WEBVTT - #319: Loubie Doobie Doo

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<v Speaker 1>Start Up, dot Up, start Up, Brooklyn Boy Boy, start Up,

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<v Speaker 1>Brooklyn Boy, start up Up. They making noise, not up,

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<v Speaker 1>start Up, dat Up?

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<v Speaker 2>Episode three nineteen, The Brooklyn Boys Podcast, Scary and Brody

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<v Speaker 2>and Brody and Scary.

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<v Speaker 3>Yes, that's us. How you doing, David, I'm doing well, Anthony.

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<v Speaker 3>Is it weird that I just called you by your

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<v Speaker 3>first name? Uh? You calling me that? Yes?

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<v Speaker 2>I don't think in the entire time I've ever really

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<v Speaker 2>known you that I've ever called you David. You did,

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<v Speaker 2>you did when I first started. Yeah, well that was

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<v Speaker 2>in the beg, you know, that was our humble beginnings.

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<v Speaker 2>But like for years now, I've called you Brody.

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<v Speaker 3>We can't ever call you. I don't call you Anthony never. Man.

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<v Speaker 2>It was almost like I felt like I was addressing

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<v Speaker 2>the wrong person when I was calling you called I'm like, David,

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<v Speaker 2>it feels weird looking at you through this glorified zoom

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<v Speaker 2>camera and I called you David, and I'm like, oh, wait,

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<v Speaker 2>that doesn't sound right because your face doesn't match David.

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<v Speaker 2>When I look at your face, I'm like, that's not David,

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<v Speaker 2>that's Brody.

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<v Speaker 3>I don't know. Yeah, well, you know it's weird. I

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<v Speaker 3>was playing here I go again. But I was playing

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<v Speaker 3>pickleball a couple of all right, wife's nack yep, thank

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<v Speaker 3>you very much. What album?

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<v Speaker 2>I don't know, man, it was the only song I

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<v Speaker 2>really I only knew that one album from eighty seven.

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<v Speaker 2>That was the album All the Hits nineteen eighty seven

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<v Speaker 2>really shit A wild guess anyway.

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<v Speaker 3>So uh so right, Oh, I'm so embarrassed. Do you

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<v Speaker 3>do this online? Yes, I didn't tell you my story though.

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<v Speaker 3>Somebody called me brody. Someone calls you brody? Who at pickleball?

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<v Speaker 3>Wait a day, what's that brody?

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<v Speaker 2>Like?

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<v Speaker 3>Wow, weird? But he's not. He doesn't know what that

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<v Speaker 3>I know.

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<v Speaker 2>He wasn't trying to make it like a if you know,

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<v Speaker 2>you know thing, like I know your brody kind of

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<v Speaker 2>thing by calling you.

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<v Speaker 3>No, no, not at all.

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<v Speaker 2>He just uh wow, how did you respond? Don't call

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<v Speaker 2>me by my last name around these parts?

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<v Speaker 3>I didn't. I didn't say that. By the way, the

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<v Speaker 3>White Snake album is called White Snake, but I think

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<v Speaker 3>the import is nineteen eighty seven, but that's the year

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<v Speaker 3>it came out. Anyway. Uh yeah, I was just like

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<v Speaker 3>what he said, I called you by your last name.

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<v Speaker 3>I have a very My last name tends to get

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<v Speaker 3>people to call me that. I don't know why.

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<v Speaker 2>Well, around these parts, all the Anthonys are called by

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<v Speaker 2>the last names. That's how I became scary scary every

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<v Speaker 2>scary for the wind, you know, all the you know

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<v Speaker 2>Anthony LaSala is lsala you know, well.

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<v Speaker 3>They could they couldn't call you Brooklyn Anthony because it

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<v Speaker 3>was like twelve of you that would be Brooklyn Anthony.

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<v Speaker 2>Right and then and then, but all the common name people,

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<v Speaker 2>the John's, the Mikes, the Vinnie's, the Vetos, the sALS,

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<v Speaker 2>all of us.

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<v Speaker 3>The big the big eight names of Brooklyn, the big

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<v Speaker 3>of our old neighborhood.

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<v Speaker 2>Yeah, oh so this here we go on a tangent.

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<v Speaker 3>Oh, I hate those, Joe, did you obviously obvious paches?

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<v Speaker 2>You know, but obviously the drone story is nationwide, even though.

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<v Speaker 3>There are you going to drone on about the story now.

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<v Speaker 2>Yeah, even though they're being flown all over you know,

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<v Speaker 2>New Jersey. They've been spotted around New Jersey, New York,

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<v Speaker 2>the Jersey Shore and stuff like that.

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<v Speaker 3>But it counts as New Jersey.

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<v Speaker 2>Yeah, that whole area. Nobody knows where they're coming from.

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<v Speaker 2>There's all these there's all these thoughts. Everyone's uh, you know,

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<v Speaker 2>speculating as a vamp to try and.

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<v Speaker 3>Well, why are you talking about that? Everybody now is

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<v Speaker 3>filming them. Yes, Like, first of all, your video is

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<v Speaker 3>not original anymore. We've all seen a hundred videos of

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<v Speaker 3>the drone. Second of all, yeah, I would say at

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<v Speaker 3>least a third of the time they're posting videos of

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<v Speaker 3>private planes. Yeah, yeah, planes.

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<v Speaker 2>Yeah, but there's definitely some some drone footage for sure.

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<v Speaker 3>So oh absolutely, But say we get it this drones.

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<v Speaker 3>They're all over the place. We get it. Okay, so.

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<v Speaker 2>They somebody sent me this and I'm dead from it.

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<v Speaker 3>This is what drone footage. This is real video and

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<v Speaker 3>audio folks, great on an audio podcast of.

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<v Speaker 2>How Staten Island people respond and react to the drones.

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<v Speaker 3>Did you see this video? No, but I imagine it's

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<v Speaker 3>with profanity a lot of it. Yeah, this is this

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<v Speaker 3>is great, This is great. Get the fuck out of

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<v Speaker 3>my airspace. It's meat. I could doom. That's see. Ain't

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<v Speaker 3>that's the drones? A drone can't go that high?

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<v Speaker 2>Brondsted me, what is that? That? Ain't no fucking plane

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<v Speaker 2>as no fucking plane, Dan Claus.

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<v Speaker 3>Yo, it's moving, it's going back and forth. It's going off. Yeah,

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<v Speaker 3>it's going off. You going on. You can't get no

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<v Speaker 3>light on.

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<v Speaker 2>That is footage. Now, these are people. These are somebody

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<v Speaker 2>had the phone, like you know, towards this sky.

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<v Speaker 3>They were.

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<v Speaker 2>It was definitely talking about the drones that everyone's been seeing.

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<v Speaker 2>And the camera's all shaky, and one.

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<v Speaker 3>Of those guys was named Tony if not three, this

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<v Speaker 3>is and this is on It was on Staten Island.

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<v Speaker 2>According to the video, it really was authentically on Staten Island.

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<v Speaker 2>And I would have to agree hearing their accents, that's

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<v Speaker 2>that's Stetton Island.

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<v Speaker 3>So Iklahoma.

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<v Speaker 2>No, at first I thought it was. At first I

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<v Speaker 2>thought it was like this is how Staten Island people

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<v Speaker 2>would hear the drones and see the drone. This is

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<v Speaker 2>their commentary. But you know, because in a lot of

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<v Speaker 2>times it would be like a fake, it would be

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<v Speaker 2>like a joke. No, that is an actual footage from

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<v Speaker 2>someone because you know, I know how I know is

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<v Speaker 2>I see the marry on the half shell out in

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<v Speaker 2>the front lawn, and then and then Santa Claus and

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<v Speaker 2>the reindeer and the lights and all that, and then

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<v Speaker 2>they have the whole the houses are row houses all

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<v Speaker 2>lit up for Christmas. It definitely looks like a Staten

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<v Speaker 2>Island house. So how great is that?

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<v Speaker 3>That's great? Yeah, I'd hit it with a bat if

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<v Speaker 3>it came lower. Yeah.

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<v Speaker 2>I was mentioning earlier about mistaken identity. Did you ever

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<v Speaker 2>do this?

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<v Speaker 3>You ever post something on social and you tag the

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<v Speaker 3>wrong person?

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<v Speaker 2>And you I mean, you're with the person, with a

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<v Speaker 2>couple of people, you take a picture and then you

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<v Speaker 2>you post it and then you tag. Last night, I

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<v Speaker 2>was at Z one Hunter's jingle Ball, which came to

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<v Speaker 2>Madison Square Garden, and I was posting a picture with

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<v Speaker 2>one of our sales people, Jesse, and I like Jesse.

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<v Speaker 2>Jesse came up to me. It was with Garrett, so

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<v Speaker 2>we I'll take a picture real quick. I said, sure,

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<v Speaker 2>we took a selfie and then she sends it to

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<v Speaker 2>me and I'm like, oh.

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<v Speaker 3>This is cute.

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<v Speaker 2>I'm gonna put this up in my story right now.

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<v Speaker 2>So I post it up in my story. I tag Jesse,

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<v Speaker 2>I tag Gart right, and then I tag who I

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<v Speaker 2>thought was our friend Scott Berlin.

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<v Speaker 3>His wife Stacy.

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<v Speaker 2>So because I saw Stacy last night and to my credit,

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<v Speaker 2>she was wearing something similar, and she looked similar with

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<v Speaker 2>long black hair. So and I wrote, at Stacy Berlin

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<v Speaker 2>or you know whatever, and I attacked her.

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<v Speaker 3>Yeah, why don't you give her home address too?

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<v Speaker 2>Listen, she's she's awesome anyway, point is she's so. I

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<v Speaker 2>put it up, and then Jesse was like.

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<v Speaker 3>What are you doing.

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<v Speaker 2>I said, huh, that's not Stacy, that's Stephanie. I said, Stephanie.

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<v Speaker 2>I'm like, oh my god, and I took the tag back.

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<v Speaker 2>I deleted the post and I reposted the picture with

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<v Speaker 2>the correct tags.

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<v Speaker 3>Oh my god.

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<v Speaker 2>It's one of those face palm moments. But I don't

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<v Speaker 2>know if I caught it early enough for Stacy to

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<v Speaker 2>not see it or whatever.

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<v Speaker 3>So I don't know. I Stacy saw it and got insulted.

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<v Speaker 3>But all middle aged white women looked the same to you.

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<v Speaker 2>But isn't it weird that, I mean, maybe just in

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<v Speaker 2>out a line of work, and maybe just because I

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<v Speaker 2>was at an event where there's so many people in

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<v Speaker 2>my face and everything's a blur that I don't remember

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<v Speaker 2>taking a picture I took. I remember taking a picture,

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<v Speaker 2>I just didn't remember that it was one person and

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<v Speaker 2>not the other. I really thought I was taking a

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<v Speaker 2>picture with our friend's wife, and uh, kind of embarrassing

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<v Speaker 2>now because I kind of I don't know who I'm insulting.

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<v Speaker 2>You know, one person's gonna feel offended of those.

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<v Speaker 3>Two, but still better than doing it in person. I

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<v Speaker 3>did that today again at pickleball today. There are two

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<v Speaker 3>guys that are very heavy. They're not related and our friends.

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<v Speaker 3>They're just both very heavy. Right, let's just call them

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<v Speaker 3>Pete and Charlie. Okay, I see Pete. I'm playing with Pete,

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<v Speaker 3>and I go, hey, nice shot, Charlie. Now is that

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<v Speaker 3>beefsteak Charlie. Yeah, I don't think very good. I don't

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<v Speaker 3>think he heard me, but clearly the only way you

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<v Speaker 3>would miss up those two names as you were thinking,

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<v Speaker 3>that's one of the fat guys I'm playing with. Yeah,

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<v Speaker 3>So I felt bad, but I don't think he heard me.

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<v Speaker 3>And then like I immediately was like, let's go a

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<v Speaker 3>get Pete. Yeah, Like I covered it because I realized

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<v Speaker 3>what I had done. Yeah, So, uh, I did the say.

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<v Speaker 2>I did that to a a comedian that was in

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<v Speaker 2>studio with that friend, Jim Kurt, earlier in the week.

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<v Speaker 3>He had a hat on, he.

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<v Speaker 2>Had glasses, and he had like scruff beard and stuff

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<v Speaker 2>like that. And he's like, hey, he wasn't nice to

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<v Speaker 2>meet you. And I coul date and our friend Trevor

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<v Speaker 2>introduced me to who it was, and I'm like, oh, yeah,

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<v Speaker 2>you goes hey, what's up? I said? I said, oh,

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<v Speaker 2>and and then I said, okay, cool. I'm like, ah, well,

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<v Speaker 2>I a good seeing you, Jim. I thought I was

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<v Speaker 2>referring to Jim Gaffigan.

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<v Speaker 3>It was you. It was Tom Poppa. Tom was getting

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<v Speaker 3>to like Jim Gaffigan.

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<v Speaker 2>No, but like the way he had like a coat

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<v Speaker 2>on and a hat, and.

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<v Speaker 3>That'll do it. Yeah. It takes the glass blonde, balding

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<v Speaker 3>guy and looks like Tom Poppa's on any of those things.

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<v Speaker 3>And he goes Tom. I'm like, oh, yeah, of course Tom. Yes.

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<v Speaker 3>But I'm like, do now you're gonna tell me that

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<v Speaker 3>me mistaken one old Jets quarterback from behind another one

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<v Speaker 3>is terrible. But to the face of someone you had

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<v Speaker 3>been introduced to, you called him the name of a

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<v Speaker 3>comedian who looks nothing like him.

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<v Speaker 2>Comedians look alike. No, I just like I had Jim

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<v Speaker 2>Gaffigan on the brain. I'm like, oh, all right, Jim.

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<v Speaker 3>You're lucky. You didn't say like if he said to you, uh,

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<v Speaker 3>imagine you took a picture of him and tag Jim Gaffigan.

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<v Speaker 2>Right, so well, I mean, you know, and it's not

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<v Speaker 2>even Stacy Berliner.

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<v Speaker 3>He can't even get in my brain. He can't even

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<v Speaker 3>like he can't even know that.

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<v Speaker 2>He does not know that I he does not know

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<v Speaker 2>that I was thinking of was Jim gaffickan because they never.

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<v Speaker 3>Saw one syllable guy's name, you like Tom Jimmy, like

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<v Speaker 3>it's something short, it's Tom. You know Tom. Papa's very

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<v Speaker 3>good friends with Seinfeld. They did a TV show.

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<v Speaker 2>Togain right, well, you know he it was, but you

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<v Speaker 2>know how like you know, it gets all the time.

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<v Speaker 3>It's like, you know, Jimmy Fallon, you know with Jimmy.

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<v Speaker 2>Kimmel, they get yeah, but you call him Jimmy, right,

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<v Speaker 2>but they always people mix up the Jimmy's a lot.

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<v Speaker 3>Yeah. But if he said, if you said to Jimmy

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<v Speaker 3>Fallon and thinking he was Jimmy Kimmel, you said hey Jimmy,

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<v Speaker 3>and you're like, oh fuck, I met and sorry, Jimmy,

0:11:25.040 --> 0:11:28.240
<v Speaker 3>I meant Jimmy. I was thinking to Jimmy Kimmel, it's

0:11:28.320 --> 0:11:30.040
<v Speaker 3>Jimmy it's fine.

0:11:31.400 --> 0:11:34.240
<v Speaker 2>Who, by the way, was at does he Jigglebawl yesterday

0:11:34.440 --> 0:11:35.959
<v Speaker 2>as a surprise guest Jimmy.

0:11:35.760 --> 0:11:38.080
<v Speaker 3>Fallen Ball of course, because he's always got a booker

0:11:38.440 --> 0:11:39.160
<v Speaker 3>record to promote.

0:11:39.280 --> 0:11:42.000
<v Speaker 2>Well, he was promoting uh you know, well, rap Me

0:11:42.679 --> 0:11:44.640
<v Speaker 2>was last year's single that he did with Megan Trainer,

0:11:44.640 --> 0:11:46.959
<v Speaker 2>which is a Christmas song. But he's got a new song,

0:11:47.080 --> 0:11:49.920
<v Speaker 2>he's got another children's book. I think he's also got

0:11:49.920 --> 0:11:52.040
<v Speaker 2>his own channel on Sirius XM. And he's got that

0:11:52.120 --> 0:11:54.880
<v Speaker 2>TV special that he that ran on NBC after the

0:11:54.920 --> 0:11:57.960
<v Speaker 2>tree lighting where he had a video with the Megan Trainer.

0:11:57.960 --> 0:12:00.120
<v Speaker 2>It's called Wrap Me Up. So she did that song

0:12:00.160 --> 0:12:01.679
<v Speaker 2>as part of her set and he came out.

0:12:01.520 --> 0:12:05.240
<v Speaker 3>Which is cool. Dude. Jimmy is is merch man him,

0:12:05.320 --> 0:12:07.440
<v Speaker 3>He really is. He's the best. I love him for it.

0:12:07.520 --> 0:12:10.319
<v Speaker 3>He's so nicest guy. So all right, and I.

0:12:10.280 --> 0:12:12.280
<v Speaker 2>Will I'll tell you this as we go to break

0:12:12.280 --> 0:12:15.080
<v Speaker 2>and the slices will appreciate this. So we were in

0:12:15.080 --> 0:12:16.280
<v Speaker 2>that big broadcast room.

0:12:16.600 --> 0:12:18.200
<v Speaker 3>Hold one second, did you take a picture with Jimmy

0:12:18.200 --> 0:12:20.679
<v Speaker 3>found not last night? Now, I have plenty, I got

0:12:20.679 --> 0:12:24.000
<v Speaker 3>plenty of pictures. I have had an opportunity, Jimmy Kimmel

0:12:25.600 --> 0:12:28.720
<v Speaker 3>very good. I had had a chance to.

0:12:29.120 --> 0:12:33.440
<v Speaker 2>But we were in this broad broadcast area backstage where

0:12:33.480 --> 0:12:37.040
<v Speaker 2>there's all these lights facing a stage, a little mini stage,

0:12:37.200 --> 0:12:39.400
<v Speaker 2>and that's where Elvis, you know, does the stand ups,

0:12:39.400 --> 0:12:42.120
<v Speaker 2>where he does interviews whatever. And then once once they

0:12:42.160 --> 0:12:45.280
<v Speaker 2>dropped the microphones, explaining to the slices, once they dropped

0:12:45.280 --> 0:12:46.640
<v Speaker 2>the mics, that's where they take.

0:12:46.480 --> 0:12:47.680
<v Speaker 3>The pictures right then and there.

0:12:48.200 --> 0:12:53.120
<v Speaker 2>So everyone was taking taking turns taking pictures with Jimmy.

0:12:53.120 --> 0:12:54.520
<v Speaker 2>And I didn't want to go up there. I'm like,

0:12:54.520 --> 0:12:56.880
<v Speaker 2>you know, it's hot under these lights. He's got to go.

0:12:57.200 --> 0:12:59.120
<v Speaker 3>I don't care. I have a lot of pictures with Jimmy.

0:12:59.280 --> 0:13:00.839
<v Speaker 2>Seriously, I had, I could have walked up on that

0:13:00.920 --> 0:13:04.240
<v Speaker 2>stage and taken one. There was an opportunity insteady now,

0:13:04.360 --> 0:13:08.160
<v Speaker 2>but pause. Last week Jimmy came on the show and

0:13:08.200 --> 0:13:09.920
<v Speaker 2>a lot of slices who listened to the Big Show

0:13:10.000 --> 0:13:12.280
<v Speaker 2>heard Elvish the weird segment.

0:13:12.440 --> 0:13:14.240
<v Speaker 3>Yes, Elvis said, you.

0:13:14.200 --> 0:13:17.920
<v Speaker 2>Know, Scary gets very nervous over his child childhood idols

0:13:18.559 --> 0:13:20.280
<v Speaker 2>weird Al. And the way that came up is because

0:13:20.280 --> 0:13:22.959
<v Speaker 2>weird Al is featured on the New Jimmy Kimmel, Jimmy.

0:13:22.760 --> 0:13:23.559
<v Speaker 3>Kimmel, Oh my god, I did it.

0:13:24.320 --> 0:13:28.000
<v Speaker 2>Jimmy Fallon album right with with with the the They

0:13:28.000 --> 0:13:28.280
<v Speaker 2>did a.

0:13:28.240 --> 0:13:30.160
<v Speaker 3>Poke on New Year's E've Poka together yea, of course.

0:13:30.160 --> 0:13:32.199
<v Speaker 2>So when it came up on the show, Elvis was like,

0:13:32.240 --> 0:13:34.560
<v Speaker 2>you know, Scary gets very nervous around weird now. And

0:13:34.559 --> 0:13:37.520
<v Speaker 2>then he played the sound of me talking about weird

0:13:37.520 --> 0:13:39.920
<v Speaker 2>al and stumbling all over my words like I am

0:13:40.000 --> 0:13:40.520
<v Speaker 2>right now, you.

