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Speaker 1: It was with Connor overset and we were on the

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Speaker 1: football field at night. Yeah. Uh, practicing slow dancing with

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Speaker 1: the tackling dummies. Okay, right, well, because the big dance

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Speaker 1: is coming up, big dance is coming up.

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Speaker 2: You don't want to get embarrassed up on a person's foot.

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Speaker 2: Let's get that out of the way with the tackling dummies.

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Speaker 1: Yes, And I figure it'll be easier if I'm moving

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Speaker 1: something this big around that I'll get like strong enough

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Speaker 1: to not like be trying to move the girl and

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Speaker 1: not be able to right. You know, it's like putting

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Speaker 1: the donuts on your bat.

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Speaker 2: No, I know, when you want to eat your.

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Speaker 1: Best yes, uh huh uh. And so we are dancing

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Speaker 1: the dummies around.

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Speaker 2: And is this giving Connor any ideas for any of

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Speaker 2: his crazy poems.

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Speaker 1: This was before he invented music poems, so it might

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Speaker 1: have been he was thitting a lot.

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Speaker 2: But even before he invented it, I feel like it

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Speaker 2: was in there.

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Speaker 1: He was drawing from his personal experience. That doesn't just

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Speaker 1: happen overnight. Yeah. I could see as he's doing the

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Speaker 1: dancing he is kind of like looking off in the

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Speaker 1: distance and that he really has a lot going on and.

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Speaker 2: Was it sort of did he like sort of do

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Speaker 2: a whole thing where he approached the tacking dummy and went, man,

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Speaker 2: this dance.

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Speaker 3: Yeah, even the tackling douby like can't do anything, but

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Speaker 3: you can tell that it's kind of thinking, like, wow,

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Speaker 3: this guy seems like really interesting.

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Speaker 2: Yeah, he's deep his hell yeah, nobody's talking about these feelings.

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Speaker 1: So anyway, all the lights go on all at once,

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Speaker 1: the Titans come out on the field. They it's a

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Speaker 1: night practice for the Titans.

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Speaker 2: To Tennessee Texans.

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Speaker 1: This is these are the little ones, these are the

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Speaker 1: ones you remember, Yeah, because they have some bonding to do,

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Speaker 1: so they're having practice at night. They their eyes have

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Speaker 1: an adjusted so they just start smashing into the dummies.

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Speaker 1: So I'm being we're being like just pounded into these

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Speaker 1: dummies over and over again. Cool, Like early seventies music

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Speaker 1: is like Doctor John is playing while these guys are

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Speaker 1: just destroying us. Yeah.

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Speaker 2: Yeah, you're getting smashed up too. Yes, And ironically that

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Speaker 2: Doctor John song is really the opposite of how you're feeling,

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Speaker 2: because he's.

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Speaker 1: Going I was in the right plant, you're going I'm

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Speaker 1: in the wrong the rock place at at I guess

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Speaker 1: the right time. Yeah. Uh. But Connor also is drawing

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Speaker 1: on a lot of that. He has a lot of

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Speaker 1: songs that are basically about the football team beating him up.

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Speaker 3: Mm hmm.

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Speaker 1: And it's for those kids that have had this experience

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Speaker 1: of being smashed by the foot, Pumpy Hey, Welcome to

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Speaker 1: Hollywood Hambook. An it'sited guide to kicking butt and dropping

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Speaker 1: names in the red carpet lineback hallways of this industry

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Speaker 1: we call showbiz. What can you believe we have? Joel?

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Speaker 4: Oh?

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Speaker 2: No, I was going to say, does this really happening?

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Speaker 2: Somebody pinched me.

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Speaker 1: Up, Joel? Kim Booster And you're having something of a moment,

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Speaker 1: aren't you? Yeah?

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Speaker 4: That that if I would describe this right now as

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Speaker 4: a moment, Joel, is it about time? It's not soon

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Speaker 4: enough as far as.

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Speaker 2: Yeah, I've been waiting a while for you to have

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Speaker 2: your moment and finally it's here and what and.

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Speaker 1: What took you? Song? But actually the real question is

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Speaker 1: what took everybody else so long? Uh? Huh?

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Speaker 4: Is that Is that a question for me that I'm

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Speaker 4: supposed to be able to answer?

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Speaker 1: Think so?

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Speaker 2: But I do have a question, which is like, how

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Speaker 2: did you do it, but better question what could have

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Speaker 2: stopped you? I mean, honestly, I see someone driven, I

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Speaker 2: see someone.

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Speaker 1: Nice looking, I see someone.

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Speaker 2: Funny, I see someone smart and cool, and I go, okay, well,

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Speaker 2: what exactly standing in their way? Other than the world

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Speaker 2: waking up diversity?

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Speaker 1: I don't know.

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Speaker 4: Actually that's probably a helpful me. I'm so sorry, literally

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Speaker 4: I had I have destroyed my brain and my butthole

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Speaker 4: with this cold brew that has been in this office,

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Speaker 4: and it's just now hitting me now.

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Speaker 1: It's okay, true, it is crazy, right.

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Speaker 4: Like I am in a different universe.

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Speaker 1: Chef Kevin has been tweaking it. It is very kind

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Speaker 1: of nefarious way. He's like been tinkering with the recipe. Yes,

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Speaker 1: he keeps saying, try the new.

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Speaker 4: I truly feel like I should have tested it with

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Speaker 4: like a fentanyl strip before I drank it.

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Speaker 2: Next and you see how how big the poor I am.

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Speaker 1: Truly? What's going Two fingers are cold? So Chef Kevin

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Speaker 1: Joel has tried your special new cold brew recipe.

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Speaker 2: He's just talking about how it feels as if whatever

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Speaker 2: you've been adding to the mix, these powders and concoctions

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Speaker 2: that you've started to bring in uh, or possibly with

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Speaker 2: nefarious intent.

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Speaker 4: Yeah, my jar, it's like I'm on Molly, what's happening?

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Speaker 1: And it's like dissolving his brain and his it feels

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Speaker 1: like his brain is going to come out his butt. Yeah.

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Speaker 2: Yeah.

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Speaker 5: Basically, we try not to talk about butts this much

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Speaker 5: on the show, as a lot of kids who listen

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Speaker 5: to the show don't they don't know, a lot of

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Speaker 5: them don't have a but. I don't know if you

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Speaker 5: saw the mister Rogers documentary, but it's like he like

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Speaker 5: really likes kids and.

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Speaker 2: Like he doesn't want to necessarily talk about butts with them.

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Speaker 2: M hm oh, And we're sort of inspired by that.

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Speaker 4: Mister Rogers is who taught me what a butt is

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Speaker 4: and how to use it right.

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Speaker 2: Well, I haven't seen the documentary, but I but I

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Speaker 2: just like.

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Speaker 1: But just having a moment now, isn't he.

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Speaker 2: He's having a bit of a moment, isn't he, Mister Rogers?

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Speaker 1: If he were still, Oh, there would be no war.

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Speaker 1: Well there wasn't when he was alive. The Majors would

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Speaker 1: really have the tweet that would turn it all around.

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Speaker 2: Yeah, there would be war. There would be war, but

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Speaker 2: we would be focusing on the helpers who were helping

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Speaker 2: do war instead of all these people who are doing

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Speaker 2: the war so mean.

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Speaker 4: Oh so, but the helpers who were helped doing the war.

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Speaker 1: Are you talking about the help look for the helpers

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Speaker 1: were war. Yeah, not the like these like mean soldiers. Oh,

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Speaker 1: got it? Just like yeah, okay, I see the ones

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Speaker 1: that like saved Delli on Gonzales n the nice soldiers

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Speaker 1: who like went in and saved him from his captors.

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Speaker 1: Got it? The one how we're framing that.

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Speaker 2: So, Kevin, do you want to confess to anything about

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Speaker 2: the Colebrew coffee?

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Speaker 6: Hey, guys, Chef Kevin here. Yes, I've been working on

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Speaker 6: my own protein powder called Kevin's Way, and it's it's

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Speaker 6: other it's protein from a different brand, and then sugar

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Speaker 6: to keep your energy up, and then baking soda. Why

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Speaker 6: is it's called w E I G H to Like

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Speaker 6: it's also to slim your body.

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Speaker 1: That's what the baking soda is for.

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Speaker 7: Yeah, kind of a weight loss mechanism.

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Speaker 4: So, but it's like purely coincident. Told though that it's

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Speaker 4: way as in because you do know there's a way protein.

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Speaker 1: But it doesn't have any of that. It doesn't have

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Speaker 1: any of that.

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Speaker 2: But Kevin is also working on a way protein, but

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Speaker 2: it's not called Kevin's way. That one he calls my way,

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Speaker 2: and he sings Frank sinatrous my way, but he like

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Speaker 2: over pronounces the h in it whenever he's mixing that in.

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Speaker 2: So you have both of those in this cold brew,

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Speaker 2: because I think they might have some kind of interaction

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Speaker 2: that's not good.

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Speaker 7: Yeah, I have both of them in the cold brew.

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Speaker 2: Kevin's way in my way.

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Speaker 7: Kevin's way in my way way, So.

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Speaker 1: I think I might know what's happening here. This is

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Speaker 1: like a slimming like recipe for your bod. But if

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Speaker 1: you are someone who is already doing like zero percent

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Speaker 1: body fat basically like Joel, the only thing that it's

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Speaker 1: left to slim is your brain.

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Speaker 4: Wow.

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Speaker 2: Oh no, and it starts eating the tissue that you

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Speaker 2: need because all of the unnecessary tissues.

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Speaker 4: My body's saying I need, I need sus since and

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Speaker 4: it's attacking.

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Speaker 6: My Fortunately for the marketing photos, you won't be able

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Speaker 6: to see the brain issues.

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Speaker 7: I'll just like the couch photo.

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Speaker 6: People will be like, wow, it looks great, and I'll

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Speaker 6: be like, yeah, it obviously is working.

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Speaker 2: And probably easier to photograph someone when they have no brain.

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Speaker 6: Uh huh, yeah, Caul, they just sit there so I

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Speaker 6: can take a lot of great pics and then it'll

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Speaker 6: it'll blow up.

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Speaker 4: Please don't attack the model community. Please do not attack.

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Speaker 2: Whoa whoa, whoa whoa.

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Speaker 4: Hey, hey, you couldn't hear it, but he had a

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Speaker 4: glint in his eye when he said that.

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Speaker 1: Sean has a little bit of a rant hill and

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Speaker 1: you're the stand up but a bit that he does

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Speaker 1: about like, what kind of job is this? This is

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Speaker 1: a job?

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Speaker 2: I'm sorry, what exactly are these people famous for? Again

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Speaker 2: wearing swimsuits? That's a job. Now, we'll sign me up.

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Speaker 4: And it's funny because like, technically none of that was

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Speaker 4: a joke, but he said it the way he said it, yeah,

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Speaker 4: really gave you the impression that there was a joke.

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Speaker 2: So can we really take a look at this, FIRS, Like,

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Speaker 2: I mean, maybe I'm crazy, I'm the crazy one, right,

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Speaker 2: but let's think about it.

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Speaker 1: What is the job?

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Speaker 2: Hey, honey, how was your day? Work? Pretty good? I

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Speaker 2: put a swimsuit on? Okay, I mean that's what they

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Speaker 2: must be saying.

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Speaker 4: And again, just like sort of like towing like just

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Speaker 4: like tiptoeing around the perimeter of a punchline, like almost

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Speaker 4: approaching one but not quite st over the line into

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Speaker 4: technically a joke.

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Speaker 1: Yeah, tough day at work.

