1 00:00:12,720 --> 00:00:14,239 Speaker 1: I want to do a post on the Jill and 2 00:00:14,280 --> 00:00:17,360 Speaker 1: Bethany sit down. I was talking a lot, We both 3 00:00:17,400 --> 00:00:19,400 Speaker 1: were talking a lot. We were interrupting each other. It 4 00:00:19,440 --> 00:00:22,680 Speaker 1: was very heightened. Understand that we had been planning this 5 00:00:22,760 --> 00:00:25,760 Speaker 1: for three days. There was a massive, massive storm. The 6 00:00:25,800 --> 00:00:31,480 Speaker 1: cable went out, My screens were shutting off. Jill brought Gary, Ali, 7 00:00:32,880 --> 00:00:35,280 Speaker 1: Bossy the dog into the basement. They all had to 8 00:00:35,280 --> 00:00:38,160 Speaker 1: be there to listen. There was an audience. I wasn't expecting. Paul, 9 00:00:38,360 --> 00:00:40,560 Speaker 1: who thought of the idy, didn't even think he should 10 00:00:40,560 --> 00:00:42,159 Speaker 1: be there. He thought it should have been a conversation 11 00:00:42,200 --> 00:00:44,800 Speaker 1: between the two of us, but it became a circus downstairs. 12 00:00:45,040 --> 00:00:47,960 Speaker 1: It was extremely activating. I later said to Jill, like 13 00:00:48,000 --> 00:00:49,920 Speaker 1: we were talking over each other. She said, that's what 14 00:00:49,920 --> 00:00:52,640 Speaker 1: we're like on the phone, Like it was a real 15 00:00:52,720 --> 00:00:55,440 Speaker 1: conversation between two women, and so we're going to talk 16 00:00:55,480 --> 00:00:58,120 Speaker 1: over each other. Like It wasn't like a normal podcast 17 00:00:58,160 --> 00:01:00,160 Speaker 1: where I'm letting the other person speak and then I'm 18 00:01:00,200 --> 00:01:03,800 Speaker 1: speaking and it's more organized. It was fucking chaos. It 19 00:01:03,800 --> 00:01:06,319 Speaker 1: blew the doors off. The podcast is exploded. It was 20 00:01:06,400 --> 00:01:11,440 Speaker 1: really amazing. But I wanted to clarify the funeral because 21 00:01:13,280 --> 00:01:17,240 Speaker 1: Jill Zarin did express interest from an employee of hers 22 00:01:17,240 --> 00:01:23,640 Speaker 1: that she wanted the whole overall funeral events and funeral 23 00:01:23,840 --> 00:01:30,679 Speaker 1: experience and funeral adjacent the death documented, but it was 24 00:01:30,760 --> 00:01:33,560 Speaker 1: never agreed upon. She expressed interest in that through one 25 00:01:33,600 --> 00:01:35,840 Speaker 1: of her employees, but it was never agreed upon. So 26 00:01:35,920 --> 00:01:38,559 Speaker 1: to say to somebody, yeah, I might want you guys 27 00:01:38,560 --> 00:01:43,000 Speaker 1: to film a monumental, massive event in my life. Meaning 28 00:01:43,200 --> 00:01:45,320 Speaker 1: she didn't want to film the actual ship because it 29 00:01:45,319 --> 00:01:47,640 Speaker 1: would have been the worst look. Ever, so she was 30 00:01:47,680 --> 00:01:50,040 Speaker 1: going to do another shiva with all the women. She 31 00:01:50,120 --> 00:01:53,520 Speaker 1: didn't want to I think like film inside the actual funeral, 32 00:01:53,760 --> 00:01:56,040 Speaker 1: but she wanted to film the surrounding event and maybe 33 00:01:56,040 --> 00:01:59,680 Speaker 1: she would have filmed outside. But Bravo never responded and said, Okay, 34 00:01:59,720 --> 00:02:02,240 Speaker 1: we're going to film the funeral. We're going to come. 35 00:02:02,720 --> 00:02:04,440 Speaker 1: I don't expect Bravo to say we're going to come 36 00:02:04,480 --> 00:02:06,280 Speaker 1: with Bethany, but if they had said to Jill, we're 37 00:02:06,320 --> 00:02:08,480 Speaker 1: going to come, she might have had glam. She might 38 00:02:08,520 --> 00:02:12,600 Speaker 1: have expected. In it tracks that she only thought that 39 00:02:12,639 --> 00:02:15,400 Speaker 1: the cameras were tmg outside, so she didn't realize till 40 00:02:15,480 --> 00:02:18,359 Speaker 1: later that I was coming. So I crashed a funeral. 