1 00:00:05,559 --> 00:00:08,479 Speaker 1: Hey, everybody, it's Bruce Bosi and we are back at 2 00:00:08,520 --> 00:00:12,160 Speaker 1: the Sunset Tower on a very beautiful Los Angeles day. 3 00:00:12,600 --> 00:00:14,280 Speaker 1: What do you normally eat when you come to the tower. 4 00:00:14,760 --> 00:00:17,479 Speaker 2: Oh, it depends what time of the night it is, 5 00:00:17,560 --> 00:00:18,520 Speaker 2: It depends where I've been. 6 00:00:18,440 --> 00:00:23,760 Speaker 1: Before, Yes, exactly. Today we are having lunch with an 7 00:00:23,760 --> 00:00:28,120 Speaker 1: incredible comedic actress. She started her career here in La 8 00:00:28,400 --> 00:00:32,800 Speaker 1: at the Groundlings really set her foundation. She auditioned for 9 00:00:32,880 --> 00:00:36,120 Speaker 1: Saturday Night Live and got on season thirty one and 10 00:00:36,200 --> 00:00:39,080 Speaker 1: quickly rose in season thirty two to be one of 11 00:00:39,120 --> 00:00:41,519 Speaker 1: the leading players at SNL. 12 00:00:41,760 --> 00:00:44,960 Speaker 2: I just became so aware that I'm such a loud cheer. 13 00:00:45,280 --> 00:00:47,680 Speaker 2: My husband's just like sometimes I'll be eating and he'll 14 00:00:47,720 --> 00:00:49,960 Speaker 2: just be looking at me. I'm like, I'm just eating, 15 00:00:50,080 --> 00:00:52,319 Speaker 2: like I don't know how else to two. 16 00:00:53,040 --> 00:00:56,480 Speaker 1: She next leveled us in the movie Bridesmaids, and you 17 00:00:56,560 --> 00:01:00,000 Speaker 1: have seen her ever since. Just give us incredible performance 18 00:01:00,080 --> 00:01:02,080 Speaker 1: and says currently she is on palm roil. 19 00:01:02,480 --> 00:01:05,520 Speaker 2: Now ice cream could do different toppings, which I love 20 00:01:05,520 --> 00:01:06,440 Speaker 2: a choice with that. 21 00:01:06,760 --> 00:01:09,680 Speaker 1: Right, the cookies, we're doing, all the dessert, We're. 22 00:01:09,480 --> 00:01:11,200 Speaker 2: Doing all the dessert. We'll just skip right to it. 23 00:01:17,360 --> 00:01:20,959 Speaker 1: So sit back today, definitely have a glass of rose 24 00:01:21,720 --> 00:01:26,800 Speaker 1: and enjoy because we have Miss Kristen Wig. I'm Bruce 25 00:01:26,840 --> 00:01:38,560 Speaker 1: Bosi and this is my podcast Table for two. Hey, everybody, 26 00:01:38,560 --> 00:01:41,200 Speaker 1: thanks for pulling up a chair today on Table for two. 27 00:01:41,560 --> 00:01:47,040 Speaker 1: I am sitting looking at this beautiful woman. Wow, am 28 00:01:47,160 --> 00:01:50,840 Speaker 1: extremely talented actually someone I've had the pleasure of knowing 29 00:01:50,880 --> 00:01:53,600 Speaker 1: now for some time. Miss Kristin Wig. 30 00:01:53,760 --> 00:01:58,760 Speaker 2: Hello, I'm so happy to be here. I'm hungry, so 31 00:01:58,840 --> 00:02:00,040 Speaker 2: this is great, right. 32 00:02:00,120 --> 00:02:03,520 Speaker 1: We're hungry. And when we say that, look at the court. 33 00:02:05,200 --> 00:02:06,640 Speaker 2: Oh look at this with the bullet. 34 00:02:06,760 --> 00:02:09,680 Speaker 1: We're all obsessed with this mullet. But can we just 35 00:02:09,720 --> 00:02:12,880 Speaker 1: start by you grew up in New York, but I 36 00:02:12,880 --> 00:02:15,359 Speaker 1: can't pronounce a place. You grew up in Kenneth Canon. 37 00:02:15,440 --> 00:02:17,560 Speaker 2: Oh well no, I was born and it's called Canon 38 00:02:17,600 --> 00:02:21,480 Speaker 2: diaguased to. I know, it was very hard to learn 39 00:02:21,520 --> 00:02:23,560 Speaker 2: how to spell that as a child when you had 40 00:02:23,600 --> 00:02:26,480 Speaker 2: to write where you were born. I was like, look, God, yeah, 41 00:02:26,520 --> 00:02:30,000 Speaker 2: it's like one of the Finger Lakes finger Lake towns, 42 00:02:30,400 --> 00:02:33,320 Speaker 2: And I was born there and I lived there till 43 00:02:33,360 --> 00:02:38,800 Speaker 2: like three, and then Lancaster, Pennsylvania, and then back to 44 00:02:38,880 --> 00:02:39,920 Speaker 2: upstate New York Rochester. 45 00:02:40,040 --> 00:02:42,720 Speaker 1: Okay, Yeah, that was the vibe the East Coast, by. 46 00:02:42,680 --> 00:02:46,400 Speaker 2: The East Coast vibe, and it still feels I don't know, 47 00:02:46,440 --> 00:02:49,440 Speaker 2: I think you feel I don't know, grounded is the 48 00:02:49,440 --> 00:02:52,519 Speaker 2: word whenever you go back to the either the place 49 00:02:52,639 --> 00:02:53,600 Speaker 2: or the coast. 50 00:02:53,320 --> 00:02:54,079 Speaker 1: You were born. 51 00:02:54,160 --> 00:02:57,000 Speaker 2: Like, I feel like California is my home, but there's 52 00:02:57,000 --> 00:03:00,840 Speaker 2: something like I came from the coast. 53 00:03:00,960 --> 00:03:03,400 Speaker 1: Yeah, and there's something in the in your d n 54 00:03:03,480 --> 00:03:07,000 Speaker 1: A if you believe like all that. Oh yeah, the 55 00:03:07,120 --> 00:03:12,160 Speaker 1: universe where you were born and that's we can talk about. 56 00:03:11,919 --> 00:03:16,000 Speaker 2: All that if you want, really, like I mean that 57 00:03:16,880 --> 00:03:17,959 Speaker 2: you love that kind of stuff. 58 00:03:18,120 --> 00:03:20,520 Speaker 1: Wow, you'd have to educate me. 59 00:03:20,760 --> 00:03:22,720 Speaker 2: Well, no, I mean I don't know if i'm I'm 60 00:03:23,000 --> 00:03:24,440 Speaker 2: if I have that much knowledge. 61 00:03:25,000 --> 00:03:28,959 Speaker 1: Well, so you're signs, but yes, okay, what is your sign? 62 00:03:29,040 --> 00:03:30,120 Speaker 2: I'm a Leo. 63 00:03:30,120 --> 00:03:31,880 Speaker 1: Okay, virgo cuss. 64 00:03:31,520 --> 00:03:35,480 Speaker 2: Okay, I'm on the last day of Leo, and I 65 00:03:35,800 --> 00:03:39,040 Speaker 2: have some Leo trades, but there's definitely some Leo trades. 66 00:03:38,760 --> 00:03:43,240 Speaker 1: Sid because that's what happens because I'm aries ps but 67 00:03:43,440 --> 00:03:45,320 Speaker 1: just after Pisces ends. 68 00:03:45,560 --> 00:03:46,280 Speaker 2: Yes, you've got a. 69 00:03:46,240 --> 00:03:48,440 Speaker 1: Little a little bit of both exactly. 70 00:03:48,240 --> 00:03:53,120 Speaker 2: Which I think is good. Yeah, I don't know, I 71 00:03:53,240 --> 00:03:54,000 Speaker 2: have more traits. 72 00:03:54,840 --> 00:03:57,400 Speaker 1: You call them to l A Yes, I mean I'm 73 00:03:57,520 --> 00:04:02,440 Speaker 1: sort of yes, yes you come to and the Groundlings, Yeah, 74 00:04:02,480 --> 00:04:05,560 Speaker 1: which seems to have been like such a foundational place 75 00:04:05,600 --> 00:04:07,280 Speaker 1: for really talented people. 76 00:04:08,000 --> 00:04:11,720 Speaker 2: I mean that's where I speaking of the universe. Something 77 00:04:11,760 --> 00:04:15,440 Speaker 2: guided me there and that just changed my life. Even 78 00:04:15,480 --> 00:04:19,159 Speaker 2: as far as my close friends are all from there, 79 00:04:19,880 --> 00:04:25,360 Speaker 2: I'm still very close with that group. And I don't know, 80 00:04:25,440 --> 00:04:27,560 Speaker 2: I learned how to be on stage. I learned how 81 00:04:27,600 --> 00:04:29,719 Speaker 2: to write there, I learned how to be in a 82 00:04:30,760 --> 00:04:35,960 Speaker 2: in an ensemble. I learned about, you know, making other 83 00:04:36,080 --> 00:04:39,159 Speaker 2: actors look good and improvising and that it is a 84 00:04:39,160 --> 00:04:42,719 Speaker 2: group effort, and how to feel when things work and 85 00:04:42,760 --> 00:04:47,320 Speaker 2: when things don't work well, I mean, the audience will 86 00:04:47,320 --> 00:04:52,120 Speaker 2: tell you. But yeah, I just feel like that was 87 00:04:52,839 --> 00:04:55,560 Speaker 2: I mean, even just socially, just sort of the best 88 00:04:55,640 --> 00:04:57,120 Speaker 2: years that end SNL. 89 00:04:57,279 --> 00:04:59,039 Speaker 1: Is it sort of like and we'll get of course, 90 00:05:00,120 --> 00:05:02,720 Speaker 1: is it almost like your high school years? Those are 91 00:05:02,760 --> 00:05:04,760 Speaker 1: your people, and. 92 00:05:04,520 --> 00:05:07,400 Speaker 2: Like, yeah, you just kind of stay, you bond your 93 00:05:07,560 --> 00:05:11,680 Speaker 2: yeah group, I think because it's very and sort of 94 00:05:11,720 --> 00:05:13,680 Speaker 2: like SNL, we kind of say that we've all sort 95 00:05:13,720 --> 00:05:15,760 Speaker 2: of like been through war together and you just are 96 00:05:15,839 --> 00:05:20,480 Speaker 2: kind of bonded for life. I think when you're really 97 00:05:21,360 --> 00:05:24,600 Speaker 2: vulnerable in front of other people and you get scared 98 00:05:24,680 --> 00:05:27,680 Speaker 2: and you fail in front of other people, there's just 99 00:05:27,800 --> 00:05:32,280 Speaker 2: something that I don't know, there's just a connection there. 