1
00:00:05,680 --> 00:00:09,360
Speaker 1: Still the Place with Laura Layton, Courtney thorn Smith.

2
00:00:09,400 --> 00:00:12,440
Speaker 2: And Daphnews and Niga and iHeartRadio podcast.

3
00:00:15,520 --> 00:00:20,000
Speaker 3: All right, well here we are back for our episode

4
00:00:20,280 --> 00:00:25,919
Speaker 3: two of the original Melrose Yay in a while, at

5
00:00:26,000 --> 00:00:29,560
Speaker 3: least for the recap, at least for like doing this podcast.

6
00:00:29,600 --> 00:00:31,720
Speaker 1: We had a little break because we did one episode

7
00:00:31,760 --> 00:00:33,400
Speaker 1: and then YouTube jetted off.

8
00:00:33,240 --> 00:00:35,640
Speaker 3: To Europe together to Italy.

9
00:00:38,200 --> 00:00:39,000
Speaker 1: Or jet setting.

10
00:00:39,080 --> 00:00:39,800
Speaker 2: You had a wedding.

11
00:00:40,800 --> 00:00:42,800
Speaker 3: It wasn't my wedding. It was our daughter's wedding.

12
00:00:43,920 --> 00:00:45,000
Speaker 1: Tell us a little bit about it.

13
00:00:45,000 --> 00:00:47,320
Speaker 3: Oh, my gosh, it was amazing. It was a wedding

14
00:00:47,320 --> 00:00:49,160
Speaker 3: in Italy and were beautiful.

15
00:00:49,280 --> 00:00:49,440
Speaker 1: Yep.

16
00:00:49,560 --> 00:00:53,000
Speaker 3: Our daughter lives in Europe and so she had her

17
00:00:53,040 --> 00:00:56,560
Speaker 3: wedding there and people traveled from you know, lots of

18
00:00:56,600 --> 00:00:58,840
Speaker 3: different places to be there. And it was beautiful. It

19
00:00:58,920 --> 00:00:59,400
Speaker 3: was amazing.

20
00:00:59,480 --> 00:01:01,520
Speaker 1: It was beautif. There was a lot of excitement before

21
00:01:01,560 --> 00:01:04,400
Speaker 1: you left about finding address. Did you find it well dressed?

22
00:01:04,720 --> 00:01:08,240
Speaker 3: I found a few dresses, you know, as you do,

23
00:01:08,520 --> 00:01:11,200
Speaker 3: then you have to narrow it down. Yeah, it all

24
00:01:11,240 --> 00:01:14,520
Speaker 3: worked out. It was It was just beautiful. It was perfect.

25
00:01:14,720 --> 00:01:18,039
Speaker 1: Oh. You sent some pictures. They were so stunning. I'm

26
00:01:18,080 --> 00:01:20,000
Speaker 1: so happy for all of you. Thank you were still

27
00:01:20,040 --> 00:01:22,680
Speaker 1: a little cute to see Doug, to see you guys together.

28
00:01:22,840 --> 00:01:24,600
Speaker 1: You're still jetling a little bit.

29
00:01:24,760 --> 00:01:27,039
Speaker 2: Well, well, I thought was amazing and such a baller

30
00:01:27,080 --> 00:01:29,920
Speaker 2: act was you landed and then like joined us on.

31
00:01:30,080 --> 00:01:33,000
Speaker 2: We all did this press day, which I mean I

32
00:01:33,040 --> 00:01:35,920
Speaker 2: had been back for a couple weeks I think, and

33
00:01:35,959 --> 00:01:37,600
Speaker 2: I did the press day and I was exhausted.

34
00:01:37,760 --> 00:01:38,839
Speaker 3: Yeah, well you.

35
00:01:38,800 --> 00:01:40,920
Speaker 2: Came back and like and your luggage wasn't even here,

36
00:01:41,040 --> 00:01:42,480
Speaker 2: and you like did twelve.

37
00:01:42,240 --> 00:01:44,480
Speaker 3: Hours of press YEP, had a little bit of travel drama.

38
00:01:44,480 --> 00:01:44,800
Speaker 2: Amazing.

39
00:01:45,000 --> 00:01:47,800
Speaker 3: It was really fun to come back and have the

40
00:01:48,000 --> 00:01:51,640
Speaker 3: launch to celebrate, and so we went out and did

41
00:01:51,640 --> 00:01:54,200
Speaker 3: our press day for the launch on the actual lunch.

42
00:01:54,280 --> 00:01:55,800
Speaker 1: It was so much fun. And you know, I realized

43
00:01:55,920 --> 00:01:58,160
Speaker 1: I don't have that muscle anymore. Like I looked at

44
00:01:58,200 --> 00:02:00,960
Speaker 1: the schedule, I was like, twelve hour. I haven't done

45
00:02:01,000 --> 00:02:02,920
Speaker 1: anything for twelve hours in May.

46
00:02:03,320 --> 00:02:06,720
Speaker 2: Yeah, so you're like, I can't go anywhere this month.

47
00:02:06,960 --> 00:02:09,040
Speaker 1: Wow, that is that is a long time to be

48
00:02:09,080 --> 00:02:10,519
Speaker 1: away from home. I had to get someone to watch

49
00:02:10,600 --> 00:02:13,400
Speaker 1: my dogs. My dogs were like, what is happening? But

50
00:02:13,480 --> 00:02:15,280
Speaker 1: it was really so much fun to hang out with

51
00:02:15,320 --> 00:02:17,040
Speaker 1: you guys like, I'm so glad I got to do

52
00:02:17,080 --> 00:02:19,639
Speaker 1: it with you. It felt so different to do it together.

53
00:02:19,760 --> 00:02:22,080
Speaker 1: It made it so much more fun than like that

54
00:02:22,080 --> 00:02:24,120
Speaker 1: thing alone where people are asking you questions, because we

55
00:02:24,160 --> 00:02:26,800
Speaker 1: got to play together, which was really a joy.

56
00:02:26,880 --> 00:02:28,640
Speaker 3: If you had done it alone, who would have been

57
00:02:28,639 --> 00:02:30,800
Speaker 3: there to photograph you taking a little snooze on the couch?

58
00:02:31,080 --> 00:02:34,400
Speaker 1: I know, how would we have? You were jetgged and

59
00:02:34,440 --> 00:02:36,000
Speaker 1: I'm the one who fell at the couch.

60
00:02:36,680 --> 00:02:41,320
Speaker 2: You're smart camera and Laura just looks at me in points.

61
00:02:41,400 --> 00:02:43,560
Speaker 3: I'm like like this and I like got to take

62
00:02:43,600 --> 00:02:44,880
Speaker 3: that picture she was.

63
00:02:44,919 --> 00:02:46,640
Speaker 1: They put it on the group chat and I was like,

64
00:02:46,680 --> 00:02:48,400
Speaker 1: why did you take this? They said you were cute.

65
00:02:48,400 --> 00:02:50,239
Speaker 1: I'm like, whatever, you were cute?

66
00:02:50,680 --> 00:02:53,520
Speaker 3: You were cute. You were like, I don't know, very graceful.

67
00:02:53,560 --> 00:02:55,280
Speaker 1: I don't know how you kept it because when I'm

68
00:02:55,360 --> 00:02:57,600
Speaker 1: jet lagged, it's just over, Like there's just a point

69
00:02:57,600 --> 00:03:00,440
Speaker 1: in the day about noon, and it's over. And you

70
00:03:00,560 --> 00:03:05,400
Speaker 1: kept going. And your daughter was there amazing in charge

71
00:03:05,440 --> 00:03:08,480
Speaker 1: of social media because she's young and knows how to

72
00:03:08,480 --> 00:03:10,280
Speaker 1: do it with Sophy, Laura and daf and he just

73
00:03:10,360 --> 00:03:15,839
Speaker 1: kept handing her their phones with the thing.

74
00:03:15,960 --> 00:03:18,840
Speaker 3: Yeah, everyone needs a Lucy Savant and just like here,

75
00:03:18,960 --> 00:03:19,640
Speaker 3: help me with it.

76
00:03:19,840 --> 00:03:22,840
Speaker 1: She was amazing. Yeah, yeah, she was amazing.

77
00:03:22,880 --> 00:03:23,360
Speaker 3: She's awesome.

78
00:03:23,440 --> 00:03:27,040
Speaker 1: She's Maybe it's such a time warp because we're watching

79
00:03:27,080 --> 00:03:29,960
Speaker 1: these old shows and I'm watching you guys then, especially

80
00:03:29,960 --> 00:03:31,880
Speaker 1: Doug as he was an episode two, and then I'm

81
00:03:31,919 --> 00:03:33,840
Speaker 1: having these flashes of you guys now and the pictures

82
00:03:33,840 --> 00:03:37,840
Speaker 1: you sent from the wedding. It's such a mind blower.

83
00:03:37,680 --> 00:03:40,160
Speaker 3: Doesn't it seem like we'd kids in the show and

84
00:03:40,200 --> 00:03:44,840
Speaker 3: now we're grown ups, Like we're watching the the children

85
00:03:45,400 --> 00:03:46,200
Speaker 3: of ourselves.

86
00:03:46,280 --> 00:03:49,040
Speaker 1: I don't feel as different as I should. I don't

87
00:03:49,080 --> 00:03:50,640
Speaker 1: feel as different if I should.

88
00:03:50,640 --> 00:03:53,600
Speaker 3: Like I don't feel any different like inside my body.

89
00:03:53,640 --> 00:03:56,880
Speaker 3: But like I think, just what it seems like is

90
00:03:56,880 --> 00:03:59,800
Speaker 3: like I am watching I'm still not in the episodes

91
00:03:59,840 --> 00:04:02,760
Speaker 3: yet personally, but I'm looking at like the baby version

92
00:04:02,840 --> 00:04:06,480
Speaker 3: of Doug. Yeah, the baby version of Allison. It's amazing, Courtney,

93
00:04:07,160 --> 00:04:09,360
Speaker 3: Like it's so funny. But like now we're in the

94
00:04:09,400 --> 00:04:11,760
Speaker 3: same room and going, oh, this is the adult version,

95
00:04:12,520 --> 00:04:14,360
Speaker 3: but we get to watch this like.

96
00:04:14,480 --> 00:04:16,880
Speaker 2: It's a cool thing about film though, because it feels

97
00:04:16,920 --> 00:04:19,919
Speaker 2: like yesterday. Maybe, plus, you know, a couple of months.

98
00:04:20,720 --> 00:04:26,120
Speaker 2: But to see you look so young, and.

99
00:04:26,440 --> 00:04:29,800
Speaker 1: I don't know, it's to say I look exactly the same,

100
00:04:29,880 --> 00:04:31,720
Speaker 1: just for the exactly you were just.

101
00:04:31,880 --> 00:04:33,800
Speaker 3: Perfect, like like.

102
00:04:35,240 --> 00:04:38,480
Speaker 2: And it's totally with your hair and that little ponytail.

103
00:04:38,600 --> 00:04:42,920
Speaker 1: We'll go through it. Yes, I'm excited because we talked

104
00:04:43,000 --> 00:04:45,960
Speaker 1: to Tory Spelling and Jenny Garth yesterday and they said

105
00:04:46,000 --> 00:04:47,720
Speaker 1: to become a fan of the show. And the pilot

106
00:04:47,760 --> 00:04:49,000
Speaker 1: was hard for me to watch. I think it had

107
00:04:49,040 --> 00:04:51,440
Speaker 1: such a visceral reaction. And last night I had a

108
00:04:51,440 --> 00:04:53,719
Speaker 1: friend of when we were watching it, and I am

109
00:04:53,839 --> 00:04:56,279
Speaker 1: I'm becoming a fan, Like there's enough distance, and I

110
00:04:56,360 --> 00:04:59,039
Speaker 1: was so invested in the characters and I could see

111
00:04:59,040 --> 00:05:00,240
Speaker 1: it from a little bit of a dis since they

112
00:05:00,240 --> 00:05:03,000
Speaker 1: also had emotional reactions. But we will talk about that.

