WEBVTT - Gossip Girls

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<v Speaker 1>It's nine o one with Jenny Garth and Tory Spelling.

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<v Speaker 2>Hey, you guys, welcome to another unbelievable episode of nine

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<v Speaker 2>two one OMG with my lovely co host Jens Here.

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<v Speaker 3>I'm here and Amy's here.

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<v Speaker 1>Hello.

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<v Speaker 4>Can I give this ten omgs?

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<v Speaker 1>Can I? Amy? You can't.

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<v Speaker 3>You can't jump to the ends.

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<v Speaker 1>Geez, you don't even say hello anymore? Can you get

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<v Speaker 1>so excited? She's very excited about this one? You guys, Well,

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<v Speaker 1>this is like.

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<v Speaker 4>This is a super Bowl for nine two one? Oh

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<v Speaker 4>do you know what I mean?

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<v Speaker 1>Like what that we're coming up to the fantastic sports.

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<v Speaker 4>This is major, Like we're leaning towards the finale when

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<v Speaker 4>we have two left.

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<v Speaker 1>But this is this is more like the playoffs.

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<v Speaker 4>Yeah yeah, but freaking solid playoffs.

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<v Speaker 2>Okay, you guys watch sports. I don't watch sports, so

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<v Speaker 2>can you? Can you talk in times of Joyce, but.

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<v Speaker 1>To watch sport?

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<v Speaker 4>Maybe to give it in toy terms? It's okay.

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<v Speaker 1>Tell me something my.

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<v Speaker 4>Annual Nordstrom saleh.

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<v Speaker 1>I'm reading up to what, I don't know, the final

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<v Speaker 1>sale Nordstrom track.

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<v Speaker 4>I don't know, yeah, exactly remember the fred Siegel when

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<v Speaker 4>they would have that sale. Oh, man, like the day

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<v Speaker 4>before that, the day before that.

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<v Speaker 3>Yeah, I'm lying up, Okay, I'm here for it.

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<v Speaker 1>Well, this is yeah, this is the this is the

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<v Speaker 1>end of the whole big college play thing, right.

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<v Speaker 4>Can I ask you guys so sad to see her go?

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<v Speaker 1>Yep?

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<v Speaker 4>Speaking of so, I started to allude to this when

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<v Speaker 4>she first appeared Tracy Mittendorff, But now and I kind

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<v Speaker 4>of held back as everyone's like, oh, spoilers, you know whatever.

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<v Speaker 4>I remember being twenty and watching this episode and it

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<v Speaker 4>being so real right now it's a little bit over

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<v Speaker 4>the top or almost campy horror filmy.

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<v Speaker 1>Well, I don't know, I thought so when I was

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<v Speaker 1>watching it, I was like, oh, this is so ridiculous.

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<v Speaker 1>But my daughter, whose twenty, was watching it and she

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<v Speaker 1>was like, oh my god, I'm so scared what happened? Like,

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<v Speaker 1>what do you mean, what's gonna happen? Obviously she's gonna

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<v Speaker 1>try to kill herself and then Steve's gonna come in

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<v Speaker 1>and save the day and it's gonna be over.

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<v Speaker 4>So I am so happy you're saying that, because it

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<v Speaker 4>all came back to me being twenty and being like

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<v Speaker 4>disturbed by it, And that is why, ever forever since

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<v Speaker 4>I cannot watch Tracy Middendorf in anything else.

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<v Speaker 1>That's a little ex street in mine. You're saying in

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<v Speaker 1>nineteen ninety four you decided at that point I'm never

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<v Speaker 1>watching Tracy Mittendorf.

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<v Speaker 4>Act again, well, I didn't say that, but when she

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<v Speaker 4>pops up on things.

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<v Speaker 1>It you're triggering bars me.

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<v Speaker 4>Like, I'm like, and I remember, like I was twenty

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<v Speaker 4>years old, so I was the exact same age as

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<v Speaker 4>your kid. Like it was. So she seemed so unhinged

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<v Speaker 4>but yet real. So it didn't seem kind of as

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<v Speaker 4>like soapy as it does now. It felt so real,

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<v Speaker 4>like this girl is unwell and crazy, feeling unwell, effing

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<v Speaker 4>with my people like one.

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<v Speaker 1>And this episode, uh is directed by James Eckhouse. I

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<v Speaker 1>wonder if this his first episode to direct. Yeah, I

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<v Speaker 1>think so right.

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<v Speaker 4>Yeah, I'm so happy you say that too, because I

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<v Speaker 4>noticed some like really dramatic close ups, especially of you, Jenny,

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<v Speaker 4>that I loved.

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<v Speaker 2>Oh, your boyfriend gave you some close ups. Huh See,

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<v Speaker 2>even back then there was a little thingy thing.

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<v Speaker 1>I didn't even tell him that I liked his harry

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<v Speaker 1>chest back then.

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<v Speaker 2>Maybe you pull it Brenda. Yeah, went to his house

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<v Speaker 2>late at night. You're like, let me stroke that chest hair.

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<v Speaker 1>You married your back hair.

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<v Speaker 3>I'm ready for my close up, mister eck House.

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<v Speaker 4>So what is it like for you guys watching this?

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<v Speaker 4>Because I took me break time?

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<v Speaker 1>What episode we're doing? Allay gez? All right right, all right,

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<v Speaker 1>let's see. This is Season four, episode twenty nine, Truth

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<v Speaker 1>or Consequences aired May fourth, nineteen ninety four.

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<v Speaker 2>Synopsis. Donna defends Brenda when she is accused of hitting

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<v Speaker 2>the casting couch. Lauren Kingman aka Tanya Harding will stop

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<v Speaker 2>at nothing to get what she wants. Suzanne makes a

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<v Speaker 2>huge announcement, and Dylan accuses Kelly of being a negative Nelly.

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<v Speaker 1>Directed by James that Cass written by Richard Gorlance.

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<v Speaker 4>And for the sake of this conversation, can we just

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<v Speaker 4>like be allowed to use words like crazy in Psycho because.

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<v Speaker 1>I know, like, pe, what do you mean?

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<v Speaker 4>People don't always like those words, like you're not supposed

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<v Speaker 4>to call someone crazy? But for the sake of this,

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<v Speaker 4>can we just like go there? Because she so disturbs me.

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<v Speaker 4>It's so disturbed.

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<v Speaker 1>You can say whatever you want on this podcast. I

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<v Speaker 1>think we've established that.

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<v Speaker 4>I just it literally took me back, and I was like,

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<v Speaker 4>she's so creepy. This is why I don't like, I

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<v Speaker 4>can't watch her in other things. I can't remember if

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<v Speaker 4>like Days of Our Lives was before this or after, but.

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<v Speaker 1>And he goes after, Oh, she.

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<v Speaker 4>Makes me so uncomfortable. And obviously it's Laura. But I

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<v Speaker 4>will say I think Tracy Mindorf played her so well.

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<v Speaker 1>She was great So Harley, Yeah, she was bonkers.

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<v Speaker 4>She's got the big eyes that seemed crazy.

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<v Speaker 1>Yeah, like looney tune eyes.

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<v Speaker 4>It is just I don't want to be mean, but

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<v Speaker 4>her eyes remind me of another public figure that's in jail.

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<v Speaker 4>Now prison. Now, what do you guys know?

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<v Speaker 1>This is your Minnendorf.

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<v Speaker 2>She has played literally two separate storylines in characters on

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<v Speaker 2>the show. The whole thing with Steve and all of that,

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<v Speaker 2>and we were all like and then we're like, okay,

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<v Speaker 2>and she's gone. That was a huge storyline, and now

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<v Speaker 2>this one, it's like.

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<v Speaker 1>Maybe the writers saw in her like and the producer's like, wow,

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<v Speaker 1>this girl is capable of going there. Let's learn her

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<v Speaker 1>back to be that person.

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<v Speaker 2>I'm curious if that's how it went down that they

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<v Speaker 2>were like, now we're not ready to get rid of her. Yet,

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<v Speaker 2>let's bring her in and do something really badass and weirdly.

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<v Speaker 4>I wish she would come on because I wonder if

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<v Speaker 4>she looks back and hates this or loves it.

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<v Speaker 1>I really would love to have her on. Wouldn't that

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<v Speaker 1>be fun?

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<v Speaker 4>Yeah?

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<v Speaker 1>I want to know if. Yeah, I want to know how.

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<v Speaker 4>Yes, we've been trying, but we'll keep trying. I want

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<v Speaker 4>to know.

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<v Speaker 2>That's what they always say all of her cast.

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<v Speaker 3>They're always too busy to do this.

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<v Speaker 1>I like the air quotes. No one can see that.

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<v Speaker 4>Maybe she does.

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<v Speaker 3>You could see it.

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<v Speaker 4>I don't. I don't know. But maybe it's so unhinged

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<v Speaker 4>that it makes her as uncomfortable as makes me.

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<v Speaker 1>I don't know. I'd love to find out. Let's ask her.

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<v Speaker 1>But does anybody care to discuss at all? Brenda's new

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<v Speaker 1>hairdoo in the middle of a storyline? Wait?

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<v Speaker 3>What do you mean?

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<v Speaker 1>What do you mean? You didn't notice her new hairdo? Okay,

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<v Speaker 1>now I don't feel so bad about not noticing your

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<v Speaker 1>hair colors. Fair Donna's hair is a good two three

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<v Speaker 1>inches shorter. It's almost red, with like light tones streaked throughout.

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<v Speaker 1>That was happening last episode A little bit of.

