WEBVTT - Stealing Superman: Episode One – Beads of Sweat

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<v Speaker 1>It's early January two thousand and Stephen Fishler is sitting

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<v Speaker 1>in his office. You probably don't know the name unless

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<v Speaker 1>you've ever been in the market for expensive comic books,

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<v Speaker 1>very very expensive comic books. Titles that sell for millions

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<v Speaker 1>of dollars. Comics that once cost ten cents got thrown

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<v Speaker 1>away or left to us, and then go on to

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<v Speaker 1>fetch an incredibly high price for their rarity. Fishler was

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<v Speaker 1>and still is among the most well known brokers of

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<v Speaker 1>such books. He's been collecting since he was five years old,

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<v Speaker 1>a kid in Brooklyn, after stacks of superheroes. If you

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<v Speaker 1>want a particular title in a particular condition, he can

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<v Speaker 1>probably find it. And that's what Stephen was doing today,

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<v Speaker 1>making deals for collectors from his place of business, Metropolis

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<v Speaker 1>Collectibles in New York City, overflowing with rare books, first

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<v Speaker 1>appearances of Spider Man, Captain America Archie, many looking like

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<v Speaker 1>they just came off a news stand, even though they're

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<v Speaker 1>decades old. This is the kind of place that even

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<v Speaker 1>when the comics are sealed in plastic, they give off

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<v Speaker 1>that distinctive smell of old, cheap paper. Well maybe not

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<v Speaker 1>so cheap anymore, but today isn't going to be a

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<v Speaker 1>normal day for Stephen. It's going to be the beginning

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<v Speaker 1>of a situation and obsession really that will take up

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<v Speaker 1>a good deal of his time, something that will one

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<v Speaker 1>day have police instructing him on what to do in

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<v Speaker 1>the event of a shootout, that kind of situation. And

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<v Speaker 1>it begins, like many stories do, with a phone call.

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<v Speaker 1>Nick called me very upset and said to me that

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<v Speaker 1>somebody stole some of his comic books and was really

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<v Speaker 1>in a panic. I must have been. I don't know

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<v Speaker 1>that noon my time, and I sort of asked him

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<v Speaker 1>to sort of slow down so I can understand what

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<v Speaker 1>went on, and he gave me, you know, an account

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<v Speaker 1>of what went on as best he could. Nick is

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<v Speaker 1>Nicholas Cage, the star of huge movies like Face Off,

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<v Speaker 1>Cohn Air and The Rock, an Oscar winner, a man

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<v Speaker 1>who ate a live cockroach in Vampire's Kiss because he

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<v Speaker 1>knew it would draw attention. He didn't win the Oscar

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<v Speaker 1>for that one that was leaving Las Vegas. Cage is

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<v Speaker 1>talking quickly in that distinctive twang that makes his sentences

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<v Speaker 1>sound like melodies. He's calling because Stephen is his dealer,

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<v Speaker 1>his comic book dealer. Well, it started many, many years ago.

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<v Speaker 1>A friend of mine who was a friend in a

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<v Speaker 1>comic collector, Miguel Ferrare currently was on some movie set

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<v Speaker 1>with Nick Cage. This is in the eighties when he

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<v Speaker 1>was not as well known, and they got into a

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<v Speaker 1>conversation about comic books. And probably a month later, I'm

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<v Speaker 1>at seeing Nick at a hotel. He was living at

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<v Speaker 1>Hotel Rossmore and there he was in his crew cut

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<v Speaker 1>and this is after like Valley Girl, I believe, and

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<v Speaker 1>he had a giant fish tank in his apartment at

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<v Speaker 1>the hotel with a shark in it, and that's where

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<v Speaker 1>I first met him and started dealing with him way

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<v Speaker 1>way back. Since then, Cage has bought hundreds of comics

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<v Speaker 1>from Stephen, and now Cage is trying to explain that

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<v Speaker 1>the worst possible thing that could happen to a comic

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<v Speaker 1>collector has happened. His most valuable books have turned up missing.

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<v Speaker 1>And not just valuable books. The most valuable book, the

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<v Speaker 1>most sought after issue of them all, The Mona Lisa

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<v Speaker 1>of Comics, Action Comics number one, the first appearance of

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<v Speaker 1>a superhero, the first appearance of the Man of Steel, Superman,

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<v Speaker 1>the most well preserved copy available, a comic so rare

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<v Speaker 1>that even a rusty staple or some page flex from

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<v Speaker 1>one can sell for hundreds of dollars to collectors desperate

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<v Speaker 1>for even a small dose of its magic. Superman, the

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<v Speaker 1>embodiment of morality and virtue stolen. Stephen takes a deep breath.

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<v Speaker 1>He asks one of the world's most famous actors to

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<v Speaker 1>tell him exactly what happened. Nick told me that there

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<v Speaker 1>was some sort of party and that they disappeared during

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<v Speaker 1>the party. That was it is house, a party, a heist,

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<v Speaker 1>a frantic phone call, and as Cage talks, Stephen realizes

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<v Speaker 1>it gets worse. Action Number one is missing, and so

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<v Speaker 1>is Detective Comics Number twenty seven. That was the first

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<v Speaker 1>appearance of Batman. Someone has run off with half the

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<v Speaker 1>Justice League from right under the nose of a Hollywood superstar.

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<v Speaker 1>And that's about all Stephen can get because Cage, in

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<v Speaker 1>his indomitable cage fashion, is too upset to offer too

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<v Speaker 1>many details on what will shape up to be the

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<v Speaker 1>most unlikely artist of all time. Oh for I Heart Radio,

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<v Speaker 1>I'm Dani Schwartz. This is Stealing Superman, an I Heart

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<v Speaker 1>original podcast now on my long running podcast noble Blood.

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<v Speaker 1>I tell the true stories of historical royals, but occasionally

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<v Speaker 1>I like to cover a different kind of royalty, Hollywood Royalty.

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<v Speaker 1>Last fall we brought you Haileywood, a podcast about Bruce

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<v Speaker 1>Willis buying up a town in Idaho in the es

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<v Speaker 1>and the friends and enemies he made along the way.

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<v Speaker 1>This year's tale involves a brazen comic book heist, Nicolas

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<v Speaker 1>Cage and y two K. Let's get into it Episode one,

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<v Speaker 1>Beads of Sweat. We need to turn the pages back

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<v Speaker 1>a little. A few days prior to a house party

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<v Speaker 1>at three sixty three Coppa de Laura Road in bel Air, California,

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<v Speaker 1>the residents of Nicolas Coppola, known to most people by

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<v Speaker 1>his stage name Nicolas Cage, New Year's Eve was something special,

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<v Speaker 1>something peculiar. Remember why two K when people believed that

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<v Speaker 1>computers wouldn't be able to understand the year two thousand

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<v Speaker 1>and that it might cripple our infrastructure. Well, if the

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<v Speaker 1>people in attendance at Cage's house were worried about it,

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<v Speaker 1>they didn't act like it. And if this was the

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<v Speaker 1>end of the world, Cage was going to make sure

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<v Speaker 1>they had one hell of a good time On their

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<v Speaker 1>way out. The scale of a Nicholas Cage party is

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<v Speaker 1>hard to fathom. You'd have celebrities, actors, producers, directors, agents.

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<v Speaker 1>Fresh food was laid out on the fade tables made

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<v Speaker 1>from solid blocks of ice. Giant nutcrackers standing ten feet

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<v Speaker 1>tall flanked the main entrance. Fake snow was blowing out

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<v Speaker 1>of machines. Lightning professionals made sure everything looked perfect. At

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<v Speaker 1>one party, someone brought Cage a pony as a gift.

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<v Speaker 1>It would be found wandering around the yard the next morning.

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<v Speaker 1>It was as though Cage were always starring in a

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<v Speaker 1>party being directed by David Lynch. Yeah, he had amazing parties.

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<v Speaker 1>I once got a cigar from Jack Nicholson, who was

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<v Speaker 1>very intoxicated and gave me a cigar to give to

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<v Speaker 1>my father. Yeah. I was there. I was there, and

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<v Speaker 1>we were all there, all the staffs and all the people,

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<v Speaker 1>and I met some really amazing people and I had

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<v Speaker 1>a great time. That's Jen Bosworth Ramirez. Jen worked for

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<v Speaker 1>Cage in the two thousand's and no she didn't steal

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<v Speaker 1>the comics I did. Can you imagine? Jen was hired

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<v Speaker 1>by Cage himself, who conducted the job interview with one

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<v Speaker 1>of his ears blown off. Okay, And so then I

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<v Speaker 1>get into this trailer, a small trailer. Wasn't like a

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<v Speaker 1>fancy he must have been in the makeup trailer or something.

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<v Speaker 1>I don't know, but it wasn't like a big honey wagon.

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<v Speaker 1>It was like small, and I'm like, oh my god,

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<v Speaker 1>I'm sitting across from this movie star. Also, he doesn't

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<v Speaker 1>look like himself because he literally his ear is blown off.

