WEBVTT - Bram Stoker's Dracula (1992) with Crystal

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<v Speaker 1>On the Bechdelcast, the questions asked if movies have women

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<v Speaker 1>and them all their discussions just boyfriends and husbands, or

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<v Speaker 1>do they have individualism? It's the patriarchy. Zeph and Beast

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<v Speaker 1>start changing with the Bechdel Cast.

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<v Speaker 2>Hello, Jamie, it just me nine tih Dracula. Bello, Caitlin,

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<v Speaker 2>It's hello.

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<v Speaker 3>The Minions worked for Dracula. Oh don't you remember from

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<v Speaker 3>the opening of Mini, I do remember the Minion has

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<v Speaker 3>worked for real people and fake people.

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<v Speaker 2>Yes, wow, incredible anyway today.

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<v Speaker 3>Because I didn't, I didn't. I politely refused to do

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<v Speaker 3>the voice. I wish there was a way to I

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<v Speaker 3>love like thee the like laugh lines that Anthony Hopkins

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<v Speaker 3>gets where He's like, I know you're hurting right now,

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<v Speaker 3>but we have to cut your wife's head off right now.

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<v Speaker 3>It's an emergency. You're like Jesus, Welcome to the back

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<v Speaker 3>soil Ast. My name is Jamie Loftis.

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<v Speaker 2>My name is Caitlin Deronte, also known as If listeners

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<v Speaker 2>listen to the Daily Zeitgeist, you might know me as

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<v Speaker 2>my anagram alias nine tit Dracula.

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<v Speaker 3>Truly the best. There's a lot of good ones, but

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<v Speaker 3>that is the best.

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<v Speaker 2>It's a really good well, I prefer Lauren d Titanic.

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<v Speaker 3>Oh yeah, that's that is pretty good. That sounds like

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<v Speaker 3>like a Carmen san Diego style ioas. But for the

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<v Speaker 3>sake of today, nine tit Dracula will do.

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<v Speaker 2>Yes, indeed, because we are covering Bram Stoker's Dracula nineteen

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<v Speaker 2>ninety two. This is the Bechdel Cast, our podcast where

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<v Speaker 2>we examine movies through an intersectional feminist lens, using the

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<v Speaker 2>Bechdel test as a jumping off point. Which what's that?

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<v Speaker 2>Should we say?

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<v Speaker 3>Well? Sure, why not? Because the creator of the Bechtel

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<v Speaker 3>test is now our dearest friend friend, so for her

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<v Speaker 3>because she needs our help. Yeah.

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<v Speaker 2>Yeah.

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<v Speaker 3>The Bechel's hast was created by Quirker to miss Alison

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<v Speaker 3>Bechdel with her friend Liz Wallace. It's so weird to

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<v Speaker 3>do this in person. Often called the Bechdel Wallace Test.

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<v Speaker 3>There's a lot of versions of the test. The version

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<v Speaker 3>we use is thus, there are two characters with names

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<v Speaker 3>of a marginalized gender who speak to each other about

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<v Speaker 3>something other than a man for two lines of dialogue.

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<v Speaker 3>And I feel like it is kind of weirdly relevant

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<v Speaker 3>in today's episode because It was originally created specifically in

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<v Speaker 3>response to a lack of queer relationships between women on screen.

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<v Speaker 3>I feel like there is a for me, a very

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<v Speaker 3>erotic relationship between women in this very film. They kiss,

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<v Speaker 3>they literally kiss. That's erotic. Famously, not always, but in

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<v Speaker 3>this case very yes.

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<v Speaker 2>Yes, yes, yes, And like you mentioned, Jamie, we are

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<v Speaker 2>sitting in person. Very rare for us to do an

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<v Speaker 2>in person record, but it's a special occasion because our

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<v Speaker 2>guest is visiting from another country and you know them already.

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<v Speaker 2>They are a drag artist known for RuPaul's Drag Race

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<v Speaker 2>UK season one. They're the host of the podcast Camp Classics,

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<v Speaker 2>and you remember them from our episodes on show Girls

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<v Speaker 2>and Jawbreaker. It's Crystal.

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<v Speaker 4>Hi, I've crushed oceans of dives to be here.

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<v Speaker 2>You really did, I literally did, literally did?

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<v Speaker 5>Hi?

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<v Speaker 4>Hello, Thanks for having me.

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<v Speaker 3>Actually see Yeah.

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<v Speaker 4>Likewise, this is it is kind of intense, this in

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<v Speaker 4>person thing.

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<v Speaker 3>Yes, yeah, speaking out about the eye contact, I know

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<v Speaker 3>you're so beautiful. This is great. It is. I like

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<v Speaker 3>that we only record in person when someone is specifically

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<v Speaker 3>visiting from England, because we did that with Kate a

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<v Speaker 3>couple of months ago as well.

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<v Speaker 4>Well.

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<v Speaker 3>I mean even just the three movies we've covered with

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<v Speaker 3>you all very campy movies. So before we get into

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<v Speaker 3>your history with the movie, tell us about the podcast.

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<v Speaker 4>Oh, thank you. Yeah. So I've started a podcast called

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<v Speaker 4>camp Classics, which I guess is kind of like your podcasts,

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<v Speaker 4>but a queer lens we're looking at. We call it

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<v Speaker 4>a thoughtful podcast about stupid movies. So we're covering kind

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<v Speaker 4>of queer coded and explicitly queer movies and kind of

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<v Speaker 4>looking at them through a queer lens. This movie really

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<v Speaker 4>qualifies as a camp classic. We've got We typically look

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<v Speaker 4>at things from four categories to determine whether or not

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<v Speaker 4>something's a camp classic. You look at it and you say,

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<v Speaker 4>is it any queer joy? Does it have an ongoing legacy?

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<v Speaker 4>Stupid fun? And underdog flop vibes? Those are typical categories.

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<v Speaker 4>So this movie ticks some boxes Foreshore.

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<v Speaker 3>Oh yeah.

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<v Speaker 4>And also, I just think whenever vampires are involved, you're

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<v Speaker 4>probably in camp territory.

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<v Speaker 2>Almost always.

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<v Speaker 3>Almost we've been covered I mean, we did interview with

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<v Speaker 3>a vampire last year, We've just recovered Twilight, and now,

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<v Speaker 3>I mean, vampires are on the brain. Centers just came

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<v Speaker 3>out we've all seen Sinners.

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<v Speaker 4>Not a particularly camp movie.

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<v Speaker 3>I'd say, actually, no, no idea.

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<v Speaker 2>It was the flop vibes are not there's no but

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<v Speaker 2>it is horny, and that's also a prerequisite, I think

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<v Speaker 2>for a vampire mode.

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<v Speaker 4>Oh yeah, it's yeah, it's sexy. It's sexy. That movie

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<v Speaker 4>was so good.

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<v Speaker 3>It was so good. I really want to see I

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<v Speaker 3>need to see it a second time.

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<v Speaker 4>Everything I consume right now just seems to involve vampires,

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<v Speaker 4>which I'm not mad about.

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<v Speaker 3>They're back. I feel like whatever cultural cycle like that

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<v Speaker 3>we fell out of in the late two thousands, we're back.

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<v Speaker 3>And I think that the media is kind of better

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<v Speaker 3>now too, which is kind of cool.

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<v Speaker 4>Yeah.

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<v Speaker 3>Yeah, I was going through because No Saratu also came

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<v Speaker 3>out recently. I was going through the ranked Dracula slash

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<v Speaker 3>No Saratu because Nosaracha is basically just a Dracula knockoff,

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<v Speaker 3>and there have been Yeah, the two thousands was not

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<v Speaker 3>a great time for Dracula. I didn't realize that Geord

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<v Speaker 3>Butler had played Drus.

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<v Speaker 4>I am desperate to see Dracula two thousands.

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<v Speaker 3>Okay, have you seen I have it up his audition tape.

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<v Speaker 3>He's wearing like a Chris Angel wig.

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<v Speaker 4>It's really wow.

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<v Speaker 3>It's really I love Geord Butler. He's not afraid to

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<v Speaker 3>be really bad in the movie. I love it.

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<v Speaker 4>Gary Oldman isn't dead, but he is rolling in his grave.

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<v Speaker 3>Yes, yes, Gary Oldman could never wear this wig, and

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<v Speaker 3>neither could try. No one should wear this wig. I

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<v Speaker 3>love it. I love it. But yeah, it seems like

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<v Speaker 3>the twenty twenties have been good to vampires so far.

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<v Speaker 4>Yeah, apparently Dracula is the most adapted piece of media ever.

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<v Speaker 2>Yes, making like I read something like seven hundred appearances

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<v Speaker 2>in different adaptations, plays, movies, TV shows.

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<v Speaker 3>There are so many different I mean, obviously count Orlock

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<v Speaker 3>is a Dracula ripoff. And I say obviously I had

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<v Speaker 3>to check because I you know, so you never know

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<v Speaker 3>who's ripping off who. Sure, but count Orlock is a

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<v Speaker 3>Dracula rip off. But there's also there's like the Monster,

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<v Speaker 3>the Universal Monster version, which is kind of like stripped

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<v Speaker 3>of context Dracula and he's just a weird guy. There's

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<v Speaker 3>this Dracula who the like book Cannon Dracula. There's Hotel

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<v Speaker 3>Transylvania Dracula.

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<v Speaker 5>That's my niece's favorite of course count Oh my god,

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<v Speaker 5>see everyone's got their Dracula countcula.

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<v Speaker 3>There's why did children have so many vampires? That that's alarming?

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<v Speaker 2>And then you've got things like Blacula and just all

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<v Speaker 2>different manner of adaptations there were.

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<v Speaker 3>This is from a Vulture list, because I mean their

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<v Speaker 3>vulture can be counted upon to have a list of

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<v Speaker 3>this nature. And I celebrate that because I really needed it.

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<v Speaker 3>This morning I learned about adaptations I hadn't heard of.

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<v Speaker 3>One that I was like. One I haven't seen but

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<v Speaker 3>I knew about was Willem Dafoe in Shadow of the Vampire.

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<v Speaker 2>Oh my god, love it, love that movie.

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<v Speaker 3>Yeah, because isn't that about the making of nos forra Tu?

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<v Speaker 2>Yes?

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<v Speaker 3>And then he was in Knows for a two.

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<v Speaker 4>Wow.

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<v Speaker 2>And then you know who else is in Knows for

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<v Speaker 2>a Tu. Nicholas Holt, who plays Renfield in a different

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<v Speaker 2>movie starring Nicholas Cage and Nicholas Cage is in a

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<v Speaker 2>different movie called Vampire's Kiss.

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<v Speaker 3>Once the Vampire. Wait did I tell my Nicholas Holt

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<v Speaker 3>story on the show before? I think I already did.

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<v Speaker 3>It might have been on the Patreoon. Remember tell us, Okay,

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<v Speaker 3>not to knark out Nicholas Holt, but my friend Cory,

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<v Speaker 3>friend of the show, Cory lives in Long Beach. Apparently

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<v Speaker 3>Nicholas Holt lives in Long Beach. Nicholas Holt had two

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<v Speaker 3>movies in theaters this Christmas. They were Juror Number two

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<v Speaker 3>and No Forratu. Nicholas Holt goes to first of all,

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<v Speaker 3>Nicholas Holt AMC STUBBS member kind of Wild.

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<v Speaker 2>Love It, where he and I are in community together,

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<v Speaker 2>and please.

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<v Speaker 3>Don't use this information for evil. Nicholas Holt confirmed STUBS

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<v Speaker 3>member Corey has gotten in the Long Beach AMC. She

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<v Speaker 3>knows all the information. Nicholas Holt goes to the Long

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<v Speaker 3>Beach AMC on Christmas and everyone's like, is he going

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<v Speaker 3>to see his own movie alone on Christmas? No, He's

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<v Speaker 3>going to see Sonic three alone on Christmas. And I

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<v Speaker 3>was like, he's great. I love him and I would

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<v Speaker 3>be a lifelong fan.

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<v Speaker 1>Yeah.

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<v Speaker 4>I already thought that man was really sexy, but now.

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<v Speaker 3>He's like also painfully, like beautiful. I was like, I

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<v Speaker 3>would do that. I would see Sonic three alone in

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<v Speaker 3>Long Beach.

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<v Speaker 4>That's so powerful, especially if you knew you were going

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<v Speaker 4>to get clocked doing it.

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<v Speaker 3>Like he walked past two theaters that he was the

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<v Speaker 3>star of the movie and was like, no, it's gonna

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<v Speaker 3>be Sonic three for me.

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<v Speaker 4>No one needs to see Juror number two.

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<v Speaker 3>I think he's wow. He's so real. He's a Stubs

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<v Speaker 3>member just like us. He probably could afford a movie theater. Okay, sorry,

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<v Speaker 3>I'm talking too much. The one Dracula adaptation I learned

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<v Speaker 3>about that I want to see now it is Dracula

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<v Speaker 3>Pages from a Virgin's Diary, which is from two thousand

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<v Speaker 3>and two. It is a silent, black and white film,

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<v Speaker 3>but it is the only major adaptician at least on

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<v Speaker 3>this list, that stars an Asian Dracula, and it really

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<v Speaker 3>hones in on the like the idea of Dracula as

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<v Speaker 3>the other and also I just like the title Pages

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<v Speaker 3>from a Virgin's Diary. Anyways, he's ranked number He's the

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<v Speaker 3>seventh best Dracula. That's pretty high. Wow, that's pretty high. Yeah.

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<v Speaker 2>Okay, well, shall we get into it with Crystal. What

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<v Speaker 2>is your relationship with this movie.

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<v Speaker 4>With Francis Ford Coppola as Bramstoker's Dracula.

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<v Speaker 2>Yes, as Dracula in general, and of course Francis Ford

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<v Speaker 2>Coppola of Megalopolis fame.

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<v Speaker 4>We can.

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<v Speaker 3>I mean, he's not afraid to do a silly one.

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<v Speaker 3>We know this about him.

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<v Speaker 4>Yeah, he what's that tweet? He came on this movie,

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<v Speaker 4>broke career in shambles, mad as hell. I feel like

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<v Speaker 4>that's the story for this movie. I have to embarrassingly

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<v Speaker 4>admit I have not seen a single other friendsis.

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<v Speaker 3>That's okay, I just saw The Godfather for this show.

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<v Speaker 4>Right, I'll get to it. I understand it's supposed to

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<v Speaker 4>be quite good, so you know, I was surprised.

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<v Speaker 3>I really, I really came in not wanting to like it.

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<v Speaker 3>But it is actually quit it's pretty good. I'm the

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<v Speaker 3>first person to say that.

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<v Speaker 4>It turns out. Yeah, But this movie, I think I

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<v Speaker 4>must have seen it as a child, and it terrified

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<v Speaker 4>the piss out of me. I can still like before

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<v Speaker 4>I watched this movie again recently and then again this week,

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<v Speaker 4>I still had that image of Gary Oldman crawling that

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<v Speaker 4>wall and just I found it so terrifying. For some reason.

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<v Speaker 4>I watched it again earlier this year and was just

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<v Speaker 4>obsessed with the campness of it. I had not expected

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<v Speaker 4>it to be so silly. It really takes a lot

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<v Speaker 4>of big swings this movie. And then I watched it

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<v Speaker 4>again this week to prep for this. I've really enjoyed

0:12:00.840 --> 0:12:02.040
<v Speaker 4>all of my time with this movie.

0:12:02.440 --> 0:12:06.439
<v Speaker 2>Same same, Yeah, I didn't see it. I didn't see

0:12:06.440 --> 0:12:09.559
<v Speaker 2>it the whole way through until I think within the

0:12:09.640 --> 0:12:12.719
<v Speaker 2>past year prior to that. And this is something we've

0:12:12.760 --> 0:12:15.840
<v Speaker 2>mentioned on the podcast before, but our friend Alex's Horrorthon

0:12:16.000 --> 0:12:18.480
<v Speaker 2>that he does, it's like a twenty four hour horror

0:12:18.600 --> 0:12:21.800
<v Speaker 2>movie marathon that he does every year. And I saw

0:12:21.840 --> 0:12:26.280
<v Speaker 2>it for that one year, probably like seven ish years

0:12:26.280 --> 0:12:28.280
<v Speaker 2>ago or something like that, except that I wasn't in

0:12:28.360 --> 0:12:30.120
<v Speaker 2>the room for most of it because I had to

0:12:30.240 --> 0:12:31.200
<v Speaker 2>like go teach a class.

0:12:31.679 --> 0:12:34.960
<v Speaker 3>That's how our horrthon goes. I like painted my whole

0:12:35.000 --> 0:12:38.040
<v Speaker 3>bathroom during Horror Fi one year, right.

0:12:38.000 --> 0:12:40.880
<v Speaker 2>So I only saw bits and pieces of it, but

0:12:40.960 --> 0:12:42.839
<v Speaker 2>I was like, what is this movie? Of course I

0:12:42.880 --> 0:12:44.959
<v Speaker 2>had heard of it before, and I was familiar with

0:12:45.440 --> 0:12:48.800
<v Speaker 2>different things like Keanu's bad accent and all that kind

0:12:48.840 --> 0:12:51.120
<v Speaker 2>of stuff, but I had never fully seen it until

0:12:51.160 --> 0:12:54.920
<v Speaker 2>pretty recently, and I was like, oh my gosh, this

0:12:55.600 --> 0:12:59.000
<v Speaker 2>is the best. I love it. I'm obsessed. Watched it

0:12:59.559 --> 0:13:01.280
<v Speaker 2>three times to prep for this.

0:13:01.400 --> 0:13:04.360
<v Speaker 3>You've you've been like raving about this movie for the

0:13:04.480 --> 0:13:04.959
<v Speaker 3>last year.

0:13:05.440 --> 0:13:10.000
<v Speaker 2>Yeah, so I'm new to it, but I love it

0:13:10.320 --> 0:13:12.280
<v Speaker 2>the end, Jamie, what about you?

0:13:12.840 --> 0:13:15.760
<v Speaker 3>I thought, I, this is so embarrassing. I thought I

0:13:15.800 --> 0:13:18.640
<v Speaker 3>had seen this movie. I was aware of the Kianu

0:13:18.760 --> 0:13:23.760
<v Speaker 3>accent thing. I was thinking of Gary Oldman's makeup, and

0:13:23.880 --> 0:13:29.360
<v Speaker 3>I confused it with Ron Perlman Beast from It's a

0:13:29.480 --> 0:13:33.439
<v Speaker 3>very similar makeup the Linda Hamilton Ron Pearlman series about

0:13:33.440 --> 0:13:36.839
<v Speaker 3>Beauty and the Beast, where Linda Hamilton plays I think,

0:13:37.000 --> 0:13:39.760
<v Speaker 3>not Belle but Bell, who's like a lawyer who goes

0:13:39.800 --> 0:13:43.920
<v Speaker 3>out and hangs in the sewer with Ron Pearlman Beast. Anyways,

0:13:44.200 --> 0:13:46.920
<v Speaker 3>I thought it was that it wasn't I have seen

0:13:47.760 --> 0:13:50.400
<v Speaker 3>a lot of that show, but I had not seen this,

0:13:51.360 --> 0:13:55.480
<v Speaker 3>and I mean, it's like, it's great, it's great. I

0:13:55.679 --> 0:13:59.280
<v Speaker 3>had read the book in high school and then I

0:13:59.520 --> 0:14:03.679
<v Speaker 3>was hoping to finish it because I've found an audiobook

0:14:04.320 --> 0:14:10.360
<v Speaker 3>that stars Alan Cumming as Doctor Seward and Tim Curry

0:14:10.520 --> 0:14:15.679
<v Speaker 3>as Van Helsing, and so i bought that audiobook and

0:14:15.760 --> 0:14:18.599
<v Speaker 3>I'm like about halfway through it. It's interesting the like

0:14:18.760 --> 0:14:22.040
<v Speaker 3>adaptation elements that Francis Ford Coppola ads because he like

0:14:22.520 --> 0:14:25.840
<v Speaker 3>expands Mina's story by a lot, but in a way

0:14:25.920 --> 0:14:28.040
<v Speaker 3>that I was like, that's what you did.

0:14:28.320 --> 0:14:30.600
<v Speaker 2>I mean, that's what most of my notes are about.

0:14:31.080 --> 0:14:33.800
<v Speaker 3>Yeah, because I mean I appreciated that because I mean,

0:14:33.960 --> 0:14:37.640
<v Speaker 3>she's not like a straightforward character, but she is, you know,

0:14:37.840 --> 0:14:42.120
<v Speaker 3>very virtuous and very like observant active, but ultimately, you know,

0:14:42.240 --> 0:14:45.320
<v Speaker 3>she has brown hair, so she's virtuous. Lucy doesn't have

0:14:45.440 --> 0:14:49.120
<v Speaker 3>brown hair, so she's cooked. And that's how white woman

0:14:49.240 --> 0:14:53.840
<v Speaker 3>characters work a lot of the time. Yeah, but yeah, no,

0:14:54.000 --> 0:14:56.880
<v Speaker 3>I mean it's it's interesting, like how many different reads

0:14:56.880 --> 0:14:58.680
<v Speaker 3>there are of this. It's really hard to prepare for

0:14:58.800 --> 0:15:01.080
<v Speaker 3>a Dracula episode because there's so.

0:15:01.200 --> 0:15:04.760
<v Speaker 4>Much, yeah, other stuff floating around and in the culture,

0:15:04.960 --> 0:15:07.200
<v Speaker 4>and like, which part do you focus on?

0:15:07.960 --> 0:15:10.720
<v Speaker 3>I'm I'm really excited to talk about it. The production

0:15:10.840 --> 0:15:15.320
<v Speaker 3>of this movie is also like interesting. I was showing

0:15:15.400 --> 0:15:19.360
<v Speaker 3>Caitlin before you got her Crystal. There's a clip of

0:15:19.440 --> 0:15:24.040
<v Speaker 3>the whole cast playing zip zaps off, which was quite triggering,

0:15:26.160 --> 0:15:29.640
<v Speaker 3>and they're like seeing Anthony Hopkins, Sir Anthony Hopkins playing

0:15:29.760 --> 0:15:33.240
<v Speaker 3>zip zaps off. I'm like, that's that's a bridge too far?

0:15:34.000 --> 0:15:37.880
<v Speaker 4>Was Gary Oldman there because he famously was kind of

0:15:38.000 --> 0:15:39.920
<v Speaker 4>like absent during production, right, he was just in his

0:15:40.000 --> 0:15:42.040
<v Speaker 4>tiller getting absolutely shit faced.

0:15:42.400 --> 0:15:47.280
<v Speaker 3>God, I'm yeah, because Winona like called him out for

0:15:47.360 --> 0:15:51.360
<v Speaker 3>that years later, thankfully. But I can't tell because they're

0:15:51.400 --> 0:15:53.480
<v Speaker 3>all wearing, with all due respect, that all the men

0:15:53.520 --> 0:15:56.320
<v Speaker 3>are wearing the same shapeless nineties outfit. So I really

0:15:56.560 --> 0:15:58.120
<v Speaker 3>can't tell if he's there or not.

0:15:58.320 --> 0:15:59.960
<v Speaker 4>Even in this movie, it's sometimes it's hard to tell

0:16:00.080 --> 0:16:04.000
<v Speaker 4>who's who with these men. They're all kind of saying me, Yeah,

0:16:04.880 --> 0:16:05.160
<v Speaker 4>that's what.

0:16:05.240 --> 0:16:08.200
<v Speaker 2>Happens when you have an all white cast. I'm like,

0:16:08.480 --> 0:16:09.600
<v Speaker 2>who's that guy?

0:16:10.320 --> 0:16:13.680
<v Speaker 3>Yeah? And who is, with all due respect, Billy Campbell?

0:16:14.280 --> 0:16:15.640
<v Speaker 3>I don't know, indeed.

0:16:16.400 --> 0:16:19.560
<v Speaker 2>Yeah, let's take a quick break and then we'll come

0:16:19.640 --> 0:16:20.760
<v Speaker 2>back for the recap.

0:16:31.120 --> 0:16:36.520
<v Speaker 3>Billy Campbell is an American film and television actor. Oh yeah,

0:16:37.600 --> 0:16:38.040
<v Speaker 3>so there you go.

0:16:39.160 --> 0:16:43.000
<v Speaker 2>That's who that is. Okay, here is the recap. We

0:16:43.560 --> 0:16:50.880
<v Speaker 2>open on backstory about Dracula played by disgraced actor Gary Oldman, and.

0:16:50.920 --> 0:16:55.040
<v Speaker 3>It's kind of incredible, incredible in the not great way.

0:16:55.720 --> 0:16:59.680
<v Speaker 3>How much this movie's production like bears that out, and

0:16:59.840 --> 0:17:03.040
<v Speaker 3>how in the nineties, you could just say, like, yeah,

0:17:03.120 --> 0:17:04.920
<v Speaker 3>it was a piece of shit on this movie, and

0:17:05.000 --> 0:17:07.159
<v Speaker 3>that's why I'm so good at acting, and like.

0:17:08.359 --> 0:17:14.639
<v Speaker 2>Yeah, truly. So it's fourteen sixty two in Transylvania and

0:17:15.119 --> 0:17:19.240
<v Speaker 2>Dracula is a human man at first, and he has

0:17:19.359 --> 0:17:26.040
<v Speaker 2>a beloved his wife, Elisabetta played by Winona Ryder, who

0:17:26.200 --> 0:17:29.920
<v Speaker 2>he must leave to go to war because men be

0:17:30.600 --> 0:17:36.960
<v Speaker 2>going to war and impaling people. And then Elizabetha gets

0:17:37.040 --> 0:17:41.239
<v Speaker 2>word that Dracula died in battle, so she takes her

0:17:41.400 --> 0:17:44.399
<v Speaker 2>own life. But he didn't die. That was just like

0:17:44.840 --> 0:17:46.920
<v Speaker 2>false fake news.

