WEBVTT - Rod Essig

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<v Speaker 1>Carola. She's the queen of talking. He was sown your man.

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<v Speaker 1>She's only his side. She got the scoop on the

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<v Speaker 1>on the ones in side. No one can do with

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<v Speaker 1>Cliel Carola, Carola. No one can do with Clie like

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<v Speaker 1>Carol Tile Caroline. Hey, y'all, welcome to Hyper Caroline Hobby.

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<v Speaker 1>I am your host, Caroline Hobby. I know music, I

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<v Speaker 1>know people, and I know the questions do you want

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<v Speaker 1>to ask? So let's get Hyper heads up. These are

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<v Speaker 1>adults having adult conversations, so there could be adult content.

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<v Speaker 1>And this week is so exciting because I have the man,

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<v Speaker 1>the myth, the legend on today's episode Rods. He is

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<v Speaker 1>one of the power house players at CIA, which is

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<v Speaker 1>a huge booking agency, one of the biggest in the world.

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<v Speaker 1>And booking agencies book acts at shows. So that is

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<v Speaker 1>how all these artists show up at all these shows,

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<v Speaker 1>because an agent books them and does so much more

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<v Speaker 1>than just that. But he has worked with everyone from

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<v Speaker 1>Tim McGraw, Sonny and Share, Martina McBride, Julian Huff, Taylor Swift,

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<v Speaker 1>the list goes on and on, and he's hysterical and

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<v Speaker 1>amazing and you're about to get all the inside Scoop

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<v Speaker 1>on what really happens. So welcome Rod Sig. Everybody. Okay,

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<v Speaker 1>Hi Rod, Well hello, how are you doing. I've been

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<v Speaker 1>told to lower my voice, so I'm trying to speak

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<v Speaker 1>in a more now. This is a lovely We're sitting

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<v Speaker 1>in your beautiful office. Rod Sig. By the way, he

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<v Speaker 1>is the badass like team captain of CIA. What is

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<v Speaker 1>your official title? I am Department head of the Nashville office.

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<v Speaker 1>Could you explain to me what CIA is? C A

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<v Speaker 1>is the are just um Motion Pictures, television, music and

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<v Speaker 1>sports agency in the world, and you are the division

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<v Speaker 1>head of Nashville, so that makes you quite a big deal.

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<v Speaker 1>I don't know. I don't think. I don't think so.

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<v Speaker 1>I think I just have to work harder than everybody else.

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<v Speaker 1>That's all. That's a big title. Okay. I want to

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<v Speaker 1>know how you got started, But first I want to

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<v Speaker 1>ask you a few rapid fire questions. What song best

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<v Speaker 1>describes your work ethic? Live like you're dying? Okay? Okay?

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<v Speaker 1>Who's your celebrity free pass? Who's sharey okay with? Because

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<v Speaker 1>your wife's awesome, So this is all in respect to

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<v Speaker 1>her because I love her, And who's her free pass. Uh,

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<v Speaker 1>my free pass would probably be um cure nightly. She

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<v Speaker 1>would approved. I wouldn't ask her permission. I'll tell you

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<v Speaker 1>a great story. There was one this is way way

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<v Speaker 1>way back when, and um anyway, I went to l

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<v Speaker 1>A and I represent Jeff Jeff FOXFORDY at that time,

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<v Speaker 1>and we had you know, there was no there was

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<v Speaker 1>no fight flights going in and out. So he had

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<v Speaker 1>to go to night before for nine o'clock meeting next

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<v Speaker 1>next day. So anyway, I'm sitting in Brian Lord's office.

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<v Speaker 1>And Brian Lord's one of the one of the original

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<v Speaker 1>partners of CIA. And he said, what are you doing tonight?

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<v Speaker 1>And I said, I'm not doing anything that I had

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<v Speaker 1>to come out here because I got a meeting in

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<v Speaker 1>the morning. He said, so you're really you're free tonight

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<v Speaker 1>and I said, yeah, I'm free. So anyway, it's very

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<v Speaker 1>rare for you, Yes, very much so in the meantime,

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<v Speaker 1>so he said, so just stay here for ten minutes.

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<v Speaker 1>So I stayed it for ten minutes. I said, what

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<v Speaker 1>do you want? He said, I need you to go

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<v Speaker 1>someplace tonight. So I went in the door walks DEMI

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<v Speaker 1>more And anyway, I was her date that night. I

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<v Speaker 1>don't know anymore. Anyway, she was cute, that didn't matter.

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<v Speaker 1>But she was blond, totally bald, was for g I

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<v Speaker 1>j and she so anyway, I went with her to

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<v Speaker 1>all the Hollywood stuff that night. She never left my arm.

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<v Speaker 1>And I always have a rule, and I get back

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<v Speaker 1>to the hotel room no matter what time, as I

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<v Speaker 1>call my wife. We got back about four five l

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<v Speaker 1>a time, which is about a court of seven Nashville time.

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<v Speaker 1>That's the running. And so Sherry said, she said, you know,

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<v Speaker 1>this is really late, and I said, well, it's really early.

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<v Speaker 1>But she said all night long, you've been out with

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<v Speaker 1>Damny Moore. And I said, I said, Sherry, if anything

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<v Speaker 1>would happen, if I got that lucky, I tell you

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<v Speaker 1>about it. We go to counseling for the rest of

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<v Speaker 1>our lives. So I mean, come on, that's what it is.

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<v Speaker 1>Share Your wife is pretty awesome. Yes, yes, she's totally awesome.

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<v Speaker 1>Did she like let you be you? She just said,

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<v Speaker 1>if I don't come home, it will cost me a

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<v Speaker 1>lot of money. And I'm a real capricorn. I don't

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<v Speaker 1>want to share anything. Okay, all right, okay, fair enough, Okay,

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<v Speaker 1>if your house is on fire and you can only

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<v Speaker 1>grab three things before leaving. What would they be and why?

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<v Speaker 1>And they can't be your family members? Uh, your pets.

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<v Speaker 1>I grabbed the pictures, uh, and I grab well obviously

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<v Speaker 1>a little safe in the house because that's got stuff,

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<v Speaker 1>jewelry and stuff in it. And I get on my

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<v Speaker 1>motorcycle and leave. You have to take your motorcycle. Oh yeah,

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<v Speaker 1>you love Harley's. I love Harley's And you're a big

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<v Speaker 1>part of Sturgis. Is that what it is? Well, I'm

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<v Speaker 1>very involved in booking a lot of Sturgist and I

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<v Speaker 1>go there every year. Is that how you got into Harley's? Yes, Well,

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<v Speaker 1>to be very honest, the first my first Harley was

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<v Speaker 1>given to me by Tim McGraw. We had a we

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<v Speaker 1>had a very successful run of dates. And he knows

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<v Speaker 1>he's a writer too, you know, I love Harley's. So

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<v Speaker 1>he bought a Harley and through the keys at me

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<v Speaker 1>and said, okay, here's your Harley. Have a good time.

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<v Speaker 1>That was a very successful run, right, that's it was

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<v Speaker 1>the cheapest Harlihood he had at the time. But there

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<v Speaker 1>was a sports but you know, he could have bought

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<v Speaker 1>me a road king or something big. But he didn't. Yeah,

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<v Speaker 1>I'd say we are. Who are your best celebrity friends? Um,

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<v Speaker 1>Tim McGraw lean rhymes, Julian Huff. She's having a big year. Yes,

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<v Speaker 1>we're having a big, big, big I just got a

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<v Speaker 1>text from her from doing such a great job. I

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<v Speaker 1>congratulated her on Sunday night because it was like the

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<v Speaker 1>biggest musical on TV since UM forgot since what they well,

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<v Speaker 1>this was, this was was Greece and they what they

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<v Speaker 1>do Peter Pant I think it was Peter Pant. Yeah, yeah,

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<v Speaker 1>that's awesome. She's the perfect Sandy's did our l a opposite? Yeah,

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<v Speaker 1>I knew all about it. She's got she has a

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<v Speaker 1>lot of stuff going, you know, and I mean her

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<v Speaker 1>her career will guide her to some way just take

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<v Speaker 1>over Broadway like Christian channels. I mean she's just like

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<v Speaker 1>she's that dancer, she's that singer, you know, all that stuff.

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<v Speaker 1>So she's got all that going. But she's still working

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<v Speaker 1>on a lot of motion picture stuff right now. Okay, awesome, Okay, So,

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<v Speaker 1>Julian Huff, who else your besties? Um? I said, probably

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<v Speaker 1>then you got in there. Martina mc bride, she was

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<v Speaker 1>over here this morning. She's a real good friend. And

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<v Speaker 1>then probably my bestie motion picture friend is Reese Witherspoon.

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<v Speaker 1>She's been, she's been, she's been my date for friends. Yeah,

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<v Speaker 1>no way, what's she like in real life? Like you

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<v Speaker 1>are just totally fun and cute and gorgeous and yeah,

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<v Speaker 1>she's just twins. Are you calling me twins of threes? Yeah?

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<v Speaker 1>You could be. You know, she's so awesome and she

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<v Speaker 1>has that production company and she's doing all those amazing

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<v Speaker 1>movies that are highlighting women as leads, and she's she's

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<v Speaker 1>going to move back to Nashville. Really, she started her store,

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<v Speaker 1>her clothing store, and her Sprinkles. Have you had Sprinkles cupcakes?

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<v Speaker 1>That's he's the sprinkle store right next to it, Sprinkles cupcaction.

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<v Speaker 1>And she's mom and her husband is a very very

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<v Speaker 1>very successful agent at c A. Jim Tough. You have

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<v Speaker 1>these little people like Matthew McConaughey and things like that,

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<v Speaker 1>Oh my gosh, do you know Matthew? And in fact,

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<v Speaker 1>Tim McGraw is doing Matthew McConaughey's benefit this year Une four,

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<v Speaker 1>New Orleans, New Orleans. Okay, have you ever been arrested? Uh?

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<v Speaker 1>For real? No? For fun? Right where I used to

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<v Speaker 1>grow up. There was a number of us that got

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<v Speaker 1>in trouble a lot of times, so we would get

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<v Speaker 1>they would arrest us basically of October thirty and hold

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<v Speaker 1>us in jail for thirty one, so we would wreck stuff.

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<v Speaker 1>So you actually have spent a night in jail? How

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<v Speaker 1>was that horrible? Did you get hit on in jail? No? Oh,

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<v Speaker 1>you're so cute, thank you, But I did not. No,

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<v Speaker 1>I did not. Okay, And last rapid fire, If you

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<v Speaker 1>were going to be in the circus, what would you

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<v Speaker 1>do that? I I would probably be an animal tamer

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<v Speaker 1>because that's basically what you do in real life. Yes,

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<v Speaker 1>it's true. Basically what your real job description is. I'm

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<v Speaker 1>really a fireman. I put a firehead on every day

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<v Speaker 1>and put out fires all day long. Who gives you

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<v Speaker 1>the biggest fires to put up? You know something that

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<v Speaker 1>it varies. It's certain times. Certain tours could be really hard.

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<v Speaker 1>Other tours are very easy. Um, you know there's some

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<v Speaker 1>I'm doing. I'm doing the one right now with cheap

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<v Speaker 1>trick Joan Jet and Heart, And I'm the direct agent

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<v Speaker 1>to Heart and Joan Jet. And as a rule, as

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<v Speaker 1>an agent, you should never put two of your acts

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<v Speaker 1>on a show together because when you go see them,

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<v Speaker 1>they both want your time, and so they're always playing

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<v Speaker 1>you against each other. So this one's been every day

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<v Speaker 1>is one more. They're not big problems, they're just little things.

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<v Speaker 1>And then so you have to put that fire out

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<v Speaker 1>a little bit. So but the tours, the overall too,

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<v Speaker 1>are selling incredible, So now a lot of the lot

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<v Speaker 1>of the part, a lot of the problems are gone

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<v Speaker 1>because the ticket sales are so good. So are you

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<v Speaker 1>in the middle of a lot of cat fights? Usually females?

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<v Speaker 1>Is it? Artists? Is it? Age? Is it? Who? Do

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<v Speaker 1>you find? It? Would be everybody artists agents because here

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<v Speaker 1>we do so much conflict of interest, so you even

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<v Speaker 1>if you have the project in CIA, everybody is fighting

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<v Speaker 1>for their own client and they're fighting really hard. So

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<v Speaker 1>we compete to get that second or third slot in

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<v Speaker 1>front of a Tim McGraw or Keith Urban or something

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<v Speaker 1>like that. So we really compete with each other, calling

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<v Speaker 1>the managers and all that kind of stuff. But you know,

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<v Speaker 1>as far as if you put the two artists together,

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<v Speaker 1>there's never a problem, right. It's only a problem when

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<v Speaker 1>they're not sitting in the same role, because then they

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<v Speaker 1>go through the middleman, always at the problem, and then

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<v Speaker 1>you assume it's a bigger problem than it really is,

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<v Speaker 1>you know. So I like to have people sit down

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<v Speaker 1>face to face and talk to each other because that

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<v Speaker 1>problem is gone. Then it's not who said or we said,

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<v Speaker 1>or what what happened? So smart run. So tell me

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<v Speaker 1>walk me through a typical day in the life of roads,

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<v Speaker 1>because I don't know if many people know what an

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<v Speaker 1>agent is and how big of a role this plays

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<v Speaker 1>in a career for an artist, Like, what is your

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<v Speaker 1>typical day and week? Looking like? Well, my normal day

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<v Speaker 1>is about between five and six emails? You read them all, yes,

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<v Speaker 1>you have to, and then uh, then normally I've seen

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<v Speaker 1>you like four emails in a day before, just for fun,

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<v Speaker 1>So I'm just stop doing that and then and then normally,

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<v Speaker 1>I mean, in today's world, normally I have a hundred

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<v Speaker 1>phone calls. So some of them are just yeah, no,

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<v Speaker 1>it's okay, that kind of stuff, But you get into

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<v Speaker 1>a lot of stuff we still sell. So an agent

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<v Speaker 1>is to go out and obtain work for your clients.

