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Speaker 1: In the morning. You I'm talking right. I know you're

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Speaker 1: about to experience a morning showing like any over what

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Speaker 1: you guys are doing right now? That's the hub culture.

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Speaker 1: Breakfast club is my morning that I need it and

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Speaker 1: I love it. Something you like, You're really not popping

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Speaker 1: until you do the breakfast club and waiting come to

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Speaker 1: y'all show man. I know you gotta be a big

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Speaker 1: time Celet me be up and here you gotta be

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Speaker 1: you gotta be big time j Ali and Charlotte. Ain't

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Speaker 1: the guy the breakfast club? Bitch you? Good morning you Usa? Hey,

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Speaker 1: damn good morning face Friday? Friday? What's up? Easy? Whoo? Whooh?

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Speaker 1: Not much? I know you have a lot going on.

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Speaker 1: I have a big day. Today's you got your bags? Pack?

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Speaker 1: Where the hell are you going? Chicago? Oh? The shot?

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Speaker 1: Tell what about everybody in the shy? What's going on?

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Speaker 1: This show? You gonna tell us? It was the last

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Speaker 1: minute thing that I have to do out there, so

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Speaker 1: they actually called me about it yesterday. Okay, so you

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Speaker 1: know how it is here. You got to pack your

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Speaker 1: bag and then today. I was supposed to close on

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Speaker 1: this property last week, but then there were some issues

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Speaker 1: with flood insurance some new laws in New York. So

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Speaker 1: I'm closing on it today. So now I had to

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Speaker 1: pack my bag so I can go do this closing

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Speaker 1: and then go get on this congratulation and get to Chicago.

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Speaker 1: Thank you. My daughter broke my heart yesterday. I'm gonna

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Speaker 1: tell you why. So yesterday, you know, my daughter goes

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Speaker 1: to college next year, so we've been doing this college run.

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Speaker 1: So yesterday she wanted to see NYU, so I took

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Speaker 1: on the tour. We went on the tour NYU and

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Speaker 1: it was just the worst, right, And I'm gonna tell

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Speaker 1: you why, because it was the nicest day in the city.

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Speaker 1: So everything looks so pretty, everything looks so beautiful, and

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Speaker 1: she loved it. And it broke my heart because I

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Speaker 1: really was like, I'm really pushing Hampton University. But I

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Speaker 1: don't know about that one. Now she probably isn't going

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Speaker 1: to be far from home too. Yeah, that well that

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Speaker 1: is too but we'll see, we'll see what happened. Ferrari here,

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Speaker 1: I would know about it all a lot. But yeah,

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Speaker 1: she really loved the school, so you know, it's it's fun.

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Speaker 1: And I was I was thinking, right, we're on the

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Speaker 1: campus and I see you know it's a it's a

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Speaker 1: park by NYU and I see all all the students

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Speaker 1: out there Watchington Square podk is called that's what it's going.

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Speaker 1: I don't know what park it was, but I see

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Speaker 1: like and I'm thinking to myself, I'm watching like the

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Speaker 1: guy on one side, the girls on one side, and

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Speaker 1: I'm like, damn it, they look so awkward, Like, dude,

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Speaker 1: how does a guy kick it to a girl in

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Speaker 1: this day and age? I was thinking that, But I'm like, like,

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Speaker 1: for my son, like online online, that's m's that's weird, Like,

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Speaker 1: don't that weird? No face to face interaction anymore? It's

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Speaker 1: not weird, You're just old. But I do agree that

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Speaker 1: we need more to face to face interaction. But there's

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Speaker 1: other ways for people to communicate this DM, I see

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Speaker 1: you in the street in the Hey, I seen you

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Speaker 1: earlier in Watchington Park. No, why don't you talk to

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Speaker 1: me while? What funny you say that? Brian Gray is

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Speaker 1: coming this morning and his book is called face to Face.

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Speaker 1: That's what I'm talking about in connection, and it's it's

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Speaker 1: no stupid in him. Back in the day when we

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Speaker 1: just walk up to a random person with a note

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Speaker 1: that said when you gold me. Yes, No, maybe I

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Speaker 1: don't even know you, but at least I've seen your face,

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Speaker 1: so the nice anonymous knows you would get where people

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Speaker 1: would be like, hey, you don't know me, but I'm

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Speaker 1: a secret admirer. I mean maybe you never got girls anymore.

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Speaker 1: Would be like, hey, beautiful, do you have a second

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Speaker 1: of talk? They don't do that anymore? What kind of that?

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Speaker 1: That's what they do? Hey, beautiful, I see you earlier.

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Speaker 1: I stalked you to find you, and I want to know.

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Speaker 1: That's why, ain't it? I think it's very way. I

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Speaker 1: think that human connection is lost in this day and age.

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Speaker 1: You know, people can't even look at each other in

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Speaker 1: eyes and have a conversation anymore because of social media.

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Speaker 1: That's crazy. Well it's good for me and my daughters. Yeah, okay,

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Speaker 1: I guess you're right. Yeah, because I'm gonna teach my

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Speaker 1: daughters to actually like human connection and human reaction, so

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Speaker 1: that means they don't never mean anybody and I got

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Speaker 1: in the real world, and then shout out to Angree

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Speaker 1: Martine as her show debut yesterday on we TV ye

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Speaker 1: Untold Stories of Hip Hop Yo the Bronx serious question,

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Speaker 1: what you can stop your period with afront angelaty. I

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Speaker 1: didn't know that either. I didn't know if Cardi B

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Speaker 1: was talk called. So she stopped her period with asprint angelatine.

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Speaker 1: That's a Bronze recipe to stop your period. Jello, right,

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Speaker 1: was it? Jealous? Said Gelatine. I don't know, that's just

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Speaker 1: I don't know. I've never heard of that before. That

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Speaker 1: was the news to me. I got some creative things

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Speaker 1: up there, No, they got some crazy things up there.

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Speaker 1: I always say, the craziest people in America come from

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Speaker 1: the Bronx and all the Florida. And you know, Cardi

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Speaker 1: B reinforced that last night. Okay, aspirin and a gelatine

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Speaker 1: will stop your period. Why not just get broke control?

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Speaker 1: How much is broke control? And the Bronxes broke control

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Speaker 1: regulation period? Yeah, but then you got to take it

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Speaker 1: every single day. I think that's better than take an

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Speaker 1: aftertast people forget and then you also won't regulate it

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Speaker 1: right away, so you gotta wait a month and that

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Speaker 1: doesn't stop your period. It just makes it come regularly.

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Speaker 1: They do have they do have one called season all

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Speaker 1: that makes it come, uh, not that frequently. But I

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Speaker 1: don't know if I doesn't sound healthy, I just want

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Speaker 1: to put that out there. All right, Well, let's get

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Speaker 1: the show cracking. Young Man will be joining us. Yes, yes,

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Speaker 1: she has an album out today. Yes, we'll kick it

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Speaker 1: with young m And Brian Grazer will be joining us.

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Speaker 1: Brian Grazer as a film producer. You may not know him,

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Speaker 1: but you definitely know a movie or TV show that

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Speaker 1: he's beautiful mine eight mile. He's got the Woutang Hulu

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Speaker 1: series right now, American Gangster so many so we'll kick

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Speaker 1: it with him as well. Of me. A front page

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Speaker 1: knew was what we're talking about. Oh man, this is

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Speaker 1: a terrible situation in northern Virginia. Will tell you what

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Speaker 1: happened when these schoolmates, sixth graders pinned down a classmate

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Speaker 1: who was black, and we'll tell you what they did

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Speaker 1: to her. All right, we'll get into that next. Keep

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Speaker 1: a lock. Just to Breakfast Club. Good morning, I'm a CEO.

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Speaker 1: Shoot morning. Everybody is DJ M v Angela Yee, Charlomagne

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Speaker 1: the guy we are. The Breakfast Club's getting some front

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Speaker 1: page news that last sit in the NFL. Did the

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Speaker 1: Eagles place or did they want to lose? I just

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Speaker 1: mean I know they want that. They beat the Green

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Speaker 1: Bay Packers thirty four twenty seven. He's hyped in the corner.

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Speaker 1: Know they want v they won? Yes, I know they

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Speaker 1: want it, Eddie. They're still looking up at the mighty

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Speaker 1: Dallas Cowboys in the nfc EA store. Just want to

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Speaker 1: throw that out there because they're only two and two

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Speaker 1: and twenty cowboys three and just want to throw that

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Speaker 1: out there. What else are you talking about? You, Well,

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Speaker 1: let's talk about what happened in northern Virginia at a

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Speaker 1: Christian school, the Emmanuel Christian School, which, by the way,

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Speaker 1: is an evangelical private school that explicitly bars its employees

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Speaker 1: from engaging in or condoning homosexual or lesbian sexual activity

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Speaker 1: and transgender identity. Well, three sixth grade boys at that

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Speaker 1: school pinned down one of their classmates, Amari Allen. She's

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Speaker 1: only twelve years old, and she's black, and she had

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Speaker 1: dreads and the three boys that pinned her down are white.

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Speaker 1: She said that they told her she was ugly and

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Speaker 1: that her hair was nappy, and they cut her hair off,

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Speaker 1: and where were the teachers? Where were the administrators? Like,

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Speaker 1: how do you hold somebody down for that long? In

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Speaker 1: a school, and there's no adults that can see what's

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Speaker 1: going on. Well, really sad and really heartbreaking. She's a

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Speaker 1: straight a student. She plays the violin. She said. The

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Speaker 1: boys started bullying her at the beginning of the school year.

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Speaker 1: They were at recess when this happened. She was about

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Speaker 1: to go down and slide, and that's when one of

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Speaker 1: the boys grabbed her, put a hand over her mouth.

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Speaker 1: Another boy grabbed her arms, and that's when another third

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Speaker 1: boy cut off some of her head. No, no teachers

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Speaker 1: are on the playground. No teachers, So maybe it happened

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Speaker 1: really really quickly, and they didn't cut off a whole head.

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Speaker 1: She didn't get to tell anybody until her grandmother was

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Speaker 1: doing her hair and asked her, why are parts of

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Speaker 1: your hair missing? And that's when she started crying and

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Speaker 1: told the whole story about what happened. Daddy, as a dad,

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Speaker 1: you gotta go, you gotta go to school. You gotta

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Speaker 1: beat that Yeah, I mean, you gotta beat their daddies up.

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Speaker 1: You gotta crush the kids out and tell your daddy's

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Speaker 1: come in right now and beat your daddy up. And

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Speaker 1: then you gotta file some type of charges. All right,

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Speaker 1: your parents be held liable when the kids. You can't

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Speaker 1: beat up a kid, right, oh can you? But you

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Speaker 1: can't beat the daddy, right, I'm talking about he liable

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Speaker 1: as far as in a civil way. I think, yes,

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Speaker 1: you can. I believe you can't. Yes, yeah, I'm not sure.

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Speaker 1: Sometimes kids really rebel against their parents because if my

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Speaker 1: son punches another kid and that goes to school, the

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Speaker 1: parents can sue me. Absolutely, yeah, yeah, thought I heard

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Speaker 1: something like that before. Absolutely can't. All right, Well, that's

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Speaker 1: a heartbreaking story for a twelve year old. That's why

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Speaker 1: you can't be just cutting off people's dreads and acting

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Speaker 1: like that's the right thing to do, and now your

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Speaker 1: life is gonna be better. Forget the cutting of the drag,

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Speaker 1: that's just pure racism. Then when you hold how you

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Speaker 1: when you got three white men who hold a person

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Speaker 1: down and cut their dregs and call him ugly and

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Speaker 1: use words like nappy, that's just pure race And logan,

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Speaker 1: I have to go beat up some kids. Logan, you

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Speaker 1: got to go stand up for your system. All right. Now,

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Speaker 1: let's talk about this whistle blower situation. Uh, Donald Trump

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Speaker 1: is again doing his whole witness intimidation thing where anybody

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Speaker 1: who is against him, or doesn't agree with him, or

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Speaker 1: tries to call him out on the obstruction that he

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Speaker 1: does of justice. Now here's some audio of what he

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Speaker 1: has said should be should happen to a whistle blower,

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Speaker 1: because you know we used to do the old days

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Speaker 1: were spies, and what are second here? He said, Well,

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Speaker 1: you know what we used to do in the old

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Speaker 1: days with spies. You're still abusing your power, mister president.

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Speaker 1: You're still a still obstructing, obstructing a potential in investigation

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Speaker 1: by doing it has to be some type of chess

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Speaker 1: and balances. You can't just do whatever you want and

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Speaker 1: think everybody has a support, break the law, and everybody's

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Speaker 1: supposed to just act like it didn't happen. And that's

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Speaker 1: why I'm so happy that the Democrats have finally started

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Speaker 1: to act like what he is doing is wrong, because

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Speaker 1: if they don't have checks and balances and don't act

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Speaker 1: like what he's doing is wrong, then the general public

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Speaker 1: will think it's okay, you normalize in criminal behavior and

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Speaker 1: you sell the whole cancer New York Times thing that

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Speaker 1: was happening yesterday. That is what fascists do. Fascists want

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Speaker 1: to suppress the press. Well, No, they were upset that

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Speaker 1: the New York Times actually revealed a lot of information

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Speaker 1: about who the whistle blower is. So because if they're

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Speaker 1: the only yeah, that's the only newspaper so far, only

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Speaker 1: media that has actually given out specific details on who

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Speaker 1: the person is. So right now they're protecting the identity.

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Speaker 1: But I guess the New York Times revealed too much,

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Speaker 1: and so now people are saying cancer New York Times.

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Speaker 1: All right, that is your front page news. All right,

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Speaker 1: get it off a few chess eight five one, five one.

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Speaker 1: If you need to vent, hit us up right now.

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Speaker 1: Maybe you had a bad night, horrible night, or maybe

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Speaker 1: you feel blessed. You want to spread some positivity. It's

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Speaker 1: up now. It was the breakfast club. Good morning, the

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Speaker 1: breakfast club. This is your time to get it off

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Speaker 1: your chest, whether you're man or blest. So people to

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Speaker 1: have the same industry. We want to hear from you

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Speaker 1: on the breakfast club. Hello, who's this Hey? Get it

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Speaker 1: off your chess? All right. I want to get it

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Speaker 1: off my chest about this um little girl get indeed

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Speaker 1: up held down by the three with a white boy.

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Speaker 1: I'm a teacher. I teach him, Brooklyn, I teach black

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Speaker 1: and brown children, all of my children of black and

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Speaker 1: brown I think that parents really need to be conscious

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Speaker 1: of the spaces that they put in black and brown

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Speaker 1: children in um period um. I personally would not put

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Speaker 1: my powd and I'm majority white fool at that aig um.

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Speaker 1: This country was founded on racism, rooted in racism. And

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Speaker 1: like a lot of the things that I was doing

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Speaker 1: our students I did when my own students, black and

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Speaker 1: around students, A lot of things that they do if

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Speaker 1: the learned behavior that they don't either understand that they're

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Speaker 1: learning right soaking down this little girl, they don't understand

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Speaker 1: that that's racism their own in sixth grade. They're living

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Speaker 1: spoke as old. It's coming from the parents. The parents

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Speaker 1: aren't gonna do anything. Her parents can't come and beat

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Speaker 1: up the father. And what is that going to solve? Now?

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Speaker 1: I agree with you, little issue is education. We need

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Speaker 1: to really start educating students about racism at a younger age.

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Speaker 1: And then I'm learning about and it's hard when they're

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Speaker 1: getting to us something different at home and hearing their

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Speaker 1: parents say something else, and then they go to school

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Speaker 1: and bring that with them a lot of kids don't

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Speaker 1: have a choice. They might live in a district where

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Speaker 1: that is their school or that's the school that they

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Speaker 1: have to go to, you know. But I do I

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Speaker 1: do think if you have the means and the resources,

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Speaker 1: you should seek out more diverse schools, you know, for

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Speaker 1: black and brown kids to be in, because that is

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Speaker 1: one of the things that definitely causes my parental paranoia, uh,

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Speaker 1: knowing my daughter is one of a few black people

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Speaker 1: in her school. For me, and I want to put

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Speaker 1: my black, my black brown child in a space of

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Speaker 1: white bodies, I would put them in an activity. It

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Speaker 1: wouldn't be fooled because I feel like fool is Um.

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Speaker 1: It's a it's a space for certain people to discuss

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Speaker 1: certain certain things. And a lot of these schools don't

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Speaker 1: even have an inclusive education where they discussed these racism.

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Speaker 1: The way that they learn is different from how I

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Speaker 1: learned it. I'm I'm about to be dirty, completely different

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Speaker 1: from my generation, definitely different from yalls generation. Um. And

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Speaker 1: it's a very inclusive teaching of the history of the

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Speaker 1: United States. I remember growing up, I learned that the

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Speaker 1: white man was a savior. They came as a rescued

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Speaker 1: the Native American. They an American completely wrong. They taught

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Speaker 1: us all that though completely wrong. Now exactly that's a

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Speaker 1: I was taught. But my soon as they learn from

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Speaker 1: like primary God can't stay eating. They cravely think about

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Speaker 1: what was really going when a back time and they

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Speaker 1: could break it down and say like, oh, this is

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Speaker 1: why today things are the way that they are. Wow,

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Speaker 1: they weren't get food Tinese back in the eighteen hundreds. Wow,

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Speaker 1: this is why the same Mexicans are taking jobs in

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Speaker 1: the twenty tens. In the twenty nine and twenty twenties.

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Speaker 1: You understands the education hystormers messed up um and it's

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Speaker 1: going to burthdays divide people racially because historically we're not

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Speaker 1: teaching people about that chou as history. You're right, baby,

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Speaker 1: thank you for calling. Why do we interview her just now?

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Speaker 1: But she we didn't anybore. She did most of the

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Speaker 1: talk one get it off your chest as the Breakfast

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Speaker 1: Club the morning the Breakfast Club put my money in

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Speaker 1: a gray wake up, wake up, wake y'all. Is you're

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Speaker 1: time to get it off your chest? You man or blessed.

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Speaker 1: We want to hear from you on the Breakfast Club.

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Speaker 1: Come on this, Johnny and Johnny what's up? Getting off

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Speaker 1: her chests? Bro? Good morning guys. Man Tcharler, Man, I

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Speaker 1: know you just gonna act like getting just smoothly going there.

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Speaker 1: We just talked about this. I'm gonna tell you something.

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Speaker 1: I would have been on time. But if a couple

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Speaker 1: of people, man slew to a couple of a couple

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Speaker 1: of homies. I don't know them, but they did. I

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Speaker 1: call them home, but they downstairs and when they wanted

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Speaker 1: to rap, and they wanted to sing for me, And

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Speaker 1: I don't know why people do that when they know

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Speaker 1: you gotta be on the air at six am. I'm

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Speaker 1: not about to be late to listen to you rappers things.

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Speaker 1: And if anything is they was here yesterday and I

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Speaker 1: was like, my g you know I'm late work. I

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Speaker 1: can't listen to you. We know I'm late. We're going

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Speaker 1: to air at six am. And by the way, if

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Speaker 1: you if you do start rapping to me, I'm not

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Speaker 1: listening to you can't because what's more important to me

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Speaker 1: is being on this radio at chick am. So right now,

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Speaker 1: I get it. Hello, who's this? Any was going on this?

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Speaker 1: Cliff Cliff? What something? Man? Get it off your chests? Bro,

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Speaker 1: what's going over? To say expressive positivity. My wife on

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Speaker 1: people like I told him some days, man say everybody

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Speaker 1: less man and have a good good All right, bro,

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Speaker 1: have a good one. Say hello? Who's this? Hello? This

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Speaker 1: channel from Columbus? Are how good morning? Channot I get

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Speaker 1: it off? He chess bro? Well, first off, I want

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Speaker 1: to tell y'all three Columbus is a gold mine because

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Speaker 1: Envy if he had one of them seminars, everybody would go,

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Speaker 1: hum Charlemagne, everybody would come to your book sign it

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Speaker 1: and angela ye, everybody would come to your lip service.

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Speaker 1: But anyways, you'll need to give Chris Brown dunk here

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Speaker 1: to day because this food performed in Pittsburgh. My dude

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Speaker 1: said he got real drunk out of his mind. He

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Speaker 1: had a show in Columbus. He canceled fifteen minutes before

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Speaker 1: the show started. They posted a picture on this and

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Speaker 1: Grant where it looked like he was cracked out like

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Speaker 1: Bobby Brown, and then performed the next day. I thought

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Speaker 1: he said he had the flu. He was sick. He

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Speaker 1: had the flu. He had to give his voice sometimes,

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Speaker 1: ain't he ain't had no damn flu. My man ubered

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Speaker 1: his assistant and he said he got real were up

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Speaker 1: until like six and the morning they performed, he canceled

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Speaker 1: fifteen minutes before the show started. So people was crying.

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Speaker 1: People took the day offs. But he needed to get

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Speaker 1: donkey today because he was rolling. He ain't had no

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Speaker 1: damn flu. Because you know he ain't got no flu.

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Speaker 1: You ain't this doctor man. Man said he was sick.

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Speaker 1: He said he's gonna do a makeup date. Bro And

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Speaker 1: I know some groupies that was in the chilling with him. Man.

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Speaker 1: They said, no, you got all the inside information. Get

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Speaker 1: the hell out of man. I know I know everybody

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Speaker 1: in Columbus sometime. And let me ask you a question,

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Speaker 1: why are you the Columbus version of six nine broct

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Speaker 1: You just got telling on everybody. Don't we trying to

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Speaker 1: get me stamped out here? Man, you're doing a perfectly

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Speaker 1: good job about yourself, just out here telling on people.

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Speaker 1: You only tell on out of time. I don't talk,

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Speaker 1: I don't switch on nobody from Columbus tough. That's a fact.

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Speaker 1: That's the fact. Goodbye, shit to lift all right, man,

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Speaker 1: get it off your chest. Eight hundred five eight five

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Speaker 1: one on five one of you need to vet. You

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00:16:54,320 --> 00:16:55,680
Speaker 1: can get us up at any time. That we got

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Speaker 1: rumors on the way. Yes, we are going to talk

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Speaker 1: about these concerts, Little Wayne. Since we just talked about

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Speaker 1: Chris Brown canceling. He has to pay after failing to

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Speaker 1: respond to a concert. Laws will tell you how much

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Speaker 1: he has to pay. Also, new music out today will

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Speaker 1: tell you what you can be looking for. You already

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Speaker 1: know Young Amma's albums in stores. Who else has an

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Speaker 1: album out today? All right, we'll get into that next.

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Speaker 1: Keeping lock this to Breakfast Club. Good morning the Breakfast Club.

