 5: get thirty five thousand people to come to the town.

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Speaker 5: The tax, the hotel taxes where people staying in not

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Speaker 5: only on this reports side, but the busures side. They

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Speaker 5: raised the hotel prices when they see so many the

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Speaker 5: demand for it. The flights went from two hundred and

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Speaker 5: thirty nine dollars to twelve hundred dollars.

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Speaker 3: Coach, Yes, you know what I mean.

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Speaker 5: And you're going, man, why I just can't leave it

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Speaker 5: two hundred dollars leave it there because we need everybody

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Speaker 5: to come, you know.

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Speaker 3: But it almost was.

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Speaker 5: It builds excitement when you when you do it the

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Speaker 5: first time and it's successful like that. They showed out,

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Speaker 5: like the people's report, not having any altercations or not

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Speaker 5: doing anything. I think it also attributes to the morale

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Speaker 5: of law enforcement because when they're being paid, like I

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Speaker 5: was paying them THEMN in sixty five dollars an hour,

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Speaker 5: so I had to put spend additional six hundred thousand.

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Speaker 5: But they were in a good space, so they're not

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Speaker 5: looking to arrest you.

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Speaker 3: They're looking to keep everything cool.

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Speaker 5: And I think that temper when when they when you

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Speaker 5: for law enforcement, when they come out there like that,

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Speaker 5: everybody chills out because it's like they're not even tripping

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Speaker 5: while we tripping all or I don't.

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Speaker 3: You don't want to prove nothing when everything's going smooth.

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Speaker 4: So everybody got taken care of except a Hurricane Chris.

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Speaker 6: All of that, and Hurricane Christill has something to say.

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Speaker 6: I know you posted they need to.

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Speaker 3: Try and sell a record, man.

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Speaker 5: That's a part of our coach also, right, and and

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Speaker 5: that publicity tried to build some noise to drop a record,

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Speaker 5: and it didn't work because it's just like when the whole.

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Speaker 3: Event and everything is positive and you come with.

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Speaker 5: I'm gonna kill somebody energy and they go for what

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Speaker 5: exactly for.

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Speaker 3: For building the economy and the city that needs it.

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Speaker 5: When you got that many people there understanding, the smartest

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Speaker 5: people that's there looking go this food, just want clicks

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Speaker 5: on the thing, like on on the machine, because you

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Speaker 5: can't there's nothing the negative about it.

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Speaker 3: You can't find a negative point.

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Speaker 5: And that specifically, even I took away from hip hop

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Speaker 5: and made a human harmony, made it the comedians, the

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Speaker 5: comedy side, the things, let's laugh, let's love music, bro,

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Speaker 5: you know what I'm saying. Instead of it being because

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Speaker 5: that energy, if we bring that and then something happens,

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Speaker 5: they go it was this that did it, you know,

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Speaker 5: And and people assumed that we couldn't have a good

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Speaker 5: time there, but you know obviously we did.

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Speaker 4: And you had Louisiana artists there. Yeah, yeah, he was there.

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Speaker 5: Look Fredo gets playing my rock like that kid, I don't.

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Speaker 5: I don't play it like that was a thousand years ago.

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Speaker 5: I was like, that was not that's not in my playlist,

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Speaker 5: like you know, like these kids like Freddo looked.

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Speaker 3: He was like, yo, I don't even know he I

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Speaker 3: know the word for word.

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Speaker 5: The songs because I'm listening to the music. You know

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Speaker 5: what I'm saying, and it's it's I had a good time.

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Speaker 5: Even if some of the other artists, real local artists,

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Speaker 5: they got a.

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Speaker 3: Chance to rock, you know what I mean. It's just

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Speaker 3: he just was upset because he wasn't a part of that.

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Speaker 1: Now when you look at some of these younger artists

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Speaker 1: and you see how they idolize you and idolize your music,

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Speaker 1: and then you see them get caught up. Yeah, do

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Speaker 1: you have conversations with them? Like I remember Castanova and

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Speaker 1: you was trying to talk to Castanova with Troy av

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Speaker 1: and now little Dirk, do you have conversations with them

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Speaker 1: and be like I've seen this play before.

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Speaker 3: And even with Dirk, I was telling him, like when

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Speaker 3: I had him, he was saying in New York, we

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Speaker 3: did uh the power.

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Speaker 6: That's first and last acting roll at this point.

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Speaker 5: But we did the the uh not that the acting

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Speaker 5: ro when were doing the theme song for Force, the

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Speaker 5: Chicago version.

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Speaker 3: Then like I was like, yo, this is this is

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Speaker 3: done right, then it's real ship.

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Speaker 5: Right. He's like yeah, And I said, yo, just watch

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Speaker 5: him his crew because he said that, you know what

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Speaker 5: I'm saying. And it's like, like I've always had that

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Speaker 5: energy myself in the middle of everything that was going on.

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Speaker 3: I'm not just watching. We know.

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Speaker 5: Where was you at Thursday?

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Speaker 3: If you got pulled up and you got in jail,

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Speaker 3: why are.

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Speaker 4: You not Damn did you ever have that though? I'm

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Speaker 4: sure you did.

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Speaker 3: Yeah, I've had guys.

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Speaker 5: Look, I had a driver he got he was supposed

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Speaker 5: to go from Vegas to meet me in Miami, and

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Speaker 5: he got. He went into the airport with a.

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Speaker 3: Ham on them.

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Speaker 5: So I'm like, lawyer called me like two o'clock in

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Speaker 5: the morning, says, you got rested this and I go oh,

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Speaker 5: I said, he said, all right, to send the lawyer

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Speaker 5: for him.

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Speaker 3: I said, he a't.

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Speaker 5: Gonna need a lawyer, gonna need bond the lawyer after

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Speaker 5: that when you got priored, right, And then he called

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Speaker 5: back and he says, no, no, he said this that

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Speaker 5: he made the flight.

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Speaker 3: He made the flight already got fired, felady. He made

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Speaker 3: the flight. By the time we get in the car,

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Speaker 3: I sat in the car.

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Speaker 5: Man, I'm like, I said, motherfucker all the way to

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Speaker 5: the hotel. We get there waiting on the sticker and

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Speaker 5: tell me how the fuck you got on that plane?

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Speaker 5: Then he go, yo, this this is, this is but

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Speaker 5: he's so weirded out, like it's so it's energy. He

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Speaker 5: didn't even know how to hey, like, what's up? Like

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Speaker 5: as soon as get getting to the car, he didn't

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Speaker 5: know how to do it. And don't let him drive

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Speaker 5: you man, you know you got some funny bunness going on.

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Speaker 3: You know what I say. You can't get.

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Speaker 5: Picked up after you have rise and then they just

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Speaker 5: let you go even with it permits. If you would

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Speaker 5: not make the flight, there's no way he got He

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Speaker 5: ended up on a flight. Me, he already had a

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Speaker 5: handler for him to make the flight. You got to

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Speaker 5: already have somebody can.

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Speaker 2: Call being able to get him out.

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Speaker 6: When you said that that, Dirk, what was his response to,

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Speaker 6: you see you know what you see?

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Speaker 5: Somebody just came to my house. How do you know

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Speaker 5: exactly who? Address nobody like this? It's not because something happened.

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Speaker 6: Robbery and Georgia. When his when India had went straight

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Speaker 6: to talking about.

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Speaker 7: That, what do you think it is about many men

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Speaker 7: that resonate so much with this generation.

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Speaker 5: I think that they know that the opposition mm hmm.

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Speaker 5: They know who the other side is. Why, so they

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Speaker 5: know when his cruise, there's a bunch of them over there.

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Speaker 5: They all rock with each other. So if you a

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Speaker 5: recognizable person on the other side, then they're already that

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Speaker 5: top vibe. Start feeling like they all want me or

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Speaker 5: they know that I'm a valuable piece over here, so

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Speaker 5: if they hit me, then it'll create confusion over here.

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Speaker 3: So they It resonates even in the drill culture.

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Speaker 1: But you was able to see it early, right because

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Speaker 1: you've always made early residency.

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Speaker 2: I am not gang gang.

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Speaker 3: I don't know. I do not like I do not

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Speaker 3: like conspiracy.

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Speaker 5: Keep both of those brothers away from me. I don't

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Speaker 5: like neither one of those things. And these laws are

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Speaker 5: designed to bring down the mafia bro Italian. Look when

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Speaker 5: they say they reserve, they reserved the ability to to offer.

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Speaker 5: Like when you think criminal crime in general, right when

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Speaker 5: when I said the word organized, it means intelligence. That's

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Speaker 5: why when I say organized crime, you only think of

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Speaker 5: white Italian Americans.

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Speaker 3: You don't think of triads, you don't think of Russians.

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Speaker 5: You don't think of any other ethnicity, right, Serbians, none

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Speaker 5: of that. And we put all of that in power

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Speaker 5: because there's different versions of it of it that and

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Speaker 5: we wanted to have it feel like the city feels

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Speaker 5: like it's thirteen million people. It's a mountain pot of

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Speaker 5: people here. Culturally, you want it to be as diverse

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Speaker 5: as possible. So but when you do think about it,

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Speaker 5: when they do say organize, it's saying smart criminal. If

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Speaker 5: they have to point to a criminal, say smart, it's

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Speaker 5: going to be a white Italian American. We are still

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Speaker 5: in America. You see what I'm saying. They're not gonna

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Speaker 5: call anybody all smart. They'll call you kingpin, they'll call

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Speaker 5: you a gay leader, and they'll say massive amounts of

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Speaker 5: money or message that they were brought in at those points.

