WEBVTT - Are more expensive cables worth it?

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<v Speaker 1>Brought to you by the reinvented two thousand twelve camera.

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<v Speaker 1>your voice, go to audible podcast dot com slash tech Stuff. Hello, everybody,

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<v Speaker 1>welcome to tech Stuff. My name is Chris Polette. I'm

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<v Speaker 1>an editor at how stuff Works dot com and sitting

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<v Speaker 1>next to me as usual as senior writer Jonathan Strickland.

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<v Speaker 1>Hey there, and uh, I think we're going to uh

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<v Speaker 1>talk some cable today. Yeah, we're gonna talk cable kind

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<v Speaker 1>of the way we talked megapixels. And you know, it's

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<v Speaker 1>funny because all this WiFi we've been talking over the

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<v Speaker 1>past few months, and now we're talking cables. Cables. We're

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<v Speaker 1>not we're not necessarily talking cable television or cable modems.

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<v Speaker 1>We're talking about the actual physical cables that tether one

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<v Speaker 1>device to another. And if you're not familiar with cables,

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<v Speaker 1>ha ha, they're basically long strings of copper wire that

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<v Speaker 1>you plug one thing into another thing to connect them. Yeah,

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<v Speaker 1>to allow electrons to pass okay, jokes aside from one

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<v Speaker 1>to another. Um. The question has been posed by many

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<v Speaker 1>people over the centuries that we've had electronic equipment. Yes,

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<v Speaker 1>I remember Shakespeare himself wondering about this question. You know

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<v Speaker 1>we're gonna get an email saying you don'ts no, seriously, Um,

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<v Speaker 1>there have been people who have asked for a long time,

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<v Speaker 1>you know, because they are all kinds of cables you

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<v Speaker 1>can get in the store. Some of them are really cheap,

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<v Speaker 1>some of them are really expensive, some of them are short,

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<v Speaker 1>some of them along and people go, what the heck

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<v Speaker 1>is the difference? Does it really matter what cable I get?

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<v Speaker 1>And the answer to that is, well, answer is no,

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<v Speaker 1>it's not No. Answer is more or less no, Okay,

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<v Speaker 1>more or less no, I will accept. Okay, there, but

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<v Speaker 1>actually there's some there's some gray area in there, all right, Yeah, again,

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<v Speaker 1>there's some gray area. Okay. So what we're talking about

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<v Speaker 1>here are let's say that you just bought a really,

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<v Speaker 1>really nice sound system and you want to hook your

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<v Speaker 1>sound system up, and you know, you don't want to

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<v Speaker 1>just use the cables that came with it. You want,

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<v Speaker 1>you want some nice cables. Um, you don't wanna you know,

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<v Speaker 1>full around, because I mean, if you spent this much

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<v Speaker 1>on a on a sound system, you don't want something

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<v Speaker 1>as simple as cables making it sound crappy. Right, Actually

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<v Speaker 1>that sounds a lot like what a salesperson would ask

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<v Speaker 1>you in the store. I know, this is why I'm

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<v Speaker 1>going this way. So then you go down to the

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<v Speaker 1>audio aisle and you look at all the different cables

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<v Speaker 1>and you see some they're they're you know, fifteen dollars,

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<v Speaker 1>and you see some of they're twenty dollars. And then

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<v Speaker 1>you look and you see some that are a hundred

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<v Speaker 1>and twenty dollars and they're the same length as the

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<v Speaker 1>twenty dollar ones, And you think, huh, the d and

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<v Speaker 1>twenty dollar ones must provide a much better sound than

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<v Speaker 1>the twenty dollar ones. I've spent all this money on

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<v Speaker 1>my uh stereo. I'm going to go ahead and get

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<v Speaker 1>the top of the line. And you take them home

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<v Speaker 1>and you look so and you think I've got the

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<v Speaker 1>best there is. Well, would you have had the same

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<v Speaker 1>experience of you about the twenty ones? Would it really

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<v Speaker 1>have sounded that much different or would it sound different

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<v Speaker 1>at all? Would you even be able to detect it?

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<v Speaker 1>Perhaps the most sensitive sound detecting equipment could pick it up,

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<v Speaker 1>but would your ear pick it up? And that's the question.

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<v Speaker 1>I mean. I wasn't long ago that I uh, that

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<v Speaker 1>I edited Dave Russ article how do I know which

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<v Speaker 1>cables use? And it doesn't really talk about this, at

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<v Speaker 1>least not mostly. But he did put a sidebar in

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<v Speaker 1>there about an experiment that was held not too long ago.

