1 00:00:03,120 --> 00:00:06,160 Speaker 1: Welcome to Stuff to Blow Your Mind from housetop works 2 00:00:06,200 --> 00:00:14,680 Speaker 1: dot com. Hey, welcome to Stuff to Blow Your Mind. 3 00:00:14,720 --> 00:00:18,639 Speaker 1: My name is Robert Lamb and my name is Christians Sager. So, hey, 4 00:00:18,720 --> 00:00:21,639 Speaker 1: if this is an episode that you are listening to, 5 00:00:21,840 --> 00:00:25,040 Speaker 1: maybe with your kids, or maybe you're concerned about the 6 00:00:25,079 --> 00:00:27,280 Speaker 1: company that you're listening to it, and we should just 7 00:00:27,360 --> 00:00:28,760 Speaker 1: let you know up front, this is gonna be a 8 00:00:28,800 --> 00:00:30,920 Speaker 1: little bit of a more graphic episode of Stuff to 9 00:00:30,920 --> 00:00:33,440 Speaker 1: Blow Your Mind. Be uh, based on the title. You 10 00:00:33,520 --> 00:00:35,959 Speaker 1: probably know that already, but we just wanted to give 11 00:00:35,960 --> 00:00:38,240 Speaker 1: you a heads up because we know that a lot 12 00:00:38,280 --> 00:00:40,680 Speaker 1: of families right into us and say, hey, I really 13 00:00:40,680 --> 00:00:43,120 Speaker 1: like listening to the show. I listened to it on 14 00:00:43,159 --> 00:00:45,600 Speaker 1: the way to school in the morning with my daughter. Um, 15 00:00:45,640 --> 00:00:47,520 Speaker 1: this might not be the episode to do that. Yeah, 16 00:00:47,560 --> 00:00:49,120 Speaker 1: you might give this one a skip in that case. 17 00:00:49,159 --> 00:00:52,560 Speaker 1: Now that being said, we're we're gonna tackle the topic 18 00:00:52,600 --> 00:00:55,840 Speaker 1: of sex spots in this episode, and we are, as usual, 19 00:00:55,880 --> 00:00:58,560 Speaker 1: we're going to do our best to to demystify the 20 00:00:58,560 --> 00:01:01,120 Speaker 1: topic of bit. We're gonna floor. Yes, we're gonna talk 21 00:01:01,120 --> 00:01:04,320 Speaker 1: about some of the in many cases trashy er um. 22 00:01:05,040 --> 00:01:07,560 Speaker 1: Examples of this show up in our science fiction. We're 23 00:01:07,560 --> 00:01:10,679 Speaker 1: going to talk about some definite opposition to the idea 24 00:01:10,680 --> 00:01:12,480 Speaker 1: of sex spots, but we're also going to explore some 25 00:01:12,640 --> 00:01:16,320 Speaker 1: territory that I was really fascinated with that where where 26 00:01:16,360 --> 00:01:19,720 Speaker 1: we see a more positive vision of what a sex 27 00:01:19,800 --> 00:01:24,520 Speaker 1: spot or sexual interaction between humans and machines might consist, 28 00:01:24,560 --> 00:01:29,720 Speaker 1: of visions of this that are beneficial, even therapeutic. Yeah, exactly. 29 00:01:29,760 --> 00:01:31,600 Speaker 1: I think that's the real hook here, and the thing 30 00:01:31,640 --> 00:01:33,959 Speaker 1: that I didn't know a lot about going into the research, 31 00:01:34,080 --> 00:01:38,240 Speaker 1: which is that there are a lot of uh of 32 00:01:38,280 --> 00:01:41,240 Speaker 1: these robots being built, and there's a lot of research 33 00:01:41,360 --> 00:01:46,559 Speaker 1: going into their construction that's healing basically for human beings 34 00:01:46,600 --> 00:01:48,840 Speaker 1: in a variety of ways. And we'll get into that now. 35 00:01:48,880 --> 00:01:52,080 Speaker 1: Before we get into the science, we should just take 36 00:01:52,120 --> 00:01:54,200 Speaker 1: a few moments to talk about some of the examples 37 00:01:54,240 --> 00:01:56,600 Speaker 1: that we've seen, and there are many different examples of 38 00:01:56,640 --> 00:01:59,800 Speaker 1: sex spots in science fiction. I mean, whenever we start 39 00:01:59,840 --> 00:02:03,920 Speaker 1: thinking thinking about artificial humans, and certainly we've dreamed about 40 00:02:04,280 --> 00:02:07,520 Speaker 1: artificial humans since ancient times and they factored into our 41 00:02:07,560 --> 00:02:12,280 Speaker 1: many of our myth cycles. We we inherently deal with 42 00:02:12,320 --> 00:02:16,359 Speaker 1: our anxiety about technology and our anxiety about human nature 43 00:02:16,600 --> 00:02:20,160 Speaker 1: in dreaming up these various examples. So a few that 44 00:02:20,200 --> 00:02:22,840 Speaker 1: come to mind. There's a wonderful novel titled The Wind 45 00:02:22,880 --> 00:02:27,320 Speaker 1: Up Girl. Uh, and this was by Paulo Bacadalupe. And 46 00:02:27,680 --> 00:02:30,359 Speaker 1: this is this coming concerned you know, sort of your 47 00:02:30,480 --> 00:02:33,480 Speaker 1: sort of your typical sex bot scenario. We have a 48 00:02:33,480 --> 00:02:37,519 Speaker 1: pleasure body of some kind, a feminine robot that is 49 00:02:37,600 --> 00:02:42,120 Speaker 1: made for male pleasure, that escapes, goes rogue, you know, 50 00:02:42,400 --> 00:02:44,720 Speaker 1: has a has a struggle for independence. It's a really 51 00:02:44,720 --> 00:02:47,680 Speaker 1: good book. Uh, but it does explore kind of a 52 00:02:47,680 --> 00:02:50,960 Speaker 1: classic trope here that is a very common trope in 53 00:02:51,240 --> 00:02:53,080 Speaker 1: sci fi now now that I think about it, and 54 00:02:53,160 --> 00:02:55,880 Speaker 1: especially looking at a lot of our examples here with 55 00:02:56,080 --> 00:02:58,480 Speaker 1: things that are really kind of popular right now, like 56 00:02:58,600 --> 00:03:01,760 Speaker 1: Humans or Westward Old, right, like the other shows that 57 00:03:01,800 --> 00:03:04,520 Speaker 1: are all exploring that same idea. Yeah, both great shows. 58 00:03:04,560 --> 00:03:07,320 Speaker 1: And you can and it's obvious why this is such 59 00:03:07,320 --> 00:03:09,880 Speaker 1: a powerful trope because you get to explore not only 60 00:03:09,960 --> 00:03:13,359 Speaker 1: are concerns about technology and the future of technology, but 61 00:03:13,440 --> 00:03:16,400 Speaker 1: also about about what it means to be to be 62 00:03:16,480 --> 00:03:19,720 Speaker 1: female in today's world and and uh and in various 63 00:03:19,720 --> 00:03:22,720 Speaker 1: feminine issues that you can explore through this, Uh, this 64 00:03:22,880 --> 00:03:26,600 Speaker 1: fantastic vision. Yeah. The other recent one that really gripped 65 00:03:26,600 --> 00:03:28,519 Speaker 1: a lot of people's attention. I thought it was maybe 66 00:03:28,520 --> 00:03:30,840 Speaker 1: the best movie that came out that year was XM 67 00:03:30,960 --> 00:03:36,040 Speaker 1: Gonna Yes. Alex Garland's XM Gonna Wow. Uh definitely Uh 68 00:03:36,440 --> 00:03:40,320 Speaker 1: talked about the issues surrounding sex spots, but was more 69 00:03:40,360 --> 00:03:45,360 Speaker 1: about I guess the like emotional availability of AI. And 70 00:03:45,400 --> 00:03:47,440 Speaker 1: this is something that like we've actually off air been 71 00:03:47,480 --> 00:03:49,560 Speaker 1: kind of talking about, like how it relates to this 72 00:03:49,640 --> 00:03:53,880 Speaker 1: topic is um For instance, that Spike Jones movie Her, 73 00:03:54,520 --> 00:03:57,200 Speaker 1: which I haven't seen but I don't think actually features 74 00:03:57,200 --> 00:04:00,960 Speaker 1: a robot in it, but it sort of the same idea. 75 00:04:01,040 --> 00:04:04,680 Speaker 1: It's like, can an artificial intelligence convince you that it's 76 00:04:04,800 --> 00:04:09,080 Speaker 1: real enough that you have you're an emotionally engaging relationship 77 00:04:09,120 --> 00:04:11,240 Speaker 1: with it. Yeah, this is, of course, is the whole 78 00:04:11,240 --> 00:04:14,920 Speaker 1: topic unto itself, Like to what degree we in do 79 00:04:15,000 --> 00:04:18,920 Speaker 1: you a non living thing with life, even if it's 80 00:04:18,960 --> 00:04:21,600 Speaker 1: not a robot, even if it is a doll or 81 00:04:21,680 --> 00:04:25,159 Speaker 1: a toy painting. I mean, we have this fabulous ability 82 00:04:25,200 --> 00:04:28,640 Speaker 1: to anthropomorphize just about anything. Yea to have it lead 83 00:04:28,880 --> 00:04:30,880 Speaker 1: you put a smiley face on something and it will 84 00:04:30,920 --> 00:04:33,719 Speaker 1: create we will instantly have this smidgeon at least a 85 00:04:33,760 --> 00:04:37,200 Speaker 1: smidgeon of investment in that thing as a person. Well, 86 00:04:37,200 --> 00:04:40,120 Speaker 1: and that goes way back. You've got notes here to 87 00:04:40,200 --> 00:04:43,880 Speaker 1: the Greek myth of Hefestus, right, or as I usually 88 00:04:43,920 --> 00:04:46,280 Speaker 1: call him, Vulcan, because I think that's Vulcans. What the 89 00:04:46,839 --> 00:04:49,160 Speaker 1: Roman version of that? Yeah, if you have Vulcans, the 90 00:04:49,240 --> 00:04:51,720 Speaker 1: Roman version and uh yeah, and if you've ever rolled 91 00:04:51,760 --> 00:04:55,880 Speaker 1: through Birmingham, Alabama, they have a big statue of Vulcan. Wait, 92 00:04:55,960 --> 00:04:59,600 Speaker 1: is that right? That's true? Yeah, yeah, yeah, because it 93 00:04:59,680 --> 00:05:03,640 Speaker 1: was like a steal working town. Okay, so, uh so 94 00:05:04,040 --> 00:05:07,320 Speaker 1: Vulcan plays a role in in my personal history as well. 95 00:05:07,360 --> 00:05:10,320 Speaker 1: But yeah, this in myth. He created a series of 96 00:05:10,440 --> 00:05:14,039 Speaker 1: life sized golden maids, among various other models. So he 97 00:05:14,080 --> 00:05:17,440 Speaker 1: was kind of mad scientist of Greek and Roman myth. 98 00:05:17,520 --> 00:05:19,719 Speaker 1: But you can see they're like going that far back 99 00:05:19,760 --> 00:05:22,640 Speaker 1: that we human beings were thinking about in our culture 100 00:05:22,680 --> 00:05:26,440 Speaker 1: and our storytelling, like how we were going to try 101 00:05:26,480 --> 00:05:31,359 Speaker 1: to replicate the human experience in machines or in I 102 00:05:31,400 --> 00:05:35,120 Speaker 1: believe the terminology that was used referring to Vulcan and 103 00:05:35,160 --> 00:05:39,120 Speaker 1: Hephestus was biotechnique. Yeah, yeah, that's right, And there's a 104 00:05:39,120 --> 00:05:41,880 Speaker 1: wonderful Ian magazine article on that, and I'll try to 105 00:05:41,880 --> 00:05:43,440 Speaker 1: include a link to that and some of the other 106 00:05:43,480 --> 00:05:45,760 Speaker 1: articles who were mentioning here in the landing page for 107 00:05:45,800 --> 00:05:47,919 Speaker 1: this episode of Stuff to Blow your Mind dot Com. Also, 108 00:05:48,080 --> 00:05:51,200 Speaker 1: obviously many people out there probably thinking of Darryl Hannah's 109 00:05:51,279 --> 00:05:54,920 Speaker 1: character Priss from Blade Runner, which is referred to as 110 00:05:54,960 --> 00:05:57,520 Speaker 1: a basic pleasure model. Although so it's funny. I was 111 00:05:57,560 --> 00:06:01,800 Speaker 1: reading an Ionine article yesterday that's all about what what 112 00:06:01,880 --> 00:06:04,680 Speaker 1: we're talking about right now, the fictionalized versions of sex spots. 