41 00:02:18,639 --> 00:02:20,880 Speaker 1: I don't think most people can say that I crashed 42 00:02:20,880 --> 00:02:24,280 Speaker 1: a funeral. It is disgusting, it is horrific. But Bravo 43 00:02:24,320 --> 00:02:26,520 Speaker 1: will try to say that she and her team had 44 00:02:26,560 --> 00:02:29,960 Speaker 1: expressed wanting to film the funeral, which I also may 45 00:02:30,040 --> 00:02:32,720 Speaker 1: have seen the emails or I know about it, but 46 00:02:32,840 --> 00:02:35,680 Speaker 1: that's not the same as knowing that a camera crew 47 00:02:35,760 --> 00:02:43,640 Speaker 1: is coming. They've they've had the location sign, location releases, 48 00:02:43,919 --> 00:02:49,200 Speaker 1: it's been discussed, and there's a timeline. And even if 49 00:02:49,560 --> 00:02:51,480 Speaker 1: the person who worked with Jill knew they were coming, 50 00:02:51,520 --> 00:02:54,359 Speaker 1: Jill didn't know. It just fucked up overall. And that's 51 00:02:54,400 --> 00:02:56,079 Speaker 1: why you didn't see the funeral home because it was 52 00:02:56,160 --> 00:02:58,519 Speaker 1: outside and it was like Bravo just made the choice 53 00:02:58,560 --> 00:03:01,519 Speaker 1: to just get a street scene. But guess what. Had 54 00:03:01,560 --> 00:03:03,960 Speaker 1: I gone there and said hi and she said what 55 00:03:04,000 --> 00:03:05,959 Speaker 1: the hell are you doing here? I would have looked 56 00:03:05,960 --> 00:03:07,959 Speaker 1: really bad and Bravo would have edited around me saying, 57 00:03:07,960 --> 00:03:09,480 Speaker 1: what are you talking about? I thought you knew about 58 00:03:09,480 --> 00:03:11,560 Speaker 1: this because they would have wanted to get in the 59 00:03:11,680 --> 00:03:14,480 Speaker 1: viewers and the advertising money. And it's really fucked up, 60 00:03:14,480 --> 00:03:16,320 Speaker 1: and it's what's wrong with the whole franchise. I'm getting 61 00:03:16,360 --> 00:03:18,160 Speaker 1: louder and louder about this now because it's getting more 62 00:03:18,160 --> 00:03:20,520 Speaker 1: fucked up. Finding that out means we are really all 63 00:03:20,560 --> 00:03:23,760 Speaker 1: handmaids that just walk like zombies and do whatever we're told. 64 00:03:23,760 --> 00:03:26,480 Speaker 1: And I wanted to shoot that scene. Don't get it twisted. 65 00:03:26,600 --> 00:03:28,680 Speaker 1: I wanted that iconic moment. I thought it was great, 66 00:03:28,880 --> 00:03:30,720 Speaker 1: but I definitely did not know what I was walking 67 00:03:30,760 --> 00:03:32,720 Speaker 1: into and didn't know that I was ambushing someone who 68 00:03:32,760 --> 00:03:35,760 Speaker 1: was also being ambushed. So it's definitely fucked up. And 69 00:03:35,880 --> 00:03:38,240 Speaker 1: everybody never thought we'd get together and hell would freeze 70 00:03:38,280 --> 00:03:40,960 Speaker 1: over and we would do a podcast on our own terms, 71 00:03:41,280 --> 00:03:51,280 Speaker 1: live and unedited and unfiltered, so it's fucked up. Jill 72 00:03:51,360 --> 00:03:56,120 Speaker 1: was referencing Derinda in our Rewives episode and I was 73 00:03:56,120 --> 00:03:58,119 Speaker 1: doing a beach walk. And I want to be respectful 74 00:03:58,160 --> 00:03:59,760 Speaker 1: to both of these women when I say this, because 75 00:03:59,760 --> 00:04:02,839 Speaker 1: they don't I don't care for each other. I think 76 00:04:02,960 --> 00:04:07,240 Speaker 1: Jill and Dirinda detest each other because I think they're 77 00:04:07,560 --> 00:04:10,520 Speaker 1: very similar. I mean, this is remarkable. I can't believe 78 00:04:10,520 --> 00:04:12,840 Speaker 1: no one's ever said this before. Jill's Aaron and Dirindam 79 00:04:12,840 --> 00:04:16,760 Speaker 1: Medley are eerily similar, very close to the same age. 80 00:04:17,160 --> 00:04:20,880 Speaker 1: They both have one daughter, they both are widows. They 81 00:04:20,880 --> 00:04:24,960 Speaker 1: both are very close to their parents. They both can 82 00:04:25,040 --> 00:04:28,840 Speaker 1: be can get messy. They're both broads. They both get 83 00:04:28,880 --> 00:04:33,360 Speaker 1: into trouble by being opinionated. They're both very into