0:13:40.559 --> 0:13:42.480
<v Speaker 3>Know, and Fallon got like he got like beligerent with

0:13:42.520 --> 0:13:45.200
<v Speaker 3>you that you were such a dude. Yeah, so here

0:13:45.240 --> 0:13:45.839
<v Speaker 3>we are now.

0:13:46.120 --> 0:13:49.120
<v Speaker 2>Fast forward a week later, he's up on this little

0:13:49.120 --> 0:13:51.800
<v Speaker 2>mini stage, yes, last night taking all these pictures.

0:13:52.080 --> 0:13:55.320
<v Speaker 3>He comes off the stage and comes over to me.

0:13:55.400 --> 0:13:57.080
<v Speaker 3>I didn't want it. Wasn't even gonna say hello to him.

0:13:57.120 --> 0:13:58.000
<v Speaker 3>I was kind of in the background.

0:13:58.040 --> 0:13:59.720
<v Speaker 2>He goes, he comes walking over to me, he goes

0:14:00.400 --> 0:14:03.320
<v Speaker 2>Scary hugging and kissing me, and I'm like, oh, this

0:14:03.360 --> 0:14:05.920
<v Speaker 2>is some great street cred by everybody's seeing Jimmy come

0:14:06.080 --> 0:14:07.760
<v Speaker 2>to me and him at the airport.

0:14:07.360 --> 0:14:11.280
<v Speaker 3>Where everybody you like called me out like scary, sim

0:14:11.960 --> 0:14:13.360
<v Speaker 3>what's up? And then very nice.

0:14:13.480 --> 0:14:17.040
<v Speaker 2>I'm thinking like, okay, that's fun. And then he turns around.

0:14:17.040 --> 0:14:19.640
<v Speaker 2>He goes, hey, man, did you get to meet weird

0:14:19.720 --> 0:14:20.080
<v Speaker 2>Al yet?

0:14:20.480 --> 0:14:22.680
<v Speaker 3>And I'm like, oh, no, not yet, he goes.

0:14:22.720 --> 0:14:24.320
<v Speaker 2>He goes, You're gonna stumble all over your words when

0:14:24.360 --> 0:14:26.120
<v Speaker 2>you meet weird Al, like you embarrassed me in front

0:14:26.120 --> 0:14:26.960
<v Speaker 2>of the whole room of page.

0:14:26.960 --> 0:14:28.960
<v Speaker 3>He should have. He should have you on the show

0:14:29.720 --> 0:14:33.760
<v Speaker 3>with weird Al and play the audio. That would be clutch.

0:14:34.440 --> 0:14:37.120
<v Speaker 3>You should have said that to him, that, Jimmy, because

0:14:37.120 --> 0:14:38.600
<v Speaker 3>you know we it is gonna was gonna come on.

0:14:38.800 --> 0:14:41.160
<v Speaker 3>Of course he is. Of course he is. You should have.

0:14:41.360 --> 0:14:43.880
<v Speaker 3>You should have the people at the morning show who

0:14:43.920 --> 0:14:45.520
<v Speaker 3>reach out to Jimmy and book him on the show,

0:14:46.120 --> 0:14:47.760
<v Speaker 3>reach out and say that'd be a great bit. I

0:14:47.920 --> 0:14:48.840
<v Speaker 3>bet you, Jimmy.

0:14:49.960 --> 0:14:52.280
<v Speaker 2>Jimmy would have me on its off, not as a guest,

0:14:52.360 --> 0:14:54.040
<v Speaker 2>but obviously like one of the he'll cut to me

0:14:54.160 --> 0:14:54.720
<v Speaker 2>or something like that.

0:14:54.960 --> 0:14:57.320
<v Speaker 3>No, he should have you on in studio to meet

0:14:57.480 --> 0:14:59.200
<v Speaker 3>we at Al and then play the clip. It'd be

0:14:59.240 --> 0:15:01.440
<v Speaker 3>great for national. And so, by the way, when Elvis

0:15:01.520 --> 0:15:03.440
<v Speaker 3>set the clip up, he goes, oh, this was a

0:15:03.480 --> 0:15:06.560
<v Speaker 3>clip from somebody else's interview. Scary jumped into someone else's interview.

0:15:07.320 --> 0:15:09.880
<v Speaker 3>It was my interview at weird Al with you. That's right,

0:15:09.960 --> 0:15:13.880
<v Speaker 3>it was. It was a brook who grabbed that audio audio.

0:15:14.000 --> 0:15:16.400
<v Speaker 3>It was a Brooklyn Boys. It was a Brooklyn Boys podcast.

0:15:17.200 --> 0:15:17.600
<v Speaker 2>No it was not.

0:15:17.720 --> 0:15:20.000
<v Speaker 3>It was you, me and Ronnie interviewing weird Al. Oh

0:15:20.160 --> 0:15:22.840
<v Speaker 3>was it for the off air show. No, it was you,

0:15:23.040 --> 0:15:25.800
<v Speaker 3>me and Ronnie interviewing weird Al. Just just couldn't interview

0:15:25.880 --> 0:15:28.640
<v Speaker 3>him interview right, because he was available and and he

0:15:28.720 --> 0:15:32.280
<v Speaker 3>didn't he didn't fit with Elvis's schedule. And was that's right,

0:15:32.400 --> 0:15:36.040
<v Speaker 3>that's how we got that audio. And you said, Brodie,

0:15:36.080 --> 0:15:38.240
<v Speaker 3>delete that. I got to delete that. I gotta edit

0:15:38.320 --> 0:15:40.320
<v Speaker 3>that out without airing that. I said, okay, so I

0:15:40.560 --> 0:15:42.560
<v Speaker 3>I What I did was I bounced the audio out

0:15:42.560 --> 0:15:44.480
<v Speaker 3>of pro Tools, meaning I converted it to an MP

0:15:44.640 --> 0:15:47.000
<v Speaker 3>three onto the network drive. I sent it to another

0:15:47.040 --> 0:15:49.920
<v Speaker 3>studio so he couldn't get the original audio, and then

0:15:49.960 --> 0:15:51.920
<v Speaker 3>he edited what was a copy of the original audio,

0:15:51.920 --> 0:15:53.480
<v Speaker 3>and he's like, oh, that'll never air. No one over here,

0:15:53.600 --> 0:15:56.080
<v Speaker 3>that that's embarrassing. And of course Ronnie and I already

0:15:56.160 --> 0:15:58.960
<v Speaker 3>grabbed it, so it's it's permanent audio. Because I thought

0:15:59.240 --> 0:16:02.760
<v Speaker 3>to hide it and duplicate it real quick. Yeah, wow,

0:16:02.920 --> 0:16:04.920
<v Speaker 3>thanks for jumping in on someone else's interview.

0:16:06.600 --> 0:16:13.320
<v Speaker 2>It's so speaking of ze one hunter jingle Ball, I

0:16:13.440 --> 0:16:16.160
<v Speaker 2>went to shopping. I said, you know what, this is

0:16:16.200 --> 0:16:19.240
<v Speaker 2>the one time of year I splurge. You know me, Brody,

0:16:19.680 --> 0:16:21.880
<v Speaker 2>I'm not. I don't have a passion for fashion.

0:16:22.320 --> 0:16:25.400
<v Speaker 3>I just oh, oh, that's you have a passion for

0:16:25.480 --> 0:16:29.640
<v Speaker 3>bougie fashion. Sometimes I do sometimes, but one hundred dollars

0:16:29.800 --> 0:16:30.640
<v Speaker 3>tie dyed shirt.

0:16:31.200 --> 0:16:33.880
<v Speaker 2>I go seasons at a time without buying new clothes,

0:16:34.120 --> 0:16:36.600
<v Speaker 2>and then it's like, okay, and you know people, you

0:16:36.640 --> 0:16:38.440
<v Speaker 2>know when they go on vacation the whole summer and

0:16:38.520 --> 0:16:39.760
<v Speaker 2>then they put all the pictures up and they call

0:16:39.800 --> 0:16:40.720
<v Speaker 2>it a photo dump, and they.

0:16:41.200 --> 0:16:44.720
<v Speaker 3>Here's a here's a November dump. That's me. Make sure

0:16:44.760 --> 0:16:45.120
<v Speaker 3>you dump.

0:16:45.280 --> 0:16:49.240
<v Speaker 2>No, that's me with clothing I'm going to buy. I'm like,

0:16:49.680 --> 0:16:52.760
<v Speaker 2>I gotta just do it all at once, everything like

0:16:53.080 --> 0:16:56.480
<v Speaker 2>put all in Well, yeah, but that makes no sense.

0:16:56.520 --> 0:16:59.880
<v Speaker 2>Scary because the slices hear me out, what scary go

0:17:00.120 --> 0:17:02.160
<v Speaker 2>and spends a ton of money on clothing for jingle Ball.

0:17:02.680 --> 0:17:04.600
<v Speaker 3>Right, That's where I was. That's where I was going

0:17:04.680 --> 0:17:07.240
<v Speaker 3>with this hold on and for the holidays. Then he

0:17:07.320 --> 0:17:10.199
<v Speaker 3>does his weight loss program in January. Then he's too

0:17:10.320 --> 0:17:13.159
<v Speaker 3>small for six months, nothing fits him, so it's a

0:17:13.280 --> 0:17:15.159
<v Speaker 3>year before you can wear this stuff again. And he's like,

0:17:15.200 --> 0:17:17.000
<v Speaker 3>that's a year old. I'm not wearing it right. Well,

0:17:17.080 --> 0:17:17.639
<v Speaker 3>I'll say this.

0:17:19.760 --> 0:17:22.000
<v Speaker 2>Because I don't spend a whole lot during the year

0:17:22.040 --> 0:17:23.120
<v Speaker 2>on clothes and whatever the case.

0:17:23.240 --> 0:17:25.040
<v Speaker 3>When it comes to occasions like jingle Ball, I want

0:17:25.080 --> 0:17:28.520
<v Speaker 3>to do something. Sure, outragees abroad a nice outfit for

0:17:28.640 --> 0:17:29.000
<v Speaker 3>jingle Ball.

0:17:29.040 --> 0:17:32.200
<v Speaker 2>Everybody, everybody has to do something, you know, because you

0:17:32.240 --> 0:17:34.239
<v Speaker 2>know we aren't. We're going to get a look that night,

0:17:34.480 --> 0:17:35.639
<v Speaker 2>maybe get a moment and.

0:17:35.960 --> 0:17:37.920
<v Speaker 3>You're on the page photo ops.

0:17:38.000 --> 0:17:41.320
<v Speaker 2>Yeah, his old kinds of things, and you know, you know,

0:17:41.359 --> 0:17:43.800
<v Speaker 2>you got to compete with Elvis. Elvis is always looking sharp,

0:17:43.800 --> 0:17:45.400
<v Speaker 2>always best dressed in the room. And I'm not trying

0:17:45.440 --> 0:17:46.600
<v Speaker 2>to upstage him in any way, but.

0:17:46.640 --> 0:17:47.960
<v Speaker 3>I hand upstage.

0:17:48.280 --> 0:17:52.000
<v Speaker 2>But you don't like, if you don't try, you're gonna

0:17:52.000 --> 0:17:54.280
<v Speaker 2>look that much worse next to him. So you just

0:17:54.320 --> 0:17:55.720
<v Speaker 2>got to kind of come close.

0:17:55.880 --> 0:17:58.000
<v Speaker 3>So you don't. I've been a designated fugly friend.

0:17:58.000 --> 0:18:00.440
<v Speaker 2>Right, So you want to see like you can You're

0:18:00.480 --> 0:18:03.159
<v Speaker 2>you're kind of in the ballpark and competing. Uh so

0:18:03.960 --> 0:18:07.840
<v Speaker 2>I basically went to I went to Bloomingdal's. I'll tell you,

0:18:07.880 --> 0:18:11.359
<v Speaker 2>I don't care not a sponsor. And every time I

0:18:11.400 --> 0:18:14.440
<v Speaker 2>go to Bloomingdal's, I always and ladies you probably know this,

0:18:14.680 --> 0:18:15.800
<v Speaker 2>maybe you guys some guys too.

0:18:16.359 --> 0:18:21.480
<v Speaker 3>Bloomingdale's in the in the tour section, they have a

0:18:22.280 --> 0:18:27.119
<v Speaker 3>you know wait, no wait it was even Marcus. It

0:18:27.200 --> 0:18:30.040
<v Speaker 3>was not Bloomingdal's even even worse.

0:18:30.440 --> 0:18:33.600
<v Speaker 2>So the worst customers they do have, they do have

0:18:33.640 --> 0:18:37.440
<v Speaker 2>a sale rack where they throw shoes, where they line

0:18:37.480 --> 0:18:40.159
<v Speaker 2>all the shoes up next to each other on a

0:18:40.320 --> 0:18:45.000
<v Speaker 2>rack with all right, but all of the shoes together,

0:18:45.600 --> 0:18:48.640
<v Speaker 2>you know, in random sizes, and have a party where

0:18:49.000 --> 0:18:50.800
<v Speaker 2>you know, you don't get all the special treatment of

0:18:50.880 --> 0:18:53.680
<v Speaker 2>the lither sofa area with the with the rug and

0:18:53.760 --> 0:18:57.000
<v Speaker 2>the sit down there, but this is the area where

0:18:57.040 --> 0:18:59.800
<v Speaker 2>the sail rack and the clearance is. So to humor

0:18:59.840 --> 0:19:02.320
<v Speaker 2>my self, I always go there first, like maybe they

0:19:02.400 --> 0:19:04.679
<v Speaker 2>have my size today, brody. When if you ever went

0:19:04.720 --> 0:19:07.920
<v Speaker 2>to a clearance rack of anything and found you're like,

0:19:08.119 --> 0:19:11.280
<v Speaker 2>oh my god, not only is this my size, but

0:19:11.400 --> 0:19:12.680
<v Speaker 2>it's awesome and I want to buy it.

0:19:13.119 --> 0:19:15.760
<v Speaker 3>Hold on a second, did you just ask me how

0:19:15.880 --> 0:19:17.440
<v Speaker 3>often I go to the clearance rack.

0:19:17.680 --> 0:19:20.920
<v Speaker 2>No, how often, Brody. Both things need to be true.

0:19:21.480 --> 0:19:23.919
<v Speaker 2>You go to the clearance rack and you find your size.

0:19:24.600 --> 0:19:26.920
<v Speaker 3>Okay, see how often you go to Okay, But here's

0:19:26.920 --> 0:19:29.120
<v Speaker 3>the thing about the clearance rack slices. Back me up here.

0:19:30.480 --> 0:19:34.879
<v Speaker 3>If you see a seven, not a size seven, but

0:19:34.920 --> 0:19:37.360
<v Speaker 3>on one to ten a seven on the clearance track,

0:19:37.400 --> 0:19:40.520
<v Speaker 3>it's a twelve, you might not have bought it at

0:19:40.520 --> 0:19:42.480
<v Speaker 3>full price, Like, that's not really my style. You see

0:19:42.480 --> 0:19:44.840
<v Speaker 3>it on the clearance track, You're like, oh, it's my size.

0:19:44.880 --> 0:19:47.960
<v Speaker 3>I'm buying it when I when I go to Nordstrom rack, yeah,

0:19:48.119 --> 0:19:50.000
<v Speaker 3>I buy shit that fits me, whether I like it

0:19:50.119 --> 0:19:53.200
<v Speaker 3>or not. So yeah. And if you if you nail it,

0:19:53.320 --> 0:19:55.159
<v Speaker 3>if you see something, yeah you gotta buy it.

0:19:55.240 --> 0:19:55.440
<v Speaker 2>So I.

0:19:55.560 --> 0:19:57.840
<v Speaker 3>But the thing is, I never see anything in myself.

0:19:57.880 --> 0:19:58.800
<v Speaker 3>It's almost like a joke.

0:19:58.840 --> 0:20:01.280
<v Speaker 2>I'm like, all right, So I walked into Neemen and

0:20:01.400 --> 0:20:03.479
<v Speaker 2>I said, let me go to the clearance rack, let

0:20:03.480 --> 0:20:05.120
<v Speaker 2>me see what they have first before I started spending

0:20:05.160 --> 0:20:08.160
<v Speaker 2>all this crazy. I mean even but but you even

0:20:08.240 --> 0:20:11.520
<v Speaker 2>know that with Kature crazy, You know these designers, even

0:20:11.560 --> 0:20:13.640
<v Speaker 2>though it's on the clearance rack, you're still playing paying

0:20:13.680 --> 0:20:16.400
<v Speaker 2>crazy money for it, So and again I don't splurge

0:20:16.440 --> 0:20:17.119
<v Speaker 2>on this kind of stuff.

0:20:17.160 --> 0:20:20.560
<v Speaker 3>Usually I don't own anything like this. So wait a minute, Wait,

0:20:20.560 --> 0:20:23.440
<v Speaker 3>don't you own I got a thousand dollars pair of sneakers.

0:20:23.560 --> 0:20:28.480
<v Speaker 2>That was last year's pair, the Alexander McQueen. Yeah, Alexander

0:20:28.560 --> 0:20:32.359
<v Speaker 2>McQueen and I have a pair of Christian Lubertons.

0:20:33.520 --> 0:20:36.280
<v Speaker 3>Right, well, plice is just a friendly reminder of which

0:20:36.280 --> 0:20:37.520
<v Speaker 3>one of us is the bougie bastard.

0:20:37.720 --> 0:20:41.200
<v Speaker 2>It's an annual purchase, okay. And I don't own anything

0:20:41.280 --> 0:20:44.359
<v Speaker 2>besides those things. Well, I go to the clearance rack

0:20:44.440 --> 0:20:45.600
<v Speaker 2>and all, a good thing you made?

0:20:45.640 --> 0:20:47.960
<v Speaker 3>Didn't throw those out? And oh my god, lo and

0:20:48.040 --> 0:20:51.920
<v Speaker 3>behold lower, behold stun. Can you spell? Can you spell

0:20:52.000 --> 0:20:59.920
<v Speaker 3>coutur c oh u t u r e close enough?

0:21:00.320 --> 0:21:03.720
<v Speaker 3>I think that's it. It's co ou definitely c o

0:21:03.880 --> 0:21:06.600
<v Speaker 3>u t u r e. Right.

0:21:06.920 --> 0:21:09.760
<v Speaker 2>You tested me, you know, I came in third place

0:21:09.920 --> 0:21:14.520
<v Speaker 2>in the uh first grade spelling bee in PS two

0:21:14.560 --> 0:21:16.960
<v Speaker 2>A four. Really, yeah, don't fuck with me.

0:21:18.040 --> 0:21:19.920
<v Speaker 3>C o U t u r e. Right, it has

0:21:20.000 --> 0:21:22.320
<v Speaker 3>to be anyway. So I go to the clears. I

0:21:22.359 --> 0:21:24.080
<v Speaker 3>can't get through the story. We have a lot of cover.

0:21:25.400 --> 0:21:29.879
<v Speaker 2>No spell it, you know, anyway, so they never have

0:21:30.000 --> 0:21:32.399
<v Speaker 2>my size, and then I see in the size twelve

0:21:32.480 --> 0:21:33.679
<v Speaker 2>section they actually have.

0:21:34.240 --> 0:21:38.200
<v Speaker 3>Not only a pair that's my size A. They look awesome.

0:21:38.480 --> 0:21:41.439
<v Speaker 3>So I'm like, these are actually something I could wear

0:21:41.480 --> 0:21:42.560
<v Speaker 3>on jingle ball stage.

0:21:43.200 --> 0:21:46.959
<v Speaker 2>It's shiny, it's sparkly, it's got shiny whites, it's got

0:21:47.040 --> 0:21:49.480
<v Speaker 2>whites and silvers in it, sequin it.

0:21:49.600 --> 0:21:51.160
<v Speaker 3>This is fucking These are the shoes.

0:21:51.200 --> 0:21:53.879
<v Speaker 2>These are statements sneakers right here, and I'm gonna already

0:21:53.920 --> 0:21:54.240
<v Speaker 2>see them.

0:21:54.560 --> 0:21:57.840
<v Speaker 3>Okay, so here's the big reveal. They're in a bag.

0:21:57.920 --> 0:22:00.480
<v Speaker 3>They come up thrown bag. That's an old it's that's

0:22:00.520 --> 0:22:03.080
<v Speaker 3>an old dag. Here you go about that.

0:22:04.080 --> 0:22:07.400
<v Speaker 2>Oh uh, look at the spikes on those and they're

0:22:07.400 --> 0:22:11.280
<v Speaker 2>the red bottom. There's the red bottoms bottom, and it's

0:22:11.359 --> 0:22:15.600
<v Speaker 2>white and the stripe the stripe is gray. It's like

0:22:15.680 --> 0:22:17.840
<v Speaker 2>a great it's like a gray suede. Yeah, yes, it's

0:22:17.920 --> 0:22:20.399
<v Speaker 2>mostly by the way, it's not lot lit up here,

0:22:20.760 --> 0:22:23.720
<v Speaker 2>but under the light, these are the sequence sparkle.

0:22:23.800 --> 0:22:26.280
<v Speaker 3>And then there's they are these they are these silver spikes.

