1 00:00:00,280 --> 00:00:17,480 Speaker 1: H three, King one and whold Least Ship. We're back. 2 00:00:18,920 --> 00:00:23,840 Speaker 1: And Man, I said it before and I'm gonna say 3 00:00:23,840 --> 00:00:28,240 Speaker 1: it again. You know, there's sometimes when all the stars 4 00:00:28,320 --> 00:00:31,800 Speaker 1: and all the planets aligned and you could just feel 5 00:00:32,440 --> 00:00:36,879 Speaker 1: that a monster episode of the I m Rapp Reports 6 00:00:36,880 --> 00:00:40,720 Speaker 1: Stereo podcast is right in front of you, and I 7 00:00:40,800 --> 00:00:43,760 Speaker 1: feel like this could possibly be one of those times. 8 00:00:45,120 --> 00:00:49,680 Speaker 1: There's been so much going on in the last few weeks, 9 00:00:49,720 --> 00:00:54,080 Speaker 1: so much going on just today. Uh, so many thought, 10 00:00:54,200 --> 00:00:58,640 Speaker 1: so many opinions. I don't even know what to say. 11 00:00:58,680 --> 00:01:02,200 Speaker 1: But but but if you don't know who I am, 12 00:01:02,240 --> 00:01:06,200 Speaker 1: I am Michael Rappaport uh and my partner, the two 13 00:01:06,200 --> 00:01:09,640 Speaker 1: thousand and fifteen podcast co host of the Year. His 14 00:01:09,760 --> 00:01:14,720 Speaker 1: name is Gerald Moody. They call him g Moody. You 15 00:01:14,760 --> 00:01:18,040 Speaker 1: know that. I was out in New York City and 16 00:01:18,040 --> 00:01:21,920 Speaker 1: and a loyal listener, a man boushemy if you don't 17 00:01:21,920 --> 00:01:26,279 Speaker 1: know the Bushmi shoes. He saw Dean Moody, your brother 18 00:01:26,600 --> 00:01:30,080 Speaker 1: also rhymes with duty uh, and he thought it was you. 19 00:01:30,319 --> 00:01:35,759 Speaker 1: He he got excited like he was meeting a real celebrity. UM. 20 00:01:35,840 --> 00:01:37,160 Speaker 1: I don't know what to say. They call me the 21 00:01:37,200 --> 00:01:40,840 Speaker 1: gringo man dingo. Uh. They called me the White r 22 00:01:40,920 --> 00:01:44,000 Speaker 1: Senio Hall. My partner's name is Gerald Moody from the 23 00:01:44,000 --> 00:01:49,520 Speaker 1: Brownzel section of Brooklyn. They call him the Black Ed McMahon. Uh. 24 00:01:49,600 --> 00:01:51,840 Speaker 1: And this is the Iron Rapp Reports stereo podcast. Let's 25 00:01:51,880 --> 00:01:57,000 Speaker 1: get into something funky right now, work with all right, 26 00:01:57,520 --> 00:02:00,280 Speaker 1: ship man. I don't even know where to start. I 27 00:02:00,360 --> 00:02:02,840 Speaker 1: don't even know where to start with this one, Monetti, 28 00:02:04,160 --> 00:02:07,480 Speaker 1: but I'm gonna start with some of some sad news, uh, 29 00:02:07,520 --> 00:02:12,920 Speaker 1: the obvious. There's been so many, so many uh deaths 30 00:02:12,919 --> 00:02:17,160 Speaker 1: of so many important, great people, meaningful people. This year. 31 00:02:17,200 --> 00:02:19,400 Speaker 1: It's been it's been a crazy year. Not even just 32 00:02:19,400 --> 00:02:23,160 Speaker 1: two thousands of sixteen the last the last year and hole, 33 00:02:23,320 --> 00:02:27,079 Speaker 1: but two thousands and sixteen has been nuts. Uh. We 34 00:02:27,240 --> 00:02:29,799 Speaker 1: just learned the other day that the great soul singer 35 00:02:29,880 --> 00:02:36,679 Speaker 1: Billy Paul Uh you probably uh absolutely know the song 36 00:02:36,800 --> 00:02:43,720 Speaker 1: me and Mrs Jones, amongst others. Philadelphia singer Gambling Huff Prodigy. 37 00:02:45,800 --> 00:02:48,240 Speaker 1: His music is on the Cuff Music playlist that we 38 00:02:48,320 --> 00:02:53,680 Speaker 1: have on Spotify. K K you f f on my playlist. 39 00:02:53,760 --> 00:02:56,400 Speaker 1: It's open to the public. I think it's fifty or 40 00:02:56,400 --> 00:03:01,880 Speaker 1: fifty one soul sex bangers. If you're looking to freak off. 41 00:03:02,760 --> 00:03:05,120 Speaker 1: If you're looking to settle down, if you're looking at 42 00:03:05,200 --> 00:03:09,160 Speaker 1: commune nerves, or your lady's nerves, or your man's nerves. 43 00:03:09,400 --> 00:03:13,080 Speaker 1: You can check out the Cuff playlist on my playlist 44 00:03:13,320 --> 00:03:16,760 Speaker 1: Michael Rapports Open to the Public on Spotify. The great 45 00:03:16,800 --> 00:03:22,040 Speaker 1: Billy Paul let a good life older guy. So, uh, 46 00:03:22,200 --> 00:03:27,560 Speaker 1: you know it wasn't so sudden, so uh really really 47 00:03:27,560 --> 00:03:29,119 Speaker 1: shout out to to to the one of the great 48 00:03:29,160 --> 00:03:35,240 Speaker 1: soul singers, Billy Paul from Philly and Dwayne Pearl Washington, 49 00:03:35,360 --> 00:03:40,760 Speaker 1: who we we've talked about many times on this podcast. Uh, 50 00:03:41,040 --> 00:03:43,440 Speaker 1: New York City basketball legend. And when they say the 51 00:03:43,480 --> 00:03:48,080 Speaker 1: word legend, he's he's truly truly was a legend. The 52 00:03:48,200 --> 00:03:53,120 Speaker 1: hype and and and hysteria around Pearl Washington when he 53 00:03:53,160 --> 00:03:56,320 Speaker 1: was coming out of Boys and Girls High School, Uh 54 00:03:56,600 --> 00:03:59,200 Speaker 1: was was was crazy. This is in the eighties, so 55 00:03:59,240 --> 00:04:03,040 Speaker 1: there's no internet, there's no computers. You heard about him 56 00:04:03,080 --> 00:04:06,240 Speaker 1: before you saw him. Uh, I know he was in 57 00:04:06,280 --> 00:04:09,840 Speaker 1: the same class as Chris Rock at Boys and Girls 58 00:04:09,920 --> 00:04:13,880 Speaker 1: High School. But but more importantly, Gimonetti, you used to 59 00:04:13,920 --> 00:04:16,240 Speaker 1: see what was the first time you saw Pearl Washington 60 00:04:16,320 --> 00:04:19,200 Speaker 1: play and and explain, explain the demographics of how far 61 00:04:19,240 --> 00:04:23,320 Speaker 1: away he lived from you in in in Brooklyn. Well, 62 00:04:23,360 --> 00:04:29,279 Speaker 1: he lived, uh basically across the street from where we 63 00:04:29,400 --> 00:04:33,960 Speaker 1: used to play basketball in the park, So it wasn't far. 64 00:04:34,279 --> 00:04:38,440 Speaker 1: And when we used to play outside in the park, Uh, 65 00:04:38,600 --> 00:04:41,400 Speaker 1: Pearl used to come and play with the older guys 66 00:04:41,480 --> 00:04:43,640 Speaker 1: like World, be Free and all those guys. So we 67 00:04:43,720 --> 00:04:47,520 Speaker 1: used to see them play in the summer. Um, you know, 68 00:04:47,640 --> 00:04:51,080 Speaker 1: after our we would play, then Pearl would play with 69 00:04:51,160 --> 00:04:53,280 Speaker 1: World and all the big guys. So that's when I 70 00:04:53,440 --> 00:04:57,800 Speaker 1: first really saw him play. And it was phenomenal and 71 00:04:57,800 --> 00:04:59,839 Speaker 1: and and and like I mean a lot of times 72 00:05:00,000 --> 00:05:02,000 Speaker 1: I would miss it, like I wouldn't be there, and like, 73 00:05:02,200 --> 00:05:04,080 Speaker 1: I know you you'd see him play before I even 74 00:05:04,160 --> 00:05:07,760 Speaker 1: knew you. Like, what was it like to see him 75 00:05:07,800 --> 00:05:12,160 Speaker 1: in the front row of the park in Howard Projects 76 00:05:12,200 --> 00:05:16,120 Speaker 1: where the court was small? It was tight? Yo, This 77 00:05:16,200 --> 00:05:19,560 Speaker 1: is street basketball, Like you know, when you talk about basketball, 78 00:05:19,640 --> 00:05:22,800 Speaker 1: competitive basketball, New York City basketball, they always talk about 79 00:05:22,839 --> 00:05:25,479 Speaker 1: Rutger as they should. They always talk about West fourth 80 00:05:25,520 --> 00:05:28,200 Speaker 1: Street as they should. They always talk about Dyckman as 81 00:05:28,200 --> 00:05:30,400 Speaker 1: they should. They always talk about Soul in the Hole, 82 00:05:30,480 --> 00:05:34,880 Speaker 1: which is five minutes away from Howard. But the most competitive, 83 00:05:35,000 --> 00:05:40,480 Speaker 1: most physical, aggressive, and you know, just the the just 84 00:05:40,520 --> 00:05:44,040 Speaker 1: the competition and the skill I ever saw up close 85 00:05:44,800 --> 00:05:47,800 Speaker 1: was in Howard Park. I mean, so, so you're you 86 00:05:47,880 --> 00:05:50,320 Speaker 1: you grew up in that. What was that like? Like 87 00:05:50,440 --> 00:05:53,479 Speaker 1: watching Dwayne Pearl Washington? Like what what was that like? Like? 88 00:05:53,480 --> 00:05:56,359 Speaker 1: What do you remember as anything you specifically? Like? Was it? 89 00:05:56,400 --> 00:05:58,480 Speaker 1: Was it? Everything that you you it was cracked up 90 00:05:58,480 --> 00:06:03,080 Speaker 1: to be. It was handle, the handle, he had it. 91 00:06:03,920 --> 00:06:05,800 Speaker 1: You know. I saw I saw him in a high 92 00:06:05,839 --> 00:06:10,520 Speaker 1: school game. I saw him play in a high school game. 93 00:06:10,560 --> 00:06:14,919 Speaker 1: I man took me to see him, y'all. And the handle, 94 00:06:16,200 --> 00:06:19,680 Speaker 1: the handle was incredible, like breaking the press. One guy 95 00:06:19,839 --> 00:06:23,320 Speaker 1: breaks the press time and time again. That was a 96 00:06:23,360 --> 00:06:26,039 Speaker 1: real thing, right yeah, and they have to call it 97 00:06:26,120 --> 00:06:30,279 Speaker 1: all that happened with Georgetown, right Can you imagine that 98 00:06:30,640 --> 00:06:33,560 Speaker 1: the handle was so butter that he has to call 99 00:06:33,680 --> 00:06:38,880 Speaker 1: off the press. That's crazy. So I've seen that up 100 00:06:38,880 --> 00:06:42,320 Speaker 1: close as a little kid. I remember seeing that like 101 00:06:43,200 --> 00:06:47,839 Speaker 1: uncanny nous for handling the ball. Well, the great Pearl 102 00:06:47,880 --> 00:06:52,760 Speaker 1: Washington succumbed to brain cancer. I mean a legend, a 103 00:06:52,880 --> 00:06:57,320 Speaker 1: true legend, a true influencer when it comes to basketball. 104 00:06:57,400 --> 00:07:03,239 Speaker 1: He brought the crossover culture to the mainstream until someone 105 00:07:03,279 --> 00:07:05,320 Speaker 1: can prove me different and show me that in and 106 00:07:05,360 --> 00:07:08,760 Speaker 1: out move that Now, it's just the start of a crossover. 107 00:07:09,120 --> 00:07:11,680 Speaker 1: But and and every everybody took it and took it 108 00:07:11,720 --> 00:07:14,040 Speaker 1: to the next level. The Tim Hardaway's, the Iverson's, the 109 00:07:14,160 --> 00:07:18,120 Speaker 1: Nick van Exel's, the Kemba Walkers, the Steph Curries, the 110 00:07:18,240 --> 00:07:22,280 Speaker 1: random dudes on Instagram, the random dudes in the sixth grade. 111 00:07:22,800 --> 00:07:27,360 Speaker 1: Dwayne Pearl Washington started that ship. Uh look him up, 112 00:07:27,880 --> 00:07:30,680 Speaker 1: sad day, good guy. I know, you know I met 113 00:07:30,760 --> 00:07:33,160 Speaker 1: him a couple of times. Moody, you know you would 114 00:07:33,160 --> 00:07:35,520 Speaker 1: see him all the time, always a sweet, sweetheart of 115 00:07:35,560 --> 00:07:39,960 Speaker 1: a dude, totally humble and uh it's a sad day. 116 00:07:40,160 --> 00:07:42,760 Speaker 1: Uh you know, uh when when when he passed? Uh 117 00:07:42,800 --> 00:07:48,360 Speaker 1: Pearl Washington and of course Prince, I mean ship. So 118 00:07:48,440 --> 00:07:50,800 Speaker 1: much has been said about this guy. Uh, he's a 119 00:07:50,800 --> 00:07:55,960 Speaker 1: part of everybody's life. Um. The music, we don't even 120 00:07:56,000 --> 00:07:58,960 Speaker 1: need to discuss the the Yeah, the music, the music 121 00:07:59,000 --> 00:08:02,680 Speaker 1: speaks for itself. The funk. Yo. If you check out Prince, 122 00:08:03,120 --> 00:08:07,080 Speaker 1: he brought the funk. Like his music became popular music. 123 00:08:07,280 --> 00:08:09,280 Speaker 1: But if you look at what He started off as 124 00:08:09,320 --> 00:08:14,000 Speaker 1: it was straight funk, parliament funk, sex funk, seventies funk. 125 00:08:14,440 --> 00:08:18,080 Speaker 1: He was yeah, and and and and then he took 126 00:08:18,080 --> 00:08:20,840 Speaker 1: it to to another level and a novel, another place. 127 00:08:20,960 --> 00:08:24,840 Speaker 1: And the thing that's crazy about Prince is that you 128 00:08:24,840 --> 00:08:27,200 Speaker 1: know that that I want to talk about and celebrate 129 00:08:27,240 --> 00:08:30,040 Speaker 1: it is not just the man and the music, but 130 00:08:30,080 --> 00:08:36,840 Speaker 1: it's we lost a great American stickman. Oh, truly, truly 131 00:08:36,880 --> 00:08:41,040 Speaker 1: one of a kind Coxman. Aside from everything that one 132 00:08:41,040 --> 00:08:44,559 Speaker 1: of I mean, I mean that that's up for discussion. 