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Speaker 1: The volume shameless plug.

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Speaker 2: Everybody please go watch the off road video featuring Masago

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Speaker 2: and Freddy.

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Speaker 1: Gibbs directed.

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Speaker 2: Right, there's my Dog, directed by my She smoked it

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Speaker 2: at RAVB.

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Speaker 1: That's my dog.

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Speaker 2: I'm happy that she took time off from shooting Beyonce,

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Speaker 2: jay Z and Adele.

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Speaker 1: Yeah, she has other people that she filmed, my dumbies.

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Speaker 2: She's really made it now.

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Speaker 1: She's like.

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Speaker 2: Now she's like shot you. That's just some funny resume.

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Speaker 2: Like I mean not to say that she has like

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Speaker 2: a real resume that she would go in to give

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Speaker 2: to a gig, but just imagine seeing that on the resume,

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Speaker 2: like in order though, Like all right, so you did

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Speaker 2: both on the run tours, you did Adele's entire residency

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Speaker 2: in Vegas, and then after that you decided to go to.

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Speaker 3: Freddy Gibbs and Rory. Those are small feats, Ravy, you

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Speaker 3: have now made it. Congrats Raby. Yeah, man, we're two

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Speaker 3: for two. Yeah, we are two for two video.

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Speaker 1: I love it, man, I love it. Yeah, it was.

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Speaker 1: It was definitely a fun fun video for sure.

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Speaker 2: I will say, don't get pushed in the pool with

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Speaker 2: expensive corduroys on, because they will bring you down and

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Speaker 2: you will drown.

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Speaker 1: Yeah, like I was.

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Speaker 2: I was fighting for my life to get to the

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Speaker 2: shallow end at one point, like those are really weighing

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Speaker 2: me down. You get your cord, working on your cord,

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Speaker 2: trying to try not to die. Yeah, but please please

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Speaker 2: watch it, give it a view. How long did you

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Speaker 2: have to watch for a view to account?

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Speaker 1: Just a second? Now? All right, well, I.

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Speaker 2: Mean just watch the whole thing then and then just

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Speaker 2: maybe put it on repeat. I gotta get it to somebody, yeah,

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Speaker 2: so they can watch it. Yeah. I had to pitch

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Speaker 2: to YouTube. That's always fun. Just sell yourself on the

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Speaker 2: zoom to try to make the video deeper than it

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Speaker 2: really is. It's like, nah, Freddy Freddy was somewhere else,

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Speaker 2: Misga was in Brazil.

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Speaker 3: I had to shoot a video after here. Like it

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Speaker 3: was dope though I like to I like to consoptlate

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Speaker 3: the way it came out. Yeah, it was a really

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Speaker 3: good video, dope record.

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Speaker 1: Definitely a good time. And shout out to Jess from

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Speaker 1: Van jess Uh. I don't like to say model. I

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Speaker 1: guess talent. She's a very talent.

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Speaker 2: Very talent is the better, extremely talented singer and she

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Speaker 2: spoke to shit I needed somebody I knew who's like

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Speaker 2: actually deliver a verse because they were sending just like

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Speaker 2: a bunch of models from agencies. I'm like, I know,

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Speaker 2: none of these chicks corrap. Like if I send them

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Speaker 2: a Freddie Gives Verse, They're going to be like.

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Speaker 1: Not a chance. All right, Yeah it's not happening.

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Speaker 2: I'll wait for another video. Yeah, I don't think I

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Speaker 2: need to be in the roy video. But anyways, how

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Speaker 2: are you?

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Speaker 3: I'm good man, I'm good. We're back sponsored by Boost Mobile.

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Speaker 1: Yeah. I was about to ask you feeling a little

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Speaker 1: boosty today? I'm feeling boosty. You know what I'm saying.

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Speaker 3: I got my boost my Boost liquid. You know, did

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Speaker 3: they send you some boost juice?

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Speaker 1: For sure? You gotta get your Boost juice. You gotta

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Speaker 1: get boosted.

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Speaker 3: Yeah, get your unlimited talk, text and data and juice.

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Speaker 2: That's five G juice. You never had, no five of

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Speaker 2: course I had.

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Speaker 1: That's what I got.

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Speaker 2: You can talk more, you talk more on you get

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Speaker 2: the five gu Speaking of a juice, I feel like demeris.

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Speaker 2: I can't see her past the camera. Do you have

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Speaker 2: a little juicy guitar fit that you have on?

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Speaker 1: Right now? Everything's juice today.

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Speaker 4: You gotta bring the juicy.

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Speaker 1: It's a good color on you.

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Speaker 2: I didn't I didn't know it was juicy guitar.

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Speaker 1: I knew it was.

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Speaker 3: I knew it was a law suit. I didn't know

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Speaker 3: it was juicy. Wha, Oh, that's real Juicy Good Tour.

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Speaker 3: They're gonna give that. That's gonna be a gift by tomorrow.

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Speaker 1: Yeah, Juicy good Tour. It looks good. That color looks

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Speaker 1: good on you. Like it.

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Speaker 2: It's something that I see. You actually match the light too. Meanwhile,

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Speaker 2: while Peams washes me out to be even whiter than

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Speaker 2: I am, which is almost impossible, Demeris gets to change

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Speaker 2: her lighting to whatever oufu she's.

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Speaker 1: Wearing for there.

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Speaker 2: Yeah, you know that's let the ladies do that us.

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Speaker 1: Now.

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Speaker 3: I want to just one hundred a thousand white bulb

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Speaker 3: and then and let's get to the ship.

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Speaker 2: I wish we could just completely like split in that,

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Speaker 2: you know, like certain cars you can do the sink

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Speaker 2: or one side.

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Speaker 1: Can get air conditioned. One can't. Wish we could just

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Speaker 1: make it darker over here. You wanted to be darker.

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Speaker 1: I need to be darker. Yes, this is it's offensive.

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Speaker 1: It too dark.

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Speaker 2: So I've sacrificed myself. All the women heart thrives that

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Speaker 2: love podcasting, don't think I'm attractive.

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Speaker 1: That's the sacrifice that.

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Speaker 3: Make it's okay, man, don't worry about it. Man, you

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Speaker 3: look great. All the women that listen, all the women,

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Speaker 3: all seven of you, thank you so much.

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Speaker 2: Yesterday I was busy, so I wasn't like really in

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Speaker 2: the Twitter streets like that.

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Speaker 1: So you ever like get killed on the internet and

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Speaker 1: then be the last to know, like you start getting

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Speaker 1: calls like you're asking me now something wrong? Like no,

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Speaker 1: you're getting you're getting smoked? Right? Any times somebody called

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Speaker 1: you and goes, are you okay?

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Speaker 2: Yeah, I'm like I know a thing or two about that?

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Speaker 4: Is that?

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Speaker 2: Like four thirty five pm, I'm like, wait, why is

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Speaker 2: everyone hitting me about some N word?

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Speaker 1: Shit? Yeah?

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Speaker 2: And then I hit de Maris. I was like, can

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Speaker 2: you feel me on? What the fuck is going on?

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Speaker 2: She's like, oh, yeah, you said you said the N word.

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Speaker 3: I was like, oh, okay, listen, man, Yeah, I don't

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Speaker 3: even want I don't want no flowers.

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Speaker 1: I don't want no flowers.

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Speaker 3: But I told y'all I did not say the N word.

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Speaker 3: Rory definitely says the N word. Why won't anybody listen

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Speaker 3: to me? I don't know. Maybe I have to yell

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Speaker 3: for people to understand and listen, and I don't want

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Speaker 3: to do that.

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Speaker 2: They have been trying to get me for ten years

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Speaker 2: with random clips. Sometimes it be somebody in the background

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Speaker 2: saying it and my mouth is closed, like see Rory

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Speaker 2: said it. This is the first time. I think y'all

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Speaker 2: ma have a case. I didn't hear it because I

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Speaker 2: didn't say it. But when I listened back because Jamara

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Speaker 2: sent me the clip and I was like, oh, yeah,

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Speaker 2: I see what they're saying. Can we play it? Can

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Speaker 2: we play the clip?

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Speaker 4: I just want to.

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Speaker 2: I just want to hear it because you text me.

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Speaker 3: Rory texted me yesterday and or last night and he

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Speaker 3: was like, yo, uh something the N word, and I

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Speaker 3: didn't understand if he was joking or not. So then

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Speaker 3: I called him and he didn't answer, so that I

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Speaker 3: was just laughing.

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Speaker 1: I was in a session when you called me. I

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Speaker 1: meant to you back, but it was super late. Flirting.

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Speaker 1: It's a big did you see a bank's face when

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Speaker 1: I was just flirting? It sounds like it.

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Speaker 5: Nah.

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Speaker 2: I didn't say I didn't say it, not, I fully

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Speaker 2: understand he said no, it was just flirting, I know.

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Speaker 1: But yeah, Josh said, we don't have to keep fighting.

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Speaker 3: Nah.

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Speaker 1: He didn't say nah. He didn't say that word.

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Speaker 5: I know he didn't say it, but it does sound

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Speaker 5: like he said it was the first It sounds like.

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Speaker 2: He said it because y'all know he says it. Y'all

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Speaker 2: know he ain't around he says it. That's why it

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Speaker 2: sounds like he says it. Well, I mean, I wait

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Speaker 2: till you Josh and the Mari sleeve the studio and

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Speaker 2: then then Peach and I, yeah it's some old.

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Speaker 1: Dirty bastard and go crazy.

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Speaker 4: Wait, why so we're talking about it.

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Speaker 2: We're talking about.

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Speaker 5: It in the office before you guys get here. Here

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Speaker 5: goes Peach. P is like, so does that mean like

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Speaker 5: we can all say it and it's dinner. I'm like, Peach,

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Speaker 5: please right now?

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Speaker 2: Okay, everyone gets his birthday though, Yeah, P, you definitely

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Speaker 2: get say it on your birthday.

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Speaker 3: You're definitely allowed to say the N word. It's all

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Speaker 3: good mental trip. But yeah, no, you didn't. That didn't

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Speaker 3: That didn't sound like it, though. Niggason Gardens was a

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Speaker 3: better case than that.

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Speaker 5: No better really than garden. Wasn't what Niggerson Gardens sounded

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Speaker 5: like Nickerson Gardens. I'm still not fully convinced that he

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Speaker 5: didn't say niggas.

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Speaker 3: I'm not convinced he didn't say niggas and guardens. I'm

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Speaker 3: still not convinced he didn't say that. I thought that

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Speaker 3: was the name of the housing complex.

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Speaker 1: It is niggas and gardens. Yeah, that's what it is.

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Speaker 1: Niggas and gardens. Yeah, like this one. No, not a

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Speaker 1: lot of graphy areas and watch Yeah that.

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Speaker 3: Youigun beat that case. That's that's nothing right there.

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Speaker 1: I mean, I have nothing here.

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Speaker 3: That in word rico, don't worry about you. You can

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Speaker 3: walk out of court on that. Don't worry.

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Speaker 2: Then people were I love when people give you too

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Speaker 2: much credit than you deserve. I saw some people saying,

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Speaker 2: because in the off road video, I'm trying to wrap

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Speaker 2: Freddy's verse and he says the N word at the end,

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Speaker 2: that I was doing a rollout to then tease me

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Speaker 2: saying it in the off road video.

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Speaker 1: I was like, yo, I wish I was that smart.

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Speaker 2: I thank you for giving me that type of credit,

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Speaker 2: because that did not cross I.

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Speaker 3: Didn't even think about that verse of Freddy verse. I

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Speaker 3: did not even put that together. That's hilarius.

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Speaker 2: So yeah, I mean, I you know, I say an

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Speaker 2: off road video, I said our last episode, this is

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Speaker 2: this is my N word rollout.

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Speaker 3: Yeah, it's all good man, It's right. It's just a word, man,

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Speaker 3: say it. Say it loud and loud so people don't

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Speaker 3: say it loud? And why would I be proud of?

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Speaker 3: Like what am I saying that word in proud of?

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Speaker 3: Because because you're not saying the N word that is like,

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Speaker 3: you know, like offensive.

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Speaker 2: You're saying the N word that is like the word

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Speaker 2: niggas offensive. If my wife face says any version of the.

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Speaker 1: Man, that's not at all, bro, not at all.

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Speaker 5: Well, just just to clarify, Rory did not say it,

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Speaker 5: and we do. We're not canceling him.

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Speaker 4: We're not firing.

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Speaker 1: Cancel. That's not a real thing. No more cancel.

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Speaker 3: You know what, ship the niggas is out here duing.

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Speaker 3: Nobody can be canceled no more.

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Speaker 2: That's so that would have been a funny sketch if

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Speaker 2: I came out the elevator and all you guys were

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Speaker 2: sitting there and fired me from my.

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Speaker 1: Own company for saying the in word. Yeah, and y'all

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Speaker 1: had like de ray in the vest, like right on

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Speaker 1: the couch to nah man, It's all good though, Shaun

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Speaker 1: King's here sitting in Indian style.

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Speaker 2: What's up with Sean King? I haven't heard I using

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Speaker 2: the inn word. What haven't he hasn't been like he

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Speaker 2: converted to.

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Speaker 1: This long he's Muslim Now I'm a dope gang.

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Speaker 3: But like I haven't even seen like anything with Sean King,

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Speaker 3: like on social media online anything like he just like

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Speaker 3: there's like not even I don't see anything for Seawan

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Speaker 3: King anymore, Like is he still active on social media?

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Speaker 1: Is he's still active?

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Speaker 2: And like I remember he was talking about something with Palestine.

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Speaker 1: Yeah there was there's a there's a whole conflict going

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Speaker 1: on over there. No, no, I know that.

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Speaker 3: But he the last time I remember us talking about

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Speaker 3: Sean King is I think he said he was going

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Speaker 3: to stop the conflict and uh, well.

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Speaker 2: He said yeah he I mean he was in he

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Speaker 2: was doing negotiations for a ceasefire and also converted. He

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Speaker 2: converted to listen, you have to give him at least

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Speaker 2: the marketing credit that he deserves. Once the world started

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Speaker 2: focusing on Israel and Palestine's been going on for forty

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Speaker 2: fucking years. But once the world like started to focus

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Speaker 2: on it, taking that thing serious over.

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Speaker 1: There, he was like, all right, that's that's where the

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Speaker 1: algorithm's at. Now I'm Muslim. Yeah.

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Speaker 2: No, he really said he converted because of the struggle

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Speaker 2: of the Palace people. That's why he wanted to convert.

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Speaker 3: But is it like a Brittany Rental Muslim or is

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Speaker 3: he like, really like I.

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Speaker 1: Need you to what do you think of Brittany Renner Muslim?

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Speaker 3: Because I think she was Muslim because she was dating

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Speaker 3: Kevin Gates at the time, and who isn't Muslim? Yeah,

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Speaker 3: so she obviously, you know, she took on the Muslim

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Speaker 3: religion for her her partner at the time.

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Speaker 2: Okay, but religion isn't like you know, when girls start

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Speaker 2: like dressing like their boyfriends. That's not like religion isn't

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Speaker 2: that well, I mean, you can't like dat somebody for

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Speaker 2: a month and it's like it's just Judaism in September

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Speaker 2: and then we broke up.

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Speaker 1: So you know what you have to be back to.

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Speaker 3: You have to be for sixty days, right, is a

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Speaker 3: Muslim sixty ninety days something like that? Yeah, so she

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Speaker 3: did her ninety days and what is ninety days and

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Speaker 3: and the show ninety days and.

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Speaker 2: Sixty days and ninety days in she did ninety days in.

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Speaker 2: Well they got married too, right, because I think she's

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Speaker 2: had her divorce because you can't get divorced right away

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Speaker 2: in Islam, like they have a window with which I

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Speaker 2: actually agree with that. Like I think marriage in general,

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Speaker 2: like there should if you want to get a divorce,

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Speaker 2: give it not yeah, think about it.

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Speaker 1: Yeah yeah.

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Speaker 2: I don't know if they got married though, but I

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Speaker 2: mean either way, I do have full confidence in Sean

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Speaker 2: King against Netan Yahoo. I think he's gonna be It's

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Speaker 2: either gonna be Pat Patrick David or Sean King. I

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Speaker 2: think it's gonna end this this conflict for us, but.

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Speaker 1: Hopefully they get the job.

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Speaker 2: I'm really shocked that he didn't do like fundraising for

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Speaker 2: his own ramadant, Like I could see him doing a

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Speaker 2: telethon on live Sean King, like yeah, wow, he's fasting.

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Speaker 1: And the money goes to him, but he's gonna like'.

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Speaker 3: Just checking on Sean King, shot him a little DM

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Speaker 3: and just make sure he's all right.

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Speaker 1: Man. I haven't heard much from Sean King.

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Speaker 2: In a while, Peace, Scott, you want me to just

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Speaker 2: I just want to make sure he's good, man, I

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Speaker 2: m P Scott.

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Speaker 3: Now, I think he's a good guy. I think he

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Speaker 3: means well. So I just want to check in on him, That's.

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Speaker 1: All I'm trying to think. Oh yeah.

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Speaker 2: Also, in the midst of me rolling out the N word,

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Speaker 2: I kind of I kind of want my media media flowers, man,

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Speaker 2: I kind of I kind of feel like Maul and

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Speaker 2: I don't get a lot of credit for the stuff

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Speaker 2: that that we break. There's a lot of news that

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Speaker 2: we have been the first people to talk about it,

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Speaker 2: to break that news, and then it catches legs and

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Speaker 2: everyone just goes to the mass media people like they

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Speaker 2: were the ones that broke the ship. I've been telling

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Speaker 2: y'all that a Rico case was coming.

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Speaker 1: With radio, right. We just skipped over that. No, I

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Speaker 1: mean you didn't.

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Speaker 3: You alluded to it, you kind of flirted with it,

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Speaker 3: but you we didn't really go into it.

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Speaker 2: I did. I wanted to wait for the full report

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Speaker 2: to actually come out. Okay, and it's it's gonna it's

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Speaker 2: gonna be a long day for some of you guys.

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Speaker 2: How long was it that I got I got a

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Speaker 2: glance at some of that paperwork. There's crazy fucking names

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Speaker 2: in there. It is like I know a lot of

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Speaker 2: y'all government names. Now, I felt like I was having

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Speaker 2: a paperwork party. I was like they was in on

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Speaker 2: it too. And wait, that's his real name. But what

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Speaker 2: does this mean? No, like the music, I mean, I

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Speaker 2: think it's it's not just with the radio companies. Obviously, iHeart,

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Speaker 2: which we're on being one of the biggest conglomerates of

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Speaker 2: all time, I can speak for I've definitely taken payola,

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Speaker 2: So I mean we may end up being in this

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Speaker 2: this case as well. Like all our opinions up here

324
00:13:21,520 --> 00:13:24,880
Speaker 2: are bought, they pay us for them, which is directly

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Speaker 2: funneled through iHeart, so we can get a tax break,

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Speaker 2: so we will probably be on that stand as well.

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Speaker 2: Cuffed DJ never mind, No, get it to your bag.

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Speaker 2: Don't say never mind now you did, don't walk you back.

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Speaker 2: He's just just bleep the name go.

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Speaker 1: I'm joking. I'm not even gonna die anyone.

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Speaker 2: But yes, the RICO, from my understanding, is labels not

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Speaker 2: only just doing payola, which, for those people that don't know,

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Speaker 2: payola is when companies or people will pay DJs or

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Speaker 2: radio executives, or should they pay the janitor at the

335
00:14:01,760 --> 00:14:05,400
Speaker 2: radio station, give them money so that someone can play

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Speaker 2: a record. Now, Payolo has been around since the inception

337
00:14:08,480 --> 00:14:10,600
Speaker 2: of radio. That's why it's illegal, because they had to

338
00:14:10,640 --> 00:14:13,840
Speaker 2: monitor it. We've known that's been going on. The bigger

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00:14:13,880 --> 00:14:16,840
Speaker 2: part of this radio rico shit is the money laundering

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00:14:16,960 --> 00:14:20,920
Speaker 2: portion of it, which is an extreme version of what

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00:14:20,960 --> 00:14:25,000
Speaker 2: Payola would be. Funneling a bunch of money into radio

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00:14:25,280 --> 00:14:28,120
Speaker 2: so a record can continue to play, yes, Payola, but

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Speaker 2: then when the radio station is setting the price higher

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Speaker 2: than anyone else to funnel it back to the label.

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Speaker 1: Now you are, by definition laundering money.

346
00:14:41,040 --> 00:14:44,080
Speaker 2: You're putting money out, it's getting clean, no tax is there,

347
00:14:44,320 --> 00:14:46,200
Speaker 2: and then it's coming back to you as a profit.

348
00:14:47,520 --> 00:14:50,640
Speaker 2: That is money laundering. Now, yeah, this isn't just low

349
00:14:50,800 --> 00:14:54,720
Speaker 2: like yo a digit. Some guy from East New York

350
00:14:54,760 --> 00:14:56,440
Speaker 2: was hanging outside the Hot ninety seven office with a

351
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Speaker 2: brown paper bag and was like, Yo, my man's rap.

352
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Speaker 1: Here's here's twenty K.

353
00:15:01,360 --> 00:15:04,960
Speaker 2: It's not a it's not Hove Dame and your brother

354
00:15:05,480 --> 00:15:08,640
Speaker 2: giving flex champagne baskets or everyone at the radio station.

355
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Speaker 2: It's not labels paying for DJ Cruz to go to

356
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Speaker 2: the Caribbean. This is legitimately a Rico money laundering situation

357
00:15:19,800 --> 00:15:25,000
Speaker 2: between the three major labels and the biggest radio conglomerate

358
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Speaker 2: in the world, plus MS plus any other radio station

359
00:15:29,000 --> 00:15:33,320
Speaker 2: across the country. And guys, iHeart, I know you're watching.

360
00:15:34,840 --> 00:15:39,560
Speaker 2: I think you're innocent. Okay, I think Iheart's trying to

361
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Speaker 2: buy NBC something along those lines.

362
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Speaker 1: iHeart, I'm here to stand with you. I don't think

363
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Speaker 1: you guys are guilty.

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Speaker 2: I could never see a world where Universal, Warner or

365
00:15:48,960 --> 00:15:52,000
Speaker 2: Sony would ever be in bed with iHeart Media.

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Speaker 1: I don't see. I don't see a world where that happens.

367
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Speaker 3: So just to have just to have fun here based

368
00:15:56,560 --> 00:15:58,680
Speaker 3: on something I said, So, do you understand the red

369
00:15:58,720 --> 00:15:59,360
Speaker 3: button a little more?