0:22:26.600 --> 0:22:29.920
<v Speaker 3>So there's sparkling sequins. And let me tell you, you

0:22:30.040 --> 0:22:33.040
<v Speaker 3>walk into a room with these people. Are whoa your

0:22:33.119 --> 0:22:36.159
<v Speaker 3>shoe game? Strong? Like cave man? You got those on

0:22:36.359 --> 0:22:39.200
<v Speaker 3>sale at Neeman Marcus. I'm gonna say, looking at them,

0:22:41.560 --> 0:22:44.399
<v Speaker 3>I'm gonna say you paid these are well, these are

0:22:44.480 --> 0:22:48.640
<v Speaker 3>Christian lubetons. By the way, they're red bottoms. Yep. I'm

0:22:48.680 --> 0:22:52.719
<v Speaker 3>gonna say you paid somewhere between ninety five and one

0:22:52.800 --> 0:23:00.200
<v Speaker 3>oh five. What that's about what I would pay for those? Yeah,

0:23:00.200 --> 0:23:03.439
<v Speaker 3>I would say for sneakers. Brody, come on, man, are

0:23:03.480 --> 0:23:06.440
<v Speaker 3>you that? Are you that out of touch? Get the

0:23:06.560 --> 0:23:08.959
<v Speaker 3>fuck out. I just saw them. I'm looking at them.

0:23:09.000 --> 0:23:10.720
<v Speaker 3>They look to me like I'm out of one twenty times.

0:23:10.880 --> 0:23:13.320
<v Speaker 3>Don't even get at don't eat. You said that on sale?

0:23:13.359 --> 0:23:15.800
<v Speaker 3>I asked them. Not knock out of here. I would say,

0:23:15.880 --> 0:23:19.199
<v Speaker 3>not on sale, maybe one ninety five two hundred. Shut up.

0:23:23.000 --> 0:23:26.000
<v Speaker 3>Well there goes that conversation. Well, how much did you

0:23:26.040 --> 0:23:28.240
<v Speaker 3>pay for those things? They're sneakers? You step in shiit

0:23:28.320 --> 0:23:29.200
<v Speaker 3>on all.

0:23:29.600 --> 0:23:31.960
<v Speaker 2>Well, they were marked down over fifty to sixty percent.

0:23:32.080 --> 0:23:35.040
<v Speaker 2>I got a bargain on these things. So once you

0:23:35.080 --> 0:23:36.520
<v Speaker 2>pay two fifty, fuck you.

0:23:39.080 --> 0:23:44.080
<v Speaker 3>Four hundred, four hundred and fifty dollars. That's the original price. Asshole.

0:23:45.440 --> 0:23:49.359
<v Speaker 3>This is Christian Lubaton red bottoms. These are authentic. Nike

0:23:49.520 --> 0:23:49.800
<v Speaker 3>is better.

0:23:49.960 --> 0:23:52.119
<v Speaker 2>This isn't a Chinatown fake. These aren't the ones that

0:23:52.160 --> 0:23:55.960
<v Speaker 2>fell up the back of a truck in Brooklyn. Three

0:23:56.080 --> 0:23:59.400
<v Speaker 2>hundred four point fifty. Dude, These are marked down. These

0:23:59.440 --> 0:24:02.800
<v Speaker 2>are eleven one hundred dollars sneakers, which I which I

0:24:03.240 --> 0:24:04.480
<v Speaker 2>which I never would have bought for.

0:24:04.480 --> 0:24:07.040
<v Speaker 3>Eleven hundred Buy a car for eleven hundred dollars? What

0:24:07.119 --> 0:24:08.000
<v Speaker 3>are you talking about?

0:24:09.440 --> 0:24:12.640
<v Speaker 2>Once again, as I take this back to the beginning,

0:24:14.480 --> 0:24:18.200
<v Speaker 2>I don't splurge very often. I own very little designer

0:24:18.640 --> 0:24:22.199
<v Speaker 2>stuff on a high end level. I mean, women can

0:24:22.280 --> 0:24:26.280
<v Speaker 2>relate with the handbags. Why are you throwing women under

0:24:26.280 --> 0:24:28.560
<v Speaker 2>the bottom because they access their eyes. They know these,

0:24:28.680 --> 0:24:35.000
<v Speaker 2>they know these brands, Dudekers, they're loubies, baby bloobies, bottom

0:24:35.040 --> 0:24:36.280
<v Speaker 2>of sneakers, loubis.

0:24:36.840 --> 0:24:39.000
<v Speaker 3>Well, yeah, that's the thing. See that's what sucks.

0:24:39.119 --> 0:24:42.560
<v Speaker 2>Nobody sees the red bottom, right but they but they

0:24:42.640 --> 0:24:46.400
<v Speaker 2>always I got so many people like those are Christian Lubittons.

0:24:46.520 --> 0:24:48.320
<v Speaker 2>Like how you know, like we know a Loubi when

0:24:48.320 --> 0:24:51.760
<v Speaker 2>we see one. So they're like, God, lift your lobes,

0:24:51.960 --> 0:24:54.359
<v Speaker 2>lift your fuck, lift your foot. So I lifted up

0:24:54.359 --> 0:24:56.640
<v Speaker 2>my foot like see, they're like, Dad, I can show

0:24:56.640 --> 0:24:57.520
<v Speaker 2>me those red bottoms.

0:24:57.680 --> 0:24:59.960
<v Speaker 3>You know, this is like Cardi b These is rare

0:25:00.000 --> 0:25:03.800
<v Speaker 3>at bottoms. These his bloody shoes. Come on, Yeah, that's

0:25:03.840 --> 0:25:04.440
<v Speaker 3>what I'm going for.

0:25:04.800 --> 0:25:04.840
<v Speaker 2>That.

0:25:05.040 --> 0:25:08.920
<v Speaker 3>That's that's the this is the this is the signature.

0:25:08.960 --> 0:25:13.639
<v Speaker 3>I mean, dude, Sex and the City. Uh, what's that?

0:25:13.880 --> 0:25:16.880
<v Speaker 3>What's that novel? That? The sex novels all those years ago.

0:25:17.000 --> 0:25:19.639
<v Speaker 3>Shoes with the red bottoms are shiny, but this is

0:25:19.640 --> 0:25:22.119
<v Speaker 3>a sneaker. Scary the bottom of your shoe there's still rubber.

0:25:23.000 --> 0:25:25.800
<v Speaker 3>There's still rubber on the bottom. Well, the problem rubber,

0:25:27.040 --> 0:25:30.399
<v Speaker 3>red robber, red robber. We don't want brody over red rubber.

0:25:31.200 --> 0:25:32.399
<v Speaker 3>That's red Rover. Sorry.

0:25:33.880 --> 0:25:40.119
<v Speaker 2>Anyway, the point is my doctor's name. I saw, I splurged,

0:25:40.760 --> 0:25:43.280
<v Speaker 2>I wore them and I owned the night. But the

0:25:43.400 --> 0:25:46.600
<v Speaker 2>problem is saw you coming a mile away.

0:25:47.880 --> 0:25:48.280
<v Speaker 3>Anyway.

0:25:48.400 --> 0:25:51.800
<v Speaker 2>They never ever have my size in these clearance items,

0:25:51.920 --> 0:25:54.200
<v Speaker 2>So I said, how can I not if they're marked

0:25:54.200 --> 0:25:56.320
<v Speaker 2>down from eleven hundred to four fifty. This is a

0:25:56.400 --> 0:25:59.200
<v Speaker 2>frigging bargain right now, and I'm gonna be able to

0:25:59.200 --> 0:26:01.640
<v Speaker 2>get I'm gonna be built. Walk away with these frigging sneakers.

0:26:01.920 --> 0:26:03.720
<v Speaker 3>I want them what slices?

0:26:03.800 --> 0:26:04.000
<v Speaker 2>Leave it.

0:26:04.080 --> 0:26:06.200
<v Speaker 3>Talk back then if you agree with this theory, they don't.

0:26:06.720 --> 0:26:10.720
<v Speaker 2>The stores try to sell them for eleven hundred, so

0:26:10.840 --> 0:26:13.480
<v Speaker 2>they can mark them down to four hundred, and it

0:26:13.560 --> 0:26:16.119
<v Speaker 2>only cost them like twenty maybe ten bucks to make them.

0:26:16.240 --> 0:26:19.800
<v Speaker 3>Okay, sweatshop, And that's that's the scam. Oh my god,

0:26:19.840 --> 0:26:22.480
<v Speaker 3>they're marked down from eleven hundred. The worst buy those,

0:26:22.560 --> 0:26:24.720
<v Speaker 3>the worst bind those new for eleven hundred. And here's

0:26:24.720 --> 0:26:27.440
<v Speaker 3>the problem with the whole thing. Even though they fit

0:26:27.560 --> 0:26:28.439
<v Speaker 3>me and they were twelve.

0:26:28.920 --> 0:26:30.639
<v Speaker 2>As I was walking in them and trying them on,

0:26:30.760 --> 0:26:34.120
<v Speaker 2>I'm like, mmm, this little this area right here where

0:26:34.200 --> 0:26:36.960
<v Speaker 2>my like like my potential bunion. This could be a

0:26:37.000 --> 0:26:39.840
<v Speaker 2>problem right here because it's kind of rubbing against the

0:26:39.920 --> 0:26:40.560
<v Speaker 2>side of my toe.

0:26:40.680 --> 0:26:44.480
<v Speaker 3>Ap. You know what, fuck it. So I'll buy them anyway. Well,

0:26:44.560 --> 0:26:48.840
<v Speaker 3>you put uncomfortable shoes for four hundred dollars, yeah, because dude,

0:26:48.960 --> 0:26:49.600
<v Speaker 3>they look good.

0:26:49.880 --> 0:26:52.200
<v Speaker 2>See, And this is what this is how I'm wrapping

0:26:52.280 --> 0:26:55.520
<v Speaker 2>the whole thing up, Okay, And I'm explaining, and I'm

0:26:55.760 --> 0:27:01.040
<v Speaker 2>going to sympathize and empathize with women who say if

0:27:01.080 --> 0:27:03.680
<v Speaker 2>it don't hurt, it don't look good. Or the women

0:27:03.760 --> 0:27:06.600
<v Speaker 2>that say, you know that, they buy these expensive shoes

0:27:06.720 --> 0:27:09.400
<v Speaker 2>and then and then their feet are and their feet

0:27:09.400 --> 0:27:11.560
<v Speaker 2>are killing them at the end of the night, and

0:27:11.640 --> 0:27:14.200
<v Speaker 2>they're like, And guys are always like, why the fuck

0:27:14.200 --> 0:27:15.840
<v Speaker 2>would you buy the most uncomfortable shoes?

0:27:15.880 --> 0:27:17.280
<v Speaker 3>Why would you buy them if they hurt?

0:27:17.560 --> 0:27:19.160
<v Speaker 2>And the truth of the matter is I fell into

0:27:19.200 --> 0:27:22.560
<v Speaker 2>that same abyss, that same trap that women fall into

0:27:22.960 --> 0:27:25.960
<v Speaker 2>when they buy uncomfortable shit because it looks good. And

0:27:26.080 --> 0:27:29.040
<v Speaker 2>I gotta say, I got all the compliments in the world,

0:27:29.560 --> 0:27:31.840
<v Speaker 2>but now here I am a day later. My feet

0:27:31.880 --> 0:27:36.240
<v Speaker 2>are a cut up. I've got bandages over my toes.

0:27:36.400 --> 0:27:39.240
<v Speaker 2>So I know, I know what it's like, ladies, to

0:27:39.440 --> 0:27:42.720
<v Speaker 2>walk a mile in your shoes, literally literally you know

0:27:42.760 --> 0:27:44.760
<v Speaker 2>how many? I did more than my ten thousand steps

0:27:44.840 --> 0:27:47.159
<v Speaker 2>yesterday because I was walking around the Jingle Ball Arena,

0:27:47.320 --> 0:27:48.919
<v Speaker 2>I was going back and forth. I must have did

0:27:49.040 --> 0:27:51.600
<v Speaker 2>twenty thousand steps. So I want to sell those now,

0:27:52.480 --> 0:27:54.320
<v Speaker 2>you should sell them. No, I walked more than I

0:27:54.400 --> 0:27:57.119
<v Speaker 2>normally would fucking walk brody and on a daily and

0:27:57.520 --> 0:27:59.560
<v Speaker 2>of all days, that's the day I got to put

0:27:59.600 --> 0:28:01.720
<v Speaker 2>on these more the most uncomfortable shoes of my life.

0:28:02.240 --> 0:28:03.719
<v Speaker 3>But you don't want to wear them again. Oh, you're

0:28:03.720 --> 0:28:05.080
<v Speaker 3>gonna wear them because theyre dead trendy.

0:28:05.800 --> 0:28:09.159
<v Speaker 2>Okay, So because they're so outlandish looking, I showed you

0:28:09.200 --> 0:28:11.400
<v Speaker 2>a picture. I probably should post a picture two of them.

0:28:12.400 --> 0:28:14.320
<v Speaker 2>These aren't shoes you just wear every day. These are

0:28:14.480 --> 0:28:18.800
<v Speaker 2>these are things you wear no, but visually like they

0:28:19.119 --> 0:28:21.760
<v Speaker 2>they're loud. So these are things that you wear on

0:28:21.840 --> 0:28:26.320
<v Speaker 2>a special occasion. Lights, pick ball shoes. No, they're sneakers,

0:28:26.640 --> 0:28:29.600
<v Speaker 2>but they don't they don't. Uh, they don't walk like

0:28:29.640 --> 0:28:33.240
<v Speaker 2>a sneaker. These walk like like uncomfortable shoes. But you

0:28:33.320 --> 0:28:35.800
<v Speaker 2>know what if you're on stage at at freaking the

0:28:35.920 --> 0:28:40.080
<v Speaker 2>world's most popular arena, and you're there and the world's

0:28:40.120 --> 0:28:45.360
<v Speaker 2>most famous arena, similar word, okay, the most famous arena,

0:28:46.360 --> 0:28:48.720
<v Speaker 2>you're gonna you're gonna do something special, You're gonna splurg,

0:28:48.760 --> 0:28:50.280
<v Speaker 2>you're gonna buy some and you're gonna you're gonna be

0:28:50.360 --> 0:28:53.040
<v Speaker 2>on stage being viewed by so many people and like,

0:28:53.200 --> 0:28:56.360
<v Speaker 2>oh scary, you know you know, so there, so there,

0:28:56.480 --> 0:28:56.800
<v Speaker 2>so there.

0:28:56.840 --> 0:28:58.720
<v Speaker 3>So I think you think the crowd was able to

0:28:58.800 --> 0:29:02.520
<v Speaker 3>look up on stage up and see the shoes you

0:29:02.600 --> 0:29:05.920
<v Speaker 3>can't see the shoes. Yeah some people could. Yeah, no,

0:29:06.040 --> 0:29:08.840
<v Speaker 3>you could, of course. I hope those people appreciated your

0:29:08.920 --> 0:29:12.040
<v Speaker 3>four hundred dollars on sales shoes. I don't know. Listen,

0:29:12.480 --> 0:29:15.080
<v Speaker 3>this is not me. I don't do this. They couldn't.

0:29:15.240 --> 0:29:17.360
<v Speaker 3>This second quart is scary. Can still wear them. Maybe

0:29:17.360 --> 0:29:18.800
<v Speaker 3>if you lose a little weight in your feet, they'll

0:29:18.800 --> 0:29:24.160
<v Speaker 3>fit better. You should tell doctor you know who that

0:29:24.280 --> 0:29:27.120
<v Speaker 3>you'd like to gear the program towards toe weight loss

0:29:29.760 --> 0:29:31.680
<v Speaker 3>and cut down your parabins. Maybe you can lose some

0:29:32.160 --> 0:29:32.880
<v Speaker 3>some toe loss.

0:29:34.680 --> 0:29:36.720
<v Speaker 2>Or I could go to that that crazy ass doctor

0:29:36.760 --> 0:29:39.280
<v Speaker 2>that cuts women's feet just so they could fit into

0:29:39.320 --> 0:29:39.680
<v Speaker 2>the shoe.

0:29:40.160 --> 0:29:42.880
<v Speaker 3>Oh yeah, the cinderellas that happened in Cinderella. You're the

0:29:42.920 --> 0:29:45.160
<v Speaker 3>original version of Cinderella. The women were cutting their feet

0:29:45.200 --> 0:29:46.520
<v Speaker 3>to make them feet fit in that slipper.

0:29:46.640 --> 0:29:48.720
<v Speaker 2>It wasn't there a thing that that people that there

0:29:48.760 --> 0:29:51.600
<v Speaker 2>are women that go under this crazy surgeries just they

0:29:51.600 --> 0:29:52.160
<v Speaker 2>will move.

0:29:52.040 --> 0:29:54.920
<v Speaker 3>A toe, just to move a pinky toe just fit

0:29:55.000 --> 0:29:58.160
<v Speaker 3>in shoe. That actually happens in real life. It does.

0:29:58.840 --> 0:30:02.160
<v Speaker 3>We've seen it before. Seems normal like that seems like

0:30:02.240 --> 0:30:05.560
<v Speaker 3>a oh, these gloves don't fit right I'm gonna take

0:30:05.600 --> 0:30:13.120
<v Speaker 3>a pinky of and Brody all right, I'm gonna, I'm gonna,

0:30:13.120 --> 0:30:17.120
<v Speaker 3>I'm gonna, I'm gonna, I'm gonna tell a story. So

0:30:19.200 --> 0:30:21.880
<v Speaker 3>story time with David brit story Time, because it's my turn.

0:30:21.920 --> 0:30:25.120
<v Speaker 3>Now you had a couple of good ones. I was

0:30:25.200 --> 0:30:28.840
<v Speaker 3>going to a store in the mall. And you know,

0:30:28.960 --> 0:30:31.680
<v Speaker 3>malls have entrances, like five or six places you can

0:30:31.720 --> 0:30:36.120
<v Speaker 3>park near an entrance, and so I called. I wanted

0:30:36.200 --> 0:30:38.560
<v Speaker 3>to know which mall entrance would make the most sense

0:30:39.200 --> 0:30:42.080
<v Speaker 3>because online doesn't have a good map. Right in case

0:30:42.080 --> 0:30:43.760
<v Speaker 3>you're like, why you just look on the map. They

0:30:43.800 --> 0:30:46.280
<v Speaker 3>don't have a good one for this mall. So I

0:30:46.400 --> 0:30:50.080
<v Speaker 3>called and I said, Hey, I'm coming there. Uh what

0:30:50.400 --> 0:30:53.720
<v Speaker 3>entrance should I come in? And what floor are you on?

0:30:55.640 --> 0:30:59.480
<v Speaker 3>And she says, I said, you're on the first floor,

0:30:59.560 --> 0:31:02.400
<v Speaker 3>second floor. The mall only has two floors. Now, this

0:31:02.680 --> 0:31:06.000
<v Speaker 3>mall scary, you know the mall Livingston Mall, which is

0:31:06.040 --> 0:31:07.240
<v Speaker 3>going out of business a.

0:31:07.240 --> 0:31:09.360
<v Speaker 2>Business and looks really sad if you look at for

0:31:09.440 --> 0:31:12.080
<v Speaker 2>the TikTok videos. Holy shit, the only thing they have

0:31:12.240 --> 0:31:13.600
<v Speaker 2>is a Christmas tree and J C.

0:31:13.760 --> 0:31:17.920
<v Speaker 3>Penny. This mall is like ninety percent. As people's leases

0:31:17.920 --> 0:31:18.760
<v Speaker 3>are up, they move out.

0:31:18.840 --> 0:31:21.400
<v Speaker 2>It's so sad brody. There's like a barn there's like

0:31:21.440 --> 0:31:24.640
<v Speaker 2>a Barnes and Noble, and like a fucking Jason and.

0:31:24.640 --> 0:31:27.840
<v Speaker 3>Noble was built out on the outside, like they added

0:31:27.880 --> 0:31:30.320
<v Speaker 3>a wing of the mall. So it's it's almost like

0:31:30.400 --> 0:31:32.880
<v Speaker 3>it's it's it's a free standing store on three signs

0:31:33.280 --> 0:31:36.480
<v Speaker 3>I saw, I saw the depression people. The only really

0:31:36.760 --> 0:31:39.480
<v Speaker 3>real people in this mall are people taking videos to show.

0:31:39.280 --> 0:31:42.560
<v Speaker 2>How empty the mall is exactly. So I had to

0:31:42.560 --> 0:31:44.240
<v Speaker 2>go to one of the stores. So I asked the

0:31:44.320 --> 0:31:46.000
<v Speaker 2>girl the stores, how many are left?

0:31:46.240 --> 0:31:49.120
<v Speaker 3>Three? Like seven? Oh? Yeah. So I didn't want to

0:31:49.160 --> 0:31:50.800
<v Speaker 3>walk past all the empty stores. So I'm like, I

0:31:50.840 --> 0:31:52.680
<v Speaker 3>don't remember where that store was located. So I said,

0:31:52.960 --> 0:31:55.560
<v Speaker 3>what entrance should I go in? Now? This mall scary?

0:31:55.600 --> 0:31:58.080
<v Speaker 3>You know the mall? Oh yes, it's built into a hill.