133 00:08:44,679 --> 00:08:47,319 Speaker 1: He he may be one of the best of all time. 134 00:08:47,480 --> 00:08:50,800 Speaker 1: And he's definitely in top five when you think about 135 00:08:51,559 --> 00:08:54,120 Speaker 1: top five Coxman of all time. You could throw around 136 00:08:54,160 --> 00:08:58,480 Speaker 1: names at Jack Nicholson of course, uh, the great Derek Jeter, 137 00:08:59,080 --> 00:09:02,079 Speaker 1: the consummates nick Man. Uh. He did it for years 138 00:09:02,080 --> 00:09:04,320 Speaker 1: and years and years in New York. Of course, we 139 00:09:04,160 --> 00:09:08,720 Speaker 1: we we we we bowed down to Leonardo DiCaprio. Fantastic Coxman. 140 00:09:09,320 --> 00:09:14,200 Speaker 1: Um we we we We've identified Burgess Meredith, the great 141 00:09:14,240 --> 00:09:17,360 Speaker 1: Burgess Meredith, actor who played Mickey uh In in All 142 00:09:17,400 --> 00:09:20,360 Speaker 1: the Rocky Movies. Uh, one of the more under the 143 00:09:20,440 --> 00:09:26,079 Speaker 1: radar Coxman, great stickman of his era. Um, I mean, 144 00:09:26,120 --> 00:09:29,200 Speaker 1: there's so many we could point out. Matt Dillon, fantastic 145 00:09:29,280 --> 00:09:32,080 Speaker 1: stickman in the eighties and the nineties, under the radar. 146 00:09:32,120 --> 00:09:35,959 Speaker 1: They called him the stealth Attacker. He was very very 147 00:09:36,040 --> 00:09:39,320 Speaker 1: much under the radar on the cover of magazines since 148 00:09:39,320 --> 00:09:41,920 Speaker 1: he was he was a teenager. I believe his eighteenth 149 00:09:41,920 --> 00:09:44,880 Speaker 1: birthday was celebrated at Studio fifty four. God only knows 150 00:09:44,920 --> 00:09:48,439 Speaker 1: went down what went down there, Um, you know, And 151 00:09:48,440 --> 00:09:52,560 Speaker 1: there's many, many, many others. Um number one, Well, I 152 00:09:52,600 --> 00:09:57,200 Speaker 1: mean because he dressed as a woman and he got 153 00:09:57,200 --> 00:10:00,800 Speaker 1: all the women, well, he was one else a dead right. 154 00:10:01,120 --> 00:10:03,560 Speaker 1: That's a good point. That's a good point. And he 155 00:10:03,640 --> 00:10:05,520 Speaker 1: was you know, the thing about when I think about 156 00:10:05,640 --> 00:10:11,200 Speaker 1: Prince as a stickman, as a consummate stickman, is he was. 157 00:10:11,480 --> 00:10:14,720 Speaker 1: He was out of the game, you know, full, full, 158 00:10:14,920 --> 00:10:18,600 Speaker 1: full fledged. Recently, you know, he was more into his 159 00:10:18,600 --> 00:10:21,640 Speaker 1: his religion and focusing on his music, but he was 160 00:10:21,760 --> 00:10:25,560 Speaker 1: always still relevant as a coxsman, always a force to 161 00:10:25,559 --> 00:10:28,200 Speaker 1: be reckoned. Where you never knew when he would dip 162 00:10:28,280 --> 00:10:32,320 Speaker 1: his toe back into the water. You never knew when 163 00:10:32,360 --> 00:10:34,600 Speaker 1: he would come to the game with the baddest one 164 00:10:34,679 --> 00:10:37,160 Speaker 1: you ever seen, right, you you you you you never 165 00:10:37,280 --> 00:10:39,880 Speaker 1: saw him out with his homeboys, and I'm sure he 166 00:10:39,920 --> 00:10:42,080 Speaker 1: had homeboys, but when he showed up in public, it 167 00:10:42,200 --> 00:10:47,600 Speaker 1: was always with a dime piece. I mean, men, men 168 00:10:47,640 --> 00:10:51,680 Speaker 1: feared this and and and respected this. Uh. It's a 169 00:10:51,760 --> 00:10:55,520 Speaker 1: very very very Uh it's not a secret. They feared 170 00:10:55,559 --> 00:10:59,360 Speaker 1: his power and his prowess as an unbiased and then 171 00:10:59,480 --> 00:11:03,520 Speaker 1: compare Bill Stickman. Uh, definitely one of the best of 172 00:11:03,559 --> 00:11:07,439 Speaker 1: all time. The stamina and the staying power, the quality, 173 00:11:08,280 --> 00:11:13,679 Speaker 1: the quantity. Uh. For years from the late seventies through 174 00:11:13,720 --> 00:11:16,960 Speaker 1: the eighties through the nineties through the day he passed. 175 00:11:17,160 --> 00:11:23,079 Speaker 1: God bless this guy. He was always always laying some 176 00:11:23,160 --> 00:11:29,160 Speaker 1: purple pipe and unfolding the purple loaf and and and 177 00:11:29,200 --> 00:11:32,720 Speaker 1: you know, just man, what a loss to to to music. 178 00:11:33,200 --> 00:11:36,800 Speaker 1: And I'm sure to his family and friends, and rest 179 00:11:37,000 --> 00:11:41,319 Speaker 1: in peace, Prince. You your your music and your influence 180 00:11:41,720 --> 00:11:44,400 Speaker 1: and your skill set, your your your your your talent, 181 00:11:45,480 --> 00:11:48,559 Speaker 1: UH is gonna be missed. You know, you brought the funk, 182 00:11:48,800 --> 00:11:51,400 Speaker 1: he brought the noise, and he brought some of the 183 00:11:51,480 --> 00:11:54,200 Speaker 1: baddest chicks to the party. And and and he's gonna 184 00:11:54,240 --> 00:11:56,880 Speaker 1: be missed. Uh. So you know, we don't need to 185 00:11:56,880 --> 00:11:59,680 Speaker 1: discuss all the hits and all the music. Uh, we 186 00:11:59,760 --> 00:12:04,240 Speaker 1: want to celebrate the Stickman, the consummate stick Man. Uh, 187 00:12:04,679 --> 00:12:07,520 Speaker 1: number one, he's your number one. I'm not gonna argue 188 00:12:07,520 --> 00:12:10,440 Speaker 1: with that. I'm not gonna argue. Yeah, I'm not gonna 189 00:12:10,520 --> 00:12:12,240 Speaker 1: argue with that. He he was fantastic. You know. I 190 00:12:12,240 --> 00:12:15,559 Speaker 1: saw him perform once in a small venue. It was 191 00:12:15,600 --> 00:12:18,680 Speaker 1: at this place in Hollywood called the Roosevelt Hotel. It 192 00:12:18,760 --> 00:12:20,600 Speaker 1: was one of these small concerts. It was one of 193 00:12:20,600 --> 00:12:22,920 Speaker 1: these private conscious It couldn't have been more than five 194 00:12:23,360 --> 00:12:26,000 Speaker 1: people in the room. It was a room. And he 195 00:12:26,120 --> 00:12:27,920 Speaker 1: got up there and he first of all, it started 196 00:12:27,960 --> 00:12:31,080 Speaker 1: like four in the morning, which is so passed what 197 00:12:31,240 --> 00:12:33,240 Speaker 1: I'm I'm capable of doing. But I was like, I 198 00:12:33,280 --> 00:12:36,800 Speaker 1: gotta see this ship. And I remember like Eve was 199 00:12:36,840 --> 00:12:38,680 Speaker 1: in there. It was just it was just like a 200 00:12:38,760 --> 00:12:41,400 Speaker 1: bunch of people. And at one point and he's doing 201 00:12:41,440 --> 00:12:44,640 Speaker 1: all like he was just you know, going off the 202 00:12:44,679 --> 00:12:47,640 Speaker 1: dome piece. He he was. He was doing songs I 203 00:12:47,679 --> 00:12:50,559 Speaker 1: never heard of, doing covers of songs, doing you know, 204 00:12:51,080 --> 00:12:54,160 Speaker 1: some of the hits. And at one point he because 205 00:12:54,160 --> 00:12:55,920 Speaker 1: he would go through go up to people and like 206 00:12:55,960 --> 00:12:57,920 Speaker 1: while he was performing, he would like come off this 207 00:12:58,040 --> 00:13:00,480 Speaker 1: small stage and I'm saying like a small stage, Like 208 00:13:00,520 --> 00:13:02,680 Speaker 1: it was a small stage. He'd come off the small 209 00:13:02,679 --> 00:13:04,880 Speaker 1: stage and play right in front of you. And at 210 00:13:04,920 --> 00:13:10,360 Speaker 1: one point he literally came in front of me where 211 00:13:10,400 --> 00:13:12,040 Speaker 1: I didn't even have to stretch my arms out. I 212 00:13:12,080 --> 00:13:14,640 Speaker 1: could have literally with my arms half reached out in 213 00:13:14,640 --> 00:13:16,720 Speaker 1: front of me, taking the guitar out of his hand, 214 00:13:16,760 --> 00:13:19,320 Speaker 1: and he was playing that ship and I made eye 215 00:13:19,320 --> 00:13:23,080 Speaker 1: contact with him, and I was literally like panting like 216 00:13:23,120 --> 00:13:25,760 Speaker 1: a girl, like I can you because of the because 217 00:13:25,760 --> 00:13:28,840 Speaker 1: of the star power, because of of the talent, Like 218 00:13:28,880 --> 00:13:32,040 Speaker 1: the way he had that guitar in his hand, it 219 00:13:32,080 --> 00:13:34,320 Speaker 1: was like it was like that ship was one with 220 00:13:34,440 --> 00:13:37,800 Speaker 1: his body. So, I mean, everybody has a print story. 221 00:13:38,160 --> 00:13:42,040 Speaker 1: He's so. I mean, I saw this Saturday Night Live 222 00:13:42,120 --> 00:13:46,640 Speaker 1: thing they did for all the best Prince performances, and uh, 223 00:13:46,960 --> 00:13:49,800 Speaker 1: then he's just he's just gonna be missed. He's gonna 224 00:13:49,840 --> 00:13:52,800 Speaker 1: be missed, and uh, you know so so obviously we 225 00:13:53,080 --> 00:13:57,000 Speaker 1: had to we had to mention mention that the I 226 00:13:57,200 --> 00:14:03,679 Speaker 1: Am Rappaport podcast is sponsored by Casper Mattresses Casper dot com. 227 00:14:03,679 --> 00:14:06,880 Speaker 1: It's an award winning sleep start up. Go to Casper 228 00:14:06,960 --> 00:14:11,439 Speaker 1: dot Com fifty dollars off purchase of any size mattress 229 00:14:12,240 --> 00:14:14,480 Speaker 1: put in the Cold Rapp Report r A P A 230 00:14:14,640 --> 00:14:17,280 Speaker 1: p O r T Casper Mattress in New York City. 231 00:14:17,960 --> 00:14:19,840 Speaker 1: You could keep the bed for a hundred nights. You 232 00:14:19,840 --> 00:14:22,040 Speaker 1: could get your freak on for a hundred knights. If 233 00:14:22,040 --> 00:14:24,720 Speaker 1: you do not like the bed after a hundred nights, 234 00:14:25,040 --> 00:14:28,920 Speaker 1: you can return the mattress within a hundred days. That's 235 00:14:28,920 --> 00:14:32,080 Speaker 1: a guarantee that the bed will be delivered between two 236 00:14:32,120 --> 00:14:35,560 Speaker 1: to five days anywhere in the United States and Canada, 237 00:14:35,960 --> 00:14:40,200 Speaker 1: same day delivery in New York City. We do not flug, 238 00:14:40,320 --> 00:14:43,600 Speaker 1: We do not support, We do not take sponsorship from anything. 239 00:14:43,600 --> 00:14:46,080 Speaker 1: We have not tried, and we are not passionate about 240 00:14:46,520 --> 00:14:56,800 Speaker 1: four hundred and Tom Fucking Brady uh the award winning 241 00:14:57,120 --> 00:15:01,480 Speaker 1: episode forty five of The Iron Report stereo podcast uh 242 00:15:01,680 --> 00:15:06,880 Speaker 1: a k a. The Brady Bash. We demanded, we demanded 243 00:15:07,400 --> 00:15:09,720 Speaker 1: over a year ago that you hand in your shield. 244 00:15:09,800 --> 00:15:13,800 Speaker 1: You're you're you're not Captain America. You're a cheating fuck. 245 00:15:14,760 --> 00:15:19,320 Speaker 1: We said this shout out to the judges. Yeah, we 246 00:15:19,320 --> 00:15:22,320 Speaker 1: we we we we begged you to hand in your shield. 