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<v Speaker 1>That's that's your basic working gigs are you know, being

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<v Speaker 1>shows or opportunities and television or motion pictures or endorsements

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<v Speaker 1>or sponsorships and all that kind of stuff. You ever

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<v Speaker 1>see all of that, you oversee all that. You're really

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<v Speaker 1>the hub and then you also the hub of that manager,

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<v Speaker 1>of the record company, of the publicists, because you're the one.

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<v Speaker 1>I always figured when I booked a day on Tim McGraw,

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<v Speaker 1>there's probably a thousand people that go to work, from

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<v Speaker 1>ticket takers to security to you know, think of all

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<v Speaker 1>the ushers and all that stuff, bus drivers and you

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<v Speaker 1>know hotel. I mean you're gonna go into hotel. So

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<v Speaker 1>because of that one day, there's a thousand people that work.

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<v Speaker 1>So you have to get it right. So it's gotta

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<v Speaker 1>be totally right, and you have to take it very serious.

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<v Speaker 1>And you can only go when you're route. You can

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<v Speaker 1>only go miles a night because they have to load in,

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<v Speaker 1>load out, set up and all that stuff. And then

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<v Speaker 1>you have to really watch who else is in the

0:12:41.760 --> 0:12:44.800
<v Speaker 1>marketplace because you can't be Kenny Chesney and Tim McGraw

0:12:45.160 --> 0:12:47.080
<v Speaker 1>in the same city at the same time because there's

0:12:47.080 --> 0:12:49.400
<v Speaker 1>only so many people that have money to buy tickets.

0:12:49.559 --> 0:12:53.880
<v Speaker 1>Have you ever messed up? Yes, what happens when that happens? Uh,

0:12:53.960 --> 0:12:58.360
<v Speaker 1>It affects the ticket sales and you have a big problem. Yeah.

0:12:58.760 --> 0:13:01.040
<v Speaker 1>So I mean, yeah, but that's I mean, and you

0:13:01.080 --> 0:13:03.080
<v Speaker 1>sit in a lot of meetings and plan this out.

0:13:03.160 --> 0:13:06.439
<v Speaker 1>I mean, right now, I'm meeting with Gil Cunningham, who's

0:13:06.800 --> 0:13:09.960
<v Speaker 1>a big producer of festivals. He wants to talk about

0:13:10.000 --> 0:13:13.800
<v Speaker 1>two seventeen. Really, he's already done with sixteen. Sixteen is

0:13:13.840 --> 0:13:17.120
<v Speaker 1>all done on sale everything, so he wants to know

0:13:17.160 --> 0:13:19.920
<v Speaker 1>who we can do in seventeen. I said, Gil, every's open.

0:13:20.640 --> 0:13:23.120
<v Speaker 1>I mean, I haven't thought about seventeen. We're just going

0:13:23.160 --> 0:13:25.480
<v Speaker 1>into February. So is it kind of like a puzzle piece,

0:13:25.520 --> 0:13:28.440
<v Speaker 1>like putting together act and say you're get an offer

0:13:28.480 --> 0:13:30.760
<v Speaker 1>for one act but they're kind of large and they

0:13:30.760 --> 0:13:32.680
<v Speaker 1>don't want to do it. Well, you go to smaller

0:13:32.720 --> 0:13:35.280
<v Speaker 1>act after that, oh yeah. Or you have to make

0:13:35.320 --> 0:13:40.959
<v Speaker 1>sure your basic your your basic instinct is to make

0:13:41.000 --> 0:13:45.040
<v Speaker 1>sure that everything sells. So we're in the business. We

0:13:45.120 --> 0:13:48.760
<v Speaker 1>compete hard with other agencies, but we work very closely

0:13:48.760 --> 0:13:50.520
<v Speaker 1>with other agencies because the bottom line, we have to

0:13:50.520 --> 0:13:53.640
<v Speaker 1>sell tickets. If we don't sell tickets, nothing happens. That's

0:13:53.640 --> 0:13:56.079
<v Speaker 1>a good distinction. So you're competing hard, but you also

0:13:56.280 --> 0:13:58.240
<v Speaker 1>need them to be success. You want to put together

0:13:58.280 --> 0:14:02.200
<v Speaker 1>the greatest package. So how do you that line? I

0:14:02.200 --> 0:14:04.400
<v Speaker 1>don't have done it for forty years. It's just because

0:14:04.559 --> 0:14:06.120
<v Speaker 1>you kind of like hate them in a way, but

0:14:06.120 --> 0:14:08.040
<v Speaker 1>you also like love. But you have to talk to

0:14:08.080 --> 0:14:10.760
<v Speaker 1>them because you need and they need you. So just

0:14:10.880 --> 0:14:13.600
<v Speaker 1>it's it's a give and take on both sides. They

0:14:13.720 --> 0:14:18.320
<v Speaker 1>want your hot act to be on their shows. Interesting, Yeah,

0:14:18.360 --> 0:14:21.080
<v Speaker 1>so you so you can't. You cannot as an agent.

0:14:21.120 --> 0:14:28.880
<v Speaker 1>You cannot sell or be responsible for anybody's festival or anything. Everything.

0:14:29.000 --> 0:14:31.600
<v Speaker 1>You just don't have the right acts. If you do

0:14:31.640 --> 0:14:33.320
<v Speaker 1>them one year, they don't want to repeat them the

0:14:33.360 --> 0:14:36.040
<v Speaker 1>next year. So you just you just tell them, I'm

0:14:36.160 --> 0:14:37.640
<v Speaker 1>I mean we have dates that I just tell people.

0:14:37.680 --> 0:14:39.960
<v Speaker 1>I don't have anything to sell you. Yeah, I mean,

0:14:40.000 --> 0:14:42.920
<v Speaker 1>that's gonna sell your ticket. So but the only time

0:14:42.960 --> 0:14:45.000
<v Speaker 1>an artist really gets really mad at you is if

0:14:45.000 --> 0:14:48.560
<v Speaker 1>they look out and see empty seats and a big

0:14:48.600 --> 0:14:52.080
<v Speaker 1>artist an extra fifty means nothing if there's a big

0:14:52.640 --> 0:14:54.440
<v Speaker 1>hole in the middle of that don't doesn't have anybody

0:14:54.520 --> 0:14:56.840
<v Speaker 1>sitting in it. Have you gotten yelled at by an

0:14:56.880 --> 0:15:02.600
<v Speaker 1>artist before, anyone in particular, just a number of them.

0:15:02.880 --> 0:15:06.800
<v Speaker 1>You know, when you're responsible for artist's income. And remember

0:15:06.880 --> 0:15:11.720
<v Speaker 1>today in the day's world, it's probably is what they

0:15:11.760 --> 0:15:14.360
<v Speaker 1>do on the road, and that's what we do. You know,

0:15:14.440 --> 0:15:18.080
<v Speaker 1>before these used to be was record income and publishing

0:15:18.120 --> 0:15:20.880
<v Speaker 1>and all. Well, now, I mean there was. I was

0:15:20.920 --> 0:15:23.760
<v Speaker 1>telling somebody the other day, I went two years of

0:15:23.840 --> 0:15:27.520
<v Speaker 1>Lee and Rhyme's first album. Two years every week she

0:15:27.680 --> 0:15:31.240
<v Speaker 1>never sold under a hundred thousand units. Really, so to

0:15:31.320 --> 0:15:35.280
<v Speaker 1>this day Lee and Ryan's has sold forty six million records. Okay,

0:15:35.400 --> 0:15:40.600
<v Speaker 1>she has sold six million records. Taylor Swift will never

0:15:40.640 --> 0:15:44.040
<v Speaker 1>ever even do that because this record sales are record sales.

0:15:44.200 --> 0:15:46.960
<v Speaker 1>It's all streaming and all that. In those days, you

0:15:47.040 --> 0:15:49.440
<v Speaker 1>had to buy the album to get the single. It's

0:15:49.520 --> 0:15:51.440
<v Speaker 1>kind of sad that that's gone well. And that's where

0:15:51.440 --> 0:15:52.920
<v Speaker 1>the record companys made a lot of their money. I

0:15:52.920 --> 0:15:58.080
<v Speaker 1>mean at that point her records records were like or

0:15:58.120 --> 0:16:01.240
<v Speaker 1>something like that. Now there, you don't have a record

0:16:01.320 --> 0:16:05.480
<v Speaker 1>over ten dollars and so figured the profit and so. Anyway,

0:16:05.480 --> 0:16:08.960
<v Speaker 1>but we went almost a little over two years that

0:16:09.040 --> 0:16:12.800
<v Speaker 1>she sold at least a hundred thousand years a week consistently.

0:16:15.240 --> 0:16:17.440
<v Speaker 1>That was everything I wanted to be a singer because

0:16:17.440 --> 0:16:20.240
<v Speaker 1>of her. A lot of people Taylor Swifts is the

0:16:20.240 --> 0:16:22.920
<v Speaker 1>same thing because because of Leanne. That's why I'm in

0:16:22.960 --> 0:16:26.120
<v Speaker 1>the music business. Okay, so how did you get into

0:16:26.160 --> 0:16:28.000
<v Speaker 1>music business? Like? How did you even know what an

0:16:28.040 --> 0:16:31.800
<v Speaker 1>agent was to even dream this up? The real in

0:16:32.840 --> 0:16:37.040
<v Speaker 1>way back when I was in college, the colleges had

0:16:37.080 --> 0:16:42.200
<v Speaker 1>the biggest budgets to buy entertainment. So everybody had a

0:16:42.240 --> 0:16:44.680
<v Speaker 1>student activities fund or whatever. So I used to buy

0:16:44.680 --> 0:16:49.280
<v Speaker 1>talent at my college and I went to school in Lamar's, Iowa,

0:16:49.360 --> 0:16:52.280
<v Speaker 1>So I used to buy talent John Denver and Johnny

0:16:52.280 --> 0:16:54.880
<v Speaker 1>Cash and all those things in those days from the

0:16:54.880 --> 0:16:57.520
<v Speaker 1>talent buyer at your college. That was a big position

0:16:57.560 --> 0:16:59.320
<v Speaker 1>that you had to work together. You had to serve

0:16:59.320 --> 0:17:01.640
<v Speaker 1>on the committee when you're a junior. When you're a senior,

0:17:01.680 --> 0:17:03.880
<v Speaker 1>you could become and you had money at that point,

0:17:03.920 --> 0:17:06.840
<v Speaker 1>and I remember there was no You couldn't buy films

0:17:06.880 --> 0:17:09.919
<v Speaker 1>at that time, so the only entertainment they got was

0:17:10.000 --> 0:17:13.560
<v Speaker 1>touring artists. So you had money. There's a I mean,

0:17:13.880 --> 0:17:17.000
<v Speaker 1>American University probably had three or four hundred thousand dollars

0:17:17.040 --> 0:17:21.760
<v Speaker 1>that's been on artist. So you So then I went

0:17:22.080 --> 0:17:24.160
<v Speaker 1>and I in that day you don't even remember because

0:17:24.160 --> 0:17:25.680
<v Speaker 1>you were born. But there was a draft and I

0:17:25.760 --> 0:17:28.879
<v Speaker 1>got drafted and went to Vietnam and came back. So

0:17:28.920 --> 0:17:31.480
<v Speaker 1>then I came, No, we weren't talking, so then so

0:17:31.640 --> 0:17:33.520
<v Speaker 1>we came. I came back and I called this guy,

0:17:33.520 --> 0:17:36.560
<v Speaker 1>Gordy Singer that I used to buy all my talent from,

0:17:36.800 --> 0:17:38.160
<v Speaker 1>and he said, you think you want to be an agent?