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Speaker 1: This is the Ruble Report with angela man, black youngster

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Speaker 1: has gotten arrested in Houston. They say that he was

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Speaker 1: carrying prohibited emma when they pulled over a car. He

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Speaker 1: was just a passenger in a car, so that doesn't

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Speaker 1: mean that it was his. But he was with three

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Speaker 1: other people. They were driving around in the GMC Yukon

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Speaker 1: and cops pulled them over for running a red light

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Speaker 1: quote unquote running a red light. They said they smelled marijuana,

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Speaker 1: so they searched the car and that's when they found

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Speaker 1: three pistols and weeds. So he's being charged now with

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Speaker 1: felony possession of a prohibited weapon specifically armor piercing ammunition

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Speaker 1: and another passenger was charged with awfully carrying a weapon.

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Speaker 1: The two other people in the vehicle were not charged.

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Speaker 1: Other people in the vehicle were in charge. I don't know,

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Speaker 1: because I would assume that the two other people in

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Speaker 1: the vehicle should be the ones that you know, say

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Speaker 1: that the weapons are there. Is because black youngsters the moneymaker, right,

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Speaker 1: But it could be women that they just met. It

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00:18:15,920 --> 00:18:18,359
Speaker 1: could be someone you know. You don't know, right, you

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Speaker 1: have no idea whose thinking it was. Guys, A bunch

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Speaker 1: of guys, absolutely right, All right, little Wayne has to

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Speaker 1: pay one hundred and fifty thousand dollars after not responding

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Speaker 1: to a concert lawsuit. Now apparently, of course that's for

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Speaker 1: a breach of contract and fraud. So the judge did

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Speaker 1: rule in favor of the promoter, and now he has

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Speaker 1: to pay, pay up, pay up. That's what happens when

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Speaker 1: you don't go to court and you're getting sued. Now

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Speaker 1: let's talk about six nine X manager Shoddy. He has

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Speaker 1: admitted to shooting five people in one night. And that

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Speaker 1: audio was the leaked of him talking about it. Talked

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Speaker 1: about that on the phone. Yeah, well that transcript was released.

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Speaker 1: Never remember we told you about Jorge Rivera. The driver. Yes, well,

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Speaker 1: the driver is the one who captured the recording. And

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Speaker 1: that's where Shaddy was bragging that he was the top

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Speaker 1: dog now that he did mail murders dirty work for him.

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Speaker 1: He said, I earned my stripes. And there's other leaked

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Speaker 1: recordings where you can hear members of the gang saying

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Speaker 1: that you can either be a shooter or a dealer

398
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Speaker 1: in nine tray, you can't be both. So that's some

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Speaker 1: of what was on those takes. We told you that

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Speaker 1: the driver had been arrested by ICE and that's when

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Speaker 1: he became an informant. Sh my goodness, all right, listen,

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Speaker 1: that's one person that we hope on ICE sends back

403
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Speaker 1: to where they came from, like please and im back.

404
00:19:29,840 --> 00:19:32,480
Speaker 1: Jennifer Lopez and Shakira, it's been announced they will be

405
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Speaker 1: co headlining super Bowl halftime. That'd be dope, right for

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00:19:37,359 --> 00:19:39,399
Speaker 1: them to be doing a lot of shaking. Yeah, Miami,

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00:19:39,520 --> 00:19:41,280
Speaker 1: lot of shaking on that stage. I'd love to see

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Speaker 1: lou that's Miami too. Yeah, that's Miam. Oh wow, I

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Speaker 1: would love to see Loup. Maybe get Loup to get Loupe.

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Speaker 1: Don't stop pop that. Let me see you the Super

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Speaker 1: Bowl half. I would love that, but I don't know

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Speaker 1: if he's gonna happen at all. Goddamn it. I don't

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Speaker 1: know if you realize how the conservative what you never

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Speaker 1: rocked to a soll of course, but what I'm saying,

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Speaker 1: you know, conservatives Launch care not conservative. They're gonna come

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Speaker 1: out there some short stuff and they're gonna be tworking,

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Speaker 1: just like Gonn meet him, Old Luke dances you used

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Speaker 1: to do exactly it might won't let Luke come out

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Speaker 1: and do scard one time for the coach. Now? Is

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Speaker 1: this one of the halftime shows that rock Nation is curating.

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Speaker 1: I'm not sure about that. If you're gonna have Jay

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Speaker 1: Launch Carr out there shaking their ass, you might as

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Speaker 1: well have Uncle Luke come out there, and you're saying

424
00:20:23,560 --> 00:20:26,439
Speaker 1: and provide the soundtrack. Goddamn, I'm just saying. All right now,

425
00:20:26,520 --> 00:20:29,440
Speaker 1: let's talk new music. The baby his album Kirk is

426
00:20:29,480 --> 00:20:32,720
Speaker 1: out today, so congratulations to him. He has some great

427
00:20:32,720 --> 00:20:36,200
Speaker 1: features on there as well. You know, Nicki minat is

428
00:20:36,200 --> 00:20:39,400
Speaker 1: on the album. Dance the Rapper, Gucci y Kao, Cyrus,

429
00:20:39,560 --> 00:20:41,159
Speaker 1: Kevin Gates is on there, and Kevin Gates has an

430
00:20:41,200 --> 00:20:44,399
Speaker 1: album out today, too Little Baby, money Bag, Yos, Donna

431
00:20:44,480 --> 00:20:48,160
Speaker 1: for Vegas, Um, the Megos, all of them on that album.

432
00:20:48,400 --> 00:20:50,440
Speaker 1: I believe we have, Yes, we do have a snippet.

433
00:20:50,480 --> 00:20:56,400
Speaker 1: Here's Gospel featuring Chance, Gucci and yit Kao Cyrus Gospel.

434
00:20:56,720 --> 00:21:00,720
Speaker 1: I lost my daddy the same weeks and no love left.

435
00:21:00,760 --> 00:21:03,720
Speaker 1: The body must be empty. I mean the found on

436
00:21:03,840 --> 00:21:09,560
Speaker 1: my eyes me and the day I died inlo I

437
00:21:09,920 --> 00:21:14,840
Speaker 1: signed It's a logo and near body Wonder ring Wagon

438
00:21:14,920 --> 00:21:17,080
Speaker 1: come round and don't say that he be sols on

439
00:21:17,280 --> 00:21:21,640
Speaker 1: It been so on out there sounds all sounds, slut

440
00:21:22,080 --> 00:21:23,600
Speaker 1: flute to the baby, dropping a close bumps to the

441
00:21:23,640 --> 00:21:26,840
Speaker 1: baby again, Charlotte, North Carolina, All Day seven, Little four,

442
00:21:26,920 --> 00:21:29,000
Speaker 1: what's happening? Yeah? I got amazed albums out today too

443
00:21:29,119 --> 00:21:31,280
Speaker 1: as well. Her debut album feels like she should have

444
00:21:31,359 --> 00:21:33,879
Speaker 1: been had that done, her story in the making, and

445
00:21:34,400 --> 00:21:37,760
Speaker 1: I love this intro on her album, No Mercy like

446
00:21:37,840 --> 00:21:40,640
Speaker 1: she feeled me but I'm feeling on the scholars phone

447
00:21:40,640 --> 00:21:43,280
Speaker 1: and one not try to selling. She went and drunk

448
00:21:43,320 --> 00:21:45,040
Speaker 1: the pennies hook y'a hard. I don't want to Grimy,

449
00:21:45,040 --> 00:21:47,760
Speaker 1: don't take Molly, don't take Sennies with his weirdness, under pantry,

450
00:21:47,760 --> 00:21:49,800
Speaker 1: I get out to get back. She gonna look because

451
00:21:49,800 --> 00:21:52,440
Speaker 1: she mu shut out, read the broken, shut up some

452
00:21:52,600 --> 00:21:56,680
Speaker 1: my mother. We never hold me on the road, and

453
00:21:56,800 --> 00:22:03,040
Speaker 1: don't let no bad catching number on the road pull us. Okay,

454
00:22:03,119 --> 00:22:05,399
Speaker 1: I see everybody here in the head, even Eddie our

455
00:22:05,440 --> 00:22:08,640
Speaker 1: producer this morning, right, yes, young and May's coming through

456
00:22:08,640 --> 00:22:11,440
Speaker 1: this morning. Also, French Montana has new music out with

457
00:22:11,600 --> 00:22:13,920
Speaker 1: Cardi B and Post Malone has a new song out

458
00:22:13,960 --> 00:22:16,960
Speaker 1: with them that's gonna be on his third studio album, Montana.

459
00:22:22,359 --> 00:22:24,760
Speaker 1: Maybe hallam my make up. When your color you'll be

460
00:22:24,840 --> 00:22:27,920
Speaker 1: calling me to May my gum is like mother, you'll

461
00:22:27,960 --> 00:22:29,840
Speaker 1: be calling me the more than I'm just getting shut

462
00:22:30,920 --> 00:22:33,280
Speaker 1: nick put you a little a little, a little before

463
00:22:34,800 --> 00:22:37,640
Speaker 1: on the level, Booty, like the Chella sell the jealous wishing,

464
00:22:37,760 --> 00:22:42,080
Speaker 1: what's gonna stet up? Music was like Kevin Gates album

465
00:22:42,160 --> 00:22:45,479
Speaker 1: I'm Him is out also and uh yeah, you make

466
00:22:45,520 --> 00:22:47,800
Speaker 1: sure you take a listen to that. I haven't heard

467
00:22:47,880 --> 00:22:49,879
Speaker 1: that one yet, but everybody's saying great things about it.

468
00:22:49,920 --> 00:22:51,600
Speaker 1: I'm gonna make sure I listen to that today. So

469
00:22:51,680 --> 00:22:53,960
Speaker 1: it's a man's trap. Sauce is out today, and Nicki

470
00:22:54,040 --> 00:22:56,119
Speaker 1: Minaj has a new song. Well, P and b Rock

471
00:22:56,200 --> 00:22:57,840
Speaker 1: has a new song out that Nicki Minaj is on.

472
00:22:57,920 --> 00:23:00,400
Speaker 1: Because you know, Nikki's friendly line is about to drop

473
00:23:00,800 --> 00:23:09,200
Speaker 1: and the song is called Fendy. You want to get

474
00:23:21,760 --> 00:23:25,159
Speaker 1: It's impossible to get through all this new music. I

475
00:23:25,200 --> 00:23:27,520
Speaker 1: think it's next the weekend excited. I don't have the

476
00:23:27,560 --> 00:23:30,439
Speaker 1: band with him my brain, it's impossible. And for Nicki Minaz,

477
00:23:30,440 --> 00:23:32,600
Speaker 1: her Fendy collection will be available on Fendi dot Com

478
00:23:32,680 --> 00:23:36,160
Speaker 1: starting October fourteenth and in select boutique starting October sixteenth.

479
00:23:36,240 --> 00:23:37,960
Speaker 1: Let's go all right, I'm Angela yea, and that is

480
00:23:37,960 --> 00:23:39,960
Speaker 1: your room of a play. We just pick one. Maria

481
00:23:40,119 --> 00:23:42,680
Speaker 1: with the baby this weekend Baby, I get everything else later.

482
00:23:42,960 --> 00:23:45,080
Speaker 1: I already started listening to his album I Like the Baby.

483
00:23:45,280 --> 00:23:47,040
Speaker 1: All right, now we got front page news when we

484
00:23:47,080 --> 00:23:49,440
Speaker 1: come back. Yes, we are going to be talking about

485
00:23:50,000 --> 00:23:53,119
Speaker 1: breed of dog. The person who created this dog says

486
00:23:53,440 --> 00:23:56,880
Speaker 1: he regrets it and calls the dog a Frankenstein monster. Wow.

487
00:23:56,960 --> 00:23:58,439
Speaker 1: All right, we'll get into that next. Keep a lock

488
00:23:58,520 --> 00:24:00,879
Speaker 1: just to Breakfast Club. Good morning morning everybody. It's DJ

489
00:24:01,320 --> 00:24:04,400
Speaker 1: mv Angela yee, Charlomagne the guy. We all the Breakfast Club.

490
00:24:04,440 --> 00:24:10,560
Speaker 1: Let's getting some front page news now with Thursday, the

491
00:24:10,760 --> 00:24:13,320
Speaker 1: Eagles beat the Packers last day. Don't know the score,

492
00:24:13,359 --> 00:24:15,360
Speaker 1: but the Eagles one last day. What else we're talking about? Easy,

493
00:24:15,840 --> 00:24:17,600
Speaker 1: don't speed past the fact that the Eagles are what

494
00:24:17,760 --> 00:24:19,520
Speaker 1: two and two now they aren't two and two, but

495
00:24:19,760 --> 00:24:21,520
Speaker 1: still at the bottom of the NFC. He's looking up

496
00:24:21,560 --> 00:24:23,280
Speaker 1: in my Dallas Cowboys were three and not. Just want

497
00:24:23,280 --> 00:24:24,960
Speaker 1: to throw that up. The game was thirty four twenty seven,

498
00:24:25,000 --> 00:24:27,320
Speaker 1: Eagles one. And what else we got you. Let's talk

499
00:24:27,320 --> 00:24:30,960
Speaker 1: about this woman, Heather Lynn Patton. She's in California. She

500
00:24:31,160 --> 00:24:33,720
Speaker 1: was caught on video and she was leaving a CBS

501
00:24:33,840 --> 00:24:36,600
Speaker 1: pharmacy in the Eagle Rock neighborhood of LA and she

502
00:24:36,880 --> 00:24:39,360
Speaker 1: is using the N word and being very disgusting. Listen

503
00:24:39,400 --> 00:24:42,680
Speaker 1: to this. Yeah, she's on drugs and stop. No, I'm

504
00:24:42,760 --> 00:24:47,560
Speaker 1: totally I just hate niggers. Hey, okay, we're calling the

505
00:24:47,600 --> 00:24:55,040
Speaker 1: cops nigger. I can't kill the name if the Lord

506
00:24:55,520 --> 00:24:59,040
Speaker 1: say that, I couldn't kill. They all men, And that's

507
00:24:59,080 --> 00:25:01,520
Speaker 1: when you just gotta slap a cracker ass cracker. Well,

508
00:25:01,600 --> 00:25:03,800
Speaker 1: she's had two restraining orders taken out against her by

509
00:25:03,880 --> 00:25:07,080
Speaker 1: her neighbors. According to her order taking out to her.

510
00:25:09,600 --> 00:25:12,240
Speaker 1: And she's also been fired now from her job. She's

511
00:25:12,240 --> 00:25:16,640
Speaker 1: worked on Shoveled, the TV show. She's an a wardrobe designer,

512
00:25:16,800 --> 00:25:20,400
Speaker 1: so she's does customing and other crew roles. According to her,

513
00:25:20,800 --> 00:25:24,280
Speaker 1: I AMDB page and so yes, all that should happen

514
00:25:24,320 --> 00:25:26,520
Speaker 1: when you should also get slapped good time. Now you

515
00:25:26,560 --> 00:25:29,400
Speaker 1: know what I'm saying. Nothing wrong with a little physical

516
00:25:29,960 --> 00:25:32,840
Speaker 1: when you discipline every now and then along with everything else.

517
00:25:32,880 --> 00:25:34,840
Speaker 1: You just said, Gee, this is a quick slap. Yeah,

518
00:25:34,880 --> 00:25:36,720
Speaker 1: I'm not mad at that in real time when it's

519
00:25:36,720 --> 00:25:38,879
Speaker 1: talk about when she says that in that moment to somebody,

520
00:25:38,960 --> 00:25:41,040
Speaker 1: just somebody haul a nigger, needs to haul off and

521
00:25:41,080 --> 00:25:47,080
Speaker 1: slap her ball. But I am I am glad that

522
00:25:47,359 --> 00:25:49,360
Speaker 1: when the way things play out, you get caught on video.

523
00:25:49,440 --> 00:25:51,040
Speaker 1: Now everybody knows your name, they know who you are.

524
00:25:51,119 --> 00:25:53,600
Speaker 1: You lose your job. She doubled down like she didn't care.

525
00:25:53,960 --> 00:25:55,600
Speaker 1: Not only that, not only did she keeps saying the

526
00:25:55,640 --> 00:25:58,320
Speaker 1: word she said, if the law would allow it, I

527
00:25:58,400 --> 00:26:01,320
Speaker 1: would kill her any word, Lord have mirth. You can't

528
00:26:01,320 --> 00:26:02,960
Speaker 1: tell me they ain't work for slap and say, I

529
00:26:03,000 --> 00:26:05,200
Speaker 1: could come on now if any if you're a white

530
00:26:05,200 --> 00:26:07,680
Speaker 1: person exactly if you're a white person, I did. And

531
00:26:07,760 --> 00:26:09,399
Speaker 1: you don't think that that deserves to slap. You're not

532
00:26:09,480 --> 00:26:14,240
Speaker 1: an ally. You should hope that that crack cracker gets slap, right, Well,

533
00:26:14,320 --> 00:26:17,120
Speaker 1: she's yeah, all right. Now let's talk about McDonald's. They're

534
00:26:17,160 --> 00:26:20,879
Speaker 1: testing beyond meat burger plant based burgers, and they're going

535
00:26:20,920 --> 00:26:22,840
Speaker 1: to be doing that in twenty eight restaurants. I love

536
00:26:22,880 --> 00:26:26,520
Speaker 1: beyond meat. The burger is called the PLT plant lettuce

537
00:26:26,520 --> 00:26:29,560
Speaker 1: and tomato instead of the BLT. So they're saying that

538
00:26:29,680 --> 00:26:32,520
Speaker 1: beyond meat. Shares exploded after that at thirteen percent and

539
00:26:32,600 --> 00:26:34,879
Speaker 1: went up thirteen percent. So do they have to have

540
00:26:35,000 --> 00:26:38,240
Speaker 1: that every restaurant? I mean, it's nice to have options

541
00:26:38,240 --> 00:26:40,040
Speaker 1: for people who don't need meat. Here's the thing, though,

542
00:26:40,080 --> 00:26:42,440
Speaker 1: how about don't go to that restaurant. It's just an option.

543
00:26:42,720 --> 00:26:44,560
Speaker 1: What's wrong? Why? Why are you against it? I'm just

544
00:26:44,600 --> 00:26:49,600
Speaker 1: saying that if but they want business, it's about making money.

545
00:26:49,720 --> 00:26:52,200
Speaker 1: If you want that business, you'll provide what customers want.

546
00:26:52,280 --> 00:26:54,680
Speaker 1: When it comes to those fast food restaurants, we didn't

547
00:26:54,720 --> 00:26:57,280
Speaker 1: know what the meat was before. We didn't know it

548
00:26:57,320 --> 00:26:59,879
Speaker 1: wasn't real beat before, so what the hell is it now?

549
00:27:01,040 --> 00:27:03,280
Speaker 1: It's p isolate protein. I don't even know what that is,

550
00:27:03,720 --> 00:27:05,520
Speaker 1: but I will say this, I was so grateful. I

551
00:27:05,600 --> 00:27:07,280
Speaker 1: was in the airport one day I went to Fridays

552
00:27:07,320 --> 00:27:10,560
Speaker 1: and Friday's actually has beyond burgers, and I was really excited.

553
00:27:10,600 --> 00:27:13,040
Speaker 1: I've never normally eat And I'm telling you all the

554
00:27:13,119 --> 00:27:15,040
Speaker 1: people just doing this because it's making us feel good

555
00:27:15,119 --> 00:27:17,800
Speaker 1: and because it's profitable right now, it's been, it's probably

556
00:27:17,840 --> 00:27:19,720
Speaker 1: that's the point. It's probably the same old meat that

557
00:27:19,800 --> 00:27:22,000
Speaker 1: it's been. It probably been. It's the same old mystery meat.

558
00:27:22,040 --> 00:27:24,080
Speaker 1: Not I even got a good name for it, beyond meat. Well,

559
00:27:24,119 --> 00:27:27,640
Speaker 1: people that don't eat live animals, this is a great

560
00:27:27,640 --> 00:27:30,320
Speaker 1: option for them, as I would never just bite into

561
00:27:30,320 --> 00:27:32,760
Speaker 1: a live animal cooking animals that were a lot a

562
00:27:32,800 --> 00:27:35,480
Speaker 1: lot of them. At least. This isn't meat, This isn't

563
00:27:35,560 --> 00:27:39,399
Speaker 1: real animal meat. This is something else. Okay, it's vegetarian.

564
00:27:39,680 --> 00:27:41,640
Speaker 1: And if you're a vegetarian and you have your reasons

565
00:27:41,680 --> 00:27:43,880
Speaker 1: for not eating meat, why not let them have those options?

566
00:27:44,280 --> 00:27:46,440
Speaker 1: Especially these restaurants will make money off of it, so

567
00:27:46,960 --> 00:27:50,280
Speaker 1: nothing wrong with that. Also, I tease yourself, if you're

568
00:27:50,280 --> 00:27:53,000
Speaker 1: a vegetarian, right, why even why you even eat the

569
00:27:53,000 --> 00:27:54,680
Speaker 1: fake meat when you want burger, but you just want

570
00:27:54,680 --> 00:27:57,400
Speaker 1: to be healthy, stick to your plants. It's a plan.

571
00:27:57,480 --> 00:27:59,919
Speaker 1: It's a plant burger. It's a plane. Yeah, no, such thing.

572
00:28:00,000 --> 00:28:01,359
Speaker 1: You showed me here a cow that grows out of

573
00:28:01,400 --> 00:28:03,680
Speaker 1: the ground. And now the black people make patty cows

574
00:28:03,680 --> 00:28:05,760
Speaker 1: on the vine. People make burgers out of black beans.

575
00:28:05,800 --> 00:28:07,440
Speaker 1: You never had a black bean burger? I have? Those

576
00:28:07,480 --> 00:28:09,280
Speaker 1: are good, all right? So why don't you have Probably

577
00:28:09,440 --> 00:28:10,720
Speaker 1: you stopped calling it a burger. I call it a

578
00:28:10,760 --> 00:28:13,359
Speaker 1: black bean patty. No for real, Like, why do you

579
00:28:13,480 --> 00:28:16,560
Speaker 1: kid call it plant patty? Stop calling it the burger

580
00:28:17,440 --> 00:28:20,440
Speaker 1: playing beef. But what about a turkey burgers? They should

581
00:28:20,440 --> 00:28:22,000
Speaker 1: call that something else. Yeah, it's calling it a turkey

582
00:28:22,040 --> 00:28:24,840
Speaker 1: patty or a chicken burger. Called things patty chicken patty.

583
00:28:24,880 --> 00:28:26,800
Speaker 1: All right. I'm a year and that is your front pagon.

