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Speaker 1: So James Marsen takes like a huge swig of hand

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Speaker 1: sanitizer and it's like, did anyone order a bunch of

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Speaker 1: fucking pool water in their face? And he jumps off

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Speaker 1: the roof into the pool but he hit he like

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Speaker 1: hit the side a little bit, a little bit of

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Speaker 1: his head hits aside. That's cool. Hey, Welcome to Hollywood Handbook.

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Speaker 1: It's an insider's guide to kicking button dropping names in

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Speaker 1: the red carpet lineback hallways of this industry we call showbiz.

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Speaker 1: What up?

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Speaker 2: What up?

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Speaker 1: We're here doing the show. There's a huge amount going

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Speaker 1: on in entertainment this week. We have a lot of

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Speaker 1: puff to get to. We want to get right into it.

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Speaker 1: There's no time to talk about anything else except the

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Speaker 1: big news in Hollywood and what's going on in movies,

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Speaker 1: TV and some of the new Internet, some of the

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Speaker 1: new Internet stuff, the new media space and bloggic a

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Speaker 1: little bit. The big thing this week, it's time to

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Speaker 1: save Farewell to today, Letterman. It's a sad moment for

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Speaker 1: comedy fans and also people who work in comedy but

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Speaker 1: don't watch it that much.

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Speaker 3: Yeah, I was a lot of people don't know I

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Speaker 3: was on varsity ski team with David Letterman, and we

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Speaker 3: both wore our Letterman jackets and we made a lot

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Speaker 3: of hay out of that, and we really laughed a

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Speaker 3: lot about all the different jokes you could make. And

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Speaker 3: you can just imagine that it was hours and weeks of.

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Speaker 1: Those jokes, and that's how fearless he was, and not

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Speaker 1: caring about what a coach might say.

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Speaker 3: Yes, or because the coach didn't want us to make

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Speaker 3: jokes about the Letterman jackets, but you just couldn't stop Dave.

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Speaker 1: And so even then I knew he was going to

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Speaker 1: be really special, and he really could take on the

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Speaker 1: slopes and going so fast and not even being scared.

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Speaker 3: And the fearlessness and the scaredlessness and the bravery are

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Speaker 3: all elements of what made Dave Dave and what made

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Speaker 3: that show a big part of Our Hearts America and.

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Speaker 1: The best part for us. Sad that Dave is leaving.

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Speaker 1: But it's always really great when anyone does anything to

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Speaker 1: read a bunch of lists about who the next person

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Speaker 1: should be to do that thing.

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Speaker 3: Yes, whenever something is changing, why would you fail to

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Speaker 3: predict ways that it could turn out publicly and repeat

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Speaker 3: everyone else who's doing the same. Sure, I don't understand

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Speaker 3: that cowardice, and Dave wouldn't have wanted that. He would

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Speaker 3: have been brave enough that if he wasn't the one leaving,

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Speaker 3: you better believe you'd be reading ten lists from Dave Letterman.

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Speaker 3: Mm hmmm, because he loves top ten lists?

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Speaker 1: Is that interesting? Is that something interesting? And so Sean

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Speaker 1: and I naturally we heard the news. We started getting

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Speaker 1: together to put together our top ten list. We started

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Speaker 1: reading the other list to see if there were any

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Speaker 1: names on there that would be good that we could

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Speaker 1: use for ours. And a lot of these lets say

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Speaker 1: that just women, just for women who could replace David Letterman,

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Speaker 1: which you read the headline and it's like, who is

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Speaker 1: there that would do that? Just who is out there?

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Speaker 3: Yeah, So they say, oh, here's ten women who can

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Speaker 3: replace David Letterman, and I start thinking and and I

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Speaker 3: don't immediately think.

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Speaker 1: Of all of them, and I go, well, I better

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Speaker 1: read the list. Sure, and we found a bunch of

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Speaker 1: really good lists. There's one from Jezebel that we want

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Speaker 1: to go over, which is like a magazine for teens.

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Speaker 1: We'll just go one by one and talk about all

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Speaker 1: the great names that are on this number ten is

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Speaker 1: Julie Klausner. Her popular house Your Week podcast is funny

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Speaker 1: and warm and smart. Her writing is wicked and sharp.

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Speaker 1: I don't care about your band made me laugh so

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Speaker 1: hard I cried. And she's got plenty of experience on camera.

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Speaker 1: She might not be a household name, but she's got

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Speaker 1: the sort of pluck that could win America over. I

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Speaker 1: get it. She has a funny podcast, she wrote a

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Speaker 1: really funny book that's good. I see it. I think

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Speaker 1: you to me.

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Speaker 3: And if you remember, Letterman started out he had a

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Speaker 3: podcast and then he wrote a book. I think six

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Speaker 3: or so years before he wound up posting the show.

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Speaker 1: Mm hmm, Amy Schumer, I didn't really see it, my Rudolph,

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Speaker 1: I'm not sure. Nicki and Sarah Nicky Glazer and Sarah Shaeffer.

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Speaker 1: They co hosted a late night talk show on MTV

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Speaker 1: that ended its criminally short run last year. The two

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Speaker 1: have excellent chemistry and the time they freaked out over

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Speaker 1: justin Timberlake it's still one of my favorite recent talk

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Speaker 1: show moments. That the show got canceled was a travesty.

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Speaker 1: Reinstating them in late night would partially in paratheticals remedy that.

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Speaker 3: Now that partially is so important because I was going

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Speaker 3: to take this list maker to task when they said

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Speaker 3: that they thought it would remedy it. Sure, Okay, these

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Speaker 3: guys had an MTV show and if you didn't see it,

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Speaker 3: you're part of the problem. And it got canceled. And

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Speaker 3: then if you were to give them late Night. Some

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Speaker 3: would you should do, yes, which you should. Some would

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Speaker 3: say that makes up for it, but I think it

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Speaker 3: only partially makes up for it. You should also give

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Speaker 3: them back the MTV show so they can do both shows.

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Speaker 1: They can do both shows, and then that would make

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Speaker 1: up for it. And obviously the natural next step after

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Speaker 1: they had a talk show that did not do well

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Speaker 1: with a much smaller market is to give them the

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Speaker 1: challenge of having to do a show that really everyone

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Speaker 1: in the country would want to watch.

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Speaker 3: And be under the microscope in that way. And I

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Speaker 3: think if you remember when David Letterman started first hosting

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Speaker 3: the show, and a lot of people don't remember this,

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Speaker 3: he was just coming off an MTV show that hadn't

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Speaker 3: done that well, and I think he was always math

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Speaker 3: that he got that late show and he didn't get

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Speaker 3: the MTV show back and that's.

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Speaker 1: Maybe why he quit. Next other list is Rheta from

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Speaker 1: Parts of Rex. So yes, Redta has never had a

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Speaker 1: talk show before, but just imagine her interviewing celebrities. Imagine it.

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Speaker 1: It is pretty funny. The weakness and other late night

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Speaker 1: network late night shows is that the host sucker interviewing

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Speaker 1: unabashed pop culture. Nerd Retta would own.

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Speaker 3: There's no better interviewer than somebody who is nerding out

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Speaker 3: and is a really uh just sort of fangirling and

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Speaker 3: loving the pop culture.

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Speaker 1: Because that's a problem with someone like Fallon is, yeah,

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Speaker 1: seems pretty disinterested and he's kind of being a real

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Speaker 1: dick when they come on the show.

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Speaker 3: Yeah, he doesn't really love their shit. He's so removed

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Speaker 3: from it. I don't think he finds anything funny except

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Speaker 3: for his own shit. And so when they're talking, he's

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Speaker 3: not laughing. He's checking his phone a lot of times

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Speaker 3: time and one time he'd doing your access. And so

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Speaker 3: I would rather see somebody who's just like.

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Speaker 1: Hey, this is great, you're great, being like yes, and

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Speaker 1: just see like having some fun with it. That's a

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Speaker 1: fun interview. And if you remember when Letterman first started

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Speaker 1: doing interviews, the thing that people loved was that he

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Speaker 1: he never really had any sort of dry, sarcastic fallin

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Speaker 1: type humor going on, and the questions he asked were

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Speaker 1: all questions that you knew the answer to and that

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Speaker 1: you could then say, that's great, and her Twitter's great,

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Speaker 1: and so that's why she should have basically the biggest

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Speaker 1: platform that there is for a comedian. But would she

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Speaker 1: do it because she already sort of has Parks and

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Speaker 1: that her see her on a lot of lists, But

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Speaker 1: Parks and rec is sort of her show at this point,

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Speaker 1: and I sort of wonder if she would why would

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Speaker 1: she need another show? Number five Amy Pohler and Tina

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Speaker 1: Fey as co host of The Golden Globes. This duo

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Speaker 1: was funny, accessible and able to hold the attention of

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Speaker 1: a crowd of jerks. Both have plenty of other projects

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Speaker 1: in the works, so who knows if either of them

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Speaker 1: would ever want a hosting gig. But if somehow the

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Speaker 1: gods brought together a polar Face show, I'd move mountain

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Speaker 1: to watch as often as I could, and I'd insist

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Speaker 1: on every some other stuff. Now, I really like putting

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Speaker 1: these two together in a list that is helpful. That's

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Speaker 1: a way to squeeze. There are so many good reasonable

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Speaker 1: names on it that you need to really squeeze. Eleven

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Speaker 1: and there in a list of ten yes, and those

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Speaker 1: are the two to put together.

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Speaker 3: And I think that you know someone like Oretta who

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Speaker 3: we just talked about. Obviously, if she's flying solo, that's

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Speaker 3: okay because of all the things we said that she

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Speaker 3: has done well, which is be the main character on

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Speaker 3: Parks and rec and have a Twitter page. But somebody

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Speaker 3: like just a Tina Fey or just an Amy Poehler,

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Speaker 3: you kind of gonna want a co pilot for them.

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Speaker 3: I don't know that either of them could carry the

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Speaker 3: show themselves. The problem I have with this rite up

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Speaker 3: is they go who knows if either of them would

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Speaker 3: even want a hosting gig. It's like, well, a little

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Speaker 3: birdie told me that they're sick of doing hit movies

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Speaker 3: and TV shows and being able to kind of have

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Speaker 3: a more normal schedule, and what they'd like to do

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Speaker 3: is make the same show every night over and over again,

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Speaker 3: as long as they have a buddy, as long as

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Speaker 3: they have Yeah, they obviously wouldn't do it. Hello, Yes, no,

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Speaker 3: that who would watch that Tina Fey hosting a show

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Speaker 3: by her.

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Speaker 1: Chelsea Handler, Ellen Degenerous, Wanda Sykes. This one is great.

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Speaker 1: Joan Rivers the last one on the list. Just to

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Speaker 1: give NBC the middle finger. What an amazing fu that

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Speaker 1: would be to NBC saying like, oh, so you think

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Speaker 1: like you're doing that right with your new like tonight

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Speaker 1: show that's a really big hit. Well how about we

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Speaker 1: put this like really really old lady on the show. Yeah,

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Speaker 1: she's like really sick and people don't really There was

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Speaker 1: a movie recently about how she's not that popular and

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Speaker 1: she's broke. But just like God, wouldn't that piss you off?

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Speaker 1: That like we got Joan.

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Speaker 3: Yeah, suddenly CBS is doing fashion police numbers. NBC just

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Speaker 3: has to sit back.

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Speaker 1: And watch just eat it. Oh oh gosh.

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Speaker 3: And it's a long term solution because Joan Rivers is

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Speaker 3: gonna be around forever.

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Speaker 1: And I appreciate, you know, not putting the the you know,

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Speaker 1: the people like like the people who obviously don't have

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Speaker 1: a chance among women like Aisha Tyler, a Silverman, Chelsea Peretti.

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Speaker 3: Yes, people who, let's face it, just don't have what

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Speaker 3: some of these other people.

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Speaker 1: Murphy Whitney Cummings, Kristin Shawl. They have this stand up

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Speaker 1: background that doesn't really lend itself well to going out

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Speaker 1: on stage and telling jokes. Yes, that's right.