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<v Speaker 1>He has my resume backs in his hand that they

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<v Speaker 1>had facts to his trailer, to the base camp or something,

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<v Speaker 1>and I'm like, twenty four, I don't know what's happening.

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<v Speaker 1>And then I said, I said, oh my god, your ear.

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<v Speaker 1>I remember being really startled because the prosthetics were so

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<v Speaker 1>good and wind Tucker's that's a John Woolf felt. I

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<v Speaker 1>think anyway, the prosthetics were really good, and I said,

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<v Speaker 1>oh my god, your ear go. Yeah, that's that's not real,

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<v Speaker 1>Like that's that's a prosthetic. And I was like, oh, okay,

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<v Speaker 1>it was so awkward. The whole thing was so weird,

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<v Speaker 1>so weird. I left. I didn't know if I had

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<v Speaker 1>the jab or not. I had no clue was happening.

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<v Speaker 1>Jen worked for Cages production company Saturn Films. Some perks

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<v Speaker 1>were parties like this one in Cage's Grand Residents over

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<v Speaker 1>a seven thousand square feet sitting on one acre in

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<v Speaker 1>one of the country's most prestigious neighborhoods. Walk inside the

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<v Speaker 1>house and you're created with a different kind of splendor.

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<v Speaker 1>A real estate agent and architectural historian named Brett Parsons,

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<v Speaker 1>who once toward the house, described the style as frat house,

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<v Speaker 1>bordello or quote early American Adams family. Those sound like insults,

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<v Speaker 1>and well maybe they were, But however you felt about it,

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<v Speaker 1>it was undoubtedly a reflection of its owner. Originally built

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<v Speaker 1>by famed architect Gerard Colcord in nineteen forty, it was

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<v Speaker 1>once owned by Dean Martin and later Tom Jones, who

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<v Speaker 1>sold it to Cage In Cage would make some improvements

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<v Speaker 1>or changes. At least purple curtains hung from windows. A

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<v Speaker 1>vintage nineteen fifty five jag war car had been painstakingly

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<v Speaker 1>disassembled and put back together in one room until the

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<v Speaker 1>pungent smell of oil overcame visitors and it had to go.

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<v Speaker 1>There were even people who swore they saw shrunken heads.

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<v Speaker 1>Oh you know, I never knew that. I never saw

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<v Speaker 1>the shrunken heads I heard about that. That doesn't shock

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<v Speaker 1>me either. I mean he had dinosaur bones. I think

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<v Speaker 1>model trains were running above diners. In the breakfast room

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<v Speaker 1>and throughout the house were bronze walsconces. Light fixtures, but

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<v Speaker 1>not ordinary light fixtures. These were fixtures sculpted out of

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<v Speaker 1>a cast made from Nicholas Cage's arm, his muscled appendages

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<v Speaker 1>illuminating the home, the bell Air House. If my recollection,

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<v Speaker 1>it's a huge Gothic mansion, meaning there's probably like ten

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<v Speaker 1>bedrooms in there. I mostly hung out in the living area.

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<v Speaker 1>It was like a probably a three story situation. Outside

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<v Speaker 1>it looks like a regular you know, if I recall correctly,

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<v Speaker 1>like a brick mansion that you'd see in Valor. But

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<v Speaker 1>inside he had it decorated like super gothic, key and

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<v Speaker 1>dark and ornate at points and not my style, like

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<v Speaker 1>that's not my jam. But it was like a castle.

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<v Speaker 1>That's what I could sort of say. It reminds me

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<v Speaker 1>of a castle. A lot of rooms, a lot of

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<v Speaker 1>twists and turns. It was not an open floor plan.

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<v Speaker 1>Let's just say that, you know what I mean, There's

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<v Speaker 1>a pool. But I didn't spend a ton of time there,

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<v Speaker 1>but I do remember being like WHOA, I remember purple droops.

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<v Speaker 1>As guests wandered through the home, they would have noticed

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<v Speaker 1>something else. Lining the walls on the second floor were

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<v Speaker 1>comic books. Lots of comic books, the first appearance of

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<v Speaker 1>Captain America and Green Lantern and The Justice Society, comics

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<v Speaker 1>from the Golden Age of the nineteen forties and nineteen fifties,

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<v Speaker 1>science fiction comics and horror comics. Skeletons peering out at

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<v Speaker 1>the reader, and scantily clad women gasping at probing alien marauders.

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<v Speaker 1>Any comic book fan would have taken one look and

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<v Speaker 1>seethed with envy. At least a hundred scattered throughout the house,

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<v Speaker 1>one book in each frame. As you can probably imagine,

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<v Speaker 1>Cage didn't just pin the comics to the wall. This

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<v Speaker 1>was an ornate display. Each frame was nineteen and a

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<v Speaker 1>half inches long by sixteen and a half inches wide,

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<v Speaker 1>Each was made of stained maple. Each had a small

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<v Speaker 1>lock that could only be opened with a key, and

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<v Speaker 1>each was connected to a pressure sensor alarm. If someone

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<v Speaker 1>had the key and were to open the frame and

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<v Speaker 1>remove the comic inside cages security staff would be immediately notified.

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<v Speaker 1>You couldn't easily pill for any of these books unless, well,

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<v Speaker 1>hang up, We're almost there, but let's finish the tour.

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<v Speaker 1>The hub of Cage's collection was in what he called

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<v Speaker 1>a smoking lounge. It was originally a secret room used

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<v Speaker 1>by Dean Martin, and accessible only if you knew how

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<v Speaker 1>to get in from an adjoining bathroom through a panel

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<v Speaker 1>door that pops open. It's kind of a clandestine deal.

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<v Speaker 1>A spiral staircase curved up, and it's tight, so tight

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<v Speaker 1>Cage had to bring up the furniture in pieces. This

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<v Speaker 1>secret smoking room was, like other parts of the house,

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<v Speaker 1>decorated heavily in purple, purple furniture, purple walls, a purple

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<v Speaker 1>carpet with gold accents, a spiral staircase leading to the

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<v Speaker 1>roof carpeted, and well, you get it. It was in

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<v Speaker 1>this small room that Cage went to unwind, a respite

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<v Speaker 1>from fame or even from hosting duties. It's a small,

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<v Speaker 1>intimate room and the walls were lined with his most

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<v Speaker 1>valuable comics. Hanging in one wall frame was Detective Comics

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<v Speaker 1>Number twenty seven, dated May nine. The cover captures its protagonist.

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<v Speaker 1>In the thick of it, Batman, a strange, masked vigilante

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<v Speaker 1>readers have never seen before, is swooping into frame to

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<v Speaker 1>put a criminal in a choke hold. As Batman cuts

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<v Speaker 1>off the hoods corroded artery. He's hanging from a supported

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<v Speaker 1>building outside of you. In the lower left corner, two

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<v Speaker 1>crooks look on, one is armed. Both seem unsure of

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<v Speaker 1>what to do about the man with violent tendencies dressed

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<v Speaker 1>as a bat It's advertising sixty four pages of action.

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<v Speaker 1>Once upon a time, it was ten cents in two thousand.

0:15:56.000 --> 0:15:58.440
<v Speaker 1>It's thought to be worth up to a hundred and

0:15:58.640 --> 0:16:03.600
<v Speaker 1>fifty thousand dollars. It's actually why Cage went to Fishler

0:16:03.680 --> 0:16:07.760
<v Speaker 1>in the first place. They wanted a Detective twenty seven,

0:16:08.200 --> 0:16:10.800
<v Speaker 1>so that's what the conversation focused on. I had brought

0:16:10.880 --> 0:16:13.000
<v Speaker 1>him a twenty seven to look at, but it had

0:16:13.040 --> 0:16:16.240
<v Speaker 1>too much restoration, that particular copy. But that was the

0:16:16.280 --> 0:16:21.000
<v Speaker 1>first meeting his interest in in a detective comics. But

0:16:21.080 --> 0:16:24.560
<v Speaker 1>that was really just a warm up. As desirable a

0:16:24.560 --> 0:16:28.600
<v Speaker 1>book as Detective Number twenty seven was and is, it's

0:16:28.640 --> 0:16:32.280
<v Speaker 1>always taken second place in the comic book hierarchy to

0:16:32.400 --> 0:16:37.080
<v Speaker 1>its bigger brother, The birth of the superhero genre. The

0:16:37.200 --> 0:16:47.080
<v Speaker 1>comic that would change popular culture forever. Action Comics number one,

0:16:47.720 --> 0:16:53.240
<v Speaker 1>dated June, but actually released a little earlier. You've probably

0:16:53.320 --> 0:16:56.760
<v Speaker 1>seen the cover. It's part of our cultural iconography by

0:16:56.760 --> 0:17:00.960
<v Speaker 1>this point. They're Superman hefting a call are clear over

0:17:01.040 --> 0:17:04.280
<v Speaker 1>his head. His costume isn't much different from the one

0:17:04.320 --> 0:17:09.000
<v Speaker 1>he sports today. Let's refined, sure, but the red cap, boots,

0:17:09.119 --> 0:17:19.360
<v Speaker 1>and s insignia are all there Bystanders are fleeing from

0:17:19.400 --> 0:17:22.960
<v Speaker 1>the scene, terrified of this man with super strength. In

0:17:23.040 --> 0:17:26.720
<v Speaker 1>the lower left corner is a man who is positively hysterical.

