1 00:00:00,480 --> 00:00:00,960 Speaker 1: Celebrity. 2 00:00:09,840 --> 00:00:12,360 Speaker 2: Good afternoon, madam. Can I show you a selection of 3 00:00:12,400 --> 00:00:13,640 Speaker 2: our finest jewelry. 4 00:00:13,920 --> 00:00:19,000 Speaker 1: Absolutely. My husband is insisting on treating me for my 5 00:00:19,120 --> 00:00:23,360 Speaker 1: upcoming birthday. He wants to get me a ring or 6 00:00:23,360 --> 00:00:25,360 Speaker 1: maybe a diamond bracelet. 7 00:00:25,480 --> 00:00:28,760 Speaker 2: Oh, well, your husband has wonderful taste. I can see 8 00:00:28,960 --> 00:00:33,000 Speaker 2: you're quite an elegant, charming young woman. Of course you 9 00:00:33,080 --> 00:00:34,720 Speaker 2: must be turning twenty seven. 10 00:00:36,720 --> 00:00:40,920 Speaker 1: Please, I wish hike up a little farther. But yes, 11 00:00:41,159 --> 00:00:45,280 Speaker 1: my husband is an important surgeon and he loves me. 12 00:00:45,640 --> 00:00:49,680 Speaker 2: Well. Here at Bland Clapfuls in Saint Louis, we have 13 00:00:49,800 --> 00:00:54,440 Speaker 2: only the finest diamonds, emeralds, rubies, gold, silver, and platinum wears. 14 00:00:54,600 --> 00:00:57,920 Speaker 1: What if we started with, I don't know, some platinum rings. 15 00:00:58,240 --> 00:01:02,320 Speaker 2: That sounds beautiful for with your alabaster skin tone. Let 16 00:01:02,320 --> 00:01:04,080 Speaker 2: me get out a tray full of rings. 17 00:01:06,160 --> 00:01:09,280 Speaker 1: Oh you look like you like jazz. 18 00:01:09,880 --> 00:01:14,000 Speaker 2: Oh my, how did you know? Yes? I actually just 19 00:01:14,040 --> 00:01:17,720 Speaker 2: went into a fabulous performance last night at Old Busters 20 00:01:17,800 --> 00:01:19,680 Speaker 2: down on Seventeenth Lane. 21 00:01:19,959 --> 00:01:23,040 Speaker 1: Oh, old Busters, that's so funny. That's where my husband 22 00:01:23,680 --> 00:01:28,240 Speaker 1: had our second date. And I said, okay, this guy, 23 00:01:28,640 --> 00:01:29,360 Speaker 1: he's all right. 24 00:01:29,520 --> 00:01:33,280 Speaker 2: Oh god, you are so disarming young lady. Oh here, 25 00:01:33,360 --> 00:01:35,120 Speaker 2: let me get another tray of rings for you to 26 00:01:35,160 --> 00:01:35,600 Speaker 2: try on. 27 00:01:36,160 --> 00:01:39,559 Speaker 1: Oh perfect, Do you want sliding? Let me just slide. 28 00:01:39,600 --> 00:01:44,880 Speaker 1: I want to compare. See. I love the circle cut. 29 00:01:45,080 --> 00:01:49,320 Speaker 1: But don't you think the quadruple cut makes my ring 30 00:01:49,680 --> 00:01:51,760 Speaker 1: fingerlook center? Oh? 31 00:01:51,840 --> 00:01:54,880 Speaker 2: Absolutely, yes, the African blood cut looks incredible on your 32 00:01:54,880 --> 00:02:00,880 Speaker 2: middle finger. And oh yeah, but why don't you try this? Yes? Yes, wait, 33 00:02:00,920 --> 00:02:04,080 Speaker 2: let me get one of our seventeen string emeralds. Oh 34 00:02:04,160 --> 00:02:05,280 Speaker 2: my goodness, Oh. 35 00:02:05,200 --> 00:02:08,320 Speaker 1: My god, it looks amazing. I mean honestly, he got 36 00:02:08,360 --> 00:02:11,160 Speaker 1: me a pretty small Christmas present. Maybe I can persuade 37 00:02:11,240 --> 00:02:13,000 Speaker 1: him to get me too. 38 00:02:14,040 --> 00:02:16,720 Speaker 2: Yes, we wouldn't want to have your husband not be 39 00:02:16,840 --> 00:02:18,760 Speaker 2: satisfied in the doghouse. 40 00:02:18,919 --> 00:02:24,000 Speaker 1: Yes, I make him a chicken pot pie, extra chicken, 41 00:02:24,120 --> 00:02:26,320 Speaker 1: extra cream every Friday night. 42 00:02:26,480 --> 00:02:29,639 Speaker 2: Oh my god, I my daughter just came home from 43 00:02:30,040 --> 00:02:32,720 Speaker 2: university and made its chicken pot pie last Friday. That's 44 00:02:32,760 --> 00:02:33,359 Speaker 2: so relateable. 45 00:02:33,480 --> 00:02:36,480 Speaker 1: You're a mother, but you look so young. She's in college. 46 00:02:36,520 --> 00:02:37,160 Speaker 1: It couldn't be. 47 00:02:38,000 --> 00:02:40,440 Speaker 2: Oh, oh god, you flatter me too much. 48 00:02:40,520 --> 00:02:43,359 Speaker 1: I oh no, I'll have to give you my recipe 49 00:02:43,360 --> 00:02:45,440 Speaker 1: for chicken pot pie. She'll love it now. 50 00:02:45,760 --> 00:02:49,280 Speaker 2: I seem to have forgotten. How many rings have you tried? Oh? 51 00:02:49,360 --> 00:02:52,000 Speaker 1: I just tried on the two, and I don't think 52 00:02:52,080 --> 00:02:55,320 Speaker 1: the bracelet is for me, so I'll just give you 53 00:02:55,360 --> 00:02:57,760 Speaker 1: this one back. And I do think I need to 54 00:02:57,800 --> 00:03:01,200 Speaker 1: come back with my husband. I'm a decisive woman, but 55 00:03:02,160 --> 00:03:04,320 Speaker 1: he does call the shots and I kind of like it. 56 00:03:04,919 --> 00:03:07,000 Speaker 2: Oh dear, let me just get you one more tray 57 00:03:07,040 --> 00:03:09,519 Speaker 2: of our most magnificent jewels to try on very quickly. 58 00:03:09,639 --> 00:03:12,160 Speaker 2: Oh hold on, Oh no, my boss is ringing the 59 00:03:12,200 --> 00:03:15,320 Speaker 2: phone and sending letters and telling me there's a carry 60 00:03:15,360 --> 00:03:17,799 Speaker 2: pigeon on their way. Oh god, I'm so flustered. Here. Wait, 61 00:03:17,880 --> 00:03:19,120 Speaker 2: just try on these jewels quickly. 62 00:03:20,000 --> 00:03:22,679 Speaker 1: Down, It's okay. 63 00:03:22,280 --> 00:03:24,840 Speaker 2: Okay, Oh you're right. Oh god, you really disarmed me. 64 00:03:25,400 --> 00:03:27,760 Speaker 2: Well I have to be closing up shop. But are 65 00:03:27,800 --> 00:03:29,840 Speaker 2: you willing to make a purchase or I. 66 00:03:29,800 --> 00:03:34,120 Speaker 1: Just Oh, I forgot my check book. I left it 67 00:03:34,240 --> 00:03:40,080 Speaker 1: at the butchers. See I was buying ribs. Oh god, 68 00:03:40,120 --> 00:03:42,600 Speaker 1: I love to make for my husbands. He loves ribs, 69 00:03:42,600 --> 00:03:47,920 Speaker 1: and again he gets what he wants. Look, I'm gonna 70 00:03:47,960 --> 00:03:50,600 Speaker 1: go home, make him him ribs, sweeten him up, and 71 00:03:50,640 --> 00:03:54,040 Speaker 1: then we're gonna come here tomorrow at open and choose 72 00:03:54,600 --> 00:03:58,160 Speaker 1: whatever he wants to buy. You've been such a doll. 73 00:03:58,360 --> 00:04:01,680 Speaker 2: I trust you with my life for some reason. Thank 74 00:04:01,720 --> 00:04:04,880 Speaker 2: you so much, and I'm sure i'll see you tomorrow. 75 00:04:04,960 --> 00:04:07,040 Speaker 2: I have no doubt in my mind that you'll be back. 76 00:04:07,280 --> 00:04:09,960 Speaker 1: You have a good evening, ma'am, and thank you again. 77 00:04:10,240 --> 00:04:12,800 Speaker 2: Oh oh gosh, no, I have all these trays out. 78 00:04:12,840 --> 00:04:16,279 Speaker 2: Oh goodness about my boss? Isn't upset with me? Way, 79 00:04:16,360 --> 00:04:21,080 Speaker 2: I've made a mess of the inventory. Wait a minute, 80 00:04:22,160 --> 00:04:28,680 Speaker 2: where did the double ruby crusted emerald inlaid long form 81 00:04:28,800 --> 00:04:32,800 Speaker 2: watch go? That was our most expensive watch. My that 82 00:04:32,880 --> 00:04:36,000 Speaker 2: must have cost fifty five thousand dollars. Why did I 83 00:04:36,040 --> 00:04:45,159 Speaker 2: misplace it? Oh? No, sir? 84 00:04:45,480 --> 00:04:48,360 Speaker 1: Can I have a one way ticket to Cleveland on 85 00:04:48,400 --> 00:04:56,960 Speaker 1: your Greyhound bus leaving at eight forty five? I'll pay cash. 86 00:04:58,360 --> 00:05:01,120 Speaker 2: Who's that knocking at the door. It's all your friends, 87 00:05:01,160 --> 00:05:04,160 Speaker 2: your filthy horse, Your husband's gone, and you've got books 88 00:05:04,160 --> 00:05:07,800 Speaker 2: and a bottle of wine to kill. It's Hollywood, it's books, 89 00:05:07,960 --> 00:05:15,200 Speaker 2: it's gossip. I'm sure it's memoirs Martini. Celebrity Puff Club 90 00:05:15,920 --> 00:05:17,360 Speaker 2: to read it while it's hot. 91 00:05:17,920 --> 00:05:24,000 Speaker 1: Celebrity Puff Club, Tell your secrets. We won't talk celebrity books. 92 00:05:24,000 --> 00:05:28,760 Speaker 2: No boys are a loud Celet say it loud and 93 00:05:28,920 --> 00:05:30,920 Speaker 2: pounds celebrity book club. 94 00:05:31,720 --> 00:05:35,440 Speaker 1: Buzz me in. I brought the queer voe. Hello, Hello, 95 00:05:35,880 --> 00:05:38,679 Speaker 1: best friend or so called best friend. 96 00:05:38,800 --> 00:05:40,600 Speaker 2: Mm hm, So I could see you in this part 97 00:05:40,600 --> 00:05:43,320 Speaker 2: of town, the Diamond Distract. 98 00:05:44,560 --> 00:05:50,880 Speaker 1: It's so nice how we record near Harry Winston's, near Tiffany's, 99 00:05:50,920 --> 00:05:55,080 Speaker 1: the Great department store, Bergdorfs. 100 00:05:53,960 --> 00:06:02,000 Speaker 2: Van Arpfel's, Cartier Bulgarie, David Yerman Swarovski. 101 00:06:03,480 --> 00:06:07,880 Speaker 1: My girlfriend didn't know like who David Yeerman was. 102 00:06:08,040 --> 00:06:10,640 Speaker 2: So iconic of her living under the rock. I mean, 103 00:06:10,920 --> 00:06:13,520 Speaker 2: I guess David Yrman is not iconic because it's more 104 00:06:13,600 --> 00:06:16,120 Speaker 2: just like Billboard in nineties and like K Moss and. 105 00:06:16,320 --> 00:06:18,279 Speaker 1: Yeah, I think of it as one of like the 106 00:06:18,480 --> 00:06:21,520 Speaker 1: iconic kind of advertised jewelers. But no one said, for like, ugh, 107 00:06:22,120 --> 00:06:23,400 Speaker 1: he got me a David Yeerman. 108 00:06:23,640 --> 00:06:26,800 Speaker 2: No I know anyone who's ever like been gifted something 109 00:06:26,839 --> 00:06:27,120 Speaker 2: from K. 110 00:06:28,760 --> 00:06:32,400 Speaker 1: I truly gifted something from cakes. We talked about K Jewelers. 111 00:06:32,440 --> 00:06:33,440 Speaker 1: It was a huge part of our. 112 00:06:33,440 --> 00:06:35,280 Speaker 2: Childhood, right every guess because. 113 00:06:35,040 --> 00:06:40,080 Speaker 1: Of Kay thinking thinking, no, what about what's the other sales? 114 00:06:40,120 --> 00:06:41,560 Speaker 1: Do you know anyone who's gotten something. 115 00:06:41,360 --> 00:06:44,000 Speaker 2: From is that one time when I remember I bought 116 00:06:44,000 --> 00:06:47,760 Speaker 2: that cubic Sirconia ring at the QVC studios in Western 117 00:06:47,839 --> 00:06:50,640 Speaker 2: Pennsylvania when we took that crazy road trip there and. 118 00:06:50,560 --> 00:06:53,480 Speaker 1: He took twenties crazy road trip to QBC where I 119 00:06:53,520 --> 00:06:56,520 Speaker 1: got bad bugs. We went to Atlantic City and then 120 00:06:56,560 --> 00:06:59,320 Speaker 1: we ended up at the QVC studios. 121 00:06:58,880 --> 00:07:01,960 Speaker 2: And I did pass out in my sob after vomiting 122 00:07:02,000 --> 00:07:05,800 Speaker 2: into a trash can, and I made you and R 123 00:07:05,839 --> 00:07:07,560 Speaker 2: fell asleep in the backseat. 124 00:07:07,560 --> 00:07:10,320 Speaker 1: In your tiny sub and it was really cool because 125 00:07:10,360 --> 00:07:14,240 Speaker 1: it was like you are so like old fashioned race 126 00:07:14,360 --> 00:07:18,040 Speaker 1: car and you drive stick so like none of us 127 00:07:18,160 --> 00:07:18,760 Speaker 1: could drive. 128 00:07:19,280 --> 00:07:23,160 Speaker 2: Literally, none of my girlies could do like draft your girls. 129 00:07:23,240 --> 00:07:25,920 Speaker 1: Okay. I also remember you and arabellaing so twisted that 130 00:07:26,000 --> 00:07:29,160 Speaker 1: dripe and you guys were like so into cigarettes and 131 00:07:29,200 --> 00:07:32,760 Speaker 1: we're like, let's close the windows and smoke in the sob. 132 00:07:33,200 --> 00:07:37,440 Speaker 1: And I was like you and you're like, come on, Lily, 133 00:07:38,000 --> 00:07:40,160 Speaker 1: close the windows, let's smoke. 134 00:07:40,720 --> 00:07:42,920 Speaker 2: We were young, we were into smoking. We didn't know 135 00:07:42,920 --> 00:07:44,760 Speaker 2: about cancer night i'n't been discovered yet. 136 00:07:44,800 --> 00:07:47,840 Speaker 1: It was the forty nineteen forty two. And also not 137 00:07:47,880 --> 00:07:50,400 Speaker 1: even like hot boxing. We just hot boxing, like around 138 00:07:50,640 --> 00:07:52,520 Speaker 1: cigarette smoke, like the Parliament lights. 139 00:07:52,600 --> 00:07:55,240 Speaker 2: Anyway, the reason we're talking about jewels and thievery and 140 00:07:55,320 --> 00:07:58,640 Speaker 2: hidrinks and casinos and casinos and driving. We read a 141 00:07:59,200 --> 00:08:03,520 Speaker 2: really crazy, the fabulous iconic memoirs. 