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Speaker 3: Yeah, I think that they wisely ignored a lot of

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Speaker 3: famous female stand up comedians to go for more people

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Speaker 3: who you want to see host a talk.

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Speaker 4: Show with the exceptional course of a solo Amy Polo

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Speaker 4: or Tina Fey, which is what I thought they were

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Speaker 4: saying it first, and I just can't imagine what that

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Speaker 4: would even look like.

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Speaker 1: So let's get to our own because we did our

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Speaker 1: own list as well.

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Speaker 3: I want to get to our own list, and we

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Speaker 3: like that a lot. There were a lot of lists

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Speaker 3: of like the ten women who could take over The

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Speaker 3: Letterman Show, and we like the idea of an underrepresented

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Speaker 3: group getting it to do. But at the same time,

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Speaker 3: let Himan wasn't really about that mission that message.

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Speaker 1: He was just about being fearless and tough, and the

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Speaker 1: comedy like comedy would come out of that sometimes, like

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Speaker 1: there would be moments laugh but it's would also just

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Speaker 1: be like being so amazed at his bravery and the

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Speaker 1: stuff that he would get out there and do, and

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Speaker 1: so it would make other people so scared and would

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Speaker 1: be scary, so brave, a true renegade. Okay on late

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Speaker 1: at night.

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Speaker 3: Okay, is this starting to remind you of someone else

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Speaker 3: we've maybe talked about before. M hm.

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Speaker 1: And yes, he goes out at night. He goes out

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Speaker 1: at night. He's not scared.

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Speaker 3: He essentially interviews people because he's always asking criminals like where,

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Speaker 3: what they're doing or what?

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Speaker 5: How?

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Speaker 1: Why only they won't get out of there? Mm hmm.

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Speaker 1: And he goes after the bad guys that no one

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Speaker 1: else is really willing to touch, like OJ and like Oprah.

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Speaker 3: Yes so, and that in that way, like Letterman is

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Speaker 3: kind of more of a Batman figure, And so when

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Speaker 3: you think about Letterman replacements, shouldn't you be thinking about

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Speaker 3: who would make good Batman?

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Speaker 1: M hmm. We've gone over some of these people before.

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Speaker 1: Who would also all be good lettermans? Like maybe one

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Speaker 1: of the Metallica guys because they're they're so brave.

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Speaker 3: They're pretty tough. One of those MythBusters, one of those MythBusters.

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Speaker 1: Yes, Elizabeth Smart, Yes, I think she you know, is

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Speaker 1: what she went through being kidnapped for six.

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Speaker 3: Months, she could probably handle a clooney interview, you know.

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Speaker 3: And that's and that's just the truth of it.

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Speaker 1: But also, how about, for a change, you talk about

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Speaker 1: underrepresented groups. Like we were saying, there's all these comedy

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Speaker 1: people doing the doing these shows. Now what about someone

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Speaker 1: who's doing like real work and stuff that we actually need. Like,

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Speaker 1: what about like a fire man, Yes, what about.

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Speaker 3: A New York fireman hosting a New York shell You

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Speaker 3: think that makes sense?

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Speaker 1: A guy who just freaking kicked a door down and

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Speaker 1: just like carried somebody out and just like who's like,

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Speaker 1: it's okay, come with me, and just like the wood

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Speaker 1: is falling everywhere, just like hold on the latter's over here.

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Speaker 1: I think he could maybe handle a monologue.

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Speaker 3: Yeah, he might be able to pull off a sketch.

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Speaker 3: And I'll tell you what. People will not like this

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Speaker 3: suggestion because they think it should be a comedian, But

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Speaker 3: you should remember that comedy was always secondary for Letterman. Yes,

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Speaker 3: number one, it was about being tough, let people know

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Speaker 3: where you stand. Yes, number two, it was about making

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Speaker 3: sure Paul Shaffer had a gig.

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Speaker 1: And also, and I assume he'll be sticking around for

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Speaker 1: I can't imagine the Late Show without Paul Shaffer. Like

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Speaker 1: they haven't changed a name, they haven't announced what he

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Speaker 1: is gonna do, but it's not the lay show with

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Speaker 1: you don't have to change a name. So also I

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Speaker 1: want to say, I say fireman. I think a firewoman

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Speaker 1: would do a great job, maybe even a better job.

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Speaker 1: Thousand percent yes, one thousand percent yes, facing the kind

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Speaker 1: of discrimination that sometimes you face with people like wondering

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Speaker 1: like can you carry the hose, and like like if

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Speaker 1: she can get through something like that, I think she

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Speaker 1: would be a really good fit for the Late Show

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Speaker 1: on CBS.

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Speaker 3: Yeah, I think she'd be able to handle maybe, you know,

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Speaker 3: doing a field piece.

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Speaker 1: Who else is brave?

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Speaker 3: Well, off the top of my head, just you know,

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Speaker 3: I mean, that is most of our list. But if

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Speaker 3: I'm just gonna name someone who's super brave for me,

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Speaker 3: it's probably you.

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Speaker 1: That's really nice. Why, I guess.

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Speaker 3: Because just us doing this podcast is so fucking bold,

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Speaker 3: and I know you'd never do the Late Show because

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Speaker 3: it's beneath you.

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Speaker 1: But well, wait, I have this, you have this, But.

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Speaker 3: I know that a lot of people want to stop us,

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Speaker 3: and they don't want us to be able to get

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Speaker 3: this Jezebel list out to them masses and do some

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Speaker 3: of the daring stuff we've done but just like the

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Speaker 3: hero Daredevil from the comic books, I think that we

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Speaker 3: do do daring stuff and we do not always even

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Speaker 3: need to like be able to see what we're doing.

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Speaker 1: And we have this in a way because obviously you're

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Speaker 1: on my list is as well as oh my god, yeah,

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Speaker 1: well stop of course so brave and I'm always so

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Speaker 1: impressed by the things that you'll come on here and

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Speaker 1: say that, you know, I can't imagine doing the show

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Speaker 1: with anyone else, and it's been such an incredible run.

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Speaker 3: I wouldn't I wouldn't do the show if it was

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Speaker 3: somebody else in that chair. I turn around and I'd

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Speaker 3: leave because I wouldn't want to do the show.

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Speaker 1: And it's been just having such a great time, and

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Speaker 1: I've had such outlet.

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Speaker 3: And I've had so much fun, and I've learned so much.

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Speaker 3: And I feel like the response that I get when

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Speaker 3: people tell me that I'm the best podcast host in

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Speaker 3: the game or whatever, and I just say, like, you

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Speaker 3: should be talking to Hayes.

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Speaker 1: And like, I don't really read that stuff, but like

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Speaker 1: I people, if they're saying about you, I'm sure they're

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Speaker 1: saying about me too, And so then I would say

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Speaker 1: that's what I tell him they should. Well, in that case,

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Speaker 1: he should probably be saying it about Sean as well.

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Speaker 1: I guess you already did they do? Yeah?

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Speaker 2: Uh?

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Speaker 1: What about that Lone Survivor that yes, the real not

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Speaker 1: maybe not the real guy, but like but even just

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Speaker 1: Taylor Kitch he was in. Yeah, those guys are famous.

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Speaker 1: You know, they've been in movies and stuff. They would

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Speaker 1: be like a big draw.

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Speaker 3: Yeah, it's recognizable. And and just the way back from

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Speaker 3: the whole John Carter, it goes to Mars and all

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Speaker 3: the his Martian movie and then his his Ship movie,

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Speaker 3: and the way he's able to go and make another movie.

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Speaker 3: It's like, well, I think he'd be brave enough to

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Speaker 3: maybe go and make another show after maybe he has

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Speaker 3: like a bad Joaquin Phoenix interview.

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Speaker 1: Those those people are all brave. And then uh, what

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Speaker 1: about the guy from the Brownie paper towels rapper? Wow?

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Speaker 3: Yes, I know that he never backs down from a stain, and.

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Speaker 1: Some of those stains can be pretty scary to get up.

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Speaker 1: And some other paper towel guys might not be able

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Speaker 1: to handle like a certain stain like.

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Speaker 3: Bounty doesn't even have a guy Viva you know, sounds

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Speaker 3: foreign like we want an American host. And also the

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Speaker 3: thing he'd be great at is if he had to

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Speaker 3: go and do like the Nickelodeon Kids Choice Awards, everybody's

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Speaker 3: getting slimmed everywhere.

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Speaker 1: Who would you want to get towel guy? Yeah, right,

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Speaker 1: because that's always the problem with those shows.

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Speaker 3: It's a fun show, but you get the slim off

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Speaker 3: before you get in the limo.

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Speaker 1: It's like they're never thinking about what's next.

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Speaker 3: No, they don't think about the rest of your night.

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Speaker 3: So I'd love to see him have a little more prominence.

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Speaker 1: Speaking of Brave, we have a guest tonight who is

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Speaker 1: like a normal guy, like the bravest guy in the world,

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Speaker 1: not like a not like a scaredy pussy, right, but

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Speaker 1: you know normal. Yeah, normal dude. Joe Wanger is here.

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Speaker 1: He just did his Comedy Central half hour, and he's

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Speaker 1: also done uh TV and some movie stuff, and he's

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Speaker 1: he's in the entertainment industry and he's gonna come on

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Speaker 1: our show and and and and talk about some of

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Speaker 1: that and and those themes on Hollywood Handbook.

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Speaker 2: Hollywood Handbook.

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Speaker 1: So I look at Jared Well, I got a question

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Speaker 1: for you. Yea, is it a black bread Laura Pizza. Yeah,

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Speaker 1: He's like.

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Speaker 2: Oh, I go, it's a Tita.

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Speaker 3: Drops the mic, dropped Mike and just got him.

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Speaker 1: Yeah. Man, Hey, welcome down Hollywood. What I welcome to Hollywood? Hamboo.

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Speaker 1: An insider's guy to kicking button dropping names in the

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Speaker 1: red carpet line back hallways of this industry we call showbiz.

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Speaker 1: We got a really great guest today. Joe Wangert is here.

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Speaker 1: Joe Gert. You know him from reading about how we

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Speaker 1: just recorded his is Comedy Central half hour of stand

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Speaker 1: up comedy. Congratulations Joe, thank you. Had you done stand

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Speaker 1: up before?

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Speaker 2: Yeah, I'd done it a couple of times before this cool?

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Speaker 1: Was it just kind of a jerk off thing for you?

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Speaker 3: Though?

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Speaker 2: Like for me, I was like, let me get up

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Speaker 2: there and just like try and put my sort of

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Speaker 2: my wildness out in a different form, you know. Nice?

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Speaker 1: Mm hmm nice, Yes, because you were pretty established prior

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Speaker 1: to that.

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Speaker 3: And I remember seeing you see someone do stand up

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Speaker 3: and going that looks fucking easy.

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Speaker 2: I looked at a lot of people doing it and

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Speaker 2: went whatever, I got this m And for me, looking

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Speaker 2: at stand up, I'm like, Okay, people have been doing

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Speaker 2: it for a little while now. But there's so much

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Speaker 2: more that could be done. Yeah, I wanted to break

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Speaker 2: the form.

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Speaker 3: And when you say put your wildness out in a

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Speaker 3: different form, do you mean other than your surf rap

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Speaker 3: rock band.

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Speaker 2: Yeah. Like that's like people always say, like the funniest

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Speaker 2: parts of those albums and those EPs and stuff and

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Speaker 2: those singles are like kind of when I'm just goofing

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Speaker 2: around on Mike before we even get into the jam.

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Speaker 2: So I was like, Okay, I should do more of that.

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Speaker 1: When you did your half hour, did you have something

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Speaker 1: to do? Was it like something like water on stage

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Speaker 1: or was it like a beer or something.

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Speaker 2: Well, they gave me the option of a beer, and

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Speaker 2: I was like, well, I want to be able to

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Speaker 2: rep my favorite brand of beer. And they were like,

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Speaker 2: we'll have to pull the label off, and I was like,

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Speaker 2: they can give me nothing, and if what brand is that?

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Speaker 2: My favorite brand of beer, the Red Bull. So I

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Speaker 2: was like, if I can't have a Red Bull up there,

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Speaker 2: then forget about it.

