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Speaker 1: What's the deal. It's reasoning Porches is out now.

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Speaker 2: Check out my episode on My Karma's Beautiful that's coming

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Speaker 2: on Thursday. Pulled up to the city for a light thrill.

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Speaker 2: Just moved but a guy out of right pheield. I'll

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Speaker 2: be moving around like I'm normal. Niggas call like they

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Speaker 2: did something for me on the Homies.

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Speaker 3: But it's love. We was cordial.

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Speaker 2: Niggas changed like oil pressure wrong handled that with the

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Speaker 2: plas see pressure hit them. Niggas turned to the clash

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Speaker 2: crucifixion to some niggas to cross me while you.

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Speaker 4: Talking like Welcome to a new episode of the New

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Speaker 4: Rory and Maul Podcast. I am Maul, I'm Rory, and

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Speaker 4: today we are here joined with a special guest. You

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Speaker 4: want to call him special? Can we make Worries special? Offensive?

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Speaker 4: Special sens?

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Speaker 5: Right?

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Speaker 4: I feel like specials defensive. It's on the offensive list.

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Speaker 6: Now.

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Speaker 3: If we didn't really know him, we would do that

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Speaker 3: whole intro like a special talent we got.

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Speaker 4: Here's the reason, ranked Bell.

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Speaker 3: We don't say that ready, don't get mad, just a friends,

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Speaker 3: You're not family.

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Speaker 1: I'm sorry. Front of the show.

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Speaker 4: Congratulate on a new project.

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Speaker 1: Thank you, Fortues available now, porches out everywhere now.

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Speaker 4: Phenomenal project. It sounds good. I do have one pushback

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Speaker 4: on the project. Okay, I hate long project rap project. Yeah, honestly,

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Speaker 4: like more than twelve to me is like you doing.

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Speaker 4: I fought to try to get it down. We were

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Speaker 4: at twenty one and I was like no, I was like,

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Speaker 4: there's no way. Yeah.

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Speaker 2: We literally fought to get it down to eighteen and

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Speaker 2: then literally like right before we turned it in, we

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Speaker 2: cut another one.

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Speaker 4: Huh.

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Speaker 2: It's the joint I actually did on the performance to

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Speaker 2: catch and a little joint. We cut that to make

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Speaker 2: it a seventeen. This would be the last long project

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Speaker 2: I ever do, though.

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Speaker 4: It's good priducts really really good rapping, thank you, good production, storytelling.

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Speaker 4: This is a real rap album. Yeah, and I appreciate

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Speaker 4: that because you know, sometimes rappers put our albums and

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Speaker 4: they get forced to you know, kind of lean poppy.

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Speaker 1: Yeah.

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Speaker 2: I was just going to say that, it's like you

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Speaker 2: have all these meetings of what they want you to do,

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Speaker 2: so you start to lean in other ways and whatnot.

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Speaker 2: And I had those meetings too, but for me, I

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Speaker 2: was just like, bro, I want to drop a rap album.

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Speaker 1: It's funny that you said. I literally told the homie that.

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Speaker 2: I was like, this is a rap album, Like, regardless

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Speaker 2: of what you expected to sound like, it's gonna snows wrapping,

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Speaker 2: It's gonna sound like a rap album, like all the

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Speaker 2: way through. Even the features, Uh you got Kaylin Yeah

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Speaker 2: real for real, Juni Baby, I love Yeah, Yeah, Ray.

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Speaker 1: Went crazy and not the feature Showchi which major career?

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Speaker 1: Yeah that made my career?

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Speaker 4: Is this?

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Speaker 1: Uh?

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Speaker 3: Is this project longer? Because it is a combination of

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Speaker 3: seven EPs that into TV and then they slapped in

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Speaker 3: a title on it all together? What the fun happens?

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Speaker 3: Is this TD shit? It's just a rollout at this point.

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Speaker 2: It's not a rollout that is like a narrative that

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Speaker 2: I kind of hate seeing. Is like, Bro, I would

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Speaker 2: never embarrass myself in front of ten million people to

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Speaker 2: sell records. It's just not that serious, Like you know

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Speaker 2: what I'm saying, Like I would never plenty of artists

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Speaker 2: for me.

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Speaker 1: It's not for me. It's not that serious.

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Speaker 2: Like if anybody knows anything about me and my music,

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Speaker 2: it's like it's authenticity is at a high, and I

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Speaker 2: wouldn't do that, you know what I mean? Like I

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Speaker 2: just think it was a combination of the moment and

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Speaker 2: some alcohol and yeah.

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Speaker 3: Well it's interesting because TD perception for how long they've

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Speaker 3: been around hasn't come across as a messy label. Yeah,

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Speaker 3: family business seems to stay in house, very stand up guys.

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Speaker 3: That's been the perception from TD's inception.

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Speaker 4: Yeah, but then.

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Speaker 3: You start looking in the details, you see punch and scissors.

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Speaker 3: Relationship has been pretty consistent around the album time where

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Speaker 3: there's disagreements and then your manager and also the president

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Speaker 3: TD e Musa get into it with Trail being messy.

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Speaker 1: Shout out to Trail Man.

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Speaker 3: So there was there was no conversation prior to this.

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Speaker 3: Did you expect him to call into that?

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Speaker 1: I did not.

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Speaker 2: I didn't even expect the episode to be about that.

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Speaker 2: Like for me, like when I go on certain platforms.

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Speaker 2: Of course I know who I'm going on to the

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Speaker 2: platform with, so I mentally prepare.

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Speaker 1: I don't really watch the show like that. So I

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Speaker 1: didn't know what I was walking into.

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Speaker 2: And then on top of that, it's a TD friendly podcast,

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Speaker 2: so I didn't think that I was. I didn't think

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Speaker 2: I was walking into so many TD questions. You know

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Speaker 2: what I'm saying, Like a Mackett school a qs DJ.

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Speaker 2: I didn't think that I was walking into into that.

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Speaker 1: You know what I'm saying.

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Speaker 3: You were gonna get the safest interview ever, and I

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Speaker 3: thought it was gonna.

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Speaker 2: Be drunk and just talk ship like That's genuinely what

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Speaker 2: I thought like, And so yeah, it just it went.

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Speaker 2: It went left, and I think I even made a

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Speaker 2: druk at one point. I was like, we just gonna

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Speaker 2: park here. We're not gonna like, We're not gonna leave

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Speaker 2: to nothing else, you know what I mean. And we

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Speaker 2: just we parked and crash.

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Speaker 4: But to that, to the conversation, shout out to t

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Speaker 4: Row and those guys back on fig that conversation that

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Speaker 4: you had with Musa. I watched it because Rory had

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Speaker 4: sent it to the chat. That's how I saw it,

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Speaker 4: and I'm watching it, and I didn't think I felt

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Speaker 4: it was a necessary conversation. Yeah, I felt that it

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Speaker 4: was a conversation that you needed to have, you and

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Speaker 4: Moose needed to I just don't like the fact that

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Speaker 4: it happened happened publicly publicly, Like I think that it

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Speaker 4: was an important conversation. I think that it was some

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Speaker 4: things that Mussa probably had been wanting to say.

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Speaker 3: Yeah, both of them seem very prepared for the conversation. Yeah,

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Speaker 3: they both had been thinking. Then one took a second

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Speaker 3: to think about that.

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Speaker 2: I was about to say, like this, that is a

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Speaker 2: conversation that me and Moosa have had, and I will

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Speaker 2: say like even worse, like behind closed doors, you know

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Speaker 2: what I mean, Like it's not a it's not a

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Speaker 2: secret at between me and Musa or at the label

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Speaker 2: that like we want the same thing. We just have

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Speaker 2: two different ideas of the path that we should take

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Speaker 2: to get there.

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Speaker 4: Which is what happens.

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Speaker 2: Yeah, you know what I'm saying, Like we have the

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Speaker 2: same destination in mind, we just have two different paths

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Speaker 2: in which we believe that we should get there. And

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Speaker 2: it was just one of those things that it's like

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Speaker 2: it shouldn't have even like with me when I say,

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Speaker 2: like you want to have a conversation, you want to

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Speaker 2: go viral. In hindsight, I'm so glad he said a

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Speaker 2: conversation because like there's so many things that me and

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Speaker 2: him speak about behind closed doors, and at that moment

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Speaker 2: with that alcohol in me, like I would have been

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Speaker 2: on that type of time also.

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Speaker 1: And I just think it just would have been super

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Speaker 1: super nasty.

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Speaker 4: You would have said some things that today you would

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Speaker 4: have looked back and I would have looked back on

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Speaker 4: the imediately be like nah, like actually said some things

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Speaker 4: on there. Like the only things I regret saying on

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Speaker 4: there was I regret going into my relationship with SISM.

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Speaker 4: I shouldn't have said I don't have a relationship with SISM,

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Speaker 4: not because it's not true, but just because it's just

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Speaker 4: certain details. I didn't need to like speak on it

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Speaker 4: everything of the public exactly. And then also I shouldn't

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Speaker 4: have gone into detail about who specifically we were trying

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Speaker 4: to get features from. I could have easily just said

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Speaker 4: we had some features that we wanted to get that

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Speaker 4: didn't fall through. So those are like the two things

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Speaker 4: that I feel like I probably shouldn't have said.

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Speaker 2: You know what I mean, We hear and we make mistakes.

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Speaker 2: And then I'm sure Moss has a long list of

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Speaker 2: things he wished that he didn't he didn't say. Yeah,

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Speaker 2: I'm sure.

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Speaker 3: I think it was the first time TD has really

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Speaker 3: gotten like real backlash, which is kind of crazy because

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Speaker 3: even with the Kendrick and Dave split, I think both

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Speaker 3: sides handled that so well. Yeah, express the respect they

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Speaker 3: had for each side and just time to part ways.

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Speaker 3: It was not a messy breakup at all. It's actually

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Speaker 3: kind of an ill example of how things can just

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Speaker 3: get over and move on. With punch and Scissa, that's

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Speaker 3: kind of just become a theme. And Scissor fans are

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Speaker 3: Scissor fans, so they're gonna curse punch out no matter what.

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Speaker 1: That matters.

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Speaker 3: That becomes more funny than it does serious. This was

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Speaker 3: the first time I've seen like real TD pushback a

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Speaker 3: lot of people. I mean, it's the Internet, so they're

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Speaker 3: just gonna make shit up. But it was like always

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Speaker 3: mustle what Kendrick went through is why Kendrick left. It

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Speaker 3: kind of gave the Internet a reason now to stand

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Speaker 3: on all of it, because you know, everyone on the

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Speaker 3: internet's waiting for people that have been doing great for

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Speaker 3: so long before. Did you feel like that opened the

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Speaker 3: door for TD E eight because it was the first.

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Speaker 2: Time I do when I do feel like I feel

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Speaker 2: bad about that because like, like I've always said on

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Speaker 2: every platform, how much I respect Top and how much

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Speaker 2: I appreciate Top, Like this is a man that has

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Speaker 2: literally changed my life. Never let me go broke Uh,

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Speaker 2: you know, there's so many personal things Top and help

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Speaker 2: me with, So that part I feel bad about it

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Speaker 2: because it's like, ultimately, this is Top's legacy, Like when

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Speaker 2: a lot of times we start talking about TD and

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Speaker 2: we don't realize that it's like it's top Dog, like that.

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Speaker 1: Is it's his name, you know what I mean.

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Speaker 2: So I feel bad about that and I regret that,

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Speaker 2: but I do feel like it is one of those

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Speaker 2: situations where it is the first time that this level

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Speaker 2: of controversy has happened on TD. But it's also my truth,

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Speaker 2: and there's a part of me that has to stand

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Speaker 2: on like what my truth is as an artist, Like

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Speaker 2: my truth is as an artist that most of these

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Speaker 2: songs are two years old. My truth is as an

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Speaker 2: artist that I could have, you know, had the same

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Speaker 2: album out. And that's not to like smear them. It's

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Speaker 2: just what it is and how it's feeling at the moment.

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Speaker 2: And I think maybe if I would have had that

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Speaker 2: conversation more recently behind closed doors, because it is That's

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Speaker 2: another narrative that's running around is that we've never spoke.

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Speaker 1: We've had that conversation fifteen times.

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Speaker 2: You know what I'm saying but maybe if it would

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Speaker 2: have been a more recent conversation, it wouldn't have came

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Speaker 2: off so like I'm like purposely trying to smear the

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Speaker 2: name or something like that.

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Speaker 3: Well, for people that aren't super familiar with your back catalog,

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Speaker 3: the song Window Pane kind of addressed this situation, sorry

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Speaker 3: to try years in advance, even specifically with Musa, Like,

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Speaker 3: all right, my manager's top son. I don't understand how

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Speaker 3: that works if we have a disagreement side.

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Speaker 4: That is a difficult That is a difficult situation to

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Speaker 4: kind of navigate through the fact that your manager is

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Speaker 4: the CEO of the label that you're signed to.

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Speaker 5: Son.

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Speaker 4: Yeah, you don't think that there's too much of conflict

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Speaker 4: of interest there.

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Speaker 2: I mean it's that was why I wrote the song

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Speaker 2: like and for the record. I wrote the record before

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Speaker 2: anything could happened. It was literally just like me like

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Speaker 2: kind of looking around and being like, Okay, this is

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Speaker 2: like something that could happen. I get creative with my music.

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Speaker 2: So it's like it's weird because it's a yes.

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Speaker 4: And no no.

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Speaker 2: It's like a yes that is a high conflicts of interest,

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Speaker 2: you know, clearly, but also be Musa is like a

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Speaker 2: brother to me.

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Speaker 4: So it's like.

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Speaker 2: Maybe in the beginning, but now that like we're really

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Speaker 2: like family. Yes, it is still some type of conflict

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Speaker 2: because there's gonna it's gonna be weird, but it's like

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Speaker 2: that is still my family also, and I will say,

242
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Speaker 2: like Top, like he holds niggas accountable, Like it's not

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Speaker 2: like because that's his son, they don't get cussed out

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Speaker 2: and all this other stuff, you know what I'm saying.

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Speaker 1: But it just it creates a weird.

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Speaker 2: Dynamic, like it's not it's not nothing that you know,

247
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Speaker 2: it's hard. Is that hard to figure out? If you

248
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Speaker 2: can kind of connect the dots at times, it creates

249
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Speaker 2: a weird dynamic, but also feel like we handle it

250
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Speaker 2: pretty well because everybody treats everybody like family, you know

251
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Speaker 2: what I mean for the most part.

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Speaker 3: So after Windows Cry came out, was it was it

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Speaker 3: weird at all?

254
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Speaker 2: It was like certain people at the label, not Top

255
00:10:34,800 --> 00:10:37,240
Speaker 2: or Musa, but like the I call them like.

256
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Speaker 1: The minions, minions different work.

257
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Speaker 2: Many is meaning like people that are not like a

258
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Speaker 2: part of the label, but like they're a part of

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Speaker 2: the label, you know what I'm saying.

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Speaker 1: Like because his family like they felt more of a

261
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Speaker 1: way than.

262
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Speaker 2: Top and musa did you know what I'm saying from

263
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Speaker 2: me dropping Windows Cry? And I'm like, I wrote Windows Cry,

264
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Speaker 2: like Top is the one that put it on the album.

265
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Speaker 1: I didn't write it to be on the album.

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Speaker 2: Like my my outro was gossip and then Top put

267
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Speaker 2: it as an outro, So.

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Speaker 1: I'm like, we were good.

269
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Speaker 2: It was more of like that's where it kind of

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Speaker 2: gets tricky, like and I feel like that's like an

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Speaker 2: example of what happened on Monday is like it be

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Speaker 2: the menions, Like it's like it's it's the messy.

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Speaker 5: Shot out like I don't care, bro.

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Speaker 2: It's like it's it's the messy people outside of it

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Speaker 2: that like are And it's on both sides, Like I

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Speaker 2: got my homies that called me and oh fuck that bro,

277
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Speaker 2: that's not cool to so I know they got the same.

278
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Speaker 4: That's how you usually go, Yeah, you get.

279
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Speaker 3: What I'm saying.

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Speaker 2: And it's like it creates sometimes it can create that

281
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Speaker 2: weird environment when you know, I'm always open for a conversation,

282
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Speaker 2: Moose is always open for a conversation. Top's always open

283
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Speaker 2: for a conversation. And that's why I posted it on

284
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Speaker 2: my Gram afterwards, I said, this could have been a conversation.

285
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Speaker 2: It could have been loved, Like, we could have just

286
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Speaker 2: had a convo. And that's on both sides. It's not

287
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Speaker 2: just on the side. It's not on myst like we

288
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Speaker 2: could have just had a conversation.

289
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Speaker 3: So what was right after the stream? Yeah, what was

290
00:11:55,559 --> 00:11:58,160
Speaker 3: your phone like? And did you feel like you wanted

291
00:11:58,200 --> 00:12:02,160
Speaker 3: to talk to Musa immediately off? Yeah, Mike or Top

292
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Speaker 3: or anyone. What was the first move after that entire.

293
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Speaker 2: Yeah, my phone actually didn't start blowing up right away

294
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Speaker 2: because like bro, I like, and this is no shot

295
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Speaker 2: that they fan base. I hang out with civilians that

296
00:12:13,840 --> 00:12:16,840
Speaker 2: don't care about the messy ship. So like my homies

297
00:12:16,840 --> 00:12:20,040
Speaker 2: didn't see the stream until it went viral, you get

298
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Speaker 2: what I'm saying. Like I got like maybe three hit

299
00:12:21,800 --> 00:12:23,720
Speaker 2: ups after I left or whatever. I went to go

300
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Speaker 2: shoot another album trailer, like right after that. I didn't

301
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Speaker 2: want to hit Moosa right off the back because me

302
00:12:28,440 --> 00:12:31,680
Speaker 2: and Musa have a relationship where like our pride gets

303
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Speaker 2: super super high. I like saying this for Virgos even

304
00:12:34,960 --> 00:12:37,079
Speaker 2: though that means absolutely nothing. I just like saying it,

305
00:12:37,640 --> 00:12:43,720
Speaker 2: but both born. Yeah, where Virgos in the Moon Alliance

306
00:12:43,800 --> 00:12:44,360
Speaker 2: to where like.

307
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Speaker 3: Whatever you think is there, you know what I'm saying,

308
00:12:48,800 --> 00:12:50,440
Speaker 3: Like maybe your fault, right.

309
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Speaker 4: It's the moves for absolutely.

310
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Speaker 2: The moment was in the wrong position, and I just

311
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Speaker 2: didn't think it was healthy for us to talk at

312
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Speaker 2: that point. Anything I was gonna say at that point

313
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Speaker 2: wasn't gonna be productive in them vice versus me and Moose.

314
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Speaker 5: Y'all.

315
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Speaker 2: Though, yeah, you don't understand, we didn't did this like

316
00:13:04,040 --> 00:13:05,160
Speaker 2: you know what I mean, Like me and Moose and

317
00:13:05,200 --> 00:13:08,280
Speaker 2: we have like this brother relationship where like we didn't

318
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Speaker 2: almost like like gott into real fights and all of that,

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Speaker 2: you know what I'm saying. So it's like, like we've

320
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Speaker 2: done that before. It just shouldn't have happened in front

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Speaker 2: of ten million people.

322
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Speaker 7: When's the last time something that had happened between the

323
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Speaker 7: two of you? Had it been a while, It.

324
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Speaker 2: Had been a while, And that's why I was saying

325
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Speaker 2: that it should have just been a conversation because we

326
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Speaker 2: hadn't had one of those conversations in like eight months.

327
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Speaker 2: So it's like sometimes me and Moose, not even sometimes

328
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Speaker 2: all the times, me and Moosa be needing to reset

329
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Speaker 2: because we be really like feeling the way and then

330
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Speaker 2: we have a conversation and we reset and then so

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Speaker 2: I kind of feel like that that was boiling and

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Speaker 2: you know what I mean, like in this like it

333
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Speaker 2: just should have been a conversation.

334
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Speaker 3: Bro, even some of the borderline disrespectful or disrespectful things

335
00:13:47,559 --> 00:13:50,920
Speaker 3: that were set on that stream. We've worked together and

336
00:13:50,960 --> 00:13:53,520
Speaker 3: I think we have a similar objectivity when it comes

337
00:13:53,520 --> 00:13:55,640
Speaker 3: to making art. We don't take things personal if it's

338
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Speaker 3: better for the record or better for what we're doing exactly. Yeah,

339
00:13:57,800 --> 00:14:01,560
Speaker 3: no one takes it that way. How did you not

340
00:14:01,640 --> 00:14:04,679
Speaker 3: take a lot of what he said personal, even if

341
00:14:04,720 --> 00:14:05,840
Speaker 3: it is about your career.

342
00:14:05,960 --> 00:14:09,160
Speaker 4: I definitely took this shit personal, Like the fuck he

343
00:14:09,280 --> 00:14:12,559
Speaker 4: called me the school teacher, all this other crazy that

344
00:14:12,600 --> 00:14:13,160
Speaker 4: was pretty funny.

345
00:14:13,640 --> 00:14:15,520
Speaker 1: It was funny, but in the moment, it wasn't funny.

346
00:14:15,880 --> 00:14:17,079
Speaker 3: I'm sure it was not.

347
00:14:17,520 --> 00:14:19,920
Speaker 2: Bro Like Nah, I definitely took that shit personal, like

348
00:14:19,960 --> 00:14:22,600
Speaker 2: and Musa knows I took it. It's like, you know,

349
00:14:22,760 --> 00:14:24,320
Speaker 2: it was one of those things where I was like,

350
00:14:24,360 --> 00:14:28,040
Speaker 2: you know, it feels like he's like trying to like

351
00:14:28,080 --> 00:14:30,040
Speaker 2: embarrass me in this moment, you know what I'm saying, Like,

352
00:14:30,080 --> 00:14:35,360
Speaker 2: and but I also know Moosa's I know Moosa's heart

353
00:14:35,480 --> 00:14:38,280
Speaker 2: like with the label, like this is his dad's label

354
00:14:38,280 --> 00:14:40,800
Speaker 2: and he's just so proud of TD.

355
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Speaker 1: So for him, I can also.

356
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Speaker 2: See how he took some of the things that I

357
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Speaker 2: said personal, you know what I'm saying, like regardless of

358
00:14:47,680 --> 00:14:49,200
Speaker 2: if I if it was my truth or not.

359
00:14:49,320 --> 00:14:50,640
Speaker 1: Yeah, I could see how he felt like.

360
00:14:50,680 --> 00:14:52,560
Speaker 2: You know, like I take this personal, you know what

361
00:14:52,560 --> 00:14:55,160
Speaker 2: I'm saying, And so it's almost like he took that personal.

362
00:14:55,200 --> 00:14:57,240
Speaker 2: So then he took personal shots. I took it personal,

363
00:14:57,720 --> 00:14:59,800
Speaker 2: and I'm just glad that it didn't. Like it's funny,

364
00:14:59,840 --> 00:15:00,960
Speaker 2: like the the homie he worked.

365
00:15:00,800 --> 00:15:01,240
Speaker 1: For the label.

366
00:15:01,280 --> 00:15:02,960
Speaker 2: I'm not gonna say his name, but he caught me

367
00:15:03,000 --> 00:15:04,440
Speaker 2: right up there streaming. The first thing he said was

368
00:15:04,440 --> 00:15:06,360
Speaker 2: that could have been way worse. That was the first

369
00:15:06,360 --> 00:15:10,520
Speaker 2: thing he said was like, that could have been it definitely, you.

370
00:15:10,480 --> 00:15:12,360
Speaker 4: Know, it definitely felt like it could have been worse.

371
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Speaker 4: And that's my thing. It's like it felt like it

372
00:15:14,880 --> 00:15:18,040
Speaker 4: was so much that you wanted to say or that

373
00:15:18,120 --> 00:15:20,200
Speaker 4: you had to say that you just was like, I'm

374
00:15:20,200 --> 00:15:22,640
Speaker 4: not going to say it. If it got to that

375
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Speaker 4: point where, like you said, you wanted to go viral,

376
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Speaker 4: you want to have a conversation, and I'm just glad

377
00:15:27,800 --> 00:15:30,000
Speaker 4: that it didn't because now you get time to look

378
00:15:30,000 --> 00:15:31,920
Speaker 4: back and be like, why did it go down like that?

379
00:15:32,040 --> 00:15:33,840
Speaker 4: We didn't have to go back and forth. So I

380
00:15:33,880 --> 00:15:37,280
Speaker 4: think that it happened. I think that it's a lot

381
00:15:37,280 --> 00:15:39,600
Speaker 4: of positive things that could come from that, for sure.

382
00:15:39,720 --> 00:15:41,760
Speaker 2: I mean, a if they didn't know my album was

383
00:15:41,800 --> 00:15:46,000
Speaker 2: dropping on Friday and niggas know my album was Friday's.

384
00:15:45,120 --> 00:15:46,800
Speaker 3: The first even though it wasn't playing it, it worked.

385
00:15:46,800 --> 00:15:47,320
Speaker 1: It worked.

386
00:15:47,920 --> 00:15:50,280
Speaker 3: It was the first thing I thought, because I didn't

387
00:15:50,280 --> 00:15:53,040
Speaker 3: think I feel like you would have spoken to me

388
00:15:53,080 --> 00:15:55,280
Speaker 3: if that was like some fake ship. So I was like,

389
00:15:55,280 --> 00:15:56,400
Speaker 3: oh wow, that was that was real.

390
00:15:56,800 --> 00:15:57,400
Speaker 1: Yeah.

391
00:15:57,680 --> 00:16:00,160
Speaker 3: But the first thing I thought was, oh, fuck, it's

392
00:16:00,200 --> 00:16:03,240
Speaker 3: his album release week, which means he may see more

393
00:16:03,280 --> 00:16:05,640
Speaker 3: people from the label than he's ever seen in his

394
00:16:05,720 --> 00:16:07,720
Speaker 3: life one because that's the week you really have to

395
00:16:07,760 --> 00:16:10,040
Speaker 3: work and I would see everybody, whether it be a

396
00:16:10,080 --> 00:16:13,200
Speaker 3: release party, whether you're doing press with the office, Like, yeah,

397
00:16:13,200 --> 00:16:16,160
Speaker 3: what was that week like? Just running into everyone from

398
00:16:16,200 --> 00:16:16,560
Speaker 3: the label?

399
00:16:16,680 --> 00:16:18,640
Speaker 1: Yeah, that that was like the weirdest part.

400
00:16:19,400 --> 00:16:22,840
Speaker 2: But it it ended up what I was what I

401
00:16:22,840 --> 00:16:24,360
Speaker 2: thought was going to be the weirdest part but it

402
00:16:24,440 --> 00:16:28,160
Speaker 2: ended up not being as bad. I had a release party, Uh,

403
00:16:28,320 --> 00:16:32,640
Speaker 2: nobody showed up from the label, so that like for

404
00:16:32,800 --> 00:16:35,760
Speaker 2: me love the release party you just had, Yeah, the

405
00:16:35,800 --> 00:16:37,720
Speaker 2: one that I had one on Thursday and nobody from

406
00:16:37,720 --> 00:16:39,920
Speaker 2: the label showed up. My bat Rayvon showed up. Shout

407
00:16:39,920 --> 00:16:42,000
Speaker 2: out to Rayvon. Rayvon showed up. Nobody showed He's the

408
00:16:42,040 --> 00:16:43,680
Speaker 2: only person from TV to show up. He's the only

409
00:16:43,680 --> 00:16:46,000
Speaker 2: person from TD that showed up. But I took it,

410
00:16:46,480 --> 00:16:47,640
Speaker 2: and I don't people are gonna take it out and

411
00:16:47,680 --> 00:16:48,480
Speaker 2: they took it take it.

412
00:16:48,520 --> 00:16:49,120
Speaker 1: I took it.

413
00:16:49,040 --> 00:16:51,360
Speaker 2: As you know, maybe niggas is just giving me space

414
00:16:51,400 --> 00:16:53,040
Speaker 2: because they know how I am. That's how I took it.

415
00:16:53,080 --> 00:16:54,720
Speaker 2: That's genuinely how I took it. It was like maybe

416
00:16:54,800 --> 00:16:57,240
Speaker 2: niggas are you know, just giving me space or whatever case.

417
00:16:57,080 --> 00:17:00,520
Speaker 3: May be, Well did you expect them either way? There's

418
00:17:00,520 --> 00:17:02,400
Speaker 3: a huge conspiracy that mal didn show up to my

419
00:17:02,720 --> 00:17:05,919
Speaker 3: release party. So that means for beefing just certain people

420
00:17:06,080 --> 00:17:07,800
Speaker 3: know you don't expect not in a bad way. It's

421
00:17:07,880 --> 00:17:10,560
Speaker 3: just like, you know, I'm not expecting someone to drop

422
00:17:10,600 --> 00:17:12,679
Speaker 3: everything they're doing in their lives and go travel just

423
00:17:12,800 --> 00:17:14,960
Speaker 3: to go celebrate me. For an hour's exactly.

424
00:17:15,160 --> 00:17:17,040
Speaker 2: And it's a combination of we had an early listening

425
00:17:17,080 --> 00:17:20,520
Speaker 2: party the week before and everybody didn't show up, but

426
00:17:20,600 --> 00:17:23,000
Speaker 2: like majority of like them showed up. So I took

427
00:17:23,000 --> 00:17:24,760
Speaker 2: it as two ways, like maybe you know, they showed

428
00:17:24,800 --> 00:17:26,119
Speaker 2: up to that one, so they're not shown up to

429
00:17:26,160 --> 00:17:29,159
Speaker 2: this one. Or also maybe they're giving me my space,

430
00:17:29,200 --> 00:17:31,080
Speaker 2: you know what I mean. But regardless, it's like.

431
00:17:32,560 --> 00:17:33,600
Speaker 1: I really I have tough skin.

432
00:17:33,720 --> 00:17:38,240
Speaker 2: I really didn't take it that personal, but yeah, like

433
00:17:38,440 --> 00:17:42,000
Speaker 2: so we had that and then Cal had the boiler room.

434
00:17:42,160 --> 00:17:44,000
Speaker 2: It's like it was like a big party the next day.

435
00:17:44,000 --> 00:17:46,679
Speaker 2: That's where the school by q Snipper came from. And

436
00:17:46,680 --> 00:17:48,000
Speaker 2: then I didn't go to that. I didn't go to

437
00:17:48,000 --> 00:17:48,280
Speaker 2: that just.

438
00:17:48,280 --> 00:17:49,480
Speaker 1: Because I was still in my feelings.

439
00:17:49,560 --> 00:17:51,600
Speaker 2: Just for me to be completely honest with it, it

440
00:17:51,640 --> 00:17:54,399
Speaker 2: was like I knew that, you know, it was gonna

441
00:17:54,400 --> 00:17:57,920
Speaker 2: be dominions there. It wasn't really about mousing and them

442
00:17:57,960 --> 00:17:59,720
Speaker 2: being there. It was more about the minions, and I

443
00:17:59,760 --> 00:18:01,639
Speaker 2: didn't I didn't want to run into the minus.

444
00:18:02,040 --> 00:18:05,000
Speaker 4: Like, so, just being honest, it sounds like there's a

445
00:18:05,040 --> 00:18:12,120
Speaker 4: lot of emotional things around you and people at TD

446
00:18:13,359 --> 00:18:15,320
Speaker 4: for people not to come to your album release party.

447
00:18:15,600 --> 00:18:17,440
Speaker 4: Now I understand what you're saying. You're not really looking

448
00:18:17,480 --> 00:18:19,560
Speaker 4: at it like that, but that is saying something.

449
00:18:20,280 --> 00:18:22,359
Speaker 1: Yeah, I mean, it's weird.

450
00:18:22,400 --> 00:18:25,199
Speaker 2: Like I just I just really don't I don't know,

451
00:18:25,240 --> 00:18:27,000
Speaker 2: I just really just didn't take it that way, you

452
00:18:27,000 --> 00:18:29,000
Speaker 2: get what I'm saying, Like, like I didn't like So

453
00:18:29,160 --> 00:18:31,040
Speaker 2: hit me. So told me that he had something to

454
00:18:31,040 --> 00:18:32,720
Speaker 2: do as far as like he was on daddy duty

455
00:18:32,720 --> 00:18:36,560
Speaker 2: and whatnot, so he couldn't come. Ray came, Miko was there,

456
00:18:37,440 --> 00:18:39,280
Speaker 2: But yeah, I just really didn't take it that way

457
00:18:39,359 --> 00:18:40,720
Speaker 2: for some reason, you know what I mean, Like I

458
00:18:40,760 --> 00:18:42,680
Speaker 2: genuinely didn't. I felt like it was one of those

459
00:18:42,720 --> 00:18:44,800
Speaker 2: situations where like niggas kind of know me up there.

460
00:18:44,840 --> 00:18:46,720
Speaker 2: I think that they kind of give me my space

461
00:18:46,720 --> 00:18:47,720
Speaker 2: when I'm kind of on.

462
00:18:47,640 --> 00:18:50,240
Speaker 1: Fire and shit like that. And that was how I

463
00:18:50,280 --> 00:18:50,960
Speaker 1: took it, you know what I mean.

464
00:18:51,040 --> 00:18:52,720
Speaker 2: If there is something deeper than that, I don't know

465
00:18:52,800 --> 00:18:54,639
Speaker 2: because I haven't talked to them about that, you know

466
00:18:54,680 --> 00:18:55,040
Speaker 2: what I mean.

467
00:18:55,040 --> 00:18:56,119
Speaker 1: But that was just kind of took it.

468
00:18:56,160 --> 00:18:58,679
Speaker 4: What was the conversation if you had a conversation, what

469
00:18:58,800 --> 00:18:59,840
Speaker 4: was the conversation with Top?

470
00:18:59,880 --> 00:19:03,320
Speaker 1: Like with Top, it was just like we got to

471
00:19:03,320 --> 00:19:03,840
Speaker 1: figure this out.

