WEBVTT - John C. Lilly: Province of the Mind

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stop

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<v Speaker 1>works dot com. Hey you welcome to Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert Lamb and I am

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<v Speaker 1>Christian Sager, and we're going to be talking about a

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<v Speaker 1>great combination of things today isolation, tanks, dolphins, and psychedelics. Yeah,

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<v Speaker 1>the creature from the Black Lagoon will actually show up,

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<v Speaker 1>Cold War era anti espionage, weird science. It's it's quite

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<v Speaker 1>a package. You couldn't make this up. Like if you

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<v Speaker 1>wrote a fictional account of a guy like John C. Lily,

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<v Speaker 1>it would seem absurd, but this is a life he led.

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<v Speaker 1>Yeah indeed. I mean even the fictionalized accounts of the man,

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<v Speaker 1>I feel that they don't quite capture the weirdness and

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<v Speaker 1>strangeness and just mind expanding awesomeness of his actual story.

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<v Speaker 1>They don't know. So, but before we roll right in,

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<v Speaker 1>because I think we should really just dive into the

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<v Speaker 1>deep been no pun intended with John C. Lily. Uh

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<v Speaker 1>do we just want to remind our audience that, uh,

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<v Speaker 1>last thing I'll say is before we get into Lily,

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<v Speaker 1>is don't forget to follow us on social media. If

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<v Speaker 1>on all those platforms as Blow the Mind. And we

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<v Speaker 1>of weird science e bizarre audity type stuff that we

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<v Speaker 1>find throughout the day as we're doing our research. That's right.

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<v Speaker 1>So let's talk about Lily first. Why are we covering

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<v Speaker 1>him Because Lily, for people who don't know, comes up frequently.

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<v Speaker 1>I'd say in the last year of doing the show,

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<v Speaker 1>he's come up at least four or five times. Yeah,

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<v Speaker 1>and in past episodes, I'm I know that we haven't

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<v Speaker 1>had at least three episodes that have dealt with him,

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<v Speaker 1>at least in small portions. Right, Yeah, you guys did

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<v Speaker 1>a dolphin episode. You and Julie did a dolphin episode.

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<v Speaker 1>And then there was the what was it, the like

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<v Speaker 1>kind of crazy rock star life of Scientists. Yeah, yeah,

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<v Speaker 1>we did when there was just kind of a sampler

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<v Speaker 1>platter of different real life scientists that had sort of

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<v Speaker 1>a weird side to them. But Lily is one of

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<v Speaker 1>those individuals first of all, that, as we've been saying,

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<v Speaker 1>deserves a deeper dive, He deserves a closer look because

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<v Speaker 1>he was just he was into too many things. He

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<v Speaker 1>really lived too many lives to just try and condense

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<v Speaker 1>it to a quick little segment about his psychedelic dolphin research,

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<v Speaker 1>which is what most people may think of when we've

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<v Speaker 1>mentioned John's will. This is one of those moments too,

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<v Speaker 1>where I feel like the podcast format is really at

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<v Speaker 1>an advantage here because in our case, you know, like

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<v Speaker 1>lots of the stuff that I've read about Lily, like

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<v Speaker 1>you said, either focuses on one aspect of his work

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<v Speaker 1>or another. Right, It's like it's either like the isolation

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<v Speaker 1>tanks or it's just the dolphins. But I feel like

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<v Speaker 1>we have the opportunity here to like gather a lot

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<v Speaker 1>of different resources, come together and kind of try to

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<v Speaker 1>piece it all together and figure out this like epic

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<v Speaker 1>figure somehow, and especially the like like you said to

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<v Speaker 1>like um. For those of you who don't know, there's

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<v Speaker 1>been two feature films, at least two that we're made

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<v Speaker 1>based on Lily as a character. The first was Day

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<v Speaker 1>of the Dolphin with George C. Scott, and then the

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<v Speaker 1>second one is Altered States, of Course, which is you know,

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<v Speaker 1>we're huge fans of here, and it stars William Hurt,

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<v Speaker 1>you know, of course as this Lily kind of figure

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<v Speaker 1>who takes acid in isolation tanks and then finds himself

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<v Speaker 1>the evolving basically right into various forms of proto humanity. Yeah,

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<v Speaker 1>so he's he's he's a figure that had the castle

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<v Speaker 1>a large shadow across our popular culture. And I think

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<v Speaker 1>that can also be a stumbling block because you think

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<v Speaker 1>of you might think of that older uh John C.

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<v Speaker 1>Lily kind of a post hippie nut job with with

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<v Speaker 1>a coonskin cap, talking about expanded consciousness and perhaps being

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<v Speaker 1>something of a pariah. Uh, two individuals who were working

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<v Speaker 1>in legitimate scientific areas that he was once a part of. Yeah,

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<v Speaker 1>there were certainly people who did not embrace the direction

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<v Speaker 1>that he went in towards the latter part of his career.

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<v Speaker 1>But so this is what's interesting to me about him,

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<v Speaker 1>especially like once we got into I knew the surface

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<v Speaker 1>level stuff, but going back and looking at his early

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<v Speaker 1>life and how he started off and how kind of

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<v Speaker 1>standardized his scientific career was to begin with, it's really

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<v Speaker 1>fascinating to see where he goes and the kind of

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<v Speaker 1>journey that he takes everybody on. Yeah. Indeed, I mean,

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<v Speaker 1>this is a guy that was trained and met us

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<v Speaker 1>and psycho analysis, biophysics, um. And he went from being

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<v Speaker 1>published as a researcher in scientific journals to writing his

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<v Speaker 1>own books about spirituality and the self. And one of

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<v Speaker 1>the things that's really important about Lily, I think to

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<v Speaker 1>just like our general culture today, it's it's hard to

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<v Speaker 1>think of this because it's from from my entire life.

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<v Speaker 1>It's been this way. But people didn't used to think

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<v Speaker 1>of dolphins as being intelligent mammals. That we're cute and

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<v Speaker 1>cuddly and that we should try to keep from being

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<v Speaker 1>killed in the ocean. Right, Yeah, that's right. I mean,

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<v Speaker 1>you go back far enough. There are various myths that

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<v Speaker 1>involve humans turning into dolphins or vice versa. But generally speaking,

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<v Speaker 1>before the nineteen fifties, dolphins were a pest of fishermen.

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<v Speaker 1>They were something. They were a fatty creature you might

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<v Speaker 1>render down for various products, but nobody was giving a

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<v Speaker 1>lot of thought to what they were thinking, or indeed,

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<v Speaker 1>what their consciousness might consist of. Yeah, and so almost

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<v Speaker 1>every account that I read about Lily traces his research

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<v Speaker 1>with dolphins to how we treat dolphins today, even to

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<v Speaker 1>you know, good or bad however you think of it

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<v Speaker 1>of like theme parks of like Sea World and things

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<v Speaker 1>like that, but like, uh, the interaction that human beings

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<v Speaker 1>have with dolphins or other male uh mammals in the water,

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<v Speaker 1>like whales, uh, you know, in in that kind of

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<v Speaker 1>a setting, you know. Um, he really changed the way

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<v Speaker 1>that we considered them as I guess partners on Earth

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<v Speaker 1>is how he would probably put it. Right. Yeah, It's

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<v Speaker 1>hard to imagine where we'd be right now, uh, considering

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<v Speaker 1>dolphin intelligence without Lily. I mean, I mean, I think

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<v Speaker 1>we would definitely get to this point where we we

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<v Speaker 1>recognize the intelligence of the dolphin, uh and and even

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<v Speaker 1>engaging discussions about its potential personhood. But would we have

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<v Speaker 1>gotten there as quickly? Would we have would we have

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<v Speaker 1>gotten there with as much media attention? And it all

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<v Speaker 1>really came down to him wanting to map human consciousness,

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<v Speaker 1>you know, the dolphin work, the isolation tanks, taking NSTI,

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<v Speaker 1>all of it really boiled to his medical background and

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<v Speaker 1>just trying to figure out, like the physicality of human

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<v Speaker 1>consciousness where it was. Yeah, he in in his um

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<v Speaker 1>later on, certainly by by the nineteen seventies, who would

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<v Speaker 1>often talk about the province of the mind, which we

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<v Speaker 1>reference in the title to this episode. Yeah. So here's

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<v Speaker 1>the Lily quote that comes from you know what we

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<v Speaker 1>what we based the title in the episode from He says,

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<v Speaker 1>in the province of the mind, what one believes to

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<v Speaker 1>be true is true or becomes true with certain limits

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<v Speaker 1>to be found experientially and experimentally. These limbs are further

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<v Speaker 1>beliefs to be transcended in the mind. There are no limits.

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<v Speaker 1>That was in nineteen seventy two, so this was this

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<v Speaker 1>was a post dolphin work going into LSD work, I'm assuming, Yeah,

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<v Speaker 1>and I think it this is a It's a great

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<v Speaker 1>quote because it mentions this idea of the province of

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<v Speaker 1>the mind, something that he all of his work throughout

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<v Speaker 1>his life, as you mentioned, seems to be questing for.

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<v Speaker 1>And then it also touches on this idea of subjective truth,

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<v Speaker 1>which becomes an increasingly important part of his work and

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<v Speaker 1>at times a definite flaw in his scientific work. Right. Yeah,

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<v Speaker 1>and it's especially important to consider too. I mean, like

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<v Speaker 1>we say, his whole life here. I read an account

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<v Speaker 1>that when he was sixteen years old, he was verst

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<v Speaker 1>starting to think about this in journals and things like

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<v Speaker 1>that that he was working on, like as a kid.

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<v Speaker 1>This was something that concerned Lily up until his death.

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<v Speaker 1>So let's, uh, let's let's back up a bit then

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<v Speaker 1>and just deal with the Lily timeline. Let's talk about

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<v Speaker 1>where he came from and uh and take listeners and

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<v Speaker 1>ourselves on a journey through his life whereas much of

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<v Speaker 1>it as we can actually digest in about an hour's time. Yeah,

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<v Speaker 1>and I'll say this too before we get into it.

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<v Speaker 1>I found that there were a lot of differing accounts too.

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<v Speaker 1>I mean, he was alive at just the right moment

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<v Speaker 1>in time where it was. It wasn't like we couldn't

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<v Speaker 1>log his life as we do now with social media,

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<v Speaker 1>you know what I mean. And there's like some different accounts. So,

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<v Speaker 1>like I said, sixteen years old, he supposedly wrote this essay.

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<v Speaker 1>He was born in nineteen fifteen in Saint Paul, Minnesota. Uh.

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<v Speaker 1>And and this is the specific question that was quoted

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<v Speaker 1>as being the title of his essay, how can the

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<v Speaker 1>mind render itself sufficiently objective to study itself? That's pretty

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<v Speaker 1>heavy for a sixteen year old. I don't think I

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<v Speaker 1>had thoughts like that until much later. Yeah, that's that's

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<v Speaker 1>a that that's he was thinking big for for that agent.

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<v Speaker 1>Really Yeah, unless that's some like revisionist history on his part.

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<v Speaker 1>But uh, the other thing that I thought was really

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<v Speaker 1>interesting is my impression from the readings is that Lily

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<v Speaker 1>came from a very wealthy family I think, uh, and

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<v Speaker 1>his father, it sounds like, wanted him to become a banker,

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<v Speaker 1>but Lily wanted to be a scientist, and so eventually

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<v Speaker 1>his father kind of came around and supported him going

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<v Speaker 1>to school to study science, but also backed him financially

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<v Speaker 1>in some of his research after school as well. Yeah,

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<v Speaker 1>that's the that's the sense that I get from some

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<v Speaker 1>of the resources who are looking at uh. And I

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<v Speaker 1>do have to to mention that, as far as we know,

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<v Speaker 1>they're not a good, like solid concise biography out there,

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<v Speaker 1>not yet. Hopefully somebody's working on it. There are some

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<v Speaker 1>very fine resources that we used for this episode. Will

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<v Speaker 1>cite those as we go. Yeah, this is a book

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<v Speaker 1>slash movie dying to be made. Yeah. Yeah, I think that,

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<v Speaker 1>like in the same way that characters like Reich that

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<v Speaker 1>we've talked about on the show before Shulgun just make

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<v Speaker 1>for great like potential fictionalizations. Uh. And I think you know,

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<v Speaker 1>I just learned this after we recorded the Reich episode.

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<v Speaker 1>There's a feature film coming out about Reich. Oh yeah, yeah.

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<v Speaker 1>When I was searching for artwork for it, photos from

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<v Speaker 1>the premier came out. Alright, So lially goes on. He

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<v Speaker 1>gets his physics degree from cal Tech in receives a

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<v Speaker 1>doctorate in medicine from the University of Pennsylvania two and

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<v Speaker 1>as a faculty member, he studies biophysics and psycho analysis

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<v Speaker 1>at the University of Pennsylvania's primarily interested in the physical

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<v Speaker 1>structures of the brain where that the conscious self might

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<v Speaker 1>be found. So that's pretty interesting, uh in that like

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<v Speaker 1>he got his he got his doctorate in medicine, right,

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<v Speaker 1>and then he continues to do research or take classes

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<v Speaker 1>as well as he's a faculty member. Like my understanding

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<v Speaker 1>was the psychoanalysis stuff wasn't quite yet in the field

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<v Speaker 1>when he was in school, but he's still dabbling and

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<v Speaker 1>learning more and adding everything to his resume. Yeah. From

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<v Speaker 1>an early point, we're seeing in a guy who has

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<v Speaker 1>this goal in mind, this mystery that he wants to crack,

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<v Speaker 1>and he's gonna throw everything he has at it. And

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<v Speaker 1>he's gonna throw he's gonna utilize what whatever tools he

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<v Speaker 1>can draw on, be they uh, disciplines, pharmaceuticals, technologies. We

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<v Speaker 1>see this throughout his life. Yeah, and in some cases

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<v Speaker 1>it's also like where he's going to get the support from. Right.

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<v Speaker 1>I think all of us who have like large scale

0:11:48.080 --> 0:11:50.880
<v Speaker 1>creative endeavors that we're trying to push and can't find

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<v Speaker 1>necessarily the financial backing end up making compromises and uh,

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<v Speaker 1>come World War two, Lillie ends up doing research. Uh.

0:11:58.559 --> 0:12:01.600
<v Speaker 1>Mainly it sounds like on the zology of high altitude

0:12:01.679 --> 0:12:05.960
<v Speaker 1>flying uh, specifically for the Air Force, and he was

0:12:06.160 --> 0:12:12.200
<v Speaker 1>inventing different devices to measure gas gas pressure for those purposes. Um.

0:12:12.280 --> 0:12:14.120
<v Speaker 1>And this is one of the first times apparently that

0:12:14.160 --> 0:12:17.400
<v Speaker 1>he used himself as a guinea pig uh lily at

0:12:17.400 --> 0:12:19.240
<v Speaker 1>which he would go on to do quite a bit

0:12:19.320 --> 0:12:20.920
<v Speaker 1>later in his career. In fact, I think he had

0:12:20.960 --> 0:12:23.839
<v Speaker 1>sort of a uh like an ethos surrounding that right

0:12:23.920 --> 0:12:26.280
<v Speaker 1>that I can't remember who it was, but I read

0:12:26.320 --> 0:12:29.920
<v Speaker 1>that he um. He he took this from another like

0:12:30.000 --> 0:12:33.240
<v Speaker 1>kind of big thinker scientist who basically said, like, if

0:12:33.280 --> 0:12:36.319
<v Speaker 1>you're not willing to experiment on yourself, then you shouldn't

0:12:36.360 --> 0:12:39.840
<v Speaker 1>be willing to experiment on other human beings. Uh. And

0:12:39.920 --> 0:12:42.280
<v Speaker 1>this seems to be the case here where he participated

0:12:42.280 --> 0:12:44.840
<v Speaker 1>in an experiment where he was studying the effects of

0:12:44.960 --> 0:12:49.480
<v Speaker 1>explosive decompression on pilots at high altitudes. Uh. And by

0:12:49.520 --> 0:12:52.480
<v Speaker 1>all accounts that I read, this was something that could

0:12:52.480 --> 0:12:55.600
<v Speaker 1>have killed him, but he went about and did it anyways.

0:12:55.600 --> 0:12:58.360
<v Speaker 1>And this is in the thirties going into the forties,

0:12:58.520 --> 0:13:00.800
<v Speaker 1>all right, so after the war or we're getting into

0:13:00.840 --> 0:13:02.959
<v Speaker 1>the post War War two area, we're getting into the

0:13:03.040 --> 0:13:06.920
<v Speaker 1>nineteen fifties at a time uh increasingly defined by Cold

0:13:07.000 --> 0:13:11.560
<v Speaker 1>War paranoia. UH. During this area that literally turns to neuroscience,

0:13:11.559 --> 0:13:14.840
<v Speaker 1>which is a logical next step in this quest for consciousness. Right.

0:13:15.200 --> 0:13:17.720
<v Speaker 1>And he's motivated in a large part by pioneering brain

0:13:17.760 --> 0:13:22.319
<v Speaker 1>surgeon Wilder Penfield at this point. UH. And in short,

0:13:22.400 --> 0:13:25.880
<v Speaker 1>what he ends up doing is he applies electronic engineering

0:13:25.960 --> 0:13:28.880
<v Speaker 1>to the monitoring and mapping of the central nervous system,

0:13:29.040 --> 0:13:32.520
<v Speaker 1>again drawing on the best technology available at the time

0:13:32.880 --> 0:13:35.360
<v Speaker 1>to try and crack this nut of consciousness. And what

0:13:35.440 --> 0:13:37.280
<v Speaker 1>I had read this is one of the first stances

0:13:37.280 --> 0:13:41.480
<v Speaker 1>of his father, sorry, instances of his father funding him.