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Speaker 3: But they're not gonna call you smart. What did you say?

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Speaker 4: They have even did that with meet When you think about.

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Speaker 3: It, it was k yeah, yeah, yeah, You're not gonna say.

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Speaker 2: What did you see early enough?

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Speaker 5: That was like, nah, I just never seen anyone successful

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Speaker 5: in a game ever in the history of gangs. I

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Speaker 5: haven't seen success. So I join the sorority. That's the

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Speaker 5: gag that.

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Speaker 3: People who actually make it, you know, like join.

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Speaker 5: Those kind of games. I'll do something that kind of gag.

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Speaker 3: I'm with it.

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Speaker 5: I joined if they let me those games, because they

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Speaker 5: go into success and stay connected to each other and

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Speaker 5: they feel like brotherly energy or they will do whatever

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Speaker 5: for you because like that's my brother already, you know

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Speaker 5: what I mean. Like but that I never seen anyone

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Speaker 5: have successive games. And I look like it's so easy.

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Speaker 5: You don't even have to be involved. All you gotta

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Speaker 5: do is be aware.

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Speaker 3: What you do.

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Speaker 4: Say, g unit, I started my own game back in

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Speaker 4: the day.

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Speaker 5: Yeah, yeah, because the energy was there, Like I look

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Speaker 5: the youth, the younger So, I mean, the younger dudes

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Speaker 5: do not want to follow the older guy's path.

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Speaker 3: They don't you recognize what you did then?

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Speaker 5: Yeah, but every money in Black History Month, that's February,

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Speaker 5: my brother.

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Speaker 3: You know you did that.

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Speaker 5: That was a long time ago and they're out active now,

335
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Speaker 5: so they don't want to follow that step. And when

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Speaker 5: I start doing that, it brought the ability to do

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00:15:29,040 --> 00:15:32,760
Speaker 5: different things did around it. The older dudes already had

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Speaker 5: that where they could send ahead or do different things,

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Speaker 5: and that, you know, brought that to me.

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Speaker 2: You mentioned you mentioned me. Have you spoken to me

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Speaker 2: at all?

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Speaker 5: I had a text message, conversations back and forth.

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Speaker 3: Because he's in the halfway house.

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Speaker 4: You think should be got a lot of things.

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Speaker 3: He can do.

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Speaker 5: Man, you might want to make a movie, he might

347
00:15:52,880 --> 00:15:54,760
Speaker 5: want to do some different things where you know, because

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Speaker 5: a lot of I understand how important real it's to

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Speaker 5: our culture, right, But when you developing television, it's to

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Speaker 5: find the best possible story you can.

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Speaker 3: Find and then make up somethings.

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Speaker 5: You got to make up things because your life in

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Speaker 5: the second Charlomagne's life, So I immediately get a little

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Speaker 5: lossuit when we get over there. This is what you understand, i'maying.

355
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Speaker 5: So you got to change things around a little bit.

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Speaker 5: And then that's the uh the series when when you

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Speaker 5: see we see high notes, we see low notes, and

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Speaker 5: at points it's when they do something that's like when

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Speaker 5: we have a TV moment when it feels like completely real.

360
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Speaker 5: And this is why it was important for me to

361
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Speaker 5: get a little meets ready so he can go there

362
00:16:36,400 --> 00:16:37,960
Speaker 5: because when you're watch it and it's good and then

363
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Speaker 5: you go you know, that's the sun right And as

364
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Speaker 5: a fun fact to the person.

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Speaker 3: Who's watching with you.

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Speaker 5: You feel like this it's got to be true because

367
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Speaker 5: the sun is there, and this is and and that's

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Speaker 5: a rarity. You probably won't ever see that again.

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Speaker 7: You seem like the type of person too that don't

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Speaker 7: like to stay in one place too long. So that's

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Speaker 7: why I was shocked when I started residency announcement, because

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Speaker 7: I feel like, you know, you a hustler, like you

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Speaker 7: like to be moved, you like to be stationary.

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Speaker 1: Well, congratulations Week twenty seventh December twenty seventh, twenty eight

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00:17:07,840 --> 00:17:11,000
Speaker 1: to thirty if the thirty first January third January fourth

376
00:17:11,040 --> 00:17:13,760
Speaker 1: at Planet Hollywood Resort and Casino fifteen million.

377
00:17:14,119 --> 00:17:15,720
Speaker 5: But just look at it, I may able to do

378
00:17:15,800 --> 00:17:18,240
Speaker 5: things production wise because we don't got to take it

379
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Speaker 5: apart and put it back together.

380
00:17:19,280 --> 00:17:20,840
Speaker 3: Take it apart and put it back together.

381
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Speaker 5: So I can build a set where I can do

382
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Speaker 5: some tricks and different things that I could make the

383
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Speaker 5: sell more entertaining.

384
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Speaker 3: And I want to do that and then change.

385
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Speaker 5: The set around because I kept, look, it's easy stuff

386
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Speaker 5: that you I can play. It's gonna give a spot immediately, right,

387
00:17:35,920 --> 00:17:38,840
Speaker 5: and then there's things that it hits that or records

388
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Speaker 5: that I could have played in place of those songs that.

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Speaker 3: Equally it's good.

390
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Speaker 5: I just think that they are because I made the choice.

391
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Speaker 5: I placed the other ones more often than the others.

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Speaker 1: So what made you want to do the residency in Vegas?

393
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Speaker 1: Because I mean, you just left the Final Lap Tour

394
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Speaker 1: and before you told me that, were you surprised at

395
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Speaker 1: the success of the Final Lap Tour because you haven't

396
00:18:00,600 --> 00:18:03,040
Speaker 1: done a tour in a long time and that Recity

397
00:18:03,600 --> 00:18:04,560
Speaker 1: country sold out?

398
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Speaker 2: Were you surprised a by that?

399
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Speaker 5: It was unique because that that tour, I didn't release

400
00:18:08,400 --> 00:18:11,600
Speaker 5: the album before, and every other tour went on, I

401
00:18:11,600 --> 00:18:12,160
Speaker 5: put out a.

402
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Speaker 3: New record and it.

403
00:18:13,880 --> 00:18:15,520
Speaker 5: Changed the show because I had to play some of

404
00:18:15,560 --> 00:18:18,199
Speaker 5: those songs from the new record and then get to

405
00:18:18,240 --> 00:18:21,119
Speaker 5: the hits that I already had gone. So that like

406
00:18:21,200 --> 00:18:23,399
Speaker 5: this time, it was like they said, we don't strike

407
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Speaker 5: as far as television is concerned. So I said, okay,

408
00:18:26,359 --> 00:18:29,520
Speaker 5: I'm on tour having the ability to do things that

409
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Speaker 5: the other guys that are producing stuff don't have, you

410
00:18:32,160 --> 00:18:35,280
Speaker 5: know what I mean? And like for like when I

411
00:18:35,320 --> 00:18:39,080
Speaker 5: communicate with Tyler, I tell him it's format, it's for us,

412
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Speaker 5: by us, you know, And I'm able to create things

413
00:18:41,760 --> 00:18:46,919
Speaker 5: without necessarily trying to service the Bible Belt at the

414
00:18:46,920 --> 00:18:51,439
Speaker 5: same time that Tyler's original audience is that, so he

415
00:18:51,560 --> 00:18:55,520
Speaker 5: keeps consistent themes going through his projects. And if you

416
00:18:55,600 --> 00:18:57,760
Speaker 5: had as much success as he's had, why would you

417
00:18:57,800 --> 00:18:58,320
Speaker 5: adjust it?

418
00:18:59,160 --> 00:18:59,359
Speaker 3: You know?

419
00:18:59,440 --> 00:19:03,239
Speaker 5: Like mine's I use family drama in format. So if

420
00:19:03,280 --> 00:19:06,760
Speaker 5: it's two brothers like Miech and Terry, the experiences is

421
00:19:07,200 --> 00:19:09,959
Speaker 5: one way. I'll give another example of the Floorest Twins

422
00:19:10,000 --> 00:19:15,199
Speaker 5: completely different, but the Mexican American version of Narcos, the

423
00:19:15,320 --> 00:19:17,680
Speaker 5: English speaking version of Arkles.

424
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Speaker 3: Get a chest off from that.

425
00:19:21,480 --> 00:19:22,439
Speaker 6: They look like in Vegas.

426
00:19:22,680 --> 00:19:25,080
Speaker 8: It's certain songs you can't do that you would do

427
00:19:25,119 --> 00:19:28,040
Speaker 8: anywhere else because like the Vegas crowd is like mainstreaming

428
00:19:28,040 --> 00:19:30,560
Speaker 8: people just coming through and all these different people, like

429
00:19:30,560 --> 00:19:33,240
Speaker 8: you got to reserve a certain list because you got

430
00:19:33,520 --> 00:19:35,679
Speaker 8: some stuff for the streets too that everybody loves.

431
00:19:35,720 --> 00:19:37,120
Speaker 6: But Vegas is Vegas.