113
00:05:03,520 --> 00:05:05,360
Speaker 1: As we get into episode two.

114
00:05:06,240 --> 00:05:09,520
Speaker 3: Episode two, again we get to really see what's going

115
00:05:09,600 --> 00:05:13,880
Speaker 3: to happen between Allison and Billy, and we find out

116
00:05:13,960 --> 00:05:17,240
Speaker 3: let's see just a general synopsis of this episode called friend,

117
00:05:17,360 --> 00:05:20,560
Speaker 3: Friends and Lovers. That's right, Season one, episode two, and

118
00:05:20,880 --> 00:05:24,599
Speaker 3: this episode aired on July fifteenth, nineteen ninety two, while

119
00:05:24,640 --> 00:05:26,800
Speaker 3: we were still on a Wednesday. While Moonlighting is a

120
00:05:26,839 --> 00:05:31,239
Speaker 3: taxi driver, Billy picks up Marcy, a lively dental student

121
00:05:31,760 --> 00:05:34,880
Speaker 3: who practically moves in, causing chaos and jealousy.

122
00:05:34,520 --> 00:05:36,280
Speaker 1: From Furious About It to this day.

123
00:05:37,120 --> 00:05:40,040
Speaker 3: Meanwhile, in a crossover from Beverly Hills Night Out to

124
00:05:40,080 --> 00:05:44,600
Speaker 3: and Oh, Kelly's crush on Jake intensifies, and so we'll

125
00:05:44,600 --> 00:05:48,400
Speaker 3: see him getting really mad at a couple points in

126
00:05:48,440 --> 00:05:54,080
Speaker 3: the episode, and after Jake's arrest following a brawl, Kelly

127
00:05:54,120 --> 00:05:58,119
Speaker 3: bills him out but remains undeterred by his checkered past.

128
00:06:00,520 --> 00:06:04,080
Speaker 3: Jane and Michael get into, you know, their relationship already

129
00:06:04,080 --> 00:06:07,720
Speaker 3: struggling episode two, and they're already sort of not great.

130
00:06:08,440 --> 00:06:11,760
Speaker 3: So anyway, we had a couple of cool guest stars.

131
00:06:12,040 --> 00:06:14,479
Speaker 2: Doctor Ruth, Doctor Ruth. Amazing.

132
00:06:14,520 --> 00:06:15,040
Speaker 1: We'll get there.

133
00:06:15,240 --> 00:06:19,200
Speaker 3: That's that was totally amazing, all right, So like, should

134
00:06:19,200 --> 00:06:21,400
Speaker 3: we just start on where let's.

135
00:06:21,279 --> 00:06:22,920
Speaker 1: Get all right?

136
00:06:23,200 --> 00:06:26,839
Speaker 3: The episode begins with Alison and Billy in the morning,

137
00:06:27,839 --> 00:06:30,839
Speaker 3: starting their day in the apartment, and Ali says the coffee.

138
00:06:31,040 --> 00:06:33,600
Speaker 3: Alison says that the coffee is too strong and that

139
00:06:33,680 --> 00:06:37,839
Speaker 3: she doesn't want Billy reading the paper before she does.

140
00:06:38,880 --> 00:06:44,000
Speaker 3: She has all these rules, but he's looking at the

141
00:06:44,080 --> 00:06:47,000
Speaker 3: classifies Alison says she wishes she had someone to talk to,

142
00:06:47,800 --> 00:06:51,440
Speaker 3: and Billy says, well, what am I chopliver but so cute, yeah.

143
00:06:51,560 --> 00:06:54,440
Speaker 1: So adorable. So we go right into Jake's apartment. He

144
00:06:54,480 --> 00:06:56,800
Speaker 1: has issues with the water. And it's so funny because

145
00:06:56,839 --> 00:06:58,080
Speaker 1: you said Jake was mad.

146
00:06:58,200 --> 00:06:59,920
Speaker 3: Super mad, so mad?

147
00:07:00,400 --> 00:07:03,360
Speaker 1: Yeah, so mad? Ye who he was so mad about

148
00:07:03,400 --> 00:07:07,400
Speaker 1: the water? Startling shirtless? We started off shirtless well place, yes, yes, well.

149
00:07:07,240 --> 00:07:11,480
Speaker 2: Place counted two minutes fifty five seconds until we get

150
00:07:11,520 --> 00:07:15,200
Speaker 2: to see grants like the time sirtless and all dripping wet.

151
00:07:15,280 --> 00:07:17,800
Speaker 1: I might add he I'm so mad, and was struck

152
00:07:17,880 --> 00:07:21,760
Speaker 1: about that scene when he goes over to Thomas and Michael.

153
00:07:21,920 --> 00:07:24,120
Speaker 1: I know, I want to say, Thomas, Michaels, Michael and

154
00:07:24,240 --> 00:07:28,200
Speaker 1: James Janes apartment, Thomas and Josie that Michael's so calm

155
00:07:28,320 --> 00:07:30,200
Speaker 1: and like together and tried to talk him down and

156
00:07:30,280 --> 00:07:33,320
Speaker 1: he's mad and I'm flashing till later when the tables turn.

157
00:07:33,720 --> 00:07:36,720
Speaker 1: But he was so mad about the water. Tensions were

158
00:07:36,720 --> 00:07:37,320
Speaker 1: a little hot.

159
00:07:37,440 --> 00:07:39,880
Speaker 3: Yeah, he needed a hot shower that day. He was

160
00:07:40,120 --> 00:07:42,560
Speaker 3: not getting it, and boy, that just sent him.

161
00:07:42,640 --> 00:07:45,320
Speaker 2: I don't know if we're supposed to like notice the details,

162
00:07:45,400 --> 00:07:47,680
Speaker 2: but like that was one of my favorite lines when

163
00:07:47,680 --> 00:07:51,600
Speaker 2: he was like whenever someone else goes hot, I go cold,

164
00:07:51,880 --> 00:07:52,080
Speaker 2: you know.

165
00:07:52,400 --> 00:07:55,680
Speaker 1: And I just love like full of lines like that,

166
00:07:56,200 --> 00:07:58,760
Speaker 1: like at the Very Good and that's the beginning when

167
00:07:58,800 --> 00:08:01,280
Speaker 1: nobody would fight them. We were just like say the

168
00:08:01,400 --> 00:08:04,040
Speaker 1: things as written and just nobody would say, can I

169
00:08:04,120 --> 00:08:04,640
Speaker 1: ask you about it?

170
00:08:05,120 --> 00:08:09,200
Speaker 3: Get a little smoother? Yeah, But there's where Jake is

171
00:08:09,240 --> 00:08:12,480
Speaker 3: now telling Michael that he has a bad attitude, which

172
00:08:12,840 --> 00:08:15,280
Speaker 3: I can't really argue with. I think Michael was always

173
00:08:15,320 --> 00:08:19,600
Speaker 3: a little bit a little smug about it, Like yeah,

174
00:08:20,280 --> 00:08:22,520
Speaker 3: I think so, But let's see where that takes us.

175
00:08:23,720 --> 00:08:26,160
Speaker 3: So Randa and Allison are leaving for work and Jake

176
00:08:26,640 --> 00:08:29,760
Speaker 3: runs into Sandy and tells him he's headed for the

177
00:08:29,880 --> 00:08:35,840
Speaker 3: unemployment line, but she says, hey, stop by shooters later,

178
00:08:36,320 --> 00:08:37,320
Speaker 3: maybe we can have a beer.

179
00:08:37,960 --> 00:08:38,439
Speaker 1: Mm hmm.

180
00:08:39,280 --> 00:08:41,319
Speaker 3: I have to say that scene. I think that was

181
00:08:41,400 --> 00:08:45,800
Speaker 3: where I'm going to just jump ahead. The best worst

182
00:08:46,080 --> 00:08:49,960
Speaker 3: hair might have been Amy like Locane's hair in that scene.

183
00:08:50,000 --> 00:08:51,880
Speaker 3: Do you remember it was a little boofonti and that

184
00:08:52,000 --> 00:08:53,520
Speaker 3: struck out. That struck me as like.

185
00:08:53,679 --> 00:08:58,040
Speaker 1: Oh well that's yeah, that high the Southern Star.

186
00:08:58,520 --> 00:09:00,439
Speaker 3: And trust me, I should not. I mean, I'm not

187
00:09:00,559 --> 00:09:04,760
Speaker 3: throwing stones because I have some really impressive hair coming out,

188
00:09:05,280 --> 00:09:07,280
Speaker 3: but I'm just it was a sort of a sign at.

189
00:09:07,160 --> 00:09:10,200
Speaker 1: The times exactly I was looking at that's a lot

190
00:09:10,280 --> 00:09:12,640
Speaker 1: of hairspray, That's what I remember. I was like, curl, Wow,

191
00:09:12,720 --> 00:09:14,920
Speaker 1: that's a lot. Well I had I don't know if

192
00:09:14,920 --> 00:09:16,880
Speaker 1: I mentioned the last one, but I had had dark,

193
00:09:17,080 --> 00:09:19,520
Speaker 1: dark hair and we were trying to get back to

194
00:09:19,559 --> 00:09:21,440
Speaker 1: blonde and the best we could get was a sort

195
00:09:21,480 --> 00:09:24,440
Speaker 1: of strawberry blonde. So I'm not even at my natural

196
00:09:25,240 --> 00:09:28,520
Speaker 1: hair color. I've got this weird sort of level hair color.

197
00:09:28,640 --> 00:09:31,000
Speaker 1: So right, you said that it was a very right

198
00:09:31,080 --> 00:09:34,240
Speaker 1: and that low ponytail, which I remember it was very

199
00:09:34,480 --> 00:09:37,280
Speaker 1: Did you like the low ponytail? I did? It was

200
00:09:37,320 --> 00:09:40,520
Speaker 1: an actual hairstyle from my actual life. I hope I

201
00:09:40,600 --> 00:09:43,719
Speaker 1: used less hairspray in my actual life, but I did

202
00:09:43,800 --> 00:09:46,640
Speaker 1: have that. So then, so then Michael and Jane's apartment,

203
00:09:46,720 --> 00:09:49,400
Speaker 1: and I do you remember I remembered them talking about

204
00:09:49,440 --> 00:09:52,040
Speaker 1: this at the time, that she was always trying to

205
00:09:52,080 --> 00:09:54,720
Speaker 1: get his attention, and you know, she's insanely gorgeous, right,

206
00:09:55,240 --> 00:09:57,319
Speaker 1: and then she's constantly trying to get his attention, and

207
00:09:57,360 --> 00:09:59,360
Speaker 1: you're like, are you blinded? Well, the same way when

208
00:09:59,360 --> 00:10:01,480
Speaker 1: Alison was being rude to Billy, like is everybody on

209
00:10:01,559 --> 00:10:05,120
Speaker 1: the show blind? Do you not see these people? Are like,

210
00:10:05,280 --> 00:10:08,079
Speaker 1: she's so sweet, But there is a payoff of this

211
00:10:08,200 --> 00:10:09,640
Speaker 1: at the end that we'll get to at the end.

212
00:10:09,720 --> 00:10:12,600
Speaker 1: That really sort of got me in my heart that yeah,

213
00:10:13,160 --> 00:10:14,400
Speaker 1: so this actually does pay off.

214
00:10:14,840 --> 00:10:19,040
Speaker 3: Yeah, yeah, she wants she wants to hear about you

215
00:10:19,160 --> 00:10:20,880
Speaker 3: know what he remembers about them falling in love and

216
00:10:20,960 --> 00:10:22,560
Speaker 3: he has nothing. I got nothing.

217
00:10:22,760 --> 00:10:24,760
Speaker 2: But wait, I just think that that's an interesting theme

218
00:10:24,800 --> 00:10:27,880
Speaker 2: about when people fall in love because you know, and

219
00:10:28,000 --> 00:10:30,839
Speaker 2: this is this is sort of very common, like someone

220
00:10:30,960 --> 00:10:33,000
Speaker 2: has a moment, you know. I don't know if it's

221
00:10:33,000 --> 00:10:34,520
Speaker 2: off in the woman or what, but for Jane, it

222
00:10:34,600 --> 00:10:36,559
Speaker 2: was I just remember seeing you and I remember when

223
00:10:36,600 --> 00:10:39,360
Speaker 2: you did this, and it's very specific. That's her idea

224
00:10:39,480 --> 00:10:42,400
Speaker 2: of love and falling in love and his he didn't

225
00:10:42,440 --> 00:10:44,840
Speaker 2: have that, and that creates the drama and the conflict.