0:31:58.680 --> 0:32:02.440
<v Speaker 3>So the back of the mall is higher and you

0:32:02.640 --> 0:32:05.080
<v Speaker 3>enter on the second floor, correct, And the front of

0:32:05.120 --> 0:32:07.200
<v Speaker 3>the mall is on the first floor when you enter. Yeah,

0:32:07.320 --> 0:32:09.800
<v Speaker 3>because the parking lot goes up and around the back.

0:32:09.960 --> 0:32:10.080
<v Speaker 2>Right.

0:32:10.640 --> 0:32:12.920
<v Speaker 3>Okay, is the hair cutting place still there? No longer?

0:32:13.280 --> 0:32:17.040
<v Speaker 3>No long gone? Yeah? No, they left. They left over

0:32:17.080 --> 0:32:18.440
<v Speaker 3>a year ago. Okay.

0:32:19.120 --> 0:32:21.920
<v Speaker 2>So she says, you want to go in through Lord

0:32:22.000 --> 0:32:24.440
<v Speaker 2>and Taylor and then we're on the first floor if

0:32:24.440 --> 0:32:25.080
<v Speaker 2>you go in that way.

0:32:25.920 --> 0:32:30.600
<v Speaker 3>Okay, Lord and Taylor is still there. Yeah, So I said, no,

0:32:31.320 --> 0:32:34.160
<v Speaker 3>it's closed, but that's the entrance at the time, there

0:32:34.240 --> 0:32:35.360
<v Speaker 3>was an entrance. She said, you want to you want

0:32:35.360 --> 0:32:37.719
<v Speaker 3>to go through Lord and Taylor. So I said, all right,

0:32:39.880 --> 0:32:41.680
<v Speaker 3>and then you're right by Lord and Taylor. She's yeah,

0:32:41.720 --> 0:32:43.160
<v Speaker 3>we're on the first floor if you go through Lord

0:32:43.200 --> 0:32:45.160
<v Speaker 3>and Taylor. I go, aren't you on the first floor?

0:32:45.200 --> 0:32:47.560
<v Speaker 3>No matter where I go in, I said, you're on

0:32:47.600 --> 0:32:50.760
<v Speaker 3>the first floor. We're on the first floor if you

0:32:50.840 --> 0:32:53.960
<v Speaker 3>go in that entrance. I said, yeah, But that entrance

0:32:54.040 --> 0:32:56.760
<v Speaker 3>is higher up in the back in the parking lot,

0:32:57.120 --> 0:32:59.640
<v Speaker 3>so it's on the second floor. Question becomes what constitutes

0:32:59.680 --> 0:33:03.840
<v Speaker 3>the first floor? The building has two floors, it doesn't

0:33:03.840 --> 0:33:06.440
<v Speaker 3>if you enter on the second floor. Still the second floor? Oh?

0:33:06.680 --> 0:33:09.320
<v Speaker 3>So she says, well, no, we're on the first floor

0:33:09.360 --> 0:33:12.000
<v Speaker 3>when you walk in by the way, you don't you

0:33:12.080 --> 0:33:14.680
<v Speaker 3>don't pick floor numbers based on the first one. But but,

0:33:14.880 --> 0:33:17.120
<v Speaker 3>but she could be referring to the first floor of

0:33:17.160 --> 0:33:20.400
<v Speaker 3>the higher ground. So I said, so how it works?

0:33:21.000 --> 0:33:24.160
<v Speaker 2>I said, okay, but there's no third floor, so you're

0:33:24.200 --> 0:33:26.760
<v Speaker 2>either on the first floor or you're on the second floor.

0:33:26.800 --> 0:33:29.200
<v Speaker 2>And I walk in, So are you in the second floor?

0:33:29.840 --> 0:33:33.760
<v Speaker 2>She said, no, we're on the first floor when you

0:33:33.840 --> 0:33:36.560
<v Speaker 2>walk in. I said, but there is no first floor.

0:33:36.640 --> 0:33:41.120
<v Speaker 3>Did you walk in first floor relative to the building? No?

0:33:41.560 --> 0:33:44.600
<v Speaker 2>No, no, there is there one is floor one and

0:33:44.680 --> 0:33:47.480
<v Speaker 2>floor to his floor two? Right, regardless of right you're

0:33:47.520 --> 0:33:50.440
<v Speaker 2>talking about relative to the building. When you're talking about

0:33:50.480 --> 0:33:52.800
<v Speaker 2>a mall, a structure, there's one two.

0:33:52.840 --> 0:33:55.280
<v Speaker 3>I'm with you. I'm crystal clear on this. If you

0:33:55.520 --> 0:33:57.400
<v Speaker 3>you're you live in an apartment building on the second

0:33:57.440 --> 0:33:59.720
<v Speaker 3>floor and I put a ladder up to your window

0:33:59.760 --> 0:34:02.240
<v Speaker 3>and I climb in, that doesn't become the first floor.

0:34:02.280 --> 0:34:02.440
<v Speaker 2>I know.

0:34:04.320 --> 0:34:05.520
<v Speaker 3>Was that what she was trying to say.

0:34:06.080 --> 0:34:07.720
<v Speaker 2>She was trying to say, it's the first floor you

0:34:07.800 --> 0:34:09.960
<v Speaker 2>see when you come in that entrance, just like no,

0:34:10.080 --> 0:34:12.200
<v Speaker 2>it's the first floor that makes the first floor of

0:34:12.200 --> 0:34:16.239
<v Speaker 2>the basement. Then oh, man, are you on the same

0:34:16.320 --> 0:34:18.239
<v Speaker 2>floor as Lord and Taylor at the top floor, the

0:34:18.320 --> 0:34:18.880
<v Speaker 2>top floor?

0:34:19.200 --> 0:34:21.160
<v Speaker 3>My brain hurts. This is the day after jingle Ball,

0:34:21.239 --> 0:34:24.359
<v Speaker 3>and this is. I'm just said, you know what, never mind,

0:34:24.400 --> 0:34:26.680
<v Speaker 3>I'll find it. So sure enough, I went into Lord

0:34:26.719 --> 0:34:28.400
<v Speaker 3>and Taylor and I looked at and there was right

0:34:28.480 --> 0:34:34.279
<v Speaker 3>there on the second floor was her name, Luca. Yeah,

0:34:34.360 --> 0:34:38.319
<v Speaker 3>right there on the second floor. So that is only

0:34:38.400 --> 0:34:41.960
<v Speaker 3>topped by this this genius. So I sold some stuff

0:34:42.120 --> 0:34:45.560
<v Speaker 3>on eBay. One of the packages was was Scary's and

0:34:45.880 --> 0:34:48.640
<v Speaker 3>I had to drop them off. I'm sorry, but whatever

0:34:48.680 --> 0:34:51.759
<v Speaker 3>the shipping was, it was it was UPS. I had

0:34:51.800 --> 0:34:56.719
<v Speaker 3>to ship something UPS because something I sold from Skary is.

0:34:56.920 --> 0:34:59.440
<v Speaker 3>It was the person who brought the thing from Skary

0:34:59.480 --> 0:35:02.120
<v Speaker 3>that I sold for him lives in a town that's

0:35:02.200 --> 0:35:06.360
<v Speaker 3>so small that UPS has to deliver it to the

0:35:06.440 --> 0:35:09.839
<v Speaker 3>local post office and then the post office then takes

0:35:09.880 --> 0:35:12.480
<v Speaker 3>it the rest of the way. Really, I didn't know

0:35:12.600 --> 0:35:15.640
<v Speaker 3>sounds like that existed on the map, right, So like

0:35:15.719 --> 0:35:19.719
<v Speaker 3>the regular post office doesn't get packages, UPS has to

0:35:19.800 --> 0:35:22.399
<v Speaker 3>bring it there and then the local little right. Okay,

0:35:24.080 --> 0:35:27.000
<v Speaker 3>So I go to the UPS store and they closed.

0:35:28.680 --> 0:35:30.400
<v Speaker 3>They were closed, I don't know, they closed early and

0:35:30.440 --> 0:35:32.600
<v Speaker 3>said like they were closed earlier than I thought. I said,

0:35:32.640 --> 0:35:35.600
<v Speaker 3>well I do, I got to mail this package. I said, thanks.

0:35:35.760 --> 0:35:39.200
<v Speaker 3>It was Thanksgiving week I said, you closed tomorrow and Friday.

0:35:39.400 --> 0:35:41.800
<v Speaker 3>It was like Wednesday at five o'clock they closed instead

0:35:41.840 --> 0:35:44.200
<v Speaker 3>of six. Yeah. So he goes, well, you can go

0:35:44.239 --> 0:35:47.080
<v Speaker 3>to you can go to CVS. They take packages a CVS. Okay.

0:35:48.080 --> 0:35:50.560
<v Speaker 3>So I walk into CVS and I asked him at

0:35:50.560 --> 0:35:52.520
<v Speaker 3>the register where do I go with the packages? She says, oh,

0:35:52.560 --> 0:35:54.239
<v Speaker 3>we'll call the girl. She'll come over and check it

0:35:54.280 --> 0:35:57.520
<v Speaker 3>in feel I said, okay, she's just wait over there.

0:35:57.760 --> 0:35:59.960
<v Speaker 3>So I wait over by the candy aisle, which tell

0:36:00.120 --> 0:36:02.040
<v Speaker 3>gonna wait sure, And I'm holding the package in my

0:36:02.160 --> 0:36:04.680
<v Speaker 3>hand and she comes out with a gun, like a

0:36:05.880 --> 0:36:08.600
<v Speaker 3>scanner gun, and she says, are you the person who

0:36:08.640 --> 0:36:13.880
<v Speaker 3>needs help with youps package? I said, uh, yeah, I

0:36:13.960 --> 0:36:17.160
<v Speaker 3>got I'm holding the package. Should have been the first clue,

0:36:17.200 --> 0:36:20.040
<v Speaker 3>but I didn't say that. She says, do you mind

0:36:20.080 --> 0:36:23.399
<v Speaker 3>if I scan it? I said, of course, I don't

0:36:23.440 --> 0:36:25.680
<v Speaker 3>mind that. That's what I'm here for. If I have

0:36:25.760 --> 0:36:27.360
<v Speaker 3>a problem with you scanning it, then I'm not getting

0:36:27.360 --> 0:36:30.279
<v Speaker 3>my package dropped off. So she looks to me weird.

0:36:30.360 --> 0:36:35.480
<v Speaker 3>I go, never mind, so mhm. She gives me the

0:36:35.560 --> 0:36:39.839
<v Speaker 3>face like, uh, this guy's weird. Okay, So she then

0:36:39.960 --> 0:36:43.080
<v Speaker 3>put the code in the scanning device, like her code.

0:36:43.160 --> 0:36:45.560
<v Speaker 3>She logged in, and it must have read a question

0:36:45.680 --> 0:36:46.880
<v Speaker 3>like when you put in your code. It must have

0:36:46.880 --> 0:36:48.560
<v Speaker 3>had a screen A question come up on the screen

0:36:48.960 --> 0:36:51.319
<v Speaker 3>and it's it's just just to me. Are you here

0:36:51.400 --> 0:36:53.000
<v Speaker 3>to pick up or drop off that package?

0:36:55.120 --> 0:36:55.160
<v Speaker 2>So?

0:36:55.239 --> 0:36:57.960
<v Speaker 3>I said, well, I'm clearly dropping it off. How can

0:36:58.000 --> 0:37:00.880
<v Speaker 3>I pick it up? I already have it? Duh? She says, oh,

0:37:00.960 --> 0:37:02.439
<v Speaker 3>it's on the screen. I had to read you the question.

0:37:02.480 --> 0:37:04.360
<v Speaker 3>I go, no, No, you didn't have to read me

0:37:04.440 --> 0:37:09.759
<v Speaker 3>that question. I'm holding the box. What she's just so,

0:37:09.840 --> 0:37:12.920
<v Speaker 3>would you like me to scan it? Yeah? Yeah, that's

0:37:12.960 --> 0:37:15.160
<v Speaker 3>a good idea. Why don't you scan the package? I

0:37:15.200 --> 0:37:18.520
<v Speaker 3>brought in here to be scanned. So she scans it

0:37:19.880 --> 0:37:22.040
<v Speaker 3>and she say, would you like a receipt? I said yes,

0:37:22.040 --> 0:37:23.839
<v Speaker 3>I'd like a receipt. She says, oh, I can't give

0:37:23.880 --> 0:37:27.920
<v Speaker 3>you one. What. Yeah, it's not working. I can't give

0:37:27.920 --> 0:37:30.960
<v Speaker 3>you a seat. But you just asked me can you

0:37:31.040 --> 0:37:32.920
<v Speaker 3>email it to me? Now I'm having a problem with

0:37:33.000 --> 0:37:37.799
<v Speaker 3>the Wi Fi. So why would you ask me if

0:37:37.840 --> 0:37:39.879
<v Speaker 3>I wanted a receipt? If you can't give me a receipt? Wow,

0:37:40.880 --> 0:37:43.000
<v Speaker 3>she says, Well, that's the question. It pops up on

0:37:43.080 --> 0:37:46.120
<v Speaker 3>my thing. I have to ask you, God, but you

0:37:46.200 --> 0:37:49.920
<v Speaker 3>knew that you couldn't give me one, So thankfully I

0:37:49.920 --> 0:37:53.600
<v Speaker 3>didn't ask her what floor she was on, because you know.

0:37:56.000 --> 0:37:59.640
<v Speaker 3>Then then I went to the post office same day, scary.

0:38:01.280 --> 0:38:03.840
<v Speaker 3>I walk in and as an older gentleman. When I

0:38:03.880 --> 0:38:06.400
<v Speaker 3>say older, he's maybe seventy seventy five, wasn't one hundred.

0:38:07.320 --> 0:38:11.960
<v Speaker 3>And he's at the desk and he's leaving, and he

0:38:12.080 --> 0:38:14.919
<v Speaker 3>had had a mail carrier shirt on my post office shirt.

0:38:16.680 --> 0:38:21.400
<v Speaker 3>So he says to me, after you, sir, thank you

0:38:21.400 --> 0:38:24.719
<v Speaker 3>for helping to pay my pension. So I said, sure,

0:38:25.200 --> 0:38:28.560
<v Speaker 3>no problem, thank you for earning your pension. I said

0:38:28.640 --> 0:38:31.520
<v Speaker 3>this assuming he was a postal worker and I was

0:38:31.560 --> 0:38:35.239
<v Speaker 3>helping to support the postal service. He then went on

0:38:35.520 --> 0:38:39.120
<v Speaker 3>scary out of nowhere on a ten minute story, asking

0:38:39.200 --> 0:38:40.960
<v Speaker 3>me if I had ever seen one of two movies

0:38:41.000 --> 0:38:44.919
<v Speaker 3>about the postal service. One was called Going Postal, which

0:38:45.000 --> 0:38:46.959
<v Speaker 3>made me think about when postal employees used to shoot

0:38:47.040 --> 0:38:48.960
<v Speaker 3>up the place. He's called going postal. Oh my god,

0:38:49.840 --> 0:38:50.879
<v Speaker 3>is that where that by the way, is that where

0:38:50.920 --> 0:38:52.880
<v Speaker 3>that term comes from? Going postal? Yeah, because in the

0:38:53.160 --> 0:38:56.680
<v Speaker 3>nineties it was a rash of disgruntled postal workers going

0:38:56.760 --> 0:39:00.799
<v Speaker 3>back to their their postal offices and shooting people. Oh god,

0:39:01.440 --> 0:39:03.200
<v Speaker 3>you didn't really you didn't know where that came from. No,

0:39:03.280 --> 0:39:05.120
<v Speaker 3>I had no idea. I know that was the argent

0:39:05.200 --> 0:39:08.120
<v Speaker 3>of the word. All right, you know that the song

0:39:08.200 --> 0:39:10.080
<v Speaker 3>going back to Cali's about going back to Cali? Right

0:39:10.680 --> 0:39:14.799
<v Speaker 3>that I know? Okay. So, so he asked me if

0:39:14.800 --> 0:39:17.280
<v Speaker 3>I have a start going postal. So I'm like getting

0:39:17.280 --> 0:39:19.920
<v Speaker 3>a little nervous. Now, what is this guy? What's what's

0:39:19.960 --> 0:39:22.600
<v Speaker 3>he alluding to here? So he didn't say he was

0:39:22.640 --> 0:39:24.640
<v Speaker 3>in the movies or that he was involved in any

0:39:24.680 --> 0:39:27.080
<v Speaker 3>way in the plot, he told me. Then he starts

0:39:27.080 --> 0:39:29.040
<v Speaker 3>telling me, he's like, you really ought to see those movies.

0:39:29.080 --> 0:39:32.360
<v Speaker 3>I'm like, okay, okay. Then he tells me his college

0:39:32.440 --> 0:39:34.480
<v Speaker 3>degree and he used to be a lawyer and he

0:39:34.560 --> 0:39:37.359
<v Speaker 3>defended cases and he never lost, but sometimes he had

0:39:37.360 --> 0:39:39.960
<v Speaker 3>a compromise because half a loaf of bread is better

0:39:40.000 --> 0:39:41.919
<v Speaker 3>than no bread. And then he went on to telling

0:39:41.960 --> 0:39:44.520
<v Speaker 3>me his story about his career and I don't know.

0:39:45.040 --> 0:39:45.160
<v Speaker 2>Uh.

0:39:45.800 --> 0:39:47.839
<v Speaker 3>He said he was a union he didn't have any

0:39:47.840 --> 0:39:50.319
<v Speaker 3>talents for union busters, and then he knew this guy

0:39:50.360 --> 0:39:53.480
<v Speaker 3>who sued the post office and I'm like, oh my god,

0:39:53.520 --> 0:39:56.120
<v Speaker 3>I just want to drop off my packages. Have you

0:39:56.160 --> 0:39:59.160
<v Speaker 3>ever met someone like that or just like like just

0:39:59.200 --> 0:40:01.759
<v Speaker 3>started talking and telling you stories that made no sense. Yes,

0:40:03.040 --> 0:40:09.520
<v Speaker 3>we do that every day on this podcast. You're listening

0:40:09.600 --> 0:40:13.320
<v Speaker 3>to it. No, I'm kidding. No, no, no. There have

0:40:13.480 --> 0:40:16.640
<v Speaker 3>been times where it's like, what is going on? What

0:40:16.880 --> 0:40:20.160
<v Speaker 3>is why are these people? Might have been an uber driver.

0:40:21.360 --> 0:40:25.040
<v Speaker 3>They might have got me recently. Uber driver uber driver Uba. Yeah,

0:40:25.760 --> 0:40:29.399
<v Speaker 3>they might have gotten me recently. But but I thought

0:40:29.400 --> 0:40:32.440
<v Speaker 3>the guy was gonna shoot somebody like he was rambling

0:40:32.480 --> 0:40:36.759
<v Speaker 3>on about union busting people and scams and yeah, these

0:40:36.800 --> 0:40:40.799
<v Speaker 3>are the people that you meet at the post office. Yeah,

0:40:40.920 --> 0:40:42.919
<v Speaker 3>I just I just wanted to drop off my mail.

0:40:43.040 --> 0:40:45.960
<v Speaker 3>So you never know. Yeah, I don't. I avoid the

0:40:46.000 --> 0:40:48.200
<v Speaker 3>post office at all costs. I don't. I don't go

0:40:48.320 --> 0:40:50.120
<v Speaker 3>in there. I go into a post office like once

0:40:50.200 --> 0:40:52.560
<v Speaker 3>every three years. Is that why you have me sell

0:40:52.600 --> 0:40:53.600
<v Speaker 3>stuff for you? You don't want to go?

0:40:53.840 --> 0:40:54.000
<v Speaker 2>Yeah?

0:40:54.080 --> 0:40:54.719
<v Speaker 3>No, I deal with it.

0:40:56.200 --> 0:40:59.200
<v Speaker 2>No, I understand why, or I mean listen, don't You

0:40:59.320 --> 0:41:03.920
<v Speaker 2>can go into a ups and FedEx. They they do

0:41:04.000 --> 0:41:07.399
<v Speaker 2>pickups so rather than having to go to an old,

0:41:07.440 --> 0:41:12.959
<v Speaker 2>decrepit building with disgruntled workers, such a such a place

0:41:13.000 --> 0:41:16.040
<v Speaker 2>of negativity and toxic toxicity. You know what.

0:41:16.120 --> 0:41:17.960
<v Speaker 3>It depends on the post office. Oh yeah, the one

0:41:18.000 --> 0:41:21.080
<v Speaker 3>on there's one in Manhattan, the big one on Canal Street. Yeah,

0:41:21.160 --> 0:41:23.680
<v Speaker 3>that place is. I mean the building itself in prison.

0:41:23.719 --> 0:41:24.399
<v Speaker 3>It looks like a prison.

