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Speaker 1: So I get a phone call.

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Speaker 2: From Jesse David Fox Vulture from Vulture, from Vulture post

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Speaker 2: of good One.

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Speaker 3: This was a sad call.

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Speaker 1: He's weeping, he's crying. Vulture Fest is in trouble. He says,

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Speaker 1: we have to cancel it unless you can save it. JDF,

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Speaker 1: I say, anything you ever wanted?

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Speaker 2: What can I You know that and you know that?

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Speaker 2: Please anything.

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Speaker 1: This guy's practically my best man.

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Speaker 3: Yes, but you have to come here. You have to.

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Speaker 3: You have to do it in Los Angeles.

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Speaker 1: Got to happen in LA. I'm not going to New

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Speaker 1: York yuck.

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Speaker 2: Yes, you have to put me up obviously, like I

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Speaker 2: live here, but I still need to be like on

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Speaker 2: site the night before.

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Speaker 1: We gonna need accommodations. Yes, should really be at the Roosevelt.

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Speaker 1: I say, yeah, I gotta be outdoors. It's safer, so

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Speaker 1: build a stage.

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Speaker 3: Yeah.

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Speaker 1: Oh and one more thing you gotta get me Ditas.

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Speaker 2: Welcome to Hollywood Handbook dives into Hollywood Homicide with Bosh,

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Speaker 2: a coming together of two LA institutions. Thank you so

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Speaker 2: much for being here today. Title came out fine. I

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Speaker 2: wanted it to be longer.

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Speaker 3: We were titles.

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Speaker 1: We had a really we had a really good long

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Speaker 1: title for it. Jesse said it wouldn't fit on Twitter. Yeah,

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Speaker 1: so we had to get back in the lap. This

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Speaker 1: one's fine. It doesn't tell the whole story.

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Speaker 2: But yeah, the original title we suggested was, Hey, I

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Speaker 2: have an idea, Colon, Let's put on a show starring

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Speaker 2: Hollywood Handbooks, Hayz and Sean and of course they're beloved

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Speaker 2: fans and they'll meet Bosh.

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Speaker 1: And Bosh will be there, and Bosh will be there

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Speaker 1: two different Bosches parentheses.

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Speaker 2: Yes, one botches the TV show Botch. One batches the

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Speaker 2: dog Bosh. That's a good idea. So that was that

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Speaker 2: was the original time. Yeah, it's our first live show

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Speaker 2: in two years. Thank you, thank you. We're not rusty.

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Speaker 2: We have been training.

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Speaker 1: Yeah you probably already feel it. We're as sharp as

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Speaker 1: we've ever been.

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Speaker 2: Maybe sharper yeah, oh yeah, the entire time, just sharpening

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Speaker 2: the acts.

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Speaker 3: So I do.

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Speaker 1: I think we need to bring out the guests, and.

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Speaker 3: We have to. We have to.

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Speaker 1: It's actually good to bring the guests in. Yeah, before

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Speaker 1: he comes out, of course you clap for him. Of course,

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Speaker 1: when we bring out the other Bosh, we don't want

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Speaker 1: to scare this guy. He's an animal, so please do

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Speaker 1: not clap or woo whoo or laugh or anything to

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Speaker 1: freak him out. And actually, especially for people who are

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Speaker 1: listening to this as a podcast, if you could do

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Speaker 1: us a favorite and not laugh or clap for the

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Speaker 1: rest of the show, even though we're doing a good

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Speaker 1: job and being funny, that would actually help. Just so

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Speaker 1: the dog stays calm. So anybody hears it goes, hey,

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Speaker 1: it sounds like they died. The audience didn't like it.

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Speaker 1: It's actually out of respect for the dog.

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Speaker 3: Yeah, that's for the best because he will bite everyone here.

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Speaker 3: He's insane. They will take his time with each one.

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Speaker 2: Yeah.

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Speaker 3: Uh yeah, the dog is.

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Speaker 2: Before you die.

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Speaker 3: Yeah. Oh he's a sick man. Yeah.

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Speaker 1: He's been training as well throughout the pandemic. Yeah, it's

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Speaker 1: been pretty gruesome. But anyway, I'm very excited we have here.

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Speaker 3: Special guy.

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Speaker 1: You love him. He was in a lot of shows

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Speaker 1: before this. He was on Lost. He is bosh, he said,

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Speaker 1: and gone, baby gone. Amanda literally roasted. We all remember

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Speaker 1: that scene. And uh, now he's here and he's gonna

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Speaker 1: help us win you over.

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Speaker 3: Titus well Over, Titus well Over. So I want to Okay, Okay,

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Speaker 3: before we.

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Speaker 2: Get into this, before we get into these, don't tear

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Speaker 2: it up and throw it out, but before we get

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Speaker 2: into this. So the first bullet says sandwich language. That's

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Speaker 2: for the end. We talk about the sandwich language at

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Speaker 2: the very end. I know it's first, but you see

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Speaker 2: how it's written on their end, So we don't talk

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Speaker 2: about that until the end. Okay, and then under that

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Speaker 2: is the key messaging. We are gonna want to stay

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Speaker 2: on point for this entire show. We like Bosh, we

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Speaker 2: have a job to do and we do it well.

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Speaker 2: And the job is to get through all of the

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Speaker 2: key messaging. But don't rush, don't rush, go point by point,

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Speaker 2: go in order. Absolutely, go in order, but take your time,

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Speaker 2: make it yours, make it yours.

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Speaker 1: I want you to feel comfortable. It should feel really natural.

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Speaker 3: Is this thing on? Oh it is?

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Speaker 2: Oh yeah.

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Speaker 1: The title is the key messaging. It's a little bit.

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Speaker 1: It's our sign that says, get off your ass and

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Speaker 1: knock on doors.

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Speaker 3: Huh. That's life, man, that's life.

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Speaker 1: But what it says instead is the title of the spinoff,

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Speaker 1: which premieres on IMDbTV, Amazon's premium free streaming service in

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Speaker 1: twenty twenty two, and the title, of course is.

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Speaker 3: And this is big. We're announcing this title right now.

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Speaker 1: We're the first people to have it. And the title

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Speaker 1: is Return of the Son of Bosh. Yes, the Revenge

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Speaker 1: of Bosh. He's back.

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Speaker 2: Is that?

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Speaker 1: Am I missing something? Return of the Son of Bosh?

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Speaker 1: I'm coming together of two l a institution.

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Speaker 2: Yes, that's it, that's it, And that was all you right, like,

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Speaker 2: that's your that's your creative. You don't get involved, and

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Speaker 2: you know, you let the writers do their work. But

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Speaker 2: the title is let they let you put the star

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Speaker 2: on top of the tree, TuS. That was actually a

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Speaker 2: test to see if you would remain on.

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Speaker 3: The key messaging. I'm on it.

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Speaker 4: I was on it right the title isle or laugh

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Speaker 4: because I'll freaked out and run off the stage.

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Speaker 2: Bite everyone, Titus will bite everyone.

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Speaker 3: It's been known to happen.

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Speaker 1: It was a fake title and none of you noticed.

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Speaker 1: The title is Bosh Legacy.

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Speaker 2: That's true, Bosh Legacy.

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Speaker 4: I know it sounds like a fucking vampire show. Yes, no,

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Speaker 4: not really. I think it's good.

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Speaker 2: Bosh Colan legacyl Bosh Colan Legacy. Yes, what would make

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Speaker 2: it's a whole different show, Just visualizing it is something

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Speaker 2: interesting colon with three dots. You know, I think it

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Speaker 2: should be in braille. I mean, you know, really gets

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Speaker 2: your accessibility. Yes, very few titles are in braille these days.

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Speaker 2: That's important.

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Speaker 1: I have a sort of a joke bash colon Bash

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Speaker 1: Colan legacy. You could shoot the whole thing on a

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Speaker 1: very small camera. Last half joke.

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Speaker 2: Yeah, please, I'm gonna bite somebody, Titus.

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Speaker 3: We want to bring out another guest in a second.

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Speaker 3: We want to do that. Now, let's get it out

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Speaker 3: of the way because he's freaking out.

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Speaker 2: My fucking drama teacher or something like that, is it?

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Speaker 1: This is your life? Yeah, he's the one who taught

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Speaker 1: you to stay in the moment.

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Speaker 2: I get scared. Yeah, I live too much in the moment.

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Speaker 2: He's something of a drama teacher. He is bringing the

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Speaker 2: drama everywhere he goes.

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Speaker 1: Yeah, he's spilling the tea.

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Speaker 3: Yeah.

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Speaker 2: This is a dog. This is Shawn's dog. Shawn's dog

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Speaker 2: is famously named Bosh. People thought, what's gonna get people

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Speaker 2: out to the like live theaters in trouble, what's gonna

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Speaker 2: get people out to come see you alive? Showy?

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Speaker 1: Risk your health? Your families have yes, we need to

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Speaker 1: give you a pretty good reason. He is seeing a

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Speaker 1: dog for about forty five seconds.

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Speaker 2: Yes, and seeing a man meet a dog who was

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Speaker 2: named the same thing as.

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Speaker 1: Dog came just the name of the character the man

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Speaker 1: plays on the show. Yes, I mean, is that not

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Speaker 1: moving tickets? I think it did.

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Speaker 2: That's chaos theory man. Yes, so let's let's bring him out.

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Speaker 2: We have Chef Kevin here with Bosh the dog. This

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Speaker 2: is Bosh. Don't get complete tennis clip, tennis clip, thank you, Bosh. Okay,

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Speaker 2: this is Bosh. Everyone's being very cool, just very casual.

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Speaker 2: Don't look look somewhere else. Look somewhere else, be like

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Speaker 2: talking to each other. Don't like act like this is

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Speaker 2: See see how he's getting very nervous and distracted. Act

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Speaker 2: like this isn't happening at all.

