WEBVTT - #144 - Lindsey Stirling (Electronic Violinist, Dancer and YouTuber)

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<v Speaker 1>All right, welcome to Episode one four of the Bobby

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<v Speaker 1>Cast with Lindsay Sterling. And before we start, for more

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<v Speaker 1>than three years, by the way, high Lindsay a commercial

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<v Speaker 1>a million users who shared private data with a friend

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<v Speaker 1>could have had their data access. So what happens is

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<v Speaker 1>with your personal info out there, criminals can open accounts,

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<v Speaker 1>file tax returns by property. There's so many threats in

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<v Speaker 1>That's promo code Bones and terms apply. Okay, in studio now,

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<v Speaker 1>we're doing this from Los Angeles with Lindsay Sterling, who

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<v Speaker 1>I think we should start with how we met first,

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<v Speaker 1>because which as you came on the radio show, right,

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<v Speaker 1>we didn't know each other. That was that like three

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<v Speaker 1>years ago. It was four for like four years and

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<v Speaker 1>two months in fourteen days, but I'm not counting. Um. Yeah,

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<v Speaker 1>So we were doing the c MT Awards and we

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<v Speaker 1>got paired together. We're going to announce the winner of

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<v Speaker 1>some categories. You remember it at all? I do well.

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<v Speaker 1>I remember going on your show first right that morning, yeah,

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<v Speaker 1>the morning, good morning of and then it was like

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<v Speaker 1>we did a interview. I played a little literally on

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<v Speaker 1>the violin, and then that night right we went and

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<v Speaker 1>presented together, and I do remember you went off script

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<v Speaker 1>because I was super nervous to read the tell a prompter.

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<v Speaker 1>I don't like, I have dyslexia and so I don't

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<v Speaker 1>read super well. So I was so nervous. And then

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<v Speaker 1>you went off script, and I'm like, when do I

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<v Speaker 1>come in window? Oh, No. I got in trouble for

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<v Speaker 1>that too, because you're really, when you're doing live television

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<v Speaker 1>not supposed to go off script. Absolutely not. Yeah, but

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<v Speaker 1>I wrote a joke right before we went out that

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<v Speaker 1>I thought was so funny that America did not tell me.

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<v Speaker 1>I didn't, but I didn't really know you either, And

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<v Speaker 1>if I told you, I thought maybe you would tell

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<v Speaker 1>on me to one of the producers, like run Side Station,

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<v Speaker 1>just to tell a joke, maybe because you've been like, hey,

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<v Speaker 1>Bobby's doing something, I'm not quite comfortable, and so then

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<v Speaker 1>they would have cut. It was just a strategic Okay,

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<v Speaker 1>I gave it to you. That was fine. We we

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<v Speaker 1>handled it beautifully. No one would Ann. I don't remember

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<v Speaker 1>the joke. I don't remember anything about the actual anything.

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<v Speaker 1>I remember talking to you afterward and going out. She's

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<v Speaker 1>really nice, and she was really because you played the

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<v Speaker 1>show that morning and then you were just kind of

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<v Speaker 1>gone for a while. Then you disappeared pixied away. But

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<v Speaker 1>we had talked a little bit online. But then when

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<v Speaker 1>Dancing with the Stars came up, I was like, hey, lindsay,

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<v Speaker 1>what do you think about this show? And you said,

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<v Speaker 1>I said, a hundred percent, it's the most amazing experience.

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<v Speaker 1>But I also told you it's not easy, and like,

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<v Speaker 1>why it wasn't easy? And so did I help prepare

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<v Speaker 1>you at all for how hard it is? I don't

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<v Speaker 1>know if I could have been prepared. Really, yeah, but

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<v Speaker 1>everything about you was I don't believe everything Lindsay says,

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<v Speaker 1>not because you don't tell the truth. Because you worked

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<v Speaker 1>so hard and you were doing five different things because

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<v Speaker 1>you were touring, you were making music, you were doing

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<v Speaker 1>Dancing with the Stars. So they were going, well, you

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<v Speaker 1>don't do as much as Lindsay. That is not true,

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<v Speaker 1>but they didn't know at the time when they were

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<v Speaker 1>so they were like, but so don't listen, it's not

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<v Speaker 1>that hard. So they were telling me this was the

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<v Speaker 1>Dancing with the Stars team. I'll see they always like

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<v Speaker 1>talk it down, and I was like, don't. Yeah, if

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<v Speaker 1>don't listen, you better clear your schedule if you're going

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<v Speaker 1>to do that show, because it is so they told me,

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<v Speaker 1>if you have four days and you can do four

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<v Speaker 1>hours for four days a week, you'll be fine. And

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<v Speaker 1>I'm thinking to myself, Oh, I can do that's a lot.

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<v Speaker 1>I'm thinking myself, Wow, that's a lot, but I can

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<v Speaker 1>do that, but now I can hear I have. I've

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<v Speaker 1>done seven days a week for six weeks, probably six

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<v Speaker 1>hours a day, at least six hours. Yeah, well they

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<v Speaker 1>don't tell you. They tell you about the dance rehearsals,

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<v Speaker 1>but then they don't tell you about all the camera

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<v Speaker 1>interviews you have to do, which takes like two hours,

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<v Speaker 1>and the costume fittings, and then the extra group numbers

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<v Speaker 1>that you have to like it adds up to at

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<v Speaker 1>least six hours a day. Well, then you ended up

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<v Speaker 1>dancing in our trio group because when they said you

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<v Speaker 1>have treo, I was like, oh, I have tovite Lindsay,

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<v Speaker 1>because one, you're really good. You finished. Second you should

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<v Speaker 1>have won, but you don't have to respond to that.

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<v Speaker 1>I thought you should have won. And then you came

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<v Speaker 1>and dance with us, and that was really nice of

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<v Speaker 1>you because that you have to get yourself into a

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<v Speaker 1>whole different mind frame and you're about to be on

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<v Speaker 1>National TV. Two. You know what's funny is when you

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<v Speaker 1>asked me to do it, I was like, oh, sure,

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<v Speaker 1>that'll be fun. I didn't realize, like I almost forgot

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<v Speaker 1>how intense the show was. It was only a year ago,

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<v Speaker 1>but like being put back into the ballroom, getting back

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<v Speaker 1>in my els, and just remembering the highs and the

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<v Speaker 1>lows of it. Like I don't think I've ever had

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<v Speaker 1>any experience in my life other than that show where

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<v Speaker 1>I've felt so like joyous and happy and terrified at

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<v Speaker 1>the same time. And that's the best way I can

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<v Speaker 1>describe and exhausted like so because I'm so happy to

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<v Speaker 1>do it. Yeah, I'm so just scared. My guts jump

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<v Speaker 1>every show. You, I mean, the part that gets you.

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<v Speaker 1>The people at home don't hear. But when we stand

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<v Speaker 1>on that dance floor, you see like this little video

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<v Speaker 1>play of your week and kind of the first time

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<v Speaker 1>you see it, and then all of a sudden, when

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<v Speaker 1>it ends, you just hear this click click click, and

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<v Speaker 1>your mind goes blank. It's like you forget everything and

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<v Speaker 1>you just have to rely on adrenaline and muscle memory

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<v Speaker 1>because the click track. Again, you don't hear it at home,

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<v Speaker 1>but for us what it is, and we're us in

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<v Speaker 1>a music some too, because we'll hear it in our

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<v Speaker 1>ears and it will keep us on beat. Like the

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<v Speaker 1>audience won't hear it on a stage show, but they

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<v Speaker 1>played in the dance room because in case you have

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<v Speaker 1>to be on the first note or know the first note. Yeah,

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<v Speaker 1>it allows you to be right on It's like it

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<v Speaker 1>that's the purpose of it. But I don't think I

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<v Speaker 1>would have done Dancing with the Stars without you and

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<v Speaker 1>your advice, because I'd have been like, oh, I don't know,

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<v Speaker 1>I'm not really a dancer. Would be fun, but I

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<v Speaker 1>don't know if I can dedicate this much time to it.

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<v Speaker 1>But I think I said that in the package to

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<v Speaker 1>the thing they run. I was like, I I don't think

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<v Speaker 1>I would have done without Lindsay telling me to do it.

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<v Speaker 1>So thanks for all of this. Like, I actually have

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<v Speaker 1>kind of calves now for the first time in my life,

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<v Speaker 1>for the first time ever, I noticed. It's like when

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<v Speaker 1>I was twelve, I started doing push ups and I

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<v Speaker 1>started to notice like bulges in my arms. Now I'm

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<v Speaker 1>not twelve, but I'm starting to see bulges in my

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<v Speaker 1>calves and have a really bad bird legs. It's kind

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<v Speaker 1>of a breakthrough for me. So you just have to

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<v Speaker 1>do more jiving and waltzing in your life. Was that

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<v Speaker 1>what you feel like? That's the hardest one yet for

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<v Speaker 1>my calves. Really, they're all terrible. None of them have

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<v Speaker 1>happened where I go. Yeah, that was a good one.

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<v Speaker 1>Really well, you're killing it, making me proud. I hope

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<v Speaker 1>you're not cursed me for suggesting that you do. No, No,

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<v Speaker 1>not at all. It's one of the craziest experiences of

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<v Speaker 1>my life, good and bad. That was just not why

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<v Speaker 1>I actually brought you here. You have a Christmas record

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<v Speaker 1>that we're gonna talk about, but it will do one

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<v Speaker 1>song first year and play some of this. This is

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<v Speaker 1>Carol the Bells from your Christmas record, which is called

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<v Speaker 1>what's the record called? It's called Warmer in the Winter.

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<v Speaker 1>All right, here we go, so on this that do

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<v Speaker 1>do do? Is that your fingers plucking the strings? Yeah? Okay,

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<v Speaker 1>tell me talk me through this. You're plugging the string.

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<v Speaker 1>You play a violin like a kind of a guitar. Yeah,

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<v Speaker 1>you still hold it like a violin. Um, but they

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<v Speaker 1>called pizzicato in the classical world, and you're basically plucking

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<v Speaker 1>the strings as if similar to a guitar. Come on,

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<v Speaker 1>could you play all this right now? If you could,

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<v Speaker 1>you pull up your violin and play right now. If

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<v Speaker 1>I had it in the studio, I could play. I'm

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<v Speaker 1>not saying would you play it right now? But you

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<v Speaker 1>could do. You know, do you know every song on

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<v Speaker 1>your Christmas record? Absolutely, you could play it, yeah, because

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<v Speaker 1>you're going you do a whole Christmas show. We do.

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<v Speaker 1>We're actually in rehearsals right now for it, and it's

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<v Speaker 1>it's so much fun. Like this was actually my favorite

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<v Speaker 1>album I've probably ever done. I had so much fun

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<v Speaker 1>just like getting in the Christmas spirit and putting my

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<v Speaker 1>spin on Christmas. And then for me, writing music is

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<v Speaker 1>so much about the experience of it, and that is

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<v Speaker 1>the live show, Like that's kind of where the end

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<v Speaker 1>game of where I'm writing the music for. And so

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<v Speaker 1>when I'm putting together the show, it's like this is

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<v Speaker 1>how the music was always meant to be heard, is

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<v Speaker 1>in a visual storytelling way. And so like I'm in

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<v Speaker 1>the you know, I'm in the studio right now with

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<v Speaker 1>the dancers learning all the choreography, and it just makes

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<v Speaker 1>me so excited to take this show on the road.

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<v Speaker 1>We did it last year and now we're totally switching

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<v Speaker 1>the show up and and doing it again this year.

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<v Speaker 1>So you start playing the violin win when I was

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<v Speaker 1>six years old. By the way, I'm gonna ask a

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<v Speaker 1>lot of questions. I already know the answer too, because

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<v Speaker 1>I read your book. So just even though you know,

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<v Speaker 1>I know, all right, so you start playing it. Win

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<v Speaker 1>six years old? Your parents play violin guitar, No, but

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<v Speaker 1>they love classical music. And so when I was really little,

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<v Speaker 1>they would play these old classical records, like on this

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<v Speaker 1>scratchy record player, and then they used to take me

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<v Speaker 1>and my sisters to classical concerts like Orchestras in the park,

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<v Speaker 1>you know, and um. And I noticed that the violinists

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<v Speaker 1>always got the solos, they always got the fast, melodic

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<v Speaker 1>like exciting parts. And I was like, oh, that's a star,

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<v Speaker 1>Like that's the one that gets all the attention. I

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<v Speaker 1>want to play that wooden thing. And I started begging

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<v Speaker 1>for violin lessons as like you know, when my when

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<v Speaker 1>I was like five, and by the time I was six,

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<v Speaker 1>they finally were like, A think she's serious. So you're

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<v Speaker 1>six years old, you want violin lessons. That's a I mean,

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<v Speaker 1>that's a mature instrument for a six year old. I

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<v Speaker 1>think when I was six, I wanted a trash can lid,

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<v Speaker 1>a stick, you know, I was wanted to beat something

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<v Speaker 1>to time. But you want to violin, and do they

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<v Speaker 1>give you they buy you a real violin because they're

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<v Speaker 1>expensive at six years old. Um, we rented one. We

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<v Speaker 1>rented this little and they're a lot less expensive when

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<v Speaker 1>they're only like, you know, six inches long. They make

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<v Speaker 1>kid violins like, yeah, they're they're adorable. They're like little

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<v Speaker 1>tiny they look like toys, but it's because there's no

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<v Speaker 1>way a child can play, like your arm won't even

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<v Speaker 1>fit to reach the where your fingers are supposed to

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<v Speaker 1>go on the board. Um. So yeah, I had a

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<v Speaker 1>little tiny violin that we rented, and I rented um

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<v Speaker 1>until I got to a full size violin. So what

0:10:45.480 --> 0:10:47.199
<v Speaker 1>was the part about, I'm gonna go to the book

0:10:47.200 --> 0:10:49.960
<v Speaker 1>where you had a cardboard violin for a while. Oh

0:10:50.200 --> 0:10:53.959
<v Speaker 1>so that is just before they give a tiny six

0:10:54.040 --> 0:10:56.880
<v Speaker 1>year old, like, you know, an expensive instrument for what

0:10:56.920 --> 0:10:59.720
<v Speaker 1>it is. Um. They first gave me a serial box

0:10:59.760 --> 0:11:03.200
<v Speaker 1>with could like a paper towel roll as the board

0:11:03.559 --> 0:11:06.800
<v Speaker 1>where the fingerboard, and so that would teach me how

0:11:06.800 --> 0:11:09.319
<v Speaker 1>to hold it. And once I proved that I could

0:11:09.320 --> 0:11:12.960
<v Speaker 1>hold the cereal box and the paper towel roll, well, um,

0:11:13.240 --> 0:11:15.800
<v Speaker 1>they upgraded me to a real violin. Was there a

0:11:15.800 --> 0:11:19.640
<v Speaker 1>time where you said I'm kind of down with Violin definitely. Actually, yeah,

0:11:19.679 --> 0:11:21.880
<v Speaker 1>there was a couple of times I almost quit. Um.

0:11:22.000 --> 0:11:23.880
<v Speaker 1>One main time was when I was a teenager and

0:11:23.960 --> 0:11:26.600
<v Speaker 1>I um told my mom I wanted to quit, and

0:11:26.640 --> 0:11:28.400
<v Speaker 1>she kind of sat me down and she's like, I've

0:11:28.400 --> 0:11:30.800
<v Speaker 1>paid for lessons for you since you were a kid,

0:11:31.200 --> 0:11:32.600
<v Speaker 1>and that was not you know, that was a huge

0:11:32.640 --> 0:11:35.520
<v Speaker 1>sacrifice for my parents. And she's like, just play until

0:11:35.520 --> 0:11:37.199
<v Speaker 1>the end of the year. Just do that for me,

0:11:37.920 --> 0:11:39.640
<v Speaker 1>and if you still want to quit, you know, in

0:11:39.720 --> 0:11:41.079
<v Speaker 1>four months, you know, in the end of the year

0:11:41.120 --> 0:11:43.079
<v Speaker 1>rolled around, she's like, you can quit. And you know,

0:11:43.120 --> 0:11:44.920
<v Speaker 1>because we all go through like ups and downs and

0:11:44.960 --> 0:11:47.120
<v Speaker 1>slumps and lows and things. And by the time the

0:11:47.120 --> 0:11:49.440
<v Speaker 1>new year rolled around, I had kind of gotten through

0:11:49.480 --> 0:11:52.640
<v Speaker 1>this this slump and I didn't want to quit anymore.