472
00:19:03,880 --> 00:19:06,280
Speaker 2: We got to get on the same page because Top

473
00:19:06,320 --> 00:19:08,240
Speaker 2: has known that we've had those blow ups before, you

474
00:19:08,240 --> 00:19:10,399
Speaker 2: know what I mean. But ultimately, Top, and that's what

475
00:19:10,440 --> 00:19:12,280
Speaker 2: I meant when I said, like, it could be looked

476
00:19:12,280 --> 00:19:13,879
Speaker 2: at as a conflict of interest, but it's not like

477
00:19:13,920 --> 00:19:16,639
Speaker 2: my conversation with Top came from the space of reason

478
00:19:16,720 --> 00:19:18,760
Speaker 2: you're wrong and Moose is right, Like it came from

479
00:19:18,760 --> 00:19:22,119
Speaker 2: the space of both of y'all was wrong and that

480
00:19:22,160 --> 00:19:24,200
Speaker 2: shit can never happen again, and we need to get

481
00:19:24,240 --> 00:19:27,000
Speaker 2: on the same page moving forward, you know what I'm saying.

482
00:19:27,040 --> 00:19:29,880
Speaker 2: And you know, I appreciate Top for being a genuine

483
00:19:29,880 --> 00:19:32,280
Speaker 2: person as far as like not trying to make me

484
00:19:32,800 --> 00:19:34,920
Speaker 2: spin it into a rollout, because I was like, I

485
00:19:34,920 --> 00:19:36,639
Speaker 2: don't that would look nasty on my part, you know

486
00:19:36,680 --> 00:19:38,879
Speaker 2: what I mean. So I appreciate him still having my

487
00:19:38,920 --> 00:19:41,720
Speaker 2: best interest at heart. But he was just like, you know,

488
00:19:41,800 --> 00:19:44,240
Speaker 2: focus on the album, focus on promoting album, focus on

489
00:19:44,240 --> 00:19:46,320
Speaker 2: getting through that, and then we could sit down later

490
00:19:46,359 --> 00:19:48,840
Speaker 2: on and have a conversation about how to get on

491
00:19:48,880 --> 00:19:51,480
Speaker 2: the same page and move forward and shit. So yeah, well,

492
00:19:51,520 --> 00:19:55,400
Speaker 2: you put together a really dope project with Porches.

493
00:19:57,280 --> 00:19:59,920
Speaker 4: How do you feel now that it is finally out. Yeah,

494
00:20:00,080 --> 00:20:03,760
Speaker 4: the feedback and just like where you at today, Like

495
00:20:03,840 --> 00:20:06,960
Speaker 4: right now your album is out and people are listening

496
00:20:07,760 --> 00:20:11,120
Speaker 4: giving you good reviews, bad reviews. With everything you work

497
00:20:11,200 --> 00:20:12,639
Speaker 4: for to get to this point, how do you feel

498
00:20:12,680 --> 00:20:14,000
Speaker 4: now that everything is finally out.

499
00:20:14,160 --> 00:20:15,720
Speaker 2: I feel like a weight is off my shoulder. This

500
00:20:15,720 --> 00:20:19,360
Speaker 2: is actually the first time I've dropped anything from TV

501
00:20:19,600 --> 00:20:22,880
Speaker 2: where And this is the part that the positive part

502
00:20:22,920 --> 00:20:26,080
Speaker 2: that came from the situation is where like the fans.

503
00:20:25,760 --> 00:20:26,560
Speaker 1: Wanted to like it.

504
00:20:26,840 --> 00:20:28,280
Speaker 2: What I mean by that is usually when you drop

505
00:20:28,359 --> 00:20:31,560
Speaker 2: a TD, you are always faced with like you're gonna

506
00:20:31,560 --> 00:20:33,720
Speaker 2: get compared to DOT, You're going to get compared to Q.

507
00:20:34,560 --> 00:20:36,240
Speaker 2: People are going to ask you, whereas as been like

508
00:20:36,320 --> 00:20:38,320
Speaker 2: so they're gonna do that before they even hear the

509
00:20:38,400 --> 00:20:40,560
Speaker 2: music at all. This is the first time where people

510
00:20:40,600 --> 00:20:44,720
Speaker 2: were genuinely just completely interested in, like I just want

511
00:20:44,720 --> 00:20:45,960
Speaker 2: to hear the music. I just want to see if

512
00:20:46,000 --> 00:20:48,600
Speaker 2: the music is good. And I think that that also

513
00:20:48,600 --> 00:20:52,480
Speaker 2: played a factor into why outside of the music actually

514
00:20:52,520 --> 00:20:54,040
Speaker 2: being good, I think that also played the factor into

515
00:20:54,080 --> 00:20:56,679
Speaker 2: why the reviews have been so well is because it

516
00:20:56,840 --> 00:21:00,560
Speaker 2: wasn't met with like that that comparison factor or of like,

517
00:21:00,800 --> 00:21:02,640
Speaker 2: let me compare this to good Kid Mass City, which

518
00:21:02,720 --> 00:21:04,000
Speaker 2: is just unfair.

519
00:21:04,160 --> 00:21:06,760
Speaker 1: It's just fucking stupid, Bro, Like just different.

520
00:21:07,280 --> 00:21:10,160
Speaker 2: It's just different cities. Like I'm a good kid. I'm

521
00:21:10,160 --> 00:21:11,680
Speaker 2: not in a mass City, you know what I mean,

522
00:21:12,600 --> 00:21:14,000
Speaker 2: one of those things. So it was the first time

523
00:21:14,040 --> 00:21:16,280
Speaker 2: that they was really just listening to a Reason album,

524
00:21:16,320 --> 00:21:18,640
Speaker 2: you know what I'm saying. And so, yeah, that shit

525
00:21:18,680 --> 00:21:20,320
Speaker 2: feels good through Bro. I've been sitting on this music

526
00:21:20,320 --> 00:21:23,000
Speaker 2: for a long time and it's it's music and stories

527
00:21:23,040 --> 00:21:25,040
Speaker 2: and shit like that that I wanted to get off.

528
00:21:25,040 --> 00:21:28,159
Speaker 2: His stories about me and my fan my family and

529
00:21:28,160 --> 00:21:30,280
Speaker 2: my friends, and they've been wanting some of these.

530
00:21:30,240 --> 00:21:32,480
Speaker 1: Stories to get out there too, So that shit feels incredible.

531
00:21:32,720 --> 00:21:35,800
Speaker 4: What's your situation like contractually with TD.

532
00:21:36,040 --> 00:21:38,159
Speaker 2: I can't go into details about that, but one thing

533
00:21:38,200 --> 00:21:43,240
Speaker 2: I will say is that is that TOP, like for Top,

534
00:21:43,280 --> 00:21:46,399
Speaker 2: a contract is just a contract. It's not about like

535
00:21:46,480 --> 00:21:48,399
Speaker 2: holding you, at least my experience with Top, it's not

536
00:21:48,440 --> 00:21:51,520
Speaker 2: about holding somebody in a space. Top is very much

537
00:21:52,119 --> 00:21:54,720
Speaker 2: a person of let's do what is best for the

538
00:21:54,840 --> 00:21:57,240
Speaker 2: artists and whatever the artists would like to do. So

539
00:21:57,680 --> 00:22:00,680
Speaker 2: whatever that situation is like top is not a contract,

540
00:22:00,720 --> 00:22:02,240
Speaker 2: is literally just a contract for him.

541
00:22:02,680 --> 00:22:05,840
Speaker 3: How do you see the difference between the roster that's

542
00:22:05,880 --> 00:22:08,679
Speaker 3: signed just to TD and the roster that's signed to

543
00:22:08,760 --> 00:22:10,399
Speaker 3: TD plus a major.

544
00:22:13,600 --> 00:22:15,920
Speaker 2: That's a great question because I never really looked at

545
00:22:15,960 --> 00:22:17,919
Speaker 2: it that way. I think I never looked at it

546
00:22:17,920 --> 00:22:19,800
Speaker 2: that way because I'm not signed to a major, so

547
00:22:19,840 --> 00:22:22,240
Speaker 2: I don't know what that's like, you know what I mean, Like,

548
00:22:22,280 --> 00:22:23,879
Speaker 2: I know Sissy's signed to a major, and her and

549
00:22:23,880 --> 00:22:26,320
Speaker 2: Punch of Hat their you know words or whatever the

550
00:22:26,320 --> 00:22:29,960
Speaker 2: case may be. But really, the main thing I can

551
00:22:29,960 --> 00:22:32,040
Speaker 2: say is the difference is probably just more hands on deck.

552
00:22:32,320 --> 00:22:36,080
Speaker 2: Like we are like a very tight knit family run situation,

553
00:22:36,200 --> 00:22:38,360
Speaker 2: and so sometimes we probably do need more hands on deck,

554
00:22:38,359 --> 00:22:40,160
Speaker 2: and I can imagine it being more hands on deck

555
00:22:40,520 --> 00:22:42,679
Speaker 2: when it's a major. But that's kind of like the

556
00:22:42,720 --> 00:22:44,760
Speaker 2: only thing that haven't I haven't been through it, so

557
00:22:44,800 --> 00:22:45,199
Speaker 2: I don't know.

558
00:22:45,720 --> 00:22:46,800
Speaker 4: Yeah, I feel that.

559
00:22:48,400 --> 00:22:50,240
Speaker 3: Release party, how did you juggle the amount of women

560
00:22:50,280 --> 00:22:52,919
Speaker 3: that were invited? Because I listened to the album, and

561
00:22:53,000 --> 00:22:55,879
Speaker 3: you have a lot of trouble. You have a lot

562
00:22:55,920 --> 00:22:58,800
Speaker 3: going on, sir, who got invites to do?

563
00:22:58,880 --> 00:22:59,120
Speaker 5: Didn't?

564
00:22:59,880 --> 00:23:02,679
Speaker 2: I sent the release party invite to the homies and

565
00:23:02,720 --> 00:23:04,680
Speaker 2: I let it circulate. It was like five hundred people

566
00:23:04,720 --> 00:23:07,000
Speaker 2: at the release party. It was it was love.

567
00:23:07,240 --> 00:23:07,760
Speaker 1: It was love.

568
00:23:07,920 --> 00:23:09,239
Speaker 4: Yeah, what's uh? I mean?

569
00:23:09,280 --> 00:23:11,000
Speaker 3: I was joking with that, of course, But what's what's

570
00:23:11,040 --> 00:23:13,560
Speaker 3: conversation has been like with people in your personal lives?

571
00:23:13,560 --> 00:23:17,679
Speaker 3: Because this album puts a lot of people's business on

572
00:23:17,720 --> 00:23:21,000
Speaker 3: Front Street. Yeah, the ship we're releasing on Thursday on

573
00:23:21,000 --> 00:23:24,639
Speaker 3: our platform is a very personal unreleased record tells that

574
00:23:24,680 --> 00:23:30,040
Speaker 3: girl's business. What are those conversations like, whether it be family, yeah, partners, friends.

575
00:23:30,320 --> 00:23:30,520
Speaker 4: Learned.

576
00:23:30,560 --> 00:23:32,520
Speaker 2: I learned that lesson with Better Days is that I

577
00:23:32,520 --> 00:23:34,600
Speaker 2: got to tap in with people before I dropped like

578
00:23:34,640 --> 00:23:38,040
Speaker 2: personal records. So luckily, like there's like four records on

579
00:23:38,040 --> 00:23:40,359
Speaker 2: the project that didn't make the project because when I

580
00:23:40,400 --> 00:23:43,080
Speaker 2: tapped in with people like they was like, not like,

581
00:23:43,480 --> 00:23:45,879
Speaker 2: it's a record about my pops that like I was

582
00:23:45,880 --> 00:23:47,840
Speaker 2: talking about. So he was just like, I'm not ready

583
00:23:47,840 --> 00:23:49,200
Speaker 2: for niggas to know that I did that.

584
00:23:51,520 --> 00:23:52,720
Speaker 4: You gotta respect that I do.

585
00:23:52,880 --> 00:23:54,080
Speaker 3: That's what I was saying because I learned that with

586
00:23:54,119 --> 00:23:54,560
Speaker 3: Better Days.

587
00:23:54,560 --> 00:23:56,560
Speaker 2: When I made Better Days, I was unsigned and I

588
00:23:56,600 --> 00:23:59,199
Speaker 2: was talking about my cousin and when I made it

589
00:23:59,240 --> 00:24:01,280
Speaker 2: like fifteen people heard it, and then I got signed

590
00:24:01,280 --> 00:24:03,200
Speaker 2: in TD and then it has twenty.

591
00:24:02,960 --> 00:24:04,240
Speaker 1: Million streams, like you know what I'm saying.

592
00:24:04,280 --> 00:24:06,439
Speaker 2: Like, So I learned that because that really hurt my

593
00:24:06,480 --> 00:24:08,960
Speaker 2: cousin and he was, you know, vulnerable with me about that,

594
00:24:09,119 --> 00:24:10,760
Speaker 2: and I was like, I'll never drop another personal record

595
00:24:10,760 --> 00:24:13,240
Speaker 2: without tapping in with people. So I tapped in with everybody.

596
00:24:13,240 --> 00:24:14,399
Speaker 2: And if they tell me that they don't want me

597
00:24:14,400 --> 00:24:17,040
Speaker 2: to talk about it, like yeah, I don't, I don't

598
00:24:17,040 --> 00:24:18,200
Speaker 2: put it out, you know what I'm saying.

599
00:24:18,240 --> 00:24:20,719
Speaker 3: So we also have the cushion of having a twin brothers,

600
00:24:20,720 --> 00:24:23,000
Speaker 3: so like they could mistake you could get some shit

601
00:24:23,040 --> 00:24:24,880
Speaker 3: off and they may attack your brother.

602
00:24:25,080 --> 00:24:27,639
Speaker 4: And it's not even knowing that, yeah I was doing that.

603
00:24:28,240 --> 00:24:29,439
Speaker 4: Shit is actually really funny.

604
00:24:29,440 --> 00:24:32,960
Speaker 2: He got actually attacked and the crazy I was on

605
00:24:33,080 --> 00:24:35,520
Speaker 2: stage and he was in the crowd and a fan

606
00:24:35,560 --> 00:24:37,040
Speaker 2: got mad at him for not wanting to take a

607
00:24:37,040 --> 00:24:40,000
Speaker 2: picture because he was like, you don't fucking like your fans,

608
00:24:40,040 --> 00:24:43,119
Speaker 2: Like he was like, my brother's like the Nicks on stage.

609
00:24:42,840 --> 00:24:44,760
Speaker 3: Right, like you played football. He thought he was lying.

610
00:24:45,800 --> 00:24:47,360
Speaker 3: He was like, you are fucking reason are you gonna

611
00:24:47,359 --> 00:24:47,639
Speaker 3: tell me not?

612
00:24:47,680 --> 00:24:47,920
Speaker 5: Reason?

613
00:24:48,000 --> 00:24:49,560
Speaker 1: Like you fans.

614
00:24:49,280 --> 00:24:52,240
Speaker 4: It was like and you stayed in those on stage

615
00:24:52,560 --> 00:24:54,320
Speaker 4: and like it's like, yeah, that shit is crazy.

616
00:24:54,359 --> 00:25:04,320
Speaker 3: Sometimes it's the ten year anniversary of Control today or yesterday,

617
00:25:04,320 --> 00:25:05,000
Speaker 3: whatever day was.

618
00:25:05,080 --> 00:25:05,840
Speaker 1: That's great a song.

619
00:25:05,920 --> 00:25:07,760
Speaker 3: Keep up with that is? Who the fuck knew the

620
00:25:07,800 --> 00:25:10,600
Speaker 3: date that came out. I can't believe it's been ten

621
00:25:10,680 --> 00:25:12,879
Speaker 3: years though, but I guess, yeah, it makes sense. I was,

622
00:25:13,240 --> 00:25:14,879
Speaker 3: I think, just out of college when that happened.

623
00:25:15,200 --> 00:25:16,520
Speaker 1: We had the best verse on there.

624
00:25:17,840 --> 00:25:21,200
Speaker 3: What's funny is Kendrick had the worst versus A bad

625
00:25:21,200 --> 00:25:23,600
Speaker 3: way to say it, because if I were to rank

626
00:25:23,640 --> 00:25:27,080
Speaker 3: the verses, he would be number three out. It's between

627
00:25:27,560 --> 00:25:30,399
Speaker 3: Sean or j depending on what day I'm listening to it,

628
00:25:30,800 --> 00:25:33,680
Speaker 3: but both Seawan and Jay Electronica I felt got over

629
00:25:33,720 --> 00:25:35,760
Speaker 3: on Kendrick. Yeah, clearly, But I don't think that was

630
00:25:35,800 --> 00:25:36,480
Speaker 3: Kendrick's point.

631
00:25:36,480 --> 00:25:38,600
Speaker 2: His point was, Yeah, Well, to make a statement I

632
00:25:38,880 --> 00:25:40,399
Speaker 2: say is that I always said that Dot is a

633
00:25:40,480 --> 00:25:43,760
Speaker 2: king of moments, Like Dot knows how to take any moment,

634
00:25:43,880 --> 00:25:46,800
Speaker 2: bro and make it like like, to me, that is

635
00:25:46,840 --> 00:25:49,280
Speaker 2: his genius. It's like being able to take anything and

636
00:25:49,359 --> 00:25:51,600
Speaker 2: make it a monumental moment.

637
00:25:51,640 --> 00:25:52,960
Speaker 1: And I feel the same way I got.

638
00:25:53,080 --> 00:25:55,360
Speaker 2: I think Sean had the best verse, and I think

639
00:25:55,720 --> 00:25:58,199
Speaker 2: Jay is second best, but I think that Dot is

640
00:25:58,240 --> 00:26:00,359
Speaker 2: the more memorable of course for sure, which.

641
00:26:00,359 --> 00:26:00,960
Speaker 1: He made it crazy.

642
00:26:01,000 --> 00:26:03,800
Speaker 3: People don't even really remember Jay or Shawn's versus was

643
00:26:03,880 --> 00:26:05,040
Speaker 3: crazy literally.

644
00:26:04,760 --> 00:26:07,400
Speaker 1: Like yeah, and those are crazy verses from both of them.

645
00:26:08,240 --> 00:26:11,879
Speaker 3: I mean, Kendrick yeats to your point. Kendrick does what

646
00:26:11,960 --> 00:26:14,800
Speaker 3: a lot of the disappearing acts are failing to do,

647
00:26:15,200 --> 00:26:17,520
Speaker 3: making moments at any time they popped airhead like every

648
00:26:17,520 --> 00:26:19,800
Speaker 3: single time we talked about the Frank Ocean Ship. Why

649
00:26:19,840 --> 00:26:21,720
Speaker 3: he deserves so much flat with the Coachella shit is

650
00:26:21,760 --> 00:26:23,720
Speaker 3: cause you only pop up every now and then, so

651
00:26:23,760 --> 00:26:26,560
Speaker 3: when you do, it has to be a moment. So

652
00:26:26,680 --> 00:26:28,800
Speaker 3: if Kendrick is going to do, you know at that point,

653
00:26:29,119 --> 00:26:30,560
Speaker 3: I don't want to say a favorite for his peer,

654
00:26:30,640 --> 00:26:32,760
Speaker 3: but he popped up on the feature ship for Sean,

655
00:26:32,800 --> 00:26:34,520
Speaker 3: I don't even think that made the album. That was during.

656
00:26:34,400 --> 00:26:38,600
Speaker 4: The almost just like it was a loosey before the

657
00:26:38,600 --> 00:26:39,560
Speaker 4: album came before.

658
00:26:39,400 --> 00:26:40,919
Speaker 1: The album came out. He should have put it on

659
00:26:40,960 --> 00:26:41,600
Speaker 1: this album.

660
00:26:41,520 --> 00:26:44,560
Speaker 3: For sure, on this album. It is funny to see

661
00:26:45,720 --> 00:26:48,879
Speaker 3: in retrospect, like why was that such a moment and

662
00:26:48,920 --> 00:26:51,480
Speaker 3: I'm not shitting on anyone. I'm shitting on the fan.

663
00:26:51,920 --> 00:26:54,359
Speaker 3: Why do we all lose our minds over him just

664
00:26:54,359 --> 00:26:57,280
Speaker 3: being like, yo, I want to better than.

665
00:26:58,800 --> 00:27:01,320
Speaker 4: Well, that's because that's what pop is. As soon as

666
00:27:01,359 --> 00:27:05,960
Speaker 4: as soon as a rapper alludes to I'm better than

667
00:27:06,000 --> 00:27:09,000
Speaker 4: all of y'all, Yeah, yeah, it's like, okay, now everybody

668
00:27:09,000 --> 00:27:11,280
Speaker 4: shore looking for y'all gotta respond now exactly, because that's

669
00:27:11,320 --> 00:27:13,240
Speaker 4: just the competitive nature of hip hop. I for rapper

670
00:27:13,240 --> 00:27:14,920
Speaker 4: says I'm the best, Okay, now you have to prove

671
00:27:15,480 --> 00:27:16,280
Speaker 4: that you're better than there.

672
00:27:16,640 --> 00:27:18,399
Speaker 1: And I think it was also because of the niggas

673
00:27:18,400 --> 00:27:18,840
Speaker 1: he named.

674
00:27:18,840 --> 00:27:21,480
Speaker 2: Like usually when niggas say they're the best, like and

675
00:27:21,640 --> 00:27:23,199
Speaker 2: this goes for me too, because I've been like, oh,

676
00:27:23,240 --> 00:27:25,000
Speaker 2: I'm the best out of all the new niggas, but

677
00:27:25,040 --> 00:27:27,000
Speaker 2: I never say specific names.

678
00:27:27,119 --> 00:27:29,200
Speaker 1: The niggas he named were like monsters.

679
00:27:29,320 --> 00:27:32,600
Speaker 2: Yeah, Like he was naming Krick Cole like he was

680
00:27:32,680 --> 00:27:34,480
Speaker 2: named like So I think that that was another reason

681
00:27:34,480 --> 00:27:36,159
Speaker 2: why I was a big moments, because like he was

682
00:27:36,240 --> 00:27:38,720
Speaker 2: naming dogs like niggas that like, if they do take

683
00:27:38,760 --> 00:27:41,440
Speaker 2: it there, you're gonna have to really show show you

684
00:27:41,480 --> 00:27:44,040
Speaker 2: know what I'm saying, because it's easy to be like like, yeah, bro,

685
00:27:44,119 --> 00:27:46,080
Speaker 2: I'm the best rapper out, I'm the best rapper a lot,

686
00:27:46,080 --> 00:27:48,400
Speaker 2: But when you start naming niggas names, it's like but.

687
00:27:48,320 --> 00:27:50,080
Speaker 3: He didn't even say it that way. He said, I

688
00:27:50,080 --> 00:27:51,760
Speaker 3: got love for y'all, but I'm trying to murder y'all.

689
00:27:52,000 --> 00:27:54,320
Speaker 3: But that like even said fuck y'all, I'm better than you.

690
00:27:54,440 --> 00:27:54,760
Speaker 4: It wasn't.

691
00:27:54,840 --> 00:27:56,800
Speaker 3: He said, hey, you guys are all the best.

692
00:27:56,840 --> 00:27:59,520
Speaker 4: Yeah, I love y'all, but I just want to be Yeah,

693
00:27:59,760 --> 00:28:01,640
Speaker 4: but he opened the door like for me, Bro, if

694
00:28:01,640 --> 00:28:03,840
Speaker 4: he you open, you open the door for smoke. I

695
00:28:03,920 --> 00:28:06,320
Speaker 4: was actually surprised that nobody took the bait, like because

696
00:28:06,320 --> 00:28:08,480
Speaker 4: to me, at that time, you wrong nobody.

697
00:28:08,600 --> 00:28:10,399
Speaker 3: Fab is still looking for a studios, I don't know.

698
00:28:13,400 --> 00:28:13,560
Speaker 1: Them.

699
00:28:13,640 --> 00:28:16,040
Speaker 3: Ten years Fab is not located, the studio is still

700
00:28:16,080 --> 00:28:18,280
Speaker 3: when he's putting music out. I don't understand how that works.

701
00:28:18,720 --> 00:28:21,600
Speaker 2: Like I don't going back to what I don't know why, bro,

702
00:28:21,680 --> 00:28:24,280
Speaker 2: Because like at that time, if I'm if I'm correct,

703
00:28:24,320 --> 00:28:26,119
Speaker 2: and I could be wrong, I think Dot was bigger

704
00:28:26,119 --> 00:28:28,080
Speaker 2: than the majority of the people he named, not like

705
00:28:28,160 --> 00:28:30,040
Speaker 2: him and them, but I think it was bigger than

706
00:28:30,040 --> 00:28:30,560
Speaker 2: a lot of them.

707
00:28:30,600 --> 00:28:33,480
Speaker 3: So to me, that was an opportunity. In Wrong Could

708
00:28:34,240 --> 00:28:36,520
Speaker 3: twenty thirteen, I was after the good kid Mass City,

709
00:28:36,640 --> 00:28:40,040
Speaker 3: J Cole, Big, Craig Wiley, Push your Team, Rocky Drake,

710
00:28:40,160 --> 00:28:42,880
Speaker 3: Sean j Lex, Tyler mac Miller. I think it was

711
00:28:42,880 --> 00:28:45,040
Speaker 3: bigger than Majority. He's bigger than everyone on this list

712
00:28:45,040 --> 00:28:46,840
Speaker 3: at that Like, at that point I think D Drake

713
00:28:46,840 --> 00:28:49,520
Speaker 3: you could obviously of course not did he name him?

714
00:28:49,600 --> 00:28:50,160
Speaker 1: Did you name him?

715
00:28:50,320 --> 00:28:52,280
Speaker 3: Know this? It was all like his peerst it was

716
00:28:52,320 --> 00:28:53,040
Speaker 3: it was active people.

717
00:28:53,360 --> 00:28:55,800
Speaker 2: I think col and him was around tied at that point.

718
00:28:56,280 --> 00:28:57,960
Speaker 2: But you can argue he was bigger than Cold because

719
00:28:57,960 --> 00:29:00,000
Speaker 2: he had good kids. City co didn't have Born center

720
00:29:00,080 --> 00:29:00,280
Speaker 2: ro out.

721
00:29:00,320 --> 00:29:02,680
Speaker 4: Yet do we feel like, yeah, we feel like Kendrick

722
00:29:02,720 --> 00:29:06,640
Speaker 4: is bigger than j Cole today today?

723
00:29:06,760 --> 00:29:09,480
Speaker 3: I think just off that tour. If we're saying whatever

724
00:29:09,520 --> 00:29:13,080
Speaker 3: today's date is, off that tour he just did, you

725
00:29:13,080 --> 00:29:14,680
Speaker 3: could make a pretty good case.

726
00:29:15,000 --> 00:29:16,240
Speaker 8: Do you think it stays that way?

727
00:29:16,480 --> 00:29:19,000
Speaker 3: I know I don't. I don't think so at all.

728
00:29:19,760 --> 00:29:21,560
Speaker 3: Cold is more active, and I think, yeah, when this

729
00:29:21,720 --> 00:29:22,800
Speaker 3: fall off.

730
00:29:22,880 --> 00:29:25,160
Speaker 2: Albums about to say that, I think when the fall

731
00:29:25,200 --> 00:29:27,960
Speaker 2: off drops, just only on the strength because TV fans

732
00:29:28,000 --> 00:29:30,800
Speaker 2: are fucking crazy not because he's better than Dot, but

733
00:29:31,000 --> 00:29:32,840
Speaker 2: just because he's been more active. I feel like when

734
00:29:32,880 --> 00:29:36,600
Speaker 2: the fall off drops, like if the fruits of his

735
00:29:36,720 --> 00:29:39,400
Speaker 2: labor from being so active.

736
00:29:39,120 --> 00:29:40,880
Speaker 1: Are gonna show, you know what I mean?

737
00:29:40,960 --> 00:29:43,040
Speaker 2: But the cheat guns for years though, they've kind of

738
00:29:43,040 --> 00:29:45,000
Speaker 2: like to me, they've kind of like Dot is bigger

739
00:29:45,040 --> 00:29:45,400
Speaker 2: at this point.

740
00:29:45,480 --> 00:29:47,840
Speaker 1: Code like they've kind of done that for a long time.

741
00:29:47,920 --> 00:29:49,360
Speaker 3: But he has the cheat code, and I give him

742
00:29:49,360 --> 00:29:51,160
Speaker 3: credit for this. I don't think cheeico may be the

743
00:29:51,200 --> 00:29:55,120
Speaker 3: wrong word. Being able to disappear like that is an

744
00:29:55,240 --> 00:29:57,640
Speaker 3: art in itself. Yeah, Like when Maul and I went

745
00:29:57,680 --> 00:30:00,320
Speaker 3: to the Kendrick Show, I cleared what I was doing

746
00:30:00,520 --> 00:30:02,400
Speaker 3: because I didn't know the next time I would see

747
00:30:02,440 --> 00:30:02,960
Speaker 3: Kendrick La.

748
00:30:04,400 --> 00:30:04,680
Speaker 1: Cole.

749
00:30:05,080 --> 00:30:07,000
Speaker 3: I think, I'm not I went to last few tours

750
00:30:07,000 --> 00:30:10,800
Speaker 3: but Cole. I probably maybe listened to Cole more, but

751
00:30:10,840 --> 00:30:13,120
Speaker 3: I would probably miss a Cole show before Kendrick one

752
00:30:13,240 --> 00:30:14,800
Speaker 3: because I know Cole is gonna come back.

753
00:30:14,920 --> 00:30:15,360
Speaker 1: I agree.

754
00:30:15,720 --> 00:30:18,120
Speaker 3: So that's where even that metric is a little skewed.

755
00:30:18,320 --> 00:30:21,280
Speaker 2: Yeah, And it's like God is like a like a

756
00:30:21,920 --> 00:30:23,840
Speaker 2: He's not even like a person no more because of

757
00:30:23,920 --> 00:30:25,680
Speaker 2: how he you know what I mean? Stays out the way.

758
00:30:25,720 --> 00:30:27,840
Speaker 2: It's just so when he when he does pop out,

759
00:30:27,880 --> 00:30:30,200
Speaker 2: it's like if he pops out and does anything, niggas

760
00:30:30,200 --> 00:30:33,640
Speaker 2: are gonna be there. But yeah, going back to the

761
00:30:33,680 --> 00:30:35,960
Speaker 2: control thing, that was why I was surprised that ain't

762
00:30:35,960 --> 00:30:38,360
Speaker 2: nobody said anything because it's like, you rarely get to

763
00:30:38,400 --> 00:30:40,440
Speaker 2: take a shot as somebody that is bigger than you,

764
00:30:40,480 --> 00:30:42,120
Speaker 2: and they started it, you get what I'm saying.

765
00:30:42,160 --> 00:30:43,240
Speaker 1: Like, so for me, it's like.

766
00:30:43,360 --> 00:30:47,160
Speaker 2: Yeah, that's an obvious opening to be able to like, oh,

767
00:30:47,200 --> 00:30:49,080
Speaker 2: I get to take a shot and nobody can say

768
00:30:49,080 --> 00:30:52,120
Speaker 2: I'm a hater like Internet, right horse, So take a

769
00:30:52,120 --> 00:30:52,880
Speaker 2: shot you hate.

770
00:30:52,800 --> 00:30:53,400
Speaker 3: You know what I'm saying.

771
00:30:53,400 --> 00:30:55,840
Speaker 4: But for him to open the door, I'm like, don't

772
00:30:55,920 --> 00:30:59,480
Speaker 4: none of y'all want to walk through that? Like like

773
00:31:00,080 --> 00:31:07,560
Speaker 4: niggas was busy, niggas real.

774
00:31:08,480 --> 00:31:12,040
Speaker 3: I mean, like out of that group at that time,

775
00:31:12,240 --> 00:31:14,520
Speaker 3: Jay Act and Seawan are already on the song, so

776
00:31:14,560 --> 00:31:16,040
Speaker 3: I don't know if they're gonna do like a cannabis

777
00:31:16,160 --> 00:31:17,640
Speaker 3: l O cool J thing feel the way that they

778
00:31:17,680 --> 00:31:19,239
Speaker 3: were on it. But I feel like those two kind

779
00:31:19,280 --> 00:31:20,640
Speaker 3: of get taken away from it because they were on

780
00:31:20,680 --> 00:31:25,320
Speaker 3: the record push It had done music with Kendrick at

781
00:31:25,360 --> 00:31:25,800
Speaker 3: that time.

782
00:31:26,280 --> 00:31:29,640
Speaker 1: That's cap I feel, you know who.

783
00:31:29,520 --> 00:31:31,680
Speaker 3: I'm surprised, did he say he was surprised didn't reply?

784
00:31:32,080 --> 00:31:34,400
Speaker 3: Who replies to everything? Why didn't while the reply?

785
00:31:34,880 --> 00:31:35,000
Speaker 1: Bro?

786
00:31:35,240 --> 00:31:36,959
Speaker 3: And that would have been great. That would have been

787
00:31:36,960 --> 00:31:39,280
Speaker 3: great for a And I think while he would have

788
00:31:39,360 --> 00:31:41,680
Speaker 3: kept would have put out a great record.

789
00:31:41,440 --> 00:31:44,280
Speaker 2: Against the joint that he put out about Cole when

790
00:31:44,280 --> 00:31:48,000
Speaker 2: Cole had the it's called like I forgot what the

791
00:31:48,040 --> 00:31:49,840
Speaker 2: name of the song is. It's like fake profits, false

792
00:31:49,840 --> 00:31:51,560
Speaker 2: prophets or something like that. But while they dropped the

793
00:31:51,600 --> 00:31:53,560
Speaker 2: joint after that, and he smoked.

794
00:31:53,080 --> 00:31:54,360
Speaker 3: The ground Groundhog's day.

795
00:31:54,360 --> 00:31:56,880
Speaker 1: There you go, Yeah, he smoked it, bro, Like, I

796
00:31:56,920 --> 00:31:57,560
Speaker 1: was surprised that.

797
00:31:57,720 --> 00:31:59,640
Speaker 4: Like the niggas, he's name and they get busy like

798
00:31:59,680 --> 00:32:02,520
Speaker 4: Cold gets busy while they gets super like Sean gets

799
00:32:02,520 --> 00:32:05,720
Speaker 4: busy like I'm like, none of y'all like everybody's schedule.

800
00:32:06,800 --> 00:32:08,200
Speaker 4: I think I think that's scared.