432
00:19:37,200 --> 00:19:38,720
Speaker 3: Yeah, I think there's some stuff that I can.

433
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Speaker 5: I can do anything I want because there what's the name,

434
00:19:41,480 --> 00:19:44,679
Speaker 5: look I use I give myself an overall format for

435
00:19:44,800 --> 00:19:51,080
Speaker 5: Shore and the theme is the dream a dream. So

436
00:19:51,160 --> 00:19:54,359
Speaker 5: the sequences don't necessarily have to all make sense, but

437
00:19:54,400 --> 00:19:58,479
Speaker 5: they have to tie together to make an experience, you know.

438
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Speaker 3: And that's what the way I kind of built.

439
00:20:01,280 --> 00:20:03,840
Speaker 5: The show out before I got everybody else involved in

440
00:20:04,040 --> 00:20:06,720
Speaker 5: my creative around it, you know. But I want to

441
00:20:06,520 --> 00:20:09,359
Speaker 5: take it up and not you'll see the set. Everything

442
00:20:09,440 --> 00:20:10,600
Speaker 5: is kind of it's gonna be crazy.

443
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Speaker 6: You come back down upside down again? Are you done

444
00:20:12,720 --> 00:20:12,840
Speaker 6: with you?

445
00:20:13,280 --> 00:20:16,399
Speaker 3: I'm not let the upset down. It is over. I

446
00:20:16,400 --> 00:20:17,960
Speaker 3: don't even know why I did that the first time.

447
00:20:19,760 --> 00:20:21,520
Speaker 5: I didn't realize we were gonna have to rehearse for

448
00:20:21,600 --> 00:20:24,000
Speaker 5: seven days, right, because I'm like, no, let's it look

449
00:20:24,080 --> 00:20:28,080
Speaker 5: seven day the wait? I know the worst, Yes, I

450
00:20:28,119 --> 00:20:31,880
Speaker 5: know the words. It's just not a new song. Why

451
00:20:31,880 --> 00:20:34,480
Speaker 5: am I rehearsing? Why we rehearsing seven days straight? And

452
00:20:34,480 --> 00:20:37,639
Speaker 5: it's really about getting everything onto the field and everything

453
00:20:37,680 --> 00:20:41,520
Speaker 5: off the field fast enough and have everybody prepared to

454
00:20:41,840 --> 00:20:44,480
Speaker 5: let's go, let's go, and then getting them into that.

455
00:20:44,520 --> 00:20:46,760
Speaker 3: But there's it's an experience, man.

456
00:20:46,760 --> 00:20:51,439
Speaker 5: I think when it's talking about whether Kendrick here's the

457
00:20:51,440 --> 00:20:57,160
Speaker 5: guy right that we're doing it, but the I don't

458
00:20:57,160 --> 00:20:58,680
Speaker 5: know if they know Drake turned it down a bunch

459
00:20:58,680 --> 00:20:59,000
Speaker 5: of times.

460
00:21:00,119 --> 00:21:02,560
Speaker 6: You really don't how many times like three times.

461
00:21:04,440 --> 00:21:06,360
Speaker 3: You gotta pay for the super Bowl, you gotta pay for.

462
00:21:06,280 --> 00:21:08,280
Speaker 6: The When was the last time he turned?

463
00:21:08,320 --> 00:21:09,119
Speaker 3: Why would he need it?

464
00:21:09,200 --> 00:21:11,760
Speaker 7: In the position I saw I saw Steve Stout say that,

465
00:21:12,320 --> 00:21:14,840
Speaker 7: But then that defeats the whole jay Z's a hater narrative.

466
00:21:14,880 --> 00:21:17,000
Speaker 5: Then I'm like, well, you gotta get that, give him

467
00:21:17,040 --> 00:21:20,680
Speaker 5: that because that's his You're in that position, You're gonna

468
00:21:20,680 --> 00:21:24,200
Speaker 5: have to feel like you want to be that guy.

469
00:21:24,200 --> 00:21:26,000
Speaker 5: You want to be in the direct club who picks

470
00:21:26,320 --> 00:21:29,800
Speaker 5: you get that hate? Okay, this is something.

471
00:21:29,600 --> 00:21:33,879
Speaker 7: That they said because Yeo said that fifty I mean

472
00:21:33,960 --> 00:21:36,439
Speaker 7: Jay hated on you too, like he didn't want Is.

473
00:21:36,440 --> 00:21:36,960
Speaker 4: That true though?

474
00:21:37,920 --> 00:21:40,320
Speaker 3: But it's not. It's not a big deal, you know what.

475
00:21:40,600 --> 00:21:42,360
Speaker 4: The reason though, like what would he tell Dren?

476
00:21:42,680 --> 00:21:46,240
Speaker 5: That's competing up being competitive and the music is getting

477
00:21:46,280 --> 00:21:50,280
Speaker 5: past music itself with that, because I'm like, what was

478
00:21:50,320 --> 00:21:53,520
Speaker 5: he What are you trying to do? You know, like,

479
00:21:53,560 --> 00:21:57,160
Speaker 5: when you're not frequently making the music as as frequently?

480
00:21:57,160 --> 00:22:00,919
Speaker 5: When's the last jay Z album? And when I'm not

481
00:22:00,920 --> 00:22:04,920
Speaker 5: putting out music as often? But you the business parts

482
00:22:05,359 --> 00:22:08,320
Speaker 5: haven't changed with our positions haven't changed the culture. So

483
00:22:08,480 --> 00:22:10,320
Speaker 5: if you're now saying, Yo, now I want to give

484
00:22:10,400 --> 00:22:14,040
Speaker 5: him this, because what do you mean if you look

485
00:22:14,040 --> 00:22:16,320
Speaker 5: at the order the person that you would say didn't

486
00:22:16,320 --> 00:22:18,840
Speaker 5: belong there, but you were probably like the game was upset? Right,

487
00:22:19,040 --> 00:22:21,359
Speaker 5: He was upset because he was supposed to be there

488
00:22:21,359 --> 00:22:24,800
Speaker 5: in his head, right, But who would you be upset?

489
00:22:25,200 --> 00:22:28,080
Speaker 3: Is there in place of you? Who came after you?

490
00:22:29,280 --> 00:22:31,280
Speaker 3: That was there? He never mentioned that.

491
00:22:31,240 --> 00:22:34,040
Speaker 5: He had an issue with Ken Chindrick, right, and then

492
00:22:34,119 --> 00:22:39,000
Speaker 5: later you see him in support of of.

493
00:22:40,880 --> 00:22:41,719
Speaker 3: The Drake stuff.

494
00:22:41,840 --> 00:22:43,640
Speaker 4: Well, why would you and Ja still have issues after

495
00:22:43,680 --> 00:22:44,240
Speaker 4: all these years.

496
00:22:44,320 --> 00:22:46,159
Speaker 3: I don't have issues, you know what my thing is?

497
00:22:46,200 --> 00:22:48,600
Speaker 5: Look, I think in that point, yeah, he was hating

498
00:22:48,640 --> 00:22:50,439
Speaker 5: because he was saying the NFL had an issue with

499
00:22:50,480 --> 00:22:53,320
Speaker 5: me when i got eleven professional sports teams. Now that

500
00:22:53,400 --> 00:22:56,680
Speaker 5: I'm an official champagne in kooniak of and where's the

501
00:22:56,720 --> 00:23:00,240
Speaker 5: hate there? Like, I don't understand it, you know what

502
00:23:00,240 --> 00:23:01,879
Speaker 5: I'm saying. Like, so you said that there was an issue.

503
00:23:01,960 --> 00:23:03,760
Speaker 5: It's an issue because he was doing the program. He

504
00:23:03,800 --> 00:23:06,720
Speaker 5: didn't want me to be in the show and wouldn't

505
00:23:06,720 --> 00:23:07,840
Speaker 5: do it without me in the show.

506
00:23:08,440 --> 00:23:10,480
Speaker 3: And then he made the adjustments.

507
00:23:10,080 --> 00:23:11,120
Speaker 2: Which the last time y'all spoke.

508
00:23:11,119 --> 00:23:14,959
Speaker 5: If you have spoke, it's been a while because our

509
00:23:14,960 --> 00:23:17,679
Speaker 5: business is really they don't cross path and after the

510
00:23:17,680 --> 00:23:20,679
Speaker 5: same thing, like when they're doing something else with the

511
00:23:20,720 --> 00:23:24,280
Speaker 5: you know, rock Nation and stuff like that. We picked

512
00:23:24,280 --> 00:23:27,919
Speaker 5: different things, right, prison reform and stuff like that, and

513
00:23:27,960 --> 00:23:29,760
Speaker 5: to the desk they think, you know what I mean.

514
00:23:29,800 --> 00:23:33,480
Speaker 5: I looked at the professional sports thing when I go

515
00:23:33,520 --> 00:23:35,280
Speaker 5: in and saying it would give me the organizations that

516
00:23:35,440 --> 00:23:38,919
Speaker 5: of the most influential organizations their childibord, so I can

517
00:23:39,160 --> 00:23:42,160
Speaker 5: tap into that without having to work to create those organizations.