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Speaker 1: Like Sean was saying, you are pretty established in the

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Speaker 1: comedy world before this. You're a writer for Kroll show

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Speaker 1: mm hm, which is Sketch's right.

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Speaker 3: Is that?

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Speaker 1: Is that what you'd call it.

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Speaker 2: I mean again, it's like it's sketch, but I wouldn't

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Speaker 2: want to pick one word to describe it. And even

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Speaker 2: if you gave me an infinite number of words, I

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Speaker 2: don't think we're going.

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Speaker 1: To get there. So sure, I just tell people to

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Speaker 1: check it out english words, you mean.

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Speaker 2: English words out, because there are words that describe it somewhere.

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Speaker 1: Well.

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Speaker 3: It's like because like Eskimos have like fourteen different words

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Speaker 3: for snow, you know, and so I feel like for

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Speaker 3: sketch comedy, like maybe like an Eskimo would have a

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Speaker 3: bunch of words that would.

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Speaker 2: You know, or it's funny like we're doing a lot

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Speaker 2: of stuff right now that we're like, we don't know

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Speaker 2: if this is for everybody, but Eskimos and the Inuit people,

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Speaker 2: if they're watching it, they're like, these guys are nailing it.

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Speaker 2: Is there an Inuit in the room because they didn't

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Speaker 2: just get this just off of research, you know, like hmm,

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Speaker 2: and is there? I'm not really I can't really.

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Speaker 1: Get into that's too far behind the cart.

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Speaker 2: It's a little bit I'll give you. I'll let you

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Speaker 2: have a peek. I'll let you put a bag over

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Speaker 2: your head and feel around in the room and you

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Speaker 2: can guess what some of the stuff is, and some

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Speaker 2: of it might be a bowl of cold spaghetti. But

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Speaker 2: that's as much as I can do for you.

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Speaker 1: The sketches that you do about like blubber and how

438
00:22:25,440 --> 00:22:27,560
Speaker 1: many different uses it has, it makes me feel like

439
00:22:27,600 --> 00:22:30,400
Speaker 1: maybe there is somebody in the room who's coming from

440
00:22:30,440 --> 00:22:33,600
Speaker 1: that place. It just feels very authentic to that world.

441
00:22:33,359 --> 00:22:37,119
Speaker 2: You know, some of the pitches that come out. I'm like,

442
00:22:37,440 --> 00:22:42,120
Speaker 2: I haven't had this experience personally, because when I'm hungry,

443
00:22:42,400 --> 00:22:45,080
Speaker 2: I just like go down to Spago or something, get

444
00:22:45,119 --> 00:22:47,840
Speaker 2: my dinner there. But some of the people in the room,

445
00:22:47,840 --> 00:22:50,639
Speaker 2: when they're hungry, they cut a big hole in ice

446
00:22:51,320 --> 00:22:53,480
Speaker 2: and then they drop a fishing line down into the

447
00:22:53,480 --> 00:22:56,320
Speaker 2: hole and then I don't know, I guess a fish

448
00:22:56,359 --> 00:22:59,199
Speaker 2: comes out of there or what. But not me, I'm like,

449
00:23:00,200 --> 00:23:02,480
Speaker 2: let me take let me go Tobago. If I'm gonna

450
00:23:02,720 --> 00:23:05,800
Speaker 2: be casual, I'll go to like a chill bestow or

451
00:23:05,800 --> 00:23:07,600
Speaker 2: a bar and get a flatbird, you know what I mean?

452
00:23:09,200 --> 00:23:13,480
Speaker 1: Uh, talk about your role then in the in the

453
00:23:13,520 --> 00:23:15,199
Speaker 1: room on the show, we'd like to talk about you know,

454
00:23:16,200 --> 00:23:17,120
Speaker 1: like story.

455
00:23:16,800 --> 00:23:23,040
Speaker 3: Best story beasts, joke monsters, not in a scary way,

456
00:23:23,119 --> 00:23:28,000
Speaker 3: but just title different types, title freaks who just like

457
00:23:28,240 --> 00:23:29,760
Speaker 3: you know, when you're like, what do we.

458
00:23:29,680 --> 00:23:30,360
Speaker 1: Call this one?

459
00:23:31,320 --> 00:23:34,000
Speaker 2: Calling the title freak one of the most important things,

460
00:23:34,960 --> 00:23:37,040
Speaker 2: because yes, it's gonna come up on the DV.

461
00:23:37,080 --> 00:23:41,200
Speaker 1: Gonna come up on the DVR, yes, and for Hulu,

462
00:23:41,520 --> 00:23:44,639
Speaker 1: for Hulu, for a V club reviews, they're gonna put

463
00:23:44,640 --> 00:23:46,520
Speaker 1: it in quotes up there right at the top, right

464
00:23:46,520 --> 00:23:48,240
Speaker 1: at the top, probably with the picture.

465
00:23:49,840 --> 00:23:52,480
Speaker 3: Well, if anyone buys the disc, you know, the back

466
00:23:52,560 --> 00:23:56,000
Speaker 3: of the DVD case will have the you have the

467
00:23:56,040 --> 00:23:58,080
Speaker 3: titles listed sometimes.

468
00:23:58,040 --> 00:24:01,560
Speaker 2: You know where else the title shows up those residi checks.

469
00:24:01,240 --> 00:24:01,439
Speaker 3: You know.

470
00:24:01,680 --> 00:24:04,280
Speaker 2: So yes, you want to have a good one there.

471
00:24:04,200 --> 00:24:06,840
Speaker 3: Better make sure you're happy with it, yeah, because you're

472
00:24:06,840 --> 00:24:11,520
Speaker 3: going to be seeing it a lot. So yeah, so

473
00:24:11,640 --> 00:24:13,320
Speaker 3: the title freaks are in there.

474
00:24:14,320 --> 00:24:17,560
Speaker 2: Well, my I kind of it's not the most glamorous

475
00:24:17,640 --> 00:24:21,240
Speaker 2: role that I play on there, but you know, I

476
00:24:21,400 --> 00:24:23,360
Speaker 2: kind of im I'm a blue collar kind of guy,

477
00:24:23,440 --> 00:24:25,760
Speaker 2: so it makes sense that this is my role. But

478
00:24:26,480 --> 00:24:28,040
Speaker 2: I'm like the plot hole guy, you.

479
00:24:27,960 --> 00:24:31,080
Speaker 1: Know, so so vital.

480
00:24:32,280 --> 00:24:35,520
Speaker 2: You know, I want to have a smooth trip and

481
00:24:35,560 --> 00:24:38,840
Speaker 2: I want to see the story go from A to B,

482
00:24:39,359 --> 00:24:42,480
Speaker 2: you know, with no tire damage, with no tire damage

483
00:24:42,640 --> 00:24:44,719
Speaker 2: with I don't want you know, I don't want your

484
00:24:44,800 --> 00:24:47,280
Speaker 2: hubcap to come flying off when you're watching the show.

485
00:24:47,520 --> 00:24:50,159
Speaker 2: I want you to have the vehicle of your body

486
00:24:50,160 --> 00:24:54,040
Speaker 2: and your mind being tip top, pristine condition when you

487
00:24:54,040 --> 00:24:54,560
Speaker 2: get out.

488
00:24:54,400 --> 00:24:57,000
Speaker 3: Of and yeah, and you don't and you don't want

489
00:24:57,000 --> 00:24:59,880
Speaker 3: the track to skip, like if I'm bumping satellite by

490
00:25:01,440 --> 00:25:04,560
Speaker 3: and uh and he's just about to like really get

491
00:25:04,640 --> 00:25:06,760
Speaker 3: up there with his vocal. You don't want me to

492
00:25:06,880 --> 00:25:09,160
Speaker 3: hit the plot hole and have the track just skin.

493
00:25:09,440 --> 00:25:10,760
Speaker 2: No, you gotta start over.

494
00:25:10,960 --> 00:25:13,000
Speaker 3: Yeah, well then I'd have to start it over because

495
00:25:13,040 --> 00:25:15,159
Speaker 3: the build is a big part of that song.

496
00:25:15,040 --> 00:25:18,280
Speaker 1: The whole red rocks, the whole thing. Yeah, yeah, I

497
00:25:18,280 --> 00:25:20,560
Speaker 1: have to start the whole concert over. I don't.

498
00:25:20,720 --> 00:25:23,280
Speaker 2: Maybe you have a long trip ahead of you and

499
00:25:23,359 --> 00:25:24,880
Speaker 2: you need a little bit of a pick me up.

500
00:25:24,920 --> 00:25:27,760
Speaker 2: So you've picked yourself up with Cubano, but it's a

501
00:25:27,800 --> 00:25:29,720
Speaker 2: little too hot, so you pop the lid off and

502
00:25:29,760 --> 00:25:32,080
Speaker 2: you're like, I'm just gonna sip it carefully with no lid.

503
00:25:32,600 --> 00:25:35,240
Speaker 2: I feel confident right now that the journey that I'm

504
00:25:35,280 --> 00:25:39,560
Speaker 2: on is not gonna involve any jostling, any sort of

505
00:25:39,840 --> 00:25:41,360
Speaker 2: moving around in any way.

506
00:25:41,640 --> 00:25:43,439
Speaker 1: And this is a sandwich and a bottle.

507
00:25:44,119 --> 00:25:48,240
Speaker 2: No, this is a cubanoo. It's a I don't know

508
00:25:48,280 --> 00:25:50,280
Speaker 2: what's in it, man, but it's hot drink. I got

509
00:25:50,359 --> 00:25:53,040
Speaker 2: on the commissary get one couple times a day, you know,

510
00:25:55,040 --> 00:25:57,200
Speaker 2: and you know, maybe a little bit of simple syrup.

511
00:25:58,160 --> 00:25:59,080
Speaker 2: I know that's in there.

512
00:25:59,640 --> 00:26:03,320
Speaker 3: So you basically when you are sniffing a plot hole

513
00:26:03,400 --> 00:26:06,080
Speaker 3: or feeling a plot hole, you will get out your

514
00:26:06,119 --> 00:26:09,359
Speaker 3: spackle and get down there and just to really smooth

515
00:26:09,400 --> 00:26:13,560
Speaker 3: it over. Yeah, a real sort of Joe the Plumber type.

516
00:26:13,720 --> 00:26:15,800
Speaker 2: Right. And I'm like, I don't care how long it

517
00:26:15,800 --> 00:26:18,320
Speaker 2: takes me. It's not going to be pretty. I'm gonna

518
00:26:18,359 --> 00:26:19,840
Speaker 2: get sweaty, you know.

519
00:26:19,960 --> 00:26:23,680
Speaker 1: I'm maybe some maybe some Carver.

520
00:26:23,840 --> 00:26:27,320
Speaker 2: Oh god, hey I wear That's why people are like,

521
00:26:27,640 --> 00:26:29,960
Speaker 2: you're a slob because of what I wear to the office.

522
00:26:30,000 --> 00:26:32,399
Speaker 2: I'm like, I'm getting my hands diurdy today, okay, And.

523
00:26:32,400 --> 00:26:35,359
Speaker 1: None of it's on you. Right, Maybe you have a

524
00:26:35,359 --> 00:26:35,960
Speaker 1: little white hat.

525
00:26:36,040 --> 00:26:38,679
Speaker 3: Yeah, you should be grateful that that he's a slob,

526
00:26:38,760 --> 00:26:40,840
Speaker 3: because otherwise you'd be getting it all over.

527
00:26:40,720 --> 00:26:42,120
Speaker 1: You in the hot sun all day.

528
00:26:42,240 --> 00:26:46,760
Speaker 3: Yeah, and yeah it's hot and I and I can

529
00:26:46,840 --> 00:26:49,280
Speaker 3: relate to that. I mean, you know, I've worked with

530
00:26:49,320 --> 00:26:50,920
Speaker 3: Hayes Hayes as the bump detector.

531
00:26:51,840 --> 00:26:54,840
Speaker 1: Yes, what I do is I run my hands over

532
00:26:54,880 --> 00:26:58,600
Speaker 1: the script and I see if if there's anything that

533
00:26:58,680 --> 00:27:00,919
Speaker 1: I'm that I'm bumping on. M hm.