226
00:10:45,280 --> 00:10:48,640
Speaker 2: But people are like that, like, you know, think of

227
00:10:48,800 --> 00:10:51,160
Speaker 2: our own partners or over the years, like they just

228
00:10:51,280 --> 00:10:54,120
Speaker 2: remember just this feeling of safety maybe or they just

229
00:10:54,240 --> 00:10:57,480
Speaker 2: remember like being nervous or excited. It's not a moment.

230
00:10:57,640 --> 00:10:58,760
Speaker 2: It doesn't make it any less.

231
00:10:58,960 --> 00:11:00,760
Speaker 3: And she's basically asked, can just tell me why you

232
00:11:00,840 --> 00:11:01,120
Speaker 3: love me?

233
00:11:01,200 --> 00:11:03,280
Speaker 2: And he can't come up with it. He's failing for him.

234
00:11:03,400 --> 00:11:05,719
Speaker 2: And at this point in the at this point in

235
00:11:05,760 --> 00:11:09,079
Speaker 2: the series, probably the last time I felt the way

236
00:11:09,880 --> 00:11:10,520
Speaker 2: episode two.

237
00:11:10,640 --> 00:11:13,599
Speaker 1: Then that's it. Yeah, it was really sweet and she

238
00:11:13,760 --> 00:11:16,320
Speaker 1: played it so vulnerable. Yeah, yeah, it was really sweet.

239
00:11:16,920 --> 00:11:18,880
Speaker 3: So from there we go to D and D and

240
00:11:19,160 --> 00:11:24,760
Speaker 3: where Allison is seeing how the uh boss coworker person

241
00:11:24,800 --> 00:11:27,040
Speaker 3: who took her to the event maybe not yeah, else

242
00:11:27,520 --> 00:11:29,640
Speaker 3: did a work event accompanying him to the event. Yeah,

243
00:11:30,200 --> 00:11:33,439
Speaker 3: And I thought it was very interesting that her co

244
00:11:33,640 --> 00:11:38,040
Speaker 3: worker told her that somebody else already reported it and

245
00:11:39,280 --> 00:11:41,240
Speaker 3: it's fine, he's dead. You don't you don't need to

246
00:11:41,240 --> 00:11:44,239
Speaker 3: do anything. Like she was, she went in completely empowered

247
00:11:44,720 --> 00:11:47,839
Speaker 3: to go stand up for herself and say something to him.

248
00:11:47,880 --> 00:11:49,520
Speaker 3: And she said something to him, and then she was like,

249
00:11:49,559 --> 00:11:51,080
Speaker 3: I'm going to, you know, make sure to take care

250
00:11:51,080 --> 00:11:54,200
Speaker 3: of this. And then the coworker comes and says, don't worry.

251
00:11:54,240 --> 00:11:56,240
Speaker 3: Somebody already ill, somebody else already took care of this,

252
00:11:56,320 --> 00:11:57,640
Speaker 3: so you don't have to do anything, and.

253
00:11:57,679 --> 00:12:00,439
Speaker 1: It was like way outside, Yeah, now you don't have

254
00:12:00,480 --> 00:12:02,040
Speaker 1: to do anything. Yeah, well, an example of how it

255
00:12:02,040 --> 00:12:03,880
Speaker 1: would be different today. Right, that would have been a

256
00:12:03,960 --> 00:12:07,040
Speaker 1: main storyline. Now it's like done, moving on, let's just

257
00:12:07,080 --> 00:12:09,920
Speaker 1: wrap that up on the romance, right, Yeah, it's so true.

258
00:12:09,960 --> 00:12:12,679
Speaker 1: It just wasn't. We kind of touched on it. It

259
00:12:12,760 --> 00:12:14,000
Speaker 1: wasn't the issue it is today.

260
00:12:14,160 --> 00:12:16,120
Speaker 3: Yeah, and I just thought it was like wrapped up

261
00:12:16,160 --> 00:12:20,120
Speaker 3: really kind of conveniently and just pushed away like, oh,

262
00:12:20,160 --> 00:12:21,880
Speaker 3: have somebody else take care of it off camera, Like

263
00:12:21,920 --> 00:12:24,160
Speaker 3: we don't actually have to see Alison going through with

264
00:12:24,440 --> 00:12:26,840
Speaker 3: standing up for herself, So that was sort of interesting.

265
00:12:26,920 --> 00:12:27,400
Speaker 1: It's so true.

266
00:12:27,480 --> 00:12:29,240
Speaker 2: And we didn't see her get threatened by losing her

267
00:12:29,320 --> 00:12:31,320
Speaker 2: job from the guy, which is what would have been

268
00:12:32,240 --> 00:12:35,120
Speaker 2: was kind of all the narrative these days. Yeah, a

269
00:12:35,160 --> 00:12:37,319
Speaker 2: woman can't speak up because there's a lot of stake,

270
00:12:37,880 --> 00:12:40,120
Speaker 2: So it wasn't there that you know, worked for her

271
00:12:40,400 --> 00:12:42,640
Speaker 2: very easily, about forty five seconds.

272
00:12:42,320 --> 00:12:44,600
Speaker 1: Straight and moving on. Yah.

273
00:12:44,720 --> 00:12:51,920
Speaker 3: Yeah, and from there she there, somebody says, there's a

274
00:12:52,040 --> 00:12:56,160
Speaker 3: cab for you, So did you suspect? Does Alison suspect?

275
00:12:56,520 --> 00:12:57,000
Speaker 1: What do you mean?

276
00:12:57,040 --> 00:12:57,920
Speaker 3: There's a cab waiting.

277
00:12:57,760 --> 00:13:01,079
Speaker 1: Outside for neither Alison nor I had any idea that

278
00:13:01,200 --> 00:13:05,640
Speaker 1: was happening. Yea, there's the adorable Andrew.

279
00:13:05,760 --> 00:13:08,280
Speaker 3: Because we find out that Billy is now driving a

280
00:13:08,360 --> 00:13:12,559
Speaker 3: cab instead of being an Arthur Murray dance instructor with

281
00:13:12,679 --> 00:13:13,080
Speaker 3: the mob.

282
00:13:14,520 --> 00:13:15,440
Speaker 1: That was the cutest.

283
00:13:15,760 --> 00:13:19,000
Speaker 2: I love his excitement about the cab. Isn't as cool? Yeah, Like,

284
00:13:19,600 --> 00:13:22,040
Speaker 2: by the way, like I never see cabs in La

285
00:13:22,160 --> 00:13:24,079
Speaker 2: but I love it. It was a yellow cab and

286
00:13:24,640 --> 00:13:26,840
Speaker 2: Billy was so couldn't have been hitting around.

287
00:13:27,600 --> 00:13:32,840
Speaker 1: Yes, he picks up Marcy. Yes, in the cab. And Jensen,

288
00:13:33,400 --> 00:13:37,160
Speaker 1: who played Marcy Jensen Daggett is an actress I've run

289
00:13:37,240 --> 00:13:39,400
Speaker 1: into like a hundred times. She's one of these people

290
00:13:39,559 --> 00:13:43,120
Speaker 1: I run into all the time, and we remember that day.

291
00:13:43,280 --> 00:13:46,240
Speaker 1: That's amazing cross paths a thousand times. Isn't that funny?

292
00:13:46,440 --> 00:13:47,319
Speaker 1: That is amazing?

293
00:13:48,360 --> 00:13:50,760
Speaker 3: But now wait, he doesn't pick her up until you

294
00:13:51,480 --> 00:13:53,600
Speaker 3: until Billy and Allison have decided they're going to paint

295
00:13:53,640 --> 00:13:56,120
Speaker 3: the apartment together, which is kind of an important thing.

296
00:13:56,480 --> 00:13:58,640
Speaker 1: She's kind of vulnerable for Allison to say, do you

297
00:13:58,679 --> 00:14:00,400
Speaker 1: want to paint the apartment? I mean, there's a spark

298
00:14:00,440 --> 00:14:02,079
Speaker 1: in her eye because she's ready to think there could

299
00:14:02,120 --> 00:14:02,520
Speaker 1: be something.

300
00:14:02,679 --> 00:14:04,600
Speaker 3: So they made this plan together.

301
00:14:04,880 --> 00:14:07,080
Speaker 1: Which I think Alison considers a date.

302
00:14:07,520 --> 00:14:11,080
Speaker 3: Yeah, well, who wouldn't want to consider that a date

303
00:14:11,320 --> 00:14:11,840
Speaker 3: because we're.

304
00:14:11,679 --> 00:14:13,600
Speaker 1: Thinking you paint each other and then you make out

305
00:14:13,720 --> 00:14:15,280
Speaker 1: that's how it is in everything. Kept waiting for that

306
00:14:15,360 --> 00:14:19,080
Speaker 1: to happen. There's the montage and then she comes home

307
00:14:19,240 --> 00:14:21,280
Speaker 1: and so this made me laugh. I had to text

308
00:14:21,320 --> 00:14:22,840
Speaker 1: you guys about this. We're not supposed to talk before

309
00:14:22,840 --> 00:14:26,280
Speaker 1: they bed. To text you because because Billy and Marcy

310
00:14:26,400 --> 00:14:30,600
Speaker 1: walk in and he reaches to the mantlepiece above the

311
00:14:30,760 --> 00:14:34,560
Speaker 1: fireplace and takes a strawberry, which is apparently where we

312
00:14:34,680 --> 00:14:38,800
Speaker 1: wait a minute, what is something ahead here?

313
00:14:38,880 --> 00:14:41,040
Speaker 3: But I do have to tell you that what I

314
00:14:41,280 --> 00:14:45,560
Speaker 3: brought today is a random fruit hole. As you do,

315
00:14:46,200 --> 00:14:49,400
Speaker 3: you just have random fruit hools. Sometimes you put them

316
00:14:49,440 --> 00:14:55,600
Speaker 3: on the mantles. But I've brought oh yeah, there's strawberries.

317
00:14:55,760 --> 00:14:58,040
Speaker 3: Time it's random react the seed.

318
00:14:58,280 --> 00:15:01,320
Speaker 1: Yeah, but like that so happened in the first episode

319
00:15:01,400 --> 00:15:03,840
Speaker 1: where they would go the director wants it to be

320
00:15:04,000 --> 00:15:05,520
Speaker 1: decided to put the fruit on the mantle. All the

321
00:15:05,560 --> 00:15:06,720
Speaker 1: actors are like all right.

322
00:15:06,920 --> 00:15:10,320
Speaker 2: Like no, I think a lot of time. It happens

323
00:15:10,840 --> 00:15:13,080
Speaker 2: a lot of time that's happens because you're like, you know,

324
00:15:13,200 --> 00:15:14,840
Speaker 2: it's like the blocking has to.

325
00:15:14,920 --> 00:15:15,720
Speaker 1: Work with the time.

326
00:15:15,880 --> 00:15:17,760
Speaker 2: Yeah, lunch is coming, and you know we can't have

327
00:15:17,880 --> 00:15:19,800
Speaker 2: you go in the kitchen and make out on the

328
00:15:19,840 --> 00:15:22,160
Speaker 2: way to the Bedgum, No, it has to happen here. Okay,

329
00:15:22,320 --> 00:15:24,040
Speaker 2: it's where do the strawberry? I don't know, are they

330
00:15:24,040 --> 00:15:25,520
Speaker 2: on the coffee tail? We don't have a coffee table

331
00:15:25,520 --> 00:15:28,680
Speaker 2: because the camera's there, so well, what about here? The

332
00:15:28,760 --> 00:15:29,600
Speaker 2: prop guy goes here?