0:13:41.600 --> 0:13:44.240
<v Speaker 1>His father helped him pay for the design of something

0:13:44.280 --> 0:13:47.520
<v Speaker 1>he called the baba Tron, which was a device for

0:13:47.640 --> 0:13:51.679
<v Speaker 1>recording the impulses from within a rabbit's brain and they

0:13:51.679 --> 0:13:55.120
<v Speaker 1>would project these impulses up onto like a television screen

0:13:55.280 --> 0:13:58.800
<v Speaker 1>as waves. UM. So the Babatron included an array of

0:13:58.880 --> 0:14:01.400
<v Speaker 1>sensors that where this is something we're gonna come back

0:14:01.440 --> 0:14:04.119
<v Speaker 1>to over and over again with Lily basically putting electrodes

0:14:04.120 --> 0:14:06.120
<v Speaker 1>on the surface of the brain of different animals and

0:14:06.280 --> 0:14:08.920
<v Speaker 1>or human beings. Uh. And in nineteen fifty one, he

0:14:08.960 --> 0:14:12.480
<v Speaker 1>published a paper that showed how to display these patterns

0:14:12.480 --> 0:14:16.680
<v Speaker 1>in such a way projecting brain electrical activity on a

0:14:16.760 --> 0:14:19.920
<v Speaker 1>television like screen. Uh. And I recently spent some time

0:14:19.960 --> 0:14:23.000
<v Speaker 1>in the hospital. I had a family member and I

0:14:23.080 --> 0:14:25.400
<v Speaker 1>see you, and I thought, wow, like, think of the

0:14:25.640 --> 0:14:29.080
<v Speaker 1>just the standard hospital machinery we have that are like

0:14:29.520 --> 0:14:34.120
<v Speaker 1>measuring and showing us things like oxygen levels and and uh,

0:14:34.400 --> 0:14:38.120
<v Speaker 1>breathing and and and brain activity. You know, Lily was

0:14:38.160 --> 0:14:40.120
<v Speaker 1>one of the pioneers, and that you can thank him

0:14:40.160 --> 0:14:43.800
<v Speaker 1>for that. This is a guy who who really did

0:14:43.840 --> 0:14:48.320
<v Speaker 1>like impact our understanding of medicine and of thought. And

0:14:48.960 --> 0:14:52.880
<v Speaker 1>you know, despite where he went down further in his career,

0:14:52.960 --> 0:14:56.720
<v Speaker 1>he really did have like some contributions. Yeah, down or

0:14:56.840 --> 0:14:58.680
<v Speaker 1>or out or out, Yeah, however you want to look

0:14:58.720 --> 0:15:01.320
<v Speaker 1>at it. Absolutely. From here he moves on to the

0:15:01.440 --> 0:15:05.560
<v Speaker 1>National Institutes of Mental Health or NIM. Uh. And this

0:15:05.600 --> 0:15:07.600
<v Speaker 1>is an area where he begins to get into a

0:15:07.680 --> 0:15:10.920
<v Speaker 1>lot of interesting and and at times kind of creepy work. Yeah.

0:15:10.960 --> 0:15:13.200
<v Speaker 1>And I read an interesting thing that said that one

0:15:13.200 --> 0:15:15.560
<v Speaker 1>of the reasons why he specifically went for this research

0:15:15.640 --> 0:15:18.440
<v Speaker 1>position with NIM was that it gave him access to

0:15:18.480 --> 0:15:22.840
<v Speaker 1>both the National Institute of Neurological Diseases because that would

0:15:22.880 --> 0:15:25.760
<v Speaker 1>give him access to resources about the physical brain. But

0:15:25.880 --> 0:15:28.520
<v Speaker 1>it also gave him access to the National Institute of

0:15:28.560 --> 0:15:31.320
<v Speaker 1>Mental Health, which focused on the mind, and he really

0:15:31.320 --> 0:15:35.480
<v Speaker 1>wanted to combine the two. Uh. And he experimented on

0:15:35.520 --> 0:15:38.320
<v Speaker 1>living brains with all these different techniques he developed. So

0:15:38.800 --> 0:15:40.560
<v Speaker 1>you know, we've got the rabbits, we talked about that,

0:15:40.600 --> 0:15:42.760
<v Speaker 1>but then he moved on to monkeys. His goal was

0:15:42.840 --> 0:15:46.800
<v Speaker 1>to stimulate monkey brains without causing trauma or damage to

0:15:46.840 --> 0:15:49.240
<v Speaker 1>their brain tissue. So he was one of the first

0:15:49.360 --> 0:15:52.400
<v Speaker 1>scientists to locate uh, this is a monkey brain, not

0:15:52.440 --> 0:15:55.440
<v Speaker 1>a human brain, obviously, but he located their pain and

0:15:55.520 --> 0:15:58.960
<v Speaker 1>pleasure centers, and his work there allowed him to map

0:15:59.000 --> 0:16:03.080
<v Speaker 1>their neural networks and to link sensory events, muscle movement,

0:16:03.120 --> 0:16:06.240
<v Speaker 1>and other behaviors related to the activity in their brain.

0:16:06.560 --> 0:16:08.280
<v Speaker 1>This is going to be important later on when we

0:16:08.280 --> 0:16:11.280
<v Speaker 1>get into dolphins. Yeah, and this is my understanding. Some

0:16:11.480 --> 0:16:15.680
<v Speaker 1>it's pretty invasive surgery at this point in experimentation, and

0:16:15.760 --> 0:16:20.360
<v Speaker 1>he spends essentially a decade working on it. Here uh again,

0:16:20.400 --> 0:16:26.080
<v Speaker 1>connecting invasive of vivisections of the cranium and this is

0:16:26.120 --> 0:16:30.880
<v Speaker 1>where things get into some creepier territory. Um. Again, he's

0:16:30.960 --> 0:16:33.440
<v Speaker 1>laser focused on his goal, but he is an employ

0:16:33.560 --> 0:16:36.320
<v Speaker 1>of NIM. He's working in the in the time of

0:16:36.320 --> 0:16:40.560
<v Speaker 1>of nineteen fifties cold war paranoia. It's US versus the Soviets.

0:16:40.600 --> 0:16:46.000
<v Speaker 1>There's they're all these fears of of of mind control, brainwashing, uh,

0:16:46.200 --> 0:16:51.680
<v Speaker 1>all sorts of strange counter espionage techniques. And according to D.

0:16:51.920 --> 0:16:55.760
<v Speaker 1>Graham Burnett's excellent paper A Mind in Water, which is

0:16:55.760 --> 0:16:58.480
<v Speaker 1>published in Ryan Magazine and it's available online, will include

0:16:58.480 --> 0:17:00.960
<v Speaker 1>a link to it on the landing page, says Lily

0:17:01.080 --> 0:17:03.360
<v Speaker 1>later claimed not to care for this sort of thing,

0:17:03.600 --> 0:17:06.800
<v Speaker 1>but in his prime as a government employee, he had

0:17:06.960 --> 0:17:10.600
<v Speaker 1>high level security clearance. J Edgar Hoover knew him by

0:17:10.760 --> 0:17:15.040
<v Speaker 1>name and was actively involved in research into brainwashing or

0:17:15.160 --> 0:17:19.479
<v Speaker 1>reprogramming as it was then called, among the cognizanty sleep

0:17:19.520 --> 0:17:25.760
<v Speaker 1>deprivation and operant controlled of animals with wires implanted in

0:17:25.800 --> 0:17:28.720
<v Speaker 1>the pain centers of their gray matter. Unquote. Wow, so

0:17:28.840 --> 0:17:30.560
<v Speaker 1>this gets back to when we were talking about we

0:17:30.760 --> 0:17:35.199
<v Speaker 1>three on the animal weaponry thing. So yeah, I can

0:17:35.240 --> 0:17:37.360
<v Speaker 1>imagine with all the things we learned from that episode

0:17:37.359 --> 0:17:40.200
<v Speaker 1>of like people stuffing bats into bombs and trying to

0:17:40.240 --> 0:17:42.600
<v Speaker 1>figure out ways to use bees to attack people that

0:17:43.320 --> 0:17:45.600
<v Speaker 1>of course they would be looking at ways to try

0:17:45.640 --> 0:17:49.280
<v Speaker 1>to stimulate their brains as well, and there, yeah, the goal.

0:17:49.320 --> 0:17:52.040
<v Speaker 1>He was not just animals but humans. In an unpublished

0:17:52.080 --> 0:17:56.400
<v Speaker 1>paper of Lily's titled Special Considerations of Modified Human Agents

0:17:56.440 --> 0:17:59.480
<v Speaker 1>as Reconnaissance and Intelligence Devices, I really don't have to

0:17:59.520 --> 0:18:02.400
<v Speaker 1>go much further, and then I just title, But he

0:18:02.440 --> 0:18:06.159
<v Speaker 1>talked about such things as the quote covert and relatively

0:18:06.280 --> 0:18:10.639
<v Speaker 1>safe implantation of electrodes into the human brain for the

0:18:10.680 --> 0:18:15.760
<v Speaker 1>push button control of the totality of motivation and of consciousness.

0:18:16.160 --> 0:18:20.040
<v Speaker 1>I wonder how much Lily's sort of like beginning work

0:18:20.240 --> 0:18:23.919
<v Speaker 1>set the stage for brain computer interface work, you know

0:18:23.960 --> 0:18:27.080
<v Speaker 1>that's being studied today, because that's obviously like a big

0:18:27.200 --> 0:18:31.320
<v Speaker 1>field of of inquiry right now. Yeah, I mean to

0:18:31.320 --> 0:18:35.640
<v Speaker 1>to whatever extent his his ideas here were actually applicable

0:18:36.000 --> 0:18:38.520
<v Speaker 1>given that the technology of the time, and he's certainly

0:18:38.560 --> 0:18:42.080
<v Speaker 1>foreshadowing where the technology would go. He's certainly dreaming in

0:18:42.119 --> 0:18:45.240
<v Speaker 1>the in the direction that we're that we're still headed.

0:18:45.600 --> 0:18:46.879
<v Speaker 1>So one of the things that I was trying to

0:18:46.880 --> 0:18:48.639
<v Speaker 1>figure out what we're doing the research was whether or

0:18:48.680 --> 0:18:51.879
<v Speaker 1>not these were pain free methods. And I believe later

0:18:52.119 --> 0:18:55.600
<v Speaker 1>in his career he definitely wanted to get to a point, right.

0:18:55.640 --> 0:18:57.600
<v Speaker 1>Like I mentioned earlier that you know, his goal was

0:18:57.640 --> 0:18:59.399
<v Speaker 1>not to cause trauma and the monkeys and not to

0:18:59.520 --> 0:19:02.840
<v Speaker 1>damage their brain tissue. But I imagine it wasn't comfortable

0:19:02.920 --> 0:19:06.119
<v Speaker 1>having these electrodes stuck in their brains, right, Yeah. And

0:19:06.280 --> 0:19:09.840
<v Speaker 1>my understanding it also depended on what he was working on. So, um,

0:19:09.880 --> 0:19:14.920
<v Speaker 1>you could use anesthetics on certain animals, but as we'll discuss,

0:19:14.960 --> 0:19:18.439
<v Speaker 1>there are other animals that that simply stop breathing if

0:19:18.480 --> 0:19:20.680
<v Speaker 1>you put them under an anesthetic, right, Yeah, And there's

0:19:20.720 --> 0:19:25.600
<v Speaker 1>always there's a very interesting like, despite his profound respect

0:19:25.720 --> 0:19:28.280
<v Speaker 1>for dolphins later on, there's some weird stuff that goes

0:19:28.320 --> 0:19:30.520
<v Speaker 1>on with the dolphin research as well too, in terms

0:19:30.560 --> 0:19:33.560
<v Speaker 1>of like kind of treating them humanely. Yeah, and uh,

0:19:33.640 --> 0:19:36.600
<v Speaker 1>and and certainly at this point in his career he

0:19:36.680 --> 0:19:40.720
<v Speaker 1>has he's a very unsentimental guy. He's laser focused on

0:19:40.720 --> 0:19:45.160
<v Speaker 1>this consciousness to enigma. Uh, but he's not necessarily he's

0:19:45.160 --> 0:19:48.399
<v Speaker 1>not he's certainly not the sort of hippie mythic figure

0:19:48.600 --> 0:19:51.760
<v Speaker 1>counterculture figure we see later on quite the opposite. This

0:19:51.920 --> 0:19:54.680
<v Speaker 1>is a guy who's on first name basis with Jaguar Hoover.

0:19:54.960 --> 0:19:57.920
<v Speaker 1>He's very much a part of the establishment and kind

0:19:57.920 --> 0:20:00.440
<v Speaker 1>of a scary part of the establishment. Yeah, and he

0:20:00.720 --> 0:20:02.159
<v Speaker 1>is going to do what needs to be done to

0:20:02.160 --> 0:20:07.560
<v Speaker 1>get the results right. So it's during this creepy period

0:20:08.080 --> 0:20:11.879
<v Speaker 1>that literally first learns from an oceanographer colleague that the

0:20:11.960 --> 0:20:15.520
<v Speaker 1>largest brains are found in small tooth whales. Intrigued, he

0:20:15.520 --> 0:20:17.920
<v Speaker 1>sets out to implant electrodes in the brains of captive

0:20:17.960 --> 0:20:22.120
<v Speaker 1>dolphins at Florida's Marine Studios. Now this place still exists

0:20:22.320 --> 0:20:25.560
<v Speaker 1>today under the name Marine Land of Florida. Some of

0:20:25.560 --> 0:20:27.199
<v Speaker 1>our listeners have been there and can speak to it.

0:20:27.520 --> 0:20:31.000
<v Speaker 1>But at the time they specialized in B movies. Really

0:20:31.320 --> 0:20:34.120
<v Speaker 1>of particular note, they shot the Creature from the Black

0:20:34.200 --> 0:20:40.399
<v Speaker 1>Lagoon here and Revenge of the Creature from NT WOW.

0:20:40.520 --> 0:20:44.240
<v Speaker 1>So John C. Lily was like peripherally involved with like

0:20:44.840 --> 0:20:49.359
<v Speaker 1>Universal Horror, specifically the Creature from the Black Lagoon. I

0:20:49.359 --> 0:20:52.040
<v Speaker 1>would I think you might have mentioned this before the podcast.

0:20:52.040 --> 0:20:53.919
<v Speaker 1>How cool would it be for them to be like

0:20:53.920 --> 0:20:57.800
<v Speaker 1>a Creature of the Black Lagoon remake that like mixes

0:20:57.840 --> 0:21:01.280
<v Speaker 1>in some of the John C. Lily ideas of you know,

0:21:01.359 --> 0:21:06.600
<v Speaker 1>both dolphin human communication, but also isolation tanks and hallucinogenics. Yeah,

0:21:06.720 --> 0:21:08.240
<v Speaker 1>I mean, and in fact, we'll get back to the

0:21:08.280 --> 0:21:10.520
<v Speaker 1>creature from the Black Lagoon in a minute, because the

0:21:10.520 --> 0:21:14.200
<v Speaker 1>connection between Lily and the creature he is even closer

0:21:14.240 --> 0:21:18.359
<v Speaker 1>than you might be thinking right now. Okay, cool, cool, Okay,

0:21:18.400 --> 0:21:21.200
<v Speaker 1>So he he engages in this work, right he's uh,

0:21:21.280 --> 0:21:24.360
<v Speaker 1>he's he's putting the electrodes on the dolphins brains. One

0:21:24.359 --> 0:21:26.919
<v Speaker 1>of the problems here, as I mentioned, is that dolphins

0:21:27.119 --> 0:21:30.000
<v Speaker 1>stop breathing when they're under anesthetic, and this has to

0:21:30.040 --> 0:21:32.960
<v Speaker 1>do with the conscious nature of dolphin respirations that it's

0:21:33.040 --> 0:21:34.840
<v Speaker 1>it's not as as much of a you know, a

0:21:35.560 --> 0:21:40.000
<v Speaker 1>subconscious activity is as it is for us surface dwellers.

0:21:40.080 --> 0:21:44.800
<v Speaker 1>Uh So, it's it's pretty rough work. Dolphins are dying

0:21:44.880 --> 0:21:48.240
<v Speaker 1>during the experiments, but one of them, before it passes,

0:21:48.520 --> 0:21:52.520
<v Speaker 1>makes a series of sounds, and Lily has this really

0:21:52.560 --> 0:21:55.960
<v Speaker 1>this epiphany. He he feels he's listening to the sound

0:21:56.000 --> 0:21:58.520
<v Speaker 1>that this dolphin is making. It sounds as if they're

0:21:58.680 --> 0:22:01.600
<v Speaker 1>attempting to mimic his voice. They're attempting to mimic the

0:22:01.720 --> 0:22:05.480
<v Speaker 1>voice of the other researchers in the room, and and

0:22:05.480 --> 0:22:08.480
<v Speaker 1>and it's just this, this Eureka moment for him. He's

0:22:08.480 --> 0:22:12.520
<v Speaker 1>been searching for for consciousness, searching for for some sort

0:22:12.520 --> 0:22:15.800
<v Speaker 1>of you know, ultimately connection to another mind, and he

0:22:15.840 --> 0:22:19.199
<v Speaker 1>feels as if he has glimpsed it. So this is

0:22:19.440 --> 0:22:22.159
<v Speaker 1>sort of a good segue, I guess then from his

0:22:22.280 --> 0:22:25.359
<v Speaker 1>dolphin or actually this isn't even the really scratching the

0:22:25.400 --> 0:22:28.280
<v Speaker 1>surface of his dolphin research, right, is where he first

0:22:28.320 --> 0:22:30.480
<v Speaker 1>sort of dabbles in it. Yeah, this is where, yeah,

0:22:30.480 --> 0:22:32.880
<v Speaker 1>he dabbles in it. And and the light bulb goes

0:22:32.920 --> 0:22:35.840
<v Speaker 1>off and he realizes, I have to work with these dolphins.