113 00:06:04,920 --> 00:06:08,320 Speaker 1: There's a lot of argumentation in the commentary about whether 114 00:06:08,400 --> 00:06:13,600 Speaker 1: Priss counted because replicants are technically organic individuals. I think 115 00:06:13,640 --> 00:06:16,120 Speaker 1: she counts. Yeah, yeah, there there's that whole Once you 116 00:06:16,120 --> 00:06:18,240 Speaker 1: get into the whole android replicate thing, it gets a 117 00:06:18,240 --> 00:06:21,440 Speaker 1: little a little hazy. Now that anybody out there is 118 00:06:21,440 --> 00:06:23,159 Speaker 1: a fan of Rick and Morty, there was an episode 119 00:06:23,320 --> 00:06:26,320 Speaker 1: titled Raising gas Orpazorp that included a sex spot that 120 00:06:26,560 --> 00:06:29,280 Speaker 1: I haven't seen that one. Yeah, that that Morty ends 121 00:06:29,360 --> 00:06:33,160 Speaker 1: up acquiring and has a brief addiction to. So we 122 00:06:33,279 --> 00:06:35,640 Speaker 1: might come back to to that vision of a sex 123 00:06:35,680 --> 00:06:37,800 Speaker 1: spot here in the future. But that kind of leads 124 00:06:37,839 --> 00:06:41,120 Speaker 1: us into some of the more exploitive visions. I guess 125 00:06:41,120 --> 00:06:44,400 Speaker 1: you can say, the sort of heavy metal visions of 126 00:06:44,440 --> 00:06:47,080 Speaker 1: the sex spot. Um, what what was the name of 127 00:06:47,120 --> 00:06:50,480 Speaker 1: the artist that you, uh, you sent me yesterday? There's 128 00:06:50,520 --> 00:06:53,200 Speaker 1: this guy. So heavy Metal Magazine is what we're referring to, 129 00:06:53,320 --> 00:06:55,560 Speaker 1: which is if if you're unfamiliar with it, it is 130 00:06:55,640 --> 00:06:59,920 Speaker 1: an American magazine that specializes in comics that are sort 131 00:07:00,040 --> 00:07:04,960 Speaker 1: of like R rated fantasy sci fi comics. Uh. And 132 00:07:05,240 --> 00:07:09,320 Speaker 1: the cover art is usually pretty salacious. And Robert found 133 00:07:09,360 --> 00:07:11,240 Speaker 1: this one artist who has done quite a number of 134 00:07:11,240 --> 00:07:17,360 Speaker 1: covers for them that specializes in sexualized female robots. Oh yeah, 135 00:07:17,400 --> 00:07:20,760 Speaker 1: this would be, of course, be a Japanese artist, Hajimie 136 00:07:20,800 --> 00:07:23,200 Speaker 1: sore Yama. Okay, yeah, and this is this is one 137 00:07:23,240 --> 00:07:26,920 Speaker 1: of the Remember when I first got online, really the 138 00:07:26,960 --> 00:07:29,360 Speaker 1: first year of college, last year of high school, I 139 00:07:29,480 --> 00:07:33,120 Speaker 1: ended up introducing myself to a number of fantasy artists 140 00:07:33,440 --> 00:07:36,280 Speaker 1: that that I was instantly taken with. And uh and 141 00:07:36,320 --> 00:07:39,720 Speaker 1: I remember encountering this guy's work and it's it's eye catching, 142 00:07:39,760 --> 00:07:42,200 Speaker 1: but it's all of like sexy robot pin up dolls, 143 00:07:42,200 --> 00:07:45,320 Speaker 1: like that's his his thing, and that's certainly a vision 144 00:07:45,440 --> 00:07:48,040 Speaker 1: of the sex spot, the fimbot that you know, whatever 145 00:07:48,040 --> 00:07:49,880 Speaker 1: you want to call them, whatever they're calling your particular 146 00:07:50,320 --> 00:07:53,640 Speaker 1: uh sci fi property that we see time and time again. Um, 147 00:07:54,160 --> 00:07:56,680 Speaker 1: like a property that I think back to is NS 148 00:07:56,760 --> 00:08:00,480 Speaker 1: Cherry two thousand starring Melanie Griffith. I have never seen that, 149 00:08:00,560 --> 00:08:03,160 Speaker 1: and I, uh, you know, I've always kind of heard 150 00:08:03,160 --> 00:08:05,520 Speaker 1: about it on the fringe of things, but yeah, it 151 00:08:05,640 --> 00:08:08,480 Speaker 1: really hit my radar doing the research for this episode. Yeah, 152 00:08:08,560 --> 00:08:11,200 Speaker 1: it's it's definitely one that falls more into the you know, 153 00:08:11,240 --> 00:08:14,200 Speaker 1: exactly what you'd expect from a ninety eighties film, So 154 00:08:14,240 --> 00:08:16,040 Speaker 1: it has a sex about it. I suppose like she 155 00:08:16,080 --> 00:08:18,400 Speaker 1: can't complain too much about her daughter doing these fifty 156 00:08:18,440 --> 00:08:20,920 Speaker 1: shades of Gray movies. Then if like her daughter can 157 00:08:20,920 --> 00:08:23,040 Speaker 1: just be like, well you were in Cherry two thousands, Yes, 158 00:08:23,080 --> 00:08:25,280 Speaker 1: but she was not Cherry two thousand. She was she 159 00:08:25,360 --> 00:08:27,520 Speaker 1: was just she was like a human bounty hunt. Okay, 160 00:08:27,560 --> 00:08:29,760 Speaker 1: I didn't know that, all right, Um, you know what 161 00:08:29,960 --> 00:08:31,560 Speaker 1: is not on the list that it just like popped 162 00:08:31,600 --> 00:08:33,280 Speaker 1: in my head. I can't believe we forgot about this. 163 00:08:33,559 --> 00:08:36,240 Speaker 1: The Stepford Wives. Yeah, the Stepford Wives a big one 164 00:08:36,280 --> 00:08:38,640 Speaker 1: that and it ties in directly with some of the 165 00:08:38,920 --> 00:08:41,600 Speaker 1: fears and anxieties they were going to discuss here, because 166 00:08:41,640 --> 00:08:47,080 Speaker 1: it's men making robot women to be their perfect wives. Yeah. Uh, 167 00:08:47,120 --> 00:08:51,600 Speaker 1: there's Jude Law as Jiggalo Joe in the movie AI. Uh, 168 00:08:51,640 --> 00:08:54,360 Speaker 1: one of the rare examples of a male sex spot 169 00:08:54,440 --> 00:08:59,000 Speaker 1: in popular culture. On Buffy the Vampire Slayer, they made 170 00:08:59,040 --> 00:09:04,920 Speaker 1: several sexpot including one of Buffy for Spike, which really 171 00:09:05,520 --> 00:09:09,680 Speaker 1: there's some really dicey sexual relationship stuff that goes on 172 00:09:09,760 --> 00:09:12,520 Speaker 1: in that show towards the end of the later seasons, 173 00:09:12,559 --> 00:09:16,559 Speaker 1: and that's one of them. Um. And then the comics, Uh, 174 00:09:16,600 --> 00:09:19,000 Speaker 1: there's this comic called Autumn Lends that's coming out right 175 00:09:19,040 --> 00:09:21,120 Speaker 1: now that I really enjoy. It's by Kurt Busick and 176 00:09:21,160 --> 00:09:24,520 Speaker 1: Benjamin Dewey and uh. In the second arc, the characters 177 00:09:24,600 --> 00:09:29,840 Speaker 1: encounter these statue esque naked robot women who once served 178 00:09:29,840 --> 00:09:33,920 Speaker 1: this like long forgotten civilization as sex slaves, and when 179 00:09:33,960 --> 00:09:36,720 Speaker 1: one of the characters tries to force himself upon them, 180 00:09:37,040 --> 00:09:40,079 Speaker 1: they rebel and it's it's really it's a really interesting 181 00:09:40,160 --> 00:09:43,120 Speaker 1: take on this whole thing that we're gonna be talking 182 00:09:43,160 --> 00:09:46,040 Speaker 1: about today. But um, I highly recommended if you're into comics, 183 00:09:46,120 --> 00:09:48,280 Speaker 1: check that out. So obviously, some of these visions of 184 00:09:48,320 --> 00:09:50,920 Speaker 1: the sex spot are are more fantastic than others, and 185 00:09:51,000 --> 00:09:53,800 Speaker 1: some are more serious than others in their commentary, But 186 00:09:54,240 --> 00:09:57,640 Speaker 1: ultimately it's all sort of circling around our our legitimate 187 00:09:57,640 --> 00:10:02,120 Speaker 1: concerns about ourselves and technology. So what are we afraid of? What? 188 00:10:02,120 --> 00:10:05,760 Speaker 1: What indeed are we very right to be concerned about? Uh? 189 00:10:05,800 --> 00:10:08,559 Speaker 1: You know, we see this continuing trope of the human 190 00:10:08,600 --> 00:10:11,600 Speaker 1: abuse of robots mirroring our own abuse of each other. 191 00:10:11,880 --> 00:10:13,880 Speaker 1: If we create robots in our image, then are we 192 00:10:13,920 --> 00:10:16,920 Speaker 1: destined to exploit them, to abuse them, and even further 193 00:10:17,000 --> 00:10:20,360 Speaker 1: objectify and to humanize each other based on this model? 194 00:10:21,240 --> 00:10:24,040 Speaker 1: And I also can't help but feel that female sex 195 00:10:24,040 --> 00:10:27,080 Speaker 1: spots and fiction especially tend to serve, as you know, 196 00:10:27,120 --> 00:10:30,800 Speaker 1: as commentaries on product femininity. Uh the the all too 197 00:10:31,080 --> 00:10:34,600 Speaker 1: you know, frequent portrayal of human females as mere sex objects, 198 00:10:34,640 --> 00:10:38,120 Speaker 1: devoid of nuanced personality or identity. And we didn't plan 199 00:10:38,200 --> 00:10:40,839 Speaker 1: it out this way, but actually so coming out this 200 00:10:40,880 --> 00:10:44,560 Speaker 1: week along with this episode, we're doing an episode on 201 00:10:45,000 --> 00:10:51,359 Speaker 1: the science of ovulation and how that plays into marketing. Femininity. 202 00:10:51,880 --> 00:10:54,520 Speaker 1: Uh and and so it's it's interesting to do these 203 00:10:54,559 --> 00:10:57,680 Speaker 1: two episodes side by side and sort of see the parallels. Yeah, 204 00:10:57,679 --> 00:11:01,360 Speaker 1: there's always this weird synchronicity between episodes, it seems. So 205 00:11:01,400 --> 00:11:04,960 Speaker 1: why don't we get into the current state of you 206 00:11:04,960 --> 00:11:07,800 Speaker 1: know what. Some of you out there are probably like, well, wait, what, 207 00:11:08,040 --> 00:11:11,440 Speaker 1: Like there's all these pop culture versions that you just mentioned, 208 00:11:11,440 --> 00:11:15,360 Speaker 1: but where are these sex spots you speak of now? Right? Um, 209 00:11:15,480 --> 00:11:18,400 Speaker 1: I would just first like to very quickly go over 210 00:11:19,160 --> 00:11:23,680 Speaker 1: a short history of sex toys in terms of you 211 00:11:23,720 --> 00:11:25,960 Speaker 1: know where we're at with that. These are tens of 212 00:11:26,000 --> 00:11:28,199 Speaker 1: thousands of years old. You know, most people don't know that. 213 00:11:28,240 --> 00:11:32,360 Speaker 1: They probably think it's relatively recent invention. The oldest dil though, 214 00:11:32,559 --> 00:11:36,320 Speaker 1: is more than twenty thousand years old. And vibrators began 215 00:11:36,400 --> 00:11:40,080 Speaker 1: as medical devices that midwives and physicians used to treat 216 00:11:40,120 --> 00:11:43,520 Speaker 1: illnesses such as hysteria through what they referred to as 217 00:11:43,559 --> 00:11:48,080 Speaker 1: pelvic massage or manual stimulation. The first one of these 218 00:11:48,120 --> 00:11:52,640 Speaker 1: was introduced in seventeen thirty four. That's that goes far back. Uh. 219 00:11:52,640 --> 00:11:55,240 Speaker 1: And it wasn't into the late eighteen hundreds when powered 220 00:11:55,320 --> 00:11:58,680 Speaker 1: vibrators were available to doctors and then by they were 221 00:11:58,720 --> 00:12:03,760 Speaker 1: available directly to consumers, and then you know, nowadays people 222 00:12:03,800 --> 00:12:06,600 Speaker 1: think about computer driven sex toys. That goes back to 223 00:12:06,679 --> 00:12:10,559 Speaker 1: the mid nineteen seventies. Yes, I mean, certainly, sexuality is 224 00:12:10,600 --> 00:12:14,040 Speaker 1: always a huge aspect of human behavior, even if we 225 00:12:14,080 --> 00:12:17,600 Speaker 1: want to push it through the background. So it has 226 00:12:17,600 --> 00:12:20,719 Speaker 1: a tendency to be at the forefront of any technological 227 00:12:20,800 --> 00:12:23,880 Speaker 1: advancement or any kind of new enterprise. I think it's 228 00:12:23,920 --> 00:12:27,840 Speaker 1: just yeah, worth like reminding ourselves like, hey, this isn't new, 229 00:12:28,080 --> 00:12:30,400 Speaker 1: this isnt been around for a long time. What we're 230 00:12:30,440 --> 00:12:34,480 Speaker 1: discussing here is really just like the latest iteration of 231 00:12:34,520 --> 00:12:37,200 Speaker 1: this and what does that say about us? Yeah, and 232 00:12:37,240 --> 00:12:40,480 Speaker 1: it's not a situation where suddenly sexually minded individuals are 233 00:12:40,480 --> 00:12:43,160 Speaker 1: at the forefront, uh, you know, pushing and meddling with 234 00:12:43,200 --> 00:12:48,320 Speaker 1: the technology. They've always been there. Uh So, just to 235 00:12:48,360 --> 00:12:50,240 Speaker 1: give a brief idea of the future so that we 236 00:12:50,280 --> 00:12:53,240 Speaker 1: can we can backtrack and discuss the present. There was 237 00:12:53,280 --> 00:12:56,680 Speaker 1: an interesting Pew Research Center paper that came out in 238 00:12:56,679 --> 00:13:01,400 Speaker 1: two thousand fourteen titled Digital Life in five AI Robotics 239 00:13:01,400 --> 00:13:03,719 Speaker 1: in the Future of Jobs. Now. For the most part, 240 00:13:03,880 --> 00:13:08,720 Speaker 1: this article did not go into the use of sexual robots. 241 00:13:09,200 --> 00:13:11,640 Speaker 1: But there is one part where this guy by the 242 00:13:11,720 --> 00:13:15,640 Speaker 1: name of Stowboyd, whose lead researcher for Giga o M 243 00:13:15,720 --> 00:13:19,560 Speaker 1: Research a futurist, he predicted quote, Pizzas will not be 244 00:13:19,600 --> 00:13:22,160 Speaker 1: delivered by teenagers hoping for a tip. Food will be 245 00:13:22,240 --> 00:13:25,640 Speaker 1: raised by robotic vehicles, even in small plot urban farms. 