247 00:15:22,720 --> 00:15:26,800 Speaker 1: And then they turned it. They suspended this fucking guy. 248 00:15:27,760 --> 00:15:30,680 Speaker 1: And they turned it and Moody, what did I say? Well, 249 00:15:30,760 --> 00:15:33,080 Speaker 1: what was my stance after? After they said, okay, he's 250 00:15:33,080 --> 00:15:38,120 Speaker 1: not getting suspended. Remind the people, please, please remind them 251 00:15:38,160 --> 00:15:40,800 Speaker 1: that even I what did I say? I backed off right, 252 00:15:40,840 --> 00:15:42,480 Speaker 1: I gave him the benefit of the doubt. What did 253 00:15:42,480 --> 00:15:45,240 Speaker 1: I say? You said, I'm gonna give him the benefit 254 00:15:45,240 --> 00:15:47,920 Speaker 1: of the doubt. I'm not gonna I'm not gonna shoot 255 00:15:47,960 --> 00:15:50,880 Speaker 1: on him. You know, we're gonna see he's gonna play good. You. 256 00:15:50,880 --> 00:15:53,560 Speaker 1: You was on his side. You know, I was on 257 00:15:53,600 --> 00:15:56,640 Speaker 1: his fucking side. It's on his side. And you said, 258 00:15:56,720 --> 00:15:59,640 Speaker 1: all right, let's let's end it. Let's move on you. 259 00:16:00,000 --> 00:16:01,480 Speaker 1: You kept trying to bring it up, and I was like, 260 00:16:01,480 --> 00:16:03,160 Speaker 1: I don't want to talk about it anymore. They didn't 261 00:16:03,160 --> 00:16:08,640 Speaker 1: suspend him even I. I gave him his cheek bones 262 00:16:09,080 --> 00:16:12,960 Speaker 1: and his chin cleft chin, and his big blue eyes 263 00:16:13,200 --> 00:16:15,920 Speaker 1: and his cro magnant head. I gave him the benefit 264 00:16:15,960 --> 00:16:18,840 Speaker 1: of the doubt. I said, it's time to move forward. Yeah, 265 00:16:19,120 --> 00:16:22,880 Speaker 1: I crushed him. You wouldn't let up, no, because I 266 00:16:22,960 --> 00:16:27,960 Speaker 1: knew he was no good cheat. And just today a 267 00:16:28,120 --> 00:16:32,240 Speaker 1: third party had to come in and intervene because Roger Godell, 268 00:16:32,760 --> 00:16:35,720 Speaker 1: they knew he was up to some ship, and they 269 00:16:35,800 --> 00:16:40,360 Speaker 1: put the suspension back down. So Tom Brady, you fuck you. 270 00:16:40,360 --> 00:16:44,280 Speaker 1: You made me look bad. You made me look bad. 271 00:16:44,320 --> 00:16:46,280 Speaker 1: So you know what we're gonna do now, Tom Brady, 272 00:16:46,480 --> 00:16:50,000 Speaker 1: We're gonna break your fucking face again. All right, We're 273 00:16:50,000 --> 00:16:53,880 Speaker 1: gonna bust it up real nice. Do you want to 274 00:16:53,880 --> 00:16:57,640 Speaker 1: start with him? I want to. I want to jump him. 275 00:16:59,600 --> 00:17:01,840 Speaker 1: I want to jumped this fucking guy. I want to 276 00:17:01,840 --> 00:17:04,800 Speaker 1: give him the milach. Coach. Do you know that he 277 00:17:04,520 --> 00:17:09,119 Speaker 1: he changed his contract around in the off season. He 278 00:17:09,280 --> 00:17:11,880 Speaker 1: knew it was happening. This is a fact. Look it up. 279 00:17:11,920 --> 00:17:16,320 Speaker 1: He changed his contract around so he gets paid less 280 00:17:16,560 --> 00:17:19,880 Speaker 1: in the first four games of the two thousand and sixteen, 281 00:17:19,960 --> 00:17:23,920 Speaker 1: two thousand and seventeen upcoming NFL season. He knew they 282 00:17:23,920 --> 00:17:27,680 Speaker 1: were coming to get him the Patriot way, the cheating 283 00:17:27,880 --> 00:17:31,720 Speaker 1: Patriot way, where as long as you don't say shit, 284 00:17:32,160 --> 00:17:34,359 Speaker 1: you could be a criminal, you could be a cheater, 285 00:17:34,440 --> 00:17:36,800 Speaker 1: you could be a mass murderer, you could be a 286 00:17:36,920 --> 00:17:43,400 Speaker 1: drug smote smoking, just mumbling coach. Fuck. The judges agreed 287 00:17:43,520 --> 00:17:47,679 Speaker 1: that the explanation for the destruction of the cell phone 288 00:17:48,200 --> 00:17:52,480 Speaker 1: was ridiculous. And now you're gonna sit out now, just stop, 289 00:17:53,840 --> 00:18:00,560 Speaker 1: just fucking stop. Take your penalty, Mr America, okay, and 290 00:18:00,560 --> 00:18:03,920 Speaker 1: and and take it like a man. You you you 291 00:18:04,320 --> 00:18:08,480 Speaker 1: got caught, okay. And I don't know what more to say. 292 00:18:08,840 --> 00:18:10,840 Speaker 1: I don't know where where to even start a weird 293 00:18:10,840 --> 00:18:13,719 Speaker 1: to even in with this fucking guy. I mean, the 294 00:18:13,760 --> 00:18:16,280 Speaker 1: fact that he changed his contracts so he got paid 295 00:18:16,400 --> 00:18:19,199 Speaker 1: less during the first four games, that he's not I 296 00:18:19,200 --> 00:18:21,320 Speaker 1: don't even think how that could be legal, how is 297 00:18:21,359 --> 00:18:25,640 Speaker 1: that allowed? But they know, they know all the ins 298 00:18:25,680 --> 00:18:29,119 Speaker 1: and outs of how to fuck you over in in 299 00:18:29,200 --> 00:18:32,560 Speaker 1: patriot Land. And Bill Burrow, let me tell you something, 300 00:18:32,880 --> 00:18:35,680 Speaker 1: my friend. I know you're out there, I know you're 301 00:18:35,720 --> 00:18:38,440 Speaker 1: doing your thing, and I know you think, like, oh, 302 00:18:38,480 --> 00:18:42,480 Speaker 1: it's just no you fuck these these Boston fans, the 303 00:18:42,560 --> 00:18:48,159 Speaker 1: Bill Burr's, the fucking the Dennis Leary's, the Freddie Roaches, 304 00:18:48,400 --> 00:18:51,960 Speaker 1: the Mark Wahlberg's, the Matt Damon's, and the whole bunch 305 00:18:52,000 --> 00:18:53,840 Speaker 1: of you you want. You just won't let it go. 306 00:18:54,600 --> 00:18:58,879 Speaker 1: You won't admit that Captain America is really a cheating fuck. 307 00:18:59,320 --> 00:19:02,000 Speaker 1: You just can't admit that. I can tell you that 308 00:19:02,040 --> 00:19:05,119 Speaker 1: the fucking Knicks are and Aaron shambles. I can admit 309 00:19:05,200 --> 00:19:07,040 Speaker 1: that I could say that with a straight face and 310 00:19:07,040 --> 00:19:08,919 Speaker 1: and and own up to it. But you guys, you 311 00:19:08,960 --> 00:19:12,119 Speaker 1: just you just won't let up. You won't admit that 312 00:19:12,240 --> 00:19:17,520 Speaker 1: your coaches are mumbling, stuttering, Jimmy to chin cocksucker. Yea. 313 00:19:17,720 --> 00:19:21,640 Speaker 1: And they get They talk about Cam Newton, right, they 314 00:19:21,680 --> 00:19:24,760 Speaker 1: hate they hate Cam Newton because because after he lost 315 00:19:24,840 --> 00:19:27,119 Speaker 1: the Super Bowl, he didn't want to talk. Bill Belichick 316 00:19:27,280 --> 00:19:33,600 Speaker 1: has not spoken win loser, draw anytime ever. And when 317 00:19:33,600 --> 00:19:36,120 Speaker 1: Cam Newton does it, he's a sore loser and he's 318 00:19:36,119 --> 00:19:40,400 Speaker 1: all this Bill Belichick. He never speaks when they win 319 00:19:40,440 --> 00:19:43,159 Speaker 1: the Super Bowl, he doesn't speak when they lose. He 320 00:19:43,200 --> 00:19:48,399 Speaker 1: doesn't speak. It's says it's an act. Yeah, yea, the 321 00:19:48,440 --> 00:19:52,480 Speaker 1: whole ship is an act. Yeah. So Joe Brady, you 322 00:19:52,640 --> 00:19:55,360 Speaker 1: hand in that shield and you you you you come 323 00:19:55,400 --> 00:19:57,280 Speaker 1: back on your hands and knees and you kiss the 324 00:19:57,359 --> 00:20:00,360 Speaker 1: ring of the Iron Wrap Ports Stereo podcast, and you 325 00:20:00,359 --> 00:20:04,360 Speaker 1: you ask for forgiveness. You can't be the greatest quarterback 326 00:20:04,359 --> 00:20:07,800 Speaker 1: of all time with a suspension on your docket. And 327 00:20:07,800 --> 00:20:12,600 Speaker 1: now Joe Montana never got suspended, right, You're out of 328 00:20:12,640 --> 00:20:17,440 Speaker 1: that lexicon. It's done. It's done. And and not only 329 00:20:17,480 --> 00:20:21,800 Speaker 1: have you shamed yourself and the Patriots, you've shamed Red 330 00:20:21,800 --> 00:20:30,480 Speaker 1: horror back, Bill Russell, Larry Bird new addition, h call 331 00:20:30,560 --> 00:20:33,520 Speaker 1: you Stromsky. They're all paying the price because of you, 332 00:20:34,880 --> 00:20:36,760 Speaker 1: and and and and and now what's the what's what's 333 00:20:36,760 --> 00:20:41,240 Speaker 1: the owner's name? Craft? Him and him and Gronk or 334 00:20:41,240 --> 00:20:44,520 Speaker 1: at the Celtics game yucking up just just hours before 335 00:20:44,760 --> 00:20:49,439 Speaker 1: the suspension came down. Gronkowski does a new ship anyway. Listen, 336 00:20:49,880 --> 00:20:51,639 Speaker 1: if there was a second in command to be the 337 00:20:51,680 --> 00:20:54,520 Speaker 1: Greno man Dingo, I'd have to put him because my 338 00:20:54,600 --> 00:20:59,560 Speaker 1: man is straight monkey style. He's a straight up, straight 339 00:20:59,680 --> 00:21:02,800 Speaker 1: sim me, and he's a gorilla. He looks like a 340 00:21:02,840 --> 00:21:05,080 Speaker 1: flint Stone character, you know. He looks like some Barney 341 00:21:05,119 --> 00:21:08,520 Speaker 1: rubble shit. He can't read, he can't write, He doesn't 342 00:21:08,520 --> 00:21:10,160 Speaker 1: know what fucking day of the week it is. They 343 00:21:10,240 --> 00:21:12,320 Speaker 1: just line him up and he just runs over people. 344 00:21:13,040 --> 00:21:18,760 Speaker 1: Joe Rockhead, Yeah, Joe Rockhead, we busted your whole. How 345 00:21:18,760 --> 00:21:21,959 Speaker 1: do you like that? Tom Brady? Huh? We opened him 346 00:21:22,040 --> 00:21:27,879 Speaker 1: up real nice, real proper. He's now confirmed as a cheater, 347 00:21:28,080 --> 00:21:32,760 Speaker 1: a true blue American cheater and Aaron her Nandez is 348 00:21:32,800 --> 00:21:37,320 Speaker 1: in his cell somewhere, sucking, picking out his nose, chewing 349 00:21:37,359 --> 00:21:40,240 Speaker 1: on his his toe nails, going, I could have told 350 00:21:40,280 --> 00:21:45,040 Speaker 1: you this ship, ah man. The NBA Playoffs are in 351 00:21:45,080 --> 00:21:47,680 Speaker 1: full swing. This is my time of a year, man. 352 00:21:47,840 --> 00:21:52,359 Speaker 1: Every single day there's games on. I like the first round. 353 00:21:52,440 --> 00:21:56,040 Speaker 1: I don't care, you know, my my, my, my Detroit 354 00:21:56,080 --> 00:21:59,840 Speaker 1: Pistons uh and stan Van Gundy they got swept by 355 00:22:00,080 --> 00:22:04,840 Speaker 1: uh Lebron James and the Cleveland Cavaliers. At one point 356 00:22:04,920 --> 00:22:07,600 Speaker 1: during game four of the things, during a time out, 357 00:22:08,200 --> 00:22:11,000 Speaker 1: apparently they had to uh there was some some some 358 00:22:11,000 --> 00:22:14,919 Speaker 1: some red streaks around tylu and they said it was 359 00:22:14,920 --> 00:22:17,520 Speaker 1: still remnants of the blood of David Black. That was 360 00:22:17,640 --> 00:22:21,880 Speaker 1: that was that was in his shoes, in his shoe prints. Yeah, 361 00:22:21,920 --> 00:22:23,520 Speaker 1: just a little bit left. There's just a little bit 362 00:22:23,520 --> 00:22:29,720 Speaker 1: of a blacks blood on on on tylu Um. I 363 00:22:29,720 --> 00:22:32,480 Speaker 1: I feel like Michael Jordan's. I don't understand if it's 364 00:22:32,520 --> 00:22:37,000 Speaker 1: some sort of sick, sick joke or some motivational thing. 365 00:22:37,200 --> 00:22:41,560 Speaker 1: But but as Michael Jordan's being the owner of the Charlotte, 366 00:22:41,880 --> 00:22:48,720 Speaker 1: what are the the bobcats the hornets fucking bobcats. Uh 367 00:22:48,800 --> 00:22:51,960 Speaker 1: they have a must win game, and they have to 368 00:22:52,000 --> 00:22:56,920 Speaker 1: come out for an NBA game grown men in front 369 00:22:56,960 --> 00:23:03,240 Speaker 1: of UH twenty thousand fans in Charlotte, where basketball is 370 00:23:02,640 --> 00:23:05,200 Speaker 1: is is, it's it's such a part of the UH, 371 00:23:05,359 --> 00:23:08,679 Speaker 1: the day in and day out culture. These guys have 372 00:23:08,760 --> 00:23:14,600 Speaker 1: to play in uniforms that say buzz City on the front. Damn. 373 00:23:14,960 --> 00:23:19,280 Speaker 1: That's humiliating. That's not fair. That that that the NBA 374 00:23:19,440 --> 00:23:23,000 Speaker 1: team should have to be playing in the playoffs with 375 00:23:23,080 --> 00:23:27,960 Speaker 1: a jersey that says buzz City. Damn. And Jeremy Lynn 376 00:23:28,040 --> 00:23:30,920 Speaker 1: has the balls big enough to play in his buzz 377 00:23:30,920 --> 00:23:34,840 Speaker 1: City jersey with a man bun, and this is his choice. 378 00:23:34,880 --> 00:23:37,199 Speaker 1: No one's putting a gun to his head and saying, yo, 379 00:23:37,320 --> 00:23:40,000 Speaker 1: Jeremy Lynn, you gotta have a man bun. But he chooses. 380 00:23:40,040 --> 00:23:41,600 Speaker 1: I don't think. I don't know if he thinks this 381 00:23:41,760 --> 00:23:45,520 Speaker 1: is funny or somehow, you know, he lost the bet, 382 00:23:46,040 --> 00:23:50,280 Speaker 1: but he's had the most fucked up hairstyles collectively all season. 383 00:23:50,320 --> 00:23:53,320 Speaker 1: You look crazy. What happened to Lynn? Sanity? What happened 384 00:23:53,359 --> 00:23:57,200 Speaker 1: to the passion? And and and that the Toronto Raptors. 