0:17:27.480 --> 0:17:30.600
<v Speaker 1>His hands are clasped to his face, like the figure

0:17:30.680 --> 0:17:35.160
<v Speaker 1>in Edward Monks the screen. He's running away. Maybe he's

0:17:35.200 --> 0:17:38.200
<v Speaker 1>part of the crew inside the car the crooked Superman

0:17:38.320 --> 0:17:41.600
<v Speaker 1>is trying to bring to justice. Maybe he's not involved.

0:17:42.200 --> 0:17:46.040
<v Speaker 1>Either way, he's got beads of sweat running down his forehead.

0:17:46.720 --> 0:17:51.040
<v Speaker 1>Seeing Superman for the first time has to be stressful. Nowadays,

0:17:51.040 --> 0:17:53.679
<v Speaker 1>people are happy to see him. They wave and clap.

0:17:54.280 --> 0:17:59.240
<v Speaker 1>Not this crew. They were scared. Two hundred thousand copies

0:17:59.280 --> 0:18:04.120
<v Speaker 1>of this comic book were printed in fewer than one

0:18:04.240 --> 0:18:07.960
<v Speaker 1>hundred copies are believed to still exist, and even fewer

0:18:08.040 --> 0:18:12.679
<v Speaker 1>in good condition cages. Copy is considered one of the

0:18:12.840 --> 0:18:17.240
<v Speaker 1>most well preserved, With bright colors and an intact cover.

0:18:18.160 --> 0:18:22.360
<v Speaker 1>Superman is still a deep red and blue. The pages

0:18:22.480 --> 0:18:26.160
<v Speaker 1>inside are a creamy white. On the scale of one

0:18:26.200 --> 0:18:30.640
<v Speaker 1>to ten, it's an easy nine. A comic over sixty

0:18:30.720 --> 0:18:34.960
<v Speaker 1>years old to survive, to endure and look this good

0:18:35.600 --> 0:18:40.760
<v Speaker 1>is remarkable. Unlike some comics that get restored, this Action

0:18:40.840 --> 0:18:44.919
<v Speaker 1>number one hasn't had any work done. Yeah, this is

0:18:44.960 --> 0:18:50.360
<v Speaker 1>now much later, probably around and I'm gonna say nineteen

0:18:51.800 --> 0:18:54.680
<v Speaker 1>or so, and an interest in buying an Action one

0:18:54.920 --> 0:18:58.160
<v Speaker 1>in high grade. I knew a collector who had one,

0:18:58.480 --> 0:19:01.280
<v Speaker 1>and I was able to was sort of a difficult deal,

0:19:01.560 --> 0:19:03.640
<v Speaker 1>but I was able to put the deal together, and

0:19:03.680 --> 0:19:06.399
<v Speaker 1>that was the book that Nick ended up with. It

0:19:06.560 --> 0:19:09.720
<v Speaker 1>was just the mechanics of giving me the book, and

0:19:09.760 --> 0:19:12.960
<v Speaker 1>I think the collector was enamored of selling it to Nick.

0:19:13.080 --> 0:19:16.479
<v Speaker 1>And I met with Nick without the collector there, but

0:19:16.560 --> 0:19:19.560
<v Speaker 1>I put Nick on the phone with this collector and

0:19:19.560 --> 0:19:21.920
<v Speaker 1>then the deal went through. I think he just kind

0:19:21.920 --> 0:19:24.000
<v Speaker 1>of wanted to meet him, just to be honest, But

0:19:24.080 --> 0:19:27.240
<v Speaker 1>Nick really did value it was very excited about buying

0:19:27.280 --> 0:19:29.359
<v Speaker 1>this book as well. He should, and I thought it

0:19:29.400 --> 0:19:31.359
<v Speaker 1>would be sort of a fun deal to pull off

0:19:31.480 --> 0:19:35.239
<v Speaker 1>selling it to him. Cage It paid one hundred and

0:19:35.320 --> 0:19:40.439
<v Speaker 1>fifty thousand dollars for Action Number one. That was a

0:19:40.520 --> 0:19:43.520
<v Speaker 1>record for a comic book sale at the time, but

0:19:43.640 --> 0:19:47.360
<v Speaker 1>three years later it's likely worth more, perhaps as much

0:19:47.400 --> 0:19:51.240
<v Speaker 1>as two hundred thousand dollars. It's the crown jewel of

0:19:51.320 --> 0:19:55.199
<v Speaker 1>Cage's collection. It would be the centerpiece of any comic

0:19:55.240 --> 0:20:00.400
<v Speaker 1>book collection today. Right now, copies of both of these

0:20:00.440 --> 0:20:04.479
<v Speaker 1>comics are worth two to three million each, if not more.

0:20:05.000 --> 0:20:09.600
<v Speaker 1>They've only appreciated in value, but Cage appreciated them then.

0:20:09.760 --> 0:20:13.720
<v Speaker 1>In two thousand, before comic book movies became the only

0:20:13.800 --> 0:20:18.280
<v Speaker 1>thing playing in multiplexes, he grew up reading comics. He

0:20:18.359 --> 0:20:22.280
<v Speaker 1>took his stage name Cage, partly after Luke Cage, the

0:20:22.440 --> 0:20:27.760
<v Speaker 1>seventies Marvel comic hero with impenetrable skin, a good superhero

0:20:27.800 --> 0:20:31.119
<v Speaker 1>for an actor who didn't always find kindness coming from critics.

0:20:32.520 --> 0:20:35.720
<v Speaker 1>But the comics were something else for Nicolas Cage too.

0:20:36.560 --> 0:20:40.200
<v Speaker 1>Like the House itself, they were monuments to Cage's success

0:20:41.200 --> 0:20:45.679
<v Speaker 1>from turns as strange characters in Moonstruck and Raising Arizona,

0:20:45.760 --> 0:20:49.240
<v Speaker 1>to winning an Oscar to becoming an action star. Cage

0:20:49.280 --> 0:20:53.600
<v Speaker 1>had navigated Hollywood successfully, and he arrived at a time

0:20:53.920 --> 0:20:58.879
<v Speaker 1>when the industry was paying record salaries. After the Academy

0:20:58.920 --> 0:21:02.800
<v Speaker 1>Awards win, cages quote for a movie went from four

0:21:02.880 --> 0:21:08.800
<v Speaker 1>million dollars to seven million dollars. Years before, Cage had

0:21:08.840 --> 0:21:11.400
<v Speaker 1>asked the director of a small film he was going

0:21:11.440 --> 0:21:14.560
<v Speaker 1>to make a cameo in Never on Tuesday, if the

0:21:14.600 --> 0:21:18.000
<v Speaker 1>man could buy him an Action Comics Number one instead

0:21:18.040 --> 0:21:22.160
<v Speaker 1>of paying him. The director couldn't afford to, But now

0:21:22.440 --> 0:21:25.720
<v Speaker 1>Cage could afford to buy his own copy, and so

0:21:25.800 --> 0:21:28.679
<v Speaker 1>he did. He love this book, I mean the actually

0:21:28.680 --> 0:21:31.880
<v Speaker 1>one metal lot to him, which brings us to Stephen

0:21:31.960 --> 0:21:37.400
<v Speaker 1>Fishler's phone ringing and Nicholas Cage telling him his comics

0:21:37.560 --> 0:21:49.800
<v Speaker 1>were no longer there. It was a few days before

0:21:49.840 --> 0:21:54.040
<v Speaker 1>Stephen could make it out to California, but he did. Stephen,

0:21:54.200 --> 0:21:57.480
<v Speaker 1>of course, wasn't in law enforcement, but he was one

0:21:57.520 --> 0:22:00.919
<v Speaker 1>of the few people in Caged circle who could understand

0:22:01.040 --> 0:22:04.320
<v Speaker 1>the enormity of what had happened. Saying it was just

0:22:04.400 --> 0:22:07.840
<v Speaker 1>a comic book theft was like saying a museum heist

0:22:07.920 --> 0:22:11.639
<v Speaker 1>only resulted in some plaster going missing. And I'm pretty

0:22:11.640 --> 0:22:14.879
<v Speaker 1>sure as soon as he realized that they're missing, he

0:22:15.000 --> 0:22:17.879
<v Speaker 1>called me. It seemed like you on the spot. He

0:22:17.920 --> 0:22:21.920
<v Speaker 1>called me because I was this comic guy, so this

0:22:22.000 --> 0:22:25.320
<v Speaker 1>is about a comic. He wanted, I guess advice, and

0:22:25.520 --> 0:22:27.800
<v Speaker 1>that's what I gave him, and I offered to come

0:22:27.800 --> 0:22:30.800
<v Speaker 1>out to help, which is what I did within maybe

0:22:30.880 --> 0:22:34.159
<v Speaker 1>a week or two. According to Stephen, it had taken

0:22:34.200 --> 0:22:37.560
<v Speaker 1>a day or two, perhaps longer for Cage to realize

0:22:37.600 --> 0:22:40.520
<v Speaker 1>the comics were missing. A maid had been in the

0:22:40.560 --> 0:22:44.520
<v Speaker 1>smoking room and noticed that three of the frames were empty,

0:22:45.520 --> 0:22:50.480
<v Speaker 1>and something else that was curious. Those lockable frames hadn't

0:22:50.640 --> 0:22:57.280
<v Speaker 1>been forcibly opened. So my brain went, oh, it's maybe misplaced.