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<v Speaker 4>The curtain bangs a bit too.

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<v Speaker 1>It was in the middle of the episode. It literally

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<v Speaker 1>not the episode, the just story arc like these three episodes,

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<v Speaker 1>the Diva play thing.

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<v Speaker 4>I did notice it. And Donna's hair is getting shorter too.

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<v Speaker 4>I mean they're just let me all get haircut, getting

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<v Speaker 4>crazy thing. They just don't care anymore.

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<v Speaker 2>The hair department has lost all control at thet right

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<v Speaker 2>for season We're like we're in charge now.

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<v Speaker 4>Yeah.

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<v Speaker 1>Also, whatever I want to my.

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<v Speaker 4>Hair fabric makers of floral print are making gobs of money.

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<v Speaker 1>Oh my god. There was one scene with all three

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<v Speaker 1>or four girls. Everybody was wearing a floral dress.

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<v Speaker 4>It's so late. Okay, it's so good too.

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<v Speaker 1>We go in order, like yeah, let's do yes. But

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<v Speaker 1>that was my first thing. Yeah, all of a sudden,

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<v Speaker 1>Brenda has short red hair.

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<v Speaker 4>Were starting the peach bit. I don't know how come.

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<v Speaker 1>Kelly can be so caddy with her friend Brenda when

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<v Speaker 1>they just made up, Like, isn't she in that? Doesn't

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<v Speaker 1>she seem super catty and like backstabby a little bit,

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<v Speaker 1>like right there, for no reason, like I thought this

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<v Speaker 1>was resolved, it was resolved. I feel like there was

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<v Speaker 1>like a little.

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<v Speaker 3>Thing missing.

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<v Speaker 2>Is the resolve or like like you both were going

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<v Speaker 2>for the parts.

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<v Speaker 3>I guess you kind of made up.

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<v Speaker 2>Then, Brent, we know that Brenda went to his house,

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<v Speaker 2>and then the next thing you know, we're in the peach.

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<v Speaker 1>Bit and you and Kelly and Donna are like against her,

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<v Speaker 1>like two it's two against one. It feels very confrontational

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<v Speaker 1>and accusatory, and they're like arms crossed, like it just

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<v Speaker 1>feels just weird.

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<v Speaker 4>Donna stays true to Donna though she's always like impartial,

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<v Speaker 4>she's always fair, she's always seeing it the right way.

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<v Speaker 4>But then she gets a little shy and just won't

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<v Speaker 4>like super stand up for everybody.

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<v Speaker 1>I don't know, I felt like in that episode, in

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<v Speaker 1>that scene, I mean, she was a little bit more.

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<v Speaker 3>Kelly.

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<v Speaker 1>I don't know what the right word. Kelly's on the

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<v Speaker 1>same team as Kelly at that moment, like disbelieving of Brenda.

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<v Speaker 1>When I was like, Oh, that's weird for Donna to

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<v Speaker 1>be have such a kind of an opinion without really

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<v Speaker 1>knowing the truth.

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<v Speaker 4>Yes, I noticed that too. It was like, Oh, she's

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<v Speaker 4>coming over to the dark side.

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<v Speaker 3>Composite, Actually he's coming over to the light side.

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<v Speaker 4>My question for y'all is are these people actually good friends?

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<v Speaker 4>Because they're mean to each other?

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<v Speaker 1>What I mean, when did that happen? They were? They

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<v Speaker 1>didn't used to be mean.

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<v Speaker 4>No, In every episode there's each other conflict and drama

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<v Speaker 4>with a resolution of them being like, I'm so glad

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<v Speaker 4>I have you. You're my real friends. But it's like,

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<v Speaker 4>why are y'all fighting so much? If y'all are so tight?

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<v Speaker 1>Yeah, that could have been handled so much differently. I mean,

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<v Speaker 1>I would have thought that the girls would have been

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<v Speaker 1>like tell us everything, Oh my god, what happened and

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<v Speaker 1>like not saying, oh, there's a rumor and yeah, or

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<v Speaker 1>if there was like.

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<v Speaker 4>A rumor, wouldn't you be like f this and stand

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<v Speaker 4>up for.

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<v Speaker 1>Her to do this? But a man wrote this episode

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<v Speaker 1>so well.

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<v Speaker 4>He show made Steve a big D word because Steve

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<v Speaker 4>is an a.

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<v Speaker 1>Oh my god.

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<v Speaker 3>I don't know, but I live for the Brenda Steve fight.

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<v Speaker 1>I live for it so.

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<v Speaker 2>Far, And maybe it's because I knew about stuff going

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<v Speaker 2>on behind the scenes at that point with wait was.

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<v Speaker 1>This before the scrambled egg makeup trailer incident? Talked to me?

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<v Speaker 1>Talked to me? Not soon before?

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<v Speaker 4>Gives me you cannot even do that.

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<v Speaker 1>There's not much time left for that, so it's gotta

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<v Speaker 1>be right.

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<v Speaker 4>And yeah, it's you guys. Please, I need to know

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<v Speaker 4>what you're talking about.

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<v Speaker 1>I feel like we've talked about this before.

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<v Speaker 4>No give it is so bad.

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<v Speaker 1>Tory and I were both in the makeup trailer, as

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<v Speaker 1>the good little girls do, sit there and get their

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<v Speaker 1>makeup done, and Iron was in there, probably shaven his chest,

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<v Speaker 1>hair or something in there.

0:11:37.800 --> 0:11:40.480
<v Speaker 3>I'm six and six getting ready two hours in makeup pair.

0:11:40.600 --> 0:11:43.280
<v Speaker 1>I don't know, maybe somebody was. I think maybe that

0:11:43.360 --> 0:11:45.200
<v Speaker 1>was a day that Shannon had something going on in

0:11:45.200 --> 0:11:47.200
<v Speaker 1>her real life at transferred and she couldn't get to

0:11:47.200 --> 0:11:50.440
<v Speaker 1>work on time that day. Whatever. It was, no judgment,

0:11:50.559 --> 0:11:53.440
<v Speaker 1>no whatever, but I and had a real big problem

0:11:53.440 --> 0:11:55.600
<v Speaker 1>with it that morning. And he came into the trailer

0:11:56.160 --> 0:11:59.760
<v Speaker 1>with his breakfast burrito maybe on a you know, paper

0:11:59.800 --> 0:12:04.720
<v Speaker 1>play eight super glamorous, and he was eating it. And

0:12:06.120 --> 0:12:08.120
<v Speaker 1>was it her? Did she come in and he was

0:12:08.160 --> 0:12:11.760
<v Speaker 1>talking to her? Or was he just she came in? Wait,

0:12:11.840 --> 0:12:12.880
<v Speaker 1>help me the deil?

0:12:13.320 --> 0:12:18.040
<v Speaker 2>Okay, okay, okay, okay, So he's The makeup trailers are

0:12:18.120 --> 0:12:19.600
<v Speaker 2>really long, they call them there.

0:12:19.800 --> 0:12:21.600
<v Speaker 3>How many chairs really narrow?

0:12:22.160 --> 0:12:25.840
<v Speaker 1>But they're like they're like twenty feet long, thirty feet long.

0:12:26.280 --> 0:12:29.240
<v Speaker 2>And half of its chairs for hair, half of its

0:12:29.320 --> 0:12:32.680
<v Speaker 2>chairs for makeup. So he's at one end and he's

0:12:32.679 --> 0:12:35.560
<v Speaker 2>standing and I believe, Jen, you were sitting next to

0:12:35.600 --> 0:12:36.520
<v Speaker 2>him getting your hair done.

0:12:36.520 --> 0:12:41.600
<v Speaker 1>Correct. I was definitely within the splash zone. Yeah, yes,

0:12:41.760 --> 0:12:42.240
<v Speaker 1>you took me.

0:12:42.720 --> 0:12:45.960
<v Speaker 2>So she was there in the other side of the trailer.

0:12:46.120 --> 0:12:49.319
<v Speaker 2>It opens and Shannon comes in, so they're a whole

0:12:49.360 --> 0:12:52.720
<v Speaker 2>trailer apart, and then I'm here somewhere in the middle

0:12:52.880 --> 0:12:55.840
<v Speaker 2>of watching this all go down. Of course donna'sn't in

0:12:55.880 --> 0:12:59.679
<v Speaker 2>the middle, and she comes in and he was just

0:12:59.720 --> 0:13:02.840
<v Speaker 2>fed up that she was late. It didn't matter at

0:13:02.840 --> 0:13:05.920
<v Speaker 2>that point. It was just it was a consistent behavior,

0:13:06.160 --> 0:13:08.520
<v Speaker 2>whether she was going through something or not, it was

0:13:08.559 --> 0:13:10.640
<v Speaker 2>just happening. It set him off. Maybe he didn't like

0:13:10.640 --> 0:13:13.760
<v Speaker 2>his breakfast burrito. We don't know, but Jen take it away.

0:13:14.520 --> 0:13:14.800
<v Speaker 5>Uh.

0:13:14.840 --> 0:13:18.200
<v Speaker 1>He screamed something that I will never forget. It was

0:13:18.600 --> 0:13:21.439
<v Speaker 1>I can't say it on this podcast, but he was

0:13:21.920 --> 0:13:23.200
<v Speaker 1>doing it.

0:13:23.360 --> 0:13:26.600
<v Speaker 2>Eggs, eggs flying everywhere all over again.

0:13:26.640 --> 0:13:30.520
<v Speaker 1>Burrito but flying down over me like a like an

0:13:30.559 --> 0:13:34.840
<v Speaker 1>air show. Oh no memory.