100 00:05:32,400 --> 00:05:32,760 Speaker 1: I think. 101 00:05:32,839 --> 00:05:33,880 Speaker 2: I don't know how to explain it. 102 00:05:33,880 --> 00:05:36,920 Speaker 1: Well, I think, well, you know, looking at your work 103 00:05:36,960 --> 00:05:40,440 Speaker 1: and when you are, when I've watched you on SNL 104 00:05:40,720 --> 00:05:42,919 Speaker 1: or the Groundlings, you know you have to be so 105 00:05:43,080 --> 00:05:45,560 Speaker 1: open to failing and learn how to feel because. 106 00:05:45,400 --> 00:05:47,200 Speaker 2: That's really really hard to be funny. 107 00:05:47,200 --> 00:05:50,640 Speaker 1: But because you take the chances yeah, I mean the 108 00:05:50,720 --> 00:05:53,640 Speaker 1: characters that you've sort of if you're too afraid to fail. 109 00:05:54,560 --> 00:05:58,520 Speaker 2: Yeah, And it gets harder as you are in the 110 00:05:58,560 --> 00:06:02,560 Speaker 2: business longer, the older you get to do something that 111 00:06:02,800 --> 00:06:06,479 Speaker 2: fails because you feel like it's such a bigger deal. 112 00:06:07,080 --> 00:06:09,960 Speaker 1: The idea of failing and risk. So barber Stride Sin 113 00:06:10,040 --> 00:06:12,320 Speaker 1: says too, if she's in this book, if you haven't 114 00:06:12,720 --> 00:06:16,159 Speaker 1: and you are somewhat interested, you must do the audible. 115 00:06:15,760 --> 00:06:17,600 Speaker 2: Because yes, I ought to hear her. 116 00:06:17,800 --> 00:06:22,279 Speaker 1: Yea, because she tells you and then she adds extra stories, 117 00:06:22,320 --> 00:06:25,880 Speaker 1: and then she reacts to her own stories, and it's 118 00:06:26,360 --> 00:06:31,520 Speaker 1: and she leaves no stone unturned really okay, remembered, I'm 119 00:06:31,560 --> 00:06:33,440 Speaker 1: everything in her life where you're like. 120 00:06:33,720 --> 00:06:36,400 Speaker 2: I grew up listening to my mom was obsessed, so 121 00:06:36,440 --> 00:06:36,719 Speaker 2: I was. 122 00:06:36,920 --> 00:06:40,920 Speaker 1: She said that iconic duet that she did with Judy 123 00:06:41,000 --> 00:06:46,480 Speaker 1: Garland Happy Days, Judy was shaking and Jay and she 124 00:06:46,600 --> 00:06:48,159 Speaker 1: was so and she was so young and she was 125 00:06:48,240 --> 00:06:50,839 Speaker 1: new to the game, but she was not nervous, she said. 126 00:06:51,000 --> 00:06:55,800 Speaker 1: As she aged, she realizes, Oh, it gets harder as 127 00:06:55,839 --> 00:06:59,360 Speaker 1: you get older and more successful, because you become more nervous. 128 00:06:59,560 --> 00:07:03,000 Speaker 1: And I think that's failing of not to be you know. 129 00:07:03,040 --> 00:07:04,360 Speaker 1: I think that is well. 130 00:07:04,240 --> 00:07:07,880 Speaker 2: When you're trying something and you fail, you sort of 131 00:07:07,920 --> 00:07:11,320 Speaker 2: have that. I don't know if excuse is the right word, 132 00:07:11,360 --> 00:07:14,920 Speaker 2: but it's easier because you're like, Okay, well I'm trying 133 00:07:14,920 --> 00:07:16,400 Speaker 2: new things. I don't know what's going to work. And 134 00:07:16,440 --> 00:07:21,160 Speaker 2: I think the longer you're in this line of work 135 00:07:21,360 --> 00:07:23,240 Speaker 2: and people see all the stuff you do, when you 136 00:07:23,280 --> 00:07:25,119 Speaker 2: do fail, it's kind of like, well that didn't work, 137 00:07:26,160 --> 00:07:27,280 Speaker 2: why is she doing that? 138 00:07:27,720 --> 00:07:28,240 Speaker 1: And it just. 139 00:07:28,200 --> 00:07:32,600 Speaker 2: Feels more rough. Yeah, it's it's actually something I'm trying 140 00:07:32,680 --> 00:07:35,600 Speaker 2: to work on right now, is just being a little 141 00:07:35,600 --> 00:07:39,920 Speaker 2: more free with that stuff, because that's ultimately what as 142 00:07:39,920 --> 00:07:42,440 Speaker 2: an actor you have to kind of do. 143 00:07:42,920 --> 00:07:45,400 Speaker 1: It's so funny to hear this coming from you, because 144 00:07:46,240 --> 00:07:49,440 Speaker 1: of your success and how good you are that one 145 00:07:49,480 --> 00:07:52,680 Speaker 1: would I think the person who sits on my side 146 00:07:52,680 --> 00:07:57,960 Speaker 1: of being a fan and a viewer of television and film, you, 147 00:07:58,400 --> 00:08:01,840 Speaker 1: I wouldn't think that. I think like, oh, you got this, 148 00:08:02,000 --> 00:08:02,320 Speaker 1: like you. 149 00:08:02,320 --> 00:08:08,520 Speaker 2: Know no, No, I feel like whenever I feel like 150 00:08:08,880 --> 00:08:13,560 Speaker 2: I've got this, I need to change my careers. And 151 00:08:13,760 --> 00:08:19,280 Speaker 2: I felt that way with SNL, especially because I think 152 00:08:19,680 --> 00:08:22,560 Speaker 2: I think like, ultimately, our job is kind of like 153 00:08:22,920 --> 00:08:30,920 Speaker 2: uncomfortable and there's no predictability, there's no like real safety, 154 00:08:31,600 --> 00:08:33,080 Speaker 2: and so I think that's part of it. 155 00:08:33,160 --> 00:08:35,480 Speaker 1: I mean, you'll just have another job. 156 00:08:35,440 --> 00:08:39,520 Speaker 2: Or even just safety in like creating a character or 157 00:08:39,720 --> 00:08:42,199 Speaker 2: all of it. It's just it's very like there's no 158 00:08:42,280 --> 00:08:45,640 Speaker 2: stability and that's just what it is. So I think 159 00:08:45,840 --> 00:08:48,520 Speaker 2: for me, and I always said that with SNL because 160 00:08:48,720 --> 00:08:51,520 Speaker 2: that felt like that environment. And I've said this before, 161 00:08:51,600 --> 00:08:53,680 Speaker 2: like the moment I feel super comfortable here, I feel 162 00:08:53,720 --> 00:08:54,319 Speaker 2: like is when I. 163 00:08:54,280 --> 00:08:54,920 Speaker 1: Have to leave. 164 00:08:56,679 --> 00:09:00,120 Speaker 2: It? Still, I don't know. So at any time I 165 00:09:00,160 --> 00:09:02,160 Speaker 2: do a new job, I'm nervous. 166 00:09:02,280 --> 00:09:05,080 Speaker 1: Yeah, because you don't know that it makes complete sense. Yeah, 167 00:09:05,200 --> 00:09:07,360 Speaker 1: know what is going to come out of you? You 168 00:09:07,360 --> 00:09:08,839 Speaker 1: don't know who it's going to be. You don't know 169 00:09:08,840 --> 00:09:12,360 Speaker 1: if it's going to be good or bad. Yeahah, that level. 170 00:09:12,040 --> 00:09:14,280 Speaker 2: Of or is this the one where I'm gonna like, 171 00:09:15,080 --> 00:09:18,920 Speaker 2: you know, have a panic atitarck or something. You know, 172 00:09:18,960 --> 00:09:21,040 Speaker 2: you just think like, okay, well, is this the job 173 00:09:21,080 --> 00:09:23,760 Speaker 2: that is just gonna I don't know. 174 00:09:24,280 --> 00:09:27,079 Speaker 1: You quickly went from season thirty one to thirty two. 175 00:09:27,400 --> 00:09:30,520 Speaker 1: You went from feature was it, yes, thirty one thirty 176 00:09:30,520 --> 00:09:34,760 Speaker 1: two boom by the boom. Yeah, so when you were developing, 177 00:09:34,760 --> 00:09:38,080 Speaker 1: because that's I've spoken. Colin was on the show recently 178 00:09:38,120 --> 00:09:40,360 Speaker 1: and we talked about that, and he's incredible, and you 179 00:09:40,360 --> 00:09:43,320 Speaker 1: know he's so incredible. Pressure of like the week and 180 00:09:43,360 --> 00:09:46,120 Speaker 1: writing his sketches and now you're like pitching your sketch. 