WEBVTT - She's the Man with Samee Junio

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<v Speaker 1>On the Beckel Cast, the questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? The patriarchy? Zef invest start

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<v Speaker 1>changing it with the Bechdel Cast. Hello, and welcome to

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<v Speaker 1>the Bechtel Cast. My name is Caitlin Darante. My name

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<v Speaker 1>is Jamie Loftus. I'm sick today. You're sick. Everyone should

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<v Speaker 1>feel so bad for me. I feel so bad wondering

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<v Speaker 1>the streets, just getting passed by to be like, are

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<v Speaker 1>you sick? I'm so sorry. So we are the Bechtel Cast.

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<v Speaker 1>We talk about the portrayal of women in movies. We

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<v Speaker 1>use the Bechtel test as a test that just initiates

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<v Speaker 1>a larger conversation for us, a larger conversation about the

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<v Speaker 1>representation of women in cinema. The Bechtel test is a

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<v Speaker 1>test that requires that two female identifying characters in a

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<v Speaker 1>movie have names, they speak to each other, and their

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<v Speaker 1>conversation is not about a man. Yes, Hey, let's demo it.

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<v Speaker 1>Let's Caitlyn. Hey, Jamie, have you ever tried pedal light?

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<v Speaker 1>I don't think that I have. I've had two jugs.

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<v Speaker 1>They only sell them in jug form. For some reason.

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<v Speaker 1>We've had two jugs of po Light in the past

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<v Speaker 1>twenty four hours, and I started very anti pedia Light,

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<v Speaker 1>But like in movies, the PDA light wore me down

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<v Speaker 1>and I'm fully in love with Polite. It's my beverage

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<v Speaker 1>of choice, replacing Mike's hard lemonade. Even Okay, now it

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<v Speaker 1>doesn't pass anymore because you brought Mike into the conversation.

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<v Speaker 1>Unbelievable might be. Yeah, I think that pel It's my

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<v Speaker 1>new chaser. Okay, good, Yeah, just take a swig of

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<v Speaker 1>vodka and a swing of Pedi Light. You're basically sober now.

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<v Speaker 1>Ped Light is like a children's beverage, yes, but you

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<v Speaker 1>also drink it when you're sick. It's supposed to keep

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<v Speaker 1>you hydrated and and safe. You know what other occasion

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<v Speaker 1>you might need to be hydrated, like playing soccer. See

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<v Speaker 1>where this is going. For example, you did that this morning.

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<v Speaker 1>I did that this morning. It was fun my team

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<v Speaker 1>one really yeah, sorry, that was that's exciting, thank you? Yeah.

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<v Speaker 1>And also soccer related is the movie we're talking about today, Well,

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<v Speaker 1>you're talking about She's the Man. This is like our

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<v Speaker 1>second soccer movie and our second Shakespeare adaptation we've discussed recently. Yes, indeed,

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<v Speaker 1>observation campaigned second movie recently, also by the screenwriting duo

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<v Speaker 1>of Karen McCullough and Kirsten Smith. Oh I didn't know that. Yes, wow, oh, yes,

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<v Speaker 1>they're you know they're the Shakespeare gals? Right? Is that

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<v Speaker 1>what their podcast is called? Just kidding? So to join

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<v Speaker 1>us in our discussion about the movie, our guest today

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<v Speaker 1>is the producer of Historical Roast and Fictional Roast, the

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<v Speaker 1>producer of many podcasts including Forever thirty five and Mother

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<v Speaker 1>May I Sleep With Sammy Junia. Hello, it's me, my

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<v Speaker 1>dear friends, man, it's me reboot Sammy one. Have you

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<v Speaker 1>tried the Electrolyte. They've rebranded Polite to be electro l

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<v Speaker 1>y t, Electrolyte or Electrolyte, and they sell it at

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<v Speaker 1>seven elevens and I've consumed crates of it. It's great. Well, yeah,

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<v Speaker 1>so you don't have to buy a jug. You can

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<v Speaker 1>just buy it. I was feeling the stigma of the

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<v Speaker 1>plighted jug because that's just like carrying it outside and

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<v Speaker 1>Saturday night and everyone's like, she's very sick because she's demented.

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<v Speaker 1>If I'm gonna buy it. Everyge hydrated, be careful, she's

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<v Speaker 1>demented and very hydrated. So Sammy, tell us about your relationship,

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<v Speaker 1>your history with She's the Man. Well, I've seen it

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<v Speaker 1>maybe thirteen times in the past day. I was like

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<v Speaker 1>once every two hours watching it right now, it's in

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<v Speaker 1>Google glass. I watched a lot when I was younger,

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<v Speaker 1>and I just I think this movie is so so

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<v Speaker 1>flawless and perfect and wonderful and magical. And that's a

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<v Speaker 1>that's a relationship. I'm married to the movie. Okay, great,

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<v Speaker 1>I can't twelve years strong unbe inspiring. Yeah, truly, congratulations.

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<v Speaker 1>I'm also cosplaying you are as an Illyrian. Yes you are.

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<v Speaker 1>We will take a photograph. We will post it on

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<v Speaker 1>our Instagram. Sammy is dressed as Sebastian and She's the Man.

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<v Speaker 1>You're looking very dapper. Thank you, Jamie. What's your history

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<v Speaker 1>with She's the Man? It's this morning? Yep, yep. Thoughts

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<v Speaker 1>loved it? Yeahs yes, it's so fun. And because it was,

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<v Speaker 1>this was like one of the many, like the decade

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<v Speaker 1>preceding this, and I think that they sort of like

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<v Speaker 1>peter out after this. But this was one of many

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<v Speaker 1>Shakespeare adaptations coming out in the late nineties into the

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<v Speaker 1>two thousands for teenagers, it was like this bizarre movie

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<v Speaker 1>fat and this was kind of the last and the

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<v Speaker 1>best that I've seen of all of them. Where were

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<v Speaker 1>the other ones? I've got? I've got a hot list

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<v Speaker 1>ten things I hate about you in episode the True

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<v Speaker 1>Romeo plus Juliet that bas that bazaster as I like

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<v Speaker 1>to call the disaster piece called klet is horrified with

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<v Speaker 1>the disastrous piece. There's others. I have a power list somewhere.

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<v Speaker 1>I'll find it. God, what's happening? I just turned into

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<v Speaker 1>who's the Who's the nerdy girl in this movie? I

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<v Speaker 1>just sound like her? Oh? Unice, Oh, I can't wait

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<v Speaker 1>to talk about Unice. Um. I saw this movie I

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<v Speaker 1>think when it first came out in two thousands six,

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<v Speaker 1>and I really enjoyed it. But for some reason, it

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<v Speaker 1>was not a DVD that I ever added to my collection,

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<v Speaker 1>so I didn't watch it throughout the years, which was

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<v Speaker 1>a mistake, because I have seen this movie maybe four

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<v Speaker 1>to five times in the past, like five days. Addicted, yeah,

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<v Speaker 1>and obsessed. Now I'm surprised because you are you. You

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<v Speaker 1>are such a soccer head. That right, thank you? That

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<v Speaker 1>is stripper name soccer Head coming to the stage soccer Head. Yeah,

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<v Speaker 1>I don't know why I didn't latch onto it more.

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<v Speaker 1>And this movie is certainly not without its flaws. There

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<v Speaker 1>is a whole lot to discuss. Also, motocrossed Twelve Night adaptation.

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<v Speaker 1>They all end up having the same stupid like boy hair,

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<v Speaker 1>though just like a really weird like flat mop did. Admittedly,

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<v Speaker 1>there's also an adaptation of Twelfth Night called just one

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<v Speaker 1>of the Guys from five and a gender swept one

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<v Speaker 1>called Ladybugs. Oh I didn't realize that was what that was. Yeah,

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<v Speaker 1>look at that? Is that another soccer movie? No, Mio

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<v Speaker 1>and Juliet locks, that's just another movie that's not Shakespeare. Well.

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<v Speaker 1>One of the fun things about Twelfth Night. In shakespeare days, uh,

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<v Speaker 1>women weren't allowed to perform as actors on stage, So

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<v Speaker 1>in this still are right, right, I mean, are allowed

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<v Speaker 1>to do anything. So the actor who played Viola in

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<v Speaker 1>Shakespearean times would have had to have been a man

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<v Speaker 1>playing the role of a woman who then pretends to

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<v Speaker 1>be a man. So it's like gender swapping and then

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<v Speaker 1>gender swapping back, like to see what that actor thought

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<v Speaker 1>that looks like? Right? Yeah? Well and then and there

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<v Speaker 1>are a few we don't need to talk about Shakespeare,

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<v Speaker 1>not much. But like, this is like such a good

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<v Speaker 1>adaptation of a Shakespeare play because first of all, you

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<v Speaker 1>can't necessarily tell that's a Shakespeare adaptation. The names aren't

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<v Speaker 1>goofy except for Melvolio, the snake, feminist icon. It's just

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<v Speaker 1>like all the like stuff that sounds really Shakespeare was

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<v Speaker 1>taken out. Like originally Viola thought that her brother died

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<v Speaker 1>at sea, which would have been an interesting thing to

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<v Speaker 1>introduce it to this, but I'm glad that they're just like, Oh,

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<v Speaker 1>he's in London with his freaking shoegaze band. Have either

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<v Speaker 1>of you read the play? Oh no, I can't read

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<v Speaker 1>Oh sure, sure, sure, sure I have read it. Okay,

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<v Speaker 1>I haven't read it. Um but again I WICKI pediod

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<v Speaker 1>I know, so again I'm a scholar. But it seems

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<v Speaker 1>as though the story in Twelfth Night is much more

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<v Speaker 1>romance oriented, and there's no attempt to like dismantle any

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<v Speaker 1>sort of like gender norms or anything like that of soccer,

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<v Speaker 1>No soccer at all. It's I think File is just

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<v Speaker 1>trying to literally get a job, which is kind of upsetting. Wow. Yeah, well,

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<v Speaker 1>shall I do the recap of the movie. Let's do

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<v Speaker 1>it all right? This is another this is a complicated one. Okay.

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<v Speaker 1>So Viola played by Amanda Bindes, No, no, noa. I

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<v Speaker 1>know the beginning song. I know all of the songs.

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<v Speaker 1>I sorry, Sammy, this is a no shame zone. You're right, yeah,

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<v Speaker 1>please When the moment where Sam's a sharty little secret

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<v Speaker 1>starts playing, I haven't encouraged due to just releasing the

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<v Speaker 1>whole song. Guy's noticed that there are two all American

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<v Speaker 1>reject songs in even it's basically an Apper crownbeat it is.

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<v Speaker 1>I bet they smell like that. You know that. The

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<v Speaker 1>set of She's the Man reeked of Hollist. Frances absolutely

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<v Speaker 1>I used to work at a Hollister. Anyway, it was

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<v Speaker 1>the worst month of my life. Okay. Viola is played

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<v Speaker 1>by Amanda Bindes and she loves soccer. Her boyfriend Justin

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<v Speaker 1>tells her, oh my gosh, you're like better than half

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<v Speaker 1>the guys on my team. But then her school cuts

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<v Speaker 1>the women's soccer team due to lack of interest. Right, so,

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<v Speaker 1>when Viola one to try out for the men's team,

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<v Speaker 1>her boyfriend, who had just told her, yeah, you're really

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<v Speaker 1>good at soccer. Is like, you're a girl and you're

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<v Speaker 1>not good enough. So she breaks up with him toxic.

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<v Speaker 1>Now she's got something to prove. Dar Let me. Now

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<v Speaker 1>when Viola's twin brother, Sebastian, who I thought for a

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<v Speaker 1>second was Drake Bell and that would have been perfect casting. Also,

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<v Speaker 1>I was telling Kitlin the other day that I discovered

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<v Speaker 1>that Jesse McCartney was supposed to be that guy. Jesse

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<v Speaker 1>would have also been both have those soft, soft childlike features.

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<v Speaker 1>Were you all into Dreams Street? No, I don't know

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<v Speaker 1>what that is. It was Jesse McCartney's boy band, so

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<v Speaker 1>I didn't know he was in a boymand. I thought

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<v Speaker 1>he was so low. Oh my gosh. You have to

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<v Speaker 1>listen to Dreams Baby, because baby down on Dreams Street

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<v Speaker 1>and it's like Jesse McCartney as a boy soprato. It's unbelievable, incredible. Yeah. Well, anyways,

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<v Speaker 1>so Viola's twin brother, Sebastian, decides to go to London

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<v Speaker 1>for a couple of weeks instead of going to school

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<v Speaker 1>at a private school called Allyria, which is nearby to Cornwall,

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<v Speaker 1>where Viola goes to school, which is a fun Shakespearean

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<v Speaker 1>reference for all you shakespeare heads out there. So then

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<v Speaker 1>Viola decides to pretend to be her brother so that

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<v Speaker 1>she can play soccer on the boys team at Illia

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<v Speaker 1>and beat her ex boyfriend Justin, who had told her

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<v Speaker 1>that she was a girl. So she's not good enough

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<v Speaker 1>in the rival game that they have coming up in

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<v Speaker 1>two weeks or twelve days, twelve nights really quick. Yeah,

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<v Speaker 1>why does no one at Viola's school notice that she's gone?

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<v Speaker 1>Good question, Jamie. The movie does not address that, and

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<v Speaker 1>it is a plot hole, but I think the divorce parents.

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<v Speaker 1>But I was like Viola straight up, there's another world

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<v Speaker 1>where they is like gone girl, because if a white

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<v Speaker 1>girl does not show up for her first day of

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<v Speaker 1>junior year, it's gone girls, right or a recent release Searching,

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<v Speaker 1>which I did see in theaters the other day, brag,

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<v Speaker 1>I enjoyed it you anyway. So Viola as Sebastian meets

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<v Speaker 1>her roommate Duke played by Channing Tatum, and I'm brilliant.

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<v Speaker 1>Oh this would be so funny. Um Duke and everyone

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<v Speaker 1>else basically thinks that Sebastian is lame. Viola as Sebastian,

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<v Speaker 1>I think, for the sake of clarity, and ease of talking.

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<v Speaker 1>When I say Sebastian, what I mean is Viola pretending

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<v Speaker 1>to be Sebastian. And then when I say the real Sebastian,

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<v Speaker 1>that's that's the right. So so Sebastian tries out for

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<v Speaker 1>the soccer team, the men's soccer team, and makes second string,

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<v Speaker 1>second string. This is all, this is all I'm doing

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<v Speaker 1>during just recap. I'm so sorry. I'm not sorry. Don't

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<v Speaker 1>become to hi. Welcome, welcome, welcome, welcome, welcome, welcome, welcome, welcome, welcome, welcome,

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<v Speaker 1>welcome to Alliria. So thank you. So then in order

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<v Speaker 1>for Sebastian to seem cooler, he uses her. She uses Violet.

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<v Speaker 1>It's this confusing. Viola uses her friends Kia and Yvonne

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<v Speaker 1>to pretend to throw themselves at Sebastian, and then it works,

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<v Speaker 1>And now Duke and all of his friends were like, wow, Sebastian,

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<v Speaker 1>she's the man. That's the name of the movie. Yeah,

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<v Speaker 1>they all say that in Unison and we're like, what

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<v Speaker 1>it's like forty five minutes in. So meanwhile, Duke likes

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<v Speaker 1>their classmate Olivia and Dreamy asks Sebastian for help to

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<v Speaker 1>try to get with her, and then in exchange, Duke

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<v Speaker 1>will be like, I'll help you improve your soccer game, Sebastian,

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<v Speaker 1>so that you can first string. So then Olivia starts

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<v Speaker 1>to like Sebastians. Now we've got this whole love triangle

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<v Speaker 1>like Sebastian pretty much the second she meets right right

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<v Speaker 1>right those dropped books in the hall and she gives

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<v Speaker 1>him a look, oh my god, twitter painted I wanted

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<v Speaker 1>them to kiss, So that that is my That is

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<v Speaker 1>my biggest beef is that they don't kiss. And then

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<v Speaker 1>we don't see the repercussion of Olivia recognizing that she

0:14:29.720 --> 0:14:32.800
<v Speaker 1>had a crush on a girl playing a boy, like,

0:14:32.840 --> 0:14:35.520
<v Speaker 1>well what about that, Olivia? Yeah, what what does that mean?