142 00:08:02,520 --> 00:08:07,080 Speaker 1: Such an iconic book. Like every page you're just like 143 00:08:07,480 --> 00:08:09,239 Speaker 1: gold away. 144 00:08:09,880 --> 00:08:12,320 Speaker 2: It's kind of giving like beet red vibes because you 145 00:08:12,400 --> 00:08:14,520 Speaker 2: just are like, I'm not putting this down. It's fun 146 00:08:15,000 --> 00:08:17,680 Speaker 2: you dive right end or so much plot happening. 147 00:08:17,840 --> 00:08:20,560 Speaker 1: It's conversational, it's international. 148 00:08:20,920 --> 00:08:26,400 Speaker 2: Yeah, it's got like Tokyo, Paris, Italy, Coke, Cleveland. It's 149 00:08:26,440 --> 00:08:32,120 Speaker 2: got diamonds, it's got like death, it's got affairs, it's 150 00:08:32,120 --> 00:08:36,600 Speaker 2: got a beautiful and it's got tons of like jewel. 151 00:08:36,360 --> 00:08:39,160 Speaker 1: Heists, like who heists anymore? 152 00:08:39,240 --> 00:08:41,079 Speaker 2: Literally, no one heists, and we'll get it. 153 00:08:41,320 --> 00:08:43,880 Speaker 1: We'll get into win. No one can heist. We read 154 00:08:44,360 --> 00:08:44,960 Speaker 1: You may have. 155 00:08:44,880 --> 00:08:47,880 Speaker 2: Not heard of you, probably because I certainly happened. You 156 00:08:47,920 --> 00:08:49,400 Speaker 2: told me about her like a few weeks ago. 157 00:08:49,320 --> 00:08:52,560 Speaker 1: And I only found out about hers because I literally 158 00:08:52,559 --> 00:08:54,360 Speaker 1: just saw this book in Parns and Noble in the 159 00:08:54,400 --> 00:08:55,520 Speaker 1: crime section, and I was. 160 00:08:55,640 --> 00:08:58,840 Speaker 3: And this is why we need to save our locals 161 00:08:58,920 --> 00:09:00,040 Speaker 3: and mortar. 162 00:08:59,840 --> 00:09:02,320 Speaker 2: Because you just have that interaction, that sense of discovery 163 00:09:02,320 --> 00:09:03,760 Speaker 2: that you're just not going to get on Amazon. 164 00:09:04,040 --> 00:09:06,440 Speaker 1: No, you're not gonna be like, oh, let me search 165 00:09:06,800 --> 00:09:09,320 Speaker 1: iconic black jewel thieves. 166 00:09:09,520 --> 00:09:14,720 Speaker 2: Anyway. The book is called Diamond Doris by by Doris Pain, 167 00:09:15,400 --> 00:09:20,400 Speaker 2: the most notorious jewel thief in the history of the world, truly. 168 00:09:20,679 --> 00:09:22,800 Speaker 1: Yeah, sorry, name someone else. 169 00:09:24,000 --> 00:09:27,880 Speaker 2: She's like this fabulous, glamorous, thin black woman from like 170 00:09:27,960 --> 00:09:31,560 Speaker 2: the sixties but also from now because she's literally like 171 00:09:31,640 --> 00:09:34,439 Speaker 2: and she's one hundred and she like just got busted 172 00:09:34,480 --> 00:09:36,120 Speaker 2: like five years ago for. 173 00:09:36,240 --> 00:09:39,520 Speaker 1: Like stealing like a two thousand dollars bracelet from like 174 00:09:39,559 --> 00:09:41,240 Speaker 1: the most like random. 175 00:09:40,800 --> 00:09:43,960 Speaker 2: Mall in Atlanta, but she's like still boosting at ninety. 176 00:09:44,120 --> 00:09:47,600 Speaker 2: Like she is truly iconic her philosophy. 177 00:09:48,200 --> 00:09:50,760 Speaker 1: I kind of just to start out with about like stealing, 178 00:09:50,840 --> 00:09:54,120 Speaker 1: I find so like fabulous because she's stealing like. 179 00:09:54,520 --> 00:09:57,120 Speaker 2: Jewels, and her whole thing is that she's not being 180 00:09:57,320 --> 00:10:02,200 Speaker 2: so like Ocean's eleven and like and hacking. Her whole 181 00:10:02,240 --> 00:10:06,160 Speaker 2: thing is it's all very pre tech, pre technology, pre surveillance. 182 00:10:06,760 --> 00:10:09,760 Speaker 2: She walks into jewelry stores dressed as a fabulous rich woman. 183 00:10:10,320 --> 00:10:14,640 Speaker 2: She then like sweet, she sweet talks the jewelers and 184 00:10:14,720 --> 00:10:18,400 Speaker 2: her two favorite words that use are confusion and familiarity. 185 00:10:18,520 --> 00:10:21,280 Speaker 2: Get familiar with them, charm them, and then confuse them. 186 00:10:21,360 --> 00:10:23,040 Speaker 1: We're confused in the mix. 187 00:10:22,880 --> 00:10:25,400 Speaker 2: Bringing out so many different trays of rings and bracelets 188 00:10:25,400 --> 00:10:27,040 Speaker 2: and washes, and you're trying on so many things that 189 00:10:27,080 --> 00:10:28,960 Speaker 2: they kind of forget how many things are trying and 190 00:10:29,000 --> 00:10:30,760 Speaker 2: how many things were wearing when you came in. 191 00:10:31,280 --> 00:10:34,240 Speaker 1: And then you like switch out stuff. Well also you 192 00:10:34,280 --> 00:10:36,920 Speaker 1: always have to like come in wearing a lot of jewelry, 193 00:10:37,800 --> 00:10:40,280 Speaker 1: and then you confuse them and you have them talking 194 00:10:40,280 --> 00:10:43,800 Speaker 1: about jazz and Count Basie and their children. 195 00:10:43,600 --> 00:10:45,200 Speaker 2: And you're putting on so many different rings, and then 196 00:10:45,200 --> 00:10:47,160 Speaker 2: it's closing time and then they're like switching with their 197 00:10:47,160 --> 00:10:48,640 Speaker 2: other partners and they need to take a smok break. 198 00:10:48,640 --> 00:10:50,840 Speaker 2: And then you're just like, well, I'll be back tomorrow 199 00:10:50,880 --> 00:10:53,600 Speaker 2: and my husband and will come with his big fat 200 00:10:53,840 --> 00:10:56,800 Speaker 2: like bag of cash, and they're like, okay, little lady, 201 00:10:56,880 --> 00:10:59,600 Speaker 2: I would never suspect that she would do anything. 202 00:10:59,720 --> 00:11:01,920 Speaker 1: It'll relies a lot on the culture of like the 203 00:11:01,960 --> 00:11:04,880 Speaker 1: sixties and fifties and seventies of just like a woman 204 00:11:04,920 --> 00:11:06,960 Speaker 1: wouldn't be buying Jules. 205 00:11:06,640 --> 00:11:10,640 Speaker 2: Person the way you said the sixties, the fifties and 206 00:11:10,720 --> 00:11:14,080 Speaker 2: the seventies, when we're calling the sixties sandwich. 207 00:11:13,760 --> 00:11:15,240 Speaker 1: Would you flip back and forth? 208 00:11:15,720 --> 00:11:18,840 Speaker 2: But yeah, and she's like both. Her race is obviously 209 00:11:18,920 --> 00:11:22,720 Speaker 2: a disadvantage in many ways, but then it's also really 210 00:11:22,720 --> 00:11:25,760 Speaker 2: taking people by surprise because they've like never seen a 211 00:11:25,840 --> 00:11:29,160 Speaker 2: rich black woman like walking into the department store, right. 212 00:11:29,040 --> 00:11:31,040 Speaker 1: Which then a little bit works for revenge because then 213 00:11:31,040 --> 00:11:34,560 Speaker 1: they're like, oh, well, she actually must be so rich. 214 00:11:34,679 --> 00:11:37,439 Speaker 2: They're always just like, oh, she's literally a celebrity, and 215 00:11:37,440 --> 00:11:40,920 Speaker 2: they're always and because it's so like pre photos, like 216 00:11:41,400 --> 00:11:44,720 Speaker 2: you just you don't know who anyone anywhere. No, it's crazy. 217 00:11:44,800 --> 00:11:48,440 Speaker 2: Up until like nineteen eighty four, it's just basically the 218 00:11:48,440 --> 00:11:52,640 Speaker 2: fourteen hundreds, Like you could be Casanova walking into like Vienna, 219 00:11:52,679 --> 00:11:55,199 Speaker 2: and you can just be like, I'm actually like the 220 00:11:55,240 --> 00:11:58,240 Speaker 2: Pope and people like, oh, okay, we'll believe you because 221 00:11:58,240 --> 00:12:00,720 Speaker 2: we've never seen a photograph before anyone. 222 00:12:00,920 --> 00:12:03,319 Speaker 1: And it's like there are security cameras, but they're also 223 00:12:03,440 --> 00:12:05,240 Speaker 1: like done on reel to reel. 224 00:12:06,240 --> 00:12:08,880 Speaker 2: And you're just like seeing the blurry back of someone 225 00:12:09,000 --> 00:12:11,559 Speaker 2: from thirty feet away and anyone. 226 00:12:11,360 --> 00:12:13,560 Speaker 1: And she lived in an era where you truly still 227 00:12:13,559 --> 00:12:16,439 Speaker 1: could just like put on a trench coat and sunglasses 228 00:12:16,480 --> 00:12:20,560 Speaker 1: and like murder assassinate steel jewels and like get away 229 00:12:20,600 --> 00:12:23,960 Speaker 1: with it because you're like I'm in huge sunglasses, deal 230 00:12:24,040 --> 00:12:24,600 Speaker 1: with it. 231 00:12:24,440 --> 00:12:25,760 Speaker 2: It was an iconic time. 232 00:12:26,840 --> 00:12:29,960 Speaker 1: Yeah. I was screaming during this book, being like, you 233 00:12:30,000 --> 00:12:32,600 Speaker 1: can't do this anymore. I mean she still is, but 234 00:12:32,720 --> 00:12:35,320 Speaker 1: like I feel like is getting caught because it is 235 00:12:35,400 --> 00:12:37,360 Speaker 1: just so much more like mal security guard. 236 00:12:37,760 --> 00:12:40,959 Speaker 2: I mean, you can and you can't. Like I think 237 00:12:40,960 --> 00:12:44,000 Speaker 2: we both shop lift like sometimes, and I know we 238 00:12:44,080 --> 00:12:45,640 Speaker 2: have done a lot more in the past. It was 239 00:12:45,679 --> 00:12:48,600 Speaker 2: Inner twenty Yeah, but I still, you know, with our 240 00:12:48,679 --> 00:12:51,360 Speaker 2: white prif with our weight privilege, Like you know, I'll 241 00:12:51,400 --> 00:12:55,200 Speaker 2: take water bottles and magazines from Hudson Newses at airports 242 00:12:55,240 --> 00:12:59,960 Speaker 2: all the time because it's so Doris Pain. I boosted 243 00:13:00,480 --> 00:13:03,800 Speaker 2: tens of dollars worth of duck wraps because no one's 244 00:13:03,800 --> 00:13:05,560 Speaker 2: really paying attention. And then you're just on a plane 245 00:13:05,600 --> 00:13:07,280 Speaker 2: and you're literally out of town. 246 00:13:08,160 --> 00:13:10,800 Speaker 1: Well it's funny because when I saw this book just 247 00:13:10,840 --> 00:13:13,720 Speaker 1: at the Barnes and Noble, and that same day you 248 00:13:13,800 --> 00:13:18,040 Speaker 1: told me to boost the Lana book and I did 249 00:13:18,040 --> 00:13:21,360 Speaker 1: get like too nervous, and I should have charmed and confused. 250 00:13:21,400 --> 00:13:24,080 Speaker 1: But I saw the security guy just like and it 251 00:13:24,160 --> 00:13:27,120 Speaker 1: was empty, and I was like, I'm afraid. I hadn't 252 00:13:27,240 --> 00:13:29,840 Speaker 1: read the Doors book, so I didn't know to charm. 253 00:13:30,200 --> 00:13:33,280 Speaker 2: I think I accidentally recently boosted like the Andy Cohen 254 00:13:33,280 --> 00:13:35,520 Speaker 2: book or something from Barnes, because I was like talking 255 00:13:35,559 --> 00:13:37,319 Speaker 2: on my phone and so distracted. 256 00:13:37,760 --> 00:13:40,880 Speaker 1: I'm like, oops, I think I recently boosted a dye 257 00:13:41,000 --> 00:13:43,400 Speaker 1: coke and I hadn't stole something in a really long 258 00:13:43,440 --> 00:13:48,480 Speaker 1: time icon literally twenty ounce. You know, this is the 259 00:13:48,480 --> 00:13:52,040 Speaker 1: way the only way I steal drinking something in write 260 00:13:52,080 --> 00:13:55,360 Speaker 1: A or Walgreens. Wow, you pick up a prescription, oh 261 00:13:55,440 --> 00:13:57,760 Speaker 1: for sure, so they already think and then you walk 262 00:13:57,760 --> 00:14:00,600 Speaker 1: out and you're like, oh, well, I have my prescriptions, so. 263 00:14:00,559 --> 00:14:02,080 Speaker 2: I just gotta get my description. 264 00:14:03,360 --> 00:14:05,400 Speaker 1: Sorry, I need my cholesterol modication. 265 00:14:05,640 --> 00:14:07,040 Speaker 2: I need my Staten's darling. 266 00:14:07,160 --> 00:14:10,160 Speaker 1: Okay, So Dora's Pain. She grows up. 267 00:14:10,120 --> 00:14:12,720 Speaker 2: In West Virginia coal mining country. 268 00:14:12,840 --> 00:14:19,960 Speaker 1: Her father was like deeply abautive and would always beat 269 00:14:19,960 --> 00:14:22,840 Speaker 1: her mother, and she like hated to see it, and. 270 00:14:22,800 --> 00:14:26,360 Speaker 2: Like she had that imaginary husband that she would be 271 00:14:26,600 --> 00:14:29,560 Speaker 2: on as a way to like repair the damnage her 272 00:14:29,600 --> 00:14:31,080 Speaker 2: dad was doing. So she would have her like little 273 00:14:31,120 --> 00:14:33,400 Speaker 2: like playhouse in the backyard, and she had her fake 274 00:14:33,440 --> 00:14:37,280 Speaker 2: husband named Vernon, and she would be like beating Vernon 275 00:14:37,360 --> 00:14:39,640 Speaker 2: up to kind of get payback on her dad, which 276 00:14:39,680 --> 00:14:42,640 Speaker 2: is so sad but beautiful that the child is creating 277 00:14:42,720 --> 00:14:46,360 Speaker 2: this life to kind of to solve the trauma. We 278 00:14:46,520 --> 00:14:48,760 Speaker 2: also the part where like there's obviously a gig guy 279 00:14:48,800 --> 00:14:51,080 Speaker 2: in the town and she's like, I knew he wasn't 280 00:14:51,080 --> 00:14:53,320 Speaker 2: interested in women, and he was doing my mom. He 281 00:14:53,360 --> 00:14:55,680 Speaker 2: was like brushing my mom's hair and they were having 282 00:14:55,760 --> 00:14:56,840 Speaker 2: such like girl gay. 283 00:14:56,680 --> 00:14:58,840 Speaker 1: Time and the dad was so jealous and she. 284 00:14:58,760 --> 00:15:00,480 Speaker 2: Was and like beat the mom for hanging out with 285 00:15:00,480 --> 00:15:04,800 Speaker 2: the gega. Dad is totally toxic the dad for dad's canceled. 