WEBVTT - Falling in Love ("Friends & Lovers," S1 E2)

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<v Speaker 1>Still the Place with Laura Layton, Courtney thorn Smith.

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<v Speaker 2>And Daphnews and Niga and iHeartRadio podcast.

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<v Speaker 3>All right, well here we are back for our episode

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<v Speaker 3>two of the original Melrose Yay in a while, at

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<v Speaker 3>least for the recap, at least for like doing this podcast.

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<v Speaker 1>We had a little break because we did one episode

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<v Speaker 1>and then YouTube jetted off.

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<v Speaker 3>To Europe together to Italy.

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<v Speaker 1>Or jet setting.

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<v Speaker 2>You had a wedding.

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<v Speaker 3>It wasn't my wedding. It was our daughter's wedding.

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<v Speaker 1>Tell us a little bit about it.

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<v Speaker 3>Oh, my gosh, it was amazing. It was a wedding

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<v Speaker 3>in Italy and were beautiful.

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<v Speaker 1>Yep.

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<v Speaker 3>Our daughter lives in Europe and so she had her

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<v Speaker 3>wedding there and people traveled from you know, lots of

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<v Speaker 3>different places to be there. And it was beautiful. It

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<v Speaker 3>was amazing.

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<v Speaker 1>It was beautif. There was a lot of excitement before

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<v Speaker 1>you left about finding address. Did you find it well dressed?

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<v Speaker 3>I found a few dresses, you know, as you do,

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<v Speaker 3>then you have to narrow it down. Yeah, it all

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<v Speaker 3>worked out. It was It was just beautiful. It was perfect.

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<v Speaker 1>Oh. You sent some pictures. They were so stunning. I'm

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<v Speaker 1>so happy for all of you. Thank you were still

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<v Speaker 1>a little cute to see Doug, to see you guys together.

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<v Speaker 1>You're still jetling a little bit.

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<v Speaker 2>Well, well, I thought was amazing and such a baller

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<v Speaker 2>act was you landed and then like joined us on.

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<v Speaker 2>We all did this press day, which I mean I

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<v Speaker 2>had been back for a couple weeks I think, and

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<v Speaker 2>I did the press day and I was exhausted.

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<v Speaker 3>Yeah, well you.

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<v Speaker 2>Came back and like and your luggage wasn't even here,

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<v Speaker 2>and you like did twelve.

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<v Speaker 3>Hours of press YEP, had a little bit of travel drama.

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<v Speaker 2>Amazing.

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<v Speaker 3>It was really fun to come back and have the

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<v Speaker 3>launch to celebrate, and so we went out and did

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<v Speaker 3>our press day for the launch on the actual lunch.

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<v Speaker 1>It was so much fun. And you know, I realized

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<v Speaker 1>I don't have that muscle anymore. Like I looked at

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<v Speaker 1>the schedule, I was like, twelve hour. I haven't done

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<v Speaker 1>anything for twelve hours in May.

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<v Speaker 2>Yeah, so you're like, I can't go anywhere this month.

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<v Speaker 1>Wow, that is that is a long time to be

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<v Speaker 1>away from home. I had to get someone to watch

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<v Speaker 1>my dogs. My dogs were like, what is happening? But

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<v Speaker 1>it was really so much fun to hang out with

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<v Speaker 1>you guys like, I'm so glad I got to do

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<v Speaker 1>it with you. It felt so different to do it together.

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<v Speaker 1>It made it so much more fun than like that

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<v Speaker 1>thing alone where people are asking you questions, because we

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<v Speaker 1>got to play together, which was really a joy.

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<v Speaker 3>If you had done it alone, who would have been

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<v Speaker 3>there to photograph you taking a little snooze on the couch?

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<v Speaker 1>I know, how would we have? You were jetgged and

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<v Speaker 1>I'm the one who fell at the couch.

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<v Speaker 2>You're smart camera and Laura just looks at me in points.

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<v Speaker 3>I'm like like this and I like got to take

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<v Speaker 3>that picture she was.

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<v Speaker 1>They put it on the group chat and I was like,

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<v Speaker 1>why did you take this? They said you were cute.

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<v Speaker 1>I'm like, whatever, you were cute?

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<v Speaker 3>You were cute. You were like, I don't know, very graceful.

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<v Speaker 1>I don't know how you kept it because when I'm

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<v Speaker 1>jet lagged, it's just over, Like there's just a point

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<v Speaker 1>in the day about noon, and it's over. And you

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<v Speaker 1>kept going. And your daughter was there amazing in charge

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<v Speaker 1>of social media because she's young and knows how to

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<v Speaker 1>do it with Sophy, Laura and daf and he just

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<v Speaker 1>kept handing her their phones with the thing.

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<v Speaker 3>Yeah, everyone needs a Lucy Savant and just like here,

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<v Speaker 3>help me with it.

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<v Speaker 1>She was amazing. Yeah, yeah, she was amazing.

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<v Speaker 3>She's awesome.

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<v Speaker 1>She's Maybe it's such a time warp because we're watching

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<v Speaker 1>these old shows and I'm watching you guys then, especially

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<v Speaker 1>Doug as he was an episode two, and then I'm

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<v Speaker 1>having these flashes of you guys now and the pictures

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<v Speaker 1>you sent from the wedding. It's such a mind blower.

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<v Speaker 3>Doesn't it seem like we'd kids in the show and

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<v Speaker 3>now we're grown ups, Like we're watching the the children

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<v Speaker 3>of ourselves.

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<v Speaker 1>I don't feel as different as I should. I don't

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<v Speaker 1>feel as different if I should.

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<v Speaker 3>Like I don't feel any different like inside my body.

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<v Speaker 3>But like I think, just what it seems like is

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<v Speaker 3>like I am watching I'm still not in the episodes

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<v Speaker 3>yet personally, but I'm looking at like the baby version

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<v Speaker 3>of Doug. Yeah, the baby version of Allison. It's amazing, Courtney,

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<v Speaker 3>Like it's so funny. But like now we're in the

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<v Speaker 3>same room and going, oh, this is the adult version,

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<v Speaker 3>but we get to watch this like.

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<v Speaker 2>It's a cool thing about film though, because it feels

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<v Speaker 2>like yesterday. Maybe, plus, you know, a couple of months.

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<v Speaker 2>But to see you look so young, and.

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<v Speaker 1>I don't know, it's to say I look exactly the same,

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<v Speaker 1>just for the exactly you were just.

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<v Speaker 3>Perfect, like like.

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<v Speaker 2>And it's totally with your hair and that little ponytail.

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<v Speaker 1>We'll go through it. Yes, I'm excited because we talked

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<v Speaker 1>to Tory Spelling and Jenny Garth yesterday and they said

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<v Speaker 1>to become a fan of the show. And the pilot

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<v Speaker 1>was hard for me to watch. I think it had

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<v Speaker 1>such a visceral reaction. And last night I had a

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<v Speaker 1>friend of when we were watching it, and I am

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<v Speaker 1>I'm becoming a fan, Like there's enough distance, and I

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<v Speaker 1>was so invested in the characters and I could see

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<v Speaker 1>it from a little bit of a dis since they

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<v Speaker 1>also had emotional reactions. But we will talk about that.

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<v Speaker 1>As we get into episode two.

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<v Speaker 3>Episode two, again we get to really see what's going

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<v Speaker 3>to happen between Allison and Billy, and we find out

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<v Speaker 3>let's see just a general synopsis of this episode called friend,

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<v Speaker 3>Friends and Lovers. That's right, Season one, episode two, and

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<v Speaker 3>this episode aired on July fifteenth, nineteen ninety two, while

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<v Speaker 3>we were still on a Wednesday. While Moonlighting is a

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<v Speaker 3>taxi driver, Billy picks up Marcy, a lively dental student

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<v Speaker 3>who practically moves in, causing chaos and jealousy.

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<v Speaker 1>From Furious About It to this day.

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<v Speaker 3>Meanwhile, in a crossover from Beverly Hills Night Out to

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<v Speaker 3>and Oh, Kelly's crush on Jake intensifies, and so we'll

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<v Speaker 3>see him getting really mad at a couple points in

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<v Speaker 3>the episode, and after Jake's arrest following a brawl, Kelly

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<v Speaker 3>bills him out but remains undeterred by his checkered past.

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<v Speaker 3>Jane and Michael get into, you know, their relationship already

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<v Speaker 3>struggling episode two, and they're already sort of not great.

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<v Speaker 3>So anyway, we had a couple of cool guest stars.

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<v Speaker 2>Doctor Ruth, Doctor Ruth. Amazing.

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<v Speaker 1>We'll get there.

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<v Speaker 3>That's that was totally amazing, all right, So like, should

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<v Speaker 3>we just start on where let's.

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<v Speaker 1>Get all right?

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<v Speaker 3>The episode begins with Alison and Billy in the morning,

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<v Speaker 3>starting their day in the apartment, and Ali says the coffee.

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<v Speaker 3>Alison says that the coffee is too strong and that

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<v Speaker 3>she doesn't want Billy reading the paper before she does.

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<v Speaker 3>She has all these rules, but he's looking at the

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<v Speaker 3>classifies Alison says she wishes she had someone to talk to,

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<v Speaker 3>and Billy says, well, what am I chopliver but so cute, yeah.

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<v Speaker 1>So adorable. So we go right into Jake's apartment. He

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<v Speaker 1>has issues with the water. And it's so funny because

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<v Speaker 1>you said Jake was mad.

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<v Speaker 3>Super mad, so mad?

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<v Speaker 1>Yeah, so mad? Ye who he was so mad about

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<v Speaker 1>the water? Startling shirtless? We started off shirtless well place, yes, yes, well.

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<v Speaker 2>Place counted two minutes fifty five seconds until we get

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<v Speaker 2>to see grants like the time sirtless and all dripping wet.

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<v Speaker 1>I might add he I'm so mad, and was struck

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<v Speaker 1>about that scene when he goes over to Thomas and Michael.

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<v Speaker 1>I know, I want to say, Thomas, Michaels, Michael and

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<v Speaker 1>James Janes apartment, Thomas and Josie that Michael's so calm

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<v Speaker 1>and like together and tried to talk him down and

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<v Speaker 1>he's mad and I'm flashing till later when the tables turn.

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<v Speaker 1>But he was so mad about the water. Tensions were

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<v Speaker 1>a little hot.

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<v Speaker 3>Yeah, he needed a hot shower that day. He was

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<v Speaker 3>not getting it, and boy, that just sent him.

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<v Speaker 2>I don't know if we're supposed to like notice the details,

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<v Speaker 2>but like that was one of my favorite lines when

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<v Speaker 2>he was like whenever someone else goes hot, I go cold,

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<v Speaker 2>you know.