181 00:09:46,840 --> 00:09:49,400 Speaker 1: That's pressure. I mean, if you know how to talk 182 00:09:49,440 --> 00:09:50,360 Speaker 1: to us about. 183 00:09:50,559 --> 00:09:54,079 Speaker 2: That, I think because I knew it was going to 184 00:09:54,120 --> 00:09:59,480 Speaker 2: be pressure, and I went in with just low expectations 185 00:09:59,520 --> 00:10:03,240 Speaker 2: of my and I was so scared. I really didn't 186 00:10:03,480 --> 00:10:06,959 Speaker 2: I don't know. I only could go up as far 187 00:10:07,080 --> 00:10:10,400 Speaker 2: as like my my mood about the place. If that 188 00:10:10,440 --> 00:10:13,240 Speaker 2: makes sense because I went in just like I'm new, 189 00:10:14,320 --> 00:10:18,320 Speaker 2: I'm just gonna like learn from the people that have 190 00:10:18,400 --> 00:10:22,080 Speaker 2: been here before. I'm happy to be here. What I'm 191 00:10:22,080 --> 00:10:25,679 Speaker 2: hearing is I knew it was a scary place in 192 00:10:25,880 --> 00:10:28,839 Speaker 2: a way. So I think that helped me because I 193 00:10:28,880 --> 00:10:30,920 Speaker 2: think I think what I'm saying is if I would 194 00:10:30,960 --> 00:10:33,520 Speaker 2: have gone in like we were saying, like I got 195 00:10:33,559 --> 00:10:37,080 Speaker 2: this or I belong here, even, I think I would 196 00:10:37,080 --> 00:10:42,360 Speaker 2: have had a different experience in the beginning because I 197 00:10:42,480 --> 00:10:46,360 Speaker 2: knew my sort of experience at the Groundlings. I was 198 00:10:46,600 --> 00:10:50,600 Speaker 2: very comfortable on that stage. I knew I had characters 199 00:10:51,600 --> 00:10:54,520 Speaker 2: that you know, would get into shows and worked or whatever. 200 00:10:55,120 --> 00:10:57,520 Speaker 2: But I was like, I could go to SNL and 201 00:10:57,600 --> 00:11:01,960 Speaker 2: it could just not work. Like the most terrified I 202 00:11:02,000 --> 00:11:04,000 Speaker 2: ever was was when I did a character from the 203 00:11:04,080 --> 00:11:06,640 Speaker 2: Rawlings at SNL, because I was like, if this doesn't work, 204 00:11:06,960 --> 00:11:09,839 Speaker 2: like I'm out, Like that's my that's me, Like, that's 205 00:11:09,840 --> 00:11:11,520 Speaker 2: my sense of humor, that's how I write, Like this 206 00:11:11,640 --> 00:11:13,640 Speaker 2: is not this is wrong going to go well? 207 00:11:13,840 --> 00:11:15,600 Speaker 1: Like when you chose so that So what you're saying 208 00:11:15,679 --> 00:11:17,720 Speaker 1: is so like you had a character that you developed 209 00:11:17,720 --> 00:11:19,880 Speaker 1: at the ground Lanks worked. It was great. And now 210 00:11:19,920 --> 00:11:22,000 Speaker 1: you're at S and now and it's like okay, Christen, 211 00:11:22,080 --> 00:11:23,840 Speaker 1: like what what do you got? And you're like, oh, okay, 212 00:11:23,880 --> 00:11:26,680 Speaker 1: I'm going to do this character that I developed. Yeah, 213 00:11:27,200 --> 00:11:29,720 Speaker 1: you're waiting to see. Did it ever not work? 214 00:11:30,120 --> 00:11:32,880 Speaker 2: Oh? I had dad a lot of things, and so 215 00:11:32,960 --> 00:11:37,760 Speaker 2: many worked. Yeah, I mean, and also things that work 216 00:11:37,840 --> 00:11:41,520 Speaker 2: on a stage don't necessarily work on a TV show. 217 00:11:43,280 --> 00:11:47,240 Speaker 2: The character Aunt Linda that I do, she was that 218 00:11:47,320 --> 00:11:49,320 Speaker 2: was a scene and I tried to get her on 219 00:11:49,360 --> 00:11:53,600 Speaker 2: the show like four or five times in a scene 220 00:11:53,679 --> 00:11:56,520 Speaker 2: and it just wasn't. There was something about it because 221 00:11:56,520 --> 00:11:59,640 Speaker 2: she's so unlikable. It was kind of like why aren't 222 00:11:59,679 --> 00:12:02,960 Speaker 2: people just getting up and leaving? Like the scene doesn't 223 00:12:02,960 --> 00:12:05,120 Speaker 2: make sense? Why are people still talking to her? So 224 00:12:05,200 --> 00:12:06,640 Speaker 2: then it was like, oh, let's put her at the 225 00:12:06,720 --> 00:12:09,800 Speaker 2: update desk. So I kind of had to like rework. 226 00:12:09,640 --> 00:12:12,960 Speaker 1: Interesting where she could be unlikable. 227 00:12:12,360 --> 00:12:14,920 Speaker 2: And v she could Colin just has to sit there. 228 00:12:16,720 --> 00:12:18,920 Speaker 1: And when you because you just did your fifth you 229 00:12:19,040 --> 00:12:23,160 Speaker 1: joined the five year club five yeah club, and Linda 230 00:12:23,280 --> 00:12:25,920 Speaker 1: was on that yeah kind that was hysterical. Thank you, 231 00:12:46,880 --> 00:12:49,760 Speaker 1: Welcome back to Table for two. Before the break, we 232 00:12:49,760 --> 00:12:52,480 Speaker 1: were talking with our guest Kristen Wigg about her time 233 00:12:52,520 --> 00:12:55,520 Speaker 1: on Saturday Night Live. She was a cast member for 234 00:12:55,600 --> 00:12:58,840 Speaker 1: seven years, and I'm curious what it was like performing 235 00:12:58,880 --> 00:13:04,400 Speaker 1: alongside a different host every week. You clearly must get 236 00:13:04,440 --> 00:13:07,360 Speaker 1: to a point where you're like, okay, not like I 237 00:13:07,400 --> 00:13:09,040 Speaker 1: got this where it's time for me to leave, but 238 00:13:09,080 --> 00:13:11,480 Speaker 1: like I understand now I've been doing it long enough 239 00:13:11,480 --> 00:13:13,440 Speaker 1: where I understand the week, the rhythm of the week, 240 00:13:13,559 --> 00:13:15,480 Speaker 1: and how to do it. And now I also know 241 00:13:15,480 --> 00:13:19,000 Speaker 1: how to help and work with the guest, right, because 242 00:13:19,000 --> 00:13:23,600 Speaker 1: that's a very tough THINGU. Yeah, when you're working with 243 00:13:23,640 --> 00:13:27,800 Speaker 1: a guest who might not necessarily be funny funny, you 244 00:13:27,840 --> 00:13:31,520 Speaker 1: know they're an actor, there's do you were there times 245 00:13:31,559 --> 00:13:33,800 Speaker 1: where you're like, okay, I am because you want everyone 246 00:13:33,840 --> 00:13:36,640 Speaker 1: to look good. I'm going to kind of wrap my 247 00:13:37,080 --> 00:13:39,520 Speaker 1: arms around this person because let's say the scene isn't 248 00:13:39,559 --> 00:13:40,760 Speaker 1: necessarily working. 249 00:13:41,120 --> 00:13:44,440 Speaker 2: I mean, I certainly can speak just for the show 250 00:13:44,520 --> 00:13:50,880 Speaker 2: in general. It's just their job, our job to make 251 00:13:50,920 --> 00:13:53,040 Speaker 2: the host look good. Like that is what we were 252 00:13:53,040 --> 00:13:55,600 Speaker 2: always taught, like, have a great show, make the host 253 00:13:55,640 --> 00:13:58,800 Speaker 2: look good. So if you have someone who's an athlete 254 00:13:58,880 --> 00:14:01,560 Speaker 2: maybe or just for an example and you don't know, like, 255 00:14:01,720 --> 00:14:03,920 Speaker 2: are what's this going to? Be? 256 00:14:04,320 --> 00:14:04,760 Speaker 1: Sure? 257 00:14:05,440 --> 00:14:09,600 Speaker 2: I think the writers are so good at I don't know, 258 00:14:09,720 --> 00:14:13,840 Speaker 2: creating just certain scenarios and scenes, whether it's a character 259 00:14:13,920 --> 00:14:17,560 Speaker 2: that someone already does in the cast and having them 260 00:14:17,760 --> 00:14:19,560 Speaker 2: be sort of like their partner in that. 261 00:14:20,320 --> 00:14:20,640 Speaker 1: I don't know. 262 00:14:20,680 --> 00:14:24,480 Speaker 2: I feel like the show is just really really good 263 00:14:24,680 --> 00:14:28,520 Speaker 2: at at doing it. You kind of know people's I mean, 264 00:14:28,600 --> 00:14:31,320 Speaker 2: you don't really know, but you get an idea maybe 265 00:14:31,320 --> 00:14:32,600 Speaker 2: of who they are, like what they're doing. 