1 00:00:04,080 --> 00:00:07,440 Speaker 1: Welcome to Aaron Manke's Cabinet of Curiosities, a production of 2 00:00:07,480 --> 00:00:14,440 Speaker 1: iHeartRadio and Grimm and Mild. Our world is full of 3 00:00:14,480 --> 00:00:18,440 Speaker 1: the unexplainable, and if history is an open book, all 4 00:00:18,480 --> 00:00:22,119 Speaker 1: of these amazing tales are right there on display, just 5 00:00:22,200 --> 00:00:28,840 Speaker 1: waiting for us to explore. Welcome to the Cabinet of Curiosities. 6 00:00:36,600 --> 00:00:40,080 Speaker 1: The ancient Roman satirist juvenile famously said that the secret 7 00:00:40,159 --> 00:00:42,840 Speaker 1: to being loved as a ruler is not good governance, 8 00:00:42,840 --> 00:00:47,120 Speaker 1: but providing the public bread and circuses, food and entertainment. 9 00:00:47,440 --> 00:00:50,240 Speaker 1: But it must be said that people sometimes are particular 10 00:00:50,280 --> 00:00:54,440 Speaker 1: about what sort of circuses they're presented. Escapism and politics, 11 00:00:54,600 --> 00:00:58,120 Speaker 1: although seemingly very far apart, often collide in the most 12 00:00:58,120 --> 00:01:02,280 Speaker 1: turbulent of ways. That said, William mccreedy wasn't thinking of 13 00:01:02,320 --> 00:01:04,679 Speaker 1: this when the curtain rose on May seventh of eighteen 14 00:01:04,800 --> 00:01:07,400 Speaker 1: forty nine. He was one of the most acclaimed British 15 00:01:07,480 --> 00:01:10,560 Speaker 1: actors of his era, and he was focused on his craft. 16 00:01:11,000 --> 00:01:13,600 Speaker 1: He stepped out onto a stage in Manhattan, ready to 17 00:01:13,680 --> 00:01:17,200 Speaker 1: perform the lead in William Shakespeare's Macbeth, and was greeted 18 00:01:17,200 --> 00:01:21,560 Speaker 1: by a wall of jeers and booze McReady froze. He 19 00:01:21,640 --> 00:01:24,200 Speaker 1: hadn't even delivered a line yet, and already the audience 20 00:01:24,319 --> 00:01:27,600 Speaker 1: was turning against him. Moments later, the crowd began to 21 00:01:27,640 --> 00:01:31,080 Speaker 1: throw rotten vegetables at him, as well as eggs and coins. 22 00:01:31,400 --> 00:01:33,920 Speaker 1: It was so noisy that McCready and his fellow actors 23 00:01:34,160 --> 00:01:37,319 Speaker 1: struggled to make themselves heard over the rabble. And this 24 00:01:37,680 --> 00:01:41,040 Speaker 1: wasn't the first time that locals had disrupted McCready's performances. 25 00:01:41,400 --> 00:01:44,320 Speaker 1: Earlier that week, someone had thrown a dead sheep onto 26 00:01:44,360 --> 00:01:47,520 Speaker 1: the stage. There was an actor's worst nightmare, and everyone 27 00:01:47,600 --> 00:01:50,720 Speaker 1: knew that there was only one person to blame. You see, 28 00:01:50,800 --> 00:01:53,920 Speaker 1: that very same night, at a nearby Broadway theater, another 29 00:01:54,000 --> 00:01:57,240 Speaker 1: performance of Macbeth was under way, and the lead there 30 00:01:57,280 --> 00:02:00,400 Speaker 1: was an American named Edwin Forrest. The rowdy auditudiens that 31 00:02:00,440 --> 00:02:04,000 Speaker 1: had disrupted me were all fans of his. It seems 32 00:02:04,000 --> 00:02:06,800 Speaker 1: that these Shakespearean actors were in the midst of a 33 00:02:06,920 --> 00:02:13,240 Speaker 1: public feud. Forest was everything that MacCready was not. Boisterous, unrefined, populist, 34 00:02:13,520 --> 00:02:17,239 Speaker 1: in a