0:13:35.320 --> 0:13:37.720
<v Speaker 2>Walt was probably like, oh, I'm gonna have to blurr

0:13:37.800 --> 0:13:38.600
<v Speaker 2>here out again.

0:13:40.080 --> 0:13:45.120
<v Speaker 1>What the heck that those are? See? These are the

0:13:45.160 --> 0:13:50.240
<v Speaker 1>good memories? Was that commonplace? Yeah? Yeah, that we had

0:13:50.280 --> 0:13:52.760
<v Speaker 1>all had enough of the lateness and the holding up

0:13:52.840 --> 0:13:56.080
<v Speaker 1>of everyone holding up of you know, a hundred people.

0:13:56.440 --> 0:13:57.160
<v Speaker 3>The crew too.

0:13:57.480 --> 0:13:57.720
<v Speaker 4>Yeah.

0:13:57.800 --> 0:13:59.960
<v Speaker 3>It wasn't just like us sitting around waiting. You know.

0:14:00.679 --> 0:14:01.760
<v Speaker 3>This happened around, This.

0:14:01.640 --> 0:14:04.800
<v Speaker 4>Happened during this most dramatic episode.

0:14:05.679 --> 0:14:07.520
<v Speaker 1>We don't know that. I don't know which episode it's

0:14:07.520 --> 0:14:10.600
<v Speaker 1>got to be in this like you know, five episode range.

0:14:10.840 --> 0:14:13.800
<v Speaker 4>And then the two of them have the biggest fight

0:14:15.200 --> 0:14:20.040
<v Speaker 4>pretty much ever of like definitely then and like real mudslinging,

0:14:20.120 --> 0:14:23.840
<v Speaker 4>like unkind things were thrown in their fight.

0:14:24.440 --> 0:14:26.880
<v Speaker 2>The lines in that scene. I was like, this is

0:14:26.920 --> 0:14:28.560
<v Speaker 2>so not nine oh two and zero.

0:14:29.320 --> 0:14:30.680
<v Speaker 1>This is so And she's.

0:14:30.480 --> 0:14:33.120
<v Speaker 2>Like you're weak, and I was like, this is weird.

0:14:33.680 --> 0:14:36.480
<v Speaker 2>Let's make one thing clear. I'm your brother's friend, not yours.

0:14:36.640 --> 0:14:38.200
<v Speaker 1>Yeah, she was what a relief.

0:14:38.680 --> 0:14:39.000
<v Speaker 3>I don't know.

0:14:39.040 --> 0:14:44.120
<v Speaker 2>I was, just like I wrote, I think Respurrito and

0:14:44.160 --> 0:14:46.080
<v Speaker 2>the sea words, So that's all I could think of

0:14:46.120 --> 0:14:46.840
<v Speaker 2>watching those two.

0:14:46.880 --> 0:14:48.520
<v Speaker 3>I was like, oh my god, my god, I just.

0:14:48.440 --> 0:14:52.440
<v Speaker 1>Think all the the theater acting is getting everybody just

0:14:52.480 --> 0:14:53.320
<v Speaker 1>too riled up.

0:14:53.560 --> 0:14:55.080
<v Speaker 3>Oh maybe it's that it's.

0:14:54.960 --> 0:14:56.880
<v Speaker 1>Just not good for the gang.

0:14:59.320 --> 0:15:00.480
<v Speaker 4>God don't even know.

0:15:00.560 --> 0:15:02.440
<v Speaker 3>He needs a good Kumbaya moment.

0:15:02.600 --> 0:15:06.800
<v Speaker 1>Yeah, I don't even know what. But but Steve really

0:15:06.840 --> 0:15:08.640
<v Speaker 1>did look sexy at the beach when he came up

0:15:08.640 --> 0:15:11.680
<v Speaker 1>to talk to Kelly and Donna and David. But he

0:15:11.400 --> 0:15:14.120
<v Speaker 1>did like like silk open, like open at the bottom

0:15:14.120 --> 0:15:16.400
<v Speaker 1>with his buttons. I thought he looked good.

0:15:16.760 --> 0:15:17.520
<v Speaker 3>He did look good.

0:15:29.920 --> 0:15:32.440
<v Speaker 2>Oh my god, you must have loved Steve in this episode, Amy,

0:15:32.520 --> 0:15:34.280
<v Speaker 2>Oh my gosh.

0:15:33.600 --> 0:15:37.760
<v Speaker 4>I do love him this episode. In parts, there are

0:15:37.800 --> 0:15:42.920
<v Speaker 4>parts where I'm like, you, you're being gross, like.

0:15:42.400 --> 0:15:45.680
<v Speaker 5>Which parts when he which when he's just so mean

0:15:45.720 --> 0:15:49.400
<v Speaker 5>to Brenda and assume it jumps on the that she

0:15:49.760 --> 0:15:53.160
<v Speaker 5>slept with Roy Randolph and then almost sort.

0:15:53.000 --> 0:15:54.640
<v Speaker 1>Of I love it.

0:15:54.720 --> 0:15:57.880
<v Speaker 4>He almost took pleasure in spreading the rumor. And I

0:15:57.920 --> 0:16:02.560
<v Speaker 4>didn't love that. Where we know how Steve is with Kelly, right,

0:16:02.920 --> 0:16:06.680
<v Speaker 4>he's so loyal and supportive and everyone also has had

0:16:06.680 --> 0:16:12.120
<v Speaker 4>Steve's back multiple times through thick and thin and a lot.

0:16:12.240 --> 0:16:14.720
<v Speaker 1>Brenda, I mean.

0:16:14.640 --> 0:16:16.680
<v Speaker 4>She's sort of not at his friends ate with him,

0:16:16.680 --> 0:16:23.280
<v Speaker 4>but he just railroaded her for Laura Kingman so fast

0:16:23.520 --> 0:16:23.920
<v Speaker 4>I get.

0:16:23.920 --> 0:16:25.600
<v Speaker 1>I feel like this is like the first time we've

0:16:25.600 --> 0:16:26.920
<v Speaker 1>seen them in a scene like this.

0:16:27.000 --> 0:16:32.320
<v Speaker 2>Like just all the characters, and I understand sos kind

0:16:32.320 --> 0:16:33.640
<v Speaker 2>of felt that way about each other.

0:16:34.360 --> 0:16:37.160
<v Speaker 3>Now she's kind out Yeah, maybe maybe.

0:16:36.880 --> 0:16:39.360
<v Speaker 4>Say it was the last I could maybe find a

0:16:39.360 --> 0:16:41.120
<v Speaker 4>little bit more of a place of understanding, Like that

0:16:41.280 --> 0:16:43.760
<v Speaker 4>was his girlfriend, he loved her, bubbah. But this is

0:16:43.840 --> 0:16:48.600
<v Speaker 4>just Laura Kingman who already did something so troubling to

0:16:48.680 --> 0:16:50.120
<v Speaker 4>Steve that it's.

0:16:49.960 --> 0:16:53.040
<v Speaker 1>Just like she already like tried to send him to

0:16:53.120 --> 0:16:58.440
<v Speaker 1>jail forever, and now he loves her. Wait what about

0:16:58.480 --> 0:17:03.400
<v Speaker 1>the scene when she rubbing his shoulders and it's so

0:17:03.800 --> 0:17:05.760
<v Speaker 1>creepy I can't even.

0:17:05.560 --> 0:17:07.959
<v Speaker 4>And then she's basically rubbing his shoulders bab being like

0:17:08.080 --> 0:17:09.360
<v Speaker 4>please murder Brenda.

0:17:09.720 --> 0:17:15.600
<v Speaker 1>Yeah, just can't you see like her the googly crazy

0:17:15.640 --> 0:17:18.560
<v Speaker 1>eyes that she's making. But then all of a sudden,

0:17:18.560 --> 0:17:22.880
<v Speaker 1>he's like, are you serious? Wait? Are you serious?

0:17:24.840 --> 0:17:27.280
<v Speaker 4>Unhinged? She's so unhinged with.

0:17:28.280 --> 0:17:29.520
<v Speaker 3>I hate Brenda Club.

0:17:30.280 --> 0:17:32.760
<v Speaker 1>I got she's.

0:17:32.560 --> 0:17:35.639
<v Speaker 4>Creepy, the creepy masks on her door.

0:17:37.080 --> 0:17:40.800
<v Speaker 1>But you know what that is and comedy either, you

0:17:40.880 --> 0:17:41.720
<v Speaker 1>can't handle that.

0:17:43.320 --> 0:17:48.919
<v Speaker 4>Then a call to missus Walsh just made me sick,

0:17:50.200 --> 0:17:54.520
<v Speaker 4>Like She's like, oh, rehearsals at far and I'm like, oh,

0:17:55.160 --> 0:18:01.880
<v Speaker 4>crazy lady. Obviously she's a amazing at playing this, but

0:18:01.960 --> 0:18:04.200
<v Speaker 4>like I literally was like, no amount of money could

0:18:04.200 --> 0:18:08.520
<v Speaker 4>get me to play this part. It's so whack amy.

0:18:08.560 --> 0:18:10.400
<v Speaker 1>I bet there's a dollar out.

0:18:11.600 --> 0:18:15.560
<v Speaker 2>Maybe when you guys love to play that part. I

0:18:15.560 --> 0:18:17.800
<v Speaker 2>think you would, And I think we should re enact

0:18:17.840 --> 0:18:24.400
<v Speaker 2>to see King right there?

0:18:25.640 --> 0:18:27.680
<v Speaker 3>Will you?

