1 00:00:01,920 --> 00:00:06,320 Speaker 1: Welcome to episode to thirty one New Music. We'll talk 2 00:00:06,360 --> 00:00:09,879 Speaker 1: to Brandy Clark and talk about some music news going 3 00:00:09,920 --> 00:00:12,600 Speaker 1: this week. And first up, let me see how to Eddie? 4 00:00:12,600 --> 00:00:14,720 Speaker 1: Who's here? What's up? And you guys are still doing 5 00:00:14,720 --> 00:00:17,600 Speaker 1: the Sore Losers podcast every day every weekday. At least 6 00:00:17,680 --> 00:00:20,800 Speaker 1: you like sports, go check out the Sore Losers. We'll 7 00:00:20,800 --> 00:00:22,880 Speaker 1: start with the Dixie Chicks. They're back with a new song, 8 00:00:23,040 --> 00:00:26,119 Speaker 1: gas Slider, which is the title track to their upcoming 9 00:00:26,160 --> 00:00:30,360 Speaker 1: new album that's coming at May one. And so here 10 00:00:30,400 --> 00:00:51,200 Speaker 1: we go. Here's the clip of gas Lighter. Ye. First 11 00:00:51,200 --> 00:00:52,400 Speaker 1: time I heard the song, I was like, I don't know, 12 00:00:52,440 --> 00:00:55,280 Speaker 1: because you when someone goes away for a while and 13 00:00:55,280 --> 00:00:57,840 Speaker 1: they are legendary and they come back, you're going, okay, 14 00:00:57,880 --> 00:01:00,360 Speaker 1: can't wait till the next Cowboy take me Away? Which 15 00:01:00,400 --> 00:01:03,240 Speaker 1: isn't fair because Cowboy take Me Away wasn't Cowboy Take 16 00:01:03,280 --> 00:01:06,160 Speaker 1: Me Away until I had a lot of time. Um, 17 00:01:06,200 --> 00:01:07,639 Speaker 1: And the first time heard the song, I was like, okay. 18 00:01:07,920 --> 00:01:09,320 Speaker 1: About the third time, I was like, all right, I'm 19 00:01:09,360 --> 00:01:11,880 Speaker 1: into it. I can sing it back pretty quickly and 20 00:01:11,920 --> 00:01:14,319 Speaker 1: it still sounds like the Dixie Chicks. That's what I 21 00:01:14,360 --> 00:01:17,440 Speaker 1: liked about it. I'm like, man, just the sound Natalie's voice, 22 00:01:17,520 --> 00:01:20,520 Speaker 1: and you know you can hear the banjo in the back, Like, yes, 23 00:01:20,600 --> 00:01:23,160 Speaker 1: it sounds like the Dixie Chicks and that's exciting alone. 24 00:01:23,160 --> 00:01:25,720 Speaker 1: But dude, you can't like, that's gotta be hard. Like 25 00:01:25,760 --> 00:01:28,280 Speaker 1: you said, you had hits a long time ago, and 26 00:01:28,400 --> 00:01:31,640 Speaker 1: music has changed. And when you hear a band come back, 27 00:01:31,720 --> 00:01:33,440 Speaker 1: do you want them to sound like they used to 28 00:01:33,640 --> 00:01:35,080 Speaker 1: or do you want them kind of evolve a little 29 00:01:35,120 --> 00:01:39,000 Speaker 1: bit with what music is doing now. I don't know 30 00:01:39,040 --> 00:01:41,160 Speaker 1: that I want any of that. I just wanted to 31 00:01:41,200 --> 00:01:42,720 Speaker 1: be a good catchy song because I feel like in 32 00:01:42,760 --> 00:01:44,520 Speaker 1: their mind they know that that's going to be the 33 00:01:44,600 --> 00:01:48,880 Speaker 1: hard part. Can I still mix in this day of music? Yeah? 34 00:01:48,960 --> 00:01:50,840 Speaker 1: I know. When I listened to a song, I just go, hey, 35 00:01:51,040 --> 00:01:53,360 Speaker 1: I can sing along to it. That's it. I was 36 00:01:53,400 --> 00:01:56,840 Speaker 1: catchy because a lot of people used it. Like Garth 37 00:01:56,840 --> 00:01:59,200 Speaker 1: puts out a new song and you're like, oh, you 38 00:01:59,240 --> 00:02:02,840 Speaker 1: can't match as other ones Exactly. Rascal Flats come in 39 00:02:02,880 --> 00:02:04,480 Speaker 1: and they're like, hey, we have to compete with our 40 00:02:04,480 --> 00:02:06,600 Speaker 1: songs and we put out fifteen years ago. Like a 41 00:02:06,800 --> 00:02:09,560 Speaker 1: radio station, we'll go, you know, why would we play 42 00:02:09,720 --> 00:02:13,120 Speaker 1: new song? X when we can just play uh blessed 43 00:02:13,120 --> 00:02:15,760 Speaker 1: the Broken Road that people already know and love. So 44 00:02:15,800 --> 00:02:17,480 Speaker 1: what I do is I root for songs to come 45 00:02:17,480 --> 00:02:20,000 Speaker 1: out that are super catchy so they can be heard. Yeah, 46 00:02:20,000 --> 00:02:21,680 Speaker 1: it's funny because we don't even think about that with 47 00:02:21,720 --> 00:02:24,840 Speaker 1: people like Kenny Chesney, who was also singing when Dixie 48 00:02:24,919 --> 00:02:28,440 Speaker 1: Chicks were gone. But he's continuously been putting out music, 49 00:02:28,480 --> 00:02:30,880 Speaker 1: so it's evolved slowly and he's grown. We'll be able 50 00:02:30,880 --> 00:02:32,440 Speaker 1: to grow with him, right. And for those guys they 51 00:02:32,480 --> 00:02:36,200 Speaker 1: disappear and they come back. I love the Dixie Chicks. 52 00:02:37,160 --> 00:02:39,360 Speaker 1: I love that sound, pumped for them to be back, 53 00:02:39,840 --> 00:02:42,639 Speaker 1: just just love them. Lauren Alena put out a six 54 00:02:42,720 --> 00:02:46,280 Speaker 1: song EP called Getting Good, and here is Getting Good 55 00:02:46,320 --> 00:02:56,200 Speaker 1: the title song, and here is a song called in 56 00:02:56,320 --> 00:03:07,200 Speaker 1: My Veins from Lauren Alena. Then this is the EP. 57 00:03:07,280 --> 00:03:09,320 Speaker 1: So it's six songs. I'm totally down with this being 58 00:03:09,360 --> 00:03:11,920 Speaker 1: the way artists released music now, little chunks at a time. 59 00:03:12,240 --> 00:03:14,160 Speaker 1: Five six, it's six is a lot. But I just 60 00:03:14,200 --> 00:03:16,239 Speaker 1: feel like there are some songs that never get the 61 00:03:16,280 --> 00:03:19,640 Speaker 1: attention they deserve. If you put out thirteen songs, if 62 00:03:19,680 --> 00:03:21,520 Speaker 1: you want to put out an album that's as an artist, 63 00:03:21,720 --> 00:03:24,560 Speaker 1: good for you, But as a consumer, I don't like 64 00:03:24,639 --> 00:03:26,800 Speaker 1: to have that many songs. And I know there are 65 00:03:26,800 --> 00:03:29,360 Speaker 1: some real album oriented because the album tells a story, 66 00:03:29,440 --> 00:03:31,880 Speaker 1: it does to you. This putting it out to most 67 00:03:31,919 --> 00:03:34,520 Speaker 1: people are consuming it. We don't consume it the way 68 00:03:34,520 --> 00:03:37,280 Speaker 1: that you are creating it. It's just like when we 69 00:03:37,320 --> 00:03:39,120 Speaker 1: have a segment on the show or a joke that 70 00:03:39,160 --> 00:03:42,520 Speaker 1: I'm telling, or a song that we're doing