1
00:00:07,160 --> 00:00:21,280
Speaker 1: Okay, Joe, start the podcast.

2
00:00:22,920 --> 00:00:24,720
Speaker 2: Did you come prepared or not? No?

3
00:00:24,880 --> 00:00:26,360
Speaker 3: Listen, listen, listen.

4
00:00:26,920 --> 00:00:29,159
Speaker 2: I we're doing this as a favorite and I know that.

5
00:00:29,840 --> 00:00:34,760
Speaker 3: Okay, I'm going to send you something after Okay, don't

6
00:00:33,800 --> 00:00:36,720
Speaker 3: do you want us to die? I know exactly what

7
00:00:36,760 --> 00:00:37,760
Speaker 3: I'm getting for both of you.

8
00:00:38,040 --> 00:00:40,639
Speaker 4: Don't do that, Joe, like you're getting a get too

9
00:00:40,640 --> 00:00:41,640
Speaker 4: many gifts for people.

10
00:00:41,960 --> 00:00:43,879
Speaker 2: Okay, I've never gotten at say.

11
00:00:44,000 --> 00:00:46,840
Speaker 3: I've given Sam eighteen gifts and each one he's like thanks.

12
00:00:49,280 --> 00:00:51,240
Speaker 4: Sometimes I'm like, you don't need to give me a gift.

13
00:00:51,640 --> 00:00:52,239
Speaker 4: You know what I mean?

14
00:00:52,400 --> 00:00:56,680
Speaker 2: I do think Sam, if I may please, I could

15
00:00:56,680 --> 00:01:01,040
Speaker 2: see Sam being more nervous about how to respond to

16
00:01:01,160 --> 00:01:05,160
Speaker 2: a gift, then he is happy about receiving it, even

17
00:01:05,200 --> 00:01:07,480
Speaker 2: if it's like the dream gift, the.

18
00:01:07,560 --> 00:01:09,880
Speaker 4: Stress outweighs the gift's value.

19
00:01:10,040 --> 00:01:12,640
Speaker 2: I will say, you have a I think it's funny

20
00:01:12,680 --> 00:01:15,520
Speaker 2: because in fact, you follow social norms perfectly, and no

21
00:01:15,600 --> 00:01:18,120
Speaker 2: one is ever like wow, no one's ever like Sam's rude.

22
00:01:18,160 --> 00:01:20,800
Speaker 2: Sam didn't do something correctly, and yet you have the

23
00:01:21,040 --> 00:01:24,680
Speaker 2: fear of someone who does has never actually heard of

24
00:01:24,720 --> 00:01:25,400
Speaker 2: a social norm.

25
00:01:25,680 --> 00:01:27,800
Speaker 4: Well, the fear is what makes you act correctly.

26
00:01:27,959 --> 00:01:28,360
Speaker 2: That's true.

27
00:01:28,400 --> 00:01:30,119
Speaker 4: If you don't have fear, you're going to act out.

28
00:01:30,480 --> 00:01:32,720
Speaker 3: Well, Sam told me a very important story about his

29
00:01:32,840 --> 00:01:33,559
Speaker 3: formative years.

30
00:01:33,880 --> 00:01:34,560
Speaker 4: What is it? Wait?

31
00:01:34,640 --> 00:01:37,679
Speaker 2: What was that? Oh? Nothing, Just remind me it's.

32
00:01:37,680 --> 00:01:38,880
Speaker 3: Just about your formative years.

33
00:01:39,120 --> 00:01:41,840
Speaker 4: Tell me about my formative years. Remind me, Yeah, tell us, Joe.

34
00:01:41,920 --> 00:01:46,959
Speaker 3: Okay, So basically Sam was young once uh.

35
00:01:47,440 --> 00:01:50,880
Speaker 2: And drag me Okay, not anymore.

36
00:01:52,200 --> 00:01:53,120
Speaker 4: Damn brought me.

37
00:01:53,360 --> 00:01:55,720
Speaker 3: Sam, whatever, I'm still twenty years older than you.

38
00:01:56,120 --> 00:02:02,760
Speaker 2: Okay, So I'm not sure. Seventieth birthday, you look amazing.

39
00:02:02,960 --> 00:02:03,800
Speaker 2: You look amazing.

40
00:02:04,600 --> 00:02:06,720
Speaker 3: I swear every time I say hey, Sam, how old

41
00:02:06,720 --> 00:02:08,919
Speaker 3: are you? He goes twenty six and I'm like, that's crazy.

42
00:02:09,000 --> 00:02:11,760
Speaker 3: I just turned forty and I don't say that, Joe.

43
00:02:11,880 --> 00:02:14,240
Speaker 2: I don't say that my age.

44
00:02:14,320 --> 00:02:15,639
Speaker 3: You stay twenty six.

45
00:02:15,919 --> 00:02:18,760
Speaker 4: Thank you, And I do feel emotion emotionally twenty six.

46
00:02:18,880 --> 00:02:19,760
Speaker 3: Yeah, that's where you stay.

47
00:02:19,840 --> 00:02:21,840
Speaker 2: Well, we were saying Sam and I are currently on

48
00:02:21,919 --> 00:02:24,400
Speaker 2: tour together doing stand up comedy and not podcasting for

49
00:02:24,520 --> 00:02:27,120
Speaker 2: anyone wondering good and which, by the way, I actually

50
00:02:27,160 --> 00:02:28,359
Speaker 2: want to come back to this because Sam said you

51
00:02:28,400 --> 00:02:34,919
Speaker 2: told him comedy is over. Sam, Sam, Joe, Joe, we

52
00:02:35,040 --> 00:02:37,200
Speaker 2: brought you in here to sort of pretend we were

53
00:02:37,200 --> 00:02:38,040
Speaker 2: going to talk about your book.

54
00:02:38,080 --> 00:02:39,040
Speaker 4: I'm here to expose you.

55
00:02:39,520 --> 00:02:44,440
Speaker 3: It almost I don't understand. I really, I really was trying.

56
00:02:44,520 --> 00:02:46,120
Speaker 3: I was trying all week. I was like, I'm going

57
00:02:46,200 --> 00:02:47,040
Speaker 3: to be normal today.

58
00:02:47,440 --> 00:02:48,440
Speaker 2: You told Sam.

59
00:02:48,680 --> 00:02:51,200
Speaker 4: I know, I know, I have a text message that

60
00:02:51,200 --> 00:02:53,520
Speaker 4: says I'm not going to be normal on Friday.

61
00:02:53,240 --> 00:02:55,680
Speaker 3: But I try to be normal.

62
00:02:56,080 --> 00:02:58,400
Speaker 2: Well how do you It hadn't started yet. How did

63
00:02:58,440 --> 00:02:58,800
Speaker 2: you try?

64
00:02:58,919 --> 00:03:01,720
Speaker 3: Because I was kind of like, be normal, be normal? Yeah,

65
00:03:01,880 --> 00:03:07,880
Speaker 3: because sometimes Sam and I sometimes basically what happens. Basically

66
00:03:08,160 --> 00:03:11,200
Speaker 3: it started off normal, just like you and me. Yeah,

67
00:03:11,360 --> 00:03:15,840
Speaker 3: I they were normal, and then and then basically what

68
00:03:16,040 --> 00:03:18,240
Speaker 3: happens something over the course of the last two years.

69
00:03:18,320 --> 00:03:20,959
Speaker 2: Yeah, something. Oh oh, you mean like I thought you

70
00:03:21,040 --> 00:03:23,080
Speaker 2: were saying you and me are normal currently and I'm like, well,

71
00:03:23,120 --> 00:03:26,440
Speaker 2: we're actually doing bits, but you mean like generally as friends, Yeah,

72
00:03:26,639 --> 00:03:29,760
Speaker 2: is generally speaking, we are normal? Yeah, Sam and I.

73
00:03:30,320 --> 00:03:32,480
Speaker 3: I don't know what happened, but over the last two

74
00:03:32,560 --> 00:03:37,280
Speaker 3: years something shifted permanently where if we are going to

75
00:03:37,360 --> 00:03:38,960
Speaker 3: interact normal, we have to say it.

76
00:03:40,200 --> 00:03:43,920
Speaker 4: This is so one sided. I feel so normal all

77
00:03:44,000 --> 00:03:48,040
Speaker 4: the time. I would say Joe. For example, Joe and

78
00:03:48,080 --> 00:03:50,680
Speaker 4: I went out to a gorgeous dinner with a dear friend,

79
00:03:51,080 --> 00:03:53,480
Speaker 4: and Joe kept saying, let's be normal tonight. Can we

80
00:03:53,640 --> 00:03:56,480
Speaker 4: just be normal tonight? And I said, one hundred percent,

81
00:03:56,600 --> 00:04:02,280
Speaker 4: let's be normal. We're walking back and Josie's a cactus

82
00:04:02,640 --> 00:04:04,360
Speaker 4: and goes, what would happen if I flipped upside down

83
00:04:04,400 --> 00:04:07,160
Speaker 4: and got stuck on this cactus? She says, and then

84
00:04:07,200 --> 00:04:09,040
Speaker 4: I start peeing on myself, And then I'm peeing and

85
00:04:09,160 --> 00:04:11,840
Speaker 4: I'm on this cactus. Then what happens? And I'm like, okay,

86
00:04:12,040 --> 00:04:14,480
Speaker 4: I'm laughing, Joe, that's a crazy thing to say.

87
00:04:15,000 --> 00:04:19,320
Speaker 2: No, okay, just a few things off the bat. First

88
00:04:19,320 --> 00:04:22,240
Speaker 2: of all, cacti seem to be a real theme with you,

89
00:04:22,400 --> 00:04:26,440
Speaker 2: because I noticed there was, in fact a cactus cactus

90
00:04:26,760 --> 00:04:29,880
Speaker 2: centric injury in this very book that you are here

91
00:04:29,960 --> 00:04:30,800
Speaker 2: to promote.

92
00:04:30,560 --> 00:04:32,600
Speaker 3: Murder bringing it to the promotion.

93
00:04:32,960 --> 00:04:34,520
Speaker 2: Yes, yeah, do you think you?

94
00:04:34,960 --> 00:04:35,080
Speaker 1: Uh?

95
00:04:35,800 --> 00:04:39,520
Speaker 2: You said that disgusting thing about the cactus to Sam

96
00:04:39,880 --> 00:04:42,960
Speaker 2: in order to sort of incept him into inviting you

97
00:04:43,279 --> 00:04:45,159
Speaker 2: to be a guest on our podcasting about your book

98
00:04:45,240 --> 00:04:46,839
Speaker 2: on our inaugural Straighter Lab Book Club.

99
00:04:47,000 --> 00:04:50,760
Speaker 3: George, I'm not I said, please do Maggie Smith, and

100
00:04:50,880 --> 00:04:51,960
Speaker 3: you like didn't listen to me.

101
00:04:52,480 --> 00:04:53,480
Speaker 2: Head? Does she have a book out?

102
00:04:56,000 --> 00:04:56,279
Speaker 1: Is she.

103
00:04:58,200 --> 00:05:01,440
Speaker 2: For that to be your go to go to book

104
00:05:01,760 --> 00:05:02,440
Speaker 2: named guest?

105
00:05:02,880 --> 00:05:05,200
Speaker 4: Wait, Joe, this is crazy because at our show in Chicago,

106
00:05:05,240 --> 00:05:07,840
Speaker 4: I brought up Maggie Smith on stage. That's true, like

107
00:05:08,200 --> 00:05:10,520
Speaker 4: completely randomly, we got Maggie Smith on the brain.

108
00:05:10,839 --> 00:05:13,680
Speaker 2: So because so do we have the same dream once?

109
00:05:14,400 --> 00:05:18,039
Speaker 2: That is insane? First of all. Second of all, okay,

110
00:05:18,240 --> 00:05:20,640
Speaker 2: second of all, to close the loop on Sam being

111
00:05:20,640 --> 00:05:22,080
Speaker 2: twenty six, So I was gonna say, is that.

112
00:05:22,360 --> 00:05:23,280
Speaker 3: You're twenty seven?

113
00:05:23,400 --> 00:05:30,039
Speaker 2: I'm twenty seven. No, Dragon, No, I'm perpetually fifty five,

114
00:05:30,440 --> 00:05:33,880
Speaker 2: and Sam is perpetually twenty six. And yet Sam is

115
00:05:33,920 --> 00:05:37,920
Speaker 2: actually more mature and responsible than me. Really, yes, we

116
00:05:38,080 --> 00:05:40,840
Speaker 2: meet in the middle, We meet in the but Sam,

117
00:05:41,120 --> 00:05:44,360
Speaker 2: I threw a line in Sam's current material current half

118
00:05:44,400 --> 00:05:47,719
Speaker 2: hour for anyone out there listening is producing comedy specials,

119
00:05:48,080 --> 00:05:52,800
Speaker 2: is that it's about his inner child? Are you yea?

120
00:05:53,040 --> 00:05:54,920
Speaker 3: And are you doing any jokes at in with the

121
00:05:55,000 --> 00:05:56,960
Speaker 3: Bang Bang with the Bang Bang?

122
00:05:57,440 --> 00:06:02,080
Speaker 2: The comedy Bangang is a different pot. This is Tradio Lab.

123
00:06:02,120 --> 00:06:05,280
Speaker 2: We're owned by Will Ferrell's big money players exclusive deal

124
00:06:05,360 --> 00:06:07,200
Speaker 2: with iHeart and we are so thrilled to have you

125
00:06:07,320 --> 00:06:10,240
Speaker 2: on for our inaugural book Club podcast starts now become

126
00:06:10,360 --> 00:06:11,400
Speaker 2: Maggie Smith.

127
00:06:13,120 --> 00:06:18,640
Speaker 4: Author of Murder on Sex Island. What's the bang Bang?

128
00:06:18,839 --> 00:06:20,800
Speaker 3: You know you do this thing where you do the

129
00:06:20,839 --> 00:06:22,760
Speaker 3: bang bang with your foot? Me?

130
00:06:23,200 --> 00:06:25,880
Speaker 2: Yeah, you mean that that one show when I stomped

131
00:06:25,880 --> 00:06:26,279
Speaker 2: really loud.

132
00:06:26,360 --> 00:06:27,080
Speaker 3: Yeah, that was funny.

133
00:06:27,480 --> 00:06:29,200
Speaker 4: That was funny, but I didn't know it was going

134
00:06:29,240 --> 00:06:31,760
Speaker 4: to bang bang. I was wearing boots that I don't normally.

135
00:06:31,520 --> 00:06:33,360
Speaker 2: Wear on stage. You don't do that again, that was

136
00:06:33,480 --> 00:06:35,560
Speaker 2: less of a part of his material, more something he

137
00:06:35,640 --> 00:06:36,080
Speaker 2: did once.

138
00:06:37,320 --> 00:06:39,840
Speaker 4: I stomped on the stage and it was so loud,

139
00:06:40,200 --> 00:06:42,600
Speaker 4: and I went oh, and I was scared because it

140
00:06:42,640 --> 00:06:45,000
Speaker 4: was so loud, and everyone else acted crazy because it

141
00:06:45,080 --> 00:06:48,000
Speaker 4: was really loud, itzy boots on stage.

142
00:06:48,080 --> 00:06:51,159
Speaker 3: I don't wear boots on stage. The boots in the show.

143
00:06:51,200 --> 00:06:53,880
Speaker 4: You were talking about my formative years, Yeah, what's Oh?

144
00:06:54,040 --> 00:06:58,279
Speaker 3: So basically I found out that Sam had just switched

145
00:06:58,279 --> 00:06:58,920
Speaker 3: schools a lot.

146
00:06:59,200 --> 00:07:04,240
Speaker 2: I do know that. And Sam stayed cool. That's not true. No, No,

147
00:07:05,320 --> 00:07:07,520
Speaker 2: Sam stayed cool at I know more than you do.

148
00:07:07,640 --> 00:07:10,080
Speaker 2: And every school, every.

149
00:07:09,960 --> 00:07:13,000
Speaker 4: School George is thinking of when I moved to Southern Virginia.

150
00:07:13,120 --> 00:07:16,080
Speaker 4: I was bullied for at the beginning, but then I

151
00:07:16,120 --> 00:07:19,280
Speaker 4: did eventually end cool there. So I don't know if that.

152
00:07:19,640 --> 00:07:20,480
Speaker 4: I think you're both right.

153
00:07:21,160 --> 00:07:24,480
Speaker 2: Sam was bullied by Jerem O Harris. Did you know that? No,

154
00:07:25,240 --> 00:07:25,760
Speaker 2: you didn't know that.

155
00:07:26,400 --> 00:07:27,280
Speaker 3: Oh, that's wonderful.

156
00:07:27,600 --> 00:07:37,040
Speaker 2: Why Jeremy is famous. Sam and Jeremy went to high

157
00:07:37,040 --> 00:07:40,080
Speaker 2: school together. Jeremy bullied Sam because he was gay. I'm

158
00:07:40,120 --> 00:07:41,640
Speaker 2: not making any of this up. And then Jeremy came

159
00:07:41,680 --> 00:07:43,920
Speaker 2: on this very podcast and talked about it in the

160
00:07:44,440 --> 00:07:49,480
Speaker 2: thick of COVID. Whoa on zoom on zoom. Wow.

161
00:07:49,720 --> 00:07:51,360
Speaker 3: Did Jeremy apologize?

162
00:07:51,480 --> 00:07:55,200
Speaker 2: Yes, yeah, it was very sweet. Whoa it was actually

163
00:07:55,240 --> 00:07:57,000
Speaker 2: really lovely. Yes, it was lovely.

164
00:07:57,120 --> 00:08:00,920
Speaker 3: How many times did you get that experience? Were you bullied?

165
00:08:01,880 --> 00:08:01,920
Speaker 4: No?

166
00:08:02,120 --> 00:08:08,160
Speaker 2: You know I wasn't bullied, but I also wasn't popular.

167
00:08:08,960 --> 00:08:11,480
Speaker 3: I don't believe it. I don't believe it.

168
00:08:12,840 --> 00:08:15,360
Speaker 2: I would say, Okay. When I was in New Jersey,

169
00:08:16,800 --> 00:08:20,120
Speaker 2: I was rising in the ranks and huge, and I

170
00:08:20,320 --> 00:08:23,080
Speaker 2: was like, if I see her one more year, I

171
00:08:23,120 --> 00:08:25,040
Speaker 2: would never be popular with the boys, but I could

172
00:08:25,080 --> 00:08:27,040
Speaker 2: find a way to be like the one gay guy

173
00:08:27,080 --> 00:08:30,720
Speaker 2: that the girls can fight in. I needed one more

174
00:08:30,800 --> 00:08:33,559
Speaker 2: year and then my family moved back to Greece and

175
00:08:33,640 --> 00:08:36,360
Speaker 2: then it was over. And then not just that, then

176
00:08:36,440 --> 00:08:38,559
Speaker 2: I moved schools in Greece. I moved schools again, so

177
00:08:38,640 --> 00:08:41,840
Speaker 2: it was like two schools. Suddenly I'm joining to join

178
00:08:41,960 --> 00:08:44,800
Speaker 2: a high school in tenth grade. You're not going to

179
00:08:44,880 --> 00:08:49,120
Speaker 2: catch up and to be that's what I did. Yeah,

180
00:08:49,160 --> 00:08:51,000
Speaker 2: but imagine also being from a different country.

181
00:08:51,800 --> 00:08:54,120
Speaker 4: Okay, some would say the Midwest is a different country

182
00:08:54,160 --> 00:08:59,520
Speaker 4: than in southern Virginia. But some people would get if

183
00:08:59,559 --> 00:09:01,439
Speaker 4: they would go from the Midwest to southern Virginia, go,

184
00:09:01,480 --> 00:09:02,680
Speaker 4: I feel like I'm in a different country.

185
00:09:03,280 --> 00:09:05,880
Speaker 2: This place is so different. What was the biggest culture shock,

186
00:09:07,120 --> 00:09:09,560
Speaker 2: the accents? Anything else?

187
00:09:14,080 --> 00:09:18,839
Speaker 4: No, nothing else, pretty much. Okay, Joe, have you ever

188
00:09:18,920 --> 00:09:19,760
Speaker 4: experienced bullying?

189
00:09:20,040 --> 00:09:23,719
Speaker 2: Yeah? Yeah I have.

190
00:09:25,920 --> 00:09:28,040
Speaker 4: Okay, and tell us more, tell us about that.

191
00:09:28,280 --> 00:09:31,880
Speaker 3: Okay, So starting from when I was very young, Okay,

192
00:09:32,679 --> 00:09:35,320
Speaker 3: I was as a child, I was probably two feet

193
00:09:35,320 --> 00:09:37,280
Speaker 3: tall until I turned we.

194
00:09:37,320 --> 00:09:40,000
Speaker 2: Were all at one point two feet tall, that's true.

195
00:09:39,920 --> 00:09:42,120
Speaker 3: But puberty really got me to the three feet to

196
00:09:42,160 --> 00:09:44,640
Speaker 3: four feet Oh really, Okay. I was always very like

197
00:09:45,080 --> 00:09:48,120
Speaker 3: I remember sometimes climbing up the stairs with my hands.

198
00:09:48,760 --> 00:09:52,520
Speaker 2: You rock. What do you mean you short enough that

199
00:09:52,640 --> 00:09:54,960
Speaker 2: you were shorter than a single stare and you had

200
00:09:55,040 --> 00:09:58,480
Speaker 2: to pull yourself up with two arms. Oh, you have

201
00:09:58,559 --> 00:09:59,800
Speaker 2: such strong back muscles.

202
00:10:00,080 --> 00:10:01,760
Speaker 3: Oh, please leave my back out of it.

203
00:10:01,960 --> 00:10:05,400
Speaker 2: I when you mentions this, Sam is always body shaming

204
00:10:05,440 --> 00:10:06,280
Speaker 2: you because of your back.

205
00:10:07,280 --> 00:10:14,560
Speaker 4: Strong hair comes back, lady, back bitch, she's got back

206
00:10:14,640 --> 00:10:15,160
Speaker 4: for days.

207
00:10:19,040 --> 00:10:20,839
Speaker 2: Joe, back for days, Firestone.

208
00:10:20,960 --> 00:10:24,720
Speaker 3: That can't be my nickname, you know, it's just yeah,

209
00:10:24,800 --> 00:10:27,000
Speaker 3: I just have you know, And you know in college,

210
00:10:27,080 --> 00:10:29,000
Speaker 3: I was the girl with the Ronald McDonald hair.

211
00:10:30,120 --> 00:10:31,200
Speaker 4: Uh like bright red?

212
00:10:31,520 --> 00:10:34,719
Speaker 2: Yeah? Is it interesting? Is this your natural hair color? Oh?

213
00:10:34,840 --> 00:10:35,280
Speaker 3: Uh no?

214
00:10:35,600 --> 00:10:37,320
Speaker 4: Was it a play on girl with the dragon tattoo?

215
00:10:37,720 --> 00:10:38,280
Speaker 2: Oh? Oh?

216
00:10:39,920 --> 00:10:41,240
Speaker 4: Was that popular at the time. No.

217
00:10:41,480 --> 00:10:43,439
Speaker 3: I think this must have been in nineteen eighty two

218
00:10:43,600 --> 00:10:47,920
Speaker 3: or so. But so then so then, oh you know what,

219
00:10:48,160 --> 00:10:51,360
Speaker 3: Sam and and George, I just got my hair colored.

220
00:10:52,160 --> 00:10:52,920
Speaker 4: Well it looks amazing.

221
00:10:53,120 --> 00:10:56,600
Speaker 2: First of it looks amazing, but to me having curly

222
00:10:57,040 --> 00:11:01,320
Speaker 2: red hair. Julia Roberts, well, that wasn't what people thought

223
00:11:01,840 --> 00:11:04,240
Speaker 2: in the eighties. It was when you were you were

224
00:11:04,360 --> 00:11:11,880
Speaker 2: in high school. Okay, So that wasn't what people thought.

225
00:11:12,000 --> 00:11:14,200
Speaker 2: So we're talking bright red hair. I guess I don't

226
00:11:14,200 --> 00:11:15,199
Speaker 2: think of you as a redhead. No.

227
00:11:15,280 --> 00:11:16,959
Speaker 3: I tried to do bright red for a bit, but

228
00:11:17,080 --> 00:11:20,320
Speaker 3: then I went to go get my hair dyed recently

229
00:11:20,520 --> 00:11:22,840
Speaker 3: and she was like, what happened to you the last

230
00:11:22,880 --> 00:11:23,360
Speaker 3: two years?

231
00:11:24,559 --> 00:11:25,240
Speaker 2: What did she mean?

232
00:11:25,880 --> 00:11:27,719
Speaker 3: She something was wrong with my?

233
00:11:28,000 --> 00:11:28,720
Speaker 2: Oh I hair?

234
00:11:29,520 --> 00:11:30,920
Speaker 4: What was what did she say was wrong?

235
00:11:31,400 --> 00:11:32,800
Speaker 3: She's like, it looks crazy?

236
00:11:32,920 --> 00:11:41,120
Speaker 2: Bit and what and what do you think? What kind

237
00:11:41,160 --> 00:11:42,840
Speaker 2: of hairstyle are we talking about?

238
00:11:42,920 --> 00:11:42,959
Speaker 4: Like?

239
00:11:43,000 --> 00:11:43,880
Speaker 2: What was she referred to?

240
00:11:44,000 --> 00:11:44,280
Speaker 4: Do you know?

241
00:11:44,520 --> 00:11:46,000
Speaker 2: I mean you just took the insult.

242
00:11:46,160 --> 00:11:48,199
Speaker 3: The back was the back was what it was?

243
00:11:48,640 --> 00:11:48,679
Speaker 5: No?

244
00:11:49,160 --> 00:11:53,760
Speaker 2: Totally? Was it like flattened in the back? Was it

245
00:11:53,920 --> 00:11:56,000
Speaker 2: no cut, weirdly? No color?

246
00:11:56,240 --> 00:11:56,280
Speaker 4: No?

247
00:11:57,160 --> 00:11:58,480
Speaker 2: She just didn't like the back of your head.

248
00:11:58,520 --> 00:12:00,600
Speaker 3: No, Well something was going on, but I wasn't able

249
00:12:00,679 --> 00:12:01,040
Speaker 3: to see it.

250
00:12:01,240 --> 00:12:01,400
Speaker 1: Oh.

251
00:12:01,679 --> 00:12:02,679
Speaker 2: Hey, that's the worst part.

252
00:12:02,720 --> 00:12:03,319
Speaker 4: You can't see it.

253
00:12:03,480 --> 00:12:04,560
Speaker 3: Oh no, it's for the best.

254
00:12:06,880 --> 00:12:08,400
Speaker 4: Well, Joe, I want to say, is someone who's seen

255
00:12:08,440 --> 00:12:09,760
Speaker 4: you a lot over the last two years, I never

256
00:12:09,840 --> 00:12:11,120
Speaker 4: noticed the back of your hair being weird?

257
00:12:11,400 --> 00:12:16,320
Speaker 2: Yeah, but you know why, It's because she's never turned around.

258
00:12:17,080 --> 00:12:19,000
Speaker 4: Oh, because she's self conscious of a big bag.

259
00:12:19,559 --> 00:12:22,559
Speaker 2: No one has ever seen her big back or the

260
00:12:22,600 --> 00:12:26,720
Speaker 2: back of her hair, which looks terrible. She walks along

261
00:12:26,760 --> 00:12:29,959
Speaker 2: the walls, along the wall. It's like, oh, wait a minute,

262
00:12:30,000 --> 00:12:32,079
Speaker 2: you're right, I haven't seen her back ever.

