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Speaker 1: Hey everyone, it is nineteen and you are listening to

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Speaker 1: my book with the Ihearbating Network or work podcast, And

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Speaker 1: as always I'm employed by my cool said good not

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Speaker 1: my own buddy.

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Speaker 2: Let's go Mets.

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Speaker 1: Oh you know, I'm not even going to get into that.

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Speaker 1: I will say yesterday I must have hard attack with

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Speaker 1: the Eagels, but we pulled it off. And football is

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Speaker 1: my my first love. I like baseball, but football is

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Speaker 1: my thing.

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Speaker 3: So yeah, I will Philadelphia.

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Speaker 4: Yeah, I mean, you know, I have my heart set

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Speaker 4: on the Phillies making it to.

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Speaker 1: The World Series. But you know, it's just not our year.

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Speaker 1: What can I say? What can I say?

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Speaker 3: So breaking out taken out by the mighty Orange and Blue.

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Speaker 1: Baby, congrats to you. I hope you can keep going

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Speaker 1: and you know, maybe you'll go all the way. But

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Speaker 1: you green baby, I play Green.

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Speaker 3: See all the trash I'm talking on X about all

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Speaker 3: the Philly radio stations.

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Speaker 1: I just keep strolling.

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Speaker 2: Oh man, I'm rolling big time. Your name.

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Speaker 1: I just keep scrolling.

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Speaker 2: I'm like trolling like I had never trolled before.

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Speaker 1: You are the biggest troll I know. We do have

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Speaker 1: a guest today, which I'm really excited about. He'll be

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Speaker 1: on in a couple of minutes.

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Speaker 4: But anything that you have to mention before we get started.

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Speaker 3: No, I mean, I've just been baseball twenty four to seven.

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Speaker 3: It's been great, and look it's been great.

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Speaker 2: Hey.

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Speaker 3: It does not come along very often, so right, so

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Speaker 3: I'm out of the loop a little bit, which.

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Speaker 2: Is okay, I'll catch up.

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Speaker 1: It's fine.

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Speaker 3: But after like the McMahon hangover, you know, I I've

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Speaker 3: just been so entrenched in this baseball so you know

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Speaker 3: I'm excited for this today.

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Speaker 1: Yeah, well you you enjoy your baseball. I actually was gonna,

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Speaker 1: you know, do my hair get dressed and stuff like that,

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Speaker 1: but I started watching uh wrestle dream, a w Wreussell dream,

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Speaker 1: and I couldn't stop, and so I ran out of time.

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Speaker 1: So here I am with a wet heead. I pulled

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Speaker 1: my hair back. I put on a comfy outfit. I

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Speaker 1: was like, r J. I'll understand. It's fine. He wants

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Speaker 1: me to always dress in new moves and look like

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Speaker 1: missus Roper, so this outfit will be fine for him

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Speaker 1: to see me in. But I will say, I will

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Speaker 1: say I did enjoy the pay per view. Again, no

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Speaker 1: hatred towards Ae w whatsoever, only part of it, and

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Speaker 1: then like again this the bag came back, the bag

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Speaker 1: over the head came back, and it made me mad

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Speaker 1: because there was a keel turn involved with it. But uh,

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Speaker 1: what happened, Well, it was so Daniel Brian or Brian Danielson.

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Speaker 1: I keep calling him the wrong name.

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Speaker 2: This.

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Speaker 1: I think this is kind of like his farewell.

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Speaker 4: I don't think it's going to be his very last match.

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Speaker 4: I guess maybe he's going to go off and take

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Speaker 4: some time to rehabilitate and get the surgeries that he needs.

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Speaker 4: And maybe I don't know if he's going to be

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Speaker 4: like a part time wrestler, if he's going to be

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Speaker 4: a coach.

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Speaker 1: I don't know. I don't think he's going to leave.

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Speaker 1: We can ask our guests, you know, when he comes

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Speaker 1: if he knows anything about it. But they did a

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Speaker 1: deal with him. Moxley and Moxley got the win, you know,

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Speaker 1: and very very good match and I loved it because

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Speaker 1: they kept the music it going. They started while final

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Speaker 1: countdown was on. I love when they wrestle and the

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Speaker 1: music's blaring, and uh, it's a really really good match.

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Speaker 1: And at the end, you know, all of John's minions

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Speaker 1: came out and is it uh dah, Yes, he turned

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Speaker 1: and he put the bag over Brian's head. So yeah,

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Speaker 1: so you know, I mean, did he really have a

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Speaker 1: choice in the matter. If if Brian's gonna leave for

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Speaker 1: a while, would he have been And they had Darby

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Speaker 1: Allen like they taped his wrist so he couldn't move,

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Speaker 1: so it was like Darby against everyone, and you know,

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Speaker 1: it was a moment. But it was a good pay

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Speaker 1: per view. I enjoyed it. And uh, I don't know,

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Speaker 1: I'm digging their pay per views, like I gotta start

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Speaker 1: watching more, I guess of the weekly, but I am

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Speaker 1: a pay per view kind of grown right now and

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Speaker 1: I just keep watching the pay per views and I'm

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Speaker 1: liking them. They had a great crowd, good stuff.

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Speaker 3: I did see one thing I saw Rico was on

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Speaker 3: one of the one of the hours of the show

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Speaker 3: I saw.

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Speaker 1: I was still a clip of that. It was cute.

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Speaker 1: It was cute they brought him in.

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Speaker 4: I don't know the logistics behind that either, because he's.

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Speaker 1: Been out of a really long time. Wasn't he a

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Speaker 1: cop or something?

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Speaker 3: Yeah, but he also got very sick from what I remember, Okay,

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Speaker 3: And uh yeah, I was surprised. I didn't know he

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Speaker 3: was allowed to take a bump from uh yeah, from

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Speaker 3: hearing how you know he was, you know, kind of

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Speaker 3: out of the business, but he was a cop in Vegas,

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Speaker 3: right and uh great callback to the Billy and Chuck.

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Speaker 1: Uh you know. Not a wedding.

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Speaker 2: It was a commitment ceremony.

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Speaker 3: But I keep saying wedding commitment ceremony, and it.

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Speaker 1: Really was because he got a good Yeah. I was

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Speaker 1: for him. Yeah, that was cool, Yes, very much. So

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Speaker 1: if you haven't seen the pay per view and you're

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Speaker 1: a wrestling fan, I do recommend it. It was fun,

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Speaker 1: it was entertaining, you know, and I enjoyed it immensely.

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Speaker 1: So that's what I was doing today, and that's why

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Speaker 1: I'm not I'm not all dolled up for our guest.

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Speaker 4: But did you send the link? He's ready to go.

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Speaker 4: He's texting me profanities like what's going on, Let's let's

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Speaker 4: go here, what's happening as.

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Speaker 3: A family show.

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Speaker 2: We won't tolerate profit.

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Speaker 1: He you know, every time he contacts me, he curses

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Speaker 1: you like I am like peace and love? What do

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Speaker 1: you what do you get all hyper about?

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Speaker 3: I believe he was a first year guest of a while.

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Speaker 2: It's either first year was COVID year I got.

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Speaker 3: I got to look back in the archive, but I

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Speaker 3: think he was the first year or COVID year, which

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Speaker 3: is the second year. So yeah, for sure, one one

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Speaker 3: or the other.

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Speaker 2: But him and the way early we have made.

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Speaker 1: So many plans in the last I don't know how

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Speaker 1: many years that I've known him. Now, I think I've

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Speaker 1: only met him twice in person, but we've talked several times,

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Speaker 1: like through text online. He'll pop into my Chad, I'll

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Speaker 1: pop into his Look at that face, all right, without

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Speaker 1: further ado, it's my handsome friends. R J City is

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Speaker 1: back for his second appearance on the show.

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Speaker 2: After twenty after twenty years, I'm finally here. Yeah.

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Speaker 1: I was just letting Chad know I was going to

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Speaker 1: get all dolled up for you. But I took a

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Speaker 1: shower right before I made dinner for my family.

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Speaker 2: Right, thank god.

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Speaker 1: Yeah, but listen, it gets better. And I said, oh,

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Speaker 1: I'll just like turn on the paper because I started

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Speaker 1: watching Wrestle Dream last night, and I said, turn on

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Speaker 1: the rest and just watch a little bit and then

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Speaker 1: I'll go get ready. I couldn't stop watching it, so

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Speaker 1: I did not get ready because I fixated it on

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Speaker 1: the pay per view. I really lud it was.

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Speaker 2: A the wrestler dream was so good that I have

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Speaker 2: to bear the brunt?

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Speaker 1: What of me?

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Speaker 2: Well, were you going to get dulled up? What was

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Speaker 2: the outfit? Did you have something in mind?

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Speaker 1: I wasn't really sure. I was at least gonna do

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Speaker 1: my hair, Like I put on a little bit of

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Speaker 1: makeup and then like, yeah, I didn't have time. I

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Speaker 1: ran on the time and I was just like Marjie.

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Speaker 2: Doesn't care, and so no, I don't care.

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Speaker 1: Yeah, I'm in a very comfie outfit. What I wanted

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Speaker 1: to do was put a moomoo one and a wig.

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Speaker 1: I have the moo moo, but I.

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Speaker 4: Didn't have the wig and it was incomplete, so I

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Speaker 4: did not.

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Speaker 2: I understand, Yeah, it would make no sense. But on

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Speaker 2: the other hand, I think it's really nice that Chat

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Speaker 2: got all dolled up from me I did. It's a

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Speaker 2: brand new hat. It's a fifty dollar hat. Come on,

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Speaker 2: that's a fresh hat. That's really nice.

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Speaker 1: He loves in the baseball bullshit and his team.

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Speaker 2: He's very So let's let's talk about Three's company. For

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Speaker 2: a minute, because it's my understanding that Don Knotts did

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Speaker 2: so much fucking uh with you know people. They would

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Speaker 2: always have like the the girl du jour on the show.

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Speaker 2: It's like who's who's Jack interested in this week?

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Speaker 1: And that hell or something like yes, okay.

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Speaker 2: The real yes, yes that soh. But Don was quite

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Speaker 2: a ladies man for a guy who just played the

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Speaker 2: same nervous character for like fifty years. I find it anyway,

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Speaker 2: I believe well believe it because he would always take

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Speaker 2: them to the same hotel and apparently he went there

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Speaker 2: so so often that behind the desk they asked him

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Speaker 2: for his autograph, you know, his autograph pictures like hey,

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Speaker 2: holiday inn, great to be here. And then he had

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Speaker 2: to change hotels because you can't if you're taking someone,

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Speaker 2: as you well know, if you're taking a lover to

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Speaker 2: a hotel. I excuse me time, but okay, but no,

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Speaker 2: I'm saying no, I'm saying if you're if you if

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Speaker 2: you have an eight x ten behind uh the you know,

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Speaker 2: the front desco hotel or at a restaurant, you can't

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Speaker 2: take people there.

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Speaker 1: So in a minute, so you're telling me, yeah that

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Speaker 1: Don Knox was getting your tail than John Ritter.

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Speaker 2: Yes, because everyone thought John Ritter was good. John Ridder

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Speaker 2: was like a straight and narrow kind of guy, one

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Speaker 2: woman kind of man. And Don Knox is just letting

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Speaker 2: it fly. You know where the women are trying?

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Speaker 4: Is it because he was one threeze company?

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Speaker 1: Because let me tell you something, I am not a

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Speaker 1: Don Knox type of girl.

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Speaker 2: Like were more of an Andy Griffith.

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Speaker 1: When Norman Felt would give the iggy to the camera,

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Speaker 1: I would lose ship. He was the best.

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Speaker 2: Let's talk about how weird that was that every everyone

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Speaker 2: else was in the sitcom and he's like, you know what,

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Speaker 2: I'm just gonna look straight the camera.

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Speaker 1: But he was such a to follow him. I just didn't.

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Speaker 1: I wasn't into Don Knox.

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Speaker 2: Do you know what happened? Do you know about like

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Speaker 2: the Three's Company? Screwjob? Okay, so I'll watch it. Well,

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Speaker 2: let me give it to you. Now, let's get the

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Speaker 2: get the clicks. People are going to be clicking on

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Speaker 2: this for this reason.

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Speaker 1: This is one of our leads.

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Speaker 2: Yes, yes, top story. So the Ropers were very popular,

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Speaker 2: they tested very well, and the executives thought there's a

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Speaker 2: spin off here of just the Ropers. Norman Fell argula,

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Speaker 2: there is something here. Norman Fell was against it because

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Speaker 2: he saw the riding on the wall there. They're the landlords.

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Speaker 2: You can't it's not all about the landlords that we

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Speaker 2: have nothing there. And they forced him into it. It's

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Speaker 2: testing very well, he's gonna be great, and we sink

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Speaker 2: a lot of money in into whatever. And then he said, okay, look,

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Speaker 2: I don't want to do this. If you're forcing me

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Speaker 2: to do it, let's do it like this. If after

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Speaker 2: a certain number of episodes gets canceled, well like after

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Speaker 2: the first season it gets canceled, then I can come

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Speaker 2: back because this is this is nuts, this is you

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Speaker 2: know whatever, you know exactly where's going. Okay, So they

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Speaker 2: do the Ropers. Of course it's a bomb, right of course.

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Speaker 2: And then they of course they bring him don knotts

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Speaker 2: uh and don Knots does well. I mean maybe not

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Speaker 2: the same as the Ropers, but they've got on Knots here.