801
00:32:08,520 --> 00:32:11,720
Speaker 3: Say they're scared people. I'm gonna was likable too. That's

802
00:32:11,720 --> 00:32:14,720
Speaker 3: another factor people don't put into these battles. When people

803
00:32:14,760 --> 00:32:19,480
Speaker 3: are likable, it's tough to battle. I was who about everybody?

804
00:32:19,520 --> 00:32:21,080
Speaker 4: But you know what, you know what I think it was.

805
00:32:21,160 --> 00:32:23,560
Speaker 4: I think it was because, like we just said, it

806
00:32:23,640 --> 00:32:26,880
Speaker 4: wasn't he he did it. He called them out in

807
00:32:26,920 --> 00:32:29,640
Speaker 4: a way where it was like he gave them love

808
00:32:29,760 --> 00:32:32,000
Speaker 4: and he gave them respect, but he was like, I'm

809
00:32:32,040 --> 00:32:33,960
Speaker 4: trying to I'm trying to be better than y'all. So

810
00:32:34,120 --> 00:32:35,920
Speaker 4: I think that other RABS is probably like, Okay, well

811
00:32:35,920 --> 00:32:39,320
Speaker 4: that's not really him calling us out to to responding

812
00:32:39,400 --> 00:32:40,880
Speaker 4: and stop going at him on this, because you know,

813
00:32:40,920 --> 00:32:43,360
Speaker 4: when you battle somebody, it can get disrespectful. So it

814
00:32:43,440 --> 00:32:45,280
Speaker 4: was like, how do you go as somebody that's saying, Yo,

815
00:32:45,360 --> 00:32:47,600
Speaker 4: I respect y'all, think y'all dope, and I'm trying to

816
00:32:47,600 --> 00:32:49,760
Speaker 4: be better. It's like I don't know how to respond

817
00:32:49,760 --> 00:32:52,240
Speaker 4: to that in a nice way, Like I'm gonna say

818
00:32:52,240 --> 00:32:53,600
Speaker 4: something that's gonna be disrespectful.

819
00:32:53,680 --> 00:32:55,800
Speaker 3: You're responding to the internet at that point, not to

820
00:32:55,880 --> 00:32:57,760
Speaker 3: Kendrick Lamar exactly. So yeah, I see it.

821
00:32:57,880 --> 00:33:00,720
Speaker 4: So that might have been hesitant because usually when it's

822
00:33:00,760 --> 00:33:02,320
Speaker 4: usually disrespect your negative ship.

823
00:33:03,120 --> 00:33:05,640
Speaker 3: But I think that there is a ways reply.

824
00:33:06,880 --> 00:33:08,800
Speaker 4: Well. I mean, Pat Woos he likes to rap. He's

825
00:33:08,840 --> 00:33:10,800
Speaker 4: gonna he's gonna rap. I just think there's that was

826
00:33:10,800 --> 00:33:13,400
Speaker 4: the funny thing the niggas that replied, he wouldn't even

827
00:33:13,400 --> 00:33:16,040
Speaker 4: talking to you. All the niggas as something like, look,

828
00:33:16,080 --> 00:33:21,040
Speaker 4: I'm not talking to you weren't. But that's but that's like, oh,

829
00:33:21,120 --> 00:33:23,440
Speaker 4: y'all don't that's the thing that y'all not gonna say something,

830
00:33:23,600 --> 00:33:25,440
Speaker 4: say something. That ship is so funny to me, bro,

831
00:33:25,520 --> 00:33:27,360
Speaker 4: because it's it's almost like the girl that's in the

832
00:33:27,440 --> 00:33:29,880
Speaker 4: room that's like, no, I don't like, like it's it's

833
00:33:29,880 --> 00:33:31,680
Speaker 4: too many broke niggas outre and it's a nigga outside

834
00:33:31,680 --> 00:33:36,280
Speaker 4: that bitch ain't broke, like she ain't even talking about

835
00:33:36,360 --> 00:33:37,120
Speaker 4: she's not talking.

836
00:33:36,920 --> 00:33:37,680
Speaker 1: About me like.

837
00:33:37,760 --> 00:33:39,760
Speaker 3: So that ship was just so funny to me, bro,

838
00:33:39,960 --> 00:33:41,680
Speaker 3: And like a lot of the New York rappers that

839
00:33:41,760 --> 00:33:44,960
Speaker 3: took it like offensive by the pocking biggie I'm the

840
00:33:45,040 --> 00:33:47,520
Speaker 3: King of New York, like it's a corrupt song, Like

841
00:33:47,640 --> 00:33:49,840
Speaker 3: it was a correct corrupt So I know he was

842
00:33:49,880 --> 00:33:51,720
Speaker 3: doing a playoff another but it's a lot of people

843
00:33:51,720 --> 00:33:53,280
Speaker 3: that don't know hip hop in that way.

844
00:33:53,600 --> 00:33:55,440
Speaker 1: But the new idea that that was even a thing.

845
00:33:55,520 --> 00:33:57,440
Speaker 3: The older New York artists that replied to it, I

846
00:33:57,440 --> 00:33:59,400
Speaker 3: think would know that corrupt, so I would hope, But

847
00:33:59,440 --> 00:34:01,280
Speaker 3: then again it's I was twenty three that corrupt.

848
00:34:01,280 --> 00:34:03,239
Speaker 4: So but but you know how you knew New York

849
00:34:03,320 --> 00:34:06,520
Speaker 4: Niggas is about sometimes and ye our ship like yeah,

850
00:34:06,600 --> 00:34:08,520
Speaker 4: New York Niggas don't be trying to Yeah, they don't

851
00:34:08,520 --> 00:34:10,319
Speaker 4: be trying to hear that ship. Yeah at all at

852
00:34:10,360 --> 00:34:13,440
Speaker 4: all and no type of Drake kind of replied that ship,

853
00:34:13,520 --> 00:34:14,680
Speaker 4: cap Bro nigga should have not.

854
00:34:14,760 --> 00:34:17,680
Speaker 3: Drake went to Elliott Wilson and sat down on stage

855
00:34:17,760 --> 00:34:23,839
Speaker 3: and was like, name a bar from it remembers, yes,

856
00:34:24,400 --> 00:34:25,280
Speaker 3: I do, but.

857
00:34:25,360 --> 00:34:29,680
Speaker 2: You know, me still being an artist, Yeah, you could say, yeah,

858
00:34:29,680 --> 00:34:30,399
Speaker 2: shout out to Drake.

859
00:34:30,440 --> 00:34:33,400
Speaker 3: No, this is a we love Drake and this. But

860
00:34:33,480 --> 00:34:36,560
Speaker 3: he definitely asked Elliott Wilson this he could name a

861
00:34:36,560 --> 00:34:39,200
Speaker 3: bar from Control, which, by the way, was a good

862
00:34:39,239 --> 00:34:41,440
Speaker 3: retort it had he rapped.

863
00:34:41,360 --> 00:34:43,680
Speaker 1: Had rapped about to say it because and Drake said that.

864
00:34:43,719 --> 00:34:45,840
Speaker 3: I was like, you're right, outside of those names, I

865
00:34:45,880 --> 00:34:47,000
Speaker 3: can't name another bar from.

866
00:34:47,040 --> 00:34:49,120
Speaker 2: So just to hold like Drake like a low accountable

867
00:34:49,120 --> 00:34:52,200
Speaker 2: in the situation like that would have probably not even

868
00:34:52,239 --> 00:34:54,520
Speaker 2: probably that would have been the best back and forth

869
00:34:55,239 --> 00:34:58,279
Speaker 2: rap ship in the history of Like if Dot and

870
00:34:58,440 --> 00:35:01,000
Speaker 2: Drake went back and forth bro like that ship would have,

871
00:35:01,120 --> 00:35:01,800
Speaker 2: to me been.

872
00:35:01,680 --> 00:35:02,760
Speaker 1: The greatest ship.

873
00:35:02,840 --> 00:35:03,440
Speaker 3: They kind of have.

874
00:35:04,080 --> 00:35:06,759
Speaker 4: But they've gone back and forth Petty like Dot on

875
00:35:06,920 --> 00:35:08,880
Speaker 4: BT or the touch a sense of the rapping back

876
00:35:08,880 --> 00:35:11,239
Speaker 4: in his pajamaly like they've gone like Petty, like you

877
00:35:11,239 --> 00:35:11,920
Speaker 4: know what I'm saying.

878
00:35:11,880 --> 00:35:13,719
Speaker 3: He started that with nothing was the same sense what

879
00:35:14,280 --> 00:35:16,080
Speaker 3: he kind of Yeah, that was a direction. At that

880
00:35:16,120 --> 00:35:17,920
Speaker 3: point I was like, all right, direct shot, No it

881
00:35:18,040 --> 00:35:21,200
Speaker 3: is they had been doing subs for sure. I'm just

882
00:35:21,200 --> 00:35:22,240
Speaker 3: talking about like Afford.

883
00:35:22,320 --> 00:35:24,200
Speaker 2: What I mean by Petty is like not a full joint,

884
00:35:24,239 --> 00:35:26,400
Speaker 2: Like neither one of them have dropped the full joint

885
00:35:26,840 --> 00:35:27,759
Speaker 2: going at the other one.

886
00:35:28,520 --> 00:35:30,759
Speaker 1: And I do always one of two things between them.

887
00:35:31,040 --> 00:35:33,440
Speaker 4: I think people would be surprised if that was to happen.

888
00:35:33,800 --> 00:35:34,600
Speaker 3: I agree, because I.

889
00:35:36,800 --> 00:35:39,440
Speaker 1: Have Drake over Kendrick in a battle, in a back

890
00:35:39,480 --> 00:35:39,920
Speaker 1: and forth.

891
00:35:40,040 --> 00:35:42,880
Speaker 2: I got I got Drake unless But this is the

892
00:35:42,920 --> 00:35:45,319
Speaker 2: thing is that Dot is so good at moments that

893
00:35:45,400 --> 00:35:48,080
Speaker 2: if Dot finds a way like how Push get the

894
00:35:48,560 --> 00:35:51,319
Speaker 2: kid ship, Like that was light in compared to how

895
00:35:51,600 --> 00:35:54,840
Speaker 2: Dot would have done that, Like if God had that information,

896
00:35:55,480 --> 00:35:58,319
Speaker 2: like it would have been way like Push just kind

897
00:35:58,320 --> 00:35:59,719
Speaker 2: of like you are hiding a.

898
00:35:59,760 --> 00:36:01,320
Speaker 3: Child, he would have done a more episode.

899
00:36:03,160 --> 00:36:05,760
Speaker 2: Dot would have dropped that nuclear bomb on that nigga

900
00:36:05,840 --> 00:36:07,839
Speaker 2: if it would have been Dot bro like. So if

901
00:36:07,880 --> 00:36:11,919
Speaker 2: Dot has has something like that, then it could swing

902
00:36:11,960 --> 00:36:12,400
Speaker 2: the tides.

903
00:36:12,440 --> 00:36:14,799
Speaker 1: I think if it's just rap I got Drake.

904
00:36:14,960 --> 00:36:17,600
Speaker 4: But if Dot has anything at all, like even if

905
00:36:17,600 --> 00:36:19,880
Speaker 4: it's a little bit of something like, it'll be a

906
00:36:19,960 --> 00:36:22,040
Speaker 4: nuclear bomb because he's just the way he thinks in

907
00:36:22,080 --> 00:36:23,480
Speaker 4: that way is just which all.

908
00:36:23,719 --> 00:36:27,360
Speaker 3: And you know, as a rapper, I picture all of

909
00:36:27,400 --> 00:36:30,440
Speaker 3: you guys having like a little black notebook that you

910
00:36:30,440 --> 00:36:33,040
Speaker 3: guys have written everything down about every single rapper, just

911
00:36:33,040 --> 00:36:33,480
Speaker 3: in case.

912
00:36:33,400 --> 00:36:35,520
Speaker 1: You got a little jabs, like if from.

913
00:36:35,360 --> 00:36:38,400
Speaker 3: I know, Kendrick has just a whole notepad of just

914
00:36:38,440 --> 00:36:40,960
Speaker 3: in case for Drake, you know that exists, and I

915
00:36:40,960 --> 00:36:42,000
Speaker 3: think Drake has the same thing.

916
00:36:42,120 --> 00:36:45,560
Speaker 4: No, I agree, I agree, I've never done that. I

917
00:36:45,600 --> 00:36:47,800
Speaker 4: probably only have a logic notepad.

918
00:36:50,600 --> 00:36:53,480
Speaker 3: I forgot we started the logical reason why wasn't this

919
00:36:53,520 --> 00:36:54,000
Speaker 3: on the list?

920
00:36:55,880 --> 00:36:56,560
Speaker 1: Logic?

921
00:36:56,880 --> 00:36:59,080
Speaker 4: No, man, I poked fun at it now, but like

922
00:36:59,200 --> 00:37:01,520
Speaker 4: at the time, like that that interview he did with

923
00:37:01,600 --> 00:37:02,760
Speaker 4: y'all rubbed me the wrong.

924
00:37:02,560 --> 00:37:05,400
Speaker 3: Way as it should up. Yeah, and I may be

925
00:37:05,520 --> 00:37:08,359
Speaker 3: gassed it on the way to the studio leaving my dog.

926
00:37:09,800 --> 00:37:13,000
Speaker 3: I had sexual reason after that logic regard to yeah,

927
00:37:13,040 --> 00:37:15,839
Speaker 3: and you know, from Malibu to fucking studio city, it's

928
00:37:15,880 --> 00:37:18,799
Speaker 3: a passing north. It was a long time a little

929
00:37:18,840 --> 00:37:21,439
Speaker 3: drug so I felt like, you know, maybe inciting some beef.

930
00:37:21,480 --> 00:37:23,880
Speaker 3: I was like, nah, he went. He was super disrespectful.

931
00:37:25,080 --> 00:37:27,319
Speaker 3: He said he couldn't even logic with your reason. It

932
00:37:27,360 --> 00:37:29,840
Speaker 3: was nuts winding tequila.

933
00:37:30,360 --> 00:37:32,319
Speaker 4: And it's so funny because Ory talked about it every

934
00:37:32,360 --> 00:37:34,200
Speaker 4: time we tried to move on. We're talking about this

935
00:37:34,239 --> 00:37:37,319
Speaker 4: ship for forty five minutes. Yeah, Like, well, he's known

936
00:37:37,360 --> 00:37:38,319
Speaker 4: for starting beef like.

937
00:37:38,320 --> 00:37:40,480
Speaker 3: He and I found and I found. He started the

938
00:37:40,960 --> 00:37:41,839
Speaker 3: found a great beat too?

939
00:37:42,000 --> 00:37:43,759
Speaker 1: You did you found a great beat? He found a

940
00:37:43,760 --> 00:37:44,160
Speaker 1: great beat?

941
00:37:46,360 --> 00:37:46,920
Speaker 4: Of course I did.

942
00:37:46,960 --> 00:37:50,160
Speaker 3: He wanted to do that because logic and reason outside

943
00:37:50,160 --> 00:37:53,840
Speaker 3: of that just being a hilarious name for a beef, logic.

944
00:37:53,600 --> 00:37:57,759
Speaker 1: For reasons, that's I don't like it. It's because like

945
00:37:57,800 --> 00:37:59,000
Speaker 1: I feel like I am the joke.

946
00:37:59,320 --> 00:38:01,520
Speaker 2: I'm the joke man, like I'm the nigga that like,

947
00:38:01,680 --> 00:38:05,680
Speaker 2: it's way too easy to bro but it's also way

948
00:38:05,680 --> 00:38:08,560
Speaker 2: too easy to wrap out logic and that's what he wrote.

949
00:38:09,560 --> 00:38:12,080
Speaker 5: I know it's like intro to Psyche.

950
00:38:11,680 --> 00:38:12,800
Speaker 1: I got a clip from Logic.

951
00:38:12,880 --> 00:38:15,040
Speaker 3: If it ever went to that situation, I just think

952
00:38:15,040 --> 00:38:17,600
Speaker 3: that'd be a good because despite what people think, I

953
00:38:17,600 --> 00:38:19,759
Speaker 3: don't think Logic is a bad rapper the way other

954
00:38:19,760 --> 00:38:22,040
Speaker 3: people are Logic. I think it would be a good

955
00:38:22,040 --> 00:38:24,600
Speaker 3: battle because obviously the reason is not going to go

956
00:38:24,640 --> 00:38:27,040
Speaker 3: try to harm Logic, like it would have just been

957
00:38:27,080 --> 00:38:27,719
Speaker 3: a cool rap.

958
00:38:28,719 --> 00:38:30,200
Speaker 2: And that was my whole thing with the Logic ship

959
00:38:30,360 --> 00:38:33,040
Speaker 2: was just it was literally just what are we doing, bro, Like,

960
00:38:33,120 --> 00:38:35,319
Speaker 2: let's just not do the corny ship. But maybe that

961
00:38:35,400 --> 00:38:37,360
Speaker 2: was my mistake for saying that, because like, Logic is

962
00:38:37,360 --> 00:38:40,080
Speaker 2: a corny nigga, so I can't expect him to not me.

963
00:38:41,719 --> 00:38:42,799
Speaker 3: I can't expect him to not.

964
00:38:42,719 --> 00:38:44,200
Speaker 2: Do the corny ship because it's like, you know what

965
00:38:44,200 --> 00:38:45,839
Speaker 2: I'm saying. But that was my whole thing is like, bro,

966
00:38:45,920 --> 00:38:47,760
Speaker 2: we rappers, Like that'd be My thing is like, nigga,

967
00:38:47,800 --> 00:38:49,879
Speaker 2: we are rappers, Bro, Like we can rap.

968
00:38:49,960 --> 00:38:54,839
Speaker 3: Like, let me let me defend one half of Logicide,

969
00:38:55,320 --> 00:38:59,879
Speaker 3: the white side side. Moss got to take the other side.

970
00:39:00,080 --> 00:39:00,480
Speaker 4: I'll take the.

971
00:39:01,960 --> 00:39:08,200
Speaker 3: Logic is sometimes we confuse corny with nice Nah, he's

972
00:39:08,239 --> 00:39:08,960
Speaker 3: a nice guy.

973
00:39:09,920 --> 00:39:11,200
Speaker 1: He's just a nice guy.

974
00:39:12,000 --> 00:39:13,440
Speaker 3: He's just a really nice person.

975
00:39:13,480 --> 00:39:13,960
Speaker 5: He is not.

976
00:39:14,080 --> 00:39:15,879
Speaker 3: I think two things can be true, and I think

977
00:39:15,920 --> 00:39:19,040
Speaker 3: we were alreaysed so fucking jaded that when we meet

978
00:39:19,080 --> 00:39:21,799
Speaker 3: someone that's just a generally nice human being, we go

979
00:39:21,920 --> 00:39:24,840
Speaker 3: corny because he was just a nice guy. He's just

980
00:39:24,880 --> 00:39:26,120
Speaker 3: not We're just not used to nice people.

981
00:39:26,640 --> 00:39:27,480
Speaker 4: Have you ever met logic?

982
00:39:27,960 --> 00:39:29,040
Speaker 1: No, I have not met logic.

983
00:39:29,080 --> 00:39:29,279
Speaker 5: See.

984
00:39:29,280 --> 00:39:31,480
Speaker 4: That's the thing with that's the thing with rappers, y'all

985
00:39:31,480 --> 00:39:33,520
Speaker 4: don't y'all don't never really meet each other, be in

986
00:39:33,520 --> 00:39:35,640
Speaker 4: the same room with each other, And it's crazy how

987
00:39:36,600 --> 00:39:38,719
Speaker 4: shit can start, like and they can start it's like, yo,

988
00:39:38,760 --> 00:39:40,759
Speaker 4: but I guarantee if y'all was ever in the same

989
00:39:40,840 --> 00:39:44,359
Speaker 4: room and just had a conversation, y'all would absolutely fuck

990
00:39:44,400 --> 00:39:45,440
Speaker 4: with each other probably.

991
00:39:45,480 --> 00:39:48,400
Speaker 2: So it's just, well, hey, I'll take accountability. I kind

992
00:39:48,400 --> 00:39:50,600
Speaker 2: of started the logic shit, so I take accountability on that.

993
00:39:50,600 --> 00:39:52,160
Speaker 2: But I didn't think it was gonna go where it went.

994
00:39:53,680 --> 00:39:56,719
Speaker 2: My whole thing is just like I just think that

995
00:39:56,760 --> 00:39:58,880
Speaker 2: we can we can pick one, like, and that's the thing.

996
00:39:58,920 --> 00:40:00,480
Speaker 2: It's like I reached out. I was like, yo, like,

997
00:40:00,560 --> 00:40:02,160
Speaker 2: let's just chop it. You get what I'm saying, Like,

998
00:40:02,200 --> 00:40:03,360
Speaker 2: if it doesn't have to.

999
00:40:03,320 --> 00:40:04,279
Speaker 4: Be there, you did reach out.

1000
00:40:04,280 --> 00:40:04,960
Speaker 3: I reached out to him.

1001
00:40:05,080 --> 00:40:07,839
Speaker 2: I'm not yeah, yeah, I'm not above like I reached

1002
00:40:07,880 --> 00:40:09,400
Speaker 2: out to him, and I even when I reached out,

1003
00:40:09,440 --> 00:40:12,000
Speaker 2: I also told him like, you know, I do kind

1004
00:40:12,000 --> 00:40:13,719
Speaker 2: of feel like I started it like that was my fault,

1005
00:40:13,719 --> 00:40:15,680
Speaker 2: but like, you know, let's just talk. Let's not do

1006
00:40:15,719 --> 00:40:17,680
Speaker 2: the internet thing, and it's like instead of us talking,

1007
00:40:18,400 --> 00:40:20,920
Speaker 2: he did like three or four First he started off

1008
00:40:20,960 --> 00:40:23,560
Speaker 2: with I don't know who reason is, which is like logic,

1009
00:40:23,680 --> 00:40:25,880
Speaker 2: you want to be on TD. You know, every nigga

1010
00:40:25,920 --> 00:40:28,279
Speaker 2: on TD, you know, the niggas that aren't signed are

1011
00:40:28,360 --> 00:40:30,440
Speaker 2: kind of bubbling up. So he started there and then

1012
00:40:30,440 --> 00:40:31,920
Speaker 2: he kind of like went on for like three or

1013
00:40:31,960 --> 00:40:34,480
Speaker 2: four videos and it's like, bro, we could just have

1014
00:40:34,560 --> 00:40:36,239
Speaker 2: a conversation, you know what I'm saying like, And so

1015
00:40:36,320 --> 00:40:38,479
Speaker 2: that was my part that I just kind of felt

1016
00:40:38,520 --> 00:40:40,319
Speaker 2: like was was kind of corny, you know what I mean.

1017
00:40:40,320 --> 00:40:41,960
Speaker 1: It's like, if we're gonna rap, let's just rap. But

1018
00:40:42,000 --> 00:40:44,520
Speaker 1: if not, then like let's either have a conversation or

1019
00:40:44,560 --> 00:40:46,319
Speaker 1: just don't talk about it at all, right, just move

1020
00:40:46,320 --> 00:40:47,160
Speaker 1: on I respect that.

1021
00:40:47,200 --> 00:40:49,600
Speaker 4: Yeah, I gotta respect that. What's up? Well, he is

1022
00:40:49,640 --> 00:40:50,040
Speaker 4: a good guy.

1023
00:40:50,080 --> 00:40:52,200
Speaker 3: Though, If you feel like releasing it this.

1024
00:40:52,280 --> 00:40:56,400
Speaker 4: I'm like, yeah, I would just logic and reasons.

1025
00:40:56,440 --> 00:40:58,400
Speaker 2: It's just like, man, I don't even like that shit is.

1026
00:40:59,360 --> 00:41:01,319
Speaker 2: I would hate looking at my phone for a week,

1027
00:41:02,840 --> 00:41:03,480
Speaker 2: looking at my pH.

1028
00:41:06,840 --> 00:41:08,480
Speaker 3: I had a baby for my release week. You could

1029
00:41:08,480 --> 00:41:09,560
Speaker 3: at least this lot. You did?

1030
00:41:09,680 --> 00:41:10,040
Speaker 1: You did?

1031
00:41:10,080 --> 00:41:11,880
Speaker 3: You had a child for your release, just for my release?

1032
00:41:11,960 --> 00:41:18,799
Speaker 4: For you timed it? You have sex time. Yeah, it's

1033
00:41:18,800 --> 00:41:20,160
Speaker 4: like these clarences should be coming.

1034
00:41:19,960 --> 00:41:23,359
Speaker 3: Through it about. I know you're in labor, but.

1035
00:41:24,239 --> 00:41:25,080
Speaker 1: Hold it it.

1036
00:41:30,680 --> 00:41:34,520
Speaker 4: Uh So the Hip Hop fifty celebration at Yankee Stadium, Rory,

1037
00:41:34,920 --> 00:41:38,399
Speaker 4: we had tickets. Our good friend Sean hit us leave

1038
00:41:38,520 --> 00:41:41,719
Speaker 4: Thursday and said that he had tickets for us, but

1039
00:41:41,800 --> 00:41:43,759
Speaker 4: I was already had plans to be out of town.

1040
00:41:44,000 --> 00:41:46,480
Speaker 3: Mad So on hip hop? Are you so un broncs

1041
00:41:46,520 --> 00:41:49,239
Speaker 3: to you? I just disgusting. I know we need to

1042
00:41:49,280 --> 00:41:50,279
Speaker 3: take your hip hop card.

1043
00:41:50,400 --> 00:41:50,680
Speaker 4: I know.

1044
00:41:51,520 --> 00:41:54,360
Speaker 3: Dare I say? Dare I be the High Beast? Maybe

1045
00:41:54,360 --> 00:41:56,319
Speaker 3: the greatest show I've ever been to my entire life.

1046
00:41:56,880 --> 00:41:59,680
Speaker 3: I was beside my fucking self. I'm here entire time

1047
00:41:59,719 --> 00:42:03,279
Speaker 3: I was backstage like a little kid the entire fucking time,

1048
00:42:03,719 --> 00:42:06,759
Speaker 3: every single moment, every single person I ran into. It

1049
00:42:06,880 --> 00:42:09,359
Speaker 3: was one of the greatest nights I've ever experienced in

1050
00:42:09,400 --> 00:42:10,680
Speaker 3: my entire life.

1051
00:42:10,760 --> 00:42:13,759
Speaker 4: All right, fuck you, I'm hearing that. I'm hearing that.

1052
00:42:13,800 --> 00:42:15,919
Speaker 4: I heard it from a lot of people that were there.

1053
00:42:16,320 --> 00:42:20,560
Speaker 4: They said it was definitely done exceptionally well, although it

1054
00:42:20,600 --> 00:42:23,040
Speaker 4: did run ran late. Some people there since.

1055
00:42:22,800 --> 00:42:25,600
Speaker 3: Five o'clock and I got there at four o'clock and.

1056
00:42:25,520 --> 00:42:26,880
Speaker 4: They said they didn't leave to about two in the

1057
00:42:26,920 --> 00:42:30,440
Speaker 4: morning something, So that was a long, long day. But

1058
00:42:31,000 --> 00:42:33,840
Speaker 4: it's the celebration of hip hop in the Bronx Yankee

1059
00:42:33,840 --> 00:42:37,640
Speaker 4: Stadium not too far five minutes from Cedric Avenue with

1060
00:42:37,880 --> 00:42:41,320
Speaker 4: hip hop. The first official hip hop party was thrown

1061
00:42:41,800 --> 00:42:45,040
Speaker 4: seed the park. But I am hearing that they did

1062
00:42:45,040 --> 00:42:45,399
Speaker 4: it right.

1063
00:42:45,880 --> 00:42:47,200
Speaker 2: Yeah, I heard the same thing that it was like

1064
00:42:47,239 --> 00:42:49,560
Speaker 2: literally like the greatest show ever. And this is like,

1065
00:42:49,600 --> 00:42:52,160
Speaker 2: also the fifth time you've mentioned somebody named Sean that

1066
00:42:52,200 --> 00:42:52,880
Speaker 2: gets you tickets.

1067
00:42:52,920 --> 00:42:54,480
Speaker 1: So I just want to he's in La.

1068
00:42:59,520 --> 00:42:59,960
Speaker 4: Met Sean.

1069
00:43:00,080 --> 00:43:02,320
Speaker 2: Maybe I have maybe I need to like like officially

1070
00:43:02,440 --> 00:43:04,879
Speaker 2: know you know, Sean they can get tickets to.

1071
00:43:05,600 --> 00:43:07,880
Speaker 3: He doesn't go to Fashion Week in Paris, So that's okay.

1072
00:43:07,960 --> 00:43:10,400
Speaker 1: Yeah, I once a fashion Week on Crenshaw.

1073
00:43:11,080 --> 00:43:11,560
Speaker 5: That's closed.

1074
00:43:12,160 --> 00:43:15,439
Speaker 4: Listen, legend legend, that's his sister.

1075
00:43:16,400 --> 00:43:16,600
Speaker 3: Great.

1076
00:43:17,800 --> 00:43:21,360
Speaker 4: You posted a picture of a great a great Yankee

1077
00:43:22,280 --> 00:43:25,200
Speaker 4: New York legend icon for things away from the field

1078
00:43:25,280 --> 00:43:26,600
Speaker 4: as well, not just on the field.

1079
00:43:26,640 --> 00:43:29,560
Speaker 1: His work off the field is legendary. One would argue

1080
00:43:29,600 --> 00:43:30,440
Speaker 1: it's more legendary.

1081
00:43:30,560 --> 00:43:32,319
Speaker 4: Yeah, one would argue that. A few would.

1082
00:43:32,400 --> 00:43:34,520
Speaker 5: I would argue that you posted a picture with crazy

1083
00:43:34,680 --> 00:43:35,040
Speaker 5: Derek J.

1084
00:43:36,800 --> 00:43:40,520
Speaker 4: I will say, though, the fist on the shoulders.

1085
00:43:40,120 --> 00:43:41,920
Speaker 3: A little nasty, nasty, nasty, a.

1086
00:43:41,920 --> 00:43:44,839
Speaker 4: Little nasty, because it's almost like you wanted to put

1087
00:43:44,840 --> 00:43:46,320
Speaker 4: it around his waist, but you knew he wouldn't go

1088
00:43:46,360 --> 00:43:46,560
Speaker 4: for that.

1089
00:43:47,400 --> 00:43:51,600
Speaker 3: No, no, no, I I tried and he beat my hand away.

1090
00:43:52,680 --> 00:43:55,319
Speaker 4: What are you doing? Yeah, but that had to be

1091
00:43:55,520 --> 00:43:57,359
Speaker 4: that had to be dope to see Derek g at

1092
00:43:57,360 --> 00:43:57,680
Speaker 4: the show.

1093
00:43:57,840 --> 00:43:59,719
Speaker 3: So, I mean, I don't want to get like too

1094
00:43:59,800 --> 00:44:04,200
Speaker 3: much of that entire night or repeat myself, but I

1095
00:44:04,280 --> 00:44:07,600
Speaker 3: did feel like, really, the ten year old Rory never

1096
00:44:07,600 --> 00:44:11,359
Speaker 3: would have thought that he would have been allowed or

1097
00:44:11,480 --> 00:44:14,040
Speaker 3: able to be on the stage at Hip Hop fifty

1098
00:44:14,480 --> 00:44:17,080
Speaker 3: and be able to see all those acts, be around,

1099
00:44:17,120 --> 00:44:19,960
Speaker 3: all those acts, interact with all those acts, watch them

1100
00:44:19,960 --> 00:44:24,239
Speaker 3: interact with each other, watch those classic records happen. And

1101
00:44:24,320 --> 00:44:26,920
Speaker 3: on the flip side of that coin, growing up a

1102
00:44:27,000 --> 00:44:31,640
Speaker 3: Yankees fan, the fucking Captain Kid Capri brings out on stage.

1103
00:44:31,680 --> 00:44:33,759
Speaker 3: I'm like, Na, it's not there's no way Derek Jeter

1104
00:44:33,880 --> 00:44:37,560
Speaker 3: is here. Yeah, he is walking side stage, And I

1105
00:44:37,680 --> 00:44:41,000
Speaker 3: was like, have a big rule of like not really

1106
00:44:41,040 --> 00:44:44,600
Speaker 3: asking anyone for photos. It just it's awkward to me.

1107
00:44:44,719 --> 00:44:46,480
Speaker 4: There's someone on the list that I'll be corned.

1108
00:44:46,480 --> 00:44:47,880
Speaker 3: You know what you have to understand too, like the

1109
00:44:47,880 --> 00:44:50,240
Speaker 3: amount of hip hop there. You would have looked weird

1110
00:44:50,320 --> 00:44:53,440
Speaker 3: backstage asking for photos because it was such a family

1111
00:44:53,520 --> 00:44:57,480
Speaker 3: environment for like sorry Reddit, a family environment, like everyone

1112
00:44:57,520 --> 00:45:00,279
Speaker 3: was cool, Like you walked past Chuckdy in flavor Flave

1113
00:45:00,360 --> 00:45:01,920
Speaker 3: just chopping it up on the way to the bathroom.

1114
00:45:01,960 --> 00:45:04,120
Speaker 3: Like it was that type of environment. So asking for

1115
00:45:04,160 --> 00:45:07,719
Speaker 3: photos would have been crazy. But what I knew this

1116
00:45:07,760 --> 00:45:10,719
Speaker 3: photo would mean to my mother and my father. I

1117
00:45:10,760 --> 00:45:13,279
Speaker 3: was like, I have to go be the god I've

1118
00:45:13,280 --> 00:45:15,360
Speaker 3: said on this podcast, and I will show you the

1119
00:45:15,360 --> 00:45:19,280
Speaker 3: text message that my mother sent me. She has Jesus Christ,

1120
00:45:19,400 --> 00:45:23,320
Speaker 3: John F. Kennedy and Derek Jeter on her like bedside.

1121
00:45:23,880 --> 00:45:24,520
Speaker 3: I'm not on there.

1122
00:45:24,600 --> 00:45:27,120
Speaker 4: No, this is not.

1123
00:45:29,960 --> 00:45:35,960
Speaker 3: JFK. Jesus White, Jesus Jesus Christ naturally and Derek Jeter.

