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Speaker 1: It's nine o one with Jenny Garth and Tory Spelling.

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Speaker 2: Hey, you guys, welcome to another unbelievable episode of nine

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Speaker 2: two one OMG with my lovely co host Jens Here.

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Speaker 3: I'm here and Amy's here.

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Speaker 1: Hello.

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Speaker 4: Can I give this ten omgs?

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Speaker 1: Can I? Amy? You can't.

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Speaker 3: You can't jump to the ends.

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Speaker 1: Geez, you don't even say hello anymore? Can you get

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Speaker 1: so excited? She's very excited about this one? You guys, Well,

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Speaker 1: this is like.

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Speaker 4: This is a super Bowl for nine two one? Oh

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Speaker 4: do you know what I mean?

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Speaker 1: Like what that we're coming up to the fantastic sports.

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Speaker 4: This is major, Like we're leaning towards the finale when

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Speaker 4: we have two left.

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Speaker 1: But this is this is more like the playoffs.

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Speaker 4: Yeah yeah, but freaking solid playoffs.

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Speaker 2: Okay, you guys watch sports. I don't watch sports, so

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Speaker 2: can you? Can you talk in times of Joyce, but.

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Speaker 1: To watch sport?

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Speaker 4: Maybe to give it in toy terms? It's okay.

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Speaker 1: Tell me something my.

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Speaker 4: Annual Nordstrom saleh.

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Speaker 1: I'm reading up to what, I don't know, the final

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Speaker 1: sale Nordstrom track.

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Speaker 4: I don't know, yeah, exactly remember the fred Siegel when

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Speaker 4: they would have that sale. Oh, man, like the day

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Speaker 4: before that, the day before that.

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Speaker 3: Yeah, I'm lying up, Okay, I'm here for it.

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Speaker 1: Well, this is yeah, this is the this is the

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Speaker 1: end of the whole big college play thing, right.

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Speaker 4: Can I ask you guys so sad to see her go?

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Speaker 1: Yep?

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Speaker 4: Speaking of so, I started to allude to this when

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Speaker 4: she first appeared Tracy Mittendorff, But now and I kind

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Speaker 4: of held back as everyone's like, oh, spoilers, you know whatever.

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Speaker 4: I remember being twenty and watching this episode and it

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Speaker 4: being so real right now it's a little bit over

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Speaker 4: the top or almost campy horror filmy.

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Speaker 1: Well, I don't know, I thought so when I was

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Speaker 1: watching it, I was like, oh, this is so ridiculous.

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Speaker 1: But my daughter, whose twenty, was watching it and she

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Speaker 1: was like, oh my god, I'm so scared what happened? Like,

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Speaker 1: what do you mean, what's gonna happen? Obviously she's gonna

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Speaker 1: try to kill herself and then Steve's gonna come in

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Speaker 1: and save the day and it's gonna be over.

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Speaker 4: So I am so happy you're saying that, because it

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Speaker 4: all came back to me being twenty and being like

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Speaker 4: disturbed by it, And that is why, ever forever since

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Speaker 4: I cannot watch Tracy Middendorf in anything else.

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Speaker 1: That's a little ex street in mine. You're saying in

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Speaker 1: nineteen ninety four you decided at that point I'm never

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Speaker 1: watching Tracy Mittendorf.

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Speaker 4: Act again, well, I didn't say that, but when she

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Speaker 4: pops up on things.

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Speaker 1: It you're triggering bars me.

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Speaker 4: Like, I'm like, and I remember, like I was twenty

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Speaker 4: years old, so I was the exact same age as

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Speaker 4: your kid. Like it was. So she seemed so unhinged

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Speaker 4: but yet real. So it didn't seem kind of as

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Speaker 4: like soapy as it does now. It felt so real,

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Speaker 4: like this girl is unwell and crazy, feeling unwell, effing

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Speaker 4: with my people like one.

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Speaker 1: And this episode, uh is directed by James Eckhouse. I

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Speaker 1: wonder if this his first episode to direct. Yeah, I

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Speaker 1: think so right.

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Speaker 4: Yeah, I'm so happy you say that too, because I

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Speaker 4: noticed some like really dramatic close ups, especially of you, Jenny,

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Speaker 4: that I loved.

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Speaker 2: Oh, your boyfriend gave you some close ups. Huh See,

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Speaker 2: even back then there was a little thingy thing.

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Speaker 1: I didn't even tell him that I liked his harry

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Speaker 1: chest back then.

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Speaker 2: Maybe you pull it Brenda. Yeah, went to his house

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Speaker 2: late at night. You're like, let me stroke that chest hair.

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Speaker 1: You married your back hair.

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Speaker 3: I'm ready for my close up, mister eck House.

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Speaker 4: So what is it like for you guys watching this?

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Speaker 4: Because I took me break time?

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Speaker 1: What episode we're doing? Allay gez? All right right, all right,

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Speaker 1: let's see. This is Season four, episode twenty nine, Truth

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Speaker 1: or Consequences aired May fourth, nineteen ninety four.

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Speaker 2: Synopsis. Donna defends Brenda when she is accused of hitting

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Speaker 2: the casting couch. Lauren Kingman aka Tanya Harding will stop

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Speaker 2: at nothing to get what she wants. Suzanne makes a

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Speaker 2: huge announcement, and Dylan accuses Kelly of being a negative Nelly.

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Speaker 1: Directed by James that Cass written by Richard Gorlance.

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Speaker 4: And for the sake of this conversation, can we just

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Speaker 4: like be allowed to use words like crazy in Psycho because.

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Speaker 1: I know, like, pe, what do you mean?

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Speaker 4: People don't always like those words, like you're not supposed

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Speaker 4: to call someone crazy? But for the sake of this,

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Speaker 4: can we just like go there? Because she so disturbs me.

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Speaker 4: It's so disturbed.

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Speaker 1: You can say whatever you want on this podcast. I

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Speaker 1: think we've established that.

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Speaker 4: I just it literally took me back, and I was like,

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Speaker 4: she's so creepy. This is why I don't like, I

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Speaker 4: can't watch her in other things. I can't remember if

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Speaker 4: like Days of Our Lives was before this or after, but.

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Speaker 1: And he goes after, Oh, she.

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Speaker 4: Makes me so uncomfortable. And obviously it's Laura. But I

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Speaker 4: will say I think Tracy Mindorf played her so well.

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Speaker 1: She was great So Harley, Yeah, she was bonkers.

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Speaker 4: She's got the big eyes that seemed crazy.

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Speaker 1: Yeah, like looney tune eyes.

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Speaker 4: It is just I don't want to be mean, but

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Speaker 4: her eyes remind me of another public figure that's in jail.

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Speaker 4: Now prison. Now, what do you guys know?

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Speaker 1: This is your Minnendorf.

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Speaker 2: She has played literally two separate storylines in characters on

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Speaker 2: the show. The whole thing with Steve and all of that,

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Speaker 2: and we were all like and then we're like, okay,

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Speaker 2: and she's gone. That was a huge storyline, and now

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Speaker 2: this one, it's like.

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Speaker 1: Maybe the writers saw in her like and the producer's like, wow,

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Speaker 1: this girl is capable of going there. Let's learn her

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Speaker 1: back to be that person.

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Speaker 2: I'm curious if that's how it went down that they

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Speaker 2: were like, now we're not ready to get rid of her. Yet,

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Speaker 2: let's bring her in and do something really badass and weirdly.

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Speaker 4: I wish she would come on because I wonder if

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Speaker 4: she looks back and hates this or loves it.

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Speaker 1: I really would love to have her on. Wouldn't that

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Speaker 1: be fun?

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Speaker 4: Yeah?

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Speaker 1: I want to know if. Yeah, I want to know how.

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Speaker 4: Yes, we've been trying, but we'll keep trying. I want

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Speaker 4: to know.

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Speaker 2: That's what they always say all of her cast.

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Speaker 3: They're always too busy to do this.

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Speaker 1: I like the air quotes. No one can see that.

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Speaker 4: Maybe she does.

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Speaker 3: You could see it.

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Speaker 4: I don't. I don't know. But maybe it's so unhinged

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Speaker 4: that it makes her as uncomfortable as makes me.

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Speaker 1: I don't know. I'd love to find out. Let's ask her.

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Speaker 1: But does anybody care to discuss at all? Brenda's new

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Speaker 1: hairdoo in the middle of a storyline? Wait?

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Speaker 3: What do you mean?