584
00:28:26,840 --> 00:28:29,480
Speaker 1: When you think burger, you think beef, right, I do, Yeah,

585
00:28:29,640 --> 00:28:31,840
Speaker 1: I don't I think turkey burger normally because I haven't

586
00:28:31,880 --> 00:28:34,520
Speaker 1: had beef in twenty six years. Well, well they don't

587
00:28:34,520 --> 00:28:36,520
Speaker 1: have that. McDonald's. They have a turkey burger McDonalds. No,

588
00:28:36,640 --> 00:28:39,160
Speaker 1: but that's what I think of I mac Donalds never

589
00:28:39,240 --> 00:28:41,480
Speaker 1: had a turkey burger for Thanksgiving. Wouldn't never be so

590
00:28:41,640 --> 00:28:43,840
Speaker 1: such simple marketing? You could get a chicken sandwich. That's

591
00:28:43,880 --> 00:28:47,920
Speaker 1: probably why you didn't get a mc bread. That's about it, okay,

592
00:28:48,120 --> 00:28:50,800
Speaker 1: all right, But anyway, when we come back, Brian Grays

593
00:28:50,880 --> 00:28:52,280
Speaker 1: will be joining us. Now, if you don't know who

594
00:28:52,320 --> 00:28:54,240
Speaker 1: Brian Grays is, he's produced some of the films that

595
00:28:54,240 --> 00:28:57,840
Speaker 1: you probably love, like American Gangster, My Empire, Beautiful Mind

596
00:28:58,160 --> 00:29:00,760
Speaker 1: Splash Up. And we'll talk to when we come back.

597
00:29:00,760 --> 00:29:03,280
Speaker 1: All right, it's a breakfast look the Morning, the Breakfast

598
00:29:03,360 --> 00:29:09,800
Speaker 1: Club winning. Everybody is DJ Envy Angela yee Sean, I

599
00:29:09,880 --> 00:29:11,520
Speaker 1: mean the guy we are to Breakfast Club. We got

600
00:29:11,600 --> 00:29:14,200
Speaker 1: a special guest in the building. Yes, indeed, Brian Gray

601
00:29:14,280 --> 00:29:16,600
Speaker 1: is welcome, sir, thank you. Yeah, I'm glad to be here.

602
00:29:16,640 --> 00:29:19,320
Speaker 1: Brian got a lot of accolades, New York Times best

603
00:29:19,360 --> 00:29:24,600
Speaker 1: selling author, correct Oscar winning producer, Golden Globes, Emmy, Gammy Awards,

604
00:29:24,760 --> 00:29:28,760
Speaker 1: Nice his films along with Ron Howard, imagine entertainment. I

605
00:29:28,800 --> 00:29:31,200
Speaker 1: think you'll have growth like thirteen billion dollars in movies

606
00:29:31,760 --> 00:29:34,040
Speaker 1: or something like that. Yeah, you take a billion, right,

607
00:29:35,040 --> 00:29:36,800
Speaker 1: yeah yeah, yeah, yeah, yeah, yeah, you've got a new

608
00:29:36,840 --> 00:29:38,239
Speaker 1: book out and I called Faith to Faith to All

609
00:29:38,280 --> 00:29:39,920
Speaker 1: the Human Connection All lad And you want to come

610
00:29:39,960 --> 00:29:45,800
Speaker 1: on this show exactly? I write books? Why? Um? You

611
00:29:45,880 --> 00:29:49,800
Speaker 1: really want an answer? Yes, yes, oh um. I didn't

612
00:29:49,960 --> 00:29:52,840
Speaker 1: didn't really intend on writing a book, but I did

613
00:29:52,880 --> 00:29:54,760
Speaker 1: a previous book. It was called A Curious Mind. And

614
00:29:54,840 --> 00:29:59,280
Speaker 1: that was because for forty years I've decided, since college

615
00:29:59,360 --> 00:30:01,640
Speaker 1: that I would try to disrupt my comfort zone every

616
00:30:01,720 --> 00:30:06,520
Speaker 1: week by trying to understand another business other than my business.

617
00:30:06,920 --> 00:30:10,719
Speaker 1: And so I've met thousands of people, Nobel Laureates, Michael Jackson,

618
00:30:10,880 --> 00:30:14,480
Speaker 1: Edward Teller, the father Hydrogen Bomb, endless amounts of people,

619
00:30:15,240 --> 00:30:18,840
Speaker 1: and they would share their insights, and I would get

620
00:30:18,920 --> 00:30:22,520
Speaker 1: into these one on one conversations, which I put high

621
00:30:22,600 --> 00:30:25,320
Speaker 1: value on to the point I thought I'd rather have

622
00:30:25,440 --> 00:30:28,440
Speaker 1: one of these conversations with somebody that was meaningful and

623
00:30:28,600 --> 00:30:31,160
Speaker 1: have another hit movie. And then somebody said, don't ever

624
00:30:31,240 --> 00:30:36,120
Speaker 1: say that out loud. But then I had this epiphany,

625
00:30:36,400 --> 00:30:39,800
Speaker 1: and I realized that none of the people that I'd

626
00:30:39,840 --> 00:30:43,240
Speaker 1: met over the forty years would have really connected with

627
00:30:43,400 --> 00:30:47,880
Speaker 1: me and shared their heart and me, there's if we

628
00:30:48,000 --> 00:30:50,680
Speaker 1: didn't actually look at each other. That that was this

629
00:30:50,840 --> 00:30:54,360
Speaker 1: sort of central bridge. It was like to human connection.

630
00:30:54,560 --> 00:30:58,800
Speaker 1: It was kind of the WiFi of human connection. And

631
00:31:00,160 --> 00:31:07,920
Speaker 1: why hi five? Yes, yes, that's why I find your show. Yes,

632
00:31:08,640 --> 00:31:11,160
Speaker 1: so so that's what it is. So I basically thought

633
00:31:11,640 --> 00:31:13,440
Speaker 1: I wanted to share this with other people and share

634
00:31:13,480 --> 00:31:16,120
Speaker 1: the technique so that other people can do it truthfully,

635
00:31:16,160 --> 00:31:19,320
Speaker 1: because I was like an f student in elementary school

636
00:31:19,440 --> 00:31:22,040
Speaker 1: for quite a while because I was dyslexic, and if

637
00:31:22,120 --> 00:31:25,840
Speaker 1: I can do it, anyone can do this. How do

638
00:31:25,880 --> 00:31:29,640
Speaker 1: you overcome your dyslexia? I thoughted to say dyslexicsness, which

639
00:31:29,680 --> 00:31:36,360
Speaker 1: sounded how did you overcome that? I didn't, you know,

640
00:31:36,560 --> 00:31:39,200
Speaker 1: up until up until the fifth grade. Then I could,

641
00:31:39,280 --> 00:31:42,800
Speaker 1: I remember pretty vividly. I could read one word and

642
00:31:43,040 --> 00:31:46,120
Speaker 1: then I was able to spell, and it just sort

643
00:31:46,160 --> 00:31:49,640
Speaker 1: of gradually happened. It was it was almost like kids.

644
00:31:50,040 --> 00:31:53,360
Speaker 1: I met this kid in Buenos Aires who was Venezuelan

645
00:31:53,920 --> 00:31:56,560
Speaker 1: who spoke perfect English. He was twenty two years old,

646
00:31:56,800 --> 00:31:59,320
Speaker 1: and he learned it through video games. Wow. So I

647
00:31:59,480 --> 00:32:04,479
Speaker 1: probably learned to read and spell through human connection by

648
00:32:04,560 --> 00:32:06,520
Speaker 1: talking to people. How are you get in the television?

649
00:32:06,840 --> 00:32:09,000
Speaker 1: What was your love for television? What made you jump

650
00:32:09,040 --> 00:32:11,880
Speaker 1: into that Basically what happened is I was a writer.

651
00:32:12,560 --> 00:32:15,320
Speaker 1: So those movies for TV that I was referencing, those

652
00:32:15,360 --> 00:32:18,000
Speaker 1: are my creations. And because I had no money, and

653
00:32:18,120 --> 00:32:20,440
Speaker 1: somebody said, since you have no money, you gotta have something,

654
00:32:20,800 --> 00:32:24,000
Speaker 1: so I'd write my ideas. And as rudimentary as they were,

655
00:32:24,680 --> 00:32:28,320
Speaker 1: they were a conceptual and and that was valuable. And

656
00:32:28,480 --> 00:32:31,840
Speaker 1: then I wrote The Mermaid. This I wrote the movie

657
00:32:31,960 --> 00:32:36,280
Speaker 1: called Splash about a man class. That's a classic. Darren

658
00:32:36,320 --> 00:32:39,840
Speaker 1: Hannah one of the greatest actor of all time. If

659
00:32:39,840 --> 00:32:42,960
Speaker 1: you ask me, I think so good. Thanks Tom to me,

660
00:32:43,080 --> 00:32:46,480
Speaker 1: Tom Hankswood, I love I love Flash. I flashed this day. Wow,

661
00:32:46,640 --> 00:32:52,320
Speaker 1: to this day. Charleman really came my life. I love man.

662
00:32:52,840 --> 00:32:55,760
Speaker 1: Thank you. I would love to see a secret of Splash,

663
00:32:55,880 --> 00:32:57,760
Speaker 1: like I want to see him underwater living with her,

664
00:32:57,960 --> 00:32:59,560
Speaker 1: because that's what happened at the end, right, he became

665
00:32:59,600 --> 00:33:04,200
Speaker 1: a herman, he became hurt. Yeah man, yeah, well yeah,

666
00:33:04,320 --> 00:33:06,680
Speaker 1: a lot of people. I was turned down hundreds of

667
00:33:06,800 --> 00:33:09,240
Speaker 1: times on this Mermaid movie. I can see why, yeah,

668
00:33:09,240 --> 00:33:12,880
Speaker 1: and then you go it just seem to stupid. John

669
00:33:13,280 --> 00:33:15,760
Speaker 1: is like, yeah, but the movie is great, but great, Well,

670
00:33:15,760 --> 00:33:18,240
Speaker 1: because I kind of knew what the internal heartbeat of

671
00:33:18,320 --> 00:33:20,840
Speaker 1: what the movie was. It was a love story. It

672
00:33:20,960 --> 00:33:24,080
Speaker 1: was a guy. It was about a guy that has

673
00:33:24,160 --> 00:33:26,640
Speaker 1: a lot of things. He has owns, a produced story,

674
00:33:26,640 --> 00:33:29,480
Speaker 1: he's got he's not like a loser, he's got good,

675
00:33:30,400 --> 00:33:33,520
Speaker 1: but he can't have love. And so I thought that

676
00:33:33,960 --> 00:33:37,360
Speaker 1: disability would be really interesting his personal level. It was

677
00:33:37,520 --> 00:33:40,200
Speaker 1: my personal was it really was a great story, because

678
00:33:40,280 --> 00:33:44,440
Speaker 1: yeah it was. It was my personal It was about

679
00:33:44,440 --> 00:33:46,640
Speaker 1: there for everybody, even if it's deep, deep, deep under

680
00:33:46,680 --> 00:33:50,360
Speaker 1: the water. Yeah, I think that it was a love level.

681
00:33:50,520 --> 00:33:52,880
Speaker 1: He was hot one day. It was like the movie

682
00:33:52,960 --> 00:33:56,920
Speaker 1: like that that just came out, that went yeah, yeah, yeah,

683
00:34:02,520 --> 00:34:06,840
Speaker 1: it was. There was no Splash exactly, and I really

684
00:34:06,880 --> 00:34:13,080
Speaker 1: feel like somebody's saft splash and movie thank you, thank you,

685
00:34:14,280 --> 00:34:16,800
Speaker 1: But I'm glad that you liked. I like Splash. So

686
00:34:16,960 --> 00:34:19,359
Speaker 1: basically it was my story. You're right. And then I thought,

687
00:34:19,560 --> 00:34:22,279
Speaker 1: how can I make her even more unattainable and at

688
00:34:22,320 --> 00:34:25,480
Speaker 1: the same time give a woman more power and mystique,

689
00:34:26,000 --> 00:34:28,640
Speaker 1: make her a mermaid, and that put her into it.

690
00:34:28,800 --> 00:34:31,800
Speaker 1: That put the movie into another genre, elevated to another genre.

691
00:34:31,880 --> 00:34:34,320
Speaker 1: So it was like a fantasy along with the romantic

692
00:34:34,640 --> 00:34:36,600
Speaker 1: When your boss when your boss at the time, right,

693
00:34:36,760 --> 00:34:39,080
Speaker 1: or whether they had to talk that when when you

694
00:34:39,120 --> 00:34:42,279
Speaker 1: went to save nobody prove that this is what did

695
00:34:42,280 --> 00:34:45,000
Speaker 1: they say back to you? Oh on the Splash movie, Yes,

696
00:34:45,680 --> 00:34:49,120
Speaker 1: they must go that's a stupid idea, that it's just

697
00:34:49,680 --> 00:34:51,839
Speaker 1: they know you a mermaid. There's those just thing as

698
00:34:51,880 --> 00:34:56,160
Speaker 1: a mermaid. And I'd go, I understand that, you know.

699
00:34:56,280 --> 00:34:59,000
Speaker 1: And then one time, then once I made one movie,

700
00:34:59,080 --> 00:35:01,759
Speaker 1: gave me some credible they called Nightshift. It was still

701
00:35:01,800 --> 00:35:04,680
Speaker 1: hard to make the Mermaid movie. And I had one company,

702
00:35:04,800 --> 00:35:07,560
Speaker 1: Warner Brothers, that said they'd do it if I didn't

703
00:35:07,640 --> 00:35:10,239
Speaker 1: let him the Tom Hanks go underwater and be with

704
00:35:10,360 --> 00:35:12,840
Speaker 1: the woman. But that's the whole point of the movie.

705
00:35:12,840 --> 00:35:15,760
Speaker 1: I'd rather again be like on the street with nothing

706
00:35:16,120 --> 00:35:18,759
Speaker 1: than do it and have defeat the whole purpose of

707
00:35:18,840 --> 00:35:21,799
Speaker 1: the movie. Isn't the worst part about pitching ideas when

708
00:35:21,840 --> 00:35:23,120
Speaker 1: you got to sit down and talk to a bunch

709
00:35:23,160 --> 00:35:27,319
Speaker 1: of non creatives. Yes, it's really really hard, like you're

710
00:35:27,320 --> 00:35:29,520
Speaker 1: trying to hit it. You're hitting a wall all the time. Yeah,

711
00:35:29,719 --> 00:35:33,040
Speaker 1: And about finances and how much they can make They

712
00:35:33,040 --> 00:35:35,800
Speaker 1: always talk. Yeah, they try to bring up economic model

713
00:35:35,880 --> 00:35:38,640
Speaker 1: to everything, and we all know that doesn't work in

714
00:35:38,760 --> 00:35:42,600
Speaker 1: life because the art forms don't work that way, but

715
00:35:42,680 --> 00:35:45,440
Speaker 1: they always do that. So what I do on pitches Now,

716
00:35:45,600 --> 00:35:50,839
Speaker 1: what I've learned after Splash is that once when people

717
00:35:50,840 --> 00:35:53,279
Speaker 1: are dinging you out for the story, they go, we're

718
00:35:53,320 --> 00:35:55,880
Speaker 1: not that story is stupid. Then I go right to

719
00:35:56,000 --> 00:36:00,080
Speaker 1: the theme. And if people and you pick themes, like

720
00:36:00,160 --> 00:36:02,200
Speaker 1: in the case of Splash it's a love stories, I go,

721
00:36:02,600 --> 00:36:05,800
Speaker 1: do you mean you don't root for love or parenthood

722
00:36:05,880 --> 00:36:08,799
Speaker 1: or Empire, I'd go, yeah, I understand that these are

723
00:36:08,840 --> 00:36:11,759
Speaker 1: the characters, but you have to root for family. If

724
00:36:11,800 --> 00:36:14,640
Speaker 1: you don't root for flame, family, and then people don't

725
00:36:14,680 --> 00:36:16,320
Speaker 1: want to look at themselves in the mirror like that,

726
00:36:16,400 --> 00:36:18,160
Speaker 1: so they go, yeah, of course I root for family,

727
00:36:18,239 --> 00:36:20,600
Speaker 1: and then they often will go yes with Empire. A

728
00:36:20,719 --> 00:36:22,520
Speaker 1: tough sell back then, only because there wasn't a lot

729
00:36:22,560 --> 00:36:24,680
Speaker 1: of black representation on TV at the time. Yeah, it

730
00:36:24,760 --> 00:36:27,640
Speaker 1: was a very, very very tough sell for network television.

731
00:36:27,960 --> 00:36:31,359
Speaker 1: They were so disgraceful about it, you know, like, um,

732
00:36:31,760 --> 00:36:34,080
Speaker 1: you know, like shaming and stuff like that. Really, what

733
00:36:34,120 --> 00:36:37,239
Speaker 1: would they shame? In hip hop? There was shaminges. What

734
00:36:37,440 --> 00:36:39,719
Speaker 1: was it? I don't know, just like I don't even

735
00:36:39,760 --> 00:36:41,840
Speaker 1: want to. Shouldn't say, but it was. It was just like,

736
00:36:42,239 --> 00:36:46,960
Speaker 1: there's a terrible idea ninety five percent black movie, black

737
00:36:47,000 --> 00:36:50,520
Speaker 1: TV series and on network television. You know, don't you

738
00:36:50,560 --> 00:36:53,320
Speaker 1: watch television? You know you understand there's no girls on

739
00:36:53,400 --> 00:36:58,839
Speaker 1: TV the nineties, fortunately there are no but yeah, because

740
00:36:59,320 --> 00:37:01,600
Speaker 1: but it was hard because the Empire. Yeah, yeah, it's true.

741
00:37:01,640 --> 00:37:04,040
Speaker 1: It open it the thing. Yes, I think we all

742
00:37:04,080 --> 00:37:07,480
Speaker 1: liked that it opened the aperture for the absolutely so um.

743
00:37:08,200 --> 00:37:11,359
Speaker 1: But I think if you if you find you go please,

744
00:37:11,520 --> 00:37:15,680
Speaker 1: if you find the theme that that is irrefutable, then

745
00:37:15,800 --> 00:37:17,920
Speaker 1: they then had sort of help. All Right. We got

746
00:37:17,960 --> 00:37:20,000
Speaker 1: more with Brian Grazer when we come back, Don't Move

747
00:37:20,120 --> 00:37:22,440
Speaker 1: is to Breakfast Club, Good morning, I want to everybody

748
00:37:22,560 --> 00:37:25,920
Speaker 1: is DJ mvy Angela Yee, Charlemagne the guy we are

749
00:37:26,000 --> 00:37:28,840
Speaker 1: The Breakfast Club was too kicking it with Brian Grazer.

750
00:37:29,080 --> 00:37:31,200
Speaker 1: Now you might not know his name, but he produced

751
00:37:31,320 --> 00:37:35,680
Speaker 1: flicks in movies like eight Mile, American Gangster Empire and more.

752
00:37:35,840 --> 00:37:37,880
Speaker 1: Gee like you did eight Mile, and you tell a

753
00:37:37,960 --> 00:37:41,000
Speaker 1: great story about sitting down with eminem Yeah that felt

754
00:37:41,040 --> 00:37:43,600
Speaker 1: awkward because I was picturing it as I was reading

755
00:37:43,760 --> 00:37:47,320
Speaker 1: what that scenario was like for you to even awkward

756
00:37:47,600 --> 00:37:50,680
Speaker 1: had that meeting because I, again, you know, like we're

757
00:37:50,680 --> 00:37:53,120
Speaker 1: having fun talking and stuff, and I feel like I

758
00:37:53,320 --> 00:37:56,040
Speaker 1: try really hard to have human connection. That's kind of what.

759
00:37:56,239 --> 00:38:00,120
Speaker 1: And I tried all of these techniques to communicate with

760
00:38:00,400 --> 00:38:01,800
Speaker 1: him and have him look at me, but he just

761
00:38:01,920 --> 00:38:05,040
Speaker 1: kept looking straight out the window while I was over here,

762
00:38:05,520 --> 00:38:08,120
Speaker 1: and I Jimmy Ivene was over there looking at me, like,

763
00:38:08,960 --> 00:38:12,319
Speaker 1: you feel like that? And I literally tried it all,

764
00:38:12,920 --> 00:38:16,160
Speaker 1: and then after about twenty minutes, which felt like two

765
00:38:16,280 --> 00:38:21,320
Speaker 1: hours at least, he just goes, I'm out, and I

766
00:38:21,440 --> 00:38:25,640
Speaker 1: just was unable to connect in a way that made

767
00:38:25,719 --> 00:38:30,799
Speaker 1: him feel safe or or interested or trusting. And then

768
00:38:31,080 --> 00:38:34,040
Speaker 1: as he I said, you can't go like that, and

769
00:38:34,160 --> 00:38:35,600
Speaker 1: so he put his hand on the door to leave,

770
00:38:35,840 --> 00:38:40,480
Speaker 1: and I just in desperation just said him, no, I couldn't.

771
00:38:40,680 --> 00:38:43,640
Speaker 1: I didn't tackle him because he's no. I didn't tackle him,

772
00:38:44,440 --> 00:38:47,960
Speaker 1: but as he in desperation, I just said, you can animate,

773
00:38:48,040 --> 00:38:55,640
Speaker 1: can't you? And I said you can animate? You can? What? Well,

774
00:38:57,880 --> 00:39:00,400
Speaker 1: what does that mean like physically? Well, here is a thing.

775
00:39:01,120 --> 00:39:04,360
Speaker 1: What made me really want to meet him was I

776
00:39:04,520 --> 00:39:07,520
Speaker 1: saw he was he was he was at the he

777
00:39:07,640 --> 00:39:10,640
Speaker 1: was at the VMA's and he was on screen for

778
00:39:10,760 --> 00:39:14,280
Speaker 1: a short minute on screen in this in his seat

779
00:39:14,920 --> 00:39:19,080
Speaker 1: and something. He had this really icy urban glare going

780
00:39:19,200 --> 00:39:23,440
Speaker 1: on that felt really urban glare. Bryan. It's just like,

781
00:39:23,719 --> 00:39:25,600
Speaker 1: I can't do it. It's just showed me I need

782
00:39:25,680 --> 00:39:32,520
Speaker 1: to see on an urban glare urban glare well, because

783
00:39:32,560 --> 00:39:41,719
Speaker 1: I know, by the way, you're the only one that's

784
00:39:41,760 --> 00:39:44,120
Speaker 1: busted me. And it's a legit bust on that right,

785
00:39:44,440 --> 00:39:48,840
Speaker 1: why urban um just say glare. I'm going glare urbane,

786
00:39:50,760 --> 00:39:53,040
Speaker 1: icy glare. Am I having to learn stuff on the

787
00:39:53,120 --> 00:39:57,520
Speaker 1: show's embarrassing, but it's true. Okay, icy glare. I had

788
00:39:57,520 --> 00:40:00,200
Speaker 1: a glare okay on TV got you And and then

789
00:40:00,320 --> 00:40:03,200
Speaker 1: somebody made him laugh and he really did animate. He

790
00:40:03,600 --> 00:40:12,000
Speaker 1: had this what you look for in actors laugh like, no, no,

791
00:40:14,880 --> 00:40:26,359
Speaker 1: you're right, is this show going okay? Man urban laugh

792
00:40:26,840 --> 00:40:31,680
Speaker 1: okay anyway, No, just just a laugh. He laughed, He laughed,

793
00:40:32,080 --> 00:40:36,280
Speaker 1: he smiled, he and honestly he animated. His face became fluid,

794
00:40:36,480 --> 00:40:40,520
Speaker 1: you know, and like Tom Hanks, your favorite actor, there's

795
00:40:40,560 --> 00:40:42,759
Speaker 1: a thing that you look for in actors, and so

796
00:40:43,200 --> 00:40:45,160
Speaker 1: he had that quality. That's why I wanted to me,

797
00:40:45,640 --> 00:40:48,320
Speaker 1: so I guess I just was desperate. It was twenty

798
00:40:48,360 --> 00:40:50,640
Speaker 1: minutes and he was gonna leave. I just said that word.