266 00:14:32,720 --> 00:14:34,800 Speaker 1: Right, And I see that you're saying, it's the community 267 00:14:34,880 --> 00:14:37,040 Speaker 1: of that says, Okay, this person's going to be the 268 00:14:37,040 --> 00:14:39,320 Speaker 1: host this week, so okay, this person is an athlete, 269 00:14:39,400 --> 00:14:42,560 Speaker 1: so we know, so let's kind of meaniately like they're 270 00:14:42,600 --> 00:14:43,240 Speaker 1: not an actor. 271 00:14:43,600 --> 00:14:46,680 Speaker 2: We have to like sort of cater to what they're 272 00:14:46,760 --> 00:14:50,600 Speaker 2: great at. And people always surprise you and them thinking 273 00:14:50,640 --> 00:14:53,360 Speaker 2: of like Peyton Manning who just came in and was 274 00:14:53,440 --> 00:14:56,480 Speaker 2: just like hilarious and ended up posting I don't know 275 00:14:57,160 --> 00:15:00,840 Speaker 2: times or something, so I'm s sure the second time 276 00:15:00,840 --> 00:15:03,320 Speaker 2: he came back, the writers approach it a little differently 277 00:15:03,320 --> 00:15:05,000 Speaker 2: because they know what he does. 278 00:15:05,120 --> 00:15:08,359 Speaker 1: Yes, you know, yeah, but do you have a favorite 279 00:15:08,680 --> 00:15:12,400 Speaker 1: Kristen character. I mean, there's so good. There's so many, 280 00:15:12,880 --> 00:15:15,000 Speaker 1: you know, not a favorite one that like you're like, oh, 281 00:15:15,040 --> 00:15:17,040 Speaker 1: I love when she comes. 282 00:15:16,800 --> 00:15:20,880 Speaker 2: Out, Like I really do love doing Aunt Linda because 283 00:15:21,800 --> 00:15:26,440 Speaker 2: I get to sort of release, like I don't know, 284 00:15:26,560 --> 00:15:29,280 Speaker 2: she's very animated, so I kind of like lose myself 285 00:15:29,320 --> 00:15:31,280 Speaker 2: in her a little bit. So it kind of distresses me, 286 00:15:31,320 --> 00:15:35,200 Speaker 2: if that makes sense. And I think the target Lady 287 00:15:35,240 --> 00:15:38,560 Speaker 2: for me is just that's one of the characters I 288 00:15:38,640 --> 00:15:41,440 Speaker 2: brought from the ground so that one just feels like 289 00:15:41,760 --> 00:15:44,280 Speaker 2: special to me, if that makes sense. I don't know. 290 00:15:44,320 --> 00:15:45,960 Speaker 2: It's weird when you have these characters that kind of 291 00:15:45,960 --> 00:15:48,320 Speaker 2: feel like you're children even though they are. 292 00:15:48,240 --> 00:15:52,120 Speaker 1: You me, do these characters come to you like you're 293 00:15:52,600 --> 00:15:54,280 Speaker 1: shopping and awstin you're looking at this. 294 00:15:54,280 --> 00:15:57,000 Speaker 2: Woman on your like sometimes oh my, yeah. 295 00:15:56,920 --> 00:15:59,480 Speaker 1: Look at this kind of like you know, there's always 296 00:15:59,520 --> 00:16:01,600 Speaker 1: those crazy see like New York ladies that you see 297 00:16:01,640 --> 00:16:04,760 Speaker 1: like or like the crazy La ladies to Tan they've 298 00:16:04,800 --> 00:16:05,840 Speaker 1: been around and you're like. 299 00:16:05,840 --> 00:16:08,200 Speaker 2: Totally I mean I think, yeah, being when I was 300 00:16:08,320 --> 00:16:11,280 Speaker 2: at the groundings and being on the show, you're constantly 301 00:16:11,720 --> 00:16:14,320 Speaker 2: having to come up with new material every week, and 302 00:16:14,360 --> 00:16:17,760 Speaker 2: so you have these like I don't know, comedy and 303 00:16:17,880 --> 00:16:20,520 Speaker 2: tennis all and where you're just like listening to people 304 00:16:20,720 --> 00:16:24,560 Speaker 2: and watching people because you're always like trying to find 305 00:16:24,640 --> 00:16:29,560 Speaker 2: ideas and you're trying to like find people to become. Yeah, 306 00:16:29,920 --> 00:16:33,040 Speaker 2: so I don't do that so much now, But back then, 307 00:16:33,080 --> 00:16:34,840 Speaker 2: it was like, yeah. 308 00:16:35,120 --> 00:16:39,760 Speaker 1: Wow, no, our fries are coming. Oh everything's going wow. 309 00:16:40,000 --> 00:16:43,520 Speaker 1: I mean we're double fried up ladies and gentlemen. That's 310 00:16:43,560 --> 00:16:44,880 Speaker 1: a beautiful salad. 311 00:16:45,360 --> 00:16:46,200 Speaker 2: Really beautiful. 312 00:16:46,280 --> 00:16:47,160 Speaker 1: Thank you, thank you. 313 00:16:47,280 --> 00:16:49,800 Speaker 2: I appreciate that, Thank you so much. 314 00:16:49,960 --> 00:16:53,040 Speaker 1: Okay, you're going to do the first? What am I am? 315 00:16:53,080 --> 00:16:55,000 Speaker 2: I saying that? Which what's better? Normal? 316 00:16:55,160 --> 00:16:57,240 Speaker 1: Just like what I mean, they're both going to be 317 00:16:57,240 --> 00:16:58,760 Speaker 1: good because the fry is a fry, right. 318 00:16:59,200 --> 00:17:02,880 Speaker 2: You know what though, these fries are my favorite kind 319 00:17:02,920 --> 00:17:06,240 Speaker 2: of fry because I like a thin fry. But I 320 00:17:06,240 --> 00:17:07,399 Speaker 2: don't like a soft fry. 321 00:17:08,520 --> 00:17:09,200 Speaker 1: I agree. 322 00:17:09,880 --> 00:17:11,520 Speaker 2: I don't really like soft foods. 323 00:17:11,560 --> 00:17:15,560 Speaker 1: And you mean, like a mashed potato a little too mushy, 324 00:17:15,680 --> 00:17:16,360 Speaker 1: a little too much. 325 00:17:16,400 --> 00:17:17,360 Speaker 2: I need like a crunch. 326 00:17:17,640 --> 00:17:19,240 Speaker 1: I mean, I think I'm a it's very good. 327 00:17:19,280 --> 00:17:20,119 Speaker 2: I'm a truffled person. 328 00:17:20,240 --> 00:17:21,760 Speaker 1: Yeah, it's very it's kind of nice. 329 00:17:21,800 --> 00:17:24,960 Speaker 2: Traffle with mayo ketch Up with Regular. 330 00:17:25,160 --> 00:17:30,159 Speaker 1: Oh my god, Truffle with Mayo first, Yeah, ketch Up 331 00:17:30,200 --> 00:17:42,040 Speaker 1: with Regular was Bridesmaids. The moment that you were like, 332 00:17:42,560 --> 00:17:46,600 Speaker 1: was that the moment where life changes again? And that 333 00:17:46,760 --> 00:17:48,000 Speaker 1: kind of I mean. 334 00:17:47,840 --> 00:17:53,119 Speaker 2: If yeah, I think if we're talking like chapters and 335 00:17:53,359 --> 00:17:56,200 Speaker 2: SNL being the one before, I think that was probably 336 00:17:56,760 --> 00:17:57,920 Speaker 2: the next one. 337 00:17:59,080 --> 00:18:02,160 Speaker 1: Would you tell during the shooting of that? No, could 338 00:18:02,200 --> 00:18:03,760 Speaker 1: you get through a take of that? Or do you 339 00:18:03,800 --> 00:18:05,600 Speaker 1: all like really actually hate each other and it's like 340 00:18:06,000 --> 00:18:06,840 Speaker 1: we can imagine? 341 00:18:07,200 --> 00:18:10,320 Speaker 2: No, it was one of the best experiences of my life. 342 00:18:10,960 --> 00:18:12,920 Speaker 2: And I mean talk about being bonded. 343 00:18:13,160 --> 00:18:15,560 Speaker 1: Yeah, ever, those those girls only imagine. 344 00:18:16,080 --> 00:18:20,080 Speaker 2: Yeah, I mean I think for me too, because we 345 00:18:20,200 --> 00:18:25,280 Speaker 2: wrote it right, it felt like, oh maybe I can 346 00:18:25,359 --> 00:18:30,639 Speaker 2: start doing this kind of thing, writing for myself and 347 00:18:30,680 --> 00:18:33,440 Speaker 2: my friends. I mean like, I mean, the whole experience 348 00:18:33,600 --> 00:18:36,480 Speaker 2: was life changing in so many ways. 349 00:18:36,680 --> 00:18:39,240 Speaker 1: Yeah. To be able to write, you know, to have 350 00:18:39,280 --> 00:18:42,320 Speaker 1: the gift of both that must be completely How does 351 00:18:42,359 --> 00:18:45,320 Speaker 1: that come the genesis of an idea where you're like, oh, 352 00:18:45,440 --> 00:18:47,320 Speaker 1: this is an idea that I'm going to develop. 353 00:18:47,560 --> 00:18:50,919 Speaker 2: I mean, I have to give my writing partner credit 354 00:18:50,960 --> 00:18:55,120 Speaker 2: for that. Annie Mamelo, jud had approached me to write something. 