1 00:00:00,200 --> 00:00:03,440 Speaker 1: Now here's a highlight from Coast to Coast am on 2 00:00:03,560 --> 00:00:06,800 Speaker 1: iHeart Radio and welcome back to Coast to Coast George 3 00:00:06,840 --> 00:00:10,119 Speaker 1: Norri with you. Joe Diamond may look like a normal guy, 4 00:00:10,160 --> 00:00:12,879 Speaker 1: but he has turned his fascination for the strange and 5 00:00:12,920 --> 00:00:16,880 Speaker 1: mysterious into a full time career. He is even a 6 00:00:16,920 --> 00:00:21,560 Speaker 1: world record holder for solving the world's largest corn maze blindfolded. 7 00:00:22,000 --> 00:00:25,759 Speaker 1: He even hacked the Pentagon on live radio. Yep, we'll 8 00:00:25,800 --> 00:00:29,080 Speaker 1: talk about that. He's the longest artist in residence at 9 00:00:29,080 --> 00:00:31,720 Speaker 1: the Dull Mansion and Crystal Lake, Illinois, and he's the 10 00:00:31,760 --> 00:00:37,240 Speaker 1: official mind reader that the luxurious Maxwell Mansion in Lake Geneva, Wisconsin. 11 00:00:37,800 --> 00:00:41,519 Speaker 1: Both historic buildings are haunted. Joe, welcome back. How have 12 00:00:41,560 --> 00:00:45,400 Speaker 1: you been? I have been good, George. It's great to 13 00:00:45,400 --> 00:00:47,240 Speaker 1: talk to you. It's great to hear your voice, and 14 00:00:47,400 --> 00:00:49,360 Speaker 1: it's great to be back on the program. Great to 15 00:00:49,360 --> 00:00:51,959 Speaker 1: have you bat. I had such a great response when 16 00:00:52,000 --> 00:00:55,280 Speaker 1: you were on with me last year. I'm glad you're back. 17 00:00:55,680 --> 00:00:59,280 Speaker 1: I'm glad you're back. So how is America's greatest mind reader? 18 00:01:02,480 --> 00:01:05,280 Speaker 1: Let me just read his mind real quick. He's good. 19 00:01:05,520 --> 00:01:10,360 Speaker 1: He's good. It's been a whirlwind since since the last 20 00:01:10,400 --> 00:01:13,200 Speaker 1: time I was on the show, I've been traveling all 21 00:01:13,200 --> 00:01:17,040 Speaker 1: over the country doing shows in various theaters. You know, 22 00:01:17,160 --> 00:01:19,959 Speaker 1: the first time I was on the show, I was 23 00:01:20,000 --> 00:01:23,240 Speaker 1: doing mind rooting shows over zoom because we were all 24 00:01:23,959 --> 00:01:26,959 Speaker 1: still under a lockdown at the time and travel restrictions 25 00:01:27,319 --> 00:01:31,280 Speaker 1: were very you know, emphasis on the strict But now 26 00:01:31,400 --> 00:01:34,200 Speaker 1: that everything is opening back up, I've been able to 27 00:01:34,280 --> 00:01:37,960 Speaker 1: travel all over the country, and the last year I've 28 00:01:37,959 --> 00:01:40,800 Speaker 1: been to both coasts, literally coast to coast, just like 29 00:01:40,880 --> 00:01:44,000 Speaker 1: on your program. I went to Our Harbor, Maine and 30 00:01:44,080 --> 00:01:47,600 Speaker 1: did a run of shows that a lovely improv theater there. 31 00:01:48,120 --> 00:01:52,120 Speaker 1: I did a couple of corporate events in Austin, Texas, 32 00:01:52,120 --> 00:01:58,800 Speaker 1: and also filmed and content for my friends YouTube programs. 33 00:01:58,840 --> 00:02:03,880 Speaker 1: He actually has his own own production company on a 34 00:02:03,920 --> 00:02:08,560 Speaker 1: former could compound down there and former nudist colony, which 35 00:02:08,600 --> 00:02:11,040 Speaker 1: is pretty pretty amazing. And so yeah, when we're there, 36 00:02:11,120 --> 00:02:15,160 Speaker 1: it's a it's a literally a magical place that you 37 00:02:15,200 --> 00:02:17,400 Speaker 1: can kind of feel the history of. They have a 38 00:02:17,440 --> 00:02:21,800 Speaker 1: literal stone circle where they used to have quote