word, American. MacCready said as much to interviewers, 35 00:02:17,320 --> 00:02:21,480 Speaker 1: and Forest responded by attacking McCready's tour of America. If 36 00:02:21,520 --> 00:02:24,000 Speaker 1: he couldn't be there to disrupt a show himself, he 37 00:02:24,000 --> 00:02:27,320 Speaker 1: would encourage his fans to do it for him. And honestly, 38 00:02:27,480 --> 00:02:30,320 Speaker 1: nineteenth century New York City was primed for this sort 39 00:02:30,360 --> 00:02:33,880 Speaker 1: of theatrical turf war. The ruggedly handsome Forest was the 40 00:02:33,919 --> 00:02:37,760 Speaker 1: perfect proxy for the working class, and the restrained MacCready 41 00:02:37,840 --> 00:02:41,240 Speaker 1: was seen as refined, elegant, and a British import that 42 00:02:41,280 --> 00:02:45,400 Speaker 1: appealed to the city's elites. After the May seventh humiliation, 43 00:02:45,560 --> 00:02:49,160 Speaker 1: though MacCready announced that he would return to England, wealthy 44 00:02:49,200 --> 00:02:51,720 Speaker 1: New Yorkers persuaded him to stay a little longer though. 45 00:02:51,919 --> 00:02:54,480 Speaker 1: On May tenth, he would perform Macbeth again, and this 46 00:02:54,639 --> 00:02:57,760 Speaker 1: time they would be watching for rabble rousers. Police officers 47 00:02:57,800 --> 00:03:01,560 Speaker 1: were posted inside the theater and outside. The state militia 48 00:03:01,720 --> 00:03:04,239 Speaker 1: was told to stand by, and they actually had good 49 00:03:04,280 --> 00:03:07,880 Speaker 1: reason to be concerned. Incendiary posters started to appear on 50 00:03:07,919 --> 00:03:10,960 Speaker 1: street corners, encouraging people to show up at the astor 51 00:03:11,000 --> 00:03:14,480 Speaker 1: Place theater to protest MacCready, referring to the venue as 52 00:03:14,520 --> 00:03:18,760 Speaker 1: a British aristocratic opera house. A crowd began to gather 53 00:03:18,840 --> 00:03:22,280 Speaker 1: there as the play began. The crowd outside grew enormous. 54 00:03:22,320 --> 00:03:26,399 Speaker 1: While inside the witches proclaimed by the pricking of my thumbs, 55 00:03:26,400 --> 00:03:30,280 Speaker 1: something wicked this way comes. Heckeling began as soon as 56 00:03:30,360 --> 00:03:33,440 Speaker 1: MacCready took the stage. The hecklers were grabbed by police 57 00:03:33,480 --> 00:03:36,640 Speaker 1: and taken out of the auditorium the state militia. Meanwhile, 58 00:03:36,800 --> 00:03:40,840 Speaker 1: we're losing control of the situation. Outside. The crowd you see, 59 00:03:41,000 --> 00:03:44,160 Speaker 1: had swelled to around ten thousand people, a mix of 60 00:03:44,200 --> 00:03:48,400 Speaker 1: protesters and curious bystanders. Someone doused the gas lamps in 61 00:03:48,440 --> 00:03:51,240 Speaker 1: the square, making impossible for militia men to see the 62 00:03:51,280 --> 00:03:54,240 Speaker 1: size of the protest, and soon after it turned from 63 00:03:54,280 --> 00:03:57,480 Speaker 1: a protest into a riot as men threw objects at 64 00:03:57,520 --> 00:04:02,200 Speaker 1: the militia, including paving stones, up from the street. Inside 65 00:04:02,240 --> 00:04:05,200 Speaker 1: the theater, MacCready finished his performance in spite of the 66 00:04:05,280 --> 00:04:08,839 Speaker 1: chaos outside and the sounds of breaking glass. As soon 67 00:04:08,840 --> 00:04:12,040 Speaker 1: as the curtain fell, he disguised himself and slipped out 68 