355 00:18:55,160 --> 00:19:00,719 Speaker 2: I didn't really have an idea, and I really had 356 00:19:00,760 --> 00:19:04,159 Speaker 2: been writing with Annie at the Groundlings a lot. So 357 00:19:04,200 --> 00:19:05,639 Speaker 2: I was just like, hey, do you want to write 358 00:19:05,880 --> 00:19:06,960 Speaker 2: something with me for. 359 00:19:09,960 --> 00:19:10,680 Speaker 1: I mean, that's like. 360 00:19:11,600 --> 00:19:15,119 Speaker 2: And we had a couple ideas and then that was 361 00:19:15,160 --> 00:19:18,919 Speaker 2: the one that sort of stuck and it fit for 362 00:19:18,960 --> 00:19:22,000 Speaker 2: a lot of reasons. We liked that it was about 363 00:19:22,280 --> 00:19:27,080 Speaker 2: friendship and not just a straight up love story romantic comedy, 364 00:19:27,640 --> 00:19:30,320 Speaker 2: and that it did have a big female cast, and 365 00:19:31,200 --> 00:19:33,359 Speaker 2: and I think it's something that people could relate to. 366 00:19:33,480 --> 00:19:37,639 Speaker 1: I think so the one fun getting married and the 367 00:19:38,119 --> 00:19:40,880 Speaker 1: you know, the dynamics of the friendship were going to end. 368 00:19:41,600 --> 00:19:44,360 Speaker 1: I think it was completely relatable on so many levels, 369 00:19:44,520 --> 00:19:46,880 Speaker 1: even you know, the relationships you have with who. That's 370 00:19:46,880 --> 00:19:48,920 Speaker 1: when I found really saw like, oh, who knew John 371 00:19:48,920 --> 00:19:50,680 Speaker 1: Amm was so funny, you know what I mean? Like that, 372 00:19:51,040 --> 00:19:53,160 Speaker 1: I was like, oh, oh, this is so funny. Great, 373 00:19:53,359 --> 00:19:56,320 Speaker 1: and the dynamics, and then of course the way the 374 00:19:56,359 --> 00:19:58,480 Speaker 1: movie does end out, because it is in a way 375 00:19:59,160 --> 00:20:02,159 Speaker 1: it's a romantic comment between two girlfriends, you know, that 376 00:20:03,080 --> 00:20:06,640 Speaker 1: have this divide and then come back together and they 377 00:20:06,880 --> 00:20:08,240 Speaker 1: you know, they find each other and. 378 00:20:08,119 --> 00:20:12,760 Speaker 2: That's I mean, romantic relationships are obviously important, and that 379 00:20:12,880 --> 00:20:15,159 Speaker 2: is the majority of well that's sort of definition of 380 00:20:15,200 --> 00:20:19,600 Speaker 2: the romantic comedy. But and we've always said, like female 381 00:20:19,600 --> 00:20:24,800 Speaker 2: friendships are so like your friends. I mean I'm not 382 00:20:24,880 --> 00:20:29,480 Speaker 2: just specifying women, but your friendships, especially as you get older, 383 00:20:29,480 --> 00:20:32,399 Speaker 2: it is to your family like that that's the person 384 00:20:32,440 --> 00:20:37,960 Speaker 2: you call. That's like they're so important, especially during that time. 385 00:20:38,000 --> 00:20:40,040 Speaker 2: I think, too, who am I? 386 00:20:40,119 --> 00:20:42,080 Speaker 1: How do you feel, like just recently to go back 387 00:20:42,680 --> 00:20:47,800 Speaker 1: and be a movie star and be hosting SNL, because 388 00:20:48,040 --> 00:20:50,480 Speaker 1: like it must feel it's weird, weird. 389 00:20:50,520 --> 00:20:53,320 Speaker 2: You know, it's weird because I want to be in 390 00:20:53,440 --> 00:20:56,760 Speaker 2: the cast, you know what I mean, Like I don't 391 00:20:56,760 --> 00:20:59,399 Speaker 2: want to be the one that's like in the separate meetings, 392 00:20:59,400 --> 00:21:00,560 Speaker 2: Like I want to be everybody. 393 00:21:01,160 --> 00:21:02,440 Speaker 1: You're like, hi, I'm here. 394 00:21:02,880 --> 00:21:05,480 Speaker 2: Well, I mean it was in the obviously when I 395 00:21:05,480 --> 00:21:07,240 Speaker 2: first went back, it was cool to sort of look 396 00:21:07,320 --> 00:21:09,359 Speaker 2: behind the curtain because you don't know what it's like. 397 00:21:09,440 --> 00:21:10,680 Speaker 2: It's like, what goes on in that meeting? 398 00:21:10,760 --> 00:21:11,440 Speaker 1: Where are they going? 399 00:21:11,800 --> 00:21:15,360 Speaker 2: That was kind of cool, Yeah, my thing because everyone's 400 00:21:15,400 --> 00:21:19,000 Speaker 2: still there, like all the producers, and I mean obviously 401 00:21:19,119 --> 00:21:22,679 Speaker 2: changes here and there, but like if I were to 402 00:21:22,720 --> 00:21:24,440 Speaker 2: go back and it was all new producers and all 403 00:21:24,480 --> 00:21:26,960 Speaker 2: new crew, it would be a completely different experience and 404 00:21:26,960 --> 00:21:28,840 Speaker 2: I would feel like I'm going back to a place 405 00:21:28,880 --> 00:21:32,000 Speaker 2: I don't work anymore, right, But it's all the same people, 406 00:21:32,200 --> 00:21:35,600 Speaker 2: So it's like it's like, I mean, it's like a family. 407 00:21:35,600 --> 00:21:37,320 Speaker 2: I know that's what people say, but it really is. 408 00:21:37,440 --> 00:21:41,800 Speaker 1: Yeah, you know when I was a page at NBC. Wait, 409 00:21:41,800 --> 00:21:46,600 Speaker 1: when was that nineteen eighty nine? Well, yeah, so all 410 00:21:46,680 --> 00:21:49,880 Speaker 1: day you'd give tours and I had the Today Show assignment, 411 00:21:49,920 --> 00:21:52,480 Speaker 1: and then and every Saturday, you know, I'd give tours 412 00:21:52,600 --> 00:21:55,280 Speaker 1: and at SNL, you know, you'd have your break. And 413 00:21:55,320 --> 00:21:59,080 Speaker 1: then it was year fifteen because it was Gilder Rinder 414 00:21:59,160 --> 00:22:02,120 Speaker 1: when she passed was a big and that was year 415 00:22:02,240 --> 00:22:04,960 Speaker 1: she passed. It was also like the fifteen year anniversary party, 416 00:22:05,760 --> 00:22:08,119 Speaker 1: and you'd work all day and you've worked between the 417 00:22:08,160 --> 00:22:10,359 Speaker 1: morning and then we all of course that we weren't 418 00:22:10,359 --> 00:22:13,639 Speaker 1: supposed to, would go to the after party. And I literally, 419 00:22:13,800 --> 00:22:16,400 Speaker 1: on this given Saturday, I wanted to work that Saturday, 420 00:22:16,400 --> 00:22:19,200 Speaker 1: and there was a Bob Hope's picture was on the wall, 421 00:22:19,240 --> 00:22:22,360 Speaker 1: and it Saturday's like birthdate, and the nineteen eighty nine. 422 00:22:22,400 --> 00:22:25,359 Speaker 1: I was like, so, you know, you give four tours 423 00:22:25,359 --> 00:22:27,840 Speaker 1: a day, which doesn't sound like a lot, but a lot, 424 00:22:28,200 --> 00:22:31,520 Speaker 1: And all day I told everyone Bob Hope died. Oh no, 425 00:22:31,800 --> 00:22:34,119 Speaker 1: but Bob Hope hadn't died because you know, they have 426 00:22:34,240 --> 00:22:37,720 Speaker 1: these things ready for you, and so for whatever reason, 427 00:22:37,840 --> 00:22:39,560 Speaker 1: I was like, I just need to tell you all 428 00:22:40,440 --> 00:22:43,920 Speaker 1: as we're in studio, like whatever, Bob Hope is dead. 429 00:22:44,560 --> 00:22:47,160 Speaker 1: And then when I found out later, I'm like, I 430 00:22:47,200 --> 00:22:52,200 Speaker 1: told all these people, Oh, anyway, we we got well. 431 00:22:52,320 --> 00:22:53,840 Speaker 1: I mean I didn't know. 432 00:22:53,920 --> 00:22:57,159 Speaker 2: That's why did he tell why on the news? 433 00:22:57,440 --> 00:23:00,639 Speaker 1: Why is it not making like? Why is this idiotol 434 00:23:00,680 --> 00:23:04,760 Speaker 1: page alphre right exactly. But we would work the door 435 00:23:05,119 --> 00:23:07,879 Speaker 1: of studio eight h and the people that try to 436 00:23:07,880 --> 00:23:09,760 Speaker 1: crash because it was old school then, so there's not 437 00:23:09,800 --> 00:23:13,520 Speaker 1: all gloss like it was right, and people would always 438 00:23:13,520 --> 00:23:14,920 Speaker 1: be like, no, I'm on the eighth floor and we'd 439 00:23:14,920 --> 00:23:17,760 Speaker 1: be like, you