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Speaker 2: I couldn't get the draw strig on my swimsuit to tie.

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Speaker 1: You know what I mean?

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Speaker 2: I mean that's their rough day at the office. Oh,

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Speaker 2: by the way, the office is a freaking beach and

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Speaker 2: a beta.

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Speaker 1: Be Also a big part of it is the swimsuits

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Speaker 1: that was referencing. Are these like umbros dial swimsuits with

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Speaker 1: with withdraws? It's not I thought at the beginning that

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Speaker 1: it was like the Kimi stuff. No, no, but it's

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Speaker 1: like lined mesh full full board shorts and easy used

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Speaker 1: to think a lot of the bits are about how

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Speaker 1: this you should wear boxers underneath when you go swimming.

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Speaker 1: So it does it like conform stuff.

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Speaker 2: I'm sorry, I'm not trying to see somebody's b crack,

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Speaker 2: you know exactly when there's swimsuits easing down over the hip, No,

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Speaker 2: thank you. Let's get these things up around the navel,

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Speaker 2: all right, and let's get a freak and let's get

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Speaker 2: a freaking nice pair of haynes underneath it. I mean,

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Speaker 2: is that so much to ask. Sorry, it's just like

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Speaker 2: I can't believe that's a job.

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Speaker 1: This is so great to be talking about the ocean

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Speaker 1: because this is actually a huge part of the show

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Speaker 1: we're doing. Mmm.

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Speaker 4: Wow, I'm really you really found it? Yeah, found that in.

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Speaker 2: Swim Farsi, they're just wearing the bathing suit, but they're

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Speaker 2: not using it to swim.

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Speaker 1: Yeah. He thinks that they should be underwater. If they're

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Speaker 1: really gonna be, you would see, you know.

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Speaker 4: I mean, geez, Louise, you could just wear any old

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Speaker 4: shorts if you want to be in the sun.

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Speaker 2: Yeah, thank you. Yes, Hey, I'll tell you what if

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Speaker 2: you're not even gonna get him the water and wear

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Speaker 2: whatever shorts you want.

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Speaker 1: So he makes it his own a little bit, but

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Speaker 1: he is gonna steal.

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Speaker 2: Slap a set of cargoes on your thighs, you know

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Speaker 2: what I mean. Painter shorts, old navy painter shorts, old

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Speaker 2: navy painter. Yeah, a little hook for the hammer.

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Speaker 4: Is that a I did not know that was a

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Speaker 4: type of short.

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Speaker 1: Painter shorts.

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Speaker 2: Yeah, oh baby, they got a little hook for your

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Speaker 2: freaking I said, well, I said, hammer, which is carpenter.

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Speaker 4: Carpenter painter, you got one for the brush, but the brush,

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Speaker 4: how do you hang a brush?

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Speaker 1: Uh?

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Speaker 2: Well, little one part's wider, you know, the handle and

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Speaker 2: then the brush as.

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Speaker 4: Well, I guess for the the car. Wow, this is fascinating,

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Speaker 4: great conversation.

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Speaker 1: Let's get to the main concept. Yeah, okay, we are

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Speaker 1: doing a cruise m M. Sean and I were inspired

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Speaker 1: by Chris Cather doing a cruise four years ago. M. Yeah,

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Speaker 1: and we have ever since been trying to do our

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Speaker 1: own because these people that listen to the podcast, all

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Speaker 1: they want to do is like be on the same

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Speaker 1: thing as their friends.

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Speaker 4: That makes a lot of sense for you, because whenever

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Speaker 4: people ask me about you two, I always say, yeah,

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Speaker 4: they're doing sort of like what Chris Gathered would be

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Speaker 4: doing four years ago.

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Speaker 1: That's that feels like very yeah big, like just from

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Speaker 1: your lips that I mean, that would be huge.

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Speaker 4: Like you are on track to have a True TV show, yeah,

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Speaker 4: or a Fusion show even maybe.

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Speaker 1: We're getting ready to sell to the first network that

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Speaker 1: our st will be on of three yeah, Fuse. Yes,

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Speaker 1: they all have very similar names, these networks that are yeah,

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Speaker 1: our show will be on Fuse. Yes. No, but he

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Speaker 1: could have been on Fusion eventually, at some point.

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Speaker 2: Oh absolutely, I think he's headed to the Paramount Network

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Speaker 2: next year. So anyway, we're gonna do the cruise. And

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Speaker 2: hats off to Chris because it did take us about

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Speaker 2: four years to even figure out how to put this

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Speaker 2: thing together, but we finally have all the pieces sort

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Speaker 2: of lined up and we're really excited. And Joel, I

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Speaker 2: know I just sort of showed your ass up and

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Speaker 2: stand up, but we would like you to be the

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Speaker 2: crew stand up because I obviously can't do both. I

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Speaker 2: can't drive the boat.

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Speaker 4: In so I have some just logistical questions first. Okay, yeah, sure,

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Speaker 4: what kind of boat is it?

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Speaker 2: Okay, well, uh great, great, it's a great question. And uh, hayes, do.

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Speaker 1: You know it's a kind of boat that's it's it's interesting.

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Speaker 2: Have you seen the movie Contraband?

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Speaker 1: No, I don't think I have.

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Speaker 2: Oh Contraband, Oh great Wahlberg movie.

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Speaker 1: What are the good ones? You know these boats that

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Speaker 1: brings people around, these like little boats like for people.

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Speaker 1: This one is mostly for shipping containers. Oh wow, But

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Speaker 1: so we thought they got all this extra room, especially

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Speaker 1: when they make like a big you know, they stop

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Speaker 1: in like Taipei. They like they lose a lot of

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Speaker 1: the containers now they have a lot of space for entertainment.

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Speaker 1: W this is like a great opportunity for podcast listeners

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Speaker 1: to come on this boat. And there's like, of course

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Speaker 1: a little or if you're going to be on the cruise,

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Speaker 1: you do just a little like loading and unloading work

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Speaker 1: like part of the deal.

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Speaker 4: It's sort of like naturally, it's sort of like like

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Speaker 4: couch surfing like that, or like yeah, you wash the

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Speaker 4: dishes world organic farming, you know, like you go and

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Speaker 4: a little bit.

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Speaker 1: That's beautiful. Yeah, it's really nice. And people are like, oh,

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Speaker 1: you're being shanghaied.

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Speaker 3: No, we are not being shag hid if anything.

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Speaker 1: And also that term is not acceptable.

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Speaker 4: It's about to ask what do you mean? You mean

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Speaker 4: you're creating a robust economy.

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Speaker 1: See, that's what I tell That's what I tells.

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Speaker 2: What we say, and we actually think that's good.

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Speaker 1: It's not appropriate.

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Speaker 2: But what but what I would say is a lot

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Speaker 2: of these containers, if you stack them up, they kind

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Speaker 2: of create a natural stage, don't they. Yeah, And so

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Speaker 2: we need people to get in there, stack up the

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Speaker 2: content and then let's get told up there. And there's

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Speaker 2: a big echo in there. So you don't even need

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Speaker 2: a microphone, and we just freaking start doing some funny

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Speaker 2: jokes for those guys, and you seem a little uneasy

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Speaker 2: the noise that you're making. I keep waiting for them

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Speaker 2: so that it's like mmmm hmm, it's just you're forgetting

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Speaker 2: to am I not giving you enough room to do it?

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Speaker 4: Yeah, I kept feeling cut off. I don't know how big,

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Speaker 4: how big of us? Like how many seats are we talking?

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Speaker 2: Oh, that's what's so great sittings the new smoking. It's

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Speaker 2: so bad for you. There's no chairs, there's so it's

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Speaker 2: standing room only, and uh, I think that gives a

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Speaker 2: warmer feeling that you're so close to everyone and that

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Speaker 2: you're hiding a little bit from the people who work

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Speaker 2: on the ship.

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Speaker 1: And easier to dance, Like if you want to be

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Speaker 1: easier to dance, yeah, from a standing position, I don't

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Speaker 1: know how you dance. I will have to say, I

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Speaker 1: do have to say.

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Speaker 4: And this is so I'm this is embarrassing as a

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Speaker 4: stand up, But famously, I don't have a lot of

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Speaker 4: dance breaks in my set built in right now? I okay,

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Speaker 4: could you give me an I don't know what does

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Speaker 4: a joke.

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Speaker 1: What does what does like? What a punchline do you have.

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Speaker 4: That ends in the audience dancing spontaneously?

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Speaker 2: Me personally, I don't know.

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Speaker 1: I don't know. You necessarily want me to do stand

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Speaker 1: up again on it? I don't want.

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Speaker 4: I mean, I don't want to be humiliated again necessarily,

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Speaker 4: but I do in the interest of learning what a

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Speaker 4: dance break looks like in the context of a stand

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Speaker 4: up show.

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Speaker 2: Yeah, I got one. So so you know what I

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Speaker 2: we're gonna wear these bathing suits. I got a pair

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Speaker 2: of shorts you should wear. Why don't you wear some jams? Oh,

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Speaker 2: and while we're at it, let's pump up the jam.

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Speaker 1: I felt that.

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Speaker 4: I felt that in my body immediately. That's so intuitive.

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Speaker 4: I can't believe I even needed an example that makes

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Speaker 4: some sense.

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Speaker 2: And then and as I'm doing that, in the background,

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Speaker 2: it's just starting to fade.

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Speaker 8: It's going, hey, hey, hey, come on trial, a little

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Speaker 8: nothing is forever got to be something better than in

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Speaker 8: the middle.

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Speaker 2: And fucking everybody's just like.

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Speaker 8: Yeah, so wallflowers one headline, Jacob Dylan is so much

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Speaker 8: better than Bob Dylan.

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Speaker 1: Oh yeah, Bob's a hack. He's the most talented Dylan Son.

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Speaker 4: I know there's so many layers of irony that goes

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Speaker 4: on in this podcast, but that's a real that's a

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Speaker 4: real that's a real hot take for me and his body,

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Speaker 4: his body in general.

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Speaker 2: Okay, No, he's just.

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Speaker 4: Way hotter than Bob Dylan, and that is I think objective.

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Speaker 1: You can't and I think Bob is I think that

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Speaker 1: fucks Bob up. Yeah, he's mad because he's like, I

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Speaker 1: was the hot one, yeah, and now this is my

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Speaker 1: whole thing was being sexy.

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Speaker 4: And now he hasn't released Bob Dylan hasn't released any

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Speaker 4: new music. Yeah, like like and since like when where

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Speaker 4: is new music from Adopted?

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Speaker 1: And I think that's why he did masked and anonymous

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Speaker 1: because he was embarrassed about his face not being hot anymore.

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Speaker 1: So he was like performing in a mask and embarrassing

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Speaker 1: for him that Soybob was so much hotter than he was,

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Speaker 1: like during.

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Speaker 2: That Bob so Bomb, Yeah, so Bob the original Soy Boy.

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Speaker 1: You haven't seen Soybomb. You're too young.

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Speaker 2: No, I'm a little older than you. But Soybomb was

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Speaker 2: a radical artist who was in really good shape and

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Speaker 2: kind of showed Bob up on his own stage, and

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Speaker 2: I'm like, what I'm doing to you on this podcast, Joel.

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Speaker 6: Another dance thing you could do is I could sing I'll.

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Speaker 9: Do it my hey, Chef Kevin, here, I'll go I'll

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Speaker 9: do it my way, thank you, and then you can

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Speaker 9: go back into your next joke and people will kind

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Speaker 9: of maybe dance a little bit when they hear the song.

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Speaker 2: It's not really a dancing song like one.