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Speaker 1: See how mad he is. Oh my gosh, look at

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Speaker 1: this beast. He's freaking out. What a psycho. Okay, okay,

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Speaker 1: did you get your picture taken? Good boy?

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Speaker 3: Yes, okay, all right, we love you. Bosh. He can go,

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Speaker 3: he can go. He can go.

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Speaker 2: Magic, magic, magic in the heart of Hollywood. It's my show. Yes,

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Speaker 2: that's a cool dog. Now you can clap now you

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Speaker 2: can clap for the dog.

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Speaker 1: That's the last one.

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Speaker 3: You get one. Thank you so much. H Let's get

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Speaker 3: back on the key messaging.

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Speaker 1: Please, We're so far off the key messaging right now.

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Speaker 1: I'm sick to my stomach.

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Speaker 3: Bosh Legacy premieres on IMDbTV.

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Speaker 1: That's the only one we have said.

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Speaker 2: Yes, Amazon's premium freeze service in twenty twenty two. Where

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Speaker 2: are we at on casting for that?

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Speaker 3: Oh? How are we doing? I know where this is leading?

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Speaker 3: How how we look.

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Speaker 1: In in terms of like.

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Speaker 2: The big Discovery like like where are we are you

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Speaker 2: room for those sets? I'm in the room for those Wow?

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Speaker 2: Whoa okay?

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Speaker 1: And your chemistry is something like this, you hope when

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Speaker 1: you're in that room.

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Speaker 2: Yeah, I'm an observer. Okay, Well, like a Cia Spook

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Speaker 2: in the room. Okay, walk me through it.

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Speaker 1: Production wise? Where are we at?

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Speaker 2: Like how much of this is in the can? Just

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Speaker 2: to ask your question, I know where this is leading.

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Speaker 1: You got room for two more exactly.

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Speaker 2: Because even people are saying like, oh, it's like fully wrapped,

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Speaker 2: it's like shot out, like we're done.

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Speaker 1: We're talking to these IMDb people, yeah, suits, and they're going, well,

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Speaker 1: we shot it all it's all filmed.

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Speaker 3: We have it all.

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Speaker 1: You know, we spent a lot of money. We're already

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Speaker 1: in editing, and I'm going let's talk to the real artists.

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Speaker 3: Who knows you.

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Speaker 1: Find something like this lightning in a bottle. I know,

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Speaker 1: I don't care what it costs. You go reshoot that thing.

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Speaker 1: Page one raps to get the boys in town.

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Speaker 4: Yes, you know there. I mean, sky's the limit. I say,

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Speaker 4: we do a post production. You know, We've just got

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Speaker 4: to figure it out. We just got to figure it out.

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Speaker 2: That's exactly what I told them, to figure this out.

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Speaker 2: But we'll just happened. We will make this happen. Yes,

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Speaker 2: thank you. We're already on IMDb. Yeah, so to get

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Speaker 2: to IMDb the TV you literally.

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Speaker 3: I still struggle with it.

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Speaker 2: I don't have to say. It's actually bad to say

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Speaker 2: the name of the network on the show. So that's

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Speaker 2: the one thing I don't have to know.

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Speaker 1: I say, I think it takes people out of it

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Speaker 1: if I'm on the show, and I will be and

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Speaker 1: I keep talking about how like, hey, I was just

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Speaker 1: watching IMDb TV last night. I'm to be TV. I'm

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Speaker 1: to be TV.

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Speaker 3: I TV.

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Speaker 1: Then I feel like people are going to start looking

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Speaker 1: further remote, you know what I mean. But if I'm

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Speaker 1: saying like tough stuff, yeah yeah baby, if I'm going

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Speaker 1: like yeah, unfortunately I had to punch that guy. Now

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Speaker 1: you're in the show. Now you're reached for the remote

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Speaker 1: to turn up the volume.

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Speaker 3: Yeah, yeah, big time, which is good.

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Speaker 2: That's like, that's very important for ratings now because like

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Speaker 2: with streaming and stuff, it's different how they evaluate and

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Speaker 2: now it's how loud you watch it. People are really

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Speaker 2: paying extra points. Yes, you get extra points for that,

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Speaker 2: and the residuals ain't bad either. Well, we're not going

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Speaker 2: to have that conversation up here. You didn't get that.

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Speaker 2: That's what you didn't get you.

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Speaker 3: I don't get what you guys get. The key messaging.

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Speaker 1: Actually is talk about Titus's deal points.

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Speaker 3: How much of this got that in there?

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Speaker 1: They wanted Yeah, they wanted to walk through the contract.

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Speaker 1: Yeah yeah, I thought these people don't care, but no,

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Speaker 1: they want they want a number on it.

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Speaker 2: So the more you watch, the better you feel. I

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Speaker 2: m dB TV is available as a standalone app on

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Speaker 2: many connected TVs and devices many yeah, many many so, computers, iPads, kindles.

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Speaker 1: You could keep listing. I mean We're not gonna make

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Speaker 1: them list every device, if many, Yeah.

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Speaker 2: Including fire, TV, Roku and mobile. Yeah, we'll keep listing them. Obviously,

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Speaker 2: we're gonna say them yeahs promotion. Both Prime and non

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Speaker 2: Prime members can watch IMDbTV programming for free through Prime Video.

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Speaker 2: Talk about the show, what's everything that happens in it?

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Speaker 3: You want made to give up the whole season?

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Speaker 1: Just like you to do the theme song first and

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Speaker 1: the yeah we're seen by seeing me want you to

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Speaker 1: walk through it.

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Speaker 3: We don't have one yet, No, we don't.

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Speaker 4: And every you know, we had the catt a ghost

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Speaker 4: that everybody loves that Bosh theme.

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Speaker 2: Yeah, I've heard. I've had people come up to me

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Speaker 2: in airports and it's their ring tone on their phone.

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Speaker 3: Wow. I have a suggestion.

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Speaker 2: You know how in US they did this kind of

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Speaker 2: scary version of that old of I got five on it.

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Speaker 2: What about a scary version of thrift Shop?

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Speaker 3: That'll work?

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Speaker 1: Could that be cool?

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Speaker 2: It goes like, you know, it's a little bit cud,

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Speaker 2: I'm gonna pop some tags.

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Speaker 1: Scary. I mean, does that get you ready for saying.

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Speaker 3: That's old ass honky? No theme song yet, but that's

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Speaker 3: an idea. Okay, we just we just did it.

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Speaker 4: But tough to top, tough to top. My bosses are here.

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Speaker 4: They're telling notes. You never know.

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Speaker 2: The show follows Harry Bosh after leaving the l a

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Speaker 2: p d. As a detective, as he gets his state

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Speaker 2: license as a private investigator. You see him studying, cracking

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Speaker 2: the books. He's in the stacks.

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Speaker 1: A lot of that is reading.

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Speaker 3: I'm told there's a lot of reading.

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Speaker 4: No, there's a lot of For some reason this season,

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Speaker 4: I spent a lot of time on the telephone.

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Speaker 3: Okay, COVID shot. Yeah, we're all on our phone, COVID production.

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Speaker 2: Hey, instead of having people in the same room, people

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Speaker 2: are mostly on the phone.

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Speaker 4: They're talking on the phone. And yeah, that's a whole

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Speaker 4: you know, that's an acting class. Unto itself.

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Speaker 3: That can be pretty pound phone acting.

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Speaker 2: Talk about this, give us the please speak on phone acting?

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Speaker 1: How we secret? How do you pretend to be hearing it?

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Speaker 3: Yeah, I'm schizophrenic. It's easy.

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Speaker 2: You just have to look interested. Okay, right, but can

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Speaker 2: we see that? Can we see the sunglasses? And can

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Speaker 2: we do can we see that?

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Speaker 1: Can we see pretend you're on the phone with me

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Speaker 1: instead of doing a live shot.

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Speaker 3: Okay, I'm taking a call.

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Speaker 5: Okay, bosh, yeah, yeah, did he say when?

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Speaker 3: Okay? Thanks? Wow.

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Speaker 2: But here's the thing. Yeah, here's the funny thing about it. Okay,

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Speaker 2: there's a lot of cats on Twitter that are offended by.

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Speaker 3: The phone etiquette.

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Speaker 2: On our show, nobody ever says goodbye.

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Speaker 3: Yeah, you just hang up the phone.

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Speaker 2: And I've actually got sucked into Twitter conversations with people

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Speaker 2: about this shit, and I suddenly realized that, I go,

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Speaker 2: this is the most banal, ridiculous conversation I've ever had. Yeah,

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Speaker 2: this is a cop who's just on the move, right,

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Speaker 2: Just give me the facts. Okay, you got the lab report. Thanks,

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Speaker 2: He says, thank you.

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Speaker 1: Sure, yeah, I heard it hit my ear a little weird, actually,

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Speaker 1: but it's kind of true.

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Speaker 4: But in the news show, Bosha Legacy, I made every

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Speaker 4: attempt to say goodbye when I did a phone call.

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Speaker 1: We're adding by we brought the goodbyes to the people.

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Speaker 4: And I, yeah, I've been brought to my knees by

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Speaker 4: these people.

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Speaker 2: And the cuts I've seen the buys get longer and

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Speaker 2: l longer. He started thinking, bye, yeah, bye, you.

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Speaker 1: Say you say by first, I don't want to say

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Speaker 1: bye bye.

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Speaker 2: Well, no, just say it, just say it bye.

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Speaker 1: But if I could double back. You know, I know

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Speaker 1: you're not necessarily a fan of the podcast, but in

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Speaker 1: a way, you stumbled right into it, which is when

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Speaker 1: you when you do notice that you're having the most banal,

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Speaker 1: ridiculous conversation of your life.