0:17:47.200 --> 0:17:49.560
<v Speaker 3>This happened to Romeo and Juliet too. Wait to see

0:17:49.600 --> 0:17:52.600
<v Speaker 3>the body, ladies, wait to see the body.

0:17:53.400 --> 0:17:56.200
<v Speaker 4>Or just don't kill yourself because is dead.

0:17:56.600 --> 0:17:59.720
<v Speaker 3>There's so much to live for. Don't die. I'm a man,

0:18:00.200 --> 0:18:03.320
<v Speaker 3>ye all do respect to your deceased loved ones.

0:18:03.840 --> 0:18:08.320
<v Speaker 2>Anyway, So Dracula comes back to his dead wife absolutely

0:18:08.560 --> 0:18:14.240
<v Speaker 2>devastated and infuriated at like the church and the clergy

0:18:14.400 --> 0:18:18.400
<v Speaker 2>who had like sent him to war. So he denounces God,

0:18:18.880 --> 0:18:21.280
<v Speaker 2>saying that he's going to rise from his own death.

0:18:21.520 --> 0:18:25.160
<v Speaker 3>He stabs across the cross start elodes into a cloud

0:18:25.200 --> 0:18:27.160
<v Speaker 3>of blood, which is awesome.

0:18:27.320 --> 0:18:28.959
<v Speaker 4>What a cool way to become a vampire.

0:18:29.200 --> 0:18:32.280
<v Speaker 3>God, I know he really like the mellow drama and

0:18:32.440 --> 0:18:34.880
<v Speaker 3>this is just oh, it's so good, it's amazing.

0:18:34.960 --> 0:18:36.720
<v Speaker 2>And so he drinks the blood from the cross and

0:18:36.800 --> 0:18:42.120
<v Speaker 2>that's how it becomes a little Vampire's such a drama queen. Okay.

0:18:42.160 --> 0:18:46.960
<v Speaker 2>Then we cut to London eighteen ninety seven. We meet

0:18:47.040 --> 0:18:52.159
<v Speaker 2>a man named Renfield played by Tom Waits of Shrek

0:18:52.240 --> 0:18:52.879
<v Speaker 2>two fame.

0:18:53.400 --> 0:18:54.760
<v Speaker 3>Oh, he plays the.

0:18:56.840 --> 0:19:00.479
<v Speaker 2>Same more well he played. I guess he plays Captain

0:19:00.880 --> 0:19:03.879
<v Speaker 2>hook Slash. He sings one of his songs in the

0:19:03.960 --> 0:19:06.240
<v Speaker 2>bar that Shrek goes too.

0:19:06.760 --> 0:19:09.680
<v Speaker 3>That's important, yeah, in some way, which kind of makes

0:19:09.720 --> 0:19:12.840
<v Speaker 3>him the most famous actor in the movie. Indeed. Yeah.

0:19:13.440 --> 0:19:17.760
<v Speaker 2>Okay, So Renfield has been institutionalized, so another man is

0:19:17.920 --> 0:19:21.840
<v Speaker 2>tasked with taking over his work. This is Jonathan Harker

0:19:22.440 --> 0:19:25.760
<v Speaker 2>played by Keanu Reeves doing a very good and very

0:19:25.880 --> 0:19:32.960
<v Speaker 2>authentic English accent. No, no, oh, I know, poor poor guy.

0:19:33.840 --> 0:19:36.879
<v Speaker 2>I read that he like the reason he sounds so

0:19:37.480 --> 0:19:39.879
<v Speaker 2>stilted and that he's like doing a bad job is

0:19:39.880 --> 0:19:41.880
<v Speaker 2>because he was trying so hard to make it perfect,

0:19:42.560 --> 0:19:45.760
<v Speaker 2>and Coppola was just like just relax a bit buzz.

0:19:45.600 --> 0:19:51.000
<v Speaker 3>Less up, buddy, and he's like, I can't. Yeah. So

0:19:51.880 --> 0:19:55.119
<v Speaker 3>he Coppola does still say very no way. I have

0:19:55.200 --> 0:19:58.399
<v Speaker 3>a fun quote about him. He said this was like

0:19:58.520 --> 0:20:02.000
<v Speaker 3>ten years ago. He said, like, Keanu is still a

0:20:02.119 --> 0:20:03.040
<v Speaker 3>prince in my eyes.

0:20:03.840 --> 0:20:05.920
<v Speaker 4>He saw nice.

0:20:06.160 --> 0:20:08.439
<v Speaker 3>He said, he tried so hard. That was the problem.

0:20:08.520 --> 0:20:10.440
<v Speaker 3>He wanted to do it perfectly, and in trying to

0:20:10.520 --> 0:20:12.720
<v Speaker 3>do it perfectly, it came off as stilted. I tried

0:20:12.720 --> 0:20:14.080
<v Speaker 3>to get him to just relax with it and not

0:20:14.200 --> 0:20:17.280
<v Speaker 3>do it so fastidiously. So maybe I wasn't as critical

0:20:17.320 --> 0:20:19.280
<v Speaker 3>of him, but that's because I like him so much

0:20:19.520 --> 0:20:21.960
<v Speaker 3>to this day. He's a prince in my eyes, which

0:20:22.320 --> 0:20:24.399
<v Speaker 3>because his character is not a prince. He's just saying that.

0:20:26.920 --> 0:20:28.280
<v Speaker 2>But Keanu is a prince.

0:20:28.480 --> 0:20:32.800
<v Speaker 4>Yeah. He belongs in i'd say modern movies or maybe

0:20:32.800 --> 0:20:33.720
<v Speaker 4>in the future movies.

0:20:34.280 --> 0:20:36.520
<v Speaker 3>He does have a face for the future. Yeah yeah,

0:20:36.800 --> 0:20:37.600
<v Speaker 3>and he and.

0:20:37.640 --> 0:20:41.560
<v Speaker 4>He does silent and brooty well, but he doesn't necessarily a.

0:20:41.600 --> 0:20:43.240
<v Speaker 2>Period piece is not for him.

0:20:43.800 --> 0:20:46.680
<v Speaker 3>Yeah, And he also said that he Coplo said he

0:20:47.000 --> 0:20:49.040
<v Speaker 3>cast Keanu in that part because he was looking for

0:20:49.280 --> 0:20:52.240
<v Speaker 3>like a hot guy of the moment, because the part

0:20:52.280 --> 0:20:57.080
<v Speaker 3>of Jonathan kind of famously sucks, which no, I mean

0:20:57.200 --> 0:21:01.479
<v Speaker 3>for Nicholas Holt that we could. But Jonathan. I think

0:21:01.560 --> 0:21:05.120
<v Speaker 3>Jonathan's a really funny character because he's just like white,

0:21:05.240 --> 0:21:08.879
<v Speaker 3>not going it through the most uncomfort I really liked

0:21:08.880 --> 0:21:10.080
<v Speaker 3>it in The New Nose for Autu too.

0:21:10.280 --> 0:21:11.440
<v Speaker 4>We're just getting cooked.

0:21:11.720 --> 0:21:14.119
<v Speaker 3>He's just getting he's getting like or just like that

0:21:14.280 --> 0:21:19.000
<v Speaker 3>first dinner where it's like this like absurd looking guy

0:21:19.200 --> 0:21:21.240
<v Speaker 3>being like, okay, so you live with me now, and

0:21:21.359 --> 0:21:24.639
<v Speaker 3>he's like, yeah, yes, okay, thank you for having me.

0:21:25.800 --> 0:21:32.160
<v Speaker 3>I like Jonathan, he acts like I went in that situation. Okay, okay, okay,

0:21:32.240 --> 0:21:33.440
<v Speaker 3>I've been kidnapped.

0:21:34.800 --> 0:21:39.680
<v Speaker 2>Anyway. So Jonathan Harker is about to go to Transylvania

0:21:40.320 --> 0:21:45.879
<v Speaker 2>to close some real estate deals of Count Dracula, who

0:21:45.960 --> 0:21:49.879
<v Speaker 2>has been buying property up all over London, although of

0:21:49.960 --> 0:21:53.680
<v Speaker 2>course no one knows that this Dracula is a vampire.

0:21:54.000 --> 0:21:59.280
<v Speaker 2>They just think he's like an eccentric rich dude. Jonathan

0:21:59.520 --> 0:22:03.879
<v Speaker 2>technically is, yeah, in addition to being a vampire. So

0:22:04.240 --> 0:22:10.320
<v Speaker 2>Jonathan says goodbye to his fiancee Mina played by also

0:22:10.640 --> 0:22:15.359
<v Speaker 2>Winona Ryder, who is also doing a very good English accent.

0:22:16.320 --> 0:22:20.200
<v Speaker 3>She's done an English accent a fair cause heidden, what's

0:22:20.280 --> 0:22:25.080
<v Speaker 3>the movie Colonial England? And oh, Crucible, but I think

0:22:25.200 --> 0:22:26.840
<v Speaker 3>that had already come out at this point.

0:22:26.680 --> 0:22:30.200
<v Speaker 2>I asked, I don't know the timeline, but yeah, she's

0:22:30.440 --> 0:22:31.280
<v Speaker 2>she's doing her best.

0:22:31.400 --> 0:22:31.639
<v Speaker 1>She is.

0:22:32.280 --> 0:22:32.520
<v Speaker 4>I think.

0:22:32.680 --> 0:22:34.920
<v Speaker 3>I think her performance is great. The accent is meth

0:22:35.119 --> 0:22:38.200
<v Speaker 3>but I performances equally, I know.

0:22:39.359 --> 0:22:43.960
<v Speaker 2>So Jonathan sets off to Dracula's castle in Transylvania, and

0:22:44.240 --> 0:22:49.120
<v Speaker 2>his journey is as spooky as hell. There's like wols

0:22:49.200 --> 0:22:52.960
<v Speaker 2>and bats and a creepy carriage driver who sort of

0:22:53.040 --> 0:22:57.960
<v Speaker 2>looks like the alien from the Alien movies, and there's

0:22:58.040 --> 0:23:00.720
<v Speaker 2>just like all kinds of weird shit. He arrives at

0:23:00.800 --> 0:23:03.920
<v Speaker 2>the castle and is greeted by Dracula.

0:23:04.240 --> 0:23:07.800
<v Speaker 4>And which looks like that scary man with a.

0:23:09.520 --> 0:23:14.560
<v Speaker 2>Yeah there's and then and also not to appearance shame Dracula,

0:23:14.800 --> 0:23:16.480
<v Speaker 2>but he looks.

0:23:16.240 --> 0:23:19.640
<v Speaker 3>Like a lot of people that I think it's there's

0:23:19.680 --> 0:23:22.200
<v Speaker 3>a there's a threshold we can body shame drag we can,

0:23:22.440 --> 0:23:23.600
<v Speaker 3>and he killed a lot of people.

0:23:24.080 --> 0:23:28.040
<v Speaker 2>He looks like Emperor Palpatine. And then I've got thinking that, yes,

0:23:28.320 --> 0:23:33.440
<v Speaker 2>he's got these like two titty lump hairstyle.

0:23:33.200 --> 0:23:37.359
<v Speaker 3>Which weirdly enough, is how he's described in the book. Oh, like,

0:23:37.480 --> 0:23:40.879
<v Speaker 3>I think that a lot of what this adaptation it

0:23:40.960 --> 0:23:42.760
<v Speaker 3>adds a lot of stuff, but it doesn't really take

0:23:42.760 --> 0:23:45.520
<v Speaker 3>a lot of stuff out, Like the book is really weird.

0:23:46.359 --> 0:23:48.399
<v Speaker 4>He's a fan of Sailor Moon space buns.

0:23:48.760 --> 0:23:51.720
<v Speaker 3>Yes, yes, yeah, diabolical Lea.

0:23:53.560 --> 0:23:58.440
<v Speaker 2>So he's being very weird. Dracula is he's like flinging

0:23:58.520 --> 0:24:03.240
<v Speaker 2>his sword around, his shadow is walking around independent of

0:24:03.320 --> 0:24:07.480
<v Speaker 2>his movements, the palms of his hands are furry, you know,

0:24:07.560 --> 0:24:10.879
<v Speaker 2>all kinds of weird stuff. And then also Dracula sees

0:24:11.320 --> 0:24:15.240
<v Speaker 2>Jonathan's picture of Mina, who looks a lot like his

0:24:15.480 --> 0:24:21.280
<v Speaker 2>beloved Elizabetta, and he's like, oh, who's that a wooga?

0:24:22.520 --> 0:24:25.359
<v Speaker 2>Hey Jonathan, you better stay here for a month. But

0:24:25.480 --> 0:24:28.159
<v Speaker 2>don't worry. I'm definitely not going to go and steal

0:24:28.280 --> 0:24:30.120
<v Speaker 2>your girlfriend in London.

0:24:30.000 --> 0:24:32.080
<v Speaker 3>Right, And he's like, oh, but well, I have you.

0:24:32.240 --> 0:24:35.320
<v Speaker 3>Can you write three letters confirming that you're totally okay

0:24:35.600 --> 0:24:38.240
<v Speaker 3>that I can just sort of send out every so often.

0:24:41.440 --> 0:24:44.280
<v Speaker 3>Is such a dumb ass, I love? And he's like, yeah,

0:24:44.600 --> 0:24:47.040
<v Speaker 3>I'll do that, Yeah, okay, yeah, yeah, no problem.

0:24:47.160 --> 0:24:50.440
<v Speaker 4>Something might be kind of weird about this castle, but well.

0:24:51.200 --> 0:24:54.840
<v Speaker 3>I don't want to argue, Okay.

0:24:54.880 --> 0:24:58.719
<v Speaker 2>So meanwhile, back in London, Mina writes in her diary

0:24:58.880 --> 0:25:02.159
<v Speaker 2>about how much she missus Jonathan, how she's going to

0:25:02.240 --> 0:25:06.399
<v Speaker 2>stay with her friend Lucy while Jonathan is away. And

0:25:06.560 --> 0:25:10.520
<v Speaker 2>Lucy's whole thing is that she is horny.

0:25:10.600 --> 0:25:14.120
<v Speaker 3>Horney, so horny, and so you're like, well, of course

0:25:14.160 --> 0:25:17.120
<v Speaker 3>I think terrible it's gonna happen to her. But she's

0:25:17.200 --> 0:25:21.440
<v Speaker 3>kind of a little polyamorous. She's being like, why can't

0:25:21.480 --> 0:25:23.520
<v Speaker 3>I marry three people? I'm like, why can't you? She

0:25:23.640 --> 0:25:24.000
<v Speaker 3>has this.

0:25:24.080 --> 0:25:28.600
<v Speaker 2>Beautiful polycule of several men who are fawning.

0:25:28.320 --> 0:25:32.160
<v Speaker 3>Over her, desperate to give her blood transfusions.

0:25:33.040 --> 0:25:33.240
<v Speaker 4>Yes.

0:25:34.160 --> 0:25:36.679
<v Speaker 2>One of them is a man from Texas named Quincy

0:25:36.800 --> 0:25:38.439
<v Speaker 2>Morris played by Billy Campbell.

0:25:38.920 --> 0:25:40.520
<v Speaker 3>Oh, he's an American actor.

0:25:40.800 --> 0:25:41.840
<v Speaker 2>Oh that's who that is.

0:25:42.000 --> 0:25:45.159
<v Speaker 3>Okay, you might have recognized him from American acting.

0:25:48.920 --> 0:25:49.200
<v Speaker 1>Okay.

0:25:49.280 --> 0:25:54.040
<v Speaker 2>So another is a doctor named Jack Seward played by

0:25:54.240 --> 0:25:58.399
<v Speaker 2>Richard E. Grant, and then the third is a lawyer

0:25:58.600 --> 0:26:06.240
<v Speaker 2>named Arthur Holmewood played by Carrie of saw Fame.

0:26:06.720 --> 0:26:08.120
<v Speaker 3>Yes, his most famous role.

0:26:08.320 --> 0:26:08.520
<v Speaker 4>Yes.

0:26:09.040 --> 0:26:12.919
<v Speaker 2>And also, by the way, doctor Jack is currently treating

0:26:13.040 --> 0:26:16.879
<v Speaker 2>Renfield the man who was driven mad after that recent

0:26:16.920 --> 0:26:21.480
<v Speaker 2>trip to Transylvania. He's eating bugs and carrying on about

0:26:21.640 --> 0:26:26.920
<v Speaker 2>his master, who is obviously Dracula. Back at the castle,

0:26:27.560 --> 0:26:33.879
<v Speaker 2>Dracula continues to be super weird. He's shaving Jonathan, he's

0:26:34.080 --> 0:26:36.160
<v Speaker 2>licking the blood from his cut.

0:26:36.600 --> 0:26:40.920
<v Speaker 4>Apparently this was the scene. Specifically, Gary Alban was completely steamed.

0:26:41.320 --> 0:26:45.200
<v Speaker 4>Oh he's been drinking vodka all day. Yes, it's so,

0:26:45.680 --> 0:26:47.280
<v Speaker 4>it's so fascinating.

0:26:46.960 --> 0:26:47.960
<v Speaker 3>Very scary guy.

0:26:48.240 --> 0:26:51.800
<v Speaker 4>Yeah, he basically plays that drunk man. Also, and have

0:26:51.880 --> 0:26:55.400
<v Speaker 4>you seen slow Horses? No, I think it's him. Yeah,

0:26:55.440 --> 0:26:58.800
<v Speaker 4>it's it's him, and he's just plays an alcoholic but anyway, yeah,

0:26:59.040 --> 0:27:03.879
<v Speaker 4>he's I do love his performance though. He's so watchable.

0:27:04.080 --> 0:27:07.159
<v Speaker 2>He turns in a great performance. And he's also a

0:27:07.280 --> 0:27:11.240
<v Speaker 2>very bad person and two things. Unfortunately, it can be true.

0:27:11.400 --> 0:27:12.320
<v Speaker 3>What has what has?

0:27:12.480 --> 0:27:13.400
<v Speaker 4>I don't know what he's done.

0:27:13.520 --> 0:27:19.040
<v Speaker 2>He was very very abusive to his wife, his ex wife,

0:27:19.119 --> 0:27:22.280
<v Speaker 2>like the the police got involved. Oh I think it

0:27:22.440 --> 0:27:24.920
<v Speaker 2>was like one of those let me just sorry, Okay,

0:27:25.080 --> 0:27:31.240
<v Speaker 2>So yeah, he was like tremendously physically abusive to his

0:27:32.000 --> 0:27:36.640
<v Speaker 2>ex wife. And this was a This this all happened

0:27:36.800 --> 0:27:39.600
<v Speaker 2>after the production of this movie.

0:27:39.680 --> 0:27:41.320
<v Speaker 3>But also, I mean, like you're saying, there's so many

0:27:41.359 --> 0:27:44.359
<v Speaker 3>examples during the production of this movie where when on

0:27:44.480 --> 0:27:47.600
<v Speaker 3>a Rider was like I just felt super unsafe around him,

0:27:48.000 --> 0:27:52.520
<v Speaker 3>and you know, has sort of like walked those comments back.

0:27:52.600 --> 0:27:56.320
<v Speaker 3>But also she had like it just sounded like it

0:27:56.440 --> 0:27:59.399
<v Speaker 3>was being around him was awful and like they had

0:27:59.440 --> 0:28:05.159
<v Speaker 3>a family relationship, and then she loved Keanu. There's I

0:28:05.240 --> 0:28:07.919
<v Speaker 3>have a quote from her as a as a palate cleanser.

0:28:09.280 --> 0:28:12.640
<v Speaker 3>This is from a Vanity Fair interview where we Noa

0:28:12.800 --> 0:28:15.160
<v Speaker 3>was going over her old journals from this time, where

0:28:15.240 --> 0:28:16.800
<v Speaker 3>she said, I have these journals and I just pulled

0:28:16.840 --> 0:28:19.000
<v Speaker 3>one out recently. It was from around the time of Dracula.

0:28:19.440 --> 0:28:23.600
<v Speaker 3>The text says, angst angst, angst angst, thank god for Keanu,

0:28:24.040 --> 0:28:27.879
<v Speaker 3>thank God, I'm going to see Keanu. So they're just

0:28:28.000 --> 0:28:31.240
<v Speaker 3>they're just besties. And it seems like, I mean, Copla

0:28:31.280 --> 0:28:33.160
<v Speaker 3>says he's a prince. It just seems like everyone's looking

0:28:33.200 --> 0:28:38.000
<v Speaker 3>forward to seeing Keanu and absolutely dreading seeing Gary Oldman,

0:28:38.240 --> 0:28:40.760
<v Speaker 3>who in you know, the press junket for this movie

0:28:40.880 --> 0:28:44.240
<v Speaker 3>is like very forthcoming about like, yeah, I was really

0:28:44.360 --> 0:28:46.480
<v Speaker 3>fucked up and I would like lean over and whisper

0:28:46.560 --> 0:28:48.640
<v Speaker 3>obscenities to scare people.

0:28:49.000 --> 0:28:51.160
<v Speaker 4>And you're just sleeping in a coffin every night.

0:28:52.600 --> 0:28:57.360
<v Speaker 3>These really like methody kind of things were, but like,

0:28:57.520 --> 0:29:00.360
<v Speaker 3>you know, method as a means to a use your

0:29:00.440 --> 0:29:04.880
<v Speaker 3>co workers. Interestingly, they originally wanted Daniel da Lewis to

0:29:04.880 --> 0:29:08.719
<v Speaker 3>play Dragula. Oh who, I haven't heard of him ever.

0:29:08.880 --> 0:29:11.440
<v Speaker 3>Like hurting anyone doing method acting, it seems like there

0:29:11.520 --> 0:29:13.960
<v Speaker 3>is surely there's a way to not hurt people.

0:29:14.440 --> 0:29:16.960
<v Speaker 4>Surely you say that, but like I'm trying to think

0:29:17.000 --> 0:29:20.520
<v Speaker 4>of someone who's kind of unproblematically method because I don't know.

0:29:20.600 --> 0:29:22.480
<v Speaker 4>I mean, the next person that jumps it to mind

0:29:22.560 --> 0:29:24.800
<v Speaker 4>is Jared Letto, who, yeah, I guess he also did

0:29:24.880 --> 0:29:25.720
<v Speaker 4>that ship on a.

0:29:25.800 --> 0:29:29.080
<v Speaker 3>Vampire, But isn't he Jim Carrey did it for a

0:29:29.160 --> 0:29:31.240
<v Speaker 3>Man on the Moon when he was playing Andy Kaufman.

0:29:31.920 --> 0:29:34.320
<v Speaker 3>There's so many examps, but there are some that are

0:29:34.400 --> 0:29:37.800
<v Speaker 3>just like, I haven't heard of means story about danielday Lewis.

0:29:37.840 --> 0:29:39.280
<v Speaker 3>I could be wrong, nor have I.

0:29:39.520 --> 0:29:42.280
<v Speaker 2>Yeah, it might just be that Tom.

0:29:42.120 --> 0:29:45.120
<v Speaker 3>Hardy as Matt Max where it just sounds like he

0:29:45.280 --> 0:29:47.360
<v Speaker 3>just sort of was like like I don't think he

0:29:47.480 --> 0:29:49.600
<v Speaker 3>didn't and he wasn't mean to be played just as

0:29:49.640 --> 0:29:50.400
<v Speaker 3>like a little cold.

0:29:51.160 --> 0:29:55.680
<v Speaker 2>Yeah yeah, so method acting maybe not the best.

0:29:55.760 --> 0:29:59.600
<v Speaker 3>Approach if you're already a piece of shit. Yeah right.

0:30:00.360 --> 0:30:05.320
<v Speaker 2>Okay, So Dracula, he's you know, being weird and shaving

0:30:05.600 --> 0:30:13.840
<v Speaker 2>Jonathan and Jonathan like that. He starts lurking around the

0:30:14.120 --> 0:30:18.160
<v Speaker 2>castle and he goes into this horny fuck room with

0:30:18.560 --> 0:30:23.800
<v Speaker 2>three lady vampires and they orgy him up pretty good

0:30:25.520 --> 0:30:30.040
<v Speaker 2>until Dracula barges in and he's like, no, Jonathan is mine.

0:30:30.480 --> 0:30:34.440
<v Speaker 2>And then Jonathan watches them eat a baby, and.

0:30:34.520 --> 0:30:38.600
<v Speaker 4>He's like, oh, don't you think, though, if you were

0:30:38.600 --> 0:30:41.200
<v Speaker 4>a vampire, like a baby would be so delicious.

0:30:43.080 --> 0:30:45.520
<v Speaker 3>It's veal, it's human veal.

0:30:45.920 --> 0:30:48.520
<v Speaker 4>I think babies look delicious a bit. Sometimes I don't

0:30:48.520 --> 0:30:49.640
<v Speaker 4>even eat human flesh.

0:30:50.160 --> 0:30:53.720
<v Speaker 3>That is like a like brain reaction to where you're like,

0:30:53.880 --> 0:30:55.480
<v Speaker 3>it's so cute, I want to eat it.

0:30:59.320 --> 0:30:59.640
<v Speaker 1>Truly.

0:31:01.160 --> 0:31:01.440
<v Speaker 3>Okay.

0:31:01.480 --> 0:31:05.160
<v Speaker 2>So the next thing we know, Dracula is on his

0:31:05.600 --> 0:31:10.240
<v Speaker 2>ship called the Demeter, bound for London, along with several

0:31:10.320 --> 0:31:13.840
<v Speaker 2>crates filled with dirt from his castle grounds. We learn

0:31:13.880 --> 0:31:17.880
<v Speaker 2>that he gets power from those anyway. On the way,

0:31:18.120 --> 0:31:21.720
<v Speaker 2>Dracula is thinking about Mina he's eating the crew of

0:31:21.840 --> 0:31:27.080
<v Speaker 2>the ship, et cetera. He arrives in London and he's

0:31:27.160 --> 0:31:29.880
<v Speaker 2>in the form of like a wolf man and he

0:31:30.520 --> 0:31:34.440
<v Speaker 2>lures Lucy to him, who, by the way, has gotten

0:31:34.480 --> 0:31:38.160
<v Speaker 2>engaged to Arthur aka Carrie Is.