1124
00:45:36,560 --> 00:45:38,760
Speaker 3: And you know, of course, my pops is the biggest

1125
00:45:38,840 --> 00:45:43,479
Speaker 3: Yankees fan ever. So thank God his sister, Jesus Jeter

1126
00:45:43,640 --> 00:45:50,359
Speaker 3: and yeah, John Fitzgerald. So I asked his sister and

1127
00:45:50,440 --> 00:45:52,759
Speaker 3: she was nice enough to like stop him in the

1128
00:45:52,760 --> 00:45:56,160
Speaker 3: middle of conversations with people that are way more important

1129
00:45:56,520 --> 00:45:58,080
Speaker 3: than me, because he was on his way out, like

1130
00:45:58,640 --> 00:46:01,920
Speaker 3: when Derek Jeter leaves Yankee Stateadium is crazier than the president.

1131
00:46:02,760 --> 00:46:04,960
Speaker 3: And his sister thanked God stopped him for a second.

1132
00:46:05,440 --> 00:46:07,279
Speaker 3: And I didn't know. You could see the nervousness in

1133
00:46:07,320 --> 00:46:10,200
Speaker 3: my fucking face. This is like a god to me.

1134
00:46:11,080 --> 00:46:14,319
Speaker 3: Derek fucking Jeter, Yeah that's his name.

1135
00:46:14,480 --> 00:46:16,960
Speaker 1: What you say to literally, Yeah.

1136
00:46:16,680 --> 00:46:17,960
Speaker 3: I don't, I don't know. I blacked out.

1137
00:46:18,040 --> 00:46:20,839
Speaker 8: You changed my life, did.

1138
00:46:20,760 --> 00:46:21,440
Speaker 3: Not change.

1139
00:46:24,200 --> 00:46:25,160
Speaker 4: He changed your life.

1140
00:46:25,160 --> 00:46:27,600
Speaker 3: I said that to Havoc backstage. I didn't say it, Derek.

1141
00:46:28,360 --> 00:46:33,520
Speaker 4: Somebody's life stopped this great I changed your life from

1142
00:46:36,760 --> 00:46:37,560
Speaker 4: changed your life?

1143
00:46:37,600 --> 00:46:40,919
Speaker 3: You don't cool herk but not to get mushy again.

1144
00:46:41,000 --> 00:46:42,759
Speaker 3: I did get to meet cool Hirk and that was

1145
00:46:42,800 --> 00:46:44,600
Speaker 3: one of the biggest moments of my entire life that

1146
00:46:44,640 --> 00:46:48,319
Speaker 3: I got to tell cool Herk thank you. Just that

1147
00:46:48,440 --> 00:46:52,359
Speaker 3: simple sentence to say to cool Herk was incredible. But no,

1148
00:46:53,160 --> 00:46:54,560
Speaker 3: that was fine saying to Derek.

1149
00:46:55,080 --> 00:46:57,239
Speaker 5: I like, you didn't go to the pro Shop and

1150
00:46:57,239 --> 00:46:58,359
Speaker 5: like get a glove for him to sign.

1151
00:46:58,680 --> 00:47:01,640
Speaker 3: No, I did not open time bro shot you were

1152
00:47:01,960 --> 00:47:03,560
Speaker 3: pro Shop to get a glove sign.

1153
00:47:03,680 --> 00:47:05,360
Speaker 8: You ain't called me and say come backstage.

1154
00:47:05,400 --> 00:47:08,600
Speaker 3: I texted you. You was in the sweets going nuts.

1155
00:47:08,760 --> 00:47:09,000
Speaker 9: Wow.

1156
00:47:11,160 --> 00:47:12,160
Speaker 8: Maybe I was in Adidas.

1157
00:47:12,160 --> 00:47:12,440
Speaker 3: Sweet.

1158
00:47:12,480 --> 00:47:13,560
Speaker 8: I was not in the little.

1159
00:47:13,320 --> 00:47:18,200
Speaker 6: Seedy damn okay, my bad sweet like he was tripping.

1160
00:47:18,360 --> 00:47:20,520
Speaker 8: But you hit me and I hit you. I said,

1161
00:47:20,520 --> 00:47:22,160
Speaker 8: you're working. You never respond to me.

1162
00:47:22,440 --> 00:47:27,200
Speaker 6: He was first of all with DJ. He was talking

1163
00:47:28,120 --> 00:47:32,320
Speaker 6: was on and I was like, DJ, that's crazy that

1164
00:47:32,880 --> 00:47:33,279
Speaker 6: I didn't know.

1165
00:47:33,560 --> 00:47:34,320
Speaker 3: That's what happened.

1166
00:47:34,520 --> 00:47:36,400
Speaker 4: You take a picture with like your child, I do,

1167
00:47:36,600 --> 00:47:39,160
Speaker 4: like you start calling the nickname like DJ, oh, you

1168
00:47:39,200 --> 00:47:39,799
Speaker 4: know we hang out.

1169
00:47:42,239 --> 00:47:45,520
Speaker 8: Captain, Look at you.

1170
00:47:46,040 --> 00:47:48,440
Speaker 4: I was with the Captain. Disgusting.

1171
00:47:48,560 --> 00:47:50,440
Speaker 3: I've never been proud of a photo before, and I

1172
00:47:50,520 --> 00:47:54,799
Speaker 3: know I look I looked how I felt nervous. I

1173
00:47:54,840 --> 00:47:57,200
Speaker 3: look like I just asked somebody for you. Don't look

1174
00:47:57,360 --> 00:47:58,480
Speaker 3: it's just the arm and the show.

1175
00:47:59,000 --> 00:48:00,799
Speaker 4: The shower is reserved for people a shorter than you,

1176
00:48:00,840 --> 00:48:02,760
Speaker 4: and so like it looks like you're kind of like reaching.

1177
00:48:03,040 --> 00:48:04,719
Speaker 5: How's your army eye level with you?

1178
00:48:04,960 --> 00:48:06,560
Speaker 3: That's a metaphor how I looked up to him as

1179
00:48:06,600 --> 00:48:09,960
Speaker 3: a child, like I'm reaching, reaching your heights, reaching new heights.

1180
00:48:10,080 --> 00:48:14,239
Speaker 3: Question reaching. Who made the artistic decision of making it

1181
00:48:14,280 --> 00:48:14,839
Speaker 3: black and white?

1182
00:48:15,120 --> 00:48:17,760
Speaker 5: I did you stole my I've.

1183
00:48:17,600 --> 00:48:20,759
Speaker 3: Been putting on a lot of dad weight, so the

1184
00:48:20,800 --> 00:48:23,600
Speaker 3: color version of this I got the big big Dad

1185
00:48:24,400 --> 00:48:26,439
Speaker 3: until you mentioned this one at least drives to clean

1186
00:48:26,520 --> 00:48:29,360
Speaker 3: up the phone, right, this is like this is on

1187
00:48:29,400 --> 00:48:29,759
Speaker 3: my phone.

1188
00:48:29,840 --> 00:48:31,680
Speaker 1: That's crazy. That's a very good picture.

1189
00:48:31,880 --> 00:48:34,200
Speaker 3: Your sister took that photo from us even better.

1190
00:48:34,520 --> 00:48:35,480
Speaker 1: Yeah, but it was.

1191
00:48:35,600 --> 00:48:39,440
Speaker 3: It was an incredible night. Probably had the better seats

1192
00:48:39,440 --> 00:48:42,520
Speaker 3: and situation, like to see the show backstage was kind

1193
00:48:42,520 --> 00:48:46,960
Speaker 3: of every man for themselves as far as like libations.

1194
00:48:47,160 --> 00:48:48,680
Speaker 1: I'm so jealous. I wasn't there, Like.

1195
00:48:48,640 --> 00:48:50,399
Speaker 3: You were in a better place to enjoy the show.

1196
00:48:50,960 --> 00:48:53,360
Speaker 3: Oh yeah, I stoodn't. I went out to the crowd

1197
00:48:53,480 --> 00:48:56,560
Speaker 3: every time we wanted to get a drink, like green

1198
00:48:56,640 --> 00:48:59,560
Speaker 3: rooms didn't have ship you wanted to just enjoy the show.

1199
00:49:00,719 --> 00:49:02,480
Speaker 3: I'm dead, sober and nervous in this photo.

1200
00:49:02,600 --> 00:49:05,160
Speaker 8: So so when Lauren, So, how did I thought about you?

1201
00:49:05,200 --> 00:49:06,120
Speaker 8: When Lauren came out?

1202
00:49:06,320 --> 00:49:09,720
Speaker 10: So Lauren Hill came out on NASA's set, complete surprise,

1203
00:49:09,920 --> 00:49:12,919
Speaker 10: I come. I lost my fucking mind, and I thought

1204
00:49:12,920 --> 00:49:14,680
Speaker 10: about Rory. I'm like, oh my god, Rory was just

1205
00:49:14,719 --> 00:49:15,799
Speaker 10: backstage with Lauren Hill.

1206
00:49:16,760 --> 00:49:19,319
Speaker 8: Did he pee?

1207
00:49:19,760 --> 00:49:21,759
Speaker 3: That's because she you know, she knows me well that

1208
00:49:22,360 --> 00:49:24,719
Speaker 3: I used the bathroom every five minutes, So yeah, did

1209
00:49:24,719 --> 00:49:26,960
Speaker 3: you see it? I did see it, but I stayed

1210
00:49:28,239 --> 00:49:30,719
Speaker 3: the Derek Jeter shit just happened to happen, if that

1211
00:49:30,760 --> 00:49:33,520
Speaker 3: makes sense. I don't play myself when it comes to

1212
00:49:33,800 --> 00:49:36,840
Speaker 3: like artists, I really fuck with I get out of

1213
00:49:36,880 --> 00:49:38,239
Speaker 3: the way just to go enjoy the show.

1214
00:49:38,320 --> 00:49:38,880
Speaker 8: No, that's what I mean.

1215
00:49:38,880 --> 00:49:41,560
Speaker 3: I'm like this, So, yeah, of course I watched the performance.

1216
00:49:41,600 --> 00:49:43,200
Speaker 3: I didn't go anywhere near Lauren Hill.

1217
00:49:44,080 --> 00:49:44,640
Speaker 4: I stayed.

1218
00:49:45,440 --> 00:49:46,799
Speaker 3: No you could have.

1219
00:49:47,000 --> 00:49:47,239
Speaker 1: Yeah.

1220
00:49:47,880 --> 00:49:50,560
Speaker 3: Yeah, it was. It was good security, but in the

1221
00:49:50,600 --> 00:49:51,920
Speaker 3: best way possible, like.

1222
00:49:51,880 --> 00:49:52,520
Speaker 8: It was relaxed.

1223
00:49:52,560 --> 00:49:54,440
Speaker 3: It was a very Yeah, because everyone back there like

1224
00:49:54,680 --> 00:49:59,160
Speaker 3: was everyone was on like regular calm vibes. So it

1225
00:49:59,200 --> 00:50:01,680
Speaker 3: wasn't soon perstrict the way you think Yankee Stadium with

1226
00:50:01,719 --> 00:50:05,479
Speaker 3: that type of lineup would be. But now Lauren was

1227
00:50:05,480 --> 00:50:10,319
Speaker 3: was crazy. It was just walk past fucking puff Son

1228
00:50:10,440 --> 00:50:13,880
Speaker 3: is hanging with Biggie Son like every like, literally every

1229
00:50:13,920 --> 00:50:17,400
Speaker 3: turn you took was a moment in hip hop. I

1230
00:50:17,560 --> 00:50:20,280
Speaker 3: was the only way to describe it was beside myself.

1231
00:50:20,960 --> 00:50:23,120
Speaker 3: I was ready to cry throughout the entire clot like

1232
00:50:23,160 --> 00:50:25,719
Speaker 3: it was so cool to just be there. It's hard

1233
00:50:25,760 --> 00:50:28,640
Speaker 3: to really explain if you really love hip hop. It

1234
00:50:28,760 --> 00:50:32,360
Speaker 3: was the greatest day ever I was. I felt so

1235
00:50:32,560 --> 00:50:35,839
Speaker 3: humbled and honored to even be like, why are y'all

1236
00:50:35,840 --> 00:50:39,440
Speaker 3: even allowing me to this is fucking I shouldn't be here.

1237
00:50:39,520 --> 00:50:41,320
Speaker 8: Somebody gave you a band. They don't know how that happened,

1238
00:50:41,360 --> 00:50:42,200
Speaker 8: but it was.

1239
00:50:42,239 --> 00:50:46,200
Speaker 3: Lake and DJ Drama.

1240
00:50:47,200 --> 00:50:47,560
Speaker 4: No, it was.

1241
00:50:47,600 --> 00:50:51,000
Speaker 3: It was beautiful. I can't even describe how amazing.

1242
00:50:50,719 --> 00:50:52,720
Speaker 4: Yeah I was. I was so upset once I started

1243
00:50:52,719 --> 00:50:55,640
Speaker 4: seeing all the videos and surprise guests that came out,

1244
00:50:56,960 --> 00:50:59,399
Speaker 4: I was like, fuck, I'm missing one of the one

1245
00:50:59,400 --> 00:51:02,040
Speaker 4: of those icon nights in New York City, Like I

1246
00:51:02,080 --> 00:51:03,799
Speaker 4: know I already knew, so I was trying not to

1247
00:51:03,800 --> 00:51:05,120
Speaker 4: be on social media. I was like, I don't even

1248
00:51:05,120 --> 00:51:05,680
Speaker 4: want to see ship.

1249
00:51:05,760 --> 00:51:08,440
Speaker 2: I went through everything. I was jealous and saying. I

1250
00:51:08,480 --> 00:51:09,719
Speaker 2: was like, man, I wish I was there.

1251
00:51:09,800 --> 00:51:11,840
Speaker 4: And the most important, the most important thing of the

1252
00:51:11,920 --> 00:51:16,640
Speaker 4: night is there weren't any videos or tweets of anything,

1253
00:51:16,840 --> 00:51:22,080
Speaker 4: you know, violent happening. It wasn't any you know, crazy

1254
00:51:22,120 --> 00:51:27,600
Speaker 4: melee and people rushing and pushing, and it was a

1255
00:51:27,600 --> 00:51:30,680
Speaker 4: lot of good energy. Everything seemed like it went well.

1256
00:51:31,200 --> 00:51:34,440
Speaker 4: The artist hit the stage, the surprise guests was dope,

1257
00:51:35,280 --> 00:51:39,480
Speaker 4: And I like what Snoop said about because because Uncle

1258
00:51:39,560 --> 00:51:42,640
Speaker 4: Luke was kind of he expressed, uh, he was upset

1259
00:51:42,680 --> 00:51:44,839
Speaker 4: up that in all of these hip Hop fifty celebrations,

1260
00:51:45,520 --> 00:51:49,680
Speaker 4: Miami wasn't represented and he felt like, you know, Miami

1261
00:51:49,680 --> 00:51:52,880
Speaker 4: got overlooked and that they are important in which they are.

1262
00:51:52,960 --> 00:51:55,560
Speaker 4: They're very important part of the story of the last

1263
00:51:55,560 --> 00:51:58,760
Speaker 4: fifty years of hip hop. So I believe Snoop reached

1264
00:51:58,800 --> 00:52:01,160
Speaker 4: out to him and they're going to do a celebration

1265
00:52:01,239 --> 00:52:03,799
Speaker 4: in Miami. That's the fifty. I would have loved to

1266
00:52:03,800 --> 00:52:07,320
Speaker 4: see Uncle Luke and Yankee Stadium and let dude brown

1267
00:52:07,320 --> 00:52:11,320
Speaker 4: golf one time? That would have that would have went crazy.

1268
00:52:13,239 --> 00:52:14,680
Speaker 4: That would that would have been crazy.

1269
00:52:14,800 --> 00:52:17,400
Speaker 3: I saw that there was some flak, but it's the Internet,

1270
00:52:17,520 --> 00:52:18,680
Speaker 3: so who really gives that much.

1271
00:52:18,600 --> 00:52:18,960
Speaker 5: Of a fuck.

1272
00:52:19,040 --> 00:52:23,360
Speaker 3: But what did they expect for a genre that was

1273
00:52:23,480 --> 00:52:27,799
Speaker 3: created a few blocks away at Yankee Stadium to not

1274
00:52:28,320 --> 00:52:31,160
Speaker 3: exact lean a little bit more into New York hip hop?

1275
00:52:31,600 --> 00:52:35,320
Speaker 3: And especially with the first few decades being so heavy

1276
00:52:35,400 --> 00:52:38,319
Speaker 3: in New York, Like where's the flack on that? Well,

1277
00:52:38,360 --> 00:52:39,960
Speaker 3: not not to Uncle Luke I say that, but I

1278
00:52:40,000 --> 00:52:42,279
Speaker 3: saw everyone on Twitter like, oh, is that New York

1279
00:52:42,320 --> 00:52:46,600
Speaker 3: biased bullshit? Like it started in New York in seventy three,

1280
00:52:46,680 --> 00:52:49,440
Speaker 3: Like you don't think it's gonna lean a little heavier.

1281
00:52:49,680 --> 00:52:52,040
Speaker 4: I understand w New York, but I understand why because

1282
00:52:52,080 --> 00:52:55,600
Speaker 4: every other region would seemed like it was represented. The

1283
00:52:55,600 --> 00:52:59,279
Speaker 4: West Coast was represented, the South was represented. Miami is

1284
00:52:59,320 --> 00:53:02,600
Speaker 4: the South, but like Wayne, Florida, Yeah, you know, so

1285
00:53:02,680 --> 00:53:05,960
Speaker 4: New Orleans like that, Texas was there, So it's like,

1286
00:53:06,400 --> 00:53:07,719
Speaker 4: why Miami ain't represented?

1287
00:53:08,000 --> 00:53:08,960
Speaker 8: We didn't have that much time.

1288
00:53:09,040 --> 00:53:12,040
Speaker 10: Trina represents miamis a ten hour show, But.

1289
00:53:11,920 --> 00:53:12,880
Speaker 8: That's what I'm saying.

1290
00:53:12,920 --> 00:53:16,840
Speaker 10: You see how season it's hard to get everyone exactly.

1291
00:53:16,880 --> 00:53:18,280
Speaker 4: It wouldn't have been hard to get on klub.

1292
00:53:18,920 --> 00:53:19,480
Speaker 3: But you feel what.

1293
00:53:19,480 --> 00:53:22,960
Speaker 10: I'm saying is like the concert already went on till

1294
00:53:22,960 --> 00:53:24,440
Speaker 10: two thirty in the morning. I didn't get home to

1295
00:53:24,560 --> 00:53:27,000
Speaker 10: three forty five. Where were they gonna squeeze more accent?

1296
00:53:27,960 --> 00:53:29,520
Speaker 10: I'm just saying, like everybody can't go.

1297
00:53:29,800 --> 00:53:34,000
Speaker 4: Everybody can't, but you should Miami, Florida should have been represented.

1298
00:53:34,040 --> 00:53:34,839
Speaker 8: So who do we take off?

1299
00:53:35,000 --> 00:53:37,080
Speaker 4: But not but hold on? But not just I don't

1300
00:53:37,080 --> 00:53:39,160
Speaker 4: think he's just saying for this one and none of

1301
00:53:39,160 --> 00:53:39,600
Speaker 4: the hip.

1302
00:53:39,480 --> 00:53:42,040
Speaker 3: Hop I don't think he was referring to the show

1303
00:53:42,040 --> 00:53:42,279
Speaker 3: at all.

1304
00:53:42,640 --> 00:53:44,279
Speaker 4: It's not just He's not just saying the show a

1305
00:53:44,360 --> 00:53:47,360
Speaker 4: Yankee Stadium, even though this seems like it probably was

1306
00:53:47,360 --> 00:53:50,719
Speaker 4: the biggest one because it's Yankee Stadium. But I think

1307
00:53:50,719 --> 00:53:52,680
Speaker 4: he's saying in general, like none of the hip hop

1308
00:53:52,680 --> 00:53:57,440
Speaker 4: fifty celebrations, Miami hasn't really been represented. Okay, So I

1309
00:53:57,440 --> 00:54:01,320
Speaker 4: think that was his, you know, his his his his

1310
00:54:01,480 --> 00:54:03,640
Speaker 4: reason for being upset and posted that, And they have

1311
00:54:03,760 --> 00:54:07,200
Speaker 4: a rightful place in any hip hop celebration because some

1312
00:54:07,239 --> 00:54:10,040
Speaker 4: of the best artists, some of the best music's best

1313
00:54:10,040 --> 00:54:13,080
Speaker 4: songs have come out of Miami, so I do want

1314
00:54:13,120 --> 00:54:15,879
Speaker 4: to see what Snoop and and Uncle Luke put together

1315
00:54:15,920 --> 00:54:16,560
Speaker 4: for Miami though.

1316
00:54:16,680 --> 00:54:18,440
Speaker 2: Yeah, Sean, if you're out there, I want to go

1317
00:54:18,480 --> 00:54:22,320
Speaker 2: to the Miami show. Don't remember what you look like

1318
00:54:22,360 --> 00:54:25,399
Speaker 2: because I met you at Highlight Room, probably intoxicated, but.

1319
00:54:26,120 --> 00:54:27,879
Speaker 4: I would like to go to you. Definitely met Sean.

1320
00:54:28,160 --> 00:54:31,959
Speaker 3: Yeah, probably been to dinner together. Yeah, but it was cool,

1321
00:54:32,000 --> 00:54:37,480
Speaker 3: even like watching like JD was there, of course, like watching,

1322
00:54:38,000 --> 00:54:42,760
Speaker 3: it was so cool to be a fan with my idols.

1323
00:54:43,800 --> 00:54:47,080
Speaker 3: Like they weren't performing, they were New York.

1324
00:54:47,120 --> 00:54:49,440
Speaker 4: We were just He's the first New York Atlanta tr

1325
00:54:49,600 --> 00:54:52,560
Speaker 4: Was there anybody that performed that was like like a

1326
00:54:52,680 --> 00:54:56,120
Speaker 4: newer artist of like the last ten years?

1327
00:54:56,200 --> 00:54:57,200
Speaker 1: Okay, got you.

1328
00:54:57,200 --> 00:54:59,600
Speaker 3: Didn't feel out of place, to be honest.

1329
00:55:00,040 --> 00:55:01,760
Speaker 8: Honored him and everything because it's his hometown.

1330
00:55:01,920 --> 00:55:03,120
Speaker 1: Gotcha and he did really.

1331
00:55:04,800 --> 00:55:07,279
Speaker 10: Scarlet performed, star Lip came out into the song was

1332
00:55:07,280 --> 00:55:10,480
Speaker 10: brought out by the Scarlet. Loler Brook came out, which

1333
00:55:10,719 --> 00:55:12,239
Speaker 10: you know, I lost my mind because I love that song.

1334
00:55:12,360 --> 00:55:14,439
Speaker 10: Loler Brooke came out on Little Kim right before Little

1335
00:55:14,480 --> 00:55:17,799
Speaker 10: Kim Sat did. His son came out and performed all right,

1336
00:55:17,800 --> 00:55:18,239
Speaker 10: I don't want.

1337
00:55:18,160 --> 00:55:18,759
Speaker 1: To talk about no more.

1338
00:55:18,840 --> 00:55:22,160
Speaker 3: Jesus Christ.

1339
00:55:22,160 --> 00:55:23,399
Speaker 8: Your cousin ice Cube is there.

1340
00:55:23,440 --> 00:55:26,440
Speaker 3: He did his sting becausin everyone's related.

1341
00:55:26,640 --> 00:55:28,080
Speaker 1: I feel like all the l A people are really

1342
00:55:28,440 --> 00:55:28,759
Speaker 1: we are.

1343
00:55:29,320 --> 00:55:30,239
Speaker 5: Joe took his shirt off.

1344
00:55:30,520 --> 00:55:31,439
Speaker 8: Yeah he lost weight.

1345
00:55:31,520 --> 00:55:33,759
Speaker 4: He a bad bitch now he First of all, Fat

1346
00:55:33,800 --> 00:55:35,320
Speaker 4: Joe is not a bad bitch. We're not going to

1347
00:55:35,360 --> 00:55:38,160
Speaker 4: say that. But no, Fat Joe came to He had

1348
00:55:38,160 --> 00:55:39,560
Speaker 4: a leather on with no shirt on. He got on

1349
00:55:39,600 --> 00:55:40,560
Speaker 4: his real bronche.

1350
00:55:40,360 --> 00:55:41,799
Speaker 5: Les, all his change on.

1351
00:55:41,920 --> 00:55:45,120
Speaker 4: That's not he had all his change on like Nigga.

1352
00:55:45,160 --> 00:55:47,080
Speaker 4: That's fat Joe. He from right up the block from

1353
00:55:47,160 --> 00:55:50,239
Speaker 4: Yankee Stadium. So you know, I'm a Fat Joe fan,

1354
00:55:50,280 --> 00:55:52,279
Speaker 4: but this is this is a little I mean, so

1355
00:55:52,360 --> 00:55:54,480
Speaker 4: you know, the fat boy you gotta have like Nigga.

1356
00:55:54,640 --> 00:55:55,200
Speaker 3: So what's real?

1357
00:55:55,280 --> 00:55:56,319
Speaker 4: I got all my jewelry on.

1358
00:55:56,400 --> 00:55:58,879
Speaker 3: That's really some New York ship. Though lost a lot

1359
00:55:58,920 --> 00:55:59,160
Speaker 3: of weight.

1360
00:55:59,239 --> 00:56:02,720
Speaker 10: He's because he lost a lot of weight he bought.

1361
00:56:02,760 --> 00:56:05,520
Speaker 8: That was amazing, fire Man.

1362
00:56:05,600 --> 00:56:10,640
Speaker 3: I was sitting there in a fucking green room listening

1363
00:56:10,719 --> 00:56:16,759
Speaker 3: to Meth and Inspector Deck talk about rapping at twelve

1364
00:56:16,840 --> 00:56:18,920
Speaker 3: years old together. I was like Why am I sitting

1365
00:56:19,000 --> 00:56:19,279
Speaker 3: like this?

1366
00:56:19,400 --> 00:56:20,120
Speaker 1: Yeah?

1367
00:56:20,280 --> 00:56:22,680
Speaker 3: Like what is fucking crazy? Like what is and Havoc

1368
00:56:22,719 --> 00:56:25,000
Speaker 3: sitting right over there? Cameron walks in. I'm like, what

1369
00:56:25,080 --> 00:56:27,520
Speaker 3: this is the wildest green room and not a green

1370
00:56:27,560 --> 00:56:29,160
Speaker 3: room where it's like one hundred people in there, and

1371
00:56:29,160 --> 00:56:33,080
Speaker 3: there it's like just them, yeah, Rory and then dumb

1372
00:56:33,080 --> 00:56:36,760
Speaker 3: ass Rory in the corner, just sitting there literally not saying.

1373
00:56:36,520 --> 00:56:37,720
Speaker 4: Anybody, who's the redhead?

1374
00:56:39,280 --> 00:56:42,520
Speaker 3: No this is not I'm telling you, this is just me,

1375
00:56:42,640 --> 00:56:45,080
Speaker 3: Like how humbled I was? Why do y'all know who

1376
00:56:45,120 --> 00:56:51,160
Speaker 3: I am? They're trying to make it sound away. I'm

1377
00:56:51,160 --> 00:56:52,799
Speaker 3: not trying to it blew like.

1378
00:56:53,080 --> 00:56:54,759
Speaker 4: Be getting it up. That's like when Rory had his

1379
00:56:54,800 --> 00:56:56,279
Speaker 4: album at Least party, he was like he didn't want

1380
00:56:56,280 --> 00:56:57,160
Speaker 4: to talk about the album.

1381
00:56:56,960 --> 00:56:57,040
Speaker 9: And.

1382
00:56:58,680 --> 00:57:01,560
Speaker 3: That's my insecurity here.

1383
00:57:02,320 --> 00:57:04,520
Speaker 4: I want to tell about the album forty two minutes

1384
00:57:04,920 --> 00:57:07,000
Speaker 4: He's like, yo, for the sports forty one minute was

1385
00:57:07,000 --> 00:57:09,000
Speaker 4: we had to bounce the track over to me.

1386
00:57:10,440 --> 00:57:13,680
Speaker 3: Over, but I don't want to talk about it.

1387
00:57:14,400 --> 00:57:17,040
Speaker 4: My friend rising back and forth, like my friends, I.

1388
00:57:17,000 --> 00:57:18,600
Speaker 1: Don't want talk about and I say, yo, but like

1389
00:57:18,600 --> 00:57:19,080
Speaker 1: I don't want to.

1390
00:57:19,120 --> 00:57:21,200
Speaker 3: I didn't call already, I was we did in the

1391
00:57:21,200 --> 00:57:21,920
Speaker 3: studio together.

1392
00:57:25,200 --> 00:57:26,080
Speaker 4: Yes, I'm sorry.

1393
00:57:25,960 --> 00:57:33,520
Speaker 3: My features weren't emailed like yours. All right, Yeah, yeah,

1394
00:57:32,720 --> 00:57:34,480
Speaker 3: I'm append to paper.

1395
00:57:34,520 --> 00:57:38,200
Speaker 1: I'm sorry, but I got mine over text, dropbox.

1396
00:57:40,840 --> 00:57:41,880
Speaker 3: Everybody.

1397
00:57:42,200 --> 00:57:45,280
Speaker 4: But yes, shout out, shut out to everybody that had

1398
00:57:45,280 --> 00:57:47,680
Speaker 4: a hand and putting together the show.

1399
00:57:48,280 --> 00:57:51,000
Speaker 3: Mass Appeal smoked it, like we need to give Mass

1400
00:57:51,000 --> 00:57:54,560
Speaker 3: Appeal their fucking flowers. They continue to do amazing things

1401
00:57:54,800 --> 00:57:57,000
Speaker 3: for the culture of hip hop. Of course, I'm sure

1402
00:57:57,000 --> 00:57:59,480
Speaker 3: they turn over a pretty good profit, but it's in

1403
00:57:59,600 --> 00:58:02,360
Speaker 3: the lead culture vulture way you could ever do.

1404
00:58:02,480 --> 00:58:04,880
Speaker 2: This shit has been so authentic and genuine. Just the

1405
00:58:04,880 --> 00:58:07,960
Speaker 2: way that they've been moving everything has been just in

1406
00:58:08,240 --> 00:58:11,440
Speaker 2: favor of hip hop and like creating moments. Yeah, that's

1407
00:58:11,440 --> 00:58:14,760
Speaker 2: the biggest thing, is like just continuously creating moments, giving

1408
00:58:14,800 --> 00:58:17,560
Speaker 2: people they flowers while they're still here to get their flowers,

1409
00:58:17,600 --> 00:58:19,880
Speaker 2: not when it's too late and all that. Like everything

1410
00:58:19,880 --> 00:58:22,000
Speaker 2: Master Bill has been doing has been like incredible.

1411
00:58:22,120 --> 00:58:25,480
Speaker 4: Yeah, and shout out to Nas too. Man. Nas is

1412
00:58:26,000 --> 00:58:27,800
Speaker 4: the one artist I think when you talk about hip

1413
00:58:27,840 --> 00:58:31,000
Speaker 4: hop somebody that has represented because he turns fifty. Yeah,

1414
00:58:31,000 --> 00:58:34,000
Speaker 4: it's the same age as hip hop. Somebody that you

1415
00:58:34,120 --> 00:58:37,400
Speaker 4: talk about in hip hop that seems like they're getting

1416
00:58:37,520 --> 00:58:40,600
Speaker 4: better man man, And it's crazy to say that about NAS,

1417
00:58:40,640 --> 00:58:43,000
Speaker 4: Like just seeing him perform, he doesn't look like a

1418
00:58:43,040 --> 00:58:45,680
Speaker 4: fifty year old man. He doesn't. He still looks like

1419
00:58:45,760 --> 00:58:48,520
Speaker 4: that's just a bel Well Bevel is a great blade,

1420
00:58:48,800 --> 00:58:52,320
Speaker 4: but he he just looks like he just looks like

1421
00:58:52,440 --> 00:58:55,400
Speaker 4: he's just It's like, bro, you're this is like your

1422
00:58:55,520 --> 00:58:55,960
Speaker 4: third win.

1423
00:58:56,040 --> 00:58:57,960
Speaker 2: Bro, He's he's in the he's in the gym, like

1424
00:58:57,960 --> 00:59:00,560
Speaker 2: it's it's crazy. He's to me like his as he's

1425
00:59:00,640 --> 00:59:02,840
Speaker 2: ever been, if not better, you know what I mean.

1426
00:59:02,920 --> 00:59:05,480
Speaker 2: And my West Coast bias shout out to hit boy.

1427
00:59:05,560 --> 00:59:07,520
Speaker 2: I want to give him boy, you know, crazy flowers

1428
00:59:07,560 --> 00:59:11,480
Speaker 2: because I do feel like production wise, like as an artist,

1429
00:59:11,720 --> 00:59:13,440
Speaker 2: you need that to be able to like push you

1430
00:59:13,480 --> 00:59:15,360
Speaker 2: into different spaces. That's not to say that NAS can't

1431
00:59:15,360 --> 00:59:17,560
Speaker 2: do it, you know, by itself, but you need that

1432
00:59:17,600 --> 00:59:19,320
Speaker 2: to be able to push you into different spaces. And

1433
00:59:19,720 --> 00:59:22,760
Speaker 2: I just think what they're doing in like the authentic

1434
00:59:22,760 --> 00:59:24,880
Speaker 2: way that they're doing it and not worried about all

1435
00:59:24,920 --> 00:59:28,000
Speaker 2: the other shit or oh we need you know this

1436
00:59:28,040 --> 00:59:31,920
Speaker 2: feature or this lookal They're just dropping and pushing the

1437
00:59:31,920 --> 00:59:33,720
Speaker 2: culture forward in that way. I think that this shit

1438
00:59:33,840 --> 00:59:36,280
Speaker 2: is like it's the crazy shit I've ever seen, and

1439
00:59:36,360 --> 00:59:38,360
Speaker 2: doing that a high frequency, like they're cranking them out.

1440
00:59:38,400 --> 00:59:40,400
Speaker 4: And not only that, none of the projects sound the same.

1441
00:59:40,440 --> 00:59:41,479
Speaker 1: None of them sound the same.