370
00:15:59,360 --> 00:16:06,840
Speaker 2: Noer? Oh, Drake's lawsuit certainly added to this, okay significantly

371
00:16:07,080 --> 00:16:12,200
Speaker 2: from my understanding, it was in play already, but with

372
00:16:12,880 --> 00:16:16,080
Speaker 2: the lawsuit and people having to now show and reveal

373
00:16:16,160 --> 00:16:19,960
Speaker 2: things because of the lawsuit, it certainly didn't help the

374
00:16:20,080 --> 00:16:21,960
Speaker 2: labels or or I art.

375
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Speaker 3: So what does this mean though for music moving forward?

376
00:16:24,840 --> 00:16:27,080
Speaker 3: What does this mean for artists? What does this mean they'll.

377
00:16:26,880 --> 00:16:30,040
Speaker 2: Find a fall guy and everything will be business as

378
00:16:30,080 --> 00:16:32,000
Speaker 2: usual and they'll find a new way to do it.

379
00:16:32,000 --> 00:16:34,760
Speaker 2: It's like any other business. I'm not even mad at

380
00:16:34,760 --> 00:16:39,560
Speaker 2: the labels or radio. This goes on in any genre business.

381
00:16:39,960 --> 00:16:40,200
Speaker 1: Shit.

382
00:16:41,200 --> 00:16:44,240
Speaker 2: If we want to come down on fucking iHeartMedia and

383
00:16:44,400 --> 00:16:47,760
Speaker 2: Universal based off paying for some songs. Go down to a

384
00:16:47,760 --> 00:16:49,320
Speaker 2: Wall Street and see what they do at Chase Bank.

385
00:16:51,520 --> 00:16:52,960
Speaker 2: Somebody's going to be a false now, they're going to

386
00:16:53,040 --> 00:16:53,760
Speaker 2: find one person.

387
00:16:53,880 --> 00:16:56,640
Speaker 1: There's nothing new, there's not going to be a settlement here.

388
00:16:56,960 --> 00:17:00,840
Speaker 2: I just think the FEDS, which is ironic because there's

389
00:17:00,840 --> 00:17:02,560
Speaker 2: so much going on in the world. I think the

390
00:17:02,560 --> 00:17:05,520
Speaker 2: FEDS are kind of fucking bored and are just running

391
00:17:05,760 --> 00:17:10,000
Speaker 2: wild with RICO and I Feds a board.

392
00:17:10,560 --> 00:17:13,200
Speaker 1: Yeah that's interesting with so much going on.

393
00:17:13,640 --> 00:17:16,440
Speaker 2: Yeah, like listen, we were the first people up here

394
00:17:16,600 --> 00:17:20,320
Speaker 2: to condemn Puff and believe everybody. I think a lot

395
00:17:20,320 --> 00:17:24,359
Speaker 2: of that was for headlines and to get people up

396
00:17:24,359 --> 00:17:27,560
Speaker 2: the ladder, like oh I did the Puffy Caves. It's

397
00:17:27,560 --> 00:17:30,040
Speaker 2: for headlines. This is going to be the same exact thing.

398
00:17:30,280 --> 00:17:33,080
Speaker 2: No one's here for justice, they're here for headlines. Yes,

399
00:17:33,119 --> 00:17:35,480
Speaker 2: I think the FEDS are bored in a lot of

400
00:17:35,520 --> 00:17:40,040
Speaker 2: cases because I even think on the side of the

401
00:17:40,040 --> 00:17:42,159
Speaker 2: FEDS with crime. Let's just say in New York with

402
00:17:42,160 --> 00:17:44,160
Speaker 2: what they do with Rico's with gangs, that doesn't get

403
00:17:44,160 --> 00:17:47,520
Speaker 2: the headlines that they want. Puff gets the headlines, universal music,

404
00:17:47,560 --> 00:17:49,840
Speaker 2: I art that gets the headlines, that gets people up

405
00:17:49,840 --> 00:17:55,760
Speaker 2: the ladder when they do these cases getting fucking fucking

406
00:17:56,600 --> 00:17:58,320
Speaker 2: GS nine Like that's yeah, all right, cool, it's a

407
00:17:58,320 --> 00:18:01,320
Speaker 2: headline for like a week, right, you saw even with

408
00:18:01,359 --> 00:18:03,680
Speaker 2: the young thug thing like, this is all about headlines.

409
00:18:03,680 --> 00:18:05,000
Speaker 1: And I think that's what the Feds.

410
00:18:05,480 --> 00:18:07,280
Speaker 2: They have the Rico law, which just allows you to

411
00:18:07,359 --> 00:18:10,159
Speaker 2: kind of just say whatever, like this is just this

412
00:18:10,200 --> 00:18:14,280
Speaker 2: is an organization, so anything that happened now you're guilty

413
00:18:14,280 --> 00:18:18,600
Speaker 2: of it. And there's no law that regulates RICO, which

414
00:18:18,640 --> 00:18:19,439
Speaker 2: I think there should be.

415
00:18:20,640 --> 00:18:22,359
Speaker 1: Yeah, you regulates RICO. What do you mean.

416
00:18:25,119 --> 00:18:27,679
Speaker 2: There should be something that I think you have to

417
00:18:27,760 --> 00:18:31,879
Speaker 2: further prove the criminal organization and the crimes that were

418
00:18:31,920 --> 00:18:34,280
Speaker 2: involved in it. I do not think why I saw

419
00:18:34,320 --> 00:18:35,879
Speaker 2: as a gang, but according.

420
00:18:35,520 --> 00:18:36,480
Speaker 1: To them, it was a gang.

421
00:18:36,880 --> 00:18:40,600
Speaker 2: Sugg was at the top. He was apparently the leader

422
00:18:40,600 --> 00:18:44,800
Speaker 2: of the gang. If somebody that's in the gang happens

423
00:18:44,840 --> 00:18:48,280
Speaker 2: to murder somebody I'm not responsible for that murder.

424
00:18:48,640 --> 00:18:50,800
Speaker 1: Now if thug order the murder, now we're talking different.

425
00:18:50,960 --> 00:18:54,600
Speaker 2: RICO allows if somebody just happens to claim the flag

426
00:18:54,640 --> 00:18:57,400
Speaker 2: of your blood set and does some shit on their own,

427
00:18:57,440 --> 00:18:59,040
Speaker 2: not even under the flag or orders.

428
00:18:59,359 --> 00:19:01,040
Speaker 5: Now I'm part of the just because we're in the

429
00:19:01,080 --> 00:19:03,200
Speaker 5: same gang. Well, there needs to be regulation on RICO.

430
00:19:03,280 --> 00:19:05,560
Speaker 5: But you put you saying regulation on RICO. But that's

431
00:19:05,600 --> 00:19:06,800
Speaker 5: the whole point of the RICO.

432
00:19:07,200 --> 00:19:09,760
Speaker 1: Like I'm saying, they need to to regulate that because

433
00:19:09,800 --> 00:19:12,640
Speaker 1: it's a cheat code. All right, let's use the mafia.

434
00:19:13,240 --> 00:19:18,320
Speaker 2: There's Gambino associates, shit that John Gotty don't even know

435
00:19:18,359 --> 00:19:20,679
Speaker 2: that person's name, never seen them in his life. Some

436
00:19:20,720 --> 00:19:23,000
Speaker 2: people just do crimes on their own, but they also

437
00:19:23,119 --> 00:19:26,960
Speaker 2: just happen to be associated with a gang. You think

438
00:19:27,000 --> 00:19:28,760
Speaker 2: Gotti is at his house and knows some twenty one

439
00:19:28,840 --> 00:19:31,320
Speaker 2: year old kid that's a Gambino associate that happened to

440
00:19:31,440 --> 00:19:32,960
Speaker 2: rob a fucking liquor store that day.

441
00:19:33,520 --> 00:19:34,320
Speaker 1: No, but now you.

442
00:19:34,280 --> 00:19:37,000
Speaker 2: Can add it into a RICO and it's like you

443
00:19:37,080 --> 00:19:39,000
Speaker 2: got to prove that this was under my flag.

444
00:19:39,080 --> 00:19:41,520
Speaker 5: But no, But this is the thing though, it's not

445
00:19:41,640 --> 00:19:43,879
Speaker 5: about at the end of the day. This person feels

446
00:19:43,880 --> 00:19:47,760
Speaker 5: so confident doing this because you have provided a community

447
00:19:47,760 --> 00:19:51,640
Speaker 5: and a culture where this is okay and stamped this

448
00:19:51,640 --> 00:19:54,320
Speaker 5: this gang. And now this person who's connected to your

449
00:19:54,359 --> 00:19:56,520
Speaker 5: gang has done something. Whether you ordered it or not,

450
00:19:56,840 --> 00:20:00,119
Speaker 5: it might not have gotten done if you weren't this

451
00:20:00,000 --> 00:20:03,000
Speaker 5: this big crime boss. Oh no, like you've cultivated this.

452
00:20:03,119 --> 00:20:05,280
Speaker 5: You are responsible whether you ordered it or not.

453
00:20:05,440 --> 00:20:10,520
Speaker 2: I understand Rico to a degree. We'll use the mafia

454
00:20:10,520 --> 00:20:12,840
Speaker 2: again as an example. Before I mean Rico existed. They

455
00:20:12,920 --> 00:20:14,399
Speaker 2: just the Feds were stupid and didn't know was in

456
00:20:14,400 --> 00:20:18,000
Speaker 2: the law books. They couldn't get to the boss because

457
00:20:18,040 --> 00:20:20,800
Speaker 2: the boss would never touch the drugs, the money, wouldn't

458
00:20:20,880 --> 00:20:22,800
Speaker 2: order anything on the phone, like you couldn't get to

459
00:20:22,880 --> 00:20:24,320
Speaker 2: him because they insulated him so much.

460
00:20:24,359 --> 00:20:26,760
Speaker 1: So they created Rico so they could do that.

461
00:20:26,920 --> 00:20:29,240
Speaker 2: But then they ran crazy with it and just started

462
00:20:29,280 --> 00:20:32,080
Speaker 2: adding things that have nothing to do under the flag

463
00:20:32,080 --> 00:20:35,480
Speaker 2: of this organization. Sometimes people kill people and has nothing

464
00:20:35,560 --> 00:20:37,480
Speaker 2: to do with the gang that we're in, and now

465
00:20:37,560 --> 00:20:39,840
Speaker 2: I'm responsible for that murder just because you think I'm

466
00:20:39,880 --> 00:20:41,119
Speaker 2: the head of this organization.

467
00:20:42,480 --> 00:20:43,160
Speaker 1: Pull up, Rico.

468
00:20:44,680 --> 00:20:46,800
Speaker 2: I just think you need to further prove that more.

469
00:20:47,560 --> 00:20:50,480
Speaker 2: I don't think Rico is wrong as far as the law.

470
00:20:50,640 --> 00:20:53,760
Speaker 2: I just think that the lines are so blurred it

471
00:20:53,800 --> 00:20:56,159
Speaker 2: allows the FEDS to get away with a lot of

472
00:20:56,160 --> 00:20:58,719
Speaker 2: bullshit as far as adding charges to people that may

473
00:20:58,720 --> 00:21:00,720
Speaker 2: have not even been aware of it, anything that was

474
00:21:00,760 --> 00:21:08,359
Speaker 2: going on with the people under them.

475
00:21:05,720 --> 00:21:05,880
Speaker 1: Like.

476
00:21:07,760 --> 00:21:10,280
Speaker 2: And I think we're going to see that more with

477
00:21:10,400 --> 00:21:13,720
Speaker 2: these types of cases. Because while what's happening with the

478
00:21:13,800 --> 00:21:20,040
Speaker 2: labels and radio is by definition illegal, this is still

479
00:21:20,080 --> 00:21:20,600
Speaker 2: white collar.

480
00:21:21,840 --> 00:21:25,760
Speaker 1: So where do we draw the line. Is the assistant

481
00:21:25,840 --> 00:21:29,160
Speaker 1: to the PM at the breakfast club now responsible because

482
00:21:29,160 --> 00:21:33,000
Speaker 1: they're in this organization. Where do you draw the line.

483
00:21:32,840 --> 00:21:36,440
Speaker 3: Of Well, no, it wouldn't be it wouldn't be people

484
00:21:36,440 --> 00:21:40,080
Speaker 3: that just work at the radio station per se. It

485
00:21:40,119 --> 00:21:42,960
Speaker 3: would be you know, the people that are running the

486
00:21:43,040 --> 00:21:46,440
Speaker 3: radio station, or the people at the labels. It would

487
00:21:46,480 --> 00:21:46,679
Speaker 3: be that.

488
00:21:46,680 --> 00:21:49,800
Speaker 2: It wouldn't be the intern that's running to go get

489
00:21:49,800 --> 00:21:51,679
Speaker 2: bagels and called for like he has nothing to do.

490
00:21:51,920 --> 00:21:56,359
Speaker 2: Let's say I'm a Let's say I'm a radio personality. Uh,

491
00:21:57,119 --> 00:21:58,879
Speaker 2: I'm not saying Hot ninety seven is of all what

492
00:21:59,000 --> 00:22:00,760
Speaker 2: I'm just using Hot ninety seven. Let's say I work

493
00:22:00,760 --> 00:22:04,920
Speaker 2: at Hot ninety seven on a morning show, and I

494
00:22:05,000 --> 00:22:09,119
Speaker 2: cut a deal with the president of Atlantic where I

495
00:22:09,160 --> 00:22:11,240
Speaker 2: am a third party contractor and you are paying me

496
00:22:11,280 --> 00:22:12,720
Speaker 2: a fee every month, and we know what that.

497
00:22:12,680 --> 00:22:13,159
Speaker 1: Fee is for.

498
00:22:14,440 --> 00:22:18,520
Speaker 2: It is to help promote all Atlantic artists, be favorable

499
00:22:18,560 --> 00:22:20,560
Speaker 2: to Atlantic artists, play more of Alank. I know what

500
00:22:20,600 --> 00:22:24,800
Speaker 2: this is, but my program director doesn't know that. Program

501
00:22:24,800 --> 00:22:27,959
Speaker 2: director's boss doesn't know that. The owner of MS Communications

502
00:22:27,960 --> 00:22:31,040
Speaker 2: doesn't know that. But I went to the CEO of

503
00:22:31,080 --> 00:22:35,840
Speaker 2: Atlantic and I took this money. Now MS is in

504
00:22:35,920 --> 00:22:38,880
Speaker 2: a RICO because I did something on my own that's

505
00:22:38,920 --> 00:22:41,639
Speaker 2: fucked up. I'd be sitting there as MS Communications like

506
00:22:41,680 --> 00:22:43,920
Speaker 2: di I didn't know that Rory went and took this back.

507
00:22:44,080 --> 00:22:46,960
Speaker 2: This is not payola, money laundering or a RICO. He

508
00:22:47,000 --> 00:22:48,080
Speaker 2: went and did that shit by himself.

509
00:22:48,119 --> 00:22:50,639
Speaker 3: Yeah, but I think it's bigger than that though. If

510
00:22:50,680 --> 00:22:53,920
Speaker 3: a RICO is handed down, that's because they've done enough investigation,

511
00:22:54,560 --> 00:22:56,680
Speaker 3: they've gathered enough information on Santa Ca.

512
00:22:56,800 --> 00:22:59,239
Speaker 2: You're saying off rico where I think it gets fucked up.

513
00:22:59,240 --> 00:23:02,640
Speaker 2: This is just straight up I think label to corporation.

514
00:23:02,880 --> 00:23:04,920
Speaker 1: Absolutely. Yeah.

515
00:23:04,960 --> 00:23:07,040
Speaker 3: So I think that you know the RICO thing. If

516
00:23:07,040 --> 00:23:09,240
Speaker 3: the RICO comes down, trust and believe they've done their

517
00:23:09,320 --> 00:23:10,040
Speaker 3: due diligence.

518
00:23:10,440 --> 00:23:14,440
Speaker 2: They've investigated, They've gathered enough information over the years they

519
00:23:14,600 --> 00:23:17,800
Speaker 2: know exactly what's going on, who did what before that

520
00:23:17,920 --> 00:23:19,400
Speaker 2: even comes to your doorstep.

521
00:23:19,920 --> 00:23:22,040
Speaker 1: I loved shout out to Berg in front of the show.

522
00:23:22,440 --> 00:23:24,919
Speaker 2: I forgot who he was talking to, maybe maybe Gillian

523
00:23:24,960 --> 00:23:28,800
Speaker 2: Wallo when he was telling everybody. Out of all his records,

524
00:23:29,359 --> 00:23:31,520
Speaker 2: radio has always paid him out way more than any

525
00:23:31,560 --> 00:23:34,920
Speaker 2: of you know. Berg's records are streamed five billion times.

526
00:23:35,000 --> 00:23:36,359
Speaker 2: He always posts the numbers. They're insane.

527
00:23:36,680 --> 00:23:40,240
Speaker 1: So I've made ten times more money because radio pays

528
00:23:40,280 --> 00:23:42,640
Speaker 1: out more. There you go.

529
00:23:44,440 --> 00:23:49,080
Speaker 2: Yeah, I mean listen, man, niggas got to eat, you

530
00:23:49,119 --> 00:23:51,120
Speaker 2: know what I'm saying, And he's got bills to pay. Man,

531
00:23:52,000 --> 00:23:55,800
Speaker 2: And they wonder wonder something sometimes and all Drake and

532
00:23:55,840 --> 00:23:59,160
Speaker 2: Kendrick stands. I'm not talking about this case with them

533
00:23:59,160 --> 00:24:02,879
Speaker 2: two whatsoever. You ever just wondered why certain songs is

534
00:24:02,920 --> 00:24:07,960
Speaker 2: just like always on the chart, then you checked like

535
00:24:07,960 --> 00:24:09,600
Speaker 2: the streaming numbers and they ain't even really like that

536
00:24:09,840 --> 00:24:15,040
Speaker 2: all that. Yeah, Radio, I've always said radio is super important.

537
00:24:15,040 --> 00:24:17,080
Speaker 2: I don't care if people think radio is that. Radio

538
00:24:17,280 --> 00:24:20,639
Speaker 2: is extremely important as far as getting music out there

539
00:24:20,800 --> 00:24:24,160
Speaker 2: and how it looks perception wise of how you're doing.

540
00:24:24,560 --> 00:24:28,520
Speaker 1: For sure, Absolutely those numbers are a bit more.

541
00:24:29,720 --> 00:24:33,680
Speaker 3: Listen, man, it's gonna be an interesting few at the

542
00:24:34,080 --> 00:24:36,560
Speaker 3: end of the months to the rest of the months

543
00:24:36,560 --> 00:24:41,240
Speaker 3: of the year in regards to this Radio Rico situation

544
00:24:41,359 --> 00:24:42,440
Speaker 3: that is upon us.

545
00:24:44,119 --> 00:24:45,199
Speaker 1: But again I this.

546
00:24:45,720 --> 00:24:48,320
Speaker 3: You know they're gonna just get past this, like you said,

547
00:24:49,240 --> 00:24:52,440
Speaker 3: and started all over again, and another twenty years will

548
00:24:52,480 --> 00:24:53,600
Speaker 3: be right back at this again.

549
00:24:57,320 --> 00:24:57,560
Speaker 1: Maul.

550
00:24:57,600 --> 00:24:59,479
Speaker 2: I know you do not have a phone, so I

551
00:24:59,520 --> 00:25:02,000
Speaker 2: am here to let you know that that is probably

552
00:25:02,040 --> 00:25:03,520
Speaker 2: a device that you need in this day and age.

553
00:25:03,560 --> 00:25:04,560
Speaker 1: Bought me one. You got me one.

554
00:25:04,800 --> 00:25:07,560
Speaker 2: I mean, listen, I could find it a service. Just

555
00:25:07,560 --> 00:25:10,280
Speaker 2: don't tell nobody. For twenty five dollars a month, you

556
00:25:10,359 --> 00:25:13,720
Speaker 2: get unlimited talk, text and data forever.

557
00:25:13,920 --> 00:25:16,400
Speaker 1: And their name is boost Mobile Plus.

558
00:25:16,440 --> 00:25:20,080
Speaker 2: Boost Mobile is now legitimate nationwide five G network.

559
00:25:20,119 --> 00:25:20,920
Speaker 1: Were they not before?

560
00:25:21,040 --> 00:25:22,359
Speaker 3: I mean, I don't know if it was legit, but

561
00:25:22,400 --> 00:25:25,000
Speaker 3: now it's legit. They've invested billions at the building five

562
00:25:25,040 --> 00:25:28,199
Speaker 3: G towls across the country. Visit boostmobile dot com or

563
00:25:28,240 --> 00:25:30,920
Speaker 3: head to your local boostore today and get unlimited talk, texts,

564
00:25:31,240 --> 00:25:34,280
Speaker 3: and data for twenty five dollars a month forever. Five

565
00:25:34,359 --> 00:25:36,800
Speaker 3: G speeds not available in all areas. After thirty GB

566
00:25:36,920 --> 00:25:40,119
Speaker 3: customers may experience lower speeds. Customers will pay twenty five

567
00:25:40,160 --> 00:25:42,040
Speaker 3: dollars a month as long as they remain active on

568
00:25:42,080 --> 00:25:43,080
Speaker 3: the Boost Unlimited plan.

569
00:25:49,480 --> 00:25:52,479
Speaker 2: I just pulled up my twenty twenty five predictions. Now,

570
00:25:52,480 --> 00:25:54,680
Speaker 2: I don't want to give myself the whole bouquet of flowers,

571
00:25:54,720 --> 00:25:58,160
Speaker 2: but I think I deserve at least the lily. I said,

572
00:25:58,200 --> 00:26:02,600
Speaker 2: Billboard gets hacked this year, and while they're not getting hacked,

573
00:26:04,480 --> 00:26:07,000
Speaker 2: Billboard is going to have to open their books as well.

574
00:26:09,119 --> 00:26:11,199
Speaker 2: With all these cases, you think Billboards being left out.

575
00:26:11,240 --> 00:26:13,520
Speaker 2: I'm not saying Billboard did anything illegal. I'm just talking

576
00:26:13,520 --> 00:26:19,360
Speaker 2: about the place that is collecting the Numberillboard gets hacked.

577
00:26:19,400 --> 00:26:20,959
Speaker 2: That's why I said I don't deserve the whole bouquet.

578
00:26:21,240 --> 00:26:23,480
Speaker 3: Is the hacked and hacked when investigated.

579
00:26:23,480 --> 00:26:24,359
Speaker 1: It's two different things.

580
00:26:24,440 --> 00:26:26,359
Speaker 2: And I'm not saying Billboard did anything criminal. I'm just

581
00:26:26,400 --> 00:26:29,760
Speaker 2: looking they're going to be the character witnessing this whole day.

