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Speaker 1: How this one. I love you. I have an hour

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Speaker 1: drive to work and you make it so much drive

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Speaker 1: for every day to day. I love you, guys, and

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Speaker 1: I call you all the freaking time, and thank god

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Speaker 1: I finally got you here. The same is Mr Ran.

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Speaker 1: I am ready? What's up? What's up? At least Ran

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Speaker 1: in the morning show? Whoa? It feels like a Friday,

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Speaker 1: but a Twdn's Day Friday officially declared this Friday. Come on, scary,

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Speaker 1: what are you gonna play? Well? Give me a give

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Speaker 1: me a rhythm, give me a thime, give me give

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Speaker 1: me a shop, Give me something fun, give me something funk,

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Speaker 1: Give me something fun and funk. I didn't have it fun,

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Speaker 1: I didn't funky, got fun? Put the fun and funk. Okay,

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Speaker 1: what do you got need? Who needs something fun and fun? Froggy,

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Speaker 1: come on, you want some fun? I want pardon me

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Speaker 1: fun and funky. That's what about you, Betsy? Yes, fun

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Speaker 1: it also funky. Daniel wants country music. I wanted Sam Hunt.

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Speaker 1: I'm down with that. Scary back there looking for something

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Speaker 1: fun and something Okay, he just found something fun, but

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Speaker 1: it's not funking. Oh look, he just found something funky.

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Speaker 1: But it ain't fun. Welcome to the day. By the way,

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Speaker 1: did I tell you it's Wednesday? I think it is.

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Speaker 1: It's August second. Why is Noe reaching for the door?

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Speaker 1: Oh my god, ice coffee? Oh Mama needs fuel. Thank you.

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Speaker 1: We've been waiting here for a long time for some

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Speaker 1: fun and funking. I'll just sit here on my ass

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Speaker 1: all day until we get something. From what I thought.

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Speaker 1: You added the other word at the end of ass,

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Speaker 1: and I got nervous for a minute on my ass

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Speaker 1: all day. That's what he said. You know what, some

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Speaker 1: people hear things, Daniel only hears like foul language totally.

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Speaker 1: Well here, you know, we've been here for like five

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Speaker 1: freaking minutes waiting for something fun and funking. Just play

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Speaker 1: Sam Hunt right here. Scary? No, no, you fool, Come

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Speaker 1: on scary? What was it? No, he wanted to know.

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Speaker 1: I'm not just scary. Come on, man, we need something

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Speaker 1: fun and funning. What's fun and anything? We have? We

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Speaker 1: have I Heart Radio's music. We have ten million songs

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Speaker 1: we can choose from. You know, that's the problem when

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Speaker 1: you go to a restaurant that has a menu that's

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Speaker 1: fifteen pages long, like the Chief Take Factory. Yeah, it's

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Speaker 1: hard to choose that. Yeah, and we go a little

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Speaker 1: something like this, something funne care, Yeah, pone care cold Medina.

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Speaker 1: Daddy needs a cocktail. Let's get going. Yeah, okay, so

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Speaker 1: I'll let the count out of the bag of French.

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Speaker 1: Montana's coming in. Yes, Julia Michael's is coming in. She's performing.

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Speaker 1: I only knows what's gonna happen today. It's a day.

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Speaker 1: It is a big day. And if it's not, what's

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Speaker 1: inflated till it's big. Erica our first caller today. How

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Speaker 1: you doing, Erica? Good morning, Hello lady, Welcome to the day.

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Speaker 1: You know it's Wednesday. Are you on the traditional Monday

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Speaker 1: through Friday gig? Yeah? Today is actually my first day

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Speaker 1: back down to work from Florida. I just moved from

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Speaker 1: Connecticut to Florida. I can't believe. I believe I'm actually

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Speaker 1: really talking to you, guys. I love you guys. You

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Speaker 1: know we followed you all the way from Connecticut down

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Speaker 1: to I to Florida. Do you feel like we're stalking

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Speaker 1: you in a weird way? Yeah, I'm talking Froggy. I'm

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Speaker 1: actually like an hour away from Miami. Are you where

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Speaker 1: are you calling from? America? I'm calling from Royal Well beautiful, Well,

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Speaker 1: thank you for listening to us. And look I hear

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Speaker 1: today is your first day at work working in a preschool, right, yeah,

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Speaker 1: how many kids today? I'm with twenty and another teacher,

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Speaker 1: so his busy day. It's kind of fabulous about those

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Speaker 1: twenty kids that you're hanging out with in that preschool today, Erica,

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Speaker 1: there's a very good chance one of them maybe a

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Speaker 1: future president of the United States of America. You know what.

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Speaker 1: You'd ever know? You look down at her and go, hey,

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Speaker 1: you with the pig tails, you're our future leader. Like

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Speaker 1: how Erica doesn't sound too sure of that. You don't know,

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Speaker 1: but yeah, you know, you just never know, you know what.

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Speaker 1: But what you do is you do your part as

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Speaker 1: their preschool teacher, their leader to let them know that

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Speaker 1: anything is possible. They can they can do whatever they

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Speaker 1: want and they will. And thanks for listening to us.

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Speaker 1: I'm on the phone with you guys this morning, so

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Speaker 1: that just proves everything fun they have it. We're gonna

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Speaker 1: send you an Elvis Duran shirt. Well we'll stalk you

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Speaker 1: and find your address, all right, Thanks you guys guys

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Speaker 1: like my morning. Yeah, you never know, Yeah, you never know.

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Speaker 1: You look at like those old pictures of you know,

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Speaker 1: presidents or whatever in high school, and like their fellow

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Speaker 1: classmates had no idea they were standing next to a

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Speaker 1: future president. Rights and then murderers too, you know, murderers

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Speaker 1: murder never no I do. Here comes straight Nate Murder,

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Speaker 1: a seasoned murderer. There you go. Let's go around the room.

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Speaker 1: We'll start with you, Daniel, what's on your mind before

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Speaker 1: the show get So, I'm noticing that because I'm very

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Speaker 1: into sports and following a lot of sports and and

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Speaker 1: trying to be more knowledgeable about it, I'm having more

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Speaker 1: conversations with people. People are actually stopping me saying, hey,

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Speaker 1: what did you think of the game last night? And

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Speaker 1: we start talking about the different players and this is that.

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Speaker 1: The other thing I'm like, I'm meeting all kinds of

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Speaker 1: new people because I'm becoming a sports fanatic. You're opening

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Speaker 1: your world a whole new world of things to talk about.

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Speaker 1: It's so cool. So maybe if we all open our

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Speaker 1: world to something new, it will be different for everybody.

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Speaker 1: It'll be cool. Bethany were talking the other day, We're like, oh,

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Speaker 1: have you talked to Daniel to day? Went? No, have

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Speaker 1: you all that's right? She talked sports. Now we have

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Speaker 1: nothing in sports. Oh, now you're back in our lane. Hey,

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Speaker 1: what's up, Bethany. You know, sometimes the nicest comment can

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Speaker 1: just make your whole day. I was walking down the

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Speaker 1: street yesterday and a couple was walking by, and the

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Speaker 1: woman as she passed me, she said, I love your pants,

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Speaker 1: and then she just kept walking like she had a

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Speaker 1: big smile on her face. It made me so happy

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Speaker 1: because the goal was just to compliment the pants. There

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Speaker 1: was no ulterior motive, there was nothing. It was just

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Speaker 1: really lovely and it was a positive moment. It was

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Speaker 1: a positive moment. So find that moment today without any

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Speaker 1: alterior motive, just to make someone. Let's tell everyone exactly

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Speaker 1: what to do. When you're walking on the street, just

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Speaker 1: look at someone and go, hey, love the pants and

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Speaker 1: keep walking. You know, today's love your pants? When yeah,

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Speaker 1: I love your pants, Thank you, thank you. Hey, what's up? Froggy?

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Speaker 1: You know, I wish every single day that I could

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Speaker 1: speak dog language. I have to know what's going on

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Speaker 1: in little rock a Roo's head. So there's this one

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Speaker 1: neighborhood dog that he just does not like. Rocky loves

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Speaker 1: everybody he likes every dog. He goes and plays with

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Speaker 1: dogs at the pet lodge. He loves it. There's this

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Speaker 1: one dog walks by the house every day. He flips out.

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Speaker 1: I have to know what is going on in the

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Speaker 1: dog world. If he doesn't like about this dog, he doesn't,

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Speaker 1: he doesn't sniff this dog. All he has to do

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Speaker 1: is look at him from across the street. He goes nuts.

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Speaker 1: Your dog judging another dog by his cover. I guess.

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Speaker 1: So I have to know what's going on in the

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Speaker 1: dog world. Dogs are smart. Why don't you connect them

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Speaker 1: and see what happens? No, no, no, we know that

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Speaker 1: that already happened once. It was a bad it was

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Speaker 1: a bad encounter. Well, okay, keep you updated on that. Yeah.

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Speaker 1: Sometimes want sometimes we can't handle the truth. I want

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Speaker 1: to speak, puppy. Let's get into your horoscopes. You're first,

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Speaker 1: hold on a second, betsany would you kindly hand your

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Speaker 1: horoscopes over to Straight Nate. I would love Straight. This

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Speaker 1: is turn our world upside down. That's what's gonna do.

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Speaker 1: You go first in all right? Sam Worthington, happy birthday,

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Speaker 1: and Charlie x X, Happy birthday, Capricorn. There's no need

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Speaker 1: to pin yourself down to one way of doing things.

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Speaker 1: Take the adventures routes, skip around a little. Your days

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Speaker 1: of nine Yes, Aquarius, staying in here and now is

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Speaker 1: tricky business. Take a deep breath and remember to focus

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Speaker 1: on the present. Your day is seven Pisces. You can

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Speaker 1: reach new heights by having more confidence in your abilities.

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Speaker 1: Believe in yourself, and anything is possible. Your days of

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Speaker 1: ten marries. Being bold is the most effective way to

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Speaker 1: get where you need need to go. Let yourself flow

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Speaker 1: freely and you'll be pleased with the results your day

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Speaker 1: and eight Turus. Emotional freedom is key for you. Let

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Speaker 1: your creativity explode into every part of your being. Your

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Speaker 1: days of ten Gemini, so many signs are pointing towards

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Speaker 1: your success. Where that smile on your face proudly you

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Speaker 1: deserve it. Your days and eight can't cancer. Set aside

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Speaker 1: time for self care, giving to others. It's important, but

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Speaker 1: doing things for yourself will help you achieve your goals faster.

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Speaker 1: Your days and nine Leo. Taking yourself seriously helps bolster

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Speaker 1: your confidence, but make sure to leave room for some silliness.

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Speaker 1: Lightning up, We'll brighten your mood. Your days a seven

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Speaker 1: Tomorrow Virgo. Opportunities are headed your way. Although you're in

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Speaker 1: need of rest, keep pushing. This is a final stretch

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Speaker 1: your day's attack. Libra. You're focused on progress right now.

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Speaker 1: Make time for socializing, but don't overextend yourself or you

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Speaker 1: could hit a wall. Your days and eight Scorpio, the

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Speaker 1: path you're on to reach your future goals looks promising.

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Speaker 1: Don't waste any time with distractions. Your day is a

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Speaker 1: nine and Sagittarius travel plans are endless. Don't stress about

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Speaker 1: your destination, but enjoy where your spontaneity takes you. Your

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Speaker 1: days and nine and those are your Wednesday morning horoscopes.

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Speaker 1: Oh my god, love the pants. That was just creepy

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Speaker 1: but effective. All right, let's get into your headline to Bethany. Hey, Bethany, Hey,

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Speaker 1: love the pants. Thanks man, I like your pants. I

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Speaker 1: know I get some pretty hot pants today. Hey, you

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Speaker 1: know French Montana's coming in. Julia Michaels is coming in.

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Speaker 1: Love your pants Wednesday. All right, let's get into it.

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Speaker 1: What do you have going on? The head of the U. S.

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Speaker 1: Coastguard says he will not support a ban on transgender

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Speaker 1: people serving in the military. Coastguard Commandant Paul zukomp says

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Speaker 1: he immediately reached out to all thirteen transgender members of

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Speaker 1: the Coastguard after the President's tweets. He told the first

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Speaker 1: openly transitioning member of the Coastguard quote, We've made an

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Speaker 1: investment in you, and you have made an investment in

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Speaker 1: the Coastguard, and I will not break faith. If you're

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Speaker 1: someone who's worried about your Alexa or Smart TV secretly

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Speaker 1: listening to you, take heart. A group of bipartisan senators

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Speaker 1: have introduced a bill that aims to make our internet

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Speaker 1: connected objects more safe and less vulnerable to being hacked. Yes,

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Speaker 1: I'm already complaining. No one listening. Someone's listening is not

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Speaker 1: even listening, she sure is. This is your hourly reminder

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Speaker 1: to take a deep breath. And according to a new study,

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Speaker 1: we slack off at work a lot, which you already knew.

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Speaker 1: Fifty eight percent of employees often use their personal devices

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Speaker 1: at work to visit pages that are banned by their company,

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Speaker 1: and about a third of employees check non work email

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Speaker 1: and social media networks. Of course, all this goofing around

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Speaker 1: on the clock supposedly costs companies fifteen billion dollars in

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Speaker 1: lost productivity May what's fifteen billion amongst friends? People don't

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Speaker 1: even make that in a year, I know. Can you imagine? Hey,

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Speaker 1: here we go, busy day. You guys ready for your

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Speaker 1: busy day? All right? Follow Elvis on Twitter at Elvis

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Speaker 1: duran This is Elvie Sturin in the Morning Show. I'm

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Speaker 1: always freaked out about being near a pool with my phone.

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Speaker 1: What happens if I drop it in the water? Done?

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Speaker 1: Not With the Samsung Galaxy S eight, you never have

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Speaker 1: to worry about water ever. Again it's water resistant. Phone

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Speaker 1: tap play Elvis, Elvis Durant, Elvis durand phone tap today, Danielle,

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Speaker 1: he's doing the phone tab what's it all about? All right?

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Speaker 1: So Kevin cald he wanted to play a phone tap

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Speaker 1: on his coworker Camille. The other day she purchased a

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Speaker 1: birthday cake for their friend and she left it in

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Speaker 1: the community frit so somebody ate all the strawberries off

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Speaker 1: the top and she got so piste off. So Kevin

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Speaker 1: was like, you know what, why don't we call you

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Speaker 1: be the mystery co worker who ate the strawberry? So

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Speaker 1: that's what I did do. Let's see how you did it.

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Speaker 1: Daniel s from there we go. Hello. Yeah, Hi, I'm

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Speaker 1: looking for Camille from Snail Look to Nuni wish Law speaking. Hi,

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Speaker 1: are you the woman who bought the cake the other

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Speaker 1: day in the fridge with the strawberries on the top? Hi? Sorry,

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Speaker 1: who's speaking? This is Leslie. I work on the third

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Speaker 1: floor and some of my co workers were saying that

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Speaker 1: the woman who bought the cake was really upset that

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Speaker 1: there was some strawberries missing. I'm sorry, why are you calling? Yeah,

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Speaker 1: you were complaining about it to somebody in the kitchen

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Speaker 1: the other day that there was some strawberries missing and

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Speaker 1: you were really upset that you I. Yes, I was upset. Well,

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Speaker 1: I just wanted to call and say that it was

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Speaker 1: I took the strawberries, and I was really sorry because

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Speaker 1: I didn't realize that that cake was for someone. I

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Speaker 1: thought it was in the community fridge and that it

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Speaker 1: was like a corporate cake or something like that. I

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Speaker 1: just couldn't have some Sorry. How did you get this

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Speaker 1: phone number? Somebody gave me your office line and then

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Speaker 1: they put me to the receptionist. They said you were

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Speaker 1: on your lunch break, so I called it in your cell.

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Speaker 1: Why did you do that? That? That's not it wasn't yours.

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Speaker 1: I mean, I because I don't I don't know you,

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Speaker 1: but when someone just puts something in the frigerator, you

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Speaker 1: think that's just if someone left a half a sandwich

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Speaker 1: in there, I would figure they were done with you. Well, yeah,

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Speaker 1: I figured they were done within so I'll could take

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Speaker 1: the other half. You know, first of all, that's disgusting.

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Speaker 1: I mean it may seem like I shouldn't be this mad,

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Speaker 1: but it made no sense to me. I went out,

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Speaker 1: I got kind of I kind of thought like maybe

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Speaker 1: one of the big bosses went out and but this

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Speaker 1: cake and wanted us all to try a piece. So

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Speaker 1: I figured it shouldn't matter who buys it. Don't go

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Speaker 1: in the fridge and eat someone else's food, especially when

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Speaker 1: it's a perfectly made cake and you're eating strawberries off

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Speaker 1: the top. I mean, that's just floppy. It's said happy birthday, Karen. Yeah,

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Speaker 1: but I thought you guys sang happy birthday already to Karen,

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Speaker 1: and then they would just put the cake away, because

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Speaker 1: I know sometimes in my office we put out cake

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Speaker 1: and no one eats it, and so we put it

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Speaker 1: in the fridge. And Okay, first of all, you bitch,

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Speaker 1: so your vulture it disgusting. It was a brand new

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Speaker 1: cake in a bakery box in the refrigerator. You know what.

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Speaker 1: I made a sacrifice for the women of your office.

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Speaker 1: Now I'm going to put on the pounds so they

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Speaker 1: should say thank you. Strawberry. First of all, you're such

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Speaker 1: a disgusting fob. You can't see food and not eat

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Speaker 1: it without someone saying, oh no, don't eat that. You're disgusting,

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Speaker 1: you say the people that live work in my office,

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Speaker 1: fur pigs. People in my office are fit. I don't

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Speaker 1: know where you work, which office you think you work at.

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Speaker 1: You're very lucky that I even picked up the phone

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Speaker 1: to call your skanky ass and tell you that I

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Speaker 1: I ate the stupid astrawberries. I thought that was nice.

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Speaker 1: I feel so flastini. It's not your cake. Don't touch

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Speaker 1: the cake. Win a cake. Excuse me? What did you

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Speaker 1: just call me? You heard listen? Bit, You gotta back

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Speaker 1: up down right now? What office is you working again?

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Speaker 1: I'm in the building. What's the matter. I'm walking back

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Speaker 1: in the building right now, and I'm about to find you. Okay,

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Speaker 1: come find me. You'll never find me. I will find aout, Okay,

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Speaker 1: I'll wait how to find me? Hello, she really went

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Speaker 1: to go and find you? Yeah, I have an idea

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Speaker 1: for a phone tap. Go to ell Sturan dot com.

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Speaker 1: Click on the phone tap tab, tell us what you

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Speaker 1: want to do. This phone table was prerecorded with permission

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Speaker 1: granted by All Party Space the Elvie Sturran phone tab.

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Speaker 1: We're only on Elvie Sturrant in the Morning show. This

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Speaker 1: is Elvis Durant in the Morning Show. Sometimes you gotta

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Speaker 1: make dinner. So last night I did a chicken star

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Speaker 1: fry with a peanut sauce. I love a peanut sauce.

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Speaker 1: Sprinkle some cass us on top. I decided to add

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Speaker 1: my own corn because it is corn season. You you

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Speaker 1: really lean into corn season. I love corn and I

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Speaker 1: just love cutting it off that cob. Yeah, last night

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Speaker 1: I knew Froggy is gonna say it. You know I can.

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Speaker 1: I can actually predict when a joke is gonna come out.

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Speaker 1: But this is really good. Look at this. It looks

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Speaker 1: delicious for the pepper in there. The other night I

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Speaker 1: made this big pasta, like one are the big pasta

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Speaker 1: is like the really big ones? Like routine? Is it routini? Now? Now?

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Speaker 1: It was like a straight but it's a big, huge pasta.

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Speaker 1: And then I threw in some chick peas and some

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Speaker 1: peas and a little wine in my you know my surface.

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Speaker 1: I always love it. One in my mouth and it

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Speaker 1: is so good. But I made so much that it's

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Speaker 1: lasting the whole week. It's fantastic. Have you ever made

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Speaker 1: dinner like you were doing and you experienced this and

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Speaker 1: it just keeps growing. It's like it starts in a

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Speaker 1: little bit of pot and you like you have to

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Speaker 1: get a larger one out because are and then you say, oh,

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Speaker 1: you want something different for dinner. Let me add some

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Speaker 1: chicken and broccoli. It's totally different than just dress it up.

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Speaker 1: I have the same problem when I order and they

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Speaker 1: bring me two sets of forks. Let's get into the

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Speaker 1: first Danielle report of the day. All right, here's Julia

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Speaker 1: Michaels coming in downstairs. Julian Michaels is coming in. Also

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Speaker 1: French Bontana coming in in an hour. So excited. He's

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Speaker 1: bringing vodka. I love. What what spirit is Julia bringing herself? Okay,

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Speaker 1: let's get into the daniel report. What do you have, Daniel? Okay?

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Speaker 1: So Cia has left our c a Records and she

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Speaker 1: is now with Atlantic Records and she's giving us a

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Speaker 1: Christmas album. We kind of knew this the other day

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Speaker 1: when a couple of people from the record label we're here,

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Speaker 1: but we couldn't say anything. So checking out Elvis Durand

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Speaker 1: dot com. We have the article for you. It's going

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Speaker 1: up in a few minutes. Keshya. She's kicking off her

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Speaker 1: North American Rainbow Tour and she's going to do it

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Speaker 1: a few days after our two thousand seventeen I Heart

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Speaker 1: Radio Music Festival. And if you want to read all

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Speaker 1: about that, we have it for you at Elvis Durand

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Speaker 1: dot com. So Ryan Reynolds loves to play pranks on

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Speaker 1: his friends. He once painted a friend's office puce when

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Speaker 1: he left town for a week. He said, we painted

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Speaker 1: everything the entire office, the inside of the desk, every pencil,

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Speaker 1: every pen everything like a blue green uses puke. Isn't

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Speaker 1: it like a puke color? I feel like you should

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Speaker 1: know this. I don't even know how to spell. It's

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Speaker 1: like a dark red or purple brown. I was dark

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Speaker 1: red purple brown. What the hell is that? It's like

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Speaker 1: a pukey color. It sounds like puke and just call

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Speaker 1: it puke. Oh god, I've got to go puce. So

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Speaker 1: what's wrong with you? I'm feeling very pucy today. Oh

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Speaker 1: my gosh. So The Big Bang Theory was recently renewed

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Speaker 1: for two more seasons. The creator says he could see

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Speaker 1: that being all for the show. No way in the

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Speaker 1: hell is CBS going to let that happen, and executive

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Speaker 1: already said they would like to see it go as

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Speaker 1: long as it can. They Houston Rockets are for sale.

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Speaker 1: There's a new report saying Beyonce is an interested buyer.

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Speaker 1: The team is worth two billion dollars, so if she buys,

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Speaker 1: she's probably going to be part of a large ownership group.

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Speaker 1: You imagine keep you posted on that. Yeah, right, that'd

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Speaker 1: be so cool. And I told you guys a couple

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Speaker 1: of weeks back that the Kevin Can Wait Show with

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Speaker 1: our friend Kevin James, they're getting rid of Kevin's wife

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Speaker 1: on the show. For the new season. They're bringing Leah

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Speaker 1: Remedy in as a regular. Um, how are they going

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Speaker 1: to do it? Well, they decided to kill off her character.

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Speaker 1: I just feel bad for that actor now I do too.

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Speaker 1: She was very upset. She was tweeting out about how

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Speaker 1: you know, she was so excited to do the show

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Speaker 1: and then you know, yeah, and she's awesome. It's just

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Speaker 1: that leoh Remany and Kevin James are Leah Remany and

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Speaker 1: Kevin James. But it's like when you're dating somebody and

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Speaker 1: then his ex comes to visit and you're like, oh,

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Speaker 1: they seem to really be clicking, very nice that as

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Speaker 1: friends really love her. Problem then all of a sudden

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Speaker 1: they kill you off. Tonight you have the series finale

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Speaker 1: of Nick Jonas mm A show Kingdom. You also have

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Speaker 1: the series premiere of The Center over on USA. There's

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Speaker 1: an inconvenient special on MTV. Uh next hour, we're gonna

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Speaker 1: talk about patriot fans and why they are upset today.

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Speaker 1: So scientists are very busy in the in the laboratory um.

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Speaker 1: They have decided the funniest word in the world. So

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Speaker 1: what happened? A team of scientists out of University of

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Speaker 1: Warwick in England, which is funny in and of itself.

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Speaker 1: They just released the results of their study to find

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Speaker 1: the funniest words in the world. Out of five thousand words,

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Speaker 1: the winner is You're ready yeah, booty okay. They also

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Speaker 1: found that younger people were much more likely to say

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Speaker 1: words like goatee, hunchback, and filth are funny, and older

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Speaker 1: people thought words like caddy, squint and jingle are funny. Really,

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Speaker 1: that's based on well, well, I don't know. They put

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Speaker 1: words out there and they just just measured people somehow.

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Speaker 1: And when they say, Okay, if I say the word booty,

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Speaker 1: what comes to mind booty? It's interesting because like in

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Speaker 1: the world of comedy, the letter K is considered to

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Speaker 1: be very funny, and so words with the K are

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Speaker 1: considered very very funny, and so it's interesting that booty

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Speaker 1: has no K in it. Well, let me give you

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Speaker 1: other words that booty beat out Booby. Yeah. They're saying,

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Speaker 1: booty is funnier than booby. Hooter, Yeah, wow, Hooter got

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Speaker 1: a big your laugh out of Daniel than booty. Knitwit

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Speaker 1: twit tinkle, Oh, tinkle is a funny word. Grandma says,

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Speaker 1: I gotta go tinkle. Oh. I love the word too.

