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Speaker 1: Look, may oh, I see you, my ow and look

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Speaker 1: over there is that culture. Yes, goodness, lost cult.

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Speaker 2: Dang dong lost culturistas calling get into it, Mayhem in

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Speaker 2: the desert, Mayhem in the desert merch my favorite color

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Speaker 2: of the color that works best for me and my

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Speaker 2: skin tone, neon. I can't tell if you're joking, because

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Speaker 2: Matt is one of our olive toned legends, and you

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Speaker 2: really must cherish this fact about yourself. I can I say,

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Speaker 2: as a platonic person in your life, here we go.

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Speaker 2: You looked really good this weekend?

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Speaker 1: Shut up? Were you looking at my photos? Scantily clad?

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Speaker 1: I sort of went there in my photos.

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Speaker 2: You could have withheld from posting, and yet you want

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Speaker 2: to And one of these sort of fringe things that happens,

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Speaker 2: one of the fringe consequences that sometimes your friends go, oh,

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Speaker 2: sometimes your friends get a little chubb for you. It's

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Speaker 2: actually rule of culture number sixteen. Sometimes your friend friends

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Speaker 2: get a little chubb for you. Well, thanks, awkward? Wait,

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Speaker 2: can I say lefty for you?

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Speaker 1: Though? Because I've went and I went to weekend one,

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Speaker 1: We're going to weekend two. Yeah, it's going to be

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Speaker 1: twenty degrees colder in a good way. It's going to be. Yes,

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Speaker 1: it's going to be in the mid seventies for my legend. Oh,

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Speaker 1: the god said, it's Bowen Yang's first Coachella. Cool it, dad,

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Speaker 1: all the earthquake today. Heard about this when I was

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Speaker 1: driving back, couldn't feel a thing because I was gunning

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Speaker 1: it in the hov and you were you, you were

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Speaker 1: bouncing on that thing that you couldn't even Sometimes you

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Speaker 1: were just boom, boom boom. I haven't felt an earthquake once. No,

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Speaker 1: that's all. That's not true.

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Speaker 2: We were we were in Palm Springs the last time

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Speaker 2: we felt an earthquake.

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Speaker 1: That one.

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Speaker 2: Matre Jahari was sitting next to me and was there.

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Speaker 1: We were stoned.

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Speaker 2: And we were at the Tropicana eating tropical I'm sorry,

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Speaker 2: eating dinner full on earthquake. Yeah, I was eating like

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Speaker 2: my chicken piccata or whatever the fuck. And then I

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Speaker 2: was like, Mitre Juhari is shaking her ass in this booth,

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Speaker 2: what is going on? Which was unlike her, She usually

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Speaker 2: just hits very still, eat, very.

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Speaker 1: Still an eat.

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Speaker 2: And then we realized in the commotion at the restaurant

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Speaker 2: that it was an earthquake.

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Speaker 1: The loco motion Loco Motion. Kylie was not at Coachella.

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Speaker 1: She's everywhere else. She's everywhere else.

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Speaker 2: It was the New York Gay Night last week, the

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Speaker 2: Kylie Minogue concert, and I was going to try to go,

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Speaker 2: but we were at work.

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Speaker 1: And I've seen our accident nineteen times in the last year.

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Speaker 1: And that's not to say it needs to be an

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Speaker 1: accent for me to see Kylie Minogue. It just so

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Speaker 1: happens everywhere I am. Kylie MINOGUEZ. That's amazing thing. Oh,

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Speaker 1: that's so nice. You must understand how important Kylie. She's

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Speaker 1: important to the culture. She's invited on the pod. We

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Speaker 1: would have a great conversation with Kylie, starting with the

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Speaker 1: Local Motion and going all through her career. Just to

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Speaker 1: speak quickly on Gaga, it was unfucking believable. You're going

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Speaker 1: to have the best time. And also Charlie was amazing.

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Speaker 1: I'm so excited to go with you. I'm so excited.

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Speaker 1: But here's the thing. In order to sort of get there,

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Speaker 1: that we have this other milestone that's happening, which is

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Speaker 1: this episode that we're doing today. I have to say,

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Speaker 1: probably the reason I do comedy is sitting across from

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Speaker 1: us Yea and What an instant, What a nice, soothing

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Speaker 1: soul moment that it's so easy to be around her.

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Speaker 1: I walked in.

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Speaker 2: She was making coffee, stirring her monk with a knife.

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Speaker 1: It's a knife. It's a knife period period. So this

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Speaker 1: is a big day.

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Speaker 2: Bo She's already podcasting royalty number one in the land,

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Speaker 2: not even a month into the game and she's number

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Speaker 2: one in the land. Good hang on Spotify. Hey, Joe Rogan,

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Speaker 2: shut up, get bent over, pull it. It is fantastic.

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Speaker 2: Just as the title suggests, it's a good hang. We'll

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Speaker 2: talk about the format because there are some innovative things

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Speaker 2: you thought you couldn't innovate in the podcasting space. No,

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Speaker 2: you haven't met our guests. Yeah, restless like Tor's back.

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Speaker 2: One of my favorite live comedy shows in the last

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Speaker 2: lifetime of mine and my last lifetime. It's my favorite

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Speaker 2: live comedy show.

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Speaker 1: The blueprint of two people doing comedy literally it had

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Speaker 1: never been anyone before Carol Burnett and Julie Andrews. Who

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Speaker 1: that's my example, gay man, Julie Andrews and Carol Burnett

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Speaker 1: is like, that's so funny. Like you think of them

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Speaker 1: as like the comedy icon, but.

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Speaker 2: We forget about them as comedy duo icon Yeah, you

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Speaker 2: know what I mean.

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Speaker 1: They turned it. You know what we need to do.

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Speaker 1: We need to do Avid and Costello meet the Monsters.

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Speaker 1: But Matt and Bowen meet the monster. Yeah, I'm pitching

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Speaker 1: this to Universal. Have us meet the wolf Man. I'm serious.

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Speaker 1: This is a film franchise. This is Matt and Bowen

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Speaker 1: meeting the Fracula. Meet the bride of Frankenstein, Victoria Frankenstein.

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Speaker 1: We're coming for her. Have you heard about Victoria Grant Frankenstein,

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Speaker 1: the great granddaughter of Well, let's ask her after we

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Speaker 1: bring her in. Everybody. Hey, that was like being at

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Speaker 1: my own funeral. I was associating like rise like the monsters.

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Speaker 1: Have you heard about Victoria Frankenstein. Oh my gosh, don't

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Speaker 1: we asked? Seeing the same exact thing in her episode.

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Speaker 1: We didn't mean to.

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Speaker 2: Yes, and she she mixed up with Lisa Frankenstein the

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Speaker 2: Diablo Tody movie.

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Speaker 1: Okay, but have you heard about Victoria Frankenstein? Yes? I

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Speaker 1: think so. She basically so, there's the new theme park

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Speaker 1: in Universal Studios in Orlando. Epic Universe, and there's a

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Speaker 1: the Dark Universe, which is sort of like all the

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Speaker 1: Monsters and the Big Ride. In the pre show, it's

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Speaker 1: hosted by Victoria Frankenstein, who is like the girl boss,

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Speaker 1: great granddaughter of Victor Frankenstein, and her whole gig is

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Speaker 1: she wants to show that the monsters can be contained,

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Speaker 1: and she wants to basically take you around the mansion

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Speaker 1: so you can see all the monsters, and you know,

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Speaker 1: something goes wrong.

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Speaker 3: She's like domb energy, like why I got it covered?

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Speaker 3: And then yeah, she's in over her head.

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Speaker 1: No, And this just goes to show you, like women dom,

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Speaker 1: we wanted to know, should women be in charge? That's

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Speaker 1: what we're here to talk about. The answer was.

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Speaker 2: Maybe maybe, maybe for a chance.

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Speaker 1: I think because it's a theme park ride and something's

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Speaker 1: gonna go wrong, people are gonna have a lot to say.

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Speaker 1: Everyone leaving is all those Florida people leaving, Like, well, I.

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Speaker 4: Know you guys are big theme park people.

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Speaker 1: I am real not, so this is where you and

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Speaker 1: Tina sort of go.

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Speaker 3: In fact, I just did a show on Orlando and

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Speaker 3: she was very excited to get me to go on

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Speaker 3: the rides, and I did not want to go on

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Speaker 3: the rides. I'm not a theme park person, all right, Sorry,

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Speaker 3: I know it's.

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Speaker 1: The first of all, we are the ones who should

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Speaker 1: probably take a seat right reaching Our guide was talking

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Speaker 1: about you too. Wait, okay, was it samm Yeah?

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Speaker 3: Lovely and he he had the best time with you.

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Speaker 1: We had the best time with him, and he was

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Speaker 1: He was really a classic. He was the perfect prototype

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Speaker 1: of what you want that person.

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Speaker 3: Oh yeah, Disney World is overwhelming. Oh yes, one of

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Speaker 3: the and too many like too far.

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Speaker 1: Away, too far away to spread out. You spread out

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Speaker 1: a lot of the.

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Speaker 2: Same images, kind of like being projected at you from

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Speaker 2: like Plato's cave.

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Speaker 1: You know what I mean. You're like, this is this

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Speaker 1: an illusion? It's not, it's real, Like you have to

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Speaker 1: come out.

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Speaker 3: It's I'm also at an age where I don't want

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Speaker 3: to be shook anymore. Like I don't want to be

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Speaker 3: I don't like being nauseous. I don't like the lack

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Speaker 3: of control. It definitely feels like I never get to

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Speaker 3: the It's like when people say when you get a

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Speaker 3: runners high, it never happened. That's what it feels like

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Speaker 3: at those theme parks, which.

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Speaker 4: Is like, are you feeling it? And you're like, I'm

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Speaker 4: so sorry, I'm not.

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Speaker 1: I don't know, do you know what's the what's the

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Speaker 1: thing that I never realized about all theme parks until

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Speaker 1: I brought a friend who pointed it out. And then

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Speaker 1: I can't hear it every time. The music never stops.

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Speaker 1: It's always D D D. And if that's how it

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Speaker 1: is in my brain all the time, I think maybe

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Speaker 1: maybe we share that with Tina, but like, it never

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Speaker 1: stops being adventure music in my brain. And Greta was like,

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Speaker 1: it doesn't stop, does it? It never stops. I was like, oh,

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Speaker 1: I guess not.

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Speaker 3: And Dratch and Tina and I were all together and

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Speaker 3: they went and had dinner at Epcot Mexico and I

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Speaker 3: was supposed to meet them and they texted me and

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Speaker 3: they were like, you would hate it here dot com

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Speaker 3: And I was like, friends, real friend.

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Speaker 1: I literally know where they went, because those guides have

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Speaker 1: a place they take us. And then there's there's an

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Speaker 1: and there's a Neil Patrick Harris cocktail. There's a Neil

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Speaker 1: Patrick Harre's cocktails in a doogie howser cocktails and I

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Speaker 1: did love it.

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Speaker 2: Neil, I'm sorry, Rocks, that's okay. You guys are normally

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Speaker 2: so aligned on your activities on tour.

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Speaker 3: Yeah, we're pretty we we do like very similar things.

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Speaker 3: We go to Bloomingdale's, we like get us buy a sweater,

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Speaker 3: we like have you know we watched like we got

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Speaker 3: to watch the White Lotus finale in our hotel together

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Speaker 3: and that was really fun. And yeah, we do like

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Speaker 3: simple like we're.

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Speaker 1: Like, ooh, like, did you see there's like a place.

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Speaker 3: For croissants around the corner. We'll go get one. That's

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Speaker 3: about it. But yeah, this one we were not aligned.

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Speaker 2: That's okay, that's okay. But they knew that the Mexican

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Speaker 2: place was not your That is.

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Speaker 1: What a real friend.

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Speaker 4: Don't you feel like a real friend knows, don't come here.

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Speaker 1: Real sometimes says you're not invited for your own good.

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Speaker 1: That's a real culture number thirty. A real friend sometimes

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Speaker 1: says you're not invited for your own good.

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Speaker 2: We'll talk about this idea. Do you feel like your

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Speaker 2: life is scored? Because I'm watching the Pit now and

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Speaker 2: I'm loving that. It's not love the Pit.

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Speaker 1: I love that. I gotta get into the Pit, I say.

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Speaker 2: We wrote a parody of The Pit called The Ditch,

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Speaker 2: and it was East London. It took place in Shortage

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Speaker 2: medical just me Ago and John Ham speaking in East

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Speaker 2: London accents, and it was it did not do great

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Speaker 2: address because no one understood what we were saying.

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Speaker 1: So that's sometimes you got to wait for the culture

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Speaker 1: to catch up. I feel like the people are just

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Speaker 1: now talking about the pit.

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Speaker 4: Yes, yeah, I feel like TikTok loves a pit. My

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Speaker 4: TikTok loves the pit.

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Speaker 3: But I mean, I look, Noah Wiley, I've been a

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Speaker 3: no stand for twenty I mean I've I watched the

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Speaker 3: entirety of Ear three times.

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Speaker 1: That was your show.

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Speaker 3: I watched it again during the pandemic, and then I

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Speaker 3: watched it in when it came on. I used to

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Speaker 3: be doing like improv at night and waiting tables. That

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Speaker 3: was it, And I would smoke a bong at like

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Speaker 3: seven o'clock and watch er reruns Let's Go because it

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Speaker 3: used to be on like TNT, right, and then like

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Speaker 3: go to work or go to a comedy show. And

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Speaker 3: so I feel like I've known Noah forever.

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Speaker 1: Yeah, And to see him back in Scrubs has to

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Speaker 1: be surreal.

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Speaker 3: Yeah, And you know, doctor Robbie's not in scrubs. He's

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Speaker 3: got audio, he has a hoodie.

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Speaker 1: Why I need to watch the Pit? He's you know

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Speaker 1: it's up. Yeah, but it's so good. It's so good

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Speaker 1: a bong. Huh you were for real?

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Speaker 4: I used to Yeah, that was back, you know.

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Speaker 3: God, let's see ninety I was living in the East Village,

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Speaker 3: so I was twenty six maybe.

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Speaker 1: Very similarly too old to know. My our friend Dave

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Speaker 1: had a bong probably until we were twenty seven and

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Speaker 1: then twenty eight, and then it broke, which is the

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Speaker 1: only reason we stopped using it. But I couldn't believe

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Speaker 1: how high I We get to watch Homeland, like fully,

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Speaker 1: Claire Dane's having a very real breakdown, Like we have

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Speaker 1: to get her in that chair at some point and

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Speaker 1: be like, how did you survive? Because she's shaking and

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Speaker 1: convulsing because of her own brain. And I'm sitting there

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Speaker 1: so high, like just taking that.

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Speaker 3: Actually, when I was coming up here in the elevator,

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Speaker 3: there was a gentleman, a gentleman, a nice young gentleman,

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Speaker 3: and a young a chart with all this red string

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Speaker 3: and they and it smelled so much like weed.

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Speaker 1: They really really reeked of weed. And I was.

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Speaker 3: Like, oh, I thought to myself, oh weed, remember that,

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Speaker 3: Like it's been so long and I just had that.

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Speaker 3: It was like nostalgic.

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Speaker 2: Yeah, we might be hitting that developmental time now between

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Speaker 2: the two of us.

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Speaker 1: Well, I don't know, I don't know. I was so back,

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Speaker 1: Oh yeah you were. Well, actually it is it gets

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Speaker 1: What I like now is that there's so it's such

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Speaker 1: a science now that you can kind of know exactly

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Speaker 1: what it is. Yeah, yeah, I'm yeah.

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Speaker 3: That was a different time, and I felt like I

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Speaker 3: had no real responsibilities. Even though I felt like my

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Speaker 3: life was overwhelming, I didn't have a lot of responsibility.

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Speaker 3: So it was like, okay if I was a little stone.

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Speaker 3: But now I don't think I could handle it not anymore.

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Speaker 2: I think my ideal trip, that my ideal trip is

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Speaker 2: what you and I have connected on, which is what

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Speaker 2: you've talked about in the last time I saw Wrestless Slug,

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Speaker 2: which was going to Iceland one of your sons or

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Speaker 2: both of them.

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Speaker 1: Yeah, with one of my sons just enjoying, just getting

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Speaker 1: high off of nature. Yes, how about that.

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Speaker 3: Well, I also think that I've gotten to a point where,

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Speaker 3: I mean I don't barely drink anymore. Where I know

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Speaker 3: this sounds super cheesy, but actually being conscious, like actually

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Speaker 3: just being in the moment is like is like a

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Speaker 3: high is a win because I'm always future tripping or

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Speaker 3: I'm always thinking about what I just said or did,

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Speaker 3: and I just feel such less personality hangover in general

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Speaker 3: when I'm not altered. So I'm not that into being

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Speaker 3: altered right now, wow with like and also I'm older

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Speaker 3: and it just like you need a lot of time

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Speaker 3: to recover.

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Speaker 4: And I stopped drinking right before.

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Speaker 3: The pandemic and was really grateful that I didn't really

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Speaker 3: do it during it. And now it's not a it's

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Speaker 3: not I'm not in a program or anything, but just

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Speaker 3: like every once in a while, maybe have a thing,

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Speaker 3: but I.

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Speaker 1: Don't really need it, and it feels very good yea. Honestly,

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Speaker 1: whenever I take my like six weeks, I feel like, Wow,

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Speaker 1: this is the new me. But I had over. I

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Speaker 1: don't know what weeks. I don't know what it is

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Speaker 1: about the past two years. But maybe it's just mid

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Speaker 1: thirties where I'm just like sobriety maybe and then i'm

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Speaker 1: and then and then like that all goes away. I'm like, nah,

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Speaker 1: not for me. Yeah, I do think I can. If

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Speaker 1: I can look to the future, I can see it

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Speaker 1: for myself. At some point I can see it.

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Speaker 3: Alcohol is poison, that's yeah, but it's okay. You know,

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Speaker 3: you can have a little poison, like just like sugar

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Speaker 3: is poison. You can have but like it can't sugar.

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Speaker 3: It's all poison. Yeah, but I think, especially as a

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Speaker 3: woman of a certainty, you do start to feel the

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Speaker 3: poison a little bit more. The poison really turns on you. Yeah,

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Speaker 3: and just you don't get the same kind of thing anymore.

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Speaker 1: It goes away?

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Speaker 2: Is it the microplastics in our brain as well? Yeah,

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Speaker 2: I'm sorry to bring this up.

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Speaker 4: Are you worried about microplastics?

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Speaker 2: We were thinking of writing an update about because this

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Speaker 2: thing came up in last week. This New York Times

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Speaker 2: piece came out about microplastics. The equivalent of a spoon

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Speaker 2: is in your head? Is it all of our brain?

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Speaker 1: No? Stop?

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Speaker 2: The equivalent of you guys haven't heard this, The equivalent

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Speaker 2: of a plastic dairy Queen's blizzard spoon is in our

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Speaker 2: brains and little granules.

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Speaker 1: And there's really nothing we can do about it. Yeah,

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Speaker 1: come on, First of all, you can't tell me that

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Speaker 1: we're not better off than generations are gone. We drink water?

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Speaker 1: How about that? Well? That is they didn't back we.

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Speaker 3: Did not drink water growing up about water and ever,

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Speaker 3: are you being serious?

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Speaker 1: Yes?

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Speaker 3: In school, no one made us drink water. No one

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Speaker 3: talked about water. Water was not a thing like you

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Speaker 3: would go to the water fountain and you would drink

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Speaker 3: like you you would drink and.

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Speaker 1: Drink because you didn't realize.

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Speaker 3: No water bottles, you didn't have water. Like maybe at

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Speaker 3: a soccer game they would have water.

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Speaker 4: Maybe, but it was like Gator. We never checked. I

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Speaker 4: never said did you drink water? They never brought water.

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Speaker 1: There was never. Now I'm obsessed with yes, do you

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Speaker 1: have one of those things, those jugs that says the

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Speaker 1: time of day?

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Speaker 3: I did have that, but and it was positive reinforcement,

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Speaker 3: like you're doing it, you're doing great, You're almost there

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Speaker 3: or whatever.

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Speaker 1: But now Molly Shannon had one of those on the

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Speaker 1: you know, she was like, isn't it great? Isn't it

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Speaker 1: Greative reminds me I love it drink water to talk

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Speaker 1: about how great it was? Something that's just so great

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Speaker 1: about it. I'm saying, No, I am.

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Speaker 3: I have a basic bitch like White Girls Stanley that

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Speaker 3: I love because I like to skip it like a

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Speaker 3: like a Durbil, like I like the strong.

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Speaker 1: This is the second episode in a row that Gerbils

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Speaker 1: have come up. There's something in the culture. Oh shit,

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Speaker 1: guinea pigs road in set large having a moment. Right, No,

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Speaker 1: but that's what I'm saying, is like when I was

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Speaker 1: brought up, it was not water on the table. I'll

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Speaker 1: tell you what. There was never a coke, a diet

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Speaker 1: coke and a sprite two liters each.

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Speaker 4: Don't forget about milk, babe.

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Speaker 1: I was just gonna say, we we shared this thing

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Speaker 1: where we were. We came up when milk was king you,

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Speaker 1: you were not gotting, that's for sure. You would chug

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Speaker 1: a glass of milk at least once a day. They

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Speaker 1: said too. There was a time they were saying too.

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Speaker 1: It was like Cindy Crawford on the cover of whatever

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Speaker 1: the fuck with her got milk mustache, being like, if

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Speaker 1: it's not too you're gonna die of osteoporosis. And one

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Speaker 1: of the one of the things I remember my nana

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Speaker 1: is saying to me when I was little was she

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Speaker 1: looked me in the eye and said, osteoporosis is not fun.

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Speaker 1: And I was I'm like, and now I'm scared. And

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Speaker 1: where is that in the culture? Now like, have we

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Speaker 1: just forgotten about osteoporosis.

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Speaker 3: Or not only have we not forgotten about it, but

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Speaker 3: as a woman of that age, all my friends are

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Speaker 3: getting bone density.

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Speaker 1: Tests and DEXA scams.

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Speaker 4: And we are and everything is coming home to roost

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Speaker 4: because a couple of things you get.

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Speaker 1: I didn't know this.

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Speaker 4: You get all your calcium before the age of thirty.

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Speaker 4: Number one.

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Speaker 3: Number two, if you are a fair skin like myself,

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Speaker 3: you don't get enough sun, you don't get enough vitamin D.

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Speaker 4: Vitamin D you should be taking it. You're pretty screwed. Yeah,

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Speaker 4: you guys might be, Okay, I.

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Speaker 3: Know, but but and also there's these things in LA

380
00:17:38,000 --> 00:17:39,720
Speaker 3: that I'm obsessed with that I want to go to

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00:17:40,000 --> 00:17:43,879
Speaker 3: which are like, uh, they're they're like salons for people

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Speaker 3: who have osteopenia, which is pre osteoporosis, where you just

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00:17:49,000 --> 00:17:50,240
Speaker 3: you know, you have to do heavy lifting.

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Speaker 4: Now like now I have to lift.

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Speaker 1: Weights, So you have to do a lot of weights.

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Speaker 3: Yes, and so you have to take your calcium and

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00:17:56,560 --> 00:17:58,720
Speaker 3: you have to do weights. And so there's like programs

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Speaker 3: where it's like you do leg presses, you do whatever,

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Speaker 3: and it's just designed for women my age who are

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Speaker 3: smart enough to get their bone density tests and they're like,

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Speaker 3: I have a little bit of you know, osteopenia in

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Speaker 3: my hips. I need to do leg presses. Wow, so too,

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Speaker 3: I know a lot about osteoporos.

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00:18:16,600 --> 00:18:18,160
Speaker 1: They're penia clubs.

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00:18:18,400 --> 00:18:23,280
Speaker 3: There's penia and osis or penia and porosis. So yeah,

396
00:18:23,320 --> 00:18:26,159
Speaker 3: one is pre one is you got it? Yeah, and

397
00:18:26,200 --> 00:18:28,639
Speaker 3: there's things you can do, but you kind of like,

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00:18:28,880 --> 00:18:32,360
Speaker 3: you know, we're our bones stop growing at like eighteen.

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00:18:32,600 --> 00:18:36,080
Speaker 1: Yeah. Well, when I started working out like more seriously

400
00:18:36,080 --> 00:18:38,560
Speaker 1: a few months ago, my trainer literally said it's great

401
00:18:38,600 --> 00:18:40,480
Speaker 1: that you start now because at thirty five your bone

402
00:18:40,480 --> 00:18:42,879
Speaker 1: density is completely gone, and then by thirty seven you

403
00:18:42,920 --> 00:18:45,439
Speaker 1: lose any metabolism you ever had. And I was just

404
00:18:45,440 --> 00:18:47,760
Speaker 1: like going acrossside, like oh.

405
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Speaker 3: No, oh wild that as a woman, you go through

406
00:18:50,760 --> 00:18:54,760
Speaker 3: being like a sex object and then maybe a mother,

407
00:18:55,119 --> 00:18:58,919
Speaker 3: and then maybe like menopause, and then they're like and

408
00:18:59,040 --> 00:19:02,040
Speaker 3: on your way out, you need to eat forty five

409
00:19:02,119 --> 00:19:05,359
Speaker 3: grams of protein a day and lift very heavyweights or

410
00:19:05,440 --> 00:19:07,520
Speaker 3: you're all your bones will break.

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Speaker 1: If you don't turn into a monster.

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Speaker 4: Now it's like you got it, and you're like what

413
00:19:11,040 --> 00:19:13,040
Speaker 4: what You're like, this can't be true.

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Speaker 1: I can't.

415
00:19:14,240 --> 00:19:16,919
Speaker 4: I have to go to the gym and lift the

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Speaker 4: heaviest I've ever lifted.

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Speaker 2: Hey, what if we shuffle the order? What if you

418
00:19:21,280 --> 00:19:26,920
Speaker 2: started low bone density? Yeah, then you become a sexy

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00:19:27,040 --> 00:19:28,960
Speaker 2: or no. I think it'd be fun to end on

420
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Speaker 2: incredible style.

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00:19:32,359 --> 00:19:33,200
Speaker 4: That would be incredible.