582
00:26:29,760 --> 00:26:31,240
Speaker 2: They just have to answer some questions.

583
00:26:31,280 --> 00:26:31,880
Speaker 1: Here's the data.

584
00:26:31,960 --> 00:26:33,080
Speaker 2: Yeah, but that's not hacked.

585
00:26:33,359 --> 00:26:33,560
Speaker 1: I know.

586
00:26:33,600 --> 00:26:35,040
Speaker 2: That's what I said, I don't deserve the whole thing.

587
00:26:35,080 --> 00:26:38,040
Speaker 2: But when I said that, I thought somebody was going

588
00:26:38,080 --> 00:26:39,520
Speaker 2: to figure out how to hack Billboard and we were

589
00:26:39,520 --> 00:26:43,679
Speaker 2: going to see it. The numbers that were fudged being revealed.

590
00:26:43,720 --> 00:26:46,239
Speaker 3: So you're saying, as a result of investigation, we will

591
00:26:46,280 --> 00:26:46,800
Speaker 3: see That's.

592
00:26:46,640 --> 00:26:48,520
Speaker 2: What I meant by Billboard gets hacked, we are going

593
00:26:48,560 --> 00:26:52,639
Speaker 2: to see. Okay, it'll just be pulled, the curtain be

594
00:26:52,680 --> 00:26:54,000
Speaker 2: pulled a little bit on Billboard.

595
00:26:54,119 --> 00:26:56,399
Speaker 1: I thought a hacker would do it. It'll be the

596
00:26:56,400 --> 00:26:57,040
Speaker 1: federal government.

597
00:26:57,760 --> 00:26:58,320
Speaker 2: It's no hack.

598
00:26:58,400 --> 00:27:00,240
Speaker 1: It's like, you know, we need to see was really

599
00:27:00,240 --> 00:27:00,800
Speaker 1: going on here.

600
00:27:00,800 --> 00:27:02,439
Speaker 2: And mind, I didn't see Billboard in any of the

601
00:27:02,440 --> 00:27:06,560
Speaker 2: paperwork that I saw, But I do again think if

602
00:27:06,600 --> 00:27:08,600
Speaker 2: they are the ones collecting a lot of that data

603
00:27:08,640 --> 00:27:12,640
Speaker 2: and showing it based off radio spins as well, somebody,

604
00:27:14,600 --> 00:27:20,760
Speaker 2: somebody you got some pain in the dude.

605
00:27:21,119 --> 00:27:22,400
Speaker 1: Oh man, yeah, man.

606
00:27:22,400 --> 00:27:23,800
Speaker 3: See that's why I be in the house, man, because

607
00:27:23,840 --> 00:27:25,480
Speaker 3: I don't want no Rico shit coming to my way.

608
00:27:25,520 --> 00:27:27,600
Speaker 3: I don't funk with none of these radio states, no DJs,

609
00:27:27,640 --> 00:27:28,840
Speaker 3: I don't know nobody.

610
00:27:29,600 --> 00:27:30,680
Speaker 1: I don't want no problems.

611
00:27:30,800 --> 00:27:35,520
Speaker 2: I mean, if you're a radio exact though, I think

612
00:27:35,520 --> 00:27:37,119
Speaker 2: that's just part of the business.

613
00:27:37,160 --> 00:27:39,920
Speaker 3: Definitely part of the business, for sure. But when the

614
00:27:39,960 --> 00:27:43,840
Speaker 3: fans get the knock in and start asking questions, Yeah,

615
00:27:43,840 --> 00:27:45,960
Speaker 3: I thought them. Jeffrey files, I thought them Jeffrey tapes

616
00:27:46,080 --> 00:27:48,119
Speaker 3: was interesting. Wait y'all hear these tapes. That's gonna hit

617
00:27:48,119 --> 00:27:52,080
Speaker 3: the net next year. Wait y'all hear all these execs

618
00:27:52,119 --> 00:27:54,440
Speaker 3: start telling on each other. Wait till I hear Wait,

619
00:27:54,480 --> 00:27:56,560
Speaker 3: ty I hear that. Wait till Tracy from Hot Night

620
00:27:56,640 --> 00:27:57,520
Speaker 3: seven that's to go on the stand.

621
00:27:57,600 --> 00:27:59,480
Speaker 1: Yeah, wait too, wait till you hear that. Wait you

622
00:27:59,560 --> 00:27:59,840
Speaker 1: hear that?

623
00:28:00,359 --> 00:28:04,720
Speaker 2: I mean, I do think a snitch fest will will

624
00:28:04,760 --> 00:28:08,439
Speaker 2: happen very soon. And what's funny is the people that

625
00:28:08,480 --> 00:28:11,960
Speaker 2: I think will be telling are also personalities, so it'll

626
00:28:12,000 --> 00:28:12,439
Speaker 2: be content.

627
00:28:12,600 --> 00:28:14,560
Speaker 3: Yeah, definitely, Snitch Palos is coming next.

628
00:28:14,480 --> 00:28:17,359
Speaker 2: Year and again and what I saw, I know the

629
00:28:17,440 --> 00:28:22,480
Speaker 2: rumors were Flex was cooperating with the FEDS on this,

630
00:28:22,600 --> 00:28:25,119
Speaker 2: and that also had something to do with Enough in Camillo.

631
00:28:25,240 --> 00:28:27,760
Speaker 2: I don't as I'm saying this now, I don't think

632
00:28:27,800 --> 00:28:30,800
Speaker 2: that's true as him now, but I can see how

633
00:28:30,920 --> 00:28:33,600
Speaker 2: like one and one together can like really make two.

634
00:28:34,080 --> 00:28:36,320
Speaker 2: But yeah, that was the rumor and it's on the timeline.

635
00:28:36,320 --> 00:28:40,880
Speaker 2: So who knows that Flex has been working and cooperating

636
00:28:40,920 --> 00:28:44,880
Speaker 2: with the federal government with this payola case and there

637
00:28:44,960 --> 00:28:46,960
Speaker 2: was some tie to that with Camillo and enough And

638
00:28:47,000 --> 00:28:49,680
Speaker 2: I'm not I'm not saying that whatsoever. I do think

639
00:28:49,680 --> 00:28:51,280
Speaker 2: that's just a rumor and it's not true.

640
00:28:51,800 --> 00:28:51,960
Speaker 1: Now.

641
00:28:52,000 --> 00:28:55,640
Speaker 2: Do I think everybody's gonna start working with them soon? Yeah,

642
00:28:55,760 --> 00:28:59,719
Speaker 2: I think that's gonna happen. These aren't criminals, These are

643
00:28:59,720 --> 00:29:02,120
Speaker 2: fucking DJs and radio personalities.

644
00:29:02,200 --> 00:29:03,880
Speaker 1: Yeah. I've got nothing to do this shit. Well, this

645
00:29:03,920 --> 00:29:05,120
Speaker 1: is an old tweet from Flex.

646
00:29:05,400 --> 00:29:08,280
Speaker 3: He said, Drake is one hundred percent right national play

647
00:29:08,320 --> 00:29:11,440
Speaker 3: per song, Drake don't pay for play pop?

648
00:29:13,760 --> 00:29:15,600
Speaker 1: What is pop? CHR? What is that radio?

649
00:29:16,560 --> 00:29:16,800
Speaker 5: Yeah?

650
00:29:16,920 --> 00:29:18,960
Speaker 4: Pop slash, Christian oh pop.

651
00:29:18,920 --> 00:29:21,719
Speaker 3: Christian radio three fifty K urban radio to fifty K

652
00:29:21,800 --> 00:29:24,760
Speaker 3: mix show honey k local mix show director, forty K

653
00:29:24,880 --> 00:29:28,080
Speaker 3: local DJ, three K to five K per song. DJ's

654
00:29:28,080 --> 00:29:30,080
Speaker 3: on a radio five days a week. This is why

655
00:29:30,080 --> 00:29:33,000
Speaker 3: independent artists don't rise to the top. All you artists know,

656
00:29:33,280 --> 00:29:36,280
Speaker 3: I ain't never take a don from you, your manager,

657
00:29:36,360 --> 00:29:41,840
Speaker 3: or your labels. Bomb has no price acts Israel Thursday

658
00:29:41,920 --> 00:29:42,640
Speaker 3: seven PM.

659
00:29:43,120 --> 00:29:45,680
Speaker 1: Paid for it my tax dollary.

660
00:29:45,720 --> 00:29:47,040
Speaker 2: That's a tweet.

661
00:29:46,800 --> 00:29:48,800
Speaker 3: Almost a year ago from Flex.

662
00:29:49,280 --> 00:29:53,400
Speaker 2: So I've always heard behind the scenes from a lot

663
00:29:53,400 --> 00:29:56,040
Speaker 2: of incredible sources of people that love Flex and people

664
00:29:56,040 --> 00:29:59,240
Speaker 2: that hate Flex that Flex has truly never taken a

665
00:29:59,280 --> 00:30:02,040
Speaker 2: dollar of paylo since the beginning of his career. He

666
00:30:02,080 --> 00:30:04,600
Speaker 2: has been tried a thousand times on it, and Flex

667
00:30:04,920 --> 00:30:06,640
Speaker 2: has never taken a dollar.

668
00:30:07,880 --> 00:30:10,920
Speaker 1: So I did too, I definitely do. Now.

669
00:30:12,440 --> 00:30:14,440
Speaker 2: I know we've just been talking about thug and snitching

670
00:30:14,440 --> 00:30:17,800
Speaker 2: and what's right or wrong? What's the rules here, because

671
00:30:17,920 --> 00:30:20,760
Speaker 2: let's say, hypothetically, hypothetically, Flex, I'm not saying you're working

672
00:30:20,760 --> 00:30:24,360
Speaker 2: with the fix. Is that a bad thing to try

673
00:30:24,400 --> 00:30:28,560
Speaker 2: to clean up radio and payola and something that really

674
00:30:28,600 --> 00:30:32,600
Speaker 2: only benefits few major label artists.

675
00:30:32,920 --> 00:30:35,760
Speaker 1: I don't think that Flex is wrong.

676
00:30:35,880 --> 00:30:38,920
Speaker 2: If that was the case, I'm not saying, maybe go

677
00:30:39,000 --> 00:30:40,440
Speaker 2: tell on like your local DJ.

678
00:30:40,280 --> 00:30:42,120
Speaker 1: That's taken three k to me, that's like, that's a

679
00:30:42,160 --> 00:30:42,760
Speaker 1: little rat shit.

680
00:30:42,880 --> 00:30:45,720
Speaker 2: But if you're working with the federal government to clean

681
00:30:45,800 --> 00:30:49,280
Speaker 2: up something that I feels has destroyed radio.

682
00:30:50,880 --> 00:30:52,960
Speaker 1: Yeah that's wrong. Radio destroying music?

683
00:30:53,880 --> 00:30:55,840
Speaker 2: Fair too, because he clearly says this.

684
00:30:55,800 --> 00:30:58,160
Speaker 1: Is why independent artists don't rise. Yeah, I don't think

685
00:30:58,160 --> 00:31:00,800
Speaker 1: there's anything wrong with with Flex saying you I've been

686
00:31:00,800 --> 00:31:02,960
Speaker 1: in this game for thirty years. I'll tell you everything.

687
00:31:03,480 --> 00:31:07,200
Speaker 1: Let's clean this shit up. I don't think there's anything

688
00:31:07,200 --> 00:31:07,480
Speaker 1: wrong with that.

689
00:31:07,560 --> 00:31:10,480
Speaker 3: I think having integrity in music, especially if you're a

690
00:31:10,560 --> 00:31:13,000
Speaker 3: DJ of the culture and you know, things like that.

691
00:31:13,280 --> 00:31:13,960
Speaker 1: I respect that.

692
00:31:17,440 --> 00:31:19,040
Speaker 3: But I'm not going to sit here and say if

693
00:31:19,120 --> 00:31:22,600
Speaker 3: he's in the room, you know, saying oh yeah, no,

694
00:31:22,680 --> 00:31:24,520
Speaker 3: he took this, and I'm not going to say that

695
00:31:24,520 --> 00:31:25,160
Speaker 3: that's cool.

696
00:31:27,080 --> 00:31:29,680
Speaker 2: I understand why he would be doing it. You know,

697
00:31:29,720 --> 00:31:31,120
Speaker 2: he's trying to keep some type of.

698
00:31:31,040 --> 00:31:34,320
Speaker 3: Integrity in music and make sure all artists get a

699
00:31:34,320 --> 00:31:38,040
Speaker 3: fair shot. You know, it's particular independent artists get a

700
00:31:38,120 --> 00:31:42,240
Speaker 3: chance to you know, make it, make it big. So

701
00:31:42,280 --> 00:31:47,080
Speaker 3: I respect it, but I'm not gonna I understand it,

702
00:31:47,280 --> 00:31:49,600
Speaker 3: but I don't respect it. If he is giving I'm

703
00:31:49,640 --> 00:31:51,760
Speaker 3: not saying flexes, we want to make that clear, not

704
00:31:51,800 --> 00:31:54,320
Speaker 3: saying Flex is talking to the Feds giving nobody's name.

705
00:31:54,680 --> 00:31:57,000
Speaker 3: I'm saying, if that comes to fruition, then it is

706
00:31:57,040 --> 00:31:59,520
Speaker 3: what he's doing. I understand it. Not going to say

707
00:31:59,520 --> 00:32:01,080
Speaker 3: I respect, but I do understand it.

708
00:32:01,240 --> 00:32:03,160
Speaker 2: Should I should I jam up Rozenberg right now and

709
00:32:03,240 --> 00:32:05,680
Speaker 2: cash ap him a dollar and putting the description payola

710
00:32:05,720 --> 00:32:07,080
Speaker 2: for off road Sunday nights.

711
00:32:07,480 --> 00:32:08,680
Speaker 1: H for dollars.

712
00:32:09,280 --> 00:32:12,200
Speaker 3: Listen, man, why not dollar goes a long way? Now

713
00:32:12,360 --> 00:32:13,760
Speaker 3: send one hundred? Really fuck them up?

714
00:32:14,360 --> 00:32:15,640
Speaker 2: No, I don't really, I don't really got it like

715
00:32:15,640 --> 00:32:17,920
Speaker 2: that right now? Yeah, maybe a dollars.

716
00:32:18,360 --> 00:32:20,320
Speaker 1: Can you do cents on on cashry?

717
00:32:21,000 --> 00:32:21,320
Speaker 4: Fine?

718
00:32:22,200 --> 00:32:24,880
Speaker 1: Can do fifty cents a dollar? Fifty? How much does

719
00:32:24,880 --> 00:32:26,920
Speaker 1: it thrive the trains now? Uh?

720
00:32:27,080 --> 00:32:34,440
Speaker 3: Two seventy five, two seventy five to ninety Oh damn.

721
00:32:35,240 --> 00:32:38,200
Speaker 1: Yeah.

722
00:32:39,040 --> 00:32:42,960
Speaker 3: Your New York is such a crazy, crazy city, Like

723
00:32:43,040 --> 00:32:45,160
Speaker 3: they do things like this, like that whole congestion told

724
00:32:45,240 --> 00:32:49,480
Speaker 3: shit like this that has done nothing for traffic, like

725
00:32:49,640 --> 00:32:52,960
Speaker 3: nothing like and it's like now everybody's just paying nine

726
00:32:53,040 --> 00:32:58,120
Speaker 3: dollars extra just to come into the city like every day.

727
00:32:57,200 --> 00:32:58,200
Speaker 1: Like that is.

728
00:32:58,560 --> 00:33:00,200
Speaker 3: But it's like they know that that's not I can

729
00:33:00,240 --> 00:33:02,360
Speaker 3: to stop people from I remember when the GW was

730
00:33:02,360 --> 00:33:05,520
Speaker 3: fucking the GW used to be nine dollars to cross

731
00:33:05,520 --> 00:33:07,080
Speaker 3: the bridge. Now it's almost, say, like twenty dollars to

732
00:33:07,080 --> 00:33:07,840
Speaker 3: across the GW.

733
00:33:09,200 --> 00:33:13,280
Speaker 1: Got him, he'll be behind bars by monday.

734
00:33:13,600 --> 00:33:14,280
Speaker 5: Yeah, I have.

735
00:33:16,360 --> 00:33:20,160
Speaker 2: Rosenberg have you ever seen a heellam one two three

736
00:33:20,200 --> 00:33:25,160
Speaker 2: with a Denzel Washington loved that movie. So in that movie,

737
00:33:26,120 --> 00:33:28,240
Speaker 2: Denzel was like high ranking. They put him down to

738
00:33:28,320 --> 00:33:30,600
Speaker 2: like the regular guy because he was under investigation for

739
00:33:30,640 --> 00:33:33,600
Speaker 2: taking money with train contracts. And then John Travolta gets

740
00:33:33,640 --> 00:33:35,920
Speaker 2: him to admit it and he went to Japan to

741
00:33:35,960 --> 00:33:38,640
Speaker 2: go pick which like model of train, and he took

742
00:33:38,640 --> 00:33:40,280
Speaker 2: the money, but he said that was the train I

743
00:33:40,320 --> 00:33:41,000
Speaker 2: was going to pick.

744
00:33:41,040 --> 00:33:43,960
Speaker 1: Anyways, it didn't influence his decision. He was picking that shit.

745
00:33:44,280 --> 00:33:46,920
Speaker 2: But if y're out ya give me some bread in it,

746
00:33:47,280 --> 00:33:49,000
Speaker 2: I'll keep that to myself and make it look like

747
00:33:49,120 --> 00:33:52,160
Speaker 2: that is that wrong if a DJ does it? Because

748
00:33:52,200 --> 00:33:53,920
Speaker 2: if somebody, if a label's trying to pay me for

749
00:33:53,960 --> 00:33:57,520
Speaker 2: a record, I was already gonna like play a record

750
00:33:57,520 --> 00:33:59,840
Speaker 2: that you like. Yeah, like in my head, you don't

751
00:33:59,840 --> 00:34:01,400
Speaker 2: need do this, like I was gonna play this record.

752
00:34:01,440 --> 00:34:03,600
Speaker 2: But if you will off from your money, even if

753
00:34:03,600 --> 00:34:05,080
Speaker 2: it's I leegal, I'm not gonna say no to that shit.

754
00:34:06,560 --> 00:34:08,680
Speaker 3: You know what that's interested though, because when you think

755
00:34:08,719 --> 00:34:12,880
Speaker 3: about it, right, if a label sends a DJ a record,

756
00:34:14,120 --> 00:34:17,640
Speaker 3: like they're essentially leaving it in the DJ's hands to

757
00:34:17,719 --> 00:34:20,200
Speaker 3: have a certain level of taste or ear to hear

758
00:34:20,239 --> 00:34:22,520
Speaker 3: a hit record when he when he or she hears

759
00:34:22,520 --> 00:34:25,120
Speaker 3: with like say the DJ just doesn't know a hit

760
00:34:25,239 --> 00:34:28,560
Speaker 3: record like and then the labels like no, like this

761
00:34:28,840 --> 00:34:31,480
Speaker 3: is the hit like this is. So it's it's a

762
00:34:31,560 --> 00:34:33,279
Speaker 3: slippery thing because it's kind of like what if that

763
00:34:33,520 --> 00:34:36,879
Speaker 3: DJ just doesn't understand and hear the record like they

764
00:34:36,880 --> 00:34:37,440
Speaker 3: don't get it?

765
00:34:37,760 --> 00:34:39,680
Speaker 2: But that I mean that is that is rare though

766
00:34:40,400 --> 00:34:44,239
Speaker 2: I think that's actually more specific to hip hop because

767
00:34:44,280 --> 00:34:48,960
Speaker 2: pop radio is there DJs that break records like even

768
00:34:49,080 --> 00:34:51,319
Speaker 2: let's say Hot ninety seven Power one to five, there

769
00:34:51,320 --> 00:34:53,640
Speaker 2: are only a few DJs that are really coming up

770
00:34:53,680 --> 00:34:56,160
Speaker 2: with their own sets per se because a lot of

771
00:34:56,200 --> 00:34:58,360
Speaker 2: that is the program director saying, these are the records

772
00:34:58,400 --> 00:35:03,040
Speaker 2: you're playing h from one to three. It's it's rare

773
00:35:03,080 --> 00:35:06,680
Speaker 2: where people like flex do get the ability to pick

774
00:35:06,719 --> 00:35:09,880
Speaker 2: Like when mister C would do Lunchtime Ringwind, what was

775
00:35:09,880 --> 00:35:12,919
Speaker 2: that shit called, yeah, Lunchtime re Round something like that,

776
00:35:13,440 --> 00:35:16,160
Speaker 2: he was able to pick his records because that was

777
00:35:16,160 --> 00:35:19,640
Speaker 2: specific to that show and see legendary DJ. Most people

778
00:35:19,640 --> 00:35:25,359
Speaker 2: that are either doing mornings afternoons, like you're not this

779
00:35:25,440 --> 00:35:27,279
Speaker 2: is you're getting a list of the records to play.

780
00:35:28,760 --> 00:35:32,200
Speaker 2: So it's it's more so that the label and program

781
00:35:32,280 --> 00:35:35,120
Speaker 2: directors deciding on what is going to be the thing.

782
00:35:35,000 --> 00:35:37,520
Speaker 1: That is going to morph our minds into liking the song.

783
00:35:37,440 --> 00:35:39,480
Speaker 3: The program like that.

784
00:35:40,080 --> 00:35:44,120
Speaker 2: Very rarely is there somebody like a Flex that does

785
00:35:44,200 --> 00:35:47,080
Speaker 2: get to just do their whole set, like they'll play

786
00:35:47,120 --> 00:35:49,719
Speaker 2: what they want, they can break records. Flex we know

787
00:35:49,840 --> 00:35:53,120
Speaker 2: has an ear, but that's not in this day and age. No,

788
00:35:53,200 --> 00:35:56,160
Speaker 2: there's plenty of fucking DJs that are great DJs. Enough

789
00:35:56,239 --> 00:35:58,080
Speaker 2: a great DJ. But when he was on with with

790
00:35:58,120 --> 00:36:01,839
Speaker 2: Angie at Hot that slid during the day, like enough

791
00:36:01,880 --> 00:36:06,160
Speaker 2: has to play the hit records that are are given like,

792
00:36:06,640 --> 00:36:08,920
Speaker 2: which is nothing against enough that that's the job in

793
00:36:09,160 --> 00:36:12,319
Speaker 2: afternoon radio. The program directors here did here you go

794
00:36:12,560 --> 00:36:15,000
Speaker 2: enough of course enough, well mix in certain stuff. But

795
00:36:15,160 --> 00:36:19,520
Speaker 2: see you're going to have to hear Chris brown Buster rhymes.