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Speaker 1: It's like, oh, I gotta take my umbrella. It's tinkling up. Uh, egghead, egghead, whoa,

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Speaker 1: there's a funny word. So I don't know, booty, Booty

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Speaker 1: wins anyone with me? Booty? Yeah, any other funny words.

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Speaker 1: Give me more funny words. I'm trying to think of

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Speaker 1: words that I find profoundly funny. I don't know if

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Speaker 1: someone says the line I'm trying to come up with

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Speaker 1: the word I find profoundly funny, would you really believe them?

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Speaker 1: I find that profoundly funny. Come, it's a funny It's

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Speaker 1: a fruit, right, I think cocksackie is a funny word.

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Speaker 1: Cosackie is a funny word, but it's a it's a

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Speaker 1: serious word, too horrible to get it. But it's a

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Speaker 1: funny word. It's a fun word to say. Yeah, it's

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Speaker 1: this is three words. But I think ball peen hammer

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Speaker 1: is very funny. What is a ball peen? It's a

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Speaker 1: hammer that has a little round ball on the end

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Speaker 1: instead of like a regular flat and I just think

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Speaker 1: it's the like fall teen hammer is the funniest thing.

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Speaker 1: You know, we should be in here during this conversation, Brodie,

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Speaker 1: get in here. We're talking about the funniest words. So

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Speaker 1: in the world of comedy, what's a funny word. I

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Speaker 1: like to choke because it's got choke in it, but

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Speaker 1: it's supposed to be a food. It's got that k

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Speaker 1: sound that's always fun. So we're talking about how the

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Speaker 1: letter K is prevalent in funny words. Also koka brow. Yeah,

418
00:22:28,280 --> 00:22:31,280
Speaker 1: scientists have determined the funniest word in the world is booty.

419
00:22:31,520 --> 00:22:32,840
Speaker 1: Do you agree with that? Do you want to find

420
00:22:32,840 --> 00:22:34,720
Speaker 1: the word booty? But when I said the word hooter,

421
00:22:34,800 --> 00:22:38,000
Speaker 1: Daniel started laughing. Hooters is good. Also shotaki, I just

422
00:22:38,040 --> 00:22:43,880
Speaker 1: thought of that white scary. I like keegel and as hat.

423
00:22:44,240 --> 00:22:46,840
Speaker 1: Keegel is a very funny word. I don't think ass

424
00:22:46,840 --> 00:22:49,760
Speaker 1: hat is a real word. It is nowels like an

425
00:22:49,760 --> 00:22:54,040
Speaker 1: automotopia to me is it is a funny word like

426
00:22:54,119 --> 00:22:57,919
Speaker 1: if you if you fall and land on like a

427
00:22:58,040 --> 00:23:02,960
Speaker 1: pool of gel, it makes a kegelgund. People are texting

428
00:23:03,000 --> 00:23:15,439
Speaker 1: in their favorite words dickie a shuttlecock. Shuttlecock is fun, regurgitate, crepsicle, smock, repugnant, ninco.

429
00:23:17,400 --> 00:23:22,080
Speaker 1: These are funny words. How about this one? Be queaked? Like?

430
00:23:22,240 --> 00:23:28,600
Speaker 1: What's that smell? Should one be queet? Oh my god,

431
00:23:29,320 --> 00:23:32,400
Speaker 1: uh tally whacker. Thank you for sending these in dukie

432
00:23:34,119 --> 00:23:36,359
Speaker 1: poopy head, you know what, I don't know? I don't know,

433
00:23:37,080 --> 00:23:44,400
Speaker 1: Oh dictator, look at that. It's so funny. How these

434
00:23:44,440 --> 00:23:48,040
Speaker 1: some of these words are just funny, how Alexandra, good morning,

435
00:23:48,160 --> 00:23:50,600
Speaker 1: Good morning. So you find in your world anyway, there's

436
00:23:50,640 --> 00:23:55,840
Speaker 1: a word funnier than booty duty. Duty is good duty.

437
00:23:55,920 --> 00:23:59,560
Speaker 1: No one's laughing. I love the word duty. It's wonderful.

438
00:23:59,600 --> 00:24:03,920
Speaker 1: It makes every time anybody do alright, thank you, Alexandra.

439
00:24:03,960 --> 00:24:06,360
Speaker 1: When you look up Tally Whacker, it gives you a definition,

440
00:24:06,400 --> 00:24:08,439
Speaker 1: but then it gives you a sentence. I like to

441
00:24:08,480 --> 00:24:14,120
Speaker 1: play with my Telly Wacker. How do you feel about sphincter?

442
00:24:14,480 --> 00:24:22,840
Speaker 1: That's a great word spin They wouldn't even know. So

443
00:24:23,040 --> 00:24:25,440
Speaker 1: try to figure out your funniest word today and use

444
00:24:25,520 --> 00:24:33,080
Speaker 1: it in a sentence every hour. The Morning Show's official

445
00:24:33,119 --> 00:24:36,280
Speaker 1: Twitter account keeps you connected to everything we're talking about.

446
00:24:36,480 --> 00:24:40,160
Speaker 1: Hit up Twitter and follow us at Elvis Durancho. This

447
00:24:40,480 --> 00:24:43,720
Speaker 1: is Elvis drain in the Morning Show. On August eleven,

448
00:24:43,880 --> 00:24:47,520
Speaker 1: Experience the next chapter in the Conjuring Universe. Critics are

449
00:24:47,560 --> 00:24:52,720
Speaker 1: calling Annabel Creation a mussy horror experience. It's terrifying, heart

450
00:24:52,800 --> 00:24:57,160
Speaker 1: pounding the year's most inventive and scariest film. Annabel Creation

451
00:24:57,240 --> 00:25:03,240
Speaker 1: in theaters everywhere August eleventh, rated af Elvis duran in

452
00:25:03,240 --> 00:25:05,800
Speaker 1: the Morning Show. You know who we love. We love

453
00:25:05,840 --> 00:25:10,520
Speaker 1: many people. This room is just pulsating with love Julia Michaels.

454
00:25:10,720 --> 00:25:12,760
Speaker 1: Not only have we loved her music, she's written for

455
00:25:12,800 --> 00:25:16,000
Speaker 1: so long now, we love the music she writes then performs.

456
00:25:16,320 --> 00:25:18,440
Speaker 1: But you know what, there's another reason we love Julia Michaels.

457
00:25:18,440 --> 00:25:20,240
Speaker 1: You're about to find out why. We're gonna tell you.

458
00:25:20,480 --> 00:25:22,280
Speaker 1: We're gonna give it to you, but let's bring her

459
00:25:22,320 --> 00:25:23,919
Speaker 1: in first. I want her to hear every word of it.

460
00:25:24,000 --> 00:25:27,320
Speaker 1: Julia Michaels. Welcome to the show. Come on here, she is.

461
00:25:28,320 --> 00:25:34,520
Speaker 1: Thank you for the milf juice. Welcome. It's pineapple, coconut water, mango, banana,

462
00:25:34,600 --> 00:25:40,360
Speaker 1: spinach and kale. It's ridiculous, It's delicious. I promise are

463
00:25:40,359 --> 00:25:44,840
Speaker 1: you Are you a big juice connoisseur fancy? I mean

464
00:25:44,880 --> 00:25:50,320
Speaker 1: I like a good fancy juice milk. Okay, So let

465
00:25:50,320 --> 00:25:52,440
Speaker 1: me just tell you what's going on. This is another

466
00:25:52,480 --> 00:25:55,040
Speaker 1: reason we love Julia. It's because of honesty, and you

467
00:25:55,119 --> 00:25:58,159
Speaker 1: hear it in the music. Thank you. She was she

468
00:25:58,240 --> 00:26:01,120
Speaker 1: was going to perform today and woke up with half

469
00:26:01,160 --> 00:26:06,720
Speaker 1: of her voice. Yeah, as you do. Sometimes she's very upset.

470
00:26:06,760 --> 00:26:08,879
Speaker 1: I walked into the room there that ain't you're a

471
00:26:08,880 --> 00:26:10,600
Speaker 1: few moments ago and you're in tears and there, what

472
00:26:10,960 --> 00:26:13,920
Speaker 1: are you crying? I just I just don't want to

473
00:26:14,000 --> 00:26:18,800
Speaker 1: let anybody down. Very understanding. And then she said that.

474
00:26:18,840 --> 00:26:24,920
Speaker 1: I went, what, I can't understand you what she said,

475
00:26:27,560 --> 00:26:33,400
Speaker 1: Oh god, honey, I'm sorry. Don't no, don't apologize at all. Don't.

476
00:26:33,960 --> 00:26:37,120
Speaker 1: And you see, this is what we love to learn

477
00:26:37,119 --> 00:26:41,040
Speaker 1: about artists, is you know, there's more to it than

478
00:26:41,119 --> 00:26:43,840
Speaker 1: just writing a song and recording it and going, hi, y'all,

479
00:26:43,840 --> 00:26:47,120
Speaker 1: here's my song. You're you're opening up your heart. You're

480
00:26:47,160 --> 00:26:50,959
Speaker 1: opening up total honesty. And it's not always fun. I'm

481
00:26:51,000 --> 00:26:54,520
Speaker 1: not it's not always easy, but I'm a very transparent person.

482
00:26:54,640 --> 00:26:58,440
Speaker 1: So I have a really hard time hiding my emotions. Well,

483
00:26:58,600 --> 00:27:02,000
Speaker 1: I think that the thing is that you didn't cancel

484
00:27:02,040 --> 00:27:04,480
Speaker 1: the interview. You came anyway, and I think that that's

485
00:27:04,520 --> 00:27:07,760
Speaker 1: because we love you too, and I think that that

486
00:27:07,840 --> 00:27:11,600
Speaker 1: says a lot about you. I said you should cancel

487
00:27:11,640 --> 00:27:16,119
Speaker 1: the interview. I'm like that, I said, I said, you

488
00:27:16,119 --> 00:27:17,960
Speaker 1: don't have to you don't have to be here. I said,

489
00:27:18,000 --> 00:27:21,240
Speaker 1: you always have a welcome card to come in here.

490
00:27:21,320 --> 00:27:26,920
Speaker 1: She's like, no, I really want to be my mom

491
00:27:27,040 --> 00:27:29,160
Speaker 1: was listening and she's sending you good energy and good

492
00:27:29,160 --> 00:27:32,560
Speaker 1: thanks mom. What's her name? Anne? Marie? I am Marie.

493
00:27:32,600 --> 00:27:36,200
Speaker 1: Thank you, and tell Julia the story of your mother.

494
00:27:36,480 --> 00:27:43,680
Speaker 1: Fascinating lady. Which which party? So my mom was born

495
00:27:43,760 --> 00:27:48,960
Speaker 1: in Cameroon, West Africa because her my grandfather was a

496
00:27:49,000 --> 00:27:53,600
Speaker 1: missionary doctor and surgeon um and so she spent the

497
00:27:53,600 --> 00:27:55,800
Speaker 1: first eighteen years of her life in West Africa and

498
00:27:55,800 --> 00:27:58,600
Speaker 1: then moved over here. And now she is a duela

499
00:27:58,920 --> 00:28:01,840
Speaker 1: coordinator and she is an energy healer and she's but

500
00:28:01,880 --> 00:28:04,359
Speaker 1: she used to Wasn't she raised about gorillas or something?

501
00:28:04,560 --> 00:28:07,080
Speaker 1: There was There was one situation where a monkey climbed

502
00:28:07,119 --> 00:28:11,800
Speaker 1: into her crib and she breast pedal a monkey. Do

503
00:28:11,960 --> 00:28:16,280
Speaker 1: you think you're having a bad day? Can you imagine

504
00:28:16,320 --> 00:28:19,719
Speaker 1: breeze breastfeeding on a monkey? I don't want it. By

505
00:28:19,760 --> 00:28:22,080
Speaker 1: the way, would you like a read ginger candy? They

506
00:28:22,080 --> 00:28:26,920
Speaker 1: always helps my when it's very good? Okay, okay, Look,

507
00:28:27,000 --> 00:28:29,480
Speaker 1: so this is with us, this is with with with us,

508
00:28:29,520 --> 00:28:32,160
Speaker 1: with people that you know, your family, whatever. Let's say

509
00:28:32,160 --> 00:28:35,120
Speaker 1: you had a performance today, Like what goes through your mind?

510
00:28:35,119 --> 00:28:37,199
Speaker 1: You're like, oh God, there's I can't do it. I

511
00:28:37,200 --> 00:28:41,200
Speaker 1: have oh my god, everything. I have really bad performance anxiety.

512
00:28:41,400 --> 00:28:44,240
Speaker 1: I think you know that, right, So most of the

513
00:28:44,320 --> 00:28:48,240
Speaker 1: time A panic really a good twenty minutes and then

514
00:28:48,440 --> 00:28:51,320
Speaker 1: I and then I take a nap from all the panic,

515
00:28:51,800 --> 00:28:53,920
Speaker 1: and then I panic a little more, and then I performed,

516
00:28:54,240 --> 00:28:56,640
Speaker 1: and then I feel a lot better. You have to

517
00:28:56,880 --> 00:29:00,360
Speaker 1: love performing to go through all of that trauma to there,

518
00:29:01,360 --> 00:29:04,880
Speaker 1: uh something like that. No, I think, I just you know,

519
00:29:05,000 --> 00:29:07,080
Speaker 1: I just I love music, and I love the way

520
00:29:07,080 --> 00:29:08,240
Speaker 1: it makes me feel, and I love the way it

521
00:29:08,240 --> 00:29:11,600
Speaker 1: makes people feel. So that's really why I before. Oh

522
00:29:11,960 --> 00:29:13,960
Speaker 1: was it Jim Morrison from the Doors that used to

523
00:29:14,000 --> 00:29:16,680
Speaker 1: perform like with not facing the crowd for a while

524
00:29:16,680 --> 00:29:18,760
Speaker 1: when he first thus started because of the same kind

525
00:29:18,760 --> 00:29:25,440
Speaker 1: of thing, and it made him work. Yeah, everyone else there, Yeah,

526
00:29:25,800 --> 00:29:29,040
Speaker 1: you know, But Juliet, I mean you you could easily say,

527
00:29:29,520 --> 00:29:31,360
Speaker 1: all right, well, I just have to accept it. I

528
00:29:31,360 --> 00:29:33,760
Speaker 1: can't perform today, so oh well, and then and then

529
00:29:33,960 --> 00:29:35,880
Speaker 1: leave it, leave it on the trail behind you. But

530
00:29:36,480 --> 00:29:39,240
Speaker 1: you can't. And and but you're not alone, by the way.

531
00:29:39,240 --> 00:29:41,000
Speaker 1: A lot of people live their lives like that, where

532
00:29:41,040 --> 00:29:43,760
Speaker 1: they take everything so seriously because it is it's you,

533
00:29:43,760 --> 00:29:48,520
Speaker 1: you know, it's your calling car At the same time,

534
00:29:48,760 --> 00:29:51,560
Speaker 1: do you ever acknowledge the fact that, oh, you know,

535
00:29:51,640 --> 00:29:54,440
Speaker 1: today I'm surrounded by people who really really care for me,

536
00:29:54,480 --> 00:29:57,479
Speaker 1: and I'm I'm good, I'm safe, I get a I

537
00:29:57,520 --> 00:29:59,600
Speaker 1: get I get a total pass from everyone else today.

538
00:29:59,640 --> 00:30:01,120
Speaker 1: So maybe I actually give myself a little bit of

539
00:30:01,160 --> 00:30:06,560
Speaker 1: a pastor myself. I really am. Yeah, but I mean,

540
00:30:06,600 --> 00:30:08,760
Speaker 1: I'm so I'm so grateful for all the people that

541
00:30:08,960 --> 00:30:11,959
Speaker 1: surround me. I really am, because they're all so lovely

542
00:30:11,960 --> 00:30:16,680
Speaker 1: and understanding, But I'm not so understanding with myself sometimes. Well,

543
00:30:16,720 --> 00:30:18,520
Speaker 1: you know, and when you can, you can hear it

544
00:30:18,520 --> 00:30:20,360
Speaker 1: in your lyrics. You know, you can see the moments

545
00:30:20,400 --> 00:30:23,120
Speaker 1: that you go through. And and I gotta tell you, Um,

546
00:30:23,200 --> 00:30:25,800
Speaker 1: I read an article that was written about your music

547
00:30:26,720 --> 00:30:29,600
Speaker 1: but the other day talking about how it actually took

548
00:30:29,760 --> 00:30:34,320
Speaker 1: professionals in the music business to look at you to go, hey,

549
00:30:34,720 --> 00:30:36,400
Speaker 1: you know what, you need us to tell you what

550
00:30:36,440 --> 00:30:38,800
Speaker 1: you have on board because you're not recognizing it. You

551
00:30:38,840 --> 00:30:42,640
Speaker 1: don't see it. So when you have other people tell you, hey,

552
00:30:43,160 --> 00:30:44,600
Speaker 1: you know you are great at this, this and this,

553
00:30:44,680 --> 00:30:46,200
Speaker 1: you you don't give yourself u of a credit at that.

554
00:30:46,600 --> 00:30:48,440
Speaker 1: I mean, do you actually listen to what people say,

555
00:30:48,520 --> 00:30:51,080
Speaker 1: or do you have to convince yourself that you're great

556
00:30:51,080 --> 00:30:53,680
Speaker 1: at what you do a little bit of both. It

557
00:30:53,680 --> 00:30:56,720
Speaker 1: takes a little bit of validation for me, but ultimately

558
00:30:56,760 --> 00:30:58,760
Speaker 1: it's really me that has to be like, okay, I

559
00:30:58,800 --> 00:31:02,040
Speaker 1: can do this, I I can right. Yeah. I think

560
00:31:02,040 --> 00:31:05,120
Speaker 1: there are so many people listening right now who are like, oh,

561
00:31:05,400 --> 00:31:09,560
Speaker 1: she's exactly like me. Because there I think most of

562
00:31:09,640 --> 00:31:12,040
Speaker 1: us need somebody else at least to say no, no,

563
00:31:12,160 --> 00:31:14,920
Speaker 1: you're not crazy, you are really good at this thing,

564
00:31:15,040 --> 00:31:17,280
Speaker 1: or just to be like, hey, you're okay, y, we

565
00:31:17,400 --> 00:31:19,760
Speaker 1: have a human you're okay. We have a jar in

566
00:31:19,760 --> 00:31:22,680
Speaker 1: the back, and it's if you say something negative about yourself,

567
00:31:22,720 --> 00:31:29,160
Speaker 1: you have to put money in the jar. I used

568
00:31:29,160 --> 00:31:31,680
Speaker 1: to some of my step sister lives in Illinois and

569
00:31:31,760 --> 00:31:35,760
Speaker 1: she comes to California sometimes when I desperately miss her,

570
00:31:36,560 --> 00:31:40,080
Speaker 1: and she says sorry for the most ridiculous things all

571
00:31:40,080 --> 00:31:42,240
Speaker 1: the time. And every time she says the word sorry,

572
00:31:42,240 --> 00:31:44,520
Speaker 1: it could be nine am in the morning. I'll make

573
00:31:44,560 --> 00:31:50,000
Speaker 1: her take a shot. I don't say sorry, sorry, don't

574
00:31:50,160 --> 00:31:52,760
Speaker 1: be sorry for taking up space. How many of us

575
00:31:52,800 --> 00:31:55,040
Speaker 1: have used that though? If someone will go they'll walk

576
00:31:55,040 --> 00:31:56,560
Speaker 1: in the room and they're not feeling well. You look

577
00:31:56,560 --> 00:31:59,160
Speaker 1: at them, God, I'm so sorry. Yeah, and you want

578
00:31:59,160 --> 00:32:01,880
Speaker 1: to go, well, did you get me sick? Or the

579
00:32:02,000 --> 00:32:04,800
Speaker 1: or like it's more like when someone bumps into you

580
00:32:05,040 --> 00:32:08,640
Speaker 1: and you say sorry, yeah, don't say sorry for that.

581
00:32:08,640 --> 00:32:11,840
Speaker 1: That's not cheerfault or so I make her take shots

582
00:32:11,880 --> 00:32:14,840
Speaker 1: and then by the time it's three three pm, she's like,

583
00:32:14,840 --> 00:32:17,920
Speaker 1: like the next day, she's really sorry. I do that

584
00:32:17,960 --> 00:32:19,960
Speaker 1: if I'm painting somebody in a store and I go,

585
00:32:20,080 --> 00:32:23,000
Speaker 1: excuse me, I'm so sorry and why am I sorry?

586
00:32:23,600 --> 00:32:25,920
Speaker 1: And then if they if they don't acknowledge it and

587
00:32:25,960 --> 00:32:27,960
Speaker 1: they don't say sorry back to you get mad at them.

588
00:32:28,080 --> 00:32:30,880
Speaker 1: What's wrong? You can't say you're sorry, I'm sorry. Can't

589
00:32:30,920 --> 00:32:34,560
Speaker 1: we both be sorry? Like I had somebody I was

590
00:32:34,640 --> 00:32:37,000
Speaker 1: using the bathroom and someone walked in on me, like

591
00:32:37,040 --> 00:32:41,360
Speaker 1: they opened the stalls somehow. I apologized, I'm so sorry,

592
00:32:41,520 --> 00:32:45,360
Speaker 1: my pants are down, I'm so sorry that I'm what

593
00:32:45,440 --> 00:32:50,240
Speaker 1: happened to me before? Everybody? Okay, let's see. I'm checking

594
00:32:50,240 --> 00:32:52,880
Speaker 1: out the text messages. Four times I love Julia Michael's

595
00:32:52,880 --> 00:32:55,480
Speaker 1: three times she is so sweet, five times sexy voice.

596
00:32:55,600 --> 00:33:04,480
Speaker 1: Oh they want you to have this voice, Marge. The

597
00:33:04,480 --> 00:33:05,880
Speaker 1: new single by the way, uh huh, we're going to

598
00:33:05,920 --> 00:33:07,400
Speaker 1: play it in a second. This is the song she

599
00:33:07,480 --> 00:33:12,680
Speaker 1: was going to sing until she let us down. Oh no, sorry,

600
00:33:13,520 --> 00:33:21,280
Speaker 1: pull yourself together, mad Oh please enough. But it's just

601
00:33:22,880 --> 00:33:25,600
Speaker 1: I just can't imagine when it's like having someone point

602
00:33:25,600 --> 00:33:27,480
Speaker 1: at you and go, Okay, it doesn't matter what time

603
00:33:27,480 --> 00:33:28,840
Speaker 1: of day it is, or what night it is, or

604
00:33:28,880 --> 00:33:31,600
Speaker 1: where what you're going through, you're on go and you're like,

605
00:33:31,920 --> 00:33:39,120
Speaker 1: h no, but I'm I know, I don't. Okay. Have

606
00:33:39,240 --> 00:33:42,720
Speaker 1: you guys ever seen the movie Office Space? I feel

607
00:33:42,720 --> 00:33:46,440
Speaker 1: like Milton in those moments, But I don't I need

608
00:33:46,480 --> 00:33:53,440
Speaker 1: to Okay. I was told. I was told. I wonder

609
00:33:53,440 --> 00:33:56,880
Speaker 1: how many people, how many artists, musicians or people who

610
00:33:57,080 --> 00:34:02,840
Speaker 1: paint on canvas or whatever, they just they still paint

611
00:34:02,880 --> 00:34:06,560
Speaker 1: happy on their saddest day. And do we want them

612
00:34:06,560 --> 00:34:08,879
Speaker 1: to do that? Do I want someone who's going through

613
00:34:08,920 --> 00:34:13,960
Speaker 1: an awful, awful experience coming in and painting sunflowers when

614
00:34:14,000 --> 00:34:16,440
Speaker 1: I if I really want to connect with that artist,

615
00:34:16,520 --> 00:34:19,680
Speaker 1: I want them to paint the colors that they're feeling completely,

616
00:34:20,200 --> 00:34:22,359
Speaker 1: And they're not always great fun colors. Not a lot

617
00:34:22,400 --> 00:34:25,399
Speaker 1: of people know how to express how they feel. Though,

618
00:34:26,040 --> 00:34:31,600
Speaker 1: sometimes people mask anxiety and you know, other things with

619
00:34:31,640 --> 00:34:35,479
Speaker 1: happiness and warmth because they think that they're burdening other

620
00:34:35,520 --> 00:34:39,719
Speaker 1: people with their problems. Put on a happy face, put

621
00:34:39,719 --> 00:34:44,120
Speaker 1: on your big girl pants, you know, but no transparent.

622
00:34:44,239 --> 00:34:46,960
Speaker 1: I just I'm like, what you see is what you yet,

623
00:34:47,200 --> 00:34:49,359
Speaker 1: that's awesome. Well, I don't think anyone's asking for their

624
00:34:49,360 --> 00:34:53,120
Speaker 1: money back on that, you know. I just truly think

625
00:34:53,160 --> 00:34:57,080
Speaker 1: that have you always been I'm gonna say, brave enough

626
00:34:57,760 --> 00:35:00,239
Speaker 1: to be this honest, or have you gone through period

627
00:35:00,280 --> 00:35:01,879
Speaker 1: of time where you were like, Oh, I'm just gonna

628
00:35:01,920 --> 00:35:06,120
Speaker 1: pretend to be happy, I'm gonna pretend like everything's fine. Uh.