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Speaker 3: Bring it live on the show. Yes, yeah, that's all

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Speaker 3: we do. That's all we do.

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Speaker 1: It's a Twitter argument with complete caron.

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Speaker 3: Yes.

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Speaker 1: Then we just take it to the people. We say,

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Speaker 1: you be the judge.

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Speaker 4: Well, you know they judged and I broke. Yeah, I

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Speaker 4: broke like I was in a leg trap.

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Speaker 3: Man.

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Speaker 1: That doesn't feel good, man, that's not that's not the tightest.

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Speaker 3: I know. You changed.

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Speaker 1: You used to be cracking skulls if people tried to

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Speaker 1: say goodbye on the phone.

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Speaker 4: No, yeah, no, I've just I've lost it. I've lost

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Speaker 4: all my edge. I don't know what it is.

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Speaker 3: COVID beat me down.

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Speaker 1: Yeah, it's been a hard couple of years.

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Speaker 4: Yeah, yeah, it'd been it. Beat me down, Yeah, talking

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Speaker 4: to myself too much? Yeah, way too much time on

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Speaker 4: social media.

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Speaker 3: M Yeah.

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Speaker 2: You you have a fake account that you used to

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Speaker 2: compliment yourself.

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Speaker 3: Is that right? We all have it. It's fine. Nobody's got it.

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Speaker 1: Yeah, yeah, you don't. You know, maybe you don't use

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Speaker 1: it as much as I do.

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Speaker 3: Yeah, that's not that's that's what you want to say. Okay, Okay,

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Speaker 3: that's right.

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Speaker 1: I'll say I'll say this, you don't. Just to be clear,

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Speaker 1: you're not implying that the trolls on Twitter started covid

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Speaker 1: as a weaponized campaign to make you say goodbye on

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Speaker 1: the show.

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Speaker 2: I don't think that's a big readers out there. Yeah,

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Speaker 2: that's making sense. Yeah, trolls have a lot of power

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Speaker 2: these days. They sure do the key to the key

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Speaker 2: to that ship, okay, which I love to do when

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Speaker 2: people are like, you're a leftist Hollywood liberal and I'm like, okay, yeah,

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Speaker 2: and I own firearms? Yeah is would you like to

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Speaker 2: see one? I don't even respond, yeah, would you like to?

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Speaker 2: Here's the photo?

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Speaker 6: Come to my fucking house, baby, come to the wrong

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Speaker 6: house at the wrong time. It's just to block him, yeah,

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Speaker 6: and not say anything.

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Speaker 2: They go ape shit. And then what they do is

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Speaker 2: they jump onto a friend's account because there's been they'll get.

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Speaker 3: Me that way. Yeah.

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Speaker 2: And then I blocked that person and then that person

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Speaker 2: ends up circuitously trying to get a message to me

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Speaker 2: to say that's my boy.

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Speaker 3: He's a dick. I'm really sorry.

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Speaker 2: I don't buy you know, I don't share his opinions,

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Speaker 2: but please please don't block me.

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Speaker 3: It's fine that way.

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Speaker 1: And then everyone gets blocked, and then finally it's just

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Speaker 1: you alone on an island.

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Speaker 3: Yeah, and I got no followers. That's what it's gonna be.

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Speaker 2: Evers zero followers this season ringing my sad little bell

387
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Speaker 2: in the universe. Just like me, you are working with

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Speaker 2: one time enemy shot attorney Money Chandler casting their recasting

389
00:20:05,160 --> 00:20:06,240
Speaker 2: conversations like.

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Speaker 3: Where are we at with uh? With that role? Obviously

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Speaker 3: we might.

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Speaker 1: Want to go a tiny bit younger. Maybe maybe it's

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Speaker 1: two people guys, one lawyer, yeah, two men, yeah, a

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Speaker 1: blonde blondhead guy from Brockton, Yeah.

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Speaker 3: To like two guys who could kind of be brothers.

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Speaker 1: Isn't that what we need?

397
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Speaker 3: Or a lumberjack from like East Haven, East.

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00:20:29,920 --> 00:20:32,560
Speaker 1: Haven lumberjack, just what we need? I think in the

399
00:20:32,640 --> 00:20:37,880
Speaker 1: national conversation is instead of this woman powerful lawyer, how

400
00:20:37,880 --> 00:20:44,199
Speaker 1: about two tall, straight white guys, both from you know,

401
00:20:44,359 --> 00:20:47,760
Speaker 1: kind of nice background, yeah, yeah, yeah, and just finally

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Speaker 1: getting their voice heard on Tell.

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Speaker 3: Yeah.

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00:20:51,320 --> 00:20:52,200
Speaker 2: Could that be good?

405
00:20:52,320 --> 00:20:54,719
Speaker 4: That could be good. That's the next meeting. I think,

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Speaker 4: since we're going to open it all up, why not

407
00:20:56,680 --> 00:21:00,879
Speaker 4: kind of Yeah, yeah, let's let's open it back to

408
00:21:00,960 --> 00:21:03,000
Speaker 4: the lab. Yeah, we are starting from scratch on.

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Speaker 2: Oh yeah, but then you have to you would have

410
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Speaker 2: to arm wrestle Mimi Rodgers.

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Speaker 3: And she's one of the toughest broads in Hollywood. I'll

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Speaker 3: share that. Yeah, she will whip your ass. Okay, she

413
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Speaker 3: is tough. I would.

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Speaker 1: I won't show up.

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Speaker 3: I would.

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Speaker 1: Yeah, money to get the ass with.

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Speaker 2: You have a daughter in real life, and on that

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00:21:25,000 --> 00:21:26,919
Speaker 2: you have multiple daughters, and you have a daughter on

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Speaker 2: the show as well.

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Speaker 4: Yep, but you think he should have a son two

421
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Speaker 4: sons that.

422
00:21:33,280 --> 00:21:37,639
Speaker 1: I don't even that idea. That looks Yeah, Jesus, I

423
00:21:37,680 --> 00:21:38,240
Speaker 1: was gonna.

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00:21:38,000 --> 00:21:42,040
Speaker 4: Say Seymour, Cassell look alike and Frank Surpico.

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00:21:44,080 --> 00:21:45,880
Speaker 3: I mean, you know, we getting young.

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00:21:46,000 --> 00:21:49,359
Speaker 2: I get it, guys, I get it you but no,

427
00:21:49,520 --> 00:21:51,439
Speaker 2: but you know you've gotten that before.

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Speaker 3: Oh yeah all the time.

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Speaker 2: I mean, get walked down the damn street out of

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Speaker 2: here without saying Seymour.

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Speaker 4: Seymour, are you kidding me? People don't even know who

432
00:21:59,280 --> 00:22:00,520
Speaker 4: John Cassavetti anymore.

433
00:22:01,480 --> 00:22:02,920
Speaker 3: That's making me sick.

434
00:22:03,359 --> 00:22:10,240
Speaker 2: She's like Paw Patrols in their paw patrol. Paw Patrols

435
00:22:10,520 --> 00:22:13,600
Speaker 2: sut down and watch a woman under the influence.

436
00:22:14,320 --> 00:22:17,040
Speaker 1: Just turn off Paw Patrol and put on the killing

437
00:22:17,040 --> 00:22:20,719
Speaker 1: of a Chinese bookie, the long version.

438
00:22:22,359 --> 00:22:25,320
Speaker 2: I love these guys, by the way, I'm so happy

439
00:22:25,359 --> 00:22:25,800
Speaker 2: to be here.

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00:22:25,920 --> 00:22:28,160
Speaker 3: Yes, thank you.

441
00:22:29,119 --> 00:22:35,040
Speaker 2: Uh that father daughter relationship, So it's not working for you, well,

442
00:22:35,160 --> 00:22:36,280
Speaker 2: well we'll talk about it.

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00:22:36,600 --> 00:22:38,560
Speaker 3: Let's talk about it. Yeah, there's a lot.

444
00:22:38,480 --> 00:22:43,399
Speaker 1: Of speculation obviously about Maddie's future and what, you know,

445
00:22:43,520 --> 00:22:46,159
Speaker 1: what path she's going to take, and we have some ideas.

446
00:22:47,119 --> 00:22:49,520
Speaker 1: Maybe you could tell us how Harry Bosh would react

447
00:22:49,720 --> 00:22:55,480
Speaker 1: if she started a podcast. Would that be cool?

448
00:22:56,280 --> 00:22:56,560
Speaker 7: No?

449
00:22:57,600 --> 00:22:58,359
Speaker 3: You one like that.

450
00:22:59,240 --> 00:23:00,760
Speaker 2: He's not a podca kind of guy.

451
00:23:01,320 --> 00:23:03,880
Speaker 1: Okay, okay, okay, okay, let me give this a lot.

452
00:23:04,520 --> 00:23:07,280
Speaker 2: She comes, she would watch and listen to your shit

453
00:23:07,680 --> 00:23:08,199
Speaker 2: and dig it.

454
00:23:08,760 --> 00:23:12,399
Speaker 8: But well, because it's Jack or Michael Connolly, because just

455
00:23:12,480 --> 00:23:15,320
Speaker 8: as Jazz or the Murder or the Murder book, you know,

456
00:23:15,520 --> 00:23:19,159
Speaker 8: Michael Connolly's Murder podcast, m Harry would dig on that.

457
00:23:19,440 --> 00:23:22,120
Speaker 1: But what I'm giving you a scenario where Maddie comes home.

458
00:23:22,200 --> 00:23:26,399
Speaker 1: She's stressed, she's upset. She needs fatherly advice. She says, Dad,

459
00:23:27,040 --> 00:23:29,920
Speaker 1: I'm supposed to do an ad for a special Instagram

460
00:23:30,000 --> 00:23:33,600
Speaker 1: cereal this week. They require a personal testimonial, but they

461
00:23:33,640 --> 00:23:36,040
Speaker 1: forgot to send me the free box of their product.