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Speaker 2: It's it's, you know, it's a whole new thing. He

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Speaker 2: does karate, he wears the ass Scots, that whole thing

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Speaker 2: and whatever it was Ian Norman Fell's deal, whatever the

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Speaker 2: number of episodes were of the Ropers, they made sure

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Speaker 2: they went over it, so they contractually did not have

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Speaker 2: to bring him back to Three's company. Yeah.

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Speaker 1: Not even that cute little redhead kid could save that.

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Speaker 2: And then of course they did another spin off when

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Speaker 2: John Ritter got married and I don't even remember the name.

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Speaker 1: That was worse than The Ropers had to do with her,

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Speaker 1: her father and mother, the crowd.

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Speaker 2: That was terrible too, really really bad.

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Speaker 3: Yeah, but The Ropers has a great theme song.

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Speaker 2: Though, can you play it? Do we have it?

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Speaker 3: I mean I.

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Speaker 1: Could allowed we get I don't do.

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Speaker 2: You think you think of.

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Speaker 1: But I was not. I'm a Norman Fel girl through

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Speaker 1: and through, like yeah, I'm telling you, like wells ruined

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Speaker 1: the whole thing for me.

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Speaker 2: I'm sorry, it's everyone be quiet, hold on a nice Sorry.

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Speaker 2: Why is there a semen in the Ropers logo? You

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Speaker 2: don't want that? It just it looks wrong from the beginning.

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Speaker 2: Thank you enough, I want to see I think you

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Speaker 2: need to get a new shirt and it says fran

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Speaker 2: scene and then there's the Roper's seamen stain? Yeah, what's

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Speaker 2: up with that? What could that possibly have been? I mean,

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Speaker 2: why is his toilet always clogged? Like I've never seen

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Speaker 2: a plunger so often.

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Speaker 1: Let me tell you, I was a big fan of

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Speaker 1: Three's Company. It was a little before my time. I

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Speaker 1: was a kid when it keep going, But I mean

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Speaker 1: the ray runs. I will still watch good and really

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Speaker 1: quickly because I want to talk about you. This is

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Speaker 1: not about Three's Company. But I saw for the first

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Speaker 1: time an episode of Three's Company where Jack Tripper trips

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Speaker 1: out on some kind of drug that happen Have you

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Speaker 1: ever seen this? No, a party, it's I don't know

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Speaker 1: it told me about it. It's on YouTube. You're gonna

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Speaker 1: have I wish you and I can watch it together.

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Speaker 1: That would be great, Like maybe we should FaceTime and

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Speaker 1: watch it together. Yes, he is at a party and

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Speaker 1: he I don't know if he drinks something or something happened.

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Speaker 1: He flips out and he loses his mind and he

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Speaker 1: is like a maniac in this episode. He's got a

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Speaker 1: lame sheet on his head, He's running around, He's like people.

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Speaker 1: I've never seen it before. I don't know if it

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Speaker 1: aired on the network. He was literally tripping on either

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Speaker 1: acid or drugs or somebody mickeyed his drink. You have

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Speaker 1: to look it up. It is the best episode I've

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Speaker 1: ever seen in my life.

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Speaker 2: I always loved, like especially now going back and seeing

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Speaker 2: like people play high and play drunk. And also anytime

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Speaker 2: they did the biggest joke was anytime they talked about

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Speaker 2: like Shawn Michaels or the Rockers, like any documentary where

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Speaker 2: they're like they loved the party, they would always go

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Speaker 2: to one photo where they had a lampshade on their head.

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Speaker 1: Jack drinks the Rocket. That's it. I was.

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Speaker 2: I was just gonna tell you, like, can you range rocket?

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Speaker 1: We can't watch the whole thing here, but it's a

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Speaker 1: whole episode about him. Just he's so messed.

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Speaker 2: Up in this episode classic drunk.

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Speaker 1: I've never seen that. I never seen this one air,

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Speaker 1: but he told me about it and it's on YouTube

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Speaker 1: and blah blah blah, and I was just like, Wow,

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Speaker 1: this best episode I've ever seen my life.

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Speaker 2: Well, maybe it doesn't air because he clearly got drunked.

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Speaker 1: No, that's the point of the show.

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Speaker 2: Yeah, I'm saying, maybe they said we should put this

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Speaker 2: one in syndication.

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Speaker 4: I don't know, but it was the best one they

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Speaker 4: ever did.

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Speaker 1: You have to watch.

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Speaker 2: I will send you when this is done. I'm going

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Speaker 2: to text you an episode of All in the family.

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Speaker 2: That is so wrong. I don't even want to say

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Speaker 2: what happened?

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Speaker 1: Okay, please?

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Speaker 2: That does exactly what I'm talking about.

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Speaker 1: One, This is when people were pussies and you could

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Speaker 1: say and do what you wanted and you can enjoy

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Speaker 1: TV and you know you can't say anything, you can't

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Speaker 1: do anything.

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Speaker 2: But that's so that is so wrong. I say things

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Speaker 2: on a w A. Okay, I just said. I just

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Speaker 2: said on heyw I think I think we're okay.

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Speaker 1: All right, So I'll open with that. I wasn't going

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Speaker 1: let's open.

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Speaker 2: Let's open with oh, I'm sorry. Yes, hey, just say

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Speaker 2: it the way you're supposed to think it.

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Speaker 4: Not all of your guests say it correctly.

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Speaker 1: If I was your guest, I'd be like, hey, w right,

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Speaker 1: yeah good. Not everybody gets no, how did this show

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Speaker 1: come come around to explain premise?

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Speaker 2: The premise is I every Sunday morning, a different aw

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Speaker 2: wrestler or personality has to basically suffer through a line

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Speaker 2: of my questioning.

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Speaker 1: And you're questioning, do you do this to pop them

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Speaker 1: because they don't know these questions ahead of time? Correct?

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Speaker 2: No, And I will say testament to them to continue

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Speaker 2: to walk in blindly to this.

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Speaker 1: Are they required to do this? Is it part of

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Speaker 1: their deal? Like is it like a rotation? Like you

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Speaker 1: have to go on our j show? And they're like,

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Speaker 1: I don't want to He's a tool, And they're like, no,

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Speaker 1: you have to do it.

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Speaker 2: And I'm sure some people have been avoiding me. I'm

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Speaker 2: there are other people like Tesz who said, I'm going

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Speaker 2: to go on there to show him up and make

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Speaker 2: a point and make them work for it, which is

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Speaker 2: so untested. And then there are people like Jim Ross

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Speaker 2: and arn Anderson who God bless them, said yes without

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Speaker 2: really asking what it was okay, And I think you

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Speaker 2: can tell who has seen the show before and who

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Speaker 2: has never, And like halfway through they start to figure.

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Speaker 1: It out because certain people, Now I told you I

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Speaker 1: watch right. I've mentioned before that I am a fan

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Speaker 1: and I do watch your stuff because you're a friend

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Speaker 1: of mine and I like to support my friends.

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Speaker 2: Not only not only have you watched, but and I

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Speaker 2: would do you want to apologize? You gave me a

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Speaker 2: story for the Jerry Lynn episode. I did not use it.

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Speaker 2: Sorry it was dated.

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Speaker 1: You should have because his face with a little like.

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Speaker 5: A Christmas tree.

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Speaker 1: Save it for the next time. Okay, are you gonna

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Speaker 1: have him back to you Encore people?

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Speaker 2: No, I'm not. I have nothing to do with that man.

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Speaker 2: He's exhausting, eh, Jerry Lynn. Yes, So he says so

359
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Speaker 2: normal and nice, and it's like enough, Jerry, he's good

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Speaker 2: over yourself.

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Speaker 1: All right. So as I'm watching, I'm noticing certain people

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Speaker 1: on how they act and react should I say? And

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Speaker 1: there are a lot of people who play along with

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Speaker 1: you and will try and one up you with your

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Speaker 1: witty sense of humor because we all know Ourj's sense

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Speaker 1: of humor by nail, and if you don't, you should.

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Speaker 1: And then there's the type who just stare at you

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Speaker 1: like you're sitting on the moon and you have no

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Speaker 1: idea what's going on. That's why I'm asking you, like

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Speaker 1: the questions are you deliberately trying to your guests? Because

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Speaker 1: you you come up with the most some of the

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Speaker 1: most obscure references or things that somebody might like, Like

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Speaker 1: if he's interviewing you chat, he might say, well, in

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Speaker 1: nineteen eighty four, your mother bought you this doll for Christmas,

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Speaker 1: And it's like, how did you know my mom bought you?

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Speaker 1: My mom bought me this doppercred. You find out the

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Speaker 1: craziest things and not everything's own wiki. No, are you

378
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Speaker 1: like asking people to find out shit for you?

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Speaker 2: And sometimes yes, sometimes people. It gets to the point

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Speaker 2: now where people have passed me stuff and they say, hey,

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Speaker 2: if you're having this person on, you should really talk

382
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Speaker 2: about this. But I also like, I hate doing it.

383
00:21:47,520 --> 00:21:51,040
Speaker 2: As you know, everyone has a podcast in an interview

384
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Speaker 2: show and whatever. I really suffered through a lot of

385
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Speaker 2: them for a number of years, and he bothers me.

386
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Speaker 2: So I feel like if I do have somebody as

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Speaker 2: a guest, it's like the respectful thing to do to

388
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Speaker 2: do some research on them, and.

389
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Speaker 6: Then you know, find stuff that people don't talk about.

390
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Speaker 2: There are things that I'm genuinely interested in. And I

391
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Speaker 2: also think it's like a good showcase for people, like

392
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Speaker 2: you didn't know that Jim Ross had heat with Danny DeVito.

393
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Speaker 2: I did not, right, So I feel like I'm doing

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Speaker 2: a service. I mean, obviously, like when I have guys

395
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Speaker 2: on like him, When I have somebody like Ricky Steamboat

396
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Speaker 2: and I got him to turn heel, that was like,

397
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Speaker 2: you know, the best and easy. But then there's other

398
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Speaker 2: people like the Outrunners or Harley Cameron who don't often

399
00:22:47,200 --> 00:22:50,919
Speaker 2: get that much time to talk on AW, and they

400
00:22:51,400 --> 00:22:55,800
Speaker 2: have very strong personalities, and there's sometimes like a heyw

401
00:22:55,960 --> 00:22:58,840
Speaker 2: bump where it's a good showcase of their stuff and

402
00:22:58,880 --> 00:23:01,800
Speaker 2: it's like, Wow, this person and can talk. Kyle Fletcher

403
00:23:01,960 --> 00:23:05,479
Speaker 2: is another fantastic example. I like him. I don't think

404
00:23:05,520 --> 00:23:08,400
Speaker 2: you'd realize he's that funny and that quick and that thoughtful,

405
00:23:08,440 --> 00:23:12,159
Speaker 2: and it's like, oh, so it's a nice personality piece.

406
00:23:12,240 --> 00:23:14,800
Speaker 2: But I mean it's it's gone about it in the

407
00:23:14,800 --> 00:23:15,960
Speaker 2: most backwards of ways.

408
00:23:16,119 --> 00:23:18,800
Speaker 1: So wait a minute, are you taking credit for them

409
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Speaker 1: getting a push because they were on Hey.

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Speaker 2: Yes, I'm the Johnny Carson. You know, if you have

411
00:23:25,000 --> 00:23:30,080
Speaker 2: a good set on Hey, uh huh, the next day

412
00:23:31,200 --> 00:23:34,119
Speaker 2: it just goes right up. Yeah. But I would also say, Francy,

413
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Speaker 2: you having spent time with me. People have said people

414
00:23:38,000 --> 00:23:40,760
Speaker 2: who know me say that Hey is just like talking

415
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Speaker 2: to me for ten minutes.

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Speaker 1: Me in a way. I was telling Chad before the

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Speaker 1: show before we started rolling, I said, you know, I

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Speaker 1: feel like I know RJ pretty well, but we've only

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Speaker 1: met him personally two times. I believe.

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Speaker 2: I think it's the first time we met was at

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Speaker 2: some sort of Wrestle Khan thing with Daphne.

422
00:24:04,680 --> 00:24:05,520
Speaker 1: Yes, sir, it was.

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Speaker 2: And she remarked, or you remarked, how much I look

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00:24:10,000 --> 00:24:13,080
Speaker 2: like Gaston And that was a yeah, okay, that was

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00:24:13,119 --> 00:24:15,480
Speaker 2: a real togetherness point for you.

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Speaker 1: Closer together. I told you you should be character acting.

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00:24:21,040 --> 00:24:24,280
Speaker 1: I see r J at Disney World being Gastan.

428
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Speaker 2: Thanks.

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00:24:24,840 --> 00:24:26,080
Speaker 1: You say it until I die.

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Speaker 2: Yes, I really want to be sweating under it. Sorry,

431
00:24:29,760 --> 00:24:30,600
Speaker 2: I really appreciate you.

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Speaker 1: Say a kid, That's what I said.

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Speaker 2: When else did we see each other?

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00:24:36,480 --> 00:24:41,399
Speaker 1: Oh? Actually I met you when you were going on

435
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Speaker 1: an elevator and I introduced myself and you said I

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00:24:44,320 --> 00:24:48,800
Speaker 1: know who you are and I was like, hmm, okay, thanks.

437
00:24:49,160 --> 00:24:51,760
Speaker 1: I love when people say that to me. I went

438
00:24:51,840 --> 00:24:55,840
Speaker 1: up to you, Yes, said him for its scene. Nice

439
00:24:55,840 --> 00:24:57,760
Speaker 1: to meet you. I know who you are.

440
00:24:58,800 --> 00:25:01,080
Speaker 2: Well, A fan of your work.

441
00:25:01,480 --> 00:25:06,240
Speaker 1: The thing with the candlestick, he always brings the Kendi

442
00:25:07,359 --> 00:25:09,240
Speaker 1: I mean that was my thing. That was my prop.