0:22:35.880 --> 0:22:38.320
<v Speaker 1>Everything else I'm gonna I'm just gonna walk away from

0:22:38.359 --> 0:22:40.760
<v Speaker 1>because this, this is where I need to be. And then,

0:22:40.760 --> 0:22:45.399
<v Speaker 1>in order to facilitate this type of study, he develops

0:22:45.560 --> 0:22:49.840
<v Speaker 1>he invents the isolation tank, which most of us know nowadays,

0:22:49.920 --> 0:22:52.880
<v Speaker 1>right because it's a fairly popularized thing. I was first

0:22:52.920 --> 0:22:55.399
<v Speaker 1>familiar with it from Altered States. That was the first

0:22:55.400 --> 0:22:57.320
<v Speaker 1>time I'd ever heard of it. I think I probably

0:22:57.359 --> 0:22:59.280
<v Speaker 1>saw Altered States when I was like nineteen or twenty

0:22:59.400 --> 0:23:02.360
<v Speaker 1>or something like that. But just last year, maybe two

0:23:02.440 --> 0:23:05.000
<v Speaker 1>years ago. My wife for my birthday got me um

0:23:05.600 --> 0:23:08.240
<v Speaker 1>a gift card to go visit an isolation tank center

0:23:08.280 --> 0:23:10.480
<v Speaker 1>here in Atlanta. Yeah. I think we've likely been to

0:23:10.520 --> 0:23:14.280
<v Speaker 1>the same place. Yeah, yeah, yeah, you've done it as well, right, Yeah.

0:23:14.359 --> 0:23:15.800
<v Speaker 1>For those of you who are not familiar with it,

0:23:16.000 --> 0:23:19.359
<v Speaker 1>uh yeah, you can probably find a float a place

0:23:19.480 --> 0:23:22.160
<v Speaker 1>in your your area and you try it out for yourself.

0:23:22.160 --> 0:23:25.560
<v Speaker 1>But essentially it is a chamber, a dark chamber filled

0:23:25.600 --> 0:23:29.119
<v Speaker 1>with very buoyant salt water. You go in there, you

0:23:29.119 --> 0:23:31.960
<v Speaker 1>you know, maybe you put on some goggles, maybe you're

0:23:32.000 --> 0:23:34.880
<v Speaker 1>wearing a bathing suit, maybe not, and you're just floating

0:23:34.920 --> 0:23:38.520
<v Speaker 1>there in the silence. Uh. You all your hearing is

0:23:38.560 --> 0:23:40.320
<v Speaker 1>just the sound of the water, the sound of your

0:23:40.400 --> 0:23:44.560
<v Speaker 1>your own heartbeat. Uh. And because you're floating, you don't

0:23:45.080 --> 0:23:48.239
<v Speaker 1>really sense any touch, right. It's which is unusual for us.

0:23:48.240 --> 0:23:50.560
<v Speaker 1>We're always like kind of bound to something by gravity,

0:23:50.720 --> 0:23:54.440
<v Speaker 1>but this allows you to kind of just float there. Um.

0:23:54.480 --> 0:23:57.360
<v Speaker 1>The darkness takes away your eyesight for the most part.

0:23:57.440 --> 0:23:58.840
<v Speaker 1>The one I was in kind of I don't know

0:23:58.840 --> 0:24:00.919
<v Speaker 1>about you, but it had like a little bit of

0:24:00.920 --> 0:24:04.560
<v Speaker 1>a transparency to it, so natural daylight kind of came in. Um.

0:24:04.640 --> 0:24:06.600
<v Speaker 1>And then there was what was the other Oh, they

0:24:06.640 --> 0:24:09.199
<v Speaker 1>gave me earplugs? Did you get ear plugs? I may

0:24:09.240 --> 0:24:11.080
<v Speaker 1>have gotten ear plugs, I can't remember now. I do

0:24:11.200 --> 0:24:14.600
<v Speaker 1>remember seeing lights eventually, because I think I was in darkness.

0:24:15.040 --> 0:24:17.480
<v Speaker 1>And I also have to say that the warmness of

0:24:17.520 --> 0:24:20.400
<v Speaker 1>the water is tends to be calibrated so that it's

0:24:20.400 --> 0:24:23.000
<v Speaker 1>about human body temperature, right, yeah, so that it's in

0:24:23.000 --> 0:24:25.600
<v Speaker 1>a way the barriers of your body are no longer

0:24:25.720 --> 0:24:29.760
<v Speaker 1>as obvious. So it's about isolating the mind. And and

0:24:30.000 --> 0:24:33.240
<v Speaker 1>apparently like the idea for this came out of Lily's

0:24:33.280 --> 0:24:36.040
<v Speaker 1>work at NIM Again, think back to the counter espionage work.

0:24:36.960 --> 0:24:40.720
<v Speaker 1>How do you break down a potential spy? How do

0:24:40.800 --> 0:24:45.359
<v Speaker 1>you get break into their mind and interact with their consciousness? Well,

0:24:45.480 --> 0:24:48.000
<v Speaker 1>what if you were to put a scary latex mask

0:24:48.080 --> 0:24:50.840
<v Speaker 1>over their face so they can't see anything, submerge them

0:24:51.040 --> 0:24:54.320
<v Speaker 1>in this buoyant tank of salt water, and just rob

0:24:54.440 --> 0:24:58.240
<v Speaker 1>them of their senses without actually harming them. So really

0:24:58.240 --> 0:25:02.000
<v Speaker 1>it was a form of psychological torture that was being devised,

0:25:02.680 --> 0:25:04.800
<v Speaker 1>and it was apparently pretty traumatic for some of the

0:25:04.840 --> 0:25:07.240
<v Speaker 1>individuals who tested it out, but of course really tested

0:25:07.240 --> 0:25:11.240
<v Speaker 1>it out as well, he solved the positive potential for

0:25:11.320 --> 0:25:14.760
<v Speaker 1>the kind of inward focus that it allowed. Yeah, I

0:25:14.800 --> 0:25:17.160
<v Speaker 1>mean the basic idea here was he wanted to test

0:25:17.160 --> 0:25:19.639
<v Speaker 1>whether the brain would actually shut down if there was

0:25:19.720 --> 0:25:23.639
<v Speaker 1>no stimuli received. Right. But yeah, it's really interesting. Again,

0:25:23.760 --> 0:25:26.359
<v Speaker 1>so like the figure that he becomes, this kind of

0:25:26.480 --> 0:25:30.280
<v Speaker 1>hippie psychedelic grew figure. You trace back his history and

0:25:30.280 --> 0:25:34.679
<v Speaker 1>it's like ultimately connected to this kind of movement of

0:25:34.800 --> 0:25:38.080
<v Speaker 1>torture and interrogation, right, I mean, like people, I don't

0:25:38.080 --> 0:25:41.639
<v Speaker 1>know that they're necessarily using isolation tanks, but sensory deprivation

0:25:41.800 --> 0:25:44.240
<v Speaker 1>is very much a thing that we do nowadays, we

0:25:44.400 --> 0:25:48.000
<v Speaker 1>the United States military and government when we're trying to

0:25:48.000 --> 0:25:51.200
<v Speaker 1>get information out of, you know, somebody that that might

0:25:51.240 --> 0:25:53.720
<v Speaker 1>have something that's gonna you know, potentially affect a citizen

0:25:53.880 --> 0:25:57.440
<v Speaker 1>or or an operation overseas. Oh yeah, or even just

0:25:57.480 --> 0:26:01.040
<v Speaker 1>dishing out essentially punishment on individu rules that are in

0:26:01.359 --> 0:26:06.280
<v Speaker 1>soliditary confinement. Yeah. And it's this is fascinating to me too, because, um,

0:26:06.320 --> 0:26:08.879
<v Speaker 1>this is right around it's a little bit earlier, but

0:26:08.960 --> 0:26:12.000
<v Speaker 1>around the same time that Michelle Fucot is really starting

0:26:12.000 --> 0:26:15.760
<v Speaker 1>to look into sort of the philosophy of discipline and punishment.

0:26:16.000 --> 0:26:19.040
<v Speaker 1>And I'm really curious if these two guys knew about

0:26:19.080 --> 0:26:22.320
<v Speaker 1>each other, uh, and if they even or if they

0:26:22.359 --> 0:26:26.760
<v Speaker 1>interacted to you know. Yeah, indeed, so Lily. Yeah, it

0:26:26.800 --> 0:26:29.560
<v Speaker 1>really gets into the idea of the isolation tank. And

0:26:29.600 --> 0:26:32.480
<v Speaker 1>this is this is kind of happening in the background

0:26:32.480 --> 0:26:35.199
<v Speaker 1>to the dolphin stuff. We we just mentioned the beginnings

0:26:35.200 --> 0:26:38.480
<v Speaker 1>of the dolphin stuff. Um, I'm gonna actually just read

0:26:38.600 --> 0:26:41.440
<v Speaker 1>uh one quote from him and have you read another one,

0:26:41.720 --> 0:26:44.840
<v Speaker 1>because I think Lily really captures what he saw in

0:26:44.920 --> 0:26:47.880
<v Speaker 1>the tank, uh, what he saw in the tank's potential

0:26:48.000 --> 0:26:51.040
<v Speaker 1>for the human mind. He said, all the average person

0:26:51.080 --> 0:26:53.000
<v Speaker 1>has to do is get into the tank in the

0:26:53.080 --> 0:26:57.560
<v Speaker 1>darkness and silence and float around until he realizes he

0:26:57.720 --> 0:27:00.680
<v Speaker 1>is programming everything that is happening in side his head.

0:27:00.920 --> 0:27:03.399
<v Speaker 1>You are free of the physical world at that point,

0:27:03.440 --> 0:27:06.359
<v Speaker 1>and anything can happen inside your head because everything is

0:27:06.400 --> 0:27:09.080
<v Speaker 1>governed by the laws of thought rather than the laws

0:27:09.119 --> 0:27:12.120
<v Speaker 1>of the external world. So you can go to the

0:27:12.160 --> 0:27:15.120
<v Speaker 1>limits of your conceptions. And so this is a good

0:27:15.160 --> 0:27:16.879
<v Speaker 1>moment I think for us to sort of back up

0:27:16.920 --> 0:27:19.240
<v Speaker 1>for the listener. For you out there listening, if you've

0:27:19.280 --> 0:27:21.760
<v Speaker 1>never done this, and you've never seen it depicted or

0:27:21.800 --> 0:27:26.720
<v Speaker 1>read about it. Um. People oftentimes report that during their

0:27:26.760 --> 0:27:30.119
<v Speaker 1>experience in these tanks, they see colorful images, they have

0:27:30.280 --> 0:27:34.400
<v Speaker 1>memories flashed by, they kind of have like waking dreams. Uh.

0:27:34.400 --> 0:27:37.760
<v Speaker 1>And there's even there's an some people report an experience

0:27:37.800 --> 0:27:40.840
<v Speaker 1>of levels of consciousness where they feel they're in contact

0:27:40.880 --> 0:27:45.040
<v Speaker 1>with other intelligent being sort of outside of them. Right. Yeah,

0:27:45.080 --> 0:27:48.439
<v Speaker 1>I mean it's essentially a really meditative space. So I

0:27:48.480 --> 0:27:52.040
<v Speaker 1>only floated once. I did not get that kind of experience.

0:27:52.080 --> 0:27:54.600
<v Speaker 1>I understand that one needs to do it many times

0:27:54.640 --> 0:27:57.159
<v Speaker 1>to get used to it. But but I have had

0:27:57.200 --> 0:28:00.400
<v Speaker 1>experiences in meditation where I have I have seen things

0:28:00.400 --> 0:28:03.000
<v Speaker 1>and felt things that that line up to a certain

0:28:03.040 --> 0:28:06.960
<v Speaker 1>extent with this kind of you know, subjective experience. Yeah,

0:28:07.040 --> 0:28:09.920
<v Speaker 1>I mean it's possible too. So this is another instance

0:28:10.040 --> 0:28:13.159
<v Speaker 1>that I UM where the like, the reporting seems to

0:28:13.160 --> 0:28:16.520
<v Speaker 1>be a little bit varied for me. I read that

0:28:16.600 --> 0:28:19.800
<v Speaker 1>it's possible that he actually started dabbling in this before

0:28:19.880 --> 0:28:22.320
<v Speaker 1>any of the dolphin research. Maybe it was more official

0:28:22.400 --> 0:28:24.800
<v Speaker 1>later on. Yeah, No, I believe you're right on that. Okay,

0:28:25.200 --> 0:28:31.679
<v Speaker 1>because he apparently considered dolphins and other water mammals because

0:28:31.920 --> 0:28:35.320
<v Speaker 1>of the idea of consciousness that existed in the state

0:28:35.359 --> 0:28:39.240
<v Speaker 1>of flotation. Uh, and it somehow brought that up. But

0:28:39.760 --> 0:28:41.520
<v Speaker 1>so here's another thing. We were talking about, how you

0:28:41.560 --> 0:28:43.560
<v Speaker 1>bring the temperature to about the same as the body,

0:28:44.040 --> 0:28:47.760
<v Speaker 1>the body's temperature. Apparently, at one point, while Lily was

0:28:47.840 --> 0:28:51.120
<v Speaker 1>experimenting on himself, he's trying to bring the temperature to

0:28:51.120 --> 0:28:53.280
<v Speaker 1>the right thing, and he fell into a coma. That

0:28:53.360 --> 0:28:55.560
<v Speaker 1>was another thing that I read. And I mean, it

0:28:55.680 --> 0:28:58.840
<v Speaker 1>must not have been that long or serious, but I

0:28:59.720 --> 0:29:01.960
<v Speaker 1>don't but don't quite know how that would happen, even

0:29:02.120 --> 0:29:04.719
<v Speaker 1>especially given my experience in an isolation tank. But this

0:29:04.760 --> 0:29:08.560
<v Speaker 1>was in one of the papers I read. He also speculated,

0:29:08.760 --> 0:29:10.600
<v Speaker 1>now this is the beginning of the John C. Lily

0:29:10.640 --> 0:29:14.000
<v Speaker 1>everybody came to know and love that in a tank,

0:29:14.440 --> 0:29:20.560
<v Speaker 1>a person, meaning a man, could orgasm without ejaculating. So

0:29:20.680 --> 0:29:22.680
<v Speaker 1>another thing that comes out of this, outside of his

0:29:22.920 --> 0:29:28.080
<v Speaker 1>speculations on orgasms and ejaculation, is uh, that he also

0:29:28.120 --> 0:29:31.520
<v Speaker 1>figured out that even in the tank, that the pure

0:29:31.560 --> 0:29:35.160
<v Speaker 1>mental state that he was looking to achieve wasn't necessarily

0:29:35.200 --> 0:29:41.440
<v Speaker 1>possible because it even eliminating all sensory stimulation, just that

0:29:41.520 --> 0:29:45.560
<v Speaker 1>kind of isolation in the tank. Wasn't achieving that? Um,

0:29:45.760 --> 0:29:47.400
<v Speaker 1>this is probably a good opportunity for me to read

0:29:47.440 --> 0:29:50.600
<v Speaker 1>that second quote you mentioned. So this is from Lily

0:29:50.640 --> 0:29:54.120
<v Speaker 1>wrote lots of books on his own outside of his

0:29:54.200 --> 0:29:56.560
<v Speaker 1>work with the government, and that weren't published really by

0:29:56.880 --> 0:29:59.440
<v Speaker 1>I wouldn't call them peer reviewed in any sense, right,

0:29:59.680 --> 0:30:01.360
<v Speaker 1>And this is one of them. I believe it's called

0:30:01.440 --> 0:30:05.880
<v Speaker 1>I love this title Tanks for the Memories flotation tank talks. Yeah,

0:30:05.880 --> 0:30:09.560
<v Speaker 1>and this is from this is definitely later after Yeah,

0:30:09.720 --> 0:30:13.320
<v Speaker 1>So okay. He says at the highest level of satory

0:30:13.520 --> 0:30:17.080
<v Speaker 1>from which people return, the point of consciousness becomes a

0:30:17.160 --> 0:30:21.200
<v Speaker 1>surface or solid which extends throughout the whole known universe.