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<v Speaker 1>They got picked up and it made headlines, well sort

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<v Speaker 1>of headlines, blog headlines all over the internet about these

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<v Speaker 1>people who substituted coat hangers for Monster cables. Let's see

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<v Speaker 1>if they can tell the difference. Actually, no, they couldn't,

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<v Speaker 1>yeh um. And let's just say this. We're not talking

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<v Speaker 1>about a double blind study held in um a lab

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<v Speaker 1>and the results were published in a peer review journal.

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<v Speaker 1>But um, the original of this appeared in an audio

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<v Speaker 1>file um uh message board. It's the audio Holics Home

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<v Speaker 1>theater forum and basically, um, some serious serious listeners decided

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<v Speaker 1>to do a test on two different kinds of cable,

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<v Speaker 1>basically trying to figure out because Monster has a reputation

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<v Speaker 1>for making really good cables or at least really expensive

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<v Speaker 1>or at least really expensive, wasn't And and uh, if

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<v Speaker 1>anybody's name is thrown around with are these really expensive

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<v Speaker 1>cables worth it, it's theirs. Um. So they said, okay,

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<v Speaker 1>well let's do let's do a taste test, if you will,

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<v Speaker 1>And they plugged in some really nice monster cables and

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<v Speaker 1>they also put in some fourteen gauge oxygen free Belden

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<v Speaker 1>copper wire and tested them and basically, um, all this

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<v Speaker 1>wasn't a scientific, scientific test. It was pretty scientific. They

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<v Speaker 1>picked a band that none of them were familiar with

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<v Speaker 1>so that nobody would have a personal biased that they

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<v Speaker 1>used the exact same length of wire and said, okay,

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<v Speaker 1>they hooked it up to an eight B box so

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<v Speaker 1>they could just throw a switch and uh. Basically they

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<v Speaker 1>exposed five people. Again not a giant scientific example, but

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<v Speaker 1>two of the five could accurately identify the monster cable

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<v Speaker 1>out of the two as sounding different. And then they

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<v Speaker 1>threw him a loop and pulled out the belden wire

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<v Speaker 1>and swapped it for coat hanger that had been rigged

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<v Speaker 1>into speaker wires, and uh, and ran the A B

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<v Speaker 1>test again, and not one of them could tell the

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<v Speaker 1>difference in Monster cable or the the coat hangers. Not

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<v Speaker 1>that we recommend you going out and replacing all of

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<v Speaker 1>your wires with coat hangers. No, No, that could potentially

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<v Speaker 1>cause you a little bit of a shock, exactly. And um,

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<v Speaker 1>not to disparage the work of the audio holics who

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<v Speaker 1>have who have done this study. It's it's certainly um

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<v Speaker 1>uh you know, somewhat scientific. Um. But they you know,

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<v Speaker 1>people have been really excited about this because you know,

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<v Speaker 1>people like to pick on Monster. Let's face Yeah, No,

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<v Speaker 1>they're They're an easy target because their products are very

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<v Speaker 1>very much in the you know, the limelight, and they

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<v Speaker 1>are very expensive or for the high end ones anyway,

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<v Speaker 1>And uh, I just want to really quickly go into

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<v Speaker 1>what a double blind study is in case you're not

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<v Speaker 1>aware of what that is. Double blind is a methodology,

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<v Speaker 1>and it's one in which both the person administering the

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<v Speaker 1>tests and the person undergoing the test have no idea

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<v Speaker 1>which of the two or more UH scenarios they are

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<v Speaker 1>encountering at any one time. So, in other words, the

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<v Speaker 1>person who is pushing play on the stereo U doesn't

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<v Speaker 1>know which wires are being used, and the person listening

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<v Speaker 1>doesn't know which wires are being used. Now, ideally you're

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<v Speaker 1>using the exact same equipment apart from the wires, and

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<v Speaker 1>you're using the exact same recording in all these cases,

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<v Speaker 1>so that you know, no, you don't have any other

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<v Speaker 1>variation there. The only variation you should get are from

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<v Speaker 1>the wires. And the reason you do these double blind

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<v Speaker 1>tests is to avoid a kind of almost like a well,

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<v Speaker 1>it's really a psychological effect. If you go in expecting

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<v Speaker 1>to hear a better sound, you might be convinced that

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<v Speaker 1>you are hearing a better sound, even if on any

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<v Speaker 1>other day, if no one had told you that, you

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<v Speaker 1>wouldn't have that expectation. So, I mean, someone could tell you, oh, well,

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<v Speaker 1>these are the high high end speaker wires, and and

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<v Speaker 1>be pulling your leg, and you might convince yourself, wow,