as a 71 00:03:42,520 --> 00:03:44,800 Speaker 1: comedy song, the way we're putting it out isn't the 72 00:03:44,800 --> 00:03:47,160 Speaker 1: way most people receive it. We try, we try to 73 00:03:47,200 --> 00:03:50,000 Speaker 1: hit as close as possible. Um, but I like EP 74 00:03:50,200 --> 00:03:53,200 Speaker 1: s now way more than album. I just think about 75 00:03:53,200 --> 00:03:55,440 Speaker 1: the way we stream music too, Like if you want 76 00:03:55,480 --> 00:03:57,160 Speaker 1: to go back to an artist that you used to 77 00:03:57,200 --> 00:03:59,400 Speaker 1: listen to, you go back and you look at the 78 00:03:59,400 --> 00:04:01,080 Speaker 1: song list. You don't go back and look at, oh, 79 00:04:01,120 --> 00:04:02,840 Speaker 1: what was the album that it was on? The album 80 00:04:02,920 --> 00:04:05,680 Speaker 1: is irrelevant. That's a tab at the very bottom. So 81 00:04:05,760 --> 00:04:07,160 Speaker 1: I mean that just goes with the way we live 82 00:04:07,240 --> 00:04:09,400 Speaker 1: we listen to music now too. When John Marrot was 83 00:04:09,440 --> 00:04:11,680 Speaker 1: doing his waves, he put out three or four songs, 84 00:04:11,760 --> 00:04:13,720 Speaker 1: three or four songs. I was like, man, this is 85 00:04:13,760 --> 00:04:15,800 Speaker 1: the way because I can I can respect every song 86 00:04:15,920 --> 00:04:17,800 Speaker 1: the same three or four songs comes out, you spend 87 00:04:17,800 --> 00:04:20,400 Speaker 1: time listening to all of them, thirteen You balance around 88 00:04:20,400 --> 00:04:21,760 Speaker 1: and you go, I'll listen to this, I'll save this one, 89 00:04:21,760 --> 00:04:23,880 Speaker 1: listen again. You don't listen all of them, three or four. 90 00:04:24,040 --> 00:04:25,600 Speaker 1: You listen to all of them if it's one of 91 00:04:25,640 --> 00:04:28,840 Speaker 1: your favorite artists. So I like the EPs more than 92 00:04:28,839 --> 00:04:30,560 Speaker 1: I do the albums at this point in my life, 93 00:04:30,880 --> 00:04:33,400 Speaker 1: just as a consumer, not to someone who works in music, 94 00:04:33,400 --> 00:04:35,560 Speaker 1: but as a consumer, and a lot of my friends 95 00:04:35,600 --> 00:04:37,600 Speaker 1: that don't work in music or like thirteen songs. It's great, 96 00:04:37,640 --> 00:04:40,480 Speaker 1: but they may listen to it once, where if it's 97 00:04:40,480 --> 00:04:42,080 Speaker 1: their favorite artists, they put out three or four songs 98 00:04:42,520 --> 00:04:44,200 Speaker 1: four or five times at least. I remember when we 99 00:04:44,839 --> 00:04:47,159 Speaker 1: when we had a record and we were trying to 100 00:04:47,320 --> 00:04:49,640 Speaker 1: like I remember going through the list of songs and 101 00:04:49,839 --> 00:04:52,040 Speaker 1: we're worried about how we weren't worried, but I guess 102 00:04:52,040 --> 00:04:53,480 Speaker 1: the record labels worried about how they were going to 103 00:04:53,600 --> 00:04:55,520 Speaker 1: order them, and we're just like, why are we even 104 00:04:55,560 --> 00:04:57,760 Speaker 1: worried about this? Like, we don't listen to music that 105 00:04:57,800 --> 00:05:00,839 Speaker 1: way anyway. Your life as a record for Brandy Clark 106 00:05:00,960 --> 00:05:03,120 Speaker 1: which she's gonna be on a little bit, so we'll 107 00:05:03,120 --> 00:05:05,159 Speaker 1: wait on that one, but we'll put Brandy on in 108 00:05:05,160 --> 00:05:06,919 Speaker 1: a second. Love Brandy Clark, A big fan of her 109 00:05:07,000 --> 00:05:08,600 Speaker 1: music and then got to know where as a person. 110 00:05:09,040 --> 00:05:10,520 Speaker 1: There's also you can go back and listen one of 111 00:05:10,520 --> 00:05:13,160 Speaker 1: these podcasts with her. She did a really great when 112 00:05:13,160 --> 00:05:14,720 Speaker 1: it's been probably a year and a half or so ago, 113 00:05:14,880 --> 00:05:17,880 Speaker 1: longer than that. So just a big fan of Brandy 114 00:05:17,880 --> 00:05:22,000 Speaker 1: Clark as a songwriter and an artist. Silver Landings from 115 00:05:22,000 --> 00:05:25,480 Speaker 1: Mandy Moore. This is her first record in more than 116 00:05:25,520 --> 00:05:29,000 Speaker 1: a decade. It includes her new song when I wasn't 117 00:05:29,080 --> 00:05:45,800 Speaker 1: watching Here's the Sounds cool. Yeah, that's adult contemporary. Nice, right, 118 00:05:45,839 --> 00:05:49,039 Speaker 1: that's definitely a C a C. That's a genre that 119 00:05:49,360 --> 00:05:52,599 Speaker 1: I mean, I mean that might even be hot. I 120 00:05:52,640 --> 00:05:57,599 Speaker 1: mean Mandy what her last release was pop Um. I 121 00:05:57,640 --> 00:05:59,440 Speaker 1: think she did a record with like her husband, right, 122 00:05:59,680 --> 00:06:03,440 Speaker 1: Bryan Adams at the time back in the day. Let's 123 00:06:03,480 --> 00:06:08,840 Speaker 1: see Louve or is my girlfriend yells at Alexa to 124 00:06:09,120 --> 00:06:10,760 Speaker 1: she have? You have to call him lave on Alexa 125 00:06:10,839 --> 00:06:13,080 Speaker 1: to get into play him. But she can't pronounce love. 126 00:06:13,600 --> 00:06:19,080 Speaker 1: She can alexa, Uh, louve has How I'm feeling. This 127 00:06:19,120 --> 00:06:22,960 Speaker 1: is his debut album. However, he has songs that have 128 00:06:23,000 --> 00:06:27,640 Speaker 1: been big hits. His biggest song is I Like Me Better, 129 00:06:27,960 --> 00:06:30,560 Speaker 1: I Like Me Better when I'm with you. That one 130 00:06:31,040 --> 00:06:40,240 Speaker 1: heard it and here is modern loneliness, the Press, my 131 00:06:40,480 --> 00:06:43,279 Speaker 1: friends to death. I listened to a lot of this 132 00:06:43,360 --> 00:06:46,920 Speaker 1: around the house because Caitlyn controls Alexa right now. It's 133 00:06:47,120 --> 00:06:50,320 Speaker 1: Louve and Harry Styles, which his record is pretty good, 134 00:06:51,000 --> 00:06:54,599 Speaker 1: justin Bieber's new record. Okay, but she she lives in 135 00:06:54,920 --> 00:06:57,839 Speaker 1: California's so so like when she's not around here, you 136 00:06:57,920 --> 00:07:00,360 Speaker 1: pulling up these songs again, you're not at all m M. 137 00:07:00,839 --> 00:07:02,520 Speaker 1: I find myself not really listening to a lot of 138 00:07:02,560 --> 00:07:04,240 Speaker 1: music now. I don't find anything that really is like 139 00:07:04,320 --> 00:07:06,360 Speaker 1: kicking me in the nuts coming. This is amazing. That's 140 00:07:06,400 --> 00:07:08,039 Speaker 1: cool that you do that. You have stages