0:14:35.680 --> 0:14:37.600
<v Speaker 1>I feel like Olivia is ultimately kind of short change

0:14:37.640 --> 0:14:40.800
<v Speaker 1>because she's like, I just love whoever was named Sebastian.

0:14:41.680 --> 0:14:46.160
<v Speaker 1>Like that seems a little reductive and confusing. Yeah, So

0:14:46.200 --> 0:14:51.880
<v Speaker 1>then Sebastian a K. Viola starts to like Duke and

0:14:52.240 --> 0:14:56.960
<v Speaker 1>Viola as Viola I mean, and Duke is Likerea me, yes,

0:14:57.360 --> 0:15:00.080
<v Speaker 1>Channing Tatum normally not my type, but he's all so

0:15:00.280 --> 0:15:04.040
<v Speaker 1>like a comedic genius. He's so funny. He's so funny.

0:15:04.160 --> 0:15:06.280
<v Speaker 1>Every time I talk about Janning dadem I turned into

0:15:06.280 --> 0:15:10.080
<v Speaker 1>a woman I hate, Like he's just so he's like

0:15:10.200 --> 0:15:14.240
<v Speaker 1>you wouldn't think, but like he's so funny. It's true,

0:15:14.680 --> 0:15:19.000
<v Speaker 1>I know. Anyways, So then Viola as Viola and Duke

0:15:19.200 --> 0:15:22.640
<v Speaker 1>kiss at a kissing booth at a carnival, which is

0:15:22.680 --> 0:15:26.640
<v Speaker 1>a fundraiser for Debutante Ball, which is a whole subplot

0:15:26.920 --> 0:15:30.360
<v Speaker 1>that we'll talk about later on. Yeah, the kissing booth,

0:15:30.400 --> 0:15:33.800
<v Speaker 1>tenuous loved every second, right, kissing booths? Are they even

0:15:34.080 --> 0:15:37.400
<v Speaker 1>legal nowadays? Like at all? Ever? Yeah, there's I don't

0:15:37.400 --> 0:15:39.120
<v Speaker 1>think they exist anymore. And I feel like it's like

0:15:39.120 --> 0:15:41.680
<v Speaker 1>a real big stretch presents like oh, this is a

0:15:41.760 --> 0:15:45.760
<v Speaker 1>fun game of carnival assault, Like what the fuck is this?

0:15:46.120 --> 0:15:49.160
<v Speaker 1>And also the fact that like Viola's mom was like, yeah,

0:15:49.200 --> 0:15:52.160
<v Speaker 1>this rules, Like I don't know if I believe that.

0:15:53.040 --> 0:15:57.840
<v Speaker 1>So now Viola likes Duke, and Duke kind of likes Viola,

0:15:57.880 --> 0:16:01.520
<v Speaker 1>but he still has feelings for Olivia, so he's confused.

0:16:02.360 --> 0:16:06.360
<v Speaker 1>Kiss her will crap out of her. Thank you for

0:16:06.400 --> 0:16:09.720
<v Speaker 1>your contributions. Hey, you're welcome. You can't cut me out

0:16:09.720 --> 0:16:16.440
<v Speaker 1>of this one, baby, So Olivia to make Sebastian jealous

0:16:16.520 --> 0:16:19.280
<v Speaker 1>starts to pay attention to Duke, and then there's this

0:16:19.760 --> 0:16:24.560
<v Speaker 1>whole thing where she marches up and kisses the real

0:16:24.600 --> 0:16:28.040
<v Speaker 1>Sebastian who comes back from London a day early, and

0:16:28.080 --> 0:16:30.840
<v Speaker 1>then he plays in the first half of the big

0:16:31.080 --> 0:16:35.480
<v Speaker 1>rival soccer game as Monique is there the whole right,

0:16:36.000 --> 0:16:42.680
<v Speaker 1>there's a Monique situation. Viola as Sebastian is like, hey, brother,

0:16:43.120 --> 0:16:45.360
<v Speaker 1>I've been impersonating you. Sorry, but I'm going to play

0:16:45.400 --> 0:16:48.200
<v Speaker 1>the rest of the soccer game. And Duke is mad

0:16:48.480 --> 0:16:53.200
<v Speaker 1>at Sebastian because he thinks that he betrayed him by

0:16:53.280 --> 0:16:58.000
<v Speaker 1>kissing Olivia, and then Sebastian is a fucking idiot from

0:16:58.000 --> 0:17:04.080
<v Speaker 1>being like the soccer team like what sir, Like you

0:17:04.280 --> 0:17:08.399
<v Speaker 1>just have to suspend your disbelief. So then in the

0:17:08.400 --> 0:17:11.200
<v Speaker 1>middle of the game, the real Sebastian shows is drunk.

0:17:11.800 --> 0:17:15.879
<v Speaker 1>Viola as Sebastians like, actually, I'm a girl, and Duke,

0:17:16.160 --> 0:17:20.240
<v Speaker 1>I love you, and he's like, what's happening, okay, and

0:17:20.359 --> 0:17:24.880
<v Speaker 1>the whole click con is revealed. Duke's like, this is weird.

0:17:24.960 --> 0:17:27.640
<v Speaker 1>I feel weird about this. So the jig is up,

0:17:27.680 --> 0:17:31.480
<v Speaker 1>but there's still the Debutan ball, so Viola is like, hey,

0:17:31.840 --> 0:17:34.080
<v Speaker 1>would you want to come to the ball with me,

0:17:34.480 --> 0:17:37.320
<v Speaker 1>And he's like, oh no, but then he goes and

0:17:37.320 --> 0:17:43.239
<v Speaker 1>then I kiss this slurp. Can I just like, for

0:17:43.280 --> 0:17:47.639
<v Speaker 1>your consideration, the day of the big game, let's just

0:17:47.680 --> 0:17:52.960
<v Speaker 1>walk through Sebastian's day. The night before, he walks into

0:17:53.520 --> 0:17:55.760
<v Speaker 1>a room he's never been, finds out all of his

0:17:55.800 --> 0:17:58.800
<v Speaker 1>stuff is already there and appears lived in. He's fine

0:17:58.800 --> 0:18:01.360
<v Speaker 1>with it. He's like, well, I'm tired, So he says, like,

0:18:02.440 --> 0:18:04.800
<v Speaker 1>you set up on the stuff for me. Cool, So

0:18:04.840 --> 0:18:09.120
<v Speaker 1>he addresses it, but it's like it is like what weird? Fuck? Okay,

0:18:09.359 --> 0:18:13.119
<v Speaker 1>he goes wakes up a whole soccer teams like the

0:18:13.160 --> 0:18:16.400
<v Speaker 1>game is happening, and he's like, okay, maybe I'll see

0:18:16.400 --> 0:18:18.520
<v Speaker 1>the girl who kissed me at this soccer game. Why

0:18:18.520 --> 0:18:20.360
<v Speaker 1>would that be true? We don't know, because she says

0:18:20.400 --> 0:18:23.160
<v Speaker 1>he at the game marrow. She also, surprised kisses him,

0:18:23.160 --> 0:18:26.320
<v Speaker 1>which we can mention. But but he goes to the

0:18:26.359 --> 0:18:29.080
<v Speaker 1>game except that he is one of the best players

0:18:29.080 --> 0:18:31.919
<v Speaker 1>on the team, and then in the middle of the

0:18:31.920 --> 0:18:35.439
<v Speaker 1>game someone challenges his gender and he's like, you know what,

0:18:35.600 --> 0:18:37.600
<v Speaker 1>I know. This day has been all over the place

0:18:37.640 --> 0:18:39.560
<v Speaker 1>so far, but I'm just gonna go ahead and drop

0:18:39.600 --> 0:18:41.679
<v Speaker 1>my pants in front of a stadium full of people

0:18:42.000 --> 0:18:45.440
<v Speaker 1>because David Cross, I'm not sure what's going on, like

0:18:46.600 --> 0:18:52.159
<v Speaker 1>absolutely insane. Anyways, that's excellent point, Jamie. But if you

0:18:52.280 --> 0:18:54.920
<v Speaker 1>had that kind of day, wouldn't you roll with it?

0:18:55.160 --> 0:18:57.440
<v Speaker 1>I mean, by the time he's asked to drop his pants,

0:18:57.480 --> 0:18:59.600
<v Speaker 1>I'm like, you know what, at this point, this day

0:19:00.000 --> 0:19:04.439
<v Speaker 1>has already been confusing, right, And on that note, we're

0:19:04.480 --> 0:19:06.520
<v Speaker 1>gonna take a quick break and we'll talk to you

0:19:06.560 --> 0:19:15.919
<v Speaker 1>in a second and we're back, all right. So for

0:19:16.000 --> 0:19:19.440
<v Speaker 1>this movie, you can kind of just like boil down

0:19:19.600 --> 0:19:24.240
<v Speaker 1>the story of in order to prove that a woman

0:19:24.960 --> 0:19:30.919
<v Speaker 1>is as capable and is equal to men, she disguises

0:19:30.920 --> 0:19:34.919
<v Speaker 1>herself as a man to prove a point. If you

0:19:34.960 --> 0:19:39.640
<v Speaker 1>can't join them, baby, I love it. So it gives

0:19:39.720 --> 0:19:41.720
<v Speaker 1>us a lot to talk about. So on one hand,

0:19:41.800 --> 0:19:44.160
<v Speaker 1>there's like in the very beginning of the movie there,

0:19:44.200 --> 0:19:45.840
<v Speaker 1>you know, they go to try to try out for

0:19:45.880 --> 0:19:48.280
<v Speaker 1>the boys soccer team, when the girls realize that they've

0:19:48.359 --> 0:19:51.080
<v Speaker 1>been cut, and the coach of the boys team is

0:19:51.080 --> 0:19:55.479
<v Speaker 1>all like, uh, actually, um, girls aren't as fast as boys,

0:19:55.640 --> 0:19:59.320
<v Speaker 1>or as strong or as athletic. H this is just science.

0:20:00.160 --> 0:20:02.560
<v Speaker 1>So and we in the audience were like, who wha

0:20:02.920 --> 0:20:08.280
<v Speaker 1>what excuse me? Pump those brakes and then justin the

0:20:08.320 --> 0:20:12.879
<v Speaker 1>boyfriend agrees with the coach and then he is immediately dumped.

0:20:12.920 --> 0:20:15.600
<v Speaker 1>So at least we get to see some like misogyny

0:20:15.600 --> 0:20:18.840
<v Speaker 1>and sexism being punished right away. And I think that

0:20:18.840 --> 0:20:20.399
<v Speaker 1>that is like a moment. I don't know, that was

0:20:20.440 --> 0:20:22.760
<v Speaker 1>a moment that I connected with quite a bit of

0:20:22.800 --> 0:20:25.919
<v Speaker 1>like dating someone in high school who would be like,

0:20:26.000 --> 0:20:28.280
<v Speaker 1>you're awesome, you're smart, you know, but only in one

0:20:28.320 --> 0:20:31.200
<v Speaker 1>on one situations, and then in front of guy friends

0:20:32.200 --> 0:20:36.320
<v Speaker 1>or friends in general, their attitude towards you shifts because

0:20:36.400 --> 0:20:41.440
<v Speaker 1>they're insecure. Right, We've got this like misogyny being punished,

0:20:41.560 --> 0:20:46.760
<v Speaker 1>and then we've got a headstrong woman seeking to dismantle

0:20:46.840 --> 0:20:49.960
<v Speaker 1>this idea that women aren't as good as men at

0:20:50.119 --> 0:20:54.439
<v Speaker 1>soccer specifically, and then she goes undercover, she puts on

0:20:54.480 --> 0:20:59.800
<v Speaker 1>the disguise. There's a whole makeover mont but but unlike

0:21:00.080 --> 0:21:03.280
<v Speaker 1>see in most movies where if it's a woman getting

0:21:03.280 --> 0:21:06.639
<v Speaker 1>a makeover, it's like, oh, you weren't as physically attractive

0:21:06.680 --> 0:21:09.879
<v Speaker 1>as you needed to be, so let's make you hotter.

0:21:10.320 --> 0:21:14.760
<v Speaker 1>The utility of this makeover montage is very different, yes,

0:21:15.040 --> 0:21:19.359
<v Speaker 1>because the mission right, it is mostly just her trying

0:21:19.400 --> 0:21:24.720
<v Speaker 1>on mustaches, which she never ends up bummer. I feel

0:21:24.760 --> 0:21:28.960
<v Speaker 1>like Sebastia Violas Sebastian would kill with a mustache. Well,

0:21:28.960 --> 0:21:31.679
<v Speaker 1>push broom on top of there, boom could do anything.

0:21:31.720 --> 0:21:34.199
<v Speaker 1>There was like a there was a I forget what

0:21:34.240 --> 0:21:38.439
<v Speaker 1>cartoon villain. She had a few cartoon villain mustaches, like

0:21:38.480 --> 0:21:42.160
<v Speaker 1>the long Droopers, the whiskers. Yeah, any ways, they threw

0:21:42.200 --> 0:21:47.119
<v Speaker 1>in Jesus in there too. They did beautiful. That was

0:21:47.160 --> 0:21:49.280
<v Speaker 1>a fun because I wrote I was in the middle

0:21:49.280 --> 0:21:51.640
<v Speaker 1>of writing down month and then I was like, oh,

0:21:51.720 --> 0:21:57.720
<v Speaker 1>but wait, it's good. Yeah. So she's the man kind

0:21:57.720 --> 0:22:01.520
<v Speaker 1>of puts this, like, I suppose so feminist spin on

0:22:01.840 --> 0:22:07.000
<v Speaker 1>the narrative that like Twelfth Night doesn't have, where it's like, yeah,

0:22:07.080 --> 0:22:10.760
<v Speaker 1>she's she's showing that she's just as capable as men

0:22:10.840 --> 0:22:14.240
<v Speaker 1>and that she's equal to men. But I would argue

0:22:14.240 --> 0:22:19.000
<v Speaker 1>that there are several instances where different characters Viola As

0:22:19.080 --> 0:22:26.440
<v Speaker 1>Sebastian included, participate in either sexist or homophobic behavior that

0:22:26.880 --> 0:22:31.960
<v Speaker 1>often goes completely unchallenged. So for example, there are several

0:22:32.000 --> 0:22:36.959
<v Speaker 1>moments when boys behave badly and Viola doesn't do anything

0:22:37.000 --> 0:22:40.760
<v Speaker 1>to challenge it. Viola as Sebastian Um. For example, there's

0:22:40.760 --> 0:22:43.720
<v Speaker 1>a scene where Violet as Sebastian first goes into her

0:22:43.880 --> 0:22:47.080
<v Speaker 1>dorm room. There's like all the soccer player guys there,

0:22:47.560 --> 0:22:50.200
<v Speaker 1>and they see tampons and they're like very grossed out

0:22:50.200 --> 0:22:53.480
<v Speaker 1>by it. Later on, like Duke can't even say the

0:22:53.520 --> 0:22:57.760
<v Speaker 1>word tampon, and but he does use one. He doesn't

0:22:57.760 --> 0:23:01.000
<v Speaker 1>feel like kind of commented on a a little bit there,

0:23:01.440 --> 0:23:04.920
<v Speaker 1>But I do agree where there are like oftentimes the

0:23:05.520 --> 0:23:09.600
<v Speaker 1>hurdles Viola has to get through are rooted in or

0:23:09.680 --> 0:23:12.680
<v Speaker 1>she'll get out of by behaving in a misogynist way.