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Speaker 1: What do you mean? You didn't notice her new hairdo? Okay,

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Speaker 1: now I don't feel so bad about not noticing your

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Speaker 1: hair colors. Fair Donna's hair is a good two three

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Speaker 1: inches shorter. It's almost red, with like light tones streaked throughout.

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Speaker 1: That was happening last episode A little bit of.

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Speaker 4: The curtain bangs a bit too.

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Speaker 1: It was in the middle of the episode. It literally

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Speaker 1: not the episode, the just story arc like these three episodes,

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Speaker 1: the Diva play thing.

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Speaker 4: I did notice it. And Donna's hair is getting shorter too.

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Speaker 4: I mean they're just let me all get haircut, getting

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Speaker 4: crazy thing. They just don't care anymore.

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Speaker 2: The hair department has lost all control at thet right

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Speaker 2: for season We're like we're in charge now.

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Speaker 4: Yeah.

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Speaker 1: Also, whatever I want to my.

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Speaker 4: Hair fabric makers of floral print are making gobs of money.

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Speaker 1: Oh my god. There was one scene with all three

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Speaker 1: or four girls. Everybody was wearing a floral dress.

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Speaker 4: It's so late. Okay, it's so good too.

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Speaker 1: We go in order, like yeah, let's do yes. But

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Speaker 1: that was my first thing. Yeah, all of a sudden,

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Speaker 1: Brenda has short red hair.

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Speaker 4: Were starting the peach bit. I don't know how come.

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Speaker 1: Kelly can be so caddy with her friend Brenda when

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Speaker 1: they just made up, Like, isn't she in that? Doesn't

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Speaker 1: she seem super catty and like backstabby a little bit,

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Speaker 1: like right there, for no reason, like I thought this

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Speaker 1: was resolved, it was resolved. I feel like there was

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Speaker 1: like a little.

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Speaker 3: Thing missing.

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Speaker 2: Is the resolve or like like you both were going

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Speaker 2: for the parts.

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Speaker 3: I guess you kind of made up.

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Speaker 2: Then, Brent, we know that Brenda went to his house,

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Speaker 2: and then the next thing you know, we're in the peach.

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Speaker 1: Bit and you and Kelly and Donna are like against her,

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Speaker 1: like two it's two against one. It feels very confrontational

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Speaker 1: and accusatory, and they're like arms crossed, like it just

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Speaker 1: feels just weird.

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Speaker 4: Donna stays true to Donna though she's always like impartial,

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Speaker 4: she's always fair, she's always seeing it the right way.

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Speaker 4: But then she gets a little shy and just won't

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Speaker 4: like super stand up for everybody.

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Speaker 1: I don't know, I felt like in that episode, in

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Speaker 1: that scene, I mean, she was a little bit more.

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Speaker 3: Kelly.

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Speaker 1: I don't know what the right word. Kelly's on the

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Speaker 1: same team as Kelly at that moment, like disbelieving of Brenda.

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Speaker 1: When I was like, Oh, that's weird for Donna to

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Speaker 1: be have such a kind of an opinion without really

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Speaker 1: knowing the truth.

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Speaker 4: Yes, I noticed that too. It was like, Oh, she's

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Speaker 4: coming over to the dark side.

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Speaker 3: Composite, Actually he's coming over to the light side.

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Speaker 4: My question for y'all is are these people actually good friends?

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Speaker 4: Because they're mean to each other?

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Speaker 1: What I mean, when did that happen? They were? They

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Speaker 1: didn't used to be mean.

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Speaker 4: No, In every episode there's each other conflict and drama

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Speaker 4: with a resolution of them being like, I'm so glad

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Speaker 4: I have you. You're my real friends. But it's like,

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Speaker 4: why are y'all fighting so much? If y'all are so tight?

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Speaker 1: Yeah, that could have been handled so much differently. I mean,

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Speaker 1: I would have thought that the girls would have been

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Speaker 1: like tell us everything, Oh my god, what happened and

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Speaker 1: like not saying, oh, there's a rumor and yeah, or

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Speaker 1: if there was like.

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Speaker 4: A rumor, wouldn't you be like f this and stand

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Speaker 4: up for.

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Speaker 1: Her to do this? But a man wrote this episode

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Speaker 1: so well.

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Speaker 4: He show made Steve a big D word because Steve

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Speaker 4: is an a.

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Speaker 1: Oh my god.

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Speaker 3: I don't know, but I live for the Brenda Steve fight.

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Speaker 1: I live for it so.

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Speaker 2: Far, And maybe it's because I knew about stuff going

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Speaker 2: on behind the scenes at that point with wait was.

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Speaker 1: This before the scrambled egg makeup trailer incident? Talked to me?

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Speaker 1: Talked to me? Not soon before?

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Speaker 4: Gives me you cannot even do that.

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Speaker 1: There's not much time left for that, so it's gotta

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Speaker 1: be right.

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Speaker 4: And yeah, it's you guys. Please, I need to know

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Speaker 4: what you're talking about.

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Speaker 1: I feel like we've talked about this before.

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Speaker 4: No give it is so bad.

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Speaker 1: Tory and I were both in the makeup trailer, as

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Speaker 1: the good little girls do, sit there and get their

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Speaker 1: makeup done, and Iron was in there, probably shaven his chest,

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Speaker 1: hair or something in there.

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Speaker 3: I'm six and six getting ready two hours in makeup pair.

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Speaker 1: I don't know, maybe somebody was. I think maybe that

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Speaker 1: was a day that Shannon had something going on in

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Speaker 1: her real life at transferred and she couldn't get to

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Speaker 1: work on time that day. Whatever. It was, no judgment,

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Speaker 1: no whatever, but I and had a real big problem

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Speaker 1: with it that morning. And he came into the trailer

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Speaker 1: with his breakfast burrito maybe on a you know, paper

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Speaker 1: play eight super glamorous, and he was eating it. And

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Speaker 1: was it her? Did she come in and he was

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Speaker 1: talking to her? Or was he just she came in? Wait,

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Speaker 1: help me the deil?

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Speaker 2: Okay, okay, okay, okay, So he's The makeup trailers are

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Speaker 2: really long, they call them there.

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Speaker 3: How many chairs really narrow?

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Speaker 1: But they're like they're like twenty feet long, thirty feet long.

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Speaker 2: And half of its chairs for hair, half of its

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Speaker 2: chairs for makeup. So he's at one end and he's

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Speaker 2: standing and I believe, Jen, you were sitting next to

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Speaker 2: him getting your hair done.

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Speaker 1: Correct. I was definitely within the splash zone. Yeah, yes,

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Speaker 1: you took me.

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Speaker 2: So she was there in the other side of the trailer.

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Speaker 2: It opens and Shannon comes in, so they're a whole

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Speaker 2: trailer apart, and then I'm here somewhere in the middle

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Speaker 2: of watching this all go down. Of course donna'sn't in

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Speaker 2: the middle, and she comes in and he was just

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Speaker 2: fed up that she was late. It didn't matter at

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Speaker 2: that point. It was just it was a consistent behavior,

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Speaker 2: whether she was going through something or not, it was

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Speaker 2: just happening. It set him off. Maybe he didn't like

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Speaker 2: his breakfast burrito. We don't know, but Jen take it away.

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Speaker 5: Uh.

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Speaker 1: He screamed something that I will never forget. It was

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Speaker 1: I can't say it on this podcast, but he was

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Speaker 1: doing it.

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Speaker 2: Eggs, eggs flying everywhere all over again.

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Speaker 1: Burrito but flying down over me like a like an

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Speaker 1: air show. Oh no memory.

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Speaker 2: Walt was probably like, oh, I'm gonna have to blurr

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Speaker 2: here out again.

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Speaker 1: What the heck that those are? See? These are the

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Speaker 1: good memories? Was that commonplace? Yeah? Yeah, that we had

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Speaker 1: all had enough of the lateness and the holding up

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Speaker 1: of everyone holding up of you know, a hundred people.

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Speaker 3: The crew too.

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Speaker 4: Yeah.

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Speaker 3: It wasn't just like us sitting around waiting. You know.

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Speaker 3: This happened around, This.

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Speaker 4: Happened during this most dramatic episode.

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Speaker 1: We don't know that. I don't know which episode it's

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Speaker 1: got to be in this like you know, five episode range.

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Speaker 4: And then the two of them have the biggest fight

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Speaker 4: pretty much ever of like definitely then and like real mudslinging,

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Speaker 4: like unkind things were thrown in their fight.

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Speaker 2: The lines in that scene. I was like, this is

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Speaker 2: so not nine oh two and zero.