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<v Speaker 1>And I just love like full of lines like that,

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<v Speaker 1>like at the Very Good and that's the beginning when

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<v Speaker 1>nobody would fight them. We were just like say the

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<v Speaker 1>things as written and just nobody would say, can I

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<v Speaker 1>ask you about it?

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<v Speaker 3>Get a little smoother? Yeah, But there's where Jake is

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<v Speaker 3>now telling Michael that he has a bad attitude, which

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<v Speaker 3>I can't really argue with. I think Michael was always

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<v Speaker 3>a little bit a little smug about it, Like yeah,

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<v Speaker 3>I think so, But let's see where that takes us.

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<v Speaker 3>So Randa and Allison are leaving for work and Jake

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<v Speaker 3>runs into Sandy and tells him he's headed for the

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<v Speaker 3>unemployment line, but she says, hey, stop by shooters later,

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<v Speaker 3>maybe we can have a beer.

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<v Speaker 1>Mm hmm.

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<v Speaker 3>I have to say that scene. I think that was

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<v Speaker 3>where I'm going to just jump ahead. The best worst

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<v Speaker 3>hair might have been Amy like Locane's hair in that scene.

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<v Speaker 3>Do you remember it was a little boofonti and that

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<v Speaker 3>struck out. That struck me as like.

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<v Speaker 1>Oh well that's yeah, that high the Southern Star.

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<v Speaker 3>And trust me, I should not. I mean, I'm not

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<v Speaker 3>throwing stones because I have some really impressive hair coming out,

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<v Speaker 3>but I'm just it was a sort of a sign at.

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<v Speaker 1>The times exactly I was looking at that's a lot

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<v Speaker 1>of hairspray, That's what I remember. I was like, curl, Wow,

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<v Speaker 1>that's a lot. Well I had I don't know if

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<v Speaker 1>I mentioned the last one, but I had had dark,

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<v Speaker 1>dark hair and we were trying to get back to

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<v Speaker 1>blonde and the best we could get was a sort

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<v Speaker 1>of strawberry blonde. So I'm not even at my natural

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<v Speaker 1>hair color. I've got this weird sort of level hair color.

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<v Speaker 1>So right, you said that it was a very right

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<v Speaker 1>and that low ponytail, which I remember it was very

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<v Speaker 1>Did you like the low ponytail? I did? It was

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<v Speaker 1>an actual hairstyle from my actual life. I hope I

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<v Speaker 1>used less hairspray in my actual life, but I did

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<v Speaker 1>have that. So then, so then Michael and Jane's apartment,

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<v Speaker 1>and I do you remember I remembered them talking about

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<v Speaker 1>this at the time, that she was always trying to

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<v Speaker 1>get his attention, and you know, she's insanely gorgeous, right,

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<v Speaker 1>and then she's constantly trying to get his attention, and

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<v Speaker 1>you're like, are you blinded? Well, the same way when

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<v Speaker 1>Alison was being rude to Billy, like is everybody on

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<v Speaker 1>the show blind? Do you not see these people? Are like,

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<v Speaker 1>she's so sweet, But there is a payoff of this

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<v Speaker 1>at the end that we'll get to at the end.

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<v Speaker 1>That really sort of got me in my heart that yeah,

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<v Speaker 1>so this actually does pay off.

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<v Speaker 3>Yeah, yeah, she wants she wants to hear about you

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<v Speaker 3>know what he remembers about them falling in love and

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<v Speaker 3>he has nothing. I got nothing.

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<v Speaker 2>But wait, I just think that that's an interesting theme

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<v Speaker 2>about when people fall in love because you know, and

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<v Speaker 2>this is this is sort of very common, like someone

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<v Speaker 2>has a moment, you know. I don't know if it's

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<v Speaker 2>off in the woman or what, but for Jane, it

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<v Speaker 2>was I just remember seeing you and I remember when

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<v Speaker 2>you did this, and it's very specific. That's her idea

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<v Speaker 2>of love and falling in love and his he didn't

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<v Speaker 2>have that, and that creates the drama and the conflict.

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<v Speaker 2>But people are like that, like, you know, think of

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<v Speaker 2>our own partners or over the years, like they just

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<v Speaker 2>remember just this feeling of safety maybe or they just

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<v Speaker 2>remember like being nervous or excited. It's not a moment.

0:10:57.640 --> 0:10:58.760
<v Speaker 2>It doesn't make it any less.

0:10:58.960 --> 0:11:00.760
<v Speaker 3>And she's basically asked, can just tell me why you

0:11:00.840 --> 0:11:01.120
<v Speaker 3>love me?

0:11:01.200 --> 0:11:03.280
<v Speaker 2>And he can't come up with it. He's failing for him.

0:11:03.400 --> 0:11:05.719
<v Speaker 2>And at this point in the at this point in

0:11:05.760 --> 0:11:09.079
<v Speaker 2>the series, probably the last time I felt the way

0:11:09.880 --> 0:11:10.520
<v Speaker 2>episode two.

0:11:10.640 --> 0:11:13.599
<v Speaker 1>Then that's it. Yeah, it was really sweet and she

0:11:13.760 --> 0:11:16.320
<v Speaker 1>played it so vulnerable. Yeah, yeah, it was really sweet.

0:11:16.920 --> 0:11:18.880
<v Speaker 3>So from there we go to D and D and

0:11:19.160 --> 0:11:24.760
<v Speaker 3>where Allison is seeing how the uh boss coworker person

0:11:24.800 --> 0:11:27.040
<v Speaker 3>who took her to the event maybe not yeah, else

0:11:27.520 --> 0:11:29.640
<v Speaker 3>did a work event accompanying him to the event. Yeah,

0:11:30.200 --> 0:11:33.439
<v Speaker 3>And I thought it was very interesting that her co

0:11:33.640 --> 0:11:38.040
<v Speaker 3>worker told her that somebody else already reported it and

0:11:39.280 --> 0:11:41.240
<v Speaker 3>it's fine, he's dead. You don't you don't need to

0:11:41.240 --> 0:11:44.239
<v Speaker 3>do anything. Like she was, she went in completely empowered

0:11:44.720 --> 0:11:47.839
<v Speaker 3>to go stand up for herself and say something to him.

0:11:47.880 --> 0:11:49.520
<v Speaker 3>And she said something to him, and then she was like,

0:11:49.559 --> 0:11:51.080
<v Speaker 3>I'm going to, you know, make sure to take care

0:11:51.080 --> 0:11:54.200
<v Speaker 3>of this. And then the coworker comes and says, don't worry.

0:11:54.240 --> 0:11:56.240
<v Speaker 3>Somebody already ill, somebody else already took care of this,

0:11:56.320 --> 0:11:57.640
<v Speaker 3>so you don't have to do anything, and.

0:11:57.679 --> 0:12:00.439
<v Speaker 1>It was like way outside, Yeah, now you don't have

0:12:00.480 --> 0:12:02.040
<v Speaker 1>to do anything. Yeah, well, an example of how it

0:12:02.040 --> 0:12:03.880
<v Speaker 1>would be different today. Right, that would have been a

0:12:03.960 --> 0:12:07.040
<v Speaker 1>main storyline. Now it's like done, moving on, let's just

0:12:07.080 --> 0:12:09.920
<v Speaker 1>wrap that up on the romance, right, Yeah, it's so true.

0:12:09.960 --> 0:12:12.679
<v Speaker 1>It just wasn't. We kind of touched on it. It

0:12:12.760 --> 0:12:14.000
<v Speaker 1>wasn't the issue it is today.

0:12:14.160 --> 0:12:16.120
<v Speaker 3>Yeah, and I just thought it was like wrapped up

0:12:16.160 --> 0:12:20.120
<v Speaker 3>really kind of conveniently and just pushed away like, oh,

0:12:20.160 --> 0:12:21.880
<v Speaker 3>have somebody else take care of it off camera, Like

0:12:21.920 --> 0:12:24.160
<v Speaker 3>we don't actually have to see Alison going through with

0:12:24.440 --> 0:12:26.840
<v Speaker 3>standing up for herself, So that was sort of interesting.

0:12:26.920 --> 0:12:27.400
<v Speaker 1>It's so true.

0:12:27.480 --> 0:12:29.240
<v Speaker 2>And we didn't see her get threatened by losing her

0:12:29.320 --> 0:12:31.320
<v Speaker 2>job from the guy, which is what would have been

0:12:32.240 --> 0:12:35.120
<v Speaker 2>was kind of all the narrative these days. Yeah, a

0:12:35.160 --> 0:12:37.319
<v Speaker 2>woman can't speak up because there's a lot of stake,

0:12:37.880 --> 0:12:40.120
<v Speaker 2>So it wasn't there that you know, worked for her

0:12:40.400 --> 0:12:42.640
<v Speaker 2>very easily, about forty five seconds.

0:12:42.320 --> 0:12:44.600
<v Speaker 1>Straight and moving on. Yah.

0:12:44.720 --> 0:12:51.920
<v Speaker 3>Yeah, and from there she there, somebody says, there's a

0:12:52.040 --> 0:12:56.160
<v Speaker 3>cab for you, So did you suspect? Does Alison suspect?

0:12:56.520 --> 0:12:57.000
<v Speaker 1>What do you mean?

0:12:57.040 --> 0:12:57.920
<v Speaker 3>There's a cab waiting.

0:12:57.760 --> 0:13:01.079
<v Speaker 1>Outside for neither Alison nor I had any idea that

0:13:01.200 --> 0:13:05.640
<v Speaker 1>was happening. Yea, there's the adorable Andrew.

0:13:05.760 --> 0:13:08.280
<v Speaker 3>Because we find out that Billy is now driving a

0:13:08.360 --> 0:13:12.559
<v Speaker 3>cab instead of being an Arthur Murray dance instructor with

0:13:12.679 --> 0:13:13.080
<v Speaker 3>the mob.

0:13:14.520 --> 0:13:15.440
<v Speaker 1>That was the cutest.

0:13:15.760 --> 0:13:19.000
<v Speaker 2>I love his excitement about the cab. Isn't as cool? Yeah, Like,

0:13:19.600 --> 0:13:22.040
<v Speaker 2>by the way, like I never see cabs in La

0:13:22.160 --> 0:13:24.079
<v Speaker 2>but I love it. It was a yellow cab and

0:13:24.640 --> 0:13:26.840
<v Speaker 2>Billy was so couldn't have been hitting around.

0:13:27.600 --> 0:13:32.840
<v Speaker 1>Yes, he picks up Marcy. Yes, in the cab. And Jensen,

0:13:33.400 --> 0:13:37.160
<v Speaker 1>who played Marcy Jensen Daggett is an actress I've run

0:13:37.240 --> 0:13:39.400
<v Speaker 1>into like a hundred times. She's one of these people

0:13:39.559 --> 0:13:43.120
<v Speaker 1>I run into all the time, and we remember that day.

