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Speaker 1: What ass up?

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Speaker 2: The Breakfast Club is odd wayt the Breakfast Club Envy

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Speaker 2: and Charlomagne the voice of the culture.

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Speaker 3: You then I'm gonna come here when this thing.

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Speaker 4: See y'all different, y'all the culture it's different. You know

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Speaker 4: what I'm saying? Like y'all know what y'all talking about.

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Speaker 4: This is probably becoming the most prominent forum for HI.

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Speaker 5: Problem being here next to all of you guys. It's

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Speaker 5: really bu.

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Speaker 6: It in perspective to the Breakfast Club, bitch, wake up?

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Speaker 7: Is it your time to get it off your chest?

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Speaker 8: Way, whether you're man or bless, time to get up

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Speaker 8: and get something.

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Speaker 3: Call up now eight hundred and five eight five one

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Speaker 3: o five one.

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Speaker 7: We want to hear from you on the Breakfast Club.

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Speaker 9: Hello. Who's this day?

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Speaker 1: Got in Houston?

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Speaker 9: Zach?

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Speaker 7: Out of Houston? Man, Zach? What up? Man?

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Speaker 9: Get you off your chest?

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Speaker 10: Bro?

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Speaker 1: What's up?

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Speaker 9: Man?

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Speaker 1: Hey? Charlemagne?

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Speaker 9: Good morning, Good morning, Good morning?

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Speaker 11: Hey Yo, So I gotta yo'all got the kids run

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Speaker 11: my thing?

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Speaker 12: What's a eating?

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Speaker 1: Because juice, crackers and strawberries.

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Speaker 11: That's not it.

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Speaker 7: That's your fault.

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Speaker 9: Yeah, that's your i'n.

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Speaker 11: Man, I got the gray baby, he won't eat them.

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Speaker 7: No, I keep telling y'all, when a kid get hungry,

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Speaker 7: kid go eat anything, y'all. What happens is these kids

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Speaker 7: start bucking back when they don't want something, and we

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Speaker 7: bow down to him and give them what they want.

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Speaker 9: Yeah, you shouldn't give it your fun.

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Speaker 13: You shouldn't give your child that many snacks. I tell

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Speaker 13: all the parents out there. For my last daughter, My

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Speaker 13: last daughter never really ate baby food. She ate like

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Speaker 13: real fool.

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Speaker 14: He did that.

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Speaker 11: We eat it, We did the whole try to man,

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Speaker 11: so you know, do all that he did it. He

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Speaker 11: did good at first.

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Speaker 9: But now, but like Charlot said, the baby gotta be

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Speaker 9: eating something, y'all.

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Speaker 13: Even giving that baby snacks, y'all, giving that baby crackers,

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Speaker 13: ye'all giving.

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Speaker 1: That eventually eventually, Hell, he I guess.

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Speaker 7: Gott to starve him out. Gott to starve him out.

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Speaker 13: Man, But try to find things that. Try to find

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Speaker 13: things that the baby will eat. Like my daughter loves uh.

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Speaker 13: And she's not even two years old. But my daughters

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Speaker 13: like the little the chicken fingers that you could bake

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Speaker 13: in the oven.

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Speaker 7: No, man, y'all want a chicken fingers these kids. My

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Speaker 7: daughter loves that chicken fingers. Ain't no better than this stuff.

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Speaker 7: Y'all talking about chicken fingers.

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Speaker 9: But that's better than crackers and strawberries.

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Speaker 7: I don't know if it is. Actually yes, it is. Man,

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Speaker 7: he says, chicken fingers over fresh strawberries.

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Speaker 9: Well, well it's not processed.

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Speaker 7: What is it? Then chicken breast, white chicken breast, not

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Speaker 7: process you said chicken fingers, Well not they the chicken breast,

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Speaker 7: A chicken breast is different.

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Speaker 13: It's not chicken fingers from you know, from a fast

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Speaker 13: food place. But I would try that. Also, my child

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Speaker 13: likes things like rice, macaroni and cheese.

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Speaker 9: And then I throwing my child.

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Speaker 7: Love broccoli, and y'all sound crazy, y'all like my kids

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Speaker 7: like food, that's all you're saying.

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Speaker 13: Not because not food, because if you got a picky kid,

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Speaker 13: like you know, I got to add picky kids that

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Speaker 13: like you said, well only eat strawberries and some about

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Speaker 13: strawberries that the kids like strawberries bananas, But that's good,

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Speaker 13: but make meat more fruit, but they need a little

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Speaker 13: more subs.

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Speaker 9: They need a little more meat pulls.

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Speaker 7: Fruit is good, strawberries bananas is good, but they need

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Speaker 7: some meat too. Some pro team can process team that's

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Speaker 7: killing our kids, killing us too, God dammit.

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Speaker 1: All right, well I'm gonna try some of that.

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Speaker 11: Hey, but can I get a bullet ahead?

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Speaker 7: Yeah? I got you. Hold on okay, they actually send

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Speaker 7: it to you this time. You have me lying to

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Speaker 7: the people. Hold on, all right. I got black and

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Speaker 7: fact hats here. I got all types of books. I

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Speaker 7: got my own book, shook one. I got to be

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Speaker 7: a Mallory state of emergency. I need a copax shallow waters.

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Speaker 7: But you know, the producers gott to send them out.

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Speaker 9: Yeah, real love, real life, real love is said too, hellout?

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Speaker 9: Who's this?

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Speaker 11: This is Blake?

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Speaker 7: Blake?

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Speaker 9: What up? Getting off your chest?

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Speaker 7: What's up?

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Speaker 15: Man?

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Speaker 11: Look here? What I don't know if y'all remember what

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Speaker 11: y'all was doing in nineteen ninety three? No, well, Jules

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Speaker 11: whin the third nineteen ninety three, I met this woman

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Speaker 11: and we were, uh, we fell in love. But I

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Speaker 11: wanted to be a hot boy.

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Speaker 7: I ran off. How old are you? Old were you?

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Speaker 7: How old were you in nineteen ninety three?

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Speaker 11: I was eighteen?

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Speaker 7: Okay, okay, he was sixteen.

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Speaker 13: Come on, get to the story. Now you're forty, Now

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Speaker 13: you're forty eight?

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Speaker 7: What's up?

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Speaker 11: So thirty years to the day that we've met, that's

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Speaker 11: when we went and lived our lives, you know, mature

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Speaker 11: on other people's hands. We got married, Okay, on the

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Speaker 11: day that we met thirty years later.

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Speaker 7: That's amazing.

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Speaker 9: Brother, Congratulations King, shout your queen out.

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Speaker 11: I want to shut out my beautiful, beautiful wife. Still

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Speaker 11: a game, and I try, I try to call out

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Speaker 11: a day. Uh, but I got shut down. But that's

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Speaker 11: a letter, a letter thing. But I just wanted to

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Speaker 11: get that out there.

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Speaker 7: When you say that your grill, when you say you

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Speaker 7: got sat down, you went to jail.

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Speaker 13: No no, he said he got shut Yo.

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Speaker 11: No, I didn't go to jail. I just I wasn't

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Speaker 11: mature enough to handle no more. Oh, I got your card,

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Speaker 11: got you, Doug, Jill. I want I want to be

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Speaker 11: a pample clayub Well.

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Speaker 7: I'm glad you grew up. Yeah. I was fifteen and

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Speaker 7: nineteen ninety three. I don't remember anything from nineteen ninety three.

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Speaker 7: I'm sitting there trying to think like nineteen ninety three specifically, No, fifteen,

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Speaker 7: I can't recall much.

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Speaker 13: Now get it off your chest. Eight hundred five eight

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Speaker 13: five one oh five one.

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Speaker 9: If you need to hit us up. Now, it's the

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Speaker 9: breakfast club.

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Speaker 2: Good morning, the breakfast club. Wait, this is your time

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Speaker 2: to get it off your chest. Eight hundred five eight

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Speaker 2: five one five one. We want to hear from you

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Speaker 2: on the breakfast clubs.

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Speaker 9: Hello, who's this?

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Speaker 8: Hey?

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Speaker 1: Listen the boy big tone aka Chucking from the DNB

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Speaker 1: planeum status in the building all day, every day?

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Speaker 7: Whatever, big go doing? You said, big toad, big tone.

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Speaker 1: Big big tone, big plannel statuds all day.

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Speaker 7: Hey, what's your status now? Big tone? They said?

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Speaker 9: They said you are you are a handicapped?

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Speaker 16: Yeah, something that I.

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Speaker 1: Have to use the word handy because technical terms. But

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Speaker 1: I like this. I like to be to myself as.

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Speaker 16: Mankind it because I've been through this.

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Speaker 1: Sty But it's a unique situation. What is I have

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Speaker 1: most eurosis and part the sin and diabetes and have

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Speaker 1: the pressure. But the thing about it, I don't look

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Speaker 1: at myself as a disabled handicap person. I look at

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Speaker 1: myself as a person that's injured and want to roll

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Speaker 1: to beau back And now I've been on him a

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Speaker 1: few times. If y'all be winding a few back in

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Speaker 1: the day, they've I remember, I don't say back in

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Speaker 1: the day y'all have to excuse my my stutter and

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Speaker 1: the speech.

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Speaker 7: It's all good. Good, we're sending you healing and andy man,

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Speaker 7: it's all good. What's happening, We're here with you. What's

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Speaker 7: going on?

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Speaker 1: Okay? When once I started talking, I think, y'all what

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Speaker 1: I remember? Hey, d the heavy Yes, sir, I'm I'm

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Speaker 1: coming at you first. Bro, you've been.

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Speaker 16: I mean, I'm trying to sell you.

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Speaker 1: The fighting and determinations me. It's gonna push me more

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Speaker 1: and more. One morning I called.

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Speaker 16: Y'all and I was really on my you know, hey, hey,

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Speaker 16: tried your luck, your luck.

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Speaker 1: I asked you, did you have an old.

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Speaker 16: These day turntable if you don't use anymore? And right

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Speaker 16: at that point, Sean.

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Speaker 1: He was like, yeah, djok, y'all old.

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Speaker 16: Getting from and you just say, you know, I mean,

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Speaker 16: I took it like a champ on the chain. But

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Speaker 16: I could have been somebody who was just like, we're

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Speaker 16: looking up to you like man.

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Speaker 1: That could have made somebody hold life.

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Speaker 12: This.

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Speaker 7: Are you saying that you want envy to give you

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Speaker 7: an old turntable that I don't have.

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Speaker 16: No, no, no, no, it's not about giving me stuff. It's about

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Speaker 16: just understanding. You never know what that person could have been.

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Speaker 16: I could have been somebody else who would down and

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Speaker 16: just had no.

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Speaker 1: Type of hope or nothing that could have made somebody life.

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Speaker 7: I keep telling him, you stop hanging up on people.

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Speaker 7: I don't know why he does that to people all

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Speaker 7: the time.

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Speaker 9: On nobody but you.

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Speaker 13: You You asked me for something that I don't have

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Speaker 13: that I can't give you if I if I had

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Speaker 13: an old turntable to tech me twelve one is.

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Speaker 7: That I want to keep cutting them off. You won't

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Speaker 7: even let them talk, be right, And to think about.

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Speaker 16: It and think about I know some trouble real fast,

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Speaker 16: slow down.

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Speaker 1: To think about is that like when when people come

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Speaker 1: on the.

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Speaker 16: Radio, you're getting on time, flame up, like you got

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Speaker 16: forty five seconds off your tip.

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Speaker 7: Well, actually we do. We we actually we would think

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Speaker 7: that y'all would have the courtesy to know we can't

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Speaker 7: talk to you all for five minutes and this is

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Speaker 7: going two minutes two minutes.

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Speaker 1: YEA say that I never said that, But to think

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Speaker 1: about it, and.

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Speaker 16: The main thing why I want to call.

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Speaker 1: Him today is that because of me, I just wanted

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Speaker 1: to get.

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Speaker 16: That over my test real quick.

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Speaker 1: But to the point I keep hearing everybody keeps talking

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Speaker 1: about it.

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Speaker 16: And just as.

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Speaker 13: You got another subject to discussion, that's two thirty real quick, quick,

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Speaker 13: you've been on two minutes thirty seconds.

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Speaker 1: Hey, hey, hey, hey, real quick. Hey. I don't care

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Speaker 1: what y'all doing out there this morning.

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Speaker 16: Ladies and gentlemen, boys, the girls ages.

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Speaker 1: Do set up for somebody that you know will have

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Speaker 1: nobody to do it for him. I agree, it's getting

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Speaker 1: to the case of water.

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Speaker 7: I like that. I like that's a good challenge. Okay,

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Speaker 7: period pop stop stop pop and drop it. Listen, period bong.

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Speaker 7: That's a good challenge. Do something for somebody today. A

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Speaker 7: random act of crime, that's what you're saying. Hey man,

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Speaker 7: that's going with all right, my brother, have a good yes, sir,

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Speaker 7: all right, love you brother, Yes, sir, I see you tomorrow. Finished, Yes, sir,

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Speaker 7: keep going, beast king, have a blessed day. See what

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Speaker 7: I'm saying. See another thing. Black people don't know how

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Speaker 7: to do leave don't know how to get a cool.

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Speaker 13: Last time and he said if I had a turntable,

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Speaker 13: I don't have a turn table.

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Speaker 9: Then he got mad because I ain't give a turn table.

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Speaker 15: I don't have.

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Speaker 7: Well, he challenged everybody to doing random act of condess.

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Speaker 7: I'm all for that foot through my guy Racconia out

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Speaker 7: in Cleveland. He's been doing random act of conness for

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Speaker 7: a long time, doing random act of condess for somebody today.

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Speaker 13: Man, all right, get it off your chest. Eight hundred

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Speaker 13: and five eight five one on five one. If you

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Speaker 13: need to vent, hit us up now. It's the Breakfast Club.

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Speaker 13: Good morning, the Breakfast Club.

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Speaker 15: Morning.

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Speaker 9: Everybody is Steve j n V Charlamagne to God. We

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Speaker 9: are the Breakfast Club.

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Speaker 13: We got a special guest in the building, the legend

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Speaker 13: subject the entertainer.

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Speaker 9: Welcome brother, what's up?

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Speaker 7: Good morning? Good morning man, how y'all doing? We blessed

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Speaker 7: Black and Holly favorite. How you feeling man? Man, it's

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Speaker 7: been a good day. Man.

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Speaker 8: We you know, we open up the books doing well.

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Speaker 8: So I'm excited, man. Always great to be in the city.

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Speaker 8: It was so much going on.

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Speaker 3: It was a lot.

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Speaker 8: I was trying to you know how you keep trying

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Speaker 8: to go home and everybody call you like, hey man,

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Speaker 8: you just stuff.

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Speaker 9: Through here, come a birthday party?

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Speaker 7: Yeah? How many offics you bring with you? Said it?

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Speaker 7: Because you stayed here.

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Speaker 8: This was I had to be very specific on this,

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Speaker 8: but I think I brought about six outfits and uh,

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Speaker 8: you know, and then I only wore four of them,

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Speaker 8: so I got to I go home with two outfits

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Speaker 8: that I could just finish the week out with on

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Speaker 8: something like oh I'm still.

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Speaker 7: French six office for how many days?

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Speaker 1: Though?

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Speaker 7: Three days? Christ?

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Speaker 8: Yeah, but you like like you're appearing on TV and stuff,

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Speaker 8: so you don't really know, Like, all right, I wore

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Speaker 8: that all day and then if I go out to night,

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Speaker 8: I don't want people go like I saw you this morning,

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Speaker 8: that was the night you got the same shirt, Like maybe,

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Speaker 8: but you know what I mean, I I don't have

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Speaker 8: to do it like girls really have to change a lot,

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Speaker 8: you know what I mean. But you know, guys were

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Speaker 8: not really required to like flip out o fits that much,

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Speaker 8: but nowadays it is a fa world, right, everybody the

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Speaker 8: trip is Yeah, they.

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Speaker 7: See you all the time. Yeah exactly. Yeah. Well, you

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Speaker 7: got the Flipping Box Cars book out man, and I

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Speaker 7: love that you flexing different creative muscles writing fiction novels. Yeah,

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Speaker 7: that's about flipping box cars. What made you want to

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Speaker 7: write a fiction novel? You know what? You know?

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Speaker 8: I was, you know, really hearing stories about my grandfather,

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Speaker 8: but you know, he had passed before I was even born,

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Speaker 8: so you know, like we will hear things about our

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Speaker 8: relatives and.

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Speaker 3: Then you started to get the lore of the family story.

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Speaker 8: And that's what I did, Like I started to like

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Speaker 8: really fictionalize what his life was like, and so you

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Speaker 8: know he was These were real things you know that

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Speaker 8: I hear from my mother and my uncles that you know,

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Speaker 8: he was a businessman. You know, he was like a

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Speaker 8: you know, the the facto mayor of the black side

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Speaker 8: of town, this.

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Speaker 3: Little small town.

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Speaker 8: And then you know, but at night he was a

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Speaker 8: bootlegger and a gambler and a hustler, and he always

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Speaker 8: being creative. And so I just kind of put those

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Speaker 8: two worlds together that showed them being like this loving

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Speaker 8: grand this loving father and husband. And then he had

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Speaker 8: to go and do what he had to do to make,

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Speaker 8: you know, make his dreams come true. So he gets

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Speaker 8: caught up in the capers and like a crime caper

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Speaker 8: where he's got to take this booth the liquor from

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Speaker 8: a train, so that's the box car trains, and then

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Speaker 8: he does the dice with the two sixes.

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Speaker 3: There's a box cards too, so that's why he flipping

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Speaker 3: box cards.

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Speaker 7: But that's the most important thing about the book, right,

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Speaker 7: the dynamic, because that is the black struggle in a

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Speaker 7: lot of ways. The fact that, yeah, I'm a family

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Speaker 7: man and I'm trying to do all of this for

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Speaker 7: my family, but I gotta go out there and get

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Speaker 7: it by any means necessary. Sometimes don't make me a

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Speaker 7: bad person, that's right.

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Speaker 8: I mean, we all, you know, especially black men, we

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Speaker 8: gonna always relegate it to that. I mean, even when

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Speaker 8: we think about the people like making in the music

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Speaker 8: business whatever, most of us have that other pass where

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Speaker 8: they was like street dudes, but we never saw them

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Speaker 8: as that way. Like we just appreciate that they had

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Speaker 8: great artists and they did what they gotta do. And

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Speaker 8: so you think about post World War two, pre civil rights,

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Speaker 8: you know, black man. That's what I love the story

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Speaker 8: is that he had traveled, he had been in the world,

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Speaker 8: and then you come back to a pre civil rights America.

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Speaker 8: You just can't be put back in the same box.

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Speaker 8: You know, once you left, you can't tell me I can't.

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Speaker 7: Come through the front door.

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Speaker 3: Bro.

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Speaker 8: I've been living in France for six months, you know,

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Speaker 8: I've been doing this. We've been fighting in the war

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Speaker 8: for the whole country. You know, tell me I got

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Speaker 8: to go through the back, like I don't. You know,

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Speaker 8: So these kind of guys, they had that wheel to

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Speaker 8: one to want to be great without but being relegated

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Speaker 8: to the racism of the time.

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Speaker 13: You know, Now, did you write this during the pandemic?

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Speaker 13: Because yeah, where do you have time? When do you

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Speaker 13: have time to write a book?

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Speaker 7: Yeah, yeah, that's when it got That's when it started,

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Speaker 7: for sure.

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Speaker 8: It took like two years we did that and uh yeah,

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Speaker 8: we started it in late twenty nineteen and then you know,

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Speaker 8: went through all the drafts and then you know, then

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Speaker 8: you time it out when you want to release this.

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Speaker 9: What gave you the idea to do it?

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Speaker 13: Because it's like between comedy at the time, writing, acting

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Speaker 13: and everything that you were doing. When did you say,

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Speaker 13: you know what it's time for book? Was it sitting

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Speaker 13: at home doing nothing? Was like I got I got

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Speaker 13: something to do?

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Speaker 7: Yeah, you know.

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Speaker 8: The thing was is that you know, like I've been

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Speaker 8: developing TV shows where we've been producing a lot of shows,

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Speaker 8: my shows, the Johnson on Bounce, and so I was

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Speaker 8: developing this as a TV idea when I first started

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Speaker 8: and so you know when you started thinking about like

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Speaker 8: then we had the opportunity to write a book, and

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Speaker 8: I was like, oh, that'd be so much more fun

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Speaker 8: to have that long form develop the characters out, not

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Speaker 8: to think about it in episodic ways where you got.

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Speaker 3: To like end the episode and then take you to

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Speaker 3: the next.

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Speaker 8: Here, I just introduced you to the characters, let the

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Speaker 8: world live, and then hopefully people love it, Like even

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Speaker 8: the way I ended this guy like three cliffhangers, so

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Speaker 8: it's like, you know, you definitely want people to be

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Speaker 8: like what happened to the story?

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Speaker 3: So you know, I loving it.

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Speaker 8: I liking it to Walter, to Moseley, there's you know,

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Speaker 8: the easy Rollins characters, the devil in the blue dress.

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Speaker 8: I love that world, and that's what we you know,

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Speaker 8: I just kind of try to emulate that feel.

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Speaker 3: That's what it was.

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Speaker 7: When it comes to storytelling, for you, what's the best

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Speaker 7: way to tell a story? Stand up movies, TV? Are

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Speaker 7: writing fictional novel you know.

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Speaker 3: I mean this book was really a great experience.

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Speaker 8: I've never really you know, done a fictional novel, and

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Speaker 8: I mean the idea and what it took and the

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Speaker 8: way it turned out in my opinion. I like love

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Speaker 8: this book. I love the process. I love telling people

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Speaker 8: you know about it. Even when I did the audio book,

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Speaker 8: that's when I really recognized, like, this is this book

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Speaker 8: dope like I was because I had to you know,

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Speaker 8: hear it back for the first time myself, and then

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Speaker 8: last night you over knew it. These kids they took

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Speaker 8: an excerpt and acted it out like on stage.

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Speaker 3: That also brought it to life.

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Speaker 8: That was something very unique, like they made a stage

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Speaker 8: play out of a out of excerpt about the book.

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Speaker 8: So you know, I want, I think I want to

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Speaker 8: do stuff like that. And when I as I'm promoting it,

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Speaker 8: it's get people to understand, like what the book is

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Speaker 8: really all about. So we ain't got great readers, you

408
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Speaker 8: know anymore people love they audio books, you know, which

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Speaker 8: is dope, I think. But I definitely want to encourage

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Speaker 8: people to go and read this and check it out.

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Speaker 8: It's a cool adventure, tells a great story, you follow it.

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Speaker 8: Characters are rich, is interesting, all.

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Speaker 13: Right, we got more subject and entertainer when we come back.

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Speaker 9: Don't move.

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Speaker 7: It's the Breakfast Club. Good morning, the Breakfast Club.

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Speaker 13: Hey, everybody's DJ Nvy Charlamagne the guy we are to

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Speaker 13: Breakfast Club is still kicking it with subject to entertaining

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Speaker 13: his new flipping box cars is out right now.

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Speaker 7: You say you don't gamble, right, So was it a

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Speaker 7: bad experience you had rolling dice back in the day.

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Speaker 8: Oh man, You know what, most of the times it's

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Speaker 8: a bad experience.

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Speaker 7: Like most of the times.

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Speaker 8: Most of the times it's just like, you know, hey,

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Speaker 8: here you go, hear some money.

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Speaker 3: You know, you get to play for a little bit.

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Speaker 8: I'd have some great roles, you know, you get you

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Speaker 8: start playing with gamblers and you recognize like, oh, I

429
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Speaker 8: can't even keep up, like you know what I'm saying.

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Speaker 3: You going there, like I can't play like that.

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Speaker 8: But it was just one of these things that for

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Speaker 8: me the odds and put my money on something that

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Speaker 8: felt like I'm just waiting on a whim.

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Speaker 1: You know.

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Speaker 3: I do that on a lot of the tickets. When

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Speaker 3: it's a being, that's it.

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Speaker 8: I'm gonna do that twenty dollars at a time, that's right.

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Speaker 8: And if I hit a billion, then I'm good. But

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Speaker 8: if I don't, then it was twenty dollars.

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Speaker 3: But I'm not. You're ready to throw five grand on

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Speaker 3: on the craps table.

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Speaker 7: That's not me.

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Speaker 12: Man.

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Speaker 7: How many names did you have to change to protect

445
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Speaker 7: the guilty in this book?

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Speaker 3: Oh a lot, a lot. I definitely chet.

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Speaker 8: I kept my grandfather and then pretty much and my

448
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Speaker 8: grandmother's name, but then everybody else that kind of changed.

449
00:17:01,560 --> 00:17:04,639
Speaker 3: You know, especially you like other relatives.

450
00:17:04,000 --> 00:17:04,960
Speaker 7: That you know in there.

451
00:17:05,520 --> 00:17:08,840
Speaker 8: I even like changed who they were because I have

452
00:17:08,960 --> 00:17:12,320
Speaker 8: other relatives in here that are represented, but that's not

453
00:17:12,600 --> 00:17:14,920
Speaker 8: what their personalities were. I just needed to change and

454
00:17:15,000 --> 00:17:18,320
Speaker 8: get some texture and make characters feel different. But you know,

455
00:17:18,560 --> 00:17:20,960
Speaker 8: even the character that plays his brother in law in

456
00:17:21,359 --> 00:17:24,159
Speaker 8: real life, they was they was two peas in a

457
00:17:24,240 --> 00:17:26,440
Speaker 8: pod and so but I couldn't make they would have

458
00:17:26,480 --> 00:17:27,960
Speaker 8: felt like the same person in the book.

