WEBVTT - Let’s Dish! The Evolution of Dinnerware

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<v Speaker 1>My name is Eva Longoria and I am my deraon

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<v Speaker 1>and welcome to Hungry for History, a podcast that explores

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<v Speaker 1>our past and present through food. On every episode, we'll

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<v Speaker 1>talk about the history of some of our favorite dishes, ingredients,

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<v Speaker 1>and beverages from our culture.

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<v Speaker 2>So make yourself at home, even brichel.

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<v Speaker 3>Let me tell you some This next episode is a

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<v Speaker 3>very contentious point in our household because my husband and

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<v Speaker 3>I fight about this all the time that if I

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<v Speaker 3>buy one more dish, one more serving plate, one more

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<v Speaker 3>set of dishes, my.

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<v Speaker 2>Husband's going to divorce me.

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<v Speaker 3>Like I am obset with dinnerware and cops and platters

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<v Speaker 3>and serving spoons, and I love to collect them from.

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<v Speaker 2>All over the world.

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<v Speaker 3>And I go, I got this in China, and I

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<v Speaker 3>got this in Morocco, and I got this cup and

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<v Speaker 3>you know, a vintage store and Leone and Pari, you know,

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<v Speaker 3>and I just I'm obsessed, obsessed dinnerware.

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<v Speaker 2>So I have a bit of an addiction. I am

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<v Speaker 2>a whore. Do you get the whole set or do

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<v Speaker 2>you get pieces? No guess? And now yeah, I mean

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<v Speaker 2>yes and no, it depends.

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<v Speaker 3>I was in Budapest and that one of the most

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<v Speaker 3>beautiful porcelain markets in the world, and so they make

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<v Speaker 3>these beautiful tea sets. So that one I was like,

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<v Speaker 3>I gotta get the set, and same thing and evil.

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<v Speaker 3>So the city of Limoges is like known for porcelain.

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<v Speaker 3>It's just so beautiful. I was like, I gotta get

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<v Speaker 3>the set. I love champagne coops and usually vintage ones.

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<v Speaker 3>There's one at a flea market, and so I have

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<v Speaker 3>a big collection of like these mismatched champagne coops and

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<v Speaker 3>somewhere are tiny, like they used to drink very They

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<v Speaker 3>must have been smaller humans back then, because like in

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<v Speaker 3>the Great Gatsby era, they're just like have these.

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<v Speaker 2>Beautiful designs on the outside.

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<v Speaker 3>I collect a lot of coffee cups, you know, and

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<v Speaker 3>again usually they're tiny because back then we didn't have

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<v Speaker 3>the mugs, right, it was different, much much different.

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<v Speaker 2>Do you do you collect dinnerware?

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<v Speaker 4>I do love dinnerware. I do, I do love. I

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<v Speaker 4>definitely don't collect like you do. Yeah, like at all,

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<v Speaker 4>but only because I think my husband would divorce me.

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<v Speaker 4>He'd be like, it's either me or the dinner. But

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<v Speaker 4>my dad had an obsession with dinnerware, and so my

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<v Speaker 4>mom has like so much, and my parents used to

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<v Speaker 4>entertain all the time when I was growing up. It

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<v Speaker 4>is there is just something very beautiful about it. How

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<v Speaker 4>did you start? How did how did this obsession start?

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<v Speaker 2>That's a good question.

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<v Speaker 3>I don't know, but I but you know, my aunt

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<v Speaker 3>was a caterer and so I had to work.

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<v Speaker 2>For her company sometimes.

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<v Speaker 3>And so just like the way she presented food on

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<v Speaker 3>a table, mostly because you know, she was paid to

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<v Speaker 3>make it really beautiful, beautiful, that just stuck with me,

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<v Speaker 3>Like your table setting should be telling a story. And

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<v Speaker 3>I think the story of a plate is so powerful

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<v Speaker 3>where it came from the history of Like if you

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<v Speaker 3>think of talavea from Mexico and you think of like

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<v Speaker 3>it's porcelain from China to France to Budapest. You know,

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<v Speaker 3>it's just I don't know. A plate isn't just serving food,

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<v Speaker 3>it's serving a story. It's such a good conversation starter.

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<v Speaker 3>When people sit down they go, oh my god, this

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<v Speaker 3>is beautiful, and I go, oh my god, let me

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<v Speaker 3>tell you where I got it.

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<v Speaker 2>Let me tell you. Yeah.

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<v Speaker 3>It's like an entryway into a cultural story, you know.

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<v Speaker 3>And it's funny because it's not just functional. When people

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<v Speaker 3>have their own plate. It's this personal boundary. It's like

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<v Speaker 3>this is mine and that one's yours. So there's a

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<v Speaker 3>history of like how it redefined hygiene and etiquette and identity.

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<v Speaker 2>And the rise of the individual. Yes, the rise of

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<v Speaker 2>the individual.

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<v Speaker 3>You know, we talked about this in a previous episode

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<v Speaker 3>of like Louis the fourteenth having such an impact on

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<v Speaker 3>coursing out and stop having a buffet and everything at

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<v Speaker 3>once and eating with your hands. Like there's now there's cutlery,

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<v Speaker 3>and now there's classic culture, and so for me, all

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<v Speaker 3>of it is so fascinating, but just the patterns and

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<v Speaker 3>how things are made, and anytime there's like a new

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<v Speaker 3>discovery of like whether somebody found a mummy, and I'm like,

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<v Speaker 3>is there a cup in there?

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<v Speaker 2>Like I want to see it. I want to see

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<v Speaker 2>did they put any dishes in there?

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<v Speaker 4>Yeah?

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<v Speaker 2>In there. There was an exhibit at.

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<v Speaker 3>The Getty or here at Latin, I can't remember, but like,

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<v Speaker 3>you know, everybody's looking at all this art and I'm

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<v Speaker 3>just searching for like where's the pottery, where's the dish?

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<v Speaker 3>What did they eat out of? What did they cook

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<v Speaker 3>out of? I'm always I'm always drawn to that more

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<v Speaker 3>than the painting.

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<v Speaker 4>I love you know, all of it. But I agree

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<v Speaker 4>when there's like or even like shards of pottery, it's like,

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<v Speaker 4>oh what was and then what was in the mummy stomachs?

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<v Speaker 4>Like what were they eating? What was served on this?

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<v Speaker 2>Like that stuff. I just love the stories.

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<v Speaker 4>Behind it and and like everything, right, like what we

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<v Speaker 4>do with this podcast.

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<v Speaker 2>It's all about food and storytelling.

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<v Speaker 4>But we haven't really talked about the plates, the dishes,

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<v Speaker 4>the cutlaw water.

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<v Speaker 2>I know, but what like what came first, the plate

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<v Speaker 2>or the bowl? That's like a question. I would have

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<v Speaker 2>to think it was the bowl, right, It was definitely

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<v Speaker 2>the bowl. Oh god ding ding.

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<v Speaker 3>I would think of the bowl just because it was

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<v Speaker 3>like a probably an evolution of a cup, right that

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<v Speaker 3>like held water Like that was really our sustenance was

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<v Speaker 3>like to be able to drink water.

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<v Speaker 4>Yeah, and these are things like the plate is so ordinary, right,

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<v Speaker 4>we don't really think about it, but it.

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<v Speaker 2>Didn't even knew all the time.

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<v Speaker 4>Yeah, me too, And this is why this is why

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<v Speaker 4>we do this, because this is the stuff that keeps

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<v Speaker 4>us up at night.

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<v Speaker 2>Well, what came first?

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<v Speaker 3>The plate of the bowl, this is what keeps us

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<v Speaker 3>up at.

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<v Speaker 4>So but for thousands of years people ate from shared bowls, right,

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<v Speaker 4>so it's really different. Bolts are ancient, they're communal, they

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<v Speaker 4>hold liquids and grains and then and then plates evolved

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<v Speaker 4>later from surfaces like bread or wood into symbols of

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<v Speaker 4>individual status and food separation. Right, So, going way, way

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<v Speaker 4>way back to the prehistoric era, like before ten thousand BC,

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<v Speaker 4>people use shells or gourds.

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<v Speaker 2>Or my birthday this year, I'm doing the Camino the Santiago.

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<v Speaker 3>Oh wow, the s pinhole of that pilgrimage to the

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<v Speaker 3>church is a big scallop shell. Yeah, so that's all

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<v Speaker 3>that they would take is this clamshell to drink water

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<v Speaker 3>on the way.

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<v Speaker 2>That's so cool that you're doing that. That's I've been

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<v Speaker 2>one to do that forever.

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<v Speaker 4>That's like, and you're going to you take this along

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<v Speaker 4>the way and that's where you're going to be drinking from.

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<v Speaker 2>Yeah, you take it. You take your own.

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<v Speaker 3>You know, they seldom now, it's very it's very touristy.

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<v Speaker 3>But you clip it onto your backpack and you just

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<v Speaker 3>have the shell.