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Speaker 4: It's a sway No, no, no, it's not a bob luck one.

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Speaker 1: Headline is because part of like a big part of

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Speaker 1: this cruise experience obviously is people are going to be

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Speaker 1: coming to potentially find partners to little fun.

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Speaker 4: That was my next question. What is the brand of

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Speaker 4: the cruise.

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Speaker 2: It's sexy, it's a sexy pot, it's sexy ship, comedy podcast,

403
00:20:16,480 --> 00:20:20,840
Speaker 2: sexy comedy podcast, container cruise. Yes, uh, And people can

404
00:20:20,880 --> 00:20:23,760
Speaker 2: get inside those containers or just throw the bananas out

405
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Speaker 2: or whatever into the water and.

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Speaker 1: Just start going at it. And everyone on the everyone

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Speaker 1: on the ship is recently divorced.

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Speaker 4: Uh, how do you?

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00:20:34,040 --> 00:20:36,800
Speaker 1: But why huh? But why?

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Speaker 2: Well you don't think those people deserve a next chapter?

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Speaker 4: No, they don't, Okay, I hang, I believe honestly, they

412
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Speaker 4: are biblically speaking, like when you were married once, like

413
00:20:48,520 --> 00:20:51,120
Speaker 4: no matter what under the eyes of the lot, doesn't matter.

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00:20:51,680 --> 00:20:53,399
Speaker 4: Under the eyes like in the eyes of God, you

415
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Speaker 4: are married to that person forever. You can never touch

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Speaker 4: anything you do after that is adults ready speaking biblically.

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Speaker 2: Even if it's an international waters, they're different.

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Speaker 1: The American God won't be able to see you. Yes,

419
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Speaker 1: the Ocean.

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Speaker 2: God, Ocean God will be nei games American gods. But

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Speaker 2: when you when you do get out into those.

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Speaker 1: Waters, the perimeter of a joker.

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Speaker 2: Yeah, we're right near it. When you get out into

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Speaker 2: those waters, you are technically a pirate. Is that at

425
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Speaker 2: which point you can do almost anything?

426
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Speaker 1: Oh?

427
00:21:32,880 --> 00:21:34,320
Speaker 2: Yeah, have you know seen parts of Carbage?

428
00:21:35,000 --> 00:21:35,200
Speaker 4: Oh?

429
00:21:35,800 --> 00:21:36,680
Speaker 1: Only the fourth one?

430
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Speaker 2: Oh okay, Well, you're missing a lot of context. You're

431
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Speaker 2: missing a lot of CODs.

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Speaker 1: Sobbed at the end of At World's End, Sobbed. It's

433
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Speaker 1: a sad movie.

434
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Speaker 2: Pretty powerful.

435
00:21:48,520 --> 00:21:50,480
Speaker 1: All your friends, I guess, at some point are mad

436
00:21:50,520 --> 00:21:54,200
Speaker 1: at each other, Like, oh, they get Orlando bloom and

437
00:21:54,400 --> 00:21:59,840
Speaker 1: is like fed up with all of Jack Sparrow's antics friends. Yeah,

438
00:22:00,520 --> 00:22:01,920
Speaker 1: and they could you could drown.

439
00:22:02,480 --> 00:22:05,080
Speaker 2: No, they're they're so close to drowning in that all.

440
00:22:05,000 --> 00:22:07,400
Speaker 1: The time you could drown.

441
00:22:07,560 --> 00:22:11,560
Speaker 2: Let's mess around, you know, on ships and get too

442
00:22:11,720 --> 00:22:14,119
Speaker 2: crazy out Like what we're doing on this one is

443
00:22:14,160 --> 00:22:16,800
Speaker 2: like you're doing some work, you're having some laughs, but

444
00:22:16,840 --> 00:22:18,280
Speaker 2: we're not freaking doing.

445
00:22:18,160 --> 00:22:21,479
Speaker 1: Swords, safe dancing. Getting people in the mood so that

446
00:22:21,560 --> 00:22:26,480
Speaker 1: they gogether. Maybe they have children who can also work

447
00:22:26,520 --> 00:22:27,640
Speaker 1: on the ship is like a.

448
00:22:27,600 --> 00:22:31,639
Speaker 4: Big well, man, where are the kids going to be

449
00:22:31,800 --> 00:22:34,159
Speaker 4: during the set? Because the kids will do clean.

450
00:22:34,240 --> 00:22:35,560
Speaker 2: Well, it'll be hot kids.

451
00:22:37,040 --> 00:22:42,119
Speaker 4: Yeah, how old are the kids?

452
00:22:42,520 --> 00:22:44,399
Speaker 2: I'm a little older than you. Everybody seems like a

453
00:22:44,480 --> 00:22:49,520
Speaker 2: kid to me. But I gotta say part of the

454
00:22:49,560 --> 00:22:51,719
Speaker 2: planning for this, of course, is that Hayes and I

455
00:22:51,760 --> 00:22:53,719
Speaker 2: have gotten jobs on one of these ships.

456
00:22:53,800 --> 00:22:55,160
Speaker 1: Yeah really, and.

457
00:22:55,600 --> 00:23:02,560
Speaker 2: So we are going to be essentially employees of a

458
00:23:02,640 --> 00:23:06,399
Speaker 2: shipping company. And we had to fudge our resumes a

459
00:23:06,400 --> 00:23:10,119
Speaker 2: little bit about our boat experience. But what we've decided

460
00:23:10,640 --> 00:23:12,800
Speaker 2: Joel and I just want to figure out a pickup

461
00:23:12,840 --> 00:23:15,879
Speaker 2: point with you, is that every time they stop to

462
00:23:15,920 --> 00:23:17,919
Speaker 2: drop off these containers, we're gonna let a bunch of

463
00:23:17,920 --> 00:23:21,360
Speaker 2: our friends on. And so is there any water you're

464
00:23:21,400 --> 00:23:24,600
Speaker 2: going to be near in about a couple of months, right,

465
00:23:24,720 --> 00:23:27,239
Speaker 2: is when we're going to start, uh, so that we

466
00:23:27,320 --> 00:23:30,440
Speaker 2: can get you on there and maybe you could also

467
00:23:30,680 --> 00:23:32,520
Speaker 2: like bring some friends and maybe you could wear like

468
00:23:32,640 --> 00:23:33,600
Speaker 2: coveralls or something.

469
00:23:33,600 --> 00:23:35,560
Speaker 1: So it doesn't look weird. That doesn't.

470
00:23:35,720 --> 00:23:38,040
Speaker 4: This just feels like you're coming at this backwards because

471
00:23:38,080 --> 00:23:40,680
Speaker 4: it doesn't sound like if I were to tell you

472
00:23:41,080 --> 00:23:43,760
Speaker 4: I am going to be near a specific I'm going

473
00:23:43,840 --> 00:23:46,679
Speaker 4: to be in Rehoboth Beach. It doesn't like that is

474
00:23:46,760 --> 00:23:48,840
Speaker 4: near water, but if that's not where one of your

475
00:23:48,960 --> 00:23:49,640
Speaker 4: ports is.

476
00:23:50,640 --> 00:23:52,880
Speaker 2: But I think we're going to be friends with the captain.

477
00:23:53,280 --> 00:23:55,359
Speaker 1: Yeah, I think once we're on there for a little while,

478
00:23:55,400 --> 00:23:58,440
Speaker 1: he'll like just really once he listens to like our

479
00:23:58,520 --> 00:24:01,800
Speaker 1: shit for like a few weeks, Yeah, I think we

480
00:24:01,840 --> 00:24:03,879
Speaker 1: need to start to pick up on it, just like

481
00:24:03,920 --> 00:24:04,800
Speaker 1: the level world.

482
00:24:05,320 --> 00:24:08,480
Speaker 2: Yeah, these cops start really loving our ship. These captains

483
00:24:08,480 --> 00:24:11,919
Speaker 2: are essentially boat driver your whole your.

484
00:24:11,840 --> 00:24:15,600
Speaker 4: Whole plan hinges on the timeline of this person being

485
00:24:15,720 --> 00:24:16,640
Speaker 4: charmed by you.

486
00:24:16,840 --> 00:24:19,000
Speaker 2: Well, they're essentially boat drivers, jole, so they don't get

487
00:24:19,040 --> 00:24:23,080
Speaker 2: to see that much comedy. So just that we're like

488
00:24:23,320 --> 00:24:26,320
Speaker 2: to a normal person sort of his way in that

489
00:24:26,440 --> 00:24:28,880
Speaker 2: we're funny and now which I think you could agree

490
00:24:28,920 --> 00:24:34,919
Speaker 2: we're kind of funny. Yeah, so just that we're funny

491
00:24:34,920 --> 00:24:35,920
Speaker 2: at all, I think.

492
00:24:38,040 --> 00:24:40,440
Speaker 1: To a to a boat driver.

493
00:24:40,359 --> 00:24:42,679
Speaker 2: I mean, to you prosial comedian, we're a little bit funny.

494
00:24:42,680 --> 00:24:44,680
Speaker 2: To a boat driver, we're going to be cracking.

495
00:24:44,359 --> 00:24:44,919
Speaker 1: His ship up.

496
00:24:44,960 --> 00:24:48,199
Speaker 4: I actually think that you're looking at this from the

497
00:24:48,200 --> 00:24:51,440
Speaker 4: wrong perspective is because what might happen and I and

498
00:24:51,880 --> 00:24:53,560
Speaker 4: this is just a big mite. It's just a good

499
00:24:53,560 --> 00:24:56,920
Speaker 4: coin to us. But because he's never seen comedy before,

500
00:24:57,240 --> 00:24:59,879
Speaker 4: he might see you and say, if this is what

501
00:25:00,040 --> 00:25:01,040
Speaker 4: comedy is, it's not for me.

502
00:25:01,880 --> 00:25:05,720
Speaker 1: We're helping him, We're helping lead him into it because

503
00:25:06,040 --> 00:25:09,160
Speaker 1: so you know, this is Brett Brett. His whole thing

504
00:25:09,240 --> 00:25:11,840
Speaker 1: is he's like the music man or whatever he loves

505
00:25:11,880 --> 00:25:13,720
Speaker 1: to like pretend he likes music.

506
00:25:13,760 --> 00:25:16,240
Speaker 2: But he's almost unlocked boat driver in a way.

507
00:25:16,080 --> 00:25:18,200
Speaker 1: In a way, and so this is why he's growing

508
00:25:18,200 --> 00:25:18,679
Speaker 1: this distill.

509
00:25:19,200 --> 00:25:23,920
Speaker 4: So what you're saying is that podcast producers are, at

510
00:25:23,920 --> 00:25:27,040
Speaker 4: the end of the day, basically drivers boat drivers.

511
00:25:27,119 --> 00:25:29,520
Speaker 2: Yeah, boat drivers. Just you don't have a boat yet.

512
00:25:29,560 --> 00:25:31,800
Speaker 1: You see these lights? Do you see this Beard Brett

513
00:25:31,840 --> 00:25:34,560
Speaker 1: is doing where all the all the hairs are the

514
00:25:34,600 --> 00:25:39,520
Speaker 1: same length except like six which are very long. That's

515
00:25:39,600 --> 00:25:43,359
Speaker 1: like the sort of boat driver vibe that he's giving

516
00:25:43,359 --> 00:25:46,680
Speaker 1: off and he's learning how to do these like kind

517
00:25:46,720 --> 00:25:49,680
Speaker 1: of comedy sea shanties. Oh, I would love to hear

518
00:25:49,760 --> 00:25:51,480
Speaker 1: one that this is the kind of thing that we

519
00:25:51,520 --> 00:25:55,160
Speaker 1: think this boat driver will like. It'll help us connect,

520
00:25:55,359 --> 00:25:59,080
Speaker 1: It'll help us connect with him like us maybe like

521
00:25:59,320 --> 00:26:01,120
Speaker 1: some of our friend friends. We bring all our friends

522
00:26:01,119 --> 00:26:03,760
Speaker 1: out of the boat. It's basically like the kids start

523
00:26:03,960 --> 00:26:06,720
Speaker 1: the kids rule on this. Oh and angel.