459
00:17:28,000 --> 00:17:29,760
Speaker 3: So I made them something totally different.

460
00:17:29,960 --> 00:17:31,960
Speaker 7: Now, family gonna be coming to you after you for money,

461
00:17:32,040 --> 00:17:33,960
Speaker 7: Like you wrote this about granddaddy.

462
00:17:34,280 --> 00:17:34,800
Speaker 3: Yeah, you.

463
00:17:36,359 --> 00:17:39,399
Speaker 8: Know, I mean it's one of these things that's funny.

464
00:17:39,960 --> 00:17:42,439
Speaker 8: It's funny there, Yeah, but it is like it is

465
00:17:42,480 --> 00:17:44,600
Speaker 8: a family thing, luckily for me. Like my sister was

466
00:17:44,680 --> 00:17:47,280
Speaker 8: rocking with me the whole time, and she's like that

467
00:17:47,440 --> 00:17:48,439
Speaker 8: protector of me.

468
00:17:48,640 --> 00:17:50,920
Speaker 3: Like if anybody come for me, my sister gonna hold

469
00:17:50,920 --> 00:17:51,280
Speaker 3: it down.

470
00:17:51,400 --> 00:17:55,000
Speaker 8: She's like, nah, school back, you know so, but normally

471
00:17:55,040 --> 00:17:57,400
Speaker 8: it says, you know this, this was a creative process.

472
00:17:57,440 --> 00:18:00,240
Speaker 8: This was something that me having an idea. It's out

473
00:18:00,280 --> 00:18:03,560
Speaker 8: about the family per se. It's a story where it

474
00:18:03,640 --> 00:18:05,919
Speaker 8: was like, this was an opportunity that I had, and

475
00:18:05,960 --> 00:18:08,000
Speaker 8: so I'll try to take care of people though, like

476
00:18:08,040 --> 00:18:10,520
Speaker 8: my uncle will helped me like a lot, and make

477
00:18:10,560 --> 00:18:12,879
Speaker 8: sure that he gets gets you know, get some stuff

478
00:18:12,920 --> 00:18:15,840
Speaker 8: off this book. My sister, people who like really help

479
00:18:15,920 --> 00:18:18,520
Speaker 8: me out. You know, I think that that's uh, you know,

480
00:18:18,600 --> 00:18:20,560
Speaker 8: it's it's only fair to make sure that they get

481
00:18:20,600 --> 00:18:23,239
Speaker 8: you know, know that they love get acknowledged is not

482
00:18:23,280 --> 00:18:26,240
Speaker 8: just acknowledged in the book, but you know, monetarily too.

483
00:18:26,359 --> 00:18:29,360
Speaker 7: But because you've been getting money, Yeah, you've been doing

484
00:18:29,400 --> 00:18:30,280
Speaker 7: well for a long time.

485
00:18:30,560 --> 00:18:32,639
Speaker 8: Yeah, I definitely know how to say no, Like I

486
00:18:32,640 --> 00:18:35,560
Speaker 8: could say nah, like nah I do past no.

487
00:18:36,119 --> 00:18:39,080
Speaker 7: No, that's what is emphatic.

488
00:18:39,080 --> 00:18:42,720
Speaker 8: You're like, okay, but let me nah you know, but

489
00:18:42,720 --> 00:18:45,600
Speaker 8: but no, but definitely, you know, like it is one

490
00:18:45,600 --> 00:18:47,679
Speaker 8: of those things where you know, I used to have

491
00:18:47,880 --> 00:18:50,040
Speaker 8: like a whole fund for the family was a very

492
00:18:50,040 --> 00:18:52,760
Speaker 8: specific number every year you put it in there.

493
00:18:53,040 --> 00:18:56,800
Speaker 3: That's what's over there, twenty five grand every year.

494
00:18:57,080 --> 00:18:59,280
Speaker 8: But people can get it, you know, like they would,

495
00:18:59,320 --> 00:19:01,119
Speaker 8: but they have to deal my sister, so like you

496
00:19:01,200 --> 00:19:02,080
Speaker 8: had to figure it out.

497
00:19:02,119 --> 00:19:02,760
Speaker 7: But that's smart.

498
00:19:02,960 --> 00:19:05,560
Speaker 8: But but twenty five grand, whatever it is, you can

499
00:19:05,560 --> 00:19:07,680
Speaker 8: go over there, you can qualify for it, and.

500
00:19:07,720 --> 00:19:12,560
Speaker 3: Not all it was well, I mean, yeah, it wasn't.

501
00:19:12,720 --> 00:19:15,040
Speaker 8: You know, I ain't going for the nonsense like like

502
00:19:15,080 --> 00:19:17,879
Speaker 8: you I want to go to Beyonce said, you know,

503
00:19:18,119 --> 00:19:21,399
Speaker 8: let me get not getting it for that, but you know,

504
00:19:21,480 --> 00:19:23,159
Speaker 8: you make you need school money.

505
00:19:23,240 --> 00:19:24,720
Speaker 7: You got this, you got you got it.

506
00:19:24,960 --> 00:19:26,000
Speaker 3: You're gonna lose the house.

507
00:19:26,080 --> 00:19:27,720
Speaker 8: You know, you can go in there and get that money,

508
00:19:27,760 --> 00:19:29,280
Speaker 8: like some of it, not all of them, not one

509
00:19:29,320 --> 00:19:30,080
Speaker 8: person get all of it.

510
00:19:30,480 --> 00:19:31,080
Speaker 7: When did it stop?

511
00:19:31,320 --> 00:19:33,440
Speaker 3: I don't even remember, man, But I just one day

512
00:19:33,480 --> 00:19:34,800
Speaker 3: I just wasn't it was just hopeful.

513
00:19:35,200 --> 00:19:36,000
Speaker 7: I ain't doing it no more.

514
00:19:36,080 --> 00:19:37,680
Speaker 3: Yeah, I was just like, I'm good.

515
00:19:37,920 --> 00:19:39,919
Speaker 7: People heard one too many nods and they knew not

516
00:19:40,000 --> 00:19:40,840
Speaker 7: to ask you no more.

517
00:19:41,200 --> 00:19:43,399
Speaker 8: Well, you know, I think, you know, I think it

518
00:19:43,520 --> 00:19:45,560
Speaker 8: started getting to the point where people wanted the bigger,

519
00:19:45,640 --> 00:19:48,159
Speaker 8: bigger checks. You know, some people just come in and

520
00:19:48,320 --> 00:19:50,800
Speaker 8: literally felt like the whole twenty five was theirs. You know,

521
00:19:50,840 --> 00:19:54,119
Speaker 8: you get certain relatives that they they closer to you

522
00:19:54,160 --> 00:19:56,280
Speaker 8: and they just come and they want they don't even

523
00:19:56,280 --> 00:19:57,879
Speaker 8: want to be in the group no more. They like,

524
00:19:57,920 --> 00:20:00,399
Speaker 8: you know, I got my own twenty five. You do

525
00:20:00,520 --> 00:20:03,040
Speaker 8: that for them, but you know, pay for my house?

526
00:20:03,240 --> 00:20:05,040
Speaker 7: Do you see you growing? He'd be like, you want

527
00:20:05,040 --> 00:20:05,920
Speaker 7: to see me? Yeah?

528
00:20:06,080 --> 00:20:09,200
Speaker 9: Boy, you've seen the news.

529
00:20:09,240 --> 00:20:13,880
Speaker 7: You seen the new trucks, right, yeah I did?

530
00:20:14,440 --> 00:20:14,680
Speaker 12: Yeah?

531
00:20:14,880 --> 00:20:19,640
Speaker 4: Man, Yeah.

532
00:20:21,240 --> 00:20:24,920
Speaker 7: That's crazy. Ye ain't even that much.

533
00:20:25,200 --> 00:20:29,159
Speaker 3: They ain't even that much with guitars on there and stuff.

534
00:20:29,680 --> 00:20:36,040
Speaker 7: Mine my car just broke down. Yeah, wow, kids walk Yeah,

535
00:20:36,320 --> 00:20:40,680
Speaker 7: that's crazy. Praise for you. Yeah, they're gonna work it man.

536
00:20:41,800 --> 00:20:45,040
Speaker 13: Entertaining new flipping the box cars out right now, make

537
00:20:45,080 --> 00:20:45,640
Speaker 13: sure you pick it.

538
00:20:45,600 --> 00:20:48,480
Speaker 3: Up there, oh lady man much love y'all.

539
00:20:48,640 --> 00:20:50,320
Speaker 9: It's segregated. Tainis the breakfast Club.

540
00:20:50,320 --> 00:20:50,720
Speaker 7: Good morning?

541
00:20:50,800 --> 00:20:53,919
Speaker 2: Uh huh the breakfast Club. Your morning's will never be

542
00:20:54,080 --> 00:20:54,840
Speaker 2: the same.

543
00:20:55,480 --> 00:20:59,760
Speaker 9: Everybody, n V charlama the guy. We are the breakfast club.

544
00:21:00,119 --> 00:21:03,080
Speaker 13: Now if you just joined us. A caller called early

545
00:21:03,160 --> 00:21:04,840
Speaker 13: this morning during Get It Off your Chest and was

546
00:21:04,920 --> 00:21:08,439
Speaker 13: upset because she said a coworker ate her food. Let's listen,

547
00:21:08,720 --> 00:21:09,480
Speaker 13: how about.

548
00:21:09,400 --> 00:21:12,760
Speaker 14: My coworker ate my food and I'm so much.

549
00:21:13,280 --> 00:21:16,679
Speaker 1: I'm like you big, that didn't it helpful? Why you

550
00:21:16,720 --> 00:21:17,399
Speaker 1: eat my food?

551
00:21:19,000 --> 00:21:23,760
Speaker 7: Backup, dancers, she said, yeah, backup.

552
00:21:24,040 --> 00:21:24,760
Speaker 9: Damn.

553
00:21:28,600 --> 00:21:31,040
Speaker 1: What she eats. Okay, look, don't judge me because I'm

554
00:21:31,040 --> 00:21:31,560
Speaker 1: from the South.

555
00:21:31,640 --> 00:21:33,720
Speaker 14: But I had some peee the one of the jar.

556
00:21:33,880 --> 00:21:36,520
Speaker 11: But I like it because to stawti some peafee.

557
00:21:36,720 --> 00:21:40,960
Speaker 17: Okay, yeah, my daddy got some big peefee right now,

558
00:21:41,440 --> 00:21:41,679
Speaker 17: right now.

559
00:21:42,320 --> 00:21:45,359
Speaker 14: But I had like some fruit on the side for published.

560
00:21:45,640 --> 00:21:47,480
Speaker 9: You have fo on the side of bars.

561
00:21:47,960 --> 00:21:50,239
Speaker 13: So we're asking eight hundred and five eight five, one

562
00:21:50,240 --> 00:21:52,440
Speaker 13: oh five one has this ever happened to you?

563
00:21:52,760 --> 00:21:54,800
Speaker 17: I have literally never had this problem. But I think

564
00:21:54,840 --> 00:21:57,280
Speaker 17: it's because I like food that people don't eat. I

565
00:21:57,359 --> 00:21:59,000
Speaker 17: like Brussels sprouts and spay.

566
00:21:59,240 --> 00:22:03,440
Speaker 7: Is healthy stuff DT. When you work at black radio

567
00:22:03,440 --> 00:22:05,359
Speaker 7: States is just eat healthy. Nobody will touch your food.

568
00:22:05,400 --> 00:22:08,560
Speaker 17: Fat complete facts. My food stays in there, all my

569
00:22:08,640 --> 00:22:11,320
Speaker 17: fruit being there. I've left yogurt at the radio station

570
00:22:11,480 --> 00:22:14,160
Speaker 17: for a month and forgot it was there still there.

571
00:22:14,400 --> 00:22:16,440
Speaker 18: Really, nobody touches my food.

572
00:22:16,520 --> 00:22:18,800
Speaker 5: So I mean, really, just eat healthy and you'll be fine.

573
00:22:19,119 --> 00:22:21,000
Speaker 7: Yeah. I've never had this problem because I don't never

574
00:22:21,040 --> 00:22:22,679
Speaker 7: bring my food to work, like, I would never do

575
00:22:22,720 --> 00:22:24,879
Speaker 7: anything like that, just simply because I don't trust people

576
00:22:24,920 --> 00:22:27,720
Speaker 7: like that. I don't trust nobody to have you know,

577
00:22:27,800 --> 00:22:30,680
Speaker 7: some food in a tougher were sitting in a refrigerator somewhere.

578
00:22:30,720 --> 00:22:33,200
Speaker 7: I just think people are nasty, you know what I mean.

579
00:22:33,359 --> 00:22:35,200
Speaker 7: People might put boggers in your food.

580
00:22:35,200 --> 00:22:35,560
Speaker 3: I don't know.

581
00:22:35,600 --> 00:22:37,080
Speaker 7: I just definite just the way my mind works, so

582
00:22:37,119 --> 00:22:38,080
Speaker 7: I don't never do stuff like that.

583
00:22:38,560 --> 00:22:41,119
Speaker 13: I drink my waters up in my sparkling waters. They

584
00:22:41,119 --> 00:22:43,600
Speaker 13: take our alcohol up here before all the time. Oh yeah,

585
00:22:43,640 --> 00:22:45,919
Speaker 13: they definitely take Yeah, they definitely take our alcohol. That's

586
00:22:45,920 --> 00:22:47,840
Speaker 13: why we started putting ink in the bottle sometimes. You know,

587
00:22:47,880 --> 00:22:49,399
Speaker 13: it was crazy. Remember that time we had we had

588
00:22:49,400 --> 00:22:50,520
Speaker 13: a fake bottle of Hennessy.

589
00:22:50,600 --> 00:22:53,520
Speaker 7: Right, it was like a mock bottle that somebody bought

590
00:22:53,560 --> 00:22:56,040
Speaker 7: up here, just put display. They drink that.

591
00:22:56,200 --> 00:22:57,760
Speaker 13: Yeah, And first of all, it wasn't supposed to be

592
00:22:57,800 --> 00:22:59,520
Speaker 13: open to they damn they had to call it open and.

593
00:22:59,520 --> 00:22:59,960
Speaker 9: Get it open.

594
00:23:00,200 --> 00:23:03,040
Speaker 7: It's not supposed to open. That's when I knew Negroes

595
00:23:03,119 --> 00:23:06,159
Speaker 7: was different. That's when I knew you can't keep a

596
00:23:06,240 --> 00:23:08,720
Speaker 7: negro from drinking Kanya because they want.

597
00:23:08,560 --> 00:23:11,040
Speaker 9: To drink kanyak, and they drink, they drink at least after.

598
00:23:10,880 --> 00:23:13,760
Speaker 7: Buy half the bottom. I'm like, did y'all realize this

599
00:23:13,880 --> 00:23:14,280
Speaker 7: wasn't real?

600
00:23:14,359 --> 00:23:16,080
Speaker 5: They said, it's weak, Let me just keep drinking.

601
00:23:16,119 --> 00:23:19,080
Speaker 13: It's let's let's go to the phone line.

602
00:23:20,240 --> 00:23:21,359
Speaker 7: Let me see what we got on the line. We

603
00:23:21,440 --> 00:23:23,120
Speaker 7: got a city on the line.

604
00:23:23,440 --> 00:23:26,320
Speaker 13: Now, City, Yeah, you a sucker for this city telling

605
00:23:26,320 --> 00:23:26,960
Speaker 13: people what you did.

606
00:23:26,960 --> 00:23:29,560
Speaker 12: Bro Listen, all right, if the petty was sitting in

607
00:23:29,600 --> 00:23:32,520
Speaker 12: the fridge for about two weeks, all right, I knew that.

608
00:23:32,600 --> 00:23:34,960
Speaker 12: Sure he wasn't gonna drink it. He's a super health

609
00:23:35,000 --> 00:23:37,840
Speaker 12: conscious person. And I'm not so I'm like, you know what,

610
00:23:37,880 --> 00:23:40,399
Speaker 12: but I'm gonna take it upon myself. I drunk that

611
00:23:40,680 --> 00:23:42,920
Speaker 12: drunk that pett and everything's all good.

612
00:23:43,359 --> 00:23:46,240
Speaker 13: So city drank his coworker's food. And they've been asking

613
00:23:46,240 --> 00:23:47,480
Speaker 13: the city been lying the whole time.

614
00:23:48,840 --> 00:23:51,639
Speaker 12: I mean, allegedly, I'm not gonna lie. Man.

615
00:23:51,640 --> 00:23:53,280
Speaker 7: People that do stuff like that, I be hoping they

616
00:23:53,280 --> 00:23:54,960
Speaker 7: get sick. I be hoping somebody, you.

617
00:23:54,960 --> 00:23:59,160
Speaker 12: Know, listen, listen, listen. Okay, he's a health conscious though,

618
00:23:59,160 --> 00:24:01,480
Speaker 12: I am doing my home. She really didn't want that

619
00:24:02,280 --> 00:24:03,720
Speaker 12: and I'm not at all.

620
00:24:04,280 --> 00:24:06,280
Speaker 7: She might have been having a cheap day. Man, this

621
00:24:06,359 --> 00:24:07,960
Speaker 7: guy's fine. Man, forget you city?

622
00:24:08,400 --> 00:24:08,959
Speaker 9: Hello, Dre?

623
00:24:09,520 --> 00:24:09,760
Speaker 1: Hello?

624
00:24:09,840 --> 00:24:11,080
Speaker 16: Are you doing now?

625
00:24:11,080 --> 00:24:12,760
Speaker 9: This happened to you? What what they take from you?

626
00:24:12,880 --> 00:24:12,960
Speaker 7: Dre?

627
00:24:14,560 --> 00:24:14,800
Speaker 11: Girls?

628
00:24:14,760 --> 00:24:15,240
Speaker 1: Spaghetti?

629
00:24:15,320 --> 00:24:15,480
Speaker 15: Man?

630
00:24:15,600 --> 00:24:17,959
Speaker 11: She had made that boy the last night, my previous

631
00:24:18,040 --> 00:24:18,720
Speaker 11: night before that.

632
00:24:20,280 --> 00:24:21,280
Speaker 18: I know they not sublling.

633
00:24:21,320 --> 00:24:22,880
Speaker 5: You don't never eat nobody's forgetting.

634
00:24:24,000 --> 00:24:25,640
Speaker 11: I love the way my girl be thinking that.

635
00:24:25,680 --> 00:24:27,000
Speaker 1: You know, she was whipping up for me in.

636
00:24:27,000 --> 00:24:31,960
Speaker 7: My Now, what if your girl to little d point,

637
00:24:31,960 --> 00:24:34,120
Speaker 7: what if your girl put a little something extra in there?

638
00:24:34,160 --> 00:24:36,040
Speaker 7: You know what I'm saying just to you know, have

639
00:24:36,160 --> 00:24:38,280
Speaker 7: you thinking about her all the time? A little bit

640
00:24:38,280 --> 00:24:44,840
Speaker 7: of that little mistery all the time? All okay, all right, okaymember,

641
00:24:44,880 --> 00:24:45,320
Speaker 7: I like it.

642
00:24:45,840 --> 00:24:46,639
Speaker 5: That's beautiful.

643
00:24:46,800 --> 00:24:50,600
Speaker 7: They definitely man.

644
00:24:50,640 --> 00:24:51,359
Speaker 1: I love my girl.

645
00:24:51,359 --> 00:24:52,120
Speaker 16: Man, I love my girl.

646
00:24:52,160 --> 00:24:52,679
Speaker 1: She loves me.

647
00:24:53,200 --> 00:24:55,480
Speaker 7: Somebody else clearly love her now too, then, because that's

648
00:24:55,800 --> 00:24:57,280
Speaker 7: wasn't meant for them, it was meant for you.

649
00:24:57,359 --> 00:25:00,280
Speaker 13: That is discussed all right. Hey, we got asked on

650
00:25:00,280 --> 00:25:03,879
Speaker 13: the line, Ashley. Yeah, now, Astley, you are the person

651
00:25:03,920 --> 00:25:04,800
Speaker 13: that eats people food.

652
00:25:05,240 --> 00:25:08,360
Speaker 14: Yeah, so I give you forty eight hours and if

653
00:25:08,359 --> 00:25:10,960
Speaker 14: it's still there, I'm going to tell you I'm gonna

654
00:25:10,960 --> 00:25:12,160
Speaker 14: eat it if it's there tomorrow.

655
00:25:12,320 --> 00:25:14,400
Speaker 7: Why you're so greedy?

656
00:25:14,840 --> 00:25:17,359
Speaker 14: I'm just lazy. I don't never bring much to work,

657
00:25:17,560 --> 00:25:20,200
Speaker 14: and I work at the hospitals. You work along your hour.

658
00:25:20,480 --> 00:25:21,719
Speaker 5: See what you're not eat it?

659
00:25:21,800 --> 00:25:23,960
Speaker 17: You're not that lasty because you wait forty eight hours

660
00:25:24,000 --> 00:25:25,720
Speaker 17: before you eat it. So you put yourself on a

661
00:25:25,800 --> 00:25:29,320
Speaker 17: time limit to wait to see sure you have enough

662
00:25:29,320 --> 00:25:30,879
Speaker 17: time to go out before you eat their food.

663
00:25:31,160 --> 00:25:33,119
Speaker 5: You could just when it got food in forty eight hours.

664
00:25:33,119 --> 00:25:34,560
Speaker 5: You didn't start for two days.

665
00:25:35,000 --> 00:25:37,800
Speaker 11: No, why are you even day?

666
00:25:38,920 --> 00:25:43,240
Speaker 14: And they don't eat everybody can't eat everybody.

667
00:25:43,280 --> 00:25:43,959
Speaker 7: I'm not gonna lie.

668
00:25:44,000 --> 00:25:46,040
Speaker 9: If somebody ate my food, I would set you up

669
00:25:46,080 --> 00:25:46,680
Speaker 9: the second time.

670
00:25:46,760 --> 00:25:48,960
Speaker 13: I put some some kind of diarrhea thing in there,

671
00:25:49,320 --> 00:25:51,080
Speaker 13: and you would be isshing all day.

672
00:25:50,920 --> 00:25:53,720
Speaker 14: Long, were fighting because why would you do that?

673
00:25:54,280 --> 00:25:56,360
Speaker 9: Why would you food?

674
00:25:56,160 --> 00:26:00,680
Speaker 6: They need to do a first forty eight movie about you, okay,

675
00:26:00,880 --> 00:26:03,560
Speaker 6: and how you're just greedy In the first forty eight hours,

676
00:26:03,560 --> 00:26:06,520
Speaker 6: your greedy ass couldn't avoid somebody else's hamburger.

677
00:26:07,160 --> 00:26:10,120
Speaker 7: You should be ashamed of yourself. Goodbyas how you gonna

678
00:26:10,160 --> 00:26:12,280
Speaker 7: be mad at me because I poison my food because

679
00:26:12,320 --> 00:26:14,280
Speaker 7: you keep eating it without permission. That's my whole thing.

680
00:26:14,320 --> 00:26:16,680
Speaker 7: You know it's not yours. When you open that refrigerator,

681
00:26:16,920 --> 00:26:20,119
Speaker 7: you know it's not yours. And if somebody's bringing food

682
00:26:20,160 --> 00:26:23,800
Speaker 7: to work, they probably either on a dietary routine or

683
00:26:23,840 --> 00:26:26,199
Speaker 7: they trying to save money. So when you do that

684
00:26:26,280 --> 00:26:27,760
Speaker 7: to that person, you take your money out of that

685
00:26:27,800 --> 00:26:30,560
Speaker 7: person's pocket. You're messing up that person's routine. You deserve

686
00:26:30,600 --> 00:26:31,640
Speaker 7: whatever you get for that, man.

687
00:26:31,720 --> 00:26:33,240
Speaker 13: And I don't know why you play with people food.

688
00:26:33,280 --> 00:26:34,520
Speaker 13: That's one thing I ain't playing with. You don't know

689
00:26:34,520 --> 00:26:36,119
Speaker 13: how that cool that that food is cooked, eat on

690
00:26:36,200 --> 00:26:38,040
Speaker 13: the how it's prepared. You don't know nothing about that food.

691
00:26:38,000 --> 00:26:38,919
Speaker 13: Youn't know how long it's been there.

692
00:26:38,920 --> 00:26:39,680
Speaker 3: It might be old.

693
00:26:39,680 --> 00:26:41,840
Speaker 7: And still I ain't messing with people's food, that's right.

694
00:26:41,920 --> 00:26:44,520
Speaker 13: Just like in my fridge, we got a strict rule,

695
00:26:44,560 --> 00:26:46,639
Speaker 13: like you don't eat people's food in the crib, like,

696
00:26:47,200 --> 00:26:48,080
Speaker 13: don't eat people's food.

697
00:26:48,240 --> 00:26:50,280
Speaker 7: And I tell you something else, man, especially after Christmas

698
00:26:50,320 --> 00:26:52,359
Speaker 7: is Thanksgiving. As a person who you know, you know,

699
00:26:52,560 --> 00:26:55,080
Speaker 7: I do believe in you know, roots and voodoo and

700
00:26:55,280 --> 00:26:58,600
Speaker 7: black magic. Yep, somebody might put a whammy on somebody

701
00:26:58,640 --> 00:27:01,080
Speaker 7: else's food that's right here, and your dumb ass going

702
00:27:01,119 --> 00:27:03,840
Speaker 7: in there thinking you being click eating it now look

703
00:27:03,960 --> 00:27:06,200
Speaker 7: coughing up a frog that wasn't even meant.