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Speaker 3: I mean things are changing, but you know, can you

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Speaker 3: do I'm sure you can do push ups?

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Speaker 1: Right?

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00:19:37,960 --> 00:19:40,920
Speaker 3: So they say women need to be able to do

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00:19:41,119 --> 00:19:43,640
Speaker 3: like ten or eleven push ups, real push ups day,

427
00:19:43,760 --> 00:19:46,960
Speaker 3: and you got just like okay, well I'll try.

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Speaker 1: It's hard.

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Speaker 2: Are you saying these are clubs specifically for OSTEOPI women.

430
00:19:52,440 --> 00:19:54,280
Speaker 4: Yeah, they're like physical therapy.

431
00:19:54,920 --> 00:20:00,399
Speaker 1: An I agree because my age, I'm the youngest oldest

432
00:20:00,440 --> 00:20:04,480
Speaker 1: person I see, and that you like it, yes, okay.

433
00:20:04,600 --> 00:20:06,760
Speaker 3: Thirties and forties are a little tricky because you're like,

434
00:20:07,080 --> 00:20:09,639
Speaker 3: I'm not as young as it used to be, but

435
00:20:09,680 --> 00:20:12,200
Speaker 3: I don't feel old, and nobody like old people dismiss you.

436
00:20:12,240 --> 00:20:14,479
Speaker 3: They're like, you're thirty whatever, like you know, but when

437
00:20:14,520 --> 00:20:18,600
Speaker 3: you're in your fifties, you're not young, right, and young

438
00:20:18,640 --> 00:20:20,560
Speaker 3: people do not think you're young no way.

439
00:20:20,720 --> 00:20:23,199
Speaker 4: Fifty is like a nightmare to them. That wakes them

440
00:20:23,280 --> 00:20:25,760
Speaker 4: up in the middle of the night. But you're you

441
00:20:25,760 --> 00:20:29,360
Speaker 4: feel young and old people are like, so you're the

442
00:20:29,400 --> 00:20:31,000
Speaker 4: youngest oldest person you.

443
00:20:31,040 --> 00:20:32,879
Speaker 1: Mus say, and please please shut me up.

444
00:20:32,880 --> 00:20:35,560
Speaker 2: If this sounds patronizing in any way, I feel like

445
00:20:36,320 --> 00:20:42,679
Speaker 2: this current crop of fifty somethings is still aspirational to me.

446
00:20:42,720 --> 00:20:44,920
Speaker 4: Oh agree, I think I would rather.

447
00:20:44,800 --> 00:20:48,600
Speaker 2: Be living your life, Honest to god, I would rather

448
00:20:48,680 --> 00:20:52,640
Speaker 2: be going to Bloomingdale's and museums and things every day

449
00:20:52,680 --> 00:20:56,280
Speaker 2: on tour than the bullshit that the thirty thirty year

450
00:20:56,280 --> 00:20:56,680
Speaker 2: old school.

451
00:20:56,720 --> 00:20:58,160
Speaker 1: We just did that. We had that when we were

452
00:20:58,200 --> 00:21:00,359
Speaker 1: and we were in Berlin. We went to Bergheim and

453
00:21:00,400 --> 00:21:02,639
Speaker 1: we were there. We got we went at like Saturday

454
00:21:02,640 --> 00:21:05,760
Speaker 1: at two am, thinking there was going to be a line. No.

455
00:21:06,000 --> 00:21:10,679
Speaker 2: We we soared in there like had a time with

456
00:21:10,720 --> 00:21:13,400
Speaker 2: friends with acquaintances. We have have been in that club

457
00:21:13,440 --> 00:21:15,159
Speaker 2: for forty eight hours. Yeah, well you know people that

458
00:21:15,200 --> 00:21:17,200
Speaker 2: have been there for days. Like, let's see how long

459
00:21:17,200 --> 00:21:19,520
Speaker 2: we last. We left after our four.

460
00:21:19,760 --> 00:21:22,080
Speaker 1: It was like maybe five or six. And it wasn't

461
00:21:22,080 --> 00:21:25,320
Speaker 1: because it was just like not it was. It was great.

462
00:21:25,359 --> 00:21:27,800
Speaker 1: We were the best time, but we were like, oh,

463
00:21:27,840 --> 00:21:29,680
Speaker 1: you know what, we'll go home, we'll catch some disease.

464
00:21:29,720 --> 00:21:32,200
Speaker 1: We'll come back later. I text Bowe, I'm like, guys,

465
00:21:32,200 --> 00:21:35,040
Speaker 1: say something, what if we didn't go back? What if?

466
00:21:35,080 --> 00:21:37,520
Speaker 1: And then we walked to a museum and walked back

467
00:21:37,520 --> 00:21:39,359
Speaker 1: because we realized we had to pay? So what do

468
00:21:39,440 --> 00:21:41,960
Speaker 1: we do that afternoon? We walked to the museum and

469
00:21:42,000 --> 00:21:43,639
Speaker 1: walked back, didn't even go into the museum.

470
00:21:44,320 --> 00:21:46,280
Speaker 3: I'm here to tell you that if you enjoy that now,

471
00:21:46,440 --> 00:21:50,159
Speaker 3: the future is very bright, because best decade yet for me,

472
00:21:50,240 --> 00:21:53,080
Speaker 3: fifties by far, most decade, way better.

473
00:21:53,560 --> 00:21:56,520
Speaker 4: And also I have to say to your point, bo, when.

474
00:21:56,400 --> 00:21:59,960
Speaker 3: Like women my age or the age of in our fifties,

475
00:22:00,280 --> 00:22:02,760
Speaker 3: it used to be kind of like maiden mother Crone.

476
00:22:02,800 --> 00:22:06,439
Speaker 3: Those were the those were the maiden mother Crone, right,

477
00:22:08,119 --> 00:22:11,000
Speaker 3: And now I think that we've managed to carve out

478
00:22:12,280 --> 00:22:16,280
Speaker 3: our generation. My generation has carved out a step before Crone.

479
00:22:16,480 --> 00:22:19,200
Speaker 3: And it's kind of like I'm calling it like boss

480
00:22:19,480 --> 00:22:23,080
Speaker 3: or something. But it's some stage before you become like

481
00:22:23,160 --> 00:22:28,040
Speaker 3: the wise witch where you are allowed to actually like,

482
00:22:29,240 --> 00:22:33,879
Speaker 3: you know, enjoy the fruits of your labor, not be

483
00:22:34,000 --> 00:22:39,520
Speaker 3: so beholden to like external validation, and you still like

484
00:22:39,600 --> 00:22:40,200
Speaker 3: feel good.

485
00:22:40,520 --> 00:22:43,160
Speaker 1: I think it's just a full supplanting of crone.

486
00:22:44,280 --> 00:22:48,520
Speaker 3: Well there is I kind of what crone means is

487
00:22:48,600 --> 00:22:52,920
Speaker 3: like wisdom and you know, like medicine woman.

488
00:22:53,040 --> 00:22:56,120
Speaker 4: But it's a tough word. It's a tough word.

489
00:22:56,520 --> 00:22:58,560
Speaker 2: It's a tough word, but it's a word that I

490
00:22:58,600 --> 00:23:01,879
Speaker 2: associate with sex and the city. Oh, there's the theory

491
00:23:01,880 --> 00:23:05,240
Speaker 2: that they each represent the four crones and like classical.

492
00:23:05,680 --> 00:23:07,760
Speaker 1: I didn't know there were classical chromes. There were there,

493
00:23:07,840 --> 00:23:10,680
Speaker 1: there's like the four crones. And they were like, is

494
00:23:10,720 --> 00:23:18,120
Speaker 1: it Shakespeare's crown? They're like, yeahs crones women. No one knew,

495
00:23:18,440 --> 00:23:19,760
Speaker 1: No one knew. They didn't have the words for it.

496
00:23:19,800 --> 00:23:24,159
Speaker 1: Back then, Amy, he was always bloated and cron.

497
00:23:24,000 --> 00:23:29,680
Speaker 4: We should call it like like like medicine woman.

498
00:23:28,920 --> 00:23:33,119
Speaker 1: Diva diva Wait, diva? Is this is this extra step

499
00:23:33,160 --> 00:23:37,800
Speaker 1: that you're talking about? Okay, it's literally diva? Yes, Yeah,

500
00:23:38,520 --> 00:23:41,040
Speaker 1: I'm wondering something about you too, though, about like like

501
00:23:41,200 --> 00:23:43,600
Speaker 1: you being like I can't wait to get to Bloomingdale's Like,

502
00:23:43,680 --> 00:23:46,080
Speaker 1: but you guys also like share the fact that for

503
00:23:46,119 --> 00:23:48,840
Speaker 1: a long time, you guys did entertainment's most difficult job.

504
00:23:49,240 --> 00:23:52,560
Speaker 1: So did you feel like that like socially also was

505
00:23:52,560 --> 00:23:54,159
Speaker 1: like after that, on the other side of that, you

506
00:23:54,200 --> 00:23:55,800
Speaker 1: were like, okay, you also had.

507
00:23:55,680 --> 00:23:57,960
Speaker 3: The kids, But I didn't have kids when I was

508
00:23:58,000 --> 00:24:01,680
Speaker 3: at SNL And I cannot believe the way I socialized,

509
00:24:01,680 --> 00:24:08,159
Speaker 3: Like SNLZ is such crazy extroverted social job. Right, you

510
00:24:08,200 --> 00:24:10,959
Speaker 3: see hundreds of people like during the week, and then

511
00:24:11,000 --> 00:24:12,520
Speaker 3: you have to do the show, and then you have.

512
00:24:12,520 --> 00:24:14,879
Speaker 1: To host, the host, the host exactly.

513
00:24:14,920 --> 00:24:16,639
Speaker 3: Then you have to go to the party, which I

514
00:24:16,680 --> 00:24:18,159
Speaker 3: know is like, oh, go to a party, but it

515
00:24:18,240 --> 00:24:22,160
Speaker 3: is still a work function, even as fun as it is,

516
00:24:22,280 --> 00:24:26,240
Speaker 3: and I cannot believe, like it is so much energy,

517
00:24:26,520 --> 00:24:28,239
Speaker 3: yes that I can't believe I did it.

518
00:24:28,560 --> 00:24:30,760
Speaker 4: I really and I'm glad that I was younger when

519
00:24:30,800 --> 00:24:31,199
Speaker 4: I did it.

520
00:24:31,240 --> 00:24:33,520
Speaker 1: I'll just never forget because I told you this when

521
00:24:33,560 --> 00:24:35,800
Speaker 1: we first met. But I was there. I was a

522
00:24:35,840 --> 00:24:38,080
Speaker 1: stand by kid, so I would wait on the standby

523
00:24:38,119 --> 00:24:40,800
Speaker 1: lines and I would go and then I'll never forget.

524
00:24:41,160 --> 00:24:44,600
Speaker 1: I believe it was the episode that Anne Hathaway hosted

525
00:24:44,640 --> 00:24:47,199
Speaker 1: with the Killers, which we talked to Seth about this episode,

526
00:24:47,200 --> 00:24:49,840
Speaker 1: and that was the very first Lawrence Welk show, and

527
00:24:49,880 --> 00:24:52,560
Speaker 1: then a couple weeks later on the Weekend Update, Thursday,

528
00:24:52,680 --> 00:24:56,240
Speaker 1: you did the Palin rap not like nine months pregnant, right,

529
00:24:56,840 --> 00:25:01,000
Speaker 1: and I have never forgotten how her Killian that was

530
00:25:01,240 --> 00:25:04,679
Speaker 1: of you doing that, Like that has to feel like

531
00:25:05,200 --> 00:25:08,240
Speaker 1: a highlight of doing that show. Yeah, like with carrying

532
00:25:08,280 --> 00:25:11,960
Speaker 1: your child almost to full term, like barking out that

533
00:25:12,080 --> 00:25:16,960
Speaker 1: song next to yeah, this figure in culture like and

534
00:25:17,200 --> 00:25:20,160
Speaker 1: I'll just that was It felt like a lightning bolt

535
00:25:20,200 --> 00:25:22,760
Speaker 1: had hit the studio at that moment. Thank you.

536
00:25:22,800 --> 00:25:25,800
Speaker 3: That was really fun, really fun it had to be,

537
00:25:25,840 --> 00:25:30,240
Speaker 3: and very exciting and just kind of felt Yeah, it

538
00:25:30,280 --> 00:25:33,639
Speaker 3: felt like there was a feeling during that whole time.

539
00:25:34,040 --> 00:25:37,240
Speaker 3: Remember when we thought that was a crazy election. Yeah,

540
00:25:36,520 --> 00:25:39,080
Speaker 3: but like there was a feeling that whole time of

541
00:25:39,160 --> 00:25:42,359
Speaker 3: just the audience was really paying attention. Everything was and

542
00:25:43,119 --> 00:25:46,640
Speaker 3: when you're really pregnant, giant pregnant, you have a ton

543
00:25:46,680 --> 00:25:49,520
Speaker 3: of power because people are a little worried for you.

544
00:25:49,560 --> 00:25:52,280
Speaker 3: But you also you know, and so we had a

545
00:25:52,320 --> 00:25:53,840
Speaker 3: lot of fun with it, Like me and Emily Spyby

546
00:25:53,880 --> 00:25:57,159
Speaker 3: we wrote a scene about me knocking things over. Yeah,

547
00:25:57,640 --> 00:26:00,840
Speaker 3: Emily was also pregnant during the during that time, and

548
00:26:00,960 --> 00:26:02,800
Speaker 3: there was just this feeling, you know, It's kind of

549
00:26:02,840 --> 00:26:05,600
Speaker 3: like Chekhov's gun, like is she going to give birth?

550
00:26:05,680 --> 00:26:08,919
Speaker 1: Like? But was it the episode? Was it Josh Brolin

551
00:26:09,000 --> 00:26:15,440
Speaker 1: that hosted where it was just.

552
00:26:14,359 --> 00:26:18,280
Speaker 3: Yes, he was really into me, He's so sweet.

553
00:26:20,000 --> 00:26:21,480
Speaker 1: That was the Josh Brolin episode.

554
00:26:22,080 --> 00:26:24,680
Speaker 3: Entara Palin just came on Update and she was a

555
00:26:24,720 --> 00:26:27,880
Speaker 3: really good sport and she was like, okay, sure, I'll

556
00:26:27,880 --> 00:26:31,359
Speaker 3: just dance next to you. And I remember thinking a

557
00:26:31,400 --> 00:26:34,240
Speaker 3: wonder if her team has really told her what this is.

558
00:26:34,320 --> 00:26:36,239
Speaker 4: But that's okay, we're gonna do it.

559
00:26:36,240 --> 00:26:39,280
Speaker 3: We're gonna and I think my pregnancy helped, Like it

560
00:26:39,359 --> 00:26:41,560
Speaker 3: was like how do you how can you say no

561
00:26:41,920 --> 00:26:46,160
Speaker 3: to the lady? And it was so it was thrilling

562
00:26:46,240 --> 00:26:48,320
Speaker 3: at the moment, it was really fun. It was really fun.

563
00:26:48,359 --> 00:26:52,240
Speaker 3: And then I gave birth, like, uh, let's see maybe

564
00:26:52,320 --> 00:26:53,520
Speaker 3: like four or five days later.

565
00:26:53,680 --> 00:26:56,240
Speaker 2: Yes, I remember Update. He was like, yeah, he's not

566
00:26:56,280 --> 00:26:58,679
Speaker 2: here because she's having a baby. And that was the

567
00:26:58,680 --> 00:27:02,520
Speaker 2: first John Ham episode. Yes, circle right the show.

568
00:27:02,320 --> 00:27:03,600
Speaker 4: And him was the host.

569
00:27:03,840 --> 00:27:06,640
Speaker 1: I mean the millions. Craziest thing about that episode, which

570
00:27:06,680 --> 00:27:08,480
Speaker 1: was the Josh Brolin one, was that the musical guest

571
00:27:08,560 --> 00:27:13,000
Speaker 1: was Adele fully Adele like pre like pre like Adele.

572
00:27:12,720 --> 00:27:14,879
Speaker 4: Oh like chasing Pavements, Chasing Pavements.

573
00:27:15,080 --> 00:27:17,080
Speaker 1: Yes, And then I remember she won Best New Artists

574
00:27:17,080 --> 00:27:18,440
Speaker 1: a couple of months later, and I was like, well, yeah,

575
00:27:18,440 --> 00:27:20,840
Speaker 1: probably because everyone in the world was watching that episode

576
00:27:21,160 --> 00:27:23,680
Speaker 1: and they were like, who the hell is she? She's incredible, right,

577
00:27:23,840 --> 00:27:26,280
Speaker 1: that was a night of culture, and you were at

578
00:27:26,280 --> 00:27:28,600
Speaker 1: that show. I was. I went to all of them.

579
00:27:28,720 --> 00:27:31,720
Speaker 1: I was. I was addicted and I again I told

580
00:27:31,760 --> 00:27:33,840
Speaker 1: you this, but it was the very first time I

581
00:27:33,880 --> 00:27:35,679
Speaker 1: had ever gotten in and I was like, there was

582
00:27:35,720 --> 00:27:38,320
Speaker 1: this feeling like I don't know that I that it's

583
00:27:38,400 --> 00:27:39,800
Speaker 1: this that I have to do, but I have to

584
00:27:39,840 --> 00:27:42,320
Speaker 1: do something like this, and I was very lost. So

585
00:27:42,400 --> 00:27:44,159
Speaker 1: I went back to my dorm room and sat on

586
00:27:44,200 --> 00:27:47,280
Speaker 1: my bed and like tearfully because I wanted it so bad,

587
00:27:47,400 --> 00:27:50,119
Speaker 1: like googled you because you were the first person I

588
00:27:50,160 --> 00:27:52,479
Speaker 1: respected the most, and then I saw that you had

589
00:27:52,520 --> 00:27:55,800
Speaker 1: started UCB and that you were in your improv at

590
00:27:55,840 --> 00:27:57,479
Speaker 1: your school. So I was like in my head, I

591
00:27:57,560 --> 00:27:59,840
Speaker 1: was like, I'm definitely undisting for the improv group in

592
00:27:59,840 --> 00:28:01,760
Speaker 1: this sketch group, which is ultimately what I got in

593
00:28:02,200 --> 00:28:05,439
Speaker 1: and started doing UCB. And it was because I googled

594
00:28:05,480 --> 00:28:08,080
Speaker 1: your name that night because of me going to those shows.

595
00:28:08,160 --> 00:28:11,240
Speaker 1: You so nice. Thank you for saying that. I mean,

596
00:28:11,400 --> 00:28:13,440
Speaker 1: you have to know the impact that you have, you've

597
00:28:13,440 --> 00:28:17,520
Speaker 1: had on a generation of people, obviously because it's true,

598
00:28:17,720 --> 00:28:21,920
Speaker 1: but also like it's it's just such a very real thing,

599
00:28:22,280 --> 00:28:24,359
Speaker 1: especially I think on gay men, like you know what,

600
00:28:24,440 --> 00:28:29,480
Speaker 1: I as, Oh, you must understand this well. I thank

601
00:28:29,520 --> 00:28:30,240
Speaker 1: you for saying that.

602
00:28:30,320 --> 00:28:33,520
Speaker 3: I sometimes feel like I have more gay women that

603
00:28:33,800 --> 00:28:37,000
Speaker 3: I get that feedback from, which I appreciate but not

604
00:28:37,080 --> 00:28:39,360
Speaker 3: But but that's nice you to say gay.

605
00:28:39,200 --> 00:28:41,920
Speaker 1: Men the men, I think.

606
00:28:43,200 --> 00:28:46,320
Speaker 2: Just I don't know that the men respond to this

607
00:28:46,440 --> 00:28:51,640
Speaker 2: thing where like you are just being like your your

608
00:28:51,680 --> 00:28:54,400
Speaker 2: full powerful self on TV and that is something that

609
00:28:54,480 --> 00:28:57,200
Speaker 2: like we kind of have to like go about sideways

610
00:28:57,240 --> 00:29:01,880
Speaker 2: and media sometimes and you will eat our own sometimes

611
00:29:02,200 --> 00:29:05,160
Speaker 2: and so like it's I feel like you do figure

612
00:29:05,440 --> 00:29:07,520
Speaker 2: very very largely in that in that sense.

613
00:29:07,600 --> 00:29:09,720
Speaker 4: Wow, that means a lot. That's a high compliment.

614
00:29:09,800 --> 00:29:13,600
Speaker 3: I mean, I feel like for me, the biggest thing

615
00:29:13,760 --> 00:29:19,760
Speaker 3: that culturally that I get a lot of feedback from from,

616
00:29:19,840 --> 00:29:21,800
Speaker 3: especially from gay men, is mean.

617
00:29:21,760 --> 00:29:23,400
Speaker 1: Girls like that.

618
00:29:23,400 --> 00:29:28,440
Speaker 3: That feels like, especially for the millennials, felt like their

619
00:29:28,880 --> 00:29:32,720
Speaker 3: version of how to interact with me more I think

620
00:29:32,720 --> 00:29:33,800
Speaker 3: than USNL and Parks.

621
00:29:33,800 --> 00:29:35,520
Speaker 2: I don't know, but I was I was gonna bring

622
00:29:35,600 --> 00:29:38,720
Speaker 2: I was gonna bring up Strawns and fair Child.

623
00:29:39,520 --> 00:29:44,200
Speaker 1: You're right, there are. There are certain press interviews that

624
00:29:44,240 --> 00:29:46,880
Speaker 1: you guys did for that that I watched a million

625
00:29:47,560 --> 00:29:48,520
Speaker 1: that was really fun.

626
00:29:48,640 --> 00:29:51,520
Speaker 3: Those were like when movies, like when there were it.

627
00:29:51,520 --> 00:29:53,800
Speaker 4: Was just like many money, money, money movie, these movies.

628
00:29:54,200 --> 00:29:55,440
Speaker 4: And here's a fun story about that.

629
00:29:55,800 --> 00:29:57,959
Speaker 3: Will and Arnett and I played brother and sister, but

630
00:29:57,960 --> 00:30:01,040
Speaker 3: we were actually married in my life and we they

631
00:30:01,120 --> 00:30:04,200
Speaker 3: tested that movie, and the testing they were like, we

632
00:30:04,320 --> 00:30:06,560
Speaker 3: hate Strawans and fair Child.

633
00:30:07,120 --> 00:30:08,400
Speaker 1: What do you mean the villain? Right?

634
00:30:08,440 --> 00:30:11,960
Speaker 3: And I remember that the info coming back like a

635
00:30:11,960 --> 00:30:15,080
Speaker 3: lot of people don't really like the and we were like, well.

636
00:30:15,000 --> 00:30:16,120
Speaker 1: We're the villains, you know.

637
00:30:16,200 --> 00:30:18,760
Speaker 3: But but to the director's credit, they I think they

638
00:30:18,880 --> 00:30:20,320
Speaker 3: kept a lot of it in. But that was really

639
00:30:20,400 --> 00:30:23,760
Speaker 3: but yeah, we did tons of photo shoots and that.

640
00:30:23,720 --> 00:30:25,240
Speaker 1: Was really big. The extra.

641
00:30:25,600 --> 00:30:33,360
Speaker 2: Yeah, at that point we had already been like used

642
00:30:33,360 --> 00:30:33,640
Speaker 2: to it.

643
00:30:33,720 --> 00:30:35,760
Speaker 1: Will feral big comedy movie.

644
00:30:35,840 --> 00:30:40,240
Speaker 2: Yeah, and John Heater obviously huge, like big moment for him.

645
00:30:40,600 --> 00:30:43,080
Speaker 2: But I was just so tickled as like a comedy

646
00:30:43,120 --> 00:30:45,120
Speaker 2: person watching us now every week as someone who was

647
00:30:45,120 --> 00:30:47,320
Speaker 2: like scrolling like the writing credits for The Simpsons, like

648
00:30:47,360 --> 00:30:51,240
Speaker 2: we were like those kids. Like it was just thrilling

649
00:30:51,320 --> 00:30:53,360
Speaker 2: to see you and Will in a film like that,

650
00:30:53,760 --> 00:30:59,040
Speaker 2: and I will always always remember just you as Marilyn

651
00:30:59,080 --> 00:30:59,680
Speaker 2: and him is.

652
00:31:03,480 --> 00:31:05,960
Speaker 4: Also also first of all, I was walking in today,

653
00:31:05,960 --> 00:31:07,760
Speaker 4: I was like, who am I dressed like? And I

654
00:31:07,800 --> 00:31:09,760
Speaker 4: was like, I'm dressed like Will in light of the

655
00:31:09,840 --> 00:31:13,080
Speaker 4: Roxbury I have, like.

656
00:31:15,200 --> 00:31:19,000
Speaker 3: I have, yes, I'm paying amas. Funny story about that movie.

657
00:31:19,040 --> 00:31:21,600
Speaker 3: We had to learn how to ice skate, and I

658
00:31:21,680 --> 00:31:24,280
Speaker 3: knew enough to note, I'm not gonna be doing a

659
00:31:24,280 --> 00:31:25,880
Speaker 3: ton of ice skating this movie. You know, they had

660
00:31:25,920 --> 00:31:32,080
Speaker 3: incredible body doubles and face switcheroo technology, and they had

661
00:31:32,160 --> 00:31:33,680
Speaker 3: really good ice skaters having to do that.

662
00:31:33,760 --> 00:31:34,240
Speaker 1: And I knew.

663
00:31:34,280 --> 00:31:35,840
Speaker 4: I was like, I think, if I could just fake

664
00:31:35,920 --> 00:31:39,560
Speaker 4: it in the waist up, I'll be fine.

665
00:31:41,160 --> 00:31:42,920
Speaker 1: It was just like the fact that it was so.

666
00:31:46,160 --> 00:31:52,280
Speaker 3: But they had an incredible professional like ex Olympian ice

667
00:31:52,600 --> 00:31:56,160
Speaker 3: dancer coach, performer coaching me.

668
00:31:56,200 --> 00:31:56,480
Speaker 1: Again.