0:22:57.640 --> 0:23:01.600
<v Speaker 1>Maybe they were put somewhere. I went there it was described.

0:23:01.640 --> 0:23:05.000
<v Speaker 1>I saw that I had sold Nick these shadow box

0:23:05.080 --> 0:23:08.040
<v Speaker 1>frames that the books were located in, and the Action

0:23:08.080 --> 0:23:12.199
<v Speaker 1>one in Detective were in the shadow box frames, and

0:23:12.240 --> 0:23:14.760
<v Speaker 1>there are the frames with the label on it Action

0:23:14.840 --> 0:23:17.480
<v Speaker 1>one with nothing in it. So the frames were opened

0:23:17.600 --> 0:23:20.400
<v Speaker 1>and taken. But I went through yet too safe there

0:23:20.400 --> 0:23:23.840
<v Speaker 1>and went through the safe and I went, huh, this

0:23:23.960 --> 0:23:27.600
<v Speaker 1>may be actually stolen. The comics weren't just loose inside

0:23:27.640 --> 0:23:32.199
<v Speaker 1>their frames. They were each in protective, hard plastic sleeves.

0:23:32.720 --> 0:23:36.719
<v Speaker 1>It's called a fortress, and it's used by serious collectors

0:23:36.800 --> 0:23:40.919
<v Speaker 1>to make sure comics didn't get bent, ripped, or otherwise damaged.

0:23:41.720 --> 0:23:45.480
<v Speaker 1>Each fortress was held together in two pieces by screws.

0:23:46.320 --> 0:23:49.479
<v Speaker 1>If a thief wanted to take the naked books, they

0:23:49.480 --> 0:23:51.720
<v Speaker 1>would have needed to spend a little bit of time

0:23:51.800 --> 0:23:56.760
<v Speaker 1>unscrewing each fortress, but the fortress sleeves were entirely gone.

0:23:57.080 --> 0:23:59.199
<v Speaker 1>Whoever took them would have had to deal with a

0:23:59.200 --> 0:24:02.000
<v Speaker 1>little extra book folk, as opposed to just rolling up

0:24:02.040 --> 0:24:04.920
<v Speaker 1>the comics and stuffing them in a pocket, something that

0:24:04.960 --> 0:24:08.760
<v Speaker 1>would have been unspeakable for a rare comic. It could

0:24:08.760 --> 0:24:12.040
<v Speaker 1>also mean the thief or thieves didn't have time to

0:24:12.119 --> 0:24:15.600
<v Speaker 1>remove the books from the fortress covers that they needed

0:24:15.640 --> 0:24:18.760
<v Speaker 1>to move quickly. It's a little bigger than the book,

0:24:18.800 --> 0:24:21.720
<v Speaker 1>but if you put in your jacket, it's not so big.

0:24:21.760 --> 0:24:23.960
<v Speaker 1>It's not like taking a giant painting and taking it

0:24:24.040 --> 0:24:27.679
<v Speaker 1>off the wall. Fisher noticed something else Cajun mentioned in

0:24:27.720 --> 0:24:31.320
<v Speaker 1>their conversation. The thief had also made off with a

0:24:31.480 --> 0:24:35.040
<v Speaker 1>third comic from a frame It was a copy of

0:24:35.119 --> 0:24:40.320
<v Speaker 1>Detective Comics Number one from seven, an even older title

0:24:40.400 --> 0:24:44.240
<v Speaker 1>than the Big two. While certainly valuable and worth ten

0:24:44.280 --> 0:24:48.879
<v Speaker 1>thousand dollars or so, it wasn't nearly as desirable. No

0:24:49.119 --> 0:24:53.320
<v Speaker 1>famous heroes made an appearance in it. The stories inside

0:24:53.400 --> 0:24:57.840
<v Speaker 1>lacked real staying power. You probably haven't heard of Speed

0:24:57.920 --> 0:25:02.520
<v Speaker 1>Saunders and the River Patrol or Cosmo the Phantom of Disguise.

0:25:03.400 --> 0:25:06.320
<v Speaker 1>Maybe the thief just saw an opportunity to take it.

0:25:06.680 --> 0:25:09.680
<v Speaker 1>Maybe he saw a Detective and number one and thought

0:25:09.680 --> 0:25:13.439
<v Speaker 1>any issue with that title was prized. But that still

0:25:13.560 --> 0:25:16.959
<v Speaker 1>wasn't the biggest news. There was an alarm in the

0:25:16.960 --> 0:25:20.359
<v Speaker 1>back of each frame, and I guess the box was open,

0:25:20.760 --> 0:25:23.280
<v Speaker 1>and maybe the alarm was not set for they want

0:25:23.359 --> 0:25:25.760
<v Speaker 1>to be triggered when the box is open, but apparently

0:25:25.800 --> 0:25:28.000
<v Speaker 1>that was the idea behind it. I saw there was

0:25:28.040 --> 0:25:31.240
<v Speaker 1>a wire attached to the back of each shadow box,

0:25:31.320 --> 0:25:33.760
<v Speaker 1>attached to the wall. A lot of money setting this up,

0:25:33.960 --> 0:25:38.359
<v Speaker 1>but unfortunately, somebody was able to open up these frames

0:25:38.400 --> 0:25:41.679
<v Speaker 1>and take the books out. Probably understood these are the

0:25:41.720 --> 0:25:45.600
<v Speaker 1>most valuable books. What Cage liked to do was take

0:25:45.640 --> 0:25:48.840
<v Speaker 1>the books out of their wall frames and rearrange them

0:25:49.520 --> 0:25:53.280
<v Speaker 1>show them off to people, that's what collectors do, and

0:25:53.320 --> 0:25:57.800
<v Speaker 1>then he'd leave them unlocked and the alarm disengaged. That's

0:25:57.800 --> 0:26:01.879
<v Speaker 1>sometimes what happens when people installed alarms. They become a

0:26:01.960 --> 0:26:07.119
<v Speaker 1>nuisance and so they're deactivated. That meant that, at least

0:26:07.160 --> 0:26:12.240
<v Speaker 1>in theory, anyone could walk up and grab a piece

0:26:12.359 --> 0:26:17.520
<v Speaker 1>of comic book history and disappear into the throngs of

0:26:17.560 --> 0:26:20.800
<v Speaker 1>a Nick Cage New Year's Eve party. But it would

0:26:20.840 --> 0:26:25.080
<v Speaker 1>have been bold to take the books without some sort

0:26:25.119 --> 0:26:29.720
<v Speaker 1>of knowledge that they were unlocked and disarmed. Yeah, I'm

0:26:29.800 --> 0:26:34.479
<v Speaker 1>not sure what this individual knew or didn't know. I

0:26:34.480 --> 0:26:37.639
<v Speaker 1>think that this individual saw Nick open up the case

0:26:37.760 --> 0:26:40.440
<v Speaker 1>and show the book to somebody, and he probably went

0:26:40.480 --> 0:26:45.600
<v Speaker 1>opened up. It doesn't bring if that's what happened, it's

0:26:45.640 --> 0:26:48.879
<v Speaker 1>not likely they would have been stopped. Not at a

0:26:48.960 --> 0:26:53.359
<v Speaker 1>Cage party and one of those parties, especially, Are you

0:26:53.440 --> 0:26:56.760
<v Speaker 1>kidding me? You have to understand, like everyone's drinking, it's

0:26:56.800 --> 0:27:00.280
<v Speaker 1>a huge party. Everyone's trying to make business deal and

0:27:00.440 --> 0:27:04.159
<v Speaker 1>get to know the famous people. Oh sure, there's so

0:27:04.200 --> 0:27:06.600
<v Speaker 1>much stuff in those houses. You'd have to have security

0:27:06.600 --> 0:27:10.360
<v Speaker 1>guards watching every rook like a museum them all of course,

0:27:10.480 --> 0:27:12.640
<v Speaker 1>and Also, there is this thing of you let people

0:27:12.680 --> 0:27:14.959
<v Speaker 1>into your house you trust. The problem with that is

0:27:15.200 --> 0:27:17.320
<v Speaker 1>you let two other people into your house, you can't

0:27:17.320 --> 0:27:19.720
<v Speaker 1>trust them, all right, So oh, yeah, someone would be

0:27:19.760 --> 0:27:23.359
<v Speaker 1>able to leave. Are you kidding me? But Stephen wasn't

0:27:23.520 --> 0:27:28.800
<v Speaker 1>entirely convinced a crime had been committed, not yet. First

0:27:28.920 --> 0:27:33.880
<v Speaker 1>he diligently searched the enormous house. It was certainly possible

0:27:34.040 --> 0:27:36.640
<v Speaker 1>Cage had taken the books out and set them down

0:27:36.680 --> 0:27:41.160
<v Speaker 1>somewhere without remembering, or maybe a party guest had picked

0:27:41.160 --> 0:27:44.600
<v Speaker 1>them up and left them in another room. Maybe a

0:27:44.640 --> 0:27:48.160
<v Speaker 1>thief considered taking them, then panicked when they ran into

0:27:48.200 --> 0:27:53.520
<v Speaker 1>someone and decided to leave them behind. All were reasonable possibilities.