534
00:27:01,480 --> 00:27:03,520
Speaker 2: And you have your eyes closed or do you do

535
00:27:03,640 --> 00:27:04,480
Speaker 2: like a blind fold?

536
00:27:04,600 --> 00:27:06,040
Speaker 1: Yeah? I have my eyes because because a lot of

537
00:27:06,040 --> 00:27:08,560
Speaker 1: people will just try to eyeball. But sometimes the bumps

538
00:27:08,600 --> 00:27:11,879
Speaker 1: are so small that they don't appear as shadows on

539
00:27:11,960 --> 00:27:14,439
Speaker 1: the page. So I close my eyes and I trust

540
00:27:14,480 --> 00:27:16,880
Speaker 1: my sense of touch to see if there's anything that's

541
00:27:16,880 --> 00:27:19,680
Speaker 1: bumping me. Stuff like you know this from from Placable,

542
00:27:19,680 --> 00:27:25,040
Speaker 1: stuff like if the if the characters aren't liking each

543
00:27:25,080 --> 00:27:27,840
Speaker 1: other in a way that they like, if they aren't

544
00:27:27,880 --> 00:27:32,960
Speaker 1: good friends, if there's stuff like would that guy really do?

545
00:27:33,280 --> 00:27:35,560
Speaker 1: Like would you do this in that situation?

546
00:27:35,720 --> 00:27:35,840
Speaker 3: Right?

547
00:27:35,880 --> 00:27:39,119
Speaker 1: Would this character do this? Tell me about some of

548
00:27:39,119 --> 00:27:41,439
Speaker 1: the famous holes that you've spackled up on.

549
00:27:41,880 --> 00:27:45,679
Speaker 2: God, well, we had this one thing in the second

550
00:27:45,680 --> 00:27:51,920
Speaker 2: episode of season two where we introduced a character and Okay,

551
00:27:51,960 --> 00:27:56,000
Speaker 2: he's a he works, he's a pastry chef. Right, halfway

552
00:27:56,000 --> 00:27:59,119
Speaker 2: through the script, I'm like, I haven't seen him put

553
00:27:59,240 --> 00:28:04,720
Speaker 2: one paper hat on his head yet. Wow, So is

554
00:28:04,760 --> 00:28:07,480
Speaker 2: he a pastry chef or is he not a pastry chef?

555
00:28:07,600 --> 00:28:10,439
Speaker 1: Right? And if he's not, we better find out what

556
00:28:10,480 --> 00:28:11,840
Speaker 1: he is pronto, right.

557
00:28:12,200 --> 00:28:17,480
Speaker 2: And look, people are getting people are absorbing content in

558
00:28:17,520 --> 00:28:20,719
Speaker 2: different ways now, you know, so some people are gonna

559
00:28:20,800 --> 00:28:22,240
Speaker 2: start at minute nine.

560
00:28:22,320 --> 00:28:23,840
Speaker 1: The models are changing, you know.

561
00:28:23,840 --> 00:28:27,679
Speaker 2: The models are changing, paradigms are shifting. So yeah, you

562
00:28:27,800 --> 00:28:30,960
Speaker 2: gotta make sure that if this guy's a pastry chef,

563
00:28:31,000 --> 00:28:33,560
Speaker 2: you're reminding people of that all the time. So I

564
00:28:33,600 --> 00:28:37,600
Speaker 2: was like, let's put a hat on his head and everyone,

565
00:28:37,760 --> 00:28:40,920
Speaker 2: I mean they call me hatthead. Now, Oh that was

566
00:28:40,920 --> 00:28:43,920
Speaker 2: such a like legendary plot hole save big move.

567
00:28:44,040 --> 00:28:44,320
Speaker 3: Yeah.

568
00:28:44,400 --> 00:28:47,080
Speaker 1: I appreciate watching the new seats because when did you

569
00:28:47,120 --> 00:28:47,840
Speaker 1: start on the show?

570
00:28:48,000 --> 00:28:49,160
Speaker 2: I started on season two.

571
00:28:49,240 --> 00:28:51,760
Speaker 1: Okay, that makes a lot of sense because early on

572
00:28:51,840 --> 00:28:55,480
Speaker 1: in publicity, in publicity, that stuff that they used to

573
00:28:55,520 --> 00:28:58,600
Speaker 1: do where he's like a girl, they're going through their jobs,

574
00:28:58,640 --> 00:29:01,760
Speaker 1: but they didn't do a lot of paperwork, and you're like,

575
00:29:01,880 --> 00:29:03,920
Speaker 1: I feel like this job would actually be a lot

576
00:29:04,040 --> 00:29:05,920
Speaker 1: not that much talking. A lot of it is just

577
00:29:05,960 --> 00:29:08,680
Speaker 1: like on the computer sending emails, like filling out forms

578
00:29:08,720 --> 00:29:09,080
Speaker 1: and stuff.

579
00:29:09,920 --> 00:29:12,080
Speaker 2: You brought it up because I wanted to bring it up.

580
00:29:12,320 --> 00:29:14,560
Speaker 2: But I don't want to be that guy, you know,

581
00:29:14,680 --> 00:29:17,080
Speaker 2: But like that was my number one note. I was like,

582
00:29:17,320 --> 00:29:20,520
Speaker 2: these guys are publicists. They would be reading emails, they

583
00:29:20,520 --> 00:29:24,640
Speaker 2: would be checking emails. So that's why there are are

584
00:29:24,640 --> 00:29:27,800
Speaker 2: the sketches a little bit longer. Yeah, are there more

585
00:29:27,880 --> 00:29:31,560
Speaker 2: periods where there isn't as many jokes or dialogue? Okay, yes,

586
00:29:32,080 --> 00:29:37,600
Speaker 2: but a publicist is going to read upwards of four

587
00:29:37,760 --> 00:29:39,640
Speaker 2: hundred five hundred emails a day.

588
00:29:39,800 --> 00:29:41,720
Speaker 1: So now that's all in the most of the job.

589
00:29:41,800 --> 00:29:43,080
Speaker 1: And now it feels real to me.

590
00:29:43,120 --> 00:29:45,360
Speaker 3: And especially when it's a guy who's being a girl,

591
00:29:45,440 --> 00:29:48,520
Speaker 3: I feel like you almost have to be more on

592
00:29:48,600 --> 00:29:51,600
Speaker 3: top of your paperwork because people are already, you know,

593
00:29:51,720 --> 00:29:53,920
Speaker 3: unfortunately in society giving you a little bit of the

594
00:29:54,000 --> 00:29:54,600
Speaker 3: side eye.

595
00:29:54,880 --> 00:29:57,760
Speaker 2: Yeah, oh yeah, and I and I don't they're giving that.

596
00:29:57,960 --> 00:30:02,440
Speaker 2: You get getting cracked all the time. You're getting crocodileized.

597
00:30:02,920 --> 00:30:06,240
Speaker 1: You're getting Yes, you're getting crocodileized. And there's a lot

598
00:30:06,240 --> 00:30:08,000
Speaker 1: more of that now in the show, which I agree.

599
00:30:08,080 --> 00:30:09,960
Speaker 1: When people look at him there's always kind of a

600
00:30:10,000 --> 00:30:11,880
Speaker 1: what like, this guy's being strange?

601
00:30:12,160 --> 00:30:14,480
Speaker 2: Yeah, because you can tell it's a guy.

602
00:30:14,720 --> 00:30:17,760
Speaker 1: Yeah, yeah, it is a dude. Yeah yeah, yeah.

603
00:30:17,800 --> 00:30:19,720
Speaker 3: And I think a lot of his characters are getting

604
00:30:19,760 --> 00:30:22,040
Speaker 3: looked at like they're strange now in the show, well,

605
00:30:22,080 --> 00:30:24,240
Speaker 3: because a lot of their behavior is pretty wild.

606
00:30:24,360 --> 00:30:27,720
Speaker 2: I've pulled I've pulled Nicky aside, and I'm like, dude,

607
00:30:27,800 --> 00:30:31,680
Speaker 2: some of these people are acting so weird. And it

608
00:30:31,720 --> 00:30:35,320
Speaker 2: would help if we had one character go in, excuse

609
00:30:35,440 --> 00:30:38,840
Speaker 2: me with some of the stuff that you're saying, and

610
00:30:38,920 --> 00:30:42,320
Speaker 2: he you know, I don't know. I can't get into

611
00:30:42,360 --> 00:30:44,360
Speaker 2: that right now because he is gonna listen to this

612
00:30:44,400 --> 00:30:48,360
Speaker 2: because he's keeping tabs on me. I'm sure. But a

613
00:30:48,440 --> 00:30:50,520
Speaker 2: big fix for a lot of that stuff would be like,

614
00:30:50,960 --> 00:30:54,640
Speaker 2: play one character. Look at some of the great shows

615
00:30:54,720 --> 00:30:58,320
Speaker 2: throughout time. Look at Kelsey Grammar, he played one character

616
00:30:59,080 --> 00:31:02,680
Speaker 2: on two different shows. Yeah, And I would argue that boss,

617
00:31:03,280 --> 00:31:05,560
Speaker 2: if that could have continued going, you would have found

618
00:31:05,560 --> 00:31:06,720
Speaker 2: out that was Fraser Crane in that.

619
00:31:06,800 --> 00:31:09,240
Speaker 3: Show, and I would and I would argue on the

620
00:31:09,280 --> 00:31:12,520
Speaker 3: same side of that argument as you. You'd have no

621
00:31:12,520 --> 00:31:14,200
Speaker 3: one argue against. If you were in a room with

622
00:31:14,280 --> 00:31:17,080
Speaker 3: me about that, because I would be agreed, I'd be

623
00:31:17,080 --> 00:31:19,840
Speaker 3: preaching in the choir mm m, and yes, I want.

624
00:31:19,640 --> 00:31:24,960
Speaker 1: I'd be the choir. Yes, let's let's return to your

625
00:31:24,280 --> 00:31:26,960
Speaker 1: your your your special. It's something very exciting that we

626
00:31:26,960 --> 00:31:29,720
Speaker 1: do want to talk about. This is part of a

627
00:31:29,760 --> 00:31:31,560
Speaker 1: series that we'd like to start doing with stand ups

628
00:31:31,600 --> 00:31:36,440
Speaker 1: that I guess we should name where we sort of

629
00:31:36,480 --> 00:31:39,080
Speaker 1: pick apart a set to me.

630
00:31:39,840 --> 00:31:46,000
Speaker 3: To me, stand up is about jokes, yes, But even

631
00:31:47,080 --> 00:31:51,160
Speaker 3: better and more fun than hearing jokes themselves is hearing

632
00:31:51,200 --> 00:31:54,880
Speaker 3: people talk about jokes, how they came up with them,

633
00:31:55,240 --> 00:32:00,160
Speaker 3: what the jokes about, what the jokes trying to say,

634
00:32:00,840 --> 00:32:02,680
Speaker 3: that sort of conversation.

635
00:32:03,320 --> 00:32:03,600
Speaker 2: Uh.

636
00:32:03,640 --> 00:32:06,000
Speaker 3: And I haven't seen too much of it out there

637
00:32:07,400 --> 00:32:10,200
Speaker 3: inside the mind of a comic, you know, getting into

638
00:32:10,240 --> 00:32:13,800
Speaker 3: that stuff. But I just think that's really what's fascinating

639
00:32:13,840 --> 00:32:15,040
Speaker 3: and rich because we know.

640
00:32:15,000 --> 00:32:17,239
Speaker 1: What the jokes, aren't we for the jokes and like

641
00:32:17,360 --> 00:32:19,080
Speaker 1: I've seen a joke beat. We get that, but we

642
00:32:19,080 --> 00:32:19,400
Speaker 1: don't know.

643
00:32:19,600 --> 00:32:22,440
Speaker 3: But I've seen a comedian sort of talk around the

644
00:32:22,520 --> 00:32:26,040
Speaker 3: idea of a joke, and that is really thrilling.

645
00:32:26,120 --> 00:32:29,120
Speaker 1: So we'd love to take a part your set that

646
00:32:29,200 --> 00:32:30,920
Speaker 1: you did for the half hour to sort of beat

647
00:32:30,960 --> 00:32:35,640
Speaker 1: by beat and you maybe set it off, set it off.