629
00:35:06,360 --> 00:35:10,200
Speaker 1: I've definitely been in situations where I've just kind of

630
00:35:10,920 --> 00:35:14,120
Speaker 1: let things happen and just said yes to a lot

631
00:35:14,160 --> 00:35:18,279
Speaker 1: of things. Um, but then you realize how exhausting that

632
00:35:18,320 --> 00:35:21,680
Speaker 1: can be. And um, actually, just I got a tattoo

633
00:35:22,080 --> 00:35:24,480
Speaker 1: a couple of months ago as a speak up on

634
00:35:24,600 --> 00:35:27,520
Speaker 1: my throat because I'm used to making myself a very

635
00:35:27,520 --> 00:35:32,000
Speaker 1: small sometimes and it's just a reminder not to. But

636
00:35:32,200 --> 00:35:36,120
Speaker 1: it's so easy to allow yourself to be small. It

637
00:35:36,200 --> 00:35:40,720
Speaker 1: does take a lot of courage to slice through the darkness,

638
00:35:40,719 --> 00:35:43,920
Speaker 1: sometimes completely, but that's where the art comes from, you know.

639
00:35:43,960 --> 00:35:47,840
Speaker 1: And sometimes you reveal things you don't want to reveal

640
00:35:47,920 --> 00:35:51,160
Speaker 1: you and and maybe in later you regret it. I

641
00:35:51,160 --> 00:35:53,239
Speaker 1: don't know, do you ever regret? Do you ever ever

642
00:35:53,360 --> 00:35:58,479
Speaker 1: have any regrets in opening up and being totally honest? No? No, never,

643
00:35:58,719 --> 00:36:03,279
Speaker 1: I am I'm actually really I'm I'm grateful that I

644
00:36:03,360 --> 00:36:07,239
Speaker 1: have I'm grateful that I'm a vulnerable person and that

645
00:36:07,360 --> 00:36:10,319
Speaker 1: I can share that with people, because I want people

646
00:36:10,360 --> 00:36:12,640
Speaker 1: to find their own perspectives and of music. I want

647
00:36:12,680 --> 00:36:15,360
Speaker 1: them to be like, oh, this is how I feel

648
00:36:15,680 --> 00:36:18,799
Speaker 1: and I don't know how to articulate it, and this

649
00:36:18,880 --> 00:36:21,640
Speaker 1: is exactly how I feel, and I want that connection

650
00:36:21,680 --> 00:36:26,280
Speaker 1: with people. UM, you know, my my nervous my nervous system.

651
00:36:26,320 --> 00:36:30,040
Speaker 1: Any albums, These aren't just songs from two years ago

652
00:36:30,160 --> 00:36:32,600
Speaker 1: that I was like, I'll take this one and just

653
00:36:32,640 --> 00:36:35,799
Speaker 1: put it on my many album. These are all very

654
00:36:35,880 --> 00:36:39,880
Speaker 1: current songs, all talking about the last three years with

655
00:36:39,920 --> 00:36:45,359
Speaker 1: my last boyfriend and um, and it's all just very

656
00:36:45,400 --> 00:36:47,719
Speaker 1: true and very me. And I just want everybody to

657
00:36:47,760 --> 00:36:51,320
Speaker 1: know that that is seriously who I am. You probably

658
00:36:51,320 --> 00:36:54,560
Speaker 1: don't realize how many people you're helping right now, because,

659
00:36:54,560 --> 00:36:56,160
Speaker 1: like we said, most artists would have said, well, I

660
00:36:56,160 --> 00:36:59,319
Speaker 1: can't come in, I don't feel good, or but you're

661
00:36:59,400 --> 00:37:01,839
Speaker 1: hitting here, you're being honest and you're telling everybody that

662
00:37:01,880 --> 00:37:04,160
Speaker 1: this is the real mate and this is you know,

663
00:37:04,400 --> 00:37:07,279
Speaker 1: take it or leave it. And other people are saying,

664
00:37:07,280 --> 00:37:08,640
Speaker 1: you know what, if she can do it, I can

665
00:37:08,680 --> 00:37:10,840
Speaker 1: do it. But you were so upset though she was in.

666
00:37:11,080 --> 00:37:17,040
Speaker 1: She was bawling your hair, so you know you're a baller.

667
00:37:18,400 --> 00:37:21,200
Speaker 1: But you know, I'm talking talking about the mini album.

668
00:37:21,280 --> 00:37:23,200
Speaker 1: I haven't heard someone called this one of these a

669
00:37:23,320 --> 00:37:27,200
Speaker 1: mini album. This is like usually it's an EP whatever.

670
00:37:27,400 --> 00:37:29,640
Speaker 1: This came out a few days ago, right, a few

671
00:37:29,680 --> 00:37:33,000
Speaker 1: days ago? So um, has anyone said anything about it

672
00:37:33,040 --> 00:37:37,000
Speaker 1: that really resonated with you, like oh wow, okay? Or

673
00:37:37,040 --> 00:37:38,919
Speaker 1: is it all just good stuff or what are you hearing?

674
00:37:39,200 --> 00:37:43,279
Speaker 1: Keith Irvin said that I'm Joni Mitchell of which is

675
00:37:43,320 --> 00:37:47,120
Speaker 1: a pretty amazing compliment. So that made me pretty That

676
00:37:47,200 --> 00:37:49,000
Speaker 1: is a great compliment. I mean, I don't really trust him,

677
00:37:49,040 --> 00:37:52,200
Speaker 1: but I'm kidding. I love Keith Urban He's hot, right,

678
00:37:53,400 --> 00:37:58,200
Speaker 1: that's great. I'm kidding, I'm kidding. Look, I'm glad you

679
00:37:58,239 --> 00:38:01,120
Speaker 1: came in, and I'm even more glad that we didn't

680
00:38:01,160 --> 00:38:03,279
Speaker 1: try to mask this, that we didn't try to put

681
00:38:03,320 --> 00:38:06,319
Speaker 1: lipstick on this and go, oh, everything's just great. You know,

682
00:38:06,760 --> 00:38:08,279
Speaker 1: we had cameras that we're gonna be in here doing

683
00:38:08,320 --> 00:38:10,480
Speaker 1: the typical video thing. I'm like, get out, it's okay. Well,

684
00:38:10,760 --> 00:38:15,480
Speaker 1: let's just talk to Julia, because we do truly, we

685
00:38:15,520 --> 00:38:18,880
Speaker 1: do truly appreciate what you bring into our lives. And

686
00:38:18,920 --> 00:38:20,719
Speaker 1: you know what, if I can, if any of us

687
00:38:20,719 --> 00:38:23,200
Speaker 1: can go out into the streets today and just be honest,

688
00:38:23,840 --> 00:38:26,480
Speaker 1: I think I think that's that's our way of saying

689
00:38:26,480 --> 00:38:30,440
Speaker 1: thank you. That's we're paying it back. The mini album,

690
00:38:30,480 --> 00:38:34,200
Speaker 1: by the way, Nervous System, it's available now. We're about

691
00:38:34,200 --> 00:38:36,480
Speaker 1: to play ah huh. This was recorded on today when

692
00:38:36,560 --> 00:38:41,480
Speaker 1: Julia had a voice. But you know what, even even

693
00:38:41,920 --> 00:38:46,000
Speaker 1: even though your vocal cords aren't, your voice is loud

694
00:38:46,040 --> 00:38:48,719
Speaker 1: and clear. Keep that in mind. We thank you for

695
00:38:48,719 --> 00:39:00,359
Speaker 1: coming in, Julie. Michael. This is it. This is a huh.

696
00:39:01,320 --> 00:39:03,880
Speaker 1: Every day we update the Morning Shows YouTube channel with

697
00:39:03,960 --> 00:39:06,880
Speaker 1: exclusive content you can't get anywhere else. I was made

698
00:39:06,920 --> 00:39:09,040
Speaker 1: out with a really tall boy against my car. Let

699
00:39:09,120 --> 00:39:13,200
Speaker 1: go to YouTube search Elvis Duranto and subscribe today. Elvi

700
00:39:13,360 --> 00:39:16,399
Speaker 1: stan in the morning show. I'm always freaked out about

701
00:39:16,440 --> 00:39:19,080
Speaker 1: being near a pool with my phone. What happens if

702
00:39:19,080 --> 00:39:21,600
Speaker 1: I drop it in the water? Done? Not With the

703
00:39:21,640 --> 00:39:24,560
Speaker 1: Samsung Galaxy S eight, you never have to worry about

704
00:39:24,600 --> 00:39:29,200
Speaker 1: water ever. Again, it's water resistant. Alright, alright, a way

705
00:39:29,239 --> 00:39:32,040
Speaker 1: back Wednesday? Phone tap? Now, how did we choose out

706
00:39:32,080 --> 00:39:35,080
Speaker 1: of tens of thousands of phone taps? This to be

707
00:39:35,160 --> 00:39:37,720
Speaker 1: the phone tap today? I selfishly picked my own. Okay,

708
00:39:37,719 --> 00:39:42,400
Speaker 1: thank you, Elvi's Elvis Durant, the Elvis Durant phone tap.

709
00:39:42,640 --> 00:39:45,840
Speaker 1: The letter coming into our phone Tap headquarters is Dear Elvis,

710
00:39:45,880 --> 00:39:48,719
Speaker 1: my mother is a nut job. Let's phone tap her,

711
00:39:49,040 --> 00:39:51,839
Speaker 1: all right, Nicole will do it. Mom would flip out

712
00:39:52,760 --> 00:39:54,560
Speaker 1: if she found out I wasn't keeping up with my

713
00:39:54,640 --> 00:39:58,160
Speaker 1: car payments, especially since she's a co signer on the loan.

714
00:39:58,400 --> 00:40:02,400
Speaker 1: This comes to us from Nicole Lungy. Scary Jones is

715
00:40:02,400 --> 00:40:05,479
Speaker 1: going to call from the bank informing Nicole's mom, Mrs Lunge,

716
00:40:06,360 --> 00:40:09,239
Speaker 1: of her daughter's missed payments. Listen in and see how

717
00:40:09,280 --> 00:40:15,279
Speaker 1: mom reacts to the problem. Hello, Mrs lugiy Hi, how

718
00:40:15,320 --> 00:40:17,560
Speaker 1: are you? This is Owen cash from Nervous Bank at

719
00:40:17,560 --> 00:40:21,600
Speaker 1: a Paramis, New Jersey. I'm actually one of the brokers

720
00:40:21,640 --> 00:40:26,000
Speaker 1: here and I handled delinquent accounts. Turns out your daughter

721
00:40:26,280 --> 00:40:29,400
Speaker 1: is not paying for the jeep liberty that she has least,

722
00:40:29,840 --> 00:40:31,720
Speaker 1: what do you mean she's not paying the jeep liberty?

723
00:40:32,120 --> 00:40:35,600
Speaker 1: She owes us over four dollars and I just got

724
00:40:35,600 --> 00:40:37,960
Speaker 1: off the phone with her and she's cursing me out

725
00:40:38,000 --> 00:40:41,960
Speaker 1: and calling me names. She's over three months overdue on page.

726
00:40:42,520 --> 00:40:45,799
Speaker 1: Yes she is, and as co signer? Are you gonna

727
00:40:45,840 --> 00:40:50,239
Speaker 1: be held accountable here? Mrs Lugi? But I'll call her.

728
00:40:50,280 --> 00:40:52,279
Speaker 1: I'll get her to page. Give me a few minutes,

729
00:40:52,360 --> 00:40:54,040
Speaker 1: let me chalk to her. I'll call you right back.

730
00:40:54,280 --> 00:40:59,919
Speaker 1: Thank you, all right? Perfect setup? No, that must be hard,

731
00:41:00,000 --> 00:41:04,600
Speaker 1: own answer it? Okay? Hello, Hello, I don't know what

732
00:41:04,760 --> 00:41:08,120
Speaker 1: Mr Cash called here? Well what is this? But you

733
00:41:08,360 --> 00:41:10,719
Speaker 1: didn't pay your call? I guess I have to just

734
00:41:10,800 --> 00:41:13,080
Speaker 1: check it out. I don't really know. I mean, you know,

735
00:41:13,320 --> 00:41:16,640
Speaker 1: you don't know. Somebody said you evolver and disgusting. Well, mom,

736
00:41:16,680 --> 00:41:18,000
Speaker 1: you know I don't not talk to this. I have

737
00:41:18,080 --> 00:41:21,560
Speaker 1: to go pianic. Let's me you currs this man out. Well,

738
00:41:21,640 --> 00:41:23,960
Speaker 1: you know, you know well I can't. Well, you curse

739
00:41:24,000 --> 00:41:26,960
Speaker 1: the minutes. You see, you're not a lady nicole. All right,

740
00:41:27,000 --> 00:41:29,320
Speaker 1: well what should I do? We better called back and

741
00:41:29,400 --> 00:41:33,120
Speaker 1: tell me sorry number one, and then say right on,

742
00:41:33,400 --> 00:41:36,640
Speaker 1: hold on, somebody's deeping in. Hold on a minute. Hello?

743
00:41:37,120 --> 00:41:40,799
Speaker 1: Who said? This is Owen Cash? Yes? You have your

744
00:41:40,800 --> 00:41:43,560
Speaker 1: mom on the phone with us? Yes I do, Mr Owen.

745
00:41:44,120 --> 00:41:48,400
Speaker 1: Mrs Lugie, you owe us over fourteen hundred dollars. Listen,

746
00:41:48,520 --> 00:41:51,440
Speaker 1: Mr Owen, now you're starting, Mr Cash. We have listen

747
00:41:51,480 --> 00:41:54,520
Speaker 1: to me. I understand what we owe. You do. I'm

748
00:41:54,520 --> 00:41:57,760
Speaker 1: not being nasty to you. Don't be nasty to me. Okay?

749
00:41:58,000 --> 00:42:00,560
Speaker 1: Can you fax me a copy of the bill? Yeah,

750
00:42:00,760 --> 00:42:02,759
Speaker 1: I'll fix you a copy. What number would you like

751
00:42:02,760 --> 00:42:04,680
Speaker 1: me to send that to? All right? But you can't

752
00:42:04,680 --> 00:42:07,839
Speaker 1: do it tomorrow. Oh I see how it is. You

753
00:42:07,840 --> 00:42:10,640
Speaker 1: need just enough time to escape so you dodge your

754
00:42:10,640 --> 00:42:13,400
Speaker 1: phone calls. That's what it's all about, isn't it. Mrs Ludy.

755
00:42:13,400 --> 00:42:16,840
Speaker 1: Oh you're listen. You want the money, now, come to

756
00:42:16,920 --> 00:42:19,520
Speaker 1: my house now, I'll pay you right now. You're not

757
00:42:19,600 --> 00:42:22,399
Speaker 1: talking to some bimbo? Is it feeding time at the zoo?

758
00:42:22,400 --> 00:42:25,680
Speaker 1: Because you're acting like an animal. Listen to me, Mr

759
00:42:25,800 --> 00:42:28,279
Speaker 1: Cash or Mr Owen or Mr whatever your name is.

760
00:42:28,480 --> 00:42:30,319
Speaker 1: You tell me how you want the payments, and I

761
00:42:30,360 --> 00:42:32,799
Speaker 1: will pay you, and then I want to talk to

762
00:42:32,800 --> 00:42:35,600
Speaker 1: your superior. I know your name is Lucy because you're

763
00:42:35,640 --> 00:42:38,279
Speaker 1: acting like a snot. You tell me how you want

764
00:42:38,280 --> 00:42:40,080
Speaker 1: to pay, where you want to pay, and then you

765
00:42:40,160 --> 00:42:42,920
Speaker 1: get me somebody else to talk to beside you. Listen.

766
00:42:43,200 --> 00:42:45,799
Speaker 1: I don't know what trailer you and your family fell

767
00:42:45,840 --> 00:42:48,760
Speaker 1: out of, but when you rent stuff to me, buddy,

768
00:42:49,000 --> 00:42:51,239
Speaker 1: Now you're gonna make me start talking from where I

769
00:42:51,280 --> 00:42:54,000
Speaker 1: really come from. Don't push your luck. Now you get

770
00:42:54,000 --> 00:42:56,720
Speaker 1: me someone else to talk to that as a decent

771
00:42:56,760 --> 00:42:58,680
Speaker 1: swear to talking. I don't want to talk to you.

772
00:42:58,760 --> 00:43:01,520
Speaker 1: Mr Owen. Are you related to Oscar the Grouch? Because

773
00:43:01,560 --> 00:43:04,320
Speaker 1: you come from the trash? Can? Can I please speak

774
00:43:04,360 --> 00:43:09,239
Speaker 1: to someone else beside you? How old one? I'm twenty two,

775
00:43:09,360 --> 00:43:11,920
Speaker 1: Mrs Lugi, but oh I knew it. Your a little

776
00:43:11,920 --> 00:43:14,319
Speaker 1: snot knows right out of school? Tell me how do

777
00:43:14,360 --> 00:43:16,759
Speaker 1: you want the money paid? And get off my back

778
00:43:16,920 --> 00:43:19,680
Speaker 1: right now? How do you want me to pay this money? Mom?

779
00:43:19,719 --> 00:43:21,920
Speaker 1: Don't get add I will handle this myself. I don't

780
00:43:21,920 --> 00:43:24,520
Speaker 1: even know why they call shut your mouth, MoMA, excuse me,

781
00:43:24,560 --> 00:43:26,520
Speaker 1: I have to go tanning, so sorry, I don't want

782
00:43:27,640 --> 00:43:29,880
Speaker 1: okay and don't want me Terris in front of the guys. Okay,

783
00:43:29,920 --> 00:43:32,239
Speaker 1: this is mine, Creddit. I see the apple doesn't fall

784
00:43:32,280 --> 00:43:34,839
Speaker 1: too far from the tree. Mrs Lugi has learned how

785
00:43:34,880 --> 00:43:38,279
Speaker 1: to say the name quite Mr Cash. What's your name

786
00:43:38,400 --> 00:43:42,120
Speaker 1: Mrs Lugi? Like like that right? And what's your name?

787
00:43:42,680 --> 00:43:47,240
Speaker 1: Like an excuse me? You heard me the first listen.

788
00:43:47,320 --> 00:43:49,879
Speaker 1: I could be just as dirty as you, so calm down.

789
00:43:50,040 --> 00:43:51,640
Speaker 1: I can roll with the best of them around. I

790
00:43:51,640 --> 00:43:54,360
Speaker 1: don't know who you're dealing with, buddy boy. Okay, I

791
00:43:54,440 --> 00:43:56,319
Speaker 1: come from the Bronx. And if you want me to

792
00:43:56,360 --> 00:43:59,759
Speaker 1: talk the way a Jersey ice because you come from

793
00:43:59,760 --> 00:44:04,560
Speaker 1: New Jersey. You know New Jersey. I don't want to

794
00:44:04,560 --> 00:44:06,200
Speaker 1: say what I want to say because I'm a lady.

795
00:44:06,239 --> 00:44:08,160
Speaker 1: Why don't you say it? Because you're not a lady.

796
00:44:08,200 --> 00:44:10,800
Speaker 1: You're an animal. You're an animal. I'm not an animal.

797
00:44:10,840 --> 00:44:13,520
Speaker 1: You come from an animal. It's scary Jones in the

798
00:44:13,520 --> 00:44:17,560
Speaker 1: Morning Show, you got phone tapped. I'm going to kill

799
00:44:17,840 --> 00:44:24,560
Speaker 1: you killed. I don't believe this just hasn't on the radio.

800
00:44:25,480 --> 00:44:27,360
Speaker 1: Love Scary. I how to do it? Mom, how to

801
00:44:27,360 --> 00:44:32,239
Speaker 1: do it? I hate this all from the land of

802
00:44:32,280 --> 00:44:35,480
Speaker 1: the Bronx, the same land that gave us Danielle. Yes,

803
00:44:35,640 --> 00:44:38,920
Speaker 1: she's amazing's your people, It's there you go away back

804
00:44:38,920 --> 00:44:41,279
Speaker 1: Wednesday phone tap from Scary that was also a free

805
00:44:41,360 --> 00:44:47,080
Speaker 1: hug phone tap. Let's all hug each other, all right?

806
00:44:47,600 --> 00:44:50,560
Speaker 1: Uh French Montana's on the way we do here. Rumor

807
00:44:50,600 --> 00:44:53,359
Speaker 1: he's bringing a big bottle of sarrock, so let's get

808
00:44:53,360 --> 00:44:55,200
Speaker 1: down and get funky. Anyway, he'll be here in like

809
00:44:55,239 --> 00:44:58,120
Speaker 1: thirty minutes, so hang out. This tap was prerecorded with

810
00:44:58,239 --> 00:45:04,560
Speaker 1: permission granted by all participates on Elvis stand in the

811
00:45:04,600 --> 00:45:11,520
Speaker 1: Morning Show, Melvis Durand in the Morning Show Getting Ready

812
00:45:11,560 --> 00:45:14,879
Speaker 1: for the I Heart Radio Music Festival. Yeah it is

813
00:45:15,000 --> 00:45:18,200
Speaker 1: it already is kind of fun. Yeah, it's ours anticipation

814
00:45:18,400 --> 00:45:21,600
Speaker 1: cold Play the weekend? Is that enough? Okay? Well? At

815
00:45:21,680 --> 00:45:26,239
Speaker 1: DJ Kalin, Miley Cyrus, Lord Kings of Leon, Big Sean Pink,

816
00:45:26,400 --> 00:45:29,560
Speaker 1: Chris Stapleton, thirty seconds to Mars Nile Horn, David Getta,

817
00:45:29,920 --> 00:45:33,359
Speaker 1: Thomas Read, Harry Styles and of course Kesha and more

818
00:45:33,560 --> 00:45:36,520
Speaker 1: and more at the Daytime Village which I gotta be honest,

819
00:45:36,520 --> 00:45:37,880
Speaker 1: don't get mad at me for saying this, which is

820
00:45:37,920 --> 00:45:41,320
Speaker 1: my favorite part of the weekend. We have Halsey, Flume,

821
00:45:41,440 --> 00:45:45,840
Speaker 1: Little Mix, Nile Horn there Again, Bleachers, Kelsey Ballerini, Judah

822
00:45:45,840 --> 00:45:49,280
Speaker 1: and the Lion, Beat Rexa, Noah cyrus Hey, Violet Cheek, Codes,

823
00:45:49,440 --> 00:45:54,200
Speaker 1: All Time Low, and of course French Montana. I've been

824
00:45:54,239 --> 00:45:56,279
Speaker 1: a fan of French Montana's for a while now, and

825
00:45:56,400 --> 00:45:57,880
Speaker 1: he's this is the first time I've met him. I

826
00:45:57,880 --> 00:45:59,600
Speaker 1: know me too. I've always loved him with his j

827
00:45:59,760 --> 00:46:05,080
Speaker 1: Low collaborations and I followed his dating life in the past. Well,

828
00:46:05,080 --> 00:46:06,640
Speaker 1: he's going to be here in a few minutes in

829
00:46:06,719 --> 00:46:08,759
Speaker 1: French Montana coming in. We're very, very honored to have

830
00:46:08,840 --> 00:46:11,280
Speaker 1: him here. Wow, we just keep pumping out the interviews

831
00:46:11,320 --> 00:46:13,239
Speaker 1: of music. Let's talk to the interns for a moment.

832
00:46:13,800 --> 00:46:16,920
Speaker 1: Can you bring all the ladies other and I'll say

833
00:46:17,000 --> 00:46:19,719
Speaker 1: ladies because today it's all ladies intern today. We don't

834
00:46:19,719 --> 00:46:23,400
Speaker 1: have any guys out there, do we know? We have

835
00:46:23,400 --> 00:46:25,400
Speaker 1: staff members to bring him in and they all have

836
00:46:25,440 --> 00:46:27,120
Speaker 1: something in common. Today I'll tell you what it is.

837
00:46:27,440 --> 00:46:29,239
Speaker 1: I find this to be the strangest thing. Good morning,

838
00:46:29,280 --> 00:46:32,480
Speaker 1: web Grol. Kathleen she's by the way in the other room,

839
00:46:32,760 --> 00:46:35,319
Speaker 1: web Grol Kathleen and your ritza are like the co

840
00:46:35,520 --> 00:46:39,920
Speaker 1: chairs of the room. No, I've noticed a weird trend

841
00:46:40,000 --> 00:46:43,640
Speaker 1: with you two, your ritza web Grol Kathleen. Right around

842
00:46:43,719 --> 00:46:47,600
Speaker 1: seven o'clock is when you decide to apply your deodor. Yes,

843
00:46:47,800 --> 00:46:49,560
Speaker 1: yes we do, and I have a right here with

844
00:46:49,640 --> 00:46:53,520
Speaker 1: it secret clinical strength. Now, why don't you do it

845
00:46:53,560 --> 00:46:55,320
Speaker 1: in the morning when you get out of the shower.

846
00:46:55,560 --> 00:46:58,520
Speaker 1: You forget? How can you forget? It's hot? Does you

847
00:46:58,600 --> 00:47:01,759
Speaker 1: know what outside about? Like sometimes you're busy brushing your

848
00:47:01,800 --> 00:47:04,040
Speaker 1: teeth or something, and then thank god, you remember that

849
00:47:04,400 --> 00:47:05,800
Speaker 1: I do it at my desk. You're it. Does it

850
00:47:05,880 --> 00:47:07,920
Speaker 1: on the subway? Yeah, I mean, that's not the grossest

851
00:47:07,920 --> 00:47:10,080
Speaker 1: thing you've seen on this Hold on, you put deodoran

852
00:47:10,120 --> 00:47:16,000
Speaker 1: on on the subway? Yeah, I mean, okay, Well, it's

853
00:47:16,000 --> 00:47:17,759
Speaker 1: not like you're clipping your nails or Something's just a

854
00:47:17,760 --> 00:47:21,799
Speaker 1: little swipe underneath your pits. Oh. Look, I guess a

855
00:47:21,800 --> 00:47:23,799
Speaker 1: lot of people are getting ready for work for the

856
00:47:23,800 --> 00:47:26,160
Speaker 1: work day on the subways. I guess I can get that.