462
00:23:36,520 --> 00:23:40,639
Speaker 1: Do I lie and say it was yummy? Like this

463
00:23:40,840 --> 00:23:42,560
Speaker 1: is steakes, this is drama.

464
00:23:43,280 --> 00:23:47,240
Speaker 4: That's a four page scene right there. Yeah, yeah, what's

465
00:23:47,280 --> 00:23:52,479
Speaker 4: the advice? Well, you know Harry, he's righteous. He'd be like, no, honey,

466
00:23:52,640 --> 00:23:55,159
Speaker 4: you can't do it if you don't have if you

467
00:23:55,200 --> 00:23:58,399
Speaker 4: haven't tasted or sampled this product. You gotta tell the

468
00:23:58,400 --> 00:24:00,320
Speaker 4: truth and just say I can't put my fings to

469
00:24:00,400 --> 00:24:01,840
Speaker 4: something that I haven't tried.

470
00:24:02,480 --> 00:24:11,439
Speaker 2: Wow, whoa seventy it's still still okay. Now he's just

471
00:24:11,560 --> 00:24:15,840
Speaker 2: too you know Harry's he's straight as a die.

472
00:24:16,000 --> 00:24:18,600
Speaker 1: Yeah, okay, So you're not loving the stuff we're pitching

473
00:24:18,600 --> 00:24:22,480
Speaker 1: for Maddie. You don't forget, Maddie. There's too much baggage there.

474
00:24:23,080 --> 00:24:25,240
Speaker 1: Let's say you're my dad.

475
00:24:27,640 --> 00:24:28,280
Speaker 3: Can you tell me.

476
00:24:28,200 --> 00:24:28,840
Speaker 1: You're proud of me?

477
00:24:32,119 --> 00:24:33,239
Speaker 3: I am so proud of you.

478
00:24:34,080 --> 00:24:37,520
Speaker 2: I love your show, wow, and I love what you've

479
00:24:37,560 --> 00:24:41,680
Speaker 2: done with your life. I love how you represent this family.

480
00:24:42,240 --> 00:24:46,240
Speaker 2: Oh my god, you're my favorite child. And I hate

481
00:24:46,240 --> 00:24:50,200
Speaker 2: the neighbor's children. I hate all children in the world,

482
00:24:50,200 --> 00:24:52,120
Speaker 2: but you you're the only child I love.

483
00:24:52,640 --> 00:24:53,760
Speaker 1: That's all I ever wanted to hear.

484
00:24:53,840 --> 00:24:54,800
Speaker 3: That's all you're getting out of me.

485
00:24:55,000 --> 00:25:01,919
Speaker 2: Thank you, daddy. And that's cheaper than therapy.

486
00:25:02,240 --> 00:25:06,040
Speaker 1: Ham.

487
00:25:06,440 --> 00:25:10,160
Speaker 2: Should we have some clips? Should we get into some clips?

488
00:25:10,200 --> 00:25:13,160
Speaker 2: We have some clips from the clips that we've seen

489
00:25:13,200 --> 00:25:14,080
Speaker 2: before on the show.

490
00:25:14,359 --> 00:25:17,360
Speaker 1: We have some Yeah, so we have. We got three

491
00:25:17,359 --> 00:25:18,280
Speaker 1: clips we're gonna play.

492
00:25:18,400 --> 00:25:21,080
Speaker 3: Got anything new, Well, we have something.

493
00:25:21,119 --> 00:25:24,400
Speaker 1: We're saving something new for the end teaser.

494
00:25:24,520 --> 00:25:25,000
Speaker 3: Okay, yea.

495
00:25:25,600 --> 00:25:29,000
Speaker 1: And here's and here's where I do my job when

496
00:25:29,040 --> 00:25:32,919
Speaker 1: we're doing the new thing. If I see you with

497
00:25:33,040 --> 00:25:37,359
Speaker 1: your phone out recording the exclusive new clip, I'm gonna

498
00:25:37,359 --> 00:25:38,679
Speaker 1: stick both boshes on you.

499
00:25:38,960 --> 00:25:39,400
Speaker 3: Yeah.

500
00:25:40,280 --> 00:25:42,719
Speaker 4: Oh yeah, don't do that, sacred Yeah, don't do that

501
00:25:43,240 --> 00:25:45,080
Speaker 4: because they'll they'll confiscate your phone.

502
00:25:45,240 --> 00:25:48,880
Speaker 2: But during those it's worse than Disney during the Old

503
00:25:49,040 --> 00:25:53,280
Speaker 2: see some of these characters dressed in dark clothing, wearing shades.

504
00:25:54,160 --> 00:26:00,200
Speaker 3: That one right there, Yes, that's the one. I know that, dude.

505
00:26:00,359 --> 00:26:03,639
Speaker 2: We serve time in San Quentin together, and he is

506
00:26:03,760 --> 00:26:07,640
Speaker 2: a cold stone killer and a phone grabber.

507
00:26:07,800 --> 00:26:10,360
Speaker 3: Mm hm. He's known as the phone collector. He's known

508
00:26:10,400 --> 00:26:11,320
Speaker 3: as the phone collector.

509
00:26:11,520 --> 00:26:15,920
Speaker 4: Yeah, you like Geen Renaud the professional, he's the phone collector.

510
00:26:15,960 --> 00:26:18,040
Speaker 1: He wasn't even and he and he wasn't even convicted

511
00:26:18,040 --> 00:26:21,520
Speaker 1: of anything. He broke into prison because he just wanted. Yeah,

512
00:26:21,520 --> 00:26:23,760
Speaker 1: he just wanted to just roll in prison for a bit.

513
00:26:23,960 --> 00:26:25,359
Speaker 1: Seems like my kind of guys.

514
00:26:25,680 --> 00:26:30,320
Speaker 2: Yeah, So we play some clips and we can just

515
00:26:30,400 --> 00:26:33,040
Speaker 2: kind of pitch on it. We can find some of

516
00:26:33,080 --> 00:26:37,720
Speaker 2: the mistakes that were made. There's a lot of casting

517
00:26:37,760 --> 00:26:39,399
Speaker 2: stuff that I'm sure you're.

518
00:26:39,320 --> 00:26:42,440
Speaker 3: Huge, huge casting issues that might come up.

519
00:26:42,760 --> 00:26:45,840
Speaker 1: Yeah, but just it feels false, you know what I mean.

520
00:26:46,080 --> 00:26:50,639
Speaker 2: But as we are, that's my daily battle with these people.

521
00:26:50,880 --> 00:26:51,120
Speaker 3: Yeah.

522
00:26:51,960 --> 00:26:56,760
Speaker 1: This wouldn't Bosh be hanging out with Hayes and shod Yes, yeah, yeah, yeah,

523
00:26:56,800 --> 00:26:58,840
Speaker 1: let's but let's watch the clips and see because I

524
00:26:58,840 --> 00:26:59,439
Speaker 1: think works.

525
00:26:59,640 --> 00:27:02,240
Speaker 3: Judge yourself. There's some great stuff in there.

526
00:27:02,560 --> 00:27:04,480
Speaker 1: Yeah, and there's a lot to work on, which is

527
00:27:04,560 --> 00:27:05,359
Speaker 1: why we do it.

528
00:27:05,560 --> 00:27:08,080
Speaker 3: Yeah, so yeah, I can we watch a clap?

529
00:27:08,119 --> 00:27:08,879
Speaker 1: See the first clap?

530
00:27:08,880 --> 00:27:09,399
Speaker 3: Can we watch it?

531
00:27:09,760 --> 00:27:10,520
Speaker 1: Can we see it?

532
00:27:11,440 --> 00:27:14,320
Speaker 2: You heard the name la maay Arista sounds like a

533
00:27:14,320 --> 00:27:18,439
Speaker 2: gastro intestinal ailment, like Latarista.

534
00:27:19,840 --> 00:27:21,480
Speaker 7: How about Melinda Morales?

535
00:27:22,800 --> 00:27:24,000
Speaker 9: Refresh my memory.

536
00:27:24,760 --> 00:27:26,760
Speaker 7: Seventy five year old grandmother you're trying.

537
00:27:26,600 --> 00:27:29,600
Speaker 9: To evict drugs were being dealt out of her apartment.

538
00:27:29,240 --> 00:27:31,880
Speaker 7: Not by her, her grandson who doesn't even live there.

539
00:27:32,119 --> 00:27:33,880
Speaker 9: LAPD arrested him on the property.

540
00:27:34,040 --> 00:27:36,639
Speaker 7: Okay, so mission accomplished. That's why you brought on the

541
00:27:36,680 --> 00:27:37,720
Speaker 7: new manager.

542
00:27:37,400 --> 00:27:39,359
Speaker 9: To clean up the building. Yes, so why vict the

543
00:27:39,400 --> 00:27:43,800
Speaker 9: old lady violated or lease. We don't tolerate excessive tenant

544
00:27:43,840 --> 00:27:48,520
Speaker 9: interaction with law enforcement too. The manager calls LAPD about

545
00:27:48,520 --> 00:27:51,200
Speaker 9: the dealers. LAPD comes and talk to your tenants. You're

546
00:27:51,280 --> 00:27:54,360
Speaker 9: victim for taka to LAPD. Only when it becomes a nuisance,

547
00:27:54,880 --> 00:27:56,760
Speaker 9: then we invoke the nuisance clause.

548
00:27:56,960 --> 00:27:59,000
Speaker 7: You know, I got to say, call me crazy, but

549
00:27:59,040 --> 00:28:00,800
Speaker 7: one might get the impresson and you're trying to push

550
00:28:00,840 --> 00:28:01,520
Speaker 7: your tenants out.

