WEBVTT - The Fifth Hour: Nod at the Shine

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<v Speaker 1>Kutbooms.

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<v Speaker 2>If you thought four hours a day, twelve hundred minutes

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<v Speaker 2>a week was enough, think again. He's the last remnants

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<v Speaker 2>of the old republic, a sol fashion of fairness. He

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<v Speaker 2>treats crackheads in the ghetto gutter the same as the

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<v Speaker 2>rich pill poppers in the penthouse.

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<v Speaker 1>Wow.

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<v Speaker 2>The Clearinghouse of Hot takes break free for something special.

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<v Speaker 2>The Fifth Hour with Ben Mallard starts right now.

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<v Speaker 1>In the air everywhere.

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<v Speaker 3>The Fifth Hour with Me, Ben Mahler and Danny G

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<v Speaker 3>Radio and a happy, happy Saturday.

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<v Speaker 1>College football.

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<v Speaker 3>Yeah, all day long, college for We had NFL football

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<v Speaker 3>last night as we slide into the sixth day of September.

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<v Speaker 3>And you just got me to Danny G is under weather.

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<v Speaker 3>Hopefully my man Danny G will be good enough to

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<v Speaker 3>join us tomorrow morning for the mail bag. And you

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<v Speaker 3>got me. So I stayed up, and I really didn't

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<v Speaker 3>stay up that late. It's rather early here on the

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<v Speaker 3>West Coast, but I watched the game there on Friday

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<v Speaker 3>night on the YouTube. I thought it was on regular

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<v Speaker 3>TV in LA because the Chargers are plausibly an LA

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<v Speaker 3>team and Justin Herbert three hundred and eighteen yards passing,

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<v Speaker 3>not one, not two, but three touchdowns, no interceptions, ran

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<v Speaker 3>for thirty two yards. That's the first three hundred yard

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<v Speaker 3>three touchdown game since Week ten of the twenty twenty

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<v Speaker 3>three season for Justin Herbert. And a lot of passes,

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<v Speaker 3>a lot of passes to the wide receiver room there

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<v Speaker 3>for the Chargers eighty two over eighty two percent of

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<v Speaker 3>his passes for Herbert, the most he's ever targeted wide

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<v Speaker 3>receivers in a single game in his NFL career. So

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<v Speaker 3>very unusual these international games. I was, I did take

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<v Speaker 3>the Chiefs, and so I lost that game. On Benny

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<v Speaker 3>versus the pen. We actually gonna talk more Benny versus

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<v Speaker 3>the penny here in a couple of minutes got the

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<v Speaker 3>cyber swamp and mouthwash madness. But as far as the

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<v Speaker 3>Chiefs and the Chargers game, the better story is in

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<v Speaker 3>the losing locker room.

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<v Speaker 1>That is where the story is. And you look at.

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<v Speaker 3>The game, and it was really a domination situation by

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<v Speaker 3>the Chargers. Now that the stats don't really indicate that,

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<v Speaker 3>because the yardage was rather close, the first downs were

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<v Speaker 3>rather close. The big difference in this game was that

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<v Speaker 3>the Chargers were able to get some big plays. They

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<v Speaker 3>were able to make some wild plays, and the Chiefs,

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<v Speaker 3>you know, they had.

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<v Speaker 1>A couple of them. But in the big picture, it

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<v Speaker 1>just seemed.

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<v Speaker 3>Watching the game in real time that the Chargers were

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<v Speaker 3>leading the race and the Chiefs were going uphill the

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<v Speaker 3>entire way. And there was an injury early on for

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<v Speaker 3>Kansas City, and you look at Mahomes and Mahomes ran

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<v Speaker 3>for fifty fifty seven yards. He had two ordered fifty

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<v Speaker 3>eight yards passing, but a lot of dink and dunk

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<v Speaker 3>and this, you know, those short passes. For the most part,

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<v Speaker 3>he averaged Mahomes thirty nine pass attempts twenty four completions,

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<v Speaker 3>averaged a six point six yards per pass attempt. Now,

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<v Speaker 3>remember the standard in the NFL seven the baseline is

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<v Speaker 3>about seven is average. So if you're above that, you're

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<v Speaker 3>pretty good. If you're below that, you're not doing so good.

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<v Speaker 3>And justin Herbert averaged nine point four yards per reception,

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<v Speaker 3>and he spread the ball around. McConkie had six catches,

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<v Speaker 3>Johnston had five catches for seventy nine yards.

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<v Speaker 1>There were three or four.

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<v Speaker 3>Charger pass catchers that did a solid job in that

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<v Speaker 3>game last night, And so the Chargers get off to

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<v Speaker 3>the good start, and for the Chiefs, there like, oh

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<v Speaker 3>my god, they lost a divisional game, and Mahomes in

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<v Speaker 3>the offense, they didn't look all that gray. There was

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<v Speaker 3>that missed extra point that totally fed up things and

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<v Speaker 3>just did not help the process or process. The Chiefs

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<v Speaker 3>their first three drives for rather block. They started out

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<v Speaker 3>punt punt, punt, and so the Chargers had built up

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<v Speaker 3>a ten to nothing lead, they had a thirteen to

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<v Speaker 3>three lead, and then the Chiefs came back and they

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<v Speaker 3>would have would have tied the game, and then that

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<v Speaker 3>touchdown that would have made it thirteen to thirteen, Bucker

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<v Speaker 3>missed the extra point wide right, and that created a

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<v Speaker 3>situation where the Chiefs had to go for two, and

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<v Speaker 3>then they didn't get the two. The two point attempt failed,

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<v Speaker 3>and so then they were playing uphill and they went

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<v Speaker 3>from they could have been tied at twenty down twenty

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<v Speaker 3>to eighteen. Then the Chargers scored another touchdown, so it's

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<v Speaker 3>a nine point game, and then the math on that

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<v Speaker 3>was a problem, but we'll get away from that. On

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<v Speaker 3>this part. We got the cyber swamp and the mouthwash madness.

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<v Speaker 3>Will start with this on a college football Saturday on

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<v Speaker 3>the fifth Hour here a spin off of the Overnight

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<v Speaker 3>You my guy Danny, Do you feel better? He'll be back,

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<v Speaker 3>hopefully tomorrow, But we begin with this. So after two

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<v Speaker 3>years under the NBC, polished roof, big major national broadcasting company.

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<v Speaker 1>But what an honor it was to work for them.

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<v Speaker 1>I've had two different runs at NBC.

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<v Speaker 3>I had one back in the twenty ten, twenty eleven,

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<v Speaker 3>twenty twelve period of my life and more recently. But

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<v Speaker 3>Benny versus the Penny now wanders into the wilderness of YouTube.