263
00:12:33,880 --> 00:12:37,000
Speaker 3: Well, sometimes you know what I mean if if you know, uh,

264
00:12:37,280 --> 00:12:39,240
Speaker 3: you know, when I was, when I was younger, and

265
00:12:39,320 --> 00:12:42,480
Speaker 3: I would I would urinate myself, you know that would.

266
00:12:42,960 --> 00:12:45,839
Speaker 2: Of course those were times. Oh you don't still do that.

267
00:12:47,360 --> 00:12:50,320
Speaker 2: Sometimes sometimes I'll say, oh, it's p yourself Friday.

268
00:12:51,080 --> 00:12:51,439
Speaker 4: Why not?

269
00:12:53,520 --> 00:12:57,559
Speaker 2: Oh, literally, live a little, live, a little do a

270
00:12:57,600 --> 00:12:59,000
Speaker 2: little micro bed wedding, just a.

271
00:12:59,000 --> 00:13:02,720
Speaker 3: Little, just a little drip, micro bidwitning, micro needling.

272
00:13:03,120 --> 00:13:05,720
Speaker 2: It's all there, everything micro these days.

273
00:13:05,920 --> 00:13:09,160
Speaker 4: Whatever happened in normal sized, normal size stuff.

274
00:13:10,280 --> 00:13:13,040
Speaker 3: I think you my guys might not want hold on.

275
00:13:13,520 --> 00:13:17,000
Speaker 3: I think I think you guys might want to put

276
00:13:17,080 --> 00:13:18,440
Speaker 3: this stuff in your stand up.

277
00:13:19,440 --> 00:13:20,840
Speaker 2: The micro thing. Yeah.

278
00:13:21,160 --> 00:13:23,720
Speaker 4: Yeah, like everything is micro these days. Write that down,

279
00:13:24,080 --> 00:13:25,760
Speaker 4: Write that down, microplastics.

280
00:13:26,360 --> 00:13:31,600
Speaker 2: It actually is true that everything is micro waita sorry, microwife,

281
00:13:32,720 --> 00:13:37,520
Speaker 2: microwife micro sorry, don't talk to me or my microwife

282
00:13:37,559 --> 00:13:43,600
Speaker 2: ever again. I'm saying micro way, microwave, micro way.

283
00:13:43,920 --> 00:13:44,880
Speaker 4: Well that makes sense.

284
00:13:44,960 --> 00:13:47,960
Speaker 2: That definitely makes sense. Although I would say the heyday

285
00:13:48,000 --> 00:13:49,559
Speaker 2: of the microwaves is in the past.

286
00:13:50,800 --> 00:13:55,200
Speaker 3: Yes, there was one last night. Wo'd you cook chicken nuggets? Fake?

287
00:13:55,760 --> 00:13:58,240
Speaker 2: Fake? Well, of course I wouldn't expect them to be

288
00:13:58,360 --> 00:14:01,600
Speaker 2: real if their microwave. But I feel like microwaves are

289
00:14:01,760 --> 00:14:04,520
Speaker 2: not like at the top of the cultural conversation, you

290
00:14:04,559 --> 00:14:06,719
Speaker 2: know what is like an instant pot like that is

291
00:14:06,760 --> 00:14:09,400
Speaker 2: the that is the microwave of now, of the twenty

292
00:14:09,440 --> 00:14:12,120
Speaker 2: first century. Yeah, yeah, but I do think you're onto

293
00:14:12,160 --> 00:14:15,679
Speaker 2: something with everything being micro and there's something about micro

294
00:14:15,920 --> 00:14:21,080
Speaker 2: that is I didn't and a great point that you said,

295
00:14:21,240 --> 00:14:23,680
Speaker 2: which is that everything is micro And here's why, because

296
00:14:23,680 --> 00:14:28,040
Speaker 2: I think micro is both more threatening and it's less

297
00:14:28,080 --> 00:14:30,760
Speaker 2: threatening because it's smaller, but it's more threatening because it's

298
00:14:30,800 --> 00:14:33,240
Speaker 2: like is it in my pores? Like is it can

299
00:14:33,320 --> 00:14:36,080
Speaker 2: get any like micro microplastics.

300
00:14:37,040 --> 00:14:39,880
Speaker 4: Well, it allows people to have anxiety in a different way. Yes, exactly,

301
00:14:39,880 --> 00:14:41,240
Speaker 4: because you don't have to prove it. You can just

302
00:14:41,280 --> 00:14:42,760
Speaker 4: be like, I'm filled with micro stuff.

303
00:14:43,160 --> 00:14:45,520
Speaker 3: Yeah, because you know a lot of people say, you know,

304
00:14:45,640 --> 00:14:48,000
Speaker 3: there's that like there's two kinds of people in this world,

305
00:14:48,160 --> 00:14:50,000
Speaker 3: people that are afraid of big stuff people that are

306
00:14:50,000 --> 00:14:50,920
Speaker 3: afraid of little stuff?

307
00:14:51,240 --> 00:14:54,240
Speaker 2: Which are you little sticks?

308
00:14:54,560 --> 00:14:54,800
Speaker 3: Nice?

309
00:14:54,960 --> 00:14:57,360
Speaker 2: I think I said tits like you're afraid of little tits?

310
00:14:57,800 --> 00:14:58,240
Speaker 3: George?

311
00:14:59,000 --> 00:15:05,200
Speaker 2: Please, do you you have a phobia? Got a bit?

312
00:15:05,600 --> 00:15:06,800
Speaker 3: I'm free a little titch.

313
00:15:07,600 --> 00:15:09,880
Speaker 2: So when a big, tall runway model walks into the room,

314
00:15:09,880 --> 00:15:10,640
Speaker 2: you say, ah.

315
00:15:12,120 --> 00:15:15,880
Speaker 4: Joe, I have a question relating to hair. So you

316
00:15:16,240 --> 00:15:16,960
Speaker 4: what color is it?

317
00:15:17,080 --> 00:15:18,960
Speaker 2: Right now? Auburn?

318
00:15:19,040 --> 00:15:23,040
Speaker 4: I'm color deficient, as many people know, I George learned recently.

319
00:15:23,280 --> 00:15:27,320
Speaker 3: Right, I did know this too, brown brown brown?

320
00:15:28,160 --> 00:15:31,440
Speaker 4: Because you know in the book, your your character Luela,

321
00:15:31,760 --> 00:15:34,520
Speaker 4: she puts on a blonde wig and feels more powerful.

322
00:15:34,600 --> 00:15:36,160
Speaker 4: Do you feel more powerful when you were blonde?

323
00:15:37,600 --> 00:15:42,800
Speaker 3: I am not the same as the character. It's not autobiography.

324
00:15:43,280 --> 00:15:44,400
Speaker 4: This pretty much happened to you.

325
00:15:44,520 --> 00:15:47,400
Speaker 2: Let's be honest. No, this is a true story.

326
00:15:47,600 --> 00:15:48,760
Speaker 4: No, this is the true story.

327
00:15:49,040 --> 00:15:51,920
Speaker 2: Your book Murdering Sex Island is based on your life.

328
00:15:52,000 --> 00:15:53,960
Speaker 3: Oh, I have no connection to this?

329
00:15:54,360 --> 00:15:57,560
Speaker 2: Well you wrote it. Well yes, no, Maggie Smith, you

330
00:15:57,640 --> 00:16:01,200
Speaker 2: don't have no connection to it. To claim you have

331
00:16:01,320 --> 00:16:03,120
Speaker 2: no connection to it is a flat out lie.

332
00:16:04,240 --> 00:16:09,600
Speaker 3: So book club, book club, okay, wow, so what are

333
00:16:09,640 --> 00:16:12,280
Speaker 3: we doing here? Do you think that it's Do you think.

334
00:16:12,200 --> 00:16:16,920
Speaker 2: That this is what Reese did Witherspoon? We are already

335
00:16:17,120 --> 00:16:20,000
Speaker 2: talking circles around do you know what Reese Witherspoon does?

336
00:16:20,280 --> 00:16:23,760
Speaker 2: She tells jat chat Chubut to explain the book in

337
00:16:23,840 --> 00:16:26,400
Speaker 2: one paragraph. She reads that paragraph, and then she does

338
00:16:26,440 --> 00:16:29,360
Speaker 2: an Instagram reil where someone else writes no line and

339
00:16:29,480 --> 00:16:32,480
Speaker 2: she goes, y'all, when I read this book, I said

340
00:16:32,920 --> 00:16:35,280
Speaker 2: this is my favorite book. And then the next week

341
00:16:35,320 --> 00:16:37,080
Speaker 2: she does that with a different book, and then she

342
00:16:37,200 --> 00:16:39,120
Speaker 2: options all of them. None of them ever get made,

343
00:16:39,400 --> 00:16:41,600
Speaker 2: but she makes one billion dollars a week from it.

344
00:16:42,040 --> 00:16:43,840
Speaker 2: Do you know how much we're making doing this episode?

345
00:16:43,960 --> 00:16:48,000
Speaker 2: Negative three hundred dollars. That's tricky, Yes, because it's really tricky.

346
00:16:48,360 --> 00:16:50,720
Speaker 3: That is tricky. I wonder if there's a way to raise.

347
00:16:50,520 --> 00:16:57,720
Speaker 4: Funds, and that's this is a benefit show calling now donate, donate, donate.

348
00:16:59,440 --> 00:17:01,200
Speaker 2: But we do we do want to talk about the book,

349
00:17:01,440 --> 00:17:05,120
Speaker 2: right so, because it's book club book clubs and maybe

350
00:17:05,160 --> 00:17:07,320
Speaker 2: we'll have been asking, you know, you've had authors to

351
00:17:07,400 --> 00:17:10,040
Speaker 2: be honest, award winning authors on the podcast before, like

352
00:17:10,119 --> 00:17:12,480
Speaker 2: what's different about this one? The difference is we can

353
00:17:12,560 --> 00:17:14,320
Speaker 2: talk about spoilers if we want, because it's a book

354
00:17:14,359 --> 00:17:16,440
Speaker 2: club and people, and we encourage people to read it

355
00:17:16,480 --> 00:17:19,520
Speaker 2: ahead of time. So if we're having like Jonathan Franzen

356
00:17:19,560 --> 00:17:22,080
Speaker 2: on just like as a normal guest, this straight topic

357
00:17:22,200 --> 00:17:25,240
Speaker 2: is birding, you know we're not going to like spoil

358
00:17:26,040 --> 00:17:28,760
Speaker 2: the corrections. Yeah, but with this one we can talk

359
00:17:28,760 --> 00:17:29,480
Speaker 2: about whatever we want.

360
00:17:30,080 --> 00:17:31,720
Speaker 4: We can talk about essentially whatever we want.

361
00:17:32,320 --> 00:17:32,840
Speaker 3: Interesting.

362
00:17:33,280 --> 00:17:35,000
Speaker 4: So, Joe, you're a star of stage and screen. What

363
00:17:35,119 --> 00:17:36,040
Speaker 4: led you to writing a book?

364
00:17:38,960 --> 00:17:40,760
Speaker 2: Yeah? Same question for me.

365
00:17:40,920 --> 00:17:45,040
Speaker 3: Okay. Basically what happened is I didn't have any work okay,

366
00:17:45,359 --> 00:17:47,320
Speaker 3: and I was like, I can't. I don't really like

367
00:17:47,400 --> 00:17:50,480
Speaker 3: going outside at night anymore. Yes, you know that that's

368
00:17:50,640 --> 00:17:51,840
Speaker 3: change in a woman's life.

369
00:17:52,520 --> 00:17:54,240
Speaker 4: Yeah, not mean the seventies.

370
00:17:54,720 --> 00:18:00,800
Speaker 2: Meaningly, you're we're aging her more and more acenter, meaning

371
00:18:00,840 --> 00:18:05,040
Speaker 2: you didn't want to to stand up. Oh, can you

372
00:18:05,080 --> 00:18:06,840
Speaker 2: actually asked one parenthetical question?

373
00:18:07,240 --> 00:18:09,840
Speaker 3: Yeah? Parent to parent, parent.

374
00:18:09,680 --> 00:18:16,600
Speaker 2: To parent, Yes, being a mom no, I guess my

375
00:18:16,760 --> 00:18:17,280
Speaker 2: question is like.

376
00:18:17,320 --> 00:18:19,680
Speaker 3: Can I tell you something speaking? I mean, I'm not

377
00:18:19,760 --> 00:18:25,240
Speaker 3: a mom, but and Sam not anymore? You know, I

378
00:18:25,320 --> 00:18:27,720
Speaker 3: mean he's in a better place.

379
00:18:27,880 --> 00:18:29,600
Speaker 2: Yes, okay, Arkansas.

380
00:18:29,760 --> 00:18:34,000
Speaker 3: Yeah, okay, So so basically I took my dog to

381
00:18:34,080 --> 00:18:35,639
Speaker 3: the same trainer as Sam.

382
00:18:36,960 --> 00:18:39,399
Speaker 4: Uh huh, okay, yeah, so Joe and I both have

383
00:18:39,520 --> 00:18:41,160
Speaker 4: problem dogs, but of different styles.

384
00:18:41,600 --> 00:18:42,920
Speaker 2: Yeah, And what happened.

385
00:18:44,800 --> 00:18:50,520
Speaker 3: Sam and Nisha had this effect on this dog trainer.

386
00:18:51,359 --> 00:18:55,440
Speaker 3: He loved them them on the cheeks. I would say

387
00:18:55,480 --> 00:18:58,359
Speaker 3: how much he really enjoyed them and would do anything

388
00:18:58,440 --> 00:19:03,200
Speaker 3: for them. I I referred Sam to this dog trainer

389
00:19:03,520 --> 00:19:05,480
Speaker 3: that can be tough, and this dog trainer never once

390
00:19:05,560 --> 00:19:06,480
Speaker 3: wanted to hug me.

391
00:19:07,160 --> 00:19:09,680
Speaker 4: The moment he walked into our door, he said, let's hug.

392
00:19:10,520 --> 00:19:11,000
Speaker 2: Let's hug.

393
00:19:11,119 --> 00:19:12,720
Speaker 4: Of course it's under the guys of just to see

394
00:19:12,720 --> 00:19:15,480
Speaker 4: how the dog reacts. But he held that hug and

395
00:19:15,600 --> 00:19:17,920
Speaker 4: then he is, you know, we're talking. He sees the pool,

396
00:19:17,920 --> 00:19:21,200
Speaker 4: he goes, oh, here we goes skinny dipping. I go, well, well,

397
00:19:21,280 --> 00:19:24,359
Speaker 4: we might have to, you know. He's sort of he's saying, oh, well,

398
00:19:24,440 --> 00:19:26,040
Speaker 4: what do you like to drink? Like we should all

399
00:19:26,080 --> 00:19:29,120
Speaker 4: hang out some and you think so the whole time,

400
00:19:29,119 --> 00:19:31,120
Speaker 4: I'm like, we are literally about to have a threesome

401
00:19:31,680 --> 00:19:33,840
Speaker 4: and with the dog trainer. And then at the end

402
00:19:33,920 --> 00:19:36,639
Speaker 4: he's like, and you have to meet my wife. And

403
00:19:36,760 --> 00:19:39,320
Speaker 4: I was like, oh interesting, I guess they do things

404
00:19:39,359 --> 00:19:41,440
Speaker 4: a little bit different in Los Angeles, California.

405
00:19:41,640 --> 00:19:44,240
Speaker 2: Yeah. Yeah, and that no one actually ever has sex

406
00:19:44,320 --> 00:19:47,120
Speaker 2: from what I understand Town.

407
00:19:49,720 --> 00:19:52,880
Speaker 4: And Joe, Joe this, I was like, oh, he must

408
00:19:52,920 --> 00:19:55,000
Speaker 4: have been super super nice to you as well, and

409
00:19:55,160 --> 00:19:57,120
Speaker 4: like really charming and sort of making all these jokes

410
00:19:57,160 --> 00:20:00,440
Speaker 4: and wanting to hang out. And Joe, that wasn't your experience.

411
00:20:01,200 --> 00:20:02,159
Speaker 3: You know, that wasn't Mike.

412
00:20:02,440 --> 00:20:04,399
Speaker 2: I had literally you really set her up for that one.

413
00:20:04,520 --> 00:20:07,760
Speaker 3: He literally had wanted nothing to do with me. I

414
00:20:07,800 --> 00:20:11,200
Speaker 3: would text, he would wait twenty four hours to text back. Yeah,

415
00:20:11,320 --> 00:20:15,400
Speaker 3: I swear it was the effect that I don't think

416
00:20:15,440 --> 00:20:18,480
Speaker 3: you probably have this. But walking on the earth with Sam,

417
00:20:19,200 --> 00:20:22,879
Speaker 3: it's just like the people are throwing themselves at him.

418
00:20:22,960 --> 00:20:25,440
Speaker 2: Yeah, it's crazy, say touch my butt, touch my butt.

419
00:20:25,480 --> 00:20:26,440
Speaker 3: Give it me, get me.

420
00:20:26,720 --> 00:20:29,960
Speaker 2: No, they're bending over. They're saying please fuck me.

421
00:20:30,720 --> 00:20:34,480
Speaker 3: And Sam's like, all right, And it's crazy because I'm

422
00:20:34,480 --> 00:20:35,720
Speaker 3: saying please, can I fuck?

423
00:20:35,880 --> 00:20:36,240
Speaker 5: Please?

424
00:20:36,440 --> 00:20:41,159
Speaker 2: Please? That's your phrase begging to fuck or whatever. Yeah, no,

425
00:20:41,240 --> 00:20:43,119
Speaker 2: you guys don't say get away from me, you shrew.

426
00:20:43,520 --> 00:20:46,520
Speaker 2: It's yes, Well it's interesting. You know, I see both

427
00:20:46,560 --> 00:20:48,639
Speaker 2: of you walking around and this might have to do

428
00:20:48,760 --> 00:20:52,359
Speaker 2: with your not acting normal, so to speak, because the

429
00:20:52,440 --> 00:20:54,480
Speaker 2: two of you are a funny pair. You know, Sam

430
00:20:54,640 --> 00:20:57,119
Speaker 2: is just looking straight ahead as people are like whipping

431
00:20:57,200 --> 00:21:01,520
Speaker 2: out cocks but anything they can get their hands on,

432
00:21:01,600 --> 00:21:03,680
Speaker 2: and Sam is just like, don't look, don't look. And

433
00:21:03,720 --> 00:21:09,919
Speaker 2: then meanwhile you're you're screaming, who's gonna fuck me? George?

434
00:21:09,960 --> 00:21:11,720
Speaker 3: I want to know where you are in this spectrum?

435
00:21:12,000 --> 00:21:14,320
Speaker 2: Okay, I have to agree with you that Sam has

436
00:21:14,400 --> 00:21:18,719
Speaker 2: a charisma that stays with people. And the best way

437
00:21:18,720 --> 00:21:20,960
Speaker 2: I can describe it is if you introduce someone to Sam,

438
00:21:21,040 --> 00:21:24,800
Speaker 2: they will keep asking you how is Sam forever? So

439
00:21:25,040 --> 00:21:28,760
Speaker 2: I will say, like, one example is my father in law.

440
00:21:29,480 --> 00:21:31,200
Speaker 2: We introduced him to Sam once because Sam had a

441
00:21:31,280 --> 00:21:33,720
Speaker 2: medical issue. And the medical issue that I would say

442
00:21:33,840 --> 00:21:39,040
Speaker 2: is like not a sexy one. I was internally bleeding. Yes,

443
00:21:39,400 --> 00:21:42,600
Speaker 2: it was a gastrent trology issue. Scary, so you know

444
00:21:43,800 --> 00:21:46,200
Speaker 2: we're talking. I don't know what kind of photos of exchange,

445
00:21:46,200 --> 00:21:47,720
Speaker 2: and nor is it my business to ask, but this

446
00:21:47,920 --> 00:21:50,680
Speaker 2: man's like the inside of my asshole. This Sam saw

447
00:21:50,760 --> 00:21:54,240
Speaker 2: Sam at his most vulnerable. You would think he'd be

448
00:21:54,280 --> 00:21:56,200
Speaker 2: in there. You would think he'd want to move on

449
00:21:56,560 --> 00:21:59,119
Speaker 2: after that and not like keep checking in when I

450
00:21:59,200 --> 00:22:01,000
Speaker 2: tell you to this every time I see him, how

451
00:22:01,119 --> 00:22:06,639
Speaker 2: Sam doing. He literally heard about the after Midnight not

452
00:22:06,760 --> 00:22:09,760
Speaker 2: being on air anymore and and proactively asked me without

453
00:22:09,800 --> 00:22:12,800
Speaker 2: me telling him, like, and I'm a bacting New York. Yes,

454
00:22:13,960 --> 00:22:14,840
Speaker 2: that is wild.

455
00:22:15,320 --> 00:22:17,159
Speaker 4: To be fair, I had a really special bond with

456
00:22:17,280 --> 00:22:20,320
Speaker 4: Matthew's dad. Yeah, there was really something there.

457
00:22:20,640 --> 00:22:24,240
Speaker 2: Wow. Yeah, so I do uh, I do agree with

458
00:22:24,320 --> 00:22:24,760
Speaker 2: what you're saying.

459
00:22:24,800 --> 00:22:25,800
Speaker 3: But does this happen to you too?

460
00:22:26,080 --> 00:22:28,400
Speaker 2: I would say Sam and I have different types enough

461
00:22:28,480 --> 00:22:30,840
Speaker 2: that I've never felt not that I would ever feel competitive,

462
00:22:30,840 --> 00:22:33,560
Speaker 2: but I've never felt like, oh no, like that person

463
00:22:33,680 --> 00:22:36,520
Speaker 2: is giving Sam or me more attention in a way

464
00:22:36,600 --> 00:22:37,320
Speaker 2: that is noticeable.

465
00:22:37,880 --> 00:22:40,400
Speaker 4: And I think George has a more There's something about

466
00:22:40,400 --> 00:22:42,000
Speaker 4: George where he's the one that people go to to

467
00:22:42,200 --> 00:22:44,760
Speaker 4: like ask to be on the podcast, Like people feel

468
00:22:44,840 --> 00:22:47,920
Speaker 4: more comfortable talking with George, and in a way that

469
00:22:48,000 --> 00:22:50,160
Speaker 4: I'm like confused, Like I'm like, i feel like I'm

470
00:22:50,160 --> 00:22:53,080
Speaker 4: like presenting a smiley vibe. You're more smiley vibe than

471
00:22:53,119 --> 00:22:56,680
Speaker 4: I have, and people are like not messaging me for anything.

472
00:22:56,800 --> 00:23:00,840
Speaker 2: Here's what I think it is. I think, broadly speaking,

473
00:23:01,160 --> 00:23:02,960
Speaker 2: if you were to see me and not know me,

474
00:23:03,160 --> 00:23:07,320
Speaker 2: I would maybe seem kind of bitchy and not super forthcoming.

475
00:23:07,920 --> 00:23:11,080
Speaker 2: But if we're having a one on one conversation, I

476
00:23:11,240 --> 00:23:16,040
Speaker 2: think I get more. I don't want to say I

477
00:23:16,400 --> 00:23:18,960
Speaker 2: I access a fake thing, because I don't think it's fake.

478
00:23:19,359 --> 00:23:22,760
Speaker 2: But I'm able to get into a small talk mindset

479
00:23:23,040 --> 00:23:26,840
Speaker 2: maybe one on one easier, and so then people immediately

480
00:23:26,880 --> 00:23:29,840
Speaker 2: feel like we have a connection. Yeah, how do you

481
00:23:29,880 --> 00:23:31,639
Speaker 2: feel about that? I think that makes sense. Yeah, I

482
00:23:31,680 --> 00:23:32,400
Speaker 2: think that makes sense.

483
00:23:32,680 --> 00:23:36,360
Speaker 4: But Joe, you everyone's obsessed with you, with the most

484
00:23:36,440 --> 00:23:40,760
Speaker 4: beloved comedian in all of America, to be completely honest,

485
00:23:41,600 --> 00:23:45,879
Speaker 4: and the thing is you can't. You refuse to accept it.

486
00:23:46,200 --> 00:23:48,240
Speaker 2: And you refuse to do stand up comedy to be honest.

487
00:23:52,720 --> 00:23:55,680
Speaker 3: I told you I hit that stage in my woman's life.

488
00:23:56,600 --> 00:23:57,720
Speaker 2: In my woman's life.

489
00:23:57,760 --> 00:24:03,119
Speaker 3: Okay. So then basic basically, gosh, I'm so sweaty with

490
00:24:03,240 --> 00:24:04,440
Speaker 3: this long sleeve shirt.

491
00:24:04,800 --> 00:24:06,120
Speaker 2: Okay, So I called Joe.

492
00:24:06,280 --> 00:24:08,240
Speaker 4: I called Joe out for having a long sleep shirt,

493
00:24:08,440 --> 00:24:12,040
Speaker 4: and I was like, there's so much backstory on Joe's

494
00:24:12,080 --> 00:24:13,560
Speaker 4: outfits that we cannot get into.

495
00:24:20,000 --> 00:24:22,000
Speaker 2: What do you know about Joe's formative years?

496
00:24:22,680 --> 00:24:24,160
Speaker 3: Okay, what are you doing?

497
00:24:24,280 --> 00:24:25,720
Speaker 2: I just know that there was a point when she

498
00:24:25,840 --> 00:24:27,879
Speaker 2: was so short that she had to crawl up the

499
00:24:27,960 --> 00:24:30,040
Speaker 2: stairs with her Yeah. I heard that too, I read

500
00:24:30,080 --> 00:24:32,240
Speaker 2: just say that and one time? Is that also part

501
00:24:32,240 --> 00:24:33,000
Speaker 2: of Louella's backs?

502
00:24:33,240 --> 00:24:33,280
Speaker 4: No?

503
00:24:33,920 --> 00:24:36,200
Speaker 3: One time I order your shoes online? It turned out

504
00:24:36,200 --> 00:24:37,359
Speaker 3: they were baby shoes.

505
00:24:38,160 --> 00:24:40,160
Speaker 2: That okay, how old were you at the time?

506
00:24:40,280 --> 00:24:41,359
Speaker 3: I was twenty four?

507
00:24:41,480 --> 00:24:41,919
Speaker 2: That's not.

508
00:24:43,520 --> 00:24:45,960
Speaker 3: Ride right, was like a cool brand. But then it

509
00:24:46,000 --> 00:24:48,800
Speaker 3: turns out it's for babies. But on the picture it

510
00:24:48,880 --> 00:24:50,120
Speaker 3: looked like human shoes.

511
00:24:51,160 --> 00:24:55,920
Speaker 4: Maybes are humans? Oh, babies are second class?

512
00:24:56,280 --> 00:24:59,920
Speaker 3: Oh whatever? You you're trying to get a gotcha me? Okay,

513
00:25:00,440 --> 00:25:07,600
Speaker 3: so I'm not gonna get gotcha today. Okay, just because

514
00:25:07,640 --> 00:25:10,399
Speaker 3: she's mousey doesn't mean there's two. There could be multiple

515
00:25:10,480 --> 00:25:11,480
Speaker 3: mousey women.

516
00:25:11,480 --> 00:25:12,040
Speaker 4: That's true.