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<v Speaker 2>And then they have places all along the Camino for

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<v Speaker 2>you to get water and you drink from your shell.

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<v Speaker 2>That's so beautiful. That's so beautiful. Right now I'm doing

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<v Speaker 2>the baby one.

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<v Speaker 3>I'm not doing like the thirty day, eight thousand kilometer one.

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<v Speaker 2>I'm doing like the five days. Might do the three day.

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<v Speaker 4>That's steps in and just being part of this pilgrimage,

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<v Speaker 4>being part of something that's so much bigger than you,

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<v Speaker 4>that people have done for so many years.

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<v Speaker 3>And that's just that's simple of that Camino. Is this

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<v Speaker 3>boble the shell? Yeah, bowl shell up?

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<v Speaker 4>Yeah, yeah, this this yeah, exactly the bullshell, that's the

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<v Speaker 4>same thing. But this idea, you know, we're this idea

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<v Speaker 4>of the ceramic bowl. We see in places like China,

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<v Speaker 4>like the earliest ceramic bowls not just the shell or

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<v Speaker 4>the gourd seed in Japan and China and the Czech

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<v Speaker 4>Republic to serve foods that were boiled, not baked, and stews,

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<v Speaker 4>you know, dominated the diet. So this idea, when we

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<v Speaker 4>start seeing first ceramic bulls, it's when people started settling down.

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<v Speaker 4>So when we look at early pottery, we see the

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<v Speaker 4>story of humans settling and then having ceramic vessels meant

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<v Speaker 4>that people were staying put and they were storing food

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<v Speaker 4>and they were also boiling and making stews, and they

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<v Speaker 4>were transforming grains and legomes in different ways, right in

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<v Speaker 4>a way that roasting and you know, putting it on

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<v Speaker 4>a fire just sort of couldn't do. And so you

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<v Speaker 4>were talking about when you were describing your beautiful coop

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<v Speaker 4>glasses that are just so beautiful. Some of this early

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<v Speaker 4>ceramics is decorative. So early on especially there's this really

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<v Speaker 4>interesting like Japanese ceramics called Jomu ceramics, is that it's ornate,

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<v Speaker 4>like they would take ropes and press onto the clay.

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<v Speaker 4>So from early on there's this idea of function but

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<v Speaker 4>also of aesthetics.

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<v Speaker 3>So wait before we get started, because I know, I

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<v Speaker 3>feel like I always get confused with like what came

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<v Speaker 3>purst the chicken or the egg, what came first? Pottery

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<v Speaker 3>versus porcelain versus stone, you know, stoneware, So what are

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<v Speaker 3>the like I guess what came first?

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<v Speaker 2>And how you make dinnerware?

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<v Speaker 4>So the early so the big picture is like you know, pottery,

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<v Speaker 4>when we're talking about all of these things, the umbrella

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<v Speaker 4>different the umbrella, but there's different types. So the different

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<v Speaker 4>types of clays depending on what is available. So the

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<v Speaker 4>main three types are earthenware stoneware and porcelain, and they're

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<v Speaker 4>very different. So earthenware is fired at a low temperature.

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<v Speaker 4>So this is when we think of our like clay

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<v Speaker 4>like like our like like a barrel.

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<v Speaker 2>Right, it's it's fired at.

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<v Speaker 4>A low temperature, and low is still pretty hot, like

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<v Speaker 4>seventeen hundred to twenty one hundred degrees fahrenheit.

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<v Speaker 2>So puce it's fired out, still not baking. That's low.

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<v Speaker 2>You're noting, No, no, you're not. You're not baking it out.

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<v Speaker 4>That's low. So because it's low. For clay, that's low,

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<v Speaker 4>it's a little bit porous, and it needs to be

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<v Speaker 4>glazed in order to hold liquids. And so this is

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<v Speaker 4>more of like bar it's kind of like an earth tone.

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<v Speaker 4>And then we have stoneware that's higher, that's fired at

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<v Speaker 4>a higher temperature between twenty one ninety and twenty three

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<v Speaker 4>eighty degrees fahrenheit. And this is dense and super hard

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<v Speaker 4>and much more durable. It's it doesn't it holds liquids

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<v Speaker 4>without holding, without needing a glaze, and it's much more resistant.

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<v Speaker 4>And this we see for mogs, for baking dishes, for dinnerware.

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<v Speaker 4>It's solid, it's kind of it's called stoneware because it's

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<v Speaker 4>solid like a like stone almost, and porcelain is even

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<v Speaker 4>though porcelain is translucent and it's beautiful and it's white

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<v Speaker 4>and it's thin, it's the most durable of all of it.

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<v Speaker 4>This is fired super hot, you know, twenty three eighty

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<v Speaker 4>one to two hundred and twenty four to fifty five

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<v Speaker 4>degrees fahrenheit. It's super hard, it's super dense, it's non porous,

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<v Speaker 4>it's white, it's smooth, it's so thin, it's almost translucent.

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<v Speaker 4>Sometimes it looks like paper thing, like it's so delicate,

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<v Speaker 4>but it's super strong.

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<v Speaker 3>Seems it seems like it would be the most delicate one,

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<v Speaker 3>but it's not.

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<v Speaker 2>It's the strongest one. It's the strongest one.

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<v Speaker 4>And this is like fine China tea sets like decorage, Like.

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<v Speaker 2>Why do we call it China? Are we going to

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<v Speaker 2>call it China?

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<v Speaker 4>Because porcelain came from China, originally came from China, So

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<v Speaker 4>this is why now we call it, you know, China.

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<v Speaker 3>But I will say, will people wonder why the porcelain,

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<v Speaker 3>you know, pottery is the most expensive, And it's because

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<v Speaker 3>it's harder to work with.

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<v Speaker 2>I was amply my travels in Limo.

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<v Speaker 3>You know, I'm obsessed with Limoje because they have the

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<v Speaker 3>best person in the world and there's this brand that

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<v Speaker 3>I love, been a dog. They just have such a

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<v Speaker 3>beautiful They've been around since like eighteen sixty three and

0:12:21.800 --> 0:12:25.680
<v Speaker 3>it's just this Le Meisson de ben adult and so

0:12:25.880 --> 0:12:30.920
<v Speaker 3>it's actually no since seventeen sixty eight. And this woman

0:12:31.200 --> 0:12:34.280
<v Speaker 3>discovered this like malleable type of white clay.

0:12:34.840 --> 0:12:35.760
<v Speaker 2>She just discovered this.

0:12:35.720 --> 0:12:39.040
<v Speaker 3>Malleable type of white clay and she decided to use

0:12:39.080 --> 0:12:42.400
<v Speaker 3>it to get grease spots from her household linens. And

0:12:42.440 --> 0:12:47.280
<v Speaker 3>then people realize like, oh, you know, it's actually this

0:12:47.600 --> 0:12:50.800
<v Speaker 3>ingredient that Chinese have been using for centuries that make porcelain.

0:12:51.040 --> 0:12:55.320
<v Speaker 3>And so the saga of Limoges porcelain like began and

0:12:55.400 --> 0:12:57.480
<v Speaker 3>in like seventeen seventies.

0:12:57.400 --> 0:12:59.959
<v Speaker 4>And we have a whole section of porcelain coming up.

0:13:00.120 --> 0:13:02.520
<v Speaker 4>I'm obsessed with I'm obsessed with it.

0:13:02.600 --> 0:13:04.920
<v Speaker 3>And then we're going to Lyon in June for searching

0:13:04.960 --> 0:13:07.160
<v Speaker 3>for France, and I'm like, I'm going to buy an

0:13:07.360 --> 0:13:10.880
<v Speaker 3>entire set of this. They have Louis the four, they

0:13:10.920 --> 0:13:13.079
<v Speaker 3>have all the replicas of like this is what Louis.

0:13:13.200 --> 0:13:16.520
<v Speaker 2>This is the patterns from Louis the fourteenth. This was

0:13:16.520 --> 0:13:18.600
<v Speaker 2>the pattern that was served in seventeen eighty.

0:13:18.679 --> 0:13:22.280
<v Speaker 3>Like they have all the rep they really make them,

0:13:22.280 --> 0:13:24.200
<v Speaker 3>but like you could get the same pattern that they.

0:13:24.120 --> 0:13:24.720
<v Speaker 2>Used to use.

0:13:24.800 --> 0:13:29.640
<v Speaker 3>Those are the categories earthen stoneware, earthenware, stoneware, and porcelain.

0:13:29.960 --> 0:13:31.040
<v Speaker 2>Those are the three things.

0:13:31.040 --> 0:13:33.720
<v Speaker 3>But I guess let's start at the beginning, because early

0:13:33.840 --> 0:13:39.040
<v Speaker 3>pottery tells us so much about settlement, about migration, about cooking.

0:13:39.280 --> 0:13:43.960
<v Speaker 3>I mean, all the archaeologists have uncovered so many things

0:13:43.960 --> 0:13:49.000
<v Speaker 3>about human evolution because of pottery discoveries totally.