443
00:25:09,359 --> 00:25:11,680
Speaker 1: What do you want me to yes you no, I know,

444
00:25:12,640 --> 00:25:13,200
Speaker 1: come on.

445
00:25:13,760 --> 00:25:16,440
Speaker 2: Yes I did. It was fun. I didn't quite understand

446
00:25:16,520 --> 00:25:17,080
Speaker 2: it at the time.

447
00:25:17,280 --> 00:25:20,800
Speaker 1: You were like, but that's okay, now you get it,

448
00:25:21,000 --> 00:25:22,720
Speaker 1: so it's but yeah, you do.

449
00:25:22,760 --> 00:25:27,200
Speaker 2: Have to underplay. Sometimes there's people like Rick Flair introduced

450
00:25:27,240 --> 00:25:30,840
Speaker 2: himself as Rick Flair to me, and like at that point,

451
00:25:30,840 --> 00:25:33,320
Speaker 2: it's like, you know, yeah, what doesn't.

452
00:25:33,000 --> 00:25:34,680
Speaker 1: That mean that we're not dicks?

453
00:25:35,400 --> 00:25:39,320
Speaker 2: Doesn't that mean like for Rick, for Rick Flair?

454
00:25:39,800 --> 00:25:45,200
Speaker 1: Oh okay, I mean for me, right, I'm not Rick Flair.

455
00:25:45,240 --> 00:25:48,240
Speaker 2: I get it right, I understated of you.

456
00:25:48,440 --> 00:25:52,000
Speaker 1: Listen. I introduced myself to everyone because I don't know

457
00:25:52,800 --> 00:25:55,040
Speaker 1: who is a fan of E c W and who

458
00:25:55,119 --> 00:25:58,560
Speaker 1: is not. There are people out there who don't know

459
00:25:58,600 --> 00:26:01,119
Speaker 1: who I am. Some times I go to these indie

460
00:26:01,119 --> 00:26:03,159
Speaker 1: shows and they don't need they don't even look up

461
00:26:03,200 --> 00:26:04,960
Speaker 1: their lace and they don't even look up at me,

462
00:26:05,400 --> 00:26:07,280
Speaker 1: And so I say, Hey, I'm Franzine. How are you?

463
00:26:07,520 --> 00:26:11,240
Speaker 1: I'm not. There's no lie in that. No no one

464
00:26:11,280 --> 00:26:14,600
Speaker 1: says hi anymore. No one introduces themselves. So I walk around,

465
00:26:14,640 --> 00:26:18,000
Speaker 1: I say hi to everyone, seventeen year olds not nosgein Hi,

466
00:26:18,080 --> 00:26:19,200
Speaker 1: I'm Franzine. How are you?

467
00:26:20,200 --> 00:26:23,120
Speaker 2: Doesn't hurt any Do you make them google you afterwards?

468
00:26:23,200 --> 00:26:24,200
Speaker 2: You don't know who you are.

469
00:26:24,280 --> 00:26:26,120
Speaker 1: I just say, have a great match, it was great

470
00:26:26,160 --> 00:26:27,760
Speaker 1: to meet you, and I walk away.

471
00:26:28,119 --> 00:26:30,760
Speaker 2: Good stuff. That's what I do I do. Sometimes I

472
00:26:30,760 --> 00:26:32,680
Speaker 2: don't know. If I've met someone before.

473
00:26:33,560 --> 00:26:36,040
Speaker 1: Yeah, and you say nice to meet you, and they

474
00:26:36,080 --> 00:26:38,359
Speaker 1: go I met you blah blah blah, and I go,

475
00:26:38,520 --> 00:26:41,359
Speaker 1: nice to see you again, just right.

476
00:26:41,160 --> 00:26:44,720
Speaker 2: So you have to say nice to see you.

477
00:26:45,240 --> 00:26:49,479
Speaker 1: Yes, I know, but it comes out too quickly. Sometimes

478
00:26:49,520 --> 00:26:51,840
Speaker 1: I'm just like, nice to meet you, and then I go, yeah,

479
00:26:51,880 --> 00:26:53,040
Speaker 1: oh I met.

480
00:26:52,840 --> 00:26:54,280
Speaker 2: You five times already, Well, it's.

481
00:26:54,200 --> 00:26:55,240
Speaker 1: Nice to see you again.

482
00:26:55,920 --> 00:26:59,240
Speaker 2: Hello, how are you? Do you really considered first time

483
00:26:59,280 --> 00:27:00,960
Speaker 2: could be a decent follow up, but.

484
00:27:01,040 --> 00:27:05,359
Speaker 1: Not I know who you are. That to me was

485
00:27:05,480 --> 00:27:08,400
Speaker 1: just like, eh, all right kid, fine.

486
00:27:08,800 --> 00:27:11,520
Speaker 2: And yet here we are, and here we are right,

487
00:27:12,040 --> 00:27:14,360
Speaker 2: such a long way, such a long way.

488
00:27:14,320 --> 00:27:19,480
Speaker 1: Such a long way. So now that you have hey,

489
00:27:20,080 --> 00:27:23,360
Speaker 1: are we not allowed to do coffee in my underwear

490
00:27:23,359 --> 00:27:23,760
Speaker 1: any more?

491
00:27:23,840 --> 00:27:25,760
Speaker 2: I do coffee underwear every Sunday morning.

492
00:27:26,080 --> 00:27:28,400
Speaker 1: Why do I not get a notification anymore?

493
00:27:28,760 --> 00:27:31,159
Speaker 2: I don't know what's wrong with you. I'll send it

494
00:27:31,200 --> 00:27:33,600
Speaker 2: to you. It's on YouTube. I do it on YouTube.

495
00:27:33,760 --> 00:27:36,120
Speaker 1: Oh, I give you a super chab before on YouTube?

496
00:27:36,240 --> 00:27:39,879
Speaker 2: Yes? Yes, so what's your so you? I think you've

497
00:27:39,920 --> 00:27:42,560
Speaker 2: turned notifications off for me. I think it's my understanding.

498
00:27:42,560 --> 00:27:45,160
Speaker 1: I don't think I did, but I haven't gotten notification

499
00:27:45,280 --> 00:27:47,240
Speaker 1: in a really long time, and that's why I thought,

500
00:27:47,280 --> 00:27:49,160
Speaker 1: maybe you're not allowed to do it anymore.

501
00:27:49,240 --> 00:27:54,520
Speaker 2: But no, no, aw remarkably has been hands off with

502
00:27:54,680 --> 00:27:56,720
Speaker 2: every other stupid thing I do.

503
00:27:57,920 --> 00:28:01,040
Speaker 1: Okay, well this isn't stupid it but let me ask

504
00:28:01,080 --> 00:28:03,919
Speaker 1: you this question. What happened to meil in a match?

505
00:28:04,440 --> 00:28:07,240
Speaker 1: Because I watched the first episode with Eddie.

506
00:28:07,119 --> 00:28:08,840
Speaker 2: Kings and it was cute.

507
00:28:08,960 --> 00:28:12,160
Speaker 1: It was a cute concept. I liked it, and then

508
00:28:13,359 --> 00:28:13,720
Speaker 1: it was like.

509
00:28:13,840 --> 00:28:18,920
Speaker 2: Show great, great question leads me into a nice plus.

510
00:28:19,720 --> 00:28:23,040
Speaker 2: As announced last week, there are going to be more

511
00:28:23,160 --> 00:28:29,760
Speaker 2: episodes of episodes. Multiple episodes teased it. What did we do?

512
00:28:29,840 --> 00:28:31,760
Speaker 2: There was a there was a picture. It was a

513
00:28:31,800 --> 00:28:34,640
Speaker 2: whole thing. Here, hold on, let me find it. It's there.

514
00:28:34,680 --> 00:28:38,920
Speaker 2: Were slowly pulling it out, but they put up the

515
00:28:38,920 --> 00:28:42,080
Speaker 2: They put up the slate. See meal in a match

516
00:28:42,160 --> 00:28:44,080
Speaker 2: coming soon. This whole thing.

517
00:28:44,160 --> 00:28:49,680
Speaker 1: Okay, what was the hiatus about? Was there not enough?

518
00:28:49,720 --> 00:28:52,120
Speaker 1: We got enough catering on the set?

519
00:28:52,360 --> 00:28:54,680
Speaker 2: We had Renee and I had come up with the

520
00:28:54,720 --> 00:28:57,160
Speaker 2: idea and pictured it for a while. It takes a

521
00:28:57,200 --> 00:29:01,240
Speaker 2: while to make things happen, and we did that one

522
00:29:01,560 --> 00:29:06,080
Speaker 2: as basically a pilot to make a demo and to

523
00:29:06,200 --> 00:29:10,680
Speaker 2: show it to people to get more green lit. So

524
00:29:10,720 --> 00:29:14,600
Speaker 2: we filmed all day with Eddie Kingson. We ate a

525
00:29:14,640 --> 00:29:17,720
Speaker 2: bunch of food and it was just because we didn't

526
00:29:17,720 --> 00:29:19,440
Speaker 2: know what we were going to do with it. So

527
00:29:19,680 --> 00:29:21,800
Speaker 2: here's a bunch of options. You can cut it into whatever.

528
00:29:22,080 --> 00:29:24,600
Speaker 2: And they liked it so much they said let's put

529
00:29:24,640 --> 00:29:27,400
Speaker 2: it out as the first episode, so it says like

530
00:29:27,520 --> 00:29:30,800
Speaker 2: new series, episode one, and it's like, maybe we shouldn't

531
00:29:30,800 --> 00:29:33,960
Speaker 2: have done that until we had others in the.

532
00:29:36,320 --> 00:29:36,520
Speaker 1: Poor.

533
00:29:37,520 --> 00:29:39,920
Speaker 2: No, it was good. It was just they used it

534
00:29:40,000 --> 00:29:43,240
Speaker 2: to get more episodes out, like to get more episodes made,

535
00:29:43,360 --> 00:29:47,040
Speaker 2: so it took a while, these network things and whatever,

536
00:29:47,680 --> 00:29:49,520
Speaker 2: and we were like, yeah, maybe you shouldn't have put

537
00:29:49,560 --> 00:29:52,160
Speaker 2: it out until we had a schedule of more episodes.

538
00:29:52,280 --> 00:29:54,680
Speaker 1: Oh okay, so you want more in the can so

539
00:29:54,800 --> 00:29:56,840
Speaker 1: you can keep the ball rolling, right.

540
00:29:57,280 --> 00:30:00,680
Speaker 2: So now we do have more episodes, more than one

541
00:30:00,760 --> 00:30:06,280
Speaker 2: episode that we have. Yeah, so that feels nice. When

542
00:30:06,320 --> 00:30:08,520
Speaker 2: they come out, I don't know, definitely before the end

543
00:30:08,560 --> 00:30:12,720
Speaker 2: of the year. We shot them a couple weeks ago,

544
00:30:13,400 --> 00:30:16,560
Speaker 2: and I will say I don't want to get into

545
00:30:16,640 --> 00:30:19,080
Speaker 2: what we ate or with who? But the next day

546
00:30:19,120 --> 00:30:20,840
Speaker 2: Renee threw up three times?

547
00:30:21,160 --> 00:30:21,760
Speaker 1: No did she?

548
00:30:23,800 --> 00:30:26,760
Speaker 2: I don't think she had poisoning. I think it was just,

549
00:30:27,240 --> 00:30:31,920
Speaker 2: you know, real bad combination. Yes, button me, because are you.

550
00:30:32,000 --> 00:30:34,120
Speaker 1: Filming like three or four in a row that you

551
00:30:34,200 --> 00:30:35,920
Speaker 1: have to keep eating consistently?

552
00:30:36,520 --> 00:30:39,040
Speaker 2: Yeah. And not only that, it's like you got the

553
00:30:39,080 --> 00:30:42,120
Speaker 2: food there for longer than you would eat the food for.

554
00:30:42,720 --> 00:30:46,480
Speaker 2: Oh you know, so it's a balance.

555
00:30:47,040 --> 00:30:50,240
Speaker 1: What the ingredients are too that can get you something

556
00:30:49,800 --> 00:30:51,520
Speaker 1: to set there for a couple hours.

557
00:30:52,040 --> 00:30:54,680
Speaker 2: Yes, well yeah, there's hot lights.

558
00:30:54,920 --> 00:30:58,680
Speaker 1: Yeah. Really well, I'm glad because I said to myself

559
00:30:58,680 --> 00:31:00,640
Speaker 1: that's one of the questions I want to ask, because

560
00:31:00,680 --> 00:31:03,640
Speaker 1: I did enjoy that episode and it was gone. Yes.

561
00:31:03,800 --> 00:31:07,560
Speaker 2: I was just like, oh, and I will do you

562
00:31:07,600 --> 00:31:11,440
Speaker 2: one better. They have, for some reason, sunk some sort

563
00:31:11,480 --> 00:31:13,760
Speaker 2: of money into this and they built us a brand

564
00:31:13,800 --> 00:31:16,760
Speaker 2: new custom set. Last time we filmed it at a

565
00:31:16,800 --> 00:31:20,520
Speaker 2: bar in Texas. Now they built a set.

566
00:31:21,000 --> 00:31:23,800
Speaker 1: Wow, that's how you can tell that the company is

567
00:31:23,840 --> 00:31:26,720
Speaker 1: on the up and right. Very good. I want to

568
00:31:26,800 --> 00:31:31,680
Speaker 1: mention you and Renee have really good chemistry together.

569
00:31:32,640 --> 00:31:35,960
Speaker 4: Did you know her prior to this gig?