518
00:23:42,320 --> 00:23:45,960
Speaker 5: Like I've always donated to other existing organizations, other non

519
00:23:45,960 --> 00:23:48,159
Speaker 5: for profits and stuff like that throughout the years. When

520
00:23:48,200 --> 00:23:51,359
Speaker 5: people think that it's about taxes, but it goes past

521
00:23:51,359 --> 00:23:54,040
Speaker 5: the tax point, you know what I mean, like for

522
00:23:54,119 --> 00:23:56,680
Speaker 5: youth programs and the entrepreneurship stuff that I did. And

523
00:23:57,040 --> 00:23:59,480
Speaker 5: in Houston it made it a little more clearer. When

524
00:23:59,480 --> 00:24:02,560
Speaker 5: I got there, they weren't registering me here because I'm

525
00:24:02,600 --> 00:24:05,359
Speaker 5: already here and they got me as the first version

526
00:24:05,440 --> 00:24:08,040
Speaker 5: of fifty cent and it was not adjustice, so they

527
00:24:08,160 --> 00:24:09,439
Speaker 5: look at it that way, and then when they get

528
00:24:09,440 --> 00:24:13,679
Speaker 5: to Houston, they're gonna wait, he's actively doing more than.

529
00:24:15,240 --> 00:24:16,000
Speaker 3: The people from.

530
00:24:15,880 --> 00:24:19,640
Speaker 5: Houston, and then it kind of gets them make it

531
00:24:19,680 --> 00:24:22,440
Speaker 5: motivates them to do more, and then you start to

532
00:24:22,480 --> 00:24:24,399
Speaker 5: see new things, you know, like I just raised the

533
00:24:24,440 --> 00:24:28,880
Speaker 5: half million dollars for the children of of Houston and uh.

534
00:24:30,680 --> 00:24:33,119
Speaker 3: Tillman the leader's organization out.

535
00:24:33,000 --> 00:24:34,680
Speaker 2: There, they said, you were mad that you didn't get

536
00:24:34,680 --> 00:24:35,520
Speaker 2: aybody to the white party.

537
00:24:35,880 --> 00:24:36,400
Speaker 3: Was white party?

538
00:24:36,400 --> 00:24:38,240
Speaker 2: That's why that you was beef Like.

539
00:24:42,480 --> 00:24:46,320
Speaker 5: White parties are puffy originals. Those are puffy originals. Why

540
00:24:46,359 --> 00:24:48,720
Speaker 5: why is the only white people? Why is only white good?

541
00:24:48,800 --> 00:24:51,040
Speaker 5: Why is black bad? Like like if I want a

542
00:24:51,040 --> 00:24:53,280
Speaker 5: black party, could I have a black party or all

543
00:24:53,280 --> 00:24:53,840
Speaker 5: black party?

544
00:24:54,640 --> 00:24:55,080
Speaker 2: You can do it.

545
00:24:55,160 --> 00:24:57,600
Speaker 3: That's just it. All black guys and not touch each

546
00:24:57,600 --> 00:24:58,120
Speaker 3: other's butt.

547
00:25:00,119 --> 00:25:02,840
Speaker 6: The locks come from not the front on the back.

548
00:25:03,840 --> 00:25:05,760
Speaker 5: Just just hug me regular from the front so I

549
00:25:05,760 --> 00:25:07,320
Speaker 5: can know where you're at.

550
00:25:07,560 --> 00:25:10,439
Speaker 3: All stuff has me like an unsure what you know?

551
00:25:10,480 --> 00:25:13,040
Speaker 7: Speaking of that, there was a there was They said

552
00:25:13,080 --> 00:25:17,159
Speaker 7: you wrote two verses for Diddy. One was the the

553
00:25:17,240 --> 00:25:19,520
Speaker 7: let's get it and the other one was on the

554
00:25:19,560 --> 00:25:23,119
Speaker 7: I get money. But they said you wrote it and

555
00:25:23,240 --> 00:25:24,480
Speaker 7: him confessing the crime.

556
00:25:25,000 --> 00:25:32,920
Speaker 3: Did you look at me? I ain't telling him to

557
00:25:32,960 --> 00:25:36,639
Speaker 3: say that.

558
00:25:35,240 --> 00:25:47,520
Speaker 9: And then this one, Jay help me with that.

559
00:25:47,840 --> 00:25:52,280
Speaker 5: James did that part right shootout Coach to B I

560
00:25:52,320 --> 00:25:52,960
Speaker 5: wasn't around, but.

561
00:25:53,000 --> 00:26:00,720
Speaker 3: That was like that was and then comes out you know,

562
00:26:00,800 --> 00:26:06,280
Speaker 3: I'm not involved in Yeah, we wrote.

563
00:26:06,440 --> 00:26:09,879
Speaker 5: We collaborated and j we collaborated because there was the

564
00:26:09,960 --> 00:26:12,520
Speaker 5: name that that part. There's certain things that he wanted

565
00:26:12,560 --> 00:26:14,960
Speaker 5: to say, and Jay knew he wanted to insert it

566
00:26:15,000 --> 00:26:17,320
Speaker 5: into the record, and then he would like, you put

567
00:26:17,320 --> 00:26:21,040
Speaker 5: this in it, and he just because because his form,

568
00:26:21,200 --> 00:26:23,040
Speaker 5: like his mind is formatted like that.

569
00:26:23,600 --> 00:26:26,640
Speaker 3: Like what I mean is he can now like artist

570
00:26:26,680 --> 00:26:28,680
Speaker 3: freestyle and freestyle and freestyles.

571
00:26:28,200 --> 00:26:31,199
Speaker 5: And Jay remembers the idea in his head so he

572
00:26:31,240 --> 00:26:34,240
Speaker 5: can just say it without writing it down. And then

573
00:26:34,240 --> 00:26:35,920
Speaker 5: he's like, yo, he wanted to do it like this,

574
00:26:36,520 --> 00:26:40,040
Speaker 5: and because it came out already ready, I'm like, put.

575
00:26:39,920 --> 00:26:40,240
Speaker 3: It in there.

576
00:26:40,280 --> 00:26:43,120
Speaker 5: That's what he said. Put that on and then said

577
00:26:43,320 --> 00:26:46,000
Speaker 5: and got it from and he went into this part.

578
00:26:46,200 --> 00:26:48,040
Speaker 7: I feel like you being who you are kept you

579
00:26:48,080 --> 00:26:49,560
Speaker 7: away from all of that type of stuff.

580
00:26:50,080 --> 00:26:51,720
Speaker 3: I really don't trust a lot of these people.

581
00:26:52,080 --> 00:26:54,760
Speaker 5: I mean, like and then I was so so hot,

582
00:26:54,880 --> 00:26:57,399
Speaker 5: Like it was clear I was under investigation.

583
00:26:57,520 --> 00:27:01,160
Speaker 3: From the beginning early because I came in with other people.

584
00:27:01,320 --> 00:27:04,600
Speaker 5: Jacket jacket came to Spring Teams jacket, and then it

585
00:27:04,720 --> 00:27:07,440
Speaker 5: turned into Jimmy Henchman's jacket, and then it was World Jack.

586
00:27:07,640 --> 00:27:09,879
Speaker 5: So I'm getting the law enforcement attention that they would

587
00:27:09,880 --> 00:27:13,480
Speaker 5: be getting. And then if you don't feel that, you

588
00:27:13,640 --> 00:27:16,480
Speaker 5: just retarded, you's something wrong. You're just not computing what's

589
00:27:16,520 --> 00:27:18,919
Speaker 5: going on. Like at that point, I was telling him,

590
00:27:18,920 --> 00:27:22,960
Speaker 5: I'm turning music out. Now, what did you say?

591
00:27:23,119 --> 00:27:26,040
Speaker 3: I'm bringing your lips? Damn there? Okay, I understand what happened.

592
00:27:28,440 --> 00:27:30,760
Speaker 7: Did you really offer twenty millions of dollars to not

593
00:27:30,800 --> 00:27:31,920
Speaker 7: do TV interviews?

594
00:27:32,320 --> 00:27:33,159
Speaker 3: I didn't want him do it.

595
00:27:33,160 --> 00:27:36,040
Speaker 5: He always says some stuff I wouldn't say, like he's

596
00:27:36,480 --> 00:27:38,680
Speaker 5: I don't know why he's doing it. It's not enough

597
00:27:38,760 --> 00:27:40,360
Speaker 5: involved in it for him to have to say that.

598
00:27:41,160 --> 00:27:43,120
Speaker 6: You know, you be calling him after like, yo, why

599
00:27:43,119 --> 00:27:43,520
Speaker 6: did you?

600
00:27:43,800 --> 00:27:47,080
Speaker 3: I don't know why you're talking about that? What's wrot you?

601
00:27:47,880 --> 00:27:51,960
Speaker 5: But anyway, you know, when you're not sexual assaulting nobody,

602
00:27:51,960 --> 00:27:53,399
Speaker 5: that's stat your limitations around.

603
00:27:54,240 --> 00:27:59,120
Speaker 3: Protect me, Charlotte at all costs. Protect me when you.

604
00:27:59,080 --> 00:28:00,720
Speaker 1: Heard I don't know if you when you heard Fat

605
00:28:00,840 --> 00:28:03,680
Speaker 1: Joe doing an interview the other day, and he said that,

606
00:28:04,160 --> 00:28:06,480
Speaker 1: you know, Yayo is so loyal when y'all were beefing,

607
00:28:06,560 --> 00:28:08,159
Speaker 1: he was he was trying to take Yao.