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<v Speaker 3>You might know by now if you follow me on

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<v Speaker 3>social media. It is not so much a move as

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<v Speaker 3>it is a rebirth, or perhaps a recalibration, trading the

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<v Speaker 3>corporate umbrella for the wild wild West, And I do

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<v Speaker 3>mean the wild wild West where the sheriff is an

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<v Speaker 3>hour algorithm and the saloon owner sells credibility by the pint.

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<v Speaker 3>So you can call this if you want, manifest destiny

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<v Speaker 3>with ring lights and all that. It sounds somewhat noble.

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<v Speaker 3>Some would say, hey, this is the way to do it.

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<v Speaker 3>You're being very noble. It's independence. Some would say rebellious.

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<v Speaker 3>Now I have a problem with all of those big

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<v Speaker 3>words noble, independent, rebellious. The problem is this, I've experienced

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<v Speaker 3>a little bit, and I'm just starting out here as

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<v Speaker 3>a YouTuber. The issue I have is that YouTube. While

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<v Speaker 3>it is a wonderful, wonderful place with all kinds of

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<v Speaker 3>amazing content, YouTube is like every other digital pastor, it

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<v Speaker 3>isn't really the field of dreams. It presents itself to be, right.

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<v Speaker 3>It pretends to be this field of dreams where anybody

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<v Speaker 3>can just all of a sudden pop up and become

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<v Speaker 3>a star and make a lot of money. And it

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<v Speaker 3>confirms what of my beliefs that it is the matrix

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<v Speaker 3>with an algorithm.

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<v Speaker 1>For a gatekeeper. Right.

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<v Speaker 3>It is a carnival midway of smoke and mirrors. It's

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<v Speaker 3>a funhouse reflection where the guy who yells the loudest

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<v Speaker 3>gets the biggest stuff to animal and all that. Myself

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<v Speaker 3>and Tom Looney are diving headfirst into this gooey ooey

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<v Speaker 3>cyber swamp, and we are armed with what what do

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<v Speaker 3>we have? What are our weapons? We have a microphone? Check,

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<v Speaker 3>we have a camera. I have a camera right on

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<v Speaker 3>my computer here. Check somewhat a sense of humor, possibly

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<v Speaker 3>football shape, penny. We got that now we were already

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<v Speaker 3>already dabbling in this world. We've already found out that

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<v Speaker 3>in the land of independent creators wink wink, nod nod,

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<v Speaker 3>independence is open to interpretation, and independence is off and

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<v Speaker 3>as real as professional wrestling going back to the eighties

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<v Speaker 3>and the nineties and the two thousand tens in the

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<v Speaker 3>twenty twenties. So yes, it is true. You can be

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<v Speaker 3>on YouTube. The problem is to matter on YouTube, you

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<v Speaker 3>need to know whose palm degrease, and I don't know

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<v Speaker 3>for sure who's palm degrease. You need to know whose

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<v Speaker 3>ego you have to stroke and how to package reality

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<v Speaker 3>into the neatest, most clickable thumbnails. Now, the independent creator

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<v Speaker 3>often has as much independence as a Hollywood studio actor

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<v Speaker 3>back in the day. I remember reading about this when

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<v Speaker 3>I was younger, the Hollywood studio actors that had contracts

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<v Speaker 3>in the nineteen forties, and good luck on that right.

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<v Speaker 3>Even like the Three Stooges iconic in their era, they

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<v Speaker 3>didn't make hardly any money, and they had no idea

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<v Speaker 3>that they were as famous as they were because they

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<v Speaker 3>were just under a studio contract.

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<v Speaker 1>It's wild story if you want to go down that

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<v Speaker 1>rabbit hole.

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<v Speaker 3>Some good books have been written about that there's some

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<v Speaker 3>good stuff online about the Stooges and not knowing, not

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<v Speaker 3>real life, the impact they were having on the culture

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<v Speaker 3>because they were just it was a job. They were

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<v Speaker 3>under contract and that was that. But you look at

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<v Speaker 3>the independent creator and it's all big business. It's agents,

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<v Speaker 3>it's managers, it's investors, all of them lurking off camera,

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<v Speaker 3>curating the illusion of independence and freedom and pulling yourself

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<v Speaker 3>up from the bootstraps and all that. Give you an example,

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<v Speaker 3>mister Beast. We saw mister Beasts last night. For some reason,

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<v Speaker 3>the NFL thinks that that's going to grow their audience.

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<v Speaker 3>Spoiler alert, that's dumb. Anyway, mister Beast was not built

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<v Speaker 3>in a day. He was also not built in the

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<v Speaker 3>basement of his home somewhere in South Carolina. He was

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<v Speaker 3>built with investors, managers, lawyers, and the machine, the machine

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<v Speaker 3>that makes it look like he's just a kid with

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<v Speaker 3>a big idea, just a kid with a big idea

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<v Speaker 3>that happened to make it.

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<v Speaker 1>That's all it is. And you're like, what, well, not

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<v Speaker 1>so much, not so much.

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<v Speaker 3>And it's like the line from the late Great Casey

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<v Speaker 3>Case and keep your feet on the ground and keep

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<v Speaker 3>reaching for the stars. Well, in this case, mister Beast

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<v Speaker 3>again a bunch of other people around him.

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<v Speaker 1>I'm not knocking mister Beast. That's just the reality.

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<v Speaker 3>A lot of people don't realize that the big stars

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<v Speaker 3>on YouTube that are very popular, mister Beast, Kai Sennett,

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<v Speaker 3>the Costco guys, these independent stars are all are run

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<v Speaker 3>by people headquartered in New York boardrooms, groomed by management

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<v Speaker 3>firms who know that the attention currency is where it's at.

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<v Speaker 1>Right.

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<v Speaker 3>It's all about the marketing of these people, and it

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<v Speaker 3>is pay to play. It's not a dirty secret on

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<v Speaker 3>YouTube or the other social media channels. It's a business model.

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<v Speaker 3>And followers and views are a commodity. We all know that,

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<v Speaker 3>and they are traded in a market worth hundreds of

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<v Speaker 3>millions of dollars. The amount of money that is tossed

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<v Speaker 3>around it is crazy. And the Internet is a great

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<v Speaker 3>case study on perception versus reality and the fact that

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<v Speaker 3>perception is reality on social media, perception is manufactured that

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<v Speaker 3>a channel. I'll tell you this, right, So there's two

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<v Speaker 3>channels and both of them are doing food reviews. You

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<v Speaker 3>have a channel with one hundred thousand followers, and you

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<v Speaker 3>have a channel with one hundred followers, right, So who

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<v Speaker 3>you're going to pay more since attention to you can say, well,

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<v Speaker 3>the channel with one hundred thousand that's got more trust,

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<v Speaker 3>trust that's more trustworthy, is more credible, while a channel

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<v Speaker 3>with one hundred followers might as well be broadcasting to

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<v Speaker 3>the furniture.