286 00:15:05,000 --> 00:15:07,520 Speaker 1: The dad is absolutely canceled, So just know that. But anyways, 287 00:15:07,560 --> 00:15:10,680 Speaker 1: finally one day, her dad is beating her mom and 288 00:15:10,720 --> 00:15:12,480 Speaker 1: she throws my. 289 00:15:12,520 --> 00:15:15,320 Speaker 2: Right su pot of beans. Oh it was a pot 290 00:15:15,520 --> 00:15:18,640 Speaker 2: of So she finally gets back at her dad and 291 00:15:18,680 --> 00:15:20,360 Speaker 2: her dad is like beating on her mom and she 292 00:15:20,400 --> 00:15:23,080 Speaker 2: gets this pot of beans off the stove. I ran 293 00:15:23,080 --> 00:15:25,000 Speaker 2: at my father and beat at his pant leg he 294 00:15:25,160 --> 00:15:27,920 Speaker 2: was such a large man. I was just as scrawny 295 00:15:28,000 --> 00:15:30,320 Speaker 2: little dink, as my father called me. And then the 296 00:15:30,360 --> 00:15:31,720 Speaker 2: whole rest of the book, her mom's always. 297 00:15:31,520 --> 00:15:34,040 Speaker 1: Calling her dank, and she's like, dank, is that you 298 00:15:34,280 --> 00:15:39,840 Speaker 1: her little scrab Yeah, she's like, yeah, I'm so thill. 299 00:15:40,560 --> 00:15:43,520 Speaker 2: One of our favorite tropes of literally every single memory 300 00:15:43,520 --> 00:15:46,560 Speaker 2: we've ever read is the celebrity in question finds a 301 00:15:46,600 --> 00:15:50,240 Speaker 2: way to insert that they were so skinny as a child, 302 00:15:50,640 --> 00:15:52,400 Speaker 2: and then it was actually like really hard for them 303 00:15:52,440 --> 00:15:54,880 Speaker 2: to be so tiny and skinny and have like huge 304 00:15:55,080 --> 00:15:56,920 Speaker 2: beautiful breasts but also be tiny. 305 00:15:57,000 --> 00:15:59,520 Speaker 1: Well, I will say, like in the fifties, it was 306 00:15:59,640 --> 00:16:01,840 Speaker 1: more like you were supposed to have a little more 307 00:16:01,840 --> 00:16:03,600 Speaker 1: of like a bottle bang, bottle boom. 308 00:16:03,880 --> 00:16:05,480 Speaker 2: I mean, you're body curveer. 309 00:16:05,720 --> 00:16:07,120 Speaker 1: People liked curvier. 310 00:16:07,440 --> 00:16:09,440 Speaker 2: Well. I mean, this always goes back to that classic 311 00:16:09,440 --> 00:16:11,720 Speaker 2: thing where everyone's always like, no one knows this, but 312 00:16:11,760 --> 00:16:15,080 Speaker 2: Marilyn a size twelve. But then they're always like, no 313 00:16:15,120 --> 00:16:16,760 Speaker 2: one knows this, but she was a size four and 314 00:16:16,880 --> 00:16:18,360 Speaker 2: like today's eighteen. 315 00:16:18,120 --> 00:16:22,200 Speaker 1: And everyone's like, no, you go to your local Victoria's Secret, 316 00:16:22,520 --> 00:16:26,160 Speaker 1: And actually a thirty six b is a nineteen fifty 317 00:16:26,200 --> 00:16:29,360 Speaker 1: two thirty six d think on that thread. 318 00:16:29,720 --> 00:16:32,080 Speaker 2: Yeah, I mean, I think the way that the shapes 319 00:16:32,080 --> 00:16:34,560 Speaker 2: of dresses were contoured was being more like waist tits 320 00:16:34,560 --> 00:16:37,120 Speaker 2: and ass like and was less being like athletic and 321 00:16:37,200 --> 00:16:40,600 Speaker 2: Giselle body. However, I think people obviously are like seventy 322 00:16:40,640 --> 00:16:42,160 Speaker 2: eight percent more OBEs now than they were. 323 00:16:42,160 --> 00:16:44,280 Speaker 1: Definitely, because if you go to like I don't know, 324 00:16:44,400 --> 00:16:47,480 Speaker 1: for instance, like a vintage rockabilly store, like and they 325 00:16:47,520 --> 00:16:52,680 Speaker 1: have vintage pieces, like they're tiny, okay and funny because 326 00:16:52,680 --> 00:16:56,760 Speaker 1: doors Pant's mother was a seamstress and like basically, after 327 00:16:56,840 --> 00:16:59,600 Speaker 1: she throws the pot of beans on her dad, like 328 00:16:59,640 --> 00:17:02,040 Speaker 1: she can vinces her mother to like go away to 329 00:17:02,080 --> 00:17:05,440 Speaker 1: take a seamstress job to get away from the abuse. 330 00:17:05,119 --> 00:17:07,200 Speaker 2: Of dad, and she bounces and goes to New York. 331 00:17:07,440 --> 00:17:10,480 Speaker 1: Yeah, and she's like peace. And she's like always on. 332 00:17:10,520 --> 00:17:13,960 Speaker 2: A bus, A lot of bus, a lot of bus. 333 00:17:14,000 --> 00:17:15,520 Speaker 2: So the other funny thing about this book is she's 334 00:17:15,600 --> 00:17:17,960 Speaker 2: traveling the world but then always coming back to Cleveland. 335 00:17:18,160 --> 00:17:20,520 Speaker 1: She's like, well, I got a bus back to Shakela. 336 00:17:20,600 --> 00:17:22,199 Speaker 2: And it's kind of genius because it's like a you 337 00:17:22,200 --> 00:17:24,879 Speaker 2: don't ship where you eat b it's like such a 338 00:17:24,920 --> 00:17:26,760 Speaker 2: low key town, and then she like makes friends with 339 00:17:26,800 --> 00:17:28,960 Speaker 2: all the police and everyone kind of knows she's a 340 00:17:29,000 --> 00:17:31,280 Speaker 2: thief low Key, but they're like, you're fab so we're 341 00:17:31,359 --> 00:17:32,560 Speaker 2: kind of gonna get away with it. 342 00:17:32,640 --> 00:17:34,800 Speaker 1: This whole book, by the way, is everyone just being like, 343 00:17:35,400 --> 00:17:38,280 Speaker 1: at the end of the day, you're fab Like from 344 00:17:38,320 --> 00:17:43,200 Speaker 1: the FBI to like lawyers, police, like literally like the 345 00:17:43,520 --> 00:17:48,000 Speaker 1: Monoco Embassy is like look just like surrender yourself. But 346 00:17:48,080 --> 00:17:50,360 Speaker 1: like ultimately we're gonna really you're gonna be. 347 00:17:50,600 --> 00:17:53,240 Speaker 2: Fabulous because you are fab and like you're the most 348 00:17:53,240 --> 00:17:55,760 Speaker 2: fipulous one we've ever seen. We can't really do anything 349 00:17:55,800 --> 00:17:56,240 Speaker 2: about it. 350 00:17:56,760 --> 00:17:59,719 Speaker 1: So her first heist. 351 00:17:59,480 --> 00:18:01,679 Speaker 2: Yeah, so her very first tyst is with her like 352 00:18:01,720 --> 00:18:05,200 Speaker 2: white friend and she's pretending to beat this girl's nurse 353 00:18:05,240 --> 00:18:08,359 Speaker 2: because at this time, a lot of black women's job 354 00:18:08,560 --> 00:18:12,320 Speaker 2: was like be nurse, nur working at nursing homes. So 355 00:18:12,359 --> 00:18:15,280 Speaker 2: she's with her friend. We took the elevator, jewelry and accessories. 356 00:18:15,320 --> 00:18:17,920 Speaker 2: We kept our arms length. I told her slump over 357 00:18:17,960 --> 00:18:20,520 Speaker 2: a bit and look like one of those wafy Victorian heiresses. 358 00:18:21,200 --> 00:18:23,919 Speaker 2: I put on a stern nurse's face. We walked like 359 00:18:23,920 --> 00:18:25,280 Speaker 2: that up to the jewelery gown, and I spoke for 360 00:18:25,359 --> 00:18:28,720 Speaker 2: my rich sickly patient, good morning, Miss Rockford, would like 361 00:18:28,760 --> 00:18:30,760 Speaker 2: to see your wedding sets. She has soon to be 362 00:18:30,800 --> 00:18:32,440 Speaker 2: married and hopes to have some say over with the 363 00:18:32,480 --> 00:18:35,720 Speaker 2: groom purchases. The clerk was a kind looking older guy. 364 00:18:35,800 --> 00:18:38,879 Speaker 2: He softened even more watching Norma tremble trying on rings. 365 00:18:39,040 --> 00:18:41,160 Speaker 2: I almost cracked up. She was really playing the part. 366 00:18:41,760 --> 00:18:44,680 Speaker 2: Twice he said here, let me help. I was waiting 367 00:18:44,680 --> 00:18:46,639 Speaker 2: for him to say, what's wrong with her? But this 368 00:18:46,720 --> 00:18:49,440 Speaker 2: dude thought whoever was marrying her shaky ass was sure 369 00:18:49,520 --> 00:18:52,119 Speaker 2: doing it for the money. He got to yes, mammon 370 00:18:52,200 --> 00:18:54,160 Speaker 2: and no mammon, and pulling all manner of things out 371 00:18:54,200 --> 00:18:56,840 Speaker 2: the case from my wealthy, young sickly patient, who was 372 00:18:57,000 --> 00:18:59,760 Speaker 2: really a poor white coal miner's daughter. I kept my 373 00:18:59,800 --> 00:19:01,720 Speaker 2: own remember waist and gave her a little tweak to say, 374 00:19:01,760 --> 00:19:05,359 Speaker 2: take the damn thing. We got to go shaky ass 375 00:19:05,400 --> 00:19:08,200 Speaker 2: or shaky ass. And then finally the clerk bent on 376 00:19:08,280 --> 00:19:09,920 Speaker 2: to the case. I said, here, miss Rockford, let me 377 00:19:09,960 --> 00:19:11,720 Speaker 2: help you. I slipped a band in small diamond ring 378 00:19:11,880 --> 00:19:14,600 Speaker 2: wedding ring into her dress pocket. Sorry, sir, we'll have 379 00:19:14,640 --> 00:19:16,919 Speaker 2: to come back tomorrow christ Rockford isn't feeling well and 380 00:19:16,960 --> 00:19:19,359 Speaker 2: then they bounce. So this is the kind of method 381 00:19:19,400 --> 00:19:21,000 Speaker 2: where she slips on the into the pocket, which you 382 00:19:21,040 --> 00:19:24,119 Speaker 2: sometimes do. She does the mix of like wearing rings 383 00:19:24,160 --> 00:19:27,080 Speaker 2: and then like putting gloves on over, which is another 384 00:19:27,080 --> 00:19:29,080 Speaker 2: thing you could really do in the fifties. I can't 385 00:19:29,080 --> 00:19:29,440 Speaker 2: do now. 386 00:19:29,840 --> 00:19:32,679 Speaker 1: Like, Oh, let's say if I walked into foot locker, 387 00:19:33,280 --> 00:19:36,160 Speaker 1: like and I was trying to still sneakers, could I'd 388 00:19:36,160 --> 00:19:39,159 Speaker 1: be like, oh, excuse me while I put on my 389 00:19:39,359 --> 00:19:41,880 Speaker 1: do is you could. 390 00:19:41,680 --> 00:19:45,359 Speaker 2: Put on like like little covid booties over the sneakers, 391 00:19:46,080 --> 00:19:48,600 Speaker 2: Like you walk in wearing those and you're being like, sorry, 392 00:19:48,680 --> 00:19:52,120 Speaker 2: I'm so covid, and then you try on the footlocker sneakers. 393 00:19:52,280 --> 00:19:54,040 Speaker 2: Leave it the booties or. 394 00:19:53,920 --> 00:19:56,880 Speaker 1: Dresses like a physical therapist because they wear those old 395 00:19:56,920 --> 00:19:59,960 Speaker 1: so the booties, yeah, and I'm in the full scrub 396 00:20:01,320 --> 00:20:06,960 Speaker 1: booties over my sneakers. Get the latest new balances. 397 00:20:07,480 --> 00:20:14,640 Speaker 2: Thet you've hit like seventeen foot lockers on the East Coast. 398 00:20:14,560 --> 00:20:17,840 Speaker 1: And they're like, hold on, the five seven fours are missing. 399 00:20:19,040 --> 00:20:20,560 Speaker 1: They weren't even released yet. 400 00:20:21,800 --> 00:20:30,920 Speaker 2: Set book Club, Set book Club, I. 401 00:20:30,880 --> 00:20:33,680 Speaker 1: Thought her first high says when she steals a watch 402 00:20:33,680 --> 00:20:35,960 Speaker 1: from mister Benjamin, who is like the Jewish man. 403 00:20:36,080 --> 00:20:40,119 Speaker 2: Oh wait, so that was her origin? YEA, well she doesn't, actually. 404 00:20:39,920 --> 00:20:42,080 Speaker 1: She really I think she realizes. 405 00:20:42,400 --> 00:20:45,080 Speaker 2: This is the moment she realizes so, And it's very 406 00:20:45,240 --> 00:20:46,720 Speaker 2: like race. 407 00:20:46,400 --> 00:20:49,240 Speaker 1: Dynamics in the fifties, where it's like this like Jewish 408 00:20:49,280 --> 00:20:51,639 Speaker 1: shopkeeper is like so nice to her and her mom, 409 00:20:51,680 --> 00:20:54,160 Speaker 1: and like the dad is always jealous. And then this 410 00:20:54,320 --> 00:20:57,560 Speaker 1: redneck coal miner guy comes in and then the like 411 00:20:58,040 --> 00:20:59,840 Speaker 1: Jewish guy starts being nice to the redneck. 