333
00:15:29,720 --> 00:15:34,200
Speaker 1: We're like okay, yeah, but later on we would say

334
00:15:34,240 --> 00:15:37,280
Speaker 1: that we can't. That's ridiculous, and if so, because he

335
00:15:37,520 --> 00:15:39,120
Speaker 1: goes to the mantle. So it's so word to figure out,

336
00:15:39,120 --> 00:15:41,120
Speaker 1: try to figure out what it is. What I thought.

337
00:15:41,160 --> 00:15:42,680
Speaker 1: I thought it was real fruit.

338
00:15:42,760 --> 00:15:45,400
Speaker 3: I thought he was offering her a fake, like a

339
00:15:45,440 --> 00:15:46,280
Speaker 3: wooden strawberry.

340
00:15:46,480 --> 00:15:48,560
Speaker 2: I was like, is that a little wooden ball like

341
00:15:48,680 --> 00:15:50,800
Speaker 2: a decorative? What is that?

342
00:15:51,600 --> 00:15:54,040
Speaker 3: He's he's playing a trick on her? Here to bite?

343
00:15:54,920 --> 00:15:58,760
Speaker 1: Yeah, he gives her the strawberry and then they start kissing.

344
00:15:58,800 --> 00:16:02,520
Speaker 1: And I had such a visceral reaction. Was so funny.

345
00:16:02,560 --> 00:16:05,600
Speaker 1: I texted Andrew and I'm like, so I'm watching the

346
00:16:05,720 --> 00:16:10,040
Speaker 1: scene thirty years ago. We're not even dating yet. We're

347
00:16:10,400 --> 00:16:12,880
Speaker 1: at the time we weren't even dating. She's kissing him.

348
00:16:12,920 --> 00:16:16,080
Speaker 1: I had this visceral get your hands off my man

349
00:16:16,200 --> 00:16:20,440
Speaker 1: reaction als in my living room thirty years later, again

350
00:16:20,880 --> 00:16:25,480
Speaker 1: not dating yet. I haven't dated for years. That's amazing,

351
00:16:26,320 --> 00:16:28,560
Speaker 1: isn't that funny? I was like, oh my god, I'm

352
00:16:28,560 --> 00:16:30,720
Speaker 1: having and my girlfriend, who was watching with me, is like,

353
00:16:30,880 --> 00:16:31,960
Speaker 1: I'm furious too.

354
00:16:32,320 --> 00:16:34,760
Speaker 3: Like we were both well, it was mad. We were

355
00:16:34,840 --> 00:16:36,840
Speaker 3: all on behalf of all.

356
00:16:37,240 --> 00:16:39,640
Speaker 2: We were all mad. I love like.

357
00:16:41,920 --> 00:16:44,400
Speaker 1: Andrew, Like I'm furious about that. What did Andrew say,

358
00:16:44,480 --> 00:16:49,800
Speaker 1: get over it? I don't. I can't remember what he said. No, no,

359
00:16:50,200 --> 00:16:54,400
Speaker 1: you off your remember he remembered time too. Just oh,

360
00:16:54,880 --> 00:16:57,760
Speaker 1: it's just funny. That's watch it. I'm dying to know

361
00:16:57,880 --> 00:17:00,320
Speaker 1: what your reaction is because it takes me when I'm

362
00:17:00,320 --> 00:17:02,760
Speaker 1: surprised about this. Was so much fun about doing this podcast.

363
00:17:03,480 --> 00:17:06,399
Speaker 1: It took me right back, like I'm right back in

364
00:17:06,480 --> 00:17:08,480
Speaker 1: that moment in those scenes in a way I didn't

365
00:17:08,480 --> 00:17:09,400
Speaker 1: expect to be right.

366
00:17:09,960 --> 00:17:12,399
Speaker 2: It's opposite for me because I haven't come on to

367
00:17:12,480 --> 00:17:15,600
Speaker 2: the show yet and so I'm not seeing myself. I'm

368
00:17:15,720 --> 00:17:18,720
Speaker 2: seeing it as this lens pulled like as the lens

369
00:17:18,840 --> 00:17:22,040
Speaker 2: is pulled out, and I'm seeing the stories all sort

370
00:17:22,040 --> 00:17:24,200
Speaker 2: of fit into each other, and like with the writer

371
00:17:24,520 --> 00:17:27,560
Speaker 2: and director from up here, and I'm saying, oh, that

372
00:17:27,760 --> 00:17:31,240
Speaker 2: fits so perfectly, you know that, the parallel stories about

373
00:17:31,320 --> 00:17:34,879
Speaker 2: love and you and then Jane, and I'm seeing all

374
00:17:34,920 --> 00:17:35,399
Speaker 2: this fit.

375
00:17:35,320 --> 00:17:35,600
Speaker 1: In I go.

376
00:17:35,720 --> 00:17:37,880
Speaker 2: I had no idea because I was in my little,

377
00:17:37,960 --> 00:17:40,200
Speaker 2: you know, trench of figuring out what I was doing.

378
00:17:40,720 --> 00:17:44,280
Speaker 2: It's really fun to watch it now with seeing what

379
00:17:44,400 --> 00:17:47,040
Speaker 2: they had in mind and kind of an overall view,

380
00:17:47,280 --> 00:17:48,760
Speaker 2: and it's really it's really.

381
00:17:48,680 --> 00:17:51,240
Speaker 1: Cool, though still super mad at Marcy.

382
00:17:56,600 --> 00:17:59,960
Speaker 3: After Allison and Billy decide to paint the apartment toget,

383
00:18:00,680 --> 00:18:09,200
Speaker 3: we find Sandy and Kelly both at Shooters and Jake

384
00:18:09,320 --> 00:18:13,960
Speaker 3: is on his way there, supposedly to meet Kelly for lunch,

385
00:18:14,160 --> 00:18:16,280
Speaker 3: but Sandy informs Kelly that Jake is actually at the

386
00:18:16,359 --> 00:18:20,040
Speaker 3: unemployment office, and then we find him at the unemployment

387
00:18:20,160 --> 00:18:23,600
Speaker 3: office where the guy at the counter gives him a

388
00:18:23,640 --> 00:18:25,560
Speaker 3: run around and says he doesn't he didn't fill things

389
00:18:25,560 --> 00:18:26,720
Speaker 3: out right and he needs to go back to the

390
00:18:26,800 --> 00:18:28,760
Speaker 3: end of the line, and that's just sending Jake, who

391
00:18:28,760 --> 00:18:29,919
Speaker 3: already started the day angry.

392
00:18:30,200 --> 00:18:31,240
Speaker 2: Yeah, because of the water.

393
00:18:31,400 --> 00:18:33,720
Speaker 3: It's it's it's not cool.

394
00:18:33,880 --> 00:18:36,000
Speaker 1: It's just adding fuel to the fire. Everything that happens

395
00:18:36,040 --> 00:18:37,600
Speaker 1: is adding fuel to his fire. Dammit.

396
00:18:37,880 --> 00:18:41,120
Speaker 2: Yeah, did you notice how big unemployment was that it's

397
00:18:41,160 --> 00:18:42,399
Speaker 2: a very crowded office.

398
00:18:42,720 --> 00:18:47,360
Speaker 3: Yeah, a very busy place, very busy. But then then

399
00:18:47,520 --> 00:18:49,760
Speaker 3: is when we find out that Billy, back in his cab,

400
00:18:50,040 --> 00:18:55,040
Speaker 3: picks up his first fair and it is Mercy where

401
00:18:55,200 --> 00:18:58,720
Speaker 3: they have their you know, incredible meet cute and find

402
00:18:58,760 --> 00:19:00,920
Speaker 3: out that they were at the same concert many years ago,

403
00:19:01,520 --> 00:19:04,240
Speaker 3: bonding and it turns into not just like a cab fair,

404
00:19:04,760 --> 00:19:07,280
Speaker 3: but kind of like a date and they hang out.

405
00:19:07,200 --> 00:19:10,120
Speaker 2: For the day, driving around to the valley.

406
00:19:10,960 --> 00:19:14,840
Speaker 3: The valley, he invites her to a restaurant and turns

407
00:19:14,880 --> 00:19:19,480
Speaker 3: off the cab like not available as it's furious, furious,

408
00:19:19,720 --> 00:19:22,199
Speaker 3: I'm as mad as eat strawberries.

409
00:19:22,240 --> 00:19:25,280
Speaker 1: Off the that is happening and being all cute.

410
00:19:26,119 --> 00:19:29,040
Speaker 3: Jake is at the unemployment office losing it. And that's

411
00:19:29,080 --> 00:19:32,520
Speaker 3: when he has like the second you know, infuriating encounter

412
00:19:33,119 --> 00:19:35,440
Speaker 3: where he stands up for the woman who's not able

413
00:19:35,480 --> 00:19:39,040
Speaker 3: to get her check. I think that was the first time.

414
00:19:39,119 --> 00:19:41,399
Speaker 3: I think we really got to see, oh, Jake is

415
00:19:41,440 --> 00:19:43,480
Speaker 3: going to be a stand up guy and he's going

416
00:19:43,560 --> 00:19:46,720
Speaker 3: to be like standing up for not just himself, but

417
00:19:47,320 --> 00:19:49,600
Speaker 3: like on other people's behalf.

418
00:19:49,680 --> 00:19:51,720
Speaker 2: So yeah, yeah, so he really got But you know

419
00:19:51,760 --> 00:19:55,000
Speaker 2: what was interesting is that when the woman said to Kelly,

420
00:19:55,600 --> 00:20:01,200
Speaker 2: you know your boyfriend has a track record of other priors,

421
00:20:01,600 --> 00:20:03,520
Speaker 2: right with the police. So I was curious.

422
00:20:03,600 --> 00:20:04,760
Speaker 1: I was like, what else did he do?

423
00:20:04,960 --> 00:20:07,840
Speaker 2: I knew he did stuff protecting me and other people

424
00:20:07,960 --> 00:20:10,840
Speaker 2: later in the show, but I didn't know, did anyone know?

425
00:20:10,920 --> 00:20:12,760
Speaker 3: What I think is I think that was like a

426
00:20:12,800 --> 00:20:16,359
Speaker 3: story point that that was like dropping them like character like,

427
00:20:16,480 --> 00:20:18,240
Speaker 3: I know, we all just find out at the same

428
00:20:18,320 --> 00:20:19,360
Speaker 3: time as priors.

429
00:20:20,960 --> 00:20:23,399
Speaker 1: He's very clear about that stuff. But the other thing

430
00:20:23,440 --> 00:20:25,320
Speaker 1: I got, so, you know when she puts her credit

431
00:20:25,359 --> 00:20:27,360
Speaker 1: card to try when Kelly puts her credit card down

432
00:20:27,400 --> 00:20:29,840
Speaker 1: to try to bail him out, I had totally like

433
00:20:30,040 --> 00:20:33,080
Speaker 1: missed the Oh that's right, rich girl, Yeah, tough boy.

434
00:20:33,240 --> 00:20:35,240
Speaker 1: That brought that storyline back for me. That was probably

435
00:20:35,280 --> 00:20:36,960
Speaker 1: covered more on the nine o two and zero part

436
00:20:37,000 --> 00:20:39,320
Speaker 1: of it, But I was like, oh, that's right, that's

437
00:20:39,400 --> 00:20:43,399
Speaker 1: this romantic story of tough guy, rich girl. He doesn't

438
00:20:43,400 --> 00:20:45,879
Speaker 1: want to be taken care of, but she really cares

439
00:20:45,920 --> 00:20:47,879
Speaker 1: about him. I was like, oh, that is super romantic.

440
00:20:47,960 --> 00:20:50,520
Speaker 3: Yeah, the high school girl who has, you know, the

441
00:20:50,560 --> 00:20:52,639
Speaker 3: credit card and she's willing to bail him out and

442
00:20:52,920 --> 00:20:54,040
Speaker 3: that sort of pisses him off.