0:13:43.280 --> 0:13:46.240
<v Speaker 1>That's amazing cross paths a thousand times. Isn't that funny?

0:13:46.440 --> 0:13:47.319
<v Speaker 1>That is amazing?

0:13:48.360 --> 0:13:50.760
<v Speaker 3>But now wait, he doesn't pick her up until you

0:13:51.480 --> 0:13:53.600
<v Speaker 3>until Billy and Allison have decided they're going to paint

0:13:53.640 --> 0:13:56.120
<v Speaker 3>the apartment together, which is kind of an important thing.

0:13:56.480 --> 0:13:58.640
<v Speaker 1>She's kind of vulnerable for Allison to say, do you

0:13:58.679 --> 0:14:00.400
<v Speaker 1>want to paint the apartment? I mean, there's a spark

0:14:00.440 --> 0:14:02.079
<v Speaker 1>in her eye because she's ready to think there could

0:14:02.120 --> 0:14:02.520
<v Speaker 1>be something.

0:14:02.679 --> 0:14:04.600
<v Speaker 3>So they made this plan together.

0:14:04.880 --> 0:14:07.080
<v Speaker 1>Which I think Alison considers a date.

0:14:07.520 --> 0:14:11.080
<v Speaker 3>Yeah, well, who wouldn't want to consider that a date

0:14:11.320 --> 0:14:11.840
<v Speaker 3>because we're.

0:14:11.679 --> 0:14:13.600
<v Speaker 1>Thinking you paint each other and then you make out

0:14:13.720 --> 0:14:15.280
<v Speaker 1>that's how it is in everything. Kept waiting for that

0:14:15.360 --> 0:14:19.080
<v Speaker 1>to happen. There's the montage and then she comes home

0:14:19.240 --> 0:14:21.280
<v Speaker 1>and so this made me laugh. I had to text

0:14:21.320 --> 0:14:22.840
<v Speaker 1>you guys about this. We're not supposed to talk before

0:14:22.840 --> 0:14:26.280
<v Speaker 1>they bed. To text you because because Billy and Marcy

0:14:26.400 --> 0:14:30.600
<v Speaker 1>walk in and he reaches to the mantlepiece above the

0:14:30.760 --> 0:14:34.560
<v Speaker 1>fireplace and takes a strawberry, which is apparently where we

0:14:34.680 --> 0:14:38.800
<v Speaker 1>wait a minute, what is something ahead here?

0:14:38.880 --> 0:14:41.040
<v Speaker 3>But I do have to tell you that what I

0:14:41.280 --> 0:14:45.560
<v Speaker 3>brought today is a random fruit hole. As you do,

0:14:46.200 --> 0:14:49.400
<v Speaker 3>you just have random fruit hools. Sometimes you put them

0:14:49.440 --> 0:14:55.600
<v Speaker 3>on the mantles. But I've brought oh yeah, there's strawberries.

0:14:55.760 --> 0:14:58.040
<v Speaker 3>Time it's random react the seed.

0:14:58.280 --> 0:15:01.320
<v Speaker 1>Yeah, but like that so happened in the first episode

0:15:01.400 --> 0:15:03.840
<v Speaker 1>where they would go the director wants it to be

0:15:04.000 --> 0:15:05.520
<v Speaker 1>decided to put the fruit on the mantle. All the

0:15:05.560 --> 0:15:06.720
<v Speaker 1>actors are like all right.

0:15:06.920 --> 0:15:10.320
<v Speaker 2>Like no, I think a lot of time. It happens

0:15:10.840 --> 0:15:13.080
<v Speaker 2>a lot of time that's happens because you're like, you know,

0:15:13.200 --> 0:15:14.840
<v Speaker 2>it's like the blocking has to.

0:15:14.920 --> 0:15:15.720
<v Speaker 1>Work with the time.

0:15:15.880 --> 0:15:17.760
<v Speaker 2>Yeah, lunch is coming, and you know we can't have

0:15:17.880 --> 0:15:19.800
<v Speaker 2>you go in the kitchen and make out on the

0:15:19.840 --> 0:15:22.160
<v Speaker 2>way to the Bedgum, No, it has to happen here. Okay,

0:15:22.320 --> 0:15:24.040
<v Speaker 2>it's where do the strawberry? I don't know, are they

0:15:24.040 --> 0:15:25.520
<v Speaker 2>on the coffee tail? We don't have a coffee table

0:15:25.520 --> 0:15:28.680
<v Speaker 2>because the camera's there, so well, what about here? The

0:15:28.760 --> 0:15:29.600
<v Speaker 2>prop guy goes here?

0:15:29.720 --> 0:15:34.200
<v Speaker 1>We're like okay, yeah, but later on we would say

0:15:34.240 --> 0:15:37.280
<v Speaker 1>that we can't. That's ridiculous, and if so, because he

0:15:37.520 --> 0:15:39.120
<v Speaker 1>goes to the mantle. So it's so word to figure out,

0:15:39.120 --> 0:15:41.120
<v Speaker 1>try to figure out what it is. What I thought.

0:15:41.160 --> 0:15:42.680
<v Speaker 1>I thought it was real fruit.

0:15:42.760 --> 0:15:45.400
<v Speaker 3>I thought he was offering her a fake, like a

0:15:45.440 --> 0:15:46.280
<v Speaker 3>wooden strawberry.

0:15:46.480 --> 0:15:48.560
<v Speaker 2>I was like, is that a little wooden ball like

0:15:48.680 --> 0:15:50.800
<v Speaker 2>a decorative? What is that?

0:15:51.600 --> 0:15:54.040
<v Speaker 3>He's he's playing a trick on her? Here to bite?

0:15:54.920 --> 0:15:58.760
<v Speaker 1>Yeah, he gives her the strawberry and then they start kissing.

0:15:58.800 --> 0:16:02.520
<v Speaker 1>And I had such a visceral reaction. Was so funny.

0:16:02.560 --> 0:16:05.600
<v Speaker 1>I texted Andrew and I'm like, so I'm watching the

0:16:05.720 --> 0:16:10.040
<v Speaker 1>scene thirty years ago. We're not even dating yet. We're

0:16:10.400 --> 0:16:12.880
<v Speaker 1>at the time we weren't even dating. She's kissing him.

0:16:12.920 --> 0:16:16.080
<v Speaker 1>I had this visceral get your hands off my man

0:16:16.200 --> 0:16:20.440
<v Speaker 1>reaction als in my living room thirty years later, again

0:16:20.880 --> 0:16:25.480
<v Speaker 1>not dating yet. I haven't dated for years. That's amazing,

0:16:26.320 --> 0:16:28.560
<v Speaker 1>isn't that funny? I was like, oh my god, I'm

0:16:28.560 --> 0:16:30.720
<v Speaker 1>having and my girlfriend, who was watching with me, is like,

0:16:30.880 --> 0:16:31.960
<v Speaker 1>I'm furious too.

0:16:32.320 --> 0:16:34.760
<v Speaker 3>Like we were both well, it was mad. We were

0:16:34.840 --> 0:16:36.840
<v Speaker 3>all on behalf of all.

0:16:37.240 --> 0:16:39.640
<v Speaker 2>We were all mad. I love like.

0:16:41.920 --> 0:16:44.400
<v Speaker 1>Andrew, Like I'm furious about that. What did Andrew say,

0:16:44.480 --> 0:16:49.800
<v Speaker 1>get over it? I don't. I can't remember what he said. No, no,

0:16:50.200 --> 0:16:54.400
<v Speaker 1>you off your remember he remembered time too. Just oh,

0:16:54.880 --> 0:16:57.760
<v Speaker 1>it's just funny. That's watch it. I'm dying to know

0:16:57.880 --> 0:17:00.320
<v Speaker 1>what your reaction is because it takes me when I'm

0:17:00.320 --> 0:17:02.760
<v Speaker 1>surprised about this. Was so much fun about doing this podcast.

0:17:03.480 --> 0:17:06.399
<v Speaker 1>It took me right back, like I'm right back in

0:17:06.480 --> 0:17:08.480
<v Speaker 1>that moment in those scenes in a way I didn't

0:17:08.480 --> 0:17:09.400
<v Speaker 1>expect to be right.

0:17:09.960 --> 0:17:12.399
<v Speaker 2>It's opposite for me because I haven't come on to

0:17:12.480 --> 0:17:15.600
<v Speaker 2>the show yet and so I'm not seeing myself. I'm

0:17:15.720 --> 0:17:18.720
<v Speaker 2>seeing it as this lens pulled like as the lens

0:17:18.840 --> 0:17:22.040
<v Speaker 2>is pulled out, and I'm seeing the stories all sort

0:17:22.040 --> 0:17:24.200
<v Speaker 2>of fit into each other, and like with the writer

0:17:24.520 --> 0:17:27.560
<v Speaker 2>and director from up here, and I'm saying, oh, that

0:17:27.760 --> 0:17:31.240
<v Speaker 2>fits so perfectly, you know that, the parallel stories about

0:17:31.320 --> 0:17:34.879
<v Speaker 2>love and you and then Jane, and I'm seeing all

0:17:34.920 --> 0:17:35.399
<v Speaker 2>this fit.

0:17:35.320 --> 0:17:35.600
<v Speaker 1>In I go.

0:17:35.720 --> 0:17:37.880
<v Speaker 2>I had no idea because I was in my little,

0:17:37.960 --> 0:17:40.200
<v Speaker 2>you know, trench of figuring out what I was doing.

0:17:40.720 --> 0:17:44.280
<v Speaker 2>It's really fun to watch it now with seeing what

0:17:44.400 --> 0:17:47.040
<v Speaker 2>they had in mind and kind of an overall view,

0:17:47.280 --> 0:17:48.760
<v Speaker 2>and it's really it's really.

0:17:48.680 --> 0:17:51.240
<v Speaker 1>Cool, though still super mad at Marcy.

0:17:56.600 --> 0:17:59.960
<v Speaker 3>After Allison and Billy decide to paint the apartment toget,

0:18:00.680 --> 0:18:09.200
<v Speaker 3>we find Sandy and Kelly both at Shooters and Jake

0:18:09.320 --> 0:18:13.960
<v Speaker 3>is on his way there, supposedly to meet Kelly for lunch,

0:18:14.160 --> 0:18:16.280
<v Speaker 3>but Sandy informs Kelly that Jake is actually at the

0:18:16.359 --> 0:18:20.040
<v Speaker 3>unemployment office, and then we find him at the unemployment

0:18:20.160 --> 0:18:23.600
<v Speaker 3>office where the guy at the counter gives him a

0:18:23.640 --> 0:18:25.560
<v Speaker 3>run around and says he doesn't he didn't fill things

0:18:25.560 --> 0:18:26.720
<v Speaker 3>out right and he needs to go back to the

0:18:26.800 --> 0:18:28.760
<v Speaker 3>end of the line, and that's just sending Jake, who

0:18:28.760 --> 0:18:29.919
<v Speaker 3>already started the day angry.