0:13:49.080 --> 0:13:52.480
<v Speaker 4>I mean, we could trace when people went from being

0:13:52.640 --> 0:13:57.319
<v Speaker 4>hunter gatherers to being in agricultural societies because they were

0:13:57.360 --> 0:14:00.120
<v Speaker 4>sitting down, they were cooking, they were boiling, there were

0:14:00.160 --> 0:14:03.200
<v Speaker 4>eating and this is and they needed plates to cut

0:14:03.320 --> 0:14:05.319
<v Speaker 4>meat on because it's much easier to do on a

0:14:05.360 --> 0:14:08.160
<v Speaker 4>flat service and a rounded one. So even just from

0:14:08.200 --> 0:14:11.080
<v Speaker 4>those those shards of plates that we see in museums,

0:14:11.360 --> 0:14:16.000
<v Speaker 4>it really tells us so much about civilization and going

0:14:16.040 --> 0:14:19.160
<v Speaker 4>back to ancient Mesopotamia, Egypt, China in this valley, like

0:14:19.280 --> 0:14:23.920
<v Speaker 4>dinnerware played roles and rituals and festivals and funerary offerings.

0:14:24.360 --> 0:14:28.120
<v Speaker 4>Ancient Egyptians placed plates in their tombs. We see the

0:14:28.160 --> 0:14:32.360
<v Speaker 4>same thing in Mesoamerica. Mayan vessels for hot chocolate have

0:14:32.480 --> 0:14:36.200
<v Speaker 4>been found in funerary contexts and plates to hold them.

0:14:36.200 --> 0:14:40.240
<v Speaker 4>A list like this is you know, the fact that

0:14:40.280 --> 0:14:45.760
<v Speaker 4>a plate could magically serve food forever in the afterlife

0:14:45.880 --> 0:14:48.960
<v Speaker 4>is something so profound I can.

0:14:48.920 --> 0:14:50.560
<v Speaker 2>Do with the other what those as well?

0:14:50.600 --> 0:14:54.680
<v Speaker 3>We kind of push, Yeah, that's true, an alter assuming

0:14:55.040 --> 0:14:58.840
<v Speaker 3>our ancestors will be fed their favorite things like we

0:14:58.960 --> 0:14:59.920
<v Speaker 3>put it in dinnerware.

0:15:00.800 --> 0:15:02.920
<v Speaker 4>Yeah, that's true. It's the same thing. It's just the

0:15:02.960 --> 0:15:06.760
<v Speaker 4>modern version of it. And it's just it's so beautiful.

0:15:06.760 --> 0:15:10.760
<v Speaker 4>And I think this idea of the shift from utilitarian

0:15:11.440 --> 0:15:15.200
<v Speaker 4>two decorative. And even though some early pottery, like the

0:15:15.280 --> 0:15:18.800
<v Speaker 4>Jaman pottery in Japan, is really that some of the

0:15:18.840 --> 0:15:22.080
<v Speaker 4>oldest pottery is really kind of decorative, like they would

0:15:22.120 --> 0:15:26.320
<v Speaker 4>press rope on the clay to just make these interesting

0:15:26.440 --> 0:15:30.600
<v Speaker 4>surface areas. It wasn't until the ancient Greeks between the

0:15:30.640 --> 0:15:34.040
<v Speaker 4>seventh and fourth centuries BC that they started introducing this

0:15:34.280 --> 0:15:37.640
<v Speaker 4>red figure and black figure pottery and this sort of

0:15:37.760 --> 0:15:42.200
<v Speaker 4>revolutionized ceramic. They made plates and bulls and drinking cups,

0:15:42.240 --> 0:15:45.880
<v Speaker 4>and they adorned them with stories. So it was just

0:15:46.000 --> 0:15:50.600
<v Speaker 4>this story like utilitarian storytelling. They would have scenes from mythology,

0:15:50.600 --> 0:15:54.720
<v Speaker 4>from daily life and just like you know, heroic epics,

0:15:54.800 --> 0:15:59.280
<v Speaker 4>and so they were tools for artistic expression. And we

0:15:59.360 --> 0:16:03.640
<v Speaker 4>actually see the names of the artists and you know,

0:16:03.920 --> 0:16:07.880
<v Speaker 4>just drawn onto these plates. And some of them are

0:16:07.960 --> 0:16:10.920
<v Speaker 4>so interesting. There are some Greek plates. I don't know

0:16:10.960 --> 0:16:13.640
<v Speaker 4>if you've seen these. Spaghetty Villa here in Los Angeles

0:16:13.640 --> 0:16:15.720
<v Speaker 4>has them, that met in New York has them as well.

0:16:15.760 --> 0:16:19.880
<v Speaker 4>But there are these plates that have fish painted on it,

0:16:19.920 --> 0:16:23.200
<v Speaker 4>and they have this little indentation in the center, so

0:16:23.240 --> 0:16:26.920
<v Speaker 4>they held fish and then the little indentation held some.

0:16:26.800 --> 0:16:29.840
<v Speaker 2>Sort of sauce. So they were beautiful, but they were functional.

0:16:29.920 --> 0:16:32.520
<v Speaker 4>They told a story and so you could take your

0:16:32.560 --> 0:16:34.360
<v Speaker 4>fish and dip it into the sauce.

0:16:35.000 --> 0:16:37.600
<v Speaker 2>They their Greek. Those are Greek.

0:16:38.400 --> 0:16:42.600
<v Speaker 4>And then the Romans made another shift because they started

0:16:42.960 --> 0:16:45.840
<v Speaker 4>mass producing plates by using molds.

0:16:46.320 --> 0:16:48.760
<v Speaker 2>So it was the beginning.

0:16:48.320 --> 0:16:54.360
<v Speaker 4>Of the shift towards this democratization of dinnerware that foreshadowed

0:16:54.480 --> 0:16:57.880
<v Speaker 4>the industrialisions by by like a really really long time.

0:16:58.360 --> 0:17:02.640
<v Speaker 4>So they were doing glass, also making silver bowls and plates,

0:17:03.120 --> 0:17:07.840
<v Speaker 4>and the silver is interesting because they had stamped.

0:17:08.000 --> 0:17:10.160
<v Speaker 2>They had the weight.

0:17:10.000 --> 0:17:14.600
<v Speaker 4>Of the silver stamp onto the stamped onto the vessel.

0:17:14.680 --> 0:17:17.440
<v Speaker 4>This is like make and sometimes also with the maker's mark.

0:17:17.560 --> 0:17:20.280
<v Speaker 4>So this idea of oh, yeah, this is my silver

0:17:20.640 --> 0:17:23.280
<v Speaker 4>plate and it has the weight on it.

0:17:23.800 --> 0:17:27.960
<v Speaker 3>Right. Silver and gold obviously was used in dinnerware as well,

0:17:28.600 --> 0:17:31.120
<v Speaker 3>but that's not technically pottery, right.

0:17:31.400 --> 0:17:34.679
<v Speaker 4>That's not technically pottery, no, but it also shows you know,

0:17:34.720 --> 0:17:37.240
<v Speaker 4>there's just that there were different types depending on the

0:17:37.280 --> 0:17:40.040
<v Speaker 4>on the on the status, right, and the gold ones

0:17:40.080 --> 0:17:41.800
<v Speaker 4>were used more ceremonial.

0:17:42.240 --> 0:17:45.560
<v Speaker 2>Silver was more the ones that the that the elite

0:17:46.080 --> 0:17:47.080
<v Speaker 2>would would eat.

0:17:47.000 --> 0:17:51.280
<v Speaker 3>Right, and elite households that had individual plates and cups.

0:17:51.320 --> 0:17:53.879
<v Speaker 3>But for the most part in this time and in

0:17:53.960 --> 0:17:58.119
<v Speaker 3>ancient Mesopotamia and Greece and Egypt, and they were still

0:17:58.720 --> 0:18:01.120
<v Speaker 3>eating communally shared bolds.

0:18:01.359 --> 0:18:05.480
<v Speaker 5>Regular like most people, regular people, and I would assume

0:18:05.520 --> 0:18:08.120
<v Speaker 5>in medieval Europe it was still this way.

0:18:08.240 --> 0:18:11.440
<v Speaker 3>Yes, Like when did the shift happen from this communal

0:18:11.520 --> 0:18:14.320
<v Speaker 3>dining to individual place settings.

0:18:14.800 --> 0:18:17.600
<v Speaker 2>Yeah, it took it took a really really long time.