517
00:25:12,160 --> 00:25:17,639
Speaker 2: But a name one famous mousey woman. Uh okay, And

518
00:25:17,800 --> 00:25:20,440
Speaker 2: don't say Maggie's man. Don't say Maggie Smith. Don't you dare? Okay?

519
00:25:20,520 --> 00:25:25,960
Speaker 3: Fine, okay, fine, how about oh I know how about

520
00:25:26,320 --> 00:25:29,560
Speaker 3: uh Zoe Macintosh?

521
00:25:31,000 --> 00:25:32,159
Speaker 4: Never heard of your man?

522
00:25:32,359 --> 00:25:32,560
Speaker 2: Someone?

523
00:25:32,640 --> 00:25:35,159
Speaker 3: I did make it up. But let me think of

524
00:25:35,200 --> 00:25:36,439
Speaker 3: another one, A real one, A.

525
00:25:36,440 --> 00:25:38,800
Speaker 2: Real I gonna say Zoe Deschanel, who.

526
00:25:38,760 --> 00:25:39,960
Speaker 3: Is a carpenter.

527
00:25:40,680 --> 00:25:41,280
Speaker 2: Is she mousey?

528
00:25:41,400 --> 00:25:41,920
Speaker 3: She's little.

529
00:25:42,440 --> 00:25:43,000
Speaker 2: She's little.

530
00:25:43,040 --> 00:25:45,000
Speaker 4: It's little. The only the fighting factor of her.

531
00:25:45,040 --> 00:25:48,200
Speaker 2: She's not mousey, but she's so little that she's actually

532
00:25:48,320 --> 00:25:50,359
Speaker 2: enough like a mouse that you could say she's mousey,

533
00:25:50,400 --> 00:25:51,399
Speaker 2: even though she's that's not what.

534
00:25:52,880 --> 00:25:53,680
Speaker 4: She's a mouse like.

535
00:25:54,040 --> 00:25:56,879
Speaker 2: She's a mouse like. But I think a mousey you

536
00:25:56,960 --> 00:26:01,040
Speaker 2: know what mousey is is like uh, Catwoman out of

537
00:26:01,160 --> 00:26:03,720
Speaker 2: Drag where she's like, oh my, oh god, like my

538
00:26:03,840 --> 00:26:07,000
Speaker 2: glasses are crooked and I'm photo copying wrong. Yes, yeah,

539
00:26:07,040 --> 00:26:07,480
Speaker 2: I love that.

540
00:26:08,000 --> 00:26:10,080
Speaker 3: But yeah, I would say that. I would say that

541
00:26:10,200 --> 00:26:14,040
Speaker 3: there's the main character is kind of incompetent and also Mousie.

542
00:26:14,359 --> 00:26:17,800
Speaker 3: And just because I'm also incompetent and Mousie doesn't mean

543
00:26:17,840 --> 00:26:19,600
Speaker 3: that we're the same person by any means.

544
00:26:19,640 --> 00:26:21,120
Speaker 2: Well, first of all, I don't think you're incompetent because

545
00:26:21,119 --> 00:26:24,160
Speaker 2: you did write a book auto fiction.

546
00:26:24,200 --> 00:26:29,840
Speaker 4: I want to say, No, So it's like, how so

547
00:26:30,000 --> 00:26:33,120
Speaker 4: Sex Island is love Island and then and then you're

548
00:26:33,200 --> 00:26:35,520
Speaker 4: the detective, so like that's no, this is a.

549
00:26:35,600 --> 00:26:38,720
Speaker 2: Murder mystery based on your life. No, and it's called

550
00:26:38,800 --> 00:26:40,919
Speaker 2: murder on Sex Island. So Sex Island is clearly inspired

551
00:26:40,960 --> 00:26:43,800
Speaker 2: by Love Island, although there are major differences, like what

552
00:26:44,359 --> 00:26:47,320
Speaker 2: name one? Okay, here's one. Okay, they live in a

553
00:26:47,480 --> 00:26:52,879
Speaker 2: big apartment. Yeah, complex? Is that what happens on Love Island?

554
00:26:52,960 --> 00:26:54,440
Speaker 3: No, they say on the same bids?

555
00:26:54,800 --> 00:26:57,399
Speaker 2: Yeah, exactly. Yeah, they sleep in the same it's that. Actually.

556
00:26:57,680 --> 00:26:59,520
Speaker 2: One of the few things about your book that is

557
00:27:00,480 --> 00:27:04,280
Speaker 2: less disgusting than Love Island is that. I because on

558
00:27:04,400 --> 00:27:06,280
Speaker 2: Love Island they sleep in true like a communal room

559
00:27:06,320 --> 00:27:07,080
Speaker 2: with communal beds.

560
00:27:07,240 --> 00:27:10,280
Speaker 3: Yes, But then in the Love Island UK some people

561
00:27:10,320 --> 00:27:12,440
Speaker 3: get to sleep in single beds up above.

562
00:27:14,119 --> 00:27:16,119
Speaker 2: I'm gonna be honest with you. I've watched exactly two

563
00:27:16,160 --> 00:27:17,360
Speaker 2: episodes of Love Island US.

564
00:27:17,680 --> 00:27:18,600
Speaker 4: I watched even less.

565
00:27:18,720 --> 00:27:22,200
Speaker 3: Oh interesting, Well, I've watched it almost almost. Yeah. Well

566
00:27:22,400 --> 00:27:23,480
Speaker 3: we're different, Oh.

567
00:27:23,520 --> 00:27:25,919
Speaker 2: Much like your character. That's not that's really interesting.

568
00:27:27,080 --> 00:27:31,440
Speaker 3: I did not write an auto fiction book, so it

569
00:27:31,560 --> 00:27:32,359
Speaker 3: was autobiography.

570
00:27:32,600 --> 00:27:35,760
Speaker 4: No, so do the contestants on the reality show represent

571
00:27:35,800 --> 00:27:36,480
Speaker 4: your family members?

572
00:27:36,640 --> 00:27:39,879
Speaker 2: No? No, okay, I don't about trauma?

573
00:27:40,040 --> 00:27:43,200
Speaker 3: No, No, there's no trauma. Okay it is.

574
00:27:43,520 --> 00:27:46,480
Speaker 6: It is a book, and yeah, there's actually trauma in

575
00:27:46,520 --> 00:27:50,720
Speaker 6: the book. No, okay, there's murder murder is in trauma.

576
00:27:50,880 --> 00:27:58,879
Speaker 6: It's a different genre name one trauma. I mean, I

577
00:27:59,000 --> 00:28:03,280
Speaker 6: didn't know why this is so difficult, Okay, So okay, okay.

578
00:28:03,320 --> 00:28:07,880
Speaker 2: I wrote a fiction book, correct, and and it's out now. Yeah.

579
00:28:08,040 --> 00:28:10,359
Speaker 3: And then there's a second book coming out in a

580
00:28:10,480 --> 00:28:12,600
Speaker 3: year called Sex on Murder Island.

581
00:28:12,640 --> 00:28:13,679
Speaker 2: And have you already written that one?

582
00:28:13,760 --> 00:28:14,520
Speaker 3: Yeah, that one's written.

583
00:28:14,760 --> 00:28:16,119
Speaker 4: Was that one easy to write because you could just

584
00:28:16,160 --> 00:28:18,639
Speaker 4: control F sex and change it for murder and control.

585
00:28:18,560 --> 00:28:23,119
Speaker 2: F and vice versa. Yeah, same question.

586
00:28:25,200 --> 00:28:27,720
Speaker 3: I did not need you to make control. I f

587
00:28:28,880 --> 00:28:33,320
Speaker 3: to make to make control if I'm a novelist, okay,

588
00:28:33,680 --> 00:28:36,440
Speaker 3: and I don't need you doing control if if jabs.

589
00:28:37,600 --> 00:28:40,080
Speaker 2: Is it hard to take off your wig when you

590
00:28:40,160 --> 00:28:42,160
Speaker 2: get home to write the things that happened that day?

591
00:28:42,720 --> 00:28:45,960
Speaker 3: George? I didn't, George. This is Yes, it's written in

592
00:28:46,040 --> 00:28:50,400
Speaker 3: first person, right, Yes, it's from a mouseie woman who's incompetent.

593
00:28:51,400 --> 00:28:55,200
Speaker 2: Well, I actually don't think she's incompetent, because she does spoiler,

594
00:28:55,400 --> 00:28:59,800
Speaker 2: she does, just like you finished the book at the end. Yeah,

595
00:29:00,200 --> 00:29:03,280
Speaker 2: despite your own self mythology about oh god, I'm always

596
00:29:03,360 --> 00:29:06,280
Speaker 2: dropping things, you're getting up every day and you're doing

597
00:29:06,400 --> 00:29:07,560
Speaker 2: five full hours of writing.

598
00:29:07,920 --> 00:29:09,640
Speaker 4: You were one of the most productive people. I literally

599
00:29:09,720 --> 00:29:10,440
Speaker 4: you're productive.

600
00:29:10,720 --> 00:29:14,560
Speaker 2: Your last two big entertainment jobs, You've been the boss.

601
00:29:15,440 --> 00:29:17,520
Speaker 2: You are currently a guest on the one the Boss.

602
00:29:17,880 --> 00:29:19,440
Speaker 3: Oh, Sam, Am I the boss.

603
00:29:22,760 --> 00:29:24,479
Speaker 4: Was the boss, Joe, I would say that you are

604
00:29:24,520 --> 00:29:24,760
Speaker 4: the boss.

605
00:29:25,040 --> 00:29:25,920
Speaker 2: Sam was the boss.

606
00:29:25,960 --> 00:29:29,880
Speaker 3: I'll tell you that much. Everyone looks to Sam every moment.

607
00:29:30,160 --> 00:29:35,640
Speaker 3: Sam always Sam looking. Everyone looks up to Sam. Sam

608
00:29:35,800 --> 00:29:39,719
Speaker 3: is six foot five. He is an extreme taste.

609
00:29:40,280 --> 00:29:42,480
Speaker 4: Joe. I was silent in that room. I never said

610
00:29:42,520 --> 00:29:45,480
Speaker 4: a word. I was just like, I was believable.

611
00:29:45,920 --> 00:29:48,520
Speaker 2: No, but I think you're I think when when you

612
00:29:48,640 --> 00:29:51,720
Speaker 2: think you're being mousey, other people take it as I

613
00:29:51,840 --> 00:29:54,440
Speaker 2: better impress him because he's being He's like, he's not

614
00:29:54,560 --> 00:29:56,920
Speaker 2: going to crack a smile unless he's actually impressed with something.

615
00:29:57,280 --> 00:30:02,640
Speaker 3: Sam had an issue with wraps the food.

616
00:30:03,040 --> 00:30:07,080
Speaker 4: We kept ordering wraps, and mine had a big asshole

617
00:30:07,200 --> 00:30:12,360
Speaker 4: in it. Not to mention dry, all of them did well,

618
00:30:12,520 --> 00:30:13,600
Speaker 4: just the one had the big hole.

619
00:30:14,680 --> 00:30:20,800
Speaker 3: And he's he personally hit you. Basically he got He

620
00:30:21,000 --> 00:30:25,720
Speaker 3: basically turned the whole room against wraps. Oh that's so

621
00:30:25,840 --> 00:30:29,000
Speaker 3: much social capital. So yeah, I'm the boss.

622
00:30:31,160 --> 00:30:32,840
Speaker 2: Yeah, Joe.

623
00:30:33,040 --> 00:30:36,480
Speaker 4: There was an undeniable hole in my wrap? What was

624
00:30:36,520 --> 00:30:39,280
Speaker 4: I supposed to And on top of that, they're consistently dry.

625
00:30:40,360 --> 00:30:42,080
Speaker 3: This is the wettest rap you'll ever eat.

626
00:30:43,040 --> 00:30:45,840
Speaker 2: I don't know. Just to be clear, that doesn't sound better. No, no, no, no,

627
00:30:47,040 --> 00:30:49,080
Speaker 2: I don't think the hard decide between a dry rap

628
00:30:49,120 --> 00:30:50,840
Speaker 2: and a wet rap. I would go for a dry.

629
00:30:50,720 --> 00:30:52,320
Speaker 3: Personally, I only eat wet food.

630
00:30:52,960 --> 00:30:56,280
Speaker 2: Okay, I don't interesting, So like how Laela only eats

631
00:30:56,320 --> 00:30:59,720
Speaker 2: soup because of her fake teeth, Just making a just

632
00:30:59,760 --> 00:31:01,400
Speaker 2: put gere out there, just putting that out there, making

633
00:31:01,800 --> 00:31:04,760
Speaker 2: making an observation, kind of like the ones you made

634
00:31:04,840 --> 00:31:06,760
Speaker 2: as Detective Louela van Horne.

635
00:31:07,000 --> 00:31:10,200
Speaker 3: Okay, first of all, thank you for pronouncing it in

636
00:31:10,280 --> 00:31:10,680
Speaker 3: the Dutch.

637
00:31:11,360 --> 00:31:13,840
Speaker 4: Of course he's international.

638
00:31:14,200 --> 00:31:18,840
Speaker 2: Yes, I know. I'm international American. That's my that's my nationality.

639
00:31:22,000 --> 00:31:23,840
Speaker 2: I'm second generation international American.

640
00:31:28,800 --> 00:31:31,240
Speaker 3: And Sam feels like that because he still used to

641
00:31:31,320 --> 00:31:32,600
Speaker 3: go to high school Midwest.

642
00:31:33,040 --> 00:31:36,840
Speaker 2: Yeah, so it was different because the accents, right exactly. Yeah,

643
00:31:37,040 --> 00:31:40,560
Speaker 2: my wife his first generation in national American. Because he

644
00:31:40,720 --> 00:31:41,520
Speaker 2: moved to Virginia.

645
00:31:43,880 --> 00:31:45,760
Speaker 4: It was a really difficult transition, you guys.

646
00:31:45,920 --> 00:31:49,360
Speaker 3: Yeah, well you know how it goes, Oh, high school.

647
00:31:49,760 --> 00:31:51,920
Speaker 3: I just got I just got invited to my twentieth

648
00:31:51,960 --> 00:31:53,760
Speaker 3: high school reunion, speaking of.

649
00:31:53,800 --> 00:31:57,680
Speaker 4: Old and are you going to go?

650
00:31:58,360 --> 00:32:01,800
Speaker 3: I don't think I can. How come the people are active.

651
00:32:01,520 --> 00:32:05,240
Speaker 2: Because you have that big case Island on sex murder,

652
00:32:08,120 --> 00:32:10,160
Speaker 2: George wet rap on dry Island.

653
00:32:10,360 --> 00:32:19,960
Speaker 3: Oh oh oh you you too combined? It is truly, honestly,

654
00:32:20,480 --> 00:32:23,960
Speaker 3: I tell you this, You too combined. It's like your

655
00:32:24,160 --> 00:32:27,240
Speaker 3: two puzzle pieces, but when you put the puzzle pieces together,

656
00:32:27,560 --> 00:32:32,160
Speaker 3: it is a gun. Okay.

657
00:32:35,400 --> 00:32:37,720
Speaker 4: When I complained about the wraps, Joe assigned me to

658
00:32:37,800 --> 00:32:39,280
Speaker 4: get really into rap culture.

659
00:32:39,400 --> 00:32:40,840
Speaker 3: No, I didn't mean it like that.

660
00:32:41,200 --> 00:32:44,640
Speaker 2: I meant it like rap culture. This is all you

661
00:32:44,720 --> 00:32:47,640
Speaker 2: guys are. This entire story is like being told to

662
00:32:47,720 --> 00:32:50,160
Speaker 2: me so that you can do wordplay. It's all been

663
00:32:50,240 --> 00:32:52,760
Speaker 2: leading up. It's all been leading up to someone being

664
00:32:52,840 --> 00:32:55,240
Speaker 2: like it was hardcore rap and it's like a chicken

665
00:32:55,320 --> 00:32:55,760
Speaker 2: Caesar wrap.

666
00:32:55,960 --> 00:32:59,640
Speaker 3: No okay, So okay, okay, that is good, okay, okay,

667
00:33:00,080 --> 00:33:02,200
Speaker 3: or seriously, I think that the thing is, this is

668
00:33:02,240 --> 00:33:04,840
Speaker 3: what I'm just getting at, okay, is that I've never

669
00:33:04,920 --> 00:33:06,920
Speaker 3: commanded respect in my life.

670
00:33:07,120 --> 00:33:07,200
Speaker 4: But.

671
00:33:08,800 --> 00:33:12,760
Speaker 2: But respect is being showered at you on all left

672
00:33:12,920 --> 00:33:15,080
Speaker 2: and left and right, no, and you are sitting there

673
00:33:15,120 --> 00:33:16,480
Speaker 2: and saying, I'm mousie.

674
00:33:18,960 --> 00:33:22,479
Speaker 3: I honestly don't understand why people come up with they

675
00:33:22,600 --> 00:33:23,880
Speaker 3: beg you to get on this show.

676
00:33:24,520 --> 00:33:28,120
Speaker 4: They beg you, and I told Georgia's story.

677
00:33:28,520 --> 00:33:32,160
Speaker 2: Wait here you can let Joe can finish one thought.

678
00:33:32,280 --> 00:33:38,000
Speaker 3: I'm just saying that I'm practically begged. I said, please, please, mothers,

679
00:33:38,160 --> 00:33:41,680
Speaker 3: please get me on this show, and just to say

680
00:33:42,000 --> 00:33:45,840
Speaker 3: just to get on there saying, well, that's all it is.

681
00:33:47,080 --> 00:33:50,760
Speaker 2: What I didn't. I actually regret. I regret interrupting Sam

682
00:33:50,840 --> 00:33:52,000
Speaker 2: and having you finish your thoughts.

683
00:33:57,600 --> 00:33:58,640
Speaker 3: So what's your story?

684
00:33:59,160 --> 00:34:00,800
Speaker 4: Can I tell George about toe Tech?

685
00:34:03,480 --> 00:34:03,600
Speaker 7: Right?

686
00:34:04,920 --> 00:34:07,840
Speaker 4: Okay? So Joe loves to be like I'm I'm normal,

687
00:34:08,000 --> 00:34:10,759
Speaker 4: I'm acting normal, and how do you guys possibly laugh

688
00:34:10,840 --> 00:34:14,719
Speaker 4: at me? And then she'll say the craziest thing on earth?

689
00:34:15,200 --> 00:34:17,960
Speaker 4: For example, she was like everyone has crazy thoughts. She

690
00:34:18,080 --> 00:34:19,879
Speaker 4: was like, everyone has crazy thoughts. We're all going around

691
00:34:19,920 --> 00:34:22,400
Speaker 4: sharing like, okay, well I believe this. I believe this,

692
00:34:22,920 --> 00:34:24,800
Speaker 4: like sort of you know, trying to relate and be

693
00:34:24,920 --> 00:34:27,880
Speaker 4: like I'm crazy, I'm crazy. You know, somebody's like I

694
00:34:27,960 --> 00:34:30,960
Speaker 4: think some people are psychic or whatever. Sure, whatever, we

695
00:34:31,080 --> 00:34:36,120
Speaker 4: go to Joe and she's like, well, my boyfriend believes

696
00:34:36,200 --> 00:34:40,399
Speaker 4: in you know, past lives, and babies often know him

697
00:34:40,520 --> 00:34:52,000
Speaker 4: as Totech. Babies often know him as to Tech. And

698
00:34:52,080 --> 00:34:55,840
Speaker 4: we're like, what are you talking about? And she's like,

699
00:34:56,200 --> 00:34:59,759
Speaker 4: babies will point at him and go to Tech.

700
00:35:08,400 --> 00:35:09,960
Speaker 2: And then after that you just asked to lead the

701
00:35:10,000 --> 00:35:11,080
Speaker 2: writers for the rest of that.

702
00:35:11,320 --> 00:35:12,800
Speaker 4: And then literally she's like, oh, by the way, you

703
00:35:12,840 --> 00:35:16,160
Speaker 4: have notes like it's like, it's like, what is going on.

704
00:35:16,840 --> 00:35:24,279
Speaker 4: Babies often know him as toe Tech, So then it

705
00:35:24,400 --> 00:35:27,080
Speaker 4: implies that like babies know him, and then you reach

706
00:35:27,120 --> 00:35:29,239
Speaker 4: a certain age and you no longer know him as

707
00:35:29,280 --> 00:35:31,080
Speaker 4: to Tech. You forget who he is.

708
00:35:31,520 --> 00:35:32,440
Speaker 3: That's what I'm saying.

709
00:35:33,480 --> 00:35:40,440
Speaker 4: So how many babies, how many babies have pointed him?

710
00:35:41,440 --> 00:35:41,880
Speaker 3: Have done this?

711
00:35:44,480 --> 00:35:44,760
Speaker 2: Okay?

712
00:35:44,880 --> 00:35:48,040
Speaker 3: Sopped like stick your little finger pointing at him.

713
00:35:52,239 --> 00:35:55,840
Speaker 2: And are you sure it's not like you're they're saying

714
00:35:55,920 --> 00:35:59,160
Speaker 2: something like oh, you know, like baby sounds, but you're

715
00:35:59,239 --> 00:36:02,600
Speaker 2: primed to hear as to Tech. No, I wish and

716
00:36:02,760 --> 00:36:04,080
Speaker 2: how many babies are we talking?

717
00:36:05,239 --> 00:36:08,879
Speaker 3: This happens with several babies and then and we looked

718
00:36:08,960 --> 00:36:11,879
Speaker 3: up to Tech and to Tech isn't as Tech god

719
00:36:11,960 --> 00:36:12,560
Speaker 3: of war.

720
00:36:16,320 --> 00:36:19,200
Speaker 2: And so do you think in his past life he

721
00:36:19,560 --> 00:36:20,239
Speaker 2: was to Tech.

722
00:36:21,360 --> 00:36:25,440
Speaker 3: It seems only I don't know explain, and I actually.

723
00:36:25,200 --> 00:36:27,520
Speaker 2: Have an explanation for why babies know him as to Tech.

724
00:36:27,760 --> 00:36:29,040
Speaker 4: Oh, I would love some of your explanation.

725
00:36:29,160 --> 00:36:32,520
Speaker 2: It's actually pretty simple, and I'm sure everyone would have

726
00:36:32,560 --> 00:36:35,520
Speaker 2: gotten the eventually. But it's like, okay, so if there

727
00:36:35,560 --> 00:36:38,920
Speaker 2: are past lives, Okay, a baby is born, that's a

728
00:36:38,960 --> 00:36:42,520
Speaker 2: new life being started. But maybe like there's residual past

729
00:36:42,600 --> 00:36:44,600
Speaker 2: life until the baby grows up, you know what I mean.

730
00:36:44,680 --> 00:36:50,040
Speaker 2: So like there's there's the new life is only just

731
00:36:50,160 --> 00:36:54,120
Speaker 2: getting started, and it's filling in the container that previously

732
00:36:54,200 --> 00:36:56,279
Speaker 2: had the past life. So in the beginning, there's enough

733
00:36:56,320 --> 00:36:58,080
Speaker 2: of the past life for them to recognize him as

734
00:36:58,120 --> 00:37:01,520
Speaker 2: to Tech. And then as they get older, the part

735
00:37:01,560 --> 00:37:04,520
Speaker 2: of them that would recognize him fades away and now

736
00:37:04,560 --> 00:37:06,680
Speaker 2: they are just like Keith.

737
00:37:07,320 --> 00:37:09,759
Speaker 4: It's essentially the plot of Baby Geniuses. I don't know

738
00:37:09,800 --> 00:37:10,560
Speaker 4: if you guys have seen it.

739
00:37:12,239 --> 00:37:14,800
Speaker 2: I actually I have not seen it, but I know

740
00:37:14,880 --> 00:37:16,680
Speaker 2: of the famous scene where you're in the point of

741
00:37:16,719 --> 00:37:17,280
Speaker 2: view of the sperm.

742
00:37:18,400 --> 00:37:20,560
Speaker 4: Yeah, so pretty much there's a movie called Baby Geniuses

743
00:37:20,640 --> 00:37:23,960
Speaker 4: which Kirsty ally right, Uh no, that's look who's talking?

744
00:37:24,040 --> 00:37:26,960
Speaker 3: I think, Oh, okay, then there's also a baby giant.

745
00:37:27,040 --> 00:37:28,319
Speaker 2: Well I was talking about La who's talking?

746
00:37:28,400 --> 00:37:28,960
Speaker 3: Baby Boss?

747
00:37:29,080 --> 00:37:29,279
Speaker 4: I do?

748
00:37:29,480 --> 00:37:33,200
Speaker 2: I have seen Baby Genius is actually SAMs Bab, But

749
00:37:33,239 --> 00:37:34,120
Speaker 2: I still want to know the plot.

750
00:37:34,200 --> 00:37:36,360
Speaker 4: Well, the promise is, of course, that you that babies

751
00:37:36,360 --> 00:37:38,520
Speaker 4: are born in their geniuses until they reach a certain

752
00:37:38,560 --> 00:37:39,600
Speaker 4: age and they forget it all.

753
00:37:40,320 --> 00:37:42,360
Speaker 3: He Isn't there a book? I mean a movie like

754
00:37:42,440 --> 00:37:43,880
Speaker 3: that to like Smart Dogs?

755
00:37:44,360 --> 00:37:48,560
Speaker 2: Yes, no, they're actually his, but I can't remember what

756
00:37:48,719 --> 00:37:51,719
Speaker 2: it's called. It's like, do you remember there's also one

757
00:37:51,719 --> 00:37:54,960
Speaker 2: about with cats and dogs that are battling one another. Yes,

758
00:37:55,160 --> 00:37:58,000
Speaker 2: and they're using technology. It's called cats and Dogs.

759
00:37:58,080 --> 00:38:00,920
Speaker 4: I'm learning. Joe, are you were worried that if you

760
00:38:01,040 --> 00:38:05,040
Speaker 4: were to have a child, that your own baby would

761
00:38:05,080 --> 00:38:08,120
Speaker 4: know him as Totech and then eventually, like maybe know

762
00:38:08,239 --> 00:38:09,799
Speaker 4: him better as Totech than as dad.

763
00:38:11,640 --> 00:38:14,399
Speaker 3: Sounds like you're worried about that. Sounds like that's something

764
00:38:14,440 --> 00:38:15,160
Speaker 3: you're worried about.

765
00:38:15,680 --> 00:38:17,400
Speaker 2: I guess my question would be, are you worried that

766
00:38:17,440 --> 00:38:21,800
Speaker 2: your baby would be a god? Aka the Messiah? To

767
00:38:21,960 --> 00:38:23,640
Speaker 2: talk about a fictional book?

768
00:38:24,080 --> 00:38:26,080
Speaker 4: Okay, that's nonfiction.

769
00:38:26,040 --> 00:38:29,160
Speaker 3: Okay, I came here, and I'm sorry if everyone else

770
00:38:29,200 --> 00:38:32,200
Speaker 3: here comes on here to talk about their memoir again.

771
00:38:32,239 --> 00:38:34,040
Speaker 2: This is the inaugural Stradiola Book Club.

772
00:38:34,120 --> 00:38:36,240
Speaker 4: This is the first book club. I think many authors

773
00:38:36,239 --> 00:38:37,360
Speaker 4: are going to begging to come on.

774
00:38:38,719 --> 00:38:40,480
Speaker 3: Wait till I get on the reddit forums.