704
00:27:06,080 --> 00:27:08,160
Speaker 5: For you, but it was in ever for two weeks.

705
00:27:08,320 --> 00:27:09,600
Speaker 5: Do they really want it?

706
00:27:09,920 --> 00:27:10,280
Speaker 7: I don't know.

707
00:27:10,440 --> 00:27:16,160
Speaker 9: Just the Breakfast Club, Good morning, the Breakfast Club. More

708
00:27:16,160 --> 00:27:16,800
Speaker 9: than everybody.

709
00:27:16,800 --> 00:27:20,520
Speaker 13: It's DJ MV CHARLAMAGNEA God, just hilarious. We are the

710
00:27:20,520 --> 00:27:22,840
Speaker 13: Breakfast Club and we got a special guest in the.

711
00:27:22,760 --> 00:27:24,159
Speaker 9: Building, Icon Living.

712
00:27:24,240 --> 00:27:27,000
Speaker 13: This album is out today, The Love Album of the

713
00:27:27,080 --> 00:27:28,720
Speaker 13: Grid Ladies and gentlemen.

714
00:27:29,040 --> 00:27:35,600
Speaker 9: Diddy Suck. Come on shout John Shure, John, I got

715
00:27:35,600 --> 00:27:36,080
Speaker 9: a bunch of eg.

716
00:27:38,000 --> 00:27:41,800
Speaker 19: What's up feeling I'm feeling beautiful, feeling like extremely blessed,

717
00:27:41,880 --> 00:27:44,200
Speaker 19: especially today the album's coming out.

718
00:27:44,400 --> 00:27:45,200
Speaker 4: Being able to.

719
00:27:45,640 --> 00:27:49,400
Speaker 19: Just make music man for thirty years, thirty years, thirty

720
00:27:50,240 --> 00:27:54,359
Speaker 19: like ah, I feel, it's just just very blessing filled

721
00:27:54,400 --> 00:27:55,120
Speaker 19: with the spirits.

722
00:27:55,200 --> 00:27:57,760
Speaker 9: So good morning to all. God bless your morning.

723
00:27:58,000 --> 00:28:01,280
Speaker 7: You tell you something, al thank you very much. It's

724
00:28:01,440 --> 00:28:03,880
Speaker 7: very very, very very proper. I was telling them that.

725
00:28:04,760 --> 00:28:08,040
Speaker 13: What made you jump back into music with everything amazing,

726
00:28:08,040 --> 00:28:11,399
Speaker 13: from Revolt to the liquor to everything. What says, I

727
00:28:11,400 --> 00:28:14,360
Speaker 13: want to get back on the road, back to touring, Yes,

728
00:28:14,480 --> 00:28:15,399
Speaker 13: back to making music.

729
00:28:15,520 --> 00:28:17,040
Speaker 9: What put you back into that mind frame?

730
00:28:17,760 --> 00:28:19,280
Speaker 19: The thing that got me into it, which was the

731
00:28:19,359 --> 00:28:23,040
Speaker 19: love when I when I started making music, I didn't

732
00:28:23,080 --> 00:28:25,760
Speaker 19: make music okay, like this is a hustle to make money.

733
00:28:25,760 --> 00:28:29,800
Speaker 19: I did what I felt, you know, and I did

734
00:28:29,960 --> 00:28:32,240
Speaker 19: like just what I loved. I say to people now,

735
00:28:32,720 --> 00:28:34,760
Speaker 19: it's not about streams for me, I don't want streams.

736
00:28:34,800 --> 00:28:36,920
Speaker 19: I want souls. I want to give you that feeling

737
00:28:37,480 --> 00:28:40,360
Speaker 19: that's missing. There is a feeling missing. We are in

738
00:28:40,480 --> 00:28:44,040
Speaker 19: a dog frequency. I'm blessed to be able to purposely

739
00:28:44,120 --> 00:28:47,280
Speaker 19: I try to push my life up into a higher frequency.

740
00:28:47,600 --> 00:28:50,080
Speaker 4: I could walk in the room and let us all be.

741
00:28:50,120 --> 00:28:52,080
Speaker 19: Down, or I could I could push yourself you know

742
00:28:52,120 --> 00:28:54,440
Speaker 19: what I'm saying, or whatever it is, or if you

743
00:28:54,520 --> 00:28:56,920
Speaker 19: want to frown at me, I could give you a

744
00:28:56,920 --> 00:28:57,880
Speaker 19: smile and a hug.

745
00:28:58,000 --> 00:28:58,600
Speaker 4: You know what I'm saying.

746
00:28:58,960 --> 00:29:02,440
Speaker 19: And so it's like, you know, to be able to

747
00:29:02,520 --> 00:29:04,120
Speaker 19: have the power that's your music.

748
00:29:04,200 --> 00:29:06,720
Speaker 4: All of my records like kind of make you feel good.

749
00:29:06,760 --> 00:29:09,000
Speaker 19: People say, like when I see your records makes me

750
00:29:09,040 --> 00:29:10,920
Speaker 19: want to do the dance with my shoulders. But it

751
00:29:10,960 --> 00:29:13,239
Speaker 19: makes you smile too, you know what I'm saying, And

752
00:29:13,280 --> 00:29:16,040
Speaker 19: that right there was the purpose. And so for me,

753
00:29:16,120 --> 00:29:19,440
Speaker 19: returning back to music was more a self love decision.

754
00:29:19,720 --> 00:29:21,520
Speaker 19: You get it to a point in your life where

755
00:29:21,960 --> 00:29:26,720
Speaker 19: where you have to decide, like, Okay, what do I

756
00:29:26,760 --> 00:29:29,080
Speaker 19: want to do that makes me happy? And what really

757
00:29:29,080 --> 00:29:31,200
Speaker 19: makes me happy is my art making music.

758
00:29:31,480 --> 00:29:35,320
Speaker 20: So stepping away from music for seventeen years, it didn't

759
00:29:35,320 --> 00:29:37,280
Speaker 20: make you nervous a little bit without those new artists

760
00:29:37,320 --> 00:29:38,040
Speaker 20: and all that stuff.

761
00:29:38,200 --> 00:29:39,960
Speaker 19: Yeah, I'm not gonna lie. I don't really get nervous.

762
00:29:40,000 --> 00:29:41,680
Speaker 19: I live in a real fearless zone, you know what

763
00:29:41,680 --> 00:29:45,240
Speaker 19: I'm saying. Stepping back into it, I'm real confident on

764
00:29:45,880 --> 00:29:47,120
Speaker 19: like me being a producer.

765
00:29:47,160 --> 00:29:48,840
Speaker 4: I don't make beats, you know what I'm saying. Like

766
00:29:48,920 --> 00:29:50,600
Speaker 4: I produce, you.

767
00:29:50,560 --> 00:29:51,080
Speaker 7: Know what I'm saying.

768
00:29:51,080 --> 00:29:53,080
Speaker 19: But crazy part about it, I don't playing any instruments.

769
00:29:53,080 --> 00:29:55,680
Speaker 19: I don't program the sounds that I hear in my head.

770
00:29:55,960 --> 00:29:59,200
Speaker 19: I know how to really explain what's the frequency that

771
00:29:59,280 --> 00:30:02,000
Speaker 19: I want. Me getting back into it, I felt like

772
00:30:02,080 --> 00:30:04,480
Speaker 19: Jordan getting back into basketball, as far as making R

773
00:30:04,480 --> 00:30:07,000
Speaker 19: and B, as far as like making hip hop, soul

774
00:30:07,160 --> 00:30:11,080
Speaker 19: and all the different you know, the sounds that I have.

775
00:30:11,280 --> 00:30:13,360
Speaker 19: So when I came back into it, I came back

776
00:30:13,400 --> 00:30:17,040
Speaker 19: into it it really really excited because I knew I

777
00:30:17,160 --> 00:30:20,360
Speaker 19: was ready to step back into what they call a

778
00:30:20,360 --> 00:30:21,520
Speaker 19: full full circle.

779
00:30:21,880 --> 00:30:24,000
Speaker 4: So I went back into like Puffy the producer.

780
00:30:24,240 --> 00:30:26,680
Speaker 19: Just like the first time you may have had two

781
00:30:26,760 --> 00:30:29,720
Speaker 19: turntables and the first time you learned your first dance

782
00:30:29,800 --> 00:30:31,560
Speaker 19: or whatever you told your first joke, you know what

783
00:30:31,560 --> 00:30:33,880
Speaker 19: I'm saying. It returned me back to that like a

784
00:30:34,520 --> 00:30:36,959
Speaker 19: And so my first record I produced was Come and

785
00:30:37,000 --> 00:30:39,560
Speaker 19: Talk to Me by Joeys the Remix.

786
00:30:40,280 --> 00:30:41,680
Speaker 9: And so when I started.

787
00:30:41,360 --> 00:30:44,080
Speaker 19: Making these records, it was feeling like that I had

788
00:30:44,120 --> 00:30:48,320
Speaker 19: to return like back to the basement, the basement producer,

789
00:30:48,320 --> 00:30:50,400
Speaker 19: and it was just me and there and just I'm

790
00:30:50,440 --> 00:30:53,000
Speaker 19: an orchestrator, so I hear all sounds. I hear all

791
00:30:53,040 --> 00:30:55,280
Speaker 19: sounds from the vocal, how the vocal should be presented.

792
00:30:55,480 --> 00:30:57,080
Speaker 19: It's like being a director of a movie.

793
00:30:57,120 --> 00:30:57,720
Speaker 4: You know what I'm saying.

794
00:30:57,880 --> 00:31:00,000
Speaker 19: I may not be in there actually doing the scene,

795
00:31:00,120 --> 00:31:01,920
Speaker 19: but I'm directing the movie. And I have a special

796
00:31:01,960 --> 00:31:05,280
Speaker 19: talent as far as directing sonics in the way something

797
00:31:05,480 --> 00:31:07,640
Speaker 19: is It's almost like even Quincy Jones.

798
00:31:07,680 --> 00:31:09,440
Speaker 9: Quincy Jones is more of an orchestrator.

799
00:31:09,800 --> 00:31:11,920
Speaker 19: All of the live musicians and everything he did, he

800
00:31:11,920 --> 00:31:14,440
Speaker 19: didn't go and play every instrument that was the drum

801
00:31:14,440 --> 00:31:17,200
Speaker 19: machine at that point. Erry Gordy was an orchestrator. So

802
00:31:17,200 --> 00:31:21,479
Speaker 19: I come from more of a producer experience like that.

803
00:31:21,520 --> 00:31:23,160
Speaker 19: So when I'm in there with a Mary J. Blige,

804
00:31:23,160 --> 00:31:24,360
Speaker 19: you I'm in there with a week and I have

805
00:31:24,440 --> 00:31:27,000
Speaker 19: something to say, I'm not just watching them do ey thing.

806
00:31:27,000 --> 00:31:29,480
Speaker 19: I'm not sending it over. But if I'm in the

807
00:31:29,520 --> 00:31:34,240
Speaker 19: studio actually creating and molding and shaping the sonic sound.

808
00:31:34,920 --> 00:31:38,600
Speaker 19: And so my thing has always been collaboration. But my sound,

809
00:31:38,960 --> 00:31:42,440
Speaker 19: no matter what producers I work with, my sound sounds

810
00:31:42,520 --> 00:31:45,440
Speaker 19: like my sound. When you hear it, it sounds exactly

811
00:31:45,640 --> 00:31:47,880
Speaker 19: like my sound. But I've just been a little bit

812
00:31:47,960 --> 00:31:52,080
Speaker 19: more open about no one man can do everything. Every

813
00:31:52,160 --> 00:31:55,520
Speaker 19: last producer has had a team, you know, Motown had

814
00:31:55,520 --> 00:31:57,880
Speaker 19: the Funk Brothers, I've had the Hitman and so a

815
00:31:57,920 --> 00:32:01,720
Speaker 19: lot of times people don't, you know, don't believe that

816
00:32:01,920 --> 00:32:05,280
Speaker 19: I could actually be good at this many things. That's

817
00:32:05,320 --> 00:32:08,560
Speaker 19: why I have the receipts I've been filming myself since

818
00:32:08,600 --> 00:32:10,760
Speaker 19: I was nineteen years old. You see me in the

819
00:32:10,800 --> 00:32:13,680
Speaker 19: studio producing with people, and you know, I don't have

820
00:32:13,840 --> 00:32:17,480
Speaker 19: nothing to prove to anybody that says anything but the

821
00:32:17,560 --> 00:32:20,920
Speaker 19: feeling that I've given you for over thirty years, given

822
00:32:20,960 --> 00:32:24,240
Speaker 19: your mama this feeling, and I've given it to you and.

823
00:32:24,200 --> 00:32:26,160
Speaker 4: It feels good and take that.

824
00:32:26,760 --> 00:32:32,520
Speaker 9: Yeah's impossive. Yeah, I'm just telling you. I was going

825
00:32:32,560 --> 00:32:35,479
Speaker 9: to ask how much influence does your son have on you?

826
00:32:35,560 --> 00:32:37,080
Speaker 13: And the reason I asked that I seen him at

827
00:32:37,080 --> 00:32:39,760
Speaker 13: the BET Awards and I was asking him about is

828
00:32:39,760 --> 00:32:41,719
Speaker 13: it a competition? At first he said no, and then

829
00:32:41,720 --> 00:32:43,800
Speaker 13: he said no, no, no, this is a competition. I want

830
00:32:43,840 --> 00:32:45,560
Speaker 13: to make records better than my dad, and my dad's

831
00:32:45,560 --> 00:32:47,360
Speaker 13: trying to make records better than me. So I said, well,

832
00:32:47,440 --> 00:32:49,560
Speaker 13: how does that work with picking beats? And he was like,

833
00:32:49,600 --> 00:32:52,040
Speaker 13: I have to grab the beats before my dad. So

834
00:32:52,520 --> 00:32:54,440
Speaker 13: is it a competition? And how much influence does your

835
00:32:54,440 --> 00:32:55,760
Speaker 13: son have on you making records?

836
00:32:55,760 --> 00:32:55,960
Speaker 7: Now?

837
00:32:56,320 --> 00:33:00,080
Speaker 19: I don't really let anybody influence me on on on

838
00:33:00,200 --> 00:33:03,760
Speaker 19: making record. I'm definitely not in a competition with my son,

839
00:33:04,200 --> 00:33:07,360
Speaker 19: you know. But it's a blessing to actually be like

840
00:33:07,480 --> 00:33:10,720
Speaker 19: the first father son duo. You know what I'm saying, Like,

841
00:33:11,000 --> 00:33:12,760
Speaker 19: and we take pride in that. You know what I'm saying,

842
00:33:12,800 --> 00:33:18,320
Speaker 19: We all, like Jojo used to the first to have

843
00:33:18,360 --> 00:33:23,240
Speaker 19: a number one record. That's forget the first. And it's

844
00:33:23,240 --> 00:33:26,360
Speaker 19: no disrespect to nobody. We're just saying respectfully. We're saying

845
00:33:26,360 --> 00:33:29,160
Speaker 19: respectfully that all the other father son teams that me

846
00:33:29,200 --> 00:33:32,160
Speaker 19: and my son we won the championship, we had number

847
00:33:32,200 --> 00:33:35,520
Speaker 19: one records together and that saw it's just proud dad.

848
00:33:35,720 --> 00:33:38,360
Speaker 19: It's not saying nothing, it's not It's just when we

849
00:33:38,440 --> 00:33:42,360
Speaker 19: have the narrative, sometimes y'all be forgetting about the Diddy history.

850
00:33:42,680 --> 00:33:43,320
Speaker 9: You know what I'm saying.

851
00:33:43,640 --> 00:33:47,720
Speaker 19: You you sometimes we forget who invented certain things. Now

852
00:33:47,800 --> 00:33:51,040
Speaker 19: I'm not going to be defensive. I'm just going to

853
00:33:51,120 --> 00:33:56,520
Speaker 19: state facts. Okay, okay out Then the first to have

854
00:33:56,760 --> 00:34:02,479
Speaker 19: a number one that's together together, that's it's very hard

855
00:34:02,840 --> 00:34:05,840
Speaker 19: to have a kid and have that kid have success.

856
00:34:06,080 --> 00:34:09,240
Speaker 19: That kid has to fight through so much stuff because

857
00:34:09,400 --> 00:34:12,040
Speaker 19: and those kids had to fight through a lot of

858
00:34:12,080 --> 00:34:16,280
Speaker 19: different things their father. H We're not talking about the first.

859
00:34:16,640 --> 00:34:20,600
Speaker 19: We be talking about the father son team to play together.

860
00:34:21,040 --> 00:34:21,560
Speaker 9: You know what I'm saying.

861
00:34:21,600 --> 00:34:24,800
Speaker 19: And win a championship and that's me and King comes

862
00:34:25,200 --> 00:34:26,759
Speaker 19: and I take a lot of pride in that.

863
00:34:26,960 --> 00:34:29,239
Speaker 20: And then speaking of King Holmes, would you ever give

864
00:34:29,280 --> 00:34:31,800
Speaker 20: the blessing for him to do your bio pick because

865
00:34:31,960 --> 00:34:34,480
Speaker 20: that's that's a biopick. I would want to be in

866
00:34:34,520 --> 00:34:36,040
Speaker 20: for one, but I would want to see that.

867
00:34:36,680 --> 00:34:41,480
Speaker 19: Yeah, I mean, I mean he's me. I know that

868
00:34:41,520 --> 00:34:42,320
Speaker 19: he'd be able to do it.

869
00:34:42,360 --> 00:34:42,799
Speaker 9: You know what I'm saying.

870
00:34:42,840 --> 00:34:46,080
Speaker 19: I definitely give him, give him my blessing because I mean,

871
00:34:46,120 --> 00:34:47,200
Speaker 19: he'd be biopicking me.

872
00:34:47,280 --> 00:34:49,360
Speaker 9: Now I'm looking at him, I'm.

873
00:34:49,239 --> 00:34:51,600
Speaker 19: On stage the other night, and you got to understand

874
00:34:51,719 --> 00:34:55,480
Speaker 19: how like much of a blessing this is, y'all, like

875
00:34:55,480 --> 00:34:59,160
Speaker 19: like like like I know y'all as on their personalities.

876
00:34:59,200 --> 00:35:01,239
Speaker 19: I'm just telling y'all like as human beings to be

877
00:35:01,280 --> 00:35:03,560
Speaker 19: able because I see how you love your kids, you

878
00:35:03,560 --> 00:35:06,080
Speaker 19: know what I'm saying. I know everybody loves their family.

879
00:35:06,120 --> 00:35:08,520
Speaker 19: But to be on stage with him and be looking

880
00:35:08,560 --> 00:35:10,719
Speaker 19: at him from what he wanted to be at four

881
00:35:10,800 --> 00:35:13,880
Speaker 19: years old and really like doing stuff, and then the

882
00:35:13,880 --> 00:35:16,719
Speaker 19: other night with my girls like this is like it's

883
00:35:16,719 --> 00:35:20,080
Speaker 19: a blessing to see him keep fighting every day because

884
00:35:20,120 --> 00:35:22,200
Speaker 19: as a Combs. We gotta fight through a lot of hate.

885
00:35:22,239 --> 00:35:26,200
Speaker 19: It's just it's all right. We can handle it. Yeah,

886
00:35:26,239 --> 00:35:29,000
Speaker 19: whom is giving you know much as expected, and we

887
00:35:29,080 --> 00:35:31,400
Speaker 19: respect that. But it's all right for y'all to start

888
00:35:31,440 --> 00:35:35,360
Speaker 19: loving me. Okay, it's about It's about time. Yes, yes,

889
00:35:36,160 --> 00:35:40,560
Speaker 19: my teeth everything, you know what I'm saying. Everything is fresh.

890
00:35:40,600 --> 00:35:43,560
Speaker 19: I could I swear I'm stronger. I'm like, I don't know.

891
00:35:43,600 --> 00:35:46,880
Speaker 19: It's beyond Benjamin Button. We like an ip man or something.

892
00:35:46,920 --> 00:35:49,200
Speaker 13: Literally all we got more with Diddy when we come back,

893
00:35:49,239 --> 00:35:51,839
Speaker 13: don't move. It's the Breakfast Club. Good morning everybody. It's

894
00:35:51,920 --> 00:35:55,000
Speaker 13: DJ n B, Charlamagne to God, Jess Hilarius. We are

895
00:35:55,080 --> 00:35:57,480
Speaker 13: to Breakfast Club. We're still here with Diddy, Charlamagne.

896
00:35:57,719 --> 00:35:59,279
Speaker 7: Why didn't you Why didn't you have any form of

897
00:35:59,360 --> 00:36:01,239
Speaker 7: bad boy artist perform on stage with two at the

898
00:36:01,320 --> 00:36:03,320
Speaker 7: v A Mace for such an iconic moment.

899
00:36:03,400 --> 00:36:06,799
Speaker 19: It was more like I wanted to. I did them

900
00:36:06,840 --> 00:36:10,120
Speaker 19: metally so much with everybody. We had so many different

901
00:36:10,280 --> 00:36:13,360
Speaker 19: iconic moments. That was me as an artist. You know,

902
00:36:13,400 --> 00:36:15,840
Speaker 19: a lot of people forget how many number one records

903
00:36:15,840 --> 00:36:18,920
Speaker 19: I have as an artist. It was just really like

904
00:36:19,080 --> 00:36:21,239
Speaker 19: I wanted to give people something different. I didn't give

905
00:36:21,280 --> 00:36:23,759
Speaker 19: them Keisha Cole. Really I wanted to give him the

906
00:36:23,800 --> 00:36:27,920
Speaker 19: present me and young I had wanted me and Mace

907
00:36:27,960 --> 00:36:31,280
Speaker 19: to do something, but the schedule that didn't that didn't

908
00:36:31,320 --> 00:36:33,840
Speaker 19: like work out, and it was just like a that's

909
00:36:33,880 --> 00:36:36,640
Speaker 19: that's all that was. I just wanted to have like

910
00:36:36,800 --> 00:36:38,919
Speaker 19: something that was different, So I thought me and Mace

911
00:36:38,960 --> 00:36:40,719
Speaker 19: would have been different, you know what I'm saying. So

912
00:36:40,760 --> 00:36:42,600
Speaker 19: every time I come out, I'm trying to give y'all

913
00:36:42,600 --> 00:36:45,520
Speaker 19: something like different in an award show performance, because to

914
00:36:45,560 --> 00:36:46,040
Speaker 19: be honest, I.

915
00:36:47,120 --> 00:36:48,560
Speaker 7: Do a lot of award shows.

916
00:36:48,920 --> 00:36:51,640
Speaker 4: The way God wanted to work out me doing more

917
00:36:51,680 --> 00:36:52,200
Speaker 4: money with.

918
00:36:52,200 --> 00:36:55,719
Speaker 19: My son was the greatest gift to that I could

919
00:36:55,760 --> 00:36:58,400
Speaker 19: have ever ever experienced, you know what I'm saying. You know,

920
00:36:59,160 --> 00:37:01,439
Speaker 19: but I'm always gonna be performing with the bad boy artists,

921
00:37:01,440 --> 00:37:03,319
Speaker 19: you know what I'm saying, and doing things with them

922
00:37:03,360 --> 00:37:05,120
Speaker 19: as I always have, you know what I'm saying, and

923
00:37:05,160 --> 00:37:07,320
Speaker 19: they've always there are always a phone call away. And

924
00:37:07,440 --> 00:37:10,120
Speaker 19: also also I just want also one that people also

925
00:37:10,160 --> 00:37:12,439
Speaker 19: to understand, like you know that you know I got

926
00:37:12,440 --> 00:37:16,120
Speaker 19: a good forty five minutes straight a Bangers.

927
00:37:15,360 --> 00:37:17,120
Speaker 4: Just by myself on stage.

928
00:37:17,440 --> 00:37:20,160
Speaker 19: You know what I'm saying, Like like I go to Yeah,

929
00:37:20,400 --> 00:37:23,200
Speaker 19: nobody should be afraid because it's all love. But you

930
00:37:23,200 --> 00:37:26,080
Speaker 19: know what I'm saying, it's a lot of hits. You

931
00:37:26,120 --> 00:37:28,000
Speaker 19: know what I'm saying. So I did want to say

932
00:37:28,000 --> 00:37:29,839
Speaker 19: that because I'm about to jump out here on tour

933
00:37:29,880 --> 00:37:31,880
Speaker 19: and stuff like that, and you can come see me

934
00:37:31,920 --> 00:37:34,080
Speaker 19: and have a great time if I'm just by myself too.

935
00:37:34,239 --> 00:37:36,960
Speaker 13: You mention all the artists you mentioned Mace, and recently

936
00:37:37,000 --> 00:37:38,880
Speaker 13: you said that you are giving the artists back their

937
00:37:38,920 --> 00:37:41,360
Speaker 13: publisher Yeah, what made you decide to do that?

938
00:37:41,560 --> 00:37:43,400
Speaker 9: And did you speak to every artist when you did

939
00:37:43,400 --> 00:37:44,799
Speaker 9: it or how did that happen?

940
00:37:44,800 --> 00:37:45,319
Speaker 7: How did that work?

941
00:37:45,360 --> 00:37:45,959
Speaker 9: Break that down?