0:23:12.720 --> 0:23:16.520
<v Speaker 1>And then they're so like overcome by like misogyny is

0:23:16.560 --> 0:23:20.119
<v Speaker 1>so fucking cool that they forget what the thing they

0:23:20.119 --> 0:23:23.920
<v Speaker 1>were about to be critical of was. But well, yeah,

0:23:23.960 --> 0:23:28.119
<v Speaker 1>I'm I don't know, so it worked for me several times. Yeah,

0:23:28.160 --> 0:23:32.760
<v Speaker 1>And in at least whenever she participates in the misogyny,

0:23:33.000 --> 0:23:38.080
<v Speaker 1>it's because she's trying to maintain this disguise, because there

0:23:38.080 --> 0:23:41.640
<v Speaker 1>are several times where she's like feelings and you know, sensitivity,

0:23:41.680 --> 0:23:43.520
<v Speaker 1>you're not going to say a nice thing, and they're like, oh,

0:23:43.560 --> 0:23:46.040
<v Speaker 1>what are you talking about? She's like, Oh, I mean,

0:23:46.480 --> 0:23:50.280
<v Speaker 1>which one would you rather see naked? So but then

0:23:50.400 --> 0:23:55.840
<v Speaker 1>in that same scene, Duke counters that by challenging that idea,

0:23:56.160 --> 0:23:59.320
<v Speaker 1>which is something that I really liked about Duke's character.

0:23:59.680 --> 0:24:02.320
<v Speaker 1>And they're our flaws in every character, and there are

0:24:02.359 --> 0:24:06.439
<v Speaker 1>moments that feel off with pretty much everyone at some

0:24:06.520 --> 0:24:10.080
<v Speaker 1>point for me anyways, But that scene I really liked

0:24:10.160 --> 0:24:13.160
<v Speaker 1>because Viola was kind of falling on the crutch of like,

0:24:13.240 --> 0:24:16.440
<v Speaker 1>let me behave or say something misogynists and that will

0:24:16.520 --> 0:24:20.000
<v Speaker 1>distract from what I was just doing. And then that's

0:24:20.080 --> 0:24:22.359
<v Speaker 1>one of the few times that it doesn't actually work,

0:24:22.960 --> 0:24:27.120
<v Speaker 1>and we find out that Duke is a sensitive man

0:24:27.560 --> 0:24:32.520
<v Speaker 1>feminist icon well, yeah, who's who? I feminist? He and

0:24:32.920 --> 0:24:36.840
<v Speaker 1>so handsome and sorry, my face is like leaking up

0:24:36.840 --> 0:24:39.320
<v Speaker 1>a storm and I'm like no, but turning Tatum is great.

0:24:39.640 --> 0:24:43.359
<v Speaker 1>But that scene I thought was really effective where Viola

0:24:43.400 --> 0:24:45.760
<v Speaker 1>falls on the crutch and and and then Duke counters

0:24:45.800 --> 0:24:48.800
<v Speaker 1>by saying like, well, that's not all relationship is for me,

0:24:48.840 --> 0:24:50.440
<v Speaker 1>as I want to be able to talk with and

0:24:50.520 --> 0:24:54.560
<v Speaker 1>then he literally says to her to Sebastian, why do

0:24:54.600 --> 0:24:56.399
<v Speaker 1>you always say stuff like that? Like why do you

0:24:56.480 --> 0:24:59.000
<v Speaker 1>why do you always talk about women that way? And

0:24:59.040 --> 0:25:01.560
<v Speaker 1>it's like, oh, And That's one of the things I

0:25:01.600 --> 0:25:04.280
<v Speaker 1>like about Duke's character in this movie a lot, is

0:25:04.359 --> 0:25:07.840
<v Speaker 1>that the setup of almost every high school movie is

0:25:07.960 --> 0:25:11.280
<v Speaker 1>that someone needs to be someone needs to change someone

0:25:11.320 --> 0:25:14.840
<v Speaker 1>else in order for relationship to happen. And it's not

0:25:15.000 --> 0:25:16.880
<v Speaker 1>like I think it would be very easy for this

0:25:16.920 --> 0:25:21.199
<v Speaker 1>movie to be like emotional labor thrust up on Viola. Uh,

0:25:21.280 --> 0:25:26.280
<v Speaker 1>some have emotional labor thrust upon them. Uh? Is that

0:25:26.640 --> 0:25:29.320
<v Speaker 1>you know, Viola would have to cure Duke of his

0:25:29.359 --> 0:25:33.320
<v Speaker 1>own internalized misogyny, but that doesn't really happen where it

0:25:33.800 --> 0:25:39.119
<v Speaker 1>comes out in private moments usually, But Duke already is

0:25:39.600 --> 0:25:43.160
<v Speaker 1>pretty respectful towards towards women and doesn't need to be

0:25:43.200 --> 0:25:46.959
<v Speaker 1>like changed in that way. There's another there's a similar

0:25:46.960 --> 0:25:51.840
<v Speaker 1>moment earlier on where they're at the cafeteria and Viola

0:25:51.920 --> 0:25:55.159
<v Speaker 1>at Sebastian is again attempting to fit in with the

0:25:55.240 --> 0:25:59.920
<v Speaker 1>guys by like that we're seeing he sees Olivia or she.

0:26:00.280 --> 0:26:04.800
<v Speaker 1>I don't know what pronouns to use. This pronoun expert

0:26:04.840 --> 0:26:08.399
<v Speaker 1>Sammy Juno just kidding. Um, I think, well it should

0:26:08.400 --> 0:26:11.880
<v Speaker 1>just be her because she's still she's still identifying as

0:26:12.200 --> 0:26:14.840
<v Speaker 1>Viola as a woman. But I mean, yeah, I guess

0:26:14.880 --> 0:26:20.600
<v Speaker 1>I think that that's probably it. So experts expert, that's all.

0:26:20.760 --> 0:26:24.520
<v Speaker 1>That's all the time I have Goodbye, Okay, So fake

0:26:24.840 --> 0:26:29.280
<v Speaker 1>Sebastian sees Olivia and it's like, oh, look at the

0:26:29.320 --> 0:26:36.240
<v Speaker 1>booty on that bondie God, such twenties vernacular. A lot

0:26:36.240 --> 0:26:40.000
<v Speaker 1>of g money is being tossed about, like lord, just

0:26:40.080 --> 0:26:43.520
<v Speaker 1>like Viola trying to be a boy, just like overly

0:26:43.680 --> 0:26:45.480
<v Speaker 1>does it all the way. And I think that that's

0:26:45.520 --> 0:26:50.160
<v Speaker 1>just like whenever Viola overcompensates by being like super massages

0:26:50.280 --> 0:26:53.679
<v Speaker 1>like after being like sensitive or whatever, all of the

0:26:53.720 --> 0:26:57.440
<v Speaker 1>boys around her are like, I don't think that's that's

0:26:57.440 --> 0:27:02.040
<v Speaker 1>not it though, Well I would argue for inducing the well, yeah,

0:27:02.119 --> 0:27:04.560
<v Speaker 1>because they're they're I mean, I think it's because of

0:27:04.600 --> 0:27:07.840
<v Speaker 1>the presence of a of a woman that they're like,

0:27:07.880 --> 0:27:10.000
<v Speaker 1>oh yeah, like we can really do this with because

0:27:10.000 --> 0:27:11.800
<v Speaker 1>it's about a girl. But like every other time they're

0:27:11.840 --> 0:27:14.879
<v Speaker 1>kind of just like that, you're weird, Yeah, so do

0:27:15.119 --> 0:27:18.960
<v Speaker 1>whenever like Sebastians like, oh, check out the booty on

0:27:19.000 --> 0:27:21.959
<v Speaker 1>that blondie. And then Duke is like, don't talk about

0:27:21.960 --> 0:27:25.800
<v Speaker 1>her that way, and so we're like, okay, Duke feminist icon, right,

0:27:25.920 --> 0:27:29.119
<v Speaker 1>But then his friends Toby Andrew say like, oh, yeah,

0:27:29.119 --> 0:27:31.359
<v Speaker 1>she was just dating this college guy but he dumped her,

0:27:31.400 --> 0:27:34.960
<v Speaker 1>so now she's like super vulnerable. Her confidence and self

0:27:35.040 --> 0:27:37.640
<v Speaker 1>esteem are really low, so like now is the time

0:27:37.680 --> 0:27:40.600
<v Speaker 1>to pounce, and they're like and then like Duke, Duke

0:27:40.640 --> 0:27:44.600
<v Speaker 1>doesn't respond at least verbally to that. So it's like,

0:27:45.280 --> 0:27:48.160
<v Speaker 1>I'm not really inclined to give Duke a point there,

0:27:48.240 --> 0:27:51.320
<v Speaker 1>because the only woman he stands up for is the

0:27:51.359 --> 0:27:54.920
<v Speaker 1>one he has feelings for, true, and that same respect,

0:27:55.080 --> 0:27:58.640
<v Speaker 1>he doesn't stand up for Yvonne or what's the name

0:27:58.640 --> 0:28:01.360
<v Speaker 1>of the other friend okia, Like, he doesn't stand ups.

0:28:02.240 --> 0:28:03.919
<v Speaker 1>He just stands up for the girl that he's had

0:28:03.920 --> 0:28:07.160
<v Speaker 1>a crush on for his whole life. Right. And then also, um,

0:28:07.200 --> 0:28:10.320
<v Speaker 1>anytime he has to interact with the Unice character, he's

0:28:10.320 --> 0:28:13.000
<v Speaker 1>always like, oh, like, I don't want to talk to Eunice.

0:28:13.119 --> 0:28:18.040
<v Speaker 1>That's also everyone she's that's true, And except at the ending,

0:28:18.200 --> 0:28:21.359
<v Speaker 1>which I need to watch the movie again, that comes

0:28:21.400 --> 0:28:23.639
<v Speaker 1>totally out of nowhere, right, or is that foreshadowed in

0:28:23.680 --> 0:28:27.480
<v Speaker 1>any way? What the units ending up with? What's that

0:28:27.560 --> 0:28:32.160
<v Speaker 1>character's name? Oh that's I think Toby. Oh no, he says,

0:28:32.200 --> 0:28:35.280
<v Speaker 1>he says something about Unice. Uh oh does he? There's

0:28:35.320 --> 0:28:38.320
<v Speaker 1>two other times so he once they think that Sebastian

0:28:38.440 --> 0:28:41.240
<v Speaker 1>is the top dog. Oh no, no, no, it's before that.

0:28:41.320 --> 0:28:46.480
<v Speaker 1>When Duke is paired up with Unice in lab he goes, yeah,

0:28:46.520 --> 0:28:50.760
<v Speaker 1>you just go something something. And then and then also

0:28:51.200 --> 0:28:56.040
<v Speaker 1>in Cesario's when it's the double date between Duke and

0:28:56.120 --> 0:29:00.640
<v Speaker 1>Olivia and Viola and Unice, he goes, looks like you

0:29:01.240 --> 0:29:03.120
<v Speaker 1>is like cooler than we thought. And he goes, oh,

0:29:03.200 --> 0:29:07.720
<v Speaker 1>what I've been saying that for years? I hate high school? Right?

0:29:08.080 --> 0:29:12.640
<v Speaker 1>But so the the scenes, look I those are all

0:29:12.680 --> 0:29:16.480
<v Speaker 1>direct quotes. It probably I've also watched this movie with commentary,

0:29:16.520 --> 0:29:20.400
<v Speaker 1>so to speak. On Channing's sensitivity, he actually the ring.

0:29:20.480 --> 0:29:23.840
<v Speaker 1>He wears a ring around his neck, and he said

0:29:23.840 --> 0:29:26.000
<v Speaker 1>that there was a character choice because it's his He

0:29:26.360 --> 0:29:28.239
<v Speaker 1>wanted it to be his mother's ring, just to like

0:29:28.280 --> 0:29:30.440
<v Speaker 1>play on the fact that he's like super sensitive and stuff.

0:29:30.600 --> 0:29:32.560
<v Speaker 1>And if you watch him through the entire movie, he

0:29:32.600 --> 0:29:35.720
<v Speaker 1>does like react really weird when Sebastian goes like nutty

0:29:35.960 --> 0:29:40.280
<v Speaker 1>because he defends Olivia in the cafeteria, but also when

0:29:40.480 --> 0:29:42.960
<v Speaker 1>they're setting the trap that Sebastian is really cool, like

0:29:43.000 --> 0:29:46.080
<v Speaker 1>he's also like this is gross, Like he gets really

0:29:46.720 --> 0:29:49.120
<v Speaker 1>interpreted that way. I feel like he was like, oh, well,

0:29:49.200 --> 0:29:51.840
<v Speaker 1>like Sebastians the man. So let's talk about that scene.

0:29:52.080 --> 0:29:54.080
<v Speaker 1>So that's the first scene we see in like the

0:29:54.120 --> 0:29:59.360
<v Speaker 1>pizzeria where Cesario has another fun Shakespeare rap wish. So

0:30:00.000 --> 0:30:06.560
<v Speaker 1>Austian fake Sebastian is trying to seem cooler to their peers.

0:30:07.440 --> 0:30:09.360
<v Speaker 1>I'm just going to use their pronounced but that's the

0:30:09.360 --> 0:30:14.400
<v Speaker 1>easiest thing for me right now, it's not it, so

0:30:14.440 --> 0:30:17.920
<v Speaker 1>hold on next. So we should we we should be

0:30:17.960 --> 0:30:22.240
<v Speaker 1>saying shape because yeah, also maybe to not come off

0:30:22.280 --> 0:30:24.920
<v Speaker 1>as offensive, I'm non binary and my pronouncers sam they there.

0:30:24.960 --> 0:30:26.800
<v Speaker 1>So I feel like I've like I've gone through a

0:30:26.800 --> 0:30:29.000
<v Speaker 1>pronoun journey myself when I feel like the appropriate thing

0:30:29.080 --> 0:30:32.120
<v Speaker 1>is right, Okay, come at me. If that's not true,

0:30:32.160 --> 0:30:36.600
<v Speaker 1>it's okay, I'll learn as well. The mentions are open, right, Okay.

0:30:36.640 --> 0:30:40.840
<v Speaker 1>So fake Sebastian sets up this whole. It's actually her

0:30:41.160 --> 0:30:43.880
<v Speaker 1>friend Paul is like, yeah, we're gonna make you seem cool.

0:30:44.160 --> 0:30:48.640
<v Speaker 1>So then Kia and Yvonne violence friends pretend to throw

0:30:48.680 --> 0:30:52.120
<v Speaker 1>themselves at fake Sebastian, and then the guys on the

0:30:52.160 --> 0:30:55.800
<v Speaker 1>soccer team are like whoa, Like Sebastians have fucking stood

0:30:55.960 --> 0:30:59.280
<v Speaker 1>like he's getting all kinds of women and they just

0:30:59.320 --> 0:31:05.080
<v Speaker 1>think that he the'se the cats me out then sorry,

0:31:05.440 --> 0:31:09.600
<v Speaker 1>I'm listening speaking of cats though, um, this is not

0:31:09.720 --> 0:31:13.160
<v Speaker 1>an intentional segway, but cats do have eight nipples cat

0:31:13.240 --> 0:31:15.200
<v Speaker 1>facts with Caitlin. But anyway, so he had to do

0:31:15.240 --> 0:31:18.600
<v Speaker 1>it to them, right, So this whole like scam basically works,

0:31:19.080 --> 0:31:23.360
<v Speaker 1>and now Duke and his friends are like, Wow, Sebastians

0:31:23.440 --> 0:31:28.200
<v Speaker 1>the man. But that whole scene requires fake Sebastian to

0:31:28.880 --> 0:31:32.720
<v Speaker 1>heavily objectify these women. To me, it seems like Duke

0:31:32.840 --> 0:31:35.920
<v Speaker 1>is like, oh wow, like Sebastian is so cool. It's

0:31:35.960 --> 0:31:39.080
<v Speaker 1>like it's a quick cutaway and he just like does

0:31:39.160 --> 0:31:44.200
<v Speaker 1>this for a second, like before he dabs, before all

0:31:44.240 --> 0:31:46.320
<v Speaker 1>of the hooplack comes, Like he's just like what is this?

0:31:46.400 --> 0:31:49.040
<v Speaker 1>Like it's a very quick thing. I watched this movie

0:31:49.200 --> 0:31:51.920
<v Speaker 1>so closely so many times, so you think he's but

0:31:52.040 --> 0:31:54.920
<v Speaker 1>after after the girl's situation, then they're like, oh, yeah,

0:31:55.080 --> 0:31:57.040
<v Speaker 1>make room for the man because that's it. But like

0:31:57.080 --> 0:32:00.480
<v Speaker 1>there's a there's a second. I feel like that's not enough.