799
00:40:50,719 --> 00:40:52,719
Speaker 1: It was irrelicant. He stopped and then he stopped. He

800
00:40:52,800 --> 00:40:55,520
Speaker 1: came back, sat down. I better charge into this thing.

801
00:40:56,239 --> 00:40:59,319
Speaker 1: Sat down and he told his story. I said, what's

802
00:40:59,360 --> 00:41:02,320
Speaker 1: your story? And he launched into his story, and that

803
00:41:02,520 --> 00:41:06,200
Speaker 1: really became what became eight Mile, became the architecture for

804
00:41:06,280 --> 00:41:10,440
Speaker 1: the movie eight Mile, and this this guy won an Oscar,

805
00:41:10,960 --> 00:41:12,920
Speaker 1: first hip hop artist to ever win an Oscar. Well

806
00:41:12,920 --> 00:41:15,440
Speaker 1: it was for music, I know, but still I I

807
00:41:16,120 --> 00:41:18,279
Speaker 1: that was a great movie too. By the way, eight

808
00:41:18,360 --> 00:41:22,120
Speaker 1: Mile is good. It's actually better now good. I didn't

809
00:41:22,120 --> 00:41:25,360
Speaker 1: really care aboid turning. It's turning good now. No, No,

810
00:41:25,840 --> 00:41:27,680
Speaker 1: I didn't really care afoord your theaters. But when I

811
00:41:27,800 --> 00:41:29,760
Speaker 1: go back and watch it and rerun, it was actually

812
00:41:30,040 --> 00:41:32,040
Speaker 1: very good. Appreciate. I actually wrote a whole chapter in

813
00:41:32,120 --> 00:41:34,839
Speaker 1: my first book based off Eminem. I call it live

814
00:41:34,880 --> 00:41:36,640
Speaker 1: your Truth, and it's the Eminem and eight Mile theory,

815
00:41:36,840 --> 00:41:38,600
Speaker 1: and it's live your truth so nobody will use your

816
00:41:38,600 --> 00:41:40,560
Speaker 1: truth against you. So you know, at the end, when

817
00:41:40,600 --> 00:41:43,439
Speaker 1: he's going at the whole point of the movie, yes, Yeah,

818
00:41:43,480 --> 00:41:45,560
Speaker 1: I have to read your chapter. That sounds yeah the

819
00:41:45,719 --> 00:41:47,680
Speaker 1: thesis of that. Now, have you ever had a face

820
00:41:47,760 --> 00:41:50,719
Speaker 1: to face connection with somebody and decided that person is

821
00:41:50,760 --> 00:41:53,200
Speaker 1: not a good person just from your sit down? Wow,

822
00:41:53,280 --> 00:41:56,440
Speaker 1: that's a really good question. Yes, I have because at

823
00:41:56,520 --> 00:42:00,040
Speaker 1: this point, you know, I do use eye contact to

824
00:42:00,120 --> 00:42:04,480
Speaker 1: make snap decisions, you know, in terms of what you

825
00:42:04,520 --> 00:42:06,560
Speaker 1: can make mistakes like that, you can. But if you're

826
00:42:06,600 --> 00:42:09,280
Speaker 1: dealing with high volume, you have to feel people's energy,

827
00:42:09,480 --> 00:42:13,000
Speaker 1: and sometimes I feel like somebody's energy is not going

828
00:42:13,080 --> 00:42:16,440
Speaker 1: to be a good outcome for Brian, and I agree

829
00:42:16,440 --> 00:42:17,680
Speaker 1: with that with the energy part. But have you read

830
00:42:17,719 --> 00:42:20,920
Speaker 1: Malcolm Gladwell was talking to strangers? Yes, he takes a

831
00:42:21,000 --> 00:42:22,920
Speaker 1: really good friend of mine. He introduced me to Gucci.

832
00:42:23,160 --> 00:42:25,640
Speaker 1: He goes, I'm gonna, I'm gonna he's a great friend

833
00:42:25,960 --> 00:42:29,040
Speaker 1: fifteen years. He goes, we made that connection, by the way,

834
00:42:29,160 --> 00:42:32,080
Speaker 1: but we made the connection between Malcolm and Gucci because

835
00:42:32,080 --> 00:42:35,440
Speaker 1: Gucci spoke about how he read Malcolm's books in jail,

836
00:42:35,960 --> 00:42:38,680
Speaker 1: and then like, yes, Malcolm tweeted him with something and

837
00:42:39,000 --> 00:42:42,040
Speaker 1: ended up having to sit down. Yeah, exactly, But you

838
00:42:42,120 --> 00:42:44,440
Speaker 1: asked me a question I should standpoint. Oh no, in

839
00:42:44,560 --> 00:42:47,080
Speaker 1: talking to scrangers, Malcolm talks about how we make mistakes

840
00:42:47,200 --> 00:42:50,880
Speaker 1: because we think, like you said, Eminem wasn't looking at

841
00:42:50,920 --> 00:42:53,200
Speaker 1: you eye to eye. Yeah, but that don't mean that

842
00:42:53,280 --> 00:42:57,839
Speaker 1: he's not a trust to every person or somebody that. Yeah,

843
00:42:57,880 --> 00:43:00,279
Speaker 1: but I would not have ever made the judge yes,

844
00:43:00,600 --> 00:43:03,239
Speaker 1: Ondred percent correct, Okay, I would have never. I would

845
00:43:03,280 --> 00:43:05,440
Speaker 1: never say, oh, he wasn't trustworthy. I would just say

846
00:43:05,480 --> 00:43:08,839
Speaker 1: he wasn't interested. That's the only thing I could guess.

847
00:43:08,920 --> 00:43:11,440
Speaker 1: But going to your question, there are people that I've

848
00:43:11,520 --> 00:43:13,360
Speaker 1: met that I felt like just might not be a

849
00:43:13,400 --> 00:43:15,600
Speaker 1: good person, right. Your intuition and energy was like this

850
00:43:15,800 --> 00:43:19,640
Speaker 1: is not yeah, that they're they're not embracing humanity at all.

851
00:43:20,239 --> 00:43:22,640
Speaker 1: Certain people are like technocrats, so they want to move

852
00:43:23,000 --> 00:43:25,440
Speaker 1: technology as fast as they can. They want to move

853
00:43:25,560 --> 00:43:28,360
Speaker 1: sometimes AI as fast again to the expense of the

854
00:43:28,480 --> 00:43:32,120
Speaker 1: human species. And I know that's a broad statement, and

855
00:43:32,160 --> 00:43:34,120
Speaker 1: there are some caveats of course that could inform that.

856
00:43:34,280 --> 00:43:39,520
Speaker 1: But I care about people that care about people, right,

857
00:43:39,560 --> 00:43:41,360
Speaker 1: Because you're also in a business where there are some

858
00:43:41,520 --> 00:43:45,920
Speaker 1: really disgusting people. Yes, there's one you know that is

859
00:43:46,200 --> 00:43:49,040
Speaker 1: sentenced that I didn't know that had this problem, But

860
00:43:49,120 --> 00:43:51,480
Speaker 1: I just never wanted to work with that person because

861
00:43:51,480 --> 00:43:56,640
Speaker 1: I just could be Harby wins seen. You said he's sentenced,

862
00:43:57,640 --> 00:44:01,480
Speaker 1: charge the sentenced. I don't know what he's charged or

863
00:44:01,560 --> 00:44:06,640
Speaker 1: sentenced Frank Okay, yeah, well I just the energy. I

864
00:44:06,840 --> 00:44:10,360
Speaker 1: I just never wanted to be in that in alignment.

865
00:44:10,440 --> 00:44:14,680
Speaker 1: Why are you protecting him? Stays name. I guess it's Harvey. Yeah.

866
00:44:14,680 --> 00:44:16,880
Speaker 1: I don't protect them, Brian, I just don't want to

867
00:44:16,880 --> 00:44:22,000
Speaker 1: be something. If you feel like, yeah, okay, I mean

868
00:44:22,080 --> 00:44:24,920
Speaker 1: I would say this that when I went up to

869
00:44:25,000 --> 00:44:26,920
Speaker 1: win and I went up to I stood up to

870
00:44:27,520 --> 00:44:30,400
Speaker 1: receive an oscar for Apaul thirteen and didn't get it.

871
00:44:30,800 --> 00:44:33,400
Speaker 1: And Harvey Weinstein, which is a bummer. At the end

872
00:44:33,440 --> 00:44:35,480
Speaker 1: of the night, he goes, if you're with me, you

873
00:44:35,600 --> 00:44:37,799
Speaker 1: win an oscar. Now I was able to win an

874
00:44:37,840 --> 00:44:40,920
Speaker 1: oscar two years later on a Beautiful Mind. But just

875
00:44:41,000 --> 00:44:46,000
Speaker 1: a great movie. Russell crow Baby, He's good, He's good,

876
00:44:46,719 --> 00:44:49,719
Speaker 1: great good. That was a great movie. Russell Crowe to

877
00:44:49,760 --> 00:44:53,200
Speaker 1: it the best. Yeah. So so sometimes you do meet

878
00:44:53,280 --> 00:44:57,359
Speaker 1: people off Often I meet people people that energies out

879
00:44:57,400 --> 00:44:59,600
Speaker 1: of alignment with mine, were still kicking with Brian Gray's

880
00:44:59,719 --> 00:45:01,600
Speaker 1: when we comeback. So don't move. It's to Breakfast Club,

881
00:45:01,640 --> 00:45:06,480
Speaker 1: go morning Corting. Everybody is DJ Envy, Angela Yee. Charlemagne,

882
00:45:06,520 --> 00:45:08,480
Speaker 1: the guy we are the Breakfast Club was still kicking

883
00:45:08,520 --> 00:45:11,680
Speaker 1: him with Brian Grazer. Now you might not know his name,

884
00:45:11,719 --> 00:45:14,600
Speaker 1: but he produced flicks in movies like eight Mile, American

885
00:45:14,640 --> 00:45:18,040
Speaker 1: Gangster Empire and more. Now, gee, that's how are you

886
00:45:18,080 --> 00:45:20,480
Speaker 1: a big hip hop fan? I am? I am a

887
00:45:20,560 --> 00:45:23,120
Speaker 1: big fan. I don't I'm not. Yes, I'm a big

888
00:45:23,239 --> 00:45:26,839
Speaker 1: hip hop fan. I don't think I'm an expert. Well,

889
00:45:26,920 --> 00:45:30,640
Speaker 1: I started off meeting old Dirty Bastard twenty five years ago.

890
00:45:30,719 --> 00:45:33,279
Speaker 1: Did you meet him? I was taking a taxicab to

891
00:45:33,440 --> 00:45:36,359
Speaker 1: Midtown and in the cab because they have Uber cars.

892
00:45:36,360 --> 00:45:37,880
Speaker 1: I'm in the cab. The guys get the radio on

893
00:45:38,000 --> 00:45:42,000
Speaker 1: real loud to shock jock guy. He's interviewing someone named

894
00:45:42,040 --> 00:45:45,279
Speaker 1: old Dirty Bastard. But that's twenty five years ago, when

895
00:45:45,320 --> 00:45:47,880
Speaker 1: nobody wants to be called or dirty bastard except this

896
00:45:48,000 --> 00:45:51,320
Speaker 1: one guy in the radio. This was kind of like

897
00:45:51,560 --> 00:45:55,600
Speaker 1: my first early kind of taste of that kind of thing,

898
00:45:55,920 --> 00:46:01,160
Speaker 1: so the urban thing. So then I thought I'm gonna

899
00:46:02,960 --> 00:46:07,640
Speaker 1: kill me. So anyways, so so I thought I'm gonna

900
00:46:07,680 --> 00:46:10,200
Speaker 1: go meet I'm gonna find this old dirty bastard. I'm

901
00:46:10,200 --> 00:46:12,360
Speaker 1: gonna find o dirty. I'm to find old duty bastard.

902
00:46:12,480 --> 00:46:14,759
Speaker 1: And because I'm I'm a graf, sourceful, you know, I

903
00:46:14,840 --> 00:46:17,800
Speaker 1: found I found Jonah Salt. He took three years to

904
00:46:17,880 --> 00:46:19,520
Speaker 1: meet me. Yeah, but that's the big there's been calling

905
00:46:19,520 --> 00:46:22,680
Speaker 1: around there. Can you find me, old dirty bastard? Yeah, yeah, yeah.

906
00:46:22,800 --> 00:46:24,959
Speaker 1: So I end up finding him bottom line as he says,

907
00:46:24,960 --> 00:46:27,800
Speaker 1: I can come to a studio, studio, meet you my studio.

908
00:46:27,920 --> 00:46:31,040
Speaker 1: Oh boy. But but there wasn't really a studio, Like basically,

909
00:46:31,080 --> 00:46:33,600
Speaker 1: it was like he was on a sidewalk. Maybe it

910
00:46:33,719 --> 00:46:36,560
Speaker 1: was a studio. I'd be I'd be that guy that

911
00:46:36,640 --> 00:46:38,440
Speaker 1: could be a liar if I said, I'm sure it

912
00:46:38,520 --> 00:46:40,960
Speaker 1: was a studio, because he wouldn't let me in to

913
00:46:41,080 --> 00:46:43,200
Speaker 1: the thing that he was supposed to be a front of.

914
00:46:43,760 --> 00:46:46,480
Speaker 1: But there was a you know, a whole whiskey down

915
00:46:46,640 --> 00:46:50,680
Speaker 1: all the way to you know bottle. He's all over

916
00:46:50,760 --> 00:46:53,239
Speaker 1: the place, and I'm thinking, Wow, this guy is fascinating.

917
00:46:53,400 --> 00:46:56,640
Speaker 1: To make the story honest and complete, I would go.

918
00:46:57,040 --> 00:47:01,440
Speaker 1: I was also friends with the editor of the actual

919
00:47:01,640 --> 00:47:04,640
Speaker 1: editor of The New York Times and I told him

920
00:47:04,640 --> 00:47:08,160
Speaker 1: about this meeting that I had with this guy, so

921
00:47:08,719 --> 00:47:10,879
Speaker 1: he I said something about it, and he said, well,

922
00:47:10,920 --> 00:47:14,400
Speaker 1: I think, he said, I feel like that's an inferior

923
00:47:14,520 --> 00:47:18,319
Speaker 1: subculture that will go away. Kim who is that. I'm

924
00:47:18,360 --> 00:47:20,680
Speaker 1: not going to say his name because he's a nice

925
00:47:20,719 --> 00:47:23,880
Speaker 1: guy who's just wrong. And so then that set me

926
00:47:23,960 --> 00:47:25,560
Speaker 1: on that I thought, I'm going to prove this wrong.

927
00:47:25,680 --> 00:47:27,799
Speaker 1: So I met Chuck Dee and then I went off

928
00:47:27,800 --> 00:47:29,600
Speaker 1: and I met Slick Rick, and I thought, wow, there's

929
00:47:29,600 --> 00:47:31,680
Speaker 1: a lot of range in all of this too. Hip

930
00:47:31,760 --> 00:47:35,520
Speaker 1: hop is actually not just a subculture, and in fact,

931
00:47:35,560 --> 00:47:38,880
Speaker 1: in his suferi subculture, it's the actual culture itself. And

932
00:47:39,040 --> 00:47:41,040
Speaker 1: this guy doesn't get it and I'm just a young

933
00:47:41,120 --> 00:47:43,440
Speaker 1: guy learning it. So that's when I started to sort

934
00:47:43,480 --> 00:47:47,279
Speaker 1: of build this equation which later became eight mile. But

935
00:47:47,400 --> 00:47:50,680
Speaker 1: I have to, you know, give lots tremendous thanks. And

936
00:47:50,920 --> 00:47:53,360
Speaker 1: Eminem was not only just the subject of it, he

937
00:47:53,560 --> 00:48:00,319
Speaker 1: was the solution to catch it. And then that white guy, Okay,

938
00:48:00,400 --> 00:48:03,040
Speaker 1: how about it is jay Z? Like jay Z? Absolutely? Okay,

939
00:48:03,280 --> 00:48:05,640
Speaker 1: I did Made in America with jay Z. But if

940
00:48:05,680 --> 00:48:08,760
Speaker 1: I hadn't, I met ODB and all that I wouldn't

941
00:48:08,760 --> 00:48:10,400
Speaker 1: have thought to do the maide An American thing with

942
00:48:10,560 --> 00:48:12,080
Speaker 1: jay Z, and I wouldn't have thought to do an

943
00:48:12,120 --> 00:48:15,600
Speaker 1: album on American Gangster after the whole thing was locked

944
00:48:15,640 --> 00:48:17,840
Speaker 1: and done. This is a great story about jay Z.

945
00:48:18,000 --> 00:48:20,160
Speaker 1: Very quickly, okay, you don't have to be okay, So

946
00:48:20,360 --> 00:48:23,200
Speaker 1: jay Z says, can I do you know? We caught

947
00:48:23,280 --> 00:48:25,200
Speaker 1: up with it late that I was doing American Gangster,

948
00:48:25,800 --> 00:48:28,440
Speaker 1: and so he said, let me do the soundtrack. I go, actually,

949
00:48:28,480 --> 00:48:31,160
Speaker 1: We've already done the entire soundtrack. It's been scored and

950
00:48:31,280 --> 00:48:35,520
Speaker 1: done locked. That's not possible. It's not possible. And I said,

951
00:48:35,560 --> 00:48:37,839
Speaker 1: well it is, and so we can't do it. He goes,

952
00:48:38,160 --> 00:48:44,920
Speaker 1: I will do an initial an additional album for American Gangsters.

953
00:48:45,000 --> 00:48:48,640
Speaker 1: I feel an understanding or kinship with Frank Luke, and

954
00:48:48,760 --> 00:48:52,239
Speaker 1: I said, okay, but we have no time, so that

955
00:48:52,360 --> 00:48:56,120
Speaker 1: you're on your own. Basically, he wrote all the lyrics,

956
00:48:56,520 --> 00:48:59,760
Speaker 1: did everything, and completed an album with I think twelve

957
00:48:59,760 --> 00:49:03,400
Speaker 1: two tracks in three weeks. Really, honestly, I hated that

958
00:49:03,440 --> 00:49:05,160
Speaker 1: album when it first came out, but not because of

959
00:49:05,239 --> 00:49:08,000
Speaker 1: the music, Okay, I hated it because Jay had retired

960
00:49:09,160 --> 00:49:11,040
Speaker 1: and then he came out with Kingdom Come, which I

961
00:49:11,080 --> 00:49:13,160
Speaker 1: thought was a great album because he was like telling

962
00:49:13,239 --> 00:49:14,400
Speaker 1: us what he was at in his life then, and

963
00:49:14,440 --> 00:49:17,120
Speaker 1: I felt like he was using American gangster to still

964
00:49:17,200 --> 00:49:20,359
Speaker 1: wrap about to go back to rap about the drug game. Yeah,

965
00:49:20,760 --> 00:49:24,000
Speaker 1: you're so smart, he'll be around you. No, but I

966
00:49:24,040 --> 00:49:29,759
Speaker 1: mean that's a I oh, that was kind of a lie. Oh,

967
00:49:29,840 --> 00:49:32,120
Speaker 1: I don't know anyway. So that's so those things happen,

968
00:49:32,239 --> 00:49:35,200
Speaker 1: and you're doing Gucci Man's movie. I'm doing Gucci Man's movie. Yes,

969
00:49:35,840 --> 00:49:38,319
Speaker 1: you kind of changed the trajectory of Eddie Murphy too,

970
00:49:38,920 --> 00:49:41,759
Speaker 1: because Nuttie Professor was like a turn from all of

971
00:49:41,800 --> 00:49:46,080
Speaker 1: the raunchy yeah wild he was doing. Eddie wasn't used

972
00:49:46,080 --> 00:49:48,600
Speaker 1: to audition. Well, what happened is I met Eddie Murphy

973
00:49:48,719 --> 00:49:50,520
Speaker 1: through a friend of mine, Michael Keaton. I got to

974
00:49:50,600 --> 00:49:54,040
Speaker 1: go see raw and then and then Michael Keaton says

975
00:49:54,080 --> 00:49:56,000
Speaker 1: to me, Eddie Murphy said, Hey, I come to the

976
00:49:56,040 --> 00:49:57,520
Speaker 1: green room. So I got to go to the green

977
00:49:57,600 --> 00:49:59,239
Speaker 1: room to see Eddie Murphy and I looked at him

978
00:49:59,480 --> 00:50:02,600
Speaker 1: and I did have like a human connection. And then

979
00:50:02,680 --> 00:50:06,000
Speaker 1: he was getting he was going through a very low period.

980
00:50:06,160 --> 00:50:07,680
Speaker 1: He was going through a low period in his career

981
00:50:08,520 --> 00:50:12,960
Speaker 1: and felt kind of boxed in at paramount, which he was,

982
00:50:13,800 --> 00:50:17,000
Speaker 1: and he liked and trusted me, and so then we

983
00:50:17,120 --> 00:50:22,160
Speaker 1: did Boomerang together, which was and that was a hit,

984
00:50:22,360 --> 00:50:24,719
Speaker 1: but not like the Nuttie Professor kind of thing. And

985
00:50:24,840 --> 00:50:27,120
Speaker 1: then when Eddie and I pitched the Nuttie, where I

986
00:50:27,160 --> 00:50:28,759
Speaker 1: had to pitch the I not had to, but I

987
00:50:28,840 --> 00:50:31,840
Speaker 1: pitched the NUTI professor chairman of the studio. They said, well, Eddie's,

988
00:50:31,880 --> 00:50:35,640
Speaker 1: you know, kind of not hot enough that if he's

989
00:50:35,640 --> 00:50:38,319
Speaker 1: gonna play five characters, is there any other way that's

990
00:50:38,360 --> 00:50:40,839
Speaker 1: gonna be very expensive? They said to me, I said

991
00:50:40,880 --> 00:50:43,200
Speaker 1: it is, but he is so gifted he can do this.