unquote 39 00:02:21,840 --> 00:02:27,440 Speaker 1: meetings and camp fires. Um, so, so that's always exciting 40 00:02:27,480 --> 00:02:29,679 Speaker 1: to go there. And then uh, and then Yeah. This 41 00:02:29,840 --> 00:02:33,640 Speaker 1: last Halloween, I teamed up with a good good friend 42 00:02:33,639 --> 00:02:38,400 Speaker 1: of mine, a psychic medium, and we did shows in 43 00:02:38,480 --> 00:02:41,160 Speaker 1: the Dull Mansion in Crystal Lake. I did my mind 44 00:02:41,200 --> 00:02:44,320 Speaker 1: reading show to start the evening off, and then she 45 00:02:44,480 --> 00:02:48,679 Speaker 1: did a paranormal ghost tours of the mansion afterwards for 46 00:02:48,760 --> 00:02:53,240 Speaker 1: our thirteen VIP ticket holders. And that was all Halloween weekend. 47 00:02:53,240 --> 00:02:56,120 Speaker 1: And we even did this last or a version of 48 00:02:56,120 --> 00:03:00,040 Speaker 1: it this last weekend for Friday the thirteenth, where I 49 00:03:00,040 --> 00:03:02,120 Speaker 1: started the evening off with some mind reading and then 50 00:03:02,160 --> 00:03:04,960 Speaker 1: she held a seance for the second hour. J also, 51 00:03:05,120 --> 00:03:10,040 Speaker 1: what keeps driving you? I mean, you're so busy. Oh, 52 00:03:11,200 --> 00:03:14,440 Speaker 1: a lot of things. I think a big part of 53 00:03:14,480 --> 00:03:19,880 Speaker 1: it is the just the feeling of being blessed because 54 00:03:19,960 --> 00:03:25,360 Speaker 1: I used to grow up reading all these books about 55 00:03:25,680 --> 00:03:30,800 Speaker 1: you know, people like Urie Geller, people like you know. 56 00:03:31,000 --> 00:03:33,680 Speaker 1: Just Urie is going to be my guest Friday night. 57 00:03:33,680 --> 00:03:36,320 Speaker 1: By the way, I'll tell him. The fact I'm on 58 00:03:36,360 --> 00:03:39,000 Speaker 1: the show period as a dream come true. The fact 59 00:03:39,040 --> 00:03:41,320 Speaker 1: I'm going to be on within a week of him 60 00:03:41,360 --> 00:03:44,720 Speaker 1: is amazing. I did get a chance when I hosted 61 00:03:44,720 --> 00:03:49,080 Speaker 1: a radio show for a few years in the Wiscontinary 62 00:03:49,160 --> 00:03:51,040 Speaker 1: I did get a chance to have him as a 63 00:03:51,120 --> 00:03:55,040 Speaker 1: guest and that is still up on YouTube. Wonderful, wonderful 64 00:03:55,120 --> 00:03:59,400 Speaker 1: human being one of my childhood heroes and just still 65 00:03:59,400 --> 00:04:03,680 Speaker 1: a fascinating human. And yeah, and the fact that, like, 66 00:04:03,800 --> 00:04:06,760 Speaker 1: I get to all the stuff I used to play 67 00:04:06,880 --> 00:04:10,120 Speaker 1: make believe with as a kid. I used to read 68 00:04:10,200 --> 00:04:14,040 Speaker 1: books on you know, magic and spells and UFOs and 69 00:04:14,120 --> 00:04:20,760 Speaker 1: crop circles and haunted locations. I used to watch the 70 00:04:20,839 --> 00:04:26,680 Speaker 1: movie groundhog Day with Bill Murray. O yeah, yeahsinuely and 71 00:04:26,880 --> 00:04:31,480 Speaker 1: uh and funny story. I was born in Woodstock, Illinois, 72 00:04:31,480 --> 00:04:35,840 Speaker 1: where they filmed that movie. It's not Punk Sutony, Pennsylvania. 