443
00:20:54,400 --> 00:20:56,560
Speaker 1: Yeah, and that was a crazy time to have a

444
00:20:56,640 --> 00:20:58,480
Speaker 1: credit card for a person that young. To have a

445
00:20:58,560 --> 00:21:01,800
Speaker 1: credit card in the nineties was crazy. Now they all do,

446
00:21:01,920 --> 00:21:02,960
Speaker 1: which is also crazy.

447
00:21:03,320 --> 00:21:06,280
Speaker 2: I remember actually in college, well that was twenty years

448
00:21:06,280 --> 00:21:09,480
Speaker 2: it was ten years before. I remember having seven dollars

449
00:21:09,560 --> 00:21:12,720
Speaker 2: in my checking account and being offered a credit card.

450
00:21:12,840 --> 00:21:14,520
Speaker 1: Because you're in college, they offer all of you.

451
00:21:14,960 --> 00:21:17,119
Speaker 2: They did that back in the eighty early eighties, and

452
00:21:17,240 --> 00:21:20,480
Speaker 2: I was like, okay, I mean I thought it was

453
00:21:20,520 --> 00:21:22,040
Speaker 2: like free money because it was a card and you

454
00:21:22,040 --> 00:21:24,119
Speaker 2: could charge stuff even though you only had seven dollars

455
00:21:24,560 --> 00:21:24,920
Speaker 2: that way.

456
00:21:25,240 --> 00:21:29,200
Speaker 3: Yeah, well in uh, you know, Kelly's card was declined

457
00:21:29,280 --> 00:21:33,600
Speaker 3: in that moment, which is you know, she was trying

458
00:21:33,640 --> 00:21:34,880
Speaker 3: to use her parents card.

459
00:21:34,720 --> 00:21:36,159
Speaker 1: And all right, do you kind of catch up now

460
00:21:36,200 --> 00:21:38,560
Speaker 1: to where I am? I? Yeah, jumped ahead.

461
00:21:38,720 --> 00:21:42,240
Speaker 3: So yeah, here's where then Alison, Billy Allison and Billy's

462
00:21:42,280 --> 00:21:46,400
Speaker 3: apartment and Billy offers the strawberry.

463
00:21:46,760 --> 00:21:50,400
Speaker 1: Yes, and Courtney, we've already already covered that extended date. Yeah.

464
00:21:50,480 --> 00:21:55,119
Speaker 2: So then and also Courtney is in adorable outfits. Your

465
00:21:55,280 --> 00:21:56,240
Speaker 2: painting outfits.

466
00:21:56,440 --> 00:22:00,640
Speaker 1: Painting are the super crap tang that overall to die

467
00:22:00,800 --> 00:22:04,440
Speaker 1: for cute? Yeah, you're so, this is another thing.

468
00:22:06,440 --> 00:22:07,400
Speaker 2: So we're scrunchies.

469
00:22:07,560 --> 00:22:12,080
Speaker 1: So are scrunchies? Yes? Yeah, that was super cute.

470
00:22:11,880 --> 00:22:15,840
Speaker 3: That you are super cute and she's painting alone.

471
00:22:17,119 --> 00:22:19,080
Speaker 2: It's so funny because I just remembered, were you in

472
00:22:19,160 --> 00:22:25,000
Speaker 2: a baseball jacket too? What was your jersey friend roommate wardrobe?

473
00:22:25,800 --> 00:22:26,560
Speaker 2: Do you notice like?

474
00:22:26,680 --> 00:22:32,920
Speaker 1: Nothing glorious? There's nothing feminine but adorable? And then backling.

475
00:22:33,000 --> 00:22:35,040
Speaker 1: What I remember is sure that that I'm spackling and

476
00:22:35,119 --> 00:22:37,960
Speaker 1: I can hear them like making out. That's the part

477
00:22:38,000 --> 00:22:40,480
Speaker 1: that made me furious. I may have had an extra

478
00:22:40,520 --> 00:22:41,879
Speaker 1: piece of pizza listening to that.

479
00:22:42,320 --> 00:22:45,440
Speaker 3: And they come out of the bedroom then, and it's

480
00:22:45,480 --> 00:22:48,480
Speaker 3: so the first thing Marcy does is acting to use your.

481
00:22:48,400 --> 00:22:52,520
Speaker 1: Deal with me. I'm feel angry about the deodorant. Really,

482
00:22:53,600 --> 00:22:54,760
Speaker 1: Oh my god, I.

483
00:22:56,440 --> 00:22:57,160
Speaker 2: Wrote that down.

484
00:22:57,320 --> 00:22:59,560
Speaker 1: That was Is it okay?

485
00:22:59,640 --> 00:23:03,800
Speaker 3: If I is your deodorant I'm like, what, that's grody.

486
00:23:04,840 --> 00:23:05,560
Speaker 2: That's grody.

487
00:23:05,680 --> 00:23:08,800
Speaker 3: It's grody. And then she has the nerve to like

488
00:23:09,480 --> 00:23:12,080
Speaker 3: judge you for like putting your name on on your fruit,

489
00:23:12,280 --> 00:23:15,240
Speaker 3: Like really, you just asked to borrow my deodorant and

490
00:23:15,359 --> 00:23:16,760
Speaker 3: I post it on my piece of fruit.

491
00:23:16,800 --> 00:23:17,520
Speaker 1: And then she's like no.

492
00:23:17,640 --> 00:23:21,359
Speaker 2: She has a snipy little attitude and she goes with like,

493
00:23:21,480 --> 00:23:23,640
Speaker 2: you know, love all over her. She's like, you put

494
00:23:23,840 --> 00:23:28,080
Speaker 2: names on your fruit? Yeah, Okay, I'm gonna okay, keep going.

495
00:23:29,840 --> 00:23:32,880
Speaker 3: So back at the at the police station now, because

496
00:23:33,000 --> 00:23:35,400
Speaker 3: Jake has been you know, sort of hauled away from

497
00:23:35,440 --> 00:23:39,040
Speaker 3: his altercation in the unemployment office. But he's released from jail,

498
00:23:39,160 --> 00:23:44,760
Speaker 3: and Kelly uh Is obviously isn't so she's the reason,

499
00:23:44,880 --> 00:23:47,080
Speaker 3: right she she paid cash? Is that what happened? She

500
00:23:47,160 --> 00:23:48,440
Speaker 3: paid cash to get him out? Or how did he

501
00:23:48,480 --> 00:23:48,719
Speaker 3: get out?

502
00:23:48,840 --> 00:23:49,040
Speaker 1: Yeah?

503
00:23:49,040 --> 00:23:52,359
Speaker 2: And of course so lovingly is a stay out of this. Ye.

504
00:23:52,680 --> 00:23:54,040
Speaker 3: Yeah, he was talking about that.

505
00:23:54,560 --> 00:23:56,040
Speaker 2: Thank you. That's all she needs to hear.

506
00:23:56,359 --> 00:23:56,600
Speaker 1: Yeah.

507
00:23:58,520 --> 00:24:03,840
Speaker 3: So we go back to Alison's apartment where Marcy just

508
00:24:04,080 --> 00:24:07,560
Speaker 3: hasn't left. She still know she will not leave.

509
00:24:07,800 --> 00:24:10,560
Speaker 2: I know. Now she's lighting candles. I love this scene.

510
00:24:10,600 --> 00:24:12,240
Speaker 1: By the way, when you got in.

511
00:24:13,000 --> 00:24:19,240
Speaker 2: Yeahs flammable, she puts it out. Oh, like she just

512
00:24:19,359 --> 00:24:20,920
Speaker 2: takes over the apartment.

513
00:24:21,080 --> 00:24:23,240
Speaker 1: You know, the disappointment of thinking, I'm going to see

514
00:24:23,240 --> 00:24:24,119
Speaker 1: don't I come in going.

515
00:24:24,040 --> 00:24:29,200
Speaker 2: Billy Yeah, in a kimono, lighting candles.

516
00:24:29,320 --> 00:24:32,680
Speaker 3: Oh, you, I have to say, like it for a

517
00:24:32,920 --> 00:24:35,920
Speaker 3: guest star to have so many scenes in such a

518
00:24:36,119 --> 00:24:38,960
Speaker 3: big story arc, I think was unusual, right, Like, she

519
00:24:39,359 --> 00:24:42,240
Speaker 3: h that was a huge story that she was. Usually

520
00:24:42,320 --> 00:24:45,000
Speaker 3: it's like you focus on the series regulars and the

521
00:24:45,040 --> 00:24:46,800
Speaker 3: guest star just has a little bit what she had

522
00:24:46,840 --> 00:24:49,680
Speaker 3: a giant she just would not leave like that. You know.

523
00:24:49,760 --> 00:24:51,440
Speaker 3: The nature of the storyline was like, this is a

524
00:24:51,480 --> 00:24:52,440
Speaker 3: girl who will not leave.

525
00:24:53,040 --> 00:24:56,040
Speaker 1: And she did a great job with it. Did a

526
00:24:56,119 --> 00:24:59,760
Speaker 1: great job with it. I was so hilarious. Yeah, I

527
00:24:59,800 --> 00:25:02,919
Speaker 1: mean so invasive and pushy and just oh.

528
00:25:03,200 --> 00:25:05,920
Speaker 3: Yep, but but charming and she was great and had

529
00:25:05,920 --> 00:25:06,760
Speaker 3: a ton of stuff to do.

530
00:25:07,000 --> 00:25:07,200
Speaker 1: Yeah.

531
00:25:07,680 --> 00:25:11,000
Speaker 2: Well, it's hard to do that part because the lines

532
00:25:11,080 --> 00:25:13,560
Speaker 2: were written. Seen after scene have seen her getting more

533
00:25:13,600 --> 00:25:15,320
Speaker 2: and more obnoxious in the way she talks.

534
00:25:15,119 --> 00:25:17,960
Speaker 1: To everybody else about him and the love tricks.

535
00:25:17,640 --> 00:25:20,480
Speaker 2: And then you know that's but she played it so

536
00:25:20,680 --> 00:25:23,159
Speaker 2: charmingly I think we all kind of fell for her,

537
00:25:23,359 --> 00:25:27,000
Speaker 2: and then we're creeped out by her at the same time,

538
00:25:27,040 --> 00:25:27,520
Speaker 2: you know what I mean.

539
00:25:27,760 --> 00:25:29,840
Speaker 1: I was curious at her from beginning to end.

540
00:25:29,960 --> 00:25:32,400
Speaker 3: Yeah, well you hated her, but we were routing take

541
00:25:32,400 --> 00:25:35,480
Speaker 3: her Allison anyway. So yeah, it was you know, she

542
00:25:35,680 --> 00:25:36,080
Speaker 3: just never.

543
00:25:36,000 --> 00:25:37,520
Speaker 2: Stood it, but she made it work.

544
00:25:37,600 --> 00:25:40,080
Speaker 3: She made it last because well then, speaking of love,

545
00:25:40,240 --> 00:25:44,280
Speaker 3: back in Michael and Jane's apartment, Jane is upset because

546
00:25:44,600 --> 00:25:48,160
Speaker 3: Michael hasn't really revealed what it is that he remembers

547
00:25:48,160 --> 00:25:50,639
Speaker 3: about them falling in love, and that's really sad. And

548
00:25:50,760 --> 00:25:53,840
Speaker 3: then Alison comes in venting about her situation. She wants

549
00:25:53,840 --> 00:25:56,080
Speaker 3: to see if she can spend the night there, and

550
00:25:57,520 --> 00:26:01,920
Speaker 3: the irony of first love and those conversations is not

551
00:26:02,040 --> 00:26:02,760
Speaker 3: lost on Jane.

552
00:26:03,840 --> 00:26:06,920
Speaker 1: Yeah, and it's so sweet because then Allison says something

553
00:26:06,920 --> 00:26:09,000
Speaker 1: along the lines of I mean, you guys are so stable,

554
00:26:09,040 --> 00:26:11,560
Speaker 1: you guys are such a great couple, and they're in

555
00:26:11,640 --> 00:26:14,000
Speaker 1: the middle of this fight. Yeah, like, okay, you can

556
00:26:14,200 --> 00:26:18,000
Speaker 1: sleep here. I know ouch for Jane. It was very sweet.