551
00:28:02,040 --> 00:28:05,560
Speaker 9: We're making our buildings safer for everyone.

552
00:28:05,320 --> 00:28:07,720
Speaker 7: Including locked fire doors and dead ten year old girls.

553
00:28:09,359 --> 00:28:11,760
Speaker 9: No one feels worse about this tragedy than we do.

554
00:28:13,800 --> 00:28:17,480
Speaker 3: So a lot of great stuff, some stuff we liked.

555
00:28:17,720 --> 00:28:19,080
Speaker 3: You're doing right.

556
00:28:19,200 --> 00:28:21,600
Speaker 2: Yeah, what you said to her was also very disrespectful

557
00:28:25,119 --> 00:28:27,720
Speaker 2: in her office, kind of her office.

558
00:28:28,200 --> 00:28:29,320
Speaker 3: That's what Harry does.

559
00:28:29,560 --> 00:28:33,239
Speaker 4: Yeah, there was like one hundred and twenty degrees that

560
00:28:33,320 --> 00:28:36,320
Speaker 4: was in a real building, not a set, and it

561
00:28:36,480 --> 00:28:38,880
Speaker 4: was so unbearably hot.

562
00:28:39,040 --> 00:28:41,800
Speaker 3: Okay, throw on a beanie when it's hot out, what

563
00:28:41,920 --> 00:28:42,120
Speaker 3: you do?

564
00:28:42,200 --> 00:28:44,000
Speaker 1: You throw in a nice hot with your hat.

565
00:28:48,160 --> 00:28:50,760
Speaker 2: So if I was a little irritable in that scene, yeah,

566
00:28:50,880 --> 00:28:52,240
Speaker 2: it's because I was uncomfortable.

567
00:28:53,120 --> 00:28:55,120
Speaker 3: I have a lot of notes on the location.

568
00:28:55,760 --> 00:28:59,200
Speaker 2: Uh, everyone does seem very kind of like out of sorts.

569
00:28:59,200 --> 00:29:02,000
Speaker 2: I think it's because No, he's eating people need lunch.

570
00:29:02,160 --> 00:29:06,080
Speaker 2: These people need lunch. What about the scene takes place

571
00:29:06,320 --> 00:29:10,800
Speaker 2: at nice white tablecloth restaurant, Like, uh, you do all

572
00:29:10,800 --> 00:29:15,800
Speaker 2: these like amazing locations on the show, Tom Kalichio's craft

573
00:29:16,200 --> 00:29:20,240
Speaker 2: in Century City. Every one of your interrogations that becomes

574
00:29:20,320 --> 00:29:21,920
Speaker 2: Bosh is like signature thing.

575
00:29:22,200 --> 00:29:24,160
Speaker 1: He's got, like the corner booth and it's like, that's

576
00:29:24,160 --> 00:29:24,920
Speaker 1: where Bosh is.

577
00:29:25,200 --> 00:29:28,080
Speaker 4: You do that because he's a detective, so he could

578
00:29:28,120 --> 00:29:30,920
Speaker 4: just say meet me there, meet me there, Yes, but

579
00:29:30,960 --> 00:29:33,240
Speaker 4: then he takes a long time deciding what to order.

580
00:29:33,480 --> 00:29:37,680
Speaker 3: He's had. Everything always ends up with the Judori chicken

581
00:29:38,520 --> 00:29:39,520
Speaker 3: and the iceberg witch.

582
00:29:39,880 --> 00:29:42,040
Speaker 2: Yes, Oh, the big and the big cut me a

583
00:29:42,160 --> 00:29:45,040
Speaker 2: nice big wedge because they know they know what they know.

584
00:29:47,760 --> 00:29:50,440
Speaker 1: Is double the wedge. Yes, Actually, let's have it be

585
00:29:50,560 --> 00:29:54,560
Speaker 1: like a semi circle. At this point, I'll say, let's

586
00:29:55,520 --> 00:29:56,360
Speaker 1: talk about the writing.

587
00:29:56,720 --> 00:29:57,960
Speaker 3: Yeah, we have a.

588
00:29:58,080 --> 00:30:03,200
Speaker 1: Very very very funny gastro intestinal disease joke at the top.

589
00:30:03,400 --> 00:30:05,600
Speaker 1: Why don't we live in that and just you guys

590
00:30:05,760 --> 00:30:09,400
Speaker 1: riff on other names of gastroid testinal diseases for eight

591
00:30:09,480 --> 00:30:12,479
Speaker 1: or nine minutes on the show, and then we get

592
00:30:12,520 --> 00:30:15,800
Speaker 1: all this crime stuff, which it's good, it's good, it's nice,

593
00:30:15,800 --> 00:30:17,560
Speaker 1: but we kind of seen that. But what I haven't

594
00:30:17,560 --> 00:30:19,680
Speaker 1: seen is you guys just sit and try to one

595
00:30:19,760 --> 00:30:22,080
Speaker 1: up each other with the names of stomach diseases.

596
00:30:22,280 --> 00:30:24,840
Speaker 2: Yes, because I know that happened on set, you know.

597
00:30:25,560 --> 00:30:28,480
Speaker 2: And if we bring Judd in on this, which I

598
00:30:28,480 --> 00:30:31,200
Speaker 2: think we should, jud.

599
00:30:31,040 --> 00:30:33,760
Speaker 1: Let's that roll roll.

600
00:30:33,080 --> 00:30:35,840
Speaker 3: And then that becomes the whole the whole thing. I

601
00:30:35,840 --> 00:30:37,880
Speaker 3: think you're right, and you cut the rest of the stuff.

602
00:30:37,880 --> 00:30:40,040
Speaker 3: This stuff is like a dead kid or something like.

603
00:30:40,280 --> 00:30:41,680
Speaker 2: Yes, what I want to do?

604
00:30:41,800 --> 00:30:44,960
Speaker 3: Nobody wants to talk about that awful, awful I don't

605
00:30:44,960 --> 00:30:45,400
Speaker 3: want to look.

606
00:30:45,480 --> 00:30:48,440
Speaker 1: Yeah, the fire part was honestly very scary and I

607
00:30:48,480 --> 00:30:49,880
Speaker 1: almost got underneath the table.

608
00:30:50,040 --> 00:30:50,520
Speaker 3: Yeah.

609
00:30:50,560 --> 00:30:52,240
Speaker 1: So it's like, as you're talking about that, I'm going like,

610
00:30:52,320 --> 00:30:54,120
Speaker 1: I'm not gonna watch TV from under the table. I'd

611
00:30:54,160 --> 00:30:56,080
Speaker 1: rather watch it I'm a couch comfortably while you.

612
00:30:56,040 --> 00:30:58,480
Speaker 3: Guys talk about like shitting and farting disease.

613
00:30:58,760 --> 00:31:01,360
Speaker 2: Right, right, exactly, yeah, exactly.

614
00:31:01,000 --> 00:31:04,720
Speaker 1: That's you know, that's TV and hopefully that's I am

615
00:31:04,800 --> 00:31:05,680
Speaker 1: dB TV.

616
00:31:05,920 --> 00:31:06,040
Speaker 7: Right.

617
00:31:06,840 --> 00:31:14,560
Speaker 2: He said that very slowly. You should we do another clip?

618
00:31:14,720 --> 00:31:17,280
Speaker 2: Do we have another clip to show that we can

619
00:31:17,320 --> 00:31:19,719
Speaker 2: dig in on? Not I'm not asking you, not asking you,

620
00:31:19,800 --> 00:31:21,840
Speaker 2: asking the people who are actually in charge of this

621
00:31:22,120 --> 00:31:22,960
Speaker 2: project today.

622
00:31:25,120 --> 00:31:27,320
Speaker 3: If we haven't, like yeah, let's let's play it.

623
00:31:27,360 --> 00:31:29,920
Speaker 8: If you haven't, you told me back then that you believed,

624
00:31:29,960 --> 00:31:32,640
Speaker 8: if not in a bitter world, at least in the

625
00:31:32,640 --> 00:31:34,400
Speaker 8: possibility of justice in this one.

626
00:31:35,520 --> 00:31:42,719
Speaker 7: I remember, do you still believe in the possibility of

627
00:31:42,840 --> 00:31:52,000
Speaker 7: justice in this world? For Sonya Hernandez Jerry's still out?

628
00:31:53,480 --> 00:31:54,960
Speaker 3: Wow? WHOA.

629
00:31:57,120 --> 00:32:02,280
Speaker 2: So if you if you don't believe in the possibility

630
00:32:02,320 --> 00:32:04,440
Speaker 2: of justice in this world, or if you haven't decided,

631
00:32:05,280 --> 00:32:08,480
Speaker 2: why are you using a jury to decide whether you

632
00:32:08,720 --> 00:32:13,640
Speaker 2: believe in the possibility of justice. I fucking knew that

633
00:32:13,760 --> 00:32:14,160
Speaker 2: was coming.

634
00:32:16,280 --> 00:32:19,040
Speaker 4: You telegraphed that one man that was low hanging fruit,

635
00:32:19,720 --> 00:32:20,360
Speaker 4: but you got me.

636
00:32:23,480 --> 00:32:24,000
Speaker 2: Yeah, I know.