775
00:38:42,440 --> 00:38:45,400
Speaker 2: So okay, okay.

776
00:38:45,520 --> 00:38:48,680
Speaker 3: So basically, here's what you do is it's really easy

777
00:38:48,719 --> 00:38:50,840
Speaker 3: to you write him. It's very you can write a

778
00:38:51,120 --> 00:38:54,520
Speaker 3: mystery novel really quickly. Okay, And so that's what I did.

779
00:38:54,600 --> 00:38:56,080
Speaker 3: I thought I was never going to work again. And

780
00:38:56,120 --> 00:38:57,600
Speaker 3: then I thought, oh, you know what, I'm going to

781
00:38:57,640 --> 00:39:01,960
Speaker 3: write a sexual books to pop off, you know.

782
00:39:02,600 --> 00:39:04,279
Speaker 2: And why did you choose the mystery I mean, I

783
00:39:04,280 --> 00:39:08,320
Speaker 2: guess you choose the mystery genre because it is like popular.

784
00:39:08,880 --> 00:39:11,040
Speaker 3: Well, I love mysteries. And then I was like, I'm

785
00:39:11,040 --> 00:39:15,080
Speaker 3: gonna write a psycho sexual thriller, very good, very juicy.

786
00:39:15,719 --> 00:39:18,320
Speaker 3: Then I couldn't really bring pen to paper when it

787
00:39:18,400 --> 00:39:20,000
Speaker 3: came to the sexuals.

788
00:39:20,120 --> 00:39:20,560
Speaker 4: You know, I did.

789
00:39:20,719 --> 00:39:23,880
Speaker 2: I did notice that unfortunately, there is no intercourse or

790
00:39:23,960 --> 00:39:26,240
Speaker 2: a book called Murder on Sex Silent. It's actually pretty

791
00:39:26,320 --> 00:39:26,960
Speaker 2: light on the sex.

792
00:39:27,160 --> 00:39:29,520
Speaker 4: You'd be surprised how little sex there is no I

793
00:39:29,800 --> 00:39:30,360
Speaker 4: just couldn't.

794
00:39:30,719 --> 00:39:32,560
Speaker 3: It's just so hard to be like, he put his

795
00:39:32,760 --> 00:39:34,640
Speaker 3: sausage in there or whatever.

796
00:39:34,600 --> 00:39:36,880
Speaker 4: You do you say cock at one point, Oh, but

797
00:39:37,000 --> 00:39:39,360
Speaker 4: I just yeah, I mean there was something when you

798
00:39:39,440 --> 00:39:42,600
Speaker 4: referred to one character's ten inch penis throughout, and it

799
00:39:42,680 --> 00:39:45,040
Speaker 4: was sort of like, Joe, stop it.

800
00:39:46,120 --> 00:39:48,560
Speaker 2: Well, I do think it's written from the perspective of

801
00:39:49,040 --> 00:39:51,359
Speaker 2: someone who doesn't.

802
00:39:51,080 --> 00:39:54,560
Speaker 3: Know it's okay, okay, okay, okay, okay, okay.

803
00:39:54,920 --> 00:39:57,360
Speaker 2: Enough, okay, which is part of the character.

804
00:39:57,560 --> 00:40:00,400
Speaker 3: Oh yeah, yeah, okay, So yes, she does and she

805
00:40:00,560 --> 00:40:04,479
Speaker 3: does whatever. So then basically I wrote this book thinking

806
00:40:04,560 --> 00:40:06,520
Speaker 3: it's going to be a smash hit. Wouldn't have to

807
00:40:06,680 --> 00:40:09,560
Speaker 3: ever go back to these comedy clubs.

808
00:40:10,080 --> 00:40:13,480
Speaker 2: Right where you were making the big books. The club.

809
00:40:15,920 --> 00:40:18,040
Speaker 4: You see Joe up there at the cellar every damn night.

810
00:40:18,880 --> 00:40:20,120
Speaker 4: And here's the problem with Woke.

811
00:40:21,600 --> 00:40:25,480
Speaker 3: Well, well, well you too, you too. I hope you

812
00:40:25,640 --> 00:40:29,360
Speaker 3: enjoy each other. Okay, this is a this is just

813
00:40:29,719 --> 00:40:34,879
Speaker 3: ghastly okay, So you know, truly, Okay, So I wrote

814
00:40:34,920 --> 00:40:37,239
Speaker 3: this book think it's going to pop off. Then you know,

815
00:40:37,560 --> 00:40:39,000
Speaker 3: I started querying it.

816
00:40:40,239 --> 00:40:42,880
Speaker 2: Query showing it to people, Yeah, you send it, and

817
00:40:43,280 --> 00:40:44,120
Speaker 2: they said.

818
00:40:44,120 --> 00:40:46,040
Speaker 3: No, no, and so then I was like, well, I

819
00:40:46,080 --> 00:40:48,440
Speaker 3: wrote this whole book though, and so then I self

820
00:40:48,560 --> 00:40:52,719
Speaker 3: published it, okay, and then self publishing it is uh,

821
00:40:52,840 --> 00:40:57,840
Speaker 3: it's it is a it is not it is a

822
00:40:57,960 --> 00:41:02,000
Speaker 3: tough process. For I accidentally made the book really big.

823
00:41:02,760 --> 00:41:05,680
Speaker 2: How do you mean, like physically, like the font was

824
00:41:05,719 --> 00:41:06,200
Speaker 2: really big.

825
00:41:06,120 --> 00:41:07,240
Speaker 4: Something A lot of pages.

826
00:41:07,360 --> 00:41:08,760
Speaker 3: No, it was like the size of a calendar.

827
00:41:10,360 --> 00:41:15,800
Speaker 2: You just yeah, yeah. So and then when you're holding

828
00:41:15,800 --> 00:41:20,000
Speaker 2: it almost like even more giant please, Okay, you're climbing

829
00:41:20,040 --> 00:41:23,480
Speaker 2: the stairs. Meanwhile you're surfing on the book. Surfing down

830
00:41:23,520 --> 00:41:25,759
Speaker 2: the stairs on your giant's book. Just what we were

831
00:41:25,800 --> 00:41:26,479
Speaker 2: telling your friends.

832
00:41:26,560 --> 00:41:30,360
Speaker 4: Hat somethings are micro somethings are macron anything, be normal,

833
00:41:31,080 --> 00:41:31,600
Speaker 4: you all.

834
00:41:31,800 --> 00:41:35,080
Speaker 3: Why don't audition for ass cat like this we had.

835
00:41:35,040 --> 00:41:39,719
Speaker 2: And we didn't make it. They don't like us over there, Okay. Yeah.

836
00:41:39,800 --> 00:41:42,440
Speaker 3: So then so then basically I did this. I did

837
00:41:42,480 --> 00:41:46,840
Speaker 3: this whole self published book, okay, and then uh and

838
00:41:46,960 --> 00:41:51,200
Speaker 3: then I uh and then I I and then eventually

839
00:41:51,280 --> 00:41:53,000
Speaker 3: it became a published book. But then they were like,

840
00:41:53,040 --> 00:41:55,200
Speaker 3: you have a lot of plot holes. So then I

841
00:41:55,280 --> 00:41:57,960
Speaker 3: had to revise the book and write it again. So

842
00:41:58,200 --> 00:42:04,719
Speaker 3: I've written this book I think eighteen times what theles changed.

843
00:42:04,719 --> 00:42:07,360
Speaker 2: I want to just push back a little bit. What

844
00:42:07,480 --> 00:42:09,840
Speaker 2: you're describing is the editing process.

845
00:42:10,360 --> 00:42:14,000
Speaker 3: I don't actually need you to push back at this moment.

846
00:42:14,120 --> 00:42:16,520
Speaker 3: And I think that maybe an author working.

847
00:42:16,320 --> 00:42:18,320
Speaker 2: With an editor at the end, I keep having to

848
00:42:18,440 --> 00:42:18,880
Speaker 2: rewrite it.

849
00:42:19,000 --> 00:42:21,920
Speaker 3: No, I think, and I think this is obviously not

850
00:42:22,000 --> 00:42:23,799
Speaker 3: a time to push back. It actually is a time

851
00:42:23,840 --> 00:42:24,600
Speaker 3: to push forward.

852
00:42:25,000 --> 00:42:26,960
Speaker 4: Push forward, wow, more than ever?

853
00:42:27,480 --> 00:42:32,200
Speaker 3: Oh okay, So basically, yeah, I guess it got edited

854
00:42:33,040 --> 00:42:38,239
Speaker 3: normal totally. Like, for example, there is a knife, uh

855
00:42:38,320 --> 00:42:42,520
Speaker 3: huh in the self published version. I may have forgotten

856
00:42:42,640 --> 00:42:44,200
Speaker 3: there was a knife, but the.

857
00:42:44,320 --> 00:42:46,360
Speaker 2: Belly button thing was still there. You just didn't know

858
00:42:46,480 --> 00:42:47,120
Speaker 2: how it happened.

859
00:42:47,400 --> 00:42:50,720
Speaker 4: Or the knife in the underwear drawer? Which knife?

860
00:42:51,080 --> 00:42:52,000
Speaker 2: There were no knives?

861
00:42:52,360 --> 00:42:58,239
Speaker 3: No, no, there was no There was a knife, but

862
00:42:58,360 --> 00:42:59,319
Speaker 3: they never found the.

863
00:42:59,360 --> 00:43:02,640
Speaker 4: Knife, so it was like an implied knife.

864
00:43:03,200 --> 00:43:05,040
Speaker 2: And which knife did they not find? The one that

865
00:43:05,239 --> 00:43:08,080
Speaker 2: was used on the murder victims to do the belly

866
00:43:08,120 --> 00:43:11,160
Speaker 2: button thing? So the one in the chicken and the

867
00:43:11,239 --> 00:43:17,279
Speaker 2: rotissary chicken. Yeah, so the chicken wasn't that wasn't at it?

868
00:43:17,719 --> 00:43:22,680
Speaker 2: Oh okay, okay, So I'm sorry.

869
00:43:23,040 --> 00:43:34,360
Speaker 3: I didn't know you guys had or were, uh Reddit, Okay,

870
00:43:34,600 --> 00:43:36,239
Speaker 3: so book Club I guess goes like this.

871
00:43:37,239 --> 00:43:40,040
Speaker 2: Yeah, okay, so.

872
00:43:42,760 --> 00:43:47,919
Speaker 4: That is so classic Joe. No. One time. One time,

873
00:43:48,360 --> 00:43:50,439
Speaker 4: Joe was like getting up and she was like really

874
00:43:50,640 --> 00:43:53,480
Speaker 4: like emphatically, like I'm gonna make a point. I'm going

875
00:43:53,560 --> 00:43:55,360
Speaker 4: to make a point. What you guys don't understand. What

876
00:43:55,480 --> 00:43:57,439
Speaker 4: you guys don't understand is people love.

877
00:43:57,360 --> 00:44:02,520
Speaker 2: To go like this. For anyone not watching, Sam is

878
00:44:02,719 --> 00:44:03,839
Speaker 2: merely holding a cup.

879
00:44:05,320 --> 00:44:08,880
Speaker 4: This is all she does. And we're like, finish the sentence,

880
00:44:09,120 --> 00:44:11,000
Speaker 4: what did they love to go like? And she's like,

881
00:44:11,040 --> 00:44:13,200
Speaker 4: people love to go like this and she just holds

882
00:44:13,239 --> 00:44:16,040
Speaker 4: her cup and it's like what we're two hands with

883
00:44:16,160 --> 00:44:16,920
Speaker 4: two hands.

884
00:44:16,719 --> 00:44:19,480
Speaker 2: And so to go like this. Okay, did you mean

885
00:44:19,520 --> 00:44:22,719
Speaker 2: that people like to hold something with both hands? No,

886
00:44:23,440 --> 00:44:24,480
Speaker 2: so what did you mean?

887
00:44:25,080 --> 00:44:27,800
Speaker 3: Basically, here's what happened. It's like every day head go

888
00:44:27,920 --> 00:44:30,200
Speaker 3: in there and I'd be like, Hi, guys, have a

889
00:44:30,280 --> 00:44:33,840
Speaker 3: great day today, Love you so much. I hope you

890
00:44:33,880 --> 00:44:36,200
Speaker 3: feel supported, and they would stare at me.

891
00:44:36,360 --> 00:44:39,640
Speaker 2: Like for anyone listening. By the way, I do want

892
00:44:39,680 --> 00:44:44,440
Speaker 2: to say Joe was the head writer of After Midnight

893
00:44:44,520 --> 00:44:47,600
Speaker 2: and that is why we are saying she was Sam's boss,

894
00:44:47,680 --> 00:44:49,520
Speaker 2: and that is where all these stories are coming from.

895
00:44:49,640 --> 00:44:53,000
Speaker 3: But basically I'd be like, hey, everybody who needs milk?

896
00:44:53,000 --> 00:44:58,279
Speaker 2: Who needs water? And everyone would be like, everyone would like,

897
00:44:58,480 --> 00:44:59,600
Speaker 2: look at you disrespectfully.

898
00:44:59,760 --> 00:45:02,239
Speaker 3: Yes, And that's why I said people love to do this.

899
00:45:03,960 --> 00:45:08,000
Speaker 2: I'm wait, okay, so you're saying you're saying, does anyone

900
00:45:08,000 --> 00:45:10,400
Speaker 2: want milk? Anyone water? Everyone says no, and You're like,

901
00:45:10,560 --> 00:45:13,720
Speaker 2: but people love that. They love drinking something.

902
00:45:14,400 --> 00:45:18,399
Speaker 3: People love to do this. This no, which is which

903
00:45:18,440 --> 00:45:20,840
Speaker 3: is nothing no, which is basically it's.

904
00:45:20,760 --> 00:45:27,040
Speaker 2: Like, oh, okay, I'm seeing the miscommunication. Can I attempt George?

905
00:45:27,520 --> 00:45:29,680
Speaker 3: Honestly, you've never gotten wrong.

906
00:45:30,120 --> 00:45:34,520
Speaker 2: Thank you. Here's what I think happened. Okay, okay, I

907
00:45:34,600 --> 00:45:37,960
Speaker 2: actually like completely understand what happened. All right, So this

908
00:45:38,160 --> 00:45:40,880
Speaker 2: is to tech all over again. No, this is I babies.

909
00:45:40,920 --> 00:45:42,600
Speaker 2: We'll start thinking I'm to Tech by the time I'm

910
00:45:42,640 --> 00:45:47,959
Speaker 2: done with this explanation. So basically, Joe asked a question.

911
00:45:48,120 --> 00:45:51,279
Speaker 2: People stared at her blankly, and then Joe is like, wow,

912
00:45:51,360 --> 00:45:53,400
Speaker 2: people love to go like this, and then you did

913
00:45:53,440 --> 00:45:58,280
Speaker 2: the blank stare look. Simultaneously and unrelatedly, you were holding

914
00:45:58,320 --> 00:46:00,880
Speaker 2: a cup with two hands. So the way Sam interpreted

915
00:46:00,920 --> 00:46:03,040
Speaker 2: it is people love to hold a couple of two hands.

916
00:46:03,080 --> 00:46:05,600
Speaker 2: But that's not the thing you were showing, George.

917
00:46:06,520 --> 00:46:10,320
Speaker 3: Genuinely, I just wonder if we should spend more time together,

918
00:46:12,080 --> 00:46:14,080
Speaker 3: Like I just am wondering if maybe we should.

919
00:46:15,320 --> 00:46:17,919
Speaker 2: I do you remember that one time we got lunch

920
00:46:18,000 --> 00:46:18,520
Speaker 2: in Manhattan?

921
00:46:18,640 --> 00:46:20,520
Speaker 3: That was cool? I remember what we got?

922
00:46:20,840 --> 00:46:21,399
Speaker 2: What we get?

923
00:46:21,480 --> 00:46:22,520
Speaker 3: Well, I remember what you got?

924
00:46:24,360 --> 00:46:29,120
Speaker 4: Yum. I do think I have to be Joe. You're

925
00:46:29,160 --> 00:46:31,080
Speaker 4: painting like a sort of a wrong picture.

926
00:46:31,280 --> 00:46:36,880
Speaker 2: Uh oh, back to push forward if well, if if

927
00:46:36,960 --> 00:46:38,400
Speaker 2: one of us, you know, I pushed back one. So

928
00:46:38,520 --> 00:46:39,399
Speaker 2: now Sam has his turn.

929
00:46:39,520 --> 00:46:41,440
Speaker 3: Okay, fine, but guess what my turn is coming up?

930
00:46:41,480 --> 00:46:44,080
Speaker 4: And it's not going to be pretty h oh, because

931
00:46:44,160 --> 00:46:47,080
Speaker 4: Joe comes in and is like booo, like she does

932
00:46:47,120 --> 00:46:49,680
Speaker 4: something so silly, and we're all like, okay, that's the

933
00:46:49,719 --> 00:46:52,040
Speaker 4: silliest thing I've ever seen. Like we're like we and

934
00:46:52,120 --> 00:46:54,120
Speaker 4: we support it. We say that is so funny, Joe,

935
00:46:54,200 --> 00:46:56,560
Speaker 4: you are so funny. And she goes, I'm not being funny.

936
00:46:59,040 --> 00:47:00,800
Speaker 4: I see, Shoe respond.

937
00:47:02,600 --> 00:47:07,319
Speaker 3: I conducted myself in a professional manner every day. Every

938
00:47:07,360 --> 00:47:09,920
Speaker 3: day I go in in every day, I would act

939
00:47:09,920 --> 00:47:12,520
Speaker 3: to listen to these, listen to this, listen to these,

940
00:47:12,760 --> 00:47:15,440
Speaker 3: listen So I listened to this music on the way there.

941
00:47:15,640 --> 00:47:18,080
Speaker 3: That was like, you're going to have a good day.

942
00:47:18,600 --> 00:47:21,560
Speaker 3: Nothing's gonna go wrong today, Like I had to listen

943
00:47:21,600 --> 00:47:22,319
Speaker 3: to every day.

944
00:47:23,000 --> 00:47:25,600
Speaker 2: This is like Barney's Hits Volume one.

945
00:47:26,080 --> 00:47:28,680
Speaker 4: There was literally a song called I'm Making a Move.

946
00:47:29,080 --> 00:47:30,759
Speaker 4: I've never heard the song in my life, and it's

947
00:47:30,840 --> 00:47:34,680
Speaker 4: like I'm making a move and it's like it's like

948
00:47:35,040 --> 00:47:37,000
Speaker 4: not Lizzo, but it's really close.

949
00:47:37,200 --> 00:47:41,160
Speaker 2: Would you say it's like Pink Hmmm, It's it's.

950
00:47:41,000 --> 00:47:43,040
Speaker 3: Closer to Lizzo. But I would listen to it every

951
00:47:43,120 --> 00:47:45,200
Speaker 3: day to try to feel good going in there.

952
00:47:46,000 --> 00:47:47,920
Speaker 2: Were you like dreading going into work every day?

953
00:47:49,040 --> 00:47:51,480
Speaker 3: So then I would basically I would basically go and

954
00:47:51,600 --> 00:47:52,759
Speaker 3: be like, this is the day I'm gonna have a

955
00:47:52,800 --> 00:47:55,360
Speaker 3: good attitude, because whenever I had a bad attitude, everyone

956
00:47:55,560 --> 00:47:57,080
Speaker 3: was like, oh, when are you going to be in

957
00:47:57,160 --> 00:48:02,400
Speaker 3: a good mood again? Terrible? Okay. So then basically I

958
00:48:02,520 --> 00:48:04,920
Speaker 3: was driving and playing that song trying to get in

959
00:48:05,000 --> 00:48:07,880
Speaker 3: a good headspace. When I crash my car.

960
00:48:07,960 --> 00:48:11,720
Speaker 2: Oh.

961
00:48:11,960 --> 00:48:13,000
Speaker 4: Of making a move.

962
00:48:13,800 --> 00:48:16,000
Speaker 2: You know, there's something actually very powerful about where you're

963
00:48:16,000 --> 00:48:18,480
Speaker 2: describing because you know what it reminds me of. Okay,

964
00:48:18,880 --> 00:48:24,239
Speaker 2: there's nothing creepier than something violent happening while happy music

965
00:48:24,320 --> 00:48:26,320
Speaker 2: is playing. And of course my mind goes to the

966
00:48:26,360 --> 00:48:33,000
Speaker 2: TV show Lost, where famously that song play your own

967
00:48:33,239 --> 00:48:37,520
Speaker 2: kind of music would play as like something bad would

968
00:48:37,520 --> 00:48:40,799
Speaker 2: happen in the bunker don't call in with Basically, something

969
00:48:40,880 --> 00:48:44,799
Speaker 2: like that happened, and so I could see that being

970
00:48:44,800 --> 00:48:47,040
Speaker 2: a very traumatic experience for you to be both listening

971
00:48:47,080 --> 00:48:49,160
Speaker 2: to a Lizzo esque song and also be having a

972
00:48:49,239 --> 00:48:50,080
Speaker 2: near death experience.

973
00:48:50,120 --> 00:48:52,840
Speaker 3: Of course, I mean it wasn't so bad, but yeah, no,

974
00:48:53,120 --> 00:48:56,800
Speaker 3: I would say that, you know, like, what's the guy's

975
00:48:56,920 --> 00:48:59,880
Speaker 3: name that did all those movies? Keaton?

976
00:49:00,520 --> 00:49:03,440
Speaker 2: Michael Keaton, JJ Abram, No.

977
00:49:03,880 --> 00:49:07,680
Speaker 3: It's the guy that did those movies like Hope Fiction Tarantino.

978
00:49:07,880 --> 00:49:17,320
Speaker 2: Yes, so Rance Tarantino. Yeah, Keaton Tarantino. I love Keaton Tarantino.

979
00:49:19,680 --> 00:49:23,160
Speaker 3: I didn't catch up on my textbooks before going on

980
00:49:23,320 --> 00:49:26,719
Speaker 3: this show, okay, and next time I'll know to read

981
00:49:26,800 --> 00:49:27,759
Speaker 3: my textbooks.

982
00:49:28,920 --> 00:49:32,279
Speaker 2: We both did our reading, okay, okay, So.

983
00:49:32,840 --> 00:49:36,520
Speaker 3: Okay, So then basically, you know, Tarantino does that those

984
00:49:36,600 --> 00:49:37,320
Speaker 3: famous things?

985
00:49:37,840 --> 00:49:43,400
Speaker 2: Oh? Sure, sure, yes, it's very like music being discordant

986
00:49:43,440 --> 00:49:46,280
Speaker 2: with what is happening, and that's where the I mean it's.

987
00:49:47,719 --> 00:49:50,520
Speaker 4: And to be fair to pick a picture, it wasn't

988
00:49:51,040 --> 00:49:55,920
Speaker 4: like crash with another car. You were scraping against a pillar, correct.

989
00:49:56,480 --> 00:50:00,160
Speaker 3: I scraped against the walls of the garage, I.

990
00:50:00,280 --> 00:50:04,320
Speaker 4: See, and sort of kept going, yeah, well, once you

991
00:50:04,360 --> 00:50:05,880
Speaker 4: start scraping, there's no stop in it.

992
00:50:07,800 --> 00:50:09,960
Speaker 2: Okay. And then just to go back to the story,

993
00:50:10,000 --> 00:50:12,759
Speaker 2: how does this relate to anything we were talking?

994
00:50:12,840 --> 00:50:16,160
Speaker 3: Okay, I'm just saying I'm just saying, Oh, this is

995
00:50:16,239 --> 00:50:17,000
Speaker 3: what's the issue.

996
00:50:17,120 --> 00:50:17,359
Speaker 2: Okay.

997
00:50:17,640 --> 00:50:21,560
Speaker 3: So I'm just saying that basically I didn't realize this

998
00:50:21,800 --> 00:50:22,040
Speaker 3: was here.

999
00:50:22,400 --> 00:50:25,320
Speaker 2: I was thinking this for anyone only listening. There was

1000
00:50:25,360 --> 00:50:32,719
Speaker 2: a pillow of a seashell, a seashell illustration pillow and

1001
00:50:33,160 --> 00:50:43,160
Speaker 2: shell shaped pillow behind Joe's giant back. Oh my gosh. Okay.

1002
00:50:43,520 --> 00:50:49,440
Speaker 3: So basically all I'm saying is that, So Sam and

1003
00:50:49,520 --> 00:50:53,279
Speaker 3: I just have different views on how this all went down, Okay, Right,

1004
00:50:53,760 --> 00:50:57,560
Speaker 3: So basically I'm in there thinking I'm normal. Every day,

1005
00:50:57,960 --> 00:51:00,959
Speaker 3: I'm professional, I'm going to have I'm gonna I'm gonna

1006
00:51:01,040 --> 00:51:06,239
Speaker 3: run a tight room. And Sam has this idea that

1007
00:51:06,280 --> 00:51:09,600
Speaker 3: I'm coming in every day saying wacky wackle everybody who

1008
00:51:09,680 --> 00:51:13,160
Speaker 3: wants a balloon? And that's not what I felt. I did.

1009
00:51:13,520 --> 00:51:16,919
Speaker 3: I said, who wants a pencil? Time to get to work?

1010
00:51:17,640 --> 00:51:20,840
Speaker 3: And I guess in his mind I was you know what,

1011
00:51:21,080 --> 00:51:22,880
Speaker 3: I was wearing a big uniform.

1012
00:51:23,360 --> 00:51:28,200
Speaker 2: You were being Patch Adams. That is so Sam, You

1013
00:51:28,280 --> 00:51:30,640
Speaker 2: are Patch Adams to you, you are Meryl Streep and

1014
00:51:30,680 --> 00:51:32,880
Speaker 2: Devilware's product. That is interesting.

1015
00:51:33,680 --> 00:51:34,480
Speaker 4: That is interesting.

1016
00:51:34,640 --> 00:51:37,640
Speaker 2: Those are the two poles of professionalists.

1017
00:51:38,239 --> 00:51:40,439
Speaker 3: Are you watching Gilded Age?

1018
00:51:41,080 --> 00:51:41,279
Speaker 4: You know?

1019
00:51:42,320 --> 00:51:45,120
Speaker 2: I actually have a request and I want to look

1020
00:51:45,120 --> 00:51:49,160
Speaker 2: straight into my camera. No, I would like to no

1021
00:51:49,280 --> 00:51:53,120
Speaker 2: longer be asked if I'm wanting I think I have

1022
00:51:53,280 --> 00:51:56,319
Speaker 2: been asked enough times whether I'm watching the Gilded Age.

1023
00:51:56,560 --> 00:51:58,120
Speaker 2: It has nothing to do with my opinions on the

1024
00:51:58,160 --> 00:52:02,760
Speaker 2: Gilded Age. I think theater actresses are the Patch Adams

1025
00:52:02,880 --> 00:52:05,799
Speaker 2: of the culture industry, and I respect them. I would

1026
00:52:05,920 --> 00:52:09,000
Speaker 2: Venmo car Cooon personally if I could. If anyone has revenge,

1027
00:52:09,000 --> 00:52:11,000
Speaker 2: will let me know. But I would officially like to

1028
00:52:11,080 --> 00:52:14,960
Speaker 2: be asked to no longer be addressed by someone asking me,

1029
00:52:15,080 --> 00:52:16,279
Speaker 2: do you watch the Guilded Age?