0:30:21.800 --> 0:30:24.720
<v Speaker 1>This used to be called fusion with the universal mind

0:30:24.920 --> 0:30:27.720
<v Speaker 1>or God. In more modern terms, you have done a

0:30:27.760 --> 0:30:31.840
<v Speaker 1>mathematical transformation in which your center of consciousness has ceased

0:30:31.960 --> 0:30:35.080
<v Speaker 1>to be a traveling point and has become a surface

0:30:35.400 --> 0:30:39.200
<v Speaker 1>or solid of consciousness. It was in this state that

0:30:39.320 --> 0:30:44.640
<v Speaker 1>I experienced myself as melded and intertwined with hundreds of

0:30:44.760 --> 0:30:48.920
<v Speaker 1>billions of other beings in a thin sheet of consciousness

0:30:48.960 --> 0:30:53.600
<v Speaker 1>that was distributed around the galaxy a membrane. Now this

0:30:53.720 --> 0:30:56.400
<v Speaker 1>definitely touches on some of his wackier theories that we're

0:30:56.400 --> 0:30:59.360
<v Speaker 1>going to get into later. Yeah, it touches on some more, Yeah,

0:30:59.400 --> 0:31:02.360
<v Speaker 1>the mystical ideas that he explores in his work. I

0:31:02.400 --> 0:31:05.600
<v Speaker 1>do have to say, though, with ultimately what he's talking

0:31:05.640 --> 0:31:09.120
<v Speaker 1>about here, and ultimately with with the experience of love

0:31:09.120 --> 0:31:12.280
<v Speaker 1>of meditation, but also with the flow tank, a lot

0:31:12.320 --> 0:31:14.560
<v Speaker 1>of what's happening is the shutdown of what's called the

0:31:14.600 --> 0:31:18.320
<v Speaker 1>default mode network. Actually we understand it more now is

0:31:18.440 --> 0:31:23.920
<v Speaker 1>a series of of of interconnected resting state networks involved

0:31:23.960 --> 0:31:27.000
<v Speaker 1>in vision, hearing, movement, attention, and memory. But you can

0:31:27.040 --> 0:31:29.080
<v Speaker 1>think of it as just that that knee voice what

0:31:29.200 --> 0:31:33.120
<v Speaker 1>Ecartole calls the egoic mind, this sort of knee centered

0:31:33.240 --> 0:31:35.520
<v Speaker 1>narrative that's always running in the background of our head,

0:31:36.080 --> 0:31:38.520
<v Speaker 1>whether we are conscious of it or not, you know,

0:31:38.560 --> 0:31:41.320
<v Speaker 1>worrying about the past, worrying about the future. And if

0:31:41.360 --> 0:31:45.200
<v Speaker 1>you can shut that off, then you're in this point

0:31:45.240 --> 0:31:50.000
<v Speaker 1>of clarity and now illness, and you can actually explore

0:31:50.640 --> 0:31:53.120
<v Speaker 1>thoughts about yourself and the world around you in ways

0:31:53.160 --> 0:31:56.320
<v Speaker 1>that you're often crippled from. Yeah, I mean, this is

0:31:56.760 --> 0:31:59.720
<v Speaker 1>certainly like what I try to get out of you

0:31:59.760 --> 0:32:02.960
<v Speaker 1>know with yoga and meditation in some situations, but but

0:32:03.000 --> 0:32:05.400
<v Speaker 1>also I gotta say, after doing the isolation tank thing,

0:32:05.440 --> 0:32:07.640
<v Speaker 1>I want one of those in my home. And maybe

0:32:07.680 --> 0:32:09.840
<v Speaker 1>maybe if you did it too much, it would it

0:32:09.840 --> 0:32:14.000
<v Speaker 1>would sort of defeat the purpose for achieving that sort

0:32:14.000 --> 0:32:18.200
<v Speaker 1>of lack of self right of thinking about everything else

0:32:18.240 --> 0:32:20.160
<v Speaker 1>around you. I don't know, I've never heard anyone say

0:32:20.200 --> 0:32:22.560
<v Speaker 1>they do it too much. There, They're always people are

0:32:22.560 --> 0:32:24.440
<v Speaker 1>really into it. Or if I could just like after

0:32:24.520 --> 0:32:27.080
<v Speaker 1>every day coming home, just hop into one of those

0:32:27.120 --> 0:32:29.640
<v Speaker 1>for thirty minutes, that would be great. I read an

0:32:29.680 --> 0:32:33.320
<v Speaker 1>account about there was a woman in the nineteen eighties

0:32:33.360 --> 0:32:35.560
<v Speaker 1>who was apparently like a I don't know that I

0:32:35.560 --> 0:32:37.840
<v Speaker 1>would call her a student of Lilies, but she was

0:32:37.880 --> 0:32:41.080
<v Speaker 1>somebody who followed his work closely. She was one of

0:32:41.160 --> 0:32:45.440
<v Speaker 1>the first people to open like a business around isolation tanks,

0:32:45.440 --> 0:32:47.320
<v Speaker 1>and she had one in her home on the twenty

0:32:47.320 --> 0:32:51.040
<v Speaker 1>floor of a Manhattan skyscraper, and she I think at

0:32:51.040 --> 0:32:53.600
<v Speaker 1>the time she charged people like twenty five dollars per hour.

0:32:53.960 --> 0:32:56.440
<v Speaker 1>And one of her main clients was a television executive

0:32:56.800 --> 0:32:59.080
<v Speaker 1>who would he said something along the lines of, how

0:32:59.080 --> 0:33:02.320
<v Speaker 1>like after every light home back to Manhattan, after like

0:33:02.680 --> 0:33:05.720
<v Speaker 1>you know, doing a bunch of television sales type stuff,

0:33:05.720 --> 0:33:08.160
<v Speaker 1>he would before even going home, go to her place

0:33:08.200 --> 0:33:11.040
<v Speaker 1>and hop into one of these isolation tanks. It's kind

0:33:11.040 --> 0:33:14.120
<v Speaker 1>of fascinating that like a guy like that saw the

0:33:14.240 --> 0:33:16.920
<v Speaker 1>value and just kind of slowing everything down. Yeah, I

0:33:16.920 --> 0:33:18.959
<v Speaker 1>mean it leaves a bit leads of busy life, so

0:33:19.120 --> 0:33:22.880
<v Speaker 1>it would make sense. Alright, So let's at this point

0:33:22.880 --> 0:33:25.480
<v Speaker 1>we're gonna return back to dolphins. I feel like we

0:33:25.480 --> 0:33:28.479
<v Speaker 1>we've we've set everything up to to continue Lily's journey.

0:33:28.880 --> 0:33:33.040
<v Speaker 1>We're going to around nineteen Uh. This is when Lily

0:33:33.120 --> 0:33:36.840
<v Speaker 1>presents a paper before the American Psychiatric Association and he

0:33:36.880 --> 0:33:40.560
<v Speaker 1>makes some rather dramatic claims about the intelligence and the

0:33:40.680 --> 0:33:45.479
<v Speaker 1>linguistic abilities of the bottlenose dolphins specifically. Now that the

0:33:45.560 --> 0:33:48.840
<v Speaker 1>evidence that he cites as a parent is arguably scant

0:33:49.000 --> 0:33:53.160
<v Speaker 1>and and anecdotal, but it resonated pretty strongly, and it

0:33:53.240 --> 0:33:56.840
<v Speaker 1>resonated with the right people. So soon you had prestigious

0:33:56.880 --> 0:34:00.480
<v Speaker 1>federal research awards rolling in, and he uses the funds

0:34:00.480 --> 0:34:04.160
<v Speaker 1>to build a dedicated dolphin laboratory on St. Thomas in

0:34:04.200 --> 0:34:10.719
<v Speaker 1>the US Virgin Islands. The Communication Research Institute or c R. I. Yeah,

0:34:10.760 --> 0:34:12.919
<v Speaker 1>And the most fascinating thing that you added to these

0:34:12.960 --> 0:34:18.320
<v Speaker 1>notes is that at its height, this institute, under Lily's guidance,

0:34:18.400 --> 0:34:23.279
<v Speaker 1>was receiving half a million dollars a year in grant money.

0:34:23.440 --> 0:34:27.160
<v Speaker 1>It exploded crazy, especially when you consider what half a

0:34:27.160 --> 0:34:31.440
<v Speaker 1>million dollars was worth back then. That's nuts, Uh, that

0:34:31.680 --> 0:34:35.200
<v Speaker 1>that he was getting that much support. Uh. And it

0:34:35.280 --> 0:34:38.000
<v Speaker 1>sounds like during this time he I guess he had

0:34:38.000 --> 0:34:41.520
<v Speaker 1>a home in Miami. Sounded like he'd become fairly acclimated

0:34:41.520 --> 0:34:44.080
<v Speaker 1>to Florida and liked it a lot there. But he

0:34:44.160 --> 0:34:46.880
<v Speaker 1>had the lab in St. Thomas. Uh. And there was

0:34:46.920 --> 0:34:51.239
<v Speaker 1>this really interesting nineteen sixty Time magazine piece that I

0:34:51.280 --> 0:34:54.319
<v Speaker 1>was able to pull and it's this kind of fascinating

0:34:54.440 --> 0:34:58.480
<v Speaker 1>like feature piece on on him, and they described him

0:34:58.480 --> 0:35:04.720
<v Speaker 1>as a deep chested, sun tanned neurophysiologist. I like that. That.

0:35:04.719 --> 0:35:06.640
<v Speaker 1>That must be where the idea for the George C.

0:35:06.760 --> 0:35:10.759
<v Speaker 1>Scott character and the dolphin came from. But at the

0:35:10.800 --> 0:35:13.000
<v Speaker 1>time that they came to visit him Time Magazine, that

0:35:13.160 --> 0:35:15.960
<v Speaker 1>is uh, he was working on an elaborate system of

0:35:16.040 --> 0:35:19.000
<v Speaker 1>jetties and pools at the center. The idea was that

0:35:19.040 --> 0:35:23.320
<v Speaker 1>he was trying to learn about dolphins sonar for the Navy.

0:35:23.680 --> 0:35:26.799
<v Speaker 1>They were paying for the expenses of this construction. Uh.

0:35:26.840 --> 0:35:29.680
<v Speaker 1>And the idea was that they they felt that dolphins

0:35:29.680 --> 0:35:32.359
<v Speaker 1>sonar was better than their own capabilities at the time,

0:35:32.400 --> 0:35:33.960
<v Speaker 1>so they wanted to figure out a way to reverse

0:35:34.000 --> 0:35:37.480
<v Speaker 1>engineer and mimic it. Yes, the Navy was definitely one

0:35:37.480 --> 0:35:41.040
<v Speaker 1>of the interested party that was won over by his

0:35:41.040 --> 0:35:44.600
<v Speaker 1>his arguments for dolphin intelligence and dolphin abilities. Well, I mean,

0:35:44.680 --> 0:35:46.840
<v Speaker 1>he had some some convincing evidence. Like you said, it

0:35:46.880 --> 0:35:50.359
<v Speaker 1>wasn't all like uh perfect, but when he he must

0:35:50.400 --> 0:35:53.799
<v Speaker 1>have been a very charismatic guy, I'm imagining, because when

0:35:53.800 --> 0:35:56.720
<v Speaker 1>he gives these presentations, people just fall head over heels

0:35:56.719 --> 0:35:58.200
<v Speaker 1>for it. I mean, you hear it in his voice,

0:35:58.239 --> 0:35:59.920
<v Speaker 1>and you will actually hear his voice at the end

0:36:00.000 --> 0:36:02.360
<v Speaker 1>of this podcast. Like. One of the things that I

0:36:02.360 --> 0:36:06.320
<v Speaker 1>think he convinced the Navy with was by dissecting dolphin brains. Uh.

0:36:06.440 --> 0:36:08.680
<v Speaker 1>You know, we we talked about this earlier. They're bigger

0:36:08.719 --> 0:36:11.560
<v Speaker 1>than human brains obviously, but they also have as complicated

0:36:11.560 --> 0:36:14.440
<v Speaker 1>a cerebral cortex. Uh. And so this is when he

0:36:14.520 --> 0:36:18.719
<v Speaker 1>starts planting electrodes in the dolphin brains. Kind of along

0:36:18.760 --> 0:36:20.000
<v Speaker 1>the same lines of what we were talking about with

0:36:20.040 --> 0:36:23.879
<v Speaker 1>the monkeys earlier, trying to stimulate their pleasure centers, specifically

0:36:23.920 --> 0:36:28.480
<v Speaker 1>with electricity. And this is the weirdest, Like this grossed

0:36:28.520 --> 0:36:32.200
<v Speaker 1>me out. This quote from the Time magazine article. He said,

0:36:32.560 --> 0:36:36.840
<v Speaker 1>when he first stimulated their pleasure centers with electrodes, the

0:36:36.960 --> 0:36:42.040
<v Speaker 1>muscles around their blow hole smiled. That is the weirdest, Like,

0:36:42.320 --> 0:36:44.200
<v Speaker 1>I don't know why. It just squeaks me out, Like

0:36:44.280 --> 0:36:47.680
<v Speaker 1>the idea of a little smile forming around and the

0:36:47.760 --> 0:36:50.600
<v Speaker 1>but the like dolphins got like its head peel, you know,

0:36:50.640 --> 0:36:53.560
<v Speaker 1>it's scalp peeled back with all these electrodes wired into it.

0:36:54.200 --> 0:36:56.839
<v Speaker 1>Whatever the case, the dolphins loved it. In fact, there

0:36:56.880 --> 0:36:59.480
<v Speaker 1>was an apparatus that he used to sort of train

0:36:59.560 --> 0:37:02.400
<v Speaker 1>them with it. They could give themselves the electrical jolt,

0:37:02.760 --> 0:37:05.560
<v Speaker 1>and they did it so much that they became addicted

0:37:05.600 --> 0:37:09.239
<v Speaker 1>to it. Uh. And this is this is so this

0:37:09.320 --> 0:37:12.320
<v Speaker 1>is a different story from what I um you mentioned earlier.

0:37:12.640 --> 0:37:15.600
<v Speaker 1>I In this nineteen piece, they say this is where

0:37:15.640 --> 0:37:18.839
<v Speaker 1>he first encountered the dolphins mimicking human speech. He says

0:37:18.880 --> 0:37:22.160
<v Speaker 1>that apparently, and maybe he's just you know, b sing

0:37:22.239 --> 0:37:24.920
<v Speaker 1>them during an interview or something like that. But he

0:37:25.000 --> 0:37:28.240
<v Speaker 1>says an apparatus broke down one day at the St.

0:37:28.239 --> 0:37:32.160
<v Speaker 1>Thomas laboratory and he had left a tape recorder running

0:37:32.320 --> 0:37:35.399
<v Speaker 1>and he heard a Donald Duck like voice on tape

0:37:35.400 --> 0:37:38.680
<v Speaker 1>recorder later on that was imitating him saying the words

0:37:38.760 --> 0:37:42.200
<v Speaker 1>three hundred and twenty three over and over again. And

0:37:42.239 --> 0:37:44.600
<v Speaker 1>then he also said that the dolphins imitated the buzz

0:37:44.640 --> 0:37:47.480
<v Speaker 1>of a transformer and the rattle of a movie camera

0:37:47.520 --> 0:37:51.040
<v Speaker 1>that we're in, I'm assuming in the same laboratory space. Yeah,

0:37:51.080 --> 0:37:54.880
<v Speaker 1>So there's this feeling that he's getting here that not

0:37:54.960 --> 0:37:58.239
<v Speaker 1>only is he reaching out to them to make communication,

0:37:58.600 --> 0:38:02.319
<v Speaker 1>but they are reaching out to us, and he has

0:38:02.360 --> 0:38:03.919
<v Speaker 1>to meet them in the middle. He has to find

0:38:03.960 --> 0:38:08.600
<v Speaker 1>a way to make this connection. Uh. And towards that end,

0:38:08.640 --> 0:38:11.800
<v Speaker 1>he starts like documenting what he thinks is dolphin language.

0:38:11.800 --> 0:38:13.600
<v Speaker 1>And now, you know, I think that it's it's fairly

0:38:13.640 --> 0:38:15.680
<v Speaker 1>well documented at this point that we know that there

0:38:15.760 --> 0:38:18.719
<v Speaker 1>is such a thing. Uh. He learned one phrase in

0:38:18.760 --> 0:38:21.360
<v Speaker 1>dolphin language that he reported back to Time in nineteen

0:38:21.440 --> 0:38:23.719
<v Speaker 1>sixty and it was what he called their May Day

0:38:23.800 --> 0:38:26.640
<v Speaker 1>distress call, and he describes it as sounding like a

0:38:26.680 --> 0:38:30.040
<v Speaker 1>wolf whistling, which I don't. I don't know that that's

0:38:30.080 --> 0:38:33.080
<v Speaker 1>necessarily a description that immediately calls a sound to my mind.

0:38:33.080 --> 0:38:35.440
<v Speaker 1>But maybe Lily was encountering more wolves than I do

0:38:35.480 --> 0:38:39.520
<v Speaker 1>on a daily basis. But he specifically noted that this

0:38:39.680 --> 0:38:43.560
<v Speaker 1>happened when he put a paralyzed dolphin in a pool.