246 00:13:25,640 --> 00:13:27,800 Speaker 1: That will become the norm since so many people will 247 00:13:27,840 --> 00:13:30,559 Speaker 1: have lost their jobs to bots. Your X rays will 248 00:13:30,600 --> 00:13:33,560 Speaker 1: be reviewed by a battery of Watson grade aiyes, and 249 00:13:33,679 --> 00:13:36,920 Speaker 1: humans will only be pulled in when the machines disagree. 250 00:13:37,400 --> 00:13:40,720 Speaker 1: Robotics sex partners will be commonplace. Although the source of 251 00:13:40,760 --> 00:13:44,680 Speaker 1: scorn and division the way that critics today bemoans selfies 252 00:13:44,760 --> 00:13:47,560 Speaker 1: as an indicator of all that's wrong with the world. 253 00:13:48,280 --> 00:13:50,240 Speaker 1: So I think that's an interesting take on it. I 254 00:13:50,360 --> 00:13:54,480 Speaker 1: definitely agree with him that on the scorn and division, 255 00:13:54,520 --> 00:13:57,480 Speaker 1: and that is going to be a you know, really 256 00:13:57,520 --> 00:14:00,000 Speaker 1: the big divide that we're going to speak about today 257 00:14:00,120 --> 00:14:03,280 Speaker 1: in terms of what's going on with this technology. I 258 00:14:03,360 --> 00:14:06,160 Speaker 1: don't I don't see it as being analogous to selfies, 259 00:14:06,200 --> 00:14:10,760 Speaker 1: though I think it's a little more extreme than that. Yeah, 260 00:14:10,920 --> 00:14:12,559 Speaker 1: I think time and time again we have to come 261 00:14:12,559 --> 00:14:15,679 Speaker 1: back to examples of what the what the current technology is. 262 00:14:16,080 --> 00:14:19,720 Speaker 1: So today we have a number of different sexual devices, 263 00:14:19,760 --> 00:14:21,720 Speaker 1: sexual toys of your will that are on the market, 264 00:14:22,080 --> 00:14:24,520 Speaker 1: and many of them are very high selling. That being said, 265 00:14:24,840 --> 00:14:28,600 Speaker 1: sex toys continue and perhaps will always be. Uh that 266 00:14:28,720 --> 00:14:31,760 Speaker 1: the punch line of many a joke. Yeah, right, exactly. Yeah, 267 00:14:31,800 --> 00:14:34,720 Speaker 1: we were talking about this earlier that it's like, uh, 268 00:14:34,760 --> 00:14:36,720 Speaker 1: you know, this is the stuff of like late night 269 00:14:36,760 --> 00:14:40,160 Speaker 1: talk show hosts, like making a throwaway joke here there. 270 00:14:40,160 --> 00:14:42,760 Speaker 1: It's something everybody can kind of relate to and laugh 271 00:14:42,800 --> 00:14:45,240 Speaker 1: at and laugh at themselves about. Right, And then at 272 00:14:45,240 --> 00:14:47,120 Speaker 1: the same time, many of the people who are laughing 273 00:14:47,120 --> 00:14:49,400 Speaker 1: and some that are not laughing are still going to 274 00:14:49,480 --> 00:14:51,880 Speaker 1: perhaps go online and order one of these devices for 275 00:14:51,920 --> 00:14:54,920 Speaker 1: their personal use. Yeah. So we're a far cry, though, 276 00:14:55,000 --> 00:14:58,480 Speaker 1: from having a robotic humanoid body that that moves like 277 00:14:58,600 --> 00:15:01,360 Speaker 1: we do. But Roby Boss continue to make strides in 278 00:15:01,400 --> 00:15:04,200 Speaker 1: this area. So everyone's seeing videos of the various of 279 00:15:04,200 --> 00:15:07,040 Speaker 1: Boston Dynamics robots, you know, and they're often kind of 280 00:15:07,040 --> 00:15:10,760 Speaker 1: fear something like mechanical jumping horses. I guess, so we 281 00:15:10,760 --> 00:15:13,680 Speaker 1: should probably clarify what this is. Maybe not everybody out 282 00:15:13,720 --> 00:15:15,480 Speaker 1: there is familiar with this. So this is what last 283 00:15:15,560 --> 00:15:18,560 Speaker 1: year and a half, Boston Dynamics is like continually releasing 284 00:15:18,600 --> 00:15:21,560 Speaker 1: these kind of like press release videos of these robots 285 00:15:21,600 --> 00:15:25,600 Speaker 1: that they're working on that basically look like robot pack mules. Yeah, 286 00:15:25,640 --> 00:15:27,480 Speaker 1: and that's kind of the cell, right that their robotic 287 00:15:27,520 --> 00:15:30,280 Speaker 1: pack mules that can that would have a military application, 288 00:15:30,400 --> 00:15:34,040 Speaker 1: that can go over diverse terrain. So we can look 289 00:15:34,080 --> 00:15:36,920 Speaker 1: to those and obviously these are not sexy, these are 290 00:15:36,960 --> 00:15:40,040 Speaker 1: not these are not devices where you say, hey, that's 291 00:15:40,080 --> 00:15:44,080 Speaker 1: the future of sexual robotics right there, but they do 292 00:15:44,200 --> 00:15:49,440 Speaker 1: demonstrate the strides that we're making and creating robots that 293 00:15:49,480 --> 00:15:53,160 Speaker 1: can move in reality, that can that can that can 294 00:15:53,200 --> 00:15:56,480 Speaker 1: actually interact with the world physically and an you know, 295 00:15:56,520 --> 00:15:58,720 Speaker 1: there are other areas where the technology continues to impress. 296 00:15:58,760 --> 00:16:03,720 Speaker 1: So we know robotis listed surgery, VR, haptic feedback, and 297 00:16:03,800 --> 00:16:06,760 Speaker 1: there is this, uh, this field of that's sometimes referred 298 00:16:06,760 --> 00:16:10,960 Speaker 1: to as tele del donis uh where they're utilizing all 299 00:16:10,960 --> 00:16:16,400 Speaker 1: this technology for more advanced sexual devices and sex toys. Yeah. 300 00:16:16,400 --> 00:16:20,200 Speaker 1: This is basically across long distances right right. Like one 301 00:16:20,240 --> 00:16:23,840 Speaker 1: example of this is uh uh Frison I believe is 302 00:16:23,840 --> 00:16:26,240 Speaker 1: the name of how you pronounced the product, and they 303 00:16:26,320 --> 00:16:31,400 Speaker 1: use haptic sensors and robotic accessories to enable remote control sex. Okay, 304 00:16:31,440 --> 00:16:33,760 Speaker 1: so let's take a quick break and when we get back, 305 00:16:33,800 --> 00:16:36,400 Speaker 1: now that we've covered sort of, you know, up to 306 00:16:36,960 --> 00:16:39,840 Speaker 1: the current state of affairs with sex spots, we're going 307 00:16:39,880 --> 00:16:43,000 Speaker 1: to talk about the off the shelf on the market 308 00:16:43,120 --> 00:16:52,080 Speaker 1: robot Roxy. Alright, we're back. So yeah, let's talk about 309 00:16:52,160 --> 00:16:55,120 Speaker 1: Roxy a little bit. Roxy is I think a it's 310 00:16:55,120 --> 00:16:57,560 Speaker 1: an important example to hit, but it's also such a 311 00:16:59,360 --> 00:17:03,800 Speaker 1: uh problematic example because it it represents some of the 312 00:17:04,200 --> 00:17:07,920 Speaker 1: more notorious aspects of sexual robots. So we learned about 313 00:17:07,960 --> 00:17:10,880 Speaker 1: Roxy from Eon magazine, which if you're a listen long 314 00:17:10,880 --> 00:17:13,000 Speaker 1: time listener, you know that we read quite a bit 315 00:17:13,040 --> 00:17:17,000 Speaker 1: of it. Uh. It's a robot companion. Uh. It doesn't 316 00:17:17,160 --> 00:17:21,720 Speaker 1: quite produce the Uncanny Valley effect, you know, unlike um, 317 00:17:21,800 --> 00:17:25,159 Speaker 1: those actroids that you sometimes see that are created in 318 00:17:25,200 --> 00:17:28,720 Speaker 1: like Japanese commercials or something like that, but they come 319 00:17:28,920 --> 00:17:31,719 Speaker 1: Roxy comes in a variety of models and some of 320 00:17:31,760 --> 00:17:34,439 Speaker 1: them actually have personalities. So there's a little bit of 321 00:17:34,480 --> 00:17:38,680 Speaker 1: programming that goes into this. Uh. It includes the regular Roxy. 322 00:17:38,880 --> 00:17:44,760 Speaker 1: There is also mature Martha Young Yoko and Frigid Farrah. 323 00:17:44,840 --> 00:17:47,879 Speaker 1: And that's where I got a little I got a 324 00:17:47,880 --> 00:17:50,280 Speaker 1: little creeped out personally, because the idea of frigid fare 325 00:17:50,400 --> 00:17:54,000 Speaker 1: is it's like she plays hard to get, she's you know, 326 00:17:54,080 --> 00:17:58,400 Speaker 1: not necessarily interested in having sex with you. And that's 327 00:17:58,440 --> 00:18:01,600 Speaker 1: a little that's where they're some weird lines. I think, Yeah, 328 00:18:01,800 --> 00:18:04,520 Speaker 1: this this is, you know, an obvious example of something 329 00:18:04,520 --> 00:18:07,160 Speaker 1: will come back to the idea that you have men 330 00:18:07,400 --> 00:18:11,880 Speaker 1: creating female robots for a male audience, and they've got 331 00:18:11,960 --> 00:18:16,119 Speaker 1: very specific fetish aia, very stereotypical betrayals and um and 332 00:18:16,160 --> 00:18:19,560 Speaker 1: sort of male approved models of what a female is, 333 00:18:19,640 --> 00:18:22,000 Speaker 1: very simplistic models. Yeah. Oh, and I should clarify to 334 00:18:22,240 --> 00:18:26,240 Speaker 1: young Yoko is not although we are going to talk 335 00:18:26,280 --> 00:18:29,960 Speaker 1: about pedophile sex spots, Young Yoko is supposed to be 336 00:18:30,160 --> 00:18:34,199 Speaker 1: over the age of eighteen personality wise. But basically, this 337 00:18:34,359 --> 00:18:37,800 Speaker 1: roxy robot sounds kind of like Sirian the way that 338 00:18:37,840 --> 00:18:40,560 Speaker 1: it talks back to you. Their purpose is to pride 339 00:18:40,600 --> 00:18:42,960 Speaker 1: more than sex. The idea is that they're your true 340 00:18:42,960 --> 00:18:47,120 Speaker 1: companion and you can talk to them before and after sex. Uh. 341 00:18:47,160 --> 00:18:50,200 Speaker 1: And and given that you've got all the personalities chosen here, 342 00:18:50,280 --> 00:18:53,000 Speaker 1: you know what, what does this tell us about the 343 00:18:53,040 --> 00:18:57,280 Speaker 1: future proliferation of these sex spots? Uh? And here's where 344 00:18:57,280 --> 00:19:02,240 Speaker 1: it gets real weird. Aon says that the person who 345 00:19:02,320 --> 00:19:07,359 Speaker 1: created roxy it was originally created as the recreation of 346 00:19:07,400 --> 00:19:10,640 Speaker 1: a friend that was lost in nine eleven, and then 347 00:19:10,760 --> 00:19:14,679 Speaker 1: that developed into this consumer oriented sex spot. Well, and 348 00:19:14,680 --> 00:19:18,160 Speaker 1: then I've also read that that the the technology behind 349 00:19:18,240 --> 00:19:20,639 Speaker 1: rocks he started out as a as an inquiry into 350 00:19:21,359 --> 00:19:25,360 Speaker 1: creation of a robot home care nurse. So now I'm 351 00:19:25,359 --> 00:19:28,960 Speaker 1: wondering if there's just like these different urban myths about Roxy. Well, now, 352 00:19:29,000 --> 00:19:32,120 Speaker 1: I I I wrote a little bit years ago where 353 00:19:32,119 --> 00:19:34,479 Speaker 1: I ended up touching on Roxy and uh, and I 354 00:19:34,520 --> 00:19:38,320 Speaker 1: believe the home care nurse thing is is legit. But 355 00:19:38,400 --> 00:19:40,480 Speaker 1: I guess it comes down to like the evolution of 356 00:19:40,480 --> 00:19:43,320 Speaker 1: an idea, the evolution of of figuring out how to 357 00:19:43,480 --> 00:19:48,240 Speaker 1: commercially apply your technology. So what starts is an is 358 00:19:48,280 --> 00:19:51,640 Speaker 1: an intention to create a robotic nurse. Uh, may end 359 00:19:51,720 --> 00:19:54,879 Speaker 1: up going through some changes until suddenly you're producing a 360 00:19:54,920 --> 00:19:58,560 Speaker 1: sex doll. Well, like you said, with all technological developments, 361 00:19:58,600 --> 00:20:01,800 Speaker 1: that kind of the pioneer end of it is sexual 362 00:20:01,800 --> 00:20:04,360 Speaker 1: in nature. I mean, look at the Internet. Yeah, exactly 363 00:20:04,960 --> 00:20:07,440 Speaker 1: now we mentioned sex dolls. Of course, sex dolls have 364 00:20:07,520 --> 00:20:10,840 Speaker 1: been around for some time, and it's been proven that 365 00:20:10,960 --> 00:20:14,240 Speaker 1: individuals can at least find some sort of detached pleasure 366 00:20:14,280 --> 00:20:18,200 Speaker 1: or even an imaginative bond with even just a non 367 00:20:18,359 --> 00:20:21,960 Speaker 1: robotic semblance of a human. I always think back to 368 00:20:22,040 --> 00:20:26,040 Speaker 1: a wonderful BBC documentary titled Guys and Dolls that came out. God, 369 00:20:26,080 --> 00:20:27,399 Speaker 1: it must have been this. I think it maybe ten 370 00:20:27,480 --> 00:20:30,399 Speaker 1: years old. Now you can find I think you can 371 00:20:30,440 --> 00:20:33,520 Speaker 1: find most of it on YouTube and other such websites. 