0:31:39.600 --> 0:31:42.040
<v Speaker 3>She picks kind of like I think, at least as

0:31:42.080 --> 0:31:44.000
<v Speaker 3>they're portrayed in the movie, she kind of picks the

0:31:44.360 --> 0:31:47.560
<v Speaker 3>flop I think. But although I was, I don't know,

0:31:47.600 --> 0:31:49.640
<v Speaker 3>I was thinking about it. I was like, Seward, that's

0:31:49.640 --> 0:31:51.280
<v Speaker 3>a lot of baggage. She takes him at night.

0:31:51.360 --> 0:31:53.360
<v Speaker 4>He also maybe shoots up Heroin at one point.

0:31:53.520 --> 0:31:56.480
<v Speaker 2>He definitely yeah, he has I think a morphine addiction.

0:31:56.640 --> 0:32:00.560
<v Speaker 3>Okay, yeah, he's very like in the book, he's portrayed

0:32:00.600 --> 0:32:03.440
<v Speaker 3>as just like a guy, but they really go out

0:32:03.440 --> 0:32:05.200
<v Speaker 3>of their way to be like he's he's a bit

0:32:05.240 --> 0:32:09.720
<v Speaker 3>of a mess. Whatever. They're not gonna be married for lawn.

0:32:11.560 --> 0:32:18.000
<v Speaker 2>No. So she's engaged, but then she's seduced by Dracula's

0:32:18.400 --> 0:32:24.480
<v Speaker 2>vampire powers and she fucks and gets bitten by this

0:32:24.640 --> 0:32:28.800
<v Speaker 2>like wolfy version of Dracula, and then Mina comes in

0:32:28.920 --> 0:32:31.920
<v Speaker 2>and sees all of this happening, and then Dracula does

0:32:31.960 --> 0:32:34.960
<v Speaker 2>my favorite thing where someone's like, don't look at me,

0:32:35.920 --> 0:32:43.000
<v Speaker 2>runs away and disappears, So drama, no, not like this.

0:32:48.040 --> 0:32:51.960
<v Speaker 2>And then so Mina helps Lucy get inside, and then

0:32:52.200 --> 0:32:56.000
<v Speaker 2>Dracula moves into his new house in London. He then

0:32:56.120 --> 0:32:59.680
<v Speaker 2>goes out for a stroll around town. We learn that

0:32:59.760 --> 0:33:02.760
<v Speaker 2>con trade of popular belief, Dracula can move about in

0:33:02.800 --> 0:33:06.800
<v Speaker 2>the daytime, although his powers are weak, and he looks

0:33:07.040 --> 0:33:11.360
<v Speaker 2>like how Gary Oldman regularly looks. He's dropped the Palpatine

0:33:11.720 --> 0:33:15.680
<v Speaker 2>vibes and now he looks like if Ozzy Osbourne and

0:33:15.840 --> 0:33:17.920
<v Speaker 2>Slash had a baby at least.

0:33:19.680 --> 0:33:24.120
<v Speaker 3>Yeah, yeah, the the Unfortunately, the purple glasses really scanned

0:33:24.200 --> 0:33:27.400
<v Speaker 3>Johnny Depp to me, but I thought it was really

0:33:27.440 --> 0:33:29.720
<v Speaker 3>funny when he like saw on a rider in the

0:33:29.800 --> 0:33:31.880
<v Speaker 3>crowd and it cuts to like he kind of looks

0:33:31.920 --> 0:33:35.200
<v Speaker 3>like Bono a little bit. You're like, the fuck. Yeah,

0:33:35.880 --> 0:33:37.920
<v Speaker 3>this is the guy who's like he must have some

0:33:38.080 --> 0:33:40.960
<v Speaker 3>magical abilities because I don't get it. I don't see it.

0:33:42.440 --> 0:33:46.160
<v Speaker 2>That I will talk a lot about, but yeah, we'll

0:33:46.320 --> 0:33:50.720
<v Speaker 2>get there, Okay. So he spots Mina, who's also out

0:33:50.840 --> 0:33:54.520
<v Speaker 2>and about, and he introduces himself to her as Prince Vlad,

0:33:55.560 --> 0:34:00.720
<v Speaker 2>and he's eventually able to lure her in, also using

0:34:00.840 --> 0:34:05.640
<v Speaker 2>his vampire powers question Mark. She seems to think that

0:34:05.800 --> 0:34:09.080
<v Speaker 2>she recognizes him, and he's also about to bite her,

0:34:09.280 --> 0:34:12.200
<v Speaker 2>but he can't bring himself to do it. And I'm

0:34:12.239 --> 0:34:13.359
<v Speaker 2>not really sure what's going on here.

0:34:13.840 --> 0:34:17.560
<v Speaker 3>Also like watching porn, Yeah, and I was like, Mina,

0:34:18.920 --> 0:34:23.719
<v Speaker 3>how do you? She really repressed I which I like,

0:34:24.440 --> 0:34:26.080
<v Speaker 3>we'll talk about more of the productions. But like that

0:34:26.280 --> 0:34:28.839
<v Speaker 3>was why win Ona writer wanted this movie to be made,

0:34:28.880 --> 0:34:30.880
<v Speaker 3>where she was like, Mina is so interesting and no

0:34:30.960 --> 0:34:35.480
<v Speaker 3>one cares like that her Like writers, the whole reason

0:34:35.520 --> 0:34:37.400
<v Speaker 3>this movie exists was is true for a lot of

0:34:37.640 --> 0:34:39.680
<v Speaker 3>own Writer movies. She's a great producer.

0:34:39.760 --> 0:34:44.480
<v Speaker 2>Yeah yeah, okay. So meanwhile, Lucy is not feeling quite herself,

0:34:44.640 --> 0:34:48.360
<v Speaker 2>perhaps because Dracula bit her and she's turning into a vampire.

0:34:48.200 --> 0:34:53.759
<v Speaker 4>Which she does have a great smoky yeah she does so.

0:34:54.400 --> 0:34:58.960
<v Speaker 2>Abraham van Helsing played by Anthony Hopkins, a doctor who

0:34:59.080 --> 0:35:01.600
<v Speaker 2>specializes obscure ailments.

0:35:01.880 --> 0:35:05.160
<v Speaker 3>It's so wild that Anthony Hopkins has been old for

0:35:05.320 --> 0:35:10.200
<v Speaker 3>my entire life. It's like he's everyone go follow Anthony

0:35:10.280 --> 0:35:11.480
<v Speaker 3>Hopkins on Instagram.

0:35:11.840 --> 0:35:13.640
<v Speaker 2>Oh okay, he's got a good presence.

0:35:13.719 --> 0:35:15.640
<v Speaker 3>He's got a great presence. He'll just go live and

0:35:15.719 --> 0:35:18.840
<v Speaker 3>play the piano. Oh and be like hello everybody, and

0:35:19.480 --> 0:35:22.840
<v Speaker 3>just start playing the piano and a ton of cats.

0:35:23.200 --> 0:35:24.919
<v Speaker 3>He seems like a real sweety pie.

0:35:25.680 --> 0:35:29.200
<v Speaker 2>Good for him. Yeah, okay. So he is called upon

0:35:29.400 --> 0:35:32.759
<v Speaker 2>to treat Lucy and he sees the bite marks on

0:35:32.920 --> 0:35:38.319
<v Speaker 2>Lucy's neck and he's like, yep, vampire all right. But Jack,

0:35:38.680 --> 0:35:42.120
<v Speaker 2>Quincy and Arthur, Lucy's three boyfriends.

0:35:42.320 --> 0:35:44.480
<v Speaker 3>I know, they're all like, I want her to give

0:35:44.520 --> 0:35:45.759
<v Speaker 3>her blood. No me, no me.

0:35:46.719 --> 0:35:49.759
<v Speaker 2>But they they're like pish posh vampires. That's not real.

0:35:50.920 --> 0:35:54.600
<v Speaker 2>Back at Dracula's castle, Jonathan is also having a rough

0:35:54.719 --> 0:35:57.040
<v Speaker 2>go of it. He is getting all of his blood

0:35:57.120 --> 0:36:01.440
<v Speaker 2>sucked out by the vampire ladies, but he manages to

0:36:01.640 --> 0:36:06.160
<v Speaker 2>escape and finds refuge in a convent. When the nuns

0:36:06.400 --> 0:36:09.120
<v Speaker 2>send a letter to Mina telling her to come to

0:36:09.200 --> 0:36:13.120
<v Speaker 2>the convent so that she and Jonathan can get married immediately.

0:36:13.520 --> 0:36:17.200
<v Speaker 4>There's so much across European travel in this movie. They

0:36:17.239 --> 0:36:19.440
<v Speaker 4>are back and forth and back and forth.

0:36:19.880 --> 0:36:22.360
<v Speaker 3>Yes, as someone who lives in.

0:36:22.360 --> 0:36:26.640
<v Speaker 4>Europe, how did this exhausting the travel itineraries of this movie?

0:36:28.320 --> 0:36:28.520
<v Speaker 3>Yeah?

0:36:30.120 --> 0:36:35.239
<v Speaker 2>Okay, So Lucy is becoming more and more vampirey. Then

0:36:35.440 --> 0:36:40.480
<v Speaker 2>Van Helsing starts to do some research on Dracula specifically,

0:36:40.719 --> 0:36:44.520
<v Speaker 2>and apparently his crimes are pretty well documented. It reminded

0:36:44.560 --> 0:36:47.839
<v Speaker 2>me of the vampire research scene in Twilight, Oh my God,

0:36:47.920 --> 0:36:49.000
<v Speaker 2>when she just googles.

0:36:49.520 --> 0:36:52.200
<v Speaker 3>She buys a book and then just googles everything and anyways,

0:36:52.280 --> 0:36:54.000
<v Speaker 3>which is I was like, man, I do that all

0:36:54.040 --> 0:36:56.080
<v Speaker 3>the time, Like I want to have the book, but

0:36:56.400 --> 0:36:58.080
<v Speaker 3>but I'm not going to open it read it.

0:36:58.520 --> 0:37:00.960
<v Speaker 4>One of our camp clues is if someone has to google,

0:37:01.560 --> 0:37:06.080
<v Speaker 4>you know, a freaky activity happening whenever someone googles what's

0:37:06.120 --> 0:37:10.680
<v Speaker 4>happening to me? Or strange powers or in Lindsay Lohan's case,

0:37:10.719 --> 0:37:13.800
<v Speaker 4>and I know who killed me, like twin stigmata.

0:37:15.440 --> 0:37:19.120
<v Speaker 3>Bonus points if they're on Bang exactly Jeeves.

0:37:20.920 --> 0:37:24.040
<v Speaker 2>Yeah. And so Van Helsing is basically doing the eighteen

0:37:24.120 --> 0:37:28.680
<v Speaker 2>hundreds version of a Google, and he's very excited because

0:37:28.680 --> 0:37:31.640
<v Speaker 2>I guess he's been pursuing Dracula his whole career and

0:37:31.960 --> 0:37:35.240
<v Speaker 2>this is his chance to finally hunt him down.

0:37:35.840 --> 0:37:39.759
<v Speaker 3>I think, Yeah, he flips out, he's so excited, and

0:37:39.800 --> 0:37:42.640
<v Speaker 3>then he's like he's I think Anthony Hopkins is so

0:37:42.800 --> 0:37:44.799
<v Speaker 3>funny and as he's like, whoo, we gotta cut her

0:37:44.840 --> 0:37:47.399
<v Speaker 3>head off, or like he's just like, can't read the room.

0:37:47.560 --> 0:37:48.360
<v Speaker 3>It's very funny.

0:37:48.920 --> 0:37:53.000
<v Speaker 2>On three separate occasions, he's like, yeah, no big deal,

0:37:53.080 --> 0:37:56.040
<v Speaker 2>I don't no, we don't need to give Lucy an autopsy.

0:37:56.120 --> 0:37:57.480
<v Speaker 2>We just need to chop her head off and drive

0:37:57.520 --> 0:37:59.440
<v Speaker 2>a stick through her heart. And then they do that

0:37:59.520 --> 0:38:02.839
<v Speaker 2>on screen, and then the he says it again later

0:38:03.160 --> 0:38:06.279
<v Speaker 2>you already did it, yeah, he tells. He's like, oh, yeah,

0:38:06.400 --> 0:38:09.040
<v Speaker 2>Mina your your best friend. Yeah, she was in a

0:38:09.080 --> 0:38:11.440
<v Speaker 2>great deal of pain and she and she's dead now,

0:38:12.080 --> 0:38:13.680
<v Speaker 2>but it's okay because we chopped off her head and

0:38:13.719 --> 0:38:15.920
<v Speaker 2>stabbed her in the heart, so no worries.

0:38:16.080 --> 0:38:21.080
<v Speaker 4>And she's like, it's such a tonal choice for this movie,

0:38:21.160 --> 0:38:25.880
<v Speaker 4>which is otherwise so gothic, romantic, serious, erotic. And then

0:38:25.920 --> 0:38:28.879
<v Speaker 4>you just got Anthony Hopkins like yeah, in a different movie.

0:38:28.960 --> 0:38:34.520
<v Speaker 3>Basically he's goofy clown. The book does like regularly mention

0:38:34.880 --> 0:38:38.040
<v Speaker 3>that Van Helsing is funny. Where like that whole thing,

0:38:38.080 --> 0:38:42.120
<v Speaker 3>where when was it Arth that can't Carrie elwa was Arthur?

0:38:43.080 --> 0:38:43.279
<v Speaker 4>Yes?

0:38:44.040 --> 0:38:46.160
<v Speaker 3>When he's like I'll give my blood, no big deal.

0:38:46.200 --> 0:38:49.360
<v Speaker 3>I'll give every last drop. And in the book they're like,

0:38:50.080 --> 0:38:53.000
<v Speaker 3>Van Helsing's so funny that he said, well, not every

0:38:53.080 --> 0:38:58.200
<v Speaker 3>last drop. He so, I don't know, bran Stucker thought

0:38:58.239 --> 0:39:01.279
<v Speaker 3>he was funny, didn't you go Mortensen play Van Helsing?

0:39:01.400 --> 0:39:03.120
<v Speaker 3>Or who plays Hugh Jackman?

0:39:03.400 --> 0:39:07.360
<v Speaker 4>Hugh Jackman. I need to watch that movie again. I'm really.

0:39:08.640 --> 0:39:10.359
<v Speaker 2>I haven't seen it since it came out in two

0:39:10.520 --> 0:39:11.439
<v Speaker 2>thousand and four.

0:39:12.280 --> 0:39:13.520
<v Speaker 3>And then sure aged great.

0:39:14.000 --> 0:39:15.400
<v Speaker 4>One thing I remember about that movie is that you

0:39:15.440 --> 0:39:18.880
<v Speaker 4>could see the boom mics. Oh my god, I remember.

0:39:19.040 --> 0:39:20.240
<v Speaker 4>I remember that from the cinema.

0:39:20.640 --> 0:39:24.600
<v Speaker 2>I love that. And then is Underworld a spinoff from that?

0:39:24.800 --> 0:39:27.960
<v Speaker 2>Or is Kate Beckinstill playing a different Vampire Hunter.

0:39:28.040 --> 0:39:31.520
<v Speaker 4>Character she's a vampire and Underworld and she's just not

0:39:32.160 --> 0:39:34.160
<v Speaker 4>a vampire Hunter and Van Helsing I think?

0:39:34.320 --> 0:39:37.160
<v Speaker 3>And then isn't I Frankenstein a spinoff of Underworld?

0:39:37.560 --> 0:39:39.000
<v Speaker 2>It's I don't know if it's a spinoff or if

0:39:39.040 --> 0:39:42.080
<v Speaker 2>it's just like made by the same guy. Okay, but

0:39:42.120 --> 0:39:47.120
<v Speaker 2>there's some connection, yeah, Okay, there's some connection, yes, of course. Okay,

0:39:47.280 --> 0:39:51.919
<v Speaker 2>So Dracula continues to seduce Mina. It seems like there's

0:39:52.320 --> 0:39:58.680
<v Speaker 2>some connection between her and Dracula's beloved Elisa Betta. Of course,

0:39:58.719 --> 0:40:00.759
<v Speaker 2>they're both played by when on a writer. I think

0:40:00.840 --> 0:40:04.840
<v Speaker 2>that Dracula thinks that Mina is like a reincarnation of

0:40:05.719 --> 0:40:06.440
<v Speaker 2>his wife.

0:40:06.520 --> 0:40:08.560
<v Speaker 3>I think the movie thinks that. The movie probably thinks

0:40:08.560 --> 0:40:10.440
<v Speaker 3>that too, Yeah, yeah, yeah, and this is all that

0:40:10.560 --> 0:40:13.640
<v Speaker 3>whole thing is added, like the Elizabetha thing, and the

0:40:13.920 --> 0:40:19.200
<v Speaker 3>like erotic relationship between those two is just like new yeah, yeah, yeah, lots.

0:40:19.000 --> 0:40:22.840
<v Speaker 2>To say there. Yeah, but Mina is like, oh shit,

0:40:22.960 --> 0:40:26.440
<v Speaker 2>I gotta go marry my fiance, but he must never

0:40:26.560 --> 0:40:31.520
<v Speaker 2>know about my new lover, Dracula aka Prince Vlad. And

0:40:31.680 --> 0:40:35.600
<v Speaker 2>so she writes a letter to Dracula breaking up with him,

0:40:35.840 --> 0:40:38.239
<v Speaker 2>and that feels like a very nineteenth century equivalent of

0:40:38.320 --> 0:40:39.520
<v Speaker 2>like breaking up over text.

0:40:40.320 --> 0:40:42.239
<v Speaker 3>She does, and then she goes and he yeah, he

0:40:42.360 --> 0:40:44.000
<v Speaker 3>has a meltdown. I'm like wow.

0:40:45.000 --> 0:40:49.200
<v Speaker 2>So Mina sets off to Romania to meet up with Jonathan.

0:40:50.200 --> 0:40:53.520
<v Speaker 2>She can't stop thinking about Dracula, though I would say

0:40:53.560 --> 0:40:59.520
<v Speaker 2>that he's penetrating her thoughts, and I get it they

0:40:59.560 --> 0:41:04.920
<v Speaker 2>have some of psychic connection. Dracula, meanwhile, is heartbroken and

0:41:05.239 --> 0:41:08.080
<v Speaker 2>crying his eyes out and looking even more like shit

0:41:08.200 --> 0:41:12.840
<v Speaker 2>he's got this like bat face situation happening. His tears

0:41:12.920 --> 0:41:17.520
<v Speaker 2>are blood. He is not having a good time. Mina

0:41:18.120 --> 0:41:22.680
<v Speaker 2>arrives at the convent and we see her in Jonathan's wedding.

0:41:22.800 --> 0:41:25.719
<v Speaker 2>Jonathan now has gray hair because he got all the

0:41:26.000 --> 0:41:27.359
<v Speaker 2>life force sucked out of him.

0:41:27.360 --> 0:41:31.399
<v Speaker 4>You gotta sucked too hard. That is some good head.

0:41:31.520 --> 0:41:38.560
<v Speaker 3>I can I can do that. Okay. Yeah, everyone's a

0:41:38.600 --> 0:41:40.480
<v Speaker 3>really good sport about the fact that he got sucked

0:41:40.520 --> 0:41:41.719
<v Speaker 3>up his great hair.

0:41:43.560 --> 0:41:43.759
<v Speaker 4>Yeah.

0:41:43.880 --> 0:41:47.360
<v Speaker 2>In that scene where Van Helsing is telling Mina that

0:41:47.520 --> 0:41:51.239
<v Speaker 2>her best friend has been brutally murdered by him, he's

0:41:51.280 --> 0:41:54.400
<v Speaker 2>also like in front of Mina. He says, hey, Jonathan,

0:41:54.800 --> 0:41:59.320
<v Speaker 2>you know all those women that you fornicated with, You

0:41:59.360 --> 0:42:06.680
<v Speaker 2>didn't drink their blood, did you? And Mina's just like what, Okay.

0:42:06.480 --> 0:42:08.440
<v Speaker 3>They just need to have a conversation about it because

0:42:08.840 --> 0:42:10.200
<v Speaker 3>Mina's love with Dracula.

0:42:10.400 --> 0:42:13.600
<v Speaker 2>Come on, I have communication that This is just a

0:42:13.680 --> 0:42:18.520
<v Speaker 2>story about two women with varying relationships to their own

0:42:18.560 --> 0:42:23.480
<v Speaker 2>sexuality and their own notions of love, navigating polyamory. That's

0:42:23.520 --> 0:42:28.920
<v Speaker 2>what this movie is about anyway. So we see the

0:42:29.000 --> 0:42:33.879
<v Speaker 2>wedding and that is intercut with Dracula who is back

0:42:33.920 --> 0:42:37.759
<v Speaker 2>to looking like Emperor Palpatine coming after Lucy again. He

0:42:38.000 --> 0:42:43.720
<v Speaker 2>turns into a wolfy vampire again and seemingly kills Lucy.

0:42:44.040 --> 0:42:47.040
<v Speaker 2>Everyone thinks she's dead. There's a whole funeral that's.

0:42:47.239 --> 0:42:51.560
<v Speaker 4>So good that those rivers of blood allen when he

0:42:51.719 --> 0:42:56.799
<v Speaker 4>bites it. She basically gets fountained in blood. It's so cool. Yeah,

0:42:57.000 --> 0:43:00.440
<v Speaker 4>and she's in like this gold le maay thing. Lucy

0:43:00.480 --> 0:43:02.920
<v Speaker 4>always has one tit out, yes, all.

0:43:03.040 --> 0:43:06.960
<v Speaker 3>The way, lots of gratuitous she's always convalescing in like

0:43:07.160 --> 0:43:09.000
<v Speaker 3>a silver gown.

0:43:09.239 --> 0:43:12.000
<v Speaker 4>One breast, just l.

0:43:14.239 --> 0:43:17.040
<v Speaker 2>Every man who comes into the room. She's like, kiss me.

0:43:20.800 --> 0:43:23.360
<v Speaker 2>She makes out with so many people, it's amazing.

0:43:24.400 --> 0:43:27.560
<v Speaker 4>Also, do you know about this wedding with Keanu and Winona.

0:43:27.640 --> 0:43:30.080
<v Speaker 4>So they wanted it to be authentic, so they took

0:43:30.120 --> 0:43:33.040
<v Speaker 4>them to a Greek Greek Orthodox church and filmed it

0:43:33.120 --> 0:43:36.360
<v Speaker 4>with a real Greek Orthodox minister. And then they realized

0:43:36.400 --> 0:43:38.480
<v Speaker 4>that actually they were potentially married.

0:43:39.080 --> 0:43:41.040
<v Speaker 3>And then did they do anything about daughter?

0:43:41.120 --> 0:43:42.879
<v Speaker 4>They think They were like, it's not legal, but maybe

0:43:42.920 --> 0:43:44.840
<v Speaker 4>in the eyes of God, we just got married.

0:43:46.640 --> 0:43:48.000
<v Speaker 3>Yeah, I'd be okay with it.

0:43:48.160 --> 0:43:48.920
<v Speaker 4>Yeah, that's cute.

0:43:49.280 --> 0:43:51.240
<v Speaker 2>That would have been a dream come true for Winona

0:43:51.280 --> 0:43:52.600
<v Speaker 2>because she loved Keanu.

0:43:52.440 --> 0:43:54.400
<v Speaker 4>So much, she apparently still texts them and writes some

0:43:54.480 --> 0:43:56.640
<v Speaker 4>letters saying dear husband, oh.

0:43:57.960 --> 0:43:58.560
<v Speaker 3>I love them.

0:43:59.120 --> 0:43:59.319
<v Speaker 4>Wow.

0:44:01.120 --> 0:44:05.240
<v Speaker 2>Okay, so we think Lucy is dead, but Van Helsing

0:44:05.320 --> 0:44:09.040
<v Speaker 2>isn't so sure, so he takes Lucy's three boyfriends, Arthur, Quincy,

0:44:09.040 --> 0:44:12.280
<v Speaker 2>and Jack to her grave site. Her coffin is empty,

0:44:12.920 --> 0:44:15.880
<v Speaker 2>and then Lucy shows up full vampire.

0:44:15.640 --> 0:44:20.960
<v Speaker 3>With an incredible outfit the look of the movie wowow wow,

0:44:21.560 --> 0:44:25.279
<v Speaker 3>and she looks like Queen Elizabeth ye, like it's incredible.

0:44:25.800 --> 0:44:29.120
<v Speaker 4>She also has a medala does vampire Yes.

0:44:30.000 --> 0:44:32.200
<v Speaker 3>Oh my gosh, it was just incredible.

0:44:32.400 --> 0:44:34.640
<v Speaker 2>And she also has a an accessory, which is a

0:44:34.800 --> 0:44:35.640
<v Speaker 2>small child.

0:44:35.520 --> 0:44:37.400
<v Speaker 4>That she's about to eat tasty tasty.

0:44:38.560 --> 0:44:41.800
<v Speaker 2>But they stop Lucy and kill her by driving a

0:44:41.880 --> 0:44:44.759
<v Speaker 2>steak through her heart and chopping her head off, but

0:44:44.880 --> 0:44:48.440
<v Speaker 2>not before Lucy pukes blood all over Van Helsing's face.

0:44:48.800 --> 0:44:53.360
<v Speaker 3>Fun fact, for some reason, speaking of Amidala chopping the

0:44:53.440 --> 0:44:57.480
<v Speaker 3>head off on screen was George Lucas's idea. I guess

0:44:57.520 --> 0:45:00.320
<v Speaker 3>originally they were like gonna cut away and you're like

0:45:00.360 --> 0:45:04.280
<v Speaker 3>a thud. But I guess George, because whatever those seventies

0:45:04.320 --> 0:45:06.400
<v Speaker 3>guys all knew each other, and he was like, no,

0:45:06.520 --> 0:45:09.759
<v Speaker 3>show the head politian vibes. He said, do it.