570
00:31:36,960 --> 00:31:41,200
Speaker 2: So she is from Toronto. So she grew up like

571
00:31:41,240 --> 00:31:43,720
Speaker 2: forty minutes from me. But she's like, I'm going to

572
00:31:43,800 --> 00:31:46,040
Speaker 2: make her sound ancient now and she's not. But she

573
00:31:46,240 --> 00:31:50,360
Speaker 2: was like of a generation before mine. She knew a

574
00:31:50,400 --> 00:31:52,560
Speaker 2: lot of comedians. We had a lot of mutual friends,

575
00:31:52,600 --> 00:31:57,720
Speaker 2: but she had signed and like leftwe before I started

576
00:31:57,840 --> 00:32:02,920
Speaker 2: milling around that scene. Knew of each other because of that. Okay,

577
00:32:03,840 --> 00:32:06,480
Speaker 2: and then yeah, and then I showed up in aw

578
00:32:06,680 --> 00:32:09,720
Speaker 2: first and she sort of quite frankly copied what I did.

579
00:32:10,440 --> 00:32:13,320
Speaker 2: You know, Uh, she doesn't.

580
00:32:13,680 --> 00:32:15,240
Speaker 1: I don't.

581
00:32:15,280 --> 00:32:17,920
Speaker 2: I'm not gonna say she's talentless. I'm gonna say her

582
00:32:18,000 --> 00:32:20,400
Speaker 2: talent is in stealing from other people. Do you know

583
00:32:20,440 --> 00:32:20,920
Speaker 2: what I'm saying?

584
00:32:21,800 --> 00:32:23,040
Speaker 1: No, not really.

585
00:32:23,080 --> 00:32:26,040
Speaker 2: It's sort of like a Mozart situation. If you've ever

586
00:32:26,080 --> 00:32:29,080
Speaker 2: seen I'm a Dais, which I'm sure everyone in this

587
00:32:29,480 --> 00:32:33,760
Speaker 2: is that's listening to this scene on a Dais absolutely Yeah.

588
00:32:34,040 --> 00:32:36,040
Speaker 1: Well, ok so she likes to.

589
00:32:37,000 --> 00:32:39,080
Speaker 2: And I'm not saying she's not helpful. I'm not saying

590
00:32:39,080 --> 00:32:43,600
Speaker 2: she doesn't add things, but she sort of siphons what

591
00:32:43,760 --> 00:32:46,120
Speaker 2: I've built up. She says, oh, I'll take a piece

592
00:32:46,160 --> 00:32:48,680
Speaker 2: of that. I'll take a piece of that. Here's my cookbook,

593
00:32:50,040 --> 00:32:51,240
Speaker 2: that whole routine.

594
00:32:52,080 --> 00:32:54,760
Speaker 4: Is there someone you would rather work with? Like, do

595
00:32:54,840 --> 00:32:57,760
Speaker 4: you see yourself? Like kind of phasing her out and

596
00:32:57,800 --> 00:32:58,840
Speaker 4: moving somebody in?

597
00:33:00,120 --> 00:33:06,520
Speaker 2: Really enjoy Tony Shavani, So do I. Yeah, he's got

598
00:33:06,520 --> 00:33:08,360
Speaker 2: a good head on his shoulders. I think that kid

599
00:33:08,440 --> 00:33:09,240
Speaker 2: is going to go place.

600
00:33:11,320 --> 00:33:15,400
Speaker 1: Yes, yes, well I I you know, I never met Renee.

601
00:33:16,240 --> 00:33:17,200
Speaker 1: I haven't had the pleasure.

602
00:33:18,640 --> 00:33:21,880
Speaker 2: But now I'm gonna put let me put it this way.

603
00:33:21,880 --> 00:33:27,360
Speaker 2: You've got the gist. Yeah, you know what I mean? Okay,

604
00:33:27,520 --> 00:33:29,200
Speaker 2: gal with mic not to much.

605
00:33:29,760 --> 00:33:33,760
Speaker 1: I like you guys together. They call themselves to the Aunties.

606
00:33:36,760 --> 00:33:38,120
Speaker 2: Do you aunt you Auntie?

607
00:33:38,160 --> 00:33:41,360
Speaker 1: I know I I saw Aunties online and I was.

608
00:33:41,280 --> 00:33:49,880
Speaker 2: Like aunt because a fan said that we are like

609
00:33:50,240 --> 00:33:53,480
Speaker 2: watching wrestling with your two one drunk ants.

610
00:33:55,760 --> 00:33:58,640
Speaker 1: Well, I enjoy the two of you together. I don't.

611
00:33:58,960 --> 00:33:59,640
Speaker 1: I don't agree.

612
00:33:59,760 --> 00:34:06,080
Speaker 2: Well you're enjoying me. I always enjoyed you, an absess,

613
00:34:06,520 --> 00:34:13,480
Speaker 2: She would, yeah, sure, and then ed McMahon, way, Where're like,

614
00:34:13,560 --> 00:34:17,120
Speaker 2: maybe she's just a drunk. You know she likes the

615
00:34:18,280 --> 00:34:19,799
Speaker 2: I don't. It would explain a lot.

616
00:34:20,840 --> 00:34:23,120
Speaker 1: Well, you know, I'm with her. I like a good

617
00:34:23,120 --> 00:34:25,600
Speaker 1: cocktail every once in a while, but I never I

618
00:34:25,719 --> 00:34:29,920
Speaker 1: never drank on the job. You know, are you? Are

619
00:34:29,920 --> 00:34:32,360
Speaker 1: you trying to say no?

620
00:34:32,560 --> 00:34:35,040
Speaker 2: I think maybe she maybe she needs to, Oh, she

621
00:34:35,160 --> 00:34:37,480
Speaker 2: needs to Okay, you know some people need to loosen up.

622
00:34:38,200 --> 00:34:40,040
Speaker 1: I like the two of you together. I think she's

623
00:34:40,080 --> 00:34:42,880
Speaker 1: brilliant and you know you're you.

624
00:34:43,120 --> 00:34:55,239
Speaker 5: So there's that.

625
00:34:55,320 --> 00:34:58,000
Speaker 1: The one thing I will say that I heard and

626
00:34:58,640 --> 00:35:01,279
Speaker 1: stop your fell over and just got the street near first,

627
00:35:01,560 --> 00:35:06,600
Speaker 1: because I do like the real story to sort. Yes, okay,

628
00:35:06,880 --> 00:35:12,560
Speaker 1: she has brown up. She is doing such great things.

629
00:35:12,640 --> 00:35:18,520
Speaker 1: I'm such a thing. I love grow back to them.

630
00:35:18,760 --> 00:35:21,279
Speaker 1: What is the whatever it is?

631
00:35:22,120 --> 00:35:24,360
Speaker 2: Well, she's timeless, she's timeless.

632
00:35:24,400 --> 00:35:28,520
Speaker 1: Okay. But then I hear a lot of inspiration came

633
00:35:28,640 --> 00:35:35,080
Speaker 1: from you, and you would give ideas from older movies

634
00:35:35,280 --> 00:35:37,120
Speaker 1: because you are an eighty.

635
00:35:36,920 --> 00:35:39,840
Speaker 4: Year old man trapped in a thirty something year old body.

636
00:35:40,960 --> 00:35:48,319
Speaker 2: Well that you know to be true forever. I will say,

637
00:35:48,320 --> 00:35:51,200
Speaker 2: I think there's a lot out there that's that's a

638
00:35:51,239 --> 00:35:54,960
Speaker 2: little presented more simpler than it is. I think the

639
00:35:55,000 --> 00:35:59,040
Speaker 2: real stories get is a lot more complex. I always

640
00:35:59,040 --> 00:36:04,960
Speaker 2: throw out ideas when it comes to capturing cinema, that

641
00:36:05,040 --> 00:36:07,319
Speaker 2: kind of thing, What about what about this old movie,

642
00:36:07,360 --> 00:36:10,880
Speaker 2: what about that old movie. So I guess in a sense,

643
00:36:10,960 --> 00:36:16,920
Speaker 2: I would perhaps have been a cinema consultant, in a

644
00:36:17,000 --> 00:36:22,080
Speaker 2: sense of helping the crew capture the essence of Tony Storm.

645
00:36:22,400 --> 00:36:24,320
Speaker 2: In the beginning, I was in a couple of her films.

646
00:36:24,360 --> 00:36:28,040
Speaker 2: I introduced a few of them, and I will I

647
00:36:28,080 --> 00:36:31,600
Speaker 2: will take credit, despite what Tony con wants to say.

648
00:36:31,760 --> 00:36:35,440
Speaker 2: I will take credit for getting Ben Mankolitz involved Turner

649
00:36:35,480 --> 00:36:40,520
Speaker 2: classic movies. Ben Mankowitz that was a me because I said, hello,

650
00:36:40,600 --> 00:36:43,760
Speaker 2: I'm not Ben Menkolitz on Dynamite, and then that turned

651
00:36:43,800 --> 00:36:46,400
Speaker 2: into us being able to work with him, which was

652
00:36:46,840 --> 00:36:48,160
Speaker 2: the highlight of my life.

653
00:36:48,160 --> 00:36:51,920
Speaker 1: So of course it was But go ahead, no, I

654
00:36:51,960 --> 00:36:55,239
Speaker 1: was just going to say what I heard. They credited

655
00:36:55,320 --> 00:37:02,640
Speaker 1: you for a lot of her character brought onto the

656
00:37:02,719 --> 00:37:06,640
Speaker 1: screen in a wrestling aspect, it was like RJ has

657
00:37:06,719 --> 00:37:09,000
Speaker 1: contributed so many different ideas.

658
00:37:09,520 --> 00:37:15,120
Speaker 2: I would say, taking any any credit for Tony Storm

659
00:37:16,360 --> 00:37:20,520
Speaker 2: is so wrong because she's so fantastic. She there's no

660
00:37:21,120 --> 00:37:23,680
Speaker 2: at this point, there's no character. I don't know anything else.

661
00:37:23,800 --> 00:37:26,400
Speaker 1: But wait, let me let me refrase it. Not taking

662
00:37:26,400 --> 00:37:30,279
Speaker 1: credit for her performance or her wrestling villa because we

663
00:37:30,360 --> 00:37:33,600
Speaker 1: all know how talented she is. It was just the

664
00:37:33,640 --> 00:37:39,080
Speaker 1: ideas that framed the gimmick, so to speak.

665
00:37:39,320 --> 00:37:44,840
Speaker 2: But I would say this, she makes any piece of

666
00:37:44,880 --> 00:37:49,480
Speaker 2: shit work because she's so talented and so committed. And

667
00:37:49,680 --> 00:37:52,160
Speaker 2: I can come up with dumb ideas all day. I

668
00:37:52,239 --> 00:37:56,719
Speaker 2: do them every Sunday, but it's it's her that makes

669
00:37:56,719 --> 00:38:00,640
Speaker 2: it work. And I honestly have not seen anyone so

670
00:38:01,600 --> 00:38:05,319
Speaker 2: wrapped up in a whole thing that is unique to themselves.

671
00:38:05,360 --> 00:38:10,640
Speaker 2: Since I don't know the Undertaker, and she's not doing

672
00:38:10,719 --> 00:38:13,480
Speaker 2: you know, half ass horrible podcast. Now you know what

673
00:38:13,560 --> 00:38:16,319
Speaker 2: I mean. She's not wearing weird, problematic shirts and being

674
00:38:16,360 --> 00:38:19,160
Speaker 2: like wrestling, it's about telling stories. Thanks Mark, I really

675
00:38:19,200 --> 00:38:25,120
Speaker 2: appreciate it. What I'd say, what shows that weird? He

676
00:38:25,280 --> 00:38:29,319
Speaker 2: shows weird. The guy's weird. He's a weird man. Back

677
00:38:29,360 --> 00:38:31,160
Speaker 2: in my day, it was a lot better when you

678
00:38:31,200 --> 00:38:34,120
Speaker 2: were I'm sorry, Were you always dead? Did you start

679
00:38:34,160 --> 00:38:37,040
Speaker 2: off dead? Would you like to explain that sorry?

680
00:38:37,040 --> 00:38:39,040
Speaker 1: Would you say this to his face?

681
00:38:39,719 --> 00:38:45,640
Speaker 2: Yes? I When I did stuff at we my goal

682
00:38:45,800 --> 00:38:47,759
Speaker 2: was to work my way up to him.

683
00:38:48,600 --> 00:38:53,680
Speaker 1: Let's talk about that. Because you initially weren't you supposed

684
00:38:53,719 --> 00:38:55,280
Speaker 1: to drive people around?

685
00:38:55,800 --> 00:39:01,240
Speaker 2: What's so I worked at I wouldn't say I worked

686
00:39:01,360 --> 00:39:03,240
Speaker 2: for them for like a year and a half during

687
00:39:03,239 --> 00:39:05,480
Speaker 2: the pandemic because I need to people to talk at

688
00:39:06,320 --> 00:39:09,279
Speaker 2: my computer, which I did. And then I did a

689
00:39:09,360 --> 00:39:12,879
Speaker 2: comedy special, WrestleMania after Dark, which is I believe still

690
00:39:12,920 --> 00:39:16,680
Speaker 2: on Peacock. Not that I'm getting residuals for it, but

691
00:39:16,719 --> 00:39:18,880
Speaker 2: it was great. It was so much fun, and I

692
00:39:18,960 --> 00:39:22,560
Speaker 2: had Rick Blair was on it, Bailey, Shana Basler, Kevin

693
00:39:22,600 --> 00:39:27,160
Speaker 2: Owens and and then I had a little weekly show

694
00:39:27,200 --> 00:39:29,799
Speaker 2: which in a sense as a precursor to Heggs. It

695
00:39:29,840 --> 00:39:32,680
Speaker 2: was a little whatever on the bump, the morning show

696
00:39:32,680 --> 00:39:35,319
Speaker 2: they used to have, and it was called Wednesday Morning

697
00:39:35,400 --> 00:39:40,080
Speaker 2: wake Up or something. And then one of my pitches

698
00:39:40,120 --> 00:39:43,000
Speaker 2: to them was that I would be the chauffeur on

699
00:39:43,080 --> 00:39:44,960
Speaker 2: the road to WrestleMania.