942
00:37:46,040 --> 00:37:49,960
Speaker 19: Yeah, when I had went and called out the Grammys,

943
00:37:50,120 --> 00:37:53,360
Speaker 19: I also had to make sure that I had also

944
00:37:53,400 --> 00:37:56,280
Speaker 19: looked from within. Once you start like asking for changing

945
00:37:56,320 --> 00:37:59,520
Speaker 19: the squall, you you have to look within and be

946
00:37:59,560 --> 00:38:01,719
Speaker 19: a part of that change. So this actually was done

947
00:38:01,760 --> 00:38:04,399
Speaker 19: two years ago, and it was it was more of

948
00:38:04,480 --> 00:38:09,000
Speaker 19: me evolving as a businessman, you know, a person that

949
00:38:09,280 --> 00:38:13,600
Speaker 19: really wants change in the world and in progress most importantly,

950
00:38:13,600 --> 00:38:17,000
Speaker 19: because you can have change but not progress. And it

951
00:38:17,120 --> 00:38:19,319
Speaker 19: was the right thing to do. You know what I'm saying,

952
00:38:19,560 --> 00:38:20,960
Speaker 19: that it was the right thing to do. And this

953
00:38:21,160 --> 00:38:23,960
Speaker 19: the frequency that I'm in, and it's the love frequency.

954
00:38:24,200 --> 00:38:27,000
Speaker 19: If it wasn't fore like these people that have helped

955
00:38:27,000 --> 00:38:29,640
Speaker 19: me with all of these records, everybody, if there's anything

956
00:38:30,000 --> 00:38:32,279
Speaker 19: you know, just just doing the right thing, that's just

957
00:38:32,800 --> 00:38:35,279
Speaker 19: with the frequency that I'm in. I think the frequency

958
00:38:35,280 --> 00:38:37,640
Speaker 19: we should all be in. If you have a chance

959
00:38:37,680 --> 00:38:39,520
Speaker 19: to do the right thing, why wouldn't you do the

960
00:38:39,560 --> 00:38:41,400
Speaker 19: right thing? You know what I'm saying. And that's the

961
00:38:41,440 --> 00:38:43,880
Speaker 19: world that I want to live in. And so you

962
00:38:43,880 --> 00:38:46,000
Speaker 19: know what I'm saying, I want to be that change

963
00:38:46,000 --> 00:38:47,280
Speaker 19: that I that I want.

964
00:38:47,200 --> 00:38:50,239
Speaker 7: The giving back to publishing, fix any damage relationships that

965
00:38:50,280 --> 00:38:51,040
Speaker 7: you might have had.

966
00:38:51,719 --> 00:38:54,440
Speaker 19: I wasn't this so many misconceptions that people think they

967
00:38:54,520 --> 00:38:56,520
Speaker 19: know what's going on. I never I didn't have no

968
00:38:56,560 --> 00:38:59,879
Speaker 19: problems with people. Mace, me and Yah yeah, yeah, yeah,

969
00:39:00,080 --> 00:39:00,960
Speaker 19: major with me and Mason.

970
00:39:01,000 --> 00:39:01,719
Speaker 7: Me and Mace we.

971
00:39:01,800 --> 00:39:04,920
Speaker 19: Brothers and me. I got unconditional love for me, So

972
00:39:05,000 --> 00:39:07,280
Speaker 19: me and Masa. I don't know if me and Mason

973
00:39:07,360 --> 00:39:10,439
Speaker 19: stopped arguing now or something like that, but I'm gonna

974
00:39:10,520 --> 00:39:13,720
Speaker 19: still love Mace. I give him thanks for like really

975
00:39:14,000 --> 00:39:16,839
Speaker 19: helping to really launch my career as an artist, and

976
00:39:17,200 --> 00:39:19,279
Speaker 19: you know, was there with me from the beginning and

977
00:39:19,320 --> 00:39:21,879
Speaker 19: stuff like that. Even though if I didn't agree with Mace,

978
00:39:21,960 --> 00:39:24,120
Speaker 19: he was a catalyst for me to look from within,

979
00:39:24,239 --> 00:39:27,040
Speaker 19: you know what I'm saying. And so sometimes somebody that

980
00:39:27,080 --> 00:39:29,279
Speaker 19: you may not agree with or something you don't think

981
00:39:29,400 --> 00:39:33,920
Speaker 19: is good, God uses like certain situations, even if something's like, Yo,

982
00:39:34,000 --> 00:39:34,960
Speaker 19: where did that come from?

983
00:39:35,040 --> 00:39:36,560
Speaker 9: That's your left field, you know what I'm saying.

984
00:39:37,080 --> 00:39:39,520
Speaker 19: And so I just get into right now with God

985
00:39:39,560 --> 00:39:41,280
Speaker 19: telling me to do so there's a clarity.

986
00:39:41,520 --> 00:39:42,359
Speaker 9: So it's really at.

987
00:39:42,239 --> 00:39:44,080
Speaker 19: A point you get to a point in life, especially

988
00:39:44,160 --> 00:39:47,239
Speaker 19: me as a successful businessman, where you pick purpose of

989
00:39:47,320 --> 00:39:49,680
Speaker 19: a profit. And that's kind of the season that I'm

990
00:39:49,719 --> 00:39:52,520
Speaker 19: in to really really be a part of this radical change.

991
00:39:52,640 --> 00:39:53,320
Speaker 4: You know what I'm saying.

992
00:39:53,480 --> 00:39:55,520
Speaker 7: I like this, did he d you really turned down

993
00:39:55,560 --> 00:39:58,520
Speaker 7: a nine figure deal for the publisher? Yeah? It was,

994
00:39:58,560 --> 00:39:59,000
Speaker 7: it was.

995
00:39:59,360 --> 00:40:01,520
Speaker 19: I wouldn't say he turned it down, as I said,

996
00:40:01,600 --> 00:40:03,640
Speaker 19: you know what I'm saying, It really wasn't an option,

997
00:40:03,760 --> 00:40:05,440
Speaker 19: you know what I'm saying as far as because it

998
00:40:05,520 --> 00:40:07,840
Speaker 19: was just at the time that I was getting it,

999
00:40:07,880 --> 00:40:11,840
Speaker 19: I was just I wasn't really even wanting to sell nothing,

1000
00:40:12,239 --> 00:40:14,160
Speaker 19: but I was just like, man, these people are getting

1001
00:40:14,280 --> 00:40:16,440
Speaker 19: people are getting a lot of money out here. And

1002
00:40:16,440 --> 00:40:18,680
Speaker 19: I was like, you know, if anytime, this is the

1003
00:40:18,760 --> 00:40:21,479
Speaker 19: time that that you know, because the people will offer

1004
00:40:21,520 --> 00:40:23,239
Speaker 19: him so much money for catalogs.

1005
00:40:24,040 --> 00:40:26,239
Speaker 4: It was just it was a time where I just

1006
00:40:26,239 --> 00:40:27,120
Speaker 4: went and it was.

1007
00:40:27,120 --> 00:40:30,319
Speaker 19: Like shopped a little bit or nah, nah, it wasn't

1008
00:40:30,320 --> 00:40:33,600
Speaker 19: shopped as people were calling us. So it was something that,

1009
00:40:33,680 --> 00:40:35,720
Speaker 19: you know what I'm saying, something that you definitely consider

1010
00:40:36,120 --> 00:40:39,600
Speaker 19: chain of events just had me really was just like, man,

1011
00:40:39,640 --> 00:40:41,640
Speaker 19: I need to just you know, call all the artists

1012
00:40:41,640 --> 00:40:43,680
Speaker 19: they need and all the writers. What I'm saying, this

1013
00:40:43,880 --> 00:40:45,799
Speaker 19: is a this is a time, you know what I'm

1014
00:40:45,840 --> 00:40:48,480
Speaker 19: saying to not just Andre Rat was telling me don't

1015
00:40:48,520 --> 00:40:50,799
Speaker 19: just talk love be love, and so he's like, this

1016
00:40:50,880 --> 00:40:53,160
Speaker 19: is a time just to do and listen to what

1017
00:40:53,280 --> 00:40:54,759
Speaker 19: God is telling you to do and us.

1018
00:40:55,320 --> 00:40:58,960
Speaker 7: So now we're open up to talk about the hours.

1019
00:40:59,600 --> 00:41:02,879
Speaker 9: Right, you know what today is? Today is did he Day?

1020
00:41:02,960 --> 00:41:08,880
Speaker 19: Diddy did today proclaimed did he did He Day?

1021
00:41:09,280 --> 00:41:12,439
Speaker 9: And one episode Chance to Love.

1022
00:41:12,640 --> 00:41:16,520
Speaker 20: Yeah, And speaking of love, my favorite songe is what's love?

1023
00:41:16,640 --> 00:41:18,040
Speaker 20: I do like that and Deliver Me.

1024
00:41:18,200 --> 00:41:19,120
Speaker 7: It's number two three.

1025
00:41:19,200 --> 00:41:21,399
Speaker 19: Just in case you yeah that dirty Money, we back

1026
00:41:21,880 --> 00:41:26,040
Speaker 19: ye in effect making some you know, beautiful train music

1027
00:41:26,080 --> 00:41:26,759
Speaker 19: as I call that.

1028
00:41:27,040 --> 00:41:28,359
Speaker 7: Made you go back to that, what made you want

1029
00:41:28,400 --> 00:41:29,840
Speaker 7: to reconnect with Dirty Money?

1030
00:41:30,239 --> 00:41:33,800
Speaker 19: This honestly was a record that it's J Diller.

1031
00:41:33,800 --> 00:41:34,520
Speaker 4: I got a chance.

1032
00:41:34,719 --> 00:41:37,520
Speaker 19: Buster brought me this J Diller joint, and I was like,

1033
00:41:37,560 --> 00:41:39,560
Speaker 19: y'all get a chance even though Jay Diller is in.

1034
00:41:39,480 --> 00:41:41,640
Speaker 9: Our head to actually do produce a record with Jay Diller.

1035
00:41:41,880 --> 00:41:43,400
Speaker 19: So then I put the music on top of a

1036
00:41:43,480 --> 00:41:46,600
Speaker 19: J Diller beat and Dirty Money we were doing it.

1037
00:41:46,920 --> 00:41:48,400
Speaker 19: And at first we were doing it, Bustle was like,

1038
00:41:48,480 --> 00:41:52,400
Speaker 19: let me get that joint, and I was like, he

1039
00:41:52,520 --> 00:41:54,960
Speaker 19: never used it. Then when I was putting this project

1040
00:41:54,960 --> 00:41:57,120
Speaker 19: together that there's certain songs that I did a long

1041
00:41:57,200 --> 00:41:59,799
Speaker 19: time ago, and then you not to ask girls if

1042
00:41:59,840 --> 00:42:00,719
Speaker 19: they wanted to be a part of it.

1043
00:42:00,800 --> 00:42:03,640
Speaker 4: It was like, yeah, just like that's a record.

1044
00:42:03,320 --> 00:42:06,120
Speaker 19: Called Deliver Me and busses on that and Dirty Moneys

1045
00:42:06,160 --> 00:42:08,440
Speaker 19: on that, and that's our first record in thirteen years.

1046
00:42:08,680 --> 00:42:10,600
Speaker 19: And then I would say one of me I did

1047
00:42:10,680 --> 00:42:14,560
Speaker 19: eight years ago, another one of me, yeah the Weekend,

1048
00:42:14,640 --> 00:42:15,360
Speaker 19: another one of me.

1049
00:42:15,400 --> 00:42:18,799
Speaker 4: I can say eight years ago I did that record, by.

1050
00:42:18,719 --> 00:42:22,839
Speaker 7: The way, the Weekend record with twenty one in French. Yeah,

1051
00:42:22,840 --> 00:42:25,760
Speaker 7: I can't say that's his last collaborational yeah yeah something.

1052
00:42:25,840 --> 00:42:30,040
Speaker 19: Yeah, that's the Weekend. So this is his last feature.

1053
00:42:30,600 --> 00:42:33,279
Speaker 19: And you know, I think we we you know, we

1054
00:42:33,520 --> 00:42:36,680
Speaker 19: we love the Weekend on his features. The Weekend always

1055
00:42:36,719 --> 00:42:40,279
Speaker 19: does a dope feature. So I'm definitely hon it, you

1056
00:42:40,280 --> 00:42:42,520
Speaker 19: know what I'm saying. You know, I really love him

1057
00:42:42,560 --> 00:42:46,080
Speaker 19: as an artist. Everybody on this album it's like, I'm

1058
00:42:46,239 --> 00:42:47,000
Speaker 19: fans it is.

1059
00:42:47,040 --> 00:42:47,520
Speaker 9: You know what I'm saying.

1060
00:42:47,560 --> 00:42:50,200
Speaker 4: I'm like, really fans it is, and really love their voices.

1061
00:42:50,600 --> 00:42:53,719
Speaker 19: Like when I made the album, it wasn't okay, let

1062
00:42:53,800 --> 00:42:56,239
Speaker 19: me get this person because they have this type of

1063
00:42:56,280 --> 00:42:58,960
Speaker 19: these type of streams. It was like I wanted to

1064
00:42:59,040 --> 00:43:00,960
Speaker 19: tell my love story, you know, I wanted to be

1065
00:43:01,040 --> 00:43:04,680
Speaker 19: able to utilize these voices to translate my feelings. You

1066
00:43:04,719 --> 00:43:06,759
Speaker 19: know what I'm saying. I purposely was on there where

1067
00:43:07,080 --> 00:43:09,480
Speaker 19: you could get your stroke onto it. This is for

1068
00:43:09,560 --> 00:43:11,319
Speaker 19: the strokers, you know what I'm saying, a lot of

1069
00:43:11,360 --> 00:43:14,239
Speaker 19: casts they be they like the rabbit style, you know

1070
00:43:14,239 --> 00:43:17,080
Speaker 19: what I'm saying this, This this is for the strokers.

1071
00:43:17,120 --> 00:43:17,640
Speaker 9: You know what I'm saying.

1072
00:43:17,680 --> 00:43:20,680
Speaker 4: Cast that like to really make love to your woman.

1073
00:43:20,800 --> 00:43:22,839
Speaker 19: Your woman like to make love to you, look deep

1074
00:43:22,880 --> 00:43:24,680
Speaker 19: in their eyes and it's the stroke.

1075
00:43:24,840 --> 00:43:27,279
Speaker 7: How long should the stroke? Stroke should be?

1076
00:43:27,320 --> 00:43:29,680
Speaker 19: You should kind of about a second or you just no, No,

1077
00:43:29,760 --> 00:43:31,359
Speaker 19: it's more of a rhythm thing, you know what I'm saying.

1078
00:43:31,360 --> 00:43:32,399
Speaker 4: It's more of a feeling though.

1079
00:43:32,520 --> 00:43:34,000
Speaker 9: You know what I'm saying. But it's just not like

1080
00:43:34,120 --> 00:43:36,560
Speaker 9: a let me just you know what I'm saying.

1081
00:43:36,560 --> 00:43:38,759
Speaker 19: You could you could throw that in there as like

1082
00:43:38,840 --> 00:43:43,680
Speaker 19: a song tempo change, but it's like, you know, it's like,

1083
00:43:43,840 --> 00:43:45,239
Speaker 19: you know what I'm saying, You can do that, like

1084
00:43:45,239 --> 00:43:47,640
Speaker 19: like but if that's your only go to you know

1085
00:43:47,680 --> 00:43:48,480
Speaker 19: what I'm saying.

1086
00:43:48,320 --> 00:43:51,160
Speaker 4: That that's not the frequency of love that we're talking about.

1087
00:43:51,440 --> 00:43:52,440
Speaker 9: This is that R and B.

1088
00:43:52,640 --> 00:43:53,000
Speaker 11: This is that.

1089
00:43:54,560 --> 00:43:57,239
Speaker 19: Sho take your time, beg your girl will come back.

1090
00:43:57,440 --> 00:43:59,640
Speaker 19: You know how you lay it down? I got three

1091
00:43:59,680 --> 00:44:00,440
Speaker 19: record it's.

1092
00:44:00,520 --> 00:44:01,400
Speaker 9: That stay in it.

1093
00:44:01,800 --> 00:44:04,399
Speaker 19: You know what I'm saying, because because that's my life,

1094
00:44:04,440 --> 00:44:07,040
Speaker 19: I'm always like, oh man, baby, can you just stay

1095
00:44:07,040 --> 00:44:09,719
Speaker 19: don't leave me? You know what I'm so, It's just

1096
00:44:09,760 --> 00:44:11,160
Speaker 19: like the way you make love when you're trying to

1097
00:44:11,160 --> 00:44:13,400
Speaker 19: get your girl to stay. It's different, you know what

1098
00:44:13,400 --> 00:44:15,600
Speaker 19: I'm saying. So it's like, you know, it's off the

1099
00:44:15,640 --> 00:44:16,360
Speaker 19: grid experience.

1100
00:44:16,400 --> 00:44:17,000
Speaker 7: Go off the.

1101
00:44:16,960 --> 00:44:17,799
Speaker 4: Grid with your girl.

1102
00:44:17,840 --> 00:44:21,200
Speaker 19: Bring the album your girl. You meant whatever you're you're into,

1103
00:44:21,680 --> 00:44:25,319
Speaker 19: nobody's judging. Just go off the grid, woman, Like, like,

1104
00:44:25,480 --> 00:44:26,680
Speaker 19: how you doing, how you feel like?

1105
00:44:26,680 --> 00:44:27,560
Speaker 4: Getting into their brain?

1106
00:44:27,640 --> 00:44:29,880
Speaker 19: They sold their mind and this is the music that

1107
00:44:29,920 --> 00:44:31,239
Speaker 19: you can have in the background.

1108
00:44:31,239 --> 00:44:31,840
Speaker 7: You know what I'm saying.

1109
00:44:32,160 --> 00:44:34,200
Speaker 13: We got more with Diddy when we come back, don't move.

1110
00:44:34,239 --> 00:44:37,560
Speaker 13: It's the breakfast Club, Goo morning everybody, the breakfast Club

1111
00:44:37,640 --> 00:44:40,799
Speaker 13: DJ MV Charlamane to God Jess hilarious. We're still kicking

1112
00:44:40,800 --> 00:44:42,880
Speaker 13: it with Diddy. That one time you were thinking about

1113
00:44:43,320 --> 00:44:46,520
Speaker 13: buying purchasing BT got revoked.

1114
00:44:46,520 --> 00:44:49,000
Speaker 7: So while was BT, Yeah, you.

1115
00:44:48,960 --> 00:44:50,719
Speaker 4: Know, I really I wanted to look at it.

1116
00:44:50,760 --> 00:44:53,000
Speaker 19: I mean, there's no way to go unless you really

1117
00:44:53,280 --> 00:44:55,600
Speaker 19: kind of you know, go into acquisitions, you know what

1118
00:44:55,600 --> 00:44:59,080
Speaker 19: I'm saying. So right now I'm really looking heavy on

1119
00:44:59,160 --> 00:45:04,040
Speaker 19: acquisitions and really building the world's biggest black media company.

1120
00:45:04,080 --> 00:45:06,400
Speaker 19: You know what I'm saying. I'm on my second mountain.

1121
00:45:06,800 --> 00:45:09,600
Speaker 19: I really feel like I'm just beginning in my career.

1122
00:45:09,880 --> 00:45:14,080
Speaker 19: I feel like my my my purpose is sharpened, you know,

1123
00:45:14,320 --> 00:45:17,480
Speaker 19: and and I've gone from me to we. So it's like,

1124
00:45:17,680 --> 00:45:19,719
Speaker 19: you know, the things that I'm looking at are really

1125
00:45:19,760 --> 00:45:22,640
Speaker 19: really big moves. You know, I want to really take

1126
00:45:22,760 --> 00:45:25,440
Speaker 19: over Disney, you feel me. I want us because I

1127
00:45:25,480 --> 00:45:27,040
Speaker 19: know there's gonna be a shift. I know there's gonna

1128
00:45:27,080 --> 00:45:29,319
Speaker 19: be a change. I know the alien's coming. I know that,

1129
00:45:29,560 --> 00:45:31,960
Speaker 19: you know, the last shall be first, first shall be last.

1130
00:45:32,160 --> 00:45:35,320
Speaker 19: I'm not gonna be sitting here surprised. I'm gonna be ready.

1131
00:45:35,719 --> 00:45:38,319
Speaker 19: You know what I'm saying as far as is how

1132
00:45:38,440 --> 00:45:41,960
Speaker 19: big and how bold my thinking is. And so you know,

1133
00:45:42,960 --> 00:45:46,880
Speaker 19: looking at where I have Revolt and where REVOLTD is

1134
00:45:46,960 --> 00:45:48,040
Speaker 19: at now, it's like one of.

1135
00:45:47,960 --> 00:45:50,879
Speaker 4: The most profitable networks that are that are out there.

1136
00:45:50,880 --> 00:45:53,359
Speaker 19: We was able to pass, you know, as far as

1137
00:45:53,360 --> 00:45:56,560
Speaker 19: our digital footprint, you know, past complex that was a

1138
00:45:56,600 --> 00:45:58,680
Speaker 19: big thing for us. When we started, we didn't really

1139
00:45:58,760 --> 00:46:01,880
Speaker 19: own our own culture, and so now Revolt has really

1140
00:46:01,920 --> 00:46:04,960
Speaker 19: stepped into that, you know, to that position. So I

1141
00:46:05,000 --> 00:46:07,879
Speaker 19: was looking at BT and after when you're looking at

1142
00:46:07,880 --> 00:46:09,760
Speaker 19: buying the company, you got to do your due diligence

1143
00:46:09,760 --> 00:46:12,880
Speaker 19: to see if it if it fits your strategy. And

1144
00:46:12,920 --> 00:46:15,279
Speaker 19: so even before they decided not to sell it, it

1145
00:46:15,280 --> 00:46:18,120
Speaker 19: didn't make sense to me. So I basically had told

1146
00:46:18,160 --> 00:46:20,279
Speaker 19: him before that, but I didn't make an announcement about

1147
00:46:20,320 --> 00:46:21,719
Speaker 19: it because it really wasn't about that.

1148
00:46:22,040 --> 00:46:24,480
Speaker 20: So, speaking of Revolt being a place where you can go,

1149
00:46:24,520 --> 00:46:25,279
Speaker 20: and this.

1150
00:46:25,280 --> 00:46:27,400
Speaker 9: Is our tip anniversary of revolte y.

1151
00:46:29,640 --> 00:46:32,160
Speaker 19: Tip Anniversary Revote, we are proud of saying we want

1152
00:46:32,160 --> 00:46:34,799
Speaker 19: to thank y'all officially the Breakfast Club. Y'all helped to

1153
00:46:34,800 --> 00:46:36,960
Speaker 19: put us on the map. You know what I'm saying,

1154
00:46:37,000 --> 00:46:39,040
Speaker 19: y'all help to get us in the game. We did

1155
00:46:39,080 --> 00:46:43,080
Speaker 19: some great things together and we're still family and the first.

1156
00:46:42,840 --> 00:46:43,400
Speaker 7: To believe in us.

1157
00:46:43,480 --> 00:46:47,440
Speaker 9: Yes, yes, how many you know? That's my vision.

1158
00:46:47,480 --> 00:46:48,880
Speaker 19: I saw y'all and I was like, I know that

1159
00:46:48,920 --> 00:46:51,160
Speaker 19: they starts. They got something that's going to break the internet.

1160
00:46:51,400 --> 00:46:52,319
Speaker 4: Yeah, yeah, I saw y'all.

1161
00:46:52,320 --> 00:46:52,640
Speaker 7: That was me.

1162
00:46:52,760 --> 00:46:58,160
Speaker 13: I was like, did He was like, I want that camera,

1163
00:46:58,239 --> 00:46:59,959
Speaker 13: I want that view. I wanted to be gritty ground.

1164
00:47:00,120 --> 00:47:03,520
Speaker 9: Yeah see remember aunts involved to see that.

1165
00:47:03,520 --> 00:47:05,759
Speaker 19: That's the thing with Diddy, is that y'all be trying

1166
00:47:05,800 --> 00:47:06,840
Speaker 19: to burn his receipts.

1167
00:47:07,080 --> 00:47:08,319
Speaker 7: No no, no, no, no no no.

1168
00:47:08,600 --> 00:47:16,720
Speaker 19: But hold on, hold on, hold on, hold on, hold.

1169
00:47:14,120 --> 00:47:15,160
Speaker 7: Everybody chill.

1170
00:47:16,040 --> 00:47:20,600
Speaker 4: So Diddy actually wrote the Breakfast Club.

1171
00:47:20,680 --> 00:47:21,880
Speaker 7: They first check.

1172
00:47:23,080 --> 00:47:25,880
Speaker 19: Yeah yeah, the first one to believe in them and

1173
00:47:25,920 --> 00:47:26,600
Speaker 19: take them.

1174
00:47:26,760 --> 00:47:29,440
Speaker 9: Moti TV Yeah, I mean TV.

1175
00:47:30,200 --> 00:47:34,840
Speaker 19: Oh yeah, we're talking about Ancelary and come yeah, you

1176
00:47:34,920 --> 00:47:38,560
Speaker 19: too good on your Anclary income. Let me get my receipts.

1177
00:47:38,960 --> 00:47:42,160
Speaker 19: Take that, hey man, you check more than all that

1178
00:47:44,080 --> 00:47:47,800
Speaker 19: check was? It was something.

1179
00:47:47,840 --> 00:47:48,240
Speaker 7: It was.

1180
00:47:48,280 --> 00:47:52,160
Speaker 19: It was a stepping stone seven glorious career. Don't skip

1181
00:47:52,160 --> 00:47:53,719
Speaker 19: over it because I'm a black man.

1182
00:47:54,239 --> 00:47:54,839
Speaker 9: I'm just staring.