385 00:23:57,480 --> 00:23:59,840 Speaker 1: There's still I guess there's still really nothing to do 386 00:24:00,359 --> 00:24:04,120 Speaker 1: because every time they're Toronto Raptors are playing the streets 387 00:24:04,119 --> 00:24:07,280 Speaker 1: of outside the arena. Out there, they're packed. Still ain't 388 00:24:07,320 --> 00:24:10,480 Speaker 1: shipped to do in the six huh and and uh, 389 00:24:10,600 --> 00:24:13,639 Speaker 1: I was sad to see the Memphis Grizzlies go. Uh 390 00:24:13,680 --> 00:24:17,040 Speaker 1: they were they were injury riddled. And uh, you know, 391 00:24:17,040 --> 00:24:19,560 Speaker 1: they always played tough. I like that team. I like 392 00:24:19,680 --> 00:24:22,560 Speaker 1: I like the fans out there. Um, they had a 393 00:24:22,640 --> 00:24:27,080 Speaker 1: collective group of wackos and thugs and and and and 394 00:24:27,119 --> 00:24:31,200 Speaker 1: I mean with Zebo who who everybody's you know, scared 395 00:24:31,240 --> 00:24:38,520 Speaker 1: of him? Uh and and uh my man, um Matt Barnes, guy, yo, 396 00:24:38,720 --> 00:24:43,200 Speaker 1: I funk with Matt Bourne's hard body karate. Yeah he's yeah, 397 00:24:43,320 --> 00:24:47,960 Speaker 1: we call him Captain light Skin. He's defending the the uh, 398 00:24:48,119 --> 00:24:52,840 Speaker 1: the dignity, the honor and dignity of all like like 399 00:24:53,040 --> 00:24:54,919 Speaker 1: even when even when, like when they try to muscle 400 00:24:54,960 --> 00:24:58,680 Speaker 1: up Steph Curry, Yeah, he starts to twitch like he's 401 00:24:58,680 --> 00:25:01,440 Speaker 1: ready to get on a plane and some ship up. Yeah, 402 00:25:01,640 --> 00:25:04,480 Speaker 1: it's a it's the last of a breed in the NBA. 403 00:25:05,200 --> 00:25:08,560 Speaker 1: He rolls up from his couch when yeah, he's ready 404 00:25:08,560 --> 00:25:11,639 Speaker 1: to set it off. And and and I don't know 405 00:25:11,760 --> 00:25:14,240 Speaker 1: now man, Steph Curry got some kind of I don't 406 00:25:14,240 --> 00:25:17,919 Speaker 1: know what he got a c L M C. I 407 00:25:17,960 --> 00:25:22,639 Speaker 1: saw this sword of that. He's out two weeks. I 408 00:25:22,640 --> 00:25:27,640 Speaker 1: don't know. I don't know, man, it's it's uh, that's 409 00:25:27,680 --> 00:25:29,960 Speaker 1: that's disappointed. But I guess Cleveland had to do it 410 00:25:30,040 --> 00:25:33,160 Speaker 1: last year with Kyrie and Kevin Love, but it wasn't 411 00:25:33,200 --> 00:25:36,520 Speaker 1: their number one guy. But I don't know how they're 412 00:25:36,520 --> 00:25:40,600 Speaker 1: gonna They're gonna get this done. I just hope somehow, 413 00:25:40,720 --> 00:25:44,760 Speaker 1: some way, either the Warriors and Steph Curry's knee heal 414 00:25:45,720 --> 00:25:49,359 Speaker 1: or or the Spurs. Yeah, I feel like they have 415 00:25:49,440 --> 00:25:52,840 Speaker 1: they have the kryptonite to stop Cleveland and Lebron they 416 00:25:52,840 --> 00:25:56,119 Speaker 1: always they always give him a hard time. So I 417 00:25:56,160 --> 00:25:58,080 Speaker 1: hope Steph Curry. You never want to see a guy 418 00:25:58,119 --> 00:26:01,080 Speaker 1: like that get injured in the playoffs, but that's that's 419 00:26:01,320 --> 00:26:04,520 Speaker 1: the way it goes down. And and uh, you know, 420 00:26:04,560 --> 00:26:09,880 Speaker 1: speaking of of the playoffs, Uh, the Knicks are are 421 00:26:09,960 --> 00:26:13,800 Speaker 1: never associated with the playoffs. But but did you can 422 00:26:13,840 --> 00:26:16,840 Speaker 1: we go back to San Antonio? Oh why not? Why 423 00:26:17,000 --> 00:26:20,240 Speaker 1: that guy? Uh? You know that guy was talking about 424 00:26:20,359 --> 00:26:23,200 Speaker 1: number four from the San Antonios. So the one who 425 00:26:23,200 --> 00:26:27,000 Speaker 1: looks like a like a fucking caveman. Yeah, man, so 426 00:26:27,040 --> 00:26:29,320 Speaker 1: we have no where. What is his name? The number 427 00:26:29,359 --> 00:26:32,199 Speaker 1: forty on the San Antonio's he he he got a 428 00:26:32,240 --> 00:26:35,879 Speaker 1: bad wife. This dude is like what seven five seven three, 429 00:26:37,040 --> 00:26:40,320 Speaker 1: He got a bad little little chicken man. His wife 430 00:26:40,400 --> 00:26:44,600 Speaker 1: is like five three five four. It looks crazy and 431 00:26:44,640 --> 00:26:47,560 Speaker 1: I'm figuring he needs a nickname. Well, I mean like 432 00:26:47,600 --> 00:26:50,720 Speaker 1: what I mean, like the big Fundamental, Yeah, like the 433 00:26:50,880 --> 00:26:54,920 Speaker 1: Big Aristotle. And to me, he looks like the big Glue, 434 00:26:58,119 --> 00:27:02,120 Speaker 1: the big Gluo number forty. Understand, Antonio Spurs. We don't 435 00:27:02,119 --> 00:27:04,159 Speaker 1: know your name because that'sh it is hard. It's like 436 00:27:04,240 --> 00:27:09,960 Speaker 1: Draco or some what is his name? Yo? The nickname? Yeah, 437 00:27:10,160 --> 00:27:15,280 Speaker 1: the big Glot. He looks crazy, that dude. I'm sorry, 438 00:27:15,280 --> 00:27:17,160 Speaker 1: we don't know Money's name. I can't I can't remember. 439 00:27:17,160 --> 00:27:18,520 Speaker 1: We don't fact check. I don't know. If you've never 440 00:27:18,560 --> 00:27:21,280 Speaker 1: listened to the Iron Wrappers Terry podcast, we're known and 441 00:27:21,440 --> 00:27:25,000 Speaker 1: proud for never fact checking. But number four to your 442 00:27:25,080 --> 00:27:32,639 Speaker 1: nickname going forward is now the Big Galot. Uh? What 443 00:27:32,760 --> 00:27:38,320 Speaker 1: about this dude in Canada? I believe Money was in 444 00:27:38,440 --> 00:27:45,560 Speaker 1: Canada thirty years old playing high school Basketball's a suit 445 00:27:45,640 --> 00:27:52,280 Speaker 1: and knees a sued Dan refugee. Oh yo, you saw 446 00:27:52,400 --> 00:27:58,880 Speaker 1: this guy. Yeah, he's in Canada and he was arrested. 447 00:27:59,200 --> 00:28:01,480 Speaker 1: He started fleeing. And my man's name was like Jonathan 448 00:28:01,600 --> 00:28:03,879 Speaker 1: Nicole if he's from Sudan. I know that's not his 449 00:28:03,960 --> 00:28:08,119 Speaker 1: real name, but but he had been playing high school 450 00:28:08,160 --> 00:28:12,920 Speaker 1: basketball in in in Canada. And he's thirty and he 451 00:28:13,000 --> 00:28:16,600 Speaker 1: had like a receding hairline, and and and like you 452 00:28:16,680 --> 00:28:20,240 Speaker 1: know he you know, thirties, not even in the like, yo, 453 00:28:20,400 --> 00:28:24,159 Speaker 1: this guy is crazy man, thirties at the end of 454 00:28:24,240 --> 00:28:29,040 Speaker 1: an NBA career. He's a Ukrainian dude. He's from the 455 00:28:29,200 --> 00:28:33,280 Speaker 1: Ukraine playing playing in Canada with little kid could have 456 00:28:33,359 --> 00:28:39,800 Speaker 1: killed somebody. He gets He gets a six nine weighing 457 00:28:39,840 --> 00:28:44,120 Speaker 1: over two hundred pounds beside sixteen sneaker, frightening the kids. 458 00:28:44,960 --> 00:28:47,240 Speaker 1: I hope he wasn't touching any girls, man, because this 459 00:28:47,320 --> 00:28:51,400 Speaker 1: is this guy. Yeah, yeah, I think he had relations. 460 00:28:51,480 --> 00:28:54,280 Speaker 1: I think ye know this guy he gets a true 461 00:28:54,400 --> 00:28:57,360 Speaker 1: blue wigga. Please, what the fund is you trying to 462 00:28:57,440 --> 00:29:01,160 Speaker 1: do when you're gonna kill somebody out there? Man? Uh? 463 00:29:01,680 --> 00:29:03,720 Speaker 1: And and another thing in the news. You know, I 464 00:29:03,800 --> 00:29:06,320 Speaker 1: never I never liked Bobby Knight. The only thing that 465 00:29:06,400 --> 00:29:08,440 Speaker 1: I liked about Bobby Knight is that he punched a 466 00:29:08,560 --> 00:29:12,680 Speaker 1: cop in the Panan Games in Puerto Rico. Who he that? 467 00:29:12,800 --> 00:29:14,640 Speaker 1: That always thought? But I always thought he was a 468 00:29:14,720 --> 00:29:18,640 Speaker 1: bully and he bullied his players and and uh, you know, 469 00:29:18,720 --> 00:29:20,600 Speaker 1: he took things too far. I think he took himself 470 00:29:20,680 --> 00:29:24,360 Speaker 1: too seriously. I think you know that this this fucking guy, Bobby, 471 00:29:24,600 --> 00:29:26,720 Speaker 1: he screamed. He screamed on me at basketball camp. I 472 00:29:26,800 --> 00:29:29,040 Speaker 1: was at the five star basketball camp. He like shamed 473 00:29:29,120 --> 00:29:31,320 Speaker 1: me when I like, I wasn't in my seat when 474 00:29:31,360 --> 00:29:34,840 Speaker 1: the thing started. Yeah, I just yeah, I hopped down 475 00:29:34,880 --> 00:29:39,480 Speaker 1: like a scared dog. But he's he's showing up to 476 00:29:39,640 --> 00:29:44,080 Speaker 1: the uh to the the the presidential uh pep rally 477 00:29:44,600 --> 00:29:51,280 Speaker 1: in Indiana for d Trump. Of course, who'd you think 478 00:29:51,320 --> 00:29:53,880 Speaker 1: he'd befo yo? Man? I thought he would have more 479 00:29:53,960 --> 00:29:57,800 Speaker 1: compassionate and more sense about him. Man. But oh, the 480 00:29:57,840 --> 00:30:00,360 Speaker 1: guy who threw the chair on the corn right right? 481 00:30:00,720 --> 00:30:02,480 Speaker 1: You know you want to try to you like, he's 482 00:30:02,520 --> 00:30:04,280 Speaker 1: like you know some John Wayne. Do you think you'd 483 00:30:04,320 --> 00:30:06,440 Speaker 1: want to beat up Donald Trump? He's such a tough guy. 484 00:30:07,520 --> 00:30:11,880 Speaker 1: But but he he didn't do ships sold Duke who 485 00:30:12,360 --> 00:30:19,800 Speaker 1: Who's Soft by Soft Duke? Um Yo. Did you get 486 00:30:19,840 --> 00:30:27,680 Speaker 1: a chance to see Beyonce's uh visual album? I saw 487 00:30:28,200 --> 00:30:32,920 Speaker 1: Exerts of It Lemonade. Yeah. Everybody's given her a hard 488 00:30:33,000 --> 00:30:38,360 Speaker 1: time because she's h expressing her blackness. Is is that 489 00:30:38,480 --> 00:30:43,120 Speaker 1: what's coming up now? Again? Yeah? Like like uh, like 490 00:30:43,280 --> 00:30:46,200 Speaker 1: she shouldn't be doing that. She was, you know sometimes 491 00:30:46,560 --> 00:30:51,040 Speaker 1: and artist feels that they can't do that right when 492 00:30:51,120 --> 00:30:54,840 Speaker 1: they're coming out. So she feels like, now I'm at 493 00:30:54,840 --> 00:30:58,120 Speaker 1: a position where I don't have to hide that, right, right, 494 00:30:58,680 --> 00:31:01,320 Speaker 1: because that's what happens to a lot a black artist. Right. 495 00:31:01,640 --> 00:31:03,840 Speaker 1: And when she first came out, she was so young anyway, 496 00:31:03,880 --> 00:31:06,000 Speaker 1: she she didn't even know who who she was as 497 00:31:06,040 --> 00:31:07,520 Speaker 1: a as a as a woman, and as a person. 498 00:31:07,560 --> 00:31:10,560 Speaker 1: She's a pop singer trying to get it popping, and 499 00:31:10,680 --> 00:31:14,920 Speaker 1: she's growing, you know, she's growing into herself as a woman, 500 00:31:15,000 --> 00:31:17,200 Speaker 1: and you know, she wants to express herself this way, 501 00:31:17,840 --> 00:31:21,160 Speaker 1: and and I don't see why people would even be 502 00:31:21,280 --> 00:31:27,640 Speaker 1: upset at that she is black, no, right, And and 503 00:31:27,720 --> 00:31:30,920 Speaker 1: the consciousness, well it's a beautiful it's a beautifully shot, 504 00:31:31,120 --> 00:31:34,240 Speaker 1: beautifully directed. Um and I gotta tell you, you know, 505 00:31:34,320 --> 00:31:36,680 Speaker 1: I haven't know. Like, obviously, I like Beyonce, and I 506 00:31:36,800 --> 00:31:38,920 Speaker 1: like a lot some of her songs. I wouldn't say 507 00:31:38,960 --> 00:31:41,920 Speaker 1: I'm a Beyonce like fans, But the music in this, 508 00:31:42,120 --> 00:31:45,040 Speaker 1: in this Lemonade was dope, and it was very soulful 509 00:31:45,480 --> 00:31:47,720 Speaker 1: and and and I think she should continue going into 510 00:31:47,800 --> 00:31:51,560 Speaker 1: that soulful Uh. You know that soulful area because she 511 00:31:51,600 --> 00:31:53,959 Speaker 1: has the ability and the talent and it's obviously in her. 512 00:31:54,240 --> 00:31:58,560 Speaker 1: But you know, you're saying that the Lemonade visual song 513 00:31:59,080 --> 00:32:02,720 Speaker 1: um an album uh and video was about her blackness. 