524
00:26:07,040 --> 00:26:09,520
Speaker 2: If the captain don't like it, well, then I guess

525
00:26:09,560 --> 00:26:11,480
Speaker 2: we'll just have to find a new captain.

526
00:26:11,119 --> 00:26:16,000
Speaker 1: Won't we. Yeah? Wait, so you do you want to do?

527
00:26:16,040 --> 00:26:17,919
Speaker 4: You want to harm the captain some way if he

528
00:26:17,920 --> 00:26:21,800
Speaker 4: doesn't like coming, not if he plays ball. But I

529
00:26:21,800 --> 00:26:23,880
Speaker 4: don't know. I'm not comfortable with violence.

530
00:26:24,680 --> 00:26:28,119
Speaker 2: Ay man, All you gotta do is watch the door.

531
00:26:28,400 --> 00:26:34,119
Speaker 1: Who are we talking to right now? Just as friends? Buddy,

532
00:26:34,480 --> 00:26:37,800
Speaker 1: Hey man, it's just a cool dude, ye here, man,

533
00:26:38,480 --> 00:26:40,400
Speaker 1: you're cool right, cool?

534
00:26:40,480 --> 00:26:40,640
Speaker 2: Right?

535
00:26:40,800 --> 00:26:43,120
Speaker 4: I feel like we have a lot of different definitions

536
00:26:43,119 --> 00:26:45,480
Speaker 4: for different words like comedy and great.

537
00:26:45,520 --> 00:26:49,080
Speaker 1: Play a sea shanty, Oh, play one, Yeah, we'll play

538
00:26:49,080 --> 00:26:54,000
Speaker 1: the music and sing one of your songs. Chef, Kevin's

539
00:26:54,000 --> 00:26:55,840
Speaker 1: going to do this little thing and then you can I.

540
00:26:55,800 --> 00:26:59,199
Speaker 6: Have a suggestion for Brett's band name Tommy Bahami and

541
00:26:59,240 --> 00:27:04,439
Speaker 6: the Contra band, so you can just the contra band.

542
00:27:04,880 --> 00:27:09,159
Speaker 1: Yeah, the contra multiple bands. The joke is like it's

543
00:27:09,240 --> 00:27:11,160
Speaker 1: like a like a band, the contra band.

544
00:27:11,240 --> 00:27:12,960
Speaker 2: Well, is the joke that it would be so easy

545
00:27:13,000 --> 00:27:15,560
Speaker 2: to have sent a contra band and Kevin made it works.

546
00:27:16,040 --> 00:27:17,680
Speaker 7: That's the Yeah, that was the joke.

547
00:27:19,480 --> 00:27:21,960
Speaker 4: Brilliant, honestly, the best joke I've heard.

548
00:27:22,440 --> 00:27:24,800
Speaker 2: Kevin's kind of a comics comic. I don't think that

549
00:27:24,840 --> 00:27:26,840
Speaker 2: a boat driver would necessarily know.

550
00:27:27,000 --> 00:27:29,200
Speaker 4: You have to have a full like a very well

551
00:27:29,280 --> 00:27:31,600
Speaker 4: first set of of references.

552
00:27:31,800 --> 00:27:35,240
Speaker 1: Do you have ships material? What what the guys want

553
00:27:35,680 --> 00:27:38,680
Speaker 1: us to do? Like in terms of the entertainment on board?

554
00:27:38,760 --> 00:27:40,320
Speaker 1: Who are you talking about the guy?

555
00:27:41,160 --> 00:27:43,919
Speaker 4: So everyone sounds like you are gonna you got a

556
00:27:44,000 --> 00:27:46,520
Speaker 4: job on a boat and you were going to break

557
00:27:46,600 --> 00:27:48,639
Speaker 4: them into Everyone is everyone?

558
00:27:48,800 --> 00:27:51,879
Speaker 1: Now you're saying, there's there are people above you. This

559
00:27:51,960 --> 00:27:54,320
Speaker 1: is what people can date that everyone is like you're

560
00:27:54,320 --> 00:27:56,880
Speaker 1: being Shanghai. This is what they do. They trick you

561
00:27:57,000 --> 00:27:59,119
Speaker 1: into sometimes they just wrap you over the head and

562
00:27:59,240 --> 00:28:02,119
Speaker 1: drag you out of the boat. In this case, Uh,

563
00:28:02,320 --> 00:28:04,439
Speaker 1: they're just like tricking you into being this is that

564
00:28:04,560 --> 00:28:07,600
Speaker 1: is not what happened. We were approached by a talent

565
00:28:07,720 --> 00:28:12,720
Speaker 1: booker named Horseshoe Brown Worshoe Brown at the docks, and

566
00:28:12,760 --> 00:28:17,680
Speaker 1: he explained to us that all the like interesting comedy

567
00:28:17,800 --> 00:28:21,760
Speaker 1: right now is happening on the ocean. Uh, and so

568
00:28:21,880 --> 00:28:24,040
Speaker 1: we come on this boat. It'll be a real chance

569
00:28:24,040 --> 00:28:25,680
Speaker 1: for us to make our They have a great studio

570
00:28:25,760 --> 00:28:29,840
Speaker 1: on there, apparently a great podcast studio. Oh, we can

571
00:28:29,880 --> 00:28:33,080
Speaker 1: get like our ad deals will be much better than

572
00:28:33,080 --> 00:28:36,119
Speaker 1: they are in ear Wolf. They so we're leaving ear Wolf. Basically, Wow,

573
00:28:36,760 --> 00:28:39,880
Speaker 1: join this podcast network on the for the ocean. Yes,

574
00:28:40,320 --> 00:28:42,080
Speaker 1: but we're going to bring all our friends on too.

575
00:28:42,760 --> 00:28:44,880
Speaker 1: Start our own podcast nowork get a cut of all

576
00:28:44,920 --> 00:28:49,560
Speaker 1: the coming with you. We're splitting up Throwing Shade. Oh

577
00:28:49,640 --> 00:28:52,760
Speaker 1: no way, Yes, who are you? Which one are you taking?

578
00:28:52,800 --> 00:28:56,560
Speaker 1: They're Engineer Oh cool, cook cool, We're getting Engineer Sam.

579
00:28:56,600 --> 00:29:00,400
Speaker 1: I think does most of their episodes right. They don't

580
00:29:00,400 --> 00:29:03,840
Speaker 1: know is that Throwing Shade is fully scripted and Sam right,

581
00:29:04,880 --> 00:29:07,840
Speaker 1: and he's becoming a big part of the show as well,

582
00:29:07,880 --> 00:29:09,040
Speaker 1: and he's getting really good.

583
00:29:09,080 --> 00:29:12,600
Speaker 2: People are saying, yeah, Sam's starting to actually get We think.

584
00:29:12,480 --> 00:29:14,240
Speaker 1: Oh, this guy's getting good. Maybe he could be good

585
00:29:14,280 --> 00:29:14,920
Speaker 1: on our podcast.

586
00:29:15,120 --> 00:29:15,760
Speaker 2: That would help us.

587
00:29:15,760 --> 00:29:20,040
Speaker 4: I don't want to hear a fucking grease monkey podcast

588
00:29:20,080 --> 00:29:21,600
Speaker 4: engineer on Mike.

589
00:29:21,960 --> 00:29:22,760
Speaker 1: I don't want to hear.

590
00:29:22,760 --> 00:29:25,880
Speaker 4: He's getting really stay in steerage where you belong.

591
00:29:26,000 --> 00:29:28,400
Speaker 2: I agree, I agree, I agree. But I think what

592
00:29:28,440 --> 00:29:30,640
Speaker 2: we'll you're doing with Sam is sort of my fair

593
00:29:30,760 --> 00:29:35,440
Speaker 2: Lady style cleaning him up, sort of a Pygmalion type

594
00:29:35,440 --> 00:29:40,560
Speaker 2: of story where we turn animal like Sam into a

595
00:29:40,600 --> 00:29:42,720
Speaker 2: functional human being who could be on a podcast.

596
00:29:43,080 --> 00:29:45,520
Speaker 4: Oh is that what it takes to be on a podcast?

597
00:29:45,600 --> 00:29:47,440
Speaker 4: You have to be a functional human being to be

598
00:29:47,480 --> 00:29:48,160
Speaker 4: on a podcast.

599
00:29:48,200 --> 00:29:52,840
Speaker 1: Actually it helps if you are so dysfunctional and that

600
00:29:53,040 --> 00:29:55,960
Speaker 1: you and that like your thoughts are so like fucked

601
00:29:56,000 --> 00:29:57,760
Speaker 1: up and crazy that you actually have to do a

602
00:29:57,760 --> 00:30:01,360
Speaker 1: podcast survive. Yeah, they'd explain you don't.

603
00:30:02,120 --> 00:30:04,240
Speaker 4: I'm just going to start with a little monologue up

604
00:30:04,280 --> 00:30:07,000
Speaker 4: top before I introduce my guess, and it is going

605
00:30:07,080 --> 00:30:09,120
Speaker 4: to be so fucked up and dark. I'm gonna work

606
00:30:09,160 --> 00:30:11,200
Speaker 4: some shit out for twenty five minutes.

607
00:30:10,920 --> 00:30:13,480
Speaker 1: And that's what people like the content. That's the part

608
00:30:13,520 --> 00:30:15,920
Speaker 1: that nobody skips. Yes, and then they stop when the

609
00:30:15,960 --> 00:30:18,160
Speaker 1: guests that they like shows yes.

610
00:30:18,360 --> 00:30:22,440
Speaker 2: That is unfortunate, you know, because obviously I want people.

611
00:30:22,240 --> 00:30:23,680
Speaker 1: To hear the dole part of it. Right.

612
00:30:23,800 --> 00:30:25,640
Speaker 2: All anyone's going to want to listen to is the

613
00:30:25,720 --> 00:30:26,560
Speaker 2: ads that mean.

614
00:30:26,560 --> 00:30:31,520
Speaker 4: So you're taking onto this C podcasting network. Yes, it's

615
00:30:31,520 --> 00:30:33,320
Speaker 4: going to be Sam the engineer from.

616
00:30:33,120 --> 00:30:37,440
Speaker 1: Your Wolf, Sam the engineer? Yes? Who else? Uh? The

617
00:30:37,920 --> 00:30:40,560
Speaker 1: the guy that does the music for spot O great

618
00:30:41,280 --> 00:30:46,000
Speaker 1: Eben e. Which sounds like a mistake, you know. It

619
00:30:46,080 --> 00:30:49,160
Speaker 1: sounds like his name should be Evan and they were

620
00:30:49,240 --> 00:30:52,360
Speaker 1: so close. It sounds like a doctor just a slip

621
00:30:52,520 --> 00:30:53,520
Speaker 1: of a misreading of.

622
00:30:53,680 --> 00:30:56,680
Speaker 2: Either a doctrim has heard or like his his mom

623
00:30:56,720 --> 00:30:57,480
Speaker 2: had a coal.

624
00:30:57,360 --> 00:30:59,040
Speaker 1: Yeah, And then I were like, what do I write down?