1030
00:52:16,800 --> 00:52:19,560
Speaker 4: I think that is such a beautiful sentiment. And I'm

1031
00:52:19,600 --> 00:52:22,920
Speaker 4: of course thrilled for all the actors and everyone that

1032
00:52:23,120 --> 00:52:26,080
Speaker 4: is employed by that show, and I hope it goes forever.

1033
00:52:26,320 --> 00:52:29,719
Speaker 4: I agree, I just don't want to be associated with

1034
00:52:29,880 --> 00:52:32,279
Speaker 4: it and assumed that I would watch it.

1035
00:52:32,680 --> 00:52:37,960
Speaker 2: I okay, okay, I don't, but Matthew does. So it's

1036
00:52:38,000 --> 00:52:39,760
Speaker 2: playing in my home alone.

1037
00:52:39,600 --> 00:52:41,680
Speaker 4: And I don't as well, but Misha does, so it's playing.

1038
00:52:42,880 --> 00:52:46,080
Speaker 3: You know, I have so much nice husbands that are

1039
00:52:46,239 --> 00:52:46,839
Speaker 3: going in there.

1040
00:52:47,640 --> 00:52:50,279
Speaker 2: Well, you've got to you're the Matthew and Misha of

1041
00:52:50,320 --> 00:52:53,680
Speaker 2: your relationship, because I assume he doesn't no heat. Okay,

1042
00:52:53,719 --> 00:52:57,480
Speaker 2: So what are you complaining about some that you are?

1043
00:52:58,120 --> 00:52:59,760
Speaker 2: You guys are in sync and watching it together.

1044
00:53:00,040 --> 00:53:02,240
Speaker 3: I'm just saying that ever since I've been on this podcast,

1045
00:53:02,280 --> 00:53:04,440
Speaker 3: I've been called in twenty times.

1046
00:53:04,840 --> 00:53:07,080
Speaker 2: Called in. Well, that's the good one. Do you want

1047
00:53:07,080 --> 00:53:07,640
Speaker 2: to be called out?

1048
00:53:07,800 --> 00:53:07,840
Speaker 4: No?

1049
00:53:12,719 --> 00:53:14,480
Speaker 2: Hello, complaining about being called in?

1050
00:53:15,400 --> 00:53:16,960
Speaker 3: I just wish I did it right?

1051
00:53:17,600 --> 00:53:18,160
Speaker 2: Did what? Right?

1052
00:53:18,440 --> 00:53:19,000
Speaker 4: Everything?

1053
00:53:19,640 --> 00:53:21,439
Speaker 2: Well, you're doing something right here? Yeah?

1054
00:53:22,080 --> 00:53:22,200
Speaker 4: Right?

1055
00:53:22,400 --> 00:53:25,560
Speaker 2: Writing a book? Yeah yeah, oh I don't need that.

1056
00:53:26,120 --> 00:53:27,760
Speaker 2: And listen and this listen.

1057
00:53:28,040 --> 00:53:30,360
Speaker 3: I know that people are going to return their books

1058
00:53:30,400 --> 00:53:31,960
Speaker 3: after listening to this podcast.

1059
00:53:32,200 --> 00:53:34,080
Speaker 2: What I know you're going to do that.

1060
00:53:34,200 --> 00:53:36,760
Speaker 4: You're going to recern them. Does that hurt your sales

1061
00:53:36,800 --> 00:53:37,080
Speaker 4: if they do?

1062
00:53:37,760 --> 00:53:40,160
Speaker 2: Yeah? Oh no, you pocket that money from you pocket

1063
00:53:40,160 --> 00:53:42,600
Speaker 2: it no matter what. No, you're asked to. If you

1064
00:53:42,680 --> 00:53:45,439
Speaker 2: get little book residuals, they have you, they say, write

1065
00:53:45,440 --> 00:53:48,680
Speaker 2: a check for twenty four dollars. And someone just returned.

1066
00:53:48,880 --> 00:53:51,960
Speaker 2: Someone just returned this book to Burnes and Noble. They

1067
00:53:52,080 --> 00:53:54,640
Speaker 2: call you personally and they say, Joe, you're good using

1068
00:53:54,719 --> 00:53:55,160
Speaker 2: bad news.

1069
00:53:57,080 --> 00:53:59,560
Speaker 4: Somebody bought your book. That's amazing, here's twenty four dollars.

1070
00:54:00,120 --> 00:54:02,080
Speaker 4: Bad news is they were turned it. You oweys that

1071
00:54:02,160 --> 00:54:02,640
Speaker 4: money back?

1072
00:54:03,440 --> 00:54:06,239
Speaker 3: Can I tell you something that's so embarrassing? So I

1073
00:54:06,360 --> 00:54:12,240
Speaker 3: keep going. I keep going into bookstores, so humble of course,

1074
00:54:12,560 --> 00:54:15,880
Speaker 3: being like, I wonder if my book is here. It's not,

1075
00:54:16,640 --> 00:54:18,480
Speaker 3: then I have to walk out real humble.

1076
00:54:18,920 --> 00:54:20,480
Speaker 2: Wait it's surely it is.

1077
00:54:21,400 --> 00:54:25,400
Speaker 3: It's not. And I walk out saying, must be nice

1078
00:54:25,480 --> 00:54:27,839
Speaker 3: to be a un patch it sure?

1079
00:54:27,880 --> 00:54:36,640
Speaker 2: Oh yeah, that bitch and patch it dumb bitch. I

1080
00:54:36,680 --> 00:54:38,200
Speaker 2: don't care if she's listening, stupid bitch.

1081
00:54:46,239 --> 00:54:49,160
Speaker 4: So, Joe, how did you decide how it was gonna end?

1082
00:54:49,440 --> 00:54:49,480
Speaker 2: Like?

1083
00:54:49,640 --> 00:54:52,760
Speaker 4: Pretty much? Spoiler alert, there's like a group of killers.

1084
00:54:53,320 --> 00:54:55,120
Speaker 4: Why there are men? And there are men?

1085
00:54:55,440 --> 00:54:56,359
Speaker 2: Yeah? What we're why?

1086
00:54:56,440 --> 00:54:59,279
Speaker 4: Why why group instead of one? Yeah?

1087
00:55:00,120 --> 00:55:06,759
Speaker 2: Sicko? Well feminism was it?

1088
00:55:06,920 --> 00:55:07,880
Speaker 4: Was it about feminism?

1089
00:55:08,600 --> 00:55:10,279
Speaker 3: Do you think it was about feminism?

1090
00:55:10,880 --> 00:55:11,280
Speaker 2: Honestly?

1091
00:55:11,400 --> 00:55:11,800
Speaker 4: A little?

1092
00:55:15,400 --> 00:55:20,960
Speaker 3: I guess, Uh, I guess basically, you you know, you

1093
00:55:21,200 --> 00:55:24,080
Speaker 3: just you just have to say what makes the most

1094
00:55:24,160 --> 00:55:25,320
Speaker 3: sense in the moment.

1095
00:55:27,960 --> 00:55:32,320
Speaker 2: Okay, what leads me to my follow up question? I

1096
00:55:32,360 --> 00:55:32,880
Speaker 2: don't want what?

1097
00:55:33,480 --> 00:55:35,960
Speaker 3: I don't want what? I don't want any watch in this?

1098
00:55:37,360 --> 00:55:39,239
Speaker 2: Are you saying that you sort of figured out the

1099
00:55:39,280 --> 00:55:40,160
Speaker 2: plot as you went along?

1100
00:55:40,320 --> 00:55:44,640
Speaker 4: No? No, Joe, Joe did tell me that her You

1101
00:55:44,719 --> 00:55:47,080
Speaker 4: told me your writing process for a mystery, you just

1102
00:55:47,160 --> 00:55:48,600
Speaker 4: have to know how it ends and everything else you

1103
00:55:48,640 --> 00:55:51,759
Speaker 4: can kind of riff, Is that right?

1104
00:55:52,280 --> 00:55:54,719
Speaker 2: I never you, Joe, you said that to me. You're

1105
00:55:54,800 --> 00:55:55,400
Speaker 2: gas lading.

1106
00:55:55,880 --> 00:55:56,880
Speaker 4: You're literally gaslating.

1107
00:55:57,320 --> 00:55:59,439
Speaker 2: You're being phil from the book.

1108
00:56:00,080 --> 00:56:04,160
Speaker 3: Oh you know what's really good? What fills coffee?

1109
00:56:05,040 --> 00:56:08,960
Speaker 2: Oh? I agree? But it's so strong? Love it? Okay,

1110
00:56:09,080 --> 00:56:12,359
Speaker 2: So you know it's Palestine? Yes? I did, really, yes,

1111
00:56:13,000 --> 00:56:13,680
Speaker 2: And you know what.

1112
00:56:13,840 --> 00:56:15,839
Speaker 3: It's only I wish it was on the East coast,

1113
00:56:15,920 --> 00:56:17,279
Speaker 3: but I don't think it's in DC.

1114
00:56:18,120 --> 00:56:20,200
Speaker 4: I wish it was a little less sweet, to be honest,

1115
00:56:20,560 --> 00:56:20,960
Speaker 4: please like.

1116
00:56:21,000 --> 00:56:22,320
Speaker 2: The coffee itself without sugar.

1117
00:56:22,400 --> 00:56:23,839
Speaker 3: Is he doesn't know what he's doing.

1118
00:56:24,080 --> 00:56:26,040
Speaker 2: Have you ever had the ice mint mohido?

1119
00:56:26,200 --> 00:56:27,640
Speaker 3: He says ice cream is too cold?

1120
00:56:28,040 --> 00:56:30,680
Speaker 2: It is too cold. That's actually one of Sam's favorite

1121
00:56:30,719 --> 00:56:31,200
Speaker 2: things to say.

1122
00:56:31,280 --> 00:56:34,920
Speaker 3: And get a life. These clothes are too soft.

1123
00:56:36,200 --> 00:56:38,040
Speaker 2: My skin is too good.

1124
00:56:39,120 --> 00:56:42,400
Speaker 4: You know I've been can Joe, can you tell George

1125
00:56:42,480 --> 00:56:44,560
Speaker 4: the term you invented for what that is that I do?

1126
00:56:45,520 --> 00:56:47,439
Speaker 4: And and sort of this I think will feed into

1127
00:56:49,480 --> 00:56:53,000
Speaker 4: this is a term for what you saying me my complaints,

1128
00:56:53,160 --> 00:56:54,160
Speaker 4: your complaints. You know.

1129
00:56:54,360 --> 00:56:57,240
Speaker 3: So Sam has weird complaints like I don't like dinner

1130
00:56:57,560 --> 00:56:57,960
Speaker 3: or whatever.

1131
00:56:59,200 --> 00:57:02,480
Speaker 4: I know, my complaint was I don't like when I

1132
00:57:02,600 --> 00:57:04,040
Speaker 4: like dinner because it makes me feel lame.

1133
00:57:05,000 --> 00:57:06,520
Speaker 2: I mean, that's classic.

1134
00:57:08,160 --> 00:57:09,040
Speaker 3: This isn't insane.

1135
00:57:09,280 --> 00:57:10,360
Speaker 2: That is so classic.

1136
00:57:10,719 --> 00:57:14,320
Speaker 3: And he, meanwhile, charming the pants off a half the country.

1137
00:57:14,440 --> 00:57:16,720
Speaker 2: It's unfair, it's unfair. I meanwhile, you have.

1138
00:57:16,760 --> 00:57:20,320
Speaker 3: To give the self process things like, oh, he doesn't

1139
00:57:20,440 --> 00:57:20,880
Speaker 3: like dinner.

1140
00:57:22,200 --> 00:57:24,280
Speaker 2: Okay, yeah, okay, So what is the word this? I

1141
00:57:24,520 --> 00:57:25,800
Speaker 2: would love to have a word for this.

1142
00:57:25,960 --> 00:57:28,960
Speaker 3: Here's what happens So basically, if I'm like, hey, does

1143
00:57:29,000 --> 00:57:32,640
Speaker 3: everybody want a present? Or Hey, who here? Who here?

1144
00:57:32,760 --> 00:57:36,880
Speaker 3: Needs a coffee? I can tell when Sam goes like

1145
00:57:37,000 --> 00:57:40,400
Speaker 3: he does a little inhale like and then I know

1146
00:57:40,680 --> 00:57:42,080
Speaker 3: that is a stage of pre.

1147
00:57:42,120 --> 00:57:47,680
Speaker 2: Com pre calm. Pre com is calm communication, no complaint.

1148
00:57:48,400 --> 00:57:52,640
Speaker 2: Oh okay, okay, yes, no, I know exactly what you mean. Yes, okay,

1149
00:57:52,720 --> 00:57:53,120
Speaker 2: keep going.

1150
00:57:53,280 --> 00:57:55,720
Speaker 4: And you must understand that when Joe says Sam's going

1151
00:57:55,760 --> 00:57:59,800
Speaker 4: to pre calm, people are like, Joe, what that is crazy?

1152
00:58:00,480 --> 00:58:02,360
Speaker 2: And this is this is what you're saying when you

1153
00:58:02,400 --> 00:58:03,560
Speaker 2: think you're being so professional.

1154
00:58:04,040 --> 00:58:07,480
Speaker 3: I am it is pronounced. I'm not saying he's gonna

1155
00:58:07,520 --> 00:58:08,920
Speaker 3: pre calm everybody.

1156
00:58:09,280 --> 00:58:10,640
Speaker 2: Okay, So how are you saying.

1157
00:58:12,040 --> 00:58:12,720
Speaker 3: I'm not saying that.

1158
00:58:12,880 --> 00:58:14,880
Speaker 2: It's okay, So how are you saying it he's going

1159
00:58:14,960 --> 00:58:17,520
Speaker 2: to pre comb I doubt you're over.

1160
00:58:17,840 --> 00:58:20,160
Speaker 3: I'm saying it that way. I'm saying it that way.

1161
00:58:20,960 --> 00:58:21,760
Speaker 3: I'm staying that way.

1162
00:58:23,000 --> 00:58:25,320
Speaker 2: I just want to say he's not gonna pre calm.

1163
00:58:25,840 --> 00:58:28,480
Speaker 2: When you're saying it means you saw him pre calm, correct,

1164
00:58:28,800 --> 00:58:33,360
Speaker 2: he's gonna calm. You're not seeing him pre comm and

1165
00:58:33,440 --> 00:58:36,240
Speaker 2: saying he's gonna pre calm, don'try, Joe. This is part

1166
00:58:36,240 --> 00:58:41,080
Speaker 2: of the editing process. I have to say. It would

1167
00:58:41,120 --> 00:58:45,000
Speaker 2: be insane to be having sex and say I'm gonna.

1168
00:58:44,920 --> 00:58:57,240
Speaker 8: Breath, I'm gonna pre com that would honestly be something

1169
00:58:57,240 --> 00:58:58,040
Speaker 8: that happens in.

1170
00:58:58,120 --> 00:58:58,760
Speaker 2: Your book.

1171
00:59:01,880 --> 00:59:04,160
Speaker 3: Whatever, because I don't know what sex is.

1172
00:59:04,600 --> 00:59:08,400
Speaker 2: No, Luella doesn't know. It's Luella, who you may or

1173
00:59:08,440 --> 00:59:10,360
Speaker 2: may know. You are not related to. From what I

1174
00:59:10,480 --> 00:59:15,120
Speaker 2: understand now, I want to ask you something, which is

1175
00:59:16,440 --> 00:59:19,440
Speaker 2: you have been doing this. Thank you for bringing this up.

1176
00:59:19,480 --> 00:59:21,520
Speaker 2: Thank you for bringing this up. Okay, first of all,

1177
00:59:21,560 --> 00:59:23,880
Speaker 2: you're just drawing our big.

1178
00:59:23,840 --> 00:59:29,000
Speaker 3: Prop Oh dear, I guess I gotta replant.

1179
00:59:29,280 --> 00:59:34,160
Speaker 2: Now you're performing mousiness to prove Oh dear, oh dear,

1180
00:59:36,840 --> 00:59:45,160
Speaker 2: Okay you are. First of all, I I was very

1181
00:59:45,200 --> 00:59:47,439
Speaker 2: grateful you agreed to be on a show of mine

1182
00:59:47,480 --> 00:59:50,960
Speaker 2: that I hosted George S. Verison Friends.

1183
00:59:51,400 --> 00:59:54,000
Speaker 3: That was really cool. Sponsored at a twenty four day

1184
00:59:54,120 --> 00:59:54,880
Speaker 3: Cherry Tree Trees.

1185
00:59:55,000 --> 01:00:03,000
Speaker 2: Yes, Cherry Cherry Lane Theater. Look out for more and

1186
01:00:03,720 --> 01:00:06,320
Speaker 2: you do more well, hopefully I'm winning to hear back

1187
01:00:06,320 --> 01:00:12,280
Speaker 2: about dates. And I said, Joe, I would absolutely love

1188
01:00:12,320 --> 01:00:14,200
Speaker 2: for you to do the show. You said, I don't really.

1189
01:00:14,680 --> 01:00:16,680
Speaker 2: I haven't really been doing stand up, but for you,

1190
01:00:16,760 --> 01:00:19,560
Speaker 2: I'll come out of retirement. And I said that would

1191
01:00:19,560 --> 01:00:22,320
Speaker 2: be amazing. I can't wait you get there the day of.

1192
01:00:22,600 --> 01:00:24,160
Speaker 2: You say, I'm actually not going to do stand up,

1193
01:00:24,160 --> 01:00:25,480
Speaker 2: but I'm going to do this bit I've been doing

1194
01:00:25,520 --> 01:00:28,160
Speaker 2: on stage. And would you like to explain what.

1195
01:00:28,240 --> 01:00:28,800
Speaker 4: The bit is?

1196
01:00:32,160 --> 01:00:32,960
Speaker 3: I don't remember.

1197
01:00:33,280 --> 01:00:37,640
Speaker 2: It's called suck or fuck. And you say things and

1198
01:00:37,760 --> 01:00:42,080
Speaker 2: say whether they suck or fuck or whether they correspond

1199
01:00:42,240 --> 01:00:43,040
Speaker 2: to suck or fuck.

1200
01:00:43,920 --> 01:00:48,200
Speaker 3: Well, yeah, basically it got a little bit confusing because

1201
01:00:48,280 --> 01:00:51,200
Speaker 3: you guys accuse me of homophobia by saying this suck

1202
01:00:51,360 --> 01:00:53,760
Speaker 3: was bad but fuck was good. So then I had

1203
01:00:53,800 --> 01:00:56,080
Speaker 3: to witch it to say suck was good and fuck

1204
01:00:56,240 --> 01:00:56,600
Speaker 3: was bad.

1205
01:00:56,800 --> 01:00:59,880
Speaker 2: But which one do you think is better?

1206
01:01:00,120 --> 01:01:01,479
Speaker 3: No, I'm not doing that again.

1207
01:01:03,640 --> 01:01:08,120
Speaker 2: You were you, you initially you would know all about that.

1208
01:01:09,360 --> 01:01:14,240
Speaker 2: You initially said fuck was good and suck was bad.

1209
01:01:14,320 --> 01:01:17,600
Speaker 2: And then I said, you know, in queer relationships, actually

1210
01:01:17,720 --> 01:01:22,720
Speaker 2: suck can count as sex because we're not so penetrating.

1211
01:01:23,480 --> 01:01:27,040
Speaker 3: Once again, and neither is this book. To be honest,

1212
01:01:27,320 --> 01:01:27,840
Speaker 3: this book is.

1213
01:01:27,880 --> 01:01:32,560
Speaker 2: What non penetrative, but there's also no sucking. Yeah, I

1214
01:01:32,600 --> 01:01:35,120
Speaker 2: would say there's more fucking than sucking. There's not even

1215
01:01:35,160 --> 01:01:37,760
Speaker 2: any there's not even any jerkins referred to.

1216
01:01:38,120 --> 01:01:39,760
Speaker 3: I didn't know everyone was keeping score.

1217
01:01:42,080 --> 01:01:45,760
Speaker 2: There is also a what was it called a grief orgy.

1218
01:01:48,480 --> 01:01:49,600
Speaker 4: I'm just being a cuddle puddle.

1219
01:01:49,880 --> 01:01:54,520
Speaker 3: Yeah, cuddle puddles happened on Wednesdays.

1220
01:01:55,080 --> 01:01:58,880
Speaker 2: Yes, that's women wednesdays. Women pick Wednesday, women pick Wednesdays.

1221
01:02:00,000 --> 01:02:02,320
Speaker 3: I think I could have written this better than.

1222
01:02:06,600 --> 01:02:06,640
Speaker 4: I.

1223
01:02:06,800 --> 01:02:08,960
Speaker 3: Just wonder if maybe now I'm hearing these things out

1224
01:02:09,000 --> 01:02:10,880
Speaker 3: loud from your voices, that maybe they could have.

1225
01:02:11,320 --> 01:02:17,200
Speaker 2: Actually, I have a I have a correction. There is sucking. Well,

1226
01:02:17,640 --> 01:02:19,600
Speaker 2: there's kind of lingus, and that there's one of my

1227
01:02:19,680 --> 01:02:22,000
Speaker 2: favorite jokes is that there's one guy who's famously good

1228
01:02:22,000 --> 01:02:24,880
Speaker 2: at kind of lingis famously hates kind of lingus. And

1229
01:02:25,000 --> 01:02:29,000
Speaker 2: then after the show he gets a reality show where

1230
01:02:29,000 --> 01:02:32,720
Speaker 2: he goes to different restaurants and it's called Noah's Eating Out. Yes.

1231
01:02:33,720 --> 01:02:35,120
Speaker 4: Oh, and there's there's rim jobs.

1232
01:02:35,280 --> 01:02:36,280
Speaker 3: There's jobs.

1233
01:02:36,680 --> 01:02:39,400
Speaker 4: Well, it implied like they happened in the past.

1234
01:02:40,200 --> 01:02:41,840
Speaker 3: Oh, you want them to happen in a moment.

1235
01:02:41,960 --> 01:02:43,520
Speaker 2: Yeah, I would like a description of the act.

1236
01:02:44,240 --> 01:02:47,160
Speaker 3: This is the issue I had. I couldn't bear to

1237
01:02:47,280 --> 01:02:49,240
Speaker 3: do it. I couldn't bear to do it.

1238
01:02:49,480 --> 01:02:51,400
Speaker 2: Do you not want your readers to pre calm?

1239
01:02:54,680 --> 01:02:58,240
Speaker 3: Okay, first of all, I don't. I'm trying to get

1240
01:02:58,320 --> 01:02:58,840
Speaker 3: my readers.

1241
01:03:00,240 --> 01:03:03,800
Speaker 2: How people love to do this?

1242
01:03:04,160 --> 01:03:07,800
Speaker 3: No, okay, so no I don't need that. Okay, So

1243
01:03:07,960 --> 01:03:10,880
Speaker 3: this this? Oh, do you need a coffee break shirt? Okay?

1244
01:03:11,040 --> 01:03:14,000
Speaker 2: So basically make sure to hold it with both hands.

1245
01:03:14,040 --> 01:03:18,520
Speaker 2: People love to do that, George, Okay, go ahead. Basically

1246
01:03:18,760 --> 01:03:19,360
Speaker 2: I never.

1247
01:03:19,480 --> 01:03:26,400
Speaker 3: Understood how this could feel. Okay. So basically, basically, oh,

1248
01:03:26,480 --> 01:03:29,080
Speaker 3: I should maybe not sit. This is recorded and visually m.

1249
01:03:29,240 --> 01:03:31,120
Speaker 4: Hm oh, I'm sitting in the same damn way.

1250
01:03:32,720 --> 01:03:33,280
Speaker 3: You know what I mean?

1251
01:03:33,440 --> 01:03:34,840
Speaker 2: How crazy would it be if it wasn't.

1252
01:03:37,760 --> 01:03:37,840
Speaker 4: There?

1253
01:03:37,880 --> 01:03:39,240
Speaker 2: We're just cameras everywhere.

1254
01:03:39,480 --> 01:03:41,920
Speaker 3: Well I did ask if these were iPads, and apparently

1255
01:03:41,960 --> 01:03:42,280
Speaker 3: they're not.

1256
01:03:43,560 --> 01:03:52,840
Speaker 2: No, just wait, okay, I keep going. Basically, approximately ten

1257
01:03:52,880 --> 01:03:56,520
Speaker 2: minutes ago, you started a sentence with what it's basically, well,

1258
01:03:56,560 --> 01:04:00,480
Speaker 2: that could have been anything. That's what we're saying. That's

1259
01:04:00,520 --> 01:04:02,440
Speaker 2: why we want to narrow it down to what it is,

1260
01:04:02,960 --> 01:04:04,880
Speaker 2: what would it have to do with instead of what

1261
01:04:05,000 --> 01:04:06,880
Speaker 2: it could be. You know, when you start a sentence,

1262
01:04:06,920 --> 01:04:08,640
Speaker 2: it could be anything, but as you go, it gets

1263
01:04:08,680 --> 01:04:09,480
Speaker 2: more and more specific.

1264
01:04:09,600 --> 01:04:11,240
Speaker 3: You know, I have rolling blackouts.

1265
01:04:12,000 --> 01:04:14,280
Speaker 2: You have rolling blackouts in my head.

1266
01:04:14,400 --> 01:04:16,520
Speaker 3: I don't remember any single thing that happened too much.

1267
01:04:16,560 --> 01:04:18,960
Speaker 2: Do you think that contributed to the various miscommunications in

1268
01:04:19,000 --> 01:04:26,000
Speaker 2: the writer's room? You blacken out every morning, hitting, hitting

1269
01:04:26,120 --> 01:04:28,600
Speaker 2: the fucking building with your car, and then walking in

1270
01:04:29,120 --> 01:04:32,880
Speaker 2: and saying completely indecipherable things to your entire staff.

1271
01:04:35,440 --> 01:04:40,640
Speaker 3: Oh my god, this is a not how I pictured it.

1272
01:04:41,040 --> 01:04:45,400
Speaker 3: Here's what I pictured. Yes, okay, coming on this pod. Okay,

1273
01:04:45,560 --> 01:04:46,360
Speaker 3: I pictured here.

1274
01:04:47,880 --> 01:05:00,600
Speaker 5: Hey, hoyo, this for you're trying the pod. It was

1275
01:05:00,680 --> 01:05:02,520
Speaker 5: so nice to see you the other day that Tunam

1276
01:05:02,640 --> 01:05:07,800
Speaker 5: was in mine. I'm so hunger back in York.

1277
01:05:07,920 --> 01:05:10,800
Speaker 2: Oh my god, I love what you've done with your hair.

1278
01:05:11,160 --> 01:05:13,720
Speaker 2: The back is so normal. This book is to die

1279
01:05:14,040 --> 01:05:15,160
Speaker 2: or I literally could.

1280
01:05:15,000 --> 01:05:18,400
Speaker 9: Not believe all thes and the knife who was so

1281
01:05:18,520 --> 01:05:21,640
Speaker 9: perfectly placed in the chicken. You know, I could tell

1282
01:05:21,720 --> 01:05:24,080
Speaker 9: him an earlier version didn't have knives, but it was

1283
01:05:24,120 --> 01:05:25,680
Speaker 9: such an improvement that this one did.

1284
01:05:26,640 --> 01:05:27,920
Speaker 2: And I love the lack of sex.

1285
01:05:28,160 --> 01:05:30,160
Speaker 9: That really made me feel like it wasn't gonna pre cool.