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Speaker 1: This is so And she's.

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Speaker 2: Like you're weak, and I was like, this is weird.

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Speaker 2: Let's make one thing clear. I'm your brother's friend, not yours.

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Speaker 1: Yeah, she was what a relief.

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Speaker 3: I don't know.

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Speaker 2: I was, just like I wrote, I think Respurrito and

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Speaker 2: the sea words, So that's all I could think of

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Speaker 2: watching those two.

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Speaker 3: I was like, oh my god, my god, I just.

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Speaker 1: Think all the the theater acting is getting everybody just

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Speaker 1: too riled up.

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Speaker 3: Oh maybe it's that it's.

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Speaker 1: Just not good for the gang.

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Speaker 4: God don't even know.

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Speaker 3: He needs a good Kumbaya moment.

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Speaker 1: Yeah, I don't even know what. But but Steve really

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Speaker 1: did look sexy at the beach when he came up

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Speaker 1: to talk to Kelly and Donna and David. But he

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Speaker 1: did like like silk open, like open at the bottom

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Speaker 1: with his buttons. I thought he looked good.

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Speaker 3: He did look good.

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Speaker 2: Oh my god, you must have loved Steve in this episode, Amy,

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Speaker 2: Oh my gosh.

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Speaker 4: I do love him this episode. In parts, there are

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Speaker 4: parts where I'm like, you, you're being gross, like.

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Speaker 5: Which parts when he which when he's just so mean

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Speaker 5: to Brenda and assume it jumps on the that she

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Speaker 5: slept with Roy Randolph and then almost sort.

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Speaker 1: Of I love it.

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Speaker 4: He almost took pleasure in spreading the rumor. And I

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Speaker 4: didn't love that. Where we know how Steve is with Kelly, right,

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Speaker 4: he's so loyal and supportive and everyone also has had

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Speaker 4: Steve's back multiple times through thick and thin and a lot.

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Speaker 1: Brenda, I mean.

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Speaker 4: She's sort of not at his friends ate with him,

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Speaker 4: but he just railroaded her for Laura Kingman so fast

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Speaker 4: I get.

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Speaker 1: I feel like this is like the first time we've

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Speaker 1: seen them in a scene like this.

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Speaker 2: Like just all the characters, and I understand sos kind

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Speaker 2: of felt that way about each other.

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Speaker 3: Now she's kind out Yeah, maybe maybe.

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Speaker 4: Say it was the last I could maybe find a

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Speaker 4: little bit more of a place of understanding, Like that

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Speaker 4: was his girlfriend, he loved her, bubbah. But this is

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Speaker 4: just Laura Kingman who already did something so troubling to

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Speaker 4: Steve that it's.

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Speaker 1: Just like she already like tried to send him to

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Speaker 1: jail forever, and now he loves her. Wait what about

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Speaker 1: the scene when she rubbing his shoulders and it's so

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Speaker 1: creepy I can't even.

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Speaker 4: And then she's basically rubbing his shoulders bab being like

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Speaker 4: please murder Brenda.

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Speaker 1: Yeah, just can't you see like her the googly crazy

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Speaker 1: eyes that she's making. But then all of a sudden,

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Speaker 1: he's like, are you serious? Wait? Are you serious?

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Speaker 4: Unhinged? She's so unhinged with.

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Speaker 3: I hate Brenda Club.

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Speaker 1: I got she's.

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Speaker 4: Creepy, the creepy masks on her door.

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Speaker 1: But you know what that is and comedy either, you

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Speaker 1: can't handle that.

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Speaker 4: Then a call to missus Walsh just made me sick,

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Speaker 4: Like She's like, oh, rehearsals at far and I'm like, oh,

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Speaker 4: crazy lady. Obviously she's a amazing at playing this, but

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Speaker 4: like I literally was like, no amount of money could

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Speaker 4: get me to play this part. It's so whack amy.

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Speaker 1: I bet there's a dollar out.

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Speaker 2: Maybe when you guys love to play that part. I

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00:18:15,560 --> 00:18:17,800
Speaker 2: think you would, And I think we should re enact

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00:18:17,840 --> 00:18:24,400
Speaker 2: to see King right there?

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Speaker 3: Will you?

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Speaker 4: I want don't get me wrong, I want to really

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00:18:31,200 --> 00:18:35,320
Speaker 4: do for free, for free, true, I know, but that

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00:18:35,840 --> 00:18:40,440
Speaker 4: the final scene in the theater literally it was spooky,

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Speaker 4: the walking in the dark and I'm like, this is

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Speaker 4: a horror movie like Freddy Krueger's Coming, And then the

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Speaker 4: I don't even want to like make light of it

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Speaker 4: because it was so.

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Speaker 1: What Wait, but before that, what about when Steve says,

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Speaker 1: I think he's talking to like Brandon and Kelly and

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Speaker 1: maybe Donna at the coffee shop whatever, and he calls

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Speaker 1: her wacko with a capital J. What he says, she's

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Speaker 1: wacko with a capital J.

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Speaker 3: Because during that time, wacko jacko, like Mike.

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00:19:19,640 --> 00:19:22,760
Speaker 4: Yeah, I think it's a Michael Jackson.

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00:19:22,320 --> 00:19:24,639
Speaker 3: Mickey joke he was making Alan.

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00:19:25,520 --> 00:19:27,600
Speaker 4: He also said her driveway doesn't go all the way

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00:19:27,600 --> 00:19:28,320
Speaker 4: to the streets.

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00:19:28,440 --> 00:19:30,360
Speaker 1: Yeah. I kind of like that one.

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00:19:31,560 --> 00:19:33,679
Speaker 4: That one was less sort of disturbing.

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00:19:34,000 --> 00:19:36,760
Speaker 1: Yeah, but then that whole that whole scene with it

383
00:19:37,080 --> 00:19:39,280
Speaker 1: in the where you know she's going to the theater.

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Speaker 1: You know she's gonna do something tragic. Justing that slip dress.

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Speaker 3: God, I loved her.

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00:19:45,119 --> 00:19:47,920
Speaker 4: She puts the dress back on and she's like full

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00:19:48,080 --> 00:19:52,119
Speaker 4: glam and the rope she's she knows how to tie

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00:19:52,160 --> 00:19:52,840
Speaker 4: the rope.

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Speaker 1: It's the Justling and the Monkey movie in the big

390
00:19:55,359 --> 00:19:57,639
Speaker 1: in the what's the movie with the giant monkey?

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Speaker 4: And can con can go?

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Speaker 6: Get gone?

393
00:20:01,119 --> 00:20:01,600
Speaker 1: Totally?

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00:20:02,240 --> 00:20:04,879
Speaker 2: But all I could think is the last moment, I

395
00:20:04,920 --> 00:20:12,320
Speaker 2: was like, she she hasn't had to tie a rope's.

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Speaker 6: You know what.

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Speaker 1: She's flustered, she's emotional and she forgot how to tie

398
00:20:13,080 --> 00:20:16,200
Speaker 1: a Yeah, but I was thinking.

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Speaker 4: This baby, it was so dramatic. I can't believe Jim

400
00:20:20,440 --> 00:20:21,880
Speaker 4: Walsh directed this.

401
00:20:23,080 --> 00:20:26,600
Speaker 3: Another one of my favorite parts. You Beverly Hills people.

402
00:20:27,480 --> 00:20:32,080
Speaker 1: She was so good. That was like, oh, it was good.

403
00:20:32,119 --> 00:20:33,800
Speaker 1: I love that scene when they come out of the

404
00:20:33,800 --> 00:20:36,520
Speaker 1: theater and she's like running and he catches her and

405
00:20:36,560 --> 00:20:38,240
Speaker 1: she beats on him for a minute and it runs

406
00:20:38,280 --> 00:20:40,439
Speaker 1: away and she hugs him and then she beats on

407
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Speaker 1: him somewhere.

408
00:20:41,000 --> 00:20:44,480
Speaker 4: It's so good. I speaking of running, I also love

409
00:20:44,520 --> 00:20:48,840
Speaker 4: when Steve is running and smacks right dab into Brenda

410
00:20:49,400 --> 00:20:52,040
Speaker 4: and kind of it's almost like a hug. And then

411
00:20:52,080 --> 00:20:54,560
Speaker 4: he's like she's gone to the theater to do something

412
00:20:54,640 --> 00:20:57,240
Speaker 4: terrible to herself. And then Brenda takes off like she's

413
00:20:57,560 --> 00:20:59,800
Speaker 4: wonder woman Linda Carter like I was.