625
00:30:59,160 --> 00:31:03,320
Speaker 1: And it seems like his name is supposed to be

626
00:31:03,320 --> 00:31:03,960
Speaker 1: Evan Sweater.

627
00:31:04,160 --> 00:31:05,920
Speaker 4: It sounds like she had a cold when she said

628
00:31:05,960 --> 00:31:07,200
Speaker 4: it's gotta be Evid.

629
00:31:12,480 --> 00:31:16,840
Speaker 1: Avid. Did you say no Evid?

630
00:31:17,400 --> 00:31:18,440
Speaker 2: Okay, we've got it.

631
00:31:18,760 --> 00:31:21,320
Speaker 1: Oh great, I can't wait to say. He looked at

632
00:31:25,320 --> 00:31:27,800
Speaker 1: and then they had and he has a viewer about himself.

633
00:31:27,840 --> 00:31:30,440
Speaker 1: I think you know he mostly plays music. Yeah, so

634
00:31:30,920 --> 00:31:35,320
Speaker 1: well he invited this. Yeah, I think what's clear for it?

635
00:31:35,480 --> 00:31:38,240
Speaker 4: He could have changed his name to the correct spelling it.

636
00:31:38,320 --> 00:31:39,720
Speaker 4: And he said.

637
00:31:40,520 --> 00:31:43,000
Speaker 2: We know that the nice, quiet person who plays music

638
00:31:43,040 --> 00:31:44,560
Speaker 2: on another podcast.

639
00:31:44,160 --> 00:31:46,960
Speaker 1: Has been saying that I get to put him on

640
00:31:47,160 --> 00:31:49,360
Speaker 1: here and take him down a peck.

641
00:31:49,880 --> 00:31:54,640
Speaker 2: Yeah, that guy's been riding high for too long. Can

642
00:31:54,680 --> 00:31:56,360
Speaker 2: you give us a taste of some of your stand

643
00:31:56,440 --> 00:31:58,600
Speaker 2: up material that you'll do on the cruise, and if

644
00:31:58,600 --> 00:31:59,160
Speaker 2: you could.

645
00:31:58,920 --> 00:32:01,880
Speaker 1: Work and stuff about ship and how it's great to

646
00:32:03,200 --> 00:32:04,120
Speaker 1: do work on a ship.

647
00:32:04,360 --> 00:32:06,120
Speaker 2: Yeah. Yeah, the workers are going to be able to hear.

648
00:32:06,200 --> 00:32:08,880
Speaker 1: Yes, you work three days continuously, but then you get

649
00:32:08,920 --> 00:32:14,880
Speaker 1: two full days off. It's three days continuous, seventy two on,

650
00:32:15,000 --> 00:32:16,479
Speaker 1: forty eight off, seventy two on.

651
00:32:16,960 --> 00:32:20,600
Speaker 4: Just to clarify, I'm not only doing stand That's not

652
00:32:20,680 --> 00:32:22,080
Speaker 4: the work you're saying that I have to do for

653
00:32:22,120 --> 00:32:22,840
Speaker 4: three days straight.

654
00:32:23,000 --> 00:32:25,680
Speaker 1: You as you are doing stand up. You know how

655
00:32:25,720 --> 00:32:28,040
Speaker 1: sometimes when you're doing stand up, you're just like standing

656
00:32:28,040 --> 00:32:30,800
Speaker 1: there on a stage. This solves that always feels like

657
00:32:30,960 --> 00:32:33,520
Speaker 1: because you are loading and unloading, because it's always like

658
00:32:33,560 --> 00:32:33,920
Speaker 1: a tater.

659
00:32:34,080 --> 00:32:36,040
Speaker 2: When I'm doing stand up, I'm like what do I

660
00:32:36,080 --> 00:32:36,959
Speaker 2: do with my hands?

661
00:32:37,040 --> 00:32:37,640
Speaker 1: Yeah? Got it?

662
00:32:37,680 --> 00:32:38,280
Speaker 2: You know what I mean?

663
00:32:38,440 --> 00:32:42,600
Speaker 1: And it's like put a freak Yeah yeah, okay, okay.

664
00:32:42,680 --> 00:32:44,840
Speaker 1: So and I'm driving the ship right.

665
00:32:46,760 --> 00:32:48,600
Speaker 7: Sure, I'm Tommy Bahami.

666
00:32:51,720 --> 00:32:53,520
Speaker 1: Say hey, guys, Tommy beham Me, Hey.

667
00:32:53,320 --> 00:32:54,240
Speaker 7: Guys, Tommy bham Me.

668
00:32:54,280 --> 00:32:57,960
Speaker 9: Here, ladies and gentlemen, you know him from the previous

669
00:32:58,840 --> 00:33:01,640
Speaker 9: forty eight hours, get ready for the next twenty four.

670
00:33:01,800 --> 00:33:03,120
Speaker 1: It's joke and booster.

671
00:33:06,040 --> 00:33:08,840
Speaker 4: I'm trying to bring myself to the physical desertion that

672
00:33:08,880 --> 00:33:09,360
Speaker 4: I would have.

673
00:33:09,840 --> 00:33:15,960
Speaker 10: We're not trying some turmoil waits excuse me, turbulated character.

674
00:33:18,400 --> 00:33:21,760
Speaker 1: It's a ship term, you know, he said, like, oh

675
00:33:21,800 --> 00:33:25,200
Speaker 1: sh it's tough. We don't know the terms, but with

676
00:33:25,520 --> 00:33:29,160
Speaker 1: all the recent divorces will really relate to that terminology too.

677
00:33:29,720 --> 00:33:32,800
Speaker 1: When you're entering rough water where the captain says, we're

678
00:33:32,880 --> 00:33:38,200
Speaker 1: entering some turmoil, don't let well.

679
00:33:38,360 --> 00:33:41,360
Speaker 4: Thank you so much Tommy Bahama for bringing me.

680
00:33:42,720 --> 00:33:47,160
Speaker 1: Hey, hey, guys, Baha here, what was it?

681
00:33:47,240 --> 00:33:51,000
Speaker 6: Tommy Bahami say, hey, guys, Tommy Bahami.

682
00:33:50,560 --> 00:33:51,680
Speaker 1: Here, what is it?

683
00:33:51,760 --> 00:33:54,520
Speaker 2: And this is his crowd word and this is joke

684
00:33:54,640 --> 00:33:55,240
Speaker 2: and booster.

685
00:33:56,600 --> 00:33:57,760
Speaker 1: Thank you, Tommy Bahama.

686
00:33:59,080 --> 00:34:02,000
Speaker 6: Tommy Bahami I'm saying you guys, Tommy behave me here.

687
00:34:03,320 --> 00:34:04,360
Speaker 1: What is your name, Joel?

688
00:34:04,440 --> 00:34:09,280
Speaker 6: Tommy beha me here? You know him from the cruise.

689
00:34:09,480 --> 00:34:10,840
Speaker 6: It's joke him Booster.

690
00:34:11,600 --> 00:34:15,680
Speaker 1: Thank you so much, Tommy. I'm so glad to be here.

691
00:34:16,239 --> 00:34:18,440
Speaker 4: Uh you with all of you guys.

692
00:34:19,000 --> 00:34:20,840
Speaker 1: I'm it's not that many people.

693
00:34:21,080 --> 00:34:21,719
Speaker 7: It's just me.

694
00:34:22,239 --> 00:34:24,440
Speaker 1: Never seen that. I'm so glad to be here with you.

695
00:34:24,480 --> 00:34:26,960
Speaker 1: Tommy Bahamas.

696
00:34:27,000 --> 00:34:28,840
Speaker 7: Hey guys, it's Tommy baham me.

697
00:34:30,719 --> 00:34:33,480
Speaker 4: You know know, go ahead, no, no, no, you say

698
00:34:33,480 --> 00:34:34,120
Speaker 4: it again.

699
00:34:34,120 --> 00:34:36,280
Speaker 6: Hey guys, Tommy beham Me here, ladies.

700
00:34:36,280 --> 00:34:41,480
Speaker 1: And it's just it's just gentlemen. Hey boys, it's Tommy

701
00:34:42,040 --> 00:34:42,600
Speaker 1: just one boy.

702
00:34:43,440 --> 00:34:47,359
Speaker 6: Hey, hey boy, no start over, hey guys, Tommy baha

703
00:34:47,480 --> 00:34:51,120
Speaker 6: me here, Hey boy, it's joke ing Booster.

704
00:34:56,200 --> 00:34:57,719
Speaker 1: Do you know where your parents are?

705
00:34:58,840 --> 00:35:01,320
Speaker 4: Where is your Did you get on this boat?

706
00:35:01,719 --> 00:35:04,040
Speaker 1: And it feels just like a beat up truck.

707
00:35:04,239 --> 00:35:07,520
Speaker 8: Got turn the engine, but the engine doesn't turn.

708
00:35:07,360 --> 00:35:15,239
Speaker 1: And then people get danced a little bit. Sing your

709
00:35:15,239 --> 00:35:17,760
Speaker 1: sea shandy, bresh yeah, sing a sea chanty.

710
00:35:18,920 --> 00:35:24,400
Speaker 10: All of your boys and all your girls drop barrel

711
00:35:24,480 --> 00:35:29,440
Speaker 10: of rum. Just oh you boys, your girls shake the bumps.

712
00:35:32,200 --> 00:35:34,319
Speaker 1: You see, we're getting in the boot a little bit.

713
00:35:34,600 --> 00:35:35,000
Speaker 1: Turn it off.

714
00:35:35,040 --> 00:35:36,359
Speaker 2: We're gonna get in trouble. Turn it off.

715
00:35:37,560 --> 00:35:40,319
Speaker 1: I don't think that was a version. The quality was

716
00:35:40,360 --> 00:35:43,560
Speaker 1: low enough, then, yeah, the quality is low enough you

717
00:35:43,600 --> 00:35:44,760
Speaker 1: don't have to pay for the rights.

718
00:35:46,120 --> 00:35:48,160
Speaker 2: So so I noticed that a lot of your stand

719
00:35:48,200 --> 00:35:50,160
Speaker 2: up was just asking a little boy how he got

720
00:35:50,200 --> 00:35:52,640
Speaker 2: on the ship, and which is great.

721
00:35:52,840 --> 00:35:53,239
Speaker 1: It's all.

722
00:35:53,360 --> 00:35:55,880
Speaker 4: It's all laugh listen, it's a it's all, and I

723
00:35:55,920 --> 00:35:57,640
Speaker 4: want to apologize for being an all comedian.

724
00:35:57,840 --> 00:36:00,719
Speaker 1: That's who you're sticking to the set up touchline for.

725
00:36:00,800 --> 00:36:02,560
Speaker 4: No, no, no, no, no, it's all.

726
00:36:02,480 --> 00:36:04,440
Speaker 1: Baby, And it's a kind of crowd work.

727
00:36:04,640 --> 00:36:08,160
Speaker 4: It is I do I do when the crowd is light.

728
00:36:08,320 --> 00:36:10,120
Speaker 4: I do fall back on crowd work.

729
00:36:10,560 --> 00:36:11,359
Speaker 1: That is a big point.

730
00:36:11,360 --> 00:36:14,680
Speaker 2: If you could, if you could work on between now

731
00:36:14,680 --> 00:36:16,080
Speaker 2: and a few weeks from now, when we get the

732
00:36:16,120 --> 00:36:19,560
Speaker 2: captain to pick you up, some material that is about

733
00:36:19,600 --> 00:36:22,879
Speaker 2: like finding a spider inside the banana bunch that you're

734
00:36:22,880 --> 00:36:26,480
Speaker 2: moving or something like, stuff that is more relatable to

735
00:36:27,040 --> 00:36:30,240
Speaker 2: most of who will be listening. And I don't mind.