0:18:30.200 --> 0:18:31.240
<v Speaker 2>Yeah, because of the water.

0:18:31.400 --> 0:18:33.720
<v Speaker 3>It's it's it's not cool.

0:18:33.880 --> 0:18:36.000
<v Speaker 1>It's just adding fuel to the fire. Everything that happens

0:18:36.040 --> 0:18:37.600
<v Speaker 1>is adding fuel to his fire. Dammit.

0:18:37.880 --> 0:18:41.120
<v Speaker 2>Yeah, did you notice how big unemployment was that it's

0:18:41.160 --> 0:18:42.399
<v Speaker 2>a very crowded office.

0:18:42.720 --> 0:18:47.360
<v Speaker 3>Yeah, a very busy place, very busy. But then then

0:18:47.520 --> 0:18:49.760
<v Speaker 3>is when we find out that Billy, back in his cab,

0:18:50.040 --> 0:18:55.040
<v Speaker 3>picks up his first fair and it is Mercy where

0:18:55.200 --> 0:18:58.720
<v Speaker 3>they have their you know, incredible meet cute and find

0:18:58.760 --> 0:19:00.920
<v Speaker 3>out that they were at the same concert many years ago,

0:19:01.520 --> 0:19:04.240
<v Speaker 3>bonding and it turns into not just like a cab fair,

0:19:04.760 --> 0:19:07.280
<v Speaker 3>but kind of like a date and they hang out.

0:19:07.200 --> 0:19:10.120
<v Speaker 2>For the day, driving around to the valley.

0:19:10.960 --> 0:19:14.840
<v Speaker 3>The valley, he invites her to a restaurant and turns

0:19:14.880 --> 0:19:19.480
<v Speaker 3>off the cab like not available as it's furious, furious,

0:19:19.720 --> 0:19:22.199
<v Speaker 3>I'm as mad as eat strawberries.

0:19:22.240 --> 0:19:25.280
<v Speaker 1>Off the that is happening and being all cute.

0:19:26.119 --> 0:19:29.040
<v Speaker 3>Jake is at the unemployment office losing it. And that's

0:19:29.080 --> 0:19:32.520
<v Speaker 3>when he has like the second you know, infuriating encounter

0:19:33.119 --> 0:19:35.440
<v Speaker 3>where he stands up for the woman who's not able

0:19:35.480 --> 0:19:39.040
<v Speaker 3>to get her check. I think that was the first time.

0:19:39.119 --> 0:19:41.399
<v Speaker 3>I think we really got to see, oh, Jake is

0:19:41.440 --> 0:19:43.480
<v Speaker 3>going to be a stand up guy and he's going

0:19:43.560 --> 0:19:46.720
<v Speaker 3>to be like standing up for not just himself, but

0:19:47.320 --> 0:19:49.600
<v Speaker 3>like on other people's behalf.

0:19:49.680 --> 0:19:51.720
<v Speaker 2>So yeah, yeah, so he really got But you know

0:19:51.760 --> 0:19:55.000
<v Speaker 2>what was interesting is that when the woman said to Kelly,

0:19:55.600 --> 0:20:01.200
<v Speaker 2>you know your boyfriend has a track record of other priors,

0:20:01.600 --> 0:20:03.520
<v Speaker 2>right with the police. So I was curious.

0:20:03.600 --> 0:20:04.760
<v Speaker 1>I was like, what else did he do?

0:20:04.960 --> 0:20:07.840
<v Speaker 2>I knew he did stuff protecting me and other people

0:20:07.960 --> 0:20:10.840
<v Speaker 2>later in the show, but I didn't know, did anyone know?

0:20:10.920 --> 0:20:12.760
<v Speaker 3>What I think is I think that was like a

0:20:12.800 --> 0:20:16.359
<v Speaker 3>story point that that was like dropping them like character like,

0:20:16.480 --> 0:20:18.240
<v Speaker 3>I know, we all just find out at the same

0:20:18.320 --> 0:20:19.360
<v Speaker 3>time as priors.

0:20:20.960 --> 0:20:23.399
<v Speaker 1>He's very clear about that stuff. But the other thing

0:20:23.440 --> 0:20:25.320
<v Speaker 1>I got, so, you know when she puts her credit

0:20:25.359 --> 0:20:27.360
<v Speaker 1>card to try when Kelly puts her credit card down

0:20:27.400 --> 0:20:29.840
<v Speaker 1>to try to bail him out, I had totally like

0:20:30.040 --> 0:20:33.080
<v Speaker 1>missed the Oh that's right, rich girl, Yeah, tough boy.

0:20:33.240 --> 0:20:35.240
<v Speaker 1>That brought that storyline back for me. That was probably

0:20:35.280 --> 0:20:36.960
<v Speaker 1>covered more on the nine o two and zero part

0:20:37.000 --> 0:20:39.320
<v Speaker 1>of it, But I was like, oh, that's right, that's

0:20:39.400 --> 0:20:43.399
<v Speaker 1>this romantic story of tough guy, rich girl. He doesn't

0:20:43.400 --> 0:20:45.879
<v Speaker 1>want to be taken care of, but she really cares

0:20:45.920 --> 0:20:47.879
<v Speaker 1>about him. I was like, oh, that is super romantic.

0:20:47.960 --> 0:20:50.520
<v Speaker 3>Yeah, the high school girl who has, you know, the

0:20:50.560 --> 0:20:52.639
<v Speaker 3>credit card and she's willing to bail him out and

0:20:52.920 --> 0:20:54.040
<v Speaker 3>that sort of pisses him off.

0:20:54.400 --> 0:20:56.560
<v Speaker 1>Yeah, and that was a crazy time to have a

0:20:56.640 --> 0:20:58.480
<v Speaker 1>credit card for a person that young. To have a

0:20:58.560 --> 0:21:01.800
<v Speaker 1>credit card in the nineties was crazy. Now they all do,

0:21:01.920 --> 0:21:02.960
<v Speaker 1>which is also crazy.

0:21:03.320 --> 0:21:06.280
<v Speaker 2>I remember actually in college, well that was twenty years

0:21:06.280 --> 0:21:09.480
<v Speaker 2>it was ten years before. I remember having seven dollars

0:21:09.560 --> 0:21:12.720
<v Speaker 2>in my checking account and being offered a credit card.

0:21:12.840 --> 0:21:14.520
<v Speaker 1>Because you're in college, they offer all of you.

0:21:14.960 --> 0:21:17.119
<v Speaker 2>They did that back in the eighty early eighties, and

0:21:17.240 --> 0:21:20.480
<v Speaker 2>I was like, okay, I mean I thought it was

0:21:20.520 --> 0:21:22.040
<v Speaker 2>like free money because it was a card and you

0:21:22.040 --> 0:21:24.119
<v Speaker 2>could charge stuff even though you only had seven dollars

0:21:24.560 --> 0:21:24.920
<v Speaker 2>that way.

0:21:25.240 --> 0:21:29.200
<v Speaker 3>Yeah, well in uh, you know, Kelly's card was declined

0:21:29.280 --> 0:21:33.600
<v Speaker 3>in that moment, which is you know, she was trying

0:21:33.640 --> 0:21:34.880
<v Speaker 3>to use her parents card.

0:21:34.720 --> 0:21:36.159
<v Speaker 1>And all right, do you kind of catch up now

0:21:36.200 --> 0:21:38.560
<v Speaker 1>to where I am? I? Yeah, jumped ahead.

0:21:38.720 --> 0:21:42.240
<v Speaker 3>So yeah, here's where then Alison, Billy Allison and Billy's

0:21:42.280 --> 0:21:46.400
<v Speaker 3>apartment and Billy offers the strawberry.

0:21:46.760 --> 0:21:50.400
<v Speaker 1>Yes, and Courtney, we've already already covered that extended date. Yeah.

0:21:50.480 --> 0:21:55.119
<v Speaker 2>So then and also Courtney is in adorable outfits. Your

0:21:55.280 --> 0:21:56.240
<v Speaker 2>painting outfits.

0:21:56.440 --> 0:22:00.640
<v Speaker 1>Painting are the super crap tang that overall to die

0:22:00.800 --> 0:22:04.440
<v Speaker 1>for cute? Yeah, you're so, this is another thing.

0:22:06.440 --> 0:22:07.400
<v Speaker 2>So we're scrunchies.

0:22:07.560 --> 0:22:12.080
<v Speaker 1>So are scrunchies? Yes? Yeah, that was super cute.

0:22:11.880 --> 0:22:15.840
<v Speaker 3>That you are super cute and she's painting alone.

0:22:17.119 --> 0:22:19.080
<v Speaker 2>It's so funny because I just remembered, were you in

0:22:19.160 --> 0:22:25.000
<v Speaker 2>a baseball jacket too? What was your jersey friend roommate wardrobe?

0:22:25.800 --> 0:22:26.560
<v Speaker 2>Do you notice like?

0:22:26.680 --> 0:22:32.920
<v Speaker 1>Nothing glorious? There's nothing feminine but adorable? And then backling.

0:22:33.000 --> 0:22:35.040
<v Speaker 1>What I remember is sure that that I'm spackling and

0:22:35.119 --> 0:22:37.960
<v Speaker 1>I can hear them like making out. That's the part

0:22:38.000 --> 0:22:40.480
<v Speaker 1>that made me furious. I may have had an extra

0:22:40.520 --> 0:22:41.879
<v Speaker 1>piece of pizza listening to that.

0:22:42.320 --> 0:22:45.440
<v Speaker 3>And they come out of the bedroom then, and it's

0:22:45.480 --> 0:22:48.480
<v Speaker 3>so the first thing Marcy does is acting to use your.

0:22:48.400 --> 0:22:52.520
<v Speaker 1>Deal with me. I'm feel angry about the deodorant. Really,

0:22:53.600 --> 0:22:54.760
<v Speaker 1>Oh my god, I.

0:22:56.440 --> 0:22:57.160
<v Speaker 2>Wrote that down.

0:22:57.320 --> 0:22:59.560
<v Speaker 1>That was Is it okay?

0:22:59.640 --> 0:23:03.800
<v Speaker 3>If I is your deodorant I'm like, what, that's grody.

0:23:04.840 --> 0:23:05.560
<v Speaker 2>That's grody.

0:23:05.680 --> 0:23:08.800
<v Speaker 3>It's grody. And then she has the nerve to like

0:23:09.480 --> 0:23:12.080
<v Speaker 3>judge you for like putting your name on on your fruit,

0:23:12.280 --> 0:23:15.240
<v Speaker 3>Like really, you just asked to borrow my deodorant and

0:23:15.359 --> 0:23:16.760
<v Speaker 3>I post it on my piece of fruit.