0:41:24.480 --> 0:41:26.360
<v Speaker 2>It looks like a prison, but the building is. The

0:41:26.440 --> 0:41:29.360
<v Speaker 2>building has old school architecture. It's over well over a

0:41:29.440 --> 0:41:32.240
<v Speaker 2>century old. When you walk in, you feel like, wow,

0:41:32.880 --> 0:41:35.160
<v Speaker 2>this was a place people would congregate. They would come

0:41:35.200 --> 0:41:37.840
<v Speaker 2>here because a lot of business went down here. And

0:41:38.280 --> 0:41:40.920
<v Speaker 2>and like they had like twenty windows and like eighteen

0:41:40.960 --> 0:41:45.200
<v Speaker 2>of them were shuttered permanently. And then there's like just

0:41:45.640 --> 0:41:49.600
<v Speaker 2>one disgruntled worker behind the window. What do you want next?

0:41:50.480 --> 0:41:52.360
<v Speaker 2>And then and then then all the rest of the

0:41:52.520 --> 0:41:56.160
<v Speaker 2>displays where you're supposed to pull out all the forms

0:41:56.200 --> 0:41:58.239
<v Speaker 2>and things and the envelopes and crap is all over

0:41:58.280 --> 0:42:01.200
<v Speaker 2>the fucking place. And there's alway is like some kind

0:42:01.239 --> 0:42:06.080
<v Speaker 2>of straggler or shady person lurking that's not really online.

0:42:06.120 --> 0:42:09.040
<v Speaker 3>It has no business being there telling stories about post

0:42:09.080 --> 0:42:09.720
<v Speaker 3>office movies.

0:42:10.040 --> 0:42:12.520
<v Speaker 2>Yeah, there's all That's why I don't walk into them

0:42:12.600 --> 0:42:14.320
<v Speaker 2>like I don't. I don't like going to places like that.

0:42:14.440 --> 0:42:17.840
<v Speaker 2>It creeps me out, you know, places like uh, you know,

0:42:17.920 --> 0:42:21.239
<v Speaker 2>the motor vehicle if I can avoid it, get me.

0:42:21.400 --> 0:42:22.839
<v Speaker 2>I don't want to go here. I do not want

0:42:22.840 --> 0:42:25.920
<v Speaker 2>to go here where you know the dregs of humanity are,

0:42:26.160 --> 0:42:29.680
<v Speaker 2>you know, the just like I mean even the people

0:42:29.719 --> 0:42:34.600
<v Speaker 2>that don't wear loubies. The bottom feeders of society, you know,

0:42:34.800 --> 0:42:37.359
<v Speaker 2>is the society. You know what I'm talking about? If

0:42:37.400 --> 0:42:41.840
<v Speaker 2>I try, people are wonderful and and you know, slices,

0:42:41.920 --> 0:42:43.200
<v Speaker 2>you may be hearing this and be like, what are

0:42:43.200 --> 0:42:46.479
<v Speaker 2>these guys talking about? I live in so and so town,

0:42:47.320 --> 0:42:50.879
<v Speaker 2>you know, a New Jersey no No, or wherever, Pennsylvania

0:42:51.080 --> 0:42:53.560
<v Speaker 2>or Florida, wherever you may be living. But guess what,

0:42:54.239 --> 0:42:57.840
<v Speaker 2>y slices, you may be living in blank town, and

0:42:58.239 --> 0:43:01.040
<v Speaker 2>you may have a pristine motive vehicle and a pristine

0:43:01.120 --> 0:43:04.759
<v Speaker 2>post office. Thank you, lucky stars. Because the ones that

0:43:04.880 --> 0:43:09.560
<v Speaker 2>are around the New York City, New Jersey area, a

0:43:09.640 --> 0:43:13.480
<v Speaker 2>lot of them are shit, the garbage, garbage. But if

0:43:13.480 --> 0:43:16.680
<v Speaker 2>you're listening to us in Nebraska right now, you may

0:43:16.719 --> 0:43:22.200
<v Speaker 2>have like a friendly you know, Oh, how's the family,

0:43:22.360 --> 0:43:26.960
<v Speaker 2>how's everything, mister mcpheley, Oh, things are great, that's from

0:43:27.320 --> 0:43:31.839
<v Speaker 2>mister mc mister Rogers, didn't he deliver the mail? Mister

0:43:31.920 --> 0:43:34.960
<v Speaker 2>mcphey Yeah, what a name? What a name for a

0:43:35.080 --> 0:43:36.600
<v Speaker 2>children's shows?

0:43:37.760 --> 0:43:39.799
<v Speaker 3>You do that? His name was mister mcpheey.

0:43:40.600 --> 0:43:44.000
<v Speaker 2>Why how do you you have an infinite number of

0:43:44.160 --> 0:43:47.319
<v Speaker 2>combinations of names to choose from and you choose mister

0:43:47.440 --> 0:43:50.640
<v Speaker 2>mcpheeley for a child sixties?

0:43:50.680 --> 0:43:52.400
<v Speaker 3>I guess they weren't thinking about that.

0:43:53.040 --> 0:43:57.840
<v Speaker 2>Yeah, it was Oh my god, I watched these seventies

0:43:58.080 --> 0:44:03.480
<v Speaker 2>nineteen seventies, you know, infomercials and shows and uh these

0:44:03.800 --> 0:44:10.680
<v Speaker 2>not even shows, they're like commercials or public service announces. Okay,

0:44:10.840 --> 0:44:13.880
<v Speaker 2>they are zero Fox given on these things. They're like

0:44:14.920 --> 0:44:19.360
<v Speaker 2>they're like, hey, what's the matter with Jimmy? Oh he's retarded?

0:44:19.880 --> 0:44:21.480
<v Speaker 2>Like they're like, say it straight up?

0:44:21.840 --> 0:44:24.840
<v Speaker 3>Like what like? But I guess it was acceptable at

0:44:24.880 --> 0:44:29.080
<v Speaker 3>that point, so who you know, Yeah, well, lots of

0:44:29.120 --> 0:44:29.920
<v Speaker 3>words works, you know what.

0:44:30.120 --> 0:44:30.239
<v Speaker 2>You know.

0:44:30.320 --> 0:44:32.440
<v Speaker 3>What gets me though, so when you when you when

0:44:32.440 --> 0:44:35.239
<v Speaker 3>you go on social media and people post things from

0:44:35.280 --> 0:44:38.359
<v Speaker 3>the seventies, there's always those comments. That was back when

0:44:38.400 --> 0:44:43.400
<v Speaker 3>you could be funny. Now, no one got offended by listen. Hey, hey, hey,

0:44:43.440 --> 0:44:46.520
<v Speaker 3>don't make fun of my comments. Yeah, that was back

0:44:46.920 --> 0:44:50.320
<v Speaker 3>when people who were offending people were offending people that

0:44:50.440 --> 0:44:52.319
<v Speaker 3>didn't have the voice to stand up and say they

0:44:52.360 --> 0:44:56.000
<v Speaker 3>were offended. That's the difference. They were still being offended,

0:44:56.360 --> 0:44:59.800
<v Speaker 3>they just didn't have the wherewithal or the voice or

0:44:59.840 --> 0:45:02.960
<v Speaker 3>the social media to say, hey, that's offensive to me.

0:45:03.560 --> 0:45:07.120
<v Speaker 3>So we shipp on on on smaller groups of people,

0:45:07.360 --> 0:45:09.560
<v Speaker 3>and they were like, but they weren't offended, you know what,

0:45:09.680 --> 0:45:12.880
<v Speaker 3>they were probably offended, if I had to guess, probably

0:45:12.920 --> 0:45:13.279
<v Speaker 3>dare no.

0:45:13.400 --> 0:45:16.760
<v Speaker 2>But there are certain words that were just because who's

0:45:16.880 --> 0:45:19.680
<v Speaker 2>to say that, Okay, I'm just gonna use the word

0:45:19.760 --> 0:45:23.800
<v Speaker 2>retarded because it just came up, okay, just to analyze it.

0:45:24.640 --> 0:45:28.840
<v Speaker 3>Who's to say that that word should now be off limits?

0:45:29.640 --> 0:45:33.080
<v Speaker 2>Uh, in the context in the context of someone who

0:45:33.840 --> 0:45:37.920
<v Speaker 2>is you know, you know, is suffering from something, you know,

0:45:38.320 --> 0:45:41.600
<v Speaker 2>like like in the medical term. Okay, okay, I'm not

0:45:41.719 --> 0:45:44.480
<v Speaker 2>talking about we calling your friends in school that is,

0:45:45.400 --> 0:45:48.120
<v Speaker 2>you know, here's that Okay, I'm talking I'm talking specifically

0:45:48.160 --> 0:45:51.600
<v Speaker 2>about that who who dictated and decided that that was

0:45:51.640 --> 0:45:53.920
<v Speaker 2>a bad thing? Why can't it remain in its own

0:45:54.000 --> 0:45:56.640
<v Speaker 2>con home, because why can't it remain in its own

0:45:56.760 --> 0:45:59.240
<v Speaker 2>context of that's what that means.

0:45:59.640 --> 0:46:02.560
<v Speaker 3>It's define this type of person with this type of condition.

0:46:02.719 --> 0:46:08.120
<v Speaker 3>So the original word that word meant originally was things

0:46:08.160 --> 0:46:11.799
<v Speaker 3>can be slowed. The progress is slowed, right, progress can

0:46:11.880 --> 0:46:13.960
<v Speaker 3>be retarded. You can retard a progress of that. That's

0:46:14.000 --> 0:46:15.680
<v Speaker 3>what I'm saying. So why can't it stick to that meaning?

0:46:15.719 --> 0:46:18.800
<v Speaker 3>And that's it and not talking about erosion on a

0:46:18.880 --> 0:46:22.120
<v Speaker 3>beach or something or movement of a glacier. Yes, the

0:46:22.239 --> 0:46:26.480
<v Speaker 3>problem is not the word. The word retarded wasn't the problem.

0:46:26.920 --> 0:46:28.879
<v Speaker 3>The problem was when people used it as a noun

0:46:29.000 --> 0:46:37.640
<v Speaker 3>and called people retards, and people with medical conditions who

0:46:37.680 --> 0:46:44.200
<v Speaker 3>were born possibly with certain challenges were being called that word.

0:46:44.640 --> 0:46:46.920
<v Speaker 3>Even though you may call your friend, hey, what are

0:46:46.920 --> 0:46:50.160
<v Speaker 3>you rue that? Right? Yeah, you meant, you meant. What

0:46:50.360 --> 0:46:53.400
<v Speaker 3>you really meant was you are like those people that

0:46:53.520 --> 0:46:58.600
<v Speaker 3>have a born disability. And so when nobody cared what

0:46:58.719 --> 0:47:01.719
<v Speaker 3>those people felt, people were able to use the word.

0:47:02.600 --> 0:47:06.480
<v Speaker 3>But the parents cared, the people cared who had those

0:47:06.520 --> 0:47:09.800
<v Speaker 3>special challenges, and so as they got more of a

0:47:09.880 --> 0:47:13.040
<v Speaker 3>voice in government and in the populace and in society,

0:47:13.320 --> 0:47:15.560
<v Speaker 3>people were like you know what, we've been offending those

0:47:15.600 --> 0:47:19.080
<v Speaker 3>people all this time, but we hurt. But we created

0:47:19.200 --> 0:47:22.040
<v Speaker 3>that based on all of what you just said.

0:47:22.760 --> 0:47:27.759
<v Speaker 2>In it's in its original form, the the this word

0:47:27.880 --> 0:47:31.359
<v Speaker 2>means this condition, So why can't it be eighty years

0:47:31.440 --> 0:47:36.080
<v Speaker 2>later and that word still refers to that condition without

0:47:36.800 --> 0:47:37.600
<v Speaker 2>any prejudice.

0:47:37.880 --> 0:47:40.520
<v Speaker 3>That's the word. That's the word because we use you

0:47:40.680 --> 0:47:44.200
<v Speaker 3>use the word as a derogatory term. Let's say, let's say,

0:47:44.400 --> 0:47:46.480
<v Speaker 3>and I'm really trying to understand this, and how in

0:47:46.920 --> 0:47:51.400
<v Speaker 3>Paul put an easier term to understand. Let's say I

0:47:51.560 --> 0:47:54.160
<v Speaker 3>call a girl you're such a just such a blonde

0:47:55.560 --> 0:47:59.000
<v Speaker 3>that that's sort of hurtful for blondes. That's like saying

0:47:59.360 --> 0:48:02.480
<v Speaker 3>you're so you're like a blonde. So if I say

0:48:02.520 --> 0:48:06.480
<v Speaker 3>to somebody, you're the R word, and it's now become

0:48:06.760 --> 0:48:11.080
<v Speaker 3>publicly associated with people boom with disabilities, I'm saying you

0:48:11.239 --> 0:48:14.800
<v Speaker 3>are so not as bright as you could be, you

0:48:14.960 --> 0:48:19.799
<v Speaker 3>are so less than that, you're like those people. That's

0:48:19.880 --> 0:48:20.200
<v Speaker 3>why the.

0:48:20.280 --> 0:48:24.320
<v Speaker 2>Society have has now come up with other you know,

0:48:24.480 --> 0:48:25.920
<v Speaker 2>the these offshooting meanings.

0:48:25.960 --> 0:48:29.439
<v Speaker 3>Its handicapped people call it it's ape.

0:48:29.520 --> 0:48:31.719
<v Speaker 2>Right, Okay, Now you can't say that you can't say

0:48:31.719 --> 0:48:33.640
<v Speaker 2>you haven't been able to say that first disabled, But

0:48:34.040 --> 0:48:37.319
<v Speaker 2>like that in baseball, the disabled list became the injured list.

0:48:37.520 --> 0:48:39.680
<v Speaker 3>Yes, that's exactly where I'm going with this, even though

0:48:39.920 --> 0:48:45.839
<v Speaker 3>even though there's because disabled me yeah, So the question

0:48:45.960 --> 0:48:50.160
<v Speaker 3>is but why why? Because because our society has decided

0:48:50.960 --> 0:48:54.000
<v Speaker 3>the world has decided to be kinder to people who

0:48:54.120 --> 0:48:56.239
<v Speaker 3>are maybe considered less than by other people.

0:48:56.360 --> 0:48:59.160
<v Speaker 2>But it's it's just a it's so, it's just a word.

0:48:59.200 --> 0:49:02.279
<v Speaker 2>It's a bunch of letter are strung together that equate this.

0:49:02.560 --> 0:49:05.279
<v Speaker 2>I'm just going this is very black and white, Okay.

0:49:05.840 --> 0:49:10.560
<v Speaker 3>Why it's why you can call someone you could say

0:49:10.600 --> 0:49:14.120
<v Speaker 3>fanny in America, but in England that's it's offensive because

0:49:14.200 --> 0:49:17.200
<v Speaker 3>fanny means the sea will. But that's always been that's

0:49:17.239 --> 0:49:18.759
<v Speaker 3>always been that. No, that's a point.

0:49:18.840 --> 0:49:21.080
<v Speaker 2>It's a bad analogy. I'm talking about. Like what I'm saying,

0:49:22.560 --> 0:49:25.160
<v Speaker 2>word scary. It's no different than Okay, I'm going to

0:49:25.239 --> 0:49:27.360
<v Speaker 2>take it to an extreme. And again, this is the

0:49:27.360 --> 0:49:32.840
<v Speaker 2>Brooklyn Boys comedy podcast in eighteen seventy. In eighteen forty,

0:49:33.360 --> 0:49:35.640
<v Speaker 2>If you use the N word, you were using it

0:49:35.840 --> 0:49:38.719
<v Speaker 2>towards people that had no voice in society. No but

0:49:38.840 --> 0:49:41.520
<v Speaker 2>that was always derogatory from the beginning. That word was

0:49:41.560 --> 0:49:43.640
<v Speaker 2>always hold on but scary.

0:49:44.600 --> 0:49:47.279
<v Speaker 3>It was probably came up with because maybe because they

0:49:47.320 --> 0:49:50.560
<v Speaker 3>were from Niger, Africa, whatever the case, or Nigro is

0:49:50.640 --> 0:49:54.239
<v Speaker 3>black and many languages, right, so, and Nigro became what

0:49:54.600 --> 0:49:57.360
<v Speaker 3>right of matter? But when you my point is, but

0:49:57.520 --> 0:50:01.760
<v Speaker 3>why did that word become and offensive? It didn't become

0:50:01.880 --> 0:50:04.960
<v Speaker 3>It always was, okay, but it became worse. And it

0:50:05.040 --> 0:50:09.640
<v Speaker 3>became worse because those people, black people got a voice

0:50:09.719 --> 0:50:13.440
<v Speaker 3>in society and decided that it shouldn't be commonplace on television,

0:50:13.640 --> 0:50:16.080
<v Speaker 3>it shouldn't be commonplace right, No, in the workplace.

0:50:16.080 --> 0:50:18.200
<v Speaker 2>No. But but here hear me out for a second.

0:50:18.840 --> 0:50:22.279
<v Speaker 2>In my opinion, in eighteen forty, that was a derogatory word.

0:50:22.480 --> 0:50:23.200
<v Speaker 3>It always was.

0:50:24.640 --> 0:50:28.600
<v Speaker 2>And but what the comparison I'm making is like go

0:50:28.760 --> 0:50:31.879
<v Speaker 2>back to disabled for a second. Okay, disabled, The word

0:50:32.000 --> 0:50:36.720
<v Speaker 2>disabled is it was meant to mean this, this condition

0:50:36.880 --> 0:50:42.120
<v Speaker 2>or whatever you and and it became over time. See

0:50:42.120 --> 0:50:44.160
<v Speaker 2>you know what I'm saying, Like the N word was different.

0:50:44.239 --> 0:50:46.640
<v Speaker 2>It always was a derogatory thing. I think it's a

0:50:46.680 --> 0:50:49.319
<v Speaker 2>bad example. You need to take that away. I'm talking

0:50:49.360 --> 0:50:54.120
<v Speaker 2>about words that like that were meant to mean what

0:50:54.320 --> 0:50:58.320
<v Speaker 2>are associated with a thing? Why all of a sudden

0:50:58.520 --> 0:51:02.800
<v Speaker 2>or over time that those words because eventually, like I

0:51:02.960 --> 0:51:06.359
<v Speaker 2>understand how Indian style, like, we was sitting Indian style

0:51:06.360 --> 0:51:09.480
<v Speaker 2>and then I say crisscross apple sauce because because you.

0:51:09.680 --> 0:51:13.399
<v Speaker 3>Didn't find Indian style offensive, but the Indian people said, yes, yes,

0:51:13.880 --> 0:51:17.439
<v Speaker 3>these faults in that other category. Disabled people don't want

0:51:17.480 --> 0:51:19.640
<v Speaker 3>to be referred to as disabled. But there's a.

0:51:19.680 --> 0:51:22.800
<v Speaker 2>Reason why, because because in the beginning they had no

0:51:22.920 --> 0:51:25.160
<v Speaker 2>problem with that, they were okay with it, and it

0:51:25.280 --> 0:51:27.440
<v Speaker 2>wasn't derogatory because.

0:51:27.200 --> 0:51:29.680
<v Speaker 3>That was it was it was. There was a time

0:51:29.880 --> 0:51:33.000
<v Speaker 3>this having the right to vote, There was a time

0:51:33.040 --> 0:51:37.000
<v Speaker 3>when didn't have a problem not working. Society advances and

0:51:37.120 --> 0:51:40.120
<v Speaker 3>moves and grows, and at some point disabled people may

0:51:40.160 --> 0:51:42.000
<v Speaker 3>have been like, you know what, I don't want to

0:51:42.040 --> 0:51:44.120
<v Speaker 3>be stigmatized with a word. I don't want to be

0:51:44.280 --> 0:51:47.120
<v Speaker 3>I don't want to be pre judged as disabled. I

0:51:47.160 --> 0:51:48.640
<v Speaker 3>don't know. I don't want to get too deep. I

0:51:49.520 --> 0:51:54.920
<v Speaker 3>understand disabled person to I shouldn't refer to them as that,

0:51:55.239 --> 0:51:57.080
<v Speaker 3>So I don't I see the thing. I don't think this.

0:51:57.480 --> 0:52:00.680
<v Speaker 2>A person who is quote disabled is a offend by that.

0:52:00.880 --> 0:52:02.799
<v Speaker 2>I think that that's that is something.

0:52:02.920 --> 0:52:06.200
<v Speaker 3>What about the term, okay, homosexual is a definition of

0:52:06.239 --> 0:52:09.479
<v Speaker 3>a type of person, right, people are born homosexuals, whatever

0:52:09.560 --> 0:52:12.040
<v Speaker 3>the case, and then but if you call them homos,

0:52:12.440 --> 0:52:14.279
<v Speaker 3>maybe in the seventies they weren't offended by that, But

0:52:14.320 --> 0:52:16.440
<v Speaker 3>now if you see a guy at a bar, that's.

0:52:16.280 --> 0:52:18.720
<v Speaker 2>Another one of those that falls into the other category.

0:52:19.320 --> 0:52:22.120
<v Speaker 2>That was always that was always derogatory from the beginning.

0:52:22.360 --> 0:52:25.840
<v Speaker 2>I'm talking about specific words like disabled. That was an

0:52:25.880 --> 0:52:29.799
<v Speaker 2>excellent example, and we'll use the R word okay there

0:52:30.040 --> 0:52:33.160
<v Speaker 2>that were meant to mean that this word equals.