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<v Speaker 1>those really do sound great, and then it turns out

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<v Speaker 1>that you know another the cheap little fifteen dollar ones

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<v Speaker 1>you can get on the aisle um. That's why double

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<v Speaker 1>blind tests are important. It takes that kind of bias out. Actually,

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<v Speaker 1>James Randy, do you have you do you know who

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<v Speaker 1>James Randy is? I've heard his name, James Randy. Uh,

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<v Speaker 1>it's a professional magician UM and also a noted skeptic,

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<v Speaker 1>and he has the one million dollar Chi Lenge, which

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<v Speaker 1>really is open to various claims of um of abilities

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<v Speaker 1>that fall into the paranormal range. But he opened it

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<v Speaker 1>up the one million dollar challenge to anyone who could

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<v Speaker 1>reliably tell the difference between I think it was a

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<v Speaker 1>seven thousand, five hundred dollar cable and a I think

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<v Speaker 1>a two hundred dollar cable. So we're still talking about

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<v Speaker 1>high end cables on both ends, but one that's incredibly

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<v Speaker 1>expensive versus one that's just expensive. And his argument was

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<v Speaker 1>that the human ear would be unable to detect the

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<v Speaker 1>the difference between these two cables, even if the two

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<v Speaker 1>cables performed exactly the way they were supposed to perform

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<v Speaker 1>according to advertisements and packaging. UM. As of right now,

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<v Speaker 1>no one has uh that they have not done any

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<v Speaker 1>of these tests. I think because the company that was

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<v Speaker 1>going to supply the cables backed out in the last second. Yeah,

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<v Speaker 1>maybe they just didn't want anyone to find how that

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<v Speaker 1>their product may or may not be distinguishable from significantly

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<v Speaker 1>cheaper products. I think that might be it. That that

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<v Speaker 1>could be it. Yeah, we don't know. We can't say

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<v Speaker 1>it may be a totally different reason. Um Wilson Rothman

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<v Speaker 1>UH from Gizmodo has done a series of articles about

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<v Speaker 1>Monster cables and whether they're worth it UM and worth

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<v Speaker 1>worth the price. And you know, he actually met with

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<v Speaker 1>some some folks at Monster and they explained to him

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<v Speaker 1>some of the reasons why they feel UM their cables

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<v Speaker 1>are worth it. And I should point out that UM.

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<v Speaker 1>According to one of his posts, uh it talks about

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<v Speaker 1>the the consumer blog Consumerist, UM, they got an inventorialist

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<v Speaker 1>from radio radio shack employee and there was a a

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<v Speaker 1>cable that had a markup of actually UM and nineteen

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<v Speaker 1>h d M I d v I digital cable was

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<v Speaker 1>a hundred wholesale was which is a profit of eighty

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<v Speaker 1>dollars and fifty four cents, which is actually, as Monster

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<v Speaker 1>points out, a margin of which is just a little

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<v Speaker 1>higher than their normal margin, which is thirty seven. That's

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<v Speaker 1>according to Monster them, you know, the company itself. UM,

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<v Speaker 1>but there are a lot of things that Monster says

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<v Speaker 1>makes a difference for them. Um. They make heavier duty cables,

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<v Speaker 1>which UH, in the long run will save one wear

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<v Speaker 1>and tear. They showed Um Wilson Rothman and an X

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<v Speaker 1>ray of a monster cable and a less expensive cable,

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<v Speaker 1>and they showed the difference in wear and tear just

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<v Speaker 1>at the point where the connector touches the cable and

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<v Speaker 1>just bending it back and forth can can damage the

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<v Speaker 1>cable where the Monster cables were more robust. Also, they're

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<v Speaker 1>certified for things like h technologies like h d M I,

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<v Speaker 1>and they're saying, you know, basically, when you pay for us,

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<v Speaker 1>you're getting a higher quality copper cable. You're getting, you know,

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<v Speaker 1>a more robust cable that will last longer. The connectors

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<v Speaker 1>tend to be made out of pretty expensive material as well,

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<v Speaker 1>with the idea that you know, this is the part

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<v Speaker 1>that actually you insert into whatever equipment you're going to

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<v Speaker 1>plug the cable into and for it exactly and that

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<v Speaker 1>therefore it does make a difference which material you use.

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<v Speaker 1>And uh, you know, to his credit, uh, you know,

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<v Speaker 1>Rothman was really sort of skeptical about the whole thing

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<v Speaker 1>going in, but he said, you know, these things honestly

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<v Speaker 1>do play a part in whether or not the cable,

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<v Speaker 1>um you know, is worth more to the to the consumer.