0:27:54.320 --> 0:27:58.080
<v Speaker 1>But the more Stephen looked, the more he realized that

0:27:58.160 --> 0:28:02.440
<v Speaker 1>nothing innocent had taken place. And I really, after probably

0:28:02.480 --> 0:28:05.480
<v Speaker 1>spending six or seven hours in the house, said yeah,

0:28:05.600 --> 0:28:08.520
<v Speaker 1>and now we're understanding that this was in this case,

0:28:08.560 --> 0:28:12.200
<v Speaker 1>and it's not there. Nobody took it out. That works

0:28:12.240 --> 0:28:15.320
<v Speaker 1>for nick, and but it's somewhere else. It would be unusual.

0:28:15.640 --> 0:28:19.159
<v Speaker 1>He couldn't find a trace of them, not a page,

0:28:19.200 --> 0:28:23.280
<v Speaker 1>not a screw, not anything. So if this was a crime,

0:28:23.560 --> 0:28:26.960
<v Speaker 1>and it was looking that way, who were the suspects.

0:28:27.720 --> 0:28:30.959
<v Speaker 1>It was incredibly unlikely a burglar had somehow made their

0:28:30.960 --> 0:28:34.480
<v Speaker 1>way into the home undetected, forcing their way in through

0:28:34.520 --> 0:28:38.120
<v Speaker 1>a window or door. It had to have been the

0:28:38.200 --> 0:28:42.120
<v Speaker 1>party where dozens of people had filed through Cage's home

0:28:42.240 --> 0:28:45.960
<v Speaker 1>like they were on a museum tour. To make matters worse,

0:28:46.520 --> 0:28:50.280
<v Speaker 1>Cage had more than one gathering around that time. It

0:28:50.360 --> 0:28:53.240
<v Speaker 1>could have been his New Year's party, or it could

0:28:53.240 --> 0:28:57.480
<v Speaker 1>have been a birthday or Christmas bash. It was impossible

0:28:57.520 --> 0:29:01.400
<v Speaker 1>to know the exact night the comics had disappeared, but

0:29:01.560 --> 0:29:06.320
<v Speaker 1>Cage's guests were always friends or friends of friends. Robbing

0:29:06.400 --> 0:29:10.720
<v Speaker 1>the actor seemed pretty out of character for wealthy, connected people,

0:29:11.400 --> 0:29:16.280
<v Speaker 1>But Fishler was told that there was another possibility. There

0:29:16.480 --> 0:29:21.560
<v Speaker 1>was talk of somebody who worked at the party selling

0:29:22.200 --> 0:29:26.280
<v Speaker 1>some alcohol, almost like a bodyguard or somebody who worked

0:29:26.280 --> 0:29:28.680
<v Speaker 1>at his house. It seemed like just for that day,

0:29:28.720 --> 0:29:32.280
<v Speaker 1>it didn't seem like a regular employee, and that person

0:29:32.360 --> 0:29:34.719
<v Speaker 1>was selling alcohol in the back of a car, and

0:29:34.760 --> 0:29:37.160
<v Speaker 1>that alcohol seemed to have been taken out of Knick's

0:29:37.200 --> 0:29:40.400
<v Speaker 1>house as well. So there was the belief that this

0:29:40.520 --> 0:29:44.360
<v Speaker 1>is the thief that took the books a transient worker

0:29:44.440 --> 0:29:47.920
<v Speaker 1>of sorts. They're just for the party, someone who had

0:29:48.000 --> 0:29:51.680
<v Speaker 1>access to Cage's home but wasn't a friend or associate.

0:29:52.520 --> 0:29:56.240
<v Speaker 1>It made sense, but nothing came of it, and nothing

0:29:56.320 --> 0:30:01.000
<v Speaker 1>came up. Speaking with Cage's many employees, security staff, a chef,

0:30:01.160 --> 0:30:05.480
<v Speaker 1>cleaning staff, drivers, all had varying degrees of access to

0:30:05.520 --> 0:30:08.880
<v Speaker 1>Cage's home. In theory, one of them could have used

0:30:08.880 --> 0:30:11.680
<v Speaker 1>the party as a cover a way too deepen the

0:30:11.760 --> 0:30:16.080
<v Speaker 1>suspect pool to help avoid detection. Or someone could have

0:30:16.200 --> 0:30:19.280
<v Speaker 1>used that information and given it to a third party

0:30:19.800 --> 0:30:23.280
<v Speaker 1>a kind of tip. What was it likely? Was someone

0:30:23.400 --> 0:30:26.120
<v Speaker 1>really going to steal from Nick Cage and then just

0:30:26.200 --> 0:30:29.920
<v Speaker 1>continue reporting for work as if nothing had happened in

0:30:29.960 --> 0:30:37.240
<v Speaker 1>the gated exclusive community of bel Air. Well Yeah. Flash

0:30:37.280 --> 0:30:45.800
<v Speaker 1>forward about a year. Movie producer Peter Goober, who also

0:30:45.880 --> 0:30:50.080
<v Speaker 1>lives in bel Air, discovers he short one Picasso drawing

0:30:50.440 --> 0:30:56.960
<v Speaker 1>titled fun From taken from his wall. A glass entry

0:30:56.960 --> 0:31:00.520
<v Speaker 1>door appeared to be kicked out, just like at his

0:31:00.600 --> 0:31:05.160
<v Speaker 1>Picasso was gone like Cage. Uber had a full time

0:31:05.200 --> 0:31:10.600
<v Speaker 1>staff twenty nine employees to be exact, and all were questioned.

0:31:11.280 --> 0:31:15.760
<v Speaker 1>Nothing turned up, nothing until five months later when a

0:31:15.800 --> 0:31:20.320
<v Speaker 1>man named Tony walked into Christie's, the famed auction house,

0:31:20.720 --> 0:31:24.040
<v Speaker 1>and asked if they'd be interested in purchasing in authentic

0:31:24.120 --> 0:31:29.520
<v Speaker 1>Picasso drawing fonn He was going through a divorce, he said,

0:31:29.960 --> 0:31:34.360
<v Speaker 1>and wanted sixty dollars for it. And then Tony said

0:31:34.400 --> 0:31:38.040
<v Speaker 1>something odd. He said the drawing by one of the

0:31:38.080 --> 0:31:44.280
<v Speaker 1>world's most famous artists was quote ugly. The Christie's employee

0:31:44.440 --> 0:31:47.520
<v Speaker 1>furrowed her brow and told Tony to hang on for

0:31:47.600 --> 0:31:51.120
<v Speaker 1>just a second. On a hunch, she got online and

0:31:51.200 --> 0:31:57.000
<v Speaker 1>checked out the Los Angeles Police Department's database of stolen art. There,

0:31:57.040 --> 0:32:00.680
<v Speaker 1>alongside a note about Nicholas Cage's missing be of Action

0:32:00.760 --> 0:32:04.800
<v Speaker 1>comics number one, was a notice about the missing Picasso.

0:32:06.000 --> 0:32:09.360
<v Speaker 1>Tony was arrested, and that wasn't as you may have

0:32:09.440 --> 0:32:13.200
<v Speaker 1>guessed his real name. He was a driver for Peter Goober,

0:32:13.480 --> 0:32:16.240
<v Speaker 1>who snuck into the house and smashed a window to

0:32:16.320 --> 0:32:18.960
<v Speaker 1>make it look like a break in. He had seen

0:32:19.000 --> 0:32:23.520
<v Speaker 1>the Picasso, he gave in to temptation. If Tony could

0:32:23.560 --> 0:32:27.800
<v Speaker 1>do it, well, why not someone working for Cage, someone

0:32:27.880 --> 0:32:33.760
<v Speaker 1>who knew the comics were often unlocked, unarmed, and easily accessible.

0:32:34.520 --> 0:32:44.680
<v Speaker 1>Was it like Goober's drawing an inside job. But the

0:32:44.800 --> 0:32:47.040
<v Speaker 1>thing to know about in his life then is that

0:32:47.320 --> 0:32:50.920
<v Speaker 1>there were so many people working for him. It's fascinating.

0:32:51.000 --> 0:32:53.680
<v Speaker 1>He had a staff I would say of like maybe

0:32:53.680 --> 0:32:57.320
<v Speaker 1>of a round. I mean, it was crazy. It's hard

0:32:57.360 --> 0:33:00.800
<v Speaker 1>to keep track of everybody. There's such an enabling thing

0:33:00.960 --> 0:33:04.000
<v Speaker 1>of celebrities that, like, my first thing when you say

0:33:04.080 --> 0:33:05.800
<v Speaker 1>about the comic is like, well, what if this is

0:33:05.800 --> 0:33:09.120
<v Speaker 1>an inside job? Totally an inside job at the house.