like that, 141 00:07:08,080 --> 00:07:09,880 Speaker 1: because there are times when you're like, oh man, I 142 00:07:09,920 --> 00:07:12,920 Speaker 1: got so much completely dialed in. There's nothing right now 143 00:07:12,960 --> 00:07:16,000 Speaker 1: that's moving me. But it's funny that, Okay, there's nothing 144 00:07:16,080 --> 00:07:17,600 Speaker 1: right now, so you're like, I'm gonna stop listen to 145 00:07:17,680 --> 00:07:20,280 Speaker 1: music for a little bit. Yeah, that's usually when I 146 00:07:20,280 --> 00:07:21,800 Speaker 1: go to the nineties. Well with me too, I'll go 147 00:07:21,840 --> 00:07:24,840 Speaker 1: and listen to John Mayor stuff. I'll ask alexaill listen 148 00:07:24,840 --> 00:07:26,840 Speaker 1: to John Mayor Or. I got one of those notes 149 00:07:26,880 --> 00:07:29,160 Speaker 1: on my app that said, you don't want to Coldplay's 150 00:07:29,200 --> 00:07:33,200 Speaker 1: top two percent of streamers. Is that funny to you? Mind? Well, 151 00:07:33,200 --> 00:07:34,960 Speaker 1: I wonder how people got those Like how much you 152 00:07:35,040 --> 00:07:36,640 Speaker 1: have to listen to them? I don't know, but apparently 153 00:07:36,640 --> 00:07:38,160 Speaker 1: I'm one of the top twopers that are you still 154 00:07:38,240 --> 00:07:40,640 Speaker 1: listen to them all night before bed? You were doing 155 00:07:40,680 --> 00:07:42,280 Speaker 1: that a little bit. I was listening to one record 156 00:07:42,360 --> 00:07:44,040 Speaker 1: before now I just tryed to TV on. But what 157 00:07:44,240 --> 00:07:46,480 Speaker 1: changed that for me is I was listening to the 158 00:07:46,520 --> 00:07:48,920 Speaker 1: first Coalplay record before I we go to sleep. And 159 00:07:49,000 --> 00:07:51,480 Speaker 1: what I was doing is training myself to like Pavlos Dog, 160 00:07:51,560 --> 00:07:53,440 Speaker 1: you ring the bell, you bring the food. You ring 161 00:07:53,480 --> 00:07:54,800 Speaker 1: the bell, you bring the food, ring the bell, you 162 00:07:54,880 --> 00:07:56,200 Speaker 1: bring the food, You bring the bell. You don't bring 163 00:07:56,240 --> 00:07:58,040 Speaker 1: the food, but it's mouth still waters. So what I 164 00:07:58,160 --> 00:07:59,640 Speaker 1: was doing was listen to that Colplay record from the 165 00:07:59,680 --> 00:08:01,840 Speaker 1: beginning out to sleep, Cope beginning go to Sleep. So 166 00:08:01,880 --> 00:08:04,360 Speaker 1: whenever I listen to it, hopefully made me sleepy on airplanes. 167 00:08:04,640 --> 00:08:06,560 Speaker 1: So I was doing like a science experiment on myself, 168 00:08:07,960 --> 00:08:10,120 Speaker 1: and what was the hypothesis one well, that it would 169 00:08:10,120 --> 00:08:11,640 Speaker 1: be like Pavolv's dog when I would start to play 170 00:08:11,640 --> 00:08:13,600 Speaker 1: and I started to feel sleepy regardless of where I was. 171 00:08:14,040 --> 00:08:15,800 Speaker 1: And it does work like that a little bit because 172 00:08:15,840 --> 00:08:17,280 Speaker 1: it puts me in that space to go, oh, I 173 00:08:17,320 --> 00:08:19,560 Speaker 1: should be feeling like I'm going to sleep. But the 174 00:08:19,640 --> 00:08:22,560 Speaker 1: problem with it night was now that Netflix will stop 175 00:08:22,640 --> 00:08:25,840 Speaker 1: on its own. I don't need music anymore because I 176 00:08:25,920 --> 00:08:28,080 Speaker 1: was trying to sleep without the TV. But now that 177 00:08:28,160 --> 00:08:30,080 Speaker 1: Netflix will play like three episodes of the Office and 178 00:08:30,280 --> 00:08:32,880 Speaker 1: are you sure you still want to watch and not 179 00:08:33,120 --> 00:08:35,160 Speaker 1: keep playing them? The TV kind of shuts down on 180 00:08:35,240 --> 00:08:37,559 Speaker 1: its own, so it's kind of its own sleep timer. 181 00:08:37,600 --> 00:08:39,120 Speaker 1: So I don't do that as much. But I did 182 00:08:39,280 --> 00:08:40,760 Speaker 1: feel that way though, Like I would hear a Russia 183 00:08:40,760 --> 00:08:46,640 Speaker 1: Blood of the Head, getting sleepy'll be like on this 184 00:08:46,800 --> 00:08:50,600 Speaker 1: record Alicia Carra, I don't know any of these people's names. 185 00:08:50,760 --> 00:08:53,000 Speaker 1: I know who they RB show to. What is it 186 00:08:53,160 --> 00:08:55,880 Speaker 1: Alicia Cara? What does she have she had? Like? Uh, 187 00:08:56,960 --> 00:09:04,880 Speaker 1: what is this not called here? Um? Near? Troy Syban? Okay, 188 00:09:05,960 --> 00:09:14,880 Speaker 1: what's this song? Blue Blue Laney? Like like one, dude, 189 00:09:15,840 --> 00:09:17,600 Speaker 1: I think they're a band, but I think it's one 190 00:09:17,960 --> 00:09:20,200 Speaker 1: one guy's on the song or something like that. Oh 191 00:09:20,240 --> 00:09:22,040 Speaker 1: he being one guy on this song. Yeah, I think 192 00:09:22,040 --> 00:09:26,000 Speaker 1: that's true. Um Anna, Marie and Sophia rey Is are 193 00:09:26,080 --> 00:09:28,959 Speaker 1: all on the allow of album Demi Lavado. By the way, 194 00:09:29,000 --> 00:09:30,520 Speaker 1: it was driving in this morning heard this song of 195 00:09:30,559 --> 00:09:33,560 Speaker 1: the pop station, pretty good song like I do. It's 196 00:09:33,600 --> 00:09:46,120 Speaker 1: called I Love Me from Demi Lavado. Enough one and 197 00:09:46,240 --> 00:09:54,439 Speaker 1: missed the one I Love Me. You gotta kind of 198 00:09:54,440 --> 00:09:55,559 Speaker 1: listen to the whole song and get the vibe, but 199 00:09:55,600 --> 00:09:57,800 Speaker 1: I liked. I expected to be like this is gonna 200 00:09:57,840 --> 00:10:00,640 Speaker 1: be stupid because they were hyping it. That's pretty good. 201 00:10:00,800 --> 00:10:02,520 Speaker 1: I like it. Yeah, I mean too like as a song. 202 00:10:02,559 --> 00:10:04,400 Speaker 1: I don't know the big fan of her. I'm not 203 00:10:04,440 --> 00:10:07,040 Speaker 1: anti her. I just she doesn't really pop into my world. 204 00:10:07,520 --> 00:10:10,959 Speaker 1: But I did. I did like that one. And there's 205 00:10:10,960 --> 00:10:13,800 Speaker 1: a record called Chill Lumbo. Yeah you know how you go. 206 00:10:15,480 --> 00:10:19,120 Speaker 1: I don't know you play the song they're gonna try 207 00:10:19,160 --> 00:10:32,719 Speaker 1: to No, no, I'm a number fibe at all. I like. 208 00:10:33,320 --> 00:10:36,959 Speaker 1: I like slow accoustic guitar songs. Um And if I 209 00:10:36,960 --> 00:10:38,679 Speaker 1: don't know it from TikTok, I'm not gonna know the 210 00:10:38,679 --> 00:10:40,679 Speaker 1: pop stuff. A lot of the pop stuff comes to 211 00:10:40,679 --> 00:10:42,760 Speaker 1: me through TikTok and I'm like I heard ten thousand 212 00:10:42,800 --> 00:10:44,079 Speaker 1: times in a video and I start to like it, 213 00:10:44,200 --> 00:10:45,280 Speaker 1: and you're here on the radio, like, oh, I know 214 00:10:45,320 --> 00:10:49,000 Speaker 1: that's from like I know fifteen seconds of Roxanne Roxanne 215 00:10:49,480 --> 00:10:53,840 Speaker 1: rocks in Baby It's Okay from the Swedish pop duo Flora. 