know, you're not like Saka, I go 440 00:23:17,840 --> 00:23:22,000 Speaker 1: up to the nine to flour. You're talking about really power, 441 00:23:22,080 --> 00:23:24,760 Speaker 1: famous people like you had power like it was. It was. 442 00:23:24,800 --> 00:23:27,679 Speaker 1: It was probably one of the best jobs I've ever had, 443 00:23:27,760 --> 00:23:31,240 Speaker 1: and to your point, very specific because of the people 444 00:23:31,280 --> 00:23:33,800 Speaker 1: I was doing it with in that year at that time, 445 00:23:34,000 --> 00:23:35,960 Speaker 1: and that's kind of the fun of life. But it 446 00:23:36,040 --> 00:23:37,880 Speaker 1: really is a group. It was just was fun. 447 00:23:37,960 --> 00:23:41,439 Speaker 2: I mean even the people that I went in with, 448 00:23:41,840 --> 00:23:47,879 Speaker 2: like me, sadeikis Andy Bill, like that is just a 449 00:23:48,840 --> 00:23:55,080 Speaker 2: group that will always be because you all show up 450 00:23:55,240 --> 00:24:00,639 Speaker 2: like so scared and then when you leave the show 451 00:24:00,720 --> 00:24:03,040 Speaker 2: like so much has happened, like that seven years your 452 00:24:03,040 --> 00:24:08,320 Speaker 2: life has completely changed, right, And I think knowing people 453 00:24:08,480 --> 00:24:54,959 Speaker 2: before is like it's really important, no complete, Yeah. 454 00:24:34,240 --> 00:24:37,080 Speaker 1: Thanks for joining us on Table for two. Christian Wig 455 00:24:37,119 --> 00:24:40,280 Speaker 1: stars as Maxine in the new Apple TV Plus show 456 00:24:40,680 --> 00:24:44,680 Speaker 1: Palm Role, a period comedy drama about Palm Beach high 457 00:24:44,680 --> 00:24:48,560 Speaker 1: society in the late sixties. I'm a huge fan and 458 00:24:48,640 --> 00:24:51,240 Speaker 1: I want to know all about the process of making 459 00:24:51,280 --> 00:24:57,520 Speaker 1: the show. So okay, let's I'm obsessed with Palm Role. Okay, yeah, 460 00:24:57,600 --> 00:24:59,640 Speaker 1: I mean, okay, so what did you know? I mean, 461 00:24:59,720 --> 00:25:04,960 Speaker 1: you're first of all, how your style about the wig 462 00:25:05,080 --> 00:25:09,760 Speaker 1: and the tan and your character. I mean you singing 463 00:25:09,840 --> 00:25:14,360 Speaker 1: the song with the leggings? Is that all there is? 464 00:25:15,920 --> 00:25:18,919 Speaker 1: With the Astronaut? I was not I thought you in 465 00:25:18,920 --> 00:25:21,280 Speaker 1: The Astronaut are really I was like, Okay, this makes 466 00:25:21,280 --> 00:25:23,040 Speaker 1: sense to me. He disappears. 467 00:25:23,880 --> 00:25:26,320 Speaker 2: That's my husband in real life. 468 00:25:26,520 --> 00:25:33,000 Speaker 1: Yes, he's really hot. I was like, I hope hits 469 00:25:33,040 --> 00:25:37,840 Speaker 1: it with Astronaut because I saw I had no idea 470 00:25:38,000 --> 00:25:40,760 Speaker 1: he's really hot. What happened? What happened to his character? 471 00:25:40,800 --> 00:25:42,159 Speaker 2: I don't understand why you. 472 00:25:42,840 --> 00:25:46,000 Speaker 1: Got to oh to watch season two? 473 00:25:46,400 --> 00:25:48,359 Speaker 2: I mean, I don't know. We don't have the season 474 00:25:48,359 --> 00:25:49,440 Speaker 2: two yet, so we don't. 475 00:25:49,640 --> 00:25:52,000 Speaker 1: Oh. 476 00:25:50,560 --> 00:25:53,720 Speaker 2: Well, I can't say anything. 477 00:25:54,080 --> 00:25:57,439 Speaker 1: No, I know, But how did I not know? I literally, Christian, 478 00:25:57,520 --> 00:26:01,840 Speaker 1: I'm watching this in the water. It's hysterical, and you're like, 479 00:26:02,119 --> 00:26:04,320 Speaker 1: I'm like, this guy is so hot. 480 00:26:04,600 --> 00:26:06,080 Speaker 2: I can't wait to tell me you said that. 481 00:26:06,040 --> 00:26:09,240 Speaker 1: Your palm beach is so up of that moment of 482 00:26:09,600 --> 00:26:16,000 Speaker 1: it's fun, it's glitchy. It's the dynamics of the being competitive, 483 00:26:16,040 --> 00:26:19,680 Speaker 1: the women, the How did you sort of dive into 484 00:26:20,080 --> 00:26:22,439 Speaker 1: your character because your character, you know, comes from a 485 00:26:22,640 --> 00:26:25,359 Speaker 1: different place, Like what was that character development? Like what'd 486 00:26:25,359 --> 00:26:27,800 Speaker 1: you base did you have something a person in mind? 487 00:26:28,160 --> 00:26:31,240 Speaker 2: I didn't really have a person. I mean, it's it's 488 00:26:31,440 --> 00:26:35,480 Speaker 2: very very loosely based on a book Mister and Missus 489 00:26:35,480 --> 00:26:40,280 Speaker 2: American Pie. And because of the way that I sort 490 00:26:40,280 --> 00:26:44,320 Speaker 2: of interpreted her in the book. And also she's doing 491 00:26:44,480 --> 00:26:48,639 Speaker 2: a lot of things that aren't really the traits of 492 00:26:48,680 --> 00:26:53,200 Speaker 2: someone you'd root for, I know, But so we need 493 00:26:53,320 --> 00:26:55,720 Speaker 2: people to root for her because she's the main character, 494 00:26:55,880 --> 00:26:58,600 Speaker 2: and so I don't know, it was just sort of like, 495 00:26:58,760 --> 00:27:03,480 Speaker 2: what if she's just really positive and sunny and she 496 00:27:03,600 --> 00:27:07,359 Speaker 2: knows what she's doing, but she kind of has good 497 00:27:07,560 --> 00:27:09,720 Speaker 2: reason for it in her mind. 498 00:27:09,760 --> 00:27:10,040 Speaker 1: I don't know. 499 00:27:10,119 --> 00:27:13,679 Speaker 2: There's something I like when I'm conflicted and confused about 500 00:27:13,800 --> 00:27:14,840 Speaker 2: someone that I'm watching. 501 00:27:15,080 --> 00:27:16,080 Speaker 1: Yeah, they good? 502 00:27:16,080 --> 00:27:22,520 Speaker 2: Are they bad? So I think making her very positive 503 00:27:22,720 --> 00:27:28,520 Speaker 2: and sort of sees everything half full glass halfful it 504 00:27:28,600 --> 00:27:30,919 Speaker 2: helps you root for her, even even though what she 505 00:27:31,040 --> 00:27:35,000 Speaker 2: wants is like what lady right, like you don't get it. 506 00:27:35,560 --> 00:27:38,120 Speaker 1: Yeah, And I think you're making a very valid point 507 00:27:38,160 --> 00:27:40,399 Speaker 1: with how to sort of make her someone that you 508 00:27:40,480 --> 00:27:43,080 Speaker 1: do root for word because first of all, most of 509 00:27:43,119 --> 00:27:46,880 Speaker 1: them you don't, because they really are like just you know. 510 00:27:47,160 --> 00:27:49,960 Speaker 1: I mean, I can Janny's. 511 00:27:50,480 --> 00:27:53,800 Speaker 2: But it's Alice and Janney. So you love her. 512 00:27:53,760 --> 00:27:57,560 Speaker 1: Right, you love her right? But your character is interesting 513 00:27:57,600 --> 00:27:59,600 Speaker 1: because really, at the end of the day, we all 514 00:27:59,640 --> 00:28:02,960 Speaker 1: just want to belong and that's where I think she's 515 00:28:03,000 --> 00:28:06,400 Speaker 1: coming from like this was her childhood dream. These were 516 00:28:06,400 --> 00:28:09,680 Speaker 1: her early influences as she was growing up. Totally. She 517 00:28:09,960 --> 00:28:13,399 Speaker 1: idolized the life, wanted the life. She saw the life 518 00:28:13,400 --> 00:28:17,760 Speaker 1: as being like problem free, problem for you, right, And 519 00:28:17,840 --> 00:28:22,399 Speaker 1: so she didn't understand first of all the cutthroat like 520 00:28:22,680 --> 00:28:25,480 Speaker 1: pardon like party scene, I'm gonna take you down and 521 00:28:25,520 --> 00:28:27,080 Speaker 1: all the dupe listen to this. 522 00:28:27,480 --> 00:28:29,440 Speaker 2: Oh yeah, she just thought they were going to lunch 523 00:28:29,480 --> 00:28:30,359 Speaker 2: and eating shrink. 524 00:28:30,240 --> 00:28:32,680 Speaker 1: Right, So I think that's where you And because she's 525 00:28:32,720 --> 00:28:36,560 Speaker 1: so sunny, and because she's also styled you look so beautiful. 