648
00:32:36,840 --> 00:32:37,960
Speaker 1: That might work.

649
00:32:38,680 --> 00:32:44,320
Speaker 2: This is perfect timing too, because before you watch my special,

650
00:32:44,480 --> 00:32:48,920
Speaker 2: which you're gonna watch, I'm assuming, please go back and

651
00:32:48,960 --> 00:32:51,400
Speaker 2: listen to this conversation again because I'd hate for you

652
00:32:51,480 --> 00:32:54,400
Speaker 2: to just like hear the joke and then have whatever

653
00:32:54,440 --> 00:32:55,920
Speaker 2: reaction you get into the joke. I want you to

654
00:32:56,000 --> 00:32:59,400
Speaker 2: have the whole backstory before you get into it, because

655
00:32:59,520 --> 00:33:01,440
Speaker 2: that's going to get funnier.

656
00:33:00,960 --> 00:33:02,360
Speaker 1: And maybe skip the special.

657
00:33:02,680 --> 00:33:06,280
Speaker 2: Yeah, well yeah, why not? Hey man, it's not my

658
00:33:06,320 --> 00:33:07,040
Speaker 2: problem anymore.

659
00:33:07,040 --> 00:33:10,600
Speaker 1: You know that's the truth. Set fire to the rain?

660
00:33:10,760 --> 00:33:15,080
Speaker 1: Maybe set fire to the rain? What about Ready set what?

661
00:33:15,840 --> 00:33:22,200
Speaker 1: Ready set what? Okay, so let's start at the beginning.

662
00:33:22,720 --> 00:33:23,800
Speaker 1: What do you open with?

663
00:33:24,120 --> 00:33:29,160
Speaker 2: Okay? I open with my opener, which is kind of okay.

664
00:33:31,200 --> 00:33:35,080
Speaker 2: People are gonna disagree with me about this, and I

665
00:33:35,160 --> 00:33:38,960
Speaker 2: get that, but my whole thing is like, when you

666
00:33:39,160 --> 00:33:42,760
Speaker 2: from the second you step out on stage, this is

667
00:33:42,840 --> 00:33:47,200
Speaker 2: your introduction to the audience. And if they've seen you

668
00:33:47,360 --> 00:33:49,920
Speaker 2: do a set before, well, guess what. You've got to

669
00:33:49,960 --> 00:33:53,720
Speaker 2: reintroduce yourself. And you can't be like this person knows me,

670
00:33:53,800 --> 00:33:58,920
Speaker 2: I've met this person before do I shake hands? You

671
00:33:58,920 --> 00:34:02,800
Speaker 2: know what? You just don't worry about how you're gonna

672
00:34:02,840 --> 00:34:06,200
Speaker 2: do it. Now is your chance to really go Here's me,

673
00:34:07,080 --> 00:34:11,240
Speaker 2: here's who I am, here's my mission statement, here's my goals,

674
00:34:11,640 --> 00:34:16,520
Speaker 2: here's the agenda, here's how long it's gonna take. And

675
00:34:16,560 --> 00:34:18,799
Speaker 2: then just buckle the fuck up, you know, and just

676
00:34:18,880 --> 00:34:19,560
Speaker 2: get into it.

677
00:34:19,960 --> 00:34:21,319
Speaker 1: And you're telling them to do that.

678
00:34:22,120 --> 00:34:24,440
Speaker 2: Well, your joke is telling them to do that. Your

679
00:34:24,440 --> 00:34:26,560
Speaker 2: body language is telling them to do that. And then

680
00:34:26,600 --> 00:34:28,720
Speaker 2: also like what you're wearing.

681
00:34:28,600 --> 00:34:31,840
Speaker 3: And you've got a microphone or no, uh huh, yeah, yeah,

682
00:34:32,080 --> 00:34:33,480
Speaker 3: do you so important?

683
00:34:33,520 --> 00:34:35,400
Speaker 1: Do you do earpiece? Or like when you hold in

684
00:34:35,440 --> 00:34:35,799
Speaker 1: your hand?

685
00:34:36,080 --> 00:34:39,200
Speaker 2: I like to hold it, okay, And I like to

686
00:34:39,280 --> 00:34:43,239
Speaker 2: have the microphone stand nearby. Sometimes I'll lean on it.

687
00:34:43,680 --> 00:34:47,359
Speaker 2: Sometimes I'll sort of to punctuate it. I'll punctuate a point.

688
00:34:47,400 --> 00:34:49,520
Speaker 2: I'll sort of slam the base of the microphone into

689
00:34:49,560 --> 00:34:51,160
Speaker 2: the ground and it cause a fut.

690
00:34:51,000 --> 00:34:52,959
Speaker 1: I wanted to ask do you like to be able

691
00:34:52,960 --> 00:34:53,440
Speaker 1: to hold it?

692
00:34:53,520 --> 00:34:58,759
Speaker 3: Because the microphone can become so many things. I mean, yes,

693
00:34:58,840 --> 00:35:01,360
Speaker 3: you're using it to speak, and but if you wanted

694
00:35:01,400 --> 00:35:06,279
Speaker 3: to be eating an ice cream cone or sucking up

695
00:35:06,360 --> 00:35:08,000
Speaker 3: ding dum or if.

696
00:35:07,880 --> 00:35:11,520
Speaker 1: You wanted to be or whatever color. It doesn't it

697
00:35:11,520 --> 00:35:14,640
Speaker 1: doesn't matter. But whatever, the microphone, the microphone, what my

698
00:35:14,680 --> 00:35:16,279
Speaker 1: microphone is, But it's better if the joke fits a

699
00:35:16,280 --> 00:35:17,120
Speaker 1: black microphone.

700
00:35:17,200 --> 00:35:19,719
Speaker 2: Dude. I'm glad I'm having this conversation with you guys,

701
00:35:19,760 --> 00:35:23,000
Speaker 2: because I can tell that you're like students of stand

702
00:35:23,080 --> 00:35:25,120
Speaker 2: up and you get it. Like and a lot of

703
00:35:25,120 --> 00:35:28,560
Speaker 2: these guys starting out right now, you see them, they're

704
00:35:28,600 --> 00:35:32,160
Speaker 2: taking the microphone and they're not using it for anything

705
00:35:32,200 --> 00:35:34,239
Speaker 2: other than a microphone, And that to me is just

706
00:35:34,280 --> 00:35:35,719
Speaker 2: like where's your imagination?

707
00:35:36,040 --> 00:35:37,120
Speaker 1: And it's wasteful.

708
00:35:37,320 --> 00:35:40,680
Speaker 2: Yeah, you're missing blown opportunities for jokes.

709
00:35:41,200 --> 00:35:43,040
Speaker 1: And I don't think an Eskima would like that.

710
00:35:43,120 --> 00:35:44,680
Speaker 3: And I think they would use every piece of the

711
00:35:44,719 --> 00:35:46,680
Speaker 3: microphone and make it into other stuff too.

712
00:35:46,800 --> 00:35:51,200
Speaker 2: Yep, So I that is great. So that's my opener,

713
00:35:52,200 --> 00:35:58,040
Speaker 2: like welcome to Joe wangerd. Basically, yeah, you're not wherever

714
00:35:58,080 --> 00:36:03,080
Speaker 2: you live anymore. You're in this my mind and it's twisted,

715
00:36:03,320 --> 00:36:06,120
Speaker 2: you know, And is there just a one line concept

716
00:36:06,239 --> 00:36:09,399
Speaker 2: to the bit? Yeah, what's up?

717
00:36:09,680 --> 00:36:13,680
Speaker 1: Okay, okay, what's up? So that's ready set what And then.

718
00:36:13,719 --> 00:36:17,160
Speaker 2: When I you know, like when I'm writing out my

719
00:36:17,280 --> 00:36:21,200
Speaker 2: set list on my you know, on a napkin or

720
00:36:21,200 --> 00:36:23,719
Speaker 2: something whatever, just like before I get up, before I

721
00:36:24,040 --> 00:36:26,200
Speaker 2: put my whiskey down and get up and get on stage.

722
00:36:26,760 --> 00:36:28,200
Speaker 2: Usually at the top of just write what's.

723
00:36:28,080 --> 00:36:29,120
Speaker 1: Up the brown stuff?

724
00:36:29,239 --> 00:36:32,479
Speaker 2: Yeah? I like the brown stuff. I like to play

725
00:36:32,560 --> 00:36:34,319
Speaker 2: that brown stuff down my gullet.

726
00:36:34,000 --> 00:36:37,839
Speaker 1: You know. M yeah, little liquid funniness, yeah, m hm.

727
00:36:39,040 --> 00:36:41,799
Speaker 1: And what's the second thing that it's step two?

728
00:36:42,080 --> 00:36:47,040
Speaker 2: Okay, okay, So the first joke is all about introducing

729
00:36:47,080 --> 00:36:50,000
Speaker 2: yourself to the audience. And then what you do is

730
00:36:50,200 --> 00:36:53,440
Speaker 2: you take their heads, all right, and then you just

731
00:36:53,760 --> 00:36:56,480
Speaker 2: turn it upside down, turn everything on their head, and go,

732
00:36:56,600 --> 00:36:59,520
Speaker 2: guess what what you thought you were getting into for

733
00:36:59,560 --> 00:37:02,680
Speaker 2: the next however long, maybe it's an eight minute set,

734
00:37:02,719 --> 00:37:06,440
Speaker 2: depending on whom I'm in. Now it's now it's completely

735
00:37:06,520 --> 00:37:09,840
Speaker 2: upside down. So that's the second thing I do. And

736
00:37:10,719 --> 00:37:16,040
Speaker 2: for me, it's like it never hurts to reinvent mm hmmm.

737
00:37:16,760 --> 00:37:24,400
Speaker 1: Okay. And and so the joke is that you're turning

738
00:37:24,440 --> 00:37:25,399
Speaker 1: their head upside down?

739
00:37:28,719 --> 00:37:28,919
Speaker 3: Yeah?

740
00:37:29,040 --> 00:37:30,040
Speaker 2: Was I unclear about that?

741
00:37:31,600 --> 00:37:34,560
Speaker 3: No, I'm clearing it up for the for our listeners,

742
00:37:34,640 --> 00:37:40,160
Speaker 3: because sometimes you move so quickly, right, because you.

743
00:37:40,120 --> 00:37:41,640
Speaker 1: Know what you're saying, Yeah, yeah, yeah.

744
00:37:41,760 --> 00:37:44,279
Speaker 3: Naturally you don't realize there's people out there easy to

745
00:37:44,440 --> 00:37:46,319
Speaker 3: never ever see the joke, right.

746
00:37:47,760 --> 00:37:51,760
Speaker 2: You know, the first joke is very much like, here's

747
00:37:51,840 --> 00:37:55,120
Speaker 2: the here's the setup, Ben, We're coming down the road

748
00:37:55,160 --> 00:37:57,439
Speaker 2: to the setup. That boom, there's the punchline. Right.

749
00:37:57,680 --> 00:37:59,000
Speaker 1: So for the second.

750
00:37:58,640 --> 00:38:03,120
Speaker 2: One, to sort of turn everything on its head, I

751
00:38:03,200 --> 00:38:06,799
Speaker 2: do a punchline, and then on top of that, I

752
00:38:06,880 --> 00:38:10,080
Speaker 2: do what's called like a subset punchline.

753
00:38:10,640 --> 00:38:14,359
Speaker 3: WHOA, Yeah, I don't want to get too bugged down

754
00:38:14,360 --> 00:38:16,560
Speaker 3: in this, but how did you come up with that?

755
00:38:17,480 --> 00:38:21,480
Speaker 2: Okay, so a lot of my jokes, I cannot believe

756
00:38:22,200 --> 00:38:26,080
Speaker 2: that I'm getting paid to do it because I'm not

757
00:38:26,280 --> 00:38:29,600
Speaker 2: writing anything. These are things that are happening to me,

758
00:38:29,880 --> 00:38:34,239
Speaker 2: you know, just like I guess I'm living kind of

759
00:38:34,239 --> 00:38:38,160
Speaker 2: a charmed life or something. But everywhere I look, I'm

760
00:38:38,200 --> 00:38:40,759
Speaker 2: like like right now, like, okay, this is gonna be

761
00:38:40,840 --> 00:38:43,120
Speaker 2: less fun for you guys at home. But if you

762
00:38:43,160 --> 00:38:48,080
Speaker 2: could see the studio right now, what's going on in here?