0:18:27.920 --> 0:18:31.080
<v Speaker 4>I want don't get me wrong, I want to really

0:18:31.200 --> 0:18:35.320
<v Speaker 4>do for free, for free, true, I know, but that

0:18:35.840 --> 0:18:40.440
<v Speaker 4>the final scene in the theater literally it was spooky,

0:18:40.680 --> 0:18:42.800
<v Speaker 4>the walking in the dark and I'm like, this is

0:18:42.840 --> 0:18:47.560
<v Speaker 4>a horror movie like Freddy Krueger's Coming, And then the

0:18:48.800 --> 0:18:51.560
<v Speaker 4>I don't even want to like make light of it

0:18:51.760 --> 0:18:52.800
<v Speaker 4>because it was so.

0:18:55.119 --> 0:18:58.359
<v Speaker 1>What Wait, but before that, what about when Steve says,

0:18:59.680 --> 0:19:03.680
<v Speaker 1>I think he's talking to like Brandon and Kelly and

0:19:03.720 --> 0:19:08.880
<v Speaker 1>maybe Donna at the coffee shop whatever, and he calls

0:19:08.920 --> 0:19:13.240
<v Speaker 1>her wacko with a capital J. What he says, she's

0:19:13.320 --> 0:19:14.600
<v Speaker 1>wacko with a capital J.

0:19:16.680 --> 0:19:19.639
<v Speaker 3>Because during that time, wacko jacko, like Mike.

0:19:19.640 --> 0:19:22.760
<v Speaker 4>Yeah, I think it's a Michael Jackson.

0:19:22.320 --> 0:19:24.639
<v Speaker 3>Mickey joke he was making Alan.

0:19:25.520 --> 0:19:27.600
<v Speaker 4>He also said her driveway doesn't go all the way

0:19:27.600 --> 0:19:28.320
<v Speaker 4>to the streets.

0:19:28.440 --> 0:19:30.360
<v Speaker 1>Yeah. I kind of like that one.

0:19:31.560 --> 0:19:33.679
<v Speaker 4>That one was less sort of disturbing.

0:19:34.000 --> 0:19:36.760
<v Speaker 1>Yeah, but then that whole that whole scene with it

0:19:37.080 --> 0:19:39.280
<v Speaker 1>in the where you know she's going to the theater.

0:19:39.440 --> 0:19:43.600
<v Speaker 1>You know she's gonna do something tragic. Justing that slip dress.

0:19:43.680 --> 0:19:44.320
<v Speaker 3>God, I loved her.

0:19:45.119 --> 0:19:47.920
<v Speaker 4>She puts the dress back on and she's like full

0:19:48.080 --> 0:19:52.119
<v Speaker 4>glam and the rope she's she knows how to tie

0:19:52.160 --> 0:19:52.840
<v Speaker 4>the rope.

0:19:52.960 --> 0:19:55.320
<v Speaker 1>It's the Justling and the Monkey movie in the big

0:19:55.359 --> 0:19:57.639
<v Speaker 1>in the what's the movie with the giant monkey?

0:19:57.760 --> 0:19:59.640
<v Speaker 4>And can con can go?

0:20:00.119 --> 0:20:00.680
<v Speaker 6>Get gone?

0:20:01.119 --> 0:20:01.600
<v Speaker 1>Totally?

0:20:02.240 --> 0:20:04.879
<v Speaker 2>But all I could think is the last moment, I

0:20:04.920 --> 0:20:12.320
<v Speaker 2>was like, she she hasn't had to tie a rope's.

0:20:09.440 --> 0:20:09.760
<v Speaker 6>You know what.

0:20:09.840 --> 0:20:12.920
<v Speaker 1>She's flustered, she's emotional and she forgot how to tie

0:20:13.080 --> 0:20:16.200
<v Speaker 1>a Yeah, but I was thinking.

0:20:15.960 --> 0:20:20.280
<v Speaker 4>This baby, it was so dramatic. I can't believe Jim

0:20:20.440 --> 0:20:21.880
<v Speaker 4>Walsh directed this.

0:20:23.080 --> 0:20:26.600
<v Speaker 3>Another one of my favorite parts. You Beverly Hills people.

0:20:27.480 --> 0:20:32.080
<v Speaker 1>She was so good. That was like, oh, it was good.

0:20:32.119 --> 0:20:33.800
<v Speaker 1>I love that scene when they come out of the

0:20:33.800 --> 0:20:36.520
<v Speaker 1>theater and she's like running and he catches her and

0:20:36.560 --> 0:20:38.240
<v Speaker 1>she beats on him for a minute and it runs

0:20:38.280 --> 0:20:40.439
<v Speaker 1>away and she hugs him and then she beats on

0:20:40.480 --> 0:20:40.960
<v Speaker 1>him somewhere.

0:20:41.000 --> 0:20:44.480
<v Speaker 4>It's so good. I speaking of running, I also love

0:20:44.520 --> 0:20:48.840
<v Speaker 4>when Steve is running and smacks right dab into Brenda

0:20:49.400 --> 0:20:52.040
<v Speaker 4>and kind of it's almost like a hug. And then

0:20:52.080 --> 0:20:54.560
<v Speaker 4>he's like she's gone to the theater to do something

0:20:54.640 --> 0:20:57.240
<v Speaker 4>terrible to herself. And then Brenda takes off like she's

0:20:57.560 --> 0:20:59.800
<v Speaker 4>wonder woman Linda Carter like I was.

0:21:02.000 --> 0:21:03.639
<v Speaker 1>It's so true.

0:21:05.600 --> 0:21:09.000
<v Speaker 4>I don't want to like I made a special I

0:21:09.000 --> 0:21:11.440
<v Speaker 4>didn't make it, but I picked up a special salmon

0:21:12.119 --> 0:21:16.320
<v Speaker 4>and like salad and like I had a little salmon

0:21:16.320 --> 0:21:18.040
<v Speaker 4>and a little steak. I'm not gonna lie and.

0:21:18.040 --> 0:21:19.440
<v Speaker 1>I will date night with yourself.

0:21:20.720 --> 0:21:25.680
<v Speaker 4>I was in my bed eating salmon, watching this thing

0:21:25.760 --> 0:21:28.639
<v Speaker 4>go down, like I knew how amazing it was, and

0:21:28.680 --> 0:21:32.520
<v Speaker 4>I was like I cannot get enough. Suddenly, then the

0:21:32.600 --> 0:21:35.520
<v Speaker 4>chocolate covered oreo. I'm just reaching for that, like.

0:21:37.160 --> 0:21:41.439
<v Speaker 2>I was, And it felt a little like escalated to

0:21:41.480 --> 0:21:43.480
<v Speaker 2>like Melrose Place a little bit would.

0:21:43.800 --> 0:21:46.440
<v Speaker 4>Like Marcia Cross pulling off her hair.

0:21:46.880 --> 0:21:50.920
<v Speaker 3>Yeah, I'm in guys, I really liked it too.

0:21:51.560 --> 0:21:55.439
<v Speaker 1>And then in the end when poor Brenda, it's just

0:21:55.440 --> 0:21:58.160
<v Speaker 1>such a it's so hard being an actress. You gotta

0:21:58.200 --> 0:22:01.560
<v Speaker 1>get you gotta get used to it. Hun, Oh my god,

0:22:02.359 --> 0:22:04.520
<v Speaker 1>it's nothing, Joey.

0:22:06.160 --> 0:22:10.000
<v Speaker 3>Here, How did how did Brenda get the part from Laura?

0:22:10.080 --> 0:22:11.720
<v Speaker 3>What did she put a spell on her?

0:22:13.280 --> 0:22:15.320
<v Speaker 1>Hey? Did you shadowing?

0:22:15.680 --> 0:22:16.320
<v Speaker 4>Uncharmed?

0:22:16.680 --> 0:22:19.359
<v Speaker 1>Yes, that was such foreshadowing.

0:22:21.280 --> 0:22:24.560
<v Speaker 4>The whole thing. I just haven't recovered from it.

0:22:24.680 --> 0:22:27.720
<v Speaker 2>Like, and you didn't have to enjoy them live in

0:22:27.800 --> 0:22:30.960
<v Speaker 2>the moment. This is brilliant. I was on her back

0:22:31.000 --> 0:22:32.560
<v Speaker 2>next week. I don't want this to be over.

0:22:32.840 --> 0:22:33.880
<v Speaker 1>I loved the theater.

0:22:34.400 --> 0:22:37.520
<v Speaker 4>And how about the fact that Brandon thought maybe she

0:22:37.640 --> 0:22:38.040
<v Speaker 4>did it?

0:22:38.200 --> 0:22:41.119
<v Speaker 1>Brandon, maybe he doesn't believe his his twin.

0:22:41.119 --> 0:22:45.639
<v Speaker 2>Sister because he's just as much of a snake. He's like, oh, well,

0:22:45.720 --> 0:22:46.639
<v Speaker 2>I slept.

0:22:47.600 --> 0:22:48.199
<v Speaker 1>I'm about to.

0:22:49.480 --> 0:22:49.840
<v Speaker 4>I don't know.

0:22:49.840 --> 0:22:52.600
<v Speaker 1>I feel like he's gonna hook up with the Chancellor's

0:22:52.680 --> 0:22:53.560
<v Speaker 1>daughter any minute.

0:22:53.960 --> 0:22:55.480
<v Speaker 3>Oh right, I slept with the.