0:38:43.960 --> 0:38:45.840
<v Speaker 1>So one thing I want to stop and ask is

0:38:46.080 --> 0:38:49.120
<v Speaker 1>why would you do that? He puts this paralyzed dolphin

0:38:49.160 --> 0:38:52.520
<v Speaker 1>in the pool, right, the dolphin sinks to the bottom

0:38:52.600 --> 0:38:56.520
<v Speaker 1>and immediately starts crying out with this may day distress call. Well,

0:38:56.600 --> 0:38:59.560
<v Speaker 1>Lily says, the other dolphins all came to its rescue

0:38:59.640 --> 0:39:01.960
<v Speaker 1>and pushed it back to the surface so that it

0:39:01.960 --> 0:39:05.200
<v Speaker 1>could continue breathing. So maybe he speculated that that was

0:39:05.200 --> 0:39:06.600
<v Speaker 1>going to happen, and this was just kind of a

0:39:06.640 --> 0:39:10.719
<v Speaker 1>test of their I guess, like bond together. But it

0:39:10.840 --> 0:39:14.920
<v Speaker 1>just again I was like wow, Like, uh, despite his

0:39:15.080 --> 0:39:18.799
<v Speaker 1>fascination and love for these animals, he's willing to like

0:39:18.920 --> 0:39:21.799
<v Speaker 1>let one potentially drown. Yeah, And I mean part of this,

0:39:22.000 --> 0:39:24.759
<v Speaker 1>I think is that he's he's certainly working, you know,

0:39:24.800 --> 0:39:27.719
<v Speaker 1>within the scientific atmosphere of the day and the attitude

0:39:27.719 --> 0:39:31.960
<v Speaker 1>towards uh test animals of the day, and you can

0:39:31.960 --> 0:39:34.680
<v Speaker 1>probably chalk a bit of it up to his uh,

0:39:34.880 --> 0:39:38.280
<v Speaker 1>you know, his his laser focused vision, which we certainly

0:39:38.280 --> 0:39:41.760
<v Speaker 1>saw during his NYM days and continues to a certain

0:39:41.760 --> 0:39:45.280
<v Speaker 1>extent with the dolphins. It sounds from from the research

0:39:45.320 --> 0:39:48.080
<v Speaker 1>I was reading that his his work with the dolphins

0:39:48.120 --> 0:39:52.760
<v Speaker 1>definitely got less invasive. He got further and further away

0:39:52.840 --> 0:39:55.880
<v Speaker 1>from the sort of the the harder stuff of the

0:39:55.960 --> 0:39:58.920
<v Speaker 1>NYM days. But but he was still at times sort

0:39:58.960 --> 0:40:03.560
<v Speaker 1>of accused of having an occasional cavalier attitude towards the

0:40:04.040 --> 0:40:06.200
<v Speaker 1>test dolphins. Yeah. I think though that that sort of

0:40:06.200 --> 0:40:09.600
<v Speaker 1>phases out over time, you know. Um. But not a

0:40:09.680 --> 0:40:12.000
<v Speaker 1>year later after this time thing, that's when he published

0:40:12.080 --> 0:40:15.680
<v Speaker 1>his like big dolphin book, right yes, nineteen one Man

0:40:15.719 --> 0:40:19.440
<v Speaker 1>and Dolphin Adventures of a New Scientific Frontier. And this

0:40:19.480 --> 0:40:23.560
<v Speaker 1>book just really becomes a big deal. Not only researchers,

0:40:23.560 --> 0:40:26.760
<v Speaker 1>not only scientists and academics, but just the general public

0:40:26.800 --> 0:40:29.319
<v Speaker 1>are eating this book up. And I'm just gonna read

0:40:29.320 --> 0:40:30.640
<v Speaker 1>you a quick sample from so you can get just

0:40:30.680 --> 0:40:33.200
<v Speaker 1>an idea of some of the things he's talking about

0:40:33.280 --> 0:40:35.839
<v Speaker 1>in this book. He's documenting his work with dolphins thus

0:40:35.840 --> 0:40:38.160
<v Speaker 1>far but he's also talking about where he thinks this

0:40:38.239 --> 0:40:41.239
<v Speaker 1>work can take us. He said, quote, eventually it may

0:40:41.239 --> 0:40:44.200
<v Speaker 1>be possible for humans to speak with another species. I

0:40:44.239 --> 0:40:47.160
<v Speaker 1>have come to this conclusion after careful consideration of evidence

0:40:47.200 --> 0:40:50.560
<v Speaker 1>game through my research experiments with dolphins. If new scientific

0:40:50.640 --> 0:40:53.720
<v Speaker 1>developments are to be made in this direction, however, certain

0:40:53.800 --> 0:40:58.799
<v Speaker 1>changes in our basic orientation, orientation, and philosophy will be necessary.

0:40:59.200 --> 0:41:03.000
<v Speaker 1>So he's talking about just a game changing development here.

0:41:03.040 --> 0:41:06.279
<v Speaker 1>He's talking about He discusses us reaching the point where

0:41:06.360 --> 0:41:11.239
<v Speaker 1>we we teach dolphins to speak English, to speak English,

0:41:11.320 --> 0:41:14.439
<v Speaker 1>and to even have to create a chair for them

0:41:14.440 --> 0:41:19.080
<v Speaker 1>on the United Nations. So you know this, he's talking

0:41:19.080 --> 0:41:23.200
<v Speaker 1>about finding an alien intelligence here on our planet and

0:41:23.320 --> 0:41:27.520
<v Speaker 1>uh and and communing with them, um, communicating with them

0:41:27.760 --> 0:41:32.160
<v Speaker 1>and actually inviting them into our rule of the world.

0:41:32.280 --> 0:41:35.040
<v Speaker 1>And he's clearly going into his own soul searching too.

0:41:35.080 --> 0:41:37.960
<v Speaker 1>If we sort of like compare this with the history

0:41:38.000 --> 0:41:39.799
<v Speaker 1>of his life, you know, I mean, I think he

0:41:39.800 --> 0:41:42.880
<v Speaker 1>he had like a very personal reason for feeling so

0:41:42.920 --> 0:41:45.960
<v Speaker 1>strongly about this, given the way that he had experimented

0:41:45.960 --> 0:41:49.160
<v Speaker 1>on these animals previously. He goes from that to thinking

0:41:49.160 --> 0:41:51.960
<v Speaker 1>that they should be part of the United Nations. Uh.

0:41:52.000 --> 0:41:54.480
<v Speaker 1>And and by the sixties he's this is when he's

0:41:54.520 --> 0:41:58.560
<v Speaker 1>publishing academic papers glore showing that dolphins can mimic all

0:41:58.640 --> 0:42:04.160
<v Speaker 1>kinds of human speech pattern by clicking, squeaking, and rasping. Uh.

0:42:04.200 --> 0:42:08.000
<v Speaker 1>And he even talked, there's this British I got the

0:42:08.040 --> 0:42:11.480
<v Speaker 1>impression from the article I read that this British anthropologist

0:42:11.520 --> 0:42:12.880
<v Speaker 1>was a big deal at the time. His name is

0:42:12.920 --> 0:42:17.319
<v Speaker 1>Gregory Bateson and the US Navy and and him and

0:42:17.400 --> 0:42:20.360
<v Speaker 1>Lily were all kind of influenced by the research that

0:42:20.440 --> 0:42:24.240
<v Speaker 1>was going on at the center. And Lily pitched human

0:42:24.360 --> 0:42:28.799
<v Speaker 1>dolphin communication to NASA at the time, saying that if

0:42:28.840 --> 0:42:31.880
<v Speaker 1>they were going to encounter aliens, this is the perfect

0:42:31.880 --> 0:42:33.839
<v Speaker 1>way for them to sort of come up with a

0:42:34.040 --> 0:42:37.800
<v Speaker 1>model of communications standards with an alien intelligence. Yeah to

0:42:38.719 --> 0:42:41.480
<v Speaker 1>And it makes sense, right if you're attempting to communicate

0:42:41.600 --> 0:42:45.480
<v Speaker 1>with a as a different yet equal form of consciousness,

0:42:46.080 --> 0:42:49.440
<v Speaker 1>and this could conceivably be an experiment in that. And

0:42:49.480 --> 0:42:51.560
<v Speaker 1>you can see now where Day of the Dolphin came from.

0:42:51.600 --> 0:42:53.120
<v Speaker 1>I don't know what year that came out. I want

0:42:53.160 --> 0:42:56.520
<v Speaker 1>to say it was early seventies maybe, but uh, if

0:42:56.560 --> 0:42:59.480
<v Speaker 1>you've never seen the movie before it involves the George C.

0:42:59.680 --> 0:43:02.360
<v Speaker 1>Scott as John C. Lily. They both had season the

0:43:02.400 --> 0:43:06.440
<v Speaker 1>middle character teaching dolphins to speak English. They can speak English,

0:43:06.480 --> 0:43:09.200
<v Speaker 1>and I believe it's on behalf of the U. S Government. Uh.

0:43:09.239 --> 0:43:12.400
<v Speaker 1>And you know they say things like fall loves paw

0:43:12.680 --> 0:43:16.360
<v Speaker 1>right like he's paw and I think he names them

0:43:16.400 --> 0:43:19.800
<v Speaker 1>all things that rhyme with paw because it's easier for

0:43:19.840 --> 0:43:22.160
<v Speaker 1>them to pronounce or whatever. It's kind of a silly movie,

0:43:22.160 --> 0:43:24.160
<v Speaker 1>but it's also a little bit touching in a way. So, yeah,

0:43:24.200 --> 0:43:26.600
<v Speaker 1>the book is a huge success in inspired of these movies.

0:43:26.640 --> 0:43:29.960
<v Speaker 1>That's the idea just spells like spreads like wildfire. And

0:43:30.040 --> 0:43:32.560
<v Speaker 1>this was a period again, the fifties and sixties, during

0:43:32.600 --> 0:43:35.839
<v Speaker 1>which fascination with the underwater world is really taking off.

0:43:35.920 --> 0:43:38.360
<v Speaker 1>This is the time of you know, scuba is really

0:43:38.760 --> 0:43:43.040
<v Speaker 1>really exploding, Jacques Cousteaux is is making a big name

0:43:43.080 --> 0:43:46.480
<v Speaker 1>for himself. It's the time of Sea Hunt. And in

0:43:46.600 --> 0:43:50.480
<v Speaker 1>nineteen sixty three, of course, you see the television show Flipper. Yeah,

0:43:50.560 --> 0:43:54.880
<v Speaker 1>a mainstream television show about an intelligent dolphin that communicates

0:43:54.880 --> 0:43:58.080
<v Speaker 1>with humans. Yeah, and this is where we come back

0:43:58.120 --> 0:44:01.280
<v Speaker 1>to our connections to the creature from the Black Lagoon.

0:44:01.400 --> 0:44:03.839
<v Speaker 1>Oh yeah, hit me with it. Yeah, so I kind

0:44:03.840 --> 0:44:07.160
<v Speaker 1>of had forgotten this, but that TV series Flipper was

0:44:07.200 --> 0:44:10.719
<v Speaker 1>based on a nineteen sixty three film of the same name,

0:44:11.520 --> 0:44:16.960
<v Speaker 1>a film co created by Ricou Browning. Okay, Riccou Browning

0:44:17.560 --> 0:44:21.000
<v Speaker 1>worked at Marine Studios, which we mentioned earlier, the place

0:44:21.040 --> 0:44:25.680
<v Speaker 1>where where Lily initially went down to study dolphins. And uh,

0:44:26.000 --> 0:44:29.360
<v Speaker 1>Browning actually portrayed the creature from the Black Lagoon in

0:44:29.360 --> 0:44:32.160
<v Speaker 1>the first two films. So Lily is actually the guy

0:44:32.239 --> 0:44:33.640
<v Speaker 1>wearing the rubber suit. Yeah, he was a guy in

0:44:33.640 --> 0:44:36.480
<v Speaker 1>the rubber suits in the first two Creature films. And uh,

0:44:36.480 --> 0:44:40.040
<v Speaker 1>and again he co created Flipper, and Lily is actually

0:44:40.080 --> 0:44:44.120
<v Speaker 1>thanked in the credits to the nine film Flipper. So

0:44:44.360 --> 0:44:48.920
<v Speaker 1>that's nuts. Wow. Okay, well yeah, and it it also

0:44:49.000 --> 0:44:51.600
<v Speaker 1>makes me think of God. The film version of twenty

0:44:51.920 --> 0:44:53.560
<v Speaker 1>Leagues Into the Sea was made around that time to

0:44:53.719 --> 0:44:57.279
<v Speaker 1>probably right, Um, I don't know the specific date on that,

0:44:57.320 --> 0:44:59.759
<v Speaker 1>but yeah, there is that fascination with sort of under

0:45:00.040 --> 0:45:02.640
<v Speaker 1>the adventure. Yeah, it's opening up to us in ways

0:45:02.680 --> 0:45:05.400
<v Speaker 1>that it just had not been previously available, and so

0:45:05.440 --> 0:45:07.759
<v Speaker 1>we're we're fascinated with this new world down there, and

0:45:07.760 --> 0:45:11.120
<v Speaker 1>then to to to also have this potential revelation laid

0:45:11.160 --> 0:45:13.799
<v Speaker 1>on our plate that there is an intelligence down there,

0:45:14.200 --> 0:45:17.320
<v Speaker 1>uh more or less on par with our own. I

0:45:17.360 --> 0:45:20.560
<v Speaker 1>wonder what John C. Lily thought of the abyss. I

0:45:20.560 --> 0:45:23.200
<v Speaker 1>don't know, that would have been interesting. Huh. Yeah, that's

0:45:23.200 --> 0:45:25.440
<v Speaker 1>probably in a way. That's a very Lily movie, isn't it.

0:45:26.080 --> 0:45:31.040
<v Speaker 1>So studies at the center continue again. Lily's approach gradually

0:45:31.080 --> 0:45:33.560
<v Speaker 1>moves away from the sort of creepy world of nim

0:45:33.640 --> 0:45:37.280
<v Speaker 1>is nim work and into less invasive techniques. He abandons

0:45:37.280 --> 0:45:41.280
<v Speaker 1>the use of electrodes and instead attempts to essentially meld

0:45:41.400 --> 0:45:45.560
<v Speaker 1>minds with the dolphins to understand the shape of their consciousness. Um.

0:45:45.640 --> 0:45:48.960
<v Speaker 1>He turns increasingly to the flotation tank and attempt to

0:45:49.280 --> 0:45:53.440
<v Speaker 1>achieve this. He hypes in hydrophone recordings of their sounds,

0:45:53.920 --> 0:45:57.920
<v Speaker 1>and eventually too he starts using LSD. And this is

0:45:57.920 --> 0:46:01.360
<v Speaker 1>where it's all coming together. Right. They seem like very

0:46:01.400 --> 0:46:05.000
<v Speaker 1>disparate things when you say dolphins, isolation tanks, and LSD,

0:46:05.320 --> 0:46:08.160
<v Speaker 1>But he's combining all of these things together. Yeah, and

0:46:08.200 --> 0:46:10.440
<v Speaker 1>at the time it's legal, He's able to get it

0:46:10.480 --> 0:46:13.920
<v Speaker 1>through his his connections his clearance. He's getting it totally

0:46:14.200 --> 0:46:17.560
<v Speaker 1>on the board and uh. In beginning of nineteen sixty four,

0:46:17.760 --> 0:46:20.520
<v Speaker 1>he also is injecting it into the dolphins to see

0:46:20.560 --> 0:46:22.719
<v Speaker 1>what kind of effect it will. It will. Oh, I

0:46:22.719 --> 0:46:25.520
<v Speaker 1>didn't know that really, And this was pretty standard for

0:46:25.560 --> 0:46:27.080
<v Speaker 1>the time. This was a time when there were a

0:46:27.080 --> 0:46:29.400
<v Speaker 1>lot of LSD experiments going on, and we were putting

0:46:29.480 --> 0:46:32.480
<v Speaker 1>LSD into the bodies of various animals and tests I

0:46:32.600 --> 0:46:35.719
<v Speaker 1>used to see how they responded. Uh, And apparently they

0:46:35.800 --> 0:46:38.520
<v Speaker 1>did not really respond to LSD, which he was kind

0:46:38.520 --> 0:46:41.520
<v Speaker 1>of disappointed with, but he kept taking it. He kept

0:46:41.719 --> 0:46:45.719
<v Speaker 1>going in. Yeah, see if he could he could understand

0:46:45.760 --> 0:46:48.080
<v Speaker 1>their mind. Um. So one of the things that I

0:46:48.120 --> 0:46:50.800
<v Speaker 1>read when researching him, and I hadn't really realized this.

0:46:50.840 --> 0:46:52.840
<v Speaker 1>Do you do you remember a video game called Echo

0:46:52.960 --> 0:46:56.400
<v Speaker 1>the Dolphin? Yeah, I do. I vaguely remember it. I

0:46:56.400 --> 0:46:58.440
<v Speaker 1>didn't play it. I talked to Joe about it, our

0:46:58.480 --> 0:47:01.880
<v Speaker 1>co host, and he did play it. Uh. And apparently

0:47:01.960 --> 0:47:06.040
<v Speaker 1>the whole game was centered around Lily, his research and

0:47:06.080 --> 0:47:08.719
<v Speaker 1>his sort of philosophy. Yeah, I had no idea. It

0:47:08.760 --> 0:47:12.279
<v Speaker 1>apparently gets really psychedelic as it continues. I only ever

0:47:12.360 --> 0:47:14.080
<v Speaker 1>like played like the first level. So I have a

0:47:14.200 --> 0:47:16.960
<v Speaker 1>very service level understanding of eco to think it's like

0:47:17.040 --> 0:47:19.600
<v Speaker 1>something Joe said. It was something to the effect that

0:47:19.640 --> 0:47:22.879
<v Speaker 1>like there's even like an alien sort of overmind that

0:47:23.280 --> 0:47:26.680
<v Speaker 1>causes the events on Earth that make echo the dolphin

0:47:26.719 --> 0:47:30.280
<v Speaker 1>have to try to, you know, go through this gamut

0:47:30.280 --> 0:47:35.000
<v Speaker 1>of psychedelic levels and pervious save the world. That's cool. Yeah,

0:47:35.239 --> 0:47:37.520
<v Speaker 1>So it's c r I. We continue to see him

0:47:37.520 --> 0:47:40.319
<v Speaker 1>doing what he's always done. He's using the best technology,

0:47:40.880 --> 0:47:45.520
<v Speaker 1>various methodologies, and an attempt to achieve his his goal here. So,

0:47:45.600 --> 0:47:47.760
<v Speaker 1>for instance, he uses state of the art code breaking

0:47:47.800 --> 0:47:50.840
<v Speaker 1>computers and an attempt to crack the code of dolphin

0:47:50.960 --> 0:47:56.200
<v Speaker 1>vocalization patterns and uh as. As Bruce Clark points out

0:47:56.239 --> 0:47:59.920
<v Speaker 1>in his Communication plus one paper from two thousand and fourteen,

0:48:00.160 --> 0:48:03.120
<v Speaker 1>John Lily, The Mind of the Dolphin and Communication out

0:48:03.120 --> 0:48:07.840
<v Speaker 1>of Bounds. He says, Lily mobilize the best available tools

0:48:07.880 --> 0:48:11.680
<v Speaker 1>a cutting edge array of cybernetic concepts. In pursuit of

0:48:11.719 --> 0:48:16.360
<v Speaker 1>his his breakthrough communication with dolphins. He employed quote information theory,

0:48:16.440 --> 0:48:20.640
<v Speaker 1>bound up with first order cybernetics, and operated with the

0:48:20.640 --> 0:48:25.399
<v Speaker 1>heuristic computational metaphors alongside the actual computers of his era.