637
00:32:24,120 --> 00:32:27,560
Speaker 1: It's just I love it. I just it doesn't make

638
00:32:27,600 --> 00:32:29,920
Speaker 1: any sense. And I'm wondering if that's a problem for

639
00:32:30,000 --> 00:32:36,880
Speaker 1: the show. Yeah, I think you know, so, in terms

640
00:32:36,880 --> 00:32:39,120
Speaker 1: of watching that, it was fun again a little bit

641
00:32:39,160 --> 00:32:43,720
Speaker 1: of a downer, Yeah, for the spin off to lighten

642
00:32:43,760 --> 00:32:45,000
Speaker 1: it up. And I know a lot of it's in

643
00:32:45,040 --> 00:32:48,480
Speaker 1: the can. But whatever, what if it's I don't even

644
00:32:48,480 --> 00:32:50,720
Speaker 1: get a pitch that we're involved. What if instead of

645
00:32:50,720 --> 00:32:52,960
Speaker 1: all this like I'm finding the killer and I'm doing

646
00:32:53,000 --> 00:32:57,840
Speaker 1: you know, and everybody's getting hurt, we call it bosh

647
00:32:57,920 --> 00:33:05,080
Speaker 1: point zero. It's you. You're watching fail videos, skateboarder falls down,

648
00:33:05,160 --> 00:33:09,280
Speaker 1: hurts himself, and you've got a million dollar smirk and

649
00:33:09,440 --> 00:33:12,000
Speaker 1: kind of go like, uh, that wasn't a good idea, chief,

650
00:33:13,880 --> 00:33:16,160
Speaker 1: and then we're just onto the next one. We'll save

651
00:33:16,240 --> 00:33:21,400
Speaker 1: a ton of dough. Yes, maybe sometimes you do. Looking

652
00:33:21,440 --> 00:33:23,640
Speaker 1: for the right word for it, some kind of Internet

653
00:33:23,720 --> 00:33:26,720
Speaker 1: redemption for people who've had videos go.

654
00:33:26,760 --> 00:33:28,320
Speaker 3: For to naxymoron alone.

655
00:33:28,880 --> 00:33:31,440
Speaker 1: Well, yeah, you can say that. You could say that, Yeah,

656
00:33:31,600 --> 00:33:34,160
Speaker 1: you can say that on the show. That's actually Kevin

657
00:33:34,200 --> 00:33:37,480
Speaker 1: write that down. That would be a good bosh point

658
00:33:37,560 --> 00:33:40,280
Speaker 1: zero like piece of Potter for you to have leading

659
00:33:40,360 --> 00:33:43,080
Speaker 1: up to just another video, you know, and then we're

660
00:33:43,080 --> 00:33:47,640
Speaker 1: not like thinking about whether justice exists, Like, yeah, I'm

661
00:33:47,680 --> 00:33:48,720
Speaker 1: gonna get a headache.

662
00:33:49,240 --> 00:33:54,320
Speaker 2: Yeah, you saw the gentleman up there. You said, my man,

663
00:33:54,480 --> 00:33:58,160
Speaker 2: that's Alan Rosenberg, who's one of the great actors of

664
00:33:58,600 --> 00:33:59,400
Speaker 2: many generations.

665
00:33:59,480 --> 00:34:01,520
Speaker 3: Yes, Alan, and he.

666
00:34:03,040 --> 00:34:05,480
Speaker 2: Oh no, no, he's Actually it's interesting.

667
00:34:08,239 --> 00:34:11,520
Speaker 4: He makes a few appearances in the new show because

668
00:34:11,600 --> 00:34:16,480
Speaker 4: that we established that relationship and it's kind of you know,

669
00:34:16,520 --> 00:34:19,200
Speaker 4: when you see this, Harry's very much at sea. So

670
00:34:19,239 --> 00:34:22,120
Speaker 4: we brought Alan back into kind of and it's some

671
00:34:22,120 --> 00:34:22,680
Speaker 4: good stuff.

672
00:34:23,000 --> 00:34:29,320
Speaker 1: The song idea, we're bringing Alan back. This guy really

673
00:34:29,400 --> 00:34:31,200
Speaker 1: knows how to act.

674
00:34:32,239 --> 00:34:34,759
Speaker 2: Take it to the boshe. But like a scary, like

675
00:34:34,800 --> 00:34:38,960
Speaker 2: a slow scary. It's got to be scary, slow way

676
00:34:38,960 --> 00:34:40,640
Speaker 2: down a monster's voice.

677
00:34:40,719 --> 00:34:45,160
Speaker 1: Yeah, it's a picture of Frankenstein. Yeah, just so people

678
00:34:45,239 --> 00:34:49,040
Speaker 1: know that it's a scary show. I got another way

679
00:34:49,080 --> 00:34:56,319
Speaker 1: to possibly lighten up the show. Instead of going to

680
00:34:56,560 --> 00:35:00,520
Speaker 1: solve crimes, we just go to Tom kliky Craft.

681
00:35:00,640 --> 00:35:06,200
Speaker 2: Yes, foody culture. This is so big name, it's so imposius.

682
00:35:06,239 --> 00:35:09,600
Speaker 2: Is always going on eating like a like a tortilla

683
00:35:09,680 --> 00:35:10,919
Speaker 2: on the hood of a car.

684
00:35:11,680 --> 00:35:14,839
Speaker 1: But the restaurant industry is suffering. Yes, and we could

685
00:35:14,880 --> 00:35:17,400
Speaker 1: actually do some good here. Have you seen somebody feed

686
00:35:17,440 --> 00:35:23,440
Speaker 1: phill Well, the notoriously reclusive creator of Everybody Loves Raymond,

687
00:35:23,520 --> 00:35:26,400
Speaker 1: got in front of the camera in order to help restaurants.

688
00:35:26,640 --> 00:35:27,600
Speaker 3: Yes, and I.

689
00:35:27,560 --> 00:35:29,920
Speaker 1: Don't know why you couldn't do the same thing, but

690
00:35:29,960 --> 00:35:33,440
Speaker 1: instead of Phil it's bosh boshnah.

691
00:35:33,760 --> 00:35:33,960
Speaker 7: Right.

692
00:35:34,400 --> 00:35:36,399
Speaker 2: Yeah, So you've got three cameras. You've got the over

693
00:35:36,600 --> 00:35:39,520
Speaker 2: the shoulder like here, but also the one going straight

694
00:35:39,680 --> 00:35:42,920
Speaker 2: down on the table. You have a drone hovering right

695
00:35:42,960 --> 00:35:48,160
Speaker 2: over the table. It's loud, but I'm clipping you a

696
00:35:48,200 --> 00:35:48,640
Speaker 2: little bit.

697
00:35:49,360 --> 00:35:51,239
Speaker 4: But it's coming out of the kitchen. So you're there

698
00:35:51,280 --> 00:35:53,600
Speaker 4: for the food prep. Yes, follow out like a kind

699
00:35:53,640 --> 00:35:55,799
Speaker 4: of a good fella's thing. Yes, you get it to

700
00:35:55,840 --> 00:35:56,280
Speaker 4: the table.

701
00:35:56,440 --> 00:35:58,279
Speaker 1: Look, people are gonna get hurt by the drone. There's

702
00:35:58,280 --> 00:35:59,400
Speaker 1: gonna be some bump sillog though.

703
00:35:59,520 --> 00:36:01,360
Speaker 3: Looks you know what, suck it up?

704
00:36:02,080 --> 00:36:03,600
Speaker 1: Production like that's gonna happen.

705
00:36:03,640 --> 00:36:06,040
Speaker 2: It's gonna fall into the food. Just have to keep going.

706
00:36:06,080 --> 00:36:07,080
Speaker 2: You have to eat the drone.

707
00:36:07,120 --> 00:36:09,120
Speaker 1: It shouldn't be in the kitchen. Yeah, but it's gonna

708
00:36:09,160 --> 00:36:09,720
Speaker 1: be in the kitchen.

709
00:36:09,760 --> 00:36:11,520
Speaker 2: Have you ever messed around with a drone before?

710
00:36:12,600 --> 00:36:15,879
Speaker 3: Those things are scary every every now telling tales out

711
00:36:15,880 --> 00:36:16,440
Speaker 3: of school here.

712
00:36:16,480 --> 00:36:22,760
Speaker 1: But yeah, the drone you got me, isn't that obvious?

713
00:36:23,000 --> 00:36:23,400
Speaker 5: Yeah?

714
00:36:24,040 --> 00:36:25,560
Speaker 1: Now I know how a drone works.

715
00:36:25,600 --> 00:36:29,359
Speaker 2: Yeah, long weekend, I'll lie to my wife. Yeah, say

716
00:36:29,360 --> 00:36:31,600
Speaker 2: I'm going down. I mean the guys we're going fishing.

717
00:36:31,760 --> 00:36:36,880
Speaker 1: Yeah, nope, Ronne, I am with a drone, messing around

718
00:36:37,800 --> 00:36:40,320
Speaker 1: me a drone, a hotel room, and a bottle of wine.

719
00:36:43,760 --> 00:36:44,480
Speaker 1: That's a weekend.

720
00:36:47,640 --> 00:36:49,719
Speaker 3: Do you got something? Do we get all the key messaging?

721
00:36:50,520 --> 00:36:52,080
Speaker 1: Well, I'm looking at the key messaging.

722
00:36:52,280 --> 00:36:57,600
Speaker 2: Yeah, I'm you're approaching this. We're approaching the sandwich language.

723
00:36:57,480 --> 00:37:00,520
Speaker 1: Much of it. We're close to sandwich language. All right,

724
00:37:00,640 --> 00:37:05,480
Speaker 1: let's talk about so Bosh has a partner. I have

725
00:37:05,560 --> 00:37:11,880
Speaker 1: a partner. The dynamics of partnership in podcasting and police

726
00:37:11,920 --> 00:37:13,719
Speaker 1: work is pretty similar, isn't it.

727
00:37:13,840 --> 00:37:15,840
Speaker 3: We inspire each other in a way, don't we.