0:45:11.080 --> 0:45:13.560
<v Speaker 4>Apparently they kind of did twenty seven minutes of gore

0:45:13.640 --> 0:45:17.160
<v Speaker 4>from this movie. WHOA, Yeah, they thought it was too gory.

0:45:17.480 --> 0:45:18.759
<v Speaker 4>I love it. I'd love to see that.

0:45:18.880 --> 0:45:20.880
<v Speaker 3>I want to see what they cut. Yeah, because the

0:45:21.200 --> 0:45:23.080
<v Speaker 3>all of the this movie is like worth watching if

0:45:23.160 --> 0:45:26.040
<v Speaker 3>only for the practical effects. Because here's there's like a

0:45:26.160 --> 0:45:27.600
<v Speaker 3>single CGI.

0:45:27.239 --> 0:45:29.280
<v Speaker 4>Effect in the entire time, and it looks terrible.

0:45:29.400 --> 0:45:32.200
<v Speaker 3>It looks bad. It looks so bad. But even the

0:45:32.400 --> 0:45:36.439
<v Speaker 3>like freaky like smoke that has sex with Winona Ryder

0:45:36.560 --> 0:45:37.440
<v Speaker 3>was a practical effect.

0:45:37.600 --> 0:45:37.759
<v Speaker 4>Whoa.

0:45:37.960 --> 0:45:39.480
<v Speaker 3>It was like, it's like an in camera trick.

0:45:39.680 --> 0:45:42.520
<v Speaker 2>Okay, well yeah, because Coppola was like, I don't want

0:45:42.560 --> 0:45:45.200
<v Speaker 2>any CGI. I don't want any kind of modern tech.

0:45:45.280 --> 0:45:48.279
<v Speaker 2>I want all like old Hollywood stuff. And he had

0:45:48.320 --> 0:45:50.200
<v Speaker 2>to like fire a bunch of people who were like, no,

0:45:50.320 --> 0:45:52.480
<v Speaker 2>it can't be done. And then he hired his son.

0:45:52.560 --> 0:45:56.760
<v Speaker 4>Who was a magician, to do all the practical effects.

0:45:56.880 --> 0:46:02.120
<v Speaker 3>That's good, but doesn't if you have a magician son

0:46:02.320 --> 0:46:03.400
<v Speaker 3>lying around.

0:46:03.560 --> 0:46:06.319
<v Speaker 4>He's literally good for nothing else. This is.

0:46:09.320 --> 0:46:15.480
<v Speaker 3>It's his big moment. Look look, you know there's criticisms

0:46:15.480 --> 0:46:17.600
<v Speaker 3>of nepotism. That's not one of them for me.

0:46:18.000 --> 0:46:22.240
<v Speaker 2>Yeah, yeah, okay. So meanwhile, Jonathan and Mina have returned

0:46:22.280 --> 0:46:28.080
<v Speaker 2>to London. Jonathan sees Dracula and recognizes him. Then the

0:46:28.200 --> 0:46:31.880
<v Speaker 2>married couple have dinner with Van Helsing. This is that

0:46:32.160 --> 0:46:35.480
<v Speaker 2>very funny conversation where Van Helsing is just very nonchalantly

0:46:35.600 --> 0:46:37.840
<v Speaker 2>being like, yeah, I murdered your best friend soul. What

0:46:39.360 --> 0:46:40.840
<v Speaker 2>And then he's like, Okay, we have to form a

0:46:40.880 --> 0:46:44.400
<v Speaker 2>plan to hunt down and kill Dracula. So they hide

0:46:44.560 --> 0:46:50.279
<v Speaker 2>Mina away in doctor Jack's office and the men all

0:46:50.520 --> 0:46:54.279
<v Speaker 2>go to Dracula's estate to destroy it and try to

0:46:54.400 --> 0:46:59.080
<v Speaker 2>kill Dracula, who is taking on many forms at this point.

0:46:59.200 --> 0:47:04.520
<v Speaker 2>He's a human sized bat, he's green, missed. He turns

0:47:04.560 --> 0:47:06.640
<v Speaker 2>into a pile of rats at one point.

0:47:07.040 --> 0:47:08.720
<v Speaker 4>What a great way to get out of a party.

0:47:10.680 --> 0:47:12.879
<v Speaker 4>Imagine you're just having a conversation that you don't want

0:47:12.920 --> 0:47:15.320
<v Speaker 4>to be in pile of rats.

0:47:15.880 --> 0:47:17.319
<v Speaker 3>That is a good trick. That is a good thing

0:47:17.400 --> 0:47:18.720
<v Speaker 3>to have in your back pocket.

0:47:19.239 --> 0:47:20.680
<v Speaker 2>I would do that on bad dates.

0:47:20.880 --> 0:47:23.680
<v Speaker 3>Yeah, oh my god, that would be so great. Yeah wow,

0:47:23.719 --> 0:47:25.400
<v Speaker 3>I mean it sucks for the restaurant.

0:47:27.440 --> 0:47:29.480
<v Speaker 2>But yeah, that becomes a rat TOTUOI situation.

0:47:29.600 --> 0:47:32.240
<v Speaker 3>Oh my god, I hope that the rats are passionate

0:47:32.280 --> 0:47:35.920
<v Speaker 3>about cooking. If you flooded into a bunch of remis,

0:47:38.239 --> 0:47:38.920
<v Speaker 3>Oh goodness.

0:47:38.960 --> 0:47:43.760
<v Speaker 2>Okay, So Dracula goes to Mina, who is very writhing

0:47:44.080 --> 0:47:47.440
<v Speaker 2>and horny, and he's like, by the way, I am

0:47:47.480 --> 0:47:51.640
<v Speaker 2>a soulless, undead monster. And she's kind of upset at first,

0:47:51.680 --> 0:47:53.839
<v Speaker 2>but then she's like, I don't care. I don't care

0:47:53.920 --> 0:47:56.680
<v Speaker 2>that you killed my best friend. I love you always,

0:47:57.560 --> 0:48:01.759
<v Speaker 2>and then he bites her. She drinks his blood so

0:48:01.880 --> 0:48:05.279
<v Speaker 2>that she'll become a vampire and be able to be

0:48:05.400 --> 0:48:08.560
<v Speaker 2>with him for all of eternity. But just then all

0:48:08.600 --> 0:48:12.000
<v Speaker 2>the men come in and Dracula escapes, and in order

0:48:12.120 --> 0:48:15.160
<v Speaker 2>to save Mina, they must destroy Dracula once and for all.

0:48:15.880 --> 0:48:20.279
<v Speaker 2>So Van Helsing hypnotizes Mina to figure out where Dracula is,

0:48:20.400 --> 0:48:23.759
<v Speaker 2>like he's using their psychic connection. They figure out he's

0:48:23.840 --> 0:48:27.240
<v Speaker 2>going back to Romania so he can grow strong again

0:48:27.480 --> 0:48:30.040
<v Speaker 2>in his homeland and like, I don't know, writhe around

0:48:30.160 --> 0:48:32.080
<v Speaker 2>in his dirt and get his powers back.

0:48:32.560 --> 0:48:35.480
<v Speaker 3>Wow, Dragon, I.

0:48:35.600 --> 0:48:38.560
<v Speaker 4>Love the shots of him in his coffin in his

0:48:38.760 --> 0:48:42.960
<v Speaker 4>gold le mat dress. But he's he's just like kind

0:48:43.000 --> 0:48:45.320
<v Speaker 4>of stuck and he knows maybe something's going wrong. But

0:48:45.920 --> 0:48:47.759
<v Speaker 4>just see his little face kind of cocooned.

0:48:48.080 --> 0:48:51.520
<v Speaker 3>He even sleeps dramatic. It's just I just love it.

0:48:53.160 --> 0:48:57.560
<v Speaker 2>So our friends take a train, hoping to beat Dracula

0:48:57.680 --> 0:49:01.239
<v Speaker 2>to Romania, who is traveling by boat, so it's like

0:49:01.400 --> 0:49:05.560
<v Speaker 2>a race to the castle. They bring Mina along, who

0:49:06.239 --> 0:49:08.960
<v Speaker 2>it's not feeling great, what with all the turning into

0:49:09.320 --> 0:49:14.200
<v Speaker 2>a vampire. She and Van Helsing separate from the others.

0:49:14.960 --> 0:49:17.720
<v Speaker 2>You know, she's turning into a vampire. She kisses Van Helsing.

0:49:17.920 --> 0:49:20.360
<v Speaker 2>She tries to kill him a little bit, as do

0:49:21.680 --> 0:49:25.880
<v Speaker 2>the other lady vampires, the ones who reside in Dracula's castle.

0:49:25.960 --> 0:49:29.440
<v Speaker 2>They've come out for a little snack, but Van Helsing

0:49:29.600 --> 0:49:33.279
<v Speaker 2>chops their heads off, not Mina's. She's still alive. Then

0:49:33.280 --> 0:49:36.000
<v Speaker 2>there's a big chase with everyone racing to the castle.

0:49:36.480 --> 0:49:41.640
<v Speaker 2>There's a big battle at the castle. Jonathan, Van Helsing, Arthur, Quincy,

0:49:41.680 --> 0:49:46.640
<v Speaker 2>and Jack are fighting Dracula and his servants. They stab

0:49:46.920 --> 0:49:50.280
<v Speaker 2>Dracula in the heart, so he's like kind of dying,

0:49:51.200 --> 0:49:55.440
<v Speaker 2>but Mina points a gun at her husband, being like, well,

0:49:55.440 --> 0:49:57.640
<v Speaker 2>when my time comes, will you do the same to me?

0:49:58.239 --> 0:50:04.160
<v Speaker 3>And they're like no, oh, and then they only kill sluts,

0:50:06.000 --> 0:50:09.120
<v Speaker 3>you are virtuous, and then wait till you But what

0:50:09.239 --> 0:50:12.040
<v Speaker 3>if she wasn't okay? So they leave her there.

0:50:12.520 --> 0:50:18.160
<v Speaker 2>Mina stays behind with Dracula, and her love fixes him

0:50:18.239 --> 0:50:21.520
<v Speaker 2>or something she does ultimately fix him. She lands the

0:50:21.840 --> 0:50:25.560
<v Speaker 2>final killing blow by, you know, driving the sword through

0:50:25.600 --> 0:50:29.879
<v Speaker 2>his heart and chopping off his head between confessions of love,

0:50:30.320 --> 0:50:33.680
<v Speaker 2>little kisses that she's giving him, tears that she's crying,

0:50:33.920 --> 0:50:37.800
<v Speaker 2>so it's not necessarily like a triumphant ending. She's like, no,

0:50:38.120 --> 0:50:41.520
<v Speaker 2>my other boyfriend, I have to kill him the end.

0:50:43.440 --> 0:50:46.960
<v Speaker 2>So let's take another quick break and we'll come back

0:50:47.040 --> 0:50:58.319
<v Speaker 2>to discuss, and we're back.

0:50:59.320 --> 0:51:01.640
<v Speaker 3>I just wanted to say I forgot to mention in

0:51:01.760 --> 0:51:06.000
<v Speaker 3>my history of this movie that I watched this movie

0:51:06.080 --> 0:51:09.560
<v Speaker 3>on Pluto TV. Oh, same, did you also see the

0:51:09.680 --> 0:51:13.400
<v Speaker 3>same del Taco ad? Four thousand times?

0:51:13.600 --> 0:51:13.640
<v Speaker 4>No?

0:51:13.800 --> 0:51:16.160
<v Speaker 3>What commercial did you see? Four thousand times?

0:51:16.320 --> 0:51:16.480
<v Speaker 4>Oh?

0:51:16.880 --> 0:51:20.520
<v Speaker 2>I absolutely disassociate when I watch commercials, so I don't remember.

0:51:20.560 --> 0:51:24.360
<v Speaker 3>It's really hard. I will forever associate this movie with

0:51:24.880 --> 0:51:28.360
<v Speaker 3>a Deltaco commercial. I was really kind of taken it

0:51:28.480 --> 0:51:32.239
<v Speaker 3>back by how many times I saw it, because I mean,

0:51:32.280 --> 0:51:35.919
<v Speaker 3>Pluto TV is the poor man's TV. They're both free,

0:51:36.040 --> 0:51:39.319
<v Speaker 3>but to b is reasonable sure Pluto TV. It was ever,

0:51:39.800 --> 0:51:43.520
<v Speaker 3>the runtime of this movie extended by forty five minutes

0:51:44.000 --> 0:51:46.680
<v Speaker 3>with the number of delta and it was the same

0:51:46.920 --> 0:51:51.160
<v Speaker 3>Del Taco ad every time. Oh I'm sorry it no,

0:51:51.480 --> 0:51:55.759
<v Speaker 3>it helped it. It had elevated the experience. It's so

0:51:56.560 --> 0:52:00.800
<v Speaker 3>like these it's getting shameless because it least, you know,

0:52:01.000 --> 0:52:03.840
<v Speaker 3>like when because we're now paying whatever. Now I'm like

0:52:03.880 --> 0:52:06.680
<v Speaker 3>being a boomer, but we used to like pay for cable,

0:52:07.000 --> 0:52:10.080
<v Speaker 3>and by we I mean our parents. At least you

0:52:10.200 --> 0:52:12.560
<v Speaker 3>get a variety of commercials. But now it's like you're

0:52:12.640 --> 0:52:18.000
<v Speaker 3>paying to watch the same Del Taco ad four thousand times.

0:52:18.120 --> 0:52:20.759
<v Speaker 3>And so anytime, yeah, I'm just every time I see

0:52:21.120 --> 0:52:26.440
<v Speaker 3>this poster, I'll be like dell, Yeah, yeah, of course.

0:52:27.160 --> 0:52:32.120
<v Speaker 2>In any case, should we start with maybe some adaptation changes.

0:52:32.239 --> 0:52:35.560
<v Speaker 2>We've hinted at a few of them. Yeah, I have

0:52:35.760 --> 0:52:38.759
<v Speaker 2>not read the book, but once again, I've read the

0:52:38.920 --> 0:52:43.240
<v Speaker 2>Wikipedia synopsis of the book, so basically I know everything

0:52:43.320 --> 0:52:47.640
<v Speaker 2>there is to know. Jamie. Feel free to jump in

0:52:48.040 --> 0:52:50.800
<v Speaker 2>or fill in any gaps. But what I've gathered is

0:52:50.920 --> 0:52:53.640
<v Speaker 2>that it's a pretty faithful adaptation as far as major

0:52:53.719 --> 0:52:57.080
<v Speaker 2>story events. But there is a pretty major change in

0:52:57.200 --> 0:53:00.480
<v Speaker 2>the sense that in the movie there is a love

0:53:00.520 --> 0:53:04.360
<v Speaker 2>story between Dracula and Mina. They fall in love with

0:53:04.640 --> 0:53:08.719
<v Speaker 2>each other, and that is completely added. That's not in

0:53:08.840 --> 0:53:09.160
<v Speaker 2>the book.

0:53:09.560 --> 0:53:17.320
<v Speaker 3>Yeah, the whole like traveling, time travel, reincarnation story is added.

0:53:17.440 --> 0:53:20.719
<v Speaker 3>And the weirdly this like it feels wild to say,

0:53:20.760 --> 0:53:25.040
<v Speaker 3>but the movie is less queer than the book, which

0:53:25.239 --> 0:53:29.520
<v Speaker 3>is something that I found, Like, there there is an essay,

0:53:29.640 --> 0:53:33.200
<v Speaker 3>Oh my gosh, it's on my telephone. Uh, there there's

0:53:33.200 --> 0:53:38.080
<v Speaker 3>an essay. I read to that and a wild desire

0:53:38.160 --> 0:53:42.880
<v Speaker 3>took me. The Homoerotic History of Dracula Byalia Schaefer. That

0:53:43.200 --> 0:53:47.680
<v Speaker 3>sort of traces how like Bromstoker is it Brom? Is

0:53:47.719 --> 0:53:53.080
<v Speaker 3>it Bram? Is it Brom? He's dead? Bromstoker was very

0:53:53.440 --> 0:53:57.360
<v Speaker 3>likely a closeted queer man. That is like what it

0:53:57.480 --> 0:54:02.640
<v Speaker 3>is heavily speculated he was married. He was, but the marriage,

0:54:02.760 --> 0:54:04.759
<v Speaker 3>like people argued, the marriage may not have even ever

0:54:04.840 --> 0:54:05.719
<v Speaker 3>been consummated.

0:54:06.040 --> 0:54:09.279
<v Speaker 4>I imagine one hundred and fifty years later, people are

0:54:09.360 --> 0:54:10.520
<v Speaker 4>like sexless marriage.

0:54:10.840 --> 0:54:15.920
<v Speaker 3>Yeah, exactly, you can't. And like, I mean, his best

0:54:15.960 --> 0:54:21.560
<v Speaker 3>friend was Oscar Wilde diedis died of syphilis. Wrote he

0:54:21.680 --> 0:54:23.600
<v Speaker 3>was a big Walt Whitman fan, and he would kind

0:54:23.600 --> 0:54:27.360
<v Speaker 3>of write Walt Whitman these like arguably love letters. It

0:54:27.480 --> 0:54:30.960
<v Speaker 3>is very likely that he was gay, and this was

0:54:31.480 --> 0:54:34.799
<v Speaker 3>maybe known in his community, but he wasn't obviously out.

0:54:35.440 --> 0:54:39.440
<v Speaker 3>But he started writing Dracula a month after Oscar Wilde

0:54:39.840 --> 0:54:42.880
<v Speaker 3>went to It was like, I kind of forgot about this,

0:54:43.080 --> 0:54:47.319
<v Speaker 3>but Oscar Wilde was punished by the government for being gay.

0:54:47.360 --> 0:54:49.560
<v Speaker 3>He was like, you know, subjected to do it hard labor.

0:54:49.920 --> 0:54:52.759
<v Speaker 3>And then Bromstoker starts writing Dracula a month after that.

0:54:53.600 --> 0:54:57.759
<v Speaker 3>There are lines in the book that are cut from

0:54:57.800 --> 0:55:00.640
<v Speaker 3>the movie, I think the most glaring, which I didn't

0:55:00.640 --> 0:55:03.359
<v Speaker 3>even honestly notice until I read this essay. And then

0:55:03.719 --> 0:55:06.640
<v Speaker 3>once you see it, you're like, oh, duh, you don't

0:55:06.800 --> 0:55:14.080
<v Speaker 3>see Gary Oldman Dracula sucking men. Uh, it's they change,

0:55:14.120 --> 0:55:17.320
<v Speaker 3>which is very much a feature of the book. You

0:55:17.560 --> 0:55:23.400
<v Speaker 3>only see heterosucking in the Coppola movie, and there's actually

0:55:23.400 --> 0:55:26.359
<v Speaker 3>a lot of hetero sucking at it. Like in the book.

0:55:26.520 --> 0:55:30.360
<v Speaker 3>They're they're not like feasting on Keanu and you know,

0:55:30.440 --> 0:55:34.239
<v Speaker 3>sucking him dry all day long. It's he's a prisoner. Yeah, Like,

0:55:34.320 --> 0:55:37.200
<v Speaker 3>there's a lot of hetero elements added for this movie

0:55:37.640 --> 0:55:40.320
<v Speaker 3>that is still very queer campy, but like it's interesting

0:55:40.360 --> 0:55:42.480
<v Speaker 3>that in the book there's more. The line that is

0:55:42.719 --> 0:55:48.440
<v Speaker 3>changed that Talia Schaeffer points out is when the vampire

0:55:48.560 --> 0:55:51.720
<v Speaker 3>gals are like around Jonathan and they're like, we're gonna,

0:55:51.880 --> 0:55:54.279
<v Speaker 3>you know, suck you off. They don't get to do

0:55:54.400 --> 0:55:57.680
<v Speaker 3>it in the book because Dracula person and says, how

0:55:57.760 --> 0:55:59.400
<v Speaker 3>dare you touch him? Any of you? How dare you

0:55:59.520 --> 0:56:01.960
<v Speaker 3>cast eyes on him? When I have forbidden it? Back,

0:56:02.040 --> 0:56:04.720
<v Speaker 3>I tell you all, this man belongs to me. Francis

0:56:04.760 --> 0:56:07.480
<v Speaker 3>for Copola cuts out this man belongs to me That

0:56:07.600 --> 0:56:11.000
<v Speaker 3>is not said in the movie. There's just these moments

0:56:11.080 --> 0:56:13.080
<v Speaker 3>that in the book, like in the context of who

0:56:13.120 --> 0:56:16.640
<v Speaker 3>Bromstoker was when he wrote it, feel intentional that are

0:56:16.760 --> 0:56:19.760
<v Speaker 3>taken out in the nineties. And then yeah, all the others,

0:56:20.920 --> 0:56:24.440
<v Speaker 3>all the lucy stuff, which is like another hetero element

0:56:24.560 --> 0:56:26.760
<v Speaker 3>to like make Dracula a straighter character.

0:56:26.920 --> 0:56:30.920
<v Speaker 2>Arculate, right, right, So also I saw that in the

0:56:31.280 --> 0:56:36.880
<v Speaker 2>book the Lucy character is more like prim and proper

0:56:36.960 --> 0:56:38.920
<v Speaker 2>and not so horny.

0:56:39.480 --> 0:56:42.360
<v Speaker 3>Yeah, I honestly do prefer Copola Lucy.

0:56:42.440 --> 0:56:42.560
<v Speaker 1>Oh.

0:56:42.760 --> 0:56:43.000
<v Speaker 3>Same.

0:56:43.160 --> 0:56:46.759
<v Speaker 2>Yeah, I have lots to say about this rendition of

0:56:46.800 --> 0:56:47.400
<v Speaker 2>the character.

0:56:47.280 --> 0:56:49.799
<v Speaker 4>But she's problematic as hell. But god, I'm so glad

0:56:49.840 --> 0:56:50.320
<v Speaker 4>she was.

0:56:50.520 --> 0:56:52.719
<v Speaker 3>She went out having fun, she went on top, she

0:56:52.800 --> 0:56:55.560
<v Speaker 3>had three boyfriends at the time of death. That's great.

0:56:55.880 --> 0:57:01.040
<v Speaker 2>Yeah, seriously. So those are the main adaptation changes as

0:57:01.120 --> 0:57:05.080
<v Speaker 2>far as I could tell, which led me to a

0:57:05.160 --> 0:57:06.600
<v Speaker 2>lot of the questions I had.

0:57:06.680 --> 0:57:08.400
<v Speaker 3>Oh yeah, Oh. The only other thing is like, this

0:57:08.520 --> 0:57:11.239
<v Speaker 3>is the only adaptation that I mean, there's seven hundred.

0:57:11.239 --> 0:57:14.200
<v Speaker 3>It's probably not the only, but the only popular adaptation

0:57:14.400 --> 0:57:17.560
<v Speaker 3>of Dracula that actually makes an effort to like put

0:57:17.640 --> 0:57:20.440
<v Speaker 3>it in a place in history, because I like, all

0:57:20.520 --> 0:57:24.160
<v Speaker 3>monster stories are about the other. But the story of

0:57:24.240 --> 0:57:26.800
<v Speaker 3>Dracula is about like, or one of the facets of

0:57:26.840 --> 0:57:31.200
<v Speaker 3>the story is like anxiety around Eastern Europeans migrating west,

0:57:31.320 --> 0:57:35.880
<v Speaker 3>and like Dracula is the embodiment of this xenophobia, and

0:57:35.960 --> 0:57:37.200
<v Speaker 3>this anxiety.

0:57:36.840 --> 0:57:40.800
<v Speaker 4>Potentially antisemitic as well. Right, Yeah, but I've also seen

0:57:40.840 --> 0:57:46.240
<v Speaker 4>that it he could represent like an anti feudalism sort

0:57:46.280 --> 0:57:47.920
<v Speaker 4>of perspective as well, and like the rise of the

0:57:48.000 --> 0:57:52.880
<v Speaker 4>bourgeoisie and you know, the rise of capitalism and meritocracy

0:57:52.960 --> 0:57:56.840
<v Speaker 4>as it were, against this kind of archaic form of government.

0:57:57.400 --> 0:57:59.440
<v Speaker 3>That makes that makes especially in the context of like

0:58:00.040 --> 0:58:04.440
<v Speaker 3>characters like if Mina and Jonathan are representing England, especially

0:58:04.560 --> 0:58:07.760
<v Speaker 3>Jonathan because he's like so prim and proper that it

0:58:08.320 --> 0:58:12.400
<v Speaker 3>leads to his ruin Ye and oh that's interesting.

0:58:12.520 --> 0:58:15.160
<v Speaker 4>Yeah, vampires can be anything you want. In the debate,

0:58:15.240 --> 0:58:18.080
<v Speaker 4>there's such a great standards, so fun versatile.

0:58:18.280 --> 0:58:22.520
<v Speaker 3>There's a thesis paper about every aspect of Dracula.