412 00:21:00,440 --> 00:21:04,159 Speaker 2: Is told me her immediately changes and he was letting 413 00:21:04,200 --> 00:21:06,000 Speaker 2: Doris try on to watch and like she's been so 414 00:21:06,160 --> 00:21:09,600 Speaker 2: nighn and being like, hey, mister watch, and then all 415 00:21:09,640 --> 00:21:11,840 Speaker 2: of a sudden, this white kid comes in and he's 416 00:21:11,880 --> 00:21:13,919 Speaker 2: like now run along, now, little girl, and is like 417 00:21:14,440 --> 00:21:18,760 Speaker 2: really dismissive, and she's just like, oh now I see it, 418 00:21:18,840 --> 00:21:21,280 Speaker 2: Like he'll be nice to me, only if there isn't 419 00:21:21,480 --> 00:21:24,119 Speaker 2: you'll switch on a dime white man around. 420 00:21:24,600 --> 00:21:28,080 Speaker 1: And when she's doing that, he gets distracted and she's 421 00:21:28,119 --> 00:21:30,080 Speaker 1: wearing all these watches. 422 00:21:30,160 --> 00:21:32,000 Speaker 2: But so first she's like a good girl and she's like, oh, 423 00:21:32,040 --> 00:21:34,480 Speaker 2: mister Benjamin, like you forgot I'm so wearing a watch 424 00:21:34,920 --> 00:21:36,640 Speaker 2: and then she gives it back and then she leaves 425 00:21:36,640 --> 00:21:39,320 Speaker 2: and slams the door. She's like, that's right, Like I 426 00:21:39,320 --> 00:21:42,240 Speaker 2: want him to know that, like I'm not here, and 427 00:21:42,240 --> 00:21:44,119 Speaker 2: I want the white guy to know that he was 428 00:21:44,200 --> 00:21:45,479 Speaker 2: letting me try on watches. 429 00:21:45,760 --> 00:21:48,280 Speaker 1: Yeah, and like seeing all the watches on her arm. 430 00:21:48,119 --> 00:21:49,520 Speaker 2: But that kind of puts the idea. 431 00:21:49,720 --> 00:21:52,600 Speaker 1: A little jewel in her brain. 432 00:21:52,880 --> 00:21:55,400 Speaker 2: She could, Oh, I can just like talk to people 433 00:21:55,440 --> 00:21:57,920 Speaker 2: and then they get distracted and I walk out with jewelry, 434 00:21:58,040 --> 00:21:59,879 Speaker 2: and it's kind of like, Okay, I'll just do that forever. 435 00:22:00,080 --> 00:22:03,560 Speaker 1: Well, and then when she does the nursing home hustle 436 00:22:03,720 --> 00:22:06,640 Speaker 1: after that, it's a done deal. She's like, why would 437 00:22:06,680 --> 00:22:09,840 Speaker 1: I get like yelled at and like abused by all 438 00:22:09,920 --> 00:22:13,400 Speaker 1: these like old white women and wipe their ass when 439 00:22:13,440 --> 00:22:19,760 Speaker 1: I can be literally literally fabulous. She's like, it's kind 440 00:22:19,840 --> 00:22:21,480 Speaker 1: of no question. 441 00:22:21,400 --> 00:22:23,560 Speaker 2: Like done, you know, And I think the book is 442 00:22:23,640 --> 00:22:26,120 Speaker 2: like obviously the book so it like has this very 443 00:22:26,160 --> 00:22:29,199 Speaker 2: like tight narrative and like congrats to the ghostwriter, like 444 00:22:29,200 --> 00:22:32,280 Speaker 2: she did a good job. But like if she hadn't 445 00:22:32,320 --> 00:22:36,199 Speaker 2: like witnessed her mom like being if she hadn't like 446 00:22:36,240 --> 00:22:38,919 Speaker 2: grown up in this coal miner's town and like seen 447 00:22:39,600 --> 00:22:42,159 Speaker 2: like as the coal industry was failing and then like 448 00:22:42,320 --> 00:22:45,040 Speaker 2: everyone like really was falling on hard times and just 449 00:22:45,080 --> 00:22:50,200 Speaker 2: like seeing like that like extreme microcosm of economic abuse 450 00:22:50,440 --> 00:22:55,000 Speaker 2: and like rachel dynamics and the sexism and just like 451 00:22:55,240 --> 00:22:59,040 Speaker 2: how much that cards arotact against her. It's like I 452 00:22:59,080 --> 00:23:00,960 Speaker 2: don't think she would have no And I. 453 00:23:00,880 --> 00:23:03,119 Speaker 1: Think she says that multiple times. She was like I 454 00:23:03,200 --> 00:23:05,280 Speaker 1: did this because my mom was being beat Like I 455 00:23:05,400 --> 00:23:08,199 Speaker 1: was not gonna be like a sad coal miner's wife, 456 00:23:08,280 --> 00:23:11,200 Speaker 1: Like I see, like, yeah, exactly, the cards are stacked 457 00:23:11,240 --> 00:23:12,919 Speaker 1: up again me to be like a black woman in 458 00:23:12,960 --> 00:23:15,800 Speaker 1: the sixties, like from a coal mining town, like. 459 00:23:16,000 --> 00:23:18,880 Speaker 2: And I think if she had grown up in a 460 00:23:18,880 --> 00:23:23,439 Speaker 2: city or something with like more excitement around her, she 461 00:23:23,560 --> 00:23:27,360 Speaker 2: may not have like been so motivated to go all 462 00:23:27,440 --> 00:23:31,000 Speaker 2: the way to just like Monica Monica and Thievery. 463 00:23:31,240 --> 00:23:33,560 Speaker 1: Yeah, which kind of brings us to the The next 464 00:23:33,720 --> 00:23:35,240 Speaker 1: act is she has children. 465 00:23:35,200 --> 00:23:37,280 Speaker 2: So she's so random American. She just kind of like 466 00:23:37,359 --> 00:23:39,639 Speaker 2: has two kids and then just never really talks about that. 467 00:23:39,720 --> 00:23:42,160 Speaker 1: She does not even mention the husband, and not even 468 00:23:42,160 --> 00:23:43,840 Speaker 1: the husband like the guy she has kids with and 469 00:23:43,880 --> 00:23:46,199 Speaker 1: she's like, oh, she wanted more child support from me, 470 00:23:46,400 --> 00:23:47,840 Speaker 1: but she was like, but I was in Greece. 471 00:23:48,160 --> 00:23:50,320 Speaker 2: Yeah, and so this is the one thing you're like, okay, 472 00:23:50,480 --> 00:23:51,960 Speaker 2: like go off. 473 00:23:52,240 --> 00:23:56,080 Speaker 1: Yes, and like usually it's men running. 474 00:23:56,200 --> 00:23:57,760 Speaker 2: Men running off, and she's running off and she's kind 475 00:23:57,760 --> 00:23:59,280 Speaker 2: of like, yeah, so he just kind of took care 476 00:23:59,280 --> 00:24:00,960 Speaker 2: of the kids well. But then when I got rich 477 00:24:01,000 --> 00:24:02,760 Speaker 2: and she like finally buys a house with all her 478 00:24:02,840 --> 00:24:07,080 Speaker 2: jewel and Ronick and the daughter at like sixteen, who 479 00:24:07,080 --> 00:24:09,280 Speaker 2: she's literally like never raised or seen her whole life, 480 00:24:09,359 --> 00:24:11,840 Speaker 2: moves back and is like, wait, fab, I'm going to 481 00:24:11,920 --> 00:24:13,560 Speaker 2: live in this like fab room at your tame. 482 00:24:13,440 --> 00:24:16,560 Speaker 1: And she's literally just like, mom, is that you? And 483 00:24:16,600 --> 00:24:18,680 Speaker 1: then they like get in one fight where she's being 484 00:24:18,720 --> 00:24:22,080 Speaker 1: like I want to go with my friends and she's like, no, 485 00:24:22,160 --> 00:24:24,040 Speaker 1: you're not, and she like becomes a mother for the 486 00:24:24,040 --> 00:24:24,520 Speaker 1: first time. 487 00:24:24,760 --> 00:24:26,000 Speaker 2: Yeah. I mean it's one of the things where it's 488 00:24:26,040 --> 00:24:29,840 Speaker 2: like I wonder what their actual relationship was, Like, I mean, 489 00:24:30,040 --> 00:24:31,720 Speaker 2: it kind of seems like they really don't have a 490 00:24:31,720 --> 00:24:32,840 Speaker 2: relationship at all. 491 00:24:32,840 --> 00:24:35,200 Speaker 1: But it feels like they have more relationship later on 492 00:24:35,280 --> 00:24:38,480 Speaker 1: when she's taking care of her mother, yeah, dying, but 493 00:24:39,240 --> 00:24:41,280 Speaker 1: she doesn't seem like she has much relationship with her son. 494 00:24:42,040 --> 00:24:44,560 Speaker 1: But then she's like, oh, it's rotten with. 495 00:24:44,520 --> 00:24:46,199 Speaker 2: Her own mother. I mean, her own mother is like 496 00:24:46,320 --> 00:24:48,680 Speaker 2: the biggest carct in this book besides Babe. Her like 497 00:24:48,800 --> 00:24:53,040 Speaker 2: Jewish lover, slush fixer. 498 00:24:53,280 --> 00:24:57,119 Speaker 1: Burly tan, buff, Jewish guy who wants to be like 499 00:24:57,200 --> 00:24:59,560 Speaker 1: a promoter. That's base. 500 00:24:59,560 --> 00:25:01,000 Speaker 2: It sounds a total top. 501 00:25:01,440 --> 00:25:04,879 Speaker 1: He's a total total top. I mean he sounds like 502 00:25:05,119 --> 00:25:07,800 Speaker 1: very like lower grade mafia. 503 00:25:08,080 --> 00:25:11,520 Speaker 2: Yeah, and also like all just like midsize towns were 504 00:25:11,560 --> 00:25:13,399 Speaker 2: so mobbed up back in this day. 505 00:25:13,400 --> 00:25:17,440 Speaker 1: The Cleveland mob which she talks about, was really mobbed up. 506 00:25:18,080 --> 00:25:22,280 Speaker 1: So basically like her and Babe like instantly hit it off, 507 00:25:22,520 --> 00:25:25,720 Speaker 1: do a heist in Montreal, but then the news gets 508 00:25:25,880 --> 00:25:28,119 Speaker 1: like word of it, and they're like an interracial couple, 509 00:25:28,240 --> 00:25:32,080 Speaker 1: like was caught stealing jewels and they haven't hooked up yet, 510 00:25:32,320 --> 00:25:34,920 Speaker 1: and they're in her car and he starts singing Count 511 00:25:34,960 --> 00:25:39,159 Speaker 1: Basie to her and starts tickling his fingers over and 512 00:25:39,200 --> 00:25:42,159 Speaker 1: then on her thigh and grabs her hand and she 513 00:25:42,320 --> 00:25:44,520 Speaker 1: was like he was trying to get it. 514 00:25:44,720 --> 00:25:47,199 Speaker 2: I mean, then anything sexier than you've just pulled off 515 00:25:47,200 --> 00:25:48,920 Speaker 2: a heist in Montreal and you're driving back. 516 00:25:49,800 --> 00:25:52,720 Speaker 1: By the way, and then she starts singing back to him. 517 00:25:52,640 --> 00:25:54,800 Speaker 2: In this big wide American car. 518 00:25:54,880 --> 00:25:58,800 Speaker 1: The widest car on earth, and they just start singing together. 519 00:25:58,880 --> 00:26:04,040 Speaker 1: And then their relashi ship is very crime Polly, yes. 520 00:26:03,960 --> 00:26:07,080 Speaker 2: So crime poly where he has his wife would she 521 00:26:08,240 --> 00:26:11,199 Speaker 2: and she's like mRNA so like for romance and for 522 00:26:11,320 --> 00:26:12,639 Speaker 2: like sleeping, but Myrna. 523 00:26:12,520 --> 00:26:17,119 Speaker 1: Like, yeah, she calls it romance and homekeeping. 524 00:26:16,560 --> 00:26:21,240 Speaker 2: Like Myrna like has pots and Myrna like at five 525 00:26:21,280 --> 00:26:24,160 Speaker 2: pm just cannot like stand up anymore and just has 526 00:26:24,240 --> 00:26:25,440 Speaker 2: to lie down for the rest of the day. 527 00:26:25,480 --> 00:26:27,440 Speaker 1: And then she described She's like and I didn't mind 528 00:26:27,480 --> 00:26:29,560 Speaker 1: he was married, And I don't think Myrna minded because 529 00:26:29,600 --> 00:26:32,520 Speaker 1: like she would literally like fall down at five pm 530 00:26:32,560 --> 00:26:34,440 Speaker 1: and like couldn't make love anymore. 531 00:26:34,440 --> 00:26:35,840 Speaker 2: But then he was looking home and sleep with her 532 00:26:35,920 --> 00:26:38,240 Speaker 2: because Doris has her rule no sleep. 533 00:26:38,320 --> 00:26:41,359 Speaker 1: Nole was literally shane. But so their whole thing was 534 00:26:41,440 --> 00:26:44,080 Speaker 1: sex in the morning. She goes, after my kids would 535 00:26:44,080 --> 00:26:47,600 Speaker 1: go to school, I'd call my house the playpen, yeah, 536 00:26:48,000 --> 00:26:51,560 Speaker 1: and so he would come over. They would fuck in 537 00:26:51,600 --> 00:26:54,520 Speaker 1: that early morning Cleveland. 538 00:26:54,480 --> 00:26:57,919 Speaker 2: Sunlight, gorgeous Cleveland, like then they would flip the pages 539 00:26:57,960 --> 00:27:00,560 Speaker 2: of char magazine and look at the latest rules at 540 00:27:00,560 --> 00:27:02,920 Speaker 2: all the department stores that mid sized cities around the 541 00:27:02,920 --> 00:27:04,720 Speaker 2: country and plan their neck ticsts. 542 00:27:04,880 --> 00:27:10,160 Speaker 1: I'm like ultimate relationship goals. You're both just like looking 543 00:27:10,240 --> 00:27:14,680 Speaker 1: through like Pennsylvania Magazine being like, oh, a new shopping 544 00:27:14,720 --> 00:27:18,520 Speaker 1: complex is just open door thirty fourth and Saratoga ass I. 545 00:27:18,640 --> 00:27:22,320 Speaker 2: Just like circling like a three carrot diamond in Philly. 546 00:27:22,920 --> 00:27:24,679 Speaker 2: But then's still getting to sleep alone at night and 547 00:27:24,800 --> 00:27:26,920 Speaker 2: spread out in your bed burn babe. 548 00:27:27,040 --> 00:27:30,120 Speaker 1: I mean they had such a close relations. 