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<v Speaker 1>But he also advocates trying a cheaper cable to start

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<v Speaker 1>out with because he said, you know, for the most part,

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<v Speaker 1>most people can't tell the difference, UM, and for shorter lengths, um,

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<v Speaker 1>it doesn't matter as much. He said. What's really funny

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<v Speaker 1>is the cables that seem to be the most overpriced

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<v Speaker 1>are the mid range cables, because you sort of get

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<v Speaker 1>what you pay for when you buy an inexpensive cable

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<v Speaker 1>or the monster cable. But the mid range cables really

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<v Speaker 1>aren't that much better than the cheap ones, and you're

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<v Speaker 1>paying a premium for that in between, and you're not

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<v Speaker 1>really getting that much more for your money. And when

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<v Speaker 1>you're talking about longer cables, that's when you're getting into

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<v Speaker 1>situations where you may have to, you know, move the

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<v Speaker 1>cable around corners and things like that, and this is

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<v Speaker 1>stuff that can produce wear and tear, or you may

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<v Speaker 1>have to if you're if you're wiring through the walls,

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<v Speaker 1>that may also play a factor. If you you know,

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<v Speaker 1>there may be a point where you have to kink

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<v Speaker 1>the wire a little bit in order to get around

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<v Speaker 1>a certain point um. And of course the heavier duty

0:12:25.600 --> 0:12:28.200
<v Speaker 1>ones can take that better than the cheap ones. So

0:12:28.240 --> 0:12:31.440
<v Speaker 1>in that case, yeah, if you're using a long cable, uh,

0:12:31.480 --> 0:12:33.600
<v Speaker 1>you may need to look into one of the more

0:12:33.640 --> 0:12:37.000
<v Speaker 1>expensive ones if if a cheaper one just isn't giving

0:12:37.000 --> 0:12:40.720
<v Speaker 1>you the quality of picture that you really want. And uh,

0:12:40.760 --> 0:12:43.520
<v Speaker 1>and it is true that there are times where you'll

0:12:43.559 --> 0:12:46.160
<v Speaker 1>look at an image on a TV and you'll think,

0:12:46.480 --> 0:12:49.080
<v Speaker 1>this is a high definite definition television. Why don't I

0:12:49.080 --> 0:12:51.200
<v Speaker 1>have a better picture? And sometimes it is the cable.

0:12:51.559 --> 0:12:55.920
<v Speaker 1>Sometimes the connectors not not quite sitting right, or uh,

0:12:55.960 --> 0:12:59.720
<v Speaker 1>the cable itself has a weak spot. Um, if the

0:13:00.000 --> 0:13:03.320
<v Speaker 1>fielding around the cable isn't very strong, there could be

0:13:03.360 --> 0:13:06.960
<v Speaker 1>interference from other cables. Keep in mind that you know,

0:13:07.600 --> 0:13:11.040
<v Speaker 1>cables that don't have any shielding are essentially emitting radio waves.

0:13:11.240 --> 0:13:13.920
<v Speaker 1>So if there if you have a whole bunch of

0:13:13.920 --> 0:13:17.640
<v Speaker 1>these together, there is chance of interference. If you've ever had, um,

0:13:17.679 --> 0:13:21.960
<v Speaker 1>for instance, a a cell phone near cheap set of speakers,

0:13:22.440 --> 0:13:25.440
<v Speaker 1>and the cell phone updates and then you start hearing

0:13:25.440 --> 0:13:27.120
<v Speaker 1>this did it? Did it? Did it? Did it? Sound?

0:13:27.160 --> 0:13:31.120
<v Speaker 1>That's because the the uh, the speakers are picking up

0:13:31.120 --> 0:13:33.720
<v Speaker 1>the interference from the phone. Actually the speaker wires are

0:13:33.720 --> 0:13:35.760
<v Speaker 1>picking it up and sending it to the speakers. I

0:13:35.800 --> 0:13:37.880
<v Speaker 1>always thought that was the ghost of Porky Pig could

0:13:37.920 --> 0:13:42.280
<v Speaker 1>also be that. So the we miss you mel blank

0:13:42.679 --> 0:13:46.280
<v Speaker 1>the but no, the shielding around the wires is very important.