857
00:47:26,239 --> 00:47:29,400
Speaker 1: I understand that people breakfast on that dirty, filthy tube

858
00:47:29,400 --> 00:47:32,760
Speaker 1: of bacteria with all the stuff that I have underneath

859
00:47:32,760 --> 00:47:35,640
Speaker 1: my desk, um deodor included. I could do a full

860
00:47:35,640 --> 00:47:38,600
Speaker 1: makeover in five minutes. Really, new outfit, new makeup, new hair,

861
00:47:38,640 --> 00:47:43,200
Speaker 1: deodoran do you smell for the I mean, look, isn't

862
00:47:43,200 --> 00:47:45,880
Speaker 1: the idea of deodorant in and perse print to catch

863
00:47:45,880 --> 00:47:48,720
Speaker 1: it early so it prevents it from the stink from happening.

864
00:47:48,760 --> 00:47:52,719
Speaker 1: You're actually applying deodorant to a stink that's already underway. Yeah,

865
00:47:52,719 --> 00:47:56,080
Speaker 1: I guess maybe, but it blends in. I don't know.

866
00:47:56,840 --> 00:47:59,080
Speaker 1: It's interesting that that's the thing you always forget because

867
00:47:59,560 --> 00:48:02,080
Speaker 1: well most of us have, like us, got like a

868
00:48:02,160 --> 00:48:04,480
Speaker 1: rhythm that we go through, like you do this and

869
00:48:04,480 --> 00:48:06,879
Speaker 1: then this, and then it's the schedule every day, it's

870
00:48:06,880 --> 00:48:08,799
Speaker 1: the same thing. It's funny that deodorant is the thing

871
00:48:08,800 --> 00:48:11,600
Speaker 1: that always falls through the cracks, so to speak. But

872
00:48:11,960 --> 00:48:14,000
Speaker 1: I see Kathleen in the morning, I'll go to the

873
00:48:14,000 --> 00:48:16,120
Speaker 1: bathroom and she's in there applying a full face of

874
00:48:16,200 --> 00:48:18,200
Speaker 1: makeup in her hair. She got it all spread out

875
00:48:18,239 --> 00:48:20,320
Speaker 1: in the bathroom and my Kathleen, because I didn't have

876
00:48:20,360 --> 00:48:24,640
Speaker 1: any time this morning. But here's the thing, and I

877
00:48:24,640 --> 00:48:27,719
Speaker 1: correct me if I'm wrong to me makeup and deodorant

878
00:48:27,719 --> 00:48:31,680
Speaker 1: are two different issues. I mean one is one is

879
00:48:31,719 --> 00:48:34,560
Speaker 1: grooming or or you know, makeup being and the other

880
00:48:34,760 --> 00:48:38,840
Speaker 1: is like hygiene. We're talking like you smell like an onion.

881
00:48:39,600 --> 00:48:43,440
Speaker 1: I mean, I mean not always. See. I think it

882
00:48:43,440 --> 00:48:46,160
Speaker 1: depends on your body chemistry. And one of my sisters

883
00:48:46,480 --> 00:48:49,560
Speaker 1: doesn't even wear deodorant because she doesn't need it. Um,

884
00:48:49,640 --> 00:48:52,560
Speaker 1: she just doesn't. She's never needed it. I needed the

885
00:48:52,600 --> 00:48:54,080
Speaker 1: second I get out of the shower. If I don't

886
00:48:54,080 --> 00:48:55,839
Speaker 1: put it on, it's already too late and I gotta

887
00:48:55,880 --> 00:48:57,640
Speaker 1: start over. Like I put it on this morning, and

888
00:48:58,040 --> 00:49:01,080
Speaker 1: I could smell something happening. What's scary? I feel like

889
00:49:01,120 --> 00:49:03,719
Speaker 1: taking care of personal hygiene is more common than we know.

890
00:49:04,280 --> 00:49:07,680
Speaker 1: There's an early morning toothbrusher that comes into the men's room,

891
00:49:07,960 --> 00:49:10,600
Speaker 1: like like a four thirty five am toothbrusher, And then

892
00:49:10,600 --> 00:49:13,680
Speaker 1: there's another guy who shaves, so I see shavings and

893
00:49:13,800 --> 00:49:17,560
Speaker 1: toothbrush mush in the next Really, it's crazy. Okay, Well, look,

894
00:49:17,560 --> 00:49:19,200
Speaker 1: I'm glad you're doing it, though I'm not. I'm not

895
00:49:19,239 --> 00:49:21,520
Speaker 1: saying that at least we should be thankful that at

896
00:49:21,560 --> 00:49:26,319
Speaker 1: least you're putting. I mean, you're waiting till lunchtime. I

897
00:49:26,320 --> 00:49:29,880
Speaker 1: think it's great anyway, Uh, thank you for putting on

898
00:49:29,920 --> 00:49:32,160
Speaker 1: your anybody wants to borrow, it's underneath my desk. I

899
00:49:32,200 --> 00:49:38,240
Speaker 1: don't know about that. Gross. Hold on a second, youtuo,

900
00:49:38,600 --> 00:49:41,799
Speaker 1: while you're here, web girl Kathleen and your ritza. So

901
00:49:41,840 --> 00:49:45,520
Speaker 1: what is this? Your ritza is going to stay at

902
00:49:45,560 --> 00:49:49,200
Speaker 1: your house while you're away, web girl Kathleen. Um, so

903
00:49:49,239 --> 00:49:51,120
Speaker 1: I'm going away for the weekend and I got a

904
00:49:51,120 --> 00:49:53,160
Speaker 1: new kitten, and your it's is gonna catch it for me.

905
00:49:53,600 --> 00:49:55,319
Speaker 1: So I said, hey, do you want to come? Just

906
00:49:55,400 --> 00:49:57,759
Speaker 1: stay in my apartment. Yours just still lives with her mom.

907
00:49:58,040 --> 00:50:00,279
Speaker 1: Her boyfriend still lives with his parents. Come stay in

908
00:50:00,280 --> 00:50:05,160
Speaker 1: my apartment. Have sex under one condition. Yeah, what's the condition?

909
00:50:05,200 --> 00:50:07,680
Speaker 1: You can't do it in my bed? Okay, So do

910
00:50:07,680 --> 00:50:10,200
Speaker 1: you have a guest bedroom? No, we have one bedroom.

911
00:50:11,040 --> 00:50:14,240
Speaker 1: She said it was okay to do on the floor. Yeah,

912
00:50:14,320 --> 00:50:19,560
Speaker 1: you can do it on the floor like the kitchen is. Like. Well,

913
00:50:19,600 --> 00:50:21,799
Speaker 1: then she said, I have to bleach the shower after that.

914
00:50:22,000 --> 00:50:26,160
Speaker 1: All right, So you're I'm ready. I'm going so now.

915
00:50:26,360 --> 00:50:28,759
Speaker 1: But the thing is that she'll never know if you

916
00:50:28,800 --> 00:50:30,440
Speaker 1: do it. But but if I set up like a

917
00:50:30,480 --> 00:50:33,160
Speaker 1: fake camera or something, so she thinks I'm watching her. Okay,

918
00:50:33,160 --> 00:50:38,720
Speaker 1: well yeah, now I know, well everywhere before it happens.

919
00:50:38,880 --> 00:50:40,560
Speaker 1: This brings up a conversation that we need to have

920
00:50:40,560 --> 00:50:42,960
Speaker 1: about something that happened to us. Several years ago. There

921
00:50:43,040 --> 00:50:45,960
Speaker 1: was a hotel in New York City called the Chambers Hotel,

922
00:50:46,120 --> 00:50:47,880
Speaker 1: and they said, you know what, we want the Morning

923
00:50:47,920 --> 00:50:51,000
Speaker 1: Show members to come spend spend a night in the hotel.

924
00:50:51,440 --> 00:50:54,520
Speaker 1: We have this penthouse suite. It's like this two floor,

925
00:50:54,680 --> 00:50:58,080
Speaker 1: macked out suite with you know, Florida's ceiling windows, bathrooms

926
00:50:58,400 --> 00:51:02,960
Speaker 1: and bathrooms and and a and house apartment style terrorists

927
00:51:02,960 --> 00:51:05,719
Speaker 1: outside overlooking the city. We're like, okay, so the thing

928
00:51:05,719 --> 00:51:08,440
Speaker 1: about this sweet has one bed, and we all we're

929
00:51:08,480 --> 00:51:10,520
Speaker 1: going to take a shot at staying there. I stayed

930
00:51:10,520 --> 00:51:13,560
Speaker 1: the first night, and of course I had sex in

931
00:51:13,600 --> 00:51:17,400
Speaker 1: the bed the next Actually, no, I had sex in

932
00:51:17,400 --> 00:51:19,560
Speaker 1: the shower because I didn't want to have sex in

933
00:51:19,560 --> 00:51:22,239
Speaker 1: the bed, knowing that the next night Danielle was going

934
00:51:22,280 --> 00:51:25,759
Speaker 1: to be there to have sex in the bed. But then,

935
00:51:25,840 --> 00:51:28,320
Speaker 1: so who was in the bed after you? You're not scary.

936
00:51:28,400 --> 00:51:30,640
Speaker 1: I was so scary. You were in the bed the

937
00:51:30,719 --> 00:51:36,440
Speaker 1: night after Danielle, did you have sex in the same bed?

938
00:51:36,640 --> 00:51:38,480
Speaker 1: Brody was the next night? Did you have sex? I

939
00:51:38,560 --> 00:51:41,000
Speaker 1: was last, and yes in the bed, but no in

940
00:51:41,000 --> 00:51:46,799
Speaker 1: the shower because I knew you were in there year ago,

941
00:51:48,280 --> 00:51:50,839
Speaker 1: last time Barty had sex. So we were all kind

942
00:51:50,880 --> 00:51:54,000
Speaker 1: of wondering. You know. We have actually all compared notes like,

943
00:51:54,040 --> 00:51:56,040
Speaker 1: well where did you have sex in our room? And

944
00:51:56,120 --> 00:51:58,920
Speaker 1: it was kind of creepy. It's the same as when

945
00:51:58,960 --> 00:52:00,640
Speaker 1: you go to the airport and one gets up out

946
00:52:00,640 --> 00:52:02,120
Speaker 1: of their seat in the waiting area and you sit

947
00:52:02,120 --> 00:52:04,719
Speaker 1: down and you feel their butt warmth. Do you really

948
00:52:04,760 --> 00:52:06,759
Speaker 1: want to sit in someone else's but warmth? Do you

949
00:52:06,800 --> 00:52:08,600
Speaker 1: really want to have sex in someone's bed when they

950
00:52:08,680 --> 00:52:10,440
Speaker 1: just had sex? I know what's going to happen. I

951
00:52:10,440 --> 00:52:12,200
Speaker 1: just don't want evidence of it. I don't want to

952
00:52:12,200 --> 00:52:14,440
Speaker 1: know that. I know, I don't want to know it's Ikey.

953
00:52:14,560 --> 00:52:16,839
Speaker 1: Yeah you so, do you feel like now you have

954
00:52:16,920 --> 00:52:19,680
Speaker 1: to have sex in her bed? Yeah? Now it's a challenge.

955
00:52:20,480 --> 00:52:22,560
Speaker 1: So now let let me see where I could do it. Um,

956
00:52:22,600 --> 00:52:24,399
Speaker 1: so you won't find out, well, you just to take

957
00:52:24,400 --> 00:52:27,640
Speaker 1: a picture of made. But also the kitten, I'm like,

958
00:52:27,680 --> 00:52:30,120
Speaker 1: the kitten's watching, so she'll tell her they have like

959
00:52:30,480 --> 00:52:35,360
Speaker 1: left the face kitten is not going to but my

960
00:52:35,520 --> 00:52:40,160
Speaker 1: suggestion is, uh, in web girl Kathleen's house anyway, the

961
00:52:40,239 --> 00:52:42,760
Speaker 1: place that's more sacred than her bed is her kitchen table.

962
00:52:43,239 --> 00:52:45,200
Speaker 1: Oh yeah, you should have sex on the kitchen table.

963
00:52:46,160 --> 00:52:49,240
Speaker 1: That's a good one. Alright. Alright, so has a girl please.

964
00:52:49,280 --> 00:52:54,920
Speaker 1: Marble is very porous, please it. And it's cold than

965
00:52:58,280 --> 00:53:02,360
Speaker 1: staying over at Kathleen. And that's this weekend full report

966
00:53:02,400 --> 00:53:05,160
Speaker 1: Monday morning. Please put down some wax paper on the counter.

967
00:53:05,320 --> 00:53:10,120
Speaker 1: Thank you wax paper. You know, now every time you

968
00:53:10,200 --> 00:53:12,880
Speaker 1: check into a hotel, you've you've had sex with thousands

969
00:53:12,880 --> 00:53:16,240
Speaker 1: and thousands of strangers. Well you're hoping that they because

970
00:53:16,239 --> 00:53:20,880
Speaker 1: they washed the sheets, all right, Why don't don't typically

971
00:53:20,880 --> 00:53:23,400
Speaker 1: have sex in the curtains? By the way, speaking of

972
00:53:23,480 --> 00:53:25,400
Speaker 1: hold on, there is there's a new hotel or the

973
00:53:25,480 --> 00:53:27,360
Speaker 1: hotel down on the Lower east Side here in Manhattan.

974
00:53:28,120 --> 00:53:30,279
Speaker 1: I think it's an Ian Schrager hotel. And of course

975
00:53:30,320 --> 00:53:32,360
Speaker 1: it's another one of those hotels that has florid ceiling

976
00:53:32,360 --> 00:53:35,120
Speaker 1: windows open in the neighborhood is so up in arms

977
00:53:35,160 --> 00:53:37,680
Speaker 1: because people in the hotel are having sex in the window.

978
00:53:39,200 --> 00:53:41,040
Speaker 1: It's like the standard hotel on the west side here.

979
00:53:41,640 --> 00:53:44,160
Speaker 1: For years they were complaining that people were doing it

980
00:53:44,200 --> 00:53:46,440
Speaker 1: in the windows. Want you to see, they want you

981
00:53:46,480 --> 00:53:49,479
Speaker 1: to see. They're on exhibit for you. And the whole

982
00:53:49,520 --> 00:53:52,640
Speaker 1: neighborhood is all up in arms because they're up there

983
00:53:52,719 --> 00:53:54,839
Speaker 1: doing it in the window. The best, the easiest part

984
00:53:54,880 --> 00:53:57,680
Speaker 1: to see is two handprints, and then it slowly gets

985
00:53:57,680 --> 00:53:59,480
Speaker 1: a little bit harder to see from there, but you

986
00:53:59,520 --> 00:54:02,520
Speaker 1: can kind of what's called that's so Titanic. And they're

987
00:54:02,520 --> 00:54:04,840
Speaker 1: telling them like, just turned the other way, don't look that.

988
00:54:05,080 --> 00:54:08,799
Speaker 1: They're telling people just don't look close your curtain. You do.

989
00:54:09,480 --> 00:54:11,000
Speaker 1: They're doing it because they want you to look. That's

990
00:54:11,040 --> 00:54:15,040
Speaker 1: the point. They want you to watch. What is it

991
00:54:15,080 --> 00:54:17,359
Speaker 1: with you? And if you keep looking and complaining, you

992
00:54:17,360 --> 00:54:20,600
Speaker 1: know you're looking on I've been watching this for three

993
00:54:20,640 --> 00:54:24,440
Speaker 1: hours now and I'm just discussed. They don't stop. At

994
00:54:24,440 --> 00:54:26,920
Speaker 1: an hour, I'm going to call the police. I'm disgusted,

995
00:54:27,040 --> 00:54:30,480
Speaker 1: night after night what you people are doing in that hotel.

996
00:54:33,080 --> 00:54:37,560
Speaker 1: You know I've had this tick issue. No, I'm blinking

997
00:54:37,560 --> 00:54:40,160
Speaker 1: my eye, no, you know, because we've we've found a

998
00:54:40,200 --> 00:54:42,480
Speaker 1: couple of ticks in my apartment. So I found this

999
00:54:42,560 --> 00:54:46,800
Speaker 1: button on my washing machine called sanitize. So I put

1000
00:54:46,840 --> 00:54:50,759
Speaker 1: all of my all of my clothes well and my

1001
00:54:50,760 --> 00:54:52,440
Speaker 1: my bed linens and all this stuff in there, and

1002
00:54:52,480 --> 00:54:54,560
Speaker 1: I sanitized them. And that's why I went ahead. My

1003
00:54:54,719 --> 00:54:59,000
Speaker 1: hair shaved off yesterday. I'm so so this thing is

1004
00:54:59,040 --> 00:55:01,320
Speaker 1: really driving me crazy. How does the machine say it

1005
00:55:01,440 --> 00:55:04,000
Speaker 1: is just burn everything to set it all on fire? Yes,

1006
00:55:04,040 --> 00:55:09,279
Speaker 1: it does. It's also a crematory. It's clean anyway, So

1007
00:55:09,320 --> 00:55:11,399
Speaker 1: I don't know if you do you now, I'm like, itchy,

1008
00:55:11,480 --> 00:55:15,320
Speaker 1: I'm scratching right now. What happens? Damn it? Oh this

1009
00:55:15,520 --> 00:55:18,080
Speaker 1: texting had I'm obsessed over it. See on your forehead

1010
00:55:18,080 --> 00:55:20,080
Speaker 1: and stop it. That's what happens when there's light at

1011
00:55:20,080 --> 00:55:22,440
Speaker 1: the kids school. I'm like, I'm like, oh my gosh,

1012
00:55:22,600 --> 00:55:25,520
Speaker 1: every shampoo get in here. I'm just your whole body

1013
00:55:25,560 --> 00:55:28,520
Speaker 1: is gonna i mean, sort of burning the whole house down.

1014
00:55:28,560 --> 00:55:30,520
Speaker 1: What do you all right, let's get into the Daniel report.

1015
00:55:30,520 --> 00:55:32,800
Speaker 1: French Montana's on the way. Did he really bring something? Sarah?

1016
00:55:33,560 --> 00:55:36,239
Speaker 1: Al right? Nice bottoms up? What's going on? Daniel? Right?

1017
00:55:36,320 --> 00:55:39,040
Speaker 1: So Patriots fans are a little upset about a horrible

1018
00:55:39,040 --> 00:55:41,800
Speaker 1: wax figure of Tom Brady at a museum in Boston.

1019
00:55:42,239 --> 00:55:45,400
Speaker 1: In Boston, it is a little creepy. I kind of

1020
00:55:45,440 --> 00:55:47,480
Speaker 1: see what they're talking about. But at least he has

1021
00:55:47,480 --> 00:55:50,040
Speaker 1: a wax figure made after him. I guess right. Nick

1022
00:55:50,040 --> 00:55:52,759
Speaker 1: Cannon is getting ready to host lip sync battle shorties

1023
00:55:52,880 --> 00:55:57,560
Speaker 1: for Nickelodeon, featuring regular kids plus a special celebrity appearance

1024
00:55:57,600 --> 00:56:00,520
Speaker 1: in each episode. Keshia has announced the days for her

1025
00:56:00,640 --> 00:56:03,400
Speaker 1: upcoming Rainbow Tour. She's actually gonna be kicking it off

1026
00:56:03,480 --> 00:56:06,160
Speaker 1: right after our our at Radio Music Festival. So if

1027
00:56:06,160 --> 00:56:07,719
Speaker 1: you want to check out the days, we're putting them

1028
00:56:07,800 --> 00:56:09,520
Speaker 1: up for you at Elvis Duran dot com. Go check

1029
00:56:09,560 --> 00:56:12,560
Speaker 1: that out. Love when celebrities do nice things, like the

1030
00:56:12,600 --> 00:56:16,400
Speaker 1: people from w w E. They visited Children's Hospitals of

1031
00:56:16,480 --> 00:56:19,000
Speaker 1: Pittsburgh on Monday and they had the kids create their

1032
00:56:19,080 --> 00:56:22,520
Speaker 1: own wrestling characters, which was really really cool to say

1033
00:56:22,680 --> 00:56:25,640
Speaker 1: to see. Cia has decided to leave our Cea Records

1034
00:56:25,719 --> 00:56:27,800
Speaker 1: and she's going to be putting out a Christmas album.

1035
00:56:27,800 --> 00:56:29,640
Speaker 1: If you want to read all about it, we've got

1036
00:56:29,640 --> 00:56:31,400
Speaker 1: it for you at Elvis Duran dot com. Go on

1037
00:56:31,480 --> 00:56:35,960
Speaker 1: over there. Um. So, Mariah Carey has some advice for

1038
00:56:36,000 --> 00:56:38,840
Speaker 1: Lionel Richie because you know he's thinking of doing American Idol.

1039
00:56:39,200 --> 00:56:41,719
Speaker 1: She said, don't do it, but then she said she

1040
00:56:41,800 --> 00:56:47,239
Speaker 1: was only kidding. Sure, she's only kidding. Tonight on television

1041
00:56:47,320 --> 00:56:50,040
Speaker 1: we have it's really a slow night. I feel like

1042
00:56:50,080 --> 00:56:52,880
Speaker 1: you should really just watch Netflix or I don't know,

1043
00:56:52,840 --> 00:56:55,799
Speaker 1: I'll go out and watch a movie. There's so yeah,

1044
00:56:55,800 --> 00:56:57,480
Speaker 1: there's so many things. So catch up on something you

1045
00:56:57,480 --> 00:56:59,279
Speaker 1: haven't you know, you haven't seen in a while. And

1046
00:56:59,360 --> 00:57:01,439
Speaker 1: next time. My apologies to everyone who has a show

1047
00:57:01,440 --> 00:57:04,319
Speaker 1: on TV tonight. Yeah, I'm sorry, We're sorry. At next hour,

1048
00:57:04,480 --> 00:57:06,839
Speaker 1: Ryan Reynolds is gonna, uh well, I'm going to tell

1049
00:57:06,840 --> 00:57:08,560
Speaker 1: you about Ryan Reynolds and all the pranks he likes

1050
00:57:08,560 --> 00:57:12,760
Speaker 1: to play friends. Thank you, Danielle Elvis's personal Twitter account

1051
00:57:12,880 --> 00:57:16,640
Speaker 1: follow him now at Elvis Duran. This is Elvis Duran

1052
00:57:16,720 --> 00:57:20,320
Speaker 1: in the Morning Show on August eleven. Experience the next

1053
00:57:20,360 --> 00:57:24,360
Speaker 1: chapter in the Conjuring Universe. Critics are calling Annabel Creation

1054
00:57:24,480 --> 00:57:29,360
Speaker 1: a mussy horror experience. It's terrifying, heart pounding the year's

1055
00:57:29,360 --> 00:57:33,560
Speaker 1: most inventive and scariest film. Annabel Creation in theaters everywhere.

1056
00:57:33,720 --> 00:57:42,840
Speaker 1: August eleventh, rated, R I Love you. I have an

1057
00:57:42,920 --> 00:57:45,320
Speaker 1: hour drive forward and you make it so much drive

1058
00:57:45,360 --> 00:57:47,040
Speaker 1: for every day, want to day. I love you guys,

1059
00:57:47,120 --> 00:57:48,880
Speaker 1: I call you all the first time and thank god

1060
00:57:48,920 --> 00:57:57,160
Speaker 1: I finally got here is Duran. I am ready in

1061
00:57:57,200 --> 00:58:02,240
Speaker 1: the morning show. What a day. Huh. It's so fun

1062
00:58:02,280 --> 00:58:04,840
Speaker 1: meeting the people who really really open up and tell

1063
00:58:04,880 --> 00:58:07,880
Speaker 1: you about how they make the music. We talked to

1064
00:58:07,920 --> 00:58:13,400
Speaker 1: Julia Michael's earlier, very very very sensitive sensitive day with her,

1065
00:58:13,480 --> 00:58:16,240
Speaker 1: you know, and I love that she She could not

1066
00:58:16,280 --> 00:58:18,960
Speaker 1: perform today because her voice was messed up, and and

1067
00:58:19,080 --> 00:58:22,720
Speaker 1: uh it really upset her. And I was actually happier

1068
00:58:23,360 --> 00:58:25,680
Speaker 1: that we got to talk to that Julia Michaels then

1069
00:58:26,360 --> 00:58:28,920
Speaker 1: hearing her perform, and we can hear her perform, you know,

1070
00:58:29,000 --> 00:58:31,640
Speaker 1: on her new EP, or we can want your in

1071
00:58:31,720 --> 00:58:34,440
Speaker 1: concert whatever. You know what I'm saying, We got the

1072
00:58:34,520 --> 00:58:36,400
Speaker 1: real deal. French Montana is about to come in here.

1073
00:58:36,480 --> 00:58:38,440
Speaker 1: Are you giving him that banana that's sitting there? I

1074
00:58:38,440 --> 00:58:43,720
Speaker 1: beg your no uses my banana, banana, scary move by

1075
00:58:43,720 --> 00:58:47,400
Speaker 1: banana over there? Please put that my banana at a

1076
00:58:47,440 --> 00:58:50,400
Speaker 1: safe distance. You know, it's great about French Montana is

1077
00:58:51,440 --> 00:58:54,360
Speaker 1: first of us background, born in u born in Morocco.