549 00:27:30,040 --> 00:27:35,920 Speaker 2: Really close business and sexual and political and regional relationship, and. 550 00:27:35,840 --> 00:27:40,160 Speaker 1: They would travel forever until sadly, this is so sad 551 00:27:40,280 --> 00:27:43,080 Speaker 1: he feels like he's getting too fat. 552 00:27:43,160 --> 00:27:46,880 Speaker 2: God for Doris, I do feel like she maybe made 553 00:27:46,880 --> 00:27:49,119 Speaker 2: it a little bit about more about her than it was, 554 00:27:49,160 --> 00:27:51,919 Speaker 2: but sure she was just like he was worried I 555 00:27:51,920 --> 00:27:53,960 Speaker 2: wasn't fucking him anymore, and he thought he got too fat, 556 00:27:54,000 --> 00:27:56,280 Speaker 2: So then he had to get lap band surgery. 557 00:27:56,240 --> 00:27:59,080 Speaker 1: And then he had complications from LiPo suction and then died. 558 00:27:59,280 --> 00:28:02,399 Speaker 2: Nobody he was like embarrassed to go to Cleveland Clinic, 559 00:28:02,480 --> 00:28:05,560 Speaker 2: one of the best medical facilities and the country excused me, 560 00:28:05,640 --> 00:28:08,560 Speaker 2: excuse me. Wonderful, wonderful. But he didn't want to go 561 00:28:08,640 --> 00:28:11,040 Speaker 2: because he was like, everybody will like recognize me there 562 00:28:11,040 --> 00:28:14,200 Speaker 2: because I'm such a like famous, like mom guy in 563 00:28:14,240 --> 00:28:16,520 Speaker 2: the Cleveland area, and I don't want people to know that, 564 00:28:16,640 --> 00:28:19,480 Speaker 2: like I had complications from my like vanity surgery. 565 00:28:19,640 --> 00:28:22,520 Speaker 1: Well, yeah, imagine like how fucked up liposuction was in 566 00:28:22,640 --> 00:28:23,920 Speaker 1: nineteen seventy two. 567 00:28:24,040 --> 00:28:28,280 Speaker 2: No, I'm I were absolute using like a crazy hose. 568 00:28:27,960 --> 00:28:29,800 Speaker 1: And yeah, it's just a hose. And then they're like 569 00:28:29,880 --> 00:28:31,600 Speaker 1: kind of crazy sewing you up. 570 00:28:31,720 --> 00:28:34,200 Speaker 2: Yeah, they're just like scooping it out with a ladle 571 00:28:34,240 --> 00:28:35,080 Speaker 2: from William's snow. 572 00:28:35,320 --> 00:28:37,159 Speaker 1: That's always what I thought liposuction was. 573 00:28:37,520 --> 00:28:38,000 Speaker 2: Scooping. 574 00:28:38,160 --> 00:28:40,520 Speaker 1: Yeah, kind of scooping. I feel like scraping. 575 00:28:40,760 --> 00:28:42,160 Speaker 2: It's so like. 576 00:28:44,280 --> 00:28:46,480 Speaker 1: At the end of the book, this is not a spoiler, 577 00:28:46,520 --> 00:28:49,920 Speaker 1: but Doris does say just like, did I embellished stories? 578 00:28:50,320 --> 00:28:51,480 Speaker 2: Yeah? Did I lie? 579 00:28:52,840 --> 00:28:55,600 Speaker 1: She's like, did I make it sound good for the story? 580 00:28:56,600 --> 00:28:58,520 Speaker 1: That's up to you? 581 00:28:58,520 --> 00:29:02,720 Speaker 2: You're like, okay, No, I mean that part is very 582 00:29:02,720 --> 00:29:04,840 Speaker 2: movie like. There's parts of the book where you're just like, okay, 583 00:29:04,840 --> 00:29:07,240 Speaker 2: you're already making this in this two. 584 00:29:07,000 --> 00:29:09,760 Speaker 1: Thousand and eight Mirror Max. Well, this book was optioned 585 00:29:09,800 --> 00:29:11,800 Speaker 1: and the latest thing I read was like Tesla Thompson 586 00:29:11,840 --> 00:29:12,720 Speaker 1: is supposed to play her. 587 00:29:12,880 --> 00:29:15,320 Speaker 2: Well, first halle Berry was attached. I don't know what 588 00:29:15,320 --> 00:29:17,000 Speaker 2: Helly's up to, but that was in like twenty eleven. 589 00:29:17,280 --> 00:29:19,920 Speaker 2: Then Tesla Thompson was attached. That it was pandemic. Here's 590 00:29:19,960 --> 00:29:21,720 Speaker 2: what I was thinking though, I just feel like this 591 00:29:21,800 --> 00:29:24,360 Speaker 2: would be such a better mini series and it would 592 00:29:24,400 --> 00:29:27,040 Speaker 2: be so HBO Max and like yeah five slash like 593 00:29:27,120 --> 00:29:29,240 Speaker 2: Queen's Bandit, Like I think it would be really good 594 00:29:29,360 --> 00:29:31,520 Speaker 2: because here's the problem. It's like I do feel like 595 00:29:31,680 --> 00:29:34,760 Speaker 2: when Hollywood is making movies about like black women in 596 00:29:34,760 --> 00:29:38,640 Speaker 2: the fifties, they're always so like heartwarming and like serious. 597 00:29:39,120 --> 00:29:43,080 Speaker 1: What was that movie Figures that was Hidden Figures. 598 00:29:42,920 --> 00:29:45,200 Speaker 2: Or like Green Book, Like it wouldn't be this sex 599 00:29:45,600 --> 00:29:46,800 Speaker 2: paper like catch me Your ca. 600 00:29:47,280 --> 00:29:49,040 Speaker 1: They're like, oh no, we have to go like so 601 00:29:49,320 --> 00:29:51,880 Speaker 1: hard so they don't make an anti hero character in 602 00:29:51,920 --> 00:29:54,520 Speaker 1: the way they would like at Tony Sprano, right, They're 603 00:29:54,600 --> 00:29:56,959 Speaker 1: just like, no, we're gonna play Motown and then we're 604 00:29:57,000 --> 00:30:00,040 Speaker 1: gonna have you like just kind of like walking through stors. 605 00:30:00,080 --> 00:30:03,600 Speaker 2: Or it would be like such a random ass mid movie. 606 00:30:03,680 --> 00:30:06,240 Speaker 2: So like that movie Focus with Will Smith and Margaret 607 00:30:06,280 --> 00:30:07,600 Speaker 2: Robbie that no one has seen. 608 00:30:07,720 --> 00:30:09,360 Speaker 1: Oh my good, and I remember that came out. I 609 00:30:09,360 --> 00:30:11,480 Speaker 1: was like I need to see this and obviously did not. 610 00:30:12,480 --> 00:30:14,560 Speaker 2: Or it would be like One for the Money, which 611 00:30:14,640 --> 00:30:17,680 Speaker 2: no one like Vanovic movie with what's her name. 612 00:30:17,680 --> 00:30:21,080 Speaker 1: Catherine Heigel that only we saw via groupon was the 613 00:30:21,120 --> 00:30:22,560 Speaker 1: first group on I ever purchased. 614 00:30:22,600 --> 00:30:23,920 Speaker 2: Yeah, they would just kind of do a bad job 615 00:30:23,920 --> 00:30:24,960 Speaker 2: with a movie and they just need to make a 616 00:30:25,000 --> 00:30:26,920 Speaker 2: mini series with an unknown It would be so good. 617 00:30:27,000 --> 00:30:29,640 Speaker 1: It's also that thing where it's like now it's all 618 00:30:29,640 --> 00:30:33,360 Speaker 1: about the series, yeah, you know, and the binge. 619 00:30:33,200 --> 00:30:35,960 Speaker 2: I the five episode, you could do all the flashbacks 620 00:30:35,960 --> 00:30:38,760 Speaker 2: to her coal mining town, yes, and they dad into 621 00:30:38,760 --> 00:30:41,160 Speaker 2: each episode. It would be like a great format rather. 622 00:30:41,080 --> 00:30:43,360 Speaker 1: Than like this montage scene where they're like she's increased, 623 00:30:43,360 --> 00:30:44,840 Speaker 1: she's in Monte Carlo. It's like, we could do a 624 00:30:44,880 --> 00:30:47,840 Speaker 1: full episode of like her in Monte Carlo. 625 00:30:48,280 --> 00:30:52,480 Speaker 3: Let's get let's get fair fucking fab I want to 626 00:30:52,520 --> 00:30:56,800 Speaker 3: go to Monte Carlo so bad the same and just 627 00:30:56,840 --> 00:30:58,800 Speaker 3: be like, you know, I've never even been and I'm 628 00:30:58,800 --> 00:31:00,280 Speaker 3: like miss France. Yeah. 629 00:31:00,560 --> 00:31:02,840 Speaker 1: My next question was like not to pry, but like, 630 00:31:03,360 --> 00:31:07,520 Speaker 1: where is Monchy carlew It's like off the France, like. 631 00:31:07,720 --> 00:31:13,280 Speaker 2: French Riviera fren and it's where like monco is. Can 632 00:31:13,320 --> 00:31:15,120 Speaker 2: I can just say also, I love how she's been 633 00:31:15,160 --> 00:31:17,560 Speaker 2: so like us in this book and always just being 634 00:31:17,600 --> 00:31:20,840 Speaker 2: like not me. When she gets to Monte Carlo, she's 635 00:31:20,840 --> 00:31:23,200 Speaker 2: so gagged that she's there. She goes I arrived at 636 00:31:23,200 --> 00:31:26,080 Speaker 2: hotel to Paris. This was the real shit, a palace 637 00:31:26,120 --> 00:31:28,520 Speaker 2: looking building that was hotel and casino in one palm 638 00:31:28,520 --> 00:31:30,960 Speaker 2: trees in the front. Building had statues of naked goddesses. 639 00:31:31,000 --> 00:31:33,440 Speaker 2: I was in my element again. The young bell hop 640 00:31:33,480 --> 00:31:37,720 Speaker 2: said this way, madam. They were buttoned up, polstered sofas, pillars, 641 00:31:37,760 --> 00:31:39,520 Speaker 2: fine oil paintings type of my head, and a stained 642 00:31:39,520 --> 00:31:42,320 Speaker 2: glass window of the heavens. I thought, hot, damn, but 643 00:31:42,400 --> 00:31:44,200 Speaker 2: I still kept my nose in the air as I 644 00:31:44,240 --> 00:31:46,400 Speaker 2: followed the bell hop in the elevator into my room. 645 00:31:46,840 --> 00:31:50,040 Speaker 2: I opened the French doors to the port, smelled the saltiere, 646 00:31:50,160 --> 00:31:52,800 Speaker 2: lay on the che's lounge and laughed out loud, sweet 647 00:31:52,920 --> 00:31:55,120 Speaker 2: baby Jesus okay. 648 00:31:55,120 --> 00:31:57,600 Speaker 1: And then this part is so fab She goes to 649 00:31:57,640 --> 00:31:59,600 Speaker 1: Monte Carlo. She gets a new boyfriend. By that time, 650 00:31:59,680 --> 00:32:02,520 Speaker 1: Kennon in Cleveland does not tell him how long she's 651 00:32:02,560 --> 00:32:03,080 Speaker 1: going to be there. 652 00:32:03,600 --> 00:32:04,080 Speaker 2: She goes. 653 00:32:04,440 --> 00:32:06,960 Speaker 1: I wonder what Kenneth was thinking, but he was still 654 00:32:07,000 --> 00:32:09,480 Speaker 1: new in my life. He didn't understand how long a 655 00:32:09,560 --> 00:32:12,880 Speaker 1: European gig would take. Anyway, I found myself itching to 656 00:32:12,920 --> 00:32:16,200 Speaker 1: read a newspaper. I needed some information from the outside. 657 00:32:16,520 --> 00:32:19,080 Speaker 1: And so she's just like chilling at this hotel. 658 00:32:19,520 --> 00:32:22,360 Speaker 2: Wait, that's when she's already been arrested. Oh oh, what 659 00:32:22,400 --> 00:32:24,520 Speaker 2: happens is they do arrest her for this heist she does, 660 00:32:24,920 --> 00:32:28,880 Speaker 2: and she's so ingenious that she hides the diamond inside 661 00:32:28,920 --> 00:32:32,000 Speaker 2: the hem of her dress, and since they can't find it, 662 00:32:32,280 --> 00:32:33,720 Speaker 2: they just like put her on house arrest in this 663 00:32:33,760 --> 00:32:35,840 Speaker 2: fab hotel. And she's just like in a hotel, getting 664 00:32:35,880 --> 00:32:37,959 Speaker 2: room service every day for nine months. Oh and then 665 00:32:38,000 --> 00:32:39,720 Speaker 2: they just like let her go back to America. 666 00:32:39,840 --> 00:32:41,840 Speaker 1: I love the scenery. The balcony was right over the 667 00:32:41,880 --> 00:32:44,840 Speaker 1: Mediterranean where Elizabeth Taylor and Richard Burton had once vacationed. 668 00:32:45,080 --> 00:32:47,160 Speaker 1: I could look out in the yachts and hear jazz playing, 669 00:32:47,440 --> 00:32:49,040 Speaker 1: just like my first night in the city, and she's 670 00:32:49,080 --> 00:32:50,400 Speaker 1: just on house arrest. 671 00:32:50,680 --> 00:32:53,400 Speaker 2: This scene where she hides the ring is crazy. So 672 00:32:53,440 --> 00:32:57,280 Speaker 2: basically she goes to Cardier. She boosts this like half 673 00:32:57,320 --> 00:32:58,320 Speaker 2: a million dollars. 674 00:32:58,360 --> 00:32:59,640 Speaker 1: This is her biggest tiste, her. 675 00:32:59,520 --> 00:33:03,040 Speaker 2: Biggest high yet, and she's like being super fab. She's 676 00:33:03,080 --> 00:33:05,320 Speaker 2: trying to get a plane out of there, but at 677 00:33:05,360 --> 00:33:07,360 Speaker 2: the airport she like waits too long to get a flight. 678 00:33:07,600 --> 00:33:09,960 Speaker 1: And this is a big theme, like she's always kind 679 00:33:09,960 --> 00:33:12,400 Speaker 1: of like freaking out when the travel is about to happen, 680 00:33:12,720 --> 00:33:15,560 Speaker 1: Like she has this freak out like with a bus station. 681 00:33:15,560 --> 00:33:18,080 Speaker 2: And same and after I've stolen that smart water from 682 00:33:18,120 --> 00:33:19,240 Speaker 2: Hunts and News, You're like. 683 00:33:19,200 --> 00:33:22,480 Speaker 1: I've got her. Get on the plane right now. They're 684 00:33:22,480 --> 00:33:23,560 Speaker 1: about to come for me. 685 00:33:23,720 --> 00:33:25,640 Speaker 2: And I immediately just got on the first plane out 686 00:33:25,640 --> 00:33:27,400 Speaker 2: of there. I'm like I don't care where it's going. 