0:17:38.240 --> 0:17:39.919
<v Speaker 1>He gave me a phone and I understand, and that

0:17:40.040 --> 0:17:44.440
<v Speaker 1>day it was a dial phone. Okay. And so within

0:17:44.560 --> 0:17:47.840
<v Speaker 1>six months I signed this guy named Jim Croce and

0:17:47.880 --> 0:17:52.000
<v Speaker 1>because again we're the largest college agency in America. So

0:17:52.080 --> 0:17:53.760
<v Speaker 1>then I went from to live there to a living

0:17:54.080 --> 0:17:56.920
<v Speaker 1>John mac Davis, Helen Ready, the fifth dimension. I just

0:17:57.000 --> 0:18:00.000
<v Speaker 1>kept signing things. So within within the five year period

0:18:00.040 --> 0:18:02.800
<v Speaker 1>it I end up owning half the agency that I

0:18:02.840 --> 0:18:04.960
<v Speaker 1>went to work for, and then I was with that

0:18:05.040 --> 0:18:07.000
<v Speaker 1>agency for twenty years. And then I moved everybody to

0:18:07.040 --> 0:18:10.119
<v Speaker 1>California and we had to write at Chili Peppers. Motor

0:18:10.160 --> 0:18:13.440
<v Speaker 1>had all these big metal bands, and then Sea came

0:18:13.480 --> 0:18:15.640
<v Speaker 1>to me and said, would you ever come to work

0:18:15.680 --> 0:18:18.520
<v Speaker 1>over here? And at that point they didn't have anybody

0:18:18.560 --> 0:18:22.359
<v Speaker 1>did fairs, festivals, privates. They just did. They had twelve

0:18:22.359 --> 0:18:25.040
<v Speaker 1>promoters and that's all they sold to. And so I

0:18:25.160 --> 0:18:27.080
<v Speaker 1>literally went over there. In the second day I was there,

0:18:27.119 --> 0:18:29.000
<v Speaker 1>My very best friend the life was a guy named

0:18:29.040 --> 0:18:32.000
<v Speaker 1>Bobby Brooks, and Bobby got me to come to see A.

0:18:32.880 --> 0:18:35.399
<v Speaker 1>And the next day he died in the helicopter with

0:18:35.440 --> 0:18:39.040
<v Speaker 1>Stevie Vaughan in Wisconsin. Yeah. So I worked in l

0:18:39.080 --> 0:18:41.800
<v Speaker 1>A for a while, for in a year, and then rob'sons,

0:18:42.160 --> 0:18:44.880
<v Speaker 1>John Huey and Ron Baird, We're gonna open up Nashville,

0:18:45.119 --> 0:18:47.639
<v Speaker 1>and those are the founder of l A. They were

0:18:47.640 --> 0:18:51.680
<v Speaker 1>the founders here, John and Ron. So then I came

0:18:51.720 --> 0:18:54.000
<v Speaker 1>here and the three of us, now we started with

0:18:54.080 --> 0:18:59.840
<v Speaker 1>three agents and five acts, and Amy Grant, Michael W. Smith,

0:19:00.440 --> 0:19:05.600
<v Speaker 1>Billy Dean, Clint Black, and I'm trying to think one more,

0:19:06.680 --> 0:19:10.920
<v Speaker 1>Randy Travis Nice. So then it just I got into

0:19:10.920 --> 0:19:12.960
<v Speaker 1>town and I kept being able to sign people that

0:19:13.040 --> 0:19:15.119
<v Speaker 1>were in house. But I say, you know, because c

0:19:15.320 --> 0:19:18.359
<v Speaker 1>A had motion pictures and television. So I signed Reba

0:19:18.440 --> 0:19:22.000
<v Speaker 1>McIntyre and I signed um Tricia Year and all these

0:19:22.040 --> 0:19:25.240
<v Speaker 1>people because of that reason, they wanted to be in television.

0:19:25.400 --> 0:19:27.359
<v Speaker 1>They don't want to just be a touring act. Barbara

0:19:27.359 --> 0:19:30.119
<v Speaker 1>Mandrell is another one. So anyway, that's kind of how

0:19:30.160 --> 0:19:32.439
<v Speaker 1>it all came. And now we've got a hundred and

0:19:32.440 --> 0:19:35.840
<v Speaker 1>twenty two people here and we uh and we've got

0:19:35.880 --> 0:19:40.760
<v Speaker 1>probably a hundred ten acts of which you know, so

0:19:41.080 --> 0:19:44.600
<v Speaker 1>it's just grown out of here into a very large company. Now,

0:19:44.880 --> 0:19:47.399
<v Speaker 1>So did you go to this college because you wanted

0:19:47.560 --> 0:19:49.280
<v Speaker 1>to get involved in this program or is that just

0:19:49.320 --> 0:19:52.399
<v Speaker 1>an accident? I had a music education degree and in

0:19:52.400 --> 0:19:54.080
<v Speaker 1>those days, I want my mother wanted me to be

0:19:54.119 --> 0:19:57.240
<v Speaker 1>a teacher, so you don't have music in your family,

0:19:57.280 --> 0:20:00.399
<v Speaker 1>like the fl I'm the first job, and it was

0:20:00.440 --> 0:20:02.320
<v Speaker 1>just sort of a coincidence. Yeah, But in the means,

0:20:02.359 --> 0:20:04.679
<v Speaker 1>in the week perfect storm from when I when I

0:20:04.760 --> 0:20:09.239
<v Speaker 1>literally ended up, um when my number was thirty one

0:20:09.240 --> 0:20:11.680
<v Speaker 1>in the draft, so nobody would hire anybody in that year.

0:20:11.680 --> 0:20:13.600
<v Speaker 1>They were taking up two hundred and twenty people. So

0:20:14.080 --> 0:20:15.600
<v Speaker 1>you'd have to go and apply for a job and

0:20:15.640 --> 0:20:17.639
<v Speaker 1>they say, what's your draft numbers? Thirty one and then

0:20:17.640 --> 0:20:19.600
<v Speaker 1>they wouldn't hire you because you're gonna get You're gonna

0:20:19.600 --> 0:20:23.399
<v Speaker 1>get drafted. So I went and saying that summer was sunny,

0:20:23.400 --> 0:20:28.160
<v Speaker 1>and share saying you saying with sunny and Share. No

0:20:28.200 --> 0:20:31.640
<v Speaker 1>one knows because you're such an amazing agent and you

0:20:31.760 --> 0:20:35.040
<v Speaker 1>are such a powerhouse. But I have heard you sing,

0:20:35.440 --> 0:20:38.760
<v Speaker 1>you saying a duet with your daughter Frank Frank Sinacho Duett.

0:20:39.160 --> 0:20:41.159
<v Speaker 1>You were a singer. So what was it like being

0:20:41.160 --> 0:20:43.120
<v Speaker 1>on the road with Sunny and Share? Well, they were

0:20:43.240 --> 0:20:45.800
<v Speaker 1>at that time. I mean again, it's very different because

0:20:45.840 --> 0:20:48.119
<v Speaker 1>all they did was play the Playboy club circuit. So

0:20:48.160 --> 0:20:50.720
<v Speaker 1>you hated it? Oh, I love it. It was the

0:20:50.760 --> 0:20:53.639
<v Speaker 1>best time in my life. So you played for Playmates, Yes,

0:20:54.200 --> 0:20:57.280
<v Speaker 1>that's you're performed for. I performed for Playmates and they

0:20:57.320 --> 0:21:01.240
<v Speaker 1>were cloth Uh, they were the bunny outfits. Where is it?

0:21:01.280 --> 0:21:03.439
<v Speaker 1>What is the playboys? And early part of the evening?

0:21:03.520 --> 0:21:06.000
<v Speaker 1>After that? You never know, but do a lot of

0:21:06.040 --> 0:21:08.840
<v Speaker 1>time at the Playboy Mansion. I didn't. I didn't. Mainly

0:21:08.880 --> 0:21:13.800
<v Speaker 1>we see in Wisconsin, Chicago, Kansas City, St. Louis, and

0:21:13.840 --> 0:21:16.040
<v Speaker 1>then we played the Playboy Mansion. But Sunny and Share

0:21:16.040 --> 0:21:18.280
<v Speaker 1>we're just starting at that time. What does the Playboy

0:21:18.359 --> 0:21:19.840
<v Speaker 1>circuit mean? What is that? I've never heard of that.

0:21:19.920 --> 0:21:21.720
<v Speaker 1>There used to be a lot of Playboy clubs on

0:21:21.760 --> 0:21:25.080
<v Speaker 1>the top of hotels so like, so they were all

0:21:25.119 --> 0:21:28.840
<v Speaker 1>over America, New York, Chicago, Atlanta, and they were always

0:21:28.880 --> 0:21:31.320
<v Speaker 1>on the top floor of a hotel. Torture. I know,

0:21:31.359 --> 0:21:33.560
<v Speaker 1>it's just this is just horrible for you. It's a

0:21:33.560 --> 0:21:35.680
<v Speaker 1>young guy starting out seeing it was sunny and share

0:21:35.720 --> 0:21:38.720
<v Speaker 1>the playboys circuit. I mean, this is the start of

0:21:38.760 --> 0:21:40.840
<v Speaker 1>your And then I got drafted, so my hair was

0:21:40.880 --> 0:21:43.440
<v Speaker 1>down to here. I'm telling you what I got. Showed

0:21:43.480 --> 0:21:46.160
<v Speaker 1>up at Fort Leonardwood, walked in and it took thirty

0:21:46.200 --> 0:21:49.480
<v Speaker 1>seconds cut your hair off. Was that sad? It was

0:21:49.600 --> 0:21:51.960
<v Speaker 1>very sad because you have great hair. It was very sad.

0:21:52.560 --> 0:21:54.640
<v Speaker 1>So that and then you know, and then tell having

0:21:54.640 --> 0:21:56.280
<v Speaker 1>people tell you what to do, I'm not I'm not

0:21:56.320 --> 0:21:58.119
<v Speaker 1>that guy. No, you're the one that tells people what

0:21:58.160 --> 0:22:00.679
<v Speaker 1>to do, so you know the I remember one time

0:22:01.280 --> 0:22:05.920
<v Speaker 1>the sergeant said, we're just standing okay, who has a

0:22:05.920 --> 0:22:09.119
<v Speaker 1>college education? And I raised my hand. The dumbest thing

0:22:09.119 --> 0:22:10.840
<v Speaker 1>you've ever done in your life. Don't ever do that

0:22:10.880 --> 0:22:13.480
<v Speaker 1>in the army raise your hand because we clean floors

0:22:13.720 --> 0:22:16.120
<v Speaker 1>for the next three days because we had a college education.

0:22:16.200 --> 0:22:18.359
<v Speaker 1>You're punished for it. Yeah, why do you think you're

0:22:18.359 --> 0:22:21.760
<v Speaker 1>smarting everybody else? I'll show you your little college kids

0:22:21.800 --> 0:22:25.080
<v Speaker 1>what's going on? It was horrible, horrible, horrible. How long

0:22:25.119 --> 0:22:28.600
<v Speaker 1>did you serve? How were your verses? Uh? Now, this

0:22:28.640 --> 0:22:32.119
<v Speaker 1>is the nineteen seventy two and seventy three, so normally

0:22:32.160 --> 0:22:34.400
<v Speaker 1>you were in for twenty four months. I got out

0:22:34.400 --> 0:22:36.600
<v Speaker 1>in fourteen months because the war was was getting over

0:22:36.720 --> 0:22:39.040
<v Speaker 1>seventy three seventy four, so everyde's coming home. So I

0:22:39.040 --> 0:22:42.280
<v Speaker 1>was only the other for two months. That's good. So

0:22:42.320 --> 0:22:45.040
<v Speaker 1>why did you not pick up singing when you got back?

0:22:45.119 --> 0:22:48.120
<v Speaker 1>Why did you you know the other side, because I've

0:22:49.080 --> 0:22:52.600
<v Speaker 1>I don't want to starve to sing. I'm I made

0:22:52.640 --> 0:22:55.320
<v Speaker 1>a lot of when I was a student teacher, I

0:22:55.400 --> 0:23:00.399
<v Speaker 1>made a decision how much music music? Okay, now there

0:23:00.440 --> 0:23:03.959
<v Speaker 1>was there was this great senior, that good looking senior

0:23:04.040 --> 0:23:08.480
<v Speaker 1>that I went, okay, yes, Well most of my clients

0:23:08.480 --> 0:23:10.880
<v Speaker 1>are women. So in the meantime I think women are gorgeous.

0:23:10.880 --> 0:23:13.880
<v Speaker 1>But the meantime, so I at that point student taught

0:23:13.880 --> 0:23:16.240
<v Speaker 1>in Rock Rapids, Iowa. So just you can picture that

0:23:16.240 --> 0:23:18.520
<v Speaker 1>in your mind, you know. And so in the meantime

0:23:18.560 --> 0:23:21.119
<v Speaker 1>I had long hair. You couldn't have a drink in

0:23:21.160 --> 0:23:24.280
<v Speaker 1>town you were, so I just said, from this point on,

0:23:24.400 --> 0:23:26.240
<v Speaker 1>no one over tell me how much money I can make,

0:23:26.680 --> 0:23:29.359
<v Speaker 1>what I have to look like, and who I can date? Ever,

0:23:30.040 --> 0:23:31.520
<v Speaker 1>and you stuck by that, and I stuck by that,

0:23:32.480 --> 0:23:35.680
<v Speaker 1>and here you are. What was the first sold out

0:23:35.720 --> 0:23:40.000
<v Speaker 1>show that you ever booked? John Denver? Oh? John Denver? John?