514 00:32:02,760 --> 00:32:05,680 Speaker 1: Some people are saying it's about the cheating uh and 515 00:32:05,840 --> 00:32:08,440 Speaker 1: and her relationship with jay Z and and and and 516 00:32:08,640 --> 00:32:11,760 Speaker 1: and and something with that. With that the designer Rachel Roy, 517 00:32:12,360 --> 00:32:16,120 Speaker 1: and uh, I'm saying, how how could this motherfucker cheat 518 00:32:17,120 --> 00:32:19,960 Speaker 1: and nobody not know one of the most familiar faces 519 00:32:20,040 --> 00:32:22,560 Speaker 1: on the globe. Come on, man, I don't know, I 520 00:32:22,680 --> 00:32:25,240 Speaker 1: have no idea, but but but I know that some 521 00:32:25,320 --> 00:32:28,480 Speaker 1: of these dumbass fans they went after Rachel Ray. You know, 522 00:32:28,640 --> 00:32:32,280 Speaker 1: Rachel Ray, the uh Roy, Rachel Roy, Rachel Ray, the cook, right, 523 00:32:32,440 --> 00:32:34,640 Speaker 1: But some of the dumb fans went after Rachel Ray. 524 00:32:36,080 --> 00:32:39,120 Speaker 1: So they're trying to attack Rachel Roy the designer and 525 00:32:39,160 --> 00:32:42,800 Speaker 1: their fun with Rachel Rady's dumb fox. You dumb fuck 526 00:32:42,840 --> 00:32:47,320 Speaker 1: it's Rachel Roy, you dumb cock sucker you so so 527 00:32:47,560 --> 00:32:51,360 Speaker 1: Rachel Ray was like, Yo, what do y'all bother me? Fire? 528 00:32:51,440 --> 00:32:54,680 Speaker 1: I didn't fuck jay Z? Leave me alone? And and 529 00:32:54,800 --> 00:32:56,800 Speaker 1: and and then I don't know. I don't know, but 530 00:32:56,960 --> 00:32:59,680 Speaker 1: I really think that it wasn't about jay Z. It 531 00:32:59,800 --> 00:33:02,960 Speaker 1: wasn't about her relationship. It's not about her blackness. I've 532 00:33:03,040 --> 00:33:09,000 Speaker 1: deciphered what lemonade is about. It's a metaphor for New 533 00:33:09,120 --> 00:33:12,480 Speaker 1: York Knicks and New York Knick fans, and break it down. 534 00:33:12,760 --> 00:33:14,880 Speaker 1: It deals with the same ship that all of us 535 00:33:15,000 --> 00:33:19,360 Speaker 1: go through intuition. We all had some sort of intuition 536 00:33:19,520 --> 00:33:23,000 Speaker 1: deep in our souls that this ship would not ever 537 00:33:23,120 --> 00:33:27,040 Speaker 1: work out with the Knicks. It deals with denial. We've 538 00:33:27,080 --> 00:33:29,960 Speaker 1: been in denial for over forty three fucking years. It 539 00:33:30,080 --> 00:33:33,640 Speaker 1: deals with hope. Our intuition kept us in fucking denial. 540 00:33:33,880 --> 00:33:36,840 Speaker 1: And of course now we have to find forgiveness in 541 00:33:36,880 --> 00:33:40,280 Speaker 1: ourselves for continuing to love the fucking Knicks. How can 542 00:33:40,360 --> 00:33:42,960 Speaker 1: we love that? This is a shameful love that Nick 543 00:33:43,040 --> 00:33:47,200 Speaker 1: fans have. So I disagree with you. That's about African 544 00:33:47,280 --> 00:33:51,880 Speaker 1: americanness and blackness and Rachel Roy and Rachel Ray. She 545 00:33:52,040 --> 00:33:56,480 Speaker 1: wrote a metaphor about the pain and suffering that every 546 00:33:56,520 --> 00:33:58,800 Speaker 1: fucking Nick fan has been going through for the last 547 00:33:58,880 --> 00:34:03,280 Speaker 1: forty something years. Didn't you know about what Patrick Ewing 548 00:34:03,960 --> 00:34:06,880 Speaker 1: st Patrick Ewing? Patrick Ewin should have been in the 549 00:34:06,960 --> 00:34:09,640 Speaker 1: fucking video Lemonade. They had Serena William, They should have 550 00:34:09,640 --> 00:34:13,560 Speaker 1: had Patrick Ewing walking along the beach crying and Phil Jackson, 551 00:34:13,640 --> 00:34:16,400 Speaker 1: what about Patrick Ewing? What are you gonna do about that? 552 00:34:17,120 --> 00:34:19,960 Speaker 1: They're not gonna do anything about him. He ain't coming 553 00:34:20,000 --> 00:34:22,879 Speaker 1: to New York, man, they don't want him. He's down 554 00:34:22,920 --> 00:34:25,680 Speaker 1: in Charlotte and he looks like he has perpetual tears 555 00:34:25,719 --> 00:34:27,720 Speaker 1: in his eyes. If you're taking a look at Patrick 556 00:34:27,800 --> 00:34:31,360 Speaker 1: Ewing during there in the Charlotte hornets Miami uh Miami 557 00:34:31,440 --> 00:34:34,359 Speaker 1: Heat playoff series, he always looked like he's about to cry. 558 00:34:34,440 --> 00:34:36,560 Speaker 1: Remember when he played he was like what they called him, 559 00:34:36,600 --> 00:34:42,040 Speaker 1: the Warrior. He looked taking Bambi. Yeah, they broke him, man, 560 00:34:42,160 --> 00:34:45,560 Speaker 1: they broke They broke the greatest Nick of all time. 561 00:34:46,000 --> 00:34:50,000 Speaker 1: Think about it. He sees Earl Watson get a coaching job. 562 00:34:50,480 --> 00:34:54,800 Speaker 1: He sees them talk about Luke Walton. He sees Tyl 563 00:34:56,360 --> 00:34:59,839 Speaker 1: get gets shuttled up to the head coaching and he's 564 00:35:00,040 --> 00:35:06,000 Speaker 1: on there taping ankles. Shit. Give him a shot, give 565 00:35:06,080 --> 00:35:12,000 Speaker 1: him an interview, give him something something to please please man. 566 00:35:12,760 --> 00:35:16,000 Speaker 1: Bring him back to New York City. Speaking of New 567 00:35:16,120 --> 00:35:19,000 Speaker 1: York City, mac Weldon is a New York City based 568 00:35:19,080 --> 00:35:22,799 Speaker 1: company that lives and breathes New York City. They make 569 00:35:22,880 --> 00:35:26,160 Speaker 1: the best underwear, t shirts, socks at mac Weldon, and 570 00:35:26,239 --> 00:35:29,759 Speaker 1: they even have soft as sweatpants and sweatshirts that are 571 00:35:29,880 --> 00:35:34,040 Speaker 1: very comfortable and they wash and dry fantastic. They don't 572 00:35:34,080 --> 00:35:36,279 Speaker 1: lose shape or their integrity when you throw them in 573 00:35:36,320 --> 00:35:40,480 Speaker 1: the laundry machine. Comfortable, soft light materials and fabrics. 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Go to mac weldon dot com 585 00:36:14,160 --> 00:36:16,200 Speaker 1: and don't forget to use the promo called rapp Report 586 00:36:16,360 --> 00:36:18,680 Speaker 1: r A p A p O r T to save 587 00:36:19,520 --> 00:36:23,200 Speaker 1: off your first order on all the fantastic gear at 588 00:36:23,239 --> 00:36:25,360 Speaker 1: mac weldon dot com. I'm wearing some of the underwear 589 00:36:25,480 --> 00:36:26,959 Speaker 1: right now. You know what it feels like. I feel 590 00:36:26,960 --> 00:36:31,400 Speaker 1: like I'm floating and cotton cut. One of the greatest 591 00:36:31,680 --> 00:36:35,279 Speaker 1: of all the greats. I don't even know where to 592 00:36:35,360 --> 00:36:37,520 Speaker 1: start with what this guy means to me and to 593 00:36:37,640 --> 00:36:45,200 Speaker 1: so many other people. The great, beautiful, inspiring, fantastic New 594 00:36:45,320 --> 00:36:52,000 Speaker 1: York City native al Pacino turned seventies six today. The 595 00:36:52,200 --> 00:36:56,920 Speaker 1: Great al Pacino. I mean, yo, I we do the 596 00:36:57,440 --> 00:36:59,480 Speaker 1: Robert de Niro line of the week, we could easily 597 00:36:59,560 --> 00:37:02,239 Speaker 1: do the al Pacino line of the week. I I 598 00:37:02,400 --> 00:37:04,120 Speaker 1: need to pick up pick up my pace on that. 599 00:37:05,480 --> 00:37:06,839 Speaker 1: I need to pick up my pace on the al 600 00:37:06,920 --> 00:37:09,920 Speaker 1: Pacino line of the week. Because ship Man, I mean, 601 00:37:09,960 --> 00:37:13,840 Speaker 1: we're talking about the Godfather, We're talking about the Panic 602 00:37:13,920 --> 00:37:17,600 Speaker 1: in Needle Park, We're talking about Curproco Dog Day Afternoon 603 00:37:17,719 --> 00:37:23,279 Speaker 1: The Godfather Part two. He had a run like no other. 604 00:37:24,320 --> 00:37:27,399 Speaker 1: I mean, one of the best ever author author Sea 605 00:37:27,440 --> 00:37:29,920 Speaker 1: of Love, all the great stage work, one of the 606 00:37:30,040 --> 00:37:36,160 Speaker 1: best uh theater actors ever um Top five d o 607 00:37:36,320 --> 00:37:40,479 Speaker 1: A for sure, Top five d o A. I love 608 00:37:40,600 --> 00:37:44,200 Speaker 1: this dude, scarface. I mean, it goes on and on 609 00:37:44,360 --> 00:37:47,400 Speaker 1: and on. He he's done some of his his best work. Uh. 610 00:37:47,600 --> 00:37:49,400 Speaker 1: You know in TV movies he did that that that 611 00:37:49,600 --> 00:37:55,120 Speaker 1: the Angels in America on HBO beautiful performance. You know 612 00:37:55,480 --> 00:37:58,320 Speaker 1: you see again you talk about the Oscars and getting jerked. 613 00:37:59,760 --> 00:38:02,680 Speaker 1: None the performances that I name. He got Oscar. He 614 00:38:02,800 --> 00:38:05,080 Speaker 1: won an Oscar for what did he win Oscar for? 615 00:38:06,080 --> 00:38:08,919 Speaker 1: In my opinion, you know it's Pacino. It's never gonna 616 00:38:08,920 --> 00:38:11,520 Speaker 1: be bad. But but was it his greatest He wins 617 00:38:11,600 --> 00:38:14,160 Speaker 1: for Scent of a Woman. It goes to show again 618 00:38:14,400 --> 00:38:17,880 Speaker 1: the Oscars are not h It's not arm wrestling contest. 619 00:38:18,320 --> 00:38:20,920 Speaker 1: There's no straight winner or loser. There's a lot of politics, 620 00:38:20,960 --> 00:38:23,640 Speaker 1: there's a lot of mistakes. Al Pacino did not win 621 00:38:23,680 --> 00:38:28,000 Speaker 1: an Oscar for Dog Day Afternoon, Curproco, The Godfather, The 622 00:38:28,080 --> 00:38:32,320 Speaker 1: Godfather Part two, he didn't even There wasn't even the 623 00:38:32,400 --> 00:38:37,399 Speaker 1: discussion of nominating him for scarface. Uh see you love 624 00:38:38,600 --> 00:38:41,279 Speaker 1: there there. You know, I'm forgetting so many different things. 625 00:38:41,320 --> 00:38:43,120 Speaker 1: You know why I'm forgetting him, Gimo Eddie, because I'm 626 00:38:43,120 --> 00:38:45,839 Speaker 1: going roar dog without a bag off the dome piece. 627 00:38:47,320 --> 00:38:50,359 Speaker 1: We don't fact check here at the Iron Rapports Stereo Podcast. Ever, 628 00:38:51,360 --> 00:38:54,520 Speaker 1: I uh something that's that's disturbing me, and I want 629 00:38:54,560 --> 00:38:56,360 Speaker 1: you to chime in on this. Wait. Wait, can I 630 00:38:56,480 --> 00:38:58,560 Speaker 1: tell you what I was talking about? Yes? Sorry, Sorry, 631 00:38:58,880 --> 00:39:00,960 Speaker 1: I'm just a little fired up. This is quick. This 632 00:39:01,040 --> 00:39:03,520 Speaker 1: is a quick thing, no worries. Take your time, gim edtie, 633 00:39:03,719 --> 00:39:06,719 Speaker 1: please take your time. Uh. You know, some of the 634 00:39:06,840 --> 00:39:09,040 Speaker 1: lines and and some of the the your points of 635 00:39:09,120 --> 00:39:11,719 Speaker 1: views have been pointed out in the last few weeks 636 00:39:11,719 --> 00:39:14,480 Speaker 1: and some of the great things. Ever, Um, well, I 637 00:39:14,560 --> 00:39:17,560 Speaker 1: think somebody starting a Wikipedia page for you. Now, oh 638 00:39:17,719 --> 00:39:20,960 Speaker 1: that's cool, Like yeah, so I'm sorry, take your time. 639 00:39:21,000 --> 00:39:24,560 Speaker 1: You you never have to say, uh real quick. Um. 640 00:39:24,960 --> 00:39:28,160 Speaker 1: The fans love you. The people love Gimon Eddie. All right. 641 00:39:28,719 --> 00:39:32,399 Speaker 1: I had to privilege of going to a hockey game. 642 00:39:32,560 --> 00:39:36,080 Speaker 1: Oh yeah, I uh went to the Rangers game playoff 643 00:39:36,160 --> 00:39:40,799 Speaker 1: game last week. Oh. Friend of man Damon Mason, who 644 00:39:40,840 --> 00:39:45,240 Speaker 1: made the film documentary film solo. Nice introduced me to hockey. 645 00:39:45,960 --> 00:39:48,920 Speaker 1: Great game. I'm a fan. Now you you were never 646 00:39:49,040 --> 00:39:50,400 Speaker 1: that was the first time you were ever out of 647 00:39:50,480 --> 00:39:53,600 Speaker 1: hockey games? Time? Well what was it like? And there 648 00:39:53,640 --> 00:39:56,480 Speaker 1: was a New York Rangers playoff game, right yeah, and 649 00:39:56,560 --> 00:39:59,920 Speaker 1: they lost, but the game is so intense, man, it's 650 00:40:00,080 --> 00:40:02,439 Speaker 1: it's uh, you know people. It was great to see 651 00:40:02,760 --> 00:40:05,480 Speaker 1: the speed of the puck, the speed of the athletes, 652 00:40:05,520 --> 00:40:08,600 Speaker 1: how they can skate and move the stick. And yo, 653 00:40:09,080 --> 00:40:11,960 Speaker 1: I was impressed. What was the crowd like in the garden. 