414
00:21:02,000 --> 00:21:03,639
Speaker 1: It's so true.

415
00:21:05,600 --> 00:21:09,000
Speaker 4: I don't want to like I made a special I

416
00:21:09,000 --> 00:21:11,440
Speaker 4: didn't make it, but I picked up a special salmon

417
00:21:12,119 --> 00:21:16,320
Speaker 4: and like salad and like I had a little salmon

418
00:21:16,320 --> 00:21:18,040
Speaker 4: and a little steak. I'm not gonna lie and.

419
00:21:18,040 --> 00:21:19,440
Speaker 1: I will date night with yourself.

420
00:21:20,720 --> 00:21:25,680
Speaker 4: I was in my bed eating salmon, watching this thing

421
00:21:25,760 --> 00:21:28,639
Speaker 4: go down, like I knew how amazing it was, and

422
00:21:28,680 --> 00:21:32,520
Speaker 4: I was like I cannot get enough. Suddenly, then the

423
00:21:32,600 --> 00:21:35,520
Speaker 4: chocolate covered oreo. I'm just reaching for that, like.

424
00:21:37,160 --> 00:21:41,439
Speaker 2: I was, And it felt a little like escalated to

425
00:21:41,480 --> 00:21:43,480
Speaker 2: like Melrose Place a little bit would.

426
00:21:43,800 --> 00:21:46,440
Speaker 4: Like Marcia Cross pulling off her hair.

427
00:21:46,880 --> 00:21:50,920
Speaker 3: Yeah, I'm in guys, I really liked it too.

428
00:21:51,560 --> 00:21:55,439
Speaker 1: And then in the end when poor Brenda, it's just

429
00:21:55,440 --> 00:21:58,160
Speaker 1: such a it's so hard being an actress. You gotta

430
00:21:58,200 --> 00:22:01,560
Speaker 1: get you gotta get used to it. Hun, Oh my god,

431
00:22:02,359 --> 00:22:04,520
Speaker 1: it's nothing, Joey.

432
00:22:06,160 --> 00:22:10,000
Speaker 3: Here, How did how did Brenda get the part from Laura?

433
00:22:10,080 --> 00:22:11,720
Speaker 3: What did she put a spell on her?

434
00:22:13,280 --> 00:22:15,320
Speaker 1: Hey? Did you shadowing?

435
00:22:15,680 --> 00:22:16,320
Speaker 4: Uncharmed?

436
00:22:16,680 --> 00:22:19,359
Speaker 1: Yes, that was such foreshadowing.

437
00:22:21,280 --> 00:22:24,560
Speaker 4: The whole thing. I just haven't recovered from it.

438
00:22:24,680 --> 00:22:27,720
Speaker 2: Like, and you didn't have to enjoy them live in

439
00:22:27,800 --> 00:22:30,960
Speaker 2: the moment. This is brilliant. I was on her back

440
00:22:31,000 --> 00:22:32,560
Speaker 2: next week. I don't want this to be over.

441
00:22:32,840 --> 00:22:33,880
Speaker 1: I loved the theater.

442
00:22:34,400 --> 00:22:37,520
Speaker 4: And how about the fact that Brandon thought maybe she

443
00:22:37,640 --> 00:22:38,040
Speaker 4: did it?

444
00:22:38,200 --> 00:22:41,119
Speaker 1: Brandon, maybe he doesn't believe his his twin.

445
00:22:41,119 --> 00:22:45,639
Speaker 2: Sister because he's just as much of a snake. He's like, oh, well,

446
00:22:45,720 --> 00:22:46,639
Speaker 2: I slept.

447
00:22:47,600 --> 00:22:48,199
Speaker 1: I'm about to.

448
00:22:49,480 --> 00:22:49,840
Speaker 4: I don't know.

449
00:22:49,840 --> 00:22:52,600
Speaker 1: I feel like he's gonna hook up with the Chancellor's

450
00:22:52,680 --> 00:22:53,560
Speaker 1: daughter any minute.

451
00:22:53,960 --> 00:22:55,480
Speaker 3: Oh right, I slept with the.

452
00:22:55,440 --> 00:23:00,000
Speaker 2: Professor and then Mary Wise then and now I'm gonna

453
00:23:00,080 --> 00:23:03,639
Speaker 2: to sleep with the Chancellor's daughter. Mirandrew went from like

454
00:23:03,800 --> 00:23:06,919
Speaker 2: good boy to like but as long as.

455
00:23:06,760 --> 00:23:09,240
Speaker 1: He's wearing a tie. You believe him, because what about

456
00:23:09,240 --> 00:23:11,360
Speaker 1: when he wears a tie in the peach pit for

457
00:23:11,400 --> 00:23:13,960
Speaker 1: no reason. I was angry at that, and then he

458
00:23:14,000 --> 00:23:17,439
Speaker 1: goes to the Chancellor's office for actual like a professional meeting,

459
00:23:17,760 --> 00:23:18,439
Speaker 1: has no tie on.

460
00:23:20,200 --> 00:23:22,600
Speaker 2: I was really angry why he was wearing that tie

461
00:23:22,600 --> 00:23:25,159
Speaker 2: in the peach bit was super distracting.

462
00:23:24,960 --> 00:23:27,800
Speaker 3: And I didn't like it.

463
00:23:30,640 --> 00:23:32,520
Speaker 4: Apparently he didn't like it either, because he took it.

464
00:23:32,640 --> 00:23:34,880
Speaker 4: He gotta talk about Andrea and Claire. But first of all,

465
00:23:35,040 --> 00:23:38,760
Speaker 4: I think Donna thinks she didn't do it. Dylan knows

466
00:23:38,800 --> 00:23:42,160
Speaker 4: she didn't do it. Kelly is like pretty much thinks

467
00:23:42,200 --> 00:23:44,879
Speaker 4: she didn't do it. But it's like hmm, Steve's like

468
00:23:44,960 --> 00:23:47,440
Speaker 4: hook line and sinker she did it. Brandon, I think

469
00:23:47,480 --> 00:23:50,600
Speaker 4: thinks she did it. And Andrea, in a shocking turn,

470
00:23:50,680 --> 00:23:53,440
Speaker 4: I also think maybe think she did it.

471
00:23:53,440 --> 00:23:58,840
Speaker 1: It's the hormones. She's She's all over the place. Andrea,

472
00:23:59,160 --> 00:24:02,240
Speaker 1: let can't help us, Kevin and Suzanne for a minute,

473
00:24:02,520 --> 00:24:06,639
Speaker 1: do we want to talk about Geraldo Rivera? Did you guys?

474
00:24:06,920 --> 00:24:07,320
Speaker 4: Are you?

475
00:24:08,400 --> 00:24:10,920
Speaker 3: I cannot look at that man. I'm so sorry.

476
00:24:10,960 --> 00:24:12,600
Speaker 1: Is that a fake mustache?

477
00:24:14,480 --> 00:24:18,080
Speaker 2: I don't know, but I can't watch him. They think

478
00:24:19,200 --> 00:24:23,080
Speaker 2: that man, good actor, nothing against him, great look, but

479
00:24:23,119 --> 00:24:27,080
Speaker 2: not for this or anything or anything.

480
00:24:28,280 --> 00:24:30,520
Speaker 4: My problem in watching it and it's not this is

481
00:24:30,560 --> 00:24:35,040
Speaker 4: not a spoiler spoiler alert. I know what happens, and

482
00:24:35,119 --> 00:24:40,360
Speaker 4: so everything he does feels creepy and double.

483
00:24:41,240 --> 00:24:44,560
Speaker 1: It's like he's gonna be a swindler. So what tak

484
00:24:44,680 --> 00:24:47,480
Speaker 1: a look at it? Yeah? Who he's tipping the hat?

485
00:24:47,520 --> 00:24:49,520
Speaker 1: What's that called tip in the hat?

486
00:24:49,600 --> 00:24:51,840
Speaker 4: Yes? Did you see the weird side eye?

487
00:24:52,040 --> 00:24:54,480
Speaker 1: Yeah, at that one moment when he's like talking about

488
00:24:54,520 --> 00:24:57,440
Speaker 1: Dylan or he's saying he's got a plan or something.

489
00:24:57,200 --> 00:25:00,880
Speaker 4: And he's just with the weird the the so obvious

490
00:25:00,960 --> 00:25:02,159
Speaker 4: creepy side eye.