1442
00:59:41,680 --> 00:59:43,880
Speaker 4: So you got the same two guys making this an

1443
00:59:44,040 --> 00:59:49,840
Speaker 4: album sounds different energy. Yeah, And I just love the

1444
00:59:49,880 --> 00:59:52,720
Speaker 4: fact that Nas is getting you know, just his accolades

1445
00:59:52,760 --> 00:59:54,840
Speaker 4: and everything. Now yeah, and it's like, yo, he's fifty

1446
00:59:54,920 --> 00:59:57,120
Speaker 4: years old, but he's still like that's not so I.

1447
00:59:57,120 --> 00:59:59,440
Speaker 2: Will say I think I think Nas, well, first time

1448
00:59:59,440 --> 01:00:02,280
Speaker 2: before I say Nas doesn't need anything, but I think

1449
01:00:02,360 --> 01:00:05,840
Speaker 2: that he needed this this run in a way of

1450
01:00:06,720 --> 01:00:09,320
Speaker 2: people always kind of like overlooked.

1451
01:00:09,640 --> 01:00:11,800
Speaker 1: How how as far as.

1452
01:00:11,640 --> 01:00:13,960
Speaker 2: Me speaking from a West coast, we I can say

1453
01:00:14,000 --> 01:00:17,320
Speaker 2: we we overlooked like the magnitude of importance that Nas had.

1454
01:00:17,320 --> 01:00:19,320
Speaker 2: I know y'all don't overlook that, but we on the

1455
01:00:19,360 --> 01:00:21,960
Speaker 2: West it was just more just like Hove and Biggie

1456
01:00:22,000 --> 01:00:23,400
Speaker 2: like that was it, you know what I'm saying. And

1457
01:00:23,440 --> 01:00:26,360
Speaker 2: so the run that he's gone on to me is

1458
01:00:26,480 --> 01:00:30,360
Speaker 2: like it's just it's it's incredible because like artists, artists

1459
01:00:30,360 --> 01:00:32,160
Speaker 2: will be out for six years and start dying out,

1460
01:00:32,200 --> 01:00:34,400
Speaker 2: Like they start losing steam created creatively, they don't know

1461
01:00:34,440 --> 01:00:36,600
Speaker 2: where they want to go, they start losing the passion

1462
01:00:36,680 --> 01:00:39,080
Speaker 2: to see him. That passionate at forty nine. You know

1463
01:00:39,160 --> 01:00:42,560
Speaker 2: what I'm saying, like is fucking inspirational.

1464
01:00:42,640 --> 01:00:44,720
Speaker 3: It's just so craterest thing too that it's looked that

1465
01:00:44,760 --> 01:00:47,760
Speaker 3: way because Nas was like the first East Coast rapper

1466
01:00:47,800 --> 01:00:50,840
Speaker 3: after everything to go fuck with Dre. Yeah, the firm

1467
01:00:50,920 --> 01:00:53,480
Speaker 3: shit like he was like not the super East Coast

1468
01:00:53,600 --> 01:00:53,800
Speaker 3: it was.

1469
01:00:54,240 --> 01:00:54,440
Speaker 1: It was.

1470
01:00:54,560 --> 01:00:58,320
Speaker 2: It's really because like what Marlatt said is like we're

1471
01:00:58,440 --> 01:00:59,880
Speaker 2: we're so much focused.

1472
01:00:59,480 --> 01:01:01,800
Speaker 1: On style and sh that like.

1473
01:01:02,000 --> 01:01:05,560
Speaker 2: NAS didn't, Like Hove embodied that a little bit better

1474
01:01:05,600 --> 01:01:08,120
Speaker 2: than Nas at a certain point. Like now I think,

1475
01:01:08,160 --> 01:01:10,240
Speaker 2: like I've always felt like Nas was fly but to me,

1476
01:01:10,240 --> 01:01:12,800
Speaker 2: this nigga's gotten flyer, like as ship Like this nigga's

1477
01:01:12,880 --> 01:01:13,240
Speaker 2: just like.

1478
01:01:13,200 --> 01:01:16,480
Speaker 3: Aging the best way. That's crazy, you know what I'm saying,

1479
01:01:16,640 --> 01:01:18,160
Speaker 3: makes hip hop still look cool.

1480
01:01:18,000 --> 01:01:21,600
Speaker 2: And you know what I'm saying, Like, and so I

1481
01:01:21,640 --> 01:01:24,480
Speaker 2: think that that was kind of why Hove was doing

1482
01:01:24,520 --> 01:01:26,440
Speaker 2: the super slick ship and the style and you know

1483
01:01:26,480 --> 01:01:28,080
Speaker 2: what I mean, all of that, and I think so

1484
01:01:28,200 --> 01:01:30,440
Speaker 2: on the West It's like we was just Hove and

1485
01:01:30,480 --> 01:01:32,160
Speaker 2: Biggie like that was kind of all we you know

1486
01:01:32,200 --> 01:01:33,480
Speaker 2: what I mean. Of course we listened to nas and

1487
01:01:33,520 --> 01:01:35,120
Speaker 2: niggas that are really in the hip hop lessen to naves,

1488
01:01:35,160 --> 01:01:37,120
Speaker 2: but it wasn't getting the respect, you know what I

1489
01:01:37,160 --> 01:01:38,800
Speaker 2: mean that I think he deserves. And what he's doing

1490
01:01:38,840 --> 01:01:41,560
Speaker 2: now is is you know, everything is warranted, like all

1491
01:01:41,560 --> 01:01:42,280
Speaker 2: the love's getting.

1492
01:01:42,560 --> 01:01:45,880
Speaker 4: I like the fact I like how ice Cube has.

1493
01:01:45,800 --> 01:01:48,360
Speaker 3: Grown just about stuggle to a person and.

1494
01:01:48,600 --> 01:01:52,040
Speaker 4: That he is because a lot of these a lot

1495
01:01:52,040 --> 01:01:54,200
Speaker 4: of these people that are fans of ice Cube, they

1496
01:01:54,240 --> 01:01:58,800
Speaker 4: really don't know the impact that he had on hip hop. Yeah,

1497
01:01:59,000 --> 01:02:02,880
Speaker 4: they don't know how iliv MC he is ill of

1498
01:02:02,920 --> 01:02:06,960
Speaker 4: a rapper he is. So to see him on that

1499
01:02:07,040 --> 01:02:11,160
Speaker 4: stage in Yankee Stadium in the Bronx getting the love

1500
01:02:11,200 --> 01:02:15,080
Speaker 4: that he got to me that that was that was

1501
01:02:15,120 --> 01:02:18,880
Speaker 4: so dope. Like here's a guy that he's the first

1502
01:02:19,320 --> 01:02:23,720
Speaker 4: black owner of an entire sports league with the Big Three.

1503
01:02:24,280 --> 01:02:29,000
Speaker 4: He's given us classic movies like Cold Classics that that

1504
01:02:29,040 --> 01:02:32,080
Speaker 4: we still talk about to this day. So things he

1505
01:02:32,120 --> 01:02:34,760
Speaker 4: was able to do away from the image that we

1506
01:02:34,880 --> 01:02:37,560
Speaker 4: gotten from of him when he was a rapper the

1507
01:02:37,600 --> 01:02:42,760
Speaker 4: whole gangster rapper from the too something else to be

1508
01:02:42,880 --> 01:02:46,360
Speaker 4: who he is today. I think that's you know, that's

1509
01:02:46,400 --> 01:02:48,680
Speaker 4: a testament to just the beauty of the culture of

1510
01:02:48,760 --> 01:02:51,240
Speaker 4: hip hop. Like you can come in a young and

1511
01:02:51,280 --> 01:02:54,880
Speaker 4: be Paulse you come in a young and be this

1512
01:02:55,000 --> 01:02:57,400
Speaker 4: gangster rapper, but as you grow and mature with the

1513
01:02:57,480 --> 01:03:00,000
Speaker 4: art form and the culture, you now turn into something

1514
01:03:00,080 --> 01:03:02,840
Speaker 4: else when you show people what is possible through this,

1515
01:03:02,840 --> 01:03:04,919
Speaker 4: this this foundation of hip hop.

1516
01:03:05,240 --> 01:03:07,320
Speaker 3: Cube is one of the elder statesmen that I want

1517
01:03:07,640 --> 01:03:10,480
Speaker 3: to do. Not the comeback that Nas has done, but

1518
01:03:11,040 --> 01:03:14,200
Speaker 3: I think Cube would make sense in this era. The

1519
01:03:14,200 --> 01:03:17,200
Speaker 3: way he raps too isn't that far off from how

1520
01:03:18,000 --> 01:03:21,480
Speaker 3: lyrical rappers raped today. You can understand every word he's saying.

1521
01:03:21,680 --> 01:03:24,440
Speaker 3: He wouldn't sound weird on newer beats. He has a message.

1522
01:03:24,440 --> 01:03:27,720
Speaker 3: He just sat with fucking Tucker Carlson. Like there's a

1523
01:03:27,720 --> 01:03:29,800
Speaker 3: lot currently going on with him that we would want

1524
01:03:29,840 --> 01:03:32,880
Speaker 3: to hear from people. Do you agree with it or not? Like,

1525
01:03:33,040 --> 01:03:36,640
Speaker 3: there's a lot going on with Cube. And I watched

1526
01:03:36,720 --> 01:03:42,160
Speaker 3: him go from ice Cube the entertainer movie star into

1527
01:03:42,240 --> 01:03:46,000
Speaker 3: Cube mode before he went on stage. It's there, you know,

1528
01:03:46,160 --> 01:03:48,960
Speaker 3: he is he put on the bandit, I was like, Oh,

1529
01:03:48,600 --> 01:03:52,040
Speaker 3: I'm watching I'm watching fucking Clark Kent turn into the

1530
01:03:52,080 --> 01:03:52,960
Speaker 3: Superman real quick.

1531
01:03:53,360 --> 01:03:56,600
Speaker 4: But that's the foundation. The foundation is always hip Hop's

1532
01:03:56,680 --> 01:03:59,640
Speaker 4: always like, that's who he is at the core. He's

1533
01:04:00,040 --> 01:04:01,840
Speaker 4: see he's a rapper. So if you tell him, yo,

1534
01:04:02,280 --> 01:04:06,800
Speaker 4: stage mic track, he knows what to do with that exactly.

1535
01:04:06,800 --> 01:04:09,560
Speaker 4: It's just you we're not so used to him doing

1536
01:04:09,600 --> 01:04:11,560
Speaker 4: that as much as he used to because he's a

1537
01:04:11,560 --> 01:04:14,120
Speaker 4: whole different person now. Yeah, but that's still the foundation,

1538
01:04:14,160 --> 01:04:16,240
Speaker 4: which is why the culture is just so beautiful to

1539
01:04:16,280 --> 01:04:18,520
Speaker 4: watch a lot of these artists grow and become who

1540
01:04:18,520 --> 01:04:22,120
Speaker 4: they are, even Nas the business the businessman that Nas

1541
01:04:22,160 --> 01:04:25,880
Speaker 4: is now knowing that this is the same kid from

1542
01:04:25,920 --> 01:04:29,840
Speaker 4: Queensbridge Projects that we heard in the nineties and it

1543
01:04:30,000 --> 01:04:32,080
Speaker 4: was like, Yo, who is this? And now him being

1544
01:04:32,080 --> 01:04:35,280
Speaker 4: who he is and his company putting that whole event

1545
01:04:35,360 --> 01:04:38,040
Speaker 4: together together. Yeah, it's just dope to see. You know,

1546
01:04:38,160 --> 01:04:41,360
Speaker 4: how far you can grow as a as an artist

1547
01:04:41,400 --> 01:04:44,200
Speaker 4: and as a as an individual as a person through

1548
01:04:44,520 --> 01:04:47,080
Speaker 4: the culture of hip hop and the foundation of hip hop.

1549
01:04:47,080 --> 01:04:49,320
Speaker 4: So shout out to Master Pill, Shout out to Yankee

1550
01:04:49,320 --> 01:04:51,960
Speaker 4: Stadium for allowing hip hop to be in the building

1551
01:04:51,960 --> 01:04:53,400
Speaker 4: for because you know a lot of these venues are

1552
01:04:53,400 --> 01:04:54,200
Speaker 4: wat to hear hip hop.

1553
01:04:54,560 --> 01:04:55,120
Speaker 1: And I'm glad.

1554
01:04:55,120 --> 01:04:57,360
Speaker 2: I'm glad that it was in New York, Like I am, like,

1555
01:04:57,440 --> 01:04:59,400
Speaker 2: I feel like it had to be. It had to be,

1556
01:04:59,440 --> 01:05:01,320
Speaker 2: bro And like I saw some of the slack tool

1557
01:05:01,360 --> 01:05:04,200
Speaker 2: that on Twitter just as far as like it's a bias,

1558
01:05:04,200 --> 01:05:06,640
Speaker 2: It's like, Bro, it's not a bias, it's it's history.

1559
01:05:06,680 --> 01:05:07,520
Speaker 5: It started.

1560
01:05:07,640 --> 01:05:09,320
Speaker 1: It started there, you get what I'm saying, Like it

1561
01:05:09,360 --> 01:05:10,440
Speaker 1: is history, bro, Like it.

1562
01:05:10,480 --> 01:05:12,720
Speaker 4: Started there right down the block from the stadium literally,

1563
01:05:12,760 --> 01:05:14,160
Speaker 4: like you know what I mean, Like, I don't I

1564
01:05:14,240 --> 01:05:16,760
Speaker 4: feel like you walk if it would have felt out

1565
01:05:16,800 --> 01:05:20,040
Speaker 4: of place anywhere they had to do it and I

1566
01:05:20,120 --> 01:05:22,320
Speaker 4: had just they just they just did a great job

1567
01:05:22,400 --> 01:05:25,480
Speaker 4: of executing it. So shout out shout out to uh,

1568
01:05:25,840 --> 01:05:27,560
Speaker 4: Mass Appeal and Yankee Stadium for.

1569
01:05:28,120 --> 01:05:30,600
Speaker 3: Actually guys at Mass Appeal and this this speaks to

1570
01:05:30,800 --> 01:05:35,000
Speaker 3: just anyone listening that doesn't understand how much work you

1571
01:05:35,040 --> 01:05:36,440
Speaker 3: have to put in even after you make it.

1572
01:05:36,600 --> 01:05:37,080
Speaker 4: Yeah.

1573
01:05:37,160 --> 01:05:41,640
Speaker 3: I watched the guys that started Mass Appeal run around

1574
01:05:41,640 --> 01:05:44,760
Speaker 3: that backstage organizing ship like they were interns.

1575
01:05:44,960 --> 01:05:47,840
Speaker 1: Yeah. Yeah, like this ship when.

1576
01:05:47,680 --> 01:05:50,400
Speaker 3: You care about something and it's really your baby, you

1577
01:05:50,480 --> 01:05:51,800
Speaker 3: are going to move like it.

1578
01:05:51,920 --> 01:05:52,000
Speaker 9: Like.

1579
01:05:52,480 --> 01:05:54,520
Speaker 3: It was so beautiful to watch them do that too,

1580
01:05:54,640 --> 01:05:58,439
Speaker 3: Like they've made it. They good, but they were making

1581
01:05:58,480 --> 01:06:02,160
Speaker 3: sure every last thing went the best, post perfect, and

1582
01:06:02,440 --> 01:06:05,280
Speaker 3: I admired it. I thought it was incredible. I mean,

1583
01:06:05,280 --> 01:06:09,440
Speaker 3: at least Drake and Bobby Adolf were together. Who happy

1584
01:06:09,520 --> 01:06:11,919
Speaker 3: hip hop fifty she is hip hop?

1585
01:06:12,040 --> 01:06:13,280
Speaker 4: I saw this hip hop.

1586
01:06:13,320 --> 01:06:14,560
Speaker 5: Don't do that, no, Bobby.

1587
01:06:14,880 --> 01:06:18,320
Speaker 4: So, Drake and Bobby All Talk allegedly have unfollowed each

1588
01:06:18,360 --> 01:06:24,240
Speaker 4: other on Instagrams, and their interview is now deleted from

1589
01:06:24,520 --> 01:06:25,360
Speaker 4: from YouTube.

1590
01:06:25,400 --> 01:06:26,160
Speaker 1: That is insane.

1591
01:06:26,360 --> 01:06:29,120
Speaker 3: I didn't put much in the unfollowing ship. You guys know,

1592
01:06:29,160 --> 01:06:31,960
Speaker 3: I don't really care about follows or unfollows. Deleting a

1593
01:06:32,120 --> 01:06:33,240
Speaker 3: Drake interview from your.

1594
01:06:33,120 --> 01:06:34,640
Speaker 1: YouTube page crazy, It's crazy.

1595
01:06:34,720 --> 01:06:36,320
Speaker 3: It's the craziest, fucking crazy.

1596
01:06:36,320 --> 01:06:39,520
Speaker 7: And she deleted the YouTube's the biggest tool, but the

1597
01:06:39,800 --> 01:06:41,840
Speaker 7: Instagram posts on from him as well.

1598
01:06:41,880 --> 01:06:43,480
Speaker 5: On her Instagram she deleted too.

1599
01:06:44,040 --> 01:06:46,080
Speaker 3: I hate to be that news outlet, but I mean,

1600
01:06:46,120 --> 01:06:47,560
Speaker 3: you know, did he pulls dick out?

1601
01:06:47,600 --> 01:06:48,000
Speaker 1: What happened?

1602
01:06:48,320 --> 01:06:48,960
Speaker 3: Oh my god?

1603
01:06:49,440 --> 01:06:52,080
Speaker 7: Naturally that's the first part that everyone well, so she

1604
01:06:52,160 --> 01:06:53,919
Speaker 7: went to the show in LA and.

1605
01:06:53,880 --> 01:06:54,680
Speaker 5: We can see her here.

1606
01:06:55,200 --> 01:06:57,160
Speaker 3: I hate to put that on a man's jacket, because

1607
01:06:57,360 --> 01:06:58,000
Speaker 3: you know, I'm very.

1608
01:06:57,960 --> 01:06:59,760
Speaker 1: Nic I'm not going on a jacket.

1609
01:07:00,680 --> 01:07:04,120
Speaker 4: I hate to put it on. I hate to put

1610
01:07:04,120 --> 01:07:05,880
Speaker 4: that on a man's jacket.

1611
01:07:06,520 --> 01:07:08,480
Speaker 3: No, bro, No, I don't think he did either.

1612
01:07:08,560 --> 01:07:09,400
Speaker 1: But it didn't do that.

1613
01:07:09,480 --> 01:07:10,240
Speaker 4: No you think he did.

1614
01:07:10,720 --> 01:07:12,160
Speaker 3: I really don't think Drake put his dick up.

1615
01:07:14,120 --> 01:07:16,440
Speaker 8: I think that check ain't clear from her company.

1616
01:07:16,960 --> 01:07:19,880
Speaker 1: I just want to stop saying Drake. I just want

1617
01:07:19,880 --> 01:07:20,640
Speaker 1: to stop saying that.

1618
01:07:21,120 --> 01:07:25,400
Speaker 3: Well, fair enough, I think there's maybe a world where Drake,

1619
01:07:26,640 --> 01:07:28,800
Speaker 3: you know, made a certain type of past to her.

1620
01:07:29,280 --> 01:07:30,520
Speaker 3: But I don't think that's why the.

1621
01:07:30,480 --> 01:07:32,200
Speaker 10: Check din' clear, meaning like she paid for that interview

1622
01:07:32,640 --> 01:07:34,600
Speaker 10: her company, the company she is signed.

1623
01:07:35,240 --> 01:07:37,919
Speaker 8: I wouldn't be surprised. I'm not saying that's I'm saying

1624
01:07:37,920 --> 01:07:38,480
Speaker 8: that I wouldn't.

1625
01:07:38,760 --> 01:07:40,400
Speaker 4: If you think that Drake sat down and did an

1626
01:07:40,400 --> 01:07:42,240
Speaker 4: interview and was supposed to be paid and didn't get

1627
01:07:42,280 --> 01:07:44,040
Speaker 4: cleared before he sat down, you're crazy.

1628
01:07:44,400 --> 01:07:46,680
Speaker 3: Well hold on, I'm not mad at the Marri's mistake.

1629
01:07:46,720 --> 01:07:49,040
Speaker 3: I could see a world where Drake owns that footage

1630
01:07:49,080 --> 01:07:53,080
Speaker 3: and Bobby doesn't Yeah, I can't, and has the ability

1631
01:07:53,120 --> 01:07:54,280
Speaker 3: to delete it when he wants to.

1632
01:07:55,120 --> 01:07:58,000
Speaker 4: Yeah, no, that but he wasn't paid for that interview.

1633
01:07:58,080 --> 01:08:00,640
Speaker 4: I don't think he was. No, but he I think.

1634
01:08:00,440 --> 01:08:02,320
Speaker 3: He owned it, has the ability to delete it.

1635
01:08:02,440 --> 01:08:04,600
Speaker 4: Yeah, I could see that. I think this is but

1636
01:08:04,680 --> 01:08:07,880
Speaker 4: the unfollowing of each other is where it's like gets

1637
01:08:07,920 --> 01:08:09,760
Speaker 4: a little person. It makes it feel like something happened.

1638
01:08:09,760 --> 01:08:11,640
Speaker 4: It's something personal there, like what happened?

1639
01:08:12,160 --> 01:08:13,880
Speaker 10: Well, if you if I have a Drake interview and

1640
01:08:14,040 --> 01:08:16,360
Speaker 10: you delete my Drake way more personally.

1641
01:08:16,200 --> 01:08:22,160
Speaker 8: I'm going to I don't know, I'm going to block you.

1642
01:08:22,160 --> 01:08:23,479
Speaker 3: You deleted a Drake interview.

1643
01:08:23,840 --> 01:08:26,960
Speaker 4: Yeah, this is well, I agree. I think even though

1644
01:08:26,960 --> 01:08:28,680
Speaker 4: it was on her page, I do think that he

1645
01:08:28,760 --> 01:08:31,880
Speaker 4: had full control over how long it stays up there,

1646
01:08:31,920 --> 01:08:35,639
Speaker 4: how long it lives on your YouTube page. But yeah,

1647
01:08:35,680 --> 01:08:39,200
Speaker 4: this was just an awkward story to hit the timline.

1648
01:08:39,240 --> 01:08:40,519
Speaker 4: I was like, Okay, well.

1649
01:08:40,439 --> 01:08:43,040
Speaker 5: She went to the show in LA, so she was there.

1650
01:08:43,840 --> 01:08:46,400
Speaker 1: She was like, that's what makes you kind of question

1651
01:08:46,520 --> 01:08:48,160
Speaker 1: is something.

1652
01:08:48,000 --> 01:08:50,439
Speaker 3: Just is this the new marketing? Because no matter what,

1653
01:08:50,439 --> 01:08:52,200
Speaker 3: this footage is gonna live forever. I'm sure you could

1654
01:08:52,240 --> 01:08:54,479
Speaker 3: YouTube right now and find the Drake and Bobby interview

1655
01:08:54,840 --> 01:08:57,400
Speaker 3: like views or views at this point. That's a good point.

1656
01:08:57,479 --> 01:09:00,200
Speaker 3: Is this a new way to keep, as we've called her,

1657
01:09:00,479 --> 01:09:04,519
Speaker 3: an industry plant popping when it already looks like the

1658
01:09:04,560 --> 01:09:05,040
Speaker 3: clock is on?

1659
01:09:05,760 --> 01:09:07,760
Speaker 4: Yeah, I don't think a lot of people.

1660
01:09:07,479 --> 01:09:10,719
Speaker 3: Were already getting tired of her interview style was funny before,

1661
01:09:10,800 --> 01:09:13,760
Speaker 3: but she pumped out a bunch of interviews already. For me,

1662
01:09:14,280 --> 01:09:15,800
Speaker 3: I think I.

1663
01:09:15,720 --> 01:09:16,360
Speaker 1: Think black people.

1664
01:09:16,360 --> 01:09:19,599
Speaker 2: I don't think it's gonna sound like I'm hating, so let's.

1665
01:09:19,400 --> 01:09:20,080
Speaker 1: Just get it out.

1666
01:09:20,720 --> 01:09:21,000
Speaker 4: I don't.

1667
01:09:21,000 --> 01:09:21,880
Speaker 1: I don't think she's funny.

1668
01:09:21,880 --> 01:09:24,000
Speaker 2: I think black people make her funny because I watched

1669
01:09:24,000 --> 01:09:25,639
Speaker 2: her Mark Cuban interview and it wasn't funny.

1670
01:09:26,479 --> 01:09:28,680
Speaker 3: You're saying that, I think the artist fake lack of

1671
01:09:28,720 --> 01:09:29,880
Speaker 3: knowledge and her the drive.

1672
01:09:29,960 --> 01:09:33,759
Speaker 2: I think the artists bring more character to the interview

1673
01:09:33,840 --> 01:09:34,439
Speaker 2: than she does.

1674
01:09:35,160 --> 01:09:35,840
Speaker 1: That's what I think.

1675
01:09:35,880 --> 01:09:38,519
Speaker 2: I think the artist that she sits down with bring

1676
01:09:38,520 --> 01:09:41,400
Speaker 2: more character, like you know, funny Marco, whoever he sits

1677
01:09:41,439 --> 01:09:44,000
Speaker 2: down what, it's gonna be fucking funny because he brings

1678
01:09:44,040 --> 01:09:46,800
Speaker 2: I think funny Marco, I think Yachty, I think Drake.

1679
01:09:46,880 --> 01:09:50,519
Speaker 2: I think they brought more character to those because I

1680
01:09:50,520 --> 01:09:52,759
Speaker 2: watched the Mark Cuban one and it it just wasn't funny.

1681
01:09:53,040 --> 01:09:55,880
Speaker 3: I'll be honest. The Yachty one was a little insufferable

1682
01:09:55,880 --> 01:09:58,160
Speaker 3: for me. Yeah, I enjoyed the Mark Keeping one more.

1683
01:09:59,360 --> 01:10:00,000
Speaker 1: It's interesting.

1684
01:10:00,640 --> 01:10:03,639
Speaker 4: I don't know, I don't know why they unfollow each

1685
01:10:03,680 --> 01:10:07,679
Speaker 4: other and then you know, more so the YouTube thing again,

1686
01:10:07,720 --> 01:10:10,320
Speaker 4: I could see Drake owning that it rights to that,

1687
01:10:10,360 --> 01:10:11,960
Speaker 4: like saying I can tell you when to take it

1688
01:10:12,000 --> 01:10:14,679
Speaker 4: down or whatever. I could see that, but unfollowing each

1689
01:10:14,720 --> 01:10:17,960
Speaker 4: other after going to the show and they left, Ovio

1690
01:10:18,040 --> 01:10:20,800
Speaker 4: left you tickets for the show. It's I don't know,

1691
01:10:20,840 --> 01:10:23,280
Speaker 4: it's a little weird. If this is some type of

1692
01:10:23,320 --> 01:10:27,800
Speaker 4: rollout for something else that they may have going on,

1693
01:10:28,240 --> 01:10:29,880
Speaker 4: I mean that we got to wait and see. But

1694
01:10:30,560 --> 01:10:32,439
Speaker 4: this is definitely like a little awkward.

1695
01:10:33,120 --> 01:10:34,920
Speaker 3: He did the same thing with it feels it feels

1696
01:10:34,960 --> 01:10:39,160
Speaker 3: intentional and this is a deeper market what's going on?

1697
01:10:39,240 --> 01:10:41,000
Speaker 4: Ice Price was different because they didn't work together.

1698
01:10:40,880 --> 01:10:43,559
Speaker 7: Yet, No, but it was the same circumstances like he

1699
01:10:43,760 --> 01:10:45,680
Speaker 7: she came to one of his shows or something like that,

1700
01:10:45,760 --> 01:10:49,720
Speaker 7: and after that incident, like after the show, they've un

1701
01:10:49,720 --> 01:10:53,040
Speaker 7: followed each other. Yeah, Like people are trying to picture

1702
01:10:53,120 --> 01:10:54,599
Speaker 7: make this some sort of pattern of his.

1703
01:10:55,479 --> 01:10:57,200
Speaker 4: Yeah, I mean, I guess I'll see what they trying

1704
01:10:57,200 --> 01:10:58,040
Speaker 4: to do with that. But this is.

1705
01:10:58,040 --> 01:11:01,559
Speaker 3: Award into the Internet better than any one with Planet Earth.

1706
01:11:01,640 --> 01:11:02,960
Speaker 5: Well offsets next, so.

1707
01:11:04,880 --> 01:11:08,960
Speaker 3: That the cameraman just happened to run into her. Well

1708
01:11:09,360 --> 01:11:11,639
Speaker 3: offset was shooting a video and then they just did

1709
01:11:11,720 --> 01:11:13,840
Speaker 3: what they did. They just did one for TikTok. It's

1710
01:11:13,880 --> 01:11:17,000
Speaker 3: so crazy how everyone just runs into each other like that. Yeah,

1711
01:11:17,040 --> 01:11:17,760
Speaker 3: how convenient.

1712
01:11:18,400 --> 01:11:18,559
Speaker 11: Uh.

1713
01:11:18,600 --> 01:11:21,240
Speaker 4: We do want to say rest in peace and condolences

1714
01:11:21,240 --> 01:11:25,920
Speaker 4: to the Avont family. Architect orchestrator of many, many huge

1715
01:11:25,920 --> 01:11:29,599
Speaker 4: deals in the culture and in the business. Uh, Clarence

1716
01:11:29,640 --> 01:11:34,120
Speaker 4: Avon passed away. You know, his wife tragically was taken

1717
01:11:34,120 --> 01:11:37,120
Speaker 4: from us years ago when it was a home intruder

1718
01:11:38,960 --> 01:11:41,040
Speaker 4: that had broken to the to the house and killed

1719
01:11:41,040 --> 01:11:45,960
Speaker 4: his wife. So he, Uh, the Avon family is again

1720
01:11:46,080 --> 01:11:50,120
Speaker 4: dealing with losing a loved one. So rest in peace

1721
01:11:50,400 --> 01:11:53,800
Speaker 4: and condolences to the Avont family. Clarence Avon. They call

1722
01:11:53,880 --> 01:11:55,640
Speaker 4: him the godfather of black music, but he you know,

1723
01:11:55,680 --> 01:11:58,040
Speaker 4: he was more than that. But you know, he he

1724
01:11:58,200 --> 01:12:00,680
Speaker 4: was the guy, he was the man behind and a

1725
01:12:00,720 --> 01:12:04,120
Speaker 4: lot of major, major people in Hollywood, major people in

1726
01:12:04,160 --> 01:12:07,600
Speaker 4: the culture. So rest in peace and prayers and condolences

1727
01:12:07,640 --> 01:12:08,519
Speaker 4: to the Avon family.

1728
01:12:08,600 --> 01:12:12,320
Speaker 3: For sure reason, I woke up very nervous today, Paul's

1729
01:12:13,080 --> 01:12:16,200
Speaker 3: let's tell you how I woke up because Barack Obama

1730
01:12:16,320 --> 01:12:22,360
Speaker 3: has a possible homo erotic letter and mals a Republican.

1731
01:12:22,760 --> 01:12:27,600
Speaker 3: So I was really nervous walking in today what we

1732
01:12:27,640 --> 01:12:30,679
Speaker 3: would talk about on this podcast. And I'm a little

1733
01:12:30,680 --> 01:12:32,120
Speaker 3: nervous to get into this topic. I can't.

1734
01:12:32,240 --> 01:12:35,360
Speaker 1: Yeah, yeah, I don't. I don't know.

1735
01:12:35,400 --> 01:12:38,720
Speaker 2: It's just from from when we read it earlier. It

1736
01:12:38,720 --> 01:12:41,960
Speaker 2: doesn't it doesn't. It doesn't feel like that. But I

1737
01:12:42,040 --> 01:12:43,360
Speaker 2: feel like I got to say pause after that.

1738
01:12:43,720 --> 01:12:46,400
Speaker 4: But this is bullshit?

1739
01:12:46,680 --> 01:12:46,840
Speaker 8: Why?

1740
01:12:48,840 --> 01:12:50,840
Speaker 3: I just think, because were you going to take the

1741
01:12:50,880 --> 01:12:53,000
Speaker 3: handity approach? I was very nervous, how we were gonna

1742
01:12:53,000 --> 01:12:53,320
Speaker 3: go there?

1743
01:12:53,400 --> 01:12:56,559
Speaker 4: No, Hannity, you know this is to me? Why? Why

1744
01:12:56,600 --> 01:12:57,680
Speaker 4: why is this coming out now?

1745
01:12:57,760 --> 01:12:58,640
Speaker 3: Is he transgender?

1746
01:12:58,760 --> 01:12:58,840
Speaker 4: Like?

1747
01:12:58,880 --> 01:12:59,360
Speaker 8: Do we know?

1748
01:12:59,560 --> 01:12:59,760
Speaker 1: Why?

1749
01:12:59,840 --> 01:12:59,920
Speaker 9: Is it?

1750
01:13:00,160 --> 01:13:04,000
Speaker 4: What they what they say his wife is is trans.

1751
01:13:03,080 --> 01:13:05,639
Speaker 1: That's what which is so insane.

1752
01:13:05,720 --> 01:13:08,040
Speaker 4: I'm just telling you. So, it's like this story of

1753
01:13:08,040 --> 01:13:10,680
Speaker 4: Obama writing a love letter or a letter to his

1754
01:13:10,760 --> 01:13:14,080
Speaker 4: ex girlfriend when he's twenty one years old. Why is

1755
01:13:14,120 --> 01:13:16,760
Speaker 4: this just coming out now? Why wasn't this news when

1756
01:13:16,760 --> 01:13:19,040
Speaker 4: he first decided he was gonna run.

1757
01:13:19,080 --> 01:13:20,120
Speaker 3: It's like his birth certificate.

1758
01:13:20,520 --> 01:13:22,639
Speaker 4: Yeah, but why wasn't this Why didn't we know about

1759
01:13:22,640 --> 01:13:23,320
Speaker 4: this back then?

1760
01:13:23,640 --> 01:13:24,760
Speaker 3: Why would we know about it?

1761
01:13:24,800 --> 01:13:28,200
Speaker 4: Why do we know about it now? Why he's not

1762
01:13:28,240 --> 01:13:30,120
Speaker 4: he's not even we don't even know what Obama is doing?