687 00:33:27,760 --> 00:33:30,560 Speaker 2: So like these like kind of air France police, like 688 00:33:30,600 --> 00:33:32,760 Speaker 2: not real police walk up to her and then they 689 00:33:32,800 --> 00:33:35,640 Speaker 2: asked to like strip search her. Basically I knew they 690 00:33:35,640 --> 00:33:37,160 Speaker 2: didn't have a legal right, but I took out a 691 00:33:37,200 --> 00:33:39,520 Speaker 2: Kleenex and blew my nose. It's cold in here, I 692 00:33:39,520 --> 00:33:41,440 Speaker 2: know the flora is colder. Can I start by giving 693 00:33:41,440 --> 00:33:43,960 Speaker 2: you my pantyhose first? I had the ring in my 694 00:33:44,040 --> 00:33:47,280 Speaker 2: left hand, got my pantyhose off and gave them to her. 695 00:33:47,600 --> 00:33:50,440 Speaker 2: She shook them as I put my pantyhose back on. 696 00:33:50,600 --> 00:33:53,520 Speaker 2: I folded the ring into the kleenex and pulled it 697 00:33:53,640 --> 00:33:56,360 Speaker 2: up into the back of my pantyhose. Then I took 698 00:33:56,400 --> 00:33:58,400 Speaker 2: off one article of planting the time to stay warm. 699 00:33:58,400 --> 00:34:00,720 Speaker 2: Whall she searched each pizza clothing, so it's like the 700 00:34:00,760 --> 00:34:02,840 Speaker 2: guards already searched the pantyhose. And then she puts the 701 00:34:02,880 --> 00:34:05,479 Speaker 2: kleenix with the ringing. And then later she goes, can 702 00:34:05,520 --> 00:34:07,080 Speaker 2: I have fingernail clipper out of my luggage so I 703 00:34:07,120 --> 00:34:09,120 Speaker 2: can keep myself looking nice? Then she asks for a 704 00:34:09,120 --> 00:34:10,800 Speaker 2: needle and thread to fix the hem on my skirt. 705 00:34:11,080 --> 00:34:12,560 Speaker 2: I took down my skirt, took the ring out of 706 00:34:12,600 --> 00:34:15,040 Speaker 2: my pantyhose, use the needle and thread to whip stitch 707 00:34:15,080 --> 00:34:18,760 Speaker 2: the diamond ring into the hem, where it stayed for months. 708 00:34:19,000 --> 00:34:21,200 Speaker 1: And that's a daughter of a seamstress. 709 00:34:21,480 --> 00:34:24,200 Speaker 2: Literally like he's employing every skill she's ever ever. 710 00:34:24,320 --> 00:34:26,680 Speaker 1: Well, you know they're looking throughout, but they would never 711 00:34:26,719 --> 00:34:28,120 Speaker 1: guess in the hem. 712 00:34:28,480 --> 00:34:31,359 Speaker 2: I mean, it's crazy genius, and this is why it's 713 00:34:31,360 --> 00:34:33,719 Speaker 2: also good to be wearing like very kind of like 714 00:34:34,040 --> 00:34:36,959 Speaker 2: stiff dresses. Her whole thing is being like I only 715 00:34:37,040 --> 00:34:39,640 Speaker 2: dress like an elegant like Jackie O woman. I don't 716 00:34:39,760 --> 00:34:43,560 Speaker 2: wear like loose, like sludy clothing. And that time when 717 00:34:43,600 --> 00:34:47,200 Speaker 2: she's like in Switzerland, she gets like her boyfriend's daughter 718 00:34:47,320 --> 00:34:47,680 Speaker 2: to come. 719 00:34:47,960 --> 00:34:49,399 Speaker 1: Yeah, she gets Linda to come. 720 00:34:49,520 --> 00:34:51,520 Speaker 2: She's like, bring me clothes I would never wear, and 721 00:34:51,560 --> 00:34:53,600 Speaker 2: she brings her like jeans, and she's like, I've never 722 00:34:53,640 --> 00:34:54,839 Speaker 2: worn jeans, oh way. 723 00:34:54,920 --> 00:34:56,600 Speaker 1: And then she brings her all to a polo and 724 00:34:56,640 --> 00:34:59,839 Speaker 1: she's like, ugh, I looked like a washed up tennis po. 725 00:35:00,040 --> 00:35:03,440 Speaker 2: So she like escapes from zap because she's not no. 726 00:35:03,480 --> 00:35:05,600 Speaker 1: There's so many descriptions of outfits where she's like, I 727 00:35:05,760 --> 00:35:09,680 Speaker 1: was in a sex fifth avenue coat that hugged me 728 00:35:09,760 --> 00:35:11,480 Speaker 1: at all the right place. 729 00:35:12,800 --> 00:35:14,560 Speaker 2: Leaving Europe and she's like, I had to get a 730 00:35:14,600 --> 00:35:18,719 Speaker 2: flight to Syria. She first light leaving with Cecyria. At 731 00:35:18,760 --> 00:35:21,759 Speaker 2: first I thought that was an insane choice, but I 732 00:35:21,800 --> 00:35:26,200 Speaker 2: felt paranoid. She's like, not me being so random and 733 00:35:26,280 --> 00:35:27,600 Speaker 2: flying to Damascus. 734 00:35:28,600 --> 00:35:31,960 Speaker 1: So she finally does. I mean, the top about her 735 00:35:32,000 --> 00:35:36,360 Speaker 1: mother's death is so sad. Her mother gets lung cancer 736 00:35:36,480 --> 00:35:38,280 Speaker 1: from like coal mining. 737 00:35:38,120 --> 00:35:41,319 Speaker 2: Like yeah, this actually happens to a lot of people 738 00:35:41,360 --> 00:35:43,280 Speaker 2: who grew up in coning towns. 739 00:35:43,160 --> 00:35:45,799 Speaker 1: And you know, she cares for her mom, and her 740 00:35:45,800 --> 00:35:48,960 Speaker 1: mom is like, well you please just marry Kenneth. Kenneth 741 00:35:49,080 --> 00:35:51,400 Speaker 1: was like I want to be don King. And then 742 00:35:51,440 --> 00:35:53,600 Speaker 1: I think she becomes a little bit you know, closer 743 00:35:53,680 --> 00:35:55,799 Speaker 1: with her daughter through her mother. And then her mother 744 00:35:55,920 --> 00:35:59,000 Speaker 1: does like finally die and it's like so sad, and 745 00:35:59,719 --> 00:36:02,440 Speaker 1: then she she does like have to surrender herself and 746 00:36:02,480 --> 00:36:03,839 Speaker 1: like go to prison for the first time. 747 00:36:04,000 --> 00:36:06,320 Speaker 2: Like but she goes to prison for like passport fraud. 748 00:36:06,520 --> 00:36:08,320 Speaker 1: Yes, that's the only way they can get her because 749 00:36:08,360 --> 00:36:12,040 Speaker 1: her mom really was like flirting with this white FBI agent. 750 00:36:12,040 --> 00:36:13,279 Speaker 2: Yeah oh for so long. 751 00:36:13,640 --> 00:36:16,200 Speaker 1: Yeah who like broke down and started sobbing when he 752 00:36:16,239 --> 00:36:18,319 Speaker 1: finds out that the mom died and you're like what 753 00:36:18,440 --> 00:36:21,440 Speaker 1: this is? What is also so movie about it? 754 00:36:21,680 --> 00:36:23,480 Speaker 2: But the mom dies this like so terrible death, and 755 00:36:23,480 --> 00:36:25,239 Speaker 2: then like her other friend gets cancer, and then I 756 00:36:25,320 --> 00:36:27,560 Speaker 2: kind of gets cancer. I just in saying that she's 757 00:36:27,600 --> 00:36:29,960 Speaker 2: like seventy five and then is like, well, now I'm 758 00:36:30,000 --> 00:36:33,880 Speaker 2: scraping coke off the side of bags in Chicago because 759 00:36:33,920 --> 00:36:36,080 Speaker 2: I still needed money, and then I actually went back 760 00:36:36,120 --> 00:36:38,720 Speaker 2: to heisting, and then she just like kind of gets 761 00:36:38,760 --> 00:36:41,680 Speaker 2: back into the jewel game. Yeah, and then she may 762 00:36:41,840 --> 00:36:43,480 Speaker 2: really in her seventies, and you're like, all of. 763 00:36:43,440 --> 00:36:45,160 Speaker 1: A sudden, because this whole book is like Monte Carlo 764 00:36:45,239 --> 00:36:47,200 Speaker 1: nineteen seventies. And then she's like and then it was 765 00:36:47,280 --> 00:36:49,240 Speaker 1: twenty fifteen, and you're. 766 00:36:49,120 --> 00:36:51,640 Speaker 2: Like what, yeah, twenty eleven. I'm like, okay, now we 767 00:36:51,719 --> 00:36:53,520 Speaker 2: fully have security cameras, babe. 768 00:36:53,600 --> 00:36:57,320 Speaker 1: And I think that is why, like her recent heights 769 00:36:57,360 --> 00:37:00,640 Speaker 1: have been a little tough and a little sour. But 770 00:37:01,120 --> 00:37:03,520 Speaker 1: my favorite thing is this guy, this judge is so 771 00:37:03,760 --> 00:37:06,759 Speaker 1: like shaming her for stealing, and they're trying to be 772 00:37:06,840 --> 00:37:10,680 Speaker 1: so like think of the shopkeepers, like I can't believe 773 00:37:10,719 --> 00:37:14,160 Speaker 1: you stole, Like that's not right, and she was like hmm, 774 00:37:14,320 --> 00:37:17,600 Speaker 1: but have you ever gone to jail for your ancestors 775 00:37:17,640 --> 00:37:20,680 Speaker 1: stealing the blood diamonds from Africa? 776 00:37:22,200 --> 00:37:23,759 Speaker 2: And they're just like they're like, I'm not you. 777 00:37:24,800 --> 00:37:28,839 Speaker 1: Yeah, They're like okay, She's like, yeah, told you you're 778 00:37:28,840 --> 00:37:31,359 Speaker 1: a thief too. They try to shame her and it's 779 00:37:31,360 --> 00:37:33,040 Speaker 1: like sorry, Tiffany's is fun. 780 00:37:33,280 --> 00:37:36,200 Speaker 2: Well, also, like what's actually kind of crazy is when 781 00:37:36,239 --> 00:37:39,399 Speaker 2: she realizes that a lot of the department stores which 782 00:37:39,400 --> 00:37:41,680 Speaker 2: she's making most of her heights in the sixties, A, 783 00:37:42,280 --> 00:37:46,120 Speaker 2: they have all this insurance, but b they actually don't 784 00:37:46,160 --> 00:37:51,240 Speaker 2: want to publicize the thefts that are above a certain 785 00:37:51,239 --> 00:37:54,280 Speaker 2: amount because it means that too many trays were taken 786 00:37:54,320 --> 00:37:56,920 Speaker 2: out and then those bad on them. It looks bad, 787 00:37:57,120 --> 00:38:00,719 Speaker 2: but like the insurance can be like, won't actually pay 788 00:38:00,800 --> 00:38:03,680 Speaker 2: for it if it was like their own negligence, and 789 00:38:03,760 --> 00:38:06,880 Speaker 2: so basically like they won't file a police report for 790 00:38:06,960 --> 00:38:07,600 Speaker 2: it because. 791 00:38:07,400 --> 00:38:11,640 Speaker 1: It's like if they're the stupid asshole is basically like 792 00:38:11,680 --> 00:38:12,880 Speaker 1: getting confused. 793 00:38:12,480 --> 00:38:14,799 Speaker 2: And so she basically then she gets this new rule. 794 00:38:14,960 --> 00:38:16,840 Speaker 2: She's like, well, I'm only gonna steal if they've taken 795 00:38:16,840 --> 00:38:20,359 Speaker 2: out like more than five trays. She goes if they 796 00:38:20,400 --> 00:38:22,800 Speaker 2: had more out and somehow lost one through any means 797 00:38:22,800 --> 00:38:24,480 Speaker 2: they were shy by apparent to the police, who would 798 00:38:24,480 --> 00:38:27,320 Speaker 2: send a report of the store's negligence to their insurance company. 799 00:38:27,760 --> 00:38:29,920 Speaker 2: Getting a piece back when the mistake was theres was 800 00:38:30,000 --> 00:38:33,040 Speaker 2: worse than reporting the loss. Many of the stores were 801 00:38:33,160 --> 00:38:36,320 Speaker 2: glad the piece was never found. Then they could report 802 00:38:36,400 --> 00:38:39,480 Speaker 2: the loss as much higher than the value of the 803 00:38:39,520 --> 00:38:42,439 Speaker 2: piece and then she goes those damn crooks they would 804 00:38:42,440 --> 00:38:44,560 Speaker 2: take hours or days reconstructing the truth to keep their 805 00:38:44,600 --> 00:38:46,359 Speaker 2: insurance from going through the roof and to get more 806 00:38:46,360 --> 00:38:48,080 Speaker 2: than the ring is worth. So yeah, because that's when 807 00:38:48,200 --> 00:38:51,040 Speaker 2: she notices there's like a notice in the paper where 808 00:38:51,040 --> 00:38:53,080 Speaker 2: they're like a ring worth five thousand dollars was stolen. 809 00:38:53,200 --> 00:38:55,160 Speaker 2: She's like, that ring that I stole was actually only 810 00:38:55,200 --> 00:38:58,360 Speaker 2: fifteen hundred, right, but they're saying it was five thousand. 811 00:38:58,680 --> 00:39:00,719 Speaker 1: And I think this is why, like so Babe like 812 00:39:00,800 --> 00:39:02,560 Speaker 1: taught her all you need to do, Like one of 813 00:39:02,600 --> 00:39:04,520 Speaker 1: the first time she's rested, he's like, you just need 814 00:39:04,560 --> 00:39:07,680 Speaker 1: to go and surrender, and like obviously everyone's so mopped up, 815 00:39:07,719 --> 00:39:09,680 Speaker 1: and he's like and I've talked to like the lawyer 816 00:39:09,800 --> 00:39:12,239 Speaker 1: and like everything will be fine. So they just kind 817 00:39:12,239 --> 00:39:13,680 Speaker 1: of like need to give her a slap on the 818 00:39:13,680 --> 00:39:17,120 Speaker 1: wrist and be like I surrendered, Okay, it's fine, and 819 00:39:18,160 --> 00:39:21,200 Speaker 1: you know they don't want the publicity and the insurance well. 820 00:39:21,040 --> 00:39:24,040 Speaker 2: And I think that there is this fascinating obviously like 821 00:39:24,200 --> 00:39:26,840 Speaker 2: this is a victimless crime. And I think that's like 822 00:39:26,960 --> 00:39:28,759 Speaker 2: very clear, and it's probably why it's like she's never 823 00:39:28,800 --> 00:39:30,160 Speaker 2: really had to go to jail so much because it's 824 00:39:30,160 --> 00:39:32,600 Speaker 2: just like it's completely not no one's getting hurt, No 825 00:39:32,680 --> 00:39:36,239 Speaker 2: one's getting hurt. And I mean she's stealing like a 826 00:39:36,320 --> 00:39:40,720 Speaker 2: couple insanely expensive pieces that are ensured. 