669
00:31:56,520 --> 00:31:58,520
Speaker 3: It was a time when movies were like you're gonna

670
00:31:58,520 --> 00:32:01,160
Speaker 3: have to We're gonna I was on SNL and so

671
00:32:01,240 --> 00:32:03,120
Speaker 3: on the weekends and in the mornings I would have

672
00:32:03,160 --> 00:32:07,320
Speaker 3: to go to Chelsea Piers and ice skate, and I

673
00:32:07,360 --> 00:32:10,640
Speaker 3: remember she was this, really, I'm sorry, I forget her name.

674
00:32:11,040 --> 00:32:14,080
Speaker 3: If you're listening, you were awesome. But I would do

675
00:32:14,160 --> 00:32:17,800
Speaker 3: that thing that I learned early when I wanted someone

676
00:32:17,880 --> 00:32:21,960
Speaker 3: to not do something, where I would just she would sit,

677
00:32:22,000 --> 00:32:22,560
Speaker 3: we'd have our.

678
00:32:22,440 --> 00:32:24,160
Speaker 4: Coffee in the morning. I knew we only in an hour.

679
00:32:24,640 --> 00:32:28,440
Speaker 3: The clock would be behind her and I'd be like, wait,

680
00:32:28,640 --> 00:32:32,000
Speaker 3: what's going on with you? And she'd go, well, we

681
00:32:32,040 --> 00:32:33,120
Speaker 3: have to get out on the ice, and I go,

682
00:32:33,160 --> 00:32:34,120
Speaker 3: I know, I know, I know we have to.

683
00:32:34,160 --> 00:32:36,520
Speaker 1: We have to. I'd be like, but how is your daughter.

684
00:32:37,560 --> 00:32:40,120
Speaker 4: I would try to get her to talk, and the clock.

685
00:32:39,840 --> 00:32:40,720
Speaker 1: Would just kick away.

686
00:32:40,720 --> 00:32:45,840
Speaker 4: And because it was so hard to learn, bone shows,

687
00:32:45,960 --> 00:32:49,280
Speaker 4: bone tired, and also I knew it.

688
00:32:49,400 --> 00:32:51,880
Speaker 1: I knew I didn't have to know that exactly. You're like,

689
00:32:52,120 --> 00:32:55,160
Speaker 1: they're gonna it's gonna be this, it's gonna be way

690
00:32:55,200 --> 00:32:56,640
Speaker 1: to stop. We're gonna be on wires.

691
00:32:58,040 --> 00:32:59,080
Speaker 4: I'm never going to get it.

692
00:32:59,520 --> 00:33:02,400
Speaker 3: And at one point she said to me, you know,

693
00:33:02,560 --> 00:33:05,760
Speaker 3: if at any point something's hurting, make sure you tell

694
00:33:05,800 --> 00:33:08,680
Speaker 3: me to We were like proud, well, I was like,

695
00:33:09,200 --> 00:33:12,120
Speaker 3: I will, like, I'm.

696
00:33:11,920 --> 00:33:14,600
Speaker 4: Not an athlete, Like I'm not going to play through

697
00:33:14,600 --> 00:33:17,440
Speaker 4: the bay. I Am not trying to get a mental here,

698
00:33:18,360 --> 00:33:20,040
Speaker 4: so I can kind of ice caape it.

699
00:33:20,080 --> 00:33:22,320
Speaker 1: Not that well, did you do sports in high school?

700
00:33:22,440 --> 00:33:26,160
Speaker 3: I was, I was like, did a bunch of sports moderately? Well,

701
00:33:26,280 --> 00:33:29,960
Speaker 3: uh huh, like good trash talker, like out on the field,

702
00:33:30,000 --> 00:33:32,600
Speaker 3: played softball, played soccer like a little.

703
00:33:32,320 --> 00:33:35,000
Speaker 4: Basketball, like just kind of was like like the mouth.

704
00:33:35,400 --> 00:33:38,560
Speaker 1: But energy is something that I would I would ascribe

705
00:33:38,600 --> 00:33:39,360
Speaker 1: to you, thank you.

706
00:33:39,400 --> 00:33:41,680
Speaker 3: I was really good at keeping the team up and

707
00:33:41,760 --> 00:33:43,720
Speaker 3: really good at like knowing where the play is, like

708
00:33:43,760 --> 00:33:45,360
Speaker 3: a lot of like plays at second you know, like that,

709
00:33:45,840 --> 00:33:48,920
Speaker 3: but not didn't really have the skill small, didn't really

710
00:33:48,920 --> 00:33:53,120
Speaker 3: have an arm softball. Yes, And it's amazing that I'm

711
00:33:53,120 --> 00:33:55,800
Speaker 3: not gay, because every picture of.

712
00:33:55,840 --> 00:33:58,520
Speaker 1: Me during that time looks kind of gay.

713
00:33:58,360 --> 00:34:02,440
Speaker 4: Cutest like baby, but we all did back then.

714
00:34:02,600 --> 00:34:05,440
Speaker 3: We all did in many ways, but like not a jock,

715
00:34:05,800 --> 00:34:08,640
Speaker 3: yeah right, and then she was a cheerleader sometimes too,

716
00:34:08,920 --> 00:34:11,239
Speaker 3: just kind of a floater to use a.

717
00:34:11,280 --> 00:34:12,040
Speaker 4: Me and girl's term.

718
00:34:12,160 --> 00:34:15,960
Speaker 2: No, that's great because I feel like there's something about

719
00:34:16,160 --> 00:34:20,280
Speaker 2: young people now where they are struggling with finding people

720
00:34:20,440 --> 00:34:21,800
Speaker 2: just socializing in general.

721
00:34:21,800 --> 00:34:22,520
Speaker 1: It's a thing.

722
00:34:22,640 --> 00:34:24,719
Speaker 2: It's like what you want to tell them is like, oh,

723
00:34:25,360 --> 00:34:27,560
Speaker 2: is it like an osteoporosis thing, Like it's like a

724
00:34:27,560 --> 00:34:29,680
Speaker 2: calcium thing, Like you have to start early and like

725
00:34:30,480 --> 00:34:32,600
Speaker 2: get the whole sportsman thing going.

726
00:34:32,680 --> 00:34:35,040
Speaker 1: I think to be in to learn how to collaborate

727
00:34:35,120 --> 00:34:37,719
Speaker 1: in any way. I think it's important to be not

728
00:34:37,760 --> 00:34:40,319
Speaker 1: to do sports, but to be involved in activities like that.

729
00:34:40,960 --> 00:34:41,960
Speaker 1: I just think, I don't know.

730
00:34:41,960 --> 00:34:44,600
Speaker 3: It was a different time where you could be okay

731
00:34:44,840 --> 00:34:48,520
Speaker 3: at softball and play in your local softball league for

732
00:34:48,560 --> 00:34:51,719
Speaker 3: a long time. But now you have to be like

733
00:34:51,760 --> 00:34:54,760
Speaker 3: on a traveling team and it's very intense, and parents

734
00:34:54,760 --> 00:34:57,640
Speaker 3: are involved. Parents have ruined a lot of things. Like

735
00:34:57,680 --> 00:35:01,160
Speaker 3: when parents show up, they kind of ruin things. And

736
00:35:01,400 --> 00:35:05,240
Speaker 3: my generation, my parents, no one went to anyone's occasionally

737
00:35:05,239 --> 00:35:07,480
Speaker 3: went to a game, but there were no adults taking

738
00:35:07,520 --> 00:35:11,640
Speaker 3: things over. Everything was a little less stressful. You could

739
00:35:11,719 --> 00:35:15,440
Speaker 3: try a bunch of things and it wasn't necessarily your identity.

740
00:35:15,680 --> 00:35:15,879
Speaker 1: Right.

741
00:35:16,239 --> 00:35:20,920
Speaker 2: I imagine you have not been domb parent in that context

742
00:35:21,040 --> 00:35:21,920
Speaker 2: with your kids.

743
00:35:22,080 --> 00:35:23,960
Speaker 4: I feel like I'm trying not to be.

744
00:35:24,160 --> 00:35:26,759
Speaker 2: I feel like you're showing up to the things that

745
00:35:27,160 --> 00:35:28,959
Speaker 2: in a way that is like kind of all right.

746
00:35:28,960 --> 00:35:32,640
Speaker 3: It's some people it's their identity, right, Like they're living

747
00:35:32,640 --> 00:35:35,520
Speaker 3: through their kids, I guess, but which I.

748
00:35:35,719 --> 00:35:37,359
Speaker 1: Mean, you have to be supportive of old. Are your

749
00:35:37,440 --> 00:35:40,959
Speaker 1: kids now they're fourteen and sixteen? Okay those are Yeah?

750
00:35:41,080 --> 00:35:42,760
Speaker 1: You got teen boys? Yeah?

751
00:35:42,800 --> 00:35:43,640
Speaker 4: I love teens.

752
00:35:43,680 --> 00:35:44,719
Speaker 1: You've break in thousand and half.

753
00:35:44,880 --> 00:35:48,480
Speaker 4: I love teens. I'm here to say it.

754
00:35:49,280 --> 00:35:55,239
Speaker 1: Grow. Don't tell me that I'm gross. I know what

755
00:35:55,280 --> 00:35:57,440
Speaker 1: they do. I love teens. I'm here to say the

756
00:35:57,520 --> 00:36:01,040
Speaker 1: teen years have my favorite years. Why is it because

757
00:36:01,040 --> 00:36:02,839
Speaker 1: they're kind of like riding hard for you right now?

758
00:36:02,880 --> 00:36:04,640
Speaker 1: They're just like interesting people.

759
00:36:04,840 --> 00:36:07,160
Speaker 3: Yeah, and also their friends are kind of interesting, and

760
00:36:07,440 --> 00:36:10,400
Speaker 3: you're like, this is like the black Diamond of parenting.

761
00:36:10,520 --> 00:36:14,120
Speaker 3: This is where it's coming in and you're having big conversations,

762
00:36:14,520 --> 00:36:17,799
Speaker 3: they're making choices, You're trying to keep them safe. It's

763
00:36:18,200 --> 00:36:21,239
Speaker 3: people like focus on the little the young ens, like

764
00:36:21,520 --> 00:36:24,080
Speaker 3: the baby stuff and the young'ins. But I don't know,

765
00:36:24,160 --> 00:36:26,120
Speaker 3: there's something I think I'm good with teens.

766
00:36:26,480 --> 00:36:29,760
Speaker 2: Yeah, there's there's it's black diamond. It's moguls, Mogus, mogus

767
00:36:29,800 --> 00:36:33,560
Speaker 2: moguls got it either either right on top or right around.

768
00:36:34,680 --> 00:36:35,759
Speaker 1: Is this tied too?

769
00:36:35,800 --> 00:36:39,160
Speaker 2: Because I've always thought of you as this aspirational TikTok person,

770
00:36:39,200 --> 00:36:43,520
Speaker 2: because I'm like, well, I need to get on TikTok

771
00:36:43,680 --> 00:36:46,960
Speaker 2: because I feel like there are people out there like

772
00:36:47,000 --> 00:36:48,960
Speaker 2: Amy Pole who are like, it's cool, I like it.

773
00:36:49,040 --> 00:36:52,360
Speaker 3: But I feel like you were on TikTok almost first

774
00:36:52,440 --> 00:36:54,719
Speaker 3: when you were lip syncing, and then you came in,

775
00:36:55,400 --> 00:36:56,640
Speaker 3: you dominated, and then you.

776
00:36:56,840 --> 00:36:59,600
Speaker 1: Like left, Like you know what that wasn't TikTok that

777
00:36:59,800 --> 00:37:04,200
Speaker 1: we're so ahead of the curve was Instagram. Instagram.

778
00:37:04,280 --> 00:37:07,239
Speaker 2: We had so many viral things pre TikTok, things that

779
00:37:07,320 --> 00:37:09,160
Speaker 2: would have taken off on TikTok. Now, I know that's

780
00:37:09,239 --> 00:37:11,719
Speaker 2: this sounds so cloying and obnoxious, but it's true. Like

781
00:37:11,800 --> 00:37:15,799
Speaker 2: Matt and I would like start like song like, oh.

782
00:37:15,719 --> 00:37:16,680
Speaker 1: Yeah we tunes.

783
00:37:16,880 --> 00:37:19,359
Speaker 2: Yeah, we would start our pay talk songs, bear people,

784
00:37:19,400 --> 00:37:21,560
Speaker 2: if you know what we're talking about. You know Four

785
00:37:21,640 --> 00:37:26,719
Speaker 2: Nights in Orlando, which horror story every second was almost

786
00:37:26,719 --> 00:37:28,719
Speaker 2: fifteen second song in Orlando. We would go we would

787
00:37:28,719 --> 00:37:32,919
Speaker 2: be on about a metric ton of edibles and we shoot.

788
00:37:32,640 --> 00:37:36,640
Speaker 1: Like horror anthologies. Add Disney World. Oh my god, it's

789
00:37:36,680 --> 00:37:39,160
Speaker 1: out there. It is out there. If you go deep

790
00:37:39,160 --> 00:37:41,880
Speaker 1: in the instagrams, they are there. But what was the

791
00:37:41,920 --> 00:37:45,520
Speaker 1: horror anthology called four Nights in Orlando? And then it

792
00:37:45,600 --> 00:37:47,800
Speaker 1: was like it was like four Nights in Orlando Hotel,

793
00:37:48,320 --> 00:37:51,640
Speaker 1: four Nights in Orlando, Gay Ghost, four Nights in Orlando?

794
00:37:51,719 --> 00:37:54,080
Speaker 1: Which war? Which one was our best? Where was our best?

795
00:37:54,400 --> 00:37:56,480
Speaker 1: We always say that was the most satisfying one when

796
00:37:56,520 --> 00:37:58,360
Speaker 1: you watched it altogether. And also you could see so

797
00:37:58,400 --> 00:38:00,200
Speaker 1: many uses and you can't find that. You can't put

798
00:38:00,200 --> 00:38:02,160
Speaker 1: that back out on TikTok. No. I tried and it

799
00:38:02,239 --> 00:38:05,960
Speaker 1: didn't really, you know, less Culturistas is huge on TikTok, right,

800
00:38:06,000 --> 00:38:06,960
Speaker 1: But that's we're pretty good.

801
00:38:07,600 --> 00:38:10,399
Speaker 2: That's our lovely social team. I feel like we could

802
00:38:10,400 --> 00:38:12,080
Speaker 2: put it back on TikTok, but there would just be

803
00:38:12,160 --> 00:38:15,399
Speaker 2: that twenty fourteen Patina on it, where you'd be like, ew,

804
00:38:15,480 --> 00:38:17,200
Speaker 2: I don't want to watch anything from that time.

805
00:38:17,360 --> 00:38:21,480
Speaker 3: I feel like more and more, I mean, even starting

806
00:38:21,480 --> 00:38:23,560
Speaker 3: this podcast is a good example of that. I'm getting

807
00:38:23,600 --> 00:38:25,720
Speaker 3: a little less worried about whether or not my timing

808
00:38:25,840 --> 00:38:26,160
Speaker 3: is right.

809
00:38:26,280 --> 00:38:28,520
Speaker 1: It's okay, yeah, yeah, I know. You can't worry about it.

810
00:38:28,880 --> 00:38:30,840
Speaker 3: I feel like, if you want to do it, I

811
00:38:30,880 --> 00:38:33,840
Speaker 3: feel like you can do whatever you want if you

812
00:38:33,920 --> 00:38:34,279
Speaker 3: want it.

813
00:38:34,400 --> 00:38:36,759
Speaker 4: If you don't want to do it, certainly don't. Right,

814
00:38:37,080 --> 00:38:39,000
Speaker 4: you do whatever you want anytime.

815
00:38:39,080 --> 00:38:40,080
Speaker 1: You's fun.

816
00:38:40,600 --> 00:38:42,080
Speaker 4: Yeah, it should only be fun.

817
00:38:42,400 --> 00:38:44,080
Speaker 1: It is fun. And there was a time when I

818
00:38:44,120 --> 00:38:47,000
Speaker 1: was even doing like the challenges. Yeah, like I just

819
00:38:47,040 --> 00:38:49,520
Speaker 1: looked through it and it was it's just like me.

820
00:38:49,920 --> 00:38:52,520
Speaker 1: One time I did a totally earnest TikTok to Taylor

821
00:38:52,560 --> 00:38:55,719
Speaker 1: Swift song Harris. It was earnest, it was it was

822
00:38:55,800 --> 00:39:01,319
Speaker 1: so it was because I cringe mountain. Have you heard

823
00:39:01,320 --> 00:39:04,240
Speaker 1: about this? It's so major. Once you climb cringe mountain,

824
00:39:04,280 --> 00:39:05,440
Speaker 1: then you get to the other side of.

825
00:39:06,600 --> 00:39:08,400
Speaker 3: Oh yeah, I mean that's where the power lies is

826
00:39:08,520 --> 00:39:11,160
Speaker 3: post cringe. I mean you learn that with comedy a lot.

827
00:39:11,560 --> 00:39:13,360
Speaker 3: You know, you have to just you can't be embarrassed.

828
00:39:13,480 --> 00:39:15,560
Speaker 1: Like do you have the moment in your career that

829
00:39:15,600 --> 00:39:17,360
Speaker 1: you're like this, I climb cringe mountain at this.

830
00:39:17,360 --> 00:39:19,960
Speaker 4: Soint Oh yeah, A cringe mountain is far behind me.

831
00:39:20,160 --> 00:39:20,480
Speaker 1: Yeah.

832
00:39:20,600 --> 00:39:21,640
Speaker 4: I don't worry.

833
00:39:21,400 --> 00:39:24,319
Speaker 3: About that at all, because basically, you survive a ton

834
00:39:24,360 --> 00:39:26,520
Speaker 3: of embarrassments like death by a thousand cuts.

835
00:39:26,560 --> 00:39:29,440
Speaker 4: You just realize I'm okay, it's okay.

836
00:39:30,120 --> 00:39:33,600
Speaker 3: And then you realize that, like, actually, the the longer

837
00:39:33,600 --> 00:39:36,319
Speaker 3: in your career, you should be taking more risks and

838
00:39:36,400 --> 00:39:38,960
Speaker 3: trying new things, and you should be like a little

839
00:39:39,000 --> 00:39:42,120
Speaker 3: nervous and a little excited. Yeah, And the minute you

840
00:39:42,200 --> 00:39:43,960
Speaker 3: are afraid about being cool, you're screwed.

841
00:39:45,160 --> 00:39:46,920
Speaker 1: It's true, and it stops you doing things.

842
00:39:47,080 --> 00:39:50,400
Speaker 3: It does, and and everyone is so obsessed with themselves.

843
00:39:50,920 --> 00:39:53,800
Speaker 3: I would so much rather somebody be a little tender

844
00:39:53,880 --> 00:39:56,879
Speaker 3: rony and make a cringey mistake than the opposite. When

845
00:39:56,880 --> 00:39:58,960
Speaker 3: people are really cool, I'm like, oh honey, Like when

846
00:39:58,960 --> 00:40:01,319
Speaker 3: they're trying to be very well, I get so I

847
00:40:01,360 --> 00:40:02,520
Speaker 3: get some stress for that.

848
00:40:03,760 --> 00:40:04,520
Speaker 1: It's not easy.

849
00:40:04,600 --> 00:40:06,560
Speaker 3: It's not easy out there, right. But it's the same

850
00:40:06,560 --> 00:40:08,839
Speaker 3: way with like hostedt SNL. Like a host that will

851
00:40:08,840 --> 00:40:10,520
Speaker 3: come in and will be like kind of open face

852
00:40:10,560 --> 00:40:12,560
Speaker 3: sandwich and be like I'm nervous or whatever, like I'm

853
00:40:12,560 --> 00:40:14,759
Speaker 3: gonna try and they give your sketch there all and

854
00:40:14,800 --> 00:40:17,279
Speaker 3: you're like, I love you forever, yes.

855
00:40:17,440 --> 00:40:20,600
Speaker 1: But when someone's trying to be cool, you're like, hmmm,

856
00:40:22,520 --> 00:40:24,480
Speaker 1: I can think of the people and.

857
00:40:24,360 --> 00:40:27,880
Speaker 3: The coolness, you know, it's so it's a protective shell,

858
00:40:28,000 --> 00:40:29,040
Speaker 3: so you kind of feel for them.

859
00:40:29,080 --> 00:40:32,040
Speaker 4: We've all been there, but it is it's so fleet,

860
00:40:32,120 --> 00:40:33,640
Speaker 4: like what is what is cool?

861
00:40:33,760 --> 00:40:37,040
Speaker 1: Right? Is it actually never was?

862
00:40:37,280 --> 00:40:39,319
Speaker 3: I mean, you guys do kind of define it in

863
00:40:39,400 --> 00:40:43,440
Speaker 3: the You guys, you do kind of define it. And

864
00:40:43,520 --> 00:40:46,040
Speaker 3: why I'm going to say this, the reason why you

865
00:40:46,120 --> 00:40:50,239
Speaker 3: define it is because your list is about not being cool, right,

866
00:40:50,920 --> 00:40:52,880
Speaker 3: but it is the coolest list in the world.

867
00:40:52,960 --> 00:40:54,799
Speaker 1: It takes the piss out of the list in the.

868
00:40:54,760 --> 00:40:58,000
Speaker 3: First yes, and it reminds you that like we're all like,

869
00:40:58,040 --> 00:41:01,479
Speaker 3: we're all like, I'm um, we're dumb.

870
00:41:01,600 --> 00:41:02,960
Speaker 1: Do you want to know what it was I think

871
00:41:03,000 --> 00:41:04,680
Speaker 1: for me in high school? I don't know about you.

872
00:41:04,719 --> 00:41:06,480
Speaker 1: Did you guys have friends that made fun of you

873
00:41:06,520 --> 00:41:09,200
Speaker 1: constantly in high school? Like I allowed myself to be

874
00:41:09,200 --> 00:41:10,680
Speaker 1: the butt of the joke a lot. They they made

875
00:41:10,680 --> 00:41:12,000
Speaker 1: fun of me for the way I held it flour

876
00:41:12,480 --> 00:41:13,799
Speaker 1: They made fun of me for the way I wore

877
00:41:13,840 --> 00:41:15,800
Speaker 1: a hat. They made fun of me because I couldn't

878
00:41:15,800 --> 00:41:18,799
Speaker 1: see colors, Like I was constantly getting ribbed on by

879
00:41:18,800 --> 00:41:21,640
Speaker 1: my friends. And I think it made me realize, like, well,

880
00:41:21,680 --> 00:41:24,479
Speaker 1: I'm not cool and shouldn't try and then years later

881
00:41:24,560 --> 00:41:27,240
Speaker 1: someone I remember someone said, yeah, you're a cool person,

882
00:41:27,280 --> 00:41:29,240
Speaker 1: like people think that, and I was just like, I don't.

883
00:41:29,480 --> 00:41:32,160
Speaker 1: I don't think, and don't tell me that because that

884
00:41:32,239 --> 00:41:33,919
Speaker 1: will get me in my head. I think the key

885
00:41:34,000 --> 00:41:36,840
Speaker 1: is just like always being surrounded by people who are

886
00:41:36,880 --> 00:41:41,000
Speaker 1: a little bit like this. Yeah, I just do that.

887
00:41:41,160 --> 00:41:42,320
Speaker 1: I do that all the time.

888
00:41:42,239 --> 00:41:44,760
Speaker 4: Matte, you need people to ribu.

889
00:41:45,239 --> 00:41:45,439
Speaker 1: Well.

890
00:41:45,520 --> 00:41:47,000
Speaker 4: I think it's a very East Coast thing too.

891
00:41:47,320 --> 00:41:48,600
Speaker 1: I would agree it's.

892
00:41:48,400 --> 00:41:50,440
Speaker 3: A very East Coast thing. Like the more I like you,

893
00:41:50,480 --> 00:41:52,960
Speaker 3: the more I'll tease you. Yeah, it's like it is

894
00:41:53,040 --> 00:41:55,560
Speaker 3: like a safety thing. I mean with within reason, like

895
00:41:55,600 --> 00:41:58,320
Speaker 3: you don't want to be bullied, No, don't hurt my feeling.

896
00:41:58,680 --> 00:41:59,960
Speaker 4: Manners are for people we don't know.

897
00:42:00,440 --> 00:42:03,879
Speaker 1: Okay, yes, you know what. That was actually an unspoken thing,

898
00:42:04,120 --> 00:42:06,799
Speaker 1: especially with my my first ever like ensemble I ever

899
00:42:06,800 --> 00:42:08,360
Speaker 1: felt like I was a part of. Was my like

900
00:42:08,480 --> 00:42:11,200
Speaker 1: friend group in high school. Yeah, and our thing was

901
00:42:11,200 --> 00:42:13,880
Speaker 1: we always took the grip the ship out of here. Yeah.

902
00:42:14,400 --> 00:42:17,399
Speaker 3: There's there's nothing more satisfying than when you can tease

903
00:42:17,440 --> 00:42:20,279
Speaker 3: someone with love, yeah, and they tease you back, and

904
00:42:20,320 --> 00:42:22,719
Speaker 3: you're like, oh, we're saying like we're this is intimacy.

905
00:42:22,880 --> 00:42:24,040
Speaker 1: Is that how you and your friends are?

906
00:42:24,560 --> 00:42:26,200
Speaker 4: Yeah? That was Boston all the way.

907
00:42:26,360 --> 00:42:28,640
Speaker 1: Yeah yeah, yeah yeah and then through SNL as well.

908
00:42:28,760 --> 00:42:33,279
Speaker 3: Yes, like hard like because when you tease someone the

909
00:42:33,360 --> 00:42:36,160
Speaker 3: right way, it also means that you see them. Yeah,

910
00:42:36,560 --> 00:42:39,839
Speaker 3: you feel seen right, Like the most delightful thing when

911
00:42:39,880 --> 00:42:42,239
Speaker 3: someone can like you know, you know, you're like talking

912
00:42:42,239 --> 00:42:44,279
Speaker 3: about someone You're like, I'm so tired and someone's.

913
00:42:43,960 --> 00:42:44,680
Speaker 1: Like you are.

914
00:42:44,920 --> 00:42:47,880
Speaker 4: We couldn't tell, you know, like you're like, like you

915
00:42:47,920 --> 00:42:49,360
Speaker 4: just feel so like delighted.