0:18:17.640 --> 0:18:21.719
<v Speaker 4>So medieval Europe people still didn't use individual plates. They

0:18:21.720 --> 0:18:25.760
<v Speaker 4>would serve food on trenchers, which were like slices of

0:18:25.880 --> 0:18:29.800
<v Speaker 4>bread that absorb sauces, or they would have shared bowls

0:18:29.880 --> 0:18:33.000
<v Speaker 4>or you know, wooden boards, and then after the meal,

0:18:33.200 --> 0:18:36.720
<v Speaker 4>the bread would be eaten or given away to the poor,

0:18:36.760 --> 0:18:41.240
<v Speaker 4>and sort of dining was still communal, and it sort

0:18:41.240 --> 0:18:46.040
<v Speaker 4>of started shifting between the thirdteenth and fourteenth century when

0:18:46.040 --> 0:18:49.480
<v Speaker 4>we start seeing pewter. So there's still pottering among them,

0:18:49.960 --> 0:18:53.399
<v Speaker 4>but pewter among the wealthier classes. And pewter is an

0:18:53.440 --> 0:18:58.159
<v Speaker 4>alloy of tin, and it could be molded into beautiful.

0:18:57.880 --> 0:19:01.760
<v Speaker 2>Shapes, but it had lead, I know, so it had

0:19:01.840 --> 0:19:02.600
<v Speaker 2>health risks.

0:19:02.640 --> 0:19:05.159
<v Speaker 4>But still among the super wealthy, they were like, whatever,

0:19:05.200 --> 0:19:07.440
<v Speaker 4>something's gonna kill me, right, So they were just they.

0:19:07.320 --> 0:19:12.080
<v Speaker 2>Were still it remained dominant material. They had short life spins.

0:19:12.440 --> 0:19:15.520
<v Speaker 2>They did, they did, they did. But there was a

0:19:15.760 --> 0:19:19.240
<v Speaker 2>shift porcelain fever. I still have porcelain fever.

0:19:19.560 --> 0:19:23.480
<v Speaker 3>So there was a big Europe went crazy for porcelain,

0:19:23.520 --> 0:19:25.880
<v Speaker 3>but it was China that developed it, right.

0:19:26.320 --> 0:19:30.840
<v Speaker 4>China developed it, you know, beginning around the seventh eighth century,

0:19:31.400 --> 0:19:34.840
<v Speaker 4>that during the Tang dynasty. But yeah, Europe went sort

0:19:34.920 --> 0:19:40.000
<v Speaker 4>of completely cuckoo over over porcelain. So they developed it.

0:19:40.119 --> 0:19:42.760
<v Speaker 4>They perfected it later between the fifteenth and eighteenth and

0:19:42.800 --> 0:19:46.280
<v Speaker 4>seventeenth centuries, and we talked about porcelain was just so

0:19:46.400 --> 0:19:50.359
<v Speaker 4>durable and so amazing. It started to it was the

0:19:50.359 --> 0:19:54.879
<v Speaker 4>opposite of Europe's heavy ceramics or metals. And by the

0:19:54.960 --> 0:19:59.040
<v Speaker 4>fifteenth and sixteenth century, no, it was across Europe. They

0:19:59.160 --> 0:20:02.240
<v Speaker 4>really just wan their hands on this porcelain. They competed

0:20:02.960 --> 0:20:05.359
<v Speaker 4>all over Europe. They competed to get it, and it

0:20:05.400 --> 0:20:08.159
<v Speaker 4>was transported along the Silk Road and later you know,

0:20:08.240 --> 0:20:09.520
<v Speaker 4>by sea.

0:20:09.640 --> 0:20:10.960
<v Speaker 2>And it was.

0:20:11.800 --> 0:20:15.320
<v Speaker 3>The kalin, which is that what it's called, the clay,

0:20:15.560 --> 0:20:18.840
<v Speaker 3>So the porcela is made of this refined clay called kalin.

0:20:19.280 --> 0:20:22.280
<v Speaker 3>Is it native to some place or can kaylin be

0:20:22.320 --> 0:20:23.240
<v Speaker 3>found anywhere?

0:20:23.800 --> 0:20:26.840
<v Speaker 4>It can't be found anywhere. But for a very very

0:20:26.880 --> 0:20:30.399
<v Speaker 4>long time it was. It was only only China was

0:20:30.440 --> 0:20:34.600
<v Speaker 4>making it right, and so European alchemists were like, what

0:20:34.640 --> 0:20:35.880
<v Speaker 4>the hell is this?

0:20:36.080 --> 0:20:36.840
<v Speaker 2>Because it was.

0:20:37.000 --> 0:20:41.240
<v Speaker 4>So durable, it's translucent, it doesn't scratch, it's stunningly beautiful.

0:20:41.720 --> 0:20:45.120
<v Speaker 4>So they were trying to replicate it like for many

0:20:45.280 --> 0:20:48.200
<v Speaker 4>you know, for hundreds of years, they would mix eggshells

0:20:48.560 --> 0:20:51.520
<v Speaker 4>and marble dust and mother of pearl and they would,

0:20:51.600 --> 0:20:54.000
<v Speaker 4>you know, buried underground and it was like this whole

0:20:54.000 --> 0:20:56.199
<v Speaker 4>they were trying to replicate this. They thought it was

0:20:56.320 --> 0:21:00.320
<v Speaker 4>just magical because it was just so beautiful. And then

0:21:00.359 --> 0:21:04.160
<v Speaker 4>it wasn't until the early seventeenth century that Germany found

0:21:04.240 --> 0:21:08.480
<v Speaker 4>kalin deposits in Germany, that's the first time that they

0:21:08.520 --> 0:21:11.080
<v Speaker 4>found it. So that's paved the way for a porcelain

0:21:11.119 --> 0:21:16.920
<v Speaker 4>manufacturer called Masin Porcelain. France followed at Vincennes and then

0:21:17.080 --> 0:21:21.240
<v Speaker 4>sev and these were championed by people like Madame de Pompadour,

0:21:22.040 --> 0:21:25.119
<v Speaker 4>and they were making a different type of porcelain, that

0:21:25.359 --> 0:21:29.240
<v Speaker 4>soft paste porcelain, which doesn't have kalin, but it became

0:21:29.600 --> 0:21:32.680
<v Speaker 4>just legendary, the self porcelain. I'm obsessed with self porcelain

0:21:32.720 --> 0:21:37.240
<v Speaker 4>because it's just it's so beautiful. It's like they have stories,

0:21:37.240 --> 0:21:40.120
<v Speaker 4>they have little flowers and little cupid and then they're

0:21:40.200 --> 0:21:44.159
<v Speaker 4>known for their like pinks and blues and greens, and

0:21:44.200 --> 0:21:47.679
<v Speaker 4>it's just so beautiful gilding. It's just so elaborate. But

0:21:47.840 --> 0:21:52.520
<v Speaker 4>they started making these coordinated dinner service a soup plate,

0:21:52.600 --> 0:21:55.800
<v Speaker 4>a fish plate, a dessert plate, charger plates like each

0:21:55.920 --> 0:21:58.199
<v Speaker 4>plate for a specific.

0:21:57.760 --> 0:22:01.520
<v Speaker 2>Course and this idea of owning.

0:22:01.320 --> 0:22:05.919
<v Speaker 4>A full service of porcelain was not just functional, It

0:22:05.960 --> 0:22:10.080
<v Speaker 4>wasn't just about eating. It was this display of taste

0:22:10.280 --> 0:22:13.520
<v Speaker 4>and refinement. So we start seeing this idea of taste

0:22:14.080 --> 0:22:18.600
<v Speaker 4>go hand in hand with the beautiful table, right, So.

0:22:18.840 --> 0:22:22.600
<v Speaker 3>Then you know I'm obsessed with limoj So then France

0:22:23.240 --> 0:22:27.120
<v Speaker 3>finally discovered Kaylin Depause's near Limoje in seventeen sixty eight.

0:22:27.680 --> 0:22:28.200
<v Speaker 2>Many of my.

0:22:28.200 --> 0:22:32.359
<v Speaker 3>Favorite mason the porcelains are are in Limos, and I

0:22:32.359 --> 0:22:34.000
<v Speaker 3>didn't know they had found the clay.

0:22:34.000 --> 0:22:35.679
<v Speaker 2>I thought, like, they've just shipped in clay and they

0:22:35.760 --> 0:22:36.800
<v Speaker 2>just made it better.

0:22:36.920 --> 0:22:39.240
<v Speaker 3>This is why now Limos is so known for it,

0:22:39.280 --> 0:22:41.760
<v Speaker 3>because this clay is a little it's a little different.

0:22:42.240 --> 0:22:45.920
<v Speaker 4>So yet once they founded at Limoje, this was a

0:22:46.040 --> 0:22:50.760
<v Speaker 4>rival to imported Chinese porcelain, right, it just changed everything.

0:22:50.920 --> 0:22:55.000
<v Speaker 4>They also founded in England, so there's a Chelsea porcelain.

0:22:55.440 --> 0:22:59.800
<v Speaker 4>So but that's pretty much it's Germany, England and France.

0:23:00.320 --> 0:23:03.719
<v Speaker 4>I believe those are the only countries in European.

0:23:04.320 --> 0:23:07.040
<v Speaker 2>Yeah. Yeah, and the US has summit in Georgia.