216 00:10:53,920 --> 00:10:57,760 Speaker 1: Cash is out, Ceremony from Fanagraham, The Fight from the Overcoats, 217 00:10:57,800 --> 00:11:02,080 Speaker 1: and Superstar from Caroline Rose. All that is music that's 218 00:11:02,080 --> 00:11:08,120 Speaker 1: out this week. So um, enjoy. I don't know that 219 00:11:08,160 --> 00:11:11,320 Speaker 1: wouldn't really check out much of this. The Brandy Clark 220 00:11:11,360 --> 00:11:12,760 Speaker 1: record I Will, which is why we're gonna talk to 221 00:11:12,800 --> 00:11:16,640 Speaker 1: her and Dixie Checks is just one song, so um, 222 00:11:16,760 --> 00:11:19,320 Speaker 1: that's cool. We're gonna take a quick break and come 223 00:11:19,320 --> 00:11:27,559 Speaker 1: back with Brandy Clark. Hey, Brandy, Hey Bobby, how are you? 224 00:11:27,880 --> 00:11:29,839 Speaker 1: I'm really good. We have a Brandy Clark on with 225 00:11:29,960 --> 00:11:33,120 Speaker 1: us right now. Uh, today's new music. New music is 226 00:11:33,160 --> 00:11:35,520 Speaker 1: out for everyone, and Brandy just put out a record 227 00:11:35,640 --> 00:11:39,520 Speaker 1: called Your Life is a Record. And I love Brandy 228 00:11:40,000 --> 00:11:42,240 Speaker 1: and I love all I love your music and your writing, 229 00:11:42,320 --> 00:11:44,280 Speaker 1: but I haven't listened to it yet. And what's funny 230 00:11:44,360 --> 00:11:46,520 Speaker 1: is Brandy knew that, and she text me and was like, 231 00:11:46,640 --> 00:11:48,240 Speaker 1: I know you haven't listened yet. You wouldn't listen to 232 00:11:48,280 --> 00:11:50,400 Speaker 1: it ahead of time, and so today I want to 233 00:11:50,480 --> 00:11:53,560 Speaker 1: devour Brandy. Oh, I love that. You know. I've got 234 00:11:53,640 --> 00:11:55,160 Speaker 1: a list of people I wanted to send it to 235 00:11:55,320 --> 00:11:57,600 Speaker 1: that have been just supporters, you being one of them. 236 00:11:57,920 --> 00:12:00,680 Speaker 1: And I've reached out to everybody on the list except 237 00:12:00,760 --> 00:12:02,959 Speaker 1: you because I I listened to your podcast and I 238 00:12:03,040 --> 00:12:04,719 Speaker 1: know you always talked about you don't listen to it 239 00:12:04,840 --> 00:12:08,520 Speaker 1: till it's out, So I just like, yeah, I just 240 00:12:08,640 --> 00:12:11,160 Speaker 1: like to be like my people. I don't you know. 241 00:12:11,240 --> 00:12:13,880 Speaker 1: I know for some writers they probably need to hear 242 00:12:13,920 --> 00:12:16,440 Speaker 1: it so they can ask questions about certain specific things. 243 00:12:16,720 --> 00:12:18,280 Speaker 1: But for me, I just feel like it's so important 244 00:12:18,320 --> 00:12:20,800 Speaker 1: to be like my listeners. And you know, Friday week 245 00:12:20,880 --> 00:12:22,959 Speaker 1: is super excited because new music comes out, and so 246 00:12:23,200 --> 00:12:24,880 Speaker 1: I was looking at some of the track because again 247 00:12:24,960 --> 00:12:27,120 Speaker 1: I've listened to nothing. Really, I'm gonna play a club 248 00:12:27,160 --> 00:12:38,800 Speaker 1: a bigger boat, though I have listened to Bigger Boat cool. Now, 249 00:12:39,040 --> 00:12:43,080 Speaker 1: if that voice sounds familiar, that's not Brandy, that's Brandy, 250 00:12:44,080 --> 00:12:48,280 Speaker 1: but that's Randy Newman, who also sings you got a 251 00:12:48,520 --> 00:12:51,360 Speaker 1: friend in me? How did you get Randy Newman to 252 00:12:51,440 --> 00:12:53,760 Speaker 1: do this song with you? Well, um, a guy I 253 00:12:53,880 --> 00:12:57,240 Speaker 1: worked with, Um, Lenny Warnaker has worked with Randy and 254 00:12:57,320 --> 00:12:59,319 Speaker 1: they've been friends your whole life. And so I asked 255 00:12:59,400 --> 00:13:01,760 Speaker 1: him because I when when we did the song, we 256 00:13:01,840 --> 00:13:04,719 Speaker 1: talked about making it into a duet, and to me, 257 00:13:04,800 --> 00:13:07,720 Speaker 1: it just sounded like Randy and and so Lenny asked him. 258 00:13:07,760 --> 00:13:10,640 Speaker 1: And it's funny you mentioned Toy Story because Randy said, well, 259 00:13:10,640 --> 00:13:12,840 Speaker 1: I'll do it if I liked the song, but it's 260 00:13:12,880 --> 00:13:15,200 Speaker 1: gonna have to be after I finished Toy Story four. 261 00:13:15,440 --> 00:13:18,800 Speaker 1: So he did like it. He changed the line and 262 00:13:19,080 --> 00:13:20,720 Speaker 1: he said, I'm not one of those rappers. I don't 263 00:13:20,760 --> 00:13:23,120 Speaker 1: need any writer's credit, but I think my line is better, 264 00:13:23,440 --> 00:13:26,040 Speaker 1: is what he said. And he was right. Um, and 265 00:13:26,240 --> 00:13:28,440 Speaker 1: he was gracious and came in and saying it actually 266 00:13:28,480 --> 00:13:30,679 Speaker 1: on Memorial Day to this holiday to do it. That's 267 00:13:30,720 --> 00:13:33,679 Speaker 1: pretty cool. Also on the record, John Osborne, is he 268 00:13:34,080 --> 00:13:36,920 Speaker 1: playing guitar on your record? He is, Yes, He's playing 269 00:13:36,920 --> 00:13:38,920 Speaker 1: on a song called bad Car. He does a really 270 00:13:39,040 --> 00:13:43,280 Speaker 1: killer solo. UM. At some point we'll release the extended 271 00:13:43,360 --> 00:13:45,199 Speaker 1: version of that because we cut a lot out of it. 272 00:13:45,679 --> 00:13:48,080 Speaker 1: But I mean, you know what a great player he is. Yeah, 273 00:13:48,160 --> 00:13:49,920 Speaker 1: John will saw off like thirty minutes and be like, 274 00:13:49,960 --> 00:13:52,200 Speaker 1: how's that. You're like, yeah, that's a good John. They 275 00:13:52,320 --> 00:13:54,400 Speaker 1: keeps playing and playing. Randy, what are you doing with 276 00:13:54,480 --> 00:13:56,360 Speaker 1: this record? You're gonna go out and tour? You're gonna 277 00:13:56,360 --> 00:13:58,760 Speaker 1: play it all around or what? Yes? Oh yeah, I'm 278 00:13:58,800 --> 00:14:03,400 Speaker 1: starting to tour. It's called who he thought I was? Tour? Um. 279 00:14:03,880 --> 00:14:06,719 Speaker 1: We're playing in Nashville on the twenty nine, I think 280 00:14:07,480 --> 00:14:09,760 Speaker 1: nine at Third and Linsley. Um. That show might already 281 00:14:09,760 --> 00:14:11,000 Speaker 1: be sold out, but they were going to open up 282 00:14:11,000 --> 00:14:13,640 Speaker 1: a few more tickets as they could. But yeah, I've 283 00:14:13,640 --> 00:14:16,400 Speaker 1: been really, really pleased with the response from this record. 