0:13:46.320 --> 0:13:49.120
<v Speaker 1>So if you have a lot of if it's gonna

0:13:49.120 --> 0:13:51.800
<v Speaker 1>be laying around a lot of other cables, I mean

0:13:52.200 --> 0:13:55.640
<v Speaker 1>my house, that's the case behind any entertainment system. But yeah,

0:13:55.640 --> 0:13:57.000
<v Speaker 1>if there are a lot of cables there and they

0:13:57.000 --> 0:13:59.080
<v Speaker 1>have poor shielding, then you can have interference and that

0:13:59.080 --> 0:14:01.400
<v Speaker 1>can affect your pictures. So in that case, you may

0:14:01.480 --> 0:14:04.880
<v Speaker 1>need to look at a better, better set of cables.

0:14:04.920 --> 0:14:08.360
<v Speaker 1>But in general, like like s net, c net reviews

0:14:08.640 --> 0:14:12.280
<v Speaker 1>lots of products, and one of the things they review,

0:14:12.760 --> 0:14:16.600
<v Speaker 1>among many others, are home entertainment systems, and they have

0:14:16.920 --> 0:14:19.080
<v Speaker 1>the people have seen it, have gone on record saying,

0:14:19.120 --> 0:14:21.480
<v Speaker 1>you know what, there's a two h d M I

0:14:21.560 --> 0:14:23.400
<v Speaker 1>cable that we could get, and there's a twenty dollar

0:14:23.520 --> 0:14:25.640
<v Speaker 1>h d M I cable we can get. We stuck

0:14:25.680 --> 0:14:28.440
<v Speaker 1>with the twenty one. We can't tell the difference. Uh,

0:14:28.480 --> 0:14:30.880
<v Speaker 1>you know, we compared the two. We've used the twenty

0:14:30.880 --> 0:14:33.760
<v Speaker 1>dollar one for all of our tests from that point forward,

0:14:33.800 --> 0:14:36.560
<v Speaker 1>and that's what we're gonna stick with because for the

0:14:36.560 --> 0:14:39.400
<v Speaker 1>purposes of our tests, it's exactly what we need and

0:14:39.720 --> 0:14:43.000
<v Speaker 1>you're talking about, you know, testing really high end systems.

0:14:43.080 --> 0:14:46.720
<v Speaker 1>So again they're using you know, an average length of cable.

0:14:46.720 --> 0:14:48.880
<v Speaker 1>I think I think two meters is like the longest

0:14:48.880 --> 0:14:54.040
<v Speaker 1>one they use. Um. And so they they say straight

0:14:54.080 --> 0:14:57.320
<v Speaker 1>out like, don't bother buying the really expensive ones because

0:14:57.320 --> 0:15:01.760
<v Speaker 1>you're just wasting money. Um yeah, and that's uh yeah.

0:15:01.840 --> 0:15:06.560
<v Speaker 1>Rothman sort of tempered his his message after having met

0:15:06.600 --> 0:15:09.440
<v Speaker 1>with the Monster folks. Basically he said, we're not saying

0:15:09.440 --> 0:15:12.000
<v Speaker 1>that Monster cables aren't the best. That's not what we're

0:15:12.000 --> 0:15:15.120
<v Speaker 1>saying at all. We're saying you may not need, you know,

0:15:15.200 --> 0:15:17.880
<v Speaker 1>to buy a really expensive cable unless you're using it

0:15:17.920 --> 0:15:22.000
<v Speaker 1>for specific applications where you need an extra long cable

0:15:22.280 --> 0:15:25.160
<v Speaker 1>or you know you're going to need heavy duty cable

0:15:25.200 --> 0:15:27.560
<v Speaker 1>to to run through the walls, you know, things like that,

0:15:27.600 --> 0:15:29.560
<v Speaker 1>if you need you know, if you don't use that

0:15:29.640 --> 0:15:33.080
<v Speaker 1>for for that, then it's it's seriously unlikely that you

0:15:33.120 --> 0:15:35.200
<v Speaker 1>need to spend the extra money on a Monster cable

0:15:35.240 --> 0:15:37.280
<v Speaker 1>because you know, after all, they did do some lab

0:15:37.320 --> 0:15:41.040
<v Speaker 1>testing and the Monster cables tested very very well. Um,

0:15:41.080 --> 0:15:43.760
<v Speaker 1>you know, so you know, sure you can you can

0:15:43.760 --> 0:15:45.480
<v Speaker 1>buy that if you really want to. And they you'll

0:15:45.480 --> 0:15:48.200
<v Speaker 1>get an excellent product, but you know you may not

0:15:48.600 --> 0:15:51.720
<v Speaker 1>need require it, maybe more than what you need exactly. Yeah,

0:15:51.720 --> 0:15:54.600
<v Speaker 1>audio files and video files will often tell you they

0:15:54.640 --> 0:15:57.040
<v Speaker 1>want the absolute best in order to get the best,