700
00:39:44,480 --> 00:39:46,439
Speaker 1: Right, I remember you telling me about this.

701
00:39:46,800 --> 00:39:49,719
Speaker 2: And then after the bottom fell out of that whole operation,

702
00:39:50,440 --> 00:39:54,480
Speaker 2: I had tweeted about it and that I had pitched that,

703
00:39:54,880 --> 00:39:58,400
Speaker 2: and immediately Tony con message made he said, you're not

704
00:39:58,440 --> 00:40:00,400
Speaker 2: working for them anymore? He said, no, he's do you

705
00:40:00,400 --> 00:40:02,759
Speaker 2: want to come here and do that and do sit

706
00:40:02,800 --> 00:40:06,239
Speaker 2: down interviews? So you know, Hey was his idea. He's

707
00:40:06,360 --> 00:40:09,480
Speaker 2: the he claims to be a sicko, and he is

708
00:40:09,640 --> 00:40:16,600
Speaker 2: to unleash me backstage without any sort of notes or oversight.

709
00:40:17,080 --> 00:40:19,960
Speaker 2: I don't know why he does that, but but I

710
00:40:20,080 --> 00:40:20,960
Speaker 2: thank him for it.

711
00:40:21,000 --> 00:40:24,319
Speaker 1: Certainly it's amazing because if you didn't put that tweet out,

712
00:40:24,719 --> 00:40:26,000
Speaker 1: you'd be jobless right now.

713
00:40:26,680 --> 00:40:29,799
Speaker 2: Right For all the bad that Twitter has done and

714
00:40:29,840 --> 00:40:34,520
Speaker 2: it continues to create a hole into society, it certainly

715
00:40:34,520 --> 00:40:35,160
Speaker 2: weren't that for me.

716
00:40:35,560 --> 00:40:40,200
Speaker 1: It really did. I wouldn't shit on the Undertaker, though,

717
00:40:40,200 --> 00:40:41,879
Speaker 1: because you know, you never know.

718
00:40:42,520 --> 00:40:44,759
Speaker 2: What's what is? What is he going to do? I'm

719
00:40:44,800 --> 00:40:49,160
Speaker 2: asking questions. I'm asking pretty logical questions. Here were you

720
00:40:49,400 --> 00:40:50,320
Speaker 2: dead first?

721
00:40:50,880 --> 00:40:52,640
Speaker 1: Okay? I can't answer?

722
00:40:52,719 --> 00:40:54,920
Speaker 2: Is that not? Is that? Why is that bad? You

723
00:40:55,680 --> 00:40:57,000
Speaker 2: were telling stories? Here?

724
00:40:57,560 --> 00:40:59,760
Speaker 1: We are? Well we are? But why are you judging

725
00:40:59,800 --> 00:41:01,120
Speaker 1: his podcast?

726
00:41:01,160 --> 00:41:05,719
Speaker 2: Because he says these things and he listen. If the

727
00:41:05,760 --> 00:41:09,239
Speaker 2: forbidden door is open and he wants to come on, hey,

728
00:41:09,520 --> 00:41:12,479
Speaker 2: w he can say whatever he wants. I'm totally fine

729
00:41:12,520 --> 00:41:12,879
Speaker 2: with it.

730
00:41:13,120 --> 00:41:17,080
Speaker 1: If if I'm on, hey shout a question at me

731
00:41:17,160 --> 00:41:18,160
Speaker 1: off the top of your head.

732
00:41:18,640 --> 00:41:24,080
Speaker 2: Oh my, you're so tamed. She just the strip.

733
00:41:25,320 --> 00:41:25,799
Speaker 1: Let's go.

734
00:41:26,080 --> 00:41:29,120
Speaker 2: This is a this is a wonderful contain a.

735
00:41:29,120 --> 00:41:32,439
Speaker 1: Kind of stick. You can't talk about the stick because

736
00:41:32,480 --> 00:41:34,960
Speaker 1: that's all he ever throws in my face. He'll send

737
00:41:35,000 --> 00:41:38,000
Speaker 1: me clips on a text message me stroking the stick.

738
00:41:38,320 --> 00:41:40,360
Speaker 1: I'm like, Jie, what does this mean? Why are you

739
00:41:40,400 --> 00:41:43,480
Speaker 1: sending this to me? Yeah?

740
00:41:43,719 --> 00:41:45,640
Speaker 2: Well I was. I'm going to go back to the

741
00:41:45,719 --> 00:41:47,520
Speaker 2: store that Jerry Lynn story now and I'm going to

742
00:41:47,560 --> 00:41:50,640
Speaker 2: feel like I'm going to be spoiling it.

743
00:41:50,640 --> 00:41:52,120
Speaker 1: It's never going to be used anyway.

744
00:41:52,840 --> 00:41:56,239
Speaker 2: Well, so then we'll do it your chance. Well, you

745
00:41:56,320 --> 00:41:59,920
Speaker 2: said that one of Jarry Lynd's roles was he was

746
00:42:00,080 --> 00:42:01,440
Speaker 2: your cameltoe watcher.

747
00:42:02,000 --> 00:42:05,920
Speaker 1: Yes. They were such good friends and still are to

748
00:42:06,000 --> 00:42:09,120
Speaker 1: this day. I just walked him yesterday, for God's sakes.

749
00:42:09,160 --> 00:42:10,240
Speaker 1: We still keep in touch.

750
00:42:10,800 --> 00:42:11,200
Speaker 2: Yeah.

751
00:42:11,239 --> 00:42:13,400
Speaker 1: And I would put on my clothes and if I

752
00:42:13,480 --> 00:42:17,560
Speaker 1: wore pants or shorts, Jerry was the guy to go

753
00:42:17,640 --> 00:42:19,920
Speaker 1: to to ask if I had cameltoe.

754
00:42:20,480 --> 00:42:23,960
Speaker 2: So my question would be like that you know who's

755
00:42:24,000 --> 00:42:26,479
Speaker 2: watching it now? Or do you just let it ride

756
00:42:26,880 --> 00:42:28,640
Speaker 2: my camelte Yeah?

757
00:42:29,160 --> 00:42:31,520
Speaker 1: Oh, like when I'm at shows and stuff.

758
00:42:31,719 --> 00:42:32,719
Speaker 2: Or any around the.

759
00:42:32,680 --> 00:42:35,520
Speaker 1: House, Well, you know my husband's here.

760
00:42:36,160 --> 00:42:38,520
Speaker 2: Yeah, But I'm saying, does he did.

761
00:42:38,360 --> 00:42:42,240
Speaker 1: My cameltoe all day. I don't care it's camera.

762
00:42:42,960 --> 00:42:44,480
Speaker 2: You prefer it, is what you're saying.

763
00:42:44,640 --> 00:42:47,440
Speaker 1: No, I didn't prefer it in front of a camera.

764
00:42:47,840 --> 00:42:48,840
Speaker 1: It's okay at home?

765
00:42:49,640 --> 00:42:53,200
Speaker 2: Yeah? Is it okay at home? It sure is okay

766
00:42:53,320 --> 00:42:55,520
Speaker 2: if I want it to be, if you want, well,

767
00:42:55,520 --> 00:42:56,800
Speaker 2: do you want it to me? I guess it's my

768
00:42:56,880 --> 00:43:00,960
Speaker 2: question because you were so anti Campbell's hoewing you and well.

769
00:43:00,880 --> 00:43:03,919
Speaker 1: No, I was anti cammebltoe. If I was on pay

770
00:43:03,920 --> 00:43:05,560
Speaker 1: per view or right.

771
00:43:05,480 --> 00:43:09,040
Speaker 2: You wanted to class up the joint a little, I understand,

772
00:43:09,040 --> 00:43:13,880
Speaker 2: be demurre and and look, yes, I watch Anarchy Rules,

773
00:43:13,920 --> 00:43:15,240
Speaker 2: and I would say, how demure?

774
00:43:15,560 --> 00:43:18,360
Speaker 1: Okay, you're just pulling that out of the air. You

775
00:43:18,440 --> 00:43:21,000
Speaker 1: have no idea what I wore on Anarchy Rules.

776
00:43:21,239 --> 00:43:23,239
Speaker 2: I want to know what did you wear? Chad can

777
00:43:23,440 --> 00:43:25,160
Speaker 2: look Anarchy Rules?

778
00:43:25,160 --> 00:43:28,239
Speaker 3: Isn't that the under boom I just talked about that.

779
00:43:29,320 --> 00:43:32,279
Speaker 1: Let's not. We're not talking about that anyway. That was.

780
00:43:34,840 --> 00:43:35,120
Speaker 3: I was.

781
00:43:36,040 --> 00:43:38,040
Speaker 1: If I was on Hey and you brought that up,

782
00:43:38,080 --> 00:43:40,920
Speaker 1: I'd be like something better more.

783
00:43:41,080 --> 00:43:43,680
Speaker 2: That's a good question. A camblto question is a good question.

784
00:43:43,800 --> 00:43:47,640
Speaker 1: That's a ship question. Anyway. I am so glad that

785
00:43:47,920 --> 00:43:51,960
Speaker 1: you came on again, because I know it's so repetitious

786
00:43:52,080 --> 00:43:54,799
Speaker 1: and you do so many podcasts and now you know

787
00:43:54,880 --> 00:43:58,520
Speaker 1: you were here the last time, but now you're here, right,

788
00:43:59,080 --> 00:44:04,280
Speaker 1: So doing something for like small potatoes like myself.

789
00:44:04,600 --> 00:44:07,600
Speaker 2: Yes, supporting a local business, yeah.

790
00:44:07,920 --> 00:44:11,360
Speaker 1: I'm like your local indie podcast, yes, so to speak.

791
00:44:11,440 --> 00:44:14,600
Speaker 4: So I appreciate talent of your caliber.

792
00:44:14,719 --> 00:44:18,520
Speaker 2: Come you're so happy to get back to my roots here.

793
00:44:18,600 --> 00:44:21,960
Speaker 1: Do you miss wrestling? Do you miss getting in there

794
00:44:22,080 --> 00:44:24,960
Speaker 1: and grappling and donald.

795
00:44:26,320 --> 00:44:29,839
Speaker 2: I would say when I started at AW they are

796
00:44:29,960 --> 00:44:31,440
Speaker 2: very open in terms of like they were like, you

797
00:44:31,480 --> 00:44:33,080
Speaker 2: can work with the indies if you want, and I work

798
00:44:33,239 --> 00:44:37,200
Speaker 2: like a handful of shows. And I really realized that

799
00:44:38,440 --> 00:44:43,000
Speaker 2: if I could just have a match and then have

800
00:44:43,120 --> 00:44:46,600
Speaker 2: the five minutes afterwards, then I would be happy, and

801
00:44:46,640 --> 00:44:50,640
Speaker 2: then I would miss it. Everything else drove me insane,

802
00:44:51,160 --> 00:44:54,000
Speaker 2: and it's like not worth it. I don't want to

803
00:44:54,040 --> 00:44:55,919
Speaker 2: sit on the phone with the promoter for an hour.

804
00:44:56,400 --> 00:44:58,320
Speaker 2: It's not interesting. I don't want to hear about you

805
00:44:58,440 --> 00:45:02,399
Speaker 2: six month plans. I don't I don't care. I don't

806
00:45:02,400 --> 00:45:04,799
Speaker 2: want to shake every dirty hand when I walk into

807
00:45:04,840 --> 00:45:05,320
Speaker 2: the building.

808
00:45:05,680 --> 00:45:08,120
Speaker 6: It drives me insane. If I could just have a

809
00:45:08,160 --> 00:45:10,239
Speaker 6: max and then be left and just and then leave,

810
00:45:10,400 --> 00:45:12,319
Speaker 6: If I can just get into the car and leave,

811
00:45:12,800 --> 00:45:17,319
Speaker 6: I would be I would be happy. But I will

812
00:45:17,360 --> 00:45:20,280
Speaker 6: also say I feel like I am of much better

813
00:45:20,600 --> 00:45:24,439
Speaker 6: use in this regard. I don't know how I would

814
00:45:24,480 --> 00:45:29,160
Speaker 6: be able to like get this ediocy out uh in

815
00:45:29,239 --> 00:45:30,759
Speaker 6: a normal way on a wrestling chow.

816
00:45:30,960 --> 00:45:33,799
Speaker 1: So that promoter who calls you and lays out that

817
00:45:33,880 --> 00:45:36,640
Speaker 1: six month plan of you getting the strap in like

818
00:45:36,960 --> 00:45:40,520
Speaker 1: six months down the line, you just have to keep

819
00:45:40,560 --> 00:45:43,520
Speaker 1: coming back for six months and then you're not into it.

820
00:45:43,520 --> 00:45:45,120
Speaker 2: It's not Oh, I don't want to listen to you

821
00:45:45,280 --> 00:45:46,280
Speaker 2: breathe on the phone.

822
00:45:46,480 --> 00:45:49,520
Speaker 1: Yeah, how about the match that I was supposed to

823
00:45:49,520 --> 00:45:51,279
Speaker 1: come out to Canada for and work with you?