526 00:28:36,600 --> 00:28:40,560 Speaker 2: Boy, well that's that's Alex Freeberg right there. She's incredible. 527 00:28:40,680 --> 00:28:42,560 Speaker 1: Whoa the style is crazy. 528 00:28:42,720 --> 00:28:47,720 Speaker 2: Yeah, she is just one of the best costume designers 529 00:28:47,880 --> 00:28:48,440 Speaker 2: I ever. 530 00:28:48,600 --> 00:28:51,880 Speaker 1: So, you know, I when you guys were shooting it, 531 00:28:52,120 --> 00:28:56,280 Speaker 1: Tay Taylor who directed, didn't he directed. 532 00:28:56,240 --> 00:28:59,720 Speaker 2: He directed the direct he'd produced and directed four. 533 00:29:00,960 --> 00:29:02,680 Speaker 1: So he you know every now, and that was send 534 00:29:02,680 --> 00:29:05,680 Speaker 1: Brian and myself, you know, just a still and it 535 00:29:05,760 --> 00:29:08,160 Speaker 1: was like, oh my god, like Bewitched, you know what 536 00:29:08,240 --> 00:29:09,800 Speaker 1: I mean. It was like of that era of those 537 00:29:10,000 --> 00:29:10,360 Speaker 1: like that. 538 00:29:10,360 --> 00:29:12,960 Speaker 2: That's so funny that you bring a Bewitched because we 539 00:29:13,000 --> 00:29:16,600 Speaker 2: had always said that my character was very Samantha and 540 00:29:16,640 --> 00:29:20,200 Speaker 2: then Allison's character was very Andorra, And we had a 541 00:29:20,240 --> 00:29:21,760 Speaker 2: picture of the two of us that we had put 542 00:29:21,800 --> 00:29:24,040 Speaker 2: next to the two of them. It's true that it's 543 00:29:24,200 --> 00:29:24,680 Speaker 2: not that funny. 544 00:29:25,360 --> 00:29:28,320 Speaker 1: That is funny. Yeah, I'm hitting on some things. Yeah, 545 00:29:28,480 --> 00:29:36,080 Speaker 1: the astronaut, Yeah, the endoor Samantha. I just feel we're here, 546 00:29:37,520 --> 00:29:42,240 Speaker 1: but it is. It's great. And Carol Burnett, Oh yeah, great. 547 00:29:42,480 --> 00:29:45,120 Speaker 1: What did you learn working with this woman who is 548 00:29:45,320 --> 00:29:49,240 Speaker 1: like the icon pioneer? What were the takeaways for you 549 00:29:49,360 --> 00:29:51,719 Speaker 1: and was it intimidating to be on the set with 550 00:29:51,760 --> 00:29:53,640 Speaker 1: someone with that sort of pedigree? 551 00:29:54,280 --> 00:29:57,720 Speaker 2: The idea was intimidating because she's one of my idols. 552 00:29:57,720 --> 00:30:01,080 Speaker 2: But as soon as you meet her, it's there's nothing. 553 00:30:02,600 --> 00:30:06,040 Speaker 2: She's so like warm and welcoming. You can't help but 554 00:30:06,120 --> 00:30:10,640 Speaker 2: just feel like a big mush like she's she wants 555 00:30:10,680 --> 00:30:13,480 Speaker 2: to be there. She's always in a great mood, she's 556 00:30:13,560 --> 00:30:18,480 Speaker 2: talking to everybody. She just sort of reminded me that 557 00:30:18,560 --> 00:30:22,520 Speaker 2: like we're not that I forgot, but you know when 558 00:30:22,560 --> 00:30:28,360 Speaker 2: it's like our sixteen mom baby that like we're so lucky, 559 00:30:28,560 --> 00:30:31,560 Speaker 2: we're so lucky to be doing the thing that we 560 00:30:31,640 --> 00:30:34,040 Speaker 2: want to do with our lives, and that is never 561 00:30:34,160 --> 00:30:37,160 Speaker 2: lost on me, and I feel so grateful and I 562 00:30:38,080 --> 00:30:40,200 Speaker 2: never ever ever want to take advantage of that and 563 00:30:40,360 --> 00:30:45,320 Speaker 2: always be grounded in the sense that like it could 564 00:30:45,360 --> 00:30:49,400 Speaker 2: go away at any moment. And I'm doing a scene 565 00:30:49,440 --> 00:30:52,760 Speaker 2: with Carol Burnett, right, and how did they get here? 566 00:30:52,960 --> 00:30:54,120 Speaker 1: Right? Like that? 567 00:30:54,320 --> 00:30:59,200 Speaker 2: I just and she's so fucking funny. She's ninety she'd 568 00:30:59,200 --> 00:31:02,760 Speaker 2: be ninety one very soon. Yeah, And she's just on 569 00:31:02,840 --> 00:31:06,880 Speaker 2: it and with it and like funny, and she's just 570 00:31:07,800 --> 00:31:09,520 Speaker 2: so warm. I don't know how to explain it. She 571 00:31:09,560 --> 00:31:11,600 Speaker 2: was just like a light. And every time she came 572 00:31:11,640 --> 00:31:13,440 Speaker 2: on said it was just like, oh, everyone's in a 573 00:31:13,440 --> 00:31:15,280 Speaker 2: good mood. Now you can't complain. You can't be in 574 00:31:15,320 --> 00:31:16,520 Speaker 2: a bad mood. She's here. 575 00:31:17,000 --> 00:31:20,360 Speaker 1: Yeah. What's likable about your character is the exuberance of 576 00:31:20,520 --> 00:31:22,560 Speaker 1: like the girl who wants to be in the talent 577 00:31:22,600 --> 00:31:26,120 Speaker 1: show and she's not really good, but. 578 00:31:26,080 --> 00:31:28,280 Speaker 2: She's that's the best person to watch well. 579 00:31:29,880 --> 00:31:32,840 Speaker 1: To watch and you know you're like and even though 580 00:31:33,000 --> 00:31:35,120 Speaker 1: and the rehearsal when you're like and the vines are 581 00:31:35,160 --> 00:31:37,280 Speaker 1: gotta come down, I gotta do this, and you better 582 00:31:37,360 --> 00:31:39,840 Speaker 1: take gya gerber. You better do it this ready, don't 583 00:31:39,880 --> 00:31:43,280 Speaker 1: do it this way. It's really a great character. Thank 584 00:31:43,320 --> 00:31:44,560 Speaker 1: you son. 585 00:31:44,840 --> 00:31:48,880 Speaker 2: It was a collaborative effort. Yes, we had just from 586 00:31:49,000 --> 00:31:53,800 Speaker 2: production design to the directors that came in to costumes, 587 00:31:53,840 --> 00:31:57,320 Speaker 2: hair and makeup. I mean, I've never had a job 588 00:31:57,560 --> 00:32:00,520 Speaker 2: like that. It was just you couldn't wait to get 589 00:32:00,920 --> 00:32:02,800 Speaker 2: on set and like see what everyone else was wearing, 590 00:32:03,600 --> 00:32:05,000 Speaker 2: which was so cool. 591 00:32:05,840 --> 00:32:10,080 Speaker 1: Yeah, beads and yellows and blues, and it just. 592 00:32:10,080 --> 00:32:13,520 Speaker 2: Was so like sunny and I don't know, it's like 593 00:32:13,720 --> 00:32:14,479 Speaker 2: it was like summer. 594 00:32:14,600 --> 00:32:17,040 Speaker 1: I wondered it had to be like that at that time. 595 00:32:17,360 --> 00:32:20,040 Speaker 1: I mean, I do believe all that stuff is based 596 00:32:20,080 --> 00:32:22,760 Speaker 1: on you know, you do she did her research totally. 597 00:32:23,440 --> 00:32:29,000 Speaker 2: Yeah, I mean I I wasn't fully aware what a 598 00:32:29,040 --> 00:32:34,440 Speaker 2: bubble it was, even just fashion wise, because you think 599 00:32:34,480 --> 00:32:39,080 Speaker 2: about late sixties, early seventies and you don't really think 600 00:32:39,120 --> 00:32:42,400 Speaker 2: of that. But it was just like this tiny little 601 00:32:42,400 --> 00:32:45,080 Speaker 2: place in Florida just had this thing going on that 602 00:32:45,280 --> 00:32:46,680 Speaker 2: thankfully Sla Marens was. 603 00:32:48,520 --> 00:32:48,800 Speaker 1: Right. 604 00:32:49,880 --> 00:32:54,280 Speaker 2: But and it's still I like that in the sense 605 00:32:54,320 --> 00:32:59,760 Speaker 2: that it's its own, it's its own like micro cosm. 606 00:32:59,600 --> 00:33:01,920 Speaker 1: It is, it's its own, and then. 607 00:33:01,840 --> 00:33:03,840 Speaker 2: All cities have their little things like, oh, that's a 608 00:33:03,880 --> 00:33:06,880 Speaker 2: New York style or that's whatever. Say, but but the 609 00:33:06,920 --> 00:33:10,600 Speaker 2: Palm Beach style in that time was just so yummy. 