1078
00:58:55,360 --> 00:58:58,800
Speaker 1: Uh but moved to the Bronx here in New York City.

1079
00:58:59,080 --> 00:59:00,840
Speaker 1: But when he was thirteen years old. You're a lot

1080
00:59:00,880 --> 00:59:02,840
Speaker 1: of people say, well, I was born in Morocco, so

1081
00:59:03,320 --> 00:59:04,760
Speaker 1: you know, but I moved to the Bronx when I

1082
00:59:04,800 --> 00:59:08,280
Speaker 1: was two, which means you're from the Bronx. He was

1083
00:59:08,280 --> 00:59:10,720
Speaker 1: actually in Morocco until thirteen years old, so there was

1084
00:59:10,760 --> 00:59:14,400
Speaker 1: the influence of his Arabic background, and he spoke French

1085
00:59:14,400 --> 00:59:16,560
Speaker 1: and Arabic. And and now he moved here and he's

1086
00:59:16,600 --> 00:59:18,480
Speaker 1: getting into the culture. Rap has always been a part

1087
00:59:18,520 --> 00:59:20,840
Speaker 1: of his life and and to listen to his music

1088
00:59:20,880 --> 00:59:22,720
Speaker 1: now it's kind of it's kind of trippy. I know

1089
00:59:22,800 --> 00:59:25,640
Speaker 1: his song Unforgettable that we're playing here, it's great. And

1090
00:59:25,720 --> 00:59:27,640
Speaker 1: now he's going to be part of our village, the

1091
00:59:27,720 --> 00:59:31,640
Speaker 1: Daytime Village, Daytime Village at the I Heart Radio Music Festival.

1092
00:59:32,000 --> 00:59:35,200
Speaker 1: So excited to have him there. He he adds his

1093
00:59:35,320 --> 00:59:38,880
Speaker 1: music just adds this really cool texture to the lineup

1094
00:59:38,880 --> 00:59:41,200
Speaker 1: which includes country music as well. You know, it's just

1095
00:59:41,840 --> 00:59:43,960
Speaker 1: I love the I Heart Radio Music Festival. Man in

1096
00:59:44,000 --> 00:59:49,040
Speaker 1: French Montana is truly, truly, uh, the perfect example of

1097
00:59:49,080 --> 00:59:52,600
Speaker 1: who we love to welcome to this this event we'll

1098
00:59:52,600 --> 00:59:54,240
Speaker 1: get with him in just a second. Can we go

1099
00:59:54,280 --> 00:59:56,520
Speaker 1: around the room there. I'm sorry, I'm getting a little

1100
00:59:56,560 --> 01:00:00,800
Speaker 1: head of himself. I'm excited because he I've ever met

1101
01:00:00,800 --> 01:00:03,880
Speaker 1: French Montana before. I love the music for years and

1102
01:00:04,480 --> 01:00:07,760
Speaker 1: libations and stuff. But every once in a while, you know, uh,

1103
01:00:07,960 --> 01:00:11,680
Speaker 1: one gets biaus. But now we got him French Montana

1104
01:00:11,720 --> 01:00:13,480
Speaker 1: coming up in a second. Let's go around the room. Danielle,

1105
01:00:13,480 --> 01:00:15,160
Speaker 1: what's on your mind today? So? When is it too

1106
01:00:15,160 --> 01:00:19,880
Speaker 1: early to start prepping for Halloween? They never you should

1107
01:00:19,920 --> 01:00:22,360
Speaker 1: live your life in cobweb. Well, the problem is spirit

1108
01:00:22,440 --> 01:00:25,160
Speaker 1: Halloween keeps sending me these updates of all these new

1109
01:00:25,200 --> 01:00:27,480
Speaker 1: really cool things that they have for the season. At

1110
01:00:27,480 --> 01:00:30,280
Speaker 1: our favorite movie in my house is The Nightmare before Christmas.

1111
01:00:30,280 --> 01:00:32,920
Speaker 1: So I love everything Jack Skellington. So they had a

1112
01:00:33,000 --> 01:00:35,920
Speaker 1: huge animatronic Jack Skellington, and if I ordered him now,

1113
01:00:35,960 --> 01:00:38,160
Speaker 1: it was off. So of course I ordered him now

1114
01:00:38,160 --> 01:00:39,960
Speaker 1: and he'll be at my house in five days. So

1115
01:00:40,200 --> 01:00:41,800
Speaker 1: where the hell am I going to put this huge

1116
01:00:41,840 --> 01:00:45,400
Speaker 1: animatronic Jack skelling hook him up outside? I would put

1117
01:00:45,400 --> 01:00:47,440
Speaker 1: it up now if people wouldn't look at me strange

1118
01:00:48,120 --> 01:00:51,800
Speaker 1: away September daniel people look at you strange anyway, give

1119
01:00:51,840 --> 01:00:53,840
Speaker 1: him a reason. I'm so excited. I can't wait to

1120
01:00:53,920 --> 01:00:56,840
Speaker 1: talk and everything. It's gonna walk around the neighborhood and

1121
01:00:56,920 --> 01:01:01,480
Speaker 1: kill kittens. Jack is nice. Yeah okay, um, well no,

1122
01:01:01,800 --> 01:01:04,800
Speaker 1: never never to you know, I'm so tired of people saying,

1123
01:01:04,840 --> 01:01:07,760
Speaker 1: I can't believe you're putting Christmas decorations up at the Walmart.

1124
01:01:07,520 --> 01:01:10,600
Speaker 1: You don't let him do it? It fest you know

1125
01:01:10,640 --> 01:01:13,040
Speaker 1: what whis talking? Then don't look at don't go down

1126
01:01:13,080 --> 01:01:15,680
Speaker 1: the holiday. I'll let him come to my house. Fine,

1127
01:01:16,840 --> 01:01:19,280
Speaker 1: let him have fun, all right? So what's up with

1128
01:01:19,280 --> 01:01:23,840
Speaker 1: you today there, Bethany? I'm conflicted? Yeah, okay, what about you, Sary?

1129
01:01:25,080 --> 01:01:31,240
Speaker 1: I've never bath. So I'm wearing this like romper today

1130
01:01:31,280 --> 01:01:33,280
Speaker 1: and I really love it. But I discovered this morning

1131
01:01:33,280 --> 01:01:35,920
Speaker 1: when I put it on that there's a hole in

1132
01:01:36,080 --> 01:01:39,040
Speaker 1: the pants part of Let me see that. Well, it's

1133
01:01:39,080 --> 01:01:41,480
Speaker 1: black on black like that, I'm wearing a black underwear underneath.

1134
01:01:41,520 --> 01:01:43,160
Speaker 1: But there's a hole, right I see. Oh, it's right

1135
01:01:43,200 --> 01:01:46,000
Speaker 1: there at the old it's right there where near your

1136
01:01:46,040 --> 01:01:52,880
Speaker 1: turd coutter? What about it? Wow? Where the zipper ends

1137
01:01:52,920 --> 01:01:55,600
Speaker 1: and the rest of the hands. And I love it

1138
01:01:55,680 --> 01:01:58,320
Speaker 1: so much, and I don't know if it's fixable because

1139
01:01:58,320 --> 01:02:04,840
Speaker 1: it's it's sort of wide hole, not long hole. Who's coughing? Swallow?

1140
01:02:05,080 --> 01:02:06,840
Speaker 1: You know you can turn off your microphone, you know,

1141
01:02:07,040 --> 01:02:09,640
Speaker 1: shreaking water. And you said that, okay, Well, when we

1142
01:02:09,640 --> 01:02:12,520
Speaker 1: gotta move on the thing about your pants, no offense, Bethany.

1143
01:02:12,560 --> 01:02:15,760
Speaker 1: You keep pulling your pants up off the street, They're

1144
01:02:15,800 --> 01:02:17,840
Speaker 1: gonna have holes in them. Like what what street did

1145
01:02:17,880 --> 01:02:23,920
Speaker 1: you pull these these pants up? Yeah, you gotta. Sometimes

1146
01:02:23,960 --> 01:02:25,400
Speaker 1: you just have to pick up clothes on the ground.

1147
01:02:25,600 --> 01:02:27,160
Speaker 1: So I think I'm gonna try to fix it. But

1148
01:02:27,200 --> 01:02:28,720
Speaker 1: you know, when you love something so much and it

1149
01:02:28,800 --> 01:02:31,440
Speaker 1: finally is like unusable, you have to say goodbye to it.

1150
01:02:31,440 --> 01:02:36,720
Speaker 1: It's it's it's scary that brings us to you, lovable,

1151
01:02:36,760 --> 01:02:39,440
Speaker 1: but we're not usable anymore. Perfect scary. What's up with you?

1152
01:02:39,560 --> 01:02:41,360
Speaker 1: I just wanted to say that. I know we're not

1153
01:02:41,400 --> 01:02:44,240
Speaker 1: supposed to be like, it's not a contest on social

1154
01:02:44,280 --> 01:02:46,720
Speaker 1: media when it comes to having as many followers as

1155
01:02:46,720 --> 01:02:48,720
Speaker 1: the next person. But I couldn't help but notice on

1156
01:02:48,760 --> 01:02:53,360
Speaker 1: Instagram while I was scrolling through that Nala Cat, Smoothie Cat,

1157
01:02:53,680 --> 01:02:58,400
Speaker 1: and White Coffee Cat have six million Instagram followers combined,

1158
01:02:58,720 --> 01:03:00,320
Speaker 1: and I'm like, I guess I must be a very

1159
01:03:00,360 --> 01:03:04,080
Speaker 1: uninteresting person, because how do these cats have this have

1160
01:03:04,200 --> 01:03:08,840
Speaker 1: such big following? You just answered your own question. You

1161
01:03:08,880 --> 01:03:11,080
Speaker 1: know what, Sometimes I don't know? You know what? You

1162
01:03:11,160 --> 01:03:14,040
Speaker 1: cannot By the way, I'm being very serious. You cannot

1163
01:03:14,160 --> 01:03:18,040
Speaker 1: judge your popularity in your business or in life by

1164
01:03:18,040 --> 01:03:20,640
Speaker 1: the number of followers you have. You just can't know

1165
01:03:21,000 --> 01:03:23,960
Speaker 1: the two they're They're not the same thing. I know,

1166
01:03:24,040 --> 01:03:26,360
Speaker 1: but I can't help but look at follower counts on people.

1167
01:03:27,760 --> 01:03:29,400
Speaker 1: I feel bad for a rocky rut of the pup.

1168
01:03:29,440 --> 01:03:32,920
Speaker 1: He's only got a thousand Instagram It has nothing to

1169
01:03:32,960 --> 01:03:36,240
Speaker 1: do with reality. But it's better than that. What cat

1170
01:03:36,280 --> 01:03:39,160
Speaker 1: do to get four million doesn't matter. It doesn't matter.

1171
01:03:39,400 --> 01:03:45,120
Speaker 1: Catch fabol people who sucked? All right, I gotta move on. Uh.

1172
01:03:45,960 --> 01:03:48,800
Speaker 1: You know what, French Montana, how many followers does he have? Oh?

1173
01:03:48,800 --> 01:03:51,400
Speaker 1: My god, over ten millions? I know. Can you put

1174
01:03:51,400 --> 01:03:55,240
Speaker 1: that banana away? I'm so excited to have French Montana

1175
01:03:55,320 --> 01:04:00,040
Speaker 1: here because let's find out his angle, his perspective, and

1176
01:04:00,080 --> 01:04:03,439
Speaker 1: he puts an album out When Jungle Rules came out,

1177
01:04:04,640 --> 01:04:07,080
Speaker 1: you know, when you let me finish like what was

1178
01:04:07,360 --> 01:04:09,240
Speaker 1: what was in his mind? Like where did he come

1179
01:04:09,280 --> 01:04:13,280
Speaker 1: up with this sound, the music, the message. We're about

1180
01:04:13,280 --> 01:04:14,720
Speaker 1: to find out, but we can't let him into We

1181
01:04:14,720 --> 01:04:17,080
Speaker 1: find out how many followers he had on Instagram. He's

1182
01:04:17,120 --> 01:04:19,400
Speaker 1: got six over six and a half million. Oh, then

1183
01:04:19,440 --> 01:04:23,400
Speaker 1: he's worthy, He's worthy of our show. Please welcome French Montana,

1184
01:04:23,520 --> 01:04:29,560
Speaker 1: come on in French. Welcome to the show. He brought

1185
01:04:29,600 --> 01:04:34,480
Speaker 1: his attack nouser with him today. Look at that now,

1186
01:04:34,520 --> 01:04:37,040
Speaker 1: I know I know you're Where are you going? Don't

1187
01:04:37,080 --> 01:04:40,600
Speaker 1: come over here? He's leaving me. You know, That's that

1188
01:04:40,680 --> 01:04:42,000
Speaker 1: story of my life. Man. As soon as they walk

1189
01:04:42,200 --> 01:04:45,760
Speaker 1: and they walk right up. So I mean you you

1190
01:04:46,040 --> 01:04:49,320
Speaker 1: basically grew up. You're your your most informative yours anyway

1191
01:04:49,360 --> 01:04:51,840
Speaker 1: up in the South Bronx. Yeah, you don't need headphones.

1192
01:04:52,040 --> 01:04:55,120
Speaker 1: So um So when you come back to New York

1193
01:04:55,160 --> 01:04:57,840
Speaker 1: to hang out, do you go back to South Bronx? Yeah?

1194
01:04:58,640 --> 01:05:01,280
Speaker 1: Is that famous? Like that favorite place you go to

1195
01:05:01,280 --> 01:05:03,680
Speaker 1: to get that favorite thing you used to eat all

1196
01:05:03,720 --> 01:05:05,400
Speaker 1: the time. Like I was just gonna say that, I

1197
01:05:05,400 --> 01:05:07,400
Speaker 1: went to City Islands like three like two days ago.

1198
01:05:07,560 --> 01:05:10,800
Speaker 1: Oh man, we love fried clams. Yeah, City, I went

1199
01:05:10,960 --> 01:05:13,880
Speaker 1: right there. Um ate me them one of them buckets,

1200
01:05:13,920 --> 01:05:17,480
Speaker 1: them shrim buckets. City Island. So the worst time to

1201
01:05:17,520 --> 01:05:19,240
Speaker 1: go to City Island because I'm from the Bronx is

1202
01:05:19,760 --> 01:05:23,680
Speaker 1: Valentine's Day. You cannot get on or off the island. Well,

1203
01:05:23,760 --> 01:05:30,400
Speaker 1: nothing says like a fried shrimp. It's like, hey, six pack, No,

1204
01:05:30,640 --> 01:05:34,280
Speaker 1: but it's true. It's one way in, one way out,

1205
01:05:34,320 --> 01:05:36,440
Speaker 1: that's why. And it'd be ultra beach and everything. So

1206
01:05:37,440 --> 01:05:39,880
Speaker 1: oh my god. Well you know what City Island is

1207
01:05:39,920 --> 01:05:42,800
Speaker 1: like life. There's one way in, one way in beaches,

1208
01:05:42,960 --> 01:05:45,840
Speaker 1: like the worst beach you guy ever got. By the way,

1209
01:05:45,880 --> 01:05:48,000
Speaker 1: I love the Bronx, but you come out with addiction.

1210
01:05:52,320 --> 01:05:53,760
Speaker 1: By the way. It is true, one way in, one

1211
01:05:53,800 --> 01:05:56,040
Speaker 1: way out in this life. Yeah, you know you don't

1212
01:05:56,040 --> 01:05:58,200
Speaker 1: know this, but when you die, you fall out of

1213
01:05:58,240 --> 01:06:04,840
Speaker 1: a china. That's how you got how you got in here? Hey,

1214
01:06:05,080 --> 01:06:07,160
Speaker 1: I don't even know where to start. How we've gone?

1215
01:06:07,160 --> 01:06:11,760
Speaker 1: By the sweet? What's that sweet? All the art of

1216
01:06:11,800 --> 01:06:14,000
Speaker 1: your dogs? Oh yeah, I have a thing for my dog,

1217
01:06:14,880 --> 01:06:17,960
Speaker 1: the Max Wall. It's all yet Max. He came in

1218
01:06:18,000 --> 01:06:19,640
Speaker 1: and checked all of us in there, make sure you

1219
01:06:19,680 --> 01:06:24,520
Speaker 1: know we all qualified to be in that room. That

1220
01:06:24,560 --> 01:06:26,680
Speaker 1: he sort of gave the side eye too, or make

1221
01:06:27,160 --> 01:06:31,320
Speaker 1: the girl. Yeah, there you go. You're so busy. You're

1222
01:06:31,320 --> 01:06:33,960
Speaker 1: on the road all the time. Everywhere we look, there

1223
01:06:33,960 --> 01:06:36,520
Speaker 1: you are. So do you have time for a pet?

1224
01:06:36,640 --> 01:06:39,000
Speaker 1: Is a pet? Anything you can even think about having

1225
01:06:39,040 --> 01:06:41,480
Speaker 1: in your life? Um? Well, actually, um um? I have

1226
01:06:41,520 --> 01:06:45,480
Speaker 1: a monkey. Yeah, he's kind of monkey, is it? Um is?

1227
01:06:46,440 --> 01:06:52,360
Speaker 1: What's called? One of those monkeys? Is not the spider monkey?

1228
01:06:52,400 --> 01:06:55,840
Speaker 1: What is the one from the handover? Isn't on? Yeah?

1229
01:06:55,960 --> 01:06:58,480
Speaker 1: Something to say it? Yeah? So, um I had left

1230
01:06:58,520 --> 01:07:00,600
Speaker 1: him with his father, he won't he would father family

1231
01:07:00,640 --> 01:07:07,960
Speaker 1: were on right now for like three months. Monkeys large? Yeah. So,

1232
01:07:08,360 --> 01:07:12,720
Speaker 1: and I have a dog to the German shepherd. Loyal dogs. Yea.

1233
01:07:12,880 --> 01:07:14,920
Speaker 1: How the German shepherd and the monkey get along? Do

1234
01:07:15,000 --> 01:07:16,680
Speaker 1: they like each other? That's gonna be a kind of

1235
01:07:16,720 --> 01:07:19,480
Speaker 1: a fun party. I'm trying to get them lights um

1236
01:07:19,560 --> 01:07:21,400
Speaker 1: for the monkeys stall riding on the dog, I would

1237
01:07:21,400 --> 01:07:24,960
Speaker 1: say I was sitting it on the movie, but as

1238
01:07:25,040 --> 01:07:27,000
Speaker 1: I've been trying, but I'm just so scared to let

1239
01:07:27,040 --> 01:07:29,640
Speaker 1: that monkey out on the dog. Just bite, Yeah, that's

1240
01:07:29,960 --> 01:07:32,160
Speaker 1: hard to come back. And the German shepherd like a horse.

1241
01:07:33,760 --> 01:07:36,000
Speaker 1: I just love the idea of like your fans are

1242
01:07:36,000 --> 01:07:37,959
Speaker 1: waiting for your next single and you're at home trying

1243
01:07:37,960 --> 01:07:42,800
Speaker 1: to get a monkey to write a dog turning back

1244
01:07:42,840 --> 01:07:44,520
Speaker 1: the whole album and so and so I had to

1245
01:07:44,600 --> 01:07:47,440
Speaker 1: leave the dog outside of the monkey cage for like days,

1246
01:07:47,720 --> 01:07:50,200
Speaker 1: so every time they'd be cool for a little bit.

1247
01:07:50,240 --> 01:07:53,880
Speaker 1: And that's what the monkey child would be like. You know,

1248
01:07:53,880 --> 01:07:56,000
Speaker 1: I learned the hard way with monkeys. You're not supposed

1249
01:07:56,000 --> 01:07:58,720
Speaker 1: to let them see your teeth because if they see

1250
01:07:58,720 --> 01:08:01,760
Speaker 1: your teeth, they think you're being aggressive your girlfriend. Yeah, yeah,

1251
01:08:02,760 --> 01:08:06,240
Speaker 1: there's so many rules with monkeys. Get a goldfish. I mean,

1252
01:08:06,360 --> 01:08:09,280
Speaker 1: come on. You know we were talking earlier about how

1253
01:08:09,360 --> 01:08:11,560
Speaker 1: you know french Montown and by the ways here you're

1254
01:08:11,840 --> 01:08:15,240
Speaker 1: born and I'm gonna say somewhat raised in Morocco because you,

1255
01:08:15,360 --> 01:08:17,400
Speaker 1: by the way, I want to say happy birthdays at

1256
01:08:17,439 --> 01:08:21,680
Speaker 1: the station thirty four years thirteen years old up in

1257
01:08:21,720 --> 01:08:23,880
Speaker 1: the Bronx. I don't know. I'm sure you listened to

1258
01:08:23,920 --> 01:08:26,599
Speaker 1: all types of music. Rap of course, definitely. Influence just

1259
01:08:26,600 --> 01:08:30,120
Speaker 1: came him Africa and I was, um right, so yeah, yeah,

1260
01:08:30,120 --> 01:08:32,160
Speaker 1: I started like that was like me, you know, that

1261
01:08:32,280 --> 01:08:34,040
Speaker 1: was my birthday in the state, So like we start

1262
01:08:34,040 --> 01:08:36,360
Speaker 1: at the same time. Wow, that's that's kind of crazy.

1263
01:08:36,439 --> 01:08:40,040
Speaker 1: So what songs the soundtrack of your life? French Montown?

1264
01:08:40,200 --> 01:08:42,160
Speaker 1: What songs were you listening to when you moved to

1265
01:08:42,240 --> 01:08:44,400
Speaker 1: New York? Do you remember what songs? Wrong? But then

1266
01:08:44,439 --> 01:08:46,200
Speaker 1: I think I came in like a couple of days

1267
01:08:46,240 --> 01:08:48,800
Speaker 1: after Tupo that, so I was like, listen, all eyes

1268
01:08:48,840 --> 01:08:51,920
Speaker 1: on me heavy? Yeah, it was all eyes on me, fiend,

1269
01:08:51,960 --> 01:08:54,479
Speaker 1: it was this Tupac and b Hey, did you see

1270
01:08:54,479 --> 01:08:58,080
Speaker 1: her defiant Ones? No, you gotta see this show, hbos.

1271
01:08:58,120 --> 01:09:01,559
Speaker 1: Sure I heard of it, but I get a chance

1272
01:09:01,600 --> 01:09:05,200
Speaker 1: to catch it. I thought I knew everything about everything,

1273
01:09:05,320 --> 01:09:08,200
Speaker 1: but until until you see Dr Dre and all of

1274
01:09:08,200 --> 01:09:10,120
Speaker 1: his friends tell the story of n w A and

1275
01:09:10,160 --> 01:09:12,479
Speaker 1: you know, the West Coast versus East Coast and Tupac

1276
01:09:12,800 --> 01:09:14,920
Speaker 1: all of it. You just don't know it, you know,

1277
01:09:14,960 --> 01:09:16,960
Speaker 1: because a lot of times they try to capture the

1278
01:09:17,200 --> 01:09:19,760
Speaker 1: whole history and one our movies like n w A

1279
01:09:19,920 --> 01:09:22,800
Speaker 1: and like but it's like you can't capture that whole

1280
01:09:22,840 --> 01:09:25,519
Speaker 1: history and one out. So when when they dose shows

1281
01:09:25,600 --> 01:09:27,680
Speaker 1: like that, it gives you more of a chance to

1282
01:09:27,680 --> 01:09:30,080
Speaker 1: see the history. I know you're busy, but when you

1283
01:09:30,120 --> 01:09:32,719
Speaker 1: can find time, you got to do it. But something

1284
01:09:33,120 --> 01:09:35,000
Speaker 1: you may not realize. I don't know if you do,

1285
01:09:35,080 --> 01:09:37,800
Speaker 1: maybe you don't. I don't know. What you're doing now

1286
01:09:39,400 --> 01:09:43,479
Speaker 1: is a part of music history. I mean when you

1287
01:09:43,520 --> 01:09:45,639
Speaker 1: go out on stage, when you come out with your albums,

1288
01:09:45,680 --> 01:09:47,800
Speaker 1: you're now, this is at home too. No, no, no,

1289
01:09:47,920 --> 01:09:50,960
Speaker 1: it is, it is and you know what, and your

1290
01:09:51,000 --> 01:09:54,080
Speaker 1: album becomes something different ten years from now, you know,

1291
01:09:54,120 --> 01:09:56,599
Speaker 1: because it's a whole new audience listening to it. I mean,

1292
01:09:56,640 --> 01:09:58,479
Speaker 1: do you ever stop and think about your legacy and

1293
01:09:58,520 --> 01:10:02,000
Speaker 1: what you're leaving behind you first your music comes, Yeah,

1294
01:10:02,200 --> 01:10:05,320
Speaker 1: of course. Um. I always try to do things, you know,

1295
01:10:05,760 --> 01:10:09,200
Speaker 1: on my way, you know, and I follow um the

1296
01:10:09,200 --> 01:10:11,080
Speaker 1: only way you can. You can't. You can't become an

1297
01:10:11,240 --> 01:10:13,920
Speaker 1: icon and become an idol, become one of those, you know,

1298
01:10:15,200 --> 01:10:17,559
Speaker 1: one of those guys that everybody's gonna look back and say, man,

1299
01:10:17,600 --> 01:10:20,080
Speaker 1: he did it his way, like how Frank Sinatra said it.