491
00:25:02,280 --> 00:25:04,119
Speaker 1: And then of course they cut away to Dylan, who's

492
00:25:04,320 --> 00:25:10,880
Speaker 1: casually just looking the other way, doesn't see it. I'm

493
00:25:10,920 --> 00:25:14,800
Speaker 1: like this guy, but he's just such a sucker with Ken.

494
00:25:15,040 --> 00:25:21,520
Speaker 1: What when did Dylan become so gullible? Like what you

495
00:25:21,560 --> 00:25:24,280
Speaker 1: would think that this character would be like onto this

496
00:25:24,400 --> 00:25:28,840
Speaker 1: guy or right, like he's always got some intuition about people.

497
00:25:28,960 --> 00:25:31,520
Speaker 4: Well, he was literally caught up in a thing where

498
00:25:31,560 --> 00:25:36,440
Speaker 4: his father was allegedly killed. You don't think he's distrusting

499
00:25:36,440 --> 00:25:39,680
Speaker 4: of people? I would he shouldn't trust anybody.

500
00:25:39,840 --> 00:25:42,280
Speaker 3: Yeah, it's just convenient he finds out.

501
00:25:42,200 --> 00:25:47,280
Speaker 1: Like it's just like banana shock, Like, yeah, I don't

502
00:25:47,280 --> 00:25:50,679
Speaker 1: know what's gonna happen with that. I'm guessing they're going

503
00:25:50,720 --> 00:25:51,960
Speaker 1: to try to take Dylan's money.

504
00:25:52,000 --> 00:25:53,640
Speaker 2: Oh my god, Well I hope it happens soon because

505
00:25:53,640 --> 00:25:55,080
Speaker 2: I can't look at his mustache anymore.

506
00:25:55,080 --> 00:25:55,560
Speaker 3: I'm sorry.

507
00:25:56,080 --> 00:25:58,560
Speaker 1: And Dylan is being a little just prickly to kill

508
00:25:58,600 --> 00:26:03,000
Speaker 1: what prickly you might and take the L and the

509
00:26:03,119 --> 00:26:05,000
Speaker 1: y off of that word, and that's what he's being.

510
00:26:05,440 --> 00:26:06,800
Speaker 3: Oh my god, I had to spell that in my

511
00:26:06,840 --> 00:26:10,760
Speaker 3: head for a second. Okay, p R I c k.

512
00:26:13,320 --> 00:26:15,600
Speaker 1: Believe that. I am so sick of the way he

513
00:26:15,640 --> 00:26:18,720
Speaker 1: talks to her. I want to punch him, Like who

514
00:26:19,040 --> 00:26:24,160
Speaker 1: why would anybody in the departments above not like let

515
00:26:24,200 --> 00:26:26,800
Speaker 1: these two characters I don't know, Like they are acting

516
00:26:26,880 --> 00:26:31,000
Speaker 1: like two old married people who hate e Chose.

517
00:26:31,320 --> 00:26:34,240
Speaker 4: And he's so team Brenda that it is mean to

518
00:26:34,320 --> 00:26:35,640
Speaker 4: your girlfriend, like.

519
00:26:35,400 --> 00:26:37,679
Speaker 1: Like why would she sick? Why would she stay for

520
00:26:37,760 --> 00:26:42,200
Speaker 1: any of it? Mm hmm. I don't like it. I

521
00:26:42,240 --> 00:26:43,000
Speaker 1: don't like it at all.

522
00:26:43,800 --> 00:26:44,879
Speaker 4: It's it's rough.

523
00:26:45,240 --> 00:26:48,040
Speaker 1: So I'm guessing that's going to end soon. Here I am.

524
00:26:47,640 --> 00:26:52,919
Speaker 1: I'm thinking ahead to this. Dylan and Kelly are going

525
00:26:52,960 --> 00:26:55,960
Speaker 1: to break up for shows, that's gotta happen. They can't see.

526
00:26:56,840 --> 00:27:00,760
Speaker 1: Then who is he gonna be with al? Isn't she

527
00:27:00,840 --> 00:27:06,000
Speaker 1: coming in? I don't know, Claire, you never know on

528
00:27:06,040 --> 00:27:06,440
Speaker 1: this show.

529
00:27:07,119 --> 00:27:07,720
Speaker 4: Could be da.

530
00:27:10,680 --> 00:27:16,640
Speaker 1: Just for a minute. No, okay, what about when when?

531
00:27:17,400 --> 00:27:20,199
Speaker 1: The only other thing I noted was when Jason no

532
00:27:20,359 --> 00:27:23,200
Speaker 1: Brandon Brendan Brendon.

533
00:27:23,320 --> 00:27:27,119
Speaker 4: I'm sick of Steve calling him Brendan. His name is Brandon. Sorry,

534
00:27:27,359 --> 00:27:27,800
Speaker 4: go ahead.

535
00:27:28,200 --> 00:27:32,359
Speaker 1: He's telling Jimbo that he's going to go to the

536
00:27:32,359 --> 00:27:38,760
Speaker 1: big conference because he's so important, and he's telling him

537
00:27:38,800 --> 00:27:44,720
Speaker 1: that about the Chancellor's daughter and and and dad's advice

538
00:27:44,880 --> 00:27:48,639
Speaker 1: or I guess like way of telling him, well, remember, Brandon,

539
00:27:48,960 --> 00:27:56,480
Speaker 1: every father's daughter is a virgin. What ew is that

540
00:27:56,640 --> 00:28:03,119
Speaker 1: something that fathers say to their sons. Remember every father's daughter,

541
00:28:03,880 --> 00:28:04,600
Speaker 1: it's a virgin.

542
00:28:05,960 --> 00:28:07,080
Speaker 3: No, that's gross.

543
00:28:07,600 --> 00:28:08,600
Speaker 1: I don't break it down.

544
00:28:09,359 --> 00:28:12,840
Speaker 4: Here's what I think though. Jim was saying the dad's

545
00:28:12,880 --> 00:28:16,160
Speaker 4: gonna stick with the daughter, and then Claire basically Mike

546
00:28:16,280 --> 00:28:17,880
Speaker 4: dropped on Brandon and was like.

547
00:28:17,880 --> 00:28:20,240
Speaker 1: Oh, She's like you'll see you dumb ass.

548
00:28:20,440 --> 00:28:22,560
Speaker 4: You just went and like tried to out me to

549
00:28:22,600 --> 00:28:25,800
Speaker 4: my dad who I am his pride and joy. He

550
00:28:25,880 --> 00:28:30,320
Speaker 4: will never pick you over me. Mike drop. I loved it.

551
00:28:30,680 --> 00:28:33,040
Speaker 1: She goes, well, you just shot yourself in the foot,

552
00:28:33,080 --> 00:28:34,280
Speaker 1: and he goes, what are you talking about?

553
00:28:34,359 --> 00:28:47,840
Speaker 6: She goes, you'll see and she walks off.

554
00:28:49,200 --> 00:28:50,920
Speaker 7: Oh my god, I'm so sorry to bring up Laura

555
00:28:51,040 --> 00:28:54,640
Speaker 7: Kingman again, but can we talk about the dramatic scene

556
00:28:54,680 --> 00:28:59,800
Speaker 7: where she's fired by Roy Randolph and she drops that

557
00:29:00,320 --> 00:29:03,520
Speaker 7: buck in front of Brenda waiting bitch.

558
00:29:03,960 --> 00:29:06,080
Speaker 1: I was always waiting. I was like, uh, oh, she's

559
00:29:06,120 --> 00:29:09,280
Speaker 1: gonna throw down right now. Oh, I would have loved

560
00:29:09,280 --> 00:29:10,000
Speaker 1: to have that.

561
00:29:11,000 --> 00:29:15,360
Speaker 4: Brenda's just locking down, looking down, So good acting by

562
00:29:15,400 --> 00:29:18,240
Speaker 4: everybody in the room being uncumped, because so was I

563
00:29:18,320 --> 00:29:19,200
Speaker 4: just looking down. Now.