1183
00:47:56,320 --> 00:47:58,960
Speaker 19: It wasn't nobody, nobody else.

1184
00:48:03,200 --> 00:48:04,120
Speaker 7: Let's get back to the music.

1185
00:48:04,200 --> 00:48:05,160
Speaker 9: Let's get back to the music.

1186
00:48:05,280 --> 00:48:08,319
Speaker 7: How difficult was it to make the kim Porter record.

1187
00:48:09,120 --> 00:48:11,480
Speaker 4: It was extremely easy to make the kim Porter record.

1188
00:48:11,760 --> 00:48:16,600
Speaker 19: My desire for wanting to be in her presence somehow

1189
00:48:17,480 --> 00:48:20,799
Speaker 19: is a constant like thing that I yearned for, and

1190
00:48:20,880 --> 00:48:23,360
Speaker 19: so when I made that record, I really believe in

1191
00:48:23,400 --> 00:48:25,879
Speaker 19: the power of music, and so I felt like if

1192
00:48:25,880 --> 00:48:30,360
Speaker 19: I made that record for her, that with the intentions

1193
00:48:30,360 --> 00:48:32,560
Speaker 19: of her her coming to visit me in my dreams

1194
00:48:32,560 --> 00:48:34,000
Speaker 19: like I have the best of both worlds.

1195
00:48:34,360 --> 00:48:35,760
Speaker 4: I know I can't have any.

1196
00:48:35,600 --> 00:48:38,239
Speaker 19: Physical but to be able to just be able to

1197
00:48:38,680 --> 00:48:41,160
Speaker 19: like like that's my dog, Like that's my friend.

1198
00:48:41,520 --> 00:48:43,960
Speaker 4: I wasn't just like my baby mama and my girlfriend.

1199
00:48:44,400 --> 00:48:45,600
Speaker 7: It was just like the only.

1200
00:48:45,400 --> 00:48:47,160
Speaker 19: Person that I listened to, you know what I'm saying.

1201
00:48:47,440 --> 00:48:49,840
Speaker 19: It was like my navigation and then like my navigation

1202
00:48:50,000 --> 00:48:52,560
Speaker 19: is off and I gotta like try to find a map.

1203
00:48:52,719 --> 00:48:53,760
Speaker 4: Is that's how crazy?

1204
00:48:54,320 --> 00:48:56,840
Speaker 19: Like you know, you know it was, And so I

1205
00:48:56,920 --> 00:48:59,680
Speaker 19: was just like I really know how powerful my music is.

1206
00:49:00,160 --> 00:49:02,520
Speaker 19: And so, you know, I told Babyface the story and

1207
00:49:02,560 --> 00:49:05,400
Speaker 19: then I told John Legend, like this is why I don't.

1208
00:49:05,200 --> 00:49:06,600
Speaker 4: Want to make the record for streams.

1209
00:49:06,800 --> 00:49:11,279
Speaker 19: The record is like you know, it's a real expression

1210
00:49:11,440 --> 00:49:14,480
Speaker 19: of love, a real love letter to Kim, and you

1211
00:49:14,560 --> 00:49:17,080
Speaker 19: know what I'm saying, it's really how my love feels.

1212
00:49:17,080 --> 00:49:19,120
Speaker 19: And so it was beautiful to be able to do that.

1213
00:49:19,239 --> 00:49:21,760
Speaker 19: And she has come and visited me and my dreams

1214
00:49:21,960 --> 00:49:24,120
Speaker 19: after it is record, Yeah, after I made that record.

1215
00:49:24,360 --> 00:49:26,360
Speaker 7: On the record in the middle, you say, you know,

1216
00:49:26,680 --> 00:49:28,640
Speaker 7: you know Kim, I know you can hear me. Yeah, yeah,

1217
00:49:28,760 --> 00:49:30,640
Speaker 7: what was that in the dream? If you don't mindus that.

1218
00:49:30,920 --> 00:49:33,359
Speaker 9: No, we're just talking to joint in the dream.

1219
00:49:34,880 --> 00:49:37,439
Speaker 19: It's a couple of times just just yeah, just just

1220
00:49:37,440 --> 00:49:39,720
Speaker 19: just what we do wasn't nothing. But I was saying,

1221
00:49:39,800 --> 00:49:41,360
Speaker 19: I know you can hear me because I'm sending the

1222
00:49:41,440 --> 00:49:45,759
Speaker 19: message to sending that. I'm sending that frequency two because

1223
00:49:45,800 --> 00:49:47,760
Speaker 19: I believe like there's a whole other dimension.

1224
00:49:47,800 --> 00:49:49,239
Speaker 4: And I don't think you like look back. You know

1225
00:49:49,280 --> 00:49:49,760
Speaker 4: what I'm saying.

1226
00:49:50,120 --> 00:49:52,120
Speaker 19: But I just needed her to just just to stay

1227
00:49:52,160 --> 00:49:53,799
Speaker 19: that to stay and come visit me.

1228
00:49:53,920 --> 00:49:55,960
Speaker 7: And you aren't featured on that record. It's baby facing

1229
00:49:56,040 --> 00:49:58,840
Speaker 7: John Legend. Was it too hard to come up with

1230
00:49:58,920 --> 00:50:01,200
Speaker 7: a verse like you like you think people were giving

1231
00:50:01,200 --> 00:50:03,160
Speaker 7: you or you just didn't like the words could really

1232
00:50:03,160 --> 00:50:04,400
Speaker 7: express what you want to express.

1233
00:50:04,920 --> 00:50:08,520
Speaker 4: I just was just doing what felt right for the stroke.

1234
00:50:08,640 --> 00:50:11,440
Speaker 4: You know what I'm saying. You know, like you know

1235
00:50:11,600 --> 00:50:13,160
Speaker 4: if you come on.

1236
00:50:13,160 --> 00:50:14,480
Speaker 7: Man, why would you do that right?

1237
00:50:15,239 --> 00:50:18,239
Speaker 19: Yeah, because because I don't know where your mind is at.

1238
00:50:18,280 --> 00:50:20,600
Speaker 19: King when when I'm thinking about Strong, I'm thinking about

1239
00:50:20,640 --> 00:50:21,040
Speaker 19: my woman.

1240
00:50:21,120 --> 00:50:21,600
Speaker 9: I don't know.

1241
00:50:21,680 --> 00:50:24,279
Speaker 4: I can't get into none of this homophobic stuff.

1242
00:50:24,080 --> 00:50:27,719
Speaker 9: Y'all got going on. I don't. I don't. I'm just like, yo,

1243
00:50:28,320 --> 00:50:29,279
Speaker 9: I don't know y'all can.

1244
00:50:29,239 --> 00:50:30,000
Speaker 7: Play that game.

1245
00:50:30,080 --> 00:50:32,440
Speaker 9: I just like, I'm just me. I'm just saying. When

1246
00:50:32,440 --> 00:50:34,040
Speaker 9: I'm thinking about that, I'm telling you how I'm making

1247
00:50:34,080 --> 00:50:35,160
Speaker 9: the music. You know what I'm saying.

1248
00:50:35,440 --> 00:50:39,040
Speaker 19: I'm a scorpio king, I'm a scorpio. That's that's that's

1249
00:50:39,080 --> 00:50:42,200
Speaker 19: that's my thing. My thing is my stroke, baby, and

1250
00:50:42,239 --> 00:50:44,920
Speaker 19: that's my music. That's the vibe my music is. But

1251
00:50:45,040 --> 00:50:48,280
Speaker 19: you the stroke, your woman. Don't don't think about my stroke.

1252
00:50:48,320 --> 00:50:49,240
Speaker 19: Think about your stroke.

1253
00:50:49,320 --> 00:50:52,200
Speaker 9: And you woman like you're thinking about thinking about anything.

1254
00:50:52,320 --> 00:50:53,919
Speaker 9: And then it's like a lot going on.

1255
00:50:54,160 --> 00:50:59,239
Speaker 7: This is awkward. You're awkward. I don't know.

1256
00:51:00,200 --> 00:51:05,200
Speaker 9: Confused. I'm confused. Be comfortable within your skin.

1257
00:51:06,040 --> 00:51:07,160
Speaker 7: Comfortable, that's the problem.

1258
00:51:07,360 --> 00:51:08,360
Speaker 9: I'm very comfortable.

1259
00:51:09,680 --> 00:51:11,319
Speaker 7: Also in the record, in the hook, you keep saying

1260
00:51:11,480 --> 00:51:14,359
Speaker 7: seven days, six nights. Yeah, what's your significance of that?

1261
00:51:15,040 --> 00:51:16,760
Speaker 7: Very good question.

1262
00:51:18,480 --> 00:51:24,680
Speaker 19: So you know, before the internet, if your girl and

1263
00:51:24,960 --> 00:51:27,759
Speaker 19: if your girl like wanted to disappear on your shoes, man,

1264
00:51:28,560 --> 00:51:31,520
Speaker 19: she just go black. You be calling her mom's crib like, hey, hey,

1265
00:51:31,600 --> 00:51:34,440
Speaker 19: miss Porter, you know where Kim is at? Honey, I

1266
00:51:34,480 --> 00:51:36,279
Speaker 19: don't know where. I don't know what y'all doing. Don't

1267
00:51:36,280 --> 00:51:38,120
Speaker 19: put me in the middle of that. Da You be

1268
00:51:38,200 --> 00:51:41,480
Speaker 19: calling every place you be outside. That's when stalkings start.

1269
00:51:41,920 --> 00:51:43,600
Speaker 19: You know what I'm saying, You be outside in the.

1270
00:51:43,560 --> 00:51:44,680
Speaker 9: Car like where she asked.

1271
00:51:44,680 --> 00:51:45,400
Speaker 4: She definitely not there.

1272
00:51:45,440 --> 00:51:47,719
Speaker 9: She had a girlfriend house. You don't even know this girl,

1273
00:51:48,440 --> 00:51:50,160
Speaker 9: and they on the run, they're on the lamb.

1274
00:51:50,640 --> 00:51:51,399
Speaker 7: You all go.

1275
00:51:51,360 --> 00:51:53,800
Speaker 19: All over the place and be six days, seven nights.

1276
00:51:53,840 --> 00:51:55,760
Speaker 19: I would be waiting just ahead the sound of her voice,

1277
00:51:55,840 --> 00:51:57,479
Speaker 19: just to pick up that phone.

1278
00:51:57,640 --> 00:51:57,879
Speaker 7: Hello.

1279
00:51:58,440 --> 00:51:59,280
Speaker 4: Yeah, hello.

1280
00:52:02,200 --> 00:52:04,720
Speaker 19: So that's where the six days and seven nights waiting

1281
00:52:04,760 --> 00:52:08,040
Speaker 19: for her sound like. She was a very very like stubborn,

1282
00:52:08,560 --> 00:52:11,880
Speaker 19: stand strong person. It's like when she would just disappear,

1283
00:52:12,320 --> 00:52:14,720
Speaker 19: it was like you don't know if it would be forever.

1284
00:52:15,440 --> 00:52:16,680
Speaker 4: You feel me, Brothers.

1285
00:52:16,680 --> 00:52:19,440
Speaker 7: The extension of last night kind of yeah.

1286
00:52:19,320 --> 00:52:21,520
Speaker 9: Last night. There's a bunch of records. I Need a

1287
00:52:21,560 --> 00:52:22,200
Speaker 9: Girl Part two.

1288
00:52:22,560 --> 00:52:23,040
Speaker 1: Wow.

1289
00:52:23,680 --> 00:52:25,200
Speaker 7: Do you regret not marrying her?

1290
00:52:25,760 --> 00:52:27,600
Speaker 9: No, I don't have any regrets, you know what I'm saying.

1291
00:52:27,680 --> 00:52:31,160
Speaker 19: Like, as I said, our relationship was bigger than just okay.

1292
00:52:30,960 --> 00:52:31,760
Speaker 4: This is a relationship.

1293
00:52:31,800 --> 00:52:34,200
Speaker 19: I got you married, you my girl, you my baby

1294
00:52:34,200 --> 00:52:35,920
Speaker 19: mama or this Like you know what I'm saying, it's

1295
00:52:36,040 --> 00:52:38,480
Speaker 19: like the like the connection of beings, you know what

1296
00:52:38,520 --> 00:52:38,919
Speaker 19: I'm saying.

1297
00:52:38,960 --> 00:52:41,919
Speaker 4: And it really taught me. You know how to love,

1298
00:52:42,000 --> 00:52:43,279
Speaker 4: and that's the way I love right now.

1299
00:52:43,280 --> 00:52:45,960
Speaker 19: So that's why I don't put different things in like

1300
00:52:46,120 --> 00:52:48,880
Speaker 19: categories like that, because I feel like, you know the

1301
00:52:48,920 --> 00:52:51,319
Speaker 19: people that's going really mad in your life. I don't

1302
00:52:51,360 --> 00:52:53,480
Speaker 19: know if it's gonna be your wife, because that's the

1303
00:52:53,520 --> 00:52:54,879
Speaker 19: title you put on it. You know what I'm saying.

1304
00:52:54,880 --> 00:52:56,960
Speaker 19: I don't know if that's gonna be your best experience.

1305
00:52:57,000 --> 00:52:58,480
Speaker 19: If that's you know what I'm.

1306
00:52:58,320 --> 00:53:01,160
Speaker 13: Saying, I will did these out today. Let's get into

1307
00:53:01,160 --> 00:53:03,840
Speaker 13: another joint. It's the Breakfast Club. Let's go wake up

1308
00:53:03,920 --> 00:53:05,880
Speaker 13: good Morning. We're still kicking it with Diddy. That was

1309
00:53:05,920 --> 00:53:08,560
Speaker 13: a joint office album that's out right now. It's DJ

1310
00:53:08,880 --> 00:53:12,120
Speaker 13: m B, Charlamagne, Jess Hilarious, still kicking it with Diddy,

1311
00:53:12,480 --> 00:53:13,520
Speaker 13: Brother my brother Love.

1312
00:53:13,800 --> 00:53:14,200
Speaker 15: Just Love.

1313
00:53:14,320 --> 00:53:15,480
Speaker 4: It's just love, everybody.

1314
00:53:15,800 --> 00:53:16,279
Speaker 7: It's just love.

1315
00:53:16,320 --> 00:53:20,200
Speaker 19: It's not brother love. It's not a nineteen seventies new name.

1316
00:53:20,760 --> 00:53:23,000
Speaker 19: It's a modern new name. It's just love.

1317
00:53:23,320 --> 00:53:24,560
Speaker 9: Love, love, love love.

1318
00:53:24,560 --> 00:53:25,560
Speaker 4: When you see me, throw your.

1319
00:53:25,560 --> 00:53:27,399
Speaker 9: L in the air, say love, love, love love.

1320
00:53:27,520 --> 00:53:27,640
Speaker 3: Now.

1321
00:53:27,960 --> 00:53:31,280
Speaker 13: After the VMAs, there was rumors that Young Miami was pregnant.

1322
00:53:31,320 --> 00:53:33,640
Speaker 13: She played into it because we should be throwing y'all

1323
00:53:33,680 --> 00:53:35,719
Speaker 13: for a spin. She I'm been telling y'all right now,

1324
00:53:36,040 --> 00:53:37,680
Speaker 13: and we should be having fun. It'd be like a

1325
00:53:37,800 --> 00:53:38,319
Speaker 13: video game.

1326
00:53:40,000 --> 00:53:43,000
Speaker 7: We just we just asking, is he not? I mean nothing?

1327
00:53:43,640 --> 00:53:47,680
Speaker 9: No, I'm not pregnant. Is your wife pregnant?

1328
00:53:49,440 --> 00:53:53,160
Speaker 19: I'm gonna tell you straight up, you mean you beat?

1329
00:53:53,480 --> 00:53:54,879
Speaker 7: You beat the craziest one.

1330
00:53:55,080 --> 00:53:59,359
Speaker 19: Asking about somebody's girl or personal joint Became't nobody even

1331
00:53:59,400 --> 00:54:00,600
Speaker 19: say nothing you about?

1332
00:54:04,960 --> 00:54:05,120
Speaker 1: Right?

1333
00:54:05,239 --> 00:54:08,359
Speaker 19: Yeah, I don't know, boy, I'm gonna tell you, man,

1334
00:54:08,360 --> 00:54:11,279
Speaker 19: this man, we don't. I don't talk about my relationships

1335
00:54:11,280 --> 00:54:12,239
Speaker 19: with nobody like that.

1336
00:54:14,000 --> 00:54:15,839
Speaker 9: I don't mind anybody asked me a question to ask

1337
00:54:15,840 --> 00:54:16,960
Speaker 9: me whatever you is, I'm not.

1338
00:54:17,000 --> 00:54:19,480
Speaker 19: I don't care, but that's not my business. I'm not

1339
00:54:19,480 --> 00:54:20,799
Speaker 19: thinking about you and another woman.

1340
00:54:20,840 --> 00:54:23,319
Speaker 13: If somebody disrespects it's another level.

1341
00:54:23,560 --> 00:54:26,480
Speaker 9: I can't even imagine somebody disrespecting me exactly.

1342
00:54:26,800 --> 00:54:28,919
Speaker 13: But that's that's my feeling. That's how I feel. It's

1343
00:54:29,000 --> 00:54:33,160
Speaker 13: easy for people to go online. I'm just I'm.

1344
00:54:32,920 --> 00:54:34,720
Speaker 1: Not I'm not.

1345
00:54:39,719 --> 00:54:44,080
Speaker 9: Coming the beige rage.

1346
00:54:43,920 --> 00:54:51,040
Speaker 7: Was coming, the beige rage, and mean it's going.

1347
00:54:51,120 --> 00:54:53,480
Speaker 19: Really, I don't know if you gotta go into the

1348
00:54:53,560 --> 00:54:56,000
Speaker 19: love frequency and.

1349
00:54:56,000 --> 00:55:02,440
Speaker 7: I agree with you. You gotta go, so you gotta get

1350
00:55:02,480 --> 00:55:05,319
Speaker 7: him out of whatever, you gotta change him or something

1351
00:55:05,480 --> 00:55:07,640
Speaker 7: done over you, something.

1352
00:55:07,560 --> 00:55:12,839
Speaker 9: You've definitely and then when I go to I take

1353
00:55:12,840 --> 00:55:16,400
Speaker 9: it too far problem.

1354
00:55:16,480 --> 00:55:19,680
Speaker 7: Yeah, a couple more questions. What's success like in regards

1355
00:55:19,680 --> 00:55:22,520
Speaker 7: to this album? What would be a successful I.

1356
00:55:22,480 --> 00:55:27,200
Speaker 19: Always may measure success with music if somebody's at home

1357
00:55:27,280 --> 00:55:30,400
Speaker 19: singing the song while they're just cleaning up the house,

1358
00:55:30,600 --> 00:55:34,000
Speaker 19: or you know a car that's next to me, you know,

1359
00:55:35,360 --> 00:55:38,400
Speaker 19: somebody's just in there singing it. Just for people to

1360
00:55:38,440 --> 00:55:41,719
Speaker 19: really really like love the music as far as and

1361
00:55:41,920 --> 00:55:44,799
Speaker 19: some babies to be made and some some dances to

1362
00:55:44,840 --> 00:55:47,600
Speaker 19: be had, and you know it's it's to spawn just

1363
00:55:48,360 --> 00:55:52,239
Speaker 19: you know, more of this type of you know, more

1364
00:55:52,440 --> 00:55:58,680
Speaker 19: like love like man, woman, man, man, woman man, whatever

1365
00:55:58,719 --> 00:56:02,720
Speaker 19: it is, right, whatever your love is, that feeling, bringing

1366
00:56:02,719 --> 00:56:06,000
Speaker 19: that feeling back and not just the toxic feeling because

1367
00:56:06,040 --> 00:56:07,120
Speaker 19: life needs a balance.

1368
00:56:07,520 --> 00:56:10,440
Speaker 20: And it's definitely album that people can enjoy each other too.

1369
00:56:10,840 --> 00:56:12,600
Speaker 20: Like you said, I think it's just the impact that

1370
00:56:12,640 --> 00:56:15,800
Speaker 20: it will have on you know, man and woman like together.

1371
00:56:15,840 --> 00:56:18,400
Speaker 20: It makes you want to talk to your partner, It

1372
00:56:18,400 --> 00:56:19,040
Speaker 20: makes you want.

1373
00:56:18,920 --> 00:56:21,480
Speaker 9: To be like, oh you heard this, and it's cool

1374
00:56:21,520 --> 00:56:21,680
Speaker 9: for a.

1375
00:56:27,840 --> 00:56:30,640
Speaker 20: Man and or you know them to whoever you know,

1376
00:56:30,880 --> 00:56:35,000
Speaker 20: just to really enjoy it, you know.

1377
00:56:35,800 --> 00:56:36,279
Speaker 1: For that.

1378
00:56:36,360 --> 00:56:38,839
Speaker 13: You know, I love I love the music. I love

1379
00:56:38,880 --> 00:56:41,000
Speaker 13: what you're doing with business. But the one thing I

1380
00:56:41,040 --> 00:56:43,279
Speaker 13: respect about you the most is how you are with

1381
00:56:43,320 --> 00:56:46,600
Speaker 13: your kids. And when I look at Love or Diddy

1382
00:56:46,640 --> 00:56:49,440
Speaker 13: or Puff, you make the time the most because I

1383
00:56:49,480 --> 00:56:50,920
Speaker 13: love seeing that because I feel like a lot of

1384
00:56:50,920 --> 00:56:52,400
Speaker 13: times we talk about what we don't see a lot

1385
00:56:52,400 --> 00:56:54,120
Speaker 13: of times we don't see that enough.

1386
00:56:54,239 --> 00:56:56,439
Speaker 9: Yes, And I respect that the most when it comes

1387
00:56:56,480 --> 00:56:57,560
Speaker 9: to you. Thank you very much.

1388
00:56:57,640 --> 00:56:59,880
Speaker 13: And it's inspiring for for most that because it's like

1389
00:57:00,239 --> 00:57:02,480
Speaker 13: if Diddy can do it, Diddy worth for Billy.

1390
00:57:03,560 --> 00:57:06,840
Speaker 19: Yeah, yeah, that's that's like me being on the stage

1391
00:57:06,880 --> 00:57:09,600
Speaker 19: with them the other night. It's just like so surreal.

1392
00:57:09,640 --> 00:57:11,600
Speaker 19: As I said, you know what I'm saying with my son,

1393
00:57:11,680 --> 00:57:15,359
Speaker 19: but with my daughters and then my daughter she's inspiring

1394
00:57:15,480 --> 00:57:20,120
Speaker 19: actress and just seeing seeing like man like like I

1395
00:57:20,160 --> 00:57:23,160
Speaker 19: did you know, I did something really good, Like I

1396
00:57:23,240 --> 00:57:26,480
Speaker 19: really like raised them because fathers, you know, we can

1397
00:57:26,560 --> 00:57:28,800
Speaker 19: really get like we still got this stigma on this,

1398
00:57:28,920 --> 00:57:30,640
Speaker 19: you know what I'm saying, And I get the same

1399
00:57:30,720 --> 00:57:32,560
Speaker 19: inspiration when I see your.

1400
00:57:32,440 --> 00:57:35,360
Speaker 4: Family king and be gonna have his family matching.

1401
00:57:35,480 --> 00:57:39,640
Speaker 19: They gonna be sitting there having like we designing the pajamas.

1402
00:57:40,360 --> 00:57:41,360
Speaker 7: It's Christmas.

1403
00:57:41,720 --> 00:57:44,200
Speaker 9: Doing the best Christmas card. We don't care what the

1404
00:57:44,200 --> 00:57:46,280
Speaker 9: car dash is doing. We got the best Christmas card.

1405
00:57:46,960 --> 00:57:47,800
Speaker 9: I can see all that.

1406
00:57:47,920 --> 00:57:49,680
Speaker 19: It has me like, yo, we gotta give you know,

1407
00:57:49,760 --> 00:57:52,640
Speaker 19: and be really putting it down on this. In Mexico

1408
00:57:52,800 --> 00:57:54,120
Speaker 19: they got all the same, you know what I'm saying.

1409
00:57:54,120 --> 00:57:56,520
Speaker 19: So it's it all, it all goes around, you know

1410
00:57:56,520 --> 00:57:58,560
Speaker 19: what I'm saying. It's as far as like you know,

1411
00:57:58,680 --> 00:58:01,680
Speaker 19: the things that are important, and it's like I think that

1412
00:58:01,760 --> 00:58:04,280
Speaker 19: the thing black fathers have been able to get over

1413
00:58:04,320 --> 00:58:07,520
Speaker 19: the last couple of years is this this this unity

1414
00:58:07,560 --> 00:58:11,240
Speaker 19: and camaraderie. As far as like yeah, now we we

1415
00:58:11,240 --> 00:58:14,200
Speaker 19: we we playing a part in this tube, Mama. You

1416
00:58:14,200 --> 00:58:16,520
Speaker 19: know what I'm saying, We got this too. But it's

1417
00:58:16,600 --> 00:58:19,680
Speaker 19: just like you know, we we we learned it though

1418
00:58:19,760 --> 00:58:22,080
Speaker 19: from the black from the from the black woman or

1419
00:58:22,120 --> 00:58:22,920
Speaker 19: the woman period.

1420
00:58:22,920 --> 00:58:23,520
Speaker 7: You know what I'm saying.

1421
00:58:24,040 --> 00:58:25,680
Speaker 19: You know, I learned it from the black woman, but

1422
00:58:25,760 --> 00:58:28,200
Speaker 19: you know, the woman has taught us how to be

1423
00:58:28,200 --> 00:58:29,600
Speaker 19: better fathers.