cooking 84 00:04:33,400 --> 00:04:37,039 Speaker 1: and being mamolas. Like you know, Dirinda's very maternal and 85 00:04:37,160 --> 00:04:39,719 Speaker 1: likes to be the matriarch and Jill's very maternal and 86 00:04:39,800 --> 00:04:42,680 Speaker 1: likes to be the Jewish bubbola mother. They both are 87 00:04:42,800 --> 00:04:47,400 Speaker 1: dog people. Jill's Aaron's addicted to die coke like Dorinda 88 00:04:47,480 --> 00:04:52,400 Speaker 1: Medley loves a good martini. They both want to like 89 00:04:52,480 --> 00:04:56,720 Speaker 1: completely separate themselves and like distance themselves from the Housewives, 90 00:04:56,720 --> 00:05:00,520 Speaker 1: but they have a love hate relationship with it and 91 00:05:00,560 --> 00:05:03,840 Speaker 1: with the entire Bravo atmosphere and all that it comes with. 92 00:05:04,480 --> 00:05:07,080 Speaker 1: Drinda said, when she leaves the Housewives, or if it 93 00:05:07,160 --> 00:05:09,320 Speaker 1: ever ends, she's just gonna walk away, close the door 94 00:05:09,320 --> 00:05:11,400 Speaker 1: and never look back. And yet it's like an ex 95 00:05:11,440 --> 00:05:13,520 Speaker 1: boyfriend that she keeps going back to and has a 96 00:05:13,800 --> 00:05:15,919 Speaker 1: love hate relationship with. And she does it, and she 97 00:05:15,960 --> 00:05:17,440 Speaker 1: wants to do it, and she leans in and she 98 00:05:17,520 --> 00:05:19,080 Speaker 1: goes to all the events, and she goes to Bravo 99 00:05:19,120 --> 00:05:22,800 Speaker 1: con and she you know, is ultimately you know, and 100 00:05:23,240 --> 00:05:27,240 Speaker 1: also both of them weren't. They both are workers and 101 00:05:27,279 --> 00:05:30,520 Speaker 1: were always business minded, but while married, they really weren't 102 00:05:30,560 --> 00:05:32,640 Speaker 1: working and they didn't have their own businesses. And after 103 00:05:32,680 --> 00:05:35,960 Speaker 1: this television experience, they both have businesses where they both 104 00:05:36,000 --> 00:05:38,600 Speaker 1: sell stuff like Derinda with the T shirts and the 105 00:05:38,680 --> 00:05:43,200 Speaker 1: mugs and the candles and the booze and Jill with 106 00:05:43,279 --> 00:05:46,839 Speaker 1: the candles and the rugs and mugs and rugs, candles 107 00:05:46,839 --> 00:05:50,960 Speaker 1: and candles. I mean, they both have chosen similar trajectories 108 00:05:50,960 --> 00:05:52,760 Speaker 1: and how they're going to make money by like hawking, 109 00:05:53,400 --> 00:05:57,000 Speaker 1: you know, merch to people in expensive merch that they're 110 00:05:57,040 --> 00:06:01,000 Speaker 1: selling higher. And they both are worker bees like to work. 111 00:06:01,160 --> 00:06:04,880 Speaker 1: And they both love being housewives, whether they want to 112 00:06:04,920 --> 00:06:06,599 Speaker 1: say they hate it or not, they love it and 113 00:06:06,640 --> 00:06:09,120 Speaker 1: they are attracted to the light, but then they want 114 00:06:09,160 --> 00:06:11,920 Speaker 1: to move away from it. They both were fired from 115 00:06:11,960 --> 00:06:16,480 Speaker 1: the Housewives. I mean, they're so eerily similar that there's 116 00:06:16,520 --> 00:06:22,480 Speaker 1: something about each other that really triggers them. They are 117 00:06:22,520 --> 00:06:26,680 Speaker 1: triggered by each other and they have to resolve this 118 00:06:26,839 --> 00:06:29,120 Speaker 1: because I think they would actually be really close. I 119 00:06:29,160 --> 00:06:33,400 Speaker 1: would like to get them together. Honestly, if you guys 120 00:06:33,440 --> 00:06:35,640 Speaker 1: agree with me, let me know if this is like 121 00:06:35,680 --> 00:06:38,599 Speaker 1: an eerie comparison that no one's ever made. But I 122 00:06:38,640 --> 00:06:41,320 Speaker 1: think that we should get them together on this show, 123 00:06:42,080 --> 00:06:44,919 Speaker 1: you know, on Rerants to just hash it out, because 124 00:06:45,320 --> 00:06:47,240 Speaker 1: they could be friends, and I think they actually would