284 00:14:16,520 --> 00:14:18,760 Speaker 1: Ticket sales are great, and you know that's all you 285 00:14:18,840 --> 00:14:21,480 Speaker 1: can ask for. Well, I just love you as a 286 00:14:21,600 --> 00:14:24,040 Speaker 1: person as an artist. I'm not sure which one I 287 00:14:24,120 --> 00:14:26,640 Speaker 1: love you as more, but I I am so excited 288 00:14:26,640 --> 00:14:28,280 Speaker 1: to have new music out from one of my favorite 289 00:14:28,600 --> 00:14:32,080 Speaker 1: artists and people. So congratulations on a new record. Well 290 00:14:32,120 --> 00:14:34,560 Speaker 1: I love you too, Bobby, and I so appreciate your support. 291 00:14:35,000 --> 00:14:37,040 Speaker 1: Your life is a record. Why would you name it that? 292 00:14:37,120 --> 00:14:39,840 Speaker 1: By the way, first line of the first the first 293 00:14:39,840 --> 00:14:41,840 Speaker 1: song is called out Song and the first line is 294 00:14:41,880 --> 00:14:43,920 Speaker 1: if your life there is a record, people in places 295 00:14:44,040 --> 00:14:47,800 Speaker 1: or the songs and um, that one. I loved that line. 296 00:14:47,840 --> 00:14:50,240 Speaker 1: And one of the co writers on that, Jesse Joe Dillon, 297 00:14:50,280 --> 00:14:53,440 Speaker 1: who's blown up right now with all her amazing songs, 298 00:14:54,000 --> 00:14:56,440 Speaker 1: suggested that to me as the title. I was struggling 299 00:14:56,440 --> 00:14:58,240 Speaker 1: on what to call this record, and she said, what 300 00:14:58,360 --> 00:15:00,480 Speaker 1: about your Life as a record? And so it made 301 00:15:00,480 --> 00:15:02,400 Speaker 1: a lot of things come into focus for me and 302 00:15:02,480 --> 00:15:04,960 Speaker 1: then knew that I'll be the sad song needed to 303 00:15:05,080 --> 00:15:07,200 Speaker 1: be the first song, and you know, just kind of 304 00:15:07,480 --> 00:15:11,360 Speaker 1: helped be a little glue to bring the whole thing together. Well, 305 00:15:11,400 --> 00:15:12,880 Speaker 1: I'll tell you what i'mna be doing this weekend. I'm 306 00:15:12,880 --> 00:15:14,680 Speaker 1: gonna be listening to the Brandy Clark record. It's called 307 00:15:14,720 --> 00:15:17,000 Speaker 1: Your Life as a Record, and go see Brandy. She 308 00:15:17,040 --> 00:15:19,320 Speaker 1: will be out touring the record and I'm a big 309 00:15:19,400 --> 00:15:22,200 Speaker 1: fan of Congratulations Brandy, We'll talk to you soon. Okay, thanks, 310 00:15:22,240 --> 00:15:25,760 Speaker 1: by al Right, there she has, Brandy Clark. All right. 311 00:15:25,840 --> 00:15:28,720 Speaker 1: The new number one album in America is from BTS. 312 00:15:28,880 --> 00:15:31,120 Speaker 1: You know who that is? Eddie? Um, yeah, I've heard 313 00:15:31,160 --> 00:15:38,080 Speaker 1: of him. Is that the Korean pop it is an 314 00:15:41,360 --> 00:15:43,520 Speaker 1: it's their fourth number one album. They put out four 315 00:15:43,560 --> 00:15:47,800 Speaker 1: records here, Well they're shoving them out, huh, taking advantage 316 00:15:47,800 --> 00:15:51,560 Speaker 1: of that window. Wow them. It's funny when I watch 317 00:15:51,640 --> 00:15:53,880 Speaker 1: interviews with them, I think only one of them maybe 318 00:15:53,880 --> 00:15:56,160 Speaker 1: speaks English because he's the one that always talks, and 319 00:15:56,200 --> 00:15:57,840 Speaker 1: the rest is kind of nod their heads like yeah, 320 00:15:57,880 --> 00:15:59,560 Speaker 1: whatever he said. I don't know if that's true or not. 321 00:16:00,080 --> 00:16:01,840 Speaker 1: Do you know? I don't know because I didn't more 322 00:16:01,880 --> 00:16:04,160 Speaker 1: of them do, but maybe just one guy's like the 323 00:16:04,240 --> 00:16:05,840 Speaker 1: kind of got here. He's like the older one, like 324 00:16:05,960 --> 00:16:08,040 Speaker 1: just we've trust him to speak for us. And don't 325 00:16:08,080 --> 00:16:11,960 Speaker 1: they have everybody doing different jobs? Yeah, like one doesn't 326 00:16:12,000 --> 00:16:16,600 Speaker 1: mean there's a singer, there's a rapper, there's make the tacos, 327 00:16:16,760 --> 00:16:19,880 Speaker 1: there's I don't even know after us, there's a roadie. 328 00:16:20,520 --> 00:16:22,280 Speaker 1: They all dance and they all have like little jobs 329 00:16:22,320 --> 00:16:25,440 Speaker 1: to uh. Young Boy Never Broke Again is it number two, 330 00:16:25,440 --> 00:16:28,960 Speaker 1: and Ozzy Osbourne is at number three, BTS is number one. 331 00:16:29,360 --> 00:16:31,560 Speaker 1: Here is Young Boy Never Broke Again in a clip 332 00:16:31,680 --> 00:16:42,200 Speaker 1: Red Eye. Here is Ozzy Osbourne Ordinary Man and this 333 00:16:42,480 --> 00:16:49,200 Speaker 1: is It's a Raid featuring Post Malone. Yeah, let's stop 334 00:16:49,240 --> 00:16:52,240 Speaker 1: that I tried to listen to that because I like 335 00:16:52,400 --> 00:16:56,840 Speaker 1: some of the old azzi stuff. It's just it's much. 336 00:16:57,320 --> 00:16:58,960 Speaker 1: I saw Post Malone's let me see if I like it. 337 00:16:59,120 --> 00:17:01,440 Speaker 1: It wasn't for me. Uh. In the news, Genesis is 338 00:17:01,440 --> 00:17:05,680 Speaker 1: getting back together, but without Peter Gabriel. Then come on, No, 339 00:17:05,800 --> 00:17:09,400 Speaker 1: I'm okay. Phil Collins is totally me. I like Genesis. 340 00:17:09,480 --> 00:17:11,679 Speaker 1: Phil Collins is a lead right, No, no, but I mean, 341 00:17:12,640 --> 00:17:14,280 Speaker 1: I guess the question is can a band be a 342 00:17:14,320 --> 00:17:17,840 Speaker 1: band without all of its because they are living because 343 00:17:17,880 --> 00:17:20,720 Speaker 1: they were they were Genesis without Peter Gabriel at their 344 00:17:20,760 --> 00:17:23,800 Speaker 1: biggest hits. I have no problem. I think most people 345 00:17:23,800 --> 00:17:27,119 Speaker 1: don't even know Genesis had another singer. You're probably right. 