916
00:42:49,440 --> 00:42:52,799
Speaker 1: You know, I'm tired of the time. But are you

917
00:42:52,800 --> 00:42:54,799
Speaker 1: downloading this into the into the boys at all?

918
00:42:55,360 --> 00:42:57,799
Speaker 4: I'm trying to, like, I think I'm trying to just

919
00:42:57,920 --> 00:42:59,920
Speaker 4: kind of but you know, here's the thing about teens.

920
00:43:00,680 --> 00:43:03,440
Speaker 1: They won't be to no downloading, nooad. You go from

921
00:43:03,880 --> 00:43:06,440
Speaker 1: producer to consultant. Ah.

922
00:43:06,480 --> 00:43:09,000
Speaker 3: And that is not my line. That is someone else's line.

923
00:43:09,040 --> 00:43:12,960
Speaker 3: Someone else said that. But you go from handling your

924
00:43:13,000 --> 00:43:15,800
Speaker 3: kid's life over like and scheduling their play dates and

925
00:43:15,840 --> 00:43:18,200
Speaker 3: getting their stuff and getting like and making their lunch

926
00:43:18,239 --> 00:43:20,759
Speaker 3: all the stuff. It's like you're in charge to being

927
00:43:20,840 --> 00:43:23,520
Speaker 3: like I know you didn't ask me, but what I

928
00:43:23,520 --> 00:43:25,439
Speaker 3: would do is you have to just stand back.

929
00:43:25,600 --> 00:43:26,200
Speaker 4: You can't.

930
00:43:26,520 --> 00:43:30,120
Speaker 3: You almost can't tell them anything.

931
00:43:31,280 --> 00:43:31,920
Speaker 1: Just think about it.

932
00:43:31,920 --> 00:43:34,200
Speaker 3: When your parents would say something at that age, it

933
00:43:34,200 --> 00:43:38,440
Speaker 3: would just be like shot up. So you you you

934
00:43:38,480 --> 00:43:41,400
Speaker 3: do the I don't know. There's a really good technique.

935
00:43:41,520 --> 00:43:44,759
Speaker 3: I'm super into it. It works for people too, but

936
00:43:45,360 --> 00:43:48,200
Speaker 3: where you just repeat back to them what they said

937
00:43:48,200 --> 00:43:52,200
Speaker 3: to you. So I hate my teacher. You hate your teacher, Yeah,

938
00:43:52,280 --> 00:43:54,400
Speaker 3: because she doesn't listen to us, and she's always like

939
00:43:54,440 --> 00:43:55,759
Speaker 3: giving us assignments we don't like.

940
00:43:56,040 --> 00:43:58,440
Speaker 1: She's always giving you assignments you don't like. Yeah, you

941
00:43:58,520 --> 00:44:01,560
Speaker 1: just don't say and it kind of keeps pulling the

942
00:44:01,600 --> 00:44:03,080
Speaker 1: thread the.

943
00:44:03,040 --> 00:44:07,880
Speaker 3: Thread, and they talk to you and they're not looking

944
00:44:07,920 --> 00:44:11,280
Speaker 3: for you to fix it, and certainly not to give advice.

945
00:44:11,680 --> 00:44:15,200
Speaker 3: No barf, like you know what you should do or

946
00:44:15,480 --> 00:44:18,080
Speaker 3: you know, teachers are really like you know, they're working

947
00:44:18,080 --> 00:44:19,400
Speaker 3: really hard these days or whatever.

948
00:44:19,440 --> 00:44:21,120
Speaker 4: They just want to say it to you.

949
00:44:21,280 --> 00:44:23,839
Speaker 1: Even adults don't want to be told. You agree. I

950
00:44:23,840 --> 00:44:25,120
Speaker 1: I did it for a year.

951
00:44:25,760 --> 00:44:27,640
Speaker 3: I was trying a thing where I would only give

952
00:44:27,680 --> 00:44:32,040
Speaker 3: advice to people that asked for it.

953
00:44:31,200 --> 00:44:35,440
Speaker 1: And you know what's funny, I'm asking for it and

954
00:44:35,480 --> 00:44:37,680
Speaker 1: I still have friends. There are certain friends and I

955
00:44:37,719 --> 00:44:40,160
Speaker 1: feel like it's conversations I have to have where it's

956
00:44:40,160 --> 00:44:43,239
Speaker 1: like I haven't realized it will be really easy to

957
00:44:43,360 --> 00:44:46,040
Speaker 1: change dynamic in our friendship if I just tell them

958
00:44:46,120 --> 00:44:48,560
Speaker 1: I don't need advice. I think. I think I have

959
00:44:48,600 --> 00:44:53,200
Speaker 1: a therapist for that. Like I don't need prescription, you

960
00:44:53,239 --> 00:44:55,719
Speaker 1: know what I mean. It's like when people give me prescription,

961
00:44:56,280 --> 00:44:59,279
Speaker 1: it's it's I'm not good anymore. At Maybe at a

962
00:44:59,280 --> 00:45:01,160
Speaker 1: certain point I was when I felt like you were

963
00:45:01,200 --> 00:45:04,160
Speaker 1: all like in our twenties or something, figuring it out.

964
00:45:04,160 --> 00:45:07,319
Speaker 1: But it's like I do sometimes just need to externalize

965
00:45:07,320 --> 00:45:09,640
Speaker 1: my feelings because maybe it's because I've realized how well

966
00:45:09,680 --> 00:45:12,080
Speaker 1: therapy works. Because what you're talking about is therapy technique.

967
00:45:12,280 --> 00:45:16,000
Speaker 1: All your therapist does is facilitate you speaking to yourself right,

968
00:45:16,080 --> 00:45:17,960
Speaker 1: and then you hear it and you're like, oh, I've

969
00:45:17,960 --> 00:45:18,760
Speaker 1: heard it out loud.

970
00:45:18,800 --> 00:45:24,759
Speaker 2: Finally it's Brene Brown walk alongside m not like not

971
00:45:24,920 --> 00:45:27,600
Speaker 2: like face the person and say this should do. It's

972
00:45:27,600 --> 00:45:31,239
Speaker 2: like they just want to be told that meme of hey,

973
00:45:31,280 --> 00:45:33,799
Speaker 2: I'm not reading all that, I'm so happy for you

974
00:45:34,040 --> 00:45:36,440
Speaker 2: or I'm sorry that happened. Yeah, like they just want

975
00:45:36,440 --> 00:45:38,759
Speaker 2: to be told great or I'm so sorry.

976
00:45:38,800 --> 00:45:43,520
Speaker 3: And the other side of that is I'm really egotistical

977
00:45:43,560 --> 00:45:44,360
Speaker 3: about my advice.

978
00:45:44,400 --> 00:45:45,760
Speaker 4: I think I have great advice.

979
00:45:46,400 --> 00:45:49,880
Speaker 3: So I not only don't want advice that I don't

980
00:45:49,880 --> 00:45:53,280
Speaker 3: ask for, but I like to offer advice that nobody

981
00:45:53,280 --> 00:45:55,480
Speaker 3: asked for. And then I get a little butt hurt

982
00:45:55,520 --> 00:45:57,600
Speaker 3: when they don't take it. I write, I'm like, you

983
00:45:57,640 --> 00:46:01,239
Speaker 3: didn't take my advice, Like that's solid gold advice. And

984
00:46:01,239 --> 00:46:03,240
Speaker 3: then my therapist was like, why are you giving advice

985
00:46:03,320 --> 00:46:06,560
Speaker 3: to people that don't ask for it. That's precious advice

986
00:46:07,000 --> 00:46:08,160
Speaker 3: that you can't.

987
00:46:07,920 --> 00:46:11,560
Speaker 4: Just give out willing nilling, Like be respectful of your

988
00:46:11,600 --> 00:46:12,240
Speaker 4: own advice.

989
00:46:12,560 --> 00:46:13,759
Speaker 1: Yeah, and value it.

990
00:46:13,840 --> 00:46:15,840
Speaker 3: You can value it. And you can even say like

991
00:46:17,120 --> 00:46:19,080
Speaker 3: are you open to advice? And if they say yes,

992
00:46:19,080 --> 00:46:21,080
Speaker 3: you go. You know, if I give it, do you

993
00:46:21,080 --> 00:46:23,879
Speaker 3: think you'll this advice means something to me? When it's something,

994
00:46:23,960 --> 00:46:24,680
Speaker 3: it's like a lot.

995
00:46:25,000 --> 00:46:27,360
Speaker 2: Can we can we ask you for like, do you

996
00:46:27,360 --> 00:46:29,919
Speaker 2: have any any advice for us?

997
00:46:31,200 --> 00:46:34,560
Speaker 4: God, there's such a little advice for you. No, don't

998
00:46:34,719 --> 00:46:37,319
Speaker 4: come on, okay, in what in what area? Can you

999
00:46:37,360 --> 00:46:38,920
Speaker 4: ask something specifically about?

1000
00:46:39,000 --> 00:46:42,759
Speaker 2: Or just like I want like all of these things

1001
00:46:42,760 --> 00:46:45,359
Speaker 2: at SNL that I feel like I are not compatible

1002
00:46:45,520 --> 00:46:48,120
Speaker 2: in terms of like lifestyle things of like dating and

1003
00:46:48,200 --> 00:46:50,240
Speaker 2: like having a dog and like all of these things.

1004
00:46:50,600 --> 00:46:55,799
Speaker 1: Yes, advices. The advice is it's just just waited out

1005
00:46:55,880 --> 00:46:57,279
Speaker 1: until until you finish one thing.

1006
00:46:58,040 --> 00:47:01,759
Speaker 3: Also, you're so ahead of the game by realizing it's

1007
00:47:01,800 --> 00:47:04,359
Speaker 3: something that you want. Oh, Like, I think just even

1008
00:47:04,400 --> 00:47:06,600
Speaker 3: knowing what you want, you're ahead of the game. Life

1009
00:47:06,640 --> 00:47:09,120
Speaker 3: is an arrow pointing you to what you want. So

1010
00:47:09,239 --> 00:47:11,600
Speaker 3: like by not getting you're like, oh, I'm really missing

1011
00:47:11,600 --> 00:47:12,359
Speaker 3: that I want that.

1012
00:47:12,360 --> 00:47:13,000
Speaker 4: That's interesting.

1013
00:47:13,080 --> 00:47:16,600
Speaker 3: That's Oh, thank you SNL for pointing the arrow to

1014
00:47:16,719 --> 00:47:21,480
Speaker 3: what I want. And I think my advice would be

1015
00:47:22,200 --> 00:47:26,120
Speaker 3: try to imagine that it's not binary.

1016
00:47:26,640 --> 00:47:28,319
Speaker 1: It's not like either have it or you don't. You

1017
00:47:28,360 --> 00:47:30,000
Speaker 1: can't have it there you can't.

1018
00:47:29,800 --> 00:47:33,080
Speaker 3: Like the can'ts, the cants and shouldn't and maybe not

1019
00:47:33,320 --> 00:47:36,720
Speaker 3: isn't Like there's like there's a lot of space in between, Yes,

1020
00:47:36,840 --> 00:47:38,520
Speaker 3: that not being a place where you could have it

1021
00:47:38,640 --> 00:47:39,880
Speaker 3: and a place where you could have it.

1022
00:47:40,040 --> 00:47:43,399
Speaker 1: I'm receiving that. Thank you. Mine's really specific. I need

1023
00:47:43,440 --> 00:47:46,359
Speaker 1: like a moving company. Oh, I have a great one,

1024
00:47:45,920 --> 00:47:48,960
Speaker 1: and I need like some people to cook I lost

1025
00:47:49,000 --> 00:47:50,279
Speaker 1: some stuff up very good.

1026
00:47:50,280 --> 00:47:53,800
Speaker 3: So my advice there would be, don't lift a finger.

1027
00:47:54,600 --> 00:47:57,000
Speaker 4: You have you have right, we have a you have

1028
00:47:57,080 --> 00:48:00,319
Speaker 4: a not you're doing well. You have enough money, you know,

1029
00:48:00,520 --> 00:48:04,000
Speaker 4: thank God, very lucky. Take your privilege and.

1030
00:48:04,160 --> 00:48:07,120
Speaker 1: Get through my bank account before we started. She knows

1031
00:48:07,320 --> 00:48:08,839
Speaker 1: all my financial stuff we made.

1032
00:48:09,000 --> 00:48:10,759
Speaker 4: Get somebody to pack everything up for you.

1033
00:48:11,360 --> 00:48:15,040
Speaker 3: But do one pass and go through and grab anything,

1034
00:48:15,760 --> 00:48:18,719
Speaker 3: a document, anything that you would.

1035
00:48:19,239 --> 00:48:21,400
Speaker 4: Sob over if if it was lost.

1036
00:48:21,480 --> 00:48:22,239
Speaker 1: Yeah, I mean.

1037
00:48:22,360 --> 00:48:24,879
Speaker 4: Sob not like I love this chair, I love this

1038
00:48:25,000 --> 00:48:28,880
Speaker 4: bab whatever, Like, go through and go if this got

1039
00:48:29,320 --> 00:48:32,120
Speaker 4: thrown in the ocean by accident, would it ruin my life?

1040
00:48:32,200 --> 00:48:34,440
Speaker 1: Right? Get those things out everything else, let them pack

1041
00:48:34,480 --> 00:48:37,000
Speaker 1: it for you. Wow. You know what's crazy is I'm

1042
00:48:37,000 --> 00:48:40,280
Speaker 1: realizing that stuff is less and less and less. Stuff

1043
00:48:40,480 --> 00:48:44,239
Speaker 1: means less time, even like sentimental things, which I felt like, oh,

1044
00:48:44,239 --> 00:48:46,600
Speaker 1: shouldn't they mean more to me? Over time? I think

1045
00:48:46,640 --> 00:48:50,040
Speaker 1: as I get older, I realized just things are things.

1046
00:48:49,840 --> 00:48:52,080
Speaker 1: It's it's it's bizarre. Like we were doing playing this

1047
00:48:52,160 --> 00:48:56,440
Speaker 1: game at Coachella the night before the festival. We were

1048
00:48:56,440 --> 00:48:58,080
Speaker 1: doing like the newly wed game with each other, and

1049
00:48:58,080 --> 00:49:01,000
Speaker 1: one of the questions was. It was for me to answer,

1050
00:49:01,320 --> 00:49:04,959
Speaker 1: what would he grab if he had to grab one

1051
00:49:05,040 --> 00:49:07,040
Speaker 1: thing if the house was like, you know, it was

1052
00:49:07,080 --> 00:49:09,880
Speaker 1: an earthquake, on fire, whatever is a disaster. And I

1053
00:49:09,920 --> 00:49:13,120
Speaker 1: saw there and couldn't think of one thing for yourself. Yeah,

1054
00:49:13,120 --> 00:49:16,320
Speaker 1: And then everyone was like my dog Bill, my partner David,

1055
00:49:16,600 --> 00:49:18,200
Speaker 1: and I was like, oh, I guess it's just because

1056
00:49:18,400 --> 00:49:20,480
Speaker 1: I don't have any of those like real things. I

1057
00:49:20,520 --> 00:49:23,440
Speaker 1: was like, and I wrote down a lot of phone chargers.

1058
00:49:24,160 --> 00:49:26,719
Speaker 1: I just don't grab all the chargers because you never

1059
00:49:26,760 --> 00:49:28,920
Speaker 1: can have enough. Right. That's good. You might not be

1060
00:49:28,960 --> 00:49:31,560
Speaker 1: attached to things. That's very healthy. I'm not. I don't know.

1061
00:49:31,600 --> 00:49:34,799
Speaker 1: I think that is changing about That's good. That's very good.

1062
00:49:35,080 --> 00:49:37,200
Speaker 4: There's a thing called Swedish death cleaning. I produced a

1063
00:49:37,239 --> 00:49:39,960
Speaker 4: show about it, which is all about the Swedish death clean.

1064
00:49:39,840 --> 00:49:42,640
Speaker 3: The gentle art of Swedish death cleaning, which is Swedes

1065
00:49:42,680 --> 00:49:44,360
Speaker 3: believe one of the things that you can do for

1066
00:49:44,400 --> 00:49:46,879
Speaker 3: your family is you can clear out your stuff before

1067
00:49:46,880 --> 00:49:49,359
Speaker 3: you die. Like you know, they want less stuff, right,

1068
00:49:49,560 --> 00:49:52,160
Speaker 3: and why not give your stuff away while you're still

1069
00:49:52,560 --> 00:49:54,759
Speaker 3: vital and alive and tell people why it means something

1070
00:49:54,760 --> 00:49:56,239
Speaker 3: to you so they can get to know you, because

1071
00:49:56,280 --> 00:49:59,120
Speaker 3: what happens in the States is people die, they leave

1072
00:49:59,120 --> 00:50:01,120
Speaker 3: all the stuff. Then you go through your like grandfather's

1073
00:50:01,160 --> 00:50:04,640
Speaker 3: papers and you're like he was you know, he played

1074
00:50:04,640 --> 00:50:07,279
Speaker 3: the tuba, like I didn't even know or whatever, and

1075
00:50:07,360 --> 00:50:09,600
Speaker 3: so let people know you while your life. But it's

1076
00:50:09,600 --> 00:50:11,960
Speaker 3: all about minimizing it and getting rid of stuff, and

1077
00:50:12,040 --> 00:50:13,480
Speaker 3: so maybe you're kind of.

1078
00:50:13,400 --> 00:50:16,359
Speaker 1: Doing that along the way. Yeah, maybe he is your

1079
00:50:16,360 --> 00:50:19,960
Speaker 1: brother still there. Yeah, he lives in Sweden. Oh so cool.

1080
00:50:20,000 --> 00:50:21,400
Speaker 2: There was there was a sparkless thing where he was

1081
00:50:21,440 --> 00:50:23,279
Speaker 2: just playing basketball and I was like, that seems like

1082
00:50:23,320 --> 00:50:23,960
Speaker 2: a cool dude.

1083
00:50:24,160 --> 00:50:26,680
Speaker 3: Yeah, my brother is the coolest. He's a really funny

1084
00:50:26,719 --> 00:50:31,160
Speaker 3: writer and performer. And he moved to Sweden. He met

1085
00:50:31,520 --> 00:50:32,600
Speaker 3: a woman who lived in Sweden.

1086
00:50:32,600 --> 00:50:34,560
Speaker 4: They got married at a kid and now he's been there,

1087
00:50:35,200 --> 00:50:37,800
Speaker 4: god must be almost twenty years. He's like a full expat.

1088
00:50:37,840 --> 00:50:40,920
Speaker 3: He lives outside of Stockholm and like speak Swedish.

1089
00:50:40,920 --> 00:50:41,719
Speaker 4: No, it's so cool.

1090
00:50:41,840 --> 00:50:45,280
Speaker 1: I'm really trying to find a husband with another passport.

1091
00:50:45,400 --> 00:50:47,959
Speaker 1: Oh yeah, like I do think it's time. It's time,

1092
00:50:48,120 --> 00:50:51,839
Speaker 1: like and weirdly enough, like this is a pattern. I've

1093
00:50:51,840 --> 00:50:53,680
Speaker 1: been going out with a lot of guys that like,

1094
00:50:53,760 --> 00:50:57,680
Speaker 1: weirdly are also from another country and are sober. Ooh,

1095
00:50:58,040 --> 00:50:59,920
Speaker 1: I like that for you. But it's really good, isn't it.

1096
00:51:00,520 --> 00:51:03,799
Speaker 1: I don't even not even trying to date like sober guys,

1097
00:51:03,800 --> 00:51:05,920
Speaker 1: and I'm not trying to date guys with like like

1098
00:51:06,000 --> 00:51:09,440
Speaker 1: dual citizenship, but like it keeps happening. What what what

1099
00:51:10,000 --> 00:51:12,200
Speaker 1: country would you like to Let's just put it out there.

1100
00:51:12,239 --> 00:51:16,040
Speaker 1: I mean, I just like Canada or England. Okay, okay,

1101
00:51:16,520 --> 00:51:20,400
Speaker 1: there are people there are Listen. I'm talking specifically to

1102
00:51:21,200 --> 00:51:24,400
Speaker 1: people that live in Toronto and London. I suppose. I

1103
00:51:24,480 --> 00:51:25,920
Speaker 1: just we were in London and it was.

1104
00:51:25,920 --> 00:51:29,520
Speaker 3: So great, right, but be careful with that London weather.

1105
00:51:29,600 --> 00:51:32,920
Speaker 3: That's all I gotta say. That London weather is like Sweden.

1106
00:51:33,120 --> 00:51:36,560
Speaker 4: It is dark. It is a dark, cold country. To

1107
00:51:36,719 --> 00:51:37,320
Speaker 4: just be aware.

1108
00:51:37,440 --> 00:51:40,279
Speaker 1: I do well with overcast, you know what I mean,

1109
00:51:40,400 --> 00:51:44,520
Speaker 1: Like it's I don't really You're right, I'm definitely a sunboy,

1110
00:51:44,560 --> 00:51:46,160
Speaker 1: but like I've had enough of it. It's like I

1111
00:51:46,200 --> 00:51:47,800
Speaker 1: go up on Long Island and I'm like a child

1112
00:51:47,840 --> 00:51:49,880
Speaker 1: of the of the beach in the sun, and so

1113
00:51:49,920 --> 00:51:51,920
Speaker 1: now I'm kind of like maybe I've had enough, like

1114
00:51:52,239 --> 00:51:54,640
Speaker 1: for my life. I love a UK guy for you,

1115
00:51:55,000 --> 00:51:57,600
Speaker 1: I think so with a scarf and everything. I don't

1116
00:51:57,640 --> 00:52:03,440
Speaker 1: know about the scarf. You don't like the scar The

1117
00:52:03,560 --> 00:52:06,800
Speaker 1: scar like a scarf and a like an overcoat, overcoat,

1118
00:52:06,880 --> 00:52:09,239
Speaker 1: certainly i'd see when you said scarf, I when my

1119
00:52:09,280 --> 00:52:11,520
Speaker 1: mind went to Ascott and I do no, no, can

1120
00:52:11,560 --> 00:52:13,520
Speaker 1: I say? I do see some people out there trying

1121
00:52:13,520 --> 00:52:16,319
Speaker 1: to bring back the Ascot and I'm not ready for that.

1122
00:52:16,320 --> 00:52:18,880
Speaker 1: That's okay, that's that's like a winter, like a Jude

1123
00:52:18,960 --> 00:52:22,920
Speaker 1: Law winter look like a like a what's the guys saying?

1124
00:52:23,040 --> 00:52:24,160
Speaker 1: I love the winter? Look?

1125
00:52:24,239 --> 00:52:26,400
Speaker 4: You know the guy that did all the movie like

1126
00:52:26,440 --> 00:52:28,080
Speaker 4: a Richard Curtis.

1127
00:52:27,640 --> 00:52:31,320
Speaker 1: Jude like from the cold we met at the Oscars.

1128
00:52:31,520 --> 00:52:34,640
Speaker 1: We did meet with your your Curtis at the os just.

1129
00:52:34,600 --> 00:52:37,920
Speaker 3: A gentleman like shaking off the snow off overcoat.

1130
00:52:38,200 --> 00:52:40,680
Speaker 1: Yes, oh that's good. Okay. Now I'm like upset that

1131
00:52:40,719 --> 00:52:42,600
Speaker 1: it's going to be springing somewhere because my favorite time

1132
00:52:42,640 --> 00:52:44,680
Speaker 1: to date is the fall in the winter because it's

1133
00:52:44,680 --> 00:52:48,319
Speaker 1: a cuffing season, because it's yes, but like I never cuff.

1134
00:52:48,320 --> 00:52:51,000
Speaker 1: My thing is like I just like to be dressed

1135
00:52:51,239 --> 00:52:54,520
Speaker 1: up for a date. And also maybe it's just of

1136
00:52:54,560 --> 00:52:57,600
Speaker 1: what your body is doing. This is the dysmorphic part.

1137
00:52:57,719 --> 00:52:59,799
Speaker 3: What what I project upon you that I want for

1138
00:52:59,880 --> 00:53:03,759
Speaker 3: you is a gentleman who's maybe a little sober or whatever,

1139
00:53:03,880 --> 00:53:06,440
Speaker 3: just like not he's just like he's he's not the

1140
00:53:06,480 --> 00:53:11,560
Speaker 3: main character. Okay, he's the one that's like just like

1141
00:53:11,760 --> 00:53:12,440
Speaker 3: look at him, go.

1142
00:53:12,760 --> 00:53:14,000
Speaker 1: I do think I do.

1143
00:53:14,000 --> 00:53:16,840
Speaker 2: Do you subscribe to a flower gardener sort of duality

1144
00:53:16,840 --> 00:53:18,280
Speaker 2: and relationships.

1145
00:53:18,239 --> 00:53:20,319
Speaker 1: Like one person is the flower they need to be

1146
00:53:20,400 --> 00:53:22,799
Speaker 1: watered and gardened, and one person is a gardener and

1147
00:53:22,840 --> 00:53:25,520
Speaker 1: they kind of that's what they do. It can't be

1148
00:53:25,560 --> 00:53:27,759
Speaker 1: as simple as that, but that is a it is

1149
00:53:27,800 --> 00:53:30,440
Speaker 1: a dichotomy thing that people sometimes think about.

1150
00:53:30,560 --> 00:53:34,520
Speaker 3: I think that's interesting because I would say, for you,

1151
00:53:34,520 --> 00:53:38,840
Speaker 3: you're extroverted person, right, probably secretly more introverted than we

1152
00:53:38,920 --> 00:53:43,399
Speaker 3: think you're, Yeah, but an extroverted person who I think

1153
00:53:43,480 --> 00:53:45,000
Speaker 3: it would be nice for you to have like a

1154
00:53:45,040 --> 00:53:50,440
Speaker 3: British Jude law looking gentleman who has the taxi waiting

1155
00:53:50,600 --> 00:53:52,320
Speaker 3: while you work the room.