0:52:32.920 --> 0:52:35.799
<v Speaker 3>This caution became for him an insult. It became an

0:52:35.880 --> 0:52:39.560
<v Speaker 3>insult when someone was born a certain way and medically

0:52:39.640 --> 0:52:42.960
<v Speaker 3>declared that word. Oh your child is this word, right,

0:52:44.040 --> 0:52:46.160
<v Speaker 3>that's fine, But if you start using it as an

0:52:46.200 --> 0:52:49.800
<v Speaker 3>insult towards people that aren't born that way, then it's like, so,

0:52:49.960 --> 0:52:53.000
<v Speaker 3>my child is an insult, So my child is so bad.

0:52:53.880 --> 0:52:56.279
<v Speaker 3>So less than that, you're going to call people you

0:52:56.360 --> 0:52:59.200
<v Speaker 3>don't like and say they're like my like my Jimmy.

0:53:00.000 --> 0:53:02.080
<v Speaker 3>So you're calling somebody like as an insult my kid.

0:53:02.640 --> 0:53:04.960
<v Speaker 3>It's like it's like I'm Jewish, Right, you call me

0:53:05.000 --> 0:53:07.080
<v Speaker 3>a Jew? But when you use it as an insult,

0:53:07.160 --> 0:53:08.560
<v Speaker 3>you're like, oh, yeah, what are you some what are

0:53:08.600 --> 0:53:11.560
<v Speaker 3>you some fucking cheap jew? Now it's an insult. Right

0:53:11.800 --> 0:53:14.440
<v Speaker 3>If you call people jew as an insult, then I

0:53:14.520 --> 0:53:15.440
<v Speaker 3>take it as like that right.

0:53:15.600 --> 0:53:17.960
<v Speaker 2>No, but now you can't say you can't say, oh,

0:53:18.360 --> 0:53:21.480
<v Speaker 2>you can't say Brodie's a Jew. You can't say that. Yes,

0:53:21.520 --> 0:53:23.480
<v Speaker 2>you can have a connotation by it.

0:53:23.880 --> 0:53:26.080
<v Speaker 3>No, it doesn't. No, it's a different scary if you

0:53:26.080 --> 0:53:28.720
<v Speaker 3>said Brodie's a Jew. Who cares if you said Brodie's

0:53:28.760 --> 0:53:32.560
<v Speaker 3>a Jew? So now it's an inflection. It is in

0:53:33.600 --> 0:53:35.120
<v Speaker 3>if I see myself on the street, I'm like, hey,

0:53:35.160 --> 0:53:35.680
<v Speaker 3>what's up? Jew?

0:53:36.120 --> 0:53:38.680
<v Speaker 2>This is all this, All this, the proceeding was really

0:53:38.800 --> 0:53:43.680
<v Speaker 2>just an exploitory, exploratory conversation on why certain things.

0:53:44.040 --> 0:53:45.000
<v Speaker 3>Is skinny offensive?

0:53:45.160 --> 0:53:48.760
<v Speaker 2>It is it was always offensive, that it was always offensive,

0:53:48.800 --> 0:53:54.000
<v Speaker 2>it was more offensive. Again, I'm specifically talking about words

0:53:54.480 --> 0:53:56.919
<v Speaker 2>that were I'm going to go back to it again.

0:53:57.000 --> 0:53:59.880
<v Speaker 3>I have to reiterate and underline and underscore.

0:54:00.120 --> 0:54:03.560
<v Speaker 2>I'm specifically talking about words that we're equal to medical

0:54:03.600 --> 0:54:09.200
<v Speaker 2>conditions or such that that now cannot be used because I.

0:54:09.600 --> 0:54:12.440
<v Speaker 3>Think we try better, harder to say, to call and

0:54:12.600 --> 0:54:18.440
<v Speaker 3>label people things that are less offensive or stigmatatic stigmatic, right, right, stigmatizing.

0:54:18.480 --> 0:54:22.040
<v Speaker 3>Excuse me, I guess I'm trying to understand this. You know. Look,

0:54:22.040 --> 0:54:24.160
<v Speaker 3>there's two types of people. There's the people will go yeah,

0:54:24.520 --> 0:54:26.480
<v Speaker 3>you know, I can make that effort if I if

0:54:26.520 --> 0:54:28.080
<v Speaker 3>I if these people are offended by it. And then

0:54:28.120 --> 0:54:30.480
<v Speaker 3>there's people go fuck those people shouldn't be funded. Fuck up.

0:54:31.200 --> 0:54:33.319
<v Speaker 3>So choose which camp you're in? How do we get

0:54:33.360 --> 0:54:38.600
<v Speaker 3>on this topic? Will we aspire? You probably said something stupid, yeah, podcast,

0:54:38.880 --> 0:54:40.000
<v Speaker 3>we will be right back.

0:54:41.600 --> 0:54:43.879
<v Speaker 2>The stuff in your storage unit isn't worth seventy seven

0:54:43.960 --> 0:54:46.440
<v Speaker 2>dollars a month. And I never ever go to look

0:54:46.480 --> 0:54:48.480
<v Speaker 2>at the storage unit and try and take things out

0:54:48.480 --> 0:54:51.120
<v Speaker 2>of it ever, so right, and I don't really there

0:54:51.160 --> 0:54:52.319
<v Speaker 2>and you'll die and it'll be there.

0:54:52.400 --> 0:54:53.080
<v Speaker 3>Yeah. Storage.

0:54:53.280 --> 0:54:58.280
<v Speaker 2>Yeah, storage companies they're raking it in, just like please,

0:54:58.360 --> 0:55:02.399
<v Speaker 2>just like uh, just like health insurance companies, just raking

0:55:02.440 --> 0:55:05.640
<v Speaker 2>the money in because because people have junk, they never

0:55:05.680 --> 0:55:06.439
<v Speaker 2>get rid of the junk.

0:55:06.440 --> 0:55:07.480
<v Speaker 3>They don't want to part with a junk.

0:55:07.520 --> 0:55:10.600
<v Speaker 2>It's probably on their head and it's uh, they fit,

0:55:10.680 --> 0:55:12.400
<v Speaker 2>they can't and they're like, you know, I'm just going

0:55:12.480 --> 0:55:14.359
<v Speaker 2>to pay for a place to store my junk. By

0:55:14.360 --> 0:55:18.080
<v Speaker 2>the way, Jerry Seinfeld did an amazing routine on this

0:55:18.360 --> 0:55:21.319
<v Speaker 2>very bit. What we just sold, Yeah, yeah, yeah, not junk.

0:55:21.440 --> 0:55:24.040
<v Speaker 3>So when I sold my house, my wife and I

0:55:24.120 --> 0:55:26.920
<v Speaker 3>sold the house, we had more stuff that would fit

0:55:27.040 --> 0:55:30.160
<v Speaker 3>here at the townhouse in the garage. So I said,

0:55:30.160 --> 0:55:32.719
<v Speaker 3>I'm I'm gonna take a storage unit. It's not a

0:55:32.760 --> 0:55:35.760
<v Speaker 3>big storage unit. It's I don't know, ten by twelve,

0:55:35.880 --> 0:55:39.560
<v Speaker 3>twelve by twelve, it's you know whatever. So I booked

0:55:39.600 --> 0:55:42.239
<v Speaker 3>it online and it said online discounted price seventy nine

0:55:42.280 --> 0:55:45.480
<v Speaker 3>dollars a month. So I'm like, all right, I'll keep

0:55:45.520 --> 0:55:47.560
<v Speaker 3>the storage unit for a few months till you know,

0:55:47.640 --> 0:55:51.720
<v Speaker 3>everything's settled in and we donate stuff, we sell stuff,

0:55:52.160 --> 0:55:54.520
<v Speaker 3>we'll make room for the stuff in the unit, and

0:55:54.560 --> 0:55:57.799
<v Speaker 3>we'll bring it here, we'll put it in the garage. Well,

0:55:58.920 --> 0:56:02.359
<v Speaker 3>after two months seventy nine dollars, they send me an

0:56:02.360 --> 0:56:05.759
<v Speaker 3>email that my unit is now going up to one

0:56:05.880 --> 0:56:10.239
<v Speaker 3>fifty eight a month, which is just about double. Oh

0:56:10.320 --> 0:56:12.680
<v Speaker 3>my god. So I said no, So I called up,

0:56:12.680 --> 0:56:15.399
<v Speaker 3>I go whoa, whoa, whoa, you can't double my rent.

0:56:15.920 --> 0:56:18.800
<v Speaker 3>I didn't take a promotional price. There was nothing that

0:56:18.840 --> 0:56:20.960
<v Speaker 3>said this is a two month only promotional price. I

0:56:21.080 --> 0:56:22.880
<v Speaker 3>never would have taken a unit for one hundred and

0:56:22.920 --> 0:56:27.400
<v Speaker 3>fifty eight dollars. So I was, well, that's a promotional price.

0:56:28.040 --> 0:56:30.040
<v Speaker 3>That's not what it's said online. I have a screenshot

0:56:30.120 --> 0:56:32.839
<v Speaker 3>of it, which I did because I screenshoted it as

0:56:32.880 --> 0:56:35.120
<v Speaker 3>I was shopping, so I remember all of the places

0:56:35.160 --> 0:56:38.279
<v Speaker 3>I was looking at and I could compare all the pricing. Wow,

0:56:38.960 --> 0:56:41.120
<v Speaker 3>there's nothing I can do. That's the price. I said, no, no, no,

0:56:41.640 --> 0:56:43.520
<v Speaker 3>I said, I will gladly move my stuff to another

0:56:43.520 --> 0:56:46.920
<v Speaker 3>storage unit as of the end of the month. That's bullshit.

0:56:47.800 --> 0:56:51.640
<v Speaker 3>So he says, oh, well, let me see what I

0:56:51.680 --> 0:56:54.839
<v Speaker 3>can do. I can bring it down a one twenty five.

0:56:55.120 --> 0:56:58.279
<v Speaker 3>I got one twenty five. I'm paying seventy nine dollars. No,

0:56:59.200 --> 0:57:02.239
<v Speaker 3>that's that's not ect. That's babe and Switch. I said, look,

0:57:03.719 --> 0:57:05.600
<v Speaker 3>you're not dealing with somebody who's like a pats who's

0:57:05.600 --> 0:57:08.120
<v Speaker 3>going to take this bullshit. I have a contract with

0:57:08.200 --> 0:57:10.719
<v Speaker 3>you for seventy nine dollars. He says, yeah, but it

0:57:10.760 --> 0:57:13.000
<v Speaker 3>says written there the price can go up with one

0:57:13.040 --> 0:57:16.840
<v Speaker 3>month's notice. I said, yeah, after like a year, not

0:57:16.960 --> 0:57:20.840
<v Speaker 3>after two months. Wow. So I said, I got to

0:57:20.880 --> 0:57:23.080
<v Speaker 3>talk to a supervisor, regional person. Get me on the

0:57:23.120 --> 0:57:25.919
<v Speaker 3>phone with somebody else. So I get the regional person

0:57:26.000 --> 0:57:27.360
<v Speaker 3>calls me a few days later. By the way, was

0:57:27.960 --> 0:57:29.840
<v Speaker 3>this a big company or is this like a mama Yeah,

0:57:29.880 --> 0:57:31.240
<v Speaker 3>that's a very big company. No, I don't go to

0:57:31.280 --> 0:57:32.880
<v Speaker 3>mama pops. I go for the big ones with the

0:57:32.920 --> 0:57:36.320
<v Speaker 3>big kind of prices. What scams. So the guy says

0:57:36.320 --> 0:57:41.480
<v Speaker 3>to me, look, I'm sorry for the confusion. I could

0:57:41.480 --> 0:57:46.080
<v Speaker 3>do ninety five. I said, wait a second. First, I'm

0:57:46.080 --> 0:57:49.000
<v Speaker 3>paying seventy nine. Then you jack me up to one

0:57:49.120 --> 0:57:52.440
<v Speaker 3>fifty eight, which is out of control. Then the guy

0:57:52.520 --> 0:57:55.080
<v Speaker 3>tells me, yeah, I could do one twenty five. Now

0:57:55.120 --> 0:57:56.440
<v Speaker 3>you're telling me you can do ninety five. Can we

0:57:56.520 --> 0:57:59.200
<v Speaker 3>please get me back to seventy nine dollars? Can we

0:57:59.520 --> 0:58:00.800
<v Speaker 3>make it up nonumbers? At this point?

0:58:01.880 --> 0:58:03.600
<v Speaker 2>Right, they're just like they just make it up numbers.

0:58:03.640 --> 0:58:06.680
<v Speaker 2>It's arbitrary, right, arbitrary. You're making it one twenty five?

0:58:06.720 --> 0:58:08.160
<v Speaker 2>Will give you what do you think about?

0:58:08.240 --> 0:58:08.600
<v Speaker 1>Dollars?

0:58:08.840 --> 0:58:10.720
<v Speaker 3>Just work for you? No, it doesn't work for me.

0:58:11.480 --> 0:58:13.800
<v Speaker 3>I'll tell you what I'll do I'll drop it to

0:58:13.880 --> 0:58:17.480
<v Speaker 3>eighty six dollars, but i'll lock you in for for

0:58:17.560 --> 0:58:21.480
<v Speaker 3>a year. Huh. So I said, so for seven dollars

0:58:21.560 --> 0:58:23.800
<v Speaker 3>more a month, I'm locked in. There could be no

0:58:23.960 --> 0:58:27.720
<v Speaker 3>price hikes. I said, I want that in writing. He said,

0:58:27.720 --> 0:58:29.360
<v Speaker 3>all right. So he sent me an email, you know,

0:58:29.600 --> 0:58:34.560
<v Speaker 3>confirming my eighty six dollars. But scary slices one hundred

0:58:34.560 --> 0:58:36.920
<v Speaker 3>and fifty eight dollars they tried to charge me. And

0:58:37.040 --> 0:58:38.320
<v Speaker 3>how many people scary do you think?

0:58:38.400 --> 0:58:38.440
<v Speaker 2>Go?

0:58:38.640 --> 0:58:41.720
<v Speaker 3>All right, I put up with it quite a bit.

0:58:42.960 --> 0:58:44.960
<v Speaker 3>They're not they're not a capacity. They've got plenty of

0:58:45.000 --> 0:58:47.480
<v Speaker 3>empty units. If they lose me, they get zero a month.

0:58:47.520 --> 0:58:50.680
<v Speaker 3>They want to double their profits. Yeah, I go. He is, well,

0:58:50.680 --> 0:58:52.240
<v Speaker 3>we got a lot of empty units. I go, that's

0:58:52.280 --> 0:58:52.920
<v Speaker 3>not my problem.

0:58:53.320 --> 0:58:55.640
<v Speaker 2>How would you like one more empty unit? I go,

0:58:56.160 --> 0:58:58.160
<v Speaker 2>so and sew up the road with the red windows,

0:58:58.240 --> 0:59:02.240
<v Speaker 2>with the red gates. They're charging eighty six. So the

0:59:02.280 --> 0:59:04.480
<v Speaker 2>guy was like, I'm match eighty six and I'll lock

0:59:04.520 --> 0:59:05.800
<v Speaker 2>you in. I go, I want to see it in writing.

0:59:06.600 --> 0:59:07.240
<v Speaker 2>Im at eighty six.

0:59:07.560 --> 0:59:10.920
<v Speaker 3>But I gotta tell you, I'm trying my best to

0:59:10.920 --> 0:59:14.000
<v Speaker 3>get rid of this fucking storage unit. I'm like constantly

0:59:14.040 --> 0:59:16.960
<v Speaker 3>trying to sell stuff and combined stuff donate stuff.

0:59:16.960 --> 0:59:18.920
<v Speaker 2>That would be pretty wise. Actually, I should probably do

0:59:19.000 --> 0:59:20.400
<v Speaker 2>the same. I should probably go down there.

0:59:20.480 --> 0:59:23.720
<v Speaker 3>You're paying for what stuff you're never gonna touch again. Yeah,

0:59:23.920 --> 0:59:26.960
<v Speaker 3>back to the Seinfeld bit. Just junk.

0:59:27.280 --> 0:59:30.360
<v Speaker 2>Just we're just moving junk. Life is just accumulating and

0:59:30.480 --> 0:59:32.560
<v Speaker 2>moving junk around and paying for it.

0:59:33.080 --> 0:59:36.400
<v Speaker 3>Yeah, slices, I want you to leave us a talk back.

0:59:37.360 --> 0:59:40.400
<v Speaker 3>How much are you paying more than me? And scary

0:59:41.400 --> 0:59:43.280
<v Speaker 3>for you have storage unit for shit that you don't

0:59:43.400 --> 0:59:44.640
<v Speaker 3>haven't seen in the years and.

0:59:44.680 --> 0:59:46.640
<v Speaker 2>Then you will never see ever and you don't care

0:59:46.680 --> 0:59:49.600
<v Speaker 2>about right? And is your spouse giving you shit for it?

0:59:51.840 --> 0:59:53.680
<v Speaker 2>Because I'm definitely gonna get shipped for it after a

0:59:53.720 --> 0:59:57.360
<v Speaker 2>certain amount of months, you know. Yeah, Well, because it's

0:59:57.400 --> 0:59:59.400
<v Speaker 2>all my stuff there, because all you know, none of

0:59:59.480 --> 1:00:01.760
<v Speaker 2>her stuff is is in the storage unit, So.

1:00:01.760 --> 1:00:04.680
<v Speaker 3>All my stuff. How'd that work out?

1:00:05.000 --> 1:00:05.040
<v Speaker 1>That?

1:00:05.160 --> 1:00:08.560
<v Speaker 3>How about that? How about that? How about that? People

1:00:08.600 --> 1:00:11.000
<v Speaker 3>will fuck you if you let them. That's my point. Oh,

1:00:11.200 --> 1:00:14.920
<v Speaker 3>bring it on. You just want to get It's like,

1:00:14.960 --> 1:00:16.240
<v Speaker 3>I just want to get fucked. I don't know.

1:00:20.000 --> 1:00:23.160
<v Speaker 2>Well, I teased last time that we brodie and I

1:00:23.280 --> 1:00:28.200
<v Speaker 2>have a friend. Oh, I'm going to make people upsets

1:00:28.280 --> 1:00:31.200
<v Speaker 2>an hr nightmare. I don't know how this company got

1:00:31.200 --> 1:00:33.240
<v Speaker 2>away with doing this, but we were a friend who

1:00:33.280 --> 1:00:36.400
<v Speaker 2>works in our industry in Los Angeles, and he has

1:00:36.440 --> 1:00:39.960
<v Speaker 2>been doing let's be clear, not our company, not our company, no, right,

1:00:40.160 --> 1:00:43.840
<v Speaker 2>a different big radio company. Yes, he's been working on

1:00:43.960 --> 1:00:49.080
<v Speaker 2>this radio company on the news station for years and years.

1:00:49.080 --> 1:00:52.000
<v Speaker 3>And that's eleven twelve years, right, yes, yeah, and this

1:00:52.200 --> 1:00:55.480
<v Speaker 3>guy does the traffic reports and is employed by that company.

1:00:56.720 --> 1:00:59.320
<v Speaker 3>So just explain what that means. Scary the traffic reports, Well,

1:00:59.800 --> 1:01:01.040
<v Speaker 3>so so trure they do that.

1:01:01.200 --> 1:01:05.400
<v Speaker 2>They every every ten minutes, they record a traffic report

1:01:05.760 --> 1:01:07.160
<v Speaker 2>and then they they play.

1:01:07.040 --> 1:01:09.080
<v Speaker 3>It, you know, and they're not part of the morning show,

1:01:09.120 --> 1:01:11.560
<v Speaker 3>but now show in the sense that they're the official

1:01:11.600 --> 1:01:12.959
<v Speaker 3>morning show five traffic person.

1:01:13.120 --> 1:01:16.280
<v Speaker 2>Yeah, and they've you know, they were five hours, six

1:01:16.360 --> 1:01:19.480
<v Speaker 2>hours a day and every ten minutes spent out another

1:01:19.480 --> 1:01:20.040
<v Speaker 2>traffic report.

1:01:20.160 --> 1:01:22.440
<v Speaker 3>Well, and a lot of times they're working from home, right,

1:01:22.600 --> 1:01:24.600
<v Speaker 3>or a centralized they don't work in the radio station

1:01:24.640 --> 1:01:26.520
<v Speaker 3>where you work. Yeah, this person he.

1:01:27.040 --> 1:01:31.040
<v Speaker 2>Worked in the past, tense because he got fired ye

1:01:31.800 --> 1:01:36.160
<v Speaker 2>from home and yeah, so it was midway through his

1:01:36.320 --> 1:01:41.880
<v Speaker 2>shift on like a Tuesday morning, and he basically gets

1:01:41.920 --> 1:01:48.320
<v Speaker 2>a call from I guess corporate HR and says, hey, Harry, yeah,

1:01:48.360 --> 1:01:54.160
<v Speaker 2>how you doing awesome? Listen, we're downsizing making some cuts

1:01:54.200 --> 1:01:58.560
<v Speaker 2>here and you've been laid off. And then Harry says, whoaa, whoa.