0:23:07.600 --> 0:23:11.560
<v Speaker 3>But you know, yes, the US has some Klan, a

0:23:11.720 --> 0:23:15.880
<v Speaker 3>major belt of high quality Kailin is found along the

0:23:15.920 --> 0:23:18.880
<v Speaker 3>Fall line in like Middle Georgia in the United States.

0:23:19.000 --> 0:23:21.560
<v Speaker 2>That's fascinating.

0:23:22.000 --> 0:23:32.679
<v Speaker 5>Yes, that is crazy Kailin.

0:23:33.119 --> 0:23:37.640
<v Speaker 3>It comes from the Chinese gauling, which means a high ridge.

0:23:37.680 --> 0:23:40.640
<v Speaker 3>I don't know, so I guess that's like what created

0:23:40.680 --> 0:23:45.480
<v Speaker 3>this place, like it was a high something Kaylin Helen.

0:23:46.000 --> 0:23:49.080
<v Speaker 3>But anyway, I'm obsessed with Limos. Everybody in France knows.

0:23:49.200 --> 0:23:52.280
<v Speaker 3>They make fun of me because Limoj only has porcelain industry.

0:23:54.160 --> 0:23:57.560
<v Speaker 3>But it's interesting because they made this discovery in France

0:23:57.600 --> 0:24:00.720
<v Speaker 3>about in seventeen, you know, sixties, which was like French

0:24:00.760 --> 0:24:04.840
<v Speaker 3>Revolution was happening, Napoleon and it was also this the

0:24:05.040 --> 0:24:08.719
<v Speaker 3>the idea of the curated dining experience in Louis the

0:24:08.760 --> 0:24:14.800
<v Speaker 3>fourteenth and you know, this opulence and status and all

0:24:14.840 --> 0:24:17.160
<v Speaker 3>of this, you know, was happening at the same time

0:24:17.160 --> 0:24:20.960
<v Speaker 3>the revolution was happening. And it's just interesting that, you know,

0:24:21.200 --> 0:24:26.680
<v Speaker 3>something as simple as dinnerware could reflect that history, like yeah, trying,

0:24:27.080 --> 0:24:29.240
<v Speaker 3>but well porcelain, you know, having a nice set of

0:24:29.600 --> 0:24:35.160
<v Speaker 3>ports dinnerware just projected this imperial power and it said so.

0:24:35.200 --> 0:24:38.560
<v Speaker 2>Much about the politics at that time. Was so interesting.

0:24:39.000 --> 0:24:41.640
<v Speaker 4>Yeah, and you know during the and the way that

0:24:41.760 --> 0:24:46.119
<v Speaker 4>people like sav porcelain, it was really so beautiful and

0:24:46.240 --> 0:24:49.040
<v Speaker 4>ornat and little cupids and little flowers. And then after

0:24:49.080 --> 0:24:54.000
<v Speaker 4>the Revolution it became these neoclassical designs and Roman motifs

0:24:54.040 --> 0:24:57.040
<v Speaker 4>and just these vases and it was about politics, so

0:24:57.080 --> 0:25:00.400
<v Speaker 4>they shifted their aesthetics to shift with the time. This

0:25:00.440 --> 0:25:03.840
<v Speaker 4>is what's so fascinating when talking about food and things

0:25:03.920 --> 0:25:06.240
<v Speaker 4>like a plate or a fork, is that you just

0:25:06.400 --> 0:25:10.240
<v Speaker 4>trace it and it tells you the history of just

0:25:11.040 --> 0:25:15.200
<v Speaker 4>the world. I mean, it's just really it's just blows

0:25:15.240 --> 0:25:19.800
<v Speaker 4>my mind every single time. But let's talk about how

0:25:19.880 --> 0:25:25.040
<v Speaker 4>this porcelain fever was reflected in colonial Mexico then New Spain,

0:25:25.800 --> 0:25:29.320
<v Speaker 4>which is really quite interesting because the porcelain crape in

0:25:30.160 --> 0:25:36.200
<v Speaker 4>colonial Mexico was very different. There's no porcelain in Mexico.

0:25:37.280 --> 0:25:41.400
<v Speaker 2>There's not porcelain in Mexico. There's not Marlona in Mexico. Yeah,

0:25:41.440 --> 0:25:44.320
<v Speaker 2>there is no, but there's beautiful is it earthenware or

0:25:44.600 --> 0:25:46.800
<v Speaker 2>there's yes, it's different.

0:25:47.200 --> 0:25:50.520
<v Speaker 4>Porcelain was coming in on the Manila galleons, right, and

0:25:50.560 --> 0:25:55.040
<v Speaker 4>there were exchanging things like porcelain for silver from the Americas.

0:25:55.280 --> 0:25:58.760
<v Speaker 4>So it was coming in and the wealthy, you know

0:25:58.880 --> 0:26:05.560
<v Speaker 4>Urbans and the colon the Spaniards, they had porcelain from China.

0:26:06.080 --> 0:26:10.199
<v Speaker 4>This porcelain, Chinese porcelain appeared on tables and sometimes they

0:26:10.200 --> 0:26:13.240
<v Speaker 4>would use these tea sets or coffee sets to drink

0:26:13.280 --> 0:26:16.720
<v Speaker 4>hot chocolate. But they also displayed them in cabinets. I

0:26:16.760 --> 0:26:18.760
<v Speaker 4>want to get to that next is like what about

0:26:18.800 --> 0:26:20.560
<v Speaker 4>the cabinets or where did that come from?

0:26:21.200 --> 0:26:25.800
<v Speaker 2>So this imported porcelain, they were the good times. Don't

0:26:25.840 --> 0:26:27.080
<v Speaker 2>threaten me with an all war.

0:26:27.600 --> 0:26:32.640
<v Speaker 4>So but this popularity of imported porcelain influenced local ceramics.

0:26:32.640 --> 0:26:37.080
<v Speaker 4>So in places like Buevla, potters developed a lavera, which

0:26:37.119 --> 0:26:41.600
<v Speaker 4>is a tin glazed pottery inspired by blue and white porcelain.

0:26:41.880 --> 0:26:45.840
<v Speaker 4>So it combined the blue and white Asian aesthetic with

0:26:46.040 --> 0:26:51.119
<v Speaker 4>Spanish traditions like Talavea pottery, which is very similar to

0:26:51.200 --> 0:26:54.439
<v Speaker 4>the to the Mexican taala vera. But also the Dutch

0:26:54.600 --> 0:26:57.560
<v Speaker 4>had the Delft pottery that was blue and white. But

0:26:57.600 --> 0:27:02.640
<v Speaker 4>these are much cruder, of like stunningly beautiful, but but

0:27:02.640 --> 0:27:04.640
<v Speaker 4>but but thicker and.

0:27:04.800 --> 0:27:07.600
<v Speaker 2>Just just a little more just a little a little.

0:27:07.320 --> 0:27:11.320
<v Speaker 4>Cruder, but but but it's the ballaveta, the Mexican talaveda.

0:27:11.400 --> 0:27:16.840
<v Speaker 4>It blends this Asian traditions with the Spanish tradition with

0:27:17.000 --> 0:27:22.440
<v Speaker 4>indigenous Mexican techniques. So you see this very distinctly Mexican

0:27:22.520 --> 0:27:24.720
<v Speaker 4>style of.

0:27:24.480 --> 0:27:28.960
<v Speaker 2>Art that is emerging. That that emerges, and it was

0:27:29.000 --> 0:27:33.240
<v Speaker 2>mostly like red and orange clay, right, the talareta is

0:27:33.280 --> 0:27:36.240
<v Speaker 2>blue and white. Was it in Puebla that it became.

0:27:36.000 --> 0:27:39.040
<v Speaker 4>A Puebla That's when it became That's where they developed

0:27:39.080 --> 0:27:39.720
<v Speaker 4>it in Buebla.

0:27:40.240 --> 0:27:44.200
<v Speaker 2>I guess because now everybody has beautiful plates. They're not

0:27:44.320 --> 0:27:45.480
<v Speaker 2>fine China, but.

0:27:45.520 --> 0:27:50.480
<v Speaker 3>Everybody has you know, your your what is it restoration hardware,

0:27:50.600 --> 0:27:51.879
<v Speaker 3>your pottery barn.

0:27:52.040 --> 0:27:55.640
<v Speaker 2>Your target. I have the most beautiful dishes from Target.

0:27:56.119 --> 0:27:58.520
<v Speaker 3>Like when did it be mass produced and kind of

0:27:58.520 --> 0:28:04.560
<v Speaker 3>moved away from like this elite high society, almost royal, monarchical,

0:28:05.160 --> 0:28:10.480
<v Speaker 3>exclusive thing to have nice plates to kind of mass

0:28:10.520 --> 0:28:14.040
<v Speaker 3>produced stylish and durable, but like mass produce.