0:23:40.600 --> 0:23:43.920
<v Speaker 1>How was that? So? Now Ames Iowa, which was about

0:23:43.960 --> 0:23:47.320
<v Speaker 1>twelve thousand seats was huge? How did that make you

0:23:47.359 --> 0:23:53.040
<v Speaker 1>feel incredible? You know? But again, everything in those days

0:23:53.040 --> 0:23:55.400
<v Speaker 1>were so different. John Denver on that day got paid

0:23:55.400 --> 0:23:58.240
<v Speaker 1>twenty dollars. The promoter made all the money. There was

0:23:58.720 --> 0:24:01.600
<v Speaker 1>no one knew anything about bad agends, the percentages and

0:24:01.640 --> 0:24:03.760
<v Speaker 1>all that kind of stuff. So you know, I mean

0:24:03.800 --> 0:24:07.359
<v Speaker 1>I would still represent sticks and sticks to this day.

0:24:07.440 --> 0:24:11.879
<v Speaker 1>Now they make grand a night they played the forum,

0:24:11.920 --> 0:24:16.440
<v Speaker 1>and so that six forums. They get paid dollars per

0:24:16.520 --> 0:24:20.000
<v Speaker 1>night in their hey day. But now remember tickets were

0:24:20.000 --> 0:24:23.960
<v Speaker 1>five dollars, seven fifty and twelve fifty, so the grossers

0:24:24.000 --> 0:24:27.920
<v Speaker 1>were not big. So it's it's it's a very different

0:24:27.920 --> 0:24:30.080
<v Speaker 1>world that we're in. When did that change? When did

0:24:30.080 --> 0:24:32.720
<v Speaker 1>the ticket sales and how it's distributed change? Probably on

0:24:32.760 --> 0:24:36.320
<v Speaker 1>the onset of the computers, because in your accounts would

0:24:36.320 --> 0:24:38.000
<v Speaker 1>go on the road, or you could equally send it

0:24:38.040 --> 0:24:40.320
<v Speaker 1>in and and you know, and your your managers just

0:24:40.359 --> 0:24:43.159
<v Speaker 1>got a lot smarter. I mean, you're it managers it

0:24:43.640 --> 0:24:46.240
<v Speaker 1>at that point. Now we're just dealing with we gotta

0:24:46.240 --> 0:24:47.760
<v Speaker 1>make as much money as we can in the road.

0:24:47.960 --> 0:24:50.399
<v Speaker 1>We gotta grows our acts out as much money as

0:24:50.440 --> 0:24:57.760
<v Speaker 1>we can. That kind of stuff. That's crazy. So that

0:24:57.960 --> 0:25:01.480
<v Speaker 1>when was the first time you had the feeling of like,

0:25:02.119 --> 0:25:05.360
<v Speaker 1>this is what I love, like I'm doing my passion.

0:25:05.480 --> 0:25:07.480
<v Speaker 1>I will tell you the first time I had that

0:25:08.920 --> 0:25:14.960
<v Speaker 1>was Tim McGraw when you shot up Lean Rhyme through

0:25:14.960 --> 0:25:18.439
<v Speaker 1>the roof. There was no stopping these people. What does

0:25:18.480 --> 0:25:20.399
<v Speaker 1>it feel like when you're on that rocket ship right

0:25:20.440 --> 0:25:25.280
<v Speaker 1>of you? Nothing goes wrong? It's just you can't nothing

0:25:25.280 --> 0:25:28.320
<v Speaker 1>goes wrong. Any thing is you have to really watch

0:25:28.520 --> 0:25:32.600
<v Speaker 1>that your artist doesn't believe in all the hype. You

0:25:32.600 --> 0:25:34.520
<v Speaker 1>have to just keep them as much as real as

0:25:34.560 --> 0:25:36.879
<v Speaker 1>you can. How do you do that? Because they'll have

0:25:36.920 --> 0:25:38.960
<v Speaker 1>they'll they'll stop your toe, you'll have it. You'll love

0:25:39.000 --> 0:25:41.520
<v Speaker 1>a show that just doesn't do it, and they go like,

0:25:41.840 --> 0:25:43.679
<v Speaker 1>what happened, what happened happened? Well, you didn't do an

0:25:43.720 --> 0:25:45.719
<v Speaker 1>interview and you didn't do this and you didn't do this,

0:25:45.760 --> 0:25:48.679
<v Speaker 1>and you didn't wait long enough to play the market

0:25:48.760 --> 0:25:51.520
<v Speaker 1>after somebody else had played the market. You know, I mean,

0:25:51.520 --> 0:25:53.360
<v Speaker 1>I've got one right now. Cam's going through the roof.

0:25:53.400 --> 0:25:55.800
<v Speaker 1>I mean, she's she's blowing up. She's blowing up totally,

0:25:55.880 --> 0:25:59.359
<v Speaker 1>you know. And she called, that's a call in. She

0:25:59.440 --> 0:26:00.960
<v Speaker 1>called it said you have would would you have a

0:26:01.000 --> 0:26:04.480
<v Speaker 1>meeting with me? She came to you and she's a woman,

0:26:04.520 --> 0:26:07.000
<v Speaker 1>which is hard right now for women, especially in country music.

0:26:07.400 --> 0:26:10.040
<v Speaker 1>So is that a risky sign in the beginning, because

0:26:10.080 --> 0:26:14.240
<v Speaker 1>you believe, first of all, back again, this is ten

0:26:14.320 --> 0:26:17.240
<v Speaker 1>twelve years ago, when at that point I had lee

0:26:17.280 --> 0:26:21.760
<v Speaker 1>and Rhymes, Reba McEntire, Faith Hill, Tricia Yearwood, Martina McBride,

0:26:21.760 --> 0:26:25.400
<v Speaker 1>Dolly pardon Um. They were and they were all happening,

0:26:25.600 --> 0:26:31.400
<v Speaker 1>and you knew women could work totally. The very few

0:26:31.440 --> 0:26:34.359
<v Speaker 1>have done what Reba has done or Dolly has done.

0:26:34.880 --> 0:26:38.880
<v Speaker 1>You get you go really fast because most guys want

0:26:38.920 --> 0:26:41.720
<v Speaker 1>to have a female as an opening act just because

0:26:41.720 --> 0:26:44.520
<v Speaker 1>they don't want anybody to compare them with them. That's

0:26:44.560 --> 0:26:47.199
<v Speaker 1>the thing. It's a very big thing. We gotta have

0:26:47.240 --> 0:26:48.920
<v Speaker 1>something for the guys to come to the show because

0:26:48.920 --> 0:26:51.120
<v Speaker 1>the girls all come to see the guys, so it's

0:26:51.160 --> 0:26:54.000
<v Speaker 1>something that for their husbands at least to entice them

0:26:54.000 --> 0:26:56.919
<v Speaker 1>to come to the show. So that's that's But you

0:26:56.960 --> 0:26:59.880
<v Speaker 1>can build that to a certain point of about ten

0:27:00.080 --> 0:27:03.639
<v Speaker 1>twelve thousand seats to get from twelve to eighteen thousand

0:27:03.760 --> 0:27:06.720
<v Speaker 1>like the Tims and the Lukes, and that takes a

0:27:06.720 --> 0:27:09.920
<v Speaker 1>lot of you have the package properly. Who tour is

0:27:09.960 --> 0:27:13.200
<v Speaker 1>a big deal? Yes? Yes, big deal. Do you want

0:27:13.240 --> 0:27:15.199
<v Speaker 1>someone who's going to sell a lot of tickets to

0:27:15.240 --> 0:27:17.280
<v Speaker 1>go on tour someone or is it more like a

0:27:17.320 --> 0:27:19.280
<v Speaker 1>cool factor or what do you look for as an

0:27:19.280 --> 0:27:23.240
<v Speaker 1>opening act. I'm totally into radio hits, radio hits, radish.

0:27:23.960 --> 0:27:27.800
<v Speaker 1>I mean I'm not I'm not a Americana kind of

0:27:27.840 --> 0:27:29.919
<v Speaker 1>guy that you know. It's really hit the book this

0:27:30.119 --> 0:27:35.040
<v Speaker 1>club with this act. Yeah. I like representing big stars

0:27:35.680 --> 0:27:39.200
<v Speaker 1>and doing a lot within their framework of an artist.

0:27:39.240 --> 0:27:42.919
<v Speaker 1>I like making and it's fun growing them into a

0:27:43.240 --> 0:27:46.560
<v Speaker 1>into a brand as opposed to just an artist, so

0:27:46.600 --> 0:27:48.879
<v Speaker 1>that they have all these different things around them. What

0:27:49.000 --> 0:27:51.399
<v Speaker 1>do you like to how do you like to maneuver that?

0:27:51.480 --> 0:27:54.000
<v Speaker 1>Like when you get the music cemented, where do you

0:27:54.000 --> 0:27:56.240
<v Speaker 1>like to go next with the brand. Is it dependent

0:27:56.320 --> 0:27:59.800
<v Speaker 1>up the plan. It depends. Like with Taylor Swift, Taylor

0:28:00.040 --> 0:28:02.680
<v Speaker 1>of came in and she knew exactly who she was.

0:28:03.440 --> 0:28:05.960
<v Speaker 1>She was first of all, she she was a writer,

0:28:07.200 --> 0:28:11.800
<v Speaker 1>she was a singer. She was the first really really

0:28:11.880 --> 0:28:16.960
<v Speaker 1>really um digital person that was would go on and

0:28:16.960 --> 0:28:19.080
<v Speaker 1>tell you where she's going. She's seeing what she's doing

0:28:19.080 --> 0:28:23.040
<v Speaker 1>every part of the day. So she was on her

0:28:23.119 --> 0:28:26.720
<v Speaker 1>life was exposed, exposed and then she then she like

0:28:26.800 --> 0:28:28.920
<v Speaker 1>she said, she wrote really good songs. But the very

0:28:28.960 --> 0:28:31.800
<v Speaker 1>first tour I put her on was George Straight because

0:28:31.800 --> 0:28:35.439
<v Speaker 1>she was sixteen years old, and if in country music

0:28:35.760 --> 0:28:38.040
<v Speaker 1>when you're sixteen years old, you don't know anything, you're

0:28:38.080 --> 0:28:41.120
<v Speaker 1>just dumb. When you're cute, that's it. So we had

0:28:41.160 --> 0:28:44.600
<v Speaker 1>to make make her a country star. So by being

0:28:44.600 --> 0:28:47.520
<v Speaker 1>on George Straight and her wearing cowboy boots says she's country.

0:28:47.600 --> 0:28:51.040
<v Speaker 1>That's very strategic. So the cowboy boots are strategic, yes,

0:28:51.160 --> 0:28:53.280
<v Speaker 1>and she wore those for probably the first three years

0:28:53.280 --> 0:28:55.600
<v Speaker 1>of her that was her thing, little dresses in cowboyods

0:28:55.640 --> 0:28:57.280
<v Speaker 1>exactly right. In the same when she had a song

0:28:57.320 --> 0:29:00.200
<v Speaker 1>Tim McGraw, I said to her and Tim, because I'd

0:29:00.240 --> 0:29:02.600
<v Speaker 1>luckily had both of them said, you guys can never

0:29:02.640 --> 0:29:06.000
<v Speaker 1>meet until we do this in national television. They did, smart,

0:29:06.360 --> 0:29:09.840
<v Speaker 1>they did, and they were at the A c M.

0:29:10.960 --> 0:29:13.479
<v Speaker 1>She's saying and walked down to Tim and face. Remember

0:29:13.520 --> 0:29:15.880
<v Speaker 1>that that was a big moment. So you set that

0:29:16.000 --> 0:29:19.280
<v Speaker 1>up because because it's real, why should they lie? And

0:29:19.280 --> 0:29:21.120
<v Speaker 1>it's a great story. And but I also remember when

0:29:21.160 --> 0:29:23.320
<v Speaker 1>I told Tim McCraw that she was doing a song

0:29:23.320 --> 0:29:25.480
<v Speaker 1>about him. He was going like, why would she do

0:29:25.560 --> 0:29:27.600
<v Speaker 1>something about me? Why don't you say about George Jones?

0:29:28.160 --> 0:29:30.880
<v Speaker 1>You know I'm not an icon? What to her? You are? Yeah?

0:29:30.880 --> 0:29:34.120
<v Speaker 1>Because it's the exactly which is the kind of crazy, right.

0:29:34.160 --> 0:29:37.520
<v Speaker 1>So so that was a really fun, fun moment. Do

0:29:37.560 --> 0:29:39.719
<v Speaker 1>you have a lot of creativity like that where you

0:29:39.760 --> 0:29:42.600
<v Speaker 1>can dream up wild ideas and make them happen? Yeah,

0:29:42.800 --> 0:29:47.080
<v Speaker 1>but maybe only ever do because there's there's some really

0:29:47.080 --> 0:29:49.560
<v Speaker 1>crazy ones. You know, what's something you've dreamed of? This? Wow,

0:29:49.640 --> 0:29:55.400
<v Speaker 1>that's that's happened. That's been an amazing event. Um Man.