763
00:38:48,280 --> 00:38:49,959
Speaker 1: What is it? What I mean?

764
00:38:50,280 --> 00:38:53,480
Speaker 2: Are we doing podcasting or are we looking at an

765
00:38:53,520 --> 00:38:56,360
Speaker 2: old leather book, because there's a leather book on the table,

766
00:38:56,400 --> 00:38:58,319
Speaker 2: and it's like, is there gonna be a component of

767
00:38:58,320 --> 00:39:02,080
Speaker 2: this podcast or I'm gonna draw something because there's a

768
00:39:02,120 --> 00:39:06,759
Speaker 2: big there's a a basket of pens, which also okay,

769
00:39:06,800 --> 00:39:10,400
Speaker 2: now time out, So I'm gonna have how many pens?

770
00:39:10,480 --> 00:39:11,800
Speaker 2: I don't know, one hundred pence?

771
00:39:11,960 --> 00:39:14,000
Speaker 1: Well, I guess we're gonna have to put him in

772
00:39:14,040 --> 00:39:19,680
Speaker 1: a basket. Then God, it's like, so it's that kind

773
00:39:19,719 --> 00:39:21,879
Speaker 1: of stuff. It's just me, do me? Do you walk

774
00:39:21,960 --> 00:39:22,600
Speaker 1: through it? Okay?

775
00:39:22,680 --> 00:39:25,719
Speaker 2: So now again, this is not gonna be as much

776
00:39:25,760 --> 00:39:28,400
Speaker 2: fun at home. But it's like that Sean is like

777
00:39:29,080 --> 00:39:30,920
Speaker 2: you look at Sean's legs and he's like, I got

778
00:39:31,040 --> 00:39:35,120
Speaker 2: jeans on yo, almost I'm from the fifties, but but the.

779
00:39:35,000 --> 00:39:38,479
Speaker 5: Top he's got a hat from the nows. So where

780
00:39:38,480 --> 00:39:42,320
Speaker 5: are you from, Sean? Make are you a time traveler?

781
00:39:42,719 --> 00:39:45,600
Speaker 5: The time traveler's wife? More like the time travelers?

782
00:39:45,600 --> 00:39:52,280
Speaker 1: Okay, stop, okay and stop and fine, just a little

783
00:39:52,320 --> 00:39:54,319
Speaker 1: a little goes a very long jeans would have been

784
00:39:54,360 --> 00:39:59,000
Speaker 1: fun with that kind of thing. Uh.

785
00:39:59,480 --> 00:40:04,760
Speaker 2: Stand up comedy is the last place where anything punk

786
00:40:04,840 --> 00:40:05,600
Speaker 2: rock can happen.

787
00:40:05,719 --> 00:40:10,319
Speaker 1: So it's just you and a microphone in the same

788
00:40:10,320 --> 00:40:14,120
Speaker 1: way it was with like the sex pistols and stuff.

789
00:40:14,160 --> 00:40:16,280
Speaker 1: You know, it's the same thing. It's like just getting

790
00:40:16,320 --> 00:40:18,000
Speaker 1: on stage and making a noise.

791
00:40:19,760 --> 00:40:22,359
Speaker 2: Once I get up there, there's no one holding me back,

792
00:40:23,080 --> 00:40:26,759
Speaker 2: so it's like anything that I can say, it's no

793
00:40:26,800 --> 00:40:29,360
Speaker 2: one's gonna stop me, and no one's going to be

794
00:40:29,400 --> 00:40:32,759
Speaker 2: able to alter it. And I'm going to make a

795
00:40:32,800 --> 00:40:36,560
Speaker 2: big sound and it's out there and it's not you

796
00:40:36,600 --> 00:40:39,680
Speaker 2: can't trap it back into your mouth now, Joe, I

797
00:40:39,719 --> 00:40:39,960
Speaker 2: had a.

798
00:40:40,000 --> 00:40:42,200
Speaker 1: Quick follow up to you know.

799
00:40:42,239 --> 00:40:44,399
Speaker 3: I had asked you a question about your upside down

800
00:40:44,480 --> 00:40:48,880
Speaker 3: head joke, which was how did you come up with that?

801
00:40:49,640 --> 00:40:53,680
Speaker 3: But this is maybe more important. How did you know

802
00:40:53,760 --> 00:40:57,040
Speaker 3: it would be funny?

803
00:40:57,080 --> 00:40:57,279
Speaker 5: You know?

804
00:40:57,719 --> 00:40:59,600
Speaker 1: I mean it's for me.

805
00:41:00,360 --> 00:41:03,960
Speaker 2: It's like, I'm not that concerned with if it's gonna

806
00:41:03,960 --> 00:41:07,160
Speaker 2: be funny for the audience or not. There's two things

807
00:41:07,160 --> 00:41:11,080
Speaker 2: I do, Is it funny for me? Okay? And then

808
00:41:11,120 --> 00:41:13,000
Speaker 2: I call my manager up and I go, is this

809
00:41:13,120 --> 00:41:13,719
Speaker 2: funny or not?

810
00:41:15,239 --> 00:41:17,840
Speaker 1: So important that the manager thinks it's funny.

811
00:41:18,040 --> 00:41:20,239
Speaker 2: A lot of people will get out there and like

812
00:41:20,560 --> 00:41:22,719
Speaker 2: get grind in and do a lot of shows and

813
00:41:22,760 --> 00:41:25,560
Speaker 2: they feel like that's the way to sculpt a joke.

814
00:41:25,640 --> 00:41:27,640
Speaker 2: But I'm like, I don't think I need to do that.

815
00:41:27,680 --> 00:41:29,440
Speaker 2: I think I just need to get on the phone

816
00:41:29,600 --> 00:41:32,000
Speaker 2: or even just put it in an email, and then

817
00:41:32,040 --> 00:41:33,640
Speaker 2: that's the way you figure it out.

818
00:41:33,880 --> 00:41:35,880
Speaker 1: What it feels like to me always when I watch

819
00:41:36,000 --> 00:41:40,400
Speaker 1: you is like you're doing just a set for just

820
00:41:40,440 --> 00:41:43,480
Speaker 1: the guys on your dorm floor, you know what I mean,

821
00:41:43,600 --> 00:41:47,480
Speaker 1: Just you're in the common room and like maybe you

822
00:41:47,520 --> 00:41:50,200
Speaker 1: guys have like ordered a pizza or something, and it's

823
00:41:50,280 --> 00:41:54,360
Speaker 1: just like if they think it's funny, then it's worth doing.

824
00:41:54,400 --> 00:41:56,680
Speaker 2: In the show, I go back, I go what would

825
00:41:57,560 --> 00:42:00,400
Speaker 2: you know? What would Mike Macchesky laugh at? You know,

826
00:42:00,760 --> 00:42:03,200
Speaker 2: who's a guy that I went to college with. Yeah,

827
00:42:03,200 --> 00:42:05,839
Speaker 2: and sometimes I'll get him on the phone if I

828
00:42:05,840 --> 00:42:08,799
Speaker 2: need to, cause that's you know, we those guys were

829
00:42:08,840 --> 00:42:10,839
Speaker 2: the funniest guys and that was the funniest thing.

830
00:42:10,920 --> 00:42:12,719
Speaker 1: Yeah. And that amazing how those guys can even be

831
00:42:12,760 --> 00:42:15,880
Speaker 1: funnier than like, oh, professional college.

832
00:42:15,880 --> 00:42:16,120
Speaker 5: God.

833
00:42:17,320 --> 00:42:17,680
Speaker 4: Oh.

834
00:42:17,840 --> 00:42:22,239
Speaker 3: I always think about this that I had had had

835
00:42:22,239 --> 00:42:27,359
Speaker 3: this friend in high school, Mark, he was the funny one.

836
00:42:27,719 --> 00:42:30,760
Speaker 3: I wasn't the funny one, you know, but nobody knew

837
00:42:30,800 --> 00:42:33,920
Speaker 3: it right, you know, like he was being funny to

838
00:42:33,960 --> 00:42:35,720
Speaker 3: me and a lot of times I was just saying

839
00:42:35,719 --> 00:42:39,440
Speaker 3: his jokes later when he wasn't there and like that,

840
00:42:39,600 --> 00:42:41,200
Speaker 3: and then all of a sudden, I'm the funny one,

841
00:42:41,200 --> 00:42:42,680
Speaker 3: and I'm like, is this even fair?

842
00:42:42,800 --> 00:42:44,640
Speaker 1: But you know whatever, I'm getting paid.

843
00:42:45,120 --> 00:42:48,759
Speaker 2: There's all of this speculation right now. And just so

844
00:42:49,120 --> 00:42:52,279
Speaker 2: you guys know, I know, I haven't come out with

845
00:42:52,320 --> 00:42:55,240
Speaker 2: who I think should replace David Letterman yet. I'm working

846
00:42:55,320 --> 00:42:58,200
Speaker 2: on that, and when I feel like it's I'm ready

847
00:42:58,239 --> 00:43:00,839
Speaker 2: to release my list, That's when the list will come out.

848
00:43:01,239 --> 00:43:03,080
Speaker 2: But I'll give you a sneak preview right now of

849
00:43:03,120 --> 00:43:06,480
Speaker 2: who I think should be at the top of that list.

850
00:43:07,000 --> 00:43:10,160
Speaker 2: Doug Turner, guy went to high school with funniest guy

851
00:43:10,880 --> 00:43:12,279
Speaker 2: I've ever seen, you know.

852
00:43:12,960 --> 00:43:20,000
Speaker 3: Yeah, yeah, my friend Mark would be really good too, Joe.

853
00:43:21,960 --> 00:43:24,200
Speaker 1: We have a segment that we like to do called

854
00:43:24,200 --> 00:43:29,719
Speaker 1: the Popcorn Gallery. Okay, It's where we people like to

855
00:43:29,719 --> 00:43:33,759
Speaker 1: ask questions and some of the questions that they want

856
00:43:33,800 --> 00:43:37,000
Speaker 1: to ask most are to those people who do their

857
00:43:37,040 --> 00:43:40,600
Speaker 1: favorite comedies. And so we go on the forums and

858
00:43:40,640 --> 00:43:44,560
Speaker 1: we say, do you have any questions for this guy

859
00:43:44,600 --> 00:43:48,600
Speaker 1: who does comedy? Or drama, movies and TV. They write

860
00:43:48,600 --> 00:43:52,040
Speaker 1: the questions and they post them on the forums. We

861
00:43:52,120 --> 00:43:55,200
Speaker 1: go through the questions, we pick out the questions that

862
00:43:55,239 --> 00:43:57,239
Speaker 1: we think are best to ask you.

863
00:43:57,360 --> 00:44:00,239
Speaker 3: And if I could back up a little bit, not

864
00:44:00,320 --> 00:44:03,640
Speaker 3: even just in terms of comedy, but also in terms

865
00:44:03,680 --> 00:44:06,319
Speaker 3: of entertainment at large, sure, meaning.

866
00:44:06,280 --> 00:44:10,640
Speaker 1: Movies, music at times, music too, if it's relevant to

867
00:44:10,880 --> 00:44:12,680
Speaker 1: that person. For this, movies.

868
00:44:15,040 --> 00:44:18,359
Speaker 3: People love to see people in movies, and when they

869
00:44:18,440 --> 00:44:22,200
Speaker 3: go to the movies, they are eating snacks.

870
00:44:22,280 --> 00:44:26,720
Speaker 1: Sometimes yes, so.

871
00:44:25,840 --> 00:44:31,320
Speaker 3: Some of the snacks are sweet, but some.

872
00:44:31,120 --> 00:44:32,280
Speaker 1: Of them are salty.

873
00:44:33,680 --> 00:44:38,840
Speaker 3: One in particular that I'm thinking of that salty and sweet.