654 00:40:13,160 --> 00:40:15,960 Speaker 1: They was hyped until little Pittsburgh got a three zip 655 00:40:17,080 --> 00:40:20,600 Speaker 1: They got up three ship, but it was it packed, 656 00:40:20,640 --> 00:40:22,719 Speaker 1: like was it? What was the energy different from like 657 00:40:22,760 --> 00:40:26,560 Speaker 1: being at the Knicks game? It was it was more energy, 658 00:40:27,000 --> 00:40:31,040 Speaker 1: more energy. Yeah, it was playoffs right right, So they 659 00:40:31,080 --> 00:40:32,880 Speaker 1: were hyped in their right and they chanted. They go 660 00:40:32,960 --> 00:40:35,480 Speaker 1: crazy to hold the whole time. And I like that. 661 00:40:35,600 --> 00:40:40,239 Speaker 1: It's like a like a ground a grounded sport. It's 662 00:40:40,280 --> 00:40:44,600 Speaker 1: like they serve hot dogs, pretzels, beer. That's the culture 663 00:40:44,880 --> 00:40:48,839 Speaker 1: right right, right, I hear you, man ship right right. 664 00:40:48,960 --> 00:40:52,120 Speaker 1: And the guys came out of the locker room, all 665 00:40:52,200 --> 00:40:56,440 Speaker 1: of them had suits on nobody was with Ringling Brothers 666 00:40:56,520 --> 00:41:00,440 Speaker 1: ship right, they all had they were suited and booted them. 667 00:41:00,719 --> 00:41:05,600 Speaker 1: Those hockey players are big dudes, right yeah, alright, good, 668 00:41:05,760 --> 00:41:07,360 Speaker 1: all right, well we we we we should do that. 669 00:41:07,480 --> 00:41:09,760 Speaker 1: We should start working with hockey a little bit, balance 670 00:41:09,880 --> 00:41:16,200 Speaker 1: balance things out. Um. Something that's been going on within 671 00:41:16,280 --> 00:41:21,560 Speaker 1: the Wrapper pack um very upsetting. I noticed that the 672 00:41:21,640 --> 00:41:26,640 Speaker 1: other day my my son Maceo was celebrating his fourteenth birthday. Um. 673 00:41:26,760 --> 00:41:29,239 Speaker 1: And after some of the celebrations and in between the 674 00:41:29,440 --> 00:41:33,640 Speaker 1: the the the the dinner and such, I go on 675 00:41:33,800 --> 00:41:38,920 Speaker 1: Twitter and I see uh d ms, I'm I'm reading 676 00:41:38,960 --> 00:41:43,720 Speaker 1: the feed from the Iron Rappaport podcast. I'm getting tagged 677 00:41:43,760 --> 00:41:48,040 Speaker 1: into stuff, and I see that there's beef within the 678 00:41:48,080 --> 00:41:53,759 Speaker 1: wrapper pack. The wrapper pack is the hardcore fans of 679 00:41:53,800 --> 00:41:56,800 Speaker 1: the Iron Wrap Reports Stereo podcast. And this, this, this, 680 00:41:57,040 --> 00:41:59,719 Speaker 1: this made me very sad. I don't know what the 681 00:41:59,760 --> 00:42:03,360 Speaker 1: hell started the beef with within this group of rabid 682 00:42:03,960 --> 00:42:07,280 Speaker 1: uh the best fans, wouldn't you say in the podcast 683 00:42:07,360 --> 00:42:13,360 Speaker 1: business Monetti, best fans ever? Uh so supportive but in 684 00:42:13,480 --> 00:42:16,440 Speaker 1: a you know, just just just a few days before 685 00:42:16,600 --> 00:42:22,160 Speaker 1: the blow up within the uh the epicenter of the 686 00:42:22,239 --> 00:42:24,799 Speaker 1: Wrapper Pack I had been saying we needed to look 687 00:42:24,840 --> 00:42:28,680 Speaker 1: out for for double agents and secret agents and and 688 00:42:28,840 --> 00:42:31,040 Speaker 1: and now it comes out that that that you know, 689 00:42:31,120 --> 00:42:35,360 Speaker 1: when you're building a dynasty, these things happen. There's there's interfighting. 690 00:42:35,400 --> 00:42:39,200 Speaker 1: It's a family. Um. And I'm here publicly. I'm not 691 00:42:39,360 --> 00:42:41,600 Speaker 1: naming any names. I'm not taking side. I don't know 692 00:42:41,680 --> 00:42:44,480 Speaker 1: any of the details of it. But the wrapper pack 693 00:42:44,600 --> 00:42:50,719 Speaker 1: cannot self implode. Uh. All loaves do matter, um and 694 00:42:50,880 --> 00:42:54,960 Speaker 1: and all members of the wrapper pack race, gender, sex 695 00:42:56,160 --> 00:42:58,839 Speaker 1: or or or other, they're all. They all matter. All 696 00:42:58,920 --> 00:43:01,200 Speaker 1: you have to do to down with the Wrappa Pack 697 00:43:01,600 --> 00:43:04,280 Speaker 1: is to be down with the Iron Rapports stereo podcast. 698 00:43:04,320 --> 00:43:12,600 Speaker 1: We have representatives from France, Australia, all over the United States, Uh, Calcil, Thailand. 699 00:43:13,239 --> 00:43:16,719 Speaker 1: Um where where where else have we seen? For Italy? Uh? 700 00:43:16,920 --> 00:43:19,839 Speaker 1: Somebody he we have a great fan in Italy. He's 701 00:43:20,000 --> 00:43:24,200 Speaker 1: he's translating um my fox Styllars buck Wild. He he 702 00:43:24,280 --> 00:43:27,800 Speaker 1: did it in Italy. It sounded like poetry. Um he 703 00:43:28,239 --> 00:43:30,920 Speaker 1: called me. Uh, I think the l gringo man dingo. 704 00:43:31,520 --> 00:43:34,160 Speaker 1: But now to find out that there's there's interfighting within 705 00:43:34,239 --> 00:43:38,520 Speaker 1: the wrapper pack, there's no pack on pack crime. There 706 00:43:38,560 --> 00:43:41,239 Speaker 1: there never can be any pack on pack crime. I 707 00:43:41,239 --> 00:43:42,560 Speaker 1: don't know if we need to come out with like 708 00:43:43,040 --> 00:43:46,640 Speaker 1: a song like self destruction, uh, or we're all in 709 00:43:46,719 --> 00:43:50,160 Speaker 1: the same gang or something like that. Amonetti, do you 710 00:43:50,239 --> 00:43:53,440 Speaker 1: want to add to this because I find this very upsetting. Um, 711 00:43:53,560 --> 00:43:55,080 Speaker 1: I told you I I I didn't I text you 712 00:43:55,120 --> 00:43:57,280 Speaker 1: and say this is very upsetting to me. You're you're laughing, 713 00:43:57,360 --> 00:43:59,520 Speaker 1: like thinking this is a joke, like this is not serious. 714 00:44:00,040 --> 00:44:02,560 Speaker 1: He's chime in, You're a peaceful guy. They used to 715 00:44:02,640 --> 00:44:07,120 Speaker 1: call you fun loving as a kid. I have to say, 716 00:44:07,600 --> 00:44:12,680 Speaker 1: we're all in the same pack, right right, that's it. Yeah, 717 00:44:13,600 --> 00:44:16,520 Speaker 1: you know, I don't know, I don't know. I'm just 718 00:44:16,760 --> 00:44:19,800 Speaker 1: uh please, I'm begging. I'm begging the rapper pack to stop, 719 00:44:20,440 --> 00:44:24,960 Speaker 1: to to to stop fighting with each other. Um. They 720 00:44:25,080 --> 00:44:29,000 Speaker 1: fired Kurt Schilling from ESPN, And you know, at first 721 00:44:29,040 --> 00:44:31,839 Speaker 1: I was thinking, you know, like maybe they did him wrong. 722 00:44:31,920 --> 00:44:36,840 Speaker 1: But but Kurt Schilling, he's a fucking whack job. He's 723 00:44:36,880 --> 00:44:39,120 Speaker 1: been he's been saying wild shipped for a long time, 724 00:44:39,600 --> 00:44:41,400 Speaker 1: and and and all those I get some of the 725 00:44:41,440 --> 00:44:43,400 Speaker 1: things he says. You know, if you're if you have 726 00:44:44,680 --> 00:44:48,040 Speaker 1: a broadcasting job for for a major company like ESPN. 727 00:44:48,440 --> 00:44:50,439 Speaker 1: You need to get control of yourself. And of course 728 00:44:50,719 --> 00:44:53,800 Speaker 1: I never liked Kurt Schilling from from the fact that 729 00:44:53,840 --> 00:44:55,759 Speaker 1: he was a red sock with his famous you know, 730 00:44:55,840 --> 00:44:59,480 Speaker 1: bloody red sock. Uh. We don't work for ESPN, so 731 00:44:59,600 --> 00:45:04,120 Speaker 1: we we could finish show off what Kirtchling was talking about. Uh. 732 00:45:04,360 --> 00:45:06,839 Speaker 1: There's a show on on on Amazon that I really 733 00:45:06,960 --> 00:45:12,200 Speaker 1: like called Transparent. Uh, Emmy Award winning show. It's about 734 00:45:12,239 --> 00:45:18,319 Speaker 1: a sort of dysfunctional, functional family in California and the patriarch, 735 00:45:18,840 --> 00:45:22,280 Speaker 1: the father of the family. This is before Bruce Jenner 736 00:45:22,360 --> 00:45:26,320 Speaker 1: came out. The father of the family, UH, decides he 737 00:45:27,120 --> 00:45:30,000 Speaker 1: wants to get he's a transgender. YadA, YadA. It's very 738 00:45:30,040 --> 00:45:35,040 Speaker 1: well written, very very well directed. Um, I enjoy it. UM. 739 00:45:35,360 --> 00:45:38,120 Speaker 1: I like the show, although sometimes I'm like, what the 740 00:45:38,200 --> 00:45:42,520 Speaker 1: funk is going on? Um? But but but they are 741 00:45:42,920 --> 00:45:46,200 Speaker 1: on the set of Transparent, which I watched both seasons 742 00:45:46,239 --> 00:45:49,839 Speaker 1: and loved. On the set of this show, there's been 743 00:45:49,920 --> 00:45:54,560 Speaker 1: some beef because the real cast um and the extras, 744 00:45:54,840 --> 00:45:59,360 Speaker 1: they have actual transgender people on the set and in 745 00:45:59,440 --> 00:46:01,759 Speaker 1: the product and so and so and so and so, 746 00:46:02,200 --> 00:46:06,680 Speaker 1: and the crew on the show Transparent is getting upset 747 00:46:06,760 --> 00:46:09,239 Speaker 1: because now they want to have what is it called, 748 00:46:09,280 --> 00:46:12,800 Speaker 1: They want to have no rules and regulations in the bathroom. 749 00:46:12,880 --> 00:46:17,800 Speaker 1: They want to have all access bathrooms, and and and 750 00:46:17,960 --> 00:46:22,000 Speaker 1: and I want to say a few things about this Monetti. 751 00:46:22,280 --> 00:46:24,560 Speaker 1: When you've been out and about, have you ever been 752 00:46:24,640 --> 00:46:29,040 Speaker 1: in an in a um a co ed bathroom, like 753 00:46:29,320 --> 00:46:30,920 Speaker 1: like in a restaurant. I've been to a couple of them, 754 00:46:31,040 --> 00:46:32,520 Speaker 1: and in a couple of restaurants in l A, a 755 00:46:32,560 --> 00:46:34,560 Speaker 1: couple of restaurants in the city, and a couple of nightclubs. 756 00:46:34,560 --> 00:46:39,080 Speaker 1: You've ever been in a bathroom where it's men and women? Yeah? Now, 757 00:46:39,360 --> 00:46:42,359 Speaker 1: I gotta tell you this. Me, as a man, when 758 00:46:42,400 --> 00:46:46,799 Speaker 1: I'm taking a squirt at a urinal, okay, and I'm 759 00:46:46,880 --> 00:46:49,319 Speaker 1: standing there with my with my loaf in my hand, 760 00:46:50,160 --> 00:46:54,399 Speaker 1: I don't want to see another woman walking to want 761 00:46:54,440 --> 00:46:57,279 Speaker 1: to go into the stall. And I'm pretty sure I'm 762 00:46:57,280 --> 00:47:00,160 Speaker 1: not gonna speak on all women. I'm pretty sure there's 763 00:47:00,239 --> 00:47:02,759 Speaker 1: no woman out there in the world that wants to 764 00:47:02,880 --> 00:47:06,040 Speaker 1: walk into a bathroom and see me, the gringo man dingo, 765 00:47:06,320 --> 00:47:10,080 Speaker 1: holding my loaf taking a piss while you're going to 766 00:47:10,160 --> 00:47:14,840 Speaker 1: clean yourself off or powder yourself up from dinner, correct 767 00:47:14,920 --> 00:47:16,719 Speaker 1: me if I'm wrong, But but do you do you 768 00:47:16,800 --> 00:47:18,960 Speaker 1: think that there's any woman out there in the world 769 00:47:19,280 --> 00:47:21,880 Speaker 1: that wants to walk into a bathroom? And I'm as 770 00:47:21,920 --> 00:47:26,640 Speaker 1: good as it gets. Men's rooms are a disgusting, vile place. 771 00:47:27,560 --> 00:47:30,239 Speaker 1: I don't know. Women don't want to come in there 772 00:47:30,320 --> 00:47:34,200 Speaker 1: for that ship and and no woman wants to walk 773 00:47:34,360 --> 00:47:38,240 Speaker 1: into any place while ten or eleven guys are holding 774 00:47:38,320 --> 00:47:41,359 Speaker 1: their loaves. And because most of the time we talk 775 00:47:41,440 --> 00:47:43,400 Speaker 1: to correct me from wrong, Moon Eddie. When you're in 776 00:47:43,480 --> 00:47:45,719 Speaker 1: the bathroom when the door opens, don't you look over 777 00:47:45,800 --> 00:47:47,560 Speaker 1: your shoulder. It's just like a habit, like you look 778 00:47:47,600 --> 00:47:49,560 Speaker 1: back to see what's going like. It's just a habit 779 00:47:49,680 --> 00:47:51,760 Speaker 1: for me. I always kind of peek over my shoulder. 780 00:47:52,719 --> 00:47:55,600 Speaker 1: I'm gonna double take if I see some woman walk 781 00:47:55,640 --> 00:47:57,520 Speaker 1: in there. And imagine a woman walks in there and 782 00:47:57,719 --> 00:48:02,040 Speaker 1: eleven twelve dudes who are piss singing a urinal they 783 00:48:02,120 --> 00:48:04,960 Speaker 1: make eye contact with this woman. She she doesn't want 784 00:48:05,000 --> 00:48:08,320 Speaker 1: to come in there to powder herself off or to 785 00:48:08,400 --> 00:48:12,520 Speaker 1: go to the bathroom. It's it is dangerous because, like 786 00:48:12,560 --> 00:48:13,920 Speaker 1: I said, I'm as good as it gets. I'm not 787 00:48:13,960 --> 00:48:17,680 Speaker 1: gonna say anything to you I'm civilized. I'm you know, 788 00:48:17,800 --> 00:48:20,080 Speaker 1: although I'm the green old man dingo, I am civilized. 