608
00:28:07,880 --> 00:28:10,040
Speaker 3: Out do y'all laugh about that later on? Oh yeah, yeah,

609
00:28:10,119 --> 00:28:12,080
Speaker 3: because look, you know that I wouldn't have been a bad move.

610
00:28:12,680 --> 00:28:14,560
Speaker 3: It would have confused me. It would have confused me.

611
00:28:19,720 --> 00:28:20,840
Speaker 3: It wouldn't have been a bad.

612
00:28:24,160 --> 00:28:29,719
Speaker 5: Figure out what I'm gonna do now because he's been

613
00:28:29,760 --> 00:28:32,639
Speaker 5: around forever, like, you know, he wouldn't you make a mistake,

614
00:28:32,680 --> 00:28:35,639
Speaker 5: like he'll do it. And I know his apology means

615
00:28:36,320 --> 00:28:38,160
Speaker 5: he'll go, Yo, my bad, I'm sorry.

616
00:28:38,360 --> 00:28:39,520
Speaker 3: He knows how to apologize.

617
00:28:39,960 --> 00:28:42,560
Speaker 5: But really what he means is, yo, chill out, let

618
00:28:42,600 --> 00:28:46,640
Speaker 5: me do that again. His apology means, chill out, let

619
00:28:46,680 --> 00:28:49,640
Speaker 5: me do that again. You know.

620
00:28:51,160 --> 00:28:53,520
Speaker 3: He's been doing that forever, Like is he is?

621
00:28:53,560 --> 00:28:55,920
Speaker 1: He the one friend that it is like I wish

622
00:28:55,960 --> 00:28:57,520
Speaker 1: he wasn't my friend, but he's my best type of

623
00:28:57,520 --> 00:28:59,440
Speaker 1: person because he does that all the time.

624
00:28:59,480 --> 00:29:01,479
Speaker 3: No, he is whatsh It wasn't my friends? Like it

625
00:29:01,520 --> 00:29:02,080
Speaker 3: was a lot easy.

626
00:29:02,080 --> 00:29:04,080
Speaker 5: I wouldn't even have to go through my Jimmy Henchman

627
00:29:04,840 --> 00:29:08,600
Speaker 5: period like that, Really was he is doing it.

628
00:29:09,480 --> 00:29:11,400
Speaker 3: His feelings is in the right place, and what he.

629
00:29:11,760 --> 00:29:16,239
Speaker 5: What he caused things, he escalated, he does and then

630
00:29:16,280 --> 00:29:20,040
Speaker 5: it's like, I'm not gonna let you do that like

631
00:29:20,080 --> 00:29:22,360
Speaker 5: that that forget about it.

632
00:29:22,400 --> 00:29:23,960
Speaker 3: If you think you're just gonna do that, I'm not

633
00:29:24,000 --> 00:29:24,800
Speaker 3: gonna respond to it.

634
00:29:25,680 --> 00:29:30,520
Speaker 8: So very ghost in Tommy, I said, very ghost in

635
00:29:30,600 --> 00:29:33,440
Speaker 8: Tommy is because.

636
00:29:33,400 --> 00:29:35,560
Speaker 6: Because ghosting, I'll let you do do nothing to Tommy.

637
00:29:35,560 --> 00:29:36,880
Speaker 6: But Tommy be causing things.

638
00:29:38,080 --> 00:29:40,600
Speaker 3: Yeah, but we're not even doing that.

639
00:29:40,680 --> 00:29:43,480
Speaker 5: There's no cocaine, there's no drugs, it's nothing. You have

640
00:29:43,520 --> 00:29:45,360
Speaker 5: to stop it, bro, you have to find other things

641
00:29:45,400 --> 00:29:47,400
Speaker 5: to do. And he's getting older, you see. The things

642
00:29:47,400 --> 00:29:50,600
Speaker 5: that he's saying is sometimes he's saying good stuff and

643
00:29:50,640 --> 00:29:50,920
Speaker 5: then he.

644
00:29:51,200 --> 00:29:53,480
Speaker 3: Goes back to to that zone.

645
00:29:53,480 --> 00:29:55,920
Speaker 5: I don't know why, but for me, I don't like,

646
00:29:56,680 --> 00:29:59,040
Speaker 5: there's so much other stuff to think to focus on.

647
00:29:59,680 --> 00:30:02,040
Speaker 5: You know, I got a lot of positive things going

648
00:30:02,080 --> 00:30:04,120
Speaker 5: on there. I'm like, yo, man, why you keep talking

649
00:30:04,160 --> 00:30:04,800
Speaker 5: about that stuff.

650
00:30:05,080 --> 00:30:06,560
Speaker 4: But he's a great storyteller though.

651
00:30:06,840 --> 00:30:08,959
Speaker 3: He does his way in there.

652
00:30:09,080 --> 00:30:11,280
Speaker 5: You you can't help it laugh at it when he's

653
00:30:11,320 --> 00:30:15,240
Speaker 5: doing what he's saying it. But I'm like, damn, maybe

654
00:30:15,240 --> 00:30:16,840
Speaker 5: I should upload him some new information.

655
00:30:20,680 --> 00:30:24,040
Speaker 1: Say these things, bro, what do you tell the back

656
00:30:24,040 --> 00:30:26,480
Speaker 1: to the reunion, Well, we get a reunion back to

657
00:30:26,480 --> 00:30:30,120
Speaker 1: the residency, and yes, will be a g UNIT reunion.

658
00:30:30,120 --> 00:30:35,200
Speaker 2: When that happened with Banks, Oh yeah, yo, No.

659
00:30:36,360 --> 00:30:38,840
Speaker 3: I just look, I think I've exhausted myself with working

660
00:30:38,840 --> 00:30:39,320
Speaker 3: for people.

661
00:30:40,640 --> 00:30:42,959
Speaker 5: You can't see that. I do better when I focus

662
00:30:43,040 --> 00:30:45,960
Speaker 5: on me and just work harder. Like when I I

663
00:30:46,040 --> 00:30:48,880
Speaker 5: spent in that period, look in the environment, let me

664
00:30:48,960 --> 00:30:50,520
Speaker 5: come out of it tells you the strongest the crue

665
00:30:50,560 --> 00:30:53,840
Speaker 5: that you So I spent a lot of time building

666
00:30:53,840 --> 00:30:56,120
Speaker 5: them up like pieces of sacrifice, even for game to

667
00:30:56,800 --> 00:30:59,400
Speaker 5: make G Unit what it is. It feels like something

668
00:30:59,440 --> 00:31:02,640
Speaker 5: that is stronger than one person or one artist. Right

669
00:31:02,680 --> 00:31:06,160
Speaker 5: and then when you do that, you look, you look

670
00:31:06,200 --> 00:31:08,479
Speaker 5: back and you go, wait, when they don't reciprocate the energy,

671
00:31:09,040 --> 00:31:12,640
Speaker 5: you go, oh, you gotta figure out how to do

672
00:31:12,680 --> 00:31:15,320
Speaker 5: it on your own now, Like Jay was Forster Rockefeller

673
00:31:15,400 --> 00:31:17,600
Speaker 5: to do that from the beginning, you.

674
00:31:17,560 --> 00:31:19,840
Speaker 3: Know, like like big his issues.

675
00:31:19,880 --> 00:31:21,760
Speaker 5: You see, he was writing for Jamie Mafia for the

676
00:31:21,800 --> 00:31:25,280
Speaker 5: other people, but he would leave it and not say

677
00:31:25,320 --> 00:31:29,440
Speaker 5: anything because Puff already had the publisher. So just leave

678
00:31:29,520 --> 00:31:33,120
Speaker 5: that over there. So it's you know, like that guy,

679
00:31:33,280 --> 00:31:36,040
Speaker 5: you believe it there and I own your publisher. You

680
00:31:36,080 --> 00:31:39,640
Speaker 5: wrote it perfect. Junior Mafia Publishing too. No, but that's

681
00:31:39,640 --> 00:31:43,360
Speaker 5: why Junior Mafia Publishing was away from it. See they

682
00:31:43,440 --> 00:31:46,240
Speaker 5: could write it and let it be under Jamie Mafia

683
00:31:46,280 --> 00:31:50,000
Speaker 5: and then it be another asset of his versus it

684
00:31:50,080 --> 00:31:51,560
Speaker 5: being something that's in the contract.

685
00:31:53,760 --> 00:31:54,120
Speaker 4: Damn.

686
00:31:54,640 --> 00:31:56,760
Speaker 7: You think there'll ever be another fifty cent g unit

687
00:31:57,040 --> 00:31:59,200
Speaker 7: like run out of New York City or anywhere for

688
00:31:59,200 --> 00:31:59,840
Speaker 7: that matter.

689
00:31:59,720 --> 00:32:04,360
Speaker 3: I hope. So, like I think it's Nikki mhm right now.

690
00:32:04,400 --> 00:32:05,520
Speaker 3: That's why I support Nikki.

691
00:32:06,160 --> 00:32:08,080
Speaker 4: But it was but you had a whole crew. That's

692
00:32:08,080 --> 00:32:09,080
Speaker 4: what made it so different.