0:28:15.040 --> 0:28:18.639
<v Speaker 4>The Industrial Revolution, you know, of course, was during the

0:28:18.680 --> 0:28:22.000
<v Speaker 4>in industri religion. There were factories like Wedgwood in England.

0:28:22.080 --> 0:28:27.280
<v Speaker 4>Josiah Wedgwood. He was an ardent abolitionist. He pioneered techniques

0:28:27.320 --> 0:28:32.719
<v Speaker 4>that made really stylish durable dinnerware to a growing middle class.

0:28:33.040 --> 0:28:38.000
<v Speaker 4>And he was able to standardize shapes, refined glazes, and

0:28:38.080 --> 0:28:42.719
<v Speaker 4>he was able to produce ceramics at scale and at

0:28:42.760 --> 0:28:46.600
<v Speaker 4>a low cost. And these were still beautiful, These were

0:28:46.640 --> 0:28:52.120
<v Speaker 4>still refined, and he had these matching sets, and so

0:28:52.200 --> 0:28:55.640
<v Speaker 4>he was able to you know, anybody could could have this.

0:28:55.880 --> 0:28:58.760
<v Speaker 4>And we also start seeing around this time this idea

0:28:58.880 --> 0:29:03.520
<v Speaker 4>of formal china versus everyday dishes, and this was sort

0:29:03.520 --> 0:29:08.600
<v Speaker 4>of rey and first this Victorian etiquette, which emphasized hospitality

0:29:08.760 --> 0:29:12.280
<v Speaker 4>and refinement. So we start seeing because it's more affordable,

0:29:12.600 --> 0:29:16.880
<v Speaker 4>we start seeing the concept of separate dishes in middle

0:29:16.880 --> 0:29:23.040
<v Speaker 4>class households. So the industry revolution really changed everything. And

0:29:23.120 --> 0:29:25.680
<v Speaker 4>also around this time, the eighteenth and nineteenth century, we

0:29:25.760 --> 0:29:30.600
<v Speaker 4>start seeing the china cabinet, the buffets.

0:29:30.440 --> 0:29:34.360
<v Speaker 2>The fun Yes, that's dying. I came there, man, that

0:29:34.440 --> 0:29:34.600
<v Speaker 2>was it.

0:29:34.680 --> 0:29:36.720
<v Speaker 3>Let me tell you something though, I remember growing up

0:29:37.280 --> 0:29:40.120
<v Speaker 3>and the first time we got a china cabinet, it

0:29:40.160 --> 0:29:41.520
<v Speaker 3>was a big deal.

0:29:42.000 --> 0:29:45.160
<v Speaker 2>To have that piece of furniture in.

0:29:44.720 --> 0:29:48.840
<v Speaker 3>The dining well, our dining room slash living room thing.

0:29:48.880 --> 0:29:51.280
<v Speaker 3>It was just I remember, it was my mother's pride

0:29:51.480 --> 0:29:52.240
<v Speaker 3>and joy.

0:29:52.560 --> 0:29:57.880
<v Speaker 2>Wow. Yeah, it was crazy. Wow. Wow. Yeah.

0:29:57.920 --> 0:30:01.320
<v Speaker 4>We start seeing them around the eighteenth nineteenth centuries, and

0:30:01.360 --> 0:30:06.200
<v Speaker 4>it was you know, it provided this area, this this yeah,

0:30:06.240 --> 0:30:12.080
<v Speaker 4>this place for you know, for showing your beautiful china.

0:30:12.240 --> 0:30:15.840
<v Speaker 4>Sometimes it had a mirrored back. And during the Victorian

0:30:15.880 --> 0:30:18.760
<v Speaker 4>era they became taller, they became much more ornate.

0:30:19.040 --> 0:30:20.280
<v Speaker 2>They had glass.

0:30:20.000 --> 0:30:22.760
<v Speaker 4>Doors that you could see it it's reflected in the

0:30:22.760 --> 0:30:25.520
<v Speaker 4>mirrors in the back. And this was really sort of

0:30:25.600 --> 0:30:28.600
<v Speaker 4>quite different. It took kind of this idea of dining

0:30:28.600 --> 0:30:32.320
<v Speaker 4>as a spectacle to another level. Now it has they're

0:30:32.360 --> 0:30:34.720
<v Speaker 4>usually in the dining room, right, we didn't have one

0:30:34.760 --> 0:30:35.320
<v Speaker 4>growing up.

0:30:37.280 --> 0:30:40.240
<v Speaker 2>I mean, like it was a big deal. Yeah, yeah,

0:30:40.280 --> 0:30:41.800
<v Speaker 2>yeah they are.

0:30:42.000 --> 0:30:45.160
<v Speaker 4>I mean they're really they're so beautiful that prior to this,

0:30:45.720 --> 0:30:49.000
<v Speaker 4>you people would have a sideboard, and but most of

0:30:49.040 --> 0:30:51.920
<v Speaker 4>the time people would just put them away, like put

0:30:51.960 --> 0:30:55.400
<v Speaker 4>them in you know, on in cabinets or you know,

0:30:55.480 --> 0:31:00.000
<v Speaker 4>on shelves, and they weren't necessarily part of the esthetics.

0:30:59.440 --> 0:31:00.640
<v Speaker 2>Of the of the home.

0:31:01.520 --> 0:31:04.440
<v Speaker 4>And so yeah, so's so I think that in the

0:31:04.480 --> 0:31:09.240
<v Speaker 4>twentieth century, sort of mid century, we start seeing these sideboards.

0:31:09.240 --> 0:31:12.680
<v Speaker 4>They became really popular, and they're not as as ornate

0:31:12.840 --> 0:31:16.800
<v Speaker 4>as they once were, but there's they still They're still

0:31:16.840 --> 0:31:20.880
<v Speaker 4>in homes. You still see these kind of homes.

0:31:21.520 --> 0:31:27.120
<v Speaker 3>I think now mid century modernism, you know changed. Now

0:31:27.160 --> 0:31:31.560
<v Speaker 3>we have you know a lot of lightweight, shatterproof plastic plates,

0:31:31.600 --> 0:31:34.160
<v Speaker 3>so you don't really want to display that. Or we

0:31:34.200 --> 0:31:38.240
<v Speaker 3>have functional stuff right like heat proof glass and pyres

0:31:38.400 --> 0:31:42.600
<v Speaker 3>and and that's not as pretty or metal bowls, right, and.

0:31:42.560 --> 0:31:44.160
<v Speaker 2>So none of that is for display.

0:31:44.240 --> 0:31:46.560
<v Speaker 3>So I feel like the china cabinet and the sideboard

0:31:46.560 --> 0:31:49.200
<v Speaker 3>and all of this was like about aesthetics and then

0:31:49.240 --> 0:31:56.480
<v Speaker 3>it kind of moved into convenience and functionality simplicity. You know,

0:31:56.520 --> 0:31:58.560
<v Speaker 3>we talked about you know, the kitchen. When did we

0:31:58.560 --> 0:32:02.400
<v Speaker 3>talk about that. I moved from like yeah, the stove, oven,

0:32:02.480 --> 0:32:05.880
<v Speaker 3>the oven, the oven, yeah, aesthetic to being functioned on.

0:32:05.760 --> 0:32:09.400
<v Speaker 2>Now it's stainless steel and restaurant quality. Put the griddle,

0:32:09.720 --> 0:32:10.959
<v Speaker 2>Put the griddle in the middle.

0:32:11.080 --> 0:32:14.320
<v Speaker 3>Like it's just like now I think, now it's a

0:32:14.400 --> 0:32:17.440
<v Speaker 3>choice in your house. Like we have so much diversity

0:32:17.440 --> 0:32:21.520
<v Speaker 3>in materials today, So your dinner where could reflect your culture,

0:32:21.960 --> 0:32:26.440
<v Speaker 3>it could reflect efficiency, it could reflect aesthetics.

0:32:26.600 --> 0:32:28.000
<v Speaker 2>So I think it's it's.

0:32:27.680 --> 0:32:30.040
<v Speaker 3>Interesting the amount of choices we have so fire King

0:32:30.560 --> 0:32:33.680
<v Speaker 3>is a line of dinnerware that was like heat resistant glassware.

0:32:33.800 --> 0:32:36.960
<v Speaker 3>It was made by this guy Anchor Hawking, like in

0:32:37.000 --> 0:32:38.960
<v Speaker 3>the nineteen forties to the nineteen seventies, but it was

0:32:39.040 --> 0:32:42.280
<v Speaker 3>made to rival pirates, which is interesting that Pyrex is

0:32:42.320 --> 0:32:45.800
<v Speaker 3>still around and was around. But it was designed for

0:32:45.880 --> 0:32:50.040
<v Speaker 3>like durability that so it could withstand to put in

0:32:50.080 --> 0:32:52.680
<v Speaker 3>the oven and and so like I said, my coffee cup,

0:32:52.880 --> 0:32:54.840
<v Speaker 3>you could put the coffee.