0:22:55.440 --> 0:23:00.000
<v Speaker 2>Professor and then Mary Wise then and now I'm gonna

0:23:00.080 --> 0:23:03.639
<v Speaker 2>to sleep with the Chancellor's daughter. Mirandrew went from like

0:23:03.800 --> 0:23:06.919
<v Speaker 2>good boy to like but as long as.

0:23:06.760 --> 0:23:09.240
<v Speaker 1>He's wearing a tie. You believe him, because what about

0:23:09.240 --> 0:23:11.360
<v Speaker 1>when he wears a tie in the peach pit for

0:23:11.400 --> 0:23:13.960
<v Speaker 1>no reason. I was angry at that, and then he

0:23:14.000 --> 0:23:17.439
<v Speaker 1>goes to the Chancellor's office for actual like a professional meeting,

0:23:17.760 --> 0:23:18.439
<v Speaker 1>has no tie on.

0:23:20.200 --> 0:23:22.600
<v Speaker 2>I was really angry why he was wearing that tie

0:23:22.600 --> 0:23:25.159
<v Speaker 2>in the peach bit was super distracting.

0:23:24.960 --> 0:23:27.800
<v Speaker 3>And I didn't like it.

0:23:30.640 --> 0:23:32.520
<v Speaker 4>Apparently he didn't like it either, because he took it.

0:23:32.640 --> 0:23:34.880
<v Speaker 4>He gotta talk about Andrea and Claire. But first of all,

0:23:35.040 --> 0:23:38.760
<v Speaker 4>I think Donna thinks she didn't do it. Dylan knows

0:23:38.800 --> 0:23:42.160
<v Speaker 4>she didn't do it. Kelly is like pretty much thinks

0:23:42.200 --> 0:23:44.879
<v Speaker 4>she didn't do it. But it's like hmm, Steve's like

0:23:44.960 --> 0:23:47.440
<v Speaker 4>hook line and sinker she did it. Brandon, I think

0:23:47.480 --> 0:23:50.600
<v Speaker 4>thinks she did it. And Andrea, in a shocking turn,

0:23:50.680 --> 0:23:53.440
<v Speaker 4>I also think maybe think she did it.

0:23:53.440 --> 0:23:58.840
<v Speaker 1>It's the hormones. She's She's all over the place. Andrea,

0:23:59.160 --> 0:24:02.240
<v Speaker 1>let can't help us, Kevin and Suzanne for a minute,

0:24:02.520 --> 0:24:06.639
<v Speaker 1>do we want to talk about Geraldo Rivera? Did you guys?

0:24:06.920 --> 0:24:07.320
<v Speaker 4>Are you?

0:24:08.400 --> 0:24:10.920
<v Speaker 3>I cannot look at that man. I'm so sorry.

0:24:10.960 --> 0:24:12.600
<v Speaker 1>Is that a fake mustache?

0:24:14.480 --> 0:24:18.080
<v Speaker 2>I don't know, but I can't watch him. They think

0:24:19.200 --> 0:24:23.080
<v Speaker 2>that man, good actor, nothing against him, great look, but

0:24:23.119 --> 0:24:27.080
<v Speaker 2>not for this or anything or anything.

0:24:28.280 --> 0:24:30.520
<v Speaker 4>My problem in watching it and it's not this is

0:24:30.560 --> 0:24:35.040
<v Speaker 4>not a spoiler spoiler alert. I know what happens, and

0:24:35.119 --> 0:24:40.360
<v Speaker 4>so everything he does feels creepy and double.

0:24:41.240 --> 0:24:44.560
<v Speaker 1>It's like he's gonna be a swindler. So what tak

0:24:44.680 --> 0:24:47.480
<v Speaker 1>a look at it? Yeah? Who he's tipping the hat?

0:24:47.520 --> 0:24:49.520
<v Speaker 1>What's that called tip in the hat?

0:24:49.600 --> 0:24:51.840
<v Speaker 4>Yes? Did you see the weird side eye?

0:24:52.040 --> 0:24:54.480
<v Speaker 1>Yeah, at that one moment when he's like talking about

0:24:54.520 --> 0:24:57.440
<v Speaker 1>Dylan or he's saying he's got a plan or something.

0:24:57.200 --> 0:25:00.880
<v Speaker 4>And he's just with the weird the the so obvious

0:25:00.960 --> 0:25:02.159
<v Speaker 4>creepy side eye.

0:25:02.280 --> 0:25:04.119
<v Speaker 1>And then of course they cut away to Dylan, who's

0:25:04.320 --> 0:25:10.880
<v Speaker 1>casually just looking the other way, doesn't see it. I'm

0:25:10.920 --> 0:25:14.800
<v Speaker 1>like this guy, but he's just such a sucker with Ken.

0:25:15.040 --> 0:25:21.520
<v Speaker 1>What when did Dylan become so gullible? Like what you

0:25:21.560 --> 0:25:24.280
<v Speaker 1>would think that this character would be like onto this

0:25:24.400 --> 0:25:28.840
<v Speaker 1>guy or right, like he's always got some intuition about people.

0:25:28.960 --> 0:25:31.520
<v Speaker 4>Well, he was literally caught up in a thing where

0:25:31.560 --> 0:25:36.440
<v Speaker 4>his father was allegedly killed. You don't think he's distrusting

0:25:36.440 --> 0:25:39.680
<v Speaker 4>of people? I would he shouldn't trust anybody.

0:25:39.840 --> 0:25:42.280
<v Speaker 3>Yeah, it's just convenient he finds out.

0:25:42.200 --> 0:25:47.280
<v Speaker 1>Like it's just like banana shock, Like, yeah, I don't

0:25:47.280 --> 0:25:50.679
<v Speaker 1>know what's gonna happen with that. I'm guessing they're going

0:25:50.720 --> 0:25:51.960
<v Speaker 1>to try to take Dylan's money.

0:25:52.000 --> 0:25:53.640
<v Speaker 2>Oh my god, Well I hope it happens soon because

0:25:53.640 --> 0:25:55.080
<v Speaker 2>I can't look at his mustache anymore.

0:25:55.080 --> 0:25:55.560
<v Speaker 3>I'm sorry.

0:25:56.080 --> 0:25:58.560
<v Speaker 1>And Dylan is being a little just prickly to kill

0:25:58.600 --> 0:26:03.000
<v Speaker 1>what prickly you might and take the L and the

0:26:03.119 --> 0:26:05.000
<v Speaker 1>y off of that word, and that's what he's being.

0:26:05.440 --> 0:26:06.800
<v Speaker 3>Oh my god, I had to spell that in my

0:26:06.840 --> 0:26:10.760
<v Speaker 3>head for a second. Okay, p R I c k.

0:26:13.320 --> 0:26:15.600
<v Speaker 1>Believe that. I am so sick of the way he

0:26:15.640 --> 0:26:18.720
<v Speaker 1>talks to her. I want to punch him, Like who

0:26:19.040 --> 0:26:24.160
<v Speaker 1>why would anybody in the departments above not like let

0:26:24.200 --> 0:26:26.800
<v Speaker 1>these two characters I don't know, Like they are acting

0:26:26.880 --> 0:26:31.000
<v Speaker 1>like two old married people who hate e Chose.

0:26:31.320 --> 0:26:34.240
<v Speaker 4>And he's so team Brenda that it is mean to

0:26:34.320 --> 0:26:35.640
<v Speaker 4>your girlfriend, like.

0:26:35.400 --> 0:26:37.679
<v Speaker 1>Like why would she sick? Why would she stay for

0:26:37.760 --> 0:26:42.200
<v Speaker 1>any of it? Mm hmm. I don't like it. I

0:26:42.240 --> 0:26:43.000
<v Speaker 1>don't like it at all.

0:26:43.800 --> 0:26:44.879
<v Speaker 4>It's it's rough.

0:26:45.240 --> 0:26:48.040
<v Speaker 1>So I'm guessing that's going to end soon. Here I am.

0:26:47.640 --> 0:26:52.919
<v Speaker 1>I'm thinking ahead to this. Dylan and Kelly are going

0:26:52.960 --> 0:26:55.960
<v Speaker 1>to break up for shows, that's gotta happen. They can't see.

0:26:56.840 --> 0:27:00.760
<v Speaker 1>Then who is he gonna be with al? Isn't she

0:27:00.840 --> 0:27:06.000
<v Speaker 1>coming in? I don't know, Claire, you never know on

0:27:06.040 --> 0:27:06.440
<v Speaker 1>this show.

0:27:07.119 --> 0:27:07.720
<v Speaker 4>Could be da.

0:27:10.680 --> 0:27:16.640
<v Speaker 1>Just for a minute. No, okay, what about when when?

0:27:17.400 --> 0:27:20.199
<v Speaker 1>The only other thing I noted was when Jason no

0:27:20.359 --> 0:27:23.200
<v Speaker 1>Brandon Brendan Brendon.

0:27:23.320 --> 0:27:27.119
<v Speaker 4>I'm sick of Steve calling him Brendan. His name is Brandon. Sorry,

0:27:27.359 --> 0:27:27.800
<v Speaker 4>go ahead.

0:27:28.200 --> 0:27:32.359
<v Speaker 1>He's telling Jimbo that he's going to go to the

0:27:32.359 --> 0:27:38.760
<v Speaker 1>big conference because he's so important, and he's telling him

0:27:38.800 --> 0:27:44.720
<v Speaker 1>that about the Chancellor's daughter and and and dad's advice

0:27:44.880 --> 0:27:48.639
<v Speaker 1>or I guess like way of telling him, well, remember, Brandon,

0:27:48.960 --> 0:27:56.480
<v Speaker 1>every father's daughter is a virgin. What ew is that

0:27:56.640 --> 0:28:03.119
<v Speaker 1>something that fathers say to their sons. Remember every father's daughter,

0:28:03.880 --> 0:28:04.600
<v Speaker 1>it's a virgin.