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<v Speaker 1>Right.

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<v Speaker 3>And by the way, our channel Benny versus the Penny

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<v Speaker 3>has about like two hundred followers or whatever.

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<v Speaker 1>So these because we just started, but.

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<v Speaker 3>The psychology is as old as the Emperor's new clothes.

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<v Speaker 1>If everyone else sees it, it.

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<v Speaker 3>Must be real. Nobody checks the stitching. They just nod

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<v Speaker 3>at the shine and the buying and the selling. And

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<v Speaker 3>this is something I've had my eyes open to. I

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<v Speaker 3>always knew this was going on. But the buying and

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<v Speaker 3>selling of followers is no different from printing counterfeit money.

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<v Speaker 1>And it's not even illegal. It isn't.

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<v Speaker 3>It circulates, it inflates, it deceives, and no.

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<v Speaker 1>One audits it.

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<v Speaker 3>There's nobody saying, well, wait a minute, that person's got

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<v Speaker 3>a bunch of fake followers, because everyone is benefiting from

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<v Speaker 3>the counterfeit. It's a Ponzi scheme where everyone is cashing

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<v Speaker 3>in on this. The illusion of popularity, and I was

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<v Speaker 3>reading a story a couple weeks back.

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<v Speaker 1>I think I mentioned it to you on this podcast.

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<v Speaker 3>Remember the story of there was a couple of musicians

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<v Speaker 3>who became famous on TikTok and then they agreed to

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<v Speaker 3>go out and perform in front of a live audience,

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<v Speaker 3>so they had to sell tickets. And I believe the

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<v Speaker 3>story I'm paraphrasing this, I don't have it in front

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<v Speaker 3>of me, is that they couldn't sell enough tickets to

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<v Speaker 3>cover the costs of the crew and the travel and

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<v Speaker 3>all that to make this happen, because it turned out,

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<v Speaker 3>while they had hundreds of millions of people that were

0:13:28.320 --> 0:13:33.839
<v Speaker 3>watching their music online, they weren't real people. They were

0:13:33.880 --> 0:13:36.520
<v Speaker 3>fake and so the amount of real people was not

0:13:36.679 --> 0:13:40.240
<v Speaker 3>enough to sell out a venue, but the illusion was

0:13:40.280 --> 0:13:43.280
<v Speaker 3>they were very popular. It is a multi million dollar

0:13:43.440 --> 0:13:48.160
<v Speaker 3>industry that hums beneath the surface. It's like a black market,

0:13:48.200 --> 0:13:53.720
<v Speaker 3>bizarre behind the town square, and everyone pretends not to notice.

0:13:54.640 --> 0:13:57.000
<v Speaker 3>It is the Komodo dragon in the room because the

0:13:57.080 --> 0:14:01.640
<v Speaker 3>facade keeps that circus a lot and well a million

0:14:01.800 --> 0:14:05.320
<v Speaker 3>followers at one point, maybe it did mean a million people.

0:14:05.960 --> 0:14:09.760
<v Speaker 3>Now a million followers can mean half a million bots,

0:14:10.960 --> 0:14:15.720
<v Speaker 3>quarter million engagement farm accounts overseas, and the rest die

0:14:15.760 --> 0:14:18.199
<v Speaker 3>hards who don't even know they're part of the hustle.

0:14:18.960 --> 0:14:21.520
<v Speaker 3>That's the thing, right, that's the thing. And that's why

0:14:21.560 --> 0:14:25.360
<v Speaker 3>I say, well, there's nobody that's really hurting from any

0:14:25.400 --> 0:14:28.480
<v Speaker 3>of this, because what ends up happening. It's kind of

0:14:28.480 --> 0:14:30.920
<v Speaker 3>like you open up a restaurant and if you want

0:14:30.960 --> 0:14:33.440
<v Speaker 3>to create a little bit of buzz about the restaurant,

0:14:33.560 --> 0:14:37.160
<v Speaker 3>you pay people to stand in front of the restaurant

0:14:37.360 --> 0:14:40.720
<v Speaker 3>and then they'll be out of curiosities. People that would

0:14:40.840 --> 0:14:42.480
<v Speaker 3>never have gone to the restaurant and say, well, this

0:14:42.560 --> 0:14:43.600
<v Speaker 3>place must be popular.

0:14:43.720 --> 0:14:45.480
<v Speaker 1>Why don't we go to that restaurant. Well, there's nobody

0:14:45.480 --> 0:14:47.160
<v Speaker 1>actually at that restaurant. It's all paid actors. Well we

0:14:47.160 --> 0:14:48.800
<v Speaker 1>don't know their paid actors. They're online. Looks like they

0:14:48.800 --> 0:14:50.440
<v Speaker 1>want to enjoy the food, so let's go there.

0:14:50.720 --> 0:14:53.480
<v Speaker 3>Another example of that is the shopping cart, the buggy,

0:14:54.200 --> 0:14:58.560
<v Speaker 3>the shopping cart. So we talked about this on this podcast,

0:14:58.560 --> 0:15:02.280
<v Speaker 3>but the origins of the the shopping cart leave. It

0:15:02.280 --> 0:15:08.080
<v Speaker 3>started at Oklahoma, but originally it was emasculating. Women did

0:15:08.120 --> 0:15:09.960
<v Speaker 3>not want to push the cart because it you know

0:15:10.160 --> 0:15:12.840
<v Speaker 3>something like moms do, and they're like, unless if you

0:15:12.840 --> 0:15:14.600
<v Speaker 3>didn't have kids or I don't know, I'm not a

0:15:15.160 --> 0:15:15.880
<v Speaker 3>I don't want to be.

0:15:16.080 --> 0:15:17.080
<v Speaker 1>Type cast as that.

0:15:17.560 --> 0:15:20.320
<v Speaker 3>And men didn't want to push carts because it was emasculating.

0:15:20.800 --> 0:15:25.240
<v Speaker 3>So what they did to encourage people to use shopping

0:15:25.280 --> 0:15:29.360
<v Speaker 3>carts is they got really beautiful women and really beautiful men,

0:15:30.360 --> 0:15:33.960
<v Speaker 3>paid actors to go to the stores and walk around

0:15:34.040 --> 0:15:37.680
<v Speaker 3>with the carts and pretend like they were shopping. And

0:15:37.720 --> 0:15:41.320
<v Speaker 3>so they would do that, and then the regular Hoi, POLLOI,

0:15:41.960 --> 0:15:44.400
<v Speaker 3>the flotsam and the jetsum would see this and they'd

0:15:44.400 --> 0:15:45.800
<v Speaker 3>be like, hey, those are good looking people.

0:15:46.240 --> 0:15:47.360
<v Speaker 1>I want to be like them.