1300
01:10:20,640 --> 01:10:22,160
Speaker 1: You know what I'm saying. You did it, yeah, and

1301
01:10:22,160 --> 01:10:23,640
Speaker 1: you got I mean, you gotta do it your way,

1302
01:10:23,720 --> 01:10:27,759
Speaker 1: especially having a mentor like Puff you know that that

1303
01:10:27,760 --> 01:10:30,640
Speaker 1: that lived through so many generations of music, you know,

1304
01:10:30,800 --> 01:10:33,320
Speaker 1: just just you know, giving me the advice that he

1305
01:10:33,400 --> 01:10:36,240
Speaker 1: always gives me. And sometimes he helped me save ten

1306
01:10:36,320 --> 01:10:39,400
Speaker 1: years by making one one right move, you know, so

1307
01:10:39,760 --> 01:10:43,040
Speaker 1: I'm thankful for that. You know. I'm hoping about um

1308
01:10:43,040 --> 01:10:47,040
Speaker 1: ten more years. You know, I'll be here celebring anniversary

1309
01:10:47,040 --> 01:10:52,960
Speaker 1: with y'all. I'm here. We keep asking them to fires.

1310
01:10:52,960 --> 01:10:57,760
Speaker 1: They just never do even up. I've yeah, I've been

1311
01:10:57,800 --> 01:11:02,280
Speaker 1: here a long time. I know I look like hell

1312
01:11:03,479 --> 01:11:05,920
Speaker 1: look good. Well, you know the secret is as a

1313
01:11:06,000 --> 01:11:11,360
Speaker 1: Jewish plastic surgeon. Let me tell you. One day, when

1314
01:11:11,360 --> 01:11:14,120
Speaker 1: your gewels are dragon on your boobs, you want to,

1315
01:11:14,880 --> 01:11:21,040
Speaker 1: I'll give Dr Rosenberg man he's he's good. Hey. So also,

1316
01:11:21,120 --> 01:11:23,400
Speaker 1: French Montana, as you know, is performing at our Daytime

1317
01:11:23,439 --> 01:11:27,360
Speaker 1: Village at the Radio Music Festival. Here's what I love

1318
01:11:27,360 --> 01:11:29,599
Speaker 1: about this music festival that IM puts one every year.

1319
01:11:29,640 --> 01:11:32,320
Speaker 1: It's every type of music. You've got your rap, you've

1320
01:11:32,320 --> 01:11:36,519
Speaker 1: got your country, you've got your your electronic dance, your

1321
01:11:36,600 --> 01:11:39,840
Speaker 1: E d M, You've got everything. Oh here's the list.

1322
01:11:40,240 --> 01:11:42,640
Speaker 1: So you're part of the Daytime Village, which was my

1323
01:11:42,640 --> 01:11:45,360
Speaker 1: favorite part because the it's the heat of Vegas, you know,

1324
01:11:46,320 --> 01:11:48,160
Speaker 1: at night during the night show, I'd rather be at

1325
01:11:48,160 --> 01:11:49,680
Speaker 1: the wheel of Fortune Machine, I don't want to be

1326
01:11:49,680 --> 01:11:54,920
Speaker 1: sitting at but with Halsey and Flume and Little Mix, French, Montana,

1327
01:11:55,080 --> 01:11:58,679
Speaker 1: Nile Horn, You've got Kelsey Ballerini. Have you ever heard

1328
01:11:58,720 --> 01:12:01,639
Speaker 1: an artist that's so far out of the rap genre

1329
01:12:02,040 --> 01:12:03,559
Speaker 1: but they're so great at what they do you would

1330
01:12:03,600 --> 01:12:06,960
Speaker 1: actually consider doing something kind of crazy and doing a

1331
01:12:07,000 --> 01:12:10,120
Speaker 1: song with him? Yeah, of course, you know a lot

1332
01:12:10,120 --> 01:12:12,679
Speaker 1: of arts like that. I mean I feel like, um,

1333
01:12:12,760 --> 01:12:15,519
Speaker 1: I don't know, from the Cold plays, yeah, you know,

1334
01:12:15,560 --> 01:12:17,760
Speaker 1: I mean I did some of my Cirrus, But I

1335
01:12:17,760 --> 01:12:18,880
Speaker 1: don't know if you can say that as a hip

1336
01:12:18,920 --> 01:12:20,920
Speaker 1: hop because she had that little favor. She was like

1337
01:12:20,960 --> 01:12:25,599
Speaker 1: straight hip hop right, She's great. You know what, Sirrus

1338
01:12:25,720 --> 01:12:27,720
Speaker 1: is a great example of an artist that we have

1339
01:12:27,840 --> 01:12:30,439
Speaker 1: watched just go from here to here right in front

1340
01:12:30,439 --> 01:12:33,360
Speaker 1: of our eyes. Now her her new sound, her new

1341
01:12:33,439 --> 01:12:36,280
Speaker 1: thing is so fantastic that I really do rap? No,

1342
01:12:38,840 --> 01:12:41,000
Speaker 1: I mean even unforgettable what you did? I know that

1343
01:12:41,280 --> 01:12:43,200
Speaker 1: Jay Belvin, you did a remix when there was a

1344
01:12:43,200 --> 01:12:45,840
Speaker 1: remix with you know, there was just so in the

1345
01:12:45,920 --> 01:12:53,000
Speaker 1: collaboration from you and Jlo. Yeah you're from Yeah, Yeah,

1346
01:12:53,040 --> 01:12:55,640
Speaker 1: definitely shot that j Lo and Um that was one

1347
01:12:55,680 --> 01:12:58,160
Speaker 1: of those on points in my career and I was like, okay,

1348
01:12:58,840 --> 01:13:00,439
Speaker 1: you know, JL is like one of my idol. So

1349
01:13:00,439 --> 01:13:01,760
Speaker 1: it was like when she him and she was like,

1350
01:13:01,800 --> 01:13:03,760
Speaker 1: I'm doing a SMLL I love you Poppy. I was like,

1351
01:13:03,840 --> 01:13:07,479
Speaker 1: you know, I'm not Spanish, right, It was like, it

1352
01:13:07,479 --> 01:13:11,920
Speaker 1: doesn't matter, You're from the Bronx. Yeah, so Spanish from

1353
01:13:11,920 --> 01:13:14,960
Speaker 1: the Bronx. Yeah. So definitely minus Sirius suit um that

1354
01:13:15,080 --> 01:13:18,080
Speaker 1: when I dropped my first album, um she um um.

1355
01:13:18,160 --> 01:13:20,680
Speaker 1: She got on my record and I got on the album,

1356
01:13:20,760 --> 01:13:22,960
Speaker 1: which it was dope for me. You know. So I'm

1357
01:13:22,960 --> 01:13:26,200
Speaker 1: always into collaborating with artists, like it's haid energy from

1358
01:13:26,240 --> 01:13:27,880
Speaker 1: other artists, but they feel the same way about you,

1359
01:13:27,920 --> 01:13:30,120
Speaker 1: I'm sure, but it's I can't imagine when it's like

1360
01:13:30,200 --> 01:13:34,840
Speaker 1: to get the call, hey, uh French, what j Lo

1361
01:13:35,120 --> 01:13:38,599
Speaker 1: wants to do a song with you? Get out of here?

1362
01:13:40,560 --> 01:13:42,760
Speaker 1: How do you react to that? Like Sirius want to

1363
01:13:42,840 --> 01:13:47,280
Speaker 1: jump on anywhere a boy not? I said, what They're like, yeah?

1364
01:13:47,320 --> 01:13:48,720
Speaker 1: That was again? Still you know we did. It was

1365
01:13:48,760 --> 01:13:51,479
Speaker 1: really dope. Hey wait, can I just cancel everything right now?

1366
01:13:52,120 --> 01:13:55,240
Speaker 1: You're supposed to bring some sharrock in for it. I

1367
01:13:55,320 --> 01:13:58,519
Speaker 1: was told the French. Montana's bringing some vodka in today. Yeah,

1368
01:13:59,040 --> 01:14:02,120
Speaker 1: Maria got you. Maria's hiding it first. I mean it's

1369
01:14:02,120 --> 01:14:08,840
Speaker 1: almost eight thirty, stone cold, sober. What time did you start?

1370
01:14:10,520 --> 01:14:15,800
Speaker 1: We haven't yet. We start when the party was here.

1371
01:14:15,920 --> 01:14:18,840
Speaker 1: He was getting us ripped. He brought it. Every time

1372
01:14:18,840 --> 01:14:21,439
Speaker 1: he comes he brings Hey. You know, I'm glad you

1373
01:14:21,439 --> 01:14:23,479
Speaker 1: brought up Shaggy. This brings up Au and this is

1374
01:14:23,520 --> 01:14:26,759
Speaker 1: so relatable with you, French Montain. I could call you French.

1375
01:14:27,720 --> 01:14:32,519
Speaker 1: I want to Shaggy Shaggy, just call him Shaggy. No.

1376
01:14:32,600 --> 01:14:34,759
Speaker 1: I know we're not celebrating all. This is the boring

1377
01:14:34,760 --> 01:14:37,519
Speaker 1: party we've ever had. But let me talk about Shaggy.

1378
01:14:37,600 --> 01:14:39,200
Speaker 1: I got a text from him this morning. You know,

1379
01:14:39,240 --> 01:14:43,040
Speaker 1: he's really really big into uh, the hospital system in Jamaica,

1380
01:14:43,200 --> 01:14:45,920
Speaker 1: his homeland, and we we helped him raise some money

1381
01:14:45,920 --> 01:14:50,120
Speaker 1: for you to bring in some new equipment for these hospitals.

1382
01:14:51,000 --> 01:14:54,360
Speaker 1: But I read about what you've done along with others

1383
01:14:54,400 --> 01:14:59,559
Speaker 1: in the Uganda. You're not from Uganda, and it's it's

1384
01:14:59,560 --> 01:15:02,639
Speaker 1: a world away from me. It's a it's Africa, Africa.

1385
01:15:02,760 --> 01:15:04,439
Speaker 1: How did you get connected with us and why did

1386
01:15:04,439 --> 01:15:06,920
Speaker 1: you feel this pull to help these people who really

1387
01:15:06,920 --> 01:15:12,080
Speaker 1: needed help the world, like two thousand, three thousand miles

1388
01:15:12,120 --> 01:15:15,040
Speaker 1: away from Morocco. Um, when I went there, I went

1389
01:15:15,040 --> 01:15:18,320
Speaker 1: there for these kids, a triple of kids. They they

1390
01:15:18,360 --> 01:15:22,280
Speaker 1: were doped dances. So when I went there, when I landed,

1391
01:15:22,400 --> 01:15:25,000
Speaker 1: I got with these um with these people called Global

1392
01:15:25,080 --> 01:15:28,880
Speaker 1: Citizen and Mama Hope and UM. They're not profit organization.

1393
01:15:29,280 --> 01:15:32,080
Speaker 1: They help people out there. So I was like, usually

1394
01:15:32,080 --> 01:15:34,200
Speaker 1: people go and take from the culture and never get back.

1395
01:15:34,600 --> 01:15:36,400
Speaker 1: So I said, let me go help help some people,

1396
01:15:37,439 --> 01:15:39,519
Speaker 1: you know that that needed help. They can't help themselves.

1397
01:15:39,600 --> 01:15:42,640
Speaker 1: So I landed over thirty hour flight and took a

1398
01:15:42,640 --> 01:15:48,160
Speaker 1: three hour drive to this hospital Sobi hospital. UM that way,

1399
01:15:48,520 --> 01:15:51,639
Speaker 1: I not interrupt you, but a hospital that you're talking about,

1400
01:15:51,680 --> 01:15:53,639
Speaker 1: it's nothing like the hospitals we have here. And I'm

1401
01:15:53,640 --> 01:15:57,679
Speaker 1: talking about the hospital with two rooms, no machines for

1402
01:15:57,400 --> 01:16:01,559
Speaker 1: through for three hundred thousand people. Yeah. So when I

1403
01:16:01,640 --> 01:16:04,120
Speaker 1: got there and then um, and I was just like

1404
01:16:04,760 --> 01:16:07,439
Speaker 1: they had one ambulance people. So I was like, what

1405
01:16:07,520 --> 01:16:09,400
Speaker 1: happened if something happened to two people at the same

1406
01:16:09,439 --> 01:16:12,760
Speaker 1: time they you know, the answers wasn't just like fully there,

1407
01:16:12,880 --> 01:16:16,519
Speaker 1: you know, but it was. It was two rooms, and um,

1408
01:16:16,640 --> 01:16:19,840
Speaker 1: usually about forty women to give birth a month, so

1409
01:16:19,880 --> 01:16:22,519
Speaker 1: sometimes they might be six at a time. You know,

1410
01:16:23,160 --> 01:16:26,680
Speaker 1: just imagine that. So how can you not help? Exactly?

1411
01:16:26,720 --> 01:16:28,679
Speaker 1: And and and as I'm walking out with the guy,

1412
01:16:29,000 --> 01:16:30,680
Speaker 1: you just you just see a bunch of kids and

1413
01:16:30,720 --> 01:16:34,120
Speaker 1: women just standing right there holding their babies. Like gross.

1414
01:16:34,120 --> 01:16:37,040
Speaker 1: She was just like, then you just put me in

1415
01:16:37,040 --> 01:16:39,160
Speaker 1: this spot right here. I gotta help, you know. When

1416
01:16:39,160 --> 01:16:40,200
Speaker 1: I was like I'm just going to health, there was

1417
01:16:40,240 --> 01:16:42,040
Speaker 1: like what You're gonna do? Like because a lot of

1418
01:16:42,040 --> 01:16:43,920
Speaker 1: people came with so Hope, like a lot of promises

1419
01:16:43,920 --> 01:16:46,519
Speaker 1: fell through the cracks over there. So so um, you

1420
01:16:46,560 --> 01:16:48,120
Speaker 1: know when I came back, I was just like, you know,

1421
01:16:48,560 --> 01:16:50,280
Speaker 1: let's make something happen with these people. So I got

1422
01:16:50,280 --> 01:16:52,960
Speaker 1: with Mama Hope and and and and Global citys And

1423
01:16:52,960 --> 01:16:57,200
Speaker 1: now we went from two rooms, now we got fifty rooms.

1424
01:16:58,920 --> 01:17:02,120
Speaker 1: Um that's that's sold be hospital. So now yeah, so

1425
01:17:02,160 --> 01:17:05,720
Speaker 1: now we we went from fifty thousand people to three

1426
01:17:05,960 --> 01:17:08,479
Speaker 1: d thousand people just last week along and probably like

1427
01:17:08,479 --> 01:17:11,880
Speaker 1: two hundred mothers on. So it's grown shot to the

1428
01:17:11,880 --> 01:17:14,439
Speaker 1: weekend too. I can't take all the weekend. Who will

1429
01:17:14,479 --> 01:17:16,680
Speaker 1: be in Las Vegas as well, you know, from now

1430
01:17:16,720 --> 01:17:18,400
Speaker 1: and we're not going to let anyone play the I

1431
01:17:18,439 --> 01:17:23,200
Speaker 1: Heart Radio Music Festival unless they help this. We could.

1432
01:17:23,320 --> 01:17:24,920
Speaker 1: We've got the power to do it, you know. We

1433
01:17:24,920 --> 01:17:27,280
Speaker 1: we saw something like this when we visited Haiti. You know,

1434
01:17:27,600 --> 01:17:30,200
Speaker 1: we're seeing everything they're going through and everything they're struggling through.

1435
01:17:30,479 --> 01:17:32,519
Speaker 1: And I will tell you I was with my partner

1436
01:17:32,560 --> 01:17:37,400
Speaker 1: down in Rwanda, uh about my month ago, and it's

1437
01:17:37,439 --> 01:17:41,640
Speaker 1: the kids. It's the kids who have these smiles in

1438
01:17:41,680 --> 01:17:44,439
Speaker 1: their faces. They're living the life. They don't know if

1439
01:17:44,479 --> 01:17:46,599
Speaker 1: it's good or bad, but they know it's good because

1440
01:17:46,680 --> 01:17:48,880
Speaker 1: with him, it's all great. And there's this one little

1441
01:17:48,920 --> 01:17:50,200
Speaker 1: girl that came up to me. She brought me a

1442
01:17:50,240 --> 01:17:52,479
Speaker 1: little flower. I said, thank you, and I looked at her.

1443
01:17:52,520 --> 01:17:54,920
Speaker 1: I said, you know what, Rwanda will be very lucky

1444
01:17:54,920 --> 01:17:56,840
Speaker 1: if you're the president of Rwanda one day. And she

1445
01:17:56,880 --> 01:17:58,360
Speaker 1: looked at me and her mom said, I don't want

1446
01:17:58,360 --> 01:18:01,360
Speaker 1: her to be the president. I said, well, the fact

1447
01:18:01,400 --> 01:18:04,080
Speaker 1: that she could be, and you have the hope to

1448
01:18:04,240 --> 01:18:06,600
Speaker 1: maybe one day be that way, you know, and you

1449
01:18:06,680 --> 01:18:09,120
Speaker 1: see the kids and that's what connects you. You can't

1450
01:18:09,120 --> 01:18:11,519
Speaker 1: help with one of the smiling. I mean when I

1451
01:18:11,560 --> 01:18:13,320
Speaker 1: went there, when I realized, like, if you win't a

1452
01:18:13,360 --> 01:18:14,800
Speaker 1: rich in heart, you don't know woul be rich like

1453
01:18:15,280 --> 01:18:18,439
Speaker 1: because they're just people just smiling, happy with nothing and

1454
01:18:18,600 --> 01:18:21,920
Speaker 1: you're like, we got everything back home when everybody's it's

1455
01:18:22,000 --> 01:18:24,800
Speaker 1: miserable and would be like, wow, you know so not

1456
01:18:24,960 --> 01:18:27,519
Speaker 1: so it's dope. That's it's been. It's like my first vacation.

1457
01:18:28,520 --> 01:18:30,080
Speaker 1: It really just showed me a different side of life.

1458
01:18:30,120 --> 01:18:33,240
Speaker 1: You know, we got to see that. Yeah, yeah, for sure. Man. Well,

1459
01:18:33,320 --> 01:18:36,240
Speaker 1: you know, having you here is kind of cool because

1460
01:18:36,800 --> 01:18:39,479
Speaker 1: we heard the music. Very cool. We heard the music.

1461
01:18:39,560 --> 01:18:42,760
Speaker 1: We never had met you before, but you do have this,

1462
01:18:43,200 --> 01:18:45,680
Speaker 1: you got this energy going you. I mean you're like

1463
01:18:45,680 --> 01:18:51,639
Speaker 1: a microwave oven with the door open. That could be dangerous.

1464
01:18:53,200 --> 01:18:54,599
Speaker 1: I don't know. If I don't know if we need

1465
01:18:54,640 --> 01:18:56,479
Speaker 1: that in here, we may have to call the health department.

1466
01:18:56,920 --> 01:18:59,320
Speaker 1: But as far as music goes, I mean, what is

1467
01:18:59,400 --> 01:19:02,479
Speaker 1: it about music that is your release? What is it

1468
01:19:02,520 --> 01:19:04,920
Speaker 1: that connects you to yourself and others? What is it

1469
01:19:04,920 --> 01:19:07,479
Speaker 1: about music to you? What is it? Um? I mean,

1470
01:19:07,640 --> 01:19:09,720
Speaker 1: music is is kind of like the only language that

1471
01:19:09,760 --> 01:19:12,439
Speaker 1: everybody speaks worldwhile you know, so I felt like music

1472
01:19:12,479 --> 01:19:13,880
Speaker 1: is what got me why I'm at now, just the

1473
01:19:13,960 --> 01:19:17,599
Speaker 1: love of it, just you know, capturing um that moment,

1474
01:19:18,360 --> 01:19:20,360
Speaker 1: you know, knowing that music is the only thing you

1475
01:19:20,400 --> 01:19:22,200
Speaker 1: can fight with. You know what I'm saying that gets you?

1476
01:19:22,240 --> 01:19:23,960
Speaker 1: I mean it wasn't for music. I want to be

1477
01:19:23,960 --> 01:19:32,679
Speaker 1: sitting here legend. I mean, the music is what brown

1478
01:19:32,800 --> 01:19:34,879
Speaker 1: is here is they say, But when you're in the studio,

1479
01:19:35,000 --> 01:19:37,479
Speaker 1: light slow, candles lit and maybe you're lit too, I

1480
01:19:37,520 --> 01:19:39,720
Speaker 1: don't know, and you play Unforgettable and it comes out

1481
01:19:39,760 --> 01:19:43,559
Speaker 1: of those big, expensive speakers. What is it that told you, hey,

1482
01:19:43,600 --> 01:19:46,000
Speaker 1: this is this is a hit. What is it about

1483
01:19:46,040 --> 01:19:49,160
Speaker 1: this song? We're about to play one thing? One thing

1484
01:19:49,200 --> 01:19:51,760
Speaker 1: about about me? Which I loved that coming from a

1485
01:19:51,880 --> 01:19:55,519
Speaker 1: rock holl and not knowing English until I was thirteen,

1486
01:19:55,600 --> 01:19:59,200
Speaker 1: and just it's something about when I when I hear music,

1487
01:19:59,200 --> 01:20:00,920
Speaker 1: I don't listen to the words I get. I get

1488
01:20:00,920 --> 01:20:03,240
Speaker 1: a certain feeling and a rush from it. I might

1489
01:20:03,280 --> 01:20:05,160
Speaker 1: be different from it from another artist they hear. They

1490
01:20:05,160 --> 01:20:07,280
Speaker 1: listen for different things. I listened to a certain feeling

1491
01:20:07,320 --> 01:20:09,439
Speaker 1: I get when they played me that song for the

1492
01:20:09,479 --> 01:20:12,000
Speaker 1: first ten seconds, I know what that song was like.

1493
01:20:12,040 --> 01:20:13,680
Speaker 1: It wasn't like it was by mistake. I call it

1494
01:20:13,760 --> 01:20:16,639
Speaker 1: like it was like who ownost this record? I'm going

1495
01:20:16,680 --> 01:20:18,720
Speaker 1: to get it right now, So like I kind of

1496
01:20:18,760 --> 01:20:20,800
Speaker 1: knew a schools I heard it. So that's that's why

1497
01:20:20,840 --> 01:20:22,720
Speaker 1: I think I get like an up level on And

1498
01:20:22,800 --> 01:20:25,439
Speaker 1: this thing has I mean been in the business they

1499
01:20:25,479 --> 01:20:29,080
Speaker 1: say commercial success. I mean this this song has what

1500
01:20:29,200 --> 01:20:32,559
Speaker 1: the music business loves. But you know, you gotta keep

1501
01:20:32,600 --> 01:20:35,160
Speaker 1: in mind, these songs that do so well with numbers

1502
01:20:35,280 --> 01:20:37,800
Speaker 1: and make the accountants love them are actually pieces of

1503
01:20:37,960 --> 01:20:40,120
Speaker 1: art to come from the heart and the soul, you

1504
01:20:40,120 --> 01:20:42,040
Speaker 1: know exactly. And there's some guy making a lot of

1505
01:20:42,080 --> 01:20:47,599
Speaker 1: money off this, right, but but the payoff is how

1506
01:20:47,600 --> 01:20:49,680
Speaker 1: it makes us feel. And that's that's at the end

1507
01:20:49,680 --> 01:20:52,559
Speaker 1: of the day. You know, I want, I want. I

1508
01:20:52,560 --> 01:20:54,000
Speaker 1: want to make that song that you can play a

1509
01:20:54,000 --> 01:20:55,960
Speaker 1: wedding sometimes, you know, whenever you get a chance to

1510
01:20:56,760 --> 01:20:58,680
Speaker 1: or like, you know, one of these songs that you

1511
01:20:58,720 --> 01:21:00,840
Speaker 1: don't get tired of after a month to a month,

1512
01:21:01,120 --> 01:21:02,960
Speaker 1: I can still listen to it if it sounds like

1513
01:21:03,240 --> 01:21:05,880
Speaker 1: first time I made it, that's what specializes. Let's play

1514
01:21:05,880 --> 01:21:07,760
Speaker 1: it in French Montana. Thank you for coming in the

1515
01:21:07,760 --> 01:21:11,160
Speaker 1: single of course, Unforgettable from his second studio album, Jungle Rules.

1516
01:21:11,280 --> 01:21:27,240
Speaker 1: It's available now, French Montana. Listen to the Morning Show's

1517
01:21:27,280 --> 01:21:32,320
Speaker 1: official YouTube channel live performances, complete interviews, and exclusive web

1518
01:21:32,320 --> 01:21:34,679
Speaker 1: shows with your favorite Morning Show members. So I guess

1519
01:21:34,720 --> 01:21:38,320
Speaker 1: maybe that's probably like older women. Go to YouTube search

1520
01:21:38,400 --> 01:21:42,160
Speaker 1: Elvis Duranto and subscribe Today. Elvis Strain in the Morning

1521
01:21:42,200 --> 01:21:45,760
Speaker 1: Show on August eleven, Experience the next chapter in the

1522
01:21:45,800 --> 01:21:51,000
Speaker 1: Conjuring Universe. Critics are calling Annabel Creation a mussy horror experience.

1523
01:21:51,280 --> 01:21:55,920
Speaker 1: It's terrifying, heart pounding the year's most inventive and scariest film.