796
00:36:20,160 --> 00:36:22,440
Speaker 1: Uh, what's the name of that record? They ran that

797
00:36:22,440 --> 00:36:23,399
Speaker 1: one in the look at Me Now.

798
00:36:23,840 --> 00:36:25,720
Speaker 2: You're gonna have to play look at Me Now fifteen

799
00:36:25,760 --> 00:36:27,720
Speaker 2: times in the next three hours, Like that's just gonna

800
00:36:27,719 --> 00:36:28,320
Speaker 2: have to happen.

801
00:36:28,640 --> 00:36:31,480
Speaker 1: So that's not really a DJ thing.

802
00:36:31,520 --> 00:36:32,839
Speaker 2: As far as an ear of a hit, you kind

803
00:36:32,840 --> 00:36:34,600
Speaker 2: of have to march to those orders when you're under

804
00:36:34,680 --> 00:36:38,040
Speaker 2: especially an iHeart you being that syndicated at least MS

805
00:36:38,040 --> 00:36:39,359
Speaker 2: is a little like Hot nine seven is a local

806
00:36:39,440 --> 00:36:41,400
Speaker 2: radio station. At the end of the day, Power one

807
00:36:41,440 --> 00:36:43,759
Speaker 2: to five is not that anymore. They're under iHeart where

808
00:36:43,840 --> 00:36:47,880
Speaker 2: that is a strict, strict role of what you're playing

809
00:36:47,880 --> 00:36:48,600
Speaker 2: and when you're playing it.

810
00:36:48,760 --> 00:36:51,760
Speaker 1: They don't play with that shit at all. People AMAS

811
00:36:51,760 --> 00:36:54,000
Speaker 1: probably don't even like hip hop and they just flex.

812
00:36:54,040 --> 00:36:55,880
Speaker 1: You could do it, but anybody else. Here's the data,

813
00:36:56,600 --> 00:36:58,759
Speaker 1: here's what we agree about. Man, bring someones. Bring some

814
00:36:58,800 --> 00:37:02,560
Speaker 1: integrity back into the tainment industry. Fuck it? Why not

815
00:37:03,480 --> 00:37:06,920
Speaker 1: where business has integrity? This overall overall?

816
00:37:07,320 --> 00:37:10,120
Speaker 2: You No, I'm saying, uh, not this business specifically. I'm

817
00:37:10,160 --> 00:37:14,520
Speaker 2: saying as far as entertainment, uh, banking, fucking construction?

818
00:37:16,880 --> 00:37:19,520
Speaker 1: Which business on earth? Would you say? Oh?

819
00:37:19,600 --> 00:37:23,840
Speaker 2: Yeah, everyone over there? They got it right, the whole business.

820
00:37:27,880 --> 00:37:29,080
Speaker 2: Because the price is the price.

821
00:37:30,360 --> 00:37:34,120
Speaker 1: I'm stumped. I actually think I think you always have

822
00:37:34,160 --> 00:37:37,440
Speaker 1: more integrity than all of us, the whole business. I

823
00:37:37,440 --> 00:37:39,360
Speaker 1: think that's the only like cut and dry, this is

824
00:37:39,400 --> 00:37:41,160
Speaker 1: what it is. That's her price. She tells you what

825
00:37:41,200 --> 00:37:43,359
Speaker 1: it is, you pay that price and you could you mean,

826
00:37:43,480 --> 00:37:46,240
Speaker 1: like do it? Yeah, that's the gig.

827
00:37:46,320 --> 00:37:48,680
Speaker 2: I mean the only ship would be some of the

828
00:37:48,680 --> 00:37:50,799
Speaker 2: customers don't have integrity and try to try to harm

829
00:37:50,840 --> 00:37:51,160
Speaker 2: the women.

830
00:37:51,200 --> 00:37:52,640
Speaker 1: But that's where you have checks and balances.

831
00:37:52,640 --> 00:37:55,160
Speaker 2: That's where the pimp comes in and with his integrity,

832
00:37:55,640 --> 00:37:57,360
Speaker 2: whoops your fucking ass.

833
00:37:57,000 --> 00:37:59,880
Speaker 3: I physically can't pay for pussy. I tried it.

834
00:38:00,920 --> 00:38:01,799
Speaker 1: How'd you go about trying it?

835
00:38:02,560 --> 00:38:04,239
Speaker 3: Like I was with a girl she was like a

836
00:38:04,280 --> 00:38:06,319
Speaker 3: porn star, okay, nice and she was like, yo, if

837
00:38:06,320 --> 00:38:07,960
Speaker 3: you want to have sex with me and here's my price,

838
00:38:08,080 --> 00:38:08,920
Speaker 3: like it's up to you.

839
00:38:09,239 --> 00:38:12,719
Speaker 2: I physically couldn't do it, Like I got sick. I

840
00:38:12,760 --> 00:38:14,239
Speaker 2: was like, so, if I just give you money right

841
00:38:14,280 --> 00:38:17,640
Speaker 2: now like we she was like yeah. I was like really, so, yeah,

842
00:38:17,640 --> 00:38:19,640
Speaker 2: you can do whatever you want. I was like, whatever

843
00:38:19,680 --> 00:38:20,120
Speaker 2: I want.

844
00:38:21,160 --> 00:38:22,120
Speaker 1: I could not do it.

845
00:38:22,280 --> 00:38:25,160
Speaker 2: I physically could not do it. I mean I've told

846
00:38:25,200 --> 00:38:27,160
Speaker 2: you guys before, it's an ego thing for me. I'm

847
00:38:27,160 --> 00:38:29,480
Speaker 2: not above it. Like I don't judge people that pay

848
00:38:29,520 --> 00:38:33,200
Speaker 2: for pussy. I am just so insecure that like I

849
00:38:33,239 --> 00:38:35,160
Speaker 2: have to think you like me when we're having sex.

850
00:38:36,400 --> 00:38:39,440
Speaker 2: The transaction like that insecure, not like like you have

851
00:38:39,480 --> 00:38:41,640
Speaker 2: to like be in love me, like I have to

852
00:38:41,640 --> 00:38:43,600
Speaker 2: feel like, yo, you want to have sex with me?

853
00:38:43,760 --> 00:38:46,440
Speaker 1: Yeah, not because I'm paying you, Like yeah.

854
00:38:46,160 --> 00:38:48,600
Speaker 3: Like that feeling. I was just like, there's no way

855
00:38:48,640 --> 00:38:49,759
Speaker 3: that this is a normal thing.

856
00:38:49,920 --> 00:38:52,160
Speaker 5: But she probably would have like this is the thing.

857
00:38:52,200 --> 00:38:55,080
Speaker 5: I think because you guys are both attractive. Man, I

858
00:38:55,080 --> 00:38:57,800
Speaker 5: think the girls want to fuck you, but like because

859
00:38:57,880 --> 00:38:59,759
Speaker 5: they about their business. It's like, I mean, I like this.

860
00:39:00,160 --> 00:39:02,360
Speaker 5: I would fuck this nigga for free, but I can't.

861
00:39:01,840 --> 00:39:04,480
Speaker 5: And it was like around the end of the month,

862
00:39:04,520 --> 00:39:06,160
Speaker 5: you know how that gets. It's like when I go

863
00:39:06,200 --> 00:39:08,000
Speaker 5: on spaces, I be wanting to go on spaces, but

864
00:39:08,040 --> 00:39:10,000
Speaker 5: I'm like, this feels like podcast for free. I do

865
00:39:10,040 --> 00:39:11,520
Speaker 5: this for a living, Like I fuck with y'all, I

866
00:39:11,560 --> 00:39:13,640
Speaker 5: want to talk to y'all, but nah, I get paid

867
00:39:13,680 --> 00:39:15,840
Speaker 5: for this. Like I feel like that's probably how they feel.

868
00:39:15,920 --> 00:39:17,440
Speaker 2: So you're saying the sex worker is the way to

869
00:39:17,440 --> 00:39:19,759
Speaker 2: put it. It's like the DJ is taking payola for

870
00:39:19,760 --> 00:39:22,200
Speaker 2: records they would have played anyways. Yeah, like I would

871
00:39:22,239 --> 00:39:23,359
Speaker 2: sleep with that guy.

872
00:39:23,400 --> 00:39:24,399
Speaker 1: But I mean, if I'm.

873
00:39:24,280 --> 00:39:26,960
Speaker 3: Gonna get paid, yeah, you're gonna get me ten bands.

874
00:39:26,800 --> 00:39:28,640
Speaker 1: I want to fuck you for free if you're offering money.

875
00:39:29,440 --> 00:39:32,200
Speaker 3: I literally like we were laughing at the fact. She

876
00:39:32,280 --> 00:39:33,839
Speaker 3: was like, yeah, you're just not a You're not a john,

877
00:39:34,000 --> 00:39:36,760
Speaker 3: like you're not a trick. I was like, I cannot

878
00:39:36,800 --> 00:39:37,200
Speaker 3: do it, Like.

879
00:39:37,200 --> 00:39:38,480
Speaker 1: I was laughing at all.

880
00:39:38,880 --> 00:39:40,640
Speaker 3: I was laughing at thet I was like, Yo, this

881
00:39:40,760 --> 00:39:43,440
Speaker 3: is insane that these are some people's like this is

882
00:39:43,480 --> 00:39:46,040
Speaker 3: their normal way of interacting with women.

883
00:39:46,239 --> 00:39:49,120
Speaker 2: But I've talked with sex workers on that topic before,

884
00:39:49,800 --> 00:39:52,839
Speaker 2: where they've said men have talked themselves out of free

885
00:39:52,840 --> 00:39:54,759
Speaker 2: pussy because because.

886
00:39:54,520 --> 00:39:57,040
Speaker 1: The moment a lot of men go.

887
00:39:57,440 --> 00:39:59,399
Speaker 2: And know a woman's a sex worker and like start

888
00:39:59,440 --> 00:40:02,239
Speaker 2: talking to them and then out of like respect, just

889
00:40:02,280 --> 00:40:04,719
Speaker 2: assume that you got to pay for it. But there's

890
00:40:04,760 --> 00:40:08,000
Speaker 2: been times this specific girl, something's like I was just

891
00:40:08,080 --> 00:40:09,959
Speaker 2: fuck this dude. But the moment he brought up money,

892
00:40:10,000 --> 00:40:12,360
Speaker 2: now now you're always a trick in my mind for

893
00:40:12,400 --> 00:40:14,640
Speaker 2: the rest of your life, Like it switched right away.

894
00:40:14,960 --> 00:40:17,239
Speaker 2: I was here because I liked you, but the moment

895
00:40:17,280 --> 00:40:19,160
Speaker 2: somebody say money or now you a trick forever, Like

896
00:40:20,320 --> 00:40:21,840
Speaker 2: if he could have just kept his mouth shut, he

897
00:40:21,880 --> 00:40:22,880
Speaker 2: could have fucked for free.

898
00:40:23,920 --> 00:40:25,040
Speaker 1: Yeah. No, I get it.

899
00:40:25,360 --> 00:40:28,480
Speaker 2: I get it, but you know, I mean, I don't

900
00:40:28,480 --> 00:40:31,640
Speaker 2: know it's throwing money at strip club. Is isn't paying

901
00:40:31,640 --> 00:40:36,640
Speaker 2: for pussy obviously, but there's there's still an aspect to it.

902
00:40:36,000 --> 00:40:38,719
Speaker 1: Small version of pay aldough. It's not.

903
00:40:38,840 --> 00:40:41,160
Speaker 2: That's the local DJ thing that that if Lex was

904
00:40:41,160 --> 00:40:43,440
Speaker 2: talking about. That's that's three to five artists go to

905
00:40:43,440 --> 00:40:44,759
Speaker 2: the radio they money.

906
00:40:44,800 --> 00:40:46,080
Speaker 3: Like if the artists go to the radio station just

907
00:40:46,080 --> 00:40:50,799
Speaker 3: start throwing money to DJ, is that paying for the play?

908
00:40:50,880 --> 00:40:53,120
Speaker 1: Like he's paying for the record? Absolutely, is it?

909
00:40:54,239 --> 00:40:56,080
Speaker 2: I mean, if I'm throwing money at you, you're not

910
00:40:56,080 --> 00:40:57,880
Speaker 2: playing my record, you know how? Like some people do

911
00:40:57,960 --> 00:40:59,759
Speaker 2: marketing ship like run into the radio station, have like

912
00:41:00,040 --> 00:41:01,800
Speaker 2: strippers with them to try to perform the ship and

913
00:41:01,800 --> 00:41:03,960
Speaker 2: then money gets thrown. You just walk out and you

914
00:41:04,040 --> 00:41:07,719
Speaker 2: leave the money there. Like I mean, yeah, y'all could

915
00:41:07,719 --> 00:41:09,239
Speaker 2: pick that up. We ain't picking it up.

916
00:41:10,040 --> 00:41:11,800
Speaker 3: Yeah, But like if I go to strip club, pretty

917
00:41:11,800 --> 00:41:14,000
Speaker 3: girl on stage and I'm throwing money, spending money on her,

918
00:41:14,920 --> 00:41:16,960
Speaker 3: and then like you know, but it's like it's not

919
00:41:17,000 --> 00:41:17,960
Speaker 3: even I don't even like her.

920
00:41:18,000 --> 00:41:19,399
Speaker 1: I like this other girl, the other girl. Just see

921
00:41:19,440 --> 00:41:20,520
Speaker 1: me throw money at the end of the night.

922
00:41:20,800 --> 00:41:22,760
Speaker 3: The other girl, Like you know, we kind of start talking,

923
00:41:23,000 --> 00:41:24,600
Speaker 3: we hit it off, we go, we leave the strip

924
00:41:24,600 --> 00:41:26,240
Speaker 3: club or go send you know, breakfast or whatever.

925
00:41:26,520 --> 00:41:28,120
Speaker 1: She comes home with me, we have sex.

926
00:41:28,920 --> 00:41:31,360
Speaker 3: Technically, technically that I pay for that pussy because I

927
00:41:31,400 --> 00:41:32,640
Speaker 3: was throwing money in the strip club.

928
00:41:32,760 --> 00:41:37,560
Speaker 5: Yes, because if you wouldn't you because you wouldn't have

929
00:41:37,560 --> 00:41:39,360
Speaker 5: gotten that pussy if you wasn't throwing that money in

930
00:41:39,360 --> 00:41:39,919
Speaker 5: the strip club.

931
00:41:40,239 --> 00:41:42,160
Speaker 2: You know, we will never know.

932
00:41:42,280 --> 00:41:44,240
Speaker 1: Okay, But then if I take you to expensive dinner

933
00:41:44,600 --> 00:41:46,240
Speaker 1: or even do like a fun date, but it costs

934
00:41:46,239 --> 00:41:49,920
Speaker 1: money and you want to sleep with me because we

935
00:41:49,960 --> 00:41:51,960
Speaker 1: did that, is that not the same exactly?

936
00:41:52,160 --> 00:41:56,440
Speaker 3: Like if I take you on a date, restaurant, go

937
00:41:56,640 --> 00:41:59,480
Speaker 3: get some drinks, you know that whole thing, and then

938
00:41:59,840 --> 00:42:00,359
Speaker 3: you come.

939
00:42:00,239 --> 00:42:04,080
Speaker 2: Back home and we have sex. Did I pay for Like?

940
00:42:04,160 --> 00:42:05,560
Speaker 1: Are you selling that cat?

941
00:42:05,960 --> 00:42:08,720
Speaker 5: No? Because you both got something out of it, because

942
00:42:08,760 --> 00:42:09,640
Speaker 5: you ate too.

943
00:42:11,080 --> 00:42:15,279
Speaker 2: Twice depending strip club mac and cheese and then the

944
00:42:15,280 --> 00:42:16,080
Speaker 2: real mac and cheese.

945
00:42:16,440 --> 00:42:18,399
Speaker 4: Chris Brown, you know y'all heard what he says.

946
00:42:19,520 --> 00:42:20,439
Speaker 2: What Chris Reil said.

947
00:42:20,680 --> 00:42:22,879
Speaker 4: So tired of y'all not about what y'all talking about.

948
00:42:22,920 --> 00:42:27,080
Speaker 2: Oh well, Chris, see, I'm about to say what you know?

949
00:42:27,080 --> 00:42:28,640
Speaker 3: I don't be knowing shit. Y'all start telling me sh

950
00:42:28,719 --> 00:42:29,479
Speaker 3: I'm like, wait, what happened?

951
00:42:29,520 --> 00:42:31,719
Speaker 2: Now? He finally admitted that Damaris and I were right

952
00:42:31,760 --> 00:42:35,160
Speaker 2: that that Quelo was much bigger than them. Yeah right,

953
00:42:35,239 --> 00:42:38,680
Speaker 2: he said, everyone compares Michael Jackson, Beyonce, Usher, and Quevo

954
00:42:38,880 --> 00:42:41,879
Speaker 2: to me, but we're all superstars in our own right.

955
00:42:42,320 --> 00:42:45,600
Speaker 2: Yeah he never said that, Yes he did.

956
00:42:45,840 --> 00:42:47,960
Speaker 3: He didn't say people compare what Quavo?

957
00:42:48,040 --> 00:42:50,759
Speaker 5: Well, you added, I didn't hear you add Quavo into it.

958
00:42:50,800 --> 00:42:51,480
Speaker 5: You're mad annoying?

959
00:42:51,560 --> 00:42:56,399
Speaker 2: Yeah, now you put something up on his ig story,

960
00:42:56,400 --> 00:42:57,560
Speaker 2: I believe can you you click that?

961
00:42:57,640 --> 00:42:58,760
Speaker 1: Josh uh?

962
00:42:58,960 --> 00:43:03,879
Speaker 3: He tweeted, honest opinion, Beyonce, Michael Jackson, and Usher are

963
00:43:04,000 --> 00:43:07,960
Speaker 3: all the best superstars and lanes of their own. I

964
00:43:08,040 --> 00:43:10,800
Speaker 3: see a lot of podcasts and debates on who's better,

965
00:43:11,200 --> 00:43:13,080
Speaker 3: and the truth is that we all shine bright in

966
00:43:13,120 --> 00:43:17,000
Speaker 3: our own way. I'll never say I'm better anything. I'm

967
00:43:17,040 --> 00:43:19,759
Speaker 3: just being the best Chris Brown in some way, shape

968
00:43:19,840 --> 00:43:21,839
Speaker 3: or form. These artists have influenced me to go hard

969
00:43:21,840 --> 00:43:24,200
Speaker 3: and never give up. I just want to be recognized

970
00:43:24,239 --> 00:43:26,839
Speaker 3: for helping people with my gifts. That's on pop room.

971
00:43:26,960 --> 00:43:31,520
Speaker 3: That's a very humble thing for Chris to say. But

972
00:43:32,480 --> 00:43:34,400
Speaker 3: I'll go on record and say I do believe Chris

973
00:43:34,440 --> 00:43:36,320
Speaker 3: Brown is a better dancer than Michael Jackson.

974
00:43:37,080 --> 00:43:37,600
Speaker 1: I agree.

975
00:43:38,360 --> 00:43:42,080
Speaker 3: Actually all of these usher Beyonce like I don't you know,

976
00:43:42,200 --> 00:43:44,640
Speaker 3: I think Chris Brown is the better dancer out of

977
00:43:44,680 --> 00:43:50,040
Speaker 3: these names. Michael Jackson is obviously, He's the apex entertainer.

978
00:43:50,080 --> 00:43:54,080
Speaker 3: He is the one that everybody all generations. You see

979
00:43:54,160 --> 00:43:57,160
Speaker 3: kids now that are maybe three four five years old

980
00:43:57,680 --> 00:44:01,080
Speaker 3: dressed up like Michael Jackson, dance like Michael. So Michael

981
00:44:01,120 --> 00:44:04,880
Speaker 3: Jackson is obviously the the one that all artists and

982
00:44:05,000 --> 00:44:10,839
Speaker 3: entertainers aspire to to kind of be like. But it's

983
00:44:10,920 --> 00:44:13,160
Speaker 3: okay to have artists that come after that are better

984
00:44:13,920 --> 00:44:17,400
Speaker 3: vocalist than Michael Jackson, better dancers than Mike. Michael just

985
00:44:17,840 --> 00:44:24,279
Speaker 3: encompassed the entire thing, the mystique, the aura, the entertaining,

986
00:44:25,200 --> 00:44:28,560
Speaker 3: just everything all in one is what made Michael Jackson

987
00:44:28,600 --> 00:44:30,319
Speaker 3: so special. But I do believe Chris Brown is a

988
00:44:30,320 --> 00:44:31,480
Speaker 3: better dancer than Michael Jackson.

989
00:44:31,680 --> 00:44:34,160
Speaker 2: This is part of my age. This is gonna maybe

990
00:44:34,160 --> 00:44:37,080
Speaker 2: be a stupid question. Did Michael Jackson invent the moonwalk?

991
00:44:37,239 --> 00:44:38,480
Speaker 1: Or is No, he just did.

992
00:44:38,760 --> 00:44:40,840
Speaker 3: He just made it iconic. He made it iconic. He

993
00:44:41,200 --> 00:44:44,400
Speaker 3: got it from some dancers he was watching on So he.

994
00:44:44,440 --> 00:44:48,320
Speaker 1: Talked about appropriated it. No, no, no, it's culture vulture.

995
00:44:48,360 --> 00:44:50,480
Speaker 1: Michael was. No, there was black people that created it.

996
00:44:50,640 --> 00:44:50,880
Speaker 2: There was.

997
00:44:51,080 --> 00:44:52,160
Speaker 1: He ended being white.

998
00:44:52,200 --> 00:44:56,439
Speaker 3: They were on Soul Train and he saw that move.

999
00:44:57,080 --> 00:44:58,960
Speaker 3: It was part of like the whole rope when you know,

1000
00:44:59,280 --> 00:45:01,880
Speaker 3: dancers were doing whole robot type of thing. Yeah, and

1001
00:45:01,920 --> 00:45:03,920
Speaker 3: he saw that on I think on Soul Train, and

1002
00:45:04,400 --> 00:45:07,279
Speaker 3: he just made that a part of his performance. And

1003
00:45:07,320 --> 00:45:10,120
Speaker 3: you know, obviously his his platforms was the biggest in

1004
00:45:10,120 --> 00:45:11,840
Speaker 3: the world. So when he did it, that was the

1005
00:45:11,880 --> 00:45:13,640
Speaker 3: first time that many people saw that move.

1006
00:45:13,760 --> 00:45:16,040
Speaker 2: But I mean, how much stake do you put into

1007
00:45:16,640 --> 00:45:20,360
Speaker 2: iconic choreography versus being the better dancer?