00:04:12,040 --> 00:04:15,320 Speaker 1: the back entrance. Meanwhile, in an effort to control the mob, 69 00:04:15,520 --> 00:04:18,600 Speaker 1: the military raised their muskets and fired into the air, 70 00:04:18,960 --> 00:04:21,200 Speaker 1: and when that did not stop the hail of stones, 71 00:04:21,440 --> 00:04:25,920 Speaker 1: they opened fire again, this time into the crowd. The 72 00:04:25,960 --> 00:04:29,280 Speaker 1: mob dispersed in terror and all, twenty two people were 73 00:04:29,360 --> 00:04:32,840 Speaker 1: killed and over one hundred were injured. MacCready fled back 74 00:04:32,880 --> 00:04:35,960 Speaker 1: home to England and Forrest closed his engagement with the 75 00:04:35,960 --> 00:04:40,359 Speaker 1: Broadway Theater soon after. But as Shakespeare himself wrote, what's 76 00:04:40,440 --> 00:04:44,279 Speaker 1: done cannot be undone. It was not the first riot 77 00:04:44,320 --> 00:04:47,000 Speaker 1: in New York history, nor was it the most violent, 78 00:04:47,360 --> 00:04:50,120 Speaker 1: But in more ways than one, it was the most theatrical, 79 00:04:50,520 --> 00:04:54,000 Speaker 1: growing pains as the American theater scene violently asserted its 80 00:04:54,000 --> 00:04:58,040 Speaker 1: identity in defiance of the British. But for those involved, 81 00:04:58,560 --> 00:05:01,400 Speaker 1: so foul and fair a day they had not seen. 82 00:05:15,120 --> 00:05:18,080 Speaker 1: It was the evening of March thirteenth of nineteen ninety seven, 83 00:05:18,240 --> 00:05:20,919 Speaker 1: and amateur pilot Kurt was on his descent into the 84 00:05:20,920 --> 00:05:23,919 Speaker 1: Phoenix Airport when his son Oliver pointed to the sky. 85 00:05:24,320 --> 00:05:27,560 Speaker 1: Following Oliver's gaze, Kurt saw something unlike anything he had 86 00:05:27,640 --> 00:05:30,719 Speaker 1: seen in the air, a cluster of six lights soaring 87 00:05:30,760 --> 00:05:34,880 Speaker 1: towards the airport in a perfect v formation. Something about 88 00:05:34,880 --> 00:05:38,120 Speaker 1: the lights unsettled him. They were hypnotizing, but the longer 89 00:05:38,160 --> 00:05:41,120 Speaker 1: he stared, the more confused he became. He couldn't put 90 00:05:41,120 --> 00:05:43,320 Speaker 1: his finger on it, but they just weren't quite behaving. 91 00:05:43,440 --> 00:05:46,200 Speaker 1: Like any aircraft that he knew, so Kurt decided to 92 00:05:46,200 --> 00:05:49,360 Speaker 1: call the lights in on the radio. When he reported 93 00:05:49,360 --> 00:05:51,640 Speaker 1: the lights to aircraft at Control, he was met with 94 00:05:51,680 --> 00:05:54,680 Speaker 1: a confused pause. Then an authoritative voice told him that 95 00:05:54,720 --> 00:05:56,880 Speaker 1: they didn't see any lights in the area that he 96 00:05:56,920 --> 00:05:59,720 Speaker 1: had indicated. In fact, they didn't see anything at all. 97 00:06:00,120 --> 00:06:03,040 Speaker 1: Nothing had appeared on the radar whatsoever. As far as 98 00:06:03,080 --> 00:06:06,279 Speaker 1: they were concerned. Kurt and Oliver were seeing an unidentified 99 00:06:06,400 --> 00:06:09,560 Speaker 1: flying object. They may have been some of the first 100 00:06:09,600 --> 00:06:12,760 Speaker 1: witnesses of the Phoenix Lights in nineteen ninety seven, but 101 00:06:12,800 --> 00:06:15,400 Speaker 1: they were far from the last. That evening, thousands of 102 00:06:15,400 --> 00:06:18,799 Speaker 1: other people in Arizona spotted the strange lights flying overhead. 