73 00:04:35,920 --> 00:04:40,119 Speaker 1: It is Woodstock, Illinois standing in for Pennsylvania. It's also 74 00:04:40,160 --> 00:04:44,560 Speaker 1: where Orson Wells is from. And uh so yeah, so 75 00:04:44,680 --> 00:04:47,320 Speaker 1: seeing that you know, my hometown literally in a movie 76 00:04:47,600 --> 00:04:50,960 Speaker 1: was kind of surreal and awesome. And that got me 77 00:04:51,000 --> 00:04:55,040 Speaker 1: into Ghostbusters and the paranormal and all this stuff I 78 00:04:55,080 --> 00:04:58,359 Speaker 1: got to make believe with as a kid got to 79 00:04:58,400 --> 00:05:02,839 Speaker 1: be my actual career as I grew up. So I 80 00:05:02,880 --> 00:05:08,280 Speaker 1: think the the drive literally comes from just you know, 81 00:05:08,440 --> 00:05:10,760 Speaker 1: wanting to make all that stuff I got to make 82 00:05:10,839 --> 00:05:14,480 Speaker 1: believe as a kid a reality now as an adult, 83 00:05:14,960 --> 00:05:17,640 Speaker 1: what would you coin yourself as Joe if you had 84 00:05:17,680 --> 00:05:21,200 Speaker 1: to come up with a title? Uh? You know a 85 00:05:21,200 --> 00:05:24,960 Speaker 1: lot of people have asked me that that question. I liked. 86 00:05:26,839 --> 00:05:29,520 Speaker 1: I like mind Reader just because it doesn't it doesn't 87 00:05:29,560 --> 00:05:33,280 Speaker 1: have a lot of baggage like uh like the term psychic. 88 00:05:33,360 --> 00:05:37,880 Speaker 1: Even Uri Geller himself has has you know, stuck with 89 00:05:38,320 --> 00:05:42,120 Speaker 1: you know, mystifier and spoon bender, mentalist and so and 90 00:05:42,200 --> 00:05:48,080 Speaker 1: so on mentalist. Uh. I don't this, this is gonna 91 00:05:48,120 --> 00:05:53,719 Speaker 1: sound very strange. I don't feel comfortable with the title 92 00:05:53,839 --> 00:05:57,839 Speaker 1: psychic because I believe we're all psychic, and I'd be 93 00:05:57,960 --> 00:06:00,880 Speaker 1: like just saying I'm human. Yeah, like a Hi, I'm 94 00:06:00,960 --> 00:06:03,919 Speaker 1: Joe Diamond, I'm a human. You know. I believe we 95 00:06:03,960 --> 00:06:07,279 Speaker 1: all have you know, these abilities to a large degree, 96 00:06:07,960 --> 00:06:10,160 Speaker 1: which is why I have no problem saying, you know, 97 00:06:10,279 --> 00:06:14,800 Speaker 1: I have you know, psychic abilities, intuitive abilities, because I 98 00:06:14,800 --> 00:06:17,800 Speaker 1: think we all do. We all have the ability to 99 00:06:18,400 --> 00:06:21,680 Speaker 1: you know, tune into each other. We've all had moments 100 00:06:21,720 --> 00:06:25,760 Speaker 1: of premonition, We've all had moments of you know, coincidence 101 00:06:25,839 --> 00:06:28,640 Speaker 1: or synchronicity. It's just a matter of you know, I'm 102 00:06:28,640 --> 00:06:31,159 Speaker 1: not saying there's always something more but there could be, 103 00:06:31,279 --> 00:06:36,240 Speaker 1: and that's important to pay attention to. And so I think, 104 00:06:36,960 --> 00:06:41,080 Speaker 1: I think, yeah, I kind of just rely on you know, 105 00:06:41,400 --> 00:06:45,400 Speaker 1: me being me. Now. A few years ago, you yourself 106 00:06:45,440 --> 00:06:49,280 Speaker 1: and a couple of magazines started calling me America's greatest 107 00:06:49,320 --> 00:06:53,480 Speaker 1: mind reader, and that has kind of stuck. So I'll 108 00:06:53,560 --> 00:06:56,240 Speaker 1: take that, and I think, you know, that's that's what 109 00:06:56,440 --> 00:06:59,320 Speaker 1: the when I when I tour, now, that's what they 110 00:06:59,320 --> 00:07:02,240 Speaker 1: put on the posts and everything, because that's what I do. 111 00:07:02,279 --> 00:07:06,320 Speaker 1: I stand on stage and tell people details like names 112 00:07:06,320 --> 00:07:10,560 Speaker 1: of their friends and family, their star signs. Sometimes even 113 00:07:10,600 --> 00:07:14,600 Speaker 1: we get into like secret memories. Occasionally, you know, with 114 00:07:14,680 --> 00:07:19,960 Speaker 1: people's permission, I'll try and guess their their pincade or 115 00:07:20,080 --> 00:07:23,920 Speaker 1: like an old pincade or like an old password. And 116 00:07:23,960 --> 00:07:27,000 Speaker 1: then my