0:58:22.720 --> 0:58:28.280
<v Speaker 2>Yeah, okay, So these adaptation changes, particularly revolving around the

0:58:28.640 --> 0:58:33.360
<v Speaker 2>love story that's added in between Dracula and Mina. I

0:58:33.480 --> 0:58:37.640
<v Speaker 2>did not realize that until doing research for this episode,

0:58:37.920 --> 0:58:41.000
<v Speaker 2>that that was a component that is not in the

0:58:41.080 --> 0:58:42.920
<v Speaker 2>book and is added in for the movie. So I

0:58:43.040 --> 0:58:45.120
<v Speaker 2>was like, because as I was watching this, I was like,

0:58:46.320 --> 0:58:50.040
<v Speaker 2>what is like, is there a vampire spell that he's

0:58:50.200 --> 0:58:53.880
<v Speaker 2>casting on her? Like what what sort of like powers

0:58:54.000 --> 0:58:57.560
<v Speaker 2>and mind control, like seduction powers, et cetera. Does he

0:58:57.720 --> 0:59:01.520
<v Speaker 2>have slash that he's able to who use to sort

0:59:01.560 --> 0:59:06.440
<v Speaker 2>of exert power over both Lucy and especially Mina, And

0:59:07.120 --> 0:59:09.200
<v Speaker 2>is that more clear in the book, do we get

0:59:09.280 --> 0:59:12.840
<v Speaker 2>more kind of like world building and backstory about what

0:59:13.000 --> 0:59:17.440
<v Speaker 2>his powers are and how he's able to get Mina

0:59:17.560 --> 0:59:20.160
<v Speaker 2>to fall in love with him. Turns out that's not

0:59:20.320 --> 0:59:22.480
<v Speaker 2>in the book at all. So this is just a

0:59:22.560 --> 0:59:26.360
<v Speaker 2>thing in the movie where I'm like, Okay, now, is

0:59:26.440 --> 0:59:30.560
<v Speaker 2>it that he is using these like mind control powers

0:59:31.320 --> 0:59:33.400
<v Speaker 2>on her? Is it that she is a strong willed

0:59:33.440 --> 0:59:36.680
<v Speaker 2>person but like no one is a match for the

0:59:36.920 --> 0:59:40.800
<v Speaker 2>likes of Dracula, Or is it that, like, Mina is

0:59:40.880 --> 0:59:44.240
<v Speaker 2>a woman and this is a movie made by men,

0:59:44.680 --> 0:59:48.160
<v Speaker 2>and therefore they think that she's like mentally and emotionally

0:59:48.280 --> 0:59:53.880
<v Speaker 2>weak and fragile and susceptible to kind of maybe vampire

0:59:54.040 --> 0:59:56.720
<v Speaker 2>powers or maybe just like, oh, a man is paying

0:59:56.760 --> 0:59:57.480
<v Speaker 2>attention to me.

0:59:57.800 --> 1:00:01.720
<v Speaker 4>I read it as she is the reincarnation, and as

1:00:01.800 --> 1:00:07.240
<v Speaker 4>she accesses that, she's accessing a past love. But I

1:00:07.320 --> 1:00:10.360
<v Speaker 4>don't think the movie does a great job of showing

1:00:10.520 --> 1:00:14.920
<v Speaker 4>or telling that. And so the first time I watched it,

1:00:14.960 --> 1:00:18.919
<v Speaker 4>I was like, wait, she loves them? When did that happen? Yeah?

1:00:19.320 --> 1:00:21.360
<v Speaker 3>Yeah, it does happened so quickly.

1:00:22.400 --> 1:00:24.080
<v Speaker 4>There's a few moments I got in this movie where

1:00:24.240 --> 1:00:26.480
<v Speaker 4>And I never say this, but like, I kind of

1:00:26.520 --> 1:00:28.560
<v Speaker 4>wish this movie told a bit more and showed a

1:00:28.600 --> 1:00:32.120
<v Speaker 4>bit less Like it there's a few times where it's like, wait,

1:00:32.200 --> 1:00:35.520
<v Speaker 4>what and who and how did that is? What's supposed

1:00:35.560 --> 1:00:37.320
<v Speaker 4>what am I supposed to be getting from this bit?

1:00:38.640 --> 1:00:41.280
<v Speaker 4>But I think that the movie thinks that there are

1:00:41.600 --> 1:00:45.280
<v Speaker 4>lovers across time that are finally reunited and that's what

1:00:45.520 --> 1:00:49.480
<v Speaker 4>he ignites in her, rather than it being a manipulation.

1:00:49.720 --> 1:00:54.240
<v Speaker 2>Which is also the plot of the Haunted Mansion starring anyway, with.

1:00:54.320 --> 1:01:01.680
<v Speaker 3>Another with another character named I think Elizabeth. I also weirdly, yeah,

1:01:01.720 --> 1:01:05.320
<v Speaker 3>I guess my. I feel like that that layering to

1:01:05.440 --> 1:01:11.120
<v Speaker 3>me felt like misguided. Like I want to believe it

1:01:11.320 --> 1:01:14.520
<v Speaker 3>was well intentioned, because I think, like, if I'm putting

1:01:14.560 --> 1:01:17.840
<v Speaker 3>on like nineteen ninety two brain, it's like they're expanding

1:01:17.920 --> 1:01:21.320
<v Speaker 3>the character of Mina but to give her another love interest.

1:01:21.400 --> 1:01:23.760
<v Speaker 3>But I think you can also see or I'm kind

1:01:23.800 --> 1:01:27.440
<v Speaker 3>of going off of like Wenoda Rider's take on it,

1:01:27.600 --> 1:01:31.280
<v Speaker 3>which is that like the expansion of the story is

1:01:31.440 --> 1:01:36.120
<v Speaker 3>intended to emphasize her repression and it's like through accessing

1:01:36.280 --> 1:01:41.320
<v Speaker 3>this past love with Dracula that she is able to

1:01:41.640 --> 1:01:48.000
<v Speaker 3>actually experience lust and sex, and it's almost like it

1:01:48.080 --> 1:01:50.120
<v Speaker 3>reminds me of We talked about this in the Twilight video,

1:01:50.560 --> 1:01:54.800
<v Speaker 3>citing the Natalie Wynn video about like the ravishment fantasy

1:01:55.720 --> 1:02:00.439
<v Speaker 3>and like she's able to be her horniest self through

1:02:01.040 --> 1:02:05.200
<v Speaker 3>this like mystical connection with this past love. I don't

1:02:05.320 --> 1:02:06.880
<v Speaker 3>like how it's written, and I do feel like it

1:02:07.040 --> 1:02:10.000
<v Speaker 3>ultimately kind of like is like how can we make

1:02:10.080 --> 1:02:14.000
<v Speaker 3>Dracula like straighter? Or like there are other ways to

1:02:14.080 --> 1:02:17.000
<v Speaker 3>do this, but I might get My read of it

1:02:17.200 --> 1:02:20.240
<v Speaker 3>was that it was intended to because her relationship with

1:02:20.360 --> 1:02:23.360
<v Speaker 3>Jonathan is like very sterile, Like.

1:02:24.040 --> 1:02:26.360
<v Speaker 2>She's like, we've kissed, but nothing else.

1:02:26.560 --> 1:02:28.439
<v Speaker 3>I did appreciate that they made out at the altar.

1:02:28.520 --> 1:02:30.600
<v Speaker 3>I was like, that's a move. That's a move. I

1:02:30.640 --> 1:02:31.120
<v Speaker 3>want to do that.

1:02:31.280 --> 1:02:34.200
<v Speaker 2>But she's just an act. She's like basically pretending that

1:02:34.560 --> 1:02:38.000
<v Speaker 2>her Jonathan is Dracula exactly.

1:02:38.240 --> 1:02:38.400
<v Speaker 1>Yeah.

1:02:38.440 --> 1:02:40.880
<v Speaker 3>I think that it was an attempt written and directed

1:02:40.920 --> 1:02:45.920
<v Speaker 3>by men to emphasize how repressed she was.

1:02:47.040 --> 1:02:50.400
<v Speaker 4>Yeah, it's a nineties attempt to give this character a

1:02:50.480 --> 1:02:52.720
<v Speaker 4>bit more. But because it's in the nineties and it's

1:02:52.760 --> 1:02:54.920
<v Speaker 4>in this cocktail of like erotic thrillers. Like the way

1:02:55.000 --> 1:02:58.200
<v Speaker 4>we give her more is by making her horny, right,

1:02:58.880 --> 1:03:00.680
<v Speaker 4>I think there is something in interesting in that, And

1:03:00.760 --> 1:03:03.400
<v Speaker 4>I think the idea is about yeah, like repression and

1:03:04.000 --> 1:03:06.360
<v Speaker 4>how hardy can you be before you have to have

1:03:06.480 --> 1:03:07.840
<v Speaker 4>your head cut off? Like I think that's kind of

1:03:08.280 --> 1:03:12.080
<v Speaker 4>a fun a fun thing. But there's almost something more

1:03:12.160 --> 1:03:14.880
<v Speaker 4>feminist in the original text, which is just like men

1:03:14.920 --> 1:03:16.560
<v Speaker 4>as a girl who gets shit done, and she's a

1:03:16.600 --> 1:03:20.040
<v Speaker 4>scientist and she kills Dracula, and like she doesn't need

1:03:20.080 --> 1:03:22.040
<v Speaker 4>to have a romance with every man she meets.

1:03:22.440 --> 1:03:24.840
<v Speaker 3>Yeah, that was like I do. I prefer the book

1:03:24.960 --> 1:03:27.680
<v Speaker 3>for that reason. Also, she has a job, she's like

1:03:27.840 --> 1:03:30.480
<v Speaker 3>they mention it in the movie, but it never really

1:03:30.520 --> 1:03:33.720
<v Speaker 3>comes up. But she teaches a school. Yeah, she's really smart.

1:03:33.800 --> 1:03:36.480
<v Speaker 3>She she's a very active like I think she's she's

1:03:36.560 --> 1:03:40.120
<v Speaker 3>kind of the protagonist of You could argue, I mean,

1:03:40.160 --> 1:03:42.440
<v Speaker 3>she's certainly a more active character than any of the

1:03:42.680 --> 1:03:45.080
<v Speaker 3>men trying to kill. You can argue that like her

1:03:45.120 --> 1:03:48.720
<v Speaker 3>and Van Helsing are like pretty equally active and powerful

1:03:48.880 --> 1:03:51.400
<v Speaker 3>when it comes to taking Dracula down. And in the

1:03:51.480 --> 1:03:54.240
<v Speaker 3>book it's not because she's like secretly in love with

1:03:54.320 --> 1:03:57.720
<v Speaker 3>him at a soul level. It's because she needs to

1:03:57.880 --> 1:03:58.680
<v Speaker 3>kill Dracula.

1:03:59.160 --> 1:03:59.960
<v Speaker 2>It needs to be done.

1:04:00.240 --> 1:04:02.760
<v Speaker 4>Maybe there would have been a way to explore her

1:04:02.880 --> 1:04:05.800
<v Speaker 4>being repressed and horny without it needing for her to

1:04:05.920 --> 1:04:09.520
<v Speaker 4>also have like true love with Dracula. Yeah, do you

1:04:09.640 --> 1:04:11.880
<v Speaker 4>know what I mean? Yeah, because that obviously is a

1:04:11.960 --> 1:04:14.840
<v Speaker 4>thing that existed at that time, and women, you know,

1:04:14.920 --> 1:04:17.760
<v Speaker 4>weren't allowed the access to their sexuality that they are now.

1:04:17.960 --> 1:04:20.520
<v Speaker 4>So that's a cool thing to kind of explore.

1:04:21.280 --> 1:04:24.360
<v Speaker 2>But I don't want to know what francis for a

1:04:24.440 --> 1:04:26.960
<v Speaker 2>complos version of that is necessarily like.

1:04:27.400 --> 1:04:29.360
<v Speaker 3>But I think it's interesting because I'm trying to remember

1:04:29.680 --> 1:04:31.760
<v Speaker 3>I So, I was not a huge fan of the

1:04:31.880 --> 1:04:36.600
<v Speaker 3>new Nose Ferratu, in which Lily Rose DApp plays the Mena.

1:04:36.800 --> 1:04:39.160
<v Speaker 3>She's called Ellen in that one for whatever, because it's

1:04:39.160 --> 1:04:41.440
<v Speaker 3>the rip off, but that's the Meana character, and I

1:04:41.520 --> 1:04:45.520
<v Speaker 3>feel like it for me at least, wasn't much better.

1:04:45.640 --> 1:04:47.800
<v Speaker 2>I thought it's worse and we won't spoil it. We

1:04:47.880 --> 1:04:50.320
<v Speaker 2>won't spoil Nose for Atu, but people just have to

1:04:50.320 --> 1:04:53.040
<v Speaker 2>do a different episode not acting, because yeah, I thought

1:04:53.080 --> 1:04:54.920
<v Speaker 2>that was handled way worse.

1:04:54.960 --> 1:04:58.800
<v Speaker 3>Right, So it's like, unfortunately, I think whatever it sucks

1:04:58.840 --> 1:05:02.920
<v Speaker 3>to have to use this yardstick of like random famous men,

1:05:03.120 --> 1:05:06.000
<v Speaker 3>and you know, I'm a I guess I'm a fan

1:05:06.080 --> 1:05:09.320
<v Speaker 3>of like Robert went to the Library Eggers. But I

1:05:09.400 --> 1:05:12.480
<v Speaker 3>thought that, yeah, like it was worse than twenty twenty four,

1:05:12.600 --> 1:05:16.040
<v Speaker 3>Like she is less active than she was, but also

1:05:16.400 --> 1:05:21.160
<v Speaker 3>she's most active in the original text. So it's I

1:05:21.200 --> 1:05:21.440
<v Speaker 3>don't know.

1:05:21.640 --> 1:05:24.480
<v Speaker 2>The bottom line is the movie I don't think makes

1:05:24.520 --> 1:05:27.120
<v Speaker 2>it clear enough what is going on with her internally?

1:05:27.400 --> 1:05:30.840
<v Speaker 2>Like is it that she's being, you know, mind controlled

1:05:30.840 --> 1:05:33.880
<v Speaker 2>by these vampire powers? Is it that she is a

1:05:34.680 --> 1:05:39.840
<v Speaker 2>reincarnation of his past lover from five hundred years before

1:05:39.920 --> 1:05:40.320
<v Speaker 2>or whatever?

1:05:40.680 --> 1:05:40.800
<v Speaker 4>Right?

1:05:41.160 --> 1:05:46.000
<v Speaker 2>Is it that she's just a fragile woman, because there's

1:05:46.040 --> 1:05:49.840
<v Speaker 2>like there are different moments where when she first meets Dracula,

1:05:50.200 --> 1:05:53.400
<v Speaker 2>like on the streets of London, she's very firm with him.

1:05:53.520 --> 1:05:56.440
<v Speaker 2>She's just like, you're trying to get around buy a map, bitch, Like,

1:05:56.880 --> 1:05:58.440
<v Speaker 2>leave me alone. You're annoying and weird.

1:05:58.600 --> 1:06:01.760
<v Speaker 3>I'm engaged, uh, like I have a fiance.

1:06:02.680 --> 1:06:04.520
<v Speaker 2>And then all of a sudden she's like, oh, I'm sorry,

1:06:04.520 --> 1:06:07.320
<v Speaker 2>I've been so rude. Let's hang out And then they

1:06:07.360 --> 1:06:08.480
<v Speaker 2>go and watch porn together.

1:06:08.680 --> 1:06:11.200
<v Speaker 3>I just wish it was clearer that if this is

1:06:11.280 --> 1:06:13.200
<v Speaker 3>what happens. I wish it was clearer that like that

1:06:13.520 --> 1:06:17.360
<v Speaker 3>happens because he's Jedi mind tricking her or whatever, because

1:06:17.400 --> 1:06:20.160
<v Speaker 3>I assume that's what he was doing. But it just

1:06:20.520 --> 1:06:20.840
<v Speaker 3>there's no.

1:06:20.960 --> 1:06:23.640
<v Speaker 2>Visual like manifestation of that on screen.

1:06:23.920 --> 1:06:26.560
<v Speaker 3>So I'm just like what I was like, we need

1:06:26.720 --> 1:06:33.040
<v Speaker 3>to have like a little she like like woooo right,

1:06:33.160 --> 1:06:35.520
<v Speaker 3>because it does just kind of I don't know. Yeah,

1:06:35.520 --> 1:06:37.400
<v Speaker 3>I feel like Coppola trusted to us a little bit

1:06:37.440 --> 1:06:39.280
<v Speaker 3>too much in that moment because it does just sort

1:06:39.280 --> 1:06:41.440
<v Speaker 3>of seem like a decision she makes versus something that's

1:06:41.520 --> 1:06:42.439
<v Speaker 3>like happening.

1:06:42.120 --> 1:06:44.200
<v Speaker 2>To her, right, Like I need to see her eyes

1:06:44.240 --> 1:06:47.400
<v Speaker 2>glaze over or something, you know. So that was very

1:06:47.600 --> 1:06:50.720
<v Speaker 2>confusing and that made me I was just like, what

1:06:51.240 --> 1:06:56.880
<v Speaker 2>is happening? And I don't like the implications of this.

1:06:57.600 --> 1:06:59.680
<v Speaker 2>I guess it does make sense if she's a reincarnation,

1:06:59.800 --> 1:07:02.200
<v Speaker 2>but I don't love that either, Like I would much

1:07:02.280 --> 1:07:05.720
<v Speaker 2>prefer the version that we see in the original text.

1:07:06.160 --> 1:07:08.000
<v Speaker 3>I mean that's like Crystal like you're saying, like there's

1:07:08.080 --> 1:07:10.320
<v Speaker 3>like there has to be a way to explore Like

1:07:10.480 --> 1:07:13.240
<v Speaker 3>I because I'm all for the like stuff that's not

1:07:13.360 --> 1:07:16.280
<v Speaker 3>in the book of like Nina wanting to explore her

1:07:16.320 --> 1:07:20.200
<v Speaker 3>sexuality and like find a means to explore sexual passion

1:07:20.280 --> 1:07:22.560
<v Speaker 3>that is just like not allowed and certainly not with

1:07:22.680 --> 1:07:28.400
<v Speaker 3>her like door husband. But this just is like not

1:07:28.720 --> 1:07:29.360
<v Speaker 3>the way to do it.

1:07:29.520 --> 1:07:32.800
<v Speaker 4>What do you think the movie thinks about her sexuality?

1:07:33.000 --> 1:07:34.960
<v Speaker 4>Like That's the other thing I wasn't entirely clear on,

1:07:35.160 --> 1:07:38.520
<v Speaker 4>Like is it is it encouraging it or is it

1:07:38.680 --> 1:07:43.680
<v Speaker 4>saying that like because Lucy's punished, but like because it

1:07:43.800 --> 1:07:45.400
<v Speaker 4>just ends where it does. Like I don't know, does

1:07:45.440 --> 1:07:47.320
<v Speaker 4>she go back with Jonathan at the end or is

1:07:47.360 --> 1:07:49.439
<v Speaker 4>she like awake now and she's like I can do better.

1:07:50.200 --> 1:07:51.880
<v Speaker 2>We don't know, we don't know, we don't know.

1:07:52.560 --> 1:07:54.800
<v Speaker 4>Yeah, kind I hope she just goes off into just

1:07:54.960 --> 1:07:56.880
<v Speaker 4>like she gets three boyfriends.

1:07:57.000 --> 1:07:58.600
<v Speaker 2>You know, I would love that for her.

1:07:59.040 --> 1:08:01.640
<v Speaker 4>She's clearly not happy with that man, and the movie

1:08:02.240 --> 1:08:05.520
<v Speaker 4>makes it clear that she's not. But I don't know,

1:08:05.600 --> 1:08:07.960
<v Speaker 4>does the movie kind of think she needs to get

1:08:08.000 --> 1:08:11.720
<v Speaker 4>back in her box hardness? I say, you know what

1:08:11.800 --> 1:08:12.120
<v Speaker 4>I mean?

1:08:12.560 --> 1:08:17.040
<v Speaker 3>Yeah, yeah, because it is like emphasized in the movie

1:08:17.080 --> 1:08:21.520
<v Speaker 3>that she's like her quote unquote value is her virtuousness,

1:08:22.880 --> 1:08:24.920
<v Speaker 3>and it doesn't really come all the way around on

1:08:25.040 --> 1:08:27.320
<v Speaker 3>that to say, like, I think that it feels like

1:08:27.400 --> 1:08:29.479
<v Speaker 3>the movie still thinks that at the end. But an idea,

1:08:29.520 --> 1:08:30.160
<v Speaker 3>it's confusing.

1:08:30.320 --> 1:08:32.880
<v Speaker 2>Yeah, it's a little bit ambiguous, right, because I mean,

1:08:32.920 --> 1:08:37.200
<v Speaker 2>if you compare her with Lucy, it's the classic kind

1:08:37.240 --> 1:08:43.160
<v Speaker 2>of Madonna horror complex thing where Mina is virtuous and

1:08:43.240 --> 1:08:48.120
<v Speaker 2>she's virginal, and but she still falls in love with Dracula,

1:08:48.320 --> 1:08:52.320
<v Speaker 2>and therefore she's also polyamorous because she loves Jonathan. Maybe

1:08:53.040 --> 1:08:57.120
<v Speaker 2>we're led to believe she also loves Dracula. She's emotionally

1:08:57.200 --> 1:09:00.960
<v Speaker 2>cheating on both of them, but she can be saved

1:09:01.120 --> 1:09:04.800
<v Speaker 2>because she's the more pure, virginal one. You know, she

1:09:05.040 --> 1:09:08.960
<v Speaker 2>gets a redemption. She's the one to kill Dracula. Her

1:09:09.080 --> 1:09:12.920
<v Speaker 2>love releases everyone from like the darkness of it all

1:09:13.880 --> 1:09:19.599
<v Speaker 2>versus Lucy, who she's horny, she's having sexy dreams, she's

1:09:19.680 --> 1:09:24.040
<v Speaker 2>far more sexually curious. She's got three boyfriends lusting after her,

1:09:24.840 --> 1:09:29.760
<v Speaker 2>and then she is punished because of that by being killed.

1:09:29.760 --> 1:09:33.559
<v Speaker 2>But I think she's such an interesting character because, yes,

1:09:33.600 --> 1:09:38.600
<v Speaker 2>the story does ultimately punish her for her horniness. But

1:09:39.520 --> 1:09:42.120
<v Speaker 2>before that, she still has these three men who are

1:09:42.200 --> 1:09:46.479
<v Speaker 2>like tending to her. No one's really judging her. They're

1:09:46.520 --> 1:09:49.120
<v Speaker 2>not like, well, you deserve this for having sex with

1:09:49.280 --> 1:09:49.799
<v Speaker 2>a wolf.

1:09:50.800 --> 1:09:53.960
<v Speaker 4>But it does seem like Dracula's decides she's an easy target.

1:09:54.240 --> 1:09:57.080
<v Speaker 4>Like there's almost like right, there's a sense that she's disposable,

1:09:57.560 --> 1:10:00.080
<v Speaker 4>and as soon as she dies, it's it's like this

1:10:00.200 --> 1:10:02.360
<v Speaker 4>van helsing those jokes about cutting her head off. It's

1:10:02.439 --> 1:10:06.000
<v Speaker 4>like he's not mourning her because well, she was a slut,

1:10:06.680 --> 1:10:10.360
<v Speaker 4>right right, she got what she The movie kind of

1:10:10.479 --> 1:10:13.080
<v Speaker 4>is is very she got what she deserved or but

1:10:13.320 --> 1:10:14.360
<v Speaker 4>I agree, I.

1:10:15.200 --> 1:10:18.040
<v Speaker 2>Wish there was like a slightly different, just version of her.

1:10:20.240 --> 1:10:24.680
<v Speaker 3>Where I get stuck again, is that like all that

1:10:24.840 --> 1:10:29.280
<v Speaker 3>is true, but Lucy and Mina have a great relationship

1:10:29.400 --> 1:10:33.720
<v Speaker 3>the whole time, and like so it's like Lucy does

1:10:34.120 --> 1:10:37.320
<v Speaker 3>feel very clearly judged in a way that like elevates.

1:10:38.080 --> 1:10:42.160
<v Speaker 3>It's sort of presented in the book of like poor Lucy,

1:10:43.120 --> 1:10:47.479
<v Speaker 3>that sucks, but like this is like she dies because

1:10:47.640 --> 1:10:52.960
<v Speaker 3>she wanted three boyfriends. But in both like their friendship

1:10:53.080 --> 1:10:55.640
<v Speaker 3>is so strong. They're not like unlike a lot of

1:10:55.720 --> 1:10:59.439
<v Speaker 3>Madonna Hort stories. They're not turned against each other, they're

1:10:59.520 --> 1:11:02.680
<v Speaker 3>not herod to each other and their friendship. There's like

1:11:02.920 --> 1:11:04.920
<v Speaker 3>a scene that I really kind of was like, oh

1:11:04.960 --> 1:11:08.320
<v Speaker 3>my gosh, is that Mina wants to stay with Lucy

1:11:08.439 --> 1:11:12.040
<v Speaker 3>instead of to go rescue her like draculate ass husband.

1:11:12.439 --> 1:11:15.000
<v Speaker 3>Where she's like, I don't want to go, and Lucy's like, no,

1:11:15.160 --> 1:11:17.639
<v Speaker 3>you have you have to go get your dragula ass husband,

1:11:17.800 --> 1:11:21.320
<v Speaker 3>like you have to. And but but it's like against

1:11:21.400 --> 1:11:25.160
<v Speaker 3>Mina's better judgment, like she her love for Lucy is

1:11:25.280 --> 1:11:28.759
<v Speaker 3>stronger than like her love for this guy she married.

1:11:29.000 --> 1:11:32.120
<v Speaker 3>And so I do like that at very least for

1:11:32.280 --> 1:11:35.920
<v Speaker 3>all of the movie's faults, like that friendship is intact

1:11:36.040 --> 1:11:39.080
<v Speaker 3>and that like mutual respect between them isn't intact, because

1:11:39.080 --> 1:11:42.040
<v Speaker 3>I feel like it was like a lesser adaptation would

1:11:42.040 --> 1:11:44.960
<v Speaker 3>be like and there's even like Mina says like, oh,

1:11:45.200 --> 1:11:49.080
<v Speaker 3>like Lucy's so pretty, but it's not like ugh, I

1:11:49.240 --> 1:11:51.559
<v Speaker 3>can't believe how hot she is. She's like it's it's

1:11:51.640 --> 1:11:55.120
<v Speaker 3>just like wow, my beautiful friend. You know, it is sweet,

1:11:55.400 --> 1:11:56.559
<v Speaker 3>Like I wish I was.