992
00:50:43,680 --> 00:50:45,120
Speaker 1: They said, well you have to do it. He has

993
00:50:45,160 --> 00:50:46,920
Speaker 1: to tell me he has to do a screen test,

994
00:50:47,400 --> 00:50:50,359
Speaker 1: which of course Eddie Murphy has never done. They made

995
00:50:50,440 --> 00:50:53,200
Speaker 1: him audition, but they had him made him audition in

996
00:50:53,320 --> 00:50:57,920
Speaker 1: these multiple characters. So Rick Baker, oscar winning makeup artist,

997
00:50:58,480 --> 00:51:01,520
Speaker 1: actually adhered the all the prosthetics, and Eddie went through

998
00:51:01,600 --> 00:51:04,560
Speaker 1: two weeks of doing all that for screen test and

999
00:51:04,719 --> 00:51:07,000
Speaker 1: that was good enough and they signed off and said, okay,

1000
00:51:07,040 --> 00:51:08,880
Speaker 1: how do you talk How did you talk him into auditioning?

1001
00:51:09,320 --> 00:51:11,800
Speaker 1: He really wanted it. He'd never done it, and I

1002
00:51:11,960 --> 00:51:16,080
Speaker 1: think Eddie loves new challenges, gotch and he's brilliant. I

1003
00:51:16,120 --> 00:51:17,440
Speaker 1: don't know if you guys know this, but he is

1004
00:51:17,480 --> 00:51:22,600
Speaker 1: a brilliant classical pianist. Really, Oh my god, he could

1005
00:51:22,600 --> 00:51:25,840
Speaker 1: go to a piano. He plays beautiful. I learned it

1006
00:51:25,920 --> 00:51:28,200
Speaker 1: when I slept at one of his houses in not

1007
00:51:28,320 --> 00:51:31,440
Speaker 1: Bubble Hill, but in Sacramento, and we were bored, and

1008
00:51:31,520 --> 00:51:34,160
Speaker 1: he went to the piano, playing the piano, started playing

1009
00:51:34,160 --> 00:51:38,360
Speaker 1: the piano. He's also a singer, right, he is a

1010
00:51:38,440 --> 00:51:48,400
Speaker 1: sings Yeah, I never I never heard never. How's it go?

1011
00:51:48,719 --> 00:51:53,400
Speaker 1: It goes on in your butt? Put in magazine? But

1012
00:51:54,040 --> 00:51:56,719
Speaker 1: you never heard? I love it. I love that you guys. No,

1013
00:51:56,880 --> 00:52:00,360
Speaker 1: I never heard it. I've heard the title book. I

1014
00:52:00,600 --> 00:52:06,320
Speaker 1: never heard of classic the party started. Get know what

1015
00:52:06,400 --> 00:52:08,040
Speaker 1: I love about that story the fact that you said

1016
00:52:08,120 --> 00:52:10,840
Speaker 1: Eddie was down. Have a lot of executives in Hollywood

1017
00:52:10,840 --> 00:52:13,239
Speaker 1: turn their backs one people when they're not doing Yeah,

1018
00:52:13,440 --> 00:52:16,080
Speaker 1: they do do that. But don't you think everybody has

1019
00:52:16,120 --> 00:52:20,040
Speaker 1: a down period. Yes, that's the crazy thing of Hollywood

1020
00:52:20,440 --> 00:52:24,279
Speaker 1: My life is you have to have humility because, first

1021
00:52:24,320 --> 00:52:26,320
Speaker 1: of all, it's the right thing to do, but you

1022
00:52:26,480 --> 00:52:30,439
Speaker 1: need to be forgiven because success is not a straight

1023
00:52:30,520 --> 00:52:33,680
Speaker 1: up trajector. Brian, we appreciate you for joining us. Yes,

1024
00:52:34,960 --> 00:52:39,600
Speaker 1: human connection. Thank you so much about out down today

1025
00:52:39,760 --> 00:52:43,120
Speaker 1: this week. Any movies you're working on anything, I'm doing

1026
00:52:43,360 --> 00:52:48,640
Speaker 1: Lynn Manuel Miranda's directorial debut. Wow, it begins January this year.

1027
00:52:49,239 --> 00:52:51,439
Speaker 1: It's called tick Tick boom Um. It's a really great

1028
00:52:51,440 --> 00:52:53,200
Speaker 1: it'll be I think we should be a really great movie.

1029
00:52:53,239 --> 00:52:55,000
Speaker 1: And then I just finished He'll be a theology that

1030
00:52:55,080 --> 00:52:58,000
Speaker 1: Ron Howard directed. But do another Friday Night Lights movie,

1031
00:52:58,560 --> 00:53:01,799
Speaker 1: Friday Night Lights and del Rio texasorting a reboot. It's

1032
00:53:01,840 --> 00:53:04,239
Speaker 1: called I guess it's be a reboot. Yeah, yeah, I

1033
00:53:04,320 --> 00:53:06,560
Speaker 1: just love Friday Night Lights. Yeah. Doing a movie with Kevin.

1034
00:53:06,640 --> 00:53:10,319
Speaker 1: A TV seris Kevin Durant called Swagger. That's it's kind

1035
00:53:10,320 --> 00:53:13,000
Speaker 1: of it's about AU basketball. It's like Friday Night Lights

1036
00:53:13,440 --> 00:53:18,040
Speaker 1: built out of like AU bass, crazy AU basketball. I

1037
00:53:18,080 --> 00:53:20,879
Speaker 1: didn't realize what it was. It's crazy parents, a lot

1038
00:53:20,960 --> 00:53:23,880
Speaker 1: of urban players, a lot of urban glays, a lot

1039
00:53:23,920 --> 00:53:28,600
Speaker 1: of urban play at the parents. I think, thank you

1040
00:53:28,719 --> 00:53:33,800
Speaker 1: for having me say really much. And American Saga also,

1041
00:53:34,080 --> 00:53:36,959
Speaker 1: oh yeah, check out what we're taking American Saga. Class Hulu. Please,

1042
00:53:37,040 --> 00:53:39,480
Speaker 1: well it's Brian, thank you very much. It's The Breakfast Club.

1043
00:53:39,560 --> 00:53:49,759
Speaker 1: Good morning. It's about report Report Angela y on the

1044
00:53:49,840 --> 00:53:53,200
Speaker 1: Breakfast Club. Well, congratulations to Little Kim. She's getting the

1045
00:53:53,239 --> 00:53:55,879
Speaker 1: twenty nineteen I Am Hip Hop Award at the BT

1046
00:53:56,040 --> 00:54:00,200
Speaker 1: Hip Hop Awards. Okay, very deserving hip. She does have

1047
00:54:00,239 --> 00:54:02,600
Speaker 1: an album coming out is called nine. They haven't given

1048
00:54:02,719 --> 00:54:04,680
Speaker 1: us a relief date yet, but she's been putting out

1049
00:54:04,760 --> 00:54:07,040
Speaker 1: songs and she just put out a new single. It's

1050
00:54:07,080 --> 00:54:19,479
Speaker 1: called Found You featuring Ot Genesis and City Girls. From

1051
00:54:19,480 --> 00:54:24,879
Speaker 1: a Kitty with a big, big bag. I got said

1052
00:54:25,120 --> 00:54:27,480
Speaker 1: he's just make agin my fast. Then I let him

1053
00:54:27,560 --> 00:54:31,480
Speaker 1: use my face, says Miami Beat the Jet skiing and

1054
00:54:31,600 --> 00:54:34,560
Speaker 1: the free JT to the Jet even Harry just did

1055
00:54:34,680 --> 00:54:37,280
Speaker 1: fresh We your best briefing Jet even not just cooling

1056
00:54:37,360 --> 00:54:40,000
Speaker 1: to the next season. More new music for y'all today.

1057
00:54:41,040 --> 00:54:43,440
Speaker 1: All right, So congratulations to Little Kim for getting her

1058
00:54:43,480 --> 00:54:46,520
Speaker 1: I Am hip Hop Award, well deserved. Now, Eddie Murphy

1059
00:54:46,719 --> 00:54:48,839
Speaker 1: has expressed summer morrise. He talked to the New York

1060
00:54:48,920 --> 00:54:51,680
Speaker 1: Times and you know he's doing his comeback. He's gonna

1061
00:54:51,719 --> 00:54:54,680
Speaker 1: be doing his first comedy special for Netflix since he

1062
00:54:54,760 --> 00:54:57,719
Speaker 1: did Raw back in nineteen eighty seven, think about us

1063
00:54:57,760 --> 00:55:00,560
Speaker 1: over thirty years ago. He said he was dealing with

1064
00:55:00,600 --> 00:55:02,719
Speaker 1: a heartbreak at the time that he did Raw, and

1065
00:55:02,840 --> 00:55:05,560
Speaker 1: he said that he does cringe at his old material.

1066
00:55:05,920 --> 00:55:08,120
Speaker 1: He said, I was a young guy processing a broken heart,

1067
00:55:08,120 --> 00:55:10,640
Speaker 1: you know, kind of an a home And he also

1068
00:55:10,840 --> 00:55:14,080
Speaker 1: says that he remembers being picketed due to the homophobic

1069
00:55:14,200 --> 00:55:17,200
Speaker 1: material and his specials. He now says that is ignorant,

1070
00:55:17,600 --> 00:55:19,759
Speaker 1: and he says there's no anxiety though about returning to

1071
00:55:19,800 --> 00:55:21,400
Speaker 1: the stage in twenty nineteen. He said, I now have

1072
00:55:21,440 --> 00:55:24,320
Speaker 1: a whole lifetime of experiences to draw upon. There was

1073
00:55:24,360 --> 00:55:25,880
Speaker 1: a time when I was at the center of everything

1074
00:55:26,200 --> 00:55:27,680
Speaker 1: what I was doing, and how funny I was, and

1075
00:55:27,800 --> 00:55:30,479
Speaker 1: how popular. I'm not at the center now my kids

1076
00:55:30,600 --> 00:55:33,239
Speaker 1: are and everything revolved around them. He has eight kids.

1077
00:55:33,320 --> 00:55:34,799
Speaker 1: Didn't I tell you all this was gonna happen. Eddie

1078
00:55:34,840 --> 00:55:36,640
Speaker 1: Murphy is very smart because he's getting ahead of it,

1079
00:55:36,680 --> 00:55:39,520
Speaker 1: because he know this generation is so stupid that they

1080
00:55:39,520 --> 00:55:41,759
Speaker 1: would absolutely dig up his old material as soon as

1081
00:55:41,800 --> 00:55:44,239
Speaker 1: he starts putting out new movies and doing SNL and

1082
00:55:44,360 --> 00:55:46,560
Speaker 1: trying to paint him as something that he hasn't that.

1083
00:55:46,640 --> 00:55:49,719
Speaker 1: He's clearly not anymore. It's thirty years ago. It's not

1084
00:55:49,800 --> 00:55:52,080
Speaker 1: too I could dig up wrong it's hilarious or any

1085
00:55:52,080 --> 00:55:53,680
Speaker 1: of his old things. But yes, so he's going to

1086
00:55:53,719 --> 00:55:55,439
Speaker 1: be doing his new stand up as if people don't

1087
00:55:55,440 --> 00:55:57,560
Speaker 1: grow and people don't evolve, you gonna hold Eddie Murphy

1088
00:55:57,560 --> 00:55:59,640
Speaker 1: accountable for something he said thirty years ago on a

1089
00:56:00,080 --> 00:56:02,360
Speaker 1: many stage. Maybe he really does feel like at that

1090
00:56:02,680 --> 00:56:05,040
Speaker 1: now that you know I'm smart, he done because they're

1091
00:56:05,040 --> 00:56:06,680
Speaker 1: gonna come from so you gonna get ahead of it.

1092
00:56:06,719 --> 00:56:08,480
Speaker 1: I told you this, already told you this two weeks ago,

1093
00:56:08,640 --> 00:56:11,359
Speaker 1: all right. Now, Soldier boy has gained fifty pounds since

1094
00:56:11,400 --> 00:56:13,400
Speaker 1: he cut out leaning alcohol, So what does he like?

1095
00:56:13,440 --> 00:56:17,120
Speaker 1: One fifty five now? All right? So when you see

1096
00:56:17,360 --> 00:56:18,840
Speaker 1: he was at one hundred, He was one hundred and

1097
00:56:19,040 --> 00:56:21,520
Speaker 1: thirty pounds at the beginning of his sentence, and he

1098
00:56:21,640 --> 00:56:25,319
Speaker 1: has since gained fifty pounds. Okay, you know what, he's

1099
00:56:25,320 --> 00:56:28,480
Speaker 1: saving money too, because he was using so many drugs

1100
00:56:28,520 --> 00:56:30,799
Speaker 1: and lean that he was spending in between five hundred

1101
00:56:30,840 --> 00:56:33,400
Speaker 1: to eight hundred dollars a day on lean alone. So

1102
00:56:33,920 --> 00:56:36,279
Speaker 1: since then, he's also stayed off at social media. If

1103
00:56:36,280 --> 00:56:39,000
Speaker 1: you guys have noticed he hasn't tweeted or put anything

1104
00:56:39,040 --> 00:56:41,759
Speaker 1: on Instagram since coming home from jail. That's good. It

1105
00:56:41,800 --> 00:56:44,400
Speaker 1: seems like he's healing. Yeah, three months and there you go.

1106
00:56:44,800 --> 00:56:47,280
Speaker 1: All right, I'm angela ye and that is your rumor report.

1107
00:56:47,440 --> 00:56:51,239
Speaker 1: All right, thank you, missy, sir. Even hey, four after

1108
00:56:51,280 --> 00:56:53,640
Speaker 1: the hour, let's talk some good old fashioned racism. Why

1109
00:56:53,640 --> 00:56:55,960
Speaker 1: I don't win? We need has a Pratt to come

1110
00:56:56,040 --> 00:56:58,120
Speaker 1: in front of congregation? Were like to have word with?

1111
00:56:58,560 --> 00:57:02,520
Speaker 1: Oh have a world with? All right? All right, all right,

1112
00:57:02,719 --> 00:57:04,960
Speaker 1: you might infuriate a few niggas out there, but we're

1113
00:57:04,960 --> 00:57:07,040
Speaker 1: gonna get through it. We're gonna heal together. Now, how

1114
00:57:07,120 --> 00:57:09,400
Speaker 1: many niggas can we say back to back? I'm just curious,

1115
00:57:10,320 --> 00:57:13,960
Speaker 1: that's it. No, No, y'all told me it was two

1116
00:57:14,040 --> 00:57:17,960
Speaker 1: part break, so that was too careful breaks break. So

1117
00:57:18,040 --> 00:57:20,160
Speaker 1: I was rashing out my I rashing out my n words.

1118
00:57:20,240 --> 00:57:23,680
Speaker 1: Next Friday, all right, donkey, the day's next is the

1119
00:57:23,720 --> 00:57:32,680
Speaker 1: breakfast slug, good morning, donkey of the day. So being

1120
00:57:32,720 --> 00:57:34,840
Speaker 1: dunky of the day a little bit of a mix,

1121
00:57:35,200 --> 00:57:42,560
Speaker 1: so like a dope the other day. Now, I've been

1122
00:57:42,600 --> 00:57:44,800
Speaker 1: cold a lot in my twenty three years, but Dunkey

1123
00:57:44,840 --> 00:57:47,640
Speaker 1: of the Day is a new wife. Yes, Dunkey to

1124
00:57:47,720 --> 00:57:50,960
Speaker 1: Day for Friday, September twenty seven goes to Heather Pattern.

1125
00:57:51,000 --> 00:57:53,280
Speaker 1: Now do you know who Heather Patent is? Heather Pattent

1126
00:57:53,360 --> 00:57:56,280
Speaker 1: is a film and TV costume designer. Everyone shouldn't know

1127
00:57:56,360 --> 00:57:59,080
Speaker 1: her name because she is a racist. Oh, the mayonnaise

1128
00:57:59,200 --> 00:58:01,400
Speaker 1: is heavy in this story, but the mayonnaids in this story.

1129
00:58:01,480 --> 00:58:04,200
Speaker 1: Hold on one a second. What you're doing. You're right,

1130
00:58:04,800 --> 00:58:08,240
Speaker 1: You're good. Here you go. Oh, I knew something was missing.

1131
00:58:08,880 --> 00:58:12,600
Speaker 1: He my jar helmets right here. Yeah, the mayonnaise is

1132
00:58:12,640 --> 00:58:14,680
Speaker 1: heavy in this story, but the mayonnaids in this story

1133
00:58:14,800 --> 00:58:19,040
Speaker 1: is spread out over a Nibisco Original Premium salteen cracker.

1134
00:58:19,440 --> 00:58:21,560
Speaker 1: All right, yep, that's exactly what Heather Patten is, a

1135
00:58:21,720 --> 00:58:24,760
Speaker 1: salty ass crackers. And if you are mad at me

1136
00:58:24,960 --> 00:58:27,160
Speaker 1: using that term, then you don't know the difference between

1137
00:58:27,280 --> 00:58:29,760
Speaker 1: humans who happened to be white and racist ass bigger

1138
00:58:29,760 --> 00:58:32,520
Speaker 1: than ass salty ass crackers. Okay. You know, if you

1139
00:58:32,760 --> 00:58:36,400
Speaker 1: really are an American who cares about equality, regardless of

1140
00:58:36,480 --> 00:58:38,919
Speaker 1: what your races, you should absolutely be against the level

1141
00:58:38,960 --> 00:58:42,120
Speaker 1: of hate that Heather Patten displayed at the CBS pharmacy

1142
00:58:42,200 --> 00:58:44,680
Speaker 1: in Los Angeles on Steptember twenty fourth. Would you like

1143
00:58:44,760 --> 00:58:46,200
Speaker 1: to hear what Heather Patten had to say to some

1144
00:58:46,280 --> 00:58:48,840
Speaker 1: black people in CBS. Let's go to I don't know

1145
00:58:48,880 --> 00:58:50,320
Speaker 1: who the news reported, but let's go to the news

1146
00:58:50,360 --> 00:58:53,560
Speaker 1: report are disturbing racist? Ranted a CBS and Eagle Rock.

1147
00:58:53,720 --> 00:58:56,600
Speaker 1: A woman is captured on cell phone video jumping up

1148
00:58:56,640 --> 00:58:59,760
Speaker 1: and down repeatedly screaming the N word into the store.

1149
00:59:00,240 --> 00:59:02,320
Speaker 1: She proceeds to exit the store and walk to her

1150
00:59:02,360 --> 00:59:06,600
Speaker 1: car while continually screaming disturbing obscenities. This man says the

1151
00:59:06,680 --> 00:59:09,080
Speaker 1: woman's name is Heather Patten and she and her husband

1152
00:59:09,120 --> 00:59:11,959
Speaker 1: are his Eagle Rock neighbors of nine years. He says

1153
00:59:12,000 --> 00:59:13,920
Speaker 1: this behavior is what he and his family have been

1154
00:59:13,960 --> 00:59:16,360
Speaker 1: dealing with for years, which is why he says he

1155
00:59:16,520 --> 00:59:19,720
Speaker 1: and his mother have restraining orders against Patten and her husband.

1156
00:59:19,880 --> 00:59:22,160
Speaker 1: He says he and his family are from Italian descent.

1157
00:59:22,280 --> 00:59:25,600
Speaker 1: He tells us he's installed home security cameras after Patten

1158
00:59:25,800 --> 00:59:28,640
Speaker 1: vandalized his father's trunk and his mother is afraid to

1159
00:59:28,680 --> 00:59:32,080
Speaker 1: go outside because of her erratic behavior. Well, the LAPD

1160
00:59:32,200 --> 00:59:35,160
Speaker 1: tells us that the incidents here at the CBS occurred yesterday.

1161
00:59:35,280 --> 00:59:37,920
Speaker 1: It was brought to their attention today. They say, because

1162
00:59:38,080 --> 00:59:42,000
Speaker 1: no crime was committed, they took a hate incident report. Nothing. Damn,

1163
00:59:42,080 --> 00:59:44,400
Speaker 1: that's not a crime. That's o KTLA five. By the way,

1164
00:59:44,480 --> 00:59:47,600
Speaker 1: now let's actually hear what Heather Patten had to say.

1165
00:59:47,600 --> 00:59:52,400
Speaker 1: We got the actual footage right, audio was here. Yeah,

1166
00:59:52,520 --> 01:00:00,880
Speaker 1: she's on drugs or something. No, I'm totally recas hate bigger. Hey, okay,

1167
01:00:00,920 --> 01:00:06,600
Speaker 1: we're calling the cops. But the losses I can't kill

1168
01:00:08,160 --> 01:00:10,560
Speaker 1: if the lord didn't say that, I couldn't kill the

1169
01:00:10,760 --> 01:00:20,560
Speaker 1: because they don't be dead. He Now, listen to SEC

1170
01:00:20,800 --> 01:00:22,680
Speaker 1: rules say that we can only do two N words

1171
01:00:22,720 --> 01:00:25,920
Speaker 1: per hour, right, So are the N words? So did

1172
01:00:25,960 --> 01:00:28,840
Speaker 1: she just use upaul supply in words? Okay, but it's

1173
01:00:28,920 --> 01:00:33,840
Speaker 1: unlimited supply cracker ass cracker right, Okay, listen. I love

1174
01:00:34,360 --> 01:00:36,920
Speaker 1: overt racism, Okay, I love to know exactly where a

1175
01:00:37,000 --> 01:00:39,040
Speaker 1: person stands. But just think about the logic. Don't be

1176
01:00:39,160 --> 01:00:41,240
Speaker 1: just distracted by the N word flying out of that

1177
01:00:41,560 --> 01:00:43,760
Speaker 1: human jar of hellman's mouthful case. She said, if the

1178
01:00:43,920 --> 01:00:47,360
Speaker 1: law didn't say I couldn't kill all the N words,

1179
01:00:47,440 --> 01:00:49,600
Speaker 1: they all be dead, all right? Chapter three In my

1180
01:00:49,720 --> 01:00:51,960
Speaker 1: latest books, Shook One. Anxiety playing tricks on me is

1181
01:00:51,960 --> 01:00:54,080
Speaker 1: called black annoid, and being black annoise is about being

1182
01:00:54,160 --> 01:00:57,080
Speaker 1: black and paranoid in this country called America. Okay, I

1183
01:00:57,320 --> 01:01:00,200
Speaker 1: think anxiety and blackness go hand in hand. Black who

1184
01:01:00,240 --> 01:01:03,960
Speaker 1: have permanent PTSD that dates backs to slavery, all right,

1185
01:01:04,000 --> 01:01:07,240
Speaker 1: It's just just lingering trauma from past experiences, whether it's slavery,

1186
01:01:07,360 --> 01:01:10,320
Speaker 1: gem crow tegregation, or even in modern times watching unarmed

1187
01:01:10,320 --> 01:01:12,400
Speaker 1: brothers and sisters getting killed at the hands of the police.