827 00:39:41,080 --> 00:39:45,279 Speaker 1: And what's funny is like they never also want to 828 00:39:45,280 --> 00:39:48,640 Speaker 1: put her in jail because they're afraid this results are 829 00:39:48,680 --> 00:39:51,840 Speaker 1: very Dorius like kind of gassing herself up. She's like, 830 00:39:52,400 --> 00:39:54,640 Speaker 1: they didn't want to put me in jail because they 831 00:39:54,640 --> 00:39:57,279 Speaker 1: didn't want me to teach the other girl. Yeah, so what 832 00:39:57,400 --> 00:39:57,839 Speaker 1: I do. 833 00:39:57,880 --> 00:40:00,279 Speaker 2: And I'm just like, is that And they really thought, yeah, 834 00:40:00,280 --> 00:40:02,960 Speaker 2: they're like high school, But. 835 00:40:02,960 --> 00:40:06,800 Speaker 1: I guess that's like so many movies about like people 836 00:40:06,920 --> 00:40:10,040 Speaker 1: running it from the inside and like teaching m I mean. 837 00:40:10,400 --> 00:40:12,880 Speaker 2: Jal is absolutely criminal school. I've always said that to 838 00:40:12,920 --> 00:40:16,600 Speaker 2: my clients. Here's my hot take on diamonds. 839 00:40:17,040 --> 00:40:19,160 Speaker 1: They I know what you're gonna say, They're not rare. 840 00:40:19,520 --> 00:40:21,319 Speaker 1: I feel like we talked about this another episode, but 841 00:40:21,440 --> 00:40:22,640 Speaker 1: do go off. They're not rare. 842 00:40:22,719 --> 00:40:25,359 Speaker 2: They're not rare. To quote my own boyfriend, you mean 843 00:40:25,400 --> 00:40:28,040 Speaker 2: the thing on the finger of every girl in Chicago, 844 00:40:28,760 --> 00:40:31,799 Speaker 2: Every fucking girl has a diamond on her finger. They're 845 00:40:31,840 --> 00:40:32,399 Speaker 2: not rare. 846 00:40:32,719 --> 00:40:35,480 Speaker 1: I think, as we said in the beginning, Zales, literally, 847 00:40:35,640 --> 00:40:36,920 Speaker 1: hey jewelers. 848 00:40:36,560 --> 00:40:37,960 Speaker 2: Like I was just talking to a friend of the 849 00:40:38,000 --> 00:40:41,919 Speaker 2: pot Arabella, who a jewelry designer. She was like, yeah, 850 00:40:42,040 --> 00:40:44,359 Speaker 2: diamonds are boring, Like colored stones are so much more 851 00:40:44,400 --> 00:40:47,719 Speaker 2: interesting and buried, and it's just like the best kind 852 00:40:47,719 --> 00:40:50,160 Speaker 2: of diamond is a completely colorless diamond. 853 00:40:50,440 --> 00:40:52,960 Speaker 1: But she says, she's like that's the most expensive. You're like, okay, 854 00:40:53,000 --> 00:40:55,880 Speaker 1: so you just want like something clear your. 855 00:40:55,880 --> 00:40:59,240 Speaker 2: Blank It's like, go off ring finger. I'm like sure, 856 00:40:59,320 --> 00:41:02,520 Speaker 2: Like there's been some fabulous diamonds throughout history, and like go. 857 00:41:02,440 --> 00:41:04,799 Speaker 1: Offjla had a colored diamond, and that's why we all 858 00:41:04,840 --> 00:41:08,000 Speaker 1: talked about it, right exactly. Yeah, a diamond ring. When 859 00:41:08,000 --> 00:41:11,680 Speaker 1: I think of that, I think of a crinkly Irish 860 00:41:11,719 --> 00:41:16,839 Speaker 1: hand at the dentist office, stacked with multiple rings from 861 00:41:16,880 --> 00:41:21,600 Speaker 1: weddings and engagements and anniversaries, like four rings and you're 862 00:41:21,719 --> 00:41:23,160 Speaker 1: like seventy five. 863 00:41:23,600 --> 00:41:25,160 Speaker 2: You know, there's a lot of things that I think 864 00:41:25,200 --> 00:41:27,680 Speaker 2: are insane about culture, right, But it's just like the 865 00:41:27,719 --> 00:41:31,080 Speaker 2: fact that that has been so shopworn and is just 866 00:41:31,239 --> 00:41:36,120 Speaker 2: still in effect and it crosses every single demographic line 867 00:41:36,239 --> 00:41:40,280 Speaker 2: like a diamond rnge in whatever. It's like, you gotta 868 00:41:40,320 --> 00:41:41,359 Speaker 2: have the diamond ring. 869 00:41:41,960 --> 00:41:48,799 Speaker 1: I think we're only now engagement girls are slightly slightly 870 00:41:48,880 --> 00:41:52,799 Speaker 1: breaking away, but only a small, tiny portion of them, 871 00:41:53,200 --> 00:41:55,879 Speaker 1: and you're like, ooh, I want my breathstone. 872 00:41:56,000 --> 00:41:58,640 Speaker 2: And even if you're so like non traditional wedding and 873 00:41:58,680 --> 00:42:03,560 Speaker 2: you're like, I'm wearing con verse, like there's Masoner destination wedding. 874 00:42:03,560 --> 00:42:09,279 Speaker 1: What mas converse is actually even more diamond then, like 875 00:42:09,520 --> 00:42:12,359 Speaker 1: if you were like, I'm actually in a simple via 876 00:42:12,480 --> 00:42:14,279 Speaker 1: wang and I have an emerald ring. 877 00:42:14,600 --> 00:42:18,120 Speaker 2: Yeah, it's weird. It's like the more non traditional going 878 00:42:18,120 --> 00:42:21,359 Speaker 2: and wedding like, the more you're actually digging in your 879 00:42:21,520 --> 00:42:25,080 Speaker 2: little heels into diamond land. Which brings me to my 880 00:42:25,200 --> 00:42:27,959 Speaker 2: question for you, what kind of diamond engagement what. 881 00:42:27,880 --> 00:42:30,800 Speaker 1: Kind of engagement rank you want? Let's like ideal engagement ring. 882 00:42:30,760 --> 00:42:36,880 Speaker 2: Okay vs two level clarity, colorless or near colorless, obviously flawless, 883 00:42:36,920 --> 00:42:40,640 Speaker 2: no imperfections, no fracture lines, thinking emerald cut which is 884 00:42:40,680 --> 00:42:43,520 Speaker 2: actually a non traditional cut and it's longer or possibly 885 00:42:43,520 --> 00:42:47,239 Speaker 2: a square cut, diamond, platinum band, pave gold diamond. 886 00:42:46,920 --> 00:42:47,560 Speaker 1: It's around. 887 00:42:47,640 --> 00:42:51,279 Speaker 2: I loved diamond, but I haven't even thought about it 888 00:42:51,280 --> 00:42:54,360 Speaker 2: whatever you haven't have you like ever seen this? Four B. 889 00:42:55,480 --> 00:42:59,920 Speaker 1: We go to your bookmarks. It's like so many rings. 890 00:43:08,480 --> 00:43:10,400 Speaker 1: Show me your finest segments. 891 00:43:10,520 --> 00:43:11,160 Speaker 2: What does she eat? 892 00:43:11,200 --> 00:43:11,879 Speaker 1: What does she wear? 893 00:43:12,120 --> 00:43:12,760 Speaker 2: Do live? 894 00:43:13,320 --> 00:43:17,600 Speaker 1: What does she eat? So she's sober, but she's a stoner, 895 00:43:17,840 --> 00:43:18,600 Speaker 1: which I'm obsessed. 896 00:43:18,680 --> 00:43:21,080 Speaker 2: Oh wait, the quote when she goes me and Kenneth 897 00:43:21,120 --> 00:43:23,760 Speaker 2: smoked enough weed to Kira Ham amazing. 898 00:43:23,800 --> 00:43:25,720 Speaker 1: And then one of the last lines of the book, 899 00:43:25,880 --> 00:43:29,520 Speaker 1: she just goes, I light up a big ass joint 900 00:43:30,120 --> 00:43:33,040 Speaker 1: on my balcony in Atlanta and Atlanta and she just 901 00:43:33,120 --> 00:43:36,680 Speaker 1: kind of is like thinking about her life. But the 902 00:43:36,719 --> 00:43:39,400 Speaker 1: first time she has a drink is with Is it 903 00:43:39,440 --> 00:43:40,799 Speaker 1: with the Japanese business man? 904 00:43:40,960 --> 00:43:43,800 Speaker 2: No, it's with like a Nigerian cab driver in Zurich. 905 00:43:44,120 --> 00:43:47,120 Speaker 2: She has Royale and she's like, wait a minute, this 906 00:43:47,200 --> 00:43:47,560 Speaker 2: is fun. 907 00:43:47,640 --> 00:43:49,160 Speaker 1: Yeah, and she's like this is a lady. 908 00:43:49,520 --> 00:43:51,080 Speaker 2: And then she has like the worst none of her 909 00:43:51,080 --> 00:43:53,080 Speaker 2: life where she's like arrested and she's like on a 910 00:43:53,200 --> 00:43:55,759 Speaker 2: trip into like Paris or something, and then she like 911 00:43:56,000 --> 00:43:58,360 Speaker 2: hops out in like a corn field. 912 00:43:58,440 --> 00:44:00,200 Speaker 1: And like gets in a cab. And then at the 913 00:44:00,280 --> 00:44:01,160 Speaker 1: end she's. 914 00:44:01,320 --> 00:44:03,160 Speaker 2: Also so the past where it's like if you like 915 00:44:03,239 --> 00:44:05,279 Speaker 2: managed to escape the police. Then you just kind of 916 00:44:05,320 --> 00:44:06,080 Speaker 2: got to go and. 917 00:44:06,160 --> 00:44:08,520 Speaker 1: Yeah you're going, yeah forgot And then she was like 918 00:44:08,600 --> 00:44:10,600 Speaker 1: did that happen? Was it a dream? I don't know, 919 00:44:10,680 --> 00:44:12,600 Speaker 1: but it was a crazy night. And I blame Ki 920 00:44:12,760 --> 00:44:14,760 Speaker 1: Royales and I'm. 921 00:44:14,600 --> 00:44:18,600 Speaker 2: Like, okay, and then she never drinks again. No. I 922 00:44:18,640 --> 00:44:20,719 Speaker 2: just don't think she's eating that much. I mean, she 923 00:44:20,880 --> 00:44:23,880 Speaker 2: is iconic in ninety nine, and I feel like the 924 00:44:23,960 --> 00:44:26,680 Speaker 2: reason she lives so long is a not drinking and. 925 00:44:26,600 --> 00:44:28,719 Speaker 1: B like definitely not drinking and probably. 926 00:44:28,440 --> 00:44:30,600 Speaker 2: Eating just like some beans here and there. 927 00:44:30,960 --> 00:44:34,359 Speaker 1: Yeah, And I think like when she's at all these hotels. 928 00:44:33,840 --> 00:44:35,480 Speaker 2: She says at one point she can't cook. 929 00:44:36,080 --> 00:44:37,799 Speaker 1: Oh, she's very I can't cook because she was like 930 00:44:37,800 --> 00:44:38,440 Speaker 1: a girl boss. 931 00:44:38,520 --> 00:44:40,560 Speaker 2: Yeah, she's not like coaching oven. 932 00:44:40,920 --> 00:44:44,279 Speaker 1: Yeah, she's like beans. Maybe I don't know what's happening here. 933 00:44:44,920 --> 00:44:47,200 Speaker 1: I feel like she's very Her style of eating is 934 00:44:47,200 --> 00:44:51,480 Speaker 1: literally just room service. It's like toast eggs, benedict and 935 00:44:51,480 --> 00:44:52,600 Speaker 1: two strips of bacon. 936 00:44:52,760 --> 00:44:55,560 Speaker 2: Yeah, and it's very like half of the meal is 937 00:44:55,600 --> 00:44:56,120 Speaker 2: still there. 938 00:44:55,960 --> 00:44:58,360 Speaker 1: On the plate. Yeah, Like in a photo of like ooh, 939 00:44:58,400 --> 00:45:01,000 Speaker 1: we started making love and just left and it's still 940 00:45:01,080 --> 00:45:02,279 Speaker 1: like an egg and some toes. 941 00:45:02,560 --> 00:45:04,360 Speaker 2: An egg will be the bacon, and then. 942 00:45:04,280 --> 00:45:06,840 Speaker 1: Like glass of orange juice. She has one sip. 943 00:45:07,280 --> 00:45:10,040 Speaker 2: She I could see her having like a full glass 944 00:45:10,080 --> 00:45:11,040 Speaker 2: of orange juice every. 945 00:45:10,920 --> 00:45:13,680 Speaker 1: Day more than coffee. Yeah, like I start my day 946 00:45:13,719 --> 00:45:16,880 Speaker 1: with vitamin C. Yeah, okay, I'll double down in that 947 00:45:17,080 --> 00:45:17,960 Speaker 1: orange juice. 948 00:45:18,080 --> 00:45:21,319 Speaker 2: Orange juice, which is very like fifties. What does she 949 00:45:21,440 --> 00:45:27,760 Speaker 2: wear only the crispis crispis suit and pillar and gloves. 950 00:45:27,480 --> 00:45:28,920 Speaker 1: And like coats with belts. 951 00:45:29,239 --> 00:45:30,719 Speaker 2: Well, I love it. In the beginning she has that 952 00:45:30,800 --> 00:45:34,200 Speaker 2: like nail on her wall so she can zip herself 953 00:45:34,239 --> 00:45:35,400 Speaker 2: into fancy dresses. 954 00:45:35,880 --> 00:45:38,520 Speaker 1: Oh, I need to do that, get into my courses. 955 00:45:38,640 --> 00:45:39,080 Speaker 2: Yeah. 956 00:45:39,160 --> 00:45:40,600 Speaker 1: And in the beginning of the book, her since her 957 00:45:40,640 --> 00:45:42,719 Speaker 1: mom's a seamstress, she gives her all these patterns and 958 00:45:42,760 --> 00:45:45,399 Speaker 1: her mom is like, you're pregnant, like you can't fit 959 00:45:45,480 --> 00:45:46,879 Speaker 1: into this, and she's just. 960 00:45:46,800 --> 00:45:50,240 Speaker 2: Like, okay, fine, yeah, stopping such a judgmental judy. 961 00:45:50,280 --> 00:45:52,600 Speaker 1: But I'm multiply so fab her just being like looking 962 00:45:52,600 --> 00:45:54,560 Speaker 1: for patterns and being like, ooh I want that. 963 00:45:54,880 --> 00:45:57,000 Speaker 2: Yeah, she sees what she likes and she goes. 964 00:45:57,320 --> 00:45:59,200 Speaker 1: And she's big chanal sunglasses. 