0:28:05.960 --> 0:28:07.080
<v Speaker 3>No, that's gross.

0:28:07.600 --> 0:28:08.600
<v Speaker 1>I don't break it down.

0:28:09.359 --> 0:28:12.840
<v Speaker 4>Here's what I think though. Jim was saying the dad's

0:28:12.880 --> 0:28:16.160
<v Speaker 4>gonna stick with the daughter, and then Claire basically Mike

0:28:16.280 --> 0:28:17.880
<v Speaker 4>dropped on Brandon and was like.

0:28:17.880 --> 0:28:20.240
<v Speaker 1>Oh, She's like you'll see you dumb ass.

0:28:20.440 --> 0:28:22.560
<v Speaker 4>You just went and like tried to out me to

0:28:22.600 --> 0:28:25.800
<v Speaker 4>my dad who I am his pride and joy. He

0:28:25.880 --> 0:28:30.320
<v Speaker 4>will never pick you over me. Mike drop. I loved it.

0:28:30.680 --> 0:28:33.040
<v Speaker 1>She goes, well, you just shot yourself in the foot,

0:28:33.080 --> 0:28:34.280
<v Speaker 1>and he goes, what are you talking about?

0:28:34.359 --> 0:28:47.840
<v Speaker 6>She goes, you'll see and she walks off.

0:28:49.200 --> 0:28:50.920
<v Speaker 7>Oh my god, I'm so sorry to bring up Laura

0:28:51.040 --> 0:28:54.640
<v Speaker 7>Kingman again, but can we talk about the dramatic scene

0:28:54.680 --> 0:28:59.800
<v Speaker 7>where she's fired by Roy Randolph and she drops that

0:29:00.320 --> 0:29:03.520
<v Speaker 7>buck in front of Brenda waiting bitch.

0:29:03.960 --> 0:29:06.080
<v Speaker 1>I was always waiting. I was like, uh, oh, she's

0:29:06.120 --> 0:29:09.280
<v Speaker 1>gonna throw down right now. Oh, I would have loved

0:29:09.280 --> 0:29:10.000
<v Speaker 1>to have that.

0:29:11.000 --> 0:29:15.360
<v Speaker 4>Brenda's just locking down, looking down, So good acting by

0:29:15.400 --> 0:29:18.240
<v Speaker 4>everybody in the room being uncumped, because so was I

0:29:18.320 --> 0:29:19.200
<v Speaker 4>just looking down. Now.

0:29:19.720 --> 0:29:22.280
<v Speaker 1>Did you notice, though, when when Brenda comes that day

0:29:22.360 --> 0:29:24.680
<v Speaker 1>to when she's late for the thing because Laura miss

0:29:24.760 --> 0:29:26.920
<v Speaker 1>messed up the schedule for her. She comes and she

0:29:26.960 --> 0:29:28.880
<v Speaker 1>walks up the little theater stairs on the edge of

0:29:28.880 --> 0:29:32.920
<v Speaker 1>the theater, and all the other the background actors are

0:29:32.960 --> 0:29:35.000
<v Speaker 1>in the play. They're walking down, they're walking out, and

0:29:35.000 --> 0:29:38.400
<v Speaker 1>they're just staring at her like oh, and then there's

0:29:38.560 --> 0:29:40.760
<v Speaker 1>one guy in particular at the top of the stairs

0:29:40.920 --> 0:29:44.000
<v Speaker 1>who took it so literal he but made like you

0:29:44.080 --> 0:29:50.400
<v Speaker 1>just wouldn't stop. So he's like, yeah, I could stop

0:29:50.400 --> 0:29:54.720
<v Speaker 1>watching him watch her. My god, there's.

0:29:54.600 --> 0:29:57.800
<v Speaker 4>So much in this. And then Brenda goes to Roy's

0:29:57.840 --> 0:30:01.000
<v Speaker 4>pad and he's out on his weird know where he lives,

0:30:01.200 --> 0:30:02.600
<v Speaker 4>isn't he's a teacher, Like.

0:30:02.560 --> 0:30:06.120
<v Speaker 1>What more with Andrea and the teacher at the beach

0:30:08.480 --> 0:30:09.320
<v Speaker 1>when teachers live.

0:30:09.680 --> 0:30:11.880
<v Speaker 4>I don't know one teacher ever lived.

0:30:11.960 --> 0:30:14.240
<v Speaker 1>No, no, I didn't know that they had a house,

0:30:15.400 --> 0:30:18.680
<v Speaker 1>Like you don't think of them not real human beings.

0:30:19.000 --> 0:30:21.720
<v Speaker 2>Oh, like I remember you used to see them getting

0:30:21.800 --> 0:30:24.040
<v Speaker 2>cars and leave and you'd be like, wait they leave here.

0:30:24.240 --> 0:30:30.720
<v Speaker 4>Wait car children, they're married? What I guess he's got

0:30:30.720 --> 0:30:32.760
<v Speaker 4>as weird. He's trying to get his tan. He's got

0:30:32.760 --> 0:30:34.600
<v Speaker 4>a shirt on button and he's in his like weird

0:30:34.680 --> 0:30:38.240
<v Speaker 4>backyard of like literally it looked like an apartment in

0:30:39.080 --> 0:30:40.640
<v Speaker 4>like Westwood.

0:30:40.160 --> 0:30:43.840
<v Speaker 1>You like AstroTurf uh wall walls and stuff like I

0:30:43.840 --> 0:30:46.040
<v Speaker 1>don't know. But then when he looked, but there was

0:30:46.080 --> 0:30:48.760
<v Speaker 1>the weirdest thing. Okay, So Brenda's over here, like Brenda's

0:30:48.800 --> 0:30:50.720
<v Speaker 1>here talking to him, and he's here lounging with his

0:30:50.880 --> 0:30:55.480
<v Speaker 1>chest out. It's creepy. And then for her, she's off

0:30:55.560 --> 0:30:57.880
<v Speaker 1>camera right and he's talking to her like she's just

0:30:58.000 --> 0:30:59.960
<v Speaker 1>off camera, like just to the right or left the camera,

0:31:00.200 --> 0:31:02.680
<v Speaker 1>and the look like he's looking like he's looking off

0:31:02.680 --> 0:31:06.080
<v Speaker 1>into space, like into Mars, like into the depths of darkness.

0:31:06.080 --> 0:31:10.720
<v Speaker 1>He can't there's no connection with his eyeballs and a person,

0:31:10.760 --> 0:31:12.760
<v Speaker 1>a human that he's talking to. I was like, who

0:31:12.840 --> 0:31:15.880
<v Speaker 1>is he talking to? Then I was like, remember sometimes

0:31:15.880 --> 0:31:20.880
<v Speaker 1>when we would have to leave early for whether it

0:31:20.920 --> 0:31:22.880
<v Speaker 1>was double us, we had to go get pushed over

0:31:22.880 --> 0:31:24.640
<v Speaker 1>to the other set or something, or we had to

0:31:24.680 --> 0:31:26.560
<v Speaker 1>be wrapped at a certain time, so they would make

0:31:27.080 --> 0:31:29.920
<v Speaker 1>us leave, and then they would finish up scenes with

0:31:30.080 --> 0:31:34.479
<v Speaker 1>other actors talking to either the script supervisor off camera,

0:31:34.800 --> 0:31:37.920
<v Speaker 1>or like to a tape that they taped to the camera,

0:31:37.960 --> 0:31:40.000
<v Speaker 1>which was we were always be like, oh, yeah, I

0:31:40.000 --> 0:31:42.080
<v Speaker 1>can totally talk to a tape mark, But you could

0:31:42.120 --> 0:31:45.000
<v Speaker 1>always tell when someone's talking to a tape mark because

0:31:45.480 --> 0:31:48.960
<v Speaker 1>they're talking to a tape maark Like, there's no no

0:31:49.160 --> 0:31:51.400
<v Speaker 1>reality that good of an actor that they can just

0:31:51.440 --> 0:31:54.080
<v Speaker 1>talk to tape. Now you're really you really should have

0:31:54.160 --> 0:31:58.080
<v Speaker 1>somebody there off camera, even if it's not real. Brenda,

0:31:58.240 --> 0:31:59.719
<v Speaker 1>I just had some weird flashback.

0:32:00.160 --> 0:32:04.120
<v Speaker 2>Did did Shannon like this actor? I feel like she

0:32:04.200 --> 0:32:04.920
<v Speaker 2>didn't like him.

0:32:05.560 --> 0:32:08.360
<v Speaker 1>I don't know. If I was her, I wouldn't like him, but.

0:32:10.160 --> 0:32:12.160
<v Speaker 3>I remember, I wonder if there's any friction.

0:32:12.720 --> 0:32:15.640
<v Speaker 4>He was such a me too or twenty thirty years

0:32:15.840 --> 0:32:18.560
<v Speaker 4>for me too. And then he's even had to agree,

0:32:19.200 --> 0:32:21.480
<v Speaker 4>like to get the job, but he's not going to

0:32:21.560 --> 0:32:25.959
<v Speaker 4>have shenanigans. I was just like, who's hiring this guy?

0:32:26.240 --> 0:32:26.360
<v Speaker 1>Is?

0:32:26.400 --> 0:32:26.520
<v Speaker 4>That?