789 00:48:20,360 --> 00:48:22,040 Speaker 1: You know. You know, it's two or three in the morning. 790 00:48:22,360 --> 00:48:25,279 Speaker 1: Guy's got a little drinking. Them women come in there. 791 00:48:25,800 --> 00:48:28,279 Speaker 1: I just don't think it's appropriate. Men kiss all over 792 00:48:28,360 --> 00:48:31,239 Speaker 1: the floor and nasty fox and then you have me 793 00:48:31,360 --> 00:48:34,600 Speaker 1: in a corner taking a nuclear dump. Right, do you 794 00:48:34,760 --> 00:48:38,719 Speaker 1: think that any woman wants to walk into a bathroom 795 00:48:39,200 --> 00:48:47,440 Speaker 1: with Gimo Netti taking a dog shit? And so listen, 796 00:48:47,520 --> 00:48:51,959 Speaker 1: I don't know what how they resolve this ship. I listen. 797 00:48:52,320 --> 00:48:56,600 Speaker 1: We're we're pro woman, We're pro gay and lesbian community, 798 00:48:56,719 --> 00:48:59,000 Speaker 1: top to bottom. We we were invited to go to 799 00:48:59,080 --> 00:49:02,239 Speaker 1: North Carolina and podcast. We will not podcast down in 800 00:49:02,320 --> 00:49:05,040 Speaker 1: North Carolina. Well, what's wrong with what's what they what 801 00:49:05,120 --> 00:49:07,000 Speaker 1: they're doing down here? No, no, no wait, let me 802 00:49:07,160 --> 00:49:08,920 Speaker 1: let me stay on this, Let me stay on this. 803 00:49:10,640 --> 00:49:13,680 Speaker 1: They now they have these transgender on this set of 804 00:49:13,880 --> 00:49:17,080 Speaker 1: the set of the show Transparent. They want these bathrooms 805 00:49:17,200 --> 00:49:20,239 Speaker 1: where it's all for one, one for all bathroom. And 806 00:49:20,320 --> 00:49:22,719 Speaker 1: if you've you've been on sets before, these bathrooms are 807 00:49:22,840 --> 00:49:27,759 Speaker 1: small on on movie and television sets. Now, like men 808 00:49:27,880 --> 00:49:29,600 Speaker 1: don't want to be in there. With the with the women, 809 00:49:29,640 --> 00:49:31,040 Speaker 1: and the women don't want to be in there with 810 00:49:31,160 --> 00:49:33,000 Speaker 1: the men. I don't know what to say about this. 811 00:49:33,120 --> 00:49:34,719 Speaker 1: This is this is getting too far. And if you 812 00:49:34,880 --> 00:49:37,200 Speaker 1: buck up at it, if you don't say that you're 813 00:49:37,280 --> 00:49:39,120 Speaker 1: totally down with it. If you don't say that you 814 00:49:39,280 --> 00:49:41,719 Speaker 1: totally agree with it, you, you know what, You're considered 815 00:49:42,440 --> 00:49:45,239 Speaker 1: a homophobe. You you you're not you don't support the 816 00:49:45,320 --> 00:49:49,480 Speaker 1: gay and lesbian community, you're not trans passionate, and all 817 00:49:49,520 --> 00:49:52,560 Speaker 1: these other different things. Sorry, I don't know what to 818 00:49:52,640 --> 00:49:55,400 Speaker 1: tell you. Listen, we need to figure it out for everybody, 819 00:49:55,560 --> 00:49:57,520 Speaker 1: but it needs to be for everybody. This ship can't 820 00:49:57,520 --> 00:49:59,160 Speaker 1: be forced on your throw. And if you don't agree 821 00:49:59,200 --> 00:50:01,840 Speaker 1: with it a hundred, if you're not on board with it, 822 00:50:02,080 --> 00:50:04,960 Speaker 1: you're labeled as a homophobe. And and and you know, 823 00:50:05,360 --> 00:50:07,719 Speaker 1: some sort of hater. I'm not a hater, but I 824 00:50:08,120 --> 00:50:12,560 Speaker 1: certainly don't want my son walking into the bathroom with 825 00:50:12,719 --> 00:50:15,680 Speaker 1: some Andre the giant ass dude in address is scared 826 00:50:15,719 --> 00:50:17,239 Speaker 1: the shoot out of myself when I'm not there. You 827 00:50:17,360 --> 00:50:21,719 Speaker 1: you have a daughter, right, moody? Yeah? And I wonder 828 00:50:21,800 --> 00:50:24,240 Speaker 1: do these transgender people like do they want their kids 829 00:50:24,719 --> 00:50:28,480 Speaker 1: in the bathroom were just any Joe Schmo, woman or man, Like, 830 00:50:28,560 --> 00:50:30,600 Speaker 1: if you have a son, a woman shouldn't be able 831 00:50:30,640 --> 00:50:32,279 Speaker 1: to come into the bathroom. And they're like, if you 832 00:50:32,360 --> 00:50:34,239 Speaker 1: have an eleven year old like my my, my kids 833 00:50:34,280 --> 00:50:36,520 Speaker 1: are older, they can go into the bathroom by themselves. 834 00:50:37,000 --> 00:50:39,280 Speaker 1: But when they're little kids at school, it's the boy's 835 00:50:39,360 --> 00:50:41,399 Speaker 1: room in the girl's room. So if you send your 836 00:50:41,440 --> 00:50:43,560 Speaker 1: thirteen year old, you're twelve year old into the bathroom 837 00:50:43,600 --> 00:50:47,080 Speaker 1: at the movie theater and walks a woman, that's not 838 00:50:47,480 --> 00:50:51,719 Speaker 1: that's not comfortable for them. And why do they have 839 00:50:51,800 --> 00:50:54,440 Speaker 1: a problem with just why wouln't we just have separate 840 00:50:54,480 --> 00:50:58,000 Speaker 1: bathrooms for them? But they don't want that. I don't know, 841 00:50:58,480 --> 00:51:01,920 Speaker 1: I don't know. It's expensive, it's an ag solution. You 842 00:51:02,080 --> 00:51:05,600 Speaker 1: just don't want to have another bathroom for you, but 843 00:51:06,320 --> 00:51:09,440 Speaker 1: you have to do that unless you shouldn't cut off 844 00:51:10,000 --> 00:51:14,120 Speaker 1: right right, that's right. I I don't know how it's 845 00:51:14,160 --> 00:51:16,920 Speaker 1: gonna work. But but I'm not gonna be uh you know, 846 00:51:17,360 --> 00:51:20,160 Speaker 1: pushed around and considered that. Uh you know I'm not 847 00:51:20,320 --> 00:51:23,440 Speaker 1: compassionate and that you know that I'm not this, I'm 848 00:51:23,520 --> 00:51:26,359 Speaker 1: not that just because I don't agree with these things. 849 00:51:26,560 --> 00:51:28,799 Speaker 1: And and that's what it's being. You're being manipulated, you're 850 00:51:28,840 --> 00:51:31,920 Speaker 1: being bullied. It's essentially they're bullying people that don't agree 851 00:51:32,000 --> 00:51:35,880 Speaker 1: with them. Pent I don't agree with that ship. It's bullshit. 852 00:51:36,800 --> 00:51:39,719 Speaker 1: And another thing, you know, a couple of episodes ago, 853 00:51:39,920 --> 00:51:42,919 Speaker 1: Uh Monetti, you were talking about the I Am Kate 854 00:51:43,160 --> 00:51:47,680 Speaker 1: um Uh show and you refer to one of the 855 00:51:48,040 --> 00:51:52,840 Speaker 1: cast members as um James Harrison. No, I don't know 856 00:51:53,680 --> 00:51:58,279 Speaker 1: that you refer to the the the African American transgender 857 00:51:58,360 --> 00:52:03,640 Speaker 1: person on on the on the show there as uh. Oh, yeah, 858 00:52:03,760 --> 00:52:06,240 Speaker 1: that's what you said. And and and we got our email, 859 00:52:06,239 --> 00:52:12,240 Speaker 1: and I wanted to address the email. Listen, listen here, listen. 860 00:52:13,160 --> 00:52:16,600 Speaker 1: If you take what we're doing here at the Iron 861 00:52:16,680 --> 00:52:22,480 Speaker 1: Reports Stereo podcast seriously and sincerely, God bless you. I 862 00:52:22,800 --> 00:52:25,680 Speaker 1: appreciate it, but you got the wrong podcast. You need 863 00:52:25,760 --> 00:52:29,160 Speaker 1: to go down the dial funk with NPR or Anderson 864 00:52:29,239 --> 00:52:32,439 Speaker 1: Cooper or somebody who knows what the funk they're talking about. 865 00:52:32,480 --> 00:52:37,360 Speaker 1: We pride ourselves are not fact checking shit. Our opinions 866 00:52:37,400 --> 00:52:41,160 Speaker 1: are our opinions. They're fun, they're exaggerated, and and and 867 00:52:41,360 --> 00:52:45,600 Speaker 1: we never intentionally mean to offend anybody, but of course 868 00:52:45,719 --> 00:52:48,440 Speaker 1: that's part of uh, you know, being uh you know, 869 00:52:48,800 --> 00:52:54,040 Speaker 1: the the greatest uh stereo podcast out there. Uh, it's 870 00:52:54,080 --> 00:52:57,759 Speaker 1: gonna happen. Um. So, I don't know what to say 871 00:52:58,120 --> 00:53:00,200 Speaker 1: about that. I'm sorry that you were offending that g 872 00:53:00,360 --> 00:53:04,880 Speaker 1: Monetti referred to uh, the African American transgender as a 873 00:53:04,960 --> 00:53:07,759 Speaker 1: little black one. But but but I don't think it 874 00:53:07,880 --> 00:53:10,319 Speaker 1: was meant to to to to be in any kind 875 00:53:10,360 --> 00:53:14,279 Speaker 1: of way. Um, I'm I'm black. Yeah, I don't know 876 00:53:14,320 --> 00:53:16,120 Speaker 1: what to tell you. But but I don't remember the 877 00:53:16,160 --> 00:53:18,840 Speaker 1: woman's name, but she she sent us a few emails. 878 00:53:18,880 --> 00:53:21,239 Speaker 1: She was she was offended, and and we're we're we're, 879 00:53:21,360 --> 00:53:27,600 Speaker 1: um humbly responding the best we can. Um, I don't 880 00:53:27,600 --> 00:53:29,880 Speaker 1: know what's popping, Miles. Let me get some funk, Let 881 00:53:29,920 --> 00:53:32,400 Speaker 1: me let let me, let me breathe and get my 882 00:53:32,480 --> 00:53:35,120 Speaker 1: thoughts together. What what else is crack of Monetti? Play 883 00:53:35,160 --> 00:53:37,359 Speaker 1: play me some of that left rack, that left wrack, 884 00:53:38,400 --> 00:53:40,640 Speaker 1: get that left wrack on? What? What? What? What? What? 885 00:53:40,800 --> 00:53:44,120 Speaker 1: What's good? Monetti? Man? It's a lot of things going on, man, 886 00:53:44,960 --> 00:53:48,439 Speaker 1: A lot of crazy stuff. I see uh cats still 887 00:53:48,560 --> 00:53:54,480 Speaker 1: dancing and ship well where like you know, guys, I 888 00:53:54,560 --> 00:53:57,400 Speaker 1: see the videos that all guys dancing together. They're in 889 00:53:57,480 --> 00:54:02,320 Speaker 1: the clubs, you know, they're all all dancing together. And 890 00:54:02,400 --> 00:54:05,120 Speaker 1: that got me to thinking, like, you know, I've known 891 00:54:05,160 --> 00:54:07,560 Speaker 1: you for a long time, man, and we went to 892 00:54:07,680 --> 00:54:10,320 Speaker 1: all the hip hop clubs, all the Beaunion Squares and 893 00:54:10,400 --> 00:54:13,080 Speaker 1: all that. We never went to the club with the 894 00:54:13,200 --> 00:54:17,880 Speaker 1: intention of me and you dancing together. No, No, the 895 00:54:18,000 --> 00:54:22,360 Speaker 1: attention was to maybe hopefully get a number, dance with 896 00:54:22,480 --> 00:54:25,360 Speaker 1: a chick, rub up on a little suthing, right, and 897 00:54:25,480 --> 00:54:28,640 Speaker 1: then hit me break out. Yeah. I never ever went 898 00:54:28,719 --> 00:54:32,239 Speaker 1: to a club with the intention of dancing with Gimonetti ever, 899 00:54:32,960 --> 00:54:37,320 Speaker 1: and and and and just dismiss and ignore all the chicken. 900 00:54:37,680 --> 00:54:40,320 Speaker 1: Why that's what brothers. I can't understand it because I 901 00:54:40,480 --> 00:54:42,759 Speaker 1: know how we used to do it with right, Yeah, 902 00:54:42,760 --> 00:54:44,719 Speaker 1: I don't under trying to we're trying to get so 903 00:54:46,840 --> 00:54:50,239 Speaker 1: we went to the clubs for a long I never ever, ever, even, 904 00:54:50,480 --> 00:54:52,960 Speaker 1: it never crossed my mind to try to dance with 905 00:54:53,120 --> 00:54:56,479 Speaker 1: you in the club, Gimonetti, and I consider you a brother, 906 00:54:57,360 --> 00:54:59,439 Speaker 1: but it was just never something that crossed my mind. 907 00:55:01,520 --> 00:55:05,560 Speaker 1: That's my point exactly. I just don't get it. I know, 908 00:55:06,280 --> 00:55:10,160 Speaker 1: I understand, I understand. It's the Iron Rapports stereo podcast. 909 00:55:10,960 --> 00:55:13,239 Speaker 1: Uh we're coming live and direct. You know, I was 910 00:55:13,280 --> 00:55:17,240 Speaker 1: looking at this, uh a little Kim, you know, put pictures. 911 00:55:17,280 --> 00:55:21,200 Speaker 1: She's so proud on her Instagram of her transformation. So 912 00:55:21,480 --> 00:55:24,920 Speaker 1: it got me to thinking about a k Arst lyric. 