0:32:00.560 --> 0:32:04.600
<v Speaker 1>I feel like he's still subscribing to miss shot. Yeah,

0:32:04.640 --> 0:32:08.640
<v Speaker 1>because I I'll screenshot it to you. I totally believe you.

0:32:09.120 --> 0:32:11.200
<v Speaker 1>I just yeah, that whole scene knows us like is

0:32:11.280 --> 0:32:15.280
<v Speaker 1>anyone acting like anything here, like what is happening? Which

0:32:15.320 --> 0:32:18.160
<v Speaker 1>is just like, it's really unfortunate that that's the way

0:32:18.320 --> 0:32:22.240
<v Speaker 1>that a boy has to fit in is to be

0:32:22.640 --> 0:32:26.640
<v Speaker 1>this gross dude that has many girls and insults and

0:32:26.960 --> 0:32:30.120
<v Speaker 1>just uses them clearly, and then everyone's like, oh, yeah,

0:32:30.200 --> 0:32:33.600
<v Speaker 1>you're a really great guy. It's like why right, And

0:32:33.640 --> 0:32:37.880
<v Speaker 1>I know misogyny is alive and well now two thousands

0:32:38.000 --> 0:32:44.720
<v Speaker 1>in my experience, really, I'm sorry this somehow escaped, right.

0:32:45.240 --> 0:32:50.640
<v Speaker 1>But but the fact that that ends with Viola confronts

0:32:50.640 --> 0:32:52.960
<v Speaker 1>Monique because Monique is in this scene too, which is

0:32:53.000 --> 0:32:55.880
<v Speaker 1>like the closest call because Monique would know who Sebastian

0:32:56.000 --> 0:33:00.560
<v Speaker 1>isn't right, because Monique is real Sebastian's girlfriend, and that

0:33:00.720 --> 0:33:03.600
<v Speaker 1>character is also all over the place where she is

0:33:03.640 --> 0:33:06.880
<v Speaker 1>like a bit but we don't really know why or

0:33:07.120 --> 0:33:09.920
<v Speaker 1>know anything about her um and it does seem like

0:33:09.960 --> 0:33:13.920
<v Speaker 1>she's perhaps being emotionally abused by Sebastian. But anyways, uh,

0:33:14.680 --> 0:33:17.520
<v Speaker 1>she shows up and she's like, where's Sebastian and then

0:33:17.520 --> 0:33:20.560
<v Speaker 1>she doesn't recognize that it's not her own boyfriend, and

0:33:21.120 --> 0:33:24.920
<v Speaker 1>Viola is like, you're ugly, I'm breaking up with you.

0:33:25.040 --> 0:33:29.760
<v Speaker 1>And then byola fully everyone's like, yeah, that hot ladies

0:33:30.480 --> 0:33:34.120
<v Speaker 1>you yelled at her, and then it end of scene.

0:33:34.520 --> 0:33:38.840
<v Speaker 1>So it's insane. So I think the point here is

0:33:38.880 --> 0:33:42.760
<v Speaker 1>that it's unfortunate that we see in in a movie

0:33:42.920 --> 0:33:48.880
<v Speaker 1>that has the opportunity to have more challenging of sexist

0:33:49.040 --> 0:33:53.320
<v Speaker 1>ideals of like, yeah, a guy is a stud whenever

0:33:53.480 --> 0:33:57.040
<v Speaker 1>he has slept with a bunch of women. And that's

0:33:57.160 --> 0:34:01.640
<v Speaker 1>the approach that they use for sebad Question to seem

0:34:01.880 --> 0:34:06.920
<v Speaker 1>cooler to her peers. But that could have been an

0:34:06.960 --> 0:34:10.480
<v Speaker 1>opportunity for Viola to be like, no, I'm not going

0:34:10.560 --> 0:34:13.040
<v Speaker 1>to like subscribe to this, I'm gonna like fine. I mean,

0:34:13.080 --> 0:34:15.200
<v Speaker 1>I get it. It's it was an easy choice and

0:34:15.239 --> 0:34:18.880
<v Speaker 1>it worked, But I don't know, Like, I just have

0:34:19.200 --> 0:34:23.040
<v Speaker 1>higher hopes than is reasonable to expect out of a

0:34:23.080 --> 0:34:25.680
<v Speaker 1>movie from two thousand and six. So it's just it's

0:34:25.760 --> 0:34:27.760
<v Speaker 1>kind of a bummer that that's the scene that plays

0:34:27.800 --> 0:34:32.000
<v Speaker 1>out to get Viola as Sebastian to be accepted by

0:34:32.040 --> 0:34:35.879
<v Speaker 1>her peers, but could also be seen as a very

0:34:35.920 --> 0:34:40.560
<v Speaker 1>heightened version of what would be realistic because they like,

0:34:41.120 --> 0:34:43.880
<v Speaker 1>for the second argument, the group of guys, the soccer

0:34:44.280 --> 0:34:50.600
<v Speaker 1>dudes are like interpreting Sebastian's masculinity is abnormal, that he's

0:34:50.680 --> 0:34:55.960
<v Speaker 1>like a weird dude, because Viola s Sebastian is acting

0:34:56.120 --> 0:35:00.760
<v Speaker 1>very weird like and it is acting like crazy person,

0:35:01.040 --> 0:35:04.239
<v Speaker 1>and you know that is like the example of the opposite,

0:35:04.239 --> 0:35:07.840
<v Speaker 1>like if you can't beat them, join them, where Biola

0:35:07.880 --> 0:35:11.800
<v Speaker 1>is playing to what they do understand to be masculinity

0:35:11.840 --> 0:35:14.200
<v Speaker 1>in order for them to be like, well, yeah, he's

0:35:14.239 --> 0:35:16.399
<v Speaker 1>a freak, but he folks like that is all that

0:35:16.400 --> 0:35:20.320
<v Speaker 1>that is trying to accomplish and it's successful. Um yeah,

0:35:20.480 --> 0:35:22.759
<v Speaker 1>it's I don't really know where I land on it,

0:35:22.800 --> 0:35:26.399
<v Speaker 1>because it's also a very funny scene and it's like, well,

0:35:26.440 --> 0:35:29.239
<v Speaker 1>the fact that except for mooning, the moaning thing made

0:35:29.239 --> 0:35:33.360
<v Speaker 1>me feel bad for her, but Kia and and Ivan

0:35:33.560 --> 0:35:36.600
<v Speaker 1>are like so in on it that it's like fun

0:35:36.719 --> 0:35:39.440
<v Speaker 1>for them, and it's like you don't have to feel guilty,

0:35:39.440 --> 0:35:41.880
<v Speaker 1>which is maybe like a horrible loophole, is like you

0:35:41.880 --> 0:35:45.120
<v Speaker 1>don't have to feel guilty watching these women be kind

0:35:45.160 --> 0:35:48.800
<v Speaker 1>of like yelled at and groped because it's their friend.

0:35:49.080 --> 0:35:52.000
<v Speaker 1>But like, but that is so funny. I don't know. Yeah,

0:35:52.040 --> 0:35:55.360
<v Speaker 1>it's it's complicated. Well, let's take a quick break and

0:35:55.400 --> 0:36:03.960
<v Speaker 1>then we'll be back to talk more. Okay, and we're back,

0:36:04.520 --> 0:36:07.600
<v Speaker 1>all right, So the next thing I wanted to talk

0:36:07.640 --> 0:36:12.360
<v Speaker 1>about is God, there's so much Okay, really quickly. I

0:36:12.440 --> 0:36:17.799
<v Speaker 1>really like that Olivia likes who she thinks of Sebastian

0:36:18.320 --> 0:36:23.480
<v Speaker 1>because Violet as Sebastian is sensitive and isn't this like

0:36:23.600 --> 0:36:26.680
<v Speaker 1>big tough, macho guy. And that's like the main thing

0:36:26.760 --> 0:36:32.520
<v Speaker 1>that appeals to Olivia about Sebastian. Relatable, yes tbh, But y'alla,

0:36:32.600 --> 0:36:37.560
<v Speaker 1>Sebastian pretty good looking kids, I hear it. Yeah, cute

0:36:37.760 --> 0:36:42.520
<v Speaker 1>and sweet and yeah, like not threatening and not like

0:36:42.600 --> 0:36:45.960
<v Speaker 1>just like carrying around a bunch of like machismo everywhere.

0:36:46.920 --> 0:36:51.239
<v Speaker 1>That's how I describe myself. Mugging to speak to what

0:36:51.320 --> 0:36:54.359
<v Speaker 1>you texted me earlier on Caitlin. Mugging maybe a few

0:36:54.360 --> 0:36:56.279
<v Speaker 1>too many times. So the one where it's like, is

0:36:56.320 --> 0:37:02.040
<v Speaker 1>this a feature film? Maybe, yeah, Amanda Bind's mugs a

0:37:02.360 --> 0:37:05.680
<v Speaker 1>whole lot, but like also works, it works for me.

0:37:06.440 --> 0:37:12.120
<v Speaker 1>And then Viola and Olivia have a conversation whenever Violet

0:37:12.160 --> 0:37:15.040
<v Speaker 1>as Sebastian is trying to get Olivia to date Duke

0:37:15.239 --> 0:37:17.720
<v Speaker 1>and she's like, no, Like, he just seems like another

0:37:17.760 --> 0:37:20.200
<v Speaker 1>one of these dumb jocks that you know wants to

0:37:20.239 --> 0:37:22.560
<v Speaker 1>hook up with a girl so that you know, you

0:37:22.560 --> 0:37:25.879
<v Speaker 1>can tell us friends about it. But we learn that

0:37:25.880 --> 0:37:29.600
<v Speaker 1>that isn't true about Duke, and then that's one of

0:37:29.640 --> 0:37:33.360
<v Speaker 1>the main reasons that Viola is into him then because

0:37:33.360 --> 0:37:36.799
<v Speaker 1>they have these like long discussions like what Duke thinks

0:37:36.880 --> 0:37:39.279
<v Speaker 1>is like a man on man pow wow, but what

0:37:39.360 --> 0:37:43.840
<v Speaker 1>he doesn't know is Sebastian's real identity. But yeah, I

0:37:44.120 --> 0:37:47.680
<v Speaker 1>like that in many cases in this movie, and not

0:37:47.800 --> 0:37:49.720
<v Speaker 1>all the time, because we just talked about the times

0:37:49.719 --> 0:37:54.360
<v Speaker 1>that this doesn't happen. But sexist behavior is punished and

0:37:54.760 --> 0:38:04.319
<v Speaker 1>the opposite of sexist behavior behavior behavior is appreciated and rewarded,

0:38:04.480 --> 0:38:08.160
<v Speaker 1>I suppose. So that's nice because in a lot of

0:38:08.480 --> 0:38:11.560
<v Speaker 1>movies like this where let's go back to like Ten

0:38:11.600 --> 0:38:14.200
<v Speaker 1>Things I Hate about You. For example, in that movie,

0:38:14.239 --> 0:38:18.040
<v Speaker 1>it's like, Okay, we've got a feminist, headstrong character, but

0:38:18.440 --> 0:38:21.719
<v Speaker 1>those qualities are seen to be very shrewish, and so

0:38:21.840 --> 0:38:24.440
<v Speaker 1>no one likes her because of that, and then the

0:38:24.520 --> 0:38:27.839
<v Speaker 1>guy lies to her throughout the entire movie, and then

0:38:27.880 --> 0:38:30.759
<v Speaker 1>he is rewarded even though he's been behaving badly. I'll

0:38:30.760 --> 0:38:34.040
<v Speaker 1>say it again, Uh, ten Things I Hate about you.

0:38:34.400 --> 0:38:36.799
<v Speaker 1>It's a stinker. I know everyone's attached to it, but

0:38:36.920 --> 0:38:38.960
<v Speaker 1>as someone new to the ten Things I Hate about You,

0:38:39.040 --> 0:38:44.760
<v Speaker 1>fold it's stinker. Well that's a boo from Jamie. Okay, well,

0:38:44.800 --> 0:38:47.799
<v Speaker 1>I get it. It's uh. It does not handle a

0:38:47.800 --> 0:38:54.640
<v Speaker 1>lot of things well at all. Don boo boo boo boo. Alright,

0:38:54.680 --> 0:38:56.759
<v Speaker 1>I feel like you were singing a different tune a

0:38:56.760 --> 0:38:59.000
<v Speaker 1>few episodes ago when we talked about it. I feel

0:38:59.000 --> 0:39:02.080
<v Speaker 1>like you said you liked the movie. Can I watched

0:39:02.080 --> 0:39:04.839
<v Speaker 1>it again and I liked it even less the second

0:39:05.040 --> 0:39:10.160
<v Speaker 1>Oh interesting, Yeah, that'll happen anyway. So back to she's

0:39:10.360 --> 0:39:15.400
<v Speaker 1>almost caught it. She's all that okay, also a good one. Yeah, well, sticker.

0:39:19.400 --> 0:39:22.320
<v Speaker 1>But and another example of a movie where bad behavior

0:39:22.480 --> 0:39:26.920
<v Speaker 1>in misogyny is not punished and is instead rewarded. The

0:39:26.960 --> 0:39:29.120
<v Speaker 1>only thing that you need to do to get a

0:39:29.160 --> 0:39:32.400
<v Speaker 1>boyfriend has changed literally everything about you. Yeah, that's what

0:39:32.440 --> 0:39:36.360
<v Speaker 1>I have to do up, dang it. So anyway, I

0:39:36.840 --> 0:39:40.279
<v Speaker 1>like how this movie handles a lot of things, and

0:39:40.400 --> 0:39:43.120
<v Speaker 1>that the whole movie is like a quest for a

0:39:43.200 --> 0:39:46.399
<v Speaker 1>woman to prove that she is as capable as men

0:39:46.480 --> 0:39:50.839
<v Speaker 1>and then succeeds in achieving that. But there are more

0:39:50.960 --> 0:39:56.040
<v Speaker 1>problems here. They are For example, there are quite a

0:39:56.080 --> 0:40:02.440
<v Speaker 1>few no homo moments. It's usually between Duke and Viola

0:40:02.640 --> 0:40:06.360
<v Speaker 1>as Sebastian, So for most of the movie Duke thinks

0:40:06.680 --> 0:40:12.759
<v Speaker 1>that Sebastian is a ciss het man, But then there

0:40:12.760 --> 0:40:16.480
<v Speaker 1>are moments where Sebastian will like linger too long on

0:40:16.520 --> 0:40:19.800
<v Speaker 1>a hug or be like you're not going to talking

0:40:19.840 --> 0:40:22.399
<v Speaker 1>to girls? How can that be? You're hot? And then

0:40:22.719 --> 0:40:27.799
<v Speaker 1>Duke always responds, well discussed, what yeah? And then there's

0:40:27.840 --> 0:40:30.839
<v Speaker 1>like a moment where the tarantula, the spider the eight

0:40:30.920 --> 0:40:35.440
<v Speaker 1>legged female or spider facts with Caitlin feminist icon Melvolio

0:40:36.800 --> 0:40:39.320
<v Speaker 1>shows up in their dorm room and then they both

0:40:39.440 --> 0:40:42.320
<v Speaker 1>scream and get on the bed and they're like holding

0:40:42.360 --> 0:40:44.680
<v Speaker 1>each other and then then when which starts as a

0:40:44.719 --> 0:40:47.160
<v Speaker 1>good moment and then it's kind of sold out. Yeah,

0:40:47.320 --> 0:40:49.560
<v Speaker 1>so Duke's are like, oh gross, and don't ever do

0:40:49.600 --> 0:40:53.319
<v Speaker 1>that girl voice again. That freaked me out. So why

0:40:53.320 --> 0:40:56.040
<v Speaker 1>can't they does both be afraid of the Spider? Also,

0:40:56.320 --> 0:40:58.240
<v Speaker 1>why don't they sit down and listen to what Melvolio

0:40:58.280 --> 0:41:01.600
<v Speaker 1>has to say because he's read the feminine mystique and

0:41:01.680 --> 0:41:03.239
<v Speaker 1>he has a lot of really good points he'd like

0:41:03.280 --> 0:41:06.399
<v Speaker 1>to make, and he's a feminist iChon. And I think

0:41:06.400 --> 0:41:08.000
<v Speaker 1>that there's a direction of this movie where if they

0:41:08.040 --> 0:41:10.719
<v Speaker 1>just sat down and had discourse with the Spider, you know,

0:41:10.880 --> 0:41:13.320
<v Speaker 1>he's would have been a different Yeah, we should invite

0:41:13.360 --> 0:41:15.840
<v Speaker 1>the Spider on the podcast to see what was a

0:41:15.920 --> 0:41:17.959
<v Speaker 1>queer icon as well. I mean this is like I've

0:41:18.080 --> 0:41:24.359
<v Speaker 1>had great talks with Amalia anyways. So and then during

0:41:24.360 --> 0:41:28.560
<v Speaker 1>the soccer game at the end whenever Viola is like

0:41:28.800 --> 0:41:32.640
<v Speaker 1>I love you, Duke, and he's like what this is weird?