0:11:52.800 --> 0:11:54.760
<v Speaker 1>When you were in high school, you were the what kid,

0:11:54.800 --> 0:11:59.320
<v Speaker 1>the blank kid? I was. UM. I was kind of

0:11:59.320 --> 0:12:01.960
<v Speaker 1>a kid that did every thing like I did sports,

0:12:02.520 --> 0:12:04.760
<v Speaker 1>I was on I was in a video editing class,

0:12:04.800 --> 0:12:07.280
<v Speaker 1>and I like was super nerdy about video production and

0:12:07.440 --> 0:12:13.160
<v Speaker 1>editing videos. Um, I did orchestra, I did banned. I mean,

0:12:13.240 --> 0:12:15.960
<v Speaker 1>I was little bits of everything is what I would call.

0:12:16.120 --> 0:12:19.160
<v Speaker 1>Were you a good athlete. I was actually pretty decent,

0:12:19.280 --> 0:12:21.640
<v Speaker 1>Like at soccer and cross country. It wasn't the I

0:12:21.679 --> 0:12:23.439
<v Speaker 1>was never the best, but I was, you know, I could.

0:12:23.559 --> 0:12:25.520
<v Speaker 1>I was on all the varsity teams. And were you

0:12:25.520 --> 0:12:30.680
<v Speaker 1>the best musician in your band? Um? Yes, I was.

0:12:31.480 --> 0:12:34.800
<v Speaker 1>At what age did you start to separate from people

0:12:35.120 --> 0:12:36.920
<v Speaker 1>your peers? At what age did you start to go

0:12:37.320 --> 0:12:40.360
<v Speaker 1>and not in any way of like I'm so good,

0:12:40.400 --> 0:12:43.760
<v Speaker 1>but you've noticed a difference of Wow, I'm actually performing

0:12:43.800 --> 0:12:47.920
<v Speaker 1>at a higher level than my peers that are pretty good, right. Um, well,

0:12:48.000 --> 0:12:49.959
<v Speaker 1>I think since I started when I was six, most

0:12:50.240 --> 0:12:53.000
<v Speaker 1>most people don't start the violin with private lessons when

0:12:53.000 --> 0:12:56.079
<v Speaker 1>they're six, and so as soon as I went into school,

0:12:56.120 --> 0:12:58.320
<v Speaker 1>I was always way ahead of the other kids in

0:12:58.320 --> 0:13:02.360
<v Speaker 1>the orchestra. Um. However, that was like being the big

0:13:02.400 --> 0:13:04.920
<v Speaker 1>fish in a small pond, you know, with your public

0:13:04.920 --> 0:13:09.040
<v Speaker 1>school orchestra. I also did like these extracurricular orchestras where

0:13:09.080 --> 0:13:11.800
<v Speaker 1>all the kids that started when they were six were

0:13:11.840 --> 0:13:14.079
<v Speaker 1>in those orchestras, And that was the place where I

0:13:14.120 --> 0:13:16.360
<v Speaker 1>was like, oh gosh, you know, my humility check of

0:13:16.520 --> 0:13:20.760
<v Speaker 1>I'm actually very middle of the road here, And I

0:13:20.840 --> 0:13:23.000
<v Speaker 1>think that is one of the reasons. I was about

0:13:23.040 --> 0:13:25.160
<v Speaker 1>to go to college to to study music, and I

0:13:25.200 --> 0:13:29.320
<v Speaker 1>even I was offered a scholarship, and I realized one

0:13:29.360 --> 0:13:31.520
<v Speaker 1>that I didn't really love the violin anymore, and that

0:13:31.559 --> 0:13:33.840
<v Speaker 1>was the second time I almost quit. But also I

0:13:33.920 --> 0:13:36.520
<v Speaker 1>kind of got to the realization of I'm just going

0:13:36.559 --> 0:13:38.640
<v Speaker 1>to be, you know, playing in the back of some

0:13:38.720 --> 0:13:40.719
<v Speaker 1>orchestra for the rest of my life. And I kind

0:13:40.720 --> 0:13:43.240
<v Speaker 1>of had to think about it of what can I

0:13:43.320 --> 0:13:45.720
<v Speaker 1>do that's different so that I can do this in

0:13:45.720 --> 0:13:47.160
<v Speaker 1>a way that at won that I love it and

0:13:47.160 --> 0:13:49.920
<v Speaker 1>can rEFInd my passion, but also so that I can

0:13:49.960 --> 0:13:52.480
<v Speaker 1>have a voice in this and I'm not just begging

0:13:52.520 --> 0:13:54.880
<v Speaker 1>to be accepted as the back chair player for a

0:13:54.880 --> 0:13:58.040
<v Speaker 1>public orchestra. UM. And that's when I started to write

0:13:58.040 --> 0:14:00.959
<v Speaker 1>my own music and be creative with it. UM. And

0:14:01.160 --> 0:14:04.280
<v Speaker 1>you know, it's I'm so glad that I wasn't just

0:14:04.360 --> 0:14:06.360
<v Speaker 1>a little bit better, because if I've been just a

0:14:06.400 --> 0:14:08.680
<v Speaker 1>little bit better, I would have been getting the solos

0:14:08.960 --> 0:14:10.760
<v Speaker 1>and I would have been the first chairs of like

0:14:10.880 --> 0:14:14.200
<v Speaker 1>the really good orchestras, and that's where I would still be.

0:14:14.720 --> 0:14:17.320
<v Speaker 1>But thank heavens, I was just not quite good enough.

0:14:17.360 --> 0:14:19.160
<v Speaker 1>So I had to think outside the box, and I

0:14:19.160 --> 0:14:21.720
<v Speaker 1>had to get really creative with it. So you're thinking, Okay,

0:14:21.720 --> 0:14:24.840
<v Speaker 1>I'll do something different, But what do you do? You

0:14:24.920 --> 0:14:26.800
<v Speaker 1>know you want to dance, to play violin, or maybe

0:14:26.800 --> 0:14:29.360
<v Speaker 1>you want to juggle. How did you kind of end

0:14:29.480 --> 0:14:32.080
<v Speaker 1>up in doing what you do now, which you play

0:14:32.160 --> 0:14:34.800
<v Speaker 1>electric violin and dance at the same time, which is

0:14:34.800 --> 0:14:37.160
<v Speaker 1>pretty crazy. That is that accurate? You play electric violin?

0:14:37.680 --> 0:14:41.040
<v Speaker 1>I do I play the What would your title if

0:14:41.040 --> 0:14:43.000
<v Speaker 1>you had to give yourself a job title? I mean,

0:14:43.040 --> 0:14:46.000
<v Speaker 1>I usually just say I'm an electronic violinist, you know,

0:14:46.480 --> 0:14:48.720
<v Speaker 1>but you don't play the normal non electronic violin. That's

0:14:48.760 --> 0:14:50.640
<v Speaker 1>the thing I do, but I don't know what to

0:14:50.680 --> 0:14:54.520
<v Speaker 1>call myself. So when that usually quickly paints a picture

0:14:54.560 --> 0:14:56.480
<v Speaker 1>for people of like, oh, she does the violin in

0:14:56.480 --> 0:14:59.960
<v Speaker 1>a different way, because I do still play like leaku

0:15:00.000 --> 0:15:03.680
<v Speaker 1>stick violent. All my recordings are done with an acoustic violin, um,

0:15:03.720 --> 0:15:05.600
<v Speaker 1>but a lot of my shows are with electric violence,

0:15:05.640 --> 0:15:07.600
<v Speaker 1>just because I can make them sparkle and they look

0:15:07.600 --> 0:15:09.520
<v Speaker 1>really cool. How many violences do you have at your house?

0:15:10.320 --> 0:15:13.080
<v Speaker 1>I probably have about seven violins in my house. Well

0:15:13.160 --> 0:15:15.040
<v Speaker 1>that's how I thought you'd have, Like I know, everyone's

0:15:15.080 --> 0:15:19.200
<v Speaker 1>always surprised. I'm like, I'm a moderation kind of a person,

0:15:19.320 --> 0:15:22.360
<v Speaker 1>you know, I don't I have like really nice violins

0:15:22.440 --> 0:15:24.360
<v Speaker 1>like and also violence. If you get to like really

0:15:24.440 --> 0:15:28.000
<v Speaker 1>nice violins, they're very expensive. And so like I have

0:15:28.080 --> 0:15:30.520
<v Speaker 1>my one really nice violin, and then I have some

0:15:30.800 --> 0:15:33.400
<v Speaker 1>you know, fully like I have two violins that are

0:15:33.840 --> 0:15:38.560
<v Speaker 1>fully Swolvorskiki crystal hy even say Swolvorski crystal. So you know,

0:15:38.880 --> 0:15:40.400
<v Speaker 1>I can't have a million of them if I want

0:15:40.400 --> 0:15:43.000
<v Speaker 1>them all to be really special. Do they have violins

0:15:43.120 --> 0:15:46.600
<v Speaker 1>from back in the like Beethoven days? Are they still around? It?

0:15:46.640 --> 0:15:49.960
<v Speaker 1>All there? And that's why violins, a good one is

0:15:50.000 --> 0:15:52.760
<v Speaker 1>so expensive, is because the wood gets better with age

0:15:53.400 --> 0:15:56.280
<v Speaker 1>and sweetens, and so the best violins you can get

0:15:56.320 --> 0:16:00.960
<v Speaker 1>are ones that are, you know, a hundred plus years old. Really, yeah,

0:16:01.320 --> 0:16:03.080
<v Speaker 1>have you ever played a hundred plus year old violin?

0:16:03.120 --> 0:16:04.960
<v Speaker 1>Do you have one? That's what my mind is about

0:16:05.000 --> 0:16:08.360
<v Speaker 1>a hundred years old. And you know that's why I'm

0:16:08.360 --> 0:16:11.600
<v Speaker 1>like so careful with that thing, because you can't replace it,

0:16:11.880 --> 0:16:14.680
<v Speaker 1>Like no violence sounds the same, and also it's it

0:16:14.720 --> 0:16:16.280
<v Speaker 1>was it's a hundred years old. It had to wait

0:16:16.440 --> 0:16:18.160
<v Speaker 1>till it was a hundred to be what it's worth.

0:16:18.680 --> 0:16:21.280
<v Speaker 1>And that's why they're so valuable. Do you ever go

0:16:21.280 --> 0:16:23.520
<v Speaker 1>in to a music store and you just go and

0:16:23.520 --> 0:16:25.720
<v Speaker 1>you're just like looking around and you grab a violin

0:16:26.240 --> 0:16:27.600
<v Speaker 1>and you kind of want to show off a little

0:16:27.600 --> 0:16:29.280
<v Speaker 1>bit and you want to make people like look, Because

0:16:29.280 --> 0:16:30.440
<v Speaker 1>that's what I would do if I had like some

0:16:30.560 --> 0:16:32.680
<v Speaker 1>extreme talent, I would go into like if I was

0:16:32.720 --> 0:16:34.600
<v Speaker 1>a great singer, I would go into a karaoke place

0:16:34.920 --> 0:16:38.080
<v Speaker 1>and just wail and have no one know it was me,

0:16:38.200 --> 0:16:40.760
<v Speaker 1>the great singer, but just be amazed that someone singing

0:16:41.080 --> 0:16:43.160
<v Speaker 1>great was on the karaoke stage. Do you ever go

0:16:43.200 --> 0:16:45.840
<v Speaker 1>into like that? Do they have a guitar They have

0:16:45.840 --> 0:16:47.960
<v Speaker 1>a guitar Violence of car center they have those. They

0:16:48.040 --> 0:16:51.080
<v Speaker 1>don't you ever going to violent center just grab a

0:16:51.120 --> 0:16:53.880
<v Speaker 1>violin and not tell them that you're like super proficient

0:16:53.920 --> 0:16:58.360
<v Speaker 1>at violin. You know, violin shops are very they're very different.

0:16:58.400 --> 0:17:01.840
<v Speaker 1>They're not like a guitar center. They're like old houses

0:17:02.080 --> 0:17:05.560
<v Speaker 1>where there's just violins lining the walls and they're all

0:17:05.600 --> 0:17:09.040
<v Speaker 1>super old and like really cool and so but there's

0:17:09.040 --> 0:17:10.720
<v Speaker 1>all I had to say. It was a little bit

0:17:10.720 --> 0:17:13.040
<v Speaker 1>of a snobby community, so like I would think it

0:17:13.040 --> 0:17:16.240
<v Speaker 1>was a snobby it's snobby community. So like walking into

0:17:16.400 --> 0:17:19.240
<v Speaker 1>that kind of shop, you don't get mediocre players that

0:17:19.320 --> 0:17:21.280
<v Speaker 1>walk into a shop like that. You know what I'm saying.

0:17:21.560 --> 0:17:23.479
<v Speaker 1>Could I walk into one of those shops You're like, hey,

0:17:23.480 --> 0:17:25.680
<v Speaker 1>I'm really interested. Can I see the one year all violin?

0:17:26.080 --> 0:17:27.840
<v Speaker 1>Probably not. I wouldn't let me hold it. I mean

0:17:27.960 --> 0:17:30.560
<v Speaker 1>probably not. No, if you've never played, you know, they'd

0:17:30.560 --> 0:17:32.720
<v Speaker 1>be like, heck no, when I hear violin, I think

0:17:32.720 --> 0:17:36.359
<v Speaker 1>are really rich people, because like to me, that's a

0:17:38.359 --> 0:17:41.280
<v Speaker 1>did you grow up rich? No? Absolutely not. It was

0:17:41.320 --> 0:17:44.520
<v Speaker 1>actually Hue. That's why it took my parents so long.

0:17:44.560 --> 0:17:45.959
<v Speaker 1>You know, I begged when I was five years old

0:17:46.000 --> 0:17:47.760
<v Speaker 1>for lessons, and it wasn't until I was six that

0:17:47.840 --> 0:17:50.480
<v Speaker 1>they were like, I think, okay, you know most parents

0:17:50.520 --> 0:17:52.240
<v Speaker 1>are like, our child wants to play the violin, like

0:17:52.280 --> 0:17:54.679
<v Speaker 1>get him something, get him a violin. Um. But it

0:17:54.720 --> 0:17:58.119
<v Speaker 1>was such a sacrifice, Like my parents really were struggling

0:17:58.240 --> 0:18:00.960
<v Speaker 1>so much financially to make ends me. Like my mom

0:18:00.960 --> 0:18:03.000
<v Speaker 1>talks about how we couldn't afford sour cream, you know,

0:18:03.440 --> 0:18:05.720
<v Speaker 1>like every penny was accounted for and so it was

0:18:05.760 --> 0:18:09.520
<v Speaker 1>a huge sacrifice to rent this violin and pay for lessons.

0:18:09.560 --> 0:18:12.040
<v Speaker 1>And you know, my mom found a student, a college

0:18:12.040 --> 0:18:14.120
<v Speaker 1>student that was willing to teach me every other week

0:18:14.160 --> 0:18:16.600
<v Speaker 1>for only fifteen minutes, because that's all she could afford.

0:18:16.880 --> 0:18:19.320
<v Speaker 1>But I think because of that, I knew it was

0:18:19.359 --> 0:18:21.959
<v Speaker 1>a sacrifice. And I knew as a child that if

0:18:22.000 --> 0:18:24.720
<v Speaker 1>I did not practice, the lessons were going to go away.

0:18:24.760 --> 0:18:26.960
<v Speaker 1>They weren't. You know, it wasn't a casual thing, and

0:18:27.000 --> 0:18:29.840
<v Speaker 1>my parents told me that, and um, so I think

0:18:29.880 --> 0:18:32.000
<v Speaker 1>that's part of the reason that I was diligent with

0:18:32.040 --> 0:18:34.680
<v Speaker 1>it as a child. When we were doing Dancing with

0:18:34.720 --> 0:18:36.400
<v Speaker 1>the Stars and we just had a week, not even

0:18:36.400 --> 0:18:40.200
<v Speaker 1>a week, four days, we were working together. We would

0:18:40.240 --> 0:18:41.720
<v Speaker 1>train and this is all going to come back, but

0:18:41.760 --> 0:18:43.600
<v Speaker 1>we were trained together. And then I would have to

0:18:43.600 --> 0:18:46.720
<v Speaker 1>go to work. But people working on the set would

0:18:46.720 --> 0:18:49.199
<v Speaker 1>text me and go, hey, Lindsey still here practicing, and

0:18:49.240 --> 0:18:51.719
<v Speaker 1>she's by herself, by myself, and she's over in the

0:18:51.720 --> 0:18:53.359
<v Speaker 1>corner and she hasn't left, and it's and I would

0:18:53.359 --> 0:18:54.960
<v Speaker 1>be at the studio for two three hours and I

0:18:55.000 --> 0:18:56.879
<v Speaker 1>would get a text like they said, Lindsay hasn't left,

0:18:56.960 --> 0:18:59.680
<v Speaker 1>and we would do split practices where I'd practice all day,

0:19:00.000 --> 0:19:01.720
<v Speaker 1>would do radio, and then I would go back in

0:19:01.760 --> 0:19:03.840
<v Speaker 1>the evening and you would rejoin, but except you never

0:19:03.920 --> 0:19:08.000
<v Speaker 1>stopped practicing. And what a lot of people would see

0:19:08.000 --> 0:19:11.560
<v Speaker 1>in you on the surface is oh wow, she's so talented,

0:19:11.760 --> 0:19:14.760
<v Speaker 1>like how great she It just must all come so easily.