favorite thing to do lately is to show 117 00:07:27,080 --> 00:07:30,400 Speaker 1: how ingrain this is with all of us, and then 118 00:07:30,720 --> 00:07:33,720 Speaker 1: you know, send thoughts out to the audience and see 119 00:07:33,720 --> 00:07:36,720 Speaker 1: how many people pick up on it. Because again, I 120 00:07:36,760 --> 00:07:40,520 Speaker 1: do believe telepathy is a two way street. So but 121 00:07:40,680 --> 00:07:44,400 Speaker 1: I prefer to see myself first and foremost as an artist, 122 00:07:44,520 --> 00:07:48,280 Speaker 1: as a purveyor of mystery. Like when people come to 123 00:07:48,360 --> 00:07:51,360 Speaker 1: my shows, you know they're coming. I try to think 124 00:07:51,400 --> 00:07:53,800 Speaker 1: of it as like a real life Twilight Zone episode. 125 00:07:53,800 --> 00:07:58,480 Speaker 1: They're coming to you know, a haunted location. There's only 126 00:07:58,520 --> 00:08:01,960 Speaker 1: thirteen tickets available. Why are there only thirteen tickets available? 127 00:08:02,560 --> 00:08:04,480 Speaker 1: Or even you know one of my big theater shows 128 00:08:04,480 --> 00:08:08,520 Speaker 1: I've got coming up in which is tied to that 129 00:08:08,600 --> 00:08:12,160 Speaker 1: Groundhog Day movie, which we can talk about later. You know, 130 00:08:12,640 --> 00:08:15,360 Speaker 1: we're coming to this historic location. We're going to be 131 00:08:15,400 --> 00:08:17,320 Speaker 1: locked in a room with a with a man who 132 00:08:17,360 --> 00:08:21,400 Speaker 1: can just look at us and read our minds. You 133 00:08:21,400 --> 00:08:24,120 Speaker 1: know what what is that going to look like? And 134 00:08:24,360 --> 00:08:27,200 Speaker 1: I get to not just you know, write an episode 135 00:08:27,200 --> 00:08:28,960 Speaker 1: of the Twilight Zone, but I get to put people 136 00:08:29,040 --> 00:08:32,839 Speaker 1: through that in real life. You've you've got a theater 137 00:08:32,960 --> 00:08:35,439 Speaker 1: show coming where four hundred plus people are going to 138 00:08:35,480 --> 00:08:38,400 Speaker 1: be there, right, Yeah, you're going to read their minds, 139 00:08:38,440 --> 00:08:43,480 Speaker 1: all of them kind of yes. So the way the 140 00:08:43,520 --> 00:08:47,000 Speaker 1: show is going to work, it is at the Woodstock 141 00:08:47,120 --> 00:08:52,920 Speaker 1: Opera House now going back to high day, Yes, in Woodstock, Illinois. 142 00:08:53,760 --> 00:08:57,040 Speaker 1: In the movie Groundhog Day, when Bill Murray jumps out 143 00:08:57,040 --> 00:08:59,640 Speaker 1: of that building, there's a sequence in the movie where 144 00:08:59,679 --> 00:09:02,840 Speaker 1: he's just you know, killing himself over and over because 145 00:09:02,880 --> 00:09:05,560 Speaker 1: he's reliving the same day, over and over, and at 146 00:09:05,600 --> 00:09:08,840 Speaker 1: one point he jumps out of a large tower. That 147 00:09:09,000 --> 00:09:12,000 Speaker 1: is the Woodstock Opera House. It is one of the 148 00:09:12,000 --> 00:09:16,360 Speaker 1: most haunted locations in the state. It is the first 149 00:09:16,360 --> 00:09:20,040 Speaker 1: stage Orson Wells ever directed a play on. It's also 150 00:09:20,080 --> 00:09:23,760 Speaker 1: the first stage he ever acted on. And there's lots 151 00:09:23,800 --> 00:09:26,280 Speaker 1: of great history. There are lots of amazing people have 152 00:09:26,360 --> 00:09:29,439 Speaker 1: gone through there, and it has been my dream for 153 00:09:29,559 --> 00:09:34,120 Speaker 1: years to do a show there, and they reached out 154 00:09:34,280 --> 00:09:37,280 Speaker 1: to me at the end of last year about doing 155 00:09:37,320 --> 00:09:40,680 Speaker 1: my full evening show and I will be doing that. 156 00:09:40,840 --> 00:09:45,120 Speaker 1: And the ground floor is already pretty much sold out 157 00:09:45,400 --> 00:09:49,719 Speaker 1: at the time of us talking right now. I think 158 00:09:49,720 --> 00:09:53,480 Speaker 1: there's like three or four single seats left on the 159 00:09:53,520 --> 00:09:57,120 Speaker 1: ground for there's still thank you, thank you, And there's 160 00:09:57,120 --> 00:09:59,920 Speaker 1: still you know, over one hundred seats left in the balcony. 