736
00:36:30,080 --> 00:36:32,600
Speaker 11: If you know what energy you know what anal sex

737
00:36:32,719 --> 00:36:35,560
Speaker 11: is like to me, it's you guys, know when you

738
00:36:35,640 --> 00:36:39,160
Speaker 11: find a spider in the banana bunch that you're separating

739
00:36:39,360 --> 00:36:44,319
Speaker 11: and you go ooh, and you don't know if you're

740
00:36:44,400 --> 00:36:45,760
Speaker 11: excited or scared.

741
00:36:46,600 --> 00:36:48,200
Speaker 4: That's what anal sex is like, do.

742
00:36:48,120 --> 00:36:54,560
Speaker 1: You have any material about uh, anything about baum? Get

743
00:36:54,560 --> 00:36:55,640
Speaker 1: the congoalo and started.

744
00:36:56,480 --> 00:37:02,640
Speaker 4: It's just me and the orphan.

745
00:37:04,160 --> 00:37:09,880
Speaker 10: He's taking this one.

746
00:37:10,080 --> 00:37:12,320
Speaker 4: I'll do that in the truck. Hey, guys, just who's

747
00:37:12,400 --> 00:37:13,120
Speaker 4: doing harmony?

748
00:37:13,280 --> 00:37:24,000
Speaker 1: It's just the harmony. Actually, be a bit about grog goggles. Grog,

749
00:37:24,320 --> 00:37:29,160
Speaker 1: grog goggles. How he's like old, too much grog. Suddenly

750
00:37:29,160 --> 00:37:30,600
Speaker 1: the captain started to look pretty good.

751
00:37:30,760 --> 00:37:33,719
Speaker 4: Oh yeah, oh, you know when you have too much

752
00:37:33,760 --> 00:37:37,359
Speaker 4: grog after a hard day of lifting shipping containers and

753
00:37:37,480 --> 00:37:39,719
Speaker 4: you are with the whole container. I can lift the

754
00:37:39,760 --> 00:37:46,239
Speaker 4: whole container. You're lifting so much, so much grog, and

755
00:37:46,280 --> 00:37:48,960
Speaker 4: you are so horny and there is only a little

756
00:37:49,000 --> 00:37:54,040
Speaker 4: boy and the captain to choose from. That's grog goggles

757
00:37:54,080 --> 00:37:55,759
Speaker 4: when you are seeing the only two.

758
00:37:56,040 --> 00:37:59,759
Speaker 2: Yeah, oh way, this.

759
00:37:59,760 --> 00:38:03,080
Speaker 4: Is this Pirates of the Caribbean. I love this song.

760
00:38:04,320 --> 00:38:08,719
Speaker 1: This is the song Pirates of the Caribbean by when

761
00:38:08,800 --> 00:38:12,840
Speaker 1: Stefani right like when Stefani Yeah featuring Jason Derula.

762
00:38:13,400 --> 00:38:19,080
Speaker 4: Wow, I hate her post Blake Shelton era, what do

763
00:38:19,120 --> 00:38:21,719
Speaker 4: you hate about it? I just I wish I miss

764
00:38:21,840 --> 00:38:22,800
Speaker 4: like Scot.

765
00:38:24,239 --> 00:38:25,160
Speaker 1: Gwen Stefani.

766
00:38:25,760 --> 00:38:30,799
Speaker 2: Oh yeah, they know Scott icon Gwen's fanny, she kind

767
00:38:30,800 --> 00:38:34,720
Speaker 2: of mainstream Scott finally, it was right around the edge forever.

768
00:38:35,160 --> 00:38:37,000
Speaker 1: Yeah, she doesn't wear a tie anymore.

769
00:38:38,480 --> 00:38:40,720
Speaker 4: I can't skank to any of this music.

770
00:38:42,280 --> 00:38:45,239
Speaker 2: That's why I stick to you know, I'm all two

771
00:38:45,280 --> 00:38:49,360
Speaker 2: Skinny J's, Like, I just don't. I don't move on

772
00:38:49,520 --> 00:38:52,520
Speaker 2: from something like that. When somebody enters the mainstream and

773
00:38:52,640 --> 00:38:55,160
Speaker 2: is doing essentially what Two Skinny Jays has been doing forever,

774
00:38:56,920 --> 00:38:59,600
Speaker 2: and I just go like, well, let me not jump ship.

775
00:39:00,640 --> 00:39:02,719
Speaker 2: Let me stick with the sort of like ones that

776
00:39:02,760 --> 00:39:03,399
Speaker 2: brung me here.

777
00:39:03,480 --> 00:39:05,640
Speaker 1: I worry that Blake Shelton is going to move on

778
00:39:05,760 --> 00:39:10,239
Speaker 1: to the members of Less Than Jake Mmm, start dating

779
00:39:10,320 --> 00:39:14,560
Speaker 1: them just essentially destroyed sorry when it comes to Scott Yes,

780
00:39:15,200 --> 00:39:17,760
Speaker 1: and just like kind of absorbing all of their SKA

781
00:39:17,880 --> 00:39:22,680
Speaker 1: powers and like just ruining the genre. Dicky Barrett, I

782
00:39:22,719 --> 00:39:25,880
Speaker 1: hear he's been circling Dicky Barrett from the Boss Hopes.

783
00:39:26,000 --> 00:39:28,720
Speaker 2: I heard Jake Guavera shot him down from Two Skinny

784
00:39:28,800 --> 00:39:36,520
Speaker 2: Jays so I guess what I want to talk about

785
00:39:36,719 --> 00:39:39,560
Speaker 2: is when the stand up's over, but you're not allowed

786
00:39:39,560 --> 00:39:40,960
Speaker 2: to go to bed yet because we don't have any

787
00:39:41,000 --> 00:39:42,000
Speaker 2: like rooms or beds.

788
00:39:42,760 --> 00:39:46,600
Speaker 4: Is that an idea for what there's no rooms are bets?

789
00:39:46,640 --> 00:39:49,080
Speaker 4: Not really, because the one thing on my rider when

790
00:39:49,120 --> 00:39:51,399
Speaker 4: I do a cruise is there should be a room

791
00:39:51,560 --> 00:39:51,960
Speaker 4: or a bed.

792
00:39:52,160 --> 00:39:54,600
Speaker 1: So they have this. So the captain has this thing

793
00:39:54,600 --> 00:39:58,200
Speaker 1: that he can do where you kind of stand facing

794
00:39:58,239 --> 00:40:00,680
Speaker 1: a wall and the captain will turn tip the boat

795
00:40:00,719 --> 00:40:02,840
Speaker 1: over just a little bit so you can kind of

796
00:40:02,880 --> 00:40:06,640
Speaker 1: like lean against the wall and it's almost like lying down.

797
00:40:07,600 --> 00:40:10,240
Speaker 1: So picture of this, you're facing a wall, the captain's like, okay,

798
00:40:10,280 --> 00:40:13,719
Speaker 1: good night. Everyone just tips the boat over just a

799
00:40:13,760 --> 00:40:16,719
Speaker 1: little bit to the side, so you're you kind of lightly.

800
00:40:16,640 --> 00:40:19,880
Speaker 2: You're tucked into your head dog your head against the wall.

801
00:40:19,920 --> 00:40:24,399
Speaker 4: Do you think how far has boat technology come that

802
00:40:24,520 --> 00:40:28,800
Speaker 4: now captains can control which way the boat is leaning.

803
00:40:29,080 --> 00:40:31,959
Speaker 1: Okay, So that's part of that is our job, which

804
00:40:32,000 --> 00:40:34,239
Speaker 1: is we take all the shipping containers and we put

805
00:40:34,239 --> 00:40:35,239
Speaker 1: them on one side.

806
00:40:35,480 --> 00:40:38,120
Speaker 2: Side of them, we do move them over. That's a

807
00:40:38,160 --> 00:40:38,840
Speaker 2: lot of the work.

808
00:40:39,040 --> 00:40:41,480
Speaker 1: How heavy are these shipping containers.

809
00:40:42,560 --> 00:40:47,960
Speaker 2: Thousand pounds A thousand pounds got yeah, thousand pounds of bananass.

810
00:40:48,440 --> 00:40:49,520
Speaker 1: Yes, I can hit.

811
00:40:49,920 --> 00:40:52,879
Speaker 4: I can hit a wave pretty gnarly too to tip

812
00:40:52,920 --> 00:40:53,720
Speaker 4: it over again.

813
00:40:53,760 --> 00:40:56,960
Speaker 1: It's more like this is like entering some turmoil. It's

814
00:40:57,040 --> 00:40:59,040
Speaker 1: more captain terminology.

815
00:40:59,200 --> 00:41:04,040
Speaker 2: Yeah, hit away, head away, pretty that's C speak. I

816
00:41:04,080 --> 00:41:07,000
Speaker 2: mean that this guy's just sort of lives in this world.

817
00:41:07,040 --> 00:41:08,560
Speaker 1: Okay, I'm sorry I interrupted you.

818
00:41:08,960 --> 00:41:11,560
Speaker 4: I am no longer all of my concerns about a

819
00:41:11,640 --> 00:41:13,440
Speaker 4: room have been washed away.

820
00:41:13,239 --> 00:41:14,759
Speaker 2: Because you're gonna get such a great sleep.

821
00:41:14,800 --> 00:41:17,080
Speaker 4: I get I'll be getting such a nice lean.

822
00:41:17,560 --> 00:41:19,600
Speaker 2: The issue is when you move all the container's side

823
00:41:19,600 --> 00:41:21,480
Speaker 2: of the boat, then you stand against the wall so

824
00:41:21,520 --> 00:41:24,120
Speaker 2: that when the boat tips so you can sleep up

825
00:41:24,120 --> 00:41:25,600
Speaker 2: against it, you do run the risk of all the

826
00:41:25,640 --> 00:41:29,680
Speaker 2: shipping containers crushing you that are on that side. And

827
00:41:29,840 --> 00:41:32,680
Speaker 2: what I've been talking about maybe is sleeping with some

828
00:41:32,800 --> 00:41:36,200
Speaker 2: kind of suit of armor on m you know what

829
00:41:36,200 --> 00:41:36,480
Speaker 2: I mean?

830
00:41:36,520 --> 00:41:39,000
Speaker 1: And do you provide that or should I bring my own?

831
00:41:39,400 --> 00:41:42,320
Speaker 2: Well, this is what I'm actually wanting to talk to

832
00:41:42,400 --> 00:41:45,560
Speaker 2: you about is do you have maybe like a hundred

833
00:41:45,640 --> 00:41:46,319
Speaker 2: suits of arbor?

834
00:41:46,920 --> 00:41:47,400
Speaker 1: Oh?

835
00:41:47,840 --> 00:41:49,960
Speaker 4: So not only do I need to bring just one

836
00:41:50,120 --> 00:41:53,279
Speaker 4: you'd like me to bring over over one.

837
00:41:53,880 --> 00:41:59,879
Speaker 2: Well, yes, and I'm not opposed to a museum heights

838
00:42:00,800 --> 00:42:05,359
Speaker 2: in order to get this armor, because I think at

839
00:42:05,400 --> 00:42:07,800
Speaker 2: the point that we're getting on a boat and taking

840
00:42:07,840 --> 00:42:09,880
Speaker 2: off anyway, it doesn't matter crimes.