103 00:06:19,160 --> 00:06:21,680 Speaker 1: Hundreds of photos and videos of the lights were taken, 104 00:06:21,960 --> 00:06:24,719 Speaker 1: making the incident one of the most recorded UFO sightings 105 00:06:24,800 --> 00:06:28,679 Speaker 1: in American history. On the ground, residents of Phoenix seemed 106 00:06:28,680 --> 00:06:31,800 Speaker 1: to spot two distinct types of aircraft earlier that night. 107 00:06:31,880 --> 00:06:35,159 Speaker 1: Starting around eight PM, multiple witnesses spotted a group of 108 00:06:35,200 --> 00:06:38,560 Speaker 1: five or six reddish orange lights that formed a V formation. 109 00:06:39,040 --> 00:06:41,240 Speaker 1: This was the group of lights that Kurt had reported. 110 00:06:41,560 --> 00:06:44,800 Speaker 1: This V was first sighted near Henderson, Nevada, nearly three 111 00:06:44,920 --> 00:06:48,320 Speaker 1: hundred miles north of Phoenix and reportedly traveled slowly through 112 00:06:48,320 --> 00:06:51,440 Speaker 1: the Phoenix Mountains toward the city. Later in the nights, 113 00:06:51,520 --> 00:06:54,880 Speaker 1: around ten pm, another group of lights flew over Phoenix. 114 00:06:55,120 --> 00:06:57,440 Speaker 1: These ones were in a straight line, and rather than 115 00:06:57,480 --> 00:07:00,359 Speaker 1: flying forward, they seemed to hover near the city. Some 116 00:07:00,440 --> 00:07:02,640 Speaker 1: people even thought that they saw some of these second 117 00:07:02,760 --> 00:07:06,159 Speaker 1: lights fall out of the sky, just like the earlier lights. 118 00:07:06,279 --> 00:07:09,760 Speaker 1: These ones disappeared almost as quickly as they had first arrived, 119 00:07:10,200 --> 00:07:12,600 Speaker 1: and for weeks, the Phoenix lights had the city in 120 00:07:12,720 --> 00:07:16,280 Speaker 1: a chokehold. The media frenzy blamed everything from aliens to 121 00:07:16,400 --> 00:07:19,880 Speaker 1: Russian spies. To calm things down, the Arizona governor hosted 122 00:07:19,880 --> 00:07:21,960 Speaker 1: a bizarre press conference where he claimed that he had 123 00:07:21,960 --> 00:07:24,640 Speaker 1: found the person responsible for the lights, and then brought 124 00:07:24,680 --> 00:07:27,400 Speaker 1: on an aid who was dressed in an alien costume. 125 00:07:27,920 --> 00:07:30,520 Speaker 1: The joke helped to reassure the public that they weren't 126 00:07:30,600 --> 00:07:33,680 Speaker 1: under any imminent threats of alien invasion, but the truth 127 00:07:33,720 --> 00:07:36,720 Speaker 1: about the lights was no laughing matter. While the night 128 00:07:36,760 --> 00:07:40,720 Speaker 1: of March thirteenth featured two separate UFO incidents, both groups 129 00:07:40,720 --> 00:07:44,920 Speaker 1: of mysterious lights were caused by the same thing, Operation Snowbird. 130 00:07:45,400 --> 00:07:48,040 Speaker 1: You see in nineteen ninety seven, the Air National Guard 131 00:07:48,120 --> 00:07:51,560 Speaker 1: were conducting exercises out of an air base in Tucson, Arizona. 