0:19:15.040 --> 0:19:18.480
<v Speaker 1>Myself included, if I'm being completely transparent, I thought, oh wow,

0:19:18.480 --> 0:19:21.040
<v Speaker 1>it must be nice to just have that and this

0:19:21.040 --> 0:19:25.119
<v Speaker 1>this innate ability to hear and be good at something. However,

0:19:25.480 --> 0:19:27.840
<v Speaker 1>what I saw, and just the dancing thing, is that

0:19:28.119 --> 0:19:33.400
<v Speaker 1>you work and harden a lot. Yes, So where does

0:19:33.440 --> 0:19:36.400
<v Speaker 1>that work ethic come from? How was that instilled in you? What?

0:19:36.400 --> 0:19:41.480
<v Speaker 1>What was it? You know? I I'm not quite sure where.

0:19:41.520 --> 0:19:44.240
<v Speaker 1>My parents always really instilled in us, like a value

0:19:44.280 --> 0:19:46.399
<v Speaker 1>of work. Since we were kids, we had to earn

0:19:46.520 --> 0:19:48.840
<v Speaker 1>things if we wanted them, like I said, because my

0:19:48.920 --> 0:19:51.720
<v Speaker 1>parents didn't have money to just like give us things.

0:19:51.760 --> 0:19:53.760
<v Speaker 1>It was something where like I mean, I started my

0:19:53.840 --> 0:19:57.440
<v Speaker 1>first business when I was like a kid, selling cookies,

0:19:57.520 --> 0:19:59.440
<v Speaker 1>and or my my friend and I started doing a

0:19:59.480 --> 0:20:01.680
<v Speaker 1>business where passed out business card. We were called the

0:20:01.720 --> 0:20:04.160
<v Speaker 1>ready to work Girls, and we would offer to clean

0:20:04.240 --> 0:20:07.199
<v Speaker 1>people's houses like when we were kids and we had

0:20:07.280 --> 0:20:10.520
<v Speaker 1>business cards like as little children, and people thought it

0:20:10.560 --> 0:20:12.879
<v Speaker 1>was so cute, But you know, that's how I earned

0:20:13.040 --> 0:20:16.880
<v Speaker 1>money for anything I wanted, um, outside of just like

0:20:17.280 --> 0:20:19.840
<v Speaker 1>your two outfits for school that year, you know. And

0:20:19.920 --> 0:20:21.639
<v Speaker 1>so I think it from a very young age, I

0:20:21.720 --> 0:20:24.200
<v Speaker 1>just had instilled in me that you know, life takes

0:20:24.200 --> 0:20:27.879
<v Speaker 1>work and um. And I think that's what I attribute

0:20:27.920 --> 0:20:31.520
<v Speaker 1>to like all my success is I'm honestly, I wasn't

0:20:31.600 --> 0:20:34.680
<v Speaker 1>the most talented violinist. It's just that I've put in

0:20:34.840 --> 0:20:37.199
<v Speaker 1>the hours. And same with Dancing with the Stars, like

0:20:37.480 --> 0:20:39.560
<v Speaker 1>Mark and I were the last to leave the studio

0:20:39.720 --> 0:20:42.800
<v Speaker 1>almost every single night. We put in the time. He

0:20:42.840 --> 0:20:45.960
<v Speaker 1>worked with me relentlessly, and you know, because that was

0:20:46.000 --> 0:20:48.520
<v Speaker 1>the first time I'd ever had dance training, and not

0:20:48.560 --> 0:20:50.160
<v Speaker 1>only did I want to do well in the show,

0:20:50.720 --> 0:20:52.760
<v Speaker 1>but I'd wanted to dance since I was a kid.

0:20:53.040 --> 0:20:54.879
<v Speaker 1>You know. My parents actually took me to a violin

0:20:54.960 --> 0:20:57.480
<v Speaker 1>lesson and a dance class because I asked for both

0:20:57.760 --> 0:20:59.720
<v Speaker 1>when I was a child and they were like, you

0:20:59.760 --> 0:21:02.760
<v Speaker 1>gotta choose one, like we can't afford both. And so

0:21:02.760 --> 0:21:04.520
<v Speaker 1>when I was on Dancing with the Stars, it was

0:21:04.560 --> 0:21:07.280
<v Speaker 1>the first time like something I wanted to learn my

0:21:07.320 --> 0:21:09.159
<v Speaker 1>whole life. I was getting a chance to learn from

0:21:09.200 --> 0:21:12.240
<v Speaker 1>one of the best ballroom teachers in the world. You know,

0:21:12.320 --> 0:21:14.639
<v Speaker 1>for however much time I wanted to put in and

0:21:14.680 --> 0:21:16.879
<v Speaker 1>I didn't take that for granted. I wanted to be

0:21:17.000 --> 0:21:19.560
<v Speaker 1>as good as I could possibly be. Yeah, that's interesting,

0:21:19.560 --> 0:21:22.000
<v Speaker 1>And that was a realization to me. Watching you work

0:21:22.240 --> 0:21:25.720
<v Speaker 1>was that I was wrong. I judged wrong and unfairly

0:21:26.080 --> 0:21:30.720
<v Speaker 1>because you're good. But I watched you work to be great,

0:21:31.680 --> 0:21:34.520
<v Speaker 1>and I thought that was pretty cool, Like like really,

0:21:34.520 --> 0:21:36.680
<v Speaker 1>I was like, I was like, that's cool. Like she

0:21:36.680 --> 0:21:39.000
<v Speaker 1>she's very gritty. I think that's what I told me,

0:21:39.600 --> 0:21:43.920
<v Speaker 1>You're very gritty. You grew up where Gilbert, Arizona. What's

0:21:43.920 --> 0:21:47.879
<v Speaker 1>Gilbert Arizona About Gilbert Arizona. It changed so much since

0:21:47.920 --> 0:21:50.600
<v Speaker 1>I grew up there. But when I, you know, I

0:21:50.760 --> 0:21:53.600
<v Speaker 1>was a child, it was full of corn fields and

0:21:53.640 --> 0:21:56.280
<v Speaker 1>cotton fields and dairy farms. And to this day, the

0:21:56.280 --> 0:22:02.960
<v Speaker 1>smell of cowmaneure was like my childhood home. Your neighbors cows, Yes,

0:22:03.240 --> 0:22:05.919
<v Speaker 1>my neighbors had cows. We had chickens and horses in

0:22:05.960 --> 0:22:10.439
<v Speaker 1>my backyard, and you know, we gardened. We went picked corn,

0:22:10.600 --> 0:22:13.520
<v Speaker 1>you know, in the cornfield, Like I was a little

0:22:13.560 --> 0:22:16.080
<v Speaker 1>country bumpkind. We like to play in the ditch for fun.

0:22:16.200 --> 0:22:18.280
<v Speaker 1>Like That's what I did as a kid, and I

0:22:18.320 --> 0:22:21.440
<v Speaker 1>wouldn't trade that childhood for anything like one. It taught

0:22:21.440 --> 0:22:23.760
<v Speaker 1>me to be kind of gritty and like getting the

0:22:23.840 --> 0:22:26.520
<v Speaker 1>mud and make things happen, you know. And uh. At

0:22:26.560 --> 0:22:29.439
<v Speaker 1>the same time, though, um, it's crazy how much it's

0:22:29.480 --> 0:22:31.760
<v Speaker 1>changed now. It's like a booming city. It's it's almost

0:22:31.760 --> 0:22:33.360
<v Speaker 1>like I don't even recognize it when I go home.

0:22:33.400 --> 0:22:34.760
<v Speaker 1>But it was a great way to be a kid.

0:22:34.920 --> 0:22:37.000
<v Speaker 1>Your mom still in Gilbert, My mom is still there,

0:22:38.280 --> 0:22:41.879
<v Speaker 1>same house. Yeah, do you have Is your bedroom still

0:22:41.920 --> 0:22:45.000
<v Speaker 1>the same? You know? It's funny my bedroom is the

0:22:45.040 --> 0:22:47.680
<v Speaker 1>only one that's still the same because my mom has

0:22:47.760 --> 0:22:50.840
<v Speaker 1>kept our rooms until the kids getting married and then

0:22:50.880 --> 0:22:52.720
<v Speaker 1>she'll like like she's like, I always want you to

0:22:52.760 --> 0:22:55.000
<v Speaker 1>feel like you have a home until you, you know,

0:22:55.400 --> 0:22:57.400
<v Speaker 1>have your own family and build your own home. But

0:22:57.480 --> 0:23:00.240
<v Speaker 1>so my room is the only one left. Do you

0:23:00.240 --> 0:23:02.440
<v Speaker 1>sleep in it when you go home? I do? And

0:23:02.480 --> 0:23:04.359
<v Speaker 1>do you have posters up of John the Taylor Thomas?

0:23:05.320 --> 0:23:09.639
<v Speaker 1>Those those did get taken down Okay, so you grew

0:23:09.720 --> 0:23:12.200
<v Speaker 1>up in Gilbert, Arizona, and you go to college for

0:23:12.240 --> 0:23:14.760
<v Speaker 1>a bit. Um I did. I went to by U

0:23:15.000 --> 0:23:20.199
<v Speaker 1>and graduated by U, the whole thing. Yeah, you finished

0:23:20.200 --> 0:23:21.800
<v Speaker 1>school and you think, what do you want? What are

0:23:21.800 --> 0:23:24.359
<v Speaker 1>you gonna go do? What's the idea? Well, by the

0:23:24.400 --> 0:23:27.679
<v Speaker 1>time I finished school, I had you know, I started

0:23:27.680 --> 0:23:29.960
<v Speaker 1>out as a film major, studying film, wanting to be

0:23:30.000 --> 0:23:32.280
<v Speaker 1>a director, and you know, I loved it, but I

0:23:32.359 --> 0:23:34.800
<v Speaker 1>just didn't feel right. So I ended up switching degrees

0:23:34.840 --> 0:23:38.560
<v Speaker 1>halfway through and becoming a recreational therapist is what I

0:23:38.560 --> 0:23:40.080
<v Speaker 1>wanted to be. Wait, what is that? What is the

0:23:40.080 --> 0:23:42.879
<v Speaker 1>recreational therapist? Oh, it's the best thing ever. I wanted

0:23:42.920 --> 0:23:45.840
<v Speaker 1>to work with troubled teenagers and treatment centers, and you're

0:23:45.880 --> 0:23:48.600
<v Speaker 1>the person that plans all of their activities. But like,

0:23:49.080 --> 0:23:51.439
<v Speaker 1>for example, you would do maybe an art project, but

0:23:51.480 --> 0:23:53.520
<v Speaker 1>you're getting the girls or the you know, the kids

0:23:53.560 --> 0:23:56.959
<v Speaker 1>to express their emotions and their feelings through a painting,

0:23:57.000 --> 0:23:59.920
<v Speaker 1>because sometimes these kids don't want to express it verb

0:24:00.160 --> 0:24:02.520
<v Speaker 1>or they just can't. But it was amazing how much

0:24:02.560 --> 0:24:04.080
<v Speaker 1>they would open up when you get them to do it,

0:24:04.119 --> 0:24:06.639
<v Speaker 1>either artistically or get them outside on a horse, or

0:24:06.680 --> 0:24:10.840
<v Speaker 1>get them rock climbing, and you know, comparing climbing a

0:24:10.840 --> 0:24:13.440
<v Speaker 1>wall to like climbing over the challenges, it's like making

0:24:13.440 --> 0:24:15.800
<v Speaker 1>it physical for them. So you want to do that.

0:24:16.440 --> 0:24:20.119
<v Speaker 1>But you finished school with a degree and recreational so

0:24:20.320 --> 0:24:23.480
<v Speaker 1>I could be a recreational therapist. But then you go, Okay,

0:24:23.480 --> 0:24:25.480
<v Speaker 1>I really don't want to do that either. Yeah, it

0:24:25.600 --> 0:24:28.520
<v Speaker 1>was my last year in school I realized I was like,

0:24:28.600 --> 0:24:30.879
<v Speaker 1>you know, what's all I thought about was music. I

0:24:30.880 --> 0:24:34.280
<v Speaker 1>had finally kind of discovered my voice, you know, I had,

0:24:34.480 --> 0:24:36.520
<v Speaker 1>like I said, decided not to study music, but I

0:24:36.560 --> 0:24:39.240
<v Speaker 1>didn't ever stop playing. I kept playing with bands or

0:24:39.280 --> 0:24:42.679
<v Speaker 1>writing music and you know, trying out all these different styles.

0:24:42.800 --> 0:24:45.600
<v Speaker 1>And I didn't know what I wanted to be. I

0:24:45.680 --> 0:24:48.080
<v Speaker 1>just knew I was excited about music and wanted to

0:24:48.400 --> 0:24:51.359
<v Speaker 1>kind of reinvigorate my passion. And once I found like

0:24:51.440 --> 0:24:55.159
<v Speaker 1>a sound that I loved, I was obsessed again, like

0:24:55.200 --> 0:24:56.800
<v Speaker 1>the way I was when I was six years old

0:24:56.840 --> 0:24:58.840
<v Speaker 1>and I first held that cereal box, like I was

0:24:59.560 --> 0:25:02.280
<v Speaker 1>consume by it and in like a really cool way,

0:25:02.320 --> 0:25:04.920
<v Speaker 1>the way that I hadn't felt in years. And so

0:25:04.960 --> 0:25:08.159
<v Speaker 1>I was just basically trying to finish school because I

0:25:08.200 --> 0:25:09.719
<v Speaker 1>was like, I'm the kind of person I was, like,

0:25:09.760 --> 0:25:11.920
<v Speaker 1>I paid for my own college. I put myself through

0:25:11.920 --> 0:25:14.320
<v Speaker 1>college while while working, and I was like, I'm not

0:25:14.320 --> 0:25:16.480
<v Speaker 1>going to not get this degree that I am so

0:25:16.520 --> 0:25:18.760
<v Speaker 1>close to. So it's almost like I was walking two

0:25:18.840 --> 0:25:21.119
<v Speaker 1>very different paths that we're getting farther and farther apart,

0:25:21.160 --> 0:25:23.439
<v Speaker 1>as I was trying to start a music career but

0:25:23.480 --> 0:25:26.679
<v Speaker 1>also trying to finish school and um. But so by

0:25:26.680 --> 0:25:29.119
<v Speaker 1>the time I finished school, I had already started a

0:25:29.160 --> 0:25:31.560
<v Speaker 1>YouTube channel, and I had already like I was already

0:25:31.560 --> 0:25:34.000
<v Speaker 1>planning my first or I think I was about to

0:25:34.000 --> 0:25:36.960
<v Speaker 1>start planning my first ever tour. The YouTube thing is

0:25:37.000 --> 0:25:40.399
<v Speaker 1>so interesting to me because like you're a real life

0:25:41.160 --> 0:25:45.600
<v Speaker 1>like you thrived in new YouTube, yes, like when YouTube

0:25:45.680 --> 0:25:51.800
<v Speaker 1>really was launching people into their desired area. Like you're

0:25:51.920 --> 0:25:57.200
<v Speaker 1>one of those people who figured out YouTube early. Thank heavens,

0:25:57.400 --> 0:25:59.040
<v Speaker 1>you know, sometimes you're in the right place at the

0:25:59.160 --> 0:26:02.680
<v Speaker 1>right time. And thankfully I met um Devin Graham, who's

0:26:02.680 --> 0:26:07.280
<v Speaker 1>a cinematographer who has a YouTube channel, and he saw

0:26:07.320 --> 0:26:09.280
<v Speaker 1>what I was doing. He had seen I had posted

0:26:09.280 --> 0:26:12.040
<v Speaker 1>one video on YouTube solely to get it to the

0:26:12.080 --> 0:26:14.440
<v Speaker 1>Ellen show like. I posted it and then sent them

0:26:14.440 --> 0:26:15.720
<v Speaker 1>a link. But the only way I knew how to

0:26:15.760 --> 0:26:17.600
<v Speaker 1>get it to them was by putting it on this

0:26:17.640 --> 0:26:20.840
<v Speaker 1>thing called YouTube. And that video went viral for lack

0:26:20.840 --> 0:26:24.440
<v Speaker 1>of a better term. I have since taken it down.