1188
01:01:12,480 --> 01:01:14,880
Speaker 1: This trauma that our people have experienced in this country

1189
01:01:14,920 --> 01:01:17,720
Speaker 1: just keep getting passed down from generation to generation. And

1190
01:01:17,920 --> 01:01:21,320
Speaker 1: we know all the dangers of white supremacy. See, when

1191
01:01:21,360 --> 01:01:24,200
Speaker 1: it comes to racism in America, black people have received

1192
01:01:24,280 --> 01:01:26,760
Speaker 1: a short end of the stick literally and figuratively, because

1193
01:01:26,760 --> 01:01:28,640
Speaker 1: they definitely have gone upside our heads with some sticks.

1194
01:01:28,680 --> 01:01:30,960
Speaker 1: So the fear that I could possibly be killed just

1195
01:01:31,120 --> 01:01:33,880
Speaker 1: because I'm Black, it's always lingering in my brain. And

1196
01:01:33,960 --> 01:01:35,840
Speaker 1: when I hear women like Heather Pattens say if the

1197
01:01:35,960 --> 01:01:38,959
Speaker 1: law didn't say I couldn't kill all the N words,

1198
01:01:39,000 --> 01:01:41,840
Speaker 1: they'd all be dead. Jesus Christ, it just reinforces the

1199
01:01:41,920 --> 01:01:44,520
Speaker 1: black annoya that I already have not a problem I

1200
01:01:44,600 --> 01:01:47,040
Speaker 1: have with is America as humans who just happened to

1201
01:01:47,120 --> 01:01:49,320
Speaker 1: be white will be more upset at me calling Heather

1202
01:01:49,400 --> 01:01:52,560
Speaker 1: Patten a salty ass cracker ass cracker than they would

1203
01:01:52,600 --> 01:01:55,160
Speaker 1: be at her saying she would murder black people if

1204
01:01:55,200 --> 01:01:57,080
Speaker 1: she could get away with it. Don't call yourself an

1205
01:01:57,120 --> 01:01:59,320
Speaker 1: ally if you think I'm wrong and she's right, because

1206
01:01:59,320 --> 01:02:01,880
Speaker 1: I'm not Michelle Obama. See Michelle Obama says when they

1207
01:02:01,960 --> 01:02:04,200
Speaker 1: go low, we should go high. Charlomagne God says, when

1208
01:02:04,240 --> 01:02:06,080
Speaker 1: they go low, we take it to the floor with them.

1209
01:02:06,120 --> 01:02:07,880
Speaker 1: All right, Stop thinking you have to try to be

1210
01:02:08,000 --> 01:02:10,520
Speaker 1: better than biggots, because you already better than these biggots

1211
01:02:10,640 --> 01:02:12,840
Speaker 1: simply because you're not yelling at them in the store,

1212
01:02:13,040 --> 01:02:15,760
Speaker 1: calling them racial slurs and you know, telling them you

1213
01:02:15,800 --> 01:02:17,280
Speaker 1: would kill them if you could get away with it.

1214
01:02:17,520 --> 01:02:20,680
Speaker 1: But you can absolutely defend your space and getting their ass.

1215
01:02:20,880 --> 01:02:22,560
Speaker 1: All right, they call you an N word, you call

1216
01:02:22,640 --> 01:02:25,360
Speaker 1: them a crack as clock I ask clock crick. And

1217
01:02:25,880 --> 01:02:28,880
Speaker 1: if they threaten your life the way this person threatened

1218
01:02:28,880 --> 01:02:30,720
Speaker 1: these people life, well you know you just make sure,

1219
01:02:30,760 --> 01:02:33,080
Speaker 1: depending on what stateure and that you are always prepared

1220
01:02:33,240 --> 01:02:35,040
Speaker 1: to stay in your ground. All right, they have laws

1221
01:02:35,080 --> 01:02:37,200
Speaker 1: in certain areas to protect us from threats like that,

1222
01:02:37,520 --> 01:02:40,200
Speaker 1: and it's hard to even get out to give out

1223
01:02:40,280 --> 01:02:42,880
Speaker 1: that piece of advice because honestly, I know the laws

1224
01:02:43,040 --> 01:02:44,600
Speaker 1: rarely apply to black folks the way they do the

1225
01:02:44,600 --> 01:02:46,320
Speaker 1: white folks. But the moral of the story is the

1226
01:02:46,440 --> 01:02:49,240
Speaker 1: hell with them racists? Ask people, all right, he from all,

1227
01:02:49,520 --> 01:02:51,160
Speaker 1: I don't give a damn about none of them, and

1228
01:02:51,280 --> 01:02:53,040
Speaker 1: needs of shit you. But guess what, we don't have

1229
01:02:53,120 --> 01:02:55,760
Speaker 1: the luxury of not giving a damn about them, because

1230
01:02:55,800 --> 01:02:57,440
Speaker 1: even though it's not legal, it might as well be

1231
01:02:57,560 --> 01:02:59,600
Speaker 1: because when they kill us, they usually get away with it.

1232
01:03:00,080 --> 01:03:01,640
Speaker 1: And I don't have nothing else to say about this

1233
01:03:01,720 --> 01:03:05,640
Speaker 1: situation because this is America. Racism and bigotry is America.

1234
01:03:05,720 --> 01:03:08,000
Speaker 1: So when you see things like this, don't be surprised.

1235
01:03:08,200 --> 01:03:10,080
Speaker 1: Just use it as a teachable moment to show what

1236
01:03:10,200 --> 01:03:13,720
Speaker 1: we should all be against. Please let Chelsea Handler give

1237
01:03:13,800 --> 01:03:17,440
Speaker 1: this racist biggest heather pattern, the biggest he hall heahaw, heahaw.

1238
01:03:17,840 --> 01:03:20,280
Speaker 1: That is way too much. Dan Man asked, let another

1239
01:03:20,360 --> 01:03:22,280
Speaker 1: human who just happens to be white getting on this

1240
01:03:22,360 --> 01:03:25,520
Speaker 1: heahall with Kathy Griffin that please give this giant jar male,

1241
01:03:25,800 --> 01:03:31,000
Speaker 1: the biggest heahaw let Chris Rock put a stamp on

1242
01:03:31,120 --> 01:03:34,560
Speaker 1: heather pattern for the culture clock. I ask, see, this

1243
01:03:34,680 --> 01:03:38,840
Speaker 1: is where it's whack, right, Like I'm on a page

1244
01:03:38,920 --> 01:03:41,840
Speaker 1: right now, talk to me, right, This is what she's saying,

1245
01:03:41,880 --> 01:03:43,680
Speaker 1: which is just crazy to me. Right, she says she's

1246
01:03:43,680 --> 01:03:46,200
Speaker 1: gonna be going live. She says, all of the DMS

1247
01:03:46,240 --> 01:03:48,520
Speaker 1: I'm getting and harassment I'm getting at my front door

1248
01:03:48,640 --> 01:03:50,640
Speaker 1: is overwhelming. You guys are no different from me. You

1249
01:03:50,720 --> 01:03:53,880
Speaker 1: guys are just as evil, and it shows. Then she says,

1250
01:03:53,880 --> 01:03:56,400
Speaker 1: it's not I have over fifty k views right now.

1251
01:03:56,760 --> 01:03:59,360
Speaker 1: Any black owned businesses needs some attention. I guess I

1252
01:03:59,400 --> 01:04:02,040
Speaker 1: could post you information right here on the story because

1253
01:04:02,080 --> 01:04:03,680
Speaker 1: you know why. You know why she's talking like that,

1254
01:04:03,920 --> 01:04:06,800
Speaker 1: because she's an unremorseful crack I ass cracker. She's the

1255
01:04:06,880 --> 01:04:09,160
Speaker 1: biggest guy. She's a racist. We know what that is,

1256
01:04:09,640 --> 01:04:11,120
Speaker 1: and we know what that We should ship all of

1257
01:04:11,160 --> 01:04:13,800
Speaker 1: them the world start hip hop isler. We need to

1258
01:04:13,840 --> 01:04:16,080
Speaker 1: create an island called world thought hip hop. That's just cold.

1259
01:04:16,440 --> 01:04:18,720
Speaker 1: On her page, it says, please don't contact me. I

1260
01:04:18,840 --> 01:04:21,760
Speaker 1: was intoxicated and I sincerely apologize to everyone's from my

1261
01:04:21,800 --> 01:04:24,560
Speaker 1: disrespected and let down for my actions. Please forgiving me.

1262
01:04:24,680 --> 01:04:28,760
Speaker 1: What's her page? What's her page? It's heavily and in Patten.

1263
01:04:28,960 --> 01:04:30,920
Speaker 1: Anybody want to have a petty party? This one where

1264
01:04:31,120 --> 01:04:37,480
Speaker 1: Instagram the Instagram or Twitter Instagram heatherly and and Patten.

1265
01:04:37,920 --> 01:04:40,240
Speaker 1: Let me make sure it's a cracker emoji. There's a

1266
01:04:40,280 --> 01:04:42,360
Speaker 1: cracker boy. But I mean she's but she has no

1267
01:04:42,480 --> 01:04:44,360
Speaker 1: post right now. She took off her post down that

1268
01:04:44,400 --> 01:04:49,240
Speaker 1: it's Twitter, you said Instagram man Heavily and n p

1269
01:04:49,440 --> 01:04:51,480
Speaker 1: A T T O N. I thought it was a

1270
01:04:51,520 --> 01:04:56,360
Speaker 1: cracker emoji. There's no crack emoji or Heather lind Patten

1271
01:04:56,760 --> 01:05:01,520
Speaker 1: accaid Heatherly I through the neighborhood. Yeah, Heather, you know what,

1272
01:05:01,600 --> 01:05:05,920
Speaker 1: I'm never the same difference. I'm looking through all the

1273
01:05:05,920 --> 01:05:11,200
Speaker 1: food and drinks. Crack man, it's Heather Lynn the pattent.

1274
01:05:13,640 --> 01:05:15,080
Speaker 1: Give me one second, I'm gonna figure out how to

1275
01:05:15,080 --> 01:05:17,080
Speaker 1: have a petty party. And her mentions, God damn you

1276
01:05:17,200 --> 01:05:20,400
Speaker 1: kid say no pictures posted? Oh so it's pointless. No, yes,

1277
01:05:20,520 --> 01:05:22,880
Speaker 1: as I told you, don't get wasted my time. You

1278
01:05:23,880 --> 01:05:26,320
Speaker 1: can get her in the DMS. That's not worth it,

1279
01:05:26,960 --> 01:05:28,760
Speaker 1: all right, she got no pictures. I'm sure she'll post

1280
01:05:28,760 --> 01:05:31,720
Speaker 1: something in a couple of weeks. All right, Well, thank

1281
01:05:31,720 --> 01:05:34,800
Speaker 1: you for that Dog in the day. Yes, indeed, up next,

1282
01:05:35,000 --> 01:05:39,480
Speaker 1: Young Mma, whill we joining us? Okay? Yes? Album out today, Yes,

1283
01:05:39,560 --> 01:05:41,120
Speaker 1: and we'll talk to Young Ammy when we come back.

1284
01:05:41,160 --> 01:05:47,520
Speaker 1: It's the Breakfast Local Morning, the Breakfast Club, DJ M

1285
01:05:47,600 --> 01:05:50,880
Speaker 1: v Angela Yee, Charlemagne the guy. We are the Breakfast Club.

1286
01:05:50,880 --> 01:05:53,440
Speaker 1: We got a special guest in the building, Young m.

1287
01:05:54,520 --> 01:05:59,240
Speaker 1: We took so long, wait you wait three years? Hey man, listen,

1288
01:05:59,320 --> 01:06:01,720
Speaker 1: he really was and it just wasn't ready. Got you

1289
01:06:02,400 --> 01:06:04,600
Speaker 1: you're just cooking up. Yeah. You went through a lot

1290
01:06:04,640 --> 01:06:08,080
Speaker 1: of changes though, with management and everything. Yeah, is that

1291
01:06:08,400 --> 01:06:16,600
Speaker 1: part of the reason why? Ay stead we've seen that?

1292
01:06:19,360 --> 01:06:24,000
Speaker 1: Yeah you ready? Yeah? Ready? But not um no, not really.

1293
01:06:24,280 --> 01:06:26,000
Speaker 1: I wouldn't say. I don't want to blame it on it,

1294
01:06:26,080 --> 01:06:27,720
Speaker 1: but it was really more so me, you know what

1295
01:06:27,760 --> 01:06:29,640
Speaker 1: I mean. I moved at my pace when it comes

1296
01:06:29,680 --> 01:06:31,640
Speaker 1: to music, and if I felt like you know, I

1297
01:06:31,720 --> 01:06:33,760
Speaker 1: just wasn't ready. Don't get me wrong, Like don't matter

1298
01:06:33,800 --> 01:06:36,520
Speaker 1: who was you know, uh representing me? It was always

1299
01:06:36,560 --> 01:06:38,240
Speaker 1: on my back about yo, you know what I mean?

1300
01:06:38,320 --> 01:06:40,880
Speaker 1: You gotta get this out? Yeah, yeah, you know yeah,

1301
01:06:41,280 --> 01:06:43,360
Speaker 1: you think you had too much success too fast and

1302
01:06:43,400 --> 01:06:44,440
Speaker 1: you had to kind of you had to kind of

1303
01:06:44,480 --> 01:06:47,760
Speaker 1: catch up to it anyway, Yeah, say that, even though

1304
01:06:47,760 --> 01:06:50,240
Speaker 1: I was grinding for so long prior to that. But

1305
01:06:50,440 --> 01:06:52,800
Speaker 1: you know, when that fame hit and and that fame

1306
01:06:52,920 --> 01:06:54,560
Speaker 1: came a little a little strong, you know what I mean,

1307
01:06:54,600 --> 01:06:56,200
Speaker 1: like ten times harder, you know what I mean, because

1308
01:06:56,400 --> 01:06:58,320
Speaker 1: not on top of it being a hit record, but

1309
01:06:58,400 --> 01:07:00,640
Speaker 1: just who I am when I read presenting stuff at

1310
01:07:00,680 --> 01:07:03,000
Speaker 1: the same time. So yeah, it was definitely like a oh,

1311
01:07:03,160 --> 01:07:05,560
Speaker 1: let me catch one souf real quick and and be

1312
01:07:05,640 --> 01:07:07,880
Speaker 1: able to sit back and watch this, you know what

1313
01:07:07,880 --> 01:07:09,200
Speaker 1: I mean. I had to observe for a little bit

1314
01:07:09,240 --> 01:07:10,600
Speaker 1: because it was just it was a little too fast.

1315
01:07:10,680 --> 01:07:13,040
Speaker 1: It was Younger May is heavy. That we were in

1316
01:07:13,320 --> 01:07:16,600
Speaker 1: Johannesburg together. Oh yeah, yes, but this event and when

1317
01:07:16,600 --> 01:07:19,520
Speaker 1: I tell you, they went lost their minds and Younger

1318
01:07:19,600 --> 01:07:22,080
Speaker 1: May came out. Yo. That was crazy. We had fun

1319
01:07:22,160 --> 01:07:25,240
Speaker 1: that there that night the club, we was out on it.

1320
01:07:26,040 --> 01:07:29,400
Speaker 1: It was crazy. The first time. Yeah, y'all wasn't there.

1321
01:07:30,280 --> 01:07:35,840
Speaker 1: He wasn't there. Kept comparing me to him that you

1322
01:07:35,920 --> 01:07:42,160
Speaker 1: might show you ain't my brother. To this day, everybody

1323
01:07:42,760 --> 01:07:46,280
Speaker 1: be trying to look like younger. May I think yo,

1324
01:07:48,120 --> 01:07:52,960
Speaker 1: trying to look on the black tea to today. Let me,

1325
01:07:53,960 --> 01:07:55,920
Speaker 1: you got offered so much money to do deals and

1326
01:07:56,320 --> 01:07:58,440
Speaker 1: never did a deal. Did you regret that at all?

1327
01:08:00,000 --> 01:08:01,480
Speaker 1: I would have took that deal with you know what

1328
01:08:01,480 --> 01:08:02,920
Speaker 1: I mean, if I really was like, Yo, was you

1329
01:08:03,000 --> 01:08:04,760
Speaker 1: looking for a specific amount of money or is just

1330
01:08:04,880 --> 01:08:06,640
Speaker 1: we wasn't doing it now? It was never about the money.

1331
01:08:07,040 --> 01:08:10,040
Speaker 1: It's not easy to be like no, but I'm I'm like,

1332
01:08:10,160 --> 01:08:12,919
Speaker 1: I have a lot of integrity, man, I think more down,

1333
01:08:13,000 --> 01:08:15,760
Speaker 1: a lot more longevity. And that's where my headspace was

1334
01:08:15,800 --> 01:08:17,960
Speaker 1: that nobody was telling me to make these decisions, neither

1335
01:08:18,040 --> 01:08:20,280
Speaker 1: like this was literally me What kind of bag were

1336
01:08:20,320 --> 01:08:23,280
Speaker 1: they that you were turning down? There was ms Eminem's

1337
01:08:23,400 --> 01:08:26,720
Speaker 1: wowems man, And what made you be able to just

1338
01:08:27,120 --> 01:08:28,920
Speaker 1: give you the confidence to be like nope, I know

1339
01:08:29,000 --> 01:08:32,120
Speaker 1: what I want to do spirit yes, man, I always

1340
01:08:32,160 --> 01:08:34,680
Speaker 1: had a plan, Like That's what I've been grinding for

1341
01:08:34,800 --> 01:08:36,519
Speaker 1: so long for us because I had a plan, you

1342
01:08:36,560 --> 01:08:37,840
Speaker 1: know what I mean, Like, I know who I am,

1343
01:08:38,439 --> 01:08:41,360
Speaker 1: I know what I represent, and I wasn't sure if

1344
01:08:41,960 --> 01:08:44,240
Speaker 1: a label was going to know how to handle me

1345
01:08:44,360 --> 01:08:46,320
Speaker 1: long term. You know what I mean, because it's like

1346
01:08:46,600 --> 01:08:49,400
Speaker 1: I'm not your average How hard is it to make

1347
01:08:49,479 --> 01:08:51,439
Speaker 1: a debut album after you got some money and fame

1348
01:08:51,479 --> 01:08:55,120
Speaker 1: in your pocket? Definitely hard. It's hard because I'm the

1349
01:08:55,200 --> 01:08:57,439
Speaker 1: type of person too, like it's hard for me to

1350
01:08:57,640 --> 01:08:59,479
Speaker 1: stick on things and stay on it, you know what

1351
01:08:59,479 --> 01:09:01,840
Speaker 1: I mean. Like I'm just spontaneous, Like that's just in

1352
01:09:01,960 --> 01:09:04,360
Speaker 1: my spirit, Like I just like to try new things

1353
01:09:04,439 --> 01:09:06,640
Speaker 1: all the time. So like I'll be working on the

1354
01:09:06,760 --> 01:09:09,599
Speaker 1: album and then I want to do like something else

1355
01:09:09,680 --> 01:09:11,080
Speaker 1: at the same time. So it's like I had to

1356
01:09:11,200 --> 01:09:14,240
Speaker 1: discipline myself to stay put onto the album, you know

1357
01:09:14,240 --> 01:09:16,680
Speaker 1: what I mean. Like that that was one of my downfalls.

1358
01:09:17,040 --> 01:09:19,760
Speaker 1: It's not being able to discippline myself and stay put

1359
01:09:19,800 --> 01:09:22,200
Speaker 1: and eventually I got into that state of mind. I

1360
01:09:22,320 --> 01:09:24,640
Speaker 1: just had to like force myself to stick on it.

1361
01:09:24,720 --> 01:09:27,600
Speaker 1: That was really like the main reason. Yeah, yeah, you

1362
01:09:27,640 --> 01:09:30,519
Speaker 1: feel like that about dating too, yo, Yeah, you know

1363
01:09:30,560 --> 01:09:32,280
Speaker 1: what I mean, Like, yeah, it's like it's I ain't

1364
01:09:32,320 --> 01:09:33,880
Speaker 1: gonna lie. That's kind of like one of my that's

1365
01:09:33,920 --> 01:09:35,960
Speaker 1: like one of my downfalls. It's just having this spirit

1366
01:09:36,000 --> 01:09:38,160
Speaker 1: about me with I want to try new things all

1367
01:09:38,200 --> 01:09:39,439
Speaker 1: the time. You know what I mean, if you're not

1368
01:09:39,479 --> 01:09:44,600
Speaker 1: a committed person, I didn't. I'm listen, nah, listen, hold on,

1369
01:09:44,600 --> 01:09:50,000
Speaker 1: hold on, before you got nineteen girls. Nah yeah, it's different,

1370
01:09:50,120 --> 01:09:54,200
Speaker 1: different one. Listen. I'd rather a relationship, I'm not. I

1371
01:09:54,240 --> 01:09:56,960
Speaker 1: don't really care for the being out his single all day,

1372
01:09:57,240 --> 01:09:59,360
Speaker 1: having a bunch of girls like that get boring at

1373
01:09:59,400 --> 01:10:02,280
Speaker 1: the wall, like I do. Rather a relationship, you know.