1156
00:53:53,640 --> 00:53:56,920
Speaker 1: As the taxi. Yeah, taxi waiting, And I love someone

1157
00:53:56,920 --> 00:53:59,319
Speaker 1: that wants to leave. He's like ready to go love, Yeah,

1158
00:53:59,400 --> 00:54:02,440
Speaker 1: Like I'm ready to go, ready to go love that rocks.

1159
00:54:02,640 --> 00:54:06,720
Speaker 3: Yes, there's actually nothing less sexy than someone who doesn't

1160
00:54:06,719 --> 00:54:10,040
Speaker 3: know when to leave a party. It's a problem when

1161
00:54:10,040 --> 00:54:11,920
Speaker 3: someone can't leave a party because they're just.

1162
00:54:11,960 --> 00:54:12,840
Speaker 1: Kind of waiting.

1163
00:54:13,000 --> 00:54:15,839
Speaker 3: I've gotten for this thing that's that hasn't happened yet

1164
00:54:15,840 --> 00:54:16,320
Speaker 3: to happen.

1165
00:54:16,480 --> 00:54:19,360
Speaker 1: Yeah, absolutely, not absolutely, and it won't happen. It won't happen.

1166
00:54:19,640 --> 00:54:23,239
Speaker 1: And also I'm the part like, yeah, hello, like what

1167
00:54:23,320 --> 00:54:35,120
Speaker 1: are you waiting for the part of the party. We

1168
00:54:35,200 --> 00:54:37,360
Speaker 1: have to ask the question. So this is the question

1169
00:54:37,400 --> 00:54:39,680
Speaker 1: that we ask all of our guests. This is what

1170
00:54:39,760 --> 00:54:42,080
Speaker 1: was the culture that made you say culture was for you?

1171
00:54:42,360 --> 00:54:44,440
Speaker 4: Okay, well, you know you were my favorite podcasts. So

1172
00:54:44,520 --> 00:54:46,240
Speaker 4: I've thought about this a lot.

1173
00:54:45,640 --> 00:54:46,960
Speaker 1: As why I love this part.

1174
00:54:47,440 --> 00:54:50,560
Speaker 3: I love this podcast, and I thought about it a lot,

1175
00:54:50,760 --> 00:54:53,080
Speaker 3: and you know, I didn't want to overthink it. But

1176
00:54:53,239 --> 00:54:56,239
Speaker 3: I have to say, for me, growing up, there was

1177
00:54:56,320 --> 00:55:00,040
Speaker 3: a woman who I just related to you. She she

1178
00:55:00,160 --> 00:55:05,240
Speaker 3: just felt very strong. She had a really specific POV.

1179
00:55:05,920 --> 00:55:08,160
Speaker 3: She kind of asked her what she wanted. She always

1180
00:55:08,160 --> 00:55:12,040
Speaker 3: had good jokes, and that woman was miss Picky.

1181
00:55:13,520 --> 00:55:15,680
Speaker 1: You know that she might be coming on less culture,

1182
00:55:15,800 --> 00:55:20,279
Speaker 1: she might be against we are obsessed She's one of

1183
00:55:20,280 --> 00:55:21,480
Speaker 1: the top icons.

1184
00:55:21,680 --> 00:55:24,799
Speaker 3: She at a time when women were told to be

1185
00:55:25,000 --> 00:55:28,000
Speaker 3: you know, seen and not heard. She took up space.

1186
00:55:28,200 --> 00:55:31,880
Speaker 3: She was very body positive. She was, yes, at times

1187
00:55:31,920 --> 00:55:32,640
Speaker 3: a little violent.

1188
00:55:32,760 --> 00:55:33,920
Speaker 1: We would we'd.

1189
00:55:33,800 --> 00:55:36,000
Speaker 4: Maybe correct that now there was some there was.

1190
00:55:36,040 --> 00:55:37,440
Speaker 1: It was almost always in self defense.

1191
00:55:37,600 --> 00:55:40,920
Speaker 3: I completely agree. She often saved the day, save the day.

1192
00:55:40,960 --> 00:55:42,600
Speaker 3: She said what she wanted. She was like one big

1193
00:55:42,640 --> 00:55:45,200
Speaker 3: intrusive thought. And if you suffered from those like I

1194
00:55:45,239 --> 00:55:46,880
Speaker 3: did as a kid, you were like, I can't believe

1195
00:55:46,920 --> 00:55:50,200
Speaker 3: she said that out loud. She was always funny. She

1196
00:55:50,280 --> 00:55:54,200
Speaker 3: had really a good joke. Kermie loved her.

1197
00:55:54,960 --> 00:55:56,760
Speaker 2: She was the only person in him up at Christmas

1198
00:55:56,800 --> 00:55:59,200
Speaker 2: Carol who stood up to Scrooge.

1199
00:55:59,400 --> 00:56:02,960
Speaker 1: What whenever she goes.

1200
00:56:05,160 --> 00:56:07,760
Speaker 2: Martial arts culture, respectful of Eastern culture.

1201
00:56:08,000 --> 00:56:12,840
Speaker 4: Okay, if you say so, I don't know, Okay.

1202
00:56:12,560 --> 00:56:18,800
Speaker 1: I'm you can enjoy. Miss Piggy's her highest respectful she was.

1203
00:56:20,280 --> 00:56:25,520
Speaker 4: She was such a funny character, larious, I mean funny, funny, funny, funny.

1204
00:56:25,320 --> 00:56:30,480
Speaker 1: Outsized diva who demanded that she get her shine. And

1205
00:56:30,640 --> 00:56:33,080
Speaker 1: what was always great was the budget they would blow

1206
00:56:33,120 --> 00:56:36,400
Speaker 1: out for her sets and everything, and how disastrously it

1207
00:56:36,400 --> 00:56:39,239
Speaker 1: would go wrong. But yeah, it's still she still came

1208
00:56:39,280 --> 00:56:42,400
Speaker 1: out on top. Yeah, they never she was allowed to, like,

1209
00:56:42,480 --> 00:56:45,240
Speaker 1: I guess, like keep failing. She was a woman in Hollywood.

1210
00:56:45,440 --> 00:56:46,600
Speaker 1: They let keep flopping.

1211
00:56:46,840 --> 00:56:48,880
Speaker 4: Look, it was the seventies, right, It wasn't perfect.

1212
00:56:48,960 --> 00:56:52,520
Speaker 3: So at times Miss Piggy like almost felt like, oh,

1213
00:56:52,680 --> 00:56:56,279
Speaker 3: she's a cautionary tale of someone who's too But the

1214
00:56:56,400 --> 00:56:59,680
Speaker 3: audience did not feel that from her. The Muppet Show

1215
00:57:00,200 --> 00:57:03,160
Speaker 3: when it would come on and the dude get things

1216
00:57:03,200 --> 00:57:05,920
Speaker 3: started and the song would start. As a kid, I

1217
00:57:06,000 --> 00:57:08,920
Speaker 3: was like, this is Hollywood everything. This felt like this

1218
00:57:09,200 --> 00:57:10,719
Speaker 3: was you know, I didn't know anyone that was an

1219
00:57:10,760 --> 00:57:13,919
Speaker 3: actor or writer. I'd never seen anyone famous. Something about

1220
00:57:13,920 --> 00:57:17,040
Speaker 3: The Muppet Show was like there is a place where

1221
00:57:17,280 --> 00:57:19,960
Speaker 3: my jokes and what I like is going to live.

1222
00:57:20,480 --> 00:57:22,200
Speaker 1: And it was get ready for the show.

1223
00:57:22,240 --> 00:57:27,640
Speaker 3: It's like very ESNLNL SNL. It was my presinal because

1224
00:57:27,800 --> 00:57:30,000
Speaker 3: my generation of s and all the people like I

1225
00:57:30,200 --> 00:57:32,600
Speaker 3: was like ten when Eddie Murphy joined SNL and I

1226
00:57:32,680 --> 00:57:35,160
Speaker 3: was like fourteen when it was like Dana Carvey and

1227
00:57:35,720 --> 00:57:37,040
Speaker 3: Jan Hooks and Phil Hartmon.

1228
00:57:37,160 --> 00:57:41,600
Speaker 1: So that was but the Muppet Show was the first feeling.

1229
00:57:41,440 --> 00:57:44,440
Speaker 4: Of there's a show about to be put on. And

1230
00:57:44,480 --> 00:57:47,720
Speaker 4: Miss Piggy was the star of the Muppet Show.

1231
00:57:48,120 --> 00:57:50,560
Speaker 1: Yes she was. She was the star. She was the she.

1232
00:57:51,120 --> 00:57:55,440
Speaker 1: She told everyone what to do, and Kermie couldn't resist.

1233
00:57:55,880 --> 00:57:58,920
Speaker 4: I mean he was a little shy, and you know,

1234
00:57:59,440 --> 00:58:02,960
Speaker 4: she kind have probably spoke for him in a way

1235
00:58:03,000 --> 00:58:04,080
Speaker 4: that I think he liked.

1236
00:58:04,440 --> 00:58:08,640
Speaker 2: Well, yeah, thank you for putting some shine on Kermit too,

1237
00:58:08,680 --> 00:58:12,080
Speaker 2: because Kermie, I think, was also just as valuable of

1238
00:58:12,200 --> 00:58:17,200
Speaker 2: a male a masculinity comp yes that as Miss Piggy

1239
00:58:17,440 --> 00:58:19,480
Speaker 2: was a femininity sort of example.

1240
00:58:19,880 --> 00:58:20,720
Speaker 1: Yeah, they flipped.

1241
00:58:20,760 --> 00:58:23,280
Speaker 3: He was kind of a soft boy also, though during

1242
00:58:23,320 --> 00:58:25,920
Speaker 3: that time we also had people like Alan Alda and

1243
00:58:26,080 --> 00:58:26,880
Speaker 3: mash Right.

1244
00:58:27,360 --> 00:58:30,920
Speaker 4: He was like so nice even though he was so

1245
00:58:31,360 --> 00:58:32,600
Speaker 4: we had some sweetie pies.

1246
00:58:32,920 --> 00:58:35,640
Speaker 3: Yes, it wasn't as masculine all the time as people think,

1247
00:58:35,760 --> 00:58:38,440
Speaker 3: like the seventies. There was some like groovy like you

1248
00:58:38,520 --> 00:58:41,240
Speaker 3: know dads or even like Michael Landon who was like

1249
00:58:41,720 --> 00:58:44,520
Speaker 3: tough but like loved his daughter and was kind of sweet.

1250
00:58:44,880 --> 00:58:50,000
Speaker 3: But Kermie, Hermit was very in touch with his feminine side.

1251
00:58:50,160 --> 00:58:53,640
Speaker 1: Yes, it sounds like you have feelings for Kermie. You

1252
00:58:53,720 --> 00:58:54,560
Speaker 1: know why I love Kermit.

1253
00:58:55,040 --> 00:58:59,200
Speaker 3: Kermit was a peacemaker, yeah, Kermit was a peacemaker, and

1254
00:58:59,280 --> 00:59:03,440
Speaker 3: as I get older, I'm drawn to people men, especially

1255
00:59:03,560 --> 00:59:04,600
Speaker 3: who are looking for peace.

1256
00:59:04,840 --> 00:59:06,600
Speaker 1: Oh yeah, all I want to do is feel calm.

1257
00:59:06,800 --> 00:59:09,240
Speaker 3: Me too, I want to feel calm. I want to

1258
00:59:09,280 --> 00:59:12,160
Speaker 3: feel safe, and I don't conflict used to be the

1259
00:59:12,240 --> 00:59:13,600
Speaker 3: way I'm an enneagram eight.

1260
00:59:13,640 --> 00:59:15,880
Speaker 4: Do you care about your anim that's right?

1261
00:59:15,920 --> 00:59:20,439
Speaker 1: Your seven? That makes sense? What are you in? Yeah?

1262
00:59:21,080 --> 00:59:21,640
Speaker 1: So hard.

1263
00:59:22,280 --> 00:59:25,280
Speaker 3: No one understands you. You're very it's very hard to know.

1264
00:59:25,640 --> 00:59:30,920
Speaker 3: Fours are like they're like special romantic. Yeah, fours are dream.

1265
00:59:30,760 --> 00:59:34,120
Speaker 4: Maker like that makes artists remind me eight challenger.

1266
00:59:34,480 --> 00:59:37,760
Speaker 3: Yeah, so I used to think conflict was how I

1267
00:59:37,920 --> 00:59:40,200
Speaker 3: and it was often how I got intimate with people,

1268
00:59:40,400 --> 00:59:44,120
Speaker 3: Like yeah, and now I want more peace, I see.

1269
00:59:44,400 --> 00:59:45,200
Speaker 4: And sevens are so.

1270
00:59:45,280 --> 00:59:48,800
Speaker 1: Much fun, you know, if we exhaust ourselves. Yeah, sevens

1271
00:59:48,840 --> 00:59:51,640
Speaker 1: are require a lot, but they're so fun. Yeah, I mean,

1272
00:59:51,680 --> 00:59:53,840
Speaker 1: I like, it's so funny because I and then I

1273
00:59:53,840 --> 00:59:55,400
Speaker 1: looked at the results and it was like, whoa, I

1274
00:59:55,480 --> 00:59:58,240
Speaker 1: didn't stand a chance. I was such a s like

1275
00:59:58,400 --> 01:00:00,640
Speaker 1: it was it was I was thinking like, oh, I

1276
01:00:00,640 --> 01:00:02,600
Speaker 1: don't know, these hits aren't going to all go together.

1277
01:00:02,680 --> 01:00:06,320
Speaker 1: It was like you're a seven down the house down, yes,

1278
01:00:06,600 --> 01:00:09,440
Speaker 1: And I mean I get that. It's funny, like as

1279
01:00:09,520 --> 01:00:11,640
Speaker 1: I get a little bit older, like I'm also I

1280
01:00:11,640 --> 01:00:13,640
Speaker 1: don't know if you ascribe to the astrology of it all,

1281
01:00:13,680 --> 01:00:15,840
Speaker 1: but I'm also like a triple water signed double Pisces

1282
01:00:15,920 --> 01:00:19,240
Speaker 1: cancer moon, which is like that, and a seven is like, oh,

1283
01:00:19,320 --> 01:00:20,600
Speaker 1: we go and take up a lot of space.

1284
01:00:20,840 --> 01:00:23,480
Speaker 3: And also you're just gonna be kind of like, what's

1285
01:00:23,560 --> 01:00:25,720
Speaker 3: the next thing, Like you're definitely for the adventure.

1286
01:00:26,000 --> 01:00:28,720
Speaker 1: I'm more along consumer. So you used to say that

1287
01:00:28,800 --> 01:00:32,480
Speaker 1: about me all the time, beautiful excited, Yeah, and sometimes

1288
01:00:32,560 --> 01:00:34,920
Speaker 1: that can get me into Yeah, I have a lot

1289
01:00:34,960 --> 01:00:36,800
Speaker 1: of sevens in my life. I love them. For those

1290
01:00:36,880 --> 01:00:39,760
Speaker 1: that you don't care about enneagrams, whatever, But they're enthusiasts.

1291
01:00:39,800 --> 01:00:42,040
Speaker 1: They're enthusiasts. Yes, they love things and.

1292
01:00:42,040 --> 01:00:43,880
Speaker 3: They love having fun. But a seven is always like

1293
01:00:43,920 --> 01:00:45,200
Speaker 3: you're like, let's go do this thing, and they're like

1294
01:00:45,320 --> 01:00:45,480
Speaker 3: is it.

1295
01:00:45,480 --> 01:00:47,520
Speaker 1: Going to be fun? And you're like, I mean, I

1296
01:00:48,320 --> 01:00:50,480
Speaker 1: guess I fun. Hmmm.

1297
01:00:51,280 --> 01:00:53,120
Speaker 4: Fun is important. Newness is important.

1298
01:00:53,160 --> 01:00:55,080
Speaker 1: It's interesting to be the kind of person that's like

1299
01:00:55,200 --> 01:00:59,520
Speaker 1: seeks excitement and seeks like to consume things and have experiences.

1300
01:00:59,640 --> 01:01:03,160
Speaker 1: But then also have like an anxiety creep up because

1301
01:01:03,200 --> 01:01:04,800
Speaker 1: it's like that's when you get you get, you get

1302
01:01:04,840 --> 01:01:07,080
Speaker 1: in your head with a lot of like judgment, judgment, judgment.

1303
01:01:07,400 --> 01:01:09,480
Speaker 1: I just that's why I want to be calm. It's

1304
01:01:09,480 --> 01:01:11,400
Speaker 1: because I just want someone who's just gonna be like

1305
01:01:11,840 --> 01:01:14,160
Speaker 1: it's okay, like you know what I mean, Like it's

1306
01:01:14,240 --> 01:01:16,600
Speaker 1: it's you know what, Like this experience is gonna be

1307
01:01:16,640 --> 01:01:17,880
Speaker 1: what it is, and then it's gonna be over and

1308
01:01:17,960 --> 01:01:20,080
Speaker 1: then we're gonna have another one tomorrow. Yeah, but I

1309
01:01:20,520 --> 01:01:22,880
Speaker 1: am sort of waiting, and I do think I haven't

1310
01:01:22,880 --> 01:01:24,440
Speaker 1: really said this on the podcast yet, but I am

1311
01:01:24,480 --> 01:01:26,560
Speaker 1: fully moving back to New York. I finally bought my

1312
01:01:26,640 --> 01:01:29,920
Speaker 1: first place, and so like I I think that that

1313
01:01:30,040 --> 01:01:32,680
Speaker 1: will be a place where I can like root because

1314
01:01:32,720 --> 01:01:35,960
Speaker 1: I am looking for that. I think I deeply feel

1315
01:01:36,640 --> 01:01:40,040
Speaker 1: like my next step is to just feel like I

1316
01:01:40,160 --> 01:01:42,760
Speaker 1: can sit down and be comfortable in a place like

1317
01:01:43,080 --> 01:01:44,680
Speaker 1: that would be nice if someone could be a part

1318
01:01:44,680 --> 01:01:48,760
Speaker 1: of that, like down yeah toes down vibe. But it

1319
01:01:48,840 --> 01:01:51,080
Speaker 1: is it's interesting that you say all that stuff, because

1320
01:01:51,120 --> 01:01:53,320
Speaker 1: feeling calm is something I never thought I.

1321
01:01:53,400 --> 01:01:57,120
Speaker 3: Wanted because of same I always thought like that my

1322
01:01:57,400 --> 01:01:59,880
Speaker 3: thing was to challenge and buck the system and kind

1323
01:01:59,880 --> 01:02:03,840
Speaker 3: of like push and push. And now I'm really I

1324
01:02:04,000 --> 01:02:06,280
Speaker 3: really feel lucky that I'm surrounded by a lot of

1325
01:02:06,320 --> 01:02:09,640
Speaker 3: people who are not that way, who are like more

1326
01:02:09,760 --> 01:02:12,640
Speaker 3: peaceful and peacemakers.

1327
01:02:12,000 --> 01:02:13,520
Speaker 1: And kind of like a little bit like it could

1328
01:02:13,560 --> 01:02:14,480
Speaker 1: be this, It could be that.

1329
01:02:14,640 --> 01:02:18,200
Speaker 3: Like for the longest time, being definitive and like certain

1330
01:02:18,480 --> 01:02:21,760
Speaker 3: and decisive, yeah, was like safety And now I'm like

1331
01:02:22,120 --> 01:02:24,400
Speaker 3: luckily a little bit more like I don't know, yeah, you.

1332
01:02:24,400 --> 01:02:26,280
Speaker 1: Know, I think it's interesting because one of your like

1333
01:02:26,360 --> 01:02:29,560
Speaker 1: I would say defining comedic and like public traits is

1334
01:02:29,640 --> 01:02:31,560
Speaker 1: your energy. Yeah, you know what I mean. Like, so

1335
01:02:31,600 --> 01:02:34,920
Speaker 1: I would imagine I identify with this that sometimes when

1336
01:02:35,000 --> 01:02:37,360
Speaker 1: people like interact with you, they feel like they also

1337
01:02:37,480 --> 01:02:39,040
Speaker 1: need to bring a lot of energy. And then there

1338
01:02:39,160 --> 01:02:41,440
Speaker 1: you are meeting that and all of a sudden, you

1339
01:02:41,720 --> 01:02:47,800
Speaker 1: exhausted girl, and like you're like, wait, hold on, yeah,

1340
01:02:47,880 --> 01:02:51,480
Speaker 1: where was I in that? Oh? I was definitely talking. Yeah,

1341
01:02:51,480 --> 01:02:55,280
Speaker 1: but what was I saying? Oh? Yeah, it's you bring

1342
01:02:55,480 --> 01:02:58,840
Speaker 1: what you get, you know, praise for and credit for

1343
01:02:59,120 --> 01:03:02,160
Speaker 1: and like notice, especially at a place I would imagine

1344
01:03:02,360 --> 01:03:04,760
Speaker 1: coming up through comedy and like, you know, having to

1345
01:03:04,880 --> 01:03:07,800
Speaker 1: make your way, like and being one of one in

1346
01:03:07,920 --> 01:03:10,560
Speaker 1: many ways and then getting to SNL and then having

1347
01:03:10,640 --> 01:03:14,200
Speaker 1: to like, I know, it started really well for you

1348
01:03:14,320 --> 01:03:16,280
Speaker 1: pretty much like you kind of hit the ground running,

1349
01:03:16,280 --> 01:03:18,160
Speaker 1: and then when you were in the main cast, like

1350
01:03:18,280 --> 01:03:20,520
Speaker 1: kind of right away, right, yeah, pretty fast. Yeah, so

1351
01:03:20,600 --> 01:03:22,640
Speaker 1: everything was happening really fast, but you probably had to

1352
01:03:22,960 --> 01:03:23,280
Speaker 1: give it.

1353
01:03:23,720 --> 01:03:26,360
Speaker 3: Yeah, you know, we were like it was a different

1354
01:03:26,400 --> 01:03:28,000
Speaker 3: time where there was less women. You had to kind

1355
01:03:28,040 --> 01:03:30,880
Speaker 3: of you know, for those that are not watching them,

1356
01:03:31,080 --> 01:03:35,840
Speaker 3: I'm saying, but you bring up something that's so true,

1357
01:03:35,840 --> 01:03:37,400
Speaker 3: which is I feel like and getting back to like

1358
01:03:37,560 --> 01:03:45,120
Speaker 3: your fifties and on. But I'm all about practicing my backhand.

1359
01:03:46,320 --> 01:03:50,200
Speaker 3: That's my new phrase, which is my forehand has served

1360
01:03:50,240 --> 01:03:52,960
Speaker 3: me so well. It is I've made a lot of shots.

1361
01:03:53,000 --> 01:03:56,240
Speaker 3: I feel really confident. It's I'm very very grateful for

1362
01:03:56,320 --> 01:03:57,840
Speaker 3: what it's gotten me. And now it's time to practice

1363
01:03:57,880 --> 01:03:59,439
Speaker 3: my back And what is the thing that I don't

1364
01:04:00,240 --> 01:04:02,400
Speaker 3: always give as much attention to or practice to, And

1365
01:04:02,480 --> 01:04:06,760
Speaker 3: it's exactly that it's not depending on my energy to

1366
01:04:06,840 --> 01:04:08,640
Speaker 3: be the way that people connect with me or like

1367
01:04:09,280 --> 01:04:12,280
Speaker 3: or that like sparring or conflict is going to be

1368
01:04:12,320 --> 01:04:14,160
Speaker 3: the way in which I can get something done, but

1369
01:04:14,280 --> 01:04:15,720
Speaker 3: just like be a little bit more watery.

1370
01:04:15,920 --> 01:04:19,760
Speaker 2: And yeah, it's thinking about how you communicate textually, yes,

1371
01:04:20,040 --> 01:04:23,160
Speaker 2: rather than literally, you're super textually where you're just like,

1372
01:04:24,160 --> 01:04:26,720
Speaker 2: I'm going to communicate what I think by saying it

1373
01:04:27,440 --> 01:04:29,880
Speaker 2: and write something like this where it's like.

1374
01:04:30,160 --> 01:04:33,160
Speaker 4: Well, this is a very fore answer you're giving right now, because.

1375
01:04:36,560 --> 01:04:39,280
Speaker 3: No, because you're right, you're saying like you're coming from

1376
01:04:39,320 --> 01:04:42,760
Speaker 3: a feeling place and I'm coming from an action place.

1377
01:04:42,920 --> 01:04:45,200
Speaker 1: Yeah. Yeah, and that's a challenger thing. Yeah.

1378
01:04:45,480 --> 01:04:47,920
Speaker 3: So the four is like, how can I express my

1379
01:04:48,040 --> 01:04:49,720
Speaker 3: feelings or have these feelings differently?

1380
01:04:49,800 --> 01:04:51,560
Speaker 4: And it's like, what can I do differently?

1381
01:04:51,720 --> 01:04:51,880
Speaker 1: Yea?

1382
01:04:51,920 --> 01:04:54,439
Speaker 3: And our work is to like, and I'm so sorry

1383
01:04:54,440 --> 01:04:56,480
Speaker 3: if this is boring for anybody, our work is to

1384
01:04:56,640 --> 01:04:57,240
Speaker 3: feel more.

1385
01:04:57,960 --> 01:04:59,480
Speaker 1: Your work is to do.

1386
01:04:59,680 --> 01:05:04,480
Speaker 4: More, less feelings, more doing, And mine is more more feelings.

1387
01:05:04,200 --> 01:05:07,000
Speaker 1: Less doing. Is Piggy and as miss Piggy and a, I.

1388
01:05:07,080 --> 01:05:09,840
Speaker 3: Think she is definitely an eight. Miss Piggy is kind

1389
01:05:09,880 --> 01:05:13,880
Speaker 3: of an island. She is definitely an enny agreement. That

1390
01:05:13,880 --> 01:05:15,520
Speaker 3: would be fun to do that with all the money,

1391
01:05:18,600 --> 01:05:20,520
Speaker 3: I think. So I think Kermit's a nine. He's a

1392
01:05:20,600 --> 01:05:21,160
Speaker 3: piece maker.