0:26:26.080 --> 0:26:28.680
<v Speaker 1>It's still survived. Someone else put it up, of course,

0:26:28.680 --> 0:26:31.240
<v Speaker 1>as all things do on the internet. Um it's so bad.

0:26:31.400 --> 0:26:35.080
<v Speaker 1>It's um me dancing to the black Eyed peas pump

0:26:35.119 --> 0:26:37.600
<v Speaker 1>it while playing the violin. It was the first time

0:26:37.640 --> 0:26:39.640
<v Speaker 1>I really was like, I mean, and the funny thing

0:26:39.760 --> 0:26:42.040
<v Speaker 1>is is now people look at me and I'm I'm

0:26:42.040 --> 0:26:44.359
<v Speaker 1>a dancer. Now you know. I've I've taught myself to

0:26:44.520 --> 0:26:47.440
<v Speaker 1>dance and after Dancing with the Stars, escalated myself quite

0:26:47.440 --> 0:26:49.920
<v Speaker 1>a bit even further. But at the time I'd never

0:26:50.200 --> 0:26:53.080
<v Speaker 1>tried to dance, so it was like it was like

0:26:53.119 --> 0:26:55.119
<v Speaker 1>as if you were like, oh, go out there and

0:26:55.160 --> 0:26:58.040
<v Speaker 1>play football, Lindsay, it's the same thing. I was a

0:26:58.160 --> 0:27:01.119
<v Speaker 1>terrible dancer, but I just really this idea and I

0:27:01.200 --> 0:27:03.240
<v Speaker 1>was like, if I could dance and play the violin,

0:27:03.320 --> 0:27:06.720
<v Speaker 1>no one's doing that and it would be so cool. Um.

0:27:06.800 --> 0:27:09.479
<v Speaker 1>So I posted this video where I played over the

0:27:09.520 --> 0:27:11.800
<v Speaker 1>actual black Eyed piece pump at track like this little

0:27:11.880 --> 0:27:13.920
<v Speaker 1>violent line I wrote, and I'm dancing my little heart

0:27:13.920 --> 0:27:15.600
<v Speaker 1>out in my living room and it is so bad.

0:27:15.880 --> 0:27:18.560
<v Speaker 1>See if you can find it, Mike this Google it's

0:27:18.760 --> 0:27:21.040
<v Speaker 1>let see Lindsay Sterling pump. It would probably come up.

0:27:21.040 --> 0:27:22.440
<v Speaker 1>But I don't know why I'm telling you this. It's

0:27:22.840 --> 0:27:26.320
<v Speaker 1>it's hilarious because it's one of those things where it's like, wow,

0:27:26.760 --> 0:27:29.320
<v Speaker 1>come along way and it went viral. What was viral

0:27:29.359 --> 0:27:31.679
<v Speaker 1>back then? So that's the funny thing. Back then viral

0:27:31.760 --> 0:27:34.359
<v Speaker 1>was it got about half a million views, which is

0:27:34.480 --> 0:27:37.199
<v Speaker 1>a lot for the time, Like this was two thousand

0:27:37.160 --> 0:27:39.760
<v Speaker 1>and seven, I think when I put it up, and

0:27:40.040 --> 0:27:41.760
<v Speaker 1>you know, that was a massive amount of views. I

0:27:41.760 --> 0:27:44.960
<v Speaker 1>remember everyone, all my friends being like, what, you're like famous,

0:27:46.080 --> 0:27:48.399
<v Speaker 1>You've got you know, half a million views on this video.

0:27:48.440 --> 0:27:50.719
<v Speaker 1>And I didn't even understand yet that YouTube was like

0:27:50.840 --> 0:27:52.800
<v Speaker 1>a thing that was like I didn't understand that you

0:27:52.840 --> 0:27:54.439
<v Speaker 1>could have your own channel. I just thought, oh, I

0:27:54.480 --> 0:27:56.840
<v Speaker 1>posted a video and like now what And so I

0:27:56.840 --> 0:28:01.119
<v Speaker 1>didn't even touch it for a while until I realized, um, oh,

0:28:01.400 --> 0:28:04.000
<v Speaker 1>this is where you can like I started to realize

0:28:04.000 --> 0:28:06.760
<v Speaker 1>there were all these other people with platforms with fans

0:28:06.880 --> 0:28:09.960
<v Speaker 1>that like subscribe to them and wanted to see more.

0:28:10.040 --> 0:28:14.000
<v Speaker 1>And these people were celebrities by playing videos online. And

0:28:14.040 --> 0:28:15.680
<v Speaker 1>at this time, I've been going to all these record

0:28:15.760 --> 0:28:17.639
<v Speaker 1>labels trying to get people to believe in my stuff,

0:28:17.720 --> 0:28:20.040
<v Speaker 1>trying to get people to like think that I was cool,

0:28:20.119 --> 0:28:23.320
<v Speaker 1>and nobody saw the vision at all. And suddenly there

0:28:23.400 --> 0:28:26.640
<v Speaker 1>was this world without gatekeepers, where you put it up

0:28:26.840 --> 0:28:30.080
<v Speaker 1>and if people like it, they share it. And that's

0:28:30.320 --> 0:28:33.200
<v Speaker 1>where my career was born. Is it called Lindsay hip

0:28:33.240 --> 0:28:37.440
<v Speaker 1>hop violin? Oh? It probably? Is it a black and white?

0:28:40.600 --> 0:28:44.120
<v Speaker 1>I think the sugar poem Faery song is playing. I

0:28:44.120 --> 0:28:47.719
<v Speaker 1>think there's still the album's playing. This is in our

0:28:47.760 --> 0:28:51.560
<v Speaker 1>studio we're working on okay. I think we'll probably have

0:28:51.600 --> 0:28:53.600
<v Speaker 1>two roll in here on the computer. This is an

0:28:53.600 --> 0:28:56.640
<v Speaker 1>our computer. Give us a break here, Lindsey startling. I'm

0:28:56.880 --> 0:29:02.200
<v Speaker 1>judging so hard, so hard. So it's black and white.

0:29:02.360 --> 0:29:06.040
<v Speaker 1>You look m M nineteen, Like, look at that outfit.

0:29:06.240 --> 0:29:09.040
<v Speaker 1>You're in cut off shorts, but no, it's cut off sweats.

0:29:09.040 --> 0:29:14.920
<v Speaker 1>It looks like tall black socks. Like my hair. Your

0:29:14.960 --> 0:29:18.600
<v Speaker 1>hair's kind of cool. You was my peacock hairstyle. Let

0:29:18.640 --> 0:29:26.480
<v Speaker 1>me hear this which one? Is this too bad? The

0:29:26.480 --> 0:29:29.360
<v Speaker 1>folks at home can't see. They can make up Lindsay

0:29:29.400 --> 0:29:32.480
<v Speaker 1>hip hop, Violin, Lessy Darling and you don't like this,

0:29:34.160 --> 0:29:40.720
<v Speaker 1>it's terrible. I mean, does that not bad to you? Mike?

0:29:41.200 --> 0:29:45.840
<v Speaker 1>Look pretty good to me, But they can't the dancing though,

0:29:46.000 --> 0:29:48.680
<v Speaker 1>the dancing is it looks just looks like it's So

0:29:48.960 --> 0:29:51.520
<v Speaker 1>that's better than what I do on National TV right now,

0:29:53.040 --> 0:29:55.600
<v Speaker 1>if that says anything. So you put this up? And

0:29:55.800 --> 0:29:57.960
<v Speaker 1>where are you shooting this? What room is this? This

0:29:58.040 --> 0:30:02.080
<v Speaker 1>is my college apartment. My roommate was pressing record on

0:30:02.120 --> 0:30:05.880
<v Speaker 1>the tripod for me, and yes, and that's the first one.

0:30:05.920 --> 0:30:07.040
<v Speaker 1>And you took it down. You don't want to leave

0:30:07.040 --> 0:30:10.200
<v Speaker 1>it up for the Smithsonian well partially actually the real

0:30:10.400 --> 0:30:12.840
<v Speaker 1>I am all about like, hey, people should know, Like

0:30:12.920 --> 0:30:15.000
<v Speaker 1>it's cool that people see where you came from, I think,

0:30:15.200 --> 0:30:17.560
<v Speaker 1>But I took it down for copyright purposes. I used

0:30:17.560 --> 0:30:20.720
<v Speaker 1>the actual Black Eyed Peas song, which now there used

0:30:20.720 --> 0:30:22.760
<v Speaker 1>to be a huge gray area and YouTube where you're like,

0:30:22.760 --> 0:30:25.280
<v Speaker 1>if I don't monetize it, it's okay, not okay anymore?

0:30:25.440 --> 0:30:28.080
<v Speaker 1>What's up now on this guy's channel? Yeah, but he's

0:30:28.120 --> 0:30:30.960
<v Speaker 1>not rack like he's not a YouTuber. He's like one

0:30:30.960 --> 0:30:33.640
<v Speaker 1>point three million views, but that's like, you know what

0:30:33.720 --> 0:30:36.240
<v Speaker 1>I mean, he's not a YouTube personality, like no one's

0:30:36.520 --> 0:30:41.000
<v Speaker 1>watching his anyway. He maybe now out of comments say

0:30:41.040 --> 0:30:42.880
<v Speaker 1>I love this, they should more should be like that

0:30:43.200 --> 0:30:46.080
<v Speaker 1>comment on that thing. Let me read someone says, Lindsay's

0:30:46.120 --> 0:30:48.040
<v Speaker 1>first video found out when I was in sixth grade,

0:30:48.320 --> 0:30:50.160
<v Speaker 1>and I loved it so much. So cool to see

0:30:50.160 --> 0:30:52.480
<v Speaker 1>she's so famous and producing such amazing work. Your fans

0:30:52.520 --> 0:30:54.080
<v Speaker 1>are hardcore too, by the way, and they're all from

0:30:54.120 --> 0:30:56.960
<v Speaker 1>all over the world, Like you tour all over the world.

0:30:57.520 --> 0:31:00.120
<v Speaker 1>Just so cool. Do you ever go to like Outh

0:31:00.160 --> 0:31:03.120
<v Speaker 1>America and tour like places like that? It's just different language,

0:31:03.160 --> 0:31:07.320
<v Speaker 1>completely different culture, absolutely, like we do South America. We've

0:31:07.320 --> 0:31:10.960
<v Speaker 1>gone to Eastern Europe and Russia and we've gotten to Asia.

0:31:11.360 --> 0:31:13.680
<v Speaker 1>And what is it like to go to somewhere like

0:31:13.800 --> 0:31:17.440
<v Speaker 1>Russia and you're playing music for people that you don't

0:31:17.480 --> 0:31:21.440
<v Speaker 1>speak the same language. Yeah, and but you still speak

0:31:21.480 --> 0:31:25.080
<v Speaker 1>the same language. And that's what's so cool about being

0:31:25.200 --> 0:31:28.760
<v Speaker 1>a most you know, nine pcent of my stuff is instrumental,

0:31:29.120 --> 0:31:30.680
<v Speaker 1>and so to be able to go to a place

0:31:30.760 --> 0:31:34.040
<v Speaker 1>and be able to have no language barrier in the music.

0:31:34.080 --> 0:31:36.400
<v Speaker 1>It's pretty cool and I think that's why I've done

0:31:36.520 --> 0:31:39.800
<v Speaker 1>so well on a global platform. Um. But also it's

0:31:39.840 --> 0:31:42.480
<v Speaker 1>just insane to me, Like, I never traveled. I'll be

0:31:42.560 --> 0:31:44.240
<v Speaker 1>you know, my family didn't have any money when I

0:31:44.280 --> 0:31:46.840
<v Speaker 1>was growing up, so I like, I didn't really leave Arizona.

0:31:47.200 --> 0:31:50.520
<v Speaker 1>And then suddenly, you know, I am in Europe on

0:31:50.640 --> 0:31:53.920
<v Speaker 1>tour and doing shows. And it was the weirdest thing.

0:31:54.000 --> 0:31:56.000
<v Speaker 1>That first tour in Europe. It was, you know, I

0:31:56.000 --> 0:31:57.520
<v Speaker 1>did a little tour in the US and then I

0:31:57.560 --> 0:32:00.440
<v Speaker 1>went straight to Europe and I just couldn't believe. I

0:32:00.480 --> 0:32:03.200
<v Speaker 1>would show up to a venue in Paris or France

0:32:03.280 --> 0:32:06.120
<v Speaker 1>or wherever, you know, wherever we were, people would be

0:32:06.240 --> 0:32:09.120
<v Speaker 1>there and they'd be like chanting my name in their accent,

0:32:09.200 --> 0:32:12.440
<v Speaker 1>you know, and say and I was like, this is insane.

0:32:12.720 --> 0:32:18.280
<v Speaker 1>Was that the crowd from Ratatu the movie sound? What

0:32:18.320 --> 0:32:22.920
<v Speaker 1>accent was that? That was? That's fresh? Lin say, so

0:32:22.960 --> 0:32:25.280
<v Speaker 1>you go to these places and they know your music,

0:32:25.360 --> 0:32:27.720
<v Speaker 1>but you don't speak the same language. What does a

0:32:27.840 --> 0:32:31.840
<v Speaker 1>show like because you're playing people don't areart singing along? Yeah,

0:32:31.920 --> 0:32:35.120
<v Speaker 1>my shows are very you know, and it depends on

0:32:35.160 --> 0:32:37.400
<v Speaker 1>the type of room we're playing, but especially now, like

0:32:37.440 --> 0:32:39.760
<v Speaker 1>they used to be much rowdier crowds because we'd play

0:32:39.800 --> 0:32:42.160
<v Speaker 1>small clubs and everybody's intimate, and they would they would

0:32:42.200 --> 0:32:46.720
<v Speaker 1>jump around and like around like kind of not like,

0:32:46.840 --> 0:32:49.080
<v Speaker 1>I mean, my fans aren't that intense, you know so

0:32:49.560 --> 0:32:53.200
<v Speaker 1>And also, but I realized the more I've you know,

0:32:53.280 --> 0:32:58.120
<v Speaker 1>expanded as an artist, my crowds are so strangely diverse,

0:32:58.400 --> 0:32:59.880
<v Speaker 1>like no one knows what to make of it. You

0:33:00.080 --> 0:33:02.480
<v Speaker 1>have an older elderly couple that have always loved the

0:33:02.600 --> 0:33:04.600
<v Speaker 1>violin that are there, and they're dressed up on nice

0:33:04.880 --> 0:33:07.800
<v Speaker 1>You've got your guys in French coats that are metaled

0:33:07.880 --> 0:33:11.400
<v Speaker 1>heads that think, oh she shreds, she's a shredder. You've

0:33:11.400 --> 0:33:14.200
<v Speaker 1>got your gamers, You've got your your teenage girls, your

0:33:14.240 --> 0:33:18.120
<v Speaker 1>little kids. Like it's the weirdest demographic. And so now

0:33:18.160 --> 0:33:21.600
<v Speaker 1>I do mostly seated venues because I want everyone to

0:33:21.600 --> 0:33:23.280
<v Speaker 1>be comfortable. I want the elderly couple to be able

0:33:23.280 --> 0:33:25.000
<v Speaker 1>to sit and enjoy. I want kids to not have

0:33:25.080 --> 0:33:28.280
<v Speaker 1>to like be holding you know, their parents holding them up.

0:33:28.320 --> 0:33:31.360
<v Speaker 1>And so I play very you know, seeded venues, and

0:33:31.400 --> 0:33:33.520
<v Speaker 1>my shows are very much people watch like they come

0:33:33.880 --> 0:33:36.640
<v Speaker 1>to watch. They're not usually cheering or chanting, like of

0:33:36.640 --> 0:33:39.640
<v Speaker 1>course they'll clap in between songs, but it's not like

0:33:39.680 --> 0:33:42.680
<v Speaker 1>a rowdy yeah yeah, yeah crowd. It's a very like

0:33:42.720 --> 0:33:45.240
<v Speaker 1>we're dancing. There's ballet in the show. There's like it's

0:33:45.840 --> 0:33:49.320
<v Speaker 1>it's a theatrical performance. If people talk during your show

0:33:49.320 --> 0:33:53.160
<v Speaker 1>to people go yes, I mean not if people are

0:33:53.160 --> 0:33:55.760
<v Speaker 1>talking a little bit, but if people are like talking loud, yeah,

0:33:55.800 --> 0:33:59.160
<v Speaker 1>the or like if some fans get really upset because

0:33:59.200 --> 0:34:01.480
<v Speaker 1>they want to stand up in like dance and people

0:34:01.480 --> 0:34:04.760
<v Speaker 1>are like sit down, sit down, you know, so I

0:34:04.800 --> 0:34:07.640
<v Speaker 1>and I feel bad. But it's like a lot of

0:34:07.680 --> 0:34:10.200
<v Speaker 1>the fans are there too, Like they're not there to party.