1763
01:13:30,080 --> 01:13:32,720
Speaker 4: And yeh literally, so it's like, now we know that

1764
01:13:33,080 --> 01:13:35,400
Speaker 4: he wrote a love letter or a letter to his

1765
01:13:35,479 --> 01:13:39,599
Speaker 4: ex girlfriend back in nineteen eighty two, and he says,

1766
01:13:39,640 --> 01:13:41,960
Speaker 4: in regard to homosexuality, I must say that I believe

1767
01:13:42,000 --> 01:13:43,880
Speaker 4: this is an attempt to remove myself from the present

1768
01:13:44,040 --> 01:13:44,360
Speaker 4: hold on.

1769
01:13:44,439 --> 01:13:46,920
Speaker 3: He whispered this to her like, let's not how to

1770
01:13:46,920 --> 01:13:48,920
Speaker 3: give it some sauce. That's the picture what you want

1771
01:13:48,960 --> 01:13:50,040
Speaker 3: me to whisper?

1772
01:13:50,080 --> 01:13:50,960
Speaker 4: This happen.

1773
01:13:51,160 --> 01:13:52,800
Speaker 3: This was a love letter. You can't just read it

1774
01:13:52,840 --> 01:13:53,800
Speaker 3: like it's the news.

1775
01:13:54,360 --> 01:13:55,599
Speaker 4: I'm reading this my love voice.

1776
01:13:56,200 --> 01:13:58,439
Speaker 1: Hey yoo.

1777
01:13:58,640 --> 01:13:59,840
Speaker 5: Yeah, that's why you're still saying.

1778
01:14:00,080 --> 01:14:02,760
Speaker 4: At least put like you know, yeah, in regard to

1779
01:14:02,760 --> 01:14:07,519
Speaker 4: her homosexuality, that's how I would say in regard to homosexuality. Anyway,

1780
01:14:07,600 --> 01:14:10,080
Speaker 4: I must say that I believe, like I was writing, Yeah,

1781
01:14:10,520 --> 01:14:12,240
Speaker 4: I must say that I believe this is an attempt

1782
01:14:12,280 --> 01:14:15,760
Speaker 4: to remove oneself from the present, a refusal, perhaps to

1783
01:14:15,800 --> 01:14:19,639
Speaker 4: perpetuate the endless farce of earthly life parts. You see,

1784
01:14:20,040 --> 01:14:23,400
Speaker 4: I make love to men daily, but in the imagination.

1785
01:14:24,400 --> 01:14:25,720
Speaker 4: So he had to clear that up, like he didn't

1786
01:14:25,760 --> 01:14:27,639
Speaker 4: want how to think that he really actively is doing

1787
01:14:27,640 --> 01:14:28,760
Speaker 4: that beautiful.

1788
01:14:28,320 --> 01:14:31,719
Speaker 3: Poetic way to say, I've thought about lam the homies cheeks.

1789
01:14:31,800 --> 01:14:33,680
Speaker 10: That's not really his point though, because if the more

1790
01:14:33,720 --> 01:14:35,639
Speaker 10: he goes into the letter, right, Julian, I don't.

1791
01:14:35,479 --> 01:14:37,760
Speaker 5: Know what he's saying, Roy, Roy, you read this part,

1792
01:14:38,360 --> 01:14:40,280
Speaker 5: come on, put the sauce on. It started my mind.

1793
01:14:40,680 --> 01:14:46,120
Speaker 4: Oh he's gonna struggle with that third. That's gonna kick

1794
01:14:46,200 --> 01:14:49,160
Speaker 4: his ass.

1795
01:14:49,760 --> 01:14:56,360
Speaker 12: My mind is Andrew collogists to a great close, and

1796
01:14:56,400 --> 01:15:00,439
Speaker 12: I hope to make it more so into I can

1797
01:15:00,479 --> 01:15:04,160
Speaker 12: think in terms of people, not women as opposed to men.

1798
01:15:04,280 --> 01:15:07,240
Speaker 3: I don't like he's in returning to the body. I

1799
01:15:07,280 --> 01:15:10,479
Speaker 3: see that I've been made a man, and physically in

1800
01:15:10,560 --> 01:15:16,719
Speaker 3: life I choose to accept miscongeniality.

1801
01:15:15,400 --> 01:15:18,080
Speaker 4: That's a great job.

1802
01:15:18,080 --> 01:15:19,400
Speaker 3: I got it, right, Yeah, you got it.

1803
01:15:20,400 --> 01:15:20,960
Speaker 4: I just don't know.

1804
01:15:21,080 --> 01:15:23,439
Speaker 3: It's just a nice poetic way to say, I'm fine

1805
01:15:23,439 --> 01:15:24,120
Speaker 3: with sucking dude.

1806
01:15:24,600 --> 01:15:27,000
Speaker 5: No, I think he was trying to it's pretty profound.

1807
01:15:27,160 --> 01:15:31,520
Speaker 3: Yeah, I think's break it up. I don't even understand.

1808
01:15:31,800 --> 01:15:35,439
Speaker 10: He literally said that he's trying to think in terms

1809
01:15:35,439 --> 01:15:37,639
Speaker 10: of people, not men and women.

1810
01:15:38,000 --> 01:15:38,960
Speaker 8: Right, so he's he.

1811
01:15:39,040 --> 01:15:40,639
Speaker 3: Was on some whole this gender ex fluent.

1812
01:15:41,960 --> 01:15:43,400
Speaker 8: You know what I'm saying, like he was trying do

1813
01:15:43,439 --> 01:15:43,840
Speaker 8: you really?

1814
01:15:44,000 --> 01:15:44,719
Speaker 1: I do? I understand?

1815
01:15:44,840 --> 01:15:47,559
Speaker 3: All right, you just want to make his playlosk.

1816
01:15:47,600 --> 01:15:47,880
Speaker 1: I didn't.

1817
01:15:47,920 --> 01:15:48,519
Speaker 3: I didn't get it.

1818
01:15:48,520 --> 01:15:51,200
Speaker 2: Now Now he's trying to trying to break himself. Oh,

1819
01:15:51,320 --> 01:15:53,200
Speaker 2: he's trying to enter the day world.

1820
01:15:53,720 --> 01:16:02,559
Speaker 4: No believe this was written androgn this and I don't

1821
01:16:02,560 --> 01:16:04,120
Speaker 4: think that word existed in nineteen eighty two.

1822
01:16:04,320 --> 01:16:06,240
Speaker 3: I called bullshit. I don't think that this was written

1823
01:16:06,240 --> 01:16:06,920
Speaker 3: in nineteen eight.

1824
01:16:06,840 --> 01:16:08,400
Speaker 4: That's what I'm saying. This is this is a bush.

1825
01:16:08,520 --> 01:16:10,920
Speaker 4: And did y'all see now though now some guy this is.

1826
01:16:10,880 --> 01:16:13,640
Speaker 3: The locks news place they're gonna take this was this

1827
01:16:13,760 --> 01:16:15,800
Speaker 3: was right yesterday, and this was trying to make him

1828
01:16:15,800 --> 01:16:16,200
Speaker 3: look like.

1829
01:16:16,479 --> 01:16:18,200
Speaker 4: And did y'all see that the guy that came forward

1830
01:16:18,280 --> 01:16:21,120
Speaker 4: that said he performed Obama.

1831
01:16:20,800 --> 01:16:21,920
Speaker 5: He's blowing him in the cars.

1832
01:16:22,240 --> 01:16:24,200
Speaker 1: But he his capped though, because like.

1833
01:16:24,400 --> 01:16:26,920
Speaker 4: Big Cap, I'm just like, what if Obama was to

1834
01:16:26,920 --> 01:16:29,639
Speaker 4: get ahead, it wouldn't be I didn't see the gentleman.

1835
01:16:29,720 --> 01:16:33,519
Speaker 4: I see the guy Obama.

1836
01:16:33,880 --> 01:16:35,960
Speaker 3: I already feel your point. I'm ready to see the gentleman.

1837
01:16:36,120 --> 01:16:37,000
Speaker 8: You don't think he fired.

1838
01:16:37,800 --> 01:16:41,960
Speaker 3: I'm just saying, like, who are you that? Like Obama?

1839
01:16:42,000 --> 01:16:44,400
Speaker 4: I think this is all bullshit. I just don't my thing.

1840
01:16:44,920 --> 01:16:47,599
Speaker 4: Why why are we getting this now? Like, what's what's

1841
01:16:47,680 --> 01:16:50,320
Speaker 4: what's what's happening, what's coming up us?

1842
01:16:51,200 --> 01:16:53,880
Speaker 3: Because it's looking real scary for Biden. So, I mean

1843
01:16:54,000 --> 01:16:56,400
Speaker 3: Obama i't the Democrat.

1844
01:16:56,479 --> 01:16:58,439
Speaker 4: I mean, Biden is facing a lot of ship right now.

1845
01:16:58,520 --> 01:17:00,679
Speaker 4: Is this another that's not his type?

1846
01:17:01,400 --> 01:17:02,840
Speaker 3: That guy? That's what I'm trying to say.

1847
01:17:02,840 --> 01:17:04,680
Speaker 1: We fluorescing, But he looks like that.

1848
01:17:04,800 --> 01:17:08,040
Speaker 3: Now, man, I don't care what he's like. Obama would

1849
01:17:08,080 --> 01:17:10,679
Speaker 3: only dude that took care of himself this later in life.

1850
01:17:10,520 --> 01:17:13,920
Speaker 4: And this and this guy is running for mayor Florida.

1851
01:17:14,080 --> 01:17:17,559
Speaker 3: Ship the whole he's been the mayor of the whole state,

1852
01:17:17,720 --> 01:17:18,120
Speaker 3: the whole.

1853
01:17:18,000 --> 01:17:18,799
Speaker 1: State of Florida.

1854
01:17:18,840 --> 01:17:22,759
Speaker 5: The mayor of Florida, Who's.

1855
01:17:23,960 --> 01:17:27,639
Speaker 2: I'm blanking on his name, who's the actor from Terrence Howard.

1856
01:17:28,120 --> 01:17:30,000
Speaker 2: That's a guy that I could see if Terrence Howard

1857
01:17:30,000 --> 01:17:30,840
Speaker 2: said that, I'd be like.

1858
01:17:30,880 --> 01:17:32,559
Speaker 3: It's weird that you were met for a while while

1859
01:17:32,840 --> 01:17:35,400
Speaker 3: thinking that you don't.

1860
01:17:35,240 --> 01:17:36,800
Speaker 4: Have that's not that's not. I don't, I don't.

1861
01:17:36,880 --> 01:17:39,360
Speaker 2: I don't get into that, but I would. I would

1862
01:17:39,400 --> 01:17:40,439
Speaker 2: believe Terrence Howard.

1863
01:17:40,760 --> 01:17:42,280
Speaker 4: Dam yeah, Terryce Howard jacket.

1864
01:17:42,280 --> 01:17:43,920
Speaker 3: He seems your men.

1865
01:17:46,040 --> 01:17:46,479
Speaker 5: Williams.

1866
01:17:47,520 --> 01:17:49,160
Speaker 4: Men are afraid to say that not gay? Like you

1867
01:17:49,160 --> 01:17:51,000
Speaker 4: see how reason did he want to say he's not gay?

1868
01:17:51,600 --> 01:17:52,400
Speaker 3: I don't get into that.

1869
01:17:52,720 --> 01:17:53,200
Speaker 4: What's that?

1870
01:17:53,720 --> 01:17:53,760
Speaker 9: What?

1871
01:17:54,720 --> 01:17:57,439
Speaker 4: Men don't even want to say. You don't get men

1872
01:17:57,479 --> 01:17:59,479
Speaker 4: don't even want to say, yo, I'm not gay like

1873
01:18:00,040 --> 01:18:02,160
Speaker 4: you feel like we can't even say I didn't say

1874
01:18:02,160 --> 01:18:05,320
Speaker 4: that that you can't say, you can't say you know

1875
01:18:05,400 --> 01:18:06,920
Speaker 4: you're not game say.

1876
01:18:06,960 --> 01:18:07,720
Speaker 1: I don't get into that.

1877
01:18:07,840 --> 01:18:12,360
Speaker 3: Unfortunately, I'm not of the better sexual preference exactly. The

1878
01:18:12,439 --> 01:18:13,200
Speaker 3: lesson of that.

1879
01:18:13,160 --> 01:18:20,680
Speaker 4: Is heteral population. I'm not getting that keeps the population.

1880
01:18:21,960 --> 01:18:22,720
Speaker 3: We allowed to say that.

1881
01:18:22,760 --> 01:18:23,400
Speaker 8: I'm sorry.

1882
01:18:24,920 --> 01:18:28,040
Speaker 3: Hitted that out. I told the truth, but I mean

1883
01:18:29,000 --> 01:18:29,519
Speaker 3: I've learned.

1884
01:18:29,760 --> 01:18:33,000
Speaker 1: But you know, the truth does not always get you.

1885
01:18:33,439 --> 01:18:35,880
Speaker 4: It's not it's not always a good thing. I think

1886
01:18:35,880 --> 01:18:37,679
Speaker 4: this is cap I just don't know why we're getting

1887
01:18:37,680 --> 01:18:38,599
Speaker 4: this bullshit story.

1888
01:18:39,439 --> 01:18:40,720
Speaker 1: We just got to pay attention to.

1889
01:18:40,920 --> 01:18:42,280
Speaker 4: You, got it, You got to pay it to utiful.

1890
01:18:42,600 --> 01:18:44,720
Speaker 4: They'll throw it out there and to try to take

1891
01:18:44,760 --> 01:18:47,519
Speaker 4: our attention away from something and then we'll we'll end

1892
01:18:47,600 --> 01:18:49,439
Speaker 4: up finding out what happens on a week from this.

1893
01:18:49,520 --> 01:18:53,720
Speaker 4: We like more if it is true, because of course

1894
01:18:53,720 --> 01:18:55,880
Speaker 4: it aligns with your your choice of lifestyle. What's the

1895
01:18:55,960 --> 01:19:00,599
Speaker 4: choice of life? Lifestyle is it is.

1896
01:19:00,560 --> 01:19:03,439
Speaker 3: A little homophobic if you look at them, because he

1897
01:19:03,560 --> 01:19:06,080
Speaker 3: was just in his mind when he took the shrooms,

1898
01:19:06,080 --> 01:19:09,000
Speaker 3: he went to go fuck the dudes. But in returning

1899
01:19:09,040 --> 01:19:10,639
Speaker 3: to the body, I see that I have been made

1900
01:19:10,640 --> 01:19:12,880
Speaker 3: a man. He's thinking men can't fuck men. That's just

1901
01:19:12,920 --> 01:19:15,599
Speaker 3: not so. He's no, it's not even just a little

1902
01:19:15,600 --> 01:19:16,080
Speaker 3: home of fan.

1903
01:19:16,600 --> 01:19:18,880
Speaker 10: He probably when he says I've been made a man,

1904
01:19:18,960 --> 01:19:21,439
Speaker 10: he's not just talking about body wise. He's also talking

1905
01:19:21,439 --> 01:19:23,360
Speaker 10: about mentally too. I've been made a man. I'm not

1906
01:19:23,400 --> 01:19:25,920
Speaker 10: attracted to men like this isn't what I am. But

1907
01:19:25,960 --> 01:19:28,599
Speaker 10: I am trying to think of people in an androg

1908
01:19:28,640 --> 01:19:30,160
Speaker 10: to sway, and I can do that in my brain

1909
01:19:30,240 --> 01:19:33,280
Speaker 10: in reality, I can't do that because even my hormones

1910
01:19:33,320 --> 01:19:35,200
Speaker 10: and my mind won't go through it.

1911
01:19:35,360 --> 01:19:37,519
Speaker 4: Man, Obama was off the end of cook Man. Just say,

1912
01:19:37,560 --> 01:19:40,080
Speaker 4: you smoke that ship and you wrote a letter man,

1913
01:19:40,160 --> 01:19:41,400
Speaker 4: and you know it is what it is.

1914
01:19:41,439 --> 01:19:43,000
Speaker 8: So you think about you have sex with many of

1915
01:19:43,000 --> 01:19:44,200
Speaker 8: your dreams when you're smoking.

1916
01:19:43,960 --> 01:19:50,000
Speaker 3: The cook who his handwriting looks really good, I smokes, that's.

1917
01:19:51,560 --> 01:19:52,040
Speaker 8: Straight man.

1918
01:19:52,120 --> 01:19:52,439
Speaker 3: Straight.

1919
01:19:54,080 --> 01:19:57,280
Speaker 4: I have never thought about, never thought about having sex

1920
01:19:57,320 --> 01:19:57,720
Speaker 4: with a man.

1921
01:19:58,040 --> 01:19:59,880
Speaker 8: I'm just said we did that to you. I didn't

1922
01:19:59,920 --> 01:20:00,439
Speaker 8: know he did that.

1923
01:20:00,479 --> 01:20:02,800
Speaker 4: No, I'm just saying Obama just he was high. He

1924
01:20:03,439 --> 01:20:05,160
Speaker 4: was eighty two. It was ship. They was doing all

1925
01:20:05,240 --> 01:20:05,639
Speaker 4: kind of shit.

1926
01:20:05,840 --> 01:20:07,599
Speaker 1: Yeah, we don't take it written in eighty two.

1927
01:20:08,120 --> 01:20:08,920
Speaker 4: I don't think that was written.

1928
01:20:09,200 --> 01:20:10,000
Speaker 1: Photo. I don't.

1929
01:20:10,479 --> 01:20:11,960
Speaker 4: Oh you know that that makes it legit?

1930
01:20:12,080 --> 01:20:14,479
Speaker 3: Yes, hey, look they got the paper arts. No, that's

1931
01:20:14,520 --> 01:20:17,800
Speaker 3: what it looks like photo photo from nineteen eighty.

1932
01:20:17,880 --> 01:20:21,439
Speaker 2: When you when you type in a letter from nineteen

1933
01:20:21,479 --> 01:20:24,320
Speaker 2: eighty two about having a sexual man, this is what.

1934
01:20:24,840 --> 01:20:27,120
Speaker 3: If I emailed it each right now and said, hey,

1935
01:20:27,200 --> 01:20:29,920
Speaker 3: we need a letter for artwork from nineteen eighty it

1936
01:20:29,920 --> 01:20:31,559
Speaker 3: would look just like it would.

1937
01:20:31,360 --> 01:20:32,599
Speaker 4: Look like it would be actually be there.

1938
01:20:32,680 --> 01:20:35,559
Speaker 3: You think of his girlfriend at the time that we

1939
01:20:35,600 --> 01:20:39,120
Speaker 3: don't take into consideration people that run for office, and

1940
01:20:39,160 --> 01:20:41,920
Speaker 3: the fear they must have of just exces for sure,

1941
01:20:42,040 --> 01:20:44,080
Speaker 3: that's got to be terrifying. You know.

1942
01:20:44,479 --> 01:20:46,839
Speaker 4: Yeah, I can only imagine if I ran for office.

1943
01:20:47,560 --> 01:20:49,479
Speaker 4: We heard the album you can't.

1944
01:20:49,840 --> 01:20:52,559
Speaker 3: Yeah, they put up much slowed down.

1945
01:20:52,640 --> 01:20:53,800
Speaker 4: My campaign will be over there.

1946
01:20:53,800 --> 01:20:55,879
Speaker 3: So my opponent is into gangship?

1947
01:20:58,080 --> 01:20:58,640
Speaker 4: Is this who you.

1948
01:20:58,640 --> 01:20:59,479
Speaker 3: Want to vote for us?

1949
01:21:00,280 --> 01:21:03,439
Speaker 4: Yeah? You got too much audio shit out there that

1950
01:21:03,479 --> 01:21:04,440
Speaker 4: first day.

1951
01:21:04,479 --> 01:21:06,760
Speaker 3: I think it's probably gonna backfire the way the Democrats

1952
01:21:06,760 --> 01:21:09,000
Speaker 3: think it's going to, Because if this is fake, I

1953
01:21:09,040 --> 01:21:11,559
Speaker 3: do think the Democrats are the ones that concocted it.

1954
01:21:11,640 --> 01:21:12,360
Speaker 3: No pun intended.

1955
01:21:13,600 --> 01:21:14,920
Speaker 4: This is gonna Do.

1956
01:21:14,920 --> 01:21:16,439
Speaker 5: You think the Democrats this?

1957
01:21:16,600 --> 01:21:16,880
Speaker 1: Yes?

1958
01:21:17,080 --> 01:21:17,439
Speaker 5: Why?

1959
01:21:18,080 --> 01:21:20,800
Speaker 3: Because this makes Obama look like the greatest day human

1960
01:21:20,840 --> 01:21:21,400
Speaker 3: being of all time?

1961
01:21:21,439 --> 01:21:21,720
Speaker 1: Does it?

1962
01:21:21,760 --> 01:21:22,000
Speaker 5: Really?

1963
01:21:22,040 --> 01:21:24,680
Speaker 4: It doesn't, And it takes away from the fact that

1964
01:21:24,800 --> 01:21:27,040
Speaker 4: Biden is facing impeachment soon.

1965
01:21:28,479 --> 01:21:31,519
Speaker 5: I'll come on your man indicted for like the fifteen times?

1966
01:21:31,520 --> 01:21:34,200
Speaker 4: Okay, why the day after? When when does that come

1967
01:21:34,240 --> 01:21:36,760
Speaker 4: out the day after some ship about Biden came out

1968
01:21:37,040 --> 01:21:37,519
Speaker 4: right or wrong?

1969
01:21:37,920 --> 01:21:39,320
Speaker 3: Hey, the person that sits in the middle of no

1970
01:21:39,400 --> 01:21:43,720
Speaker 3: pun intended here. I indict Biden, indict Trump, indict all

1971
01:21:43,720 --> 01:21:44,960
Speaker 3: of them. There are indictments.

1972
01:21:46,320 --> 01:21:48,720
Speaker 4: How you indict somebody four times and nothing.

1973
01:21:48,400 --> 01:21:50,479
Speaker 5: Sticks because he's wealthy enough.

1974
01:21:51,360 --> 01:21:55,840
Speaker 4: He's yeah, yeah, I know, no, No, got it so good,

1975
01:21:55,880 --> 01:21:58,080
Speaker 4: and you know, like politics, Yeah, I got it so good.

1976
01:21:58,920 --> 01:22:00,479
Speaker 4: But I don't think this is I don't think this

1977
01:22:00,520 --> 01:22:02,240
Speaker 4: is real tho. I think this is bullshit. I called

1978
01:22:02,280 --> 01:22:05,400
Speaker 4: bullshit calling it early. We have a section on the

1979
01:22:05,439 --> 01:22:10,480
Speaker 4: show now voicemails will take some questions from our listeners

1980
01:22:10,520 --> 01:22:13,320
Speaker 4: and our supporters. So we're gonna take some with you

1981
01:22:13,439 --> 01:22:15,839
Speaker 4: so we can all kind of give people to our listeners.

1982
01:22:15,840 --> 01:22:17,960
Speaker 4: For some reason, they want a relationship advice from us.

1983
01:22:18,520 --> 01:22:20,439
Speaker 4: I don't know why, but fuck it, let's do it.

1984
01:22:21,040 --> 01:22:24,160
Speaker 4: So we're gonna take some voicemails now and try to

1985
01:22:24,200 --> 01:22:26,160
Speaker 4: give some advice to some people on some relationship.

1986
01:22:26,240 --> 01:22:27,479
Speaker 1: Be with that.

1987
01:22:28,160 --> 01:22:30,559
Speaker 5: Well, I guess we'll start with relationship man. Why not?

1988
01:22:32,640 --> 01:22:36,080
Speaker 11: What's going on, y'all? This is Austin calling out of Houston, Texas.

1989
01:22:36,760 --> 01:22:40,080
Speaker 11: Rory Maul, Julian Eden Demarison, you me. Hope y'all having

1990
01:22:40,120 --> 01:22:42,960
Speaker 11: a blessed one. I appreciate y'all taking time to hear

1991
01:22:43,000 --> 01:22:46,800
Speaker 11: me out. I've been in this long distance relationship for

1992
01:22:46,840 --> 01:22:51,000
Speaker 11: the past seven eight months. My girls actually pregnant, coming

1993
01:22:51,040 --> 01:22:54,760
Speaker 11: out of her first trimester, my first kid, her first kid,

1994
01:22:55,280 --> 01:22:59,519
Speaker 11: both our parents first grandchild. You know, everybody's tappy and excited.

1995
01:23:00,360 --> 01:23:04,000
Speaker 11: Only issue is that I have some people suggesting I

1996
01:23:04,000 --> 01:23:07,080
Speaker 11: get a fraternity test. And the people suggesting this are

1997
01:23:07,080 --> 01:23:10,280
Speaker 11: a woman, my mom and a few of my female

1998
01:23:10,280 --> 01:23:12,320
Speaker 11: friends have you know, said hey, just to make sure,

1999
01:23:13,080 --> 01:23:14,719
Speaker 11: you know, be safe. You don't want to raise somebody

2000
01:23:14,760 --> 01:23:17,840
Speaker 11: else's kids for the next eighteen years. All that good ship,

2001
01:23:18,200 --> 01:23:20,599
Speaker 11: which I understand. But at the same time, I trust

2002
01:23:20,640 --> 01:23:22,840
Speaker 11: my partner and I have no reason to believe she's

2003
01:23:22,840 --> 01:23:28,640
Speaker 11: been unfaithful. But because of those suggestions, they kind of

2004
01:23:28,640 --> 01:23:30,760
Speaker 11: did put some negative thoughts in my head. You know,

2005
01:23:30,880 --> 01:23:32,679
Speaker 11: I do know that adults and people in.

2006
01:23:32,560 --> 01:23:34,720
Speaker 5: General, he's going through.

2007
01:23:35,600 --> 01:23:37,639
Speaker 3: People never tell people.

2008
01:23:38,800 --> 01:23:42,160
Speaker 11: I understand you, but I don't want to do this

2009
01:23:42,400 --> 01:23:44,120
Speaker 11: and then fuck up the trust that I have with

2010
01:23:44,160 --> 01:23:48,400
Speaker 11: my partner. So I'm kind of suck right now. I

2011
01:23:48,439 --> 01:23:51,519
Speaker 11: was just hoping y'all had to have some words of wisdom.

2012
01:23:52,360 --> 01:23:55,639
Speaker 1: Appreciate y'all damn all right, So.

2013
01:23:57,720 --> 01:23:59,559
Speaker 4: I'm not gonna lie like, I don't laugh.

2014
01:24:00,280 --> 01:24:02,640
Speaker 1: He sounds like he sounds like he going through it.

2015
01:24:02,720 --> 01:24:05,559
Speaker 4: No, but he also sounds like such a nice guy.

2016
01:24:05,880 --> 01:24:08,600
Speaker 4: He sounds like a nice guy. He sounds like he

2017
01:24:08,640 --> 01:24:15,040
Speaker 4: loves logic. He just sounds like he sounds like. If

2018
01:24:15,080 --> 01:24:17,599
Speaker 4: you're I'm a firm believe with this. If your mom

2019
01:24:17,880 --> 01:24:20,240
Speaker 4: and sisters and all all of the women in your

2020
01:24:20,280 --> 01:24:23,800
Speaker 4: life that love you on a different level are suggesting

2021
01:24:24,560 --> 01:24:28,679
Speaker 4: that you take a paternity test, it's because they kind

2022
01:24:28,720 --> 01:24:31,840
Speaker 4: of read something that he may be skipping over.

2023
01:24:32,240 --> 01:24:35,840
Speaker 3: Yeah, and if it's if it's yours, then no harm,

2024
01:24:35,880 --> 01:24:38,280
Speaker 3: no foul, Like, just burn the ship and pretend like

2025
01:24:38,320 --> 01:24:40,400
Speaker 3: you never went to go get a praternity test. That's

2026
01:24:40,400 --> 01:24:42,720
Speaker 3: what if it ends up being your kid, So don't

2027
01:24:42,760 --> 01:24:45,280
Speaker 3: offend your girls, Like, you know, I swap a little

2028
01:24:45,280 --> 01:24:46,320
Speaker 3: baby's mouth and.

2029
01:24:47,840 --> 01:24:50,840
Speaker 4: Any test and she don't know, you don't know, Oh no,

2030
01:24:51,000 --> 01:24:52,320
Speaker 4: that's crazy.

2031
01:24:53,439 --> 01:24:55,639
Speaker 3: If she knows, If she knows, lose, lose.

2032
01:24:56,080 --> 01:24:56,280
Speaker 1: Yeah.

2033
01:24:56,560 --> 01:24:58,559
Speaker 3: If if I go take one and tell her and

2034
01:24:58,560 --> 01:25:02,640
Speaker 3: it's my kid, our relationship is fucked forever. If I

2035
01:25:02,720 --> 01:25:04,840
Speaker 3: go and find out that it's not my kid, then

2036
01:25:04,840 --> 01:25:07,400
Speaker 3: that's a whole other separate issue. But there's the one

2037
01:25:07,439 --> 01:25:10,439
Speaker 3: factor of just secretly doing it to find out and

2038
01:25:10,479 --> 01:25:13,120
Speaker 3: if it's your kid, pretend like it never fucking happened

2039
01:25:13,160 --> 01:25:14,120
Speaker 3: and move on with your life.

2040
01:25:14,160 --> 01:25:16,560
Speaker 1: It's a risk versus reward to me, like it's a

2041
01:25:16,600 --> 01:25:17,040
Speaker 1: low risk.

2042
01:25:17,120 --> 01:25:18,120
Speaker 3: The other side is lose loose.

2043
01:25:18,160 --> 01:25:21,719
Speaker 2: It's so easy to do it, like secretly without her knowing,

2044
01:25:21,760 --> 01:25:24,400
Speaker 2: Like women leave hair everywhere, to brush out everything, Like

2045
01:25:24,400 --> 01:25:26,000
Speaker 2: it's so easy to do that. You just swap the

2046
01:25:26,000 --> 01:25:27,599
Speaker 2: base mouth, you go and get the paternity tests.

2047
01:25:27,680 --> 01:25:28,799
Speaker 1: Okay, so it's not yours.

2048
01:25:28,880 --> 01:25:29,640
Speaker 4: He sneaks it in.

2049
01:25:29,840 --> 01:25:31,600
Speaker 3: Right, Let's say he finds out it's not his, what

2050
01:25:31,680 --> 01:25:32,080
Speaker 3: does he do?

2051
01:25:32,640 --> 01:25:32,880
Speaker 5: Leave?

2052
01:25:33,040 --> 01:25:33,519
Speaker 4: You leave?

2053
01:25:33,680 --> 01:25:35,760
Speaker 3: Yeah? And at that point, at that point, I don't

2054
01:25:35,760 --> 01:25:38,640
Speaker 3: want to hear by now ex girl say like, how

2055
01:25:38,640 --> 01:25:39,639
Speaker 3: could you get a paternal ex tests?

2056
01:25:39,640 --> 01:25:41,040
Speaker 1: And I'll tell me how could you have a kid?

2057
01:25:41,080 --> 01:25:43,760
Speaker 3: That's my mind. At that point, it doesn't.

2058
01:25:43,479 --> 01:25:47,120
Speaker 5: Matter, that's a that's a problem.

2059
01:25:49,040 --> 01:25:51,639
Speaker 3: I briefly told this story on a few pods ago.

2060
01:25:51,880 --> 01:25:54,880
Speaker 3: I had a frat brother that we all thought that

2061
01:25:55,120 --> 01:25:57,960
Speaker 3: his daughter was not his, and like we sat him down,

2062
01:25:57,960 --> 01:26:01,920
Speaker 3: which was an extremely difficult station because you know, he

2063
01:26:02,479 --> 01:26:04,760
Speaker 3: really loved his daughter and like as they why did

2064
01:26:04,840 --> 01:26:05,439
Speaker 3: you not think.

2065
01:26:05,280 --> 01:26:05,920
Speaker 5: It was how long?

2066
01:26:06,160 --> 01:26:09,080
Speaker 3: In the beginning, we were like, oh, you know, babies

2067
01:26:09,080 --> 01:26:15,160
Speaker 3: get darker, Like, I'm just being honest, I'm being honest.

2068
01:26:15,160 --> 01:26:16,720
Speaker 4: I'm sorry. You said, look at the top of the ears,

2069
01:26:16,760 --> 01:26:17,799
Speaker 4: that's going to be the complaxion.

2070
01:26:19,000 --> 01:26:22,840
Speaker 3: So we were like, you know, babies get darker. Get happened, Yeah,

2071
01:26:22,880 --> 01:26:26,679
Speaker 3: And then as time went the baby didn't get darker,

2072
01:26:26,840 --> 01:26:30,400
Speaker 3: but then got lighter, but then also like didn't really

2073
01:26:30,400 --> 01:26:33,320
Speaker 3: look like him either. So as his friends, we had

2074
01:26:33,320 --> 01:26:35,200
Speaker 3: to sit him there with like, yo, I just feel

2075
01:26:35,280 --> 01:26:38,240
Speaker 3: like you probably should and if you love this kid,

2076
01:26:38,240 --> 01:26:41,240
Speaker 3: that's your decision to make. Like whatever we like, we

2077
01:26:41,280 --> 01:26:43,280
Speaker 3: would not be your friends if we did. We didn't

2078
01:26:43,280 --> 01:26:46,000
Speaker 3: have that conversation with and he got the paternity to us,

2079
01:26:46,040 --> 01:26:50,080
Speaker 3: brought it back and it was child there is if

2080
01:26:50,080 --> 01:26:51,000
Speaker 3: your kid doesn't look.

2081
01:26:50,880 --> 01:26:51,559
Speaker 1: Like you, I've seen it.

2082
01:26:51,600 --> 01:26:52,920
Speaker 2: On the other end, I got a hommy that he

2083
01:26:52,960 --> 01:26:55,240
Speaker 2: found out it wasn't his after like years of it.

2084
01:26:55,280 --> 01:26:57,760
Speaker 2: And that's why I say it's risk versus reward. Like

2085
01:26:57,800 --> 01:27:00,280
Speaker 2: I saw what happened to him, I'm like, I don't

2086
01:27:00,320 --> 01:27:02,880
Speaker 2: wish that on. No, man, go secretly get the test.