1008
00:45:20,440 --> 00:45:21,359
Speaker 1: Like, I agree with you.

1009
00:45:21,920 --> 00:45:24,319
Speaker 2: If we were in the same place Steve Harvey was doing,

1010
00:45:24,360 --> 00:45:27,400
Speaker 2: you got served and it's just Michael and Chris in

1011
00:45:27,440 --> 00:45:27,799
Speaker 2: the ring.

1012
00:45:28,120 --> 00:45:31,240
Speaker 1: Yeah, I'm going to take Chris Brown in that regard as.

1013
00:45:31,120 --> 00:45:36,800
Speaker 2: Far as dancing, Yeah, but as far as iconic choreography,

1014
00:45:37,200 --> 00:45:39,799
Speaker 2: I think Michael and Beyonce are over here and then

1015
00:45:40,040 --> 00:45:44,680
Speaker 2: Chris Brown and Usher over here, like between obviously thriller

1016
00:45:44,719 --> 00:45:47,920
Speaker 2: goes without saying. But like Beyonce with her crazy and

1017
00:45:47,920 --> 00:45:49,920
Speaker 2: love choreography, I remember everyone trying to do that when

1018
00:45:49,960 --> 00:45:53,920
Speaker 2: I was in seventh eighth grade single Ladies, Like she

1019
00:45:54,120 --> 00:45:58,799
Speaker 2: has iconic choreography with her dancing, like that is going

1020
00:45:58,880 --> 00:45:59,840
Speaker 2: to last forever.

1021
00:46:00,520 --> 00:46:03,840
Speaker 1: Same way with Michael I mean the Your video.

1022
00:46:03,880 --> 00:46:06,440
Speaker 2: I think Chris definitely had iconic like people would try

1023
00:46:06,480 --> 00:46:09,480
Speaker 2: and do that choreography. But in the Usher My Way video,

1024
00:46:09,840 --> 00:46:13,040
Speaker 2: I remember that. But do they have their their staple

1025
00:46:13,080 --> 00:46:18,320
Speaker 2: as far as dancing goes Michael, Chris Brown and Usher.

1026
00:46:18,640 --> 00:46:21,240
Speaker 2: But we know Beyonce and Michael Jackson have their staples

1027
00:46:23,040 --> 00:46:27,239
Speaker 2: just just christ and like a move like move anytime

1028
00:46:27,719 --> 00:46:31,040
Speaker 2: Beyonce is on tour and if she's going to perform

1029
00:46:31,120 --> 00:46:35,439
Speaker 2: Single Ladies, people are waiting for that choreography, like that's

1030
00:46:35,520 --> 00:46:36,800
Speaker 2: the whole Chris Brown.

1031
00:46:36,880 --> 00:46:42,359
Speaker 5: Chris Brown has it with Wall to Wall. I don't

1032
00:46:42,400 --> 00:46:46,319
Speaker 5: have nothing but ladies calling, Yeah, take you down and

1033
00:46:46,360 --> 00:46:47,000
Speaker 5: take you down.

1034
00:46:47,680 --> 00:46:50,319
Speaker 2: Yeah, take you down to too, Yeah yeah, but take

1035
00:46:50,360 --> 00:46:52,440
Speaker 2: you down. At the level we think that a single

1036
00:46:52,520 --> 00:46:53,640
Speaker 2: Ladies or a thriller.

1037
00:46:53,400 --> 00:46:55,600
Speaker 4: Will be, nothing is at the level of single Ladies.

1038
00:46:56,080 --> 00:46:58,240
Speaker 1: Duale would never be anything at the level of Thriller.

1039
00:46:58,760 --> 00:47:02,879
Speaker 2: Well obviously, but I still think, uh not to say

1040
00:47:02,920 --> 00:47:06,600
Speaker 2: Single Ladies is compared to Thriller as far as choreography,

1041
00:47:06,640 --> 00:47:10,160
Speaker 2: but she did check that box.

1042
00:47:09,880 --> 00:47:13,360
Speaker 1: Of I have an iconic, iconic choreography dance.

1043
00:47:14,560 --> 00:47:19,239
Speaker 2: I just I feel like Usher and Chris maybe could

1044
00:47:19,239 --> 00:47:20,640
Speaker 2: outdance them, but don't have that.

1045
00:47:21,239 --> 00:47:23,279
Speaker 5: Well that well, part of that is because Usher and

1046
00:47:23,360 --> 00:47:27,799
Speaker 5: Chris can outdance them, their choreography is harder to do

1047
00:47:28,160 --> 00:47:30,680
Speaker 5: for sure. I mean, so a reason why Single Ladies

1048
00:47:30,800 --> 00:47:33,480
Speaker 5: and Thriller are so this but well not Thriller. But

1049
00:47:33,480 --> 00:47:35,600
Speaker 5: the reason why Single Ladies are so popular is because

1050
00:47:35,640 --> 00:47:39,399
Speaker 5: the choreographer, I mean the choreography like White Housewives at home.

1051
00:47:39,440 --> 00:47:41,760
Speaker 4: We're at home doing this shit like it's for easy.

1052
00:47:41,840 --> 00:47:44,280
Speaker 5: It's simple and easy for sure, remember, So that's why

1053
00:47:44,560 --> 00:47:45,960
Speaker 5: it got as big as it got.

1054
00:47:46,000 --> 00:47:48,120
Speaker 2: That's a good point because even like when Michael Jackson

1055
00:47:48,160 --> 00:47:51,160
Speaker 2: would do the lean, we like everyone tries the lean. Yeah,

1056
00:47:51,200 --> 00:47:53,480
Speaker 2: so yeah, I hear you that that does. That does

1057
00:47:53,560 --> 00:47:55,919
Speaker 2: make sense too. It was very simplified so everyone could.

1058
00:47:55,960 --> 00:47:58,840
Speaker 2: It was like the first TikTok dances. Yeah, yeah, I

1059
00:47:58,920 --> 00:48:02,800
Speaker 2: get that because I mean that as I think Beyonce

1060
00:48:03,719 --> 00:48:05,840
Speaker 2: is up there with Michael, but she can't do a

1061
00:48:05,880 --> 00:48:08,240
Speaker 2: backflip without a running start, and that's something Chris Brown

1062
00:48:08,280 --> 00:48:11,759
Speaker 2: can do. Beyonce could run ten minutes. I don't think

1063
00:48:11,800 --> 00:48:14,600
Speaker 2: she can do it back you mean running start like,

1064
00:48:14,719 --> 00:48:15,239
Speaker 2: I don't do that.

1065
00:48:15,280 --> 00:48:16,879
Speaker 4: I think my baby could do a backflip. She tried

1066
00:48:16,880 --> 00:48:18,120
Speaker 4: to it.

1067
00:48:18,120 --> 00:48:20,880
Speaker 2: Beyonce could do a back you know, we can know,

1068
00:48:20,920 --> 00:48:23,360
Speaker 2: we can know Chris doesn't doing it.

1069
00:48:23,400 --> 00:48:25,960
Speaker 3: But I'm just saying, right now it goes on stage tonight,

1070
00:48:26,120 --> 00:48:29,239
Speaker 3: there will be no backflip like you know.

1071
00:48:29,239 --> 00:48:30,360
Speaker 1: I mean, I'm not saying anything.

1072
00:48:30,360 --> 00:48:32,279
Speaker 3: Beyonce is amazing, but she not trying to do no

1073
00:48:32,320 --> 00:48:33,720
Speaker 3: fucking backflip tonight on stage.

1074
00:48:33,760 --> 00:48:33,880
Speaker 1: No.

1075
00:48:34,080 --> 00:48:36,400
Speaker 2: I think Usher and his prime could do a backflip

1076
00:48:36,440 --> 00:48:38,520
Speaker 2: with a running start. I don't know many performers that

1077
00:48:38,560 --> 00:48:41,080
Speaker 2: could just stand there and do it. Usher has done

1078
00:48:41,120 --> 00:48:43,239
Speaker 2: backflips on stage, yeah, but he had like two or

1079
00:48:43,239 --> 00:48:45,919
Speaker 2: three steps. I don't he didn't even travel NBA wise,

1080
00:48:45,920 --> 00:48:47,600
Speaker 2: I'm saying there was a quick running start.

1081
00:48:47,680 --> 00:48:52,880
Speaker 3: Usher has a whole set literally on rollerskates that that

1082
00:48:52,880 --> 00:48:55,440
Speaker 3: that that's crazy to do that like just doing a

1083
00:48:55,480 --> 00:48:58,000
Speaker 3: whole you know, a bunch of your records and the choreography,

1084
00:48:58,080 --> 00:48:59,280
Speaker 3: y'all are all on roller skates.

1085
00:48:59,840 --> 00:49:00,640
Speaker 1: That's incredible.

1086
00:49:00,680 --> 00:49:03,759
Speaker 3: I mean, these are all, you know, to what Usher's saying,

1087
00:49:03,760 --> 00:49:05,799
Speaker 3: I mean, Chris Brown is saying, these are all the

1088
00:49:05,800 --> 00:49:08,000
Speaker 3: best of the best. And you talk about performers and

1089
00:49:08,200 --> 00:49:12,520
Speaker 3: the stays, Uh, Usher and Chris and Michael Jackson and Beyonce,

1090
00:49:12,680 --> 00:49:15,240
Speaker 3: these are the These are the top of the pyramids

1091
00:49:15,239 --> 00:49:19,000
Speaker 3: when you talk about entertainment and you know, music and dance, choreography,

1092
00:49:19,080 --> 00:49:22,080
Speaker 3: things like that. Janet Jackson as well. I mean, her

1093
00:49:22,160 --> 00:49:28,520
Speaker 3: rhythmication video obviously was groundbreaking and changing. Even the one

1094
00:49:28,600 --> 00:49:30,320
Speaker 3: video that she did with what was the name of

1095
00:49:30,400 --> 00:49:33,680
Speaker 3: the song, uh Isn't Miss You Much? When she was

1096
00:49:33,680 --> 00:49:35,960
Speaker 3: in the dance studio by myself with the chair pleasure Principal,

1097
00:49:36,040 --> 00:49:39,640
Speaker 3: Pleasure Principal, that was an iconic video and she was

1098
00:49:39,680 --> 00:49:43,160
Speaker 3: just her in the video in the dance studio. So yeah,

1099
00:49:43,160 --> 00:49:44,680
Speaker 3: I mean, honestly, on Chris saying, I think he was

1100
00:49:44,719 --> 00:49:47,319
Speaker 3: being a little humble and not trying to, you know,

1101
00:49:47,360 --> 00:49:49,640
Speaker 3: make it seem like he because obviously you don't want

1102
00:49:49,640 --> 00:49:52,280
Speaker 3: to be the person to say I'm better than anybody,

1103
00:49:52,360 --> 00:49:55,440
Speaker 3: or you know, you let the audience and the fans

1104
00:49:55,480 --> 00:49:57,799
Speaker 3: say that, but I will say, you know, just in

1105
00:49:57,920 --> 00:50:02,239
Speaker 3: watching both and being a fan of both entertainers. In

1106
00:50:02,280 --> 00:50:05,439
Speaker 3: regards to him and Michael Jackson, I do think Chris

1107
00:50:05,520 --> 00:50:08,720
Speaker 3: is the better dancer out of him and Michael Jackson.

1108
00:50:09,400 --> 00:50:11,640
Speaker 2: It's not my world, so I could be wrong, but

1109
00:50:11,680 --> 00:50:14,520
Speaker 2: I want justice for choreographers, Like the way we get

1110
00:50:14,840 --> 00:50:18,040
Speaker 2: these billboard complex all these lists with producers, we know

1111
00:50:18,160 --> 00:50:21,879
Speaker 2: every backstory of every Quincy Jones thing with Michael Jackson.

1112
00:50:21,600 --> 00:50:25,640
Speaker 1: Like, is there a list of choreographers, Like why did.

1113
00:50:25,480 --> 00:50:28,520
Speaker 2: They not get as much shine as even engineers get

1114
00:50:28,560 --> 00:50:29,879
Speaker 2: when you get down to the nerdy shit?

1115
00:50:29,960 --> 00:50:32,279
Speaker 4: Well, because I would like to know, because they still

1116
00:50:32,280 --> 00:50:32,799
Speaker 4: do LG.

1117
00:50:33,200 --> 00:50:35,440
Speaker 2: I mean, puff put LG on, Like that was the

1118
00:50:35,440 --> 00:50:37,880
Speaker 2: most famous one I remember as a kid because she

1119
00:50:37,960 --> 00:50:38,960
Speaker 2: was on the reality show.

1120
00:50:40,040 --> 00:50:42,719
Speaker 5: Well, people pay attention to things that apply to them.

1121
00:50:42,760 --> 00:50:45,640
Speaker 5: So why I was gonna say why engineers would be

1122
00:50:45,640 --> 00:50:47,800
Speaker 5: important to you is because that's what you would care about.

1123
00:50:47,800 --> 00:50:50,319
Speaker 2: But even like the best producers twenty first century shit,

1124
00:50:50,400 --> 00:50:54,279
Speaker 2: that what we talked about last week. I feel like

1125
00:50:54,320 --> 00:50:57,480
Speaker 2: a casual fan clicked that right away too. If I

1126
00:50:57,560 --> 00:51:00,359
Speaker 2: as a I wouldn'tn say a casual fan of choreograph. Yeah, mean,

1127
00:51:00,360 --> 00:51:01,959
Speaker 2: I like dancing, but I don't sit and think about

1128
00:51:01,960 --> 00:51:04,759
Speaker 2: who put it together. I would click that list right away,

1129
00:51:04,840 --> 00:51:07,080
Speaker 2: and that's not even my world. I would love for

1130
00:51:07,160 --> 00:51:09,719
Speaker 2: those people to be highlighted and learn more about it.

1131
00:51:09,800 --> 00:51:12,480
Speaker 2: So that's a huge part of music that just is

1132
00:51:12,520 --> 00:51:13,200
Speaker 2: not talked about.

1133
00:51:14,120 --> 00:51:17,279
Speaker 5: But I mean, like again, like I hear you, but

1134
00:51:17,360 --> 00:51:20,200
Speaker 5: I don't know. Maybe it's because I really I love

1135
00:51:20,320 --> 00:51:22,640
Speaker 5: dancing so much that I'm more like Sean Bankad does

1136
00:51:22,680 --> 00:51:24,960
Speaker 5: the majority of people's videos these days, right, so a

1137
00:51:25,000 --> 00:51:29,200
Speaker 5: lot of the famous choreography that ends up being TikTok dances,

1138
00:51:29,239 --> 00:51:34,920
Speaker 5: like for example, Cardi B's up or I put that

1139
00:51:34,960 --> 00:51:39,719
Speaker 5: on my Mama Victoria Monet like great choreography, yes, which

1140
00:51:40,080 --> 00:51:43,200
Speaker 5: became huge, right like that he did all of that.

1141
00:51:43,239 --> 00:51:46,480
Speaker 5: Sean Bankhead has been huge with the videos that he's

1142
00:51:47,120 --> 00:51:49,840
Speaker 5: he's created as far as like I remember all of

1143
00:51:49,920 --> 00:51:52,600
Speaker 5: Janet's choreographers obviously because some of them used to be

1144
00:51:52,640 --> 00:51:55,239
Speaker 5: her dancers, and I was like obsessed, But there are

1145
00:51:55,280 --> 00:51:57,279
Speaker 5: you can find that list, but again that would be

1146
00:51:57,360 --> 00:51:58,920
Speaker 5: up first. That would be something that you would have

1147
00:51:58,960 --> 00:52:01,360
Speaker 5: to pay attention to because the publications and stuff that

1148
00:52:01,360 --> 00:52:03,560
Speaker 5: it's going to be in might not be something that

1149
00:52:03,600 --> 00:52:05,239
Speaker 5: you're interested in, but the theater kids and know all

1150
00:52:05,239 --> 00:52:07,320
Speaker 5: about it, and for sure you know what I'm saying.

1151
00:52:07,239 --> 00:52:10,879
Speaker 2: So I'm interested. That's really why I'm asking, Like, did

1152
00:52:11,000 --> 00:52:13,520
Speaker 2: like did Michael have a main usher?

1153
00:52:13,560 --> 00:52:13,920
Speaker 1: Backflop?

1154
00:52:14,840 --> 00:52:14,960
Speaker 5: Run?

1155
00:52:15,040 --> 00:52:19,799
Speaker 1: Start? I I stand correction, mean give us yo? Do

1156
00:52:19,840 --> 00:52:23,120
Speaker 1: you know how hardly to stand there and do a backflip?

1157
00:52:23,360 --> 00:52:23,520
Speaker 3: Yeah?

1158
00:52:25,120 --> 00:52:28,560
Speaker 1: Go try your bed and go try how.

1159
00:52:29,040 --> 00:52:30,600
Speaker 3: I'm gonna be in the hospital for about a month

1160
00:52:30,600 --> 00:52:31,960
Speaker 3: if I try to do it bad, I will knock

1161
00:52:31,960 --> 00:52:33,400
Speaker 3: all this shit over trying to do a backflip?

1162
00:52:34,200 --> 00:52:36,560
Speaker 2: Did Michael have like a main choreographer the way Quincy

1163
00:52:36,640 --> 00:52:37,520
Speaker 2: was his main producer?

1164
00:52:38,719 --> 00:52:40,799
Speaker 1: Like, is there something you know he did did bad?

1165
00:52:40,840 --> 00:52:41,160
Speaker 1: He did?

1166
00:52:41,200 --> 00:52:42,680
Speaker 2: Like I think he worked.

1167
00:52:42,480 --> 00:52:45,560
Speaker 3: With a lot of people uh on on a number

1168
00:52:45,600 --> 00:52:47,439
Speaker 3: of projects. I don't know if he had one main

1169
00:52:48,360 --> 00:52:49,640
Speaker 3: choreographer though, And.

1170
00:52:49,600 --> 00:52:52,000
Speaker 2: I also want to know, like who who's the prince

1171
00:52:52,280 --> 00:52:55,520
Speaker 2: of this dance and ship? Like which Icon never had

1172
00:52:55,560 --> 00:52:57,960
Speaker 2: a choreographer? Like if you saw them dance, they came

1173
00:52:58,040 --> 00:52:58,399
Speaker 2: up with it.

1174
00:53:00,120 --> 00:53:06,120
Speaker 5: That just doesn't I was side of Paul up Duel.

1175
00:53:06,880 --> 00:53:09,879
Speaker 5: I don't think that that tends to just because it's

1176
00:53:09,920 --> 00:53:13,560
Speaker 5: so much choreography is needed, especially for not really music

1177
00:53:13,600 --> 00:53:16,720
Speaker 5: videos for tours. Yeah, you know what I'm saying, like tours,

1178
00:53:16,760 --> 00:53:20,560
Speaker 5: it's like, that's so much choreography. So Michael worked with

1179
00:53:20,600 --> 00:53:24,640
Speaker 5: seven prominent choreographers, but most importantly Vincent Patterson for Smooth Criminal,

1180
00:53:24,719 --> 00:53:27,759
Speaker 5: The Bad Tour, Michael Peters for Thriller and Beat It.

1181
00:53:28,200 --> 00:53:31,160
Speaker 4: He's he he has a couple of people, Yeah.

1182
00:53:30,960 --> 00:53:33,359
Speaker 2: Mike, Michael worked with him choreography for Thriller and Beat

1183
00:53:33,360 --> 00:53:36,200
Speaker 2: It like you Michael Jackson of that.

1184
00:53:36,560 --> 00:53:39,719
Speaker 3: Yo, the way these kids watched Gracie's Corner, that's the

1185
00:53:39,760 --> 00:53:41,920
Speaker 3: way I watched Thriller, Like that was my Gracie's Corner.

1186
00:53:41,920 --> 00:53:43,360
Speaker 1: Like my mom had quits my friend.

1187
00:53:43,480 --> 00:53:45,640
Speaker 3: No, seriously, my mom had to put the Thriller cassette

1188
00:53:45,640 --> 00:53:47,480
Speaker 3: and like my book bag when I went to the babysitter,

1189
00:53:47,760 --> 00:53:49,960
Speaker 3: so that that she will put that in. That would

1190
00:53:49,960 --> 00:53:52,360
Speaker 3: be the only way I sat and watched TV is

1191
00:53:52,400 --> 00:53:53,080
Speaker 3: watching Thriller.

1192
00:53:53,239 --> 00:53:56,279
Speaker 1: I showed Amara toy story for the first time. You did.

1193
00:53:56,800 --> 00:53:59,279
Speaker 1: And because Amara likes her her shows.

1194
00:53:59,000 --> 00:54:02,960
Speaker 2: Like themis Rachel's a perfect Pig, Mickey Mouse, Baby Shark

1195
00:54:03,000 --> 00:54:04,719
Speaker 2: all that. It was the first time. She sat for

1196
00:54:04,760 --> 00:54:06,640
Speaker 2: like an hour and a half and watched the movie.

1197
00:54:07,360 --> 00:54:10,880
Speaker 2: She was lost. She was locked in, really like locked in.

1198
00:54:10,960 --> 00:54:12,960
Speaker 2: I've never heard her be that quiet, and that's still

1199
00:54:12,960 --> 00:54:13,840
Speaker 2: in my entire life.

1200
00:54:13,960 --> 00:54:14,760
Speaker 4: That's so funny.

1201
00:54:14,840 --> 00:54:19,120
Speaker 5: I introduced my god daughters to Toy Story and I

1202
00:54:19,160 --> 00:54:20,920
Speaker 5: didn't think because they have their same movies that they

1203
00:54:21,040 --> 00:54:22,959
Speaker 5: watch over whatever, and I didn't think that they would

1204
00:54:22,960 --> 00:54:25,000
Speaker 5: watch it. They're one in three, and they sat and

1205
00:54:25,040 --> 00:54:27,400
Speaker 5: they were like into the story, and I was like, okay,

1206
00:54:27,560 --> 00:54:29,880
Speaker 5: Like classics a classic is a classic.

1207
00:54:30,400 --> 00:54:33,080
Speaker 1: Toy Story is definitely classic. Oh.

1208
00:54:33,200 --> 00:54:35,520
Speaker 2: I loved it because now this coming weekend, now we

1209
00:54:35,520 --> 00:54:38,200
Speaker 2: can watch Story two. Like I have excuses to watch

1210
00:54:38,239 --> 00:54:40,719
Speaker 2: all those movies now because of Mars into them. Like

1211
00:54:41,160 --> 00:54:43,040
Speaker 2: even her eyes would like light up at certain like

1212
00:54:43,080 --> 00:54:45,040
Speaker 2: I knew she was really locked in and focused because

1213
00:54:45,040 --> 00:54:47,879
Speaker 2: even during the storyline, she would like react to certain parts.