0:23:16.800 --> 0:23:17.520
<v Speaker 1>And then she's like no.

0:23:17.640 --> 0:23:21.359
<v Speaker 2>She has a snipy little attitude and she goes with like,

0:23:21.480 --> 0:23:23.640
<v Speaker 2>you know, love all over her. She's like, you put

0:23:23.840 --> 0:23:28.080
<v Speaker 2>names on your fruit? Yeah, Okay, I'm gonna okay, keep going.

0:23:29.840 --> 0:23:32.880
<v Speaker 3>So back at the at the police station now, because

0:23:33.000 --> 0:23:35.400
<v Speaker 3>Jake has been you know, sort of hauled away from

0:23:35.440 --> 0:23:39.040
<v Speaker 3>his altercation in the unemployment office. But he's released from jail,

0:23:39.160 --> 0:23:44.760
<v Speaker 3>and Kelly uh Is obviously isn't so she's the reason,

0:23:44.880 --> 0:23:47.080
<v Speaker 3>right she she paid cash? Is that what happened? She

0:23:47.160 --> 0:23:48.440
<v Speaker 3>paid cash to get him out? Or how did he

0:23:48.480 --> 0:23:48.719
<v Speaker 3>get out?

0:23:48.840 --> 0:23:49.040
<v Speaker 1>Yeah?

0:23:49.040 --> 0:23:52.359
<v Speaker 2>And of course so lovingly is a stay out of this. Ye.

0:23:52.680 --> 0:23:54.040
<v Speaker 3>Yeah, he was talking about that.

0:23:54.560 --> 0:23:56.040
<v Speaker 2>Thank you. That's all she needs to hear.

0:23:56.359 --> 0:23:56.600
<v Speaker 1>Yeah.

0:23:58.520 --> 0:24:03.840
<v Speaker 3>So we go back to Alison's apartment where Marcy just

0:24:04.080 --> 0:24:07.560
<v Speaker 3>hasn't left. She still know she will not leave.

0:24:07.800 --> 0:24:10.560
<v Speaker 2>I know. Now she's lighting candles. I love this scene.

0:24:10.600 --> 0:24:12.240
<v Speaker 1>By the way, when you got in.

0:24:13.000 --> 0:24:19.240
<v Speaker 2>Yeahs flammable, she puts it out. Oh, like she just

0:24:19.359 --> 0:24:20.920
<v Speaker 2>takes over the apartment.

0:24:21.080 --> 0:24:23.240
<v Speaker 1>You know, the disappointment of thinking, I'm going to see

0:24:23.240 --> 0:24:24.119
<v Speaker 1>don't I come in going.

0:24:24.040 --> 0:24:29.200
<v Speaker 2>Billy Yeah, in a kimono, lighting candles.

0:24:29.320 --> 0:24:32.680
<v Speaker 3>Oh, you, I have to say, like it for a

0:24:32.920 --> 0:24:35.920
<v Speaker 3>guest star to have so many scenes in such a

0:24:36.119 --> 0:24:38.960
<v Speaker 3>big story arc, I think was unusual, right, Like, she

0:24:39.359 --> 0:24:42.240
<v Speaker 3>h that was a huge story that she was. Usually

0:24:42.320 --> 0:24:45.000
<v Speaker 3>it's like you focus on the series regulars and the

0:24:45.040 --> 0:24:46.800
<v Speaker 3>guest star just has a little bit what she had

0:24:46.840 --> 0:24:49.680
<v Speaker 3>a giant she just would not leave like that. You know.

0:24:49.760 --> 0:24:51.440
<v Speaker 3>The nature of the storyline was like, this is a

0:24:51.480 --> 0:24:52.440
<v Speaker 3>girl who will not leave.

0:24:53.040 --> 0:24:56.040
<v Speaker 1>And she did a great job with it. Did a

0:24:56.119 --> 0:24:59.760
<v Speaker 1>great job with it. I was so hilarious. Yeah, I

0:24:59.800 --> 0:25:02.919
<v Speaker 1>mean so invasive and pushy and just oh.

0:25:03.200 --> 0:25:05.920
<v Speaker 3>Yep, but but charming and she was great and had

0:25:05.920 --> 0:25:06.760
<v Speaker 3>a ton of stuff to do.

0:25:07.000 --> 0:25:07.200
<v Speaker 1>Yeah.

0:25:07.680 --> 0:25:11.000
<v Speaker 2>Well, it's hard to do that part because the lines

0:25:11.080 --> 0:25:13.560
<v Speaker 2>were written. Seen after scene have seen her getting more

0:25:13.600 --> 0:25:15.320
<v Speaker 2>and more obnoxious in the way she talks.

0:25:15.119 --> 0:25:17.960
<v Speaker 1>To everybody else about him and the love tricks.

0:25:17.640 --> 0:25:20.480
<v Speaker 2>And then you know that's but she played it so

0:25:20.680 --> 0:25:23.159
<v Speaker 2>charmingly I think we all kind of fell for her,

0:25:23.359 --> 0:25:27.000
<v Speaker 2>and then we're creeped out by her at the same time,

0:25:27.040 --> 0:25:27.520
<v Speaker 2>you know what I mean.

0:25:27.760 --> 0:25:29.840
<v Speaker 1>I was curious at her from beginning to end.

0:25:29.960 --> 0:25:32.400
<v Speaker 3>Yeah, well you hated her, but we were routing take

0:25:32.400 --> 0:25:35.480
<v Speaker 3>her Allison anyway. So yeah, it was you know, she

0:25:35.680 --> 0:25:36.080
<v Speaker 3>just never.

0:25:36.000 --> 0:25:37.520
<v Speaker 2>Stood it, but she made it work.

0:25:37.600 --> 0:25:40.080
<v Speaker 3>She made it last because well then, speaking of love,

0:25:40.240 --> 0:25:44.280
<v Speaker 3>back in Michael and Jane's apartment, Jane is upset because

0:25:44.600 --> 0:25:48.160
<v Speaker 3>Michael hasn't really revealed what it is that he remembers

0:25:48.160 --> 0:25:50.639
<v Speaker 3>about them falling in love, and that's really sad. And

0:25:50.760 --> 0:25:53.840
<v Speaker 3>then Alison comes in venting about her situation. She wants

0:25:53.840 --> 0:25:56.080
<v Speaker 3>to see if she can spend the night there, and

0:25:57.520 --> 0:26:01.920
<v Speaker 3>the irony of first love and those conversations is not

0:26:02.040 --> 0:26:02.760
<v Speaker 3>lost on Jane.

0:26:03.840 --> 0:26:06.920
<v Speaker 1>Yeah, and it's so sweet because then Allison says something

0:26:06.920 --> 0:26:09.000
<v Speaker 1>along the lines of I mean, you guys are so stable,

0:26:09.040 --> 0:26:11.560
<v Speaker 1>you guys are such a great couple, and they're in

0:26:11.640 --> 0:26:14.000
<v Speaker 1>the middle of this fight. Yeah, like, okay, you can

0:26:14.200 --> 0:26:18.000
<v Speaker 1>sleep here. I know ouch for Jane. It was very sweet.

0:26:19.680 --> 0:26:21.879
<v Speaker 3>So then of course we get to the courtyard scene

0:26:21.960 --> 0:26:24.399
<v Speaker 3>where it's a pool scene because you have got to

0:26:24.480 --> 0:26:25.560
<v Speaker 3>use the pool and.

0:26:25.960 --> 0:26:28.439
<v Speaker 1>Where Billy's bear chested with the barbecue and.

0:26:28.440 --> 0:26:29.399
<v Speaker 2>The like barbecue.

0:26:29.520 --> 0:26:31.520
<v Speaker 3>A couple of people are bare chested, right, we had

0:26:31.520 --> 0:26:32.080
<v Speaker 3>a couple.

0:26:31.880 --> 0:26:35.440
<v Speaker 1>Of iron zero. We had a guest chest.

0:26:38.760 --> 0:26:40.879
<v Speaker 3>Chest is a brand new category because.

0:26:42.880 --> 0:26:43.880
<v Speaker 1>Yeah, we'll add it in there.

0:26:44.000 --> 0:26:46.720
<v Speaker 3>Yeah, it's the guest chest. And all the people are

0:26:46.720 --> 0:26:49.160
<v Speaker 3>at the pool and all those cute bikinis and oh,

0:26:49.240 --> 0:26:50.480
<v Speaker 3>y'all were really cute.

0:26:51.000 --> 0:26:53.560
<v Speaker 1>Did Jake have sunglasses on so he had a black eyes?

0:26:53.600 --> 0:26:54.680
<v Speaker 1>I didn't see a black eye.

0:26:55.800 --> 0:26:57.879
<v Speaker 3>I didn't see a black eye. I think it was

0:26:58.040 --> 0:27:01.440
<v Speaker 3>just like his angry like I'm not speaking to anybody vibe.

0:27:01.520 --> 0:27:04.560
<v Speaker 1>Okay, that guy from what well he got into I

0:27:05.119 --> 0:27:07.480
<v Speaker 1>saw it. I thought get into an actual fist fight.

0:27:07.520 --> 0:27:10.600
<v Speaker 1>There was kind of a tussle. But no, maybe it

0:27:10.680 --> 0:27:12.720
<v Speaker 1>was maybe that choice. Maybe that makes them trying to

0:27:13.200 --> 0:27:15.280
<v Speaker 1>like trying to pretend we're actually outside when we were

0:27:15.359 --> 0:27:18.440
<v Speaker 1>all know we're in a sound stage fighting the pretend.

0:27:18.520 --> 0:27:20.320
<v Speaker 3>So that was one of the last times anybody was

0:27:20.359 --> 0:27:21.399
<v Speaker 3>allowed to wear sunglasses.

0:27:21.760 --> 0:27:24.520
<v Speaker 1>Yeah, that's probably true. Right, he probably said I would

0:27:24.560 --> 0:27:26.920
<v Speaker 1>wear sunglasses. They gave him one shot and then Aaron's felling.

0:27:27.280 --> 0:27:30.760
<v Speaker 1>Aaron'spelling note never again, for sunglasses.

0:27:36.040 --> 0:27:38.440
<v Speaker 3>Around the pool is where Marcy really starts to be

0:27:38.520 --> 0:27:42.560
<v Speaker 3>offensive because she's telling everybody like detailed stuff and like

0:27:42.760 --> 0:27:46.200
<v Speaker 3>it was so cringey. And again, she was great because

0:27:46.359 --> 0:27:49.920
<v Speaker 3>that was a hard bunch of dialect deliver and it

0:27:50.160 --> 0:27:52.600
<v Speaker 3>was super cringey. It must have been improv.

0:27:52.960 --> 0:27:55.080
<v Speaker 1>Like I think that her talking that must have been

0:27:55.119 --> 0:27:57.760
<v Speaker 1>some improv because she was in so many little conversations.