1:01:59.240 --> 1:02:01.560
<v Speaker 2>Not only was he hey, by the way, you know,

1:02:01.640 --> 1:02:03.560
<v Speaker 2>I'm in the middle of the shift right now, right right?

1:02:03.760 --> 1:02:04.400
<v Speaker 3>Hit another hour?

1:02:04.480 --> 1:02:07.360
<v Speaker 2>Right, another another two hours to go, two hours okay here,

1:02:08.200 --> 1:02:13.040
<v Speaker 2>oh okay, yeah, well, uh you know something just oh

1:02:13.080 --> 1:02:16.560
<v Speaker 2>we didn't know that. Just listen, be professional and finish

1:02:16.600 --> 1:02:16.959
<v Speaker 2>your shift.

1:02:17.840 --> 1:02:20.439
<v Speaker 3>But he looked up. He still had.

1:02:20.320 --> 1:02:24.320
<v Speaker 2>Another seven traffic reports to file for the radio station

1:02:25.160 --> 1:02:26.720
<v Speaker 2>and Harry Harry, so he.

1:02:26.800 --> 1:02:27.200
<v Speaker 3>Was let go.

1:02:27.440 --> 1:02:30.280
<v Speaker 2>Now they have a sixty second phone call. You'll be

1:02:30.360 --> 1:02:32.880
<v Speaker 2>hearing from HR with your package. You're goodbye package, see

1:02:32.960 --> 1:02:36.080
<v Speaker 2>you later. Uh uh, but you have another two hours

1:02:36.120 --> 1:02:38.919
<v Speaker 2>on the air, so be professional, finish your shift.

1:02:39.240 --> 1:02:43.960
<v Speaker 3>Click now traffic reports. So I'm gonna let you and

1:02:44.000 --> 1:02:47.480
<v Speaker 3>behind the scenes, traffic reports are a great way to

1:02:47.560 --> 1:02:50.000
<v Speaker 3>have a sponsor. Yes, right, So a lot of times

1:02:50.000 --> 1:02:51.880
<v Speaker 3>you'll hear the track and there's a two hour back

1:02:51.960 --> 1:02:53.520
<v Speaker 3>up at the bridge that was brought to you by

1:02:53.520 --> 1:02:56.800
<v Speaker 3>a mattress firm, the mattress professionals. Right, they did the

1:02:56.840 --> 1:02:58.920
<v Speaker 3>traffic reports so they could add a sponsor at the end.

1:02:59.520 --> 1:03:02.760
<v Speaker 3>Erica runs Duncan or whatever the slogan is, so slices.

1:03:02.880 --> 1:03:04.320
<v Speaker 3>He's what I want to ask you. This is another

1:03:04.360 --> 1:03:05.920
<v Speaker 3>talk back. This is your homework assignment. This is the

1:03:05.920 --> 1:03:10.800
<v Speaker 3>big one. Number one, would you curse them out and

1:03:10.960 --> 1:03:13.640
<v Speaker 3>say fuck it, I'm not finishing the show. Number two?

1:03:14.080 --> 1:03:17.280
<v Speaker 3>Would you finish the show and be professional? Or three?

1:03:17.800 --> 1:03:21.400
<v Speaker 3>Would you finish the show and be unprofessional? Sabotage the place?

1:03:21.920 --> 1:03:24.680
<v Speaker 3>And two hour backup when there's no backup? S like

1:03:24.720 --> 1:03:26.760
<v Speaker 3>there's no backup, there's no backup at the bridge, or

1:03:26.840 --> 1:03:30.680
<v Speaker 3>created create havoc on roadways that there never are. Right,

1:03:30.760 --> 1:03:32.680
<v Speaker 3>And this this is brought to you by Dunkin Donuts.

1:03:32.720 --> 1:03:33.640
<v Speaker 3>They fucking suck.

1:03:36.160 --> 1:03:39.680
<v Speaker 2>American run. American runs on Duncan. America gives you the runs.

1:03:39.800 --> 1:03:42.480
<v Speaker 2>I'm dunk right, okay, folks. He brought to you by

1:03:42.560 --> 1:03:45.440
<v Speaker 2>donuts that make you fat, fat people, Donuts bump to you,

1:03:45.640 --> 1:03:46.160
<v Speaker 2>bringing you the.

1:03:46.160 --> 1:03:49.280
<v Speaker 3>Traffick a point, So what does do you do? Because

1:03:49.280 --> 1:03:51.320
<v Speaker 3>I'm thinking for the scary, what would you have done?

1:03:51.320 --> 1:03:53.520
<v Speaker 2>You want to probably finished professional, Yes, because I don't

1:03:53.520 --> 1:03:54.360
<v Speaker 2>want to burn a bridge.

1:03:55.240 --> 1:03:56.960
<v Speaker 3>I'm be going to which there's a two hour backup

1:03:57.000 --> 1:04:01.360
<v Speaker 3>and done. The bridge is burning, the bridge is on Firefolks,

1:04:01.440 --> 1:04:03.320
<v Speaker 3>don't go there. Head to the bridge, don't end to

1:04:03.360 --> 1:04:05.440
<v Speaker 3>the bridge. Head to the toll that just opened up

1:04:05.440 --> 1:04:07.800
<v Speaker 3>another lane that doesn't exist. The full sight is open.

1:04:07.880 --> 1:04:11.120
<v Speaker 2>I would I would stay professional because in my mind

1:04:11.240 --> 1:04:14.600
<v Speaker 2>I didn't do anything wrong. They're downsizing. I'm rehirable. I

1:04:14.640 --> 1:04:16.600
<v Speaker 2>don't want to fuck with this company in case I

1:04:16.680 --> 1:04:19.240
<v Speaker 2>need a job here in the future. So that's my mindset.

1:04:20.080 --> 1:04:23.160
<v Speaker 2>But I just want to pull back. Well, first of all,

1:04:23.200 --> 1:04:25.800
<v Speaker 2>what would you do? Well, I'm to see me. I'm

1:04:25.800 --> 1:04:27.800
<v Speaker 2>a wise ass. I want to be professional. But also

1:04:27.840 --> 1:04:29.320
<v Speaker 2>I'd be like, hey, it is a.

1:04:30.920 --> 1:04:32.680
<v Speaker 3>Half hour delay getting out of the city in the

1:04:32.920 --> 1:04:36.200
<v Speaker 3>Lincoln Tunnel, which is where I'll be in about twenty minutes,

1:04:36.200 --> 1:04:39.240
<v Speaker 3>because I just got laid off. Yeah, I would, I

1:04:39.240 --> 1:04:41.040
<v Speaker 3>would say something if so.

1:04:41.160 --> 1:04:44.360
<v Speaker 2>He ended up disgruntally finishing his shift, and the last

1:04:44.400 --> 1:04:46.800
<v Speaker 2>few reports like he was grumpy.

1:04:46.600 --> 1:04:47.600
<v Speaker 3>Or he was like he did it.

1:04:47.920 --> 1:04:50.440
<v Speaker 2>He did it anyway. Gradually he didn't be grudgingly, So

1:04:50.560 --> 1:04:53.520
<v Speaker 2>that's the word I was looking for. He'd begrudgingly finished

1:04:53.560 --> 1:04:58.360
<v Speaker 2>the shift professionally, but sounded somber and a little more,

1:04:59.360 --> 1:05:01.200
<v Speaker 2>you know, a little weird.

1:05:01.360 --> 1:05:04.560
<v Speaker 3>In the last found on the Parkway. You've got shifts.

1:05:04.880 --> 1:05:07.080
<v Speaker 3>You can tell there was something wrong in his personal life.

1:05:07.360 --> 1:05:09.080
<v Speaker 3>If you're on your way to work on the term Pike,

1:05:09.160 --> 1:05:11.560
<v Speaker 3>good feel you still have a job. Half our delays?

1:05:13.960 --> 1:05:14.600
<v Speaker 1>So what?

1:05:14.920 --> 1:05:17.560
<v Speaker 2>But what I don't understand is what a fucked up company?

1:05:17.680 --> 1:05:20.800
<v Speaker 2>That's what I'm saying. That's what I'm saying, is this company.

1:05:20.920 --> 1:05:24.080
<v Speaker 3>No, he was on the air. There's no clue. There's

1:05:24.120 --> 1:05:26.280
<v Speaker 3>no clue he was on the air. He was on

1:05:26.400 --> 1:05:29.040
<v Speaker 3>the list. I gotta call Harry. I don't care what

1:05:29.160 --> 1:05:31.280
<v Speaker 3>time it is. At eight o'clock in the morning, he

1:05:31.640 --> 1:05:35.040
<v Speaker 3>won't constantly be doing this early that radio.

1:05:35.960 --> 1:05:39.280
<v Speaker 2>It's weird, man, it's weird. And it's like, and what

1:05:39.400 --> 1:05:41.240
<v Speaker 2>kind of a piece of shit company does that? That

1:05:41.760 --> 1:05:45.200
<v Speaker 2>That basically says we don't value you anything.

1:05:45.400 --> 1:05:47.280
<v Speaker 3>We we don't even know what your role is. That

1:05:47.320 --> 1:05:48.280
<v Speaker 3>you might be on the radio.

1:05:48.440 --> 1:05:52.640
<v Speaker 2>Yeah, and we're gonna ask you, Yeah, could you stay

1:05:52.680 --> 1:05:53.000
<v Speaker 2>too long?

1:05:53.120 --> 1:05:55.920
<v Speaker 3>It's tasteake stay too more hour? We'll pay you for

1:05:56.000 --> 1:05:57.439
<v Speaker 3>those two hours. Yeah.

1:05:58.120 --> 1:06:01.320
<v Speaker 2>Yeah, this reminds me of the time that New York

1:06:01.440 --> 1:06:04.480
<v Speaker 2>Met Wilmer Flores was in the middle of a game

1:06:04.600 --> 1:06:08.120
<v Speaker 2>and on the field news had broke in the dugout

1:06:08.440 --> 1:06:11.920
<v Speaker 2>and in the stands online that he had been traded

1:06:12.000 --> 1:06:12.600
<v Speaker 2>from the Mets.

1:06:12.920 --> 1:06:14.080
<v Speaker 3>He is in the Mets universe.

1:06:14.120 --> 1:06:16.840
<v Speaker 2>So at the end of that game, that the end

1:06:17.000 --> 1:06:18.880
<v Speaker 2>part of the game, seventh inning, he was crying on

1:06:18.920 --> 1:06:20.960
<v Speaker 2>the field. Well, hold on, at the end of the game,

1:06:21.360 --> 1:06:23.920
<v Speaker 2>he will have been traded to a different team. But

1:06:24.680 --> 1:06:27.160
<v Speaker 2>what the Mets were essentially asking him where to do

1:06:27.680 --> 1:06:30.280
<v Speaker 2>was what they asked this traffic employee to do for

1:06:30.400 --> 1:06:34.960
<v Speaker 2>that radio company. Finished the game, and what ended up happening, Brody,

1:06:35.000 --> 1:06:40.760
<v Speaker 2>as you were about to say, he hell, news traveled,

1:06:41.240 --> 1:06:43.080
<v Speaker 2>and obviously when he got back to the dugout for

1:06:43.120 --> 1:06:43.920
<v Speaker 2>the half inning.

1:06:44.080 --> 1:06:48.880
<v Speaker 3>Tom told crying, hey, look, you've been traded. We don't know,

1:06:48.960 --> 1:06:51.680
<v Speaker 3>they said, we don't know. It's it's possible. He's to

1:06:51.720 --> 1:06:52.400
<v Speaker 3>go back out and play.

1:06:52.480 --> 1:06:55.280
<v Speaker 2>But the people in the stands have fucking cell phones.

1:06:55.440 --> 1:06:58.760
<v Speaker 2>They're getting the news real time. So all kinds of

1:06:58.920 --> 1:07:01.040
<v Speaker 2>some crazy, weird dynas he became.

1:07:01.160 --> 1:07:04.240
<v Speaker 3>But the best part of that story scary is that

1:07:04.800 --> 1:07:06.520
<v Speaker 3>the guy that one of the guys who was being

1:07:06.560 --> 1:07:09.880
<v Speaker 3>traded for Carlos Gomez, ended up having a medical issue

1:07:09.920 --> 1:07:12.280
<v Speaker 3>that the Mets thought was was no good, so they

1:07:12.840 --> 1:07:16.560
<v Speaker 3>called off the trade. And then the next night they lost,

1:07:16.640 --> 1:07:19.200
<v Speaker 3>and then the next game Wilma Flores hit the game

1:07:19.240 --> 1:07:22.320
<v Speaker 3>winning home run and it was like it was a

1:07:22.400 --> 1:07:25.680
<v Speaker 3>Hollywood ending. It was tremendous, tremendous. But yeah, he got

1:07:25.760 --> 1:07:27.400
<v Speaker 3>he got sort of trade in the middle of the game.

1:07:27.600 --> 1:07:29.960
<v Speaker 3>You know, there was one guy because this has happened

1:07:30.000 --> 1:07:32.680
<v Speaker 3>before in baseball, where people have been traded during the

1:07:32.760 --> 1:07:34.600
<v Speaker 3>game to the other team and they go in the

1:07:34.640 --> 1:07:39.080
<v Speaker 3>locker room and change jerseys. Shut up. In fact, it

1:07:39.200 --> 1:07:44.800
<v Speaker 3>happened this year. It's never happened before. But I'm gonna

1:07:44.800 --> 1:07:47.120
<v Speaker 3>get the details. Maybe slightly wrong, but so forgive me

1:07:47.120 --> 1:07:49.840
<v Speaker 3>if I'm off on the teams the Red Sox were playing.

1:07:49.920 --> 1:07:52.960
<v Speaker 3>Let's say the Cleveland Indians. Okay, I know the Red

1:07:53.040 --> 1:07:55.080
<v Speaker 3>Sox were involved. You don't have to tweet me, guys,

1:07:55.760 --> 1:08:00.439
<v Speaker 3>and the game was was right, that's offensive. I'm sorry.

1:08:00.960 --> 1:08:06.040
<v Speaker 3>The Guardians A yeah, yeah, okay, there's an example for Okay.

1:08:06.200 --> 1:08:06.280
<v Speaker 2>So.

1:08:07.800 --> 1:08:11.360
<v Speaker 3>He was traded to the other team, but the game,

1:08:11.480 --> 1:08:14.160
<v Speaker 3>so the game was rained out in April, right, it

1:08:14.280 --> 1:08:17.519
<v Speaker 3>was rain delayed, so the game got paused when they

1:08:17.680 --> 1:08:21.040
<v Speaker 3>when they scheduled the game to be replayed. He's now

1:08:21.120 --> 1:08:24.200
<v Speaker 3>on the other team, and now he's catching for the

1:08:24.280 --> 1:08:27.880
<v Speaker 3>other team. So he he played and got a hit,

1:08:28.000 --> 1:08:34.840
<v Speaker 3>I believe, for both teams in the same game. Why

1:08:35.000 --> 1:08:37.000
<v Speaker 3>and again I'm a little fuzzy on the details, but

1:08:37.080 --> 1:08:39.040
<v Speaker 3>ultimately that's what happened. He got traded in the in

1:08:39.120 --> 1:08:41.519
<v Speaker 3>a suspended game, and when they redid the when they

1:08:41.560 --> 1:08:44.040
<v Speaker 3>went to finish the game played the end of the game,

1:08:44.439 --> 1:08:46.560
<v Speaker 3>he was now playing for the other team. So he

1:08:46.640 --> 1:08:48.720
<v Speaker 3>played for both teams in the same game. And there's

1:08:48.720 --> 1:08:50.760
<v Speaker 3>something like he got to either he was catching or

1:08:50.800 --> 1:08:52.400
<v Speaker 3>he was at he was at bat for one of

1:08:52.439 --> 1:08:54.720
<v Speaker 3>the teams, whatever the case. Uh, he played for both

1:08:54.720 --> 1:08:58.639
<v Speaker 3>teams within the same game. League technically, Wow, he can't

1:08:58.640 --> 1:09:01.439
<v Speaker 3>make people have been traded in the middle of double headers.

1:09:01.479 --> 1:09:03.040
<v Speaker 3>They played the first game of one team get traded

1:09:03.040 --> 1:09:05.040
<v Speaker 3>to other camp. Make this they get a uniform. Can't

1:09:05.040 --> 1:09:06.000
<v Speaker 3>make it now it happens.

1:09:06.040 --> 1:09:08.400
<v Speaker 2>But this guy, poor Harry, not his real name, but

1:09:08.760 --> 1:09:11.880
<v Speaker 2>Harry got Harry shit canned in the middle of his shift.

1:09:11.960 --> 1:09:18.800
<v Speaker 3>Hope you find just let us know exactly I'm running

1:09:18.880 --> 1:09:21.960
<v Speaker 3>on fumes, Brodie, I don't know. Did you stink from

1:09:22.040 --> 1:09:22.439
<v Speaker 3>last night?

1:09:22.680 --> 1:09:26.160
<v Speaker 2>No, I it's you know, yesterday was our big event,

1:09:26.280 --> 1:09:29.080
<v Speaker 2>jingle Ball, so I was I was, you know, I

1:09:29.200 --> 1:09:31.799
<v Speaker 2>was up late and here we are on a Saturday.

1:09:32.000 --> 1:09:34.000
<v Speaker 2>I don't think I think this is a Brooklyn Boys

1:09:34.080 --> 1:09:38.760
<v Speaker 2>first recording the podcast on a Saturday. Oh, we've never

1:09:38.840 --> 1:09:41.439
<v Speaker 2>done that before, but we're running the I think we have.

1:09:42.000 --> 1:09:43.679
<v Speaker 2>So should I tell the story about my daughter?

1:09:43.960 --> 1:09:47.439
<v Speaker 3>Yeah? Of course. So my daughter went to jingle Ball

1:09:47.520 --> 1:09:49.360
<v Speaker 3>last night with a friend of hers and they had

1:09:49.560 --> 1:09:52.240
<v Speaker 3>they had good seats, but like the in the one

1:09:52.360 --> 1:09:55.040
<v Speaker 3>hundred section, which is the first level off the floor.

1:09:57.680 --> 1:10:01.880
<v Speaker 3>So I said, oh, you got good seat, right. I said,

1:10:02.240 --> 1:10:04.439
<v Speaker 3>that's a good section you're in. She says, yeah, it's

1:10:04.479 --> 1:10:07.639
<v Speaker 3>good access to the floor. I can get to the floor. Now,

1:10:07.720 --> 1:10:09.960
<v Speaker 3>my daughter always ends up in the floor. She somehow

1:10:10.000 --> 1:10:11.960
<v Speaker 3>finds a way to get to the floor seats. She's

1:10:12.040 --> 1:10:16.920
<v Speaker 3>my kid, she finds a way. So she texted me

1:10:17.560 --> 1:10:20.320
<v Speaker 3>mission accomplished. I'm in. I'm in the I'm in the

1:10:20.400 --> 1:10:21.800
<v Speaker 3>I'm in the pit. I'm in I'm in, I'm in

1:10:21.880 --> 1:10:24.760
<v Speaker 3>the floor seat area, like, okay, great, she's like yep,

1:10:24.840 --> 1:10:27.439
<v Speaker 3>I became friends with the security guards. She got in Okay,

1:10:28.320 --> 1:10:30.759
<v Speaker 3>how does she? I don't know. She's funny and cute

1:10:30.760 --> 1:10:35.040
<v Speaker 3>and she got found away and don't is is she hot? Scary?

1:10:35.080 --> 1:10:37.519
<v Speaker 3>Go fuck yourself? I know I'm asking is she hot?

1:10:37.600 --> 1:10:41.160
<v Speaker 3>These days? How the hell you get past garden security? Question?

1:10:41.400 --> 1:10:43.280
<v Speaker 3>What kind of question is that? How the way he

1:10:43.320 --> 1:10:45.400
<v Speaker 3>talks to me? How do you get that? Hold on?

1:10:45.479 --> 1:10:48.880
<v Speaker 3>Hold on slices? I'm talking to the parents who have

1:10:49.080 --> 1:10:52.559
<v Speaker 3>daughters right now? How do you answer that question? If

1:10:52.600 --> 1:10:54.760
<v Speaker 3>I say no, she's not hot, she's gonna get mad

1:10:54.760 --> 1:10:56.880
<v Speaker 3>at me. And if I say she is hot, that's sick.

1:10:57.600 --> 1:11:00.320
<v Speaker 3>I can't answer that question. I just wow, check mate?

1:11:00.640 --> 1:11:03.320
<v Speaker 3>How great is that? You can't answer that? Because's like

1:11:03.360 --> 1:11:05.160
<v Speaker 3>when did you stop beating your wife? You can't answer

1:11:05.160 --> 1:11:07.840
<v Speaker 3>your question? Well, listen to me. You know the reason

1:11:07.880 --> 1:11:11.000
<v Speaker 3>why I ask. And again, this is all hypothetic. You

1:11:11.240 --> 1:11:13.840
<v Speaker 3>take the take the parent part out of it, take

1:11:13.880 --> 1:11:15.840
<v Speaker 3>the fact that your moves her. No, I can't pretend

1:11:15.920 --> 1:11:18.200
<v Speaker 3>my teenage daughter is hot because I'm pretendial.