0:41:33.200 --> 0:41:36.000
<v Speaker 1>And Viola was like, I'm Viola, I kissed you and

0:41:36.000 --> 0:41:39.279
<v Speaker 1>he's like, oh, girls, no you didn't, because he again

0:41:39.320 --> 0:41:43.000
<v Speaker 1>still thinks that Sebastian is a boy. So there's these

0:41:43.000 --> 0:41:48.239
<v Speaker 1>different moments that like I it is very like to that.

0:41:48.360 --> 0:41:51.520
<v Speaker 1>I mean, it still happens now, but like two thousands queer,

0:41:51.600 --> 0:41:56.440
<v Speaker 1>panicky moments, right that didn't need to be there, And

0:41:56.440 --> 0:41:59.240
<v Speaker 1>you could argue, oh, well, you know, it's in line

0:41:59.320 --> 0:42:03.799
<v Speaker 1>with character. But they also had an opportunity to subvert

0:42:04.120 --> 0:42:08.960
<v Speaker 1>that trope of casual homophobia in movies and they didn't.

0:42:09.040 --> 0:42:11.960
<v Speaker 1>So one of the things I liked best about this

0:42:12.080 --> 0:42:16.800
<v Speaker 1>movie is that for the first half of the Big Game,

0:42:17.280 --> 0:42:19.920
<v Speaker 1>which why I don't all movie, then with the Big Game,

0:42:20.600 --> 0:42:24.400
<v Speaker 1>uh so they're at a big game and the first

0:42:24.640 --> 0:42:28.799
<v Speaker 1>half is just like real Sebastian being chaotic and it's like, yes,

0:42:28.840 --> 0:42:31.480
<v Speaker 1>I am soccer, Now here's my dick, and you're just like,

0:42:31.560 --> 0:42:34.960
<v Speaker 1>what is happening? And then but the fact that Viola

0:42:35.000 --> 0:42:39.000
<v Speaker 1>gets to finish the game as herself and playing with

0:42:39.040 --> 0:42:43.480
<v Speaker 1>her hair down, not in a ponytail. That's unrealistic. But

0:42:43.680 --> 0:42:46.720
<v Speaker 1>I I was going to ask you that, okay, But

0:42:46.719 --> 0:42:48.439
<v Speaker 1>but the fact that she gets to finish the game

0:42:48.719 --> 0:42:52.840
<v Speaker 1>as herself with total acceptance of her team and her coach,

0:42:53.760 --> 0:42:56.239
<v Speaker 1>I thought was so great. I didn't think that that

0:42:56.320 --> 0:42:58.680
<v Speaker 1>was going to happen. Yeah, I thought she was going

0:42:58.760 --> 0:43:01.560
<v Speaker 1>to finish the game as sebast That is really cool.

0:43:01.760 --> 0:43:05.120
<v Speaker 1>And then we see that moment where she reveals her

0:43:05.120 --> 0:43:09.319
<v Speaker 1>true identity. She's like, I'm Viola. I played on the

0:43:09.320 --> 0:43:13.439
<v Speaker 1>team to you know, prove this point. And then the

0:43:13.520 --> 0:43:16.239
<v Speaker 1>coach of the opposing team is like, girls can't play

0:43:16.239 --> 0:43:18.440
<v Speaker 1>in this league, and he's he's the same guy at

0:43:18.440 --> 0:43:22.839
<v Speaker 1>the beginning who was like, girls are scientifically bullshit, right exactly,

0:43:23.360 --> 0:43:26.680
<v Speaker 1>And then we get the great line read from coach

0:43:26.960 --> 0:43:35.319
<v Speaker 1>what is it dinkly away on what manual here? We

0:43:35.440 --> 0:43:40.520
<v Speaker 1>don't discriminate based on gender? Beautiful, Thank you very much.

0:43:40.880 --> 0:43:45.040
<v Speaker 1>That's my sad. So my blood pressure is like rising

0:43:45.480 --> 0:43:50.800
<v Speaker 1>with each beautiful. So, like you said, Jimmy, the team

0:43:50.800 --> 0:43:53.520
<v Speaker 1>at all, area, the coach, they're all on board to

0:43:53.640 --> 0:43:57.440
<v Speaker 1>have Viola play as herself. She gets the goal, she

0:43:57.480 --> 0:43:59.799
<v Speaker 1>gets the goal, she scores the game winning goal, there

0:43:59.800 --> 0:44:02.680
<v Speaker 1>by proving she set out to prove. Here's here's a

0:44:02.800 --> 0:44:07.080
<v Speaker 1>question the fact that and these are like small gripes

0:44:07.120 --> 0:44:09.759
<v Speaker 1>with with a movie that does so much right, but um,

0:44:10.280 --> 0:44:13.520
<v Speaker 1>justin her ex One of the like things we know

0:44:13.560 --> 0:44:16.600
<v Speaker 1>about him is that Channing Tatum made him cry during

0:44:16.640 --> 0:44:20.879
<v Speaker 1>a soccer game. And that is like, you know, not masculine.

0:44:21.280 --> 0:44:23.560
<v Speaker 1>And then at the end Viola makes him cry. But

0:44:23.600 --> 0:44:26.680
<v Speaker 1>I still feel like it's like kind of that for

0:44:26.719 --> 0:44:30.360
<v Speaker 1>all of Justin's toxic masculinity is played for a laugh

0:44:30.400 --> 0:44:32.160
<v Speaker 1>in a way that I was like, a man, that's

0:44:32.239 --> 0:44:35.000
<v Speaker 1>they missed that one of like this boy crying looks

0:44:35.040 --> 0:44:38.080
<v Speaker 1>like so fucking dumb. And then when they talk about

0:44:38.120 --> 0:44:41.040
<v Speaker 1>it before the time that Duke makes him cry in

0:44:41.120 --> 0:44:43.840
<v Speaker 1>an earlier game, Yeah, it's all like, I mean that,

0:44:44.080 --> 0:44:47.560
<v Speaker 1>what a pussy cry? And then they address him about

0:44:47.560 --> 0:44:51.719
<v Speaker 1>it in person and he's like or something like we're

0:44:51.760 --> 0:44:57.560
<v Speaker 1>going to do drowned me in your tears. In a

0:44:57.600 --> 0:45:02.560
<v Speaker 1>movie that at least attempt to celebrate like male sensitivity,

0:45:02.719 --> 0:45:06.080
<v Speaker 1>it also does that mistakes were made. Mistakes were made,

0:45:06.320 --> 0:45:11.520
<v Speaker 1>and there's more. There's that. There's also the mistake of

0:45:11.719 --> 0:45:16.520
<v Speaker 1>if the situation was presented to the headmaster that a

0:45:16.800 --> 0:45:20.760
<v Speaker 1>person was trying to pull off being the opposite gender,

0:45:20.880 --> 0:45:23.879
<v Speaker 1>and they decided to out them during this big old

0:45:23.920 --> 0:45:28.319
<v Speaker 1>soccer game, a big game with with the loudspeaker megaphone,

0:45:28.640 --> 0:45:32.239
<v Speaker 1>Why would that? Why is that the choice? Right? There's

0:45:32.280 --> 0:45:34.840
<v Speaker 1>a lot of the big game mistakes, Like there's a

0:45:34.960 --> 0:45:39.200
<v Speaker 1>big bird act kind of for sure a little bit

0:45:39.680 --> 0:45:44.799
<v Speaker 1>because for all they know, this Sebastian person is trans

0:45:45.840 --> 0:45:48.720
<v Speaker 1>and then for yeah, for them to be like he's

0:45:48.719 --> 0:45:56.200
<v Speaker 1>actually a girl and the girl and then he pulls

0:45:56.239 --> 0:45:59.920
<v Speaker 1>down his pants, everyone sees his penis. Unice is having

0:46:00.040 --> 0:46:04.319
<v Speaker 1>a wonderful time. It has a conniption, even though I'm

0:46:04.320 --> 0:46:07.960
<v Speaker 1>pretty sure she is facing his butt and not his

0:46:08.360 --> 0:46:14.320
<v Speaker 1>but anyways, whatever is action until now she's got like Toby,

0:46:14.680 --> 0:46:18.720
<v Speaker 1>who's like a cutie to he's cute, he's cute. Tricks.

0:46:19.600 --> 0:46:23.960
<v Speaker 1>But yeah, Sammy, to your point, not only would that

0:46:24.000 --> 0:46:28.360
<v Speaker 1>be very problematic for them to out Sebastian because they

0:46:28.400 --> 0:46:30.920
<v Speaker 1>don't they don't know what the circumstances are. Right. The

0:46:31.040 --> 0:46:33.840
<v Speaker 1>other thing that this movie subscribes to is the idea

0:46:33.920 --> 0:46:37.000
<v Speaker 1>that if you have a penis, you're a man, and

0:46:37.040 --> 0:46:42.239
<v Speaker 1>if you have breasts, you are a woman. She's the man, right,

0:46:42.560 --> 0:46:48.080
<v Speaker 1>super cisnormative because both fake and real Sebastian to prove

0:46:48.120 --> 0:46:51.480
<v Speaker 1>that they are the gender that they identify as they reveal,

0:46:52.280 --> 0:46:58.920
<v Speaker 1>you know, bathing suit parts will say mom, stop, wow,

0:47:00.400 --> 0:47:04.399
<v Speaker 1>cut that out. Hope I'm keeping it. So yeah, it's

0:47:04.400 --> 0:47:09.320
<v Speaker 1>just subscribing to this idea that your genitals determine your gender,

0:47:09.760 --> 0:47:14.480
<v Speaker 1>which we know is false. And it's the second Shakespeare

0:47:14.480 --> 0:47:18.480
<v Speaker 1>adaptation from this pair of screenwriters that has a character

0:47:18.800 --> 0:47:22.400
<v Speaker 1>flashing their boobs, which it's like, get a new trick,

0:47:23.040 --> 0:47:26.640
<v Speaker 1>Kirsten and Karen. Um and that's all. This movie was

0:47:26.680 --> 0:47:32.080
<v Speaker 1>also co written by you and Lesley, by Malfolio, the

0:47:32.120 --> 0:47:37.600
<v Speaker 1>famous spiders that kind of louder voice in the writers room. Um, no,

0:47:37.760 --> 0:47:41.920
<v Speaker 1>by you and Leslie, although Jamie you you would probably

0:47:41.920 --> 0:47:47.359
<v Speaker 1>call him but anyway, but that's neither here nor there.

0:47:47.560 --> 0:47:51.000
<v Speaker 1>So yeah, another mistake that this movie makes is the

0:47:51.040 --> 0:47:56.640
<v Speaker 1>sith normative bullshit of your genitals determining your gender. The

0:47:56.680 --> 0:48:01.320
<v Speaker 1>only points I'll give that because it's just like not necessary.

0:48:01.400 --> 0:48:04.759
<v Speaker 1>And also this movie was listed for containing nudity, which

0:48:04.760 --> 0:48:08.479
<v Speaker 1>it doesn't know either way. The only thing, the only

0:48:08.520 --> 0:48:11.839
<v Speaker 1>improvement that makes upon ten things I Hate about you

0:48:12.000 --> 0:48:15.600
<v Speaker 1>as it leaves you know, Sebastian shows his parts and

0:48:15.719 --> 0:48:19.840
<v Speaker 1>Viola shows her parts as opposed to just a titty flash,

0:48:20.160 --> 0:48:23.000
<v Speaker 1>but I say, we we we we do away with

0:48:23.040 --> 0:48:26.400
<v Speaker 1>it in that context all together exactly. And then David

0:48:26.480 --> 0:48:31.239
<v Speaker 1>Kross as the Headmaster who participates in a number of

0:48:31.719 --> 0:48:36.040
<v Speaker 1>very funny visual jokes where throughout the movie he is

0:48:36.440 --> 0:48:39.000
<v Speaker 1>handing out food in the cafeteria. He comes in with

0:48:39.040 --> 0:48:41.680
<v Speaker 1>a plunger. At one point he's like snipping a shrub.

0:48:42.160 --> 0:48:44.919
<v Speaker 1>He's like cleaning the windows. He just does all. He's

0:48:44.960 --> 0:48:47.040
<v Speaker 1>the headmaster, but he he's so involved in his school.

0:48:47.040 --> 0:48:50.719
<v Speaker 1>He does it all anyway. Very funny, he says, as

0:48:50.760 --> 0:48:55.239
<v Speaker 1>he's like outing Sebastian as a girl, he says, you know,

0:48:55.680 --> 0:49:00.520
<v Speaker 1>actually he's been impersonating his own sister Viola for reasons

0:49:00.560 --> 0:49:04.839
<v Speaker 1>which will become very clear after extensive psychoanalysis, kind of

0:49:04.920 --> 0:49:09.480
<v Speaker 1>implying that if you present as a different gender from

0:49:09.480 --> 0:49:11.759
<v Speaker 1>the one that you were assigned at birth, you need

0:49:12.040 --> 0:49:18.239
<v Speaker 1>psycho analysis. Something's wrong with you psychologically. Um so bad, bad,

0:49:18.280 --> 0:49:21.200
<v Speaker 1>bad bad. He does have a good I feel like

0:49:21.239 --> 0:49:24.080
<v Speaker 1>it was kind of a good moment when he's talking

0:49:24.120 --> 0:49:29.000
<v Speaker 1>to what's what's the squirrely bad guy's name, Malcolm. Yeah.

0:49:29.000 --> 0:49:33.440
<v Speaker 1>When Malcolm is talking to the headmaster and Viola as

0:49:33.560 --> 0:49:37.320
<v Speaker 1>fashion passes by, talking in normal Viola voice about wearing

0:49:37.320 --> 0:49:39.720
<v Speaker 1>a dress and high heels, there is a moment where

0:49:39.760 --> 0:49:42.360
<v Speaker 1>it could have been where Malcolm is just like, that's weird.

0:49:42.600 --> 0:49:44.640
<v Speaker 1>But then the Headmaster is just like, have you ever

0:49:44.719 --> 0:49:47.640
<v Speaker 1>tried running away? Running down? Yeah? I was like, well,

0:49:47.680 --> 0:49:50.360
<v Speaker 1>that's that's that that that was a good opportunity to

0:49:50.440 --> 0:49:53.760
<v Speaker 1>not be a dick, and he wasn't. Yeah. And also

0:49:53.920 --> 0:49:56.919
<v Speaker 1>what Violen is saying on the phone is great. Yeah.

0:49:57.000 --> 0:50:02.480
<v Speaker 1>Feminist icon says, yeah, heels were invented by men to

0:50:02.600 --> 0:50:05.320
<v Speaker 1>make women's butts look smaller and to make it harder

0:50:05.360 --> 0:50:07.719
<v Speaker 1>for them to run away, which is something I've been

0:50:07.760 --> 0:50:11.399
<v Speaker 1>saying for decades. So thank you for let me look

0:50:11.400 --> 0:50:15.640
<v Speaker 1>at your stiletto heels. Wow, I played soccer in them

0:50:15.640 --> 0:50:21.560
<v Speaker 1>today and you were not slowed at all. And the

0:50:21.600 --> 0:50:26.160
<v Speaker 1>reason she's talking about heels is because of the debutante

0:50:26.160 --> 0:50:29.560
<v Speaker 1>ball and I have a lot to say about this. Okay.