1:11:56.560 --> 1:11:59.720
<v Speaker 2>As pretty as Lucy and I and all these men

1:12:00.040 --> 1:12:03.160
<v Speaker 2>doored me. It's not like jealousy or envious. It's just

1:12:03.280 --> 1:12:06.599
<v Speaker 2>more just like good for her than everyone loves her.

1:12:06.880 --> 1:12:09.280
<v Speaker 4>It's so sweet that Lucy's like kind of encouraging her

1:12:09.320 --> 1:12:13.360
<v Speaker 4>sexuality as well, like there's something very yeah, lovely about that.

1:12:13.479 --> 1:12:15.479
<v Speaker 4>She's like, look at his book, isn't it fun? And

1:12:15.560 --> 1:12:17.080
<v Speaker 4>she's like, you don't need to be ashamed?

1:12:17.200 --> 1:12:20.200
<v Speaker 3>Like right, yeah, but then the plot punishes her for

1:12:20.280 --> 1:12:22.400
<v Speaker 3>feeling that way. It's so hard, I know.

1:12:22.600 --> 1:12:24.760
<v Speaker 2>Yeah, I love the scene where they're flipping through Arabian

1:12:24.880 --> 1:12:28.000
<v Speaker 2>nights and like looking at all the horny drawings and

1:12:28.920 --> 1:12:31.920
<v Speaker 2>and mean is like I could never can people even

1:12:32.080 --> 1:12:37.040
<v Speaker 2>do this unless like, yeah, I did it last night.

1:12:38.080 --> 1:12:38.519
<v Speaker 2>I love it.

1:12:38.960 --> 1:12:41.880
<v Speaker 3>But yeah, I like that. I like that's it. You know,

1:12:42.040 --> 1:12:46.840
<v Speaker 3>it's very stretched, but I like, you know, that's a

1:12:46.960 --> 1:12:49.599
<v Speaker 3>dynamic I'm familiar with of like your friend that had

1:12:49.680 --> 1:12:53.240
<v Speaker 3>sex before you being like it's awesome, try it out sometimes,

1:12:53.520 --> 1:12:55.680
<v Speaker 3>like hekay, I.

1:12:56.920 --> 1:13:00.400
<v Speaker 2>Wanted to talk about. So you know, there's there's different

1:13:00.439 --> 1:13:04.479
<v Speaker 2>interpretations of the book as we discussed, as far as

1:13:04.560 --> 1:13:11.599
<v Speaker 2>like fears around immigration and like Eastern Europe infiltrating Western

1:13:11.880 --> 1:13:16.680
<v Speaker 2>Europe and like ethnic otherness and things like that. So

1:13:17.439 --> 1:13:21.160
<v Speaker 2>what the movie does is basically, the good guys in

1:13:21.200 --> 1:13:26.680
<v Speaker 2>the story are white Anglo Saxon Christians from England or

1:13:26.720 --> 1:13:30.080
<v Speaker 2>I think vi Van Helsing is Dutch, but you know,

1:13:30.360 --> 1:13:31.080
<v Speaker 2>it's all like.

1:13:31.840 --> 1:13:33.639
<v Speaker 3>Colonizer vibes for sure.

1:13:34.120 --> 1:13:37.120
<v Speaker 2>And then the bad guys, the bad people in the

1:13:37.439 --> 1:13:42.160
<v Speaker 2>movie are from Eastern Europe, Turkish people and Romani people,

1:13:42.520 --> 1:13:47.800
<v Speaker 2>because you get this villainization of Romani people. This is

1:13:47.840 --> 1:13:51.400
<v Speaker 2>something we've discussed a lot on the podcast. In this movie,

1:13:51.600 --> 1:13:57.160
<v Speaker 2>they are depicted as the like mindless loyal servants of Dracula.

1:13:57.360 --> 1:14:02.760
<v Speaker 2>They're doing his evil bidding for reasons unknown, maybe that

1:14:02.840 --> 1:14:06.439
<v Speaker 2>he's promised them eternal life or not sure. But also

1:14:06.520 --> 1:14:11.600
<v Speaker 2>the g slur is used repeatedly throughout the movie. And

1:14:11.680 --> 1:14:14.719
<v Speaker 2>then you have within the first thirty seconds of the movie,

1:14:14.800 --> 1:14:19.080
<v Speaker 2>you've got like voiceover that's villainizing Islam because it's like,

1:14:19.280 --> 1:14:23.760
<v Speaker 2>oh yes, uh, Muslim Turks invade Romania, threatening all of christiendom.

1:14:23.960 --> 1:14:26.519
<v Speaker 3>Right. So the way that like historical context is brought

1:14:26.680 --> 1:14:32.640
<v Speaker 3>in is just offensive, which is like irritating, not surprising,

1:14:32.800 --> 1:14:35.640
<v Speaker 3>But it's like Coppola had such an agenda to like

1:14:36.560 --> 1:14:41.479
<v Speaker 3>show that Italians are not the stereotypes they're presented as

1:14:41.600 --> 1:14:44.680
<v Speaker 3>but any nationality that he doesn't associate with, He's like,

1:14:44.760 --> 1:14:49.640
<v Speaker 3>they are they are You're like, heyah right, yeah, I

1:14:49.680 --> 1:14:51.840
<v Speaker 3>mean and that's like an element of this story that

1:14:51.920 --> 1:14:53.840
<v Speaker 3>if you want to do a book adaptation, that's like

1:14:54.040 --> 1:14:57.360
<v Speaker 3>something that you can really like move in a different

1:14:57.640 --> 1:15:00.760
<v Speaker 3>direction in a more thoughtful way, and this movie sort

1:15:00.760 --> 1:15:01.280
<v Speaker 3>of shows it.

1:15:02.160 --> 1:15:08.719
<v Speaker 4>Yeah, what else I'd love to shout out the costume designer, yes,

1:15:09.200 --> 1:15:12.160
<v Speaker 4>and the production design in general, but the costume designer

1:15:12.200 --> 1:15:16.760
<v Speaker 4>on this movie was Ako Ishioka, who won Yes, but

1:15:16.840 --> 1:15:19.160
<v Speaker 4>she won an Oscar for costume design in this I

1:15:19.240 --> 1:15:21.200
<v Speaker 4>think these are some of the best costumes I have

1:15:21.320 --> 1:15:22.280
<v Speaker 4>ever seen in a movie.

1:15:22.760 --> 1:15:26.320
<v Speaker 3>Man that she also did my favorite. She did mirror

1:15:26.439 --> 1:15:29.920
<v Speaker 3>mirror to the best Enderella costumes ever. She's so good.

1:15:30.200 --> 1:15:32.120
<v Speaker 4>So the embarrassing thing that I thought of when I

1:15:32.160 --> 1:15:33.680
<v Speaker 4>saw this was like this, these might be the best

1:15:33.720 --> 1:15:35.400
<v Speaker 4>costumes I have ever seen in a movie. And I

1:15:35.479 --> 1:15:36.920
<v Speaker 4>was like, what else is up there? And I was

1:15:36.960 --> 1:15:40.919
<v Speaker 4>like the cell And I was like, that's embarrassing, intrusive

1:15:40.960 --> 1:15:42.759
<v Speaker 4>thoughts that I've just had, And so then I googled

1:15:42.800 --> 1:15:43.960
<v Speaker 4>and I was like, no, they are really good. And

1:15:43.960 --> 1:15:44.920
<v Speaker 4>then it turns out she did those.

1:15:45.680 --> 1:15:48.479
<v Speaker 3>Yeah, she did a lot, she would do it. I

1:15:48.920 --> 1:15:51.639
<v Speaker 3>was so sad to see that she'd passed, because I mean, god,

1:15:51.800 --> 1:15:52.920
<v Speaker 3>so good.

1:15:53.080 --> 1:15:56.320
<v Speaker 4>So she was a graphic designer by trade, so she's

1:15:56.360 --> 1:15:59.920
<v Speaker 4>actually got a Grammy as well for album art design,

1:16:00.400 --> 1:16:03.280
<v Speaker 4>and she nearly she was nominated for two Tony's for

1:16:03.360 --> 1:16:05.879
<v Speaker 4>costume design as well, So she nearly had an egot

1:16:06.000 --> 1:16:09.160
<v Speaker 4>in but in the sphere of design, which is so cool.

1:16:09.400 --> 1:16:12.839
<v Speaker 3>That's amazing, so cool. Only musicians do that, that's amazing.

1:16:14.160 --> 1:16:15.800
<v Speaker 4>And also I just want to shout out that she

1:16:15.880 --> 1:16:19.240
<v Speaker 4>didn't ad for a Japanese department store called Parco with

1:16:20.000 --> 1:16:22.479
<v Speaker 4>Faye done Away and it's just Fade done Away one

1:16:22.560 --> 1:16:25.360
<v Speaker 4>long shot of her unwrapping and eating a hard boiled egg.

1:16:27.400 --> 1:16:31.800
<v Speaker 4>It is so surreal. Wow. Yeah, but anyway, Yeah, go

1:16:32.000 --> 1:16:34.680
<v Speaker 4>check out acho Isshioka's work. She did a she did

1:16:34.720 --> 1:16:38.080
<v Speaker 4>a music video for B York. Yeah, it's just really cool.

1:16:38.439 --> 1:16:42.479
<v Speaker 3>It's beautiful. I appreciated that. Yeah, I was looking for

1:16:42.800 --> 1:16:45.680
<v Speaker 3>like more about like how Coblu was like choosing who

1:16:45.720 --> 1:16:47.960
<v Speaker 3>to collaborate with, and I guess he was just like,

1:16:48.439 --> 1:16:52.519
<v Speaker 3>find me someone weird. Yeah, and they're like, we've got

1:16:52.640 --> 1:16:54.760
<v Speaker 3>the gal, We've got her, and it's oh my god.

1:16:54.840 --> 1:16:57.200
<v Speaker 4>She came Apparently she came to his attention because she'd

1:16:57.240 --> 1:17:01.800
<v Speaker 4>done some posters for Apocalypse Now that were yeah kidding, yeah,

1:17:01.840 --> 1:17:04.719
<v Speaker 4>and you can actually see those and they're really great

1:17:04.760 --> 1:17:07.240
<v Speaker 4>as well. So she was not a costume designer before

1:17:07.280 --> 1:17:09.640
<v Speaker 4>this movie. He just hired her because she was an

1:17:09.640 --> 1:17:11.759
<v Speaker 4>amazing graphic designer that rocks.

1:17:12.080 --> 1:17:15.560
<v Speaker 2>I was obsessed with Dracula's suit of armor in the

1:17:15.800 --> 1:17:19.640
<v Speaker 2>opening set because it looks like, yeah, it looks like

1:17:20.120 --> 1:17:20.880
<v Speaker 2>like muscles with.

1:17:21.200 --> 1:17:23.519
<v Speaker 3>The skin removed, you know, it's like very sinewy.

1:17:23.640 --> 1:17:25.920
<v Speaker 2>I was like, that looks like the Bodies Exhibit.

1:17:26.160 --> 1:17:28.000
<v Speaker 4>Yes, real bodies.

1:17:28.280 --> 1:17:29.920
<v Speaker 3>Yeah, but it's like.

1:17:29.960 --> 1:17:31.200
<v Speaker 2>Really beefy and bulky.

1:17:31.400 --> 1:17:32.800
<v Speaker 4>And I was just like, what is this?

1:17:32.920 --> 1:17:34.120
<v Speaker 2>And his helmet is wild?

1:17:34.600 --> 1:17:34.840
<v Speaker 3>Yeah.

1:17:35.000 --> 1:17:38.040
<v Speaker 4>And then again also just all of the makeup design,

1:17:38.200 --> 1:17:40.439
<v Speaker 4>like the every I think every monster look he does

1:17:40.560 --> 1:17:43.040
<v Speaker 4>is like a hit. It is so good.

1:17:43.360 --> 1:17:48.920
<v Speaker 3>It's that lucy outfit. Really, I gasped, Yeah.

1:17:49.400 --> 1:17:52.920
<v Speaker 4>So thank thank you this movie for all of that.

1:17:53.600 --> 1:17:58.840
<v Speaker 3>Indeed, the last thing that I had I was like

1:17:59.120 --> 1:18:01.960
<v Speaker 3>ragging my brains for what movie we covered recently were

1:18:02.000 --> 1:18:05.320
<v Speaker 3>this also came up? I'm curious what you both think

1:18:05.320 --> 1:18:08.479
<v Speaker 3>about it, because this is Frau. But when this movie

1:18:08.640 --> 1:18:16.600
<v Speaker 3>came out, frank Rich, frank Rich, who you know, not

1:18:16.720 --> 1:18:19.479
<v Speaker 3>a not a smitless record, but he is the producer

1:18:19.640 --> 1:18:25.040
<v Speaker 3>of Succession, so no, he's anyways, but he wrote about

1:18:25.400 --> 1:18:30.519
<v Speaker 3>this movie in relation to the AIDS epidemic? What movie?

1:18:30.520 --> 1:18:33.360
<v Speaker 3>Where were we talking about recently? Where it also was?

1:18:33.520 --> 1:18:35.280
<v Speaker 2>It was was an interview with a vampire.

1:18:35.880 --> 1:18:38.439
<v Speaker 3>No, it was more recent than that. I got a

1:18:39.120 --> 1:18:43.080
<v Speaker 3>but but in that case, the movie was I think

1:18:43.120 --> 1:18:45.439
<v Speaker 3>the director was asked like, were you trying to like

1:18:45.640 --> 1:18:47.720
<v Speaker 3>make a comment on the AIDS epidemic? And he was like,

1:18:47.840 --> 1:18:50.720
<v Speaker 3>oh no, oh my god, because it because if he was,

1:18:50.880 --> 1:18:52.080
<v Speaker 3>it would have looked really bad.

1:18:53.640 --> 1:18:56.959
<v Speaker 2>Was the schol Yeah, I remember the conversation.

1:18:57.120 --> 1:19:00.639
<v Speaker 3>In this case, I wasn't able to find any reference

1:19:00.760 --> 1:19:04.200
<v Speaker 3>of Copola acknowledging that that was something that he intended,

1:19:04.320 --> 1:19:07.720
<v Speaker 3>But it was definitely something that was mentioned around the

1:19:07.800 --> 1:19:09.760
<v Speaker 3>discourse of this movie when it came out, and it

1:19:10.000 --> 1:19:13.519
<v Speaker 3>is still talked about now. There's an article I have

1:19:13.640 --> 1:19:17.200
<v Speaker 3>here from twenty twenty one from Film Days by a

1:19:17.240 --> 1:19:21.680
<v Speaker 3>writer named Joshua Sorenson who sort of reflects on how

1:19:21.760 --> 1:19:24.400
<v Speaker 3>he feels like this movie was in conversation with the

1:19:24.439 --> 1:19:28.200
<v Speaker 3>AIDS epidemic in nineteen ninety two. And yeah, I just

1:19:28.400 --> 1:19:33.679
<v Speaker 3>wanted to say that. I think it's like, I don't know, Yeah,

1:19:34.120 --> 1:19:36.080
<v Speaker 3>it feels it's kind.

1:19:36.000 --> 1:19:38.599
<v Speaker 4>Of a big blind spot, especially because the movie does

1:19:38.840 --> 1:19:43.160
<v Speaker 4>kind of collate vamporism with an STI. There's like because

1:19:43.240 --> 1:19:47.720
<v Speaker 4>Van Helstein talks about like civilization, yeah, and there's this.

1:19:48.439 --> 1:19:51.519
<v Speaker 4>It's all very like vampism is very sexually transmitted in

1:19:51.600 --> 1:19:54.320
<v Speaker 4>this movie. So it is kind of weird that it

1:19:54.439 --> 1:19:57.400
<v Speaker 4>exists in this time where you know, it's such an

1:19:57.479 --> 1:20:02.160
<v Speaker 4>incredible cause of death and and the movie's kind of like,

1:20:02.640 --> 1:20:05.760
<v Speaker 4>we're not worried about that. Yeah, we are going to

1:20:05.800 --> 1:20:08.320
<v Speaker 4>make the allusions to it being sexually transmitted.

1:20:08.560 --> 1:20:12.800
<v Speaker 2>Yeah, I mean a lot of horror movies. It feels

1:20:12.800 --> 1:20:16.280
<v Speaker 2>like a lot of horror movies, either maybe intentionally such

1:20:16.360 --> 1:20:22.920
<v Speaker 2>as perhaps It follows draws this parallel, or people watching

1:20:23.000 --> 1:20:27.400
<v Speaker 2>and consuming the movie draw the parallel, right, and that

1:20:28.120 --> 1:20:32.160
<v Speaker 2>is you know, perhaps a cultural problem where because that

1:20:32.360 --> 1:20:37.600
<v Speaker 2>ultimately villainizes sti's and the people who have them. So

1:20:38.400 --> 1:20:43.040
<v Speaker 2>for anyone who's like, oh, yeah, obviously, you know, vampires

1:20:43.920 --> 1:20:47.960
<v Speaker 2>sucking each other or sucking other people and transmitting their

1:20:48.040 --> 1:20:51.400
<v Speaker 2>vampirism and all of that being horrible, and that's the

1:20:51.439 --> 1:20:56.679
<v Speaker 2>same thing as contracting an STI it's not the best.

1:20:57.400 --> 1:21:01.360
<v Speaker 4>I guess that's maybe just another example of FFC, like

1:21:02.040 --> 1:21:03.360
<v Speaker 4>degaying this.

1:21:03.960 --> 1:21:04.160
<v Speaker 1>Yeah.

1:21:04.479 --> 1:21:07.160
<v Speaker 4>Yeah, and so a lot of the gay stuff that

1:21:07.760 --> 1:21:09.840
<v Speaker 4>was there in the book, or that kind of was

1:21:10.080 --> 1:21:12.200
<v Speaker 4>an obvious parallel that you could make, has been kind

1:21:12.240 --> 1:21:12.799
<v Speaker 4>of omitted.

1:21:13.720 --> 1:21:17.439
<v Speaker 3>Yeah. I have a bit from this piece by H.

1:21:17.520 --> 1:21:19.599
<v Speaker 3>Joshua Swords and where he I mean, he gets into

1:21:19.640 --> 1:21:23.840
<v Speaker 3>it at length, but he sort of draws, I mean,

1:21:23.920 --> 1:21:28.040
<v Speaker 3>he mostly draws it to Lucy's character and mentions the

1:21:28.240 --> 1:21:31.240
<v Speaker 3>sort of de queering that FSC does. But he says quote.

1:21:31.439 --> 1:21:33.680
<v Speaker 3>But even if Dracula's de queering is an attempt to

1:21:33.720 --> 1:21:37.000
<v Speaker 3>capture the increasing universality of the HIV AIDS epidemic, it

1:21:37.120 --> 1:21:39.759
<v Speaker 3>is textually undermined as the only two characters to contract

1:21:39.840 --> 1:21:42.360
<v Speaker 3>disease on screen are the ones who are queer coded

1:21:42.439 --> 1:21:45.160
<v Speaker 3>Mina and Lucy. Because this piece is really pushing the

1:21:45.240 --> 1:21:48.799
<v Speaker 3>mean and Lucy agenda, the film is caught between two mindsets.

1:21:48.840 --> 1:21:52.160
<v Speaker 3>It seemingly aims to move beyond the stigmatic relationship between

1:21:52.200 --> 1:21:55.720
<v Speaker 3>the LGBTQ plus community and HIV AIDS and the public consciousness,

1:21:56.040 --> 1:21:58.479
<v Speaker 3>but that intention is not supported by the framing. The

1:21:58.520 --> 1:22:00.840
<v Speaker 3>fact that Mina and Lucy contracted only because they sought

1:22:00.880 --> 1:22:03.040
<v Speaker 3>it out recalls the I don't have it, do you

1:22:03.160 --> 1:22:05.200
<v Speaker 3>mentality that led to the spread of the epidemic in

1:22:05.240 --> 1:22:07.720
<v Speaker 3>the first place. I don't know what to make of this.

1:22:07.960 --> 1:22:11.920
<v Speaker 3>I kind of am glad FFC has never commented on it.

1:22:12.000 --> 1:22:14.679
<v Speaker 3>I don't really care to know what he thinks.

1:22:15.400 --> 1:22:17.360
<v Speaker 4>Yeah, and maybe in a sense he wasn't qualified to

1:22:18.040 --> 1:22:20.280
<v Speaker 4>talk about it anyway, So maybe we're maybe we're better

1:22:20.320 --> 1:22:21.760
<v Speaker 4>off that he steered clear.

1:22:22.080 --> 1:22:24.360
<v Speaker 3>Yeah, I think so. And also it's like I think again,

1:22:24.479 --> 1:22:26.800
<v Speaker 3>going back to the original text, it was I guess

1:22:27.560 --> 1:22:30.920
<v Speaker 3>blood transfusions were super new at the time, and some

1:22:31.160 --> 1:22:34.799
<v Speaker 3>prem Stoker wasn't thinking much harder than like, this is wild.

1:22:35.000 --> 1:22:38.120
<v Speaker 3>What if I made all these guys do it? Oh?

1:22:38.160 --> 1:22:40.720
<v Speaker 2>Yeah, the part where I think it's Arthur and then

1:22:40.920 --> 1:22:43.960
<v Speaker 2>one of the other boyfriends gives, like donates blood to

1:22:44.040 --> 1:22:46.000
<v Speaker 2>Lucy and I'm just like, do you even know what

1:22:46.160 --> 1:22:46.960
<v Speaker 2>your blood type is?

1:22:47.320 --> 1:22:47.360
<v Speaker 3>You?

1:22:47.520 --> 1:22:49.479
<v Speaker 2>Are you the universal donor? Do you have a matching

1:22:49.479 --> 1:22:50.479
<v Speaker 2>blood type is Lucy.

1:22:50.439 --> 1:22:55.840
<v Speaker 3>That's our typet universal donor. Yeah, I just funny to

1:22:56.160 --> 1:22:59.240
<v Speaker 3>say that that was an element of the conversation. Yeah,

1:22:59.240 --> 1:23:02.160
<v Speaker 3>I don't know what to make it, and yeah, yeah

1:23:02.479 --> 1:23:05.720
<v Speaker 3>nor I. Anyways, that was I think that was the

1:23:05.840 --> 1:23:07.599
<v Speaker 3>last thing that I had.

1:23:08.040 --> 1:23:12.719
<v Speaker 2>Yeah, I just love that. Like every thirty to ninety

1:23:12.880 --> 1:23:16.840
<v Speaker 2>seconds in this movie, there's just something on screen where

1:23:16.880 --> 1:23:20.960
<v Speaker 2>you're like, oh my god, either a costume or some

1:23:21.120 --> 1:23:27.040
<v Speaker 2>special effect or blood gushing from something or blood being puked,

1:23:27.640 --> 1:23:32.240
<v Speaker 2>or furry palms of hands or Dracula climbing up the

1:23:32.320 --> 1:23:34.680
<v Speaker 2>wall of the castle or anything like that.

1:23:35.439 --> 1:23:41.160
<v Speaker 4>Such a dense movie, there's like so many shots. Well

1:23:41.479 --> 1:23:45.840
<v Speaker 4>well said, but yeah, I think I hope it's I

1:23:45.840 --> 1:23:47.840
<v Speaker 4>don't know if we've really clarified when we've been talking

1:23:47.840 --> 1:23:51.679
<v Speaker 4>about this, but this movie is so camp. It's so silly,

1:23:52.040 --> 1:23:54.639
<v Speaker 4>Like as much as it's got big themes and it's

1:23:54.960 --> 1:23:57.120
<v Speaker 4>kind of got like this lush production that makes it

1:23:57.240 --> 1:24:01.080
<v Speaker 4>feel like a prestige movie, it's also very very very silly,

1:24:01.680 --> 1:24:04.960
<v Speaker 4>And I mean the women have nothing to do basically there.

1:24:05.120 --> 1:24:08.880
<v Speaker 4>They most spend most of the movie gasping, writing and

1:24:09.000 --> 1:24:11.639
<v Speaker 4>gasping with a boob out like that is the role

1:24:11.720 --> 1:24:14.479
<v Speaker 4>for a woman in this movie. Gary Oldman is like

1:24:14.920 --> 1:24:19.240
<v Speaker 4>campus tits in it. Just everything he does, the bad accents.

1:24:23.240 --> 1:24:24.719
<v Speaker 3>Why does cast British people?

1:24:24.840 --> 1:24:25.439
<v Speaker 4>What are you doing?

1:24:25.680 --> 1:24:28.960
<v Speaker 2>She pronounced win on a writer pronounces the word clerk

1:24:29.280 --> 1:24:30.400
<v Speaker 2>like clerk.

1:24:31.240 --> 1:24:34.120
<v Speaker 4>There's also a moment where she says home we went to.

1:24:34.240 --> 1:24:40.960
<v Speaker 2>His then again, oh my gosh, and then oh, I

1:24:41.040 --> 1:24:44.280
<v Speaker 2>forget what Keanu's line read. Oh he keeps saying beaudapest.

1:24:48.680 --> 1:24:51.200
<v Speaker 2>I probably knows maybe how you pronounce it. And also

1:24:51.560 --> 1:24:54.560
<v Speaker 2>we love Keanu. But his excuse for this was I

1:24:54.800 --> 1:24:58.320
<v Speaker 2>was tired. He was like, you just did point break.

1:24:58.360 --> 1:24:59.720
<v Speaker 2>I just did a lot of movies in a row.

1:24:59.800 --> 1:25:03.240
<v Speaker 2>I kind of sleepy, so that's why I didn't do

1:25:03.360 --> 1:25:03.920
<v Speaker 2>a good job.