693
00:32:09,360 --> 00:32:11,360
Speaker 7: I mean, first of all, nobody had success like you had,

694
00:32:11,800 --> 00:32:14,120
Speaker 7: but then having a whole crew that was successful as well.

695
00:32:14,240 --> 00:32:15,520
Speaker 6: You think get as simple a crew.

696
00:32:15,640 --> 00:32:20,640
Speaker 5: She can build it. Yeah, she can, definitely. They will

697
00:32:20,680 --> 00:32:23,840
Speaker 5: and they'll listen to her. She's definitely her character.

698
00:32:25,080 --> 00:32:27,560
Speaker 3: She's not vacant. That it is really that.

699
00:32:28,240 --> 00:32:32,840
Speaker 5: She's stronger than a lot of dudes, just so she's

700
00:32:32,840 --> 00:32:36,000
Speaker 5: been bumped around. So if there's when you get to agitated,

701
00:32:36,040 --> 00:32:38,680
Speaker 5: she's gonna think you try a player and you go off.

702
00:32:38,520 --> 00:32:40,840
Speaker 4: For useful designer at one time.

703
00:32:41,480 --> 00:32:42,880
Speaker 3: Yeah, I could have got I would have got it

704
00:32:42,920 --> 00:32:49,800
Speaker 3: if Findy wasn't around. I'm like that just whatever. He's

705
00:32:49,840 --> 00:32:52,200
Speaker 3: always been. He's a character in our coach.

706
00:32:52,960 --> 00:32:55,720
Speaker 5: He's always been around in it, like since he was

707
00:32:55,760 --> 00:33:00,440
Speaker 5: there with Big. Yeah, I remember that before, like beginning,

708
00:33:00,440 --> 00:33:02,600
Speaker 5: So when I said, I was like, I have to

709
00:33:02,600 --> 00:33:06,480
Speaker 5: deal with this, and I didn't go after the.

710
00:33:06,480 --> 00:33:07,520
Speaker 3: Right way because of.

711
00:33:11,360 --> 00:33:13,200
Speaker 5: But it still went with it was supposed to the way

712
00:33:13,200 --> 00:33:15,400
Speaker 5: it was supposed to do because when she got look

713
00:33:15,440 --> 00:33:19,520
Speaker 5: in the beginning, it was comparing Kim because of the

714
00:33:19,600 --> 00:33:23,400
Speaker 5: picture picture. But I think it was more like Foxy

715
00:33:23,400 --> 00:33:25,800
Speaker 5: because she was in between two crews. She was with

716
00:33:25,920 --> 00:33:29,600
Speaker 5: Gucci in them and then signed the Young Money Young Money.

717
00:33:29,960 --> 00:33:34,280
Speaker 3: Like the firm. Yeah, and Foxy's relationship with.

718
00:33:34,280 --> 00:33:37,160
Speaker 7: Jay Is there any other Everything happened the way it's

719
00:33:37,160 --> 00:33:37,800
Speaker 7: supposed to happen.

720
00:33:37,840 --> 00:33:40,400
Speaker 4: But that would have been ill with the original g

721
00:33:40,600 --> 00:33:40,800
Speaker 4: in it.

722
00:33:41,760 --> 00:33:43,320
Speaker 5: She would have she would have gobbled the rest of

723
00:33:43,360 --> 00:33:45,320
Speaker 5: them all. There would have been no room for them

724
00:33:46,360 --> 00:33:47,920
Speaker 5: be like this now Nikki is too big.

725
00:33:47,840 --> 00:33:52,760
Speaker 3: You gotta go. I have no time for you. Look,

726
00:33:52,800 --> 00:33:56,800
Speaker 3: we don't need anyone from the South why would we.

727
00:33:56,760 --> 00:33:59,720
Speaker 2: Do that right? You know, changed the whole thing, like

728
00:34:00,080 --> 00:34:01,320
Speaker 2: from south Side is you from there?

729
00:34:01,320 --> 00:34:04,240
Speaker 3: Big a monster? That would have been too much to look.

730
00:34:04,240 --> 00:34:07,440
Speaker 5: I would have been trying to facilitate things around her

731
00:34:08,600 --> 00:34:10,359
Speaker 5: more than anything else at that point.

732
00:34:10,440 --> 00:34:11,600
Speaker 3: Everybody else would have been.

733
00:34:13,640 --> 00:34:14,920
Speaker 2: Nikki scrollot.

734
00:34:15,080 --> 00:34:16,719
Speaker 8: But it seemed like when she tries to put it,

735
00:34:16,880 --> 00:34:19,200
Speaker 8: especially the young female artists under her arm, it always

736
00:34:19,200 --> 00:34:21,520
Speaker 8: goes back like her and Lotto her ice space, Like

737
00:34:21,880 --> 00:34:23,320
Speaker 8: you be talking to her about that because that's the

738
00:34:23,400 --> 00:34:25,560
Speaker 8: only thing about her sibling, the crew. I think she

739
00:34:25,600 --> 00:34:27,040
Speaker 8: has to know how, but it just go bad for

740
00:34:27,040 --> 00:34:27,799
Speaker 8: some reason all the time.

741
00:34:27,840 --> 00:34:31,480
Speaker 3: It might not have to be girls like the girls,

742
00:34:31,600 --> 00:34:33,040
Speaker 3: you know, women, it's different.

743
00:34:34,320 --> 00:34:36,319
Speaker 5: I wouldn't even get in that, like I like ice

744
00:34:36,320 --> 00:34:38,360
Speaker 5: spicing them to I like the girls the other girls

745
00:34:38,360 --> 00:34:40,560
Speaker 5: that wrap don't thin because I love Nikki. I don't

746
00:34:40,600 --> 00:34:42,920
Speaker 5: like your music. I don't like your stuff. But what

747
00:34:43,000 --> 00:34:47,320
Speaker 5: it is is they go, look.

748
00:34:48,120 --> 00:34:50,080
Speaker 3: She got a really strong personality.

749
00:34:50,160 --> 00:34:52,360
Speaker 5: If you're hanging around or associating with people that she

750
00:34:52,440 --> 00:34:57,360
Speaker 5: don't kind of rock with okay, and she don't rock.

751
00:34:57,239 --> 00:34:58,719
Speaker 3: With you, they kind of get weird.

752
00:34:58,760 --> 00:35:01,759
Speaker 5: They get like that, and they socializing and just doing

753
00:35:02,600 --> 00:35:04,440
Speaker 5: they will be doing too much for her to feel

754
00:35:04,440 --> 00:35:07,359
Speaker 5: like comfortable with. So so I'm talking to you, am

755
00:35:07,360 --> 00:35:09,200
Speaker 5: I talking to this person because you be talking to

756
00:35:09,239 --> 00:35:12,440
Speaker 5: this person. Whenever a person's on the fence, we put

757
00:35:12,480 --> 00:35:15,360
Speaker 5: them on the other side. Like if they're on the

758
00:35:15,360 --> 00:35:18,040
Speaker 5: gate and they're uncertain with who side, they don't put

759
00:35:18,040 --> 00:35:20,040
Speaker 5: them over there because it's dangerous. It's like you could

760
00:35:20,080 --> 00:35:22,160
Speaker 5: go so you can say, oh, your girlfriend is here,

761
00:35:22,360 --> 00:35:23,960
Speaker 5: I'm gonna go go holler at her, and you go

762
00:35:24,040 --> 00:35:26,759
Speaker 5: there and you you're all out of pocket now because

763
00:35:26,760 --> 00:35:28,719
Speaker 5: she's hanging around people that you don't hang out with

764
00:35:29,120 --> 00:35:32,480
Speaker 5: and they got you all balanced, you know, So that

765
00:35:32,600 --> 00:35:36,480
Speaker 5: that would be why you just assume that put them

766
00:35:36,520 --> 00:35:38,000
Speaker 5: on all the side of things, like, I don't know

767
00:35:38,520 --> 00:35:41,680
Speaker 5: other than that they are women too. So the girl

768
00:35:41,760 --> 00:35:43,000
Speaker 5: shit going on caddy ship.

769
00:35:43,680 --> 00:35:44,480
Speaker 6: You think you can make.

770
00:35:46,920 --> 00:35:49,000
Speaker 4: You think you could have made some pop.

771
00:35:49,840 --> 00:35:52,160
Speaker 3: Some of them failed. Some of the artists failed.

772
00:35:52,160 --> 00:35:53,520
Speaker 5: That one that would have been one of the ones

773
00:35:53,560 --> 00:35:57,600
Speaker 5: that didn't.

774
00:35:53,920 --> 00:35:56,920
Speaker 3: Want idiot.

775
00:36:01,280 --> 00:36:03,080
Speaker 2: Said that, man, you have serious, too.

776
00:36:06,840 --> 00:36:07,479
Speaker 4: Serious question.

777
00:36:07,560 --> 00:36:09,120
Speaker 1: Is there as an artist that that you had a

778
00:36:09,200 --> 00:36:11,000
Speaker 1: chance to sign or you wish you could have signed

779
00:36:11,000 --> 00:36:12,920
Speaker 1: and you didn't and you've seen huge success.

780
00:36:13,320 --> 00:36:14,160
Speaker 2: Besides the Nick.