161 00:10:00,040 --> 00:10:02,280 Speaker 1: That's where it's going to get really fun. I actually 162 00:10:02,280 --> 00:10:05,400 Speaker 1: put together, I restructured one of the pieces that I 163 00:10:05,520 --> 00:10:10,200 Speaker 1: normally do in my shows, specifically for using someone in 164 00:10:10,240 --> 00:10:14,920 Speaker 1: the balcony. So the way the shows normally work is 165 00:10:15,400 --> 00:10:18,600 Speaker 1: when I'm brought into a theater or like a company 166 00:10:18,640 --> 00:10:21,640 Speaker 1: event or something like that, you know, I usually have 167 00:10:22,200 --> 00:10:25,760 Speaker 1: the CEO or you know someone everyone in the group, 168 00:10:25,840 --> 00:10:28,880 Speaker 1: or like the high school for example, knows, you know, 169 00:10:28,920 --> 00:10:31,360 Speaker 1: pick the people that way. They know nothing is set 170 00:10:31,440 --> 00:10:36,120 Speaker 1: up ahead of time in this show, because it's going 171 00:10:36,160 --> 00:10:38,559 Speaker 1: to be so close to Groundhog Day and the groundhog 172 00:10:38,640 --> 00:10:41,920 Speaker 1: is literally the most famous pykic in town, the gag 173 00:10:41,960 --> 00:10:44,240 Speaker 1: is going to be I am the second most famous 174 00:10:44,240 --> 00:10:46,400 Speaker 1: bikic in town. So we're going to have a little 175 00:10:47,600 --> 00:10:51,240 Speaker 1: stuffed animal groundhog. It's really cute and really soft, and 176 00:10:51,240 --> 00:10:53,080 Speaker 1: we're a toss that around the room to pick people 177 00:10:53,120 --> 00:10:56,000 Speaker 1: at random, including up in the balcony. That way, everyone 178 00:10:56,080 --> 00:10:58,000 Speaker 1: knows there's no way anything can be set up. And 179 00:10:58,040 --> 00:11:03,839 Speaker 1: also it being my hometown, there will be people who 180 00:11:04,200 --> 00:11:07,320 Speaker 1: will I will just simply know. I got an email 181 00:11:07,400 --> 00:11:10,679 Speaker 1: from my second grade teacher saying I'll be there. Hello. 182 00:11:10,880 --> 00:11:13,000 Speaker 1: I can't. I can't really be like, oh, I don't 183 00:11:13,000 --> 00:11:17,400 Speaker 1: know you if you know, if if that happened, Joe, 184 00:11:17,480 --> 00:11:19,440 Speaker 1: you've grown up to be such a great young man, 185 00:11:19,600 --> 00:11:25,160 Speaker 1: She'll say, oh, yeah, hopefully hopefully. So I actually do 186 00:11:25,400 --> 00:11:27,160 Speaker 1: um a couple Like I said, I could do a 187 00:11:27,200 --> 00:11:29,600 Speaker 1: couple of points in the show where I think of 188 00:11:29,640 --> 00:11:32,920 Speaker 1: something and I project the thoughts out to the audience, 189 00:11:32,960 --> 00:11:36,280 Speaker 1: and I give them all a chance to read my mind, 190 00:11:36,720 --> 00:11:38,920 Speaker 1: which gives people a chance to see how this stuff 191 00:11:38,960 --> 00:11:42,760 Speaker 1: really works, give people a chance to see what it 192 00:11:42,800 --> 00:11:45,040 Speaker 1: feels like to get it right, but it feels like 193 00:11:45,080 --> 00:11:47,439 Speaker 1: to get it wrong. It also gives me a chance 194 00:11:47,480 --> 00:11:51,000 Speaker 