0:33:10.560 --> 0:33:14.760
<v Speaker 1>That's Jen Bosworth Ramirez. Again, Jen has some ideas about

0:33:14.760 --> 0:33:18.880
<v Speaker 1>how Cage found himself in this position. First, there's the

0:33:18.880 --> 0:33:22.720
<v Speaker 1>house itself, the Purple Palace. That house is huge. I

0:33:22.720 --> 0:33:24.200
<v Speaker 1>don't think he still owns it. I think he lives

0:33:24.200 --> 0:33:26.800
<v Speaker 1>in Vegas. But like, that house was so big and

0:33:26.880 --> 0:33:28.800
<v Speaker 1>had so much stuff in it. It was like this

0:33:29.000 --> 0:33:31.760
<v Speaker 1>gothic mansion obviously in bel Air, but it also had

0:33:31.800 --> 0:33:34.760
<v Speaker 1>twist and turns in that house, and he had what

0:33:34.920 --> 0:33:38.520
<v Speaker 1>I believe is the first danger Will Robinson Robot in

0:33:38.560 --> 0:33:41.120
<v Speaker 1>the house, which I remember being really weirded out by

0:33:41.280 --> 0:33:43.160
<v Speaker 1>from what was it lost in space? I think, And

0:33:43.440 --> 0:33:45.560
<v Speaker 1>it was like a museum. So it doesn't shock me

0:33:45.680 --> 0:33:48.400
<v Speaker 1>that something walked off from that house. If it did.

0:33:48.720 --> 0:33:52.960
<v Speaker 1>That's what actually happened. Other sources say the robot was

0:33:53.040 --> 0:33:57.360
<v Speaker 1>a replica, but still so. The Cage Museum of Modern

0:33:57.480 --> 0:34:00.880
<v Speaker 1>Art is one factor, and the other is people in

0:34:01.000 --> 0:34:07.280
<v Speaker 1>cages orbit, the employees, associates, hangers on. The other thing

0:34:07.320 --> 0:34:09.920
<v Speaker 1>to note about this time, and maybe it's all times

0:34:09.960 --> 0:34:13.200
<v Speaker 1>with celebrities and kind of interesting weird celebrities, is that

0:34:13.480 --> 0:34:16.359
<v Speaker 1>they always have a cast of characters around them. They

0:34:16.400 --> 0:34:18.960
<v Speaker 1>sort of elect people, people that are in the industry,

0:34:19.040 --> 0:34:21.440
<v Speaker 1>people that are not in the industry. I could totally

0:34:21.440 --> 0:34:25.080
<v Speaker 1>also see how someone like Nick could get involved with

0:34:25.120 --> 0:34:27.000
<v Speaker 1>someone who could be a little shady, you know what

0:34:27.040 --> 0:34:31.080
<v Speaker 1>I mean, Because everyone's shady here in Hollywood in some way, right,

0:34:32.120 --> 0:34:36.359
<v Speaker 1>and Cage had undoubtedly run into them. So you have

0:34:36.400 --> 0:34:40.080
<v Speaker 1>a party at your house, there's an object worth at

0:34:40.160 --> 0:34:43.399
<v Speaker 1>least a hundred and fifty thousand dollars that's small enough

0:34:43.400 --> 0:34:47.120
<v Speaker 1>to fit inside of a jacket. Two of them. Actually,

0:34:47.920 --> 0:34:53.279
<v Speaker 1>people can wander around freely. Employees come and go, and

0:34:53.520 --> 0:34:57.480
<v Speaker 1>you're away for maybe half the year shooting movies. Would

0:34:57.480 --> 0:35:00.719
<v Speaker 1>you just leave it unlocked and available for anyone to

0:35:00.760 --> 0:35:05.200
<v Speaker 1>pick up? If you're Nicolas Cage, yes, yes you do.

0:35:07.080 --> 0:35:11.239
<v Speaker 1>My understanding of him is that he started acting so young,

0:35:11.360 --> 0:35:14.360
<v Speaker 1>and because he was from kind of a famous family,

0:35:14.400 --> 0:35:16.880
<v Speaker 1>you know, the Coppolas, And because of all these things,

0:35:16.960 --> 0:35:20.440
<v Speaker 1>he was sort of like protected from a lot of

0:35:20.480 --> 0:35:23.680
<v Speaker 1>the harsh truths of the world that people can take

0:35:23.719 --> 0:35:26.759
<v Speaker 1>advantage of you, which is something actually I've seen over

0:35:26.800 --> 0:35:29.360
<v Speaker 1>and over with celebrities, but especially with Nick. I was

0:35:29.440 --> 0:35:33.680
<v Speaker 1>struck by the fact that he was super earnest in

0:35:33.680 --> 0:35:36.319
<v Speaker 1>a way that shocked me. It was like he wanted

0:35:36.360 --> 0:35:38.680
<v Speaker 1>to believe the best in people. But more than that,

0:35:39.160 --> 0:35:42.040
<v Speaker 1>I don't think he thought people would do that to him,

0:35:42.719 --> 0:35:45.799
<v Speaker 1>steal from him. It's really weird because you would think

0:35:45.840 --> 0:35:47.640
<v Speaker 1>that people would be like, Oh, I have money and

0:35:47.719 --> 0:35:50.640
<v Speaker 1>fancy things, and I have random people in my house.

0:35:50.719 --> 0:35:54.000
<v Speaker 1>This could be a big problem. I'd never experienced him

0:35:54.040 --> 0:35:57.520
<v Speaker 1>that way. It was so interesting during that time. I

0:35:57.560 --> 0:36:01.520
<v Speaker 1>remember being like, Oh, he really takes people at their word.

0:36:03.280 --> 0:36:08.279
<v Speaker 1>The famous cage eccentricity you probably figured we'd address this

0:36:08.960 --> 0:36:14.399
<v Speaker 1>cage has always been perceived as slightly odd. What other

0:36:14.480 --> 0:36:17.480
<v Speaker 1>actor has bought a dinosaur skull for two hundred and

0:36:17.520 --> 0:36:20.400
<v Speaker 1>seventy six thousand dollars and then had to give it

0:36:20.440 --> 0:36:23.480
<v Speaker 1>back when it was discovered that it was stolen from Mongolia.

0:36:24.320 --> 0:36:27.560
<v Speaker 1>Who else has described his own acting style as no

0:36:27.719 --> 0:36:31.840
<v Speaker 1>voo shamanistic and again we remind you of eating a

0:36:31.880 --> 0:36:36.959
<v Speaker 1>live roach. So Cage is not exactly playing by any

0:36:37.000 --> 0:36:41.040
<v Speaker 1>particular rule book. And it's fair to say he experienced

0:36:41.080 --> 0:36:45.080
<v Speaker 1>the world in a very different way. And it was

0:36:45.160 --> 0:36:50.680
<v Speaker 1>like he couldn't understand that there were consequences financially. I

0:36:50.719 --> 0:36:52.920
<v Speaker 1>don't know that he knew that if you don't pay

0:36:52.920 --> 0:36:55.000
<v Speaker 1>a parking meter, there's a ticket, and if you don't

0:36:55.000 --> 0:36:58.359
<v Speaker 1>pay the ticket like increases, because I think everyone just

0:36:58.480 --> 0:37:02.040
<v Speaker 1>did things for him all the time. He didn't know

0:37:02.440 --> 0:37:06.400
<v Speaker 1>certain things. But by his own admission, Cage was often

0:37:06.480 --> 0:37:10.879
<v Speaker 1>interested in building up a mythology around himself. Why else

0:37:11.000 --> 0:37:13.799
<v Speaker 1>by a two headed snake and share the fact that

0:37:13.840 --> 0:37:16.319
<v Speaker 1>you had to feed it with a spatula between the

0:37:16.360 --> 0:37:20.000
<v Speaker 1>heads to keep them separated. Why else stand up in

0:37:20.000 --> 0:37:23.000
<v Speaker 1>a restaurant and throw a ketchup bottle against the wall

0:37:23.080 --> 0:37:26.239
<v Speaker 1>to impress a date, Or get on a plane intercom

0:37:26.320 --> 0:37:29.360
<v Speaker 1>and pretend to be an ill pilot losing control of

0:37:29.400 --> 0:37:32.680
<v Speaker 1>the plane. Why else appear on a talk show in

0:37:32.719 --> 0:37:37.040
<v Speaker 1>the UK and stripped down to your bare chest. Cage

0:37:37.280 --> 0:37:41.680
<v Speaker 1>seemed to enjoy testing the boundaries of personality, creating his

0:37:41.760 --> 0:37:46.000
<v Speaker 1>own alter ego like Superman created Clark Kent, so that

0:37:46.080 --> 0:37:49.280
<v Speaker 1>it became difficult for anyone to compare the real Cage

0:37:49.320 --> 0:37:54.280
<v Speaker 1>to a part because well, who was the real Cage anyway? Well,

0:37:55.440 --> 0:37:58.400
<v Speaker 1>there was a story. I used to get beat up

0:37:58.440 --> 0:38:00.560
<v Speaker 1>on the bustle of a way. I went to a

0:38:00.600 --> 0:38:04.479
<v Speaker 1>correctional school for juvenile delinquents and I wasn't a big guy.