1393
01:05:21,320 --> 01:05:23,320
Speaker 1: Yeah, he has to be the hold the center of

1394
01:05:23,360 --> 01:05:28,240
Speaker 1: that place. Yeah, he's like, hey, guys, wait, maybe Kermit's

1395
01:05:28,240 --> 01:05:31,240
Speaker 1: my man and I need to piggy up what she

1396
01:05:31,320 --> 01:05:33,360
Speaker 1: gets here. I'm gonna be like, listen, although I think

1397
01:05:33,400 --> 01:05:35,040
Speaker 1: they broke up, didn't they break up to finish?

1398
01:05:35,200 --> 01:05:38,680
Speaker 2: Remember the ABC show they introduced that new pig girl.

1399
01:05:40,440 --> 01:05:44,720
Speaker 2: Do you remember that, there's that new pig woman. And

1400
01:05:45,000 --> 01:05:47,360
Speaker 2: she was swooping in and trying to trying, trying to

1401
01:05:47,400 --> 01:05:50,480
Speaker 2: pick up Kermit, and the Internet lost their mind. They

1402
01:05:50,480 --> 01:05:53,000
Speaker 2: were like, get the fuck away from him. She needs

1403
01:05:53,040 --> 01:05:54,760
Speaker 2: to get the futod a chance against me.

1404
01:05:55,280 --> 01:05:55,920
Speaker 4: I gotta watch this.

1405
01:05:56,120 --> 01:05:57,560
Speaker 1: I did not I did not know that.

1406
01:05:57,720 --> 01:06:00,000
Speaker 4: And do you also remember how public television is so great?

1407
01:06:00,240 --> 01:06:02,360
Speaker 3: Sesame Street? Do you remember when Sesame Street? When I

1408
01:06:02,440 --> 01:06:04,520
Speaker 3: was growing up, there was a character called Snuffle.

1409
01:06:04,240 --> 01:06:08,560
Speaker 4: Up Against Yes, okay, yeah, what then they took Snuffle

1410
01:06:08,600 --> 01:06:11,160
Speaker 4: up Against away because it was frustrating kids.

1411
01:06:11,280 --> 01:06:13,400
Speaker 1: Yeah, because why why couldn't they see him? And I

1412
01:06:13,520 --> 01:06:15,160
Speaker 1: was like, wait, but who said this?

1413
01:06:15,480 --> 01:06:17,760
Speaker 2: They say someone said that they took him away because

1414
01:06:17,920 --> 01:06:21,840
Speaker 2: some kids, especially in the eighties when child abduction was

1415
01:06:21,880 --> 01:06:24,840
Speaker 2: a thing, they were like parents would like it was

1416
01:06:24,880 --> 01:06:26,919
Speaker 2: that like they wouldn't believe what kids were saying.

1417
01:06:26,960 --> 01:06:31,120
Speaker 1: Yeah, yeah, yeah, yeah show yeah. A kid didn't feel believed, right,

1418
01:06:31,440 --> 01:06:33,920
Speaker 1: And it was at a time when you needed to

1419
01:06:34,360 --> 01:06:37,360
Speaker 1: trust what children were saying, Like I saw a strange

1420
01:06:37,440 --> 01:06:41,560
Speaker 1: man at the side of our street. You know, there's

1421
01:06:41,760 --> 01:06:44,040
Speaker 1: there's like a lot of implications when it comes to

1422
01:06:44,160 --> 01:06:47,960
Speaker 1: like PBS and children's programming. Did you ever get to

1423
01:06:48,040 --> 01:06:50,120
Speaker 1: go down there to Sesame Street? And I got to

1424
01:06:50,160 --> 01:06:52,240
Speaker 1: do something with Elmo, which is really cool. What did

1425
01:06:52,320 --> 01:06:54,280
Speaker 1: you guys do together? We did like a word of

1426
01:06:54,360 --> 01:06:55,320
Speaker 1: the Day or something.

1427
01:06:56,040 --> 01:06:57,960
Speaker 4: Yeah, And then you know, and when I like and

1428
01:06:58,000 --> 01:07:01,080
Speaker 4: I loved growing up, I loved an Oscar the Grouch

1429
01:07:01,200 --> 01:07:01,840
Speaker 4: alarm clock.

1430
01:07:02,440 --> 01:07:05,800
Speaker 1: I like he's a great restarch.

1431
01:07:05,920 --> 01:07:09,000
Speaker 4: Larry David owes a lot to Oscar. Yes, yes, the

1432
01:07:09,160 --> 01:07:11,040
Speaker 4: alarm clock used to start.

1433
01:07:10,840 --> 01:07:14,720
Speaker 1: With it's gonna be a lousy day, wake up, It's

1434
01:07:14,800 --> 01:07:17,280
Speaker 1: gonna and it was such a gen x alarm clock.

1435
01:07:17,360 --> 01:07:20,160
Speaker 1: But you could never do that now. But yeah, I

1436
01:07:20,440 --> 01:07:23,200
Speaker 1: love him, that whole Jim Henson world.

1437
01:07:23,280 --> 01:07:26,960
Speaker 4: I have to say it has permeated most of my

1438
01:07:27,320 --> 01:07:29,720
Speaker 4: life because you know, also was in the beginning of

1439
01:07:29,800 --> 01:07:30,080
Speaker 4: us now.

1440
01:07:30,120 --> 01:07:34,920
Speaker 1: But just like those muppets and puppets are everywhere in

1441
01:07:35,000 --> 01:07:35,520
Speaker 1: my psyche.

1442
01:07:35,800 --> 01:07:36,040
Speaker 4: Yeah.

1443
01:07:36,760 --> 01:07:40,320
Speaker 1: Absolutely, we got to send up prayers up. What the

1444
01:07:40,480 --> 01:07:43,200
Speaker 1: heck that was? Oh my god, that was Piggy Squeeze

1445
01:07:45,920 --> 01:07:46,400
Speaker 1: come here.

1446
01:07:46,920 --> 01:07:49,640
Speaker 3: Yeah, that's that is stressful though, because have you ever

1447
01:07:49,720 --> 01:07:51,120
Speaker 3: been with someone who's working a puppet?

1448
01:07:51,400 --> 01:07:53,760
Speaker 1: No, this is so we heard that. Like it's basically

1449
01:07:53,800 --> 01:07:55,160
Speaker 1: what it is is it's like they can go for

1450
01:07:55,320 --> 01:07:56,840
Speaker 1: like twenty five thirty minutes at a time and then

1451
01:07:56,840 --> 01:07:57,680
Speaker 1: they need to short break.

1452
01:07:58,240 --> 01:08:03,200
Speaker 3: It's stressful. Yeah, I mean, God bless everyone who works puppets.

1453
01:08:03,240 --> 01:08:07,200
Speaker 3: It's amazing, but it's it's intense. Right where do you look, right,

1454
01:08:07,720 --> 01:08:08,800
Speaker 3: I guess you look at the puppet.

1455
01:08:08,920 --> 01:08:10,760
Speaker 1: I'm going to have no problem looking right in miss

1456
01:08:10,800 --> 01:08:13,919
Speaker 1: Piggy's eyes. I'm telling you, I'm committing so hard.

1457
01:08:14,840 --> 01:08:17,360
Speaker 2: I know I might cry though, because I feel the

1458
01:08:17,400 --> 01:08:19,680
Speaker 2: same sort of cosmic connection to her that that you're

1459
01:08:19,720 --> 01:08:22,519
Speaker 2: talking about, which is that I'm like, she she was

1460
01:08:22,600 --> 01:08:26,240
Speaker 2: my first glimpse into old Hollywood, unto like, and she's

1461
01:08:26,280 --> 01:08:27,880
Speaker 2: like modeled after those actresses, and.

1462
01:08:28,120 --> 01:08:33,080
Speaker 3: She's modeled for like Peggy Lee, right, yes, yeah, and

1463
01:08:33,200 --> 01:08:36,120
Speaker 3: she was also kind of like in drag a little

1464
01:08:36,120 --> 01:08:39,840
Speaker 3: bit like a real vibe of like costumes and and

1465
01:08:40,000 --> 01:08:42,760
Speaker 3: you always were going into her world and it was

1466
01:08:42,840 --> 01:08:47,360
Speaker 3: like satin and she was very like she was very feminine, but.

1467
01:08:47,479 --> 01:08:49,000
Speaker 1: The show girl. She was a show She was the

1468
01:08:49,040 --> 01:08:54,080
Speaker 1: last show girl with Pamela Anderson. I just think she's beautiful. Yeah,

1469
01:08:54,680 --> 01:08:58,639
Speaker 1: And pigs have newly been become my favorite animal. Oh really,

1470
01:08:59,439 --> 01:09:02,920
Speaker 1: And a lot of culture's pigs are really really revered. Yeah,

1471
01:09:03,240 --> 01:09:05,080
Speaker 1: so smart? Are they one of the smart ones? Yes?

1472
01:09:05,200 --> 01:09:08,280
Speaker 1: Smart days smart. So I'm like, now I'm liking this

1473
01:09:08,400 --> 01:09:10,439
Speaker 1: new kick where I'm finding out about how deep the

1474
01:09:10,520 --> 01:09:13,759
Speaker 1: intelligence of certain animals goes. Like I went on elephants

1475
01:09:13,800 --> 01:09:15,519
Speaker 1: the other day, and now I'll never be the same.

1476
01:09:15,840 --> 01:09:19,960
Speaker 1: I know, did you know that octopuses decorate their homes? What?

1477
01:09:20,520 --> 01:09:22,000
Speaker 1: So the next time you go to, like, I don't know,

1478
01:09:22,320 --> 01:09:25,240
Speaker 1: someplace on Larchmont and they're serving up a grilled puss.

1479
01:09:26,680 --> 01:09:35,520
Speaker 1: That puss was a decorator. He was decorator. And Jeremiah

1480
01:09:35,600 --> 01:09:38,639
Speaker 1: of the Seas and then can put up so much

1481
01:09:38,680 --> 01:09:43,759
Speaker 1: ship lap so fast July, and my mom has revealed

1482
01:09:43,760 --> 01:09:48,120
Speaker 1: how ses she is with Nate and Jeremiah. Watch Jeremiah. Incredible.

1483
01:09:48,320 --> 01:09:51,439
Speaker 1: My dad was talking to me about and I was

1484
01:09:51,560 --> 01:09:53,120
Speaker 1: on the phone with them, and my mom was talking

1485
01:09:53,160 --> 01:09:56,760
Speaker 1: to my mom started watching Queer Eye and she was like,

1486
01:09:56,960 --> 01:10:00,880
Speaker 1: because Jeremiah joined, Yeah, and Jeremiah and incredible edition. And

1487
01:10:01,000 --> 01:10:03,320
Speaker 1: my dad says to me on the phone, your mother

1488
01:10:03,840 --> 01:10:07,639
Speaker 1: is beaming ear to ear harder than I've ever seen

1489
01:10:07,680 --> 01:10:10,240
Speaker 1: her talking about Jeremiah Brtt right now. She loves him.

1490
01:10:11,200 --> 01:10:15,759
Speaker 4: They also decorate in this beautiful aesthetic that does feel

1491
01:10:16,040 --> 01:10:17,240
Speaker 4: like how do I put this?

1492
01:10:17,800 --> 01:10:20,240
Speaker 1: Like no one will ever live there? No, no, no, no,

1493
01:10:20,560 --> 01:10:23,200
Speaker 1: like the tiling that they put it, like I watched there.

1494
01:10:23,840 --> 01:10:26,360
Speaker 1: Like when someone is just like, yeah, so we ripped

1495
01:10:26,400 --> 01:10:28,920
Speaker 1: out the floors, I'm like, what are you talking about?

1496
01:10:29,120 --> 01:10:31,720
Speaker 1: Like in all respect, but I'm like I could never

1497
01:10:31,880 --> 01:10:34,400
Speaker 1: be like I want to rip out these floors. I

1498
01:10:34,520 --> 01:10:36,519
Speaker 1: want to re upholster now. I don't know what that

1499
01:10:36,720 --> 01:10:39,880
Speaker 1: word means. It's hard. And also there is something about

1500
01:10:39,960 --> 01:10:42,200
Speaker 1: I love interior design. I love it.

1501
01:10:42,320 --> 01:10:44,200
Speaker 4: It's kind of like a I want to say, a hobby.

1502
01:10:44,280 --> 01:10:46,840
Speaker 1: But I love working with people and making spaces and

1503
01:10:46,960 --> 01:10:48,560
Speaker 1: looking at making it. I love it.

1504
01:10:48,920 --> 01:10:51,920
Speaker 3: Yes, And I love looking at like magazines and looking

1505
01:10:51,960 --> 01:10:55,400
Speaker 3: stuff online and I find just like what people think

1506
01:10:55,680 --> 01:11:00,560
Speaker 3: is comfortable. Yeah, I is so subjective. It's just and

1507
01:11:00,640 --> 01:11:03,800
Speaker 3: for me the I must rest, my eye must rest.

1508
01:11:03,920 --> 01:11:04,240
Speaker 1: Got it.

1509
01:11:04,920 --> 01:11:07,960
Speaker 3: So there's like there was like an organizing show where

1510
01:11:07,960 --> 01:11:09,519
Speaker 3: it was like what kind of organizer are you?

1511
01:11:09,720 --> 01:11:10,760
Speaker 1: Are you? So let me ask you this.

1512
01:11:10,840 --> 01:11:13,320
Speaker 4: Okay, there's four different ways, and I'm gonna butcher this.

1513
01:11:13,479 --> 01:11:17,360
Speaker 3: But do you like a room where there's an open

1514
01:11:17,439 --> 01:11:20,479
Speaker 3: shelf and like, you know, your plates and cups and everything,

1515
01:11:20,520 --> 01:11:25,920
Speaker 3: you can see them floating? Okay, okay, this one where

1516
01:11:25,920 --> 01:11:29,240
Speaker 3: you're like floating shelf and cups and organized, well, but

1517
01:11:29,360 --> 01:11:34,280
Speaker 3: visit one where they're behind a cabinet, organized behind a cabinet.

1518
01:11:34,560 --> 01:11:35,479
Speaker 1: Those are two options.

1519
01:11:35,600 --> 01:11:39,160
Speaker 3: And then also do you like to have let's say

1520
01:11:39,200 --> 01:11:42,400
Speaker 3: you're putting away your important piece of paper. Do you

1521
01:11:42,600 --> 01:11:46,200
Speaker 3: want to have it in a drawer where you throw

1522
01:11:46,280 --> 01:11:47,920
Speaker 3: it in in a drawer and it's worth all the

1523
01:11:48,040 --> 01:11:50,880
Speaker 3: important papers and you'll organize it later, or do you

1524
01:11:51,000 --> 01:11:54,440
Speaker 3: want to have a place that it lives every.

1525
01:11:54,280 --> 01:11:57,400
Speaker 1: Time that I see. I mean, here's my thing. I

1526
01:11:57,439 --> 01:12:00,640
Speaker 1: don't like looking at cupboards. I don't like looking at

1527
01:12:00,640 --> 01:12:02,200
Speaker 1: cupboards and shelves. I think I'm s o l Some

1528
01:12:02,320 --> 01:12:04,880
Speaker 1: people like to see their stuff and some people like

1529
01:12:04,920 --> 01:12:06,479
Speaker 1: to not see this. I think it could be interesting

1530
01:12:06,520 --> 01:12:07,200
Speaker 1: to see myself.

1531
01:12:07,600 --> 01:12:11,240
Speaker 2: I am going to be that not see your stuff school,

1532
01:12:11,360 --> 01:12:15,679
Speaker 2: because if one thing is off on the floating shelf

1533
01:12:15,760 --> 01:12:18,240
Speaker 2: and it's out on display, it's gonna bug the ship

1534
01:12:18,240 --> 01:12:20,280
Speaker 2: out of me. I'm never gonna feel I'm gonna have

1535
01:12:20,360 --> 01:12:22,559
Speaker 2: that itch in my brain the entire time I'm looking

1536
01:12:22,640 --> 01:12:22,840
Speaker 2: at it.

1537
01:12:23,000 --> 01:12:27,360
Speaker 4: Yes, and what about countertops tables?

1538
01:12:28,439 --> 01:12:30,880
Speaker 1: Do they need to be clear? Pretty much? Have to

1539
01:12:30,960 --> 01:12:31,400
Speaker 1: be clear?

1540
01:12:31,600 --> 01:12:31,840
Speaker 4: Yeah?

1541
01:12:32,200 --> 01:12:35,120
Speaker 1: Yeah, a strong aesthetic. I mean he I keep telling

1542
01:12:35,200 --> 01:12:36,680
Speaker 1: him that he should get a d over to his

1543
01:12:36,760 --> 01:12:43,360
Speaker 1: place because it's so cute and cooling, bowing of like housewares. Yeah,

1544
01:12:43,560 --> 01:12:45,680
Speaker 1: what about you? What are you doing? It? Would love

1545
01:12:45,760 --> 01:12:47,920
Speaker 1: to do that? What come on?

1546
01:12:48,200 --> 01:12:51,720
Speaker 4: Everybody's well, you know what, I'm going to take my

1547
01:12:51,800 --> 01:12:52,280
Speaker 4: own advice.

1548
01:12:52,360 --> 01:12:54,280
Speaker 1: It's never too late, it's never to wait to do what?

1549
01:12:54,680 --> 01:12:57,960
Speaker 1: But what would just have a house? Okay? Wait, your

1550
01:12:58,160 --> 01:13:02,840
Speaker 1: conversation with Tina about this? Don't you think? Open eyeglasses?

1551
01:13:03,400 --> 01:13:05,840
Speaker 3: I've been trying to get Tina to make money off

1552
01:13:05,840 --> 01:13:09,719
Speaker 3: of eyeglasses for her entire life, but beside, she doesn't

1553
01:13:09,720 --> 01:13:12,360
Speaker 3: want to do I understand, I respect it. She only

1554
01:13:12,439 --> 01:13:14,439
Speaker 3: do what you want to do, but you could do

1555
01:13:14,560 --> 01:13:15,280
Speaker 3: it too, bowing.

1556
01:13:15,400 --> 01:13:15,760
Speaker 1: I don't know.

1557
01:13:16,080 --> 01:13:19,800
Speaker 2: I'm of the same mind as Tina. I'm like, what

1558
01:13:20,080 --> 01:13:23,160
Speaker 2: you get in her head because she said it. No,

1559
01:13:23,360 --> 01:13:25,479
Speaker 2: I just I've always thought the same thing, like, there's

1560
01:13:25,680 --> 01:13:28,760
Speaker 2: no practical reason for me to for me to do that.

1561
01:13:28,880 --> 01:13:35,200
Speaker 1: You know, I'm gonna sell whatever. Whatever, Yeah, sweat face,

1562
01:13:35,320 --> 01:13:39,240
Speaker 1: I put my name on plastic water bottles. Whatever.

1563
01:13:40,760 --> 01:13:42,920
Speaker 3: No, yeah, only if you only if you'd be into

1564
01:13:43,280 --> 01:13:46,120
Speaker 3: the design and into the aesthetic of it. But something

1565
01:13:46,400 --> 01:13:48,400
Speaker 3: aesthetic would be interesting and fun.

1566
01:13:48,320 --> 01:13:53,840
Speaker 1: To work on. Perhaps perhaps watch the space. I can

1567
01:13:53,920 --> 01:13:56,799
Speaker 1: see it for you. I think you're a huge brand.

1568
01:13:59,040 --> 01:14:00,800
Speaker 4: I completely agree, you know what I'm saying.

1569
01:14:01,040 --> 01:14:03,439
Speaker 1: Yes, y'all, I completely agree.

1570
01:14:03,840 --> 01:14:05,719
Speaker 4: But at least get a d in in that house

1571
01:14:06,400 --> 01:14:10,240
Speaker 4: and get them to walk around and your bowl of limes,

1572
01:14:10,439 --> 01:14:11,320
Speaker 4: show them your bowl of.

1573
01:14:13,760 --> 01:14:21,200
Speaker 1: Wait, who love lines? I love limes? I actually do.

1574
01:14:21,920 --> 01:14:23,960
Speaker 1: But but but she said I love limes. And then

1575
01:14:24,000 --> 01:14:26,080
Speaker 1: afterwards she was like, I don't know why I said that.

1576
01:14:26,600 --> 01:14:29,040
Speaker 1: She revealed later she doesn't know she does. She was

1577
01:14:29,080 --> 01:14:32,200
Speaker 1: like a joke. Wait, now I'm actually thinking because they say, like,

1578
01:14:32,520 --> 01:14:34,200
Speaker 1: just think of some images that you like and like

1579
01:14:34,280 --> 01:14:35,800
Speaker 1: things that you want to see around your house. I

1580
01:14:35,880 --> 01:14:37,719
Speaker 1: actually would love limes.

1581
01:14:38,240 --> 01:14:41,000
Speaker 4: I like limes are so good. Or how about this

1582
01:14:41,560 --> 01:14:45,800
Speaker 4: a bowl of art chokes. If you put artichokes in

1583
01:14:45,880 --> 01:14:49,439
Speaker 4: a bowl, you're a billion Really, yes, I guess that

1584
01:14:49,600 --> 01:14:52,240
Speaker 4: is what that means. If you put three artichokes in

1585
01:14:52,360 --> 01:14:55,680
Speaker 4: a silver bowl, you're You're done.

1586
01:14:55,720 --> 01:14:58,639
Speaker 1: I've always wanted to have bananas on the table. Of course,

1587
01:14:58,680 --> 01:15:01,280
Speaker 1: you can do nothing. Stop. You can do that, you

1588
01:15:01,320 --> 01:15:03,240
Speaker 1: can do that, you can't do that. I don't think

1589
01:15:04,360 --> 01:15:06,960
Speaker 1: I don't think you understand what my has been like.

1590
01:15:07,000 --> 01:15:08,200
Speaker 1: It's only now that I'm.

1591
01:15:08,120 --> 01:15:10,360
Speaker 4: Like, very seven. Okay, we write we need to root.

1592
01:15:10,240 --> 01:15:13,160
Speaker 1: It down seven. My life has been so seven. It's

1593
01:15:13,200 --> 01:15:15,160
Speaker 1: been so like LA in New York, La, New York.

1594
01:15:15,280 --> 01:15:18,240
Speaker 1: Where can I go next? Coach again this weekend?

1595
01:15:19,200 --> 01:15:20,400
Speaker 4: Leaving out of a suitcase?

1596
01:15:20,520 --> 01:15:22,800
Speaker 1: Yeah, very that And I can't. I can't, I can't,

1597
01:15:22,840 --> 01:15:25,720
Speaker 1: I can't. The seven has to the seven has to

1598
01:15:25,760 --> 01:15:27,920
Speaker 1: go to a nine peacemaker. Your space has to be

1599
01:15:28,080 --> 01:15:31,160
Speaker 1: your space is important? Yeah? It is? Is it is it?

1600
01:15:31,200 --> 01:15:36,479
Speaker 1: It is? What is your most interior designy motif? Yeah?

1601
01:15:36,600 --> 01:15:38,720
Speaker 1: I love well, I love right now. My house is

1602
01:15:38,760 --> 01:15:39,920
Speaker 1: a California ranch.

1603
01:15:40,160 --> 01:15:42,559
Speaker 3: So I do like that kind of a tiny bit

1604
01:15:42,640 --> 01:15:46,120
Speaker 3: of Quaker Quaker's a tiny bit of Quaker craft. Like

1605
01:15:46,240 --> 01:15:49,200
Speaker 3: I like a wood like I like a wood bench

1606
01:15:49,439 --> 01:15:54,000
Speaker 3: with like a patterned cushion. I like like a nice

1607
01:15:54,080 --> 01:15:57,040
Speaker 3: patterned rug with like a black sofa. I like a

1608
01:15:57,880 --> 01:16:02,560
Speaker 3: warm tone chairs at mad warm tone table with like

1609
01:16:02,720 --> 01:16:06,240
Speaker 3: an amber light fixture. I like, I like a bit

1610
01:16:06,360 --> 01:16:09,839
Speaker 3: more masculine, so naturally, and it's very masculine.

1611
01:16:09,920 --> 01:16:11,960
Speaker 1: I literally what I said to the guy who's doing

1612
01:16:12,000 --> 01:16:13,360
Speaker 1: my apartment, and I was like, I wanted to be

1613
01:16:13,439 --> 01:16:15,920
Speaker 1: like masculine but light, you know what I mean.

1614
01:16:16,000 --> 01:16:19,439
Speaker 4: Masculine can sometimes be like too much like steel, not

1615
01:16:19,560 --> 01:16:20,240
Speaker 4: that you know the.

1616
01:16:20,280 --> 01:16:23,880
Speaker 1: Word, I said Redford, ooh, like it's kind of just

1617
01:16:23,960 --> 01:16:27,600
Speaker 1: like it's giving, like like not denim, but like like

1618
01:16:27,920 --> 01:16:32,280
Speaker 1: like yeah, warm masculine like wood, but with like little

1619
01:16:32,400 --> 01:16:35,040
Speaker 1: light blue denimy touches like because they say look in

1620
01:16:35,080 --> 01:16:36,880
Speaker 1: your closet, and that's like a hint as to what

1621
01:16:37,000 --> 01:16:38,880
Speaker 1: you might want to, like, yeah, look like.

1622
01:16:39,120 --> 01:16:42,400
Speaker 3: And I'm leaning lately less mid century and more like

1623
01:16:42,439 --> 01:16:46,280
Speaker 3: a little bit like worn and waspy y. I'm trying

1624
01:16:46,320 --> 01:16:51,120
Speaker 3: to do more antique and flea pieces than new pieces.

1625
01:16:50,960 --> 01:16:55,519
Speaker 1: But your masculine is callback Alan Alda. My masculine is

1626
01:16:55,520 --> 01:17:01,400
Speaker 1: Alan seventies sweet loves his wife. Because mid century is

1627
01:17:01,520 --> 01:17:04,400
Speaker 1: kind of done. Don't feel like everyone was doing mid century.

1628
01:17:04,600 --> 01:17:07,600
Speaker 3: Sure, once I Dwell came out like and everything was

1629
01:17:07,720 --> 01:17:10,640
Speaker 3: very like weird table and like, yeah, everything got a

1630
01:17:10,680 --> 01:17:15,000
Speaker 3: little too mid century and it's very la total well.