346 00:17:27,760 --> 00:17:31,040 Speaker 1: So Genesis is doing a reunion tour. It'll be Phil Collins, who, 347 00:17:31,080 --> 00:17:34,120 Speaker 1: by the way, was playing drums for Genesis and Peter 348 00:17:34,200 --> 00:17:36,960 Speaker 1: Gabriel was the singer and then he's out and they 349 00:17:37,000 --> 00:17:39,520 Speaker 1: were trying to find a singer and they Phil will 350 00:17:39,560 --> 00:17:40,840 Speaker 1: sing from the back a little bit, and they were like, 351 00:17:40,840 --> 00:17:42,120 Speaker 1: what should be the lead singer, and then he turned 352 00:17:42,119 --> 00:17:44,919 Speaker 1: to a massive superstar in the band and then by himself. 353 00:17:45,359 --> 00:17:48,240 Speaker 1: So the biggest star is in the band, which I'm 354 00:17:48,359 --> 00:17:53,840 Speaker 1: totally okay with it's Phil Collins, Tony Banks, and Michael Rutherford. Um. 355 00:17:53,960 --> 00:17:56,960 Speaker 1: Peter Gabriel's biggest song go by himself was what Your 356 00:17:56,960 --> 00:18:01,800 Speaker 1: Eyes and Yours Meant to You're as the Jam. Yeah, 357 00:18:02,119 --> 00:18:05,960 Speaker 1: but that wasn't a Genesis song. No, that was so 358 00:18:06,119 --> 00:18:10,400 Speaker 1: I don't mind that because they were that it would 359 00:18:10,440 --> 00:18:13,840 Speaker 1: be like Van Halen getting together and going out with 360 00:18:15,200 --> 00:18:18,480 Speaker 1: um Sammy Hagar. No, it would be like Van Halen 361 00:18:18,520 --> 00:18:20,800 Speaker 1: going out with a whole new singer. That it wouldn't be. 362 00:18:21,240 --> 00:18:22,719 Speaker 1: It would be like Van Halen going out with their 363 00:18:22,760 --> 00:18:25,480 Speaker 1: second singer, Sammy Hagar, and not all their singers and 364 00:18:25,600 --> 00:18:30,920 Speaker 1: not the first singer, which was Diamond Dave. It was, yeah, 365 00:18:31,520 --> 00:18:33,560 Speaker 1: the Daily Roth. Well, the thing is like, it's the 366 00:18:33,600 --> 00:18:35,159 Speaker 1: same thing, That's what I'm saying. It's the exact same thing. 367 00:18:35,240 --> 00:18:37,080 Speaker 1: It's like the Beach Boys. I like to compare with 368 00:18:37,119 --> 00:18:40,119 Speaker 1: the Beach Boys. Brian Wilson, the founder of the Beach Boys, 369 00:18:40,160 --> 00:18:42,760 Speaker 1: I mean, he is the brain behind the Beach Boys, 370 00:18:42,840 --> 00:18:45,480 Speaker 1: doesn't even play with the Beach Boys, don't. But I 371 00:18:46,160 --> 00:18:47,639 Speaker 1: don't think that's the same thing, and it's a different 372 00:18:48,240 --> 00:18:50,840 Speaker 1: This is a legendary band that lost our first lead singer. 373 00:18:51,160 --> 00:18:54,159 Speaker 1: Their second lead singer came in and got them more 374 00:18:54,200 --> 00:18:56,440 Speaker 1: famous and the first singer ever. Did I see what 375 00:18:56,480 --> 00:18:58,439 Speaker 1: you're saying, the same thing with van Halen. They were 376 00:18:58,480 --> 00:19:00,280 Speaker 1: big with David Lee Roth, but they had to biggest 377 00:19:00,320 --> 00:19:04,000 Speaker 1: hits with Sammy Heygar was our biggest record. Yeah, with 378 00:19:04,119 --> 00:19:06,720 Speaker 1: David Lee Roth with I thought same, Hagar was same. 379 00:19:06,800 --> 00:19:11,800 Speaker 1: Hegar didn't come into like great, who cares whatever I say? 380 00:19:11,840 --> 00:19:15,160 Speaker 1: It's the same thing. Second thinger comes in. I don't 381 00:19:15,160 --> 00:19:16,840 Speaker 1: even know. I don't think about Van Halen anyway, and 382 00:19:17,000 --> 00:19:19,280 Speaker 1: I'm like, no, come on, man, get it right. Brett 383 00:19:19,359 --> 00:19:21,399 Speaker 1: Michaels is selling his tour bus for a hundred and 384 00:19:21,440 --> 00:19:27,760 Speaker 1: seventy thousand dollars. It's Integrat Coach Aspire RV. It has 385 00:19:27,760 --> 00:19:32,400 Speaker 1: a hundred and eleven thousand miles on it, custom propane fireplace, 386 00:19:32,440 --> 00:19:34,720 Speaker 1: the King's Eyes, Better sexual sofa, walk in closet, a 387 00:19:34,760 --> 00:19:38,359 Speaker 1: full kitchen, Electric girl, and five TVs to Sweden. The 388 00:19:38,400 --> 00:19:40,240 Speaker 1: deal is also throwing a concert tickets and meet and 389 00:19:40,280 --> 00:19:44,960 Speaker 1: greet passes a little incentive there. Yeah for real. Purchase 390 00:19:45,000 --> 00:19:47,040 Speaker 1: comes with two tickets from Brett and a personal guest 391 00:19:47,680 --> 00:19:49,280 Speaker 1: to be at a show. Of your choice and a 392 00:19:49,320 --> 00:19:51,800 Speaker 1: meet and greet photo. I'm looking at how much a 393 00:19:51,880 --> 00:19:56,640 Speaker 1: real tour bus costs, like a brand new one oh million? Yeah, 394 00:19:57,080 --> 00:20:00,720 Speaker 1: like all new, made your style and not crazy style, 395 00:20:00,800 --> 00:20:03,639 Speaker 1: but yeah million. Well, because I'm thinking, like one of 396 00:20:03,680 --> 00:20:06,200 Speaker 1: the cool things is like, oh, there's a used one. 397 00:20:06,720 --> 00:20:09,359 Speaker 1: I mean, I don't know what. They're not too bad, 398 00:20:10,280 --> 00:20:12,680 Speaker 1: they're they're under a million, but they're up there. I 399 00:20:12,840 --> 00:20:15,040 Speaker 1: used one. We had a friend who just bought one 400 00:20:15,160 --> 00:20:16,480 Speaker 1: and it was a million dollars. And he's not a 401 00:20:16,520 --> 00:20:18,880 Speaker 1: big artist. He's he's like he's had like a few 402 00:20:19,000 --> 00:20:20,879 Speaker 1: number ones. I don't have to spend a little time 403 00:20:20,920 --> 00:20:22,680 Speaker 1: on this one. But the cool thing about you know 404 00:20:22,720 --> 00:20:24,800 Speaker 1: when we've had we've been on tour buses before and 405 00:20:24,920 --> 00:20:28,200 Speaker 1: it's like you hear, oh this used to be fill 406 00:20:28,240 --> 00:20:29,680 Speaker 1: in the blank. This used to be like all my 407 00:20:29,800 --> 00:20:31,920 Speaker 1: brothers tour of us, and you're like, wow, that's so cool. 408 00:20:32,040 --> 00:20:34,639 Speaker 1: Do you imagine one point one million is what like 409 00:20:34,720 --> 00:20:39,400 Speaker 1: a new tour bus? So I just said you discredited 410 00:20:39,480 --> 00:20:44,320 Speaker 1: me us. There's stupid huge house. Well, tour buses are 411 00:20:44,359 --> 00:20:47,080 Speaker 1: like a house that rolls. Yeah, well, I don't know 412 00:20:47,200 --> 00:20:50,119 Speaker 1: you think it's worth it Brett Michaels hundreds, No, No, 413 00:20:50,440 --> 00:20:52,200 Speaker 1: I'm not. I don't need it, so no for me. No. 414 00:20:53,160 --> 00:20:55,359 Speaker 1: The Dixie Chick says they're nine kids are keeping them 415 00:20:55,400 --> 00:20:57,760 Speaker 1: off the road. They have a new album, gas Lighter 416 00:20:57,800 --> 00:21:01,840 Speaker 1: aut Me First, and that's also the name the the single. 