0:34:10.320 --> 0:34:14.799
<v Speaker 1>Some of them they're there to sit and watch. It's

0:34:14.880 --> 0:34:19.080
<v Speaker 1>like a rock and roll dance via listen. I haven't

0:34:19.120 --> 0:34:21.719
<v Speaker 1>been That's why I'm asking these questions. I've never seen

0:34:21.760 --> 0:34:24.919
<v Speaker 1>your show before, but I feel like, I mean, there's

0:34:24.920 --> 0:34:29.760
<v Speaker 1>so much energy. Oh, it's it's an energetic show. I mean, um,

0:34:29.880 --> 0:34:33.040
<v Speaker 1>the girl, my my dancers, and I like we are

0:34:33.440 --> 0:34:36.200
<v Speaker 1>probably drenched in sweat by the second song, like we are.

0:34:36.280 --> 0:34:39.080
<v Speaker 1>There's full choreography, the band, it's loud, it's very loud.

0:34:39.080 --> 0:34:42.319
<v Speaker 1>It's a rock show. But um, it's also like I

0:34:42.400 --> 0:34:46.120
<v Speaker 1>like to think of it, I love theatricality. I love costumes,

0:34:46.320 --> 0:34:49.040
<v Speaker 1>So there's all these costume changes. There's, like I said,

0:34:49.040 --> 0:34:52.680
<v Speaker 1>there's everything from lyrical dance numbers to like elements of

0:34:53.000 --> 0:34:57.200
<v Speaker 1>pop to ballet like point ballet, and so it's very diverse.

0:34:57.239 --> 0:34:59.839
<v Speaker 1>It's always moving their storytelling that happens in it through

0:34:59.840 --> 0:35:02.680
<v Speaker 1>the dancing and you know, and then through the visuals

0:35:02.760 --> 0:35:05.800
<v Speaker 1>on the screens. I try to create these different worlds

0:35:05.840 --> 0:35:08.120
<v Speaker 1>and it's very much a like I put a lot

0:35:08.160 --> 0:35:11.040
<v Speaker 1>of energy into not only the creation of the show,

0:35:11.080 --> 0:35:13.319
<v Speaker 1>but every single night on that stage, like we come

0:35:13.360 --> 0:35:18.319
<v Speaker 1>off exhausted. Okay, so you build YouTube, you put a

0:35:18.360 --> 0:35:20.040
<v Speaker 1>YouTube video up, it's on my screen in front of you.

0:35:20.600 --> 0:35:23.799
<v Speaker 1>It all kind of stems from that video, like not

0:35:23.840 --> 0:35:28.399
<v Speaker 1>all the work, but this the idea, this incarnation of

0:35:28.680 --> 0:35:32.400
<v Speaker 1>Lindsay Sterling the performer. When could you pay your bills

0:35:32.480 --> 0:35:37.640
<v Speaker 1>from getting YouTube streams? Um? I probably, Well, so this

0:35:37.760 --> 0:35:40.040
<v Speaker 1>video was I think two thousand seven is when I

0:35:40.040 --> 0:35:42.360
<v Speaker 1>put it up. And then honestly I took a huge

0:35:42.680 --> 0:35:44.640
<v Speaker 1>like I just didn't know what YouTube was and what

0:35:44.680 --> 0:35:46.200
<v Speaker 1>it could do. So it went viral, but I had

0:35:46.239 --> 0:35:48.879
<v Speaker 1>no idea what that actually meant. By the way, ever,

0:35:49.280 --> 0:35:53.400
<v Speaker 1>I never got on Ellen. Would be a thing for you,

0:35:53.520 --> 0:35:56.080
<v Speaker 1>like to go on Ellen. That'd be a huge thing

0:35:56.160 --> 0:35:57.920
<v Speaker 1>for me. It would be like the full one. It

0:35:57.920 --> 0:36:00.040
<v Speaker 1>would be one of the full circal moments, and I

0:36:00.080 --> 0:36:02.160
<v Speaker 1>love a good full stortle moment. But now I haven't

0:36:02.160 --> 0:36:07.439
<v Speaker 1>been on Ellen yet, which is funny because it's kind

0:36:07.480 --> 0:36:10.720
<v Speaker 1>of something that spurred the entire thing. So it's like someday,

0:36:10.960 --> 0:36:15.239
<v Speaker 1>so I'll get tell um, you post on YouTube videos. Yeah,

0:36:15.360 --> 0:36:17.440
<v Speaker 1>so I take a break and then um, I met

0:36:17.480 --> 0:36:20.480
<v Speaker 1>this cinematographer guy Devin Graham, who basically was like, you

0:36:20.520 --> 0:36:23.360
<v Speaker 1>would do really well on YouTube, and he taught a

0:36:23.440 --> 0:36:26.279
<v Speaker 1>YouTube like seminar, like a one night thing at b

0:36:26.480 --> 0:36:29.880
<v Speaker 1>y U where a bunch of filmmakers came and I

0:36:29.880 --> 0:36:32.160
<v Speaker 1>I had been kind of discouraged at this point because

0:36:32.200 --> 0:36:34.080
<v Speaker 1>I've been trying. I've been playing open mic nights and

0:36:34.239 --> 0:36:36.759
<v Speaker 1>doing these like things called NAKA showcases, which are for

0:36:36.840 --> 0:36:39.560
<v Speaker 1>like college shows, and flying around the country doing these

0:36:39.640 --> 0:36:42.360
<v Speaker 1>very thankless gigs, playing in college cafeterias. And I was like,

0:36:42.480 --> 0:36:44.560
<v Speaker 1>I just don't know how much longer I can do

0:36:44.600 --> 0:36:46.920
<v Speaker 1>this because nothing was changing. It was just everything was

0:36:46.960 --> 0:36:49.680
<v Speaker 1>the same. And then I went to this YouTube seminar

0:36:49.800 --> 0:36:52.640
<v Speaker 1>where for two hours I sat there and learned, like

0:36:52.719 --> 0:36:55.759
<v Speaker 1>he broke it down for you how you become a

0:36:56.040 --> 0:36:58.560
<v Speaker 1>good YouTube channel and how you became a YouTuber and

0:36:58.600 --> 0:37:01.320
<v Speaker 1>build fan bases. And I was, you know, when something

0:37:01.400 --> 0:37:05.400
<v Speaker 1>just feels so right. It felt so right, and I knew.

0:37:05.480 --> 0:37:07.160
<v Speaker 1>I even called my mom right after I left him,

0:37:07.200 --> 0:37:09.040
<v Speaker 1>like I figured it out. I'm going to be a

0:37:09.040 --> 0:37:13.319
<v Speaker 1>youtubert right, Yeah, she's gonna okay, that's really She was

0:37:13.320 --> 0:37:16.800
<v Speaker 1>excited because I was excited. My mom is so supportive. Um,

0:37:16.840 --> 0:37:19.560
<v Speaker 1>you know, but I, I like took notes feverishly and

0:37:19.560 --> 0:37:21.680
<v Speaker 1>I just I just knew. And I feel like you

0:37:21.719 --> 0:37:23.640
<v Speaker 1>got to trust that inner gut, like it'll tell you

0:37:23.680 --> 0:37:25.440
<v Speaker 1>sometimes when it's time to throw in the towel and

0:37:25.480 --> 0:37:28.160
<v Speaker 1>switch directions slightly, or when it's time too that's not

0:37:28.200 --> 0:37:31.279
<v Speaker 1>a good avenue. But this time I knew that this

0:37:31.360 --> 0:37:34.000
<v Speaker 1>was going to work, and so I tirelessly. I'm still

0:37:34.000 --> 0:37:35.920
<v Speaker 1>going to school at this point, and I'm just tirelessly

0:37:36.320 --> 0:37:39.640
<v Speaker 1>making all these YouTube videos and thank Heaven's I what

0:37:39.680 --> 0:37:41.360
<v Speaker 1>did I do with my first two years? Of college.

0:37:41.360 --> 0:37:44.040
<v Speaker 1>I went to film school, so I had all the

0:37:44.120 --> 0:37:46.920
<v Speaker 1>know how of how to you know, well, I also

0:37:47.000 --> 0:37:49.680
<v Speaker 1>had all these friends that could help me film the videos.

0:37:49.680 --> 0:37:51.280
<v Speaker 1>I knew how to edit, I knew how to produce,

0:37:51.320 --> 0:37:53.680
<v Speaker 1>I knew how to like do all of that, and

0:37:53.760 --> 0:37:57.280
<v Speaker 1>so I could make these really beautiful videos for nothing,

0:37:57.480 --> 0:38:00.160
<v Speaker 1>for free. And you know, at the time, I had

0:38:00.200 --> 0:38:02.919
<v Speaker 1>no money. And then it was probably about six months

0:38:02.920 --> 0:38:05.480
<v Speaker 1>after doing YouTube. It happened pretty fast that I was like, Okay,

0:38:05.480 --> 0:38:07.120
<v Speaker 1>I can quit my job and I can do this

0:38:07.160 --> 0:38:12.600
<v Speaker 1>full time. So if you're dependent on uploading content, what

0:38:12.840 --> 0:38:15.480
<v Speaker 1>kind of rules do you set with yourself? Like I

0:38:15.560 --> 0:38:18.520
<v Speaker 1>must have something up every week, I must have to

0:38:18.560 --> 0:38:20.760
<v Speaker 1>think of every two weeks because you gotta pay your mortgage,

0:38:20.760 --> 0:38:22.480
<v Speaker 1>you gotta pay your rent, you gotta pay your car payment.

0:38:23.000 --> 0:38:25.560
<v Speaker 1>Like the practical side of it, how much were you

0:38:25.680 --> 0:38:30.759
<v Speaker 1>creating and uploading so you could actually just survive? Um?

0:38:30.880 --> 0:38:34.760
<v Speaker 1>You know, I thankfully I had saved up some money,

0:38:34.840 --> 0:38:37.520
<v Speaker 1>so I wasn't like paycheck to paycheck anymore. At this

0:38:37.560 --> 0:38:41.680
<v Speaker 1>point I kept my job until I had a little cushion. Um.

0:38:41.719 --> 0:38:44.719
<v Speaker 1>And I've never I'm very unique in the YouTuber sense

0:38:44.760 --> 0:38:47.560
<v Speaker 1>because most YouTubers upload like every week. You know, they

0:38:47.560 --> 0:38:49.960
<v Speaker 1>have to in order to keep the content role and

0:38:50.040 --> 0:38:52.839
<v Speaker 1>keep their fans interested. Thankfully, you know, what you set

0:38:52.840 --> 0:38:55.360
<v Speaker 1>as a precedent on YouTube is what your fans expect.

0:38:55.400 --> 0:38:57.040
<v Speaker 1>I guess not even on YouTube in general as an

0:38:57.080 --> 0:38:59.760
<v Speaker 1>artist or as a personality, Like, whatever you set, people

0:39:00.040 --> 0:39:03.239
<v Speaker 1>are going to expect that from you. And thankfully I

0:39:03.320 --> 0:39:06.080
<v Speaker 1>always have done like kind of sparse videos. I used

0:39:06.120 --> 0:39:08.520
<v Speaker 1>to do one a month. Now, honestly, the last three years,

0:39:08.560 --> 0:39:12.479
<v Speaker 1>I've probably done, you know, maybe ten a year, which

0:39:12.600 --> 0:39:15.480
<v Speaker 1>is a lot for a musician that tours as much

0:39:15.520 --> 0:39:18.280
<v Speaker 1>as I do and writes original music and I produce

0:39:18.640 --> 0:39:21.200
<v Speaker 1>and I concept and direct all my own music videos,

0:39:21.200 --> 0:39:23.359
<v Speaker 1>so that's and edit them still, so that's a lot,

0:39:23.800 --> 0:39:26.880
<v Speaker 1>but for a YouTuber that's so little. Um But also

0:39:26.880 --> 0:39:29.520
<v Speaker 1>I always had a much bigger picture in my mind.

0:39:29.560 --> 0:39:32.279
<v Speaker 1>I never saw YouTube as the bread and butter for me.

0:39:32.320 --> 0:39:35.960
<v Speaker 1>It was wow when I put up my first YouTube video,

0:39:36.040 --> 0:39:38.520
<v Speaker 1>once I understood what YouTube was. By this time, I

0:39:38.560 --> 0:39:41.480
<v Speaker 1>had like three songs online that were original, that were mine,

0:39:41.480 --> 0:39:44.040
<v Speaker 1>that were my sound that I loved, and they hadn't sold.

0:39:44.080 --> 0:39:45.960
<v Speaker 1>They've been up there for months and no one had

0:39:45.960 --> 0:39:47.640
<v Speaker 1>bought them except for like my mom and you know,

0:39:47.719 --> 0:39:50.880
<v Speaker 1>my sisters, and that's about it. And so suddenly when

0:39:50.880 --> 0:39:53.640
<v Speaker 1>I put up this YouTube video, the first one after

0:39:53.760 --> 0:39:57.439
<v Speaker 1>the you know beloved black and White Black Eyed Peas video, um,

0:39:57.600 --> 0:40:00.239
<v Speaker 1>I saw the spike in the sales, and I like,

0:40:00.239 --> 0:40:03.160
<v Speaker 1>I get it. This is not about YouTube. YouTube is

0:40:03.200 --> 0:40:05.920
<v Speaker 1>like the you know, the ground, my playground, so that

0:40:05.920 --> 0:40:08.520
<v Speaker 1>people can go wherever I need them to go. That's

0:40:08.760 --> 0:40:10.760
<v Speaker 1>and I knew that's I wanted to get on tour.

0:40:10.960 --> 0:40:12.759
<v Speaker 1>That's kind of was the end goal for me, is

0:40:12.800 --> 0:40:15.320
<v Speaker 1>I want a tour, And so that was always what

0:40:15.360 --> 0:40:17.319
<v Speaker 1>I saw as how I sell tickets, how I sell

0:40:17.360 --> 0:40:19.600
<v Speaker 1>my music, how I sell everything is all based on

0:40:19.640 --> 0:40:22.719
<v Speaker 1>this YouTube channel. But outside of it is where I

0:40:22.840 --> 0:40:25.160
<v Speaker 1>make the cash to keep me afloat, because like I said,

0:40:25.200 --> 0:40:27.879
<v Speaker 1>I only make you know, eight to ten videos a year.

0:40:28.000 --> 0:40:29.600
<v Speaker 1>So when you get a check from YouTube, does it

0:40:29.640 --> 0:40:32.080
<v Speaker 1>come from YouTube? Say YouTube? I want to say on

0:40:32.080 --> 0:40:34.920
<v Speaker 1>the corner of the check, it's Google. I get a

0:40:34.960 --> 0:40:38.600
<v Speaker 1>Google check. Yeah, it's so it's from like Google Inc. Yeah, Google,

0:40:38.719 --> 0:40:41.880
<v Speaker 1>because it's Google that pay, like gets all those ads

0:40:41.880 --> 0:40:44.640
<v Speaker 1>and put them on your channel. And do they ads

0:40:44.680 --> 0:40:46.400
<v Speaker 1>have to be cleared by you like a certain kind

0:40:46.440 --> 0:40:48.759
<v Speaker 1>of ad. Um. I'm allowed to say what I don't

0:40:48.800 --> 0:40:50.640
<v Speaker 1>want on my channel, and every once while new one

0:40:50.680 --> 0:40:52.759
<v Speaker 1>pops up there like oh I don't want that, like

0:40:52.840 --> 0:40:55.000
<v Speaker 1>add that to the list. But you know, you're you're

0:40:55.120 --> 0:40:57.000
<v Speaker 1>basically allowed to say. You're not allowed to say what

0:40:57.080 --> 0:41:00.000
<v Speaker 1>kind of content is in the ad. But like from example,

0:41:00.080 --> 0:41:02.960
<v Speaker 1>I don't have alcohol ads on my channel or like

0:41:03.239 --> 0:41:06.759
<v Speaker 1>I think I asked for no Victoria's Secret ads like, um,

0:41:06.960 --> 0:41:09.759
<v Speaker 1>like farmers only dot com, Oh that's my favorite. Let

0:41:09.800 --> 0:41:13.520
<v Speaker 1>farmers absolutely. I mean I grew up on a farm.