841
00:42:09,640 --> 00:42:11,800
Speaker 1: We commit right by the time they even know it's gone,

842
00:42:11,880 --> 00:42:18,319
Speaker 1: we'll be an international wife. Yeah, we're swinging around Cape Horn. Baby, Yeah, dancing. Yes,

843
00:42:18,920 --> 00:42:23,279
Speaker 1: that's the route we're taking, swinging around Cape Horn. Oh

844
00:42:23,480 --> 00:42:30,319
Speaker 1: sorry I said Cape Horn, Cape Horn. Sorry I meant yeah,

845
00:42:30,400 --> 00:42:31,959
Speaker 1: caporn like Korean port.

846
00:42:32,120 --> 00:42:36,480
Speaker 4: Yeah, yeah, ca porn.

847
00:42:38,920 --> 00:42:41,000
Speaker 1: You had my interest peaked for a minute. There.

848
00:42:41,440 --> 00:42:43,280
Speaker 4: I'm way more interesting. It's more like bound.

849
00:42:43,520 --> 00:42:49,160
Speaker 1: It's like bubble gum style, you know, bubble gum style porn. Yeah,

850
00:42:49,200 --> 00:42:52,440
Speaker 1: it's like you know, there's like American like porn, and

851
00:42:52,520 --> 00:42:55,080
Speaker 1: pop is a little more like grungy. And then there's

852
00:42:55,120 --> 00:42:56,239
Speaker 1: like Cape Horn.

853
00:42:56,160 --> 00:42:57,920
Speaker 4: Where there it's a big group.

854
00:42:58,239 --> 00:43:04,840
Speaker 6: They all, Hey, guys, Tommy Bahama here, can.

855
00:43:04,239 --> 00:43:07,320
Speaker 4: Tommy say it again?

856
00:43:07,440 --> 00:43:11,840
Speaker 6: Hey guys, Tommy Bahami here, can Kevin's way sponsor the

857
00:43:11,920 --> 00:43:14,080
Speaker 6: cruise because I'm looking for investors.

858
00:43:15,120 --> 00:43:19,120
Speaker 4: Wait, that's not how it works. You have to sponsor

859
00:43:19,200 --> 00:43:22,520
Speaker 4: the cruise. You have to pay, you would be investing

860
00:43:22,560 --> 00:43:27,080
Speaker 4: in us, not we would be investing in you ken.

861
00:43:27,239 --> 00:43:28,760
Speaker 2: Yeah, wait a minute.

862
00:43:29,320 --> 00:43:29,799
Speaker 1: Have you wait?

863
00:43:29,960 --> 00:43:35,840
Speaker 4: Wait, sponsors and been paying them, has investors to sponsor

864
00:43:35,880 --> 00:43:37,280
Speaker 4: in you all along?

865
00:43:37,480 --> 00:43:40,319
Speaker 2: He's been saying, Yeah, it's all been an investment. We've

866
00:43:40,320 --> 00:43:42,640
Speaker 2: invested in a bunch of ads, like we went. We

867
00:43:42,680 --> 00:43:46,279
Speaker 2: got into this T shirt company called Woven. Yeah, we

868
00:43:46,320 --> 00:43:50,440
Speaker 2: got into uh Casper Mattresses really early and put a

869
00:43:50,440 --> 00:43:51,720
Speaker 2: bunch of money into there.

870
00:43:52,480 --> 00:43:54,960
Speaker 1: So that you can advertise for them. Yeah, we wanted to.

871
00:43:55,280 --> 00:43:57,280
Speaker 2: We need to have ads for the podcast to make money,

872
00:43:57,280 --> 00:43:58,600
Speaker 2: so we had to pay Harry's razors.

873
00:43:58,640 --> 00:44:00,239
Speaker 1: And it could be an opportunity for us to do

874
00:44:00,280 --> 00:44:03,800
Speaker 1: like funny bits in the and the ads go off copy, Yes,

875
00:44:03,960 --> 00:44:07,640
Speaker 1: go off copy, and we have and we do and

876
00:44:07,719 --> 00:44:10,840
Speaker 1: we do that and some people still, like like, hated

877
00:44:10,880 --> 00:44:12,919
Speaker 1: the head so much that they made us stop doing

878
00:44:12,960 --> 00:44:15,680
Speaker 1: them even though we are paid paying for the ads.

879
00:44:15,800 --> 00:44:17,840
Speaker 4: Yeah, it seems like you should get a fair amount

880
00:44:17,840 --> 00:44:18,400
Speaker 4: of control.

881
00:44:18,640 --> 00:44:20,440
Speaker 2: And we pay your wolf a bunch to get to

882
00:44:20,480 --> 00:44:23,360
Speaker 2: do ads for like fucking Pistol Shrimp Radio or whatever.

883
00:44:23,560 --> 00:44:29,840
Speaker 4: Yeah, Pistol Ship Radio, Crystal Shrimp, Crystal Shrimp Radio, Crystal shrimp,

884
00:44:29,880 --> 00:44:33,160
Speaker 4: Bristol crystal shrimp, Bristol shrimp radio.

885
00:44:33,840 --> 00:44:35,960
Speaker 2: Yeah, we have to pay to be allowed to do

886
00:44:36,040 --> 00:44:36,719
Speaker 2: ads for them.

887
00:44:37,000 --> 00:44:39,560
Speaker 1: One of the pistol shrimps. Guys, we are thinking of

888
00:44:39,600 --> 00:44:42,040
Speaker 1: getting to beyond beyond the ship.

889
00:44:42,120 --> 00:44:46,520
Speaker 4: You're splitting the one splitting up throwing shade and crystal shrimp.

890
00:44:46,800 --> 00:44:51,080
Speaker 2: Yes, we might be crystal splitting crystal shrimp to do.

891
00:44:51,680 --> 00:44:53,680
Speaker 1: To do the onboard amount, yes, yes.

892
00:44:53,560 --> 00:44:57,080
Speaker 10: Yes, yes, yes, great pistol shrimp shrimp cocktail.

893
00:44:58,360 --> 00:45:04,120
Speaker 4: Yeah, that's right, very just a tepid forest cump reference.

894
00:45:04,440 --> 00:45:08,759
Speaker 4: Just barely getting there, just barely, just like.

895
00:45:08,880 --> 00:45:11,360
Speaker 7: Doing doing almost the bunchline.

896
00:45:11,520 --> 00:45:15,080
Speaker 2: What I like about Brett's comedy is it's asking for permission?

897
00:45:19,120 --> 00:45:19,640
Speaker 1: Is that good?

898
00:45:20,160 --> 00:45:22,000
Speaker 2: Oh so good man, we got it.

899
00:45:22,680 --> 00:45:25,400
Speaker 1: You gave us enough to get there. He wants a

900
00:45:25,440 --> 00:45:28,480
Speaker 1: spot in our on our on our cruise. But he's

901
00:45:28,520 --> 00:45:32,400
Speaker 1: already the captain. Oh but he wants to perform.

902
00:45:32,960 --> 00:45:36,040
Speaker 2: Yeah, he's gonna already have like a PA system or so.

903
00:45:36,440 --> 00:45:39,400
Speaker 4: Yeah. Wait, I thought you said there was no microphone.

904
00:45:39,800 --> 00:45:42,080
Speaker 2: There's no like to do stand up on, but the

905
00:45:42,120 --> 00:45:46,120
Speaker 2: captain from his because he's got to announce intercom, So

906
00:45:46,239 --> 00:45:48,400
Speaker 2: he has like an intercom why don't.

907
00:45:48,200 --> 00:45:50,560
Speaker 4: I just do stand up from inside the cockpit? Then

908
00:45:50,640 --> 00:45:53,279
Speaker 4: I think people want to see you a hole to

909
00:45:53,320 --> 00:45:53,759
Speaker 4: see you.

910
00:45:53,800 --> 00:45:53,880
Speaker 2: No.

911
00:45:54,080 --> 00:45:56,319
Speaker 4: I think that's a common misconception about stand up is

912
00:45:56,360 --> 00:45:58,920
Speaker 4: you don't actually need to be seen. My comedy is

913
00:45:59,200 --> 00:46:04,239
Speaker 4: very it's much more tonal, you know.

914
00:46:03,040 --> 00:46:06,200
Speaker 1: Yeah, you know, semaphore comedy. That would be huge for

915
00:46:06,239 --> 00:46:07,920
Speaker 1: these guys because a lot of them, a lot of

916
00:46:07,920 --> 00:46:13,200
Speaker 1: the people were bringing on are tie and so they

917
00:46:13,239 --> 00:46:16,840
Speaker 1: don't like English stand up. Is that like a huge

918
00:46:16,960 --> 00:46:21,239
Speaker 1: thing for them, but they they will have like semophore flag.

919
00:46:21,000 --> 00:46:29,399
Speaker 4: Training, semiphore flag training for tie It sounds like pirates.

920
00:46:29,680 --> 00:46:29,960
Speaker 1: They're not.

921
00:46:30,200 --> 00:46:38,279
Speaker 4: They're young, yeah, young tie boys. Yes, Okay, So on

922
00:46:38,320 --> 00:46:42,560
Speaker 4: this cruise, I'm performing for one child of divorce and

923
00:46:42,840 --> 00:46:52,440
Speaker 4: many young tie boys. I am getting more and more excited.

924
00:46:54,760 --> 00:46:55,880
Speaker 1: To do this cruise.

925
00:46:56,640 --> 00:46:58,920
Speaker 4: The more details that come flos.

926
00:46:58,480 --> 00:46:59,760
Speaker 2: A big opportunity.

927
00:47:00,280 --> 00:47:02,760
Speaker 4: I mean, because really I've been trying to break into

928
00:47:03,280 --> 00:47:05,640
Speaker 4: the type boy community and.

929
00:47:05,560 --> 00:47:06,440
Speaker 1: It's so weird.

930
00:47:06,520 --> 00:47:09,840
Speaker 2: Something about saying tye boy sounds sexual.

931
00:47:10,000 --> 00:47:10,600
Speaker 1: It's like.

932
00:47:13,040 --> 00:47:14,399
Speaker 4: Sounds sexual in a way.

933
00:47:14,520 --> 00:47:17,799
Speaker 1: But you have a riff about that. Yeah, I have

934
00:47:18,040 --> 00:47:18,760
Speaker 1: a lot of tibo.

935
00:47:19,640 --> 00:47:22,239
Speaker 2: It's it's all about the line and the Train song

936
00:47:22,320 --> 00:47:25,319
Speaker 2: Meet Virginia, where he's like, checks out moment so wow,

937
00:47:25,320 --> 00:47:28,280
Speaker 2: she does tabou and I'm going, okay, is this a girl?

938
00:47:28,320 --> 00:47:31,960
Speaker 2: He actually knew she's checking out Mozart while she does

939
00:47:32,000 --> 00:47:35,000
Speaker 2: tybo or did he write that? Is that his dream

940
00:47:35,040 --> 00:47:36,160
Speaker 2: woman that he's imagining?

941
00:47:36,600 --> 00:47:37,480
Speaker 1: What do I want her to be?

942
00:47:37,719 --> 00:47:40,279
Speaker 2: Let's see, she's gonna have a pretty hair and uh oh,

943
00:47:40,320 --> 00:47:43,360
Speaker 2: she's gotta check out mozart while she does tybout.

944
00:47:44,000 --> 00:47:51,000
Speaker 1: I'm sorry, train not relatable? Oh my god, this is

945
00:47:51,040 --> 00:47:54,319
Speaker 1: a bop. It helps her the stand up. He goes like,

946
00:47:54,440 --> 00:47:58,120
Speaker 1: see that. You know, people can hear what he's talking about,

947
00:47:59,800 --> 00:48:00,440
Speaker 1: but it's not.