1:25:04.280 --> 1:25:06.960
<v Speaker 3>You're like, that's what you say in the Francis Ford

1:25:07.040 --> 1:25:12.240
<v Speaker 3>Coulful movie, You're sleepy, wake up. I love it.

1:25:12.520 --> 1:25:15.400
<v Speaker 4>Gary Oldman, I think does potentially the best evil cackle

1:25:15.560 --> 1:25:18.639
<v Speaker 4>that has ever been on screen. It's good Van Helsing,

1:25:19.000 --> 1:25:19.639
<v Speaker 4>very camp.

1:25:19.760 --> 1:25:22.320
<v Speaker 3>Oh my gosh. I think Hopkins brings it.

1:25:22.520 --> 1:25:25.040
<v Speaker 4>Although he might be the worst person in this movie,

1:25:25.920 --> 1:25:28.200
<v Speaker 4>like the worst man, what do you mean in a

1:25:28.240 --> 1:25:30.840
<v Speaker 4>movie full of bad men? I think Van Helsing might

1:25:30.880 --> 1:25:31.880
<v Speaker 4>be kind of the character.

1:25:32.120 --> 1:25:34.240
<v Speaker 3>Yeah, oh yeah, it was like not the worst performance,

1:25:34.320 --> 1:25:35.040
<v Speaker 3>no no, no, no, no no no.

1:25:35.360 --> 1:25:36.880
<v Speaker 4>He does a great job. He does a great job.

1:25:36.920 --> 1:25:41.479
<v Speaker 4>But it's like he's the like he's the toxic mask presence.

1:25:41.600 --> 1:25:43.800
<v Speaker 4>Like he's kind of worse than Dracula in a way.

1:25:44.160 --> 1:25:46.599
<v Speaker 4>Dracula is eating a lot of people, but Van Helsing's

1:25:46.720 --> 1:25:52.040
<v Speaker 4>just like Christian values but also kind of gleefully killing ladies.

1:25:52.520 --> 1:25:55.360
<v Speaker 3>Right. Yeah, And we didn't get much into the like

1:25:55.560 --> 1:25:57.760
<v Speaker 3>religious aspects, but I feel like it's like very much

1:25:57.800 --> 1:26:01.680
<v Speaker 3>in conversation with the like z a phobia of like

1:26:02.200 --> 1:26:06.840
<v Speaker 3>basically any non Christian religion is the occult. You're like, ok.

1:26:08.080 --> 1:26:12.479
<v Speaker 2>Van Helsing describes Lucy. He says, after she's been bitten

1:26:12.600 --> 1:26:15.760
<v Speaker 2>and turned into a vampire. He says, Lucy is not

1:26:15.840 --> 1:26:18.960
<v Speaker 2>a random victim attacked by mere accident. She is a

1:26:19.040 --> 1:26:24.160
<v Speaker 2>willing recruit, a breathless follower, a wanton follower, a devoted disciple.

1:26:24.479 --> 1:26:27.400
<v Speaker 2>She is the devil's concubine. Basically just like.

1:26:27.560 --> 1:26:32.800
<v Speaker 3>He's literally and I don't know why, like that that

1:26:32.920 --> 1:26:35.080
<v Speaker 3>did make me laugh when you because because he's literally

1:26:35.160 --> 1:26:37.200
<v Speaker 3>like kind of jumping up and down. He's like walking

1:26:37.320 --> 1:26:40.479
<v Speaker 3>away and saying all this fucked up stuff. He's like,

1:26:40.800 --> 1:26:43.080
<v Speaker 3>she's married to the devil, and he's like also.

1:26:43.160 --> 1:26:48.479
<v Speaker 4>Doing something like I want an all female rock band

1:26:48.600 --> 1:26:49.720
<v Speaker 4>called Devil's Concubine.

1:26:52.400 --> 1:26:53.720
<v Speaker 3>We can work with this, yes.

1:26:54.280 --> 1:26:57.599
<v Speaker 2>Anthony Hopkins also plays the like clergyman at the very

1:26:57.640 --> 1:27:00.840
<v Speaker 2>beginning of the movie. Oh yeah, that him. He's in

1:27:01.040 --> 1:27:05.000
<v Speaker 2>like a scraggly wig and stuff. But yeah, he's the

1:27:05.120 --> 1:27:09.519
<v Speaker 2>one where Dracula comes back from impaling thousands of people

1:27:10.120 --> 1:27:13.719
<v Speaker 2>and he's like, I denounce God and Anthony Hopkins priest

1:27:13.880 --> 1:27:19.519
<v Speaker 2>is like no, don't stop it. And it's pretty good.

1:27:19.680 --> 1:27:23.280
<v Speaker 2>Uh yeah, there's just I love the like vampire orgy

1:27:23.400 --> 1:27:24.599
<v Speaker 2>room in the castle.

1:27:24.760 --> 1:27:26.280
<v Speaker 3>Yeah yeah, where is.

1:27:26.600 --> 1:27:30.679
<v Speaker 4>The like prestige HBO series about Dracula's brides that will

1:27:31.200 --> 1:27:33.479
<v Speaker 4>justice for them? They the way they died was very

1:27:34.280 --> 1:27:35.160
<v Speaker 4>lackluster for me.

1:27:36.360 --> 1:27:38.920
<v Speaker 3>Yeah, I could have used again, and like I could

1:27:38.960 --> 1:27:40.920
<v Speaker 3>he used some names. I could have used some names,

1:27:40.960 --> 1:27:44.880
<v Speaker 3>could names and some stories? How did you become a vampire?

1:27:45.080 --> 1:27:48.639
<v Speaker 4>I'd love to see their story. Wow, just because they're

1:27:48.680 --> 1:27:52.599
<v Speaker 4>just seemed to be having a great time. They're letsing off,

1:27:52.720 --> 1:27:56.000
<v Speaker 4>they they eat the occasional man, they eat the occasional baby,

1:27:56.040 --> 1:28:00.479
<v Speaker 4>the eat the occasional horse. Yes, this horrible Christian man

1:28:00.560 --> 1:28:01.639
<v Speaker 4>comes and cuts their heads off.

1:28:01.760 --> 1:28:03.639
<v Speaker 3>It's just give him a chance.

1:28:03.680 --> 1:28:05.960
<v Speaker 2>Got to know them seriously.

1:28:06.360 --> 1:28:12.000
<v Speaker 3>Yeah. Meanwhile, we're celebrating the boring nuns. They're handing on crucifixes, boring,

1:28:12.920 --> 1:28:14.639
<v Speaker 3>get a life, eat a horse.

1:28:15.920 --> 1:28:19.439
<v Speaker 2>I did appreciate the very least that, even though Mina

1:28:20.040 --> 1:28:23.960
<v Speaker 2>in the movie, you know, basically just forced into this

1:28:24.360 --> 1:28:28.960
<v Speaker 2>love story that was invented by the movie, which was

1:28:29.040 --> 1:28:34.840
<v Speaker 2>written by James V. Hart. Yes, so he adapted the

1:28:35.240 --> 1:28:36.840
<v Speaker 2>book and wrote the screenplay for this movie.

1:28:37.040 --> 1:28:40.800
<v Speaker 3>He's a His other credits are oh yeah, he did Hook.

1:28:41.720 --> 1:28:44.960
<v Speaker 3>And then he also went on to do Mary Shelley's Frankenstein,

1:28:45.680 --> 1:28:47.519
<v Speaker 3>which is always a story that she'd be adapted by

1:28:47.520 --> 1:28:51.360
<v Speaker 3>a woman. Come on, come on, But for what it's worth,

1:28:51.400 --> 1:28:54.360
<v Speaker 3>even though she's not credited again as a one on ahead,

1:28:54.640 --> 1:28:59.720
<v Speaker 3>we took this script to Francis Ford Coppola and was like,

1:29:00.160 --> 1:29:01.719
<v Speaker 3>what do you think? And then.

1:29:03.800 --> 1:29:06.679
<v Speaker 4>As an apology for dropping out of gold Father three, Yeah.

1:29:06.600 --> 1:29:10.080
<v Speaker 3>Which which only I mean and good call by Winona

1:29:10.920 --> 1:29:13.880
<v Speaker 3>on that one, because they didn't Sophia Coppola.

1:29:13.920 --> 1:29:18.400
<v Speaker 4>Replace her and Apparently the reason I haven't seen famously,

1:29:18.439 --> 1:29:21.960
<v Speaker 4>haven't seen any FF. But apparently the reason she's so

1:29:22.040 --> 1:29:24.160
<v Speaker 4>bad in it is because she had one day to

1:29:24.200 --> 1:29:27.080
<v Speaker 4>prep for the role and that was a case of

1:29:27.160 --> 1:29:28.280
<v Speaker 4>nepotism maybe gone wrong.

1:29:28.560 --> 1:29:31.000
<v Speaker 3>That's it, Yeah, that's It's one thing to hire your.

1:29:31.000 --> 1:29:34.080
<v Speaker 4>Magician's son, but she was just doing her dad a favor.

1:29:34.600 --> 1:29:40.040
<v Speaker 3>I know, I yeah, that's I'm that's Francis for Copla's fault.

1:29:40.560 --> 1:29:42.719
<v Speaker 3>That's not God because she wasn't she like a teenager

1:29:42.880 --> 1:29:46.599
<v Speaker 3>like she was. Also, Winona Writer is an amazing actor.

1:29:46.720 --> 1:29:49.120
<v Speaker 3>She's been like nominated for She was really on a

1:29:49.200 --> 1:29:51.040
<v Speaker 3>roll before they were like, we have to kill her

1:29:51.040 --> 1:29:54.960
<v Speaker 3>because she shoplifted. Kill her, then kill me. I shoplift

1:29:54.960 --> 1:29:55.400
<v Speaker 3>all the time.

1:29:56.920 --> 1:30:01.400
<v Speaker 2>But anyway, so obviously Mena's role is change for the movie,

1:30:01.439 --> 1:30:04.960
<v Speaker 2>but I do appreciate that she doesn't. She's never like

1:30:05.760 --> 1:30:08.120
<v Speaker 2>well not never, but she doesn't ultimately become like the

1:30:08.240 --> 1:30:10.840
<v Speaker 2>damsel in distress. I feel like this type of movie

1:30:10.920 --> 1:30:13.880
<v Speaker 2>would have Oh, Dracula kidnaps her and then they have

1:30:14.000 --> 1:30:17.719
<v Speaker 2>to go and rescue her. Rather she's bait, which isn't

1:30:18.360 --> 1:30:21.679
<v Speaker 2>better really, but but at least at least they.

1:30:21.680 --> 1:30:24.640
<v Speaker 3>Bring her along. It makes me sad to be like,

1:30:24.920 --> 1:30:27.600
<v Speaker 3>but at least she knows she's bait because often they're like,

1:30:28.080 --> 1:30:31.000
<v Speaker 3>she has no idea, don't tell her right, right, and

1:30:31.160 --> 1:30:34.240
<v Speaker 3>again like not to but like in the most recent

1:30:34.400 --> 1:30:38.880
<v Speaker 3>Dracula adaptation, the Lily Rose depth character is like inside

1:30:39.000 --> 1:30:41.280
<v Speaker 3>for ninety percent. I remember when she left the house

1:30:41.320 --> 1:30:45.519
<v Speaker 3>on purpose and I was like, but like, you know, Mina,

1:30:46.560 --> 1:30:49.680
<v Speaker 3>it's still not as active as the original book that

1:30:49.880 --> 1:30:51.599
<v Speaker 3>was written one hundred years before it came out.

1:30:51.720 --> 1:30:51.800
<v Speaker 5>But.

1:30:53.560 --> 1:30:56.840
<v Speaker 4>She does. She does do the conclusion of the movie

1:30:57.000 --> 1:30:59.360
<v Speaker 4>like it's her, which is cool.

1:30:59.600 --> 1:31:04.400
<v Speaker 2>Yeah, indeed, does anyone have anything else they'd like to discuss?

1:31:05.280 --> 1:31:06.040
<v Speaker 3>That's all I have.

1:31:07.320 --> 1:31:13.000
<v Speaker 2>I guess one last thing where Coppola brought in someone

1:31:13.280 --> 1:31:19.639
<v Speaker 2>to coach Winona Ryder and Sadie Frost, who plays Lucy

1:31:20.240 --> 1:31:25.400
<v Speaker 2>during their like erotic scenes, because he felt uncomfortable discussing

1:31:25.840 --> 1:31:29.960
<v Speaker 2>sexuality with these young actors, so he brings in an

1:31:30.000 --> 1:31:34.760
<v Speaker 2>acting coach named Greta Seacat, which doesn't seem like quite

1:31:34.840 --> 1:31:38.760
<v Speaker 2>the same thing as a like intimacy coordinator. But I

1:31:38.760 --> 1:31:41.640
<v Speaker 2>don't think that existed writer, right, But at least it

1:31:41.800 --> 1:31:45.280
<v Speaker 2>was something. It was some attempt to hopefully, and I

1:31:45.360 --> 1:31:48.760
<v Speaker 2>don't know how that went exactly with this acting coach,

1:31:48.920 --> 1:31:51.960
<v Speaker 2>but at least there was some attempt.

1:31:52.479 --> 1:31:54.880
<v Speaker 4>Apparently the same thing happened with the Brides of Dracula,

1:31:54.920 --> 1:31:57.519
<v Speaker 4>who had all been cast on the basis that they

1:31:57.560 --> 1:31:59.400
<v Speaker 4>would be nude in the movie, but then when it

1:31:59.439 --> 1:32:01.800
<v Speaker 4>came time to shoot, everyone was too nervous to ask

1:32:01.880 --> 1:32:03.120
<v Speaker 4>them to take their clothes off.

1:32:03.320 --> 1:32:03.960
<v Speaker 3>Oh wow.

1:32:04.280 --> 1:32:06.240
<v Speaker 4>Yeah, and so I think he ended up getting his

1:32:06.320 --> 1:32:10.240
<v Speaker 4>magicians on to ask them. Well, so maybe that's why

1:32:10.280 --> 1:32:12.439
<v Speaker 4>he ended up hiring Greta.

1:32:13.240 --> 1:32:18.280
<v Speaker 3>Yeah. Never never, no offense to any listening male magicians,

1:32:18.320 --> 1:32:23.200
<v Speaker 3>but never underestimate the delusional confidence of a male magician

1:32:24.400 --> 1:32:26.960
<v Speaker 3>to ask you to do something you don't want to do.

1:32:28.240 --> 1:32:30.559
<v Speaker 4>I think potentially they did want to do they didn't

1:32:30.600 --> 1:32:31.960
<v Speaker 4>mean to it, but.

1:32:32.040 --> 1:32:35.400
<v Speaker 3>It's like the magician. You dispatched the magician. It's just

1:32:35.479 --> 1:32:39.360
<v Speaker 3>it's insulting. I do appreciate at least, I mean again,

1:32:39.439 --> 1:32:43.200
<v Speaker 3>it's such a little thing. But like a director that

1:32:43.360 --> 1:32:46.240
<v Speaker 3>knows their limits, that is like, this is out of

1:32:46.320 --> 1:32:49.040
<v Speaker 3>my comfort zone, which is like directors are entitled to

1:32:49.479 --> 1:32:51.519
<v Speaker 3>have things outside of their comfort zone as long as

1:32:51.600 --> 1:32:52.360
<v Speaker 3>they take care of it.

1:32:53.120 --> 1:32:55.120
<v Speaker 4>I've got some I've got some kind of warm, fuzzy

1:32:55.200 --> 1:32:58.479
<v Speaker 4>feelings for FFC after researching this. I have no idea

1:32:58.520 --> 1:33:00.880
<v Speaker 4>what he's like Beyond this. He's probably done some really

1:33:00.880 --> 1:33:03.559
<v Speaker 4>horrible stuff. But apparently even when this movie was coming out,

1:33:03.640 --> 1:33:06.160
<v Speaker 4>he was so afraid of finding out if it was

1:33:06.320 --> 1:33:08.720
<v Speaker 4>a success because his career was really riding on it.

1:33:09.040 --> 1:33:09.160
<v Speaker 3>Right.

1:33:09.439 --> 1:33:12.720
<v Speaker 4>He took all of his family on holiday and he

1:33:13.360 --> 1:33:15.280
<v Speaker 4>couldn't look at it. He was too stressed and scared.

1:33:15.360 --> 1:33:17.760
<v Speaker 4>And he finally got his wife to be, like to

1:33:18.000 --> 1:33:19.920
<v Speaker 4>check the box office and she's like, add it up,

1:33:20.000 --> 1:33:22.800
<v Speaker 4>it's a huge hit. But he was just like, really

1:33:22.840 --> 1:33:23.679
<v Speaker 4>scared and nervous.

1:33:24.560 --> 1:33:28.200
<v Speaker 3>I for what I can tell, and like, I'm listeners

1:33:28.320 --> 1:33:31.280
<v Speaker 3>sent me straight if I'm wrong. He's a relatively scandal

1:33:31.360 --> 1:33:32.000
<v Speaker 3>free director.

1:33:32.160 --> 1:33:32.400
<v Speaker 4>Cool.

1:33:33.520 --> 1:33:36.559
<v Speaker 3>I was also very like, he's not my favorite director

1:33:36.640 --> 1:33:39.120
<v Speaker 3>by any stretch of the imagination, but I just like

1:33:39.439 --> 1:33:41.800
<v Speaker 3>I do like watching him talk. I like that he

1:33:41.960 --> 1:33:44.680
<v Speaker 3>make takes big, weird swings even when I don't like them.

1:33:45.479 --> 1:33:48.400
<v Speaker 3>And I really like that he made Anthony Hopkins play

1:33:48.479 --> 1:33:52.599
<v Speaker 3>zip Zapps off like it does seem like, you know, comparatively,

1:33:52.720 --> 1:33:55.680
<v Speaker 3>especially in the generation of directors that he's a part of.

1:33:55.800 --> 1:33:58.240
<v Speaker 3>He seems like a relatively sweet person.

1:33:58.400 --> 1:34:01.880
<v Speaker 2>Right, He's coming off of making what's largely considered some

1:34:02.000 --> 1:34:05.960
<v Speaker 2>of the greatest movies in American film history, between the

1:34:06.040 --> 1:34:09.240
<v Speaker 2>first two Godfather movies and Apocalypse Now, so you think

1:34:09.360 --> 1:34:12.719
<v Speaker 2>that would inflate his ego so much that he would

1:34:12.840 --> 1:34:16.479
<v Speaker 2>just be a terror on set. But it seems like

1:34:17.000 --> 1:34:18.519
<v Speaker 2>maybe not so.

1:34:20.200 --> 1:34:26.320
<v Speaker 3>Good guy, question the bars, but it is, I mean,

1:34:26.400 --> 1:34:30.200
<v Speaker 3>his career is there there. Guest of the show Maya

1:34:31.520 --> 1:34:35.320
<v Speaker 3>made a video when Megalopolis came out that had like

1:34:35.439 --> 1:34:38.760
<v Speaker 3>traced his like wild history and like movie finance, where

1:34:38.880 --> 1:34:41.200
<v Speaker 3>like if he didn't have the winery, he'd be so

1:34:41.479 --> 1:34:45.320
<v Speaker 3>fucked many times over. But like that, even after one

1:34:45.360 --> 1:34:47.519
<v Speaker 3>of the other Copla movies we've covered that I always

1:34:47.520 --> 1:34:49.679
<v Speaker 3>forget is directed by him, is Peggy Sho got married

1:34:50.400 --> 1:34:54.479
<v Speaker 3>and like so he I don't know if like that's

1:34:54.560 --> 1:34:56.720
<v Speaker 3>like a real artist. That's so cool that he was

1:34:56.760 --> 1:34:59.920
<v Speaker 3>still like trying shit out and is still trying shit

1:35:00.200 --> 1:35:05.360
<v Speaker 3>that is often straight up bad, but it definitely not safe,

1:35:05.960 --> 1:35:08.160
<v Speaker 3>Like this movie is not making safe choices.

1:35:08.840 --> 1:35:12.400
<v Speaker 2>Everyone, like producers, critics, everyone in the industry basically thought

1:35:12.439 --> 1:35:15.360
<v Speaker 2>this movie would be a huge flop at the box office,

1:35:15.760 --> 1:35:18.600
<v Speaker 2>and we're like surprised that it wasn't because it was

1:35:18.680 --> 1:35:21.920
<v Speaker 2>made for a budget of forty million dollars, which seems

1:35:22.280 --> 1:35:24.479
<v Speaker 2>less than I would have thought because of how much

1:35:24.640 --> 1:35:27.639
<v Speaker 2>like just money you see on screen with the practical

1:35:27.760 --> 1:35:29.680
<v Speaker 2>sets and effects and costumes and all that.

1:35:29.840 --> 1:35:32.559
<v Speaker 3>Which he dealt with by shooting and this ended up.

1:35:32.600 --> 1:35:34.200
<v Speaker 3>I thought it was like a creative choice because he

1:35:34.320 --> 1:35:36.479
<v Speaker 3>was like paying homage to the original Monster movies or whatever.

1:35:36.760 --> 1:35:39.080
<v Speaker 3>But he shot it entirely on sound stages. I think

1:35:39.120 --> 1:35:42.040
<v Speaker 3>it looks awesome because it shot on sound stages. Yeah.

1:35:42.040 --> 1:35:45.040
<v Speaker 2>Well, part of that was because he had gone over

1:35:45.280 --> 1:35:49.400
<v Speaker 2>budget and like time scheduling for his previous movies, and

1:35:49.479 --> 1:35:52.200
<v Speaker 2>he's like, I don't want to make anyone mad again.

1:35:52.680 --> 1:35:55.240
<v Speaker 2>I'm gonna do it, play it safe and like shoot

1:35:55.280 --> 1:35:56.800
<v Speaker 2>inside kind of thing.

1:35:57.280 --> 1:35:59.400
<v Speaker 4>This way, the studio execs could keep an eye on him,

1:35:59.400 --> 1:36:01.160
<v Speaker 4>and they could visit set every day as well and

1:36:01.240 --> 1:36:02.040
<v Speaker 4>see what he was doing.

1:36:03.640 --> 1:36:05.679
<v Speaker 3>They're like, okay, do we do we have is Reeves

1:36:05.720 --> 1:36:08.960
<v Speaker 3>playing zipzabsop? Good good job.

1:36:09.439 --> 1:36:11.559
<v Speaker 2>But anyway, made for a budget of forty million dollars

1:36:11.640 --> 1:36:15.360
<v Speaker 2>and grossed two hundred and nineteen million dollars.

1:36:15.240 --> 1:36:17.439
<v Speaker 3>In nineteen ninety two dollars, it was one of the

1:36:17.479 --> 1:36:18.559
<v Speaker 3>biggest movies of the year.

1:36:18.840 --> 1:36:21.200
<v Speaker 2>Yeah, it beat out like Back to the Future two

1:36:21.520 --> 1:36:23.559
<v Speaker 2>and damn so good for him.

1:36:23.840 --> 1:36:28.040
<v Speaker 4>Do you think this movie is remembered particularly, not as.

1:36:28.040 --> 1:36:31.080
<v Speaker 2>Much as I would say. Obviously has a cult following.

1:36:31.560 --> 1:36:34.200
<v Speaker 2>Obviously people return to it, but I feel like it

1:36:34.280 --> 1:36:37.120
<v Speaker 2>doesn't get brought up quite as much as you would expect.

1:36:37.479 --> 1:36:38.599
<v Speaker 4>That's kind of how I feel too.

1:36:38.920 --> 1:36:42.760
<v Speaker 3>Yeah, I've been I until you started raving about it.

1:36:42.840 --> 1:36:45.080
<v Speaker 3>I don't know if I even knew it existed till

1:36:45.200 --> 1:36:48.799
<v Speaker 3>like the last couple of years. But also, the Dracula

1:36:48.840 --> 1:36:51.639
<v Speaker 3>space is very crowd Yeah, there's a lot of there's

1:36:51.680 --> 1:36:54.400
<v Speaker 3>a lot of competition in Dracula movies, but this is

1:36:54.560 --> 1:36:58.200
<v Speaker 3>like definitely one of my favorites. Yeah, it's number six

1:36:58.280 --> 1:36:59.640
<v Speaker 3>on Vultures Draculas.

1:37:00.360 --> 1:37:02.960
<v Speaker 4>Wow, number six, Sorry, what's number one?

1:37:03.600 --> 1:37:06.200
<v Speaker 3>I think it's the original nose fora tu Let me

1:37:06.360 --> 1:37:08.559
<v Speaker 3>check which you know, fair.

1:37:08.439 --> 1:37:10.280
<v Speaker 4>Enough Normalstracula two thousand.

1:37:10.439 --> 1:37:15.439
<v Speaker 3>This is technically Dracular rankings Dracula Performance Rankings. Gary Oldman

1:37:15.520 --> 1:37:16.880
<v Speaker 3>comes in at number six.

1:37:17.240 --> 1:37:17.599
<v Speaker 4>Oh wow.

1:37:18.000 --> 1:37:20.960
<v Speaker 3>Number five is Christopher Lee, who apparently played Dragula in

1:37:21.240 --> 1:37:23.320
<v Speaker 3>Like Movies fifteen.

1:37:23.520 --> 1:37:26.439
<v Speaker 2>Oh wow, he definitely was in like A nineteen fifty nine.

1:37:26.520 --> 1:37:28.920
<v Speaker 3>I want to say yes, he started playing Dragula in

1:37:29.000 --> 1:37:30.720
<v Speaker 3>nineteen fifty eight and played him all the way through

1:37:30.760 --> 1:37:34.200
<v Speaker 3>nineteen seventy six, So maybe that's out of sheer volume

1:37:34.800 --> 1:37:37.839
<v Speaker 3>actually knows Vatu. The original Nos Foraratu is number four.

1:37:38.439 --> 1:37:42.000
<v Speaker 2>Number three played by Max Shrekrap Exactly.

1:37:42.960 --> 1:37:47.200
<v Speaker 3>Number three is William Marshall in Blacula and screen Blacula Scream.