781
00:36:16,280 --> 00:36:21,880
Speaker 5: Nicholas, the biggest one that got by the other artists,

782
00:36:22,320 --> 00:36:24,279
Speaker 5: I've seen a lot of artists knew that they was

783
00:36:24,320 --> 00:36:27,640
Speaker 5: gonna go before even what like the Top Top I'll

784
00:36:27,640 --> 00:36:33,080
Speaker 5: tell you for TD, I was telling him that the

785
00:36:33,440 --> 00:36:37,600
Speaker 5: Kendrick record, the water record, that's it, that's the one

786
00:36:37,640 --> 00:36:37,920
Speaker 5: right there.

787
00:36:37,960 --> 00:36:40,760
Speaker 3: Just go with him. He'll send me his new artists.

788
00:36:40,800 --> 00:36:41,960
Speaker 3: Say you know, listen, just tell me.

789
00:36:41,880 --> 00:36:44,520
Speaker 5: What you think about the guy, and then I'll listen

790
00:36:44,600 --> 00:36:47,319
Speaker 5: to the records and give my feedback with I told

791
00:36:47,360 --> 00:36:52,160
Speaker 5: him that, and sister, like I wrapped on that first

792
00:36:52,200 --> 00:36:54,800
Speaker 5: record because I felt like that was going to go.

793
00:36:55,200 --> 00:36:57,239
Speaker 5: Didn't pay me to do that, just like, nah, she's

794
00:36:57,320 --> 00:37:02,160
Speaker 5: gonna go. And then later this is why I will

795
00:37:02,440 --> 00:37:03,720
Speaker 5: the record, like, yo.

796
00:37:04,160 --> 00:37:05,400
Speaker 2: Let me say, he's gonna get jump on it.

797
00:37:05,440 --> 00:37:07,680
Speaker 5: Right se what you think because now because I listened

798
00:37:07,680 --> 00:37:11,680
Speaker 5: to the record, and I'll go, yo, yeah, this is

799
00:37:11,719 --> 00:37:14,840
Speaker 5: it right now, like what they would want to happen.

800
00:37:14,920 --> 00:37:18,040
Speaker 7: Next, you said you haven't created music in a while

801
00:37:18,080 --> 00:37:20,160
Speaker 7: because you said you got to tap into being stupid.

802
00:37:20,520 --> 00:37:23,720
Speaker 5: Well, look at what's going on. It's easy to follow

803
00:37:23,760 --> 00:37:26,160
Speaker 5: the trend of what works, like right now what's happening.

804
00:37:26,400 --> 00:37:29,280
Speaker 5: But they're saying ship It's like, what are you supposed

805
00:37:29,280 --> 00:37:29,480
Speaker 5: to do?

806
00:37:29,560 --> 00:37:30,160
Speaker 3: As far as.

807
00:37:31,840 --> 00:37:35,120
Speaker 5: Sexuality and music, It's turned into a whole nother You

808
00:37:35,160 --> 00:37:38,000
Speaker 5: gotta just say it, just gotta say what you're thinking.

809
00:37:38,040 --> 00:37:41,160
Speaker 3: It's almost porn rap. Yeah, but I think you know

810
00:37:41,160 --> 00:37:41,960
Speaker 3: what I'm saying.

811
00:37:41,680 --> 00:37:44,080
Speaker 8: Like people wouldn't expect you to do that though, Like

812
00:37:44,120 --> 00:37:46,760
Speaker 8: you can still do what you got a magic stick?

813
00:37:47,200 --> 00:37:49,920
Speaker 3: Yeah, but banks was hard.

814
00:37:50,160 --> 00:37:52,480
Speaker 5: But look, magic stick, candy shot. All these things you

815
00:37:52,480 --> 00:37:54,080
Speaker 5: can say in front of the kids and them not

816
00:37:54,360 --> 00:37:55,160
Speaker 5: have a different meaning.

817
00:37:55,440 --> 00:37:57,200
Speaker 4: Oh got you got you got? You get what you're saying.

818
00:37:57,800 --> 00:37:59,440
Speaker 5: You see what I'm saying, how you approach it and

819
00:38:00,080 --> 00:38:04,279
Speaker 5: when you say in this wow, this is the new

820
00:38:04,320 --> 00:38:05,080
Speaker 5: things are.

821
00:38:06,120 --> 00:38:08,280
Speaker 3: Yeah, yeah, yeah, I got you.

822
00:38:08,320 --> 00:38:10,879
Speaker 1: When you listen when you hear Omari doing interviews hard,

823
00:38:11,360 --> 00:38:13,320
Speaker 1: do you feel like he's ungrateful for some of the

824
00:38:13,840 --> 00:38:14,239
Speaker 1: moves and.

825
00:38:14,400 --> 00:38:17,560
Speaker 3: Things that he leaves people feeling like he said it

826
00:38:17,600 --> 00:38:19,919
Speaker 3: to me? You know what I'm saying.

827
00:38:21,160 --> 00:38:25,080
Speaker 5: What I'm also point out the fact that when you

828
00:38:25,120 --> 00:38:28,640
Speaker 5: don't have money, that I'll give you the money, like

829
00:38:28,760 --> 00:38:31,200
Speaker 5: give him fifty sixty thousand dollars to say, yo, nah,

830
00:38:31,239 --> 00:38:34,160
Speaker 5: just get back to me when you're ready, until you're

831
00:38:34,200 --> 00:38:37,520
Speaker 5: comfortable and settle there. I don't believe, and we can't

832
00:38:38,040 --> 00:38:41,920
Speaker 5: win consecutive championships. If the players are hunger, the team

833
00:38:41,960 --> 00:38:42,400
Speaker 5: is hurting.

834
00:38:42,520 --> 00:38:45,920
Speaker 3: Like that's the case, then you're going to we don't.

835
00:38:46,080 --> 00:38:49,359
Speaker 5: They don't change financial thresholds of how people are being

836
00:38:49,360 --> 00:38:51,359
Speaker 5: paid on these projects until you get the season three.

837
00:38:52,680 --> 00:38:55,080
Speaker 5: We get the season three that it changed, so he

838
00:38:55,080 --> 00:38:57,840
Speaker 5: can handle it. After that, then he didn't need the

839
00:38:57,920 --> 00:38:59,200
Speaker 5: loans anymore at that point.

840
00:38:59,239 --> 00:39:01,120
Speaker 3: But I did get I was.

841
00:39:01,080 --> 00:39:02,880
Speaker 5: Talking about somebody else owe me money, and he just

842
00:39:03,680 --> 00:39:04,240
Speaker 5: jumped out.

843
00:39:04,080 --> 00:39:06,080
Speaker 8: There, Yeah, but so that but you said that was

844
00:39:06,120 --> 00:39:08,520
Speaker 8: strategic because it kept his music going and he was

845
00:39:08,520 --> 00:39:10,359
Speaker 8: able to pay you back. But though Mario Hardrick said,

846
00:39:10,360 --> 00:39:11,319
Speaker 8: this is not no but o.

847
00:39:11,360 --> 00:39:13,920
Speaker 5: Mari said, yeah, fifth kave me money. I didn't even

848
00:39:13,920 --> 00:39:17,279
Speaker 5: say More's name. I was talking about Rotam.

849
00:39:17,320 --> 00:39:18,760
Speaker 6: He thought you was talking about him.

850
00:39:18,960 --> 00:39:21,360
Speaker 3: And he said that that I gave him the money.

851
00:39:21,800 --> 00:39:25,680
Speaker 5: Well, Timmy, he I had did a deal with him

852
00:39:25,800 --> 00:39:29,000
Speaker 5: and and I spent money on this project. Then he

853
00:39:29,080 --> 00:39:32,360
Speaker 5: wanted to do something that was independent, and Afrobeast was

854
00:39:32,360 --> 00:39:34,359
Speaker 5: in his popular as as now and he was going

855
00:39:34,360 --> 00:39:36,719
Speaker 5: in a different tone of the music. And I'm like,

856
00:39:36,800 --> 00:39:38,480
Speaker 5: I don't know about that right now, like the way,

857
00:39:39,120 --> 00:39:43,239
Speaker 5: and I'm like, you know what, you could do, what

858
00:39:43,280 --> 00:39:46,000
Speaker 5: you want to do, just have the You could pay

859
00:39:46,000 --> 00:39:49,440
Speaker 5: me back in the royalties off for the mechanicals off

860
00:39:49,440 --> 00:39:52,799
Speaker 5: of the music that you released moving forward, and you

861
00:39:52,800 --> 00:39:56,760
Speaker 5: won't even feel it because it doesn't cost your marketing

862
00:39:56,920 --> 00:39:59,480
Speaker 5: moving forward, everything that you do moving forward, it's not

863
00:39:59,520 --> 00:40:00,120
Speaker 5: going to be a part.

864
00:40:00,320 --> 00:40:03,040
Speaker 3: It's just later, I'll get the money back. And he

865
00:40:03,120 --> 00:40:06,080
Speaker 3: recouped it. He did it to get it, but at

866
00:40:06,080 --> 00:40:08,239
Speaker 3: that point.