0:48:25.680 --> 0:48:28.880
<v Speaker 1>So that actually speaks to my my question from earlier

0:48:28.920 --> 0:48:32.040
<v Speaker 1>about brain computer interfaces. It sounds like he did have

0:48:32.120 --> 0:48:34.439
<v Speaker 1>quite a bit of influence on the BC. I yeah,

0:48:34.440 --> 0:48:36.680
<v Speaker 1>it's it sounds like he did. Yeah, he was, you know,

0:48:37.120 --> 0:48:41.160
<v Speaker 1>basically any area he applied himself to, he managed to

0:48:41.360 --> 0:48:45.920
<v Speaker 1>influence that discipline. Uh, sometimes in a positive direction, sometimes

0:48:46.080 --> 0:48:48.680
<v Speaker 1>in a negative direction as well, as we discussed. But

0:48:48.680 --> 0:48:50.520
<v Speaker 1>but in all of this too, we're getting into this

0:48:50.600 --> 0:48:54.480
<v Speaker 1>problem of projection, right. Oh yeah, you mean like actual

0:48:54.560 --> 0:48:58.359
<v Speaker 1>vocal projection. No, no, no, actually like projecting, uh well,

0:48:58.440 --> 0:49:01.359
<v Speaker 1>and maybe to a certain extent, but all so one,

0:49:01.520 --> 0:49:05.319
<v Speaker 1>you know, projecting your consciousness on to another creature, okay,

0:49:05.600 --> 0:49:09.200
<v Speaker 1>okay um. As Plart points out in his paper, projection

0:49:09.280 --> 0:49:12.280
<v Speaker 1>short circuits a proper understanding of what others are thinking

0:49:12.400 --> 0:49:16.360
<v Speaker 1>or meaning to convey when they make a communic communicative offer,

0:49:16.440 --> 0:49:18.920
<v Speaker 1>so that in projection goes. It's a problem when we

0:49:19.000 --> 0:49:21.160
<v Speaker 1>just try and communicate with each other, Like I'm not

0:49:21.200 --> 0:49:24.520
<v Speaker 1>just community, I'm not communicating solely with you. I'm communicating

0:49:24.640 --> 0:49:27.000
<v Speaker 1>with a version of you I have in my mind

0:49:27.360 --> 0:49:30.360
<v Speaker 1>my expectations of you, and then the kind of feedback

0:49:30.520 --> 0:49:34.399
<v Speaker 1>you provide as well. It's the inherent problem of human communication.

0:49:34.560 --> 0:49:38.640
<v Speaker 1>Yet and and through a series of feedback and feed forward,

0:49:38.719 --> 0:49:42.239
<v Speaker 1>we try to clear up like various psychological noise that

0:49:42.320 --> 0:49:44.440
<v Speaker 1>gets in the middle there of our understanding of what

0:49:44.480 --> 0:49:47.319
<v Speaker 1>one another are saying. But yeah, it's it's kind of

0:49:47.360 --> 0:49:50.759
<v Speaker 1>like the human dilemma, right, is that, like we're we're

0:49:50.800 --> 0:49:53.759
<v Speaker 1>never going to fully be able to at least, you know,

0:49:53.840 --> 0:49:58.280
<v Speaker 1>with just our voices, uh, communicate what's going on inside

0:49:58.320 --> 0:50:01.640
<v Speaker 1>our head to one another. Yeah, really really wanted to

0:50:01.680 --> 0:50:04.360
<v Speaker 1>get past that. Yeah. And but one of the problems,

0:50:04.360 --> 0:50:07.719
<v Speaker 1>of course, is that he's, despite his scientific background and

0:50:07.760 --> 0:50:10.480
<v Speaker 1>all of the vigoris throwing into this, he seems to

0:50:10.520 --> 0:50:14.440
<v Speaker 1>always be working with the certainty that communication can truly

0:50:14.480 --> 0:50:17.239
<v Speaker 1>be established, and that not only is he reaching out,

0:50:17.239 --> 0:50:20.040
<v Speaker 1>but they're reaching out to us. He said, to quote,

0:50:20.200 --> 0:50:23.879
<v Speaker 1>we must keep the working hypothesis in mind that they

0:50:23.960 --> 0:50:27.959
<v Speaker 1>are highly intelligent and are just as interested in communicating

0:50:27.960 --> 0:50:31.520
<v Speaker 1>with us as we are with them. So you know,

0:50:31.560 --> 0:50:34.239
<v Speaker 1>that's a potential stumbling block to your your efforts here,

0:50:34.280 --> 0:50:37.760
<v Speaker 1>because you already have it firmly established in your mind

0:50:38.040 --> 0:50:39.920
<v Speaker 1>that this can be done, that this connection is there

0:50:39.920 --> 0:50:42.520
<v Speaker 1>to be made. I mean and Again, the intelligence of

0:50:42.560 --> 0:50:44.719
<v Speaker 1>dolphins isn't in doubt, but to work with that kind

0:50:44.719 --> 0:50:47.520
<v Speaker 1>of certainty, uh, with with the kind of certainty that

0:50:47.560 --> 0:50:51.680
<v Speaker 1>they reflect our desire to communicate as well, that's problematic. Yeah,

0:50:51.719 --> 0:50:54.480
<v Speaker 1>And certainly I can imagine where that is where he

0:50:54.600 --> 0:51:00.279
<v Speaker 1>starts to have stumbling blocks with funders like UH, Navy

0:51:00.360 --> 0:51:02.799
<v Speaker 1>for instance, in the Air Force or just any like

0:51:02.920 --> 0:51:07.200
<v Speaker 1>even NYM. Right, Like, when you start postulating that your

0:51:07.360 --> 0:51:12.399
<v Speaker 1>test subjects are on an equal playing field with humanity

0:51:12.440 --> 0:51:14.840
<v Speaker 1>and should be treated as such, that's going to be

0:51:14.880 --> 0:51:17.600
<v Speaker 1>immediately problematic for them, right because it's outside of their

0:51:17.640 --> 0:51:21.120
<v Speaker 1>world understanding, but it also doesn't fit their agenda. Yeah.

0:51:21.160 --> 0:51:24.080
<v Speaker 1>And and word of these experiments and some of his

0:51:24.160 --> 0:51:26.760
<v Speaker 1>methods and ideas they're leaking out. He has some researchers

0:51:26.800 --> 0:51:30.360
<v Speaker 1>that are leaving him and working exclusively for the Navy, uh,

0:51:30.600 --> 0:51:35.800
<v Speaker 1>perhaps whispering about his his excessive use of the isolation tank.

0:51:35.880 --> 0:51:38.200
<v Speaker 1>Maybe perhaps they even know something about the l s D.

0:51:38.440 --> 0:51:44.000
<v Speaker 1>And they're definitely talking about the flooded dolphin cohabitation apartment

0:51:44.400 --> 0:51:48.880
<v Speaker 1>that becomes a major project towards the end of c R.

0:51:48.960 --> 0:51:53.400
<v Speaker 1>I actually I don't know about this particularly, but I

0:51:53.440 --> 0:51:55.960
<v Speaker 1>know that he pitched an idea that basically there needed

0:51:56.000 --> 0:51:58.880
<v Speaker 1>to be some kind of living space that humans and

0:51:58.960 --> 0:52:01.719
<v Speaker 1>dolphins could cod this within to communicate. Is this his

0:52:01.760 --> 0:52:04.279
<v Speaker 1>attempt at that? Yeah, it's I mean, And a lot

0:52:04.280 --> 0:52:07.520
<v Speaker 1>of credit has to go to uh scientists. Margaret how

0:52:07.800 --> 0:52:10.279
<v Speaker 1>love It, who was actually the woman who lived with

0:52:10.320 --> 0:52:12.719
<v Speaker 1>the dolphins, and she she later wrote a book. There

0:52:12.719 --> 0:52:15.719
<v Speaker 1>were a number of articles that came out about her experience.

0:52:15.719 --> 0:52:18.480
<v Speaker 1>There's a great Guardian article actually titled The Dolphin Who

0:52:18.520 --> 0:52:23.680
<v Speaker 1>Loved Me. And she comes up to the Lily with

0:52:23.719 --> 0:52:27.840
<v Speaker 1>the idea like she's already researching dolphins, so she's drawn

0:52:27.920 --> 0:52:30.680
<v Speaker 1>to his activities here. And according to her in the

0:52:30.680 --> 0:52:33.120
<v Speaker 1>Guardian piece, she says, maybe it was because I was

0:52:33.160 --> 0:52:35.520
<v Speaker 1>living so close to the lab. It just seems so simple.

0:52:35.760 --> 0:52:37.600
<v Speaker 1>Why let the water get in the way. So I

0:52:37.640 --> 0:52:40.799
<v Speaker 1>said to John Lily, I want to plaster everything and

0:52:40.880 --> 0:52:44.440
<v Speaker 1>fill this place with water. I want to live here. Huh.

0:52:44.680 --> 0:52:46.880
<v Speaker 1>So see what she had a scuba suit on or

0:52:46.960 --> 0:52:50.360
<v Speaker 1>was it just it just was a shallow enough that

0:52:50.400 --> 0:52:54.000
<v Speaker 1>she could wait around And basically they waterproofed this whole

0:52:54.040 --> 0:52:57.600
<v Speaker 1>living area. They made like a floodable apartment so that

0:52:57.680 --> 0:53:01.840
<v Speaker 1>she could live there with the dolphin four months of

0:53:01.920 --> 0:53:03.719
<v Speaker 1>eventual eventually, I think they talked about it being a

0:53:03.760 --> 0:53:05.719
<v Speaker 1>three month period, but it ended up being a six

0:53:05.760 --> 0:53:08.880
<v Speaker 1>month period where she was living with this dolphin, handpicked

0:53:08.880 --> 0:53:13.280
<v Speaker 1>dolphin named Peter Uh in an attempt to teach him English.

0:53:13.280 --> 0:53:16.160
<v Speaker 1>She was going to teach him to speak English. And

0:53:16.200 --> 0:53:19.440
<v Speaker 1>the idea here and Lily you know, bought into two

0:53:19.840 --> 0:53:23.239
<v Speaker 1>was that she would be there just constantly as this

0:53:23.320 --> 0:53:26.000
<v Speaker 1>kind of mother figure, that they would have this chance

0:53:26.040 --> 0:53:29.280
<v Speaker 1>to to bond in a in a way that human

0:53:29.280 --> 0:53:32.359
<v Speaker 1>and dolphin had not previously. And I'm assuming that like

0:53:32.520 --> 0:53:36.440
<v Speaker 1>she must have approached this like linguistic effort, I guess,

0:53:36.520 --> 0:53:39.279
<v Speaker 1>like using the same basis for which we teach young

0:53:39.480 --> 0:53:42.640
<v Speaker 1>humans language. Right, Yeah, that's my understanding very much. It

0:53:42.719 --> 0:53:45.919
<v Speaker 1>was like an adult human attempting to teach a child

0:53:46.040 --> 0:53:50.400
<v Speaker 1>human how to speak UM, with the some added complications

0:53:50.680 --> 0:53:54.200
<v Speaker 1>um that end up being important later on in that

0:53:54.280 --> 0:53:58.360
<v Speaker 1>they helped us to scandalize the work here. But dolphins

0:53:58.360 --> 0:54:01.919
<v Speaker 1>are pretty can be pretty sexual creatures. So yeah, I've

0:54:01.920 --> 0:54:03.880
<v Speaker 1>heard the story. Yeah, this is probably where a lot

0:54:03.920 --> 0:54:06.719
<v Speaker 1>of people are familiar with the story, because she would

0:54:06.760 --> 0:54:12.080
<v Speaker 1>occasionally have to help relieve, help dispense Peter of his

0:54:12.160 --> 0:54:15.360
<v Speaker 1>sexual urges, let's say, in order to keep the work going.

0:54:15.840 --> 0:54:18.160
<v Speaker 1>And that's she says, that's the way she approached approaching

0:54:18.200 --> 0:54:20.960
<v Speaker 1>and not from a sexual uh you know, vantage point,

0:54:21.040 --> 0:54:23.160
<v Speaker 1>but it was this is a part of how Peter

0:54:23.280 --> 0:54:25.359
<v Speaker 1>behaves as a dolphin, and we need to just sort

0:54:25.360 --> 0:54:26.640
<v Speaker 1>of get that out of the way so we can

0:54:26.680 --> 0:54:30.200
<v Speaker 1>continue working on language. Okay, well, yeah, I could see

0:54:30.200 --> 0:54:32.440
<v Speaker 1>what that would be quite scandalous. It's one thing to

0:54:33.000 --> 0:54:35.719
<v Speaker 1>pose it that a dolphin is on a sort of

0:54:36.280 --> 0:54:42.040
<v Speaker 1>uh equal identity status, individual individualistic status with a human being.

0:54:42.080 --> 0:54:45.640
<v Speaker 1>It's another thing to start engaging with them what people

0:54:45.640 --> 0:54:49.440
<v Speaker 1>would consider bestiality. Yeah, he did get into a weird

0:54:49.480 --> 0:54:51.879
<v Speaker 1>area here. We have to sort of explain yourself out

0:54:51.880 --> 0:54:54.239
<v Speaker 1>of that, or attempt to explain yourself out of that

0:54:54.520 --> 0:54:58.440
<v Speaker 1>to your your backers or By nineteen seventy five, actually

0:54:58.480 --> 0:55:01.839
<v Speaker 1>Hustler magazine comes out with an article about it, and

0:55:01.880 --> 0:55:05.600
<v Speaker 1>they didn't help. Oh yeah, they completely scandalized love It

0:55:05.640 --> 0:55:07.680
<v Speaker 1>and It and the experiment. They had some sort of

0:55:07.680 --> 0:55:11.400
<v Speaker 1>a provocative illustration and just made it sound like like

0:55:11.640 --> 0:55:14.000
<v Speaker 1>love It and Lily were just engaged in a you know,

0:55:14.480 --> 0:55:18.719
<v Speaker 1>a pan species free for all. There something which criticisms

0:55:18.719 --> 0:55:21.240
<v Speaker 1>of this experiment aside. You know, clearly wasn't the point

0:55:21.360 --> 0:55:24.480
<v Speaker 1>they were. They were trying to teach this creature to

0:55:24.480 --> 0:55:26.799
<v Speaker 1>speak English. They were trying to to bridge this gap

0:55:26.840 --> 0:55:29.319
<v Speaker 1>between the species and it. But it did get into

0:55:29.320 --> 0:55:31.759
<v Speaker 1>some pretty weird areas. This sounds like another like we

0:55:31.800 --> 0:55:34.920
<v Speaker 1>should add this to our our little document of ideas.

0:55:35.000 --> 0:55:36.920
<v Speaker 1>This sounds like a great thing that we should cover

0:55:36.960 --> 0:55:40.640
<v Speaker 1>for a future episode. Is like how much animal sexuality

0:55:40.760 --> 0:55:45.800
<v Speaker 1>gets in the way of human animal experimentation. Uh, and

0:55:45.800 --> 0:55:48.280
<v Speaker 1>and like this can't be the first time or only

0:55:48.320 --> 0:55:52.560
<v Speaker 1>time that's happened, yeah, or the last. So by autumn

0:55:52.600 --> 0:55:56.640
<v Speaker 1>of nineteen six, Lily is increasingly more interested in LSD

0:55:57.000 --> 0:56:01.000
<v Speaker 1>research than the ongoing dolphin research. Uh. You know, you

0:56:01.000 --> 0:56:03.040
<v Speaker 1>could say that he's probably spent more time in the

0:56:03.080 --> 0:56:04.880
<v Speaker 1>tank with the l s D. The l s D

0:56:05.040 --> 0:56:07.960
<v Speaker 1>becomes the thing that is holding his interest and seems

0:56:08.000 --> 0:56:10.840
<v Speaker 1>to be the next logical place for his interest and

0:56:10.880 --> 0:56:13.760
<v Speaker 1>consciousness to really focus and to keep it in perspective.

0:56:13.800 --> 0:56:15.680
<v Speaker 1>He's he's kind of getting up to sort of sort

0:56:15.719 --> 0:56:18.359
<v Speaker 1>of retirement age at this point, I would imagine, right, Yeah,

0:56:18.440 --> 0:56:21.160
<v Speaker 1>I mean I should say so. And uh. And so

0:56:21.200 --> 0:56:23.960
<v Speaker 1>it's at this point, just as six months of cohabitation

0:56:24.040 --> 0:56:26.719
<v Speaker 1>with Peter coming to an end, funding drives up at

0:56:26.719 --> 0:56:30.120
<v Speaker 1>cr AT c r I and its closure is announced. Um,

0:56:30.160 --> 0:56:31.840
<v Speaker 1>and they didn't even have a peer re viewed paper

0:56:31.920 --> 0:56:35.000
<v Speaker 1>out yet. Again, this comes up on the back of

0:56:35.120 --> 0:56:37.960
<v Speaker 1>rumors that are spreading about the experiments c r I.

0:56:38.239 --> 0:56:41.400
<v Speaker 1>Apparently a visiting board of grant examiners also came and

0:56:41.480 --> 0:56:44.040
<v Speaker 1>ended up giving just a scathing review of the operation.