0:27:57.880 --> 0:27:58.760
<v Speaker 2>I don't remember.

0:27:59.320 --> 0:28:01.960
<v Speaker 1>Cringe is the perfect word for it. I don't remember.

0:28:01.760 --> 0:28:05.360
<v Speaker 2>Improv aloud ever, exactly exactly.

0:28:05.600 --> 0:28:09.679
<v Speaker 3>Yeah, but maybe she was terrific and it was definitely

0:28:09.720 --> 0:28:10.680
<v Speaker 3>cringey about how much.

0:28:11.080 --> 0:28:11.720
<v Speaker 1>Yeah, she was.

0:28:11.760 --> 0:28:14.040
<v Speaker 2>Real and it was just listening. You notice no one's

0:28:14.080 --> 0:28:16.760
<v Speaker 2>saying stop what you say.

0:28:16.880 --> 0:28:19.200
<v Speaker 1>It's so uncomfortable. We've all been there was one of

0:28:19.240 --> 0:28:21.359
<v Speaker 1>those people, right, he's giving you way too many details

0:28:21.400 --> 0:28:25.240
<v Speaker 1>about their new person. You're like, oh, really, wow, nice,

0:28:25.280 --> 0:28:26.240
<v Speaker 1>I don't want to see your hickey.

0:28:26.320 --> 0:28:28.680
<v Speaker 3>But thanks for That's where Alison tells Billy that Marcy

0:28:28.840 --> 0:28:31.480
<v Speaker 3>is the most aggressive woman she's ever met.

0:28:32.520 --> 0:28:36.119
<v Speaker 1>That may have been well, I was certainly saying it

0:28:36.280 --> 0:28:37.479
<v Speaker 1>home in my living room last night.

0:28:37.600 --> 0:28:39.840
<v Speaker 3>There were some other words I think Allison could have chosen,

0:28:39.920 --> 0:28:45.720
<v Speaker 3>but she chose aggressive, which I thought was fine, but

0:28:46.080 --> 0:28:48.640
<v Speaker 3>then it triggers Billy's daydreams.

0:28:50.840 --> 0:28:51.360
<v Speaker 2>It was so.

0:28:52.920 --> 0:28:58.240
<v Speaker 3>Such a this is the signe of the times. He

0:28:58.320 --> 0:29:03.000
<v Speaker 3>goes into the daydream and it's doctor Ruth. Yes, also

0:29:03.080 --> 0:29:06.680
<v Speaker 3>it's amazing, But I mean, it wasn't it interesting that,

0:29:06.800 --> 0:29:10.800
<v Speaker 3>like the Jensen had the scene with doctor Ruth. Right,

0:29:10.880 --> 0:29:12.920
<v Speaker 3>that was kind of a big deal, probably a big

0:29:13.000 --> 0:29:16.160
<v Speaker 3>get that they we have Doctor Ruth coming on Nola's place, Right,

0:29:16.240 --> 0:29:17.040
<v Speaker 3>it's probably a big deal.

0:29:17.120 --> 0:29:20.080
<v Speaker 2>Oh right, I think she had her own show at

0:29:20.120 --> 0:29:21.680
<v Speaker 2>the time or was it all over the place.

0:29:22.520 --> 0:29:25.280
<v Speaker 3>And then it's just so funny that that was the

0:29:25.400 --> 0:29:28.320
<v Speaker 3>scene was with Jensen instead of Billy.

0:29:28.440 --> 0:29:32.320
<v Speaker 2>Yeah, but Billy's having over sex tacaholics yet that was

0:29:32.360 --> 0:29:37.920
<v Speaker 2>the term her diagnosis over sex. Oliver claimed over sex talcoholic,

0:29:38.960 --> 0:29:42.720
<v Speaker 2>and I'm like, yep, that's exactly tacoholic.

0:29:44.520 --> 0:29:45.760
<v Speaker 3>I'm going to use that UF.

0:29:47.680 --> 0:29:48.360
<v Speaker 1>Oh my god.

0:29:49.120 --> 0:29:51.160
<v Speaker 2>I mean, there's the sense of humor in all this

0:29:51.360 --> 0:29:54.640
<v Speaker 2>is really another thing that I get, you know, especially charming.

0:29:54.720 --> 0:29:57.360
<v Speaker 1>And then this is so Billy comes back to reality

0:29:57.400 --> 0:29:59.600
<v Speaker 1>when it's on fire, and then Ronda takes over the

0:29:59.680 --> 0:30:01.800
<v Speaker 1>grill and tells him he's going to need his strength

0:30:01.920 --> 0:30:02.520
<v Speaker 1>for tonight.

0:30:02.920 --> 0:30:08.400
<v Speaker 3>Yeah. Also cringey, not gonna lie a little cringey, but yeah,

0:30:08.440 --> 0:30:13.240
<v Speaker 3>he nearly burned the place down. And then Jake is

0:30:13.720 --> 0:30:17.640
<v Speaker 3>walking into the courtyard to find Michael working on the pipes. Well,

0:30:17.680 --> 0:30:19.760
<v Speaker 3>thank goodness, he's trying to do something about the pipes

0:30:19.800 --> 0:30:21.560
<v Speaker 3>because we don't want to have another incidet.

0:30:21.720 --> 0:30:23.760
<v Speaker 1>Like I was sitting there, going now, this would be

0:30:23.800 --> 0:30:26.240
<v Speaker 1>an opportunity to have them both shirtless. They did not

0:30:26.360 --> 0:30:28.440
<v Speaker 1>make that choice because they're doing like they're doing manly

0:30:28.560 --> 0:30:32.720
<v Speaker 1>things to turn Yeah, but you know, there could be water.

0:30:32.960 --> 0:30:35.400
<v Speaker 1>I guess I'm just I'm just saying it's a missed opportunity.

0:30:35.520 --> 0:30:36.600
<v Speaker 1>I think it's all I'm saying. I think.

0:30:36.640 --> 0:30:37.520
<v Speaker 3>So that's a good note.

0:30:37.520 --> 0:30:40.080
<v Speaker 1>I wish flexing with moving the wrench or whatever the

0:30:40.160 --> 0:30:40.720
<v Speaker 1>hell it was.

0:30:42.240 --> 0:30:45.680
<v Speaker 3>But they sort of have a conversation about, you know,

0:30:45.880 --> 0:30:50.080
<v Speaker 3>sort of how they're similar and how Michael sort of

0:30:50.160 --> 0:30:53.400
<v Speaker 3>understands who he is and why he maybe sort of

0:30:53.840 --> 0:30:57.600
<v Speaker 3>doesn't handle things always correctly, right. Isn't that where they bond?

0:30:57.800 --> 0:30:58.560
<v Speaker 1>That's very sweet?

0:30:58.600 --> 0:31:01.720
<v Speaker 3>Yeah, they totally. It was very But Jane of course

0:31:01.840 --> 0:31:03.400
<v Speaker 3>opens the door to Sake at night, and we can

0:31:03.440 --> 0:31:04.520
<v Speaker 3>see that she's still pissed off.

0:31:04.880 --> 0:31:07.200
<v Speaker 1>Oh gooding, Yeah.

0:31:07.320 --> 0:31:11.000
<v Speaker 2>Maybe you love Jake more. I don't know, Jane.

0:31:11.040 --> 0:31:14.120
<v Speaker 3>Oh yeah, that's good, and that that was a subtext.

0:31:14.200 --> 0:31:15.120
<v Speaker 1>That's a subtext.

0:31:15.240 --> 0:31:18.040
<v Speaker 2>Yes, I think isn't going to need energy that night?

0:31:20.560 --> 0:31:21.640
<v Speaker 1>You can you can rest tonight.

0:31:21.680 --> 0:31:24.400
<v Speaker 3>But Billy, speaking of energy, is starting to question his

0:31:25.160 --> 0:31:29.440
<v Speaker 3>situation and he's watching the creepy documentary about black widow spiders.

0:31:31.160 --> 0:31:31.680
<v Speaker 1>Oh my god.

0:31:32.640 --> 0:31:34.840
<v Speaker 3>But Marcy joins him on the couch, and she doesn't

0:31:34.840 --> 0:31:38.520
<v Speaker 3>seem to understand that that was sort of him questioning

0:31:39.520 --> 0:31:40.800
<v Speaker 3>where the relationship is going.

0:31:42.840 --> 0:31:43.200
<v Speaker 1>Education.

0:31:43.360 --> 0:31:45.080
<v Speaker 3>Instead, she says, I think I love you.

0:31:46.600 --> 0:31:47.680
<v Speaker 1>Zs clueless.

0:31:48.120 --> 0:31:51.160
<v Speaker 3>Yep, it feels a tiny bit soon, a little bit,

0:31:51.280 --> 0:31:52.920
<v Speaker 3>I think, And we learned it was only day two.

0:31:53.000 --> 0:31:58.560
<v Speaker 3>I think it was so yeah. So Allison, then in

0:31:58.640 --> 0:32:03.000
<v Speaker 3>the morning, is sitting when Billy walks in, and we

0:32:03.160 --> 0:32:06.880
<v Speaker 3>realize that Marcy's still there. She's in the shower, and

0:32:07.040 --> 0:32:10.040
<v Speaker 3>but Billy now wants to confide in Allison and say

0:32:10.160 --> 0:32:13.400
<v Speaker 3>that he's maybe not so sure about this and kind

0:32:13.440 --> 0:32:16.440
<v Speaker 3>of turning the tables right because he wants to talk

0:32:16.480 --> 0:32:19.200
<v Speaker 3>to Alison. Alison's like, you know, none of my business,

0:32:19.640 --> 0:32:20.880
<v Speaker 3>your problem sort of thing.

0:32:21.040 --> 0:32:25.720
<v Speaker 2>But I mean it's so clueless, ye, the thing I saw, like,

0:32:26.280 --> 0:32:28.920
<v Speaker 2>you know, you can blame Billy the character for being

0:32:28.960 --> 0:32:32.120
<v Speaker 2>such a like just a clueless but a lot of

0:32:32.200 --> 0:32:35.880
<v Speaker 2>guys I remember when I was younger, what was like this, like, well,

0:32:35.960 --> 0:32:37.640
<v Speaker 2>we just I mean, she's in love with me, and

0:32:37.840 --> 0:32:41.800
<v Speaker 2>that happens. It's the it's the estrogen, it's the hormones,

0:32:41.840 --> 0:32:43.880
<v Speaker 2>and you want to once you sleep together, you better

0:32:43.960 --> 0:32:46.400
<v Speaker 2>watch out, mister, because she feels differently.

0:32:46.480 --> 0:32:48.160
<v Speaker 1>Yeah, that's true. And then they're like, well, what do

0:32:48.280 --> 0:32:48.719
<v Speaker 1>we do now?