610 00:33:11,600 --> 00:33:23,360 Speaker 1: Yummy is a good world, Yeah, it really is. What 611 00:33:23,400 --> 00:33:24,920 Speaker 1: are some of the things that you'd like to do? 612 00:33:25,320 --> 00:33:27,920 Speaker 1: Is there a pivot to something that's more serious that 613 00:33:28,040 --> 00:33:29,840 Speaker 1: you wanted you? Are you writing something that like? Is 614 00:33:29,880 --> 00:33:32,320 Speaker 1: there a character? Is there a movie that influenced you 615 00:33:32,560 --> 00:33:33,200 Speaker 1: that you know? 616 00:33:33,560 --> 00:33:40,720 Speaker 2: Yes, I'm at such the beginning stages of Like a Seed, 617 00:33:41,080 --> 00:33:43,160 Speaker 2: but I don't even want to like mention it because 618 00:33:43,200 --> 00:33:45,480 Speaker 2: I don't even really know what it is. But I 619 00:33:45,560 --> 00:33:48,560 Speaker 2: know that's the direction I'm going to go, and I'd 620 00:33:48,560 --> 00:33:50,680 Speaker 2: love to direct it and maybe not be in it. 621 00:33:50,760 --> 00:33:53,760 Speaker 1: Right Well, okay, I have two things sus asking me 622 00:33:53,800 --> 00:33:57,640 Speaker 1: about that, so let's just say just light lightly tell us, 623 00:33:57,680 --> 00:34:01,200 Speaker 1: like the vibe of the seed? Is it a serious seed? 624 00:34:01,520 --> 00:34:03,959 Speaker 1: Is it a no? 625 00:34:04,160 --> 00:34:06,840 Speaker 2: I think it's a mix. I like, I like a mix. 626 00:34:07,480 --> 00:34:10,719 Speaker 2: Someone called palmerl a serious comedy, which I thought I 627 00:34:11,080 --> 00:34:11,799 Speaker 2: kind of liked that. 628 00:34:11,880 --> 00:34:13,880 Speaker 1: Oh yeah, see that. 629 00:34:14,600 --> 00:34:18,759 Speaker 2: So I think it'll have comedic elements, but not like 630 00:34:20,239 --> 00:34:21,440 Speaker 2: a straight. 631 00:34:21,040 --> 00:34:22,560 Speaker 1: Up yeah comedy. 632 00:34:23,880 --> 00:34:25,560 Speaker 2: Okay, I think that's just kind. 633 00:34:25,400 --> 00:34:27,760 Speaker 1: Of where I just wanted more. It's a tease. 634 00:34:27,840 --> 00:34:31,279 Speaker 2: I like that, it's a stay tuned four years from 635 00:34:31,320 --> 00:34:33,480 Speaker 2: now and finally got a death. 636 00:34:33,800 --> 00:34:37,160 Speaker 1: Why it's like table for two and I'm a hundred 637 00:34:37,920 --> 00:34:38,800 Speaker 1: and I'm like, I'm. 638 00:34:38,640 --> 00:34:41,279 Speaker 2: S liking about it. 639 00:34:41,520 --> 00:34:46,120 Speaker 1: The directing thing is interesting because I was talking to 640 00:34:46,200 --> 00:34:52,200 Speaker 1: an actor who their belief in actors directing themselves. It's 641 00:34:52,320 --> 00:34:55,360 Speaker 1: very difficult, they say, and he referenced a couple of 642 00:34:55,400 --> 00:34:57,399 Speaker 1: actors who have done it, and it's sort of there's 643 00:34:57,920 --> 00:35:01,840 Speaker 1: it doesn't work, not because they're not rate, but because 644 00:35:02,560 --> 00:35:05,680 Speaker 1: one has a natural inclination when you're looking at the 645 00:35:05,800 --> 00:35:08,719 Speaker 1: day's work to be looking at you first. It's like 646 00:35:08,760 --> 00:35:10,000 Speaker 1: when you look at a picture of a group of 647 00:35:10,000 --> 00:35:11,719 Speaker 1: people and you're like, oh, it's a good picture. 648 00:35:11,480 --> 00:35:11,640 Speaker 2: But. 649 00:35:15,400 --> 00:35:18,120 Speaker 1: I like this one and everyone else is. 650 00:35:19,600 --> 00:35:19,719 Speaker 2: One. 651 00:35:19,800 --> 00:35:24,000 Speaker 1: As you've already posted it, you're like, I'm sorry, I've 652 00:35:24,000 --> 00:35:26,279 Speaker 1: gotten melled at by my friends who are like, you 653 00:35:26,320 --> 00:35:28,759 Speaker 1: are so mean. You only post the ones that are 654 00:35:28,760 --> 00:35:31,239 Speaker 1: good of you, and I'm like, no, I don't, but 655 00:35:31,320 --> 00:35:34,880 Speaker 1: of course, yeah, it's just that's it's hard. Do you 656 00:35:35,040 --> 00:35:39,480 Speaker 1: feel that would be challenging to look at. 657 00:35:39,560 --> 00:35:41,719 Speaker 2: A Yeah, oh my god, I can't even watch things 658 00:35:41,760 --> 00:35:44,840 Speaker 2: that I do. I mean, I don't, I don't. I think. 659 00:35:45,440 --> 00:35:50,440 Speaker 2: I think also with the directing, I am nervous to 660 00:35:50,480 --> 00:35:52,719 Speaker 2: do it, and I think I just want to. I 661 00:35:52,760 --> 00:35:55,160 Speaker 2: don't want to worry about myself. I just want to 662 00:35:55,160 --> 00:35:58,400 Speaker 2: see it as this thing that I'm making. Yeah, I 663 00:35:58,440 --> 00:35:59,239 Speaker 2: don't want to be in it. 664 00:35:59,320 --> 00:36:03,280 Speaker 1: Yeah, I love that You'll be a great a great director. 665 00:36:03,719 --> 00:36:04,400 Speaker 2: Thank you. 666 00:36:04,400 --> 00:36:05,200 Speaker 1: You have to. 667 00:36:07,920 --> 00:36:12,160 Speaker 2: Yeah, it's it's something I've always wanted to do. I 668 00:36:12,200 --> 00:36:14,600 Speaker 2: don't know when that will be, but I know it 669 00:36:14,640 --> 00:36:15,600 Speaker 2: will happen. 670 00:36:26,600 --> 00:36:29,440 Speaker 1: I just want to say, as we sort of wrapper lunch, 671 00:36:30,760 --> 00:36:33,640 Speaker 1: I'm very grateful that you took the time to have 672 00:36:33,760 --> 00:36:36,880 Speaker 1: lunch and come because it's not like it's easy to do. 673 00:36:36,960 --> 00:36:41,280 Speaker 1: You have to actually move, it's not like flipil computer. 674 00:36:41,760 --> 00:36:44,920 Speaker 1: You know. Yes, I'm asking you, and you look fierce. 675 00:36:45,120 --> 00:36:48,600 Speaker 1: Thank you, But I just want to congratulate you on 676 00:36:48,880 --> 00:36:52,239 Speaker 1: palmerl Thank you and everything you've ever done, because you 677 00:36:52,280 --> 00:36:54,520 Speaker 1: are of the gift and giving me and so many 678 00:36:54,520 --> 00:36:57,400 Speaker 1: people so much joy and so much laughter, and in 679 00:36:57,440 --> 00:36:59,920 Speaker 1: this time where there's so much other stuff going on, 680 00:37:00,360 --> 00:37:01,680 Speaker 1: that is a true gift. 681 00:37:01,880 --> 00:37:02,200 Speaker 2: Thank you. 682 00:37:02,400 --> 00:37:07,080 Speaker 1: And palm oriol is amazing. So I encourage everyone to 683 00:37:07,560 --> 00:37:10,880 Speaker 1: just binge your way, and I am waiting for the 684 00:37:10,920 --> 00:37:13,920 Speaker 1: announcement for season two. That's what I'm saying. That's good. 685 00:37:14,000 --> 00:37:15,000 Speaker 2: Thank you for saying all that. 686 00:37:15,239 --> 00:37:17,520 Speaker 1: So thank you, Miss Kristen Wig, Thank you for joining 687 00:37:17,520 --> 00:37:18,040 Speaker 1: me today. 688 00:37:18,040 --> 00:37:21,040 Speaker 2: Thanks for all the fries and all the everything. 689 00:37:21,280 --> 00:37:23,240 Speaker 1: And we're gonna have many more meals to get yes. 690 00:37:23,160 --> 00:37:35,399 Speaker 2: And we're going to record all of them. 691 00:37:35,560 --> 00:37:38,520 Speaker 1: Table for two with Bruce Bosi is produced by iHeartRadio 692 00:37:38,680 --> 00:37:42,839 Speaker 1: seven three seven Park and Airmail. Our executive producers are 693 00:37:42,840 --> 00:37:46,960 Speaker 1: Bruce Bosi and Nathan King. Our supervising producer and editor 694 00:37:47,080 --> 00:37:50,960 Speaker 1: is Dylan Fagan. Table for two is researched and written 695 00:37:51,200 --> 00:37:54,640 Speaker 1: by Jack Sullivan. Our sound engineers our mel b Klein, 696 00:37:54,880 --> 00:37:59,600 Speaker 1: Jess Crainich, Evan Taylor, and Jesse Funk. Our music supervisor 697 00:37:59,680 --> 00:38:03,120 Speaker 1: is a Poster. Our talent booking is done by Jane Sarkin. 698 00:38:03,560 --> 00:38:07,320 Speaker 1: Table for two Social media manager is Gracie Wiener. Special 699 00:38:07,360 --> 00:38:12,200 Speaker 1: thanks to Amy Sugarman, Uni Scherer, Kevin Yuvane Bobby Bauer, 700 00:38:12,680 --> 00:38:16,520 Speaker 1: Alison Kanter, Graber, Barbara Jen, Jeff Klein and the staff 701 00:38:16,520 --> 00:38:19,960 Speaker 1: at The Tower Bar in the world famous Sunset Tower 702 00:38:20,040 --> 00:38:24,719 Speaker 1: Hotel in Hollywood. For more podcasts from iHeartRadio, visit the 703 00:38:24,760 --> 00:38:30,080 Speaker 1: iHeartRadio app, Apple podcast, or wherever you listen to your 704 00:38:30,160 --> 00:38:31,040 Speaker 1: favorite shows.