0:15:47.800 --> 0:15:50.320
<v Speaker 3>So what I'm going to do is I'm going to

0:15:50.320 --> 0:15:53.160
<v Speaker 3>push the cart like them because they're good looking people.

0:15:53.200 --> 0:15:57.200
<v Speaker 3>Maybe I'll become better looking. And that is a true story,

0:15:57.240 --> 0:16:00.600
<v Speaker 3>Hand to God. That's how the shopping cart became a

0:16:00.720 --> 0:16:04.680
<v Speaker 3>mainstream thing. But it's the same concept on social media,

0:16:04.760 --> 0:16:07.320
<v Speaker 3>like you have fake followers and then you gain real

0:16:07.360 --> 0:16:10.359
<v Speaker 3>followers because people are easily hornswaggled.

0:16:11.040 --> 0:16:13.240
<v Speaker 1>They just are. They just are.

0:16:13.880 --> 0:16:18.080
<v Speaker 3>And you look at these following numbers, it's like baseball attendance.

0:16:18.520 --> 0:16:21.200
<v Speaker 3>When I was a kid in the nineteen eighties. The

0:16:21.280 --> 0:16:25.400
<v Speaker 3>announced attendance bore no resemblance to who was actually there

0:16:25.440 --> 0:16:30.600
<v Speaker 3>in the ballpark, and the reality is whatever the algorithm.

0:16:30.160 --> 0:16:34.520
<v Speaker 1>Says it is. No one again is.

0:16:34.480 --> 0:16:37.280
<v Speaker 3>Doing any inventory on what's real and what's counterfeit and

0:16:37.320 --> 0:16:40.400
<v Speaker 3>all that. So for Benny versus the Penny, which we

0:16:40.480 --> 0:16:43.280
<v Speaker 3>need your help. You can follow that Benny vs. Penny

0:16:43.400 --> 0:16:49.040
<v Speaker 3>at Benny Vspenny on YouTube. That means to us that

0:16:49.760 --> 0:16:53.520
<v Speaker 3>the penny may have to be cannibalized. I've been studying this,

0:16:53.640 --> 0:16:59.040
<v Speaker 3>and there's an art to YouTube, and you people do

0:16:59.200 --> 0:17:04.760
<v Speaker 3>not do not generally watch long form content. So Benny

0:17:04.840 --> 0:17:08.560
<v Speaker 3>versuspent about half an hour forty minutes every week. What

0:17:08.680 --> 0:17:10.840
<v Speaker 3>we likely will have to do at some point is

0:17:10.880 --> 0:17:15.080
<v Speaker 3>chop that up into smaller, bite sized pieces and just

0:17:15.280 --> 0:17:16.240
<v Speaker 3>instead we'll.

0:17:16.040 --> 0:17:16.800
<v Speaker 1>Have long form.

0:17:16.840 --> 0:17:18.359
<v Speaker 3>But then we're going to have to have short form

0:17:19.000 --> 0:17:22.160
<v Speaker 3>because that's the way the game is played, and attention

0:17:22.359 --> 0:17:25.359
<v Speaker 3>spans are now measured in seconds, not minutes.

0:17:26.119 --> 0:17:28.159
<v Speaker 1>We're all a bunch of goldfish swimming around.

0:17:28.400 --> 0:17:32.679
<v Speaker 3>So welcome to the YouTube casino, where the odds are

0:17:32.880 --> 0:17:39.560
<v Speaker 3>long and the attention spans are short, and the house rules.

0:17:39.600 --> 0:17:43.400
<v Speaker 3>But maybe just maybe there's a little bit of room

0:17:43.400 --> 0:17:50.200
<v Speaker 3>there for an honest game in this crooked canival. So

0:17:50.240 --> 0:17:53.000
<v Speaker 3>we'll see the NFL season kicks off for real the

0:17:53.080 --> 0:17:55.960
<v Speaker 3>Mary we had a couple of appetizers with the game

0:17:56.000 --> 0:17:57.439
<v Speaker 3>back on Thursday, where.

0:17:57.320 --> 0:17:59.640
<v Speaker 1>The Eagles won, and then the Chargers on Friday.

0:17:59.640 --> 0:18:03.560
<v Speaker 3>The NFL season, though, remains a weekly TV drama O

0:18:03.800 --> 0:18:09.600
<v Speaker 3>rama assume without a script, assume without a script, and

0:18:09.880 --> 0:18:13.919
<v Speaker 3>unlike the algorithms, you know, we actually care about the

0:18:13.960 --> 0:18:16.600
<v Speaker 3>results and all that. Now, if we can cut through

0:18:16.600 --> 0:18:19.840
<v Speaker 3>the clutter on Benny versus the Penny with just wit,

0:18:20.280 --> 0:18:24.000
<v Speaker 3>candor and a little old fashioned stubbornness, then maybe just

0:18:24.160 --> 0:18:27.919
<v Speaker 3>maybe Benny versus the Penny can survive outside of that

0:18:28.119 --> 0:18:32.280
<v Speaker 3>NBC corral and all that. Now, it's not going to

0:18:32.320 --> 0:18:36.359
<v Speaker 3>be easy, it's not going to be fair. Then again,

0:18:36.680 --> 0:18:40.040
<v Speaker 3>I would argue that makes it all that much much

0:18:40.080 --> 0:18:42.199
<v Speaker 3>sweeter because my experience in broadcasting I've been doing this

0:18:42.240 --> 0:18:44.560
<v Speaker 3>a long time, is you actually have to build an

0:18:44.600 --> 0:18:46.240
<v Speaker 3>audience up, but it's a real audience.

0:18:46.280 --> 0:18:47.439
<v Speaker 1>There's no shortcuts.

0:18:47.480 --> 0:18:49.560
<v Speaker 3>On social media, there's a lot of shortcuts, like if

0:18:49.560 --> 0:18:52.320
<v Speaker 3>somebody wanted to I've forgotten emails from people in the past,

0:18:52.320 --> 0:18:53.840
<v Speaker 3>they're like, hey, I work in social media. I can

0:18:53.880 --> 0:18:56.080
<v Speaker 3>get you know, so many followers and all that, and

0:18:56.119 --> 0:18:58.200
<v Speaker 3>I always turned that down. Now, if somebody wants to

0:18:58.280 --> 0:18:59.920
<v Speaker 3>do that, I'm not against it. I'm not going to

0:19:00.000 --> 0:19:02.040
<v Speaker 3>go out and solicit it. But if somebody wants to

0:19:02.119 --> 0:19:05.440
<v Speaker 3>do it, but we need your help. And really I

0:19:05.640 --> 0:19:08.120
<v Speaker 3>believe we have a big enough audience based on when

0:19:08.160 --> 0:19:09.320
<v Speaker 3>I started this fifth.

0:19:09.160 --> 0:19:11.960
<v Speaker 1>Hour podcast, I was like, who the hell's going to

0:19:12.000 --> 0:19:12.680
<v Speaker 1>listen to that crap?