0:29:55.400 --> 0:29:57.160
<v Speaker 1>I had to think back, it's been so long on

0:29:57.200 --> 0:30:01.200
<v Speaker 1>how many people I've done? Um, I can't come up

0:30:01.200 --> 0:30:04.479
<v Speaker 1>with the one right now. Susan, here's a manager at

0:30:04.480 --> 0:30:06.360
<v Speaker 1>red Light and we were actually talking about you because

0:30:06.360 --> 0:30:11.280
<v Speaker 1>you're amazing. Do you speak things into existence because you

0:30:11.400 --> 0:30:15.680
<v Speaker 1>always are super positive and you like it's just happening.

0:30:15.720 --> 0:30:17.880
<v Speaker 1>It's always happening with you, like it's never not going

0:30:17.920 --> 0:30:21.360
<v Speaker 1>to happen, but then it actually does happen. And I

0:30:21.360 --> 0:30:24.000
<v Speaker 1>feel like that is a talent that not all people

0:30:24.200 --> 0:30:28.880
<v Speaker 1>can actually materialize. I do a lot of that just

0:30:28.960 --> 0:30:31.760
<v Speaker 1>because I've done this for so long. So I have

0:30:32.000 --> 0:30:36.720
<v Speaker 1>so many friends in the business. I mean, you know

0:30:36.760 --> 0:30:38.320
<v Speaker 1>a lot of them are dying off now. But that's

0:30:38.800 --> 0:30:42.160
<v Speaker 1>that's a bummer. But you know, again in my in

0:30:42.240 --> 0:30:45.360
<v Speaker 1>my world, every you talk to every they're your friends.

0:30:46.280 --> 0:30:51.280
<v Speaker 1>In your world, you text and email. I tell all

0:30:51.320 --> 0:30:54.640
<v Speaker 1>the time, email or my assistance call them, call them,

0:30:54.920 --> 0:30:58.720
<v Speaker 1>get a relationship, find out about them, because when when

0:30:58.760 --> 0:31:00.480
<v Speaker 1>they need something to call you, when you need something,

0:31:00.520 --> 0:31:03.080
<v Speaker 1>to call them and get just get it done. So

0:31:03.160 --> 0:31:05.480
<v Speaker 1>that personal relationship. Do you think that's gone a long way?

0:31:05.560 --> 0:31:07.440
<v Speaker 1>It's done a long time. I mean I can actually

0:31:07.480 --> 0:31:11.280
<v Speaker 1>say that, you know, uncertain things. Jack Sessman will do

0:31:11.320 --> 0:31:13.720
<v Speaker 1>this at CBS because he's been a friend of mine

0:31:13.760 --> 0:31:16.400
<v Speaker 1>for so many years. You can't give him something that's

0:31:16.480 --> 0:31:18.680
<v Speaker 1>really a dud. You have to give him something that's

0:31:18.720 --> 0:31:20.720
<v Speaker 1>on fire, and you know him and you know what

0:31:20.760 --> 0:31:25.760
<v Speaker 1>he gravitates. That's interesting with speaking on the phone because

0:31:25.800 --> 0:31:29.480
<v Speaker 1>it is such a texting digital I'm on the phone

0:31:29.520 --> 0:31:33.400
<v Speaker 1>twelve to fourteen hours, but you actually want the human contact.

0:31:33.440 --> 0:31:34.960
<v Speaker 1>It makes a difference. It's harder to say no and

0:31:35.000 --> 0:31:38.400
<v Speaker 1>you experience half of it getting ship done. Human relationship

0:31:38.560 --> 0:31:40.480
<v Speaker 1>goes so much farther. I feel like people want to

0:31:40.480 --> 0:31:41.640
<v Speaker 1>help you when they know you, and you want to

0:31:41.640 --> 0:31:44.200
<v Speaker 1>help someone who know them. There's so many people that

0:31:44.240 --> 0:31:50.240
<v Speaker 1>are touchy feely. You just gotta get get to know them. No,

0:31:50.400 --> 0:31:51.800
<v Speaker 1>I mean you have to get to know them, and

0:31:52.200 --> 0:31:54.360
<v Speaker 1>once they get to know you, they'll kill for you. Yeah,

0:31:54.840 --> 0:31:57.640
<v Speaker 1>you know. And so I always really work on that.

0:31:57.680 --> 0:32:03.080
<v Speaker 1>I always try and put people together other it's artists, managers, agents, whatever.

0:32:03.120 --> 0:32:06.520
<v Speaker 1>I'm always trying to network people. I love networking people.

0:32:06.840 --> 0:32:09.280
<v Speaker 1>I'm very good at networking. So how do you deal

0:32:09.360 --> 0:32:13.240
<v Speaker 1>with radio because radio is such a separate beast and

0:32:13.480 --> 0:32:15.840
<v Speaker 1>booking because you have all these great acts. There's a

0:32:15.840 --> 0:32:18.880
<v Speaker 1>lot of great female acts in particular to females are

0:32:18.880 --> 0:32:20.800
<v Speaker 1>having a hard time in country music right now. A

0:32:20.880 --> 0:32:22.920
<v Speaker 1>lot having to do with radio and not playing him,

0:32:23.680 --> 0:32:27.160
<v Speaker 1>changing it. How are you changing that? Because we're getting

0:32:28.080 --> 0:32:32.240
<v Speaker 1>Kelsey Bellerini, We've got Cam happening, gret Brooke Eden starting

0:32:32.280 --> 0:32:35.320
<v Speaker 1>to happen. We've got a lot of stuff that's happening,

0:32:35.880 --> 0:32:38.400
<v Speaker 1>you know, And a lot of that is my friends

0:32:39.080 --> 0:32:42.240
<v Speaker 1>carry Wolf and Milwaukee. There's a bunch of playmakers, your

0:32:42.280 --> 0:32:45.080
<v Speaker 1>friends with the radio, because they all do they all

0:32:45.080 --> 0:32:48.680
<v Speaker 1>do radio shows and they need artists, so they buy

0:32:48.720 --> 0:32:51.360
<v Speaker 1>a lot of stuff from from us directly as opposed

0:32:51.400 --> 0:32:54.120
<v Speaker 1>to promoter putting him in there. And then they're also

0:32:54.640 --> 0:32:56.320
<v Speaker 1>these guys on the air. I want to know that

0:32:56.360 --> 0:32:59.240
<v Speaker 1>they have Taylor Swift and I can call up. And

0:32:59.240 --> 0:33:01.719
<v Speaker 1>I got Martin Bride calling in. I got this calling in.

0:33:02.040 --> 0:33:05.880
<v Speaker 1>So some in some regards as an agent, I'm much

0:33:05.960 --> 0:33:08.960
<v Speaker 1>much more of a manager agent. And sometimes that's good,

0:33:08.960 --> 0:33:12.280
<v Speaker 1>sometimes it's bad. But I'm really involved with my clients

0:33:12.520 --> 0:33:15.600
<v Speaker 1>and the managers. Their managers all know that I'm really involved.

0:33:16.040 --> 0:33:18.600
<v Speaker 1>I think that's important. I do too, But I have

0:33:18.680 --> 0:33:21.440
<v Speaker 1>other friends of mine they are great agents, and until

0:33:21.520 --> 0:33:24.240
<v Speaker 1>they tell their artists asked for something, they would never

0:33:24.280 --> 0:33:27.520
<v Speaker 1>do anything. I like to be proactive. I like to

0:33:27.600 --> 0:33:29.640
<v Speaker 1>keep bringing them stuff and keep bringing them because I

0:33:29.640 --> 0:33:31.720
<v Speaker 1>think they work harder than because they know how hard

0:33:31.720 --> 0:33:34.280
<v Speaker 1>you're working, right, And also there it's an opportunity they

0:33:34.280 --> 0:33:37.600
<v Speaker 1>haven't thought about, you know, I mean things and or else.

0:33:37.640 --> 0:33:42.280
<v Speaker 1>Martina will talk about she she loves cooking. So we

0:33:42.280 --> 0:33:45.000
<v Speaker 1>went and made a cookbook. So we went to I called.

0:33:45.680 --> 0:33:48.880
<v Speaker 1>She said, it was her, it's her idea. I was

0:33:48.920 --> 0:33:51.959
<v Speaker 1>able to make it happen with Simon Green in New

0:33:52.040 --> 0:33:55.040
<v Speaker 1>York City. Yeah, so you're like, done, you want a cookbook.

0:33:55.040 --> 0:33:57.000
<v Speaker 1>We're gonna make a cook book. Well she had to go,

0:33:57.160 --> 0:33:58.920
<v Speaker 1>you have to go sell it. You can't, like I said,

0:33:58.960 --> 0:34:00.920
<v Speaker 1>you can't sell duds. You have to you have to

0:34:00.960 --> 0:34:03.840
<v Speaker 1>have something behind it. But once Martina went and met

0:34:04.480 --> 0:34:07.520
<v Speaker 1>the publishers, they were in yea. And in fact, I

0:34:07.520 --> 0:34:08.879
<v Speaker 1>think they came down here and went to her house

0:34:08.920 --> 0:34:11.080
<v Speaker 1>for dinner and they were totally in cooked for him.

0:34:11.520 --> 0:34:14.240
<v Speaker 1>And that was it. Why do you think women haven't

0:34:14.280 --> 0:34:16.920
<v Speaker 1>been a big presence lately? Why they're coming back? But

0:34:17.000 --> 0:34:19.560
<v Speaker 1>why do they have a little Well, we just got

0:34:19.600 --> 0:34:22.200
<v Speaker 1>into this whole broke country for so long and it

0:34:22.239 --> 0:34:25.120
<v Speaker 1>turned out to be just male dominant. And you know,

0:34:25.239 --> 0:34:29.520
<v Speaker 1>and again there was a cut off. You said some

0:34:29.560 --> 0:34:32.319
<v Speaker 1>of the people who were just getting older and you

0:34:32.360 --> 0:34:36.279
<v Speaker 1>didn't have to blow away people that were younger. And

0:34:36.360 --> 0:34:39.120
<v Speaker 1>I think right now some of the younger kids are

0:34:39.200 --> 0:34:43.640
<v Speaker 1>just incredible artists. I think they're really, really good. And

0:34:44.239 --> 0:34:46.799
<v Speaker 1>unless you're really great, you're not going to make it.

0:34:47.440 --> 0:34:50.640
<v Speaker 1>And I think I think cam Kelsey. I mean, all

0:34:50.680 --> 0:34:53.520
<v Speaker 1>these people are not overnight success. They've been doing this

0:34:53.560 --> 0:34:55.440
<v Speaker 1>for a long time. They just happened to get the

0:34:55.480 --> 0:34:58.239
<v Speaker 1>brakes right now. Who are you most excited about this

0:34:58.280 --> 0:35:02.520
<v Speaker 1>new batch of artists? Who are you most on fire for? Um?

0:35:02.560 --> 0:35:06.160
<v Speaker 1>I'm really really onside on fired for Brooklyn brook She's awesome.

0:35:06.480 --> 0:35:10.160
<v Speaker 1>I think she's cute. She writes Harley with me, Yeah

0:35:10.280 --> 0:35:14.160
<v Speaker 1>she does. She's She's my Harley bitch. But in the meantime,

0:35:15.000 --> 0:35:18.040
<v Speaker 1>I think she's also really good. Her voice is ridiculous

0:35:18.040 --> 0:35:20.160
<v Speaker 1>when you put it again, if you can't deliver, I

0:35:20.200 --> 0:35:23.440
<v Speaker 1>can sell all day lyng, it won't happen. And she's

0:35:23.520 --> 0:35:26.000
<v Speaker 1>really good. So all of a sudden, all the artists

0:35:26.120 --> 0:35:28.560
<v Speaker 1>are loving who she is. And you have to build

0:35:28.560 --> 0:35:31.400
<v Speaker 1>the artist network as much you do the fan network,

0:35:31.760 --> 0:35:34.719
<v Speaker 1>because then they all talk about because it's a community.

0:35:35.480 --> 0:35:37.560
<v Speaker 1>I feel like National in general is a community. It's

0:35:37.560 --> 0:35:39.960
<v Speaker 1>a total community, and the writers are all and there's

0:35:40.000 --> 0:35:41.560
<v Speaker 1>people that are great writers and they're just not ready

0:35:41.600 --> 0:35:43.200
<v Speaker 1>to be an artist yet. And there's people that are

0:35:43.239 --> 0:35:45.879
<v Speaker 1>great writers that never become an artist, and they shouldn't be.

0:35:46.480 --> 0:35:48.520
<v Speaker 1>They don't have the artists. Look, they don't have the

0:35:48.520 --> 0:35:50.680
<v Speaker 1>they don't they don't have the work ethic. Being an

0:35:50.719 --> 0:35:52.600
<v Speaker 1>artist is really hard. What kind of work ethic do

0:35:52.640 --> 0:35:55.640
<v Speaker 1>you have to have? You got to just kill to

0:35:55.640 --> 0:35:57.320
<v Speaker 1>be obsessed. You have to be obsessed. You get to

0:35:57.360 --> 0:35:59.319
<v Speaker 1>bed at midnight, you're up at four in the morning,

0:35:59.440 --> 0:36:02.160
<v Speaker 1>so you look great six am for being on the

0:36:02.239 --> 0:36:04.880
<v Speaker 1>stupid radio. You have to look great because that if

0:36:04.920 --> 0:36:06.840
<v Speaker 1>that guy in there sits there and go, yeah, she

0:36:06.880 --> 0:36:09.200
<v Speaker 1>didn't look that good this morning, they won't play. It's

0:36:09.280 --> 0:36:12.880
<v Speaker 1>that simple. Huh, that's simple. It's very different. Or if

0:36:12.880 --> 0:36:15.680
<v Speaker 1>you're not funny enough, you know, or if you're not

0:36:15.719 --> 0:36:18.320
<v Speaker 1>funny just naturally, you better figure out how to be funny.