0:32:54.360 --> 0:32:56.040
<v Speaker 2>Cup and the mug in the oven.

0:32:56.560 --> 0:33:00.000
<v Speaker 3>And he marketed it as stylish and like even today,

0:33:00.400 --> 0:33:05.040
<v Speaker 3>I'm like, it's known for that jade green color. And

0:33:05.080 --> 0:33:08.440
<v Speaker 3>then he did like an orange gold color. I have both,

0:33:08.560 --> 0:33:12.920
<v Speaker 3>but it was just like, ugh, it's so reminiscent of

0:33:13.000 --> 0:33:17.040
<v Speaker 3>the nineteen fifties housewife and ads and in you know

0:33:18.560 --> 0:33:20.760
<v Speaker 3>that moment that was such a moment because it was

0:33:20.840 --> 0:33:24.840
<v Speaker 3>like this is durable but pretty, and so now you

0:33:24.880 --> 0:33:26.800
<v Speaker 3>have to collect it if you want to buy it.

0:33:26.840 --> 0:33:29.080
<v Speaker 2>Because they didn't, I guess they went out of business.

0:33:29.120 --> 0:33:30.320
<v Speaker 2>I don't think they're still around.

0:33:30.880 --> 0:33:33.920
<v Speaker 4>Yeah, through the nineteen seventies. Yeah, from the forties to

0:33:33.960 --> 0:33:35.120
<v Speaker 4>the seventies.

0:33:34.680 --> 0:33:36.000
<v Speaker 2>And so we did.

0:33:36.040 --> 0:33:38.440
<v Speaker 3>Then there was another shift because okay, we went from

0:33:38.560 --> 0:33:43.520
<v Speaker 3>like beautiful to I mean elegant, to you know, industrial

0:33:43.600 --> 0:33:48.880
<v Speaker 3>to plastic to the imperfect bowl. The it's perfect like

0:33:49.360 --> 0:33:52.200
<v Speaker 3>the like I made this myself in a pottery class.

0:33:52.600 --> 0:33:56.560
<v Speaker 3>So there's a shift also to this like imperfection in

0:33:56.760 --> 0:33:59.760
<v Speaker 3>pottery is there's a brand that does with right.

0:34:00.320 --> 0:34:03.080
<v Speaker 4>There's a brand that I'm obsessed with called Heat Ceramics,

0:34:03.160 --> 0:34:05.080
<v Speaker 4>and they've been around. It was founded by a woman

0:34:05.120 --> 0:34:08.759
<v Speaker 4>named Edith Heath in Sasolito, California, in nineteen forty eight.

0:34:09.320 --> 0:34:10.680
<v Speaker 2>And this was sort.

0:34:10.520 --> 0:34:13.680
<v Speaker 4>Of this new idea of luxury. So it's not the

0:34:13.880 --> 0:34:20.239
<v Speaker 4>fine refined ceramics. It's not your you know, beautiful but

0:34:20.280 --> 0:34:24.000
<v Speaker 4>functional glass or and it's not your plastic or anything

0:34:24.040 --> 0:34:24.279
<v Speaker 4>like that.

0:34:24.800 --> 0:34:27.120
<v Speaker 2>But it's so it's this stoneware.

0:34:27.280 --> 0:34:32.480
<v Speaker 4>It's this really really beautiful stoneware and really Matt glazes,

0:34:32.760 --> 0:34:36.440
<v Speaker 4>and every piece just has small imperfections.

0:34:36.520 --> 0:34:37.520
<v Speaker 2>I'm obsessed with it.

0:34:37.600 --> 0:34:41.120
<v Speaker 4>These this idea of the imperfections are flaws, but they

0:34:41.200 --> 0:34:44.799
<v Speaker 4>really show the hand, the care of the artists, the

0:34:44.840 --> 0:34:49.600
<v Speaker 4>care of each piece. So they're beautiful, they're functional, they're stackable.

0:34:50.000 --> 0:34:53.560
<v Speaker 4>Friend of mine gave me this like huge blue bowl

0:34:53.680 --> 0:34:55.200
<v Speaker 4>as a wedding gift, and I was.

0:34:55.200 --> 0:34:57.440
<v Speaker 2>Like, what is this most beenible thing I've ever seen?

0:34:57.920 --> 0:35:01.160
<v Speaker 4>And now I'm obsessed with it. But it really stood

0:35:01.200 --> 0:35:05.000
<v Speaker 4>apart from mass produced dinnerware in you know, the nineteen

0:35:05.040 --> 0:35:08.719
<v Speaker 4>forties and because it focused on local production and it's

0:35:08.760 --> 0:35:11.280
<v Speaker 4>still around. If you're in Los Angeles, there's a store

0:35:11.360 --> 0:35:15.200
<v Speaker 4>on Beverly Boulevard and it's just oh, it's so beautiful

0:35:15.440 --> 0:35:18.120
<v Speaker 4>and it's like it's colorful, and I just I love

0:35:18.280 --> 0:35:21.200
<v Speaker 4>the blues and the yellows and that and the.

0:35:21.560 --> 0:35:23.720
<v Speaker 2>Like just the white is like so white.

0:35:24.160 --> 0:35:28.960
<v Speaker 4>So it's just, yeah, I'm obsessed with them. There's so

0:35:29.040 --> 0:35:32.640
<v Speaker 4>much beauty in this world, so much.

0:35:32.480 --> 0:35:34.800
<v Speaker 2>Beauty on a plate. Beauty on a plate.

0:35:34.880 --> 0:35:37.680
<v Speaker 3>Like you think about the food on the plate, and

0:35:37.719 --> 0:35:40.960
<v Speaker 3>you want to make that beautiful, but like we forget

0:35:41.000 --> 0:35:44.320
<v Speaker 3>about the plate. Can we talk a little bit about

0:35:44.480 --> 0:35:47.439
<v Speaker 3>disposable plates, which I have to tell you I use

0:35:47.560 --> 0:35:51.320
<v Speaker 3>I have, I have, you know, eco friendly paper plates.

0:35:51.440 --> 0:35:55.520
<v Speaker 2>Pippe hates it. Pippe is like I sometimes I give

0:35:55.560 --> 0:35:56.120
<v Speaker 2>them like a bean.

0:35:56.000 --> 0:35:57.040
<v Speaker 3>Thuckle in the morning and I put it on a

0:35:57.040 --> 0:35:58.439
<v Speaker 3>paper plate because I'm like, don't want to watch dishes.

0:35:58.480 --> 0:36:00.200
<v Speaker 3>We gotta go like hurry up and eat your I'll

0:36:00.239 --> 0:36:04.200
<v Speaker 3>go and he just looks at me as if he's.

0:36:04.200 --> 0:36:07.440
<v Speaker 2>Like, why are you giving me a paper plate? Hey?

0:36:07.480 --> 0:36:11.040
<v Speaker 2>He's like this is so uncivilized. Yes, that's how I

0:36:11.080 --> 0:36:14.160
<v Speaker 2>am too. I mean, Dave, my husband is like, what

0:36:14.280 --> 0:36:17.799
<v Speaker 2>are you Queen Victoria? Like what yeah, yeah, yeah.

0:36:17.920 --> 0:36:21.719
<v Speaker 3>It was like no, yes, yes, I am.

0:36:22.200 --> 0:36:25.920
<v Speaker 2>It's just I understand the human Yeah, He's.

0:36:25.760 --> 0:36:27.560
<v Speaker 3>Like, you can give the paper plates to the kids,

0:36:27.560 --> 0:36:29.279
<v Speaker 3>but like you're not giving it to me, you know.

0:36:29.280 --> 0:36:31.960
<v Speaker 3>And I'm like, okay, fine, I don't use them a lot.

0:36:32.239 --> 0:36:34.319
<v Speaker 3>But when did that come around? Like when did this

0:36:34.400 --> 0:36:38.920
<v Speaker 3>like single use item come into play?

0:36:39.640 --> 0:36:42.560
<v Speaker 4>Well, I mean there's this man named Martin Keyes and

0:36:42.600 --> 0:36:46.759
<v Speaker 4>he's credited with developing the first molded paper plates out

0:36:46.800 --> 0:36:48.839
<v Speaker 4>of wood pump. But when we think about it, if

0:36:48.880 --> 0:36:51.560
<v Speaker 4>we go way way back, like people were eating out

0:36:51.600 --> 0:36:56.520
<v Speaker 4>of leaves. So there's this this precursor of paper plates

0:36:56.560 --> 0:36:58.640
<v Speaker 4>in some way has been around for a long time.