0:19:13.680 --> 0:19:16.639
<v Speaker 3>And I always said, if the numbers are bad, if

0:19:16.720 --> 0:19:20.040
<v Speaker 3>no one's listening to this thing, then I'm not going

0:19:20.119 --> 0:19:22.040
<v Speaker 3>to do it. It's not worth my time. Time is

0:19:22.080 --> 0:19:23.639
<v Speaker 3>the most valuable thing we have. I'm not going to

0:19:23.720 --> 0:19:26.959
<v Speaker 3>bother doing the podcast. And the numbers have steadily climbed.

0:19:27.040 --> 0:19:30.080
<v Speaker 3>We've done very well with this podcast. Are we Joe Rogan? No,

0:19:30.160 --> 0:19:32.520
<v Speaker 3>we're not Joe Rogan? Are we Adam Carolla? No, we're

0:19:32.520 --> 0:19:36.399
<v Speaker 3>not Adam Corola. But however, in our little niche stay

0:19:36.480 --> 0:19:38.560
<v Speaker 3>in your lane, as LeVar Ball likes to say, we

0:19:38.640 --> 0:19:40.240
<v Speaker 3>have been able to build up a good following and

0:19:40.359 --> 0:19:41.400
<v Speaker 3>Danny G's helped a lot.

0:19:42.359 --> 0:19:43.080
<v Speaker 1>We was a stretch.

0:19:43.119 --> 0:19:45.200
<v Speaker 3>We were losing people, we were bleeding. We had a

0:19:45.240 --> 0:19:47.400
<v Speaker 3>lot of politics on the podcast. People got all upset

0:19:47.400 --> 0:19:50.200
<v Speaker 3>about that, freaked out, lost their mind. And so the

0:19:50.320 --> 0:19:54.080
<v Speaker 3>numbers have been very good. And we can just take

0:19:54.480 --> 0:19:58.280
<v Speaker 3>a good chunk of this and put it there on

0:19:58.560 --> 0:20:03.080
<v Speaker 3>Benny Vspenny on YouTube. Get your kids to sign up. Well,

0:20:03.119 --> 0:20:04.800
<v Speaker 3>I don't want to set up there. Those are a

0:20:04.840 --> 0:20:07.800
<v Speaker 3>bunch of old's talking football. Just do it, little Johnny,

0:20:07.960 --> 0:20:09.960
<v Speaker 3>come on, help your dad out, all right? You know

0:20:10.320 --> 0:20:12.680
<v Speaker 3>that kind of thing helps us out. That does help

0:20:12.760 --> 0:20:14.639
<v Speaker 3>us out. It would help a lot if they actually

0:20:14.720 --> 0:20:22.240
<v Speaker 3>watched the show. So it's not smooth, double churned or

0:20:22.320 --> 0:20:25.800
<v Speaker 3>slow churned Vanilla. It's gonna be rocky road. It's gonna

0:20:25.800 --> 0:20:28.840
<v Speaker 3>be rocky road. But with a little help from my

0:20:29.040 --> 0:20:32.480
<v Speaker 3>friend that would be you. And we are on a mission,

0:20:32.720 --> 0:20:34.240
<v Speaker 3>on a mission to follow it.

0:20:34.280 --> 0:20:34.560
<v Speaker 1>The show.

0:20:34.760 --> 0:20:36.480
<v Speaker 3>You know, it's nothing looked quite as good as I

0:20:36.560 --> 0:20:39.520
<v Speaker 3>wanted to look. I wanted to look good. I want

0:20:39.800 --> 0:20:41.320
<v Speaker 3>I want to look just like the TV show. But

0:20:41.400 --> 0:20:43.200
<v Speaker 3>the TV show had thirty people working on it. We

0:20:43.320 --> 0:20:46.040
<v Speaker 3>have two, so it's a lot different. But if you

0:20:46.280 --> 0:20:51.199
<v Speaker 3>just follow the channel, subscribe to Benny Vspenny, and if

0:20:51.240 --> 0:20:53.920
<v Speaker 3>you put a review, a comment, in there. You watch

0:20:54.040 --> 0:20:58.080
<v Speaker 3>the videos. Man, would that be cool? That would help

0:20:58.160 --> 0:21:00.520
<v Speaker 3>us out, you know, help us fight again. It's the

0:21:00.640 --> 0:21:05.160
<v Speaker 3>machine and really try to do this organically, and then

0:21:05.960 --> 0:21:09.600
<v Speaker 3>it's a self fulfilling prophecy where if you do build

0:21:09.680 --> 0:21:13.800
<v Speaker 3>up a base and eventually we can move on to

0:21:13.920 --> 0:21:16.560
<v Speaker 3>something bigger and better. Now turn the page on that.

0:21:17.680 --> 0:21:21.280
<v Speaker 3>I would like to address a moment that happened on

0:21:21.320 --> 0:21:24.920
<v Speaker 3>the Overnight Show earlier this week. I got several emails

0:21:24.960 --> 0:21:26.760
<v Speaker 3>about this, and I thought this would be the perfect

0:21:26.800 --> 0:21:31.520
<v Speaker 3>form because this podcast the fifth Hour plausibly you're listening

0:21:31.520 --> 0:21:34.720
<v Speaker 3>because you are a next level fan. Legends like Lucky,

0:21:34.880 --> 0:21:40.240
<v Speaker 3>Tony alf the Alien, Opiner, ferg Dog, Mister nice Guy,

0:21:40.520 --> 0:21:43.520
<v Speaker 3>Jonathan and Delaware. These are big time heavy hitters in

0:21:43.560 --> 0:21:48.800
<v Speaker 3>the Malin Militia, big balls, Bob, and they listen to

0:21:48.920 --> 0:21:51.800
<v Speaker 3>this podcast. So this is just like a tight knit

0:21:51.920 --> 0:21:55.960
<v Speaker 3>group that we've got here. So every radio show, I'm

0:21:56.000 --> 0:21:58.000
<v Speaker 3>gonna go a little zen on you. So every radio

0:21:58.080 --> 0:22:01.480
<v Speaker 3>show worth its salt as a cast of characters. That's

0:22:01.560 --> 0:22:04.960
<v Speaker 3>my belief on talk radio. And if you don't have that, you're.

0:22:04.840 --> 0:22:07.040
<v Speaker 1>Not doing it right. You're not doing it right.