1374
01:10:02,320 --> 01:10:04,479
Speaker 1: I mean, I rather a woman hold me down and

1375
01:10:04,640 --> 01:10:06,640
Speaker 1: she doing her thing, we just supporting each other. Was

1376
01:10:06,680 --> 01:10:08,400
Speaker 1: the last time you went a relationship? I'm in a

1377
01:10:08,439 --> 01:10:11,280
Speaker 1: relationship now? Yeah? That on social media? Yeah yeah, I'm

1378
01:10:11,320 --> 01:10:13,040
Speaker 1: in a relationship now. But you see, I don't really

1379
01:10:13,120 --> 01:10:14,960
Speaker 1: you don't see me just asking. I don't really throw

1380
01:10:15,000 --> 01:10:16,800
Speaker 1: it out there too crazy. Did you learn from like

1381
01:10:17,040 --> 01:10:19,320
Speaker 1: the mistakes of with Tory bricks posting up all the

1382
01:10:19,400 --> 01:10:23,280
Speaker 1: time that I learned and cuddling like you know, I mean,

1383
01:10:23,360 --> 01:10:25,320
Speaker 1: what was it to learn? I mean, not to have

1384
01:10:25,400 --> 01:10:28,080
Speaker 1: it so public? Maybe I don't think our relationship was

1385
01:10:28,160 --> 01:10:31,240
Speaker 1: that public. You went Tory. It went public because first

1386
01:10:31,240 --> 01:10:34,320
Speaker 1: of all, I was hot at the time, you know

1387
01:10:34,360 --> 01:10:36,200
Speaker 1: what I mean. They see me with this this young

1388
01:10:36,240 --> 01:10:38,800
Speaker 1: beautiful woman, and it just went two and two and

1389
01:10:38,880 --> 01:10:41,800
Speaker 1: went crazy, But we never really put out out there

1390
01:10:41,880 --> 01:10:44,240
Speaker 1: like that crazy. I used to see it. You will

1391
01:10:44,280 --> 01:10:48,400
Speaker 1: see you're looking at it. Wasn't that. I know that

1392
01:10:48,560 --> 01:10:50,400
Speaker 1: for a fact, because that's just that's not me. I

1393
01:10:50,479 --> 01:10:52,840
Speaker 1: don't really like to do that, Like that's just putting

1394
01:10:52,880 --> 01:10:54,960
Speaker 1: too much my person. Like I supported for a minute,

1395
01:10:55,000 --> 01:10:56,680
Speaker 1: like yes, you know, you know what it is, and

1396
01:10:56,800 --> 01:10:58,840
Speaker 1: that's it, you know what I mean, whatever we do whatever,

1397
01:10:58,880 --> 01:11:00,479
Speaker 1: Like a lot of people don't even know we broke up,

1398
01:11:01,080 --> 01:11:05,559
Speaker 1: you know what I mean, Like once you got with yeah, yeah,

1399
01:11:06,560 --> 01:11:08,760
Speaker 1: they got to this song and then nah, I don't

1400
01:11:08,800 --> 01:11:11,400
Speaker 1: say that. I ain't trying to throw that out there

1401
01:11:11,479 --> 01:11:14,040
Speaker 1: real quick. I ain't never read no this song. How

1402
01:11:14,080 --> 01:11:16,120
Speaker 1: do you feel when your X finds love with somebody

1403
01:11:16,160 --> 01:11:18,160
Speaker 1: else and didn't have the whole have a family? Like

1404
01:11:18,240 --> 01:11:20,760
Speaker 1: how do you feel? Listen to the intro? That is

1405
01:11:20,800 --> 01:11:27,840
Speaker 1: not listen to that too, I mean not it was

1406
01:11:27,920 --> 01:11:30,320
Speaker 1: we was already like done for a minute that a

1407
01:11:30,360 --> 01:11:32,080
Speaker 1: lot of people know. We were still cool though when

1408
01:11:32,160 --> 01:11:34,560
Speaker 1: everything happened, like a lot of people don't know, like

1409
01:11:34,640 --> 01:11:37,120
Speaker 1: it wasn't never no beef or nothing, like we were

1410
01:11:37,160 --> 01:11:39,120
Speaker 1: still cool, you know what I mean? So I'm not.

1411
01:11:39,400 --> 01:11:40,960
Speaker 1: I'm not a just like I'm the type of person

1412
01:11:41,080 --> 01:11:43,519
Speaker 1: like we was. We was done, bro and and they

1413
01:11:43,600 --> 01:11:45,519
Speaker 1: moved like all my exes don't moved on. A couple

1414
01:11:45,560 --> 01:11:47,960
Speaker 1: of them got a baby. I mean right, they moved on.

1415
01:11:48,120 --> 01:11:50,200
Speaker 1: I still love you though some of them still love you, yo,

1416
01:11:50,320 --> 01:11:56,200
Speaker 1: I ain't. We ain't even gonna talk about that. Manship, man,

1417
01:11:56,400 --> 01:11:58,120
Speaker 1: I love my girl. If you want, you still live

1418
01:11:58,120 --> 01:12:00,320
Speaker 1: in Brooklyn or did you move from Brooklyn? I moved

1419
01:12:00,320 --> 01:12:02,320
Speaker 1: from Brooklyn. I'm in Jersey. Now, you know, how did

1420
01:12:02,360 --> 01:12:04,080
Speaker 1: your girl that she was? Now? How did you know

1421
01:12:04,200 --> 01:12:07,599
Speaker 1: that she was the one for? Now? Did you sure

1422
01:12:07,600 --> 01:12:08,760
Speaker 1: you want to say this because you know you're gonna

1423
01:12:08,760 --> 01:12:15,559
Speaker 1: get bored of it? She told us that was then, man,

1424
01:12:16,680 --> 01:12:21,799
Speaker 1: that was then. She's focused church. I met her in Atlanta.

1425
01:12:22,400 --> 01:12:29,880
Speaker 1: I met in Atlanta. Okay, are you blessing? Yo? I

1426
01:12:29,960 --> 01:12:35,479
Speaker 1: thought you were the whole dog? Uh? Well, I see

1427
01:12:35,520 --> 01:12:37,760
Speaker 1: she was following me already, vib you know what I mean.

1428
01:12:37,760 --> 01:12:40,800
Speaker 1: I followed her back. I thought she was fired. M man,

1429
01:12:41,680 --> 01:12:45,400
Speaker 1: you know no, we ain't nobody damn nobody, Like she

1430
01:12:45,600 --> 01:12:48,120
Speaker 1: wasn't on my hills, like she wasn't sweating me. It

1431
01:12:48,240 --> 01:12:51,320
Speaker 1: was um she replied. She replied to my story one tonge.

1432
01:12:52,360 --> 01:12:54,639
Speaker 1: So that was like, you know, my oaki dog, I'm thinking,

1433
01:12:54,720 --> 01:13:00,560
Speaker 1: okay that yeah in a way right, yeah, its not

1434
01:13:00,680 --> 01:13:07,880
Speaker 1: respond back with the odds because I'm like, you at

1435
01:13:07,920 --> 01:13:11,439
Speaker 1: the door, straighten up my GENI response. That's when I

1436
01:13:11,439 --> 01:13:13,519
Speaker 1: wound up seeing her in Atlanta. But you liked that

1437
01:13:13,600 --> 01:13:14,960
Speaker 1: on the load that she didn't respond. He was like,

1438
01:13:15,040 --> 01:13:18,559
Speaker 1: I show yeah, like and then when we eventually started talking,

1439
01:13:18,600 --> 01:13:21,280
Speaker 1: she liked that. I wasn't on her body neither. But yeah,

1440
01:13:21,320 --> 01:13:24,120
Speaker 1: I'm at in Atlanta and I wanted her to be

1441
01:13:24,240 --> 01:13:32,240
Speaker 1: in one of my videos. You know. That's yeah, okay,

1442
01:13:32,360 --> 01:13:34,240
Speaker 1: all right, But I was already kind of like, you know,

1443
01:13:34,360 --> 01:13:37,639
Speaker 1: we already kind of know before that, and then it happened,

1444
01:13:38,200 --> 01:13:41,160
Speaker 1: and at the video shoot, you know, I got to

1445
01:13:41,280 --> 01:13:44,400
Speaker 1: know her more, we got to talk more or whatever,

1446
01:13:44,640 --> 01:13:49,400
Speaker 1: and got the video done and we got him. Yeah,

1447
01:13:50,120 --> 01:13:53,679
Speaker 1: I'm pretty scrawm game. He didn't be in my video.

1448
01:13:54,600 --> 01:13:58,360
Speaker 1: That wasn't the that was that was that probably was

1449
01:13:59,040 --> 01:14:01,040
Speaker 1: all right. Well, let's get into Young Amy's new single.

1450
01:14:01,200 --> 01:14:04,800
Speaker 1: It's Big. It's the Breakfast Club good Morning. That was big.

1451
01:14:04,920 --> 01:14:08,400
Speaker 1: Young Emma's new single, Young Mm's here we all the

1452
01:14:08,439 --> 01:14:10,479
Speaker 1: breakfast club, Charlemagne, what have you been doing other than

1453
01:14:10,560 --> 01:14:13,879
Speaker 1: working on your debut? Out past three years? Got involved

1454
01:14:13,880 --> 01:14:18,360
Speaker 1: with acting, business, directing? You directed a poet. You directed

1455
01:14:18,400 --> 01:14:21,599
Speaker 1: a poet. Yeah, I didn't know that. Yeah. They kept

1456
01:14:21,640 --> 01:14:23,720
Speaker 1: talking about you playing Cleo and set it off to

1457
01:14:24,200 --> 01:14:27,639
Speaker 1: the remake in that room. That was definitely a rumor.

1458
01:14:27,680 --> 01:14:30,559
Speaker 1: It was a meme going around like saying that if

1459
01:14:30,600 --> 01:14:33,080
Speaker 1: they do to remake that these people that should play.

1460
01:14:33,400 --> 01:14:35,120
Speaker 1: But yeah, I heard that they actually really is doing it,

1461
01:14:36,920 --> 01:14:39,320
Speaker 1: and you you be surprised the end of that aund

1462
01:14:39,360 --> 01:14:42,120
Speaker 1: to get you a role already already told him. It's

1463
01:14:42,200 --> 01:14:46,120
Speaker 1: like who else you're gonna get? Right? How was the

1464
01:14:46,160 --> 01:14:49,680
Speaker 1: experience directing porn? It was fun, It was cool. It

1465
01:14:49,800 --> 01:14:52,760
Speaker 1: wasn't well people expected like they like like what she was?

1466
01:14:52,960 --> 01:14:56,160
Speaker 1: Like you was turned on? No, I was working, you

1467
01:14:56,200 --> 01:14:57,680
Speaker 1: know what I mean? It was cool. It was you know,

1468
01:14:57,720 --> 01:15:00,599
Speaker 1: it was interesting to see. I mean like right there,

1469
01:15:00,880 --> 01:15:02,240
Speaker 1: it's like, oh, this is how this is how to

1470
01:15:02,320 --> 01:15:04,559
Speaker 1: point it like point businesses like how do you give direction?

1471
01:15:04,640 --> 01:15:08,360
Speaker 1: Like give us some examples. I'm like, yo, eat that

1472
01:15:08,439 --> 01:15:10,200
Speaker 1: a little more, you know what I mean, Eat that

1473
01:15:10,200 --> 01:15:12,120
Speaker 1: a little more? You eat that too too soft, man,

1474
01:15:12,160 --> 01:15:14,000
Speaker 1: you gotta you gotta I mean not too so unit,

1475
01:15:14,240 --> 01:15:17,439
Speaker 1: too too calm like delicate? Yeah too live. Come on,

1476
01:15:17,600 --> 01:15:19,120
Speaker 1: put your mouth for it. It's your mouth phone, it's

1477
01:15:19,160 --> 01:15:20,880
Speaker 1: I'm being scared. So you know what, because I think

1478
01:15:20,920 --> 01:15:26,560
Speaker 1: I was gonna say, I think real life sex is

1479
01:15:26,600 --> 01:15:28,960
Speaker 1: so different than pointing because pouring is so much more extra.

1480
01:15:29,479 --> 01:15:33,439
Speaker 1: Exactly it iss it is. But they was getting popping

1481
01:15:33,479 --> 01:15:36,800
Speaker 1: though they're getting popping. It was old women, you know

1482
01:15:36,840 --> 01:15:38,280
Speaker 1: what I mean? Was it with bang Bros? Was it

1483
01:15:38,439 --> 01:15:43,760
Speaker 1: porn Hub? Was its bank? Was a bang Bros? Yeah, listen,

1484
01:15:43,880 --> 01:15:46,280
Speaker 1: I don't. I don't know nothing about I don't. I'm

1485
01:15:46,320 --> 01:15:50,920
Speaker 1: not even a point watchers said stuff all the time. Yeah,

1486
01:15:51,000 --> 01:15:52,720
Speaker 1: watch one of the bang bros. You know what they'd

1487
01:15:52,720 --> 01:15:55,200
Speaker 1: be doing. They'd be riding around and and they pick

1488
01:15:55,320 --> 01:15:59,160
Speaker 1: up like they pick up random women. They ride around

1489
01:15:59,160 --> 01:16:01,360
Speaker 1: with the bang bus and they convinced random women to

1490
01:16:01,479 --> 01:16:08,439
Speaker 1: do like what they got bank's been around for about

1491
01:16:08,439 --> 01:16:10,080
Speaker 1: to say, it look like it's a little old school.

1492
01:16:10,200 --> 01:16:13,920
Speaker 1: They're about to buy what a rob about got? The kids?

1493
01:16:14,000 --> 01:16:18,400
Speaker 1: Watch the kids be watching man money, which you direct

1494
01:16:18,439 --> 01:16:23,120
Speaker 1: another one? Absolutely, That's what I'm gonna do. Yeah, I listen,

1495
01:16:23,200 --> 01:16:25,360
Speaker 1: I don't care. I saw y'all put that up too.

1496
01:16:25,439 --> 01:16:27,640
Speaker 1: When then when that whole situation came up on your

1497
01:16:27,720 --> 01:16:30,639
Speaker 1: on the news thing, what's your call? They get room report? Yeah,

1498
01:16:30,640 --> 01:16:34,000
Speaker 1: I saw that was like younger mayors directing point And

1499
01:16:34,080 --> 01:16:36,760
Speaker 1: then I heard you say, yeah, man, but I want

1500
01:16:36,800 --> 01:16:39,160
Speaker 1: an album man with the music. I heard you say that, yeah,

1501
01:16:39,640 --> 01:16:45,760
Speaker 1: so I'm doing both. Hello, I'm listen. You'll understand, man,

1502
01:16:45,880 --> 01:16:48,479
Speaker 1: Like it's so much opportunities and money out here, Like

1503
01:16:48,600 --> 01:16:51,200
Speaker 1: why I settle for one thing like you already if

1504
01:16:51,240 --> 01:16:53,200
Speaker 1: you already have the opportunity and you out there and

1505
01:16:53,280 --> 01:16:55,800
Speaker 1: you expand it and people grab me from left the right, No,

1506
01:16:56,040 --> 01:16:58,960
Speaker 1: get that check man, I'm not mad at it. Probums

1507
01:16:59,000 --> 01:17:00,840
Speaker 1: with that. Do you think that it's important for pointing

1508
01:17:00,880 --> 01:17:03,800
Speaker 1: to have a plot? A plot? Yeah, like a real

1509
01:17:03,880 --> 01:17:06,200
Speaker 1: storyline the best part of it, because some people don't

1510
01:17:06,200 --> 01:17:08,080
Speaker 1: care about that. They just want to watch their favorite scene.

1511
01:17:08,360 --> 01:17:11,840
Speaker 1: They don't care about a plaque storyline. I'm thinking makes

1512
01:17:11,880 --> 01:17:14,240
Speaker 1: it interesting to have a storyline, like it's like it

1513
01:17:14,360 --> 01:17:16,040
Speaker 1: kind of I guess builds you up a little bit.

1514
01:17:16,080 --> 01:17:21,360
Speaker 1: And then I love when the white woman jogging in

1515
01:17:21,400 --> 01:17:23,439
Speaker 1: the hood. You should go knock on the door and

1516
01:17:23,520 --> 01:17:27,120
Speaker 1: be like, that's some water. There's some random, some random traphouse. Yeah,

1517
01:17:28,000 --> 01:17:34,120
Speaker 1: you some good as white woman jogging in the hood.

1518
01:17:34,160 --> 01:17:36,200
Speaker 1: She goes to a random traphouse, knocks on the door,

1519
01:17:36,840 --> 01:17:39,200
Speaker 1: They open the door, and they're like, oh, what's up

1520
01:17:39,640 --> 01:17:43,560
Speaker 1: the water? Then they get it pop. I don't know

1521
01:17:43,600 --> 01:17:50,040
Speaker 1: about that. Moving on, what do you hope this album accomplishes? Uh,

1522
01:17:50,960 --> 01:17:53,720
Speaker 1: I definitely want this to accomplish, like people understanding me,

1523
01:17:53,800 --> 01:17:56,880
Speaker 1: more understanding my struggles and trying to look past certain things,

1524
01:17:56,920 --> 01:17:58,519
Speaker 1: you know what I mean. Not saying that everybody is

1525
01:17:58,560 --> 01:18:00,479
Speaker 1: like that, but you do have a good amount of

1526
01:18:00,520 --> 01:18:03,080
Speaker 1: people that just don't can't look past certain things. And

1527
01:18:03,160 --> 01:18:05,639
Speaker 1: it's like, you know, I deal with a lot of stuff,

1528
01:18:05,680 --> 01:18:07,479
Speaker 1: you know what I mean, Like it ain't just always

1529
01:18:07,520 --> 01:18:09,240
Speaker 1: peaches and creaming me just because you don't see me

1530
01:18:09,320 --> 01:18:12,160
Speaker 1: express that. So it's it's definitely a relatable album. I

1531
01:18:12,240 --> 01:18:13,920
Speaker 1: want people to relate to it. When they hear it,

1532
01:18:13,960 --> 01:18:16,720
Speaker 1: They're gonna understand a lot of things that I'm talking

1533
01:18:16,720 --> 01:18:18,200
Speaker 1: about in this In this song, a lot of people

1534
01:18:18,240 --> 01:18:20,639
Speaker 1: don't be able to relate because it's gonna be similar

1535
01:18:20,880 --> 01:18:23,240
Speaker 1: situations that they've been through like I'm human, bro, you

1536
01:18:23,280 --> 01:18:24,880
Speaker 1: know what I mean, We go through things like all

1537
01:18:24,960 --> 01:18:27,240
Speaker 1: as humans, and that's basically what I want to get

1538
01:18:27,240 --> 01:18:28,839
Speaker 1: out them. I feel like the album is just supposed

1539
01:18:28,840 --> 01:18:32,200
Speaker 1: to be something about you and tell your story. And

1540
01:18:32,240 --> 01:18:34,360
Speaker 1: that's why it's scored a story because it's basically about me.

1541
01:18:34,840 --> 01:18:39,960
Speaker 1: When what do you mean that too? People still tripping

1542
01:18:40,000 --> 01:18:44,120
Speaker 1: out there? It's people who still do yeah, And I'm

1543
01:18:44,160 --> 01:18:47,560
Speaker 1: not targeting. I'm just like certain certain songs on it,

1544
01:18:47,600 --> 01:18:49,240
Speaker 1: it's targeting just that, you know what I mean. It's

1545
01:18:49,240 --> 01:18:51,320
Speaker 1: like yeah, yeah, you know what I mean. It's like

1546
01:18:51,360 --> 01:18:52,920
Speaker 1: I don't care, like yeah, you know what I mean,

1547
01:18:53,000 --> 01:18:54,800
Speaker 1: Like I'm I'm I'm out here, man, I'm a official

1548
01:18:54,840 --> 01:18:56,439
Speaker 1: you know what I mean. It ain't nothing where I'm

1549
01:18:56,520 --> 01:18:58,840
Speaker 1: hiding it. It's not like none of that, Like it's

1550
01:18:58,920 --> 01:19:01,679
Speaker 1: official with me. And try to look past that because

1551
01:19:01,760 --> 01:19:05,080
Speaker 1: like I make music like yeah, and that's what it is,

1552
01:19:05,160 --> 01:19:07,360
Speaker 1: and that's just just what I'm talking to people, not

1553
01:19:07,479 --> 01:19:09,080
Speaker 1: like most of most of the people that rock with

1554
01:19:09,160 --> 01:19:11,519
Speaker 1: me is like we rock with him because we always

1555
01:19:11,560 --> 01:19:13,720
Speaker 1: talked about have a representation. It's so important and there

1556
01:19:13,760 --> 01:19:16,200
Speaker 1: hasn't been a whole lot of representation in hip hop.

1557
01:19:16,720 --> 01:19:18,880
Speaker 1: That's why I think somebody like younger mat is so

1558
01:19:19,000 --> 01:19:21,560
Speaker 1: important so needed absolutely, yeah, because I just talked my

1559
01:19:21,720 --> 01:19:24,280
Speaker 1: talk man. What's the experience like meeting somebody like Beyonce?

1560
01:19:25,200 --> 01:19:29,320
Speaker 1: I never met? Oh, but I didn't meet yet. Oh.

1561
01:19:29,360 --> 01:19:31,720
Speaker 1: I thought you guys were you know, you open for her?

1562
01:19:31,840 --> 01:19:34,600
Speaker 1: And yeah I did, but I met jay Z. I

1563
01:19:34,640 --> 01:19:36,720
Speaker 1: didn't meet Beyonce. Okay, I thought you'd have been like,

1564
01:19:36,840 --> 01:19:38,679
Speaker 1: I want to meet younger man. Noah. At the time,

1565
01:19:38,800 --> 01:19:40,280
Speaker 1: it was like, first of all, I got there, it

1566
01:19:40,360 --> 01:19:42,519
Speaker 1: was kind of late, so like they had to rush

1567
01:19:42,600 --> 01:19:44,439
Speaker 1: me the stage, and then I had a show in

1568
01:19:44,520 --> 01:19:46,400
Speaker 1: a whole other state right after that show. We had

1569
01:19:46,439 --> 01:19:49,240
Speaker 1: to rush right back out. But jay Z was right there,

1570
01:19:49,320 --> 01:19:50,880
Speaker 1: so I was able to catch a flick with him

1571
01:19:51,240 --> 01:19:53,360
Speaker 1: and then dip out. So she was probably in the

1572
01:19:53,439 --> 01:19:56,040
Speaker 1: dress room getting right getting Beyonce. So they who'll give

1573
01:19:56,040 --> 01:19:58,320
Speaker 1: you any advice? He was He looked at me like

1574
01:19:58,320 --> 01:20:01,280
Speaker 1: I was his niece or something like like Brooklyn like yeah,

1575
01:20:01,400 --> 01:20:04,160
Speaker 1: like I'm like like big, like like I'm proud of you,

1576
01:20:04,320 --> 01:20:05,639
Speaker 1: you know what I mean? Like he was just sround

1577
01:20:05,720 --> 01:20:08,439
Speaker 1: like yo, like basically, I like what you got going on?

1578
01:20:08,600 --> 01:20:09,960
Speaker 1: You got it, you know what I mean. It wasn't

1579
01:20:10,000 --> 01:20:11,760
Speaker 1: too much said because we didn't really have Tom to

1580
01:20:11,840 --> 01:20:13,680
Speaker 1: like chop it up. But that was enough for me.

1581
01:20:14,080 --> 01:20:15,880
Speaker 1: Brooklyn got a lot of dope up and coming rappers

1582
01:20:15,960 --> 01:20:19,240
Speaker 1: now too, like underneath you just coming up now. So yeah,

1583
01:20:19,400 --> 01:20:21,200
Speaker 1: that's got to feel good. Brooklyn is always gonna fire,

1584
01:20:21,200 --> 01:20:23,680
Speaker 1: you man. Yeah, yeah, fire right now. Brooklyn is on

1585
01:20:23,760 --> 01:20:28,519
Speaker 1: fire right you're six, They're on fire right now. Musically

1586
01:20:28,560 --> 01:20:32,120
Speaker 1: he was on fire, you know what I'm saying. Listen,

1587
01:20:32,160 --> 01:20:33,880
Speaker 1: you know he don't want to I don't. I don't

1588
01:20:33,920 --> 01:20:36,560
Speaker 1: represent Brooklyn. You don't understand that he from Brooklyn? So what?