372 00:20:34,000 --> 00:20:38,000 Speaker 1: But they profiled a handful of real doll owners. These are, 373 00:20:38,040 --> 00:20:42,919 Speaker 1: of course anatomically correct life size human replicants. So are 374 00:20:42,960 --> 00:20:47,119 Speaker 1: they built for the purpose of sexes. They're built with 375 00:20:47,280 --> 00:20:51,040 Speaker 1: that purpose exclusively in mind. But is this documentary explored 376 00:20:51,680 --> 00:20:56,200 Speaker 1: the individuals in their bond with these things ranged immensely, 377 00:20:56,280 --> 00:20:58,199 Speaker 1: so there was there's like a there's one guy in 378 00:20:58,240 --> 00:21:00,679 Speaker 1: it that's hanging them up on hooks, and another that 379 00:21:00,760 --> 00:21:02,960 Speaker 1: just seems to obsessively collect him and has some stack 380 00:21:03,040 --> 00:21:05,840 Speaker 1: like kindling and his crawl space. And those are some 381 00:21:05,920 --> 00:21:09,320 Speaker 1: examples that you know, maybe hit the creep level of 382 00:21:09,840 --> 00:21:12,320 Speaker 1: for a lot of people. But then there's this one 383 00:21:12,320 --> 00:21:16,120 Speaker 1: guy who seems to have a largely, if not exclusively, 384 00:21:16,280 --> 00:21:20,720 Speaker 1: emotional relationship with his doll, and he's going through like separation, 385 00:21:20,760 --> 00:21:23,400 Speaker 1: anxiety over having he's having to move, and he's having 386 00:21:23,400 --> 00:21:28,520 Speaker 1: to ship it. Okay, so it's it. It doesn't. It 387 00:21:28,600 --> 00:21:30,640 Speaker 1: does a good job of just showing you, all right, yeah, 388 00:21:30,680 --> 00:21:32,679 Speaker 1: you can have something like a real doll, but then 389 00:21:32,720 --> 00:21:35,720 Speaker 1: the varying levels of engagement with it, the way people 390 00:21:35,760 --> 00:21:40,159 Speaker 1: anthropomorphize it is going to vary from person to person. Yeah, so, 391 00:21:40,280 --> 00:21:42,119 Speaker 1: I mean, I guess like if you want to step 392 00:21:42,119 --> 00:21:43,760 Speaker 1: back at it and look at it like a very 393 00:21:43,840 --> 00:21:46,280 Speaker 1: simple sense here and and pardon me if this is 394 00:21:46,320 --> 00:21:49,760 Speaker 1: a little vulgar, but uh, it sounds like we're somewhere 395 00:21:49,760 --> 00:21:52,199 Speaker 1: between that movie her I referred to earlier, where like 396 00:21:53,200 --> 00:21:56,320 Speaker 1: nobody is needed. It's just an emotional relationship with an 397 00:21:56,480 --> 00:22:01,960 Speaker 1: artificial consciousness and like a fleshlight, right, um, a flashlight. 398 00:22:02,040 --> 00:22:04,320 Speaker 1: Just to explain, because this will come up again, is 399 00:22:04,840 --> 00:22:08,879 Speaker 1: a popular sex toy with a male market, Yeah, exactly, 400 00:22:09,400 --> 00:22:12,919 Speaker 1: um so, And that's kind of where we're going to 401 00:22:13,000 --> 00:22:17,520 Speaker 1: find criticism on both sides about this. Is like arguments 402 00:22:17,560 --> 00:22:20,720 Speaker 1: about why we shouldn't make sex spots and arguments about 403 00:22:20,720 --> 00:22:25,439 Speaker 1: why we should because there's this broad spectrum, right, um speaking, 404 00:22:25,480 --> 00:22:27,720 Speaker 1: which have you seen the movie Dead Girl before? I 405 00:22:27,720 --> 00:22:29,280 Speaker 1: have not. I'm familiar with it. I think is one 406 00:22:29,320 --> 00:22:31,560 Speaker 1: that would always show up on Netflix formula. Yeah, it's that, 407 00:22:31,640 --> 00:22:34,800 Speaker 1: I saw it on Netflix. It's not about sex spots, 408 00:22:34,880 --> 00:22:37,719 Speaker 1: but it's, um, it's related to this. I don't want 409 00:22:37,720 --> 00:22:41,280 Speaker 1: to give too much away, but essentially, these guys find 410 00:22:41,880 --> 00:22:45,160 Speaker 1: a woman's dead body, but the body doesn't rot at all, 411 00:22:45,600 --> 00:22:49,119 Speaker 1: like she's inanimate, but she's not dead. So it's a 412 00:22:49,200 --> 00:22:53,240 Speaker 1: zombie film kind of yeah. Uh, and it goes where 413 00:22:53,280 --> 00:22:55,320 Speaker 1: you would expect it to go based on what we're 414 00:22:55,320 --> 00:22:58,960 Speaker 1: talking about. A right, Anyways, it seemed related to this, 415 00:22:59,320 --> 00:23:01,200 Speaker 1: all right, Well, and no, let's get into the case 416 00:23:01,240 --> 00:23:03,760 Speaker 1: against sex spots. I feel like this is a good 417 00:23:03,760 --> 00:23:06,320 Speaker 1: place to start because it's going to tie in more 418 00:23:06,359 --> 00:23:08,800 Speaker 1: directly with some of those sci fi ideas that we 419 00:23:08,840 --> 00:23:12,960 Speaker 1: explored already. So you have one individual in particular with 420 00:23:13,040 --> 00:23:16,640 Speaker 1: it's worth mentioning here, and that's Dr Kathleen Richardson. She's 421 00:23:16,640 --> 00:23:20,959 Speaker 1: a robot ethicist at de Montfort University in Leicester, and 422 00:23:21,000 --> 00:23:24,560 Speaker 1: she heads the campaign against sex Robots. Or c A 423 00:23:24,800 --> 00:23:28,240 Speaker 1: s R. And she makes a number of arguments. She 424 00:23:28,440 --> 00:23:31,560 Speaker 1: basically has a manifesto. Yeah, and so look, we should 425 00:23:31,560 --> 00:23:35,640 Speaker 1: clarify like like this appeared to me to start off 426 00:23:35,680 --> 00:23:39,080 Speaker 1: as a long academic paper which is you know, well written, 427 00:23:39,560 --> 00:23:43,120 Speaker 1: but now it's like it's this whole web presence with 428 00:23:43,320 --> 00:23:46,919 Speaker 1: sort of action items to it um. And she calls 429 00:23:46,960 --> 00:23:51,040 Speaker 1: basically for an organized approach against the development of sex 430 00:23:51,119 --> 00:23:54,359 Speaker 1: robots as a necessary response for humanity. And she says 431 00:23:54,680 --> 00:23:57,159 Speaker 1: the reason why is that sex robots, in her mind, 432 00:23:57,680 --> 00:24:03,520 Speaker 1: reflect human principles of dignity, mutuality, and freedom, and that 433 00:24:03,600 --> 00:24:08,320 Speaker 1: by creating these bots, it's a representation of violence, discrimination 434 00:24:08,400 --> 00:24:12,240 Speaker 1: and coercion. So we are manifesting kind of like the 435 00:24:12,240 --> 00:24:16,439 Speaker 1: worst parts of ourselves in making these sex spots. And 436 00:24:16,560 --> 00:24:20,080 Speaker 1: she also argues that the development of sex spots further 437 00:24:20,240 --> 00:24:24,000 Speaker 1: sexually objectifies women and children. She says the vision for 438 00:24:24,080 --> 00:24:29,080 Speaker 1: sex spots is underscored by reference to the prostitute John Exchange, 439 00:24:29,119 --> 00:24:32,359 Speaker 1: which relies on recognizing only the needs and wants of 440 00:24:32,359 --> 00:24:35,040 Speaker 1: the buyers of sex, while the sellers of sex are 441 00:24:35,080 --> 00:24:39,160 Speaker 1: not attributed subjectively, and they're reduced to you know, a thing, 442 00:24:39,240 --> 00:24:42,560 Speaker 1: an object like a robot. She argues that the development 443 00:24:42,600 --> 00:24:45,520 Speaker 1: of sex robots and the ideas to support their production 444 00:24:45,600 --> 00:24:48,960 Speaker 1: show the immense horrors still present in the world of prostitution, 445 00:24:49,280 --> 00:24:52,439 Speaker 1: which is built on the perceived inferiority of women and children, 446 00:24:52,440 --> 00:24:55,639 Speaker 1: and therefore justifies their use of sex objects. Also that 447 00:24:55,680 --> 00:24:59,640 Speaker 1: the development of sex robots will further reduce human empathy 448 00:24:59,720 --> 00:25:02,800 Speaker 1: and that can only be developed by an experience of 449 00:25:02,840 --> 00:25:06,280 Speaker 1: a mutual relationship. And that's a that one ties in 450 00:25:06,359 --> 00:25:08,920 Speaker 1: nicely to You and Joe's recent episodes on animal empathy 451 00:25:08,920 --> 00:25:12,359 Speaker 1: and the absolutely Yeah. She goes on to challenge the 452 00:25:12,440 --> 00:25:15,600 Speaker 1: view that the development of adult and child sex robot 453 00:25:15,680 --> 00:25:18,800 Speaker 1: robots will have a positive benefit to society but instead 454 00:25:18,840 --> 00:25:23,280 Speaker 1: further reinforced power relations of inequality and violence. Will get 455 00:25:23,280 --> 00:25:25,840 Speaker 1: into what she's arguing about in a little bit, yeah, 456 00:25:25,880 --> 00:25:29,280 Speaker 1: and then finally she says, you know, they take issue 457 00:25:29,600 --> 00:25:33,360 Speaker 1: with arguments that propose that sex robots could help reduce 458 00:25:33,400 --> 00:25:38,440 Speaker 1: sexual exploitation and violence toward prostituted persons. Uh. This is 459 00:25:38,480 --> 00:25:40,919 Speaker 1: pointing to all the evidence that shows how technology and 460 00:25:40,960 --> 00:25:44,679 Speaker 1: the sex trade co exists and reinforce each other, creating 461 00:25:44,720 --> 00:25:48,120 Speaker 1: more demands subsequently for human bodies and we're gonna talk 462 00:25:48,119 --> 00:25:49,800 Speaker 1: about that a little bit too, especially in the case 463 00:25:49,800 --> 00:25:53,840 Speaker 1: of pedophilia. Now. Dr Kate Devlin, who's a researcher at 464 00:25:53,840 --> 00:25:57,840 Speaker 1: Goldsmith University of London, UH, their Department of Computing, she 465 00:25:57,960 --> 00:26:00,879 Speaker 1: took some issue with this in a September two thousand 466 00:26:00,960 --> 00:26:04,760 Speaker 1: sixteen interview with The Guardian. So she countered that that 467 00:26:05,000 --> 00:26:07,439 Speaker 1: this argument as the whole dismisses the fact that women, 468 00:26:07,800 --> 00:26:11,880 Speaker 1: not men, are quote more likely to purchase artificial non 469 00:26:12,000 --> 00:26:16,560 Speaker 1: human substitutes such as vibrators. Yeah. She also says that 470 00:26:16,600 --> 00:26:19,680 Speaker 1: the campaign against sex robots this is to distinguish, this 471 00:26:19,760 --> 00:26:24,880 Speaker 1: is Kate Devlin talking against Kathleen Richardson. UH. She says 472 00:26:24,920 --> 00:26:28,399 Speaker 1: that it rests on a parallel parallel that's drawn between 473 00:26:28,400 --> 00:26:32,160 Speaker 1: sex robots and female sex workers. And Devlin sees sex 474 00:26:32,280 --> 00:26:36,760 Speaker 1: robots as being potentially useful, especially if they're using machine 475 00:26:36,840 --> 00:26:40,080 Speaker 1: learning and biofeedback, in the sense that they can quote 476 00:26:40,119 --> 00:26:45,720 Speaker 1: provide adaptive, personal, fulfilling sexual experiences and in that way 477 00:26:45,760 --> 00:26:50,200 Speaker 1: they could be used for therapeutic reasons. She also says 478 00:26:50,200 --> 00:26:54,280 Speaker 1: sex look, sex is part of humanity's mental processes and 479 00:26:54,320 --> 00:26:59,320 Speaker 1: it's fundamental to our human conditions. So it's worth considering 480 00:26:59,440 --> 00:27:03,280 Speaker 1: how are bodily interactions like this make changes to our 481 00:27:03,320 --> 00:27:07,800 Speaker 1: brain and how that has bearing on our cognitive processes. 