1424
00:58:29,680 --> 00:58:32,080
Speaker 7: And are we going to see the versus?

1425
00:58:32,360 --> 00:58:34,200
Speaker 19: Yeah, I think I think that you'll say you'll see

1426
00:58:34,240 --> 00:58:35,960
Speaker 19: that when when it's set up. I think I think

1427
00:58:36,000 --> 00:58:39,000
Speaker 19: that it's good. Like JD, it'll be fun because we

1428
00:58:39,040 --> 00:58:41,280
Speaker 19: both make records that are in the frequency. You know

1429
00:58:41,320 --> 00:58:43,640
Speaker 19: what I'm saying. And then and then you know, I

1430
00:58:43,640 --> 00:58:46,280
Speaker 19: would I would like to after that. I would like

1431
00:58:46,320 --> 00:58:49,960
Speaker 19: to see me and Doctor Dre dance or whoever whoever

1432
00:58:50,000 --> 00:58:51,600
Speaker 19: else wants to dance, wants to dance.

1433
00:58:51,640 --> 00:58:53,040
Speaker 4: I think it's nothing but positive.

1434
00:58:53,400 --> 00:58:56,160
Speaker 19: Getting your music and displaying your music out there with people,

1435
00:58:56,240 --> 00:58:58,880
Speaker 19: It's it's all. It just makes everything sharp, you know

1436
00:58:58,920 --> 00:58:59,320
Speaker 19: what I'm saying.

1437
00:59:00,040 --> 00:59:03,160
Speaker 7: Would it just be just how do you say you

1438
00:59:03,200 --> 00:59:04,800
Speaker 7: want Dre next? If you want d next to me

1439
00:59:04,880 --> 00:59:07,040
Speaker 7: is j D and Diddy, R and B and remixes.

1440
00:59:07,720 --> 00:59:11,160
Speaker 19: I'm not gonna lie. You have so many styles. I

1441
00:59:11,160 --> 00:59:12,600
Speaker 19: can hit you with stuff that I hit you from

1442
00:59:12,640 --> 00:59:15,480
Speaker 19: Burning Boys, last album that I had did. I can

1443
00:59:15,600 --> 00:59:17,840
Speaker 19: hit you with early Mary J Blid stuff. I can

1444
00:59:17,920 --> 00:59:19,720
Speaker 19: hit you a artists that you never even knew that.

1445
00:59:19,960 --> 00:59:22,720
Speaker 19: I mean, I have so many different styles. But you

1446
00:59:22,760 --> 00:59:25,000
Speaker 19: know that's that's that's really where we're.

1447
00:59:24,800 --> 00:59:28,520
Speaker 13: Atadies and gentlemen, Sean Yeah Love Yeah.

1448
00:59:28,560 --> 00:59:30,680
Speaker 9: The album is out right yeah right now.

1449
00:59:31,200 --> 00:59:34,440
Speaker 7: Is really good, like really really good. It's very very problem.

1450
00:59:34,560 --> 00:59:37,280
Speaker 20: You can't call him that call him what what what

1451
00:59:37,400 --> 00:59:37,880
Speaker 20: did you say?

1452
00:59:37,920 --> 00:59:38,600
Speaker 7: What is his name?

1453
00:59:39,200 --> 00:59:39,880
Speaker 9: You can't call him?

1454
00:59:39,880 --> 00:59:42,320
Speaker 20: Only one person can call him Sean Holmes and you

1455
00:59:42,360 --> 00:59:43,080
Speaker 20: are not that person.

1456
00:59:43,520 --> 00:59:45,320
Speaker 9: Too bad, you don't. You don't keep up with Diddy.

1457
00:59:45,600 --> 00:59:48,960
Speaker 20: His name is Diddy, Ladies and Gentleman Diddy.

1458
00:59:51,080 --> 00:59:53,680
Speaker 9: The album can you go get the Love album?

1459
00:59:53,760 --> 00:59:54,000
Speaker 1: Y'all?

1460
00:59:54,480 --> 00:59:58,520
Speaker 9: Yeah, Club Love, the Breakfast Club.

1461
00:59:58,640 --> 01:00:00,800
Speaker 7: Your morning's will never be the same.

1462
01:00:01,920 --> 01:00:03,840
Speaker 18: Just don't be a dunkey because right now you want some.

1463
01:00:03,800 --> 01:00:08,040
Speaker 7: Real It's time for Donkey of the Day.

1464
01:00:08,240 --> 01:00:09,640
Speaker 3: So if you ever feel I need to be a

1465
01:00:09,680 --> 01:00:11,200
Speaker 3: doctor man, hit me with the heat.

1466
01:00:12,560 --> 01:00:14,240
Speaker 9: Did doesn't?

1467
01:00:14,760 --> 01:00:17,280
Speaker 18: I had become Donkey of the day.

1468
01:00:17,600 --> 01:00:21,880
Speaker 7: The breakfast Club, bitch, Yes, Donkey Today goes to a

1469
01:00:21,960 --> 01:00:26,280
Speaker 7: Lancaster County, Pennsylvania woman named Linda Johnson. Linda Johnson is

1470
01:00:26,320 --> 01:00:29,240
Speaker 7: a former general manager at the greatest fast food restaurant

1471
01:00:29,280 --> 01:00:32,720
Speaker 7: in regards the providing comfort and that is Wendy's. Okay,

1472
01:00:32,760 --> 01:00:34,919
Speaker 7: Wendy's is the greatest of all time when it comes

1473
01:00:34,920 --> 01:00:36,760
Speaker 7: to providing comfort. I'm not here to argue with you

1474
01:00:36,840 --> 01:00:39,160
Speaker 7: all about none of this McDonald's, Chick fil A, all

1475
01:00:39,200 --> 01:00:41,160
Speaker 7: those places are cool, but when it comes to providing

1476
01:00:41,240 --> 01:00:44,400
Speaker 7: fantastic comfort food, nothing is better than Wendy's. Okay, this

1477
01:00:44,480 --> 01:00:46,480
Speaker 7: is not a commercial of not being paid to say this.

1478
01:00:46,680 --> 01:00:49,120
Speaker 7: I just have very fond memories of Wendy's because when

1479
01:00:49,120 --> 01:00:51,160
Speaker 7: I used to drive my grandma in the town back

1480
01:00:51,200 --> 01:00:53,840
Speaker 7: in the day in Monks Corner, South Carolina, that's what

1481
01:00:53,920 --> 01:00:55,960
Speaker 7: she used to like to do. Stop at Wendy's and

1482
01:00:56,000 --> 01:00:58,800
Speaker 7: she wanted her fries and she wanted them hot. Okay,

1483
01:00:58,800 --> 01:01:01,200
Speaker 7: and Wendy's to this day still provides me that sense

1484
01:01:01,200 --> 01:01:04,160
Speaker 7: of comfort. Now Linda is facing a felony charge of

1485
01:01:04,240 --> 01:01:08,120
Speaker 7: theft by deception. Oh, she is the number one scammer. Okay,

1486
01:01:08,160 --> 01:01:09,720
Speaker 7: I can't lie to y'all. I love hearing about a

1487
01:01:09,760 --> 01:01:13,480
Speaker 7: creative scam. There's a reason they call people scam artists,

1488
01:01:13,520 --> 01:01:16,360
Speaker 7: because the scam artist knows how to paint a pretty picture.

1489
01:01:16,360 --> 01:01:18,240
Speaker 7: They have to be creative artists in order to get

1490
01:01:18,280 --> 01:01:19,960
Speaker 7: you to do what it is they want you to do.

1491
01:01:20,200 --> 01:01:23,000
Speaker 7: And Linda has painted a pretty picture. She actually did

1492
01:01:23,400 --> 01:01:25,320
Speaker 7: one of the most creative scams I've seen in a

1493
01:01:25,320 --> 01:01:27,520
Speaker 7: long time. Would you like to know what Linda has done.

1494
01:01:27,600 --> 01:01:28,959
Speaker 7: Let's go to ABC News for the report.

1495
01:01:29,000 --> 01:01:32,400
Speaker 21: Police former general manager out of Wendy's and like Sir County,

1496
01:01:32,480 --> 01:01:35,360
Speaker 21: was found stealing from the store. According to an audit,

1497
01:01:35,800 --> 01:01:39,680
Speaker 21: Linda Johnson allegedly checked in and out as a fake

1498
01:01:39,800 --> 01:01:42,720
Speaker 21: employee for over a year from July twenty twenty one

1499
01:01:42,760 --> 01:01:46,480
Speaker 21: to April twenty twenty two. Offici will say that the

1500
01:01:46,480 --> 01:01:50,760
Speaker 21: theft amounted almost twenty thousand dollars. Documents from the investigation

1501
01:01:50,880 --> 01:01:54,880
Speaker 21: say that Johnson admitted to creating the fake employee and

1502
01:01:54,920 --> 01:01:57,240
Speaker 21: that the paychecks went to her cash app.

1503
01:01:57,800 --> 01:02:02,200
Speaker 7: Linda Johnson created fake employee, clocked in and out as

1504
01:02:02,200 --> 01:02:04,640
Speaker 7: a ghost employee, and had the paychecks go to her

1505
01:02:04,720 --> 01:02:07,040
Speaker 7: bank account. And that's why she's getting donkey here to

1506
01:02:07,120 --> 01:02:08,960
Speaker 7: day to day. Why would you have these checks go

1507
01:02:09,040 --> 01:02:12,080
Speaker 7: to your account. You don't have a cousin, a friend,

1508
01:02:12,320 --> 01:02:14,600
Speaker 7: You couldn't open up an LLC. I'm not encouraging you

1509
01:02:14,680 --> 01:02:16,240
Speaker 7: to do the crime at all, but if you're going

1510
01:02:16,280 --> 01:02:18,160
Speaker 7: to do the crime, I mean, damn, if you're going

1511
01:02:18,200 --> 01:02:21,120
Speaker 7: to scam, the key to scamming is not getting caught, Okay,

1512
01:02:21,160 --> 01:02:23,160
Speaker 7: The key to scamming is to not have a paper

1513
01:02:23,280 --> 01:02:26,560
Speaker 7: or digital trail that leads right to you. Now, let

1514
01:02:26,640 --> 01:02:29,640
Speaker 7: me tell you my favorite part of this story. Okay,

1515
01:02:29,640 --> 01:02:33,720
Speaker 7: I was reading this. When other managers were questioned about

1516
01:02:34,240 --> 01:02:38,720
Speaker 7: the worker okay, the ghost worker, police said some could

1517
01:02:38,720 --> 01:02:44,040
Speaker 7: not remember working with them, while one manager reported that

1518
01:02:44,080 --> 01:02:46,880
Speaker 7: they met him once. Can we stop right here and

1519
01:02:46,920 --> 01:02:51,640
Speaker 7: play a game of guess what race it is? Now?

1520
01:02:51,640 --> 01:02:53,360
Speaker 7: We're not playing a game a guess what race it is?

1521
01:02:53,400 --> 01:02:55,480
Speaker 7: For Linda Johnson. Okay, I don't care what race he is.

1522
01:02:55,480 --> 01:02:56,920
Speaker 7: I don't even know what race she is, but I

1523
01:02:57,000 --> 01:02:59,320
Speaker 7: want to know what race do y'all think this person

1524
01:02:59,560 --> 01:03:03,840
Speaker 7: was who just lied about meeting an employee who never existed.

1525
01:03:03,880 --> 01:03:05,960
Speaker 7: He said he met him one time. Let me repeat

1526
01:03:06,000 --> 01:03:09,080
Speaker 7: the story. Linda Johnson, general manager and Wendy's created a

1527
01:03:09,080 --> 01:03:12,200
Speaker 7: ghost employee, an employee that never existed. She got about

1528
01:03:12,240 --> 01:03:14,800
Speaker 7: twenty grands into her bank account. When other managers were

1529
01:03:14,840 --> 01:03:17,240
Speaker 7: questioned about the fake worker, they said they could not

1530
01:03:17,320 --> 01:03:21,760
Speaker 7: remember working with them, while one manager just one volunteered

1531
01:03:21,760 --> 01:03:24,360
Speaker 7: a lie and reported that they met this person that

1532
01:03:24,400 --> 01:03:25,360
Speaker 7: didn't exist once.

1533
01:03:25,640 --> 01:03:28,640
Speaker 9: Willie D guess what race it is?

1534
01:03:30,400 --> 01:03:37,760
Speaker 7: Oh man? That's hard, ah, that sounds like it could

1535
01:03:37,800 --> 01:03:42,520
Speaker 7: be anybody, but it could be any race. But just

1536
01:03:42,560 --> 01:03:44,720
Speaker 7: say it, Willie. I know it's on the tip of

1537
01:03:44,760 --> 01:03:46,760
Speaker 7: your top. I know you don't want to do it, but.

1538
01:03:46,640 --> 01:03:48,880
Speaker 9: No, you know, I'm just gonna say white, just because

1539
01:03:48,920 --> 01:03:49,720
Speaker 9: I blame everything.

1540
01:03:52,600 --> 01:03:58,520
Speaker 7: I'm envy. Linda Johnson created a fake worker at Wendy's

1541
01:03:58,560 --> 01:04:01,360
Speaker 7: and collected twenty grand and other managers were questioned about

1542
01:04:01,360 --> 01:04:03,280
Speaker 7: the fake worker, they said they could not remember working

1543
01:04:03,320 --> 01:04:06,120
Speaker 7: with them, while one volunteerer line and reported that they

1544
01:04:06,240 --> 01:04:08,520
Speaker 7: met this person that didn't exist once. Envy.

1545
01:04:08,800 --> 01:04:11,240
Speaker 9: Guess what race it is?

1546
01:04:11,960 --> 01:04:14,240
Speaker 7: I know you want to say what Willy wanted to say,

1547
01:04:15,080 --> 01:04:17,000
Speaker 7: but Willy didn't want to say it.

1548
01:04:17,360 --> 01:04:23,120
Speaker 22: We don't know the name of its Say it Asian. It's

1549
01:04:23,120 --> 01:04:25,600
Speaker 22: the black man looking out for the black sister. You

1550
01:04:25,600 --> 01:04:27,560
Speaker 22: know what I'm saying.

1551
01:04:27,760 --> 01:04:30,320
Speaker 7: See see see I get why we we feel that

1552
01:04:30,360 --> 01:04:32,000
Speaker 7: way over when you think about all the times white

1553
01:04:32,000 --> 01:04:34,840
Speaker 7: people have made up mysterious black figures to pen crimes

1554
01:04:34,880 --> 01:04:37,640
Speaker 7: on okay, and in light of Calie Russell lying about

1555
01:04:37,680 --> 01:04:39,760
Speaker 7: seeing that baby on the side of the highway, you know,

1556
01:04:39,800 --> 01:04:41,600
Speaker 7: I can understand why even we would even think it

1557
01:04:41,640 --> 01:04:44,400
Speaker 7: was black. I don't know what race this person is,

1558
01:04:45,240 --> 01:04:48,080
Speaker 7: but I feel like this was one of us, okay,

1559
01:04:48,280 --> 01:04:50,560
Speaker 7: because we why do we like to lie for no

1560
01:04:50,720 --> 01:04:53,400
Speaker 7: damn reason at all? We tell each other we five

1561
01:04:53,440 --> 01:04:56,040
Speaker 7: minutes away, when we haven't even gotten in the shower yet. Fact,

1562
01:04:56,160 --> 01:04:57,640
Speaker 7: we pick up the phone and tell each other we're

1563
01:04:57,640 --> 01:04:59,720
Speaker 7: gonna call you right back, going damn well, you're not

1564
01:04:59,720 --> 01:05:01,720
Speaker 7: gonna all back and till you remember. A week later,

1565
01:05:02,120 --> 01:05:04,480
Speaker 7: we tell each other, hey, man, we need to connect.

1566
01:05:04,560 --> 01:05:07,080
Speaker 7: Let's go do lunch or something, knowing damn well, we

1567
01:05:07,200 --> 01:05:09,520
Speaker 7: have no plans to do none of that. Why do

1568
01:05:09,600 --> 01:05:11,280
Speaker 7: you know I do this to people on purpose? I

1569
01:05:11,360 --> 01:05:13,680
Speaker 7: do this in conversation sometime. I just be talking, right,

1570
01:05:13,720 --> 01:05:15,280
Speaker 7: I just want to see y'all full of cock hot

1571
01:05:15,320 --> 01:05:17,440
Speaker 7: somebody is right, I'll be talking. I'd be like, you

1572
01:05:17,480 --> 01:05:20,880
Speaker 7: know Ricky right, knowing damn well, Ricky don't exist, and

1573
01:05:20,920 --> 01:05:22,480
Speaker 7: we be quick to be like, yeah, yeah, yeah, I

1574
01:05:22,480 --> 01:05:22,880
Speaker 7: know Ricky.

1575
01:05:22,920 --> 01:05:23,439
Speaker 9: I know Ricky.

1576
01:05:23,440 --> 01:05:25,800
Speaker 7: I was just with him last week. God damn Ricky,

1577
01:05:26,120 --> 01:05:28,320
Speaker 7: you know, damn well, you never met this person once

1578
01:05:28,440 --> 01:05:31,400
Speaker 7: because this person doesn't exist. But for whatever reason, you

1579
01:05:31,520 --> 01:05:33,760
Speaker 7: just decided to tell the powers that be At Wendy's

1580
01:05:33,800 --> 01:05:37,000
Speaker 7: you met this person once, you putting yourself into a situation,

1581
01:05:37,360 --> 01:05:40,760
Speaker 7: making yourself a witness to something that Linda already admitted

1582
01:05:40,800 --> 01:05:43,960
Speaker 7: the police she did. She said during a video call

1583
01:05:43,960 --> 01:05:46,240
Speaker 7: in April that she created the employee and had to

1584
01:05:46,280 --> 01:05:48,360
Speaker 7: paycheck set up to go to her cash AFT account.

1585
01:05:48,520 --> 01:05:51,320
Speaker 7: If it was me, not only would I fire Linda,

1586
01:05:51,560 --> 01:05:53,960
Speaker 7: I would fire this coworker who decided to lie for

1587
01:05:54,040 --> 01:05:56,680
Speaker 7: no damn reason. You're not welcome here. You can't be

1588
01:05:56,760 --> 01:05:59,760
Speaker 7: trusted because I was always taught If you lie, you

1589
01:05:59,800 --> 01:06:02,560
Speaker 7: will steal. And the fine folks that Wendy's ain't got

1590
01:06:02,600 --> 01:06:05,160
Speaker 7: no time for no more thiefs. Please give Linda Johnson

1591
01:06:05,160 --> 01:06:08,120
Speaker 7: the sweet songs and the Hamiltons. Oh no, you are

1592
01:06:08,160 --> 01:06:09,160
Speaker 7: the dog.

1593
01:06:11,200 --> 01:06:20,920
Speaker 15: Of the day.

1594
01:06:18,040 --> 01:06:23,080
Speaker 9: All the day.

1595
01:06:20,160 --> 01:06:26,960
Speaker 7: Ye we really like to lie for no reason. It's

1596
01:06:27,000 --> 01:06:30,080
Speaker 7: the Breakfast Club. Good morning, the Breakfast Club.

1597
01:06:32,120 --> 01:06:32,400
Speaker 21: Morning.

1598
01:06:32,440 --> 01:06:36,120
Speaker 13: Everybody is the dj n V charlamagnea god Jess hilarious.

1599
01:06:36,120 --> 01:06:38,040
Speaker 9: We are the Breakfast Club and we got a special

1600
01:06:38,080 --> 01:06:41,800
Speaker 9: guests in the buildings right caught it be mody be.

1601
01:06:42,080 --> 01:06:47,920
Speaker 10: By a baddy, You're no howm feeling you honest? Be

1602
01:06:47,960 --> 01:06:51,440
Speaker 10: honest like I'm sad because I really have planned this

1603
01:06:51,480 --> 01:06:53,520
Speaker 10: weeknd and everything, and all of a sudden, I wake

1604
01:06:53,600 --> 01:06:55,520
Speaker 10: up like, yeah, what the hell going on?

1605
01:06:55,560 --> 01:06:57,320
Speaker 15: Like my stomach is killing me.

1606
01:06:57,560 --> 01:07:00,920
Speaker 10: Like bubble guts, like bubble guts like ole gods, nothing

1607
01:07:00,960 --> 01:07:03,560
Speaker 10: want to come out anything, Like I'm like stressed because

1608
01:07:03,600 --> 01:07:05,520
Speaker 10: like what time is it? I hope by at least

1609
01:07:05,520 --> 01:07:07,880
Speaker 10: by twelve o'clock something come out. And I'm like, I

1610
01:07:07,960 --> 01:07:09,000
Speaker 10: like relieve, So what.

1611
01:07:08,960 --> 01:07:10,320
Speaker 7: Do you do? And knowing if you got to pooping

1612
01:07:10,360 --> 01:07:11,960
Speaker 7: you out in public? Body, you can't just pull up

1613
01:07:11,960 --> 01:07:12,880
Speaker 7: in the McDonald's and nothing.

1614
01:07:13,200 --> 01:07:16,680
Speaker 15: Yes, for who why would not? I stay with wet

1615
01:07:16,720 --> 01:07:19,000
Speaker 15: wipes Jesus Christ. I stayed with.

1616
01:07:19,360 --> 01:07:23,040
Speaker 10: Web wives and hand sanitizer, like I'm a mom, so

1617
01:07:23,080 --> 01:07:25,440
Speaker 10: you have to have that, like because because your kids

1618
01:07:25,480 --> 01:07:28,080
Speaker 10: want to anytime unexpected.

1619
01:07:28,240 --> 01:07:29,280
Speaker 15: So and also me.

1620
01:07:29,360 --> 01:07:33,040
Speaker 9: Like it might not be the food though, Cardy, I

1621
01:07:33,080 --> 01:07:35,200
Speaker 9: don't know what it is. Maybe it could be number three.

1622
01:07:35,560 --> 01:07:41,160
Speaker 10: Yeah, they're definitely know there number three, number three after

1623
01:07:41,320 --> 01:07:43,680
Speaker 10: if after I'm go on tour. I definitely want to

1624
01:07:43,680 --> 01:07:45,600
Speaker 10: have a baby, like have another one. Yeah, I want

1625
01:07:45,600 --> 01:07:46,080
Speaker 10: to have another one.

1626
01:07:46,080 --> 01:07:46,920
Speaker 9: How many kids do you want?

1627
01:07:47,280 --> 01:07:48,040
Speaker 15: Like at least four?

1628
01:07:48,360 --> 01:07:50,680
Speaker 7: Four? What do you think will come out first? Your

1629
01:07:50,680 --> 01:07:51,240
Speaker 7: second album.

1630
01:07:51,760 --> 01:07:55,200
Speaker 9: Start Christ, Jesus.

1631
01:07:55,000 --> 01:07:58,080
Speaker 15: Christ, my second album is gonna come out. I have to,

1632
01:07:58,240 --> 01:08:00,080
Speaker 15: I have to, I have to.

1633
01:08:00,600 --> 01:08:02,600
Speaker 7: When is the question what people want this year?

1634
01:08:02,960 --> 01:08:05,360
Speaker 15: Next year, next year, next early next year?

1635
01:08:05,360 --> 01:08:07,280
Speaker 13: Can we congraduate Carding on her single she got a

1636
01:08:07,280 --> 01:08:15,560
Speaker 13: single that's out today yet Love It is bungos Well always.

1637
01:08:15,160 --> 01:08:16,920
Speaker 15: The beat, you know what I'm saying. Like at first,

1638
01:08:16,920 --> 01:08:18,680
Speaker 15: it's always like you hear the beat and it's like, oh,

1639
01:08:18,720 --> 01:08:20,920
Speaker 15: I like this be like I really like this beat.

1640
01:08:21,280 --> 01:08:23,720
Speaker 10: It's funk, but it kind of reminds me of them

1641
01:08:23,760 --> 01:08:26,920
Speaker 10: Bow definitely, it reminds me of them Bow. But it's

1642
01:08:26,960 --> 01:08:31,479
Speaker 10: really funk. Like technically is funk. So you know that

1643
01:08:32,080 --> 01:08:35,440
Speaker 10: up town, you know, I'll find.

1644
01:08:37,680 --> 01:08:41,600
Speaker 7: I'll take you.

1645
01:08:39,840 --> 01:08:43,960
Speaker 10: You you be outside, you be outside, don't be outside.

1646
01:08:44,760 --> 01:08:48,679
Speaker 15: You don't be outside. I gotta take you outside before.

1647
01:08:48,720 --> 01:08:50,040
Speaker 7: That's the style of music.

1648
01:08:50,120 --> 01:08:52,200
Speaker 10: Yeah, it's the style of music. It's a Dominican style

1649
01:08:52,200 --> 01:08:55,120
Speaker 10: of music. But like, technically really is funk.

1650
01:08:55,280 --> 01:08:57,080
Speaker 15: So but I just I just love. I just love

1651
01:08:57,160 --> 01:08:57,479
Speaker 15: to beat.

1652
01:08:57,720 --> 01:08:59,920
Speaker 10: I start working on the song, but it's like a

1653
01:09:00,160 --> 01:09:02,840
Speaker 10: lot of empty spaces. There's a lot of empty spaces.

1654
01:09:03,040 --> 01:09:05,519
Speaker 10: I tried to feel the empty spaces like you know,

1655
01:09:05,560 --> 01:09:07,559
Speaker 10: like just me rapping and rapping and rapping and rapping,

1656
01:09:07,760 --> 01:09:09,880
Speaker 10: and they just felt like a long ass song like

1657
01:09:09,920 --> 01:09:12,320
Speaker 10: they just needed dynamic. So me and my team, like

1658
01:09:12,360 --> 01:09:15,240
Speaker 10: my team wanted to go like more like Latin artists.