0:41:14.719 --> 0:41:16.360
<v Speaker 1>You know, those are my people. I might meet someone

0:41:16.800 --> 0:41:20.560
<v Speaker 1>that's yeah, it was Okay, did you get on the

0:41:20.680 --> 0:41:22.880
<v Speaker 1>dating apps? Have you been on the dating apps? I

0:41:22.960 --> 0:41:25.520
<v Speaker 1>have been on the dating apps? Yeah? Yeah, I mean

0:41:25.560 --> 0:41:27.520
<v Speaker 1>I'm not like, I'm not super proud of it. But

0:41:27.680 --> 0:41:31.040
<v Speaker 1>why of it? That's the way people meet now, I know,

0:41:31.160 --> 0:41:35.759
<v Speaker 1>but they're so strange. They's so strange people. You can

0:41:35.760 --> 0:41:39.640
<v Speaker 1>meet anyone that's strange. Yeah, you can meet strange people anywhere.

0:41:39.719 --> 0:41:43.160
<v Speaker 1>But I just feel like the dating app culture. Okay,

0:41:43.200 --> 0:41:46.879
<v Speaker 1>here's what I don't like about the dating is it's

0:41:46.880 --> 0:41:49.880
<v Speaker 1>created the most flaky dating or culture in general, but

0:41:50.000 --> 0:41:54.200
<v Speaker 1>in dating specifically, like you know, people like barely talk

0:41:54.280 --> 0:41:56.879
<v Speaker 1>on them, like you message someone, and half the time

0:41:56.920 --> 0:42:00.160
<v Speaker 1>they don't even message back because there's endless option of

0:42:00.239 --> 0:42:04.640
<v Speaker 1>people that they swiped through. And so like someone you'll

0:42:04.680 --> 0:42:06.200
<v Speaker 1>be talking to an all of a sudden they disappear

0:42:06.239 --> 0:42:08.640
<v Speaker 1>and it's like, oh, they probably found someone hotter. Okay,

0:42:09.360 --> 0:42:12.719
<v Speaker 1>how would someone meet you, because they're probably listening. How

0:42:13.040 --> 0:42:21.240
<v Speaker 1>how would i um? I like to go and hikes.

0:42:21.280 --> 0:42:23.520
<v Speaker 1>I'll either be playing the violin amongst some trees or

0:42:23.560 --> 0:42:25.560
<v Speaker 1>I'll be hiking. I was watching this video where you're

0:42:25.560 --> 0:42:30.000
<v Speaker 1>in Alaska on a glacier. Yeah, that's my newest one.

0:42:30.040 --> 0:42:31.360
<v Speaker 1>How do you First of all, what's the name of

0:42:31.360 --> 0:42:34.600
<v Speaker 1>the video? It's called I Wonder As I Wander. I

0:42:34.640 --> 0:42:38.160
<v Speaker 1>wonder as I wanted some whimsical right now, how did

0:42:38.160 --> 0:42:40.680
<v Speaker 1>you get on a glacier? So this was actually a

0:42:40.680 --> 0:42:44.879
<v Speaker 1>crazy story. I in the middle of our tour, we

0:42:44.880 --> 0:42:46.759
<v Speaker 1>were able to book a show in Alaska, So we

0:42:46.800 --> 0:42:49.360
<v Speaker 1>had a show, flew on a plane to Alaska, and

0:42:49.400 --> 0:42:51.680
<v Speaker 1>we basically had thirty hours on the ground before we

0:42:51.719 --> 0:42:53.960
<v Speaker 1>had to get back to our next show, which was

0:42:54.000 --> 0:42:55.959
<v Speaker 1>in l A. So it's tiny little window of time.

0:42:56.239 --> 0:42:59.160
<v Speaker 1>But I was like, I'm flying all the way to Alaska, like,

0:42:59.239 --> 0:43:01.719
<v Speaker 1>and I knew I had to film this Christmas video,

0:43:01.800 --> 0:43:03.520
<v Speaker 1>so I was like, I have to film on a glacier.

0:43:04.239 --> 0:43:07.560
<v Speaker 1>So basically I got off the stage from this um

0:43:07.640 --> 0:43:09.959
<v Speaker 1>we played the Alaska State Fair, and I jumped straight

0:43:09.960 --> 0:43:11.840
<v Speaker 1>out the stage into a van. I did my makeup

0:43:11.880 --> 0:43:15.400
<v Speaker 1>in the van, jumped onto a helicopter. You know, I

0:43:15.480 --> 0:43:18.319
<v Speaker 1>changed in the bathroom of the helicopter pad into this

0:43:18.400 --> 0:43:21.800
<v Speaker 1>like huge head dress and whimsical outfit, and then flew

0:43:21.840 --> 0:43:24.120
<v Speaker 1>on a helicopter and they dropped me off a glacier

0:43:24.160 --> 0:43:26.960
<v Speaker 1>with my camera guy. That's crazy, And like, I mean,

0:43:27.000 --> 0:43:30.040
<v Speaker 1>I'm wearing snowshoes like chains on my feet to hike

0:43:30.120 --> 0:43:34.440
<v Speaker 1>from location to location as we're filming this, because we

0:43:34.480 --> 0:43:37.359
<v Speaker 1>had several spots we wanted to film on, and like

0:43:37.400 --> 0:43:40.800
<v Speaker 1>we were jumping over little glacial streams, climbing up glacial hills,

0:43:40.880 --> 0:43:43.160
<v Speaker 1>like me doing this all in this head dress and

0:43:43.200 --> 0:43:49.640
<v Speaker 1>this very very flimsy dress was freezing. Now I wonder,

0:43:49.719 --> 0:43:52.880
<v Speaker 1>as I wonder, It's on the deluxe edition of Lendy's

0:43:52.920 --> 0:43:55.840
<v Speaker 1>Christmas album Warmer in the Winter, So what's up with

0:43:55.840 --> 0:44:00.560
<v Speaker 1>the deluxe? So you put more songs? I did? I

0:44:00.600 --> 0:44:03.040
<v Speaker 1>think five new tracks on this album. That's what makes

0:44:03.080 --> 0:44:07.920
<v Speaker 1>it deluxe. That's so this is one of the new songs,

0:44:08.120 --> 0:44:10.240
<v Speaker 1>This is I, which turned into I think my favorite

0:44:10.239 --> 0:44:15.920
<v Speaker 1>song on the album. Actually, now you're wearing an outfit,

0:44:15.960 --> 0:44:19.960
<v Speaker 1>it's like why it's like you're you look like a

0:44:20.040 --> 0:44:22.400
<v Speaker 1>Native American American. It's about to get married and on

0:44:22.440 --> 0:44:25.520
<v Speaker 1>a glacier. It's crazy. It's kind of it's a who

0:44:25.640 --> 0:44:28.440
<v Speaker 1>is this your idea? This outfit? I actually styled this

0:44:28.560 --> 0:44:31.439
<v Speaker 1>video myself. I sewed some of it and I bought

0:44:31.480 --> 0:44:34.520
<v Speaker 1>the rest of it off of Etsy, like a piece

0:44:34.600 --> 0:44:36.480
<v Speaker 1>it together, you know, about a body suit here, so

0:44:36.600 --> 0:44:39.680
<v Speaker 1>to skirt, bought a head dress here. So you do

0:44:39.719 --> 0:44:42.680
<v Speaker 1>it all, huh. I love doing it all, Like the

0:44:42.719 --> 0:44:45.160
<v Speaker 1>whole process is why I love that I get to

0:44:45.160 --> 0:44:47.920
<v Speaker 1>make these like small productions, you know, because I can

0:44:48.040 --> 0:44:51.200
<v Speaker 1>do it all. Are you so busy all the time? Yeah,

0:44:51.239 --> 0:44:54.200
<v Speaker 1>I'm pretty busy, But I like it that way because

0:44:54.200 --> 0:44:56.640
<v Speaker 1>I'm doing things that I like. I don't have to

0:44:56.640 --> 0:44:59.760
<v Speaker 1>style my own videos myself, but sometimes I just enjoy

0:44:59.800 --> 0:45:02.160
<v Speaker 1>it and I think it's important to do the things,

0:45:02.600 --> 0:45:04.319
<v Speaker 1>not only that are going to be successful, but do

0:45:04.400 --> 0:45:06.640
<v Speaker 1>them in a way that I started, Like why did

0:45:06.680 --> 0:45:08.680
<v Speaker 1>I start doing this? Because I loved costume design, I

0:45:08.719 --> 0:45:11.120
<v Speaker 1>love making videos, I loved editing them. So people are

0:45:11.160 --> 0:45:12.880
<v Speaker 1>always telling me like, Okay, someone else to do all

0:45:12.880 --> 0:45:15.919
<v Speaker 1>that stuff, and sometimes I do. Sometimes I'm like, well

0:45:16.080 --> 0:45:20.440
<v Speaker 1>this one I want to do? This? Is you singing

0:45:20.480 --> 0:45:23.520
<v Speaker 1>this too? Right? Yes? Do you sing? Not a lot?

0:45:24.280 --> 0:45:27.759
<v Speaker 1>I sing this? But are you a good singer? I

0:45:27.800 --> 0:45:29.759
<v Speaker 1>would never call myself a good singer. I'm I'm a

0:45:29.880 --> 0:45:33.600
<v Speaker 1>like mediocre singer on what scale? Though? Because I thought

0:45:33.600 --> 0:45:36.160
<v Speaker 1>the black Appy video is pretty good? Hat on that

0:45:36.200 --> 0:45:39.200
<v Speaker 1>I thought it was pretty good. So you're probably with

0:45:39.280 --> 0:45:42.680
<v Speaker 1>real sing like great singers, and you're comparing yourself to

0:45:42.719 --> 0:45:45.200
<v Speaker 1>like the Yeah, I mean like, could I pull off

0:45:45.200 --> 0:45:49.279
<v Speaker 1>a full show of singing? Absolutely not? Like, well, I

0:45:49.280 --> 0:45:52.000
<v Speaker 1>think the like my range is very limited, and like

0:45:52.080 --> 0:45:54.000
<v Speaker 1>I can sing like this song was in my range

0:45:54.040 --> 0:45:56.719
<v Speaker 1>and it was suitable for my voice, but like, I

0:45:56.920 --> 0:46:00.279
<v Speaker 1>really don't think I could entertain the crowd singing for

0:46:00.320 --> 0:46:01.960
<v Speaker 1>an hour? Do you ever get up and talk in

0:46:02.000 --> 0:46:04.960
<v Speaker 1>your shows? All the time? My guys make fun of me.

0:46:05.080 --> 0:46:09.320
<v Speaker 1>They're like, like, tonight you were talking for nine minutes

0:46:09.360 --> 0:46:11.960
<v Speaker 1>and like in one break, and I was like, and

0:46:12.000 --> 0:46:16.720
<v Speaker 1>I was like, I was not, Um, I think it depends.

0:46:16.760 --> 0:46:18.759
<v Speaker 1>I mean, I was like, it's important for me. And

0:46:18.760 --> 0:46:20.960
<v Speaker 1>I don't always talk for nine minutes. Usually it's five,

0:46:21.360 --> 0:46:25.680
<v Speaker 1>you know, per break, not always, but um, it's important

0:46:25.680 --> 0:46:28.240
<v Speaker 1>to me that if I'm on a stage and thousands

0:46:28.280 --> 0:46:30.520
<v Speaker 1>of people are in the audience, might as well say

0:46:30.560 --> 0:46:33.680
<v Speaker 1>something that I actually believe in and care about. Um,

0:46:33.719 --> 0:46:35.920
<v Speaker 1>you know, for example, like we were actually on a

0:46:35.920 --> 0:46:39.920
<v Speaker 1>co headline tour with Evanescence this summer, and now let

0:46:39.920 --> 0:46:43.640
<v Speaker 1>me just say I I am still a massive Evanescence fan,

0:46:43.719 --> 0:46:46.279
<v Speaker 1>but also like growing up, like I had her Amy

0:46:46.360 --> 0:46:48.719
<v Speaker 1>Lee's poster on my wall, I was a huge fan

0:46:49.160 --> 0:46:51.920
<v Speaker 1>and like she and then the way that she approaches

0:46:52.000 --> 0:46:54.839
<v Speaker 1>music has affected the way I approach writing music like

0:46:55.160 --> 0:46:58.560
<v Speaker 1>high contrast, and so I love her. And when we

0:46:58.600 --> 0:47:00.840
<v Speaker 1>had this opportunity tour together, was this is the coolest

0:47:00.840 --> 0:47:02.719
<v Speaker 1>thing ever. And so here I am on stage in

0:47:02.719 --> 0:47:05.600
<v Speaker 1>front of you know, sometimes ten fifteen thousand people at night,

0:47:06.040 --> 0:47:08.200
<v Speaker 1>and I would go up to the mic and I

0:47:08.239 --> 0:47:09.920
<v Speaker 1>would say, you know, it's pretty cool that we're on

0:47:09.960 --> 0:47:12.799
<v Speaker 1>tour Evanescence. You know, I've I've been a casual fan

0:47:12.960 --> 0:47:15.319
<v Speaker 1>for years, and you could kind of see the look

0:47:15.320 --> 0:47:18.000
<v Speaker 1>of like her fans being like, um, that was rude.

0:47:18.160 --> 0:47:20.840
<v Speaker 1>And then immediately this music video of me starts playing

0:47:20.840 --> 0:47:22.919
<v Speaker 1>when I was as me as a fifteen year old

0:47:23.320 --> 0:47:26.600
<v Speaker 1>like rocking out to Evanescence and like with my two

0:47:26.680 --> 0:47:29.040
<v Speaker 1>best friends, you can tell we think we are so cool.

0:47:29.120 --> 0:47:32.440
<v Speaker 1>It was my really early editing days and um, actually

0:47:32.440 --> 0:47:36.000
<v Speaker 1>the first music video ever made. And so you know

0:47:36.080 --> 0:47:39.160
<v Speaker 1>then I would as soon as that went away, I

0:47:39.160 --> 0:47:41.560
<v Speaker 1>would say, well, I guess obviously I am not a

0:47:41.600 --> 0:47:44.160
<v Speaker 1>casual fan. I'm a huge fan. And that created a

0:47:44.160 --> 0:47:45.880
<v Speaker 1>moment for me to be like, no one would have

0:47:45.960 --> 0:47:48.560
<v Speaker 1>ever looked at that girl, that awkward girl in that

0:47:48.640 --> 0:47:53.040
<v Speaker 1>screen and thought that she would amount to anything, but

0:47:53.120 --> 0:47:55.920
<v Speaker 1>guess what. That girl had really big dreams and that

0:47:55.960 --> 0:47:58.120
<v Speaker 1>girl was willing to work really really hard. And I

0:47:58.120 --> 0:48:00.120
<v Speaker 1>fell down many times when I got back up and

0:48:00.200 --> 0:48:02.279
<v Speaker 1>I and this was the moment right after I had

0:48:02.320 --> 0:48:04.799
<v Speaker 1>just played a song with Amy Lee and then to

0:48:04.840 --> 0:48:06.280
<v Speaker 1>be able to be like then, all of a sudden,

0:48:06.320 --> 0:48:08.640
<v Speaker 1>that momentment so much more and for me, like the

0:48:08.680 --> 0:48:12.560
<v Speaker 1>talking moments like are to make people one relate to

0:48:12.600 --> 0:48:15.680
<v Speaker 1>me and realize because also when I perform, it's very

0:48:15.719 --> 0:48:17.440
<v Speaker 1>like kind of like that music video we just watches,

0:48:17.520 --> 0:48:21.480
<v Speaker 1>very epic and very like you know, ah, and I'm

0:48:21.560 --> 0:48:23.680
<v Speaker 1>kind of goober like in real life, so it's like

0:48:23.719 --> 0:48:26.239
<v Speaker 1>I'm this whimsical, magical creature. And then I go to

0:48:26.280 --> 0:48:28.919
<v Speaker 1>the mic and they're they're all very aware that I'm

0:48:29.000 --> 0:48:33.040
<v Speaker 1>just a normal awkward girl. Are you awkward? Oh yeah,

0:48:33.120 --> 0:48:37.960
<v Speaker 1>I'm so, I'm super I mean, yeah, definitely. How so

0:48:38.840 --> 0:48:42.560
<v Speaker 1>I mean together to me? I mean, I guess I'm

0:48:42.560 --> 0:48:44.719
<v Speaker 1>put together, but that doesn't mean I'm not awkward still,

0:48:45.040 --> 0:48:47.880
<v Speaker 1>you know, like I I guess I'm just goofy, Like

0:48:47.920 --> 0:48:51.960
<v Speaker 1>I'm just a goober, and you know, I'll do a

0:48:51.960 --> 0:48:54.520
<v Speaker 1>lot of swinging MSS like, I'll really go for it and

0:48:54.480 --> 0:48:57.600
<v Speaker 1>and try to be funny sometimes and it's not funny, um,

0:48:57.680 --> 0:49:01.080
<v Speaker 1>but uh. And then also sometimes just being myself and

0:49:01.120 --> 0:49:03.319
<v Speaker 1>being a little bit goofy and kind of playing into

0:49:03.320 --> 0:49:06.520
<v Speaker 1>the awkwardness makes people laugh. Like people like that, and

0:49:07.719 --> 0:49:09.200
<v Speaker 1>you know, they always say it's the best when you're

0:49:09.239 --> 0:49:11.239
<v Speaker 1>just yourself. And I stopped. I used to get so

0:49:11.360 --> 0:49:13.480
<v Speaker 1>nervous those moments going up to the mic. That was

0:49:13.520 --> 0:49:16.120
<v Speaker 1>the part that I like fear the most of the

0:49:16.280 --> 0:49:18.239
<v Speaker 1>entire shows. I have to talk to him. What do

0:49:18.280 --> 0:49:20.480
<v Speaker 1>I say? Um? Because I felt like I had to

0:49:20.480 --> 0:49:23.120
<v Speaker 1>be so put together, and the more I've just been like, yeah,

0:49:23.200 --> 0:49:26.320
<v Speaker 1>I just need to own what I am. And uh,

0:49:26.440 --> 0:49:28.920
<v Speaker 1>it's made it like now, I love that moment. It

0:49:28.920 --> 0:49:30.600
<v Speaker 1>feels like I get to connect with the audience in

0:49:30.600 --> 0:49:32.600
<v Speaker 1>a totally different way, especially because I don't get to

0:49:32.680 --> 0:49:34.160
<v Speaker 1>use my voice at all through the show, and people

0:49:34.239 --> 0:49:37.960
<v Speaker 1>connect through the voice, and you know, I'm playing a violin,

0:49:38.520 --> 0:49:40.480
<v Speaker 1>and so when I get to finally like use my

0:49:40.560 --> 0:49:42.440
<v Speaker 1>voice and talk to them, I think it fills a

0:49:42.480 --> 0:49:45.160
<v Speaker 1>gap that could be very apparent in the show. Yeah,

0:49:45.160 --> 0:49:47.520
<v Speaker 1>that's wilder. You're not You're not wearing a mic at all,

0:49:47.600 --> 0:49:50.759
<v Speaker 1>no headset, mike And where is your Where is a mic?