948
00:48:09,080 --> 00:48:09,440
Speaker 9: Answer.

949
00:48:09,680 --> 00:48:12,520
Speaker 4: The answer is in the song. He's saying, meet Virginia.

950
00:48:12,840 --> 00:48:15,279
Speaker 4: It's he's obviously talking about Virginia. He didn't write it

951
00:48:15,760 --> 00:48:16,480
Speaker 4: about Virginia.

952
00:48:16,840 --> 00:48:18,799
Speaker 1: The guy with that part he was playing the song

953
00:48:18,840 --> 00:48:20,480
Speaker 1: and then shut it off when he heard that.

954
00:48:21,000 --> 00:48:24,400
Speaker 2: Wait, what the fuck are you talking about? Meet Virginia.

955
00:48:24,640 --> 00:48:28,160
Speaker 4: Yeah, he's saying, hey, meet my friend Virginia.

956
00:48:28,480 --> 00:48:29,640
Speaker 1: Uh huh she does.

957
00:48:29,800 --> 00:48:31,720
Speaker 4: She listens to Mozar while she does TYPEO.

958
00:48:31,960 --> 00:48:36,200
Speaker 2: Okay, now I'm asking is Virginia a fictional character or.

959
00:48:36,280 --> 00:48:38,680
Speaker 1: Is it is it. That's not how songs work.

960
00:48:38,840 --> 00:48:39,400
Speaker 2: Yes, it is.

961
00:48:39,440 --> 00:48:42,480
Speaker 1: If you say someone's name, it is you say someone's name.

962
00:48:42,719 --> 00:48:44,520
Speaker 4: If you say something, yeah, made a.

963
00:48:44,520 --> 00:48:46,400
Speaker 1: Song, it has to be a real person.

964
00:48:46,680 --> 00:48:50,600
Speaker 2: No, not true, Not true. True. Lou Bagel only knew

965
00:48:50,680 --> 00:48:53,439
Speaker 2: half the women in Mambo number five and the rest

966
00:48:53,480 --> 00:48:55,759
Speaker 2: were just names that sounded good in the song. And

967
00:48:55,800 --> 00:48:59,000
Speaker 2: he's admitted that in an interview. And I actually met

968
00:48:59,040 --> 00:49:00,800
Speaker 2: him once and he was a really nice and he

969
00:49:00,920 --> 00:49:03,480
Speaker 2: signed my Fedora. So you want to sit here and

970
00:49:03,560 --> 00:49:05,759
Speaker 2: tell me that every name in a song is a

971
00:49:05,800 --> 00:49:10,880
Speaker 2: real person, and that Virginia couldn't possibly be either Virginia

972
00:49:11,000 --> 00:49:18,360
Speaker 2: Madson from Candy Man and Sideways, or could just be

973
00:49:18,840 --> 00:49:21,680
Speaker 2: somebody like, yes, Virginia, there is a Santa Claus Virginia.

974
00:49:21,719 --> 00:49:23,600
Speaker 4: Which is what you guys do. This is what you

975
00:49:23,600 --> 00:49:25,239
Speaker 4: guys do. This is what you guys do. When you

976
00:49:25,320 --> 00:49:29,520
Speaker 4: use the lu Bega interview to prop up your agenda,

977
00:49:29,840 --> 00:49:32,320
Speaker 4: is you omit. The part of the context of that

978
00:49:32,440 --> 00:49:35,600
Speaker 4: interview was that all of the names that he had

979
00:49:35,760 --> 00:49:40,840
Speaker 4: stories about in Mamo number five, any any descriptor anytime

980
00:49:40,880 --> 00:49:43,279
Speaker 4: he described a woman in Mamo number five, it was

981
00:49:43,320 --> 00:49:44,240
Speaker 4: based on a real one.

982
00:49:44,480 --> 00:49:50,200
Speaker 1: Every spec anybody anytime said just a.

983
00:49:50,239 --> 00:49:53,520
Speaker 2: Name that was made was that was just a word

984
00:49:53,560 --> 00:49:56,799
Speaker 2: that was intended to meet the meter in the run.

985
00:49:57,080 --> 00:49:57,719
Speaker 1: Don't try to.

986
00:49:57,640 --> 00:50:01,600
Speaker 4: Do that like you twist the lu Bega interview to

987
00:50:01,680 --> 00:50:04,399
Speaker 4: fit your narrative. And that is what pisces me off

988
00:50:04,400 --> 00:50:04,839
Speaker 4: about you.

989
00:50:08,320 --> 00:50:18,800
Speaker 10: Look, I thought we were really getting somewhere.

990
00:50:21,040 --> 00:50:23,640
Speaker 4: I love I love that all of the songs you

991
00:50:23,680 --> 00:50:27,040
Speaker 4: can only it sounds like they're trapped in another room,

992
00:50:29,840 --> 00:50:30,520
Speaker 4: sounds like they.

993
00:50:30,440 --> 00:50:35,480
Speaker 1: Are Can we do these whatever we want? We never

994
00:50:35,520 --> 00:50:36,200
Speaker 1: get in trouble.

995
00:50:37,440 --> 00:50:46,480
Speaker 10: That's my theory. This person doesn't have the name, so

996
00:50:46,520 --> 00:50:48,640
Speaker 10: maybe that settles the debate.

997
00:50:48,480 --> 00:50:51,480
Speaker 1: Because maybe they were real people that they wasn't allowed

998
00:50:51,520 --> 00:50:53,560
Speaker 1: to use them in this press. They sued the.

999
00:50:53,600 --> 00:50:56,800
Speaker 6: Song, yeah, you only can say trumpet Monica.

1000
00:50:57,320 --> 00:51:04,640
Speaker 1: Yeah, Salas was who it was, And she sued, what.

1001
00:51:04,640 --> 00:51:05,840
Speaker 2: About the song Stan.

1002
00:51:07,800 --> 00:51:10,319
Speaker 1: Again? Another real person? I saw.

1003
00:51:10,400 --> 00:51:15,239
Speaker 4: I just saw him in concert recently at Bond Eminem

1004
00:51:15,239 --> 00:51:17,080
Speaker 4: Stan Eminem.

1005
00:51:16,800 --> 00:51:17,239
Speaker 1: You saw her?

1006
00:51:19,480 --> 00:51:22,319
Speaker 4: Yeah, it was not It was a fine experience. I

1007
00:51:22,320 --> 00:51:26,840
Speaker 4: don't know the way Eminem says bitch really makes you

1008
00:51:27,280 --> 00:51:28,319
Speaker 4: remember that it's a slur.

1009
00:51:30,080 --> 00:51:32,319
Speaker 1: There is just it's like can you do it? How

1010
00:51:32,400 --> 00:51:34,080
Speaker 1: he does it? I don't.

1011
00:51:34,160 --> 00:51:36,680
Speaker 4: I honestly, I don't have and me because like for me,

1012
00:51:36,719 --> 00:51:39,520
Speaker 4: when you say it's bitches, like this fun celebratory word,

1013
00:51:39,600 --> 00:51:41,520
Speaker 4: like I use bitch as a verb and a noun

1014
00:51:41,600 --> 00:51:44,560
Speaker 4: and an adjective, and it's like of my community. And

1015
00:51:44,600 --> 00:51:47,120
Speaker 4: then he says it and it's like, oh, yeah.

1016
00:51:47,360 --> 00:51:54,240
Speaker 1: What about the breaking bad bitch? Exactly? What? Excuse me? Okay, okay, okay.

1017
00:51:54,280 --> 00:51:58,480
Speaker 1: Bret Brett has a bunch of T shirts that say like, yeah,

1018
00:51:58,719 --> 00:51:59,959
Speaker 1: science bitch.

1019
00:52:00,520 --> 00:52:05,480
Speaker 4: What about the breaking bed Heisenberg bitch? Are you talking

1020
00:52:05,520 --> 00:52:10,759
Speaker 4: about the actress who played the Are you calling a

1021
00:52:10,800 --> 00:52:15,239
Speaker 4: gun a bitch? What about the breaking bad bitch and

1022
00:52:15,400 --> 00:52:18,600
Speaker 4: a gun? Why has she been getting She was transcendent

1023
00:52:18,640 --> 00:52:19,440
Speaker 4: on that show.

1024
00:52:19,320 --> 00:52:22,000
Speaker 1: Brett, show him your Heisenberg for the Wim T shirt?

1025
00:52:24,000 --> 00:52:26,200
Speaker 1: See this is like beautiful, it's gorgeous.

1026
00:52:26,480 --> 00:52:30,960
Speaker 2: Brett's got ten T shirts on. At any point, if

1027
00:52:31,000 --> 00:52:33,680
Speaker 2: the situation arises, he'll just lift up like three of

1028
00:52:33,719 --> 00:52:35,319
Speaker 2: them and show you like Heisenberg or the.

1029
00:52:35,280 --> 00:52:41,160
Speaker 1: Winner, Yeah, Hermanos one like he's really into the one

1030
00:52:41,160 --> 00:52:44,080
Speaker 1: that says it's the periodic table bitch. Yeah yeah, yeah.

1031
00:52:44,880 --> 00:52:47,359
Speaker 4: It's just so it's it's been so long since I've

1032
00:52:47,400 --> 00:52:51,520
Speaker 4: heard or said called someone a bitch in anger. Yeah,

1033
00:52:52,320 --> 00:52:54,440
Speaker 4: it's just like a fun it's a term of that's right.

1034
00:52:54,520 --> 00:52:57,640
Speaker 2: It has almost completely been removed from that except in

1035
00:52:58,040 --> 00:53:01,600
Speaker 2: and then you hear Eminem saying You're like, oh, yeah right,

1036
00:53:01,719 --> 00:53:02,279
Speaker 2: it was mean.

1037
00:53:04,160 --> 00:53:06,919
Speaker 4: I love idoh, I love listening to Dido in the rain.

1038
00:53:08,320 --> 00:53:09,680
Speaker 1: This brings me to a cruise.

1039
00:53:13,480 --> 00:53:14,359
Speaker 10: Now you can take a verb.

1040
00:53:15,480 --> 00:53:20,520
Speaker 12: You're slim hack, hey, Collin, and am my home hunt

1041
00:53:20,560 --> 00:53:28,000
Speaker 12: at the bottom handa mann hey man hand Hey guys.

1042
00:53:30,120 --> 00:53:32,680
Speaker 2: And swim.

1043
00:53:34,239 --> 00:53:38,239
Speaker 12: Any anyway, a fan, I mean being a hat.

1044
00:53:38,360 --> 00:53:39,120
Speaker 2: My name is Stan.

1045
00:53:39,920 --> 00:53:43,800
Speaker 10: Wow, there's no bitin.

1046
00:53:45,440 --> 00:53:47,040
Speaker 1: Yeah. That was incredible.

1047
00:53:47,120 --> 00:53:47,799
Speaker 10: That was really good.

1048
00:53:47,960 --> 00:53:48,320
Speaker 1: Yeah.

1049
00:53:48,320 --> 00:53:49,480
Speaker 2: Thanks, I love rap.

1050
00:53:50,120 --> 00:53:52,960
Speaker 1: Bye.

1051
00:53:55,640 --> 00:53:58,440
Speaker 2: This has been an ear Wolf production executive produced by

1052
00:53:58,440 --> 00:54:01,280
Speaker 2: Scott Ackerman, Chris Bennon, and Colin Anderson.

1053
00:54:01,520 --> 00:54:09,320
Speaker 6: For more information and content, visit earwolf dot com.