417 00:21:02,320 --> 00:21:05,239 Speaker 1: But Marty says the nine kids collectively have kept them 418 00:21:05,280 --> 00:21:07,040 Speaker 1: off the road because it's a lot of kids, and 419 00:21:07,080 --> 00:21:08,439 Speaker 1: when some of them are ready, some of the other 420 00:21:08,440 --> 00:21:12,240 Speaker 1: people's kids aren't. Some other people's kids aren't. So the 421 00:21:12,400 --> 00:21:15,120 Speaker 1: kids are now inspiring them. They have a song called 422 00:21:15,280 --> 00:21:17,520 Speaker 1: Julianna Calm Down on the record. It's one of the 423 00:21:17,640 --> 00:21:21,320 Speaker 1: daughter's names. So but that's what Ben what's keeping yelling at. 424 00:21:22,680 --> 00:21:24,600 Speaker 1: Aaron Carter tried to get some of his merchant women 425 00:21:24,640 --> 00:21:26,359 Speaker 1: at a drive through window, but she had no idea 426 00:21:26,359 --> 00:21:33,080 Speaker 1: who he was. Aaron Carter uh Nick Carter's brother, but 427 00:21:33,160 --> 00:21:34,600 Speaker 1: now he has a tattoo on his face and people 428 00:21:34,600 --> 00:21:37,879 Speaker 1: worried about him. Aaron Carter was at the drive through 429 00:21:37,880 --> 00:21:40,639 Speaker 1: window of a fast food restaurant and he shared an 430 00:21:40,640 --> 00:21:43,040 Speaker 1: awkward moment with a cashier. He tried to give the 431 00:21:43,080 --> 00:21:45,760 Speaker 1: girls some free merch, but she was confused. He goes 432 00:21:45,760 --> 00:21:48,879 Speaker 1: I'm Aaron Carter, this is my merchant's free and they 433 00:21:48,920 --> 00:21:53,760 Speaker 1: had no idea what what that song candy? And then 434 00:21:53,840 --> 00:21:56,560 Speaker 1: she did not and then here you go play the 435 00:21:56,560 --> 00:22:05,040 Speaker 1: club caring this is my merchant. Do you know Eric 436 00:22:05,080 --> 00:22:08,440 Speaker 1: Carter is you know yo singer the Candy song? I 437 00:22:08,520 --> 00:22:11,520 Speaker 1: like candy anything? I like you never heard if I 438 00:22:11,600 --> 00:22:18,160 Speaker 1: want candy, give you my letter back. He took it back. 439 00:22:18,520 --> 00:22:22,879 Speaker 1: It's embarrassing. Um. Speaking of I mentioned my girlfriend earlier 440 00:22:23,000 --> 00:22:25,199 Speaker 1: making me listen to music, she said that she went 441 00:22:25,240 --> 00:22:30,440 Speaker 1: to the doctor yesterday and for like a regular appointment, 442 00:22:30,440 --> 00:22:32,280 Speaker 1: and then she goes in and some guy comes out 443 00:22:32,280 --> 00:22:34,000 Speaker 1: to her and goes, hey, I got a bunch of 444 00:22:34,520 --> 00:22:37,159 Speaker 1: masks if you need one. Not someone that works of 445 00:22:37,200 --> 00:22:38,960 Speaker 1: the doctor was kind of working in the building walking 446 00:22:39,000 --> 00:22:41,639 Speaker 1: in at the same point, and so she was like, oh, 447 00:22:41,920 --> 00:22:45,119 Speaker 1: you know, mask because a coronavirus. And he goes, I 448 00:22:45,160 --> 00:22:48,680 Speaker 1: have like ten in my truck, and because you do, 449 00:22:48,760 --> 00:22:52,639 Speaker 1: you want one? And she's like, uh okay, and he goes, 450 00:22:52,680 --> 00:22:53,720 Speaker 1: we'll go get one, but you have to go on 451 00:22:53,760 --> 00:22:58,960 Speaker 1: a date with me. And so he's using masks wait 452 00:22:59,040 --> 00:23:01,080 Speaker 1: to get dates. And then she goes, you know, I 453 00:23:01,119 --> 00:23:03,359 Speaker 1: have a boyfriend and he goes all right, and they 454 00:23:03,440 --> 00:23:06,520 Speaker 1: never got her a mask, so, which is a weird 455 00:23:06,640 --> 00:23:10,159 Speaker 1: thing because he Aaron Carter took a sweater back. This 456 00:23:10,200 --> 00:23:11,960 Speaker 1: guy didn't give her so he would rather her die 457 00:23:12,040 --> 00:23:15,800 Speaker 1: than the shallow person right there, Like if you offer 458 00:23:15,920 --> 00:23:19,280 Speaker 1: a mask a mask, You didn't have to give someone 459 00:23:19,359 --> 00:23:21,720 Speaker 1: a mask if they want it. Aaron Carter shtill, let 460 00:23:21,720 --> 00:23:26,320 Speaker 1: her keep the sweater. Maybe she's cold, right, it's kind 461 00:23:26,320 --> 00:23:28,280 Speaker 1: of do she take it back? Do she not to 462 00:23:28,320 --> 00:23:29,679 Speaker 1: give someone a mask when you said you have ten 463 00:23:29,760 --> 00:23:31,840 Speaker 1: of them? Yeah, yeah, you're right. The mask guys really 464 00:23:31,880 --> 00:23:34,560 Speaker 1: saying like, all right, take it and a date, and 465 00:23:34,720 --> 00:23:36,440 Speaker 1: rather you die. If you're not gonna date with me, 466 00:23:36,440 --> 00:23:42,239 Speaker 1: I'd rather you die. Terrible. On Monday, the former One 467 00:23:42,280 --> 00:23:45,640 Speaker 1: Direction singer Harry Styles was on Howard Starting. I listened 468 00:23:45,640 --> 00:23:48,239 Speaker 1: to the interview was great and he talked about being 469 00:23:48,280 --> 00:23:51,560 Speaker 1: the inspiration behind some of Taylor Swift songs, and he 470 00:23:51,640 --> 00:23:54,400 Speaker 1: talked about getting robbed. Have you listened to Harry Style 471 00:23:54,440 --> 00:23:56,640 Speaker 1: stuff at all? Yeah, just like the hits. I haven't 472 00:23:56,640 --> 00:23:59,840 Speaker 1: gone deep tracks or anything. I feel like some of 473 00:23:59,880 --> 00:24:03,960 Speaker 1: the stuff here catchy, but it's the radio stuff. He's 474 00:24:04,000 --> 00:24:06,520 Speaker 1: got some real cool. Oh does he stuff that I 475 00:24:06,560 --> 00:24:09,879 Speaker 1: would like that I do? Like, yeah, yeah. He was 476 00:24:09,880 --> 00:24:11,600 Speaker 1: talking about getting getting robbed, and he was like, the 477 00:24:11,680 --> 00:24:14,719 Speaker 1: news reported is one person. There were six people around him, 478 00:24:14,840 --> 00:24:16,200 Speaker 1: and he said he felt like a loser because I 479 00:24:16,240 --> 00:24:19,200 Speaker 1: said one person robbed him. At my point, he was 480 00:24:19,280 --> 00:24:22,359 Speaker 1: talking about how he was walking and he kept seeing 481 00:24:22,359 --> 00:24:25,119 Speaker 1: a group of guys behind him. Then he moved across 482 00:24:25,160 --> 00:24:27,000 Speaker 1: the street to a sidewalk and they moved across and 483 00:24:27,080 --> 00:24:29,600 Speaker 1: he was like, oh, he moved across again. They moved across, 