482 00:27:07,840 --> 00:27:11,600 Speaker 1: So there's a lot here that she's arguing that says like, yeah, like, 483 00:27:11,640 --> 00:27:16,119 Speaker 1: I understand your argument, Kathleen Richardson about you know, a 484 00:27:16,200 --> 00:27:19,720 Speaker 1: campaign against sexual robots. But there's some potential benefits here 485 00:27:19,760 --> 00:27:22,439 Speaker 1: too that you seem to be ignoring. Yeah, yeah, she 486 00:27:22,680 --> 00:27:25,600 Speaker 1: I think she makes a strong counter argument here, you know, saying, hey, 487 00:27:25,640 --> 00:27:29,040 Speaker 1: would a woman be disinterested in buying a human replica 488 00:27:29,200 --> 00:27:34,639 Speaker 1: or just a robotic sexual stimulations system because the the 489 00:27:34,680 --> 00:27:38,120 Speaker 1: market information would tend to say no, that women already 490 00:27:38,119 --> 00:27:42,600 Speaker 1: buy uh sexual technology, so why not the next generation 491 00:27:42,640 --> 00:27:46,080 Speaker 1: of sexual technology? Yeah? Absolutely, Now, indeed, there is this 492 00:27:46,160 --> 00:27:49,879 Speaker 1: problem that technology in general is often made buying men 493 00:27:49,960 --> 00:27:52,720 Speaker 1: four men uh. And we can see examples of this 494 00:27:53,320 --> 00:27:58,200 Speaker 1: well beyond the scope of of sexual devices. The artificial heart, 495 00:27:58,280 --> 00:28:02,800 Speaker 1: for example, Uh, it's it's sizing has long best fit 496 00:28:02,880 --> 00:28:06,720 Speaker 1: the dimensions of an adult human males chest. It wasn't 497 00:28:06,760 --> 00:28:10,119 Speaker 1: until later that companies like Sincardia eventually rolled out a 498 00:28:10,200 --> 00:28:14,040 Speaker 1: size more suitable for a for adult females and children. 499 00:28:14,359 --> 00:28:17,680 Speaker 1: Another thing worth noting here too, is that newer forms 500 00:28:17,720 --> 00:28:22,760 Speaker 1: of sex toys are created specifically for sharing between couples, 501 00:28:22,760 --> 00:28:26,040 Speaker 1: so it's not necessarily male oriented. But here's the thing. 502 00:28:26,320 --> 00:28:30,360 Speaker 1: They're either marketed to couples or two men, not directly 503 00:28:30,359 --> 00:28:33,480 Speaker 1: to women, even though, as Devlin says, women are the 504 00:28:33,480 --> 00:28:37,320 Speaker 1: ones primarily using sex toys. So sex technology is definitely 505 00:28:37,359 --> 00:28:41,920 Speaker 1: being created from a dominant heterosexual male perspective here. And 506 00:28:42,440 --> 00:28:47,120 Speaker 1: even if sex spots aren't conscious, they're externally made to 507 00:28:47,520 --> 00:28:51,720 Speaker 1: look like people, right uh, specifically women who are owned 508 00:28:51,720 --> 00:28:55,080 Speaker 1: by heterosexual men. So maybe if we thought broader about 509 00:28:55,080 --> 00:28:58,360 Speaker 1: our sex spots, we could alleviate these long running human 510 00:28:58,400 --> 00:29:01,160 Speaker 1: problems the same way I like to think of it, 511 00:29:01,240 --> 00:29:05,280 Speaker 1: looking back to the vibrator and how it basically changed 512 00:29:05,480 --> 00:29:10,080 Speaker 1: completely like the way that medicine was approaching things like hysteria. Yeah, 513 00:29:10,120 --> 00:29:12,760 Speaker 1: I mean it comes down to the fact that you 514 00:29:12,760 --> 00:29:15,280 Speaker 1: can you can go out to buy a sex um 515 00:29:15,520 --> 00:29:18,280 Speaker 1: toy and you can get something, Yes, it definitely looks 516 00:29:18,280 --> 00:29:19,960 Speaker 1: like a replica of a human body part, but you 517 00:29:19,960 --> 00:29:22,600 Speaker 1: can also get things that can easily be mistaken for 518 00:29:22,840 --> 00:29:26,440 Speaker 1: other household gadgets totally um. For instance, I U I 519 00:29:26,560 --> 00:29:29,520 Speaker 1: travel with an arrow press, which is a coffee making device, 520 00:29:30,080 --> 00:29:34,560 Speaker 1: but it is a cylindrical gadget. It's like a like 521 00:29:34,600 --> 00:29:38,800 Speaker 1: a a French press that like is uh compartmentalized. Yeah, 522 00:29:38,840 --> 00:29:41,840 Speaker 1: It's basically like a plastic cylinder with a plunger that 523 00:29:41,880 --> 00:29:43,800 Speaker 1: goes in it and to press the coffee out the 524 00:29:43,840 --> 00:29:45,800 Speaker 1: other side. And I travel with it because it's a 525 00:29:45,840 --> 00:29:49,040 Speaker 1: great way to ensure good coffee on the go. But 526 00:29:49,200 --> 00:29:51,880 Speaker 1: it inevitably looks like something like it could be some 527 00:29:51,920 --> 00:29:55,960 Speaker 1: sort of sexual when it's getting scanned through t s. A. Yeah, 528 00:29:55,960 --> 00:30:01,040 Speaker 1: our dogs have these toys called go Nut. The company 529 00:30:01,120 --> 00:30:03,800 Speaker 1: is called go Nuts, uh, and they make these like 530 00:30:04,120 --> 00:30:09,400 Speaker 1: really sturdy rubbery dog chew toys. Because I've got two 531 00:30:09,400 --> 00:30:11,760 Speaker 1: pit bull mixes, so they just like destroy anything I 532 00:30:11,880 --> 00:30:14,480 Speaker 1: give them. And one of them is like a long 533 00:30:15,000 --> 00:30:17,960 Speaker 1: shaft like looking thing and the other one looks like 534 00:30:18,000 --> 00:30:21,920 Speaker 1: a doughnut. And the day that they got sent to 535 00:30:22,040 --> 00:30:24,760 Speaker 1: my wife's office, you know, she she works for a 536 00:30:24,760 --> 00:30:27,440 Speaker 1: big company security screens all the mail that goes through, 537 00:30:27,440 --> 00:30:29,440 Speaker 1: and she's just laughing. She's like, can you imagine with 538 00:30:29,440 --> 00:30:32,520 Speaker 1: the security people downstairs think as this stuff is going 539 00:30:32,520 --> 00:30:34,640 Speaker 1: through their X ray machine. The good news here though, 540 00:30:34,720 --> 00:30:38,240 Speaker 1: is that this all means plausible deniability for any actual 541 00:30:38,280 --> 00:30:42,560 Speaker 1: sex device that has some degree of of of design 542 00:30:42,560 --> 00:30:46,000 Speaker 1: ambiguity about it. Now, in two thousand and ten, there 543 00:30:46,040 --> 00:30:47,400 Speaker 1: was a Dutch paper that came out and this was 544 00:30:47,400 --> 00:30:49,880 Speaker 1: written for the United Nations, and it was titled gender 545 00:30:49,880 --> 00:30:53,320 Speaker 1: Dimensions of Product Design and that it highlighted a quote 546 00:30:53,400 --> 00:30:56,840 Speaker 1: male gender bias in mini tech products and as well 547 00:30:56,880 --> 00:30:59,239 Speaker 1: as just a disconnect from the view of gender as 548 00:30:59,280 --> 00:31:03,400 Speaker 1: a spectrum. Uh, and that observationally, um, all of this 549 00:31:03,520 --> 00:31:08,720 Speaker 1: is influenced by biology, culture, and situation. So even I 550 00:31:08,720 --> 00:31:10,280 Speaker 1: guess the idea here is that even if you get 551 00:31:10,280 --> 00:31:13,840 Speaker 1: beyond the fact that it's it's largely men designing technology 552 00:31:13,960 --> 00:31:18,080 Speaker 1: for men or men designing technology for women, there's also 553 00:31:18,080 --> 00:31:22,480 Speaker 1: not necessarily that nuanced an idea of what what constitutes 554 00:31:22,600 --> 00:31:27,400 Speaker 1: gender in the human reality. Yeah, and you know, male 555 00:31:27,480 --> 00:31:30,640 Speaker 1: thinking has dominated the development of TVs and GPS devices, 556 00:31:30,960 --> 00:31:34,240 Speaker 1: so can we really expect anything better from physical and 557 00:31:34,280 --> 00:31:39,080 Speaker 1: conceptual design for sexual robotic systems? And then we've got 558 00:31:39,160 --> 00:31:43,000 Speaker 1: David Levy here, uh, and he I'm gonna let you 559 00:31:43,040 --> 00:31:46,320 Speaker 1: introduce this, but man, he wrote this really fascinating pieces. 560 00:31:46,320 --> 00:31:50,360 Speaker 1: It seems like He's written multiple pieces specifically about ethics 561 00:31:50,360 --> 00:31:52,400 Speaker 1: and robots. Yeah, this guy, this would be a good 562 00:31:52,400 --> 00:31:54,360 Speaker 1: place if you want to do a deeper dive into 563 00:31:54,520 --> 00:31:56,960 Speaker 1: some of these topics. That he's a British author, chess 564 00:31:56,960 --> 00:32:00,160 Speaker 1: master and CEO of Intelligent Toys Limited, uh and he 565 00:32:00,520 --> 00:32:03,840 Speaker 1: wrote about much of these issues in the Ethics of 566 00:32:03,960 --> 00:32:07,360 Speaker 1: Robot Prostitutes from his UH that's a featured in the 567 00:32:07,400 --> 00:32:10,600 Speaker 1: book Robot Ethics, published in two thousand eleven, and he 568 00:32:10,720 --> 00:32:13,560 Speaker 1: argued that sex spots only really become a problem when 569 00:32:13,560 --> 00:32:17,720 Speaker 1: they're bestowed with artificial consciousness, thus elevating them from mere 570 00:32:17,840 --> 00:32:22,640 Speaker 1: artifact to something more something at least mimicking personhood. Yeah. 571 00:32:22,680 --> 00:32:25,240 Speaker 1: So the gist here of Levy's argument is that as 572 00:32:25,280 --> 00:32:29,440 Speaker 1: long as sex spots are artifacts without any artificial consciousness, 573 00:32:29,840 --> 00:32:32,880 Speaker 1: there's no ethical implications and having sex with them or 574 00:32:32,960 --> 00:32:35,200 Speaker 1: using them for prostitution. Now, if we go back, I 575 00:32:35,200 --> 00:32:38,200 Speaker 1: would imagine Dr Kathleen Richardson would take umbradge with that. 576 00:32:38,560 --> 00:32:41,880 Speaker 1: But he says, you know, as long as there's no 577 00:32:42,640 --> 00:32:46,200 Speaker 1: artificial consciousness, we're okay. But if they do have a consciousness, 578 00:32:46,320 --> 00:32:49,360 Speaker 1: then that's when we get into llegal and ethical implications. 579 00:32:49,560 --> 00:32:51,680 Speaker 1: And not just for ourselves. But then we've got to 580 00:32:51,680 --> 00:32:55,400 Speaker 1: think about the robots. Do they get rights? Do they 581 00:32:55,520 --> 00:33:01,200 Speaker 1: have legal and ethical rights that are implied by their consciousness? Yeah, 582 00:33:01,200 --> 00:33:03,360 Speaker 1: this isn't in This is a whole can of worms 583 00:33:03,400 --> 00:33:05,760 Speaker 1: here because on one hand, it gets into the whole 584 00:33:05,840 --> 00:33:08,200 Speaker 1: question of what is consciousness? We can't even define what 585 00:33:08,320 --> 00:33:10,600 Speaker 1: it is for humans, how do we define it in robots? 586 00:33:11,080 --> 00:33:13,480 Speaker 1: And then it makes you ask questions about any and 587 00:33:13,520 --> 00:33:18,080 Speaker 1: everything where there's a potential like faking of consciousness, Like 588 00:33:18,160 --> 00:33:19,880 Speaker 1: when do I start have when I have to start 589 00:33:20,000 --> 00:33:26,000 Speaker 1: becoming concerned about MPC characters and video games virtual individuals, 590 00:33:26,040 --> 00:33:28,400 Speaker 1: Like if you have if you have an MPC in 591 00:33:28,440 --> 00:33:31,040 Speaker 1: a video game that like it has a very realistic 592 00:33:31,080 --> 00:33:34,200 Speaker 1: betrayal to your your violence and you're you know, running 593 00:33:34,200 --> 00:33:36,520 Speaker 1: around gun toting whatever the behaviors in the video game. 594 00:33:36,920 --> 00:33:39,040 Speaker 1: Like at what point does it become kind of creepy? 