0:36:59.120 --> 0:37:01.440
<v Speaker 4>But he developed this paper plate in nineteen oh four

0:37:01.960 --> 0:37:05.240
<v Speaker 4>and he was working in he was a mill worker,

0:37:05.320 --> 0:37:09.600
<v Speaker 4>and he saw his fellow his colleagues or his whatever

0:37:09.640 --> 0:37:14.200
<v Speaker 4>fellow mill workers used then scraps of wood as makeship plates,

0:37:14.200 --> 0:37:16.520
<v Speaker 4>and he was like, oh, that's interesting, So he founded

0:37:16.520 --> 0:37:19.760
<v Speaker 4>the Keys Fiber Company in Maine. He manded a machine

0:37:20.520 --> 0:37:23.080
<v Speaker 4>to make plates out of wood pulp and they were

0:37:23.080 --> 0:37:27.400
<v Speaker 4>called saved A Plates and cups followed, and the company

0:37:27.680 --> 0:37:32.480
<v Speaker 4>eventually by the nineteen thirties produced the Chinette brand China.

0:37:32.719 --> 0:37:35.760
<v Speaker 2>It's a nod to China and.

0:37:35.640 --> 0:37:40.000
<v Speaker 4>It's like a pretty sturdy white paper plate. So it's like,

0:37:40.160 --> 0:37:43.920
<v Speaker 4>oh my gosh, this is like this nod to Chinese porcelain.

0:37:44.480 --> 0:37:48.360
<v Speaker 4>But you know, Americans throw away an estimated trillion disposable

0:37:48.360 --> 0:37:50.719
<v Speaker 4>plates and utensils a year. So I always think of

0:37:50.800 --> 0:37:53.800
<v Speaker 4>like archaeologists are going to look back at our time,

0:37:53.880 --> 0:37:58.960
<v Speaker 4>at our culture as one built around disposability and speed.

0:37:59.280 --> 0:38:04.160
<v Speaker 3>Wait, I guess as the plate, is the individualized plate

0:38:04.400 --> 0:38:07.279
<v Speaker 3>a universal thing or their cultures that don't do the

0:38:07.280 --> 0:38:08.040
<v Speaker 3>individual plate.

0:38:08.480 --> 0:38:11.480
<v Speaker 4>It's a very Western thing, right, because the Western is

0:38:12.480 --> 0:38:15.840
<v Speaker 4>not universal. It's not universal, So we think of like

0:38:15.960 --> 0:38:20.239
<v Speaker 4>Western plating reflected the idea about of the self. Many

0:38:20.280 --> 0:38:24.120
<v Speaker 4>cultures traditionally eat from share dishes, right, so it's really

0:38:24.200 --> 0:38:26.600
<v Speaker 4>quite different in the West. Each diner receives their own

0:38:26.640 --> 0:38:29.880
<v Speaker 4>portion and their own plate, and so in other places

0:38:29.920 --> 0:38:33.120
<v Speaker 4>of the world, for example, an Ethiopia and Erytrea, meat

0:38:33.400 --> 0:38:37.080
<v Speaker 4>meals are often served on a large tray and the

0:38:37.120 --> 0:38:40.239
<v Speaker 4>food like various different types of stews are placed on

0:38:40.320 --> 0:38:44.279
<v Speaker 4>top of injera, which is this like spongy bread, and

0:38:44.360 --> 0:38:46.680
<v Speaker 4>diners eat together from the same plate, so there are

0:38:46.800 --> 0:38:49.680
<v Speaker 4>terror pieces of this bread and scoop up the food.

0:38:49.960 --> 0:38:52.359
<v Speaker 2>So we see that in Ethiopia, in.

0:38:52.280 --> 0:38:55.319
<v Speaker 4>The Middle East, there are mets there are placed in

0:38:55.360 --> 0:38:56.480
<v Speaker 4>the center of the table for.

0:38:56.520 --> 0:38:58.120
<v Speaker 2>Everybody to share.

0:38:58.680 --> 0:39:02.120
<v Speaker 4>You take small portions using spoons, you know, rather than

0:39:02.160 --> 0:39:07.040
<v Speaker 4>individual plates. India as well, like family size, family style

0:39:07.080 --> 0:39:09.840
<v Speaker 4>meals are common lots of things, and I love the

0:39:09.880 --> 0:39:11.120
<v Speaker 4>family style eating.

0:39:11.160 --> 0:39:12.560
<v Speaker 2>It's my favorite way to eat.

0:39:12.600 --> 0:39:14.920
<v Speaker 4>But everything in the middle and then people just serve

0:39:15.040 --> 0:39:18.640
<v Speaker 4>themselves whatever they want. So this communal eating right. China

0:39:18.640 --> 0:39:22.719
<v Speaker 4>as well, we see plates in the center, often on

0:39:22.840 --> 0:39:26.319
<v Speaker 4>like a rotating lazy susan, and then diners they take

0:39:26.360 --> 0:39:29.920
<v Speaker 4>their food into small bowls. So you know, it's different.

0:39:30.160 --> 0:39:35.200
<v Speaker 4>In every culture has something completely different. But before we

0:39:35.239 --> 0:39:37.160
<v Speaker 4>say goodbye, I want to go back to the bowl.

0:39:38.280 --> 0:39:42.360
<v Speaker 4>The kind of become dominant because of fast casual restaurants,

0:39:42.400 --> 0:39:43.760
<v Speaker 4>like people with layer sweet creams.

0:39:43.760 --> 0:39:44.920
<v Speaker 2>They're super popular.

0:39:45.480 --> 0:39:49.200
<v Speaker 4>Sometimes they refer to as slop bowls, which is so derogatory.

0:39:49.200 --> 0:39:52.000
<v Speaker 4>But I kind of think that food tastes better in

0:39:52.040 --> 0:39:56.799
<v Speaker 4>a bowl. I don't know, eat I eat pasta ina bowl. Yeah,

0:39:56.840 --> 0:39:59.440
<v Speaker 4>I don't like pasta on a plate, but it is.

0:39:59.520 --> 0:40:01.200
<v Speaker 2>It does better in a bowl. Me too.

0:40:01.480 --> 0:40:04.800
<v Speaker 4>But there's like a grain bowl, like Saddi bulls. Everything

0:40:04.880 --> 0:40:07.759
<v Speaker 4>is cut up, everything is sort of together. And I

0:40:07.840 --> 0:40:12.279
<v Speaker 4>just feel like this idea of like a ball is

0:40:12.320 --> 0:40:16.439
<v Speaker 4>something so intimate, you know, and especially now like thinking

0:40:16.520 --> 0:40:18.520
<v Speaker 4>about all of this and going back to this idea

0:40:18.520 --> 0:40:22.000
<v Speaker 4>of community, and there's something just very cozy about a bowl.

0:40:23.160 --> 0:40:27.560
<v Speaker 4>But I love how dinnerware, you know, it's really throughout

0:40:27.560 --> 0:40:28.480
<v Speaker 4>the ages.

0:40:28.719 --> 0:40:31.720
<v Speaker 2>It's a reflection of how we live, how we dine,

0:40:32.280 --> 0:40:34.600
<v Speaker 2>and how we connect with one another.

0:40:35.880 --> 0:40:41.880
<v Speaker 3>I love I love I love dinnerware. I love the

0:40:41.920 --> 0:40:44.319
<v Speaker 3>evolution of it, the history of it, and I'm going

0:40:44.400 --> 0:40:45.440
<v Speaker 3>to continue hoarding it.

0:40:45.719 --> 0:40:50.719
<v Speaker 2>So I think you should. I thank you you guys.

0:40:50.760 --> 0:40:54.960
<v Speaker 3>Send us pictures of your favorite piece of dinnerware. Is

0:40:55.000 --> 0:40:56.880
<v Speaker 3>it a favorite cup, Is it a favorite plate?

0:40:56.960 --> 0:40:59.880
<v Speaker 2>Is it a favorite serving spoon. I'd love to see it.

0:41:00.000 --> 0:41:02.799
<v Speaker 2>We really would love to see this, We really would Yeah,

0:41:02.840 --> 0:41:05.760
<v Speaker 2>we want to know what are you dining on? Yes?

0:41:05.840 --> 0:41:07.480
<v Speaker 2>What are some brands we're not aware of? That I

0:41:07.480 --> 0:41:09.560
<v Speaker 2>should all of a sudden become obsessed with.

0:41:11.760 --> 0:41:11.840
<v Speaker 3>That.

0:41:11.960 --> 0:41:16.000
<v Speaker 2>I need to collect gosh, I want to see your collection. Well,

0:41:16.040 --> 0:41:19.240
<v Speaker 2>thank you guys for listening, and we'll see you next week. Bye.

0:41:19.239 --> 0:41:24.320
<v Speaker 2>Everybody Hungry for History.

0:41:24.120 --> 0:41:27.759
<v Speaker 3>Is a Hyphene Media production in partnership with Iheart's Mikoura

0:41:27.880 --> 0:41:28.760
<v Speaker 3>podcast network.

0:41:28.880 --> 0:41:31.759
<v Speaker 4>For more of your favorite shows, visit the iHeartRadio app,

0:41:31.880 --> 0:41:38.040
<v Speaker 4>Apple Podcasts, or wherever you get your podcasts