0:32:48.840 --> 0:32:52.920
<v Speaker 2>And she and the cluelessness of coming to you, well, Alison,

0:32:53.240 --> 0:32:57.000
<v Speaker 2>the cluelessness of coming to Alison to say will you

0:32:57.160 --> 0:33:00.600
<v Speaker 2>help me with the situation? Just totally clueless about it all,

0:33:01.000 --> 0:33:02.960
<v Speaker 2>you know, like there's no like, look, I know, maybe

0:33:03.080 --> 0:33:06.440
<v Speaker 2>you're not the you might feel a little nothing. You know.

0:33:06.560 --> 0:33:09.640
<v Speaker 2>It's just like that kind of archetypal clueless guy, you

0:33:09.720 --> 0:33:10.200
<v Speaker 2>know what I mean.

0:33:10.360 --> 0:33:12.560
<v Speaker 3>It just that was very clear to me. Could she

0:33:12.600 --> 0:33:14.360
<v Speaker 3>say all that part about the estrogen and stuff and

0:33:14.400 --> 0:33:16.600
<v Speaker 3>your doctor Ruth accident, the.

0:33:16.680 --> 0:33:21.000
<v Speaker 2>Incident she feels, she feels the sexual experience for a

0:33:21.120 --> 0:33:25.920
<v Speaker 2>tlcoholic is much more dramatic than for somebody such as baby.

0:33:29.040 --> 0:33:33.640
<v Speaker 3>So then Kelly's house where Kelly and Donna and David

0:33:34.280 --> 0:33:37.440
<v Speaker 3>are walking out of her fancy Beverly Hills house heading

0:33:37.480 --> 0:33:39.760
<v Speaker 3>to the hospital, which I missed. I was like, what,

0:33:39.960 --> 0:33:41.480
<v Speaker 3>who's having a baby? Like I missed it?

0:33:41.600 --> 0:33:42.920
<v Speaker 1>It went by I was in the hospital.

0:33:43.320 --> 0:33:45.800
<v Speaker 3>Who they were headed to the hospital with balloons and

0:33:45.800 --> 0:33:48.080
<v Speaker 3>gifts because somebody was having a baby. That came up

0:33:48.280 --> 0:33:50.640
<v Speaker 3>really abruptly for me, and I sort of like, wait.

0:33:50.440 --> 0:33:53.840
<v Speaker 1>Wait, got maybe that's a nine O, two and o storyline.

0:33:53.960 --> 0:33:54.800
<v Speaker 1>Maybe that's what it was.

0:33:54.800 --> 0:33:57.320
<v Speaker 3>And I only figured it out at the end like

0:33:57.440 --> 0:33:59.400
<v Speaker 3>that it was her Why did I figure it out

0:33:59.520 --> 0:34:01.200
<v Speaker 3>that it was her mom having a baby?

0:34:01.360 --> 0:34:02.960
<v Speaker 1>Yeah, so that's a nine not two and No, Okay,

0:34:03.000 --> 0:34:03.800
<v Speaker 1>that's working well.

0:34:03.880 --> 0:34:06.120
<v Speaker 3>So that was a crossover that didn't quite make sense

0:34:06.200 --> 0:34:09.680
<v Speaker 3>for Melrose viewer, I think in the moment, certainly didn't

0:34:09.719 --> 0:34:11.719
<v Speaker 3>for me. It's my first time watching that episode, yes,

0:34:12.280 --> 0:34:16.160
<v Speaker 3>but anyway, that's where Jake wants to give Kelly back

0:34:16.239 --> 0:34:19.160
<v Speaker 3>the two hundred dollars and he goes to shooters having

0:34:19.200 --> 0:34:22.480
<v Speaker 3>a beer. Billy comes in and they're trying to have

0:34:22.520 --> 0:34:25.879
<v Speaker 3>a conversation about like relationship advice and like Jake's dude,

0:34:26.320 --> 0:34:27.640
<v Speaker 3>I don't really know how to help you.

0:34:29.280 --> 0:34:31.400
<v Speaker 2>I got my own girl trouble. She's sixteen.

0:34:32.719 --> 0:34:38.520
<v Speaker 3>Yeah, So then Sandy's still trying to, you know, work

0:34:38.600 --> 0:34:42.080
<v Speaker 3>her way into Jake's life, and Jake asks Sandy out

0:34:42.120 --> 0:34:44.719
<v Speaker 3>for a beer, but she thinks, you know, hard to get. No,

0:34:44.800 --> 0:34:47.160
<v Speaker 3>I don't think you're yeah, I don't think you're ready

0:34:47.200 --> 0:34:49.879
<v Speaker 3>for that, So she sort of turns him down there,

0:34:50.160 --> 0:34:52.200
<v Speaker 3>and then we're back to the courtyard where Billy is

0:34:52.320 --> 0:34:54.520
<v Speaker 3>pacing by the pool and Marcy shows up in a

0:34:54.560 --> 0:34:58.120
<v Speaker 3>red dress and gives him a hug, but Billy tells

0:34:58.239 --> 0:35:02.600
<v Speaker 3>Marcy that he is not so sure he wants to continue,

0:35:02.640 --> 0:35:04.640
<v Speaker 3>and that Marcy's coming on too strong.

0:35:05.239 --> 0:35:07.920
<v Speaker 1>And they really, they really let him off so easy

0:35:08.040 --> 0:35:10.240
<v Speaker 1>with this, because a woman who would be that obsessed

0:35:10.280 --> 0:35:11.920
<v Speaker 1>in that crazy wouldn't say, you.

0:35:12.000 --> 0:35:13.840
<v Speaker 3>Know what, you're right, I do this, I do this

0:35:14.000 --> 0:35:14.520
<v Speaker 3>all the time.

0:35:15.080 --> 0:35:18.239
<v Speaker 1>That's not the reaction of someone who's that sort of unhinged.

0:35:18.719 --> 0:35:20.879
<v Speaker 1>But I think we just kind of wanted to move

0:35:20.920 --> 0:35:22.840
<v Speaker 1>her out nicely, not have him look.

0:35:22.800 --> 0:35:23.359
<v Speaker 2>Like the bag.

0:35:23.760 --> 0:35:27.560
<v Speaker 1>Yeah, she would not, I'm thinking have handled it quite

0:35:27.680 --> 0:35:29.040
<v Speaker 1>as gracefully.

0:35:28.600 --> 0:35:32.480
<v Speaker 3>As she did again a convenient writer. Yes moment, just

0:35:32.600 --> 0:35:34.960
<v Speaker 3>let's get this wrapped up and make her apologize and

0:35:35.360 --> 0:35:35.719
<v Speaker 3>go away.

0:35:36.040 --> 0:35:37.480
<v Speaker 1>Yeah yeah, yeah, we don't want him to be a

0:35:37.520 --> 0:35:39.640
<v Speaker 1>bad guy. Yeah, so have her take it all on.

0:35:40.200 --> 0:35:41.439
<v Speaker 3>So she does, she goes away.

0:35:41.520 --> 0:35:41.960
<v Speaker 1>Yeah yeah.

0:35:43.760 --> 0:35:45.920
<v Speaker 3>And then we are on the scene where Michael and

0:35:46.120 --> 0:35:50.120
<v Speaker 3>Jane are in the apartment and Jane is apologizing to

0:35:50.200 --> 0:35:51.759
<v Speaker 3>Michael for being a jerk.

0:35:52.239 --> 0:35:53.239
<v Speaker 2>Yeah wash, she a jerk.

0:35:54.080 --> 0:35:59.200
<v Speaker 1>Well, she's playing sort of what I read from her performance,

0:35:59.239 --> 0:36:01.200
<v Speaker 1>which is really great. It was that she's sort of saying, look,

0:36:01.239 --> 0:36:02.960
<v Speaker 1>I'm sorry. She kind of wants to put it under

0:36:03.000 --> 0:36:04.760
<v Speaker 1>the rug because she doesn't want it to be an issue.

0:36:04.880 --> 0:36:08.640
<v Speaker 1>She's still upset, but she's apologizing for her part. She's

0:36:08.760 --> 0:36:13.040
<v Speaker 1>really keeping it right underneath. And then when he starts

0:36:13.200 --> 0:36:15.600
<v Speaker 1>talking about how he feels, it's a beautiful shot because

0:36:15.960 --> 0:36:17.759
<v Speaker 1>we're looking at her with him in the background, and

0:36:17.840 --> 0:36:18.879
<v Speaker 1>you see it on her face.

0:36:19.000 --> 0:36:22.880
<v Speaker 3>Yeah, her face was so really beauty, somtionful.

0:36:22.920 --> 0:36:26.520
<v Speaker 1>So vulnerable, so sweet. And then that moment when he

0:36:26.600 --> 0:36:29.400
<v Speaker 1>says it's every moment and she turns around and she

0:36:29.520 --> 0:36:31.439
<v Speaker 1>jumps on his lap, and I was like, oh, yep,

0:36:31.760 --> 0:36:32.920
<v Speaker 1>Michael pulls it out, so.

0:36:33.120 --> 0:36:35.640
<v Speaker 3>We finally have a good moment and it was lovely.

0:36:35.760 --> 0:36:37.680
<v Speaker 1>Yeah, but it was an interesting way to start it,

0:36:37.760 --> 0:36:40.279
<v Speaker 1>with her apologizing and then him saying no, no, no,

0:36:40.400 --> 0:36:40.600
<v Speaker 1>no no.

0:36:40.840 --> 0:36:44.239
<v Speaker 2>Look well, I mean I find myself doing that, like

0:36:44.320 --> 0:36:48.000
<v Speaker 2>because to her, the connection is what she misses. The

0:36:48.040 --> 0:36:51.680
<v Speaker 2>connection is more painful than anything else. So she needs

0:36:51.719 --> 0:36:53.279
<v Speaker 2>to come back to him because he's not going to

0:36:53.320 --> 0:36:56.680
<v Speaker 2>apologize clearly the writer's let you know, someone has to

0:36:56.920 --> 0:36:59.120
<v Speaker 2>so they get back together, so they feel that connection,

0:36:59.360 --> 0:37:03.680
<v Speaker 2>like regardless of when we remember it. So, I mean,

0:37:03.760 --> 0:37:05.560
<v Speaker 2>I I've been in up situation while I say I'm

0:37:05.600 --> 0:37:08.319
<v Speaker 2>sorry for you know, maybe I shouldn't be the one too,

0:37:08.640 --> 0:37:10.840
<v Speaker 2>but the connection is what important.

0:37:10.600 --> 0:37:11.399
<v Speaker 1>So that's true.

0:37:11.560 --> 0:37:14.359
<v Speaker 2>It kind of felt really normal that she would even

0:37:14.440 --> 0:37:16.200
<v Speaker 2>though I would love to have heard it from him.

0:37:16.239 --> 0:37:18.960
<v Speaker 1>But that's why I think he's a really well written scene.