1214
00:54:47,920 --> 00:54:50,520
Speaker 1: I'm like, oh, yeah, you what story?

1215
00:54:50,680 --> 00:54:54,200
Speaker 5: Yeah, Toy Story is mental outside of the story being good, right,

1216
00:54:54,239 --> 00:54:55,359
Speaker 5: which older kids care about.

1217
00:54:55,400 --> 00:54:57,560
Speaker 4: Toy Story is mentally stimulating for children.

1218
00:54:57,920 --> 00:55:00,279
Speaker 5: The colors are bright enough, the voices are loud like

1219
00:55:00,360 --> 00:55:01,960
Speaker 5: it's it's mentally stimulating for I.

1220
00:55:02,000 --> 00:55:05,840
Speaker 2: Know it's been like repurposed and refurbishing all that. But

1221
00:55:05,880 --> 00:55:07,839
Speaker 2: the fact that was made in nineteen ninety five is

1222
00:55:08,440 --> 00:55:11,359
Speaker 2: like you're saying, I cannot believe in nineteen ninety five

1223
00:55:11,360 --> 00:55:12,120
Speaker 2: they made that movie.

1224
00:55:12,280 --> 00:55:12,600
Speaker 1: That's what.

1225
00:55:14,120 --> 00:55:15,920
Speaker 2: If you just look at everything that was being made

1226
00:55:15,960 --> 00:55:17,799
Speaker 2: at that time, like what Pixar, That shit was like

1227
00:55:18,000 --> 00:55:19,680
Speaker 2: revolution that was like Apple actually matter of fact, didn't

1228
00:55:19,680 --> 00:55:23,080
Speaker 2: steve jobs by Pixar. That was like that was like

1229
00:55:23,280 --> 00:55:24,959
Speaker 2: iconic as far as technology goes.

1230
00:55:25,040 --> 00:55:27,840
Speaker 1: What they did in ninety five with toy Story like that.

1231
00:55:27,840 --> 00:55:29,600
Speaker 1: It's a great movie, though, great storyline.

1232
00:55:29,640 --> 00:55:31,040
Speaker 2: That shit could come out in twenty twenty five and

1233
00:55:31,040 --> 00:55:32,640
Speaker 2: it would look no fucking different.

1234
00:55:32,440 --> 00:55:34,520
Speaker 4: And it was. That was the first Pixar movie.

1235
00:55:34,640 --> 00:55:39,720
Speaker 2: Yeah, No, Pixar is Apple, Like they revolutionized everything.

1236
00:55:39,880 --> 00:55:42,440
Speaker 1: Yeah, then the fact that they did that at.

1237
00:55:42,239 --> 00:55:45,439
Speaker 2: That level for the first time was nuts and shit,

1238
00:55:45,680 --> 00:55:46,799
Speaker 2: it's like an all star cast.

1239
00:55:47,160 --> 00:55:51,160
Speaker 5: Pixar has some of the best, like children's movies too,

1240
00:55:51,200 --> 00:55:53,760
Speaker 5: because The Incredibles is like one of my personal favorite.

1241
00:55:53,800 --> 00:55:56,359
Speaker 5: Like Pixar has the good movies, like Monsters in all

1242
00:55:56,400 --> 00:55:57,080
Speaker 5: of those are Pixar.

1243
00:55:57,080 --> 00:55:59,960
Speaker 1: They're not Disney Yo Matt like.

1244
00:56:00,120 --> 00:56:03,080
Speaker 2: And also imagine them pitching that to Tom Hanks, and

1245
00:56:03,160 --> 00:56:05,240
Speaker 2: I know Castoway was after but just using as example,

1246
00:56:05,280 --> 00:56:08,040
Speaker 2: like one of my movies, I had to be on

1247
00:56:08,280 --> 00:56:14,560
Speaker 2: a deserted island, lose fucking eighty pounds, grow a beard,

1248
00:56:14,360 --> 00:56:17,520
Speaker 2: had to carry a movie as one person with no

1249
00:56:17,600 --> 00:56:20,200
Speaker 2: real dialogue. And then they're like, no, you could just

1250
00:56:20,239 --> 00:56:22,279
Speaker 2: sit in the air conditioning studio and just say these

1251
00:56:22,320 --> 00:56:23,319
Speaker 2: lines right here and.

1252
00:56:23,280 --> 00:56:24,520
Speaker 1: Make ER's say it into the mic.

1253
00:56:24,480 --> 00:56:26,560
Speaker 4: Fifteen times went out in two days.

1254
00:56:28,400 --> 00:56:30,200
Speaker 2: He's like, you know, I was in Indonesia, in the

1255
00:56:30,280 --> 00:56:32,120
Speaker 2: island for six months.

1256
00:56:33,160 --> 00:56:35,680
Speaker 1: It got paid less on a water diet, just drinking

1257
00:56:35,719 --> 00:56:36,839
Speaker 1: water every day. That was it.

1258
00:56:37,680 --> 00:56:40,200
Speaker 2: Did hen't win anything for Casway, I would hope, So.

1259
00:56:41,880 --> 00:56:43,640
Speaker 3: Don't say he had to, because we know people that

1260
00:56:43,719 --> 00:56:45,960
Speaker 3: went through crazy transformations for roles and they didn't win.

1261
00:56:46,640 --> 00:56:48,839
Speaker 2: Castaway has like four lines in it. You know, good

1262
00:56:48,840 --> 00:56:50,360
Speaker 2: of an actor you have to be to carry a

1263
00:56:50,400 --> 00:56:51,399
Speaker 2: movie with no fucking line.

1264
00:56:51,480 --> 00:56:55,120
Speaker 5: He won Best Actor for Castaway. Oh no, he got

1265
00:56:55,200 --> 00:56:57,800
Speaker 5: nominated and he did not win. At the Academy Awards.

1266
00:56:57,800 --> 00:57:00,759
Speaker 2: He got a Gold and Glow for Best Actor, but

1267
00:57:00,800 --> 00:57:03,800
Speaker 2: he didn't get He didn't get the who beat him.

1268
00:57:03,600 --> 00:57:09,440
Speaker 1: Maclamore, who beat Tom Hanks, and castaway from Best Actor.

1269
00:57:09,320 --> 00:57:10,759
Speaker 4: For two thousand and one.

1270
00:57:10,960 --> 00:57:11,440
Speaker 1: I don't know.

1271
00:57:12,360 --> 00:57:15,000
Speaker 2: Let me see somebody got naked for the Best Actor.

1272
00:57:15,760 --> 00:57:20,240
Speaker 5: Halle Berry's sour Fish and the leading wrote Russell Crowe Gladiator.

1273
00:57:20,400 --> 00:57:22,320
Speaker 1: Oh all right, ma, you know what I said.

1274
00:57:22,520 --> 00:57:24,880
Speaker 3: I kind of said, correct, all right, because if we

1275
00:57:24,880 --> 00:57:26,960
Speaker 3: told about visually it was toy story, then it was

1276
00:57:26,960 --> 00:57:29,880
Speaker 3: three hundred three thousand, that was.

1277
00:57:29,880 --> 00:57:32,280
Speaker 4: Crazy Gladiator won Best Picture that year?

1278
00:57:32,320 --> 00:57:36,240
Speaker 2: Or two Gladiators. I comfortably would say it was glad

1279
00:57:36,640 --> 00:57:41,480
Speaker 2: that's the one. Yeah, I thought you three thousand, No general,

1280
00:57:42,000 --> 00:57:46,880
Speaker 2: three hundred general, Yeah, Russell Crows the three hundred not

1281
00:57:46,920 --> 00:57:49,920
Speaker 2: the same white guy. It's not Russell krus It's not

1282
00:57:49,960 --> 00:57:54,200
Speaker 2: the other guys, Russell Crowe. B what's the washing throne

1283
00:57:54,240 --> 00:57:57,840
Speaker 2: when they start naming all the Russells Russell brand So

1284
00:57:58,040 --> 00:58:01,520
Speaker 2: Crow may be getting some sick lines off that we

1285
00:58:01,640 --> 00:58:03,480
Speaker 2: just allow Gladiated.

1286
00:58:02,960 --> 00:58:06,840
Speaker 3: When it makes sense though, Yeah, of course, yeah, that's

1287
00:58:06,960 --> 00:58:07,520
Speaker 3: that's one of.

1288
00:58:07,440 --> 00:58:10,240
Speaker 2: The know I stand corrected right away. What could be

1289
00:58:10,280 --> 00:58:14,400
Speaker 2: cast away Gladiator? I know Tom Anks was fucking fuck

1290
00:58:14,640 --> 00:58:16,520
Speaker 2: like nobody's being gladiated that year.

1291
00:58:17,120 --> 00:58:19,720
Speaker 5: Yeah, can you imagine like could you imagine like coming

1292
00:58:19,760 --> 00:58:22,800
Speaker 5: out like you work your whole entire life on a movie,

1293
00:58:22,840 --> 00:58:26,640
Speaker 5: like you put your blood, sweat, tears, everything on this project.

1294
00:58:26,680 --> 00:58:29,920
Speaker 5: It's amazing, Like it's a it's everybody wants to watch it.

1295
00:58:30,440 --> 00:58:33,960
Speaker 5: And then Titanic come out the same year. Boy, I'd

1296
00:58:34,000 --> 00:58:37,600
Speaker 5: be lissed. I would be fucking pissed.

1297
00:58:37,600 --> 00:58:40,640
Speaker 2: When we talked to Neil Brennan, friend of the show,

1298
00:58:40,720 --> 00:58:44,080
Speaker 2: co creator of Chappelle's Show, also great stand up comedian

1299
00:58:44,280 --> 00:58:48,160
Speaker 2: when they wrote Half Baked, I think it was the

1300
00:58:48,160 --> 00:58:49,080
Speaker 2: weekend opening was.

1301
00:58:50,600 --> 00:58:56,200
Speaker 1: Titanic. Oh, it's the ship with Cuba Gooding Jr. When

1302
00:58:56,240 --> 00:59:02,760
Speaker 1: he's the agent. Uh uh. I think it was like Titanic.

1303
00:59:02,840 --> 00:59:07,600
Speaker 2: Jerry Maguire, Like Neil started naming all the movies that

1304
00:59:07,680 --> 00:59:10,960
Speaker 2: Half Baked went against, and he was like, no wonder,

1305
00:59:10,960 --> 00:59:12,720
Speaker 2: we were all blackballed from the end of the Like

1306
00:59:13,960 --> 00:59:17,440
Speaker 2: we finally wrote a movie, got distribution. We hated the movie,

1307
00:59:17,480 --> 00:59:19,480
Speaker 2: but all right, cool, it's going out. It's the first

1308
00:59:19,520 --> 00:59:22,640
Speaker 2: time we've ever done so, for sure. But at the

1309
00:59:22,680 --> 00:59:25,360
Speaker 2: time a lot of Colt classics come out, and it's

1310
00:59:25,400 --> 00:59:28,520
Speaker 2: not till fifteen years later it starts to like it

1311
00:59:28,600 --> 00:59:29,800
Speaker 2: like Scarface.

1312
00:59:29,320 --> 00:59:32,480
Speaker 1: Bombed at the box office, didn't do anything. He said,

1313
00:59:33,240 --> 00:59:36,120
Speaker 1: we finally get the date and it's Titanic. It's the

1314
00:59:36,120 --> 00:59:39,840
Speaker 1: next thing. It's like, yeah, a studio is that never

1315
00:59:39,880 --> 00:59:45,320
Speaker 1: talked to me again until heel show That's just bad.

1316
00:59:45,480 --> 00:59:48,400
Speaker 4: Oh yeah, yep. Came out around the same time.

1317
00:59:48,720 --> 00:59:51,240
Speaker 5: Best Picture Titanic went against as good as it gets

1318
00:59:51,280 --> 00:59:53,000
Speaker 5: the full Monty Goodwill Hunting, Oh.

1319
00:59:53,000 --> 00:59:55,360
Speaker 2: Yeah, he said, Goodwill Hunting. Titanic and Goodwill Hunting was

1320
00:59:55,400 --> 00:59:56,520
Speaker 2: the same week as Half Baked.

1321
00:59:57,920 --> 01:00:00,960
Speaker 1: Oh my god.

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01:00:00,360 --> 01:00:06,160
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Speaker 3: Gambler Arizona, Colorado, Illinois, New Jersey, Ohio, Tennessee and Virginia.

1356
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Speaker 2: Did you see the Charlie Sheen interview.

1357
01:01:45,360 --> 01:01:46,760
Speaker 1: Yeah, well I saw that. I mean I saw that

1358
01:01:46,880 --> 01:01:47,320
Speaker 1: the clip.

1359
01:01:47,920 --> 01:01:50,000
Speaker 3: First of all, Charlie Sheen is the legend. Let's just

1360
01:01:50,040 --> 01:01:53,000
Speaker 3: start start there, Tiger blood legendary.

1361
01:01:53,080 --> 01:01:53,640
Speaker 1: Charlie Sheen.

1362
01:01:53,800 --> 01:01:57,840
Speaker 2: He was calid before calin for sure, like winning was

1363
01:01:58,200 --> 01:01:58,920
Speaker 2: winning was a thing.

1364
01:01:58,960 --> 01:01:59,560
Speaker 1: Absolutely.

1365
01:02:00,320 --> 01:02:02,240
Speaker 3: He said that he has he started having sex with

1366
01:02:02,360 --> 01:02:07,240
Speaker 3: men while he was on crack and says it's fucking liberated.

1367
01:02:07,320 --> 01:02:08,080
Speaker 1: That's a final talk.

1368
01:02:08,560 --> 01:02:08,640
Speaker 2: Now.

1369
01:02:08,640 --> 01:02:10,040
Speaker 3: I don't know if y'all remember the clip that went

1370
01:02:10,120 --> 01:02:10,760
Speaker 3: viral years ago.

1371
01:02:10,920 --> 01:02:12,280
Speaker 1: There was a crackhead. They was arguing.

1372
01:02:12,360 --> 01:02:15,000
Speaker 3: They was ready to fight, and the dude told him

1373
01:02:15,040 --> 01:02:16,440
Speaker 3: leave him alone. He was like, I want some pussy,

1374
01:02:16,440 --> 01:02:17,479
Speaker 3: but I'll settled for some butt.

1375
01:02:19,400 --> 01:02:20,720
Speaker 1: I didn't understand beat off.

1376
01:02:20,760 --> 01:02:21,560
Speaker 2: I didn't understand it.

1377
01:02:21,600 --> 01:02:21,760
Speaker 1: Then.

1378
01:02:21,800 --> 01:02:24,360
Speaker 3: I was like, but now he's seen as Charlie Sheen interview,

1379
01:02:24,400 --> 01:02:27,760
Speaker 3: I'm like, Oh, crack makes you horny and you don't

1380
01:02:27,800 --> 01:02:30,880
Speaker 3: care if it's vagina or men, but you just want

1381
01:02:30,880 --> 01:02:31,400
Speaker 3: to have sex.

1382
01:02:31,760 --> 01:02:33,640
Speaker 1: Crack. Cracker is what turn the frogs gay.

1383
01:02:33,680 --> 01:02:36,280
Speaker 3: Right, So he said, crack is what started it, That's

1384
01:02:36,320 --> 01:02:38,600
Speaker 3: what that's where it was born. Or sparked, and then

1385
01:02:38,680 --> 01:02:41,320
Speaker 3: whatever chunks of time that I was off the pipe

1386
01:02:41,720 --> 01:02:43,880
Speaker 3: trying to navigate that, trying to come to terms with it.

1387
01:02:44,640 --> 01:02:48,760
Speaker 1: Uh wait what he said? Where where did that come from?

1388
01:02:48,880 --> 01:02:51,720
Speaker 2: As far as once he was sober, he couldn't figure

1389
01:02:51,720 --> 01:02:54,440
Speaker 2: out why he was fucking dues. It came from armahamer Like,

1390
01:02:54,480 --> 01:02:55,440
Speaker 2: that's where it came from.

1391
01:02:55,600 --> 01:02:57,880
Speaker 3: This is a good Morning America, by the way, this interview,

1392
01:02:57,920 --> 01:02:59,080
Speaker 3: it's a good morning in America.

1393
01:02:59,160 --> 01:02:59,960
Speaker 1: Why did that happen?

1394
01:03:00,560 --> 01:03:03,360
Speaker 2: And then just finally being like so what some of

1395
01:03:03,400 --> 01:03:05,520
Speaker 2: it was weird, A lot of it was fucking fun

1396
01:03:05,640 --> 01:03:08,960
Speaker 2: and life goes on, he told Good Morning America.

1397
01:03:08,720 --> 01:03:11,360
Speaker 3: He said, he said, it's like it calls it flipping

1398
01:03:11,400 --> 01:03:13,520
Speaker 3: the menu over having gay sex.

1399
01:03:15,160 --> 01:03:17,040
Speaker 1: No mean, you don't tell me where the beverages are

1400
01:03:17,080 --> 01:03:17,680
Speaker 1: as gay sex.

1401
01:03:18,000 --> 01:03:20,280
Speaker 2: That's not the same thing, Charlie, Like, don't even compare

1402
01:03:20,320 --> 01:03:20,640
Speaker 2: it to that.

1403
01:03:20,640 --> 01:03:21,120
Speaker 1: That's just not.

1404
01:03:21,240 --> 01:03:23,240
Speaker 2: No. You So Charlie Sheen is gay.

1405
01:03:23,920 --> 01:03:25,720
Speaker 4: No, you don't think he's bisexual?

1406
01:03:27,560 --> 01:03:30,680
Speaker 1: We got I didn't say nothing. I didn't say anything.

1407
01:03:30,760 --> 01:03:34,480
Speaker 2: You don't think that drugs, specifically cracked can make you

1408
01:03:34,520 --> 01:03:36,560
Speaker 2: do things that you never would have done unless you're

1409
01:03:36,600 --> 01:03:38,760
Speaker 2: on crack. I think that if you're down to doing crack,

1410
01:03:38,800 --> 01:03:39,480
Speaker 2: you'll do anything.

1411
01:03:40,400 --> 01:03:41,520
Speaker 1: Ah, I don't know about that.

1412
01:03:41,840 --> 01:03:43,920
Speaker 2: I think there's probably a lot of if you're smoking crack.

1413
01:03:44,000 --> 01:03:47,200
Speaker 2: I think a majority of crackheads are probably homophobic.

1414
01:03:48,000 --> 01:03:51,200
Speaker 3: Smoking you're down to smoking crack, that's not a that's

1415
01:03:51,240 --> 01:03:52,400
Speaker 3: a person that will do anything.

1416
01:03:52,440 --> 01:03:55,400
Speaker 1: Crackheads are actually really judging about other people's lifestyles, which

1417
01:03:55,440 --> 01:03:57,040
Speaker 1: is always the most ironic and funny thing.

1418
01:03:58,280 --> 01:03:59,960
Speaker 4: I don't like the way y'all demonizes crack.

1419
01:04:00,560 --> 01:04:01,400
Speaker 1: Imani it.

1420
01:04:01,480 --> 01:04:03,400
Speaker 3: Yeah, I'm saying I've seen the things that people do

1421
01:04:03,440 --> 01:04:03,919
Speaker 3: smoke crack.

1422
01:04:04,080 --> 01:04:07,200
Speaker 2: I'm not young thug and suggesting that being a snitch

1423
01:04:07,240 --> 01:04:08,320
Speaker 2: and being gay are the same thing.

1424
01:04:08,360 --> 01:04:09,960
Speaker 1: So hear me out and let me land this point.

1425
01:04:10,120 --> 01:04:13,080
Speaker 2: I think there's people that have committed violent crimes that

1426
01:04:13,120 --> 01:04:16,959
Speaker 2: they would have never done, but because they started smoking crack,

1427
01:04:17,040 --> 01:04:19,480
Speaker 2: their mind was altered. And I'm not comparing that to

1428
01:04:19,520 --> 01:04:22,360
Speaker 2: being gay. I'm just saying I don't think crime and

1429
01:04:22,400 --> 01:04:23,120
Speaker 2: gay is the same.

1430
01:04:23,560 --> 01:04:25,680
Speaker 1: I just think drugs can alter your heart to be

1431
01:04:27,080 --> 01:04:32,880
Speaker 1: I mean, before Obama, I think drugs can alter your

1432
01:04:32,880 --> 01:04:35,360
Speaker 1: mind to do something you never would have done, including

1433
01:04:35,440 --> 01:04:38,000
Speaker 1: possibly fucking a bunch of men.

1434
01:04:38,680 --> 01:04:40,200
Speaker 2: I don't know if Richard Pryor just came in the

1435
01:04:40,200 --> 01:04:42,520
Speaker 2: world gay. I think he did a little freebase and

1436
01:04:42,560 --> 01:04:43,880
Speaker 2: just started fucking some dudes in Hollywah.

1437
01:04:43,880 --> 01:04:45,640
Speaker 1: That's wul be different. I think that. I think that

1438
01:04:45,800 --> 01:04:48,439
Speaker 1: crack only enhances what's already inside of you know.

1439
01:04:48,400 --> 01:04:50,680
Speaker 5: Because a lot of time you can't. Sucking dick is

1440
01:04:50,720 --> 01:04:54,280
Speaker 5: a commitment. I don't I've never tried. There's no drug.

1441
01:04:54,600 --> 01:04:56,760
Speaker 4: There is no drug that can prepare you to hit

1442
01:04:56,760 --> 01:04:59,120
Speaker 4: your knees and suck dick. There's no drug.

1443
01:05:00,320 --> 01:05:05,240
Speaker 2: Ah, there's no drug that can compare you hit.

1444
01:05:05,360 --> 01:05:07,720
Speaker 5: Me like you gotta you gotta commit to that ship, bro.

1445
01:05:07,800 --> 01:05:09,640
Speaker 5: Drugs can't make you gay, Bro.

1446
01:05:10,000 --> 01:05:11,760
Speaker 3: Noah, drugs don't make you gay. You gay already.

1447
01:05:12,240 --> 01:05:14,400
Speaker 5: It was inside you. You were curious about it. You

1448
01:05:14,920 --> 01:05:17,200
Speaker 5: might have been by curious and then the drug hit

1449
01:05:17,240 --> 01:05:17,520
Speaker 5: and you.

1450
01:05:17,560 --> 01:05:22,240
Speaker 1: Was like, sucked dick for crack. But that's for an addiction.