1286
01:05:31,360 --> 01:05:33,520
Speaker 9: If I had to decide between second pock I watch

1287
01:05:33,720 --> 01:05:34,520
Speaker 9: was fuck for this book?

1288
01:05:34,560 --> 01:05:41,760
Speaker 2: Would is better? Is that?

1289
01:05:41,880 --> 01:05:44,480
Speaker 4: How you imagine that? What the hell are you talking about?

1290
01:05:54,240 --> 01:05:54,439
Speaker 1: Oh?

1291
01:05:54,640 --> 01:05:55,320
Speaker 2: My god?

1292
01:05:57,880 --> 01:05:58,280
Speaker 1: You know what?

1293
01:05:58,760 --> 01:05:59,200
Speaker 2: Good thing?

1294
01:05:59,320 --> 01:06:00,280
Speaker 3: You found each each other?

1295
01:06:01,360 --> 01:06:02,640
Speaker 2: Good thing you found each other.

1296
01:06:03,320 --> 01:06:06,080
Speaker 3: The two of you are like two horns of a devil.

1297
01:06:06,640 --> 01:06:10,920
Speaker 2: Two horns of so where two jigsaw pieces that create

1298
01:06:11,000 --> 01:06:12,560
Speaker 2: a gun and two horns of a devil.

1299
01:06:12,800 --> 01:06:16,360
Speaker 3: You know that mixing metaphors is my specialty. But basically

1300
01:06:16,440 --> 01:06:18,640
Speaker 3: what happened is you had a horn, and you had

1301
01:06:18,680 --> 01:06:21,959
Speaker 3: a horn, and basically what together you create the face

1302
01:06:22,040 --> 01:06:23,160
Speaker 3: and horns of a devil.

1303
01:06:24,000 --> 01:06:29,520
Speaker 2: And it was Luella van Horn whoa character? Name?

1304
01:06:30,160 --> 01:06:30,560
Speaker 4: It is?

1305
01:06:32,080 --> 01:06:32,560
Speaker 2: It is?

1306
01:06:35,240 --> 01:06:39,440
Speaker 3: Here's the thing, here's the thing, what's the thing?

1307
01:06:39,600 --> 01:06:40,120
Speaker 2: What's the thing?

1308
01:06:40,600 --> 01:06:43,600
Speaker 3: Okay? I am grateful that Bult you read.

1309
01:06:45,560 --> 01:06:47,800
Speaker 2: I actually didn't read the book, okay, And.

1310
01:06:52,880 --> 01:06:56,760
Speaker 3: I just think that also, you guys really did you

1311
01:06:57,200 --> 01:07:00,840
Speaker 3: really did have this book club? First one?

1312
01:07:02,320 --> 01:07:04,040
Speaker 4: We really had this, We really did have this be

1313
01:07:04,160 --> 01:07:04,640
Speaker 4: the first one.

1314
01:07:04,800 --> 01:07:06,760
Speaker 3: I don't need you to repeat what I said to

1315
01:07:06,840 --> 01:07:07,720
Speaker 3: you tell you that.

1316
01:07:11,720 --> 01:07:12,720
Speaker 2: You're doing it again. No.

1317
01:07:13,240 --> 01:07:13,280
Speaker 4: No.

1318
01:07:15,240 --> 01:07:24,680
Speaker 7: Secondly, certainly, day Maggie Smith, is that you certainly are

1319
01:07:24,760 --> 01:07:37,680
Speaker 7: you watching the gilge? Secondly, what Secondly, I I.

1320
01:07:38,120 --> 01:07:41,320
Speaker 3: Just when I was coming here. You know, I spent

1321
01:07:41,400 --> 01:07:43,000
Speaker 3: twenty seven dollars out of noodles.

1322
01:07:43,600 --> 01:07:46,520
Speaker 2: Yes, and I spent seventeen dollars on half a sandwich.

1323
01:07:47,400 --> 01:07:52,000
Speaker 2: I spent eighteen dollars on a kish that's nuts. It

1324
01:07:52,160 --> 01:07:52,880
Speaker 2: is all nuts.

1325
01:07:53,200 --> 01:07:54,160
Speaker 3: It is all nuts.

1326
01:07:54,560 --> 01:07:56,520
Speaker 2: But I thought to myself, I've heard of walnuts, but

1327
01:07:56,560 --> 01:07:57,000
Speaker 2: all nuts.

1328
01:08:00,440 --> 01:08:02,240
Speaker 3: I don't even know what I'm doing here.

1329
01:08:02,760 --> 01:08:04,320
Speaker 4: Okay, you're promoting your big book.

1330
01:08:04,840 --> 01:08:06,960
Speaker 2: It's not available on any bookstores. If we have to

1331
01:08:07,000 --> 01:08:08,360
Speaker 2: listen to this podcast, what do.

1332
01:08:08,400 --> 01:08:10,080
Speaker 3: You call it a big book? It reminds me of

1333
01:08:10,160 --> 01:08:12,880
Speaker 3: how I messed up and ordered it big okay.

1334
01:08:13,680 --> 01:08:18,000
Speaker 2: Calendar style? Oh, when you were checking out, was there

1335
01:08:18,040 --> 01:08:22,160
Speaker 2: a choice for calendar style and book styling? Accidentally chose calendar.

1336
01:08:22,479 --> 01:08:23,360
Speaker 3: Was really big?

1337
01:08:23,880 --> 01:08:24,160
Speaker 2: Okay?

1338
01:08:24,560 --> 01:08:27,360
Speaker 3: And I didn't realize. I don't have a tape in

1339
01:08:27,439 --> 01:08:27,840
Speaker 3: my house.

1340
01:08:27,920 --> 01:08:29,840
Speaker 2: You know. It's funny. If I were to go about

1341
01:08:29,880 --> 01:08:32,200
Speaker 2: self publishing something, and I don't mean this is a criticism,

1342
01:08:32,200 --> 01:08:35,160
Speaker 2: I would immediately say, ebook, this is an ebook. I'm

1343
01:08:35,160 --> 01:08:37,840
Speaker 2: self publishing an ebook. It would sound so difficult to

1344
01:08:37,920 --> 01:08:42,799
Speaker 2: actually pay to have it printed. Well, it was clearly

1345
01:08:43,200 --> 01:08:43,840
Speaker 2: it came back to.

1346
01:08:44,439 --> 01:08:46,200
Speaker 4: Joe, was that like the test print or did you

1347
01:08:46,280 --> 01:08:47,720
Speaker 4: have like five hundred of these things?

1348
01:08:47,800 --> 01:08:51,160
Speaker 2: How many people bought the collector's edition calendar style books?

1349
01:08:52,000 --> 01:08:57,759
Speaker 2: Pre edits just a branded out Google doc with comments

1350
01:08:57,800 --> 01:09:03,320
Speaker 2: and highlights. It h t K t K had killer.

1351
01:09:03,400 --> 01:09:06,640
Speaker 4: Here you have the ending and then the rest was

1352
01:09:06,680 --> 01:09:08,080
Speaker 4: like this will I'll figure this out later?

1353
01:09:08,320 --> 01:09:13,760
Speaker 3: Absolutely not. Okay, I listen, this was a highly regimented

1354
01:09:13,800 --> 01:09:14,599
Speaker 3: writing process.

1355
01:09:15,680 --> 01:09:21,080
Speaker 2: Okay, okay, let's tell let us in your process. Yeah.

1356
01:09:21,520 --> 01:09:26,800
Speaker 3: First of all, I never say riff Excuse me, Sam said, oh,

1357
01:09:27,439 --> 01:09:27,960
Speaker 3: just riff it?

1358
01:09:29,320 --> 01:09:31,160
Speaker 2: Oh oh oh, okay, yes, I do want you to

1359
01:09:31,200 --> 01:09:33,840
Speaker 2: correct Sam. So Sam said, you said the way to

1360
01:09:33,880 --> 01:09:35,800
Speaker 2: write a mystery come up with the ending and then

1361
01:09:35,880 --> 01:09:38,320
Speaker 2: just rift the rest. You're saying that's wrong, that's missing

1362
01:09:38,360 --> 01:09:38,519
Speaker 2: for me.

1363
01:09:38,680 --> 01:09:41,240
Speaker 3: I never said, what did you say, come up with

1364
01:09:41,320 --> 01:09:43,960
Speaker 3: the ending and then come up with the middle.

1365
01:09:45,600 --> 01:09:46,080
Speaker 2: And then rif?

1366
01:09:48,880 --> 01:09:53,920
Speaker 3: No, first of all, you too, you too are basically

1367
01:09:54,080 --> 01:09:55,160
Speaker 3: like a devilish monkey.

1368
01:09:55,800 --> 01:10:01,400
Speaker 2: Okay, okay, interesting you know that is this like a

1369
01:10:01,479 --> 01:10:02,040
Speaker 2: wicked thing?

1370
01:10:02,840 --> 01:10:03,040
Speaker 3: Oh?

1371
01:10:03,760 --> 01:10:05,559
Speaker 2: Oh do you know what I think?

1372
01:10:05,960 --> 01:10:09,519
Speaker 3: What I think that the Wicked dorm room is the

1373
01:10:09,640 --> 01:10:11,439
Speaker 3: same as the Wednesday dorm room.

1374
01:10:13,800 --> 01:10:16,960
Speaker 2: Oh well, of course.

1375
01:10:17,360 --> 01:10:19,400
Speaker 4: Okay, I think you should incorporate this into your standard.

1376
01:10:19,479 --> 01:10:20,479
Speaker 2: This is really big.

1377
01:10:20,720 --> 01:10:23,000
Speaker 4: Well maybe instead of sucker fucking be Wicked dorm room

1378
01:10:23,880 --> 01:10:25,280
Speaker 4: or Wednesday dorm room.

1379
01:10:27,000 --> 01:10:30,120
Speaker 2: Shoe. I just want to say, that's such a good point,

1380
01:10:30,439 --> 01:10:32,880
Speaker 2: the Wicked dom room, the Wednesday.

1381
01:10:32,920 --> 01:10:35,600
Speaker 3: Do I need you all to delete it?

1382
01:10:35,880 --> 01:10:38,200
Speaker 2: Do you think it's part of the dorm room cinematic

1383
01:10:38,680 --> 01:10:39,479
Speaker 2: I need you all.

1384
01:10:39,880 --> 01:10:43,080
Speaker 3: No, I need you all to delete it. I'm bringing

1385
01:10:43,160 --> 01:10:44,840
Speaker 3: in hot fresh observations.

1386
01:10:45,120 --> 01:10:46,639
Speaker 4: Let's know, I actually love that observation.

1387
01:10:48,840 --> 01:10:52,799
Speaker 2: This is this is right here? What else? Here's what happens.

1388
01:10:53,240 --> 01:10:56,679
Speaker 3: I come in here with hot fresh cultural commentary. Okay,

1389
01:10:56,960 --> 01:11:00,479
Speaker 3: would y'all any podcasts would be grateful to have? And

1390
01:11:00,640 --> 01:11:03,639
Speaker 3: you all think I'm making I'm saying, hey, you want

1391
01:11:03,720 --> 01:11:10,800
Speaker 3: some lemonade med at the Blueberries, but I told you

1392
01:11:10,960 --> 01:11:11,760
Speaker 3: I don't want any more?

1393
01:11:11,800 --> 01:11:11,840
Speaker 4: What?

1394
01:11:12,800 --> 01:11:13,040
Speaker 8: Oh?

1395
01:11:13,600 --> 01:11:16,200
Speaker 2: That's actually a good rule. Yeah, that's a really good rule.

1396
01:11:16,280 --> 01:11:18,920
Speaker 2: I could see that being a sort of Mariah Carey

1397
01:11:19,040 --> 01:11:22,719
Speaker 2: esque diva thing where she's like Mariah does, Mariah doesn't

1398
01:11:22,720 --> 01:11:24,519
Speaker 2: want any whats like? That's her what it's like in

1399
01:11:24,600 --> 01:11:26,200
Speaker 2: her writer that when you talk to her you are

1400
01:11:26,280 --> 01:11:28,519
Speaker 2: not allowed to say what, because it makes her feel

1401
01:11:28,720 --> 01:11:31,679
Speaker 2: not heard if she says something, even if you literally

1402
01:11:31,760 --> 01:11:34,000
Speaker 2: didn't hear and you're like, excuse me, you can't say what?

1403
01:11:34,280 --> 01:11:36,799
Speaker 3: Yeah, I used to never. I used to never repeat

1404
01:11:36,880 --> 01:11:39,640
Speaker 3: my jokes if someone didn't hear it, because they'd be like,

1405
01:11:39,680 --> 01:11:41,760
Speaker 3: what you say? And then if I repeated it, they'd

1406
01:11:41,800 --> 01:11:45,160
Speaker 3: go and I said, no, it's no longer.

1407
01:11:45,280 --> 01:11:45,880
Speaker 2: Yeah you missed it.

1408
01:11:46,040 --> 01:11:48,880
Speaker 3: I said it's time to move on. But people don't

1409
01:11:48,960 --> 01:11:51,720
Speaker 3: like the heat. But I'm just saying that a lot

1410
01:11:51,800 --> 01:11:54,439
Speaker 3: of people. I bet you you guys have comments.

1411
01:11:55,400 --> 01:11:56,160
Speaker 2: We got some comments.

1412
01:11:56,840 --> 01:12:00,599
Speaker 3: I bet the comments on this, this whole interview.

1413
01:12:00,840 --> 01:12:07,080
Speaker 2: Yeah, I'm gonna be like, what, No, damn, George, that

1414
01:12:07,240 --> 01:12:10,759
Speaker 2: was good. You ate that up. What are the comments

1415
01:12:10,800 --> 01:12:11,400
Speaker 2: gonna be like, No.

1416
01:12:11,640 --> 01:12:15,160
Speaker 3: Spit it back out, Okay, spit it back out.

1417
01:12:15,680 --> 01:12:16,000
Speaker 2: Okay.

1418
01:12:17,080 --> 01:12:19,800
Speaker 3: The comments are all gonna be like, that is true

1419
01:12:19,880 --> 01:12:20,759
Speaker 3: about the dorms.

1420
01:12:22,680 --> 01:12:24,599
Speaker 2: No, I think it's true. I think it's really genius.

1421
01:12:25,920 --> 01:12:27,000
Speaker 2: Have you seen Wednesday?

1422
01:12:27,560 --> 01:12:33,120
Speaker 4: No? Uh, Joe, Joe. I noticed that the murder weapon

1423
01:12:33,360 --> 01:12:38,000
Speaker 4: spoiler alert is often anti freeze. Have you ever tasted

1424
01:12:38,000 --> 01:12:38,679
Speaker 4: anti freeze?

1425
01:12:38,760 --> 01:12:39,680
Speaker 2: Yeah? Is it delicious?

1426
01:12:44,200 --> 01:12:48,960
Speaker 3: Basically, you're coming on me here I'm coming on here. Basically,

1427
01:12:49,040 --> 01:12:52,120
Speaker 3: I'm coming on here, and you're all saying, hey, why

1428
01:12:52,160 --> 01:12:58,559
Speaker 3: don't you kill yourself? Which I have had enough.

1429
01:12:59,680 --> 01:13:03,240
Speaker 2: Oh my god, But this is like you're being a

1430
01:13:03,320 --> 01:13:08,960
Speaker 2: stereotype of a uh triggered no no college student. We

1431
01:13:09,040 --> 01:13:11,120
Speaker 2: are asking a question. You're saying, so basically, you want

1432
01:13:11,160 --> 01:13:11,960
Speaker 2: me to kill myself.

1433
01:13:12,280 --> 01:13:15,559
Speaker 3: Basically you're saying no. Basically you're saying, oh, I noticed

1434
01:13:15,560 --> 01:13:18,680
Speaker 3: that there's a bomb in their book. Any interest in

1435
01:13:18,800 --> 01:13:20,400
Speaker 3: putting a bomb in your own house?

1436
01:13:21,600 --> 01:13:21,840
Speaker 2: Okay?

1437
01:13:22,400 --> 01:13:25,200
Speaker 3: Not being sensitive, I think you're asking me to kill myself.

1438
01:13:26,080 --> 01:13:27,040
Speaker 4: I need to play something.

1439
01:13:27,240 --> 01:13:30,200
Speaker 2: Okay, oh multimedia.

1440
01:13:31,880 --> 01:13:33,960
Speaker 3: Teacher, teacher, please kill yourself?

1441
01:13:36,000 --> 01:13:39,720
Speaker 2: What's that? That's what Joe? You say?

1442
01:13:39,760 --> 01:13:40,080
Speaker 4: What is no?

1443
01:13:40,200 --> 01:13:40,640
Speaker 1: You say it?

1444
01:13:41,439 --> 01:13:42,360
Speaker 4: That's what Joe said that.

1445
01:13:42,400 --> 01:13:47,640
Speaker 2: We were like in the room, and they were like that.

1446
01:13:48,040 --> 01:13:50,240
Speaker 3: Every day they would they would hope and pray that

1447
01:13:50,360 --> 01:13:55,800
Speaker 3: they say, hope and pray, teacher kills himself, rubbing their

1448
01:13:55,880 --> 01:14:01,840
Speaker 3: little pause together. Teacher, teacher, please kill yourself. Well, here's

1449
01:14:02,080 --> 01:14:06,200
Speaker 3: some more brownies. Everybody. Anybody want a gift?

1450
01:14:08,120 --> 01:14:15,360
Speaker 2: None for me, thanks, George. Yeah, he's tired.

1451
01:14:15,760 --> 01:14:20,880
Speaker 4: Okay, So you make me laugh like no one else is.

1452
01:14:20,960 --> 01:14:23,800
Speaker 2: So wild over here one of the funniest. No, excuse me,

1453
01:14:25,840 --> 01:14:27,720
Speaker 2: don't worry, I don't worry.

1454
01:14:27,720 --> 01:14:28,360
Speaker 3: Don't worry about it.

1455
01:14:28,600 --> 01:14:30,639
Speaker 2: It's ly difficult for me to give compliments to women.

1456
01:14:31,160 --> 01:14:36,160
Speaker 3: Yes, okay, I'm so sweaty okay. So basically, basically, basically

1457
01:14:36,840 --> 01:14:38,479
Speaker 3: I would be in the middle of being like, hey,

1458
01:14:38,600 --> 01:14:41,600
Speaker 3: here's the what we're doing today, and Sam would go.

1459
01:14:45,280 --> 01:14:48,320
Speaker 2: Like, it's it's Sam will occasionally have a performative yawn,

1460
01:14:48,680 --> 01:14:49,680
Speaker 2: it's not performative.

1461
01:14:49,880 --> 01:14:52,839
Speaker 4: It's not performative. I get sleepy. I'm I'm self diagnosis

1462
01:14:52,880 --> 01:14:53,520
Speaker 4: and narcoleptic.

1463
01:14:53,760 --> 01:14:54,639
Speaker 2: Oh that's right, I forgot.

1464
01:14:54,760 --> 01:14:55,759
Speaker 3: And how do you sneeze?

1465
01:14:56,160 --> 01:14:57,679
Speaker 4: You a big one?

1466
01:14:57,880 --> 01:14:58,800
Speaker 3: And how do you peet?

1467
01:14:59,080 --> 01:15:03,200
Speaker 4: Peas? Pretty much?

1468
01:15:05,600 --> 01:15:10,639
Speaker 2: No, no, no, no, no, something I found interesting.

1469
01:15:10,920 --> 01:15:14,120
Speaker 3: No, yeah, sorry, I was keeping going.

1470
01:15:15,320 --> 01:15:19,200
Speaker 2: I guess I do want to, uh stay a little

1471
01:15:19,240 --> 01:15:23,919
Speaker 2: more on whether this book is a feminist text, famous

1472
01:15:24,960 --> 01:15:30,240
Speaker 2: because a big part of the twist is that anti

1473
01:15:30,320 --> 01:15:33,800
Speaker 2: freeze is seen as a feminine weapon, like poisoning.

1474
01:15:34,200 --> 01:15:34,519
Speaker 4: Poison.

1475
01:15:34,720 --> 01:15:37,640
Speaker 2: Yeah, like poisoning is something women do not men, and

1476
01:15:37,800 --> 01:15:45,919
Speaker 2: the men take advantage of like systemic sexism by basically

1477
01:15:46,600 --> 01:15:50,080
Speaker 2: having by basically using poison, knowing that the police, and

1478
01:15:50,160 --> 01:15:52,760
Speaker 2: the detectivele think it was a woman. So I guess

1479
01:15:52,800 --> 01:15:57,280
Speaker 2: my question for you is, what's a badass woman you

1480
01:15:57,360 --> 01:16:04,880
Speaker 2: look up to? And you can't say Maggie Smith or

1481
01:16:05,000 --> 01:16:05,880
Speaker 2: Luella Van Horn.

1482
01:16:06,520 --> 01:16:09,160
Speaker 3: Can I tell you what it seems like when you

1483
01:16:09,360 --> 01:16:13,160
Speaker 3: just talk to me right now, it was like it

1484
01:16:13,360 --> 01:16:18,000
Speaker 3: was like, here, honey, honey, I gave you this flower.

1485
01:16:18,680 --> 01:16:21,880
Speaker 3: I gave you this flower. Here's this flower in a pot.

1486
01:16:22,920 --> 01:16:26,680
Speaker 2: I mean, I'm being like condescending, no, no, google it,

1487
01:16:27,320 --> 01:16:27,760
Speaker 2: no good.

1488
01:16:27,840 --> 01:16:30,120
Speaker 4: You're being like a street sweet sweet person.

1489
01:16:30,520 --> 01:16:33,680
Speaker 3: Okay, here's his flower in a fresh pot. I put

1490
01:16:33,720 --> 01:16:36,200
Speaker 3: a fresh dirt on it. And then I'm like, where'd

1491
01:16:36,240 --> 01:16:38,160
Speaker 3: you get the dirt? And You're like, you're a grave.

1492
01:16:49,720 --> 01:16:53,200
Speaker 2: It's crazy that there's you're having an interaction that I'm

1493
01:16:53,479 --> 01:16:56,280
Speaker 2: part of, and then there's this entire undercurrent of this

1494
01:16:56,439 --> 01:16:58,960
Speaker 2: story you're making up about it that I cannot predict

1495
01:16:59,000 --> 01:16:59,280
Speaker 2: at all.

1496
01:16:59,479 --> 01:17:03,720
Speaker 3: You know exactly what it's like. What do you think

1497
01:17:03,800 --> 01:17:05,680
Speaker 3: this is? What do you think this has been?

1498
01:17:05,840 --> 01:17:09,280
Speaker 2: Like I gave I gave you a compliment.

1499
01:17:09,560 --> 01:17:11,800
Speaker 4: I think this has been a really productive conversation about

1500
01:17:11,800 --> 01:17:13,040
Speaker 4: your creative process.

1501
01:17:13,360 --> 01:17:16,120
Speaker 2: I think I think anything we're the ones that we're

1502
01:17:16,120 --> 01:17:17,519
Speaker 2: the ones that keep bringing it back to the book.

1503
01:17:17,560 --> 01:17:19,479
Speaker 2: You know, often it's the other way around. The celebrity

1504
01:17:19,479 --> 01:17:22,880
Speaker 2: will be interviewed a celebrity.

1505
01:17:22,920 --> 01:17:25,200
Speaker 4: This podcast, authors are celebrities, yeah.

1506
01:17:25,080 --> 01:17:27,800
Speaker 2: Nowhere else. So a celebrity will be interviewed and then

1507
01:17:27,800 --> 01:17:29,960
Speaker 2: the interviewer will be like, so you were spotted with

1508
01:17:30,080 --> 01:17:32,000
Speaker 2: Brad Pitt, And then the celebrity will be like, I

1509
01:17:32,040 --> 01:17:34,040
Speaker 2: actually just want to talk about men. You play. It's

1510
01:17:34,040 --> 01:17:35,840
Speaker 2: about a woman who has a difficult time in the

1511
01:17:35,880 --> 01:17:39,400
Speaker 2: grocery store because of the pandemic.

1512
01:17:41,000 --> 01:17:41,960
Speaker 3: Sounds a good book.

1513
01:17:42,040 --> 01:17:46,000
Speaker 2: Mm hmmmmm. This was a play actually, But and did

1514
01:17:46,120 --> 01:17:46,960
Speaker 2: change you a book to play?

1515
01:17:47,000 --> 01:17:50,439
Speaker 4: That was confusing Wait, because we were talking about authors

1516
01:17:50,439 --> 01:17:51,840
Speaker 4: and then it was like the author.

1517
01:17:51,560 --> 01:17:54,759
Speaker 2: Of that I actually said celebrity in my story, not author.

1518
01:17:55,240 --> 01:17:56,320
Speaker 4: Well I changed it.

1519
01:17:56,680 --> 01:18:02,080
Speaker 2: Oh. My point is usually the interviewer is the one

1520
01:18:02,120 --> 01:18:04,040
Speaker 2: trying to take the conversation away from the work, and

1521
01:18:04,200 --> 01:18:06,040
Speaker 2: the celebrity tries to bring back to the work. But

1522
01:18:06,080 --> 01:18:07,400
Speaker 2: I think Sam and I have done such a good

1523
01:18:07,479 --> 01:18:09,479
Speaker 2: job of going back to the book, which you see

1524
01:18:09,520 --> 01:18:12,479
Speaker 2: him in fact not wanting to talk about I want

1525
01:18:12,520 --> 01:18:13,120
Speaker 2: to talk about it.

1526
01:18:13,320 --> 01:18:13,840
Speaker 3: Believe me.

1527
01:18:15,479 --> 01:18:16,560
Speaker 4: What do you want to say about it.

1528
01:18:20,600 --> 01:18:22,840
Speaker 3: Basically, it's like a great summer.

1529
01:18:24,560 --> 01:18:30,080
Speaker 2: Read or fall because you know summer's ending soon, but

1530
01:18:30,160 --> 01:18:32,400
Speaker 2: it's a quick read, so you know there's still time

1531
01:18:32,439 --> 01:18:33,920
Speaker 2: in the summer for it to be a summer reader.

1532
01:18:33,960 --> 01:18:38,439
Speaker 2: That's true. Well, it's not that quick, that's true, especially

1533
01:18:38,439 --> 01:18:41,360
Speaker 2: if we get the big version. It would takes so

1534
01:18:41,600 --> 01:18:47,280
Speaker 2: long to read the big version, entire turning those giant pages.

1535
01:18:50,280 --> 01:18:55,560
Speaker 3: First of all, okay, first of all, here's how this

1536
01:18:55,720 --> 01:19:00,479
Speaker 3: should go. It's been going no, no, no, here's how

1537
01:19:00,560 --> 01:19:03,080
Speaker 3: this should go. Okay, the lean to all that from

1538
01:19:03,400 --> 01:19:04,240
Speaker 3: before done.

1539
01:19:04,280 --> 01:19:08,360
Speaker 2: Okay, Hey George.

1540
01:19:08,320 --> 01:19:12,479
Speaker 3: Nice to see you again. Sam, what's that babe? Okay, okay.

1541
01:19:12,600 --> 01:19:14,760
Speaker 3: So then it's like then it's like they're like, do

1542
01:19:14,800 --> 01:19:15,400
Speaker 3: you have a book?

1543
01:19:15,880 --> 01:19:19,840
Speaker 2: So yeah, great impression of us, by the way, you

1544
01:19:19,880 --> 01:19:22,160
Speaker 2: think we have little queenie feminine voices.