913 00:55:25,640 --> 00:55:29,720 Speaker 1: And it's like, if you're not ashamed of original black, 914 00:55:30,280 --> 00:55:33,480 Speaker 1: then why does your hair look like that? Why is 915 00:55:33,560 --> 00:55:37,440 Speaker 1: your nose straighter from surgery? I think you are in 916 00:55:37,520 --> 00:55:42,480 Speaker 1: the You're really in a state of emergency. This woman 917 00:55:44,200 --> 00:55:51,680 Speaker 1: is really sad. It's it's the outward expression of internalized 918 00:55:52,200 --> 00:55:58,080 Speaker 1: self hatred. Damn all of it. I I gotta tell you, man, 919 00:55:58,200 --> 00:56:01,400 Speaker 1: I saw those pictures that little Kim. It's been all 920 00:56:01,440 --> 00:56:05,560 Speaker 1: over the internet somehow or another. She's transformed herself into 921 00:56:05,600 --> 00:56:08,480 Speaker 1: a fifteen year old white girl. I've never seen anything 922 00:56:08,560 --> 00:56:12,280 Speaker 1: like this, ship little Jinny, like little Penny, little Jenny. 923 00:56:12,360 --> 00:56:14,800 Speaker 1: You know. She looks like Kylie Jenner or something like that. 924 00:56:15,760 --> 00:56:17,960 Speaker 1: I don't know, like Marcia Brady. She don't even look 925 00:56:18,000 --> 00:56:21,439 Speaker 1: like she got it. Looks crazy, man, And I don't 926 00:56:21,560 --> 00:56:24,400 Speaker 1: understand what she's doing to herself. She's ruined her face, 927 00:56:25,280 --> 00:56:27,959 Speaker 1: ruined a whole look. And if she ever had any 928 00:56:28,080 --> 00:56:33,560 Speaker 1: chance of continuing to be um, you know, considered uh 929 00:56:34,160 --> 00:56:38,120 Speaker 1: anything in hip hop, she can't. I don't care if 930 00:56:38,160 --> 00:56:40,440 Speaker 1: she made the best song she's ever made. The way 931 00:56:40,520 --> 00:56:45,120 Speaker 1: she looks is it's so distracting, it's so crazy, and 932 00:56:45,320 --> 00:56:47,759 Speaker 1: and you know, I don't think anyone can ever take 933 00:56:47,800 --> 00:56:49,719 Speaker 1: her serious, because if you're looking at her, you'll just 934 00:56:49,800 --> 00:56:53,240 Speaker 1: be like baffled. You'd be you'd be shocked and awed 935 00:56:53,880 --> 00:56:57,040 Speaker 1: by what she's done to herself. It's it's it's it's 936 00:56:57,280 --> 00:57:01,839 Speaker 1: it's the watermelon man. It's like Godfrey Cambridge ship. It's 937 00:57:01,920 --> 00:57:05,000 Speaker 1: it's it's I'm gonna say what it really is. It's 938 00:57:05,200 --> 00:57:08,240 Speaker 1: trader ship. It's like for me as a black person 939 00:57:08,960 --> 00:57:13,040 Speaker 1: to see another it's like you're a fucking trader. It's like, Yo, 940 00:57:13,800 --> 00:57:17,160 Speaker 1: you shouldn't be allowed to come back to the black community. Man. 941 00:57:17,760 --> 00:57:20,400 Speaker 1: You shouldn't be. You shouldn't be. There's certain ships you 942 00:57:20,480 --> 00:57:23,400 Speaker 1: need to just be expelled. It's the funk out of here, man. 943 00:57:23,480 --> 00:57:25,960 Speaker 1: I I you know, I hear you. I hear you. Man. 944 00:57:26,160 --> 00:57:28,520 Speaker 1: You know I'm not witning none of that. Love yourself? 945 00:57:29,160 --> 00:57:33,160 Speaker 1: And what does that tell her fans, the little fans 946 00:57:33,240 --> 00:57:37,800 Speaker 1: that maybe like her. It's bad man, when she did 947 00:57:37,880 --> 00:57:41,400 Speaker 1: to her her face and her body is really way 948 00:57:41,480 --> 00:57:45,480 Speaker 1: out there, is really really way out there. You expect 949 00:57:45,520 --> 00:57:47,760 Speaker 1: to get pats on the back for that. You're not 950 00:57:47,920 --> 00:57:52,040 Speaker 1: Christine Aguilera. She trying to look like Christine Aguilera, Britney 951 00:57:52,080 --> 00:57:55,120 Speaker 1: Spears or some ship. She's not. Yeah, I wonder what's 952 00:57:55,120 --> 00:57:59,160 Speaker 1: the target. It's it's it's some white chick that's the 953 00:57:59,280 --> 00:58:03,280 Speaker 1: target in her head. Fara Fawcett, like Jane Palley and 954 00:58:03,320 --> 00:58:05,240 Speaker 1: one of the motherfucker's from back in the day. Yeah, 955 00:58:05,280 --> 00:58:07,680 Speaker 1: I don't know. I don't know what she did, man, 956 00:58:07,760 --> 00:58:10,919 Speaker 1: little Kim. She she's I don't know, man, she she's 957 00:58:10,920 --> 00:58:13,840 Speaker 1: like Benjamin Button. Ship's like she went backwards like she 958 00:58:14,000 --> 00:58:18,520 Speaker 1: just like, I don't know, what's the gentrification ship? Trying 959 00:58:18,560 --> 00:58:24,680 Speaker 1: to stay in best stop trying to blend in ship. Yeah, 960 00:58:24,680 --> 00:58:27,400 Speaker 1: but then again we're not. I'm not taking responsibility for 961 00:58:27,440 --> 00:58:29,920 Speaker 1: that ship. Dude. What was the other thing you tried 962 00:58:29,960 --> 00:58:31,840 Speaker 1: to put on put on put on me that I 963 00:58:31,920 --> 00:58:36,400 Speaker 1: said I denied the feminization clothing. Oh yeah, you tried 964 00:58:36,440 --> 00:58:39,560 Speaker 1: to blame me for that ship. I'm not taking responsibility 965 00:58:39,600 --> 00:58:43,919 Speaker 1: for that, yo. The NBA, he's gonna have to shut 966 00:58:44,000 --> 00:58:46,720 Speaker 1: down is all his dancers. Yeah, they're gonna have to 967 00:58:46,760 --> 00:58:48,960 Speaker 1: do it. They're gonna have to shut because it's making 968 00:58:48,960 --> 00:58:51,200 Speaker 1: a mockery out of the game and dudes are gonna 969 00:58:51,200 --> 00:58:53,240 Speaker 1: start fighting. It's gonna be the dancer. It's it's like 970 00:58:53,320 --> 00:58:56,160 Speaker 1: the the the the the fucking Jets in the UH 971 00:58:56,560 --> 00:58:58,880 Speaker 1: and the Sharks. It's like West Side Story out there. 972 00:58:59,360 --> 00:59:01,800 Speaker 1: It looks like the West Side Story before an NBA 973 00:59:01,880 --> 00:59:06,640 Speaker 1: playoff game that that's not good. Imagine you're seeing Sydney 974 00:59:06,720 --> 00:59:11,320 Speaker 1: Moncreiff and Ricky Pierce doing the fucking huckle Buck before 975 00:59:11,360 --> 00:59:14,520 Speaker 1: the game. Yeah, you see Moses Malone and Doc Irving 976 00:59:15,080 --> 00:59:20,000 Speaker 1: doing the fucking electric slide before Game five of the playoffs. 977 00:59:21,000 --> 00:59:23,960 Speaker 1: I say game five because they said Fox Foe, but 978 00:59:24,000 --> 00:59:27,360 Speaker 1: it was really foe five fold. Imagine that, and they 979 00:59:27,480 --> 00:59:31,240 Speaker 1: do an electric slide, Doc and Maurice's cheeks and Moses 980 00:59:31,280 --> 00:59:33,240 Speaker 1: Malone is at the head of the line ship with 981 00:59:33,480 --> 00:59:39,800 Speaker 1: with his knee braces were come on, man, Adam Silver, Yeah, 982 00:59:40,560 --> 00:59:42,720 Speaker 1: you're gonna have to do something. Man. It's one thing, 983 00:59:42,800 --> 00:59:46,360 Speaker 1: like the game should absolutely be entertainment, but but it's 984 00:59:46,400 --> 00:59:51,800 Speaker 1: it's it's not fucking dancing terry out there. Fucking rerunning ship. 985 00:59:52,600 --> 00:59:54,600 Speaker 1: You know that. I read an article that they say, 986 00:59:56,080 --> 00:59:58,480 Speaker 1: you know, I only quote articles that I like when 987 00:59:58,760 --> 01:00:01,000 Speaker 1: if they go my way something out. But you know 988 01:00:01,080 --> 01:00:06,440 Speaker 1: they say that, uh, people who curse a lot are 989 01:00:06,520 --> 01:00:10,240 Speaker 1: highly intelligent, and I just wanted to say that it 990 01:00:10,320 --> 01:00:12,160 Speaker 1: was it was a science alert. I read this in 991 01:00:12,240 --> 01:00:15,680 Speaker 1: an article they say, you know, you know, because I've 992 01:00:15,760 --> 01:00:19,400 Speaker 1: been accused of of not sounding intelligent because I I, well, 993 01:00:19,760 --> 01:00:23,320 Speaker 1: some people say cuss, some people say swear. I just 994 01:00:23,400 --> 01:00:26,720 Speaker 1: say that I say funk too much. Science has your 995 01:00:26,720 --> 01:00:29,680 Speaker 1: back ass. The study found out that if you have 996 01:00:29,760 --> 01:00:35,520 Speaker 1: a healthy repertoire of curses, it says that you have 997 01:00:35,600 --> 01:00:40,960 Speaker 1: a richer vocabulary than those who don't. So uh yeah, 998 01:00:41,000 --> 01:00:45,040 Speaker 1: I went again where we got it? What else? Moody 999 01:00:46,440 --> 01:00:49,760 Speaker 1: A man, I'm gonna tell you something else. I'm gonna 1000 01:00:49,760 --> 01:00:53,560 Speaker 1: say one more thing, so sorry to cut you off. Yea. 1001 01:00:53,840 --> 01:00:58,560 Speaker 1: Sometimes I engage unnecessarily with people popper Ship on Twitter. Yo, 1002 01:00:59,000 --> 01:01:02,240 Speaker 1: you're not living off the name, the game and the 1003 01:01:02,320 --> 01:01:05,400 Speaker 1: fame of the Iron Rapports stereo podcast. I'm just blocking 1004 01:01:05,480 --> 01:01:09,400 Speaker 1: you now. So if you try to talk greasy, you 1005 01:01:09,520 --> 01:01:12,920 Speaker 1: better come with something interesting or or funny because I'm 1006 01:01:12,960 --> 01:01:15,240 Speaker 1: not engaging with just any Joe Schmo just because I'm 1007 01:01:15,280 --> 01:01:18,840 Speaker 1: taking a ship while listening to your Twitter. I'm just 1008 01:01:19,000 --> 01:01:21,880 Speaker 1: blocking ship. Let the soldiers get that. Yeah, I'm gonna 1009 01:01:21,920 --> 01:01:26,640 Speaker 1: let the soldiers. I'm gonna let the the the all loving, healthy, 1010 01:01:27,360 --> 01:01:30,960 Speaker 1: uh totally functional wrapper pack get at them, and I'm 1011 01:01:31,040 --> 01:01:34,720 Speaker 1: just blocking ship. There's some some website. I'm not even 1012 01:01:34,760 --> 01:01:37,240 Speaker 1: gonna say that. I'm not even giving the credit. They 1013 01:01:37,360 --> 01:01:39,520 Speaker 1: they they're on they're trying to get my attention. They 1014 01:01:39,560 --> 01:01:41,760 Speaker 1: don't even listen learn how to There's a tea at 1015 01:01:41,800 --> 01:01:44,960 Speaker 1: my end, at the end of my name, Duke, it's Wrappaport. 1016 01:01:45,480 --> 01:01:50,360 Speaker 1: The tea ain't silent. I'm not French. No no Quissans 1017 01:01:50,440 --> 01:01:52,360 Speaker 1: over here. There's no there's none of that. There's no 1018 01:01:52,400 --> 01:01:56,000 Speaker 1: none of that. Hit the t get your mind right 1019 01:01:56,520 --> 01:02:00,320 Speaker 1: and then come talk to me. Uh Gimo that he's 1020 01:02:00,360 --> 01:02:04,440 Speaker 1: gonna be in Los Angeles soon. Uh, I don't know. 1021 01:02:04,560 --> 01:02:06,320 Speaker 1: I can't call it. We're doing a live show. We're 1022 01:02:06,320 --> 01:02:10,960 Speaker 1: gonna give the dates in Los Angeles. Um again, soft 1023 01:02:11,080 --> 01:02:14,320 Speaker 1: ass Iron, Wrapp Reports, Stereo podcast t shirts. You can 1024 01:02:14,360 --> 01:02:18,240 Speaker 1: find them at district lines dot com. Forward Slash, I 1025 01:02:18,400 --> 01:02:22,360 Speaker 1: Am Rapp Report, District Lines, forward slash, I am wrapper 1026 01:02:22,520 --> 01:02:26,880 Speaker 1: for all soft ass Iron Rapports Stereo podcast T shirts, 1027 01:02:27,400 --> 01:02:31,160 Speaker 1: I'm rocking the Jake right now and black it's beautiful. 1028 01:02:32,000 --> 01:02:39,400 Speaker 1: Uh what else? Moody Man cop them? Tse Man. Great 1029 01:02:39,440 --> 01:02:45,120 Speaker 1: design great designers, Yes, great designs, great designers. That's it man, 1030 01:02:45,400 --> 01:02:47,360 Speaker 1: that's it. What what you got? A request of a 1031 01:02:47,440 --> 01:02:50,480 Speaker 1: beat too that Miles should take us out on, Miles Davis, 1032 01:02:51,160 --> 01:02:52,720 Speaker 1: pick one? What what's some of the what's some of 1033 01:02:52,920 --> 01:02:57,160 Speaker 1: the new bangers? Man? You know what? Que back that 1034 01:02:57,280 --> 01:02:59,600 Speaker 1: left rack again? Let me get that left rack one 1035 01:02:59,640 --> 01:03:01,320 Speaker 1: more time to take us out. We we we we 1036 01:03:01,680 --> 01:03:04,160 Speaker 1: because sometimes we play these beats there like one off. 1037 01:03:04,800 --> 01:03:07,320 Speaker 1: People want to hear them again and again. Let me 1038 01:03:07,360 --> 01:03:10,520 Speaker 1: get that left rack again, Miles to see Iron Reports 1039 01:03:10,560 --> 01:03:14,400 Speaker 1: Stereo podcast and uh, we're signing off until next time. 1040 01:03:14,520 --> 01:03:16,800 Speaker 1: We're out. We're out, We're out.