1:37:47.760 --> 1:37:51.600
<v Speaker 3>Number two is something I haven't seen klaus Kinski in

1:37:52.120 --> 1:37:56.240
<v Speaker 3>the Werner Herzog remake of Nos Farratu. He's supposed to

1:37:56.240 --> 1:38:01.479
<v Speaker 3>be the most soulful Draculum. And then number one's bella logo. Fine, fine,

1:38:01.800 --> 1:38:06.040
<v Speaker 3>I get it sure below below anyways, it's a crowded space,

1:38:06.400 --> 1:38:10.920
<v Speaker 3>the Dracula space. Yeah, where does Dard Butler? Dr Butler

1:38:11.000 --> 1:38:12.920
<v Speaker 3>comes in at number twenty nine.

1:38:13.400 --> 1:38:15.879
<v Speaker 2>Brutal, brutal of how many.

1:38:17.320 --> 1:38:17.800
<v Speaker 3>Thirty two?

1:38:20.880 --> 1:38:22.720
<v Speaker 4>That makes me want to see that movie so much more.

1:38:23.960 --> 1:38:26.519
<v Speaker 3>It sounds like a truly perfect candidate for your show.

1:38:26.680 --> 1:38:29.960
<v Speaker 4>Yea, yeah, I think Dracula's on a plane at one point,

1:38:30.360 --> 1:38:33.799
<v Speaker 4>Oh my god, you should I think instead of the Demeter.

1:38:33.960 --> 1:38:34.519
<v Speaker 4>It's a plane.

1:38:36.400 --> 1:38:39.160
<v Speaker 3>Have you seen I Frankenstein? No, Oh my god, you've

1:38:39.200 --> 1:38:44.680
<v Speaker 3>got to cover Bye Frankenstein. Yeah, it's that but Frankenstein.

1:38:45.160 --> 1:38:48.439
<v Speaker 3>And it's Aaron what's his name, Aaron Eckhart, coming off

1:38:48.560 --> 1:38:51.320
<v Speaker 3>of his playing two Face. He's going to start a

1:38:51.360 --> 1:38:55.280
<v Speaker 3>franchise and it does not happen. It's nice, is there,

1:38:55.520 --> 1:38:56.599
<v Speaker 3>fab It's great?

1:38:56.800 --> 1:39:01.559
<v Speaker 2>That's awesome. Well, does the movie past the Bechdel test?

1:39:01.800 --> 1:39:02.080
<v Speaker 4>Real thing?

1:39:02.160 --> 1:39:02.880
<v Speaker 3>I do think it does.

1:39:03.479 --> 1:39:07.519
<v Speaker 2>Okay, here's what I've concluded. I obviously, Mina and Lucy

1:39:08.320 --> 1:39:10.400
<v Speaker 2>talk quite a bit in a number of different scenes,

1:39:11.000 --> 1:39:15.200
<v Speaker 2>and sometimes they're talking about a typewriter or a dream

1:39:15.680 --> 1:39:17.959
<v Speaker 2>or a book, but it's almost always in the context

1:39:18.040 --> 1:39:21.120
<v Speaker 2>of like, oh, you're writing, you're using your typewriter to

1:39:21.200 --> 1:39:23.640
<v Speaker 2>write a letter to a man, or I had a

1:39:23.720 --> 1:39:28.080
<v Speaker 2>dream about hetero sex with a man. So, and then

1:39:28.479 --> 1:39:32.440
<v Speaker 2>they more explicitly talk about Jonathan, about Lucy's three boyfriends,

1:39:32.640 --> 1:39:36.640
<v Speaker 2>about Dracula. So it's very even if there's like a

1:39:36.760 --> 1:39:39.919
<v Speaker 2>kind of almost technical pass, I feel like the context

1:39:40.040 --> 1:39:41.880
<v Speaker 2>or the subtext is always still about.

1:39:42.000 --> 1:39:45.120
<v Speaker 4>Yeah, men, and like the point of everymen scene is

1:39:45.840 --> 1:39:48.320
<v Speaker 4>ends up about sex or men, right, I think.

1:39:48.280 --> 1:39:50.840
<v Speaker 3>So, Yeah, let me see what the technical passes were,

1:39:50.960 --> 1:39:52.840
<v Speaker 3>because I did kind of forget, Oh.

1:39:52.800 --> 1:39:55.800
<v Speaker 2>Did you consult Bechdel test dot com, Bechdel test dot com,

1:39:56.479 --> 1:39:57.439
<v Speaker 2>scholarly journal.

1:39:58.240 --> 1:40:00.639
<v Speaker 3>Yeah. People think we spend the who whole show trying

1:40:00.640 --> 1:40:03.200
<v Speaker 3>to figure this out and sometimes we don't even remember

1:40:03.280 --> 1:40:06.960
<v Speaker 3>to do it. Attention it does. Yeah, so I think

1:40:07.000 --> 1:40:09.240
<v Speaker 3>it's just technical passes. I guess that, Like, I mean,

1:40:09.439 --> 1:40:12.559
<v Speaker 3>it doesn't pass the Bechdel test if by in our estimation.

1:40:13.439 --> 1:40:15.439
<v Speaker 3>I do think that like the only thing I could

1:40:15.479 --> 1:40:18.720
<v Speaker 3>give it sort of a like it's trying is like

1:40:19.560 --> 1:40:23.280
<v Speaker 3>to women talking about passion and lust during a time

1:40:23.280 --> 1:40:26.519
<v Speaker 3>where that wasn't permissible, but it is connected obviously to

1:40:26.680 --> 1:40:31.360
<v Speaker 3>like hetero lust, but polyamorous hetero ust Yeah.

1:40:31.720 --> 1:40:33.720
<v Speaker 4>I mean, does it count if they're just like we're

1:40:33.760 --> 1:40:35.080
<v Speaker 4>both horny when that.

1:40:35.200 --> 1:40:38.519
<v Speaker 3>Wasn't legal, like get your head cut off? In this culture?

1:40:38.880 --> 1:40:41.479
<v Speaker 2>Does it pass the test when they kiss each other?

1:40:41.600 --> 1:40:46.600
<v Speaker 2>Because I would argue that kissing is communication, It's true.

1:40:47.200 --> 1:40:48.760
<v Speaker 4>The language of love, It's true.

1:40:49.160 --> 1:40:52.640
<v Speaker 3>I think I think you could I would agree to

1:40:53.000 --> 1:40:55.479
<v Speaker 3>a soft pass argument, but like it's not you know,

1:40:55.880 --> 1:40:57.280
<v Speaker 3>if we had to talk about it for this long,

1:40:57.320 --> 1:40:58.280
<v Speaker 3>it's not a great bath.

1:41:00.240 --> 1:41:05.560
<v Speaker 2>But examining it through the Bechdel cast Nipple scale, this

1:41:05.840 --> 1:41:09.080
<v Speaker 2>scale where we rate the movie zero to five nipples

1:41:09.320 --> 1:41:13.960
<v Speaker 2>based on examining it through an intersectional feminist lens. Ooh,

1:41:14.120 --> 1:41:15.880
<v Speaker 2>this one's tricky. I think it's sort of like a

1:41:16.000 --> 1:41:18.400
<v Speaker 2>split down the middle. For me, I would give it

1:41:18.880 --> 1:41:22.880
<v Speaker 2>ten out of ten on the Horny scale. I would

1:41:22.880 --> 1:41:24.640
<v Speaker 2>give it probably like an eight out of ten on

1:41:25.040 --> 1:41:30.720
<v Speaker 2>the rompometer. She'll give it like, actually, probably two nipples

1:41:31.040 --> 1:41:36.599
<v Speaker 2>on the nipples scale because of the adaptation changes made

1:41:36.720 --> 1:41:42.000
<v Speaker 2>specifically to Mina's character, making her less active, forcing her

1:41:42.080 --> 1:41:48.519
<v Speaker 2>into another romantic situation which might involve coercion, We're not sure,

1:41:48.920 --> 1:41:52.840
<v Speaker 2>might just be that she's a reincarnation of someone, but

1:41:53.360 --> 1:41:57.200
<v Speaker 2>still it feels there's like coersive elements to it that,

1:41:57.479 --> 1:42:02.240
<v Speaker 2>you know, Dracula's playing Jedi tricks on her or whatever. Unclear.

1:42:03.080 --> 1:42:07.519
<v Speaker 2>The representation of Romani people and the kind of albeit

1:42:07.640 --> 1:42:13.000
<v Speaker 2>brief but villainization of Islam should have been deleted from

1:42:13.400 --> 1:42:17.200
<v Speaker 2>the movie, and yet it wasn't. Yeah, I don't know.

1:42:17.360 --> 1:42:21.479
<v Speaker 2>I just wish that the movie was more gay and

1:42:22.560 --> 1:42:28.839
<v Speaker 2>less let's punish women for having sexuality. So two nipples,

1:42:29.000 --> 1:42:32.439
<v Speaker 2>but maybe that's too much even but I just it's

1:42:32.520 --> 1:42:36.160
<v Speaker 2>so camp, it's so awesome, the production design and the

1:42:36.200 --> 1:42:38.120
<v Speaker 2>costume design all the time. I know that doesn't factory

1:42:38.120 --> 1:42:40.600
<v Speaker 2>into the nipples scale, but like it's just hard not

1:42:40.960 --> 1:42:45.160
<v Speaker 2>for me to be obsessed with this movie. Ye, so yeah,

1:42:45.160 --> 1:42:49.640
<v Speaker 2>I'll give it two nipples, and I'll give one to

1:42:49.840 --> 1:42:57.639
<v Speaker 2>Winona Ryder's pronunciation of Clark. She's like, oh, Jonathan doesn't

1:42:57.760 --> 1:43:01.800
<v Speaker 2>want me to marry him because she thinks that he's

1:43:01.880 --> 1:43:07.880
<v Speaker 2>not worthy because he's just a law Clark. And then

1:43:08.320 --> 1:43:11.640
<v Speaker 2>I'll give my oh, I'll give my other nipple to

1:43:11.720 --> 1:43:16.800
<v Speaker 2>this scene where Lucy has approached Quincy and she's like,

1:43:16.960 --> 1:43:17.759
<v Speaker 2>oh my god.

1:43:17.640 --> 1:43:18.639
<v Speaker 4>It's so big.

1:43:19.600 --> 1:43:22.680
<v Speaker 3>Can I touch it? And then it's just mean of

1:43:22.760 --> 1:43:27.479
<v Speaker 3>being like, my friend Lucy is amazing. I love that.

1:43:28.280 --> 1:43:31.000
<v Speaker 2>Yeah, and it ends up being about Quincy's knife, but

1:43:31.120 --> 1:43:32.280
<v Speaker 2>it's really about.

1:43:32.120 --> 1:43:34.840
<v Speaker 3>Why do you think that a lesser movie would not

1:43:35.000 --> 1:43:37.840
<v Speaker 3>to start the episode again, but like a lesser movie

1:43:37.880 --> 1:43:40.920
<v Speaker 3>would make Lucy out to be this like big joke,

1:43:41.280 --> 1:43:44.840
<v Speaker 3>like broad, you know, slutty character, and she's not that.

1:43:44.960 --> 1:43:48.840
<v Speaker 3>She's not punished. She's punished about as as one could be.

1:43:49.280 --> 1:43:52.400
<v Speaker 3>But it isn't like, oh, we shouldn't like or respect

1:43:52.439 --> 1:43:56.040
<v Speaker 3>this character, Like this character isn't worth virtuous Mina's time,

1:43:56.160 --> 1:43:58.120
<v Speaker 3>Like she's like, wow, that's awesome.

1:43:58.240 --> 1:44:01.080
<v Speaker 2>I love that she does that. It's great. So that's

1:44:01.120 --> 1:44:04.559
<v Speaker 2>who gets my nipples. And I love the movie the.

1:44:04.680 --> 1:44:07.320
<v Speaker 3>End I'm going to go I'll go to as well.

1:44:07.760 --> 1:44:10.479
<v Speaker 3>I feel like as a yardstick, it is like so gorgeous,

1:44:10.680 --> 1:44:14.160
<v Speaker 3>it is so campy. But if the movie from nineteen

1:44:14.200 --> 1:44:16.439
<v Speaker 3>ninety two is less gay than the book from eighteen

1:44:16.520 --> 1:44:19.320
<v Speaker 3>ninety seven, it was a problem. We have a problem.

1:44:19.880 --> 1:44:22.920
<v Speaker 3>But yeah, I think that the Mina adjustments, like it

1:44:23.040 --> 1:44:27.280
<v Speaker 3>was an attempt. I didn't love the attempt. I liked

1:44:27.520 --> 1:44:31.000
<v Speaker 3>the idea of like exploring this character's passion and like

1:44:31.240 --> 1:44:34.400
<v Speaker 3>the restrictions of the time that Bramstoker kind of probably

1:44:34.439 --> 1:44:36.760
<v Speaker 3>wouldn't have been able to or maybe not thought much of.

1:44:37.880 --> 1:44:40.400
<v Speaker 3>But I just didn't I felt like the direction they

1:44:40.439 --> 1:44:43.760
<v Speaker 3>did it was very nineteen ninety two, very yeah, like

1:44:44.160 --> 1:44:46.800
<v Speaker 3>erotic thrillery in a way that I feel like didn't

1:44:46.840 --> 1:44:50.160
<v Speaker 3>really do the character much of a favor. But it's

1:44:50.320 --> 1:44:51.240
<v Speaker 3>like such a great movie.

1:44:51.360 --> 1:44:51.600
<v Speaker 4>I do.

1:44:53.200 --> 1:44:57.880
<v Speaker 3>Ship Mina and Lucy. I do love their friendship. I

1:44:58.000 --> 1:45:02.400
<v Speaker 3>think that they are the best on screen pairing, and

1:45:02.840 --> 1:45:05.679
<v Speaker 3>I wish that they had just run away from whatever

1:45:05.760 --> 1:45:07.519
<v Speaker 3>the fuck was going on in this movie.

1:45:07.720 --> 1:45:10.000
<v Speaker 2>Yeah, I think that they should have paired off and

1:45:10.120 --> 1:45:14.640
<v Speaker 2>then Lucy's three boyfriends should have gotten everybody.

1:45:14.320 --> 1:45:21.120
<v Speaker 4>Should just be gay, be gay, cry eat babies. But

1:45:21.760 --> 1:45:23.760
<v Speaker 4>did you do not think that their kiss was a

1:45:23.800 --> 1:45:24.920
<v Speaker 4>little bit male gaze?

1:45:26.800 --> 1:45:27.040
<v Speaker 3>Yeah?

1:45:27.360 --> 1:45:30.280
<v Speaker 4>Yeah, it's like drack keels like and now you're gonna kiss.

1:45:30.680 --> 1:45:33.439
<v Speaker 2>Yeah, I mean the way that like Lucy's tits are

1:45:33.479 --> 1:45:37.040
<v Speaker 2>out and every scene gratuitously, it is very gratuitous.

1:45:38.280 --> 1:45:41.320
<v Speaker 3>I don't know, I'm not I could. I was like

1:45:41.520 --> 1:45:45.559
<v Speaker 3>it was a hot kid. Oh no, I think you're right,

1:45:45.640 --> 1:45:50.599
<v Speaker 3>You're right, and we have to say it. Yeah, I'll

1:45:50.600 --> 1:45:54.519
<v Speaker 3>go to nipples wanted to mean and one to Lucy perfect.

1:45:55.439 --> 1:45:57.519
<v Speaker 4>Yeah, I think for all of the reasons you've said,

1:45:57.520 --> 1:46:00.160
<v Speaker 4>I'm gonna I'm gonna also give it two nipples. I've

1:46:00.200 --> 1:46:04.680
<v Speaker 4>got consensus. One other thing that I remembered about why

1:46:04.680 --> 1:46:07.200
<v Speaker 4>I hate Van helsing, and it's just symbolic of like

1:46:07.280 --> 1:46:09.479
<v Speaker 4>the kind of man stuff that's all over this movie

1:46:10.080 --> 1:46:12.920
<v Speaker 4>is at the end of the movie, Winona's turning into

1:46:12.960 --> 1:46:15.160
<v Speaker 4>a vampire, and she's like, gonna try and seduce him

1:46:15.640 --> 1:46:18.080
<v Speaker 4>and turn him into a vampire, And so she kisses him,

1:46:18.080 --> 1:46:20.200
<v Speaker 4>but he fully kisses her back. He's like yeah, He's

1:46:20.280 --> 1:46:22.800
<v Speaker 4>like great, Yeah, I've been waiting. I assumed this would

1:46:22.800 --> 1:46:26.360
<v Speaker 4>happen for me at some point based on what he's

1:46:26.600 --> 1:46:30.640
<v Speaker 4>so annoying. Yeah, it's like, yeah, there's just man's fingerprints

1:46:30.680 --> 1:46:33.559
<v Speaker 4>all over this production, and it really holds back any

1:46:33.640 --> 1:46:36.200
<v Speaker 4>of the things that's trying to say about women's sexuality,

1:46:36.760 --> 1:46:41.519
<v Speaker 4>surprising to no one. So anyway, Yeah, two nipples. I'll

1:46:41.560 --> 1:46:45.679
<v Speaker 4>give one to the costume designer Ako, and I'll give

1:46:45.760 --> 1:46:49.080
<v Speaker 4>the other two Feminist icon, the pile of rats.

1:46:49.479 --> 1:46:51.760
<v Speaker 2>Oh yeah, my god, you've got to go to the

1:46:51.800 --> 1:46:55.719
<v Speaker 2>pile of remi icon, queer icon, that pile of rats. Everything.

1:46:56.040 --> 1:46:59.519
<v Speaker 3>One more nice thing about my two favorite male actors

1:46:59.680 --> 1:47:05.080
<v Speaker 3>in this movie was that Francis for Coppola did encourage

1:47:05.200 --> 1:47:07.639
<v Speaker 3>Gary Oldman to say gross things to people in her ear.

1:47:07.920 --> 1:47:10.280
<v Speaker 3>So he was complicent in that, which when on a

1:47:10.360 --> 1:47:12.280
<v Speaker 3>rider would say later she was very uncomfortable with. She

1:47:12.360 --> 1:47:15.479
<v Speaker 3>really didn't like it. She felt unsafe. I guess that

1:47:15.680 --> 1:47:20.439
<v Speaker 3>Francis Ford Coppola asked Keanu and Anthony Hopkins to do

1:47:20.520 --> 1:47:23.160
<v Speaker 3>the same thing, and they were like, no, we're not

1:47:23.320 --> 1:47:25.640
<v Speaker 3>going to do that. That does She's an actor. I

1:47:25.720 --> 1:47:29.320
<v Speaker 3>think she'll be okay. And I love those guys, so

1:47:29.400 --> 1:47:31.080
<v Speaker 3>that I was glad to know that they did the

1:47:31.200 --> 1:47:31.519
<v Speaker 3>right thing.

1:47:31.720 --> 1:47:36.080
<v Speaker 4>Yeah, and Anthony Hopkins also apparently she was afraid of fire.

1:47:36.400 --> 1:47:38.080
<v Speaker 4>She has a like lifelong fear of fire, and so

1:47:38.160 --> 1:47:39.600
<v Speaker 4>they had to do that scene where they're in a

1:47:39.680 --> 1:47:41.880
<v Speaker 4>ring of fire. And as soon as they started filming,

1:47:41.920 --> 1:47:43.880
<v Speaker 4>he picked her up and carried her out of the fire.

1:47:43.960 --> 1:47:46.320
<v Speaker 4>He was like, very protective of her. And yeah, he

1:47:46.360 --> 1:47:48.960
<v Speaker 4>also didn't he didn't want to shout you slut at

1:47:49.000 --> 1:47:52.280
<v Speaker 4>her on a on a film set, which was you know, as.

1:47:52.280 --> 1:47:55.120
<v Speaker 3>A low bar. Yeah. I was like, wow, femin it's

1:47:55.200 --> 1:47:59.080
<v Speaker 3>not called what men of so many men want to

1:47:59.160 --> 1:48:04.519
<v Speaker 3>yell at. Well, you know, there's a lot of men

1:48:04.640 --> 1:48:07.640
<v Speaker 3>barely clearing the bar of decency in this in the

1:48:07.720 --> 1:48:11.640
<v Speaker 3>story of this production. Yeah, did we do it.

1:48:12.280 --> 1:48:15.519
<v Speaker 2>We did the episode. Chrystal, Thank you so much, thank

1:48:15.560 --> 1:48:16.640
<v Speaker 2>you for joining.

1:48:16.400 --> 1:48:18.679
<v Speaker 4>Us, Thank you for having me, And if you're listening,

1:48:19.240 --> 1:48:21.880
<v Speaker 4>allow me one last shameless plug and if you're anything

1:48:21.960 --> 1:48:24.639
<v Speaker 4>like me and two weeks between episodes of The Bechdel

1:48:24.720 --> 1:48:27.160
<v Speaker 4>Cast is far too long, feel free to check out

1:48:27.200 --> 1:48:30.920
<v Speaker 4>camp Classics for more of my unqualified opinions about movies.

1:48:31.240 --> 1:48:33.600
<v Speaker 3>Amazing. Yeah, please cover I Frankenstein.

1:48:34.439 --> 1:48:36.240
<v Speaker 4>Wait, I am going to need to move on from

1:48:36.280 --> 1:48:37.160
<v Speaker 4>vampires at some point.

1:48:37.439 --> 1:48:41.160
<v Speaker 3>Yeah. And guess who's gonna be waiting for you? HOODI Frankenstein,

1:48:41.479 --> 1:48:42.400
<v Speaker 3>hoodie nunchuck.

1:48:42.600 --> 1:48:45.240
<v Speaker 4>You did not say hoodie or nunchuck earlier.

1:48:46.160 --> 1:48:49.680
<v Speaker 3>Sexy hoodie nunchuck. I love my favorite shot in all

1:48:49.760 --> 1:48:54.160
<v Speaker 3>of movies. They showed the passage of time of like

1:48:54.280 --> 1:48:58.360
<v Speaker 3>three hundred years of just a static shot of I

1:48:58.520 --> 1:49:01.320
<v Speaker 3>Frankenstein on top of them out and swinging nun chucks

1:49:01.320 --> 1:49:04.559
<v Speaker 3>and they're like three hundred years past. It just cuts

1:49:04.600 --> 1:49:07.559
<v Speaker 3>to the presence. You're gonna love it. Oh, I wish

1:49:07.560 --> 1:49:09.439
<v Speaker 3>I could see it again for the first time. I

1:49:09.560 --> 1:49:09.840
<v Speaker 3>love it.

1:49:11.400 --> 1:49:13.120
<v Speaker 2>Where can people follow you online?

1:49:13.560 --> 1:49:16.600
<v Speaker 4>So I'm at Crystal We'll See You Now on Instagram

1:49:16.960 --> 1:49:21.160
<v Speaker 4>and TikTok, and my podcast is at KEMP Classics Podcast

1:49:21.360 --> 1:49:21.920
<v Speaker 4>on Instagram.

1:49:22.360 --> 1:49:22.559
<v Speaker 3>Yay.

1:49:23.640 --> 1:49:27.720
<v Speaker 2>You can follow us on Instagram as well. At Bechdelcast.

1:49:27.800 --> 1:49:32.040
<v Speaker 2>You can also subscribe to our Patreon aka Matreon. That's

1:49:32.080 --> 1:49:34.760
<v Speaker 2>the best way to support the show. It's only five

1:49:34.840 --> 1:49:37.519
<v Speaker 2>dollars a month, and you get access to two bonus

1:49:37.600 --> 1:49:42.920
<v Speaker 2>episodes every month, and the entire back catalog of it's

1:49:43.000 --> 1:49:44.960
<v Speaker 2>almost two hundred bonus episodes.

1:49:45.439 --> 1:49:48.280
<v Speaker 3>So there's no time as a brutal mistress.

1:49:48.479 --> 1:49:52.040
<v Speaker 2>And I think that's where our I Frankenstein episode lives.

1:49:52.080 --> 1:49:54.680
<v Speaker 2>That was a Matreon episode if I remember correctly.

1:49:54.439 --> 1:49:56.720
<v Speaker 3>Yeah, that we've Caitlin let me do that one as

1:49:56.720 --> 1:50:01.960
<v Speaker 3>a treat and then entered the community. I frank I

1:50:02.320 --> 1:50:05.559
<v Speaker 3>owe you as a joke. If it came a passion,

1:50:05.840 --> 1:50:09.559
<v Speaker 3>I owe you a debt of gratitude, thank you so much. Yeah,

1:50:09.600 --> 1:50:11.519
<v Speaker 3>thank you for thanking me again, of course.

1:50:12.880 --> 1:50:16.960
<v Speaker 2>And uh yeah, check out our link tree. There's links

1:50:17.320 --> 1:50:20.800
<v Speaker 2>there to stuff. Link tree slash. Bechdel Cast love you,

1:50:21.840 --> 1:50:23.400
<v Speaker 2>Bye bye bye, goodbye.

1:50:24.720 --> 1:50:25.120
<v Speaker 1>There is.

1:50:29.720 --> 1:50:32.960
<v Speaker 2>The Bechdel Cast is a production of iHeartMedia, hosted by

1:50:33.040 --> 1:50:36.880
<v Speaker 2>Caitlin Dorante and Jamie loftis produced by Sophie Lichterman, edited

1:50:37.040 --> 1:50:40.200
<v Speaker 2>by Mola Board. Our theme song was composed by Mike

1:50:40.320 --> 1:50:44.639
<v Speaker 2>Kaplan with vocals by Catherine Volskrosensky. Our logo and merch

1:50:44.840 --> 1:50:47.760
<v Speaker 2>is designed by Jamie Loftis, and a special thanks to

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<v Speaker 2>Aristotle Acevedo. For more information about the podcast, please visit

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<v Speaker 2>link Tree Slash Bechdel Cast