824
00:45:51,480 --> 00:45:54,200
Speaker 2: That's never gonna Yes, I will say, and I will

825
00:45:54,320 --> 00:45:57,640
Speaker 2: shout the mat say it.

826
00:45:55,280 --> 00:45:59,279
Speaker 1: Did bring into the business. If I say yes, yes.

827
00:45:59,160 --> 00:46:02,960
Speaker 2: Greek Town arrast has tried to book you multiple times.

828
00:46:03,400 --> 00:46:08,720
Speaker 2: The the owner is a huge ECW fan. They booked

829
00:46:08,760 --> 00:46:11,560
Speaker 2: every I'm surprised I haven't booked Chili Willie yet, Like

830
00:46:11,640 --> 00:46:14,040
Speaker 2: that's how many not even in the States. He's like,

831
00:46:14,120 --> 00:46:19,759
Speaker 2: you gotta go. Yeah, if you have any contact with him?

832
00:46:19,800 --> 00:46:22,719
Speaker 2: Can you just tell him anytime I've mentioned Chili Willy

833
00:46:22,840 --> 00:46:25,439
Speaker 2: somebody like in aw be like I love that guy.

834
00:46:25,600 --> 00:46:26,880
Speaker 1: I love Chili Willie.

835
00:46:27,440 --> 00:46:33,160
Speaker 2: Yeah, he was like the deep cut. No, I sure,

836
00:46:33,280 --> 00:46:36,160
Speaker 2: if you actually did a show, I would go. Would

837
00:46:36,200 --> 00:46:39,760
Speaker 2: I wrestle? Probably not? Would I do a promo? Sure?

838
00:46:40,160 --> 00:46:40,440
Speaker 1: Sure?

839
00:46:41,120 --> 00:46:43,640
Speaker 2: Yeah, Now I don't need to wrest Now, I'm like, what's.

840
00:46:43,400 --> 00:46:47,239
Speaker 1: The point You're saving your body?

841
00:46:47,400 --> 00:46:49,440
Speaker 2: What am I gonna do? I can chain? I just

842
00:46:49,520 --> 00:46:51,440
Speaker 2: don't you know.

843
00:46:52,280 --> 00:46:53,400
Speaker 1: Yeah, you're smart.

844
00:46:54,000 --> 00:46:56,560
Speaker 2: There's also people are always like, hey, what are you

845
00:46:56,560 --> 00:46:58,640
Speaker 2: gonna get in the ring for a w I'm like,

846
00:46:58,719 --> 00:47:01,320
Speaker 2: these are the greatest rest in the world.

847
00:47:02,040 --> 00:47:02,719
Speaker 1: You can't hang.

848
00:47:04,000 --> 00:47:10,320
Speaker 2: I'm fine with not hanging. What kind of you know, narcissistic,

849
00:47:11,360 --> 00:47:13,760
Speaker 2: demented mind. But I have to have to watch wrestle,

850
00:47:13,840 --> 00:47:16,480
Speaker 2: dream and go. I can do that. I can contribute

851
00:47:16,520 --> 00:47:17,439
Speaker 2: to this well.

852
00:47:17,520 --> 00:47:22,960
Speaker 1: You have contributed, although not in a in a you know,

853
00:47:23,040 --> 00:47:28,160
Speaker 1: an athletic capacity right like everyone else. But you are

854
00:47:28,239 --> 00:47:30,560
Speaker 1: doing such a good job. I'm not just saying that.

855
00:47:30,640 --> 00:47:33,719
Speaker 1: I've texted you multiple times and told you that you're

856
00:47:33,800 --> 00:47:36,680
Speaker 1: killing it, and you're You're very enjoyable.

857
00:47:36,719 --> 00:47:41,400
Speaker 2: You've given me, vague motivational comments, crushing it.

858
00:47:41,800 --> 00:47:43,440
Speaker 1: I look, what do you want me to do?

859
00:47:43,520 --> 00:47:43,640
Speaker 2: Right?

860
00:47:43,719 --> 00:47:45,399
Speaker 1: An essay war?

861
00:47:47,800 --> 00:47:50,920
Speaker 2: Everybody kills it? You're killing it? Yeah, you nailed it.

862
00:47:51,560 --> 00:47:55,839
Speaker 1: Listen. I don't talk to everybody, right, I'm not. I'm

863
00:47:55,880 --> 00:47:58,240
Speaker 1: friends with a handful of people there in aw.

864
00:47:58,000 --> 00:48:01,120
Speaker 2: You're one of them, me, Jerry?

865
00:48:01,200 --> 00:48:05,279
Speaker 1: Who else you and Jerry? Who am I friendly with? There?

866
00:48:06,040 --> 00:48:07,680
Speaker 1: I mean I'm friendly with people. If I see them

867
00:48:07,680 --> 00:48:11,160
Speaker 1: at conventions, I say hi, yes and talk to them

868
00:48:11,239 --> 00:48:14,960
Speaker 1: a little bit like Big Bill. I always say hi.

869
00:48:15,200 --> 00:48:19,680
Speaker 2: Big Bill. Another great episode of Hey, He's So Smart.

870
00:48:20,040 --> 00:48:23,279
Speaker 1: He was fun to watch. Oh. One of my favorites was.

871
00:48:23,239 --> 00:48:28,600
Speaker 2: Will Will which Will will Ospray was like, oh my god.

872
00:48:28,760 --> 00:48:33,680
Speaker 7: Sometimeses I go in because also, you know, a lot

873
00:48:33,680 --> 00:48:35,440
Speaker 7: of times I'm doing it on show days, a lot

874
00:48:35,440 --> 00:48:38,080
Speaker 7: of people have matches after this, and it's like, I

875
00:48:38,160 --> 00:48:40,279
Speaker 7: want to make it so you could phone this in

876
00:48:40,320 --> 00:48:41,239
Speaker 7: if you really want to.

877
00:48:41,440 --> 00:48:43,920
Speaker 2: Yeah, you know, so. I always think worst case scenario,

878
00:48:44,280 --> 00:48:47,359
Speaker 2: and then Will Ospray opens his mouth, and a lot

879
00:48:47,400 --> 00:48:52,239
Speaker 2: of times I'm really having my first conversation ever with

880
00:48:52,280 --> 00:48:56,640
Speaker 2: these people. John Moxley, certainly, the only time we have

881
00:48:56,760 --> 00:49:02,920
Speaker 2: spoken was what is on camera, I wouldn't to you.

882
00:49:06,239 --> 00:49:09,279
Speaker 2: So yeah, it's it's always like a weird blind date

883
00:49:09,440 --> 00:49:09,879
Speaker 2: in a way.

884
00:49:10,239 --> 00:49:13,759
Speaker 1: Yeah, but the chemistry, like I said, most of the

885
00:49:13,800 --> 00:49:17,200
Speaker 1: people you have really really good chemistry, and the couple

886
00:49:17,160 --> 00:49:19,360
Speaker 1: of few that are just like looking at you, it

887
00:49:19,480 --> 00:49:24,759
Speaker 1: just makes it to be funny. But it puts you

888
00:49:24,840 --> 00:49:27,200
Speaker 1: over even more because then you get to be your quirky,

889
00:49:27,520 --> 00:49:28,879
Speaker 1: weird you know, right.

890
00:49:29,480 --> 00:49:32,960
Speaker 2: I think it'll ultimately you see another side of the

891
00:49:33,000 --> 00:49:36,320
Speaker 2: talent just because they are suffering.

892
00:49:38,040 --> 00:49:42,480
Speaker 1: Okay, Well it's enjoyable and I believe it or not.

893
00:49:42,640 --> 00:49:44,759
Speaker 1: I I am proud of you, and I think you're

894
00:49:44,760 --> 00:49:47,359
Speaker 1: doing a really good job. I'm glad you landed where

895
00:49:47,400 --> 00:49:49,759
Speaker 1: you did, and I'm glad you put that tweet out

896
00:49:49,880 --> 00:49:52,239
Speaker 1: because you know this is your I'm killing it.

897
00:49:52,320 --> 00:49:54,879
Speaker 2: I'm killing it. You're killing It's alive and now it's

898
00:49:54,880 --> 00:49:56,960
Speaker 2: dead because because I killed it.

899
00:49:57,520 --> 00:50:01,239
Speaker 1: You've You've resurrected it. And you know, it's like you

900
00:50:01,440 --> 00:50:04,359
Speaker 1: it's like they should use you on the picture with

901
00:50:04,440 --> 00:50:07,840
Speaker 1: the AE w in Stone and it's like you're pushing

902
00:50:07,880 --> 00:50:09,600
Speaker 1: it up because you saved the company.

903
00:50:09,920 --> 00:50:15,439
Speaker 2: Right, Yeah, Yeah, I'm the Atlas.

904
00:50:16,040 --> 00:50:18,280
Speaker 1: Mount Rushmore is just RJ. Four times.

905
00:50:19,000 --> 00:50:21,239
Speaker 2: You know, you know who. I will also credit a

906
00:50:21,280 --> 00:50:25,360
Speaker 2: lot for opening doors culturally speaking and wrestling is like

907
00:50:25,520 --> 00:50:30,920
Speaker 2: it's Blue Meaning because he did something so much comedy

908
00:50:30,960 --> 00:50:34,799
Speaker 2: stuff in wrestling where it was not not done before him,

909
00:50:34,840 --> 00:50:39,279
Speaker 2: the BWO, all those parodies in real time, I mean

910
00:50:39,320 --> 00:50:42,040
Speaker 2: to parody. I mean, now everyone can make fun of

911
00:50:42,040 --> 00:50:45,440
Speaker 2: the nWo because it's been so long, but then to

912
00:50:45,600 --> 00:50:48,680
Speaker 2: parody it while it was happening and the hottest thing

913
00:50:48,880 --> 00:50:51,160
Speaker 2: was so like, oh my god, this is such a

914
00:50:51,200 --> 00:50:54,760
Speaker 2: great You didn't realize those kind of things were possible

915
00:50:54,800 --> 00:50:58,439
Speaker 2: in wrestling, Yes, you know. And don't get me wrong,

916
00:50:58,480 --> 00:51:01,600
Speaker 2: He's meaning has made some tremendous pieces of ship too.

917
00:51:02,120 --> 00:51:04,640
Speaker 2: He's not cranking out all the homers and he knows

918
00:51:04,680 --> 00:51:09,319
Speaker 2: that well and I find him inspiring. He always comes

919
00:51:09,320 --> 00:51:11,319
Speaker 2: in on the underwear chat all the time.

920
00:51:11,719 --> 00:51:14,600
Speaker 1: Yes, And oh you know who else I'm friendly with?

921
00:51:15,280 --> 00:51:19,279
Speaker 1: It always comes to say hi to me? Is Tony Shiavanni. Yeah,

922
00:51:19,400 --> 00:51:21,319
Speaker 1: always comes to say hello to me.

923
00:51:21,719 --> 00:51:27,120
Speaker 2: Yeah, he's America's friend. Really, he's a good man, a

924
00:51:28,400 --> 00:51:28,879
Speaker 2: great man.

925
00:51:30,400 --> 00:51:31,439
Speaker 1: Yes, I mean.

926
00:51:31,400 --> 00:51:35,040
Speaker 2: Black poor woman I met Lowis, did you Is she lovely?

927
00:51:35,560 --> 00:51:36,440
Speaker 2: She was a delight?

928
00:51:36,719 --> 00:51:39,400
Speaker 1: Yes, I'm sure she is. But you know, what do

929
00:51:39,440 --> 00:51:41,200
Speaker 1: you What are you saying? Who are your friends?

930
00:51:41,480 --> 00:51:41,600
Speaker 2: Like?

931
00:51:41,640 --> 00:51:43,000
Speaker 1: I have no friends?

932
00:51:43,200 --> 00:51:47,799
Speaker 2: What friend people? You said? I have some friends today.

933
00:51:50,040 --> 00:51:54,399
Speaker 1: My closest friend in ae W is Jerry Lynn. He's

934
00:51:54,480 --> 00:51:57,239
Speaker 1: my He's been my friend for thirty years. I mean,

935
00:51:57,719 --> 00:52:00,279
Speaker 1: you know, it's my closest friend. But I know people

936
00:52:00,280 --> 00:52:02,840
Speaker 1: who work there that I see that I seek to

937
00:52:03,160 --> 00:52:04,400
Speaker 1: a handful of the girls.

938
00:52:04,440 --> 00:52:05,839
Speaker 4: They're lovely, you know.

939
00:52:05,920 --> 00:52:08,920
Speaker 1: I'm just happy for everyone. And when I see callous

940
00:52:09,640 --> 00:52:14,080
Speaker 1: don callous. Yes, right, he's a friend I don't know

941
00:52:14,560 --> 00:52:15,640
Speaker 1: very often, but you.

942
00:52:15,719 --> 00:52:17,799
Speaker 2: Know, he's not a he's not a let's get a

943
00:52:17,840 --> 00:52:18,719
Speaker 2: coffee kind of guy.

944
00:52:18,880 --> 00:52:21,399
Speaker 1: No, But when I see them, it's all loved.

945
00:52:22,560 --> 00:52:26,799
Speaker 2: Yeah, act like I don't. Some people are friends. You're

946
00:52:26,840 --> 00:52:29,560
Speaker 2: friends with some people. I'm not you specifically, but some

947
00:52:29,600 --> 00:52:31,480
Speaker 2: people you're able to be friends with them because you're

948
00:52:31,520 --> 00:52:32,200
Speaker 2: at a distance.