595 00:33:39,440 --> 00:33:41,840 Speaker 1: That's essentially I think the argument that West World tries 596 00:33:41,880 --> 00:33:45,960 Speaker 1: to make a season right, Yeah, like insert Westworld is 597 00:33:46,080 --> 00:33:50,440 Speaker 1: as potential commentary on that question. One one more thought 598 00:33:50,520 --> 00:33:53,800 Speaker 1: on this, UH was reading an article Indian magazine and 599 00:33:53,800 --> 00:33:58,400 Speaker 1: this is a sex spot slaves sociologist Lee Reich has 600 00:33:58,440 --> 00:34:01,160 Speaker 1: this excellent quote. But and if sex spots are not 601 00:34:01,240 --> 00:34:05,120 Speaker 1: currently conscious, they do have the external markings of personhood, 602 00:34:05,320 --> 00:34:08,440 Speaker 1: and we are programming them to be person alike. Indeed, 603 00:34:08,480 --> 00:34:11,479 Speaker 1: we are programming them to be like a specific type 604 00:34:11,520 --> 00:34:13,960 Speaker 1: of person, the type of woman who can be owned 605 00:34:14,080 --> 00:34:18,880 Speaker 1: by a heterosexual man. So now we've heard many of 606 00:34:18,880 --> 00:34:22,799 Speaker 1: the arguments against sex spots. When we've set up kind 607 00:34:22,800 --> 00:34:25,440 Speaker 1: of where we're at with the technology, let's take a 608 00:34:25,520 --> 00:34:27,239 Speaker 1: quick break, and when we get back, we're gonna come 609 00:34:27,239 --> 00:34:29,080 Speaker 1: back in on this and we're gonna talk about the 610 00:34:29,160 --> 00:34:32,600 Speaker 1: argument for sex spots and how they could be beneficial 611 00:34:32,800 --> 00:34:40,920 Speaker 1: to humanity. All Right, we're back, so uh, in this 612 00:34:41,000 --> 00:34:43,480 Speaker 1: next little bit, we're going to talk about the victimization 613 00:34:43,560 --> 00:34:48,319 Speaker 1: reduction argument for sex spots, And just a quick warning, 614 00:34:48,320 --> 00:34:50,800 Speaker 1: we're going to briefly discuss pedophilia here, So if you 615 00:34:50,920 --> 00:34:53,120 Speaker 1: really don't want to hear that, you know, skip ahead 616 00:34:53,280 --> 00:34:56,360 Speaker 1: a little bit on your device. We're we're gonna discuss 617 00:34:56,400 --> 00:34:59,040 Speaker 1: it with decorum here. But it does play a role 618 00:34:59,040 --> 00:35:05,000 Speaker 1: in this discussion. So a point of contentions, as referenced already, 619 00:35:05,080 --> 00:35:08,680 Speaker 1: is the argument that a robotic sex spot would absorb 620 00:35:08,800 --> 00:35:11,360 Speaker 1: the violence and abuse that a human would otherwise suffer, 621 00:35:11,480 --> 00:35:14,040 Speaker 1: and this would apply to both will really to to 622 00:35:14,360 --> 00:35:18,239 Speaker 1: all individuals male, female, or a child or I've also 623 00:35:18,280 --> 00:35:21,600 Speaker 1: seen the argument, uh for animals as well. So if 624 00:35:21,640 --> 00:35:24,240 Speaker 1: you could have a robot stand in and absorb that abuse, 625 00:35:24,680 --> 00:35:28,800 Speaker 1: like better a robot than an actual human like that, 626 00:35:28,800 --> 00:35:31,560 Speaker 1: that's a problematic argument. Yeah, but that is an argument 627 00:35:31,600 --> 00:35:34,520 Speaker 1: that some people make, right. I don't think there are 628 00:35:34,520 --> 00:35:37,239 Speaker 1: many people out there who would who would argue with 629 00:35:37,280 --> 00:35:40,239 Speaker 1: the statement that if a robot could suffer something rather 630 00:35:40,360 --> 00:35:43,480 Speaker 1: than a human that would be preferable. Well, depending on 631 00:35:43,520 --> 00:35:46,440 Speaker 1: whether or not it has consciousness. Yeah, well then then 632 00:35:46,480 --> 00:35:49,160 Speaker 1: we get into that whole can of worms. But there's 633 00:35:49,160 --> 00:35:51,719 Speaker 1: a as I say, it's it's a problematic argument, but 634 00:35:51,760 --> 00:35:55,560 Speaker 1: it's it's one worth discussing, especially as it relates to 635 00:35:55,640 --> 00:35:59,400 Speaker 1: people with pedophilic impulses. Um. There's a great deal of 636 00:35:59,400 --> 00:36:01,880 Speaker 1: work that is on into this topic over the years, 637 00:36:02,480 --> 00:36:04,960 Speaker 1: and we could easily do a whole episode on it, 638 00:36:05,160 --> 00:36:07,960 Speaker 1: though it would be rather down or of an episode. 639 00:36:08,280 --> 00:36:12,480 Speaker 1: There's no known medical or psychiatric cure for pedophilia, and 640 00:36:12,520 --> 00:36:15,720 Speaker 1: our methods of dealing with such individuals as often crude, 641 00:36:16,960 --> 00:36:20,040 Speaker 1: but we do have men such as Shin Takaji, who's 642 00:36:20,080 --> 00:36:23,759 Speaker 1: abuse a Japanese man profiled in the in the Atlantic 643 00:36:24,000 --> 00:36:26,439 Speaker 1: in two thousand sixteen. And this is a guy who 644 00:36:26,480 --> 00:36:29,960 Speaker 1: struggles with an attraction to children as well as the 645 00:36:30,080 --> 00:36:34,800 Speaker 1: knowledge the resolve that his attraction is just incompatible with reality. 646 00:36:35,000 --> 00:36:37,960 Speaker 1: And that's the ultimate tragedy here, right, is that these 647 00:36:37,960 --> 00:36:42,279 Speaker 1: are individuals who are born with this this drive, this inclination, 648 00:36:43,040 --> 00:36:50,000 Speaker 1: and it's completely incompatible with our world is it's completely reprehensible. 649 00:36:50,400 --> 00:36:54,880 Speaker 1: And some of these individuals realize this enter and do 650 00:36:54,960 --> 00:36:58,799 Speaker 1: not act on their impulses. So what um, what this 651 00:36:58,840 --> 00:37:01,640 Speaker 1: man know what to to is has been working on 652 00:37:02,200 --> 00:37:07,200 Speaker 1: is creating sex dolls look like children, shifting them out 653 00:37:07,680 --> 00:37:12,200 Speaker 1: around the world to individuals who claim to need them. 654 00:37:12,239 --> 00:37:15,520 Speaker 1: But because what are the other options. There's cognitive behavioral therapy, 655 00:37:15,600 --> 00:37:19,160 Speaker 1: there's chemical castration, but a two thousand seven meta analysis 656 00:37:19,160 --> 00:37:21,960 Speaker 1: from the Mayo Clinic found that no current method can 657 00:37:22,000 --> 00:37:26,839 Speaker 1: actually quote alter the pedophiles basic sexual orientation toward children. Right, 658 00:37:26,880 --> 00:37:28,759 Speaker 1: So you end up with this argument, which is sort 659 00:37:28,800 --> 00:37:32,960 Speaker 1: of like, if you have these child sex spots, is 660 00:37:33,040 --> 00:37:39,200 Speaker 1: that a safer outlet for pedophiles or the the sort 661 00:37:39,200 --> 00:37:42,080 Speaker 1: of flip side to that, is, is that going to 662 00:37:42,200 --> 00:37:45,120 Speaker 1: aggravate their sense of frustration so that they act out 663 00:37:45,160 --> 00:37:48,080 Speaker 1: on real human beings even more right, And there's no 664 00:37:48,160 --> 00:37:50,920 Speaker 1: evidence to show that his approach works, but it is 665 00:37:50,960 --> 00:37:53,960 Speaker 1: difficult to gauge because things I already mentioned. There's a 666 00:37:53,960 --> 00:37:55,680 Speaker 1: lot of research, but a lot of the research is 667 00:37:55,719 --> 00:37:59,359 Speaker 1: based on actual offenders, not people who managed to stay 668 00:37:59,440 --> 00:38:02,440 Speaker 1: off impulse is. But what research there is tends to 669 00:38:02,480 --> 00:38:06,440 Speaker 1: imply that such a doll might have really a reinforcing effect. Now, 670 00:38:06,520 --> 00:38:09,400 Speaker 1: of course, there are several different categories for pedophiles, but 671 00:38:09,600 --> 00:38:14,080 Speaker 1: a University of Toronto forensic psychologist and sexologist Michael Setto, 672 00:38:14,239 --> 00:38:19,120 Speaker 1: speculates that there might be two broader distinctions among pedophiles. 673 00:38:19,160 --> 00:38:21,799 Speaker 1: So for one group, a doll or robot might serve 674 00:38:21,840 --> 00:38:24,479 Speaker 1: to keep them from seeking out shop pornography or become 675 00:38:24,520 --> 00:38:29,120 Speaker 1: abusers themselves. For others, though, it just might aggravate their impulses. Yeah, 676 00:38:29,239 --> 00:38:33,040 Speaker 1: so this this is very problematic. Uh, and I think 677 00:38:33,080 --> 00:38:37,960 Speaker 1: to like, I'm imagining you, the listener, are probably struggling 678 00:38:38,000 --> 00:38:40,920 Speaker 1: with one concept here that that we're sort of it's 679 00:38:40,920 --> 00:38:42,759 Speaker 1: sort of like the unspoken thing in the room, right, 680 00:38:42,760 --> 00:38:46,600 Speaker 1: which is the idea that pedophilia is inherent. It's not. 681 00:38:46,760 --> 00:38:52,040 Speaker 1: It's natural and it's part of this person's you know, biology, 682 00:38:52,600 --> 00:38:58,319 Speaker 1: and not something that's learned. And uh, you know, either way, though, 683 00:38:58,640 --> 00:39:02,719 Speaker 1: the research shows that it is different extremely difficult or 684 00:39:02,960 --> 00:39:06,040 Speaker 1: if not impossible to cure in the individuals. So so 685 00:39:06,080 --> 00:39:09,520 Speaker 1: what do you do. We're left without the technology of 686 00:39:09,560 --> 00:39:13,480 Speaker 1: the medical expertise to quote unquote fix someone like this. 687 00:39:13,920 --> 00:39:17,239 Speaker 1: Then does that mean that a robotic doll would have 688 00:39:17,320 --> 00:39:19,040 Speaker 1: a place? And I have to say, you know, like 689 00:39:19,120 --> 00:39:22,920 Speaker 1: as sort of creepy as it is to read about 690 00:39:23,280 --> 00:39:27,000 Speaker 1: two Kagi, at least seems to be taking his impulses 691 00:39:27,040 --> 00:39:30,440 Speaker 1: and doing something productive with them, right, at least he's 692 00:39:30,440 --> 00:39:33,960 Speaker 1: trying to like turn it around, uh, into something that 693 00:39:34,840 --> 00:39:37,560 Speaker 1: has a benefit I guess to society, or at least 694 00:39:37,680 --> 00:39:42,359 Speaker 1: reduces danger to society. Um. But when you, like you 695 00:39:42,400 --> 00:39:46,120 Speaker 1: read about in this Atlantic article his workshop. He's got 696 00:39:46,160 --> 00:39:49,600 Speaker 1: this mountain workshop that's up in the woods, and all 697 00:39:49,640 --> 00:39:52,680 Speaker 1: of his employees have to be former military, specifically because 698 00:39:52,680 --> 00:39:54,759 Speaker 1: of the kind of chemicals that he's using in order 699 00:39:54,800 --> 00:39:59,719 Speaker 1: to create like, um, like more realistic skin. Uh. And 700 00:40:00,880 --> 00:40:05,640 Speaker 1: we should talk about this ceremony. So apparently because they're Japanese. Uh, 701 00:40:05,680 --> 00:40:08,400 Speaker 1: there's the special ceremony that sort of along the lines 702 00:40:08,480 --> 00:40:12,839 Speaker 1: of Shinto animism that's performed for the dolls, specifically at 703 00:40:12,840 --> 00:40:16,240 Speaker 1: a shrine when their owners don't want them anymore because 704 00:40:16,239 --> 00:40:18,359 Speaker 1: they think of them as having I don't know if 705 00:40:18,400 --> 00:40:21,480 Speaker 1: soul isn't the right word, but but that there is 706 00:40:21,560 --> 00:40:23,520 Speaker 1: some kind of essence to them that you don't just 707 00:40:23,600 --> 00:40:26,080 Speaker 1: take this thing and throw it in the trash. Yeah, 708 00:40:26,080 --> 00:40:28,120 Speaker 1: he says in the article quote it's a common belief 709 00:40:28,160 --> 00:40:31,640 Speaker 1: in Japan that dolls are mirrors, that dolls show their 710 00:40:31,640 --> 00:40:36,399 Speaker 1: owners true self. So, again, a problematic scenario to look at, 711 00:40:36,520 --> 00:40:39,520 Speaker 1: but one that that is core to both the arguments 712 00:40:39,560 --> 00:40:43,640 Speaker 1: for and against uh sex robots. Right, and then this 713 00:40:43,719 --> 00:40:46,880 Speaker 1: leads us right back to Dr Kate Devlin, who was, 714 00:40:47,440 --> 00:40:50,760 Speaker 1: you know, the person who originally argued against the case 715 00:40:50,920 --> 00:40:54,279 Speaker 1: against sex robots. Yeah, and this brings us into what 716 00:40:54,360 --> 00:40:57,239 Speaker 1: I think is the most the most fascinating area, uh, 717 00:40:57,280 --> 00:40:59,399 Speaker 1: that we're going to talk about here today, and that's 718 00:40:59,440 --> 00:41:02,359 Speaker 1: the theory of the ankle. So she argues that sex 719 00:41:02,360 --> 00:41:05,360 Speaker 1: spots would essentially be sex toys that benefit from machine 720 00:41:05,480 --> 00:41:08,440 Speaker 1: learning and bio feedback and She also points out that 721 00:41:08,480 --> 00:41:11,680 Speaker 1: despite all of our sci fi visions of humanoid sex robots, 722 00:41:11,800 --> 00:41:14,640 Speaker 1: there's no reason they these things would need to have 723 00:41:14,719 --> 00:41:18,000 Speaker 1: a human form or a human face. Again, we've already 724 00:41:18,000 --> 00:41:19,960 Speaker 1: as we've already said, a great many sex toys do 725 00:41:20,000 --> 00:41:22,840 Speaker 1: not even look like parts of a human, much less 726 00:41:22,840 --> 00:41:26,040 Speaker 1: a human being. Um. She She points out specifically that 727 00:41:27,239 --> 00:41:29,279 Speaker 1: for female females, there is I think it's called the 728 00:41:29,360 --> 00:41:33,319 Speaker 1: rabbit is is a vibrator device that does not look 729 00:41:33,360 --> 00:41:36,080 Speaker 1: like a part of the male or female anatomy. And 730 00:41:36,120 --> 00:41:39,240 Speaker 1: then the flesh light, which we already mentioned. There apparently 731 00:41:39,239 --> 00:41:42,360 Speaker 1: some models that do look like replicas of human of 732 00:41:42,440 --> 00:41:45,279 Speaker 1: human anatomy, but others that don't, others that have more 733 00:41:45,320 --> 00:41:49,520 Speaker 1: fantastic or abstract appearances. So you could put these together, 734 00:41:49,640 --> 00:41:54,160 Speaker 1: and you could easily imagine a sexual robot that either 735 00:41:54,239 --> 00:41:56,560 Speaker 1: does not look like a gendered human or even like 736 00:41:56,640 --> 00:41:59,120 Speaker 1: maybe looks like a spider or something. You know, yeah, yeah, 737 00:41:59,400 --> 00:42:01,360 Speaker 1: like it could it could sort of be anything that 738 00:42:01,400 --> 00:42:05,120 Speaker 1: could be like a rumba. Yeah, rumba might be something. 