867
00:40:08,080 --> 00:40:12,480
Speaker 5: I said, Yo, Yo, you got even my money back, boy,

868
00:40:12,640 --> 00:40:15,160
Speaker 5: And the people go, ohd shitty, oh fifth money, you

869
00:40:15,239 --> 00:40:17,759
Speaker 5: know what I mean. And it stopped immediately, and it

870
00:40:17,840 --> 00:40:20,360
Speaker 5: drew so much attention to it that the record stayed

871
00:40:20,440 --> 00:40:23,080
Speaker 5: number one more more days than it would have been

872
00:40:23,160 --> 00:40:25,880
Speaker 5: number one on the chart. And he knows that's so

873
00:40:25,960 --> 00:40:28,720
Speaker 5: he'll go, Yo, he's a market the genius bro. Because

874
00:40:29,239 --> 00:40:31,799
Speaker 5: I didn't know he said. He was calling me like, Yo,

875
00:40:31,840 --> 00:40:35,560
Speaker 5: what's up with you on fifth? And I'm just going

876
00:40:35,640 --> 00:40:38,520
Speaker 5: you need to make some noise around the record to

877
00:40:38,640 --> 00:40:41,560
Speaker 5: have people feel like there's something about who you are

878
00:40:41,719 --> 00:40:42,520
Speaker 5: that is interesting.

879
00:40:43,160 --> 00:40:43,560
Speaker 3: About it.

880
00:40:43,600 --> 00:40:45,279
Speaker 5: And then when he had more than when he heard

881
00:40:45,400 --> 00:40:46,839
Speaker 5: heard my side of it, they wanted to hear what

882
00:40:46,840 --> 00:40:48,920
Speaker 5: he had to say. Now when he said things back,

883
00:40:48,960 --> 00:40:51,560
Speaker 5: they was like, oh, okay, now I understand what was

884
00:40:51,600 --> 00:40:54,120
Speaker 5: what was happening. Now he finally is talking about it

885
00:40:54,160 --> 00:40:58,120
Speaker 5: to make them understand why it stayed. But it carried over.

886
00:40:58,160 --> 00:41:00,520
Speaker 5: It was it was something else happening. It there was

887
00:41:00,560 --> 00:41:03,080
Speaker 5: making them interesting away from the song playing in a

888
00:41:03,400 --> 00:41:06,759
Speaker 5: good position. But oh, when he says the stuff on

889
00:41:06,840 --> 00:41:10,120
Speaker 5: the I think he overvalues himself, to be honest with you,

890
00:41:10,200 --> 00:41:12,480
Speaker 5: because since then, it's been a long time since he

891
00:41:12,520 --> 00:41:13,960
Speaker 5: hasn't been in power.

892
00:41:14,360 --> 00:41:16,920
Speaker 3: Why are we not excited about the new projects?

893
00:41:17,760 --> 00:41:18,240
Speaker 4: New project?

894
00:41:18,360 --> 00:41:22,440
Speaker 5: It's new projects, That's what I'm talking about. That is

895
00:41:22,440 --> 00:41:25,600
Speaker 5: exactly what I'm talking about. If there was noise going on,

896
00:41:25,719 --> 00:41:27,799
Speaker 5: if it's that big of a drawer, then we will

897
00:41:27,880 --> 00:41:28,400
Speaker 5: see noises.

898
00:41:28,440 --> 00:41:29,680
Speaker 3: We see new things happening.

899
00:41:29,960 --> 00:41:32,600
Speaker 5: We see you out where you actively are in a

900
00:41:32,600 --> 00:41:34,279
Speaker 5: place where people are looking for you.

901
00:41:34,640 --> 00:41:35,640
Speaker 6: So y'all not cool.

902
00:41:35,719 --> 00:41:38,120
Speaker 5: It's no because you leave it like it's me not

903
00:41:38,239 --> 00:41:41,000
Speaker 5: giving you the money. If he's saying it and he

904
00:41:41,080 --> 00:41:45,160
Speaker 5: goingle Courtney in the fifty you're saying that they don't

905
00:41:45,200 --> 00:41:46,160
Speaker 5: know who the fuck Courtney is.

906
00:41:46,239 --> 00:41:47,759
Speaker 3: I introduced people to her.

907
00:41:48,640 --> 00:41:51,279
Speaker 5: They don't know who she is, so you're leaving it

908
00:41:51,320 --> 00:41:54,520
Speaker 5: for fifty didn't make sure I got paid when Mary,

909
00:41:54,520 --> 00:41:58,240
Speaker 5: I tell you she got paid a lot of money

910
00:41:58,280 --> 00:42:00,239
Speaker 5: on the show while she was there the whole I

911
00:42:00,320 --> 00:42:03,560
Speaker 5: make sure that it was right. And then now you

912
00:42:03,560 --> 00:42:06,680
Speaker 5: see my new book to accomplish I got to Raji,

913
00:42:07,120 --> 00:42:09,200
Speaker 5: so to Raji will be the lead in that one.

914
00:42:09,239 --> 00:42:11,080
Speaker 4: But that's already sold.

915
00:42:11,480 --> 00:42:15,239
Speaker 3: Yeah, you know, I'm not wasting time at all. I

916
00:42:15,320 --> 00:42:15,880
Speaker 3: was gonna ask you.

917
00:42:15,760 --> 00:42:18,200
Speaker 2: You know, politics is coming up election? Is it true

918
00:42:18,320 --> 00:42:20,120
Speaker 2: Donald Trump try to give you money to endorse some

919
00:42:20,239 --> 00:42:20,800
Speaker 2: One time.

920
00:42:21,480 --> 00:42:24,480
Speaker 3: I got a call over. They wanted me to Sunday.

921
00:42:25,480 --> 00:42:28,320
Speaker 2: They wanted you.

922
00:42:28,600 --> 00:42:30,279
Speaker 7: They wanted you to perform many men. They wanted you

923
00:42:30,320 --> 00:42:32,040
Speaker 7: to perform many men at the RNC too, right.

924
00:42:32,160 --> 00:42:35,200
Speaker 3: Yeah, And there's off me three million dollars.

925
00:42:35,080 --> 00:42:39,520
Speaker 7: To perform at the RNC or this past Sunday, this

926
00:42:39,600 --> 00:42:42,359
Speaker 7: past Sunday three million. And then they offered you money

927
00:42:42,400 --> 00:42:44,000
Speaker 7: for the Republican National Convention too, right.

928
00:42:44,360 --> 00:42:45,200
Speaker 4: He turned that.

929
00:42:45,760 --> 00:42:45,960
Speaker 3: Yeah.

930
00:42:45,960 --> 00:42:48,880
Speaker 5: I didn't even go far back. I wasn't talking to

931
00:42:48,920 --> 00:42:51,640
Speaker 5: them about that. Ducuse, I'm afraid of politics. So you

932
00:42:51,760 --> 00:42:53,839
Speaker 5: understand I do not like.

933
00:42:56,600 --> 00:42:58,680
Speaker 3: Bang of politics. No gang bang no politics.

934
00:42:58,760 --> 00:43:01,719
Speaker 5: You know it's because when you do get involved in it,

935
00:43:02,000 --> 00:43:04,640
Speaker 5: no matter how you feel, someone passionately disagrees with you.

936
00:43:04,760 --> 00:43:06,480
Speaker 6: That's everything is worse.

937
00:43:06,560 --> 00:43:10,360
Speaker 5: But look, if you say I stay away from religion,

938
00:43:11,000 --> 00:43:12,960
Speaker 5: I stayed with from politics religion.

939
00:43:15,080 --> 00:43:17,880
Speaker 3: That's the formula for the confusion that is sent Kanye

940
00:43:17,960 --> 00:43:18,440
Speaker 3: to Japan.

941
00:43:20,480 --> 00:43:23,399
Speaker 5: He said something about both of those things, and now

942
00:43:23,440 --> 00:43:24,600
Speaker 5: you can only go to Japan.

943
00:43:25,880 --> 00:43:28,120
Speaker 3: So you know, I'm like, I don't want to get

944
00:43:28,120 --> 00:43:28,399
Speaker 3: in that.

945
00:43:28,440 --> 00:43:30,960
Speaker 1: Man, like, we gotta let you go in the fifth

946
00:43:30,960 --> 00:43:33,239
Speaker 1: because when they wrapping up, well, not only that, we

947
00:43:33,280 --> 00:43:34,560
Speaker 1: got the vice president on the line.

948
00:43:34,560 --> 00:43:36,040
Speaker 4: She's on the vice president.

949
00:43:36,800 --> 00:43:39,200
Speaker 3: Left say Hi, why are you going to put me

950
00:43:39,239 --> 00:43:49,320
Speaker 3: into this? Was cool speak No noo.

951
00:43:50,880 --> 00:43:56,520
Speaker 8: And gentlemen, wait, wait, wait, do have another question before

952
00:43:56,520 --> 00:43:59,680
Speaker 8: you leave the Okay, go ahead, I want to get

953
00:43:59,760 --> 00:44:00,239
Speaker 8: in your says.

954
00:44:00,239 --> 00:44:01,719
Speaker 6: I wanted to know Webb Jurnal.

955
00:44:01,520 --> 00:44:05,759
Speaker 5: Lie, oh man, I'm glad, I'm ladies, and gentlemen's fifty cent.

956
00:44:05,760 --> 00:44:08,400
Speaker 1: It's the breakfast Club, the morning wake that ass up

957
00:44:08,920 --> 00:44:09,520
Speaker 1: in the morning.

958
00:44:09,600 --> 00:44:10,640
Speaker 3: The Breakfast Club