0:15:57.040 --> 0:15:59.680
<v Speaker 1>and that they can tell the difference. I can tell

0:15:59.720 --> 0:16:02.200
<v Speaker 1>you as someone who has looked at a lot of

0:16:02.240 --> 0:16:05.440
<v Speaker 1>these things personally. Um, there was a time actually at

0:16:05.520 --> 0:16:08.880
<v Speaker 1>the last consumer Electronics show where I was walking around

0:16:08.880 --> 0:16:10.920
<v Speaker 1>and I was walking into a booth. This is the

0:16:10.960 --> 0:16:13.560
<v Speaker 1>first day of the show, and they had not yet

0:16:13.640 --> 0:16:17.440
<v Speaker 1>put up the signs for which TV was which for

0:16:17.560 --> 0:16:20.320
<v Speaker 1>certain things, and I couldn't tell the difference. And I

0:16:20.360 --> 0:16:22.040
<v Speaker 1>came back to that booth later and then I saw

0:16:22.120 --> 0:16:24.280
<v Speaker 1>which one was supposed to look better than the others,

0:16:24.360 --> 0:16:27.280
<v Speaker 1>and I thought, you know, I still can't tell the difference.

0:16:27.320 --> 0:16:29.280
<v Speaker 1>But if I had walked into this the first time

0:16:29.480 --> 0:16:32.040
<v Speaker 1>and saw those signs, I probably would have thought to myself, hey,

0:16:32.080 --> 0:16:35.040
<v Speaker 1>that that picture does look better than this other one.

0:16:35.280 --> 0:16:37.520
<v Speaker 1>But without the without that information, there there was no

0:16:37.560 --> 0:16:40.560
<v Speaker 1>way for me to tell. So no, not granted, perhaps

0:16:40.600 --> 0:16:44.480
<v Speaker 1>that's a fault that lies on yours, truly, you know,

0:16:44.560 --> 0:16:49.280
<v Speaker 1>maybe I'm incapable of seeing those differences and that's my

0:16:49.280 --> 0:16:52.280
<v Speaker 1>my burden to bear in life. But I'm just saying

0:16:52.440 --> 0:16:54.360
<v Speaker 1>I couldn't tell. Yeah, And I'm sure that if I

0:16:54.360 --> 0:16:57.640
<v Speaker 1>had been there for the audio Holics testing procedures, I

0:16:57.640 --> 0:16:59.280
<v Speaker 1>would not have been able to tell the difference in

0:16:59.320 --> 0:17:03.760
<v Speaker 1>speaker wire versus uh, you know, code hangers either, um,

0:17:03.840 --> 0:17:07.320
<v Speaker 1>you know. And they're a lot more highly developed ears

0:17:07.359 --> 0:17:10.359
<v Speaker 1>than mine, certainly, And this just n yes, the j

0:17:10.480 --> 0:17:13.880
<v Speaker 1>REF challenge I was talking about earlier, it was seven

0:17:14.640 --> 0:17:17.879
<v Speaker 1>speaker cables versus eighty dollar speaker cables. So I just

0:17:17.960 --> 0:17:19.920
<v Speaker 1>want to get that straight before we started getting emails

0:17:19.960 --> 0:17:22.000
<v Speaker 1>about it, all right, I hope people didn't pause the

0:17:22.040 --> 0:17:24.479
<v Speaker 1>podcast and type out an angry email and then started

0:17:24.520 --> 0:17:26.600
<v Speaker 1>up again. If it makes you feel better, I'll send

0:17:26.600 --> 0:17:29.440
<v Speaker 1>you an angry email. It always makes me feel better. Well.

0:17:29.480 --> 0:17:31.840
<v Speaker 1>I think now's a good time to thank our sponsor,

0:17:31.960 --> 0:17:35.280
<v Speaker 1>audible dot com. And hey guys, if you go to

0:17:35.600 --> 0:17:39.000
<v Speaker 1>www dot audible podcast dot com slash tech stuff and

0:17:39.040 --> 0:17:41.959
<v Speaker 1>sign up there, your first download is free, and we

0:17:42.040 --> 0:17:45.200
<v Speaker 1>have a couple of suggestions for what that first download

0:17:45.200 --> 0:17:48.399
<v Speaker 1>could be. If you like Chris, what what suggestions do

0:17:48.440 --> 0:17:50.600
<v Speaker 1>you come up with? We'll see this was obvious for me,

0:17:50.840 --> 0:17:56.560
<v Speaker 1>I chose Nick Hornby's High Fidelity right. Well, of course,

0:17:57.000 --> 0:17:58.800
<v Speaker 1>you know, I don't think there were any code hangers