557
00:26:19,680 --> 00:26:21,879
Speaker 3: So then of course we get to the courtyard scene

558
00:26:21,960 --> 00:26:24,399
Speaker 3: where it's a pool scene because you have got to

559
00:26:24,480 --> 00:26:25,560
Speaker 3: use the pool and.

560
00:26:25,960 --> 00:26:28,439
Speaker 1: Where Billy's bear chested with the barbecue and.

561
00:26:28,440 --> 00:26:29,399
Speaker 2: The like barbecue.

562
00:26:29,520 --> 00:26:31,520
Speaker 3: A couple of people are bare chested, right, we had

563
00:26:31,520 --> 00:26:32,080
Speaker 3: a couple.

564
00:26:31,880 --> 00:26:35,440
Speaker 1: Of iron zero. We had a guest chest.

565
00:26:38,760 --> 00:26:40,879
Speaker 3: Chest is a brand new category because.

566
00:26:42,880 --> 00:26:43,880
Speaker 1: Yeah, we'll add it in there.

567
00:26:44,000 --> 00:26:46,720
Speaker 3: Yeah, it's the guest chest. And all the people are

568
00:26:46,720 --> 00:26:49,160
Speaker 3: at the pool and all those cute bikinis and oh,

569
00:26:49,240 --> 00:26:50,480
Speaker 3: y'all were really cute.

570
00:26:51,000 --> 00:26:53,560
Speaker 1: Did Jake have sunglasses on so he had a black eyes?

571
00:26:53,600 --> 00:26:54,680
Speaker 1: I didn't see a black eye.

572
00:26:55,800 --> 00:26:57,879
Speaker 3: I didn't see a black eye. I think it was

573
00:26:58,040 --> 00:27:01,440
Speaker 3: just like his angry like I'm not speaking to anybody vibe.

574
00:27:01,520 --> 00:27:04,560
Speaker 1: Okay, that guy from what well he got into I

575
00:27:05,119 --> 00:27:07,480
Speaker 1: saw it. I thought get into an actual fist fight.

576
00:27:07,520 --> 00:27:10,600
Speaker 1: There was kind of a tussle. But no, maybe it

577
00:27:10,680 --> 00:27:12,720
Speaker 1: was maybe that choice. Maybe that makes them trying to

578
00:27:13,200 --> 00:27:15,280
Speaker 1: like trying to pretend we're actually outside when we were

579
00:27:15,359 --> 00:27:18,440
Speaker 1: all know we're in a sound stage fighting the pretend.

580
00:27:18,520 --> 00:27:20,320
Speaker 3: So that was one of the last times anybody was

581
00:27:20,359 --> 00:27:21,399
Speaker 3: allowed to wear sunglasses.

582
00:27:21,760 --> 00:27:24,520
Speaker 1: Yeah, that's probably true. Right, he probably said I would

583
00:27:24,560 --> 00:27:26,920
Speaker 1: wear sunglasses. They gave him one shot and then Aaron's felling.

584
00:27:27,280 --> 00:27:30,760
Speaker 1: Aaron'spelling note never again, for sunglasses.

585
00:27:36,040 --> 00:27:38,440
Speaker 3: Around the pool is where Marcy really starts to be

586
00:27:38,520 --> 00:27:42,560
Speaker 3: offensive because she's telling everybody like detailed stuff and like

587
00:27:42,760 --> 00:27:46,200
Speaker 3: it was so cringey. And again, she was great because

588
00:27:46,359 --> 00:27:49,920
Speaker 3: that was a hard bunch of dialect deliver and it

589
00:27:50,160 --> 00:27:52,600
Speaker 3: was super cringey. It must have been improv.

590
00:27:52,960 --> 00:27:55,080
Speaker 1: Like I think that her talking that must have been

591
00:27:55,119 --> 00:27:57,760
Speaker 1: some improv because she was in so many little conversations.

592
00:27:57,880 --> 00:27:58,760
Speaker 2: I don't remember.

593
00:27:59,320 --> 00:28:01,960
Speaker 1: Cringe is the perfect word for it. I don't remember.

594
00:28:01,760 --> 00:28:05,360
Speaker 2: Improv aloud ever, exactly exactly.

595
00:28:05,600 --> 00:28:09,679
Speaker 3: Yeah, but maybe she was terrific and it was definitely

596
00:28:09,720 --> 00:28:10,680
Speaker 3: cringey about how much.

597
00:28:11,080 --> 00:28:11,720
Speaker 1: Yeah, she was.

598
00:28:11,760 --> 00:28:14,040
Speaker 2: Real and it was just listening. You notice no one's

599
00:28:14,080 --> 00:28:16,760
Speaker 2: saying stop what you say.

600
00:28:16,880 --> 00:28:19,200
Speaker 1: It's so uncomfortable. We've all been there was one of

601
00:28:19,240 --> 00:28:21,359
Speaker 1: those people, right, he's giving you way too many details

602
00:28:21,400 --> 00:28:25,240
Speaker 1: about their new person. You're like, oh, really, wow, nice,

603
00:28:25,280 --> 00:28:26,240
Speaker 1: I don't want to see your hickey.

604
00:28:26,320 --> 00:28:28,680
Speaker 3: But thanks for That's where Alison tells Billy that Marcy

605
00:28:28,840 --> 00:28:31,480
Speaker 3: is the most aggressive woman she's ever met.

606
00:28:32,520 --> 00:28:36,119
Speaker 1: That may have been well, I was certainly saying it

607
00:28:36,280 --> 00:28:37,479
Speaker 1: home in my living room last night.

608
00:28:37,600 --> 00:28:39,840
Speaker 3: There were some other words I think Allison could have chosen,

609
00:28:39,920 --> 00:28:45,720
Speaker 3: but she chose aggressive, which I thought was fine, but

610
00:28:46,080 --> 00:28:48,640
Speaker 3: then it triggers Billy's daydreams.

611
00:28:50,840 --> 00:28:51,360
Speaker 2: It was so.

612
00:28:52,920 --> 00:28:58,240
Speaker 3: Such a this is the signe of the times. He

613
00:28:58,320 --> 00:29:03,000
Speaker 3: goes into the daydream and it's doctor Ruth. Yes, also

614
00:29:03,080 --> 00:29:06,680
Speaker 3: it's amazing, But I mean, it wasn't it interesting that,

615
00:29:06,800 --> 00:29:10,800
Speaker 3: like the Jensen had the scene with doctor Ruth. Right,

616
00:29:10,880 --> 00:29:12,920
Speaker 3: that was kind of a big deal, probably a big

617
00:29:13,000 --> 00:29:16,160
Speaker 3: get that they we have Doctor Ruth coming on Nola's place, Right,

618
00:29:16,240 --> 00:29:17,040
Speaker 3: it's probably a big deal.

619
00:29:17,120 --> 00:29:20,080
Speaker 2: Oh right, I think she had her own show at

620
00:29:20,120 --> 00:29:21,680
Speaker 2: the time or was it all over the place.

621
00:29:22,520 --> 00:29:25,280
Speaker 3: And then it's just so funny that that was the

622
00:29:25,400 --> 00:29:28,320
Speaker 3: scene was with Jensen instead of Billy.

623
00:29:28,440 --> 00:29:32,320
Speaker 2: Yeah, but Billy's having over sex tacaholics yet that was

624
00:29:32,360 --> 00:29:37,920
Speaker 2: the term her diagnosis over sex. Oliver claimed over sex talcoholic,

625
00:29:38,960 --> 00:29:42,720
Speaker 2: and I'm like, yep, that's exactly tacoholic.

626
00:29:44,520 --> 00:29:45,760
Speaker 3: I'm going to use that UF.

627
00:29:47,680 --> 00:29:48,360
Speaker 1: Oh my god.

628
00:29:49,120 --> 00:29:51,160
Speaker 2: I mean, there's the sense of humor in all this

629
00:29:51,360 --> 00:29:54,640
Speaker 2: is really another thing that I get, you know, especially charming.

630
00:29:54,720 --> 00:29:57,360
Speaker 1: And then this is so Billy comes back to reality

631
00:29:57,400 --> 00:29:59,600
Speaker 1: when it's on fire, and then Ronda takes over the

632
00:29:59,680 --> 00:30:01,800
Speaker 1: grill and tells him he's going to need his strength

633
00:30:01,920 --> 00:30:02,520
Speaker 1: for tonight.

634
00:30:02,920 --> 00:30:08,400
Speaker 3: Yeah. Also cringey, not gonna lie a little cringey, but yeah,

635
00:30:08,440 --> 00:30:13,240
Speaker 3: he nearly burned the place down. And then Jake is

636
00:30:13,720 --> 00:30:17,640
Speaker 3: walking into the courtyard to find Michael working on the pipes. Well,

637
00:30:17,680 --> 00:30:19,760
Speaker 3: thank goodness, he's trying to do something about the pipes

638
00:30:19,800 --> 00:30:21,560
Speaker 3: because we don't want to have another incidet.

639
00:30:21,720 --> 00:30:23,760
Speaker 1: Like I was sitting there, going now, this would be

640
00:30:23,800 --> 00:30:26,240
Speaker 1: an opportunity to have them both shirtless. They did not

641
00:30:26,360 --> 00:30:28,440
Speaker 1: make that choice because they're doing like they're doing manly

642
00:30:28,560 --> 00:30:32,720
Speaker 1: things to turn Yeah, but you know, there could be water.

643
00:30:32,960 --> 00:30:35,400
Speaker 1: I guess I'm just I'm just saying it's a missed opportunity.

644
00:30:35,520 --> 00:30:36,600
Speaker 1: I think it's all I'm saying. I think.

645
00:30:36,640 --> 00:30:37,520
Speaker 3: So that's a good note.

646
00:30:37,520 --> 00:30:40,080
Speaker 1: I wish flexing with moving the wrench or whatever the

647
00:30:40,160 --> 00:30:40,720
Speaker 1: hell it was.

648
00:30:42,240 --> 00:30:45,680
Speaker 3: But they sort of have a conversation about, you know,

649
00:30:45,880 --> 00:30:50,080
Speaker 3: sort of how they're similar and how Michael sort of

650
00:30:50,160 --> 00:30:53,400
Speaker 3: understands who he is and why he maybe sort of

651
00:30:53,840 --> 00:30:57,600
Speaker 3: doesn't handle things always correctly, right. Isn't that where they bond?

652
00:30:57,800 --> 00:30:58,560
Speaker 1: That's very sweet?

653
00:30:58,600 --> 00:31:01,720
Speaker 3: Yeah, they totally. It was very But Jane of course

654
00:31:01,840 --> 00:31:03,400
Speaker 3: opens the door to Sake at night, and we can

655
00:31:03,440 --> 00:31:04,520
Speaker 3: see that she's still pissed off.

656
00:31:04,880 --> 00:31:07,200
Speaker 1: Oh gooding, Yeah.

657
00:31:07,320 --> 00:31:11,000
Speaker 2: Maybe you love Jake more. I don't know, Jane.

658
00:31:11,040 --> 00:31:14,120
Speaker 3: Oh yeah, that's good, and that that was a subtext.

659
00:31:14,200 --> 00:31:15,120
Speaker 1: That's a subtext.

660
00:31:15,240 --> 00:31:18,040
Speaker 2: Yes, I think isn't going to need energy that night?

661
00:31:20,560 --> 00:31:21,640
Speaker 1: You can you can rest tonight.

662
00:31:21,680 --> 00:31:24,400
Speaker 3: But Billy, speaking of energy, is starting to question his

663
00:31:25,160 --> 00:31:29,440
Speaker 3: situation and he's watching the creepy documentary about black widow spiders.

664
00:31:31,160 --> 00:31:31,680
Speaker 1: Oh my god.

665
00:31:32,640 --> 00:31:34,840
Speaker 3: But Marcy joins him on the couch, and she doesn't

666
00:31:34,840 --> 00:31:38,520
Speaker 3: seem to understand that that was sort of him questioning

667
00:31:39,520 --> 00:31:40,800
Speaker 3: where the relationship is going.