0:50:29.640 --> 0:50:32.399
<v Speaker 1>So in the movie, Viola's mom wants her to be

0:50:32.520 --> 0:50:35.880
<v Speaker 1>a debutante, wants her to be a lot more feminine.

0:50:36.000 --> 0:50:39.520
<v Speaker 1>Isn't thrilled with the whole soccer playing thing reminiscent of

0:50:39.880 --> 0:50:43.759
<v Speaker 1>Kira Knightley's mom's character and bend it like Beckham where

0:50:43.800 --> 0:50:47.600
<v Speaker 1>she's like, oh, like soccer's growths and you should wear dresses.

0:50:48.160 --> 0:50:51.760
<v Speaker 1>So for most of the movie, Viola rejects the idea

0:50:51.840 --> 0:50:55.600
<v Speaker 1>of needing to present as super feminine, and that ranges

0:50:55.719 --> 0:51:01.160
<v Speaker 1>from wearing sporty, pretty gender neutral clothing, not wanting to

0:51:01.200 --> 0:51:05.400
<v Speaker 1>be a debutante and these like frilly gowns, and then

0:51:05.440 --> 0:51:08.560
<v Speaker 1>that ranges all the way to literally dressing as a boy.

0:51:08.920 --> 0:51:11.360
<v Speaker 1>So I think it's cool that she is, like she

0:51:11.440 --> 0:51:15.120
<v Speaker 1>spends the entire movie rejecting these sort of gender norms.

0:51:15.560 --> 0:51:18.000
<v Speaker 1>That is to say, if you want to present that way,

0:51:18.360 --> 0:51:22.000
<v Speaker 1>that's fine, and that's anyone's choice, but society's expectation has

0:51:22.239 --> 0:51:26.240
<v Speaker 1>long been the more feminine a woman presents, the better,

0:51:27.040 --> 0:51:31.680
<v Speaker 1>which is unfair and unrealistic and yeah, not great. But

0:51:31.800 --> 0:51:35.200
<v Speaker 1>at the end of the movie, after Viola has spent

0:51:35.239 --> 0:51:38.800
<v Speaker 1>all this time, you know, rejecting these norms of needing

0:51:38.840 --> 0:51:41.759
<v Speaker 1>to present a super feminine, then she goes to the

0:51:41.800 --> 0:51:47.200
<v Speaker 1>debutante ball. She wears the gown she presents as super feminine,

0:51:47.560 --> 0:51:51.399
<v Speaker 1>and the idea of women expecting to present as feminine,

0:51:51.440 --> 0:51:55.399
<v Speaker 1>men expecting to present as masculine, there being no room

0:51:55.520 --> 0:51:59.440
<v Speaker 1>for anyone to fall anywhere else on the spectrum. It

0:51:59.440 --> 0:52:03.279
<v Speaker 1>would have been better if she know showed the ball. Yeah,

0:52:03.360 --> 0:52:06.120
<v Speaker 1>because those like rigid gender norms that have been challenged

0:52:06.160 --> 0:52:09.960
<v Speaker 1>throughout the movie go back to like being intact. I

0:52:09.960 --> 0:52:11.480
<v Speaker 1>feel like a lot of the statements that are made

0:52:11.480 --> 0:52:14.600
<v Speaker 1>about gender throughout the movie feel like they're almost kind

0:52:14.600 --> 0:52:17.680
<v Speaker 1>of undone by this ballroom scene. I mean not really,

0:52:17.680 --> 0:52:19.880
<v Speaker 1>but it's just like, why did this movie have to

0:52:20.000 --> 0:52:23.960
<v Speaker 1>end with this ball My theory is that the trope

0:52:23.960 --> 0:52:26.360
<v Speaker 1>that I do not like of like high school movies

0:52:26.640 --> 0:52:29.799
<v Speaker 1>always ending in prom or like a spring formal. It

0:52:29.840 --> 0:52:32.280
<v Speaker 1>doesn't make sense for this movie to end in prom

0:52:32.280 --> 0:52:36.520
<v Speaker 1>because it happens two weeks into the false school year. Also,

0:52:36.960 --> 0:52:39.640
<v Speaker 1>we were just at a big game, we had the

0:52:39.760 --> 0:52:43.480
<v Speaker 1>high school at the moment. Yeah, So for then there

0:52:43.520 --> 0:52:47.680
<v Speaker 1>to be another basically prom event at the end of

0:52:47.680 --> 0:52:53.040
<v Speaker 1>the movie just feels unneeded and it like reverts back

0:52:53.120 --> 0:52:56.600
<v Speaker 1>to all these like weird, rigid gender norms that the

0:52:56.640 --> 0:52:59.799
<v Speaker 1>idea of, like being a debutante really in stills. So

0:53:00.280 --> 0:53:04.839
<v Speaker 1>I didn't like that. I had something I wanted to

0:53:04.880 --> 0:53:10.520
<v Speaker 1>discuss really quickly about the reception this movie received when

0:53:10.560 --> 0:53:15.560
<v Speaker 1>it was originally released. This movie has a forty three

0:53:15.640 --> 0:53:21.400
<v Speaker 1>percent on Rotten Tomatoes. I'm not surprised, which right, but

0:53:21.520 --> 0:53:24.160
<v Speaker 1>not because as we have been discussing, it is a

0:53:24.160 --> 0:53:29.480
<v Speaker 1>well written movie. There's not that I mean considering the

0:53:29.480 --> 0:53:32.680
<v Speaker 1>fact that it's a successful, well done Shakespeare adaptation, which

0:53:32.719 --> 0:53:36.600
<v Speaker 1>is so hard to do, and the characters are explored

0:53:36.640 --> 0:53:38.959
<v Speaker 1>and well realized for the most part, with this movie

0:53:39.040 --> 0:53:43.280
<v Speaker 1>didn't fare very well. And this goes back to something

0:53:43.320 --> 0:53:47.839
<v Speaker 1>that we recently found out. The Annenberg Inclusion Initiative did

0:53:47.880 --> 0:53:52.560
<v Speaker 1>a study on film criticism and this year, and I

0:53:52.600 --> 0:53:54.759
<v Speaker 1>can't imagine how much worse this issue was in two

0:53:54.800 --> 0:53:58.880
<v Speaker 1>thousand and six, of almost sixty movie reviews written between

0:54:00.040 --> 0:54:05.320
<v Speaker 1>and teen s were written by men were written by women.

0:54:06.000 --> 0:54:08.800
<v Speaker 1>Uh So in film criticism there is a massive gap

0:54:08.880 --> 0:54:12.440
<v Speaker 1>and who decides what's good and and and that informs

0:54:12.719 --> 0:54:15.600
<v Speaker 1>what people see a lot of the time. And in

0:54:15.719 --> 0:54:19.120
<v Speaker 1>two thousand's and six, I have to assume this issue

0:54:19.200 --> 0:54:22.719
<v Speaker 1>was even worse and and and that is telling in

0:54:22.960 --> 0:54:26.640
<v Speaker 1>the way that this movie was reviewed. There was one

0:54:26.880 --> 0:54:31.560
<v Speaker 1>stuck out to me as particularly annoying. Where is it?

0:54:31.560 --> 0:54:36.960
<v Speaker 1>It was from not Ebert what's his name? But there

0:54:37.000 --> 0:54:39.360
<v Speaker 1>are a lot of the criticism of this movie was

0:54:39.400 --> 0:54:43.480
<v Speaker 1>focused on that Amanda Binds did not play a man convincingly,

0:54:44.480 --> 0:54:48.759
<v Speaker 1>which betray is far more about the writer than the movie,

0:54:49.600 --> 0:54:52.840
<v Speaker 1>because that just is, you know, evidence of how rigid

0:54:52.880 --> 0:54:55.719
<v Speaker 1>their view of masculinity is. Joel Siegel, in a lame

0:54:55.760 --> 0:54:58.360
<v Speaker 1>attempt to amuse older teens, She's the Man, manages to

0:54:58.400 --> 0:55:00.799
<v Speaker 1>alienate the parents of the younger one with tampon and

0:55:00.880 --> 0:55:05.680
<v Speaker 1>gender jokes. Richard Roper Mere words cannot convey how awful

0:55:05.719 --> 0:55:11.400
<v Speaker 1>Binds is at playing a girl playing a boy. Uh So,

0:55:11.560 --> 0:55:15.200
<v Speaker 1>I mean, and and this movie was financially successful, had

0:55:15.239 --> 0:55:18.360
<v Speaker 1>a budget of twenty million dollars, made uh fifty seven

0:55:18.360 --> 0:55:21.200
<v Speaker 1>million dollars at the box office. But you have to

0:55:21.400 --> 0:55:24.560
<v Speaker 1>think if it were better reviewed or reviewed by a

0:55:24.600 --> 0:55:28.600
<v Speaker 1>more diverse pool of people, that the reception of it

0:55:28.640 --> 0:55:32.919
<v Speaker 1>would have been quite different, and it wouldn't have a

0:55:33.480 --> 0:55:36.560
<v Speaker 1>rotten tomato so much lower than it deserves, I know.

0:55:38.320 --> 0:55:40.200
<v Speaker 1>And then think about the I mean, but like also

0:55:40.440 --> 0:55:43.319
<v Speaker 1>think about the movies that we've done, and I mean,

0:55:43.560 --> 0:55:46.959
<v Speaker 1>for example, Devil's Advocate, Let's see what Love actually has

0:55:47.320 --> 0:55:50.799
<v Speaker 1>on rotten tomatoes, a movie that performs horrifically bad with

0:55:50.920 --> 0:55:55.840
<v Speaker 1>gender issues, uh actually has sixty Um So there there

0:55:55.840 --> 0:56:02.520
<v Speaker 1>are movies that are extremely misinformed, border unhateful towards gender

0:56:02.560 --> 0:56:06.320
<v Speaker 1>and gender roles that are considered classics versus this movie

0:56:06.360 --> 0:56:10.000
<v Speaker 1>that for the most part, performs very well across the board,

0:56:10.120 --> 0:56:13.720
<v Speaker 1>and it was sort of at the time not quite panned,

0:56:13.760 --> 0:56:17.560
<v Speaker 1>but not received very well. Yeah, yeah, that's so upsetting.

0:56:18.680 --> 0:56:22.520
<v Speaker 1>So this would be a reminder to our listeners that

0:56:22.600 --> 0:56:26.760
<v Speaker 1>if you're reading a review of a movie that deals

0:56:26.840 --> 0:56:31.480
<v Speaker 1>with issues like this, or for instance, if you're reading

0:56:31.760 --> 0:56:36.720
<v Speaker 1>a white writer reviewing a movie with a diverse cast

0:56:36.760 --> 0:56:39.960
<v Speaker 1>and directed by someone other than someone exactly like them,

0:56:40.680 --> 0:56:43.239
<v Speaker 1>take that criticism with a grain salt, because they may

0:56:43.320 --> 0:56:48.440
<v Speaker 1>not actually know what they are talking about. I wanted

0:56:48.480 --> 0:56:52.480
<v Speaker 1>to talk a little bit about Unice. She is the

0:56:53.239 --> 0:56:59.120
<v Speaker 1>not I just Unice is great. I just I think well,

0:56:59.160 --> 0:57:05.080
<v Speaker 1>like she moon walks into the friend steps that was

0:57:05.200 --> 0:57:08.320
<v Speaker 1>her choice, like a lot of I read. David Cross

0:57:08.360 --> 0:57:11.320
<v Speaker 1>improvised a lot of his stuff. Amanda Bindes also improvised

0:57:11.360 --> 0:57:19.000
<v Speaker 1>a lot, and then Unice didn't. Un who plays unsh

0:57:19.120 --> 0:57:20.720
<v Speaker 1>I don't know her name, but she has some of

0:57:20.720 --> 0:57:23.680
<v Speaker 1>the most famous person in the whole world and act

0:57:23.720 --> 0:57:28.320
<v Speaker 1>just named Emily Perkins, who has since been Oh she's

0:57:28.400 --> 0:57:32.720
<v Speaker 1>the receptionist in Juno. Oh, the one who's like, whoa,

0:57:32.920 --> 0:57:40.200
<v Speaker 1>there are condom flavors. Whoa and that is what pretty much. Well,

0:57:40.240 --> 0:57:42.080
<v Speaker 1>she's great in this So the thing I want to

0:57:42.120 --> 0:57:45.600
<v Speaker 1>say about her is that she's also in this movie.

0:57:46.040 --> 0:57:50.960
<v Speaker 1>She's dirty, yes, a lot of things. Um Well, the

0:57:51.000 --> 0:57:54.280
<v Speaker 1>thing I want to say about her is that this movie,

0:57:54.640 --> 0:57:58.320
<v Speaker 1>and so many movies, take a character who is not

0:57:58.600 --> 0:58:03.200
<v Speaker 1>conventionally attractive by Western beauty standards, and sometimes it's something

0:58:03.200 --> 0:58:05.720
<v Speaker 1>as simple as she's wearing glasses. In this case, she's

0:58:05.720 --> 0:58:09.560
<v Speaker 1>got glasses and braces and some headgear, but the movie

0:58:09.600 --> 0:58:12.360
<v Speaker 1>will like turn her into a punching bag. Basically, it's like,

0:58:12.440 --> 0:58:16.880
<v Speaker 1>look at this disgusting woman, just like makes a joke

0:58:16.960 --> 0:58:19.080
<v Speaker 1>out of the whole thing, when in reality we should

0:58:19.080 --> 0:58:23.479
<v Speaker 1>be critical of her for being thirty and in high school. Also,

0:58:23.600 --> 0:58:28.440
<v Speaker 1>Channing Tatum this Sea, but yeah, I don't like that

0:58:29.080 --> 0:58:33.920
<v Speaker 1>because pretty much everyone else in this movie is conventionally attractive.

0:58:34.440 --> 0:58:37.000
<v Speaker 1>So to take like the one character who the movie

0:58:37.040 --> 0:58:40.919
<v Speaker 1>has made to seem not as conventionally attractive and then

0:58:40.920 --> 0:58:43.680
<v Speaker 1>put her in scenarios where like she's on a date

0:58:43.680 --> 0:58:47.080
<v Speaker 1>with someone, or you know, like Channing Tatum has to

0:58:47.080 --> 0:58:49.200
<v Speaker 1>talk to her, it's always like, oh, I can't believe

0:58:49.240 --> 0:58:53.360
<v Speaker 1>I'm stuck talking to this super lazy I think this

0:58:53.400 --> 0:58:57.400
<v Speaker 1>falls into the same bucket of lazy writing that like

0:58:57.520 --> 0:59:02.040
<v Speaker 1>Liz Lemon would fall into of Like, here's a woman who,

0:59:02.080 --> 0:59:04.680
<v Speaker 1>if you took this weird prop off of her would

0:59:04.720 --> 0:59:08.840
<v Speaker 1>look completely like conventionally attractive, but we're just going to

0:59:09.000 --> 0:59:11.560
<v Speaker 1>have everyone in the movie ship on her and call

0:59:11.640 --> 0:59:14.240
<v Speaker 1>her not hot to distract from the fact that that

0:59:14.440 --> 0:59:17.280
<v Speaker 1>is not actually the case. And like it seems like

0:59:17.320 --> 0:59:20.120
<v Speaker 1>a more egregious version of like the Lis Lemon issue

0:59:20.200 --> 0:59:24.120
<v Speaker 1>of like down to the like I like cheese, like

0:59:24.600 --> 0:59:28.400
<v Speaker 1>shot up like funk off. Anyways, that's a funny line

0:59:28.400 --> 0:59:32.080
<v Speaker 1>though almost more than any other animal byproduct. I could

0:59:32.120 --> 0:59:37.800
<v Speaker 1>like that. And then I'm like, what if Channing Tatum

0:59:37.880 --> 0:59:43.200
<v Speaker 1>is like tell me more instead of being please? Right, Yeah,

0:59:43.240 --> 0:59:45.240
<v Speaker 1>so I didn't care for that. That happens a lot.

