Speaker 1: I want to do a post on the Jill and
Speaker 1: Bethany sit down. I was talking a lot, We both
Speaker 1: were talking a lot. We were interrupting each other. It
Speaker 1: was very heightened. Understand that we had been planning this
Speaker 1: for three days. There was a massive, massive storm. The
Speaker 1: cable went out, My screens were shutting off. Jill brought Gary, Ali,
Speaker 1: Bossy the dog into the basement. They all had to
Speaker 1: be there to listen. There was an audience. I wasn't expecting. Paul,
Speaker 1: who thought of the idy, didn't even think he should
Speaker 1: be there. He thought it should have been a conversation
Speaker 1: between the two of us, but it became a circus downstairs.
Speaker 1: It was extremely activating. I later said to Jill, like
Speaker 1: we were talking over each other. She said, that's what
Speaker 1: we're like on the phone, Like it was a real
Speaker 1: conversation between two women, and so we're going to talk
Speaker 1: over each other. Like It wasn't like a normal podcast
Speaker 1: where I'm letting the other person speak and then I'm
Speaker 1: speaking and it's more organized. It was fucking chaos. It
Speaker 1: blew the doors off. The podcast is exploded. It was
Speaker 1: really amazing. But I wanted to clarify the funeral because
Speaker 1: Jill Zarin did express interest from an employee of hers
Speaker 1: that she wanted the whole overall funeral events and funeral
Speaker 1: experience and funeral adjacent the death documented, but it was
Speaker 1: never agreed upon. She expressed interest in that through one
Speaker 1: of her employees, but it was never agreed upon. So
Speaker 1: to say to somebody, yeah, I might want you guys
Speaker 1: to film a monumental, massive event in my life. Meaning
Speaker 1: she didn't want to film the actual ship because it
Speaker 1: would have been the worst look. Ever, so she was
Speaker 1: going to do another shiva with all the women. She
Speaker 1: didn't want to I think like film inside the actual funeral,
Speaker 1: but she wanted to film the surrounding event and maybe
Speaker 1: she would have filmed outside. But Bravo never responded and said, Okay,
Speaker 1: we're going to film the funeral. We're going to come.
Speaker 1: I don't expect Bravo to say we're going to come
Speaker 1: with Bethany, but if they had said to Jill, we're
Speaker 1: going to come, she might have had glam. She might
Speaker 1: have expected. In it tracks that she only thought that
Speaker 1: the cameras were tmg outside, so she didn't realize till
Speaker 1: later that I was coming. So I crashed a funeral.
Speaker 1: I don't think most people can say that I crashed
Speaker 1: a funeral. It is disgusting, it is horrific. But Bravo
Speaker 1: will try to say that she and her team had
Speaker 1: expressed wanting to film the funeral, which I also may
Speaker 1: have seen the emails or I know about it, but
Speaker 1: that's not the same as knowing that a camera crew
Speaker 1: is coming. They've they've had the location sign, location releases,
Speaker 1: it's been discussed, and there's a timeline. And even if
Speaker 1: the person who worked with Jill knew they were coming,
Speaker 1: Jill didn't know. It just fucked up overall. And that's
Speaker 1: why you didn't see the funeral home because it was
Speaker 1: outside and it was like Bravo just made the choice
Speaker 1: to just get a street scene. But guess what. Had
Speaker 1: I gone there and said hi and she said what
Speaker 1: the hell are you doing here? I would have looked
Speaker 1: really bad and Bravo would have edited around me saying,
Speaker 1: what are you talking about? I thought you knew about
Speaker 1: this because they would have wanted to get in the
Speaker 1: viewers and the advertising money. And it's really fucked up,
Speaker 1: and it's what's wrong with the whole franchise. I'm getting
Speaker 1: louder and louder about this now because it's getting more
Speaker 1: fucked up. Finding that out means we are really all
Speaker 1: handmaids that just walk like zombies and do whatever we're told.
Speaker 1: And I wanted to shoot that scene. Don't get it twisted.
Speaker 1: I wanted that iconic moment. I thought it was great,
Speaker 1: but I definitely did not know what I was walking
Speaker 1: into and didn't know that I was ambushing someone who
Speaker 1: was also being ambushed. So it's definitely fucked up. And
Speaker 1: everybody never thought we'd get together and hell would freeze
Speaker 1: over and we would do a podcast on our own terms,
Speaker 1: live and unedited and unfiltered, so it's fucked up. Jill
Speaker 1: was referencing Derinda in our Rewives episode and I was
Speaker 1: doing a beach walk. And I want to be respectful
Speaker 1: to both of these women when I say this, because
Speaker 1: they don't I don't care for each other. I think
Speaker 1: Jill and Dirinda detest each other because I think they're
Speaker 1: very similar. I mean, this is remarkable. I can't believe
Speaker 1: no one's ever said this before. Jill's Aaron and Dirindam
Speaker 1: Medley are eerily similar, very close to the same age.
Speaker 1: They both have one daughter, they both are widows. They
Speaker 1: both are very close to their parents. They both can
Speaker 1: be can get messy. They're both broads. They both get
Speaker 1: into trouble by being opinionated. They're both very into cooking
Speaker 1: and being mamolas. Like you know, Dirinda's very maternal and
Speaker 1: likes to be the matriarch and Jill's very maternal and
Speaker 1: likes to be the Jewish bubbola mother. They both are
Speaker 1: dog people. Jill's Aaron's addicted to die coke like Dorinda
Speaker 1: Medley loves a good martini. They both want to like
Speaker 1: completely separate themselves and like distance themselves from the Housewives,
Speaker 1: but they have a love hate relationship with it and
Speaker 1: with the entire Bravo atmosphere and all that it comes with.
Speaker 1: Drinda said, when she leaves the Housewives, or if it
Speaker 1: ever ends, she's just gonna walk away, close the door
Speaker 1: and never look back. And yet it's like an ex
Speaker 1: boyfriend that she keeps going back to and has a
Speaker 1: love hate relationship with. And she does it, and she
Speaker 1: wants to do it, and she leans in and she
Speaker 1: goes to all the events, and she goes to Bravo
Speaker 1: con and she you know, is ultimately you know, and
Speaker 1: also both of them weren't. They both are workers and
Speaker 1: were always business minded, but while married, they really weren't
Speaker 1: working and they didn't have their own businesses. And after
Speaker 1: this television experience, they both have businesses where they both
Speaker 1: sell stuff like Derinda with the T shirts and the
Speaker 1: mugs and the candles and the booze and Jill with
Speaker 1: the candles and the rugs and mugs and rugs, candles
Speaker 1: and candles. I mean, they both have chosen similar trajectories
Speaker 1: and how they're going to make money by like hawking,
Speaker 1: you know, merch to people in expensive merch that they're
Speaker 1: selling higher. And they both are worker bees like to work.
Speaker 1: And they both love being housewives, whether they want to
Speaker 1: say they hate it or not, they love it and
Speaker 1: they are attracted to the light, but then they want
Speaker 1: to move away from it. They both were fired from
Speaker 1: the Housewives. I mean, they're so eerily similar that there's
Speaker 1: something about each other that really triggers them. They are
Speaker 1: triggered by each other and they have to resolve this
Speaker 1: because I think they would actually be really close. I
Speaker 1: would like to get them together. Honestly, if you guys
Speaker 1: agree with me, let me know if this is like
Speaker 1: an eerie comparison that no one's ever made. But I
Speaker 1: think that we should get them together on this show,
Speaker 1: you know, on Rerants to just hash it out, because
Speaker 1: they could be friends, and I think they actually would