739 00:42:05,480 --> 00:42:07,520 Speaker 1: I don't know why I was going this way, but 740 00:42:07,600 --> 00:42:11,280 Speaker 1: like somebody might particularly want like a kind of whale, 741 00:42:11,760 --> 00:42:14,640 Speaker 1: like a like a smallish whale. Yeah, And I mean 742 00:42:14,680 --> 00:42:17,000 Speaker 1: the thing is we can say, oh that's propellant. Who 743 00:42:17,000 --> 00:42:20,120 Speaker 1: would want to have, you know, sexual contact with an 744 00:42:20,239 --> 00:42:24,160 Speaker 1: inhuman machine. But again, we are already doing it. The 745 00:42:24,200 --> 00:42:28,720 Speaker 1: market research shows that the individuals have been using non 746 00:42:29,040 --> 00:42:34,160 Speaker 1: human sexual machines for some time now, so it's not 747 00:42:34,200 --> 00:42:36,000 Speaker 1: out of keeping with human behavior. And so there's a 748 00:42:36,040 --> 00:42:38,680 Speaker 1: lot of applications here that Devil is saying, right, like, 749 00:42:38,719 --> 00:42:40,760 Speaker 1: we could use this to treat a lot of different 750 00:42:41,400 --> 00:42:45,080 Speaker 1: ailments that humans are suffering from. That's right. So there's 751 00:42:45,080 --> 00:42:48,080 Speaker 1: the treatment of sex offenders, which we've already touched on, UH, 752 00:42:48,320 --> 00:42:50,440 Speaker 1: couples therapy, which I think is interesting. You made a 753 00:42:50,440 --> 00:42:52,920 Speaker 1: point earlier about so many of the current devices are 754 00:42:52,960 --> 00:42:57,080 Speaker 1: made for for a couple to uh to use together, 755 00:42:57,840 --> 00:43:02,399 Speaker 1: sometimes across fast distances. Yeah. Then this is a big one. 756 00:43:02,520 --> 00:43:07,839 Speaker 1: The restoration of sexual confidence following trauma and or injury. Now, 757 00:43:07,840 --> 00:43:09,560 Speaker 1: this is a topic we touched on some in our 758 00:43:10,040 --> 00:43:12,359 Speaker 1: our episode that we did where we interviewed Mary Roach 759 00:43:12,480 --> 00:43:16,880 Speaker 1: about about the surgical repair of genitalia, specifically soldiers who 760 00:43:16,920 --> 00:43:20,239 Speaker 1: have suffered, you know, grievous wounds to that area of 761 00:43:20,239 --> 00:43:22,640 Speaker 1: the academy that's an episode we should definitely put in 762 00:43:22,680 --> 00:43:25,600 Speaker 1: the links on the landing page because it's related. Yeah, 763 00:43:25,800 --> 00:43:28,600 Speaker 1: and uh and and indeed, I believe Walter Reed Hospital 764 00:43:28,640 --> 00:43:31,080 Speaker 1: came up in that episode as well. They have a 765 00:43:31,120 --> 00:43:35,799 Speaker 1: sexual health and intimacy service that focuses on education and therapy. Uh. 766 00:43:35,840 --> 00:43:38,600 Speaker 1: And there's a great Atlantic article about this from last 767 00:43:38,719 --> 00:43:41,640 Speaker 1: year that focuses on the broader topic. But but the 768 00:43:41,680 --> 00:43:44,920 Speaker 1: author points out that the department in question features quote 769 00:43:45,080 --> 00:43:48,600 Speaker 1: de facto sex classes that include sex toys aimed at 770 00:43:48,640 --> 00:43:52,359 Speaker 1: stimulating different parts of the body. So the main aim 771 00:43:52,440 --> 00:43:56,640 Speaker 1: here is individuals who have experienced genital or spinal cord injuries. Uh. 772 00:43:56,680 --> 00:43:59,400 Speaker 1: They may have lost their ability to have an orgasm themselves, 773 00:43:59,719 --> 00:44:02,000 Speaker 1: and they have to adapt to their new bodies and 774 00:44:02,080 --> 00:44:06,600 Speaker 1: a new approach to physical intimacy with with their spouse 775 00:44:06,719 --> 00:44:10,480 Speaker 1: or with you know, with with new relationships in their lives. Now, 776 00:44:10,480 --> 00:44:13,680 Speaker 1: in this case, we're talking specifically about veterans who are 777 00:44:13,800 --> 00:44:16,880 Speaker 1: maybe lost a limb or something like that, or or 778 00:44:16,960 --> 00:44:19,719 Speaker 1: but there's there's some cases where sex therapy like this 779 00:44:19,800 --> 00:44:22,320 Speaker 1: is needed for other people as well. Yeah. And indeed, 780 00:44:22,360 --> 00:44:27,600 Speaker 1: also memory impairing injuries and just basic trauma that stems 781 00:44:27,600 --> 00:44:31,279 Speaker 1: from combat can disrupt an individual sex lift. So you 782 00:44:31,480 --> 00:44:34,080 Speaker 1: need not even have a physical injury for this kind 783 00:44:34,080 --> 00:44:36,680 Speaker 1: of therapy to be necessary. And so the question is 784 00:44:36,719 --> 00:44:39,920 Speaker 1: could a sex robot aid in this kind of of 785 00:44:39,960 --> 00:44:43,880 Speaker 1: work as well. Now, Delvin also hits on general sex 786 00:44:43,920 --> 00:44:47,160 Speaker 1: therapy and says that, you know, VR therapy is already 787 00:44:47,360 --> 00:44:50,360 Speaker 1: a big deal. And she also mentions that VR therapy 788 00:44:50,440 --> 00:44:52,400 Speaker 1: is already already a thing and it's only going to 789 00:44:52,480 --> 00:44:54,640 Speaker 1: become more of a of a big deal in the future. 790 00:44:55,120 --> 00:44:57,520 Speaker 1: And uh. And then there's this idea of the use 791 00:44:57,560 --> 00:45:00,759 Speaker 1: of of sex spots to potentially a allow individuals to 792 00:45:00,960 --> 00:45:06,399 Speaker 1: explore gender or sexual orientation or just sexuality um as 793 00:45:06,440 --> 00:45:09,480 Speaker 1: a whole. And in this the role of the sex 794 00:45:09,480 --> 00:45:13,120 Speaker 1: spot would very closely mimic the role of a sex surrogate. 795 00:45:13,719 --> 00:45:16,279 Speaker 1: So this is a thing that already exists. Uh, and 796 00:45:16,920 --> 00:45:19,839 Speaker 1: you can look this up. Uh, this is not prostitution. 797 00:45:20,120 --> 00:45:25,320 Speaker 1: Surrogates are members of the International Professional Surrogates Association, and 798 00:45:25,360 --> 00:45:27,200 Speaker 1: they only work with people who have been referred to 799 00:45:27,239 --> 00:45:31,000 Speaker 1: them by psychotherapist. According to an interview in the two 800 00:45:31,040 --> 00:45:34,240 Speaker 1: thousand three Salon article, I was a middle aged version 801 00:45:34,920 --> 00:45:40,440 Speaker 1: Los Angeles surrogate partner Dr Vina Blanchard. Uh. She works 802 00:45:40,560 --> 00:45:43,560 Speaker 1: generally works with older versions. They account for fifty of 803 00:45:43,560 --> 00:45:46,799 Speaker 1: her practice. And these patients are, you know, are men 804 00:45:47,040 --> 00:45:50,560 Speaker 1: who have encountered limiting obstacles to experiencing sex. They didn't 805 00:45:50,560 --> 00:45:54,600 Speaker 1: develop the interpersonal skills necessary, etcetera. And the exact reasons, 806 00:45:55,120 --> 00:45:57,720 Speaker 1: you know, very quite a bit, encompassing everything from extreme 807 00:45:57,760 --> 00:46:01,239 Speaker 1: shyness to history of sexual abuse. They're often plagued by 808 00:46:01,280 --> 00:46:04,640 Speaker 1: feelings of shame and that they need someone to help 809 00:46:04,719 --> 00:46:07,399 Speaker 1: them break through it all. All right, So I've got 810 00:46:07,400 --> 00:46:15,040 Speaker 1: a personal story here that I can absolutely see applications focus. Okay, Uh, 811 00:46:15,320 --> 00:46:19,880 Speaker 1: I had a nightmarish temp job in my early twenties. 812 00:46:21,040 --> 00:46:23,560 Speaker 1: I don't think I've told you about this before. Um So, 813 00:46:23,600 --> 00:46:25,560 Speaker 1: I was tempting in my early twenties. This was when 814 00:46:25,560 --> 00:46:28,319 Speaker 1: I was living in Boston, and one of my assignments 815 00:46:28,360 --> 00:46:31,520 Speaker 1: was to work for a week for a psychotherapist whose 816 00:46:31,640 --> 00:46:38,680 Speaker 1: job it was to basically review and interview sex offenders 817 00:46:39,000 --> 00:46:41,239 Speaker 1: and decide whether or not they should be released from 818 00:46:41,280 --> 00:46:44,160 Speaker 1: prison into the general population, like whether or not their 819 00:46:44,200 --> 00:46:48,239 Speaker 1: sentence was was up they had been quote unquote reformed, 820 00:46:48,640 --> 00:46:51,560 Speaker 1: and the job that was assigned to me, was to 821 00:46:52,440 --> 00:46:55,279 Speaker 1: literally this was a while ago. I literally listened to 822 00:46:55,360 --> 00:46:59,759 Speaker 1: cassette tapes that they would record of their sessions and 823 00:47:00,080 --> 00:47:03,040 Speaker 1: inscribe everything. And so I did this for a week 824 00:47:03,360 --> 00:47:06,280 Speaker 1: straight in the middle of a very cold winter in Boston. 825 00:47:06,480 --> 00:47:11,080 Speaker 1: It's a long commute. It was in Quincy, and uh wow, 826 00:47:11,239 --> 00:47:14,680 Speaker 1: like it was just like getting like this toxic sludge 827 00:47:14,760 --> 00:47:17,520 Speaker 1: dumped into your head, you know. And I remember that 828 00:47:17,640 --> 00:47:20,319 Speaker 1: last day, like knowing it was over, just standing there 829 00:47:20,360 --> 00:47:22,320 Speaker 1: at the end of the day, waiting for the shuttle 830 00:47:22,360 --> 00:47:23,759 Speaker 1: to pick me up to take me to the train 831 00:47:23,760 --> 00:47:28,279 Speaker 1: and just crying. Uh. And so I think about you know, 832 00:47:28,480 --> 00:47:32,839 Speaker 1: not not just virgins or or maybe pedophiles or even 833 00:47:32,960 --> 00:47:36,840 Speaker 1: veterans who need some help with you know, these potentially 834 00:47:36,880 --> 00:47:42,160 Speaker 1: debilitating sexual I don't know issues that they're having, but 835 00:47:42,160 --> 00:47:44,600 Speaker 1: but all of this stuff is it's very real in 836 00:47:44,640 --> 00:47:48,440 Speaker 1: my head based on that one week experience. Yeah, yeah, 837 00:47:48,480 --> 00:47:51,239 Speaker 1: I mean that sounds like it definitely definitely, I mean 838 00:47:51,280 --> 00:47:54,279 Speaker 1: I had an impact on your psyche to have to 839 00:47:54,360 --> 00:47:58,200 Speaker 1: absorb all that. Yeah, yeah, but it Yeah, I can 840 00:47:58,200 --> 00:48:02,719 Speaker 1: see that the definitely applications here as well. Now surrogates, 841 00:48:03,360 --> 00:48:06,600 Speaker 1: as we've been talking about their their intimacy coaches and therapists, 842 00:48:06,760 --> 00:48:09,879 Speaker 1: and they don't always have sex with clients. So there 843 00:48:09,920 --> 00:48:14,759 Speaker 1: is much about imparting relationship skills, providing human combassion, and 844 00:48:15,080 --> 00:48:18,080 Speaker 1: also just creating an open, honest line of communication, breaking 845 00:48:18,120 --> 00:48:20,880 Speaker 1: through in the case of especially in the case of 846 00:48:20,920 --> 00:48:25,160 Speaker 1: the visions, breaking through the shame. And I can see 847 00:48:25,200 --> 00:48:28,600 Speaker 1: where this could this could definitely be an area for 848 00:48:29,120 --> 00:48:34,440 Speaker 1: sex robots in the future. You know, So sexual abuse 849 00:48:34,960 --> 00:48:38,080 Speaker 1: or any kind of sort of sexual dysfunction as we 850 00:48:38,160 --> 00:48:43,280 Speaker 1: see it, especially in sort of psychoanalytical terms, right are, 851 00:48:44,280 --> 00:48:47,880 Speaker 1: seems to be something that sort of breeds a vicious cycle. Uh, 852 00:48:47,920 --> 00:48:51,439 Speaker 1: you know, like the people who are hurt or tend 853 00:48:51,480 --> 00:48:55,400 Speaker 1: to then go on to hurt