564
00:29:19,720 --> 00:29:22,280
Speaker 1: Did you notice, though, when when Brenda comes that day

565
00:29:22,360 --> 00:29:24,680
Speaker 1: to when she's late for the thing because Laura miss

566
00:29:24,760 --> 00:29:26,920
Speaker 1: messed up the schedule for her. She comes and she

567
00:29:26,960 --> 00:29:28,880
Speaker 1: walks up the little theater stairs on the edge of

568
00:29:28,880 --> 00:29:32,920
Speaker 1: the theater, and all the other the background actors are

569
00:29:32,960 --> 00:29:35,000
Speaker 1: in the play. They're walking down, they're walking out, and

570
00:29:35,000 --> 00:29:38,400
Speaker 1: they're just staring at her like oh, and then there's

571
00:29:38,560 --> 00:29:40,760
Speaker 1: one guy in particular at the top of the stairs

572
00:29:40,920 --> 00:29:44,000
Speaker 1: who took it so literal he but made like you

573
00:29:44,080 --> 00:29:50,400
Speaker 1: just wouldn't stop. So he's like, yeah, I could stop

574
00:29:50,400 --> 00:29:54,720
Speaker 1: watching him watch her. My god, there's.

575
00:29:54,600 --> 00:29:57,800
Speaker 4: So much in this. And then Brenda goes to Roy's

576
00:29:57,840 --> 00:30:01,000
Speaker 4: pad and he's out on his weird know where he lives,

577
00:30:01,200 --> 00:30:02,600
Speaker 4: isn't he's a teacher, Like.

578
00:30:02,560 --> 00:30:06,120
Speaker 1: What more with Andrea and the teacher at the beach

579
00:30:08,480 --> 00:30:09,320
Speaker 1: when teachers live.

580
00:30:09,680 --> 00:30:11,880
Speaker 4: I don't know one teacher ever lived.

581
00:30:11,960 --> 00:30:14,240
Speaker 1: No, no, I didn't know that they had a house,

582
00:30:15,400 --> 00:30:18,680
Speaker 1: Like you don't think of them not real human beings.

583
00:30:19,000 --> 00:30:21,720
Speaker 2: Oh, like I remember you used to see them getting

584
00:30:21,800 --> 00:30:24,040
Speaker 2: cars and leave and you'd be like, wait they leave here.

585
00:30:24,240 --> 00:30:30,720
Speaker 4: Wait car children, they're married? What I guess he's got

586
00:30:30,720 --> 00:30:32,760
Speaker 4: as weird. He's trying to get his tan. He's got

587
00:30:32,760 --> 00:30:34,600
Speaker 4: a shirt on button and he's in his like weird

588
00:30:34,680 --> 00:30:38,240
Speaker 4: backyard of like literally it looked like an apartment in

589
00:30:39,080 --> 00:30:40,640
Speaker 4: like Westwood.

590
00:30:40,160 --> 00:30:43,840
Speaker 1: You like AstroTurf uh wall walls and stuff like I

591
00:30:43,840 --> 00:30:46,040
Speaker 1: don't know. But then when he looked, but there was

592
00:30:46,080 --> 00:30:48,760
Speaker 1: the weirdest thing. Okay, So Brenda's over here, like Brenda's

593
00:30:48,800 --> 00:30:50,720
Speaker 1: here talking to him, and he's here lounging with his

594
00:30:50,880 --> 00:30:55,480
Speaker 1: chest out. It's creepy. And then for her, she's off

595
00:30:55,560 --> 00:30:57,880
Speaker 1: camera right and he's talking to her like she's just

596
00:30:58,000 --> 00:30:59,960
Speaker 1: off camera, like just to the right or left the camera,

597
00:31:00,200 --> 00:31:02,680
Speaker 1: and the look like he's looking like he's looking off

598
00:31:02,680 --> 00:31:06,080
Speaker 1: into space, like into Mars, like into the depths of darkness.

599
00:31:06,080 --> 00:31:10,720
Speaker 1: He can't there's no connection with his eyeballs and a person,

600
00:31:10,760 --> 00:31:12,760
Speaker 1: a human that he's talking to. I was like, who

601
00:31:12,840 --> 00:31:15,880
Speaker 1: is he talking to? Then I was like, remember sometimes

602
00:31:15,880 --> 00:31:20,880
Speaker 1: when we would have to leave early for whether it

603
00:31:20,920 --> 00:31:22,880
Speaker 1: was double us, we had to go get pushed over

604
00:31:22,880 --> 00:31:24,640
Speaker 1: to the other set or something, or we had to

605
00:31:24,680 --> 00:31:26,560
Speaker 1: be wrapped at a certain time, so they would make

606
00:31:27,080 --> 00:31:29,920
Speaker 1: us leave, and then they would finish up scenes with

607
00:31:30,080 --> 00:31:34,479
Speaker 1: other actors talking to either the script supervisor off camera,

608
00:31:34,800 --> 00:31:37,920
Speaker 1: or like to a tape that they taped to the camera,

609
00:31:37,960 --> 00:31:40,000
Speaker 1: which was we were always be like, oh, yeah, I

610
00:31:40,000 --> 00:31:42,080
Speaker 1: can totally talk to a tape mark, But you could

611
00:31:42,120 --> 00:31:45,000
Speaker 1: always tell when someone's talking to a tape mark because

612
00:31:45,480 --> 00:31:48,960
Speaker 1: they're talking to a tape maark Like, there's no no

613
00:31:49,160 --> 00:31:51,400
Speaker 1: reality that good of an actor that they can just

614
00:31:51,440 --> 00:31:54,080
Speaker 1: talk to tape. Now you're really you really should have

615
00:31:54,160 --> 00:31:58,080
Speaker 1: somebody there off camera, even if it's not real. Brenda,

616
00:31:58,240 --> 00:31:59,719
Speaker 1: I just had some weird flashback.

617
00:32:00,160 --> 00:32:04,120
Speaker 2: Did did Shannon like this actor? I feel like she

618
00:32:04,200 --> 00:32:04,920
Speaker 2: didn't like him.

619
00:32:05,560 --> 00:32:08,360
Speaker 1: I don't know. If I was her, I wouldn't like him, but.

620
00:32:10,160 --> 00:32:12,160
Speaker 3: I remember, I wonder if there's any friction.

621
00:32:12,720 --> 00:32:15,640
Speaker 4: He was such a me too or twenty thirty years

622
00:32:15,840 --> 00:32:18,560
Speaker 4: for me too. And then he's even had to agree,

623
00:32:19,200 --> 00:32:21,480
Speaker 4: like to get the job, but he's not going to

624
00:32:21,560 --> 00:32:25,959
Speaker 4: have shenanigans. I was just like, who's hiring this guy?

625
00:32:26,240 --> 00:32:26,360
Speaker 1: Is?

626
00:32:26,400 --> 00:32:26,520
Speaker 4: That?

627
00:32:26,680 --> 00:32:29,520
Speaker 1: Was that in the meeting when they hired him, like

628
00:32:30,280 --> 00:32:31,520
Speaker 1: they said, you're not going to do this.

629
00:32:31,800 --> 00:32:34,840
Speaker 4: So he's like, look, I don't like it either because

630
00:32:35,080 --> 00:32:36,320
Speaker 4: it makes me look bad.

631
00:32:36,560 --> 00:32:42,080
Speaker 1: And I'm just like, oh god, he was groady bad.

632
00:32:44,520 --> 00:32:47,240
Speaker 4: Poor Tanya Harding got a real bad shout out too.

633
00:32:47,720 --> 00:32:50,960
Speaker 1: Not that was like right when it was going down.

634
00:32:51,040 --> 00:32:54,440
Speaker 1: That's the whole, when the whole Nancy and Tanya du

635
00:32:54,520 --> 00:32:55,440
Speaker 1: bacle happened.

636
00:32:56,840 --> 00:32:59,120
Speaker 4: There are some pop culture references in this that that

637
00:32:59,240 --> 00:33:01,840
Speaker 4: stood the test time, like that one You're like, I

638
00:33:01,920 --> 00:33:02,520
Speaker 4: know what's up?

639
00:33:02,920 --> 00:33:04,320
Speaker 3: Yeah?

640
00:33:04,640 --> 00:33:09,240
Speaker 4: I mean good, good, good writing, dramatic and crazy yeah,

641
00:33:09,360 --> 00:33:10,680
Speaker 4: like kind of like.

642
00:33:11,280 --> 00:33:13,760
Speaker 1: What is going on? I can't stop watching this.

643
00:33:14,400 --> 00:33:16,640
Speaker 4: You have one flag that I want to know if

644
00:33:16,640 --> 00:33:19,360
Speaker 4: you guys noticed. It was when they were going to

645
00:33:19,440 --> 00:33:22,440
Speaker 4: the lab right and they sort of show i think

646
00:33:22,480 --> 00:33:25,680
Speaker 4: the exterior of the lab that looked like stock footage

647
00:33:25,680 --> 00:33:29,880
Speaker 4: from nineteen seventy two, Like what the fudge? Every car?