1659
01:09:15,400 --> 01:09:18,519
Speaker 10: And I was like, I hear Megan. I hear Megan.

1660
01:09:18,880 --> 01:09:19,760
Speaker 15: I hear Megan on it.

1661
01:09:19,840 --> 01:09:21,519
Speaker 10: They're like, really you don't see it, like you see

1662
01:09:21,520 --> 01:09:24,759
Speaker 10: this like like more Latin. I'm like, no, I see Megan,

1663
01:09:25,080 --> 01:09:27,000
Speaker 10: and then like exactly what I was like hearing in

1664
01:09:27,040 --> 01:09:27,360
Speaker 10: my head.

1665
01:09:27,400 --> 01:09:28,120
Speaker 15: I sent her the.

1666
01:09:28,040 --> 01:09:32,200
Speaker 10: Song exactly what I was envisioning in my head. Like

1667
01:09:32,240 --> 01:09:35,200
Speaker 10: when she like when she I got her like verse back,

1668
01:09:35,280 --> 01:09:37,719
Speaker 10: it was like, you see, this is what I was envisioning.

1669
01:09:37,760 --> 01:09:38,439
Speaker 15: And they just.

1670
01:09:39,800 --> 01:09:41,479
Speaker 7: You scared the team of a Megan again because WAP

1671
01:09:41,560 --> 01:09:43,120
Speaker 7: was such a massive record.

1672
01:09:43,840 --> 01:09:45,720
Speaker 10: Oh yeah, of course, of course, Like that's why I

1673
01:09:45,720 --> 01:09:48,680
Speaker 10: haven't like I definitely, but I feel like this was

1674
01:09:48,720 --> 01:09:54,160
Speaker 10: like good and like when she sent the her verse,

1675
01:09:54,240 --> 01:09:55,920
Speaker 10: I was like, oh, I feel like this is a

1676
01:09:55,960 --> 01:09:58,120
Speaker 10: super like I feel like this is a good like

1677
01:09:59,000 --> 01:09:59,639
Speaker 10: come to dust.

1678
01:10:00,120 --> 01:10:02,439
Speaker 13: You feel like too much pressure, everybody asking you to

1679
01:10:02,439 --> 01:10:04,639
Speaker 13: do your second album. You put out these these verses

1680
01:10:04,720 --> 01:10:07,439
Speaker 13: and you killing these verses. You like these verses up.

1681
01:10:07,600 --> 01:10:10,200
Speaker 13: But everybody's keep saying I love it. Where's the album?

1682
01:10:10,200 --> 01:10:10,519
Speaker 7: I love it?

1683
01:10:10,520 --> 01:10:12,559
Speaker 9: But the album you put too much pressure on yourself.

1684
01:10:13,040 --> 01:10:15,120
Speaker 10: Oh, I do put a lot of pressure on myself,

1685
01:10:15,160 --> 01:10:16,080
Speaker 10: Like I really really do.

1686
01:10:16,160 --> 01:10:18,400
Speaker 15: Like let me tell you something, like I just feel

1687
01:10:18,400 --> 01:10:19,599
Speaker 15: like I don't like nothing I hear.

1688
01:10:19,720 --> 01:10:23,360
Speaker 10: I feel like I listen, like forty beats sound the same.

1689
01:10:23,680 --> 01:10:26,759
Speaker 10: I don't know because everything sounds the same or every

1690
01:10:27,040 --> 01:10:29,880
Speaker 10: like it's like sometimes everything sounds the same, and then

1691
01:10:29,920 --> 01:10:31,880
Speaker 10: like when it's too different, it's like a that's too

1692
01:10:31,880 --> 01:10:33,679
Speaker 10: different for me, Like that is just too different.

1693
01:10:33,960 --> 01:10:35,960
Speaker 15: So I don't know what I be looking for. What

1694
01:10:36,000 --> 01:10:37,400
Speaker 15: I be looking for, I don't know what it is.

1695
01:10:37,800 --> 01:10:41,280
Speaker 10: But like once like something catch my eye and I

1696
01:10:41,360 --> 01:10:45,000
Speaker 10: really like when my eyes my sound my eyes right.

1697
01:10:45,280 --> 01:10:46,720
Speaker 13: But even like I like it like that they said

1698
01:10:46,760 --> 01:10:48,800
Speaker 13: you didn't love it, love it, and that became one

1699
01:10:48,800 --> 01:10:50,200
Speaker 13: of the biggest record chamber records.

1700
01:10:50,280 --> 01:10:52,639
Speaker 10: Yeah, I mean I do take risks like I do

1701
01:10:52,680 --> 01:10:53,360
Speaker 10: take risks.

1702
01:10:53,600 --> 01:10:54,000
Speaker 9: I don't know.

1703
01:10:54,040 --> 01:10:55,640
Speaker 10: It's just like a lot of pressure on it. But

1704
01:10:55,960 --> 01:10:59,360
Speaker 10: I feel confident. I have a lot of songs. Y'all

1705
01:10:59,400 --> 01:11:02,439
Speaker 10: could come back. I could hear something cause and that's

1706
01:11:02,439 --> 01:11:04,720
Speaker 10: another thing too, like I'm gonna leave. I feel like

1707
01:11:04,760 --> 01:11:06,639
Speaker 10: I need like everybody's like opinion, like what'd you think?

1708
01:11:06,680 --> 01:11:08,080
Speaker 15: What do you think? What you think? And that kind

1709
01:11:08,080 --> 01:11:08,280
Speaker 15: of be.

1710
01:11:08,240 --> 01:11:10,200
Speaker 10: Driving me crazy too, but like I don't know why

1711
01:11:10,160 --> 01:11:11,200
Speaker 10: I've been needing it.

1712
01:11:11,160 --> 01:11:15,160
Speaker 7: Though it's fun? Is it still fun when I.

1713
01:11:15,080 --> 01:11:17,519
Speaker 10: Find like something that I like. When it's something that

1714
01:11:17,560 --> 01:11:20,639
Speaker 10: I like, is fun. But then but then sometimes even

1715
01:11:20,640 --> 01:11:23,120
Speaker 10: when I like something and like people don't like it,

1716
01:11:23,120 --> 01:11:25,240
Speaker 10: it doesn't become fun. Like it's like, damn, I was

1717
01:11:25,280 --> 01:11:27,240
Speaker 10: really vibing with this and it's like y'all like it

1718
01:11:27,360 --> 01:11:28,800
Speaker 10: now now it's not fun.

1719
01:11:28,840 --> 01:11:29,320
Speaker 15: Now I'm mad.

1720
01:11:29,800 --> 01:11:32,400
Speaker 20: So but people don't like every it's like they're gonna

1721
01:11:32,400 --> 01:11:35,600
Speaker 20: find something wrong with whatever. So it don't matter. But

1722
01:11:35,640 --> 01:11:37,600
Speaker 20: it I just gotta make sense to you. Let me

1723
01:11:37,640 --> 01:11:40,120
Speaker 20: ask you, this, is it pressure because it's so many

1724
01:11:40,160 --> 01:11:43,160
Speaker 20: more women now like dropping here and all the time, Like,

1725
01:11:43,240 --> 01:11:45,760
Speaker 20: but is that pressure it being so many women in rap?

1726
01:11:46,400 --> 01:11:46,679
Speaker 15: No?

1727
01:11:46,840 --> 01:11:47,320
Speaker 18: Not really.

1728
01:11:47,479 --> 01:11:50,519
Speaker 10: I'm so used to like working with like a lot

1729
01:11:50,520 --> 01:11:53,320
Speaker 10: of women, Like I never like being like in the

1730
01:11:53,439 --> 01:11:56,080
Speaker 10: environment that's like, yeah, I'm kind of like the only

1731
01:11:56,120 --> 01:11:59,000
Speaker 10: ones so and now I always knew this. I always

1732
01:11:59,080 --> 01:12:01,719
Speaker 10: knew this. I always knew after me there was gonna

1733
01:12:01,760 --> 01:12:04,960
Speaker 10: be more girls. Yeah, I know it was gonna.

1734
01:12:05,000 --> 01:12:06,920
Speaker 15: I wasn't gonna. I know, it wasn't gonna like just

1735
01:12:07,040 --> 01:12:07,400
Speaker 15: end with.

1736
01:12:07,400 --> 01:12:10,439
Speaker 10: Me, because it's like if I made it, I know

1737
01:12:10,479 --> 01:12:12,280
Speaker 10: there's gonna be more, but that's gonna make it. And

1738
01:12:12,360 --> 01:12:15,400
Speaker 10: like the Internet and everything, like it's like this this

1739
01:12:15,560 --> 01:12:17,519
Speaker 10: I already I already I already saw this, Like I

1740
01:12:17,560 --> 01:12:19,200
Speaker 10: saw this like back in like I don't know, like

1741
01:12:19,520 --> 01:12:20,640
Speaker 10: the seventeen.

1742
01:12:20,240 --> 01:12:22,040
Speaker 13: I saw this what you do, but you're also doing

1743
01:12:22,040 --> 01:12:23,519
Speaker 13: something that a lot of people didn't do when you

1744
01:12:23,520 --> 01:12:26,439
Speaker 13: were coming up. You'll find the hot new person or

1745
01:12:26,479 --> 01:12:28,400
Speaker 13: a young artist and you'll give them the opportunity and

1746
01:12:28,400 --> 01:12:30,680
Speaker 13: give them a verse, which a lot of people didn't do.

1747
01:12:30,880 --> 01:12:32,960
Speaker 7: And I was gonna add something that Jay and Drake

1748
01:12:33,000 --> 01:12:35,640
Speaker 7: did great. Yeah I think I say Cardy did that

1749
01:12:35,720 --> 01:12:37,240
Speaker 7: for female. Absolutely.

1750
01:12:37,400 --> 01:12:40,439
Speaker 9: I was gonna ask does the competition fuel you? And

1751
01:12:40,520 --> 01:12:41,599
Speaker 9: it could be friendly competition.

1752
01:12:41,640 --> 01:12:42,840
Speaker 13: I mean every time you get on the verse, so

1753
01:12:43,000 --> 01:12:45,200
Speaker 13: get on the record with somebody, is that the way

1754
01:12:45,240 --> 01:12:46,559
Speaker 13: you think, like, oh I gotta eat.

1755
01:12:46,360 --> 01:12:50,200
Speaker 7: Her, you know what I mean? Oh god, damn, I

1756
01:12:50,200 --> 01:12:50,800
Speaker 7: don't I don't.

1757
01:12:50,880 --> 01:12:52,519
Speaker 15: I don't really feel like I gotta eat.

1758
01:12:52,600 --> 01:12:54,360
Speaker 10: I don't really like feel like I gotta like eat

1759
01:12:54,360 --> 01:12:56,000
Speaker 10: like all right, like for example, right like it's like

1760
01:12:56,240 --> 01:12:58,599
Speaker 10: if I have a song, right and then like you

1761
01:12:58,640 --> 01:13:01,200
Speaker 10: send me your verse and like you rapping your ass off,

1762
01:13:01,439 --> 01:13:05,000
Speaker 10: I'm still not changing my verse. I'm not changing it

1763
01:13:05,040 --> 01:13:07,200
Speaker 10: because I feel like they're like this.

1764
01:13:06,800 --> 01:13:08,880
Speaker 15: This is what I'm going for, this is what I'm thinking.

1765
01:13:08,880 --> 01:13:11,559
Speaker 10: However, I don't want to like also never like ruin

1766
01:13:11,880 --> 01:13:14,599
Speaker 10: nobody else like song or anything.

1767
01:13:14,640 --> 01:13:15,559
Speaker 7: But people do it all the time.

1768
01:13:15,560 --> 01:13:17,400
Speaker 13: We've heard you know, I think nah said he changed

1769
01:13:17,400 --> 01:13:19,120
Speaker 13: the verse when he got a verse back, and you

1770
01:13:19,160 --> 01:13:20,960
Speaker 13: hear it all the time, so you never said, nah,

1771
01:13:20,960 --> 01:13:21,280
Speaker 13: I got it.

1772
01:13:21,320 --> 01:13:23,160
Speaker 7: Which ones you're playing with? You like, who's been your

1773
01:13:23,160 --> 01:13:24,920
Speaker 7: favorite female rapper to collaborate with?

1774
01:13:25,400 --> 01:13:27,840
Speaker 10: I really like them all, I really, I really, I

1775
01:13:27,880 --> 01:13:29,680
Speaker 10: really like them all. And every song that I like,

1776
01:13:29,840 --> 01:13:32,160
Speaker 10: I got like on like I got on it because

1777
01:13:32,200 --> 01:13:34,960
Speaker 10: I just really really really really liked that song. Like

1778
01:13:35,040 --> 01:13:37,280
Speaker 10: I love the song and it's like I feel like

1779
01:13:37,320 --> 01:13:39,840
Speaker 10: I could hear myself on it. There's a lot of

1780
01:13:39,960 --> 01:13:43,040
Speaker 10: there's a lot of songs like I get songs send

1781
01:13:43,040 --> 01:13:45,280
Speaker 10: to me all the time. But I feel like it's

1782
01:13:45,320 --> 01:13:47,040
Speaker 10: like some songs, I just feel like I feel like

1783
01:13:47,080 --> 01:13:48,880
Speaker 10: I can't do nothing for the song. Like it's like

1784
01:13:49,160 --> 01:13:51,320
Speaker 10: I don't feel like I could do like a verse

1785
01:13:51,360 --> 01:13:54,640
Speaker 10: that like I'm like confident in so it's just like

1786
01:13:54,680 --> 01:13:57,040
Speaker 10: and I just be like no, and it's like I

1787
01:13:57,080 --> 01:13:59,320
Speaker 10: feel like the song is great, so I don't even

1788
01:13:59,360 --> 01:14:00,719
Speaker 10: want to like yeah.

1789
01:14:00,600 --> 01:14:03,880
Speaker 20: Like it you just say, drill into style, what's that?

1790
01:14:04,000 --> 01:14:05,360
Speaker 20: And now what's that one song?

1791
01:14:05,640 --> 01:14:09,000
Speaker 10: And I told you, oh my god, that song is

1792
01:14:09,040 --> 01:14:11,679
Speaker 10: so crazy. I heard, Yeah, that song is so crazy.

1793
01:14:11,720 --> 01:14:13,880
Speaker 10: I was like, and that's my that's my style, that's

1794
01:14:13,920 --> 01:14:16,160
Speaker 10: my temple, because some temples like I just cannot keep up,

1795
01:14:16,240 --> 01:14:18,080
Speaker 10: like like it's like you know that when I first

1796
01:14:18,080 --> 01:14:20,920
Speaker 10: heard Munch and everything, Yeah, I love the song, I

1797
01:14:20,960 --> 01:14:23,360
Speaker 10: love to Be and everything. Then I was I was gonna.

1798
01:14:24,200 --> 01:14:27,519
Speaker 10: I was like, you know, like doing the remix and right, yeah,

1799
01:14:27,560 --> 01:14:29,400
Speaker 10: I did averse, but it's like I feel like I

1800
01:14:29,640 --> 01:14:30,880
Speaker 10: felt like I was fighting.

1801
01:14:30,560 --> 01:14:35,240
Speaker 20: The beat, like I.

1802
01:14:33,360 --> 01:14:36,800
Speaker 10: Can't like the be but just the reasons was then

1803
01:14:36,840 --> 01:14:39,960
Speaker 10: I was like, listen, I don't want to song much

1804
01:14:40,280 --> 01:14:46,679
Speaker 10: like I gotta eat. I get it, I get it,

1805
01:14:46,760 --> 01:14:48,880
Speaker 10: but like I was wind milling, and it's like if

1806
01:14:48,880 --> 01:14:50,479
Speaker 10: I can't keep up with something like it's like I'm

1807
01:14:50,520 --> 01:14:52,120
Speaker 10: not gonna play myself and I don't want to like

1808
01:14:52,200 --> 01:14:52,840
Speaker 10: ruin it, like you.

1809
01:14:52,800 --> 01:14:54,720
Speaker 15: Know, like when somebody get on the song and it's

1810
01:14:54,760 --> 01:14:56,360
Speaker 15: like you read the song.

1811
01:14:56,960 --> 01:15:01,200
Speaker 9: Out here now, I like you Tomorrow killed Tomorrow?

1812
01:15:01,560 --> 01:15:05,680
Speaker 15: Oh yeah, I And you love Florida. You remind me

1813
01:15:05,720 --> 01:15:08,080
Speaker 15: of my best friend, like I love her.

1814
01:15:08,479 --> 01:15:09,360
Speaker 18: I love her.

1815
01:15:09,400 --> 01:15:11,160
Speaker 9: We got more with Cardy B. When we come back,

1816
01:15:11,200 --> 01:15:11,639
Speaker 9: don't move.

1817
01:15:11,720 --> 01:15:12,479
Speaker 7: It's the breakfast Club.

1818
01:15:12,520 --> 01:15:16,400
Speaker 13: Good morning morning. Everybody is j NV Charlamagne to God,

1819
01:15:16,600 --> 01:15:19,040
Speaker 13: just hilarious. We are the breakfast Club. We're still kicking

1820
01:15:19,160 --> 01:15:22,200
Speaker 13: with Cardi B. Well, first of all, how is marriage married?

1821
01:15:22,360 --> 01:15:25,000
Speaker 13: Is it difficult because you know, he's a celebrity and

1822
01:15:25,040 --> 01:15:27,280
Speaker 13: you're a celebrity, and it's like when he defends you,

1823
01:15:27,320 --> 01:15:29,639
Speaker 13: it's bigger because he is a celebrity. So if somebody

1824
01:15:29,640 --> 01:15:32,519
Speaker 13: says something and he defends you, it's bigger because it's

1825
01:15:32,600 --> 01:15:33,040
Speaker 13: it's set.

1826
01:15:33,080 --> 01:15:34,280
Speaker 7: You know what I mean? Does that bother you?

1827
01:15:34,320 --> 01:15:36,480
Speaker 9: Does that take a toll on your marriage relationship?

1828
01:15:36,840 --> 01:15:39,799
Speaker 10: You know what takes a toll on me? What takes

1829
01:15:39,800 --> 01:15:42,479
Speaker 10: a toll on me? A lot of people don't like me.

1830
01:15:42,840 --> 01:15:46,720
Speaker 10: So when people attack him because he's like attached to me,

1831
01:15:46,960 --> 01:15:49,760
Speaker 10: I don't like that. I guess it's like, well, other

1832
01:15:49,800 --> 01:15:51,720
Speaker 10: than that, like I love being married and like we

1833
01:15:52,040 --> 01:15:54,640
Speaker 10: are a partnership, like you know you is like to

1834
01:15:54,680 --> 01:15:58,320
Speaker 10: be married. It's just like it feels different, like it

1835
01:15:58,520 --> 01:16:01,680
Speaker 10: just it feels different than like a relationship. It just

1836
01:16:01,720 --> 01:16:05,000
Speaker 10: really feels like a unions, like I got your back,

1837
01:16:05,200 --> 01:16:07,080
Speaker 10: you got my back, no matter what.

1838
01:16:07,360 --> 01:16:09,679
Speaker 9: Do you feel like you shared too much of social media?

1839
01:16:09,800 --> 01:16:12,720
Speaker 15: It was just one time. It was just crazy that

1840
01:16:13,240 --> 01:16:14,000
Speaker 15: it was just one.

1841
01:16:13,800 --> 01:16:18,720
Speaker 10: Time because was gone, we was drunk, popplishing you you

1842
01:16:18,720 --> 01:16:19,280
Speaker 10: you wanna do that?

1843
01:16:19,600 --> 01:16:19,800
Speaker 5: Do that?

1844
01:16:19,840 --> 01:16:21,720
Speaker 15: Oh no, I'm gonna be just do it you really

1845
01:16:22,840 --> 01:16:25,240
Speaker 15: now you're stupid. Now I'm gonna really violate you.

1846
01:16:25,400 --> 01:16:27,439
Speaker 7: So you said that, tell.

1847
01:16:27,360 --> 01:16:30,160
Speaker 13: People you cheer for somebody cheating on me, and then

1848
01:16:30,200 --> 01:16:33,200
Speaker 13: you then you explained it. CARDI goes, how could I cheat?

1849
01:16:33,200 --> 01:16:36,080
Speaker 13: I can never go anywhere with anybody. Y'all explain it.

1850
01:16:36,280 --> 01:16:38,680
Speaker 13: The next day, y'all in parents hold their hands at

1851
01:16:38,720 --> 01:16:39,240
Speaker 13: the fashion show.

1852
01:16:39,280 --> 01:16:43,320
Speaker 9: I'm like, like, this is the Bronx, this is the Bronx.

1853
01:16:43,360 --> 01:16:45,439
Speaker 15: Love we ghettle. We really really ghetto.

1854
01:16:45,439 --> 01:16:47,080
Speaker 10: I ain't gonna front like everybody used to be, like, oh,

1855
01:16:47,200 --> 01:16:48,559
Speaker 10: like we've been trying to be perfect.

1856
01:16:48,560 --> 01:16:49,840
Speaker 15: I ain't gonna be front like we ghetto.

1857
01:16:51,840 --> 01:16:54,320
Speaker 7: Always want to be married young, Yeah okay.

1858
01:16:54,200 --> 01:16:56,320
Speaker 15: Yeah, I always wanted. I always want to be married,

1859
01:16:56,360 --> 01:16:57,439
Speaker 15: like I always want to be married.

1860
01:16:57,600 --> 01:16:57,720
Speaker 1: Who.

1861
01:16:57,880 --> 01:17:00,280
Speaker 15: I always feel like everybody everybody want like the marriage.

1862
01:17:00,040 --> 01:17:00,519
Speaker 3: And the kids.

1863
01:17:00,960 --> 01:17:02,360
Speaker 15: I just really can't believe I got it.

1864
01:17:02,680 --> 01:17:03,040
Speaker 1: Yeah.

1865
01:17:03,360 --> 01:17:05,920
Speaker 7: I feel like there's a number for Cardy. If Cardi

1866
01:17:06,000 --> 01:17:07,760
Speaker 7: get a certain amount of money, she walking away from

1867
01:17:07,760 --> 01:17:11,840
Speaker 7: all this. No music, okay, no, no.

1868
01:17:11,880 --> 01:17:13,840
Speaker 15: Like I feel like music is just like the engine,

1869
01:17:13,880 --> 01:17:14,840
Speaker 15: Like I just love it.

1870
01:17:14,840 --> 01:17:17,880
Speaker 10: Like I feel like I enjoy though, like doing music,

1871
01:17:17,960 --> 01:17:20,800
Speaker 10: like I enjoy performing for real, like I love to

1872
01:17:21,160 --> 01:17:24,320
Speaker 10: like like I just love to be out there, like

1873
01:17:24,400 --> 01:17:25,240
Speaker 10: I get like a rush.

1874
01:17:25,360 --> 01:17:27,120
Speaker 15: But it's and it's like you can't perform if you

1875
01:17:27,160 --> 01:17:29,280
Speaker 15: don't really have music. So I have to always do music.

1876
01:17:29,439 --> 01:17:31,120
Speaker 15: I love doing music.

1877
01:17:31,200 --> 01:17:34,040
Speaker 10: It's just sometimes it's just like this feels like a

1878
01:17:34,120 --> 01:17:36,920
Speaker 10: job now. So it's just like and so much pressure

1879
01:17:37,040 --> 01:17:39,000
Speaker 10: just drive you crazy. I just want to I want

1880
01:17:39,000 --> 01:17:41,000
Speaker 10: to be in that state where I was, like in

1881
01:17:41,040 --> 01:17:43,320
Speaker 10: twenty sixty to eighteen.

1882
01:17:43,479 --> 01:17:46,800
Speaker 7: It was just like, ah, excite, what made you walk

1883
01:17:46,840 --> 01:17:49,200
Speaker 7: away from that movie that you were supposed to start the.

1884
01:17:49,240 --> 01:17:53,439
Speaker 10: Music the album to this, Yeah, like doing like movies

1885
01:17:53,479 --> 01:17:57,280
Speaker 10: and everything. It's really like a ten am to like

1886
01:17:57,439 --> 01:17:59,840
Speaker 10: one am yep, oh my god.

1887
01:18:00,280 --> 01:18:04,479
Speaker 15: So it's like it's really like a job, like a job, job, job, like.

1888
01:18:03,960 --> 01:18:06,479
Speaker 10: Like like when I do music and like when I perform,

1889
01:18:06,600 --> 01:18:09,080
Speaker 10: like it's like a rush, like it's like a fun rush.

1890
01:18:09,479 --> 01:18:12,320
Speaker 10: Like this is really like it's intense.

1891
01:18:13,160 --> 01:18:17,400
Speaker 20: That's what they say when the film come out and

1892
01:18:17,439 --> 01:18:19,240
Speaker 20: you see you know, you see yourself.

1893
01:18:19,200 --> 01:18:20,000
Speaker 15: Like it is.

1894
01:18:20,200 --> 01:18:22,400
Speaker 10: You know, like I was like, you know, taking acting

1895
01:18:22,439 --> 01:18:24,920
Speaker 10: lessons and everything, like it's like I have one struggle.

1896
01:18:25,280 --> 01:18:28,439
Speaker 15: It was to cry. Like my teacher was like like.