1545
01:19:23,400 --> 01:19:26,679
Speaker 3: First of all, I used my masculine voice.

1546
01:19:26,840 --> 01:19:28,320
Speaker 2: You think this is what we sound like? Hi, Will,

1547
01:19:28,400 --> 01:19:31,760
Speaker 2: high grace. I'm trying that's you. That's who you think

1548
01:19:31,760 --> 01:19:32,040
Speaker 2: we are.

1549
01:19:32,320 --> 01:19:37,200
Speaker 3: I had never trying to bait, I mean get baited.

1550
01:19:38,680 --> 01:19:43,920
Speaker 2: Uh huh. That makes one of us, Okay, who he's.

1551
01:19:44,040 --> 01:19:49,240
Speaker 3: He's obsess he's obsessed. Okay, So basically, basically, here's the thing.

1552
01:19:49,520 --> 01:19:52,000
Speaker 2: Mm hmm, here's you go again with basically, let's hope

1553
01:19:52,000 --> 01:20:03,280
Speaker 2: you'll land this one. Really cool that you brought a book.

1554
01:20:03,400 --> 01:20:06,400
Speaker 3: They're really cool that thanks for giving us this book.

1555
01:20:06,600 --> 01:20:08,439
Speaker 2: So you think we're like straight acting because we're self

1556
01:20:08,520 --> 01:20:11,440
Speaker 2: hating gays and we wanna we want to see Mike masculine.

1557
01:20:12,640 --> 01:20:13,360
Speaker 2: Is that what you think?

1558
01:20:14,800 --> 01:20:17,519
Speaker 3: Sam? That was really flattering impression, wasn't it.

1559
01:20:17,920 --> 01:20:19,600
Speaker 4: I thought that was really flattering. Thank you for that.

1560
01:20:19,680 --> 01:20:21,400
Speaker 2: Okay, so tell us how is it gonna.

1561
01:20:21,120 --> 01:20:25,719
Speaker 3: Go impressions aside. I'll just be neutral.

1562
01:20:25,920 --> 01:20:28,639
Speaker 2: Uh huh. Yeah, So you think we stand for nothing.

1563
01:20:29,560 --> 01:20:32,160
Speaker 2: We've never vote, We've never voted in an election. We're

1564
01:20:32,280 --> 01:20:35,680
Speaker 2: just like centrists. I hope, I hope Biden goes back

1565
01:20:35,680 --> 01:20:36,200
Speaker 2: into the race.

1566
01:20:36,680 --> 01:20:39,799
Speaker 3: Honestly, I don't know if you're staying away from sugar

1567
01:20:39,880 --> 01:20:45,280
Speaker 3: and carbs or what's happening. Okay, I noticed that George

1568
01:20:45,400 --> 01:20:50,280
Speaker 3: was ripped when I got here. Sam, I'd be shocked

1569
01:20:50,320 --> 01:20:51,479
Speaker 3: if you weren't ripped as well.

1570
01:20:52,960 --> 01:20:53,679
Speaker 2: So I'm not ripped.

1571
01:20:53,880 --> 01:20:58,320
Speaker 3: I would be shocked to find that out. Both of

1572
01:20:58,400 --> 01:21:06,840
Speaker 3: you are slee honest, steaming rocket to the top. But

1573
01:21:09,360 --> 01:21:15,120
Speaker 3: but I just want to warn you that there are

1574
01:21:16,320 --> 01:21:19,519
Speaker 3: monsters drag get it down.

1575
01:21:20,720 --> 01:21:20,880
Speaker 2: You know.

1576
01:21:20,960 --> 01:21:23,040
Speaker 4: I didn't notice there was an anti fame sentiment in

1577
01:21:23,120 --> 01:21:23,400
Speaker 4: the book.

1578
01:21:24,640 --> 01:21:27,960
Speaker 2: Yeah, And actually that is something we wanted to talk

1579
01:21:27,960 --> 01:21:33,679
Speaker 2: to you about. Is like, is this book you having

1580
01:21:33,760 --> 01:21:36,400
Speaker 2: been inside the Hollywood Beast. You know you're a head

1581
01:21:36,479 --> 01:21:38,799
Speaker 2: you know, head writer these big shows.

1582
01:21:38,920 --> 01:21:42,280
Speaker 4: You've met people that would literally kill to be on TV.

1583
01:21:42,400 --> 01:21:48,519
Speaker 2: On Jeffrey Epstein's Island post cancelations, you're the only ones

1584
01:21:48,640 --> 01:21:52,639
Speaker 2: still going. People are like, no one lives here anymore.

1585
01:21:53,040 --> 01:21:59,320
Speaker 2: You say, I'm ready to hard No, And so then

1586
01:21:59,320 --> 01:22:02,439
Speaker 2: you're writing this that hire about all everything you've seen. Yes,

1587
01:22:02,479 --> 01:22:05,800
Speaker 2: a satire, it's a satire of the entertainment industry. No.

1588
01:22:05,920 --> 01:22:07,880
Speaker 3: But and I just want to say that I wrote

1589
01:22:07,920 --> 01:22:11,240
Speaker 3: this before I did work with I did work with

1590
01:22:12,720 --> 01:22:16,360
Speaker 3: Sophie Buttle who's who? Yes, yes, And I worked with

1591
01:22:16,439 --> 01:22:20,040
Speaker 3: Taylor Tomlinson and Taylor and Sophie are to I would say,

1592
01:22:20,040 --> 01:22:22,560
Speaker 3: two of the most villainist characters in the book. But

1593
01:22:22,640 --> 01:22:24,600
Speaker 3: that has no relation. I wrote the book before I

1594
01:22:24,720 --> 01:22:25,080
Speaker 3: met them.

1595
01:22:25,439 --> 01:22:27,880
Speaker 2: Uh, Okay.

1596
01:22:28,000 --> 01:22:29,000
Speaker 3: I just wanted to get that clear.

1597
01:22:30,280 --> 01:22:31,960
Speaker 4: So we did not accuse you of that.

1598
01:22:32,280 --> 01:22:34,880
Speaker 2: No, But I also don't think Sophie's villainous. I think

1599
01:22:34,960 --> 01:22:35,840
Speaker 2: Sophie is just like.

1600
01:22:36,680 --> 01:22:37,840
Speaker 4: Yeah, she seems kind of neutral.

1601
01:22:38,080 --> 01:22:43,599
Speaker 2: Yeah, and she's also sort of like I think, honestly,

1602
01:22:43,760 --> 01:22:45,160
Speaker 2: like she seems mousey.

1603
01:22:45,800 --> 01:22:50,679
Speaker 3: What Sophie de Plaza, She's.

1604
01:22:50,560 --> 01:22:52,880
Speaker 2: Sort of like, she doesn't seem to have a lot

1605
01:22:52,960 --> 01:22:55,840
Speaker 2: of people in her life. She on a moment's noticed

1606
01:22:55,880 --> 01:22:59,640
Speaker 2: she can go cat stid for two weeks. She's like

1607
01:22:59,760 --> 01:23:02,920
Speaker 2: clearly wanting human interaction. That's why she keeps texting Luela.

1608
01:23:04,640 --> 01:23:06,599
Speaker 4: And to me it felt like, you know, it felt

1609
01:23:06,640 --> 01:23:09,080
Speaker 4: like family where it was like, oh, she's mean because

1610
01:23:09,120 --> 01:23:09,799
Speaker 4: you're so close.

1611
01:23:10,479 --> 01:23:12,559
Speaker 2: Yeah, you think she's mean, like really mean.

1612
01:23:13,400 --> 01:23:17,920
Speaker 3: Okay, So I guess what's happening here is that you

1613
01:23:18,040 --> 01:23:22,320
Speaker 3: guys are kind of on the literary side. Well obviously,

1614
01:23:26,560 --> 01:23:28,960
Speaker 3: and it's becoming clear to me after my series of

1615
01:23:29,040 --> 01:23:32,840
Speaker 3: tests that you did a deeper read than I thought.

1616
01:23:33,960 --> 01:23:35,280
Speaker 2: Well, we're just being respectful.

1617
01:23:35,400 --> 01:23:36,800
Speaker 3: What if I told you this was all.

1618
01:23:36,720 --> 01:23:38,920
Speaker 4: A trying to engage with the text, What was all

1619
01:23:38,960 --> 01:23:42,960
Speaker 4: at most writing the book like a Willy Wonka style thing.

1620
01:23:43,800 --> 01:23:46,080
Speaker 3: I am tired of you comparing me to Willy Wanka.

1621
01:23:48,439 --> 01:23:51,439
Speaker 3: That's the last time you're doing it, I feel more.

1622
01:23:51,320 --> 01:23:54,679
Speaker 2: Once no more Wonka's you don't like compared to anyone.

1623
01:23:54,760 --> 01:23:56,360
Speaker 2: You don't like being compared to Luela. You don't like

1624
01:23:56,360 --> 01:23:57,559
Speaker 2: being compared to Willy Wonka.

1625
01:23:57,760 --> 01:24:01,200
Speaker 3: These are two poor examples. It's like saying, Oh, you

1626
01:24:01,320 --> 01:24:03,960
Speaker 3: don't like being compared to that squirrel in the ground,

1627
01:24:04,080 --> 01:24:06,040
Speaker 3: and you don't like being compared do witch.

1628
01:24:07,240 --> 01:24:09,280
Speaker 2: And you couldn't think of one badass woman that you

1629
01:24:09,320 --> 01:24:09,680
Speaker 2: look up.

1630
01:24:09,640 --> 01:24:11,960
Speaker 3: To, and I thought we moved on from that.

1631
01:24:12,000 --> 01:24:14,559
Speaker 2: You couldn't think of one badass woman. And you think Sophie,

1632
01:24:14,640 --> 01:24:17,639
Speaker 2: a female character you wrote, is a huge sea word.

1633
01:24:18,360 --> 01:24:19,559
Speaker 3: I never said.

1634
01:24:19,800 --> 01:24:22,160
Speaker 2: You said that. I can't repeat it, but you said it.

1635
01:24:22,360 --> 01:24:25,160
Speaker 3: I never said the sea word A woman I look

1636
01:24:25,240 --> 01:24:31,320
Speaker 3: up too strong, I would have to say. I would

1637
01:24:31,439 --> 01:24:34,559
Speaker 3: have to say Viola Davis.

1638
01:24:35,880 --> 01:24:42,240
Speaker 2: Have you met her? Yeah? Really? What's she like? I?

1639
01:24:42,479 --> 01:24:43,400
Speaker 2: Where do you meet her? Well?

1640
01:24:43,600 --> 01:24:47,479
Speaker 3: I got I got a part playing opposite her in the.

1641
01:24:47,520 --> 01:24:50,720
Speaker 2: TV show What TV show?

1642
01:24:51,320 --> 01:24:54,280
Speaker 3: It's called The First Lady? Okay?

1643
01:24:55,120 --> 01:24:56,160
Speaker 2: She plays Michelle Obama.

1644
01:24:56,320 --> 01:24:59,439
Speaker 3: Yes, And I was supposed to play a high status

1645
01:24:59,520 --> 01:25:05,519
Speaker 3: character opposite her, and I couldn't really do it, and

1646
01:25:05,640 --> 01:25:08,920
Speaker 3: I got sequestered several times by the director who kept

1647
01:25:08,960 --> 01:25:12,160
Speaker 3: telling me to please do better, and then the director

1648
01:25:12,520 --> 01:25:17,439
Speaker 3: who hates famously hates red lipstick. After pulling me aside

1649
01:25:17,560 --> 01:25:21,120
Speaker 3: ten times to do better, she said, put her in

1650
01:25:21,200 --> 01:25:22,480
Speaker 3: the red lipstick.

1651
01:25:24,240 --> 01:25:27,760
Speaker 2: Meaning red lipstick will elevate your performance.

1652
01:25:28,200 --> 01:25:32,560
Speaker 3: That was her last attempt before she just cut me

1653
01:25:32,680 --> 01:25:35,280
Speaker 3: all together. I think so. She said put her in

1654
01:25:35,360 --> 01:25:37,599
Speaker 3: the red lipstick, and all of them knew what that meant.

1655
01:25:38,360 --> 01:25:41,240
Speaker 2: What was she putting you in red lipsticks so that

1656
01:25:41,840 --> 01:25:43,639
Speaker 2: she would hate you on screen so that she could

1657
01:25:43,680 --> 01:25:43,920
Speaker 2: cut you.

1658
01:25:45,040 --> 01:25:47,080
Speaker 3: I'm not sure, but it was.

1659
01:25:47,479 --> 01:25:47,720
Speaker 2: It was.

1660
01:25:48,880 --> 01:25:53,519
Speaker 3: It was one of the worst experiences I've yet to have.

1661
01:25:53,880 --> 01:25:58,320
Speaker 3: And yes, I'm including working with you, say and our

1662
01:25:58,439 --> 01:26:01,160
Speaker 3: lunch George, okay.

1663
01:26:03,240 --> 01:26:08,560
Speaker 4: Interesting so and and Viola was so kindly set and

1664
01:26:08,640 --> 01:26:12,920
Speaker 4: she was like, it's okay, so nice. That's nice.

1665
01:26:13,080 --> 01:26:16,720
Speaker 3: She's really much much better at almost everything than I am.

1666
01:26:16,800 --> 01:26:17,840
Speaker 3: And she was so nice.

1667
01:26:18,560 --> 01:26:24,479
Speaker 2: So I'm curious about this high status thing. Yeah, yeah,

1668
01:26:24,479 --> 01:26:30,080
Speaker 2: who are you playing? I was supposed to Angela Merkel? Joe,

1669
01:26:30,160 --> 01:26:35,120
Speaker 2: be honest, were you playing Angela Merkel? Don't lie?

1670
01:26:35,960 --> 01:26:38,480
Speaker 3: No, I didn't have the part of Angelo.

1671
01:26:38,320 --> 01:26:40,200
Speaker 2: Angola Mircle and a bold lip.

1672
01:26:42,400 --> 01:26:44,160
Speaker 4: Angel if she slayd Angle.

1673
01:26:44,200 --> 01:26:47,759
Speaker 2: If she slayed is Luela van Horn based on Angela Merkel,

1674
01:26:47,880 --> 01:26:49,120
Speaker 2: if she's slayd.

1675
01:26:51,640 --> 01:26:54,120
Speaker 3: I don't even know what frame of mind you all

1676
01:26:54,160 --> 01:26:55,080
Speaker 3: are in anymore.

1677
01:26:55,200 --> 01:27:00,680
Speaker 2: Okay, Hillary Clinton, how big a role was this?

1678
01:27:01,200 --> 01:27:04,519
Speaker 3: This was one scene. Basically I was supposed to be

1679
01:27:04,560 --> 01:27:05,479
Speaker 3: her chief of staff.

1680
01:27:06,120 --> 01:27:08,160
Speaker 2: Oh my god, that's big, I know.

1681
01:27:08,760 --> 01:27:10,880
Speaker 3: And I was supposed to be like dismissive of her,

1682
01:27:11,840 --> 01:27:13,840
Speaker 3: being like I know how to do this, you don't.

1683
01:27:14,400 --> 01:27:16,439
Speaker 3: But it was Viola Davis. So what am I supposed

1684
01:27:16,439 --> 01:27:20,240
Speaker 3: to do? Pretend like acting? I'm not going to be acting.

1685
01:27:21,000 --> 01:27:23,240
Speaker 2: No, that's not fair. To make your high status against her,

1686
01:27:23,520 --> 01:27:25,960
Speaker 2: that's not fair. That is crazy. And to make your

1687
01:27:26,000 --> 01:27:29,680
Speaker 2: high status against a Viola Davis be playing Michelle Obama.

1688
01:27:32,040 --> 01:27:36,240
Speaker 3: Like can you stand up straight tough? That's tough, tough

1689
01:27:36,600 --> 01:27:40,120
Speaker 3: because I can't. It turns out. It turns out I can't.

1690
01:27:41,320 --> 01:27:44,960
Speaker 2: The audition, No, no, no, I didn't.

1691
01:27:45,640 --> 01:27:46,560
Speaker 4: Was your dad directing it?

1692
01:27:47,920 --> 01:27:48,639
Speaker 2: JJ? Abrams?

1693
01:27:50,479 --> 01:27:53,559
Speaker 3: I know you guys think I'm Gracey Abrams, but I'm not. Okay,

1694
01:27:54,080 --> 01:27:56,519
Speaker 3: I told you this several times, even though I look

1695
01:27:56,560 --> 01:27:59,920
Speaker 3: it sound like her? What's that sound? She did?

1696
01:28:00,120 --> 01:28:00,280
Speaker 1: See?

1697
01:28:01,080 --> 01:28:03,280
Speaker 2: I literally couldn't tell you, I know the one from

1698
01:28:03,320 --> 01:28:06,559
Speaker 2: the meme. No, no, no, no, no, no, oh yeah, yeah,

1699
01:28:06,680 --> 01:28:16,880
Speaker 2: oh my god, oh my god, me it was a meme.

1700
01:28:17,600 --> 01:28:20,080
Speaker 3: Gosh, you guys really do like mean culture.

1701
01:28:21,280 --> 01:28:23,759
Speaker 2: How dare you accuse us of liking meme culture? Everything

1702
01:28:23,840 --> 01:28:28,360
Speaker 2: we every meme we have been exposed to, has been

1703
01:28:28,400 --> 01:28:29,280
Speaker 2: against our will.

1704
01:28:29,760 --> 01:28:31,479
Speaker 4: This is one of Joe's big things that she would

1705
01:28:31,479 --> 01:28:33,360
Speaker 4: accuse the room of being obsessed with meme culture.

1706
01:28:33,680 --> 01:28:35,799
Speaker 2: But this is a classic. It's because you're not on Instagram,

1707
01:28:35,920 --> 01:28:37,880
Speaker 2: so you get none of it, and we like get

1708
01:28:37,920 --> 01:28:39,840
Speaker 2: some of the backwashed from just like residually.

1709
01:28:39,920 --> 01:28:43,040
Speaker 4: She has a Burner account. It's private and secret.

1710
01:28:43,240 --> 01:28:45,040
Speaker 2: Are you the one commenting on all our videos?

1711
01:28:45,080 --> 01:28:48,839
Speaker 4: What Joe and George? You'll know it's her secret account

1712
01:28:48,880 --> 01:28:51,280
Speaker 4: because it's just Joe Firestone. But like.

1713
01:28:53,439 --> 01:28:58,080
Speaker 2: With numbers instead of letters, you too, can go kid,

1714
01:28:58,400 --> 01:28:59,360
Speaker 2: you guys can go on?

1715
01:28:59,400 --> 01:29:01,479
Speaker 3: Do you go to Why don't you take an early

1716
01:29:01,560 --> 01:29:04,920
Speaker 3: break and go to dinner? So yeah, it was numbers

1717
01:29:04,960 --> 01:29:06,600
Speaker 3: instead of letters, and yeah, it is my name, and

1718
01:29:06,680 --> 01:29:08,320
Speaker 3: I didn't know that. If you're going to burn our account,

1719
01:29:08,320 --> 01:29:09,439
Speaker 3: you're supposed to make it different.

1720
01:29:09,600 --> 01:29:13,559
Speaker 2: Can I say something cornhead. I rarely have this sort

1721
01:29:13,600 --> 01:29:17,439
Speaker 2: of like childlike fomo or like fear of being left

1722
01:29:17,479 --> 01:29:20,680
Speaker 2: out anymore. But one way in which I wait, oh

1723
01:29:20,920 --> 01:29:25,599
Speaker 2: my gosh, so unprofessional Joe's headpines just fell clear off

1724
01:29:25,680 --> 01:29:30,519
Speaker 2: her head. One of the ways in which I do, oh, look,

1725
01:29:30,520 --> 01:29:32,120
Speaker 2: I'm holding it with two hands, and on a review,

1726
01:29:32,439 --> 01:29:40,760
Speaker 2: people love to go like this. One of the ways

1727
01:29:40,800 --> 01:29:43,120
Speaker 2: in which I have I don't know fear of being

1728
01:29:43,200 --> 01:29:46,880
Speaker 2: left out is I have this fear that everyone I

1729
01:29:47,040 --> 01:29:51,240
Speaker 2: know has al accounts that I don't know about. Yes,

1730
01:29:52,200 --> 01:29:56,160
Speaker 2: because occasionally I do learn about one of them, yeah,

1731
01:29:56,280 --> 01:29:59,320
Speaker 2: and then I follow, and then I'm like, so this

1732
01:29:59,439 --> 01:30:02,439
Speaker 2: has been happening this whole time. I know, no one

1733
01:30:02,520 --> 01:30:06,519
Speaker 2: told me. I know everyone else is just chatting. I know,

1734
01:30:07,080 --> 01:30:10,320
Speaker 2: and sometimes you know, in our community, Joe, those accounts

1735
01:30:10,320 --> 01:30:17,439
Speaker 2: will also have full cock. What are your thoughts about that?

1736
01:30:19,680 --> 01:30:24,639
Speaker 3: If you're talking about a chicken, if you're talking about

1737
01:30:24,720 --> 01:30:25,760
Speaker 3: the Vaney.

1738
01:30:25,520 --> 01:30:32,000
Speaker 2: Tube, thetube, ainy tube, Damn, that's nasty. No, that's a

1739
01:30:32,120 --> 01:30:36,280
Speaker 2: really amazing No. Yeah no, Sam texted me, they all

1740
01:30:36,360 --> 01:30:42,320
Speaker 2: feel that feeling the rainy tube hit Oh wow, what

1741
01:30:42,439 --> 01:30:45,439
Speaker 2: would you call it here?

1742
01:30:50,360 --> 01:30:52,719
Speaker 3: What do you call it? On a day to day basis.

1743
01:30:53,080 --> 01:30:54,880
Speaker 3: You see one on the street, what do you say

1744
01:30:54,920 --> 01:30:55,360
Speaker 3: it's called?

1745
01:30:56,240 --> 01:30:58,640
Speaker 2: If it's on the street, I would say that, uh

1746
01:30:58,840 --> 01:31:03,960
Speaker 2: maybe penis or maybe maybe maybe.

1747
01:31:04,240 --> 01:31:05,519
Speaker 3: But if it's inside a house.

1748
01:31:07,080 --> 01:31:11,320
Speaker 2: Like fucking the house, like a giant Vaney tube sucking.

1749
01:31:11,080 --> 01:31:16,000
Speaker 3: A house, you all need to get your priority straight. Okay,

1750
01:31:16,439 --> 01:31:18,439
Speaker 3: I'm talking about if it's inside the.

1751
01:31:18,479 --> 01:31:27,360
Speaker 2: House, inside my house? Sure is it? Is it mine? Yeah? Again,

1752
01:31:27,439 --> 01:31:29,280
Speaker 2: it's gonna have to go in ahead and be context

1753
01:31:29,400 --> 01:31:32,519
Speaker 2: dependent whether it's in or out of the house.

1754
01:31:34,720 --> 01:31:37,040
Speaker 3: Okay, whatever tube tube, tube to go?

1755
01:31:37,360 --> 01:31:43,880
Speaker 2: Okay, so I have one tube to go caper, No,

1756
01:31:44,040 --> 01:31:45,280
Speaker 2: that's chapel.

1757
01:31:45,479 --> 01:31:46,799
Speaker 3: Oh my mistake.

1758
01:31:50,240 --> 01:31:52,720
Speaker 2: We're wanting for a full hour. We don't want to

1759
01:31:52,800 --> 01:31:53,800
Speaker 2: keep you. We don't want to keep you.

1760
01:31:54,000 --> 01:31:57,840
Speaker 3: Okay, amazing how time flies when you're being viscerated.

1761
01:31:58,520 --> 01:32:01,240
Speaker 2: What in your dream of this and not being avis rated.

1762
01:32:01,439 --> 01:32:03,840
Speaker 2: We have been uplifting you this entire time. We've been

1763
01:32:03,880 --> 01:32:06,400
Speaker 2: promoting your book. We've been singing your praises. We're saying

1764
01:32:06,400 --> 01:32:07,640
Speaker 2: you're the funniest person we know.

1765
01:32:08,240 --> 01:32:08,360
Speaker 4: Uh.

1766
01:32:08,880 --> 01:32:10,600
Speaker 2: Sam is talking about all the funny things you've been

1767
01:32:10,680 --> 01:32:12,720
Speaker 2: saying that you refuse to believe are funny. And you

1768
01:32:12,840 --> 01:32:13,760
Speaker 2: think are professional.

1769
01:32:15,120 --> 01:32:16,360
Speaker 4: I didn't even tell them about t job.

1770
01:32:16,400 --> 01:32:18,719
Speaker 2: Jobo. We gave you a platform to talk about acting

1771
01:32:18,760 --> 01:32:21,480
Speaker 2: alongside Viola Davis, an Academy Award winner.

1772
01:32:22,120 --> 01:32:23,559
Speaker 3: And I did enjoy that platform.

1773
01:32:23,760 --> 01:32:34,040
Speaker 2: Yeah, I do think that story is faked. We'll play along, Joe.

1774
01:32:34,080 --> 01:32:35,760
Speaker 2: Would you like us to ask any other questions about

1775
01:32:35,760 --> 01:32:37,960
Speaker 2: your book? Yeah? Yeah, Like what do you want us

1776
01:32:37,960 --> 01:32:38,280
Speaker 2: to ask?

1777
01:32:38,439 --> 01:32:38,479
Speaker 4: Like?

1778
01:32:38,600 --> 01:32:40,719
Speaker 3: Maybe like you, what was your favorite?

1779
01:32:41,920 --> 01:32:41,960
Speaker 4: Like?

1780
01:32:42,080 --> 01:32:43,080
Speaker 3: What is it evolved?

1781
01:32:45,760 --> 01:32:47,559
Speaker 4: Okay, what is your favorite? What is it evolved?

1782
01:32:48,600 --> 01:32:51,320
Speaker 2: That's a great question, Sam, Joe, what do you think?

1783
01:32:52,400 --> 01:32:53,840
Speaker 2: Feel free to take them one at a time. I

1784
01:32:53,960 --> 01:32:54,680
Speaker 2: don't like it.

1785
01:32:54,720 --> 01:32:57,120
Speaker 3: When you repeat exactly what I'm saying what.

1786
01:33:02,720 --> 01:33:03,240
Speaker 1: I feel it.

1787
01:33:03,400 --> 01:33:05,600
Speaker 3: So we're on a playground and you all have a

1788
01:33:05,680 --> 01:33:07,880
Speaker 3: big ball, and I am running to it.

1789
01:33:08,760 --> 01:33:16,360
Speaker 2: Joe, we have one final question, So what's your take? Huh?

1790
01:33:17,520 --> 01:33:22,720
Speaker 2: My take? What's your take? Here's a question for you.

1791
01:33:26,880 --> 01:33:28,439
Speaker 2: What are your three favorite books?

1792
01:33:30,320 --> 01:33:32,320
Speaker 4: That's a tough one. We'd letterbox now, but for books.

1793
01:33:32,520 --> 01:33:39,240
Speaker 3: Yeah, okay, I really enjoy The Friend by sec Yes,

1794
01:33:39,800 --> 01:33:42,720
Speaker 3: but I never remember if the dog dies at the end,

1795
01:33:42,800 --> 01:33:44,320
Speaker 3: so I'm always hesitanting.