1589
01:20:37,720 --> 01:20:40,160
Speaker 1: Born and raised? So what on the playground is where

1590
01:20:40,160 --> 01:20:49,320
Speaker 1: he's been all his days. So this album is dedicated

1591
01:20:49,360 --> 01:20:53,000
Speaker 1: to your brother. Yeah, today's actually his death day. It's

1592
01:20:53,040 --> 01:20:56,360
Speaker 1: been ten years straight, is you know? I'm holding my head.

1593
01:20:57,240 --> 01:20:58,519
Speaker 1: It's crazy, you know what I mean. It's like I

1594
01:20:58,640 --> 01:21:01,000
Speaker 1: can't even believe it's been a long you know. I'm

1595
01:21:01,000 --> 01:21:03,240
Speaker 1: just trying to keep his name alive and and hold

1596
01:21:03,280 --> 01:21:05,240
Speaker 1: a fort down for him, man, you know, holding the

1597
01:21:05,280 --> 01:21:07,840
Speaker 1: family down and do on what I gotta do. Are

1598
01:21:07,880 --> 01:21:09,800
Speaker 1: you able to enjoy the moment being at it's so

1599
01:21:09,880 --> 01:21:11,880
Speaker 1: close to his death day, are you able to enjoy

1600
01:21:11,920 --> 01:21:14,240
Speaker 1: the moment of the album coming up? That's why I said,

1601
01:21:14,240 --> 01:21:16,120
Speaker 1: That's why it's kind of I guess I don't feel

1602
01:21:16,160 --> 01:21:19,880
Speaker 1: too like about the album because always around this time

1603
01:21:20,080 --> 01:21:21,519
Speaker 1: is like funny, you know what I mean. I always

1604
01:21:21,560 --> 01:21:24,080
Speaker 1: feel like a little in the days around this time.

1605
01:21:24,120 --> 01:21:26,040
Speaker 1: So I think that's one of the reasons. Like all

1606
01:21:26,360 --> 01:21:28,320
Speaker 1: the time from this day on going on to the

1607
01:21:28,439 --> 01:21:30,400
Speaker 1: end of the year, like Christmas, Holidays all that, I

1608
01:21:30,520 --> 01:21:32,640
Speaker 1: feel that that that feeling, you know what I mean.

1609
01:21:32,720 --> 01:21:35,640
Speaker 1: So it's never really always like I'm so happy and

1610
01:21:35,800 --> 01:21:37,799
Speaker 1: I have that moment, you know, that little depression feeling.

1611
01:21:37,880 --> 01:21:40,320
Speaker 1: But at the same time, like it's like what could

1612
01:21:40,360 --> 01:21:42,639
Speaker 1: I do? Like I ain't gonna sitting sorrow all day,

1613
01:21:42,640 --> 01:21:44,760
Speaker 1: Like I gotta I gotta make moves, I gotta hold

1614
01:21:44,800 --> 01:21:47,000
Speaker 1: a family down or whatever the case. So I'm good though,

1615
01:21:47,080 --> 01:21:49,240
Speaker 1: Like I'm like, we're out here, man, were working. We

1616
01:21:49,360 --> 01:21:51,640
Speaker 1: get into it, and we gotta make the people proud. Man,

1617
01:21:51,720 --> 01:21:56,160
Speaker 1: that's what it is. All right, Let's get it. Make

1618
01:21:56,200 --> 01:21:58,120
Speaker 1: sure you stream it, download and all that good stuff.

1619
01:21:58,200 --> 01:21:59,960
Speaker 1: We appreciate you for joining me, Thank you for having me.

1620
01:22:00,400 --> 01:22:03,040
Speaker 1: It's young m it's the Breakfast Club. Good morning, the

1621
01:22:03,320 --> 01:22:12,519
Speaker 1: Breakfast Club. She's filling the team. This is the Rumor

1622
01:22:12,600 --> 01:22:16,960
Speaker 1: Report with Angela Yee on the Breakfast Club Now. On

1623
01:22:17,120 --> 01:22:19,679
Speaker 1: the Monday episode of State of the Culture on Revolt,

1624
01:22:20,280 --> 01:22:24,760
Speaker 1: they were having a conversation about different topics, including Antonio Brown. Now,

1625
01:22:24,880 --> 01:22:27,880
Speaker 1: Remy mah had some comments about Antonio Brown getting the

1626
01:22:27,920 --> 01:22:30,479
Speaker 1: backlash that he was getting. The former NFL wide receiver

1627
01:22:30,560 --> 01:22:33,160
Speaker 1: who was released from his contract with the Patriots after

1628
01:22:33,280 --> 01:22:36,439
Speaker 1: he had sexual assault allegations against him. He's denied those claims.

1629
01:22:36,680 --> 01:22:39,040
Speaker 1: And here's what Remy Maha had to say about sexual

1630
01:22:39,080 --> 01:22:41,920
Speaker 1: assault victims. It seems like and a lot of these

1631
01:22:42,000 --> 01:22:46,439
Speaker 1: alleged sexual assault cases, the women are asking for money.

1632
01:22:46,479 --> 01:22:49,360
Speaker 1: Hey give me some money and I'll feel better to

1633
01:22:49,640 --> 01:22:55,000
Speaker 1: me in any exchange with sexual acts are being compensated

1634
01:22:55,120 --> 01:22:59,280
Speaker 1: with money, Like that's a prostitution. That's a gross simplification.

1635
01:22:59,439 --> 01:23:03,120
Speaker 1: Really read to the sex really yeah, because in one

1636
01:23:03,160 --> 01:23:06,320
Speaker 1: instant it was so horrible he does to me, that's

1637
01:23:07,000 --> 01:23:12,519
Speaker 1: give me two million. All right, Well, it's definitely not prostitution. No,

1638
01:23:12,600 --> 01:23:15,599
Speaker 1: it's definitely not prostitution. Institution they actually call that, They

1639
01:23:15,640 --> 01:23:18,919
Speaker 1: call that compensation restorative justice. And here's the thing. Sometimes

1640
01:23:18,960 --> 01:23:21,560
Speaker 1: you can't pursue those cases criminally because the statute of

1641
01:23:21,600 --> 01:23:23,719
Speaker 1: limitations is up, so all you can do is civil.

1642
01:23:23,800 --> 01:23:26,479
Speaker 1: But I think the optics of when a person seeks

1643
01:23:26,560 --> 01:23:29,479
Speaker 1: civil justice over criminal justice when they can, you know,

1644
01:23:29,600 --> 01:23:32,120
Speaker 1: when they have the right to do both, sometimes make

1645
01:23:32,160 --> 01:23:34,120
Speaker 1: you questions a person's motives. But I'm not gonna call

1646
01:23:34,160 --> 01:23:35,920
Speaker 1: her a prostice it's not a process. I'm gonna just

1647
01:23:35,960 --> 01:23:39,719
Speaker 1: question her motivation and listen, let's talk about the financials

1648
01:23:39,760 --> 01:23:41,439
Speaker 1: of it though too. A lot of times people aren't

1649
01:23:41,439 --> 01:23:43,200
Speaker 1: able to work. Imagine you have to go to court,

1650
01:23:43,560 --> 01:23:44,840
Speaker 1: you have to go to trial, you have to go

1651
01:23:44,880 --> 01:23:46,920
Speaker 1: to the doctor, you have all kinds of mental trauma

1652
01:23:47,000 --> 01:23:50,160
Speaker 1: from a situation, and even having to heal from that

1653
01:23:50,240 --> 01:23:52,040
Speaker 1: and go to the doctor and get treatment. That all

1654
01:23:52,080 --> 01:23:53,760
Speaker 1: costs money. Yeah, I agree. I just think that when

1655
01:23:53,800 --> 01:23:57,479
Speaker 1: you have the option to do criminal our civil, what

1656
01:23:57,640 --> 01:23:59,240
Speaker 1: you choose to do civil. But I thought I thought

1657
01:23:59,240 --> 01:24:00,560
Speaker 1: you got to get you both. Yeah, but don't you

1658
01:24:00,600 --> 01:24:02,960
Speaker 1: gotta get a criminal case going before a lot of

1659
01:24:03,000 --> 01:24:05,400
Speaker 1: times who do civil first and then it's easier. I

1660
01:24:05,439 --> 01:24:08,240
Speaker 1: think sometimes when people jump just the civil you question

1661
01:24:08,320 --> 01:24:10,160
Speaker 1: their motivation. But I'm not gonna call them a product.

1662
01:24:10,240 --> 01:24:12,479
Speaker 1: Let's be real, Like, after you see all these different

1663
01:24:12,520 --> 01:24:15,120
Speaker 1: cases and here from different women who have been through it,

1664
01:24:15,479 --> 01:24:17,160
Speaker 1: it's not the easiest thing to have to go and

1665
01:24:17,240 --> 01:24:19,799
Speaker 1: tell your story over a thousand times again and reliving

1666
01:24:19,840 --> 01:24:21,479
Speaker 1: and have people not believe you and question you and

1667
01:24:21,600 --> 01:24:23,280
Speaker 1: make you seem like you're other person who's at fault.

1668
01:24:23,400 --> 01:24:26,479
Speaker 1: And also a prostitution, Prostitution is a willing thing, like

1669
01:24:26,640 --> 01:24:29,560
Speaker 1: the person is taking the money and giving consent for

1670
01:24:29,680 --> 01:24:31,599
Speaker 1: you to have sex with them. It's a purchase. There

1671
01:24:31,600 --> 01:24:35,000
Speaker 1: are people, there's people who their houses get broken into

1672
01:24:35,120 --> 01:24:37,360
Speaker 1: and sometime you can't say I'm being a prostitute. That's

1673
01:24:37,360 --> 01:24:39,439
Speaker 1: what I'm saying. They forced in the prostitution. It's not

1674
01:24:39,600 --> 01:24:42,960
Speaker 1: necessarily yeah yeah, yeah, absolutely no, that's sex. That's sex draficking. Yeah,

1675
01:24:43,000 --> 01:24:46,880
Speaker 1: well that's different. Yeah, prostitution sex draficking too, totally different things. Right,

1676
01:24:47,120 --> 01:24:49,280
Speaker 1: all right, now, let's talk about Angie Martinez. In the

1677
01:24:49,360 --> 01:24:52,280
Speaker 1: debut of her show Untold Stories of Hip Hop on

1678
01:24:52,360 --> 01:24:55,080
Speaker 1: we TV last night, she had Cardi bon and Cardi

1679
01:24:55,120 --> 01:24:58,560
Speaker 1: B was talking about just having a baby at the

1680
01:24:58,680 --> 01:25:00,720
Speaker 1: height of her career and what people to say about that.

1681
01:25:01,040 --> 01:25:03,040
Speaker 1: Certain people that I even thought there was gonna like

1682
01:25:03,080 --> 01:25:04,800
Speaker 1: support me and be like, listen, we could do this,

1683
01:25:05,200 --> 01:25:09,880
Speaker 1: Like real optimistic people, We're like no, no, you can't

1684
01:25:09,880 --> 01:25:14,559
Speaker 1: do it. No crying the eyeballs out. So when people

1685
01:25:14,600 --> 01:25:16,720
Speaker 1: are telling you not to have your baby, I mean,

1686
01:25:16,880 --> 01:25:19,240
Speaker 1: is there some moment that happens where you decide to

1687
01:25:19,400 --> 01:25:21,599
Speaker 1: keep her? And how do you come to that decision?

1688
01:25:22,439 --> 01:25:24,120
Speaker 1: When I find out, it was like around the weeks

1689
01:25:24,160 --> 01:25:25,760
Speaker 1: that you could find out the sex, and I wanted

1690
01:25:25,840 --> 01:25:28,639
Speaker 1: to find out the sex right away. And like when

1691
01:25:28,760 --> 01:25:31,000
Speaker 1: she said I have a girl, you were already in love.

1692
01:25:31,280 --> 01:25:33,240
Speaker 1: I was like, oh, man, I have a girl. That

1693
01:25:33,360 --> 01:25:35,760
Speaker 1: means that God wants me to have a baby because

1694
01:25:35,760 --> 01:25:37,960
Speaker 1: I always wanted a girl. Well, of course she's so

1695
01:25:38,080 --> 01:25:40,920
Speaker 1: happy that baby. Culture is here. Everything's about culture right.

1696
01:25:41,280 --> 01:25:43,439
Speaker 1: In addition, Snoop Dogg was on last night and he

1697
01:25:43,520 --> 01:25:46,160
Speaker 1: talks about going into the studio with Biggie because Biggie

1698
01:25:46,160 --> 01:25:48,280
Speaker 1: want to him to hear a song, so go sing,

1699
01:25:49,120 --> 01:25:53,200
Speaker 1: and he got about forty see you like yo, I

1700
01:25:53,360 --> 01:25:56,040
Speaker 1: want to play you. I'm like, what you want to play?

1701
01:25:56,520 --> 01:25:59,840
Speaker 1: This is this album? Before he gets killed track them

1702
01:25:59,880 --> 01:26:06,080
Speaker 1: up and he's say he played you the verse when

1703
01:26:06,120 --> 01:26:09,360
Speaker 1: he says your name. Yes, I'm like, damn, that really

1704
01:26:09,479 --> 01:26:12,240
Speaker 1: loved me. And this man died before this record came out,

1705
01:26:12,720 --> 01:26:14,519
Speaker 1: so that was a moment in my life. And I'm like,

1706
01:26:14,640 --> 01:26:17,240
Speaker 1: you know what, at least he got to play that

1707
01:26:17,600 --> 01:26:21,160
Speaker 1: for me, Yeah, and satisfied his soul to know that

1708
01:26:21,600 --> 01:26:23,519
Speaker 1: he was all right with Snoop. Though, all right, these

1709
01:26:23,520 --> 01:26:26,479
Speaker 1: are classic moments. Yeah, but I'm still tripping off the

1710
01:26:26,560 --> 01:26:28,920
Speaker 1: fact that there's a recipe in The Bronx that consists

1711
01:26:28,920 --> 01:26:31,840
Speaker 1: of after an Angelican that can stop periods. I don't

1712
01:26:32,400 --> 01:26:34,439
Speaker 1: I don't think anybody should try that at home. I

1713
01:26:34,479 --> 01:26:36,400
Speaker 1: always say the craziest people in America come from the

1714
01:26:36,439 --> 01:26:39,200
Speaker 1: Bronx and all the Florida and boy Cardy Be reinforced

1715
01:26:39,280 --> 01:26:41,639
Speaker 1: that last night. I need to know what this recipe is. Well,

1716
01:26:42,000 --> 01:26:44,439
Speaker 1: And congratulations to Candy Bird. She's gonna actually have a

1717
01:26:44,520 --> 01:26:47,760
Speaker 1: recurring role in the season three of The Shy. She's

1718
01:26:47,800 --> 01:26:50,920
Speaker 1: gonna play Rosalind Perry, the estranged wife, the strange wife

1719
01:26:50,960 --> 01:26:53,600
Speaker 1: al Duda who is She's back at his side to

1720
01:26:53,680 --> 01:26:56,479
Speaker 1: influence his political agenda and to help herself as well.

1721
01:26:56,560 --> 01:27:00,400
Speaker 1: So congratulations to Candy on the shot this season ye.

1722
01:27:02,439 --> 01:27:09,920
Speaker 1: Who's not on there, Jason Mitchell? All right, I'm Angela

1723
01:27:10,040 --> 01:27:12,200
Speaker 1: Yee and that is your rumor report. All right, the

1724
01:27:12,200 --> 01:27:14,560
Speaker 1: People's Choice mixes up. Next is little Wayne's birthday, so

1725
01:27:14,640 --> 01:27:16,200
Speaker 1: let's get into a little Wayne MANI makes. Let me

1726
01:27:16,240 --> 01:27:19,160
Speaker 1: know your favorite wheezy joint and revote. We'll see your Monday.

1727
01:27:19,320 --> 01:27:22,960
Speaker 1: It's the Breakfast Club. Good morning morning. Everybody is DJ Envy,

1728
01:27:23,200 --> 01:27:27,080
Speaker 1: Angela Yee, Charlemagne the guy. We all the Breakfast Club Now.

1729
01:27:27,320 --> 01:27:29,439
Speaker 1: Shout out to everybody that's heading out to Atlantic City

1730
01:27:29,479 --> 01:27:31,160
Speaker 1: this weekend. I'm doing a two day seminar out in

1731
01:27:31,200 --> 01:27:34,160
Speaker 1: Atlantic City. The first day we're gonna be doing a

1732
01:27:34,240 --> 01:27:36,360
Speaker 1: ride along and I'm taking some of some people through

1733
01:27:36,439 --> 01:27:40,200
Speaker 1: different houses, different properties, vaking lots and just showing them

1734
01:27:40,240 --> 01:27:42,200
Speaker 1: to different properties. How much the properties are. They were

1735
01:27:42,280 --> 01:27:45,000
Speaker 1: ranged from ten thousand dollars to one hundred and fifty

1736
01:27:45,000 --> 01:27:47,360
Speaker 1: two hundred thousand. And then the next day we're actually

1737
01:27:47,400 --> 01:27:50,240
Speaker 1: gonna have a seminar explaining how to flip, how long

1738
01:27:50,280 --> 01:27:52,920
Speaker 1: it takes, the money it requires, and all that. So

1739
01:27:53,120 --> 01:27:54,719
Speaker 1: it's a lot of people coming in. I look forward

1740
01:27:54,720 --> 01:27:56,120
Speaker 1: to seeing you guys. We've got a lot of busses

1741
01:27:56,120 --> 01:27:59,000
Speaker 1: so it's going to be a great weekend. Shout to

1742
01:27:59,240 --> 01:28:02,559
Speaker 1: up in New Jersey, which is Caesar, Shout to Jen,

1743
01:28:03,200 --> 01:28:06,599
Speaker 1: Shout to Matt, Shout to Sabine, Shout to Jose, Shout

1744
01:28:06,680 --> 01:28:09,160
Speaker 1: to everybody that's coming through and Charlotamagne. Some a dude

1745
01:28:09,280 --> 01:28:12,519
Speaker 1: hit me from m dude man Cody, who was a

1746
01:28:12,560 --> 01:28:14,599
Speaker 1: real estate agent. It was like he had some property

1747
01:28:14,600 --> 01:28:16,800
Speaker 1: for you out in the Carolinas, South Carolina. He even

1748
01:28:16,840 --> 01:28:18,400
Speaker 1: trying to get in touch with you. Tell him hit

1749
01:28:18,439 --> 01:28:20,679
Speaker 1: me up. Okay, I definitely will, he said, I've been trying.

1750
01:28:22,000 --> 01:28:23,200
Speaker 1: I just want to give me a number. I I

1751
01:28:23,240 --> 01:28:25,720
Speaker 1: getting page number though. I'm always done to buy some

1752
01:28:25,800 --> 01:28:29,120
Speaker 1: new property at home and listen. Slew to everybody that

1753
01:28:29,439 --> 01:28:31,200
Speaker 1: was at the Tamaron Hall show yesterday. I'm gonna be

1754
01:28:31,240 --> 01:28:33,400
Speaker 1: on Tamaron Hall today. You got to check your local listings.

1755
01:28:33,479 --> 01:28:36,040
Speaker 1: It was me and my guy doctor ish Major. Doctor

1756
01:28:36,120 --> 01:28:39,479
Speaker 1: ish Major is a psychiatrist who was educated at the

1757
01:28:39,600 --> 01:28:44,400
Speaker 1: University of South Carolina School of Medicine. He specializes in women, children, families,

1758
01:28:44,520 --> 01:28:47,280
Speaker 1: and you know, just black men being mentally healthy. If

1759
01:28:47,280 --> 01:28:49,800
Speaker 1: you've ever read my book Shook Went Anxiety Playing tricks

1760
01:28:49,840 --> 01:28:51,240
Speaker 1: on me He's the doctor that I have in my

1761
01:28:51,280 --> 01:28:53,640
Speaker 1: book given all the clinical correlations for the things I

1762
01:28:53,720 --> 01:28:57,280
Speaker 1: talk about experiencing. And we're both on the Tamarin Hall

1763
01:28:57,360 --> 01:28:59,760
Speaker 1: Show today, So make sure you're tuning in the Tamarin Hall,

1764
01:28:59,840 --> 01:29:06,120
Speaker 1: check your local listings, and check us out. Okay, okay, okay, easy, Yes,

1765
01:29:07,240 --> 01:29:09,040
Speaker 1: we're doing this weekend. You gonna tell people, Oh well,

1766
01:29:09,040 --> 01:29:10,720
Speaker 1: I'll be in Chicago this weekend. It was like a

1767
01:29:10,800 --> 01:29:13,160
Speaker 1: really last minute thing, so I'm trying to get it

1768
01:29:13,200 --> 01:29:15,519
Speaker 1: all together. I'm a little frazzled, but you know, I'm

1769
01:29:15,560 --> 01:29:17,479
Speaker 1: getting ready for my Lip Service Live tour. So you

1770
01:29:17,560 --> 01:29:19,920
Speaker 1: guys know that kicks off October twentieth, and you can

1771
01:29:19,920 --> 01:29:21,559
Speaker 1: go to ticketmaster dot com if you want to get

1772
01:29:21,600 --> 01:29:23,560
Speaker 1: tickets to see us in the city. There you It

1773
01:29:23,720 --> 01:29:27,080
Speaker 1: kicks off in Philly, then New York. We're in Houston, Dallas, Atlanta, La,

1774
01:29:27,200 --> 01:29:30,880
Speaker 1: San Francisco, Cleveland, Chicago, Detroit, all over, so make sure

1775
01:29:30,920 --> 01:29:32,720
Speaker 1: you come and check us out. All right when we

1776
01:29:32,800 --> 01:29:35,320
Speaker 1: come back positive, don't move. It's to Breakfast Club. Good morning,

1777
01:29:35,840 --> 01:29:40,200
Speaker 1: this morning. Everybody is DJ Envy, Angela Yee, Charlomagne, the guy.

1778
01:29:40,280 --> 01:29:42,439
Speaker 1: We are the Breakfast Club Now Charlomagne, you got a

1779
01:29:42,439 --> 01:29:45,800
Speaker 1: positive note. Yes. The positive note is simply this man.

1780
01:29:45,920 --> 01:29:47,920
Speaker 1: The positive note is I want you to act as

1781
01:29:48,000 --> 01:29:51,040
Speaker 1: if what you do makes a difference, because it does.

1782
01:29:51,479 --> 01:29:54,200
Speaker 1: Breakfast Club, you know. I'm finishi, y'all. Dune