874
00:44:39,880 --> 00:44:43,239
Speaker 1: No, just a salty one. And it's called popcorn.

875
00:44:45,239 --> 00:44:48,160
Speaker 3: Let me say this about people asking questions on forums,

876
00:44:48,239 --> 00:44:53,799
Speaker 3: when there's a sort of silent majority who gets its

877
00:44:53,880 --> 00:44:57,799
Speaker 3: chance to pipe up, they are generally referred to as

878
00:44:57,800 --> 00:44:59,920
Speaker 3: the peanut gallery.

879
00:45:00,560 --> 00:45:02,160
Speaker 1: But we don't need peanuts.

880
00:45:01,719 --> 00:45:06,040
Speaker 3: At the movies, no, And this podcast is about movies

881
00:45:06,080 --> 00:45:11,040
Speaker 3: and asking your famous heroes questions and that's what this

882
00:45:11,400 --> 00:45:13,240
Speaker 3: you know group is doing.

883
00:45:13,840 --> 00:45:16,040
Speaker 1: So we call it the popcorn Gallery, Ben, because each

884
00:45:16,160 --> 00:45:20,759
Speaker 1: question is like a little popcorn that's unpopped. And then

885
00:45:21,040 --> 00:45:25,359
Speaker 1: once they get the answer, it explodes into a beautiful

886
00:45:25,600 --> 00:45:26,640
Speaker 1: white popcorn piece.

887
00:45:28,000 --> 00:45:30,120
Speaker 3: And we used to do a sound effect whenever we

888
00:45:30,160 --> 00:45:33,160
Speaker 3: reached into the popcorn bag to get a popcorn gallery question,

889
00:45:34,320 --> 00:45:36,160
Speaker 3: and we still do and we still do.

890
00:45:37,120 --> 00:45:39,880
Speaker 1: So let's reach into the bag with a question for

891
00:45:40,000 --> 00:45:50,920
Speaker 1: Joe Winger Popcorn. This is a question from Octor Doctopus. Joe,

892
00:45:51,480 --> 00:45:54,800
Speaker 1: you were very outspoken during the recent hashtag cancel Colbert

893
00:45:54,880 --> 00:45:57,279
Speaker 1: hashtag controversy. You had a lot of things to say

894
00:45:57,280 --> 00:45:59,440
Speaker 1: about women and Asians. Can you take a moment to

895
00:45:59,480 --> 00:46:03,680
Speaker 1: refresh an podcast listeners who don't use Twitter. Yeah, thank you,

896
00:46:03,760 --> 00:46:04,440
Speaker 1: happy to do this.

897
00:46:06,600 --> 00:46:10,840
Speaker 2: You know, I think that the important thing to remember

898
00:46:11,760 --> 00:46:14,839
Speaker 2: when any one of these big controversies come out is

899
00:46:14,880 --> 00:46:17,719
Speaker 2: like you got to get in there and you got

900
00:46:17,719 --> 00:46:19,960
Speaker 2: to get what you have to say out as a

901
00:46:20,200 --> 00:46:22,120
Speaker 2: first as ap.

902
00:46:23,160 --> 00:46:27,000
Speaker 3: And I'm baffled when I see people not weighing in

903
00:46:27,080 --> 00:46:28,080
Speaker 3: on some of this stuff.

904
00:46:28,160 --> 00:46:31,759
Speaker 1: It's that's what Twitter is for you think about it.

905
00:46:31,880 --> 00:46:35,640
Speaker 2: Yeah, you know, I feel like if you are a

906
00:46:35,680 --> 00:46:40,040
Speaker 2: person in the world and you're not weighing in and

907
00:46:40,120 --> 00:46:43,640
Speaker 2: you're not giving your vote, then you don't belong in

908
00:46:43,680 --> 00:46:46,120
Speaker 2: our world. You should go up to space and float

909
00:46:46,160 --> 00:46:48,040
Speaker 2: around in space and be in space.

910
00:46:48,200 --> 00:46:50,919
Speaker 1: Yeah, and I still appreciate the guys who can jump

911
00:46:50,920 --> 00:46:54,440
Speaker 1: in saying, hey, everybody just shut up, you know, everybody

912
00:46:54,600 --> 00:46:58,919
Speaker 1: just yeah, that's part of it, and you say, like, oh,

913
00:46:59,000 --> 00:47:01,200
Speaker 1: that's interesting. Igues the biggest thing.

914
00:47:01,440 --> 00:47:03,880
Speaker 2: And this is what I learned the hard way, is

915
00:47:03,960 --> 00:47:10,720
Speaker 2: like you can't spend all your time trying to read

916
00:47:11,160 --> 00:47:14,560
Speaker 2: and research what happened and then think about what happened

917
00:47:14,560 --> 00:47:16,600
Speaker 2: and then like try and think about it from a

918
00:47:16,719 --> 00:47:19,759
Speaker 2: couple of different points of view, or it's important to

919
00:47:19,840 --> 00:47:22,880
Speaker 2: just like, once you get the basic general idea, pop

920
00:47:22,920 --> 00:47:24,840
Speaker 2: out there and say what you're gonna say, you know

921
00:47:24,920 --> 00:47:29,520
Speaker 2: what I mean. So, like I saw Cancel Colbert all right,

922
00:47:29,600 --> 00:47:33,799
Speaker 2: and I knew that Stephen Colbert was involved, and I

923
00:47:33,880 --> 00:47:37,520
Speaker 2: know that he's doing a character. So I don't know

924
00:47:37,640 --> 00:47:41,000
Speaker 2: what the tweet was, I don't know who's upset. I

925
00:47:41,000 --> 00:47:43,279
Speaker 2: don't know why they're upset. But I just go out

926
00:47:43,280 --> 00:47:45,680
Speaker 2: there and I go, excuse me, guys, in case you

927
00:47:45,680 --> 00:47:50,600
Speaker 2: don't know, Stephen Colbert is doing a character. But I

928
00:47:50,800 --> 00:47:53,160
Speaker 2: know that because I'm like kind of a student of

929
00:47:53,160 --> 00:47:55,880
Speaker 2: comedy myself, and I know, like he started off in

930
00:47:55,960 --> 00:47:58,960
Speaker 2: improv exit fifty seven, you know, blah blah blah.

931
00:47:59,040 --> 00:47:59,279
Speaker 4: Wow.

932
00:48:01,239 --> 00:48:05,880
Speaker 3: Yeah, And when people don't do that, how am I

933
00:48:06,040 --> 00:48:07,120
Speaker 3: supposed to feel?

934
00:48:07,640 --> 00:48:09,240
Speaker 1: What am I supposed to be thinking?

935
00:48:09,840 --> 00:48:13,960
Speaker 3: Yeah, I'm friends with you on Facebook or I'm following

936
00:48:13,960 --> 00:48:16,239
Speaker 3: you on Twitter because I want to know how to

937
00:48:16,280 --> 00:48:18,960
Speaker 3: feel and what to think about different things.

938
00:48:18,719 --> 00:48:19,200
Speaker 1: That come up.

939
00:48:19,400 --> 00:48:24,360
Speaker 3: And even crazier to me than the people who do

940
00:48:24,480 --> 00:48:29,839
Speaker 3: what you said, where they research and read about it

941
00:48:29,880 --> 00:48:32,880
Speaker 3: and just sort of form a whole opinion is the

942
00:48:32,920 --> 00:48:39,839
Speaker 3: people who completely ignore something like a hashtag controversy, yes,

943
00:48:40,480 --> 00:48:42,440
Speaker 3: who like sort of see it in the background and

944
00:48:42,440 --> 00:48:44,120
Speaker 3: then just move on with their day.

945
00:48:45,480 --> 00:48:49,680
Speaker 2: What slow down, Your kid's gonna be there after you

946
00:48:49,760 --> 00:48:52,359
Speaker 2: figure out what's going on with this, But like, give

947
00:48:52,400 --> 00:48:56,480
Speaker 2: the kid a big ring of plastic keys, let them

948
00:48:56,520 --> 00:48:58,840
Speaker 2: chomp on that, and then let us know what you think.

949
00:49:00,239 --> 00:49:14,239
Speaker 1: God frustrating. Next question inside the bag. So that's your

950
00:49:14,360 --> 00:49:17,560
Speaker 1: hand moving through all the popcorn kernel in the sound drop,

951
00:49:17,680 --> 00:49:20,840
Speaker 1: that's the yes, Yes, that's where we got that Foley.

952
00:49:20,960 --> 00:49:25,120
Speaker 1: That's my friend Mark recorded those for me. Funny.

953
00:49:25,600 --> 00:49:27,440
Speaker 3: Yeah. I wanted to throw him a bone, trying to

954
00:49:27,440 --> 00:49:29,640
Speaker 3: help him out a little bit. Yeah, because he's pushing

955
00:49:29,719 --> 00:49:33,480
Speaker 3: dumpsters just ramming.

956
00:49:33,239 --> 00:49:34,040
Speaker 1: Them into each other.

957
00:49:36,719 --> 00:49:37,680
Speaker 2: Not a good job.

958
00:49:39,320 --> 00:49:43,240
Speaker 1: This is a question for Michael Bay of Pigs Joe.

959
00:49:43,480 --> 00:49:45,720
Speaker 1: How often do you get money? Seems like I should

960
00:49:45,719 --> 00:49:49,600
Speaker 1: be due. How often do you get money from TV

961
00:49:49,680 --> 00:49:53,319
Speaker 1: shows for using your name pros versus Joe's the Joe

962
00:49:53,320 --> 00:49:56,680
Speaker 1: Schmoe Show. He gives another example that's bad, I jump

963
00:49:56,719 --> 00:50:00,880
Speaker 1: in with Joe Millionaire. I guess the is how often

964
00:50:00,880 --> 00:50:01,840
Speaker 1: do you get money for that?

965
00:50:03,520 --> 00:50:07,840
Speaker 2: You know? It's it's all on different cycles. So what

966
00:50:08,000 --> 00:50:09,840
Speaker 2: I'll do is, when I get up in the morning,

967
00:50:09,960 --> 00:50:14,040
Speaker 2: I'll just like scoot on over to one of the websites,

968
00:50:14,160 --> 00:50:17,040
Speaker 2: the sag after website or the w g A website.

969
00:50:17,080 --> 00:50:19,680
Speaker 2: I'm like, what scoot Is it like.

970
00:50:19,840 --> 00:50:23,320
Speaker 1: A rolling chair from your bed to the That's what

971
00:50:23,400 --> 00:50:25,640
Speaker 1: I'm picturing. Yeah, I just would love to know exactly.

972
00:50:25,719 --> 00:50:29,000
Speaker 2: I have. My apartment's super fun, so I have hardwood

973
00:50:29,000 --> 00:50:32,920
Speaker 2: floors and I just have rolling chairs everywhere. So I'll just.

974
00:50:32,880 --> 00:50:33,640
Speaker 1: You're in your side?

975
00:50:34,600 --> 00:50:37,840
Speaker 2: What? Oh yeah, yeah, you're you ever see Risky Business?

976
00:50:38,600 --> 00:50:38,799
Speaker 3: No?

977
00:50:39,440 --> 00:50:41,080
Speaker 2: Okay, well I don't want to ruin it for you.

978
00:50:41,200 --> 00:50:44,560
Speaker 2: Watch Risky Business and then give me.

979
00:50:44,520 --> 00:50:45,520
Speaker 1: A comeback on the show.

980
00:50:45,920 --> 00:50:47,480
Speaker 2: I'll come back on the show and we'll talk.

981
00:50:47,320 --> 00:50:49,600
Speaker 3: About Okay, so you heard it here. Joe's going to

982
00:50:49,680 --> 00:50:53,080
Speaker 3: be back here in about six weeks. I think I've

983
00:50:53,080 --> 00:50:56,640
Speaker 3: got along queue. Yeah, yeah, I've got the cues.

984
00:50:56,680 --> 00:51:06,680
Speaker 1: Amazing. My cue is what magnafique moy de luicioso. So

985
00:51:06,719 --> 00:51:07,520
Speaker 1: you'll scoot.