1: to see who else in the room. Um it can be, 195 00:11:51,200 --> 00:11:54,000 Speaker 1: you know, will be perfect for the next part of 196 00:11:54,040 --> 00:11:57,320 Speaker 1: the show. So that's that everyone will be involved in 197 00:11:57,320 --> 00:12:01,120 Speaker 1: that part, my grand finale. The show goes along, each 198 00:12:01,160 --> 00:12:04,640 Speaker 1: experiment uses more and more people. A grand finale alone 199 00:12:05,080 --> 00:12:08,280 Speaker 1: uses about thirty people at once. That's huge. Now is 200 00:12:08,360 --> 00:12:13,120 Speaker 1: there a haunted seat in that theater? Yes, so the 201 00:12:14,720 --> 00:12:18,680 Speaker 1: way that it's been pulled over the years is that 202 00:12:18,880 --> 00:12:23,040 Speaker 1: seat d D one hundred and thirteen. It's up in 203 00:12:23,080 --> 00:12:26,280 Speaker 1: the balcony, is haunted by the ghost of an actress 204 00:12:26,400 --> 00:12:33,720 Speaker 1: named Elvira. Now, legend has it that during rehearsals, when 205 00:12:33,800 --> 00:12:38,199 Speaker 1: actors are on stage and they're doing their lines and 206 00:12:38,280 --> 00:12:40,719 Speaker 1: running through things, when they look up there, they can 207 00:12:40,840 --> 00:12:43,400 Speaker 1: kind of start to see that seat lower as if 208 00:12:43,400 --> 00:12:48,360 Speaker 1: an invisible forces sitting in that seat. And every once 209 00:12:48,360 --> 00:12:52,280 Speaker 1: in a while someone does really well in a scene 210 00:12:52,440 --> 00:12:56,160 Speaker 1: or in a rehearsal, they'll hear applause from up there, 211 00:12:56,200 --> 00:13:00,920 Speaker 1: even though no one is up there now. Of the years, 212 00:13:01,320 --> 00:13:05,719 Speaker 1: people attributed it to the spirit of a woman. There 213 00:13:05,720 --> 00:13:09,600 Speaker 1: are some articles saying that a woman jumped out of 214 00:13:10,000 --> 00:13:12,960 Speaker 1: the tower. There's some article saying that it was a 215 00:13:13,080 --> 00:13:16,880 Speaker 1: scorned lover who was an actress who hanged herself from 216 00:13:16,920 --> 00:13:23,040 Speaker 1: the tower. Unfortunately, the more I looked into it, the 217 00:13:23,080 --> 00:13:27,560 Speaker 1: more we found out that the actress Elvira did not exist. 218 00:13:27,559 --> 00:13:31,640 Speaker 1: It was very likely a campfire story made up by 219 00:13:31,720 --> 00:13:35,880 Speaker 1: Paul Newman while he was an actor there. However, as 220 00:13:36,480 --> 00:13:39,000 Speaker 1: you've talked about on the show before, the more and 221 00:13:39,120 --> 00:13:41,920 Speaker 1: more and more a story is told, the more and 222 00:13:41,960 --> 00:13:44,640 Speaker 1: more can take hold of the mind of other people 223 00:13:45,080 --> 00:13:47,720 Speaker 1: and also a good amount of hauntings. They might not 224 00:13:47,840 --> 00:13:52,640 Speaker 1: be the spirits of departed souls, but they very often 225 00:13:52,679 --> 00:13:56,840 Speaker 1: can be psychokinetic activity, and a lot of times that 226 00:13:56,960 --> 00:14:03,240 Speaker 1: psychokinetic activity can create something known as autopa, which a 227 00:14:03,280 --> 00:14:06,920 Speaker 1: lot of quantum mechanics have actually looked into this, and 228 00:14:06,960 --> 00:14:10,840 Speaker 1: it's basically where the human mind can create a ghost. 