668
00:31:42,840 --> 00:31:43,200
Speaker 1: Education.

669
00:31:43,360 --> 00:31:45,080
Speaker 3: Instead, she says, I think I love you.

670
00:31:46,600 --> 00:31:47,680
Speaker 1: Zs clueless.

671
00:31:48,120 --> 00:31:51,160
Speaker 3: Yep, it feels a tiny bit soon, a little bit,

672
00:31:51,280 --> 00:31:52,920
Speaker 3: I think, And we learned it was only day two.

673
00:31:53,000 --> 00:31:58,560
Speaker 3: I think it was so yeah. So Allison, then in

674
00:31:58,640 --> 00:32:03,000
Speaker 3: the morning, is sitting when Billy walks in, and we

675
00:32:03,160 --> 00:32:06,880
Speaker 3: realize that Marcy's still there. She's in the shower, and

676
00:32:07,040 --> 00:32:10,040
Speaker 3: but Billy now wants to confide in Allison and say

677
00:32:10,160 --> 00:32:13,400
Speaker 3: that he's maybe not so sure about this and kind

678
00:32:13,440 --> 00:32:16,440
Speaker 3: of turning the tables right because he wants to talk

679
00:32:16,480 --> 00:32:19,200
Speaker 3: to Alison. Alison's like, you know, none of my business,

680
00:32:19,640 --> 00:32:20,880
Speaker 3: your problem sort of thing.

681
00:32:21,040 --> 00:32:25,720
Speaker 2: But I mean it's so clueless, ye, the thing I saw, like,

682
00:32:26,280 --> 00:32:28,920
Speaker 2: you know, you can blame Billy the character for being

683
00:32:28,960 --> 00:32:32,120
Speaker 2: such a like just a clueless but a lot of

684
00:32:32,200 --> 00:32:35,880
Speaker 2: guys I remember when I was younger, what was like this, like, well,

685
00:32:35,960 --> 00:32:37,640
Speaker 2: we just I mean, she's in love with me, and

686
00:32:37,840 --> 00:32:41,800
Speaker 2: that happens. It's the it's the estrogen, it's the hormones,

687
00:32:41,840 --> 00:32:43,880
Speaker 2: and you want to once you sleep together, you better

688
00:32:43,960 --> 00:32:46,400
Speaker 2: watch out, mister, because she feels differently.

689
00:32:46,480 --> 00:32:48,160
Speaker 1: Yeah, that's true. And then they're like, well, what do

690
00:32:48,280 --> 00:32:48,719
Speaker 1: we do now?

691
00:32:48,840 --> 00:32:52,920
Speaker 2: And she and the cluelessness of coming to you, well, Alison,

692
00:32:53,240 --> 00:32:57,000
Speaker 2: the cluelessness of coming to Alison to say will you

693
00:32:57,160 --> 00:33:00,600
Speaker 2: help me with the situation? Just totally clueless about it all,

694
00:33:01,000 --> 00:33:02,960
Speaker 2: you know, like there's no like, look, I know, maybe

695
00:33:03,080 --> 00:33:06,440
Speaker 2: you're not the you might feel a little nothing. You know.

696
00:33:06,560 --> 00:33:09,640
Speaker 2: It's just like that kind of archetypal clueless guy, you

697
00:33:09,720 --> 00:33:10,200
Speaker 2: know what I mean.

698
00:33:10,360 --> 00:33:12,560
Speaker 3: It just that was very clear to me. Could she

699
00:33:12,600 --> 00:33:14,360
Speaker 3: say all that part about the estrogen and stuff and

700
00:33:14,400 --> 00:33:16,600
Speaker 3: your doctor Ruth accident, the.

701
00:33:16,680 --> 00:33:21,000
Speaker 2: Incident she feels, she feels the sexual experience for a

702
00:33:21,120 --> 00:33:25,920
Speaker 2: tlcoholic is much more dramatic than for somebody such as baby.

703
00:33:29,040 --> 00:33:33,640
Speaker 3: So then Kelly's house where Kelly and Donna and David

704
00:33:34,280 --> 00:33:37,440
Speaker 3: are walking out of her fancy Beverly Hills house heading

705
00:33:37,480 --> 00:33:39,760
Speaker 3: to the hospital, which I missed. I was like, what,

706
00:33:39,960 --> 00:33:41,480
Speaker 3: who's having a baby? Like I missed it?

707
00:33:41,600 --> 00:33:42,920
Speaker 1: It went by I was in the hospital.

708
00:33:43,320 --> 00:33:45,800
Speaker 3: Who they were headed to the hospital with balloons and

709
00:33:45,800 --> 00:33:48,080
Speaker 3: gifts because somebody was having a baby. That came up

710
00:33:48,280 --> 00:33:50,640
Speaker 3: really abruptly for me, and I sort of like, wait.

711
00:33:50,440 --> 00:33:53,840
Speaker 1: Wait, got maybe that's a nine O, two and o storyline.

712
00:33:53,960 --> 00:33:54,800
Speaker 1: Maybe that's what it was.

713
00:33:54,800 --> 00:33:57,320
Speaker 3: And I only figured it out at the end like

714
00:33:57,440 --> 00:33:59,400
Speaker 3: that it was her Why did I figure it out

715
00:33:59,520 --> 00:34:01,200
Speaker 3: that it was her mom having a baby?

716
00:34:01,360 --> 00:34:02,960
Speaker 1: Yeah, so that's a nine not two and No, Okay,

717
00:34:03,000 --> 00:34:03,800
Speaker 1: that's working well.

718
00:34:03,880 --> 00:34:06,120
Speaker 3: So that was a crossover that didn't quite make sense

719
00:34:06,200 --> 00:34:09,680
Speaker 3: for Melrose viewer, I think in the moment, certainly didn't

720
00:34:09,719 --> 00:34:11,719
Speaker 3: for me. It's my first time watching that episode, yes,

721
00:34:12,280 --> 00:34:16,160
Speaker 3: but anyway, that's where Jake wants to give Kelly back

722
00:34:16,239 --> 00:34:19,160
Speaker 3: the two hundred dollars and he goes to shooters having

723
00:34:19,200 --> 00:34:22,480
Speaker 3: a beer. Billy comes in and they're trying to have

724
00:34:22,520 --> 00:34:25,879
Speaker 3: a conversation about like relationship advice and like Jake's dude,

725
00:34:26,320 --> 00:34:27,640
Speaker 3: I don't really know how to help you.

726
00:34:29,280 --> 00:34:31,400
Speaker 2: I got my own girl trouble. She's sixteen.

727
00:34:32,719 --> 00:34:38,520
Speaker 3: Yeah, So then Sandy's still trying to, you know, work

728
00:34:38,600 --> 00:34:42,080
Speaker 3: her way into Jake's life, and Jake asks Sandy out

729
00:34:42,120 --> 00:34:44,719
Speaker 3: for a beer, but she thinks, you know, hard to get. No,

730
00:34:44,800 --> 00:34:47,160
Speaker 3: I don't think you're yeah, I don't think you're ready

731
00:34:47,200 --> 00:34:49,879
Speaker 3: for that, So she sort of turns him down there,

732
00:34:50,160 --> 00:34:52,200
Speaker 3: and then we're back to the courtyard where Billy is

733
00:34:52,320 --> 00:34:54,520
Speaker 3: pacing by the pool and Marcy shows up in a

734
00:34:54,560 --> 00:34:58,120
Speaker 3: red dress and gives him a hug, but Billy tells

735
00:34:58,239 --> 00:35:02,600
Speaker 3: Marcy that he is not so sure he wants to continue,

736
00:35:02,640 --> 00:35:04,640
Speaker 3: and that Marcy's coming on too strong.

737
00:35:05,239 --> 00:35:07,920
Speaker 1: And they really, they really let him off so easy

738
00:35:08,040 --> 00:35:10,240
Speaker 1: with this, because a woman who would be that obsessed

739
00:35:10,280 --> 00:35:11,920
Speaker 1: in that crazy wouldn't say, you.

740
00:35:12,000 --> 00:35:13,840
Speaker 3: Know what, you're right, I do this, I do this

741
00:35:14,000 --> 00:35:14,520
Speaker 3: all the time.

742
00:35:15,080 --> 00:35:18,239
Speaker 1: That's not the reaction of someone who's that sort of unhinged.

743
00:35:18,719 --> 00:35:20,879
Speaker 1: But I think we just kind of wanted to move

744
00:35:20,920 --> 00:35:22,840
Speaker 1: her out nicely, not have him look.

745
00:35:22,800 --> 00:35:23,359
Speaker 2: Like the bag.

746
00:35:23,760 --> 00:35:27,560
Speaker 1: Yeah, she would not, I'm thinking have handled it quite

747
00:35:27,680 --> 00:35:29,040
Speaker 1: as gracefully.

748
00:35:28,600 --> 00:35:32,480
Speaker 3: As she did again a convenient writer. Yes moment, just

749
00:35:32,600 --> 00:35:34,960
Speaker 3: let's get this wrapped up and make her apologize and

750
00:35:35,360 --> 00:35:35,719
Speaker 3: go away.

751
00:35:36,040 --> 00:35:37,480
Speaker 1: Yeah yeah, yeah, we don't want him to be a

752
00:35:37,520 --> 00:35:39,640
Speaker 1: bad guy. Yeah, so have her take it all on.

753
00:35:40,200 --> 00:35:41,439
Speaker 3: So she does, she goes away.

754
00:35:41,520 --> 00:35:41,960
Speaker 1: Yeah yeah.

755
00:35:43,760 --> 00:35:45,920
Speaker 3: And then we are on the scene where Michael and

756
00:35:46,120 --> 00:35:50,120
Speaker 3: Jane are in the apartment and Jane is apologizing to

757
00:35:50,200 --> 00:35:51,759
Speaker 3: Michael for being a jerk.

758
00:35:52,239 --> 00:35:53,239
Speaker 2: Yeah wash, she a jerk.

759
00:35:54,080 --> 00:35:59,200
Speaker 1: Well, she's playing sort of what I read from her performance,

760
00:35:59,239 --> 00:36:01,200
Speaker 1: which is really great. It was that she's sort of saying, look,

761
00:36:01,239 --> 00:36:02,960
Speaker 1: I'm sorry. She kind of wants to put it under

762
00:36:03,000 --> 00:36:04,760
Speaker 1: the rug because she doesn't want it to be an issue.

763
00:36:04,880 --> 00:36:08,640
Speaker 1: She's still upset, but she's apologizing for her part. She's

764
00:36:08,760 --> 00:36:13,040
Speaker 1: really keeping it right underneath. And then when he starts

765
00:36:13,200 --> 00:36:15,600
Speaker 1: talking about how he feels, it's a beautiful shot because

766
00:36:15,960 --> 00:36:17,759
Speaker 1: we're looking at her with him in the background, and

767
00:36:17,840 --> 00:36:18,879
Speaker 1: you see it on her face.

768
00:36:19,000 --> 00:36:22,880
Speaker 3: Yeah, her face was so really beauty, somtionful.

769
00:36:22,920 --> 00:36:26,520
Speaker 1: So vulnerable, so sweet. And then that moment when he

770
00:36:26,600 --> 00:36:29,400
Speaker 1: says it's every moment and she turns around and she

771
00:36:29,520 --> 00:36:31,439
Speaker 1: jumps on his lap, and I was like, oh, yep,

772
00:36:31,760 --> 00:36:32,920
Speaker 1: Michael pulls it out, so.

773
00:36:33,120 --> 00:36:35,640
Speaker 3: We finally have a good moment and it was lovely.

774
00:36:35,760 --> 00:36:37,680
Speaker 1: Yeah, but it was an interesting way to start it,

775
00:36:37,760 --> 00:36:40,279
Speaker 1: with her apologizing and then him saying no, no, no,

776
00:36:40,400 --> 00:36:40,600
Speaker 1: no no.