0:59:45.280 --> 0:59:49.040
<v Speaker 1>I feel like that happens with like Aquafina's character her

0:59:49.120 --> 0:59:53.720
<v Speaker 1>brother in Yeah Crazy Rich Asians, where like he's not

0:59:55.000 --> 1:00:00.080
<v Speaker 1>conventionally sorry, um, he is not as conventionally attractive. Oh,

1:00:00.200 --> 1:00:05.600
<v Speaker 1>he's like the weirdo creepo guy. When like it's I

1:00:05.640 --> 1:00:09.160
<v Speaker 1>hate these like tropes that it's a microaggression. Yeah, and

1:00:09.320 --> 1:00:12.680
<v Speaker 1>movies need to stop doing that. Yeah, but also, I

1:00:12.680 --> 1:00:15.880
<v Speaker 1>mean everything Units does I'm on board for. It's just

1:00:15.920 --> 1:00:20.520
<v Speaker 1>the way the movie treats are exactly. That is not fair, right, right, right, exactly.

1:00:21.200 --> 1:00:24.880
<v Speaker 1>There's a there's a weird moment. I don't have any

1:00:24.920 --> 1:00:28.000
<v Speaker 1>particular view of it, but at the end, it's almost

1:00:28.000 --> 1:00:32.480
<v Speaker 1>like they accidentally did a little parent trap. Uh where

1:00:32.960 --> 1:00:35.280
<v Speaker 1>the parents are? You know, it's clear they've been divorced

1:00:35.280 --> 1:00:37.000
<v Speaker 1>for a while. That seems to be why no one

1:00:37.080 --> 1:00:39.800
<v Speaker 1>notices that their teenage daughter hasn't gone to school for

1:00:39.800 --> 1:00:43.640
<v Speaker 1>two weeks. But that the end, Viola is like, well,

1:00:43.640 --> 1:00:47.840
<v Speaker 1>why don't we all discuss this issue over dinner tomorrow

1:00:47.960 --> 1:00:50.160
<v Speaker 1>all four of us and the parents are and the

1:00:50.200 --> 1:00:53.320
<v Speaker 1>parents are like, yeah, can I have your number? What's

1:00:53.320 --> 1:00:57.080
<v Speaker 1>your email address? It was like, it's literally Quate and

1:00:57.200 --> 1:01:03.640
<v Speaker 1>Richardson over here. It's that's true. A couple of fun

1:01:03.680 --> 1:01:06.840
<v Speaker 1>little things I wanted to mention. Channing Tatum is wearing

1:01:07.040 --> 1:01:10.960
<v Speaker 1>a Duccatti jacket for part of the movie. Um, he's

1:01:10.960 --> 1:01:13.400
<v Speaker 1>a bad boyfriend life, he's a bad boy. He's not

1:01:13.560 --> 1:01:17.120
<v Speaker 1>like the others. If anyone out there is keeping track

1:01:17.160 --> 1:01:21.160
<v Speaker 1>of my name anagrams, which you might be familiar with

1:01:21.240 --> 1:01:24.320
<v Speaker 1>if you've listened to a few recent episodes that I

1:01:24.320 --> 1:01:28.440
<v Speaker 1>guessed on of the Daily Zeitgeist. I'm Latin dancer U

1:01:28.440 --> 1:01:32.920
<v Speaker 1>t I. I am a cat turd inline Caitlin Durante

1:01:33.080 --> 1:01:41.720
<v Speaker 1>also anagrams to internal Duccatti. So that's a good So

1:01:41.880 --> 1:01:45.640
<v Speaker 1>watch out. I have I have one more observation about

1:01:45.720 --> 1:01:48.400
<v Speaker 1>parents that I should have said while you were talking

1:01:48.440 --> 1:01:52.640
<v Speaker 1>about the debutant Paul, but then I didn't because I'm

1:01:52.720 --> 1:01:56.600
<v Speaker 1>flawed too. But I think that that was yet another

1:01:56.720 --> 1:02:00.959
<v Speaker 1>missed opportunity that this movie has to have some sort

1:02:00.960 --> 1:02:02.600
<v Speaker 1>of And this is something and I'm only thinking of

1:02:02.640 --> 1:02:06.480
<v Speaker 1>this because it happens in another soccer movie very effectively,

1:02:06.520 --> 1:02:10.720
<v Speaker 1>bend It like Beckham, where Kira Knightley's mom in Bendett

1:02:10.760 --> 1:02:12.640
<v Speaker 1>like Beckham, and Amanda Buyds, his mom and She's the

1:02:12.680 --> 1:02:15.320
<v Speaker 1>man are very similar type characters where they want to

1:02:15.360 --> 1:02:19.040
<v Speaker 1>force a very traditional idea of femininity onto their daughter,

1:02:19.360 --> 1:02:22.760
<v Speaker 1>and Bendett, like Beckham, they have a dialogue about it

1:02:22.840 --> 1:02:26.160
<v Speaker 1>and there's some conversations had between the mother and the

1:02:26.240 --> 1:02:28.880
<v Speaker 1>daughter that doesn't really happen in this movie. Granted, there's

1:02:28.880 --> 1:02:30.520
<v Speaker 1>a lot of stuff going on I don't know if

1:02:30.560 --> 1:02:34.840
<v Speaker 1>we necessarily have time for it, but in in you know,

1:02:34.920 --> 1:02:40.160
<v Speaker 1>for instance, in lieu of Viola going through with the

1:02:40.520 --> 1:02:43.520
<v Speaker 1>debue tant ball, why is there not a conversation between

1:02:43.680 --> 1:02:46.480
<v Speaker 1>her and her mother that could probably be pretty productive

1:02:47.160 --> 1:02:51.200
<v Speaker 1>about why she is not interested in doing it? Um, So,

1:02:51.440 --> 1:02:55.120
<v Speaker 1>there is a very short conversation early on where her

1:02:55.160 --> 1:02:57.280
<v Speaker 1>mom's trying to get her to like agree to this

1:02:57.320 --> 1:03:00.760
<v Speaker 1>debut tap ball thing, and Viola says like, I have

1:03:00.800 --> 1:03:04.200
<v Speaker 1>no interest in being a debutant, Like I think they're archaic,

1:03:04.760 --> 1:03:07.320
<v Speaker 1>so could have been spoken, but then she ends up

1:03:07.320 --> 1:03:10.480
<v Speaker 1>appeasing her and do exactly. So that felt like kind

1:03:10.520 --> 1:03:13.280
<v Speaker 1>of right, that's yeah, that's one of my big problems

1:03:13.320 --> 1:03:17.400
<v Speaker 1>with the ball scene. But oh, one last thing I

1:03:17.400 --> 1:03:27.240
<v Speaker 1>wanted to talk about is the Paul character being being

1:03:27.840 --> 1:03:31.720
<v Speaker 1>what I interpreted to be queer coded. Well, yeah, at

1:03:31.760 --> 1:03:35.320
<v Speaker 1>the end, he's with not Toby, the other one and

1:03:35.560 --> 1:03:38.200
<v Speaker 1>kind of like grooming him a little bit, which is like, okay, yeah,

1:03:38.240 --> 1:03:43.080
<v Speaker 1>there's like a very quick glimpse, and then before that

1:03:43.120 --> 1:03:46.160
<v Speaker 1>he's sort of like the Harvey fire Steam character from

1:03:46.560 --> 1:03:50.920
<v Speaker 1>Mrs Doubtfire where he like does the whole makeover of Viola,

1:03:51.240 --> 1:03:54.160
<v Speaker 1>and the queer quoting in this movie isn't as horribly

1:03:54.200 --> 1:03:57.800
<v Speaker 1>done and egregious as it is in some movies. But

1:03:58.800 --> 1:04:01.880
<v Speaker 1>but queer codd dirt equals makeover is kind of like

1:04:01.920 --> 1:04:05.959
<v Speaker 1>a fairly standard lazy writing. Yeah, it's very tropy. Yeah

1:04:05.960 --> 1:04:09.000
<v Speaker 1>they could have again another thing that could have been subverted,

1:04:09.040 --> 1:04:12.280
<v Speaker 1>but instead was like, you know, double down on. Paul

1:04:12.320 --> 1:04:15.160
<v Speaker 1>does deliver my favorite line of the movie, hit it

1:04:15.360 --> 1:04:18.200
<v Speaker 1>and he goes be a good boy and then Boyle

1:04:18.280 --> 1:04:21.240
<v Speaker 1>has to walk off. I got goose bumps every time.

1:04:21.320 --> 1:04:25.960
<v Speaker 1>It's like, oh, that's nice laying along. I mean, all

1:04:26.000 --> 1:04:29.080
<v Speaker 1>of Viola's friends, uh, in spite of their kind of

1:04:29.080 --> 1:04:34.200
<v Speaker 1>shoddy writing, are good friends. Yeah, very supportive friends. And

1:04:34.560 --> 1:04:37.880
<v Speaker 1>when they're blocking. We didn't really get to Monique, but

1:04:38.000 --> 1:04:39.640
<v Speaker 1>she's so all over the place that I don't even

1:04:39.640 --> 1:04:43.280
<v Speaker 1>know what we could say. Well, that is an example

1:04:43.400 --> 1:04:47.320
<v Speaker 1>to me of a like female rivalry in a movie

1:04:47.520 --> 1:04:50.840
<v Speaker 1>that there's no groundwork laid for why that would be.

1:04:51.240 --> 1:04:54.240
<v Speaker 1>So they hate each other and it's not totally clear why.

1:04:54.360 --> 1:04:56.560
<v Speaker 1>I mean, it's like Boyle is like, oh, I don't

1:04:56.560 --> 1:05:02.480
<v Speaker 1>like her because she's dating my brother, and well, Monique

1:05:02.720 --> 1:05:07.160
<v Speaker 1>is pretty mean, but I feel like that's such an

1:05:07.240 --> 1:05:09.480
<v Speaker 1>underthought character. I don't even want to give the writer's

1:05:09.480 --> 1:05:13.160
<v Speaker 1>credit for thinking about it this hard. But there is

1:05:13.200 --> 1:05:17.040
<v Speaker 1>like sort of a tendency in some movies for a

1:05:17.080 --> 1:05:21.000
<v Speaker 1>female character like Monique, who when you think about it,

1:05:21.320 --> 1:05:24.480
<v Speaker 1>you know, her boyfriend keeps disappearing and not telling her

1:05:24.560 --> 1:05:27.600
<v Speaker 1>where he's going. He's constantly bailing on her. It makes

1:05:27.640 --> 1:05:30.760
<v Speaker 1>sense she would feel insecure and neglected in this relationship

1:05:30.840 --> 1:05:35.120
<v Speaker 1>because she is neglected in this relationship. How that translates

1:05:35.160 --> 1:05:37.880
<v Speaker 1>to a dislike of Viola isn't clear to me, But

1:05:37.960 --> 1:05:41.720
<v Speaker 1>I didn't love that the movie treated her genuinely being

1:05:41.760 --> 1:05:47.720
<v Speaker 1>neglected in a relationship as like what a bit psycho

1:05:48.160 --> 1:05:51.520
<v Speaker 1>exactly where I mean, I think the story would like

1:05:51.680 --> 1:05:53.560
<v Speaker 1>for you to feel that way about her, but it's

1:05:53.600 --> 1:05:57.280
<v Speaker 1>just totally it's just a total misfire of like, yeah,

1:05:57.320 --> 1:05:59.560
<v Speaker 1>it's like a combination of the female rival reach out

1:05:59.680 --> 1:06:03.840
<v Speaker 1>and just like demonizing a woman having needs. Yeah, that

1:06:03.920 --> 1:06:06.320
<v Speaker 1>I didn't like. And there is that like a girl

1:06:06.440 --> 1:06:09.000
<v Speaker 1>fight scene that happens in the bathroom of like the

1:06:09.080 --> 1:06:14.080
<v Speaker 1>debutante training that is an fight, But then I was like, oh, like,

1:06:14.520 --> 1:06:15.960
<v Speaker 1>why do we need to see that. But then there's

1:06:15.960 --> 1:06:18.800
<v Speaker 1>also like a boy fight at the carnival, so I'm like, okay,

1:06:18.800 --> 1:06:22.400
<v Speaker 1>at least there's like a balance struck. I love the boyfriend.

1:06:23.000 --> 1:06:29.600
<v Speaker 1>This is a lovely children's carnival. Doctor. We should watch

1:06:29.600 --> 1:06:34.560
<v Speaker 1>the movie together again, just so you can like yesterday night. Oh,

1:06:34.600 --> 1:06:40.560
<v Speaker 1>I glitter in the entire time. One last thing I

1:06:40.640 --> 1:06:43.960
<v Speaker 1>want to say is that Viola as Sebastian in biology

1:06:44.040 --> 1:06:48.880
<v Speaker 1>class is like dissecting some sort of animal and faints

1:06:48.920 --> 1:06:55.120
<v Speaker 1>because women, but Olivia didn't. That's true. Yeah, Olivia seems

1:06:55.160 --> 1:06:58.120
<v Speaker 1>to do have done like most of the work women's stem.

1:06:58.240 --> 1:07:02.680
<v Speaker 1>Viola's a woman in stem sort of. She's a nice call,

1:07:03.400 --> 1:07:05.560
<v Speaker 1>but I always a bastly like said that in the beginning.

1:07:05.600 --> 1:07:08.520
<v Speaker 1>Once they pair it up in class, I was like,

1:07:08.880 --> 1:07:10.880
<v Speaker 1>you know what this stuff, I can't really do it,

1:07:11.160 --> 1:07:13.160
<v Speaker 1>and all of you is just like I love you. Yeah,

1:07:13.200 --> 1:07:19.400
<v Speaker 1>She's like, you're so sensitive. She unicsed him. Then take

1:07:23.000 --> 1:07:28.360
<v Speaker 1>oh one more final shout out to Channing Tatums. I'm sorry,

1:07:28.400 --> 1:07:33.320
<v Speaker 1>I'm a wine mom again. Channing Tatums impeccable comedic timing

1:07:33.360 --> 1:07:36.560
<v Speaker 1>on the when he's on the flip phone and he

1:07:36.640 --> 1:07:39.440
<v Speaker 1>bonks his big old meat head on the thing and

1:07:40.040 --> 1:07:44.880
<v Speaker 1>he's like hello, Like, it's just it's such a good scene. Oh,

1:07:44.920 --> 1:07:50.560
<v Speaker 1>I love he's a comedicus. He's so funny. I don't know,

1:07:51.360 --> 1:07:55.360
<v Speaker 1>I need to call my mom about this. Does anyone

1:07:55.400 --> 1:07:59.040
<v Speaker 1>else have any other thoughts about She's the man? You know,

1:07:59.240 --> 1:08:04.520
<v Speaker 1>overall mistakes were made, but a modern classic. So let's

1:08:04.520 --> 1:08:07.840
<v Speaker 1>talk about whether or not this movie passes Bechtel test.