949
00:52:33,080 --> 00:52:37,200
Speaker 1: Well it's because we were colleagues, yeah, you know, and

950
00:52:37,239 --> 00:52:39,560
Speaker 1: then you get that friendship going. But there's some of

951
00:52:39,560 --> 00:52:42,040
Speaker 1: them closer with than others. So but I'll tell you

952
00:52:42,080 --> 00:52:44,640
Speaker 1: if I see them, you know, a hug of kids.

953
00:52:45,040 --> 00:52:46,560
Speaker 1: How are you doing a couple of words?

954
00:52:46,760 --> 00:52:50,040
Speaker 2: It's nice, Yeah, you're affable. You're very affable.

955
00:52:50,239 --> 00:52:54,960
Speaker 1: Well, you're very You're very charming despite this hard exterior

956
00:52:55,000 --> 00:52:57,799
Speaker 1: that I'm saying, which you know, I don't know if

957
00:52:57,840 --> 00:53:01,560
Speaker 1: AW is tarnishing you or whatever, but you know, let's just.

958
00:53:01,840 --> 00:53:05,960
Speaker 2: They've ruined my image.

959
00:53:04,520 --> 00:53:06,520
Speaker 1: From remember where he came from.

960
00:53:06,560 --> 00:53:08,480
Speaker 2: Okay, i'd get my humble beginning.

961
00:53:08,520 --> 00:53:12,120
Speaker 1: I'll forget that, but I am. I'm super happy for you, seriously.

962
00:53:12,880 --> 00:53:17,640
Speaker 1: I hope you continue to do great things. And you know,

963
00:53:18,080 --> 00:53:21,799
Speaker 1: if we ever see each other again, I'm coming on

964
00:53:22,080 --> 00:53:23,560
Speaker 1: the Coffee show because.

965
00:53:23,320 --> 00:53:26,120
Speaker 2: We'd love it. I wonder if I think I can

966
00:53:26,160 --> 00:53:28,440
Speaker 2: get you on. Hey, he's opened the door. Before. We

967
00:53:28,480 --> 00:53:29,560
Speaker 2: had David Arquette on.

968
00:53:30,040 --> 00:53:32,000
Speaker 1: I know, I question that to you.

969
00:53:32,200 --> 00:53:35,040
Speaker 2: Yeah, we had r v D on. We talked about orgies,

970
00:53:35,480 --> 00:53:36,919
Speaker 2: well rg etiquette.

971
00:53:37,160 --> 00:53:39,120
Speaker 1: Yeah, but r v D came in for a couple

972
00:53:39,160 --> 00:53:39,719
Speaker 1: of shots.

973
00:53:39,920 --> 00:53:42,600
Speaker 2: Right. You gotta get booked, roll around, put on a

974
00:53:42,600 --> 00:53:44,439
Speaker 2: hood and wrestle a dark match.

975
00:53:44,680 --> 00:53:48,000
Speaker 1: Maybe one day. Here's here's what we might do, maybe

976
00:53:48,040 --> 00:53:50,120
Speaker 1: one day. Jerry always invites me.

977
00:53:50,680 --> 00:53:52,000
Speaker 2: And I'm never come.

978
00:53:52,440 --> 00:53:55,520
Speaker 1: I never come, no because I don't like traveling by

979
00:53:55,520 --> 00:53:58,239
Speaker 1: myself and I don't I can't get my kids aren't

980
00:53:58,239 --> 00:53:59,680
Speaker 1: into wrestling, so I wouldn't take that.

981
00:54:00,280 --> 00:54:02,399
Speaker 2: And can I say good for them?

982
00:54:02,680 --> 00:54:05,080
Speaker 1: Yeah, they don't like it. They don't and they don't

983
00:54:05,120 --> 00:54:07,719
Speaker 1: even put me over like to watch it. They're like, way,

984
00:54:08,040 --> 00:54:10,040
Speaker 1: why should they because they don't want to see their

985
00:54:10,080 --> 00:54:12,840
Speaker 1: mom get hurt. Which it's very endearing. I like that

986
00:54:12,880 --> 00:54:15,279
Speaker 1: because you got the shit knocked out of me a lot.

987
00:54:15,320 --> 00:54:18,480
Speaker 1: But that's okay. But so my husband would have to

988
00:54:18,480 --> 00:54:20,239
Speaker 1: stay and watch the kids, so then I have to

989
00:54:20,280 --> 00:54:25,360
Speaker 1: go alone. I really want to go alone. No, not really,

990
00:54:25,600 --> 00:54:29,640
Speaker 1: but if I can came one of these days, I'll

991
00:54:29,680 --> 00:54:34,080
Speaker 1: sit ringside. You guys can put me over just by

992
00:54:34,080 --> 00:54:36,000
Speaker 1: putting the camera on me. I'll do my little wave

993
00:54:36,080 --> 00:54:37,279
Speaker 1: and then maybe I can do it.

994
00:54:37,760 --> 00:54:39,640
Speaker 2: Hey, I think it would be nice.

995
00:54:39,800 --> 00:54:41,680
Speaker 1: We can try one can dream.

996
00:54:42,080 --> 00:54:43,440
Speaker 2: I think it would be really nice.

997
00:54:43,520 --> 00:54:46,080
Speaker 1: I think I'll make that my goal for twenty twenty five.

998
00:54:46,960 --> 00:54:49,800
Speaker 2: Can I tell you something good for you for setting

999
00:54:49,920 --> 00:54:51,000
Speaker 2: attainable goals?

1000
00:54:51,040 --> 00:54:51,439
Speaker 1: My goal?

1001
00:54:52,160 --> 00:54:54,120
Speaker 2: Yeah? Not too unreasonable.

1002
00:54:54,160 --> 00:54:56,799
Speaker 1: Listen, I can be all elite for like a day.

1003
00:54:57,440 --> 00:55:00,919
Speaker 2: I don't even have a graphic. I'm not even all elite.

1004
00:55:01,560 --> 00:55:05,799
Speaker 1: Yeah, Chad, make a graphic for me. I would say,

1005
00:55:05,160 --> 00:55:09,040
Speaker 1: only one day. Only how great would that be?

1006
00:55:09,480 --> 00:55:13,080
Speaker 2: That would be great. I would say I'm about forty elite.

1007
00:55:14,320 --> 00:55:16,000
Speaker 4: Now I'd say you're about sixty seven.

1008
00:55:16,600 --> 00:55:17,080
Speaker 2: Well, thank you.

1009
00:55:17,160 --> 00:55:19,839
Speaker 1: Then you're going you're moving on. But if we see

1010
00:55:19,840 --> 00:55:22,080
Speaker 1: each other at a convention, we could always shoot one.

1011
00:55:22,560 --> 00:55:24,440
Speaker 1: Doesn't have to be professional, right.

1012
00:55:24,600 --> 00:55:27,040
Speaker 2: No, it's never professional. Yeah.

1013
00:55:27,080 --> 00:55:29,200
Speaker 1: We could just shoot it and then if he wants

1014
00:55:29,239 --> 00:55:30,000
Speaker 1: to use it.

1015
00:55:30,360 --> 00:55:35,440
Speaker 2: Hey, yeah, hey, hey, really good yeah, real strong branding.

1016
00:55:35,880 --> 00:55:38,680
Speaker 1: Yeah, thank you. Do you have anything you'd like to plug?

1017
00:55:39,360 --> 00:55:41,839
Speaker 2: So this is my issue here with the plugs. You're

1018
00:55:41,880 --> 00:55:44,840
Speaker 2: the host. Yeah, you've got a pen, you have a paper.

1019
00:55:44,960 --> 00:55:47,680
Speaker 2: Why aren't you plugging? If I go on, let's say

1020
00:55:47,719 --> 00:55:49,960
Speaker 2: Dick Cavit, I would you know if you were a

1021
00:55:50,000 --> 00:55:53,160
Speaker 2: guest on my show, I would say the podcast is

1022
00:55:53,239 --> 00:55:56,160
Speaker 2: eyes up here, and I've been talking with Francine. I

1023
00:55:56,200 --> 00:55:57,600
Speaker 2: would be handling your plugs.

1024
00:55:57,760 --> 00:56:01,520
Speaker 1: I let the guest plug all the stuff because.

1025
00:56:01,200 --> 00:56:02,280
Speaker 2: You don't want to do the work.

1026
00:56:02,600 --> 00:56:05,080
Speaker 1: No, it's not that I don't want to do the work.

1027
00:56:05,160 --> 00:56:05,759
Speaker 1: I brought up.

1028
00:56:06,080 --> 00:56:07,799
Speaker 2: Hell, what else is there? What else is there?

1029
00:56:09,520 --> 00:56:12,320
Speaker 1: I talked about that, I talked about everything.

1030
00:56:12,760 --> 00:56:17,600
Speaker 2: Okay, wow, what does your circle? What's got the circle? There?

1031
00:56:18,360 --> 00:56:19,000
Speaker 1: Coffee.

1032
00:56:19,880 --> 00:56:21,240
Speaker 2: I had to write that down.

1033
00:56:21,680 --> 00:56:22,120
Speaker 1: Coffee.

1034
00:56:22,400 --> 00:56:25,799
Speaker 2: I want to make sure I get to this. It's

1035
00:56:25,840 --> 00:56:29,520
Speaker 2: like a real Larry King level. What do I have

1036
00:56:29,560 --> 00:56:32,400
Speaker 2: written here? I have coffee. I want to talk about coffee.

1037
00:56:32,560 --> 00:56:35,040
Speaker 1: This interview was like one of the best that you've

1038
00:56:35,080 --> 00:56:36,359
Speaker 1: ever in your life.

1039
00:56:36,400 --> 00:56:39,080
Speaker 2: Yeah, we're coming to New Jersey. You know.

1040
00:56:42,120 --> 00:56:42,359
Speaker 1: When?

1041
00:56:43,120 --> 00:56:45,560
Speaker 2: When are you full gear? When's full gear?

1042
00:56:45,920 --> 00:56:46,640
Speaker 3: Can I interject?

1043
00:56:46,640 --> 00:56:46,920
Speaker 2: Please?

1044
00:56:46,960 --> 00:56:48,080
Speaker 1: Aw full gear?

1045
00:56:48,520 --> 00:56:52,040
Speaker 3: November twenty third, twenty twenty four from the Prudential Center

1046
00:56:52,120 --> 00:56:53,320
Speaker 3: in Newark, New Jersey.

1047
00:56:54,800 --> 00:56:57,120
Speaker 1: Neighbor Oh, don't say that.

1048
00:56:58,120 --> 00:57:00,440
Speaker 2: No wrestling show was in a good neighborhood.

1049
00:57:00,040 --> 00:57:03,440
Speaker 1: Because I should say. I should say part.

1050
00:57:03,760 --> 00:57:05,880
Speaker 2: Wow, thanks for handling my blood.

1051
00:57:06,680 --> 00:57:08,960
Speaker 3: Take the train, get there, it'll be nice.

1052
00:57:09,840 --> 00:57:12,880
Speaker 1: Are you kidding? Jersey Transy you get there to second

1053
00:57:13,239 --> 00:57:17,400
Speaker 1: public transportation? Maybe can I bring a plus one?

1054
00:57:18,720 --> 00:57:19,000
Speaker 2: Sure?

1055
00:57:19,760 --> 00:57:22,000
Speaker 1: If I can get a friend to come with me,

1056
00:57:22,160 --> 00:57:24,800
Speaker 1: maybe I'll come see you. Would you encourage me?

1057
00:57:25,680 --> 00:57:28,080
Speaker 2: Absolutely? It would be you and Chili Willy.

1058
00:57:28,160 --> 00:57:33,000
Speaker 1: You're saying no, he's in like Antigua or something. Yeah,

1059
00:57:34,520 --> 00:57:37,760
Speaker 1: text me because I'm book three weekends in November.

1060
00:57:37,880 --> 00:57:40,880
Speaker 2: I don't know if that's right. Yeah, Okay, are you

1061
00:57:40,920 --> 00:57:45,800
Speaker 2: going the wrestle Keid. Maybe when's that.

1062
00:57:45,040 --> 00:57:46,960
Speaker 4: That's that's Thanksgiving weekend.

1063
00:57:47,320 --> 00:57:50,400
Speaker 2: Oh no, I'll probably do like the con, not the cad.

1064
00:57:51,440 --> 00:57:53,120
Speaker 1: Oh that's in Vegas.

1065
00:57:53,400 --> 00:57:59,160
Speaker 2: Yeah, Vegas. Got I was to inhale air conditioning, secondhand smoke.

1066
00:57:59,360 --> 00:58:04,000
Speaker 1: We talked before the Philly Con and said, oh, we're

1067
00:58:04,040 --> 00:58:06,320
Speaker 1: going to see each other, and then you never even.

1068
00:58:06,160 --> 00:58:10,480
Speaker 2: Saw nothing, nothing because it was like three levels.

1069
00:58:10,720 --> 00:58:13,600
Speaker 1: Oh my god, you're such an old geezer.

1070
00:58:13,880 --> 00:58:16,040
Speaker 2: It's really I'm stuck behind Danny Doring.

1071
00:58:16,400 --> 00:58:20,880
Speaker 1: I can't even tell you. Yeah, how devastated I was.

1072
00:58:21,680 --> 00:58:24,520
Speaker 2: Well, you're gonna have a chance Vegas.

1073
00:58:24,560 --> 00:58:29,040
Speaker 1: Maybe Vegas. Yeah right, text me the Infood for Jersey.

1074
00:58:29,080 --> 00:58:30,960
Speaker 2: I'm gonna text you that and the All in the

1075
00:58:30,960 --> 00:58:32,120
Speaker 2: Family episode.