1524
01:21:56,200 --> 01:22:08,000
Speaker 1: Annabel Creation in theaters everywhere August eleventh. Rated. I'm loving

1525
01:22:08,040 --> 01:22:10,479
Speaker 1: the fact that we had both Julia Michael's and French

1526
01:22:10,560 --> 01:22:13,840
Speaker 1: Montana here on the same day. Yeah, pretty cool. They're both.

1527
01:22:13,960 --> 01:22:18,639
Speaker 1: They're both so so creative and kind and really interesting

1528
01:22:18,680 --> 01:22:22,080
Speaker 1: to talk to and different, very different. Yeah. Perfect. And

1529
01:22:22,120 --> 01:22:24,080
Speaker 1: I need something to eat now that we've done shots,

1530
01:22:24,160 --> 01:22:26,559
Speaker 1: because I haven't eaten anything all day. You know, we

1531
01:22:26,680 --> 01:22:31,439
Speaker 1: had some cosa dragonis the sipping tequila, Yeah, but we

1532
01:22:31,520 --> 01:22:35,000
Speaker 1: shot it, didn't sip it. Well. French Montana said, hey,

1533
01:22:35,000 --> 01:22:37,519
Speaker 1: you know, what's your thirty fourth birthday here by the way.

1534
01:22:37,560 --> 01:22:41,120
Speaker 1: This radio station we're on four years old today, yea,

1535
01:22:41,560 --> 01:22:45,679
Speaker 1: and um, He's like, let's celebrate hello. So we brought

1536
01:22:45,720 --> 01:22:48,720
Speaker 1: up the Cosa dragons and then he just said, I

1537
01:22:48,760 --> 01:22:50,000
Speaker 1: need the rest of the bottle if I could just

1538
01:22:50,000 --> 01:22:53,000
Speaker 1: take that with me, which is fine because that stuff,

1539
01:22:53,040 --> 01:22:55,160
Speaker 1: you know, it flows like water around this place. Misa

1540
01:22:55,280 --> 01:22:58,160
Speaker 1: su casa as they say. I look, how we're doing

1541
01:22:58,200 --> 01:23:00,760
Speaker 1: shots at coffee by the way. Yeah, well whatever, do

1542
01:23:00,800 --> 01:23:02,360
Speaker 1: we have pictures? Can we put those up? I want

1543
01:23:02,520 --> 01:23:05,519
Speaker 1: I want people to know that we did it. Gosh,

1544
01:23:05,560 --> 01:23:07,679
Speaker 1: where do we start? You know? Last night was National

1545
01:23:07,800 --> 01:23:11,000
Speaker 1: Night Out, and every year, especially in the suburbs, and

1546
01:23:11,000 --> 01:23:12,679
Speaker 1: I wish we did this more in the city where

1547
01:23:12,880 --> 01:23:15,080
Speaker 1: you actually get with your neighbors and go out and

1548
01:23:15,280 --> 01:23:17,439
Speaker 1: into the streets and you talk to each other, get

1549
01:23:17,479 --> 01:23:19,240
Speaker 1: to know each other and understand that you're there to

1550
01:23:19,320 --> 01:23:23,400
Speaker 1: watch after each other, like each other's property when they're

1551
01:23:23,400 --> 01:23:26,400
Speaker 1: at work during the day or whatever. So, I mean, Garrett,

1552
01:23:26,680 --> 01:23:30,160
Speaker 1: your neighborhood, Yes, in suburbia, you know, West Westfield, New Jersey.

1553
01:23:30,200 --> 01:23:32,719
Speaker 1: So how was your National Night Out? It was super cool.

1554
01:23:32,920 --> 01:23:36,080
Speaker 1: It's something I've never experienced before. So my wife and I.

1555
01:23:36,120 --> 01:23:38,360
Speaker 1: We took our two year old son, and they have

1556
01:23:38,400 --> 01:23:40,439
Speaker 1: all the fire trucks out, and they have all the big,

1557
01:23:40,479 --> 01:23:44,200
Speaker 1: big machinery that they use in town. The John Deere's

1558
01:23:44,200 --> 01:23:47,160
Speaker 1: and the ambulances are there. So I went into a

1559
01:23:47,200 --> 01:23:49,880
Speaker 1: fire truck. No, I got there early, and uh. I

1560
01:23:50,120 --> 01:23:52,360
Speaker 1: took my son in and we're sitting down and they

1561
01:23:52,439 --> 01:23:54,519
Speaker 1: let you put push all the buttons, and I found

1562
01:23:54,560 --> 01:23:56,640
Speaker 1: myself turning into like a little kid. So I'm in

1563
01:23:56,680 --> 01:23:59,040
Speaker 1: there for a good five ten minutes. It's like crawling

1564
01:23:59,040 --> 01:24:01,639
Speaker 1: into a Tonka truck. So so I get my son

1565
01:24:01,680 --> 01:24:03,559
Speaker 1: out and I'm stepping out of the fire truck and

1566
01:24:03,600 --> 01:24:05,840
Speaker 1: I turn around and there's a line of about twenty

1567
01:24:05,920 --> 01:24:07,960
Speaker 1: five kids waiting for me to get out of the truck.

1568
01:24:09,320 --> 01:24:11,160
Speaker 1: I was in the truck holding up a line of

1569
01:24:11,160 --> 01:24:14,360
Speaker 1: twenty four year olds, and that's totally fine they but

1570
01:24:14,400 --> 01:24:16,400
Speaker 1: they were giving me side I like, I was like,

1571
01:24:16,479 --> 01:24:18,360
Speaker 1: what's the big kid doing in there? He's not allowed

1572
01:24:18,400 --> 01:24:23,639
Speaker 1: in there? Yeah, I mean they they're like hello. So

1573
01:24:23,640 --> 01:24:25,280
Speaker 1: so then I go to the next truck and the

1574
01:24:25,360 --> 01:24:27,920
Speaker 1: kids are running to the next truck knowing not don't

1575
01:24:27,960 --> 01:24:29,640
Speaker 1: let the big kid get in front of amber, but

1576
01:24:29,960 --> 01:24:32,320
Speaker 1: took it behind the big kid. He's gonna be in there,

1577
01:24:32,360 --> 01:24:35,720
Speaker 1: but I'm sitting there like a little kid, pushing all

1578
01:24:35,760 --> 01:24:38,679
Speaker 1: the buttons. So I I apologize to anyone of Westfield,

1579
01:24:38,680 --> 01:24:40,800
Speaker 1: New Jersey going to work today getting into one of

1580
01:24:40,800 --> 01:24:43,360
Speaker 1: those big trucks and some buttons and seats are out

1581
01:24:43,360 --> 01:24:45,040
Speaker 1: of place because my son and I pushed a lot

1582
01:24:45,080 --> 01:24:47,880
Speaker 1: of buttons yesterday. You know what. And did you meet

1583
01:24:47,920 --> 01:24:50,960
Speaker 1: some neighbors? Yes, that's the whole point of night out.

1584
01:24:51,400 --> 01:24:53,519
Speaker 1: So look, you know, I'm the kind of guy who

1585
01:24:53,560 --> 01:24:55,320
Speaker 1: I just don't want to know my neighbors. I just

1586
01:24:55,360 --> 01:24:58,599
Speaker 1: wanted to live my own little lifestyle by myself. But

1587
01:24:58,640 --> 01:25:01,280
Speaker 1: then you know, if ever I need them, they'll be like,

1588
01:25:01,280 --> 01:25:04,280
Speaker 1: well you never invited us over, so let your house

1589
01:25:04,320 --> 01:25:10,160
Speaker 1: burn down. Match. Okay, I got a police shield yesterday

1590
01:25:10,400 --> 01:25:13,600
Speaker 1: and a police hat and uh so I got to

1591
01:25:13,640 --> 01:25:15,920
Speaker 1: eat candy? No, no, I didn't. I'm a diabetic, but

1592
01:25:17,800 --> 01:25:21,280
Speaker 1: thank god the paramedics where the day were. All right,

1593
01:25:21,360 --> 01:25:23,240
Speaker 1: let's get into a sound with Garrett. Garrett, what do

1594
01:25:23,280 --> 01:25:24,479
Speaker 1: you have? All right, let's start with this. We all

1595
01:25:24,479 --> 01:25:26,960
Speaker 1: know Sara makes a lots baby got back with right,

1596
01:25:27,120 --> 01:25:33,120
Speaker 1: but did not? What about it? What if we turn

1597
01:25:33,240 --> 01:25:35,840
Speaker 1: that country. So Joe Nichols has a new album out

1598
01:25:35,880 --> 01:25:38,320
Speaker 1: where he covers for Max a Lot's Baby Got Back.

1599
01:25:38,320 --> 01:25:51,800
Speaker 1: How does this little line dance away around than a

1600
01:25:52,200 --> 01:25:55,479
Speaker 1: Maybe Got Back? Joe Nichols? All right, um, alright, let's

1601
01:25:55,479 --> 01:25:57,519
Speaker 1: talk about cold Play last night. So they kicked off

1602
01:25:57,560 --> 01:26:01,400
Speaker 1: their tour here in Jersey at that Life Stadium. Got

1603
01:26:01,439 --> 01:26:05,280
Speaker 1: to go see the show. Uh, Chris Martin decided to

1604
01:26:05,320 --> 01:26:08,439
Speaker 1: sit down at a piano and cover Lincoln Park's Numb

1605
01:26:08,520 --> 01:26:11,960
Speaker 1: in honor of Chester Bennington, who passed away last month.

1606
01:26:21,760 --> 01:26:24,280
Speaker 1: The cool part was Mike Shinoda from Lincoln Park was

1607
01:26:24,320 --> 01:26:26,960
Speaker 1: actually at the show. So I was like, I think

1608
01:26:27,000 --> 01:26:29,360
Speaker 1: I see Mike Shinoda, but I wasn't sure. But then

1609
01:26:29,400 --> 01:26:32,120
Speaker 1: I go on his Instagram page and there's there's the video.

1610
01:26:32,240 --> 01:26:34,280
Speaker 1: He goes he was there. And the other cool part

1611
01:26:34,400 --> 01:26:36,840
Speaker 1: was Chris Martin sat down at the piano, messed up

1612
01:26:36,880 --> 01:26:39,880
Speaker 1: the beginning of the song, and he told the entire stadium, Hey, listen,

1613
01:26:40,240 --> 01:26:42,120
Speaker 1: this is probably gonna end up on YouTube, so I'm

1614
01:26:42,160 --> 01:26:45,439
Speaker 1: going to start over. This is why we love Chris Martin.

1615
01:26:46,000 --> 01:26:48,920
Speaker 1: Of course, Coldplay at I Heart Radio Music Festival this year.

1616
01:26:48,960 --> 01:26:50,640
Speaker 1: It'll be good to see them again. That videos up

1617
01:26:50,640 --> 01:26:52,240
Speaker 1: at Elvis Duran dot com to check it out, and

1618
01:26:52,280 --> 01:26:54,559
Speaker 1: another video you want to see so our friend Tadrick

1619
01:26:54,600 --> 01:26:57,719
Speaker 1: Hall last night put out a mash up of nineties

1620
01:26:57,720 --> 01:27:00,800
Speaker 1: songs we all love. And here's just a small little

1621
01:27:00,840 --> 01:27:03,599
Speaker 1: sample of that that you're in up my heart. When

1622
01:27:03,680 --> 01:27:08,240
Speaker 1: I'm there, she goes, when we are upon, I feel

1623
01:27:08,360 --> 01:27:15,680
Speaker 1: it too, and no bad I do feel. Here we go,

1624
01:27:17,720 --> 01:27:21,280
Speaker 1: hit me baby one more time. I'm seeing about a

1625
01:27:21,479 --> 01:27:25,920
Speaker 1: baby gotta robbing the right way money, I want it

1626
01:27:26,400 --> 01:27:29,519
Speaker 1: that way. So tell me what you want when you

1627
01:27:29,520 --> 01:27:31,600
Speaker 1: really really want, I tell you what I want. I

1628
01:27:31,680 --> 01:27:33,200
Speaker 1: really really want. Can we play the whole thing out?

1629
01:27:33,640 --> 01:27:35,639
Speaker 1: There's five minutes of it. Yeah, you don't play dirty

1630
01:27:35,680 --> 01:27:40,120
Speaker 1: more seconds? Somebody wants told me the well was done

1631
01:27:40,120 --> 01:27:46,680
Speaker 1: around me. I hate the shops doing ship and I

1632
01:27:46,720 --> 01:27:48,960
Speaker 1: don't want no scrub the swell as a kind of

1633
01:27:49,040 --> 01:27:51,320
Speaker 1: can't get no a lot of from me hanging up

1634
01:27:51,360 --> 01:27:54,000
Speaker 1: the passenger side of the Pussens ride and trying to

1635
01:27:54,200 --> 01:27:57,680
Speaker 1: Colorado Coast. Want a man with a blingling done my

1636
01:27:57,840 --> 01:28:06,120
Speaker 1: own thing? Got the changing night toddra called is so

1637
01:28:06,240 --> 01:28:09,759
Speaker 1: talented he does all the vocals. Daniel what's your favorite

1638
01:28:09,760 --> 01:28:11,800
Speaker 1: song from the entire mesh up? Oh my gosh, genin

1639
01:28:11,880 --> 01:28:14,720
Speaker 1: a Bottle was awesome. Britney Spears was awesome. If you

1640
01:28:14,760 --> 01:28:16,400
Speaker 1: want to see the video that he did with this,

1641
01:28:16,479 --> 01:28:18,919
Speaker 1: Elvis durand dot Com So he does all the vocals

1642
01:28:18,920 --> 01:28:20,760
Speaker 1: of it in four different parts, so it looks like

1643
01:28:20,800 --> 01:28:22,960
Speaker 1: he's sitting next to each other for different times. He's

1644
01:28:23,000 --> 01:28:26,280
Speaker 1: so amazing, it's ridiculous. The Elvis Durant Top five, Yes,

1645
01:28:26,320 --> 01:28:28,880
Speaker 1: the top five, the only countdown that matters in the world,

1646
01:28:28,960 --> 01:28:32,360
Speaker 1: only the matters one and only. Let's start with number

1647
01:28:32,360 --> 01:28:34,960
Speaker 1: five from the number one album in the country, Lana

1648
01:28:35,000 --> 01:28:39,640
Speaker 1: del Rey featuring The Weekend. This is left Lust for Life.

1649
01:28:41,760 --> 01:28:48,599
Speaker 1: Let's take control and those Number five. Elvis Durant Top five,

1650
01:28:48,640 --> 01:28:50,880
Speaker 1: the only countdown that matters. Back to you, Number four

1651
01:28:50,960 --> 01:28:59,240
Speaker 1: Calvin Harris, Katie Perry for Relvit, Shawn Mrs Fields. Did

1652
01:28:59,240 --> 01:29:01,240
Speaker 1: I tell you this is the only countdown that matter? Yes,

1653
01:29:01,560 --> 01:29:08,559
Speaker 1: I have my house, my son's fundy goes whose all right?

1654
01:29:08,640 --> 01:29:12,920
Speaker 1: Number three Selena Gomez and Fetish Leave it maybe too good?

1655
01:29:12,960 --> 01:29:15,360
Speaker 1: Don't leave it, but I know you won't leave it

1656
01:29:15,520 --> 01:29:17,880
Speaker 1: because I'm all that you need it. Demi coming in

1657
01:29:18,000 --> 01:29:28,680
Speaker 1: number two. It's sorry not sorry? All right? That number one?

1658
01:29:28,880 --> 01:29:37,000
Speaker 1: Kesha praying? Just the Elvis Durant Top five. The only

1659
01:29:37,080 --> 01:29:40,599
Speaker 1: countdown that matters? What's wrong? Straightening? Straighten? Eight is drunk?

1660
01:29:42,000 --> 01:29:44,519
Speaker 1: So how can people participate weekly with the Elvis Durant

1661
01:29:44,520 --> 01:29:47,400
Speaker 1: Top five? Counter hashtag e D top five on all

1662
01:29:47,479 --> 01:29:50,519
Speaker 1: social media platforms, but hashtag e D top five. Let's

1663
01:29:50,520 --> 01:29:52,439
Speaker 1: talk about the trending song that you should know about

1664
01:29:52,520 --> 01:30:00,639
Speaker 1: right now. It is figures from Jesse yas good? I good?

1665
01:30:01,160 --> 01:30:09,880
Speaker 1: Exactly what you did? Who is a good? Bad? What

1666
01:30:10,120 --> 01:30:14,040
Speaker 1: would you do if you're good? Again? I love it?

1667
01:30:14,560 --> 01:30:21,479
Speaker 1: But does she speak like she's saying? Does she speak

1668
01:30:21,520 --> 01:30:29,240
Speaker 1: like she sings? Though? I it's like when Gwen Stefani sings,

1669
01:30:29,320 --> 01:30:31,560
Speaker 1: she's sing some more like this. Does she speak like

1670
01:30:31,640 --> 01:30:35,320
Speaker 1: that anyway? Yeah? So Jesse raison figures the Elvis Duran

1671
01:30:35,360 --> 01:30:37,639
Speaker 1: Top five countdown, Thank you You're welcome? The only countdown.

1672
01:30:37,680 --> 01:30:40,000
Speaker 1: Then it's the only countown play with trucks now you're

1673
01:30:40,000 --> 01:30:43,000
Speaker 1: a good American bank? So what's wrong? They're straight name?

1674
01:30:43,040 --> 01:30:47,360
Speaker 1: I'm a little tipsy? Is anybody else? Danielle? You seem

1675
01:30:47,360 --> 01:30:52,679
Speaker 1: a little I am I'm smells. She smells. I haven't

1676
01:30:52,720 --> 01:30:55,479
Speaker 1: eaten anything this morning, but I still smell french Montana

1677
01:30:55,560 --> 01:30:57,479
Speaker 1: because he had a strong color and it smells so good.

1678
01:30:57,680 --> 01:30:59,920
Speaker 1: But I have it in my mouth too, like the taste.

1679
01:31:00,000 --> 01:31:04,960
Speaker 1: Have french Montana and you French Montana. These people taking

1680
01:31:05,000 --> 01:31:07,479
Speaker 1: pictures in there, We'll come in here. Who are these

1681
01:31:07,520 --> 01:31:12,240
Speaker 1: people there? Inc come in here? Don't stay in there.

1682
01:31:14,520 --> 01:31:18,640
Speaker 1: We smell like french Montana. How people are drunk? Hi,

1683
01:31:18,760 --> 01:31:21,040
Speaker 1: we've been we've been doing tequila shots. I love it

1684
01:31:21,080 --> 01:31:23,800
Speaker 1: when we have guests at the studio. I just hate

1685
01:31:23,800 --> 01:31:25,000
Speaker 1: it when people have to be in the other room.

1686
01:31:25,120 --> 01:31:28,240
Speaker 1: In our room. We're much more fun in this room.

1687
01:31:28,720 --> 01:31:36,040
Speaker 1: Who needs a tequila shot? Anyway? Let me play some

1688
01:31:36,160 --> 01:31:39,960
Speaker 1: j Kwon. By the way, Hey, drunk producer, keeping your

1689
01:31:40,000 --> 01:31:41,960
Speaker 1: eye on the clock. How later wright you have been

1690
01:31:42,000 --> 01:31:45,760
Speaker 1: to in the bottle? He must be drunk. He doesn't care.

1691
01:31:47,840 --> 01:31:50,560
Speaker 1: So our friends from instacks are here taking pictures with

1692
01:31:50,760 --> 01:32:05,640
Speaker 1: iPhones that text on you do we have pictures of

1693
01:32:05,760 --> 01:32:13,439
Speaker 1: us doing shots with french Montana in the words straight

1694
01:32:16,320 --> 01:32:19,760
Speaker 1: you have your own microphone? Why it's on the story

1695
01:32:19,880 --> 01:32:26,519
Speaker 1: right now? What you need to eat? Something? I know? Hey?

1696
01:32:26,720 --> 01:32:28,200
Speaker 1: Are my new favorite story of the day. I know

1697
01:32:28,280 --> 01:32:30,120
Speaker 1: we're running really late, but this is a great story.

1698
01:32:31,040 --> 01:32:33,360
Speaker 1: Do it, do it, do it go. Bride pulled a

1699
01:32:33,439 --> 01:32:35,400
Speaker 1: gun on her groom, which she was packing under her

1700
01:32:35,439 --> 01:32:38,040
Speaker 1: wedding dress. Yeah. They were having their reception at the

1701
01:32:38,080 --> 01:32:41,439
Speaker 1: Clarion Motel in Tennessee, and she got mad at that.

1702
01:32:41,840 --> 01:32:43,720
Speaker 1: She got mad at the groom at the reception, and

1703
01:32:43,800 --> 01:32:45,920
Speaker 1: she pulled a gun out from under her wedding dress. Yeah,

1704
01:32:46,479 --> 01:32:48,240
Speaker 1: she'd been packing it under the dress. She fired a

1705
01:32:48,280 --> 01:32:50,960
Speaker 1: warning shot into the air. So she was arrested for

1706
01:32:51,000 --> 01:32:53,519
Speaker 1: aggravated domestic self. You know, it's a good wedding when

1707
01:32:53,560 --> 01:32:55,479
Speaker 1: the bride pulls up her skirt, pulls out a gun

1708
01:32:55,520 --> 01:32:57,240
Speaker 1: and shoots in the air. You know, as I say,

1709
01:32:57,360 --> 01:33:00,360
Speaker 1: till death till you. That's great. All right, thanks for

1710
01:33:00,439 --> 01:33:03,599
Speaker 1: coming in everyone. We don't take a break again. If

1711
01:33:03,640 --> 01:33:05,000
Speaker 1: you want to check out any of this, If you

1712
01:33:05,040 --> 01:33:07,400
Speaker 1: missed any of this crazy day, please check us out

1713
01:33:07,439 --> 01:33:11,320
Speaker 1: on the replay channel. I Heart Radio Morner the Morning

1714
01:33:11,400 --> 01:33:15,440
Speaker 1: Show's official YouTube channel. Go to YouTube search. Elvi Storanto

1715
01:33:15,720 --> 01:33:20,799
Speaker 1: can subscribe today. Elvie story in the Morning Show, Elvis

1716
01:33:20,840 --> 01:33:24,240
Speaker 1: story in the Morning Show. I have no idea what's

1717
01:33:24,240 --> 01:33:26,040
Speaker 1: gonna happen when we hit Las Vegas for the I

1718
01:33:26,160 --> 01:33:28,679
Speaker 1: Heart Radio Music Festival. I mean, we're already doing shots

1719
01:33:28,760 --> 01:33:31,880
Speaker 1: with French Montana. He's got a full day ahead of it. Man,

1720
01:33:31,960 --> 01:33:33,560
Speaker 1: But he's a big guy. He can handle it. But

1721
01:33:34,520 --> 01:33:38,200
Speaker 1: Stephen Levine, you were talking to French Montana. You guys said, Hey, French,

1722
01:33:38,320 --> 01:33:39,920
Speaker 1: when Elvis is out there for the I Heart Radio

1723
01:33:39,960 --> 01:33:42,599
Speaker 1: Music Festival, will you take him out? He's yesh, my god,

1724
01:33:42,680 --> 01:33:45,160
Speaker 1: he's ready to go going out, I said, because we

1725
01:33:45,240 --> 01:33:47,519
Speaker 1: always we always wind up going back to the hotel.

1726
01:33:47,640 --> 01:33:50,240
Speaker 1: But he's he is down for the challenge. We're gonna

1727
01:33:50,280 --> 01:33:53,559
Speaker 1: party with French. Can you imagine? It's like two people

1728
01:33:53,640 --> 01:33:56,599
Speaker 1: from opposite ends of the universe are going to get

1729
01:33:56,640 --> 01:33:59,120
Speaker 1: together in Las Vegas. But you already love nice jewelry

1730
01:34:00,400 --> 01:34:02,439
Speaker 1: because he want to bring along like Drake or Rick

1731
01:34:02,560 --> 01:34:05,360
Speaker 1: Ross or Little Wayne and then God, and there's like

1732
01:34:05,439 --> 01:34:09,760
Speaker 1: fifty three year old man Els Balding Elvis hanging up

1733
01:34:09,760 --> 01:34:11,960
Speaker 1: with French Montana. What are you eating straight? Made? Is?

1734
01:34:12,479 --> 01:34:14,360
Speaker 1: Oh my god, you need to learn how to handle

1735
01:34:14,400 --> 01:34:20,599
Speaker 1: your liquor. Yeah, Danielle, could I get the snickers come

1736
01:34:20,680 --> 01:34:23,800
Speaker 1: under your desk? Ruined run. So I'm trying to figure

1737
01:34:23,840 --> 01:34:25,680
Speaker 1: out did he need the snickers or did he just

1738
01:34:25,800 --> 01:34:31,040
Speaker 1: need a few moments under your desk. Anyway, It's so

1739
01:34:31,160 --> 01:34:36,080
Speaker 1: funny because I'm like, I'm hanging out with these huge, huge,

1740
01:34:36,160 --> 01:34:39,040
Speaker 1: like rap stars and stuff. I'm like, I'm like this

1741
01:34:39,160 --> 01:34:45,040
Speaker 1: feeble old guy. Like that beautiful about it? You know.

1742
01:34:45,200 --> 01:34:46,560
Speaker 1: I was like, what the hell am I doing? We

1743
01:34:46,680 --> 01:34:49,360
Speaker 1: all have things in common. I mean, these are superstars.

1744
01:34:49,439 --> 01:34:52,680
Speaker 1: I'm like little Radio d J, You're a superstar. No,

1745
01:34:53,880 --> 01:34:55,760
Speaker 1: it's not, that's not what I'm I'm not fishing for that.