0:32:26.680 --> 0:32:29.520
<v Speaker 1>Was that in the meeting when they hired him, like

0:32:30.280 --> 0:32:31.520
<v Speaker 1>they said, you're not going to do this.

0:32:31.800 --> 0:32:34.840
<v Speaker 4>So he's like, look, I don't like it either because

0:32:35.080 --> 0:32:36.320
<v Speaker 4>it makes me look bad.

0:32:36.560 --> 0:32:42.080
<v Speaker 1>And I'm just like, oh god, he was groady bad.

0:32:44.520 --> 0:32:47.240
<v Speaker 4>Poor Tanya Harding got a real bad shout out too.

0:32:47.720 --> 0:32:50.960
<v Speaker 1>Not that was like right when it was going down.

0:32:51.040 --> 0:32:54.440
<v Speaker 1>That's the whole, when the whole Nancy and Tanya du

0:32:54.520 --> 0:32:55.440
<v Speaker 1>bacle happened.

0:32:56.840 --> 0:32:59.120
<v Speaker 4>There are some pop culture references in this that that

0:32:59.240 --> 0:33:01.840
<v Speaker 4>stood the test time, like that one You're like, I

0:33:01.920 --> 0:33:02.520
<v Speaker 4>know what's up?

0:33:02.920 --> 0:33:04.320
<v Speaker 3>Yeah?

0:33:04.640 --> 0:33:09.240
<v Speaker 4>I mean good, good, good writing, dramatic and crazy yeah,

0:33:09.360 --> 0:33:10.680
<v Speaker 4>like kind of like.

0:33:11.280 --> 0:33:13.760
<v Speaker 1>What is going on? I can't stop watching this.

0:33:14.400 --> 0:33:16.640
<v Speaker 4>You have one flag that I want to know if

0:33:16.640 --> 0:33:19.360
<v Speaker 4>you guys noticed. It was when they were going to

0:33:19.440 --> 0:33:22.440
<v Speaker 4>the lab right and they sort of show i think

0:33:22.480 --> 0:33:25.680
<v Speaker 4>the exterior of the lab that looked like stock footage

0:33:25.680 --> 0:33:29.880
<v Speaker 4>from nineteen seventy two, Like what the fudge? Every car?

0:33:29.960 --> 0:33:32.640
<v Speaker 4>I was like, where did you guys get that?

0:33:33.040 --> 0:33:35.480
<v Speaker 1>Well, if you're a scientist and you work in a lab,

0:33:35.520 --> 0:33:36.959
<v Speaker 1>you're just kind of behind the times.

0:33:37.040 --> 0:33:40.280
<v Speaker 4>So it was like just I'm like, did they get

0:33:40.320 --> 0:33:45.160
<v Speaker 4>that from The Incredible Hulk from nineteen seventy whatever? Because

0:33:45.200 --> 0:33:46.560
<v Speaker 4>I'm like, what is it?

0:33:46.640 --> 0:33:46.840
<v Speaker 6>Yeah?

0:33:46.840 --> 0:33:49.480
<v Speaker 1>That scene was so boring up and.

0:33:49.480 --> 0:33:51.880
<v Speaker 4>I think he's putting nothing in the water. He's like,

0:33:52.200 --> 0:33:54.840
<v Speaker 4>drop drop, you can drink it now, And I'm like,

0:33:54.960 --> 0:33:58.160
<v Speaker 4>that dude did not do anything to that water. It's

0:33:58.320 --> 0:34:03.160
<v Speaker 4>not drinkable. He's he's like a he's a.

0:34:03.080 --> 0:34:07.360
<v Speaker 1>Faker, but he's he's magic. He can clean the water

0:34:07.440 --> 0:34:10.160
<v Speaker 1>in the bays. If only he could have some money

0:34:10.360 --> 0:34:11.279
<v Speaker 1>from Dylan.

0:34:11.800 --> 0:34:15.720
<v Speaker 3>Stay and take the storyline. I I hate it so much.

0:34:16.040 --> 0:34:18.080
<v Speaker 3>It's so boring, so boring.

0:34:18.320 --> 0:34:22.800
<v Speaker 4>I'm sorry. Why would Steve fall for Laura?

0:34:23.080 --> 0:34:25.360
<v Speaker 1>I don't that's like because she's hot.

0:34:26.360 --> 0:34:27.040
<v Speaker 3>Yeah, she is.

0:34:27.239 --> 0:34:32.000
<v Speaker 4>She seems unhinged from the go, but the.

0:34:31.920 --> 0:34:34.160
<v Speaker 1>Guys can't see that. And also Steve's the kind of

0:34:34.160 --> 0:34:36.160
<v Speaker 1>guy that wants to fix people and help them.

0:34:36.320 --> 0:34:39.960
<v Speaker 4>I suppose. But if somebody wanted to, like, have you

0:34:40.040 --> 0:34:43.600
<v Speaker 4>expelled from school? Would you not like remember that and

0:34:43.640 --> 0:34:47.160
<v Speaker 4>be like I'm not gonna yeah, probably be like I'm

0:34:47.160 --> 0:34:49.439
<v Speaker 4>not I'm not gonna do that.

0:34:49.840 --> 0:34:53.960
<v Speaker 2>Hello, can I refresh your memories? Emily Valentine trying to

0:34:54.040 --> 0:34:59.000
<v Speaker 2>light everything on fire? She actually and then seasons later

0:34:59.160 --> 0:35:01.560
<v Speaker 2>he summons like, I want to spend forever with you,

0:35:02.040 --> 0:35:03.000
<v Speaker 2>go to Paeris with you.

0:35:03.280 --> 0:35:05.800
<v Speaker 3>I'll remember you, and he never remembers her, does.

0:35:06.000 --> 0:35:09.560
<v Speaker 1>Not once, never, not once, because never even talks about

0:35:09.600 --> 0:35:09.959
<v Speaker 1>her again.

0:35:10.040 --> 0:35:12.320
<v Speaker 4>Nope, they're all thinking with their zippers.

0:35:12.920 --> 0:35:19.040
<v Speaker 1>But this is the last time we see Laura.

0:35:20.360 --> 0:35:24.120
<v Speaker 4>H Yeah, because she was literally taken away by too

0:35:24.560 --> 0:35:28.319
<v Speaker 4>Like those weren't police officers, those were like medical professionals.

0:35:28.480 --> 0:35:31.040
<v Speaker 1>I kind of yeah, like you, they've had a different

0:35:31.040 --> 0:35:33.120
<v Speaker 1>outfit on you know that they were mental health team.

0:35:33.680 --> 0:35:36.279
<v Speaker 1>I kind of want to go with her to the

0:35:36.320 --> 0:35:40.840
<v Speaker 1>cuckoo bin and see what happens. That sounds like fun.

0:35:40.960 --> 0:35:46.440
<v Speaker 1>I want to see bad episodes that's a good movie.

0:35:46.680 --> 0:35:49.840
<v Speaker 4>Grip Laura like that's gonna work. Steve get a grip like,

0:35:49.960 --> 0:35:52.440
<v Speaker 4>oh god, she's.

0:35:51.600 --> 0:35:53.680
<v Speaker 1>I don't know. I think we've said everything there's to

0:35:53.719 --> 0:35:58.640
<v Speaker 1>say about this episode is Wait, so is Claire going

0:35:58.719 --> 0:36:05.440
<v Speaker 1>to go to Washington with Brandon? Yeah, Claire nodding yes, yes, yes, Okay,

0:36:05.760 --> 0:36:06.760
<v Speaker 1>keeps getting good.

0:36:07.960 --> 0:36:09.520
<v Speaker 3>And now I remember.

0:36:09.560 --> 0:36:13.160
<v Speaker 1>What something worse than handy handcuffing herself to the bed?

0:36:13.640 --> 0:36:14.840
<v Speaker 3>Somebody worse than a handy?

0:36:14.960 --> 0:36:20.720
<v Speaker 1>What something worse than handcuffing herself to the bed in lingerie?

0:36:21.080 --> 0:36:21.759
<v Speaker 1>That there's more?

0:36:23.880 --> 0:36:28.200
<v Speaker 4>Yes? Oh yes, I god, because I can't see.

0:36:29.080 --> 0:36:32.160
<v Speaker 1>I thought that when Brandon went to Washington was kind

0:36:32.160 --> 0:36:34.920
<v Speaker 1>of when Kelly and Brandon started to go out.

0:36:35.360 --> 0:36:38.160
<v Speaker 3>You'll see, Oh wait, what that's happening too?

0:36:38.640 --> 0:36:39.600
<v Speaker 1>Season five?

0:36:42.040 --> 0:36:47.799
<v Speaker 4>This is the super Bowl is coming so whoa Celeste

0:36:47.920 --> 0:36:52.120
<v Speaker 4>is coming back? And so is John Sears? Right, I'm not.

0:36:52.160 --> 0:36:54.360
<v Speaker 1>Crazy what John Sears is back?

0:36:55.480 --> 0:36:56.640
<v Speaker 4>Pretty sure? Wait.

0:36:56.680 --> 0:36:58.400
<v Speaker 1>I walked into my kids room the other day and

0:36:58.400 --> 0:37:03.480
<v Speaker 1>I saw John Sears on Party of Nope, One Tree Hill,

0:37:04.440 --> 0:37:07.080
<v Speaker 1>and I was like, hey, it's the same exact character.

0:37:08.080 --> 0:37:09.040
<v Speaker 1>Did you get triggered?

0:37:09.600 --> 0:37:09.960
<v Speaker 4>Yeah?