132 00:07:51,920 --> 00:07:55,120 Speaker 1: One of these, codenamed Operation Snowbird, was meant to test 133 00:07:55,160 --> 00:07:59,000 Speaker 1: the capabilities of the A ten Thunderbolt attack planes under 134 00:07:59,040 --> 00:08:03,240 Speaker 1: winter conditions. While commercial planes typically employ blinking lights to 135 00:08:03,280 --> 00:08:06,320 Speaker 1: help with visibility, military planes don't have to follow the 136 00:08:06,360 --> 00:08:09,520 Speaker 1: same flight rules, so when a group of six Thunderbolts 137 00:08:09,600 --> 00:08:12,480 Speaker 1: launched in a V formation, they kept their lights steady 138 00:08:12,520 --> 00:08:15,800 Speaker 1: as they crossed Phoenix and headed south to Tucson. The 139 00:08:15,840 --> 00:08:19,160 Speaker 1: second sighting also involved Thunderbolt planes, but it wasn't the 140 00:08:19,280 --> 00:08:22,520 Speaker 1: lights on the aircraft that struck people as odd. Around 141 00:08:22,520 --> 00:08:25,520 Speaker 1: ten PM, a group of Thunderbolts launched from a military 142 00:08:25,560 --> 00:08:29,559 Speaker 1: airfield south of Phoenix. These planes were practicing dropping slow 143 00:08:29,600 --> 00:08:32,800 Speaker 1: burning flares. The light from the flares, when seen from 144 00:08:32,920 --> 00:08:36,320 Speaker 1: far away, seemed to fall slowly toward the ground, just 145 00:08:36,360 --> 00:08:39,880 Speaker 1: as people reported seeing in the second UFO sighting. The 146 00:08:39,880 --> 00:08:43,080 Speaker 1: Phoenix lights gained a lot of attention when they first appeared, 147 00:08:43,280 --> 00:08:46,720 Speaker 1: but were quickly explained by the Army National Guard. Except 148 00:08:46,760 --> 00:08:50,040 Speaker 1: some witnesses missed the memo. In fact, Kurt the amateur 149 00:08:50,080 --> 00:08:52,880 Speaker 1: pilot who first called the lights in to air traffic control, 150 00:08:53,240 --> 00:08:56,160 Speaker 1: didn't discover the truth until two years later. He was 151 00:08:56,200 --> 00:08:58,520 Speaker 1: in his house in California when he noticed his wife 152 00:08:58,520 --> 00:09:02,480 Speaker 1: watching a news program on UFO sightings, and Kurt instantly 153 00:09:02,520 --> 00:09:06,040 Speaker 1: recognized the incident the newscasters described as the one that 154 00:09:06,080 --> 00:09:08,959 Speaker 1: he and his son Oliver had witnessed in nineteen ninety seven. 155 00:09:09,360 --> 00:09:12,400 Speaker 1: When he told his wife, Goldie, she hardly believed him. 156 00:09:12,520 --> 00:09:15,520 Speaker 1: It all sounded too coincidental, not just that he had 157 00:09:15,520 --> 00:09:18,240 Speaker 1: witnessed the event, but that he Kurt had been the 158 00:09:18,280 --> 00:09:21,160 Speaker 1: first to report it to the authorities. After all, who 159 00:09:21,200 --> 00:09:24,800 Speaker 1: would believe a big Hollywood star like Kurt Russell would 160 00:09:24,800 --> 00:09:29,960 Speaker 1: spot a UFO. It honestly sounded out of this world. 161 00:09:33,040 --> 00:09:35,720 Speaker 1: I hope you've enjoyed today's guided tour of the Cabinet 162 00:09:35,720 --> 00:09:39,600 Speaker 1: of Curiosities. Subscribe for free on Apple Podcasts, or learn 163 00:09:39,679 --> 00:09:44,160 Speaker 1: more about the show by visiting Curiosities podcast dot com. 164 00:09:44,280 --> 00:09:47,840 Speaker 1: The show was created by me Aaron Mankey in partnership 165 00:09:47,880 --> 00:09:51,160 Speaker 1: with how Stuff Works. I make another award winning show 166 00:09:51,280 --> 00:09:55,360 Speaker 1: called Lore, which is a podcast, book series, and television show, 167 00:09:55,600 --> 00:09:57,480 Speaker 1: and you can learn all about it over at the 168 00:09:57,640 --> 00:10:02,360 Speaker 1: Worldolore dot com and until next time, stay curious,