1746
01:34:55,920 --> 01:35:00,240
Speaker 1: I'm just talking about the how, you know, from present

1747
01:35:00,360 --> 01:35:02,240
Speaker 1: ends of the spectrum, but we're actually like meeting in

1748
01:35:02,240 --> 01:35:04,679
Speaker 1: the middle. I love how when he was here, Brody

1749
01:35:04,840 --> 01:35:08,640
Speaker 1: is writing me Bronx jokes. You read a few. Let

1750
01:35:08,680 --> 01:35:11,880
Speaker 1: me Let's Bronx joke. Yeah, the boogie down. I'm like, yess,

1751
01:35:11,960 --> 01:35:13,759
Speaker 1: I know that's what it's called. And it goes Frenchy

1752
01:35:13,920 --> 01:35:17,840
Speaker 1: from the Bronx, French from the block. I'm like, no,

1753
01:35:18,040 --> 01:35:22,200
Speaker 1: French from here. Here's my favorite joke from Brody today

1754
01:35:22,240 --> 01:35:26,120
Speaker 1: with French Montana. Here French Montana's hip hop. I'm hip replacement,

1755
01:35:33,080 --> 01:35:35,439
Speaker 1: an old queen, My favorite Brody joke, which is currently

1756
01:35:35,520 --> 01:35:39,519
Speaker 1: hanging in my cube, is when me Lacunas gave birth

1757
01:35:39,720 --> 01:35:41,720
Speaker 1: and he wrote down, did the baby come out of

1758
01:35:41,760 --> 01:35:46,640
Speaker 1: her cunnas? And you've rejected it and through it in

1759
01:35:46,640 --> 01:35:49,920
Speaker 1: the garbage. You know what's kind of funny about Bethany.

1760
01:35:49,960 --> 01:35:53,679
Speaker 1: Other than many things, she keeps a file of things

1761
01:35:53,800 --> 01:35:58,120
Speaker 1: that are said off microphone that can never be repeated.

1762
01:35:58,240 --> 01:36:00,320
Speaker 1: But she usually asked you can I tweet us out?

1763
01:36:00,360 --> 01:36:03,559
Speaker 1: And you say no, you don't even go to that file.

1764
01:36:03,600 --> 01:36:05,519
Speaker 1: What are you doing? She's on her iPhone going to

1765
01:36:05,560 --> 01:36:07,000
Speaker 1: the phone. Don't do that. You can't read these things

1766
01:36:07,040 --> 01:36:10,360
Speaker 1: on the air. You're correct, I mean we when the microphone.

1767
01:36:10,400 --> 01:36:12,280
Speaker 1: This is why I'm saying, we have another show going

1768
01:36:12,320 --> 01:36:15,800
Speaker 1: on here, but it's not legal to put on you know,

1769
01:36:15,920 --> 01:36:21,679
Speaker 1: the radio waves that are yeah, that are being policed

1770
01:36:21,760 --> 01:36:25,360
Speaker 1: by the FCC. Bethany keeps the file on her phone.

1771
01:36:25,479 --> 01:36:29,439
Speaker 1: I keep an audio file of things that that will

1772
01:36:29,520 --> 01:36:31,920
Speaker 1: get you fired, Mr. No, I just hang on to it.

1773
01:36:31,960 --> 01:36:35,519
Speaker 1: It's good stuff. It's fun to listen to. Sometimes. I

1774
01:36:35,560 --> 01:36:37,439
Speaker 1: can't read any of these. I know they're so bad.

1775
01:36:37,520 --> 01:36:41,040
Speaker 1: Can you try to read one of them? Um? I

1776
01:36:41,160 --> 01:36:44,719
Speaker 1: asked you if I could borrow money and you said, hello,

1777
01:36:45,080 --> 01:36:46,840
Speaker 1: how about you use some of that money you made

1778
01:36:46,880 --> 01:36:57,760
Speaker 1: giving blanks on the street lesson. There's the time that

1779
01:36:57,920 --> 01:37:01,280
Speaker 1: Bethany said that summer was almost over, and Elvis's reply was,

1780
01:37:04,400 --> 01:37:07,680
Speaker 1: what we can't say? We can't hear it? You play it?

1781
01:37:07,960 --> 01:37:14,320
Speaker 1: You know, why don't you guys? It's just summer. But

1782
01:37:14,439 --> 01:37:16,880
Speaker 1: that's my point. You know the problem with doing a

1783
01:37:17,000 --> 01:37:21,320
Speaker 1: show on a transmitter is we have to be very

1784
01:37:21,360 --> 01:37:24,120
Speaker 1: careful what he said, because we can lose it all.

1785
01:37:24,200 --> 01:37:26,320
Speaker 1: And there are many people who depend on this show

1786
01:37:26,400 --> 01:37:31,960
Speaker 1: for their livelihood. Give me another one. Oh heavens um,

1787
01:37:32,200 --> 01:37:34,080
Speaker 1: I said, I wonder, so there's a restaurant we love

1788
01:37:34,120 --> 01:37:37,360
Speaker 1: called Charlie Bird. I said, we love Charlie Bird. Yeah,

1789
01:37:37,439 --> 01:37:39,479
Speaker 1: he's I said, I wonder if Charlie Bird delivers to

1790
01:37:39,560 --> 01:37:41,880
Speaker 1: my house and you said, hello, they don't deliver to bitches.

1791
01:37:46,280 --> 01:37:49,400
Speaker 1: This is this is this is pure insight into our relationship.

1792
01:37:49,760 --> 01:37:52,200
Speaker 1: This is my favorite. So at the end of every day,

1793
01:37:52,880 --> 01:37:55,120
Speaker 1: bald Freak Rani comes in with a bunch of commercials

1794
01:37:55,200 --> 01:37:56,920
Speaker 1: that you need to record and sometimes you're not in

1795
01:37:56,960 --> 01:37:58,960
Speaker 1: the movie. He brings in like a stack of fifty

1796
01:37:59,000 --> 01:38:01,320
Speaker 1: commercials every day. Yeah, and you looked at the stack

1797
01:38:01,360 --> 01:38:03,720
Speaker 1: of commercials and you said, oh, blank me. And then

1798
01:38:03,840 --> 01:38:06,320
Speaker 1: Ronnie said, that's everything you didn't do yesterday when you

1799
01:38:06,400 --> 01:38:13,320
Speaker 1: wanted me to blank you. Then the best stuff happens

1800
01:38:13,680 --> 01:38:16,400
Speaker 1: for the microphones are off. I wish we could get

1801
01:38:16,479 --> 01:38:18,479
Speaker 1: ratings on the stuff that happens when we're not on

1802
01:38:18,479 --> 01:38:22,040
Speaker 1: the radio. We meet number one, what are they going

1803
01:38:22,080 --> 01:38:25,240
Speaker 1: to relax the rules they're not. I don't know. I

1804
01:38:25,280 --> 01:38:28,400
Speaker 1: don't know. When they've got a lot of stuff started

1805
01:38:28,479 --> 01:38:32,320
Speaker 1: with what's their names? Boob, Janet Jackson the super Bowl

1806
01:38:32,360 --> 01:38:37,519
Speaker 1: and then um Attorney General of New York State ruined

1807
01:38:37,520 --> 01:38:39,880
Speaker 1: it for everyone and the Spitzer then he turned out

1808
01:38:39,920 --> 01:38:41,800
Speaker 1: to be the biggest scumbag on the planet earth. Think

1809
01:38:41,800 --> 01:38:45,439
Speaker 1: if you've got crap in your closets the other people,

1810
01:38:45,640 --> 01:38:48,120
Speaker 1: that's something. Elliot Spitzer here New York City State, he

1811
01:38:48,320 --> 01:38:51,200
Speaker 1: was the Attorney general and he came after us on

1812
01:38:51,280 --> 01:38:53,200
Speaker 1: the radio for this and that stuff that we didn't do.

1813
01:38:54,120 --> 01:38:58,519
Speaker 1: He turned out to be like the biggest offender of everything. Right,

1814
01:38:58,920 --> 01:39:01,640
Speaker 1: it's always the people who bitch and moan. Who are

1815
01:39:01,680 --> 01:39:04,760
Speaker 1: the people who should be bitched and moaned about? People?

1816
01:39:04,840 --> 01:39:06,840
Speaker 1: Mind their own business. Those are people who don't have

1817
01:39:06,880 --> 01:39:09,000
Speaker 1: anything going on. And the stuff he was accusing us

1818
01:39:09,080 --> 01:39:11,320
Speaker 1: of was far words. I'm always in it, I mean

1819
01:39:11,520 --> 01:39:14,519
Speaker 1: was far better than what was in his closet. Really,

1820
01:39:15,960 --> 01:39:18,400
Speaker 1: I know, all right, we gotta take a break. Can

1821
01:39:18,439 --> 01:39:21,000
Speaker 1: we play another song? Was Spitz? Wait? Was it Spitzer?

1822
01:39:21,080 --> 01:39:25,560
Speaker 1: A Weener? No? We never messed with us. He was.

1823
01:39:25,680 --> 01:39:29,559
Speaker 1: He's a different thing. We are. Never We never got

1824
01:39:29,640 --> 01:39:33,040
Speaker 1: messed with with Weener? What straight? Just tried to do

1825
01:39:33,120 --> 01:39:37,479
Speaker 1: his job. He's drunk? What break? Get it? Wait? Break? Break? Break?

1826
01:39:39,000 --> 01:39:43,960
Speaker 1: He wants us to take a break. Commercial. Okay, the

1827
01:39:44,080 --> 01:39:47,840
Speaker 1: Morning Show's official YouTube channel. Go to YouTube search Elvie

1828
01:39:47,840 --> 01:39:51,559
Speaker 1: Sturanto and subscribe today Elvie string in the Morning Show.

1829
01:39:52,439 --> 01:39:55,599
Speaker 1: I love Litote. It's a fashion subscription box that sends

1830
01:39:55,760 --> 01:39:58,840
Speaker 1: unlimited brand name clothing and accessories right to your door

1831
01:39:58,960 --> 01:40:01,720
Speaker 1: for one low month feet Go to latote dot com

1832
01:40:01,960 --> 01:40:04,040
Speaker 1: to get started for his low at thirty nine dollars

1833
01:40:04,080 --> 01:40:06,640
Speaker 1: a month. Enter promo code Elvis at checkout to get

1834
01:40:07,400 --> 01:40:12,040
Speaker 1: off your first month. Elvis, Elvis durand the Elvis Duran

1835
01:40:12,200 --> 01:40:15,280
Speaker 1: phone Tap. Let her coming into our phone tap headquarters,

1836
01:40:15,280 --> 01:40:18,240
Speaker 1: says dear Elvis, my mother is a nut job. Let's

1837
01:40:18,280 --> 01:40:21,439
Speaker 1: phone tap her, all right, Nicole, we'll do it. Mom

1838
01:40:21,479 --> 01:40:24,519
Speaker 1: would flip out if she found out I wasn't keeping

1839
01:40:24,640 --> 01:40:27,400
Speaker 1: up with my car payments, especially since she's a co

1840
01:40:27,640 --> 01:40:30,799
Speaker 1: signer on the loan. This comes to us from Nicole Lunge.

1841
01:40:31,960 --> 01:40:34,200
Speaker 1: Scary Jones is going to call from the bank informing

1842
01:40:34,439 --> 01:40:38,519
Speaker 1: Nicole's mom, Mrs Lunge, of her daughter's missed payments. Listen,

1843
01:40:38,720 --> 01:40:42,759
Speaker 1: listen in and see how mom reacts to the problem. Hello,

1844
01:40:43,400 --> 01:40:46,760
Speaker 1: Mrs Lugi, Hi, how are you? This is Owen cash

1845
01:40:46,800 --> 01:40:50,479
Speaker 1: from Nervous Bank out of Paramehus, New Jersey. I'm actually

1846
01:40:50,880 --> 01:40:54,280
Speaker 1: one of the brokers here and I handled delinquent accounts.

1847
01:40:55,360 --> 01:40:58,080
Speaker 1: Turns out your daughter is not paying for the jeep

1848
01:40:58,160 --> 01:41:00,880
Speaker 1: Liberty that she has leased. What do you mean she's

1849
01:41:00,920 --> 01:41:03,559
Speaker 1: not paying the jeep liberty? She owes us over four

1850
01:41:04,240 --> 01:41:06,800
Speaker 1: dollars and I just got off the phone with her

1851
01:41:07,080 --> 01:41:10,000
Speaker 1: and she's cursing me out and calling me names. She's

1852
01:41:10,080 --> 01:41:13,640
Speaker 1: over three months overdue on page Really, yes she is?

1853
01:41:14,200 --> 01:41:17,559
Speaker 1: And as co signer? Are you gonna be held accountable here?

1854
01:41:17,720 --> 01:41:20,640
Speaker 1: Mrs Lucy? Not really, but then well I'll call her.

1855
01:41:20,680 --> 01:41:22,679
Speaker 1: I'll get her to pay. Give me a few minutes.

1856
01:41:22,720 --> 01:41:24,400
Speaker 1: Let me talk to her and I'll call you right back.

1857
01:41:24,680 --> 01:41:29,960
Speaker 1: Thank you. All right, perfect setup calling? No, that must

1858
01:41:30,000 --> 01:41:34,760
Speaker 1: be her. Don't answer it? Okay, Hello, Hello, I don't

1859
01:41:34,800 --> 01:41:37,400
Speaker 1: know what Mr Cash calls here? Well, what is this?

1860
01:41:38,000 --> 01:41:41,000
Speaker 1: But didn't pay your call? I guess I have to

1861
01:41:41,040 --> 01:41:42,680
Speaker 1: just check it out. I don't really know. I mean,

1862
01:41:43,360 --> 01:41:46,240
Speaker 1: you don't know. Let me said you evolve and disgusting.

1863
01:41:46,600 --> 01:41:48,519
Speaker 1: Well you know I don't talk this. I have to

1864
01:41:48,560 --> 01:41:52,720
Speaker 1: go pianic cursed this man out. Well you know you know,

1865
01:41:52,880 --> 01:41:56,599
Speaker 1: well I can't. You see you're not a lady Nicole.

1866
01:41:57,000 --> 01:41:59,400
Speaker 1: All right, Well what should I do? Really? Better called

1867
01:41:59,479 --> 01:42:01,960
Speaker 1: back to tell me sorry number one and then say

1868
01:42:02,000 --> 01:42:05,160
Speaker 1: all right, becauld on, hold on, somebody's deeping in. Hold

1869
01:42:05,200 --> 01:42:10,280
Speaker 1: on a minute. Hello, listen, this is Owen Cash. Yes,

1870
01:42:10,800 --> 01:42:12,400
Speaker 1: you have your mom on the phone with us. Yes,

1871
01:42:12,479 --> 01:42:16,719
Speaker 1: I do, Mr Mrs Lugie. You owe us over fourteen

1872
01:42:16,800 --> 01:42:21,120
Speaker 1: hundred dollars. Listen, Mr Owen, Now you're starting, Mr Cash, Well,

1873
01:42:21,520 --> 01:42:24,519
Speaker 1: listen to me. I understand what we owe you. So

1874
01:42:24,720 --> 01:42:28,120
Speaker 1: I'm not being nsty to you. Don't be nasty to me. Okay,

1875
01:42:28,400 --> 01:42:30,920
Speaker 1: can you fax me a copy of the bill. Yeah,

1876
01:42:31,160 --> 01:42:33,080
Speaker 1: I'll fix you a copy. What number would you like

1877
01:42:33,160 --> 01:42:35,080
Speaker 1: me to send that to? All right? But you can't

1878
01:42:35,080 --> 01:42:38,160
Speaker 1: do it tomorrow. Oh, I see how it is. You

1879
01:42:38,240 --> 01:42:41,000
Speaker 1: need just enough time to escape so you dodge your

1880
01:42:41,040 --> 01:42:43,479
Speaker 1: phone calls. That's what it's all about, isn't it. Mrs Lugy,

1881
01:42:43,800 --> 01:42:47,200
Speaker 1: Oh you're listen. You want the money, now, come to

1882
01:42:47,320 --> 01:42:49,840
Speaker 1: my house now, I'll pay you right now. You're not

1883
01:42:50,000 --> 01:42:52,760
Speaker 1: talking to some bimbo. Is it feeding time at the zoo?

1884
01:42:52,800 --> 01:42:56,000
Speaker 1: Because you're acting like an animal. Listen to me, Mr

1885
01:42:56,200 --> 01:42:58,560
Speaker 1: Cash or Mr Owen or Mr whatever your name is.

1886
01:42:58,840 --> 01:43:00,680
Speaker 1: You tell me how you want the famous, and I

1887
01:43:00,760 --> 01:43:03,120
Speaker 1: will pay you, and then I want to talk to

1888
01:43:03,200 --> 01:43:06,000
Speaker 1: your superior. I know your name is Lucky because you're

1889
01:43:06,000 --> 01:43:08,639
Speaker 1: acting like a snot. You tell me how you want

1890
01:43:08,680 --> 01:43:10,439
Speaker 1: to pay, where you want to pay, and then you

1891
01:43:10,560 --> 01:43:13,240
Speaker 1: get me somebody else to talk to beside you. Listen.

1892
01:43:13,560 --> 01:43:16,160
Speaker 1: I don't know what trailer you and your family fell

1893
01:43:16,240 --> 01:43:19,120
Speaker 1: out of, but when you rent stuff to me, buddy,

1894
01:43:19,400 --> 01:43:21,600
Speaker 1: now you're gonna make me start talking from where I

1895
01:43:21,680 --> 01:43:24,360
Speaker 1: really come from. Don't push your luck. Now you get

1896
01:43:24,400 --> 01:43:27,080
Speaker 1: me someone else to talk to. That as a decent

1897
01:43:27,160 --> 01:43:29,040
Speaker 1: swear to talking I don't want to talk to you,

1898
01:43:29,160 --> 01:43:31,880
Speaker 1: Ms Owen. Are you related to Oscar the Grouch because

1899
01:43:31,920 --> 01:43:34,679
Speaker 1: you come from the trash? Can? Can I please speak

1900
01:43:34,760 --> 01:43:39,400
Speaker 1: to someone else beside you? How old one? I'm twenty

1901
01:43:39,439 --> 01:43:42,040
Speaker 1: two Mrs Lugy, but oh I knew it. You're a

1902
01:43:42,040 --> 01:43:44,599
Speaker 1: little snot knows right out of school. Tell me how

1903
01:43:44,640 --> 01:43:46,760
Speaker 1: do you want the money paid? And get off my

1904
01:43:46,920 --> 01:43:49,040
Speaker 1: back right now? How do you want me to pay

1905
01:43:49,120 --> 01:43:52,040
Speaker 1: this money? Mom, don't get admit. I will handle myself.

1906
01:43:52,080 --> 01:43:54,439
Speaker 1: I don't even know why they shut your mouth. MoMA,

1907
01:43:54,439 --> 01:43:56,519
Speaker 1: excuse me, I have to go tanning, so sorry. I

1908
01:43:56,560 --> 01:43:59,479
Speaker 1: don't want and don't want me carus in front of

1909
01:43:59,479 --> 01:44:01,800
Speaker 1: the guy. Okay, this is mine credit. I see the

1910
01:44:01,840 --> 01:44:04,280
Speaker 1: apple doesn't fall too far from the tree. Mrs Lugi

1911
01:44:04,600 --> 01:44:07,160
Speaker 1: has learned how to say the name quite Mr Cash.

1912
01:44:08,040 --> 01:44:11,880
Speaker 1: What's your name Mrs Lugy like like that right? And

1913
01:44:11,960 --> 01:44:16,600
Speaker 1: what's your name? Like an excuse me? You heard me

1914
01:44:16,680 --> 01:44:19,240
Speaker 1: the first Listen. I could be just as dirty as you,

1915
01:44:19,400 --> 01:44:21,680
Speaker 1: so calm down. I can roll with the best of them.

1916
01:44:21,720 --> 01:44:24,599
Speaker 1: Are I don't know who you're dealing with, buddy boy? Okay,

1917
01:44:24,680 --> 01:44:26,519
Speaker 1: I come from the Bronx. And if you want me

1918
01:44:26,600 --> 01:44:29,920
Speaker 1: to talk the way a Jersey ice because you come

1919
01:44:29,960 --> 01:44:34,840
Speaker 1: from New Jersey. You know New Jersey. I don't want

1920
01:44:34,880 --> 01:44:36,519
Speaker 1: to say what I want to say because I'm a lady.

1921
01:44:36,640 --> 01:44:38,519
Speaker 1: Why don't you say it? Because you're not a lady.

1922
01:44:38,560 --> 01:44:41,160
Speaker 1: You're an animal. You're an animal. I'm not an animal.

1923
01:44:41,200 --> 01:44:43,800
Speaker 1: You come from an animal. It's scary Jones Elvis in

1924
01:44:43,840 --> 01:44:48,280
Speaker 1: the Morning Show, you got phone tapped. I'm gonna kill you,

1925
01:44:51,680 --> 01:44:54,960
Speaker 1: kill you. I don't believe this just hasn't on the video.

1926
01:44:55,400 --> 01:44:57,599
Speaker 1: You look scary. I How to do it? Mom? How

1927
01:44:57,680 --> 01:45:03,400
Speaker 1: to do it? I hate this All this tap was

1928
01:45:03,479 --> 01:45:08,160
Speaker 1: prerecorded with permission granted by All Party Space Sturan phone

1929
01:45:08,240 --> 01:45:18,439
Speaker 1: Ta Ellie Sturan in the Morning and the cool thing

1930
01:45:18,479 --> 01:45:24,160
Speaker 1: about having Bixby on this Samsung Galaxy Essay, Yeah, I

1931
01:45:24,200 --> 01:45:28,160
Speaker 1: don't have to like fumble around to find the selfie button.

1932
01:45:28,640 --> 01:45:33,920
Speaker 1: Watch this, Hi, Bigsby take a selfie? No problem? I

1933
01:45:34,080 --> 01:45:39,800
Speaker 1: captured it. Wow. Look took a picture of my pants.

1934
01:45:41,840 --> 01:45:43,560
Speaker 1: They are groovy pant You must agree you have a

1935
01:45:43,600 --> 01:45:46,080
Speaker 1: little Paisley's all over him. I'm gonna tell Bigsby to

1936
01:45:46,120 --> 01:45:47,960
Speaker 1: put them up on the Instagram and we're all done.

1937
01:45:48,800 --> 01:45:52,160
Speaker 1: Does that actually work? You do that. I didn't know that.

1938
01:45:52,200 --> 01:45:54,000
Speaker 1: I don't have no one gives me one to play with. Hey,

1939
01:45:54,040 --> 01:45:56,160
Speaker 1: make sure you listen to the fifteen minute Morning Show

1940
01:45:56,200 --> 01:45:58,400
Speaker 1: podcast later because we're gonna talk about all sorts of

1941
01:45:58,400 --> 01:46:01,360
Speaker 1: smack stuff we can't say on this show we talked

1942
01:46:01,360 --> 01:46:04,240
Speaker 1: about yesterday. No, no, no, no, no. He's gonna getting

1943
01:46:04,280 --> 01:46:08,080
Speaker 1: much better today. Bethany's going to read off the list

1944
01:46:08,160 --> 01:46:10,439
Speaker 1: of things she cannot legally say on our radio show.

1945
01:46:12,080 --> 01:46:15,200
Speaker 1: There you have it, uh, straighten Nate has gone from

1946
01:46:15,280 --> 01:46:18,960
Speaker 1: fun to just a total drip. Sorry I got drunk.

1947
01:46:20,600 --> 01:46:22,880
Speaker 1: Sorry I got drunk. But no, no, don't apologize. You're

1948
01:46:22,920 --> 01:46:25,800
Speaker 1: actually you're you're kind of fantastic, but did not need

1949
01:46:25,880 --> 01:46:27,320
Speaker 1: to chill out more? Is that what you're trying to

1950
01:46:27,360 --> 01:46:29,559
Speaker 1: tell me? Have you noticed he starts speaking in old

1951
01:46:29,840 --> 01:46:35,560
Speaker 1: old lines like earlier, I said, uh, gosh, you know what,

1952
01:46:37,400 --> 01:46:39,800
Speaker 1: lah blah blah, and then then he says, well, you know,

1953
01:46:40,439 --> 01:46:43,040
Speaker 1: we'll cross that bridge when we come to it. Yeah,

1954
01:46:43,439 --> 01:46:45,840
Speaker 1: I said, pure is the driven snow in the other room,

1955
01:46:46,200 --> 01:46:48,519
Speaker 1: he did. He's coming up with what do you call

1956
01:46:48,560 --> 01:46:55,200
Speaker 1: these lines? They're old, old timey metaphors. He said, you

1957
01:46:55,240 --> 01:46:59,000
Speaker 1: know what, you've just got two birds with one stone, right,

1958
01:46:59,439 --> 01:47:01,400
Speaker 1: what do you go to a nap on your Chesterfield?

1959
01:47:01,960 --> 01:47:05,120
Speaker 1: What you know? I know Straightenn has hammered. He's starting

1960
01:47:05,240 --> 01:47:12,320
Speaker 1: to like tweets from six days ago. Yeah, what are

1961
01:47:12,320 --> 01:47:14,559
Speaker 1: you doing that? We got a break. I think it's

1962
01:47:14,600 --> 01:47:17,360
Speaker 1: the time, Okay it is. Just hit the red button.

1963
01:47:17,600 --> 01:47:17,960
Speaker 1: Hit the red