777
00:36:40,840 --> 00:36:44,239
Speaker 2: Look well, I mean I find myself doing that, like

778
00:36:44,320 --> 00:36:48,000
Speaker 2: because to her, the connection is what she misses. The

779
00:36:48,040 --> 00:36:51,680
Speaker 2: connection is more painful than anything else. So she needs

780
00:36:51,719 --> 00:36:53,279
Speaker 2: to come back to him because he's not going to

781
00:36:53,320 --> 00:36:56,680
Speaker 2: apologize clearly the writer's let you know, someone has to

782
00:36:56,920 --> 00:36:59,120
Speaker 2: so they get back together, so they feel that connection,

783
00:36:59,360 --> 00:37:03,680
Speaker 2: like regardless of when we remember it. So, I mean,

784
00:37:03,760 --> 00:37:05,560
Speaker 2: I I've been in up situation while I say I'm

785
00:37:05,600 --> 00:37:08,319
Speaker 2: sorry for you know, maybe I shouldn't be the one too,

786
00:37:08,640 --> 00:37:10,840
Speaker 2: but the connection is what important.

787
00:37:10,600 --> 00:37:11,399
Speaker 1: So that's true.

788
00:37:11,560 --> 00:37:14,359
Speaker 2: It kind of felt really normal that she would even

789
00:37:14,440 --> 00:37:16,200
Speaker 2: though I would love to have heard it from him.

790
00:37:16,239 --> 00:37:18,960
Speaker 1: But that's why I think he's a really well written scene.

791
00:37:19,280 --> 00:37:22,160
Speaker 1: She is the bigger person, she's the emotional center, and

792
00:37:22,280 --> 00:37:23,880
Speaker 1: then that gives him the space and she has that

793
00:37:24,080 --> 00:37:26,960
Speaker 1: beautiful reaction that they come back to you. Yeah, that

794
00:37:27,080 --> 00:37:28,520
Speaker 1: was real. I thought that was really well done. That

795
00:37:28,640 --> 00:37:31,960
Speaker 1: was such a great payoff that conflict. Yeah, really sweet.

796
00:37:32,120 --> 00:37:35,000
Speaker 2: Really, it seems so mature, don't they but your couple

797
00:37:35,080 --> 00:37:36,160
Speaker 2: in the building.

798
00:37:36,280 --> 00:37:40,840
Speaker 3: Yeah. So then Jake is coming on his motorcycle again

799
00:37:41,000 --> 00:37:44,200
Speaker 3: to the house and Kelly's there and he decides to

800
00:37:44,280 --> 00:37:47,160
Speaker 3: take her out on his motorcycle. So he really can't

801
00:37:47,239 --> 00:37:48,279
Speaker 3: figure out what he's doing.

802
00:37:48,640 --> 00:37:51,600
Speaker 1: That awe vulnerable scene for him, Like when he comes

803
00:37:51,640 --> 00:37:55,000
Speaker 1: to her, he looks sweet and vulnerable and soft. That

804
00:37:55,200 --> 00:37:58,320
Speaker 1: was a lovely things. Think she's too young, but that

805
00:37:58,600 --> 00:38:00,560
Speaker 1: in that moment you go that to she sees in

806
00:38:00,640 --> 00:38:02,279
Speaker 1: him that's a sweetness. Ye, And he was.

807
00:38:02,360 --> 00:38:04,560
Speaker 3: He was really vulnerable, and that's when he says, I

808
00:38:04,640 --> 00:38:07,560
Speaker 3: don't know, you know, I don't know why I'm doing

809
00:38:07,640 --> 00:38:10,600
Speaker 3: this and what what I'm doing, But like it was,

810
00:38:10,840 --> 00:38:12,880
Speaker 3: it was authentic and vulnerable and sweet.

811
00:38:13,239 --> 00:38:13,880
Speaker 1: It really was.

812
00:38:14,520 --> 00:38:17,640
Speaker 3: So he went from angry guy to loveland.

813
00:38:17,840 --> 00:38:19,680
Speaker 1: Yeah, and they ride off together. So it is there

814
00:38:19,680 --> 00:38:20,520
Speaker 1: the kind of rooting for.

815
00:38:20,520 --> 00:38:22,719
Speaker 2: Him and then our payoff with you.

816
00:38:23,480 --> 00:38:29,880
Speaker 3: Yeah and Billy painting the apartment side by side exactly

817
00:38:29,960 --> 00:38:31,080
Speaker 3: what we all wanted to be seeing.

818
00:38:31,400 --> 00:38:34,279
Speaker 1: Yea favorite adorable watched the.

819
00:38:34,360 --> 00:38:39,799
Speaker 3: Drips and they didn't they didn't actually do the extra like, oh,

820
00:38:39,920 --> 00:38:41,880
Speaker 3: you got a little paint on your we did.

821
00:38:42,239 --> 00:38:44,560
Speaker 1: We didn't on this because we had to. He called us.

822
00:38:44,640 --> 00:38:48,640
Speaker 1: I don't know when when the characters got together, but anyway,

823
00:38:48,680 --> 00:38:50,279
Speaker 1: but they wanted to keep it. But it was cute

824
00:38:50,280 --> 00:38:51,880
Speaker 1: and then you pull out and hear us laughing.

825
00:38:52,280 --> 00:38:54,359
Speaker 3: That was very se like that, but you did only

826
00:38:54,440 --> 00:38:56,279
Speaker 3: I don't it's going to take a really long time

827
00:38:56,320 --> 00:38:57,920
Speaker 3: for those two to get that apartment painted because you

828
00:38:58,400 --> 00:39:02,040
Speaker 3: just like painted every one over and over. They're nervous.

829
00:39:02,239 --> 00:39:03,160
Speaker 2: I don't know what to like.

830
00:39:03,600 --> 00:39:05,600
Speaker 3: I've done so much house painting at my own house.

831
00:39:05,800 --> 00:39:08,760
Speaker 3: It was like making me anxious, like longst.

832
00:39:08,600 --> 00:39:11,880
Speaker 1: We're matching, we take fund right, but I know, I

833
00:39:12,000 --> 00:39:12,520
Speaker 1: know that's it.

834
00:39:12,960 --> 00:39:13,920
Speaker 3: I'm never going to get done at this.

835
00:39:14,160 --> 00:39:16,200
Speaker 1: And that was so sweet. Yay yay.

836
00:39:16,800 --> 00:39:19,400
Speaker 3: So what were your We sort of touched on it

837
00:39:19,440 --> 00:39:22,080
Speaker 3: a little bit bit, like what were your moments that

838
00:39:22,200 --> 00:39:24,719
Speaker 3: were like sign of the times? So I just want

839
00:39:24,760 --> 00:39:28,239
Speaker 3: to jump back quickly and remember I told you last time.

840
00:39:28,239 --> 00:39:30,120
Speaker 2: I think it was that Darren and I were roommates

841
00:39:30,160 --> 00:39:34,800
Speaker 2: in college and he said, like a lot of Allison

842
00:39:35,000 --> 00:39:38,920
Speaker 2: was based on me because the guys would never shop

843
00:39:39,600 --> 00:39:43,360
Speaker 2: and like I would just notice like things disappearing, you know,

844
00:39:43,480 --> 00:39:45,239
Speaker 2: things like that I was just like, Okay, if we're

845
00:39:45,239 --> 00:39:49,680
Speaker 2: going to share this little this little refrigerator or schef,

846
00:39:49,800 --> 00:39:52,000
Speaker 2: like it's just if your name isn't on it, then

847
00:39:52,040 --> 00:39:53,800
Speaker 2: don't eat it, you know, just stuff like that. And

848
00:39:53,880 --> 00:39:55,919
Speaker 2: I and I realized, like, and I did this movie

849
00:39:56,000 --> 00:39:58,560
Speaker 2: back in eighty three called The sure Thing, and uh,

850
00:39:58,719 --> 00:40:02,360
Speaker 2: I know that Darren loved that movie. And again I

851
00:40:02,560 --> 00:40:05,880
Speaker 2: was the uptight one called Alison in that movie and

852
00:40:06,719 --> 00:40:09,759
Speaker 2: John Cusack played this this total slob kind of guy

853
00:40:10,000 --> 00:40:13,960
Speaker 2: like Andrew was just the guy's messy and I just

854
00:40:14,160 --> 00:40:16,600
Speaker 2: feel like I got to see that now, oh this

855
00:40:16,760 --> 00:40:20,840
Speaker 2: whole again. It's very archetypal stereotypical where the you know,

856
00:40:20,920 --> 00:40:25,000
Speaker 2: there's roommates. So I'm like, but Darren, I don't think

857
00:40:25,040 --> 00:40:27,760
Speaker 2: he was falling in love with me in college, because

858
00:40:27,760 --> 00:40:29,280
Speaker 2: I think he's probably falling in love.

859
00:40:29,200 --> 00:40:32,080
Speaker 3: With the frack guys in the front of our It

860
00:40:32,239 --> 00:40:33,120
Speaker 3: was charmed by you.

861
00:40:33,280 --> 00:40:36,879
Speaker 2: But I just loved seeing that that A I didn't

862
00:40:36,920 --> 00:40:40,319
Speaker 2: realize I was so anal. You didn't play it that much.

863
00:40:40,440 --> 00:40:42,840
Speaker 2: But the character I did in The sure Thing was

864
00:40:42,960 --> 00:40:46,920
Speaker 2: really anal That was definitely her characteristic. But at any rate,

865
00:40:46,960 --> 00:40:50,239
Speaker 2: I do remember doing that and that stood out for me.

866
00:40:50,520 --> 00:40:51,000
Speaker 1: I thought that.

867
00:40:51,920 --> 00:40:54,279
Speaker 2: I thought the humor and the writing really stood out

868
00:40:54,320 --> 00:40:56,319
Speaker 2: for me. Again, when I came onto the show as Joe,

869
00:40:56,400 --> 00:40:59,640
Speaker 2: there's a lot of drama and hellish negative stuff that

870
00:40:59,680 --> 00:41:02,759
Speaker 2: happened to her. But to see the comedy and that he.

871
00:41:02,800 --> 00:41:04,800
Speaker 1: Were in this was really cool, the sweetness in the beginning.

872
00:41:05,160 --> 00:41:07,800
Speaker 1: In the beginning, yeah, yeah, I think the sexual harassment

873
00:41:07,840 --> 00:41:09,960
Speaker 1: thing felt like a sign of the times, how they brushed.

874
00:41:09,719 --> 00:41:14,960
Speaker 3: It under the rug and the Doctor Ruth's appearance doctor sometimes. Yeah,

875
00:41:15,160 --> 00:41:17,439
Speaker 3: you had a great line too, And I'm looking forward

876
00:41:17,480 --> 00:41:19,160
Speaker 3: in my notes here because I want to get it right.

877
00:41:20,480 --> 00:41:22,360
Speaker 3: You were a Midwestern nitwitt. Do you remember the.

878
00:41:25,640 --> 00:41:26,680
Speaker 1: Cracked me up? Yeah?

879
00:41:26,680 --> 00:41:29,200
Speaker 3: I was like, I need to write that down and

880
00:41:29,360 --> 00:41:34,600
Speaker 3: I did. It was something about being in midwesternwik I

881
00:41:35,120 --> 00:41:40,080
Speaker 3: relate to that. That one cracked me up too. All right, Well,

882
00:41:40,120 --> 00:41:43,440
Speaker 3: that was super fun. And when we get to we

883
00:41:43,560 --> 00:41:44,400
Speaker 3: get to talk.

884
00:41:44,440 --> 00:41:45,879
Speaker 2: With Gras first guest.

885
00:41:46,040 --> 00:41:50,080
Speaker 3: Yeah, so excited and yeah, I can't wait to have

886
00:41:50,200 --> 00:41:52,320
Speaker 3: that conversation. Then we get to the next episode, I

887
00:41:52,360 --> 00:41:53,360
Speaker 3: can't wait to see what happens.

888
00:41:53,440 --> 00:41:56,520
Speaker 1: Y heay, I love this. We're having so much yay.

889
00:41:56,760 --> 00:41:59,560
Speaker 1: All right, we'll hear you guys. Talk to you guys soon.

890
00:42:00,040 --> 00:42:00,560
Speaker 3: Still the place,