0:22:07.520 --> 0:22:10.600
<v Speaker 3>So there's gotta be to do a radio show the

0:22:10.720 --> 0:22:19.119
<v Speaker 3>right way, there's gotta be rasmatash. There's characters orbiting whoever

0:22:19.200 --> 0:22:21.920
<v Speaker 3>the host is. In this case, it's me like satellites,

0:22:22.400 --> 0:22:26.119
<v Speaker 3>some are closer to the Sun than others. Some are

0:22:26.800 --> 0:22:31.040
<v Speaker 3>burping and some are burning, some are burning up in

0:22:31.160 --> 0:22:35.000
<v Speaker 3>re entry, some others just kind of drifting forever in

0:22:35.080 --> 0:22:38.439
<v Speaker 3>their own strange you know, just kind of a strange

0:22:38.480 --> 0:22:42.159
<v Speaker 3>path around the cosmos. But ours happens to include a

0:22:42.280 --> 0:22:46.560
<v Speaker 3>man on the Malord Militia named mouthwash Mike. So mouthwash

0:22:46.680 --> 0:22:50.640
<v Speaker 3>Mike called up the other night and was really disheveled

0:22:50.720 --> 0:22:54.680
<v Speaker 3>and all that. And some people have feelings about this,

0:22:55.720 --> 0:22:57.960
<v Speaker 3>and some people reached out to me. Some of you

0:22:58.160 --> 0:23:02.000
<v Speaker 3>think we are celebrating mouthwash Mic, others that we are

0:23:02.119 --> 0:23:05.680
<v Speaker 3>exploiting him. Some of you have written into tell me

0:23:05.760 --> 0:23:11.720
<v Speaker 3>your concerns. Others with amusement, and still others with kind

0:23:11.800 --> 0:23:15.200
<v Speaker 3>of righteous indigestion indignation. If I could talk to that,

0:23:15.280 --> 0:23:20.080
<v Speaker 3>what else this righteous indignation that the Ben Maler Show,

0:23:20.240 --> 0:23:23.800
<v Speaker 3>the nighttime airways of Fox Sports Radio would beam this

0:23:24.119 --> 0:23:27.840
<v Speaker 3>voice of mouthwash Mike to six hundred plus radio stations

0:23:27.880 --> 0:23:32.720
<v Speaker 3>around the world. And that's fine. That's the business and

0:23:32.760 --> 0:23:34.639
<v Speaker 3>all that stuff. That's what I say, right, that's the

0:23:34.800 --> 0:23:37.840
<v Speaker 3>exchange rate of talk radio. But I would like to

0:23:37.960 --> 0:23:41.080
<v Speaker 3>reset the board. I want to reset the board here

0:23:41.760 --> 0:23:46.040
<v Speaker 3>because we did not find mouthwash mic.

0:23:46.400 --> 0:23:47.080
<v Speaker 1>He found us.

0:23:47.119 --> 0:23:50.200
<v Speaker 3>I think it's very important. Like some of you don't

0:23:50.320 --> 0:23:53.600
<v Speaker 3>understand how this works. You don't understand any of this works.

0:23:54.240 --> 0:23:56.480
<v Speaker 3>So let me just pause and I'll reset again. I

0:23:56.680 --> 0:23:58.720
<v Speaker 3>did not go out and find mouthwash Mike.

0:23:58.800 --> 0:23:59.840
<v Speaker 1>He found us. Mike.

0:24:00.200 --> 0:24:03.760
<v Speaker 3>Not an algorithm. It's not a targeted ad. It's not

0:24:03.880 --> 0:24:07.560
<v Speaker 3>a viral clip. It's not some made up chat GPT voice.

0:24:07.640 --> 0:24:11.880
<v Speaker 1>It's none of that. He found us.

0:24:12.680 --> 0:24:12.800
<v Speaker 2>You know.

0:24:13.119 --> 0:24:15.639
<v Speaker 3>That's that's the way it is. It's not because of

0:24:15.760 --> 0:24:18.840
<v Speaker 3>a server in Menlo Park thinking that you'll like it.

0:24:20.480 --> 0:24:25.040
<v Speaker 3>He is the purest, in the purest sense, broadcast. That

0:24:25.200 --> 0:24:29.880
<v Speaker 3>is what broadcast is broadcasting. He's out there. You don't

0:24:29.880 --> 0:24:34.040
<v Speaker 3>know who he is. You stumbled across him. Maybe it

0:24:34.200 --> 0:24:40.320
<v Speaker 3>is the magic of radio. It's not narrow casting. It's broadcasting.

0:24:40.760 --> 0:24:43.119
<v Speaker 3>It's not narrow casting to your taste. It's not a

0:24:44.280 --> 0:24:48.000
<v Speaker 3>it's not some Spotify playlist. It's it's a street lamp.

0:24:48.119 --> 0:24:51.600
<v Speaker 3>It shines for everybody. It's not just made for you,

0:24:51.760 --> 0:24:55.680
<v Speaker 3>it's for anybody. And this guy, Mike, I'm not gonna

0:24:55.680 --> 0:24:57.520
<v Speaker 3>sit here and pretend that he doesn't shine.

0:24:57.280 --> 0:24:59.080
<v Speaker 1>Weird, because he does. He's very weird.

0:25:00.000 --> 0:25:02.679
<v Speaker 3>This is a man who once showed up to our

0:25:02.760 --> 0:25:07.600
<v Speaker 3>listener event, the Malar Meet and greet with a half

0:25:07.920 --> 0:25:12.120
<v Speaker 3>drunk bottle of a quit that's the Walmart brand original

0:25:12.240 --> 0:25:17.000
<v Speaker 3>anti septic mouthwash, the gold bottle be kind you buy

0:25:17.359 --> 0:25:21.040
<v Speaker 3>at Walmart when you're giving, you're giving a couple of

0:25:21.080 --> 0:25:24.119
<v Speaker 3>bucks on your EBT card and you can't afford a

0:25:24.160 --> 0:25:24.680
<v Speaker 3>brand name.

0:25:25.520 --> 0:25:27.359
<v Speaker 1>And he would wave that around like.

0:25:27.480 --> 0:25:33.120
<v Speaker 3>A championship belt, a totem passport. Our guy mouthwash, Mike,

0:25:33.720 --> 0:25:38.400
<v Speaker 3>who this guy has given us amazing stories. He tried

0:25:38.440 --> 0:25:41.680
<v Speaker 3>to get us to go swim at the Bolagio fountains.

0:25:42.320 --> 0:25:44.480
<v Speaker 3>He swims there like it's his private country club.

0:25:44.920 --> 0:25:46.400
<v Speaker 1>We are not allowed to do that. You're not allowed

0:25:46.440 --> 0:25:48.159
<v Speaker 1>to swim. I do it anyway. What are they gonna do?

0:25:48.560 --> 0:25:50.120
<v Speaker 1>They're gonna come drag me out of the water.

0:25:51.000 --> 0:25:53.359
<v Speaker 3>So he does that right, swimming at the Bolagio founds,

0:25:53.960 --> 0:25:57.040
<v Speaker 3>and he'll scale the fence over at Caesar's Palace like

0:25:57.280 --> 0:26:02.080
<v Speaker 3>Spider Man, spider Many man after a three day bender.