648
00:33:29,960 --> 00:33:32,640
Speaker 4: I was like, where did you guys get that?

649
00:33:33,040 --> 00:33:35,480
Speaker 1: Well, if you're a scientist and you work in a lab,

650
00:33:35,520 --> 00:33:36,959
Speaker 1: you're just kind of behind the times.

651
00:33:37,040 --> 00:33:40,280
Speaker 4: So it was like just I'm like, did they get

652
00:33:40,320 --> 00:33:45,160
Speaker 4: that from The Incredible Hulk from nineteen seventy whatever? Because

653
00:33:45,200 --> 00:33:46,560
Speaker 4: I'm like, what is it?

654
00:33:46,640 --> 00:33:46,840
Speaker 6: Yeah?

655
00:33:46,840 --> 00:33:49,480
Speaker 1: That scene was so boring up and.

656
00:33:49,480 --> 00:33:51,880
Speaker 4: I think he's putting nothing in the water. He's like,

657
00:33:52,200 --> 00:33:54,840
Speaker 4: drop drop, you can drink it now, And I'm like,

658
00:33:54,960 --> 00:33:58,160
Speaker 4: that dude did not do anything to that water. It's

659
00:33:58,320 --> 00:34:03,160
Speaker 4: not drinkable. He's he's like a he's a.

660
00:34:03,080 --> 00:34:07,360
Speaker 1: Faker, but he's he's magic. He can clean the water

661
00:34:07,440 --> 00:34:10,160
Speaker 1: in the bays. If only he could have some money

662
00:34:10,360 --> 00:34:11,279
Speaker 1: from Dylan.

663
00:34:11,800 --> 00:34:15,720
Speaker 3: Stay and take the storyline. I I hate it so much.

664
00:34:16,040 --> 00:34:18,080
Speaker 3: It's so boring, so boring.

665
00:34:18,320 --> 00:34:22,800
Speaker 4: I'm sorry. Why would Steve fall for Laura?

666
00:34:23,080 --> 00:34:25,360
Speaker 1: I don't that's like because she's hot.

667
00:34:26,360 --> 00:34:27,040
Speaker 3: Yeah, she is.

668
00:34:27,239 --> 00:34:32,000
Speaker 4: She seems unhinged from the go, but the.

669
00:34:31,920 --> 00:34:34,160
Speaker 1: Guys can't see that. And also Steve's the kind of

670
00:34:34,160 --> 00:34:36,160
Speaker 1: guy that wants to fix people and help them.

671
00:34:36,320 --> 00:34:39,960
Speaker 4: I suppose. But if somebody wanted to, like, have you

672
00:34:40,040 --> 00:34:43,600
Speaker 4: expelled from school? Would you not like remember that and

673
00:34:43,640 --> 00:34:47,160
Speaker 4: be like I'm not gonna yeah, probably be like I'm

674
00:34:47,160 --> 00:34:49,439
Speaker 4: not I'm not gonna do that.

675
00:34:49,840 --> 00:34:53,960
Speaker 2: Hello, can I refresh your memories? Emily Valentine trying to

676
00:34:54,040 --> 00:34:59,000
Speaker 2: light everything on fire? She actually and then seasons later

677
00:34:59,160 --> 00:35:01,560
Speaker 2: he summons like, I want to spend forever with you,

678
00:35:02,040 --> 00:35:03,000
Speaker 2: go to Paeris with you.

679
00:35:03,280 --> 00:35:05,800
Speaker 3: I'll remember you, and he never remembers her, does.

680
00:35:06,000 --> 00:35:09,560
Speaker 1: Not once, never, not once, because never even talks about

681
00:35:09,600 --> 00:35:09,959
Speaker 1: her again.

682
00:35:10,040 --> 00:35:12,320
Speaker 4: Nope, they're all thinking with their zippers.

683
00:35:12,920 --> 00:35:19,040
Speaker 1: But this is the last time we see Laura.

684
00:35:20,360 --> 00:35:24,120
Speaker 4: H Yeah, because she was literally taken away by too

685
00:35:24,560 --> 00:35:28,319
Speaker 4: Like those weren't police officers, those were like medical professionals.

686
00:35:28,480 --> 00:35:31,040
Speaker 1: I kind of yeah, like you, they've had a different

687
00:35:31,040 --> 00:35:33,120
Speaker 1: outfit on you know that they were mental health team.

688
00:35:33,680 --> 00:35:36,279
Speaker 1: I kind of want to go with her to the

689
00:35:36,320 --> 00:35:40,840
Speaker 1: cuckoo bin and see what happens. That sounds like fun.

690
00:35:40,960 --> 00:35:46,440
Speaker 1: I want to see bad episodes that's a good movie.

691
00:35:46,680 --> 00:35:49,840
Speaker 4: Grip Laura like that's gonna work. Steve get a grip like,

692
00:35:49,960 --> 00:35:52,440
Speaker 4: oh god, she's.

693
00:35:51,600 --> 00:35:53,680
Speaker 1: I don't know. I think we've said everything there's to

694
00:35:53,719 --> 00:35:58,640
Speaker 1: say about this episode is Wait, so is Claire going

695
00:35:58,719 --> 00:36:05,440
Speaker 1: to go to Washington with Brandon? Yeah, Claire nodding yes, yes, yes, Okay,

696
00:36:05,760 --> 00:36:06,760
Speaker 1: keeps getting good.

697
00:36:07,960 --> 00:36:09,520
Speaker 3: And now I remember.

698
00:36:09,560 --> 00:36:13,160
Speaker 1: What something worse than handy handcuffing herself to the bed?

699
00:36:13,640 --> 00:36:14,840
Speaker 3: Somebody worse than a handy?

700
00:36:14,960 --> 00:36:20,720
Speaker 1: What something worse than handcuffing herself to the bed in lingerie?

701
00:36:21,080 --> 00:36:21,759
Speaker 1: That there's more?

702
00:36:23,880 --> 00:36:28,200
Speaker 4: Yes? Oh yes, I god, because I can't see.

703
00:36:29,080 --> 00:36:32,160
Speaker 1: I thought that when Brandon went to Washington was kind

704
00:36:32,160 --> 00:36:34,920
Speaker 1: of when Kelly and Brandon started to go out.

705
00:36:35,360 --> 00:36:38,160
Speaker 3: You'll see, Oh wait, what that's happening too?

706
00:36:38,640 --> 00:36:39,600
Speaker 1: Season five?

707
00:36:42,040 --> 00:36:47,799
Speaker 4: This is the super Bowl is coming so whoa Celeste

708
00:36:47,920 --> 00:36:52,120
Speaker 4: is coming back? And so is John Sears? Right, I'm not.

709
00:36:52,160 --> 00:36:54,360
Speaker 1: Crazy what John Sears is back?

710
00:36:55,480 --> 00:36:56,640
Speaker 4: Pretty sure? Wait.

711
00:36:56,680 --> 00:36:58,400
Speaker 1: I walked into my kids room the other day and

712
00:36:58,400 --> 00:37:03,480
Speaker 1: I saw John Sears on Party of Nope, One Tree Hill,

713
00:37:04,440 --> 00:37:07,080
Speaker 1: and I was like, hey, it's the same exact character.

714
00:37:08,080 --> 00:37:09,040
Speaker 1: Did you get triggered?

715
00:37:09,600 --> 00:37:09,960
Speaker 4: Yeah?

716
00:37:10,480 --> 00:37:14,600
Speaker 1: Okay? I was literally like, why is John Sears on.

717
00:37:14,640 --> 00:37:19,319
Speaker 1: This show was a different show.

718
00:37:19,719 --> 00:37:23,640
Speaker 4: Oh you guys, this was so this was so good,

719
00:37:24,440 --> 00:37:26,720
Speaker 4: so bad and so good.

720
00:37:27,400 --> 00:37:30,239
Speaker 1: But when I watched about it years ago, it was

721
00:37:30,280 --> 00:37:30,920
Speaker 1: more dressed.

722
00:37:30,960 --> 00:37:32,440
Speaker 3: They put Andrea in It's like.

723
00:37:32,440 --> 00:37:34,120
Speaker 1: Oh my, oh my god.

724
00:37:34,239 --> 00:37:35,560
Speaker 4: That was not like there's a.

725
00:37:35,480 --> 00:37:37,720
Speaker 3: Way to make a pregnant woman look cute.