0:36:18.400 --> 0:36:21.920
<v Speaker 1>You're well, then you should be a writer. If you

0:36:21.960 --> 0:36:23.799
<v Speaker 1>don't look good, you're not funny. You need to write,

0:36:23.880 --> 0:36:28.160
<v Speaker 1>just write great hit songs, you know. That's true. Yeah,

0:36:28.200 --> 0:36:30.759
<v Speaker 1>but that's I mean there's just so much to do

0:36:31.880 --> 0:36:34.839
<v Speaker 1>in that world that we get people to come in here.

0:36:35.120 --> 0:36:37.239
<v Speaker 1>And I have to say this, Normally, if they're from

0:36:37.239 --> 0:36:40.040
<v Speaker 1>the Voice or from uh some of some of those

0:36:40.040 --> 0:36:44.239
<v Speaker 1>TV shows, they've learned how to sing four songs. I'll

0:36:44.280 --> 0:36:46.800
<v Speaker 1>take anybody that's been playing in front of a crowd

0:36:46.840 --> 0:36:49.839
<v Speaker 1>in a bar and develop them any day before I'll

0:36:49.840 --> 0:36:51.560
<v Speaker 1>just take someone that doesn't know how to do it.

0:36:52.760 --> 0:36:54.480
<v Speaker 1>That's so true, you know, And I just I got

0:36:54.480 --> 0:36:57.279
<v Speaker 1>cringe every time you come in and like, okay, here

0:36:57.280 --> 0:37:00.520
<v Speaker 1>we go. So you have seen a lot of stuff,

0:37:00.520 --> 0:37:02.759
<v Speaker 1>You've done a lot of stuff. Some you might not

0:37:02.800 --> 0:37:05.000
<v Speaker 1>be able to talk about. What is some of the wild?

0:37:05.560 --> 0:37:07.799
<v Speaker 1>Tell me a wild story that like people could not

0:37:07.840 --> 0:37:10.080
<v Speaker 1>believe could really happen. Well, this you don't even know

0:37:10.080 --> 0:37:13.040
<v Speaker 1>who this guy is. Jerry Jeff Walker? Who that is? Okay?

0:37:13.040 --> 0:37:16.440
<v Speaker 1>He wrote Mr bo Jangles. Well, Jerry had a major

0:37:16.480 --> 0:37:19.240
<v Speaker 1>lely drinking problem is early and I was his agent

0:37:19.680 --> 0:37:23.200
<v Speaker 1>and I remember going to a show and anyway, the

0:37:23.200 --> 0:37:27.319
<v Speaker 1>bands on stage playing, playing, and we couldn't find Jerry.

0:37:27.600 --> 0:37:29.319
<v Speaker 1>He was so drunk he was in the audience waiting

0:37:29.360 --> 0:37:33.200
<v Speaker 1>for himself to come on. Yeah, so we put him

0:37:33.200 --> 0:37:35.080
<v Speaker 1>on stage and took towels and wrapped around so he

0:37:35.080 --> 0:37:39.120
<v Speaker 1>wouldn't keep hitting his head against dingy. Well, Jerry Jeff

0:37:39.160 --> 0:37:41.279
<v Speaker 1>never was a great singer. He was just you know,

0:37:41.400 --> 0:37:44.200
<v Speaker 1>but he's saying, but that's why I could write Mr.

0:37:44.200 --> 0:37:47.479
<v Speaker 1>Bo Jangles too, you know. So those kind of things,

0:37:47.760 --> 0:37:50.320
<v Speaker 1>you know, just fun stuff like that. I also remember

0:37:50.600 --> 0:37:54.399
<v Speaker 1>with with Um Andrea Agassi. I used to do all

0:37:54.440 --> 0:37:57.040
<v Speaker 1>the entertainment for Andrea a grassy yeah and stuff. They're

0:37:57.080 --> 0:38:00.640
<v Speaker 1>still friends. So anyone when you're I put Tim McGraw

0:38:01.840 --> 0:38:04.560
<v Speaker 1>on that on the evening and you used to be

0:38:04.640 --> 0:38:06.920
<v Speaker 1>David Foster had a big orchestra and everything. So that

0:38:07.040 --> 0:38:11.800
<v Speaker 1>night there was was uh I think it was Elton John.

0:38:12.200 --> 0:38:15.400
<v Speaker 1>It was Elton John, and Elton sang his song and

0:38:15.880 --> 0:38:18.720
<v Speaker 1>he said, with Tim ever sing with me? Tiny d answer,

0:38:19.640 --> 0:38:21.920
<v Speaker 1>I remember, Tim, should I want to do it? And

0:38:21.920 --> 0:38:25.000
<v Speaker 1>he did it, but he was the wreck, a total wreck,

0:38:25.160 --> 0:38:29.120
<v Speaker 1>just nervous service. He went out and he nailed it

0:38:29.160 --> 0:38:32.320
<v Speaker 1>and they put out as a single for real. He

0:38:32.400 --> 0:38:35.760
<v Speaker 1>was one of Tim's singles. That's amazing. Yeah, But those

0:38:35.840 --> 0:38:38.520
<v Speaker 1>kind of things are just the things that's what fires

0:38:38.560 --> 0:38:40.799
<v Speaker 1>me up, because like you could even dream that up.

0:38:41.080 --> 0:38:44.000
<v Speaker 1>You can't. Some things you can they just happened, or

0:38:44.040 --> 0:38:46.240
<v Speaker 1>other things you can just try and make them happen

0:38:46.239 --> 0:38:49.439
<v Speaker 1>and they still never do. But when they do their

0:38:49.480 --> 0:38:54.520
<v Speaker 1>magic and you'll never see that again, it's like you

0:38:54.600 --> 0:38:56.680
<v Speaker 1>cannot recreate it. I remember we did. We did this

0:38:56.760 --> 0:39:00.520
<v Speaker 1>thing um called off for the Hall. We do off

0:39:00.520 --> 0:39:02.040
<v Speaker 1>for the Hall, l a off for the Hall of

0:39:02.040 --> 0:39:05.759
<v Speaker 1>New York. So this one year it was it's always Emmy,

0:39:05.880 --> 0:39:09.160
<v Speaker 1>Lou Harris, Vince Gills. It's a it's a singer songwriter thing.

0:39:09.840 --> 0:39:14.840
<v Speaker 1>We had Taylor Swift, Lionel Richie, and Christmas Offerson. Now

0:39:15.400 --> 0:39:21.200
<v Speaker 1>Taylor was on fire saying her Tim McGraw's song and everything. Well,

0:39:21.280 --> 0:39:26.040
<v Speaker 1>Lionel sings one of his career anthems, and I remember

0:39:26.200 --> 0:39:28.520
<v Speaker 1>a little Christmas Officers sitting over there and going, you know,

0:39:28.520 --> 0:39:33.080
<v Speaker 1>I wrote this song, and this little girl Janis Joplin

0:39:33.200 --> 0:39:35.600
<v Speaker 1>saying it. But it was you know, I used to

0:39:35.600 --> 0:39:38.839
<v Speaker 1>call my manager. He never talked to me, so I

0:39:38.920 --> 0:39:43.239
<v Speaker 1>kept talking all the time to his assistant, his secretary,

0:39:43.520 --> 0:39:46.560
<v Speaker 1>and her name was Bobby McGhee, and he started singing

0:39:46.560 --> 0:39:49.080
<v Speaker 1>me and Bobby McGee. That's how he wrote the song

0:39:49.200 --> 0:39:52.399
<v Speaker 1>because he was talking to secretary. His manager wouldn't talk

0:39:52.400 --> 0:39:55.239
<v Speaker 1>to him, so Bobby McGhee was his manager's secretary. And

0:39:55.239 --> 0:40:01.080
<v Speaker 1>I'm telling you to this day, I mean, I'm telling you,

0:40:01.160 --> 0:40:03.160
<v Speaker 1>if you walked up the lionel or Taylor and say

0:40:03.200 --> 0:40:05.200
<v Speaker 1>what was what was an event in your life, they'll

0:40:05.200 --> 0:40:09.200
<v Speaker 1>say christmasofts and singing Bobby McGee because you know he's

0:40:09.239 --> 0:40:12.560
<v Speaker 1>old and he's got sort of onset of Alzheimer's and

0:40:13.040 --> 0:40:15.400
<v Speaker 1>you know everything, but it's just kind of it was

0:40:15.480 --> 0:40:19.880
<v Speaker 1>such an emotional moment that night for these major stars.

0:40:20.760 --> 0:40:23.400
<v Speaker 1>Dang and yeah, they because you don't know all the

0:40:23.400 --> 0:40:26.560
<v Speaker 1>back stories, you don't know, and it was just, you know,

0:40:26.680 --> 0:40:28.960
<v Speaker 1>we just did the one this last year and that

0:40:29.120 --> 0:40:34.759
<v Speaker 1>had Carrie Underwood, Brad Paisley, Emmy, Lou Harris, Vince and

0:40:34.800 --> 0:40:38.920
<v Speaker 1>Paul Simon. And when Paul Simon starts singing, every just

0:40:39.000 --> 0:40:41.440
<v Speaker 1>dropped her guitars and went, oh my god, how how

0:40:41.440 --> 0:40:44.680
<v Speaker 1>do we even do this? You know, just you know,

0:40:44.840 --> 0:40:47.400
<v Speaker 1>it just it just I mean those kind of things

0:40:47.440 --> 0:40:49.840
<v Speaker 1>to me are that's why I do this every day. Well,

0:40:49.880 --> 0:40:53.120
<v Speaker 1>I'll take ship all day long to get those moments

0:40:53.480 --> 0:40:55.600
<v Speaker 1>because people don't get those moments. I agree, with you

0:40:55.640 --> 0:40:57.560
<v Speaker 1>like you don't want an ordinary life? You never want

0:40:57.600 --> 0:40:59.160
<v Speaker 1>How did you know you didn't want an ordinary life?

0:40:59.160 --> 0:41:02.960
<v Speaker 1>Like you just aren't made for it. I grew up

0:41:03.000 --> 0:41:06.080
<v Speaker 1>in a little town. I leven kids in my graduating class,

0:41:06.080 --> 0:41:07.879
<v Speaker 1>and all I want to do is get out of that.

0:41:08.320 --> 0:41:11.479
<v Speaker 1>Get out. I wanted to get out, and a big

0:41:11.520 --> 0:41:14.000
<v Speaker 1>thing to me was having someplace I lived in my

0:41:14.040 --> 0:41:16.640
<v Speaker 1>life that would have something open all night long. It

0:41:16.680 --> 0:41:18.920
<v Speaker 1>could be a Perkins waffle hall. They didn't care. It

0:41:19.000 --> 0:41:22.200
<v Speaker 1>had something. So then I just, like I said, I

0:41:22.239 --> 0:41:24.759
<v Speaker 1>just kept signing and signing and signing people, you know,

0:41:25.320 --> 0:41:27.640
<v Speaker 1>and it just it's kept going through all these years.

0:41:27.840 --> 0:41:33.160
<v Speaker 1>It's been a very good life with that same thing.

0:41:33.520 --> 0:41:36.520
<v Speaker 1>That's why I travel over the holidays and go to

0:41:36.600 --> 0:41:39.239
<v Speaker 1>all these crazy places. I've never been these places. So

0:41:39.280 --> 0:41:41.640
<v Speaker 1>you want to, like, is your goal like rod esse

0:41:41.880 --> 0:41:45.040
<v Speaker 1>mission statement for life? Do it all, be it all,

0:41:45.040 --> 0:41:48.279
<v Speaker 1>see it all big, and have fun at it. But

0:41:48.320 --> 0:41:50.879
<v Speaker 1>you want to experience everything? Yes? I want it all.

0:41:51.560 --> 0:41:53.920
<v Speaker 1>So what are the coolest things you've experienced? Well? I

0:41:53.960 --> 0:41:57.320
<v Speaker 1>had last year in November. I've always wanted to land

0:41:58.360 --> 0:42:00.720
<v Speaker 1>in an f A ten on an aircraft here, okay,

0:42:00.760 --> 0:42:02.120
<v Speaker 1>and so I do a lot of work with the

0:42:02.239 --> 0:42:05.360
<v Speaker 1>with the US Afghanistan. You convinced me that Iraq was

0:42:05.360 --> 0:42:07.480
<v Speaker 1>gonna be safe going over there, that it was not

0:42:07.560 --> 0:42:09.839
<v Speaker 1>scary at all, and then we're getting Now we're sitting here.

0:42:09.880 --> 0:42:12.480
<v Speaker 1>It's great and it was a great experience, wasn't it.