1631
01:17:15,000 --> 01:17:17,000
Speaker 1: The first time in the first apartment I ever got,

1632
01:17:17,080 --> 01:17:19,400
Speaker 1: I walked into West Elm and the first thing I

1633
01:17:19,439 --> 01:17:21,360
Speaker 1: said was does it look like I don't belong here?

1634
01:17:21,760 --> 01:17:24,320
Speaker 1: Because I thought like it was for fancy people. And

1635
01:17:24,400 --> 01:17:26,600
Speaker 1: they said, no, what are you talking about? We'll help you.

1636
01:17:27,080 --> 01:17:29,840
Speaker 1: And so, because I'm colorblind and have no taste, I

1637
01:17:30,040 --> 01:17:32,120
Speaker 1: was like, I guess I like this. And I just

1638
01:17:32,200 --> 01:17:34,519
Speaker 1: pointed to a display and they were like, you like

1639
01:17:34,800 --> 01:17:37,560
Speaker 1: just this? And I was like, yeah, I think I

1640
01:17:37,720 --> 01:17:39,519
Speaker 1: like this for my living ground. They're like, you don't

1641
01:17:39,520 --> 01:17:43,120
Speaker 1: want to change anything. I go, oh, yeah, the rug?

1642
01:17:43,800 --> 01:17:47,519
Speaker 1: Which rug? Would you like that one? And that's what happened.

1643
01:17:47,920 --> 01:17:50,200
Speaker 1: Great but but but they're not supposed to make you

1644
01:17:50,320 --> 01:17:52,280
Speaker 1: feel that way. No, they did it. They were so

1645
01:17:52,520 --> 01:17:53,400
Speaker 1: beautiful and lovely.

1646
01:17:53,479 --> 01:17:55,680
Speaker 4: I was telling an old story about yourself. I think

1647
01:17:55,760 --> 01:17:57,479
Speaker 4: you do have a sense of stuff.

1648
01:17:57,479 --> 01:18:00,200
Speaker 1: I'm color blind. I know a lot of men are.

1649
01:18:00,680 --> 01:18:02,639
Speaker 1: A lot of men are like, that's that's.

1650
01:18:02,560 --> 01:18:05,000
Speaker 2: Sorry, what do you mean that doesn't I was gonna

1651
01:18:05,000 --> 01:18:08,240
Speaker 2: say that doesn't. I don't think that correlates to taste

1652
01:18:08,320 --> 01:18:08,719
Speaker 2: or style.

1653
01:18:08,840 --> 01:18:11,560
Speaker 1: I have that very malleable in my settings, Like like

1654
01:18:11,720 --> 01:18:13,960
Speaker 1: I live I'm subletting something in New York right now,

1655
01:18:14,000 --> 01:18:16,679
Speaker 1: and the guy has like a crazy pink gallery wall

1656
01:18:17,120 --> 01:18:19,640
Speaker 1: with all sorts of different coloral pictures on it, and

1657
01:18:19,720 --> 01:18:21,800
Speaker 1: I've just been like, yeah, I live here and I

1658
01:18:22,040 --> 01:18:23,000
Speaker 1: like it, and I have no.

1659
01:18:23,160 --> 01:18:25,040
Speaker 2: Idea whether or not I do orgy. That's a sub

1660
01:18:25,120 --> 01:18:28,240
Speaker 2: lit reality. I'm I'm the one that's asking him, like

1661
01:18:28,680 --> 01:18:30,960
Speaker 2: what are the spaces? Yeah, you like, where do you

1662
01:18:30,960 --> 01:18:33,720
Speaker 2: feel comfortable? And I'm literally like, you should think of

1663
01:18:33,840 --> 01:18:36,439
Speaker 2: your favorite restaurant at Disney World. I love being everywhere.

1664
01:18:36,479 --> 01:18:38,880
Speaker 2: I love being in a sushi place, I love being

1665
01:18:38,920 --> 01:18:39,760
Speaker 2: in Mexican spy.

1666
01:18:40,560 --> 01:18:43,680
Speaker 4: Yeah, but do you like like I like things to

1667
01:18:43,840 --> 01:18:45,799
Speaker 4: feel nice? Yes, I love texture.

1668
01:18:45,880 --> 01:18:47,960
Speaker 1: So I have these two chairs in my living room

1669
01:18:48,200 --> 01:18:50,120
Speaker 1: that are upholstered with them like that.

1670
01:18:50,320 --> 01:18:54,760
Speaker 3: Really fuzzy, like yes, the fuzzy stuff. Fuzzy stuff, he said, that.

1671
01:18:55,120 --> 01:18:57,160
Speaker 3: And why I like is when I walk by them,

1672
01:18:57,200 --> 01:18:58,360
Speaker 3: I like always.

1673
01:18:58,439 --> 01:19:02,000
Speaker 1: You set them, but they are clean. Oh but you

1674
01:19:02,120 --> 01:19:02,840
Speaker 1: know that's okay.

1675
01:19:03,160 --> 01:19:05,280
Speaker 4: This is You're not going to be worried about cleaning.

1676
01:19:05,360 --> 01:19:07,920
Speaker 1: I'm covered in buffalo sauce most of the time. I

1677
01:19:07,960 --> 01:19:09,400
Speaker 1: didn't tell you that I eat it. On the thing

1678
01:19:09,439 --> 01:19:11,920
Speaker 1: we ran through my financials, I forgot about like ninety

1679
01:19:11,920 --> 01:19:13,960
Speaker 1: eight percent of it is buffalo sauce. I have so

1680
01:19:14,080 --> 01:19:15,559
Speaker 1: much buffalo sauce all my shit.

1681
01:19:15,640 --> 01:19:17,720
Speaker 3: You know you should do just do one room. Just

1682
01:19:17,840 --> 01:19:20,160
Speaker 3: do one room, Like what would be your version of

1683
01:19:20,200 --> 01:19:21,040
Speaker 3: the nice of a nice?

1684
01:19:21,800 --> 01:19:25,040
Speaker 1: Yeah, yeah, that's great, just one room. See what I

1685
01:19:25,160 --> 01:19:27,000
Speaker 1: love is like also like I love when I go

1686
01:19:27,080 --> 01:19:29,960
Speaker 1: to someone's house, like in the suburbs, and the living

1687
01:19:30,080 --> 01:19:32,519
Speaker 1: room is like the beach and the bathroom is the ocean,

1688
01:19:33,520 --> 01:19:35,799
Speaker 1: and that's just what it is. It's like almost every

1689
01:19:36,040 --> 01:19:38,680
Speaker 1: suburban house is like my bathroom is the bottom of

1690
01:19:38,720 --> 01:19:41,559
Speaker 1: the sea, you know, and that sea show.

1691
01:19:41,920 --> 01:19:44,800
Speaker 4: Well, I always say people's houses. People either want to

1692
01:19:44,840 --> 01:19:47,559
Speaker 4: tell you where they've been or where.

1693
01:19:47,439 --> 01:19:50,120
Speaker 1: They are oh one or the other. They never tell

1694
01:19:50,120 --> 01:19:52,960
Speaker 1: you where they're going so exactly, so it's like where

1695
01:19:53,000 --> 01:19:53,439
Speaker 1: have I been?

1696
01:19:53,680 --> 01:19:57,160
Speaker 4: I like have African masks, and I have you know, sorries,

1697
01:19:57,240 --> 01:19:59,439
Speaker 4: and I have like all this stuff that I've collected.

1698
01:20:00,600 --> 01:20:03,240
Speaker 1: We are in Denver, baby, and you're gonna know it.

1699
01:20:03,400 --> 01:20:06,080
Speaker 1: You're gonna know that we are in Colorado, like it's

1700
01:20:06,120 --> 01:20:09,960
Speaker 1: one or the other. Well, I think Matt has a

1701
01:20:10,000 --> 01:20:11,519
Speaker 1: lot to work with in terms of where he's been

1702
01:20:11,560 --> 01:20:14,360
Speaker 1: and where he agreed. One thing I don't want to do.

1703
01:20:14,960 --> 01:20:17,879
Speaker 1: A lot of gay guys like in their first apartments,

1704
01:20:17,920 --> 01:20:21,639
Speaker 1: they have a big gay picture, like of someone's tricep

1705
01:20:22,160 --> 01:20:23,960
Speaker 1: or like someone laying on the beach. It's just like

1706
01:20:24,000 --> 01:20:26,240
Speaker 1: this part of someone's I think I can. I can

1707
01:20:26,439 --> 01:20:29,719
Speaker 1: forego big gay picture and never sleep on a plant

1708
01:20:29,840 --> 01:20:34,080
Speaker 1: and a mirror. Plants have been something I never interacted with,

1709
01:20:34,240 --> 01:20:39,280
Speaker 1: and I love a mirror. Mirror plant can change a

1710
01:20:39,320 --> 01:20:43,320
Speaker 1: mirror in a plant and creates a large space. And

1711
01:20:43,800 --> 01:20:45,680
Speaker 1: there's like AI now that you can put your room

1712
01:20:45,800 --> 01:20:48,559
Speaker 1: in and it'll tell you all this stuff. It's increcb Ai.

1713
01:20:49,640 --> 01:20:53,600
Speaker 1: We're going to fix that with the Yeah that have

1714
01:20:53,640 --> 01:20:55,519
Speaker 1: you already spoken about it on the poda? We haven't.

1715
01:20:55,560 --> 01:20:58,679
Speaker 1: So we've heard you guys say that our new profile

1716
01:20:58,760 --> 01:21:01,559
Speaker 1: image for Lost Culture is us I am out of focus.

1717
01:21:02,200 --> 01:21:04,720
Speaker 1: I I do see it. I do think it is

1718
01:21:04,760 --> 01:21:06,800
Speaker 1: a striking picture. It's one of my favorite photos that

1719
01:21:06,880 --> 01:21:09,599
Speaker 1: Bowen and I have taken. And I'm hesitant to change

1720
01:21:09,600 --> 01:21:14,000
Speaker 1: it because Bowen looks so insane. You can't but I

1721
01:21:14,160 --> 01:21:16,040
Speaker 1: think I look good. It's just that I'm out of focus.

1722
01:21:17,160 --> 01:21:21,280
Speaker 4: I think it's she This is a really interesting experiment

1723
01:21:21,880 --> 01:21:27,640
Speaker 4: about how we see ourselves in how do we want people.

1724
01:21:27,400 --> 01:21:27,880
Speaker 1: To see us?

1725
01:21:28,040 --> 01:21:32,439
Speaker 2: Yes, yes, But I think it's also a statement on depth.

1726
01:21:32,880 --> 01:21:36,080
Speaker 2: You are getting depth because this side of your face

1727
01:21:36,240 --> 01:21:39,200
Speaker 2: is not it isn't focused, and then this side isn't.

1728
01:21:39,320 --> 01:21:41,760
Speaker 1: Yeah, my right eye is in focus. But you know,

1729
01:21:42,200 --> 01:21:46,760
Speaker 1: don't you deserve to be in focus? I think I

1730
01:21:46,960 --> 01:21:49,040
Speaker 1: do you don't you? Absolutely?

1731
01:21:49,240 --> 01:21:51,080
Speaker 4: It doesn't one deserve to be in focused.

1732
01:21:53,760 --> 01:21:56,320
Speaker 2: I'm bringing my foe energy into this. I'm like being

1733
01:21:56,320 --> 01:21:57,400
Speaker 2: academic about.

1734
01:21:57,160 --> 01:21:57,760
Speaker 1: A lot of Yeah.

1735
01:21:57,880 --> 01:21:59,960
Speaker 4: And also you're it's an incredible picture.

1736
01:22:00,320 --> 01:22:02,479
Speaker 1: It is such a good picture. Thank you, And it's

1737
01:22:02,520 --> 01:22:04,200
Speaker 1: a great picture of you two. But I mean I

1738
01:22:04,600 --> 01:22:06,200
Speaker 1: would try to get in focus.

1739
01:22:06,800 --> 01:22:09,639
Speaker 3: You had said maybe AI can get you in focus,

1740
01:22:09,960 --> 01:22:11,680
Speaker 3: and you were saying, I don't know if I want that.

1741
01:22:11,680 --> 01:22:14,559
Speaker 1: Because I don't want to necessarily support AI, right right,

1742
01:22:14,680 --> 01:22:16,160
Speaker 1: But then I got this, It's like you have to

1743
01:22:16,280 --> 01:22:18,240
Speaker 1: just we have to just kind of like succumb our,

1744
01:22:18,320 --> 01:22:22,680
Speaker 1: hands out. It's too late. This is all AI, everything, AI,

1745
01:22:22,840 --> 01:22:26,240
Speaker 1: everything is. I've been AI for nine years. This is

1746
01:22:26,560 --> 01:22:31,800
Speaker 1: going to be HI human. We are about to go

1747
01:22:31,880 --> 01:22:35,719
Speaker 1: into I don't think so human intelligence part of the podcast.

1748
01:22:43,400 --> 01:22:46,360
Speaker 1: So this is I don't think funny. This is in fact,

1749
01:22:46,479 --> 01:22:49,080
Speaker 1: our sixty second second where we sort of tear up culture.

1750
01:22:49,439 --> 01:22:51,800
Speaker 1: And you know, I've realized something. I was on the

1751
01:22:51,880 --> 01:22:55,560
Speaker 1: drive home with Patrick Rodgers, come back from Coachella, and

1752
01:22:55,680 --> 01:23:00,639
Speaker 1: a motorcyclist went by us really fast, and Patrick said

1753
01:23:00,680 --> 01:23:04,120
Speaker 1: his mom's nurse and said, you know, my mom saw

1754
01:23:04,200 --> 01:23:09,040
Speaker 1: the gnarliest things from motorcyclists, motorcyclists, and that was her

1755
01:23:09,080 --> 01:23:11,040
Speaker 1: one rule. You're never getting on a motorcycle because I

1756
01:23:11,040 --> 01:23:13,960
Speaker 1: have what I've seen in the er and one other thing.

1757
01:23:14,240 --> 01:23:16,040
Speaker 2: And this is what this is all the premble I

1758
01:23:16,080 --> 01:23:18,520
Speaker 2: think you're gonna do. So that that was just the preamble.

1759
01:23:20,040 --> 01:23:21,760
Speaker 2: This is Matt Rogers. I don't think so, honey, his

1760
01:23:21,840 --> 01:23:22,559
Speaker 2: time starts now.

1761
01:23:22,600 --> 01:23:27,080
Speaker 1: I don't think so, honey. Trampolines, you don't need it. Like, honestly,

1762
01:23:27,200 --> 01:23:29,800
Speaker 1: your kids don't need to be up that high. What

1763
01:23:29,920 --> 01:23:33,040
Speaker 1: I would say is get like I don't know, like

1764
01:23:33,280 --> 01:23:36,120
Speaker 1: get like a room, like a matted room, you know

1765
01:23:36,160 --> 01:23:38,519
Speaker 1: what I mean. Like if you have a trampoline, you

1766
01:23:38,520 --> 01:23:41,040
Speaker 1: can afford a trampoline, you probably have like a playroom

1767
01:23:41,160 --> 01:23:43,479
Speaker 1: or a designated area where the kids go pat it

1768
01:23:43,640 --> 01:23:46,280
Speaker 1: like a cell. Have the kids toss themselves all around

1769
01:23:46,320 --> 01:23:50,080
Speaker 1: the room. That is better than trampolines. And also, let

1770
01:23:50,120 --> 01:23:52,200
Speaker 1: me tell you something about people. People who have trampolines.

1771
01:23:52,320 --> 01:23:54,800
Speaker 1: You're also good these days. People like, oh, in the

1772
01:23:54,840 --> 01:23:56,640
Speaker 1: good old days, we could just who cared about the

1773
01:23:56,760 --> 01:23:59,240
Speaker 1: nests on the trampoline? I could ride my bike to Connecticut.

1774
01:23:59,520 --> 01:24:01,639
Speaker 1: You know what, I don't care. The good old days

1775
01:24:01,720 --> 01:24:05,680
Speaker 1: stuff is problematic, like protect your children. Don't even get

1776
01:24:05,720 --> 01:24:09,280
Speaker 1: me started on ziplines. Fifteen. You'll have some people with ziplines,

1777
01:24:09,680 --> 01:24:12,000
Speaker 1: like from one tree to the other in their own backyard.

1778
01:24:12,080 --> 01:24:14,920
Speaker 1: My dad made one for us, and we had a trampoline.

1779
01:24:15,080 --> 01:24:17,400
Speaker 1: And I'm looking back thinking I'm glad I have my neck.

1780
01:24:17,880 --> 01:24:21,160
Speaker 1: I don't think so, honey. These when I want to

1781
01:24:21,200 --> 01:24:23,240
Speaker 1: say what my dad said to me to you when

1782
01:24:23,320 --> 01:24:25,320
Speaker 1: I was little, I used to play with a stick

1783
01:24:25,760 --> 01:24:28,479
Speaker 1: to the screens out if the trampoline over there, just

1784
01:24:28,520 --> 01:24:30,439
Speaker 1: get to hit a stick, have run around on the

1785
01:24:30,520 --> 01:24:32,880
Speaker 1: yard or in a padded cell. And also enough with

1786
01:24:32,960 --> 01:24:38,639
Speaker 1: the video games because your brains are melting. And that's one. Well, wow,

1787
01:24:38,680 --> 01:24:42,759
Speaker 1: I let my sister, I feel like the trampoline culture.

1788
01:24:42,960 --> 01:24:44,880
Speaker 1: He lost the teens at the end with the video games.

1789
01:24:44,880 --> 01:24:48,400
Speaker 1: I mean, I think I lost the teens so long ago. Yeah,

1790
01:24:48,439 --> 01:24:49,400
Speaker 1: it's okay, it's okay.

1791
01:24:50,520 --> 01:24:53,360
Speaker 2: The teens are all about the slang has been video

1792
01:24:53,439 --> 01:24:56,920
Speaker 2: games with Jen Alfan gen Z like side Quest and NPCs.

1793
01:24:56,960 --> 01:25:00,479
Speaker 2: It's like this is permeating the culture with them in

1794
01:25:00,560 --> 01:25:02,400
Speaker 2: a way that I'm I'm like y'all, but we we

1795
01:25:02,640 --> 01:25:05,439
Speaker 2: all should develop a video game vocabulary on the basics.

1796
01:25:05,880 --> 01:25:07,759
Speaker 4: And I agree with you about trampoline.

1797
01:25:07,800 --> 01:25:10,640
Speaker 1: Yeah, none of my childhood memories include jumping on them.

1798
01:25:11,800 --> 01:25:13,400
Speaker 1: None of my good childhood memories, you know what I mean.

1799
01:25:13,400 --> 01:25:15,640
Speaker 1: I'm the broken bones. I know where you're going to

1800
01:25:15,720 --> 01:25:18,080
Speaker 1: end up. The pit, the pits and.

1801
01:25:19,800 --> 01:25:22,720
Speaker 2: The wait time is long? Is that part of the

1802
01:25:22,760 --> 01:25:25,800
Speaker 2: show A long times? There's a bed shortage. Oh, it's

1803
01:25:25,840 --> 01:25:28,759
Speaker 2: a it's a messive god, it's a mess. It's stressful,

1804
01:25:28,760 --> 01:25:32,080
Speaker 2: but it's real time, no scoring, grounded and acting.

1805
01:25:32,240 --> 01:25:35,200
Speaker 1: I couldn't believe it this morning, like when Patrick was like, yeah,

1806
01:25:35,280 --> 01:25:38,400
Speaker 1: my mom said, it's insane. What you watch happens to

1807
01:25:38,479 --> 01:25:41,080
Speaker 1: the human body on motorcycles. And then he was like

1808
01:25:41,240 --> 01:25:43,200
Speaker 1: end trampolines and I was like, don't even don't even

1809
01:25:43,560 --> 01:25:43,960
Speaker 1: keep going.

1810
01:25:44,040 --> 01:25:48,280
Speaker 2: I can't if you're gonna on kids, right, if you're

1811
01:25:48,280 --> 01:25:51,120
Speaker 2: gonna ride a motorcycle. And this sounds a little insensitive,

1812
01:25:51,800 --> 01:25:57,479
Speaker 2: at least go on the donor list, Well, yeah, at

1813
01:25:57,600 --> 01:26:01,479
Speaker 2: least make they so I'm of course, of course, come on,

1814
01:26:01,760 --> 01:26:04,000
Speaker 2: cut me open, get the cut me open and take

1815
01:26:04,080 --> 01:26:04,439
Speaker 2: this stuff.

1816
01:26:04,520 --> 01:26:06,479
Speaker 1: Some of this stuff is good in here. Yeah, some

1817
01:26:06,600 --> 01:26:10,439
Speaker 1: of this stuff still good. These Oh honey, someone should

1818
01:26:10,680 --> 01:26:13,200
Speaker 1: I was noticing them. Are are we giving gray blue?

1819
01:26:13,320 --> 01:26:15,559
Speaker 1: Well you know what I think we are. We're giving

1820
01:26:17,640 --> 01:26:20,120
Speaker 1: wonderful all right, Well that was mine.

1821
01:26:20,280 --> 01:26:21,080
Speaker 4: That was incredible.

1822
01:26:21,520 --> 01:26:22,800
Speaker 1: Wow, this is hard to do. This.

1823
01:26:23,120 --> 01:26:24,840
Speaker 4: Third, I just have to say, because you guys are

1824
01:26:25,280 --> 01:26:26,040
Speaker 4: so good at this.

1825
01:26:26,160 --> 01:26:28,439
Speaker 2: No, we're setting you up for success, and I want

1826
01:26:28,479 --> 01:26:30,000
Speaker 2: you to chime in on mine after I'm done.

1827
01:26:30,280 --> 01:26:31,480
Speaker 1: We're during please.

1828
01:26:31,280 --> 01:26:34,280
Speaker 3: Please okay, okay, So this is have you ever done

1829
01:26:34,360 --> 01:26:36,800
Speaker 3: someone's then they you've done what they were going to do.

1830
01:26:37,320 --> 01:26:40,360
Speaker 4: No never, I was sweating, oh yours because I have

1831
01:26:40,400 --> 01:26:42,680
Speaker 4: a little bit of cross over tinyments. Okay, really that's

1832
01:26:42,720 --> 01:26:45,040
Speaker 4: Goodmatically tied.

1833
01:26:45,560 --> 01:26:47,599
Speaker 1: Here is bone Yang's don't think so, honey, his time

1834
01:26:47,640 --> 01:26:50,160
Speaker 1: starts now. I don't think so, honey. Standards and practices,

1835
01:26:50,240 --> 01:26:52,639
Speaker 1: we should be able to say at least five ships

1836
01:26:52,720 --> 01:26:56,400
Speaker 1: and five bucks on SNL per season because after this

1837
01:26:56,479 --> 01:26:59,160
Speaker 1: whole ego otam miss Aggy, because these men ain't want

1838
01:26:59,280 --> 01:27:02,800
Speaker 1: ship moment first of all, favorite moment of televised absolutely ever.

1839
01:27:03,680 --> 01:27:08,360
Speaker 1: Second of all, we are so hampered in our comedy

1840
01:27:08,400 --> 01:27:10,400
Speaker 1: at SNL by not being able to say shit and fucks.

1841
01:27:10,520 --> 01:27:11,880
Speaker 1: Lest To and I talk about this all the time.

1842
01:27:12,200 --> 01:27:15,519
Speaker 1: Let us say shit and fuck like it's us, It's Abbot,

1843
01:27:15,640 --> 01:27:18,639
Speaker 1: it's ghosts, We're the we're the last network comedies.

1844
01:27:18,840 --> 01:27:23,000
Speaker 2: It's like, we can you give SNL an exception, an exemption,

1845
01:27:23,720 --> 01:27:26,479
Speaker 2: like if we're dismantling the FCC because of Trump, Like,

1846
01:27:26,560 --> 01:27:27,439
Speaker 2: can we at least.

1847
01:27:27,280 --> 01:27:30,720
Speaker 1: Can one boon? Can one can one silver lining be

1848
01:27:30,840 --> 01:27:32,760
Speaker 1: that we get to say shit and fuck? And I'm

1849
01:27:32,800 --> 01:27:35,599
Speaker 1: even keeping it to an allotment to an allotted five

1850
01:27:35,720 --> 01:27:38,560
Speaker 1: and five five ships, five bucks. It would make it

1851
01:27:38,600 --> 01:27:41,360
Speaker 1: would bring a sketch to the next level. It would

1852
01:27:41,439 --> 01:27:43,200
Speaker 1: it would it would make it so that you would

1853
01:27:43,200 --> 01:27:45,320
Speaker 1: be able to like know, oh, this is the real world,

1854
01:27:45,400 --> 01:27:48,439
Speaker 1: that's not the heightened sketch reality. Shit and fuck are

1855
01:27:48,520 --> 01:27:51,599
Speaker 1: so comedically powerful as words. I really think it would

1856
01:27:51,600 --> 01:27:53,600
Speaker 1: help us. And that's one minute. Yes, so.

1857
01:27:56,160 --> 01:27:57,920
Speaker 2: I don't think anything came down, which I love, and

1858
01:27:58,240 --> 01:28:01,439
Speaker 2: Ago is like, no, here hilarious, so funny.

1859
01:28:02,040 --> 01:28:04,559
Speaker 1: Don't you agree? When have it been this much more fun?

1860
01:28:04,640 --> 01:28:07,479
Speaker 3: And I'm going to say, NBC, I think you can

1861
01:28:07,560 --> 01:28:11,880
Speaker 3: monetize this, Yes, why don't you have a competition and

1862
01:28:12,120 --> 01:28:14,559
Speaker 3: people can vote like American Idol as to which cast

1863
01:28:14,600 --> 01:28:18,800
Speaker 3: member gets to say the ship Oh my god, if

1864
01:28:18,880 --> 01:28:22,400
Speaker 3: you want to say it, you know zero zero three

1865
01:28:22,439 --> 01:28:24,960
Speaker 3: too on your phone and let Bowen.