0:56:44.680 --> 0:56:48.239
<v Speaker 1>And and Lily charges that the Navy researchers effectively sabotaged

0:56:48.320 --> 0:56:51.080
<v Speaker 1>him and all of this, and you know, maybe they did. Yeah,

0:56:51.120 --> 0:56:52.920
<v Speaker 1>And there's that sort of like this is a question

0:56:52.960 --> 0:56:56.160
<v Speaker 1>that I had along. Like basically the whole journey for

0:56:56.239 --> 0:56:58.520
<v Speaker 1>Lily is like where's the money coming from? Right, Like,

0:56:58.840 --> 0:57:01.320
<v Speaker 1>he obviously has that went where he's working very closely

0:57:01.320 --> 0:57:04.239
<v Speaker 1>with the government in the military, and then he gets

0:57:04.239 --> 0:57:07.120
<v Speaker 1>into this phase where they're co funding stuff, but he's

0:57:07.160 --> 0:57:12.239
<v Speaker 1>also got private resources, possibly even from his family. But yeah,

0:57:12.480 --> 0:57:15.920
<v Speaker 1>I can imagine that if they're like coming by to

0:57:16.000 --> 0:57:18.560
<v Speaker 1>take a tour or something like that, they're probably a

0:57:18.560 --> 0:57:20.360
<v Speaker 1>little bit horrified. Well, it seems to be one of

0:57:20.360 --> 0:57:24.320
<v Speaker 1>those cases where the establishment, if you will, We're certainly

0:57:24.440 --> 0:57:29.000
<v Speaker 1>find funding Lily as long as his obsessions matched up

0:57:29.080 --> 0:57:32.000
<v Speaker 1>with with with their goals and with their interests. But

0:57:32.200 --> 0:57:36.800
<v Speaker 1>is his obsession uh drifted out of sync with theirs

0:57:37.160 --> 0:57:40.760
<v Speaker 1>they stepped away from him. Well, it's fascinating, but it

0:57:40.760 --> 0:57:42.560
<v Speaker 1>gets back to what we talked about in the Animals

0:57:42.600 --> 0:57:45.280
<v Speaker 1>as Weapons episode, right, like nine times out of ten,

0:57:45.320 --> 0:57:47.479
<v Speaker 1>that's where the money comes for this kind of stuff. Yeah,

0:57:47.600 --> 0:57:51.200
<v Speaker 1>so c R I is just completely taken apart. The

0:57:51.600 --> 0:57:54.919
<v Speaker 1>dolphins are most of the dolphins are apparently released, though

0:57:55.480 --> 0:58:00.200
<v Speaker 1>Peter apparently unfortunately dies in captivity later on. Well really

0:58:00.280 --> 0:58:04.960
<v Speaker 1>told love It that Peter died via suicide. That tests

0:58:05.000 --> 0:58:09.000
<v Speaker 1>dolphins have to consciously breathe, that if a dolphin is

0:58:09.000 --> 0:58:12.560
<v Speaker 1>is significantly upset, it may just simply shut down and

0:58:12.560 --> 0:58:15.640
<v Speaker 1>stop breathing. And that is allegedly what happened, and that

0:58:15.720 --> 0:58:19.120
<v Speaker 1>it was upset by the suffering of its bond. Would

0:58:19.120 --> 0:58:23.040
<v Speaker 1>love It perhaps that's why That's what Love it. That's

0:58:23.040 --> 0:58:25.240
<v Speaker 1>what love It says in in in her book and

0:58:25.280 --> 0:58:27.360
<v Speaker 1>in the interviews. Yeah, see so this is a little

0:58:27.360 --> 0:58:30.280
<v Speaker 1>bit different from what I had read. And this is

0:58:30.360 --> 0:58:34.000
<v Speaker 1>by Lily's own account, later on, he sort of defiantly

0:58:34.080 --> 0:58:37.120
<v Speaker 1>goes on later on to say, like he in the

0:58:37.160 --> 0:58:39.800
<v Speaker 1>face of the Navy and everybody else, he purposely let

0:58:39.800 --> 0:58:42.840
<v Speaker 1>all the dolphins go. Uh. And he even said to

0:58:42.840 --> 0:58:45.920
<v Speaker 1>the point he said, well, they were finished reprogramming me.

0:58:46.520 --> 0:58:51.040
<v Speaker 1>So he you know, obviously like went to the uh

0:58:52.160 --> 0:58:54.520
<v Speaker 1>far into the metaphor with the dolphins were performing the

0:58:54.560 --> 0:58:57.880
<v Speaker 1>experiments on him. He wasn't experimenting on them, and that

0:58:58.120 --> 0:59:03.040
<v Speaker 1>they chose to let him, Yes, indeed, and uh, you know,

0:59:03.120 --> 0:59:07.320
<v Speaker 1>at this point where we really reached the point where uh,

0:59:07.400 --> 0:59:10.120
<v Speaker 1>Lily begins to fall out of favor with a lot

0:59:10.120 --> 0:59:13.440
<v Speaker 1>of folks. Certainly by the time that Hustler magazine article

0:59:13.480 --> 0:59:16.680
<v Speaker 1>comes out in seventy five, Uh, as I pointed out

0:59:16.720 --> 0:59:19.440
<v Speaker 1>in that Orian magazine piece of Mind in the Water

0:59:19.520 --> 0:59:22.920
<v Speaker 1>that I mentioned earlier, Lily went on to just be

0:59:23.200 --> 0:59:28.520
<v Speaker 1>widely reviled by professional dolphin researchers and working scientists have

0:59:28.760 --> 0:59:32.480
<v Speaker 1>for some time tended to dismiss him as just a lunatic,

0:59:32.680 --> 0:59:35.640
<v Speaker 1>you know, as this hippie nut job. And you can

0:59:35.760 --> 0:59:37.680
<v Speaker 1>understand that, right, I mean, you're trying to do this

0:59:38.400 --> 0:59:42.880
<v Speaker 1>serious professional work, and his figure is sort of looming

0:59:43.280 --> 0:59:45.760
<v Speaker 1>in the in your peripheral vision the whole time people

0:59:45.800 --> 0:59:49.680
<v Speaker 1>were perhaps bringing him up his he's he's tarnished your

0:59:50.120 --> 0:59:52.600
<v Speaker 1>your your work, and your passions to a certain extent

0:59:53.360 --> 0:59:56.440
<v Speaker 1>by his approach to tackling them. Well, especially knowing how

0:59:56.560 --> 1:00:01.720
<v Speaker 1>competitive and sort of vicious unfortunly that like academic and

1:00:02.400 --> 1:00:06.720
<v Speaker 1>research competition can kind of go. Yeah, I'm not surprised

1:00:06.720 --> 1:00:08.720
<v Speaker 1>at all that sort of like the next generation of

1:00:08.800 --> 1:00:13.040
<v Speaker 1>Dolphin researchers turned on him, although you know, it also

1:00:13.160 --> 1:00:16.840
<v Speaker 1>does sound like he wasn't exactly producing uh, I guess

1:00:16.960 --> 1:00:20.480
<v Speaker 1>like documented results, right, the kind of things that were

1:00:20.640 --> 1:00:23.960
<v Speaker 1>that that were being looked for, both for the funding

1:00:24.000 --> 1:00:28.560
<v Speaker 1>but also to justify you know, what he was doing exactly. Well.

1:00:28.640 --> 1:00:31.360
<v Speaker 1>I I also heard that, uh, and I'm curious if

1:00:31.440 --> 1:00:34.320
<v Speaker 1>this is still true. This is from around the time

1:00:35.400 --> 1:00:40.400
<v Speaker 1>right before he died. Apparently the research station was going

1:00:40.480 --> 1:00:43.800
<v Speaker 1>to be converted into a luxury condo living center that

1:00:43.920 --> 1:00:48.240
<v Speaker 1>was called Dolphin Cove. Yeah, so I wonder if Dolphin

1:00:48.320 --> 1:00:53.240
<v Speaker 1>Cove is still there with St. Thomas right, Yeah, Yeah, curious, Yeah,

1:00:53.360 --> 1:00:55.720
<v Speaker 1>I'd love to hear from visited. I wonder if the

1:00:55.840 --> 1:00:59.000
<v Speaker 1>underwater apartment is still there. You pay three hundred dollars

1:00:59.000 --> 1:01:01.480
<v Speaker 1>a night to stay and there's no dolphin. You just

1:01:01.800 --> 1:01:05.840
<v Speaker 1>you know, you just walk around the water. Yeah. So okay,

1:01:05.920 --> 1:01:08.600
<v Speaker 1>this is really like the final I guess stage of

1:01:08.800 --> 1:01:12.160
<v Speaker 1>Lily's research career, as it were. And he kind of

1:01:12.240 --> 1:01:14.920
<v Speaker 1>goes whole hog into the LSD field right right, And

1:01:14.960 --> 1:01:18.080
<v Speaker 1>this is pretty much the the path he continues for

1:01:18.160 --> 1:01:20.320
<v Speaker 1>the rest of his life. Really, this is where this

1:01:20.480 --> 1:01:23.959
<v Speaker 1>is where Lily truly becomes the the the coon skin

1:01:24.280 --> 1:01:30.160
<v Speaker 1>cap wearing, uh, psychonaut counterculture mythic figure. This is when

1:01:30.200 --> 1:01:33.439
<v Speaker 1>he gets his membership card into the Psychedelic Avengers we've

1:01:33.480 --> 1:01:37.000
<v Speaker 1>been talking about on on our episodes for quite versus

1:01:37.120 --> 1:01:39.320
<v Speaker 1>officially a part of the team now and I've seen

1:01:39.360 --> 1:01:43.840
<v Speaker 1>photos of him hanging out with Timothy Larry and Allen Ginsburg. Yeah,

1:01:43.920 --> 1:01:47.440
<v Speaker 1>during this stage, and he apparently continues a certain degree

1:01:47.840 --> 1:01:51.440
<v Speaker 1>of of dolphin research. Uh. Some of it is um

1:01:51.680 --> 1:01:53.600
<v Speaker 1>more is on the scientific side, like the use of

1:01:53.720 --> 1:01:57.400
<v Speaker 1>musical tones. Some of it is more far more mystical,

1:01:57.560 --> 1:02:01.720
<v Speaker 1>such as the looking into telepathy. But and it's and

1:02:01.800 --> 1:02:05.520
<v Speaker 1>the dolphin continues to be kind of a mascot for

1:02:05.840 --> 1:02:09.240
<v Speaker 1>him and for his work. So even though the c

1:02:09.480 --> 1:02:13.920
<v Speaker 1>r I Center is gone, the dolphin still remains an

1:02:13.960 --> 1:02:17.360
<v Speaker 1>important part of Lily's life. But of course so does LSD,

1:02:17.800 --> 1:02:22.400
<v Speaker 1>and the use of LSD and other psychoactive agents too

1:02:23.720 --> 1:02:27.040
<v Speaker 1>still crack that nut of consciousness in human existence and

1:02:27.400 --> 1:02:30.360
<v Speaker 1>uh and and reached that providence of the mind. And

1:02:30.600 --> 1:02:33.120
<v Speaker 1>one of my understandings is that like once l s

1:02:33.280 --> 1:02:37.120
<v Speaker 1>D became illegal, he sort of moved into other psychotropics.

1:02:37.160 --> 1:02:40.400
<v Speaker 1>Specifically ketamine was one that he used a lot um

1:02:41.040 --> 1:02:43.520
<v Speaker 1>and and wrote about a lot as well. Yes, indeed,

1:02:43.600 --> 1:02:45.960
<v Speaker 1>and and if his writings are in in any indication,

1:02:46.600 --> 1:02:49.920
<v Speaker 1>and he wrote a lot about his experiences using LSD.

1:02:50.080 --> 1:02:52.640
<v Speaker 1>Like the times he used it, he really used it,

1:02:52.800 --> 1:02:55.640
<v Speaker 1>Like he went in Whole Hawk. He had access, legitimate

1:02:55.680 --> 1:03:02.880
<v Speaker 1>access to pharmaceutical grade LSD and really attempted to just

1:03:03.000 --> 1:03:04.920
<v Speaker 1>break through to the other side with it. And this

1:03:05.080 --> 1:03:08.200
<v Speaker 1>was one of the actual, like primary resources you were

1:03:08.200 --> 1:03:10.080
<v Speaker 1>able to get a hold of for this episode, right

1:03:10.120 --> 1:03:14.240
<v Speaker 1>with one of his books specifically about these experiences, what's

1:03:14.240 --> 1:03:17.600
<v Speaker 1>it called. It's called programming and metaprogramming in the Human

1:03:17.720 --> 1:03:20.200
<v Speaker 1>bio computer. And this is just kind of his like

1:03:20.560 --> 1:03:23.080
<v Speaker 1>lab notes of taking LSD essentially, it's hiss Yeah. His

1:03:23.160 --> 1:03:26.640
<v Speaker 1>big book of LSD Observations published in nineteen seventy two,

1:03:27.440 --> 1:03:30.920
<v Speaker 1>and it's um god, it's a it's a very interesting

1:03:31.240 --> 1:03:34.160
<v Speaker 1>book to read. It's a difficult book to to read

1:03:34.240 --> 1:03:37.320
<v Speaker 1>as well. Uh, a lot of Louis writing on this

1:03:37.440 --> 1:03:40.240
<v Speaker 1>sort of thing. Um. It seems to be a fascinating

1:03:40.400 --> 1:03:44.960
<v Speaker 1>synthesis of converging discipline. So he's he's dealing with mysticism

1:03:45.040 --> 1:03:48.120
<v Speaker 1>and new age thought. He's also using a lot of

1:03:48.560 --> 1:03:52.960
<v Speaker 1>computer programming terminology and computer programming metaphors and as his

1:03:53.000 --> 1:03:55.240
<v Speaker 1>evidence in the title Yeah, and that goes back to

1:03:55.320 --> 1:03:57.040
<v Speaker 1>when he was talking about the dolphins at the end

1:03:57.080 --> 1:04:00.360
<v Speaker 1>of it too, he said they reprogrammed him right. And

1:04:00.400 --> 1:04:02.480
<v Speaker 1>then there's a lot of psychoanalysis in there as well.

1:04:02.600 --> 1:04:04.880
<v Speaker 1>Like any discipline he has picked up, any technology is

1:04:04.920 --> 1:04:08.760
<v Speaker 1>picked up, it goes into this writing and at times

1:04:08.800 --> 1:04:11.760
<v Speaker 1>there's almost a stream of consciousness quality to the writings,

1:04:12.200 --> 1:04:15.120
<v Speaker 1>as if all all three of these interpretive systems are

1:04:15.160 --> 1:04:17.600
<v Speaker 1>working at the same time in different ways, and really

1:04:17.720 --> 1:04:20.680
<v Speaker 1>is just sharing his thoughts in real time. And this

1:04:20.840 --> 1:04:24.560
<v Speaker 1>can be at times alluring, it can be rather alienating.

1:04:25.160 --> 1:04:28.280
<v Speaker 1>Their portions of programming the human computer that that read

1:04:28.360 --> 1:04:34.120
<v Speaker 1>like the stuffiest trip guides you could possibly imagine. Yeah, yeah,

1:04:34.160 --> 1:04:36.360
<v Speaker 1>I can sort of imagine, especially because right like he

1:04:36.520 --> 1:04:38.640
<v Speaker 1>was beholden to no one. He's just kind of writing.

1:04:38.680 --> 1:04:40.760
<v Speaker 1>I mean, if his present day he'd be publishing kindle

1:04:40.840 --> 1:04:43.640
<v Speaker 1>e books or something like that, right, But like, isn't

1:04:43.680 --> 1:04:45.880
<v Speaker 1>there still like a trust or something like that that

1:04:46.000 --> 1:04:50.680
<v Speaker 1>manages his manages manages his publishing endeavors. Yeah, I believe so.

1:04:50.760 --> 1:04:53.080
<v Speaker 1>I mean, all his books are still out there in

1:04:53.200 --> 1:04:55.720
<v Speaker 1>one form or another. Um. But you know, even though

1:04:55.760 --> 1:04:57.640
<v Speaker 1>at times there's stuffy, there other times where it does

1:04:57.760 --> 1:05:03.960
<v Speaker 1>just read like pure um psychonautic poetry. He's uh, he's

1:05:04.120 --> 1:05:06.680
<v Speaker 1>he's taking all of this these tools and he's trying to,

1:05:07.480 --> 1:05:10.480
<v Speaker 1>you know, figure out what the self is, what consciousness is,

1:05:10.560 --> 1:05:13.360
<v Speaker 1>what are the limits of consciousness? Uh? And yeah, at

1:05:13.400 --> 1:05:16.240
<v Speaker 1>times it's beautiful and at times it's it's very difficult

1:05:16.280 --> 1:05:18.959
<v Speaker 1>and alienating. And so this gets us into the lily

1:05:19.120 --> 1:05:22.080
<v Speaker 1>phase that I have the hardest time identifying with. Up

1:05:22.160 --> 1:05:25.280
<v Speaker 1>until this point, I'm on board, you know, I'm interested

1:05:25.280 --> 1:05:27.960
<v Speaker 1>in what he's doing, interested in his findings, even when

1:05:28.040 --> 1:05:32.360
<v Speaker 1>it comes to like, you know, uh, masturbating a dolphin

1:05:32.600 --> 1:05:35.880
<v Speaker 1>and taking LSD to try to telepathically communicate with them

1:05:35.920 --> 1:05:39.880
<v Speaker 1>like I'm I'm interested. But then we get into I

1:05:39.960 --> 1:05:43.160
<v Speaker 1>guess it's the echo phase. This is where, by the way,

1:05:43.240 --> 1:05:45.440
<v Speaker 1>like connected to the Echo the Dolphin video game. It's

1:05:45.480 --> 1:05:48.560
<v Speaker 1>not echo e C h O, it's e c CEO

1:05:48.800 --> 1:05:53.280
<v Speaker 1>because it's an acronym. Oh yes, Earth Coincidence Control Office. Yeah.