0:17:58.800 --> 0:18:03.120
<v Speaker 1>in it. Anyway. It's narrated by David by David Kale,

0:18:03.600 --> 0:18:05.840
<v Speaker 1>and you know, it's an excellent it's an excellent book,

0:18:05.960 --> 0:18:10.720
<v Speaker 1>so it's an excellent one for their free download. Yeah,

0:18:10.720 --> 0:18:14.280
<v Speaker 1>it's a good one. Okay, Well, well mine, Uh, mine

0:18:14.280 --> 0:18:17.080
<v Speaker 1>takes a little explanation, but I'll go out and say

0:18:17.080 --> 0:18:20.200
<v Speaker 1>what it is. First. It's Love is a mixtape Life

0:18:20.200 --> 0:18:22.200
<v Speaker 1>and Love one song at a time, and that's by

0:18:22.280 --> 0:18:25.280
<v Speaker 1>Rob Sheffield, who also narrates it. Now, this is a

0:18:25.320 --> 0:18:30.719
<v Speaker 1>story about Rob and it's it's autobiographical. Um. He he

0:18:30.920 --> 0:18:34.560
<v Speaker 1>describes himself as a shy, skinning Irish Catholic geek from Boston,

0:18:35.200 --> 0:18:37.920
<v Speaker 1>and it's kind of about his love affair with a

0:18:37.960 --> 0:18:41.800
<v Speaker 1>young woman named Renee, who he describes as an Appalachian

0:18:41.960 --> 0:18:45.399
<v Speaker 1>punk rock girl from nor across Georgia. I feel a

0:18:45.400 --> 0:18:48.159
<v Speaker 1>certain kinship with both of these people, being both a

0:18:48.200 --> 0:18:51.359
<v Speaker 1>geek and a punk rock fan. And uh, it's a

0:18:51.400 --> 0:18:56.080
<v Speaker 1>great story. It's very funny, it's very very sad um

0:18:56.160 --> 0:19:00.119
<v Speaker 1>and he narrates it. So that's my recommendation excellent, and

0:19:00.160 --> 0:19:03.200
<v Speaker 1>remember you can get that or one of fifty other

0:19:03.240 --> 0:19:05.919
<v Speaker 1>audio books for free as your first download if you

0:19:05.960 --> 0:19:09.960
<v Speaker 1>sign up at www dot audible, podcast dot com slash

0:19:10.000 --> 0:19:12.280
<v Speaker 1>tech stuff. And now you know what time it is,

0:19:12.320 --> 0:19:21.520
<v Speaker 1>don't you. Yes, that's right, it's listener mail. So this

0:19:21.600 --> 0:19:26.960
<v Speaker 1>is from Catherine from Philly. Hey Katherine, and uh, I've

0:19:27.040 --> 0:19:30.320
<v Speaker 1>expurgated your email slightly. It's I just took out the

0:19:30.320 --> 0:19:34.080
<v Speaker 1>middle part. Hey guys. As a lifelong geek girl, I'm

0:19:34.160 --> 0:19:36.159
<v Speaker 1>quite enjoying the podcast and hope you keep up the

0:19:36.160 --> 0:19:38.800
<v Speaker 1>good geeky work. Well, we don't have a choice in

0:19:38.800 --> 0:19:42.959
<v Speaker 1>the matter, so thanks Katherine. But she also says also

0:19:43.119 --> 0:19:46.120
<v Speaker 1>in your podcast where you talked about which platform is better,

0:19:46.280 --> 0:19:50.199
<v Speaker 1>a harry topic to say the least. Kidding, she's not

0:19:50.280 --> 0:19:53.640
<v Speaker 1>reading the other emails that you mentioned that if you're

0:19:53.680 --> 0:19:56.600
<v Speaker 1>doing web development, it really doesn't matter which platform you use.

0:19:56.880 --> 0:19:59.760
<v Speaker 1>This is true, but it's important for any web developer

0:19:59.800 --> 0:20:02.760
<v Speaker 1>to be sure to test their website on both platforms.

0:20:03.200 --> 0:20:05.680
<v Speaker 1>I developed sites on my PC, but I'm always sure

0:20:05.720 --> 0:20:09.200
<v Speaker 1>to check them on a Macan Safari browser has around

0:20:09.200 --> 0:20:11.480
<v Speaker 1>a ten percent share of the browser usage at the moment,

0:20:11.760 --> 0:20:13.960
<v Speaker 1>so let's not forget about our Mac friends. When we

0:20:14.160 --> 0:20:17.879
<v Speaker 1>PC users build our sites. Keep on seeking. Katherine from Philly,

0:20:18.200 --> 0:20:21.520
<v Speaker 1>who was incidentally saddened to report that tagging web pages

0:20:21.520 --> 0:20:25.520
<v Speaker 1>with HTML does not technically count as programming. Sorry, guys,

0:20:26.080 --> 0:20:29.320
<v Speaker 1>it's well, you know, and we we did say coding.