0:42:12.480 --> 0:42:14.600
<v Speaker 1>It was a great experience. It wasn't I'm so grateful

0:42:14.640 --> 0:42:16.919
<v Speaker 1>I did. It was the most amazing experience. Meanwhile, though,

0:42:16.920 --> 0:42:19.120
<v Speaker 1>you're telling me you had just gotten back from Afghanistan

0:42:19.480 --> 0:42:22.880
<v Speaker 1>where a bomb dropped right by y'all, I think that

0:42:22.920 --> 0:42:24.839
<v Speaker 1>you're in You're like, but don't worry about it. It'll

0:42:24.880 --> 0:42:27.720
<v Speaker 1>be fine. It's fine, and you're fine to it, aren't

0:42:27.719 --> 0:42:31.239
<v Speaker 1>you totally fine? You're fearless now. So anyway, so I

0:42:31.280 --> 0:42:34.040
<v Speaker 1>got to land on an aircraft carrier in November and

0:42:34.320 --> 0:42:37.080
<v Speaker 1>stayed there all day long, shot guns off the aircraft

0:42:37.120 --> 0:42:40.879
<v Speaker 1>carrier and the next day take off, cat catapult off

0:42:41.400 --> 0:42:43.879
<v Speaker 1>in and f a T and go back and those

0:42:43.880 --> 0:42:47.520
<v Speaker 1>are I had that wish for probably twelve years, and

0:42:47.520 --> 0:42:50.320
<v Speaker 1>he did it. How was it? Finally? Was beyond incredible.

0:42:50.360 --> 0:42:52.920
<v Speaker 1>It was beyond And some people say, why did you

0:42:52.960 --> 0:42:55.520
<v Speaker 1>do it? I've always wanted it, that's I don't. I

0:42:55.560 --> 0:42:58.239
<v Speaker 1>don't want to skydive. It's not my thing, so I'm

0:42:58.239 --> 0:43:00.520
<v Speaker 1>not gonna do that. You know, I do want to

0:43:00.520 --> 0:43:03.520
<v Speaker 1>go to Africa and African Safari, which is have you

0:43:03.560 --> 0:43:05.600
<v Speaker 1>done that yet? No, that'll be next year. So you

0:43:05.680 --> 0:43:10.800
<v Speaker 1>just got back from India And how is that? Chaos? Chaos, chaos.

0:43:11.000 --> 0:43:13.239
<v Speaker 1>I loved it. I'm glad I did it. I won't

0:43:13.239 --> 0:43:19.080
<v Speaker 1>go back and do it again. Incredible, incredible, just crowded, crowded, crowded, crowded.

0:43:19.680 --> 0:43:21.720
<v Speaker 1>I mean, it's like I said, it's chaos at its best,

0:43:21.920 --> 0:43:24.560
<v Speaker 1>and I just I'm glad again. I'm glad I did it,

0:43:25.120 --> 0:43:27.360
<v Speaker 1>but it's not my thing. I'm much rather go to

0:43:27.400 --> 0:43:30.600
<v Speaker 1>Spain or you know, or do go to Italy or

0:43:30.680 --> 0:43:34.440
<v Speaker 1>you know. I mean, I loved we went to um

0:43:34.520 --> 0:43:36.719
<v Speaker 1>when year went to Tahiti, that was great, and then

0:43:36.760 --> 0:43:41.960
<v Speaker 1>we went to Thailand, Cambodia. Thailand. Thailand was just amazing,

0:43:42.000 --> 0:43:45.480
<v Speaker 1>It's amazing, and Cambodia Anger Watt was a highlight too.

0:43:46.360 --> 0:43:48.480
<v Speaker 1>But we've done that with with our kids and hopefully

0:43:48.520 --> 0:43:51.600
<v Speaker 1>they have great memories. You know, where where are your

0:43:51.640 --> 0:43:56.719
<v Speaker 1>top places you've traveled? Thailand? Uh, Spain, Oh, I love Spain.

0:43:56.760 --> 0:43:59.840
<v Speaker 1>I lived in Spain, did you love I'm gonna go

0:43:59.840 --> 0:44:01.839
<v Speaker 1>back to Spain. Where in Spain would you want to go?

0:44:02.320 --> 0:44:06.520
<v Speaker 1>I'll go back to Barcelona. I loved it with all

0:44:06.520 --> 0:44:08.080
<v Speaker 1>the gaudy stuff, and I think I loved it. The

0:44:08.080 --> 0:44:11.560
<v Speaker 1>people were great. You know. I like the Italy. So

0:44:11.680 --> 0:44:14.359
<v Speaker 1>I didn't like France. You didn't like France? Why not?

0:44:15.160 --> 0:44:18.240
<v Speaker 1>I thought the people were snooty. Really, I'm not. I'm not. Wasn't.

0:44:18.200 --> 0:44:21.880
<v Speaker 1>The people in Italy was so nice. But yeah, I

0:44:21.880 --> 0:44:24.279
<v Speaker 1>was into it. Okay. So I mean, I love the

0:44:24.360 --> 0:44:26.719
<v Speaker 1>louve and all that kind of stuff, and Martie Monte

0:44:26.760 --> 0:44:30.600
<v Speaker 1>Carlo was incredible. But it's just I just think the

0:44:30.600 --> 0:44:36.640
<v Speaker 1>people were a little obnoxious. You have to you have

0:44:36.680 --> 0:44:38.040
<v Speaker 1>to get rid of that when you can't say that

0:44:38.360 --> 0:44:41.040
<v Speaker 1>I have French people. I don't need French acts. Okay,

0:44:41.080 --> 0:44:46.440
<v Speaker 1>that's crazy leaning on Hurt Love I love On and

0:44:46.480 --> 0:44:49.080
<v Speaker 1>Michael Bolton. She's a great singer, the best in the world.

0:44:49.280 --> 0:44:52.600
<v Speaker 1>I love singers. You do you appreciate it? You love singers?

0:44:52.600 --> 0:44:54.479
<v Speaker 1>If you are you know what they call that spot

0:44:54.560 --> 0:44:57.359
<v Speaker 1>it got it? You are a great singer, rod Esse,

0:44:57.840 --> 0:45:01.279
<v Speaker 1>So you noticed that in other people? It's a big

0:45:01.400 --> 0:45:04.840
<v Speaker 1>deal to walk into a showcase and they get two songs.

0:45:04.920 --> 0:45:07.359
<v Speaker 1>If they're off pitch for two songs, I'm out the door.

0:45:07.880 --> 0:45:09.960
<v Speaker 1>I don't care. But how good they look or what

0:45:10.480 --> 0:45:12.360
<v Speaker 1>if you can't sing on pitch and you're a singer,

0:45:12.920 --> 0:45:15.680
<v Speaker 1>don't go into business. I don't care. Auto tune is

0:45:15.680 --> 0:45:19.680
<v Speaker 1>not going to save your ass, you know. So now,

0:45:20.160 --> 0:45:21.680
<v Speaker 1>why do you think so many people have addictions in

0:45:21.719 --> 0:45:25.760
<v Speaker 1>this industry? I think it's just very difficult. It's seven

0:45:26.920 --> 0:45:29.440
<v Speaker 1>So take yourself, I mean you do. That's a normal

0:45:29.520 --> 0:45:34.640
<v Speaker 1>day that you go. It's it's kind of crazy. You

0:45:34.640 --> 0:45:40.759
<v Speaker 1>you spend twenty hours waiting to perform thirty minutes, and

0:45:40.800 --> 0:45:43.360
<v Speaker 1>then you got to keep up and happy for the

0:45:43.400 --> 0:45:47.279
<v Speaker 1>other three and a half hours until everybody leaves, and

0:45:47.320 --> 0:45:49.360
<v Speaker 1>then you then you're so wired that you have to

0:45:49.640 --> 0:45:53.080
<v Speaker 1>somehow try and slow down to get up at four

0:45:53.080 --> 0:45:55.560
<v Speaker 1>in the morning to take a shower and be wh

0:45:55.800 --> 0:45:58.480
<v Speaker 1>So then they go down and you go back up again,

0:45:59.320 --> 0:46:00.680
<v Speaker 1>and then you get done with that in the mornings

0:46:00.760 --> 0:46:03.480
<v Speaker 1>nine o'clock in the morning, Well, do I really want

0:46:03.480 --> 0:46:05.359
<v Speaker 1>to go to sleep again? I mean, it's just it's

0:46:05.400 --> 0:46:07.920
<v Speaker 1>just a really really roughing have to be on all

0:46:07.960 --> 0:46:09.479
<v Speaker 1>the time. You've got to be on You could never

0:46:09.680 --> 0:46:11.480
<v Speaker 1>have an encounter with someone and they have a bad

0:46:11.480 --> 0:46:14.120
<v Speaker 1>experience with you. And let me tell you the in

0:46:14.239 --> 0:46:18.080
<v Speaker 1>your world today, your world, our world. I'm still here,

0:46:18.360 --> 0:46:21.719
<v Speaker 1>You're still definitely here. But you know, the cameras are

0:46:21.719 --> 0:46:24.480
<v Speaker 1>on everywhere right here. I mean yeah, I mean you're

0:46:24.520 --> 0:46:28.759
<v Speaker 1>any place it used to be somebody do would screw up.

0:46:29.080 --> 0:46:30.879
<v Speaker 1>It would take three days for any ways to find

0:46:30.920 --> 0:46:34.160
<v Speaker 1>out about it. You know, even during the war it

0:46:34.239 --> 0:46:36.840
<v Speaker 1>took twenty four hour hours for that that stuff to

0:46:36.880 --> 0:46:39.759
<v Speaker 1>come back here. Everything is documented now anything in the

0:46:39.760 --> 0:46:43.399
<v Speaker 1>world going on, and it's there, even in your own

0:46:43.400 --> 0:46:45.440
<v Speaker 1>bathroom if you have somebody put a camera there. I

0:46:45.080 --> 0:46:47.840
<v Speaker 1>mean that it's just it's just it's not somewhat not

0:46:47.960 --> 0:46:50.000
<v Speaker 1>fair that there's no place for you to get there's

0:46:50.000 --> 0:46:53.560
<v Speaker 1>no place to Okay, So who who do you have

0:46:53.560 --> 0:46:57.239
<v Speaker 1>any problem? Max? No, all of them are perfect m

0:46:57.520 --> 0:47:03.279
<v Speaker 1>M for this interview, Yes, Jim. Any favorites that you

0:47:03.400 --> 0:47:07.320
<v Speaker 1>just love to be around, Yeah, I love I absolutely

0:47:07.360 --> 0:47:09.680
<v Speaker 1>love to be here. I'd like to be around Tim McGraw.

0:47:10.000 --> 0:47:14.120
<v Speaker 1>He's a great guys got he's very intense. He runs

0:47:14.160 --> 0:47:17.640
<v Speaker 1>four miles afore he does a show every show that's

0:47:17.760 --> 0:47:19.839
<v Speaker 1>he's in great ship. He's just you know it is

0:47:20.239 --> 0:47:23.880
<v Speaker 1>he's a guy that, um he's your partner, but he

0:47:23.920 --> 0:47:27.359
<v Speaker 1>never leaves. He may get mad at you, but and

0:47:27.640 --> 0:47:30.839
<v Speaker 1>that is he's questioning what you're doing or he's done

0:47:30.840 --> 0:47:34.239
<v Speaker 1>something or whatever. But that's what I love about him

0:47:34.280 --> 0:47:36.799
<v Speaker 1>because he's he's I always say, if you go into

0:47:36.800 --> 0:47:39.520
<v Speaker 1>an alleyway for a fight, Tim will be right next

0:47:39.520 --> 0:47:41.680
<v Speaker 1>to you. He will not stay in what you have

0:47:41.719 --> 0:47:43.960
<v Speaker 1>to fight and say how you come out? Really, and

0:47:44.000 --> 0:47:45.680
<v Speaker 1>there's there's a bunch of people like that, you know.

0:47:45.719 --> 0:47:48.480
<v Speaker 1>I mean, I've had, you know, a fun acts to

0:47:48.480 --> 0:47:52.719
<v Speaker 1>be I love. I love being around John and Martina. Yeah,

0:47:52.800 --> 0:47:56.400
<v Speaker 1>they're fun. Leanne is great, but she's she's like my daughter.

0:47:56.480 --> 0:47:58.560
<v Speaker 1>So it's like she's been with me for so many years.

0:47:58.560 --> 0:48:00.920
<v Speaker 1>It's like, you know, and that's great. And yet when

0:48:00.920 --> 0:48:04.879
<v Speaker 1>she opens her mouth, she's a incredible Singer's the best.

0:48:05.080 --> 0:48:07.759
<v Speaker 1>She just blows your socks off. Tim and Faith as

0:48:07.760 --> 0:48:11.080
<v Speaker 1>perfect as they sing. Yeah, I think they really are.

0:48:11.200 --> 0:48:14.440
<v Speaker 1>I think that they really are. Um. I think Faith

0:48:14.560 --> 0:48:16.560
<v Speaker 1>is just I'd love to walk into the house and

0:48:16.600 --> 0:48:18.680
<v Speaker 1>she's got all these what she used to have all

0:48:18.719 --> 0:48:22.080
<v Speaker 1>the you know, all this yellow pages full of all

0:48:22.120 --> 0:48:24.439
<v Speaker 1>their itineraries and what they're gonna do, what the girls

0:48:24.520 --> 0:48:26.080
<v Speaker 1>do this day, and what they're doing, what they're doing.