484 00:24:29,840 --> 00:24:31,200 Speaker 1: and the guy came up to him like, hey man, 485 00:24:31,440 --> 00:24:32,920 Speaker 1: you wanna you have any weed? And he's like no, 486 00:24:33,040 --> 00:24:34,920 Speaker 1: he's gonna buy something. He's like no, he's what he 487 00:24:34,960 --> 00:24:36,600 Speaker 1: got there. And he said that's when he started to 488 00:24:36,600 --> 00:24:39,240 Speaker 1: fill the peoples circle around him. And then they told 489 00:24:39,320 --> 00:24:41,880 Speaker 1: him to the unlock his phone because if you get 490 00:24:41,920 --> 00:24:43,560 Speaker 1: a phone now and you can't get in it, it's 491 00:24:43,560 --> 00:24:46,119 Speaker 1: a brick. But they made him unlock his phone to 492 00:24:46,280 --> 00:24:48,760 Speaker 1: steal it, m MB in it. But they didn't know 493 00:24:48,760 --> 00:24:51,000 Speaker 1: it was him. They were just looking for somebody by 494 00:24:51,040 --> 00:24:55,040 Speaker 1: themself to rob It's crazy, man, that's I'd freak at 495 00:24:55,160 --> 00:24:58,000 Speaker 1: six people following me. I would just take off running. 496 00:24:59,440 --> 00:25:01,280 Speaker 1: Chances are you get caught. Though out of six people, 497 00:25:01,480 --> 00:25:03,920 Speaker 1: there's gonna be one dude fester than you. But I'm 498 00:25:03,920 --> 00:25:07,240 Speaker 1: gonna run. I'm gonna run to other people, like that's 499 00:25:07,280 --> 00:25:10,840 Speaker 1: the trick. It's not run away and hide, It's run 500 00:25:10,920 --> 00:25:13,520 Speaker 1: to where other people are, like a restaurant or something. 501 00:25:14,640 --> 00:25:16,399 Speaker 1: Find other people as fast as you can and go. 502 00:25:18,080 --> 00:25:23,200 Speaker 1: When Lady Gaga writes music, she consults with fairies. Excuse me, 503 00:25:23,560 --> 00:25:26,359 Speaker 1: who tells her what the world needs to hear. Here's 504 00:25:26,359 --> 00:25:40,879 Speaker 1: our new song, Stupid Love. Lady Gaga explained where the 505 00:25:41,000 --> 00:25:44,280 Speaker 1: inspiration for the upbeat dance anthems stupid Love came from, 506 00:25:44,920 --> 00:25:48,719 Speaker 1: crediting some unlikely colleagues with helping her find the right 507 00:25:48,840 --> 00:25:51,800 Speaker 1: sound and lyrics. Quote, sometimes you have to move your 508 00:25:51,840 --> 00:25:55,760 Speaker 1: body and your spirit and your soul so they can 509 00:25:55,840 --> 00:25:58,920 Speaker 1: access what you're really feeling. And she would go in 510 00:25:59,320 --> 00:26:00,840 Speaker 1: and she'd sit with a producer and go, okay, I'm 511 00:26:00,840 --> 00:26:02,359 Speaker 1: gonna own in the portal, I'm gonna listen. I'm gonnaal 512 00:26:02,400 --> 00:26:05,239 Speaker 1: to all my fairies, and the fairies would help her 513 00:26:05,240 --> 00:26:08,360 Speaker 1: write music. I think fairy is just a weird word 514 00:26:08,440 --> 00:26:12,200 Speaker 1: for like, you're finding your inspiration right, Yeah. If not, 515 00:26:12,359 --> 00:26:14,360 Speaker 1: I don't know what she's talking about, or she's taking 516 00:26:14,359 --> 00:26:16,960 Speaker 1: a lot of something. She's seen a lot of fake 517 00:26:17,000 --> 00:26:19,080 Speaker 1: people around her, or is she taking a lot of something? 518 00:26:19,600 --> 00:26:21,520 Speaker 1: Do you ever met her? Yeah, a couple of times. 519 00:26:21,600 --> 00:26:27,040 Speaker 1: Does she seem normal or out there? Like away from everything, 520 00:26:27,080 --> 00:26:29,080 Speaker 1: away from cameras? I don't know that I ever met 521 00:26:29,119 --> 00:26:32,240 Speaker 1: her in a super personal situation. Any time I met 522 00:26:32,240 --> 00:26:35,560 Speaker 1: her was work related and she wasn't normal. But she's 523 00:26:35,560 --> 00:26:37,639 Speaker 1: not supposed to be normal when it's work time, So 524 00:26:37,840 --> 00:26:39,119 Speaker 1: I don't know what she's like. I did you ever 525 00:26:39,160 --> 00:26:42,480 Speaker 1: watch her documentary? I don't think so. I called two 526 00:26:42,480 --> 00:26:47,040 Speaker 1: ft tall something, four ft something whatever, I'm not sure 527 00:26:47,080 --> 00:26:50,720 Speaker 1: what it's called her height before or something something like that. 528 00:26:51,800 --> 00:26:54,560 Speaker 1: It's fine. Does it kind of deep go into like 529 00:26:54,640 --> 00:26:56,399 Speaker 1: the kind of person she is? Like? Yeah, if that 530 00:26:56,440 --> 00:26:57,879 Speaker 1: goes into the kind of person she wants you to 531 00:26:57,960 --> 00:27:00,399 Speaker 1: see she is, that's my point. So but it was 532 00:27:00,440 --> 00:27:03,440 Speaker 1: pretty good. Okay, there's definitely a struggle there. They struggled everyone. 533 00:27:03,440 --> 00:27:05,399 Speaker 1: Anybody you think has it all figured out, they don't 534 00:27:06,320 --> 00:27:10,199 Speaker 1: five ft two Eventually, guys who started her off as 535 00:27:10,240 --> 00:27:15,560 Speaker 1: like an elegant uh ferry, we had a Ferry. Okay, 536 00:27:15,600 --> 00:27:17,399 Speaker 1: that's it. We just wanted to come on and do 537 00:27:17,520 --> 00:27:20,919 Speaker 1: some new music. Looking ahead, we have Kelsey Ballerini doing 538 00:27:20,960 --> 00:27:24,720 Speaker 1: a Bobby cast real soon, maybe even next week, right Mike, 539 00:27:25,760 --> 00:27:28,440 Speaker 1: we have it looks like Sam Jan has now confirmed yep, 540 00:27:28,600 --> 00:27:30,600 Speaker 1: I got him coming up. We've been chasing that one 541 00:27:30,640 --> 00:27:34,280 Speaker 1: for a while, so we'll see if that holds, and 542 00:27:34,560 --> 00:27:36,879 Speaker 1: I'll tell your friends about us. We appreciate that. I 543 00:27:36,920 --> 00:27:38,960 Speaker 1: don't know when Sam is, but that's coming out to 544 00:27:39,240 --> 00:27:42,479 Speaker 1: cool Man check Out, so I get little chokes out 545 00:27:42,480 --> 00:27:47,120 Speaker 1: talking about you, Eddie on the Store Losers podcast. Check 546 00:27:47,160 --> 00:27:50,879 Speaker 1: out Mike's podcast Movie Mike's Movie Podcast, where he breaks 547 00:27:50,920 --> 00:27:53,959 Speaker 1: down all kinds of stuff about movies, actors and how 548 00:27:54,000 --> 00:27:56,200 Speaker 1: much money they make, why they took certain roles. He 549 00:27:56,280 --> 00:27:59,480 Speaker 1: does reviews. If you love movies, check out movie Mike's 550 00:27:59,560 --> 00:28:02,520 Speaker 1: Movie Podcast. Thank you very much, and we'll see you 551 00:28:02,520 --> 00:28:11,320 Speaker 1: guys next time. Him him h