1076
00:58:31,760 --> 00:58:34,480
Speaker 1: And I'm not coming, but I'll pretend to great.

1077
00:58:34,880 --> 00:58:37,360
Speaker 2: Thanks. Maybe I can.

1078
00:58:37,240 --> 00:58:39,280
Speaker 1: Find somebody to go with. I just don't like to

1079
00:58:39,280 --> 00:58:42,160
Speaker 1: go by myself. No, you know what the other things.

1080
00:58:42,160 --> 00:58:43,880
Speaker 1: I don't want people think. And I want a job

1081
00:58:43,960 --> 00:58:45,200
Speaker 1: because I so don't.

1082
00:58:45,480 --> 00:58:47,680
Speaker 2: I just let me tell you something. You walk in

1083
00:58:47,720 --> 00:58:49,680
Speaker 2: that building, I will point at you and I will say,

1084
00:58:49,800 --> 00:58:52,840
Speaker 2: do not hire this woman, no matter what you do.

1085
00:58:53,200 --> 00:58:56,600
Speaker 2: Sh don't give her a time. Don't give her a plug,

1086
00:58:56,640 --> 00:58:57,600
Speaker 2: don't give her anything.

1087
00:58:57,680 --> 00:59:00,840
Speaker 1: That's fine. I just I'm not looking for anything. I'm

1088
00:59:00,880 --> 00:59:01,960
Speaker 1: just looking to be entertained.

1089
00:59:02,480 --> 00:59:04,160
Speaker 4: And that's why I watch you.

1090
00:59:04,640 --> 00:59:07,000
Speaker 2: Yeah, thank you really really wrapped it up.

1091
00:59:07,520 --> 00:59:10,560
Speaker 4: Well, if you have no plugs, I gave you an opportunity.

1092
00:59:10,680 --> 00:59:12,680
Speaker 2: Well, I try to, and then you use shit all

1093
00:59:12,680 --> 00:59:14,120
Speaker 2: over Newark everything.

1094
00:59:14,200 --> 00:59:17,240
Speaker 1: No, I didn't, I said part of really Dad, all right,

1095
00:59:17,400 --> 00:59:20,320
Speaker 1: Well what is the pay per view? Full what contact?

1096
00:59:20,360 --> 00:59:27,160
Speaker 2: Well gear full gear, full gear? Remember next one? Yes,

1097
00:59:28,440 --> 00:59:29,120
Speaker 2: it seems like.

1098
00:59:29,120 --> 00:59:30,960
Speaker 1: You guys have a pay per view every week and

1099
00:59:31,000 --> 00:59:32,120
Speaker 1: now I have to wait a month.

1100
00:59:33,320 --> 00:59:35,280
Speaker 2: Yes, it's gonna be a little there's a little lull

1101
00:59:35,320 --> 00:59:37,800
Speaker 2: here in a good way the Last Woman's Wrestle dream,

1102
00:59:37,840 --> 00:59:39,880
Speaker 2: and we got I don't know, six weeks. Maybe.

1103
00:59:40,080 --> 00:59:42,960
Speaker 1: Yeah, it's a why Okay, I'm not knocking it. I

1104
00:59:43,000 --> 00:59:43,640
Speaker 1: think it's great.

1105
00:59:44,120 --> 00:59:48,440
Speaker 2: But we're on TV every Wednesday, Dynamites every Wednesday, gram Pictures,

1106
00:59:48,440 --> 00:59:52,439
Speaker 2: Friday Collision is Saturday, seven am Eastern at the crack

1107
00:59:52,480 --> 00:59:56,760
Speaker 2: of dawn Sunday mornings. Hey on YouTube dot com slash

1108
00:59:56,800 --> 00:59:58,720
Speaker 2: aw is heyw Despite my.

1109
00:59:58,680 --> 01:00:02,000
Speaker 1: Best efforts, what night or you on? Are you on

1110
01:00:02,160 --> 01:00:03,400
Speaker 1: any of the weekly shows?

1111
01:00:03,400 --> 01:00:04,880
Speaker 2: I'm none of them. I come out and I sing

1112
01:00:04,920 --> 01:00:06,280
Speaker 2: the national anthem before they started.

1113
01:00:06,520 --> 01:00:08,400
Speaker 1: Do I get out of here? All right?

1114
01:00:08,960 --> 01:00:10,840
Speaker 4: You were a delight as always.

1115
01:00:11,440 --> 01:00:16,080
Speaker 2: Okay, well I'll text you, yes, yes, thanks.

1116
01:00:16,120 --> 01:00:19,160
Speaker 1: Let's FaceTime and watch John Ritter sometimes I would love to.

1117
01:00:19,440 --> 01:00:20,000
Speaker 5: Let's do that.

1118
01:00:20,280 --> 01:00:23,600
Speaker 4: It's indeed, all right, everybody, r J SETTI go watch him.

1119
01:00:23,880 --> 01:00:28,480
Speaker 1: Hey, coffee, thanks for coming on.

1120
01:00:29,240 --> 01:00:30,200
Speaker 2: Yeah, thanks a lot.

1121
01:00:30,400 --> 01:00:32,440
Speaker 1: All right, I'll talk to you soon.

1122
01:00:32,920 --> 01:00:34,320
Speaker 2: Goodbye, goodbye?

1123
01:00:35,240 --> 01:00:35,560
Speaker 3: Do you.

1124
01:00:39,000 --> 01:00:42,480
Speaker 1: Get off my screen already? He is so freakin sarcastic.

1125
01:00:43,800 --> 01:00:47,200
Speaker 1: I'm gonna text him right now. You are the worst?

1126
01:00:48,720 --> 01:00:49,320
Speaker 1: Was that fun?

1127
01:00:49,920 --> 01:00:52,240
Speaker 2: That was fun? I love the I wish we did

1128
01:00:52,280 --> 01:00:53,560
Speaker 2: more of the sitcom talk.

1129
01:00:55,560 --> 01:00:57,880
Speaker 1: Yeah, well then I wouldn't have been able to talk

1130
01:00:57,920 --> 01:00:58,400
Speaker 1: to him.

1131
01:00:58,240 --> 01:01:01,640
Speaker 2: About him, I know, but the sitcoms.

1132
01:01:02,000 --> 01:01:06,760
Speaker 1: He knows all the secrets of Don Knox and.

1133
01:01:05,920 --> 01:01:10,440
Speaker 3: The Don Knox, the Norman Fell, you know, the company.

1134
01:01:11,320 --> 01:01:16,640
Speaker 3: You know, the Ropers and the jizz spot on the

1135
01:01:16,800 --> 01:01:18,680
Speaker 3: logo of the Ropers.

1136
01:01:18,200 --> 01:01:20,280
Speaker 1: Uh do you think television?

1137
01:01:20,400 --> 01:01:22,240
Speaker 4: Do you think he's jealous of Renee?

1138
01:01:23,960 --> 01:01:25,200
Speaker 2: I mean, I can't speculate.

1139
01:01:25,800 --> 01:01:28,760
Speaker 1: I don't know what that is. They have such a

1140
01:01:28,760 --> 01:01:33,480
Speaker 1: great dynamic. I think it was all a ruse I swear.

1141
01:01:33,760 --> 01:01:39,320
Speaker 3: My favorite My favorite line was how he the line

1142
01:01:39,360 --> 01:01:42,040
Speaker 3: about the interview shows was my favorite line of this

1143
01:01:42,320 --> 01:01:43,280
Speaker 3: entire episode.

1144
01:01:43,680 --> 01:01:44,400
Speaker 1: What did he say?

1145
01:01:44,480 --> 01:01:46,440
Speaker 3: I don't know how he's been on so many of

1146
01:01:46,440 --> 01:01:51,800
Speaker 3: the bad interview shows on the podcast that that that

1147
01:01:51,800 --> 01:01:53,800
Speaker 3: that tickled me like you would not believe.

1148
01:01:53,920 --> 01:01:54,959
Speaker 2: I just I love that.

1149
01:01:54,960 --> 01:01:58,040
Speaker 1: That just made me feel closer. He is a character.

1150
01:02:01,080 --> 01:02:01,840
Speaker 1: I'm exhausted.

1151
01:02:02,000 --> 01:02:05,000
Speaker 4: All right, you got anything you want to promote?

1152
01:02:05,760 --> 01:02:12,240
Speaker 3: Just chatty and b on X and ib exclusives on Instagram.

1153
01:02:12,480 --> 01:02:16,200
Speaker 3: All the latest fries up here will be on that

1154
01:02:16,840 --> 01:02:19,760
Speaker 3: social media. All the sharing I do from the Queen

1155
01:02:19,800 --> 01:02:24,600
Speaker 3: of Extreme and everything coming from our great YouTube channel.

1156
01:02:24,600 --> 01:02:27,040
Speaker 3: But I'll let you give the big old grand plug

1157
01:02:27,080 --> 01:02:27,560
Speaker 3: for that one.

1158
01:02:27,760 --> 01:02:32,360
Speaker 1: Yeah, YouTube, I don't know what's going on again. If

1159
01:02:32,920 --> 01:02:36,880
Speaker 1: you're not getting notifications, please let us know. Some people

1160
01:02:36,960 --> 01:02:40,200
Speaker 1: say they are, some people say they're not. It's ECWD

1161
01:02:40,320 --> 01:02:43,959
Speaker 1: for free scene with an exclamation point. Subscriptions are free.

1162
01:02:44,040 --> 01:02:47,200
Speaker 1: All you have to do is hit the subscribe button,

1163
01:02:47,360 --> 01:02:50,360
Speaker 1: hit the little bell so you get the notifications. And

1164
01:02:50,400 --> 01:02:51,840
Speaker 1: if you want to be a channel member, it's only

1165
01:02:51,920 --> 01:02:55,840
Speaker 1: five ninety nine for the month. You will get exclusive

1166
01:02:55,880 --> 01:03:00,200
Speaker 1: content that cannot be seen as a regular subscriber. Go

1167
01:03:00,240 --> 01:03:03,200
Speaker 1: on and check that out. If you're not following me

1168
01:03:03,640 --> 01:03:07,560
Speaker 1: on iHeartRadio or subscribed on Spotify, Apple or wherever you

1169
01:03:07,600 --> 01:03:09,880
Speaker 1: get your podcasts, please go and do so. That is

1170
01:03:09,880 --> 01:03:14,080
Speaker 1: also free and it does help out. And let us

1171
01:03:14,120 --> 01:03:15,680
Speaker 1: know what you want to see next. If there's any

1172
01:03:15,720 --> 01:03:19,000
Speaker 1: guests you want us to put on, drop me a comment,

1173
01:03:19,200 --> 01:03:19,720
Speaker 1: let me know.

1174
01:03:20,000 --> 01:03:23,120
Speaker 4: I will say really quickly. Rhode Island Comic Con is

1175
01:03:23,800 --> 01:03:28,080
Speaker 4: November first to the third of twenty twenty four. We

1176
01:03:28,160 --> 01:03:32,840
Speaker 4: have the big event November ninth of twenty twenty four,

1177
01:03:32,960 --> 01:03:36,280
Speaker 4: and we also have Wrestle Cad Weekend which is November

1178
01:03:36,280 --> 01:03:38,080
Speaker 4: twenty ninth to December.

1179
01:03:37,600 --> 01:03:40,560
Speaker 1: First of this year, twenty twenty four. Come on down

1180
01:03:40,640 --> 01:03:43,880
Speaker 1: and see me. I would love to talk to you.

1181
01:03:45,480 --> 01:03:48,880
Speaker 1: And R Jay's texting me like a madman right now.

1182
01:03:48,920 --> 01:03:51,360
Speaker 3: I'll blowing you up like will.

1183
01:03:51,560 --> 01:03:52,680
Speaker 1: I will get to him in a minute.

1184
01:03:52,800 --> 01:03:54,960
Speaker 3: Mister cleaning out the toilet.

1185
01:03:54,600 --> 01:03:57,600
Speaker 1: Mister ruper. Anyway, thanks for listening, guys. I hope you're

1186
01:03:57,640 --> 01:04:00,000
Speaker 1: saying safe. I hope you're staying healthy, and most of all,

1187
01:04:00,160 --> 01:04:01,640
Speaker 1: I hope you're saying extreme.

1188
01:04:04,680 --> 01:04:14,560
Speaker 8: Yeah. H Francine Francis Queen Extreme Extreme Odds up here,

1189
01:04:14,840 --> 01:04:21,120
Speaker 8: Hens Head, The Queen Extreme Podcast odes up here, Hey head,

1190
01:04:21,640 --> 01:04:25,560
Speaker 8: it's the Queen Extreme Podcast. It's the Queen of Extreme

1191
01:04:25,760 --> 01:04:26,720
Speaker 8: Bruny and the letter.

1192
01:04:26,800 --> 01:04:28,800
Speaker 1: She is the Woman nifty Dreams.

1193
01:04:28,520 --> 01:04:31,880
Speaker 8: Legend on the Scene. Francine Podcast, What you mean with

1194
01:04:32,080 --> 01:04:34,439
Speaker 8: your dream? Place to show you what you need. Find

1195
01:04:34,560 --> 01:04:37,320
Speaker 8: the stand of Queens from the Beginning of Time. Odds

1196
01:04:37,400 --> 01:04:40,320
Speaker 8: here our Heart Radio, shine only ahead and tell you

1197
01:04:40,280 --> 01:04:42,920
Speaker 8: a story from the wind. The Legend Odds up here,

1198
01:04:43,040 --> 01:04:45,120
Speaker 8: The Queen Nobody's like Frand Scene