728
00:37:17,520 --> 00:37:19,640
Speaker 1: Does it ever feel like when you're doing the show

729
00:37:19,680 --> 00:37:23,400
Speaker 1: like me and jay Egger are just being hazen shown

730
00:37:23,560 --> 00:37:26,960
Speaker 1: right now. Kind yeah, and we feel the same thing.

731
00:37:27,120 --> 00:37:29,719
Speaker 1: We go, oh go, that was total Jaeggar what you did,

732
00:37:29,719 --> 00:37:32,919
Speaker 1: And he said, yeah, I know, Bosh, because we're doing

733
00:37:32,960 --> 00:37:33,319
Speaker 1: it too.

734
00:37:33,600 --> 00:37:34,440
Speaker 3: Yeah.

735
00:37:34,480 --> 00:37:39,479
Speaker 1: But let's just potential scenario for the new show. You've

736
00:37:39,480 --> 00:37:45,160
Speaker 1: got a big witness interview scheduled, your partner makes you

737
00:37:45,200 --> 00:37:48,080
Speaker 1: reschedule it three or four times to accommodate what he's

738
00:37:48,120 --> 00:37:52,080
Speaker 1: got going on. Then when you show up, you're stuck

739
00:37:52,120 --> 00:37:55,000
Speaker 1: making small talk with the witness for like twenty five

740
00:37:55,000 --> 00:37:58,600
Speaker 1: minutes while your partner is yeah and not answering text

741
00:37:58,719 --> 00:38:03,200
Speaker 1: he forgot, and Jaeggar is the one who like knows

742
00:38:03,280 --> 00:38:09,279
Speaker 1: the witness guest. Yeah, so it's pretty uncomfortable. What might

743
00:38:09,360 --> 00:38:13,759
Speaker 1: Bosh do to kind of let Jaegar know, Hey, man,

744
00:38:13,800 --> 00:38:15,160
Speaker 1: that really wasn't okay with me.

745
00:38:17,360 --> 00:38:19,680
Speaker 3: I think that sums it up. I think he would say.

746
00:38:20,040 --> 00:38:22,239
Speaker 4: He just says it you left me out there, he

747
00:38:22,280 --> 00:38:23,560
Speaker 4: wouldn't create and I'm hurt.

748
00:38:24,080 --> 00:38:30,880
Speaker 3: Yeah, okay, yeah he so he Now Jaeggar's crying. You

749
00:38:31,000 --> 00:38:31,920
Speaker 3: actually didn't.

750
00:38:31,640 --> 00:38:34,399
Speaker 2: Know that he's got a lot going on, and yeah,

751
00:38:34,520 --> 00:38:35,880
Speaker 2: you didn't even think to ask.

752
00:38:36,360 --> 00:38:39,600
Speaker 1: Okay, now Bosh is back pedaling. Bosh is in trouble here.

753
00:38:39,920 --> 00:38:42,480
Speaker 1: So what he's got to say is, oh, actually, you know,

754
00:38:42,680 --> 00:38:46,080
Speaker 1: I I overreacted. It's actually good that you were so late.

755
00:38:47,400 --> 00:38:48,760
Speaker 2: I learned something here today.

756
00:38:49,000 --> 00:38:52,400
Speaker 1: Yeah wow, oh wow, Okay, big, this is gonna it's

757
00:38:52,400 --> 00:38:52,640
Speaker 1: a tea.

758
00:38:53,800 --> 00:38:56,000
Speaker 3: It's gonna help the audience. Well, we try to do that.

759
00:38:56,320 --> 00:38:59,000
Speaker 2: Yeah, there has to be a moral to the tale

760
00:38:59,160 --> 00:38:59,719
Speaker 2: teaching moment.

761
00:38:59,719 --> 00:39:01,320
Speaker 3: There's all so cool.

762
00:39:01,800 --> 00:39:04,640
Speaker 1: There are a lot of Easter eggs in there. Let's

763
00:39:04,640 --> 00:39:09,600
Speaker 1: talk about Eastern eggs for a minute. Okay, what from

764
00:39:09,680 --> 00:39:13,719
Speaker 1: this panel should I be keeping an eye out for In.

765
00:39:13,640 --> 00:39:19,400
Speaker 2: The show, you might just see Harry wearing a snazzy

766
00:39:20,440 --> 00:39:23,919
Speaker 2: flannel shirt, okay, and some desert boots.

767
00:39:24,239 --> 00:39:27,200
Speaker 4: Oh wow, I'm just saying on untied one's untied.

768
00:39:27,320 --> 00:39:27,600
Speaker 2: Cool.

769
00:39:27,640 --> 00:39:30,120
Speaker 3: That's a thing. Yeah, that's the thing these days, better

770
00:39:30,120 --> 00:39:30,480
Speaker 3: believe it.

771
00:39:30,600 --> 00:39:32,480
Speaker 2: I see a lot of yeah, a lot of you kids,

772
00:39:32,520 --> 00:39:33,640
Speaker 2: a lot of consumers.

773
00:39:33,800 --> 00:39:36,200
Speaker 3: Yeah, we're going around. We're keeping one shoes and the

774
00:39:36,239 --> 00:39:37,000
Speaker 3: shirt's on top.

775
00:39:37,400 --> 00:39:38,160
Speaker 2: Yeah yeah.

776
00:39:38,160 --> 00:39:42,720
Speaker 1: I'm actually very young as well. And and it's funny.

777
00:39:42,719 --> 00:39:44,840
Speaker 1: Somebody must have tied this for me. One of the

778
00:39:44,960 --> 00:39:48,040
Speaker 1: IMDb TV employees didn't realize that I'm actually quite young.

779
00:39:49,280 --> 00:39:52,280
Speaker 1: So yeah, I'm going one untied. It's normal, it's normal

780
00:39:52,320 --> 00:39:52,560
Speaker 1: for me.

781
00:39:53,160 --> 00:39:55,520
Speaker 2: You're too old for the Velcrow sneakers, let's face it.

782
00:39:55,760 --> 00:39:58,439
Speaker 1: Yeah, I'm all yeah, we're actually but I'm too young

783
00:39:58,480 --> 00:39:59,960
Speaker 1: to have like both choose tie.

784
00:40:00,239 --> 00:40:01,120
Speaker 3: Yeah, give me a break.

785
00:40:01,360 --> 00:40:05,000
Speaker 2: That's crazy talk. We're big boys.

786
00:40:05,360 --> 00:40:06,399
Speaker 1: Yeah, that's the thing.

787
00:40:07,280 --> 00:40:08,120
Speaker 3: We have a really.

788
00:40:07,920 --> 00:40:13,120
Speaker 2: Exciting announcement ready. As fans know, Bosh is all about

789
00:40:13,120 --> 00:40:15,920
Speaker 2: the la hotspots when it comes to food, so we're

790
00:40:15,960 --> 00:40:20,440
Speaker 2: excited to share that we have sandwiches courtesy of IMDb

791
00:40:20,560 --> 00:40:25,280
Speaker 2: TV for everyone to grab on the way out from

792
00:40:25,360 --> 00:40:33,640
Speaker 2: Uncle Polly's Deli. True story, true Italian cold cut capraise A.

793
00:40:34,320 --> 00:40:37,520
Speaker 3: That's it.

794
00:40:37,600 --> 00:40:38,840
Speaker 1: Don't come up to me, have to.

795
00:40:39,200 --> 00:40:40,680
Speaker 2: I want to meet Bull soon.

796
00:40:42,120 --> 00:40:45,120
Speaker 1: Then go to Uncle Polly's Delian Order one. They're excellent,

797
00:40:46,280 --> 00:40:51,280
Speaker 1: but this is free, so it's it tastes better. Yes,

798
00:40:51,800 --> 00:41:00,319
Speaker 1: we also have four minutes. That's it, the first four minutes, right,

799
00:41:00,760 --> 00:41:04,880
Speaker 1: we have four minutes of the new show that you

800
00:41:05,000 --> 00:41:06,920
Speaker 1: guys are going to get to be the first people

801
00:41:06,960 --> 00:41:08,360
Speaker 1: to ever lay their eyes on it.

802
00:41:08,480 --> 00:41:12,760
Speaker 2: Yes, it's not that good, but no theme Okay, Okay,

803
00:41:13,560 --> 00:41:15,360
Speaker 2: no theme song, so a lot of it will just

804
00:41:15,400 --> 00:41:16,160
Speaker 2: be silent.

805
00:41:17,040 --> 00:41:20,319
Speaker 1: It's just people's names, kind of like credit scroll. Yes,

806
00:41:21,480 --> 00:41:24,280
Speaker 1: maybe some overhead footage of laye.

807
00:41:25,800 --> 00:41:28,480
Speaker 2: Bring me back to my We're excited for you to

808
00:41:28,520 --> 00:41:32,000
Speaker 2: see it. Thank you so much for being here. Can

809
00:41:32,040 --> 00:41:38,000
Speaker 2: we thank Titus please for everything? Thanks Pops out this

810
00:41:38,120 --> 00:41:44,440
Speaker 2: for everything is your only chance. I thank Titus, Thank you,

811
00:41:44,520 --> 00:41:50,400
Speaker 2: IMDb TV, thank you, Vulture, Vulture Fast, thank you with

812
00:41:50,520 --> 00:41:51,560
Speaker 2: your first Vulture Fest.

813
00:41:52,080 --> 00:41:56,640
Speaker 3: Yes, wow, you'll be back. I'll be first too many.

814
00:41:56,800 --> 00:41:58,239
Speaker 1: He's hooked, we got the hook in them.

815
00:41:58,320 --> 00:41:58,520
Speaker 3: Yeah.

816
00:41:59,320 --> 00:42:00,799
Speaker 2: Well, I want to thank you guys for having me

817
00:42:00,800 --> 00:42:03,080
Speaker 2: because this is a lot like.