1451
01:05:22,720 --> 01:05:25,440
Speaker 2: Listen, man, I'm sure they'd much rather, uh, you know,

1452
01:05:25,720 --> 01:05:27,480
Speaker 2: pick up recycled can goods to get money.

1453
01:05:27,520 --> 01:05:31,080
Speaker 3: But sometimes there's a dick there and somebody wants it suck.

1454
01:05:31,280 --> 01:05:32,800
Speaker 3: So I mean, sometimes old.

1455
01:05:32,640 --> 01:05:37,880
Speaker 2: Dog says, you know, I got these cheeseburgers. But so

1456
01:05:37,920 --> 01:05:41,720
Speaker 2: you both don't see the point of like, maybe drugs

1457
01:05:41,720 --> 01:05:43,320
Speaker 2: could just alter your mind to do something you you

1458
01:05:43,360 --> 01:05:46,160
Speaker 2: wouldn't have done that was never even inside you before.

1459
01:05:46,360 --> 01:05:48,400
Speaker 2: I think somebody was never a killer, but when they

1460
01:05:48,480 --> 01:05:50,360
Speaker 2: got some crack in them, they became a killer.

1461
01:05:51,560 --> 01:05:54,160
Speaker 1: But I would have never done that. Everybody ever done that.

1462
01:05:54,240 --> 01:05:57,880
Speaker 5: Everybody has has killer like in them. Though everybody is

1463
01:05:57,920 --> 01:06:00,760
Speaker 5: capable of killing. Not everybody came of a sucking dick,

1464
01:06:00,800 --> 01:06:04,000
Speaker 5: but ort but everybody to kill.

1465
01:06:03,840 --> 01:06:06,680
Speaker 2: Somebody before I suck dick, that's a fact. That's a fact.

1466
01:06:06,760 --> 01:06:08,439
Speaker 2: I'll kill his whole room before I suck cock.

1467
01:06:09,160 --> 01:06:09,880
Speaker 1: Are you serious?

1468
01:06:10,040 --> 01:06:10,680
Speaker 2: I will.

1469
01:06:10,880 --> 01:06:12,680
Speaker 3: I will cut everybody in his room before I suck

1470
01:06:12,720 --> 01:06:17,800
Speaker 3: at dick. If somebody came in here and said, sucker Dick,

1471
01:06:17,800 --> 01:06:24,120
Speaker 3: will kill me, give me the gun.

1472
01:06:24,160 --> 01:06:25,760
Speaker 2: I'm gonna kill him with you. I'm not sucking no

1473
01:06:25,880 --> 01:06:27,840
Speaker 2: dick for sure.

1474
01:06:28,040 --> 01:06:28,840
Speaker 1: Y'all all gotta go.

1475
01:06:30,400 --> 01:06:33,240
Speaker 2: For sure, Like the marriage said, nothing can prepare you

1476
01:06:33,280 --> 01:06:34,960
Speaker 2: for that. To look at.

1477
01:06:34,960 --> 01:06:37,880
Speaker 3: Dick in the face and watch it and watch it

1478
01:06:38,080 --> 01:06:42,040
Speaker 3: and watch it coming towards you, there's no way, yo.

1479
01:06:42,120 --> 01:06:44,760
Speaker 3: He peace gotta go. It's his time. I can't interfere

1480
01:06:44,840 --> 01:06:47,680
Speaker 3: with the Lord. The Lord said this man, Yeah, this

1481
01:06:47,760 --> 01:06:49,320
Speaker 3: is God sent this man here today.

1482
01:06:49,680 --> 01:06:51,120
Speaker 1: A matter of fact, this would be a sin to God.

1483
01:06:51,800 --> 01:06:53,400
Speaker 3: Do not get in the way of what God has

1484
01:06:53,680 --> 01:06:55,280
Speaker 3: ordained this man to do here today.

1485
01:06:55,320 --> 01:06:56,720
Speaker 5: I'm not getting in the way that I'm not that

1486
01:06:56,840 --> 01:07:01,080
Speaker 5: so raven. Maybe God ordains you to suck a day God.

1487
01:07:01,360 --> 01:07:03,000
Speaker 3: God never woke up and said today is a day

1488
01:07:03,040 --> 01:07:06,680
Speaker 3: mal suck. God has never said that. He's never said that.

1489
01:07:06,600 --> 01:07:07,640
Speaker 1: God would be very bored that.

1490
01:07:07,680 --> 01:07:10,360
Speaker 2: Then God has never said I would look at God like,

1491
01:07:10,400 --> 01:07:12,360
Speaker 2: there's a lot of things going on that kneeds your

1492
01:07:12,360 --> 01:07:13,120
Speaker 2: attention in the world.

1493
01:07:13,640 --> 01:07:15,880
Speaker 1: Maybe Ma and Dick is not really worth It's.

1494
01:07:15,760 --> 01:07:20,120
Speaker 2: Not everybody gotta go. Everybody gotta die if it's up

1495
01:07:20,120 --> 01:07:21,160
Speaker 2: to me. Everybody's noting.

1496
01:07:21,160 --> 01:07:21,960
Speaker 1: But we're so petty.

1497
01:07:22,000 --> 01:07:23,960
Speaker 2: If Maul ended up doing that, we wouldn't be grateful.

1498
01:07:23,960 --> 01:07:26,160
Speaker 2: We would clown him for sucking Dick on the next episode,

1499
01:07:26,200 --> 01:07:27,360
Speaker 2: even though he saved our lives.

1500
01:07:27,640 --> 01:07:29,840
Speaker 3: Yeah you gotta and I gotta live with that. Give

1501
01:07:29,880 --> 01:07:36,160
Speaker 3: me death death before dishonor Yeah, you gotta fall on

1502
01:07:36,160 --> 01:07:38,280
Speaker 3: the sword. You gotta sit on the sword.

1503
01:07:38,480 --> 01:07:43,680
Speaker 1: Hey, yo, Nah kill me, bro kill me fuck that.

1504
01:07:44,480 --> 01:07:45,880
Speaker 2: I want to say something nice, but I feel like

1505
01:07:45,880 --> 01:07:51,240
Speaker 2: you guys are gonna juest me. If there was a

1506
01:07:51,240 --> 01:07:55,120
Speaker 2: a firing squad with assault rifles at all y'all, and

1507
01:07:55,160 --> 01:07:57,680
Speaker 2: the only way to save before y'all was for me

1508
01:07:57,720 --> 01:07:59,440
Speaker 2: to suck at dick, I would probably do it.

1509
01:08:01,600 --> 01:08:06,960
Speaker 1: No, you're a good friend. You're a good friend.

1510
01:08:06,960 --> 01:08:08,880
Speaker 2: He's a gay friend. I'm not mad at him. I

1511
01:08:08,960 --> 01:08:12,400
Speaker 2: have gay friends. When he's would like, really, man, it

1512
01:08:12,400 --> 01:08:13,640
Speaker 2: would be a very tragical.

1513
01:08:14,120 --> 01:08:15,200
Speaker 1: There a lot of traumas.

1514
01:08:15,320 --> 01:08:17,439
Speaker 2: I think I could get through therapy of me sucking

1515
01:08:17,439 --> 01:08:19,519
Speaker 2: the dick if all of you died and I watched

1516
01:08:19,560 --> 01:08:19,920
Speaker 2: it happen.

1517
01:08:20,000 --> 01:08:21,720
Speaker 1: Yeah, I think that would affect my life way more

1518
01:08:21,760 --> 01:08:22,559
Speaker 1: than you know.

1519
01:08:22,960 --> 01:08:26,280
Speaker 2: Wait, can I smoke some crack before?

1520
01:08:27,479 --> 01:08:29,840
Speaker 1: If there's crack on deck with the firing squady, I

1521
01:08:29,880 --> 01:08:30,080
Speaker 1: do it.

1522
01:08:30,120 --> 01:08:32,120
Speaker 3: There's no way, bro, There's no way.

1523
01:08:32,479 --> 01:08:35,360
Speaker 2: I mean, sometimes it's weird, a lot of it was

1524
01:08:35,360 --> 01:08:36,519
Speaker 2: fucking fun, and life goes on.

1525
01:08:37,120 --> 01:08:41,879
Speaker 1: He told Good Morning America, like little.

1526
01:08:41,800 --> 01:08:49,640
Speaker 3: Chari Nahair, a coward dies a thousand deaths man, all right,

1527
01:08:49,680 --> 01:08:51,560
Speaker 3: First of all, a man sucking a dick just not

1528
01:08:51,640 --> 01:08:52,320
Speaker 3: make him a coward.

1529
01:08:52,400 --> 01:08:54,040
Speaker 1: Matter of fact, that's the bravest man I've ever met

1530
01:08:54,080 --> 01:09:00,400
Speaker 1: my life. It's that you've done things I could never listen.

1531
01:09:00,520 --> 01:09:01,840
Speaker 2: Man, I'm just let y'all know, don't be busy.

1532
01:09:01,920 --> 01:09:05,519
Speaker 1: Russell Crowe Gladiator is basically the equivalent. Yo, I'm kill me.

1533
01:09:06,120 --> 01:09:07,880
Speaker 1: There's no way around it. Kill me.

1534
01:09:08,120 --> 01:09:10,960
Speaker 2: Life is way more important than death is beautiful. Death

1535
01:09:11,040 --> 01:09:13,599
Speaker 2: is inevitable. It's inevitable. We all got to do it.

1536
01:09:13,640 --> 01:09:14,000
Speaker 1: Fuck it.

1537
01:09:14,400 --> 01:09:15,920
Speaker 2: We all ain't got a sucking dick, but we all

1538
01:09:15,920 --> 01:09:17,400
Speaker 2: got to die. That's a fact.

1539
01:09:18,240 --> 01:09:19,160
Speaker 1: I suppose that's true.

1540
01:09:19,280 --> 01:09:19,800
Speaker 2: That's a fact.

1541
01:09:19,880 --> 01:09:20,559
Speaker 1: It ain't true.

1542
01:09:20,640 --> 01:09:22,439
Speaker 2: So in fact, we all got to die. We all

1543
01:09:22,439 --> 01:09:23,320
Speaker 2: ain't got a suck a dick.

1544
01:09:23,880 --> 01:09:24,240
Speaker 1: Fuck that.

1545
01:09:26,080 --> 01:09:27,600
Speaker 2: Oh, we have other stuff on the list, but I

1546
01:09:27,640 --> 01:09:30,760
Speaker 2: don't even know after that. If I want to talk

1547
01:09:30,800 --> 01:09:36,639
Speaker 2: about any of this, we'll say the Cam and Dame

1548
01:09:36,800 --> 01:09:39,840
Speaker 2: full breakdown. I think for Patreon, that's something I think

1549
01:09:39,840 --> 01:09:41,840
Speaker 2: I wanted us to get into. You can keep all

1550
01:09:41,840 --> 01:09:45,200
Speaker 2: this this promo for Patreon. I want to get into

1551
01:09:45,200 --> 01:09:48,000
Speaker 2: the weeds weeds of that because you and I probably

1552
01:09:48,000 --> 01:09:50,880
Speaker 2: have a bit more information on that, and yeah, that's

1553
01:09:50,920 --> 01:09:51,559
Speaker 2: a Patreon thing.

1554
01:09:51,680 --> 01:09:52,439
Speaker 1: I think that'd be good.

1555
01:09:52,600 --> 01:09:54,639
Speaker 4: Let's do it. Let's do a voicemail and get out

1556
01:09:54,680 --> 01:09:54,920
Speaker 4: of here.

1557
01:09:55,120 --> 01:09:56,960
Speaker 1: You've got mail, all right?

1558
01:09:57,000 --> 01:10:00,519
Speaker 2: I mean with that said, uh, do we have voicemails

1559
01:10:00,560 --> 01:10:02,200
Speaker 2: that are sponsored by boost I don't know. I Boosty

1560
01:10:02,200 --> 01:10:04,120
Speaker 2: wants their name next to the conversation we just had.

1561
01:10:04,160 --> 01:10:07,559
Speaker 2: But sometimes sometimes you'll get boosted. Yeah five g by

1562
01:10:07,680 --> 01:10:10,360
Speaker 2: crack unlimited talk, text data and crack.

1563
01:10:11,760 --> 01:10:13,439
Speaker 1: If you feel like the.

1564
01:10:13,520 --> 01:10:16,040
Speaker 6: Marris about time you brought your ass back? Dang, she

1565
01:10:16,120 --> 01:10:23,479
Speaker 6: had ication, So I wanted the marriage and Rory Mall

1566
01:10:24,320 --> 01:10:26,720
Speaker 6: can't really talk about this because according to Mall, he

1567
01:10:26,760 --> 01:10:29,000
Speaker 6: wouldn't give a bitch a penny. He wouldn't give her

1568
01:10:29,080 --> 01:10:31,639
Speaker 6: a ham sandwich, you know what I'm saying. He wouldn't

1569
01:10:31,640 --> 01:10:33,840
Speaker 6: give her a ghetto soundch the ghetto soundich where it's

1570
01:10:33,880 --> 01:10:36,960
Speaker 6: just sugar meat on there and nothing or gets ketchup

1571
01:10:37,000 --> 01:10:38,880
Speaker 6: on there or nothing. He wouldn't even do that for

1572
01:10:38,920 --> 01:10:42,960
Speaker 6: a bit. So it's for Rory, and this is for

1573
01:10:43,200 --> 01:10:48,920
Speaker 6: the mayors because the marriage always say.

1574
01:10:48,920 --> 01:10:49,320
Speaker 1: Or whatever.

1575
01:10:49,800 --> 01:10:53,400
Speaker 6: So, Rory, you ever had a female that you showed

1576
01:10:53,479 --> 01:10:55,639
Speaker 6: up for her, y'all had an agreement, y'all had a situation.

1577
01:10:56,360 --> 01:10:58,840
Speaker 6: You know, you show up for you do things y'all

1578
01:10:58,840 --> 01:11:01,280
Speaker 6: got an arrangement. You do sit outside of arranged agreement

1579
01:11:01,280 --> 01:11:04,559
Speaker 6: and everything, but she don't treat you with the with

1580
01:11:05,320 --> 01:11:06,840
Speaker 6: I don't want to say reverge, but she don't treat

1581
01:11:06,880 --> 01:11:08,680
Speaker 6: you how she should in the way you show up

1582
01:11:08,720 --> 01:11:12,080
Speaker 6: for her, you know, like she always acting annoyed and

1583
01:11:12,160 --> 01:11:14,680
Speaker 6: shit like that. So I got the situation where we've

1584
01:11:14,680 --> 01:11:16,680
Speaker 6: been fucking each other for years, but the motherfucker get

1585
01:11:16,680 --> 01:11:19,599
Speaker 6: on my fucking nerves and the reason I can't stop

1586
01:11:19,640 --> 01:11:22,000
Speaker 6: fucking wing case. See see my dicks. Goddamnit, I love

1587
01:11:22,040 --> 01:11:24,280
Speaker 6: a dick chocolate, motherfucker. I love him so chocolate. They

1588
01:11:24,360 --> 01:11:27,840
Speaker 6: damn they're blue, you know what I'm saying. But she'd

1589
01:11:27,840 --> 01:11:29,640
Speaker 6: be acting annoyed every telling like we ain't got to

1590
01:11:29,680 --> 01:11:31,200
Speaker 6: deal with each other, you know that, right, I can

1591
01:11:31,240 --> 01:11:32,680
Speaker 6: go find me so much, you can go find you

1592
01:11:32,760 --> 01:11:35,360
Speaker 6: something else. So the marriage he ever treating a nigga

1593
01:11:35,360 --> 01:11:39,800
Speaker 6: that showed up for you less than you should have,

1594
01:11:40,240 --> 01:11:41,439
Speaker 6: and rory is reverse.

1595
01:11:42,439 --> 01:11:45,000
Speaker 5: Okay, So first of all, ain't no such thing as

1596
01:11:45,080 --> 01:11:47,040
Speaker 5: less than I should have just because just because you

1597
01:11:47,560 --> 01:11:50,360
Speaker 5: paying for things and buying things or doing what you

1598
01:11:50,400 --> 01:11:53,120
Speaker 5: say that you're supposed to be doing doesn't mean that.

1599
01:11:53,479 --> 01:11:56,360
Speaker 4: You're a good partner. You can be feeling in other ways.

1600
01:11:56,520 --> 01:11:58,000
Speaker 5: Like I think a lot of times men feel like

1601
01:11:58,000 --> 01:12:00,439
Speaker 5: they should be appreciated for the things they do and

1602
01:12:00,439 --> 01:12:01,760
Speaker 5: then like the shit that they don't do. It's just

1603
01:12:01,840 --> 01:12:03,160
Speaker 5: like yeah, but like look at the shit I do do,

1604
01:12:03,200 --> 01:12:05,719
Speaker 5: and it's like no, but we've had this conversation about

1605
01:12:05,760 --> 01:12:08,320
Speaker 5: loving the person and when you're dating, like the way

1606
01:12:08,360 --> 01:12:10,240
Speaker 5: that they need to be loved, And you could be

1607
01:12:10,280 --> 01:12:12,280
Speaker 5: an annoying nigga. You talk about some she's annoying you. Yeah,

1608
01:12:12,320 --> 01:12:14,240
Speaker 5: you're probably annoying her. It's probably why she treats you

1609
01:12:14,280 --> 01:12:14,559
Speaker 5: like that.

1610
01:12:15,000 --> 01:12:16,200
Speaker 4: You just annoyed me in this call.

1611
01:12:16,320 --> 01:12:19,280
Speaker 2: But what like, what does agreement mean? Because now now

1612
01:12:19,320 --> 01:12:20,559
Speaker 2: I wish you would have just put me in the

1613
01:12:20,560 --> 01:12:24,080
Speaker 2: mall category. I've never been like, yo, I'll pay your

1614
01:12:24,120 --> 01:12:24,960
Speaker 2: rent if you suck my.

1615
01:12:24,920 --> 01:12:29,559
Speaker 1: Dick, Like yeah, I've.

1616
01:12:28,400 --> 01:12:31,679
Speaker 2: Never been in that situation where because I'm paying for something,

1617
01:12:31,720 --> 01:12:35,320
Speaker 2: I just assume, matter of fact, we've been fucking if

1618
01:12:35,360 --> 01:12:39,200
Speaker 2: I'm about to start to pay for something. So I've

1619
01:12:39,240 --> 01:12:43,360
Speaker 2: never been in that situation. He sounds like he was

1620
01:12:43,520 --> 01:12:48,040
Speaker 2: just tricking, and once he stopped tricking, she ain't want him.

1621
01:12:48,680 --> 01:12:49,160
Speaker 1: Am I wrong?

1622
01:12:49,200 --> 01:12:49,360
Speaker 5: There?

1623
01:12:52,120 --> 01:12:53,280
Speaker 1: He was all over the place, so I was a

1624
01:12:53,320 --> 01:12:57,160
Speaker 1: little confused. But I mean, I think that happens in.

1625
01:12:57,120 --> 01:13:00,880
Speaker 2: Real relationships, where you know the corny eighty twenty rules.

1626
01:13:00,920 --> 01:13:03,760
Speaker 2: Sometimes you're twenty, sometimes you're eighty, and there's balances out

1627
01:13:03,760 --> 01:13:06,800
Speaker 2: and this and that. I've definitely been in relationships where

1628
01:13:07,120 --> 01:13:10,040
Speaker 2: I've been less present and she's been a present or

1629
01:13:10,880 --> 01:13:13,920
Speaker 2: opposite like I've been present, she has been present.

1630
01:13:14,200 --> 01:13:15,000
Speaker 1: That's happened.

1631
01:13:15,000 --> 01:13:17,360
Speaker 2: But that's in a relationship, not more on an agreement

1632
01:13:17,400 --> 01:13:21,879
Speaker 2: of like a monetary value of anything. Like the agreement

1633
01:13:22,000 --> 01:13:24,120
Speaker 2: wasn't all right if I continue to pay this or

1634
01:13:24,160 --> 01:13:27,120
Speaker 2: do that, then we are locked in.

1635
01:13:27,680 --> 01:13:30,559
Speaker 1: It was like an actual, like real relationship. So yeah,

1636
01:13:31,120 --> 01:13:32,920
Speaker 1: I guess I've been in this situation he's talking about.

1637
01:13:32,960 --> 01:13:36,640
Speaker 2: But the way he's wording it sounds like this is

1638
01:13:36,640 --> 01:13:37,240
Speaker 2: a transaction.

1639
01:13:38,120 --> 01:13:40,200
Speaker 1: So if you want it to continue, keep the transaction.

1640
01:13:44,000 --> 01:13:45,280
Speaker 1: Would you buy a.

1641
01:13:45,280 --> 01:13:50,120
Speaker 2: Chicken Ham sandwich a ghetto sandwich like it? Do you

1642
01:13:50,160 --> 01:13:53,559
Speaker 2: think that assessment of you was fairly accurate? Can we

1643
01:13:53,640 --> 01:13:55,160
Speaker 2: just replay just just just that part.

1644
01:13:55,200 --> 01:13:58,120
Speaker 3: I've been to plenty beautiful restaurants with beautiful women in

1645
01:13:58,160 --> 01:13:59,160
Speaker 3: my life, but I just.

1646
01:13:59,160 --> 01:14:01,160
Speaker 1: Want to get just that part about Mall. Let's get

1647
01:14:01,160 --> 01:14:05,080
Speaker 1: an accurate your ass back.

1648
01:14:05,200 --> 01:14:10,280
Speaker 6: Dang, she had been vacation and then yes, I wouldn't

1649
01:14:10,360 --> 01:14:14,840
Speaker 6: drive on this and Rory Mall can't really talk about

1650
01:14:14,840 --> 01:14:17,120
Speaker 6: this because according to Mall, he wouldn't give a bitch

1651
01:14:17,120 --> 01:14:19,760
Speaker 6: a penny. He wouldn't give her a ham sandwich.

1652
01:14:19,960 --> 01:14:20,720
Speaker 1: You know what I'm saying.

1653
01:14:20,760 --> 01:14:23,040
Speaker 6: He wouldn't give her a ghetto sound the ghetto sandwich

1654
01:14:23,080 --> 01:14:26,040
Speaker 6: where it's just meat on there and nothing, or just

1655
01:14:26,120 --> 01:14:28,320
Speaker 6: ketchup on there or nothing. He wouldn't even do that

1656
01:14:28,360 --> 01:14:28,880
Speaker 6: for a bitch.

1657
01:14:29,000 --> 01:14:31,639
Speaker 1: Yeah, for a bitch.

1658
01:14:31,720 --> 01:14:34,640
Speaker 2: No before you wouldn't get you wouldn't give her a

1659
01:14:34,680 --> 01:14:35,920
Speaker 2: bitch of a ketchup sandwich.