726
00:37:37,800 --> 00:37:40,680
Speaker 2: Still, It's like it's like they just literally took yeah,

727
00:37:41,000 --> 00:37:42,840
Speaker 2: she under and said, here we go.

728
00:37:42,960 --> 00:37:44,880
Speaker 1: This is it, taking up the one thing.

729
00:37:45,000 --> 00:37:47,320
Speaker 4: Can't stay in the bed too. She's getting the mail,

730
00:37:47,520 --> 00:37:48,440
Speaker 4: she's getting an apple.

731
00:37:49,040 --> 00:37:53,640
Speaker 1: Oh, she's getting sassy too with your apple swinging. Yeah,

732
00:37:53,120 --> 00:37:57,399
Speaker 1: she's like the medications making her nuts. Did you ever

733
00:37:57,440 --> 00:38:00,840
Speaker 1: go on bedress with any of your kids store your pregnancies?

734
00:38:00,840 --> 00:38:04,279
Speaker 2: I mean yeah, like months of bed rest for the Yeah,

735
00:38:04,800 --> 00:38:07,719
Speaker 2: with Finn the fourth one, I was in Cedars for

736
00:38:07,760 --> 00:38:09,120
Speaker 2: like almost three months.

737
00:38:10,000 --> 00:38:12,400
Speaker 1: Well not not the Cedars hospital part of it all,

738
00:38:12,440 --> 00:38:17,880
Speaker 1: but just in bed rest. Sounds like a dream, right, Oh.

739
00:38:17,840 --> 00:38:20,600
Speaker 4: No, I wouldn't like that at all going on.

740
00:38:20,840 --> 00:38:23,759
Speaker 1: I would be so happy if someone said you have

741
00:38:23,800 --> 00:38:24,839
Speaker 1: to lay down and take it.

742
00:38:24,800 --> 00:38:28,719
Speaker 3: Easy for yeah, like a medical version, but one like

743
00:38:28,880 --> 00:38:29,160
Speaker 3: just like.

744
00:38:29,200 --> 00:38:34,400
Speaker 1: Yeah, it's best if you get off your feet. Oh okay, okay, sure,

745
00:38:36,920 --> 00:38:39,279
Speaker 1: I'd be like, thank you. Well, I feel like we've

746
00:38:39,360 --> 00:38:41,320
Speaker 1: uncovered everything there is to uncover.

747
00:38:42,239 --> 00:38:44,200
Speaker 4: Let me just take a quick on this episode.

748
00:38:44,520 --> 00:38:47,200
Speaker 2: And you know what all I want right now now

749
00:38:47,200 --> 00:38:51,799
Speaker 2: that we're done here is a breakfast burrito. I just

750
00:38:51,960 --> 00:38:53,320
Speaker 2: want a breakfast burrito.

751
00:38:54,360 --> 00:38:55,160
Speaker 1: Hold the eggs?

752
00:38:56,160 --> 00:38:58,160
Speaker 3: Did you ever get the eggs out of your bangs?

753
00:38:59,280 --> 00:39:05,640
Speaker 1: Maybe that's why it looks so good that day. Okay, everybody,

754
00:39:05,880 --> 00:39:08,359
Speaker 1: next week, we got you guys, have.

755
00:39:08,320 --> 00:39:16,560
Speaker 4: To you guys it. Oh hmm, I give it a

756
00:39:16,560 --> 00:39:21,640
Speaker 4: one hundred of ten. Eight Is that an eight?

757
00:39:22,280 --> 00:39:24,719
Speaker 1: She gives it a nine. Nine, I get it an eight.

758
00:39:24,840 --> 00:39:26,000
Speaker 4: Jenny's giving it an eight.

759
00:39:26,200 --> 00:39:28,359
Speaker 3: I can't put this finger down without this finger going down.

760
00:39:28,480 --> 00:39:30,480
Speaker 4: I give it put the thumb down a hundred.

761
00:39:30,800 --> 00:39:32,040
Speaker 3: Oh god, so smart.

762
00:39:33,120 --> 00:39:33,919
Speaker 1: You gave it a ten.

763
00:39:34,080 --> 00:39:37,520
Speaker 4: And call me Margaret Maggie the cat.

764
00:39:37,680 --> 00:39:41,160
Speaker 1: Oh my god, why didn't we talk about that. I

765
00:39:41,239 --> 00:39:45,279
Speaker 1: literally wanted to just put my what through the TV

766
00:39:45,400 --> 00:39:48,880
Speaker 1: at that moment. She's like, call me Margaret. Until I

767
00:39:48,920 --> 00:39:50,920
Speaker 1: really get a hold on the character.

768
00:39:50,920 --> 00:39:54,279
Speaker 4: It's like, oh god. And Laura's just.

769
00:39:57,160 --> 00:39:58,799
Speaker 1: Oh, good times, good time.

770
00:40:00,160 --> 00:40:05,480
Speaker 4: Everybody we are shout out to Sorry, shout out to

771
00:40:05,520 --> 00:40:08,680
Speaker 4: me being right. John Sears does come back, celest Is

772
00:40:08,719 --> 00:40:11,239
Speaker 4: coming back, Lucinda's coming back.

773
00:40:11,400 --> 00:40:15,200
Speaker 2: Buckle up, every Lucinda's coming back. Oh, this is gonna

774
00:40:15,239 --> 00:40:17,560
Speaker 2: be a wild ride. Can't wait for it.

775
00:40:18,280 --> 00:40:20,600
Speaker 1: I better yeah, rest up, I gotta better.

776
00:40:21,440 --> 00:40:24,120
Speaker 2: Great direct get paid less in these last two episodes

777
00:40:24,160 --> 00:40:26,320
Speaker 2: because they had to pay so many damn guest stars

778
00:40:26,360 --> 00:40:26,879
Speaker 2: to come back.

779
00:40:28,400 --> 00:40:33,200
Speaker 4: Good directing, mister Walsh, good directing. This was a hard

780
00:40:33,480 --> 00:40:35,719
Speaker 4: he had all that stuff.

781
00:40:35,719 --> 00:40:36,759
Speaker 1: He did a great job.

782
00:40:36,800 --> 00:40:39,439
Speaker 2: If he would ever come on our podcast, we would

783
00:40:39,480 --> 00:40:39,919
Speaker 2: tell them.

784
00:40:40,239 --> 00:40:41,160
Speaker 4: He's too busy.

785
00:40:41,400 --> 00:40:46,520
Speaker 2: How amazing, he's too busy.

786
00:40:47,760 --> 00:40:52,319
Speaker 1: Wait wait, okay, well last Amy, you weren't there. And Tori,

787
00:40:52,400 --> 00:40:53,640
Speaker 1: I think I told you about this. But on the

788
00:40:53,640 --> 00:40:58,880
Speaker 1: panel and wherever I was austin the ax, the lady asked,

789
00:40:59,239 --> 00:41:01,640
Speaker 1: one of the gladies asks in the audience, who do

790
00:41:01,680 --> 00:41:03,680
Speaker 1: you wish you if you could have like a dream

791
00:41:03,920 --> 00:41:06,880
Speaker 1: guest on your episode, who would it be? And I was,

792
00:41:06,920 --> 00:41:12,680
Speaker 1: like anyone on our cast I heard about this is that.

793
00:41:13,680 --> 00:41:15,640
Speaker 1: I was really happy when she told me she did that.

794
00:41:15,719 --> 00:41:17,280
Speaker 4: I heard it very proud.

795
00:41:18,080 --> 00:41:21,279
Speaker 1: Everybody laughed. So everybody that watches our podcast kind of

796
00:41:21,400 --> 00:41:23,200
Speaker 1: knew what I was referring to.

797
00:41:24,840 --> 00:41:28,840
Speaker 4: I got text immediately. They're like, list what you said.

798
00:41:30,480 --> 00:41:34,399
Speaker 1: I was over it anyway. We have another episode coming

799
00:41:34,440 --> 00:41:38,799
Speaker 1: up next week, Vital Signs. I feel like a baby's coming.

800
00:41:39,400 --> 00:41:43,120
Speaker 5: Uh beepeep beep beep beep beep beepe trouble.

801
00:41:44,360 --> 00:41:45,080
Speaker 4: There's a little trouble.

802
00:41:45,520 --> 00:41:49,040
Speaker 1: Oh no, okay, don't tell her to remember, don't tell us.

803
00:41:49,080 --> 00:41:50,920
Speaker 1: All right, we're going to watch it together. We're going

804
00:41:51,000 --> 00:41:56,239
Speaker 1: to watch it next week, and until then, we love you, guys.