0:26:02.840 --> 0:26:05.200
<v Speaker 1>So does this sound tragic? Yes?

0:26:06.320 --> 0:26:10.199
<v Speaker 3>Yes, a man who is addicted to the Walmart Equate

0:26:10.320 --> 0:26:13.320
<v Speaker 3>original anti separtic mouthwash does not sound good.

0:26:14.000 --> 0:26:17.440
<v Speaker 1>Does it sound comic? Yes, it does.

0:26:18.480 --> 0:26:22.320
<v Speaker 3>And in the dissonance of this is kind of a

0:26:22.359 --> 0:26:25.719
<v Speaker 3>whole point. Mike mouthwash. Mike is a character on an

0:26:25.760 --> 0:26:29.440
<v Speaker 3>overnight radio show. That is what he is, and in

0:26:29.560 --> 0:26:32.159
<v Speaker 3>many ways he is, whether you want to admit it

0:26:32.280 --> 0:26:35.520
<v Speaker 3>or not, part of the show's mythology. Now, and this

0:26:35.680 --> 0:26:37.320
<v Speaker 3>is not new, and some of you are new to

0:26:37.359 --> 0:26:38.919
<v Speaker 3>the show, and God bless you for joining us.

0:26:38.960 --> 0:26:40.359
<v Speaker 1>Thank God for that. But those of you that have

0:26:40.440 --> 0:26:41.280
<v Speaker 1>been with me a long.

0:26:41.200 --> 0:26:49.360
<v Speaker 3>Time, sports radio, especially overnight sports talk radio, has always

0:26:49.400 --> 0:26:55.040
<v Speaker 3>been fueled by the bazaar, but in my era of

0:26:55.160 --> 0:27:00.880
<v Speaker 3>sports radio by what I'd call booze infested poets. Booze

0:27:01.280 --> 0:27:05.480
<v Speaker 3>infested poets, Benny's booze infested poets. These are some of

0:27:05.520 --> 0:27:08.679
<v Speaker 3>the most important people that have helped prop me up,

0:27:08.720 --> 0:27:11.520
<v Speaker 3>put me on a pedestal legends like the Great Genie

0:27:11.560 --> 0:27:17.879
<v Speaker 3>in Medford, Jimmy Ray from Tampa Bay beer drinking Brian Moonshine,

0:27:18.040 --> 0:27:21.960
<v Speaker 3>Mark you can build a wing in the Hall of

0:27:22.080 --> 0:27:26.119
<v Speaker 3>Fame of radio callers for these people. Now, some of

0:27:26.200 --> 0:27:28.080
<v Speaker 3>you know who these people are. Genie Metford was a

0:27:28.160 --> 0:27:29.960
<v Speaker 3>very big star. She's been gone for a number of years.

0:27:30.000 --> 0:27:34.160
<v Speaker 3>Jimmy Ray from Tampa Bay beer drinking, Brian Moonshine Mark,

0:27:34.240 --> 0:27:38.399
<v Speaker 3>all important names. All of them important names, right, And

0:27:38.520 --> 0:27:42.719
<v Speaker 3>they all lived on the fringes of society that they

0:27:42.760 --> 0:27:45.920
<v Speaker 3>would thrive at two or three in the morning on

0:27:46.000 --> 0:27:52.200
<v Speaker 3>the phone to the Ben Maller Show. That was their Broadway,

0:27:52.600 --> 0:27:55.520
<v Speaker 3>that was their Carnegie Hall, that was their big stage.

0:27:56.240 --> 0:28:00.200
<v Speaker 3>And the thing is, you cannot manufacture this. I tell people, well,

0:28:00.520 --> 0:28:03.800
<v Speaker 3>I have friends of mine. They're in the social media world.

0:28:03.840 --> 0:28:06.119
<v Speaker 3>That's their only world. It's like, it's totally different than

0:28:06.160 --> 0:28:10.040
<v Speaker 3>what I do. What I do is I can't It's different.

0:28:10.160 --> 0:28:13.119
<v Speaker 3>It's a different skill set. You cannot manufacturers. You cannot

0:28:14.040 --> 0:28:18.840
<v Speaker 3>program mouthwash mic into existence in chat GPT. He exists

0:28:19.160 --> 0:28:24.679
<v Speaker 3>in the wild, in hospital emergency rooms, in jail cells,

0:28:24.960 --> 0:28:29.480
<v Speaker 3>on sidewalks, sleeping in Las Vegas with a mouthful of

0:28:29.560 --> 0:28:34.600
<v Speaker 3>anti septic courage. Now, we don't use him any more

0:28:34.680 --> 0:28:37.600
<v Speaker 3>than a lighthouse us as a shipwreck. We just shine

0:28:37.640 --> 0:28:40.640
<v Speaker 3>a light and sometimes he sails into it.

0:28:40.720 --> 0:28:44.520
<v Speaker 1>I give out the number, and whoever calls calls, whoever

0:28:44.680 --> 0:28:45.280
<v Speaker 1>calls calls.

0:28:45.520 --> 0:28:50.520
<v Speaker 3>If you're looking for dignity, right, it's there. It's not

0:28:50.800 --> 0:28:56.080
<v Speaker 3>some kind of hallmark kind of dignity. Mouthwash Mic. He

0:28:56.200 --> 0:29:01.120
<v Speaker 3>may be a mess, but he is authentic. Yeah, and

0:29:01.240 --> 0:29:03.040
<v Speaker 3>that to me, that's important. We live in an era

0:29:03.160 --> 0:29:07.040
<v Speaker 3>where everything is curated, staged and polished for likes and

0:29:07.200 --> 0:29:11.720
<v Speaker 3>retweets and all that crap, and on some level in

0:29:11.800 --> 0:29:16.720
<v Speaker 3>the multiverse, there's a certain nobility in that that he

0:29:16.920 --> 0:29:23.400
<v Speaker 3>is the opposite of filtered. It is raw, unfiltered, unprocessed.

0:29:23.520 --> 0:29:28.320
<v Speaker 3>That's mouthwashed Mike. And we don't know how mike story.

0:29:28.120 --> 0:29:28.520
<v Speaker 1>Is going to end.

0:29:28.520 --> 0:29:31.880
<v Speaker 3>We don't know how mouthwashed Mike's story is going to

0:29:31.960 --> 0:29:35.680
<v Speaker 3>ultimately end. And while I suspect it will not be

0:29:35.760 --> 0:29:38.560
<v Speaker 3>a pretty ending and it's not going to go that well,

0:29:39.960 --> 0:29:44.120
<v Speaker 3>that is not my role in this story. I am

0:29:44.280 --> 0:29:46.040
<v Speaker 3>just doing a talk show and those that want to

0:29:46.040 --> 0:29:49.200
<v Speaker 3>be part can be part. We have encouraged mouthwash Mic

0:29:49.280 --> 0:29:52.880
<v Speaker 3>to get the proper help, and he has chosen to

0:29:53.120 --> 0:29:57.360
<v Speaker 3>not listen to us. However, for now and however long

0:29:57.440 --> 0:30:01.040
<v Speaker 3>this lasts, we're just going to enjoy it. Mouthwash Mike

0:30:01.160 --> 0:30:05.000
<v Speaker 3>is part of our family. He's part of our chorus.