0:20:29.520 --> 0:20:32.520
<v Speaker 1>We said that wasn't programming, it was coding, and we

0:20:32.600 --> 0:20:35.160
<v Speaker 1>were we were kind of weakling out of that one. Anyway,

0:20:35.400 --> 0:20:38.440
<v Speaker 1>that was a great point, Katherine. Um, and a lot

0:20:38.480 --> 0:20:41.520
<v Speaker 1>of web developers do have to check on multiple not

0:20:41.560 --> 0:20:45.199
<v Speaker 1>just multiple platforms, but multiple browsers to make sure that

0:20:45.240 --> 0:20:49.199
<v Speaker 1>a website looks correct in every single one. So you

0:20:49.320 --> 0:20:51.520
<v Speaker 1>might have to, you know, check your website and Chrome

0:20:51.640 --> 0:20:56.760
<v Speaker 1>and Safari and Opera and what's that big one, uh Firefox,

0:20:57.240 --> 0:21:00.399
<v Speaker 1>that's it. No, of course, we mean Internet Explorer. I

0:21:00.480 --> 0:21:03.720
<v Speaker 1>meant Firefox. Okay, when you meant Firefox. We do have

0:21:03.760 --> 0:21:06.040
<v Speaker 1>some Firefox fans out there who are very adamant about

0:21:06.080 --> 0:21:07.879
<v Speaker 1>us talking about Firefox. And I mean, if you're going

0:21:07.880 --> 0:21:10.480
<v Speaker 1>to get into the whole extra browsers thing, we could

0:21:10.480 --> 0:21:14.360
<v Speaker 1>get into Flock and Camino and anyway, right, So anyway, yes,

0:21:14.440 --> 0:21:17.040
<v Speaker 1>you do have to take that into considerations. Um, and

0:21:17.080 --> 0:21:19.720
<v Speaker 1>the same thing goes for people who are developing programs

0:21:19.720 --> 0:21:21.879
<v Speaker 1>you know that they want to run on both platforms.

0:21:21.880 --> 0:21:24.920
<v Speaker 1>Obviously that that's a lot more work you have to

0:21:25.680 --> 0:21:27.720
<v Speaker 1>you know, and you often have to build from the

0:21:27.720 --> 0:21:30.520
<v Speaker 1>ground up on both versions. So and then you have

0:21:30.600 --> 0:21:32.720
<v Speaker 1>to take into other other stuff into account, like the

0:21:32.760 --> 0:21:35.159
<v Speaker 1>colors are different on Windows versus a Mac. The actually

0:21:35.160 --> 0:21:38.800
<v Speaker 1>display different colors slightly, one darker, one finer. It's kind

0:21:38.840 --> 0:21:41.879
<v Speaker 1>of weird. Actually. Yeah, anyway, thank you for actually taking

0:21:41.920 --> 0:21:44.760
<v Speaker 1>the time to take that into account, because a lot

0:21:44.800 --> 0:21:48.000
<v Speaker 1>of people don't. Yes, we greatly appreciate that. And if

0:21:48.000 --> 0:21:50.320
<v Speaker 1>any of you want to write in and talk to us,

0:21:50.640 --> 0:21:53.439
<v Speaker 1>give us any suggestions or comments or corrections and anything

0:21:53.480 --> 0:21:56.200
<v Speaker 1>like that, you can do so at tech stuff at

0:21:56.320 --> 0:21:59.440
<v Speaker 1>how stuff works dot com. Remember we have blogs at

0:21:59.480 --> 0:22:02.520
<v Speaker 1>blogs dot how stuff works dot com slash category slash

0:22:02.520 --> 0:22:04.760
<v Speaker 1>tech stuff and of course you can find lots of

0:22:04.800 --> 0:22:08.239
<v Speaker 1>information at our homesite, how stuff works dot com. And

0:22:08.240 --> 0:22:12.080
<v Speaker 1>we'll talk to you again really soon for more on

0:22:12.160 --> 0:22:14.639
<v Speaker 1>this and thousands of other topics. Is it how stuff

0:22:14.640 --> 0:22:21.600
<v Speaker 1>works dot com brought to you by the reinvented two

0:22:21.640 --> 0:22:24.160
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