1:11:18.320 --> 1:11:20.640
<v Speaker 2>No, no, no, she's of age though she's in college, right,

1:11:21.280 --> 1:11:24.840
<v Speaker 2>I haven't seen her in years. So the reason why

1:11:24.880 --> 1:11:26.479
<v Speaker 2>I asked, you don't you don't have to answer.

1:11:26.760 --> 1:11:32.320
<v Speaker 3>But my daughter is is uh fine, I don't mean fine.

1:11:32.560 --> 1:11:35.680
<v Speaker 3>I'm fine. My daughter is pretty Okay, don't ask me

1:11:35.720 --> 1:11:37.920
<v Speaker 3>if she's so. So there you go. That answers my question.

1:11:38.479 --> 1:11:39.479
<v Speaker 3>Is your daughter a piece of asked?

1:11:39.560 --> 1:11:43.000
<v Speaker 2>Let me know. No, I'm alm only asking because you

1:11:43.120 --> 1:11:45.360
<v Speaker 2>want to follow her on instead. No, No, I'm just

1:11:45.439 --> 1:11:50.080
<v Speaker 2>saying for the context of the story, you say, no,

1:11:50.320 --> 1:11:52.160
<v Speaker 2>she got down there with the guard with the guard

1:11:52.240 --> 1:11:55.000
<v Speaker 2>because to me, those guards are like iron clad.

1:11:55.120 --> 1:11:57.360
<v Speaker 3>You can't get past them. So how the hell does

1:11:57.439 --> 1:12:00.960
<v Speaker 3>she schmooze? I don't know. My mother is in the front,

1:12:01.040 --> 1:12:03.600
<v Speaker 3>she has the tickets. Whatever she did, the point is

1:12:03.680 --> 1:12:06.120
<v Speaker 3>she got in the front. Okay. So she texts me,

1:12:06.200 --> 1:12:08.880
<v Speaker 3>I'm in, I'm in the orchestra, I'm close, I'm I'm

1:12:08.880 --> 1:12:10.960
<v Speaker 3>having a great time. Thank you again for the tickets whatever,

1:12:11.200 --> 1:12:16.080
<v Speaker 3>I said. Okay. So she calls me last night after

1:12:16.160 --> 1:12:19.200
<v Speaker 3>the show at midnight whatever it was shown her way

1:12:19.200 --> 1:12:21.360
<v Speaker 3>back to school. I said, how was the show? It

1:12:21.439 --> 1:12:25.639
<v Speaker 3>was great? Thanks again, she said, I saw Elvis. I said, really, yeah,

1:12:25.720 --> 1:12:27.880
<v Speaker 3>she says, yeah, my friend wanted to get a picture

1:12:27.920 --> 1:12:29.960
<v Speaker 3>with Elvis. She saw him and he said, oh, let's

1:12:29.960 --> 1:12:33.000
<v Speaker 3>go get a picture with Elvis. And she's like, don't

1:12:33.000 --> 1:12:34.680
<v Speaker 3>you want to picture with Elvis? And my daughter's like, no,

1:12:34.760 --> 1:12:36.640
<v Speaker 3>I know, my whole life. It's like he's just like

1:12:36.760 --> 1:12:40.920
<v Speaker 3>family at this point. Whatever. So I said, so you

1:12:41.040 --> 1:12:43.479
<v Speaker 3>were you were so close to the stage that you

1:12:43.560 --> 1:12:46.719
<v Speaker 3>were by where Elvis sits and and and his husband

1:12:46.760 --> 1:12:49.479
<v Speaker 3>and his friends. She's no, no, no, no. I was

1:12:49.560 --> 1:12:52.680
<v Speaker 3>in the front row. Elvis was three rows behind me.

1:12:54.920 --> 1:12:57.280
<v Speaker 2>Now, Elvis would tell you the front row is not

1:12:57.360 --> 1:12:58.719
<v Speaker 2>the greatest because he's too close.

1:12:59.000 --> 1:13:02.680
<v Speaker 3>Fourth throws where it's yeah, no, I've been in the

1:13:02.720 --> 1:13:05.599
<v Speaker 3>front row. Sometimes people leave or they or they moved

1:13:05.640 --> 1:13:07.639
<v Speaker 3>to the center and they leave their seats open. Yeah. Personally,

1:13:07.680 --> 1:13:09.439
<v Speaker 3>I don't like the front row. I like the fourth

1:13:09.840 --> 1:13:11.519
<v Speaker 3>of the fourth row. No, I like the first. It

1:13:11.560 --> 1:13:13.920
<v Speaker 3>depends on who the artist is. If it's a band

1:13:14.000 --> 1:13:15.960
<v Speaker 3>that stays towards the back, the front row is not great.

1:13:16.160 --> 1:13:19.080
<v Speaker 3>But I'll give you for instance, twenty eighteen, maybe it

1:13:19.240 --> 1:13:21.200
<v Speaker 3>was the year that Taylor Swift's birthday was the same

1:13:21.280 --> 1:13:22.160
<v Speaker 3>night as jingle Ball.

1:13:22.840 --> 1:13:26.400
<v Speaker 2>Which was last night as well, December thirteenth. It fell

1:13:26.479 --> 1:13:28.599
<v Speaker 2>on her Birthday's your favorite numbers The thirteenth, right, fell

1:13:28.640 --> 1:13:31.120
<v Speaker 2>on her birthday. Ya a number of years ago. Jingle

1:13:31.160 --> 1:13:32.920
<v Speaker 2>Ball was on her birthday. We got her cake she

1:13:32.960 --> 1:13:35.800
<v Speaker 2>had backstage. Anyway, she came out. It was the year

1:13:35.880 --> 1:13:38.639
<v Speaker 2>she wore like a red tartan plaid top and bottom

1:13:38.680 --> 1:13:42.040
<v Speaker 2>two piece. Hey, carefully throw that tart word around, you know,

1:13:42.080 --> 1:13:47.839
<v Speaker 2>people offended, not tard tartan. Oh sorry, your tart anyway,

1:13:49.280 --> 1:13:51.840
<v Speaker 2>So Taylor came right up to the edge of the

1:13:51.880 --> 1:13:53.840
<v Speaker 2>stage and sings to the people in the first couple

1:13:53.840 --> 1:13:56.040
<v Speaker 2>of rows. So I had my daughters with me in

1:13:56.080 --> 1:13:59.280
<v Speaker 2>the front row because again we moved up because no

1:13:59.280 --> 1:14:02.519
<v Speaker 2>one was there, and we were like two feet away

1:14:02.600 --> 1:14:03.439
<v Speaker 2>from Taylor's feet.

1:14:04.040 --> 1:14:05.599
<v Speaker 3>We look right up at our So that was fine.

1:14:05.680 --> 1:14:07.200
<v Speaker 3>Front row is fine if they come to the edge,

1:14:08.040 --> 1:14:10.719
<v Speaker 3>if they come close to the edge, thank you, yes, hio.

1:14:12.000 --> 1:14:13.920
<v Speaker 3>So yeah, anyway, So she had better seats by the

1:14:14.000 --> 1:14:19.559
<v Speaker 3>end of the night than Elviston h and uh yeah.

1:14:19.720 --> 1:14:24.439
<v Speaker 2>Gracie Abrams performed. Gracie opened for Taylor Swift on Taylor's tour.

1:14:24.600 --> 1:14:27.599
<v Speaker 2>At some point night, Alow with fever Bridges I got.

1:14:29.080 --> 1:14:30.240
<v Speaker 2>I was on a Phoebe Bridges.

1:14:30.400 --> 1:14:33.040
<v Speaker 3>Feeb. You and I went to the same shab Bridges.

1:14:33.880 --> 1:14:36.080
<v Speaker 3>We were at the same baby buggy bumpers. But uh,

1:14:37.120 --> 1:14:37.720
<v Speaker 3>I will tell you.

1:14:37.960 --> 1:14:42.799
<v Speaker 2>After so brody, you weren't there last night after seeing

1:14:43.400 --> 1:14:49.680
<v Speaker 2>or was I Abrams perform last night? No, the way

1:14:49.760 --> 1:14:53.799
<v Speaker 2>she's the way she performs, Uh, the way she sings,

1:14:54.040 --> 1:15:01.160
<v Speaker 2>and the way the audience sings loudly, all in chorus,

1:15:01.720 --> 1:15:05.720
<v Speaker 2>all together with her as going through every lyric of

1:15:05.840 --> 1:15:10.879
<v Speaker 2>every one of her songs. She don't finish my sentences.

1:15:11.280 --> 1:15:14.920
<v Speaker 2>She is the second coming of Taylor Swift. She will

1:15:14.960 --> 1:15:19.120
<v Speaker 2>be there one day. She is She's she's Taylor Swift

1:15:19.640 --> 1:15:21.960
<v Speaker 2>in the making. She is the next Taylor Swift. In

1:15:22.040 --> 1:15:23.519
<v Speaker 2>maybe a few years, it's gonna be.

1:15:23.520 --> 1:15:25.920
<v Speaker 3>Like, I'm not gonna the next Taylor Swift.

1:15:26.000 --> 1:15:29.560
<v Speaker 2>No, no hold on Sabrina too. The way and I

1:15:29.720 --> 1:15:32.120
<v Speaker 2>and I say this, and the chapel roanes of the world,

1:15:32.520 --> 1:15:33.559
<v Speaker 2>it's how.

1:15:33.520 --> 1:15:35.719
<v Speaker 3>Many chaperones are that when people say of the world,

1:15:35.920 --> 1:15:37.439
<v Speaker 3>there's not other chapel roons.

1:15:38.160 --> 1:15:41.720
<v Speaker 2>What I'm saying is when you get when you get

1:15:41.800 --> 1:15:48.880
<v Speaker 2>an audience screaming every word passionately to every song in

1:15:49.080 --> 1:15:52.559
<v Speaker 2>chorus right back with the artist the way that it happens.

1:15:52.640 --> 1:15:55.000
<v Speaker 2>And on the Ears tour, if you've had if you

1:15:55.080 --> 1:15:57.160
<v Speaker 2>guys have been to the Taylor Swift one of the

1:15:57.320 --> 1:15:58.160
<v Speaker 2>one of her shows, it.

1:15:58.240 --> 1:15:59.080
<v Speaker 3>Happens at every show.

1:15:59.479 --> 1:16:03.040
<v Speaker 2>You don't see that with very many artists at all,

1:16:03.280 --> 1:16:07.840
<v Speaker 2>In fact, none so so the Gracie Abrams effect. That

1:16:07.920 --> 1:16:11.000
<v Speaker 2>the Taylor Swift effect was in full effect when Gracy

1:16:11.040 --> 1:16:15.080
<v Speaker 2>Abrams performed last night. I'm just saying, And on the

1:16:15.160 --> 1:16:18.760
<v Speaker 2>Sabrina Tour, on her Sweet Sour Tour, her Short and

1:16:18.760 --> 1:16:19.559
<v Speaker 2>Sweet Tour, So.

1:16:19.720 --> 1:16:20.720
<v Speaker 3>Can these are gonna be?

1:16:21.640 --> 1:16:25.160
<v Speaker 2>You don't go to enough concerts, Dude, every concert I

1:16:25.240 --> 1:16:27.080
<v Speaker 2>go to, you stick to fans sing along.

1:16:28.360 --> 1:16:29.400
<v Speaker 3>What concents are you going to?

1:16:29.720 --> 1:16:31.560
<v Speaker 2>I go to heavy metal shows they do like you know,

1:16:31.640 --> 1:16:32.960
<v Speaker 2>like you go to Motley cru When they do Home

1:16:33.000 --> 1:16:36.320
<v Speaker 2>Sweet Home, they bringing levels down and everybody sings on

1:16:36.600 --> 1:16:40.320
<v Speaker 2>certain listen to me on certain hold on swift on

1:16:40.560 --> 1:16:44.519
<v Speaker 2>certain songs, hold up. Certain songs are anthems. Everyone's singing

1:16:44.600 --> 1:16:48.360
<v Speaker 2>living on a prayer. Everybody's going crazy. They're doing the words.

1:16:48.760 --> 1:16:54.479
<v Speaker 2>But I'm talking about every note, every word to every song, Sir,

1:16:55.120 --> 1:16:57.640
<v Speaker 2>you don't see that as often you don't think they

1:16:57.680 --> 1:17:01.599
<v Speaker 2>were all singing runaway and and while they what certain songs,

1:17:01.680 --> 1:17:02.960
<v Speaker 2>but out of all of them.

1:17:03.439 --> 1:17:04.679
<v Speaker 3>You give love a bad name.

1:17:04.960 --> 1:17:09.719
<v Speaker 2>Better roses a lot of songs. Most songs and artists

1:17:09.720 --> 1:17:13.360
<v Speaker 2>are performing. They the audience is not singing along to

1:17:13.439 --> 1:17:16.760
<v Speaker 2>every word to every song. Certain songs are anthems, yes,

1:17:17.520 --> 1:17:19.280
<v Speaker 2>but not all songs were.

1:17:19.360 --> 1:17:21.320
<v Speaker 3>My rockers slices, I want you to leave us when

1:17:21.320 --> 1:17:24.920
<v Speaker 3>you go to a rock fucking I sing every word

1:17:25.600 --> 1:17:28.080
<v Speaker 3>that's you as a talkback. You sing when you go

1:17:28.120 --> 1:17:29.880
<v Speaker 3>to a concert, or you do air guitar, one of

1:17:29.920 --> 1:17:32.360
<v Speaker 3>the other. But see Scary goes to DM shows. So

1:17:32.439 --> 1:17:34.960
<v Speaker 3>when they when they play, he goes. It's along with

1:17:35.040 --> 1:17:38.920
<v Speaker 3>the beat. He can't sing. There's no lyrics. Regardless of

1:17:38.960 --> 1:17:41.840
<v Speaker 3>how you feel. I'm telling you, mark my words, mark

1:17:41.880 --> 1:17:42.559
<v Speaker 3>the words talk.

1:17:42.800 --> 1:17:45.599
<v Speaker 2>Get your Gracie Abrams tickets now while you can still

1:17:45.640 --> 1:17:47.680
<v Speaker 2>afford them, and while you can maybe get it. I

1:17:47.720 --> 1:17:50.400
<v Speaker 2>mean she's selling out shows like crazy. The tickets are

1:17:50.400 --> 1:17:51.680
<v Speaker 2>hard enough to get right now, as it is.

1:17:51.760 --> 1:17:54.280
<v Speaker 3>The beauty, the beauty of jingle ball the slices. Here's

1:17:54.280 --> 1:17:56.519
<v Speaker 3>another assignment. You can do this on your own. Google

1:17:56.600 --> 1:17:58.720
<v Speaker 3>the lineup for you, one hundreds jingle Ball every year.

1:17:59.320 --> 1:18:03.759
<v Speaker 3>Every year, look at twenty fifteen's jingle Ball lineup. People

1:18:03.800 --> 1:18:05.320
<v Speaker 3>would die in and go see them.

1:18:05.320 --> 1:18:07.559
<v Speaker 2>They're all the next biggest stars, and then see how

1:18:07.600 --> 1:18:09.719
<v Speaker 2>many of them were actually stars A lot until someone

1:18:09.760 --> 1:18:12.479
<v Speaker 2>has three, four or five big albums.

1:18:12.880 --> 1:18:14.599
<v Speaker 3>Don't tell me they're gonna be the next Taylor Swift.

1:18:14.920 --> 1:18:16.639
<v Speaker 3>Don't tell me they're gonna be the next big thing

1:18:17.040 --> 1:18:20.000
<v Speaker 3>because every year, I'm telling you, look at the lineup

1:18:20.000 --> 1:18:22.639
<v Speaker 3>from jingle Ball last night, and I love the guy.

1:18:23.000 --> 1:18:25.800
<v Speaker 3>But do you think Shaboozy is gonna have none? But

1:18:25.920 --> 1:18:27.960
<v Speaker 3>he's not part of this conversation. See what I'm saying, Well,

1:18:28.000 --> 1:18:30.559
<v Speaker 3>you did it right there. All the time. You bring

1:18:30.720 --> 1:18:33.240
<v Speaker 3>people into the conversation that I never even fucking mentioned.

1:18:33.400 --> 1:18:35.760
<v Speaker 3>So he's got nothing to doing. Is what I'm saying

1:18:35.880 --> 1:18:38.240
<v Speaker 3>is you can look at the biggest acts of jingle

1:18:38.280 --> 1:18:42.040
<v Speaker 3>Ball every year, the big ones, not people that big ones. Okay,

1:18:42.360 --> 1:18:45.320
<v Speaker 3>some of them don't continue. I never said one of

1:18:45.360 --> 1:18:49.160
<v Speaker 3>them was a star. But let's go back to the

1:18:49.240 --> 1:18:53.880
<v Speaker 3>Begtail Swift, everybody thirty three.

1:18:54.360 --> 1:18:58.599
<v Speaker 2>All I said was Gracie Abrams Abrams, yep, get Gracie

1:18:58.640 --> 1:19:02.679
<v Speaker 2>Abrams is the new Taylor Swift, mark my words.

1:19:02.680 --> 1:19:05.080
<v Speaker 3>In a few years. Yes, Chapel Roane is going to

1:19:05.120 --> 1:19:05.760
<v Speaker 3>be on that level.

1:19:06.000 --> 1:19:08.000
<v Speaker 2>And as I said in a previous episode of The

1:19:08.040 --> 1:19:12.080
<v Speaker 2>Book and Boys podcast Sabrina Carpenter, They're all on that trajectory.

1:19:12.320 --> 1:19:12.680
<v Speaker 3>They are.

1:19:13.840 --> 1:19:17.719
<v Speaker 2>But I'm not saying I didn't mention Shaboozie. I didn't

1:19:17.840 --> 1:19:20.599
<v Speaker 2>mention you know, any of these other artists that performed

1:19:20.680 --> 1:19:21.120
<v Speaker 2>last night.

1:19:21.240 --> 1:19:23.559
<v Speaker 3>I didn't bring up Shaboozie as a director. I'm saying

1:19:24.080 --> 1:19:26.679
<v Speaker 3>people are excited about Shaboozi now. People are excited about

1:19:26.680 --> 1:19:27.680
<v Speaker 3>Gracie Abrams, right.

1:19:27.840 --> 1:19:31.680
<v Speaker 2>But I'm making the distinction that, yes, they they're excited now,

1:19:31.800 --> 1:19:34.000
<v Speaker 2>but they will be excited in the future based on

1:19:34.120 --> 1:19:34.439
<v Speaker 2>what I.

1:19:34.600 --> 1:19:37.880
<v Speaker 3>Saw last night. Gracie is very talented. I hope she

1:19:38.000 --> 1:19:41.000
<v Speaker 3>does very well. But you gotta stop making everybody the

1:19:41.040 --> 1:19:41.479
<v Speaker 3>next Tailors.

1:19:41.800 --> 1:19:44.240
<v Speaker 2>Girls are passionate about her. Do you know how many

1:19:44.320 --> 1:19:47.120
<v Speaker 2>Next Beatles there were? Oh, they're the next Beatles, They're

1:19:47.160 --> 1:19:50.320
<v Speaker 2>the next Beatles. It doesn't happen that often. The next

1:19:50.400 --> 1:19:55.599
<v Speaker 2>Michael Jackson, when the next Prince. It's not The lyrics

1:19:55.640 --> 1:19:58.599
<v Speaker 2>are relatable and she I'm telling you but she's got

1:19:58.680 --> 1:20:00.439
<v Speaker 2>to be able to grow with her audience and release

1:20:00.720 --> 1:20:05.559
<v Speaker 2>relative relevant, relatable lyrics every year, for year after year,

1:20:05.600 --> 1:20:05.960
<v Speaker 2>off the year.

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<v Speaker 3>Dude, Taylor Swift's been doing this since two thousand and eight.

1:20:08.560 --> 1:20:12.920
<v Speaker 3>All right, that's all. I wish Gracey Abrams the best

1:20:12.920 --> 1:20:14.320
<v Speaker 3>of luck. But you get it, you got you jump

1:20:14.360 --> 1:20:18.040
<v Speaker 3>on these bandwagons awfully fast, because I know I know what.

1:20:18.120 --> 1:20:20.200
<v Speaker 3>I know what I saw last night at the garden.

1:20:20.520 --> 1:20:23.599
<v Speaker 3>I know what I saw. Okay, gun to your head, slices.

1:20:23.680 --> 1:20:26.839
<v Speaker 3>We're recording this in a year from now. Who's bigger,

1:20:28.360 --> 1:20:34.680
<v Speaker 3>Serena Carpenter Gracey Abrams two years from now? All right, No,

1:20:34.720 --> 1:20:40.040
<v Speaker 3>I'm asking who's bigger of the two of them, Sabrina.

1:20:41.200 --> 1:20:49.559
<v Speaker 3>Interesting boys, boys,