0:49:51.280 --> 0:49:54.399
<v Speaker 1>It's up in the top corner of the stage stage right,

0:49:54.480 --> 0:49:57.160
<v Speaker 1>if you will. And what one time I got stuck

0:49:57.200 --> 0:49:59.400
<v Speaker 1>on something like in the middle of the stage in

0:49:59.400 --> 0:50:01.040
<v Speaker 1>the middle of the show. I was like super high

0:50:01.080 --> 0:50:03.239
<v Speaker 1>off the ground and I was stuck and it was

0:50:03.280 --> 0:50:05.800
<v Speaker 1>just a funny moment because everyone's looking around like what

0:50:05.840 --> 0:50:07.880
<v Speaker 1>do we do, Like she has no mic, Like I

0:50:07.880 --> 0:50:11.480
<v Speaker 1>couldn't explain to the audience like having technically, I couldn't

0:50:11.480 --> 0:50:13.680
<v Speaker 1>even be like goofy or awkward about it or joking

0:50:13.760 --> 0:50:16.000
<v Speaker 1>to make it fun. I had nothing. I'm like up

0:50:16.040 --> 0:50:19.120
<v Speaker 1>there in silence, and luckily my keyboard players hilarious and

0:50:19.160 --> 0:50:21.640
<v Speaker 1>so like, you know, he would really it turned into

0:50:21.680 --> 0:50:24.239
<v Speaker 1>a really funny moment, but it was just a man.

0:50:24.360 --> 0:50:26.080
<v Speaker 1>It would be really nice if I had a mic

0:50:26.200 --> 0:50:29.520
<v Speaker 1>right now, but it's like thirty ft away. That's crazy

0:50:29.560 --> 0:50:31.239
<v Speaker 1>to think you're performing on a stage and people can't.

0:50:31.440 --> 0:50:33.319
<v Speaker 1>You can't just flick something on. You don't wear like

0:50:33.320 --> 0:50:36.319
<v Speaker 1>a no secondary headset, mike nothing. Oh I don't know.

0:50:36.719 --> 0:50:38.399
<v Speaker 1>I mean, I've got so many packs on. I've got

0:50:38.400 --> 0:50:41.440
<v Speaker 1>the violin or I've got the inner monitor pack already

0:50:41.440 --> 0:50:44.360
<v Speaker 1>that you gotta hide in the spandex costume. How do

0:50:44.400 --> 0:50:46.680
<v Speaker 1>you hide a micro or a in your monitor pack

0:50:46.680 --> 0:50:49.200
<v Speaker 1>in a Spandex costume? I don't know. But the last

0:50:49.280 --> 0:50:52.799
<v Speaker 1>thing I want is the second one. So, so yeah,

0:50:52.880 --> 0:50:56.480
<v Speaker 1>who's your favorite artist? Cannot Pink is one of my

0:50:56.520 --> 0:50:59.480
<v Speaker 1>favorite artists. And I'm saying that, like all one you

0:50:59.480 --> 0:51:01.400
<v Speaker 1>get one, I'm only gonna be one artist. There you go,

0:51:01.480 --> 0:51:05.200
<v Speaker 1>it's Pink and it's music, it's performance, Like who why

0:51:05.280 --> 0:51:10.040
<v Speaker 1>is it Pink? It's because it's mostly because I feel

0:51:10.040 --> 0:51:13.279
<v Speaker 1>like she is throughout everything she does. I love what

0:51:13.360 --> 0:51:16.000
<v Speaker 1>she stands for. I love the way she presents herself

0:51:16.000 --> 0:51:18.480
<v Speaker 1>to the world. Um. And you see that you hear

0:51:18.560 --> 0:51:21.160
<v Speaker 1>in her music, you also see it in her life show.

0:51:21.200 --> 0:51:22.839
<v Speaker 1>Her live show is the best life show I've ever

0:51:22.880 --> 0:51:26.759
<v Speaker 1>been to. And like, you know, when I leave and

0:51:26.880 --> 0:51:29.080
<v Speaker 1>experience either listening to Pink talk or seeing her on

0:51:29.200 --> 0:51:32.200
<v Speaker 1>stage or hearing her music, it's like, yes, you just

0:51:33.239 --> 0:51:37.839
<v Speaker 1>feel good about owning who you are. Young girls look

0:51:37.880 --> 0:51:43.160
<v Speaker 1>at you. What do you want them to see? You know?

0:51:43.520 --> 0:51:49.640
<v Speaker 1>I want them to see someone who who has worked

0:51:49.719 --> 0:51:54.000
<v Speaker 1>really hard to love herself, because that's something that didn't

0:51:54.080 --> 0:51:57.319
<v Speaker 1>come natural naturally to me. Um when I you know,

0:51:57.440 --> 0:52:01.480
<v Speaker 1>I went through some anorexia and call and severe depression

0:52:02.120 --> 0:52:05.400
<v Speaker 1>and I finally woke up to the fact that I

0:52:05.440 --> 0:52:08.440
<v Speaker 1>deserved better and that I had a problem. And I

0:52:08.480 --> 0:52:10.520
<v Speaker 1>think a lot of people look at me the same

0:52:10.520 --> 0:52:12.279
<v Speaker 1>way with like dancing at the stars. They just see

0:52:12.320 --> 0:52:15.040
<v Speaker 1>me as this like happy pixie violinists that like, oh

0:52:15.160 --> 0:52:17.200
<v Speaker 1>she looks you know, ever, her world looks so perfect,

0:52:17.360 --> 0:52:20.359
<v Speaker 1>But it takes work to love. I think it takes

0:52:20.360 --> 0:52:22.799
<v Speaker 1>work sometimes to love yourself and to be okay in

0:52:22.840 --> 0:52:25.439
<v Speaker 1>your own skin. And it's something that I put a

0:52:25.480 --> 0:52:29.160
<v Speaker 1>ton of work into for years to go from hating myself,

0:52:29.280 --> 0:52:32.920
<v Speaker 1>like I'm talking, hating myself and thinking I was hideously ugly.

0:52:33.160 --> 0:52:35.360
<v Speaker 1>And it's not that the girl in the mirror changed

0:52:35.400 --> 0:52:38.440
<v Speaker 1>at all, like physically, like, nothing changed to make me

0:52:38.680 --> 0:52:42.200
<v Speaker 1>love myself and feel beautiful. It was a it was

0:52:42.200 --> 0:52:44.359
<v Speaker 1>a choice, and it was effort, and it was learning

0:52:44.360 --> 0:52:46.200
<v Speaker 1>the tools and the skills. And so I hope that

0:52:46.239 --> 0:52:48.919
<v Speaker 1>when young girls look at me, no matter where they're

0:52:48.920 --> 0:52:51.840
<v Speaker 1>at and their emotional awareness or how they feel about themselves,

0:52:52.360 --> 0:52:56.080
<v Speaker 1>they realize, well, Lindsey learned to love herself and works

0:52:56.080 --> 0:52:59.320
<v Speaker 1>hard still to love herself, and it must be possible

0:52:59.360 --> 0:53:01.920
<v Speaker 1>for me to do this same thing. Do you get

0:53:02.000 --> 0:53:05.959
<v Speaker 1>a lot of feedback from young girls let's see you

0:53:06.080 --> 0:53:09.359
<v Speaker 1>and hear your message? Did you do you read those

0:53:09.400 --> 0:53:12.279
<v Speaker 1>messages at all? Yeah? I do. I mean I get

0:53:12.520 --> 0:53:15.520
<v Speaker 1>I get letters at shows and you know, or get

0:53:15.560 --> 0:53:20.160
<v Speaker 1>sent letters um or comments online. And I think that

0:53:20.320 --> 0:53:23.600
<v Speaker 1>is the thing that makes me the most like proud

0:53:23.640 --> 0:53:26.360
<v Speaker 1>of not proud, that's the wrong word, but just this

0:53:26.560 --> 0:53:28.480
<v Speaker 1>was one of the most gratifying things I think is

0:53:28.560 --> 0:53:30.640
<v Speaker 1>for me as an artist, because it's something that I

0:53:30.719 --> 0:53:33.080
<v Speaker 1>struggled with and to see that maybe in a way

0:53:33.120 --> 0:53:36.360
<v Speaker 1>I'm helping, you know, not only young girls. This is

0:53:36.400 --> 0:53:39.759
<v Speaker 1>something that the boys struggle with too, and that maybe

0:53:39.760 --> 0:53:43.040
<v Speaker 1>I'm helping someone realize that it's worth the fight, it's

0:53:43.080 --> 0:53:46.040
<v Speaker 1>worth the effort, and that there's hope. Because when I

0:53:46.080 --> 0:53:49.040
<v Speaker 1>was struggling, that was the hardest thing was you know.

0:53:49.080 --> 0:53:52.520
<v Speaker 1>You hear sometimes that mental diseases are like kind of incurable,

0:53:52.640 --> 0:53:55.759
<v Speaker 1>especially on a rexya. They say it's incurable, and I

0:53:55.840 --> 0:53:58.520
<v Speaker 1>kind of now I see what they're saying, but it's

0:53:58.560 --> 0:54:01.360
<v Speaker 1>like it's it's not a thing anymore for me. I've

0:54:01.400 --> 0:54:05.359
<v Speaker 1>I've learned to cope with it so well that as

0:54:05.400 --> 0:54:07.359
<v Speaker 1>long as I stay on top of it, it's not

0:54:07.480 --> 0:54:09.800
<v Speaker 1>I don't, it doesn't It's not a factor in my life.

0:54:10.960 --> 0:54:13.960
<v Speaker 1>Your tour rider is something that you walk into a

0:54:14.080 --> 0:54:17.000
<v Speaker 1>room at a venue and they have all these things

0:54:17.040 --> 0:54:24.080
<v Speaker 1>that you've requested. Things, what's on the Lindsay Sterling tour rider.

0:54:25.280 --> 0:54:28.920
<v Speaker 1>You know, mine's so boring, it's very minimalistic because I

0:54:29.000 --> 0:54:31.520
<v Speaker 1>got really annoyed at how much stuff goes to waste,

0:54:31.960 --> 0:54:34.439
<v Speaker 1>and so I have a very minimal, very small writer.

0:54:34.600 --> 0:54:36.680
<v Speaker 1>But some of the more interesting things on there. I've

0:54:36.680 --> 0:54:40.680
<v Speaker 1>recently fallen in love with chocolate coconut milk. It's so

0:54:40.760 --> 0:54:46.840
<v Speaker 1>good chocolate chocolate, so not real milk, like like squeeze

0:54:46.880 --> 0:54:49.720
<v Speaker 1>coconut water. It's like coconut water. But they have coconut

0:54:49.719 --> 0:54:52.440
<v Speaker 1>milk and you can get a chocolate version and it's

0:54:52.480 --> 0:54:54.799
<v Speaker 1>got whaleless sugar in it and whaleless calories. So it's

0:54:55.120 --> 0:54:56.759
<v Speaker 1>it's like kind of guilt free and I can drink

0:54:56.760 --> 0:55:00.200
<v Speaker 1>a tone of it minimal guilt. It's like, yeah, it's

0:55:00.200 --> 0:55:02.040
<v Speaker 1>like little guilt instead of like oh I shouldn't have

0:55:02.080 --> 0:55:04.160
<v Speaker 1>had that, It's like, oh, maybe you shouldn't have had that.

0:55:04.400 --> 0:55:07.040
<v Speaker 1>So you have chocolate coconut milk, cocon milk. We also

0:55:07.200 --> 0:55:10.560
<v Speaker 1>have We occasionally put NERF gun bullets on there because

0:55:10.600 --> 0:55:13.040
<v Speaker 1>we like to have NERF gun wars. Do you take

0:55:13.080 --> 0:55:15.480
<v Speaker 1>your own guns? Though, yes we do, we have our

0:55:15.520 --> 0:55:18.200
<v Speaker 1>own guns. Do you take you have your own guns?

0:55:18.320 --> 0:55:20.440
<v Speaker 1>We request the bullets. You know, we keep having to

0:55:20.480 --> 0:55:22.440
<v Speaker 1>rebuy the guns because they keep getting broken. They're not

0:55:22.600 --> 0:55:24.879
<v Speaker 1>made to last, so usually we just buy new butt

0:55:24.880 --> 0:55:27.960
<v Speaker 1>guns every tour. Um. Yeah, we request the bullets because

0:55:28.040 --> 0:55:30.120
<v Speaker 1>you can't reuse those things. Once you shot him a

0:55:30.160 --> 0:55:32.319
<v Speaker 1>couple of times, they they're kind of done. I didn't

0:55:32.320 --> 0:55:34.520
<v Speaker 1>know that. I'm not fluent in NERF bullets. See that's

0:55:34.560 --> 0:55:37.520
<v Speaker 1>why I'm telling you. I didn't notice until I became

0:55:37.520 --> 0:55:40.800
<v Speaker 1>a new NERF gun connoisseur um, and then you know.

0:55:40.840 --> 0:55:42.560
<v Speaker 1>And then our writer has the other things like Thomas

0:55:42.680 --> 0:55:48.120
<v Speaker 1>and veggies and um apples and one of the funny

0:55:48.160 --> 0:55:50.200
<v Speaker 1>things whenever you came to Dancing with the Stars for

0:55:50.200 --> 0:55:52.080
<v Speaker 1>the week that we were there, is that grosser store

0:55:52.160 --> 0:55:54.879
<v Speaker 1>Joe is on the show, who's a super nice guy. Yeah,

0:55:55.520 --> 0:55:57.680
<v Speaker 1>And you were like, oh, I know him from the show.

0:55:57.680 --> 0:56:00.600
<v Speaker 1>So you guys watched The Bachelor and Bachelor Paradise. Yes,

0:56:00.640 --> 0:56:04.000
<v Speaker 1>we actually watched it on tour religiously, Like me and

0:56:04.040 --> 0:56:05.799
<v Speaker 1>the girls on tour would look forward to it and

0:56:05.800 --> 0:56:07.840
<v Speaker 1>we'd we'd record it and after the show on like

0:56:07.880 --> 0:56:10.400
<v Speaker 1>Monday night, we'd go watch it on the bus and

0:56:10.440 --> 0:56:12.279
<v Speaker 1>you would see grocery store Joe and go, I like

0:56:12.360 --> 0:56:14.680
<v Speaker 1>that guy from the show, or no, oh, we love

0:56:14.719 --> 0:56:17.800
<v Speaker 1>grocery store Joe. What was his thing because I haven't

0:56:17.960 --> 0:56:19.400
<v Speaker 1>I know on the Batch when he went home early.