1:08:08.760 --> 1:08:13.480
<v Speaker 1>It does. There are scenes between in the very beginning,

1:08:13.560 --> 1:08:17.799
<v Speaker 1>whenever Viola is talking to her teammates Kia and Yvonne

1:08:17.840 --> 1:08:20.920
<v Speaker 1>about like having their team been cut. They're talking about

1:08:20.960 --> 1:08:23.400
<v Speaker 1>like where she wants to play soccer in college. She

1:08:23.479 --> 1:08:26.720
<v Speaker 1>and his mother talk about the debutante b oh, they

1:08:26.720 --> 1:08:29.200
<v Speaker 1>do mention justin in that they do mention yeah. Later

1:08:29.200 --> 1:08:32.439
<v Speaker 1>on that scene, but there's a few lines why don't

1:08:32.439 --> 1:08:35.720
<v Speaker 1>you do a mom? And she's like, I couldn't. That

1:08:35.800 --> 1:08:40.360
<v Speaker 1>reminded me of my mom Horny moms representing horn So yeah,

1:08:40.360 --> 1:08:43.799
<v Speaker 1>there's quite a few conversations that pass the Bechtel test

1:08:44.240 --> 1:08:51.040
<v Speaker 1>between several different combinations of characters. So that's cool, Um,

1:08:51.360 --> 1:08:54.960
<v Speaker 1>good job. It's like when first time listeners of this

1:08:55.000 --> 1:08:58.439
<v Speaker 1>podcast think that that's what the whole podcast is about there,

1:08:58.479 --> 1:09:00.760
<v Speaker 1>like it's the whole time, are we we're trying to

1:09:00.880 --> 1:09:04.720
<v Speaker 1>what figure out? Like wait, but does it? It's like

1:09:06.800 --> 1:09:09.639
<v Speaker 1>it's pretty clear that it's not too hard to figure

1:09:09.680 --> 1:09:13.680
<v Speaker 1>out totally. Anyways, Shall we read the movie on our

1:09:13.760 --> 1:09:17.720
<v Speaker 1>nipple scale zero to five nipples based on its portrayal

1:09:17.760 --> 1:09:23.799
<v Speaker 1>and representation of women. I'm going to give this movie

1:09:23.840 --> 1:09:29.200
<v Speaker 1>I think three. I'm docking off a couple nipples for

1:09:29.240 --> 1:09:33.880
<v Speaker 1>all the mistakes that makes, which is the casual homophobia

1:09:34.280 --> 1:09:39.120
<v Speaker 1>that for the most part goes unchallenged for some of

1:09:39.160 --> 1:09:44.479
<v Speaker 1>the moments of misogyny that go unchallenged, most notably the

1:09:45.200 --> 1:09:49.360
<v Speaker 1>scene where in order for Violet as Sebastian to be

1:09:49.520 --> 1:09:54.160
<v Speaker 1>accepted by her peers, she has to objectify women and

1:09:54.200 --> 1:09:58.240
<v Speaker 1>seem like this awesome stud to be cool and to

1:09:58.360 --> 1:10:03.640
<v Speaker 1>be the men the sis normative idea that your genitals

1:10:03.680 --> 1:10:07.479
<v Speaker 1>determine your gender identity, things like that. This is also,

1:10:08.120 --> 1:10:11.439
<v Speaker 1>as most movies we come across, a very white movie.

1:10:11.960 --> 1:10:14.680
<v Speaker 1>The few characters who are people of color are for

1:10:14.720 --> 1:10:19.280
<v Speaker 1>the most part sidelined, but just the story of a

1:10:19.280 --> 1:10:25.160
<v Speaker 1>woman seeking to prove that she is equal to her

1:10:25.640 --> 1:10:30.679
<v Speaker 1>sort of male peers and then succeeding in that quest

1:10:31.400 --> 1:10:34.719
<v Speaker 1>is just a cool story that we don't really get

1:10:34.760 --> 1:10:38.440
<v Speaker 1>to see that often, and I like that in the adaptation,

1:10:39.120 --> 1:10:42.040
<v Speaker 1>even though there is like a romantic subplot with Duke,

1:10:42.600 --> 1:10:46.599
<v Speaker 1>the main story still is largely like proving that she's

1:10:46.600 --> 1:10:50.519
<v Speaker 1>a capable soccer player, whereas in the original play it

1:10:50.560 --> 1:10:54.839
<v Speaker 1>seemed like it was mostly just entirely about the romance.

1:10:54.960 --> 1:10:58.880
<v Speaker 1>So I like that it deviates from that quite a bit. Um.

1:10:59.040 --> 1:11:03.200
<v Speaker 1>So yeah, I think three nipples, and I'm gonna give

1:11:03.400 --> 1:11:06.679
<v Speaker 1>one to the scene in the gym where Channing Tatum

1:11:06.880 --> 1:11:11.599
<v Speaker 1>is the best comedian ever to have lived that whole scene, yes,

1:11:11.640 --> 1:11:14.040
<v Speaker 1>exactly two. And then my other two nipples I'm going

1:11:14.080 --> 1:11:18.960
<v Speaker 1>to give to Amanda Binds for um being a comedic

1:11:18.960 --> 1:11:24.280
<v Speaker 1>powerhouse in this movie. For uh, you know, we didn't

1:11:24.320 --> 1:11:29.759
<v Speaker 1>talk about this, but her sort of fall is very upsetting. Yeah,

1:11:29.880 --> 1:11:33.000
<v Speaker 1>I love her. She's great, and this is a fun movie,

1:11:33.280 --> 1:11:36.479
<v Speaker 1>not without its flaws, but I really enjoy this movie.

1:11:36.600 --> 1:11:40.680
<v Speaker 1>Three nipples. I'm also going to give it three or

1:11:40.720 --> 1:11:43.280
<v Speaker 1>actually I'm gonna give three and a half nipples for

1:11:43.280 --> 1:11:47.080
<v Speaker 1>for all the reasons you stated, Caitlin, Um, it is

1:11:47.120 --> 1:11:49.439
<v Speaker 1>a very white movie. There are a lot of blind

1:11:49.520 --> 1:11:54.800
<v Speaker 1>spots in terms of homophobic jokes, etcetera. But by and large,

1:11:55.080 --> 1:11:57.639
<v Speaker 1>I think that it's almost tricky to rate on its

1:11:57.640 --> 1:12:00.000
<v Speaker 1>treatment of women because we spend most of this movie

1:12:00.080 --> 1:12:03.680
<v Speaker 1>be with men. However, I don't necessarily think that that

1:12:03.800 --> 1:12:06.160
<v Speaker 1>is a bad thing. I think that that works and

1:12:06.200 --> 1:12:10.479
<v Speaker 1>still accomplishes quite a bit where it's mostly we are

1:12:10.520 --> 1:12:15.080
<v Speaker 1>seeing Viola as Sebastian among other men, and it's kind

1:12:15.120 --> 1:12:20.280
<v Speaker 1>of an examination with varying degrees of success as we've discussed,

1:12:20.880 --> 1:12:25.880
<v Speaker 1>of looking at masculinity and how do men interact and

1:12:26.320 --> 1:12:28.320
<v Speaker 1>you know, like what are the shades of gray there?

1:12:28.439 --> 1:12:30.479
<v Speaker 1>And again there were some hits and there are some misses,

1:12:31.080 --> 1:12:35.240
<v Speaker 1>but ultimately it does well, certainly better than most teen

1:12:35.320 --> 1:12:39.400
<v Speaker 1>movies of this era. It's a very effective adaptation where

1:12:39.439 --> 1:12:43.280
<v Speaker 1>the the you know, original play it does not look

1:12:43.479 --> 1:12:47.320
<v Speaker 1>upon women that kindly, where that was somehow you know,

1:12:47.439 --> 1:12:51.519
<v Speaker 1>made into a movie that makes women part of the

1:12:51.600 --> 1:12:55.360
<v Speaker 1>narrative and very capable. And I do wish that there

1:12:55.400 --> 1:12:59.160
<v Speaker 1>were other women in this movie included in a more

1:12:59.240 --> 1:13:02.320
<v Speaker 1>meaningful way. Um. I think it would have been really

1:13:02.360 --> 1:13:06.519
<v Speaker 1>awesome to have give Viola someone to talk to more

1:13:06.680 --> 1:13:09.920
<v Speaker 1>often so that she could be reflecting on this experience

1:13:09.920 --> 1:13:11.559
<v Speaker 1>in real time. I think that there could have been

1:13:11.560 --> 1:13:13.080
<v Speaker 1>a lot of cool things to get out of that.

1:13:13.680 --> 1:13:15.719
<v Speaker 1>But for the most part, the fact that we spend

1:13:15.800 --> 1:13:18.400
<v Speaker 1>most of this movie with men, unlike most movies where

1:13:18.400 --> 1:13:21.000
<v Speaker 1>we're with men almost all of the time, is done

1:13:21.160 --> 1:13:25.120
<v Speaker 1>with a lot of intent, and four two thousand and

1:13:25.160 --> 1:13:30.720
<v Speaker 1>six is handled generally pretty thoughtfully. However, I wish we

1:13:30.720 --> 1:13:33.400
<v Speaker 1>were with women for more of this movie, and and

1:13:33.439 --> 1:13:38.680
<v Speaker 1>also the mom character in general kind of missed for me.

1:13:39.400 --> 1:13:41.519
<v Speaker 1>There's a lot of cartooning characters in this but I

1:13:41.600 --> 1:13:44.760
<v Speaker 1>just like because the whole time I was thinking of

1:13:44.800 --> 1:13:52.160
<v Speaker 1>the other hyper traditionally feminine mother character in a soccer movie. Um,

1:13:52.200 --> 1:13:54.480
<v Speaker 1>I just think that that was a big missed opportunity.

1:13:54.760 --> 1:13:57.880
<v Speaker 1>You know, maybe if we there was a portion of

1:13:57.920 --> 1:13:59.479
<v Speaker 1>this movie that had to do with why the fund

1:13:59.600 --> 1:14:01.760
<v Speaker 1>isn't five Fola at school? That could be a conversation

1:14:01.800 --> 1:14:05.000
<v Speaker 1>between Viola and her mother right like there there There

1:14:05.000 --> 1:14:08.240
<v Speaker 1>are definitely, as with most movies, this movie is like

1:14:08.320 --> 1:14:11.400
<v Speaker 1>littered with missed opportunities, but the ones that capitalizes on

1:14:11.520 --> 1:14:14.680
<v Speaker 1>generally I think do pretty well. So three and a

1:14:14.680 --> 1:14:17.200
<v Speaker 1>half nippies from me and to give two of them

1:14:17.240 --> 1:14:21.439
<v Speaker 1>to Amanda Bynes come back, we need you. I'm going

1:14:21.520 --> 1:14:24.760
<v Speaker 1>to give I guess I'll give. I have to give

1:14:24.760 --> 1:14:27.400
<v Speaker 1>one a Channing Tatum because you know you wouldn't think

1:14:27.400 --> 1:14:30.800
<v Speaker 1>that he's so funny and um, and then I will

1:14:30.840 --> 1:14:37.640
<v Speaker 1>give my final half nipple to um My queer King Malvolio. Sure,

1:14:37.800 --> 1:14:42.360
<v Speaker 1>of course, do spiders have nipples? As a nipple expert

1:14:42.400 --> 1:14:46.600
<v Speaker 1>over here, UM, I would say, now if each of

1:14:47.280 --> 1:14:52.920
<v Speaker 1>a long ass nipple, spiders are just basically cats who

1:14:53.000 --> 1:14:56.639
<v Speaker 1>walk on their nipples. I'm sorry, that was the worst

1:14:56.680 --> 1:14:59.679
<v Speaker 1>thing I've ever said. Sammy, oh hi, I would say,

1:14:59.840 --> 1:15:02.479
<v Speaker 1>I think even though it is my favorite movie all time,

1:15:02.520 --> 1:15:04.120
<v Speaker 1>and I did say that it was flowless, I think

1:15:04.840 --> 1:15:08.960
<v Speaker 1>that I'll give it probably three point five nips. The

1:15:09.000 --> 1:15:11.519
<v Speaker 1>thing with gender swap movies is that it really does

1:15:11.600 --> 1:15:15.600
<v Speaker 1>result in focusing on leaning into gender norms, which you

1:15:15.640 --> 1:15:18.800
<v Speaker 1>know those aren't my bag, baby, So I mean, but

1:15:19.240 --> 1:15:22.280
<v Speaker 1>you have to do it for the story whatever. But yeah,

1:15:22.360 --> 1:15:25.160
<v Speaker 1>three and a half. I think one to Unice Sure,

1:15:25.560 --> 1:15:30.799
<v Speaker 1>one to Amanda Bindes is mugging MH. One to Amanda

1:15:30.840 --> 1:15:38.080
<v Speaker 1>Bindes is inconsistent accent boy accent southern sometimes southern, and

1:15:38.120 --> 1:15:40.920
<v Speaker 1>then something like with all of her like money. It's

1:15:40.960 --> 1:15:43.240
<v Speaker 1>like I love it. Like if you guys ever want

1:15:43.240 --> 1:15:46.479
<v Speaker 1>to know what I'm like in my daily life, I

1:15:46.520 --> 1:15:51.519
<v Speaker 1>am Viola as Sebastian without that was such an probable

1:15:52.640 --> 1:15:55.920
<v Speaker 1>the scene where the one like debutante lady is like

1:15:56.240 --> 1:15:58.160
<v Speaker 1>Viola true, like you have a secret, and then she

1:15:58.280 --> 1:16:02.640
<v Speaker 1>just to like that all the time because of that

1:16:02.720 --> 1:16:06.000
<v Speaker 1>scene when yeah, how many nipples are think about three

1:16:06.000 --> 1:16:08.240
<v Speaker 1>and a half? You got a half or a half

1:16:08.240 --> 1:16:16.000
<v Speaker 1>to dinklage. All right, Yeah for not being well, Sammy,

1:16:16.680 --> 1:16:18.840
<v Speaker 1>thank you so much for being here with us. Thank

1:16:18.840 --> 1:16:22.400
<v Speaker 1>you for inviting me. It's time. Where can people find

1:16:22.439 --> 1:16:24.920
<v Speaker 1>you online? Is there anything you'd like to plug? Um?

1:16:25.160 --> 1:16:29.000
<v Speaker 1>Follow me on Instagram? At it your sam underscores it

1:16:29.080 --> 1:16:32.760
<v Speaker 1>between those words, so I t underscore? Why oh you

1:16:32.800 --> 1:16:37.120
<v Speaker 1>are underscore? S A M Twitter Sammy Junio s A

1:16:37.240 --> 1:16:39.000
<v Speaker 1>M E j U and I oh if your local

1:16:39.040 --> 1:16:41.800
<v Speaker 1>to Los Angeles are coming to visit, uh see a

1:16:41.880 --> 1:16:45.519
<v Speaker 1>historical roast or fictional roast show at Dynasty, Typewriter or

1:16:45.560 --> 1:16:48.240
<v Speaker 1>the comedy Store. Jamie and Caitlin, we're both on and

1:16:48.960 --> 1:16:52.599
<v Speaker 1>killed it. Oh, so good. It's so good to see them. Also,

1:16:52.720 --> 1:16:56.200
<v Speaker 1>I do have a podcast unreleased, but it will come

1:16:56.200 --> 1:16:59.679
<v Speaker 1>out called non Binary Code, which is me going through

1:17:00.040 --> 1:17:03.080
<v Speaker 1>the non binary journey and inviting guests to talk about

1:17:03.080 --> 1:17:07.960
<v Speaker 1>their experience, which in what I call a living blurry nice.

1:17:08.080 --> 1:17:10.479
<v Speaker 1>Thanks love it. So be on the lookout for non

1:17:10.479 --> 1:17:15.439
<v Speaker 1>Binary Code and you can follow us at bechtel Cast

1:17:15.560 --> 1:17:18.120
<v Speaker 1>on social media. You can go to our website bectel

1:17:18.120 --> 1:17:21.320
<v Speaker 1>cast dot com and there you can find episodes. You

1:17:21.360 --> 1:17:24.680
<v Speaker 1>can find our merch store. We've got all kinds of

1:17:24.880 --> 1:17:31.240
<v Speaker 1>apparel and mugs. Speaking of you can drink out of

1:17:31.240 --> 1:17:35.320
<v Speaker 1>a Cat Facts with Caitlin mug or whatever. Oh speaking

1:17:35.320 --> 1:17:42.320
<v Speaker 1>of which, Alfred Molina could have played Malfolio. Malfolio with

1:17:42.360 --> 1:17:45.839
<v Speaker 1>this spider. I mean he's a chameleon. He can play anything.

1:17:45.880 --> 1:17:49.040
<v Speaker 1>That's true. Yeah, yeah, Get your merch um rate and

1:17:49.080 --> 1:17:52.439
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1:17:52.560 --> 1:17:55.160
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1:17:55.280 --> 1:17:59.960
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1:18:00.240 --> 1:18:03.439
<v Speaker 1>every single month, can you believe it? And it's only

1:18:03.479 --> 1:18:05.639
<v Speaker 1>five dollars a month. Oh my god. So I check

1:18:05.680 --> 1:18:08.880
<v Speaker 1>that out of paton dot com, slash Patreon dot com,

1:18:08.920 --> 1:18:13.479
<v Speaker 1>slash Beckadle casts excellent, So and thank you, we love you,

1:18:13.720 --> 1:18:18.639
<v Speaker 1>and we're all. The Man's the Man. Yeah, he's the Man.

1:18:18.800 --> 1:18:19.680
<v Speaker 1>By