986
00:51:07,320 --> 00:51:09,920
Speaker 2: Over there, I'll scoot over there. First, you got to

987
00:51:09,920 --> 00:51:13,879
Speaker 2: figure out what cycle you're in. And then you got

988
00:51:13,920 --> 00:51:17,279
Speaker 2: to figure out do they have my current address or not?

989
00:51:18,239 --> 00:51:21,760
Speaker 2: And if they don't, that's going to be a delay.

990
00:51:22,080 --> 00:51:25,000
Speaker 2: If they do, I'll make a decision, sort of game

991
00:51:25,040 --> 00:51:27,080
Speaker 2: time decision whether to go down to the mailbox or

992
00:51:27,160 --> 00:51:29,919
Speaker 2: not see if I have any have any checks waiting

993
00:51:30,000 --> 00:51:33,600
Speaker 2: for me there. The thing that I'm trying to figure

994
00:51:33,600 --> 00:51:36,240
Speaker 2: out right now is if I can get any money

995
00:51:36,239 --> 00:51:38,600
Speaker 2: from something that kind of rhymes with Joe.

996
00:51:38,680 --> 00:51:41,120
Speaker 1: Also, you know, oh sure.

997
00:51:41,080 --> 00:51:43,239
Speaker 2: Like Game of Thrones.

998
00:51:43,680 --> 00:51:44,040
Speaker 3: M m.

999
00:51:44,920 --> 00:51:48,399
Speaker 2: It does kind of Thrones essentially rhymes with Joe.

1000
00:51:48,640 --> 00:51:51,759
Speaker 1: It's so close. I thought you said Joe when you

1001
00:51:51,880 --> 00:51:55,239
Speaker 1: first said it. Well, I guess it's time to ask

1002
00:51:55,960 --> 00:51:57,600
Speaker 1: the last question. Mmmm.

1003
00:51:57,800 --> 00:51:59,440
Speaker 2: Okay, a third, third question.

1004
00:52:00,040 --> 00:52:04,239
Speaker 1: Most always do three, okay, even when there's only two

1005
00:52:04,320 --> 00:52:14,840
Speaker 1: good ones reaching in to find it I got trash

1006
00:52:14,920 --> 00:52:19,319
Speaker 1: on my hands and the question turns out to be

1007
00:52:19,360 --> 00:52:22,920
Speaker 1: from Gregy and it is mister Wenger, have you ever

1008
00:52:23,000 --> 00:52:24,040
Speaker 1: met Pierce Brosnan.

1009
00:52:25,560 --> 00:52:33,080
Speaker 2: Funny story about Pierce Brosnan. I used to take a train, okay,

1010
00:52:34,280 --> 00:52:41,000
Speaker 2: from New Jersey into New York City. Okay, this is

1011
00:52:41,040 --> 00:52:46,200
Speaker 2: back in the early days, I guess. So I'm not

1012
00:52:46,400 --> 00:52:48,719
Speaker 2: living in the city yet. I'm like one of those

1013
00:52:48,760 --> 00:52:50,960
Speaker 2: guys who was like, I don't need to be in

1014
00:52:51,000 --> 00:52:52,920
Speaker 2: the greatest city in the world. I'll be in the

1015
00:52:53,040 --> 00:52:54,960
Speaker 2: city next to it in the state.

1016
00:52:56,800 --> 00:52:57,040
Speaker 1: Yeah.

1017
00:52:57,400 --> 00:53:02,640
Speaker 2: It was. It was very dumb and uh, I was

1018
00:53:02,719 --> 00:53:04,839
Speaker 2: living my life in that way. Now I would kill

1019
00:53:04,880 --> 00:53:08,760
Speaker 2: myself immediately, but I'm alive at that point for some reason.

1020
00:53:08,880 --> 00:53:11,360
Speaker 2: And I would get on this train to go in

1021
00:53:11,600 --> 00:53:14,360
Speaker 2: from New York to New Jersey and there was a

1022
00:53:14,520 --> 00:53:16,359
Speaker 2: watch ad on the train.

1023
00:53:17,040 --> 00:53:20,760
Speaker 1: Okay, and okay, I love time pieces.

1024
00:53:20,880 --> 00:53:23,320
Speaker 2: Okay, this is one of This is like a wrist

1025
00:53:23,360 --> 00:53:27,879
Speaker 2: based time piece for watches. Yeah, and this is right

1026
00:53:27,920 --> 00:53:32,160
Speaker 2: around the height of it's after Missus Doubt Fire. It

1027
00:53:32,239 --> 00:53:33,520
Speaker 2: were in the thick.

1028
00:53:33,480 --> 00:53:41,719
Speaker 1: Of Narrown Narrown James Bond, Yeah, yeah, I thought you

1029
00:53:41,719 --> 00:53:43,680
Speaker 1: were doing one of your surf rap rock singles.

1030
00:53:44,600 --> 00:53:46,919
Speaker 2: A lot of that is inspired by the James Bond theme.

1031
00:53:47,040 --> 00:53:49,160
Speaker 1: I could tell you know, it just made the connection.

1032
00:53:49,280 --> 00:53:51,280
Speaker 2: Yeah, because my character in a lot of those songs

1033
00:53:51,400 --> 00:53:55,000
Speaker 2: is like that, kind of like playboy, I kill people,

1034
00:53:55,040 --> 00:54:01,080
Speaker 2: I fuck women. So Pierce Brosnan is the ad guy.

1035
00:54:01,120 --> 00:54:06,960
Speaker 2: He's the ad man. He's the face of the watch industry,

1036
00:54:07,120 --> 00:54:09,799
Speaker 2: the bad guy, you know, and he's in he well

1037
00:54:09,840 --> 00:54:13,520
Speaker 2: he's not the ad guy, but he's the guy. He's

1038
00:54:13,560 --> 00:54:16,319
Speaker 2: the guy that is telling me to buy a thing.

1039
00:54:16,400 --> 00:54:19,520
Speaker 1: Yeah, he's marketing.

1040
00:54:19,560 --> 00:54:21,840
Speaker 2: No, I don't think it's that, but he's the guy

1041
00:54:21,960 --> 00:54:24,480
Speaker 2: that's like, where is the beef?

1042
00:54:24,880 --> 00:54:28,080
Speaker 1: That's Pierce Brosnen. But he's going who pitched the line?

1043
00:54:28,080 --> 00:54:29,040
Speaker 1: Where's a big pitch man?

1044
00:54:29,160 --> 00:54:29,359
Speaker 3: Yeah?

1045
00:54:29,480 --> 00:54:34,320
Speaker 2: Okay, well anyway he's there and he's it says Pierce

1046
00:54:34,360 --> 00:54:41,920
Speaker 2: Brosnan's choice, and it's this watch. So underneath that somebody

1047
00:54:42,000 --> 00:54:45,680
Speaker 2: and speaking of people that we think are funny, that

1048
00:54:45,800 --> 00:54:48,520
Speaker 2: should be in this industry, that should be taking over

1049
00:54:48,560 --> 00:54:53,160
Speaker 2: for David Letterman, rest in peace. This guy on the

1050
00:54:53,280 --> 00:54:57,040
Speaker 2: ad that I've never seen before goes Pierce Brosnan's choice,

1051
00:54:57,080 --> 00:55:00,200
Speaker 2: and then he writes the words butt sex underneath.

1052
00:55:00,480 --> 00:55:01,280
Speaker 1: And that's real.

1053
00:55:03,400 --> 00:55:05,600
Speaker 2: That happened to you, That happened to me.

1054
00:55:06,000 --> 00:55:08,799
Speaker 1: Dude, No wonder you became a frigging stand up.

1055
00:55:09,719 --> 00:55:14,839
Speaker 2: I mean I see that thing and I'm like, okay,

1056
00:55:15,719 --> 00:55:16,279
Speaker 2: what's up.

1057
00:55:16,440 --> 00:55:19,560
Speaker 3: You know when people are you know, saying like how

1058
00:55:19,560 --> 00:55:21,480
Speaker 3: do I get into comedy, it's like, I guess, just

1059
00:55:21,560 --> 00:55:22,600
Speaker 3: live a funny life.

1060
00:55:22,719 --> 00:55:23,719
Speaker 1: Yeah, I mean, it's just like.

1061
00:55:25,320 --> 00:55:28,319
Speaker 2: Eyes, you know, and just sort of start listening to the.

1062
00:55:28,320 --> 00:55:30,360
Speaker 3: Get out there and live, you know, at the computer

1063
00:55:30,440 --> 00:55:35,759
Speaker 3: away and get off your fucking phone. Joe, thanks so

1064
00:55:35,880 --> 00:55:39,160
Speaker 3: much for coming and doing and being on the show.

1065
00:55:39,840 --> 00:55:44,560
Speaker 3: We are a podcast that people can like if they

1066
00:55:44,600 --> 00:55:47,120
Speaker 3: want on Facebook, and they can also rate us on

1067
00:55:47,200 --> 00:55:49,680
Speaker 3: iTunes and write something nice there, and if they've got

1068
00:55:50,040 --> 00:55:54,040
Speaker 3: something nasty to say, they can just go jump off

1069
00:55:54,040 --> 00:55:57,359
Speaker 3: a bridge for all I care. I'm not gonna read

1070
00:55:57,400 --> 00:56:00,200
Speaker 3: it anyway. And then you can also get on the

1071
00:56:00,239 --> 00:56:02,440
Speaker 3: forums and talk to us there. And did someone buy

1072
00:56:02,480 --> 00:56:03,600
Speaker 3: the pro version this week?

1073
00:56:03,680 --> 00:56:06,600
Speaker 1: Case? Yeah it was. I think somebody must have, but

1074
00:56:06,680 --> 00:56:08,560
Speaker 1: it's just a question of figuring out who it is.

1075
00:56:09,080 --> 00:56:12,280
Speaker 1: Let's go through our files. What about doctor Blue Jeans,

1076
00:56:12,280 --> 00:56:14,160
Speaker 1: He definitely bought the pro version this week?

1077
00:56:14,400 --> 00:56:17,279
Speaker 3: Okay, Doctor Blue Jeans bought the pro version and as

1078
00:56:17,400 --> 00:56:19,880
Speaker 3: one of his prizes, and it's a great prize package

1079
00:56:19,920 --> 00:56:22,880
Speaker 3: in general, but one of the prizes is Joe is

1080
00:56:22,960 --> 00:56:26,680
Speaker 3: gonna do some rifts on you, doctor Blue Jeans. And

1081
00:56:26,719 --> 00:56:29,319
Speaker 3: he's done some stuff on Jeans today already, and I.

1082
00:56:29,280 --> 00:56:32,680
Speaker 2: Think he's yeah, I've already dipped my wick into that

1083
00:56:34,120 --> 00:56:38,400
Speaker 2: into that candle wax already, So I'm ready to go. Well,

1084
00:56:38,719 --> 00:56:42,479
Speaker 2: Doctor Blue Jeans, first of all, Okay, I'm coming into

1085
00:56:42,520 --> 00:56:47,480
Speaker 2: your office and I'm expecting a professional doctor, and in

1086
00:56:47,560 --> 00:56:52,839
Speaker 2: my opinion, professionals get a pair of slacks. Okay, go

1087
00:56:52,920 --> 00:56:54,960
Speaker 2: down to Old Navy and give yourself a pair of

1088
00:56:55,000 --> 00:56:58,279
Speaker 2: slacks because you think you're gonna put your finger in

1089
00:56:58,400 --> 00:57:01,680
Speaker 2: my buttthole. We're in blue gen hold on, Phonsie, I

1090
00:57:01,719 --> 00:57:02,359
Speaker 2: don't think so.

1091
00:57:03,160 --> 00:57:12,040
Speaker 1: A bye.

1092
00:57:14,920 --> 00:57:17,919
Speaker 3: This has been an Earwolf Media production executive producers Jeff

1093
00:57:17,960 --> 00:57:18,920
Speaker 3: Ulrick and Scott Ackerman.

1094
00:57:19,080 --> 00:57:27,000
Speaker 1: For more information, visit Earwolf dot com, ear Warf Radio

1095
00:57:27,360 --> 00:57:36,440
Speaker 1: Boom dot com, The Worlf Dead