1866
01:28:24,760 --> 01:28:26,920
Speaker 2: Say thank you, or if you want to monetize it

1867
01:28:27,000 --> 01:28:28,439
Speaker 2: in a way that is like I don't know, like

1868
01:28:28,640 --> 01:28:32,840
Speaker 2: go fundme coded, like just have a fundraiser for our

1869
01:28:33,560 --> 01:28:36,080
Speaker 2: FCC fines and just help us cover our fines for

1870
01:28:36,160 --> 01:28:37,640
Speaker 2: the five ships and the five bucks that we get

1871
01:28:37,680 --> 01:28:37,880
Speaker 2: to say.

1872
01:28:38,600 --> 01:28:40,719
Speaker 1: You know, who should get to say it? Like whenever

1873
01:28:40,920 --> 01:28:43,439
Speaker 1: he decides to stop Keenan on his last episode. The

1874
01:28:43,479 --> 01:28:45,680
Speaker 1: whole ninety minute should just be him saying, whatever the.

1875
01:28:45,960 --> 01:28:47,639
Speaker 4: Well, you can treat it like vacation days.

1876
01:28:47,720 --> 01:28:49,600
Speaker 1: You don't use it, and it rolls over to the

1877
01:28:49,680 --> 01:28:51,479
Speaker 1: next year. And then you used to say ten of

1878
01:28:51,560 --> 01:28:55,960
Speaker 1: them yes exactly Saturday and rack them up. I really

1879
01:28:56,280 --> 01:28:59,240
Speaker 1: like that. I never understood, and I actually I don't

1880
01:28:59,320 --> 01:29:03,240
Speaker 1: understand because you can say you can say dick on

1881
01:29:03,360 --> 01:29:03,719
Speaker 1: the show.

1882
01:29:04,800 --> 01:29:07,960
Speaker 3: It may offer one small counterpoint, yes please. I do

1883
01:29:08,160 --> 01:29:11,720
Speaker 3: think there's something fun about not being able to say

1884
01:29:11,760 --> 01:29:16,120
Speaker 3: it that causes comedic tension. Of course fun so you

1885
01:29:16,400 --> 01:29:18,320
Speaker 3: it may the air may be let out of that

1886
01:29:18,640 --> 01:29:21,240
Speaker 3: your balloon when you do, and you might not get.

1887
01:29:21,280 --> 01:29:23,120
Speaker 1: The juice that you wanted to use. You want it

1888
01:29:23,120 --> 01:29:25,960
Speaker 1: because you can't have it. I feel like sh it's

1889
01:29:26,000 --> 01:29:28,200
Speaker 1: not even really a curse word anymore. Come on, Like

1890
01:29:28,320 --> 01:29:31,240
Speaker 1: over time, it's like who is actually bothered? If their

1891
01:29:31,320 --> 01:29:34,720
Speaker 1: kids says ship? Who was actually bothered? Right? Fuck? I

1892
01:29:34,880 --> 01:29:36,960
Speaker 1: understand is one thing. It's like it's it's it's a

1893
01:29:37,120 --> 01:29:40,080
Speaker 1: I guess still it's a little taboo. But like ship

1894
01:29:40,240 --> 01:29:44,520
Speaker 1: an ass well, you can say ass you can't say asshole.

1895
01:29:44,760 --> 01:29:48,360
Speaker 2: Yeah, you can say taint, but you can't know you

1896
01:29:48,400 --> 01:29:49,880
Speaker 2: can you can't say tane because it's a part of

1897
01:29:49,920 --> 01:29:50,280
Speaker 2: the body.

1898
01:29:50,400 --> 01:29:50,960
Speaker 1: Oh you can't.

1899
01:29:51,160 --> 01:29:54,320
Speaker 2: Yeah, we've we've had we've had standards notes on this.

1900
01:29:55,240 --> 01:29:57,280
Speaker 2: You can say, you can say taint, but you can't

1901
01:29:57,320 --> 01:30:00,800
Speaker 2: say like tat goots or whatever, you know what I mean,

1902
01:30:00,960 --> 01:30:04,599
Speaker 2: because it's like it's not anatomically precise unless.

1903
01:30:04,439 --> 01:30:07,080
Speaker 3: The musical guess is named good and then you can

1904
01:30:07,120 --> 01:30:09,360
Speaker 3: say ladies and gentlemen good once.

1905
01:30:09,200 --> 01:30:14,080
Speaker 1: Again, that would be that would be a hack. Anyway.

1906
01:30:14,320 --> 01:30:17,320
Speaker 1: That's that's my, that's my. Oh yeah, that's a good one. Okay, Okay,

1907
01:30:17,560 --> 01:30:21,160
Speaker 1: this is a moment listen. Okay is that okay, Yes,

1908
01:30:21,560 --> 01:30:21,960
Speaker 1: that's okay.

1909
01:30:22,520 --> 01:30:26,160
Speaker 4: Let me see, let me see all right, I'm ready,

1910
01:30:26,160 --> 01:30:26,599
Speaker 4: I'm ready.

1911
01:30:26,720 --> 01:30:28,960
Speaker 1: So this is Amy Polars. I don't think so honey.

1912
01:30:29,000 --> 01:30:30,920
Speaker 1: Her time starts now. Okay, I don't think so honey.

1913
01:30:31,120 --> 01:30:35,160
Speaker 4: Horror movies, okay, Okay. Life is scary enough. I do

1914
01:30:35,320 --> 01:30:38,560
Speaker 4: not need to unlock a new fear. I have a

1915
01:30:38,680 --> 01:30:42,240
Speaker 4: very active amygdala. I have a decent amount of empathy.

1916
01:30:42,439 --> 01:30:45,200
Speaker 3: I do not want to watch a young couple have

1917
01:30:45,280 --> 01:30:47,200
Speaker 3: to eat their own eyeballs to get out of a

1918
01:30:47,280 --> 01:30:50,760
Speaker 3: locked room, okay, And don't tell me that it's about

1919
01:30:50,800 --> 01:30:52,679
Speaker 3: the rush of being in the same room with people

1920
01:30:53,000 --> 01:30:56,280
Speaker 3: and feeling social, because if you want to get that

1921
01:30:56,400 --> 01:30:59,479
Speaker 3: kind of like social bonding, you need to go to church,

1922
01:31:00,360 --> 01:31:02,479
Speaker 3: not a horror movie. And by the way, church is

1923
01:31:02,560 --> 01:31:05,200
Speaker 3: another thing that I don't go to anymore as an

1924
01:31:05,200 --> 01:31:07,360
Speaker 3: adult because I've realized it's not for me.

1925
01:31:07,600 --> 01:31:09,479
Speaker 1: Yes, there's three things that shorten your life.

1926
01:31:10,720 --> 01:31:17,759
Speaker 4: Motorcycle, I agree with you, smoking and violent images.

1927
01:31:18,320 --> 01:31:22,720
Speaker 1: And then lastly, this also means pranks. No pranks. A

1928
01:31:22,840 --> 01:31:25,080
Speaker 1: jump scare in a prank is a hate crime. If

1929
01:31:25,120 --> 01:31:26,400
Speaker 1: you prank me, that means you hate me.

1930
01:31:26,520 --> 01:31:28,479
Speaker 4: The only devil that I want to see on the

1931
01:31:28,479 --> 01:31:34,679
Speaker 4: screen is the one that wears pradact You, Sulent, I am.

1932
01:31:34,640 --> 01:31:38,000
Speaker 1: With you everywhere hard. I went to go see the

1933
01:31:38,040 --> 01:31:42,640
Speaker 1: movie Drop No. But can I say I advocate for

1934
01:31:42,720 --> 01:31:45,760
Speaker 1: this movie because it wasn't and this is an all positivity,

1935
01:31:45,800 --> 01:31:46,559
Speaker 1: it wasn't that scary.

1936
01:31:46,600 --> 01:31:49,559
Speaker 2: It was a thrilling, suspenseful not violent. You're talking about

1937
01:31:49,600 --> 01:31:50,160
Speaker 2: violent images.

1938
01:31:50,280 --> 01:31:52,080
Speaker 1: No, Yes, I am telling you.

1939
01:31:52,320 --> 01:31:53,840
Speaker 4: I don't like any kind of scare.

1940
01:31:54,280 --> 01:31:57,519
Speaker 1: No scary. When people die in a movie, it's sad.

1941
01:31:57,960 --> 01:32:01,719
Speaker 1: The world is too scary, the news is rough.

1942
01:32:01,920 --> 01:32:04,960
Speaker 3: I cannot handle my my nervous system cannot handle it,

1943
01:32:05,000 --> 01:32:06,960
Speaker 3: and I could never handle it. And I just want

1944
01:32:07,000 --> 01:32:09,599
Speaker 3: to say this, I did participate in pranks at one

1945
01:32:09,680 --> 01:32:12,679
Speaker 3: point in my life. The patriarchy comes for all of us. Yeah,

1946
01:32:12,880 --> 01:32:16,639
Speaker 3: we all, but I apologize and I have listened and learned,

1947
01:32:16,720 --> 01:32:17,840
Speaker 3: and no more pranks for me.

1948
01:32:18,040 --> 01:32:20,840
Speaker 1: Honestly, we don't do We don't prank it. Have you

1949
01:32:20,920 --> 01:32:22,640
Speaker 1: ever pranked? You know the No, And I want to

1950
01:32:22,640 --> 01:32:24,320
Speaker 1: say I would never do that to you. This is

1951
01:32:24,400 --> 01:32:25,320
Speaker 1: a real call out.

1952
01:32:25,600 --> 01:32:28,800
Speaker 2: There were some Instagram accounts Diet Prada did a whole

1953
01:32:28,840 --> 01:32:31,160
Speaker 2: April Fools thing of like this is the casting of

1954
01:32:31,160 --> 01:32:34,559
Speaker 2: the Britney Spears biopic Aria Grande Troy Sivat, and people

1955
01:32:34,560 --> 01:32:37,120
Speaker 2: thought it was real and I'm like, April Fools, let's

1956
01:32:37,240 --> 01:32:37,680
Speaker 2: just no.

1957
01:32:39,360 --> 01:32:40,960
Speaker 1: More right now.

1958
01:32:41,080 --> 01:32:44,200
Speaker 4: We can't afford it. No, no, no, we can't because.

1959
01:32:43,960 --> 01:32:46,439
Speaker 1: People really don't know anymore what's feeling, what's fake and

1960
01:32:46,479 --> 01:32:48,320
Speaker 1: so to have a whole day of like fake as.

1961
01:32:48,800 --> 01:32:50,240
Speaker 4: But like when you look at the movies, it's like

1962
01:32:50,280 --> 01:32:52,760
Speaker 4: you what do you want to see the gorge or

1963
01:32:53,040 --> 01:32:54,280
Speaker 4: baby in the basket.

1964
01:32:55,600 --> 01:32:59,120
Speaker 1: It's like am I like, is this a punishment? Well, yes,

1965
01:32:59,200 --> 01:33:01,880
Speaker 1: I mean it's literally I think it's well, there's a

1966
01:33:01,920 --> 01:33:04,559
Speaker 1: whole community of people whose whole thing is like I'm

1967
01:33:04,600 --> 01:33:06,880
Speaker 1: gonna go watch these movies where, like with The Final

1968
01:33:07,040 --> 01:33:10,280
Speaker 1: Girl of It All, I knows six or seventy young

1969
01:33:10,400 --> 01:33:14,439
Speaker 1: women are dead. No, no, when people die. You ever

1970
01:33:14,479 --> 01:33:18,120
Speaker 1: see the movie Zodiac? I did see tough for me

1971
01:33:18,280 --> 01:33:22,599
Speaker 1: because there's that one horrible scene. I know, he comes

1972
01:33:22,640 --> 01:33:25,400
Speaker 1: and murders the couple in broad daylight. I know, are

1973
01:33:25,520 --> 01:33:30,680
Speaker 1: you kidding me? It's also real it happened.

1974
01:33:31,360 --> 01:33:34,559
Speaker 4: God, why do we have to make everything a movie

1975
01:33:34,600 --> 01:33:35,360
Speaker 4: about everything?

1976
01:33:36,360 --> 01:33:38,879
Speaker 1: True crime is so nasty?

1977
01:33:39,200 --> 01:33:40,960
Speaker 4: Why do we have to make If it was bad

1978
01:33:41,040 --> 01:33:44,479
Speaker 4: and it happened, let's not make a movie about it.

1979
01:33:44,680 --> 01:33:47,000
Speaker 1: We can read about it. We can listen to podcasts

1980
01:33:47,040 --> 01:33:49,519
Speaker 1: about it. See, but the podcasts are even worse sometimes

1981
01:33:49,560 --> 01:33:52,040
Speaker 1: because then it's like it's all happening in your head.

1982
01:33:52,120 --> 01:33:55,639
Speaker 1: You fill in the gaps image about true crime.

1983
01:33:55,920 --> 01:33:59,000
Speaker 3: Okay, So I had a moment, a true crime moment

1984
01:34:00,200 --> 01:34:02,120
Speaker 3: because I'm a white lady of a certain age. So

1985
01:34:02,280 --> 01:34:04,800
Speaker 3: I did have a true crime moment. But I can't

1986
01:34:05,040 --> 01:34:08,920
Speaker 3: watch anything I see. I can read, read, or listen.

1987
01:34:09,120 --> 01:34:12,400
Speaker 3: But I can't watch anything that's about true crime, like

1988
01:34:12,720 --> 01:34:15,640
Speaker 3: any of those daily any and even softy stuff like

1989
01:34:15,760 --> 01:34:17,360
Speaker 3: softball stuff, like I cannot watch it.

1990
01:34:17,560 --> 01:34:21,880
Speaker 2: The softy stuff count as does like cult stuff count

1991
01:34:21,920 --> 01:34:22,679
Speaker 2: as softy stuff.

1992
01:34:22,880 --> 01:34:24,960
Speaker 1: Cult a cult documentary, Well.

1993
01:34:25,000 --> 01:34:29,040
Speaker 4: That one isn't as bad, but I don't understand people

1994
01:34:29,080 --> 01:34:29,880
Speaker 4: that join cults.

1995
01:34:31,080 --> 01:34:35,000
Speaker 1: I can't relate even as Yeah, I was going to say,

1996
01:34:35,200 --> 01:34:38,479
Speaker 1: you have a high cult sensibility. I'm probably the closest

1997
01:34:38,880 --> 01:34:39,960
Speaker 1: I did.

1998
01:34:40,120 --> 01:34:44,200
Speaker 3: Like the one where the one yeah, because mother is

1999
01:34:44,280 --> 01:34:47,040
Speaker 3: resting is when she asked for the chicken parmesan.

2000
01:34:47,120 --> 01:34:49,120
Speaker 2: I was just going to say, and this is my

2001
01:34:49,400 --> 01:34:51,080
Speaker 2: He doesn't watch it, but I'm like my selling point

2002
01:34:51,120 --> 01:34:53,479
Speaker 2: to him is like there's this whole segment in an

2003
01:34:53,479 --> 01:34:58,240
Speaker 2: episode where they go through her recipes like galactic taco salad.

2004
01:34:58,400 --> 01:35:02,360
Speaker 1: I asked for a bottle job. These people like, where's

2005
01:35:02,439 --> 01:35:05,560
Speaker 1: my chicken bat? Like it's amazing.

2006
01:35:06,080 --> 01:35:09,920
Speaker 3: The term mother is resting is incredible. I just like

2007
01:35:10,000 --> 01:35:15,639
Speaker 3: walking in wingings and everyone is sitting by her bed

2008
01:35:15,720 --> 01:35:17,479
Speaker 3: and it's like, I don't get it.

2009
01:35:17,680 --> 01:35:18,240
Speaker 4: I don't get it.

2010
01:35:18,320 --> 01:35:20,640
Speaker 1: It's tough. I just didn't want to see when I

2011
01:35:20,680 --> 01:35:24,200
Speaker 1: heard it actually dead and blue in the Yeah, that

2012
01:35:24,360 --> 01:35:28,000
Speaker 1: was really hard for my head around watching.

2013
01:35:28,160 --> 01:35:30,200
Speaker 4: Culture tough, But when a woman's in charge, it's.

2014
01:35:30,080 --> 01:35:32,800
Speaker 1: A little bit more fun. That is why it's fun.

2015
01:35:33,040 --> 01:35:35,880
Speaker 1: I even get scared of like urban legends and conspiracy theories.

2016
01:35:35,960 --> 01:35:38,599
Speaker 3: Also, like when I was a kid, no spooky stories.

2017
01:35:38,720 --> 01:35:41,040
Speaker 3: I didn't be like being scared. I didn't like I

2018
01:35:41,200 --> 01:35:42,559
Speaker 3: do not like that feeling.

2019
01:35:42,840 --> 01:35:44,639
Speaker 1: Oh there was show Are You Afraid of the Dark.

2020
01:35:45,160 --> 01:35:46,920
Speaker 1: This was on Nickelodeon when I was a kid, and

2021
01:35:47,000 --> 01:35:49,960
Speaker 1: there was one episode with Tiya and Tamara, who I love.

2022
01:35:51,160 --> 01:35:54,479
Speaker 1: The storyline was one of them gets like cursed and

2023
01:35:54,720 --> 01:35:58,160
Speaker 1: turns it into a lizard, and then the lizard becomes

2024
01:35:58,240 --> 01:36:01,839
Speaker 1: the other one, so like so it was this crazy

2025
01:36:01,920 --> 01:36:04,120
Speaker 1: situation where was it scary. One of them was a

2026
01:36:04,160 --> 01:36:05,800
Speaker 1: lizend and one of them was a real girl, and

2027
01:36:05,840 --> 01:36:08,040
Speaker 1: they were played by Tia and Tamara. Tia was like

2028
01:36:08,200 --> 01:36:10,280
Speaker 1: real and Tomorrow was like the lizard who had become

2029
01:36:10,880 --> 01:36:14,600
Speaker 1: a human, and their best friend, who they shared was

2030
01:36:14,680 --> 01:36:17,000
Speaker 1: like had to spray one of them with a hose

2031
01:36:17,560 --> 01:36:20,120
Speaker 1: and the one they sprayed would turn into a lizard.

2032
01:36:20,560 --> 01:36:23,920
Speaker 1: And the girls were like, it's me, Tiffany, It's me

2033
01:36:24,200 --> 01:36:26,679
Speaker 1: you know, it's me. And she was like, Tiffany, don't

2034
01:36:26,680 --> 01:36:28,920
Speaker 1: you remember the times you would have it recess? You do?

2035
01:36:29,400 --> 01:36:31,760
Speaker 1: And then she was like and it became a thing

2036
01:36:31,800 --> 01:36:34,640
Speaker 1: where she sprayed the one. There's a huge hug. The

2037
01:36:34,840 --> 01:36:38,599
Speaker 1: last scene of it is we'll say it's Tia has

2038
01:36:38,680 --> 01:36:41,599
Speaker 1: picked up the other listen and goes literally she didn't

2039
01:36:41,600 --> 01:36:43,760
Speaker 1: say this, it was Nickelodeon, but she was basically like, bye,

2040
01:36:43,800 --> 01:36:46,920
Speaker 1: bitch and threw her down a well, crushed her. And

2041
01:36:47,040 --> 01:36:50,760
Speaker 1: that was the real one, terrify. And that was children's

2042
01:36:52,080 --> 01:36:56,760
Speaker 1: entertainment entertainment that aired after Sesame Street. That literally they

2043
01:36:56,840 --> 01:36:58,960
Speaker 1: expected me, as a child of the nineties, to hold

2044
01:36:59,040 --> 01:37:03,000
Speaker 1: both these things that like miss Piggiest Queen and also

2045
01:37:03,160 --> 01:37:06,519
Speaker 1: like and at each other's fucking throats. One of them

2046
01:37:06,560 --> 01:37:09,439
Speaker 1: would see the other one dead, crushed at the bottom

2047
01:37:09,479 --> 01:37:13,200
Speaker 1: of a well, and I that was entered. That was

2048
01:37:13,280 --> 01:37:21,560
Speaker 1: like children's entertainment. Oh my god. In the goose Bumps books, R. L.

2049
01:37:21,760 --> 01:37:24,240
Speaker 1: Sign he was around UCB for a while, you know

2050
01:37:24,320 --> 01:37:27,080
Speaker 1: that a lot of as cats he came to. He

2051
01:37:27,200 --> 01:37:31,760
Speaker 1: was like, he was, remember one time I was going

2052
01:37:31,800 --> 01:37:35,280
Speaker 1: in maybe to do modern well. I think it was

2053
01:37:35,479 --> 01:37:36,920
Speaker 1: I think it was like he had been part of

2054
01:37:37,040 --> 01:37:41,240
Speaker 1: like a spank or something or like something was we

2055
01:37:41,360 --> 01:37:44,599
Speaker 1: were coming in to do Modern Night and come down here. Yeah,

2056
01:37:44,640 --> 01:37:49,960
Speaker 1: this is where it gets inside base. We gotta run

2057
01:37:50,000 --> 01:37:55,000
Speaker 1: out of it. Did give us a run? Amazing Earth.

2058
01:37:56,160 --> 01:37:59,519
Speaker 1: Maybe that's on YouTube. Maybe it's on YouTube. Well, damn,

2059
01:37:59,800 --> 01:38:01,560
Speaker 1: I mean, I mean, this is so fun. It was

2060
01:38:01,640 --> 01:38:04,000
Speaker 1: a good hack. It was a good hack. Congrats on

2061
01:38:04,080 --> 01:38:06,360
Speaker 1: having the most successful podcast in the landscape. Thank you.

2062
01:38:06,400 --> 01:38:08,240
Speaker 1: I hope someday you'll want to do it. We will

2063
01:38:08,280 --> 01:38:08,760
Speaker 1: want to do it.

2064
01:38:08,840 --> 01:38:12,760
Speaker 4: Okay, come on, it would be my absolute joy if

2065
01:38:13,080 --> 01:38:16,120
Speaker 4: you've been killing it, and I mean truly.

2066
01:38:16,360 --> 01:38:18,320
Speaker 1: The advice you know, we talked about advice before we leave.

2067
01:38:18,320 --> 01:38:21,040
Speaker 1: Any advice for me, don't change a thing about it. Okay.

2068
01:38:21,040 --> 01:38:22,760
Speaker 2: The reason we've done this for so long is because

2069
01:38:22,760 --> 01:38:26,679
Speaker 2: it's basically formally the same thing as episode one. Don't

2070
01:38:26,720 --> 01:38:29,080
Speaker 2: add too many bells and whistles. I was going to say,

2071
01:38:29,120 --> 01:38:32,479
Speaker 2: what you've innovated on in the podcast is starting out

2072
01:38:32,520 --> 01:38:34,840
Speaker 2: with that panel discussion with the people who know your guest.

2073
01:38:34,880 --> 01:38:37,200
Speaker 1: I'm like, that's so damn it. That's really fun. Smart,

2074
01:38:37,640 --> 01:38:40,640
Speaker 1: and just keep it exactly the same. Don't change your thing.

2075
01:38:40,920 --> 01:38:41,680
Speaker 4: Don't overthink it.

2076
01:38:41,840 --> 01:38:46,200
Speaker 1: That's the think. And also like over time we accumulated

2077
01:38:46,479 --> 01:38:51,479
Speaker 1: more people because we started as like you know, you

2078
01:38:51,640 --> 01:38:54,080
Speaker 1: started it, and immediately it was like the the like

2079
01:38:54,520 --> 01:38:57,639
Speaker 1: everyone came and like you know, started listening. But over

2080
01:38:57,760 --> 01:39:01,120
Speaker 1: time people started to have like notes for it. And

2081
01:39:01,200 --> 01:39:04,200
Speaker 1: that's when you're like, oh, that's because everyone's gonna want

2082
01:39:04,240 --> 01:39:06,280
Speaker 1: something different from it. So I would just say, like,

2083
01:39:06,560 --> 01:39:09,439
Speaker 1: keep it fun for you, and like everyone's gonna want

2084
01:39:09,520 --> 01:39:11,519
Speaker 1: something different for like I like it when it's people

2085
01:39:11,520 --> 01:39:13,720
Speaker 1: from SNL or like I want to like when it's this.

2086
01:39:14,000 --> 01:39:16,360
Speaker 1: I like when it's like anecdotes or this, Like just

2087
01:39:16,479 --> 01:39:20,880
Speaker 1: keep having fun, stay true to yourself. Yeah, just the

2088
01:39:21,000 --> 01:39:25,080
Speaker 1: most boring advice, but listen to your instinct. What is

2089
01:39:25,200 --> 01:39:34,800
Speaker 1: your space? Redford Redford, red Redford All the seventies Queen seventies, Well,

2090
01:39:34,840 --> 01:39:37,360
Speaker 1: we had every episode with the song, Oh what is

2091
01:39:37,439 --> 01:39:47,360
Speaker 1: the song? Mmmm? It comes it's kept hold on hella,

2092
01:39:47,520 --> 01:39:51,320
Speaker 1: hell baby, you call. I can't hear a thing. I've

2093
01:39:51,400 --> 01:39:54,519
Speaker 1: gotten my service in the club. You see say what

2094
01:39:54,720 --> 01:39:57,240
Speaker 1: what what did you say? Oh? You're breaking up on me?

2095
01:39:57,960 --> 01:40:02,400
Speaker 1: Sorry I cannot hear you. I'm kind of busy. Kkana busy.

2096
01:40:02,520 --> 01:40:04,519
Speaker 1: Maybe beyonestly will come out this weekend when we're there.

2097
01:40:04,680 --> 01:40:05,160
Speaker 1: Shot Oo.

2098
01:40:15,080 --> 01:40:17,200
Speaker 2: Last Culture Racis is the production by Will Ferrell's Big

2099
01:40:17,200 --> 01:40:18,479
Speaker 2: Money Players and iHeart Radio.

2100
01:40:18,320 --> 01:40:21,720
Speaker 1: Podcasts, created and hosted by Matt Rodgers and Bowen Yeg

2101
01:40:21,960 --> 01:40:24,080
Speaker 1: executive produced by Anna Hasnier and

2102
01:40:24,200 --> 01:40:26,920
Speaker 2: Produced by Becker Ramos, edited mixed by Doug Bami and

2103
01:40:26,960 --> 01:40:29,559
Speaker 2: Nikla Board and our music is by Henry Komerski