965 00:45:59,320 --> 00:46:01,160 Speaker 2: I mean, I do want if at ninety two. I 966 00:46:01,160 --> 00:46:03,200 Speaker 2: think maybe she's like a little bit more just like 967 00:46:03,320 --> 00:46:05,799 Speaker 2: Granny sound wearing capris and like a sweater. Yeah. 968 00:46:05,840 --> 00:46:07,839 Speaker 1: I mean I was watching an interview with her where 969 00:46:07,880 --> 00:46:09,439 Speaker 1: she was like getting out of jail and like being 970 00:46:09,440 --> 00:46:11,360 Speaker 1: fabulous and they were trying to be like will you 971 00:46:11,400 --> 00:46:13,759 Speaker 1: do it again? And like what happened? And she just goes, 972 00:46:13,840 --> 00:46:16,280 Speaker 1: I got what I want. She's in like a black 973 00:46:16,320 --> 00:46:18,480 Speaker 1: card game with some like sparkle on it, and I 974 00:46:18,520 --> 00:46:20,960 Speaker 1: think just like cotton pants and sneakers. 975 00:46:21,000 --> 00:46:24,040 Speaker 2: Yeah. I think her house now is like a guy like. 976 00:46:24,280 --> 00:46:27,520 Speaker 2: Her style is giving ninety like she is getting her 977 00:46:27,560 --> 00:46:30,840 Speaker 2: hair like Preston died regularly. I think she has. 978 00:46:30,600 --> 00:46:33,040 Speaker 1: Like some maybe like a pink couch. 979 00:46:33,320 --> 00:46:35,239 Speaker 2: I was thinking like more like a creamer almost a 980 00:46:35,280 --> 00:46:36,760 Speaker 2: yellowy like any leather couch. 981 00:46:37,280 --> 00:46:38,920 Speaker 1: Oh, leather couch kind of like. 982 00:46:38,960 --> 00:46:40,560 Speaker 2: Deep white, you know, with the really like kind of 983 00:46:40,640 --> 00:46:42,920 Speaker 2: why yes, arms arms. 984 00:46:42,560 --> 00:46:44,880 Speaker 1: On the side. I think her TV is like a 985 00:46:44,920 --> 00:46:47,560 Speaker 1: little bit small actually, No, I think she's a huge 986 00:46:47,640 --> 00:46:50,600 Speaker 1: TV MASSI she's a massive teak. She loves watching sports. 987 00:46:50,640 --> 00:46:52,560 Speaker 2: Yeah, she likes sports. She's a guy's girl and she 988 00:46:52,600 --> 00:46:53,960 Speaker 2: has it. It's like one of those things like where 989 00:46:53,960 --> 00:46:55,200 Speaker 2: it's like built into the stand. 990 00:46:55,280 --> 00:46:57,279 Speaker 1: She actually is so eighty for Brady. I feel like 991 00:46:57,320 --> 00:47:01,240 Speaker 1: she's sitting with a blanket and like watching like Ohio 992 00:47:01,400 --> 00:47:04,920 Speaker 1: State played like basketball, yeah, and she's like has a 993 00:47:04,920 --> 00:47:07,480 Speaker 1: bowl of chips, but she's just having like one. 994 00:47:07,239 --> 00:47:09,399 Speaker 2: Hip, absolutely one ship, and like. 995 00:47:09,840 --> 00:47:13,560 Speaker 1: And a fresca and it's like oh Bengals. 996 00:47:12,880 --> 00:47:18,160 Speaker 2: Yes, absolutely, And there's like one Bengals photo like framed, 997 00:47:18,480 --> 00:47:20,279 Speaker 2: and she doesn't have pictures of her kids because she 998 00:47:20,560 --> 00:47:21,239 Speaker 2: forgot about that. 999 00:47:21,280 --> 00:47:24,520 Speaker 1: I think she has like one one photo of Ronda 1000 00:47:24,560 --> 00:47:26,560 Speaker 1: and Ronnie and they are like checking up on her, 1001 00:47:26,600 --> 00:47:29,640 Speaker 1: but I altimately they're like eye roll about her, like 1002 00:47:29,719 --> 00:47:32,280 Speaker 1: at this point being like are you still boosting? 1003 00:47:32,719 --> 00:47:37,120 Speaker 2: But maybe they're also like being like trying to sell 1004 00:47:37,200 --> 00:47:40,919 Speaker 2: like a T shirt or something. Oh that's like don't kids, 1005 00:47:41,320 --> 00:47:43,000 Speaker 2: or like they're trying to like get the movie off 1006 00:47:43,040 --> 00:47:43,319 Speaker 2: the grid. 1007 00:47:43,400 --> 00:47:46,279 Speaker 1: They probably are. I also watched this interview with the 1008 00:47:46,280 --> 00:47:49,399 Speaker 1: guys who made the documentary about her Shocker. They're gay, 1009 00:47:50,080 --> 00:47:53,399 Speaker 1: Oh of course, of course, and like they were people she. 1010 00:47:53,360 --> 00:47:55,760 Speaker 2: Talked about when she's like she's like in Palm Springs 1011 00:47:55,800 --> 00:47:57,480 Speaker 2: and I was like, is this just like a gay guy? 1012 00:47:57,560 --> 00:47:59,920 Speaker 2: It was still like NYU student being like I want 1013 00:47:59,920 --> 00:48:00,680 Speaker 2: to make a doctor. 1014 00:48:00,800 --> 00:48:03,200 Speaker 1: I want to make a documentary about you. You're pretty fabulous, 1015 00:48:03,200 --> 00:48:06,000 Speaker 1: and they like, this is my problem with like documentary 1016 00:48:06,000 --> 00:48:09,080 Speaker 1: culture today is like how exploitive it is. In this interview, 1017 00:48:09,160 --> 00:48:11,880 Speaker 1: they're like, no, like she did grow up in a 1018 00:48:11,880 --> 00:48:14,680 Speaker 1: coal miner. But they're like, also, she's really manipulative. And 1019 00:48:14,719 --> 00:48:17,880 Speaker 1: I was like, yes, but who cares. 1020 00:48:18,200 --> 00:48:21,840 Speaker 2: Wait, but you think they're being exploitative or they're just 1021 00:48:21,880 --> 00:48:23,640 Speaker 2: being not nice by saying she's manipula. 1022 00:48:23,719 --> 00:48:26,080 Speaker 1: They're being like a little explosive, but also like she 1023 00:48:26,120 --> 00:48:29,000 Speaker 1: wants her story told. I just feel like every crime 1024 00:48:29,040 --> 00:48:30,520 Speaker 1: documentary they're like too horny. 1025 00:48:30,600 --> 00:48:32,960 Speaker 2: Now, I mean they're definitely too horny, and it's so 1026 00:48:33,080 --> 00:48:35,560 Speaker 2: always like so Starcase where they're like fucking their subject 1027 00:48:35,560 --> 00:48:39,440 Speaker 2: for seven years. Yeah, and she though is literally an 1028 00:48:39,480 --> 00:48:42,600 Speaker 2: international jewel thief, and so I feel like she's less 1029 00:48:42,600 --> 00:48:44,120 Speaker 2: of like such a victim. 1030 00:48:44,239 --> 00:48:46,279 Speaker 1: No, I don't think she's a victim. I just found them. 1031 00:48:46,560 --> 00:48:47,200 Speaker 1: It's a little bit. 1032 00:48:47,280 --> 00:48:49,279 Speaker 2: I want to tell her story and she and she's like, 1033 00:48:49,280 --> 00:48:50,080 Speaker 2: get out of your earth. 1034 00:48:50,120 --> 00:48:51,960 Speaker 1: But then she did she because she wants a movie 1035 00:48:52,000 --> 00:48:52,720 Speaker 1: about herself. 1036 00:48:52,880 --> 00:48:54,439 Speaker 2: I mean again, I think we all want this movie. 1037 00:48:54,680 --> 00:48:56,600 Speaker 1: We all want this movie bad, So it's more I 1038 00:48:56,640 --> 00:48:58,680 Speaker 1: guess I was maybe like jealous, and I was like, 1039 00:48:59,080 --> 00:49:01,640 Speaker 1: I want to be the gig couple, like getting the 1040 00:49:01,719 --> 00:49:02,800 Speaker 1: rights to your story. 1041 00:49:03,080 --> 00:49:07,319 Speaker 2: There's obviously something going on with like rights and development. 1042 00:49:06,760 --> 00:49:11,200 Speaker 1: And shelving and the pandemic, And was attached to what 1043 00:49:11,560 --> 00:49:16,440 Speaker 1: right I O you are you in the book? I mean, 1044 00:49:17,120 --> 00:49:22,160 Speaker 1: I mean, are you? Yeah, like in your kind of Doris. 1045 00:49:21,880 --> 00:49:24,440 Speaker 2: But I don't have that confidence. You don't steal a 1046 00:49:24,440 --> 00:49:25,919 Speaker 2: half a million dollars. 1047 00:49:25,600 --> 00:49:28,239 Speaker 1: But you like definitely have more confidence to steal the 1048 00:49:28,280 --> 00:49:32,160 Speaker 1: newspaper at odds and News than I do. Right, do 1049 00:49:32,239 --> 00:49:35,640 Speaker 1: you think I'm Babe? I'm a Russell Crow look alike, 1050 00:49:35,880 --> 00:49:38,879 Speaker 1: like Jewish mobster in Ohio? 1051 00:49:39,719 --> 00:49:42,120 Speaker 2: Am I a little more kind of I'm trying to 1052 00:49:42,080 --> 00:49:44,080 Speaker 2: remember it good because you're like more of a stoner. 1053 00:49:45,000 --> 00:49:47,120 Speaker 1: Yeah, I guess I'm like, maybe I feel like Babe 1054 00:49:47,200 --> 00:49:49,960 Speaker 1: is a little more like possibly like would rough up 1055 00:49:50,000 --> 00:49:54,560 Speaker 1: someone gay filmmaker? Yeah, I know, honestly I'm the gay 1056 00:49:54,600 --> 00:49:56,840 Speaker 1: and my filmmaker who already been a documentary about her, 1057 00:49:56,840 --> 00:49:59,600 Speaker 1: and I'm like, he actually did it wrong. I think 1058 00:49:59,640 --> 00:50:00,319 Speaker 1: I do it better. 1059 00:50:00,560 --> 00:50:03,160 Speaker 2: We were literally recording a podcast about her right now. 1060 00:50:03,520 --> 00:50:08,080 Speaker 1: Doris Payne was born in nineteen forty two in a 1061 00:50:08,239 --> 00:50:12,200 Speaker 1: small West Virginia black hole mining town. Okay, so we're 1062 00:50:12,239 --> 00:50:14,960 Speaker 1: both of these guys, but you I think you have 1063 00:50:15,160 --> 00:50:16,080 Speaker 1: hints of Doris. 1064 00:50:16,320 --> 00:50:20,080 Speaker 2: I mean you've been to France, but not on your own. 1065 00:50:19,680 --> 00:50:23,040 Speaker 1: Not on my own dollar. But it's just pretty Doris. 1066 00:50:23,080 --> 00:50:26,279 Speaker 2: One day you're going to travel alone. It's gonna be 1067 00:50:26,320 --> 00:50:28,879 Speaker 2: so like when kids fly and I'm going to put 1068 00:50:28,920 --> 00:50:30,040 Speaker 2: you on a plane on. 1069 00:50:30,560 --> 00:50:33,719 Speaker 1: Like there's you're saying to like the stewardess. Yeah, I 1070 00:50:33,719 --> 00:50:36,279 Speaker 1: said the stewardess. They're gonna be like, okay, can you 1071 00:50:36,360 --> 00:50:39,600 Speaker 1: watch Lily? And then they're like where did Lily got 1072 00:50:39,640 --> 00:50:41,520 Speaker 1: the end of the flight? And I'm already like in 1073 00:50:41,719 --> 00:50:43,759 Speaker 1: big sunglasses. 1074 00:50:44,600 --> 00:50:49,080 Speaker 2: Where are my wings? I give this book ten Yeah, 1075 00:50:49,120 --> 00:50:51,120 Speaker 2: I give this like ten van artful watches at a time. 1076 00:50:51,160 --> 00:50:52,880 Speaker 2: I mean, it was really fun and it was a 1077 00:50:52,880 --> 00:50:54,879 Speaker 2: really quickly away like breeze there can put it down. 1078 00:50:54,880 --> 00:50:56,280 Speaker 2: It was just like it was a slapper. 1079 00:50:56,480 --> 00:50:59,560 Speaker 1: It's a sleigh and a slapper. It's really fun. I 1080 00:50:59,600 --> 00:51:01,600 Speaker 1: hadn't heard of her, so that was also fun, and 1081 00:51:01,640 --> 00:51:03,680 Speaker 1: it's like just like a caper in a way. You know, 1082 00:51:03,680 --> 00:51:05,600 Speaker 1: we have our Ocean Saint and our Ocean's eleven. 1083 00:51:05,920 --> 00:51:07,600 Speaker 2: Yeah, but it's a charming caper. 1084 00:51:07,480 --> 00:51:09,600 Speaker 1: Really charming. Bring to the beach this summer. 1085 00:51:10,080 --> 00:51:12,760 Speaker 2: Okay, have fun, club kids, have fun. 1086 00:51:12,560 --> 00:51:15,600 Speaker 1: Club kids, steel diamonds, try on tons of watches. 1087 00:51:15,960 --> 00:51:17,000 Speaker 2: It's a victimless crime. 1088 00:51:17,360 --> 00:51:27,319 Speaker 1: Best best multi million dollar podcast. Celebrity Book Club was 1089 00:51:27,440 --> 00:51:32,799 Speaker 1: produced by Darby Masters. I met her in Cleveland. It 1090 00:51:32,800 --> 00:51:36,640 Speaker 1: was nineteen sixty two. She worked at the five and dime. 1091 00:51:37,640 --> 00:51:41,840 Speaker 1: We had some fun together. The supervising producer is Abu Safar. 1092 00:51:42,960 --> 00:51:47,759 Speaker 1: We met in Monaco. He sold me a watch for 1093 00:51:48,080 --> 00:51:54,880 Speaker 1: three million dollars. The executive producer is Christina Everett. We've 1094 00:51:54,920 --> 00:51:59,840 Speaker 1: never met, but she's the only jewel thief in this town. 1095 00:52:00,280 --> 00:52:04,400 Speaker 1: The artworks by Teddy Blanks. I have one of his 1096 00:52:04,600 --> 00:52:07,919 Speaker 1: pieces in my home. I don't know how it got here. 1097 00:52:08,600 --> 00:52:12,640 Speaker 1: The theme songs done by Stephen Phillips Horst. He used 1098 00:52:12,640 --> 00:52:16,560 Speaker 1: to play this jazz club in Montreal. I liked what 1099 00:52:16,640 --> 00:52:20,840 Speaker 1: he does on the drums. This podcast was co creative 1100 00:52:20,880 --> 00:52:25,319 Speaker 1: proll up projects. Soon I hear they'll be selling a 1101 00:52:25,360 --> 00:52:28,600 Speaker 1: new line of watches. I plan to visit one of 1102 00:52:28,640 --> 00:52:31,080 Speaker 1: their locations very soon