229 00:14:10,920 --> 00:14:14,280 Speaker 1: It's where you can tell someone a place that isn't 230 00:14:14,320 --> 00:14:19,800 Speaker 1: haunted is haunted enough, and it starts to take hold, 231 00:14:20,440 --> 00:14:24,040 Speaker 1: which I believe is what's happened with that seat, because 232 00:14:24,760 --> 00:14:28,360 Speaker 1: I have experienced interesting things in that seat. Now, if 233 00:14:28,400 --> 00:14:31,680 Speaker 1: somebody still sits in that seat, does something happen to them. 234 00:14:33,120 --> 00:14:36,520 Speaker 1: Some people have experienced chills when they sat in that 235 00:14:36,560 --> 00:14:41,120 Speaker 1: seat I have. Unfortunately, it's it's so well known, and 236 00:14:41,160 --> 00:14:42,960 Speaker 1: they even have a plaque on that seat, so it 237 00:14:43,000 --> 00:14:46,440 Speaker 1: would be impossible to do any kind of scientific testing 238 00:14:46,560 --> 00:14:49,120 Speaker 1: to like, you know, just for example, bring a medium 239 00:14:49,120 --> 00:14:51,800 Speaker 1: in and see if they could sense anything about that seat. 240 00:14:52,360 --> 00:14:55,520 Speaker 1: That said, there's lots of anecdotal evidence about that seat, 241 00:14:56,040 --> 00:15:00,400 Speaker 1: and I don't know why it's necessarily that exact seat number. 242 00:15:01,120 --> 00:15:06,200 Speaker 1: But again, my theory is that was probably picked at 243 00:15:06,280 --> 00:15:11,160 Speaker 1: random by you know again maybe Paul Newman, or you know, 244 00:15:11,200 --> 00:15:13,200 Speaker 1: he told that story to someone who told the story 245 00:15:13,240 --> 00:15:15,600 Speaker 1: to someone, or maybe it was somewhere up there. I 246 00:15:15,680 --> 00:15:19,080 Speaker 1: think that one on the end. And now that's taken hold, 247 00:15:19,160 --> 00:15:22,600 Speaker 1: and now that has you know, enough people look at 248 00:15:22,640 --> 00:15:25,640 Speaker 1: it and wonder about it and concentrate on it. It 249 00:15:25,840 --> 00:15:32,200 Speaker 1: literally physically manifests something in that seat. That said, too, 250 00:15:32,640 --> 00:15:36,920 Speaker 1: there has been one death in the building. In the building, 251 00:15:37,400 --> 00:15:41,160 Speaker 1: what happened in the building in the early nineteen hundreds, 252 00:15:41,640 --> 00:15:47,239 Speaker 1: a fire broke out during a performance. The audience consisted 253 00:15:47,520 --> 00:15:51,920 Speaker 1: of mostly men. I'll give you a very quick guess 254 00:15:51,960 --> 00:15:54,560 Speaker 1: as to what the performance was, George, and I'm curious 255 00:15:54,560 --> 00:15:58,280 Speaker 1: he can guess what the performance was. The audience was 256 00:15:58,320 --> 00:16:04,960 Speaker 1: completely men. The audience was completely men. Hm, what was 257 00:16:05,000 --> 00:16:09,920 Speaker 1: the performance? I have no idea, Joseph, I'll give you 258 00:16:10,000 --> 00:16:12,840 Speaker 1: one more hint. It was it's it's it's also a sport. 259 00:16:14,680 --> 00:16:19,000 Speaker 1: Is it had to do with baseball? Uh? No, it 260 00:16:19,120 --> 00:16:22,960 Speaker 1: was a boxing match. Oh, it was a boxing match, 261 00:16:23,120 --> 00:16:26,280 Speaker 1: and too, I'm thinking some kind of theater. They had 262 00:16:26,320 --> 00:16:29,440 Speaker 1: a ring there and everything. Uh well, no, it was 263 00:16:29,480 --> 00:16:30,920 Speaker 1: a it was a it was a ring, but they 264 00:16:30,960 --> 00:16:34,760 Speaker 1: did it on the stage. And uh it was it 265 00:16:34,800 --> 00:16:37,440 Speaker 1: a real boxing match or was it part of a play? 266 00:16:37,920 --> 00:16:40,080 Speaker 1: It was it was a real boxing match being held 267 00:16:40,120 --> 00:16:46,080 Speaker 1: in the theater. And uh the two vagrants had broken 268 00:16:46,120 --> 00:16:49,360 Speaker 1: into the basement to keep warm, and they had started 269 00:16:49,360 --> 00:16:55,800 Speaker 1: a fire, and the fire got out of hand, and um, surprisingly, 270 00:16:55,880 --> 00:17:00,080 Speaker 1: the only fatality in the in uh whole building, and 271 00:17:00,240 --> 00:17:05,440 Speaker 1: was one of those two vagrants. All all the boxers, 272 00:17:05,480 --> 00:17:09,800 Speaker 1: all the people in attendance all got out, especially considering 273 00:17:10,160 --> 00:17:13,399 Speaker 1: many of the men leaped out the windows to the 274 00:17:13,880 --> 00:17:17,479 Speaker 1: to the roof of the building next door to escape 275 00:17:17,520 --> 00:17:22,399 Speaker 1: the fires. Fire. Yeah, and the building is still standing, 276 00:17:22,440 --> 00:17:26,960 Speaker 1: which is also very very strange. Um, it was mostly 277 00:17:26,960 --> 00:17:29,560 Speaker 1: smoke that went up, unfortunately a lot of that's where 278 00:17:29,560 --> 00:17:31,440 Speaker 1: they used to keep a lot of records in the town. 279 00:17:32,080 --> 00:17:36,800 Speaker 1: So um, so a lot of previous records of the 280 00:17:36,840 --> 00:17:40,399 Speaker 1: town were lost. And they think this dead vagrant haunts 281 00:17:40,440 --> 00:17:44,560 Speaker 1: the place so well, and well, that's that's what I 282 00:17:44,600 --> 00:17:48,439 Speaker 1: think because eventually, when you know, this story takes hold 283 00:17:48,480 --> 00:17:52,159 Speaker 1: of you know, this made up actress, and you know, 284 00:17:52,320 --> 00:17:54,760 Speaker 1: they keep saying it's this person who's completely made up 285 00:17:55,320 --> 00:17:58,080 Speaker 1: that would probably you know, tick off an actual ghost. 286 00:17:59,280 --> 00:18:02,880 Speaker 1: It could. Those are my two main theories as because 287 00:18:02,880 --> 00:18:06,800 Speaker 1: there's been a lot of stories of phenomena in that building. Now, 288 00:18:06,880 --> 00:18:11,840 Speaker 1: does that haunted seat have anything to do with the vagrant? Um? 289 00:18:11,920 --> 00:18:14,720 Speaker 1: There's something else, nothing that I've been able to find. 290 00:18:15,400 --> 00:18:20,480 Speaker 1: Um again. Uh. The the closest I can connect that 291 00:18:20,560 --> 00:18:23,560 Speaker 1: seat is with the stories of Elvira, which will connect 292 00:18:23,600 --> 00:18:27,000 Speaker 1: with the topa. Um. Maybe and this isn't the elvir 293 00:18:27,160 --> 00:18:30,879 Speaker 1: we know from television, right, No, No, And that's the 294 00:18:30,880 --> 00:18:33,800 Speaker 1: other thing too, Like you know that the name's Alvira, 295 00:18:34,080 --> 00:18:37,840 Speaker 1: Like that's kind of clearly a made up, like you know, 296 00:18:37,920 --> 00:18:40,880 Speaker 1: a couple actors trying to you know, spook each other 297 00:18:41,119 --> 00:18:47,040 Speaker 1: like type of name. You know. Uh, So it's so that, 298 00:18:47,240 --> 00:18:49,920 Speaker 1: But but there's there's some really fun stories about it, 299 00:18:50,359 --> 00:18:52,600 Speaker 1: and there's uh and it's kind of I kind of 300 00:18:52,640 --> 00:18:56,040 Speaker 1: love that it's a legend that has kind of become real, 301 00:18:56,560 --> 00:18:59,159 Speaker 1: you know, that has kind of taken hold for some people. 302 00:18:59,800 --> 00:19:03,320 Speaker 1: But also I think the actual history is fascinating as well. Again, 303 00:19:03,440 --> 00:19:06,760 Speaker 1: like but it is amazing that you know this, you 304 00:19:06,800 --> 00:19:10,399 Speaker 1: know kind of you know, pandemonium broke out of people 305 00:19:11,040 --> 00:19:13,760 Speaker 1: leaping out of one building onto the roof of another, 306 00:19:13,840 --> 00:19:17,960 Speaker 1: and yet only one fatality. That's that's a minor miracle 307 00:19:18,040 --> 00:19:20,720 Speaker 1: in and of itself. 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