1:05:53.840 --> 1:05:57.040
<v Speaker 1>So yeah, this ends up coming about in in the

1:05:57.160 --> 1:06:01.280
<v Speaker 1>seventies really, but you see the roots of it back

1:06:01.360 --> 1:06:05.040
<v Speaker 1>as far as nineteen two. Okay, um, because with his

1:06:05.240 --> 1:06:09.200
<v Speaker 1>counterculture celebrity status, he attracted a lot of peers, followers,

1:06:09.320 --> 1:06:12.600
<v Speaker 1>hangers on from all corners, including some of the day's

1:06:12.640 --> 1:06:15.680
<v Speaker 1>most brilliant freethinking minds, such as a young Carl Sagan

1:06:15.760 --> 1:06:19.200
<v Speaker 1>For interesting, and by sixty two he'd organized the Order

1:06:19.400 --> 1:06:24.360
<v Speaker 1>of the Dolphin and served as Grand Dolphin. And it's

1:06:24.360 --> 1:06:27.920
<v Speaker 1>important to note that this was I kind of think

1:06:27.960 --> 1:06:29.880
<v Speaker 1>of this as kind of like, um, it's kind of

1:06:29.880 --> 1:06:32.400
<v Speaker 1>like a tool album. It's it's serious, but it's also

1:06:32.520 --> 1:06:35.600
<v Speaker 1>not that serious. There's this performance are. Yeah, there's a

1:06:35.600 --> 1:06:38.080
<v Speaker 1>certain amount of performance are. There's a certain amount of goofery,

1:06:38.120 --> 1:06:40.320
<v Speaker 1>but then there are also some serious undertones as well.

1:06:40.880 --> 1:06:47.360
<v Speaker 1>So this involves astrophysicist, radio astronomers, atmospheric chemists, computer engineers, um.

1:06:47.880 --> 1:06:51.440
<v Speaker 1>And they even apparently have special special pins that they

1:06:51.480 --> 1:06:53.880
<v Speaker 1>would wear. Man, can you imagine we could get ahold

1:06:53.920 --> 1:06:56.800
<v Speaker 1>of some of those pins for a pretty penny on eBay? Yes,

1:06:57.160 --> 1:06:59.160
<v Speaker 1>someone will sell onto me. Sure one of his ats,

1:06:59.480 --> 1:07:02.520
<v Speaker 1>one of his and skin hats. Yeah, it was apparently

1:07:02.600 --> 1:07:05.720
<v Speaker 1>a little Engrave dolphin. And eventually a lot of his

1:07:05.840 --> 1:07:10.160
<v Speaker 1>more sci fi oriented ideas come out of this period

1:07:10.200 --> 1:07:13.520
<v Speaker 1>as well. And again like I'm I'm I'm not a

1:07:13.960 --> 1:07:16.800
<v Speaker 1>percent sure that Lily actually believed this stuff, right, I

1:07:16.880 --> 1:07:18.920
<v Speaker 1>think it's we need to cover it in order to

1:07:18.960 --> 1:07:21.640
<v Speaker 1>sort of get the full Lily picture here, Right. I

1:07:22.120 --> 1:07:25.520
<v Speaker 1>get the feeling that this is sort of him, like yeah,

1:07:25.920 --> 1:07:29.320
<v Speaker 1>performance aret, maybe creating like living metaphors in order to

1:07:29.400 --> 1:07:33.000
<v Speaker 1>somehow communicate his ideas out to people, right, Like, the

1:07:33.080 --> 1:07:37.360
<v Speaker 1>more absurd and spectacular the idea, the more attention it's

1:07:37.360 --> 1:07:40.480
<v Speaker 1>possibly going to get. Yeah, I mean a literal interpretation

1:07:40.520 --> 1:07:42.200
<v Speaker 1>of some of these things we're talking about here, of

1:07:42.280 --> 1:07:44.840
<v Speaker 1>his later ideas and writing it. It seems a bit

1:07:44.920 --> 1:07:48.800
<v Speaker 1>too uh simple for such a complex individual, especially when

1:07:48.840 --> 1:07:51.560
<v Speaker 1>we looked at what Lily himself wrote about his early writings,

1:07:51.600 --> 1:07:56.160
<v Speaker 1>in particular in uh the nineteen seventy two forward to

1:07:57.000 --> 1:07:59.840
<v Speaker 1>a reprint of Programming and Metaphor and the Beta Programming

1:07:59.880 --> 1:08:02.800
<v Speaker 1>in Human Biocomputer, he said, I had written the report

1:08:03.120 --> 1:08:05.800
<v Speaker 1>in such a way that it's basic messages were hidden

1:08:05.840 --> 1:08:10.040
<v Speaker 1>behind a heavy, long introduction designed to stop the casual reader. Apparently,

1:08:10.360 --> 1:08:13.520
<v Speaker 1>once word got out, this device no longer stalled the

1:08:13.600 --> 1:08:17.479
<v Speaker 1>interested readers. Somehow, the basic messages were important enough to

1:08:17.920 --> 1:08:22.600
<v Speaker 1>enough readers so that the work acquired an unexpected viability.

1:08:22.880 --> 1:08:25.800
<v Speaker 1>So he's all, he's already talking at that stage about

1:08:25.840 --> 1:08:28.960
<v Speaker 1>a kind of coded nature to his work, that that

1:08:29.080 --> 1:08:32.799
<v Speaker 1>he's hiding ideas that he's and that he's layering these ideas.

1:08:32.880 --> 1:08:36.040
<v Speaker 1>So it seems, yeah, in light of that, it seems

1:08:36.120 --> 1:08:39.840
<v Speaker 1>a bit counterintuitive to say that, for instance, when he's

1:08:39.880 --> 1:08:44.320
<v Speaker 1>talking about the threat of a UM solid state intelligence,

1:08:45.280 --> 1:08:48.360
<v Speaker 1>that he's lead speaking literally. Yeah, I mean, we have

1:08:48.479 --> 1:08:51.080
<v Speaker 1>to remember back up, like, this is a guy whose

1:08:51.120 --> 1:08:56.439
<v Speaker 1>whole purpose in life was human consciousness and uh, connecting

1:08:56.520 --> 1:09:01.960
<v Speaker 1>human consciousness to other consciousnesses, right, and language. He's fully

1:09:02.000 --> 1:09:03.880
<v Speaker 1>aware that language is the best way that we're doing

1:09:03.960 --> 1:09:06.280
<v Speaker 1>that now in the ways to manipulate it in order

1:09:06.360 --> 1:09:09.479
<v Speaker 1>to sort of best I guess you could almost look

1:09:09.479 --> 1:09:12.160
<v Speaker 1>at that as a like tool of rhetoric, right, in

1:09:12.320 --> 1:09:14.439
<v Speaker 1>order for him to get his ideas across. But yeah,

1:09:14.520 --> 1:09:16.840
<v Speaker 1>let's back up with like the solid state and the

1:09:16.960 --> 1:09:19.679
<v Speaker 1>echoes stuff. So this is this is pretty out there,

1:09:19.800 --> 1:09:24.080
<v Speaker 1>Like he posits that there's like an alien intelligence that's

1:09:24.120 --> 1:09:26.760
<v Speaker 1>kind of in control of everything, right, Yeah, this is

1:09:26.800 --> 1:09:30.280
<v Speaker 1>where we get into that, uh, into this idea that

1:09:30.439 --> 1:09:34.720
<v Speaker 1>is a hierarchy of coincidence control offices at the Earth level,

1:09:34.840 --> 1:09:37.400
<v Speaker 1>solar level, galactic and cosmics. So again that's where we

1:09:37.439 --> 1:09:41.439
<v Speaker 1>get down to echo right, Earth coincidence control offices, and

1:09:41.520 --> 1:09:44.720
<v Speaker 1>these are essentially serving the same purpose of God as

1:09:44.760 --> 1:09:47.880
<v Speaker 1>a controlling intelligence in the universe. So this is really

1:09:47.960 --> 1:09:52.040
<v Speaker 1>this is really turning to two notions of spirituality, really

1:09:52.160 --> 1:09:55.320
<v Speaker 1>thinking about God and putting his own spin on what

1:09:55.880 --> 1:09:59.559
<v Speaker 1>God would be in his worldview. Yeah, yeah, and it's

1:09:59.600 --> 1:10:02.080
<v Speaker 1>not that far off from like other I'm thinking like

1:10:02.200 --> 1:10:06.240
<v Speaker 1>Philip K. Dick for definitely, like he's writing around the

1:10:06.320 --> 1:10:08.920
<v Speaker 1>same period of time, so it's not that far off.

1:10:09.000 --> 1:10:11.880
<v Speaker 1>I can imagine that Lily would maybe pick up something

1:10:11.960 --> 1:10:14.400
<v Speaker 1>like Vallis and be like, Okay, maybe this is a

1:10:14.439 --> 1:10:16.640
<v Speaker 1>cool idea for me to get my ideas of consciousness

1:10:16.680 --> 1:10:19.400
<v Speaker 1>across now that the Navy has pulled my funding. Yeah.

1:10:19.479 --> 1:10:22.640
<v Speaker 1>He also, as I alluded to earlier, he prophesied a

1:10:22.720 --> 1:10:28.080
<v Speaker 1>future conflict between organic intelligence and machine intelligence, which he

1:10:28.120 --> 1:10:31.040
<v Speaker 1>referred to as the solid state intelligence or s s I.

1:10:31.840 --> 1:10:34.479
<v Speaker 1>So specifically, he said this would be a conflict over

1:10:34.640 --> 1:10:39.360
<v Speaker 1>ideal environmental conditions for either humans or the sort of

1:10:39.880 --> 1:10:43.760
<v Speaker 1>s s I created bioforms that crave cold and vacuums.

1:10:44.040 --> 1:10:47.560
<v Speaker 1>So yeah, yeah, well, I mean and then along this

1:10:47.720 --> 1:10:49.600
<v Speaker 1>period of time too, is when he envisions what I

1:10:49.680 --> 1:10:51.840
<v Speaker 1>was telling you about earlier, which I thought was where

1:10:51.880 --> 1:10:53.960
<v Speaker 1>the apartment thing was going, but he called it the

1:10:54.040 --> 1:10:59.000
<v Speaker 1>future communications laboratory, and he called it a floating living room. Uh.

1:10:59.120 --> 1:11:01.200
<v Speaker 1>And the idea was that this is where humans and

1:11:01.280 --> 1:11:04.280
<v Speaker 1>dolphins would come to connect. So I'm imagining something like

1:11:04.680 --> 1:11:06.800
<v Speaker 1>along the lines of like a c world type thing

1:11:06.880 --> 1:11:10.360
<v Speaker 1>that's less uh imprisoning to the dolphins, right where the

1:11:10.439 --> 1:11:14.360
<v Speaker 1>dolphins can kind of come up and interact with human beings. Uh.

1:11:14.760 --> 1:11:17.000
<v Speaker 1>And and so that that idea is like along those

1:11:17.040 --> 1:11:19.200
<v Speaker 1>same lines, I guess but we have to remember to

1:11:19.360 --> 1:11:22.000
<v Speaker 1>like nineteen seventy two, the same time he's he's he's

1:11:22.000 --> 1:11:25.960
<v Speaker 1>getting into this real weird stuff. Lily's pivotal to establishing

1:11:26.000 --> 1:11:30.080
<v Speaker 1>the Marine Mammal Protection Act within the United States government.

1:11:30.360 --> 1:11:35.200
<v Speaker 1>You know, I mean he's grounded. He's actually affecting change

1:11:35.360 --> 1:11:39.680
<v Speaker 1>and in how human beings are connecting with dolphins, but

1:11:39.880 --> 1:11:43.760
<v Speaker 1>he's also you know, experimenting with some of this other stuff. Yeah.

1:11:43.840 --> 1:11:45.679
<v Speaker 1>I have to say, just like backing up and looking

1:11:45.720 --> 1:11:48.439
<v Speaker 1>at the big picture here, I think he was having

1:11:48.479 --> 1:11:51.200
<v Speaker 1>a laugh, you know, or or or or maybe just

1:11:51.320 --> 1:11:54.960
<v Speaker 1>trying to use, um some really out there ideas in

1:11:55.120 --> 1:11:58.760
<v Speaker 1>order to draw attention to his more grounded philosophy. Yeah,

1:11:58.800 --> 1:12:02.680
<v Speaker 1>he's more of a a mystical philosopher, dreamer, and to

1:12:02.720 --> 1:12:05.320
<v Speaker 1>a certain extent, trickster. You can't wear a coonskin caps

1:12:05.400 --> 1:12:10.280
<v Speaker 1>like that and expect to be taking taking seriously. You're

1:12:10.320 --> 1:12:12.560
<v Speaker 1>kind of winking at the audience at that point. But

1:12:13.120 --> 1:12:15.800
<v Speaker 1>but to your point, Yeah, he he was a was

1:12:15.880 --> 1:12:20.360
<v Speaker 1>a major proponent of of not only the intelligence and

1:12:20.479 --> 1:12:22.920
<v Speaker 1>value of dolphins, but they're in Wales, but there their

1:12:23.000 --> 1:12:25.760
<v Speaker 1>rights as well. Yeah. Absolutely, I mean he believed that

1:12:26.040 --> 1:12:29.280
<v Speaker 1>killing whales and dolphins was as immoral as killing other

1:12:29.400 --> 1:12:32.320
<v Speaker 1>human beings, and they should be protected by law and

1:12:32.479 --> 1:12:35.479
<v Speaker 1>humans should understand them as sentient beings. This is one

1:12:35.479 --> 1:12:37.320
<v Speaker 1>of the big quotes that I saw pop up from

1:12:37.400 --> 1:12:40.160
<v Speaker 1>him over and over and over again about dolphins. He said,

1:12:40.479 --> 1:12:44.080
<v Speaker 1>they are not someone to kill, but someone to learn from.

1:12:44.600 --> 1:12:47.240
<v Speaker 1>And I think you see that, And at least we're

1:12:47.240 --> 1:12:50.000
<v Speaker 1>not quite there yet obviously, but I mean, like, think

1:12:50.080 --> 1:12:53.040
<v Speaker 1>of all of the protests over the last couple of

1:12:53.080 --> 1:12:56.680
<v Speaker 1>decades about like dolphins getting killed in tuna traps, right,

1:12:57.200 --> 1:13:01.560
<v Speaker 1>like that kind of uh thought about dolphins would not

1:13:01.720 --> 1:13:05.519
<v Speaker 1>have been possible without Lily. Indeed, So there you have it,

1:13:06.120 --> 1:13:09.960
<v Speaker 1>John C. Lily hopefully a a much more complete picture

1:13:10.000 --> 1:13:13.720
<v Speaker 1>of the man and his work, his seriousness, his madness,

1:13:13.960 --> 1:13:18.479
<v Speaker 1>his his his imagination, and his just you know, intense,

1:13:19.280 --> 1:13:22.760
<v Speaker 1>hyper focused intellect um, certainly more so than we've been

1:13:22.760 --> 1:13:26.800
<v Speaker 1>able to do in previous episodes. Yeah, So, you know,

1:13:27.080 --> 1:13:29.160
<v Speaker 1>I would love to hear from people out there who

1:13:29.240 --> 1:13:31.880
<v Speaker 1>have maybe got some because it seems like there's just

1:13:32.000 --> 1:13:35.280
<v Speaker 1>such a wide array of resources about Lily. Is there

1:13:35.360 --> 1:13:37.720
<v Speaker 1>something that we missed here or is there more to

1:13:37.840 --> 1:13:40.400
<v Speaker 1>the story. Maybe you know something about Echo that we

1:13:40.479 --> 1:13:42.439
<v Speaker 1>don't know. Maybe you've been in touch with the solid

1:13:42.520 --> 1:13:45.280
<v Speaker 1>state intelligence. Uh, you know, you can talk to us

1:13:45.320 --> 1:13:48.520
<v Speaker 1>on Facebook, Twitter, and Tumbler. Were in all those platforms,

1:13:48.960 --> 1:13:50.760
<v Speaker 1>and of course the best way to get in touch

1:13:50.840 --> 1:13:54.080
<v Speaker 1>with us is directly at our email address, which is

1:13:54.160 --> 1:13:57.479
<v Speaker 1>blow the mind at how Stuff Works dot Com. Now,

1:13:57.600 --> 1:13:59.760
<v Speaker 1>most of you are used to the show ending right

1:14:00.000 --> 1:14:02.960
<v Speaker 1>are We usually end it right after dot com. But

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<v Speaker 1>we're gonna end a little differently today, Right Robert, you

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<v Speaker 1>found a particular gem that we're gonna add to the episode.

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<v Speaker 1>That's right. We're going to close it out with the

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<v Speaker 1>Art Department track The Agent, off of the two thousand

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<v Speaker 1>fourteen album Natural Selection from number nineteen music there uh

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<v Speaker 1>in O one nine music on Facebook, Twitter, and Instagram.

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<v Speaker 1>This is a really cool track and it includes samples

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<v Speaker 1>from John C. Lily's lecture through the Center of the Mandola.

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<v Speaker 1>One problem in human existence It is the tendency to

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<v Speaker 1>repeat repeat of the water control for moralness and thousands

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<v Speaker 1>of other topics. Does it How Stuff Works dot Com