0:38:04.520 --> 0:38:06.279
<v Speaker 1>I was ten years old. I got kicked out of

0:38:06.280 --> 0:38:08.399
<v Speaker 1>school because I was, you know, the class clown, coming

0:38:08.440 --> 0:38:11.560
<v Speaker 1>up with pranks and whatnot, fried grasshoppers and people's egg

0:38:11.560 --> 0:38:16.000
<v Speaker 1>salad sandwiches and uh, I used to get beat up

0:38:16.000 --> 0:38:18.800
<v Speaker 1>on the bus every day. And then then I was

0:38:18.880 --> 0:38:21.200
<v Speaker 1>Nikki Coppel, that was my name. So one day I

0:38:21.200 --> 0:38:24.280
<v Speaker 1>went to school and I dressed up, put my cowboy

0:38:24.320 --> 0:38:26.960
<v Speaker 1>boots on, put my black leather jacket on, put my

0:38:27.000 --> 0:38:31.920
<v Speaker 1>sunglasses on, and UH said, I was Roy Richards and

0:38:31.960 --> 0:38:34.160
<v Speaker 1>if you if you mess around with my my cousin,

0:38:34.280 --> 0:38:37.200
<v Speaker 1>Nicki Coppel, I'm gonna kick your ass. So after that

0:38:37.200 --> 0:38:38.920
<v Speaker 1>they never screwed around with me anymore. So that was

0:38:38.960 --> 0:38:45.760
<v Speaker 1>really my first acting experience. The eccentricity probably gets exaggerated,

0:38:46.320 --> 0:38:50.399
<v Speaker 1>but it's also true that Cage, like many stars, is

0:38:50.640 --> 0:38:56.040
<v Speaker 1>somewhat distanced from the normal burdens of life. There was

0:38:56.080 --> 0:38:59.319
<v Speaker 1>the time he bought a Bentley, a beautiful Bentley, and

0:38:59.400 --> 0:39:02.320
<v Speaker 1>had it cussed demised so that it had every available

0:39:02.360 --> 0:39:06.840
<v Speaker 1>amenity you could think of, plush seats, televisions, a stereo,

0:39:07.080 --> 0:39:11.560
<v Speaker 1>a bar, luxury. When Cage got it back, he found

0:39:11.600 --> 0:39:14.799
<v Speaker 1>he couldn't fit inside of it anymore. There had been

0:39:14.800 --> 0:39:20.000
<v Speaker 1>too many additions. It became too opulent to contain him.

0:39:20.040 --> 0:39:23.480
<v Speaker 1>It also just didn't occur to Cage that anyone would

0:39:23.480 --> 0:39:26.920
<v Speaker 1>mean him any harm. He was, by the account of

0:39:26.960 --> 0:39:31.920
<v Speaker 1>people who worked for him, generous kind, far from the

0:39:31.960 --> 0:39:36.960
<v Speaker 1>egocentric star stereotype. It probably never occurred to him that

0:39:37.080 --> 0:39:40.359
<v Speaker 1>action number one could be taken, because who would want

0:39:40.440 --> 0:39:44.120
<v Speaker 1>to do that to him? Too many people? Do you

0:39:44.160 --> 0:39:46.680
<v Speaker 1>know what I mean? Like, why don't you know these people?

0:39:47.440 --> 0:39:49.279
<v Speaker 1>I don't know. It was such a weird time. He

0:39:49.320 --> 0:39:51.919
<v Speaker 1>had tons of people working for him, tons, and then

0:39:52.280 --> 0:39:56.120
<v Speaker 1>that doesn't include his agents, manager, and then all of

0:39:56.160 --> 0:39:59.600
<v Speaker 1>the publicists. I mean, it's a huge team of people,

0:40:00.480 --> 0:40:03.920
<v Speaker 1>and he's paying for all them, and you're probably wondering

0:40:04.320 --> 0:40:09.920
<v Speaker 1>security footage. Nope, no cameras inside, no one guarding the doors,

0:40:10.320 --> 0:40:13.640
<v Speaker 1>no one searching bags or patting people down. It was

0:40:13.719 --> 0:40:16.799
<v Speaker 1>a party, not a t s a checkpoint. Being at

0:40:16.840 --> 0:40:21.480
<v Speaker 1>the house and seeing sort of the grandness with which

0:40:21.600 --> 0:40:26.760
<v Speaker 1>he lived in terms of how much stuff he had

0:40:26.800 --> 0:40:29.600
<v Speaker 1>and collectibles, it was a whole new world to me,

0:40:29.760 --> 0:40:34.560
<v Speaker 1>and I can easily see how that world, as glorious

0:40:34.560 --> 0:40:37.080
<v Speaker 1>as it could be and as fun, could also be

0:40:37.120 --> 0:40:39.880
<v Speaker 1>a huge burden, and to keep track of everything and

0:40:39.920 --> 0:40:45.680
<v Speaker 1>everybody in your life would be almost impossible. That's the story.

0:40:45.680 --> 0:40:48.160
<v Speaker 1>It's just being in his house. You're playing pool with

0:40:48.200 --> 0:40:51.320
<v Speaker 1>Tom Waits and Jack Nicholson just gave you a cigar,

0:40:51.640 --> 0:40:54.760
<v Speaker 1>and this is this guy's house, and yet nobody really

0:40:54.800 --> 0:40:58.120
<v Speaker 1>knows you. It's very him, it's very weird. It's a

0:40:58.160 --> 0:41:00.239
<v Speaker 1>weird life. But that I think would be it's just

0:41:00.320 --> 0:41:02.480
<v Speaker 1>being the grandness of the whole thing and all the

0:41:02.560 --> 0:41:05.320
<v Speaker 1>things that people are being like, Oh, but who really

0:41:05.360 --> 0:41:07.520
<v Speaker 1>are these people and what are they doing here? And

0:41:07.640 --> 0:41:09.799
<v Speaker 1>what are we doing here? And what is this kind

0:41:09.840 --> 0:41:12.080
<v Speaker 1>of a life. It seems like it'd be very overwhelming

0:41:12.080 --> 0:41:15.920
<v Speaker 1>and unmanageable. But Stephen Fishler thought he could help manage

0:41:15.960 --> 0:41:20.480
<v Speaker 1>at least one part, the stolen comic part. He understood

0:41:20.480 --> 0:41:23.080
<v Speaker 1>that if these books were going to surface, there was

0:41:23.120 --> 0:41:26.000
<v Speaker 1>a very good chance he would hear about it. So

0:41:26.320 --> 0:41:29.120
<v Speaker 1>no one went to the media, and that was on purpose.

0:41:31.560 --> 0:41:36.920
<v Speaker 1>If you make it very public, then somebody's going to go, oh,

0:41:37.040 --> 0:41:40.520
<v Speaker 1>it is very public. And I can't publicly sell these

0:41:40.520 --> 0:41:44.080
<v Speaker 1>books because everybody knows. But if they steal them and

0:41:44.120 --> 0:41:48.600
<v Speaker 1>they're not able to find references to the theft, then

0:41:48.640 --> 0:41:52.640
<v Speaker 1>they may believe that nobody realized and now they're free

0:41:52.640 --> 0:41:55.160
<v Speaker 1>and clear to sell. But I think the word might

0:41:55.160 --> 0:41:58.720
<v Speaker 1>have gotten around about this theft in l A. Instead

0:41:58.719 --> 0:42:02.160
<v Speaker 1>of calling the Los Angeles As Times, Stephen picked up

0:42:02.160 --> 0:42:06.040
<v Speaker 1>the phone and began dialing Los Angeles area comic bookshops.

0:42:06.640 --> 0:42:09.920
<v Speaker 1>He told owners that some valuable comics had been taken,

0:42:10.360 --> 0:42:13.640
<v Speaker 1>but not who they had been taken from. Perhaps the thief,

0:42:13.880 --> 0:42:17.319
<v Speaker 1>like with Tony and the Picasso, would be brazen or

0:42:17.400 --> 0:42:21.000
<v Speaker 1>ignorant enough to just walk into Golden Apple Comics and

0:42:21.120 --> 0:42:25.920
<v Speaker 1>present an action number one with some concocted story. Comics

0:42:25.920 --> 0:42:30.200
<v Speaker 1>were after all found in attic. Sometimes it was a

0:42:30.239 --> 0:42:34.760
<v Speaker 1>long shot and here's the thing about property crimes. Unless

0:42:34.840 --> 0:42:38.240
<v Speaker 1>someone is an eyewitness to the theft, or unless someone

0:42:38.360 --> 0:42:40.799
<v Speaker 1>is stupid enough to admit to being in possession of

0:42:40.840 --> 0:42:45.399
<v Speaker 1>stolen property, it's not too hard to stay out of handcuffs.