1897
01:18:28,479 --> 01:18:30,640
Speaker 10: My teacher was like think of the time like that

1898
01:18:30,760 --> 01:18:31,760
Speaker 10: you went through this, this and that.

1899
01:18:31,840 --> 01:18:35,599
Speaker 15: I'm like, I don't feel nothing.

1900
01:18:35,640 --> 01:18:36,960
Speaker 7: When's the last time you cried for really?

1901
01:18:37,120 --> 01:18:37,320
Speaker 21: Yeah?

1902
01:18:37,400 --> 01:18:39,679
Speaker 15: Really, I mean I've been crying, you know what I'm saying.

1903
01:18:39,680 --> 01:18:40,799
Speaker 15: I'll be crying, but it's.

1904
01:18:40,720 --> 01:18:44,440
Speaker 23: Just like on the spot, on the spot, like.

1905
01:18:44,040 --> 01:18:45,720
Speaker 15: Like like on the s like I'm gonna laugh.

1906
01:18:47,160 --> 01:18:48,320
Speaker 7: I'm not gonna do it. You're not gonna do that.

1907
01:18:48,479 --> 01:18:50,000
Speaker 10: I'm gonna do it as soon as soon as I

1908
01:18:50,080 --> 01:18:51,960
Speaker 10: go touring and everything.

1909
01:18:51,600 --> 01:18:52,320
Speaker 15: And all that stuff.

1910
01:18:52,640 --> 01:18:55,240
Speaker 7: You get to it four years from now.

1911
01:18:55,479 --> 01:18:57,280
Speaker 15: No, no, I saw the guy's not gonna be four years.

1912
01:18:57,360 --> 01:18:58,280
Speaker 7: It's been five since.

1913
01:18:58,640 --> 01:18:58,800
Speaker 12: You know.

1914
01:19:00,040 --> 01:19:01,200
Speaker 15: I have no choice. I have no choice.

1915
01:19:01,280 --> 01:19:03,320
Speaker 7: I like it. I don't think you should rush to

1916
01:19:03,320 --> 01:19:04,240
Speaker 7: put out another album.

1917
01:19:04,360 --> 01:19:05,920
Speaker 20: Did you have the name for the album yet?

1918
01:19:06,040 --> 01:19:06,200
Speaker 7: No?

1919
01:19:07,520 --> 01:19:09,720
Speaker 15: Kind of sort of yeah, kind of sort of. I

1920
01:19:09,760 --> 01:19:11,880
Speaker 15: don't know, Like, I don't know if I like it

1921
01:19:11,920 --> 01:19:12,320
Speaker 15: too much?

1922
01:19:12,439 --> 01:19:13,599
Speaker 7: What is it? Tell us?

1923
01:19:13,680 --> 01:19:15,120
Speaker 15: I can't. I can't tell you because.

1924
01:19:16,520 --> 01:19:19,040
Speaker 9: If I throw it out there, Oh no, you can't.

1925
01:19:19,160 --> 01:19:20,120
Speaker 20: You can't just throw it out there.

1926
01:19:20,200 --> 01:19:21,880
Speaker 4: Let me see if we like it, throw it out there.

1927
01:19:23,080 --> 01:19:24,760
Speaker 7: We'll beleeve it, we'll believe it.

1928
01:19:24,960 --> 01:19:27,479
Speaker 15: No, I can't say believe.

1929
01:19:27,479 --> 01:19:30,879
Speaker 7: I'm calling what's next for mss bardy everything.

1930
01:19:32,200 --> 01:19:33,040
Speaker 15: I'm back.

1931
01:19:33,080 --> 01:19:35,519
Speaker 7: I'm back to what we don't believe. You don't have

1932
01:19:35,640 --> 01:19:37,920
Speaker 7: so many big records that hit number one. We thought

1933
01:19:37,920 --> 01:19:38,880
Speaker 7: this album was coming.

1934
01:19:39,280 --> 01:19:41,600
Speaker 10: Yeah, but oh my gosh, like we went through like

1935
01:19:41,640 --> 01:19:43,439
Speaker 10: a whole pandemic, Like give me a freak.

1936
01:19:43,479 --> 01:19:47,880
Speaker 7: You drop the number one record easily, and you have time.

1937
01:19:51,439 --> 01:19:53,959
Speaker 10: I really didn't want to jump an album around the Pandemic,

1938
01:19:53,960 --> 01:19:57,320
Speaker 10: because I really wanted to tour right after. I wasn't

1939
01:19:57,360 --> 01:20:00,479
Speaker 10: able to tour right after my first album, like I

1940
01:20:00,520 --> 01:20:02,479
Speaker 10: could even do a lot of music videos because I

1941
01:20:02,520 --> 01:20:04,800
Speaker 10: was like pregnant and everything, Like I want to like

1942
01:20:04,880 --> 01:20:08,080
Speaker 10: drop my album and be able to go touring right away.

1943
01:20:08,439 --> 01:20:10,320
Speaker 15: So that was that.

1944
01:20:10,760 --> 01:20:13,160
Speaker 10: Then I had a baby. Then I just like was

1945
01:20:13,200 --> 01:20:16,080
Speaker 10: just going through like you know, I was just yeah, chilling.

1946
01:20:16,160 --> 01:20:19,680
Speaker 10: But now it's just like I'm back outside and you.

1947
01:20:19,760 --> 01:20:21,280
Speaker 7: Got an album driving next year?

1948
01:20:21,360 --> 01:20:21,719
Speaker 15: Yeah?

1949
01:20:21,800 --> 01:20:24,040
Speaker 7: What quarter? Body?

1950
01:20:24,600 --> 01:20:25,160
Speaker 4: What quarter?

1951
01:20:25,720 --> 01:20:28,320
Speaker 15: I'm looking for the first quarter?

1952
01:20:28,720 --> 01:20:30,400
Speaker 7: Sum are you? Are you? Are you? There? Are you?

1953
01:20:30,439 --> 01:20:30,599
Speaker 1: Clo?

1954
01:20:32,280 --> 01:20:36,400
Speaker 7: Spring Summer? You don't have to drop a second album.

1955
01:20:36,560 --> 01:20:41,200
Speaker 15: But I have I have it. I have it. I

1956
01:20:41,240 --> 01:20:42,440
Speaker 15: have it.

1957
01:20:42,720 --> 01:20:44,120
Speaker 7: I believe she got a song. I believe you got

1958
01:20:44,160 --> 01:20:44,840
Speaker 7: a bunch of songs.

1959
01:20:45,120 --> 01:20:46,240
Speaker 15: No, but I have it.

1960
01:20:46,280 --> 01:20:46,880
Speaker 20: Though I have it.

1961
01:20:47,000 --> 01:20:48,479
Speaker 18: You have that, Yeah, I have.

1962
01:20:48,560 --> 01:20:50,000
Speaker 15: I have my vision and everything.

1963
01:20:50,200 --> 01:20:51,040
Speaker 7: You know what you wanted.

1964
01:20:51,200 --> 01:20:52,639
Speaker 15: I know what I want everything.

1965
01:20:52,680 --> 01:20:55,479
Speaker 20: Okay, CARDI your fashion and we're not getting a line.

1966
01:20:55,680 --> 01:20:56,679
Speaker 20: Your fashion is crazy.

1967
01:20:57,000 --> 01:20:58,439
Speaker 15: I'm gonna give it. I'm gonna give me a little

1968
01:20:58,439 --> 01:20:59,960
Speaker 15: sun signed man some.

1969
01:21:03,320 --> 01:21:07,480
Speaker 7: The Breakfast Club. It's Kyee the Breakfast Club.

1970
01:21:09,240 --> 01:21:11,360
Speaker 9: Morning. Everybody, It's the j MV.

1971
01:21:11,600 --> 01:21:14,000
Speaker 13: Charlomagne to God, we are the Breakfast Club. This is

1972
01:21:14,040 --> 01:21:16,800
Speaker 13: a best of today. Charlemagne and I are out, but

1973
01:21:17,320 --> 01:21:18,719
Speaker 13: we have to do Past the Aux.

1974
01:21:18,800 --> 01:21:22,080
Speaker 9: We got to congratulate Nyla. Nyla is his Past the

1975
01:21:22,160 --> 01:21:23,280
Speaker 9: Ouks show.

1976
01:21:23,400 --> 01:21:23,880
Speaker 7: Last week.

1977
01:21:23,920 --> 01:21:27,000
Speaker 13: It was successful and everybody had an amazing time, So

1978
01:21:27,120 --> 01:21:28,240
Speaker 13: congratulations to you.

1979
01:21:28,479 --> 01:21:30,840
Speaker 23: Thank you guys. It was really really dope. Shout out

1980
01:21:30,880 --> 01:21:33,479
Speaker 23: to everybody who pulled up and supported. Shout out to

1981
01:21:33,520 --> 01:21:36,320
Speaker 23: all the artists who went and networked and got to connect,

1982
01:21:36,960 --> 01:21:39,400
Speaker 23: and shout out to all the people who hit the stage.

1983
01:21:39,720 --> 01:21:45,000
Speaker 23: Nate Taylor, Cokee, Carl Chi Chi, Thoks, Jehovah, Childish Major,

1984
01:21:45,640 --> 01:21:48,320
Speaker 23: and of course my brother Friday for coming through.

1985
01:21:48,439 --> 01:21:50,360
Speaker 7: And the beauty of it is. Nihla is doing another

1986
01:21:50,400 --> 01:21:51,480
Speaker 7: one next month.

1987
01:21:51,640 --> 01:21:54,760
Speaker 23: Okay, yeah, October twentieth, Safe Day. It's gonna be an

1988
01:21:54,840 --> 01:21:56,840
Speaker 23: R and B night. So it's all R and B

1989
01:21:56,960 --> 01:21:59,920
Speaker 23: ACX down to the openers as well, and I'm just

1990
01:22:00,160 --> 01:22:03,640
Speaker 23: excited because we just have a lot of dope opportunities

1991
01:22:03,680 --> 01:22:07,000
Speaker 23: for upcoming artists to expand, like their brands personally through

1992
01:22:07,040 --> 01:22:07,639
Speaker 23: Past the Ox.

1993
01:22:08,760 --> 01:22:09,760
Speaker 18: More to come, More to come.

1994
01:22:09,920 --> 01:22:11,759
Speaker 9: So let's jump right into it. Past the Ox.

1995
01:22:21,200 --> 01:22:22,479
Speaker 7: It's time for past They.

1996
01:22:27,560 --> 01:22:32,320
Speaker 9: Yeah, DJ comes comes, all right, where are we starting?

1997
01:22:32,479 --> 01:22:32,800
Speaker 9: All right?

1998
01:22:32,840 --> 01:22:35,879
Speaker 23: This week we're gonna start in Brooklyn with Sleepy Harlow's

1999
01:22:35,920 --> 01:22:38,240
Speaker 23: new joint featuring Doc Is called Anxiety.

2000
01:22:38,360 --> 01:22:39,200
Speaker 5: I love this record.

2001
01:22:39,240 --> 01:22:40,760
Speaker 18: I feel like mentally I'm here.

2002
01:22:41,479 --> 01:22:43,200
Speaker 7: I need to get Sleepy Hollow to come perform that

2003
01:22:43,240 --> 01:22:45,240
Speaker 7: at the Mental Health Expo this year. That's hard, So

2004
01:22:45,280 --> 01:22:46,120
Speaker 7: he'd want to come up here.

2005
01:22:46,120 --> 01:22:47,519
Speaker 13: He's been trying to come up here, but we couldn't

2006
01:22:47,560 --> 01:22:49,759
Speaker 13: do it because of you know, we've been moving and shaking.

2007
01:22:49,760 --> 01:22:51,479
Speaker 13: But he wants to come up here and talk about

2008
01:22:51,520 --> 01:22:52,840
Speaker 13: some of the stuff that he's been going through.

2009
01:22:52,840 --> 01:22:54,880
Speaker 9: Shot the Skin in Puerto Rican Rob. They've been trying

2010
01:22:54,880 --> 01:22:55,519
Speaker 9: to get him up here.

2011
01:22:55,520 --> 01:22:59,920
Speaker 7: So and I got a salute because man, man, don't

2012
01:23:00,080 --> 01:23:02,320
Speaker 7: she in. Dojah Cat to me makes some of the

2013
01:23:02,320 --> 01:23:04,439
Speaker 7: best music out there. And I'm not even talking about

2014
01:23:04,479 --> 01:23:06,920
Speaker 7: just as far as women artists, I'm just somebody in general.

2015
01:23:07,000 --> 01:23:07,519
Speaker 5: That's a fact.

2016
01:23:07,520 --> 01:23:09,960
Speaker 7: They're really fantastic artists, both of them.

2017
01:23:10,160 --> 01:23:13,519
Speaker 23: Well, speaking up, taking up, we got Dojiah Cat another

2018
01:23:13,560 --> 01:23:15,799
Speaker 23: single off of her album called Ballot.

2019
01:23:16,040 --> 01:23:16,960
Speaker 5: I think I'm saying that.

2020
01:23:16,920 --> 01:23:19,400
Speaker 7: Right, Dosia Cat is out hip hopping everybody.

2021
01:23:19,720 --> 01:23:21,080
Speaker 18: You hear me out hip hopping.

2022
01:23:21,200 --> 01:23:24,519
Speaker 13: She's out everybody, She's killing.

2023
01:23:24,560 --> 01:23:24,920
Speaker 7: I love it.

2024
01:23:25,000 --> 01:23:26,720
Speaker 9: I love those' music. Those should be putting on some

2025
01:23:26,720 --> 01:23:27,200
Speaker 9: dope music.

2026
01:23:27,240 --> 01:23:29,639
Speaker 7: The production she chooses, the way she's in her rap bag.

2027
01:23:29,840 --> 01:23:32,760
Speaker 7: She's out hip hopping everybody, and she's outrolling everybody on

2028
01:23:32,800 --> 01:23:34,400
Speaker 7: social media.

2029
01:23:34,600 --> 01:23:37,559
Speaker 23: That is true, out rapping and outro For those who

2030
01:23:37,600 --> 01:23:40,880
Speaker 23: are saying that she's not a rapper, I just feel like, yeah,

2031
01:23:40,920 --> 01:23:41,920
Speaker 23: she's definitely a rapper.

2032
01:23:43,160 --> 01:23:45,280
Speaker 7: I don't think she's out rapping everybody. I think she's

2033
01:23:45,280 --> 01:23:47,200
Speaker 7: out hip hopping, out rapping a lot of people. But

2034
01:23:47,240 --> 01:23:51,440
Speaker 7: she's she can rap, but she's not, she's she's lopper.

2035
01:23:52,640 --> 01:23:55,280
Speaker 7: It's the way. It's the production she chooses. Man, she's

2036
01:23:55,320 --> 01:23:57,000
Speaker 7: out very very nineties.

2037
01:23:57,560 --> 01:23:57,720
Speaker 15: You know.

2038
01:23:57,800 --> 01:23:59,719
Speaker 23: I want to talk to mouse about this because mouss

2039
01:23:59,760 --> 01:24:01,439
Speaker 23: for a and down that she is not a rapper.

2040
01:24:01,560 --> 01:24:05,800
Speaker 7: She's a rappers. It's like she's not What is his reason?

2041
01:24:05,840 --> 01:24:06,760
Speaker 7: Because she sings.

2042
01:24:06,479 --> 01:24:09,000
Speaker 23: And yeah, I think it's like she's a pop stars

2043
01:24:09,040 --> 01:24:10,840
Speaker 23: and it's like what is Drake is a rapper or

2044
01:24:10,880 --> 01:24:11,479
Speaker 23: a pop star?

2045
01:24:11,600 --> 01:24:13,720
Speaker 7: What is Nicki Mina? Like like that's the thing. Like

2046
01:24:13,760 --> 01:24:15,920
Speaker 7: people rap and they sing. Now she's a rapper and

2047
01:24:15,920 --> 01:24:18,120
Speaker 7: they pop his pop culture. So yes, most hip hop

2048
01:24:18,240 --> 01:24:20,519
Speaker 7: artists are pop artists, but those just a rapper.

2049
01:24:20,640 --> 01:24:21,840
Speaker 5: I agree, all right?

2050
01:24:21,880 --> 01:24:24,280
Speaker 23: And then lastly, I'm gonna take it to Atlanta with

2051
01:24:24,360 --> 01:24:27,679
Speaker 23: Domani in his new record call Sleep It Off Been Dope.

2052
01:24:28,240 --> 01:24:28,479
Speaker 18: Sure?

2053
01:24:28,520 --> 01:24:30,080
Speaker 7: Did he say do you smell? Do I smell like

2054
01:24:30,120 --> 01:24:31,080
Speaker 7: my father when you hug me?

2055
01:24:31,320 --> 01:24:31,599
Speaker 21: Yes?

2056
01:24:31,720 --> 01:24:33,880
Speaker 15: How would that girl know what he talked to?

2057
01:24:33,920 --> 01:24:34,320
Speaker 23: His mom?

2058
01:24:34,560 --> 01:24:34,720
Speaker 7: Oh?

2059
01:24:34,800 --> 01:24:35,240
Speaker 9: His mom?

2060
01:24:35,360 --> 01:24:37,439
Speaker 7: Okay, okay, okay, okay, okay, got you got you got

2061
01:24:37,800 --> 01:24:38,800
Speaker 7: video for it is well.

2062
01:24:38,920 --> 01:24:40,240
Speaker 23: I don't know if it was a full video or

2063
01:24:40,280 --> 01:24:42,000
Speaker 23: just a clip that he posted, but it's really cool.

2064
01:24:42,040 --> 01:24:44,360
Speaker 23: He has like a girl doing ballet dancing while he's

2065
01:24:44,360 --> 01:24:46,439
Speaker 23: playing the piano. I don't know, it's pretty artistic.

2066
01:24:47,080 --> 01:24:49,439
Speaker 7: The money Been Dope, like he's actually really really dope.

2067
01:24:49,600 --> 01:24:51,439
Speaker 7: You know, I don't. I don't think you think it's

2068
01:24:51,600 --> 01:24:54,519
Speaker 7: t I shadow you think people can't separate him from

2069
01:24:54,560 --> 01:24:56,479
Speaker 7: being sha We think it is.

2070
01:24:56,600 --> 01:24:59,200
Speaker 18: I think it's just time. I like his stuff.

2071
01:24:59,240 --> 01:24:59,879
Speaker 23: So I think.

2072
01:25:01,360 --> 01:25:03,000
Speaker 13: Go get to a point where a lot of his

2073
01:25:03,040 --> 01:25:04,840
Speaker 13: fans are not even gonna know. They not even know

2074
01:25:05,040 --> 01:25:05,719
Speaker 13: if his music.

2075
01:25:05,800 --> 01:25:06,360
Speaker 18: That's what I think.

2076
01:25:06,560 --> 01:25:08,240
Speaker 7: Yeah, yeah, yeah, it's the only a matter of time

2077
01:25:08,280 --> 01:25:08,920
Speaker 7: for somebody.

2078
01:25:08,680 --> 01:25:10,960
Speaker 23: Like the Money, and his sound is completely different from

2079
01:25:10,960 --> 01:25:13,559
Speaker 23: way different. So I don't even I don't even bring

2080
01:25:13,600 --> 01:25:16,040
Speaker 23: that up. Or so yeah, that's what I got. Makes

2081
01:25:16,160 --> 01:25:19,479
Speaker 23: you guys, download the Past the Aucs playlist. It's available

2082
01:25:19,560 --> 01:25:21,360
Speaker 23: on Apple Music. You can get to it by clicking

2083
01:25:21,360 --> 01:25:23,479
Speaker 23: the link in my bio on Instagram at n Y

2084
01:25:23,680 --> 01:25:26,000
Speaker 23: l A S Y M O N E E.

2085
01:25:26,240 --> 01:25:27,960
Speaker 7: And the next Past the Augs Live will be win

2086
01:25:28,160 --> 01:25:29,040
Speaker 7: October twentieth.

2087
01:25:29,120 --> 01:25:29,800
Speaker 5: Makes you guys are there.

2088
01:25:29,800 --> 01:25:31,479
Speaker 23: It's an R and B night, so you know, bring

2089
01:25:31,520 --> 01:25:33,960
Speaker 23: your lady and you know if you single too. We

2090
01:25:34,040 --> 01:25:35,720
Speaker 23: got some of the songs for y'all to don't worry.

2091
01:25:35,760 --> 01:25:36,559
Speaker 23: It's a little bit of everything.

2092
01:25:36,640 --> 01:25:38,280
Speaker 13: Yeah, I seen videos one of our producers up here.

2093
01:25:38,320 --> 01:25:40,280
Speaker 13: Brandon looked like he was having an amazing time.

2094
01:25:40,360 --> 01:25:43,639
Speaker 23: Brandon was turned. I heard Brandon was really really turned.

2095
01:25:43,640 --> 01:25:46,800
Speaker 23: He actually disappeared on us. We're like, it's Brandon, Okay,

2096
01:25:46,920 --> 01:25:48,880
Speaker 23: told y'all he was going. I heard though, Nah, he

2097
01:25:48,880 --> 01:25:49,639
Speaker 23: ain't telling me.

2098
01:25:51,840 --> 01:25:54,160
Speaker 7: Within these streets. I gotta go. You didn't want to

2099
01:25:54,200 --> 01:25:56,400
Speaker 7: go no after party, knowing nothing He was spoken, Oh

2100
01:25:56,479 --> 01:25:56,920
Speaker 7: my god.

2101
01:25:57,080 --> 01:25:59,720
Speaker 18: All right, well, thank you, yes of course, and listen.

2102
01:25:59,720 --> 01:26:01,200
Speaker 7: I want to tell everybody too, man, make sure you

2103
01:26:01,240 --> 01:26:03,800
Speaker 7: check out Just Hilarious at the Cleveland Improv this weekend. Man,

2104
01:26:03,800 --> 01:26:05,880
Speaker 7: it's Luthor the Good Sister Jess. She's got two shows

2105
01:26:05,920 --> 01:26:09,080
Speaker 7: to night, two shows tomorrow. Go to Cleveland Improv dot

2106
01:26:09,120 --> 01:26:11,599
Speaker 7: com to get your tickets. All right, go check out

2107
01:26:11,680 --> 01:26:14,439
Speaker 7: Just Hilarious in Cleveland this weekend, two shows to night,

2108
01:26:14,479 --> 01:26:17,000
Speaker 7: two shows tomorrow. Go to Cleveland Improv dot com to

2109
01:26:17,120 --> 01:26:18,360
Speaker 7: get your tickets. All right.

2110
01:26:18,360 --> 01:26:19,800
Speaker 9: Now, when we come back, we got my mix to

2111
01:26:19,800 --> 01:26:20,599
Speaker 9: people's choice mixes.

2112
01:26:20,640 --> 01:26:21,160
Speaker 7: The Breakfast Club.

2113
01:26:21,200 --> 01:26:24,680
Speaker 2: Good morning, the Breakfast Club. Your mornings will never be

2114
01:26:24,840 --> 01:26:25,400
Speaker 2: the same.

2115
01:26:25,720 --> 01:26:26,639
Speaker 9: Good morning everybody.

2116
01:26:26,720 --> 01:26:29,040
Speaker 13: It's DJ NV Charlomage to god.

2117
01:26:29,080 --> 01:26:31,120
Speaker 9: We are the Breakfast Club. Now.

2118
01:26:31,120 --> 01:26:32,880
Speaker 13: It's signed for the Positive Note, Charloamonne, you got some

2119
01:26:32,920 --> 01:26:33,880
Speaker 13: positivity for the people.

2120
01:26:33,960 --> 01:26:35,439
Speaker 7: I do have a positive note. But I want to

2121
01:26:35,439 --> 01:26:37,519
Speaker 7: tell y'all, man, make sure y'all go check out our

2122
01:26:37,560 --> 01:26:40,599
Speaker 7: good sister, justse Hilarious. She's in Cleveland all weekend. She's

2123
01:26:40,600 --> 01:26:42,640
Speaker 7: got two shows to night, two shows tomorrow at the

2124
01:26:42,640 --> 01:26:45,320
Speaker 7: Cleveland Improv. You can go to Cleveland Improv dot com

2125
01:26:45,600 --> 01:26:48,960
Speaker 7: to get your tickets Just Hilarious in Cleveland Tonight two

2126
01:26:49,000 --> 01:26:52,000
Speaker 7: shows Tomorrow two shows Cleveland improv dot com to get

2127
01:26:52,040 --> 01:26:54,439
Speaker 7: your tickets. In the positive notice, simply this. It comes

2128
01:26:54,479 --> 01:26:57,360
Speaker 7: from the Great Don Miguel Ruiz. I love Don Miguel Ruiz.

2129
01:26:57,760 --> 01:27:00,760
Speaker 7: Remember this this weekend. You cannot change other people. You

2130
01:27:00,840 --> 01:27:02,760
Speaker 7: love them the way they are, or you don't. You

2131
01:27:02,840 --> 01:27:04,800
Speaker 7: accept them the way they are, or you don't. To

2132
01:27:04,840 --> 01:27:06,639
Speaker 7: try to change them to fit what you want them

2133
01:27:06,680 --> 01:27:08,360
Speaker 7: to be is like trying to change your dog for

2134
01:27:08,400 --> 01:27:11,519
Speaker 7: a cat, or a cat for a horse. Please remember that.

2135
01:27:11,880 --> 01:27:12,519
Speaker 7: Have a good weekend.

2136
01:27:12,640 --> 01:27:14,320
Speaker 9: Breakfast club bitches, you don't

2137
01:27:14,360 --> 01:27:15,280
Speaker 7: Finish or y'all done