2087
01:27:03,400 --> 01:27:07,960
Speaker 4: I know, I know somebody that has is married as

2088
01:27:08,000 --> 01:27:11,640
Speaker 4: a kid with a woman and everybody feels like the

2089
01:27:11,720 --> 01:27:14,240
Speaker 4: kid isn't his and they've told him, yo, you should

2090
01:27:14,240 --> 01:27:16,920
Speaker 4: get a return. And his response was, I don't want

2091
01:27:16,960 --> 01:27:18,400
Speaker 4: to know even if it's not mine, I don't.

2092
01:27:18,400 --> 01:27:19,000
Speaker 3: I respect that.

2093
01:27:19,400 --> 01:27:25,480
Speaker 10: I don't but respect that kid.

2094
01:27:25,920 --> 01:27:29,920
Speaker 4: He's older than that now, he's like probably fourteen, but

2095
01:27:30,000 --> 01:27:31,160
Speaker 4: this was years ago.

2096
01:27:31,240 --> 01:27:33,120
Speaker 1: This is when the kid was a kid when that happened, though,

2097
01:27:33,160 --> 01:27:34,719
Speaker 1: like four, Ship.

2098
01:27:36,800 --> 01:27:38,280
Speaker 3: Went to college with for four years. That I don't

2099
01:27:38,280 --> 01:27:39,400
Speaker 3: talk to. I don't need to talk to a kid

2100
01:27:39,439 --> 01:27:42,200
Speaker 3: that's min Yeah, you know what I'm saying.

2101
01:27:43,240 --> 01:27:44,720
Speaker 1: At four, I don't want to know. But I think

2102
01:27:45,080 --> 01:27:46,120
Speaker 1: two and a half, I.

2103
01:27:46,080 --> 01:27:48,240
Speaker 4: Think that he knows. I think that he knows it's

2104
01:27:48,280 --> 01:27:49,920
Speaker 4: not his kid. That's why he doesn't want to get

2105
01:27:49,920 --> 01:27:52,400
Speaker 4: a chance. Yeah, I feel like, you know, that's probably true.

2106
01:27:52,520 --> 01:27:56,000
Speaker 2: If he knows deep down in his heart, then yeah,

2107
01:27:56,040 --> 01:27:57,759
Speaker 2: it is kind of hard to respect that because it's like, nigga,

2108
01:27:57,760 --> 01:27:59,200
Speaker 2: stand up for yourself, you know what I mean, But

2109
01:27:59,240 --> 01:28:01,960
Speaker 2: if you just genuinely don't seriously, but it's like if

2110
01:28:02,000 --> 01:28:05,519
Speaker 2: you just genuinely don't know and the kid is four

2111
01:28:05,520 --> 01:28:06,360
Speaker 2: and five.

2112
01:28:06,360 --> 01:28:08,080
Speaker 1: Like that's tough, bro.

2113
01:28:08,360 --> 01:28:11,800
Speaker 3: Yeah, I gotta know my situation would be the most

2114
01:28:11,840 --> 01:28:15,200
Speaker 3: devastating because as everyone has seen my daughter, we looked

2115
01:28:15,200 --> 01:28:20,479
Speaker 3: fucking identical. Imagine if that wasn't my kid, because now

2116
01:28:20,479 --> 01:28:21,600
Speaker 3: I have to deal with that, then I also have

2117
01:28:21,640 --> 01:28:25,120
Speaker 3: to deal with shorty fucking looking personally.

2118
01:28:27,600 --> 01:28:34,400
Speaker 4: You didn't cheat at least at least like where was Canlo?

2119
01:28:36,880 --> 01:28:39,839
Speaker 4: Where was he that I knew he was in Vegas?

2120
01:28:39,880 --> 01:28:40,639
Speaker 4: She was in Vegas?

2121
01:28:41,240 --> 01:28:42,840
Speaker 3: That would be a matter of fact. We should go

2122
01:28:42,840 --> 01:28:45,840
Speaker 3: to me and write that movie you want to have,

2123
01:28:46,479 --> 01:28:49,760
Speaker 3: Like just imagine your daughter looking fucking identical to you

2124
01:28:50,320 --> 01:28:55,320
Speaker 3: and finding out that it's literally why did she watching cheat?

2125
01:28:55,600 --> 01:28:59,080
Speaker 4: That would be sick. Well, I guess the advice would be.

2126
01:29:00,640 --> 01:29:01,400
Speaker 1: Sneak and have the.

2127
01:29:02,160 --> 01:29:05,040
Speaker 4: Getting the paternity test. Man, you have to like, there's

2128
01:29:05,080 --> 01:29:07,240
Speaker 4: a reason why your mom and older women in your

2129
01:29:07,280 --> 01:29:09,880
Speaker 4: life are telling you to get a paternity.

2130
01:29:09,600 --> 01:29:11,960
Speaker 10: We're only doing that because it's long distance. That's the

2131
01:29:12,000 --> 01:29:13,000
Speaker 10: only reason why you.

2132
01:29:12,920 --> 01:29:15,080
Speaker 4: Don't know that that he just said it. Know they

2133
01:29:15,120 --> 01:29:16,639
Speaker 4: have a long distance relate, but you don't know that's

2134
01:29:16,640 --> 01:29:18,040
Speaker 4: the only reason they're telling him to do that.

2135
01:29:18,080 --> 01:29:18,759
Speaker 5: What's her past?

2136
01:29:18,880 --> 01:29:21,720
Speaker 4: Yea, they probably met her. They probably see like a

2137
01:29:21,720 --> 01:29:26,439
Speaker 4: little about stuff, like they probably met him, like like like.

2138
01:29:28,360 --> 01:29:29,000
Speaker 8: You're watching them.

2139
01:29:29,800 --> 01:29:32,280
Speaker 4: Stop because if you come, if you if I have

2140
01:29:32,320 --> 01:29:33,880
Speaker 4: a girl, if I'm dating a girl, that's long, this

2141
01:29:33,960 --> 01:29:35,760
Speaker 4: is relationship, and she comes around my family, we have

2142
01:29:35,800 --> 01:29:38,080
Speaker 4: a cookout and then like my male cousins are there

2143
01:29:38,200 --> 01:29:40,120
Speaker 4: and the girl that I got the is kind of

2144
01:29:40,160 --> 01:29:42,479
Speaker 4: a little like flirty flooded with my male cousins. My

2145
01:29:42,520 --> 01:29:45,080
Speaker 4: aunt is probably like, yo, she a little too friendly, like.

2146
01:29:45,080 --> 01:29:47,160
Speaker 3: Okay, but to take that information and then go not

2147
01:29:47,280 --> 01:29:49,120
Speaker 3: your kid is a but they.

2148
01:29:49,000 --> 01:29:50,880
Speaker 4: Just say no. But they're just they just women, just

2149
01:29:51,040 --> 01:29:54,200
Speaker 4: women know they know when another woman is like, yo,

2150
01:29:54,400 --> 01:29:54,720
Speaker 4: she's a.

2151
01:29:54,680 --> 01:29:56,720
Speaker 1: Little Mary's cap right now because she's a woman and

2152
01:29:56,760 --> 01:29:57,880
Speaker 1: she knows she be knowing and.

2153
01:29:57,800 --> 01:30:00,960
Speaker 4: She trying to like, you know, women to sneak, sneaky

2154
01:30:01,000 --> 01:30:02,200
Speaker 4: woman when you also have.

2155
01:30:02,160 --> 01:30:05,559
Speaker 10: Been the woman in that scenario where men's family members

2156
01:30:05,560 --> 01:30:08,160
Speaker 10: were minded my fucking business and it was just kind

2157
01:30:08,160 --> 01:30:08,840
Speaker 10: of like, but.

2158
01:30:08,800 --> 01:30:12,120
Speaker 4: It's not your business business, but it's his business as well.

2159
01:30:12,240 --> 01:30:17,679
Speaker 4: If it's a kid exactly, so that's that's their their son, brother, cousin,

2160
01:30:17,800 --> 01:30:18,759
Speaker 4: so that is their business.

2161
01:30:18,760 --> 01:30:20,360
Speaker 8: Because your mother is a holl and she can't keep

2162
01:30:20,840 --> 01:30:24,480
Speaker 8: us relationship. I don't.

2163
01:30:25,320 --> 01:30:34,600
Speaker 4: I don't think that mother next No, but I just

2164
01:30:34,720 --> 01:30:38,439
Speaker 4: understand how because my family will probably do the same.

2165
01:30:38,439 --> 01:30:40,320
Speaker 4: But they would only do it if they got the

2166
01:30:40,400 --> 01:30:43,519
Speaker 4: inclination that yo, she's a little loose, like.

2167
01:30:43,800 --> 01:30:45,240
Speaker 5: I'm pregnant after seven months.

2168
01:30:45,240 --> 01:30:48,320
Speaker 4: That's like, that's I would say, get the test, get

2169
01:30:48,320 --> 01:30:50,920
Speaker 4: the test for to get Just don't tell your girl.

2170
01:30:51,760 --> 01:30:54,799
Speaker 4: That's crazy swamping the baby mouth.

2171
01:30:54,600 --> 01:30:59,759
Speaker 1: On the low. Girl, Yeah, that's the worst things.

2172
01:31:00,320 --> 01:31:02,320
Speaker 8: But what if he finds things like that? Come out?

2173
01:31:02,760 --> 01:31:04,800
Speaker 8: So you think, what if she finds that, we'll come out?

2174
01:31:05,280 --> 01:31:06,599
Speaker 5: You don't throw that ship out in the house.

2175
01:31:06,880 --> 01:31:08,639
Speaker 4: Yeah, you know, you get the little too, You take

2176
01:31:08,640 --> 01:31:09,960
Speaker 4: the put the cot do it.

2177
01:31:10,040 --> 01:31:12,000
Speaker 2: You just don't tell anybody. You do it like you

2178
01:31:12,000 --> 01:31:13,800
Speaker 2: don't tell anybody you did, like even your mom. And

2179
01:31:13,840 --> 01:31:16,280
Speaker 2: I'd be like, yeah, you are crazy, and you.

2180
01:31:16,240 --> 01:31:22,639
Speaker 7: Just just tell us social clip.

2181
01:31:23,400 --> 01:31:24,560
Speaker 1: We'll take it, the patriot.

2182
01:31:25,920 --> 01:31:33,920
Speaker 4: Social clip, reason of post to attack, reason who get

2183
01:31:34,400 --> 01:31:36,960
Speaker 4: we'll get a ball box deluxe album listen, but we

2184
01:31:36,960 --> 01:31:39,519
Speaker 4: won't tell your family. Tell your family, won't tell your family.

2185
01:31:40,560 --> 01:31:42,840
Speaker 4: That's scary though, Man, damn, that's some scary ship to

2186
01:31:42,880 --> 01:31:45,479
Speaker 4: be involved, all right, we got another one.

2187
01:31:45,560 --> 01:31:48,960
Speaker 7: Yeah, Well, I was gonna pivoting the stand relationships.

2188
01:31:50,280 --> 01:31:51,480
Speaker 4: What's up Rory.

2189
01:31:51,280 --> 01:31:56,080
Speaker 13: Maul, Julian Eden and the beautiful jamarriage. Well, I'll try

2190
01:31:56,120 --> 01:31:59,599
Speaker 13: to say this quick. So I went through a break

2191
01:31:59,720 --> 01:32:02,240
Speaker 13: up a couple months ago. I had to dump this

2192
01:32:02,280 --> 01:32:03,520
Speaker 13: girl dumper boys.

2193
01:32:03,240 --> 01:32:04,120
Speaker 4: For life dump.

2194
01:32:04,640 --> 01:32:07,160
Speaker 13: And it's about six months later. I'm trying to get

2195
01:32:07,200 --> 01:32:09,720
Speaker 13: back out there on the inch. I've been on some

2196
01:32:09,800 --> 01:32:13,360
Speaker 13: bad dates and I finally went on a date with

2197
01:32:13,400 --> 01:32:17,120
Speaker 13: a pretty cool girl and she wanted a second date,

2198
01:32:17,320 --> 01:32:21,880
Speaker 13: so I'm super happy, but we planned something else. We

2199
01:32:21,960 --> 01:32:25,599
Speaker 13: planned a trip to the museum together, and she hasn't

2200
01:32:25,600 --> 01:32:29,120
Speaker 13: really been responding to my text in the last few days,

2201
01:32:30,160 --> 01:32:33,639
Speaker 13: and she told me that after the museum she has

2202
01:32:33,680 --> 01:32:36,080
Speaker 13: two different parties to go to, so she could only

2203
01:32:36,120 --> 01:32:39,040
Speaker 13: hang out for two hours she has to go. I

2204
01:32:39,040 --> 01:32:42,120
Speaker 13: don't think that's enough time to really appreciate the museum,

2205
01:32:42,640 --> 01:32:49,719
Speaker 13: appreciate that made the parties that just sound And I'm wondering, y'all,

2206
01:32:49,760 --> 01:32:52,080
Speaker 13: if I should take this as evidence that she's not

2207
01:32:52,240 --> 01:32:55,000
Speaker 13: really into me, and maybe I should just go look

2208
01:32:55,040 --> 01:32:59,360
Speaker 13: somewhere else despite it being a cool date, or if

2209
01:32:59,360 --> 01:33:02,800
Speaker 13: I should just be pati that I'm tripping and you

2210
01:33:02,880 --> 01:33:05,920
Speaker 13: know I should just hold on for this one.

2211
01:33:06,240 --> 01:33:07,599
Speaker 4: So I'm wondering what y'all think.

2212
01:33:07,720 --> 01:33:08,679
Speaker 1: This is painful?

2213
01:33:08,760 --> 01:33:13,160
Speaker 4: This is the music, This is easy. Hey, hey, Rick,

2214
01:33:13,280 --> 01:33:13,760
Speaker 4: check this out.

2215
01:33:13,920 --> 01:33:15,679
Speaker 1: The what's message from women?

2216
01:33:17,880 --> 01:33:19,519
Speaker 4: What you do is you go on the day with

2217
01:33:19,560 --> 01:33:22,400
Speaker 4: her stories, but then you have the girl that you're

2218
01:33:22,400 --> 01:33:26,519
Speaker 4: gonna in thenight with. Let her go where she's going. Yeah, energy,

2219
01:33:26,720 --> 01:33:27,360
Speaker 4: he wants.

2220
01:33:27,360 --> 01:33:29,280
Speaker 10: He wants to internight with her and he wants to

2221
01:33:29,280 --> 01:33:30,439
Speaker 10: go to skin and Skin and burgers.

2222
01:33:32,400 --> 01:33:35,040
Speaker 4: Yeah, but do her thing. You know what I'm saying.

2223
01:33:35,080 --> 01:33:35,840
Speaker 4: But don't you know what i mean.

2224
01:33:35,880 --> 01:33:37,880
Speaker 3: I don't think you just cut off if you don't

2225
01:33:37,920 --> 01:33:40,080
Speaker 3: let that girl go to a party from the second date,

2226
01:33:40,080 --> 01:33:41,560
Speaker 3: You're like, you gotta let it.

2227
01:33:41,680 --> 01:33:44,280
Speaker 4: Just have somebody that have somebody else lined up for

2228
01:33:44,320 --> 01:33:45,080
Speaker 4: you to end the night with.

2229
01:33:45,280 --> 01:33:48,160
Speaker 3: Like, also, can we can we dead the museum date.

2230
01:33:48,960 --> 01:33:51,360
Speaker 3: I'm not dudes that go to the museum like you

2231
01:33:51,400 --> 01:33:52,800
Speaker 3: guys can do the museum.

2232
01:33:52,760 --> 01:33:54,000
Speaker 1: But people that don't go man.

2233
01:33:55,720 --> 01:34:00,000
Speaker 3: Full of music to the moment, like you don't about painting.

2234
01:34:00,280 --> 01:34:01,200
Speaker 1: There's such a hater.

2235
01:34:01,360 --> 01:34:05,479
Speaker 3: No I'm not. I'm not a hat full of ship

2236
01:34:05,720 --> 01:34:07,559
Speaker 3: because I've been one of them. I've taken a girl

2237
01:34:07,560 --> 01:34:09,559
Speaker 3: the museum. I did not give a single funk about.

2238
01:34:09,320 --> 01:34:09,800
Speaker 1: To try to look.

2239
01:34:10,280 --> 01:34:14,519
Speaker 4: Don't don't project your don't project your experience onto the world.

2240
01:34:17,320 --> 01:34:23,880
Speaker 4: Well she still you like, well me, I'm a sucker

2241
01:34:23,920 --> 01:34:24,640
Speaker 4: for the moment.

2242
01:34:24,400 --> 01:34:26,680
Speaker 3: Myself, I see, I changed. I went to aquariums. I

2243
01:34:26,720 --> 01:34:27,320
Speaker 3: like aquariums.

2244
01:34:27,400 --> 01:34:30,600
Speaker 4: I feel like you just like see went to a

2245
01:34:30,680 --> 01:34:33,160
Speaker 4: museum on your own, like a chord like just then,

2246
01:34:33,280 --> 01:34:34,160
Speaker 4: like you should.

2247
01:34:33,880 --> 01:34:34,479
Speaker 1: Not be at me.

2248
01:34:34,560 --> 01:34:36,760
Speaker 4: Yeah, and you gotta you gotta take women on dates

2249
01:34:36,800 --> 01:34:38,719
Speaker 4: that you can find out more about them than a museum.

2250
01:34:38,720 --> 01:34:40,040
Speaker 4: Like to me, I'll tell people all the time. Take

2251
01:34:40,040 --> 01:34:41,960
Speaker 4: a woman to escape room. You find out she's stupid.

2252
01:34:46,160 --> 01:34:49,320
Speaker 4: Everybody like I don't moment a few things. You find

2253
01:34:49,320 --> 01:34:50,920
Speaker 4: out she's stipid, you find out she's a team.

2254
01:34:50,720 --> 01:34:53,800
Speaker 3: Player, and you can trapper in the room and that.

2255
01:34:53,960 --> 01:34:56,280
Speaker 6: But then also I'm like.

2256
01:34:58,320 --> 01:35:02,000
Speaker 4: That cy like that. Yeah, but then, but then, but

2257
01:35:02,040 --> 01:35:05,600
Speaker 4: then also if the direction well, if you if you

2258
01:35:05,640 --> 01:35:07,360
Speaker 4: were if you're somebody that doesn't want to be seen

2259
01:35:07,400 --> 01:35:08,880
Speaker 4: outside with her, it's only you two.

2260
01:35:09,160 --> 01:35:11,080
Speaker 1: You don't even have to worry running into somebody.

2261
01:35:11,400 --> 01:35:11,960
Speaker 4: She's in the room.

2262
01:35:11,960 --> 01:35:15,840
Speaker 5: You can use a DNA SI on the baby, like

2263
01:35:15,920 --> 01:35:16,559
Speaker 5: by the time you.

2264
01:35:16,479 --> 01:35:18,320
Speaker 4: Get it to the next room, they'll have to And

2265
01:35:19,360 --> 01:35:21,200
Speaker 4: at the end of the day you automatically see if

2266
01:35:21,200 --> 01:35:22,840
Speaker 4: she's kind of into you or not, because they always

2267
01:35:22,840 --> 01:35:23,920
Speaker 4: ask you do you want a picture?

2268
01:35:23,960 --> 01:35:25,680
Speaker 3: If she said no, it's okay, she kind of like.

2269
01:35:25,640 --> 01:35:26,760
Speaker 4: Not even like you know what I mean, she's not

2270
01:35:26,800 --> 01:35:29,559
Speaker 4: really memory kind of yeah, like now that won't hit

2271
01:35:29,600 --> 01:35:30,240
Speaker 4: lights on I G.

2272
01:35:30,439 --> 01:35:31,760
Speaker 3: Yeah, you know what I'm saying. No one post an

2273
01:35:31,840 --> 01:35:32,599
Speaker 3: escape room photo.

2274
01:35:32,640 --> 01:35:34,160
Speaker 4: But if she wants it, it's like in her mind

2275
01:35:34,200 --> 01:35:36,080
Speaker 4: she's like this could be the beginning or something, so

2276
01:35:36,080 --> 01:35:37,160
Speaker 4: like I want you even in a post.

2277
01:35:37,280 --> 01:35:38,559
Speaker 1: I just want it, you know what I'm saying. Like,

2278
01:35:38,600 --> 01:35:40,200
Speaker 1: so escape room, take.

2279
01:35:40,040 --> 01:35:41,680
Speaker 3: Her to escape rom. I just feel like and I

2280
01:35:41,720 --> 01:35:43,840
Speaker 3: didn't want to project. I'm sorry for yelling you you are.

2281
01:35:45,360 --> 01:35:48,800
Speaker 3: I feel like the museum are the museum date was

2282
01:35:48,880 --> 01:35:51,000
Speaker 3: like in your early twenties when you were trying to

2283
01:35:51,040 --> 01:35:54,120
Speaker 3: get away from the movie, like dinner in a movie,

2284
01:35:54,160 --> 01:35:55,040
Speaker 3: you were trying to look more.

2285
01:35:55,080 --> 01:35:56,760
Speaker 2: So, I don't want you don't want to spend as

2286
01:35:56,800 --> 01:35:58,360
Speaker 2: much as you would have to spend on a dinner

2287
01:35:58,520 --> 01:36:00,280
Speaker 2: or or drinks, because that can get it, you know

2288
01:36:00,320 --> 01:36:01,559
Speaker 2: what I mean, which.

2289
01:36:01,360 --> 01:36:04,000
Speaker 3: Is fine because I did that too, But once I

2290
01:36:04,040 --> 01:36:05,880
Speaker 3: got older, I was like, I'm not this is not

2291
01:36:05,920 --> 01:36:08,759
Speaker 3: a good date because I'm not interested in this random

2292
01:36:08,800 --> 01:36:11,479
Speaker 3: museum that I googled for free for sure, and she's

2293
01:36:11,520 --> 01:36:13,400
Speaker 3: not interested. Let me go do something that is a

2294
01:36:13,439 --> 01:36:15,320
Speaker 3: representation of what I like.

2295
01:36:15,520 --> 01:36:17,360
Speaker 8: Do you ever have sex in the museum bathroom?

2296
01:36:18,320 --> 01:36:19,960
Speaker 3: I don't know that was you.

2297
01:36:21,439 --> 01:36:24,519
Speaker 4: That was very specific museum bathroom when it was he

2298
01:36:24,600 --> 01:36:25,120
Speaker 4: met outside.

2299
01:36:28,760 --> 01:36:31,960
Speaker 3: I'm on the anniversary of the Controllers.

2300
01:36:32,960 --> 01:36:34,000
Speaker 1: What is she talking about?

2301
01:36:34,160 --> 01:36:36,639
Speaker 10: Because if he's born and she's bored, and they're both born,

2302
01:36:36,720 --> 01:36:38,160
Speaker 10: I'm not saying bond over the board.

2303
01:36:38,439 --> 01:36:40,960
Speaker 3: But there's museums that I think people are would be

2304
01:36:41,000 --> 01:36:43,360
Speaker 3: actually interested in. I've just seen so many dudes just

2305
01:36:43,400 --> 01:36:46,559
Speaker 3: go pick the most famous free museum in New York

2306
01:36:46,560 --> 01:36:48,680
Speaker 3: City and take a chick to make it to make

2307
01:36:48,720 --> 01:36:51,559
Speaker 3: them look more like mature, and it's like, go take

2308
01:36:51,560 --> 01:36:53,800
Speaker 3: that girl for hookah if that's what she wants to do, Like,

2309
01:36:53,840 --> 01:36:55,720
Speaker 3: stop trying to ship on the fun dates because you

2310
01:36:55,760 --> 01:37:00,400
Speaker 3: want to look like you're some ill How do you

2311
01:37:00,439 --> 01:37:02,920
Speaker 3: perceive this painting? Like come on, Like if that's not

2312
01:37:03,000 --> 01:37:03,680
Speaker 3: you don't do that.

2313
01:37:03,840 --> 01:37:06,559
Speaker 5: I don't do it with women because you.

2314
01:37:06,479 --> 01:37:07,639
Speaker 3: Play backgamming with them.

2315
01:37:07,720 --> 01:37:09,320
Speaker 5: Well, yeah, if they know how to play. I'm not

2316
01:37:09,400 --> 01:37:11,360
Speaker 5: teaching you new tricks, but you want to teach.

2317
01:37:11,200 --> 01:37:17,240
Speaker 3: Them about a trick about the fucking dinosaurs on age?

2318
01:37:17,320 --> 01:37:19,000
Speaker 4: Nobody cares about backgamage like.

2319
01:37:20,479 --> 01:37:21,360
Speaker 3: Museums on your own.

2320
01:37:21,439 --> 01:37:23,560
Speaker 7: Yeah, so that you just to my point. I'm a

2321
01:37:23,680 --> 01:37:26,080
Speaker 7: I'm an art guy. I have friends that are also.

2322
01:37:26,120 --> 01:37:27,880
Speaker 3: It's just because you have black and white photos on

2323
01:37:27,920 --> 01:37:31,720
Speaker 3: your Instagram does not make you argue that art.

2324
01:37:31,960 --> 01:37:32,680
Speaker 1: I like art.

2325
01:37:32,760 --> 01:37:33,960
Speaker 5: My point is I don't want to.

2326
01:37:34,360 --> 01:37:37,320
Speaker 7: I want to bring someone that is also interested in

2327
01:37:37,400 --> 01:37:41,360
Speaker 7: the exhibit or has like a general, like not baseline

2328
01:37:41,400 --> 01:37:43,840
Speaker 7: knowledge of the art that's in the museum. I don't

2329
01:37:43,880 --> 01:37:45,719
Speaker 7: want to go there and teach you like I'm trying

2330
01:37:45,760 --> 01:37:47,760
Speaker 7: to enjoy it. I don't want to fucking like hold

2331
01:37:47,960 --> 01:37:48,479
Speaker 7: your own time.

2332
01:37:48,720 --> 01:37:49,160
Speaker 5: So I do.

2333
01:37:49,200 --> 01:37:51,439
Speaker 7: I don't bring women to museums unless they're into that ship.

2334
01:37:51,560 --> 01:37:52,960
Speaker 7: I go with my friends or all go along.

2335
01:37:53,080 --> 01:37:54,360
Speaker 8: So when you're trying to impress the girl, what do

2336
01:37:54,360 --> 01:37:55,479
Speaker 8: you bring to not the girls?

2337
01:37:55,320 --> 01:37:57,759
Speaker 7: It's not like I don't I don't bring anywhere anyway.

2338
01:37:57,760 --> 01:37:59,559
Speaker 7: I don't bring anyone anywhere to impress them. I just

2339
01:37:59,560 --> 01:38:02,240
Speaker 7: do it because I want to do it. Talk your

2340
01:38:02,280 --> 01:38:04,200
Speaker 7: ship like long Low House isn't impressive. It's just a

2341
01:38:04,240 --> 01:38:04,920
Speaker 7: part of my life.

2342
01:38:05,200 --> 01:38:08,800
Speaker 8: Well here, that's what I say. Part of want the

2343
01:38:08,840 --> 01:38:09,680
Speaker 8: girls you really like.

2344
01:38:09,800 --> 01:38:11,560
Speaker 5: I'm just saying, like, it's not a cool spot. I

2345
01:38:11,560 --> 01:38:12,000
Speaker 5: don't bring.

2346
01:38:12,040 --> 01:38:14,240
Speaker 7: There's no like secret. I don't have, like a cheat

2347
01:38:14,240 --> 01:38:17,599
Speaker 7: code spot. He's not gonna tell those I don't have one. Yeah,

2348
01:38:17,600 --> 01:38:20,360
Speaker 7: you take them to this my apartment. Yeah, the studio,

2349
01:38:20,479 --> 01:38:22,160
Speaker 7: the studio. Yeah.

2350
01:38:22,280 --> 01:38:24,080
Speaker 3: I came to the studio over the weekend hoping to

2351
01:38:24,120 --> 01:38:24,760
Speaker 3: catch one of y'all.

2352
01:38:25,120 --> 01:38:26,639
Speaker 5: I haven't been here last two weekends.

2353
01:38:28,439 --> 01:38:30,040
Speaker 4: I walked in just hoping, hoping.

2354
01:38:30,439 --> 01:38:32,840
Speaker 3: What time were you here here? Whenever I asked for

2355
01:38:32,840 --> 01:38:35,599
Speaker 3: the past, the past, that was you guys on.

2356
01:38:35,600 --> 01:38:39,160
Speaker 4: Your toes, on your toes, you don't even know.

2357
01:38:39,400 --> 01:38:40,120
Speaker 3: No fucking in here.

2358
01:38:40,400 --> 01:38:42,360
Speaker 4: They'rehidden cameras that just about to go up and here soon.

2359
01:38:43,040 --> 01:38:45,200
Speaker 3: No, they're not gonna be hitting this, big ass cameras

2360
01:38:47,280 --> 01:38:49,920
Speaker 3: watching you and you'll be able to see my face

2361
01:38:49,920 --> 01:38:50,679
Speaker 3: on the other side.

2362
01:38:51,360 --> 01:38:54,120
Speaker 4: I love those cameras, and you could talk to the person. Yeah,

2363
01:38:54,160 --> 01:38:54,679
Speaker 4: what you're doing?

2364
01:38:56,320 --> 01:38:56,960
Speaker 1: What are you doing?

2365
01:38:57,040 --> 01:38:59,120
Speaker 3: I used to torment basically on the ring camera.

2366
01:38:59,320 --> 01:39:04,240
Speaker 4: That's sucked up sick. So yeah, So our advice for

2367
01:39:04,360 --> 01:39:07,240
Speaker 4: Rick going to date, have a good time, but just

2368
01:39:07,240 --> 01:39:09,800
Speaker 4: have somebody else lined up to end the night to party.

2369
01:39:09,800 --> 01:39:10,879
Speaker 4: Don't don't make it so complicated.

2370
01:39:10,880 --> 01:39:12,519
Speaker 8: You don't have to have sex. You know, you could

2371
01:39:12,560 --> 01:39:13,040
Speaker 8: just let.

2372
01:39:13,080 --> 01:39:14,640
Speaker 3: You can also not have fa Like, why are you

2373
01:39:14,640 --> 01:39:16,320
Speaker 3: putting that Rick's jacket? He didn't say it any more,

2374
01:39:16,400 --> 01:39:16,800
Speaker 3: that fucker.

2375
01:39:16,840 --> 01:39:18,200
Speaker 4: He just was like, you want to spend the night.

2376
01:39:18,479 --> 01:39:20,680
Speaker 3: We only have two hours to see a museum. I

2377
01:39:20,720 --> 01:39:21,160
Speaker 3: want to see.

2378
01:39:21,320 --> 01:39:22,160
Speaker 1: That's not ill.

2379
01:39:22,280 --> 01:39:24,200
Speaker 2: I will say farther than that. He said at one

2380
01:39:24,200 --> 01:39:26,400
Speaker 2: point that she's not texting back. I think that if

2381
01:39:26,400 --> 01:39:28,800
Speaker 2: she's not texting back, you should kind of like move on,

2382
01:39:28,960 --> 01:39:32,519
Speaker 2: move on. Like women there, women they could be literally

2383
01:39:32,600 --> 01:39:34,640
Speaker 2: saving the world and they will text aniga back that

2384
01:39:34,680 --> 01:39:35,960
Speaker 2: they like like, that's true.

2385
01:39:36,040 --> 01:39:37,639
Speaker 1: No, that is one thousand percent.

2386
01:39:37,439 --> 01:39:37,840
Speaker 3: That's true.

2387
01:39:38,080 --> 01:39:41,439
Speaker 4: Yeah, men are actually busy. Men are like legitimately busy

2388
01:39:41,560 --> 01:39:43,080
Speaker 4: women and not women. Women.

2389
01:39:44,880 --> 01:39:48,720
Speaker 5: That's crazy.

2390
01:39:49,479 --> 01:39:54,479
Speaker 4: What do you busy getting your funk out of here?

2391
01:39:54,720 --> 01:39:55,759
Speaker 4: Are you late? The yoga?

2392
01:39:57,200 --> 01:39:59,240
Speaker 3: You can finally vote, We get it. It doesn't take all day.

2393
01:39:59,360 --> 01:40:02,479
Speaker 4: Wow, we are.

2394
01:40:06,200 --> 01:40:08,720
Speaker 5: Yeah, let's do uh, here's let's do a music advice.

2395
01:40:10,120 --> 01:40:11,040
Speaker 4: Yo, Rory and mall.

2396
01:40:11,120 --> 01:40:13,920
Speaker 9: My name is Michael from California, reaching out with a

2397
01:40:13,960 --> 01:40:15,519
Speaker 9: quick question for you guys and the rest of the

2398
01:40:15,560 --> 01:40:17,720
Speaker 9: crew regarding some dating advice. I'd give it to my

2399
01:40:17,800 --> 01:40:19,600
Speaker 9: young guy that's kind of struggling a little bit in

2400
01:40:19,600 --> 01:40:21,760
Speaker 9: the dating game at the moment, so to keep it

2401
01:40:21,760 --> 01:40:24,040
Speaker 9: short and sweet. When I was in grad school, one

2402
01:40:24,080 --> 01:40:27,080
Speaker 9: of the things that I would do is mentor undergrad students.

2403
01:40:27,360 --> 01:40:29,160
Speaker 9: And I'm still actually pretty cool with this kid that

2404
01:40:29,200 --> 01:40:33,000
Speaker 9: I used to mentor to this day. Very smart kid, pause,

2405
01:40:33,240 --> 01:40:36,000
Speaker 9: not that bad looking at all, but he's always been

2406
01:40:36,000 --> 01:40:36,559
Speaker 9: a little bit.

2407
01:40:36,479 --> 01:40:38,000
Speaker 1: Socially awkward with the ladies.