0:30:05.120 --> 0:30:10.320
<v Speaker 3>He's just another voice on the overnight opera. And that's

0:30:10.840 --> 0:30:12.880
<v Speaker 3>what this is, right. The Mallard Militias a bunch of

0:30:13.000 --> 0:30:16.040
<v Speaker 3>random people that have come together to provide entertainment to

0:30:16.120 --> 0:30:18.680
<v Speaker 3>other people that would never call a radio show characters.

0:30:19.480 --> 0:30:21.560
<v Speaker 1>Some are louder than others.

0:30:21.400 --> 0:30:24.400
<v Speaker 3>Like Scream and Steven or Scream and Steve, and others

0:30:24.440 --> 0:30:26.760
<v Speaker 3>are rather quiet, and a lot of you will never

0:30:26.880 --> 0:30:32.000
<v Speaker 3>call the show. And like all the great characters who

0:30:32.120 --> 0:30:34.400
<v Speaker 3>have wandered on to the stage on the Ben Maler

0:30:34.480 --> 0:30:42.520
<v Speaker 3>Show before mouthwash Mike, he makes what we do bigger, stranger, fun,

0:30:43.400 --> 0:30:49.400
<v Speaker 3>and just more alive. Because radio overnight radio kind of

0:30:49.440 --> 0:30:55.080
<v Speaker 3>like mouthwash. It's not meant to be spit out. It's

0:30:55.240 --> 0:30:59.320
<v Speaker 3>meant to be swallowed whole. Of course, I say mouthwash.

0:30:59.320 --> 0:31:01.680
<v Speaker 3>If your mouthwash, Mike, you swallow a hole. For most people,

0:31:01.720 --> 0:31:06.120
<v Speaker 3>you're not supposed to swallow mouthwash. But what we do,

0:31:06.600 --> 0:31:10.200
<v Speaker 3>you're just supposed to absorb and enjoy. All Right, On

0:31:10.320 --> 0:31:12.440
<v Speaker 3>that note, we will get out. Hopefully Danny g will

0:31:12.520 --> 0:31:16.120
<v Speaker 3>join me tomorrow for the mail Bag. Got a full

0:31:16.240 --> 0:31:20.840
<v Speaker 3>day of college football today. We're looking forward to that.

0:31:20.960 --> 0:31:24.280
<v Speaker 3>I will be perusing I got a lot going on today,

0:31:24.280 --> 0:31:26.240
<v Speaker 3>but I will be watching the college football. I will

0:31:26.320 --> 0:31:29.000
<v Speaker 3>probably watch most of it on my phone as I

0:31:29.040 --> 0:31:32.440
<v Speaker 3>will not be home today of some things I have

0:31:32.560 --> 0:31:38.600
<v Speaker 3>to do. My presence has been requested at multiple events. Why,

0:31:39.400 --> 0:31:42.160
<v Speaker 3>I couldn't tell you. I'm being dragged. But I will

0:31:42.200 --> 0:31:45.600
<v Speaker 3>make the most of those events. We'll see where that

0:31:46.680 --> 0:31:49.040
<v Speaker 3>where that ends up leading us, where that ends up

0:31:49.080 --> 0:31:51.360
<v Speaker 3>leading us. But there are some interesting gambles we'll see.

0:31:51.440 --> 0:31:53.960
<v Speaker 3>I can't imagine arch Manning is going to have. That's

0:31:53.960 --> 0:31:56.960
<v Speaker 3>an early game this morning here our time here on

0:31:57.000 --> 0:32:00.240
<v Speaker 3>the West coast. But Texas plays San Jose State, which

0:32:00.360 --> 0:32:02.280
<v Speaker 3>is a just what the doctor ordered the game for

0:32:02.440 --> 0:32:05.600
<v Speaker 3>arch Manning to put up four touchdown passes and three

0:32:05.680 --> 0:32:09.880
<v Speaker 3>hundred yards against the Spartans old Spartey of San Jose

0:32:10.080 --> 0:32:13.560
<v Speaker 3>and San Jose State, and then Texas can get back

0:32:14.200 --> 0:32:15.040
<v Speaker 3>on track.

0:32:14.920 --> 0:32:15.680
<v Speaker 1>In that game.

0:32:15.920 --> 0:32:20.880
<v Speaker 3>And then there's not too many really great matchups today.

0:32:20.880 --> 0:32:24.280
<v Speaker 3>I guess Oklahoma State, which is not ranked, and Oregon

0:32:25.240 --> 0:32:28.520
<v Speaker 3>that should be pretty good. That you know it is

0:32:28.600 --> 0:32:31.160
<v Speaker 3>a big point spread, as a big point spread in

0:32:31.240 --> 0:32:34.360
<v Speaker 3>that game, but you'd assume the position.

0:32:34.920 --> 0:32:38.960
<v Speaker 1>That you should get at least half a game.

0:32:38.840 --> 0:32:41.040
<v Speaker 3>From Oklahoma State, and then again, the big one wud

0:32:41.040 --> 0:32:43.600
<v Speaker 3>be Michigan and Oklahoma a couple of blue bloods. That

0:32:43.760 --> 0:32:49.680
<v Speaker 3>game not until tonight in beautiful Norman, Oklahoma, one of

0:32:49.720 --> 0:32:53.280
<v Speaker 3>the great venues of college football. All Right, anyway, we'll

0:32:53.480 --> 0:32:55.360
<v Speaker 3>watch all that, We'll deal with that at another time,

0:32:55.440 --> 0:32:56.280
<v Speaker 3>mailbag tomorrow.

0:32:56.320 --> 0:32:59.880
<v Speaker 1>Have a great rest of your Saturday. And as Danny

0:33:00.080 --> 0:33:08.040
<v Speaker 1>G would say, later skater or was that Austa pasta? Now? Yeah,

0:33:08.280 --> 0:33:10.760
<v Speaker 1>and don't forget. Don't forget to follow Benny vs.

0:33:10.880 --> 0:33:14.840
<v Speaker 3>Penny at Benny Vspenny on YouTube at Benny Vspenny on YouTube.

0:33:15.080 --> 0:33:15.800
<v Speaker 1>Have a great day.

0:33:16.800 --> 0:33:17.720
<v Speaker 3>Gotta murder, I gotta go