1796
01:33:43,960 --> 01:33:47,200
Speaker 2: Have you seen the film adaptation? I haven't either. Gosh,

1797
01:33:47,280 --> 01:33:49,719
Speaker 2: go together. I'm not even kidding.

1798
01:33:49,760 --> 01:33:56,880
Speaker 3: Actually, okay, that like that maybe the meanest thing ever.

1799
01:33:57,840 --> 01:34:00,000
Speaker 3: I'm not even joking and not even being said high

1800
01:34:00,160 --> 01:34:02,320
Speaker 3: or that I would spend time at you freeze.

1801
01:34:02,040 --> 01:34:05,479
Speaker 2: Okay, the friend what else? This is a really hard

1802
01:34:05,560 --> 01:34:08,360
Speaker 2: question I read. I thank god we don't have to

1803
01:34:08,400 --> 01:34:08,720
Speaker 2: answer it.

1804
01:34:09,200 --> 01:34:16,840
Speaker 3: Literally, Okay, I really like, uh, I really had fun

1805
01:34:17,920 --> 01:34:23,439
Speaker 3: with with Janice Hallett's the appeal that's written, that's written

1806
01:34:23,479 --> 01:34:28,040
Speaker 3: in emails and text messages, and it's a mystery about

1807
01:34:28,160 --> 01:34:29,800
Speaker 3: a fundraiser gone wrong.

1808
01:34:30,080 --> 01:34:33,960
Speaker 2: Oh my god, I love that. Okay, that one down that's.

1809
01:34:33,960 --> 01:34:40,479
Speaker 3: Jotted jotted down in the community theater. Oh, that's really okay, Okay,

1810
01:34:41,240 --> 01:34:43,639
Speaker 3: And I'll have to say, you know what I'll put

1811
01:34:43,720 --> 01:34:47,760
Speaker 3: up there. I'll put up there The Secret History.

1812
01:34:47,479 --> 01:34:50,040
Speaker 2: By Donna, great book. We both read that. We both

1813
01:34:50,040 --> 01:34:50,320
Speaker 2: read that.

1814
01:34:50,760 --> 01:34:51,760
Speaker 3: You didn't Did you like it?

1815
01:34:52,040 --> 01:34:52,200
Speaker 2: Yes?

1816
01:34:53,320 --> 01:34:54,439
Speaker 3: I had a fun time with it.

1817
01:34:54,800 --> 01:34:56,960
Speaker 2: You know, there was an aborted adaptation of it. It

1818
01:34:57,080 --> 01:34:59,800
Speaker 2: was like for years, like in development helmet. It never

1819
01:34:59,840 --> 01:35:04,479
Speaker 2: had happened. Really, Yeah, can you see it being so good? Yes?

1820
01:35:05,280 --> 01:35:08,400
Speaker 2: Joe by the rights, Joe by the rights, Joe by

1821
01:35:08,439 --> 01:35:09,040
Speaker 2: the rights.

1822
01:35:09,520 --> 01:35:13,000
Speaker 3: I actually don't have a job right now, so I'm

1823
01:35:13,040 --> 01:35:16,200
Speaker 3: not really And I did just spend accidentally twenty seven

1824
01:35:16,240 --> 01:35:19,040
Speaker 3: dollars on noodle, So I kind of am in a

1825
01:35:19,160 --> 01:35:22,120
Speaker 3: place where I need to conserve. Kind of what I'm

1826
01:35:23,320 --> 01:35:23,920
Speaker 3: put out.

1827
01:35:24,439 --> 01:35:26,160
Speaker 2: Well, you have to spend money to make money.

1828
01:35:26,280 --> 01:35:27,080
Speaker 4: That's so true.

1829
01:35:28,040 --> 01:35:30,920
Speaker 2: Go in debt, Go in debt, Joe. Just go in debt,

1830
01:35:31,160 --> 01:35:33,479
Speaker 2: Go in debt, take out alone. I'll do it with you.

1831
01:35:33,600 --> 01:35:34,200
Speaker 2: Let's go in debt.

1832
01:35:34,760 --> 01:35:35,880
Speaker 3: And I'm not even joking.

1833
01:35:37,800 --> 01:35:39,880
Speaker 2: And I'm not even joking, to be fair, at that

1834
01:35:39,960 --> 01:35:42,000
Speaker 2: time he was joking. I was joking, Joe, I'm not

1835
01:35:42,040 --> 01:35:44,439
Speaker 2: going to go in debt. I'm not like you. I'm

1836
01:35:44,439 --> 01:35:47,519
Speaker 2: not going to go in debt. I I have savings,

1837
01:35:47,680 --> 01:35:49,439
Speaker 2: I like take I'm like good with money.

1838
01:35:49,800 --> 01:35:53,439
Speaker 3: I am nearly forty and I never never have spent

1839
01:35:53,520 --> 01:35:54,479
Speaker 3: an hour and a half like this.

1840
01:35:54,800 --> 01:35:57,200
Speaker 2: Spending twenty seven dollars on noodles to me is like nothing.

1841
01:35:57,880 --> 01:35:58,960
Speaker 2: You know what normally?

1842
01:35:59,240 --> 01:36:01,479
Speaker 3: Do you know what? Normal? Only my podcast appearances are

1843
01:36:01,600 --> 01:36:05,200
Speaker 3: like what, Hi, how are you good? Good?

1844
01:36:05,400 --> 01:36:12,320
Speaker 2: How are you? Sounds riveting? Hi?

1845
01:36:12,600 --> 01:36:14,639
Speaker 4: HOI? How are you good? Good?

1846
01:36:14,840 --> 01:36:15,320
Speaker 2: How are you?

1847
01:36:20,280 --> 01:36:20,320
Speaker 4: You?

1848
01:36:20,479 --> 01:36:20,679
Speaker 2: All?

1849
01:36:21,200 --> 01:36:23,800
Speaker 3: You will you all deserve you all deserve a long

1850
01:36:23,880 --> 01:36:24,919
Speaker 3: break with a rokup?

1851
01:36:25,920 --> 01:36:32,000
Speaker 2: What what a long break with a rokup?

1852
01:36:32,080 --> 01:36:32,639
Speaker 3: You know what I mean?

1853
01:36:33,439 --> 01:36:35,679
Speaker 2: No, not at all, not even a little.

1854
01:36:36,000 --> 01:36:38,040
Speaker 4: Do you mean, like like we did watch some TV?

1855
01:36:38,200 --> 01:36:41,120
Speaker 2: To watch some TV? Yeah? Maybe? Have you been watching

1856
01:36:41,160 --> 01:36:42,360
Speaker 2: The Hunting Wise, I thought you were.

1857
01:36:42,280 --> 01:36:43,599
Speaker 3: Going to ask about Gilded Age.

1858
01:36:44,240 --> 01:36:47,160
Speaker 2: I would never I already know you watched The Gilded Age.

1859
01:36:47,640 --> 01:36:50,040
Speaker 3: No, I don't watch The Hunting WI. I heard it

1860
01:36:50,120 --> 01:36:50,759
Speaker 3: was too sexual.

1861
01:36:51,360 --> 01:36:52,519
Speaker 2: Oh yeah, you're not gonna like that.

1862
01:36:52,600 --> 01:36:54,400
Speaker 3: I don't like I don't like simulated section.

1863
01:36:54,560 --> 01:36:56,519
Speaker 2: There was both fucking suck in that show.

1864
01:36:56,600 --> 01:36:58,519
Speaker 3: I can't watch it. I like it when it's implied

1865
01:36:58,600 --> 01:37:02,240
Speaker 3: with the cheet with Sheeta you here covering the nipples.

1866
01:37:03,200 --> 01:37:08,320
Speaker 4: Joe, you don't like sex, and things scare you easily? Right,

1867
01:37:08,960 --> 01:37:09,679
Speaker 4: you don't like scary.

1868
01:37:10,200 --> 01:37:14,400
Speaker 3: If if you said those sentences to anyone else, they

1869
01:37:14,439 --> 01:37:16,760
Speaker 3: would go out of their way to kill you.

1870
01:37:17,960 --> 01:37:20,040
Speaker 2: You know your mind always goes to murder. No one

1871
01:37:20,080 --> 01:37:21,880
Speaker 2: would kill you if you ask them if they like

1872
01:37:21,960 --> 01:37:22,439
Speaker 2: sex or not.

1873
01:37:23,040 --> 01:37:26,280
Speaker 3: No, he says, you don't like sex, and you're scare easy,

1874
01:37:26,800 --> 01:37:31,599
Speaker 3: like honestly, like, honestly, that's how I'm supposed to walk around, Joe,

1875
01:37:31,920 --> 01:37:34,080
Speaker 3: I'm trying to promote a book, and you're going off

1876
01:37:34,160 --> 01:37:37,559
Speaker 3: saying explicit sentences. You don't like sex, and you're scare easy.

1877
01:37:37,720 --> 01:37:41,120
Speaker 2: I think what Sam is leading to is it's interesting, Yeah,

1878
01:37:41,439 --> 01:37:44,320
Speaker 2: that you wrote a book focusing on sex and murder. Yeah,

1879
01:37:44,400 --> 01:37:45,240
Speaker 2: sex and violence.

1880
01:37:45,680 --> 01:37:47,679
Speaker 3: Well, I'm glad that both you find it interesting.

1881
01:37:48,160 --> 01:37:52,479
Speaker 2: But it's important to scare ourselves. Were you scared writing

1882
01:37:52,479 --> 01:37:59,559
Speaker 2: the book where you like you're like, especially when it's

1883
01:37:59,600 --> 01:38:01,040
Speaker 2: so giant than the calendar letters?

1884
01:38:04,680 --> 01:38:05,960
Speaker 4: Your baby shoes were quaking.

1885
01:38:07,479 --> 01:38:10,280
Speaker 2: You couldn't even got on top of those stairs to escape.

1886
01:38:15,120 --> 01:38:16,400
Speaker 2: Big back, going left and right.

1887
01:38:21,080 --> 01:38:28,720
Speaker 3: Well, I can't believe I went to Dumbo for this.

1888
01:38:33,000 --> 01:38:35,320
Speaker 2: I want to say we've been We could talk to

1889
01:38:35,360 --> 01:38:37,920
Speaker 2: you for hours, and you're welcome to stay. We're trying

1890
01:38:37,920 --> 01:38:39,599
Speaker 2: to wrap it up for your sake because we want

1891
01:38:39,640 --> 01:38:40,559
Speaker 2: to be respectful of your.

1892
01:38:42,439 --> 01:38:44,120
Speaker 4: But it's hard to wrap it up. I'm feeling I'm

1893
01:38:44,120 --> 01:38:45,280
Speaker 4: struggling to find an end point.

1894
01:38:45,360 --> 01:38:46,519
Speaker 3: Okay, I'll give you an end point.

1895
01:38:46,640 --> 01:38:49,640
Speaker 4: Oh, okay, well you're good at the end, that's what

1896
01:38:49,800 --> 01:38:50,320
Speaker 4: you do first.

1897
01:38:51,120 --> 01:38:53,280
Speaker 2: Oh, but that's a good point. And after you do that,

1898
01:38:53,320 --> 01:38:53,920
Speaker 2: we can just riff.

1899
01:38:58,040 --> 01:38:59,040
Speaker 4: Joe what's the end.

1900
01:39:00,760 --> 01:39:04,160
Speaker 3: Okay, So you guys could say something like, oh, I

1901
01:39:04,200 --> 01:39:06,439
Speaker 3: didn't know my hair was this Okay, So basically you

1902
01:39:06,520 --> 01:39:09,720
Speaker 3: guys could Okay, you guys could say something like, oh,

1903
01:39:09,800 --> 01:39:11,800
Speaker 3: I didn't realize what it took to write a book

1904
01:39:12,200 --> 01:39:15,640
Speaker 3: and to be so and to be into and to

1905
01:39:15,760 --> 01:39:18,040
Speaker 3: get to get on the same level. Let's just say

1906
01:39:18,120 --> 01:39:21,800
Speaker 3: something that we want to do that that's a big

1907
01:39:21,880 --> 01:39:22,479
Speaker 3: goal of ours.

1908
01:39:23,120 --> 01:39:27,439
Speaker 2: Okay, Okay, okay, so we can both say, oh, I

1909
01:39:27,520 --> 01:39:30,040
Speaker 2: didn't know how hard it was to write a book

1910
01:39:30,200 --> 01:39:32,880
Speaker 2: and so to get on the same level, let us

1911
01:39:32,960 --> 01:39:34,960
Speaker 2: all say something that is a goal of ours.

1912
01:39:35,040 --> 01:39:40,000
Speaker 3: Sure you are not doing a self tape for the role.

1913
01:39:40,200 --> 01:39:45,080
Speaker 2: Of me, Okay, Sorry, I was doing a self tape

1914
01:39:45,080 --> 01:39:47,960
Speaker 2: for the role of Michelle Obama's chief of staff, and

1915
01:39:48,080 --> 01:39:49,519
Speaker 2: I think I absolutely nailed you.

1916
01:39:49,600 --> 01:39:52,599
Speaker 4: Booked down, get him some red list.

1917
01:39:57,040 --> 01:39:58,880
Speaker 2: Okay. So what is a goal of ours? We're talking

1918
01:39:59,160 --> 01:40:01,400
Speaker 2: short term, medium, long term, long term.

1919
01:40:01,520 --> 01:40:03,960
Speaker 3: Oh my gosh, I am stuck to the chair.

1920
01:40:06,320 --> 01:40:06,760
Speaker 2: Long Joe.

1921
01:40:06,760 --> 01:40:09,160
Speaker 4: Okay, I didn't realize how hard it was to write

1922
01:40:09,160 --> 01:40:14,400
Speaker 4: a book. I'm so impressed that you have put pen

1923
01:40:14,479 --> 01:40:17,960
Speaker 4: to paper and really done it for self published. You

1924
01:40:18,080 --> 01:40:20,839
Speaker 4: said I won't take no for an answer. I'm self publishing,

1925
01:40:21,280 --> 01:40:24,080
Speaker 4: and then eventually they did say yes and real published.

1926
01:40:24,280 --> 01:40:32,559
Speaker 4: That is really beautiful and I hope to put myself

1927
01:40:32,640 --> 01:40:36,599
Speaker 4: out there in the long term and short term, forever

1928
01:40:36,720 --> 01:40:37,519
Speaker 4: and ever. Amen.

1929
01:40:38,800 --> 01:40:44,559
Speaker 2: Amen, Joe, you are quite literally one of my role models.

1930
01:40:45,880 --> 01:40:47,719
Speaker 4: Joe, You're the funniest person on earth.

1931
01:40:47,920 --> 01:40:49,880
Speaker 3: You guys are just saying that because I'm twenty years

1932
01:40:49,920 --> 01:40:51,600
Speaker 3: older than we are, not saying that.

1933
01:40:51,840 --> 01:40:54,880
Speaker 2: Even if you were twelve years old, I would say, fuck,

1934
01:40:55,640 --> 01:40:58,160
Speaker 2: I am behind, because that twelve year old is really

1935
01:40:58,240 --> 01:40:59,479
Speaker 2: funny and talented.

1936
01:40:59,600 --> 01:41:01,920
Speaker 3: You know what would be wonderfult to not to go

1937
01:41:02,120 --> 01:41:06,200
Speaker 3: back at some point I would say that maybe when

1938
01:41:06,240 --> 01:41:08,639
Speaker 3: I by the time I was eighteen or so before,

1939
01:41:08,920 --> 01:41:12,559
Speaker 3: when I was seventeen, I had my I just took

1940
01:41:12,720 --> 01:41:16,360
Speaker 3: I took a hormonal birth controlled it. It made it.

1941
01:41:17,080 --> 01:41:19,040
Speaker 4: Yeah, keep going, please keep going.

1942
01:41:19,200 --> 01:41:25,479
Speaker 2: This is how I hope this episode would end. Thank

1943
01:41:25,479 --> 01:41:26,760
Speaker 2: you for bringing it up, by the way, because it's

1944
01:41:26,760 --> 01:41:28,639
Speaker 2: been the elephant and room the whole time. So when

1945
01:41:28,680 --> 01:41:29,600
Speaker 2: you were when I.

1946
01:41:29,760 --> 01:41:33,080
Speaker 4: Was seventeen, you took a hormonal birth control.

1947
01:41:34,080 --> 01:41:35,760
Speaker 2: Yeah, so far, so good.

1948
01:41:36,400 --> 01:41:40,400
Speaker 3: It Uh, it made my it made it made my brisk,

1949
01:41:40,760 --> 01:41:41,479
Speaker 3: grow long.

1950
01:41:44,880 --> 01:41:45,160
Speaker 2: Okay.

1951
01:41:46,000 --> 01:41:46,960
Speaker 3: I just think about when I.

1952
01:41:47,040 --> 01:41:51,080
Speaker 2: Was trying forward or down both. Oh oh well that's

1953
01:41:51,120 --> 01:41:54,479
Speaker 2: not long, then that's just big no no, no, no,

1954
01:41:55,000 --> 01:41:56,160
Speaker 2: trust me. Okay.

1955
01:41:56,360 --> 01:41:59,880
Speaker 3: So then so basically and then ever since then, the

1956
01:42:00,120 --> 01:42:02,800
Speaker 3: rest of my body is changed, but they stay long.

1957
01:42:03,840 --> 01:42:06,200
Speaker 2: And you know it was because of the hormonal birth control.

1958
01:42:06,520 --> 01:42:09,080
Speaker 3: Yeah, but I think about when I was twelve, I

1959
01:42:09,160 --> 01:42:09,760
Speaker 3: didn't have this.

1960
01:42:10,560 --> 01:42:12,320
Speaker 4: Are you sure it wasn't just puberty, right?

1961
01:42:12,560 --> 01:42:14,599
Speaker 3: No, I don't go through puberty at age seventeen.

1962
01:42:15,320 --> 01:42:19,400
Speaker 2: Sure, Oh so twelve to seventeen normal boobs? Yeah, starting

1963
01:42:19,479 --> 01:42:25,080
Speaker 2: seventeen long? What you're saying, Yes, I have to say this.

1964
01:42:25,200 --> 01:42:26,880
Speaker 2: You're putting us in a trap because for us to

1965
01:42:27,560 --> 01:42:29,800
Speaker 2: either debunk or agree with this, we would have to

1966
01:42:30,360 --> 01:42:32,679
Speaker 2: ogle at your body and comment on it, which.

1967
01:42:32,640 --> 01:42:33,480
Speaker 4: It is complicated.

1968
01:42:33,520 --> 01:42:34,120
Speaker 2: I don't want to do.

1969
01:42:34,479 --> 01:42:36,400
Speaker 4: If I were to deflect, I would just say what

1970
01:42:37,560 --> 01:42:38,640
Speaker 4: and we know I'm not allowed to do that.

1971
01:42:39,120 --> 01:42:42,200
Speaker 3: Yeah, strap in the summer camp because you're about you

1972
01:42:42,280 --> 01:42:46,679
Speaker 3: don't need the dbunk. You need to pre bunk.

1973
01:42:47,439 --> 01:42:49,880
Speaker 2: Prebunk Is that the same as pre comm or no?

1974
01:42:50,640 --> 01:42:54,000
Speaker 2: So you're raising awareness for birth control and changing.

1975
01:42:53,760 --> 01:42:55,280
Speaker 4: People's boos can I tell you something.

1976
01:42:55,400 --> 01:42:57,120
Speaker 3: I try to do callbacks like you.

1977
01:42:57,160 --> 01:43:01,360
Speaker 2: Will callbacks, callbacks, no cowl backs.

1978
01:43:06,520 --> 01:43:07,680
Speaker 4: I literally was like, what is she?

1979
01:43:07,800 --> 01:43:14,240
Speaker 2: Oh got it, it's no cowbacks. We'll have two cower

1980
01:43:14,280 --> 01:43:14,799
Speaker 2: back shots.

1981
01:43:17,320 --> 01:43:20,800
Speaker 3: I try to do qullbacks like you all. Okay, I

1982
01:43:20,920 --> 01:43:21,800
Speaker 3: know you guys have been doing.

1983
01:43:22,240 --> 01:43:25,360
Speaker 2: I guess my question is, what is the long boobs

1984
01:43:25,720 --> 01:43:28,920
Speaker 2: calling back to me? It's like an entirely new joke.

1985
01:43:29,040 --> 01:43:30,439
Speaker 2: I know we're trying to end, and you bring up

1986
01:43:30,439 --> 01:43:32,920
Speaker 2: a new thing, so now now we suddenly have to

1987
01:43:33,000 --> 01:43:33,719
Speaker 2: do long boobs.

1988
01:43:35,720 --> 01:43:38,760
Speaker 3: I was trying to do a callback to two. I'm

1989
01:43:38,800 --> 01:43:39,200
Speaker 3: not sure.

1990
01:43:39,240 --> 01:43:43,599
Speaker 2: I so you thought, let me start this story about

1991
01:43:43,640 --> 01:43:46,240
Speaker 2: long boobs and hopefully it'll lead somewhere that is actually

1992
01:43:46,760 --> 01:43:47,840
Speaker 2: a thing we've already said.

1993
01:43:47,960 --> 01:43:51,000
Speaker 3: Improv is so hard. I just wish I could watch it.

1994
01:43:51,960 --> 01:43:56,439
Speaker 2: Oh yeah, everyone wishes they could watch it. If only

1995
01:43:56,520 --> 01:43:59,120
Speaker 2: we could all just watch improv, the world will be

1996
01:43:59,240 --> 01:43:59,920
Speaker 2: so much easier.

1997
01:44:00,200 --> 01:44:02,400
Speaker 3: It's just like you all kind of have your own

1998
01:44:02,439 --> 01:44:05,280
Speaker 3: little thing in your all states starting sentences together. You're

1999
01:44:05,360 --> 01:44:09,519
Speaker 3: doing callbacks, and I just think that it's Oh, is

2000
01:44:09,560 --> 01:44:10,720
Speaker 3: this supposed to be a toothbrush?

2001
01:44:11,280 --> 01:44:11,320
Speaker 2: No?

2002
01:44:11,760 --> 01:44:18,280
Speaker 3: Oh? Basically, basically, I just think that it's really impressive

2003
01:44:18,360 --> 01:44:19,080
Speaker 3: what you guys do.

2004
01:44:20,600 --> 01:44:24,800
Speaker 2: Thank you, Thank you, Joe. We think you are so impressive.

2005
01:44:25,040 --> 01:44:27,439
Speaker 2: We literally are the funniest person on earth. You are.

2006
01:44:27,520 --> 01:44:29,519
Speaker 2: It's true. We talk about it all the time. Sposed

2007
01:44:29,520 --> 01:44:33,720
Speaker 2: to be like little lab like you know, you might

2008
01:44:33,800 --> 01:44:37,639
Speaker 2: call it a cock. Yeah, they're like vainy Vanye tubes,

2009
01:44:38,880 --> 01:44:40,240
Speaker 2: the old Vany tube.

2010
01:44:42,800 --> 01:44:45,719
Speaker 4: Everyone go buy Murder on Sex Island. It's an amazing

2011
01:44:46,200 --> 01:44:48,920
Speaker 4: late summer read or early fall read.

2012
01:44:49,280 --> 01:44:55,680
Speaker 2: Is that your Chester to Vany tubes? Okay, I get it,

2013
01:44:55,800 --> 01:44:58,840
Speaker 2: I get it, you get it. Good job, Joe.

2014
01:44:59,800 --> 01:45:01,320
Speaker 3: I I never want anyone to look at me the

2015
01:45:01,360 --> 01:45:02,160
Speaker 3: way you just did.

2016
01:45:06,880 --> 01:45:09,960
Speaker 2: In my defense, what happened is it doesn't matter.

2017
01:45:11,760 --> 01:45:12,800
Speaker 3: Can I take this home?

2018
01:45:13,200 --> 01:45:18,880
Speaker 2: Yes, of course, it's for you, Joe say, I'm enjoying

2019
01:45:19,000 --> 01:45:19,840
Speaker 2: nine am.

2020
01:45:20,320 --> 01:45:21,839
Speaker 4: Because because of the time difference.

2021
01:45:21,960 --> 01:45:30,600
Speaker 2: Yeah, okay, it's not a seven hour time difference. That

2022
01:45:30,720 --> 01:45:33,599
Speaker 2: was a New York versus La joke. Everyone, I'm in La,

2023
01:45:36,439 --> 01:45:40,880
Speaker 2: so the time is different. Joe. We love you. I

2024
01:45:40,960 --> 01:45:41,439
Speaker 2: love you too.

2025
01:45:41,880 --> 01:45:43,600
Speaker 4: Joe. You're the greatest there ever was.

2026
01:45:43,640 --> 01:45:45,439
Speaker 2: You are literally the greatest ever was. And I have

2027
01:45:45,560 --> 01:45:48,920
Speaker 2: to say I'm so happy you're back in New York.

2028
01:45:49,120 --> 01:45:53,719
Speaker 2: Yeah yeah. And if I were to choose between second fuck,

2029
01:45:54,000 --> 01:45:55,680
Speaker 2: I would say whichever one's the best one, that's the

2030
01:45:55,720 --> 01:45:59,040
Speaker 2: one I would choice for you. I'm confused about which

2031
01:45:59,080 --> 01:45:59,679
Speaker 2: one you prefer.

2032
01:46:03,120 --> 01:46:05,400
Speaker 4: I think her preference was quite clear in the original

2033
01:46:05,479 --> 01:46:08,120
Speaker 4: reading of which as fuck yeah, Okay, No.

2034
01:46:08,200 --> 01:46:11,439
Speaker 3: I prefer if you're going to have a candy, I'd

2035
01:46:11,520 --> 01:46:12,600
Speaker 3: rather shuck it than fuck it.

2036
01:46:13,520 --> 01:46:19,920
Speaker 2: Well, I didn't know candy was involved. We have to end.

2037
01:46:20,120 --> 01:46:24,320
Speaker 2: This is crazy, Okay, goodbye, Okay, goodbye podcast and now

2038
01:46:24,960 --> 01:46:25,479
Speaker 2: want more?

2039
01:46:26,000 --> 01:46:29,040
Speaker 10: Subscribe to our Patreon for two extra episodes a month,

2040
01:46:29,320 --> 01:46:32,840
Speaker 10: discord access, and more by heading to patreon dot com.

2041
01:46:33,080 --> 01:46:36,400
Speaker 10: Slash Stradio Lab and for all our visual earners. Free

2042
01:46:36,479 --> 01:46:39,400
Speaker 10: full length video episodes are available on our YouTube now.

2043
01:46:39,479 --> 01:46:40,320
Speaker 2: Get back to Work.

2044
01:46:40,600 --> 01:46:42,960
Speaker 4: Stradio Lab is a production by Will Ferrell's Big Money

2045
01:46:42,960 --> 01:46:44,680
Speaker 4: Players Network and iHeart Podcasts.

2046
01:46:44,840 --> 01:46:47,679
Speaker 2: Created and hosted by George Severis and Sam Taggart.

2047
01:46:47,800 --> 01:46:51,320
Speaker 4: Executive produced by Will Ferrell, Hans Sonny and Olivia Aguilar,

2048
01:46:51,479 --> 01:46:54,920
Speaker 4: co produced by by Wang, edited and engineered by Adam Avalos.

2049
01:46:55,280 --> 01:46:58,240
Speaker 4: Artwork by Michael Failes and Matt Grubb. Theme music by

2050
01:46:58,280 --> 01:47:00,080
Speaker 4: Ben Kling and