0:48:26.400 --> 0:48:28.759
<v Speaker 1>I mean, I think she's just incredible that way. She's

0:48:28.800 --> 0:48:32.880
<v Speaker 1>a great decorator. She's gorgeous. But they're both really nice people.

0:48:33.600 --> 0:48:37.359
<v Speaker 1>That's the big They're really nice people. They're not unhappy, yeah,

0:48:37.760 --> 0:48:40.960
<v Speaker 1>you know, they're just they're good people. So you can

0:48:41.000 --> 0:48:42.640
<v Speaker 1>have great wives. You have a great wife. How did

0:48:42.719 --> 0:48:46.080
<v Speaker 1>y'all meet? Because she's a saint to be here and

0:48:46.120 --> 0:48:52.479
<v Speaker 1>you're you're an angel, but you're a wild man. Years well,

0:48:53.320 --> 0:48:56.359
<v Speaker 1>way back when again I was a singer. She fell

0:48:56.400 --> 0:48:59.040
<v Speaker 1>in love with your voice, did you? I was, so

0:48:59.239 --> 0:49:04.160
<v Speaker 1>I met her. I my partners son was getting married

0:49:04.760 --> 0:49:08.640
<v Speaker 1>to her cousin, and I was the wedding singer, no way,

0:49:08.840 --> 0:49:10.279
<v Speaker 1>and I thought you had a great ass. So that's

0:49:10.280 --> 0:49:14.480
<v Speaker 1>where I went. So she loved you before any of

0:49:14.520 --> 0:49:18.719
<v Speaker 1>this happened. Before playmate tour, Oh no, no, that's OK.

0:49:18.880 --> 0:49:23.880
<v Speaker 1>You had I was in my late twenties early thirties,

0:49:23.880 --> 0:49:26.720
<v Speaker 1>so there was I had a lot of playmate time.

0:49:29.280 --> 0:49:31.120
<v Speaker 1>I think that's good for all people to have some

0:49:31.920 --> 0:49:33.759
<v Speaker 1>so I had some time and everything like that. In fact,

0:49:33.800 --> 0:49:36.760
<v Speaker 1>for the first couple of years, there was a number

0:49:36.760 --> 0:49:39.239
<v Speaker 1>of people that would come up and say hi to us,

0:49:39.280 --> 0:49:43.400
<v Speaker 1>and she didn't appreciate that. I mean, the past is

0:49:43.440 --> 0:49:47.160
<v Speaker 1>the past, right. So you have two amazing kids. They're

0:49:47.160 --> 0:49:49.279
<v Speaker 1>both in this industry. They're both in the industry in

0:49:49.320 --> 0:49:52.799
<v Speaker 1>different facets. Yes, your daughter Laana is super talented. She's

0:49:52.800 --> 0:49:56.239
<v Speaker 1>a great singer, and she's being an actress and doing

0:49:55.800 --> 0:49:58.200
<v Speaker 1>her yes and doing her thing. And my son is

0:49:59.600 --> 0:50:01.640
<v Speaker 1>so be on what I can even understand. It's like

0:50:01.640 --> 0:50:03.920
<v Speaker 1>a genius. Yes, in the gaming world of you know,

0:50:04.080 --> 0:50:07.920
<v Speaker 1>of game apps and has his own company and it's

0:50:08.000 --> 0:50:09.759
<v Speaker 1>kind of crazy and hopefully he'll sell it in the

0:50:09.840 --> 0:50:12.600
<v Speaker 1>year so now and we'll be fine. Okay, So anything

0:50:12.600 --> 0:50:14.600
<v Speaker 1>else I missed that You need to tell me that

0:50:14.600 --> 0:50:17.319
<v Speaker 1>it would be awesome for listeners to hear. Do we

0:50:17.320 --> 0:50:19.600
<v Speaker 1>get to talk about some of our times in Vegas

0:50:19.600 --> 0:50:25.720
<v Speaker 1>and stuff? What happens in Vegas? That's saying for a reason.

0:50:27.880 --> 0:50:30.279
<v Speaker 1>I do love Vegas, Yes, you do. We had some fun.

0:50:30.400 --> 0:50:33.520
<v Speaker 1>We had some fun there, I know we've had We've

0:50:33.600 --> 0:50:36.000
<v Speaker 1>been in Vegas many times a day. Yes, we have

0:50:36.080 --> 0:50:37.839
<v Speaker 1>so it's been good. It's been fun. But I love

0:50:37.880 --> 0:50:39.680
<v Speaker 1>the stuff. I love the direction you're going in now.

0:50:39.719 --> 0:50:42.399
<v Speaker 1>It's great. You do Do you support my hosting career?

0:50:42.480 --> 0:50:44.399
<v Speaker 1>I totally do. Will you get all of your artists

0:50:44.440 --> 0:50:47.200
<v Speaker 1>tweet about this podcast? Yes I will, you will, And

0:50:47.239 --> 0:50:49.600
<v Speaker 1>also I'll go book a nice, big fat date for

0:50:49.640 --> 0:50:51.160
<v Speaker 1>your husband so you can so we pay for this.

0:50:51.680 --> 0:50:53.839
<v Speaker 1>Thousand says Yes. That's one of your other favorite bands,

0:50:53.880 --> 0:50:56.839
<v Speaker 1>isn't it. I love I think they're great. Michael's great,

0:50:56.880 --> 0:50:59.000
<v Speaker 1>but a lot of years too. You both have that hair.

0:50:59.120 --> 0:51:02.720
<v Speaker 1>You both have a sex hair. It's that flowing locks,

0:51:03.120 --> 0:51:05.440
<v Speaker 1>so it gets all the ladies. But his his is

0:51:05.440 --> 0:51:10.440
<v Speaker 1>still black. Mine is beyond it. You're still color. Yeah,

0:51:10.520 --> 0:51:13.320
<v Speaker 1>that's good, that's good. I know, Rod, you're already married,

0:51:13.360 --> 0:51:15.239
<v Speaker 1>so I mean I had to marry Michael. I know

0:51:15.360 --> 0:51:17.719
<v Speaker 1>that's true. That's okay, But I also remember when you

0:51:17.800 --> 0:51:21.839
<v Speaker 1>left him. Know, we had quite we had a road.

0:51:22.920 --> 0:51:25.239
<v Speaker 1>Know we can talk about. I like to call it

0:51:25.239 --> 0:51:28.200
<v Speaker 1>our halftime show. All great acts have a halftime show.

0:51:28.280 --> 0:51:31.719
<v Speaker 1>That's true, that's true. Yeah, okay, So to wrap up

0:51:31.760 --> 0:51:34.840
<v Speaker 1>my podcast, I'm wanting everyone to have a little segment

0:51:34.880 --> 0:51:38.640
<v Speaker 1>called leave your Light give me some inspiration that either

0:51:38.719 --> 0:51:41.760
<v Speaker 1>has affected you or that you can affect on other people.

0:51:43.520 --> 0:51:46.680
<v Speaker 1>I think the one thing if everybody, if I could

0:51:46.680 --> 0:51:51.719
<v Speaker 1>tell all the young people, if you have a passion,

0:51:52.680 --> 0:51:56.960
<v Speaker 1>just stay with it. Tenacity is everything, because it maybe

0:51:56.960 --> 0:52:00.360
<v Speaker 1>not be the right time right now, but it'll come round.

0:52:00.840 --> 0:52:04.080
<v Speaker 1>Everything goes in circles, and so if you really have

0:52:04.200 --> 0:52:06.719
<v Speaker 1>that passion, just stay true to it and don't change it,

0:52:07.760 --> 0:52:12.200
<v Speaker 1>because it'll all happen. It will. Well, I'm just I mean,

0:52:12.239 --> 0:52:14.480
<v Speaker 1>so many people change, change change. If they just did

0:52:14.800 --> 0:52:18.279
<v Speaker 1>this way and people got to know who they were

0:52:18.480 --> 0:52:22.439
<v Speaker 1>for that, then it happens. That's what it is. Yeah,

0:52:22.440 --> 0:52:24.640
<v Speaker 1>it is. And you know it's not gonna be always

0:52:24.640 --> 0:52:28.719
<v Speaker 1>easy every day. Nothing's ever easy. But uh, you know,

0:52:28.760 --> 0:52:31.920
<v Speaker 1>like I'm I always said, I'm one of the lucky people.

0:52:32.480 --> 0:52:34.879
<v Speaker 1>I got to do my life what I want to do.

0:52:35.320 --> 0:52:36.680
<v Speaker 1>I've always wanted to be an agent. I got to

0:52:36.680 --> 0:52:39.279
<v Speaker 1>be an agent my whole life. So I'm very I'm

0:52:39.280 --> 0:52:42.080
<v Speaker 1>still happy. I still get excited about every day. I mean,

0:52:42.120 --> 0:52:44.200
<v Speaker 1>I have my ups and downs, to believe me, but

0:52:44.920 --> 0:52:48.239
<v Speaker 1>most of them. I never dislike anybody I get. I

0:52:48.280 --> 0:52:51.880
<v Speaker 1>get frustrated with what they do but I don't dislike anybody,

0:52:52.040 --> 0:52:54.840
<v Speaker 1>So frustration is the biggest thing. And and that's just

0:52:54.920 --> 0:52:57.880
<v Speaker 1>because somebody did some dumb thing, or somebody had announced

0:52:57.880 --> 0:53:00.920
<v Speaker 1>something before they they didn't tell you the truth. And

0:53:01.280 --> 0:53:04.000
<v Speaker 1>so you have grace for people. Oh yeah, totally. Well,

0:53:04.040 --> 0:53:06.560
<v Speaker 1>I never I never say never with anybody. I I

0:53:06.600 --> 0:53:09.160
<v Speaker 1>don't have anybody that I've ever left. That's just no.

0:53:09.440 --> 0:53:10.959
<v Speaker 1>I'm not gonna see him. Were gonna talk to Himgain?

0:53:11.000 --> 0:53:14.680
<v Speaker 1>Never quite an accomplishment. I don't know why. Right, it's

0:53:14.680 --> 0:53:19.080
<v Speaker 1>too it's negative. It takes too much energy to hate somebody.

0:53:19.280 --> 0:53:22.440
<v Speaker 1>I love that. Okay, Rod, Rod, everyone, thank you for

0:53:22.520 --> 0:53:31.200
<v Speaker 1>joining me. This is amazing. Oh shooting a Carola, She's

0:53:31.239 --> 0:53:37.000
<v Speaker 1>the queen of talking. He she's only inside. She got

0:53:37.040 --> 0:53:47.080
<v Speaker 1>the scoop one no one can do with Carol. I

0:53:47.080 --> 0:53:49.880
<v Speaker 1>hope you guys loved hearing all of the inside skinny

0:53:49.920 --> 0:53:55.000
<v Speaker 1>from Rod es. That man knows everybody and knows everything

0:53:55.200 --> 0:53:58.640
<v Speaker 1>about the entertainment industry, and it was so awesome to

0:53:58.680 --> 0:54:00.279
<v Speaker 1>get to hear it from his own mouth. I hope

0:54:00.280 --> 0:54:02.040
<v Speaker 1>that you loved it, and I hope do you feel

0:54:02.280 --> 0:54:05.719
<v Speaker 1>more enlightened about what goes on behind the scenes. Next week,

0:54:05.800 --> 0:54:09.160
<v Speaker 1>I have the Warren Brothers and y'all brace yourselves. I

0:54:09.200 --> 0:54:11.680
<v Speaker 1>mean it, like get ready, because these guys are wild.

0:54:11.920 --> 0:54:16.640
<v Speaker 1>They are wild maniacs in the best way possible. There

0:54:16.680 --> 0:54:19.600
<v Speaker 1>two brothers. They had a big artist career and then

0:54:19.640 --> 0:54:22.520
<v Speaker 1>they morphed into just becoming hit songwriters. They wrote so

0:54:22.560 --> 0:54:25.960
<v Speaker 1>many songs for Tim McGraw. If you're reading this, they

0:54:26.000 --> 0:54:28.120
<v Speaker 1>wrote that song. They've written a ton of stup from

0:54:28.120 --> 0:54:31.239
<v Speaker 1>Martina McBride. They're actually also best friends with timargraw and

0:54:31.320 --> 0:54:33.080
<v Speaker 1>used to tour with him. And they tell some stories

0:54:33.280 --> 0:54:36.280
<v Speaker 1>and they're funny, and they had a show on CMT

0:54:36.440 --> 0:54:39.839
<v Speaker 1>called Barely Famous. They're absolutely insane and so much fun

0:54:39.920 --> 0:54:41.600
<v Speaker 1>and I cannot wait for you guys to hear them

0:54:41.600 --> 0:54:43.680
<v Speaker 1>next week. So do not forget to tune in and

0:54:43.719 --> 0:54:47.160
<v Speaker 1>subscribe on iTunes to hyper Caroline Hobby and leave comments.

0:54:47.440 --> 0:54:48.600
<v Speaker 1>We'll see you next week. By