0:37:10.480 --> 0:37:14.600
<v Speaker 1>Okay? I was literally like, why is John Sears on.

0:37:14.640 --> 0:37:19.319
<v Speaker 1>This show was a different show.

0:37:19.719 --> 0:37:23.640
<v Speaker 4>Oh you guys, this was so this was so good,

0:37:24.440 --> 0:37:26.720
<v Speaker 4>so bad and so good.

0:37:27.400 --> 0:37:30.239
<v Speaker 1>But when I watched about it years ago, it was

0:37:30.280 --> 0:37:30.920
<v Speaker 1>more dressed.

0:37:30.960 --> 0:37:32.440
<v Speaker 3>They put Andrea in It's like.

0:37:32.440 --> 0:37:34.120
<v Speaker 1>Oh my, oh my god.

0:37:34.239 --> 0:37:35.560
<v Speaker 4>That was not like there's a.

0:37:35.480 --> 0:37:37.720
<v Speaker 3>Way to make a pregnant woman look cute.

0:37:37.800 --> 0:37:40.680
<v Speaker 2>Still, It's like it's like they just literally took yeah,

0:37:41.000 --> 0:37:42.840
<v Speaker 2>she under and said, here we go.

0:37:42.960 --> 0:37:44.880
<v Speaker 1>This is it, taking up the one thing.

0:37:45.000 --> 0:37:47.320
<v Speaker 4>Can't stay in the bed too. She's getting the mail,

0:37:47.520 --> 0:37:48.440
<v Speaker 4>she's getting an apple.

0:37:49.040 --> 0:37:53.640
<v Speaker 1>Oh, she's getting sassy too with your apple swinging. Yeah,

0:37:53.120 --> 0:37:57.399
<v Speaker 1>she's like the medications making her nuts. Did you ever

0:37:57.440 --> 0:38:00.840
<v Speaker 1>go on bedress with any of your kids store your pregnancies?

0:38:00.840 --> 0:38:04.279
<v Speaker 2>I mean yeah, like months of bed rest for the Yeah,

0:38:04.800 --> 0:38:07.719
<v Speaker 2>with Finn the fourth one, I was in Cedars for

0:38:07.760 --> 0:38:09.120
<v Speaker 2>like almost three months.

0:38:10.000 --> 0:38:12.400
<v Speaker 1>Well not not the Cedars hospital part of it all,

0:38:12.440 --> 0:38:17.880
<v Speaker 1>but just in bed rest. Sounds like a dream, right, Oh.

0:38:17.840 --> 0:38:20.600
<v Speaker 4>No, I wouldn't like that at all going on.

0:38:20.840 --> 0:38:23.759
<v Speaker 1>I would be so happy if someone said you have

0:38:23.800 --> 0:38:24.839
<v Speaker 1>to lay down and take it.

0:38:24.800 --> 0:38:28.719
<v Speaker 3>Easy for yeah, like a medical version, but one like

0:38:28.880 --> 0:38:29.160
<v Speaker 3>just like.

0:38:29.200 --> 0:38:34.400
<v Speaker 1>Yeah, it's best if you get off your feet. Oh okay, okay, sure,

0:38:36.920 --> 0:38:39.279
<v Speaker 1>I'd be like, thank you. Well, I feel like we've

0:38:39.360 --> 0:38:41.320
<v Speaker 1>uncovered everything there is to uncover.

0:38:42.239 --> 0:38:44.200
<v Speaker 4>Let me just take a quick on this episode.

0:38:44.520 --> 0:38:47.200
<v Speaker 2>And you know what all I want right now now

0:38:47.200 --> 0:38:51.799
<v Speaker 2>that we're done here is a breakfast burrito. I just

0:38:51.960 --> 0:38:53.320
<v Speaker 2>want a breakfast burrito.

0:38:54.360 --> 0:38:55.160
<v Speaker 1>Hold the eggs?

0:38:56.160 --> 0:38:58.160
<v Speaker 3>Did you ever get the eggs out of your bangs?

0:38:59.280 --> 0:39:05.640
<v Speaker 1>Maybe that's why it looks so good that day. Okay, everybody,

0:39:05.880 --> 0:39:08.359
<v Speaker 1>next week, we got you guys, have.

0:39:08.320 --> 0:39:16.560
<v Speaker 4>To you guys it. Oh hmm, I give it a

0:39:16.560 --> 0:39:21.640
<v Speaker 4>one hundred of ten. Eight Is that an eight?

0:39:22.280 --> 0:39:24.719
<v Speaker 1>She gives it a nine. Nine, I get it an eight.

0:39:24.840 --> 0:39:26.000
<v Speaker 4>Jenny's giving it an eight.

0:39:26.200 --> 0:39:28.359
<v Speaker 3>I can't put this finger down without this finger going down.

0:39:28.480 --> 0:39:30.480
<v Speaker 4>I give it put the thumb down a hundred.

0:39:30.800 --> 0:39:32.040
<v Speaker 3>Oh god, so smart.

0:39:33.120 --> 0:39:33.919
<v Speaker 1>You gave it a ten.

0:39:34.080 --> 0:39:37.520
<v Speaker 4>And call me Margaret Maggie the cat.

0:39:37.680 --> 0:39:41.160
<v Speaker 1>Oh my god, why didn't we talk about that. I

0:39:41.239 --> 0:39:45.279
<v Speaker 1>literally wanted to just put my what through the TV

0:39:45.400 --> 0:39:48.880
<v Speaker 1>at that moment. She's like, call me Margaret. Until I

0:39:48.920 --> 0:39:50.920
<v Speaker 1>really get a hold on the character.

0:39:50.920 --> 0:39:54.279
<v Speaker 4>It's like, oh god. And Laura's just.

0:39:57.160 --> 0:39:58.799
<v Speaker 1>Oh, good times, good time.

0:40:00.160 --> 0:40:05.480
<v Speaker 4>Everybody we are shout out to Sorry, shout out to

0:40:05.520 --> 0:40:08.680
<v Speaker 4>me being right. John Sears does come back, celest Is

0:40:08.719 --> 0:40:11.239
<v Speaker 4>coming back, Lucinda's coming back.

0:40:11.400 --> 0:40:15.200
<v Speaker 2>Buckle up, every Lucinda's coming back. Oh, this is gonna

0:40:15.239 --> 0:40:17.560
<v Speaker 2>be a wild ride. Can't wait for it.

0:40:18.280 --> 0:40:20.600
<v Speaker 1>I better yeah, rest up, I gotta better.

0:40:21.440 --> 0:40:24.120
<v Speaker 2>Great direct get paid less in these last two episodes

0:40:24.160 --> 0:40:26.320
<v Speaker 2>because they had to pay so many damn guest stars

0:40:26.360 --> 0:40:26.879
<v Speaker 2>to come back.

0:40:28.400 --> 0:40:33.200
<v Speaker 4>Good directing, mister Walsh, good directing. This was a hard

0:40:33.480 --> 0:40:35.719
<v Speaker 4>he had all that stuff.

0:40:35.719 --> 0:40:36.759
<v Speaker 1>He did a great job.

0:40:36.800 --> 0:40:39.439
<v Speaker 2>If he would ever come on our podcast, we would

0:40:39.480 --> 0:40:39.919
<v Speaker 2>tell them.

0:40:40.239 --> 0:40:41.160
<v Speaker 4>He's too busy.

0:40:41.400 --> 0:40:46.520
<v Speaker 2>How amazing, he's too busy.

0:40:47.760 --> 0:40:52.319
<v Speaker 1>Wait wait, okay, well last Amy, you weren't there. And Tori,

0:40:52.400 --> 0:40:53.640
<v Speaker 1>I think I told you about this. But on the

0:40:53.640 --> 0:40:58.880
<v Speaker 1>panel and wherever I was austin the ax, the lady asked,

0:40:59.239 --> 0:41:01.640
<v Speaker 1>one of the gladies asks in the audience, who do

0:41:01.680 --> 0:41:03.680
<v Speaker 1>you wish you if you could have like a dream

0:41:03.920 --> 0:41:06.880
<v Speaker 1>guest on your episode, who would it be? And I was,

0:41:06.920 --> 0:41:12.680
<v Speaker 1>like anyone on our cast I heard about this is that.

0:41:13.680 --> 0:41:15.640
<v Speaker 1>I was really happy when she told me she did that.

0:41:15.719 --> 0:41:17.280
<v Speaker 4>I heard it very proud.

0:41:18.080 --> 0:41:21.279
<v Speaker 1>Everybody laughed. So everybody that watches our podcast kind of

0:41:21.400 --> 0:41:23.200
<v Speaker 1>knew what I was referring to.

0:41:24.840 --> 0:41:28.840
<v Speaker 4>I got text immediately. They're like, list what you said.

0:41:30.480 --> 0:41:34.399
<v Speaker 1>I was over it anyway. We have another episode coming

0:41:34.440 --> 0:41:38.799
<v Speaker 1>up next week, Vital Signs. I feel like a baby's coming.

0:41:39.400 --> 0:41:43.120
<v Speaker 5>Uh beepeep beep beep beep beep beepe trouble.

0:41:44.360 --> 0:41:45.080
<v Speaker 4>There's a little trouble.

0:41:45.520 --> 0:41:49.040
<v Speaker 1>Oh no, okay, don't tell her to remember, don't tell us.

0:41:49.080 --> 0:41:50.920
<v Speaker 1>All right, we're going to watch it together. We're going

0:41:51.000 --> 0:41:56.239
<v Speaker 1>to watch it next week, and until then, we love you, guys.