818
00:42:04,480 --> 00:42:06,880
Speaker 3: You guys are. We would have wasn't our decision, but

819
00:42:07,000 --> 00:42:07,920
Speaker 3: of course we would have.

820
00:42:08,560 --> 00:42:10,680
Speaker 2: But you're a little too serious for my taste.

821
00:42:11,360 --> 00:42:14,359
Speaker 3: I thought we were gonna be a little bit. Yeah, yeah,

822
00:42:14,400 --> 00:42:14,799
Speaker 3: you want to.

823
00:42:14,840 --> 00:42:17,480
Speaker 1: You're we're like talking about the show, giving a lot

824
00:42:17,480 --> 00:42:19,520
Speaker 1: of information, and you're like looking.

825
00:42:19,280 --> 00:42:21,839
Speaker 4: To I'm looking to improve my brand because people think

826
00:42:21,880 --> 00:42:24,160
Speaker 4: I'm serious and so I'm trying to be lighthearted and

827
00:42:24,160 --> 00:42:25,840
Speaker 4: you guys were just so serious.

828
00:42:26,280 --> 00:42:29,160
Speaker 2: Yeah you did you leave the props back there? I'm

829
00:42:29,200 --> 00:42:32,200
Speaker 2: sorry about that. Yeah, it's just not that kind of

830
00:42:32,480 --> 00:42:35,399
Speaker 2: Maybe next time we just we just maybe we lighten

831
00:42:35,440 --> 00:42:36,120
Speaker 2: it up a little bit.

832
00:42:36,360 --> 00:42:37,360
Speaker 3: Yeah, we do the problem.

833
00:42:37,360 --> 00:42:39,480
Speaker 1: No, let's get another one on the books. And for

834
00:42:39,560 --> 00:42:43,440
Speaker 1: that one, I'm gonna be a little silly.

835
00:42:43,760 --> 00:42:48,640
Speaker 2: So yeah, sponsored by medmen. Yes, yes, we'll do the

836
00:42:48,640 --> 00:42:51,799
Speaker 2: weed show next time. Yes, we we forgot to talk

837
00:42:51,840 --> 00:42:57,439
Speaker 2: about weed. Chump never gets old. Stoner humor never gets old.

838
00:42:57,520 --> 00:42:57,800
Speaker 4: Yeah.

839
00:42:57,920 --> 00:43:00,040
Speaker 1: Yeah, and it's funny to people who aren't stone and

840
00:43:00,200 --> 00:43:01,440
Speaker 1: that's what's so good about it.

841
00:43:01,440 --> 00:43:03,480
Speaker 3: It's actually funnier people that aren't stuck.

842
00:43:03,600 --> 00:43:04,640
Speaker 1: Yeah, it's better for them.

843
00:43:05,320 --> 00:43:08,960
Speaker 2: Yeah yeah, but I digress. Thank you again for being

844
00:43:08,960 --> 00:43:12,960
Speaker 2: here today, watch the show, have a good time, stay cool.

845
00:43:14,040 --> 00:43:15,440
Speaker 3: We love you.

846
00:43:16,880 --> 00:43:20,520
Speaker 7: My sash and all my desk could work. I have

847
00:43:20,600 --> 00:43:25,280
Speaker 7: pictures of three young women. They've never been identified, murders

848
00:43:25,320 --> 00:43:29,120
Speaker 7: have never been solved. Why do you keep them pictures

849
00:43:29,360 --> 00:43:34,160
Speaker 7: to remind me? Everybody counts where nobody counts?

850
00:43:34,400 --> 00:43:36,799
Speaker 9: Detective? When you shot and killed mister Flores, weren't you

851
00:43:36,840 --> 00:43:38,520
Speaker 9: in effect avenging your mother's.

852
00:43:38,200 --> 00:43:40,359
Speaker 7: Death objection You've got a lot of fucking.

853
00:43:40,120 --> 00:43:44,960
Speaker 9: Nerve, so you'reund detective. Well, it's likely in court guys

854
00:43:45,040 --> 00:43:48,399
Speaker 9: like you never stop stepping on their own dicks.

855
00:43:48,680 --> 00:43:51,719
Speaker 4: Borders claim from the get go, the police manipulated the evidence,

856
00:43:52,000 --> 00:43:52,799
Speaker 4: no basis for it.

857
00:43:52,800 --> 00:43:56,200
Speaker 7: It's bullshit. I've never planted evidence. I believe you, so

858
00:43:56,360 --> 00:43:58,000
Speaker 7: is that. I guess How can.

859
00:43:57,880 --> 00:44:00,239
Speaker 9: I not take you on as a client. It's it's

860
00:44:00,320 --> 00:44:03,880
Speaker 9: too delicious, like a feral cat. You don't trust anyone.

861
00:44:04,160 --> 00:44:05,360
Speaker 7: You take too many risks.

862
00:44:05,600 --> 00:44:07,880
Speaker 9: I got from the same stone. You and I. We

863
00:44:07,960 --> 00:44:08,719
Speaker 9: do what we have to.

864
00:44:23,960 --> 00:44:25,600
Speaker 1: Continued westbound first.

865
00:44:30,680 --> 00:44:33,759
Speaker 2: Adam seventy seven westbound first, approaching Bigness.

866
00:44:40,920 --> 00:44:43,879
Speaker 4: Yes, yeah, I just got to say that. All right,

867
00:44:45,600 --> 00:44:49,400
Speaker 4: that's it. That's a good little teeth. Yeah, what I

868
00:44:49,520 --> 00:44:51,800
Speaker 4: what I can tell you. I'll just tell you the

869
00:44:51,800 --> 00:44:52,880
Speaker 4: whole season. What happens?

870
00:44:53,040 --> 00:44:54,200
Speaker 3: Please please?

871
00:44:54,600 --> 00:44:58,920
Speaker 2: The new show will be with Mimi Rodgers and uh,

872
00:44:59,200 --> 00:45:04,480
Speaker 2: she's working for a different practice and still recovering from

873
00:45:05,080 --> 00:45:08,640
Speaker 2: she has severe PTSD from being shot by this assassin.

874
00:45:08,760 --> 00:45:10,680
Speaker 2: Mattie is a is.

875
00:45:10,640 --> 00:45:15,880
Speaker 4: A l a p D cop and uh, and Harry's uh, he's.

876
00:45:15,680 --> 00:45:16,480
Speaker 3: A private eye.

877
00:45:17,200 --> 00:45:22,239
Speaker 2: And there's sort of three standalone stories and then they

878
00:45:22,360 --> 00:45:25,520
Speaker 2: kind of intersect, and the writers have done a great

879
00:45:25,640 --> 00:45:28,640
Speaker 2: job of bringing these characters kind of in and out

880
00:45:28,680 --> 00:45:29,760
Speaker 2: of each other's lives.

881
00:45:30,480 --> 00:45:32,840
Speaker 3: But uh, it's a different show.

882
00:45:33,600 --> 00:45:36,600
Speaker 4: It has it, it has the same tone that that

883
00:45:36,680 --> 00:45:42,239
Speaker 4: Bosh had, but the focus is different. But uh, I'm

884
00:45:42,280 --> 00:45:44,240
Speaker 4: really proud of the show. And I think it doesn't

885
00:45:44,280 --> 00:45:47,200
Speaker 4: matter if you If if one never saw Bosh and

886
00:45:47,360 --> 00:45:50,400
Speaker 4: just started with this, you'd be fine because the the

887
00:45:50,440 --> 00:45:54,200
Speaker 4: integrity of the character of Bosh and Michael's books is

888
00:45:54,239 --> 00:45:56,759
Speaker 4: there every step of the way. And I'm proud of

889
00:45:56,800 --> 00:45:58,879
Speaker 4: it and I think that that we've done a really

890
00:45:58,920 --> 00:46:00,680
Speaker 4: good job and I look forward to everybody.

891
00:46:00,960 --> 00:46:03,240
Speaker 1: So sorry, Titus, my Riode is here as my manager.

892
00:46:05,000 --> 00:46:08,240
Speaker 2: Awesome, awesome, awesome, let's all get you gonna be good, watch.

893
00:46:08,040 --> 00:46:09,240
Speaker 1: It, Let's watch it together.

894
00:46:09,800 --> 00:46:12,920
Speaker 2: Thank you, Collective Cinematic Experience. This is what Quenton was

895
00:46:12,960 --> 00:46:13,560
Speaker 2: talking about.

896
00:46:14,320 --> 00:46:17,839
Speaker 1: I want to say again thank you to IMDbTV. And

897
00:46:18,040 --> 00:46:23,240
Speaker 1: I'm not at all upset that the four minute clip

898
00:46:23,320 --> 00:46:25,920
Speaker 1: that we showed was three minutes and fifty nine seconds

899
00:46:25,960 --> 00:46:27,040
Speaker 1: of a recap.

900
00:46:26,760 --> 00:46:32,520
Speaker 2: Mostly previously on because the little bit that I did see, Who.

901
00:46:31,800 --> 00:46:40,439
Speaker 1: Boy Am I ready to watch? Bye byellywood Ham.

902
00:46:40,880 --> 00:46:43,239
Speaker 10: This week on the Patreon, Carl and Asan discussed the

903
00:46:43,280 --> 00:46:46,840
Speaker 10: Cupid Shuffle, The Boys review the Hollywood Handbook, Street Team,

904
00:46:47,040 --> 00:46:50,680
Speaker 10: and The Flagrant Ones are mostly talking all things basketball.

905
00:46:51,040 --> 00:46:53,600
Speaker 10: Check out these bonus podcasts and videos of the full

906
00:46:53,680 --> 00:46:58,480
Speaker 10: episodes at patreon dot com, Slash, The Flagrant Ones, Hollywood

907
00:46:58,560 --> 00:46:58,840
Speaker 10: hamp