0:42:45.920 --> 0:42:50.279
<v Speaker 1>It's estimated that just ten of art thefts see the

0:42:50.360 --> 0:42:57.960
<v Speaker 1>items recovered. But then, speaking to one dealer, Stephen heard

0:42:58.040 --> 0:43:01.800
<v Speaker 1>something too good to be true. Yes, the store owner

0:43:01.880 --> 0:43:05.680
<v Speaker 1>said someone had just called asking about the value of

0:43:05.719 --> 0:43:09.040
<v Speaker 1>an action number one and a detective number twenty seven,

0:43:09.520 --> 0:43:12.440
<v Speaker 1>but he didn't leave his name, and as the days

0:43:12.480 --> 0:43:16.360
<v Speaker 1>ticked by, it became clear that person wasn't going to

0:43:16.400 --> 0:43:21.040
<v Speaker 1>phone back. Please hang up and try your call again. Please.

0:43:22.440 --> 0:43:26.640
<v Speaker 1>There's a working theory about art crime. When something is stolen,

0:43:26.840 --> 0:43:30.160
<v Speaker 1>it will either surface immediately to get some quick cash,

0:43:30.640 --> 0:43:33.759
<v Speaker 1>or in about ten years, just long enough to hope

0:43:33.800 --> 0:43:37.040
<v Speaker 1>the victim has forgotten or has died, or the cops

0:43:37.040 --> 0:43:41.560
<v Speaker 1>are no longer actively investigating. It's the difference between a

0:43:41.640 --> 0:43:46.239
<v Speaker 1>fast score and playing the long game. So which was

0:43:46.280 --> 0:43:49.279
<v Speaker 1>it going to be? Was someone trying to move these

0:43:49.320 --> 0:43:53.040
<v Speaker 1>books fast? Were they going to go deep underground until

0:43:53.120 --> 0:43:56.920
<v Speaker 1>cage was onto other things? Was the l a shop

0:43:56.960 --> 0:44:00.359
<v Speaker 1>call a sign of things to come. This is just

0:44:00.440 --> 0:44:02.880
<v Speaker 1>the beginning of the story of one of the most

0:44:02.920 --> 0:44:07.200
<v Speaker 1>audacious art heists in modern history. Taken from one of

0:44:07.239 --> 0:44:12.800
<v Speaker 1>Hollywood's most famous actors, it moves from Los Angeles to Connecticut,

0:44:13.080 --> 0:44:18.040
<v Speaker 1>to Memphis and Paris and ropes in two Billionaires. It's

0:44:18.160 --> 0:44:22.759
<v Speaker 1>Nicolas Cage's own real life version of National Treasure, a

0:44:22.920 --> 0:44:26.640
<v Speaker 1>search for the birth of modern popular culture and the

0:44:26.719 --> 0:44:31.080
<v Speaker 1>person or persons who took it from his frat house

0:44:31.120 --> 0:44:36.280
<v Speaker 1>Bordelo Fortress of Solitude. And it really begins with one question,

0:44:37.160 --> 0:44:39.839
<v Speaker 1>the one that you might have caught yourself asking when

0:44:39.880 --> 0:44:45.120
<v Speaker 1>we started. When Nicolas Cage called Stephen Fishler, it was

0:44:45.280 --> 0:44:50.040
<v Speaker 1>the first question Stephen asked Cage. He actually told him,

0:44:50.160 --> 0:44:53.000
<v Speaker 1>did you call the police? And yet not so? I said, well,

0:44:53.200 --> 0:44:56.279
<v Speaker 1>get off the phone with me. Let's get the police involved.

0:44:56.560 --> 0:45:00.520
<v Speaker 1>Cage hadn't phoned the police right away. It was Stephen

0:45:00.560 --> 0:45:04.560
<v Speaker 1>who called them and gave them the advice of right

0:45:05.200 --> 0:45:08.840
<v Speaker 1>police to get them involved. Get him over there, went on.

0:45:08.920 --> 0:45:12.640
<v Speaker 1>They may be able to certainly help, but could they

0:45:13.080 --> 0:45:17.080
<v Speaker 1>This was no conventional art theft. Stephen was about to

0:45:17.120 --> 0:45:19.480
<v Speaker 1>put l a p d s finest to the test

0:45:19.880 --> 0:45:23.960
<v Speaker 1>when he discovered that there weren't just three comics missing,

0:45:24.719 --> 0:45:28.320
<v Speaker 1>there were four, and that's when the beads of sweat

0:45:28.800 --> 0:45:37.799
<v Speaker 1>really started rolling this season on Stealing Superman, the fact

0:45:37.880 --> 0:45:40.840
<v Speaker 1>he went to the Dayla first rather than the place

0:45:41.160 --> 0:45:44.240
<v Speaker 1>as an investigator, that would indicaite to me that Nicholas

0:45:44.320 --> 0:45:47.279
<v Speaker 1>Kaige knew more than what he let on and he

0:45:47.320 --> 0:45:50.279
<v Speaker 1>didn't want really a lot about being my public. You

0:45:50.360 --> 0:45:52.200
<v Speaker 1>hear the gossip that it could have been the butler,

0:45:52.320 --> 0:45:55.000
<v Speaker 1>could have been security guard, and I just remember that

0:45:55.239 --> 0:45:57.840
<v Speaker 1>showed us everything, and then in the end it was like,

0:45:57.960 --> 0:46:00.839
<v Speaker 1>well the police is going to come and everything. And

0:46:00.840 --> 0:46:03.680
<v Speaker 1>then Jeff and I were like, well we touched everything

0:46:03.880 --> 0:46:07.080
<v Speaker 1>because he had said something about fingerprints. We're both like,

0:46:07.400 --> 0:46:11.040
<v Speaker 1>we just touched everything. We touched the door coming into

0:46:11.080 --> 0:46:13.920
<v Speaker 1>your room and we never go up there. K you

0:46:14.040 --> 0:46:16.200
<v Speaker 1>just one of our people. He's one of my people.

0:46:16.840 --> 0:46:20.479
<v Speaker 1>I understand exactly what he must be thinking half when

0:46:20.520 --> 0:46:22.600
<v Speaker 1>that happened, how it felt to him. We all do.

0:46:22.880 --> 0:46:25.120
<v Speaker 1>And it's like, that's why Mark was more piste off

0:46:25.120 --> 0:46:26.600
<v Speaker 1>and all this stuff, just because it's like, why are

0:46:26.600 --> 0:46:29.239
<v Speaker 1>you bringing something around to my warehouse? Now I can

0:46:29.280 --> 0:46:32.879
<v Speaker 1>go to prison for but this is because it's so

0:46:33.000 --> 0:46:37.239
<v Speaker 1>specific both the man and his interests that it just

0:46:37.280 --> 0:46:40.400
<v Speaker 1>feels like another world, right, Like it feels like fiction

0:46:41.239 --> 0:46:46.200
<v Speaker 1>because someone targeted this very specific, very talented actor and

0:46:46.239 --> 0:46:50.080
<v Speaker 1>stole something that is very specific to his interests, but

0:46:50.120 --> 0:46:53.880
<v Speaker 1>that we're all aware of. As if it was a Monai.

0:46:54.440 --> 0:46:58.560
<v Speaker 1>That feels more relatable than if it was like someone

0:46:58.680 --> 0:47:02.279
<v Speaker 1>stole a two thousand dollar car from that damon, that

0:47:02.280 --> 0:47:04.720
<v Speaker 1>wouldn't be interesting. I think they should make a movie

0:47:04.760 --> 0:47:07.160
<v Speaker 1>this and just talk about all the weirdos that worked

0:47:07.160 --> 0:47:08.880
<v Speaker 1>for him and like who could have done this? And

0:47:08.960 --> 0:47:11.160
<v Speaker 1>maybe it turns out that in the end he did

0:47:11.200 --> 0:47:21.880
<v Speaker 1>it to himself. Stealing Superman is written by Jake Rawson,

0:47:22.440 --> 0:47:27.799
<v Speaker 1>sound design scoring by Josh Fisher, additional editing by Jonathan Washington,

0:47:28.520 --> 0:47:33.560
<v Speaker 1>mixing and mastering by Baheed Frasier. Original music by Aaron Kaufman.

0:47:34.160 --> 0:47:37.920
<v Speaker 1>Research and fact checking by Jake Rawson and Austin Thompson,

0:47:38.320 --> 0:47:43.320
<v Speaker 1>with production support from Lulu Philip. Show logo by Lucy Quintinia.

0:47:43.880 --> 0:47:48.000
<v Speaker 1>Our executive producer is Jason English and I'm your host

0:47:48.160 --> 0:47:52.000
<v Speaker 1>Danish words. If you're enjoying this show, check out Haleywood

0:47:52.120 --> 0:47:55.680
<v Speaker 1>and Noble Blood and give us a nice review. We'll

0:47:55.680 --> 0:47:59.120
<v Speaker 1>see you next week. Stealing Superman is a production of

0:47:59.200 --> 0:48:07.520
<v Speaker 1>I heart Rate Yeah.