2408
01:40:38,680 --> 01:40:40,200
Speaker 9: He actually reached out to me though, a couple of

2409
01:40:40,240 --> 01:40:42,000
Speaker 9: weeks ago, and let me know, you know, he's using

2410
01:40:42,040 --> 01:40:44,640
Speaker 9: these online dating apps and he's actually pulling, you know,

2411
01:40:44,720 --> 01:40:46,640
Speaker 9: some coffee dates and some dinner dates with some of

2412
01:40:46,640 --> 01:40:49,200
Speaker 9: these young ladies that he's been reaching out to. He

2413
01:40:49,320 --> 01:40:51,760
Speaker 9: noted though, that a lot of the conversations are good online,

2414
01:40:51,840 --> 01:40:55,200
Speaker 9: but the women seem to shut down in person. So

2415
01:40:55,240 --> 01:40:56,720
Speaker 9: I asked him, you know, what kind of vibe are

2416
01:40:56,760 --> 01:40:59,080
Speaker 9: you sitting for these ladies, let me see your music playlist,

2417
01:40:59,160 --> 01:41:01,559
Speaker 9: let me see the clothes that you're choosing. And when

2418
01:41:01,600 --> 01:41:04,360
Speaker 9: I went through his music playlist, I was expecting, you know,

2419
01:41:04,400 --> 01:41:07,479
Speaker 9: see some oldies, maybe some great party next door. But

2420
01:41:07,520 --> 01:41:11,920
Speaker 9: he's literally playing lyrical miracles scaring the Hose music at

2421
01:41:11,960 --> 01:41:14,519
Speaker 9: the end of the car. So quick question for you guys,

2422
01:41:14,720 --> 01:41:17,439
Speaker 9: is it hip hop to scare the hose? Do you

2423
01:41:17,520 --> 01:41:18,720
Speaker 9: keep it loyal to the art form?

2424
01:41:18,760 --> 01:41:20,120
Speaker 3: And ironically it is a party.

2425
01:41:20,200 --> 01:41:22,720
Speaker 9: You switch up your preferences depending on the type of

2426
01:41:22,760 --> 01:41:23,960
Speaker 9: lady that you're going to take out.

2427
01:41:23,800 --> 01:41:27,320
Speaker 4: For the evening. For you mean, baby d what is.

2428
01:41:27,280 --> 01:41:29,880
Speaker 9: Your threshold and your limit for scaring the hose music?

2429
01:41:29,920 --> 01:41:33,280
Speaker 9: And you know, respecting the man's tastes or at what.

2430
01:41:33,240 --> 01:41:34,960
Speaker 5: Point do you just want to jump out the car?

2431
01:41:35,520 --> 01:41:37,759
Speaker 9: Big fan of the pod would really appreciate some advice.

2432
01:41:38,000 --> 01:41:39,600
Speaker 1: Thanks.

2433
01:41:39,880 --> 01:41:42,120
Speaker 2: On the date, Americ's rappersucker or not as loud as

2434
01:41:42,120 --> 01:41:43,719
Speaker 2: she can so there is no lemon on Wow.

2435
01:41:44,680 --> 01:41:47,000
Speaker 1: Well, first of all, let me just doesn't scare the hole.

2436
01:41:49,120 --> 01:41:51,320
Speaker 4: He's definitely not calling for some kid that he meant.

2437
01:41:53,400 --> 01:41:54,160
Speaker 3: He's definitely kid.

2438
01:41:54,200 --> 01:41:55,320
Speaker 4: He's talking about one.

2439
01:41:56,360 --> 01:41:58,080
Speaker 3: You're the only one that picked that up. He's talking about.

2440
01:41:58,720 --> 01:42:00,360
Speaker 4: Yeah, you know you looked at his club a.

2441
01:42:02,520 --> 01:42:05,400
Speaker 3: Bad looking looking like himself.

2442
01:42:08,360 --> 01:42:10,200
Speaker 4: First of all, it is hip hop to scare women's

2443
01:42:10,479 --> 01:42:15,160
Speaker 4: hip hop is scaring women for generations well before ONX. Yeah,

2444
01:42:16,600 --> 01:42:19,639
Speaker 4: but you have to if you're gonna play hip hop

2445
01:42:19,680 --> 01:42:21,680
Speaker 4: around a woman, it has to be the type of

2446
01:42:21,760 --> 01:42:24,559
Speaker 4: hip hop that she enjoys as well that she can

2447
01:42:24,600 --> 01:42:28,040
Speaker 4: sing along to rap along too. So just keep it simple.

2448
01:42:28,120 --> 01:42:30,160
Speaker 4: Ask her, you know, going to day, ask her some

2449
01:42:30,200 --> 01:42:32,400
Speaker 4: of her favorite artists, Like who does she listen to?

2450
01:42:33,360 --> 01:42:35,280
Speaker 4: That's always a good conversation to see who a girl

2451
01:42:35,280 --> 01:42:37,880
Speaker 4: listens to, Like, you learn the type of music she likes,

2452
01:42:37,920 --> 01:42:39,400
Speaker 4: the type of artists she's into. It says a lot

2453
01:42:39,439 --> 01:42:41,439
Speaker 4: about her taste and things like that. So right there

2454
01:42:41,439 --> 01:42:44,000
Speaker 4: alone you start there, what's who you listen to? Right now?

2455
01:42:44,360 --> 01:42:46,880
Speaker 4: Who's your favorite artist? I think that's a conversation you

2456
01:42:46,960 --> 01:42:49,000
Speaker 4: can have. Give her the aux.

2457
01:42:48,840 --> 01:42:49,559
Speaker 5: Chord right.

2458
01:42:52,000 --> 01:42:54,680
Speaker 10: Her chord, and then you also have access to her

2459
01:42:54,720 --> 01:42:55,400
Speaker 10: Apple car place.

2460
01:42:55,400 --> 01:42:56,920
Speaker 8: So you see he is calling her as well, who's

2461
01:42:56,920 --> 01:42:57,160
Speaker 8: the real?

2462
01:42:57,240 --> 01:42:57,880
Speaker 3: What is wrong with.

2463
01:43:00,320 --> 01:43:00,519
Speaker 1: Bro?

2464
01:43:00,880 --> 01:43:03,240
Speaker 3: I'm just saying, wait, but where is this music being played?

2465
01:43:03,240 --> 01:43:05,120
Speaker 3: He said? Coffee dates and dinner dates, No, well, I

2466
01:43:05,120 --> 01:43:07,400
Speaker 3: think he's picking.

2467
01:43:08,200 --> 01:43:10,679
Speaker 5: Too to do the hybrid.

2468
01:43:11,120 --> 01:43:14,880
Speaker 7: So I'm I'm the jazz guy, and I know not

2469
01:43:14,920 --> 01:43:16,000
Speaker 7: everyone likes jazz.

2470
01:43:16,240 --> 01:43:16,559
Speaker 5: Jazz.

2471
01:43:16,600 --> 01:43:20,120
Speaker 7: People want lyrics, So do like Terris Martin's Dinner Party.

2472
01:43:20,160 --> 01:43:23,240
Speaker 7: You got a nice mix of good horns, a lot

2473
01:43:23,280 --> 01:43:26,120
Speaker 7: of strings, but then you get some rapping in there too,

2474
01:43:26,280 --> 01:43:28,839
Speaker 7: and it's like very smooth, palatable.

2475
01:43:29,360 --> 01:43:29,920
Speaker 5: It's a good star.

2476
01:43:30,120 --> 01:43:32,360
Speaker 10: He likes scaring the Hose music. I'm pretty sure he

2477
01:43:32,400 --> 01:43:33,160
Speaker 10: won't like that.

2478
01:43:33,160 --> 01:43:34,719
Speaker 5: That's the point. We're trying to get him off scaring

2479
01:43:34,760 --> 01:43:35,280
Speaker 5: the Hose music.

2480
01:43:35,280 --> 01:43:36,479
Speaker 8: But that's what he likes though.

2481
01:43:36,640 --> 01:43:39,559
Speaker 4: So you have got a date is not about what

2482
01:43:39,600 --> 01:43:43,200
Speaker 4: you like, It's literally about what Just give her. Just

2483
01:43:43,200 --> 01:43:45,639
Speaker 4: give it because, like I said, you're going to find

2484
01:43:45,680 --> 01:43:47,559
Speaker 4: out so much about her. Like if she's playing some

2485
01:43:47,640 --> 01:43:50,120
Speaker 4: bullshit you like, Okay, she listens to bullshit.

2486
01:43:50,240 --> 01:43:54,000
Speaker 3: That that intimidates some women sometimes though, because yeah, when

2487
01:43:54,000 --> 01:43:55,800
Speaker 3: I've gotten like to know women, I'll be like, you'll

2488
01:43:55,800 --> 01:43:58,040
Speaker 3: play play something like, No, I don't. I don't want

2489
01:43:58,080 --> 01:43:59,920
Speaker 3: to because I don't want you to hate. I got

2490
01:44:00,120 --> 01:44:01,880
Speaker 3: rather just listen to what you want to listen to.

2491
01:44:02,560 --> 01:44:03,599
Speaker 3: A lot of women are like that.

2492
01:44:03,800 --> 01:44:05,479
Speaker 1: Have y'all ever let a woman have the.

2493
01:44:05,439 --> 01:44:10,640
Speaker 2: Offscord, And I've never let a woman do anything. Have

2494
01:44:10,720 --> 01:44:12,400
Speaker 2: you ever let a woman have the oscord? And then

2495
01:44:12,680 --> 01:44:15,920
Speaker 2: her music choice changed the way that you want the

2496
01:44:15,960 --> 01:44:16,320
Speaker 2: date to go.

2497
01:44:17,040 --> 01:44:19,320
Speaker 4: Oh yeah, she made women.

2498
01:44:19,880 --> 01:44:20,559
Speaker 3: I've definitely had that.

2499
01:44:20,920 --> 01:44:22,120
Speaker 1: It's just more like like on the.

2500
01:44:22,120 --> 01:44:23,840
Speaker 3: First day, you shouldn't come out the gate with sucking

2501
01:44:23,920 --> 01:44:26,720
Speaker 3: or not because we're going to turn the car around, and.

2502
01:44:26,760 --> 01:44:29,080
Speaker 10: Because something there's there's there's people who will fall madly

2503
01:44:29,080 --> 01:44:30,599
Speaker 10: in love with me for playing that, and there's people

2504
01:44:30,800 --> 01:44:32,120
Speaker 10: agree or.

2505
01:44:32,120 --> 01:44:34,559
Speaker 3: Like I said, excitedly turn the car around, not excited?

2506
01:44:34,600 --> 01:44:37,360
Speaker 2: Yeah, like well today, or like if she plays like

2507
01:44:37,400 --> 01:44:39,400
Speaker 2: girls love Girls, then it's like, now I want to

2508
01:44:39,439 --> 01:44:40,599
Speaker 2: go to a different place.

2509
01:44:40,760 --> 01:44:42,320
Speaker 1: Yeah, I don't want to go to dinner anymore.

2510
01:44:42,560 --> 01:44:47,080
Speaker 4: It definitely changes. It changes depending on what she she's playing.

2511
01:44:47,080 --> 01:44:49,400
Speaker 4: It changes the tone I've had. I've had women play

2512
01:44:49,400 --> 01:44:51,200
Speaker 4: ship around me that I was surprised they even knew

2513
01:44:51,200 --> 01:44:54,400
Speaker 4: about one thousand. I'm like, how the fuck you who

2514
01:44:54,400 --> 01:44:56,240
Speaker 4: you was fucking with before we went on the date, Like,

2515
01:44:56,320 --> 01:44:58,559
Speaker 4: because you ain't find that that artist on your own.

2516
01:44:58,760 --> 01:45:02,040
Speaker 4: But some women, you know, the are just musically collective

2517
01:45:02,080 --> 01:45:03,400
Speaker 4: and they listen to a lot of dope ship, which

2518
01:45:03,400 --> 01:45:05,719
Speaker 4: is why give her the ookschord. See what she's into,

2519
01:45:05,880 --> 01:45:09,240
Speaker 4: you learn more about her conversation. If the music is whack,

2520
01:45:09,280 --> 01:45:11,040
Speaker 4: it could be a funny conversation. Doesn't have to make

2521
01:45:11,080 --> 01:45:14,680
Speaker 4: it awkward. But yeah, I just simple just give her.

2522
01:45:15,240 --> 01:45:17,920
Speaker 2: I had an awkward dating experience like last summer where

2523
01:45:18,200 --> 01:45:21,000
Speaker 2: I took a girl on a date and she she

2524
01:45:21,120 --> 01:45:22,760
Speaker 2: was like, oh, I love this artist. You probably don't

2525
01:45:22,800 --> 01:45:24,400
Speaker 2: you know who he is? And she just played cards

2526
01:45:24,439 --> 01:45:27,040
Speaker 2: for the whole day, and I was just like, she

2527
01:45:27,120 --> 01:45:27,760
Speaker 2: definitely dated.

2528
01:45:27,840 --> 01:45:30,760
Speaker 1: Yeah, I'm like, there's no way, there's no way.

2529
01:45:33,320 --> 01:45:35,200
Speaker 4: And I like snooking talking picture of her like sentence

2530
01:45:35,240 --> 01:45:36,519
Speaker 4: to Carse like you know.

2531
01:45:36,560 --> 01:45:41,640
Speaker 1: This, Yeah he knew who she was.

2532
01:45:42,520 --> 01:45:44,919
Speaker 3: I'm laughing because I have been in a similar situation

2533
01:45:45,280 --> 01:45:49,800
Speaker 3: where girls played an artist. I'm like, oh, she had to, Like,

2534
01:45:49,840 --> 01:45:51,639
Speaker 3: there's no way a girl listen to this dude's music

2535
01:45:51,680 --> 01:45:54,960
Speaker 3: unless she fucked him. That's that's the way.

2536
01:45:54,960 --> 01:45:56,360
Speaker 1: For the record, That's not what I was saying about,

2537
01:45:56,400 --> 01:45:57,479
Speaker 1: cos that's what I'm saying.

2538
01:46:00,400 --> 01:46:02,960
Speaker 4: See, I've had the exactly I've had the exact opposite happen.

2539
01:46:03,080 --> 01:46:06,080
Speaker 4: I've taken the picture of a girl when she was

2540
01:46:06,160 --> 01:46:09,320
Speaker 4: sleep because she was snoring. Okay, And then I've taken.

2541
01:46:09,120 --> 01:46:09,760
Speaker 5: A picture away.

2542
01:46:10,640 --> 01:46:14,240
Speaker 4: You took a picture on the phone. She had like

2543
01:46:14,240 --> 01:46:16,640
Speaker 4: a mouth, she had like a mouth open like she

2544
01:46:16,800 --> 01:46:19,639
Speaker 4: was like not that. So I've taken a picture like that,

2545
01:46:19,840 --> 01:46:23,559
Speaker 4: and I was gonna send it to true story. I

2546
01:46:23,600 --> 01:46:25,000
Speaker 4: was gonna send it to her the next day, like

2547
01:46:25,000 --> 01:46:27,360
Speaker 4: because I know she gonna say she wasn't snoring. You know, girls,

2548
01:46:27,479 --> 01:46:32,320
Speaker 4: I don't snore. Yeah, okay, she she took my phone

2549
01:46:32,320 --> 01:46:36,719
Speaker 4: to take a picture of something. Right she saw the picture,

2550
01:46:38,200 --> 01:46:41,880
Speaker 4: she thought that I was gonna send that picture to

2551
01:46:42,040 --> 01:46:44,120
Speaker 4: somebody I know that she used to fuck with. Gosh,

2552
01:46:44,240 --> 01:46:46,680
Speaker 4: that was not in my thoughts at all. So she

2553
01:46:46,840 --> 01:46:50,400
Speaker 4: saw that and it was just like a complete like oh,

2554
01:46:50,439 --> 01:46:52,320
Speaker 4: you're taking pictures of me that or the other. And

2555
01:46:52,320 --> 01:46:54,080
Speaker 4: I'm like, yo, I was gonna send it cause I

2556
01:46:54,120 --> 01:46:55,840
Speaker 4: know you're gonna say you don't snore, you got your

2557
01:46:55,840 --> 01:46:56,799
Speaker 4: mouth open sleeping.

2558
01:46:56,960 --> 01:46:59,160
Speaker 2: She was justified for feeling that way though, But for

2559
01:46:59,280 --> 01:47:01,679
Speaker 2: sure between she knew you had a Senate to cause

2560
01:47:03,000 --> 01:47:05,040
Speaker 2: that wouldn't do it. Between the lines, that means that

2561
01:47:05,120 --> 01:47:07,080
Speaker 2: she fuck with somebody that she knows, you know, because

2562
01:47:07,080 --> 01:47:07,439
Speaker 2: why do you.

2563
01:47:09,200 --> 01:47:09,360
Speaker 1: Cool?

2564
01:47:09,360 --> 01:47:11,400
Speaker 4: Okay, yeah, that's what I'm saying. She thought that that's

2565
01:47:11,439 --> 01:47:13,280
Speaker 4: what I was gonna do. I'm like, you think I

2566
01:47:13,280 --> 01:47:15,439
Speaker 4: would sing you that's weird? What are you talking about.

2567
01:47:15,720 --> 01:47:17,280
Speaker 4: I was more mad that she just assumed that I

2568
01:47:17,280 --> 01:47:19,840
Speaker 4: would do that, Like be mad that I took a picture,

2569
01:47:19,880 --> 01:47:22,240
Speaker 4: didn't tell you cool, sleep my mouth open. Cool. I

2570
01:47:22,320 --> 01:47:23,680
Speaker 4: don't think that this is why I took it to

2571
01:47:23,720 --> 01:47:26,320
Speaker 4: send to the dude that you used to talk to, Like, yeah,

2572
01:47:26,360 --> 01:47:27,559
Speaker 4: but that was just a funny story.

2573
01:47:27,720 --> 01:47:30,920
Speaker 3: Careful what you wish for with chicks that uh like

2574
01:47:30,920 --> 01:47:33,080
Speaker 3: like the type of music you like. Because I've dated

2575
01:47:33,080 --> 01:47:35,240
Speaker 3: the like eclectic girl that I thought, I was like, oh,

2576
01:47:35,240 --> 01:47:36,720
Speaker 3: this is a dream, Like I don't have to listen

2577
01:47:36,760 --> 01:47:41,400
Speaker 3: to bullshit that gets annoying eventually, like this, put on

2578
01:47:41,439 --> 01:47:45,120
Speaker 3: some ice spice please, like I love I love alchemists

2579
01:47:45,120 --> 01:47:49,040
Speaker 3: as well, but please like that there needs to be

2580
01:47:49,080 --> 01:47:51,640
Speaker 3: some type of balance. I'd actually prefer the girl that

2581
01:47:51,680 --> 01:47:53,760
Speaker 3: doesn't have my music taste than the one that does.

2582
01:47:53,920 --> 01:47:56,040
Speaker 3: And I know, I know most men don't think that,

2583
01:47:56,120 --> 01:47:58,600
Speaker 3: and that sounds like a crazy thing, but I'll just

2584
01:47:58,680 --> 01:48:01,560
Speaker 3: keep I'll keep a little other than font to myself.

2585
01:48:01,600 --> 01:48:05,040
Speaker 8: Like please just put on put on that New City Girls.

2586
01:48:04,840 --> 01:48:08,120
Speaker 3: With Yes, Yeah, because I like ignorance other bitches, but

2587
01:48:08,160 --> 01:48:11,160
Speaker 3: I'm not going to go find ignorant shit, but I

2588
01:48:11,320 --> 01:48:11,840
Speaker 3: listen to it.

2589
01:48:11,920 --> 01:48:15,439
Speaker 2: I like girls that like Drake and Tims because it's

2590
01:48:15,479 --> 01:48:17,559
Speaker 2: like it's like what I call medium music, Like it

2591
01:48:17,600 --> 01:48:19,240
Speaker 2: means you know how to have a conversation and you

2592
01:48:19,360 --> 01:48:21,280
Speaker 2: have a good time, but you could also be a

2593
01:48:21,280 --> 01:48:22,200
Speaker 2: little nasty also.

2594
01:48:22,320 --> 01:48:24,800
Speaker 1: Yeah, so I like a little medium.

2595
01:48:24,560 --> 01:48:26,720
Speaker 4: What girl doesn't listen to Drake at this point?

2596
01:48:26,960 --> 01:48:28,160
Speaker 1: I know a couple of girls that don't. But you

2597
01:48:28,160 --> 01:48:29,680
Speaker 1: wore for the record, Sure, you're right, you know what

2598
01:48:29,720 --> 01:48:30,000
Speaker 1: I mean.

2599
01:48:30,040 --> 01:48:31,280
Speaker 2: Like, I don't like the girls that if I'm in

2600
01:48:31,280 --> 01:48:32,720
Speaker 2: the car with them, they just want to listen to

2601
01:48:32,720 --> 01:48:33,800
Speaker 2: super supper out trap music.

2602
01:48:33,840 --> 01:48:37,640
Speaker 1: I'd be cool. I don't need you.

2603
01:48:37,840 --> 01:48:40,360
Speaker 3: Sometimes I stumble like upon some good records through.

2604
01:48:40,280 --> 01:48:44,320
Speaker 4: That, But I just on the first that I don't

2605
01:48:44,360 --> 01:48:47,160
Speaker 4: need my girl like like screaming out how she's gonna like,

2606
01:48:47,200 --> 01:48:49,360
Speaker 4: you know, murder and drop dog food off, Like I

2607
01:48:49,400 --> 01:48:50,840
Speaker 4: just know for the first day.

2608
01:48:50,880 --> 01:48:52,559
Speaker 1: It's just it's too aggressive for me.

2609
01:48:53,080 --> 01:48:54,760
Speaker 4: It's just way too Like I like four two Doug

2610
01:48:54,800 --> 01:48:56,439
Speaker 4: as well, but like, but I don't want you know

2611
01:48:56,479 --> 01:48:57,760
Speaker 4: what I mean. I don't want her listening to that

2612
01:48:57,800 --> 01:49:00,240
Speaker 4: ship on the first day speaking of this, this the

2613
01:49:00,320 --> 01:49:02,840
Speaker 4: last question before we get out of here on tour.

2614
01:49:04,680 --> 01:49:07,200
Speaker 3: Would you consider fucking a fan I'm talking about a

2615
01:49:07,200 --> 01:49:09,280
Speaker 3: fan front Rowe. You find her attractive, of course, but

2616
01:49:09,320 --> 01:49:12,400
Speaker 3: front Row knows every single word at the meet and

2617
01:49:12,439 --> 01:49:15,599
Speaker 3: greet she's talking about I g post you did five

2618
01:49:15,680 --> 01:49:18,120
Speaker 3: years ago in your story like that type of fucking fan.

2619
01:49:19,000 --> 01:49:20,280
Speaker 1: First, I have to think if I've done it.

2620
01:49:21,479 --> 01:49:24,240
Speaker 5: Never nice never mind, I haven't done it.

2621
01:49:24,280 --> 01:49:25,920
Speaker 1: I haven't done it. That's afore I can get to,

2622
01:49:26,040 --> 01:49:27,960
Speaker 1: like if if I would do it, I haven't done it.

2623
01:49:28,320 --> 01:49:28,519
Speaker 3: Uh.

2624
01:49:29,360 --> 01:49:31,519
Speaker 1: If I found her attractive and we were lik.

2625
01:49:31,360 --> 01:49:34,639
Speaker 4: In, don't do it Utah, don't do it in Utah?

2626
01:49:34,960 --> 01:49:36,080
Speaker 1: Like maybe like Utah.

2627
01:49:36,160 --> 01:49:37,040
Speaker 3: I understand your answer.

2628
01:49:37,160 --> 01:49:38,439
Speaker 1: Yeah, you know what I'm saying, Spot.

2629
01:49:38,520 --> 01:49:39,880
Speaker 5: You won't return to anytime soon.

2630
01:49:39,960 --> 01:49:42,240
Speaker 3: Yeah, nothing else is happening there.

2631
01:49:42,320 --> 01:49:44,960
Speaker 2: That's happening there that can you know potentially.

2632
01:49:44,600 --> 01:49:46,760
Speaker 3: Like I was just gonna go We're not in Atlanta, Yeah,

2633
01:49:46,840 --> 01:49:47,120
Speaker 3: like I'm not.

2634
01:49:47,280 --> 01:49:51,639
Speaker 4: Yeah, I'm not turning down a Miami night for Utah

2635
01:49:51,720 --> 01:49:52,760
Speaker 4: night like I saw Lake night.

2636
01:49:53,080 --> 01:49:56,719
Speaker 3: Yeah, fucking a fan in Miami it is crazy. Fans

2637
01:49:56,800 --> 01:49:59,880
Speaker 3: is crazy, agreed, but in Miami in particular it is.

2638
01:50:00,000 --> 01:50:02,160
Speaker 3: But what if you have like really really good looking fans.

2639
01:50:02,760 --> 01:50:05,040
Speaker 4: That's cool. But I think that there's really really good

2640
01:50:05,040 --> 01:50:07,040
Speaker 4: looking women that don't know who you are as well.

2641
01:50:07,479 --> 01:50:08,360
Speaker 5: Okay, there are.

2642
01:50:08,680 --> 01:50:10,439
Speaker 3: I think we have a pretty good looking fan base,

2643
01:50:12,000 --> 01:50:14,120
Speaker 3: but not in Utah. I think we've never toured in

2644
01:50:14,160 --> 01:50:16,040
Speaker 3: you do you think I have a good looking.

2645
01:50:15,800 --> 01:50:18,400
Speaker 2: Fan point like, I don't. You're gonna make me a fan,

2646
01:50:18,520 --> 01:50:22,880
Speaker 2: a fem my fan. I don't think the reason show

2647
01:50:22,960 --> 01:50:25,000
Speaker 2: is where you go find like all the I don't.

2648
01:50:25,000 --> 01:50:27,640
Speaker 2: I don't think that I'm aware enough so you know,

2649
01:50:27,720 --> 01:50:29,599
Speaker 2: self aware enough to know it's just weird.

2650
01:50:29,680 --> 01:50:31,040
Speaker 4: Fucking a girl that's a.

2651
01:50:30,960 --> 01:50:33,280
Speaker 8: Fan bros PTSD.

2652
01:50:33,160 --> 01:50:35,160
Speaker 4: Oh my gosh. I will never do that again in

2653
01:50:35,200 --> 01:50:35,479
Speaker 4: my life.

2654
01:50:35,560 --> 01:50:38,799
Speaker 7: A girl on the dating app matching me and said, uh,

2655
01:50:39,240 --> 01:50:42,080
Speaker 7: she she went about it horribly. She was like kind

2656
01:50:42,120 --> 01:50:44,920
Speaker 7: of saying, my friend thinks, and then it came out

2657
01:50:44,960 --> 01:50:46,680
Speaker 7: that she was the friend that she was referring to,

2658
01:50:46,760 --> 01:50:48,439
Speaker 7: that she was a fan of the pod, and then

2659
01:50:48,439 --> 01:50:49,200
Speaker 7: I just didn't respond.

2660
01:50:49,439 --> 01:50:50,000
Speaker 4: That's automatic.

2661
01:50:50,080 --> 01:50:51,840
Speaker 7: Note if you're listening by the way, I'm just not

2662
01:50:51,840 --> 01:50:53,879
Speaker 7: gonna I don't.

2663
01:50:53,680 --> 01:50:56,519
Speaker 2: Think I like the Diehard fan you're talking about. I

2664
01:50:56,520 --> 01:50:58,320
Speaker 2: think that could be a little awkward, but just fucking fan.

2665
01:50:58,360 --> 01:50:59,880
Speaker 2: I fucked a fan before, and.

2666
01:51:00,200 --> 01:51:00,880
Speaker 3: I'm talking die Hard.

2667
01:51:00,960 --> 01:51:01,640
Speaker 1: Yeah.

2668
01:51:01,640 --> 01:51:04,720
Speaker 3: Everyone everyone's stambled on someone like like yeah, like if

2669
01:51:04,720 --> 01:51:07,360
Speaker 3: you're like like, I will say this, Like one time

2670
01:51:07,360 --> 01:51:09,240
Speaker 3: I was like hanging out with a fan and like

2671
01:51:09,360 --> 01:51:10,719
Speaker 3: she wanted to listen to my music.

2672
01:51:10,760 --> 01:51:13,040
Speaker 2: That was that was weird, Like yeah, like that was

2673
01:51:13,080 --> 01:51:15,519
Speaker 2: I don't. I don't want to funk to better days

2674
01:51:15,640 --> 01:51:16,519
Speaker 2: or you know what I mean.

2675
01:51:16,920 --> 01:51:20,000
Speaker 4: That's just nasty. That's a nasty session. It's weird, like

2676
01:51:20,200 --> 01:51:23,680
Speaker 4: windows cry on when I'm sucking you know, not top Son.

2677
01:51:24,439 --> 01:51:26,840
Speaker 5: It's just damn.

2678
01:51:28,800 --> 01:51:31,519
Speaker 4: It's not good. It's just not a good that's crazy.

2679
01:51:32,040 --> 01:51:35,200
Speaker 4: Don't don't funk fans. We should appreciate our fans. We

2680
01:51:35,200 --> 01:51:37,479
Speaker 4: should you know, respect our fans and have a great

2681
01:51:37,479 --> 01:51:39,800
Speaker 4: time with our fans. But don't put your dick in them,

2682
01:51:40,720 --> 01:51:42,840
Speaker 4: right unless you're.

2683
01:51:42,720 --> 01:51:46,160
Speaker 5: Ended editing every fan.

2684
01:51:46,360 --> 01:51:48,799
Speaker 3: I don't. You don't funk our fans. You're a horrible

2685
01:51:48,800 --> 01:51:49,320
Speaker 3: decision fan.

2686
01:51:49,479 --> 01:51:51,519
Speaker 4: I don't, I don't, I don't.

2687
01:51:52,240 --> 01:51:54,519
Speaker 3: I can say anything, because you're the one that edits everything. Yeah,

2688
01:51:54,600 --> 01:51:56,719
Speaker 3: if you want it out, I don't.

2689
01:52:00,400 --> 01:52:02,320
Speaker 4: The reason we are. We appreciate you for coming by

2690
01:52:02,400 --> 01:52:04,519
Speaker 4: kicking it with us. Make congratulations on the album.

2691
01:52:04,680 --> 01:52:05,240
Speaker 1: Thank you.

2692
01:52:05,240 --> 01:52:07,040
Speaker 4: You're really on the wrapping your ass off. I told

2693
01:52:07,080 --> 01:52:09,640
Speaker 4: Rory last week, and your Reason is quickly becoming one

2694
01:52:09,640 --> 01:52:12,320
Speaker 4: of my favorite rappers. Thank you, bro, Thank you one

2695
01:52:12,360 --> 01:52:14,080
Speaker 4: of those one of the younger guys that still pay

2696
01:52:14,160 --> 01:52:17,200
Speaker 4: attention to to bars and slick ship that you're saying.

2697
01:52:17,520 --> 01:52:18,360
Speaker 1: Yeah, So I.

2698
01:52:18,280 --> 01:52:21,000
Speaker 4: Appreciate that, especially coming from a West Coast artist, because

2699
01:52:21,000 --> 01:52:22,360
Speaker 4: West Coast y'all usually have a lot of style.

2700
01:52:22,560 --> 01:52:23,920
Speaker 1: Yeah, it's not it's not so much of it.

2701
01:52:24,040 --> 01:52:27,720
Speaker 4: Not known for the lyrical, don't get it twisted. Sure

2702
01:52:28,479 --> 01:52:31,519
Speaker 4: some lyrical West Coast cats, but but the overall theme

2703
01:52:31,600 --> 01:52:34,439
Speaker 4: of where we've been at style, Yeah, for sure, jazz

2704
01:52:34,479 --> 01:52:36,080
Speaker 4: and see what I'm saying, it's that type of type

2705
01:52:36,120 --> 01:52:38,200
Speaker 4: of style. But you're definitely one of the younger guys

2706
01:52:38,240 --> 01:52:41,880
Speaker 4: that still pushing heavy pins. So I appreciate that. Congratulations

2707
01:52:41,880 --> 01:52:45,759
Speaker 4: on Porches available now on your DSPs, download that stream

2708
01:52:45,880 --> 01:52:48,840
Speaker 4: that shout out the top, shout out to TV, shout

2709
01:52:48,840 --> 01:52:51,280
Speaker 4: out to yet at the top and move stay off

2710
01:52:51,320 --> 01:52:55,000
Speaker 4: from goddamn streams man, no more reason. The reason is

2711
01:52:55,040 --> 01:52:56,000
Speaker 4: on these streams man.

2712
01:52:56,600 --> 01:52:59,679
Speaker 3: Also on Thursday, My Kara Is Beautiful Episode two featuring

2713
01:52:59,720 --> 01:53:03,160
Speaker 3: Rason be out on our YouTube platform. Check that out.

2714
01:53:03,240 --> 01:53:06,120
Speaker 2: It's an unreleased song on there that I absolutely love.

2715
01:53:06,120 --> 01:53:08,600
Speaker 1: It should have been on the album, and it was.

2716
01:53:09,360 --> 01:53:12,120
Speaker 3: I argued for it to be instead of sobering thoughts

2717
01:53:12,120 --> 01:53:14,960
Speaker 3: on the mantra, I know, I know, and now it

2718
01:53:15,000 --> 01:53:17,760
Speaker 3: didn't make the album, and I was like, all right,

2719
01:53:17,800 --> 01:53:19,519
Speaker 3: so it could have been on could have been on

2720
01:53:19,520 --> 01:53:20,200
Speaker 3: my album.

2721
01:53:19,960 --> 01:53:25,280
Speaker 4: So it's not on nothing else. That was compromise.

2722
01:53:25,360 --> 01:53:26,840
Speaker 3: I was like, we have to we have to put that,

2723
01:53:26,880 --> 01:53:27,760
Speaker 3: we have to put that out.

2724
01:53:28,000 --> 01:53:33,080
Speaker 4: My Calm is Beautiful episode with Reason available Thursday. Yeah, man, salute,

2725
01:53:33,120 --> 01:53:35,200
Speaker 4: congrats man, thank you keep kicking ass out here.

2726
01:53:35,240 --> 01:53:36,240
Speaker 1: I appreciate it. Thank you.

2727
01:53:36,400 --> 01:53:38,400
Speaker 4: All Right, y'all, that's been our episode for today. We'll

2728
01:53:38,439 --> 01:53:40,800
Speaker 4: get back to y'all soon. Enjoy y'all week. Be safe.

2729
01:53:40,840 --> 01:53:44,640
Speaker 4: I'm that nigga. He's just Jingjer and he's reason nor

2730
01:53:45,160 --> 01:53:45,200
Speaker 4: En