0:56:19.640 --> 0:56:22.400
<v Speaker 1>No Bachelorette, right, yeah, the Bachelorette. He didn't make it

0:56:22.440 --> 0:56:25.680
<v Speaker 1>through the first episode. So what was it on batchlor

0:56:25.760 --> 0:56:27.880
<v Speaker 1>in Paradise that made people go, I really like that

0:56:27.880 --> 0:56:30.240
<v Speaker 1>guy because he's super likable and I like him Listen,

0:56:30.280 --> 0:56:31.759
<v Speaker 1>I like him as a person, but I didn't see

0:56:31.840 --> 0:56:35.680
<v Speaker 1>him on the TV show. He's very he comes across

0:56:35.719 --> 0:56:39.200
<v Speaker 1>as so sweet and just so real, and he's kind

0:56:39.200 --> 0:56:42.239
<v Speaker 1>of awkward, but like in a very endearing way. And

0:56:42.280 --> 0:56:44.239
<v Speaker 1>so I think that's why America film love with him,

0:56:44.239 --> 0:56:46.879
<v Speaker 1>because he was just like he was. He was kind

0:56:46.880 --> 0:56:49.520
<v Speaker 1>of awkward and you could tell he was really uncomfortable,

0:56:49.560 --> 0:56:52.000
<v Speaker 1>but he was just so kind and genuine. I think

0:56:52.000 --> 0:56:53.319
<v Speaker 1>that's how he is in real life, and that's how

0:56:53.320 --> 0:56:55.440
<v Speaker 1>he is in real life. Yeah. After now I can

0:56:55.440 --> 0:56:59.200
<v Speaker 1>say that I know Grocery store Joe. I heard that Jenna,

0:56:59.280 --> 0:57:00.879
<v Speaker 1>his dance partner, was like, oh my goodness, I'm getting

0:57:00.880 --> 0:57:04.280
<v Speaker 1>groceries toward Joe, like before they danced. She was actually

0:57:04.680 --> 0:57:06.560
<v Speaker 1>jenn Is a friend of mine, I mean obviously from

0:57:06.560 --> 0:57:08.640
<v Speaker 1>the show. Um, and she was telling me that she

0:57:08.719 --> 0:57:12.759
<v Speaker 1>was like, I was genuinely so excited, and then he

0:57:12.880 --> 0:57:16.520
<v Speaker 1>liked me, cannot dance. We're the lowest as you hear this,

0:57:16.560 --> 0:57:20.080
<v Speaker 1>we're the lowest two scorers on that show. But go ahead.

0:57:20.280 --> 0:57:23.080
<v Speaker 1>People love you so that you know, that's the most

0:57:23.120 --> 0:57:25.360
<v Speaker 1>important thing, is it? Though, like it's got to be

0:57:25.440 --> 0:57:28.640
<v Speaker 1>a mix. Well, it's definitely a mix, but like those

0:57:28.920 --> 0:57:31.160
<v Speaker 1>I gotta get a little better though. Right, Well, you're

0:57:31.160 --> 0:57:34.760
<v Speaker 1>working hard, so that wasn't the question. That wasn't the question.

0:57:34.880 --> 0:57:36.720
<v Speaker 1>Let's startling, I have to get a little better, right,

0:57:37.000 --> 0:57:39.919
<v Speaker 1>I'm feeling this week you're going to kill it. Why

0:57:39.920 --> 0:57:43.000
<v Speaker 1>don't you answer my question? I have to get you

0:57:43.040 --> 0:57:44.840
<v Speaker 1>have to get a little better. Okay, there you go,

0:57:44.880 --> 0:57:46.640
<v Speaker 1>but you improve every week, so I have no doubt

0:57:46.640 --> 0:57:50.200
<v Speaker 1>that you will. So diplomatic with your answers. Here's this,

0:57:51.600 --> 0:57:53.960
<v Speaker 1>you're a mean one, Mr Gretch. Here's some of this

0:57:54.000 --> 0:57:57.440
<v Speaker 1>from Lindsay startling and the Christmas album that is called

0:57:57.560 --> 0:58:03.920
<v Speaker 1>Warmer in the Winter. Right, all right, but how can

0:58:03.960 --> 0:58:07.080
<v Speaker 1>you just do your meal? Mr? Granted to pay for this? Um? Yeah,

0:58:07.240 --> 0:58:09.520
<v Speaker 1>it's well, you don't pay for it, pay for it

0:58:09.840 --> 0:58:15.919
<v Speaker 1>by what people pay you exactly. You're Sabrina Carpenter love

0:58:15.960 --> 0:58:21.560
<v Speaker 1>her the teen singer, a teenager. Yeah, yeah, maybe she's

0:58:21.560 --> 0:58:26.680
<v Speaker 1>with twenties. I don't everybody everybody that, How do you

0:58:26.680 --> 0:58:28.200
<v Speaker 1>get an artist to play with you like this? Dude?

0:58:28.240 --> 0:58:31.600
<v Speaker 1>Just ask him? Call her up? Well, actually I don't

0:58:31.600 --> 0:58:34.720
<v Speaker 1>have her number, um, but through her management, you know,

0:58:34.760 --> 0:58:36.800
<v Speaker 1>we've tracked her down. I met her at the Disney

0:58:36.800 --> 0:58:38.960
<v Speaker 1>Awards and we talked about doing something together, and then

0:58:39.000 --> 0:58:41.120
<v Speaker 1>a couple of months later, I, you know, called in

0:58:41.160 --> 0:58:45.200
<v Speaker 1>for the favor. All right, Well, as we record this,

0:58:45.240 --> 0:58:48.360
<v Speaker 1>what is it October? A month it is? I'm so

0:58:48.520 --> 0:58:52.080
<v Speaker 1>underwater with all this stuff. It is October as we

0:58:52.160 --> 0:58:56.400
<v Speaker 1>record this hasn't even been Halloween yet. I'm inappropriate. I'm

0:58:56.400 --> 0:58:58.400
<v Speaker 1>so sorry. No, you're getting ahead of it. So the

0:58:58.640 --> 0:59:01.960
<v Speaker 1>records out that you're gonna be on tour win starting Wins.

0:59:02.200 --> 0:59:10.520
<v Speaker 1>We start the day after Thanksgiving, November Sacramento. Uh is

0:59:10.560 --> 0:59:15.000
<v Speaker 1>that right? I think we we start in Nevada. Okay,

0:59:15.040 --> 0:59:17.560
<v Speaker 1>it's well, it says here Nearest, Oh nearest shows what

0:59:17.680 --> 0:59:19.640
<v Speaker 1>that says? Okay, got it? Got it? Got it? You

0:59:19.640 --> 0:59:22.840
<v Speaker 1>pulled that schedule off. We do play Sacramento. Listen, We've

0:59:22.880 --> 0:59:24.880
<v Speaker 1>done an hour here you and I talking. We've been

0:59:24.920 --> 0:59:29.440
<v Speaker 1>talking an hour. We've done one hour, and is there

0:59:29.520 --> 0:59:34.040
<v Speaker 1>anyone still listening? Of course of course, and your people

0:59:34.040 --> 0:59:36.880
<v Speaker 1>are very patient. Let me just say, well, we're not live.

0:59:37.640 --> 0:59:39.880
<v Speaker 1>Well I know that. What if she thought it is

0:59:39.960 --> 0:59:42.120
<v Speaker 1>a live show the whole time? I'm like, how many?

0:59:42.400 --> 0:59:45.520
<v Speaker 1>Let's take you some callers? Okay everyone? November Reno is

0:59:45.560 --> 0:59:47.760
<v Speaker 1>your first show? Your second shows in Sacramento. Okay, there

0:59:47.800 --> 0:59:51.320
<v Speaker 1>we go there. It is Salt Lake Broomfield, Colorado, which

0:59:51.440 --> 0:59:55.000
<v Speaker 1>is at Denver. Okay. A lot of places on our shows.

0:59:55.000 --> 0:59:58.240
<v Speaker 1>One uh oh maaha, which you talk Kansas and Intrust,

0:59:58.480 --> 1:00:06.160
<v Speaker 1>Like are you spring Film Missouri? Yeah, crazy Minneapolis, Madison

1:00:06.640 --> 1:00:09.160
<v Speaker 1>Blue Man. Come on, she'll be on on all Christmas.

1:00:09.160 --> 1:00:10.720
<v Speaker 1>And you may be hearing this way after Christmas too.

1:00:10.720 --> 1:00:12.720
<v Speaker 1>She's probably doing something right now, we've done an hour.

1:00:12.840 --> 1:00:16.160
<v Speaker 1>Let me say this, I appreciate your candor through this interview.

1:00:16.360 --> 1:00:21.320
<v Speaker 1>It's very refreshing. Um. I appreciate your guidance through my

1:00:21.440 --> 1:00:24.240
<v Speaker 1>last couple of months because I've definitely leaned on you

1:00:24.280 --> 1:00:26.440
<v Speaker 1>as as with the dancing with the Star stuff, and

1:00:26.880 --> 1:00:29.920
<v Speaker 1>even a bit at being in California and being in

1:00:29.960 --> 1:00:32.720
<v Speaker 1>Los Angeles. What do. I know, I'm from freaking Arkansas.

1:00:33.080 --> 1:00:37.160
<v Speaker 1>I'll take you to the best. Yeah, So I appreciate that,

1:00:37.600 --> 1:00:40.120
<v Speaker 1>and uh yeah, good luck. I hope you sell lots

1:00:40.120 --> 1:00:43.040
<v Speaker 1>of Christmas albums, thank you, and hope people come to

1:00:43.040 --> 1:00:45.760
<v Speaker 1>your shows because it's going to be such a good show.

1:00:45.840 --> 1:00:48.040
<v Speaker 1>So I hope people come. But thank you so much

1:00:48.080 --> 1:00:50.840
<v Speaker 1>for having me, and thank you for your thought out,

1:00:51.000 --> 1:00:54.560
<v Speaker 1>thoughtful questions. There's a reason you're good at what you do.

1:00:54.680 --> 1:00:56.240
<v Speaker 1>I get it. I don't have any notes in front

1:00:56.280 --> 1:00:59.280
<v Speaker 1>of me. I know that, but you're just very thoughtful.

1:00:59.480 --> 1:01:01.480
<v Speaker 1>I did read your book and see you did your

1:01:01.480 --> 1:01:04.920
<v Speaker 1>homework and it's called only Pirate at the Party. Yeah,

1:01:05.000 --> 1:01:06.560
<v Speaker 1>and it's and it's so funny. Let me see if

1:01:06.560 --> 1:01:09.160
<v Speaker 1>I can tell the story paraphrased. You're get invited to

1:01:09.160 --> 1:01:11.880
<v Speaker 1>a party right when I first moved to l A. Right,

1:01:11.920 --> 1:01:14.880
<v Speaker 1>So it's really you're like part in the USA, Miley Cyrus. Right.

1:01:14.920 --> 1:01:17.280
<v Speaker 1>It's like hopped in the cabin l A. I don't

1:01:17.280 --> 1:01:18.640
<v Speaker 1>even know what's going on. You're trying to be cool.

1:01:19.120 --> 1:01:23.120
<v Speaker 1>And it was um a themed party for hold on

1:01:24.040 --> 1:01:27.960
<v Speaker 1>not parts of the Caribbean. Hold On wait, oh, Peter Pan,

1:01:28.000 --> 1:01:30.400
<v Speaker 1>that's what it was Peter Pan. Thank you, there's Peter Pan,

1:01:30.600 --> 1:01:33.920
<v Speaker 1>And so you assume everybody's gonna be dressed. There's a

1:01:34.000 --> 1:01:37.040
<v Speaker 1>Peter Pan party, now costume and you show up as

1:01:37.040 --> 1:01:41.520
<v Speaker 1>a full dressed pirate and nobody was dressed. Like I'm talking.

1:01:42.280 --> 1:01:44.280
<v Speaker 1>I had just done a music video as a pirate,

1:01:44.360 --> 1:01:47.800
<v Speaker 1>so I had a like legit Captain Hook costume. Amazing,

1:01:48.000 --> 1:01:50.280
<v Speaker 1>And you have to make the decision do I go

1:01:50.360 --> 1:01:53.480
<v Speaker 1>into the party fully dressed? Because I believe it said

1:01:53.480 --> 1:01:54.960
<v Speaker 1>in your book maybe one person had a Peter Pan

1:01:54.960 --> 1:01:57.800
<v Speaker 1>T shirt. I can tinker about T shirt. That was it? Yeah,

1:01:57.880 --> 1:02:01.080
<v Speaker 1>Because I opened the door and like, no one is

1:02:01.160 --> 1:02:03.760
<v Speaker 1>dressed up, but no one had seen me yet, And

1:02:03.760 --> 1:02:06.120
<v Speaker 1>I was like, okay, I have I could get in

1:02:06.200 --> 1:02:08.280
<v Speaker 1>my car and I could go home. No no, a

1:02:08.360 --> 1:02:10.440
<v Speaker 1>foult like no one saw me. And I was like,

1:02:10.600 --> 1:02:12.800
<v Speaker 1>or I can go into the party and just like

1:02:13.160 --> 1:02:18.200
<v Speaker 1>really on this and I've decided to go into the party.

1:02:18.560 --> 1:02:22.000
<v Speaker 1>And then how do people react? Oh? People got the

1:02:22.000 --> 1:02:24.320
<v Speaker 1>biggest kick out of it, Like people were like, oh

1:02:24.360 --> 1:02:26.880
<v Speaker 1>my gosh, like what's your name? Like, oh my god,

1:02:27.000 --> 1:02:28.520
<v Speaker 1>this grow up. But as as a pier, oh my gosh.

1:02:28.640 --> 1:02:30.360
<v Speaker 1>I ended up making so many friends. I was the

1:02:30.400 --> 1:02:34.120
<v Speaker 1>conversation starter of the night, not purposefully, you know, And

1:02:34.160 --> 1:02:37.080
<v Speaker 1>I feel like that was such a perfect metaphor for

1:02:37.120 --> 1:02:39.120
<v Speaker 1>my wife. It's not like I go through life trying

1:02:39.120 --> 1:02:41.680
<v Speaker 1>to be like, how could I be super different? But

1:02:41.760 --> 1:02:44.480
<v Speaker 1>I just by like the standards I live by, by

1:02:44.480 --> 1:02:46.760
<v Speaker 1>the kind of art I create. That's a metaphor for

1:02:46.840 --> 1:02:48.840
<v Speaker 1>my life. I'm just a little different. I'm a little

1:02:48.920 --> 1:02:51.040
<v Speaker 1>left of center. And I could neither be ashamed of

1:02:51.080 --> 1:02:52.960
<v Speaker 1>it and go home, or I can be like, you

1:02:52.960 --> 1:02:55.560
<v Speaker 1>know what, I'm going into the party dressed as a pirate.

1:02:55.760 --> 1:03:00.320
<v Speaker 1>And the lesson is what go into the pirate dressed

1:03:00.320 --> 1:03:03.160
<v Speaker 1>the party? Be yourself, like, don't be ashamed of who

1:03:03.200 --> 1:03:06.480
<v Speaker 1>you are. Um. People told me when I first was

1:03:06.520 --> 1:03:09.000
<v Speaker 1>starting that I would never succeed because I was too different.

1:03:09.240 --> 1:03:10.840
<v Speaker 1>Over and over again. You're just too different. We don't

1:03:10.840 --> 1:03:12.120
<v Speaker 1>know what box to put you in, you know, from

1:03:12.120 --> 1:03:15.560
<v Speaker 1>record labels and whatnot. Now, when people say they love

1:03:15.600 --> 1:03:17.320
<v Speaker 1>my art or they come to my shows and they

1:03:17.360 --> 1:03:19.560
<v Speaker 1>fly across the country to come, the reason they're they're

1:03:20.360 --> 1:03:23.880
<v Speaker 1>so different. It's refreshing. It's so different. And I think

1:03:24.040 --> 1:03:25.720
<v Speaker 1>that the very reason I was told I was never

1:03:25.800 --> 1:03:28.160
<v Speaker 1>succeed is the very reason I have look at that,

1:03:28.680 --> 1:03:31.360
<v Speaker 1>and we should end on that. Letty Starling, you've been

1:03:31.360 --> 1:03:33.840
<v Speaker 1>a real treat to talk to and she's doing it.

1:03:33.840 --> 1:03:35.480
<v Speaker 1>Thank you very much. Motion about her hand which does

1:03:35.520 --> 1:03:39.280
<v Speaker 1>not play well through, dang it, Thank you very much. Alright,

1:03:39.600 --> 1:03:43.880
<v Speaker 1>what episodes, Episode one the Bobby Cast, and thank you

1:03:43.920 --> 1:03:46.480
<v Speaker 1>to LifeLock, our sponsor, and Linsie Startling. Thank you, Linds,

1:03:46.920 --> 1:03:47.600
<v Speaker 1>thank you.