others. So in this instance, 854 00:48:55,480 --> 00:48:59,919 Speaker 1: like I'm I'm seeing, like the surrogates, we wouldn't want 855 00:49:00,040 --> 00:49:03,360 Speaker 1: to be in that situation. But the sex robots, again, 856 00:49:03,840 --> 00:49:07,600 Speaker 1: as long as they're not artificially conscious, they could serve 857 00:49:07,640 --> 00:49:09,600 Speaker 1: a role to sort of put a halt to that 858 00:49:09,719 --> 00:49:12,600 Speaker 1: vicious circle. Yeah. Yeah. And and also just the idea 859 00:49:12,800 --> 00:49:15,040 Speaker 1: you think about this idea that there are people out 860 00:49:15,040 --> 00:49:18,759 Speaker 1: there who have trouble developing relationships that they don't have 861 00:49:18,760 --> 00:49:21,680 Speaker 1: the social tools perhaps, or there there's some sort of 862 00:49:21,680 --> 00:49:24,200 Speaker 1: trauma holding them back from having the kind of interpersonal 863 00:49:24,239 --> 00:49:26,920 Speaker 1: relationships that can lead to sexual contact when they are 864 00:49:26,920 --> 00:49:30,200 Speaker 1: their individual Like should they should they just live out 865 00:49:30,239 --> 00:49:34,440 Speaker 1: their lives without sexual contact? Are they aren't? Do they 866 00:49:34,480 --> 00:49:36,279 Speaker 1: have like on some level, do they have a right 867 00:49:36,760 --> 00:49:40,880 Speaker 1: to have sex with a robotic device or machine or 868 00:49:41,000 --> 00:49:44,719 Speaker 1: robotic humanoid if such a thing can be made available 869 00:49:44,800 --> 00:49:48,360 Speaker 1: and within an ethical framework that works well. And let's remember, 870 00:49:48,440 --> 00:49:50,400 Speaker 1: let's go back to what we said earlier, which is 871 00:49:50,440 --> 00:49:54,560 Speaker 1: that sexuality and sex are part of the human condition 872 00:49:55,040 --> 00:49:59,960 Speaker 1: and our brains are absolutely affected by them. So why 873 00:50:00,040 --> 00:50:03,680 Speaker 1: I not have this technology that would allow those people 874 00:50:03,760 --> 00:50:07,400 Speaker 1: to experience the human condition like the rest of us. Yeah, 875 00:50:07,480 --> 00:50:09,879 Speaker 1: and this this all forces me to sort of try 876 00:50:09,920 --> 00:50:13,359 Speaker 1: to imagine this future sex spot. Like on one hand, 877 00:50:13,400 --> 00:50:17,640 Speaker 1: imagine like a purely the therapeutic one. So you have 878 00:50:17,719 --> 00:50:19,920 Speaker 1: to go to a therapist, to human therapist to be 879 00:50:19,960 --> 00:50:23,960 Speaker 1: you know, prescribed your sex spot and they come to 880 00:50:23,960 --> 00:50:26,920 Speaker 1: you and it's not about just simply fulfilling some physical 881 00:50:27,000 --> 00:50:31,720 Speaker 1: need or even an emotional need, but allowing a transformation, 882 00:50:31,800 --> 00:50:34,120 Speaker 1: like getting you to a point to where you are 883 00:50:34,600 --> 00:50:38,360 Speaker 1: comfortable with your own sexuality, comfortable, comfortable to human sexuality 884 00:50:38,400 --> 00:50:43,800 Speaker 1: in general, that you are more capable of of healthy 885 00:50:44,040 --> 00:50:47,799 Speaker 1: human sexual relationships. And on the other hand, like a 886 00:50:47,880 --> 00:50:52,120 Speaker 1: purely hedonistic level, a mechanical room. But or spider that 887 00:50:52,320 --> 00:50:54,799 Speaker 1: just when when called, you know, crawls out of a 888 00:50:54,840 --> 00:50:57,239 Speaker 1: box in your closet and does what needs to be 889 00:50:57,280 --> 00:50:59,960 Speaker 1: done and sleep at night. Right, that's very trans metropolitan, 890 00:51:00,000 --> 00:51:02,560 Speaker 1: and I'm imaginating expider Jerusalem has something like that and 891 00:51:02,640 --> 00:51:06,359 Speaker 1: as closet. Yeah, yeah, but not too far from you know, 892 00:51:06,440 --> 00:51:08,640 Speaker 1: other topics that we've talked about in the past, especially 893 00:51:08,680 --> 00:51:13,080 Speaker 1: when you add in sort of like a bioengineering into 894 00:51:13,120 --> 00:51:16,640 Speaker 1: the mix. All right, So there you have it. Sex 895 00:51:16,680 --> 00:51:20,200 Speaker 1: spots again, something we just see time and time again 896 00:51:20,200 --> 00:51:22,480 Speaker 1: in sci fi. That's really become part of our pop culture. 897 00:51:22,760 --> 00:51:24,440 Speaker 1: But I don't think most of us take time to 898 00:51:24,480 --> 00:51:27,839 Speaker 1: really break it down and think about the components, think 899 00:51:27,840 --> 00:51:30,560 Speaker 1: about the pros and the cons. Certainly some of these 900 00:51:30,640 --> 00:51:32,799 Speaker 1: I thought about before, but other aspects, especially the whole 901 00:51:32,800 --> 00:51:36,319 Speaker 1: therapeutic aspect, I'd never really given any consideration. I think 902 00:51:36,320 --> 00:51:40,160 Speaker 1: with the surge of Westworld last year that like this 903 00:51:40,280 --> 00:51:43,200 Speaker 1: kind of thing has become maybe water cooler talk but 904 00:51:43,440 --> 00:51:46,080 Speaker 1: not to the extent of like the research that we 905 00:51:46,160 --> 00:51:48,880 Speaker 1: did here really looking at like the pros and cons 906 00:51:49,360 --> 00:51:52,920 Speaker 1: and how it's beneficial or how the theory, the philosophical 907 00:51:53,200 --> 00:51:55,759 Speaker 1: approach to it, of how it could potentially sort of 908 00:51:55,760 --> 00:51:58,439 Speaker 1: show the worst of humanity as well. That's the part 909 00:51:58,480 --> 00:52:00,799 Speaker 1: I think that like West World's really honing in on. 910 00:52:01,320 --> 00:52:03,880 Speaker 1: But I don't know, like has West World I can't 911 00:52:03,880 --> 00:52:06,200 Speaker 1: really remember, and I don't think this is spoilers, but like, 912 00:52:06,560 --> 00:52:08,799 Speaker 1: was there an instance of somebody who visited the park 913 00:52:08,840 --> 00:52:13,120 Speaker 1: who needed that kind of therapeutic help and going to 914 00:52:13,200 --> 00:52:15,399 Speaker 1: one of the brothels. I feel like it might have 915 00:52:15,600 --> 00:52:18,319 Speaker 1: come up just um, you know, in the margins, but 916 00:52:18,400 --> 00:52:20,400 Speaker 1: I don't remember it being a major character of all 917 00:52:20,440 --> 00:52:26,120 Speaker 1: it because because ultimately, like how how dramatic is that? Right? Right? 918 00:52:26,520 --> 00:52:29,920 Speaker 1: You want you wanted to explore the cases of abuse 919 00:52:30,480 --> 00:52:32,319 Speaker 1: or the cases of love, because that those are the 920 00:52:32,320 --> 00:52:35,719 Speaker 1: two big trance we see either someone either is abusive 921 00:52:35,920 --> 00:52:39,080 Speaker 1: to a feminine sexual robot or they fall in love 922 00:52:39,160 --> 00:52:43,200 Speaker 1: with it. There's not a lot of in obviously, there's 923 00:52:43,239 --> 00:52:46,920 Speaker 1: a lot more space in the human condition for sexual 924 00:52:47,280 --> 00:52:50,440 Speaker 1: conduct to take place as a broader spectrum, So it 925 00:52:50,480 --> 00:52:52,520 Speaker 1: seems like it should be present as well in our 926 00:52:52,600 --> 00:52:55,440 Speaker 1: consideration of sex button. Maybe that's something Season two will 927 00:52:55,440 --> 00:52:59,280 Speaker 1: get into. I mean, I'm not sure. All right, Well, 928 00:52:59,520 --> 00:53:02,520 Speaker 1: everyone listening to this episode is a human being, so 929 00:53:02,560 --> 00:53:07,520 Speaker 1: I'm sure everyone has thoughts on the current technology, uh 930 00:53:07,800 --> 00:53:09,840 Speaker 1: where we're headed with it, as well as all the 931 00:53:09,920 --> 00:53:13,680 Speaker 1: various fantastic and and maybe even more hard boiled sci 932 00:53:13,760 --> 00:53:16,520 Speaker 1: fi visions of what sex spots might consist of. Yeah, 933 00:53:16,560 --> 00:53:18,560 Speaker 1: and we hope we didn't, you know, disturb you too 934 00:53:18,640 --> 00:53:21,839 Speaker 1: much with getting into some graphic territory here, but this 935 00:53:21,880 --> 00:53:24,440 Speaker 1: seemed like a topic that was worth really diving into 936 00:53:24,560 --> 00:53:28,879 Speaker 1: and relevant to not only popular culture but modern technology. 937 00:53:29,280 --> 00:53:31,040 Speaker 1: All right. Now, as we close out here, we've been 938 00:53:31,120 --> 00:53:34,719 Speaker 1: we we like to highlight various nonprofits and uh and 939 00:53:34,719 --> 00:53:37,719 Speaker 1: and helpful organizations. Given the some of the subject matter 940 00:53:37,760 --> 00:53:39,839 Speaker 1: we've talked about here, we just wanted to mention rain 941 00:53:39,920 --> 00:53:42,840 Speaker 1: as are ai n N there, the Rate Abuse and 942 00:53:42,880 --> 00:53:45,880 Speaker 1: Incest National Network. You can find them online, but you 943 00:53:45,920 --> 00:53:49,120 Speaker 1: can also call them two seven on your phone at 944 00:53:49,120 --> 00:53:52,600 Speaker 1: one eight hundred six five six hope or one eight 945 00:53:52,680 --> 00:53:56,640 Speaker 1: hundred six five six four six seven three. And also 946 00:53:56,719 --> 00:54:00,280 Speaker 1: we're still celebrating tripod month. Here at how stuff We're works. 947 00:54:00,360 --> 00:54:03,000 Speaker 1: If you're not familiar with what that is. Podcasts around 948 00:54:03,000 --> 00:54:05,439 Speaker 1: the world are sharing one another's feeds, and the way 949 00:54:05,440 --> 00:54:08,520 Speaker 1: that they're doing that is on social media, letting everybody 950 00:54:08,560 --> 00:54:12,319 Speaker 1: know what they're listening to using the hashtag tripod. That's 951 00:54:12,440 --> 00:54:15,399 Speaker 1: t r y pod uh. And the one that I'd 952 00:54:15,400 --> 00:54:17,399 Speaker 1: like to include here is I just got back from 953 00:54:17,400 --> 00:54:19,840 Speaker 1: south By Southwest and I saw a couple of live 954 00:54:20,320 --> 00:54:24,879 Speaker 1: performances of the podcast Recode Decode uh, and they did 955 00:54:24,880 --> 00:54:27,120 Speaker 1: some pretty cool stuff that I think if you're a 956 00:54:27,160 --> 00:54:28,759 Speaker 1: fan of stuff to blow your mind, you might be 957 00:54:28,840 --> 00:54:31,600 Speaker 1: interested in. Yeah, and hey, you get on social media 958 00:54:31,640 --> 00:54:34,880 Speaker 1: everyone out there and use the the hashtag tripod with 959 00:54:34,920 --> 00:54:37,280 Speaker 1: a Y to just list some of your favorite podcast 960 00:54:37,320 --> 00:54:39,960 Speaker 1: I'm not saying list us you can you want, but 961 00:54:40,200 --> 00:54:42,279 Speaker 1: also listed the other things that you listen to, the 962 00:54:42,280 --> 00:54:43,799 Speaker 1: other shows that get you through the day. We've had 963 00:54:43,800 --> 00:54:45,400 Speaker 1: a couple of people who have who have done some 964 00:54:45,520 --> 00:54:50,000 Speaker 1: really nice hashtag tripods for us. Specifically, I've seen some 965 00:54:50,000 --> 00:54:52,480 Speaker 1: really cool stuff on Instagram where they take pictures of 966 00:54:52,560 --> 00:54:54,759 Speaker 1: hell they listen to us. Yeah cool, that's a that's 967 00:54:54,760 --> 00:54:57,239 Speaker 1: a clever idea. All right, In the meantime, head on 968 00:54:57,280 --> 00:54:59,200 Speaker 1: over to stuff to Blow your Mind dot com. That's 969 00:54:59,200 --> 00:55:01,640 Speaker 1: what you'll find all the podcast episodes. The landing page 970 00:55:01,640 --> 00:55:04,480 Speaker 1: for this episode, you will find links out to our 971 00:55:04,520 --> 00:55:09,560 Speaker 1: various social media accounts such as Facebook, Twitter, Tumbler, Instagram, 972 00:55:09,560 --> 00:55:11,240 Speaker 1: and who knows what else? Who knows what? The future 973 00:55:11,239 --> 00:55:12,759 Speaker 1: will break? Yeah, and if you just want to write 974 00:55:12,840 --> 00:55:14,960 Speaker 1: us the old fashioned way, we are at blow the 975 00:55:15,000 --> 00:55:26,960 Speaker 1: mind at how stuff works dot com. Well more on 976 00:55:27,000 --> 00:55:29,480 Speaker 1: this and thousands of other topics. Does it how stuff 977 00:55:29,520 --> 00:55:53,000 Speaker 1: works dot com