1660
01:14:36,680 --> 01:14:39,920
Speaker 1: No a woman, yes, a bitch.

1661
01:14:40,000 --> 01:14:42,080
Speaker 4: No, y'all parents ever been broken?

1662
01:14:42,200 --> 01:14:45,519
Speaker 5: Made like a creative Sorry, we gave him advice and

1663
01:14:45,600 --> 01:14:50,000
Speaker 5: made like a creative food description like have y'all ever

1664
01:14:50,040 --> 01:14:52,640
Speaker 5: done that? Like because he talked about ketchup sandwiches. I

1665
01:14:52,680 --> 01:14:55,480
Speaker 5: know people have eaten like sugar sandwiches, Like was there anything.

1666
01:14:55,200 --> 01:14:56,640
Speaker 1: If I ate a sugar sandwich in my life? It

1667
01:14:56,640 --> 01:14:57,439
Speaker 1: was about choice.

1668
01:14:58,720 --> 01:15:00,720
Speaker 3: I have never I would never say that my mother

1669
01:15:00,720 --> 01:15:02,519
Speaker 3: and make it even seemed like we had we was

1670
01:15:02,560 --> 01:15:04,719
Speaker 3: down with just bread and sugar never happened.

1671
01:15:05,160 --> 01:15:08,080
Speaker 2: I maybe this is coming from a very privileged position.

1672
01:15:08,200 --> 01:15:10,160
Speaker 2: When people used to watch sugar sandwiches, I thought it

1673
01:15:10,160 --> 01:15:10,840
Speaker 2: was a running joke.

1674
01:15:11,400 --> 01:15:14,639
Speaker 1: No, I know that's the thing I've in my house.

1675
01:15:14,640 --> 01:15:17,439
Speaker 1: We never ate sugar sandwiches. No, never had to eat

1676
01:15:17,439 --> 01:15:19,559
Speaker 1: a sugar sand I wouldn't even think about putting sugar

1677
01:15:19,600 --> 01:15:21,679
Speaker 1: on bread and putting another piece of bread. I would

1678
01:15:21,680 --> 01:15:23,240
Speaker 1: just eat the bread, just toast the bread and butter

1679
01:15:23,280 --> 01:15:24,040
Speaker 1: at that point, Like.

1680
01:15:24,200 --> 01:15:27,840
Speaker 5: Yeah, I guess you would want something sweet. When we

1681
01:15:27,840 --> 01:15:29,439
Speaker 5: were really poor, my dad used to make like he

1682
01:15:29,520 --> 01:15:31,320
Speaker 5: used to make these cookies out of like just apples

1683
01:15:31,360 --> 01:15:33,280
Speaker 5: and like oats. I don't know how he did it,

1684
01:15:33,320 --> 01:15:35,679
Speaker 5: but they were like so good. But I didn't realize

1685
01:15:35,720 --> 01:15:37,160
Speaker 5: till I was older, Like old I was poverty.

1686
01:15:37,680 --> 01:15:40,040
Speaker 2: I mean, I could turn ramen noodles into some shit

1687
01:15:40,120 --> 01:15:44,240
Speaker 2: that you think you're in the East Village eating like same. Yeah,

1688
01:15:44,439 --> 01:15:47,000
Speaker 2: I can make a ram impact for ten bucks last

1689
01:15:47,000 --> 01:15:49,559
Speaker 2: a month, and this shit's going to be gourmet. When

1690
01:15:49,600 --> 01:15:51,920
Speaker 2: you're poor, you know how to do that. But a

1691
01:15:51,960 --> 01:15:54,439
Speaker 2: sugar sandwich, a ketchup sandwich.

1692
01:15:54,840 --> 01:15:55,240
Speaker 4: That's meat.

1693
01:15:55,479 --> 01:15:58,000
Speaker 3: I'm never we just was never down to that. I'm sorry,

1694
01:15:58,160 --> 01:15:59,000
Speaker 3: but you got.

1695
01:15:59,400 --> 01:16:02,160
Speaker 2: A privileged like I think people were yoking when they

1696
01:16:02,200 --> 01:16:03,640
Speaker 2: were like, nah, it's sugar stands, like why would you

1697
01:16:03,680 --> 01:16:03,920
Speaker 2: do that?

1698
01:16:04,160 --> 01:16:05,040
Speaker 1: Yeah, I'm just was never.

1699
01:16:05,080 --> 01:16:07,320
Speaker 3: We was never down to just bread and sugar. Like,

1700
01:16:08,320 --> 01:16:09,439
Speaker 3: it never got that bad.

1701
01:16:09,760 --> 01:16:12,559
Speaker 2: And I mean, I guess with a certain government assistant,

1702
01:16:12,600 --> 01:16:17,439
Speaker 2: you get you know, milk, butter, cheese, bread, just.

1703
01:16:17,400 --> 01:16:18,240
Speaker 1: Make a girl cheese man.

1704
01:16:19,200 --> 01:16:22,799
Speaker 3: Like I said, it never got that bad, not saying niggas.

1705
01:16:22,880 --> 01:16:24,559
Speaker 3: Wasn't no public assistance, none of that.

1706
01:16:24,760 --> 01:16:27,719
Speaker 1: It's never not a public ass It never got that bad.

1707
01:16:27,880 --> 01:16:29,720
Speaker 2: Somehow, my mom is on public assistance now and I

1708
01:16:29,760 --> 01:16:31,960
Speaker 2: have no fucking idea how she did that. Oh she

1709
01:16:32,120 --> 01:16:34,720
Speaker 2: becoming to my carib with because she has to like

1710
01:16:34,760 --> 01:16:39,639
Speaker 2: buy certain because she's retired, right, yeah, but it's somebody

1711
01:16:39,680 --> 01:16:41,599
Speaker 2: do with her her diabetes medical ship.

1712
01:16:42,240 --> 01:16:45,040
Speaker 1: Like she become to my house with like six toobs

1713
01:16:45,040 --> 01:16:46,800
Speaker 1: of toothpaste. She's like, I just gotta I gotta spend

1714
01:16:46,840 --> 01:16:50,439
Speaker 1: this money where. Yeah they now you want to get

1715
01:16:50,439 --> 01:16:51,080
Speaker 1: on food stairs.

1716
01:16:52,439 --> 01:16:54,240
Speaker 2: I love old people like that, Like, no, why you

1717
01:16:54,479 --> 01:16:56,320
Speaker 2: take my card to go to Whole Foods? Give me

1718
01:16:56,360 --> 01:16:56,760
Speaker 2: that ship.

1719
01:16:57,200 --> 01:16:59,000
Speaker 4: Yeah, the whole foods except food snap.

1720
01:16:59,360 --> 01:16:59,880
Speaker 1: Yeah, of course.

1721
01:17:00,360 --> 01:17:02,000
Speaker 4: Oh damn, I need to sign up.

1722
01:17:02,280 --> 01:17:05,800
Speaker 1: Oh yeah, it's not food stands. Yeah, TBT card, it's nothing.

1723
01:17:05,800 --> 01:17:06,559
Speaker 1: It's not this, y'all.

1724
01:17:06,640 --> 01:17:08,559
Speaker 3: Y'all don't eve y'all, don't y'all never y'all never went

1725
01:17:08,560 --> 01:17:10,040
Speaker 3: to the store with food stamps. Y'all don't even know

1726
01:17:10,080 --> 01:17:12,360
Speaker 3: what that is. No, yeah, y'all way too young for that.

1727
01:17:12,800 --> 01:17:16,519
Speaker 2: Well, no, I remember food stamps, but my first job

1728
01:17:16,640 --> 01:17:18,600
Speaker 2: was at like a local grocery.

1729
01:17:18,280 --> 01:17:19,720
Speaker 1: Store and I had a big one, like a mom

1730
01:17:19,760 --> 01:17:20,519
Speaker 1: and pop type thing.

1731
01:17:21,560 --> 01:17:24,240
Speaker 2: That was the first year that they switched over to

1732
01:17:24,280 --> 01:17:26,040
Speaker 2: the EBT card, because I remember, I had to learn

1733
01:17:26,080 --> 01:17:28,559
Speaker 2: how to do that whole thing. And it would always

1734
01:17:28,600 --> 01:17:32,040
Speaker 2: be funny of the people that would either whisper EBT

1735
01:17:32,560 --> 01:17:34,480
Speaker 2: or the people that would just proudly.

1736
01:17:34,160 --> 01:17:36,880
Speaker 1: Yell it because you would, you know, ask payment. Some

1737
01:17:36,920 --> 01:17:39,920
Speaker 1: people be like, you know, they want to eb T. Yeah.

1738
01:17:40,040 --> 01:17:42,000
Speaker 2: Then there'd be some some people they're not even in

1739
01:17:42,080 --> 01:17:43,400
Speaker 2: line yet, like yo, mine's EBT.

1740
01:17:44,120 --> 01:17:47,439
Speaker 3: Like okay, my moms had food stamps and wasn't on

1741
01:17:48,280 --> 01:17:49,080
Speaker 3: public assistance.

1742
01:17:49,360 --> 01:17:52,320
Speaker 1: People used to sell their food stamps yeah yeah, and.

1743
01:17:52,280 --> 01:17:53,840
Speaker 2: Then my mom sent me to the store with the

1744
01:17:53,840 --> 01:17:58,640
Speaker 2: food stamps. The homies worked there. Man, niggas think we

1745
01:17:58,800 --> 01:18:01,760
Speaker 2: on welfare. Like, I'm like, nigga, my mom's keep. Some

1746
01:18:01,840 --> 01:18:04,160
Speaker 2: lady she knows always sold food stamps. She was like, yeah,

1747
01:18:04,160 --> 01:18:06,400
Speaker 2: fuck it, why not because it was out cheaper.

1748
01:18:06,600 --> 01:18:09,240
Speaker 1: Yeah, you're coming out better if you're giving cash for

1749
01:18:09,280 --> 01:18:12,960
Speaker 1: those ones with budget a grocery bill. Yeah, I'm buying

1750
01:18:12,960 --> 01:18:13,599
Speaker 1: food stamp. Yeah.

1751
01:18:13,640 --> 01:18:15,400
Speaker 3: But now my homie is the one that's bagging the

1752
01:18:15,400 --> 01:18:18,759
Speaker 3: groceries and he seen me handing the lady food stamps.

1753
01:18:19,160 --> 01:18:20,639
Speaker 3: Now when he get off and go back to the block,

1754
01:18:20,680 --> 01:18:21,679
Speaker 3: guess who's on welfare.

1755
01:18:22,280 --> 01:18:26,840
Speaker 1: Mall she put the stamp on his forehead. Yeah.

1756
01:18:26,880 --> 01:18:29,160
Speaker 3: Now I'm outside. I gotta fight to improve, you know

1757
01:18:29,160 --> 01:18:30,840
Speaker 3: what I'm saying. Not we ain't on the public Like now,

1758
01:18:30,840 --> 01:18:31,960
Speaker 3: I gotta fight everybody else out.

1759
01:18:32,040 --> 01:18:32,160
Speaker 2: Yea.

1760
01:18:32,240 --> 01:18:34,720
Speaker 5: When I discovered, like discover your poor as a kid,

1761
01:18:34,840 --> 01:18:36,679
Speaker 5: like by like other kids making fun of you because

1762
01:18:36,720 --> 01:18:38,479
Speaker 5: like they was like, oh, you get like reduced lunch,

1763
01:18:38,479 --> 01:18:39,160
Speaker 5: you get free lunch.

1764
01:18:39,200 --> 01:18:41,240
Speaker 4: Niggas clowning me. I'm like, I thought that was cool.

1765
01:18:41,520 --> 01:18:43,920
Speaker 4: You're poor.

1766
01:18:44,080 --> 01:18:47,760
Speaker 3: You have to eat here, you have to come here

1767
01:18:47,800 --> 01:18:48,200
Speaker 3: early and.

1768
01:18:48,120 --> 01:18:50,360
Speaker 4: Get like damn, you don't pay for your lunch.

1769
01:18:50,520 --> 01:18:54,519
Speaker 3: Like, no, it wouldn't be a problem. School was better though,

1770
01:18:54,560 --> 01:18:55,240
Speaker 3: Like it wouldn't have been.

1771
01:18:55,160 --> 01:18:57,479
Speaker 1: An elementary squad reduced lunch.

1772
01:18:57,479 --> 01:18:59,720
Speaker 2: But like everybody that, I have to ask my mom

1773
01:18:59,760 --> 01:19:01,599
Speaker 2: of how they I didn't need to be on reduced

1774
01:19:01,640 --> 01:19:03,760
Speaker 2: lunch whatsoever. I don't know how she she moved that

1775
01:19:03,800 --> 01:19:07,280
Speaker 2: whole It's called work the system, work the system. And

1776
01:19:07,360 --> 01:19:09,360
Speaker 2: it wasn't like you really weren't even getting that much

1777
01:19:09,520 --> 01:19:12,480
Speaker 2: off on it, Like it was like two three dollars.

1778
01:19:13,360 --> 01:19:15,840
Speaker 3: I wouldn't mind if the school, if the school lunch

1779
01:19:16,320 --> 01:19:19,200
Speaker 3: or the school food in America was like up to

1780
01:19:19,240 --> 01:19:21,599
Speaker 3: the standards of other countries, I wouldn't be mad at that.

1781
01:19:22,040 --> 01:19:24,120
Speaker 3: But like, this ship is terrible that they feed us here,

1782
01:19:24,200 --> 01:19:27,200
Speaker 3: Like who's eating tato tots and chocolate milk at eight

1783
01:19:27,200 --> 01:19:27,719
Speaker 3: in the morning?

1784
01:19:28,479 --> 01:19:30,960
Speaker 4: The turkey surprise still fire. I don't care what nobody say.

1785
01:19:31,000 --> 01:19:33,240
Speaker 5: That turkey with that gravy, with that mashed potato hit

1786
01:19:33,280 --> 01:19:33,720
Speaker 5: as a kid.

1787
01:19:33,760 --> 01:19:37,599
Speaker 2: I'm sorry that boxes that box that powdered them powdered

1788
01:19:37,600 --> 01:19:38,280
Speaker 2: potatoes in that.

1789
01:19:38,880 --> 01:19:40,439
Speaker 4: I don't think our ship is powdered. I don't know

1790
01:19:40,479 --> 01:19:41,000
Speaker 4: you think.

1791
01:19:40,840 --> 01:19:43,679
Speaker 3: Somebody was mashing potatoes back, baby, did I got news

1792
01:19:43,720 --> 01:19:47,439
Speaker 3: for you. It wasn't a potato in your school. No,

1793
01:19:47,600 --> 01:19:49,480
Speaker 3: that was a box in water.

1794
01:19:49,360 --> 01:19:50,040
Speaker 4: They were busting.

1795
01:19:50,200 --> 01:19:53,759
Speaker 2: That's all that shit was. That that wasn't real eggs,

1796
01:19:54,000 --> 01:19:55,000
Speaker 2: or that it was box shit.

1797
01:19:55,680 --> 01:19:55,920
Speaker 1: Yeah.

1798
01:19:56,000 --> 01:19:57,680
Speaker 5: Oh, I don't eat people eggs like in real life.

1799
01:19:57,720 --> 01:19:59,400
Speaker 5: I'm dom sure not eating no school eggs.

1800
01:19:59,479 --> 01:20:01,400
Speaker 2: Yeah you, but you never went back in that little

1801
01:20:01,479 --> 01:20:04,200
Speaker 2: in the back of the cafeteria going to go in

1802
01:20:04,200 --> 01:20:05,120
Speaker 2: the stock room.

1803
01:20:05,439 --> 01:20:05,880
Speaker 1: You see.

1804
01:20:06,160 --> 01:20:09,040
Speaker 2: My favorite ship was the nasty personal pizza shit. And

1805
01:20:09,080 --> 01:20:12,120
Speaker 2: then they tried to put on the side iceberg letting.

1806
01:20:12,840 --> 01:20:18,880
Speaker 2: Just my god, that's not that's probably that's probably worse

1807
01:20:18,920 --> 01:20:19,639
Speaker 2: for you than the pizza.

1808
01:20:21,960 --> 01:20:22,080
Speaker 1: Yo.

1809
01:20:22,400 --> 01:20:26,680
Speaker 3: School food in America is crazy, bro, It's fucking insane.

1810
01:20:27,280 --> 01:20:29,519
Speaker 1: I mean, Demarus might remember. I don't know, peagcase, we're

1811
01:20:29,520 --> 01:20:31,120
Speaker 1: a few years apart when.

1812
01:20:30,960 --> 01:20:33,479
Speaker 2: They added spicy chickens into the mix. When I was

1813
01:20:33,520 --> 01:20:38,040
Speaker 2: in high school. Oh my god, you're a peach. Just

1814
01:20:38,040 --> 01:20:41,400
Speaker 2: had my asshole burning like tabasco. That shit was always

1815
01:20:41,640 --> 01:20:42,400
Speaker 2: them ships every.

1816
01:20:42,320 --> 01:20:43,400
Speaker 1: Day I was having.

1817
01:20:43,439 --> 01:20:45,439
Speaker 2: When I finally went to like a public high school

1818
01:20:45,439 --> 01:20:47,720
Speaker 2: and then we could go outside for lunch, that was

1819
01:20:47,760 --> 01:20:51,240
Speaker 2: the greatest hit. We only do that junior and senior

1820
01:20:51,320 --> 01:20:54,479
Speaker 2: year or yeah, because freshman sophomore week we did.

1821
01:20:54,640 --> 01:20:56,800
Speaker 3: As a freshman, we was able to go outside a

1822
01:20:57,040 --> 01:21:01,320
Speaker 3: blimpy subway McDonald's China. I was eating all that ship

1823
01:21:01,400 --> 01:21:04,320
Speaker 3: on the afp all of that ship. What I couldn't

1824
01:21:04,320 --> 01:21:05,920
Speaker 3: wait to go outside and get for. I was never

1825
01:21:05,960 --> 01:21:08,519
Speaker 3: fucking with school food. Never was never a fan.

1826
01:21:08,960 --> 01:21:10,960
Speaker 1: But I mean they had. I'm sure there's a dock

1827
01:21:11,000 --> 01:21:11,360
Speaker 1: about it.

1828
01:21:11,400 --> 01:21:16,200
Speaker 2: But like, imagine pumping all that like sodium, terrible food

1829
01:21:16,280 --> 01:21:18,839
Speaker 2: into a kid, and then he has two more classes

1830
01:21:18,880 --> 01:21:21,400
Speaker 2: after that, Like he's going to pay attention to He can't.

1831
01:21:21,439 --> 01:21:22,840
Speaker 2: His stomach is all fucked up.

1832
01:21:23,439 --> 01:21:27,080
Speaker 3: His whole brain got scrambled. Oh you gotta take a

1833
01:21:27,120 --> 01:21:27,799
Speaker 3: ship his stomach.

1834
01:21:27,840 --> 01:21:29,559
Speaker 1: Now you're yelling at him for not paying attention.

1835
01:21:30,000 --> 01:21:32,760
Speaker 2: He's trying to focus on not shipping on you mad

1836
01:21:32,800 --> 01:21:36,400
Speaker 2: that he can't count. But that was always in high

1837
01:21:36,400 --> 01:21:37,920
Speaker 2: school they used to. I don't know if it was

1838
01:21:37,920 --> 01:21:40,560
Speaker 2: a rumor or theory or whatever, but in retrospect was

1839
01:21:40,560 --> 01:21:42,800
Speaker 2: probably true. Like the ship they would purposely put in

1840
01:21:42,920 --> 01:21:45,320
Speaker 2: public school lunches was so you would ship to get

1841
01:21:45,320 --> 01:21:47,720
Speaker 2: it out your system. So they wouldn't be liable for

1842
01:21:47,840 --> 01:21:50,559
Speaker 2: anything that they're feeding you, like, get that, flush that out,

1843
01:21:50,640 --> 01:21:52,360
Speaker 2: because if that's just staying in your stomach, I don't

1844
01:21:52,360 --> 01:21:54,519
Speaker 2: believe that that was, you know that was It was

1845
01:21:54,560 --> 01:21:56,760
Speaker 2: around the same time that everyone thought Little Kim was

1846
01:21:56,760 --> 01:21:57,160
Speaker 2: getting hurt.

1847
01:21:57,200 --> 01:22:01,120
Speaker 1: Pumping stumps stump umb, stumped stump and see her as

1848
01:22:01,120 --> 01:22:03,759
Speaker 1: a man's pump stump to marriage. Marriage, that's your problem.

1849
01:22:04,520 --> 01:22:05,639
Speaker 2: It's a pump stump.

1850
01:22:07,880 --> 01:22:11,040
Speaker 1: Listen, your pump stumped Listen.

1851
01:22:11,120 --> 01:22:15,559
Speaker 2: I'm like when when Big Boy rapped, I can addict yourself.

1852
01:22:15,560 --> 01:22:16,840
Speaker 2: Whatever the he flipped it on.

1853
01:22:18,479 --> 01:22:21,559
Speaker 1: It's cool man, Well, you know a hip he's sleepy.

1854
01:22:21,920 --> 01:22:24,799
Speaker 1: He school morning. That's I'm very sleepy.

1855
01:22:24,800 --> 01:22:28,280
Speaker 2: By the way, all right, let's get sleepy. No, I

1856
01:22:28,320 --> 01:22:31,479
Speaker 2: have the right to rock Nation, like I literally have

1857
01:22:31,479 --> 01:22:32,120
Speaker 2: to leave very soon.

1858
01:22:32,280 --> 01:22:33,160
Speaker 1: All right. Cool Well.

1859
01:22:33,560 --> 01:22:34,920
Speaker 4: Shout out to rock Nation artists.

1860
01:22:34,920 --> 01:22:38,479
Speaker 2: They cursed out by rock Nation, which should be fun.

1861
01:22:38,840 --> 01:22:40,720
Speaker 2: What but I mean, I'm just gonna yell outside that

1862
01:22:40,920 --> 01:22:43,320
Speaker 2: they'll they'll crumble. Yeah, you won't see the last of me.

1863
01:22:44,040 --> 01:22:48,200
Speaker 2: I know, Torri Lanes Pops. I love rock Nation. They're

1864
01:22:48,240 --> 01:22:49,120
Speaker 2: not involved in the Paleo case.

1865
01:22:49,120 --> 01:22:51,320
Speaker 3: Shout out to rock Nation everybody up there, all we'll

1866
01:22:51,360 --> 01:22:53,439
Speaker 3: talk to you. I soon be safe, be blessed.

1867
01:22:53,479 --> 01:22:56,040
Speaker 1: I'm the nigga. He's just ginger. Don't eat school lunch.