0:37:19.280 --> 0:37:22.160
<v Speaker 1>She is the bigger person, she's the emotional center, and

0:37:22.280 --> 0:37:23.880
<v Speaker 1>then that gives him the space and she has that

0:37:24.080 --> 0:37:26.960
<v Speaker 1>beautiful reaction that they come back to you. Yeah, that

0:37:27.080 --> 0:37:28.520
<v Speaker 1>was real. I thought that was really well done. That

0:37:28.640 --> 0:37:31.960
<v Speaker 1>was such a great payoff that conflict. Yeah, really sweet.

0:37:32.120 --> 0:37:35.000
<v Speaker 2>Really, it seems so mature, don't they but your couple

0:37:35.080 --> 0:37:36.160
<v Speaker 2>in the building.

0:37:36.280 --> 0:37:40.840
<v Speaker 3>Yeah. So then Jake is coming on his motorcycle again

0:37:41.000 --> 0:37:44.200
<v Speaker 3>to the house and Kelly's there and he decides to

0:37:44.280 --> 0:37:47.160
<v Speaker 3>take her out on his motorcycle. So he really can't

0:37:47.239 --> 0:37:48.279
<v Speaker 3>figure out what he's doing.

0:37:48.640 --> 0:37:51.600
<v Speaker 1>That awe vulnerable scene for him, Like when he comes

0:37:51.640 --> 0:37:55.000
<v Speaker 1>to her, he looks sweet and vulnerable and soft. That

0:37:55.200 --> 0:37:58.320
<v Speaker 1>was a lovely things. Think she's too young, but that

0:37:58.600 --> 0:38:00.560
<v Speaker 1>in that moment you go that to she sees in

0:38:00.640 --> 0:38:02.279
<v Speaker 1>him that's a sweetness. Ye, And he was.

0:38:02.360 --> 0:38:04.560
<v Speaker 3>He was really vulnerable, and that's when he says, I

0:38:04.640 --> 0:38:07.560
<v Speaker 3>don't know, you know, I don't know why I'm doing

0:38:07.640 --> 0:38:10.600
<v Speaker 3>this and what what I'm doing, But like it was,

0:38:10.840 --> 0:38:12.880
<v Speaker 3>it was authentic and vulnerable and sweet.

0:38:13.239 --> 0:38:13.880
<v Speaker 1>It really was.

0:38:14.520 --> 0:38:17.640
<v Speaker 3>So he went from angry guy to loveland.

0:38:17.840 --> 0:38:19.680
<v Speaker 1>Yeah, and they ride off together. So it is there

0:38:19.680 --> 0:38:20.520
<v Speaker 1>the kind of rooting for.

0:38:20.520 --> 0:38:22.719
<v Speaker 2>Him and then our payoff with you.

0:38:23.480 --> 0:38:29.880
<v Speaker 3>Yeah and Billy painting the apartment side by side exactly

0:38:29.960 --> 0:38:31.080
<v Speaker 3>what we all wanted to be seeing.

0:38:31.400 --> 0:38:34.279
<v Speaker 1>Yea favorite adorable watched the.

0:38:34.360 --> 0:38:39.799
<v Speaker 3>Drips and they didn't they didn't actually do the extra like, oh,

0:38:39.920 --> 0:38:41.880
<v Speaker 3>you got a little paint on your we did.

0:38:42.239 --> 0:38:44.560
<v Speaker 1>We didn't on this because we had to. He called us.

0:38:44.640 --> 0:38:48.640
<v Speaker 1>I don't know when when the characters got together, but anyway,

0:38:48.680 --> 0:38:50.279
<v Speaker 1>but they wanted to keep it. But it was cute

0:38:50.280 --> 0:38:51.880
<v Speaker 1>and then you pull out and hear us laughing.

0:38:52.280 --> 0:38:54.359
<v Speaker 3>That was very se like that, but you did only

0:38:54.440 --> 0:38:56.279
<v Speaker 3>I don't it's going to take a really long time

0:38:56.320 --> 0:38:57.920
<v Speaker 3>for those two to get that apartment painted because you

0:38:58.400 --> 0:39:02.040
<v Speaker 3>just like painted every one over and over. They're nervous.

0:39:02.239 --> 0:39:03.160
<v Speaker 2>I don't know what to like.

0:39:03.600 --> 0:39:05.600
<v Speaker 3>I've done so much house painting at my own house.

0:39:05.800 --> 0:39:08.760
<v Speaker 3>It was like making me anxious, like longst.

0:39:08.600 --> 0:39:11.880
<v Speaker 1>We're matching, we take fund right, but I know, I

0:39:12.000 --> 0:39:12.520
<v Speaker 1>know that's it.

0:39:12.960 --> 0:39:13.920
<v Speaker 3>I'm never going to get done at this.

0:39:14.160 --> 0:39:16.200
<v Speaker 1>And that was so sweet. Yay yay.

0:39:16.800 --> 0:39:19.400
<v Speaker 3>So what were your We sort of touched on it

0:39:19.440 --> 0:39:22.080
<v Speaker 3>a little bit bit, like what were your moments that

0:39:22.200 --> 0:39:24.719
<v Speaker 3>were like sign of the times? So I just want

0:39:24.760 --> 0:39:28.239
<v Speaker 3>to jump back quickly and remember I told you last time.

0:39:28.239 --> 0:39:30.120
<v Speaker 2>I think it was that Darren and I were roommates

0:39:30.160 --> 0:39:34.800
<v Speaker 2>in college and he said, like a lot of Allison

0:39:35.000 --> 0:39:38.920
<v Speaker 2>was based on me because the guys would never shop

0:39:39.600 --> 0:39:43.360
<v Speaker 2>and like I would just notice like things disappearing, you know,

0:39:43.480 --> 0:39:45.239
<v Speaker 2>things like that I was just like, Okay, if we're

0:39:45.239 --> 0:39:49.680
<v Speaker 2>going to share this little this little refrigerator or schef,

0:39:49.800 --> 0:39:52.000
<v Speaker 2>like it's just if your name isn't on it, then

0:39:52.040 --> 0:39:53.800
<v Speaker 2>don't eat it, you know, just stuff like that. And

0:39:53.880 --> 0:39:55.919
<v Speaker 2>I and I realized, like, and I did this movie

0:39:56.000 --> 0:39:58.560
<v Speaker 2>back in eighty three called The sure Thing, and uh,

0:39:58.719 --> 0:40:02.360
<v Speaker 2>I know that Darren loved that movie. And again I

0:40:02.560 --> 0:40:05.880
<v Speaker 2>was the uptight one called Alison in that movie and

0:40:06.719 --> 0:40:09.759
<v Speaker 2>John Cusack played this this total slob kind of guy

0:40:10.000 --> 0:40:13.960
<v Speaker 2>like Andrew was just the guy's messy and I just

0:40:14.160 --> 0:40:16.600
<v Speaker 2>feel like I got to see that now, oh this

0:40:16.760 --> 0:40:20.840
<v Speaker 2>whole again. It's very archetypal stereotypical where the you know,

0:40:20.920 --> 0:40:25.000
<v Speaker 2>there's roommates. So I'm like, but Darren, I don't think

0:40:25.040 --> 0:40:27.760
<v Speaker 2>he was falling in love with me in college, because

0:40:27.760 --> 0:40:29.280
<v Speaker 2>I think he's probably falling in love.

0:40:29.200 --> 0:40:32.080
<v Speaker 3>With the frack guys in the front of our It

0:40:32.239 --> 0:40:33.120
<v Speaker 3>was charmed by you.

0:40:33.280 --> 0:40:36.879
<v Speaker 2>But I just loved seeing that that A I didn't

0:40:36.920 --> 0:40:40.319
<v Speaker 2>realize I was so anal. You didn't play it that much.

0:40:40.440 --> 0:40:42.840
<v Speaker 2>But the character I did in The sure Thing was

0:40:42.960 --> 0:40:46.920
<v Speaker 2>really anal That was definitely her characteristic. But at any rate,

0:40:46.960 --> 0:40:50.239
<v Speaker 2>I do remember doing that and that stood out for me.

0:40:50.520 --> 0:40:51.000
<v Speaker 1>I thought that.

0:40:51.920 --> 0:40:54.279
<v Speaker 2>I thought the humor and the writing really stood out

0:40:54.320 --> 0:40:56.319
<v Speaker 2>for me. Again, when I came onto the show as Joe,

0:40:56.400 --> 0:40:59.640
<v Speaker 2>there's a lot of drama and hellish negative stuff that

0:40:59.680 --> 0:41:02.759
<v Speaker 2>happened to her. But to see the comedy and that he.

0:41:02.800 --> 0:41:04.800
<v Speaker 1>Were in this was really cool, the sweetness in the beginning.

0:41:05.160 --> 0:41:07.800
<v Speaker 1>In the beginning, yeah, yeah, I think the sexual harassment

0:41:07.840 --> 0:41:09.960
<v Speaker 1>thing felt like a sign of the times, how they brushed.

0:41:09.719 --> 0:41:14.960
<v Speaker 3>It under the rug and the Doctor Ruth's appearance doctor sometimes. Yeah,

0:41:15.160 --> 0:41:17.439
<v Speaker 3>you had a great line too, And I'm looking forward

0:41:17.480 --> 0:41:19.160
<v Speaker 3>in my notes here because I want to get it right.

0:41:20.480 --> 0:41:22.360
<v Speaker 3>You were a Midwestern nitwitt. Do you remember the.

0:41:25.640 --> 0:41:26.680
<v Speaker 1>Cracked me up? Yeah?

0:41:26.680 --> 0:41:29.200
<v Speaker 3>I was like, I need to write that down and

0:41:29.360 --> 0:41:34.600
<v Speaker 3>I did. It was something about being in midwesternwik I

0:41:35.120 --> 0:41:40.080
<v Speaker 3>relate to that. That one cracked me up too. All right, Well,

0:41:40.120 --> 0:41:43.440
<v Speaker 3>that was super fun. And when we get to we

0:41:43.560 --> 0:41:44.400
<v Speaker 3>get to talk.

0:41:44.440 --> 0:41:45.879
<v Speaker 2>With Gras first guest.

0:41:46.040 --> 0:41:50.080
<v Speaker 3>Yeah, so excited and yeah, I can't wait to have

0:41:50.200 --> 0:41:52.320
<v Speaker 3>that conversation. Then we get to the next episode, I

0:41:52.360 --> 0:41:53.360
<v Speaker 3>can't wait to see what happens.

0:41:53.440 --> 0:41:56.520
<v Speaker 1>Y heay, I love this. We're having so much yay.

0:41:56.760 --> 0:41:59.560
<v Speaker 1>All right, we'll hear you guys. Talk to you guys soon.

0:42:00.040 --> 0:42:00.560
<v Speaker 3>Still the place,